High End Systems Studio Beam User manual

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High End Systems Studio Beam User manual | Manualzz

®

User Manual

© High End Systems, Inc. 2004, All Rights Reserved

Information and specifications in this document are subject to change without notice.

High End Systems, Inc. assumes no responsibility or liability for any errors or inaccuracies that may appear in this manual. The system software for the Status Cue

®

lighting console described in this manual is furnished under a license agreement and may be used or copied only in accordance with the terms of the agreement.

Trademarks used in this text: High End Systems, Status Cue, Studio Color 250,

Intellabeam, Dataflash AF1000, Technobeam, and LithoPatterns are registered trademarks; and Studio Spot, TalkBack, WholeHog, Handshake, the Lightwave Research logo, Internal Effects, and the High End Systems globe logo are trademarks of High End

Systems, Inc. Belden is a registered trademark of Belden, Inc. Philips is a registered trademark of Philips Lighting Company. Fram is a registered trademark of Allied Signal.

ETL and C-ETL are registered trademarks of Intertek Testing Services. Other trademarks and trade names may be used in this document to refer to either the entities claiming the marks and names or their products. High End Systems disclaims any proprietary interest in trademarks and trade names owned by others.

Studio Beam

®

User Manual

P/N 60600160 Version 2.1 May, 2004

Printed in the USA

Studio Beam

®

User Manual

i

ii

Contacting High End Systems

®

US and the Americas

Sales Department:

Customer Service:

U.S. New York

U.S. Los Angeles:

Orlando

High End Systems, Inc.

2105 Gracy Farms Lane

Austin, TX 78758 USA voice: fax:

512.836.2242

512.837.5290

High End Systems, Inc.

2105 Gracy Farms Lane

Austin, TX 78758 USA voice: 800.890.8989

24-hour fax: 512.834.9195

24-hour voice mail: 512.837.3063 or 800.890.8989

High End Systems, Inc. New York

311 W. 43rd Street, Ste 400

New York, NY 10036 voice: fax:

210.957.6840

212.957.4466

High End Systems, Inc.

8200 Haskell Avenue

Van Nuys, CA 91406 US voice: fax:

818.947.0550

818.908.8975

voice: 352.241.8567

Europe Headquarters: High End Systems Europe LTD.

53 Northfield Road

London W13 voice: fax:

+44 20.8579.5665

+44 20.8579.8469

Singapore:

High End Systems Singapore Pte. Ltd.

1 Tannery Road 06-05

Cencon 1

Singapore 1334 voice:

FAX:

+65 6742 8266

+65 6743 9322

World Wide Web:

http://www.highend.com

Studio Beam

®

User Manual

Declaration of Conformity according to ISO/IEC Guide 22 and EN45104

Manufacturer’s name:

Manufacturer’s address:

Distributor’s name:

Distributor’s address:

High End Systems, Inc.

2105 Gracy Farms Lane

Austin, Texas 78758 USA

High End Systems, Inc.

2105 Gracy Farms Lane

Austin, Texas 78758 USA

Declares that the product

Product Name:

Product Number:

Product Options:

Studio Beam

All

All conforms to the following EEC directives:

73/23/EEC, as amended by 93/68/EEC

89/336/EEC, as amended by 92/31/EEC and 93/68/EEC

Equipment referred to in this declaration of conformity was first manufactured in compliance with the following standards in 2000:

Safety:

EN 60598-1 : 1993

EN 60598-2-17 ; 1989

A1-A3 : 1993

EMC:

EN 55022, 1994 Class A ITE

EN 61000-4-2 : 1995 Level 2/3 (4/8kV)

EN 61000-4-3 : 1995 Level 2 (3 V/m)

EN 50204 : 1996 Level 2 (3 V/m)

EN 61000-4-4 : 1995 Level 2 (1/.5 kV)

EN 61000-4-5 : 1995 Level 3 (2/1 kV)

EN 61000-4-6 : 1996 Level 2 (3VRMS)

EN 61000-4-11 : 1994

EN 61000-3-2 : 1995

EN 61000-3-3 : 1994

USA, Friday, April 16, 2004

Kenneth Stuart Hansen, Compliance Engineer

Studio Beam

®

User Manual

iii

Product Modification Warning

High End Systems products are designed and manufactured to meet the requirements of

United States and International safety regulations. Modifications to the product could affect safety and render the product non-compliant to relevant safety standards.

Mise En Garde Contre La Modification Du Produit

Les produits High End Systems sont conçus et fabriqués conformément aux exigences des règlements internationaux de sécurité. Toute modification du produit peut entraîner sa non conformité aux normes de sécurité en vigueur.

Produktmodifikationswarnung

Design und Herstellung von High End Systems entsprechen den Anforderungen der U.S.

Amerikanischen und internationalen Sicherheitsvorschriften. Abänderungen dieses

Produktes können dessen Sicherheit beeinträchtigen und unter Umständen gegen die diesbezüglichen Sicherheitsnormen verstoßen.

Avvertenza Sulla Modifica Del Prodotto

I prodotti di High End Systems sono stati progettati e fabbricati per soddisfare i requisiti delle normative di sicurezza statunitensi ed internazionali. Qualsiasi modifica al prodotto potrebbe pregiudicare la sicurezza e rendere il prodotto non conforme agli standard di sicurezza pertinenti.

Advertencia De Modificación Del Producto

Los productos de High End Systems están diseñados y fabricados para cumplir los requisitos de las reglamentaciones de seguridad de los Estados Unidos e internacionales.

Las modificaciones al producto podrían afectar la seguridad y dejar al producto fuera de conformidad con las normas de seguridad relevantes.

iv

Studio Beam

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User Manual

Important Safety Information

Instructions pertaining to continued protection against fire, electric shock, exposure to excessive ultraviolet (UV) radiation, and injury to persons are found in Appendix B.

Please read all instructions prior to assembling, mounting, and operating this equipment.

Important: Informations De Sécurité

Les instructions se rapportant à la protection permanente contre les incendies, l’électrocution, l’exposition à un rayonnement ultraviolet (UV) excessif et aux blessures corporelles se trouvent dans l’Annexe B.

Veuillez lire toutes les instructions avant d’assembler, de monter ou d’utiliser cet

équipement.

Wichtige Sicherheitshinweise

Sicherheitsanleitungen zum Schutz gegen Feuer, elektrischen Schlag, übermäßige

UV-Strahlung und Verletzung von Personen finden Sie in Anhang B.

Vor der Montage, dem Zusammenbau und der Intbetriebnahme dieses Geräts alle

Anleitungen sorgfältig durchlesen.

Informazioni Importanti Di Sicurezza

Le istruzioni sulla protezione da incendi, folgorazione, esposizione eccessiva a raggi ultravioletti (UV) e infortuni sono contenute nell’appendice B.

Si prega di leggere tutte le istruzioni prima di assemblare, montare e azionare l’apparecchiatura.

Informacion Importante De Seguridad

En el Apéndice B se encuentran instrucciones sobre protección continua contra incendios, descarga eléctrica, exposición excesiva a radiación ultravioleta (UV) y lesiones personales.

Lea, por favor, todas las instrucciones antes del ensamblaje, montaje y operación de este equipo.

FCC Information

This equipment has been tested and found to comply with the limits for a Class A digital device, pursuant to part 15 of the FCC rules. These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial environment. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instruction manual, may cause harmful interference to radio communications. Operation of this equipment in a residential area is likely to cause harmful interference, in which case the user will be required to correct the interference at his own expense.

Studio Beam

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User Manual

v

Safety Symbols

The following international caution and warning symbols appear in margins throughout this manual to highlight messages.

Caution:This symbol appears adjacent to Caution messages. Not heeding these messages could result in personal injury and/or damage to equipment.

1

Warning:This symbol appears adjacent to high voltage warning messages.

Not heeding these messages could result in serious personal injury.

This symbol indicates that a fire hazard is present. Not heeding these messages could result in serious personal injury.

This symbol indicates that eye protection is required.

This symbol indicates an explosion hazard.

This symbol indicates the minimum distance to a lighted object, which in this case, is 1 meter.

This symbol indicates a hot surface.

Document Conventions

This manual uses the following conventions for menus and menu navigation buttons:

Example

<Button>

“Menu Option”

Meaning

Press the appropriate LED display navigation button on the fixture. For example, the <Enter> button on the LED display panel (see Figure 4-1 on page

4-1).

Quotation marks are used to indicate the appropriate menu selection you should choose from the on-board menu system. For example, the “ADDR” menu option.

vi

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User Manual

Warranty Information

Limited Warranty

Unless otherwise stated, your product is covered by a two year parts and labor limited warranty. Dichroic filters and LithoPatterns

®

high resolution glass gobos are not guaranteed against breakage or scratches to coating. It is the owner’s responsibility to furnish receipts or invoices for verification of purchase, date, and dealer or distributor. If purchase date cannot be provided, date of manufacture will be used to determine warranty period.

Returning an Item Under Warranty for Repair

It is necessary to obtain a Return Material Authorization (RMA) number from your dealer or point of purchase BEFORE any units are returned for repair. The manufacturer will make the final determination as to whether or not the unit is covered by warranty. Lamps are covered by the lamp manufacturer’s warranty.

Any Product unit or parts returned to High End Systems must be packaged in a suitable manner to ensure the protection of such Product unit or parts, and such package shall be clearly and prominently marked to indicate that the package contains returned Product units or parts and with an RMA number. Accompany all returned Product units or parts with a written explanation of the alleged problem or malfunction. Ship returned Product units or parts to: 2105 Gracy Farms Lane, Austin, TX 78758 USA.

Note: Freight Damage Claims are invalid for fixtures shipped in non-factory boxes and packing materials.

Freight

All shipping will be paid by the purchaser. Items under warranty shall have return shipping paid by the manufacturer only in the Continental United States. Under no circumstances will freight collect shipments be accepted. Prepaid shipping does not include rush expediting such as air freight. Air freight can be sent customer collect in the

Continental United States.

REPAIR OR REPLACEMENT AS PROVIDED FOR UNDER THIS WARRANTY IS THE

EXCLUSIVE REMEDY OF THE CONSUMER. HIGH END SYSTEMS, INC. MAKES NO

WARRANTIES, EXPRESS OR IMPLIED, WITH RESPECT TO ANY PRODUCT, AND

HIGH END SPECIFICALLY DISCLAIMS ANY WARRANTY OF MERCHANTABILITY OR

FITNESS FOR A PARTICULAR PURPOSE. HIGH END SHALL NOT BE LIABLE FOR

ANY INDIRECT, INCIDENTAL OR CONSEQUENTIAL DAMAGE, INCLUDING LOST

PROFITS, SUSTAINED OR INCURRED IN CONNECTION WITH ANY PRODUCT OR

CAUSED BY PRODUCT DEFECTS OR THE PARTIAL OR TOTAL FAILURE OF ANY

PRODUCT REGARDLESS OF THE FORM OF ACTION, WHETHER IN CONTRACT,

TORT (INCLUDING NEGLIGENCE), STRICT LIABILITY OR OTHERWISE, AND

WHETHER OR NOT SUCH DAMAGE WAS FORESEEN OR UNFORESEEN.

Warranty is void if the product is misused, damaged, modified in any way, or for unauthorized repairs or parts. This warranty gives you specific legal rights, and you may also have other rights which vary from state to state.

Studio Beam

®

User Manual

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viii

Studio Beam

®

User Manual

Table of Contents

Contacting High End Systems .................................................................................................ii

Product Modification Warning ............................................................................................... iv

Important Safety Information .................................................................................................. v

FCC Information ....................................................................................................................... v

Safety Symbols......................................................................................................................... vi

Document Conventions ........................................................................................................... vi

Warranty Information.............................................................................................................vii

Chapter 1 Features and Specifications

Studio Beam

®

Features .........................................................................................................1-2

Fixture.............................................................................................................................. 1-2

Operation......................................................................................................................... 1-2

Construction ....................................................................................................................1-3

Optional Accessories .............................................................................................................1-4

Specifications .........................................................................................................................1-5

Physical Specifications ................................................................................................... 1-5

Environmental Specifications ........................................................................................ 1-5

Do not mount on a flammable surface. ......................................................................... 1-5

Electrical Specifications ................................................................................................. 1-6

Cable and Connector Specifications.............................................................................. 1-6

Lamp Specifications........................................................................................................ 1-6

Chapter 2 Setup and Configuration

Unpacking the Fixture...........................................................................................................2-1

Saving the Shipping Materials .......................................................................................2-1

Changing the Attachment Plug ............................................................................................2-1

Installing an Attachment Plug - U.K. Only.................................................................... 2-2

Vigtig Fikker Heds Information - Danmark.................................................................. 2-2

Powering On the Fixture .......................................................................................................2-2

Homing the Fixture................................................................................................................2-2

Mounting the Fixture.............................................................................................................2-3

Mounting the Fixture Upright........................................................................................ 2-3

Mounting the Fixture on a Truss ................................................................................... 2-4

Truss or Other Support System ..............................................................................2-4

Safety Cable .............................................................................................................2-4

Clamp........................................................................................................................2-4

Mounting Procedure ................................................................................................2-4

Linking the Fixtures...............................................................................................................2-5

Data Cabling and Connectors ........................................................................................ 2-5

DMX data cables:.....................................................................................................2-6

Cable Connectors:....................................................................................................2-6

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User Manual

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x

Setting up the Link ......................................................................................................... 2-7

Obtaining a Terminator.................................................................................................. 2-8

Uploading Latest Fixture Software ...................................................................................... 2-9

Assigning a DMX Start Channel .......................................................................................... 2-9

Determining the DMX Start Channel ......................................................................... 2-11

DMX Link with Multiple Fixture Types............................................................... 2-11

Studio Beam® Only DMX Link ............................................................................ 2-11

Chapter 3 Fixture Programming

Fixture Operation Overview ................................................................................................. 3-1

TalkBack™ Support for Remote Access............................................................................... 3-1

DMX Programming Overview .............................................................................................. 3-2

Full Speed verses MSpeed Control ............................................................................... 3-2

DMX Protocols ............................................................................................................... 3-2

DMX Programming Options................................................................................................. 3-3

Programming with a DMX Controller .......................................................................... 3-3

DMX Programming in the Onboard Menu System ..................................................... 3-3

Construct Function Descriptions.......................................................................................... 3-4

Pan and Tilt Constructs.................................................................................................. 3-4

Color Function Construct............................................................................................... 3-4

In Standard Protocol ............................................................................................... 3-4

Flat Protocol............................................................................................................. 3-5

Cyan, Magenta, and Yellow Constructs........................................................................ 3-5

Beam Shaping Construct ............................................................................................... 3-7

Zoom Construct .............................................................................................................. 3-8

Frost Construct ............................................................................................................... 3-8

Shutter Construct ......................................................................................................... 3-10

Lamp Control Construct .............................................................................................. 3-11

Dim Construct............................................................................................................... 3-12

MSpeed (Motor Speed) Construct .............................................................................. 3-12

Macro Construct ........................................................................................................... 3-12

Control Construct ......................................................................................................... 3-13

Chapter 4 The Menu System

On-Board Programming Capability ..................................................................................... 4-1

Navigating the Menu System................................................................................................ 4-1

Studio Beam

®

Menu Options................................................................................................ 4-2

Address Menu (ADDR) .................................................................................................. 4-2

Preset Menu (PRST)....................................................................................................... 4-3

Setting Preset Playback (PLAY)............................................................................. 4-3

Editing or Creating an On-Board Memory Scene (EDIT) .................................... 4-3

Copying an On-Board Memory Scene (COPY) ..................................................... 4-4

Capturing a Preset Scene (CAPT) .......................................................................... 4-4

Studio Beam

®

User Manual

Enabling the Preset Default (DFLT).......................................................................4-5

Set Menu (SET)............................................................................................................... 4-6

Setting Factory Defaults (FACT) ............................................................................4-6

Swapping Pan and Tilt (SWAP)..............................................................................4-7

Inverting Tilt (T/IN) .................................................................................................4-7

Inverting Pan (P/IN).................................................................................................4-8

Changing the Display Output (DSPL) ....................................................................4-8

Inverting LED Characters (D/IN)............................................................................4-9

Setting the Lamp Warning Message (LMPL).........................................................4-9

Data Loss Shutter Close (DLOS) ..........................................................................4-10

Increasing the Pan/Tilt Movement (FAST) ..........................................................4-10

Enabling Audio Modulation (ALED) ....................................................................4-11

Setting the Audio Gain (GAIN).............................................................................4-11

Setting the Zoom (ZOOM) ....................................................................................4-12

Mode Menu (MODE) ....................................................................................................4-13

Setting the User Type (USER) ..............................................................................4-13

Copying User Presets (PRST) ...............................................................................4-14

Copying User Settings (SETT)..............................................................................4-14

Copying User Presets and Settings (ALL)............................................................4-15

Crossloading Fixture Software (XLD)..................................................................4-15

Selecting Protocol (PROT) ....................................................................................4-16

Test Menu (TEST).........................................................................................................4-17

Homing the Fixture (HOME) ................................................................................4-17

Turning the Lamp On or Off (LAMP)...................................................................4-17

Copying the Boot Code (BOOT)............................................................................4-17

Performing Self Tests (SELF) ...............................................................................4-18

Placing the Fixture in Setup Mode (S/UP) ...........................................................4-18

Testing the LED Display (DISP) ...........................................................................4-19

Changing Encoder Operation (ENCD).................................................................4-19

Information Menu (INFO) ............................................................................................4-20

Viewing Sensor Information (SENS) ...................................................................4-20

Viewing Fixture DMX Status and Parameter Values (FIXT) .............................4-21

Viewing DMX Data for Another Device (DATA) ................................................4-22

Viewing the Current Logic Board Temperature (PCB) .......................................4-23

Viewing the Current Fixture Head Temperature (HEAD)..................................4-24

Resetting Fixture Hours (F/RS).............................................................................4-24

Viewing the Current Fixture Hours (F/HR) .........................................................4-24

Resetting Lamp Hours (L/RS) ...............................................................................4-25

Viewing the Number of Current Lamp Strikes (L/ST) ........................................4-25

Viewing the Current Lamp Hours (L/HR) ............................................................4-25

Viewing the Current Software Version (VER) .....................................................4-26

Scene Creation, Looping and Playback with the Menu System.......................................4-27

Step-by-Step Scene Creation .......................................................................................4-27

Creating a Loop.............................................................................................................4-31

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Playing Back a Loop..................................................................................................... 4-31

Synchronizing Preset Playback................................................................................... 4-31

Chapter 5 General Maintenance

Replacing Parts...................................................................................................................... 5-1

Replacing Fuses.............................................................................................................. 5-1

Replacing the Lamp........................................................................................................ 5-5

Replacing a Wheel.......................................................................................................... 5-7

Replacing the Lenses...................................................................................................... 5-9

Replacing the PC Lens ............................................................................................ 5-9

Removing or Replacing the Aspheric Lens.......................................................... 5-10

Optimizing the Lamp........................................................................................................... 5-11

Cleaning the Glass Components ........................................................................................ 5-12

Chapter 6 Troubleshooting

Alphanumeric Display Error Messages ............................................................................... 6-1

Status LEDs............................................................................................................................ 6-8

General Troubleshooting ...................................................................................................... 6-9

Upload and Crossload Troubleshooting ............................................................................ 6-11

Appendix A Studio Beam

®

DMX Protocol

Appendix B MSpeed Conversion Table

Appendix C Important Safety Information

Appendix D Menu Map

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Table of Figures

Figure 1-1 Studio Beam

®

dimensions. ............................................................................... 1-5

Figure 2-1 Remove the bezel .............................................................................................. 2-1

Figure 2-2 Upright mounting .............................................................................................2-3

Figure 2-3 Attaching a clamp and safety cable to the fixture .......................................... 2-5

Figure 2-4 Pin configuration for 3-pin and 5-pin XLR cables .......................................... 2-6

Figure 2-5 Data cable connectors on the Studio Beam® fixture’s side panel ............................................................ 2-7

Figure 2-6 Linking fixtures to a controller with 5-pin cables .......................................... 2-7

Figure 2-7 Linking without a controller with 3-pin cables ............................................... 2-8

Figure 2-8 Data cable terminator .......................................................................................2-9

Figure 2-9 Menu navigation buttons ................................................................................2-10

Figure 3-1 Studio Beam® color mixing wheels ................................................................3-5

Figure 4-1 Menu navigation buttons. ................................................................................. 4-1

Figure 4-2 Fixture hung perpendicular ............................................................................. 4-7

Figure 4-3 Vertically opposing fixtures ............................................................................. 4-7

Figure 4-4 Horizontally opposing fixtures ........................................................................ 4-8

Figure 4-5 Preset playback indicator. ...............................................................................4-31

Figure 4-6 Example of synchronized playback .................................................................4-32

Figure 5-1 Loosen panel cover screws.................................................................................. 5-2

Figure 5-2 Remove the two panel covers ............................................................................ 5-2

Figure 5-3 Loosen the two display panel screws ................................................................. 5-2

Figure 5-4 Lower the panel ................................................................................................... 5-3

Figure 5-5 Remove the motor power supply cable from the logic board........................... 5-3

Figure 5-6 Remove the Ground, L1, and L2 wires ............................................................... 5-3

Figure 5-7 Remove the three screws and the motor power supply board assembly ........ 5-4

Figure 5-8 Fuse locations on the boards .............................................................................. 5-4

Figure 5-9 Lamp cap and assembly screws ......................................................................... 5-5

Figure 5-10 Remove the lamp assembly ............................................................................. 5-6

Figure 5-11 Remove the lamp from the lamp socket ......................................................... 5-6

Figure 5-12 Remove bezel ..................................................................................................... 5-7

Figure 5-13 Remove the lens assembly .............................................................................. 5-7

Figure 5-14 Location of the screws and washers on the color wheel assembly .............. 5-8

Figure 5-15 Remove the screws that secure the lens to the optical assembly ................. 5-9

Figure 5-16 Loosen the screws securing the optical assembly plate ..............................5-10

Figure 5-17 Remove the two aspheric lens mounting screws. .........................................5-10

Figure 5-18 Orient the fixture for lamp optimization ......................................................5-11

Figure 5-19 Lamp optimization screws ..............................................................................5-12

Figure 6-1 Front panel display .............................................................................................. 6-1

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List of Tables

Table 1-1 Studio Beam

®

Optional Accessories ................................................................... 1-4

Table 2-1 Determining Start Channels for different fixture types on a DMX link......... 2-11

Table 2-2 DMX Start Channels for Fixtures Running Standard Protocol....................... 2-12

Table 2-3 DMX Start Channels for Fixtures Running Flat Protocol................................ 2-12

Table 3-1 Channel Assignments in Standard and Flat Protocols....................................... 3-2

Table 3-2 Color Function Settings in Standard Protocol.................................................... 3-4

Table 3-3 Color Function Settings for Flat Protocol ........................................................... 3-5

Table 3-4 Cyan, Magenta, and Yellow Channel Settings in Standard and Flat Protocol. 3-6

Table 3-5 Audio Modulation for Color Channels in Standard Protocol ............................ 3-7

Table 3-6 Beam Shaping Setting Descriptions in Standard and Flat Protocols................ 3-7

Table 3-7 Audio Modulation for Beam Shaping in Standard Protocol.............................. 3-7

Table 3-8 Frost Setting Descriptions in Standard and Flat Protocol ................................. 3-8

Table 3-9 Audio Modulation for the Frost construct in Standard Protocol....................... 3-9

Table 3-10 Shutter Construct Functions in Flat and Standard Protocols....................... 3-10

Table 3-11 Other Shutter Functions with Control Channel Settings in Standard Protocol........................................................................................ 3-10

Table 3-12 Lamp Control Settings in Flat Protocol........................................................... 3-11

Table 3-13 Control Setting Descriptions in Standard Protocol........................................ 3-13

Table 3-14 Control Construct Settings in Flat Protocol.................................................... 3-15

Table 5-1 Description and Function of Fuses...................................................................... 5-1

Table 6-1 Alphanumeric Display Error Messages............................................................... 6-2

Table 6-2 Status LEDs ........................................................................................................... 6-8

Table 6-3 General Troubleshooting...................................................................................... 6-9

Table 6-4 Upload and Crossload Troubleshooting............................................................ 6-11

Table A-1 Studio Beam® Standard Protocol DMX Values.................................................A-1

Table A-2 Studio Beam® Flat Protocol DMX Values........................................................A-10

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Chapter 1

Features and Specifications

Unlike a fresnel wash or ellipsoidal spot fixture, the Studio Beam

®

is a third type of automated light featuring a

Pebble Convex (PC) lens that produces a unique quality

of light. This PC lens is similar to a fresnel lens in optical properties, but incorporates a diffusion pattern on its rear surface to produce a well-defined soft-edge beam without light spill.

Studio Beam

®

features a new MSR 700 watt, short-arc lamp and a patented combination elliptical/spherical reflector to yield over 20,000 lumens resulting in extremely high light output for a compact fixture of 21 kg (47 lbs). The aspheric lens system provides a broad zoom range from 15° to 26°. Fitted with full CMY Color

Mixing (plus three additional discrete dichroic colors), Studio Beam

®

also includes variable frost and a variable strobe that rivals speeds seen in dedicated strobe fixtures.

All Studio Beam

®

fixtures support

TalkBack” technology. Any DMX controller

supporting TalkBack protocol, like the HandShake™ handheld controllers from High

End Systems, can remotely access every option in the Studio Beam onboard menu

system. For more information, see “TalkBack™ Support for Remote Access” on page

3-1.

Audio modulation is a new Studio Beam feature available when running Standard

protocol. Modulation is based on amplitude rather than beat and varies as the general sound level rises and falls. The effects of the modulation is seen best with music that has a wide dynamic sound range. Each fixture has an integral microphone and audio circuit to provide audio modulation for the following parameter functions:

• Color saturation changes on any single color mix wheel or combination of wheels with slow, medium or fast decay rates.

• Lenticular wheel motion (forward and reverse) to change beam shaping with slow, medium or fast decay rates.

• Frost flag opening and closing to change diffusion.

• Dimming.

1

Studio Beam

®

User Manual

Features and Specifications 1-1

Studio Beam

®

Features

Fixture

• High efficiency reflector and optical train provides an intensity range from

18,000 lumens with the aspheric zoom lens system installed to over 20,000 lumens without the aspheric zoom lens.

• 115mm Pebble Convex (PC) lens supplies a soft edge beam with no light spill and a blending curve output.

• Subtractive color mixing system plus three additional discrete colors (CTO, deep red, and dark blue) provides infinite color mixing.

• MSR 700-watt, short arc lamp developed by Philips

®

End Systems

®

, Inc.

in conjunction with High

• Motorized aspheric zoom lens system allows a 15° to 26° beam angle.

• Optical encoders to automatically correct the beam’s position if the fixture’s head is jarred from its programmed position.

• Enhanced frost and shutter construct parameters including ramp/snap, synchronous, and random functions.

• Rotatable, variable horizontal and vertical beam shaping.

• Time code synchronization in stand-alone mode via master/slave links to any combination of Technobeam

250, and Studio Beam

®

®

, Studio Spot

fixtures.

, Studio Color

®

250, Studio Spot™

• Seamless, variable frost.

• Smooth full-field dimming without changing color temperature or beam shape.

• Electronic strobe in addition to a variable conventional strobe to 15.75 Hz.

• DMX analyzer for easy DMX troubleshooting.

• Lamp interlock cuts the current to the lamp if the lamp cap is opened while the lamp is on.

• Full optical dimming and fade-to-black.

• Remote fixture power up and shut down.

• Light burst lamp boosting and lightning effects.

Operation

• High-resolution DMX 512 programming control.

• TalkBack protocol support for remote fixture control.

• On-board Preset DMX programming via the fixture’s menu system for standalone operation.

1-2 Features and Specifications

Studio Beam

®

User Manual

• Easy-to-program alphanumeric LED (light emitting diode) display.

• Factory-programmed demo sequence (cue) as a preset default in standalone mode.

• Two user modes (A and B), each with an on-board 16-scene memory for a total of

32-scene memory per fixture in stand-alone mode.

• DMX macro channel factory-programmed with four Internal Effects™ macros.

• Selectable audio modulation adjusts fixture movement to sound amplitude for all fixture parameters except Pan, Tilt, and Zoom.

Construction

• Warm-start circuitry allows for lamp restrike less than one minute after extinguishing.

• Compact size less than 1/2 of comparable fixtures.

• Exterior design prevents stray light scatter.

• Universal power supply automatically selects the appropriate voltage for the fixture (100V - 230V at 50-60 Hz).

• Motion range of 540° pan and 256° tilt.

• Both 3-pin and 5-pin XLR connectors.

• Exclusive High End Systems, Inc. multi-phase technology for stunningly fast, smooth, and quiet yoke movement.

• LED status indicators streamline troubleshooting.

• Precision stepper motors control iris, shutter, color, and effects wheels.

1

Studio Beam

®

User Manual

Features and Specifications 1-3

Optional Accessories

Table 1-1 lists the Studio Beam

®

optional accessories available from your High End

Systems dealer/distributor.

Table 1-1 Studio Beam

®

Optional Accessories

Part Description

Replacement MSR 700W short arc lamp

Male 3-pin XLR terminator

Heavy duty 3-pin XLR cable (10’)

Heavy duty 3-pin XLR cable (25’)

Heavy duty 3-pin XLR cable (50’)

Heavy duty 3-pin XLR cable (100’)

Heavy duty 5-pin XLR cable (10’)

Heavy duty 5-pin XLR cable (25’)

Heavy duty 5-pin XLR cable (50’)

Heavy duty 5-pin XLR cable (100’)

Whole Hog

®

II Lighting Console

HandShake™ handheld controller

Status Cue

®

Lighting Console

Upload Dongle

Galvanized safety cable

Cheeseborough clamp

Road Case for

Studio Beam

®

fixtures

Part Number

55030054

90404039

55050005

55050006

55050007

55050008

55050017

55050018

55050019

55050020

25020001

10020001

22020002

26040002

12040001

55040014

Call

1

1

For more information about optional accessories, contact either your High End Systems

® dealer/distributor, High End Systems Sales, or visit the High End Systems Web site. For

contact information, see “Contacting High End Systems” on page ii.

1-4 Features and Specifications

Studio Beam

®

User Manual

Specifications

Physical Specifications

Height: 599.99 mm (23.62”)

Width: 484.5 mm (19.08”)

Depth: 295 mm (11.62”)

Weight: 21 kg (47 lbs)

For additional dimensions, see Figure 1-1.

Environmental Specifications

Maximum ambient temperature, (T a

): 50° C (122° F)

Maximum exterior surface temperature: 90° C (194° F)

1

Minimum distance to flammable objects: 3.28 ft (1.0 m)

2

Minimum distance to lighted object: 6.56 ft (2.0 m)

Do not mount on a flammable surface.

.21

5.3mm

19.08

484.5mm

18.01

457.4mm

11.62

295mm

11.40

289.5mm

13.02

330.7mm

18.79

477.3mm

17.67

448.8mm

.63

16mm

.97

24.6mm

2.26

57.4mm

4.27

108.4mm

4.83

122.6mm

11.62

295mm

Figure 1-1 Studio Beam

®

dimensions.

Studio Beam

®

User Manual

Features and Specifications 1-5

1

Electrical Specifications

Voltage Range:100-230V, 50-60 Hz, 10-4.35 A

Power Consumption:1000 W

Fuses:Logic Board:

F1 - 2.5A, 250V, Slow Blow only (5 mm x 20 mm)

F2 - 2.5A, 250V, Slow Blow only (5 mm x 20 mm)

Motor Power Supply:

F1 - 6.3A, 250V, Slow Blow only (5 mm x 20 mm)

F2 - 6.3A, 250V, Fast Blow only (5 mm x 20 mm)

Filter Board:

F1 - 12.5A, 250V, Fast Blow only (5 mm x 20 mm)

F2 - 12.5A, 250V, Fast Blow only (5 mm x 20 mm)

Voltage Surge: A surge of 2000V or more may damage the power supply.

Warning: Class 1 equipment - This equipment must be earthed.

Cable and Connector Specifications

DMX data cables:

Belden

®

9841 or equivalent (meets specifications for EIA RS-485 applications) with the following characteristics:

• 2-conductor twisted pair plus a shield

• maximum capacitance between conductors - 30 pF/ft.

• maximum capacitance between conductor and shield - 55 pF/ft.

• maximum resistance of 20 / 1000 ft.

• nominal impedance 100-140

DMX data connectors: 3-pin or 5-pin male and female XLR connectors

DMX data terminators: Male XLR connector with 120 ohm terminator

Lamp Specifications

Lamp type: Philips

®

MSR 700W short arc (MSR700SA)

Color temperature: 5600 K

1-6 Features and Specifications

Studio Beam

®

User Manual

Chapter 2

Setup and Configuration

Unpacking the Fixture

Unpack your Studio Beam

®

and verify that the fixture arrived undamaged. Inspect both the outside of the fixture for physical damage and the inside of the fixture for damage to glass components. bezel latch

To access the internal components, release the two bezel latches (one latch located on each side of the

fixture’s head) and remove the bezel (see Figure 2-1).

If the fixture is damaged, notify both the shipping agent and your sales agent immediately.

Figure 2-1 Remove the bezel

Saving the Shipping Materials

Do not discard the shipping carton and packing materials. The carton and packing

materials are specifically designed to protect the product during transport.

High End Systems assumes no responsibility for products that have been damaged during transport. Therefore, you should return a product for repair in its original shipping carton and packing materials.

Note: Before sending anything to the factory, call your High End Systems dealer/ distributor for a Return Material Authorization (RMA) number. The factory cannot accept any goods shipped without an RMA number.

Changing the Attachment Plug

Studio Beam

®

fixtures are shipped with a molded attachment plug. However, different locations (even within the same country) may require a different attachment plug to connect your fixture to a power outlet. Because of the variety of attachment plugs used worldwide, High End Systems, Inc. cannot make specific recommendations for the particular attachment plug you should use. Contact a local authority if you are unsure which type of attachment plug you need to obtain. If you need to replace the attachment plug, note that the cores in the mains lead are colored according to the following code:

• green and yellow = earth

• blue = neutral

• brown = live

Studio Beam

®

User Manual Setup and Configuration 2-1

2

Warning: Class 1 equipment - This equipment must be earthed.

Installing an Attachment Plug - U.K. Only

In the United Kingdom, the colours of the cores in the mains lead of this equipment may not correspond with the colored markings identifying the terminals in your plug. Therefore, install an attachment plug in accordance with the following code:

• The core which is coloured green and yellow must be connected to the plug terminal which is marked with the letter “E,” or by the earth symbol , or coloured green, or green and yellow.

• The core which is coloured blue must be connected to the terminal which is marked with the letter “N” or coloured black.

• The core which is coloured brown must be connected to the terminal which is marked with the letter ”L” or coloured red.

Warning: Class 1 equipment - This equipment must be earthed.

Vigtig Fikker Heds Information - Danmark

Advarsel: Beskyttelse mod elektrisk chock.

Vigtigt!

Lederne med gul/groen isolation maa kun tilsluttes en klemme maerket eller

Powering On the Fixture

Warning: This equipment for connection to a branch circuit having a maximum overload protection of 20 A.

Studio Beam fixtures do not have a power switch. To power on the fixture, simply connect it to an appropriately-rated power source. Once connected, you can remotely

power up or shutdown the fixture via controller commands (see “Control Construct” on page 3-13). However, it is very important that you disconnect power to the fixture

before performing certain procedures as shown in this manual.

Homing the Fixture

The fixture’s homing procedure verifies that the major functions of the fixture (color wheels, frost flags, and shutter) are oriented properly. The homing procedure is also used to take the fixture out of shutdown mode. During the homing process, you will hear clicking sounds as the wheels, flags, and shutter seek their home position.

2-2 Setup and Configuration

Studio Beam

®

User Manual

When you connect any Studio Beam to an appropriately-rated power source, the fixture automatically begins a homing procedure. You can also remotely home the

fixture via a DMX controller (see “Control Construct” on page 3-13) or manually

home the fixture via the on-board menu system (see “Homing the Fixture (HOME)” on page 4-17).

Mounting the Fixture

2

Warnings: Equipment suitable for dry locations only. Do not expose this equipment to rain or moisture.

Maintain a minimum distance of 1 m (3.28 ft.) from combustible materials.

Maintain a minimum distance of 2 m (6.56 ft.) from lighted object. This means the fixture must be positioned at least 2 meters away from the object it is illuminating.

Do not mount on a flammable surface.

Use a secondary safety cable when mounting this fixture.

You can mount Studio Beam fixtures either upright (on the fixture’s base) or in any orientation suspended from a support system (such as a truss). Follow the instructions below for the mounting orientation you choose.

Mounting the Fixture Upright

To mount the fixture upright, make sure that all four

rubber feet are installed on the fixture’s base (see Figure

2-2) and place the fixture on a sturdy, stable surface.

If the surface is above floor height, use safety cables to secure the fixture to the surface. Install the safety cable(s) by looping the cables around a support on the surface, through the side holes in the fixture’s base, and around the fixture’s handles. Make sure the support and cables can support the weight of the fixture (see

“Physical Specifications” on page 1-5).

Caution: Do not mount the fixture upright without the four rubber feet installed.

Rubber feet

Figure 2-2 Upright mounting

2

Studio Beam

®

User Manual Setup and Configuration 2-3

Mounting the Fixture on a Truss

You will need:

• truss or other support system

• safety cables (2)

• clamps (2)

• locking washers (2)

Truss or Other Support System

If you are mounting the fixture(s) on a truss or another type of support, verify the truss or support will handle the weight of all the devices you are mounting. The

Studio Beam fixture weight is listed in “Physical Specifications” on page 1-5.

Safety Cable

High End Systems strongly recommends that you use safety cable when mounting any fixture. You must supply your own safety cable and verify the cable is capable of supporting the weight of the fixture. You can order galvanized safety cables from

your High End Systems dealer/distributor (see “Optional Accessories” on page 1-4).

Clamp

You must supply your own clamps and verify the clamp is capable of supporting the weight of the fixture. You can order deluxe C-clamps for a two-inch truss from your

High End Systems dealer/distributor (see “Optional Accessories” on page 1-4).

Mounting Procedure

Note: Due to the wide variety of possible lighting designs, High End Systems cannot make specific mounting recommendations. Consider the following procedure as a suggested guideline only.

To mount Studio Beam fixtures on a truss:

1. Disconnect power to the fixture. If the fixture has been operating, allow the fixture to cool before handling.

2. Use two people to mount each fixture: one person to hold the fixture while it is being secured in place, and one person to secure the fixture to its support and attach safety cables.

Always stand on a firm, stable surface when mounting a fixture to its support.

The fixture should be at a height where you can comfortably work on it, and should either be resting on a stable surface, or held securely. Do not allow one

person to both support and mount the fixture.

3. Attach suitable clamps through the center holes on the base of the fixture (see

Figure 2-3). Install two locking washers per clamp when attaching the clamps to

the fixture’s base.

4. Tighten the clamps firmly to the fixture’s base and to the support.

2-4 Setup and Configuration

Studio Beam

®

User Manual

5. Loop one or more suitable safety cables around the support, through the side

holes in the fixture’s base, and around the fixture’s handles (see Figure 2-3).

truss safety cable clamp locking washers

2

handle holes on the fixture's base

Figure 2-3 Attaching a clamp and safety cable to the fixture

Linking the Fixtures

The combined number of channels required by all the fixtures on a DMX 512 link determines the number of fixtures the link can support. Each Studio Beam

®

fixture uses 16 channels running standard protocol and 15 channels running flat protocol.

If you connect more than 32 fixtures to a link, you must use a DMX splitter. The 32 device limit complies with the EIA-485 standard. Connecting more than 32 devices per link without a DMX splitter will eventually deteriorate the digital signal.

Controllers, serial data distributors, data line optoisolators, and any fixtures using the

RS-422 DMX standard of serial communications (including Dataflash

®

AF1000 xenon strobes, and Intellabeam

®

fixtures) block software uploads, crossloads, or

TalkBack™ protocol on a link. Therefore, make sure you either put all of these devices after the Studio Beam

®

fixture on the link, or bypass these devices when you perform software uploads or crossloads

Data Cabling and Connectors

To link one or more fixtures to a controller and/or to each other, you must obtain data

cabling. You can either purchase cabling from High End Systems (see “Optional

Accessories” on page 1-4) or construct your own cabling.

If you choose to construct cabling, High End Systems recommends that you use datagrade cable. Data-grade cable is designed to carry a high-quality signal with less susceptibility to electromagnetic interference.

Studio Beam

®

User Manual Setup and Configuration 2-5

DMX data cables:

Belden

®

9841 or equivalent (meets specifications for EIA RS-485 applications) with the following characteristics:

• 2-conductor twisted pair plus a shield

• maximum capacitance between conductors - 30 pF/ft.

• maximum capacitance between conductor and shield - 55 pF/ft.

• maximum resistance of 20 / 1000 ft.

• nominal impedance 100-140

Cable Connectors:

Studio Beam fixtures can accept either 3-pin or 5-pin XLR cable connectors. Your cabling must have a male XLR connector on one end of the cable and a female XLR

connector on the other end. Figure 2-4 shows the pin configuration for both cable

types.

Grounding lug (inside XLR shell)

XLR shell

Common

(cable shield)

1

3

2

positive

(data true) negative

(data complement) negative

(data complement)

2

3

1

positive

(data true)

Common

(cable shield)

Grounding lug (inside XLR shell)

XLR shell

Common

(cable shield) negative

(data complement)

1

2

3

positive

(data true)

4

5

positive

(data true)* negative

(data complement)* positive

(data true)* negative

(data complement)*

5

4

3

1

2

positive

(data true)

Common

(cable shield) negative

(data complement)

2-6

*This data line is not used by the fixture, but allows data to pass through the fixture.

Figure 2-4 Pin configuration for 3-pin and 5-pin XLR cables

Setup and Configuration

Studio Beam

®

User Manual

Test each cable with a voltage/ohm meter (VOM) to verify correct polarity and to make sure that the negative and positive pins are not grounded or shorted to the shield or to each other.

Caution: Do not connect anything to the ground lug on the XLR connectors.

Do not connect or allow contact between the common (cable shield) and the fixture’s chassis ground. Grounding the common could cause a ground loop and/or erratic behavior.

Setting up the Link

To link one or more fixtures to a controller using either 3-pin or 5-pin XLR cables:

1. Connect the male XLR connector of a

DMX Data cable to the controller’s

DMX Data Out connector.

2. Connect the Data cable’s female XLR connector to the Data In connector of the first (or next) fixture on the DMX

link. (see Figure 2-5).

3-pin

Data Out

3-pin

Data Out

5-pin

Data Out

5-pin

Data Out

3. Continue linking the remaining fixtures connecting a cable from the Data Out

Figure 2-5 Data cable connectors on the Studio Beam® fixture’s side panel

connector of each fixture to the Data In connector of the next fixture on the link.

4. Connect a male terminator to the Data Out connector of the last fixture in the link

(see “Obtaining a Terminator” on page 2-8). For information on obtaining a

terminator, see “Optional Accessories” on page 1-4.

DMX Controller

Termination resistor

2

Figure 2-6 Linking fixtures to a controller with 5-pin cables

Studio Beam

®

User Manual Setup and Configuration 2-7

To link one or more fixtures to a controller using either 3-pin or 5-pin XLR cables:

1. Connect the male XLR connector of a DMX Data cable to the Data Out connector

on the fixture addressed at DMX Start channel 1, see Figure 2-7.

2. Connect the cable’s female XLR connector to the Data In connector of the next fixture on the DMX link.

3. Continue linking the remaining fixtures connecting a cable from the Data Out connector of each fixture to the Data In connector of the next fixture on the link.

4. Connect a male terminator to the Data Out connector of the last fixture in the link. For information on obtaining a terminator, see the following section.

Fixture with DMX Start Channel 1 Termination resistor

Figure 2-7 Linking without a controller with 3-pin cables

Caution: Do not connect more than one Data In and one Data Out

connector to each fixture.

Obtaining a Terminator

You must install a 120 ohm, 1/4 watt (minimum) terminator in the fixture’s Data Out

(female) cable connector in the last fixture on each DMX link. If you plan to control your fixtures in stand-alone mode (with no controller on the link), you must also install a female terminator in the Data In cable connector on the master fixture (the fixture assigned to DMX start channel 1). A terminator will prevent data reflection, which can corrupt the data communication on the link.

You can purchase a male 5-pin terminator from your High End Systems dealer/

distributor (see “Optional Accessories” on page 1-4), or use the following to

construct a terminator.

2-8 Setup and Configuration

Studio Beam

®

User Manual

To construct a terminator:

1. Obtain a 3-pin or 5-pin XLR connector.

2. Disassemble the connector.

3. Solder a 120 ohm resistor, minimum of

1/4 watt, between pins two and three

(see Figure 2-8).

4. Reassemble the XLR connector.

12

0

12

0

1

3

2

1

2

3

4

5

3-pin terminator

5-pin terminator

Figure 2-8 Data cable terminator

Uploading Latest Fixture Software

The latest software for Studio Beam fixtures is available in the support section of the

HighEnd Systems web site (www.highend.com). There are three ways to upload new software to Studio Beam fixtures:

1. Attach a High End Systems Upload Dongle to your computer and upload the software to your Studio Beam fixture.

To use a High End Systems Upload Dongle, you need a 386-based (or faster) computer, MS DOS

® version 3.3 (or later) or Windows 95/98, and one MB of free disk space. To obtain an Upload Dongle (with installation and operation

instructions), contact your High End Systems dealer/distributor (see ‘Contacting

High End Systems” on page ii).

2. Upload the new software to all Studio Beam fixtures on the link using a

HandShake handheld controller or a Status Cue lighting console.

3. Crossload software from one fixture that contains the new software to all other

Studio Beam fixtures on the link. See “Crossloading Fixture Software (XLD)” on page 4-15.

Note: Before you can upload new software, you must disconnect any controllers, bypass any serial data distributors and/or data line optoisolators, and bypass or make sure that any fixtures using RS-422 communications (such as Dataflash

®

AF1000 xenon strobes, and

Intellabeam

®

fixtures) are located after the Studio Beam fixtures on the link. These devices will block communication with any other Studio Beam fixtures on the link.

2

Assigning a DMX Start Channel

The DMX start channel identifies each fixture on a DMX link. If you plan to control your fixtures with a DMX controller (or using synchronized preset playback), you must assign a DMX start channel to each fixture on the link.

If you always plan to use the fixture in stand-alone mode (without a controller or synchronized preset playback), you can skip this section.

Studio Beam

®

User Manual Setup and Configuration 2-9

There are 512 available channels on each DMX link. These 512 channels are divided among all the devices on a particular link. The number of channels each fixture requires is called the fixture’s channel range. Studio Beam fixtures running standard protocol have a 16-channel range. Studio Beam fixtures running flat protocol have a

15-channel range. The DMX start channel is the first channel available to a fixture in its channel range.

To assign a DMX start channel, you must access the fixture’s menu system via the alphanumeric LED display and four menu navigation buttons on the fixture’s front

panel (see Figure 2-9).

alphanumeric display

<Up> arrow button: scroll upward through menu items or options

<Down> arrow button: scroll downward through menu items or options

MENU ENTER

<Menu> button: move back to the previous menu level

(press and hold to enter the menu system)

<Enter> button: select the curent menu item or option

Figure 2-9 Menu navigation buttons

The fixture’s channel range must not overlap any other device’s channel range on the link.* When two devices on the same DMX link have overlapping channel ranges, one or both devices will be disabled or behave erratically.

*Note: The single exception to the non-overlapping rule is if you want the fixtures to respond to controller commands in exactly the same way. In this case, the fixtures must be the same type (for example, two Studio Beam fixtures) and the fixtures must share the entire channel range.

To assign the start channel:

1. Press and hold <Menu> until “ADDR” appears on the LED display.

to

2. Press <Enter>.

3. Scroll to the desired DMX start channel (C001– C512)

4. Press <Enter>.

2-10 Setup and Configuration

Studio Beam

®

User Manual

Determining the DMX Start Channel

DMX Link with Multiple Fixture Types

This section describes how to determine start channels for the fixtures on a DMX link if you plan to mix different fixture types (for example, a Studio Beam fixture and a

Studio Spot 250 fixture) on the same DMX link.

To determine each fixture’s DMX start channel in a link, you must know the number of channels used by each fixture. Knowing that the first fixture on the link will use

DMX start channel 1, you can determine the DMX start channel for each successive fixture by adding the number of DMX channels used by the fixture to the fixture’s

DMX start channel. For example, in Table 2-1, 16 (channels used by Studio Beam

running) + 1 (DMX start channel for the first fixture) = 17 (DMX start channel for the next fixture on the link).

Table 2-1 Determining Start Channels for different fixture types on a DMX link

Fixture location on the link

First

Second

Third

Fourth

Fixture name

Number of DMX channels used per fixture

Studio Beam (running standard protocol) 16 channels

Other device 9 channels

Other device

Studio Beam (running flat protocol)

14 channels

15 channels

DMX start channel

C001

C017

C026

C040

Channel range used

1-16

17-25

26-39

40-54

Note: The fixture location on the link does not have to comply with this example.

The fixtures can be addressed in any order on the link. If there are other fixtures in the link skipped channels, note that the maximum address for the last Studio Beam fixture running standard protocol on the link is 497 (channel range 497-512).

Studio Beam Only DMX Link

If your DMX link will have only Studio Beam fixtures running the same protocol,

utilize Table 2-2 and Table 2-3 for a listing of available DMX start channels for

successive fixtures on the link according to the protocol used.

Table 2-2 lists the DMX start channels for Studio Beam fixtures running standard

protocol. This table assumes that the fixtures are all assigned to the same link, one after another, and that all fixtures use the same number of channels (i.e. only Studio

Beam fixtures (or other devices using 16 DMX channels) on the link.

Table 2-3 lists the DMX start channels for Studio Beam fixtures running flat protocol.

This table assumes that the fixtures are all assigned to the same link, one after another, and that all fixtures use the same number of channels (i.e. only Studio Beam fixtures (or other devices using 15 DMX channels) on the link.

2

Studio Beam

®

User Manual Setup and Configuration2-11

Table 2-2 DMX Start Channels for Fixtures Running Standard Protocol

*Note: If you connect more than 32 fixtures to a link, you must use a DMX splitter. The

32 device limit complies with the EIA-485 standard. Connecting more than 32 devices per link without a DMX splitter will eventually deteriorate the digital signal.

2-12 Setup and Configuration

Studio Beam

®

User Manual

Chapter 3

Fixture Programming

Fixture Operation Overview

Operational control features for Studio Beam

®

fixtures include:

• Assigning a DMX start channel

• Accessing and setting fixture options

• Viewing fixture status

• Crossloading software

• Performing self tests

• DMX Programming for creating, storing, and playing scenes

The Onboard Menu System controls all these features via the LED display. A DMX controller can provide remote DMX programming to all fixtures on a link and, if it is running TalkBack protocol, remote control of other fixture operations listed above.

For more information on the Studio Beam Menu System, see Chapter 4 and the Menu

Map in Appendix D.

TalkBack™ Support for Remote Access

All Studio Beam fixtures support TalkBack” technology. TalkBack™ technology is a new feature that allows remote access to the menu system built into High End Systems fixtures. A DMX controller supporting TalkBack protocol like the HandShake™ handheld controllers from High End Systems, can remotely access any option in the

Studio Beam onboard menu system.

TalkBack protocol uses the normal DMX-512 connection for bi-directional communication with the fixture so physical access to the fixture is no longer required to perform operations like changing a DMX address or configuring preset programs. TalkBack protocol utilizes the primary DMX link (pins 2-3) in a half-duplex communication mode.

This means that it does not require pins 4-5 to be connected or used to receive TalkBack messages coming from the fixture.

TalkBack protocol uses a discovery process to find the unique number that is embedded inside each fixture, similar to a serial number. Once the fixtures have all been identified, the current fixture parameter settings and information can be accessed. Fixture access can happen at anytime, but the Talkback messages are only valid after the fixture starts homing.

3

Studio Beam

®

User Manual

Fixture Operation

3-1

DMX Programming Overview

A Construct (parameter) is a fixture attribute that can be controlled to modify the light beam in terms of color, beam quality and pattern, intensity, or focus (position). DMX programming assigns a DMX value to each of the fixture’s constructs. A scene

(sometimes referred to a look or a cue) is one combination of construct settings. These scenes are the building blocks for show creation.

Full Speed verses MSpeed Control

Some constructs can be set to operate at full speed or MSpeed (motor speed). Full speed operations are completed in the shortest length of time after the motor starts moving.

With MSpeed control, change occurs smoothly over the entire MSpeed time value selected. For example, if you select an MSpeed time of 30 seconds, the motor will gradually change position until it reaches its new destination at the end of 30 seconds.

DMX Protocols

Programming a fixture for a DMX link requires each construct be assigned to a specific

DMX channel in the fixture’s channel range. Channel assignments are based on the

DMX protocol used. There are two protocol’s available for Studio Beam fixtures; 16-

channel Standard, and 15-channel Flat. Table 3-1 lists the channel assignments for each

protocol. See “Appendix A” for Standard and Flat protocol DMX Tables.

Table 3-1 Channel Assignments in Standard and Flat Protocols

Channel # Function in Standard Protocol

13

14

15

16

9

10

11

12

7

8

5

6

3

4

1

2

Pan Coarse

Pan Fine

Tilt Coarse

Tilt Fine

Color Function

Cyan

Magenta

Yellow

Beam Shaping

Zoom

Frost

Shutter

Dim

MSpeed

Macro

Control

Function in Flat Protocol

Pan Coarse

Pan Fine

Tilt Coarse

Tilt Fine

Dim

Shutter

Lamp Control

Cyan

Magenta

Yellow

Color Function

Beam Shaping

Zoom

Frost

Control

3-2 Fixture Operation

Studio Beam

®

User Manual

DMX Programming Options

Studio Beam fixtures can be programmed to create and play back scenes with either a

DMX-compatible controller or with the Onboard Menu System Preset programming feature (for stand-alone operation). However, you cannot use both a DMX compatible controller and the fixture’s on-board menu system at the same time. In other words, you cannot create a scene using the on-board memory and play it back using a controller. You also cannot use a controller at the same time on-board scenes are playing.

Using a DMX controller, you can program an unlimited number of sequences

(combinations of scenes) and retain direct control over the Studio Beam fixture at all times. You may choose to save time by programming your fixtures using a controller and then capturing the scene(s) to the on-board memory of multiple Studio Beam fixtures.

If you plan to operate your fixtures without a DMX controller, you can utilize one of the fixtures on the link to synchronize preset playback among all fixtures of that type connected to the DMX link.

Note: Because controllers cannot transmit crossfade or delay construct values, you must use preset programming in the onboard menu system to manually set those construct values at the fixture.

3

Programming with a DMX Controller

The Whole Hog II

®

Lighting Console, the HandShake handheld controller, and the Status

Cue console are the DMX controllers available from High End Systems to control Studio

Beam fixtures (see “Optional Accessories” on page 1-4). For more information on

whether your DMX controller supports Studio Beam fixtures, contact the controller’s vendor. For more information on operating your fixture with a controller (or control device such as DMX control software), consult the documentation provided with the controller.

DMX Programming in the Onboard Menu System

Fixture level DMX programming is executed in the Preset portion of fixture’s Onboard

Menu system, see “Preset Menu (PRST)” on page 4-3. For more detailed information on

all the settings you can control in Studio Beam fixtures using the onboard Menu System,

see “Chapter 4” and “Appendix D” .

Studio Beam

®

User Manual

Fixture Operation

3-3

Construct Function Descriptions

The following sections describe the Constructs (Parameters) for Studio Beam fixtures running Standard or Flat DMX Protocol. All DMX values indicated in the detailed

construct descriptions are in decimal units. See “Appendix A” for complete DMX tables.

Pan and Tilt Constructs

Channels 1– 4 control the Pan and Tilt constructs in both the Standard and Flat Protocol.

The Studio Beam fixture has a 540° pan range and a 256° tilt range. DMX channels 1 and

3 allow coarse adjustment to approximately one degree of the desired pan and tilt position. DMX channels 2 and 4 allow fine adjustment to a fraction of a degree of the desired pan and tilt position.

In Standard protocol, the pan and tilt motion for Studio Beam fixtures is controlled with

MSpeed values by default (see “MSpeed (Motor Speed) Construct” on page 3-12). If you

choose to control the Pan and Tilt constructs with DMX controller crossfading, set Pan/

Tilt MSpeed off in the Control construct (see the DMX tables in “Appendix A” ). Flat

protocol does not have an MSpeed construct.

Note: Optical encoders for pan and tilt correct the fixture’s position if the fixture is jarred from its programmed position. If a physical obstruction prevents the fixture from correcting its position, the fixture “times out” to prevent wear on the motors. If your fixture has timed out, remove the obstruction and home the fixture to return it to normal operation.

Color Function Construct

The Color function construct is controlled with DMX Channel 5 in Standard Protocol and

Channel 11 in Flat Protocol. This construct determines how the color wheels move.

In Standard Protocol

In Standard protocol, the Color Function mode can be enabled in either full speed

(controller crossfading the wheel positions), or MSpeed (MSpeed control of the wheel

motor). For more information on MSpeed, see “MSpeed (Motor Speed) Construct” on page 3-12.

The Color Function you choose will effect which construct values are available for each

individual color wheel (Cyan, Magenta, and Yellow). Table 3-2 describes the Color

Functions available on the Studio Beam fixture.

Table 3-2 Color Function Settings in Standard Protocol

Color Function

Continuous

Indexed

Pure Mix

Description

Allows exact positioning at any point on the color wheel for a smaller step between color wheel positions for color crossfades.

Allows the color wheel to take the quickest path and snap to any one of eight positions.

Absolute positioning across color mix portion of the color wheel only.

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Table 3-2 Color Function Settings in Standard Protocol

Color Function Description

Spin

Cycle

Wheel spin speed, direction, or fixed position is set individually on the Cyan,

Magenta, and Yellow channels.

Uses only the color mixing portion of all color wheels to cycle factory-determined colors at variable speeds. Cycle speed is set by the Cyan channel.

Color Scan

Scans the color mixing portion of the color wheel (not the additional discrete color).

Scanning speed or fixed position can be set individually on Cyan, Magenta, and

Yellow channels.

Random

Selects whole color positions at variable speeds. Random speed is set by the Cyan channel.

Blink-indexed Closes then reopens the shutter between continuous wheel position changes.

Flat Protocol

In Flat protocol, Color channels are independent of each other. For example, one color wheel can spin while a second color wheel performs a media scan. The Color function

channel (Channel 11) overrides channels 8, 9, and 10. Table 3-3 describes the settings

available for the Color Function channel in Flat Protocol.

Table 3-3 Color Function Settings for Flat Protocol

Color Function

Safe

Color Cycle

Random

Blink

Description

Disables all Control settings

Uses only the color mixing portion of all color wheels to cycle factory-determined colors at variable speeds. Cycle speed is set by the Cyan channel.

Selects whole color positions at variable speeds. Random speed is set by the Cyan channel.

Closes then reopens the shutter between wheel position changes from continuous to discrete.

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Cyan, Magenta, and Yellow Constructs

Studio Beam features CMY subtractive color mixing plus three additional discrete colors

in a system of three color wheels as shown in Figure 3-1.

CTB

Deep

Red

Deep

Blue

Cyan Wheel Magenta Wheel

Figure 3-1 Studio Beam

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color mixing wheels

Yellow Wheel

These constructs determine how the individual color mixing wheels move. In Standard

Protocol, Channels 6, 7, and 8 control Cyan, Magenta and Yellow respectively. In Flat

Protocol, Channels 8, 9 and 10 control Cyan, Magenta and Yellow respectively.

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The color wheel settings available are determined by the Color Function construct DMX

value you choose (see Table 3-4). The wheel takes the quickest path to the setting in all

Color Function Modes.

Table 3-4 Cyan, Magenta, and Yellow Channel Settings in Standard and Flat Protocol

Color Function

Mode

Color Wheel Setting Description

Continuous Mode Open

Indexed

Pure Mix

Spin Mode

Color Scan

Cycle & Random

Mode

White

Discrete Color

Fixed color position on wheel

• Cyan=Deep Red

• Magenta=Color Temperature Blue (CTB)

• Yellow=Deep Blue.

100% color (Cyan, Magenta or Yellow) Full Saturation

Low Saturation Reduced color (Cyan, Magenta or Yellow)

Color Position 1 - Open DMX values from 0–15 and 94–100

Color Position 2 - Discrete

Color

Fixed color position on wheel

• Cyan=Deep Red

• Magenta=Color Temperature Blue (CTB)

• Yellow=Deep Blue.

Color Position 3 - Full

Saturation

Color Position 4

Color Position 5

Color Position 6

Color Position 7

Color Position 8 - Low

Saturation

Full Saturation

DMX value ranges for wheel positions varying from

100% to low color saturation.

Low Saturation

Continuous Positioning

Spin Reverse

Spin Stop

100% color (Cyan, Magenta or Yellow)

Reduced color (Cyan, Magenta or Yellow)

Controls position on individual color mixing wheel

Reverse spin from fastest (128) to slowest (187)

Stops the wheel

Spin Forward

Continuous Positioning

Media Scan

Forward spin from slowest (196) to fastest (255)

Scanning rate set on each wheel individually from slowest (128) to fastest (255)

The Cyan channel determines the speed at which all three (cyan, magenta, and yellow) color wheels move to the next cycle color or random color from slowest at

0 to fastest at 255.

Standard Protocol has an additional audio color modulation function that can be accessed when the Control channel (Channel 16) is set in 170–197 DMX value range, see

“Control Construct” on page 3-13.

Audio modulation is based on the amplitude of the sound, not the beat. When audio color modulation is selected, the color channels that are not selected for color modulation

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default to Pure Mix mode. Table 3-5 describes the settings available for the color

channels.

Table 3-5 for Color Channels in Standard Protocol

Audio Function Modulation Type and Description

Saturated color to white

White to saturated color

Full movement. Maximum amplitude music causes full scale movement. The selected color channel controls the decay rate of slow, medium and fast.

Saturated color to white

White to saturated color

Limited movement. Cyan channel sets the maximum travel position.

Decay rate is medium for all settings

More to less saturated color Middle out. Limited movement. The center of the mix media is the

Less to more saturated color center of the modulation. Cyan setting controls modulation size. Decay rate is medium.

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Beam Shaping Construct

The Studio Beam fixture utilizes a lenticular wheel to control beam shaping. Channel 9 in the Standard Protocol and Channel 12 in Flat Protocol control the movement of the

lenticular wheel. Table 3-6 describes the Beam Shaping settings.

Table 3-6 Beam Shaping Setting Descriptions in Standard and Flat Protocols

Beam Shaping Setting

Open

Continuous Positioning

Spin Reverse

Spin Stop

Spin Forward

Audio Modulation

Description

Sets lenticular wheel to open position (no beam shaping). Available in Flat

Protocol only.

Allows exact positioning at any point on the lenticular wheel for a smaller

step between color wheel positions for color crossfades.

Reverse spin from fastest (128) to slowest (187)

Stops wheel

Forward spin from slowest (196) to fastest (255)

Available in Standard Protocol only.

Standard Protocol also features audio modulation for Beam Shaping. Setting the Control

Channel’s (Channel 16) DMX value between 202 and 205 activates audio modulation.

This feature modulates the movement of the Lenticular Wheel with the amplitude of the

sound. Table 3-7 shows the Audio Modulation functions for Beam Shaping.

Table 3-7 Audio Modulation for Beam Shaping in Standard Protocol

Audio Function Modulation Type and Description

Forward, slow decay

Forward, medium decay

Forward, fast decay

Reverse, slow decay

Reverse, medium decay

Reverse, fast decay

Full Movement Modulation. Maximum amplitude music causes full scale movement of the lenticular wheel. As amplitude is reduced the speed decays at the chosen rate.

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Table 3-7 Audio Modulation for Beam Shaping in Standard Protocol

Audio Function

Forward

Reverse

Modulation Type and Description

Middle out. The center of movement is the vertical spread when the fixture base is horizontal. The channel setting controls the amplitude of modulation. Decay rate is medium.

Zoom Construct

The Zoom construct is controlled by Channel 10 in Standard protocol and Channel 13 in

Flat protocol. The Zoom range spans from 15° at a DMX value of 0 to 26° at a DMX value of 255.

Frost Construct

The Frost construct allows you to add a haze or fog effect in increasing/decreasing densities to the projected pattern. The Frost effect is achieved with two frost flags that mechanically open and close in the optical path. DMX Channel 11 controls the Frost construct in Standard protocol. DMX Channel 14 controls the Frost construct in Flat

protocol. Table 3-8 describes the Frost Settings.

Table 3-8 Frost Setting Descriptions in Standard and Flat Protocol

Frost Setting

Continuous Positioning

Closed

Periodic Frost Strobe

Random Frost Strobe

Ramp Open/Snap Shut

Snap Open/Ramp Shut

Ramp Open/Ramp Shut

Random Ramp/Snap Shut

Random Snap/Ramp Shut

Open (No Frost)

Description

Moves frost flags from open to closed in Standard protocol and from closed to open in Flat protocol

Frost flags fully closed in optical path producing a full frost effect

Allows variable strobing of the frost flags from slow to fast

Randomly strobes the frost flags from slow to fast

Ramps the frost flags open at variable speeds and snaps them shut at full speed

Opens the frost flags at full speed and then ramps them shut at variable speeds

Ramps the frost flags open and then shut at variable speeds

Ramps the frost flags open at random speeds and then snaps them shut at full speed

Opens the frost flags at full speed and then ramps them shut at random speeds

Removes the frost flags from the optical path

Audio Modulation is available in Standard Protocol for the Frost construct. Setting the

Control Channel’s (Channel 16) DMX value between 202 and 205 activates this Audio

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modulation. This feature modulates the opening and closing of the frost flags to the

amplitude of the sound. Table 3-7 shows the Audio Modulation functions for Frost.

Table 3-9 Audio Modulation for the Frost construct in Standard Protocol

Audio Function

No frost to frost

Frost to no frost

No frost to frost

Forward

Reverse

Modulation Type and Description

Full movement modulation. Maximum amplitude music will cause full scale movement of the frost flags. Decay rates can be set for slow, medium or fast to modify sensitivity to amplitude changes.

Limited movement modulation. The channel setting controls the maximum travel position between no movement to full movement

Middle out. The center of movement is the vertical spread when the fixture base is horizontal. The channel setting controls the amplitude of modulation. Decay rate is medium.

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Shutter Construct

Basic Shutter functions are the same for Flat protocol and Standard protocol (when no lamp or dimming functions are set in Control Channel 16). Channel 12 controls the

Shutter construct in Standard Protocol and Channel 6 controls the Shutter construct in

Flat protocol. Table 3-10 describes the Shutter setting for Flat Protocol.

In Standard Protocol, the Control channel (Channel 16) also qualifies the Shutter

construct as shown in Table 3-11 to create lamp boost, lightning and strobing effects. Flat

Protocol accomplishes these effects in a separate channel, see “Lamp Control Construct” on page 3-11.

Table 3-10 Shutter Construct Functions in Flat and Standard Protocols

Shutter Function

Close

Periodic Strobe

Random Strobe

Random/Synchronous Strobe

Ramp Open/Snap Shut

Snap Open/Ramp Shut

Ramp Open/Ramp Shut

Random Ramp Open/Snap Shut

Random Snap Open/ Ramp Shut

Open

Description

Closes shutter

Strobes beam at specified intervals

Allows all Studio Beam Fixtures on the DMX link to strobe their shutters at random times.

Allows all Studio Beam Fixtures on the DMX link to strobe their shutters at random times in unison.

Opens shutter at variable speeds, then snaps shut at full speed

Opens shutter at full speed, then ramps shut

Opens shutter at variable speeds, then ramps shut

Opens shutter at random variable speeds, then snaps shut at full speed

Opens shutter at full speed, then ramps shut at random variable speeds

Opens shutter

Table 3-11 Other Shutter Functions with Control Channel Settings in Standard Protocol

Control Channel

Setting

Shutter Function Description

Values 134-137

Lamp Assisted

Strobes

Close

Periodic Strobe

Random/Random Strobe

Random/Synchronous Strobe

Ramp Open/Snap Shut

Snap Open/Ramp Shut

Ramp Open/Ramp Shut

Random Ramp/Snap

Random Snap/Ramp

Open

Shutter functions are the same as normal Shutter functions. Periodic and random random and random synchronous strobe functions are lamp assisted.

Ramping functions are not lamp assisted.

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Table 3-11 Other Shutter Functions with Control Channel Settings in Standard Protocol

Control Channel

Setting

Shutter Function Description

Values 138-141

Lamp Functions

Values 146-149

Lamp Dimming

Close

Periodic lamp strobes

Random/random lamp strobes

Synchronous/random lamp strobes

Boost lamp, black. Six time ranges from 1–.25 second

Boost lamp, white. Six time ranges from 1–.25 second

Lightning strike

Open

Closed

Open

The Boost effect boosts the Lamp above the 700

Watt level for the specified period of time. The lamp is also boosted during the Lightning effects.

Before another Boost or Lightning effect can occur, the Shutter channel must be moved to either closed or open, or the Lamp Control channel must be moved outside the Lamp Function range.

Boost effects to black boost the lamp for a specified time then close the shutter.

Boost effects to white boost the lamp for a specified time, then leave the shutter open with the lamp dimmed.

When a Lightning effect is selected, the Dim channel scales the overall brightness of the lightning stroke.

Shutter functions are same as normal shutter function range. Dimming is accomplished electronically, lowering the lamp power. Dimming will not go to black. Strobes are mechanical and will go to black.

Lamp Control Construct

The Lamp Control construct is available in flat protocol and is controlled by DMX

Channel 7. Table 3-12 describes the Lamp Control functions.

Table 3-12 Lamp Control Settings in Flat Protocol

Lamp Control Setting Description

Lamp full power

Lamp dim (full power to dim) Electronically lowers the lamp power to dim the lamp

Lamp assists shutter strobes

The Boost effect boosts the Lamp above the 700 Watt level for the specified period of time.

Lamp/mechanical dimming

Periodic lamp strobes

Random lamp strobes

Synchronous random strobe

Boost lamp, black

Boost lamp, white

Lighting strike

Boost effects to black boosts the lamp above the 700 Watt level, then closes the shutter. This effect is available in six time increments from.25 seconds to 1 second

Boost effects to white boosts the lamp above the 700 Watt level, then leaves the shutter open with the lamp dimmed. This effect is available in six time increments from.25 seconds to 1 second

Six different lightning effects each composed of a series of intensity and timing variations.

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Dim Construct

The Dim construct is controlled with DMX Channel 13 in Standard protocol and DMX

Channel 5 in Flat protocol. The Dim construct provides full dimming capability without changing the color temperature or the beam shape. The dim values range from closed

(DMX value of 0) to fully open (DMX value of 255).

In Standard protocol, Audio Modulation is available for the Dim construct when the

Control channel value is set from 206–209.

MSpeed (Motor Speed) Construct

The MSpeed construct is controlled with DMX Channel 14 in Standard protocol. There is no MSpeed construct in Flat protocol.

MSpeed is the time required for a motor to complete movement when changing from one position to another. MSpeed provides a means for all motors to reach their target position at the same time, even though each motor may have different distances to travel.

MSpeed movement is extremely smooth because the fixture controls its own movements and is not dependent on DMX refresh rates.

MSpeed times vary from 0.15 seconds to 252.7 seconds. However, if you apply MSpeed to a construct, be sure that the delay value (length of time allowed for the entire scene) is longer than the MSpeed value to allow the motors to complete their movement before the end of the cue. An MSpeed value that is longer than the delay value could produce an undesirable result; for example, no light output during the scene. For a listing of exact

MSpeed times, see “Appendix B” .

By default, MSpeed is applied to Pan and Tilt positioning. However, you can disable

MSpeed for pan and tilt with the control construct (see Table 3-13 on page 3-13 and

“Appendix A” ). You can also apply MSpeed times to the Color Function settings, see

“Color Function Construct” on page 3-4.

Macro Construct

Channel 15 controls the Macro construct in Standard protocol. There is no Macro construct in Flat protocol.

Internal Effects™ macros are factory-programmed sequences which allow you to quickly program complicated looks in one scene (cue). Each Internal Effect™ macro modifies a specific set of constructs, while allowing user control of all other constructs in the scene.

The amplitude of the position macro movement is determined by the Pan Coarse channel and Tilt Coarse channel, respectively. The MSpeed channel controls the speed of the macros.

With the MSpeed set at the default value of DMX 0-4, an Internal Effects macro completes its movement in approximately 2.5 seconds. This provides a pleasing look when the additional variation given by using the MSpeed channel is not required. With

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the MSpeed set between DMX 5-255, Internal Effects macros complete movement at the selected MSpeed time (up to 25 seconds).

Those fixture types that support On Board Programming also support the Internal

Effects macros as part of the On Board programming features. The Internal Effects macros operate as an additional programming parameter labeled MACR.

The four Internal Effect available on a standard configuration Studio Beam fixture are

Pan Sweep, Tilt Sweep, Clockwise Circle and Counterclockwise Circle.

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Control Construct

The Control construct is controlled with DMX Channel 16 in Standard protocol and

Channel 15 in Flat protocol. Basic settings are similar in both protocols, but in Standard protocol, the Control construct also activates certain Shutter, Lamp and Audio modulation functions on other Channels.

Table 3-13 describes the Control setting in Standard Protocol. To access all control

settings in Standard Protocol (except for Pan & Tilt MSpeed Off), first select a control channel value, then set the Shutter channel to “0.”

See Table 3-14 for the Control construct settings available in Flat protocol.

Table 3-13 Control Setting Descriptions in Standard Protocol

Control Setting Description Notes

Safe

Pan & Tilt MSpeed

Off

Display Off

Display Dim

Display Bright

Home

Lamp On

Lamp Off

Lock

Shutdown

Disables all Control settings for normal operation.

The Control channel should not be crossfaded.

Sets Pan & Tilt MSpeed to off. The Control channel should not be crossfaded.

Sets display to off.

Dims display characters.

Brightens the display characters.

Remotely homes the fixture.

Remotely restrikes the fixture’s lamp.

Remotely extinguishes the fixture’s lamp.

Returns all fixtures to a “known” position (128° tilt and either 90° or 450° pan). This option is used when you are ready to shut down the fixtures and pack them for transport.

Remotely deactivates the fixture. When a fixture is shut down, the lamp is extinguished, power to the motors is disabled, and the LED display reads “SHUT

DOWN”. If a fixture is in shutdown mode, you must home the fixture to bring it back into operation.

Command is sent instantaneously

Commands must be sent for 20 consecutive DMX packets. For example, if the controller sends 16 packets per second, send the value for 1.25 seconds.

Commands must be sent for 80 consecutive DMX packets. For example, if the controller sends 16 packets per second, send the value for 5 seconds.

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Table 3-13 Control Setting Descriptions in Standard Protocol

Control Setting Description Notes

Lamp Assisted

Strobes

Lamp functions

Lamp/mechanical dimming

Lamp only dimming

Cyan modulation

Magenta modulation

Yellow modulation

Cyan & Magenta modulation

Cyan & Yellow modulation

Periodic and Random strobe functions are lamp assisted. Ramp functions are not lamp assisted.

Modifies the shutter channel

Lamp output will vary from a minimum to 700 Watts as the mechanical dimming ranges from 0–100%

Electronic dimming only from a minimum to 700

Watts.

Allows audio modulation of the color mix portion on the Cyan color wheel. Magenta and Yellow wheels default to pure mix.

Allows audio modulation of the color mix portion on the Magenta color wheel. Cyan and Yellow wheels default to pure mix.

Allows audio modulation of the color mix portion on the Yellow color wheel. Magenta and Cyan wheels default to pure mix.

Allows audio modulation of the color mix portion on the Cyan and Magenta color wheels. Yellow wheel defaults to pure mix.

Allows audio modulation of the color mix portion on the Cyan and Yellow color wheels. Magenta wheel defaults to pure mix.

Allows audio modulation of the color mix portion on the Yellow and Magenta color wheels. Cyan wheel defaults to pure mix.

The shutter does not have to be set to 0 for

Lamp functions

Audio Modulation is based on amplitude, not beat.

Magenta & Yellow modulation

Frost modulation Allows audio modulation of frost flag movement.

Beam Shaping modulation

Dim modulation

Lamp and Dim modulation

Lamp modulation

Allows audio modulation of lenticular wheel movement.

Allows audio modulation of mechanical dimming.

Allows audio modulation of mechanical and electronic dimming.

Allows audio modulation for electronic dimming with short medium and long sustain rates.

Audio Modulation commands are set instantaneously and there is no shutter requirement

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Table 3-14 Control Construct Settings in Flat Protocol

Control

Setting

Description Notes

Safe

Display Off

Display Dim Dims display characters.

Display Bright Brightens the display characters.

Home

Lamp On

Lamp Off

Lock

Fixture

Shutdown

Disables all Control settings for normal operation. The

Control channel should not be crossfaded.

Sets display to off.

Remotely homes the fixture.

Remotely restrikes the fixture’s lamp.

Remotely extinguishes the fixture’s lamp.

Commands must be sent for 20 consecutive

DMX packets. For example, if you controller sends 16 packets per second, you should send the value for 1.25 seconds.

Returns all fixtures to a “known” position (128° tilt and either

90° or 450° pan). This option is used when you are ready to shut down the fixtures and pack them for transport.

Remotely deactivates the fixture. When a fixture is shut down, the lamp is extinguished, power to the motors is disabled, and the LED display reads “SHUT OFF”. If a fixture is in shutdown mode, you must home the fixture to bring it back into operation.

Commands must be sent for 80 consecutive

DMX packets. For example, if you controller sends 16 packets per second, you should send the value for 5 seconds.

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Chapter 4

The Menu System

On-Board Programming Capability

When you use the fixture’s on-board menu system to program the Studio Beam

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fixture, you manually assign a value to each of the fixture’s available parameters.

The onboard Studio Beam menu system allows you to:

• Assign a DMX start channel.

• Access fixture options such as homing the fixture, viewing fixture status, crossloading software, and performing self tests.

• Create, store, and play scenes from the fixture’s on-board memory.

Note: Preset Programming or Playback will default the fixture to standard protocol. If flat protocol is enabled when either Preset Editing or Preset Playback is enabled, flat protocol will be restored when Preset Editing or Playback is exited.

For a full menu map of the Studio Beam menu system, see “Appendix D” .

Navigating the Menu System

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You access the menu system via the four menu navigation buttons on the fixture’s front

panel (see Figure 4-1).

alphanumeric display

<Up> arrow button: scroll upward through menu items or options

<Down> arrow button: scroll downward through menu items or options

MENU ENTER

<Menu> button: move back to the previous menu level

(press and hold to enter the menu system)

<Enter> button: select the curent menu item or option

Figure 4-1 Menu navigation buttons.

The alphanumeric LED display shows the menu items you select from the menu map.

When accessing fixture options (not preset scenes), the display will flash when a new option is selected (by pressing the <Up> or <Down> arrow buttons) and stops flashing when a new option is stored (by pressing the <Enter> button). Pressing the <Menu>

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button returns you to the previous option or menu without changing the value of an option.

To access the menu system, press and hold the <Menu> button until “ADDR” appears on the display. The menu system is protected against inadvertent menu changes by requiring the <Menu> button to be held for a few seconds before allowing entry to the menu system.

To exit the menu system, keep pressing the <Menu> button until “MENU” appears on the display. “MENU” is replaced, after a few seconds, with the default cycling display of the fixture’s software version, fixture type, and DMX start channel.

Note: The words “AUTO” and “LOCK” appeas briefly on the display after “TOP.” As mentioned above, the fixture’s software is “locking” the display after you have accessed the menu system.

Studio Beam Menu Options

The sections below explain how to access the fixture options shown in the fixture’s menu map.

Address Menu (ADDR)

The DMX start channel identifies each fixture on a DMX link. If you plan to control your fixtures with a DMX controller (or using synchronized preset playback), you must assign a DMX start channel to each fixture on the link.

The Address menu allows you to change the DMX start channel that is currently assigned to the fixture. Be sure you do not overlap fixture channel ranges when changing

the DMX start channel. For more information, see “Determining the DMX Start

Channel” on page 2-11.

To change the DMX start channel:

1. Press and hold <Menu> until “ADDR” appears on the LED display.

2. Press <Enter>.

3. Select a new DMX start channel (C001–C497 in Standard Protocol or

C001–498 in Flat Protocol. The LED display flashs when a new option is selected.

4. Press <Enter> to accept the new DMX start channel. The LED display stops flashing when a new option is entered. If you do not press <Enter>, the new option you selected is not stored.

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Preset Menu (PRST)

Studio Beam fixtures have 16 preset scenes for each of two user modes (A and B) for a total of 32 preset scenes. Some Preset menu options can be accessed for either user mode. However, you must first set the fixture to User A or User B. For more information,

see “Setting the User Type (USER)” on page 4-13.

The Preset menu allows you to turn preset playback off or on, view which scene is currently playing, create/edit a scene using the on-board memory to program the fixture for stand-alone operation, copy a scene from the on-board memory to another scene, and capture a scene from your controller to the on-board memory. This menu also allows you to enable the factory-programmed preset sequence.

All preset functions use Standard protocol. If the fixture is set to use Flat protocol for control from a DMX controller, the fixture switches to Standard protocol when preset editing or preset playback are selected. The fixture reverts to the Flat protocol when present editing or playback is exited. Preset capture can only be accomplished when the fixture is being controlled with Standard protocol.

For a detailed example of using Preset programming for Scene creation, Looping and

Synchronizing Playback, see page 4-27.

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Setting Preset Playback (PLAY)

This menu option allows you to view which scene is currently playing in preset playback mode or turn preset playback on or off. To used this menu option you need to have the

user mode for the desired scene already selected, see “Setting the User Type (USER)” on page 4-13. Scene 1 must be programmed before the fixture can play back scenes.

To set preset playback on or off, or to view the current scene:

1. Press and hold <Menu> until “ADDR” appears on the LED display.

2. Scroll to the “PRST” menu.

3. Press <Enter>.

4. Scroll to the “PLAY” menu (this will be the first menu displayed).

5. Press <Enter>.

or

6. Scroll to “ON” to set preset playback on, “OFF” to set preset playback off, or

“SCN” to display which scene is currently playing.

or

7. Press <Enter>.

Editing or Creating an On-Board Memory Scene (EDIT)

This menu item allows you to select a scene to edit or create using the fixture’s on-board scene memory. To used this menu option you need to have the user mode for the desired

scene already selected, see “Setting the User Type (USER)” on page 4-13.

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To select a scene to create or edit:

1. Press and hold <Menu> until “ADDR” appears on the LED display.

2. Scroll to the “PRST” menu.

3. Press <Enter>.

4. Scroll to the “EDIT” menu.

5. Press <Enter>. to

6. Scroll to the scene you want to create or edit (SN01–SN16).

7. Press <Enter>.

After a scene is selected, the value of any parameter for that scene can be changed.

“Step-by-Step Scene Creation” on page 4-27 contains a detailed example of modifying

scene parameters.

Copying an On-Board Memory Scene (COPY)

Use the Copy menu option to copy the settings for a source scene to a destination scene location. This menu option will copy between any of the 32 scene locations available.

To Copy a Memory Scene from one location to another:

1. Press and hold <Menu> until “ADDR” appears on the LED display.

2. Scroll to the “PRST” menu.

3. Press <Enter>.

4. Scroll to the “COPY” menu.

5. Press <Enter>. The LED will display “FROM.”

6. Press <Enter>.

7. Scroll to the scene you want to copy from (source scene) for either User A

(“FA01”–“FA16”) or user B (“FB01” –“FB16”). This example indicates

From

User

A Scene 01

8. Press <Enter>. The LED will display “TO.”

9. Press <Enter>.

10.Scroll to the scene you want to copy to (destination scene) for either User A

(“TA01” –“TA16”) or user B (“TB01”–“TB16”). This examples indicates

To

user

B Scene 16

11.Press <Enter>. The fixture copies the desired scene to the selected scene location. When the copy is complete, “DONE” will appear briefly in the fixture’s LED display.

Capturing a Preset Scene (CAPT)

Preset capturing is a way to automate the creation of scenes on multiple Studio Beam fixtures connected to a DMX 512 link. Use a DMX controller to create a scene, then save

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(capture) the scene into a fixture’s presets to play back the scene without the controller.

When capturing a scene into a fixture’s presets, all parameter values must be constant

(i.e., there cannot be any pan/tilt movement or scene-to-scene sequencing).

Note: You must use the fixture’s on-board scene memory to manually select values for the XFAD and DLAY parameters, since a DMX controller will not transmit those parameter values.

This menu option can be accessed for user type A or B (see “Setting the User Type

(USER)” on page 4-13).

After creating a scene with your DMX controller, follow the instructions below for each fixture on which you want to capture preset scenes:

1. Press and hold <Menu> until “ADDR” appears on the LED display.

to

2. Scroll to the “PRST” menu.

3. Press <Enter>.

4. Scroll to the “CAPT” menu.

5. Press <Enter>.

6. Scroll to the scene you want to copy the preset scene to (destination scene)

(SN01 - SN16). Press <Enter>. The fixture will copy the DMX-512 controller’s preset scene to the selected scene on your fixture’s on-board 16 scene memory for either User A or User B. When the fixture finishes the capture successfully, “DONE” will appear briefly in the fixture’s LED display.

4

Enabling the Preset Default (DFLT)

This menu item reverts all programming back to the factory-programmed preset default sequence.

This menu option can be accessed for either User type A or User type B. However, you must first set the fixture to the desired user type. To retain pre-programmed scenes you do not wish to erase, set the fixture to one user type and then enable the preset default

for the other user type (see “Setting the User Type (USER)” on page 4-13).

To enable the Preset Default:

1. Press and hold <Menu> until “ADDR” appears on the LED display.

2. Scroll to the “PRST” menu.

3. Press <Enter>.

4. Scroll to the “DFLT” menu.

5. Press <Enter>. The LED display will show “OK?”

6. Press <Enter>. The fixture plays the default sequence continuously until you press <Menu>.

Note: To play the fixture’s default sequence, preset playback must be “ON” (see

“Setting Preset Playback (PLAY)” on page 4-3.)

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Set Menu (SET)

The Set menu allows you to lock the fixture, and either set all factory options to their default settings or access and change the factory options individually. The procedures

below are listed in the same order shown on the menu map (see “Appendix D” ).

Setting Factory Defaults (FACT)

When you set this menu item on, all factory options return to their default settings.

Studio Beam fixtures are shipped from the factory with the following default option settings:

PAN/TILT SWAP = OFF

TILT INVERT = OFF

PAN INVERT = OFF

LED DISPLAY = ON AND BRIGHT

LED DISPLAY INVERT = OFF

LAMP LIFE WARNING = OFF

SHUTTER CLOSE WITH DMX DATA LOSS = SHORT

ZOOM ENABLED = OFF

FAST PAN/TILT MOVEMENT = OFF

PRESET PLAYBACK = OFF

Note: To change the preset playback option, see “Setting Preset Playback (PLAY)” on page 4-3.

The factory default menu option displays On if all the factory options are at the factory default settings. If any of the items listed above are not at the factory default setting, the display reads OFF. Selecting the “OFF” option will have no effect.

To restore the factory default setting:

1. Press and hold <Menu> until “ADDR” appears on the LED display.

2. Scroll to the “SET” menu.

3. Press <Enter>.

4. Scroll to the “FACT” menu (this will be the first menu displayed).

5. Press <Enter>.

6. Scroll to “ON” to restore the factory option defaults on.

7. Press <Enter>.

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Swapping Pan and Tilt (SWAP)

This menu option swaps the pan motor and tilt motor operation to allow fixtures hung perpendicular to each other to respond to pan and tilt movement commands in the same

direction (see Figure 4-2).

To swap pan and tilt motion:

or

1. Press and hold <Menu> until “ADDR” appears on the LED display.

2. Scroll to the “SET” menu.

3. Press <Enter>.

4. Scroll to the “SWAP” menu

5. Press <Enter>.

6. Scroll to “ON” to swap the fixture’s pan and tilt motion, or “OFF” to return the fixture’s pan and tilt motion to normal orientation.

7. Press <Enter>.

Figure 4-2 Fixture hung perpendicular

4

Inverting Tilt (T/IN)

This menu item inverts the direction of the tilt motor, to allow fixtures mounted opposite each other vertically to respond to tilt movement commands in the same direction (see

Figure 4-3).

To invert the fixture’s tilt motion: or

1. Press and hold <Menu> until “ADDR” appears on the LED display.

2. Scroll to the “SET” menu.

3. Press <Enter>.

4. Scroll to the “T/IN” menu.

5. Press <Enter>.

6. Scroll to “ON” to invert the fixture’s tilt motion, or “OFF” to return the fixture’s tilt motion to normal orientation.

7. Press <Enter>.

Figure 4-3 Vertically opposing fixtures

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Inverting Pan (P/IN)

This menu item inverts the direction of the pan motor, to allow fixtures mounted opposite each other horizontally to respond to pan movement commands in the same direction

(see Figure 4-4).

To invert the fixture’s pan motion: or

1. Press and hold <Menu> until

“ADDR” appears on the LED display.

2. Scroll to the “SET” menu.

3. Press <Enter>.

4. Scroll to the “P/IN” menu.

5. Press <Enter>.

Figure 4-4 Horizontally opposing fixtures

6. Scroll to “ON” to invert the fixture’s pan motion, or “OFF” to return the fixture’s pan motion to normal orientation.

7. Press <Enter>.

Changing the Display Output (DSPL)

This menu item allows you to manually change the appearance of the fixture’s alphanumeric LED display. You can set the display on or off, or you can dim the display to reduce visibility. If you want to remotely change the display output (using a DMX

controller), see “Control Construct” on page 3-13.

To change the display output:

1. Press and hold <Menu> until “ADDR” appears on the LED display.

2. Scroll to the “SET” menu.

3. Press <Enter>.

4. Scroll to the “DSPL” menu.

5. Press <Enter>.

or or

6. Scroll to “ON” to set the LED display to normal intensity, “OFF” to turn the

LED display off, or “DIM” to reduce the LED display visibility.

7. Press <Enter>.

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Inverting LED Characters (D/IN)

This menu item allows you to invert the orientation of the LED display’s alphanumeric characters. This option is useful if your fixture is standing upright (i.e., resting on its bottom panel on the floor).

To invert the LED display:

1. Press and hold <Menu> until “ADDR” appears on the LED display.

2. Scroll to the “SET” menu.

3. Press <Enter>.

4. Scroll to the “D/IN” menu.

5. Press <Enter>.

or

6. Scroll to “ON” to invert the fixture’s alphanumeric characters, or “OFF” to return the fixture’s alphanumeric characters to normal orientation.

7. Press <Enter>.

Setting the Lamp Warning Message (LMPL)

Use this menu item to enable your fixture to display the warning message “LAMP LIFE

ERR” when the current lamp hours exceed 700. With this option enabled, after the current lamp hours exceed 800 hours, the fixture will display the warning message

“LAMP OUT ERR.” Once the lamp is extinguished, the fixture will no longer strike the lamp until the current lamp is replaced and the current lamp hours are reset to zero (see

“Replacing the Lamp” on page 5-5 and “Resetting Lamp Hours (L/RS)” on page 4-25).

To enable the lamp warning message:

1. Press and hold <Menu> until “ADDR” appears on the LED display.

2. Scroll to the “SET” menu.

3. Press <Enter>.

4. Scroll to the “LMPL” menu.

5. Press <Enter>.

or

6. Scroll to “ON” to enable the lamp warning message, or “OFF” to disable the lamp warning message.

7. Press <Enter>.

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Data Loss Shutter Close (DLOS)

Use this menu item to determine how the fixture will react in the event of DMX data loss by closing the shutter upon Data Loss or keeping the shutter open until shut down.

To select a shutter reaction to data loss:

1. Press and hold <Menu> until “ADDR” appears on the LED display.

2. Scroll to the “SET” menu.

3. Press <Enter>.

4. Scroll to the “DLOS” menu.

5. Press <Enter>.

or

6. Scroll to “LONG” to close the shutter only when the fixture is shut down, or

“SHRT” to close the shutter one second after data loss.

7. Press <Enter>.

Increasing the Pan/Tilt Movement (FAST)

Use this menu item to increase the speed of the fixture’s pan/tilt movement. Enabling this option will yield increased speed but may compromise the fixture’s positioning. The

“FAST” option works best in situations where the fixture is allowed to reach the target position before the next target position is requested.

To increase the pan/tilt movement:

1. Press and hold <Menu> until “ADDR” appears on the LED display.

2. Scroll to the “SET” menu.

3. Press <Enter>.

4. Scroll to the “FAST” menu.

5. Press <Enter>.

or

6. Scroll to “ON” to enable fast pan/tilt movement, or “OFF” to enable normal pan/tilt movement.

7. Press <Enter>.

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Enabling Audio Modulation (ALED)

This menu enables Audio modulation. A blinking decimal point indicates audio modulation is “ON”. The modulation is based upon sound amplitude rather than beat.

Modulation will vary as the general sound level rises and falls. Audio modulation operates in conjunction with all fixture parameters except pan, tilt and zoom.

To set the audio:

1. Press and hold <Menu> until “ADDR” appears on the LED display.

2. Scroll to the “SET” menu.

3. Press <Enter>.

4. Scroll to the “ADIO” menu

5. Press <Enter>

6. Scroll to the “ALED” menu.

7. Press <Enter>.

or

8. Select “ON” to enable Audio Modulation. A blinking decimal will appear in display to indicate Audio Modulation is active when setting other parameters.

9. Press <Enter>.

Setting the Audio Gain (GAIN)

Use this menu item to place more or less emphasis on low sound levels. Any of 10 levels can be selected. The factory default setting is G006. The setting places more or less emphasis on low sound level with higher setting numbers providing more emphasis to low level sounds.

To set the Gain:

1. Press and hold <Menu> until “ADDR” appears on the LED display.

2. Scroll to the “SET” menu.

3. Press <Enter>.

4. Scroll to the “ADIO” menu

5. Press <Enter>

6. Scroll to the “GAIN” menu

7. Press <Enter>

to

8. Scroll to a value between G001 and G010. Higher setting numbers provide more emphasis to low level sounds.

9. Press <Enter>.

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Setting the Zoom (ZOOM)

This menu option enables/disables the Zoom motor. If the Aspheric lens is installed, turn this option “ON” to allow Zoom optics control. If Aspheric lens is not installed, turn this

option “OFF”. For more information on installing the Aspheric lens, see “Removing or

Replacing the Aspheric Lens” on page 5-10.

To set the Zoom function:

1. Press and hold <Menu> until “ADDR” appears on the LED display.

2. Scroll to the “SET” menu.

3. Press <Enter>.

4. Scroll to the “ZOOM” menu.

5. Press <Enter>.

or

6. Scroll to “ON” to enable the Zoom motor, or “OFF” to disable the Zoom motor.

7. Press <Enter>.

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Mode Menu (MODE)

The Mode menu sets user type, copies settings and presets between user modes, and crossloads software versions from one fixture to all other Studio Beam fixtures on the link. The procedures below are listed in the same order shown on the menu map (see

“Appendix D” ).

Setting the User Type (USER)

Use this menu item to change the fixture’s user type between user A and user B. Each user type includes 16 different presets (scenes) and the following fixture settings:

• start channel number

• pan invert status

• tilt invert status

• pan/tilt swap status

• LED display status

• LED display invert status

• lamp life warning status

• shutter close with DMX data loss status

• preset playback status

Each user type can be configured with its own set of scene parameters and “default” fixture settings. These can be utilized, for example, when a fixture is moved between two locations.

To change the user type:

1. Press and hold <Menu> until “ADDR” appears on the LED display.

2. Scroll to the “MODE” menu.

3. Press <Enter>.

4. Scroll to the “USER” menu (this will be the first option displayed).

5. Press <Enter>.

4

or 6. Scroll to “A” to select User A settings, or “B” to select User B settings.

7. Press <Enter>.

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Copying User Presets (PRST)

Use this menu item to copy the fixture’s preset scenes from one user mode to the other.

Each user type includes 16 different presets which can be copied to the other user type.

This options copies all 16 presets at one time. To copy just one preset, see “Copying an

On-Board Memory Scene (COPY)” on page 4-4.

To copy user presets:

1. Press and hold <Menu> until “ADDR” appears on the LED display.

2. Scroll to the “MODE” menu.

3. Press <Enter>.

4. Scroll to the “USER” menu.

5. Press <Enter>.

6. Scroll to the “COPY” menu.

7. Press <Enter>.

8. Scroll to the “PRST” menu (this will be the first menu displayed).

9. Press <Enter>.

or

10.Scroll to “A

B” to copy User A presets to User B, or “B

A” to copy User B presets to User A.

11.Press <Enter>.

Copying User Settings (SETT)

Use this menu item to copy the fixture’s user settings from one user mode to the other.

The user settings for each user type are listed in the section titled “Setting the User Type

(USER)” on page 4-13. This options copies all user settings at one time.

To copy user settings: or

1. Press and hold <Menu> until “ADDR” appears on the LED display.

2. Scroll to the “MODE” menu.

3. Press <Enter>.

4. Scroll to the “USER” menu.

5. Press <Enter>.

6. Scroll to the “COPY” menu.

7. Press <Enter>.

8. Scroll to the “SETT” menu.

9. Press <Enter>.

10.Scroll to “A

B” to copy User A settings to User B, or “B

A” to copy User B settings to User A.

11.Press <Enter>.

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Copying User Presets and Settings (ALL)

Use this menu item to copy the fixture’s 16 user preset scenes and fixture settings from

User A to User B or vice versa. The user settings for each user type are listed in the

section titled “Setting the User Type (USER)” on page 4-13.

Note: This options copies all user settings and all 16 presets at one time.

To copy user presets and settings: or

1. Press and hold <Menu> until “ADDR” appears on the LED display.

2. Scroll to the “MODE” menu.

3. Press <Enter>.

4. Scroll to the “USER” menu.

5. Press <Enter>.

6. Scroll to the “COPY” menu.

7. Press <Enter>.

8. Scroll to the “ALL” menu.

9. Press <Enter>.

10.Scroll to “A

B” to copy User A presets and settings to User B, or “B

A” to copy all User B presets and settings to User A.

4

11.Press <Enter>.

Crossloading Fixture Software (XLD)

If you have a Studio Beam fixture with a newer software version, you can crossload the newer software to all other Studio Beam fixtures on the link.

Before crossloading, disconnect any controllers, bypass any serial data distributors and/ or data line optoisolators, and bypass or make sure that any fixtures using RS-422 communications (such as Dataflash

®

AF1000 xenon strobes and Intellabeam

®

fixtures) are located after the Studio Beam fixtures on the link. These devices will block communication with any other Studio Beam fixtures on the link.

To crossload software to all other Studio Beam fixtures on the link:

1. On the crossloading fixture only, press and hold <Menu> until “ADDR” appears on the LED display.

2. Scroll to the “MODE” menu.

3. Press <Enter>.

4. Scroll to the “XLD” option.

5. Press <Enter>. The fixture will upload its software to all other Studio Beam fixtures on the link.

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The Transmit LED on the crossloading fixture will remain on (or flicker) and the

Transmit and Receive LEDs on receiving fixtures will flicker while the crossload is in progress. The alphanumeric LED on the Studio Beam fixtures will display “UPLD” as they are receiving the software upload. When the crossload has finished successfully,

“DONE” will appear briefly in the LED display of the crossloading fixture, and all other fixtures will home.

Note: If a new boot code was included with the newer software, the alphanumeric LED will display a “BOOT DIFF” error. To correct the boot code, you must copy the new

boot code for each fixture (see “Copying the Boot Code (BOOT)” on page 4-17).

Selecting Protocol (PROT)

Use this menu to choose Standard or Flat DMX protocol.

To select a protocol: or

1. Press and hold <Menu> until “ADDR” appears on the LED display.

2. Scroll to the “MODE” menu.

3. Press <Enter>.

4. Scroll to “FLAT” to select Flat protocol or “STAN” to select Standard protocol.

5. Press <Enter>.

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Test Menu (TEST)

The Test menu allows you to manually home the fixture, turn the lamp on or off, store new boot code information, and perform fixture self tests to determine the origin of mechanical problems.

Homing the Fixture (HOME)

This menu item allows you to manually home the fixture. To remotely home the fixture

using a DMX controller, see “Control Construct” on page 3-13.

To manually home the fixture:

1. Press and hold <Menu> until “ADDR” appears on the LED display.

2. Scroll to the “TEST” menu.

3. Press <Enter>.

4. Scroll to the “HOME” option (this will be the first option displayed).

5. Press <Enter>. The LED will alternately display “RST” and “HOME” while the fixture homes.

Turning the Lamp On or Off (LAMP)

This menu item allows you to manually strike or extinguish the lamp. To remotely strike

or extinguish the lamp using a DMX controller, see “Control Construct” on page 3-13.

To manually turn the lamp on or off: or

1. Press and hold <Menu> until “ADDR” appears on the LED display.

2. Scroll to the “TEST” menu.

3. Press <Enter>.

4. Scroll to the “LAMP” menu.

5. Press <Enter>.

6. Scroll to “ON” to strike the lamp, or “OFF” to extinguish the lamp.

7. Press <Enter>.

Copying the Boot Code (BOOT)

New software uploaded to Studio Beam fixtures may contain a new boot code which must be copied to each BOOT section of the FlashROM. In this case, the LED displays a

“BOOT DIFF” error. To accept and store the new boot code:

1. Press and hold <Menu> until “ADDR” appears on the LED display.

2. Scroll to the “TEST” menu.

3. Press <Enter>.

4. Scroll to the “BOOT” option.

5. Press <Enter>. The fixture stores the new boot code, then automatically homes.

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Note: Do not remove power from the fixture while performing a boot copy.

Performing Self Tests (SELF)

The following self tests are available:

Construct

ALL

PAN

TILT

CYAN

MAGN

YELW

BEAM

ZOOM

FRST

SHUT

DIM

Self-Test Description performs all of the self tests listed below moves the pan motor from 0° to 540° moves the tilt motor from 0° to 287° divides the cyan color wheel into eight equal sections (positions) and rotates the cyan color wheel from position 1 through 8 divides the magenta color wheel into eight equal sections (positions) and rotates the magenta color wheel from position 1 through 8 divides the yellow color wheel into eight equal sections (positions) and rotates the yellow color wheel from position 1 through 8 moves the beam shaping (lenticular wheel) from 0° to 359° moves the aspheric lens through the entire beam angle range performs frost functions performs strobe functions moves the dim flags from closed to fully open

To see the effects of the self tests, the lamp must be on. If the lamp is off when you run the self test, the LED will display “LAMP” to indicate that the lamp is not struck, and the fixture will attempt to strike the lamp automatically. Self tests run continuously until you until you press <Menu> to exit the test.

To perform a self test:

1. Press and hold <Menu> until “ADDR” appears on the LED display.

2. Scroll to the “TEST” menu.

3. Press <Enter>.

4. Scroll to the “SELF” menu.

5. Press <Enter>.

6. Scroll to the desired option (listed above).

7. Press <Enter>. The fixture will perform the selected self test.

8. Press <Menu> to exit the test.

Placing the Fixture in Setup Mode (S/UP)

This menu item allows you to place the fixture in setup mode so that you can mechanically home your fixture. A fixture that is out of home (i.e., the dim or frost flags loses position), will emit an unusually loud clicking noise when strobing or homing. For more information on how to mechanically home the dim and frost flags, contact High

End Systems customer service (see “Contacting High End Systems” on page ii).

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To place the fixture in setup mode:

1. Press and hold <Menu> until “ADDR” appears on the LED display.

2. Scroll to the “TEST” menu.

3. Press <Enter>.

4. Scroll to the “S/UP” option.

5. Press <Enter>. When the LED displays “SET NOW,” mechanically home the dim and frost flags.

6. After mechanically homing the frost flags and shutter, press any button. This causes the fixture to reset and home.

Testing the LED Display (DISP)

To test the alphanumeric LED display:

1. Press and hold <Menu> until “ADDR” appears on the LED display.

2. Scroll to the “TEST” menu.

3. Press <Enter>.

4. Scroll to the “DISP” option.

5. Press <Enter>. The alphanumeric display will run through its self test.

6. Press <Menu> to exit the test.

4

Changing Encoder Operation (ENCD)

This menu option to disable the encoders which work to automatically correct the fixture’s pan and tilt position if the fixture is moved from its programmed position. Use this option when performing maintenance, to prevent the fixture from repeatedly trying to correct its position.

To enable/disable the encoders:

1. Press and hold <Menu> until “ADDR” appears on the LED display.

2. Scroll to the “TEST” menu.

3. Press <Enter>.

4. Scroll to the “ENCD” option.

5. Press <Enter>. or 6. Scroll to “ON” to enable the encoders, or “OFF” to disable the encoders.

7. Press <Enter>.

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Information Menu (INFO)

The Information menu allows you to view current fixture information such as internal temperature, lamp hours, fixture hours, lamp strikes, software version, DMX errors, and

DMX data for any other device on the link. You can also reset the lamp hours, lamp strikes and fixture hours. The procedures below are listed in the same order shown on

the menu map (see “Appendix D” ).

Viewing Sensor Information (SENS)

This menu option allows you to view whether a specified sensor is working correctly or to view encoder position values. If you receive a “SENS ERR” error message on the alphanumeric display, this information may help you determine where the problem

originates (see “Alphanumeric Display Error Messages” on page 6-1).

Sensor/encoder information is available for the following:

Parameter

SEN1

SEN2

TILT

PAN

TPOS

PPOS

Description magenta and beam shaping (lenticular) wheel sensor cyan and yellow color wheel sensors tilt sensor pan sensor tilt encoder pan encoder

To view sensor and encoder information:

1. Press and hold <Menu> until “ADDR” appears on the LED display.

2. Scroll to the “INFO” menu.

3. Press <Enter>.

4. Scroll to the “SENS” menu.

5. Press <Enter>.

6. Scroll to the desired sensor or encoder (listed above).

7. Press <Enter>. If you are viewing a sensor, the LED will display “ON” or

“OFF” indicating the status described in the table below. If you are viewing an encoder, the LED will display the current numeric position of the encoder.

Sensor Type

Wheel Sensor

Pan/Tilt Sensor

ON tab not in path not in slot

OFF tab in path in slot

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Viewing Fixture DMX Status and Parameter Values (FIXT)

This menu option allows you to view DMX status and parameter values for the fixture.

You may want to view the DMX status and parameter values for a fixture if you are having a particular problem with a fixture; for example, a color wheel that does not respond to commands from the controller.

The following DMX status information is available for viewing:

Contruct

BRKS

FE

OV

STRT

DMX Status framing errors with value of zero (i.e. DMX breaks) framing errors with a non-zero value (i.e. errors in data transmission) overruns (changing values could indicate data link/connector problems) start code

The following parameter values are available for viewing according to the protocol selected.

DMX Values Available for Viewing in

Standard Protocol

DMX Values Available for Viewing in

Flat Protocol

Construct Value Construct Value

PANH

PANL

TLTH

TLTL

COLC high 16-bit pan value low 8-bit pan value high 16-bit tilt value low 8-bit tilt value color control value

ZOOM aspheric lens (beam angle) position

FRST frost flag position value

SHUT shutter strobe value

PANH

PANL

TLTH

TLTL

DIM

BEAM high 16-bit pan value low 8-bit pan value high 16-bit tilt value low 8-bit tilt value shutter dim flag value

CYAN cyan color wheel position

MAGN magenta color wheel position

YELW

BEAM yellow color wheel position

SHUT

LMPC

CYAN shutter strobe value lamp control channel cyan color wheel position beam shaping (lenticular) wheel position MAGN magenta color wheel position

YELW

COLC yellow color wheel position color control value beam shaping (lenticular) wheel position

DIM

MSPD

MACR

CNTL shutter dim flag value

MSpeed time value macro value control channel value

ZOOM

FRST

CNTL aspheric lens (beam angle) position frost flag position value control channel value

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To view the DMX status and parameter values:

1. Press and hold <Menu> until “ADDR” appears on the LED display.

2. Scroll to the “INFO” menu.

3. Press <Enter>.

4. Scroll to the “DMX” menu.

5. Press <Enter>.

6. Scroll to the “FIXT” menu (this will be the first option displayed).

7. Press <Enter>.

8. Scroll to the desired DMX status or parameter (listed above).

9. Press <Enter>. The LED will display the selected DMX status or parameter value.

If you have a particular problem with the fixture, follow the steps above to select a parameter and view its value. After noting the value of the parameter you selected, use your controller to change that parameter’s value.

If the value changes on the fixture’s LED display, but the fixture still does not respond, contact High End Systems customer service in one of the ways shown in the section

titled “Contacting High End Systems” on page ii.

If the value does not change on the fixture’s LED display, remove the fixture from the

DMX link and try to change the parameter’s value using the fixture’s menu system. If the fixture then functions normally, the problem was likely with the DMX link. Otherwise,

contact High End Systems customer service (see “Contacting High End Systems” on page ii).

Viewing DMX Data for Another Device (DATA)

This procedure allows you to use a Studio Beam fixture to view DMX channel values for other devices on the DMX link. Use this menu option for testing devices that do not have built-in DMX diagnostics, or fixtures that are physically inconvenient to monitor directly.

If you experience a problem with a device on the link, use this menu to select a DMX channel in the device’s channel range and view its DMX value. After noting the value of the channel you selected, use your controller to change that channel’s value.

If the value of the DMX channel you selected does not change, there may be a problem with the DMX cable or your transmitting device (i.e. controller).

If the DMX channel value changes, but the device does not respond, the device may be faulty. Consult the documentation provided with that device for more information.

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To view DMX data for another device on the DMX link:

1. Press and hold <Menu> until “ADDR” appears on the LED display.

2. Scroll to the “INFO” menu.

3. Press <Enter>.

4. Scroll to the “DMX” menu.

5. Press <Enter>.

6. Scroll to the “DATA” menu.

7. Press <Enter>.

to 8. Scroll to the desired DMX channel (C001– C512).

9. Press <Enter>. The LED will display the selected channel’s DMX value.

Viewing the Current Logic Board Temperature (PCB)

This menu option allows you to view the current ambient temperature at the logic board inside the fixture.

To view the logic board temperature:

1. Press and hold <Menu> until “ADDR” appears on the LED display.

2. Scroll to the “INFO” menu.

3. Press <Enter>.

4. Scroll to the “TEMP” menu.

5. Press <Enter>.

6. Scroll to the “PCB” option.

7. Press <Enter>. The LED will display the current internal temperature of the fixture’s logic board in degrees centigrade.

8. The maximum temperature for the logic board is 85 C. When maximum temperature is exceeded, the fixture shuts down and the display shows “PCB

TEMP ERR.” For more information, see “Alphanumeric Display Error

Messages” on page 6-1.

4

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Viewing the Current Fixture Head Temperature (HEAD)

This menu option lets you view the current ambient temperature inside the fixture head.

To view the fixture’s head temperature:

1. Press and hold <Menu> until “ADDR” appears on the LED display.

2. Scroll to the “INFO” menu.

3. Press <Enter>.

4. Scroll to the “HEAD” option.

5. Press <Enter>. The LED will display the current internal temperature of the fixture’s head in degrees centigrade.

Note: The maximum temperature for the fixture head is 100 C. If this maximum temperature is exceeded, the fixture will shut down and the alphanumeric display

will show “HEAD TEMP ERR.” For more information, see “Alphanumeric Display

Error Messages” on page 6-1.

Resetting Fixture Hours (F/RS)

Use this menu to reset the recorded number of hours the fixture has been on.

To reset the fixture hours to zero:

1. Press and hold <Menu> until “ADDR” appears on the LED display.

2. Scroll to the “INFO” menu.

3. Press <Enter>.

4. Scroll to the “F/RS” option.

5. Press <Enter>*. The LED will display “0000” when the fixture hours are reset.

*Note: This option has a five-second delay to avoid inadvertent changes. To reset the fixture hours, you must press and hold the <Enter> button for at least five seconds.

Viewing the Current Fixture Hours (F/HR)

To view the number of hours the fixture has been on since this option was reset:

1. Press and hold <Menu> until “ADDR” appears on the LED display.

2. Scroll to the “INFO” menu.

3. Press <Enter>.

4. Scroll to the “F/HR” option.

5. Press <Enter>. The LED will display the number of hours the fixture has been on.

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Resetting Lamp Hours (L/RS)

This menu item resets the hours the current lamp has been operating to zero. You should

reset the lamp hours each time you replace the lamp (see “Replacing the Lamp” on page

5-5).

To reset the current lamp hours to zero:

1. Press and hold <Menu> until “ADDR” appears on the LED display.

2. Scroll to the “INFO” menu.

3. Press <Enter>.

4. Scroll to the “L/RS” option.

5. Press <Enter>*. The LED will display “0000” when the lamp hours are reset.

*Note: This option has a five-second delay to avoid inadvertent changes. To reset the lamp hours, you must press and hold the <Enter> button for at least five seconds.

4

Viewing the Number of Current Lamp Strikes (L/ST)

To view the number of times the fixture has attempted to strike the current lamp:

1. Press and hold <Menu> until “ADDR” appears on the LED display.

2. Scroll to the “INFO” menu.

3. Press <Enter>.

4. Scroll to the “L/ST” option.

5. Press <Enter>. The LED will display the number of times the fixture has struck the current lamp.

Note: Lamp strikes are automatically reset when the lamp hours are reset (see

“Resetting Lamp Hours (L/RS)” on page 4-25).

Viewing the Current Lamp Hours (L/HR)

To view the number of hours the current lamp has been on:

1. Press and hold <Menu> until “ADDR” appears on the LED display.

2. Scroll to the “INFO” menu.

3. Press <Enter>.

4. Scroll to the “L/HR” option.

5. Press <Enter>. The LED will display the number of hours the current lamp has been on.

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Viewing the Current Software Version (VER)

To view the current software version:

1. Press and hold <Menu> until “ADDR” appears on the LED display.

2. Scroll to the “INFO” menu.

3. Press <Enter>.

4. Scroll to the “VER” option.

5. Press <Enter>. The LED will display the fixture’s current software version.

Note: The software version is also displayed when you exit the menu system (see

“Alphanumeric Display Error Messages” on page 6-1).

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Scene Creation, Looping and Playback with the Menu System

Step-by-Step Scene Creation

Follow the example below to create a sample scene using the fixture’s menu system to choose a value for each of the available parameters. For more information on available

parameters, see “Appendix D” .

Choose a Scene to Create/Edit:

1. Press and hold <Menu> until “ADDR” appears on the LED display.

2. Scroll to the “PRST” menu.

3. Press <Enter>.

4. Scroll to the “EDIT” menu.

5. Press <Enter>.

6. Scroll to the scene you want to create (in this example, “SN01”).

7. Press <Enter>.

Select a Shutter Value (SHUT):

1. Scroll to the “SHUT” parameter (this will be the first parameter displayed).

2. Press <Enter>.

3. Scroll to the desired shutter value (in this example, “OPEN”).

4. Press <Enter>.

Select a Dim Value (DIM)

1. Scroll to the “DIM” parameter.

2. Press <Enter>.

3. Scroll to the desired dim value (in this example, “D255”).

4. Press <Enter>.

Select a Pan Value (PAN):

1. Scroll to the “PAN” parameter.

2. Press <Enter>.

3. Scroll to the desired pan value from “-49.9” to “+49.9” (in this example,

“+30.5”).

4. Press <Enter>.

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Select a Tilt Value (TILT)

1. Scroll to the “TILT” parameter.

2. Press <Enter>.

3. Scroll to the desired tilt value from “-49.9”–“+49.9” (in this example,

“-20.3”).

4. Press <Enter>.

Choose a Color Wheel Control Value (COLC)

1. Scroll to the “COLC” parameter

2. Press <Enter>.

3. Scroll to the desired color wheel control value (in this example, Indexed

“IDX”).

4. Press <Enter>.

Select a Cyan Wheel Position (CYAN)

1. Scroll to the “CYAN” parameter.

2. Press <Enter>.

3. Scroll to the desired cyan color wheel position value (in this example,

“OPEN”).

4. Press <Enter>.

Select a Magenta Wheel Position (MAGN)

1. Scroll to the “MAGN” parameter.

2. Press <Enter>.

3. Scroll to the desired magenta color wheel position value (in this example,

“C1”). C1 indicates the discrete color position on the color wheel.

4. Press <Enter>.

Select a Yellow Wheel Position (YELW)

1. Scroll to the “YELW” parameter.

2. Press <Enter>.

3. Scroll to the desired yellow color wheel position value (in this example,

“S3”). S3 indicates the saturation level at the third color position on the color wheel.

4. Press <Enter>.

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Select a Beam Shaping (Lenticular) Wheel Position (BEAM)

1. Scroll to the “FX” parameter.

2. Press <Enter>.

3. Scroll to the desired effects wheel position value (in this example, “WR12”).

4. Press <Enter>.

Select a Zoom (Beam Angle) Position (ZOOM)

1. Scroll to the “ZOOM” parameter.

2. Press <Enter>.

3. Scroll to the desired zoom value (in this example, “255” for a 26° beam angle).

4. Press <Enter>.

Select a Frost Flag Position (FRST)

1. Scroll to the “FRST” parameter.

2. Press <Enter>.

3. Scroll to the desired frost flag position value (in this example, “SR06”).

4. Press <Enter>.

Set an MSpeed Value (MSPD)

1. Scroll to the “MSPD” parameter.

2. Press <Enter>.

3. Scroll to the desired MSpeed (in this example, “1.5”) in decimal seconds.

4. Press <Enter>.

Note: In this example, the MSpeed value only affects the pan and tilt parameters, because the pan and tilt values default to MSpeed time, and no other parameters with MSpeed values were chosen.

4

Choose a Macro (MACR)

1. Scroll to the “MACR” parameter.

2. Press <Enter>.

3. Scroll to the desired macro value (in this example, “MCOF”).

4. Press <Enter>.

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Set a Crossfade Value (XFAD)

1. Scroll to the “XFAD” parameter.

2. Press <Enter>.

3. Scroll to the desired crossfade value in increments of 0.1 or 1 (in this example, “1.5”).

4. Press <Enter>.

Note: The crossfade value will affect the DIM and ZOOM parameters. Set the unit of time used for crossfade (seconds, minutes, or hours) using the TIME parameter.

Cyan, Magenta and Yellow are crossfaded in continuous and pure mix modes that do not use MSpeed.

Set a Delay Value (DLAY)

1. Scroll to the “DLAY” parameter.

2. Press <Enter>.

3. Scroll to the desired delay value in increments of 0.1 or 1 (in this example,

“6.0”).

4. Press <Enter>.

Note: The delay value determines the length of the scene. If you want all motor transitions to be completed before the next scene begins, XFAD or MSPD must be less than or equal to DLAY. If XFAD or MSPD is longer than DLAY, the motor movement will not be completed before the next scene begins, which could produce undesirable results - such as no light output during the scene.

Set the unit of time used for delay (seconds, minutes, or hours) using the TIME parameter.

Set the Time Unit (TIME)

1. Scroll to the “TIME” parameter.

2. Press <Enter>.

3. Scroll to the desired time value (in this example, “SEC”).

4. Press <Enter>.

Note: This parameter sets the unit of time used in for the XFAD and DLAY values.

Erase the Scene (ZERO)

1. Scroll to the “ZERO” parameter.

2. Press <Enter>. The LED will display “OK?”

3. In this example, press the <Menu> button. Pressing the <Menu> button will exit this parameter and leave the current scene as programmed.

Pressing the <Enter> button will erase the current scene and mark the end of a loop.

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Creating a Loop

A loop is a series of programmed scenes that continuously plays in sequential order. To

create a loop, you must first create two or more contiguous scenes (see “Step-by-Step

Scene Creation” on page 4-27). After you have created your scenes, go to the next

available scene and choose the “ZERO” menu option to erase any programmed parameter values and mark the end of the loop.

Note: If you program all available on-board scenes, you do not have to mark the end of the loop. When preset playback is set on, the fixture will automatically loop after playback of all programmed scenes.

Playing Back a Loop

To play back a loop, you must set preset playback on for each fixture (see “Setting Preset

Playback (PLAY)” on page 4-3). When preset playback is set on, your fixture will

automatically begin playing back the first scene and continue through the loop.

Note: Scene 1 must be programmed to enable preset playback.

The fixture has two ways to indicate that preset playback is on. First, the display will show a dot in the lower right

corner (see Figure 4-5). Second, during normal operation,

the seven-segment LED cycled information will be changed to display “PRST” instead of the fixture’s software version (“Vxxx”).

If power is removed during playback, the fixture will home and begin playback at the first scene. To stop playback,

manually set playback mode off, (see “Setting Preset

Playback (PLAY)” on page 4-3).

MENU dot indicates preset playback is ON

ENTER

Figure 4-5 Preset playback indicator.

4

Synchronizing Preset Playback

After creating one or more scenes for your fixtures, you can synchronize the preset playback for all Studio Beam

Color

®

575, Studio Spot™ 575, EC-1™, ES-1™, Technobeam

®

Color Pro

®

®

, x.Spot™, Studio Spot™ 250, Studio Color

®

HX, HXi, or FX fixtures in the link.

250, Studio

, Technopro™, Technoray™,

Note: Synchronizing preset playback is applicable for fixtures operating in stand-alone mode only. Do not include a DMX controller in the link while synchronizing preset scene playback.

Synchronizing playback allows you to set all applicable fixtures to a “master clock” so that all fixtures have a definite, synchronized starting point when playing back their sequences (or loops). It is the master fixture (the fixture assigned DMX start channel 1) which determines the sequence length for all the other fixtures in the link (slave fixtures), regardless of the number of programmed scenes or the sequence length of the individual slave fixtures.

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When the master fixture reaches the end of its last scene, all fixtures will restart at scene

1 (regardless of whether the slave fixtures have finished playing their scenes) and all the

“clocks” will be reset to zero. For example, if a slave fixture has a shorter sequence length, it will continuously repeat its sequence until the master fixture resets all the

clocks (see Figure 4-6). If a slave fixture has a longer sequence length, it will restart at

scene 1 before it completes its entire sequence.

00:00:00 00:15:00 00:35:00 00:50:00 01:00:00 01:20:00 01:30:00 01:40:00 01:55:00

Master Scene 1 Scene 2 Scene 3 Scene 4 Scene 5 Scene 6 Scene 7 Scene 8 restarts

00:00:00 00:10:00 00:55:00 01:30:00 01:40:00

Slave 1 Scene 1 Scene 2 Scene 3 Scene 1 Scene 2 scene not finished

restarts

00:00:00 00:10:00 00:20:00 00:40:00 01:55:00

Slave2 Scene 1 Scene 2 Scene 3 Scene 4 Scene 5 not played

restarts

Figure 4-6 Example of synchronized playback.

To enable synchronized playback:

1. Link the fixtures you want to synchronize (see “Linking the Fixtures” on page 2-5).

Make sure you terminate both the first and the last fixtures in the link and that there are no DMX controllers on the link.

2. Assign one fixture as the master fixture by assigning it a unique DMX start channel 1

or fixture number 1 (see “Uploading Latest Fixture Software” on page 2-9). Make

sure no other fixture on the link is assigned DMX start channel 1 or fixture number 1.

3. Set preset playback on for all fixtures on the link (see “Setting Preset Playback

(PLAY)” on page 4-3).

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Chapter 5

General Maintenance

This chapter includes information on replacing parts, optimizing the lamp, cleaning the fixture, and updating fixture software. Please note the warnings under each heading before servicing your fixture.

Warning: This fixture must be serviced by qualified personnel. The information listed in this chapter is intended to assist qualified

personnel only.

Replacing Parts

Warnings:1) Disconnect power before servicing.

2) Replace fuses with the specified type and rating only.

3) Equipment surfaces may reach temperatures up to 90° C (194° F).

Allow the fixture to cool before handling.

Replacing Fuses

You will need:

replacement fuse (see Table 5-1)

• wide tip, flat head screwdriver

• #2 Phillips-head screwdriver

There are two fuses located on the logic board, two fuses located on the filter board, and two fuses located on the motor power supply board.

To replace the fuses:

1. Disconnect power to the fixture. If the fixture has been operating, allow the fixture to cool before handling.

2. Determine which fuse to replace by referring to Table 5-1.

5

Table 5-1 Description and Function of Fuses

Fuse

Logic Board F1

Logic Board F2

Type and Rating

2.5 A, 250 V,

Slow Blow only

2.5 A, 250 V,

Slow Blow only

Size

5mm x

20mm

5mm x

20mm

Protects

Pan motor and Tilt motor

Other motors and fans

Symptom of Failure

Pan and Tilt will no longer function.

Wheels will no longer function, and fans will shut off.

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General Maintenance 5-1

Table 5-1 Description and Function of Fuses

Fuse

Motor Power Supply

Board F1

Motor Power Supply

Board F2

Filter Board F1

Filter Board F2

Type and Rating

6.3 A, 250 V,

Slow Blow only

6.3 A, 250 V,

Fast Blow only

12.5 A, 250 V,

Fast Blow only

12.5 A, 250 V,

Fast Blow only

Size

5mm x

20mm

5mm x

20mm

5mm x

20mm

5mm x

20mm

Protects

Motor Power

Supply Board

Logic Board and motors

Entire fixture

Entire fixture

Symptom of Failure

Motors will not move, lamp is off, and fixture appears dead.

Motors will not move, lamp is off, and fixture appears dead.

Motors will not move, lamp is off, and fixture appears dead.

Motors will not move, lamp is off, and fixture appears dead.

3. Using a wide-tip, flat head screwdriver, loosen the two panel cover retaining screws on each side of the fixture (see

Figure 5-1).

4. Remove the fixture’s two panel covers by sliding them off the fixture

(see Figure 5-2).

5. Refer to Figure 5-3 for the following:

If you want to access the

logic board

fuses, use a #2 Phillips-head screwdriver

to loosen (but do not remove) the two

LED display panel retaining screws.

If you want to access the

filter board

fuses, use a #2 Phillips-head screwdriver

to loosen (but do not remove) the two filter panel retaining screws.

If you want to access the

motor power

supply board fuses, use a #2 Phillips-

head screwdriver to loosen (but do not

remove) both the LED display panel and the filter panel retaining screws.

Panel covers

Retaining

Screws

Figure 5-1 Loosen panel cover screws

Figure 5-2 Remove the two panel covers.

5-2

Filter panel retaining screw

(one on each side)

LED display panel retaining screw (one

on each side)

Figure 5-3 Loosen the two display panel screws.

General Maintenance

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User Manual

6. Gently lower the desired panel(s) (see Figure

5-4).

If you want to access either the filter board or the

logic board fuses, go on to Step 10.

To access the motor power supply board only continue.

7. From the LED display panel side of the fixture, disconnect the motor power supply cable from

the logic board (see Figure 5-5).

Figure 5-4 Lower the panel.

logic board

LED display panel

Motor power supply board cable

Figure 5-5 Remove the motor power supply cable from the logic board.

8. From the filter panel side of the fixture, disconnect the Ground (green wire), L1 (blue

wire), and L2 (brown wire) from the motor power supply board (see Figure 5-6).

Ground (green wire)

L1 (blue wire)

L2 (brown wire)

5

Figure 5-6 Remove the Ground, L1, and L2 wires.

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General Maintenance 5-3

9. Referring to Figure 5-7, use a #2 Phillips-head screwdriver to remove the three

screws

(A) and slide the motor power supply board assembly (B) out of the fixture.

A

B

Figure 5-7 Remove the three screws and the motor power supply board

10. Locate the fuse(s) to be replaced (see Figure 5-8) and replace with a fuse of the same

type and rating.

Motor Power Supply Board

Filter Board

F1

F2

Logic Board

F1 F2

Figure 5-8 Fuse locations on the boards.

5-4 General Maintenance

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Note: If you are replacing the fuses on the LED display panel or the filter panel, you must first remove the protective plastic covering over the fuse(s).

11. Replace the appropriate fuse(s).

Note: If applicable, reinstall the protective plastic covering over the fuse.

12. If you removed the motor power supply board assembly, replace the assembly in the fixture and reinstall the three screws.

13. Reconnect the Ground, L1, and L2 wires to the motor power supply board.

14. Reconnect the motor power supply cable to the logic board.

15. Return the filter panel and/or the LED display panel to the original, upright position and tighten the display panel retaining screws.

16. Replace the two panel covers and tighten the four panel cover retaining screws.

Replacing the Lamp

Warnings: Disconnect power before re-lamping or servicing.

An operating, unshielded MSR lamp emits ultraviolet and visible

(UV-vis) radiation which could damage eyes and skin. Whenever you are working on or near an exposed lamp, wear protective eye gear.

Never look directly at the lamp while the lamp is on.

Hot lamp may be an explosion hazard. Do not open for five minutes after switching off. Wear eye and hand protection when re-lamping.

Equipment surfaces may reach temperatures up to 90° C (194° F).

Allow the fixture to cool before handling.

Caution: This equipment is designed for use with a Philips

®

MSR 700-watt, short arc lamp only. Use of any other type lamp may be hazardous and may void the warranty.

You will need:

• Philips

®

MSR 700-watt, short arc lamp

• protective gloves and eyewear

• wide tip, flat head screwdriver lamp assembly screws lamp cap

To install/replace the lamp:

1. Disconnect power to fixture. If the fixture has been operating, wait for the lamp to cool before handling.

2. Put on protective eyewear and gloves.

3. Tilt the fixture’s head to access the

Figure 5-9 Lamp cap and assembly screws.

lamp cap and using a wide tip, flat head screwdriver, loosen (but do not remove) the

two lamp assembly screws, (see Figure 5-9).

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4. Pull the lamp assembly straight out of the fixture

(see Figure 5-10).

The lamp assembly is connected to the fixture by lamp socket wires. Support the lamp assembly while replacing the lamp. Do not allow the lamp

socket wires to support the weight of the lamp assembly.

lamp socket wires lamp assembly

5. Holding the existing lamp by its ceramic base, carefully pull the lamp straight out of the lamp

socket (see Figure 5-11).

Caution: Do not squeeze the lamp glass while removing the existing lamp from the socket. Lamp glass may shatter.

6. Remove all packaging materials from the new lamp.

Holding the new lamp by its ceramic base, gently press the two base pins into the lamp socket until the lamp is firmly seated.

Figure 5-10 Remove the lamp assembly

Caution: When handling the new lamp, avoid contact with the lamp glass. If the lamp glass is soiled by oil or dirt from skin, gloves, etc., clean the cold lamp glass with an alcohol wipe. A soiled lamp could overheat and burst, causing damage to the fixture.

7. Reinsert the lamp assembly straight into the fixture.

Figure 5-11 Remove the lamp from the lamp socket

Caution: Make sure the lamp socket wires are not wrapped around the lamp or crimped while reinserting the lamp assembly.

8. Tighten the lamp assembly screws.

9. Reset the lamp hours to zero so that you can track the lamp life (see “Resetting Lamp

Hours (L/RS)” on page 4-25).

10. Optimize the new lamp (see “Optimizing the Lamp” on page 5-11).

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Replacing a Wheel

This section shows how to replace the cyan, magenta, yellow, or beam shaping

(lenticular) wheel. You should replace the wheels if they are damaged or broken.

Warnings: Disconnect power before servicing.

Equipment surfaces may reach temperatures up to 90° C (194° F). Allow the fixture to cool before handling.

You will need: bezel latch

• #2 Phillips-head screwdriver

• 5/64 in. hex tool

• replacement wheel

To replace a Studio Beam

®

wheel:

1. Remove the fixture’s bezel by releasing the bezel latch on each side of the fixture (see

Figure 5-12).

Figure 5-12 Remove bezel.

C

2. Using a 5/64in. hex tool, loosen the set screw located under the optical plate on the motor shaft to the top frost flag (

A in

Figure 5-13).

A

B

Lens

Assembly

3. Using a #2 Phillips-head screwdriver, remove the four screws securing the lens assembly to the optical module

(B in Figure 5-13) and lift the

lens assembly off the fixture.

4. Using a 5/64in. hex tool, loosen the set screw on the desired wheel hub, and remove the screws and washers as shown

in Figure 5-14 on page 5-8.

Lens Plate

Frost Flag gears

Optical

Module

5. Pull the desired wheel up and

off the shaft (see Figure 5-14).

6. If applicable, remove all pieces of broken glass in the fixture.

Motor shaft

Figure 5-13 Remove the lens assembly

7. Place the new wheel on the open wheel shaft and replace the washers, spacers, and set screws.

8. Replace the lens assembly guiding the top frost flag onto the motor shaft.

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General Maintenance 5-7

9. Realign the frost flag gears allowing enough spacing so top flag can move freely.

Dots on the top of each gear (

C in Figure 5-13) indicate gear alignment.

10. Reinstall the four #2 Phillips-head screws.

11. Replace the fixture’s bezel and engage the two bezel latches.

A

B

C

A

B

D

A

Beam shaping

(lenticular) wheel

A

E

F

E

Yellow wheel

E

A

B

set screw (4) p/n 90707091

.50 od spacer (2) p/n 90701187

Magenta wheel

Cyan wheel

C

.55 od spacer (2) p/n 90702167

E

F

D

washer (1) p/n 90706083

G

E

.65 od spacer (4) p/n 90702148

C

F

wave washer (2) p/n 90706098

G

teflon washer (1) p/n 90706108

5-8

Figure 5-14 Location of the screws and washers on the color wheel assembly

General Maintenance

Studio Beam

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User Manual

Replacing the Lenses

This section shows how to replace the Pebble Convex (PC) lens and the aspheric (zoom) lens. You should replace the lenses if they are damaged or broken.

You can also completely remove the aspheric lens if you want to increase the fixture’s lumens output. By removing the aspheric lens, the fixture will always have a 15° beam angle, but will increase its output by 2,000 lumens.

Warnings: Disconnect power before servicing.

Equipment surfaces may reach temperatures up to 90° C (194° F).

Allow the fixture to cool before handling.

Replacing the PC Lens

You will need:

• replacement PC lens

• #2 Phillips-head screwdriver

To replace the PC lens:

1. Disconnect power from the fixture. If the fixture has been operating, allow the fixture to cool before handling.

2. Remove the bezel by unlatching the two

bezel latches (see Figure 5-12 on page

5-7).

3. Remove the four #2 Phillips-head lens screws and remove the lens by pulling it straight up from the optical assembly

(see Figure 5-15).

4. Place the new lens on the optical assembly.

Note: Before installing the new lens, you may need to clean it by using a soft, lint-free cotton cloth and a mild glass cleaning solution

(containing no ammonia).

Figure 5-15 Remove the screws that secure the lens to the optical assembly.

5. Replace and tighten the four #2 Phillips-head screws that secure the lens to the lens assembly.

6. Replace the bezel and engage the bezel latches.

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General Maintenance 5-9

Removing or Replacing the Aspheric Lens

You will need:

Plate Screws

• replacement aspheric lens (if applicable)

• 1/16in. allen wrench

Set Screw

• #2 Phillips-head screwdriver

• a soft, lint-free cotton cloth

• mild glass cleaning solution

To remove or replace the aspheric lens:

Figure 5-16 Loosen the screws securing the optical assembly plate.

1. Disconnect power to the fixture. If the fixture has been operating, allow the fixture to cool before handling.

2. Remove the bezel by unlatching the two bezel latches (see Figure 5-16).

3. Use a #2 Phillips-head screwdriver to loosen (but

not remove) the two plate

screws shown in Figure 5-

16. When the screws are

loosened, remove the plate by pulling the large end of the plate’s keyhole slots over the screw heads you just loosened.

4. Use a 1/16in. allen wrench to loosen (but not remove) the set screw shown in

Figure 5-16 and access the

aspheric lens assembly.

5. Using a #2 Phillips-head screwdriver, remove the two aspheric lens mounting

screws (see Figure 5-17).

Figure 5-17 Remove the two aspheric lens mounting screws.

6. Remove the aspheric lens assembly as shown in Figure 5-17.

If you are replacing the lens, install the new aspheric lens assembly and reinstall the aspheric lens mounting screws.

5-10 General Maintenance

Studio Beam

®

User Manual

Note: Before installing the new lens, you may need to clean it by using a soft, lintfree cotton cloth and a mild glass cleaning solution (containing no ammonia).

7. Replace the plate by sliding the large end of the keyhole slots over the two plate screws heads.

8. Using a #2 Phillips-head screwdriver, tighten the two plate screws to secure the plate to the optical assembly.

9. Replace the bezel and engage the bezel latches.

10. Set Zoom to “ON”, see “Setting the Zoom (ZOOM)” on page 4-12.

Optimizing the Lamp

You should optimize the lamp after you replace the lamp, or if you notice a “hot spot” of brightness anywhere other than the center of the light beam.

To complete the optimization procedure below, you can use either the fixture’s on-board menu system or your DMX controller.

1. Orient the fixture so that the beam will project onto a flat, white surface at least 10

feet (3 m) away as shown in Figure 5-18.

5

white wall sturdy surface

10 ft. (3 m) minimum

Figure 5-18 Orient the fixture for lamp optimization.

2. Turn the lamp on (see “Turning the Lamp On or Off (LAMP)” on page 4-17).

3. Make sure that the light beam is round and not oval.

4. If necessary, adjust the pan and tilt construct values until the beam is round (see

“Select a Pan Value (PAN):” on page 4-27 and “Select a Tilt Value (TILT)” on page 4-

28).

5. Locate the three lamp optimization screws (see Figure 5-19).

Studio Beam

®

User Manual

General Maintenance 5-11

6. Loosen the three lamp optimization screws.

7. Look at the wall where the beam is projected and use the three optimization screws to adjust the lamp’s position within the fixture.

8. When the beam is at its maximum brightness and the light level is even across the beam (or the “hot spot” of brightness is at the center of the beam), retighten the three optimization screws to secure the lamp in its new position.

lamp optimization screws

Figure 5-19 Lamp optimization screws.

Cleaning the Glass Components

If the glass components of your fixture become dirty, clean them by following the procedure below.

Warnings:Disconnect power before servicing.

Equipment surfaces may reach temperatures up to 90° C (194° F).

Allow the fixture to cool before handling.

You will need:

• a soft, lint-free cotton cloth

• mild glass cleaning solution (containing no ammonia)

To clean the internal components:

1. Disconnect power to the fixture. If the fixture has been operating, allow the fixture to cool before handling.

2. Remove the bezel by releasing the two bezel latches (see Figure 5-12 on page 5-7).

3. Clean the color wheels, aspheric lens, and PC lens using a mild glass cleaner

(containing no ammonia) and a soft, lint-free cotton cloth.

To access the color wheels, see “Replacing a Wheel” on page 5-7. To access the

aspheric lens, see “Removing or Replacing the Aspheric Lens” on page 5-10. To

access the PC lens, see “Replacing the PC Lens” on page 5-9.

4. Replace the bezel and engage the two bezel latches.

5-12 General Maintenance

Studio Beam

®

User Manual

Chapter 6

Troubleshooting

This chapter lists typical symptoms and solutions for problems you might experience when using your Studio Beam

®

fixture. If the problem you are experiencing is not listed in this chapter or the solution listed does not solve the problem, contact High End

Systems customer service (see “Contacting High End Systems” on page ii).

Alphanumeric Display Error Messages

The front panel on Studio Beam fixtures has an alphanumeric LED (Light Emitting

Diode) display, five status LEDs, and four menu navigation buttons (see

Figure 6-1).

alphanumeric

LED display navigation buttons status

LEDs

Motor

Lamp

5V

Transmit

Receive

6

MENU ENTER

Figure 6-1 Front panel display.

Under normal circumstances, the alphanumeric display cycles between displaying the fixture’s name (“BEAM”), the fixture software version (“Vxxx”), the fixture’s DMX start channel (“Cxxx”), and the current protocol setting (“STAN” or “FLAT”). However, if you are experiencing problems with your fixture, the status LEDs and/or alphanumeric display can also provide insight on where the problem is originating.

Table 6-1 on page 6-2 lists alphabetically the Error Messages Studio Beam fixtures can

display along with the problem(s) each may indicate and potential solutions.

Studio Beam

®

User Manual

Troubleshooting 6-1

Table 6-1 Alphanumeric Display Error Messages

Display

Message

Problem

BOOT

DIFF

CYAN

SENS

EFCT

SENS

EMEM

ADIO

EMEM

ALED

EMEM

CHNL

EMEM

DINV

EMEM

DLOS

EMEM

DPLY

Solution

The fixture’s normal boot code does not match the backup boot code.

Update the boot code (see “Copying the

Boot Code (BOOT)” on page 4-17).

The fixture cannot find the color wheel home slot due to a possible:

• broken color wheel

• broken belt

Replace the wheel (see “Replacing a Wheel” on page 5-7).

• faulty motor

• faulty motor driver

• broken wire connecting the sensor or cyan wheel motor to the logic board

Contact High End Systems customer support

(see page ii) if problem continues.

• bad sensor

The fixture cannot find the beam shaping

(lenticular) wheel home slot due to a possible:

• broken lenticular wheel

• broken belt

• faulty motor

• faulty motor driver

• broken wire connecting the sensor or lenticular wheel motor to the logic board

• bad sensor

Replace the wheel (see “Replacing a Wheel” on page 5-7).

Contact High End Systems customer support

(see page ii) if problem continues.

The fixture lost the audio gain setting and defaults to a setting of 6.

To restore setting, see “Setting the Audio

Gain (GAIN)” on page 4-11.

Contact High End Systems customer support

(see page ii) if problem continues.

The fixture lost the audio LED setting and will default to off

To restore setting, see “Enabling Audio

Modulation (ALED)” on page 4-11.

Contact High End Systems customer support

(see page ii) if problem continues.

The fixture lost the assigned DMX start channel and will automatically default to

DMX start channel 1.

To reassign the DMX start channel, see

“Assigning a DMX Start Channel” on page

2-9.

The fixture lost the display invert setting and will default to non-inverted

To restore display invert setting, see

“Inverting LED Characters (D/IN)” on page

4-9.

The fixture lost the DMX data loss setting and will default to short mode.

To reassign the DMX data loss setting (see

“Data Loss Shutter Close (DLOS)” on page

4-10).

The fixture lost the display setting and will default to on and bright.

To restore the display setting, see “Changing the Display Output (DSPL)” on page 4-8).

6-2 Troubleshooting

Studio Beam

®

User Manual

Table 6-1 Alphanumeric Display Error Messages

Display

Message

Problem

EMEM

FHRS

EMEM

FMOD

EMEM

LHRS

EMEM

LMPL

EMEM

L/ST

Solution

The fixture lost the number of fixture hours and will default to zero.

The fixture lost the number of lamp hours and will default to zero.

Not Applicable.

The fixture lost the fast pan and tilt mode setting and will default to normal pan and tilt mode.

To reassign the pan and tilt mode setting,

see “Increasing the Pan/Tilt Movement

(FAST)” on page 4-10).

Not Applicable.

The fixture lost the lamp life limitation setting and will default to unlimited lamp life.

If the fixture was set to lamp life limitation,

reassign the lamp life setting (see “Setting the Lamp Warning Message (LMPL)” on page 4-9).

The fixture lost the number of lamp strikes and will default to zero.

Not Applicable.

EMEM

MODE

EMEM

PINV

EMEM

PROT

EMEM

SWAP

EMEM

TINV

The fixture lost the mode setting (DMX control or preset playback) and will default to

DMX control.

To reassign the mode setting, see “Setting

Preset Playback (PLAY)” on page 4-3.

The fixture lost the pan invert setting and will default to non-inverted.

To reassign the pan invert setting, see

“Inverting Pan (P/IN)” on page 4-8.

The fixture lost the protocol setting and will default to standard protocol.

To reset to flat protocol, see “Selecting

Protocol (PROT)” on page 4-16

Contact High End Systems customer support

(see page ii) if problem continues.

The fixture lost the pan/tilt swap setting and will default to non-swapped.

To enable pan/tilt swap (see “Swapping Pan and Tilt (SWAP)” on page 4-7).

EMEM

TMOD

EMEM

USER

EMEM

ZOOM

The fixture lost the tilt invert setting and will default to non-inverted.

The fixture lost the test mode setting

(Factory Use Only) and defaults to normal operation.

To reassign tilt invert setting (see “Inverting

Tilt (T/IN)” on page 4-7).

Not Applicable.

The fixture lost the assigned user setting and will automatically default to user A.

To reassign the user setting (see “Setting the

User Type (USER)” on page 4-13).

The fixture lost the zoom setting and will default to off

ERSE

FLSH

One or more fixtures on the data link has failed to erase the FlashROM in a suitable amount of time.

To restore zoom, see “Setting the Zoom

(ZOOM)” on page 4-12.

Attempt another software crossload (see

“Crossloading Fixture Software (XLD)” on page 4-15).

Contact High End Systems customer support

(see page ii) if problem continues.

6

Studio Beam

®

User Manual

Troubleshooting 6-3

Table 6-1 Alphanumeric Display Error Messages

Display

Message

Problem

HEAD

TEMP

INIT

SEN1

INIT

SEN2

LAMP

LIFE

LAMP

MISS

Solution

Fixture head temperature has exceeded the maximum permissible level due to:

• a bad fan

• excessive ambient temperatures

• blockage in fan vents on back of the fixture head

• a broken wire connecting the fan to the logic board.

Reduce the ambient temperature around the fixture and/or remove any blockage from the fixture’s fan vents.

Contact High End Systems customer support

(see page ii) if problem continues.

The fixture automatically turns the lamp and motors off.

The fixture cannot clear sensor 1 (magenta color wheel and beam shaping (lenticular) wheel) due to a possible:

• broken wheel

• motor failure

• motor driver failure

• bad sensor

• break in the wires connecting the motors or sensor to the logic board

Contact High End Systems customer support

(see page ii).

The fixture cannot clear sensor 2 (yellow and cyan color wheels) due to a possible:

• broken wheel

• motor failure

• motor driver failure

• bad sensor

Contact High End Systems customer support

(see page ii).

• break in the wires connecting the motors or sensor to the logic board

The fixture’s lamp life limitation setting was enabled and the current lamp has exceeded

700 hours.

This message is only a warning. Take no action unless this message changes to

“LAMP OUT.”

• The fixture cannot detect the temperature readback from the thermometer in the fixture head.

• The lamp cap is not installed on the fixture.

• There is a broken wire or loose connector between the thermometer and the logic board.

• The lamp interlock in the head has failed.

Make sure lamp cap is installed on the fixture

(see “Replacing the Lamp” on page 5-5). The

lamp will not strike if the lamp plate is removed. If the lamp is on when the lamp plate is removed, the lamp is extinguished. If the lamp was on when the lamp plate was removed, the lamp strikes again 30 seconds after the lamp plate is reinstalled. Contact

High End Systems customer support (see

page ii) if problem continues.

6-4 Troubleshooting

Studio Beam

®

User Manual

Table 6-1 Alphanumeric Display Error Messages

Display

Message

Problem

LAMP

OUT

LAMP

STAT

LAMP

TOUT

LINK

BUSY

LINK

EMTY

MAGN

SENS

Solution

The fixture’s lamp life limitation setting was enabled and the current lamp has exceeded

800 hours. The fixture can no longer strike the lamp.

Replace the lamp (see “Replacing the Lamp” on page 5-5) and reset the lamp hours (see

“Resetting Lamp Hours (L/RS)” on page

4-25).

Because of an unexpected electrical event, the fixture cannot determine the current status of the lamp.

The fixture has unsuccessfully attempted to strike the lamp.

Two fixtures on the same like are both attempting to transmit data during preset playback or software crossloads.

Home the fixture (see “Homing the Fixture

(HOME)” on page 4-17).

Contact High End Systems customer support

(see page ii) if problem continues.

Allow the fixture to cool, then attempt to

manually strike the lamp (see “Turning the

Lamp On or Off (LAMP)” on page 4-17).

Replace the lamp (see “Replacing the Lamp” on page 5-5). Contact High End Systems

customer support (see page ii) if problem

continues.

Disconnect any controllers, bypass any serial data distributors and/or data line optoisolators, and bypass or make sure that any fixtures using RS-422 communications (such as Dataflash

®

AF1000 xenon strobes and

Intellabeam

®

fixtures) are located after the

Studio Beam fixtures on the link. These devices block communication with any other

Studio Beam fixtures on the link.

The fixture is attempting to crossload software but cannot find any suitable fixtures on the data link.

Make sure that all data cables are functioning and that all receiving fixtures are connected to the data cable and powered on.

Contact High End Systems customer support

(see page ii) if problem continues.

The fixture cannot find the magenta color wheel home slot due to a possible:

• broken color wheel

• broken belt

• faulty motor

• faulty motor driver

• broken wire connecting the sensor or magenta wheel motor to the logic board

• bad sensor

Replace the wheel (see “Replacing a Wheel” on page 5-7).

Contact High End Systems customer support

(see page ii) if problem continues.

6

Studio Beam

®

User Manual

Troubleshooting 6-5

Table 6-1 Alphanumeric Display Error Messages

Display

Message

Problem

PAN

ENCD

PAN

SENS

PCB

TEMP

PRST

LOST

PRGM

TIME

TMP1

LOST

Solution

The fixture has detected a pan error and cannot correct its position due to a:

• physical obstruction

• broken belt

Remove the object (externally or internally) that is blocking the fixture’s pan movement

and home the fixture (see “Homing the

Fixture (HOME)” on page 4-17).

• bad pan encoder

• bad encoder wheel

• broken wire connecting the encoder to the logic board

Contact High End Systems customer support

(see page ii) if problem continues.

The fixture cannot find the pan home slot due to a possible:

• broken belt

• faulty motor

Contact High End Systems customer support

(see page ii).

• faulty motor driver

• broken wire connecting the sensor or pan motor to the logic board

• bad sensor

The temperature in the top box has exceeded the maximum permissible level due to a possible:

• bad fan

• excessive ambient temperatures

• blockage in the fan vents

Reduce the ambient temperature around the fixture and/or remove any blockage from the fixture’s fan vents.

• broken wire connecting the fan to the logic board.

Contact High End Systems customer support

(see page ii) if problem continues.

The fixture will automatically turn the lamp and motors off.

The fixture failed to read preset data from non-volatile memory.

Reassign the preset scenes’ construct

values (see “Editing or Creating an On-Board

Memory Scene (EDIT)” on page 4-3).

One or more fixtures on the data link has failed to program the FlashROM in a suitable amount of time.

Attempt another software crossload (see

“Crossloading Fixture Software (XLD)” on page 4-15).

Contact High End Systems customer support

(see page ii) if problem continues.

The fixture cannot detect the temperature readback from the thermometer on the PCB.

Contact High End Systems customer support

(see page ii).

6-6 Troubleshooting

Studio Beam

®

User Manual

Table 6-1 Alphanumeric Display Error Messages

Display

Message

Problem

TILT

ENCD

TILT

SENS

UPLD

YEL

SENS

Solution

Fixture has detected a tilt error and cannot correct its position due to a:

• physical obstruction

• broken belt

• bad tilt encoder or encoder wheel

• a broken wire connecting the encoder to the logic board.

Remove the object (externally or internally) that is blocking the fixture’s tilt movement

and home the fixture (see “Homing the

Fixture (HOME)” on page 4-17).

Contact High End Systems customer support

(see page ii) if problem continues.

Fixture cannot find the tilt home slot due to a:

• broken belt

• faulty motor or motor driver

• broken wire connecting the sensor or tilt motor to the logic board

• bad sensor.

Contact High End Systems (see “Contacting

High End Systems” on page ii).

The software upload or crossload was interrupted and the fixture is held in boot mode.

Make sure the fixture is properly connected to both data and power cables, then attempt another software crossload (see

“Crossloading Fixture Software (XLD)” on page 4-15).

Contact High End Systems customer support

(see page ii) if problem continues.

The fixture cannot find the yellow color wheel home slot due to a possible:

• broken color wheel

• broken belt

• faulty motor or motor driver

• broken wire connecting the sensor or yellow wheel motor to the logic board

• bad sensor.

Replace the wheel (see “Replacing a Wheel” on page 5-7).

Contact High End Systems customer support

(see page ii) if problem continues.

6

Studio Beam

®

User Manual

Troubleshooting 6-7

Status LEDs

Studio Beam

®

fixtures have five Status LEDs on the display panel shown in Figure 6-1 on page 6-1. The status LEDs help determine where any problems with your Studio Beam

fixture may be originating..

Table 6-2 Status LEDs

LED State

Problem

Indication?

Description

Motor

Lamp

5V

Transmit solid green No

OFF

OFF solid red

OFF

Yes solid yellow No solid yellow No

OFF Not necessarily

2 flashing

Not necessarily

1

No

Yes

No

The motor power supply is receiving adequate voltage.

Fuse or power failure.

Lamp power is on.

Lamp is striking.

The lamp power supply is receiving the proper voltage, and the lamp is on.

The lamp is extinguished.

The logic board is receiving the required voltage.

Fuse or power failure.

Fixture is crossloading software to other fixtures on the link.

DMX 512 data is not being transmitted.

The fixture is in preset playback mode, and is the master fixture or the fixture is a slave fixture receiving an upload.

Receive solid or

(flickering green)

OFF

No

Not necessarily

2

The fixture is receiving data.

DMX 512 data is not being received.

1

2

If you shut down the lamp using a remote shutdown command, the lamp and the Lamp LED will shut off normally. However, if you have bad data cables, no data cables/controller connected to the fixture, or the controller is off, the lamp and its LED will also be off. If correcting these problems does not turn the lamp on, see the next section.

Neither the Transmit nor the Receive LED will be on until you have connected the fixture to a DMX 512-compatible controller using XLR data-grade cabling. If these LEDs remain OFF even though you have connected the fixture to a controller and are sending DMX 512 commands to the fixture, see the next section.

6-8 Troubleshooting

Studio Beam

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User Manual

General Troubleshooting

To find solutions to general fixture problems not indicated by alphanumeric LED display

error messages or status LEDs, see Table 6-3.

Table 6-3 General Troubleshooting

Problem Probable Cause

No power is connected.

Fixture will not power on.

Fuse is bad.

Power connectors are bad.

The lamp is bad.

Fixture functions but lamp does not strike.

The lamp is currently too hot to strike.

The Ignitor connection is loose.

Solution

Connect power to the fixture.

Check the power supply fuses (see “Replacing

Fuses” on page 5-1).

Contact High End Systems customer support (see

page ii).

Replace the lamp (see “Replacing the Lamp” on page 5-5).

Provide correct power source voltage, power cord

cap, and input voltage setting (see “Changing the

Attachment Plug” on page 2-1).

Allow the lamp to cool, then restrike the lamp (see

“Turning the Lamp On or Off (LAMP)” on page 4-17).

Contact High End Systems customer support (see

page ii) if problem continues.

Lamp is dimmer than other fixtures.

• The lamp is bad or old.

• The wrong type of lamp is installed.

The lamp is not optimized.

Lamp shuts off during operation.

Replace lamp with the specified type (see “Replacing the Lamp” on page 5-5).

The lamp is bad.

The fixture has exceeded the maximum temperature.

The lamp socket is loose and causing arcing.

Optimize the lamp (see “Optimizing the Lamp” on page 5-11).

Replace the lamp (see “Replacing the Lamp” on page 5-5).

Allow the fixture 5 to 10 minutes to cool, then attempt

to strike the lamp (see “Turning the Lamp On or Off

(LAMP)” on page 4-17).

Contact High End Systems customer support (see

page ii).

Fixture will not home properly.

A sensor, driver, or motor is faulty.

Contact High End Systems customer support (see

page ii).

Color system is not producing the correct color.

The fixture is not properly homed.

Home the fixture (see “Control Construct” on page

3-13 for controller Homing or “Homing the Fixture

(HOME)” on page 4-17 to Home the fixture manually.)

Contact High End Systems customer support (see

page ii) if problem continues.

6

Studio Beam

®

User Manual

Troubleshooting 6-9

Table 6-3 General Troubleshooting

Problem

Fixture is not responding to controller commands or is producing unexpected results.

Probable Cause

The data cable is faulty.

No controller is attached to the link or the controller is not generating any output.

The fixture has an incorrect fixture number or DMX start channel.

The link was not terminated.

Pan or Tilt position is off.

The pan and tilt is out of home.

The LED display is set off.

The power supply fuse is bad.

Display is not functioning.

The power connectors are loose.

The software upload was incomplete.

The logic board is bad.

Solution

Test and replace the data cables as necessary.

Verify that a controller is connected to the link and is generating output by sending commands to a known working device.

Verify the fixture number or DMX start channel does not overlap another fixture’s DMX start channel (see

“Uploading Latest Fixture Software” on page 2-9).

Terminate the link (see “Obtaining a Terminator” on page 2-8).

• Home the fixture (see “Control Construct” on page

3-13 or “Homing the Fixture (HOME)” on page

4-17).

• Contact High End Systems customer service (see

“Contacting High End Systems” on page ii).

Turn the LED display on (see “Changing the Display

Output (DSPL)” on page 4-8).

Check the power supply fuses (see “Replacing

Fuses” on page 5-1).

Re-seat the power connectors and turn the LED display on.

At fixture start-up, press the two navigational arrow buttons simultaneously. The LED will display “UPLD” and hold the fixture in boot mode. Reload the latest version of the software.

Contact High End Systems customer service (see

“Contacting High End Systems” on page ii).

Light output is low and/or fuzzy.

The optical path is dirty.

Clean the internal glass components (see “Cleaning the Glass Components” on page 5-12).

6-10 Troubleshooting

Studio Beam

®

User Manual

Upload and Crossload Troubleshooting

Table 6-4 describe solutions to problems encountered while uploading or crossloading

new software versions.

Table 6-4 Upload and Crossload Troubleshooting

Problem Probable Cause

Fixture(s) are off

Solution

Power on the fixture(s)

Not all fixtures on the link are receiving the upload.

Bad cable(s)

Cable(s) disconnected

Test and replace cable(s) as necessary

Reconnect cable(s)

Controllers, serial data distributors, data line Optoisolators, or fixture(s) using RS-422 communication is connected before Studio Beam fixtures on the link.

Remove or bypass any incompatible devices from the data link or move them to a link position after the Studio Beam fixtures.

Lighting controller is not able to erase

FlashROM.

The XLR cable(s) disconnected Reconnect XLR cable(s)

Bad cable(s)

The fixture’s electrical circuitry is damaged

Replace cable(s)

Contact High End Systems customer

support (see page ii).

Lighting controller does not recognize a fixture at the assigned address

Status Cue was configured with a fixture at that address, but no fixtures were found there.

If there is not a fixture at that address, ignore this message - if there is a fixture at that address, verify the fixture number/

DMX start channel.

Check connections.

Check to ensure fixture is turned on.

Controllers, serial data distributors, data line optoisolators, or fixture(s) using RS-422 communication is connected before Studio Beam fixtures on the link.

Remove or bypass the offending devices from the data link or move them after the

Studio Beam fixtures.

The fixture’s LED displays: BOOT DIFF

ERR

New software included a new boot code.

Accept and store the new boot code (see

“Copying the Boot Code (BOOT)” on page 4-17).

Fixtures are not crossloading.

Controllers, serial data distributors, data line Optoisolators, or fixture(s) using RS-422 communication is connected before Studio Beam fixtures on the link.

Remove or bypass any offending devices from the data link or move them after the

Studio Beam fixtures.

6

Studio Beam

®

User Manual

Troubleshooting 6-11

6-12 Troubleshooting

Studio Beam

®

User Manual

Appendix A

Studio Beam

®

DMX Protocol

Table A-1 Studio Beam

®

Standard Protocol DMX Values

Channel Construct

1

2

3

4

5

6

Description

Value

(dec.)

Value

(%)

Value

(hex)

Pan

Pan

Tilt

Tilt

Pan, coarse adjustment

Pan, fine adjustment

Tilt, coarse adjustment

Tilt, fine adjustment

Full Speed Control

Continuous

Indexed

Pure Mix

Spin

Cycle (Speed is set by the Cyan channel)

Color Scan (Speed or fixed position set individually on Cyan, Magenta, and Yellow channels)

0-255

0-255

0-255

0-255

0-15

16-31

32-47

48-63

64-79

80-95

0-100

0-100

0-100

0-100

0-6

6-12

13-18

19-25

25-31

31-37

00-FF

00-FF

00-FF

00-FF

00-0F

10-1F

20-2F

30-3F

40-4F

50-5F

Color

Function

Random (Speed is set by the Cyan channel)

Blink Continuous

MSpeed Controlled

Continuous

Indexed

Pure Mix

Spin

Cycle (Speed is set by the Cyan channel)

96-111

112-127

38-44

44-50

60-6F

70-7F

128-143 50-56 80-8F

144-159 57-62 90-9F

160-175 63-69 A0-AF

176-191 69-75 B0-BF

192-207 75-81 C0-CF

Cyan Color

Wheel

Color Scan (Speed or fixed position set individually on Cyan, Magenta, and Yellow channels)

Random (Speed is set by the Cyan channel)

208-223 82-87 D0-DF

224-239 88-94 E0-EF

Blink Continuous 240-255 94-100 F0-FF

Continuous Mode Absolute position across color mix portion of wheel

Open

Discrete Color (Deep Red) position

Cyan Full Saturation

Cyan Low Saturation

Indexed Mode

Open Position 1

Discrete Color (Deep Red) Position 2

0

57

105

255

0-15

16-47

0

22

41

100

0-6

6-18

00

39

69

FF

00-0F

10-2F

A

Studio Beam

®

User Manual

DMX Protocol

A-1

Table A-1 Studio Beam

®

Standard Protocol DMX Values

Channel Construct

6 (cont.)

Description

Value

(dec.)

Value

(%)

Value

(hex)

Cyan Full Saturation Position 3

Cyan Position 4

Cyan Position 5

Cyan Position 6

Cyan Full Saturation

Cyan Low Saturation

Spin Mode

Continuous Positioning

48-79 19-31 30-4F

80-111 31-44 50-6F

112-143 44-56 70-8F

144-175 56-69 90-AF

Cyan Position 7

Cyan Low Saturation

176-207 69-81 B0-CF

208-239 82-94 D0-EF

Open 240-255 94-100 F0-FF

Pure Mix Mode (Absolute position across color mix portion of wheel)

0

255

0

100

00

FF

Spin Reverse (fastest to slowest)

Spin Stop

Spin Forward (slowest to fastest)

Color Scan Mode

0-127 0-50 00-7F

128-187 50-73 80-BB

188-195 74-77 BC-C3

196-255 77-100 C4-FF

Cyan Color

Wheel

(cont.)

Continuous Positioning

Scanning (slowest to fastest)

Cycle & Random Modes (sets the rate for all color wheels)

Slow Rate 0 0

Fast Rate

0-127 0-50 00-7F

128-255 50-100 80-FF

255 100 FF

Audio Modulation Mode: Select Audio Function in Control Channel

00

Full Movement. Maximum amplitude music causes full scale movement.

Saturated cyan to white, slow decay

Saturated cyan to white, medium decay

Saturated cyan to white, fast decay

White to saturated cyan, fast decay

White to saturated cyan, medium decay

0-7

8-15

16-23

0-3

3-6

6-9

00-07

08-0F

10-17

24-31 9-12 18-1F

32-39 13-15 20-27

White to saturated cyan, slow decay 40-47 16-18 28-2F

Limited movement. Cyan channel sets the maximum travel position.

Decay rate is medium for all settings.

Saturated cyan to white. No to full movement

White to saturated cyan. Full to no movement

48-79 19-31 30-4F

80-111 31-44 50-6F

Middle out. Limited movement. The center of the mix media is the center of the modulation. Cyan setting controls modulation size. Decay rate is medium.

More to less saturated cyan 112-143 44-56 70-8F

144-175 56-69 90-AF Less to more saturated cyan

Reserved for future use

To be determined 176-255 69-100 B0-FF

A-2 DMX Protocol

Studio Beam

®

User Manual

Table A-1 Studio Beam

®

Standard Protocol DMX Values

Channel Construct

7

(cont.)

Magenta

Color

Wheel

Description

Value

(dec.)

Value

(%)

Value

(hex)

Continuous Mode

Open

Discrete color (CTO) position

Magenta Full Saturation

Magenta Low Saturation

Indexed Mode

Open Position 1

Discrete color (CTO) position 2

Magenta Full Saturation Position 3

Magenta Position 4

Magenta Position 5

Magenta Position 6

Magenta Position 7

Magenta Low Saturation 8

Open Position 1

Pure Mix Mode

Magenta Full Saturation

Magenta Low Saturation

Spin Mode

Continuous Positioning

Spin Reverse (fastest to slowest)

0

57

105

255

0-15

16-47

0-6 00-0F

6-18 10-2F

48-79 19-31 30-4F

80-111 31-44 50-6F

112-143 44-56 70-8F

144-175 56-69 90-AF

176-207 69-81 B0-CF

208-239 82-94 D0-EF

240-255 94-100 F0-FF

0

255

0

22

41

100

0

100

00

39

69

FF

00

FF

0-127 0-50 00-7F

128-187 50-73 80-BB

Spin Stop

Spin Forward (slowest to fastest)

188-195 74-77 BC-C3

196-255 77-100 C4-FF

Color Scan Mode

Continuous Positioning

Scanning (slowest to fastest)

0-127 0-50 00-7F

128-255 50-100 80-FF

Audio Modulation Mode: Select Audio Function in Control Channel

Full Movement. Maximum amplitude music causes full scale movement.

Saturated magenta to white, slow decay

Saturated magenta to white, medium decay

Saturated magenta to white, fast decay

White to saturated magenta, fast decay

0-7

8-15

16-23

24-31

0-3

3-6

00-07

08-0F

6-9 10-17

9-12 18-1F

White to saturated magenta, medium decay

White to saturated magenta, slow decay

32-39 13-15 20-27

40-47 16-18 28-2F

Limited movement. Magenta channel sets the maximum travel position.

Decay rate is medium for all settings.

Saturated magenta–white. No–full movement 48-79 19-31 30-4F

White–saturated magenta. Full–no movement 80-111 31-44 50-6F

A

Studio Beam

®

User Manual

DMX Protocol

A-3

Table A-1 Studio Beam

®

Standard Protocol DMX Values

Channel Construct

7 (cont.)

8

Magenta

Color

Wheel

(cont.)

Yellow

Color

Wheel

Description

Value

(dec.)

Value

(%)

Value

(hex)

Middle out. Limited movement. The center of the mix media is the center of the modulation. Magenta setting controls modulation size.

Decay rate is medium.

More to less saturated magenta 112-143 44-56 70-8F

144-175 56-69 90-AF Less to more saturated magenta

Reserved for future use

To be determined

Continuous Mode

176-255 69-100 B0-FF

Open

Discrete color (Deep Blue) position

Yellow Full Saturation

Yellow Low Saturation

Indexed Mode

Open Position 1

Discrete color (Deep Blue) Position 2

0

57

105

255

0-15

16-47

0

22

41

100

0-6

6-18

00

39

69

FF

00-0F

10-2F

48-79 19-31 30-4F

80-111 31-44 50-6F

Yellow Full Saturation Position 3

Yellow Position 4

Yellow Position 5

Yellow Position 6

Yellow Position 7

Yellow Low Saturation Position 8

Open Position 1

112-143

144-175

44-56

56-69

70-8F

90-AF

176-207 69-81 B0-CF

208-239 82-94 D0-EF

240-255 94-100 F0-FF

Pure Mix Mode

Yellow Full Saturation

Yellow Low Saturation

Spin Mode

Continuous Positioning

Spin Reverse (fastest to slowest)

Spin Stop

Spin Forward (slowest to fastest)

0

255

0

100

00

FF

0-127 0-50 00-7F

128-187 50-73 80-BB

188-195 74-77 BC-C3

196-255 77-100 C4-FF

Color Scan Mode

Continuous Positioning 0-127 0-50 00-7F

Scanning (slowest to fastest) 128-255 50-100 80-FF

Audio Modulation Mode: Select Audio Function in Control Channel.

Full Movement. Maximum amplitude music causes full scale movement.

Saturated yellow to white, slow decay 0-7 0-3 00-07

Saturated yellow to white, medium decay

Saturated yellow to white, fast decay

White to saturated yellow, fast decay

8-15

16-23

24-31

3-6

6-9

08-0F

10-17

9-12 18-1F

A-4 DMX Protocol

Studio Beam

®

User Manual

Table A-1 Studio Beam

®

Standard Protocol DMX Values

Channel Construct

8

9

10

Yellow

Color

Wheel

(cont.)

Beam

Shaping

Zoom

Description

Value

(dec.)

Value

(%)

Value

(hex)

White to saturated yellow, medium decay 32-39 13-15 20-27

White to saturated yellow, slow decay 40-47 16-18 28-2F

Limited movement. Yellow channel sets the maximum travel position.

Decay rate is medium for all settings.

Saturated yellow–white. No–full movement

White–saturated yellow. Full–no movement

48-79 19-31 30-4F

80-111 31-44 50-6F

Middle out. Limited movement. The center of the mix media is the center of the modulation. Yellow setting controls modulation size.

Decay rate is medium.

More to less saturated yellow 112-143 44-56 70-8F

144-175 56-69 90-AF Less to more saturated yellow

Reserved for future use

To be determined

Continuous Positioning

Spin Reverse (fastest to slowest)

Spin Stop

Spin Forward (slowest to fastest)

Audio Modulation Mode

176-255 69-100 B0-FF

0-127 0-50 00-7F

128-187 50-73 80-BB

188-195 74-77 BC-C3

196-255 77-100 C4-FF

Full movement. Maximum amplitude music will cause full scale movement

Forward, slow decay

Forward, medium decay

Forward, fast decay

Reverse, fast decay

Reverse, medium decay

0-7

8-15

16-23

0-3

3-6

6-9

00-07

08-0F

10-17

24-31 9-12 18-1F

32-38 13-15 20-27

Reverse, slow decay 40-47 16-18 28-2F

Middle out. The center of movement is the vertical spread when the fixture base is horizontal. The channel setting controls modulation amplitude. Decay rate is medium.

Forward

Reverse

Reserved for future use

To be determined

48-79 19-31 30-4F

80-111 31-44 50-6F

Zoom In

Zoom Out

112-255 44-100 70-FF

0

255

0

100

00

FF

A

Studio Beam

®

User Manual

DMX Protocol

A-5

Table A-1 Studio Beam

®

Standard Protocol DMX Values

Channel Construct

11

12

Frost

Shutter

Description

Value

(dec.)

Value

(%)

Value

(hex)

Continuous Positioning (open to closed)

Closed

Periodic Strobe

Random Strobe

Ramp Open / Snap Shut

Snap Open / Ramp Shut

Ramp Open / Ramp Shut

Random Ramp Open / Snap Shut

0-127

128-135

136-151

152-167

168-183

184-199

200-215

216-231

0-50

50-53

53-59

60-65

66-72

72-78

78-84

85-91

00-7F

80-87

88-97

98-A7

A8-B7

B8-C7

C8-D7

D8-E7

Random Snap Open / Ramp Shut

Open

232-247 91-97 E8-F7

248-255 97-100 F8-FF

Audio Modulation Mode

Full movement. Maximum amplitude music causes full scale movement.

No frost to frost, slow decay

No frost to frost, medium decay

No frost to frost, fast decay

Frost to no frost, fast decay

0-7

8-15

16-23

24-31

0-3

3-6

00-07

08-0F

6-9 10-17

9-12 18-1F

Frost to no frost, medium decay

Frost to no frost, slow decay

32-39 13-15 20-27

40-47 16-18 28-2F

Limited Movement

No frost to frost, No movement to full movement 48-79 19-31 30-4F

Frost to no Frost. Full movement to no movement

Reserved for future use

80-111 31-44 50-6F

To be determined

Normal shutter functions. No lamp or dimming functions selected in the Control channel.

Close

Periodic Strobe

Random Strobe

Synchronous Random Strobe

Ramp Open / Snap Shut

Snap Open / Ramp Shut

Ramp Open / Ramp Shut

Random Ramp Open / Snap Shut

Random Snap Open / Ramp Shut

Open

0-23

24-49

0-9 00-17

9-19 18-31

50-75 20-29 32-4B

76-101 30-40 4C-65

102-127 40-50 66-7F

128-153 50-60 80-99

154-179 60-70 9A-B3

180-205 71-80 B4-CD

206-231 81-91 CE-E7

232-255 91-100 E8-FF

A-6 DMX Protocol

Studio Beam

®

User Manual

Table A-1 Studio Beam

®

Standard Protocol DMX Values

Channel Construct

12

Shutter

(cont.)

Description

Value

(dec.)

Value

(%)

Value

(hex)

Lamp assisted strobes. Accessed when the Control channel is set in the range 134-137

The shutter functions are the same as in the normal shutter function range. Periodic strobes, random random and random synchronous strobes are lamp assisted.

Lamp functions. Accessed when the Control channel is set in the range

138-141

For lamp boost effects, the lamp is boosted above the 700 Watt level for the specified period of time. The lamp is also boosted during the lightning effects.

Before another boost or lightning effect can occur, the shutter channel must be moved to either closed or open, or the control channel must be moved outside the lamp function range.

Boost functions to black will boost the lamp for the specified time then close the shutter. Boost functions to white will boost the lamp for the specified time, then leave the shutter open with the lamp dimmed.

When lightning functions are selected, the dim channel scales the overall brightness of the lightning stroke. Dim at 255 will yield maximum brightness.

Close

Periodic lamp strobes

Random random lamp strobes

Synchronous random lamp strobes

Boost lamp1.0 second, black

Boost lamp .75 second, black

Boost lamp .66 second, black

Boost lamp .5 second, black

Boost lamp .33 second, black

Boost lamp .25 second, black

Boost lamp1.0 second, white

Boost lamp .75 second, white

Boost lamp .66 second, white

Boost lamp .5 second, white

Boost lamp .33 second, white

Boost lamp .25 second, white

Lightning strike 1

Lightning strike 2

Lightning strike 3

Lightning strike 4

Lightning strike 5

Lightning strike 6

To be determined, default black

Open

0-23

24-49

50-75

76-101

102-105

106-109

110-113

114-117

118-121

122-127

128-131

132-135

136-139

140-143

144-147

148-153

154-157

158-161

162-165

166-169

170-173

174-179

180-231

0-9

9-19

20-29

30-40

40-41

42-43

43-44

45-46

46-47

48-50

50-51

52-53

53-55

55-56

56-58

58-60

60-62

62-63

64-65

65-66

67-68

68-70

71-91

00-17

18-31

32-4B

4C-65

66-69

6A-6D

6E-71

72-75

76-79

7A-7F

80-83

84-87

88-8B

8C-8F

90-93

94-99

9A-9D

9E-A1

A2-A5

A6-A9

AA-AD

AE-B3

B4-E7

232-255 91-100 E8-FF

Studio Beam

®

User Manual

DMX Protocol

A-7

A

Table A-1 Studio Beam

®

Standard Protocol DMX Values

Channel Construct

12

(cont.)

13

14

15

16

Shutter

(cont.)

Dim

MSpeed

Macro

Control

Description

Value

(dec.)

Value

(%)

Value

(hex)

Lamp Dimming only. Accessed when the Control Channel is set in the range 146-149.

The shutter functions are the same as the normal shutter function range. Dimming is accomplished electronically, lowering the lamp power. Dimming will not go to black. Strobes are mechanical and will go to black.

Close

Open

Disable

Longest (252.7 sec.)

0

255

0-3

4

0

100

0-1

2

00

FF

00-03

04

Shortest (0.15 sec.)

Macro Off

Pan sweep, small to large angle

Macro Off

Tilt sweep, small to large angle

Macro Off

Clockwise circle, small to large

Macro Off

255

0-5

6-62

63-65

66-122

123-125

126-160

161-163

100

0-2

2-24

25-25

26-48

48-49

49-63

63-64

FF

00-05

06-3E

3F-41

42-7A

7B-7D

7E-A0

A1-A3

Counterclockwise circle, small to large

Reserved

The Control channel should not be crossfaded.

Safe (disables all Control settings)

Pan & Tilt MSpeed Off

164-198 64-78 A4-C6

199-255 78-100 C7-FF

0-9

10-19

0-4

4-7

Set Shutter channel to 0 for access to the following commands.

00-09

0A-13

Display Off

Display Dim

Display Bright

Home

20-28

30-38

40-48

60-68

8-11

12-15

16-19

24-27

14-1C

1E-26

28-30

3C-44

Lamp On

Lamp Off

Lock (send for 5 seconds)

Shutdown (send for 5 seconds)

80-88 31-35 50-58

90-98 35-38 5A-62

110-118 43-46 6E-76

120-130 47-51 78-82

Lamp Functions. No shutter channel requirement.

Lamp assisted strobes (Periodic and Random strobe functions are lamp assisted. Ramp functions are not lamp assisted.)

134-137 53-54 86-89

Lamp functions (modifies the shutter channel) 138-141 54-55 8A-8D

Lamp/mechanical dimming (Lamp output will vary from a minimum to 700 Watts as the mechanical dimming ranges from 0-100%)

142-145 56-57 8E-91

Lamp only dimming (Electronic dimming only from a minimum to 700 Watts.)

146-149 57-58 92-95

A-8 DMX Protocol

Studio Beam

®

User Manual

Table A-1 Studio Beam

®

Standard Protocol DMX Values

Channel Construct

16

(cont.)

Control

(cont.)

Description

Value

(dec.)

Value

(%)

Value

(hex)

Reserved for future use.

To be determined 150-169 59-66 AA-AD

Audio Modulation Functions. No shutter channel requirement

Cyan Modulation

Magenta Modulation

Yellow Modulation

Cyan & Magenta Modulation

170-173

174-177

178-181

182-185

67-68

68-69

70-71

71-73

AA-AD

AE-B1

B2-B5

B6-B9

Cyan & Yellow modulation

Magenta and Yellow Modulation

Modulate all colors

Frost Modulation

Beam Shaping Modulation

Dim Modulation

Lamp and Dim Modulation

Lamp Modulation (long sustain)

Lamp Modulation (medium sustain)

Lamp Modulation (short sustain)

Reserved for future

To be determined

186-189

190-193

194-197

198-201

202-205

206-209

210-213

214-217

218-221

222-225

73-74

75-76

76-77

78-79

79-80

81-82

82-84

84-85

85-87

87-88

BA-BD

BE-C1

C2-C5

C6-C9

CA-CD

CE-D1

D2-D5

D6-D9

DA-DD

DE-E1

226-255 89-100 E2-FF

A

Studio Beam

®

User Manual

DMX Protocol

A-9

Table A-2 Studio Beam

®

Flat Protocol DMX Values

Channel Construct

1

4

5

2

3

6

7

Description

Pan Coarse Pan, coarse adjustment

Pan Fine Pan, fine adjustment

Tilt Coarse Tilt, coarse adjustment

Tilt Fine

Dim

Tilt, fine adjustment

Dim setting, continuous

Open

Periodic

Shutter

Random/Random

Random/Synchronous

Ramp Open/Ramp Shut

Snap Open/Ramp Shut

Ramp Open/Ramp Shut

Random Ramp Open/Snap Shut

Random Snap Open/Ramp Shut

To be determined, defaults Open

Lamp

Control

Closed

Lamp full power

Lamp dim (full to dim)

Lamp assists shutter strobes

Lamp/mechanical dimming

Periodic lamp strobes

Random lamp strobes

Synchronous random strobe

Boost lamp 1.0 second, black

Boost lamp .75 second, black

Boost lamp .66 second, black

Boost lamp .5 second, black

Boost lamp .33 second, black

Boost lamp .25 second, black

Boost lamp 1.0 second, white

Boost lamp .75 second, white

Boost lamp .66 second, white

Boost lamp .5 second, white

Boost lamp .33 second, white

Boost lamp .25 second, white

Lightning strike 1

Lightning strike 2

Lightning strike 3

Lightning strike 4

Lightning strike 5

A-10 DMX Protocol

Value

(dec.)

Value

(%)

Value

(hex)

0-255 0-100 00-FF

209

210

211

212

213

214

215

0-255 0-100 00-FF

0-255 0-100 00-FF

0-255 0-100 00-FF

0-255 0-100 00-FF

0

1-26

0 00

0-10 01-1A

27-52 11-20 1B-34

53-78 21-31 35-4E

79-104 31-41 4F-68

105-120 41-47 69-78

121-146 48-57 79-92

147-172 58-68 93-AC

173-198 68-78 AD-C6

199-250 78-98 C7-FA

251-255 98-100 FB-FF

0 0 0

201

202

203

204

205

206

207

208

1-128

129

0-50

51

1-80

81

130 51 82

131-156 51-61 83-9C

157-172 62-68 9D-AC

173-198 68-78 AD-C6

199

200

78

78

C7

C8

79

79

80

80

80

81

81

82

CD

CE

CF

D0

C9

CA

CB

CC

84

84

84

82

82

83

83

D1

D2

D3

D4

D5

D6

D7

Studio Beam

®

User Manual

Table A-2 Studio Beam

®

Flat Protocol DMX Values

Channel Construct

7

(cont.)

8

9

10

11

12

13

Lamp

Control

(cont.)

Cyan

Magenta

Yellow

Color

Function

Beam

Shaping

Zoom

Description

Lightning strike 6

To be determined

Open White

Cyan (0% to 100% saturation)

Discrete color (deep red position)

Open white

Media Scan

Reverse Spin (fast to slow)

Spin Stop

Forward Spin (slow to fast)

Open White

Magenta (0% to 100% saturation)

Discrete color (CTO position)

Open white

Media Scan

Reverse Spin (fast to slow)

Spin Stop

Forward Spin (slow to fast)

Open White

Yellow (0% to 100% saturation)

Discrete color (deep blue position)

Open white

Media Scan

Reverse Spin (fast to slow)

Spin Stop

Forward Spin (slow to fast)

Safe (disables all Control settings)

Blink (continuous to discrete)

Color Cycle (Uses only the color mixing portion of all color wheels to cycle factory determined colors at variable speeds (slow to fast))

Random (Uses only the color mixing portion of all color wheels to cycle factory- (slow to fast))

To be determined, defaults to safe

Open

Continuous Positioning

Reverse Spin (fast to slow)

Spin Stop

Forward Spin (slow to fast)

Zoom (In to Out)

2-65 0-26 2-41

66-129 26-51 42-81

130-255 51-100 82-FF

0 0 1

1-127 0-50 1-7F

128-191 50-75 80-BF

192 75 C0

193-255 75-100 C1-FF

0-255 0-100 0-FF

Value

(dec.)

216

Value

(%)

85

Value

(hex)

D8

217-255 85-100 D9-FF

0

1-128

129

130

0 0

0-50 01-80

51

51

81

82

131-172 51-68 83-AC

173-213 68-84 AD-D5

214 84 D6

215-255 84-100 D7-FF

0

1-128

129

130

0

0-50

51

51

0

1-80

81

82

131-172 51-68 83-AC

173-213 68-84 AD-D5

214 84 D6

215-255 84-100 D7-FF

0

1-128

129

130

0

0-50

51

51

0

1-80

81

82

131-172 51-68 83-AC

173-213 68-84 AD-D5

214 84 D6

215-255 84-100 D7-FF

0

1

0

0

0

1

Studio Beam

®

User Manual

DMX Protocol

A-11

A

Table A-2 Studio Beam

®

Flat Protocol DMX Values

Channel Construct

14

15

Frost

Control

Description

Closed

Continuous Positioning (closed to open)

Periodic Strobe

Random Strobe

Ramp Open/Snap Shut

Snap Open/Ramp Shut

Ramp Open/Ramp Shut

Random Ramp Open/Snap Shut

Random Snap Open/Ramp Shut

Open

Safe

Display off

Display dim

Display bright

Home

Lamp On

Lamp Off

Lock

Fixture Shutdown

Value

(dec.)

Value

(%)

Value

(hex)

0

1-127

0

0-50

0

1-7F

128-143 50-56 80-8F

144-159 57-62 90-9F

160-175 63-69 A0-AF

176-191 69-75 B0-BF

192-207 75-81 C0-DF

208-223 82-91 D0-EF

224-239 88-94 E0-EF

240-255 94-100 F0-FF

0-9

20-28

0-4

8-11

0-9

14-1C

30-38 12-15 1E-26

40-48 16-19 28-30

60-68 24-27 3C-44

80-88 31-35 50-58

90-98 35-38 5A-62

110-118 43-46 6E-76

120-130 47-51 78-82

A-12 DMX Protocol

Studio Beam

®

User Manual

Appendix B

MSpeed Conversion Table

The following table lists the MSpeed (motor) movement times and their corresponding

DMX controller values. If you have a numeric-type controller, use the Value Decimal

(dec.) column. If you have a fader-type controller, use the Value Percentage (%) column.

If your controller allows you to program hex values, use the Value (hex) column.

Time

(sec.)

1.18

1.31

1.45

1.60

1.75

1.92

2.09

2.27

2.46

2.66

2.86

0.41

0.47

0.55

0.63

0.73

0.83

0.94

1.05

0.15

0.15

0.17

0.19

0.21

0.25

0.29

0.35

Studio Beam

®

User Manual

Value

(%)

Value

(hex)

92

92

91

91

94

93

93

93

91

90

90

95

95

95

94

97

96

96

96

98

98

98

97

100 FF

100 FE

99

99

FD

FC

FB

FA

F9

F8

F3

F2

F1

F0

F7

F6

F5

F4

EB

EA

E9

E8

EF

EE

ED

EC

E7

E6

E5

Value

(dec.)

235

234

233

232

239

238

237

236

231

230

229

243

242

241

240

247

246

245

244

251

250

249

248

255

254

253

252

Value

(hex)

D0

CF

CE

CD

D4

D3

D2

D1

CC

CB

CA

D8

D7

D6

D5

DC

DB

DA

D9

E0

DF

DE

DD

E4

E3

E2

E1

Value

(%)

82

81

81

80

83

83

82

82

80

80

79

85

84

84

84

86

86

85

85

88

87

87

87

89

89

89

88

Time

(sec.)

Value

(dec.)

5.06

5.34

5.64

5.94

6.25

6.56

6.89

7.22

3.07

3.29

3.52

3.76

4.00

4.25

4.52

4.78

7.56

7.91

8.27

8.63

9.00

9.39

208

207

9.77

206

10.17

205

212

211

210

209

10.58

204

10.99

203

11.41

202

216

215

214

213

220

219

218

217

224

223

222

221

228

227

226

225

Value

(hex)

B5

B4

B3

B2

B9

B8

B7

B6

B1

B0

AF

BD

BC

BB

BA

C1

C0

BF

BE

C5

C4

C3

C2

C9

C8

C7

C6

Value

(%)

71

71

70

70

73

72

72

71

69

69

69

74

74

73

73

76

75

75

75

77

77

76

76

79

78

78

78

Time

(sec.)

Value

(dec.)

11.84

201

12.28

200

12.72

199

13.17

198

13.63

197

14.10

196

14.58

195

15.07

194

15.56

193

16.06

192

16.57

191

17.09

190

17.61

189

18.14

188

18.68

187

19.23

186

19.79

185

20.36

184

20.93

183

21.51

182

22.10

181

22.70

180

23.30

179

23.92

178

24.54

177

25.17

176

25.80

175

B

Mspeed Conversion Table

B-1

Value

(hex)

93

92

91

90

97

96

95

94

9B

9A

99

98

9E

9D

9C

9C

8F

8E

8D

8C

8H

8A

A2

A1

A0

9F

A6

A5

A4

A3

AA

A9

A8

A7

AE

AD

AC

AB

Value

(%)

58

57

57

56

59

59

58

58

61

60

60

60

62

62

61

61

56

56

55

55

55

54

64

63

63

62

65

65

64

64

67

66

66

65

68

68

67

67

Time

(sec.)

Value

(dec.)

37.87

158

38.65

157

39.44

156

39.44v

156

40.23

155

41.04

154

41.85

153

42.68

152

43.50

151

44.34

150

45.19

149

46.04

148

46.90

147

47.77

146

48.65

145

49.54

144

26.45

174

27.10

173

27.76

172

28.43

171

29.11

170

29.80

169

30.49

168

31.19

167

31.90

166

32.62

165

33.34

164

34.08

163

34.82

162

35.57

161

36.33

160

37.09

159

50.43

143

51.33

142

52.24

141

53.16

140

54.09

139

55.02

138

B-2 Mspeed Conversion Table

Value

(hex)

6D

6C

6B

6A

71

70

6F

6E

75

74

73

72

79

78

77

76

69

68

67

66

65

64

7D

7C

7B

7A

81

80

7F

7E

85

84

83

82

89

88

87

86

Value

(%)

43

42

42

42

44

44

44

43

46

45

45

45

47

47

47

46

41

41

40

40

40

39

49

49

48

48

51

50

50

49

52

52

51

51

54

53

53

53

Time

(sec.)

Value

(dec.)

72.13

121

73.20

120

74.29

119

75.38

118

76.49

117

77.60

116

78.71

115

79.84

114

80.98

113

82.12

112

83.27

111

84.43

110

85.59

109

86.77

108

87.95

107

89.14

106

55.96v

137

56.91

136

57.87

135

58.84

134

59.81

133

60.79

132

61.78

131

62.78

130

63.79

129

64.80

128

65.82

127

66.85

126

67.89

125

68.94

124

69.99

123

71.05

122

90.34

105

91.55

104

92.76

103

93.98

102

95.21

101

96.45

100

Value

(hex)

45

44

43

42

4B

48

47

46

4F

4E

4D

4C

53

52

51

50

41

40

3F

3E

3D

3C

57

56

55

54

5B

5A

59

58

5F

5E

5D

5C

63

62

61

60

Value

(%)

27

27

26

26

29

28

28

27

31

31

30

30

33

32

32

31

25

25

25

24

24

24

34

34

33

33

36

35

35

35

37

37

36

36

39

38

38

38

Time

(sec.)

Value

(dec.)

118.73

83

120.12

82

121.5v

81

122.91

80

124.31

79

125.73

78

127.15

77

128.58

76

130.02

75

134.39

72

135.86

71

137.34

70

138.82

69

140.32

68

141.82

67

143.33

66

97.70

98.95

99

98

100.22

97

101.49

96

102.77

95

104.05

94

105.35

93

106.65

92

107.96

91

109.28

90

110.61

89

111.94

88

113.28

87

114.63

86

115.99

85

117.36

84

144.85

65

146.38

64

147.92

63

149.46

62

151.01

61

152.57

60

Studio Beam

®

User Manual

Value

(hex)

1F

1E

1D

1C

23

22

21

20

27

26

25

24

2B

2A

29

28

1B

1A

19

18

17

16

2F

2E

2D

2C

33

32

31

30

37

36

35

34

3B

3A

39

38

Value

(%)

12

12

11

11

14

13

13

13

15

15

15

14

17

16

16

16

11

10

10

9

9

9

18

18

18

17

20

20

19

19

22

21

21

20

23

23

22

22

Time

(sec.)

Value

(dec.)

180.30

43

182.01

42

183.72

41

185.44

40

187.17

39

188.90

38

190.65

37

192.40

36

194.16

35

195.92

34

197.70

33

199.48

32

201.28

31

203.08

30

204.88

29

206.70

28

154.14

59

155.71

58

157.30

57

158.89

56

160.49

55

162.09

54

163.71

53

165.33

52

166.96

51

168.60

50

170.25

49

171.91

48

173.57

47

175.24

46

176.92

45

178.61

44

208.52

27

210.36

26

212.19

25

214.04

24

215.90

23

217.76

22

Studio Beam

®

User Manual

Time

(sec.)

Value

(dec.)

219.63

21

221.51

20

223.40

19

225.30

18

227.20

17

229.11

16

231.03

15

232.96

14

234.90

13

236.84

12

238.79

11

240.75

10

242.72

244.70

246.68

248.68

7

6

9

8

250.68

246.68

248.68

250.68

252.68

6

5

5

7

4

Value

(hex)

09

08

07

06

0D

0C

0B

0A

05

07

06

05

04

11

10

0F

0E

15

14

13

12

Value

(%)

3

2

4

3

4

4

5

5

2

2

2

3

2

6

5

7

6

7

7

8

8

Mspeed Conversion Table

B-3

B

B-4 Mspeed Conversion Table

Studio Beam

®

User Manual

Appendix C

Important Safety Information

Warning: For Continued Protection Against Fire

1. This equipment is designed for use with a Phillips 700 watt, GY 9.5 base, metal halide lamp only. Use of any other type lamp may be hazardous and may void the warranty.

2. Do not mount on a flammable surface.

3. Maintain minimum distance of 1.0 meter (3.28 feet) from combustible materials.

4. Replace fuses only with the specified type and rating.

5. Observe minimum distance to lighted objects of 2.0 meter (6.56 feet).

6. This equipment for connection to branch circuit having a maximum overload protection of 20 A.

Warning: For Continued Protection Against Electric Shock

1. If this equipment was received without a line cord plug, attach the appropriate line cord plug according to the following code:

• brown–live

• blue–neutral

• green/yellow–earth

2. As the colours of the cores in the mains lead of this equipment may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows:

• the core which is coloured green and yellow must be connected to the terminal in the plug which is marked with the letter E or by the earth symbol , or coloured green or green and yellow.

• the core which is coloured blue must be connected to the terminal which is marked with the letter N or coloured black.

• The core which is coloured brown must be connected to the terminal which is marked with the letter L or coloured red.

3. Class I equipment. This equipment must be earthed.

4. Equipment suitable for dry locations only. Do not expose this equipment to rain or moisture.

5. Disconnect power before re-lamping or servicing.

6. Refer servicing to qualified personnel; no user serviceable parts inside.

C

Studio Beam

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User Manual

Important Safety Information

C-1

Warning: For Continued Protection Against Exposure To Excessive Ultraviolet

(UV) Radiation

1. Do not operate this equipment without complete lamp enclosure in place or if shields, lenses, or ultraviolet screens are damaged.

2. Change shields, lenses, or ultraviolet screens if they have become visibly damaged to such an extent that their effectiveness is impaired, for example by cracks or deep scratches.

3. Never look directly at the lamp while lamp is on.

Warning: For Continued Protection Against Injury To Persons

4. Use secondary safety cable when mounting this fixture.

5. Caution: hot lamp may be an explosion hazard. Do not open for 5 minutes after switching off. Wear eye and hand protection when re-lamping.

6. Equipment surfaces may reach temperatures up to 90° C (194° F). Allow 5 minutes for cooling before handling.

7. Change the lamp if it becomes damaged or thermally deformed.

C-2 Important Safety Information

Studio Beam

®

User Manual

Appendice C

Importantes Informations Sur La Sécurité

Mise En Garde: Pour Une Protection Permanente Contre Les Incendies

8. Cet appareil est conçu uniquement pour une lampe métallique à halogène Philips, de

700 watts, à base GY 9.5. Son utilisation avec tout autre type de lampe peut être dangereuse et annuler la garantie.

9. Ne pas monter les lampes sur une surface inflammable.

10. Maintenir à une distance minimum de 1.0 mètre de matières inflammables.

11. Ne remplacer les fusibles qu'avec des modèles et valeurs assignées recommandés.

12. Respecter une distance minimum de 2.0 mètre par rapport aux objets éclairés.

13. Cet appareil de connection au circuit comporte une protection contre les surcharges de 20 A.

Mise En Garde: Pour Une Protection Permanente Contre Les Chocs

Électriques

1. Si cet équipement est livré sans prise de cable, veuillez connecter la prise de cable correcte selon le code suivant:

• marron - phase

• bleu - neutre

• vert/jaune - terre

2. Débrancher le courant avant de changer les lampes ou d'effectuer des réparations.

3. Cet équipement doit être uniquement utilisé dans des endroits secs. Ne pas l'exposer

à la pluie ou l'humidité.

4. À l'intérieur de l'équipement il n'y a pas de pièces remplaçables par l' utilisateur.

Confiez l'entretien à un personnel qualifié.

5. Equipement de Classe I. Cet équipement doit être mis à la terre.

C

Mise En Garde: Pour Une Protection Permanente Contre Des Expositions

Excessives Aux Rayons Ultra Violets (UV)

1. Ne pas utiliser cet appareil si le boîtier de la lampe n'est pas complètement fixé ou si les blindages, lentilles, ou écrans ultraviolets sont endommagés.

2. Changer les blindages ou les écrans ultraviolets s'ils sont visiblement endommagés au point que leur efficacité aient été altérée, par exemple par des fissures ou de profondes égratignures.

3. Ne jamais regarder directement la lampe quand celle ci est allumée.

Studio Beam

®

User Manual

Important Safety Information

C-3

Mise En Garde: Pour Une Protection Permanente Contre Les Blessures

Corporelles

1. Lors de l'assemblage, utiliser un câble de sécurité secondaire.

2. AVERTISSEMENT: les lampes chaudes comportent un risque d'explosion. Après l'avoir éteinte, attendre 5 minutes avant de la dégager. Lors du remplacement de la lampe, une protection des yeux et des mains est requise.

3. Les surfaces de l'appareil peuvent atteindre des températures de 90 C. Laisser refroidir pendant 5 minutes avant la manipulation.

4. Changer la lampe si elle est endommagée ou thermiquement déformée.

C-4 Important Safety Information

Studio Beam

®

User Manual

Anhang C

Wichtige Hinweise Für Ihre Sicherheit

Warnung: Zum Schutz Vor Brandgefahr

1. Dieses Gerät ist nur für den Gebrauch mit einer 700-Watt, Philips, Metall-Halogen-

Lampe mit GY 9.5-Sockel konzipiert. Der Gebrauch irgend eines anderen

Lampentyps könnte Sie gefährden und Ihre Garantie außer Kraft setzen.

2. Das Gerät nie auf einer feuergefährlichen Fläche montieren.

3. Stets einen Mindestabstand von 1 Meter zu brennbaren Materialien einhalten.

4. Zum Ersatz nur Sicherungen verwenden, die dem vorgeschriebenen Typ und

Nennwert entsprechen.

5. Einen Mindestabstand von 2 Meter zu den angestrahlten Objekten einhalten.

6. Dieses Gerät darf nur an eine Zweigleitung mit einem Überlastungsschutz von höchstens 20 A angeschlossen werden.

Warnung: Zum Schutz Gegen Gefährliche Körperströme

1. Wenn dieses Gerät ohne einen Netzkabelstecker erhalten wurde, ist der entsprechende Netzkabelstecker entsprechend dem folgenden Code anzubringen:

• Braun - Unter Spannung stehend

• Blau - Neutral

• Grün/Gelb - Erde

2. Vor dem Austauschen von Lampen oder vor Wartungsarbeiten stets den Netzstecker ziehen.

3. Diese Geräte sind nur zum Einbau in trockenen Lagen bestimmt und müssen vor

Regen und Feuchtigkeit geschützt werden.

4. Servicearbeiten sollten nur von Fachpersonal ausgeführt werden. Das Gerät enthält keine wartungsbedürftigen Teile.

5. Dieses Gerät gehört zur Klasse I. Dieses Gerät muß geerdet werden.

Warnung: Zum Schutz Gegen Übermässige Ultraviolett (UV)-Bestrahlung

1. Benutzen Sie dieses Gerät nur, wenn das komplette Lampengehäuse fest eingebaut ist; ebenfalls dürfen keine der Schutzabdeckungen, Linsen oder der UV-Schutz

Beschädigungen aufweisen.

2. Die Schutzabdeckungen, Linsen und der UV-Schutz müssen ausgewechselt werden, wenn sie sichtlich dermaßen beschädigt sind, daß sie ihre Wirksamkeit einbüßen, z.B. infolge von Rissen oder tiefen Kratzern.

3. Nie direkt in die eingeschaltete Lampe schauen.

C

Studio Beam

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User Manual

Important Safety Information

C-5

Warnung: Zum Schutz Vor Verletzungen

1. Verwenden Sie bei der Installation des Beleuchtungskörpers ein zusätzliches

Sicherheitskabel.

2. VORSICHT: Bei einer heiße Lampe besteht Explosionsgefahr. Nach dem Abschalten der Netzspannung sollten Sie etwa 5 Minuten warten, bevor Sie das Lampengehäuse

öffnen. Schützen Sie beim Auswechseln der Lampen Ihre Hände und tragen Sie eine

Schutzbrille.

3. Die Oberflächen des Gerätes können Temperaturen bis zu 90 C erreichen. Vor dem

Anfassen stets 5 Minuten lang abkühlen lassen.

4. Falls die Lampe beschädigt oder durch Wärmeeinwirkung verformt ist, muß sie ausgewechselt werden.

C-6 Important Safety Information

Studio Beam

®

User Manual

Apéndice C

Información Importante De Seguridad

Advertencia: Para Protección Continua Contra Incendios

5. Este equipo está diseñado para utilizarse únicamente con la lámpara de haluro metálico Philips, de 700 vatios y base GY 9.5. El uso de cualquier otro tipo de lámpara puedá resultar peligroso, y puedá anular la garantía.

6. No monte el equipo sobre una superficie inflamable.

7. Mantenga una distancia mínima de materiales combustibles de 1,0 metro.

8. Cambie los fusibles únicamente por otros que sean del tipo y la clasificación especificadas.

9. Guarda una distancia mínima a objetos iluminados de 2,0 metro.

10. Este equipo debe conectarse a un circuito que tenga una protección máxima contra las sobrecargas de 20 A.

11. Advertencia: Para La Protección Continua Contra Electrocuciones

12. Si se recibió este equipo sin el enchufe de alimentacion, monte usted el enchufe correcto según el clave siguente:

13. moreno - vivo

14. azul - neutral

15. verde/amarillo - tierra

16. Desconecte el suministro de energía antes de recambiar lámparas o prestar servicio de reparación.

17. Questa apparecchiatura e' da usarsi in ambienti secchi. Non e' da essere esposta ne alla pioggia ne all' umidita'.

18. Derive el servicio de reparación de este equipo al personal calificado. El interior no contiene repuestos que puedan ser reparados por el usuario.

19. Equipo de Clase I. Este equipo debe conectarse a la tierra.

Advertencia: Para Protección Continua Contra La Exposición A Radiación

Ultravioleta (UV) Excesiva

1. No opere este equipo sin tener colocada en su lugar la caja protectora completa de la lámpara o bien, si el blindaje, los lentes o las pantallas ultravioletas están dañadas.

2. Cambie el blindaje, los lentes o las pantallas ultravioleta si nota una avería visible, a tal grado que su eficacia se vea comprometida. Por ejemplo, en el caso de grietas o rayaduras profundas.

3. Jamás mire directamente a la lámpara en tanto ésta esté encendida.

C

Studio Beam

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User Manual

Important Safety Information

C-7

Advertencia: Para Protección Continua Contra Lesiones Corporales

1. Al montare questa apparechiatura, usare un secondo cavo di sicurezza.

2. Precaución: una lámpara caliente puede constituir un peligro de explosión. No la abra por 5 minutos luego de haberla apagado. Lleve puestos, un protector ocular, y guantes al recambiar lámparas.

3. Las superficies del equipo pueden alcanzar temperaturas máximas de 90 grados centígrados. Deje que se enfríen por 5 minutos antes de tocarlas.

4. Cambie la lámpara si ésta se avería o deforma por acción térmica.

C-8 Important Safety Information

Studio Beam

®

User Manual

Appendice C

Importanti Informazioni Di Sicurezza

Avvertenza: Per Prevenire Incendi

1. Questa apparecchiatura è stata progettata per l'uso esclusivo con lampada a sali metallici Philips da 700 watt, base GY 9.5. L'uso di qualsiasi altro tipo di lampada può essere pericoloso e può annullare la garanzia.

2. Da non montare sopra una superficie infiammabile.

3. Mantenere l' apparecchio a un minimo di 1.0 metri (3.28 piedi) di distanza dai materiali combustibili.

4. Rimpiazare i fusibili usando soltanto quelli del tipo e della taratura adatta.

5. Mantenere una distanza minima di 2.0 metri (6.56 piedi) dagli oggetti accesi.

6. Questa apparecchiatura e' da collegarsi ad un circuito con una protezzione da sovraccarico massima di 20 amperes.

Avvertenza: Per Prevenire Le Scosse Elettriche

1. Se questa apparecchiatura è stata consegnata senza una spina del cavo di alimentazione, collegare la spina appropriata del cavo di alimentazione in base ai seguenti codici:

• marrone - sotto tensione

• blu - neutro

• verde/giallo - terra

2. Disinnestare la corrente prima di cambiare la lampadina o prima di eseguire qualsiasi riparazione.

3. Este equipo se adecua a lugares secos solamente. no lo exponga a la lluvia o humedad.

4. Per qualsiasi riparazione rivolgersi al personale specializzato. L' utente non deve riparare nessuna parte dentro l' unita'.

5. Aparecchio di Classe I. Questa apparecchiatura deve essere messa a terra.

Avvertenza: Per Proteggersi Contro Le Radiazioni Dei Raggi Ultravioletti

Non usare questa apparecchiatura se il sistema di chiusura della lampadina non e' completo o se gli scudetti, le lenti, o gli schermi ultravioletti si sono visibilmente danneggiati di maniera tale che la loro efficacia sia stata ridotta --- ad esempio, se vi sono visibili spaccature o graffi profondi. Mai guardare direttamente verso la lampadina quando sia accesa.

C

Studio Beam

®

User Manual

Important Safety Information

C-9

Avvertenza: Per Non Ferire Ad Altre Persone

1. Use cable secundario de seguridad al montar este aparato.

2. Avvertenza: la lampadina calda potrebbe esplodere. Spegnerla per 5 minuti prima di aprirla. Usare protezzioni per le mani e per gli occhi prima di cambiare la lampadina.

3. Le superfici della apparecchiatura possono arrivare a temperature di 90 gradi centrigradi (194 gradi f). Aspettare 5 minuti prima di maneggiare.

4. Cambiare la lampadina se si danneggia o se si e' deformata dovuto alle alte temperature.

Vigtig Sikkerhedsinformation

Advarsel: Beskyttelse mod elektrisk chock.

VIGTIGT!

LEDEREN MED GUL/GROEN ISOLATION MAA KUN TILSLUTTES KLEMME

MAERKET ELLER .

C-10 Important Safety Information

Studio Beam

®

User Manual

Appendix D

Menu Map

The Studio Beam fixture’s onboard menu system allows you to:

• Assign a DMX start channel

• Access fixture options such as, homing the fixture, viewing fixture status, crossloading software, and performing self tests

• Preset (PRST) programming options that allow you to create, store, and play scenes from the fixture’s on-board memory.

For a more detailed description, see individual menu options listed in “Chapter 4” .

Menu

Level 1

Menu

Level 2

Menu

Level 3

Cxxx

Menu

Level 4

ADDR PLAY

OFF

ON

SCN

PRST

EDIT

SN01 -

SN16

SHUT

DIM

PAN

TILT

Menu

Level 5

Description change the existing DMX start channel set preset playback off set preset playback on display which scene is currently playing

CLSD close the shutter

P01–

P26

NN01–

NN26 select shutter strobe at periodic intervals from slow (P 01) to fast (P268) select shutter strobe at random intervals from slow (NN01) to fast (NN26)

NK01–

NK26

RS01–

RS26

SR01–

SR26

RR01–

RR26

NR01–

NR26

NS01–

NS26 select shutter strobe at random intervals from slow (NK01) to fast (NK26), in synchronization with the random strobing of all other Studio Beam fixtures on the link select shutter ramp open slow (RS01) to fast (RS26), snap shut select shutter snap open, ramp shut slow (SR01) to fast

(SR26 select shutter ramp open, ramp shut slow (RR01) to fast

(RR26) select the frequency to randomly ramp open slow (NR01) to fast (NR26), snap shut select the frequency to snap open, randomly ramp shut slow (NS01) to fast (NS26)

OPEN open the shutter

D001–

D255 select a dim value from dark (D001) to bright (D255)

-49.9–

+49.9

-49.9–

+49.9

select a pan value from -49.9% to +49.9% of the pan range select a tilt value from -49.9% to +49.9% of the tilt range

D

Studio Beam

®

User Manual

Menu Map

D-1

Menu

Level 1

Menu

Level 2

Menu

Level 3

Menu

Level 4

PRST

(cont.)

EDIT

(cont.)

SN01 -

SN16

(cont.)

COLC

Menu

Level 5

Description

Full Speed Mode

CON continuous—select exact positioning at any point on the color wheel

IDX

MIX index—divide the cyan, magenta, and yellow color wheels into eight equal sections, full speed pure mix—access the color mixing portion of the wheels

WSP

CYC

SCN

RND spin—set all three color wheels to spin mode, (spin speed and direction set by each individual wheel) cycle—use only the color mixing portion (for all three color wheels) to cycle colors from red to green to blue (speed set by cyan channel) scan—oscillate within the color mixing portion of the color wheel (speed set by each individual wheel) random—perform random color chase of 12 factoryselected colors using the three color wheels (speed set by cyan channel)

BLK blink—close shutter between indexed color changes

MSpeed Mode

MCON

MIDX continuous—select exact positioning at any point on the color wheel index—divide the cyan, magenta, and yellow color wheels into eight equal sections

MMIX pure mix—access the color mixing portion of the wheels

CYAN

MCYC

MSCN cycle—use only the color mixing portion (for all three color wheels) to cycle colors from red to green to blue (speed set by cyan channel) scan—oscillate within the color mixing portion of the color wheel (speed set by each individual wheel)

MRND random—perform random color chase of 12 factoryselected colors using the three color wheels (speed set by cyan channel)

MBLK blink—close shutter between indexed color changes

Continuous (available with COLC set to CON or MCON)

D000 -

D357 select an exact position on the cyan color wheel from 0°

(D000) to 357° (D357)

Indexed (available with COLC set to IDX or MIDX)

OPEN select the open “white” position on the cyan color wheel

C 1

S 6 select the additional fixed color (deep red) on the cyan color wheel select most saturated position on the cyan color wheel

D-2 Menu Map

Studio Beam

®

User Manual

Menu

Level 1

Menu

Level 2

Menu

Level 3

Menu

Level 4

PRST

(cont.)

EDIT

(cont.)

SN01 -

SN16

(cont.)

CYAN

(cont.)

Menu

Level 5

Description

S 5

S 4

S 3

S 2

S 1 select second most saturated position on the cyan color wheel select third most saturated position on the cyan color wheel select fourth most saturated position on the cyan color wheel select fifth most saturated position on the cyan color wheel select least saturated position on the cyan color wheel

Pure Mix (available with COLC set to MIX or MMIX)

C000 -

C255 select an exact position within the color mixing section of the cyan color wheel from most saturated (C000) to least saturated (C255)

Wheel Spin (available with COLC set to WSP or MWSP)

D000 -

D357 select a fixed position on the cyan color wheel from 0°

(D000) to 357° (D357)

WR60–

WR01 select a reverse cyan color wheel spin speed from fast

(WR60) to slow (WR01)

STIL stop the cyan color wheel from spinning

WF01 -

WF60 select a forward cyan color wheel spin speed from slow

(WR01) to fast (WR60)

Color Cycle (available with COLC set to CYC or MCYC)

L000 -

L255 select the speed at which all three color wheels move to the next cycle color, from slow (L000) to fast (L255)

Color Scan (available with COLC set to SCN or MSCN)

K001 -

K128 select the speed to scan (oscillate) within the color mixing portion of the cyan color wheel from slow (K001) to fast

(K128)

Random Color (available with COLC set to RND or MRND)

N000 -

N255 select the speed at which all three color wheels move to the next random color, from slow (N000) to fast (N255)

Blink (available with COLC set to BLK or MBLK)

BC 1

BS 6 select the additional fixed color (deep red) on the cyan color wheel with shutter blink choose the most saturated position on the cyan color wheel with shutter blink

BS 5

BS 4

BS 3

BS 2

BS 1 choose the second most saturated position on the cyan color wheel with shutter blink choose the third most saturated position on the cyan color wheel with shutter blink choose the fourth most saturated position on the cyan color wheel with shutter blink choose the fifth most saturated position on the cyan color wheel with shutter blink choose the least saturated position on the cyan color wheel with shutter blink

D

Studio Beam

®

User Manual

Menu Map

D-3

Menu

Level 1

PRST

(cont.)

Menu

Level 2

EDIT

(cont.)

Menu

Level 3

Menu

Level 4

Menu

Level 5

Description

SN01 -

SN16

(cont.)

MAGN

Continuous (available with COLC set to CON or MCON)

D000 -

D357 select an exact position on magenta color wheel from 0°

(D000) to 357° (D357)

Indexed (available with COLC set to IDX or MIDX)

OPEN select the open “white” position on magenta color wheel

M 1

S 6

S 5 select the additional fixed color (CTO) on magenta color wheel select most saturated position on magenta color wheel select second most saturated position onmagenta color wheel select third most saturated position on magenta color wheel S 4

S 3

S 2 select fourth most saturated position on magenta color wheel select fifth most saturated position on magenta color wheel

S 1 select least saturated position on magenta color wheel

Pure Mix (available with COLC set to MIX or MMIX)

M000 -

M255 select an exact position within the color mixing section of the magenta color wheel from most saturated (C000) to least saturated (C255)

Wheel Spin (available with COLC set to WSP or MWSP)

D000 -

D357

WR60–

WR01 select a fixed position on the magenta color wheel from 0°

(D000) to 357° (D357) select a reverse magenta color wheel spin speed from fast

(WR60) to slow (WR01)

STIL stop the magenta color wheel from spinning

WF01 -

WF60 select a forward magenta color wheel spin speed from slow

(WR01) to fast (WR60)

Color Scan (available with COLC set to SCN or MSCN)

K001 -

K128 select the speed to scan (oscillate) within the color mixing portion of the magenta color wheel from slow (K001) to fast

(K128)

Blink (available with COLC set to BLK or MBLK)

BM 1 select the additional fixed color (CTO) on the magenta color wheel with shutter blink

BS 6

BS 5 choose the most saturated position on the magenta color wheel with shutter blink choose the second most saturated position on the magenta color wheel with shutter blink

BS 4

BS 3

BS 2

BS 1 choose the third most saturated position on the magenta color wheel with shutter blink choose the fourth most saturated position on the magenta color wheel with shutter blink choose the fifth most saturated position on the magenta color wheel with shutter blink choose the least saturated position on the magenta color wheel with shutter blink

D-4 Menu Map

Studio Beam

®

User Manual

Menu

Level 1

Menu

Level 2

Menu

Level 3

Menu

Level 4

PRST

(cont.)

EDIT

(cont.)

SN01 -

SN16

(cont.)

YELW

Menu

Level 5

Description

Continuous (available with COLC set to CON or MCON)

D000 -

D357 select an exact position on yellow color wheel from 0°

(D000) to 357° (D357)

Indexed (available with COLC set to IDX or MIDX)

OPEN select the open “white” position on yellow color wheel

Y 1 select the additional fixed color (Dark Blue) on yellow color wheel

S 6

S 5

S 4

S 3 select most saturated position on yellow color wheel select second most saturated position onyellow color wheel select third most saturated position on yellow color wheel select fourth most saturated position on yellow color wheel

S 2

S 1 select fifth most saturated position on yellow color wheel select least saturated position on yellow color wheel

Pure Mix (available with COLC set to MIX or MMIX)

Y000 -

Y255 select an exact position within the color mixing section of the yellow color wheel from most saturated (C000) to least saturated (C255)

Wheel Spin (available with COLC set to WSP or MWSP)

D000 -

D357 select a fixed position on the yellow color wheel from 0°

(D000) to 357° (D357)

WR60–

WR01 select a reverse yellow color wheel spin speed from fast

(WR60) to slow (WR01)

STIL stop the yellow color wheel from spinning

WF01 -

WF60 select a forward yellow color wheel spin speed from slow

(WR01) to fast (WR60)

Color Scan (available with COLC set to SCN or MSCN)

K001 -

K128 select the speed to scan (oscillate) within the color mixing portion of the yellow color wheel from slow (K001) to fast

(K128)

Blink (available with COLC set to BLK or MBLK)

BY 1

BS 6

BS 5

BS 4

BS 3

BS 2

BS 1 select the additional fixed color (Dark Blue) on the yellow color wheel with shutter blink choose the most saturated position on the yellow color wheel with shutter blink choose the second most saturated position on the yellow color wheel with shutter blink choose the third most saturated position on the yellow color wheel with shutter blink choose the fourth most saturated position on the yellow color wheel with shutter blink choose the fifth most saturated position on the yellow color wheel with shutter blink choose the least saturated position on the yellow color wheel with shutter blink

D

Studio Beam

®

User Manual

Menu Map

D-5

Menu

Level 1

Menu

Level 2

Menu

Level 3

Menu

Level 4

PRST

(cont.)

EDIT

(cont.)

SN01 -

SN16

(cont.)

BEAM

ZOOM

FRST

MSPD

MACR

Menu

Level 5

Description

D000–

D358 select an exact lenticular wheel (beam shaping) position from 0° (D000) to 358° (D358)

WR60–

WR01 select a reverse lenticular wheel (beam shaping) spin speed, from fast (WR60) to slow (WR01)

STIL stop the lenticular wheel from spinning

WF01–

WF60 select a forward lenticular wheel (beam shaping) spin speed, from slow (WF01) to fast (WF60)

Z000–

Z255 select a zoom value for a beam angle from 15° (000) to 30°

(255)

OPEN open the frost flags

F001–

F127 select the exact positioning of the frost flags from fully opened (F001) to fully closed (F127).

CLSD close frost flags

P 01–

P 16

N 01–

N 16 select frost strobe at periodic intervals from slow (P 01) to fast (P 16) select frost strobe at random intervals from slow (N 01) to fast (N 16)

RS01–

RS16

SR01–

SR16

RR01–

RR16

NR01–

- NR16 select frost ramp open slow (RS01) to fast (RS16), snap shut select frost snap open, ramp shut slow (SR01) to fast

(SR16) select frost ramp open, ramp shut slow (RR01) to fast

(RR16) select the frequency to randomly ramp open slow (NR01) to fast (NR16), snap shut

NS01–

NS16

252.7–

0.15

select the frequency to snap open, randomly ramp shut slow (NS01) to fast (NS16) select a motor movement time in decimal seconds, from slow (252.7) to fast (0.15)

0.15–

252.7

select a motor movement time in decimal seconds, from fast

(0.15) to slow (252.7)

MCOF set all macro options off

P00-

P56

TO

T00–

T56

CO pan sweep macro from small to large macros off tilt sweep from small to large macros off

C00–

CC34 clockwise circle macro

CCO macros off

CC00–

CC34 counterclockwise circle macro

MCOF set all macro options off

D-6 Menu Map

Studio Beam

®

User Manual

Menu

Level 1

Menu

Level 2

Menu

Level 3

Menu

Level 4

EDIT

(cont.)

XFAD

SN01 -

SN16

(cont.)

DLAY

TIME

Menu

Level 5

Description

X 0.1 -

X 9.9

X 10 -

X166

D 0.1 -

D 9.9

D 10 -

D166 select the DIM and FCUS construct’s crossfade time in increments of 0.1

select the DIM and FCUS construct’s crossfade time in increments of 1 select the scene delay time in increments of 0.1

select the scene delay time in increments of 1

SEC

MIN select seconds as the units of time used for the XFAD and

DLAY constructs select minutes as the units of time used for the XFAD and

DLAY constructs

TIME

(cont.)

PRST

(cont.)

ZERO OK?

erase any programming of the current scene by voiding all construct values / mark the end of the loop

COPY

FROM

TO

FA01 -

FA16

FB01 -

FB16

TA01 -

TA16

TB01 -

TB16 select a user A scene to copy from (source scene) select a user B scene to copy from (source scene) select a user A scene to copy to (destination scene) select a user B scene to copy to (destination scene)

SET

DFLT OK?

SEND

FACT

SWAP

T/IN

P/IN

DSPL

D/IN

LMPL

ON

OFF

DIM

ON

OFF

ON

OFF

ON

OFF

ON

OFF

ON

OFF

ON

OFF select a scene to capture a pre-programmed scene to (from your DMX controller) enable the factory-programmed preset scene sequence

(self-demo) / erases any preset scenes previously programmed send all presets in current user set factory defaults on set factory defaults off set pan/tilt swap on set pan/tilt swap off set tilt invert on set tilt invert off set pan invert on set pan invert off set the LED display on set the LED display off dim the LED display select inverted LED display orientation select normal LED display orientation enable lamp hour warning message disable lamp hour warning message

Studio Beam

®

User Manual

Menu Map

D-7

D

Menu

Level 1

Menu

Level 2

Menu

Level 3

FAST

DLOS

ON

OFF

LONG

SHRT

Menu

Level 4

SET

(cont)

MODE

TEST

ADIO

ZOOM

USER

XLD

ALED

GAIN

ON

OFF

A

B

COPY

PROT

FLAT

STAN

HOME

LAMP ON

OFF

BOOT

ALL

PAN

TILT

CYAN

SELF

MAGN

YELW

BEAM

ZOOM

FRST

SHUT

DIM

S/UP

DISP

ON

OFF

G001–

G010

PRST

SETT

ALL

Menu

Level 5

Description enable fast pan and tilt movement enable normal pan and tilt movement shutter will remain open until shutdown if DMX data is lost shutter will close one second after DMX data is lost uses central dot of alphanumeric display as audio indicator audio indicator off set a value from G001 (more emphasis on quiet sounds) to

G010 (less emphasis on quiet sounds). Factory default is

G006

DMX zoom channel used to position zoom optics

DMX zoom channel ignored. Zoom optic placed at default position.

select user A settings

A select user B settings

B copy user A presets to user B

B

A copy user B presets to user A

A

B copy user A settings to user B

B

A copy user B settings to user A

A

B copy user A presets and settings to user B

B

A copy user B presets and settings to user A crossload fixture software to all other Studio Beam fixtures on the link

15-channel flat protocol enabled

16-channel standard protocol enabled home the fixture strike the lamp extinguish the lamp copy the boot sector self test all constructs self test pan movement self test tilt movement self test cyan color wheel movement self test magenta color wheel movement self test yellow color wheel movement self test beam shaping (lenticular wheel) movement self test lens focus movement self test frost flag movement self test shutter strobe movement self test dim flag movement place the fixture in setup mode for mechanical homing self test the LED display

D-8 Menu Map

Studio Beam

®

User Manual

Menu

Level 1

Menu

Level 2

Menu

Level 3

Menu

Level 4

Menu

Level 5

TEST

(cont.)

INFO

Description

ENCD

CODE

SENS

UNUM

ON

OFF

SEN1

SEN2

TILT

PAN restore pan and tilt encoder operation disable pan and tilt encoder operation

Factory use only view whether the magenta and beam shaping wheel sensor is obstructed (“ON”) or is not obstructed (“OFF”) view whether the cyan and yellow wheel sensor is obstructed (“ON”) or is not obstructed (“OFF”) view whether the tilt sensor is obstructed (“ON”) or is not obstructed (“OFF”) view whether the pan sensor is obstructed (“ON”) or is not obstructed (“OFF”)

TPOS

PPOS view the tilt position encoder status view the pan position encoder status

Customer Service use only

DMX Values displayed when standard protocol is selected

BRKS

FE

OV

STRT

PANH

PANL view the number of DMX breaks view the number of DMX framing errors view the number of DMX overruns view the DMX start code value view the DMX high resolution pan value view the DMX low resolution pan value

DMX

FIXT

TLTH

TLTL

COLC

CYAN

MAGN

YELW

BEAM

ZOOM

FRST

SHUT

DIM

MSPD

MACR

CNTL view the DMX high resolution tilt value view the DMX low resolution tilt value view the DMX color control channel value view the DMX cyan color wheel position value view the DMX magenta color wheel position value view the DMX yellow color wheel position value view the DMX beam shaping (lenticular wheel) position value view the DMX zoom lens position value view the DMX frost position value view the DMX shutter strobe value view the DMX shutter dim flag value view the DMX MSpeed time value view the DMX macro value view the DMX control channel value view the DMX data for the selected DMX channel

D

Studio Beam

®

User Manual

Menu Map

D-9

Menu

Level 1

INFO

(cont.)

Menu

Level 2

DMX

(cont.)

TEMP

F/RS

F/HR

L/RS

L/ST

L/HR

VER

Menu

Level 3

Menu

Level 4

Menu

Level 5

Description

DMX Values displayed when flat protocol is selected

BRKS view the number of DMX breaks

FE

OV view the number of DMX framing errors view the number of DMX overruns

STRT

PANH

PANL

TLTH view the DMX start code value view the DMX high resolution pan value view the DMX low resolution pan value view the DMX high resolution tilt value

FIXT

(cont.)

TLTL

DIM

SHUT

LMPC

CYAN

MAGN

YELW

COLC view the DMX low resolution tilt value view the DMX shutter dim flag value view the DMX shutter strobe value view the DMX lamp control channel view the DMX cyan color wheel position value view the DMX magenta color wheel position value view the DMX yellow color wheel position value view the DMX color control channel value

DATA

BEAM

ZOOM

FRST

CNTL

C001 -

C512 view the DMX beam shaping (lenticular wheel) position value view the DMX zoom lens position value view the DMX frost position value view the DMX control channel value view the DMX data for the selected DMX channel

PCB

HEAD view the current temperature at the logic board (C) view the current internal head temperature (C) reset fixture hours to zero (press and hold the <Enter>

button for five seconds to change the value)

view current number of fixture hours reset lamp hours to zero (press and hold the <Enter> button

for five seconds to change the value)

view the current number of lamp strikes view the current number of lamp hours view the fixture’s software version

D-10 Menu Map

Studio Beam

®

User Manual

A

Accessories

1-4

ADDR

2-10

,

4-2

Address menu (ADDR)

4-2

ALED

4-11

ALL

4-15

Alphanumeric display

2-10

,

4-1

,

6-1

Aspheric (zoom) lens

5-9

Attachment plug

2-1

Audio Gain setting (GAIN)

4-11

Audio Modulation

1-1

enabling (ALED)

4-11

with Beam Shaping

3-7

with Color

3-6

with Dimming

3-12

with Frost

3-8

B

Beam angle

4-29

Beam Shaping (BEAM)

4-29

Beam Shaping Construct in Flat Protocol

A-11

in Standard Protocol

A-5

Beam Shaping construct

3-7

Boost Lamp function

3-11

BOOT

4-17

Boot Code, copying (BOOT)

4-17

Boot copy

D-8

C

C001 - C512

2-10

Cable, data connectors

2-6

constructing

2-5

CAPT

4-4

Capturing scenes

3-3

Channel range

2-10

,

3-2

Channel range overlapping

2-10

Clamp

2-4

Cleaning glass components

5-12

Clock, master

4-31

Studio Beam

®

User Manual

Color Function

Construct

3-4

Color Function Construct in Flat Protocol

A-11

Color Wheel Control (COLC)

4-28

Construct

3-2

Control

Construct

3-13

Control Construct in Flat Protocol

A-12

in Standard Protocol

A-8

COPY

4-4

Crossfade (XFAD)

4-30

Crossload

4-15

Cyan Construct

3-5

in Flat Protocol

A-11

in Standard Protocol

A-1

Cyan Wheel (CYAN)

4-28

D

D/IN

4-9

Data Cables connectors

2-6

constructing

2-5

Data In

2-7

,

2-8

Data Out

2-7

Default

Enabling the Preset (DFLT)

4-5

Setting Factory (FACT)

4-6

Delay (DLAY)

4-30

DFLT

4-5

Dim (DIM)

4-27

Dim Construct

3-12

Display

2-10

,

4-1

,

6-1

Display, locking

4-2

DMX channel range

2-10

DMX Controller programming with

3-3

recommended from High End Systems

3-3

DMX link

2-10

DMX start channel

6-1

changing

4-2

determining

2-11

index-1

E

EDIT

4-3

Encoder operation, changing (ENCD)

4-19

Erasing a scene (ZERO)

4-30

Error messages

6-1

Example synchronized playback

4-32

F

FACT

4-6

FAST

4-10

Features

1-2

Fixture master

4-32

operating

3-1

slave

4-31

Fixture options

D-1

Frost Construct

3-8

in Flat Protocol

A-12

in Standard Protocol

A-6

Frost flag (FRST)

4-29

Fuses, replacing

5-1

G

GAIN

4-11

Glass components, cleaning

5-12

H

HandShake controlling Studio Beam® fixtures

3-3

uploading software

2-9

HOME

4-17

Homing the fixture automatically

2-2

manually (HOME)

4-17

I

Increasing the Pan/Tilt Movement (FAST)

4-10

L

LAMP

4-17

index-2

Lamp optimizing

5-11

replacing

5-5

turning on or off (LAMP)

4-17

Lamp assisted strobes

3-10

Lamp Control Construct

3-11

in Flat Protocol

A-10

Lamp warning message, setting (LMPL)

4-9

LED Characters inverting (D/IN)

4-9

LED display

2-10

,

4-1

changing the output (DSPL)

4-8

locking

4-2

Lens, replacing

5-9

Lightning effects

3-11

Linking the fixtures

2-5

LMPL

4-9

Loop creating

4-31

playing back

4-31

M

Macro (MACR)

4-29

Macro Construct

3-12

,

A-8

Magenta Construct

3-5

in Flat Protocol

A-11

in Standard Protocol

A-3

Magenta Wheel (MAGN)

4-28

Maintenance

5-1

Master clock

4-31

Master fixture

4-32

,

6-8

Menu navigation buttons see also Navigation buttons

-vi

Menu System remote access

3-1

Menu system

4-1

,

D-1

MODE

4-13

Mode menu (MODE)

4-13

Motor Speed (MSpeed) Construct

3-12

Mounting the fixture

2-3

on a truss

2-4

upright

2-3

MSpeed

3-2

color function

A-1

with Pan and Tilt parameters

3-4

MSpeed (MSPD)

4-29

Studio Beam

®

User Manual

MSpeed Construct in Standard Protocol

A-8

MSpeed Conversion Table

B-1

N

Navigation buttons

-vi

,

2-10

,

4-1

,

6-1

O

Operating the fixture

3-1

Optimizing the lamp

5-11

Optional accessories

1-4

P

P/IN

4-8

Pan

Coarse parameter

3-4

Fine parameter

3-4

inverting (P/IN)

4-8

swapping pan and tilt (SWAP)

4-7

Pan (PAN)

4-27

Pan Construct in Flat Protocol

A-10

in Standard Protocol

A-1

Parameters

3-2

PLAY

4-3

Powering on the fixture

2-2

Preset Menu (PRST)

4-3

Preset playback

4-31

indicator

4-31

synchronizing

4-31

Preset Playback, setting (PLAY)

4-3

Programming stand-alone mode

4-1

Programming Studio Beam® with a DMX controller

3-3

PROT

4-16

Protocol selecting (PROT)

4-16

types

4-16

PRST

4-3

,

4-14

R

Remote access to menu system

Studio Beam

®

User Manual

Talkback

3-1

Replacing parts

5-1

Replacing the lens

5-9

S

safety symbols

-vi

Safety cable

2-4

Scene

Capturing a Preset (CAPT)

4-4

choosing

4-27

copying in menu (COPY)

4-4

creation and editing in onboard menus

(EDIT)

4-3

Self Tests performing (SELF)

4-18

self-demo

D-7

Sequence

4-31

SET

4-6

Set menu (SET)

4-6

SETT

4-14

Seven-segment display locking

4-2

Shutter (SHUT)

4-27

Shutter Construct

3-10

in Flat Protocol

A-10

Shutter, closing with data loss (DLOS)

4-10

Slave fixture

4-31

,

6-8

Software crossloading

2-9

crossloading (XLD)

4-15

uploading to the fixture

2-9

version on display

4-31

Specifications cable and connector

1-6

electrical

1-6

environmental

1-5

lamp

1-6

physical

1-5

Start channel

2-11

Status LEDs

6-1

problem indicators

6-8

SWAP

4-7

Synchronized preset playback

3-3

Synchronizing preset playback

4-31

index-3

T

T/IN

4-7

TalkBack

3-1

unique number

3-1

Terminator, constructing

2-8

TEST

4-17

Test menu (TEST)

4-17

Tilt

Coarse parameter

3-4

Fine parameter

3-4

inverting (T/IN)

4-7

swapping pan and tilt (SWAP)

4-7

Tilt (TILT)

4-28

Tilt Construct in Flat Protocol

A-10

in Standard Protocol

A-1

Time (TIME)

4-30

Troubleshooting

6-1

Alphanumeric display

6-1

Truss

2-4

U

Unique number

TalkBack

3-1

Upload Dongle

2-9

USER

4-13

User Presets copying (PRST)

4-14

User presets copying presets and settings (ALL)

4-15

User Settings copying (SETT)

4-14

User settings copying user presets and settings (ALL)

4-15

User type setting (USER)

4-13

V

Voltage, fixture

1-3

W

Whole Hog II controlling Studio Beam® fixtures

3-3

X

XLD

4-15

Y

Yellow Construct

3-5

in Flat Protocol

A-11

in Standard Protocol

A-4

Yellow Wheel (YELW)

4-28

Z

ZOOM

4-12

Zoom setting (ZOOM)

4-12

Zoom (ZOOM)

4-29

Zoom Construct

3-8

in Flat Protocol

A-11

in Standard Protocol

A-5

index-4

Studio Beam

®

User Manual

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