Roland M-400 48-Channel Live Digital Mixing Console manual

M-400_v2_e.book 1 ページ２００９年３月３日　火曜日　午後７時５２分
Version 2.0 Owner’s Manual Addendum
This document describes the features that have been added in this update.
In order to fully understand the M-400’s new features, please read this document together with the Owner’s Manual for the M-400.
Copyright © 2009 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.
M-400_v2_e.book 2 ページ２００９年３月３日　火曜日　午後７時５２分
Table of contents
Functionality added in version 2.00 ...................................................................................................................................4
LCR SYSTEM ..........................................................................................................................................................................6
Table of contents
About the LCR (Left/Center/Right) SYSTEM ....................................................................................................................................... 6
LCR SYSTEM settings.................................................................................................................................................................................................................... 7
LCR SYSTEM settings and scene memories......................................................................................................................................................................... 7
Making the LCR SYSTEM setting ......................................................................................................................................................... 7
Turning the LCR SYSTEM on...................................................................................................................................................................................................... 8
Changing the AUX used as MAIN C....................................................................................................................................................................................... 8
Turning the LCR SYSTEM off .................................................................................................................................................................................................... 9
Operating MAIN C .............................................................................................................................................................................. 10
MAIN C fader operations ..........................................................................................................................................................................................................10
Operations in the MAIN C CHANNEL DISPLAY screen...................................................................................................................................................10
Sending signals from CH and AUX to MAIN L/R and MAIN C .......................................................................................................... 10
Other changes .................................................................................................................................................................................... 11
Added effect types .............................................................................................................................................................13
SRV-2000 (DIGITAL REVERB SRV-2000)................................................................................................................................................................................13
SDE-3000 x2 (DIGITAL DELAY SDE-3000) ...........................................................................................................................................................................15
RE-201 (SPACE ECHO RE-201).................................................................................................................................................................................................16
SBF-325 (STEREO FLANGER SBF-325)...................................................................................................................................................................................17
SPH-323 x2 (PHASE SHIFTER SPH-323)................................................................................................................................................................................18
SDD-320 (DIMENSION D SDD-320).......................................................................................................................................................................................19
New functionality for the 31-band GEQ ...........................................................................................................................20
About the 31-band GEQ’s new functionality ................................................................................................................................... 20
GEQ EDIT popup ................................................................................................................................................................................. 20
8-band parametric EQ ...............................................................................................................................................................................................................21
Using the 8-band parametric EQ...........................................................................................................................................................................................22
Using the analyzer ......................................................................................................................................................................................................................22
New functionality in the METER screen............................................................................................................................23
About the METER screen’s new functionality .................................................................................................................................. 23
Analyzer tab ..................................................................................................................................................................................................................................23
Using the analyzer .....................................................................................................................................................................................................................23
NAME LIST tab..............................................................................................................................................................................................................................24
Changes to the function buttons in the METER screen ................................................................................................................................................24
New functionality for scene memories.............................................................................................................................25
About the new scene memory functionality .................................................................................................................................... 25
SCENE screen................................................................................................................................................................................................................................25
RECALL PARAMETER EDIT popup .........................................................................................................................................................................................25
Accessing the RECALL PARAMETER EDIT popup.............................................................................................................................................................26
Using the recall filter..................................................................................................................................................................................................................26
Synchronizing scene memories with M-48 memories .................................................................................................................... 27
Synchronizing M-48 store operations .................................................................................................................................................................................27
Synchronizing M-48 recall operations.................................................................................................................................................................................28
Management of the M-48 live personal mixer.................................................................................................................29
What is the M-48 live personal mixer? ............................................................................................................................................. 29
40-channel mixer ........................................................................................................................................................................................................................29
Settings and operations for the 40-channel mixer.........................................................................................................................................................29
Two sets of outputs....................................................................................................................................................................................................................30
Memory functionality................................................................................................................................................................................................................30
Connecting M-48 units to the M-400 ................................................................................................................................................ 31
Editing and managing M-48 units .................................................................................................................................................... 32
Where the settings are stored ........................................................................................................................................................... 32
Specifying the outputs from the M-400 to the M-48 unit ............................................................................................................... 33
Viewing the connected M-48 units ................................................................................................................................................... 34
M-48 MANAGER popup ............................................................................................................................................................................................................34
Accessing the M-48 MANAGER popup ...............................................................................................................................................................................34
Editing the M-48’s unit name ................................................................................................................................................................................................35
Changing the order of a unit in the M-48 list....................................................................................................................................................................35
Muting the output of an M-48 unit ......................................................................................................................................................................................36
Disabling memory operations from the M-400 (MEMORY SAFE function)............................................................................................................36
2
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Table of contents
Making settings for an M-48 unit ...................................................................................................................................................... 36
M-48 SETUP popup ...................................................................................................................................................................................................................36
Accessing the M-48 SETUP popup........................................................................................................................................................................................37
Table of contents
Making preference settings for an M-48 unit .................................................................................................................................. 38
Returning the preference settings to the default state ................................................................................................................................................39
Assigning group names for an M-48 unit ......................................................................................................................................... 39
Setting the level, pan, and AUX switch for each source (Source Level/Pan setting) .................................................................... 40
M-48 SOURCE LEV/PAN popup..............................................................................................................................................................................................40
Accessing the M-48 SOURCE LEV/PAN popup .................................................................................................................................................................41
Editing the source level/pan settings..................................................................................................................................................................................41
Resetting the source level/pan settings .............................................................................................................................................................................42
Copying the M-400’s mix levels to the source levels .....................................................................................................................................................42
Assigning sources to groups (Source Assign settings) ................................................................................................................... 43
M-48 SOURCE ASSIGN popup.................................................................................................................................................................................................43
Accessing the M-48 SOURCE ASSIGN popup....................................................................................................................................................................44
Setting the source assignments ............................................................................................................................................................................................44
Clearing the source assignments ..........................................................................................................................................................................................44
Source assignment setting examples..................................................................................................................................................................................45
Checking and adjusting the musician’s mix (Group Mix) ............................................................................................................... 48
M-48 GROUP MIX popup..........................................................................................................................................................................................................48
Accessing the M-48 GROUP MIX popup.............................................................................................................................................................................49
Checking and adjusting the group mix ..............................................................................................................................................................................49
Resetting the group mix to the default settings .............................................................................................................................................................49
Copying M-48 settings ....................................................................................................................................................................... 50
M-48 COPY popup ......................................................................................................................................................................................................................50
Copying M-48 settings..............................................................................................................................................................................................................50
M-48 memory operations .................................................................................................................................................................. 51
M-48 MEMORY popup...............................................................................................................................................................................................................51
Accessing the M-48 MEMORY popup..................................................................................................................................................................................51
Storing the M-48’s current memory.....................................................................................................................................................................................52
Recalling a memory to the M-48 ...........................................................................................................................................................................................52
Clearing the contents of an M-48 memory........................................................................................................................................................................53
Using the M-48 library ....................................................................................................................................................................... 53
M-48 LIBRARY popup ...............................................................................................................................................................................................................53
Accessing the M-48 LIBRARY popup....................................................................................................................................................................................54
Storing to the M-48 library ......................................................................................................................................................................................................54
Recalling settings from the M-48 library ............................................................................................................................................................................55
Clearing an M-48 library item .................................................................................................................................................................................................55
Saving/loading USB memory ............................................................................................................................................................ 56
M-48 LOAD/SAVE popup .........................................................................................................................................................................................................56
Accessing the M-48 LOAD/SAVE popup.............................................................................................................................................................................56
Saving an M-48 project to USB memory.............................................................................................................................................................................56
Loading an M-48 project from USB memory ....................................................................................................................................................................57
Deleting a project file or folder.............................................................................................................................................................................................58
Other new functionality.....................................................................................................................................................59
New functionality in the MONITOR screen ....................................................................................................................................... 59
ALL CH SEND POINTS popup ............................................................................................................................................................. 59
Setting all AUX send points in a single operation...........................................................................................................................................................59
New functionality in the CHANNEL DISPLAY screen (CH1–CH48) .................................................................................................. 60
New functionality in the DCA GROUP screen ................................................................................................................................... 60
New functionality in the INITIALIZE popup (SYSTEM screen) ........................................................................................................ 60
New functionality in the LOAD/SAVE popup (SYSTEM screen) ...................................................................................................... 61
Newly added popup for confirming or editing the name when storing or saving ....................................................................... 61
SCENE STORE popup .................................................................................................................................................................................................................61
LIBRARY STORE popup..............................................................................................................................................................................................................61
CREATE NEW USER popup .......................................................................................................................................................................................................61
SAVE CURRENT USER popup...................................................................................................................................................................................................62
PROJECT SAVE popup ...............................................................................................................................................................................................................62
MAKE FOLDER popup................................................................................................................................................................................................................62
Support for direct connection of Master REAC to Split REAC ......................................................................................................... 62
3
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Functionality added in version 2.00
● LCR SYSTEM has been added (☞ p. 6)
Any desired AUX channel can be used as the MAIN C channel.
Functionality added in version 2.00
● Modeling of the following Roland vintage effects has been added to the effect types (☞ p. 13)
• DIGITAL REVERB SRV-2000
(☞ p. 13)
• DIGITAL DELAY SDE-3000
(☞ p. 15)
• SPACE ECHO RE-201
(☞ p. 16)
• STEREO FLANGER SBF-325
(☞ p. 17)
• PHASE SHIFTER SPH-323
(☞ p. 18)
• DIMENSION D SDD-320
(☞ p. 19)
● New functionality has been added to GEQ1–GEQ4 and Dual GEQ (FX1–FX4) (☞ p. 20)
• 31-band realtime analyzer function
• Switchable to 8-band parametric EQ
● New functionality in the METER screen (☞ p. 23)
• 31-band realtime analyzer functionality (Analyzer tab)
• Channel name list (NAME LIST tab)
● New functionality for scene memories (☞ p. 25)
• Improved user interface in the SCENE screen
• Ability to synchronize with the memory in multiple M-48 Live Personal Mixers
● Management functionality for the M-48 Live Personal Mixer has been added (☞ p. 29)
● Other new functionality
4
●
AUX can now be automatically monitored when using SENDS ON FADER (☞ p. 59)
●
Newly added ALL CH SEND POINTS popup allows setting of send points to AUX in a single operation ( ☞ p. 59)
●
The GAIN knob of the CH EDIT section can now control the channel attenuator (☞ p. 60)
●
In the DCA GROUP screen, the top panel faders can now be used to control the DCA faders (☞ p. 60)
●
User preferences can now be initialized when initializing the mixer settings (☞ p. 60)
●
User preferences and M-48 library added to the project file (☞ p. 61)
●
When storing or saving, a popup now allows you to view or edit the name (☞ p. 61)
●
The REAC A and B ports now also support connection of only a split REAC device (☞ p. 62)
●
Library recall can now be executed with [ENTER]
●
When recalling or storing a scene, the operation can now be executed from the confirmation message by pressing [RECALL] or [STORE]
●
In the CHANNEL DISPLAY screen, the PREAMP gain indication is now shown as SENS dBu
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Functionality added in version 2.00
●
Improvements in the user fader
• User faders now allow a setting of NONE (no assignment)
●
Improvements in the user button
• In FUNCTION: MONITOR, you can now access an M-48 MANAGER popup and an M-48 SETUP popup
Functionality added in version 2.00
• PARAM1:PAD SW has been added in FUNCTION: CH EDIT
• Operation of the FUNCTION: CH EDIT user buttons has been changed
FUNCTION
PARAM1
PARAM2
M-48
MANAGER
–
MONITOR
M-48 SETUP
1–24
Button
Explanation
Accesses the M-48 MANAGER popup.
Lit while the specified
screen S is displayed Accesses the M-48 SETUP popup.
(PARAM2 specifies the number in the M-48 list.)
+48V SW
PHASE SW
PAD SW
CH EDIT
While the button is held, [SEL] operates as an ON/OFF switch.
–
GATE SW
Lit while held
COMP SW
Hold down the button and press [SEL] to set the fader of the
corresponding channel to 0.0 dB.
SET UNITY
●
Now you can use [SEL] to specify a channel in the following popups
Popup
[SEL] operation
Remark
FX INSERT/SOURCE SELECT
Selects the FX insert destination or input source
Press [SEL] to select a channel; press again to select NONE *1
FX DESTINATION SELECT
Selects the FX output destination
Press [SEL] to select a channel; press again to select NONE
GEQ INSERT SELECT
Selects GEQ insert destination
Press [SEL] to select a channel; press again to select NONE
EXT FX INSERT SELECT
Selects the EXT FX insert destination
Press [SEL] to select a channel; press again to select NONE
RECORDER SOURCE SELECT Selects the USB memory recorder’s input source Press [SEL] to select a channel
RECORDER DESTINATION
SELECT
Selects the USB memory recorder’s output
destination
Press [SEL] to select a channel; press again to select NONE
KEY-IN SELECT
Selects the key-in signal
Press [SEL] to select a channel; press again to select SELF
USER PREFERENCE
USER PREFERENCE
(USER FADER tab)
Assigns a channel to the user fader at the cursor
location
Press [SEL] to select a channel; press again to select NONE *2
USER FADER ASSIGN
Assigns a channel to the user fader
Press [SEL] to select a channel; press again to select NONE *2
*1 For AUX1–AUX16, the [SEL] buttons will consecutively select INSERT, AUX OUT, or NONE for each successive press.
*2 Not valid for the user fader layer.
5
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LCR SYSTEM
About the LCR (Left/Center/Right) SYSTEM
By using one of the AUX channels as the MAIN C (Center) channel, this new function lets you use three main outputs: MAIN L/R and MAIN C. For each of the
send channels, you can choose to either individually turn on/off the sends to MAIN L/R and MAIN C, or to pan across the three outputs MAIN L, MAIN C, and
MAIN R.
LCR SYSTEM
On the M-400 this function is called the LCR SYSTEM.
fig.LCR_CH_Dgm.eps
MAIN
INPUT
PATCHBAY
AUX
SOLO
LR
1 2 (C) 16 L R
LR
1 2 (C) 16 L R
CH 1–48
PREAMP
POST ATT
GATE IN GATE OUT COMP OUT
GR
PRE EQ
PRE FADER
C SW
EXT FX
FX
INSERT INSERT
PHASE
ATT
FILTER
GATE/
EXP
TO
GATE
KEY-IN
POST FADER
GR
MUTE
FADER
4BAND
EQ
COMP
LR SW
PAN
CENTER
TO
COMP
KEY-IN
GATE
KEY-IN
COMP
KEY-IN
PAN
(LCR)
LCR
MAIN SW
AUX SEND 1–16
Up to 24 GATE / EXP units are available.
Up to 24 COMP units are available.
PRE EQ
PRE FADER
POST FADER
SEND
PRE EQ
PRE FADER
POST FADER
SEND
PFL(L)
AFL(L)
PFL(R)
AFL(R)
TO AUX
1, 3...15
PAN
SW
TO AUX
2, 4...16
AFL SW
PRE EQ
PRE FADER
POST FADER
AUX
LINK
SW
SOLO
DIRECT OUT
POINT
TO MAIRIX 1–8,
TO OUTPUT PATCHBAY
MAIN
AUX
fig.LCR_Out_Dgm.eps
MAIN
LR
AUX
SOLO
OUTPUT
PATCHBAY
1 2 (C) 16 L R
MAIN L, R, C
POST ATT
PRE EQ
PRE FADER
EXT FX
FX
INSERT INSERT
FADER BAL
POST FADER
MUTE
4BAND
EQ
ATT
OUTPUT LEVEL
GEQ
INSERT
MAIN
OUT L
LIMITER
AUX SEND 1–16
PRE EQ
PRE FADER
POST FADER
SW
PRE EQ
PRE FADER
POST FADER
SW
AUX
LINK
SEND
TO AUX 1, 3...7
PAN
MAIN
OUT R
SEND
TO AUX 2, 4...8
MAIN
OUT C
MATRIX SEND 1–8
PRE EQ
PRE FADER
POST FADER
MTK
LINK
SW SEND
TO MTX 1, 3...7
PAN
SW SEND
TO MTX 2, 4...8
SOLO
TO SOLO
TO MONITOR SELECT
TO REC SELECT
AUX 1–16 (One of the AUX is used as MAIN C)
POST ATT
PRE EQ
PRE FADER
EXT FX
FX
INSERT INSERT
ATT
FADER BAL
4BAND
EQ
POST FADER
MUTE
OUTPUT LEVEL
GEQ
INSERT
AUX 1–16
OUT
LIMITER
MAIN SEND
C SW
PRE EQ
PRE FADER
POST FADER
LR SW
SEND PAN
LCR
TO MAIN L
MAIN SW
TO MAIN C
TO MAIN R
PAN
(LCR)
CENTER
MATRIX SEND 1–8
PRE EQ
PRE FADER
POST FADER
MTK
LINK
SW SEND
PAN
TO MTX 2, 4...8
SW SEND
TO MTX 2, 4...8
SOLO
TO SOLO L
TO SOLO R
TO MONITOR SELECT
TO REC SELECT
TO FX SOURCE SELECT
LR
MAIN
6
1 2 (C) 16 L R
AUX
SOLO
SOLO
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LCR SYSTEM
LCR SYSTEM settings
The LCR SYSTEM provides the following settings.
• LCR SYSTEM on/off
Making the LCR SYSTEM setting
The LCR SYSTEM setting is made in the SYSTEM screen.
fig.ScrSystem_LCR_Guide.eps
• Selection of the AUX that will be used as MAIN C by the LCR
SYSTEM
LCR SYSTEM
These settings are collectively called the LCR SYSTEM settings.
If you turn LCR SYSTEM off, the system will function as a conventional
system with two main outputs, MAIN L/R.
LCR SYSTEM settings and scene
memories
1
2
1
LCR SYSTEM button
LCR SYSTEM settings are stored in the M-400’s system parameter area.
Recalling a scene memory will not change the LCR SYSTEM settings.
This button turns the LCR SYSTEM on/off. A check mark is shown
when the setting is on.
When storing a scene
The LCR SETUP popup will appear when you switch LCR SYSTEM
from off to on.
Some parameters will be ignored depending on whether LCR SYSTEM is
on or off.
2
LCR SYSTEM
Parameters that are ignored
OFF
All parameters for MAIN C
Sends to MAIN C
ON
All parameters of the AUX being used as MAIN C
Sends to the AUX being used as MAIN C
These parameters are initialized when you switch LCR SYSTEM on/off or
when you change the AUX that is being used as MAIN C. These unused
parameters are stored in the scene memory together with the other
parameters.
LCR SETUP popup button
This indicates the AUX that is used by the LCR SYSTEM as MAIN C.
Move the cursor here and press [ENTER] to access the LCR SETUP
popup.
The LCR SYSTEM on/off status is also shown by the number of meters
representing MAIN levels.
fig.MainMeters_LCR.eps
LCR SYSTEM OFF
LCR SYSTEM ON
When recalling a scene
If the LCR SYSTEM setting differs between when storing and when
recalling, the mixing state at the time of storing will not be reproduced
completely.
For this reason, a confirmation message like the following will appear
when you recall a scene memory whose LCR SYSTEM setting differs.
fig.ScrLCRRecallConf.eps
Press [F8 (RECALL)] to execute the recall.
Pressing [F7 (CANCEL)] will cancel the recall operation.
7
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LCR SYSTEM
Turning the LCR SYSTEM on
1.
5.
Press [F8 (CHANGE)].
The AUX you selected in step 3 will be changed to MAIN C, and the
LCR SYSTEM will turn on.
Make sure that the MAIN level indication shows two
MAIN meters, L and R.
LCR SYSTEM
If you press [F7 (CANCEL)], the operation will be cancelled and you
will return to the LCR SETUP popup.
If the MAIN level indication shows three meters L, C, and R, then the
LCR SYSTEM is already turned on. The following steps will not be
necessary.
2.
This operation will initialize the following parameters.
• All parameters of the AUX you selected in step 3
In the SETUP section, press [SYSTEM] to access the
SYSTEM screen.
• Sends from CH1–48 and MAIN L/R to the AUX you selected
in step 3 (send point, send level, send switch)
fig.ScrSystem_LCR_Off.eps
Changing the AUX used as MAIN C
1.
3.
If the MAIN level indication shows only the two meters L and R, then
the LCR SYSTEM is turned off. Turn the LCR SYSTEM on as described
in “Turning the LCR SYSTEM on” (p. 8)
Move the cursor to the LCR SYSTEM button and press
[ENTER].
fig.ScrLCRSetup_Guide.eps
Make sure that the MAIN level indication shows three
MAIN meters, L, C, and R.
2.
In the SETUP section, press [SYSTEM] to access the
SYSTEM screen.
fig.ScrSystem_LCR_On.eps
1
The LCR SETUP popup will appear.
1
AUX select buttons
This button selects the AUX that the LCR SYSTEM will use as MAIN C.
4.
Use the AUX select buttons to select the AUX that you
want to use as MAIN C, and press [F8 (OK)].
fig.ScrLCRSysConf.eps
3.
Move the cursor to the LCR SETUP popup button and
press [ENTER].
fig.ScrLCRSetup.eps
A confirmation message will ask you to confirm the operation.
In this example, AUX14 has been selected.
The LCR SETUP popup will appear.
You can press [F7 (CANCEL)] to cancel the operation and close the
popup.
8
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LCR SYSTEM
4.
Use the AUX select buttons to select the AUX that you
want to use as MAIN C, and press [F8 (OK)].
Turning the LCR SYSTEM off
fig.ScrLCRSysConf2.eps
1.
Make sure that the MAIN level indication shows the three
meters L, C, and R.
A confirmation message will ask you to confirm the operation.
2.
In this example, AUX13 has been selected.
In the SETUP section, press [SYSTEM] to access the
SYSTEM screen.
fig.ScrSystem_LCR_On.eps
You can press [F7 (CANCEL)] to cancel the operation and close the
popup.
5.
Press [F8 (CHANGE)].
The AUX used as MAIN C will be changed to the AUX you selected in
step 3.
If you press [F7 (CANCEL)], the operation will be cancelled and you
will return to the LCR SETUP popup.
This operation will initialize the following parameters.
3.
• All parameters of the AUX you selected in step 3
Move the cursor to the LCR SYSTEM button, and press
[ENTER].
fig.ScrLCRSysConf3.eps
• Sends from CH1–48 and MAIN L/R to the AUX you selected
in step 3 (send point, send level, send switch)
A confirmation message will ask you to confirm the operation.
4.
Press [F8 (TURN OFF)] to turn the LCR SYSTEM off.
If you press [F7 (CANCEL)], the operation will be cancelled.
This operation will initialize the following parameters.
• All parameters of the MAIN C
• LCR button, C button, and Centr for CH1–48 and AUX1–16
9
LCR SYSTEM
If the MAIN level indication shows only the two meters L and R, then
LCR SYSTEM is already turned off. The following steps are not
necessary.
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LCR SYSTEM
Operating MAIN C
LCR SYSTEM
MAIN C fader operations
To operate the MAIN C fader, you need to use the fader module of the AUX
you specified in step 3 of “Turning the LCR SYSTEM on” (p. 8). We refer to
this as the MAIN C fader module.
Sending signals from CH and AUX
to MAIN L/R and MAIN C
You’ll use the CHANNEL DISPLAY screen to send signals from CH1–48 and
AUX1–16 to MAIN L/R and MAIN C.
fig.ScrChDispGuide.eps
CH1–CH48
1
You can operate [SEL], [SOLO], [MUTE] and the fader of this module.
2
Operation of the MAIN C fader is independent of the MAIN fader, unless
you link them as described below.
Operations in the MAIN C CHANNEL
DISPLAY screen
3
When you press the MAIN C [SEL] button, the MAIN C’s CHANNEL DISPLAY
screen will appear.
4
fig.ScrMainc.eps
3
AUX1–AUX16
4
1
2
MAIN C has parameters that are equivalent to MAIN L/R.
If you turn [F1 (LINK to MAIN L/R)] on, you’ll be able to use the MAIN fader
to control MAIN C while maintaining the fader balance between MAIN L/R
and MAIN C.
Even if [F1 (LINK to MAIN L/R)] is on, you can adjust the MAIN L/R
fader by itself (i.e., without affecting MAIN C) by touching the MAIN
C fader while you move the MAIN fader.
1
LCR button
This button specifies how signals are sent from the channel to MAIN
L/R and MAIN C.
LCR button
Since this function utilizes fader touch sensitivity, the SYSTEM
screen’s fader touch sensitivity setting must be set appropriately for
this to work.
*
10
Explanation
OFF
The signals sent to MAIN L/R and MAIN C can be
individually turned on/off by using the LR button
and C button.
ON
PAN will operate across the three outputs MAIN L,
MAIN C, and MAIN R. The convergence of the sound
to MAIN C can be adjusted by Centr. The signals
sent to MAIN L/R and MAIN C can be collectively
turned on/off by the MAIN button. *
The MAIN button appears at the position of LR button and C
button when the LCR button is turned on.
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LCR SYSTEM
2
Centr (center)
This specifies the proportion of the signal that is sent to MAIN C when
PAN is at C (center) as a value in the range of 0%–100%.
● Added choices related to LCR SYSTEM
(when the LCR SYSTEM is on)
Centr Explanation
0%
Other changes
• MAIN C
No signal will be sent to MAIN C.
fig.SELMainC.eps
“MAIN C” is shown as a choice of channel in the following screens and
popups.
fig.Pan_LCR.eps
R
HT
LEVEL
LEVEL
C
PAN
C E NT E
E FT
L
o
to L
R
R
to
C
TE
C
PAN
G
RI
EN
L
o
L
to R
IG
T
Center 100%
HT
t
EF
t
to L
R
to
Center 50%
HT
R IG
LEVEL
Center 0%
to L E
FT
C
R
PAN
Screen/Popup
Location added
AUX/MAIN COPY
Copy-destination channel select button
FX INSERT/SOURCE
SELECT
Insert-destination channel select button
GEQ INSERT SELECT
Insert-destination channel select button
EXT FX INSERT SELECT Insert-destination channel select button
DCA GROUP ASSIGN
3
This is valid only when the LCR button is on.
MUTE GROUP ASSIGN Channel select button
LR button
TALKBACK/
OSCILLATOR
Talkback output-destination select button
Oscillator output-destination select button
MONITOR
Monitor source select button
RECORDER SOURCE
SELECT
Input-source channel select button
GLOBAL SCOPE
Channel recall scope select button
USER LEVEL
Channel operation scope select button
USER FADER ASSIGN
Assign channel select button
This turns on/off the signal that is sent from the channel to MAIN L/R.
The left/right panning is specified by PAN.
This is shown only if the LCR button is off.
4
Channel select button
C button
This turns on/off the signal that is sent from the channel to MAIN C.
This signal is not affected by PAN.
This is shown only if the LCR button is off.
• LCR
fig.SELLCR.eps
“LCR” is shown as a choice of parameter in the following popups. The
two parameters LCR button and Centr are shown.
Screen/Popup
Location added
CH COPY
Copy parameter select button
CH LIBRARY
Recall parameter select button
GLOBAL SCOPE
Parameter recall scope button
USER LEVEL
Parameter operation scope button
• MAIN L/C/R
fig.SELMainLCR.eps
“MAIN L/C/R” is shown for the MONITOR screen’s monitor source
select button. This indicates the stereo mix of MAIN L/R and MAIN C.
• MAIN L+C, MAIN R+C
fig.SELMainL_C_R_C.eps
“MAIN L+C” and “MAIN R+C” are shown for the input-source channel
select button of the RECORDER SOURCE SELECT popup. These
respectively indicate a mono mix of MAIN L and MAIN C, and a mono
mix of MAIN R and MAIN C.
11
LCR SYSTEM
100% When PAN is set to C, the signal will be sent only to MAIN C.
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LCR SYSTEM
● How invalid choices are displayed
LCR SYSTEM
fig.InvalidSel.eps
Choices (channels or parameters) that would be invalid because of
the LCR SYSTEM setting are shown with a blank name of “---.”
● AUX SEND indication
fig.invalidSend.eps
Sends to the AUX used by the LCR SYSTEM as MAIN C are indicated as
“MAIN C,” and cannot be operated.
● FROM AUX send indication in MATRIX
fig.FromMainC.eps
The send from the AUX used by the LCR SYSTEM as MAIN C to the
MATRIX is indicated as “C.” This can be used as a send from MAIN C to
a MATRIX.
● Output patchbay
LCR SYSTEM OFF
LCR SYSTEM ON
fig.PB_Guide.eps
The channel that is “MAIN MONO” when LCR SYSTEM is off will
change to “MAIN C” when LCR SYSTEM is on.
12
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Added effect types
SRV-2000 (DIGITAL REVERB SRV-2000)
fig.ScrSRV2000.eps
Added effect types
This is a mono-in, stereo-out reverb that models the Roland SRV-2000 MIDI digital reverb. It provides two modes: REVERB mode in which it operates
as a conventional reverb, and NON LNR (non-linear) mode in which the reverb sound is cut off according to the gate time setting.
Parameter (name)
Setting
Explanation
MODE
REVERB, NON LNR
Switches between REVERB mode and NON LNR mode
PRE DELAY
0–160 ms (REVERB mode)
0–120 ms (NON LNR mode)
Time until the reverb sound is output
REV TIME
(Reverb Time)
0.1–99 s (REVERB mode) *1
-.9–99 s (NON LNR mode) *2
HF DAMP
(Hi Frequency Damp)
0.05–1.00
Proportion by which the high-frequency range is attenuated
(only in REVERB mode)
GATE TIME
10–450 ms
Time from when the reverb sound begins until the sound is cut
off (only in NON LNR mode)
P-A, P-B
Two types of PLATE reverb,
A or B
H37, H32, H26, H22, H15
HALL reverb
Number indicates the room size (in
meters)
R37, R32, R26, R22, R15, R7.0, R1.0, R0.3
ROOM reverb
umber indicates the room size (in
meters)
OUTPUT
0–99
Output level of reverb sound
HI Q
0.2–9.0
Steepness of the HI EQ frequency response curve
HI FREQUENCY
0.80–9.99 kHz
Center frequency for the HI EQ
HI BOOST/CUT
-24– +12 dB
Amount of boost/cut for the HI EQ
MID Q
0.2–9.0
Steepness of the MID EQ frequency response curve
MID FREQUENCY
0.25–9.99 kHz
Center frequency of the MID EQ
MID BOOST/CUT
-24– +12 dB
Amount of boost/cut for the MID EQ
LOW FREQUENCY
0.04–1.00 kHz
Cutoff frequency for the LO EQ
LOW BOOST/CUT
-24– +12 dB
Amount of boost/cut for the LO EQ
REV DENSITY
(Reverb Density)
0–9
Density of the reverb sound
ATK GAIN
(Attack Gain)
0–9
Attack gain for the early reflections
ATK TIME
(Attack Time)
0–9
Attack time for the early reflections
DENSITY
0-9
Density of the early reflections
LEVEL
0–99
Level of the early reflections
MIX BALANCE
0–100
Balance between the direct sound and reverb sound
REVERB
REV SEL
(Reverb Select)
EQ
FURTHER
Length of the reverb sound
Type of reverb
(only in REVERB mode)
(only in REVERB mode)
13
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Added effect types
*1 The lower and upper limits of the value will differ depending on the REV SEL setting (in REVERB mode).
REV TIME
REV SEL
Added effect types
Lower limit
Upper limit
P-A
P-B
H37
R37
0.5
99
H32
R32
0.4
90
H26
R26
0.3
70
H22
R22
0.2
50
H15
R15
0.1
30
R7.0
0.1
6.0
R1.0
0.1
1.0
R0.3
0.1
0.5
*2 For negative (-) values, the reverberation will gradually become louder (negative values are shown as -.9, for example).
14
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Added effect types
SDE-3000 x2 (DIGITAL DELAY SDE-3000)
fig.ScrSDE3000.eps
Added effect types
This is a delay that models the Roland SDE-3000 digital delay. The original unit was mono-in, mono-out, but this modeling provides a dual-mono
configuration with two such units in parallel. The MOD LINK Sw allows you to use this as a stereo-in, stereo-out unit.
The SDE-3000 was released in 1983, and was used in numerous recording studios and PA systems around the world.
Parameter (name)
Setting
Explanation
FILTER Sw
(FILTER Switch)
OFF, ON
Changes the frequency response of the delay sound
OFF
TIME range 0–1500 ms
(when EXP A/B 1.00)
Frequency response
10 Hz–17 kHz (+0.5 dB/-3 dB)
ON
TIME range 0–3000 ms
(when EXP A/B 1.00)
Frequency response
10 Hz–8 kHz (+0.5 dB/-3 dB)
DELAY PHASE Sw
(Delay Phase Switch)
OFF, ON
Reverse/normal phase for the delay sound
(useful in conjunction with modulation)
FEEDBACK PHASE Sw
(Feedback Phase Switch)
OFF, ON
Reverse/normal phase for the delay sound feedback
TIME x2 Sw
(Time x 2 Switch)
DELAY
0–1500 ms,
(0–3000 ms) *1
TIME
MODULATION
When SYNC Sw is OFF
Time from original sound to when delay
sound is heard (the value in parentheses is
when the TIME x2 Sw is on)
OFF, 1/64T–1/1
When Sw is ON
FEEDBACK
0–99
Amount of delay sound returned to the delay’s input
OUT
0–99
Output level of the delay sound
MOD Sw
(Modulation Switch)
OFF, ON
Modulation on/off
RATE
0–99
Modulation oscillator frequency
DEPTH
0–99
Modulation depth
EFFECT Sw
(Effect Switch)
OFF, ON
Specifies whether to output the effect sound
DIRECT Sw
(Direct Switch)
OFF, ON
Specifies whether to output the direct sound
SYNC Sw
(Sync Switch)
OFF, ON
Specifies whether to synchronize with tempo (when this is on, the time is
specified as a note value)
MOD LINK Sw
OFF, ON
(Modulation Link Switch)
Specifies whether the modulation of the two SDE-3000 units will be linked
CH-B MOD
(CH-B Modulation)
NORM, INV
Specifies whether to invert the phase of the modulation for channel B (the
lower SDE-3000)
EXP A *2
(Expand A)
1.00–1.60
Expands the TIME of channel A by up to 1.60 times
EXP B *2
(Expand B)
1.00-1.60
Expands the TIME of channel B by up to 1.60 times
*1 The upper limit of the value will differ depending on the EXP A/B value. The following table shows the TIME range when EXP A/B is 1.00 and
when it is 1.60.
EXP A/B
TIME range
When the TIME x2 Sw is off When the TIME x2 Sw is on
1.00
0–1500 ms
0–3000 ms
1.60
0–2400 ms
0–4800 ms
*2 Just as in the original unit, the EXP A/B setting will change the sampling frequency of processing. For inputs other than an electric guitar or
electric bass, beating may be generated. If this occurs, lower the value to a point where beating does not occur.
15
M-400_v2_e.book 16 ページ２００９年３月３日　火曜日　午後７時５２分
Added effect types
RE-201 (SPACE ECHO RE-201)
Added effect types
fig.ScrRE201.eps
This is a delay that models the Roland RE-201 Space Echo. The original was mono-in, mono-out, but this modeling adds PAN HEAD SHORT/MIDDLE/
LONG settings and a REVERB STEREO Sw, allowing you to use it as a mono-in, stereo-out effect.
The RE-201 was a very popular product that was produced from1974 to 1987.
ECHO
TAPE
REVERB
Parameter (name)
Setting
Explanation
MODE SELECTOR
1–11, REVERB ONLY
Combination of the three playback heads and reverb
REPEAT RATE
0–100
Tape speed
INTENSITY
0–100
Number of times the delay sound will repeat
ECHO VOL
(Echo Volume)
0–100
Volume of the tape echo sound
BASS
-100–100
Low-frequency tone of the tape echo sound
TREBLE
-100–100
High-frequency tone of the tape echo sound
PAN HEAD SHORT
L63–CR63
Panning of the short playback head
PAN HEAD MIDDLE
L63–C–R63
Panning of the middle playback head
PAN HEAD LONG
L63–C–R63
Panning of the long playback head
TAPE DIST
(Tape Distortion)
0–100
Adds distortion typical of a tape
WOW and FLUTTER RATE
0–100
Speed of pitch modulation caused by tape aging and uneven
rotation
WOW and FLUTTER DEPTH
0–100
Depth of pitch modulation caused by tape aging and uneven
rotation
REVERB STEREO Sw
(Reverb Stereo Switch)
OFF, ON
Specifies whether the reverb sound will be output in stereo
REVERB VOL
(Reverb Volume)
0–100
Level of the reverb sound
EFFECT Sw
(Effect Switch)
OFF, ON
Specifies whether the effect sound will be output
DIRECT
0–100
Level of the original sound
The mode selector position corresponds to the playback head and reverb as follows.
Mode selector position
S
Playback head
M
REPEAT
1
2
5
6
7
●
●
L
16
REVERB ECHO
4
●
Reverb
*
3
Settings indicated by ● are valid.
●
●
8
●
●
●
●
●
●
9
●
●
●
10
11
●
●
●
REVERB
ONLY
●
●
●
●
●
●
●
●
M-400_v2_e.book 17 ページ２００９年３月３日　火曜日　午後７時５２分
Added effect types
SBF-325 (STEREO FLANGER SBF-325)
fig.ScrSBF325.eps
Added effect types
This is a stereo-in, stereo-out flanger that models the Roland SBF-325 Stereo Flanger.
MODULATION
Parameter (name)
Setting
Explanation
FEEDBACK
0.0–10.0
Amount of flanger sound returned to the input
(valid only if EFFECT MODE is set to FLANGER)
CENTER FREQ
(Center Frequency)
0.0–10.0
Center frequency at which the flanger effect is applied
RATE
0.0–10.0
Rate at which the flanger is modulated
DEPTH
0.0–10.0
Depth to which the flanger is modulated
FLANGER I
Monaural mode flanger
FLANGER II
Stereo mode flanger
FLANGER III
Cross-mix mode flanger
OFF
Modulation off
CHORUS
Chorus
CH-B MOD
(CH-B Modulation)
NORM, INV
Specifies whether the channel B flanger effect will be inverted
CH-A
NORM, INV
Specifies whether the channel A flanger sound will be phase-reversed
CH-B
NORM, INV
Specifies whether the channel B flanger sound will be phase-reversed
EFFECT Sw
(Effect Switch)
OFF, ON
Specifies whether the effect sound will be output
DIRECT Sw
(Direct Switch)
OFF, ON
Specifies whether the original sound will be output
LEVEL
0–100
Output level
EFFECT MODE
Type of effect
17
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Added effect types
SPH-323 x2 (PHASE SHIFTER SPH-323)
Added effect types
fig.ScrSPH323.eps
This is a phase shifter that models the Roland SPH-323 Phase Shifter. The original was mono-in, mono-out, but this modeling is a dual-mono design
with two units in parallel. The MOD LINK Sw allows you to use this as a stereo-in, stereo-out effect.
MODULATION
18
Parameter (name)
Setting
Explanation
LFO1 DEPTH
0.0–10.0
LFO1 modulation depth
LFO1 RATE
0–100
LFO1 modulation rate
LFO2 DEPTH
0.0–10.0
LFO2 modulation depth
LFO2 RATE
0–100
LFO2 modulation rate
CENTER FREQ
(Center Frequency)
0–100
Center frequency at which the phaser effect is applied
RESONANCE
0.0–10.0
Boosts the region around the center frequency specified by
CENTER FREQ
SHIFT MODE
8STAGE, 4STAGE
Specifies the number of stages for the phaser
EFFECT Sw
(Effect Switch)
OFF, ON
Specifies whether the effect sound will be output
DIRECT Sw
(Direct Switch)
OFF, ON
Specifies whether the original sound will be output
LEVEL
0–100
Output level
MOD LINK Sw
(Modulation Link Switch)
OFF, ON
Specifies whether the modulation of the two SHP-323 units will
be linked
CH-B MOD
(CH-B Modulation)
NORM, INV
Specifies whether the phase of the modulation for channel B (the
lower SPH-323) will be inverted
M-400_v2_e.book 19 ページ２００９年３月３日　火曜日　午後７時５２分
Added effect types
SDD-320 (DIMENSION D SDD-320)
fig.ScrSDD320.eps
Added effect types
This is a stereo-in, stereo-out chorus that models the Roland SDD-320 Dimension D.
The SDD-320 was released in 1979, and became standard equipment in many recording studios.
Parameter (name)
Setting
Explanation
DIMENSION MODE
OFF, 1, 2, 3, 4, 1+4, 2+4, 3+4 *
Specifies how the chorus changes
INPUT MODE
MONO, STEREO
Input signal stereo/mono setting
EFFECT Sw
(Effect Switch)
OFF, ON
Specifies whether the effect sound will be output
DIRECT Sw
(Direct Switch)
OFF, ON
Specifies whether the original sound will be output
LEVEL
0–100
Output level
*
1+4, 2+4, and 3+4 can be selected by pressing [F1 (1+4)], [F2 (2+4)], or [F3 (3+4)], respectively.
19
M-400_v2_e.book 20 ページ２００９年３月３日　火曜日　午後７時５２分
New functionality for the 31-band GEQ
About the 31-band GEQ’s new
functionality
7
8
New functionality has been added to the 31-band GEQ of GEQ1–GEQ4 and
to the dual 31-band GEQ of FX1–FX4.
• A 31-band realtime analyzer function has been added in the GEQ
EDIT popup.
New functionality for the 31-band GEQ
• You can now switch the GEQ to an 8-band parametric EQ.
IN meter
This indicates the level of the signal input to the GEQ.
OUT meter
This indicates the level of the signal output from the GEQ.
9
LINK button
This links adjacent odd-numbered and even-numbered GEQ units. If
units are linked, their GEQ settings will be identical.
10 BYP button (bypass)
This bypasses the GEQ. If this is on, the GEQ will be bypassed, and the
input signal will be output without change.
GEQ EDIT popup
fig.ScrGEQEdit_Guide.eps
2
4
3
5
6
For each frequency band, these adjust the amount of boost or cut in
a range of -15.0 dB – +15.0 dB.
The value of the of the fader you operate is shown in the sub-display
area.
1
7
12 EQ MODE select buttons
1
11
2
8
9
Here you can select either 31-band GEQ or 8-band parametric EQ.
10
12
1
13
Analyzer display
This shows a 31-band realtime analyzer, and the source level.
2
SRC (source)
This selects the source for the analyzer.
3
WINDOW
Here you can move the analyzer’s vertical display region in a range of
0 dB – -48 dB.
4
AVG (average)
Here you can select the averaging method for the analyzer.
5
AVG value
Explanation
OFF
Averaging will not be performed.
NRM
Averages evenly by the number specified in AVG
TIMES.
EXP
Recent times will be weighted more heavily in the
calculation.
AVG TIMES (average time)
This specifies the value (1–128) by which the analyzer’s display will be
averaged.
6
PEAK HOLD button
When this is on, the analyzer’s peaks will be held.
The Hold time is specified by the HOLD TIME setting of the METER
SETUP popup.
20
11 GEQ faders
Choice
Explanation
31-BAND GEQ
Use the EQ as a 31-band GEQ.
8-BAND PEQ
Use the EQ as an 8-band parametric EQ.
13 EQ ATT (EQ attenuator)
This adjusts the input level to the 31-band GEQ or 8-band parametric
EQ in a range of -42.0 dB – +15.0 dB.
M-400_v2_e.book 21 ページ２００９年３月３日　火曜日　午後７時５２分
New functionality for the 31-band GEQ
For the 8-band parametric EQ, you can switch the analyzer between visible
and hidden. Use [F6 (Analyzer)] to show or hide the analyzer.
8-band parametric EQ
fig.ScrGEQEdit_PEQ_Graph.eps
fig.ScrPEQEdit_Guide.eps
1
2
1
EQ graph
This indicates the approximate characteristics of the 8-band
parametric EQ.
2
Parametric EQ
Here you can adjust the filter for each band.
fig.PEQ_Guide.eps
ON button
TYPE
Q
FREQ
GAIN
• ON button
Turns the filter on/off for each band.
• TYPE
Selects one of the following filter types. Q or GAIN may not be valid
for some types.
TYPE
Operation
Q
FREQ GAIN
PEAK
(Peaking)
Peaking type filter.
Valid
Valid
Valid
LSV
(Low Shelving)
Low shelving type filter.
–
Valid
Valid
HSV
(High Shelving)
High shelving type filter. –
Valid
Valid
LPF
(Low Pass Filter)
1st order low pass filter.
–
Valid
–
HPF
1st order high pass filter. –
(High Pass Filter)
Valid
–
• Q
Adjusts Q in a range of 0.36–16.00.
• FREQ
Adjusts the center frequency in a range of 20 Hz–20.0 kHz.
• GAIN
Adjusts the gain in a range of -15.0 dB – +15.0 dB.
21
New functionality for the 31-band GEQ
If the analyzer is hidden, the EQ graph’s vertical axis will be shown larger.
M-400_v2_e.book 22 ページ２００９年３月３日　火曜日　午後７時５２分
New functionality for the 31-band GEQ
Using the 8-band parametric EQ
Using the analyzer
1.
1.
Access the desired GEQ EDIT popup.
New functionality for the 31-band GEQ
fig.ScrGEQEdit.eps
2.
Access the GEQ EDIT popup for the desired GEQ.
fig.ScrGEQEdit.eps
Use the EQ MODE select button to select 8-BAND PEQ.
If using the 8-band parametric EQ, turn [F6 (Analyzer)] on to display
the analyzer.
fig.ScrChgEQ_Conf.eps
2.
Use SRC to select the source for the analyzer.
• If you select SELF, the source will be the output of the
channel in which the EQ is inserted.
3.
A confirmation message will ask you to confirm the operation.
• If the analyzer display is too large or too small, use WINDOW
to adjust the vertical display area.
Press [F8 (CHANGE)] to switch to the 8-band parametric
EQ.
• As desired, use AVG and AVG TIMES to make settings for
averaging.
fig.ScrGEQEdit_PEQ_3.eps
If an input channel is selected, its direct out will be the source for the
analyzer.
If an output channel is selected, its output will be the source for the
analyzer.
If you want to see the response of the sound that is actually being
produced from the speakers, set up a measurement mic, patch it to
an input channel of the M-400, and select that channel as the
source.
The operation will be cancelled if you press [F7 (CANCEL)].
4.
Move the cursor to the desired parameter, and use the
value dial to edit the value.
If you want to see a larger EQ graph, turn [F6 (Analyzer)] off.
22
If the M-400 and M-400RCS (software that remotely controls the M400 from a PC) both attempt to display the analyzer simultaneously,
display on the M-400 will take priority. In this case, the analyzer levels
will not be shown in the M-400RCS window.
fig.RCS_OccupyGEQ.eps
M-400_v2_e.book 23 ページ２００９年３月３日　火曜日　午後７時５２分
New functionality in the METER screen
About the METER screen’s new
functionality
New functionality has been added to the METER screen.
• A newly added Analyzer tab allows you to use a 31-band realtime
analyzer.
In the Analyzer tab, the function buttons perform the following tasks.
Operation
[F1 (METER)]
Displays the METER tab, which shows the
levels of all channels.
[F2 (LAYER VIEW)]
Displays the LAYER VIEW tab, which
shows the levels of the channels in the
top panel channel layer.
[F3 (Analyzer)]
Displays the Analyzer tab, which shows
the 31-band realtime analyzer.
p. 23
[F4 (NAME LIST)]
Displays the NAME LIST tab, which lists
the channel names and group names.
p. 24
• A newly added NAME LIST tab allows you to view a list of the
channel names and group names.
Analyzer tab
See
page
New functionality in the METER screen
Button
fig.ScrMeterRTA_Guide.eps
2
3
4
5
6
Using the analyzer
1.
Press [METER] to access the METER screen.
fig.ScrMeter.eps
1
1
Analyzer display
This shows a 31-band realtime analyzer and the source level.
2
2.
SRC (source)
Press [F3 (Analyzer)] to access the Analyzer tab.
fig.ScrMeter_RTA.eps
This selects the source for the analyzer.
3
WINDOW
Here you can move the analyzer’s vertical display region in a range of
0 dB – -48 dB.
4
AVG (average)
Here you can select the averaging method for the analyzer.
5
AVG value
Explanation
OFF
Averaging will not be performed.
NRM
Averages evenly by the number specified in AVG
TIMES.
EXP
Recent times will be weighted more heavily in the
calculation.
AVG TIMES (average time)
This specifies the value (1–128) by which the analyzer’s display will be
averaged.
6
3.
Use SRC to select the source for the analyzer.
• If the analyzer display is too large or too small, use WINDOW
to adjust the vertical display area.
• As desired, use AVG and AVG TIMES to make settings for
averaging.
If an input channel is selected, its direct out will be the source for
the analyzer.
PEAK HOLD button
When this is on, the analyzer’s peaks will be held.
The Hold time is specified by the HOLD TIME setting of the METER
SETUP popup.
If an output channel is selected, its output will be the source for the
analyzer.
If you select MONITOR L or MONITOR R, you can use [SOLO] to
conveniently switch the channel that’s being sent to the analyzer.
23
M-400_v2_e.book 24 ページ２００９年３月３日　火曜日　午後７時５２分
New functionality in the METER screen
In the NAME LIST tab, the function buttons perform the following tasks.
If the M-400 and M-400RCS (software that remotely controls the
M-400 from a PC) attempt to display the analyzer simultaneously,
display on the M-400 will take priority. In this case, the analyzer levels
will not be shown in the M-400RCS window.
Button
Operation
[F1 (METER)]
Displays the METER tab, which shows the levels
of all channels.
[F2 (LAYER VIEW)]
Displays the LAYER VIEW tab, which shows the
levels of the channels in the currently selected
channel layer.
[F3 (Analyzer)]
Displays the Analyzer tab, which shows the
31-band realtime analyzer.
[F4 (NAME LIST)]
Displays the NAME LIST tab, which lists the
channel names and group names.
[F5 (LINK)] *1
Turns link on/off for the channel at the cursor
location.
[F6 (NAME EDIT)]
Accesses the NAME EDIT popup, where you can
edit the name at the cursor location.
[F7 (COPY)] *2
Accesses the COPY popup, with the channel at
the cursor location as the copy-source.
New functionality in the METER screen
fig.RCSOccupyRTA.eps
NAME LIST tab
fig.ScrMeterList_Guide.eps
*1 This is unavailable if the cursor is at MAIN L, MAIN R, DCA1–8, or
MUTE1–8.
*2 This is unavailable if the cursor is at DCA1–8 or MUTE1–8.
1
Changes to the function buttons in the
METER screen
fig.ScrMeter.eps
1
Name list
This lists the names of each channel and group.
FIG.List_Compo_Guide.eps
Name Link indication
• Name
This is the name of the channel or group. If you move the cursor to
the name of a channel, that channel will become the selected
channel.
• Link indication
This indicates the link status of the channel.
To change the link status of a channel, move the cursor to the name
of the desired channel, and press [F5 (LINK)] to turn link on/off.
24
The function buttons in the METER tab and LAYER VIEW tab have changed
as follows.
Button
Operation
[F1 (METER)]
Displays the METER tab, which shows the levels
of all channels.
[F2 (LAYER VIEW)]
Displays the LAYER VIEW tab, which shows the
levels of the channels in the currently selected
channel layer.
[F3 (Analyzer)]
Displays the Analyzer tab, which shows the
31-band realtime analyzer.
[F4 (NAME LIST)]
Displays the NAME LIST tab, which lists the
channel names and group names.
[F5 (PEAK CLEAR)]
Clears the peak hold and over indications in the
level meters.
[F6 (METER SETUP)]
Accesses the METER SETUP popup.
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New functionality for scene memories
About the new scene memory
functionality
• The user interface of the SCENE screen has been improved.
In the SCENE screen, the function buttons perform the following tasks.
Operation
[F1 (LIST EDIT)]
Accesses the SCENE LIST EDIT popup
where you can edit the scene list.
[F2 (PARAM EDIT)]
Accesses the RECALL PARAMETER
EDIT popup where you can edit the
Recall Filter for the scene selected in
the scene list.
[F4 (CLEAR)]
Clears the contents of the scene
selected in the scene list, making it a
blank scene.
[F6 (GLOBAL SCOPE)]
Accesses the GLOBAL SCOPE popup.
[F7 (LOCK)]
Locks or unlocks the scene selected
in the scene list.
[F8 (UNDO RECALL)]
Undoes (cancels) the last-performed
recall.
• Added functionality allows M-48 memories to also be recalled/
stored when recalling/storing scene memories.
SCENE screen
fig.ScrScene_Guide.eps
See
page
p. 25
New functionality for scene memories
Button
1
RECALL PARAMETER EDIT popup
fig.ScrRecallParam_Guide.eps
1
1
2
Scene list
This lists the scenes. The current scene is shown in green.
The list shows the following items.
3
Item
Explanation
NO.
Scene number.
NAME
Scene name.
TIME
Date and time at which the scene was stored.
STATUS
If the scene is locked or if the Recall Filter is
turned on, this area will indicate LOCK or FILT,
respectively.
RECALL
PARAMETERS
A check mark is shown for parameters that will be
recalled as specified by the Recall Filter settings.
M-48
Indicates the memory number that the M-48
recalls.
1
Scene indication
This indicates the scene that will be the object of the RECALL
PARAMETER EDIT popup.
2
M-48 MEMORY
fig.ScrM48MemRecall_Guide.eps
RECALL button Memory number
The RECALL PARAMETERS items are as follows.
• RECALL button
Item
Explanation
IN
Input patchbay settings
OUT
Output patchbay settings
PRE
Preamp settings
(gain, +48V phantom power, pad)
CH
Input channel settings
BUS
AUX channel, MAIN L/R channel, MAIN C channel,
and MATRIX channel settings
FX
Effect, 31-band GEQ, and external effects device
insertion settings
GRP
DCA group and MUTE group settings
REC
USB memory recorder settings
TB
Talkback and oscillator settings
Add a check mark here if you also want M-48 memory recall to occur
when you recall the scene.
• Memory number
This specifies the M-48 memory number that will be recalled for all
connected M-48 units.
25
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New functionality for scene memories
3
RECALL PARAMETERS select buttons
New functionality for scene memories
These buttons specify the parameters that will be recalled if the recall
filter is turned on.
The RECALL PARAMETERS select buttons consist of the following
items.
Item
Explanation
INPUT
PATCH
Input patchbay setting
OUTPUT
PATCH
Output patchbay settings
PREAMP
Preamp settings
(gain +48V phantom power, pad)
CH1-48
Input channel settings
BUS
AUX channel, MAIN L/R channel, MAIN C channel,
and MATRIX channel settings
EFFECTS
Effect, 31-band GEQ, and external effect insertion
settings
DCA/MUTE
GROUP
DCA group and MUTE group settings
Recorder
USB memory recorder settings
Talkback
OSC
Talkback and oscillator settings
Accessing the RECALL PARAMETER EDIT
popup
1.
In the SCENE MEMORY section, press [DISP] to access the
SCENE screen.
fig.ScrScene.eps
2.
In the scene list, select the desired scene and press
[F2 (PARAM EDIT)].
fig.ScrRecallParam.eps
In the RECALL PARAMETER EDIT popup, the function buttons perform the
following tasks.
The RECALL PARAMETER EDIT popup will appear.
Button
Operation
[F1 (RECALL FILTER)]
Turns the recall filter on/off.
[F7 (CANCEL)]
Cancels the changes and closes the popup.
[F8 (OK)]
Finalizes the changes and closes the popup.
Using the recall filter
1.
Access the RECALL PARAMETER EDIT popup for the
desired scene.
fig.ScrRecallParam.eps
2.
Press [F1 (RECALL FILTER)] to turn it on.
3.
Use the RECALL PARAMETERS select buttons to add a
check mark to the parameters that you want to recall.
4.
Press [F8 (OK)] to finalize the changes and close the
popup.
If you press [F7 (CANCEL)], your changes will be cancelled and the
popup will close.
26
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New functionality for scene memories
Synchronizing scene memories
with M-48 memories
4.
Press [F8 (STORE)].
fig.ScrSceneStore_Conf.eps
Synchronizing M-48 store operations
If desired, M-48 memories can be stored simultaneously when a scene
memory is stored on the M-400.
A confirmation message will ask you to confirm the Store operation.
If the user preference CONFIRMATION select button “SCENE/LIB
STORE” is unchecked, the Store operation will be executed without
showing the confirmation message.
The current memory of each M-48 unit will be stored to the specified
memory number (except for M-48 units whose MEMORY SAFE function
(p. 36) is on).
Scenes stored by this operation are set so that when they are recalled, the
memories of the M-48 units will also be recalled. For details, refer to
“Synchronizing M-48 recall operations” (p. 28).
1.
In the SCENE MEMORY section, use [PREV] or [NEXT] to
select the storage-destination scene number.
1.
Press [STORE].
Press [F8 (STORE)] to execute the Store operation.
The operation will be cancelled if you press [F7 (CANCEL)].
If you want to exclude a specific M-48 unit from the memory store
operation, use the M-48’s MEMORY SAFE function (p. 36).
M-48 MEMORY LIST popup
fig.ScrSceneStore2.eps
To access the M-48 MEMORY LIST popup, press the SCENE STORE popup’s
[F6 (MEMORY LIST)] button. Here you can verify the memory name of the
M-48’s storage destination.
fig.ScrM48MemList_Guide.eps
1
2
The SCENE STORE popup will appear.
2.
Verify the scene name shown in the name edit field, and
edit it if desired.
The M-48 memory will be stored with the same name.
3.
In the M-48 MEMORY section, add a check mark to the
STORE button and specify the memory number.
1
fig.ScrM48MemStore_Guide.eps
Unit indication
This indicates the M-48 unit that is the object of the M-48 MEMORY
LIST popup.
STORE button
Memory number
2
Memory store
This indicates the memory number and name.
By holding down [SHIFT] and pressing [ ] or [ ], you can quickly
move the cursor between the name edit field and M-48 MEMORY.
You can press [F7 (MEMORY LIST)] to access the M-48 MEMORY LIST
popup, where you can view the M-48’s memory names.
The memory of the current memory number is shown in green.
In the M-48 MEMORY LIST popup, the function buttons perform the
following tasks.
Button
[F1 ( PREV UNIT)]
Operation
Change the target unit.
[F2 (NEXT UNIT )]
[F7 (MEMORY SAFE)]
Turns the MEMORY SAFE function on/off for
the target M-48 unit.
[F8 (CLOSE)]
Closes the popup.
27
New functionality for scene memories
5.
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New functionality for scene memories
Synchronizing M-48 recall operations
For each scene memory, you can specify whether M-48 memories will be
recalled, and also specify the memory number that the M-48 units will
recall.
When you recall the scene that contains this setting, each M-48 will recall
its memory (except for M-48 units whose MEMORY SAFE function (p. 36)
is on).
1.
Access the RECALL PARAMETER EDIT popup for the
desired scene.
New functionality for scene memories
fig.ScrRecallParam.eps
2.
In the M-48 MEMORY area, add a check mark to the
RECALL button and specify the memory number.
fig.ScrM48MemRecall_Guide.eps
RECALL button Memory number
3.
Press [F8 (OK)] to finalize the change and close the
popup.
If you press [F7 (CANCEL)], your changes will be cancelled and the
popup will close.
If you want to exclude the memory of a specific M-48 unit from
recall, use the M-48’s MEMORY SAFE function (p. 36).
28
M-400_v2_e.book 29 ページ２００９年３月３日　火曜日　午後７時５２分
Management of the M-48 live personal mixer
What is the M-48 live personal mixer?
The M-48 is a live personal mixer that allows each musician to create their own monitor mix. By unifying the professional monitor mix created by the mixing
engineer with the personal mix created by each musician, the M-48 provides a monitoring environment that’s ideal for the musician.
40-channel mixer
fig.M48_Mix1.eps
40-channel
Digital Source
from REAC
Line out
Phones
LIVE PERSONAL MIXER
M-48
Settings and operations for the 40-channel mixer
fig.M48_Mix2.eps
The sources 1–40 being input via REAC are mixed by the M-48’s 40channel mixer. Settings and operation of the 40-channel mixer are shared
between the mixing engineer and the musician.
Settings by the mixing engineer
Source level/pan settings
1
AUX
2
AUX
40
AUX
PAN
PAN
PAN
LEVEL
LEVEL
LEVEL
2
Source assign settings
Group
1 2 3 4
Source
1
16
The 40 digital audio source channels being input via REAC to the M-48
are referred to as sources 1–40.
1
2
3
4
Settings by the mixing engineer
40
(Control from M-400 or PC)
These settings are made by the mixing engineer from the M-400 or the PC.
MAIN AUX REVERB
LR LR
40-channel mixer
Source
Level
SIG
REAC
Source
Pan
1
Source level and pan settings
These settings specify the LEVEL, PAN, and AUX switch settings for
sources 1–40 (☞ p. 40).
Source
Aux
EQ
SOURCE 1
SOLO
LEVEL
PAN
SOURCE 2
Group
Solo
Group
EQ
Group
Volume
Group
Pan
2
AUX
SW
SOURCE 40
on the M-48 (☞ p. 43).
Group
Reverb Send
LR LR
MAIN AUX REVERB
3
Group mix
Source assign settings
These settings assign sources 1–40 to sixteen groups for operation
REVERB
SEND
Operations performed by the musician
These operations are performed by the musician on the M-48 unit.
3
Group mix
VOLUME, PAN, REVERB SEND, and 3-BAND EQ can be adjusted for
each group created by the source assignment settings.
Operations performed by the musician
The group mix can also be viewed and edited from the M-400 or PC
(☞ p. 48).
29
Management of the M-48 live personal mixer
The M-48 provides a REAC port that is able to receive up to 40 channels of digital audio via REAC. The digital audio sources are mixed by the internal 40channel mixer for monitoring via headphones or monitor speakers.
M-400_v2_e.book 30 ページ２００９年３月３日　火曜日　午後７時５２分
Management of the M-48 live personal mixer
Two sets of outputs
fig.M48_OutDgm.eps
AMBIENT
MIC
AMBIENT
MIC
A/D
MIN MAX
AUX IN
AUX IN
A/D
MIN MAX
1 PHONES
MAIN AUX REVERB
LR
LR
PHONES OUT
METER
GAIN REDUCTION
BASS
TREBLE
LIMITER
ATT
VOLUME
MAX 0dB
D/A
MUTE
-
+
-
+
OFF MAX
1
MIN MAX
2
REVERB UNIT
Management of the M-48 live personal mixer
REVERB
2 LINE OUT
PHONES L
PHONES R
MAIN L
MAIN R
AUX L
AUX R
LINE OUT
VOLUME
SOURCE
SELECT
LOW PASS
MUTE
MONO
D/A
L/R
MIN MAX
(Control from M-400 / PC)
(Control from M-400 / PC)
REC
LR
LR
MAIN AUX REVERB
The M-48 provides two sets of output: PHONES and LINE OUT.
1
PHONES
REVERB, AMBIENT MIC, and AUX IN are mixed into the MAIN bus, then BASS, TREBLE, and LIMITER are applied to the mix which is then output
from these ports. This is used for headphones or in-ear monitoring.
2
LINE OUT
As the LINE OUT source, you can choose either PHONES (the signal immediately before PHONES VOLUME), MAIN bus, or AUX bus. This is used
for a floor monitor or for two-channel recording. Since a low-pass filter is provided on LINE OUT, it can also be used to output just the lowfrequency range to a floor monitor or tactile transducer.
Memory functionality
The M-48 has 16 memories, and allows mixer settings to be stored or recalled.
Memories 1–16 can be manipulated from the M-48 itself or from the M-400 or PC.
30
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Management of the M-48 live personal mixer
Connecting M-48 units to the M-400
fig.V-Mix_M48.eps
M-48
M-48
(SPLIT)
M-48
(SPLIT)
(SPLIT)
POWER
POWER
POWER
S-1608
S-4000D
SLAVE
REAC B
MASTER
Use the REAC B port to connect M-48 units to the M-400. A separately available S-4000D splitter and power distributor is required in order to connect M-48
units.
The output from the M-400’s REAC B port is distributed via the S-4000D. You can connect up to four S-4000D units serially and support up to twenty-four
M-48 units.
The mixing engineer can make settings for each M-48 unit from the M-400.
If an M-48 unit is connected to the M-400’s REAC A port or SPLIT/BACKUP port, it will not be possible to set or manage the M-48 from the M-400.
Connection examples
Here are some examples of connecting M-48 units to an M-400 that is being used as an FOH console or as a monitor console.
fig.M48ConnectExs.eps
Connect M-48 units to the M-400
(set up as the FOH console)
M-48
M-48
Connect M-48 units to the M-400
(set up as the monitor console)
(SPLIT)
M-48
M-48
(SPLIT)
(SPLIT)
(SPLIT)
M-48
S-1608
S-4000S
M-48
(SPLIT)
(SPLIT)
S-1608
SLAVE
S-4000D
SLAVE
SLAVE
S-4000D
S-1608
SLAVE
REAC A
MASTER
REAC B
MASTER
REAC A
SPLIT
REAC B
MASTER
SPLIT REAC A
/BACKUP MASTER
S-1608
SLAVE
REAC B
MASTER
FOH CONSOLE
FOH CONSOLE
MONITOR CONSOLE
31
Management of the M-48 live personal mixer
M-400
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Management of the M-48 live personal mixer
Editing and managing M-48 units
Each musician will be able to use their M-48 with greater comfort and convenience if the mixing engineer has made the appropriate settings for each M-48.
In particular, the mixing engineer should consult with each musician when assigning sources to groups. Each musician can decide what sources they want
assigned to which knobs (groups).
The following settings are made by the mixing engineer.
Management of the M-48 live personal mixer
Setting
Editing screen
See page
Specifying the outputs from the M-400 to the M-48 unit
PATCHBAY screen
p. 33
Editing the M-48’s unit name
M-48 MANAGER popup
p. 35
Making preference settings for an M-48 unit
M-48 PREFERENCES popup
p. 38
Setting the level, pan, and AUX switch for each source
(Source Level/Pan setting)
M-48 SOURCE LEV/PAN popup
p. 40
Assigning sources to groups (Source Assign settings)
M-48 SOURCE ASSIGN popup
p. 43
The following settings and management functionality for the M-48 are also provided.
Setting
Editing screen
Viewing the connected M-48 units
M-48 MANAGER popup
See page
p. 34
Checking and adjusting the musician’s mix (Group Mix)
M-48 GROUP MIX popup
p. 48
Muting the output of an M-48 unit
M-48 MANAGER popup
p. 36
Disabling memory operations from the M-400
(MEMORY SAFE function)
M-48 MANAGER popup
p. 36
Copying M-48 settings
M-48 COPY popup
p. 50
M-48 memory operations
M-48 MEMORY popup
p. 51
Using the M-48 library
M-48 LIBRARY popup
p. 53
Saving/loading USB memory
M-48 LOAD/SAVE popup
p. 56
Synchronizing scene memories with M-48 memories
SCENE screen
p. 27
Where the settings are stored
The M-48’s settings are stored in each M-48 unit itself. The M-400 can load and manage the settings of each connected M-48 unit.
There are two ways to store the M-48’s settings on an external device.
• Store the settings in the M-400’s M-48 library (☞ p. 54)
• Save the settings to USB memory (☞ p. 56)
32
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Management of the M-48 live personal mixer
Specifying the outputs from the
M-400 to the M-48 unit
Use the REAC B output patchbay to specify the outputs from the M-400 to
the M-48.
1.
In the SETUP section, press [PATCHBAY] to access the
PATCHBAY screen.
fig.ScrPatchbay1.eps
In addition to input channel direct outs, you can use a variety of outputs as
sources for the M-48.
• By patching the AUX, MATRIX, or MAIN outputs you can use
group mixes or the house mix as a source for the M-48.
• By patching TALKBACK you can establish smooth
communication with the musicians.
These output settings are shared by all REAC devices that are connected to
REAC B.
Example) When the S-1608 and M-48 are connected to REAC B
fig.V-Mix_M48_2.eps
Mix REAC B OUT 1–40
Output REAC B OUT 1–8
2.
Management of the M-48 live personal mixer
M-48
S-1608
Press [F2 (OUTPUT)] or [F4 (REAC B)] to view the REAC B
output patchbay.
fig.ScrPatchbay2.eps
S-4000D
OUTPUT
REAC B
M-400
3.
Use the patchbay grid to select the channels that will be
output to the M-48.
For example, you might make settings as follows.
REAC B
Channel
1–6 OUT
AUX9–AUX14
7–8 OUT
MAIN L, MAIN R
9–40 OUT
CH1–CH32 direct out
• REAC B OUT 1–8 are output from OUTPUT 1–8 of the S-1608.
• Of the 40 sources the M-48 receives via REAC B OUT, sources 1–8
are the same as OUTPUT 1-8 of the S-1608.
Purpose
S-1608 stage outputs
M-48 sources
By using direct out from the PRE EQ or PRE FADER positions, you
can create a mix in which the M-48’s source level/pan settings are
independent of the M-400.
If you use direct out from the POST FADER position, each source will
be output at the level determined by the M-400’s channel fader. In
this case the actual LEVEL setting of the M-48 source is controlled by
the M-400 fader.
33
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Management of the M-48 live personal mixer
Viewing the connected M-48 units
M-48 MANAGER popup
Button
Operation
[F3 (COPY)]
Accesses the M-48 COPY popup, where
you can copy settings from the M-48
p. 50
unit at the cursor location to another
M-48 unit.
[F4 (LIBRARY)]
Accesses the M-48 LIBRARY popup,
where you can recall/store library data p. 53
for the M-48 unit at the cursor location.
[F5 (LOAD/SAVE)]
Accesses the M-48 LOAD/SAVE popup,
where settings of the M-48 at the
p. 56
cursor location can be saved to USB
memory or loaded from USB memory.
[F7 (UPDATE)]
Updates the M-48’s system program.*
[F8 (CLOSE)]
Closes the popup
In this screen you can view and manage all of the M-48 units that are
connected to the M-400’s REAC B port.
fig.ScrM48Manager_Guide.eps
Management of the M-48 live personal mixer
1
2
*
1
M-48 UPDATE is for future updates of the system program. For details
on performing the update, refer to the explanation provided with the
updater.
Number of M-48 units
This indicates the number of M-48 units that are connected to the
M-400’s REAC B port.
2
Accessing the M-48 MANAGER popup
1.
M-48 list
This lists the M-48 units that are connected to the M-400’s REAC B
port.
You can move the cursor to an item in the list and press [ENTER] to
edit that item.
The items shown in the list and the function of the [ENTER] button are
as follows.
Item
Explanation
Function of [ENTER]
NO.
Indicates the order in the
list
Accesses the ARRANGE
UNIT popup
UNIT
NAME
Indicates the unit name
Accesses the NAME
EDIT popup
MEMORY
NO.
Indicates the current
memory number
Accesses the M-48
MEMORY popup
MEMORY
SAFE
If this is checked, MEMORY
SAFE is activated; recall/
store operations from the
M-400 will be prohibited
MUTE
If this is checked, the M-48’s
Check/uncheck
output will be muted
In the MONITOR section, press [DISP] to access the
MONITOR screen.
fig.ScrMonitor2.eps
2.
Press [F8 (M-48 MANAGER)].
fig.ScrM48Manager.eps
Check/uncheck
In the M-48 MANAGER popup, the function buttons perform the following
tasks.
Button
Operation
See
page
[F1 (MUTE CLEAR)]
Clears output muting for all M-48 units.
This will be on (light blue) if there are
p. 36
any M-48 units whose output is muted.
[F2 (SETUP)]
Accesses the M-48 SETUP popup,
where you can make settings for the
M-48 unit at the cursor location.
34
See
page
p. 36
The M-48 MANAGER popup will appear.
You can assign a USER button to access this popup (☞ p. 5).
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Management of the M-48 live personal mixer
Editing the M-48’s unit name
A unit name of up to eight characters can be assigned to each M-48. If
you’re managing multiple M-48 units, use these names to quickly
distinguish between the units.
Changing the order of a unit in the M-48
list
1.
Access the M-48 MANAGER popup (☞ p. 34).
fig.ScrM48Manager.eps
With the factory settings, the unit name will be “NO NAME.”
1.
Access the M-48 MANAGER popup (☞ p. 34).
fig.ScrM48Manager.eps
In the M-48 list, move the cursor to the NO. field of the
desired M-48 and press [ENTER].
fig.ScrM48Arrange.eps
2.
In the M-48 list, move the cursor to the UNIT NAME of the
desired M-48 and press [ENTER].
fig.ScrM48UnitName.eps
The ARRANGE UNIT popup will appear.
3.
4.
The NAME EDIT popup will appear.
3.
Edit the name in the name field.
If you turn [F6 (BLINK LEDs)] on, all LEDs of the target M-48 will flash.
You can use this to identify a specific unit.
4.
Press [F8 (OK)] to finalize the name and close the popup.
If you press [F7 (CANCEL)], the operation will be cancelled and the
popup will close.
Use the value dial to specify the desired order for that
M-48 unit.
Press [F8 (OK)].
The M-48 list will be reordered so that the selected M-48 is in the
place you specified in step 3, and the popup will close.
If you press [F7 (CANCEL)], the operation will be cancelled and the
popup will close.
The M-400 will show the connected M-48 units in the M-48 list in the
order in which the units are detected; the displayed order is
remembered so that this order can be reproduced the next time the
power is turned on.
This operation will update the display priority order as well as the
order in the M-48 list.
35
Management of the M-48 live personal mixer
2.
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Management of the M-48 live personal mixer
Muting the output of an M-48 unit
1.
Access the M-48 MANAGER popup (☞ p. 34).
fig.ScrM48Manager.eps
Making settings for an M-48 unit
M-48 SETUP popup
fig.ScrM48Setup_Guide.eps
1
2
3
Management of the M-48 live personal mixer
4
2.
In the M-48 list, move the cursor to the MUTE field of the
desired M-48 and press [ENTER] to add a check mark.
The PHONES and LINE OUT outputs of the checked M-48 unit(s) will
be muted.
If any of the M-48 units in the M-48 list have been muted, the M-48
MANAGER popup’s [F1 (MUTE CLEAR)] indication will be on.
1
This indicates the M-48 unit that is the target of the settings. This
shows the same item as the M-48 list of the M-48 MANAGER popup.
2
3
Access the M-48 MANAGER popup (☞ p. 34).
Version number
This indicates the version of the target M-48 unit.
Disabling memory operations from the
M-400 (MEMORY SAFE function)
1.
Target M-48 indication
System
System program version
Panel
Panel program version
SOURCE LEVEL
fig.ScrM48SrcLev0.eps
fig.ScrM48Manager.eps
This is an overview of the source levels. The approximate levels of
sources 1–40 are shown. You can also use the value dial to adjust the
level.
4
GROUP MIX (VOLUME)
fig.ScrM48GrpMix0_Guide.eps
Group
name
Volume
knob
2.
In the M-48 list, move the cursor to the MEMORY SAFE
field of the desired M-48 and press [ENTER] to add a
check mark.
M-48 units with a check mark will not accept Store or Recall
operations from the M-400.
This is an overview of the group mix volumes.
• Group name
This indicates the group name. If you move the cursor here and press
[ENTER], the NAME EDIT popup will appear, allowing you to edit the
group name. You can enter a group name of up to six characters.
• Volume knob
When you’re managing multiple M-48 units, this allows you to
prevent unintended memory operations, or to exclude specific M-48
units when synchronizing scene memories with M-48 memories.
This adjusts the group’s volume in a range of -Inf dB – +20.0 dB.
If no index markings are shown for a knob, this means that no
source has been assigned to that group.
36
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Management of the M-48 live personal mixer
In the M-48 SETUP popup, the function buttons perform the following
tasks.
Button
[F1 ( PREV UNIT)]
[F2 (NEXT UNIT )]
Operation
See
page
Accessing the M-48 SETUP popup
1.
Access the M-48 MANAGER popup (☞ p. 34).
fig.ScrM48Manager.eps
Changes the target M-48 unit. The
target for the settings will change
according to the order of the M-48
list in M-48 MANAGER.
Accesses the M-48 SOURCE LEV/PAN
popup, where you can set the source p. 40
level and pan.
[F4 (SOURCE ASSIGN)]
Accesses the M-48 SOURCE ASSIGN
popup, where you can specify source p. 43
assignments.
[F5 (GROUP MIX)]
Accesses the M-48 GROUP MIX
popup, where you can make group
mix settings.
[F6 (PREF)]
Accesses the M-48 PREFERENCES
popup, where you can make
preference settings.
[F7 (SOLO CLEAR)]
Clears all group solo settings. If a
group is being soloed, this will be on
(blue).
[F8 (CLOSE)]
Closes the popup.
p. 48
2.
In the M-48 list, move the cursor to the desired target
M-48 unit and press [F2 (SETUP)].
Management of the M-48 live personal mixer
[F3 (SOURCE LEVEL/PAN)]
fig.ScrM48Setup.eps
p. 38
The M-48 SETUP popup will appear.
You can assign a USER button to access this popup (☞ p. 5).
3.
View the settings of the target M-48 unit.
You can use [F1 ( PREV UNIT)] or [F2 (NEXT UNIT )] to move to a
different unit.
37
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Management of the M-48 live personal mixer
Making preference settings for
an M-48 unit
1.
4
MEMORY operation select buttons
These buttons restrict memory operations performed from the
M-48’s panel.
Access the desired M-48 SETUP popup (☞ p. 37).
fig.ScrM48Setup.eps
5
Disable RECALL
button
If this is checked, the [RECALL] button will be
disabled.
Disable STORE
button
If this is checked, the [STORE] button will be
disabled.
LINE OUT SOURCE select buttons
Management of the M-48 live personal mixer
These buttons select one of the following as the LINE OUT source.
2.
Selection
Explanation
MAIN BUS
Output the signal of the MAIN BUS.
AUX BUS
Output the signal of the AUX bus (the mix of the
sources whose AUX switch is turned on in the source
level/pan settings, ☞ p. 40).
PHONES
Output the signal from before the PHONES VOLUME.
Press [F6 (PREF)].
fig.ScrM48Pref.eps
You’ll need to exercise due caution in order to prevent feedback
if you select “PHONES,” since the signal from the ambient
microphone will also be included in the output.
6
LINE OUT LPF (low pass filter)
This is the LPF setting for the line out.
The M-48 PREFERENCES popup will appear.
3.
Make the desired preference settings.
fig.ScrM48Pref_Guide.eps
1
2
5
6
7
Target unit indication
Mode
Operation
ADD ON
Multiple groups can be soloed. Soloed groups will be
mixed for monitoring.
LAST
Only the last soloed group will be monitored.
LAYER select clears SOLO button
This specifies that when the layer is switched, the solo settings of the
now-hidden layer will automatically be cleared.
38
The LPF will not be used.
The frequency region below 80 Hz will be passed.
120Hz
The frequency region below 120 Hz will be passed.
The LPF is a 12 dB/octave filter that passes the region below the
specified frequency.
SOLO mode selection buttons
These buttons select the solo operation.
The solo modes and their operations are as follows.
3
OFF
80Hz
Note that the level of the output from Line Out will change
significantly if you switch the LPF from a setting of “80Hz” or
“120Hz” to “OFF.” Be sure to exercise due caution so that the
signal sent to the equipment connected to Line Out, or to your
ears, is not at an excessively high level.
This indicates the M-48 that is the target of the M-48 PREFERENCES
popup.
2
Explanation
3
4
1
Selection
7
LINE OUT MODE select button
If the MONO button is checked, a monaural mix will be output from
the line out.
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Management of the M-48 live personal mixer
Returning the preference settings to the
default state
1.
Access the desired M-48 SETUP popup (☞ p. 37).
fig.ScrM48Setup.eps
Assigning group names for an
M-48 unit
1.
Access the desired M-48 SETUP popup (☞ p. 37).
fig.ScrM48Setup.eps
Press [F6 (PREF)].
2.
fig.ScrM48Pref.eps
In the GROUP MIX (VOLUME) area, move the cursor to the
desired group name and press [ENTER].
fig.ScrM48GrpName.eps
The NAME EDIT popup will appear.
3.
The M-48 PREFERENCES popup will appear.
3.
Use the name edit field to edit the name.
Press [F7 (RESET)].
4.
Press [F8 (OK)] to confirm the name and close the popup.
fig.ScrM48Pref_Conf.eps
Pressing [F7 (CANCEL)] will cancel the operation and close the
popup.
A confirmation message will ask you to confirm the operation.
4.
Press [F8 (RESET)] to return the preference settings to
their default state.
Pressing [F7 (CANCEL)] will cancel the operation.
The preference settings will be set to the following values.
Parameter
Values
MODE
ADD ON
LAYER select clears SOLO
No
Disable RECALL button
No
Disable STORE button
No
SOURCE
MAIN BUS
LPF
OFF
MONO
OFF
SOLO
MEMORY
LINE OUT
39
Management of the M-48 live personal mixer
2.
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Management of the M-48 live personal mixer
fig.ScrM48SrcLev_Guide.eps
Setting the level, pan, and AUX
switch for each source
(Source Level/Pan setting)
1
2
3
4
5
6
7
8
M-48 SOURCE LEV/PAN popup
This popup lets you set the source level and pan. Set the LEVEL, PAN, and
AUX switch for each source 1–40. Two views are provided; the SOURCE
LAYOUT tab and the M-400 LAYOUT tab.
9
SOURCE LAYOUT tab
fig.ScrM48SrcLev1.eps
Management of the M-48 live personal mixer
1
Target M-48 indication
This shows the unit name of the M-48 that is the target of the M-48
SOURCE LEV/PAN.
2
MONITOR
In this section you can make adjustments for monitoring the mix of
sources 1–40 on the M-400.
• ATT knob
This adjusts the monitor level in a range of -Inf dB – +10.0 dB.
This shows the sources arranged in order of their number (the order in the
M-400’s REAC B output patchbay).
If you turn [F6 (MONITOR)] on, the M-400’s monitor output will
output the mix of sources 1–40.
M-400 LAYOUT tab
The setting of the ATT knob only affects monitoring on the M-400. It
does not affect the setting of the M-48.
fig.ScrM48SrcLev2.eps
• Meter
This indicates the monitor output level.
3
Source name indication
This indicates the name of the source. The source name is used as the
M-400’s channel name or output name.
In the SOURCE LAYOUT tab, the names of sources for which nothing
is being output from the M-400’s REAC B are not shown; the
background will be gray. In the M-400 LAYOUT tab, channels not
being output to the M-400’s REAC B will have a gray background.
This shows the sources as they are seen from the M-400’s fader module
section. This display will change according to the M-400’s channel layer.
Nothing is shown at the position of sources that are not patched to the
REAC B output.
4
In the SOURCE LAYOUT tab, this indicates the source number. In the
M-400 LAYOUT tab, this indicates the M-400’s channel number (see
exceptions to the left).
If the same channel is being output multiple times to REAC B, only the
lowest-numbered output will be operable.
5
The following outputs cannot be operated in the M-400 LAYOUT tab
because they do not appear in the M-400’s top panel fader module
section.
• MAIN L, MAIN R, MAIN MONO
Number indication
AUX button
If this is on, the post-fader signal will be mixed to the AUX bus. (Refer
to p. 38 for enabling the AUX output mode.)
6
Meter
This indicates the input level of the source.
• MONITOR L, MONITOR R
• REC L, REC R
7
• OSCILLATOR
PAN knob
This adjusts the source’s panning in a range of L63–C–R63.
• TALKBACK
8
Fader
This adjusts the source’s level in a range of -Inf dB – +10.0 dB.
40
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Management of the M-48 live personal mixer
9
Group
Accessing the M-48 SOURCE LEV/PAN
popup
Assigns a source to a group from 1 through 16.
1.
If you don’t want to assign a source to a group, choose “--.”
Access the desired M-48 SETUP popup (☞ p. 37).
fig.ScrM48Setup.eps
You can also use the SOURCE ASSIGN popup (p. 43) to assign a
source to a group.
In the M-48 SOURCE LEV/PAN popup, the function buttons perform the
following tasks.
Operation
[F1 (SOURCE LAYOUT)]
Switches to the SOURCE LAYOUT
tab.
[F2 (M-400 LAYOUT)]
Switches to the M-400 LAYOUT
tab.
See
page
2.
Press [F3 (SOURCE LEV/PAN)].
fig.ScrM48SrcLev1.eps
[F3 (COPY MIX LEVEL)]
Accesses the COPY MIX LEVEL
popup, where you can copy the
M-400’s mix levels to sources.
p. 42
[F5 (SOURCE ON FADER)]
If this is on, you’ll be able to use
the top panel faders to adjust the
source levels.
p. 41
[F6 (MONITOR)]
If this is on, the M-400’s monitor
output will output the mix of
sources 1–40. *1
p. 41
[F7 (RESET)]
Resets the source level/pan
settings.
p. 42
[F8 (CLOSE)]
Closes the popup.
The M-48 SOURCE LEV/PAN popup will appear.
3.
*1 This function cannot be used in M-400RCS (software that remotely
controls the M-400 from a PC).
In the SOURCE LEVEL/PAN popup, the mix of sources 1–40 is
monitored using the DSP resources of the 31-band realtime analyzer.
This means that while the M-400 is displaying the SOURCE LEVEL/
PAN popup, the analyzer levels are not shown in the M-400RCS’s
METER screen or GEQ EDIT popup.
fig.RCSOccupyRTA.eps
Management of the M-48 live personal mixer
Button
Verify that the desired M-48 is shown in the target unit
indication.
If the wrong unit is selected, press [F8 (CLOSE)] to close the popup;
then re-select the target and return to step 2.
4.
Use [F1 (SOURCE LAYOUT)] or [F2 (M-400 LAYOUT)] to
select the display that you prefer.
Editing the source level/pan settings
1.
Access the desired M-48 SOURCE LEV/PAN popup
(☞ p. 41).
fig.ScrM48SrcLev1.eps
2.
Move the cursor to the faders and pan knobs of sources
1–40, and use the value dial to edit the values.
3.
If you want to hear the mix of sources 1–40 via the
M-400’s monitor output, turn [F6 (MONITOR)] on.
41
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Management of the M-48 live personal mixer
4.
If you want to use the M-400’s top panel faders to control
the levels, turn [F5 (SOURCE ON FADER)] on.
The display in the M-400 LAYOUT tab will switch in tandem with the
M-400’s channel layer buttons.
Copying the M-400’s mix levels to the
source levels
Here’s how you can copy the M-400’s mix levels (the levels from channels
to MAIN or to an AUX) to the level of the corresponding source.
1.
Access the desired M-48 SOURCE LEV/PAN popup
(☞ p. 41).
fig.ScrM48SrcLev1.eps
Resetting the source level/pan settings
1.
Access the desired M-48 SOURCE LEV/PAN popup
(☞ p. 41).
Management of the M-48 live personal mixer
fig.ScrM48SrcLev1.eps
2.
Press [F3 (COPY MIX LEVEL)].
fig.ScrM48CopyMix_Guide.eps
2.
Press [F7 (RESET)].
1
fig.ScrM48SrcLevClr_Conf.eps
2
The COPY MIX LEVEL popup will appear.
A confirmation message will ask you to confirm the operation.
3.
1
These select the mix from which the levels will copied: AUX1–AUX16
or MAIN L/R.
Press [F8 (RESET)] to reset the source level/pan settings
and close the popup.
The parameters of each source will be set to the following values.
Parameter
Value
AUX switch
ON
PAN
C
LEVEL
-Inf dB
Mix level select buttons
If you select MAIN L/R, the sends from AUX to MAIN will also be
included.
2
Copy PAN (All center on MONO MIX) button
If this is on, the send pan will also be copied.
If you use the mix level select buttons to select a mono mix, the pan
settings will be in the center.
Pressing [F7 (CANCEL)] will cancel the operation and close the
popup.
3.
Use the mix level select buttons to select the mix levels
that you want to copy.
If you also want to copy the pan, turn the Copy PAN (All center on
MONO MIX) button on.
42
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Management of the M-48 live personal mixer
4.
Press [F8 (OK)].
fig.ScrM48CopyMix_Conf.eps
Assigning sources to groups
(Source Assign settings)
M-48 SOURCE ASSIGN popup
A confirmation message will ask you to confirm the copy operation.
Here you can assign sources to groups so that they can be controlled from
the M-48’s panel. Sources 1–40 can be assigned to groups 1–16.
fig.ScrM48SrcAsgn_Guide.eps
In this example, the MAIN L/R mix is being copied.
5.
2
1
Press [F8 (COPY)]; the mix levels you selected in step 3
will be copied to the levels of the corresponding sources,
and the popup will close.
3
1
Current Assign indication
This indicates the group to which the source at the cursor location is
assigned.
2
Target M-48 indication
This indicates the unit name of the M-48 that is the target of the M-48
SOURCE ASSIGN popup.
3
Assignment grid
This grid lets you assign sources to groups (Knobs 1–16).
fig.ScrM48AsgnGrid_Guide.eps
Group indication
Source indication
Assignment symbol
• Source indication
This indicates the number and name of each source.
• Group indication
This indicates the number and name of each group (Knob).
• Assignment symbol
This symbol is shown at the intersection of each currently assigned
source and group.
To change an assignment, move the cursor to the location where
the desired source and group intersect, and press [ENTER].
A source can be assigned only to one group. You cannot assign the
same source to multiple groups.
Sources that are not assigned to a group cannot be controlled from
the M-48’s panel. If you don’t want these sources to be output from
the M-48, use the source level/pan settings (p. 40) to set their level
to -Inf dB.
43
Management of the M-48 live personal mixer
Pressing [F7 (CANCEL)] will cancel the operation.
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Management of the M-48 live personal mixer
In the M-48 SOURCE ASSIGN popup, the function buttons perform the
following tasks.
Button
Operation
[F1 (LAYER 1-8)]
Displays groups 1–8.
[F2 (LAYER 9-16)]
Displays groups 9–16.
[F7 (CLEAR ALL)]
Clears the source assignment settings.
[F8 (CLOSE)]
Closes the popup.
See
page
Setting the source assignments
1.
Access the M-48 SOURCE ASSIGN popup (☞ p. 44)
fig.ScrM48SrcAssign.eps
p. 44
In some cases you may want to set a source level up even though it is
not assigned to a group (knob) for a particular M-48.
Management of the M-48 live personal mixer
1.
For talkback communication
The mixing engineer can have talkback as one of the 40 sources,
leaving the source level up but not assigned to a particular
group (knob). This way the talkback signal is not controlled by
any of the M-48 knobs yet still can be heard by the musician.
2.
2.
To provide simple control
A source can be assigned only to one group. You cannot assign the
same source to multiple groups.
E.g., The mixing engineer can provide just vocal control for a
vocalist via source assignment. All other sources are not
assigned to any groups (knobs) and can be provided as a fixed
mix. The vocalist just adjusts the volume of their voice alone.
Accessing the M-48 SOURCE ASSIGN
popup
1.
Access the desired M-48 SETUP popup (☞ p. 37).
fig.ScrM48Setup.eps
2.
In the assignment grid, move the cursor to the location
where the desired source and group intersect, and press
[ENTER] to make an assignment symbol appear.
Press [F4 (SOURCE ASSIGN)].
Refer to “Source assignment setting examples” (p. 45).
Clearing the source assignments
1.
Access the M-48 SOURCE ASSIGN popup (☞ p. 44).
fig.ScrM48SrcAssign.eps
2.
Press [F7 (CLEAR ALL)].
fig.ScrM48SrcAssign.eps
fig.ScrM48SrcAssignClr_Conf.eps
A confirmation message will ask you to confirm the operation.
3.
Press [F8 (CLEAR)]; the source assignments will be
cleared and the popup will close.
The M-48 SOURCE ASSIGN popup will appear.
3.
Verify that the desired M-48 unit is shown in the target
unit indication.
If the wrong unit is selected, press [F8 (CLOSE)] to close the popup, reselect the desired target unit, and return to step 2.
44
Pressing [F7 (CANCEL)] will cancel the operation.
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Management of the M-48 live personal mixer
Source assignment setting examples
Here are examples of source assignment settings for different musicians: a drummer, a lead vocalist, and a backing vocalist (Based on system configuration
example shown on p. 33).
● Example settings for a drummer
These example settings emphasize individual adjustments for each drum mic.
Source
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
AUX9
AUX10
AUX11
AUX12
AUX13
AUX14
MAIN L
MAIN R
Kick
Snare
HiHat
Tom1
Tom2
Tom3
Ride
Crash
OH L
OH R
Bass
Click
E.Gtr1L
E.Gtr1R
E.Gtr2L
E.Gtr2R
A.Gtr L
A.Gtr R
Keys L
Keys R
PianoL
PianoR
LeadVo
B.Vo 1
B.Vo 2
B.Vo 3
Choir1
Choir2
Choir3
Amb L
Amb R
Talkback
3
HH
4
5
6
7
Tom1 Tom2 Tom3 Cym
Group
8
9
OH Bass
10
GTR
11
KEY
12
Lead
13
14
15
16
BGV House Amb Click
Remarks
Used mainly for
output from the
S-1608
●
Management of the M-48 live personal mixer
1
2
3
4
5
6
7
1
2
Kick Snare
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
Used as sources for
the M-48
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
In this example, sources 1–8 (corresponding to the M-400’s REAC B OUT1–8) are assumed to be used for output from the S-1608, and are not
assigned sources other than MAIN L and MAIN R.
Sources that are not assigned to a group cannot be controlled from the M-48’s panel. If you don’t want these sources to be output from the M-48,
use the source level/pan settings (p. 40) to set their level to -Inf dB.
45
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Management of the M-48 live personal mixer
● Example settings for a lead vocalist
These example settings emphasize individual adjustments for each vocal mic and each type of instrument.
Source
1
2
3
4
5
6
7
Management of the M-48 live personal mixer
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
46
1
2
3
4
5
6
Lead BGV1 BGV2 BGV3 Choir Bass
AUX9
AUX10
AUX11
AUX12
AUX13
AUX14
MAIN L
MAIN R
Kick
Snare
HiHat
Tom1
Tom2
Tom3
Ride
Crash
OH L
OH R
Bass
Click
E.Gtr1L
E.Gtr1R
E.Gtr2L
E.Gtr2R
A.Gtr L
A.Gtr R
Keys L
Keys R
PianoL
PianoR
LeadVo
B.Vo 1
B.Vo 2
B.Vo 3
Choir1
Choir2
Choir3
Amb L
Amb R
Talkback
7
EG
Group
8
9
10
AG Kick Snare
11
HH
12
Kit
13
14
15
KEY House Amb
16
TB
Remarks
Used mainly for
output from the
S-1608
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
Used as sources
for the M-48
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
M-400_v2_e.book 47 ページ２００９年３月３日　火曜日　午後７時５２分
Management of the M-48 live personal mixer
● Example settings for a backing vocalist
These example settings emphasize individual adjustments for each vocal mic, but also aim for simplicity, with all instruments other than bass
combined into a single group.
Source
1
2
3
4
5
6
7
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
AUX9
AUX10
AUX11
AUX12
AUX13
AUX14
MAIN L
MAIN R
Kick
Snare
HiHat
Tom1
Tom2
Tom3
Ride
Crash
OH L
OH R
Bass
Click
E.Gtr1L
E.Gtr1R
E.Gtr2L
E.Gtr2R
A.Gtr L
A.Gtr R
Keys L
Keys R
PianoL
PianoR
LeadVo
B.Vo 1
B.Vo 2
B.Vo 3
Choir1
Choir2
Choir3
Amb L
Amb R
Talkback
Group
8
9
10
11
12
13
14
15
House Amb
16
Remarks
Used mainly for
output from the
S-1608
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
Used as sources for
the M-48
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
47
Management of the M-48 live personal mixer
8
9
10
1
2
3
4
5
6
7
BGV1 Lead BFV2 BGV3 Choir Bass Band
M-400_v2_e.book 48 ページ２００９年３月３日　火曜日　午後７時５２分
Management of the M-48 live personal mixer
7
Checking and adjusting the
musician’s mix (Group Mix)
PAN knob
This adjusts the group’s pan in a range of L63–C–R63.
This pan setting is a relative adjustment to the pan specified by the
source level/pan settings. In some cases, the M-48’s source pan may
reach the maximum or minimum value before this value reaches the
maximum or minimum value.
M-48 GROUP MIX popup
fig.ScrM48GrpMix1_Guide.eps
8
VOLUME knob
1
2
This adjusts the group’s volume in a range of -Inf dB – +20.0 dB.
4
3
Management of the M-48 live personal mixer
5
6
7
8
This volume setting is a relative adjustment to the level specified by
the source level/pan settings. In some cases, the M-48’s source level
may reach the maximum or minimum value before this value
reaches the maximum or minimum value.
The following knobs are shown if the EQ setting indication is displayed.
• When the EQ setting display is shown
fig.ScrM48GrpMix2_Guide.eps
9
HI GAIN knob
This adjusts the HI gain in a range of -15.0 dB – +15.0 dB.
1
2
10 MID GAIN knob
5
3
This adjusts the MID gain in a range of -15.0 dB – +15.0 dB.
9
10
11
12
11 MID FREQ
This adjusts the MID center frequency in a range of 20 Hz–20.0 kHz.
12 LO GAIN knob
This adjusts the LO gain in a range of -15.0 dB – +15.0 dB.
1
Target M-48 indication
This indicates the unit name of the M-400 that is the target of the
M-48 GROUP MIX popup.
2
Group number
In the M-48 GROUP MIX popup, the function buttons perform the
following tasks.
Button
Operation
This indicates the group number (Knob).
See
page
[F1 (LAYER 1-8)]
3
NAME
Switches the group layer.
[F2 (LAYER 9-16)]
This indicates the group name.
4
[F3 (EDIT EQ)]
Turning this on will switch to the EQ
setting display.
You can move the cursor here and press [ENTER] to access the NAME
EDIT popup.
[F5 (REVERB ON)]
Turns the reverb on/off.
[F6 (SOLO CLEAR)]
Clears solo settings for all groups. This will
be on if any groups are soloed.
SOLO button
[F7 (RESET)]
Returns the group mix to the default state. p. 49
[F8 (CLOSE)]
Closes the popup.
This turns solo on/off for each group.
5
EQ graph
This indicates the approximate response of the group’s EQ.
You can move the cursor here and press [ENTER] to turn the EQ
indication on/off.
6
REVERB SEND knob
This adjusts the group’s reverb send in a range of -Inf dB – +10.0 dB.
48
M-400_v2_e.book 49 ページ２００９年３月３日　火曜日　午後７時５２分
Management of the M-48 live personal mixer
Accessing the M-48 GROUP MIX popup
1.
Access the desired M-48 SETUP popup (☞ p. 37).
fig.ScrM48Setup.eps
Resetting the group mix to the default
settings
1.
Access the desired M-48 GROUP MIX popup (☞ p. 49).
fig.ScrM48GrpMix1.eps
Press [F3 (GROUP MIX)].
fig.ScrM48GrpMix1.eps
2.
Management of the M-48 live personal mixer
2.
Press [F7 (RESET)].
fig.ScrM48GrpMixClr_Conf.eps
A confirmation message will ask you to confirm the operation.
3.
The M-48 GROUP MIX popup will appear.
3.
Verify that the desired M-48 unit is shown in the target
unit indication.
If the wrong unit is selected, press [F8 (CLOSE)] to close the popup, reselect the desired target unit, and refer to step 2.
Press [F8 (RESET)]; the group mix will be reset to the
default settings.
This operation will not change the group names.
Pressing [F7 (CANCEL)] will cancel the operation.
The parameters of each group will be set to the following values.
Checking and adjusting the group mix
1.
Access the desired M-48 GROUP MIX popup (☞ p. 49).
fig.ScrM48GrpMix1.eps
2.
Parameter
Value
VOLUME
0.0 dB
PAN
C
REVERB SEND
-Inf dB
HI GAIN
0.0 dB
MID GAIN
0.0 dB
MID FREQ
1.00 kHz
LO GAIN
0.0 dB
SOLO
OFF
Use [F1 (LAYER 1-8)] or [F2 (LAYER 9-16)] to choose the
group you want to view, and note the group mix settings.
Turning [F3 (EDIT EQ)] on will switch to the EQ setting indication,
allowing you to view the EQ values.
3.
If necessary, move the cursor to a parameter and use the
value dial to edit the value.
49
M-400_v2_e.book 50 ページ２００９年３月３日　火曜日　午後７時５２分
Management of the M-48 live personal mixer
Copying M-48 settings
Copying M-48 settings
1.
M-48 COPY popup
Access the M-48 MANAGER popup (☞ p. 34).
fig.ScrM48Manager.eps
This popup lets you copy the current settings of one M-48 unit to other
M-48 units.
fig.ScrM48Copy_Guide.eps
Management of the M-48 live personal mixer
1
2
3
2.
In the M-48 list, move the cursor to the desired copysource M-48 unit, and press [F3 (COPY)].
fig.ScrM48Copy.eps
1
Copy-source unit indication
This indicates the copy-source M-48 unit.
2
Copy-destination list
Specify the copy-destination M-48 unit(s) in this list.
The list shows the following items.
Item
Explanation
DEST
Press [ENTER] to add or clear the check
mark. A check mark indicates that the unit
is selected as a copy destination.
NO.
Indicates the number in the list.
UNIT NAME
Indicates the unit name.
The M-48 COPY popup will appear.
3.
If the wrong copy-source unit is selected, press [F8 (CLOSE)] to close
the popup, return to step 2, and select the desired copy source.
4.
3
Copy parameter select buttons
Explanation
SOURCE LEV/PAN
Source level/pan settings
SOURCE ASSIGN
Group assignment settings
PREFERENCES
Preference settings
GROUP MIX
Group mix
In the copy-destination list, add a check mark to the
desired copy-destination M-48 units.
Press [ENTER] to assign or clear a check mark.
Use these to select the parameters to be copied. Parameters for
which there is a check mark will be copied.
Item
Verify that the copy-source unit indication shows the
desired M-48 unit.
You can use [F1 (MARK ALL)] or [F2 (CLEAR MARKS)] to assign or
clear check marks for all DEST fields in the copy-destination list.
5.
Use the copy parameter select buttons to select the
parameters that you want to copy.
6.
Press [F5 (PASTE)].
fig.ScrM48Copy_Conf.eps
In the M-48 COPY popup, the function buttons perform the following
tasks.
Button
Operation
[F1 (MARK ALL)]
Adds a check mark to all DEST fields of the
copy-destination list.
[F2 (CLEAR MARKS)]
Clears the check marks from all DEST fields of
the copy-destination list. This indication will
be on if any DEST fields have check marks.
[F5 (PASTE)]
Executes the copy.
[F8 (CLOSE)]
Closes the popup.
A confirmation message will ask you to confirm the copy operation.
7.
Press [F8 (PASTE)].
The copy will be executed, and a message indicating the processing
status will appear. This message will close when copying is
completed.
Pressing [F7 (CANCEL)] will cancel the operation.
50
M-400_v2_e.book 51 ページ２００９年３月３日　火曜日　午後７時５２分
Management of the M-48 live personal mixer
M-48 memory operations
In the M-48 MEMORY popup, the function buttons perform the following
tasks.
Operation
[F1 (SELECTED UNIT)]
Shows the SELECTED UNIT tab.
[F2 (ALL UNITS)]
Shows the ALL UNITS tab.
[F3 (NAME EDIT)] *1 *2
Accesses the NAME EDIT popup where
you can edit the memory name.
[F4 (RECALL)] *2
Recalls the memory number selected in
p. 52
the list.
[F5 (STORE)] * 2
Accesses the M-48 MEMORY STORE
popup, where you can store to the
memory number selected in the list.
p. 52
[F6 (CLEAR)] *2
Returns the contents of the memory
selected in the list to the default state.
p. 53
[F7 (MEMORY SAFE)] *1
Turns MEMORY SAFE on/off for the
target M-48 unit.
[F8 (CLOSE)]
Closes the popup.
M-48 MEMORY popup
In this popup you can operate the M-48’s memory functions by recalling
or storing memories on one or all M-48 units. There are two views: the
SELECTED UNIT tab and the ALL UNITS tab.
SELECTED UNIT tab
fig.ScrM48Memory.eps
In this tab you can manipulate the memories of the M-48 unit that is
selected in the M-48 list.
See
page
Management of the M-48 live personal mixer
Button
*1 Not shown in the ALL UNITS tab.
*2 Not available if [F7 (MEMORY SAFE)] is on.
ALL UNITS tab
fig.ScrM48MemoryAll.eps
Accessing the M-48 MEMORY popup
1.
Access the M-48 MANAGER popup (☞ p. 34).
fig.ScrM48Manager.eps
In this tab you can manipulate the memories of all M-48 units (except for
units whose MEMORY SAFE function is on).
fig.ScrM48Memory_Guide.eps
1
2
2.
In the M-48 list, move the cursor to the desired M-48
MEMORY NO., and press [ENTER].
fig.ScrM48Memory.eps
1
Target unit indication
This indicates the M-48 that is the target of memory operations.
2
Memory list
This lists the memories of the target M-48 unit. The current memory
number is shown in green.
The list shows the following items.
Item
Explanation
NO.
Indicates the memory number.
NAME
Indicates the memory name. *
*
The M-48 MEMORY popup will appear.
3.
Verify that the desired M-48 unit is shown in the target
unit indication.
If the wrong unit is selected, press [F8 (CLOSE)] to close the M-48
MEMORY popup, return to step 2, and select the correct copy source.
This is not shown in the ALL UNITS tab.
51
M-400_v2_e.book 52 ページ２００９年３月３日　火曜日　午後７時５２分
Management of the M-48 live personal mixer
Storing the M-48’s current memory
Management of the M-48 live personal mixer
1.
Access the M-48 MEMORY popup (☞ p. 51).
Recalling a memory to the M-48
1.
Access the M-48 MEMORY popup (☞ p. 51).
fig.ScrM48Memory.eps
fig.ScrM48Memory.eps
2.
2.
Select the desired memory in the memory list.
If the ALL UNITS tab is shown, all M-48 units will be affected by this
operation (except for units whose MEMORY SAFE function is on).
3.
Select the desired memory in the memory list.
If the ALL UNITS tab is shown, all M-48 units will be affected by this
operation (except for units whose MEMORY SAFE function is turned
on).
Press [F5 (STORE)].
fig.ScrM48MemStore.eps
3.
Press [F4 (RECALL)].
fig.ScrM48MemRecall_Conf.eps
The M-48 MEMORY STORE popup will appear.
4.
A confirmation message will ask you to confirm the recall operation.
Edit the name in the name edit field, and press
[F8 (STORE)].
In this example, memory number 3 is being recalled.
fig.ScrM48MemStore_Conf.eps
You cannot execute this operation for units whose MEMORY SAFE
function is turned on.
4.
A confirmation message will ask you to confirm the store operation.
The memory you selected in step 2 will be recalled to the M-48’s
current memory, and the popup will close.
In this example, the current memory is being stored to memory
number 3.
Pressing [F7 (CANCEL)] will cancel the operation.
You cannot execute this operation for units whose MEMORY SAFE
function is turned on.
5.
Press [F8 (STORE)].
The M-48’s current memory settings will be stored to the memory
you selected in step 2, and the popup will close.
Pressing [F7 (CANCEL)] will cancel the operation.
52
Press [F8 (RECALL)].
M-400_v2_e.book 53 ページ２００９年３月３日　火曜日　午後７時５２分
Management of the M-48 live personal mixer
Clearing the contents of an M-48 memory
1.
Access the M-48 MEMORY popup (☞ p. 51).
fig.ScrM48Memory.eps
Using the M-48 library
M-48 LIBRARY popup
In this popup you can perform operations on the M-400’s M-48 library.
The current settings of the M-48 can be organized in the form of a
“Library,” and saved on the M-400.
fig.ScrM48Library_Guide.eps
2
1
2.
3
Select the desired memory in the memory list.
3.
Press [F6 (CLEAR)].
1
Target unit indication
This indicates the M-48 unit to which operations in the M-48 LIBRARY
popup will apply.
fig.ScrM48MemClr_Conf.eps
2
Library list
This lists the library items for the target M-48.
The following items are shown in the list.
A confirmation message will ask you to confirm the operation.
In this example, memory number 3 is being cleared.
You cannot execute this operation for units whose MEMORY SAFE
function is turned on.
4.
Press [F8 (CLEAR)]; the contents of the memory you
selected in step 2 will be cleared, and the memory will be
initialized.
Pressing [F7 (CANCEL)] will cancel the operation.
3
Item
Explanation
NO.
Indicates the library item number.
NAME
Indicates the library item name.
STATUS
This will indicate LOCK if the library item is locked.
Recall parameter select buttons
These buttons select the parameters that will be recalled from the
library. Parameters with a check mark will be recalled.
Item
Explanation
SOURCE LEV/PAN
Source level/pan settings
SOURCE ASSIGN
Group assign settings
PREFERENCES
Preference settings
GROUP MIX
Group mix
In the M-48 LIBRARY popup, the function buttons perform the following
tasks.
Button
Operation
See
page
[F3 (NAME EDIT)]
Accesses the NAME EDIT popup, where you
can edit the name of a library item.
[F4 (RECALL)]
Recalls the library item selected in the list. *1
p. 55
[F5 (STORE)]
Accesses the LIBRARY STORE popup, where
you can store to the library item selected in
the list. *1
p. 54
[F6 (CLEAR)]
Clears the library item selected in the list. *1
p. 55
[F7 (LOCK)]
Locks/unlocks the library item selected in the
list.
[F8 (CLOSE)]
Closes the popup.
*1 Cannot be used if the selected library item is locked.
53
Management of the M-48 live personal mixer
If the ALL UNITS tab is shown, all M-48 units will be affected by this
operation (except for units whose MEMORY SAFE function is turned
on).
M-400_v2_e.book 54 ページ２００９年３月３日　火曜日　午後７時５２分
Management of the M-48 live personal mixer
Accessing the M-48 LIBRARY popup
1.
Access the M-48 MANAGER popup (☞ p. 34).
Management of the M-48 live personal mixer
fig.ScrM48Manager.eps
2.
In the M-48 list, move the cursor to the desired M-48 unit
and press [F4 (LIBRARY)].
Storing to the M-48 library
1.
Access the M-48 LIBRARY popup (☞ p. 54).
fig.ScrM48Library.eps
2.
In the library list, select the store-destination number.
3.
Press [F5 (STORE)].
fig.ScrM48LibStore.eps
fig.ScrM48Library.eps
The LIBRARY STORE popup will appear.
4.
Edit the name in the name edit field, and press
[F8 (STORE)].
fig.ScrM48LibStore_Conf.eps
The M-48 LIBRARY popup will appear.
3.
Verify that the target unit indication shows the desired
M-48 unit.
If the wrong unit is selected, press [F8 (CLOSE)] to close the M-48
LIBRARY popup, return to step 2, and select the correct copy source.
A confirmation message will ask you to confirm the store operation.
In this example, the settings are being stored to library item number
2.
5.
Press [F8 (STORE)]; the store operation will be executed,
and a status message will indicate the progress of the
operation.
When the store operation is completed, the message will disappear.
Pressing [F7 (CANCEL)] will cancel the operation.
The confirmation message in step 5 will not appear if the user
preference CONFIRMATION select button “SCENE/LIB STORE” is
unchecked.
54
M-400_v2_e.book 55 ページ２００９年３月３日　火曜日　午後７時５２分
Management of the M-48 live personal mixer
Recalling settings from the M-48 library
1.
Access the M-48 LIBRARY popup (☞ p. 54).
Clearing an M-48 library item
1.
Access the M-48 LIBRARY popup (☞ p. 54).
fig.ScrM48Library.eps
2.
In the library list, select the library item that you want to
recall.
2.
In the library list, select the library item that you want to
clear.
3.
Use the recall parameter select buttons to select the
parameters that you want to recall.
3.
Press [F6 (CLEAR)].
4.
Management of the M-48 live personal mixer
fig.ScrM48Library.eps
fig.ScrM48LibDel_Conf.eps
Press [F4 (RECALL)].
fig.ScrM48LibRecall_Conf.eps
A confirmation message will ask you to confirm the operation.
In this example, library item number 2 is being cleared.
A confirmation message will ask you to confirm the recall operation.
4.
5.
Press [F8 (CLEAR)].
In this example, library item number 2 is being recalled.
The library item you selected in step 2 will be cleared.
Press [F8 (RECALL)]; the recall operation will be executed,
and a status message will indicate the progress of the
operation.
Pressing [F7 (CANCEL)] will cancel the operation.
When the recall is completed, the message will disappear.
Pressing [F7 (CANCEL)] will cancel the operation.
The confirmation message in step 4 will not appear if the user
preference CONFIRMATION select button “SCENE/LIB RECALL” is
unchecked.
55
M-400_v2_e.book 56 ページ２００９年３月３日　火曜日　午後７時５２分
Management of the M-48 live personal mixer
Saving/loading USB memory
Accessing the M-48 LOAD/SAVE popup
1.
M-48 LOAD/SAVE popup
Access the M-48 MANAGER popup (☞ p. 34).
fig.ScrM48Manager.eps
In this popup, all data stored in an M-48 can be loaded from or stored to
USB memory as a project file.
fig.ScrM48LoaSave_Guide.eps
2
Management of the M-48 live personal mixer
1
2.
Press [F5 (LOAD/SAVE)].
fig.ScrM48LoadSave.eps
1
Target unit list
This list shows the M-48 units to which the load or save operation will
apply.
The list shows the following items.
2
Item
Explanation
MARK
Add check marks to this column if you want
to load or save data for multiple M-48 units.
Pressing [ENTER] will add or remove the
check mark.
NO.
Indicates the number in the list.
UNIT NAME
Indicates the unit name.
The M-48 LOAD/SAVE popup will appear.
Saving an M-48 project to USB memory
1.
Project file list
Access the M-48 LOAD/SAVE popup (☞ p. 56).
fig.ScrM48LoadSave.eps
This lists the M-48 project files that have been saved to USB memory.
You can specify the save-destination folder for the project file, or
specify the project file that you want to load.
In the M-48 LOAD/SAVE popup, the function buttons perform the
following tasks.
Button
Operation
[F1 (MARK ALL)]
Adds a check mark to all MARK fields of
the target unit list.
See
page
2.
Clears the check marks from all MARK
[F2 (CLEAR MARKS)] fields of the target unit list. This will be on
if any MARK fields are checked.
[F3 (MAKE FOLDER)] Creates a folder in the project file list.
In the target unit list, select the M-48 unit whose project
you want to save.
If you want to save the projects for multiple M-48 units, press [ENTER]
to add or clear the check marks in the appropriate MARK fields.
p. 62
By pressing [F1 (MARK ALL)] or [F2 (CLEAR MARKS)] you can add or
clear the check marks in all MARK fields of the target unit list.
[F4 (NAME EDIT)]
Accesses the NAME EDIT popup where
you can edit the name of the file or folder.
[F5 (LOAD)]
Loads the project file selected in the
project file list.
p. 57
[F6 (SAVE)]
Saves the data of the target unit.
p. 56
[F7 (DELETE)]
Deletes the selected file or folder from
the project file list.
p. 58
[F8 (CLOSE)]
Closes the popup.
3.
In the project file list, move to the location in the folder
hierarchy in which you want to save the data.
By selecting a folder and pressing [ENTER], you can move downward
into that folder. By selecting “..” and pressing [ENTER] you can move
back to the folder above the current one.
Pressing [F3 (MAKE FOLDER)] will create a new folder.
56
M-400_v2_e.book 57 ページ２００９年３月３日　火曜日　午後７時５２分
Management of the M-48 live personal mixer
4.
Press [F5 (SAVE)].
fig.ScrM48Save.eps
Loading an M-48 project from USB
memory
1.
Access the M-48 LOAD/SAVE popup (☞ p. 56).
fig.ScrM48LoadSave.eps
The M-48 SAVE popup will appear.
If you selected a single M-48 unit in step 2, specify a file name.
5.
2.
In the project file list, select the project file that you want
to load.
By selecting a folder and pressing [ENTER], you can move downward
into that folder. By selecting “..” and pressing [ENTER] you can move
back to the folder above the current one.
Edit the name in the name edit field, and press
[F8 (SAVE)].
fig.ScrM48Save_Conf.eps
3.
In the target unit list, select the M-48 unit into which you
want to load the project.
If you want to load the project into multiple M-48 units, press [ENTER]
to add or clear the appropriate check marks.
By pressing [F1 (MARK ALL)] or [F2 (CLEAR MARKS)] you can add or
clear the check marks in all MARK fields of the target unit list.
A confirmation message will ask you to confirm the save operation.
The amount of time required for the save procedure to be carried
out will vary depending on the number of M-48 units you’ve
selected in step 2.
4.
Press [F4 (LOAD)].
fig.ScrM48Load_Conf.eps
Pressing [F7 (CANCEL)] will cancel the operation.
6.
When you press [F8 (SAVE)], a message indicating the
status of the save procedure will appear.
A confirmation message will ask you to confirm the load operation.
When saving is finished, the “Completed” message will appear.
Press [F8 (OK)] to close the message.
Loading will require approximately one minute for each unit. The
total amount of time required for loading will depend on the
number of M-48 units you selected in step 3.
Do not disconnect the USB memory or switch off the M-400’s
power while data is being saved to USB memory. Doing so may
damage the data saved on USB memory.
Pressing [F7 (CANCEL)] will cancel the operation.
5.
Press [F7 (LOAD)]; the load operation will be executed,
and a message will indicate the processing status.
When loading is finished, the “Completed” message will appear.
Press [F8 (OK)] to close the message.
Do not disconnect the USB memory or switch off the M-400’s
power while data is being loaded from USB memory. Doing so
may damage the data saved on USB memory.
57
Management of the M-48 live personal mixer
If you added a check mark to multiple M-48 units in step 2, specify a
folder name. A new folder with the specified name will be created,
and a separate project file for each M-48 unit will be saved in that
folder. The name of each project file will consist of the “number in
the list” + “unit name.”
M-400_v2_e.book 58 ページ２００９年３月３日　火曜日　午後７時５２分
Management of the M-48 live personal mixer
Deleting a project file or folder
1.
Access the M-48 LOAD/SAVE popup (☞ p. 56).
fig.ScrM48LoadSave.eps
Management of the M-48 live personal mixer
2.
In the project file list, select the project file that you want
to delete.
This operation cannot delete files or folders other than M-48 project
files or folders.
A folder must be empty before it can be deleted.
3.
Press [F7 (DELETE)].
fig.ScrDelete_Conf.eps
A confirmation message will ask you to confirm the operation.
4.
Press [F8 (DELETE)] to delete the file or folder.
Pressing [F7 (CANCEL)] will cancel the operation.
58
M-400_v2_e.book 59 ページ２００９年３月３日　火曜日　午後７時５２分
Other new functionality
New functionality in the
MONITOR screen
fig.ScrMonitor_Guide.eps
Setting all AUX send points in a single
operation
1.
Press the [SEL] button of any channel CH1–48 to select an
input channel.
2.
In the CHANNEL EDIT section’s AUX SENDS area, press
[DISP] to access the AUX SENDS popup.
fig.ScrAuxSends.eps
1
Other new functionality
1
2
MONITOR SOURCE follows SENDS ON FADER button
If this has a check mark, the monitor source will change in tandem
with SENDS ON FADER. When SENDS ON FADER mode is turned off,
the monitor source will return to its previous setting.
3.
Press [F6 (ALL CH POINTS)] to access the ALL CH SEND
POINTS popup.
fig.ScrSendPoints.eps
2
[F8 (M-48 MANAGER)] button
This accesses the M-48 MANAGER popup.
ALL CH SEND POINTS popup
fig.ScrSendPoints_Guide.eps
4.
Use the send point select buttons to select the desired
send point.
5.
Press [F8 (OK)]; the AUX send points you selected in step
4 will be assigned for all channels CH1–CH48 in a single
operation, and the popup will close.
Pressing [F7 (CANCEL)] will cancel the operation and close the
popup.
1
This popup allows you to set the AUX send points for CH1–CH48 in a single
operation.
1
Send point select buttons 1–16
These buttons select the send point for AUX1–AUX16 from the
following choices.
Selection
Explanation
Keep
Maintains the current setting.
PRE EQ
Specifies pre-EQ.
PRE FD
Specifies pre-fader.
POST FD
Specifies post-fader.
59
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Other new functionality
New functionality in the CHANNEL
DISPLAY screen (CH1–CH48)
You can now change the target of the GAIN knob in the PREAMP area of
the CHANNEL EDIT section, so that this knob will control the channel
attenuator. This is convenient when you want to fix the preamp gain of the
stage box, and use the attenuator to adjust the channel’s input level.
New functionality in the DCA
GROUP screen
In the DCA GROUP screen you can now use the top panel faders to control
DCA groups.
fig.ScrDCAGroup_Guide.eps
Other new functionality
fig.ScrChDispCH1_Guide.eps
1
1
1
1
[F6 (DCA1-8 ON FADER)] button
If this is on, the top panel fader modules 17–24 will control DCA
groups.
These fader modules will operate as follows.
[F7 (ATT Ctrl)] button
If this is on, the target of the GAIN knob will change to controlling the
channel attenuator.
The [F7 (ATT Ctrl)] setting is common to all channels CH1–48.
The [F7 (ATT Ctrl)] setting is stored in the M-400 as a system
parameter. It is not saved in scene memory.
When the M-400 is configured as a Monitor console, it is convenient
to use the GAIN knob as an attenuator over the shared inputs.
Controller
Operation
[SEL]
Accesses the DCA GROUP ASSIGN popup
[SOLO]
Solos the DCA group.
[MUTE]
Mutes the DCA group.
Fader
Adjusts the level of the DCA group.
You can use [SEL] to access the DCA GROUP ASSIGN popup even
from the AUX/DCA layer or the user layer.
When you access the DCA GROUP ASSIGN popup, the [F6 (DCA1-8
ON FADER)] function will be temporarily disabled.
New functionality in the
INITIALIZE popup (SYSTEM screen)
fig.ScrInit_Guide.eps
1
1
USER PREFERENCE (added to the Select Section for
Initialize buttons)
If this button has a check mark, the user preferences will be initialized.
60
M-400_v2_e.book 61 ページ２００９年３月３日　火曜日　午後７時５２分
Other new functionality
New functionality in the LOAD/
SAVE popup (SYSTEM screen)
User Preference and M-48 Library have been added to the project file.
Newly added popup for
confirming or editing the name
when storing or saving
fig.ScrLoadSave_Guide.eps
When you store scene or library data, or when you save a file, a popup will
now appear, allowing you to confirm or change the name.
The procedure for editing the name is the same as in the NAME EDIT
popup.
1
2
SCENE STORE popup
fig.ScrSceneStore.eps
1
If this button has a check mark, the M-48 library data will be loaded.
2
USER PREFERENCE
(added to the LOAD SECTION select buttons)
If this button has a check mark, the user preferences will be loaded.
Projects saved by an M-400 with a system program version earlier
than 2.0 do not contain user preference or M-48 library data. When
you load such a project file, the following message will appear,
reminding you that this data will not be loaded.
This will appear when you store a scene memory. Press [F8 (STORE)] to
execute the store operation and close the popup.
Pressing [F7 (CANCEL)] will cancel the store operation and close the
popup.
fig.ScrLoadProj_Conf.eps
LIBRARY STORE popup
fig.ScrLibStore.eps
This will appear when you store library data. Press [F8 (STORE)] to execute
the store operation and close the popup.
Pressing [F7 (CANCEL)] will cancel the store operation and close the
popup.
CREATE NEW USER popup
fig.ScrCreateUser.eps
This will appear when you create user settings. Press [F8 (CREATE)] to
create the user settings and close the popup.
Pressing [F7 (CANCEL)] will cancel the operation and close the popup.
61
Other new functionality
M-48 LIBRARY
(added to the LOAD SECTION select buttons)
M-400_v2_e.book 62 ページ２００９年３月３日　火曜日　午後７時５２分
Other new functionality
SAVE CURRENT USER popup
fig.ScrSaveCurrent.eps
Support for direct connection of
Master REAC to Split REAC
In previous REAC systems, it was assumed that a master REAC device must
be paired with a slave REAC device.
With version 2.0, it is now possible to connect split REAC devices to the
M-400 REAC B port that is operating as the master REAC device.
This will appear when you save user settings. Press [F8 (SAVE)] to execute
the save operation and close the popup.
Examples)
• Connect an M-48 (fixed as a REAC split) to the REAC B port
fig.MSConnectEx1.eps
M-48
Pressing [F7 (CANCEL)] will cancel the operation and close the popup.
LIVE PERSONAL MIXER
M-48
M-48
LIVE PERSONAL MIXER
(SPLIT)
M-48
M-48
LIVE PERSONAL MIXER
(SPLIT)
M-48
(SPLIT)
Other new functionality
PROJECT SAVE popup
S-4000S
fig.ScrSaveProj.eps
S-4000D
SLAVE
This will appear when you save a project. Press [F8 (SAVE)] to execute the
save operation and close the popup.
REAC A REAC B
MASTER MASTER
Pressing [F7 (CANCEL)] will cancel the operation and close the popup.
FOH CONSOLE
MAKE FOLDER popup
fig.ScrMakeFolder.eps
• Connect a SONAR REAC recording system (fixed as a REAC split)
to the REAC B port
fig.MSConnectEx2.eps
Cakewalk SPS-66 /
EDIROL FA-66
(DIGITAL IN SYNC)
S-4000S
Firewire
(IEEE1394)
This will appear when you create a folder. Press [F8 (OK)] to create the
folder and close the popup.
SLAVE
PC
to Ethernet connector
Pressing [F7 (CANCEL)] will cancel the operation and close the popup.
DIGITAL OUT
(Optical)
REAC A REAC B
MASTER MASTER
FOH CONSOLE
62
Block diagram (LCR SYSTEM: ON)
MAIN
LR
TO REAC A OUT
AUX
SOLO
1 2 (C) 16 L R
16 INPUTS
S-1608 INPUT
GAIN
PEAK
SIG
+48V
POST ATT
INPUT
PATCHBAY
A/D
REAC A
INPUT
8 INPUTS
S-0816
INPUT1–8
PHANTOM
GAIN
CH 1–48
PRE FADER
POST ATT
GATE IN GATE OUT COMP OUT
GR
32
PRE EQ
PRE FADER
PHASE
MAX 40 INPUTS
FADER BAL
ATT
FILTER
GATE/
EXP
MUTE
OUTPUT LEVEL
To another
M-400
GEQ
INSERT
MUTE FADER
LR SW
PAN
4BAND
EQ
LCR
40
SI-AD4
PHANTOM
GAIN
TO
GATE
KEY-IN
+48V
REAC B
INPUT
A/D
GATE
KEY-IN
1
SI-AES4
AES/EBU
CENTER
TO
COMP
KEY-IN
MAIN SW
PAN
(LCR)
Up to 24 GATE / EXP units are available.
Up to 24 COMP units are available.
33
From another FOH 40 Channel split out
(For REAC A only)
M-400
PRE EQ
PRE FADER
POST FADER
SW
PRE EQ
PRE FADER
POST FADER
SW
SEND
AUX
LINK
D/A
TO AUX 1, 3...7
PAN
MAIN
OUT R
SEND
TO AUX 2, 4...8
PRE EQ
PRE FADER
POST FADER
AUX SEND 1–16
32
SRC
MAX 40 OUTPUTS
SO-DA4
MAIN
OUT C
SPLIT/
BACKUP
OUT
8
1
REAC A
OUT
PRE EQ
PRE FADER
POST FADER
SEND
PRE EQ
PRE FADER
POST FADER
SEND
AUX
LINK
SW
MTX
LINK
SW SEND
D/A
TO MTX 2, 4...8
PAN
SOLO
S-0816 OUTPUT 16 OUTPUTS
TO SOLO
40
S-1608 OUTPUT 8 OUTPUTS
40
SW SEND
TO AUX
1, 3...15
SRC
OUTPUT 1–8
TO MTX 1, 3...7
PAN
SO-AES4
AES/EBU
9
MATRIX SEND 1–8
COMP
KEY-IN
MONITOR/
BROADCAST
S-4000S OUTPUT
AUX SEND 1–16
C SW
COMP
MAIN
OUT L
LIMITER
POST FADER
GR
EXT FX
FX
INSERT INSERT
33
POST FADER
4BAND
EQ
ATT
PREAMP
A/D
S-4000S
PRE EQ
EXT FX
FX
INSERT INSERT
1
PEAK
SIG
+48V
OUTPUT
PATCHBAY
MAIN L, R, C
INPUT1–16
PHANTOM
REAC A INPUT
REAC B INPUT
Total 32 channel
Total 32 channel
SW
OUTPUT 1–16
TO MONITOR SELECT
TO REC SELECT
TO AUX
2, 4...16
D/A
GAIN
PHANTOM
+48V
CONSOLE INPUT 1–8
PFL(L)
AFL(L)
PFL(R)
AFL(R)
A/D
GAIN
STEREO INPUT L, R
AFL SW
PRE EQ
PRE FADER
POST FADER
A/D
AUX 1–16 (One of the AUX is used as MAIN C)
S-4000S OUTPUT
SOLO
POST ATT
DIRECT OUT
POINT
PRE EQ
MAX 40 OUTPUTS
OUTPUT LEVEL
SO-DA4
D/A
FX
EXT FX
INSERT INSERT
FADER BAL
MUTE
4BAND
EQ
ATT
TO MAIRIX 1–8,
TO OUTPUT PATCHBAY
POST FADER
PRE FADER
GEQ
INSERT
SO-AES4
AES/EBU
AUX 1–16
OUT
LIMITER
MAIN SEND
SRC
C SW
OSC
LEVEL
OSCILLATOR
FX 1 OUT L / R
FX 2 OUT L / R
FX 3 OUT L / R
OSC
LEVEL
PINK NOISE
WHITE NOISE
SINE WAVE
FX 4 OUT L / R
OSC
ON
TO EXTARNAL FX
TO MAIN L
1
REAC B
OUT
TO MAIN C
TALKBACK
LEVEL
TALKBACK
ON
OUTPUT 1–8
D/A
PAN
(LCR)
CENTER
PRE EQ
PRE FADER
POST FADER
MAIN L, R, AUX 1–16,
MATRIX 1–8 SW
SW
A/D
S-0816 OUTPUT 16 OUTPUTS
MTX
LINK
SW SEND
OUTPUT 1–16
TO MTX 1, 3...7
PAN
D/A
SW SEND
TO MAIRIX 1–8
TO MTX 2, 4...8
TO OUTPUT PATCHBAY
SOLO
S-4000S OUTPUT
TO SOLO L
EFFECTS
FX
INPUT
SELECT
CH 1 FX INSERT OUT
CH 48 FX INSERT OUT
IN LEVEL
FX 1
OUT LEVEL
FX
OUTPUT
SELECT
TO MONITOR SELECT
TO REC SELECT
TO FX SOURCE SELECT
Same as the above
31 BAND GEQ
To MAIN L FX INSERT IN
To MAIN R FX INSERT IN
To MAIN C FX INSERT IN
FX 3
Same as the above
FX 4
To INPUT PATCHBAY
Same as the above
IN LEVEL
AUX 1 GEQ INSERT OUT
AUX 16 GEQ INSERT OUT
GEQ 1
OUT LEVEL
CH SELECT
Same as the above
DIRECT OUT 1
EXTERNAL FX
GEQ 4
EXT
INSERT
OUT
CH 1 EXT FX INSERT OUT
CH 48 EXT FX INSERT OUT
AUX 1 EXT FX INSERT OUT
AUX 16 EXT FX INSERT OUT
MATRIX 1 EXT FX INSERT OUT
MATRIX 8 EXT FX INSERT OUT
MAIN L EXT FX INSERT OUT
MAIN R EXT FX INSERT OUT
MAIN C EXT FX INSERT OUT
SEND
LEVEL
EXT FX 1–8
RETURN
LEVEL
RETURN
LEVEL
OPTICAL
TO SOLO R
FROM CH B
Same as the above
DIGITAL OUT
TO MONITOR SELECT
TO REC SELECT
TO MTX 2, 4...8
USB MEMORY RECORDER
MONITOR
REC
SELECT
SOLO
LEVEL
AUX 1 OUT
MONITOR
SELECT
AUX 1 OUT
MONITOR
LEVEL
AUX 16 OUT
MAIN OUT LR
MAIN OUT C
To AUX 1 EXT FX INSERT IN
To AUX 16 EXT FX INSERT IN
MAIN OUT LCR
MAIN MONO OUT
To MATRIX 1 EXT FX INSERT IN
To MATRIX 8 EXT FX INSERT IN
To MAIN L EXT FX INSERT IN
To MAIN R EXT FX INSERT IN
To MAIN C EXT FX INSERT IN
COAXIAL
TO SOLO L
TALKBACK
OSCILLATOR
To CH 1 EXT FX INSERT IN
To CH 48 EXT FX INSERT IN
SEND
LEVEL
MATRIX 1–8
OUT
SOLO
MTX
LINK
PAN
MATRIX 1–8 SOLO
EXT
INSERT
IN
CONSOLE INPUT 1–8
CONSOLE OUTPUT 1–8
D/A
GEQ
INSERT
TO MTX 2, 4...8
To MAIN L GEQ INSERT IN
To MAIN R GEQ INSERT IN
To MAIN C GEQ INSERT IN
Same as the above
MUTE
FROM CH A
SW SEND
GEQ 3
MAIN L GEQ INSERT OUT
MAIN R GEQ INSERT OUT
MAIN C GEQ INSERT OUT
POST FADER OUTPUT LEVEL
PRE FADER
EXT FX
FX
FADER
BAL
INSERT INSERT
To MATRIX 1 GEQ INSERT IN
To MATRIX 8 GEQ INSERT IN
Same as the above
TO MTX 1, 3...7
TO MTX 2, 4...8
SRC
ATT
To AUX 1 GEQ INSERT IN
To AUX 16 GEQ INSERT IN
GEQ 2
MATRIX 1 GEQ INSERT OUT
MATRIX 8 GEQ INSERT OUT
MATRIX SEND
(FROM AUX 1–16)
DIRECT OUT 48
GEQ
OUTPUT
SELECT
31 BAND GEQ
TO MTX 1, 3...7
TO MTX 2, 4...8
AUX 1–16 SEND (FROM MAIN)
MAIN L SOLO
MAIN R SOLO
MAIN C SOLO
MAIN SEND (FROM AUX 1–16)
AUX 1–16 SOLO
GEQ
INPUT
SELECT
MATRIX SEND
(FROM MAIN)
POST ATT
To MATRIX 1 FX INSERT IN
To MATRIX 8 FX INSERT IN
FX 2
AUX 1 OUT
AUX 16 OUT
SO-AES4
AES/EBU
MATRIX 1–8
To AUX 1 FX INSERT IN
To AUX 16 FX INSERT IN
31 BAND GEQ
MAIN L FX INSERT OUT
MAIN R FX INSERT OUT
MAIN C FX INSERT OUT
D/A
To CH 1 FX INSERT IN
To CH 48 FX INSERT IN
31 BAND GEQ
MATRIX 1 FX INSERT OUT
MATRIX 8 FX INSERT OUT
MAX 40 OUTPUTS
SO-DA4
TO SOLO R
EFFECT
AUX 1 FX INSERT OUT
AUX 16 FX INSERT OUT
S-1608 OUTPUT 8 OUTPUTS
TO MAIN R
MATRIX SEND 1–8
TALKBACK
LEVEL
+48V
TALKBACK MIC
LCR
LR SW
MAIN SW
TO MAIRIX 1–8
TO OUTPUT PATCHBAY
TALKBACK
GAIN
SEND PAN
40
PLAY L / R
PHANTOM
PRE EQ
PRE FADER
POST FADER
MAIN L, R, AUX 1–16,
MATRIX 1–8 SW
SW
SOLO
LOGIC
MONITOR
LEVEL
AUX 16 OUT
MAIN OUT L
MAIN OUT R
MAIN OUT C
MAIN OUT L+C
MAIN OUT R+C
MAIN MONO OUT
MATRIX 1 OUT
MATRIX 8 OUT
REC
LEVEL
DIRECT OUT
1–48
OSCILLATOR
USB
MEMORY
REC
LEVEL
TALKBACK
USB MEMORY
RECORDER
TO INPUT
PATCHBAY
REC
OUT L, R
TO MONITOR
SELECT
MONITOR OUT L
MONITOR OUT R
PHONES
LEVEL
MATRIX 1 OUT
MATRIX 8 OUT
REC OUT LR
LR
MAIN
1 2 (C) 16 L R
AUX
SOLO
D/A
PHONES
OUT
Block Diagram (LCR SYSTEM: OFF)
MAIN AUX SOLO
LR 12
TO REAC A OUT
16 L R
16 INPUTS
S-1608 INPUT
GAIN
PEAK
SIG
+48V
8 INPUTS
INPUT1–8
PHANTOM
GAIN
REAC A
INPUT
PREAMP
POST ATT
GATE IN GATE OUT COMP OUT
GR
32
S-4000S
PRE EQ
PRE FADER
PHASE
ATT
FILTER
FADER BAL
OUTPUT LEVEL
To another
M-400
MUTE
4BAND
EQ
ATT
POST FADER
POST FADER
GEQ
INSERT
GATE/
EXP
FADER
MUTE
MAIN
SW
PAN
PHANTOM
GAIN
TO
GATE
KEY-IN
+48V
REAC B
INPUT
A/D
4BAND
EQ
COMP
SI-AES4
AES/EBU
TO
COMP
KEY-IN
GATE
KEY-IN
1
AUX SEND 1–16
COMP
KEY-IN
SW
PRE EQ
PRE FADER
POST FADER
32
SRC
AUX
LINK
SEND
PRE EQ
PRE FADER
POST FADER
SW
PRE EQ
PRE FADER
POST FADER
SW
D/A
AUX
LINK
SEND
SPLIT/
BACKUP
OUT
8
1
TO AUX 1, 3...7
PAN
TO AUX
1, 3...15
From another FOH 40 Channel split out
(For REAC A only)
M-400
SW
TO AUX 2, 4...8
PRE EQ
PRE FADER
POST FADER
PAN
PRE EQ
PRE FADER
POST FADER
Up to 24 COMP units are available.
SEND
MONO
OUT
REAC A
OUT
D/A
SW SEND
SEND
TO AUX
2, 4...16
TO MTX 2, 4...8
SOLO
TO SOLO
S-0816 OUTPUT 16 OUTPUTS
MAIN
OUT R
OUTPUT 1–16
TO MONITOR SELECT
TO REC SELECT
PFL(L)
AFL(L)
PFL(R)
AFL(R)
GAIN
+48V
CONSOLE INPUT 1–8
A/D
GAIN
STEREO INPUT L, R
AFL SW
PRE EQ
PRE FADER
POST FADER
S-1608 OUTPUT 8 OUTPUTS
40
TO MTX 1, 3...7
PAN
40
PHANTOM
SRC
OUTPUT 1–8
MTK
LINK
SW SEND
SO-AES4
AES/EBU
9
-6 dB
MIX
MATRIX SEND 1–8
Up to 24 GATE / EXP units are available.
33
MAX 40 OUTPUTS
SO-DA4
40
SI-AD4
MONITOR/
BROADCAST
S-4000S OUTPUT
MAIN
OUT L
LIMITER
AUX SEND 1–16
EXT FX
FX
INSERT INSERT
MAX 40 INPUTS
PRE FADER
GR
A/D
33
PRE EQ
EXT FX
FX
INSERT INSERT
CH 1–48
1
PEAK
SIG
+48V
POST ATT
INPUT
PATCHBAY
A/D
S-0816
OUTPUT
PATCHBAY
MAIN L, R
INPUT1–16
PHANTOM
REAC A INPUT
REAC B INPUT
Total 32 channel
Total 32 channel
D/A
SOLO
S-4000S OUTPUT
AUX 1–16
MAX 40 OUTPUTS
SO-DA4
DIRECT OUT
POINT
POST ATT
TO MAIRIX 1–8,
TO OUTPUT PATCHBAY
PRE FADER
PRE EQ
EXT FX
FX
INSERT INSERT
A/D
POST FADER
FADER BAL
MUTE
4BAND
EQ
ATT
D/A
OUTPUT LEVEL
SO-AES4
AES/EBU
GEQ
INSERT
SRC
AUX 1–16
OUT
LIMITER
MAIN SEND
OSC
LEVEL
OSCILLATOR
FX 1 OUT L / R
FX 2 OUT L / R
FX 3 OUT L / R
FX 4 OUT L / R
OSC
LEVEL
PINK NOISE
WHITE NOISE
SINE WAVE
OSC
ON
MAIN L, R, AUX 1–16,
MATRIX 1–8 SW
SW
TO EXTARNAL FX
TALKBACK
GAIN
TALKBACK
LEVEL
TALKBACK
LEVEL
+48V
TALKBACK MIC
SW
SEND
PAN
1
TO MAIN L, R
REAC B
OUT
TALKBACK
ON
MAIN L, R, AUX 1–16,
MATRIX 1–8 SW
SW
A/D
D/A
MATRIX SEND 1-8
PRE EQ
PRE FADER
POST FADER
MTX
LINK
SW SEND
TO MTX 1, 3...7
+
S-0816 OUTPUT 16 OUTPUTS
OUTPUT 1–16
SW SEND
TO MTX 2, 4...8
D/A
SOLO
TO MAIRIX 1–8
TO SOLO L
TO OUTPUT PATCHBAY
TO SOLO R
EFFECTS
FX
INPUT
SELECT
CH 1 FX INSERT OUT
CH 48 FX INSERT OUT
IN LEVEL
FX 1
OUT LEVEL
S-4000S OUTPUT
TO MONITOR SELECT
TO REC SELECT
TO FX SOURCE SELECT
FX
OUTPUT
SELECT
MAX 40 OUTPUTS
SO-DA4
D/A
To CH 1 FX INSERT IN
To CH 48 FX INSERT IN
MATRIX 1–8
SO-AES4
AES/EBU
EFFECT
AUX 1 FX INSERT OUT
AUX 16 FX INSERT OUT
To AUX 1 FX INSERT IN
To AUX 16 FX INSERT IN
31 BAND GEQ
31 BAND GEQ
MATRIX 1 FX INSERT OUT
MATRIX 8 FX INSERT OUT
FX 3
MAIN L FX INSERT OUT
MAIN R FX INSERT OUT
Same as the above
AUX 1 OUT
AUX 16 OUT
Same as the above
31 BAND GEQ
To MAIN L FX INSERT IN
To MAIN R FX INSERT IN
FX 4
IN LEVEL
AUX 1 GEQ INSERT OUT
AUX 16 GEQ INSERT OUT
GEQ 1
MATRIX SEND
(FROM AUX 1–16)
TO MTX 1, 3...7
TO MTX 2, 4...8
OUT LEVEL
CH SELECT
GEQ 2
DIRECT OUT 1
EXTERNAL FX
EXT
INSERT
OUT
MATRIX 1 EXT FX INSERT OUT
MATRIX 8 EXT FX INSERT OUT
MAIN L EXT FX INSERT OUT
MAIN R EXT FX INSERT OUT
TO MONITOR SELECT
TO REC SELECT
TO MTX 2, 4...8
USB MEMORY RECORDER
REC
SELECT
AUX 1 OUT
RETURN
LEVEL
RETURN
LEVEL
MAIN OUT L
MAIN OUT R
MONITOR
SELECT
REC
LEVEL
DIRECT OUT
1–48
OSCILLATOR
USB
MEMORY
REC
LEVEL
TALKBACK
MONITOR
LEVEL
AUX 16 OUT
MAIN OUT L
MAIN OUT R
TO INPUT
PATCHBAY
SOLO
LOGIC
MONITOR
LEVEL
MATRIX 1 OUT
MATRIX 8 OUT
REC
OUT L, R
TO MONITOR
SELECT
MONITOR OUT L
MAIN MONO OUT
To AUX 1 EXT FX INSERT IN
To AUX 16 EXT FX INSERT IN
MATRIX 1 OUT
MONITOR OUT R
PHONES
LEVEL
MATRIX 8 OUT
To MATRIX 1 EXT FX INSERT IN
To MATRIX 8 EXT FX INSERT IN
To MAIN L EXT FX INSERT IN
To MAIN R EXT FX INSERT IN
USB MEMORY
RECORDER
MAIN MONO OUT
AUX 1 OUT
To CH 1 EXT FX INSERT IN
To CH 48 EXT FX INSERT IN
EXT FX 1–8
FROM CH B
Same as the above
SOLO
LEVEL
EXT
INSERT
IN
SEND
LEVEL
DIGITAL OUT
AUX 16 OUT
CONSOLE INPUT 1–8
SEND
LEVEL
OPTICAL
TO SOLO R
MONITOR
To MAIN L GEQ INSERT IN
To MAIN R GEQ INSERT IN
CH 1 EXT FX INSERT OUT
CH 48 EXT FX INSERT OUT
AUX 1 EXT FX INSERT OUT
AUX 16 EXT FX INSERT OUT
COAXIAL
TO SOLO L
TALKBACK
OSCILLATOR
Same as the above
GEQ 4
MATRIX 1–8
OUT
SOLO
MTX
LINK
PAN
MATRIX 1-8 SOLO
To MATRIX 1 GEQ INSERT IN
To MATRIX 8 GEQ INSERT IN
Same as the above
CONSOLE OUTPUT 1–8
D/A
GEQ
INSERT
TO MTX 2, 4...8
GEQ 3
MAIN L GEQ INSERT OUT
MAIN R GEQ INSERT OUT
MUTE
FROM CH A
SW SEND
To AUX 1 GEQ INSERT IN
To AUX 16 GEQ INSERT IN
Same as the above
POST FADER OUTPUT LEVEL
PRE FADER
EXT FX
FX
FADER
BAL
INSERT INSERT
DIRECT OUT 48
GEQ
OUTPUT
SELECT
SRC
ATT
To INPUT PATCHBAY
31 BAND GEQ
MATRIX 1 GEQ INSERT OUT
MATRIX 8 GEQ INSERT OUT
TO MTX 1, 3...7
TO MTX 2, 4...8
AUX 1–16 SEND (FROM MAIN)
MAIN L SOLO
MAIN R SOLO
MAIN SEND (FROM AUX 1–16)
AUX 1-16 SOLO
GEQ
INPUT
SELECT
MATRIX SEND
(FROM MAIN)
POST ATT
To MATRIX 1 FX INSERT IN
To MATRIX 8 FX INSERT IN
FX 2
Same as the above
S-1608 OUTPUT 8 OUTPUTS
OUTPUT 1–8
40
TO MAIRIX 1–8
TO OUTPUT PATCHBAY
PLAY L / R
PHANTOM
PRE EQ
PRE FADER
POST FADER
REC OUT L
REC OUT R
LR 12
16 L R
MAIN AUX SOLO
D/A
PHONES
OUT
M-400_v2_e.book 63 ページ２００９年３月３日　火曜日　午後７時５２分
M-400_v2_e.book 64 ページ２００９年３月３日　火曜日　午後７時５２分
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