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Contents
Safety Precautions
Usage Precautions
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Getting Familiar With Some Basic Terms
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Names and Functions of Controls and Connectors
Front Panel
Rear Panel
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Connection Examples
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Connection to one guitar amplifier (Example 1)
Connection to two guitar amplifiers (Example 2)
Connection to Head phone (Example 3)
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Playing a Patch (Use of the Play Mode)
Panel display in Play mode
Selecting a patch
Useful functions in the Play mode
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Editing a Patch (Use of the Edit Mode)
Entering the Edit mode
Panel display in Edit mode
Editing a patch
Turning effect modules on and off
Compare
Storing a patch
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Effect Types and Parameters
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Effect Module 1: (PRE)
Effect Module 2: Equalizer (EQ)
Effect Module 3: Modulation
Effect Module 4: Delay
Effect Module 5: Reverb (REV)
Patch level
About the TOTAL parameters
EXTERNAL LOOP
EXTERNAL CTRL OUT (External Control)
MINIMUM VOLUME
MIDI CH (MIDI Channel)
EXP. SELECT (Expression Select)
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Edit Mode Application Examples
Tapping input of delay time
External effecter loop
External control
Expression pedal control
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Other Functions
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Restoring individual factory preset patches (patch recall)
Restoring all factory preset patches (initialize)
Volume pedal control
MIDI control
Swapping the pedal functions
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Application Examples for Use of Foot Switch and Pedal Switch 1–4
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4
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5
6
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7
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12
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13
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25
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27
27
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28
Using the FS01
Specifications
2
2
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Thank you for selecting the ZOOM Player Pro 4040 (hereafter simply called the “4040”).
The 4040 is a sophisticated multi-effect device with the following features and functions:
• A total of 25 built-in individual effects, which can be combined in patches of
up to six effects. 40 preset patches and a user memory for 40 additional
patches offer extraordinary flexibility.
• Integrated volume and expression pedals allow adjustment of output level and
effect settings in real time. This is ideal for use during a live performance.
• Integrated auto-chromatic guitar tuning function lets you quickly and
precisely tune instruments on stage.
• Compression and distortion effects are generated using analog circuitry, to
assure rich and natural-sounding sustain and distortion.
• Send/return Jacks allow connection of external effect devices, and a control
out lets you switch guitar amp channels. You can even program the use of
these connectors as part of a patch, to create sophisticated sound effects.
• MIDI OUT for control of external MIDI devices makes the 4040 convenient as
a system control center.
• By using the optional foot switch FS01, single effect on/off switching during a
performance is possible, for further enhanced playability.
Please take the time to read this manual carefully, in order to get the most out of your 4040 and to
ensure optimum performance and reliability.
1
Safety Precautions
Usage Precautions
Please observe the following safety tips and precautions to
ensure hazard-free use of the 4040.
• Electrical interference
• Power requirements
The 4040 is powered by the supplied AC adapter
AD0003/AD0004. To prevent malfunction and safety
hazands, Do not use any other kind of AC adapter.
When using the 4040 in an area with a different line
voltage, please consult your local ZOOM distributor about
acquiring a proper AC adapter.
• Environment
Avoid using your 4040 in environments where it will be
exposed to:
•
•
•
•
Extreme temperature
High humidity or moisture
Excessive dust or sand
Excessive vibration or shock
• Handling
Since the 4040 is a precision electronic device, avoid
applying excessive force to the switches and buttons. Also
take care not to drop the unit, and do not subject it to
shock or excessive pressure.
• Alterations
Never open the case of the 4040 or attempt to modify the
product in any way since this can result in damage to the
unit.
• Connecting cables and input and output jacks
You should always turn off the power to the 4040 and all
other equipment before connecting or disconnecting any
cables. Also make sure to disconnect all cables and the
AC adapter before moving the 4040.
2
The 4040 uses digital circuitry that may cause interference
and noise if placed too close to other electrical equipment,
such as TV sets and radio receivers. If such problems
occur, move the 4040 further away from the affected
equipment. Also, when fluorescent lights or devices with
built-in motors are close to the 4040, the unit may not
function properly.
• Cleaning
Use a soft, dry cloth to clean the 4040. If necessary,
slightly moisten the cloth. Do not use abrasive cleanser,
wax, or solvents (such as paint thinner or cleaning
alcohol), since these may dull the finish or damage the
surface.
Please keep this manual in a convenient place for future
reference.
Getting Familiar With Some Basic Terms
This manual has been written so that it can be easily understood by first-time users. However, the 4040 offers several
special functions which are not available with a conventional effect processor. This section explains some of the terms
used to describe such functions.
• Effect Module
The 4040 incorporates five types of effect groups which are
referred to as “effect modules”. Each effect module can be
thought of as a single compact effect. The 4040 therefore
operates like five compact effects connected in series. In
addition, it is also possible to connect external effect
devices.
The 4040 offers the following five effect modules:
serve to switch between patches. Such a set of four patches
is referred to as a “bank”. To select a patch, first specify the
group and the bank number (0 – 9), and then use the foot
pedal switches 1 – 4 to select the patch number.
GROUP
USER
• PRE (Analog compressor and distortion effects)
• EQ (Equalizer and wah effects, amp simulation)
• MODULATION (Modulation effects for changing
pitch or sound timbre, such as pedal pitch and flanger)
• DELAY (Delay effects)
• REVERB (Reverberation effects)
• Effect Type
PRESET
Each effect module contains several effect variations which
are called “effect types”. Each effect module can use one
effect type at a time. For a list of effect types in each effect
module, please see the table on page 10.
The 4040 allows you to use a maximum of five effect
modules simultaneously. A combination of effect modules,
each with individual parameter settings plus the final output
level setting is referred to as a “patch”. The patch also
includes the external effect on/off setting, external control
setting, and expression pedal setting.
EXT
EQ
MODULATION
VOL. PEDAL
0
1–4
1
1–4
2
1–4
9
1–4
0
1–4
1
1–4
2
1–4
9
1–4
DELAY
The elements which determine the sound of an effect are
referred to as “parameters”. Parameter values can be
adjusted for each effect module, to create your own patches
with the 4040.
• Mode
The functions of the 4040 can be roughly divided into three
different categories. These are called “modes”, as described
below.
PATCH
PRE
PATCH No.
• Parameter
• Patches and Groups
INPUT
BANK No.
REVERB
OUTPUT
PATCH LEVEL
The 4040 has two memory areas or “groups” where patches
are stored: the USER group for patches that can be freely
altered and stored by the user, and the PRESET group for
factory defined read-only patches. There are 40 patches in
each group, for a total of 80 patches.
• Bank
The 4040 calls up patches in sets of four, and the foot pedals
• Play Mode
In this mode, patches can be selected and played. This is
the default mode of the 4040 when power is turned on.
• Edit (Manual) Mode
In this mode, the parameters of each patch can be edited.
The mode can also serve as a manual mode to switch
effect modules on and off during a performance using the
pedal switches 1 – 4 and the BANK ▼ pedal.
• Special Mode
Serves to return some or all patch data to the factory
preset condition.
3
Names and Functions of Controls and Connectors
Front Panel
(1)
(2)
BANK
DELAY TIME
TAP EDIT
TUNER
(BYPASS)
(3)
PRE MODULE
ADVANCED GUITAR EFFECTS
PARM 1
COMP
[0– 4]
PARM 2
TONE
[-7–+7]
PARM 3
HIGH
[-7– +7]
3 – 8 GAIN
[1–16]
PARM 4
3 – 8 DYNAMICS
[0– 3]
PARM 5
ZNR
[0–15]
TOTAL
EXTERNAL LOOP
[0,1] 0=OFF, 1=ON
PROCESSOR
EQ
1 CLN I 3 ODI 4 ODII
EFFECT 2 CLN II 5 DST I 6 DST II
1 EQ
7 LEAD 8 METAL
MODULATION
2 AMP
SIM
3 AUTO 4 PDL
WAH
WAH
COLOR
[1– 3]
FREQ
FREQ
[1–64]
MID
[-7– +7]
BOX
[1– 3]
MIDf
[1–16]
DEPTH
[0–10]
SENS
[0–10]
LOW
[-7– +7]
TONE
[-7– +7]
EXP.
MODE
1 PDL
PIT
3 FLG 4 PHA 5 TREM
6 STEP 7 SLOW 8 CHO
PITCH
[0– 24]
DEPTH
[0–10]
MODE
[1–16]
(PITCH)
SHIFT
[dn, UP]
LEVEL
[1– 8]
0= NORM
1= INV
EXP.MODE
EXTERNAL CONTROL OUT
[1– 4]
VOL
0= NORM
1= INV
DELAY
2 PIT
3 4 5 6 7 8 RATE
[1–50]
FINE
[-5– +5]
3 4 5 6 PEAK
[0–10]
7 8 BAL.
BAL
[0– 10]
3 4 5 6 7 MODE
[0, 1]
8 STR
REVERB
1 MONO
2 PPD
1 HALL
2 ROOM
[0– 10]
(X100mS)
DELAY TIME( )
[0– 99]
(mS)
FEEDBACK
[0– 10]
TIME
[0– 90] (X10mS)
TONE
[-7– +7]
FEEDBACK
[0– 10]
MIX
[0– 10]
PATCH LEVEL
[0– 50]
MIX
[0– 10]
0= min VAL
1= VAL max
MINIMUM VOLUME
[0–10]
GLOBAL
3 DELAY
TIME
[1– 10]
EXP. SELECT
[0– 5]
0= OFF 1= DIST 2= EQ
3= MOD 4= DLY 5= REV
MIDI CH
[1– 16]
BANK
PRE MODULE
(11)
( )
USER
PRESET
BOTH
GROUP
(4)
EQ
(EDIT TUNER VALUE)
MODULATION
DELAY
POL–PIT MODE
STORE
GROUP BANK
(5) (6)
1: Dirty BEND
2: Ham Chokin
3: Detune
4:
2nd
5:
1Oct
1Oct
6: 0
7:
2Oct
8:
9: b3rd
10: 1Oct
11: 5th
12: 5th
13: 4 Octave
14: Hi-BAND
15: X-fade
16: Scratch
REVERB
TUNER CALIB
(435Hz–445Hz)
3rd
1Oct
4th
6th
+
–
VALUE
EDIT(MANUAL)
PARAMETER SELECT
(7)
CANCEL
(8)
(9)
(10)
(13)
(14)
(12)
(1) Tuner LED
Indicates the bypass/tuner condition.
(2) Parameter cursor LED
• In Edit mode
Flashing LED indicates the currently edited parameter.
• In bypass/tuner mode
Serves as a fine tuning meter.
(3) Module cursor LED
• In Play mode
Lit LED indicates which effect module in the current
patch is ON.
• In Edit mode
Lit LED indicates which effect module in the currently
edited patch is ON, and flashing LED indicates the
currently edited effect module.
(4) GROUP key
• In Play mode
Serves to select the memory group for the patch :USER,
PRESET, or BOTH.
• In Edit mode
Serves to compare the currently edited patch with the
patch before editing (compare function). For details,
please refer to page 12.
4
(5) Display
The display shows vital information for operating the 4040,
such as group and bank numbers of a patch, effect parameter
values and other messages.
(6) STORE key
Serves to store an edited patch with its new parameter and
level settings in the user group.
(7) PARAMETER SELECT keys
Serve to select the parameter to be edited in Edit mode.
(8) VALUE + / - keys
These keys serve to change the value of a setting in any
mode. Tapping the VALUE + key increases the value by one
step, and tapping the VALUE - key decreases the value by
one step. Keeping a key depressed changes the value
continuously. To increase the speed of the change, press the
other key as well.
(9) Edit mode LED
This LED lights up when the 4040 is in the Edit (Manual)
mode.
(10) EDIT (MANUAL) / CANCEL key
Pressing this key switches from Play mode to Edit mode.
The Edit mode can also be used as Manual mode to switch
effect modules on and off with the pedal switches 1 – 4 and
the BANK ▼ pedal. The key also serves to return from the
Edit mode to the Play mode, and to cancel a store process.
(12) Pedal switches 1 - 4
• In Play mode
The pedals serve to select a patch. The respective pedal
LED lights up.
• In Edit (Manual) mode
The pedals serve to switch the effect modules EQ,
MODULATION, DELAY, REVERB on and off. The
respective pedal LED lights up.
(11) BANK
pedal switches
• In Play mode
The ▲ pedal selects the next higher bank, and the ▼ pedal
the next lower bank.
• In Edit (Manual) mode
The ▲ pedal serves to set the delay time of the effect
module. Each tap of the pedal changes the setting by one
step. The ▼ pedal serves to switch PRE for the effect
module on and off. The pedal LED lights up when PRE is
on.
(13) VOL (Volume) pedal
Serves to manually control the overall level of a patch.
(14) EXP (Expression) pedal
Serves to control any selected effect parameter in real time.
Rear Panel
EXT
INPUT GAIN
H M L
INPUT
(1)
(2)
SEND
RETURN
R
OUTPUT
L/MONO
PHONES
VOLUME
(5)
(6)
EXT
MANUAL CTRL OUT
MIDI OUT
DC9V 200mA
POWER
(10)
(11)
MODEL 4040 ZOOM CORPORATION
MADE IN JAPAN/FABRIQUE AU JAPON SERIAL NO
(3)
(1) INPUT GAIN SWITCH
This switch controls the input sensitivity. Select the position
most suited to the connected instrument. For reference,
standard settings are shown below.
H: For guitars with single-coil pickups
M: For guitars with hum-bucking or active type pickups
L: For guitars with very high output
(2) INPUT jack
Serves for connection of an instrument such as electric
guitar or bass.
(3) EXTERNAL SEND/RETURN connectors
Serve for connection of an external effect device. The
send/return loop is inserted in series between the
compressor and distortion sections in the PRE module. The
ON/OFF setting of the send/return loop can be stored as part
of a patch.
(4) OUTPUT L/MONO & R connectors
Serves for connection to a guitar amplifier. To use the 4040
in stereo, connect cables to both jacks. For a monaural
setup, connect the cable to the L/MONO jack.
(5) PHONES jack
Allows connection of a pair of stereo headphones, to
monitor the output of the 4040.
(4)
(7)
(8)
(9)
(6) VOLUME control
Adjusts the master volume (overall output level of the
4040). The control affects both the signal at the OUTPUT
connectors and the PHONES jack.
(7) MANUAL connector
This jack serves for connection of the optional foot switch
FS01 which can be used to switch between Play mode and
Manual mode.
(8) EXTERNAL CONTROL OUT connector
This jack can be used to control channel switching of an
external guitar amplifier.
This setting can be stored as part of a patch.
(9) MIDI OUT connector
Serves for connection of a device with MIDI input, such as
another effect or a synthesizer. The setting can be stored as
part of a patch.
(10) DC INPUT (AC adapter) jack
The supplied AC adapter is connected here.
(11) POWER switch
Serves to turn the 4040 on and off.
5
Connection Examples
Connection to one guitar amplifier (Example 1)
Connection to Headphone (Example 3)
INPUT
PHONES OUT
Guitar Amplifier
OUTPUT L/MONO
INPUT
4040
4040
To use the 4040 with one guitar amplifier, connect the
output of the musical instrument to the INPUT jack of the
4040, and the OUTPUT L/MONO jack of the 4040 to the
amplifier. With this connection, stereo effects such as reverb
and ping-pong delay are output in mono.
Connection to two guitar amplifiers (Example 2)
Guitar Amplifiers
OUTPUT R
OUTPUT
L/MONO
INPUT
4040
To use the 4040 with two guitar amplifiers, connect the
OUTPUT L/R jacks of the 4040 to the amplifiers. A well
balanced stereo sound can be obtained when the stereo
effects are activated.
6
This setup is suitable for example to practice individually
without disturbing others.
Playing a Patch (Use of the Play Mode)
In the Play mode, a patch is selected and played. This section describes the basic operation steps for selecting patches.
• Turn off the amplifier and set the volume control to
minimum. Then connect the 4040 to the instrument
and amplifier.
Selecting a patch
• Turn on the 4040 and then the amplifier. Adjust the
volume to a suitable position while playing the
instrument.
In the 4040, patches are divided into the USER group for
patches which can be created and altered freely and stored
by the user, and the PRESET group for factory defined
patches where only the output level can be changed, but not
stored. Choose the group from which you want to select a
patch.
• Select the desired group with the GROUP key.
Panel display in Play mode
When the 4040 is turned on, it goes into Play mode
automatically. In the Play mode, the following information
is shown on the display.
With each push of the GROUP key, the group setting cycles
through the following three settings which are shown on the
display.
(1) Group
The currently selected group is shown in the GROUP
field.
(2) Bank number
The currently selected bank number is shown in the
BANK field.
(3) Patch number
The currently selected patch number is indicated by the
pedal LED (1 - 4).
(4) Effect module on/off
The effect module on/off condition in the patch is
indicated by the module cursor LED.
BANK
DELAY TIME
TAP EDIT
TUNER
(BYPASS)
• U (USER)
USER group only
• P (PRESET)
PRESET group only
• U. or P. (BOTH) USER group and PRESET group
PRE MODULE
EQ
1 CLN I 3 ODI 4 ODII
EFFECT 2 CLN II 5 DST I 6 DST II
1 EQ
7 LEAD 8 METAL
3 AUTO 4 PDL
WAH
WAH
FREQ
FREQ
[1–64]
PARM 1
COMP
[0– 4]
HIGH
[-7– +7]
COLOR
[1– 3]
PARM 2
TONE
[-7–+7]
MID
[-7– +7]
BOX
[1– 3]
MIDf
[1–16]
DEPTH
[0–10]
LOW
[-7– +7]
TONE
[-7– +7]
PARM 3
3 – 8 GAIN
[1–16]
PARM 4
3 – 8 DYNAMICS
[0– 3]
MODULATION
2 AMP
SIM
SENS
[0–10]
EXP.
MODE
0= NORM
1= INV
PARM 5
ZNR
[0–15]
TOTAL
EXTERNAL LOOP
[0,1] 0=OFF, 1=ON
EXTERNAL CONTROL OUT
[1– 4]
PRE MODULE
EQ
LEVEL
[1– 8]
DELAY
2 PIT
3 FLG 4 PHA 5 TREM
6 STEP 7 SLOW 8 CHO
PITCH
[0– 24]
DEPTH
[0–10]
MODE
[1–16]
(PITCH)
SHIFT
[dn, UP]
3 4 5 6 7 8 RATE
[1–50]
0= NORM
1= INV
EXP.MODE
1 PDL
PIT
VOL
FINE
[-5– +5]
3 4 5 6 PEAK
[0–10]
7 8 BAL.
BAL
[0– 10]
3 4 5 6 7 MODE
[0, 1]
8 STR
REVERB
1 MONO
2 PPD
1 HALL
2 ROOM
[0– 10]
(X100mS)
DELAY TIME( )
[0– 99]
(mS)
FEEDBACK
[0– 10]
FEEDBACK
[0– 10]
PATCH LEVEL
[0– 50]
MIX
[0– 10]
GLOBAL
TIME
[0– 90] (X10mS)
TONE
[-7– +7]
MIX
[0– 10]
0= min VAL
1= VAL max
MINIMUM VOLUME
[0–10]
3 DELAY
TIME
[1– 10]
EXP. SELECT
[0– 5]
0= OFF 1= DIST 2= EQ
3= MOD 4= DLY 5= REV
MIDI CH
[1– 16]
BANK
(1)
(2)
( )
USER
PRESET
BOTH
GROUP
(EDIT TUNER VALUE)
STORE
GROUP BANK
MODULATION
DELAY
POL–PIT MODE
1: Dirty BEND
2: Ham Chokin
3: Detune
4:
2nd
5:
1Oct
1Oct
6: 0
7:
2Oct
8:
9: b3rd
10: 1Oct
11: 5th
12: 5th
13: 4 Octave
14: Hi-BAND
15: X-fade
16: Scratch
REVERB
(4)
TUNER CALIB
(435Hz–445Hz)
3rd
1Oct
4th
6th
+
–
VALUE
PARAMETER SELECT
EDIT(MANUAL)
CANCEL
(3)
7
• Select the bank with the BANK
pedals.
A bank is a group of four patches. There are ten banks each
(numbered 0 through 9) for the USER group and the
PRESET group. The BANK ▲ pedal selects the next higher
bank, and the BANK ▼ pedal the next lower bank. (The
bank number display flashes.)
GROUP=PRESET
GROUP=USER
GROUP=BOTH
Useful functions in the Play mode
Some other useful functions available in Play mode are
described below.
■ Adjusting the patch level
The final output level of the patch — called the patch level
— is also stored as a parameter along with the other
parameters of the patch. In the Play mode, the patch level
can be adjusted.
• Press the VALUE + / - keys in the Play mode.
When one of the VALUE + / - keys is pressed, the current
patch level setting is shown on the display as a numeric
value (0 – 50). Pressing VALUE + increases the value and
pressing VALUE - decreases it. To change values
continuously, hold down the key. To change values more
rapidly, press the other key as well.
NOTE The patch level setting change made in this way is
only temporary. If you select a different patch
without storing the new level setting first, the setting
will be lost. (For details on how to store settings,
please refer to page 12.)
NOTE
Merely pressing one of the BANK pedals does not
yet change the patch. To activate the patch and
change the sound, press one of the pedal switches 1 4, as described below.
• Select the patch by pressing one of the pedal switches
1 – 4.
The LED of that pedal lights up, showing that the patch has
been selected. (The BANK number is now constantly lit.)
Now would be a good time to try out some of the various
patches offered by the 4040 while playing your instrument.
In the Play mode, the patch level can be adjusted
also for patches from the PRESET group, but the
new level setting cannot be stored. When wishing to
store the level, select a patch from the USER group.
■ Bypassing the effects
You can temporarily turn off all effects in a patch. This is
useful for example to check the sonic character of a patch.
The bypass mode is also used for the chromatic tuning
function.
• In the Play mode, press the pedal switch 1 - 4 whose
LED is lit (i.e. the pedal switch that was used to choose
the current patch).
All effects in the patch are now bypassed and the original
instrument sound is heard. In the bypass condition, the LED
of the selected patch flashes and the tuner LED lights up.
• Press the pedal switch once more to turn the patch on
again. Normal Play mode can also be restored by
selecting a different patch.
■ Tuning a guitar
The 4040 incorporates an automatic guitar tuning function.
When the 4040 is set to the bypass mode, the tuning
function is automatically enabled.
• In the Play mode, press the pedal switch 1 – 4 whose
LED is lit. This activates the bypass mode and the
tuner LED lights up.
8
• Pick an open string on the guitar.
The display shows the note which is closest to the current
pitch. Tune the guitar to the desired pitch.
• While the reference frequency is shown, use the
VALUE + / - keys to adjust the frequency.
The adjustment range is 35 (435 Hz) to 45 (445 Hz).
C=
F=
A=
#
C=
#
F=
#
A=
D=
G=
B=
D #=
G #=
435Hz :
440Hz :
E=
445Hz :
NOTE
The default reference frequency setting that is
established when the 4040 is turned on is 440 Hz.
• When the display shows the desired note, perform fine
tuning.
While the tuner function is being used, the parameter cursor
LEDs serve as a fine tuning meter. When the pitch is
correct, the PARM3 LED lights. If the pitch is too high, the
PARM1 LED lights, and if it is too low, the PARM5 LED
lights. Watch the LEDs while fine tuning your instrument.
TUNER
(BYPASS)
1 CLN I
EFFECT 2 CLN II
PARM 1
PARM 2
PARM 3
PARM 4
PARM 5
TOTAL
• Press the pedal switch once more or select a different
patch to revert to normal Play mode.
NOTE
For tuning an electric bass, use octave harmonics
(lightly touch and release a string above the 12th
fret).
■ Tuner calibration
The reference frequency of the integrated guitar tuner can be
fine adjusted for the reference note A.
• In the Play mode, press the pedal switch 1 - 4 whose
LED is lit once more. This activates the bypass mode
and the tuner LED lights up.
• Press one of the VALUE + / - keys.
The current reference frequency is shown for a brief
duration on the display.
9
Editing a Patch (Use of the Edit Mode)
This section describes the basic operation steps for editing patches.
Panel display in Edit mode
As shown below, a patch of the 4040 contains parameters
for the five types of effect modules, the patch level, VOL
pedal and EXP pedal settings, as well as the external effect
and external amplifier control settings. In the Edit mode,
you can call up any of these parameters and change it.
In the Edit mode, the following information is shown on the
display panel.
(1) Effect module on/off
The LEDs of pedals for effect modules which are on
(pedal switches 1 – 4 and BANK ▼ pedal) are lit.
Entering the Edit mode
• Select the desired patch in the Play mode (from the
USER group or the PRESET group) and press the
EDIT/CANCEL key.
HINT
The pedal switches 1 - 4 and the BANK ▼ pedal
correspond to the following effect modules:
• BANK ▼ pedal:
• Pedal switch 1:
• Pedal switch 2:
• Pedal switch 3:
• Pedal switch 4:
The 4040 is now in the Edit mode, and the Edit mode LED
lights up.
• Pressing the EDIT/CANCEL key once more returns
the 4040 to the Play mode.
PRE
EQ
MODULATION
DELAY
REVERB
(2) Parameter value
The value of the parameter currently selected for editing
is shown on the display.
(3) Parameter type
The type of the parameter currently selected for editing
is indicated by the flashing module cursor LED and
parameter cursor LED.
PATCH
INPUT
PRE
EQ
MODULATION
DELAY
REVERB
1 CLEAN 1
2 CLEAN 2
3 OVERDRIVE 1
4 OVERDRIVE 2
5 DISTORTION 1
6 DISTORTION 2
7 LEAD
8 METAL
1 EQUALIZER
2 AMP SIMULATOR
3 AUTO WAH
4 PEDAL WAH
1 PEDAL PITCH
2 PITCH SHIFTER
3 FLANGER
4 PHASER
5 TREMOLO
6 STEP
7 SLOW ATTACK
8 CHORUS
1 MONO DELAY
2 PINGPONG DELAY
1 HALL
2 ROOM
3 DELAY
EXTERNAL
LOOP
To External Effect
10
From External Effect
VOL.PEDAL
EXP.PEDAL
EXTERNAL
CONTROL
OUTPUT
PATCH LEVEL
To Guitar Amp FOOT SW
(3)
BANK
DELAY TIME
TAP EDIT
EQ
MIDf
[ 1 – 16]
DEPTH
[ 0 – 10]
TUNER
0 = NORM
1 = INV
EFFECT
1 EQ
2 AMP
SIM
3 AUTO 4 PDL
WAH
WAH
PARM 1
HIGH
[-7– +7]
COLOR
[1– 3]
FREQ
FREQ
[1–64]
PARM 2
MID
[-7– +7]
BOX
[1– 3]
MIDf
[1–16]
DEPTH
[0–10]
LOW
[-7– +7]
TONE
[-7– +7]
(BYPASS)
PARM 3
3 – 8 GAIN
[1–16]
PARM 4
SENS
[0–10]
EXP.
MODE
FINE
[-5– +5]
0= NORM
1= INV
PARM 5
LEVEL
[1– 8]
TOTAL
EXTERNAL CONTROL OUT
[1– 4]
3 4 5 6 PEAK
[0–10]
7 8 BAL.
FEEDBACK
[0– 10]
MIX
[0– 10]
BANK
PRE MODULE
(1)
( )
(2)
USER
PRESET
BOTH
EQ
MODULATION
DELAY
REVERB
(EDIT TUNER VALUE)
TUNER CALIB
(435Hz–445Hz)
+
–
STORE
VALUE
GROUP
GROUP BANK
EDIT(MANUAL)
PARAMETER SELECT
CANCEL
4040.
Editing a patch
• Use the VALUE +/- keys to change the parameter
value.
The value of the currently selected parameter is changed.
• In the Edit mode, use the PARAMETER SELECT
keys to select the desired parameter.
The PARAMETER SELECT
keys control the
module cursor LEDs. The PARAMETER SELECT
keys control the parameter cursor LEDs.
The display indication changes accordingly.
For details on the parameters of each effect module,
please refer to “Effect Types and Parameters” on
pages 13 – 22.
HINT
• Change other parameters in the same way.
HINT
The topmost LED corresponds to the EFFECT
parameter which changes the effect type. When the
effect type is changed, the setting of parameters 1 - 5
also changes. Therefore it is best to first select the
effect type and then work on the other parameters
when creating an effect from scratch.
The bottom LED corresponds to a number of special
parameters called TOTAL parameters. These LEDs
refer to the control of an external effect or amplifier,
and to settings which affect operation of the entire
BANK
DELAY TIME
TAP EDIT
TUNER
(BYPASS)
NOTE
Parameter setting changes made in this way are only
temporary. If you return to the Play mode or select a
different patch without storing the new settings first,
the settings will be lost. For details on how to store a
patch, please refer to page 12.
PRE MODULE
1 CLN I 3 ODI 4 ODII
EFFECT 2 CLN II 5 DST I 6 DST II
1 EQ
7 LEAD 8 METAL
PARM 1
COMP
[0– 4]
PARM 2
TONE
[-7–+7]
PARM 3
HIGH
[-7– +7]
3 – 8 GAIN
[1–16]
PARM 4
3 – 8 DYNAMICS
[0– 3]
EQ
MODULATION
2 AMP
SIM
3 AUTO 4 PDL
WAH
WAH
COLOR
[1– 3]
FREQ
FREQ
[1–64]
MID
[-7– +7]
BOX
[1– 3]
MIDf
[1–16]
DEPTH
[0–10]
SENS
[0–10]
LOW
[-7– +7]
TONE
[-7– +7]
EXP.
MODE
0= NORM
1= INV
PARM 5
ZNR
[0–15]
TOTAL
EXTERNAL LOOP
[0,1] 0=OFF, 1=ON
EXTERNAL CONTROL OUT
[1– 4]
PRE MODULE
EQ
LEVEL
[1– 8]
1 PDL
PIT
MODE
[1–16]
(PITCH)
0= NORM
1= INV
VOL
DELAY
2 PIT
3 FLG 4 PHA 5 TREM
6 STEP 7 SLOW 8 CHO
PITCH
[0– 24]
DEPTH
[0–10]
SHIFT
[dn, UP]
3 4 5 6 7 8 RATE
[1–50]
FINE
[-5– +5]
3 4 5 6 PEAK
[0–10]
7 8 BAL.
BAL
[0– 10]
3 4 5 6 7 MODE
[0, 1]
8 STR
EXP.MODE
1 MONO
2 PPD
[0– 10]
(X100mS)
DELAY TIME( )
[0– 99]
(mS)
FEEDBACK
[0– 10]
MIX
[0– 10]
0= min VAL
1= VAL max
MINIMUM VOLUME
[0–10]
GLOBAL
MIDI CH
[1– 16]
REVERB
1 HALL
2 ROOM
3 DELAY
TIME
[1– 10]
TIME
[0– 90] (X10mS)
TONE
[-7– +7]
FEEDBACK
[0– 10]
MIX
[0– 10]
PATCH LEVEL
[0– 50]
EXP. SELECT
[0– 5]
0= OFF 1= DIST 2= EQ
3= MOD 4= DLY 5= REV
BANK
MODULATION
DELAY
REVERB
11
Turning effect modules on and off
In the Edit mode, each effect can be turned on and off
independently from others.
• Pressing a pedal corresponding to an effect module
that is currently on (pedal switch LED and effect
module cursor LED are lit) turns the effect module off.
The LED goes out. Press the pedal again to turn the effect
back on.
HINT
The effect module on/off setting can also be stored
as part of a patch.
Compare
During editing, it is possible to temporarily return to the
setting that was active before starting the editing process.
This is called the “compare” function.
• In the Edit mode, press the GROUP key.
The previous value of the parameter where the cursor is
currently located and the indication “CP” appear alternately
on the display.
• Press the GROUP key once more.
The 4040 returns to the Edit mode.
HINT
The compare function is useful for example to check
how a certain parameter change affects the overall
sound. When the parameter is selected with the
PARAMETER SELECT keys, the value of that
parameter is shown on the display.
Storing a Patch
If an edited patch (or a patch whose patch level setting was
changed in the Play mode) is not stored, the change will be
lost when another patch is selected. To preserve a setting,
store the patch as described below.
• Press the STORE key in the Play mode or Edit mode.
The unit is now in the store standby condition, and you
can choose the bank number and patch number in which
you want to store the patch.
12
For patches from the PRESET group, changed
NOTE parameters cannot be stored. Therefore, even if a
patch was chosen from the PRESET group, the store
destination will automatically become “U” (USER
group) if a parameter was changed.
• Use the BANK
pedals and pedal switches 1 – 4
to specify the bank number and patch number.
If no input is made, the patch will be stored in the original
bank number and patch number.
NOTE When a patch is stored, the patch that was previously
stored in that number will be overwritten (erased).
Take care not to erase a patch that you want to keep.
When wishing to restore the factory preset patches,
please refer to the explanation on page 25.
• Press the STORE key again. The patch is stored, and
the 4040 reverts to the Play mode.
NOTE If the STORE key has not yet been pressed for the
second time, you can use the EDIT/CANCEL key to
cancel the store process and return to the
immediately preceding mode.
Effect Types and Parameters
In this section, all effect types and parameters of the 4040 are explained. Parameters that are the same for several
effects are explained in detail only the first time they appear.
PRE
EQ
MODULATION
DELAY
REVERB
1 CLEAN 1
2 CLEAN 2
3 OVERDRIVE 1
4 OVERDRIVE 2
5 DISTORTION 1
6 DISTORTION 2
7 LEAD
8 METAL
1 EQUALIZER
2 AMP SIMULATOR
3 AUTO WAH
4 PEDAL WAH
1 PEDAL PITCH
2 PITCH SHIFTER
3 FLANGER
4 PHASER
5 TREMOLO
6 STEP
7 SLOW ATTACK
8 CHORUS
1 MONO DELAY
2 PINGPONG DELAY
1 HALL
2 ROOM
3 DELAY
■ Effect Module 1: (PRE)
PATCH LEVEL
2 CLN II (Clean 2)
This module combines a compressor with various types of
distortion. The compressor maintains the volume at a given
level without impairing the sense of tone and attack. The
distortion effect produces characteristic tube-amplifier- like
distortion combined with long sustain.
Clean sound effect with flat characteristics that is suitable
for electric and acoustic guitar.
PRE
2 CLN II
1 CLN I (Clean 1)
This effect type uses only the compressor, to obtain a clean
sound without distortion. The effect is especially suitable for
electric guitars.
Parameter 1
COMP
0–4
Parameter 2
TONE
-7 – +7
Parameter 5
ZNR
0 – 15
3 OD I (Overdrive 1)
PRE
1 CLN I
Parameter 1
COMP
0–4
Parameter 2
TONE
-7 – +7
Parameter 5
ZNR
Overdrive effect with the warm distortion sound that is
typical for tube amplifiers.
PRE
0 – 15
3 OD I
Explanation
(1)COMP (compressor): Determines the depth of the
compression. The higher the value, the smaller the level
difference, and the longer sustain is obtained.
(2)TONE: This is a tone-control-type equalizer. Changing
the value towards (+) makes the sound brighter and
changing it towards (-) makes the sound more subdued.
(5)ZNR (Zoom Noise Reduction): This parameter
adjusts the threshold for the ZNR feature which cuts
noise during performance pauses. You should set the
parameter to a value as high as possible, but without
causing the instrument release to sound unnatural.
NOTE
The optimum ZNR setting depends on the type of
guitar you are using.
Parameter 1
COMP
0–4
Parameter 2
TONE
-7 – +7
Parameter 3
GAIN
1 – 16
Parameter 4
DYNAMICS
Parameter 5
ZNR
0–3
0 – 15
Explanation
(3)GAIN: Determines distortion intensity in the overdrive
circuit. The higher the value, the deeper the distortion.
(4)DYNAMICS: This parameter changes the volume
depending on the picking intensity, but without changing
the distortion. The higher the value, the more pronounced
the effect.
13
4 OD II (Overdrive 2)
7 LEAD
Overdrive effect with heavy, fuzzy distortion.
Hard distortion with a distinct character.
PRE
PRE
4 OD II
7 LEAD
Parameter 1
COMP
0–4
Parameter 1
COMP
0–4
Parameter 2
TONE
-7 – +7
Parameter 2
TONE
-7 – +7
Parameter 3
GAIN
1 – 16
Parameter 3
GAIN
1 – 16
Parameter 4
DYNAMICS
0–3
Parameter 4
DYNAMICS
Parameter 5
ZNR
0 – 15
Parameter 5
ZNR
5 DST I (Distortion 1)
0–3
0 – 15
8 METAL
Hard distortion effect similar to a large amplifier driven to
full capacity.
Distortion which stresses the upper and lower ends of the
frequency spectrum, suitable for heavy metal.
PRE
PRE
5 DST I
8 METAL
Parameter 1
COMP
0–4
Parameter 1
COMP
0–4
Parameter 2
TONE
-7 – +7
Parameter 2
TONE
-7 – +7
Parameter 3
GAIN
1 – 16
Parameter 3
GAIN
1 – 16
Parameter 4
DYNAMICS
0–3
Parameter 4
DYNAMICS
Parameter 5
ZNR
0 – 15
Parameter 5
ZNR
6 DST II (Distortion 2)
Distortion with a thick, full-bodied character that is ideal for
the heavy metal genre.
PRE
6
14
DST II
Parameter 1
COMP
0–4
Parameter 2
TONE
-7 – +7
Parameter 3
GAIN
1 – 16
Parameter 4
DYNAMICS
Parameter 5
ZNR
0–3
0 – 15
0–3
0 – 15
■ Effect Module 2: Equalizer (EQ)
2 AMP SIM (Amp simulator)
This effect module comprises four effect types to control the
tonal character of the sound.
1 EQ (Equalizer)
This is an equalizer with independent boost/cut for the high,
mid, and low frequency range. The mid-range control is a
parametric type allowing the user to freely select the center
frequency.
This effect simulates the sound of a guitar amplifier. By
combining it with the PRE module, the sound of picking up
a guitar amp with a microphone can be convincingly recreated.
EQ
2 AMP SIM
Parameter 1
COLOR
1–3
Parameter 2
BOX
1–3
Parameter 3
DEPTH
0 – 10
Parameter 4
TONE
-7 – +7
Parameter 5
LEVEL
1–8
EQ
1 EQ
Parameter 1
HIGH
-7 – +7
Parameter 2
MID
-7 – +7
Parameter 3
MID f
1 – 16
Parameter 4
LOW
-7 – +7
Parameter 5
LEVEL
1–8
Explanation
(1)HI (high range): Adjusts the high frequency range. A
value of 0 (zero) signifies flat response. The higher the
value, the stronger is the high frequency boost.
(2)MID (midrange): Adjusts the mid frequency range. A
value of 0 (zero) signifies flat response. The higher the
value, the stronger the mid frequency boost.
(3)MID f (midrange frequency): Determines the center
frequency for cut/boost. The higher the value, the higher
is the center frequency.
(4)LOW (low range): Adjusts the low frequency range. A
value of 0 (zero) signifies flat response. The higher the
value, the stronger the low frequency boost.
(5)LEVEL: Determines the EQ module output level.
Gain
3 AUTO WAH
This is an auto wah effect where the emphasized frequency
range changes according to the dynamics of the input signal.
Mid f
0
Explanation
(1)COLOR: Determines the frequency response of the
simulated amplifier.
1: Flat response
2: Vintage tube amplifier with emphasized midrange
3: Modern amplifier with extended high and low range
(2)BOX: Determines the type of simulated speaker
enclosure.
1: Stack
2: Combo
3: Compact
(3)DEPTH: Determines the amount of speaker box ringing.
Higher values will result in pronounced ringing which
occurs when an amplifier is operating at a loud volume.
When set to 0 (zero), there is no such speaker box
ringing, regardless of the selected box type.
EQ
Frequency
3 AUTO WAH
LOW
MID
HI
Equalizer Operation
The LEVEL parameter allows compensation for the
change in output level due to a tone boost or cut.
When HIGH, MID, and LOW are all at the flat
setting, the LEVEL setting "5" produces the same
volume as EQ OFF.
HINT
NOTE
If LEVEL is set too high, internal clipping may lead
to distortion. Adjust the LEVEL parameter to match
the input level.
Parameter 1
FREQ
1 – 64
Parameter 2
SENS
0 – 10
Parameter 5
LEVEL
1–8
Explanation
(1)FREQ (Frequency): Determines the reference
frequency.
(2)SENS (Sensitivity): Determines the sensitivity of the
auto wah effect. The bigger the value, the bigger the
frequency change even at low volume levels.
15
4 PDL WAH (Pedal Wah)
A wah effect which can be controlled in real time with the
EXP pedal.
EQ
4 PDL WAH
Parameter 1
FREQ
1 – 64
Parameter 2
EXP. MODE
0,1
Parameter 5
LEVEL
1–8
Explanation
(2)EXP. MODE (Expression Mode): Determines the
direction of the change caused by the EXP pedal.
0: The frequency is raised with each push of the pedal.
1: The frequency is lowered with each push of the pedal.
NOTE
When wishing to use this effect, be sure to select the
EQ module in the TOTAL parameter EXP.
SELECT, as described on page 22.
Mode
Pedal up
Pedal down
1: Dirty bend
(Dirty BEND)
-100 cent
DRY
2: Harmonized choking
(Harm Chokin')
-200 cent+DRY
-10 cent+DRY
3: Detune (Detune)
Doubling
+50 cent+DRY
4: Bend down
(0
2nd)
0 cent
-200 cent
5: Bend up
(0
1oct)
0 cent
+1 oct
6: Arm down 1
(0
1oct)
0 cent
-1 oct
7: Arm down 2
(0
2oct)
0 cent
-2 oct
8: Infinity bend down
(0
∞)
0 cent
-∞
9: Minor/major
( b3rd
+300 cent+DRY
+400 cent+DRY
3rd)
■ Effect Module 3: Modulation
10: Octave harmony
( 1oct
1oct)
-1 oct+DRY
+400 cent+DRY
This effect module has eight effect types which vary the
pitch over time.
11: Perfect 5th/perfect 4th
2 ( 5th
4th)
-700 cent+DRY
+500 cent+DRY
12: 5th/6th
( 5th
+700 cent+DRY
+900 cent+DRY
13: 4-octave shift
-2 oct
+2 oct
14: Manual flanger
(Hi-BAND)
+1 oct+DRY
+2 oct+DRY
15: Cross fade
(X-fade)
- ∞+DRY
+1 oct
16: Stop (Scratch)
+1 oct+DRY
-∞
1 PDL PIT (Pedal Pitch Shifter)
This effect allows you to shift the pitch using the EXP
pedal. By presetting the mode, you can easily select the shift
amount.
6th)
MODULATION
1 PDL PIT
Parameter 1
MODE
Parameter 5
EXP. MODE
1 – 16
PDL PIT Modes and Pitch Shift Ranges
0,1
NOTE
Explanation
(1)MODE: Determines the pitch shift range effected by the
EXP pedal. There are 16 different modes.
(5)EXP. MODE (Expression Mode): Determines the
direction of the change caused by the EXP pedal.
NOTE
16
The various modes and pitch shift ranges are shown
at right. We recommend that you try various settings
to find the one which suits your needs. 1 cent is
1/100 of a chromatic interval. “DRY” indicates the
original pitch, and “oct” stands for octave.
When wishing to use this effect, be sure to select the
MODULATION module in the TOTAL parameter
EXP. SELECT, as described on page 22.
3 FLG (Flanger)
2 PIT (Pitch)
This effect shifts the pitch by a maximum of two octave up
or down, and adds the shifted signal to the direct sound.
MODULATION
2 PIT
Parameter 1
PIT
0 – 24
Parameter 2
SHIFT
dn , UP
Parameter 3
FINE
-10 – +10
Parameter 4
BAL
0 – 10
Parameter 5
EXP. MODE
0,1
Explanation
(1)PIT (Pitch): Determines the pitch change in semitone
steps. The setting range is one octave up or down.
(2)SHIFT: Determines the direction of the pitch shift, either
"dn" (down) or "UP".
(3)FINE: Allows fine adjustment of pitch.
(4)BAL (Balance): Determines the balance between effect
sound and direct sound. At a setting of 0 (zero), the
output signal contains only the direct sound, and at a
setting of 10 only the effect sound.
(5)EXP. MODE (Expression Mode): Determines the
direction of the change caused by the EXP pedal.
0: When the pedal is fully pushed down, the balance is as
set with the BAL parameter. When the pedal is up, the
balance is minimum.
1: When the pedal is fully pushed down, the balance is
maximum. When the pedal is up, the balance is as set
with the BAL parameter.
HINT
By setting the pitch to 0 (zero) and somewhat raising
the FINE parameter, you can create a chorus effect
with slight modulation.
This effect adds a delayed component to the direct sound,
with periodically changing delay time in the range of several
to tens of milliseconds. The result is an intense, distinct
sound. When combined with distortion, a swirling “jet
sound” type flanger effect can be obtained.
MODULATION
3 FLG
Parameter 1
DEPTH
0 – 10
Parameter 2
RATE
1 – 50
Parameter 3
PEAK
0 – 10
Parameter 4
MODE
0,1
Parameter 5
EXP. MODE
0,1
Explanation
(1)DEPTH: Determines the depth of the flanger effect.
(2)RATE: Determines the speed of the flanger variation.
(3)PEAK: Determines the amount of feedback. Increasing
this parameter stresses the modulation impression and
adds a distinct character to the sound.
(4)MODE:Determines the basic sonic character.
0: Flanger
1: Solid chorus (strong chorus with little modulation)
(5)EXP. MODE (Expression Mode): Determines the
direction of the change caused by the EXP pedal.
0: When the pedal is fully pushed down, the feedback is
as set with the PEAK parameter. When the pedal is up,
the feedback is minimum.
1: When the pedal is fully pushed down, the feedback is
maximum. When the pedal is up, the feedback is as set
with the PEAK parameter.
17
4 PHA (Phase)
This effect adds a phase-shifted component to the direct
sound, with a variable amount of phase shift. The effect
creates a warm, distinct sound that is different from flanger
or chorus.
MODULATION
4 PHA
Parameter 1
DEPTH
0 – 10
Parameter 2
RATE
1 – 50
Parameter 3
PEAK
0 – 10
Parameter 4
MODE
0,1
Parameter 5
EXP. MODE
0,1
Explanation
(1)DEPTH: Determines the depth of phase shift.
(2)RATE: Determines the speed of phase shift.
(3)PEAK: Adds a distinct character to the sound by
emphasizing the effect.
(4)MODE: Determines the basic sonic character.
0: Warm
1: Clear
(5)EXP. MODE (Expression Mode): Determines the
direction of the change caused by the EXP pedal.
0: When the pedal is fully pushed down, the sonic
change is as set with the PEAK parameter. When the
pedal is up, the sonic change is minimum.
1: When the pedal is fully pushed down, the sonic
change is maximum. When the pedal is up, the sonic
change is as set with the PEAK parameter.
5 TRM (Tremolo)
This effect periodically varies the intensity of the sound.
The effect can be adjusted from conventional tremolo to a
strong clipping effect.
MODULATION
5 TRM
Parameter 1
DEPTH
0 – 10
Parameter 2
RATE
1 – 50
Parameter 3
PEAK
0 – 10
Parameter 4
MODE
0,1
Parameter 5
EXP. MODE
0,1
Explanation
(1)DEPTH: Determines the depth of the tremolo effect.
(2)RATE: Determines the speed of the tremolo variation.
18
(3)PEAK: Increasing this parameter deforms the tremolo
waveform to a trapezoid shape, which causes a strong
clipping effect and adds a distinct character to the sound.
(4)MODE: Determines the modulation waveform.
0: Chopping
1: Sawtooth
(5)EXP. MODE (Expression Mode): Determines the
direction of the change caused by the EXP pedal.
0: When the pedal is fully pushed down, the tremolo rate
is as set with the RATE parameter. When the pedal is up,
the tremolo rate is minimum.
1: When the pedal is fully pushed down, the tremolo rate
is maximum. When the pedal is up, the tremolo rate is as
set with the RATE parameter.
Level
Level
Time
Time
PEAK=10
PEAK=0
Effect of the PEAK Parameter
6 STEP
This effect causes random pitch changes and creates an auto
arpeggio sound.
MODULATION
6 STEP
Parameter 1
DEPTH
0 – 10
Parameter 2
RATE
1 – 50
Parameter 3
PEAK
0 – 10
Parameter 4
MODE
0,1
Parameter 5
EXP. MODE
0,1
Explanation
(1)DEPTH: Determines the depth of the pitch change.
(2)RATE: Determines the speed of the effect (arpeggio rate)
(3)PEAK: Determines the amount of feedback. Increasing
this parameter stresses the feeling of modulation and
adds a distinct character to the sound.
(4)MODE: Determines whether there is a portamento effect
when changing the pitch.
0: Effect disabled 1: Effect enabled
(5)EXP. MODE (Expression Mode): Determines the
direction of the change caused by the EXP pedal.
0: When the pedal is fully pushed down, the feedback is
as set with the PEAK parameter. When the pedal is up,
the feedback is minimum.
1: When the pedal is fully pushed down, the feedback is
maximum. When the pedal is up, the feedback is as set
with the PEAK parameter.
7 SLOW (Slow Attack)
8 CHO (Chorus)
This effect smoothes the picking attack, automatically
creating a volume swell, while adding a dynamic filter. The
filter opening characteristics depend on the input signal,
causing a gradual emphasis in the low (or high) range.
This effect adds a component with periodically changing
pitch to the direct sound, which results in a spatially wide
impression. The effect can be used in mono or stereo. In
principle, this is similar to the flanger effect, but without the
PEAK parameter.
MODULATION
MODULATION
7 SLOW
Parameter 1
DEPTH
0 – 10
Parameter 2
RATE
1 – 50
Parameter 3
BAL
0 – 10
Parameter 4
MODE
0,1
Parameter 5
EXP. MODE
0,1
Explanation
(1)DEPTH: Determines the frequency change range of the
dynamic filter. The higher the value, the greater the
range.
(2)RATE: Determines the rise time rate. The higher the
value, the longer the attack sound.
(3)BAL (Balance): Determines the balance between the
slow attack sound and the dynamic filter sound. Smaller
values increase the attack character and larger values the
dynamic filter character.
(4)MODE: Determines the filter characteristics, causing a
change in sonic quality.
0: LPF (low-pass filter)
1: HPF (high-pass filter)
(5)EXP. MODE (Expression Mode): Determines the
direction of the change caused by the EXP pedal.
0: When the pedal is fully pushed down, the attack time
is as set with the RATE parameter. When the pedal is up,
the attack time is minimum.
1: When the pedal is fully pushed down, the attack time
is maximum. When the pedal is up, the attack time is as
set with the RATE parameter.
8 CHO
Parameter 1
DEPTH
0 – 10
Parameter 2
RATE
1 – 50
Parameter 3
BAL
0 – 10
Parameter 4
STEREO
0,1
Parameter 5
EXP. MODE
0,1
Explanation
(1)DEPTH: Determines the depth of the pitch change.
(2)RATE: Determines the speed of the rate change.
(3)BAL (Balance): Determines the balance between the
effect sound and the direct sound. The higher the value,
the stronger the effect sound.
(4)STEREO: A setting of 0 (zero) gives a monaural effect
and a setting of 1 a stereo effect.
(5)EXP. MODE (Expression Mode):Determines the
direction of the change caused by the EXP pedal.
0: When the pedal is fully pushed down, the balance is as
set with the BAL parameter. When the pedal is up, the
balance is minimum.
1: When the pedal is fully pushed down, the balance is
maximum. When the pedal is up, the balance is as set
with the BAL parameter.
19
■ Effect Module 4: Delay
■ Effect Module 5: Reverb (REV)
This effect module adds an echo component to the direct
sound. You can choose between simple monaural delay and
stereo ping-pong delay. It is also possible to change the
delay time by tapping the BANK ▲ pedal. For details
regarding tapping input, please refer to page 23.
This effect module includes three types of reverberation
effects.
1 HALL
This effect simulates hall-type reverberation, adding rich
ambience to the sound.
1 MONO
Digital delay with a delay time of up to 1000 milliseconds.
REV
1 HALL
DELAY
Parameter 1
TIME
1 – 10
Parameter 2
TONE
-7 – +7
Parameter 3
MIX
0 – 10
1 MONO
Parameter 1
DELAY TIME ( x100ms )
0 – 10
Parameter 2
DELAY TIME ( x1ms )
0 – 99
Parameter 3
FEEDBACK
0 – 10
Parameter 4
MIX
0 – 10
Explanation
(1)DELAY TIME (x100 ms): This parameter adjusts the
delay time (interval between delayed sounds) in 100-ms
steps.
(2)DELAY TIME (x1 ms): This parameter adjusts the
delay time in 1-ms steps. The sum of parameters (1) and
(2) becomes the final delay time. When parameter (1) is
10 (= 1000 ms), parameter (2) is fixed at 0 (zero).
(3)FEEDBACK: Determines the number of repetitions of
the delay sound. The higher the value, the more
repetitions are added.
(4)MIX: Determines the balance between effect sound and
direct sound. At a setting of 0 (zero), the output signal
contains only the direct sound, and at a setting of 10 only
the effect sound.
Explanation
(1)TIME: Determines the duration of the reverberation.
Higher values increase the reverb time and the apparent
room size.
(2)TONE: Determines the tonal quality of the
reverberation. The higher the value, the brighter the
sound.
(3)MIX: Determines the balance between effect sound and
direct sound. At a setting of 0 (zero), the output signal
contains only the direct sound, and at a setting of 10 only
the effect sound.
2 ROOM
This is a short, room-type reverb effect, which is suitable to
add backing to a simple sound.
MODULATION
2 ROOM
2 PPD (Ping-pong delay)
This is a ping-pong type delay where the delayed sound
alternates between the left and right channel.
DELAY
2 PPD
Parameter 1
DELAY TIME ( x100ms )
0 – 10
Parameter 2
DELAY TIME ( x1ms )
0 – 99
Parameter 3
FEEDBACK
0 – 10
Parameter 4
MIX
0 – 10
NOTE When the 4040 is used in a monaural configuration,
only short delay signals are output from the
OUTPUT L/MONO jack.
20
Parameter 1
TIME
1 – 10
Parameter 2
TONE
-7 – +7
Parameter 3
MIX
0 – 10
About the TOTAL parameters
3 DELAY
This effect is similar to the ping-pong delay of the DELAY
module, but with a maximum delay time of 900
milliseconds.
REV
The bottom parameter LED corresponds to a number of
special parameters called TOTAL parameters. These refer to
the control of an external effecter or amplifier, and to
settings which affect operation of the entire 4040. Like
effect parameters, the TOTAL parameters are also set by
using the PARAMETER SELECT key and the VALUE +/keys in the Edit mode.
3 DELAY
Parameter 1
TIME ( x10ms )
0 – 90
Parameter 2
FEEDBACK
0 – 10
Parameter 3
MIX
0 – 10
Explanation
(1)TIME (x10 ms): This parameter adjusts the delay time
in 10-ms steps.
(2)FEEDBACK: Determines the number of repetitions of
the delay sound. The higher the value, the more
repetitions are added.
(3)MIX: Determines the balance between effect sound and
direct sound. At a setting of 0 (zero), the output signal
contains only the direct sound, and at a setting of 10 only
the effect sound.
NOTE
When the 4040 is used in a monaural configuration,
only long delay signals are output from the
OUTPUT L/MONO jack. This is opposite to the
operation of the ping-pong type delay.
■ Patch Level
PATCH LEVEL
PATCH LEVEL
0 – 50
Explanation
(4)PATCH LEVEL: Determines the individual output level
for each patch.
HINT
The patch level parameter can be set regardless of
the REVERB module on/off status. It is also
possible to change the patch level in the Play mode,
using the VALUE +/- keys.
Some of the TOTAL parameters can be stored as
part of a patch and some are global settings for
operation of the 4040. When a patch parameter has
been changed, it must be stored with its patch in the
same way as an effect parameter. When a global
parameter has been changed, storing any patch will
also store the global parameter setting.
■ EXTERNAL LOOP
The send/return loop for an external device is inserted
between the compression and distortion sections in the PRE
module. This parameter controls the on/off setting of the
loop. This parameter can be stored as part of an individual
patch. For details, please refer to page 23.
EXTERNAL LOOP
Parameter
EXTERNAL LOOP
0,1
Explanation
EXTERNAL LOOP: Controls the on/off setting of the
external send/return loop. 0 (zero) is OFF and 1 is ON.
NOTE
Parameter 4 of the REVERB module serves to set the patch
level. This setting, although not actually an effect, can also
be stored as part of the patch.
Parameter 4
NOTE
The external loop can be used also when the PRE
module is off.
■ EXTERNAL CTRL OUT (External Control)
Determines the setting of the EXTERNAL CONTROL
OUT connector which serves to switch the channel of an
external amplifier. This parameter can be stored as part of an
individual patch. For details, please refer to page 23.
EXTERNAL CTRL OUT
Parameter
EXTERNAL CONTROL OUT
1–4
Explanation
EXTERNAL CTRL OUT: Controls the setting of the
EXTERNAL CONTROL OUT connector. For details,
please refer to page 23.
21
■ MINIMUM VOLUME
HINT
This parameter controls the volume level setting between
the EQ module and the MODULATION module, when the
VOL pedal is fully raised. This is a global parameter which
affects operation of the entire 4040.
NOTE
MINIMUM VOLUME
Parameter
MINIMUM VOLUME
0 – 10
Explanation
MINIMUM VOLUME: Determines the minimum volume
level when the VOL pedal is fully raised. At a setting of 0
(zero), no sound is heard.
■ MIDI CH (MIDI Channel)
This parameter controls the channel for the MIDI signal
supplied at the MIDI OUT connector. This is a global
parameter which affects operation of the entire 4040. For
details, please refer to page 26.
MIDI CH
Parameter
MIDI CH
1 – 16
Explanation
MIDI CH (MIDI Channel): Determines the MIDI send
channel.
NOTE
When you have changed a global parameter
(MINIMUM VOLUME/MIDI CHANNEL) and
want to retain the setting, simply store any patch.
This will also store the global parameter setting. If
you turn off the 4040 without storing a patch, the
global parameter setting will revert to the default
value.
■ EXP. SELECT (Expression Select)
This parameter determines which module is controlled by
the expression pedal. This parameter can be stored as part of
an individual patch.
EXP. SELECT
Parameter
EXP. SELECT
0–5
Explanation
EXP. SELECT (Expression Select): Determines which
module is controlled by the expression pedal.
0: OFF
1: PRE
2: EQ
3: MODULATION
4: DELAY
5: REVERB
22
The effect of the EXP (expression) pedal depends on
which module is selected for the current patch. The
direction and intensity of the change depends on the
module settings. Edit the respective parameters and
check the results to find your desired sound.
Modules which are currently off and modules which
cannot be controlled by the EXP pedal cannot be
selected (are not displayed). When wishing to
control a module with the EXP pedal, be sure to set
it to on.
Edit Mode Application Examples
This section gives pointers on how to use some advanced features of the Edit mode and the TOTAL parameters.
Tapping input of delay time
The delay time of the delay module can be set by tapping
the BANK ▲ pedal in the desired interval. By mastering
this technique, you can easily adjust the delay time to match
the tempo of a song.
• In Play mode, select the patch you want to edit (from
either the USER or the PRESET group). Press the
EDIT/CANCEL key to activate the Edit mode.
• Tap the BANK ▲ pedal at least twice, in the desired
tempo.
The 4040 detects the interval between taps of the pedal
switch and sets the delay time accordingly.
• In Play mode, press the EDIT/CANCEL key to
activate the Edit mode.
• Use the PARAMETER SELECT key to select the
TOTAL parameter EXTERNAL LOOP.
• Use the VALUE +/- keys to set the parameter value to 1
(on).
The signal is now routed through the external loop and
can be altered by any device connected in the loop.
• If you wish to use this setting also in future, store the
patch.
HINT
• Press the EDIT/CANCEL key once more to return to
the Play mode.
NOTE
The tapping input method can be used only for the
delay time of the DELAY module, and only when
the DELAY module is on. The maximum delay time
is 1000 ms. If the tapping interval is between 1000
and 2000 ms, the delay time will be set to one half
the interval time. If the tapping interval is more
than 2000 ms, the delay time is not set.
External effecter loop
An external effect device connected to the EXTERNAL
SEND/RETURN connector is inserted in series between the
compression and distortion sections in the PRE module. The
on/off setting of the send/return loop can be stored as part of
a patch. This lets you for example connect a compact
effecter for distortion etc. and control it as part of the 4040.
OUT
Since the on/off condition of the external loop will
be controlled by the 4040, you should leave the
connected effect switched on. The signal level
returned to the 4040 can be adjusted at the
connected effect.
External control
Some guitar amplifiers or preamplifiers with several
channels allow the user to switch channels with a foot
switch. Some amplifiers also allow internal effect on/off
control by foot switch. The EXTERNAL CONTROL OUT
connector of the 4040 can be used to duplicate the action of
a foot switch for amplifier channel control or internal effect
on/off control in conjunction with a patch of the 4040.
Stereo cable or mono cable
FOOT SW IN
EXT CNTL OUT
IN
Guitar amplifier
COMPACT
EFFECTOR
RETURN
SEND
4040
4040
23
As shown in the diagram, this output is designed for a stereo
connection, allowing on/off control of two channels.
Stereo plug
GROUND
TIP
RING
Use a stereo cable or mono cable to connect the 4040 to the
channel switching connector on the amplifier. The amplifier
function is controlled according to whether the tip and ring
of the plug are shorted to ground or not.
Expression pedal control
The EXP pedal of the 4040 can be used to adjust an effect
parameter in real time. For example, you might change the
distortion depth during a performance, or increase the
amount of reverberation. The parameters available for
control by the EXP pedal depend on the module and the
effects used in the selected patch.
• In Play mode, press the EDIT/CANCEL key to
activate the Edit mode.
• Use the PARAMETER SELECT key to select the
parameter EXP. SELECT.
• Use the VALUE +/- keys to set the value.
• In Play mode, press the EDIT/CANCEL key to
activate the Edit mode.
• Use the PARAMETER SELECT key to select the
TOTAL parameter EXTERNAL CONTROL OUT.
• Use the VALUE +/- keys to set the value.
Applicable values are shown in the table below.
EXTERNAL
CONTROL
VALUES
RING
TIP
1
Shorted
Shorted
2
Open
Open
3
Open
Shorted
4
Shorted
Open
Since the specifications for control connectors vary
for different amplifiers, you may have to try out a
variety of settings and cable connections. Normally,
using a cable of the same type as the cable for the
foot switch that came with the amplifier is
recommended. For details, please refer to the
manual of the amplifier.
NOTE
.
24
MODULE
Parameters Available for
Pedal Control
0
OFF
1
PRE
OD I, OD II,
DIST I, DIST II,
LEAD, METAL
GAIN*
2
EQ
AUTO WAH
PDL WAH
SENSE*
FREQ*
3
MODULATION
PDL PIT
PIT
FLG
PHA
TRM
STEP
SLOW
CHO
PIT
BAL
PEAK
PEAK
RATE
PEAK
RATE
BAL
4
DELAY
MONO
PING PONG
MIX*
MIX*
5
REVERB
HALL
ROOM
DELAY
MIX*
MIX*
MIX*
Status of the Connectors
• If you wish to use these settings, they must be stored in
the patch.
HINT
EXP. SELECT
VALUES
Even if equipped with a foot switch connector, some
amplifiers may not be suitable for control by the
4040.
• If you wish to use these settings, they must be stored in
the patch.
NOTE
For parameters marked with an * in the table, the
range is always MIN <–> MAX, regardless of the
setting.
Other Functions
This section describes use of the special mode and the MIDI function of the 4040.
Restoring individual factory preset
patches (patch recall)
Restoring all factory preset patches
(initialize)
The 4040 contains a ROM (read-only memory) in which all
factory preset patch data are permanently stored. Even if
patches have been edited and stored in the USER group, the
original factory preset patches can be individually recalled
at any time.
This special function returns all patches in the USER group
to the factory preset condition. Use this function with care,
because all patches you have stored will be lost.
• Turn off the 4040 (with the amplifier volume set to
minimum), and turn the unit back on while keeping
the EDIT/CANCEL key depressed.
The indication “FC” flashes on the display. This shows
that the unit is ready for recalling individual patches from
the internal ROM.
• Press the STORE key.
You now can select the group, bank number and patch
number you want to restore.
The indication of “FC” and “U0” (group and bank
numbers) alternately appears on the display.
• Turn off the 4040 (with the amplifier volume set to
minimum), and turn the unit back on while keeping
the STORE key depressed.
The indication “AL” flashes on the display. This shows
that the unit is ready for recalling all patches from the
internal ROM.
• When wishing to initialize all patches
Press the STORE key once more. This restores all patches
to their factory preset condition. The 4040 then switches
to the Play mode.
• When wishing to cancel the function
Press the EDIT/CANCEL key. The 4040 switches to the
Play mode without changing the patch settings.
Volume pedal control
• Use the GROUP key, BANK ▼/▲pedals, and pedal
switches 1 – 4 to select the desired patch.
At this time, the sound of the patch can be monitored.
• Press the STORE key once more.
The selected patch is now restored to the same setting as
when the unit was shipped.
• Turn off the 4040, and then turn it on again for normal
use.
The 4040 will be in regular Play mode.
NOTE
When the factory setting of a patch is recalled, any
setting previously stored in that patch will be lost.
By using the GROUP key before pressing the
STORE key a second time, you can compare the
sound of the user-stored patch and the recalled
factory-preset patch before overwriting the patch
contents.
The VOL pedal of the 4040 can be used to adjust the
volume level between the EQ module and the
MODULATION module. This lets you adjust the volume
without changing the delay or reverb settings. The minimum
volume level that is used when the VOL pedal is fully raised
can be set and stored as part of a patch.
• In Play mode, press the EDIT/CANCEL key to
activate the Edit mode.
• Use the PARAMETER SELECT key to select the
TOTAL parameter MINIMUM VOLUME.
• Use the VALUE +/- keys to set the value.
NOTE
When you want to retain the setting, store any
patch. This will also store the MINIMUM
VOLUME setting. If you turn off the 4040 without
storing a patch, the setting will revert to the default
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value.
MIDI control
Program change and control change messages can be sent
from the MIDI OUT connector of the 4040, according to
pedal operation and pedal switch on/off operation. This lets
you control equipment with a MIDI IN connector from the
4040. For example, you can change the program of a guitar
synthesizer when selecting patches at the 4040, or call up
settings at a MIDI-equipped preamplifier such as the ZOOM
9150.
two values (on = 127, off = 0). Likewise, when the 4040 is
in the Play mode and the bypass condition is activated, a
special control change message with only two values is sent.
The control change number and values are shown in the
table below.
Control
change NO.
VOL. PEDAL
7
0 – 127
EXP. PEDAL
1
0 – 127
BYPASS
91
ON : 127 OFF : 0
Guitar synthesizer
MANUAL
MODE
MIDI IN
MIDI cable
MIDI OUT
Value
BANK
72
ON : 127 OFF : 0
PEDAL 1
73
ON : 127 OFF : 0
PEDAL 2
75
ON : 127 OFF : 0
PEDAL 3
76
ON : 127 OFF : 0
PEDAL 4
77
ON : 127 OFF : 0
● MIDI channel selection
When wishing to use the MIDI OUT connector of the 4040
to control external equipment, the MIDI channel of the 4040
must be set to match the equipment. This is done be setting
the TOTAL parameter MIDI CH.
4040
MIDI- equipped preamplifier
MIDI IN
• In Play mode, press the EDIT/CANCEL key to
activate the Edit mode.
• Use the PARAMETER SELECT key to select the
TOTAL parameter MIDI CH.
• Use the VALUE +/- keys to set the value (MIDI
channel 1 - 16).
MIDI cable
MIDI OUT
4040
● Sending program change messages
Whenever a patch is selected, a program change message is
sent from the MIDI OUT connector. The program change
numbers are shown in the table below.
PATCH No.
GROUP
USER
PRESET
BANK No.
1
2
3
4
0
0
1
2
3
1
4
5
6
7
2
8
9
10
11
9
36
37
38
39
0
40
41
42
43
1
44
45
46
47
2
48
49
50
51
9
76
77
78
79
● Sending control change messages
Swapping the pedal functions
The pedals of the 4040 are normally set up so that the left
pedal operates as volume pedal and the right pedal as
expression pedal. If desired, the function of the pedals can
be interchanged as follows.
• Turn off the 4040 (with the amplifier volume set to
minimum), and turn the unit back on while keeping
the GROUP key depressed.
The indication “VE” flashes on the display. In this
condition, the left pedal operates as volume pedal and the
right pedal as expression pedal (factory default).
• Use the VALUE +/- keys to change the value.
When “EV” is shown, the right pedal operates as volume
pedal and the left pedal as expression pedal.
When the VOL pedal or EXP pedal is operated, special
control change messages with continuously varying values
are sent from the MIDI OUT connector.
If the 4040 is in the Manual (Edit) mode, special control
change messages are sent when a module is switched on and
off via the pedal switches. In this case, the output has only
26
• Press the STORE key.
The new setting is stored, and the unit switches to Play
mode. If you wish to cancel the function, press the
Application Examples for Use of the Foot Switch and Pedal Switches 1 - 4
The optional foot switch FS01 can be used for example to switch modes during a performance.
EDIT/CANCEL key instead of the STORE key.
Using the FS01
The optional foot switch FS01 can be used to switch
between the normal Play mode and the Manual mode where
effects can be individually switched on and off.
• Turn off the 4040, and connect the FS01 to the
MANUAL connector of the 4040.
FS01
MANUAL
INPUT
4040
• Turn on the 4040 and select the patch.
• Push the FS01 once.
This switches the 4040 to the Manual (Edit) mode. The
on/off status of individual effect modules can now be
controlled with the pedal switches 1 - 4 and the BANK ▼
pedal.
The pedal switches 1 - 4 and the BANK ▼ pedal
correspond to the following effect modules:
HINT
• BANK ▼ pedal :
• Pedal switch 1:
• Pedal switch 2:
• Pedal switch 3:
• Pedal switch 4:
NOTE
PRE
EQ
MODULATION
DELAY
REVERB
In Manual mode, selecting patches is not possible.
• Push the FS01 once more.
The 4040 reverts to the normal Play mode, and patch
selection is possible.
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Specifications
ZOOM PLAYER PRO
4040
Number of effect programs:
Memory:
A/D conversion:
D/A conversion:
Sampling frequency:
Inputs:
25 types ( 5 modules )
80 patches ( USER 40 / PRESET 40 )
16-bit, 64-times oversampling, 4-ord ∆∑ converter
16-bit, 64-times oversampling, 8-times interpolation filter
Fs = 31.25 kHz
Guitar input
1/4inch-phone-jack ( Mono ) x 1
nominal input level -25dBm ( GAIN sw = H ),
-15dBm ( GAIN sw = M ),
-10dBm ( GAIN sw = L ),
input impedance
470Kohm
External return
1/4inch-phone-jack ( Mono ) x 1
nominal input level -10dBm,input impedance 100Kohm
Outputs:
Line(L/MONO,R) 1/4inch-phone-jack ( Mono ) x 2
maximun output level +5dBm,output impedance 600ohm or more
External send
1/4inch-phone-jack ( Mono ) x 1
nominal output level -10dBm,output impedance 1Kohm or more
Headphones
1/4inch-phone-jack ( Stereo ) x 1
output power
35mW into 32 ohm
Input-Output Gain:
Control connectors:
Value control pedal:
Display:
Power supply:
Dimension:
Weight:
Input gain switch x 1 ( H,M,L 3-types-gain select )
Master outputs level volume x 1
MIDI out x 1
External control out x 1
VOL. pedal x 1
EXP. pedal x 1
2-character,7-segment LED display
9V DC,200mA ( from supplied AC adapter AD0003 or AD0004 )
500 x 210 x 63 ( W x D x H )
2 Kg
* 0 dBm = 0.775 Vrms
* Design and specifications suject to change without notice.
MIDI IMPLEMENTATION
1. TRANSMITTED DATA
1) CHANNEL VOICE MESSAGES
STATUS
SECOND
THIRD
DESCRIPTION
1011 nnnn
0ccc cccc
0vvv vvvv
CONTROL CHANGE
ccc cccc : Control No.
vvv vvvv : Control Value
1100 nnnn
0ppp pppp
—— —— PROGRAM CHANGE
ppp pppp : Program Number
NOTE: nnnn = MIDI Channel Number ( 0000 - 1111 )
2. RECOGNIZED DATA
NONE
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