mixing console mixing console

mixing console mixing console
Serious Capacity For Sound Reinforcement & Installations
Panel Layout
MIXING CONSOLE
MONO
Input
Channel
STEREO
Input
Channel
SPX Effect
Section
Master
Section
If your application is live sound reinforcement you’ll want all the channel capacity you can get — just in case. Vocal mics, instrument mics,
stereo keyboards, direct-injection feeds, drum mics, and the rest can add up very quickly. With 24 and 32 input channels, respectively, the
MG24/14FX and MG32/14FX are ready to handle all but the most ambitious sound-reinforcement setups. And with dual SPX digital effect
systems on-board you won’t need racks of outboard gear to get the sound you need. There's also a comprehensive range of group and auxiliary
busses to make even complex mixes easy.
INPUT SECTION
MASTER SECTION
EASE OF USE
24 or 32 Input Channels
14 Buses In All For Flexible Signal Routing
Dual SPX Digital Effects
Choose either the 24-channel MG24/14FX or the 32channel MG32/14FX according to your needs. All other
features are the same. The MG24/14FX has 16 mono
microphone/line channels while the MG32/14FX has
24. Both offer four stereo line channels in addition to
the mono mic/line channels. Gain trim covers a wide 60dB ~ -16dB range for microphone input, and -34dB
~ +10dB for line input. Peak indicators are also provided
for effect input gain setup.
In addition to lots of input channels, live sound
reinforcement applications usually demand a number of
additional mixes – usually in the form of group submixes and aux sends for external signal processing and
monitor mixes. In both the MG24/14FX and
MG32/14FX you have a total of 14 mix buses: the main
stereo program bus, four stereo group bus pairs for
convenient channel grouping, six auxiliary busses (four
configurable for pre- or post-fader operation and two set
up as effect sends), and two internal effect busses that
feed the dual high-performance built-in effect processors.
You can use the bus select switches and controls on each
channel to assign the channel signal to the stereo, group,
internal effect, and AUX buses as required.
In the MG24/14FX and
MG32/14FX you have
not one, but two highperformance digital signal processing stages, fed by
separate effect buses, so you can enhance your mix with
two separate effects at the same time. And the effects are
provided by the very latest Yamaha DSP technology –
you know you're getting the best.
Each stage provides a selection of 16 professionalquality SPX digital effects, including reverb, delay,
pitch change, chorus, phasing, vocal doubling,
distortion, and more.
Parameter controls that can be adjusted to tailor the
effects to your sonic requirement are also provided and
Tap delay makes it easy to produce temposynchronized delays.
A Variety of Input Connectors
MIXING CONSOLE
Balanced XLR and phone-jack connectors are
provided on all mono inputs (channels 1 ~ 16 on the
MG24/14FX, and channels 1 ~ 24 on the
MG32/14FX). Two of the stereo channels feature both
pin-jack and phone jack connectors. A separate stereo
2TR input with pin-jack connectors is provided for
independent input of signals from CD players or
similar sources.
Low-noise, High-precision Mic Preamps
All 16 mic preamps in the MG24/14FX and all 24
mic preamps in the MG32/14FX are of exemplary
quality. They offer low-noise, transparent
amplification with the widest possible range of
dynamic and condenser microphones, which adds up
to cleaner, better-sounding mixes.
Switchable Phantom Power
All mic preamps feature switchable +48V phantom
power for phantom-powered studio condenser
microphones. Phantom power is switchable in 8channel groups.
Insert I/O
All mono input channels feature insert I/O patch
points so you can insert compressors, EQ, or other
extra signal-processing gear into the channel signal
path as required. Insert patch points are also provided
on the stereo and group buses for effective output
processing.
Versatile EQ for Effective Sound Shaping
Mono channels feature 3-band equalizers with HIGH
(10 kHz), LOW (100 Hz), and MID (250 Hz ~ 5
kHz sweep) bands. High-pass filters are also provided
on all microphone inputs. Stereo channels have 4band equalizers with HIGH (10 kHz shelving), HI
MID (3 kHz peaking), LOW MID (800 Hz peaking),
and LOW (100 Hz shelving) bands.
DIMENSIONS
Six Aux Sends & Two Stereo Aux Returns
All input channels feature six AUX send controls.
AUX sends 1 through 4 are pre/post switchable while
AUX 5 and 6 are post-fader sends. Two effect sends are
also provided. You choose you have plenty of flexibility
for external signal processing and monitoring in live
sound-reinforcement applications. Two stereo auxiliary
returns are included, as well as return facilities for the
internal effect stages.
A Comprehensive Selection Of Output Connectors
In addition to the main L and R XLR and phone-jack
stereo outputs, these versatile mixers also offer L and R
phone-jack sub-stereo, pin-jack recording, XLR mono,
and stereo phone-jack headphone outputs. You have
plenty of outputs for a wide range of applications –
monitoring, master recorder feed, etc. Phone-jack
group outputs are also provided to allow independent
output of the group bus mixes.
Balanced XLR Stereo and Mono Outputs
Professional connectivity is provided by reliable XLRtype balanced stereo and mono outputs.
Sweepable LPF for Mono Out
One of the many uses for a mono output is to drive a
subwoofer system. The MG24/14FX and MG32/14FX
make this easier than ever with a built-in 80 ~ 120 Hz
sweepable low-pass filter on the mono outputs.
12-segment Meters for Accurate Visual Monitoring
Output level monitoring is made accurate and easy
with four high-visibility 12-segment level meters that
can be switched to display the stereo, group, 2TR
input, PFL (Pre-fader Listen), and AFL (After-fader
Listen) signal levels.
Effect List
Effect A
1. REVERB HALL
2. REVERB ROOM
3. REVERB PLATE
4. REVERB VOCAL 1
5. REVERB VOCAL 2
6. VOCAL ECHO 1
7. VOCAL ECHO 2
8. DELAY 1
9. DELAY 2
10. MOD.DELAY
11. REVERB GATE
12. PITCH CHANGE
13. CHORUS
14. PHASER
15. RADIO VOICE
16. TREMOLO
Effect B
1. REVERB HALL
2. REVERB ROOM
3. REVERB PLATE
4. REVERB VOCAL 1
5. REVERB VOCAL 2
6. VOCAL ECHO 1
7. VOCAL ECHO 2
8. DELAY 1
9. DELAY 2
10. EARLY REF.
11. GATE REVERB
12. VOCAL DOUBLER
13. SYNPHONIC
14. FLANGE
15. DISTORTION
16. TAP DELAY
Reliable 60-millimeter Faders & Illuminated Switches
Reliable, high-performance 60-millimeter faders
provide smooth, noise-free level control. while original
Yamaha illuminated ON (ST buss assign), PFL (PreFader Listen), and phantom power switches provide
easy visual confirmation of critical console settings.
Talkback Input
Communication capability is important for efficient setup
as well as for keeping a show running smoothly. The
MG24/14FX and MG32/14FX both feature a talkback
system that allows the FOH engineer to communicate
with the monitor engineer, performers, or other staff to
keep the team operating at optimum efficiency.
Compact, Portable Design
Compact and surprisingly light in weight, these mixers
can easily be carried just about anywhere. You get topquality mixing performance in the rehearsal studio,
club, outdoors … wherever you need it.
MG Series Specifications
MG10/2 INPUT CHARACTERISTICS
CH IN MIC (1 – 2)
CH IN LINE (1 – 2)
ST CH MIC IN
(CH 3 – 4, 5 – 6)
ST CH LINE IN
(CH 3 – 4, 5 – 6)
Gain
Trim
-60
-16
-34
10
-60
-16
-34
10
ST CH INPUT
(CH 7 – 8, 9 – 10)
CH INSERT IN (1 – 2)
AUX RETURN [L, R]
2TR IN [L, R]
Actual Load
Impedance
For Use With
Nominal
3 kΩ
50 – 600 Ω Mics
10 kΩ
600 Ω Lines
MG12/4FX INPUT CHARACTERISTICS
Input Level *1
Nominal
Max. before Clip
-60 dBu (0.775 mV)
-40 dBu (7.75 mV)
-16 dBu (123 mV)
+4 dBu (1.23 V)
-34 dBu (15.5 mV)
-14 dBu (155 mV)
+10 dBu (2.45 V)
+30 dBu (24.5 V)
-60 dBu (0.775 mV)
-40 dBu (7.75 mV)
-16 dBu (123 mV)
-10 dBu (245 mV)
-34 dBu (15.5 mV)
-14 dBu (155 mV)
+10 dBu (2.45 V)
+30 dBu (24.5 V)
3 kΩ
50 – 600 Ω Mics
10 kΩ
600 Ω Lines
10 kΩ
600 Ω Lines
-10 dBu (245 mV)
+10 dBu (2.45 V)
10 kΩ
10 kΩ
10 kΩ
600 Ω Lines
600 Ω Lines
600 Ω Lines
0 dBu (0.775 V)
+4 dBu (1.23 V)
-10 dBV (316 mV)
+20 dBu (7.75 V)
+24 dBu (12.3 V)
+10 dBV (3.16 V)
Connector In Mixer
CH IN MIC (CH1 – 4)
Phone Jack (TRS) *3
CH IN LINE (CH1 – 4)
XLR-3-31 type *2
ST CH MIC IN
(CH 5 – 6, 7 – 8)
Phone Jack *4
ST CH LINE IN
(CH 5 – 6, 7 – 8)
Phone Jack *4
RCA Pin Jack
Phone Jack (TRS) *5
Phone Jack *4
RCA Pin Jack
Actual Source
Impedance
150 Ω
150 Ω
150 Ω
600 Ω
150 Ω
100 Ω
ST OUT [L, R]
AUX SEND
CH INSERT OUT (1 – 2)
2TR OUT [L, R]
C-R OUT [L, R]
PHONES OUT
For Use With
Nominal
10 kΩ Lines
10 kΩ Lines
10 kΩ Lines
10 kΩ Lines
10 kΩ Lines
40 Ω Phones
Output Level *1
Nominal
Max. before Clip
+4 dBu (1.23 V)
+20 dBu (7.75 V)
+4 dBu (1.23 V)
+20 dBu (7.75 V)
0 dBu (0.775 V)
+20 dBu (7.75 V)
-10 dBV (316 mV)
+10 dBV (3.16 V)
+4 dBu (1.23 V)
+20 dBu (7.75 V)
3 mW
75 mW
CH IN MIC (1 – 2)
CH IN LINE (1 – 2)
ST CH MIC IN
(CH 3 – 4, 5 – 6)
ST CH LINE IN
(CH 3 – 4, 5 – 6)
Gain
Trim
-60
-16
-34
10
-60
-16
-34
10
ST CH INPUT
(CH 7 – 8)
CH INSERT IN (1 – 2)
AUX RETURN [L, R]
2TR IN [L, R]
Actual Load
Impedance
For Use With
Nominal
3 kΩ
50 – 600 Ω Mics
10 kΩ
600 Ω Lines
3 kΩ
50 – 600 Ω Mics
10 kΩ
600 Ω Lines
Phone Jack (TRS) *6
Phone Jack (TRS) *6
Phone Jack (TRS) *5
RCA Pin Jack
Phone Jack (TRS) *6
Stereo Phones Jack
10 kΩ
600 Ω Lines
-10 dBu (245 mV)
+10 dBu (2.45 V)
10 kΩ
10 kΩ
10 kΩ
600 Ω Lines
600 Ω Lines
600 Ω Lines
0 dBu (0.775 V)
+4 dBu (1.23 V)
-10 dBV (316 mV)
+20 dBu (7.75 V)
+24 dBu (12.3 V)
+10 dBV (3.16 V)
Actual Source
Impedance
150 Ω
150 Ω
150 Ω
600 Ω
150 Ω
100 Ω
ST OUT [L, R]
EFFECT SEND
CH INSERT OUT (1 – 2)
2TR OUT [L, R]
C-R OUT [L, R]
PHONES OUT
For Use With
Nominal
10 kΩ Lines
10 kΩ Lines
10 kΩ Lines
10 kΩ Lines
10 kΩ Lines
40 Ω Phones
50 – 600 Ω Mics
10 kΩ
600 Ω Lines
Input Level *1
Nominal
Max. before Clip
-60 dBu (0.775 mV)
-40 dBu (7.75 mV)
-16 dBu (123 mV)
+4 dBu (1.23 V)
-34 dBu (15.5 mV)
-14 dBu (155 mV)
+10 dBu (2.45 V)
+30 dBu (24.5 V)
-60 dBu (0.775 mV)
-40 dBu (7.75 mV)
-16 dBu (123 mV)
-10 dBu (245 mV)
-34 dBu (15.5 mV)
-14 dBu (155 mV)
+10 dBu (2.45 V)
+30 dBu (24.5 V)
3 kΩ
50 – 600 Ω Mics
10 kΩ
600 Ω Lines
10 kΩ
600 Ω Lines
-10 dBu (245 mV)
+10 dBu (2.45 V)
10 kΩ
10 kΩ
10 kΩ
600 Ω Lines
600 Ω Lines
600 Ω Lines
0 dBu (0.775 V)
+4 dBu (1.23 V)
-10 dBV (316 mV)
+20 dBu (7.75 V)
+24 dBu (12.3 V)
+10 dBV (3.16 V)
Connector In Mixer
XLR-3-31 type *2
Phone Jack (TRS) *3
XLR-3-31 type *2
Phone Jack *4
Phone Jack *4
RCA Pin Jack
Phone Jack (TRS) *5
Phone Jack *4
RCA Pin Jack
Output Level *1
Nominal
Max. before Clip
Connection
Actual Source
Impedance
For Use With
Nominal
150 Ω
600 Ω Lines
+4 dBu (1.23 V)
+24 dBu (12.3 V)
XLR-3-32 type *2
Phone Jack (TRS) *4
150 Ω
10 kΩ Lines
+4 dBu (1.23 V)
+20 dBu (7.75 V)
Phone Jack (TRS) *13
150 Ω
600 Ω
150 Ω
100 Ω
10 kΩ Lines
10 kΩ Lines
10 kΩ Lines
40 Ω Phones
0 dBu (0.775 V)
-10 dBV (316 mV)
+4 dBu (1.23 V)
3 mW
+20 dBu (7.75 V)
+10 dBV (3.16 V)
+20 dBu (7.75 V)
75 mW
Phone Jack (TRS) *5
RCA Pin Jack
Phone Jack (TRS) *6
Stereo Phones Jack
GROUP OUT (1, 2)
AUX SEND (1, 2)
EFFECT SEND
CH INSERT OUT (CH1 – 4)
REC OUT [L, R]
C-R OUT [L, R]
PHONES
Connector In Mixer
MG16/6FX INPUT CHARACTERISTICS
Input Level *1
Nominal
Max. before Clip
-60 dBu (0.775 mV)
-40 dBu (7.75 mV)
-16 dBu (123 mV)
+4 dBu (1.23 V)
-34 dBu (15.5 mV)
-14 dBu (155 mV)
+10 dBu (2.45 V)
+30 dBu (24.5 V)
-60 dBu (0.775 mV)
-40 dBu (7.75 mV)
-16 dBu (123 mV)
-10 dBu (245 mV)
-34 dBu (15.5 mV)
-14 dBu (155 mV)
+10 dBu (2.45 V)
+30 dBu (24.5 V)
Connector In Mixer
CH IN MIC (CH1 – 8)
Phone Jack (TRS) *3
CH IN LINE (CH1 – 8)
For Use With
Nominal
3 kΩ
50 – 600 Ω Mics
10 kΩ
600 Ω Lines
Input Level *1
Nominal
Max. before Clip
-60 dBu (0.775 mV)
-40 dBu (7.75 mV)
-16 dBu (123 mV)
+4 dBu (1.23 V)
-34 dBu (15.5 mV)
-14 dBu (155 mV)
+10 dBu (2.45 V)
+30 dBu (24.5 V)
-60 dBu (0.775 mV)
-40 dBu (7.75 mV)
-16 dBu (123 mV)
-10 dBu (245 mV)
-34 dBu (15.5 mV)
-14 dBu (155 mV)
+10 dBu (2.45 V)
+30 dBu (24.5 V)
3 kΩ
50 – 600 Ω Mics
600 Ω Lines
ST CH INPUT *8
10 kΩ
600 Ω Lines
-10 dBu (245 mV)
+10 dBu (2.45 V)
CH INSERT IN (1 – 8)
AUX RETURN [L, R]
2TR IN [L, R]
10 kΩ
10 kΩ
10 kΩ
600 Ω Lines
600 Ω Lines
600 Ω Lines
0 dBu (0.775 V)
+4 dBu (1.23 V)
-10 dBV (316 mV)
+20 dBu (7.75 V)
+24 dBu (12.3 V)
+10 dBV (3.16 V)
ST CH MIC IN *7
Phone Jack *4
ST CH LINE IN *7
RCA Pin Jack
Phone Jack (TRS) *5
Phone Jack *4
RCA Pin Jack
Actual Load
Impedance
10 kΩ
XLR-3-31 type *2
Phone Jack *4
Gain
Trim
-60
-16
-34
10
-60
-16
-34
10
Connection
XLR-3-31 type *2
Connector In Mixer
XLR-3-31 type *2
Phone Jack (TRS) *6
XLR-3-31 type *2
Phone Jack *4
Phone Jack *4
RCA Pin Jack
Phone Jack (TRS) *5
Phone Jack *4
RCA Pin Jack
MG16/6FX OUTPUT CHARACTERISTICS
MG8/2FX OUTPUT CHARACTERISTICS
Connection
For Use With
Nominal
3 kΩ
ST OUT [L, R]
Connector In Mixer
MG8/2FX INPUT CHARACTERISTICS
Connection
ST CH INPUT
(CH 9 – 10, 11 – 12)
CH INSERT IN (1 – 8)
RETURN [L, R]
2TR IN [L, R]
Actual Load
Impedance
MG12/4FX OUTPUT CHARACTERISTICS
MG10/2 OUTPUT CHARACTERISTICS
Connection
Gain
Trim
-60
-16
-34
10
-60
-16
-34
10
Connection
XLR-3-31 type *2
EFFECT
Connection
Output Level *1
Nominal
Max. before Clip
+4 dBu (1.23 V)
+20 dBu (7.75 V)
+4 dBu (1.23 V)
+20 dBu (7.75 V)
0 dBu (0.775 V)
+20 dBu (7.75 V)
-10 dBV (316 mV)
+10 dBV (3.16 V)
+4 dBu (1.23 V)
+20 dBu (7.75 V)
3 mW
75 mW
Phone Jack (TRS) *6
Phone Jack (TRS) *6
Phone Jack (TRS) *5
RCA Pin Jack
Phone Jack (TRS) *6
Stereo Phones Jack
Output Level *1
Nominal
Max. before Clip
Connection
Actual Source
Impedance
For Use With
Nominal
ST OUT [L, R]
150 Ω
600 Ω Lines
+4 dBu (1.23 V)
+24 dBu (12.3 V)
XLR-3-32 type *2
Phone Jack (TRS) *13
150 Ω
10 kΩ Lines
+4 dBu (1.23 V)
+20 dBu (7.75 V)
Phone Jack (TRS) *6
150 Ω
600 Ω
150 Ω
100 Ω
10 kΩ Lines
10 kΩ Lines
10 kΩ Lines
40 Ω Phones
0 dBu (0.775 V)
-10 dBV (316 mV)
+4 dBu (1.23 V)
3 mW
+20 dBu (7.75 V)
+10 dBV (3.16 V)
+20 dBu (7.75 V)
75 mW
Phone Jack (TRS) *5
RCA Pin Jack
Phone Jack (TRS) *6
Stereo Phones Jack
Connector In Mixer
GROUP OUT (1 – 4)
AUX SEND (1, 2)
EFFECT SEND
CH INSERT OUT (CH1 – 8)
REC OUT [L, R]
C-R OUT [L, R]
PHONES OUT
Connector In Mixer
EFFECT
EFFECT
CH IN MIC *7
CH IN LINE *7
ST CH MIC IN *8
ST CH LINE IN *8
Gain
Trim
-60
-16
-34
10
-60
-16
-34
10
Actual Load
Impedance
For Use With
Nominal
3 kΩ
50 – 600 Ω Mics
10 kΩ
600 Ω Lines
3 kΩ
50 – 600 Ω Mics
10 kΩ
600 Ω Lines
MG24/14FX, MG32/14FX INPUT CHARACTERISTICS
Input Level *1
Nominal
Max. before Clip
-60 dBu (0.775 mV)
-40 dBu (7.75 mV)
-16 dBu (123 mV)
+4 dBu (1.23 V)
-34 dBu (15.5 mV)
-14 dBu (155 mV)
+10 dBu (2.45 V)
+30 dBu (24.5 V)
-60 dBu (0.775 mV)
-40 dBu (7.75 mV)
-16 dBu (123 mV)
-10 dBu (245 mV)
-34 dBu (15.5 mV)
-14 dBu (155 mV)
+10 dBu (2.45 V)
+30 dBu (24.5 V)
ST CH INPUT *9
10 kΩ
600 Ω Lines
-10 dBu (245 mV)
+10 dBu (2.45 V)
CH INSERT IN *7
AUX RETURN [L, R]
2TR IN [L, R]
10 kΩ
10 kΩ
10 kΩ
600 Ω Lines
600 Ω Lines
600 Ω Lines
0 dBu (0.775 V)
+4 dBu (1.23 V)
-10 dBV (316 mV)
+20 dBu (7.75 V)
+24 dBu (12.3 V)
+10 dBV (3.16 V)
Connector In Mixer
XLR-3-31 type *2
CH INPUT [A, B] *7
Phone Jack (TRS) *3
XLR-3-31 type *2
Phone Jack *4
Phone Jack *4
RCA Pin Jack
Phone Jack (TRS) *1
Phone Jack *3
RCA Pin Jack
MG12/4, MG16/4 OUTPUT CHARACTERISTICS
*1
Output Level
Nominal
Max. before Clip
Connection
Actual Source
Impedance
For Use With
Nominal
ST OUT [L, R]
150 Ω
600 Ω Lines
+4 dBu (1.23 V)
+24 dBu (12.3 V)
GROUP OUT (1 – 2)
CH INSERT OUT *7
REC OUT [L, R]
C-R OUT [L, R]
PHONES OUT
150 Ω
150 Ω
600 Ω
150 Ω
100 Ω
10 kΩ Lines
10 kΩ Lines
10 kΩ Lines
10 kΩ Lines
40 Ω Phones
+4 dBu (1.23 V)
0 dBu (0.775 V)
-10 dBV (245 mV)
+4 dBu (1.23 V)
3 mW
+20 dBu (7.75 V)
+20 dBu (7.75 V)
+10 dBV (2.45 V)
+20 dBu (7.75 V)
75 mW
*1
*2
*3
*4
*5
*6
*7
In these specifications, when dB represents a specific voltage, 0 dB is referenced to 0.775 Vrms.
XLR type connectors are balanced.
CH INPUT Phone Jacks (TRS) are balanced. [T: HOT, R: COLD, S: GND]
Phone Jacks are unbalanced.
INSERT Phone Jacks (TRS) are unbalanced. [T: OUT, R: IN, S: GND]
Phone Jacks (TRS) are impedance balanced. [T: HOT, R: COLD, S: GND]
MG12/4: CH1 – CH4, MG16/4: CH1 – CH8, MG16/6FX: CH9 (L)/10 (R), CH11 (L)/12 (R),
MG24/14FX: CH1 – 16, MG32/14FX: CH1 – 24
Connection
Connector In Mixer
XLR-3-32 type *2
Phone Jack (TRS) *13
Phone Jack (TRS) *6
Phone Jack (TRS) *5
RCA Pin Jack
Phone Jack (TRS) *6
Stereo Phones Jack
*8 MG12/4: CH5 (L)/6 (R), CH7 (L)/8 (R), MG16/4: CH9 (L)/10 (R), CH11 (L)/12 (R), MG16/6FX:
CH13 (L)/14 (R), CH15 (L)/16 (R), MG24/14FX: CH17 (L)/18 (R), CH19 (L)/20 (R),
MG32/14FX: CH25 (L)/26 (R), CH27 (L)/28 (R)
*9 MG12/4: CH9 (L)/10 (R), CH11 (L)/12 (R), MG16/4: CH13 (L)/14 (R), CH15 (L)/16 (R),
MG24/14FX: CH21 (L)/22 (R), CH23 (L)/24 (R), MG32/14FX: CH29 (L)/30 (R), CH31 (L)/32 (R)
*10 CH INPUT XLR type connectors and Phone Jacks (TRS) are balanced. [T: HOT, R: COLD, S: GND]
*11 TB IN XLR type connector is unbalanced.
*12 MG24/14FX: CH1 – 16, MG32/14FX: CH1 – 24
*13 Phone Jacks (TRS) are balanced. [T:HOT, R:COLD, S:GND]
PAD
0
26
0
26
ST CH INPUT *8 *9
CH INSERT IN *7
GROUP INSERT IN (1 – 4)
SUB IN (1, 2) [L, R]
TB IN
2TR IN [L, R]
Gain
Trim
Actual Load
Impedance
For Use With
Nominal
3 kΩ
50 – 600 Ω Mics
600 Ω Lines
-60
-16
-34
10
10 kΩ
600 Ω Lines
10 kΩ
10 kΩ
10 kΩ
10 kΩ
10 kΩ
600 Ω Lines
600 Ω Lines
600 Ω Lines
50 – 600 Ω Mics
600 Ω Lines
Input Level *1
Nominal
Max. before Clip
-60 dBu (0.775 mV)
-40 dBu (7.75 mV)
-34 dBu (15.5 mV)
-14 dBu (155 mV)
-16 dBu (123 mV)
+4 dBu (1.23 V)
+10 dBu (2.45 V)
+30 dBu (24.5 V)
-34 dBu (15.5 mV)
-14 dBu (155 mV)
+10 dBu (2.45 V)
+30 dBu (24.5 V)
0 dBu (0.775 V)
+20 dBu (7.75 V)
0 dBu (0.775 V)
+20 dBu (7.75 V)
+4 dBu (1.23 V)
+24 dBu (12.3 V)
-50 dBu (2.45 mV)
-30 dBu (24.5 mV)
-10 dBV (316 mV)
+10 dBV (3.16 V)
Connector In Mixer
A: XLR-3-31 type *10
B: Phone Jack (TRS) *10
Phone Jack *8 *9 *7
RCA Pin Jack *9
EFFECT
Phone Jack (TRS) *5
Phone Jack *4
XLR-3-31 type *11
RCA Pin Jack
MG24/14FX, MG32/14FX OUTPUT CHARACTERISTICS
Output Level *1
Nominal
Max. before Clip
[0dBu]
Connection
Actual Source
Impedance
For Use With
Nominal
ST OUT [L, R]
MONO OUT
150 Ω
600 Ω Lines
GROUP OUT (1 – 4)
AUX OUT (1 – 6)
150 Ω
600 Ω Lines
+4 dBu (1.23 V)
+20 dBu (7.75 V)
Phone Jack (TRS) *6
ST SUB OUT [L, R]
EFFECT OUT (1, 2)
150 Ω
10 kΩ Lines
+4 dBu (1.23 V)
+20 dBu (7.75 V)
Phone Jack (TRS) *6
CH INSERT OUT *12
GROUP INSERT OUT (1 – 4)
ST INSERT OUT [L, R]
REC OUT [L, R]
PHONES OUT
150 Ω
10 kΩ Lines
0 dBu (0.775 V)
+20 dBu (7.75 V)
Phone Jack (TRS) *5
600 Ω
100 Ω
10 kΩ Lines
40 Ω Phones
-10 dBV (316 mV)
3 mW
+10 dBV (3.16 V)
75 mW
RCA Pin Jack
Stereo Phone Jack
+4 dBu (1.23 V)
+24 dBu (12.3 V)
Connector In Mixer
XLR-3-32 type *2
[0dBu]
Connection
PROGRAM
PARAMETER
Specifications and appearance subject to change without notice.
All trademarks and registered trademarks are property of their respective owners.
EFFECT ON
IN
L OUT [0dBu]
DIGITAL
EFFECT
MG12/4, MG16/4 INPUT CHARACTERISTICS
EFFECT RTN
R OUT [0dBu]
MUTE
FOOT SW
EFFECT
EFFECT
EFFECT
EFFECT RTN
BA
[+4dBu]
SEND/EFFECT
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