C-30_e.book 1 ページ 2008年2月14日 木曜日 午後5時27分

C-30_e.book 1 ページ 2008年2月14日 木曜日 午後5時27分
C-30_e.book 1 ページ 2008年2月14日 木曜日 午後5時27分
C-30_e.book 2 ページ 2008年2月14日 木曜日 午後5時27分
For the U.K.
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
BLUE:
NEUTRAL
BROWN: LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.
For EU Countries
This product complies with the requirements of EMC Directive 2004/108/EC.
For the USA
FEDERAL COMMUNICATIONS COMMISSION
RADIO FREQUENCY INTERFERENCE STATEMENT
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the
FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in
accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee
that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or
television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
– Reorient or relocate the receiving antenna.
– Increase the separation between the equipment and receiver.
– Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
– Consult the dealer or an experienced radio/TV technician for help.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
(1) this device may not cause harmful interference, and
(2) this device must accept any interference received, including interference that may cause undesired operation.
Unauthorized changes or modification to this system can void the users authority to operate this equipment.
This equipment requires shielded interface cables in order to meet FCC class B Limit.
For Canada
NOTICE
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
AVIS
Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.
C-30_e.book 3 ページ 2008年2月14日 木曜日 午後5時27分
Before using this unit, carefully read the sections entitled: “USING THE UNIT
SAFELY” and “IMPORTANT NOTES” (page 4–5; page 6). These sections
provide important information concerning the proper operation of the unit.
Additionally, in order to feel assured that you have gained a good grasp of every
feature provided by your new unit, owner’s manual should be read in its
entirety. The manual should be saved and kept on hand as a convenient
reference.
Copyright © 2008 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in
any form without the written permission of ROLAND CORPORATION.
C-30_e.book 4 ページ 2008年2月14日 木曜日 午後5時27分
USING THE UNIT SAFELY
The
symbol alerts the user to important instructions
or warnings.The specific meaning of the symbol is
determined by the design contained within the
triangle. In the case of the symbol at left, it is used for
general cautions, warnings, or alerts to danger.
Used for instructions intended to alert
the user to the risk of death or severe
injury should the unit be used
improperly.
Used for instructions intended to alert
the user to the risk of injury or material
damage should the unit be used
improperly.
* Material damage refers
other adverse effects
respect to the home
furnishings, as well
animals or pets.
The
symbol alerts the user to items that must never
be carried out (are forbidden). The specific thing that
must not be done is indicated by the design contained
within the circle. In the case of the symbol at left, it
means that the unit must never be disassembled.
to damage or
caused with
and all its
to domestic
The ● symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In
the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.
002c
009
• Do not open (or modify in any way) the unit or its
AC adaptor.
• Do not excessively twist or bend the power cord,
nor place heavy objects on it. Doing so can
damage the cord, producing severed elements
and short circuits. Damaged cords are fire and
shock hazards!
..........................................................................................................
..........................................................................................................
003
• Do not attempt to repair the unit, or replace parts
within it (except when this manual provides
specific instructions directing you to do so).
Refer all servicing to your retailer, the nearest
Roland Service Center, or an authorized Roland
distributor, as listed on the “Information” page.
..........................................................................................................
004
• Never use or store the unit in places that are:
• Subject to temperature extremes (e.g., direct
sunlight in an enclosed vehicle, near a heating
duct, on top of heat-generating equipment); or
are
• Damp (e.g., baths, washrooms, on wet floors);
or are
• Humid; or are
010
• This unit, either alone or in combination with an
amplifier and headphones or speakers, may be
capable of producing sound levels that could
cause permanent hearing loss. Do not operate for
a long period of time at a high volume level, or at
a level that is uncomfortable. If you experience
any hearing loss or ringing in the ears, you should
immediately stop using the unit, and consult an
audiologist.
..........................................................................................................
011
• Do not allow any objects (e.g., flammable
material, coins, pins); or liquids of any kind
(water, soft drinks, etc.) to penetrate the unit.
• Exposed to rain; or are
• Dusty; or are
• Subject to high levels of vibration.
..........................................................................................................
007
• Make sure you always have the unit placed so it is
level and sure to remain stable. Never place it on
stands that could wobble, or on inclined surfaces.
..........................................................................................................
008c
• Be sure to use only the AC adaptor supplied with
the unit. Also, make sure the line voltage at the
installation matches the input voltage specified on
the AC adaptor’s body. Other AC adaptors may
use a different polarity, or be designed for a
different voltage, so their use could result in
damage, malfunction, or electric shock.
..........................................................................................................
008e
• Use only the attached power-supply cord. Also,
the supplied power cord must not be used with
any other device.
..........................................................................................................
4
..........................................................................................................
012b
• Immediately turn the power off, remove the AC
adaptor from the outlet, and request servicing by
your retailer, the nearest Roland Service Center,
or an authorized Roland distributor, as listed on
the “Information” page when:
• The AC adaptor, the power-supply cord, or the
plug has been damaged; or
• If smoke or unusual odor occurs
• Objects have fallen into, or liquid has been
spilled onto the unit; or
• The unit has been exposed to rain (or otherwise
has become wet); or
• The unit does not appear to operate normally
or exhibits a marked change in performance.
..........................................................................................................
C-30_e.book 5 ページ 2008年2月14日 木曜日 午後5時27分
013
108d: Selection
• In households with small children, an adult
should provide supervision until the child is
capable of following all the rules essential for the
safe operation of the unit.
..........................................................................................................
• If you need to move the instrument, take note of
the precautions listed below. At least two persons
are required to safely lift and move the unit. It
should be handled carefully, all the while keeping
it level. Grasp the frame of the stand. Make sure to
have a firm grip, to protect yourself from injury
and the instrument from damage.
014
• Protect the unit from strong impact.
(Do not drop it!)
..........................................................................................................
015
• Do not force the unit’s power-supply cord to
share an outlet with an unreasonable number of
other devices. Be especially careful when using
extension cords—the total power used by all
devices you have connected to the extension
cord’s outlet must never exceed the power rating
(watts/amperes) for the extension cord. Excessive
loads can cause the insulation on the cord to heat
up and eventually melt through.
..........................................................................................................
016
• Before using the unit in a foreign country, consult
with your retailer, the nearest Roland Service
Center, or an authorized Roland distributor, as
listed on the “Information” page.
..........................................................................................................
2
• Disconnect the power cord.
3
• Disconnect all cords coming from external
devices.
7
• Fold down the music stand.
add
• Fasten the support bars into their hooks.
5
• Close the lid.
..........................................................................................................
109b
• Before cleaning the unit, turn off the power and
unplug the AC adaptor from the outlet.
..........................................................................................................
110b
• Whenever you suspect the possibility of lightning
in your area, disconnect the AC adaptor from the
outlet.
..........................................................................................................
116
101b
• The unit and the AC adaptor should be located so
their location or position does not interfere with
their proper ventilation.
..........................................................................................................
102c
• Be careful when opening/closing the lid so you
do not get your fingers pinched (p. 9 ). Adult
supervision is recommended whenever small
children use the unit.
..........................................................................................................
117: Selection
• When using the bench, please observe the
following points:
• Always grasp only the plug on the AC adaptor
cord when plugging into, or unplugging from, an
outlet or this unit.
..........................................................................................................
1
103b
• Do not allow two or more persons to sit on the
bench.
..........................................................................................................
• At regular intervals, you should unplug the AC
adaptor and clean it by using a dry cloth to wipe
all dust and other accumulations away from its
prongs. Also, disconnect the power plug from the
power outlet whenever the unit is to remain
unused for an extended period of time.
Any accumulation of dust between the power
plug and the power outlet can result in poor
insulation and lead to fire.
..........................................................................................................
104
• Try to prevent cords and cables from becoming
entangled. Also, all cords and cables should be
placed so they are out of the reach of children.
..........................................................................................................
• Do not use the bench as a toy, or as a stepping
stool.
2
118a
• Should you remove the screws for music stand,
knob bolts, and decorative panel stoppers keep
them in a safe place out of children’s reach, so
there is no chance of them being swallowed
accidentally.
..........................................................................................................
• Do not allow a source of flame such as a lighter or
a cigarette to come near the netting on the top
surface of the instrument.
..........................................................................................................
106
• Never climb on top of, nor place heavy objects on
the unit.
..........................................................................................................
107c
• Never handle the AC adaptor or its plugs with
wet hands when plugging into, or unplugging
from, an outlet or this unit.
..........................................................................................................
5
C-30_e.book 6 ページ 2008年2月14日 木曜日 午後5時27分
IMPORTANT NOTES
Power Supply
Maintenance
301
401b
• Do not connect this unit to same electrical outlet that is being
used by an electrical appliance that is controlled by an
inverter (such as a refrigerator, washing machine, microwave
oven, or air conditioner), or that contains a motor. Depending
on the way in which the electrical appliance is used, power
supply noise may cause this unit to malfunction or may
produce audible noise. If it is not practical to use a separate
electrical outlet, connect a power supply noise filter between
this unit and the electrical outlet.
• To clean the unit, use a dry, soft cloth; or one that is slightly
dampened. Try to wipe the entire surface using an equal
amount of strength, moving the cloth along with the grain of
the wood. Rubbing too hard in the same area can damage the
finish.
302
• The AC adaptor will begin to generate heat after long hours
of consecutive use. This is normal, and is not a cause for
concern.
307
• Before connecting this unit to other devices, turn off the
power to all units. This will help prevent malfunctions and/
or damage to speakers or other devices.
Placement
• During operation, this device must be placed at a distance of
no less than 10 cm from any walls.
351
• Using the unit near power amplifiers (or other equipment
containing large power transformers) may induce hum. To
alleviate the problem, change the orientation of this unit; or
move it farther away from the source of interference.
352a
• This device may interfere with radio and television reception.
Do not use this device in the vicinity of such receivers.
352b
• Noise may be produced if wireless communications devices,
such as cell phones, are operated in the vicinity of this unit.
Such noise could occur when receiving or initiating a call, or
while conversing. Should you experience such problems, you
should relocate such wireless devices so they are at a greater
distance from this unit, or switch them off.
354b
• Do not expose the unit to direct sunlight, place it near devices
that radiate heat, leave it inside an enclosed vehicle, or
otherwise subject it to temperature extremes. Also, do not
allow lighting devices that normally are used while their light
source is very close to the unit (such as a piano light), or
powerful spotlights to shine upon the same area of the unit
for extended periods of time. Excessive heat can deform or
discolor the unit.
355b
• When moved from one location to another where the temperature and/or humidity is very different, water droplets
(condensation) may form inside the unit. Damage or
malfunction may result if you attempt to use the unit in this
condition. Therefore, before using the unit, you must allow it
to stand for several hours, until the condensation has
completely evaporated.
356
• Do not allow rubber, vinyl, or similar materials to remain on
the unit for long periods of time. Such objects can discolor or
otherwise harmfully affect the finish.
358
• Do not allow objects to remain on top of the keyboard. This
can be the cause of malfunction, such as keys ceasing to
produce sound.
359
• Do not paste stickers, decals, or the like to this instrument.
Peeling such matter off the instrument may damage the
exterior finish.
402
• Never use benzine, thinners, alcohol or solvents of any kind,
to avoid the possibility of discoloration and/or deformation.
Repairs and Data
452
• Please be aware that all data contained in the unit’s memory
may be lost when the unit is sent for repairs. Important data
should always be backed up in another MIDI device (e.g., a
sequencer), or written down on paper (when possible).
During repairs, due care is taken to avoid the loss of data.
However, in certain cases (such as when circuitry related to
memory itself is out of order), we regret that it may not be
possible to restore the data, and Roland assumes no liability
concerning such loss of data.
Additional Precautions
553
• Use a reasonable amount of care when using the unit’s
buttons, sliders, or other controls; and when using its jacks
and connectors. Rough handling can lead to malfunctions.
556
• When connecting / disconnecting all cables, grasp the
connector itself—never pull on the cable. This way you will
avoid causing shorts, or damage to the cable’s internal
elements.
557
• A small amount of heat will radiate from the unit during
normal operation.
558a
• To avoid disturbing your neighbors, try to keep the unit’s
volume at reasonable levels. You may prefer to use
headphones, so you do not need to be concerned about those
around you (especially when it is late at night).
559b
• When you need to transport the unit, pack it in shockabsorbent material. Transporting the unit without doing so
can cause it to become scratched or damaged, and could lead
to malfunction.
560
• Do not apply undue force to the music stand while it is in use.
562
• Some connection cables contain resistors. Do not use cables
that incorporate resistors for connecting to this unit. The use
of such cables can cause the sound level to be extremely low,
or impossible to hear. For information on cable specifications,
contact the manufacturer of the cable.
927
• Depending on the circumstances of a particular setup, you
may experience a discomforting sensation, or perceive that
the surface feels gritty to the touch when you touch the metal
portions of other objects, such as guitars. This is due to an
infinitesimal electrical charge, which is absolutely harmless.
However, if you are concerned about this, connect the ground
terminal (see figure) with an external ground. When the unit
is grounded, a slight hum may occur, depending on the
particulars of your installation. If you are unsure of the
connection method, contact the nearest Roland Service
Center, or an authorized Roland distributor, as listed on the
“Information” page.
Unsuitable places for connection
• Water pipes (may result in shock or electrocution)
• Gas pipes (may result in fire or explosion)
• Telephone-line ground or lightning rod (may be
dangerous in the event of lightning)
6
C-30_e.book 7 ページ 2008年2月14日 木曜日 午後5時27分
Contents
USING THE UNIT SAFELY .....................................................................................4
IMPORTANT NOTES ...............................................................................................6
Introduction .................................................................................................................9
About this owner’s manual....................................................................................................................... 9
Main features............................................................................................................................................... 9
Before You Begin.......................................................................................................10
Opening and closing the lid.................................................................................................................... 10
Using the music stand.............................................................................................................................. 11
Removing the music stand .......................................................................................................... 11
Panel Descriptions ....................................................................................................12
Operating Panel ........................................................................................................................................ 12
Jack Panel................................................................................................................................................... 12
Getting Ready to Play ..............................................................................................13
Connect the AC adaptor.......................................................................................................................... 13
Turning the power on/off....................................................................................................................... 14
Using headphones.................................................................................................................................... 14
Playing <Basic Operation>......................................................................................15
Adjusting the volume .............................................................................................................................. 15
Adjusting the tonal character.................................................................................................................. 15
Adjusting the reverb ................................................................................................................................ 15
Choosing a sound ..................................................................................................................................... 15
Switching sounds .......................................................................................................................... 15
Layering sounds ............................................................................................................................ 16
Switching the harpsichord type .................................................................................................. 16
Selecting the Celesta sound ......................................................................................................... 16
Tone List ......................................................................................................................................... 17
Selecting a temperament ......................................................................................................................... 18
Additional Convenient Functionality <Advanced Operation>.......................19
Listening to the demo songs ................................................................................................................... 19
Selecting Baroque pitch ........................................................................................................................... 20
Matching the pitch of another instrument (Tuning) ........................................................................... 20
Changing the pitch of the keyboard (Key Transpose) ........................................................................ 21
Adjusting the volume of the keyboard noise ....................................................................................... 21
Using the pedal ......................................................................................................................................... 22
Using the pedal to switch sounds............................................................................................... 22
Playing the sound through external speakers/Recording your performance ................................ 23
Listening to an external device’s sound through the C-30’s speakers.............................................. 24
Connecting the C-30 with MIDI equipment ......................................................................................... 25
Setting the MIDI channel ............................................................................................................. 25
Local On/Off setting .................................................................................................................... 26
Using the V-LINK function ......................................................................................................... 26
Demo Song List .........................................................................................................27
MIDI Implementation Chart ..................................................................................28
Specifications.............................................................................................................29
Assembling the C-30 stand.....................................................................................30
7
C-30_e.book 8 ページ 2008年2月14日 木曜日 午後5時27分
Introduction
About this owner’s manual
When you’ve finished assembling the stand and bench, please read the sections “Before you begin” through “Getting ready to play,” and make
the correct preparations for turning on the power.
This manual explains what you need to know to take full advantage of the C-30, divided into a Basic Operation section and an Advanced
Operation section.
Conventions used in this manual
In order to present information as concisely as possible, this manual uses the following conventions.
• Text enclosed in square brackets [ ] indicates the name of a button (or knob); e.g., “the [8'l] button.”
• Text preceded by a symbol such as
or an asterisk (*) are warnings. Please be sure to read these.
• Pages to which you can refer to for further information are indicated like this: (p. **)
Main features
■ Reproduces the beautiful sound of the harpsichord
The sound-producing mechanism of the harpsichord, the sound of the key release, and the resonance of the sounding board have been
carefully analyzed, and digital technology is used to faithfully reproduce even the sound of the plectrum contacting the string when a key is
released. You’ll be able to enjoy beautiful and realistic harpsichord sound.
You can also select and play the sound of an early fortepiano, or the completely new “Dynamic Harpsichord,” which lets you utilize
expressive dynamics and the damper pedal while still enjoying the classic sound of the harpsichord.
In addition to harpsichord sounds and celesta sounds, you can also choose from positive organ sounds, which are indispensable to
performance of early music.
■ A keyboard with click
The keyboard has a sense of click just like an acoustic harpsichord, so you can use it for practicing with a completely natural feel.
■ Five temperaments to support historically correct tuning
In addition to equal temperament, you can choose from Werckmeister, Kirnberger, Vallotti, and Meantone, giving you five temperaments
that can be easily selected by pressing a single button.
There’s also a Key Transpose function, which makes it easy to transpose the pitch for additional ways to vary your performance.
■ No maintenance and easy pitch changes
Not only will you never need to replace the plectrums or strings, you’ll also never need to tune this instrument.
Moreover, the C-30 is not affected by vibration or changes in humidity or temperature. You’ll always be performing with precisely accurate
pitches guaranteed by digital technology.
It’s also easy to adjust the tuning to match other instruments.
You can also use a single button to easily switch to Baroque pitch (A = 415.0 Hz) or Versailles pitch (A = 392.0 Hz).
■ Reverb that enhances the rich acoustics of chamber music
The built-in digital reverb lets you choose a variety of reverberation, ranging from a small room to a large hall. You can perform using
acoustics that are appropriate for the space you're in.
■ Adjust the volume as appropriate for your situation
Whether you’re at home, in a small hall, or in a large hall, you can adjust the volume as appropriate for your situation or the ensemble with
whom you’re performing. You can also use headphones, so you’ll feel free to practice at any time.
■ Compact form that encompasses both tradition and functionality
While reflecting the historical tradition of the harpsichord, the C-30 provides the advantage of light weight and compact form.
Since the main body can be detached from the stand, transportation and setup are easy.
8
C-30_e.book 9 ページ 2008年2月14日 木曜日 午後5時27分
Before You Begin
Opening and closing the lid
Be careful not to pinch your hands when opening or closing the lid.
■ Opening the lid
■ Closing the lid
1.
Gently raise the edge of the lid.
1.
2.
Raise the support bars located at each side of the C-30,
insert the tip of each support bar into the
corresponding socket (A), and gently move it to
position (B) to fasten it in place.
Fold down the music stand.
If you close the lid while the music stand is still upright,
you risk scratching the lid or the picture board inside.
2.
* Don’t take your hand off the lid.
Tilt the lid slightly toward the closed position, move
the tip of each support bar from position (B) to position
(A), and pull the tip of the support bars out of the
sockets.
* Don’t take your hand off the lid.
(A)
(B)
(A)
(B)
Support bar
* The C-30 shown in the photograph has a separately sold
picture board installed.
3.
Fold down the support bars toward the instrument, and
fasten them using the hook.
Hook
4.
Gently lower the lid.
9
C-30_e.book 10 ページ 2008年2月14日 木曜日 午後5時27分
Before You Begin
Using the music stand
◆
To use the music stand, gently raise it without applying undue stress.
Do not apply undue stress to the music stand. Doing so may cause
damage or accidents.
Removing the music stand
The music stand is attached to the C-30 when you purchase it.
If you want to remove the music stand, proceed as follows.
1.
Gently lower the music stand.
2.
From the locations shown in the illustration, remove the two screws that
fasten the music stand.
3.
Remove the music stand.
4.
Reinstall the removed screws in their original holes.
Before moving or transporting the C-30, you must remove the music
stand and fasten the support bars to the hooks.
10
C-30_e.book 11 ページ 2008年2月14日 木曜日 午後5時27分
Panel Descriptions
Operating Panel
[Power] Switch
[Reverb] Knob
[Tone] Knob
This switch turns the
power on/off.
This knob adjusts the depth
of the reverberation.
This knob adjusts the
tonal character.
[Volume] Knob
This knob adjusts the
volume.
Sound Select Buttons
These buttons select
sounds.
[Temperament]
Button/Indicators
Press this button to
switch temperaments.
The indicator for the
selected temperament
will light.
[Function] Button
Use this button in
conjunction with the
Sound Select buttons or the
[Temperament] button.
Jack Panel
OUTPUT Jacks
INPUT Jacks
USB Connector
These jacks output the sound
of the C-30. Use them when
you want to play the C-30’s
sounds through external
speakers, or to record on a
recorder.
This jacks can input sound
from another device. You can
connect them to a MP3 player
or other audio source, and
hear the sound through the C30’s speakers.
This connector will be used if there are future
additions or expansions to the C-30’s functionality.
Ground
terminal
Do not connect a conventional USB device to
this connector.
PEDAL Jack
Connect the included pedal to this jack.
AC Adaptor Jack
MIDI IN/OUT Connectors
Connect the included
AC adaptor here.
Use these when you want to transmit or receive
MIDI messages to or from an external MIDI
device.
A, B switches
These will be used in the event of
a future upgrade.
* They are not normally used.
11
C-30_e.book 12 ページ 2008年2月14日 木曜日 午後5時27分
Getting Ready to Play
Connect the AC adaptor
1.
In the operating panel, turn the [Power] switch off (the switch should be in the outward position).
2.
Connect the power cord to the body of the AC adaptor,
which is fastened to the underside of the C-30.
3.
Plug the power cord (AC adaptor) into an electrical
outlet.
To the AC adaptor connector
(already connected)
AC adaptor
• Do not use any AC adaptor other than the included
one.
• If you won’t be using the C-30 for an extended period
of time, disconnect the power cord from the electrical
outlet.
Power cord
AC Outlet
Indicator
When you purchase the C-30, the AC adaptor is fastened to the bottom panel with a band. It is possible to remove the AC
adaptor, but normally you should leave it attached to the C-30.
◆
If you’ve removed the AC adaptor and wish to reattach it to the C-30,
fasten it with the band so that the printed surface of the AC adaptor is
facing up toward the bottom of the C-30, and the surface with the
indicator is facing downward.
Band
* Fasten the AC adaptor securely so that it will not fall.
Indicator
12
C-30_e.book 13 ページ 2008年2月14日 木曜日 午後5時27分
Getting Ready to Play
Turning the power on/off
Turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing
malfunction and/or damage to speakers and other devices.
1.
Before you turn on the power, turn the [Volume] knob all the way to the left.
2.
Press the [Power] switch.
* This unit is equipped with a protection circuit. A brief interval (a few
seconds) after power up is required before the unit will operate normally.
■ Turning the power off
1.
Before you turn off the power, turn the [Volume] knob all the
way to the left.
2.
Press the [Power] switch.
Press
Press again
ON
OFF
Using headphones
If you connect headphones, sound will no longer be produced from the C-30’s internal speakers; you will hear only the sound
from the headphones. This lets you enjoy practicing at night or at other times when you might not wish to be heard by other
people nearby.
◆
As shown in the illustration, connect the
plug of your headphones to the headphone
jack.
Use the [Volume] knob to adjust the volume
of the headphones.
Phones jack
* Use stereo headphones.
Please be aware that excessively high volume
or extended use may contribute to hearing
loss.
Stereo
headphones
13
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Playing <Basic Operation>
Adjusting the volume
◆
Turn the [Volume] knob to adjust the volume.
Turning the knob toward the right will increase the volume,
and turning it toward the left will decrease the volume.
Min
Max
At the 12 o’clock position, the volume is standard and set at
about the same level as a normal harpsichord.
Adjusting the tonal character
◆
Turn the [Tone] knob to adjust the tone.
Turning the knob toward the right will make the tone brighter,
and turning it toward the left will make the tone more mellow.
Mellow
Bright
* You may hear faint noise if you turn the [Tone] knob while producing
sound, but this is not a malfunction.
Adjusting the reverb
Reverberation is the sound that you hear reflected from the walls or other surface of a hall or room in addition to the sound that
reaches your ears directly from the instrument.
The C-30 provides a reverb effect that lets you simulate the reverberation of a variety of environments ranging from a small room
to a large hall, controlled by just a single knob.
◆
Turn the [Reverb] knob to adjust the amount of reverb effect.
• Turning the knob toward the right will produce deeper reverb,
simulating the acoustics of a large hall.
• Turning the knob toward the left will produce shallower
reverb, simulating the acoustics of a smaller room.
• If you turn the knob all the way to the left, you will hear the
resonance of the harpsichord’s own body.
Choosing a sound
Switching sounds
◆
Press the button for the sound that you want to play, so its indicator is
lit.
Now you can play the selected sound.
* If you press the [Organ II] button so its indicator is lit in orange, the "Celesta"
sound will be selected. (See following page)
14
Shallower
reverb
Deeper
reverb
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Playing <Basic Operation>
Layering sounds
Multiple harpsichord sounds can be layered and played together.
The two organ sounds can also be selected simultaneously and played
together.
◆
Simultaneously press the buttons for the sounds you want to layer,
making the indicators light.
• You can’t select the four harpsichord sounds simultaneously.
• You can’t layer a harpsichord sound with an organ sound.
Switching the harpsichord type
The C-30 contains “harpsichord” sounds and “positive organ” sounds, and you can switch between these as you perform.
There are four types of harpsichord, and four sounds are provided for each type.
French
The sound of a French type harpsichord.
Flemish
The sound of a Flemish type harpsichord.
Fortepiano
The sound of an early fortepiano.
The sound-producing mechanism uses a hammer to strike three strings.
Dyna Harpsi
The sound of a harpsichord with “touch sensitivity”; playing softly will produce a soft sound,
and playing strongly will produce a louder sound.
(Dynamic Harpsichord)
* For the French type, the button’s indicator will light red; for other types, the indicator will light orange.
◆
Hold down the [Function] button, and press one of the [French]–
[Dyna Harpsi] buttons so its indicator is lit (green).
* When the power is turned on, the French type is selected.
Selecting the Celesta sound
◆
While holding down the [Temperament] button, press the [Organ II] button. The [Organ II] indicator will light orange,
and the Celesta sound will be selected instead of the Organ II sound.
* To return to the Organ II sound, hold down the [Temperament] button and press the [Organ II] button once again.
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Playing <Basic Operation>
Tone List
French
[8’ I]
[8’ II]
[4’]
[Lute]
The sound of the lower keyboard 8’; this is the basic tone
of the harpsichord.
The sound of the upper keyboard 8’; this is the distinctively bright sound of when
the plectrum is located closer
to the bridge.
The sound of the lower keyboard 8’, one octave higher.
The sound in which the upper keyboard 8’ is muted. The
name reflects the similarity of
this sound to that of the
plucked string instrument
called the lute.
[8’ I]
[8’ II]
[4’]
[Lute]
The sound of the lower keyboard 8’; this is the basic tone
of the harpsichord.
The sound of the upper keyboard 8’; this is the distinctively bright sound of when
the plectrum is located closer
to the bridge.
The sound of the lower keyboard 8’, one octave higher.
The sound in which the upper keyboard 8’ is muted. The
name reflects the similarity of
this sound to that of the
plucked string instrument
called the lute.
[8’ II]
[4’]
[Lute]
Flemish
Fortepiano
[8’ I]
This sound plays only the
first of the three strings.
This sound plays only the
second of the three strings.
This sound plays only the
third of the three strings.
This is the sound of a twostring fortepiano.
• Layering the three sounds [8’ I]–[4’] will produce the basic tone of a fortepiano.
• Layering the two sounds [8’ I] and [Lute] is one of the recommended sound.
Dyna Harpsi
[8’ I]
[8’ II]
[4’]
[Lute]
The sound of the French type
lower keyboard 8’, with
touch sensitivity.
The sound of the French type
upper keyboard 8’, with
touch sensitivity.
The sound of the French type
lower keyboard 8’ one octave
higher, with touch sensitivity.
The sound of the French type
upper keyboard 8’ muted,
with touch sensitivity.
• The [4’] sound is not heard when you play with a soft touch; it will be heard when you play strongly. This sound is not
used on its own, but rather in combination with [8’ I] or [8’ II] to create a more brilliant sound.
• The [Lute] sound is normally used by itself.
Positive Organ
[Organ I]
[Organ II]
The sound of the Rohr Flute 8’
The sound of the Principal 8’+4’.
Celesta
[Organ II]
The Celesta produces a distinctively charming sound by means of a mechanism that uses
hammers to strike metal bars when you play
the keyboard.
Harpsichord samples courtesy of the Hamamatsu Museum of Musical Instruments.
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Playing <Basic Operation>
Selecting a temperament
The C-30 allows you to easily change the temperament.
◆
Press the [Temperament] button until the indicator of the desired
temperament is lit.
While you are pressing the [Temperament] button, the following
temperament indicators will light; when you take your finger off
the button, that temperament will be selected.
If you proceed past Meantone, you will “wrap around” to Equal.
Equal will be selected every time the power is turned on.
Equal
Equal temperament
Werckmeister
Werckmeister temperament, type 1–3
Kirnberger
Kirnberger temperament, type 3
Vallotti
Vallotti
Meantone
Meantone temperament (E )
Using historical temperaments
By using historical temperaments to play music that is appropriate for the characteristics of each temperament, you can
more strongly bring out the beauty or tension inherent in a composition. In particular, when playing a composition that
uses a transposable temperament and includes transpositions, the sonority of the chords will change when a
transposition occurs, creating subtle changes in the coloration of the song.
Werckmeister is a temperament that combines Meantone and Pythagorean scales to enhance the degree of
transposability, and has been used ever since Bach up to the present. Kirnberger was conceived using similar methods,
and is used mainly when playing the organ works of Bach.
Vallotti is the most recent of the temperaments described here. It is close to equal temperament, but since it is somewhat
pure, it blends easily with other instruments, and today is often used in ensembles.
Meantone was popular throughout Europe during the Baroque era, and was used customarily by Baroque musicians
such as Handel as well as in compositions of the Renaissance period.
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Additional Convenient Functionality
<Advanced Operation>
Listening to the demo songs
The C-30 contains demo songs. You can use these for sound checks in a concert hall, or you can simply enjoy listening to the
sounds of the C-30 as background music.
For the song titles and names of the performers, refer to the “Demo Song List” (p. 26).
1.
While holding down the [Function] button, press the
[Temperament] button.
The indicator for the [Organ II] button will light green, and the
indicator for the [8’ I] button will blink orange.
The indicators for the [8’ II]–[Lute] buttons will light orange.
You can’t control the sounds or play the keyboard while a demo
performance is in progress.
The demo songs are organized into four groups.
Use the [8’ I]–[Lute] buttons to switch between groups.
You can perform the following operations while a demo song is playing.
• You can press the [8’ I]–[Lute] buttons to move to the first demo song in the selected group.
• Each time you press a button whose indicator is blinking, you will move to the next demo song within the group.
• If you press [Organ II], playback will pause; when you press the [Organ II] button once again, playback will resume from
where you paused.
• If you press [Organ I], playback of the current song will stop. When you press the [Organ II] button, playback will begin from
the beginning of the same song.
* Demo playback will continue repeating all the songs included until you stop it.
2.
When you want to stop demo playback, press the [Function] button.
The C-30 will return to normal performance mode.
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Additional Convenient Functionality <Advanced Operation>
Selecting Baroque pitch
You can change from standard pitch “A = 440.0 Hz” to the “A = 415.0 Hz” tuning commonly used as Baroque pitch, or to the
Versailles pitch of “A = 392.0 Hz.”
◆
While holding down the [Function] button, press the [Baroque
pitch] button.
Repeatedly pressing the button cycles the [Baroque pitch]
indicator through its various states, like this: green → orange →
unlit → green → ...
• When the indicator is lit green, the instrument is at Baroque pitch
“A = 415.0 Hz,” and the overall pitch will be a semitone lower.
• When the indicator is lit orange, the instrument is at Versailles
pitch “A = 392.0 Hz,” and the overall pitch will be a whole step
lower.
• When the indicator is unlit, the instrument is at standard pitch “A = 440.0 Hz.”
If you want to change the tuning to a different pitch, refer to “Matching the pitch of another instrument (Tuning)” or
“Changing the pitch of the keyboard (Key Transpose)” (p. 20).
Matching the pitch of another instrument (Tuning)
If you’re playing the C-30 together with other instruments in an ensemble, you can adjust the pitch of the C-30 to match the other
instruments if necessary.
• You can adjust the reference pitch of the C-30 in the range of 415.3 Hz to 466.2 Hz.
• When you turn on the power, it is set to A=440Hz.
◆
While holding down the [Function] button, turn the [Tone] knob.
The center position of the knob corresponds to A=440Hz. Turn the
knob toward the right to raise the overall pitch, or toward the left
to lower it.
• The range of adjustment is ±1/2 semitone (50 cents).
• The pitch will be adjusted around a center of A = 415.0 Hz if
Baroque pitch is selected, or around a center of A = 392.0 Hz if
Versailles pitch is selected.
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Additional Convenient Functionality <Advanced Operation>
Changing the pitch of the keyboard (Key Transpose)
You can transpose your playing without changing the position at which you play the keys. For example, if you’re playing a song
in a difficult key signature that contains numerous sharps ( ) or flats ( ), you can transpose the pitch of the keyboard and play
the piece in an easier key. This function is called “Key Transpose.”
◆
While holding down the [Temperament] button, press the [Organ I]
button, and while continuing to hold down these two buttons, play
the tonic note of the key to which you want to transpose the
keyboard.
For example, if you want the E pitch to sound when you play the C
key, hold down the [Temperament] button, press the [Organ I]
button, and while continuing to hold down these two buttons, press
the E key.
If this is set to any key other than C, the [Temperament] button's
indicator will light.
To return the keyboard to its normal state, hold down the
[Temperament] button, press the [Organ I] button, and while
continuing to hold down these two buttons, press the C key.
* You can transpose the keyboard in a range of five semitones upward (F) or
six semitones downward (F#) relative to C.
* You can specify the transpose setting by pressing a key of any octave.
Immediately after you turn on the power, the key transpose setting will be in the normal state.
Adjusting the volume of the keyboard noise
■ Adjusting the noise volume for strong keystrokes
◆
While holding down the [Temperament] button, turn the
[Volume] knob to adjust the volume of the noise produced by
strong keystrokes.
* The noise will be at the standard level when the knob is at the 2 o’clock
position.
* Once the power is switched off, the instrument reverts to the standard
noise level.
■ Adjusting the noise volume for key releases
◆
While holding down the [Temperament] button, turn the
[Reverb] knob to adjust the volume of the noise heard when you
release a key.
* The noise will be at the standard level when the knob is at the 2 o’clock
position.
* Once the power is switched off, the instrument reverts to the standard
noise level.
20
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Additional Convenient Functionality <Advanced Operation>
Using the pedal
The included pedal can be connected to the C-30’s PEDAL jack and used as the damper pedal of a piano.
If you press the pedal while performing, the decay will extend even after you take your fingers off the keyboard.
PEDAL jack
Use the cable clamp located
on the bottom surface of the
C-30 to fasten the pedal cable.
Set the pedal select switch to
"Continuous."
Pedal
Using the pedal to switch sounds
You can use the connected pedal to switch between two sets of sounds.
We’ll refer to a state in which one or more sounds are selected as a “sound set.” Here’s how you can switch between a “sound set
stored in memory” and “the currently selected sound set.”
4.
Store the French [8’ I] + [8’ II], and
Example
switch to and from the [Organ I] sound
1.
Select the sounds that you want to store in memory.
Hold down the French [8’ I] button and [8’ II] button
simultaneously, so their indicators are lit.
2.
While holding down the [Function] button, press the
[Pedal] button to make the [Pedal] button’s indicator
light.
The sound(s) you selected in step 1 will be stored in
memory.
Press the pedal.
The French [8’ I]+[8’ II] sound will be selected while you
hold down the pedal, and you’ll return to the [Organ I]
sound when you release the pedal.
* If you’ve assigned the pedal to switch sounds, pressing the
[Function] button will make the [Pedal] button’s indicator
light.
* If you’re using the pedal to switch between sound sets, you
can't use it as a damper pedal.
◆
If you want to use the pedal as a damper pedal, hold
down the [Function] button once again and press the
[Pedal] button to turn off the [Pedal] button’s
illumination.
If you want to switch to a sound set that you’ve already
stored in the C-30, perform the following steps.
3.
Select the other sound to which you want to switch.
Press the [Organ I] button so its indicator is lit.
1)
Select the sounds that you want to store in memory.
2)
While holding down the [Function] button, press the
[Pedal] button to temporarily turn off the [Pedal]
button’s light.
3)
Once again hold down the [Function] button and
press the [Pedal] button so the [Pedal] button’s light
is turned on again.
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Additional Convenient Functionality <Advanced Operation>
Playing the sound through external speakers/Recording your
performance
You can connect external speakers to the OUTPUT jacks for performance on stage, or connect a recorder to record your playing.
OUTPUT jacks
Recorder
Powered Monitor
To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power
on all devices before making any connections.
■ To turn the power on
■ To turn the power off
1.
Switch on the C-30’s power.
1.
2.
Minimize the volume of the C-30 and of the connected
device.
Switch on the connected device.
2.
Switch off the connected device.
3.
Adjust the volume of each device.
3.
Switch off the C-30.
■ To record a performance from the C-30
onto a recorder
1.
Start recording on the connected device.
2.
Perform on the C-30.
3.
When you've finished performing, stop recording on
the connected device.
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Additional Convenient Functionality <Advanced Operation>
Listening to an external device’s sound through the C-30’s speakers
You can input the sound from a MP3 player or other audio device connected to the INPUT jacks, and hear it through the C-30’s
speakers.
To prevent malfunction and/or damage to speakers or
other devices, always turn down the volume, and turn
off the power on all devices before making any
connections.
1.
Minimize the volume of the C-30 and your audio
device.
2.
3.
Switch off power to the C-30 and your audio device.
4.
5.
6.
◆
INPUT jacks
Audio
player
Use a commercially available audio cable to connect
your audio device to the C-30.
Switch on power to your audio device.
Switch on the C-30's power.
Adjust the volume of the C-30 and your audio device.
The sound of your audio device will be heard from the
C-30’s speakers.
To change the volume, make adjustments on your
audio device.
* When connection cables with resistors are used, the volume
level of equipment connected to the INPUTs may be low.
If this happens, use connection cables that do not contain
resistors.
■ To turn the power off
1. Minimize the volume of the C-30 and your audio device.
2. Switch off the C-30.
3. Switch off your audio device.
■ Adjusting the input volume
You can make adjustments on the C-30 to regulate the volume
being input from your external audio device to the INPUT jacks.
The volume may change abruptly when you adjust the volume of
the input from an external device, so you should turn the C-30's
[Volume] knob toward the left to lower the volume before you
make this adjustment.
◆
While holding down the [Function] button, turn the Volume
knob.
■ Adjusting the amount of reverb
When you turn the Reverb knob of the operating panel, the reverb
effect will be applied to the C-30’s sound as well as to the sound
being input via the INPUT jacks. You can adjust the amount of
reverb that is applied to the input sound.
◆
While holding down the [Function] button, turn the Reverb
knob.
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Additional Convenient Functionality <Advanced Operation>
Connecting the C-30 with MIDI equipment
If you connect an external MIDI device to the C-30 to transmit or receive performance data, the two devices will be able to control
each other's performance.
For example, you can use the C-30 to play sounds or select sounds on the external MIDI device.
What is MIDI?
“MIDI” stands for “Musical Instrument Digital Interface,” and is a worldwide standard for exchanging performance data
between electronic musical instruments and computers. The C-30 provides MIDI connectors that can send and receive
performance data to and from an external device. By connecting the C-30 to other devices via these connectors, you can take
advantage of a wide range of possibilities.
■ Connecting a MIDI sequencer to the C-30
MIDI IN/OUT connectors
• To prevent malfunction and/or damage to
speakers or other devices, always turn down
the volume, and turn off the power on all
devices before making any connections.
• Before you carry out any operations using
the C-30’s panel, stop the MIDI sequencer.
MIDI sequencer
MIDI IN
MIDI OUT
Setting the MIDI channel
In order to send or receive MIDI data to or from another MIDI device, the MIDI channel of the transmitting device must match the
MIDI channel of the receiving device.
◆
[While holding down the [Temperament] button, press the
[4’] button and while continuing to hold down these two
buttons, press the key (F1–G#2) that corresponds to the
desired MIDI channel.
Immediately after you've turned on the power, the MIDI
channel will be set to 1.
F1
2 4 6
G#2
9 11
14 16
1 3 5 7 8 10 12 13 15
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Additional Convenient Functionality <Advanced Operation>
Local On/Off setting
If you’ve connected the C-30 to a MIDI sequencer, you should set the C-30 to the Local Off state.
Most sequencers enable their Thru function, so that the notes that you play on the keyboard or that are played back by the
recorder will reach the sound generator section by both routes (1) and (2) if the C-30 is in the Local On state, causing notes to be
sounded in duplicate, or to be cut off unnaturally.
To prevent this, choose the “Local Off” setting so that route (1) is disconnected.
Local On
(1) Local On
Sound
Generator
MIDI
IN
MIDI
OUT
Sequencer
Sound is emitted
Memory
MIDI
OUT
Each note played is
sounded twice
◆
MIDI
IN
Sound Generator
Local On
Local Off
No sound produced
Sound Generator
Local Off
(2) Soft Thru On
While holding down the [Temperament] button, press the [4’]
button, and while continuing to hold down both buttons,
press the rightmost key (F6) to select Local On or the (B6) key
to select Local Off.
* If you’ve selected Local Off and no sequencer is connected, you won’t
hear any sound when you play the C-30’s keyboard.
The Local On setting is selected when you turn on the power.
E6 F6
Local On
Local Off
Using the V-LINK function
V-LINK
V-LINK (
) is a function that allows music and images to be performed together. By using MIDI to connect two or
more V-LINK compatible devices, you can easily enjoy a wide range of visual effects that are linked to the expressive elements of
a music performance.
1.
While holding down [Temperament], press the [Lute] button.
The [Function] button's indicator will light orange, and VLINK will be on. The [Function] button's indicator will
remain lit until you turn V-LINK off.
2.
To turn V-LINK off, once again hold down [Temperament]
and press the [Lute] button.
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Demo Song List
Song
Composer
Player
[8’ I] group
Les Baricades Mystérieuses
Les Roseaux
François Couperin
Allemande
Jacques Duphly
La Marche des Scythes
Joseph-Nicolas-Pancrace Royer
La Puce
Joseph Bodin de Boismortier
Le Rappel des Oiseaux
Jean-Philippe Rameau
New Ground
Henry Purcell
La Rameau
Antoine Forqueray
Shinichiro Nakano
[8’ II] group
Französische Suiten No. 5 Allemande
Makiko Mizunaga
Italienisches Konzert
Yuko Inoue
Partita No.1
Goldberg-Variationen Aria mit verschiedenen Veränderungen
Das Wohltemperierte Klavier, 1-1
Johann Sebastian Bach
Makiko Mizunaga
Invention No.1
Tomoko Kakuma
Invention No.4
Invention No.13
[4’] group
Herz und Mund und Tat und Leben
Johann Sebastian Bach
Makiko Mizunaga
Capriccio sopra la Bassa Fiamenga
Girolamo Frescobaldi
Tomoko Kakuma
Sonata a cembalo obbligato e travers solo No. 2 Siciliano
Johann Sebastian Bach
Sonate für Querflote und bezifferten Bass op.1-5 Bourrée
Georg Friedrich Händel
Wachet auf, ruftuns die Stimme
Makiko Mizunaga
[Lute] group
Sonate für Klavier No. 8 “Pathétique”
Ludwig van Beethoven
Yuko Inoue
John Maul
John Maul
Miniature No.1 for Dynamic Harpsichord
Miniature No.2 for Dynamic Harpsichord
Miniature No.3 for Dynamic Harpsichord
Peer Gynt, Suite No.1 “Anitra’s Dance”
Edvard Hagerup Grieg
* All rights reserved. Unauthorized use of this material for purposes other than private, personal enjoyment is a violation of applicable laws.
* No data for the music that is played will be output from MIDI OUT.
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MIDI Implementation Chart
Date: Jan. 29, 2007
Digital Harpsichord
MIDI Implementation Chart
Model C-30
Transmitted
Function...
Recognized
Basic
Channel
Default
Changed
1
1–16
1
1–16
Mode
Default
Messages
Altered
Mode 3
X
**************
Mode 3
X
Note
Number :
True Voice
23–94
**************
0–127
0–127
Velocity
Note ON
Note OFF
O
O
O
X
After
Touch
Key’s
Ch’s
X
X
X
X
X
X
O
O
X
O
O (Tone)
O (Reverb)
O
O
O
O
O (Tone)
O (Reverb)
O
O
**************
O
0–3
O
O
Pitch Bend
0, 32
6, 38
11
64
74
91
100, 101
Control
Change
Prog
Change
: True #
System Exclusive
System
Common
: Song Pos
: Song Sel
: Tune
X
X
X
X
X
X
System
Real Time
: Clock
: Command
X
X
X
X
: All sound off
: Reset all controllers
: Local ON/OFF
: All Notes OFF
: Active Sense
: Reset
X
X
X
X
O
X
O
O
O
O
O
X
Aux
Message
Version: 1.00
Remarks
Bank select
Data Entry
Expression
Hold 1
Brightness
Effect 1
RPN LSB, MSB
Notes
Mode 1 : OMNI ON, POLY
Mode 2 : OMNI ON, MONO
O : Yes
Mode 3 : OMNI OFF, POLY
Mode 4 : OMNI OFF, MONO
X : No
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C-30_e.book 28 ページ 2008年2月14日 木曜日 午後5時27分
Specifications
C-30: Digital Harpsichord
Keyboard
61 keys (F scale, haprsichord action mechanism)
<Sound Generator>
Maximum Polyphony
128 voices
Tones
6 (8 feet I, 8 feet II, 4 feet, Lute, Organ I, Organ II, celesta)
4 types: French type, Flemish type, Fortepiano, Dynamic Harpsichord
Effect
Reverb
Controls
Volume knob, Reverb knob, Tone knob
Key Transpose
-6 to +5 (semitone steps)
Temperament
5 types (Equal, Werckmeister, Kirnberger, Vallotti, Meantone)
Baroque Pitch
415 Hz / 392 Hz
Master Tuning
440/415 Hz, ±50 cents
<Others>
Pedal
Damper / Tone change
Speakers
12 cm x 2, 8 cm x 2
Rated Output
13 W x 2
Connectors
Phones jack (Stereo)
Output jacks (L/Mono, R)
Input jacks (L/Mono, R)
MIDI connectors (In, Out)
Pedal jack
AC adaptor jack
Power Supply
AC Adaptor
Power Consumption
25 W (AC 117 V), 25 W (AC 230 V), 25 W (AC 240 V)
Cabinet Finish
Simulated mahogany
Dimensions
(including the stand)
(Lid closed)
1,100 (W) x 380 (D) x 830 (H) mm
43-5/16 (W) x 15 (D) x 32-11/16 (H) inches
(Lid opened)
1,100 (W) x 450 (D) x 1170 (H) mm
43-5/16 (W) x 17-3/4 (D) x 46-1/16 (H) inches
Weight
(including the stand)
25 + 13 kg: Total 38 kg (84 lbs)
Accessories
Owner’s manual, AC adaptor, Power cord, Music stand, Damper pedal (DP-10),
Picture board, Decorative panel
Option
Bench (BNC-29)
Picture board (OP-C30PB series)
Decorative panel (OP-C30DP series)
* In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.
* Roland Corporation would like to thank the collection Molinari-Pradelli, for the authorization to reproduce the picture entitled ‘Estasi de
Santa Maria Madalena’ by Marcantonio Franceschini, for this limited edition of the C-30 Harpsichord.
28
C-30_e.book 29 ページ 2008年2月14日 木曜日 午後5時27分
Assembling the C-30 stand
• Make sure that another person is on hand to help with the
assembly and setup.
Check the included items
• When assembling the stand, be careful not to apply
excessive force to any part. Doing so may deform the
hardware or damage the wooden parts.
(1) Side board A
• When assembling or moving the stand, be careful not to
pinch your hands or drop the unit on your feet.
(3) Center board C
• Should you remove the knob bolts, keep them in a safe
place out of children’s reach, so there is no chance of them
being swallowed accidentally.
(5) Allen wrench
Wider
(3)
(2) Side board B
(4)
(4) Center board D
(1)
(6) Knob bolts (2 pcs.)
(2)
(7) DP-10 (Accessory pedal)
* refer to C-30 owner‘s manual
(5)
(6)
(7)
Assembly procedure
1.
Attach one end of center board “C” to side board “A.”
Orient center board “C” so that the hardware is on the inside, and
hook the hardware of center board "C" onto the pins of side board
"A," and press center board "C" downward.
*
After you’ve finished assembling the stand, attach the included Allen
wrench to the holder located on the inside of side board “A” to prevent it
from being lost.
Unlock the holder, place the
Allen wrench in position,
and then re-lock the holder.
When you unlock the
holder, push up the parts
marked (a) in the
illustration.
C
(a)
A
2.
Attach the other end of center board “C” to side board “B.”
Use your hand to support center
board “C,” and hook the
hardware of center board "C"
onto the pins of side board "B,"
and press center board "C"
downward.
5.
C
A
B
*
3.
4.
Attach center board “D.”
Orient center board “D” so that
the hardware is on the inside,
and hook the hardware at each
end of center board "D" onto the
pins of side boards "A" and "B,"
and press center board "D"
downward.
Place the main unit on the
stand so that the four feet on
the bottom of the unit fit
within the inside of the stand,
and then firmly tighten the
two knob bolts to fasten the
unit onto the stand.
Be careful not to pinch your
hands.
Foot
Knob bolt
C
D
When moving the instrument
A
B
• If the instrument is to be moved within the same room, it must be
carefully moved by two people holding the instrument at the
locations shown in the diagram.
Using the included Allen
wrench, tighten the bolts that are already installed in the center
boards.
First, lightly tighten the bolts at
the four locations, and then
tighten the bolts firmly so that
the stand does not rock or
wobble.
*
Align the main unit with the stand.
Allen wrench
If you will be replacing the decorative panels, do so before placing the
instrument on the stand. For details on how to replace them, refer to the
instructions included with the decorative panels.
• If the instrument is to be moved out of the room or into a different
room, you must separate the main unit from the stand and carry
them separately. The portion that connects the main unit and stand
may be damaged if you attempt to transport the instrument without
separating the main unit and stand.
• When moving the main unit and stand, carry them in a horizontal
position.
C-30_e.book 30 ページ 2008年2月14日 木曜日 午後5時27分
Information
AFRICA
EGYPT
Al Fanny Trading Office
9, EBN Hagar Al Askalany
Street,
ARD E1 Golf, Heliopolis,
Cairo 11341, EGYPT
TEL: (022)-418-5531
REUNION
Maison FO - YAM Marcel
25 Rue Jules Hermann,
Chaudron - BP79 97 491
Ste Clotilde Cedex,
REUNION ISLAND
TEL: (0262) 218-429
SOUTH AFRICA
T.O.M.S. Sound & Music
(Pty)Ltd.
2 ASTRON ROAD DENVER
JOHANNESBURG ZA 2195,
SOUTH AFRICA
TEL: (011)417 3400
Paul Bothner(PTY)Ltd.
Royal Cape Park, Unit 24
Londonderry Road, Ottery 7800
Cape Town, SOUTH AFRICA
TEL: (021) 799 4900
When you need repair service, call your nearest Roland Service Center or authorized Roland
distributor in your country as shown below.
PHILIPPINES
CURACAO
URUGUAY
NORWAY
JORDAN
G.A. Yupangco & Co. Inc.
339 Gil J. Puyat Avenue
Makati, Metro Manila 1200,
PHILIPPINES
TEL: (02) 899 9801
Zeelandia Music Center Inc.
Orionweg 30
Curacao, Netherland Antilles
TEL:(305)5926866
Todo Musica S.A.
Francisco Acuna de Figueroa
1771
C.P.: 11.800
Montevideo, URUGUAY
TEL: (02) 924-2335
Roland Scandinavia Avd.
Kontor Norge
Lilleakerveien 2 Postboks 95
Lilleaker N-0216 Oslo
NORWAY
TEL: 2273 0074
MUSIC HOUSE CO. LTD.
FREDDY FOR MUSIC
P. O. Box 922846
Amman 11192 JORDAN
TEL: (06) 5692696
VENEZUELA
POLAND
Instrumentos Musicales
Allegro,C.A.
Av.las industrias edf.Guitar
import
#7 zona Industrial de Turumo
Caracas, Venezuela
TEL: (212) 244-1122
ROLAND POLSKA SP. Z O.O.
UL. Gibraltarska 4.
PL-03 664 Warszawa
POLAND
TEL: (022) 679 4419
EASA HUSAIN AL-YOUSIFI
& SONS CO.
Al-Yousifi Service Center
P.O.Box 126 (Safat) 13002
KUWAIT
TEL: 00 965 802929
PORTUGAL
LEBANON
Roland Iberia, S.L.
Portugal Office
Cais das Pedras, 8/9-1 Dto
4050-465, Porto, PORTUGAL
TEL: 22 608 00 60
Chahine S.A.L.
George Zeidan St., Chahine
Bldg., Achrafieh, P.O.Box: 165857
Beirut, LEBANON
TEL: (01) 20-1441
SINGAPORE
SWEE LEE MUSIC
COMPANY PTE. LTD.
150 Sims Drive,
SINGAPORE 387381
TEL: 6846-3676
Instrumentos Fernando Giraldez
Calle Proyecto Central No.3
Ens.La Esperilla
Santo Domingo,
Dominican Republic
TEL:(809) 683 0305
TAIWAN
ECUADOR
ROLAND TAIWAN
ENTERPRISE CO., LTD.
Room 5, 9fl. No. 112 Chung
Shan N.Road Sec.2, Taipei,
TAIWAN, R.O.C.
TEL: (02) 2561 3339
Mas Musika
Rumichaca 822 y Zaruma
Guayaquil - Ecuador
TEL:(593-4)2302364
THAILAND
Theera Music Co. , Ltd.
100-108 Soi Verng
Nakornkasem, New
Road,Sumpantawongse,
Bangkok 10100 THAILAND
TEL: (02) 224-8821
AUSTRALIA/
NEW ZEALAND
ASIA
CHINA
Roland Shanghai Electronics
Co.,Ltd.
5F. No.1500 Pingliang Road
Shanghai 200090, CHINA
TEL: (021) 5580-0800
Roland Shanghai Electronics
Co.,Ltd.
(BEIJING OFFICE)
10F. No.18 3 Section Anhuaxili
Chaoyang District Beijing
100011 CHINA
TEL: (010) 6426-5050
HONG KONG
Tom Lee Music Co., Ltd.
Service Division
22-32 Pun Shan Street, Tsuen
Wan, New Territories,
HONG KONG
TEL: 2415 0911
Parsons Music Ltd.
8th Floor, Railway Plaza, 39
Chatham Road South, T.S.T,
Kowloon, HONG KONG
TEL: 2333 1863
INDIA
Rivera Digitec (India) Pvt. Ltd.
411, Nirman Kendra
Mahalaxmi Flats Compound
Off. Dr. Edwin Moses Road,
Mumbai-400011, INDIA
TEL: (022) 2493 9051
INDONESIA
PT Citra IntiRama
Jl. Cideng Timur No. 15J-15O
Jakarta Pusat
INDONESIA
TEL: (021) 6324170
KOREA
Cosmos Corporation
1461-9, Seocho-Dong,
Seocho Ku, Seoul, KOREA
TEL: (02) 3486-8855
MALAYSIA
Roland Asia Pacific Sdn. Bhd.
45-1, Block C2, Jalan PJU 1/39,
Dataran Prima, 47301 Petaling
Jaya, Selangor, MALAYSIA
TEL: (03) 7805-3263
VIET NAM
Suoi Nhac Company, Ltd
370 Cach Mang Thang Tam St.
Dist.3, Ho Chi Minh City,
VIET NAM
TEL: 9316540
DOMINICAN REPUBLIC
AUSTRALIA/
NEW ZEALAND
Roland Corporation
Australia Pty.,Ltd.
38 Campbell Avenue
Dee Why West. NSW 2099
AUSTRALIA
For Australia
Tel: (02) 9982 8266
For New Zealand
Tel: (09) 3098 715
CENTRAL/LATIN
AMERICA
EL SALVADOR
OMNI MUSIC
75 Avenida Norte y Final
Alameda Juan Pablo II,
Edificio No.4010 San Salvador,
EL SALVADOR
TEL: 262-0788
GUATEMALA
Casa Instrumental
Calzada Roosevelt 34-01,zona 11
Ciudad de Guatemala
Guatemala
TEL:(502) 599-2888
HONDURAS
Almacen Pajaro Azul S.A. de C.V.
BO.Paz Barahona
3 Ave.11 Calle S.O
San Pedro Sula, Honduras
TEL: (504) 553-2029
MARTINIQUE
Musique & Son
Z.I.Les Mangle
97232 Le Lamantin
Martinique F.W.I.
TEL: 596 596 426860
Gigamusic SARL
10 Rte De La Folie
97200 Fort De France
Martinique F.W.I.
TEL: 596 596 715222
ARGENTINA
MEXICO
Instrumentos Musicales S.A.
Av.Santa Fe 2055
(1123) Buenos Aires
ARGENTINA
TEL: (011) 4508-2700
Casa Veerkamp, s.a. de c.v.
Av. Toluca No. 323, Col. Olivar
de los Padres 01780 Mexico
D.F. MEXICO
TEL: (55) 5668-6699
BARBADOS
NICARAGUA
A&B Music Supplies LTD
12 Webster Industrial Park
Wildey, St.Michael, Barbados
TEL: (246)430-1100
Bansbach Instrumentos
Musicales Nicaragua
Altamira D'Este Calle Principal
de la Farmacia 5ta.Avenida
1 Cuadra al Lago.#503
Managua, Nicaragua
TEL: (505)277-2557
BRAZIL
Roland Brasil Ltda.
Rua San Jose, 780 Sala B
Parque Industrial San Jose
Cotia - Sao Paulo - SP, BRAZIL
TEL: (011) 4615 5666
CHILE
Comercial Fancy II S.A.
Rut.: 96.919.420-1
Nataniel Cox #739, 4th Floor
Santiago - Centro, CHILE
TEL: (02) 688-9540
COLOMBIA
Centro Musical Ltda.
Cra 43 B No 25 A 41 Bododega 9
Medellin, Colombia
TEL: (574)3812529
COSTA RICA
JUAN Bansbach Instrumentos
Musicales
Ave.1. Calle 11, Apartado
10237,
San Jose, COSTA RICA
TEL: 258-0211
PANAMA
SUPRO MUNDIAL, S.A.
Boulevard Andrews, Albrook,
Panama City, REP. DE
PANAMA
TEL: 315-0101
PARAGUAY
Distribuidora De
Instrumentos Musicales
J.E. Olear y ESQ. Manduvira
Asuncion PARAGUAY
TEL: (595) 21 492147
PERU
Audionet
Distribuciones Musicales SAC
Juan Fanning 530
Miraflores
Lima - Peru
TEL: (511) 4461388
TRINIDAD
AMR Ltd
Ground Floor
Maritime Plaza
Barataria Trinidad W.I.
TEL: (868) 638 6385
EUROPE
AUSTRIA
Roland Elektronische
Musikinstrumente HmbH.
Austrian Office
Eduard-Bodem-Gasse 8,
A-6020 Innsbruck, AUSTRIA
TEL: (0512) 26 44 260
BELGIUM/FRANCE/
HOLLAND/
LUXEMBOURG
Roland Central Europe N.V.
Houtstraat 3, B-2260, Oevel
(Westerlo) BELGIUM
TEL: (014) 575811
CROATIA
ART-CENTAR
Degenova 3.
HR - 10000 Zagreb
TEL: (1) 466 8493
CZECH REP.
CZECH REPUBLIC
DISTRIBUTOR s.r.o
Voctárova 247/16
CZ - 180 00 PRAHA 8,
CZECH REP.
TEL: (2) 830 20270
DENMARK
Roland Scandinavia A/S
Nordhavnsvej 7, Postbox 880,
DK-2100 Copenhagen
DENMARK
TEL: 3916 6200
FINLAND
Roland Scandinavia As, Filial
Finland
Elannontie 5
FIN-01510 Vantaa, FINLAND
TEL: (0)9 68 24 020
GERMANY
Roland Elektronische
Musikinstrumente HmbH.
Oststrasse 96, 22844
Norderstedt, GERMANY
TEL: (040) 52 60090
GREECE/CYPRUS
STOLLAS S.A.
Music Sound Light
155, New National Road
Patras 26442, GREECE
TEL: 2610 435400
HUNGARY
Roland East Europe Ltd.
Warehouse Area ‘DEPO’ Pf.83
H-2046 Torokbalint,
HUNGARY
TEL: (23) 511011
IRELAND
Roland Ireland
G2 Calmount Park, Calmount
Avenue, Dublin 12
Republic of IRELAND
TEL: (01) 4294444
ITALY
Roland Italy S. p. A.
Viale delle Industrie 8,
20020 Arese, Milano, ITALY
TEL: (02) 937-78300
ROMANIA
KUWAIT
OMAN
FBS LINES
Piata Libertatii 1,
535500 Gheorgheni,
ROMANIA
TEL: (266) 364 609
TALENTZ CENTRE L.L.C.
Malatan House No.1
Al Noor Street, Ruwi
SULTANATE OF OMAN
TEL: 2478 3443
RUSSIA
MuTek
Dorozhnaya ul.3,korp.6
117 545 Moscow, RUSSIA
TEL: (095) 981-4967
SLOVAKIA
DAN Acoustic s.r.o.
Povazská 18.
SK - 940 01 Nové Zámky
TEL: (035) 6424 330
SPAIN
Roland Iberia, S.L.
Paseo García Faria, 33-35
08005 Barcelona SPAIN
TEL: 93 493 91 00
SWEDEN
Roland Scandinavia A/S
SWEDISH SALES OFFICE
Danvik Center 28, 2 tr.
S-131 30 Nacka SWEDEN
TEL: (0)8 702 00 20
SWITZERLAND
Roland (Switzerland) AG
Landstrasse 5, Postfach,
CH-4452 Itingen,
SWITZERLAND
TEL: (061) 927-8383
UKRAINE
EURHYTHMICS Ltd.
P.O.Box: 37-a.
Nedecey Str. 30
UA - 89600 Mukachevo,
UKRAINE
TEL: (03131) 414-40
UNITED KINGDOM
Roland (U.K.) Ltd.
Atlantic Close, Swansea
Enterprise Park, SWANSEA
SA7 9FJ,
UNITED KINGDOM
TEL: (01792) 702701
MIDDLE EAST
BAHRAIN
Moon Stores
No.1231&1249 Rumaytha
Building Road 3931, Manama
339 BAHRAIN
TEL: 17 813 942
IRAN
MOCO INC.
No.41 Nike St., Dr.Shariyati Ave.,
Roberoye Cerahe Mirdamad
Tehran, IRAN
TEL: (021)-2285-4169
ISRAEL
QATAR
Al Emadi Co. (Badie Studio &
Stores)
P.O. Box 62, Doha, QATAR
TEL: 4423-554
SAUDI ARABIA
aDawliah Universal
Electronics APL
Behind Pizza Inn
Prince Turkey Street
aDawliah Building,
PO BOX 2154,
Alkhobar 31952
SAUDI ARABIA
TEL: (03) 8643601
SYRIA
Technical Light & Sound
Center
Rawda, Abdul Qader Jazairi St.
Bldg. No. 21, P.O.BOX 13520,
Damascus, SYRIA
TEL: (011) 223-5384
TURKEY
ZUHAL DIS TICARET A.S.
Galip Dede Cad. No.37
Beyoglu - Istanbul / TURKEY
TEL: (0212) 249 85 10
U.A.E.
Zak Electronics & Musical
Instruments Co. L.L.C.
Zabeel Road, Al Sherooq Bldg.,
No. 14, Ground Floor, Dubai,
U.A.E.
TEL: (04) 3360715
NORTH AMERICA
CANADA
Roland Canada Ltd.
(Head Office)
5480 Parkwood Way
Richmond B. C., V6V 2M4
CANADA
TEL: (604) 270 6626
Roland Canada Ltd.
(Toronto Office)
170 Admiral Boulevard
Mississauga On L5T 2N6
CANADA
TEL: (905) 362 9707
U. S. A.
Roland Corporation U.S.
5100 S. Eastern Avenue
Los Angeles, CA 90040-2938,
U. S. A.
TEL: (323) 890 3700
Halilit P. Greenspoon & Sons
Ltd.
8 Retzif Ha'alia Hashnia St.
Tel-Aviv-Yafo ISRAEL
TEL: (03) 6823666
As of Oct. 1, 2007 (ROLAND)
C-30_e.book 31 ページ 2008年2月14日 木曜日 午後5時27分
For EU Countries
For China
C-30_e.book 32 ページ 2008年2月14日 木曜日 午後5時27分
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C-30_e.book 33 ページ 2008年2月14日 木曜日 午後5時27分
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