Rane Sixty-Two Mixer audio mixer OWNER’S MANUAL
Below you will find brief information for Sixty-Two Mixer. The Sixty-Two Mixer is a professional 2-channel mixer designed for DJs. This mixer includes Serato DJ software for control of virtual decks, loops and samples. The Sixty-Two Mixer features USB connectivity for use with two computers, and a built-in FlexFX effects engine with 6 internal effects and USB insert loops for software effects. It also includes a microphone input with 2-band tone controls and headphone monitoring with split cueing.
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OWNER’S MANUAL
RANE
SIXTY-TWO
MIXER
MANUAL
SIXTY-TWO
OWNER’S MANUAL
Important Safety Instructions
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with a dry cloth.
7. Do not block any ventilation openings. Install in accordance with manufacturer’s instructions.
8. Do not install near any heat sources such as radiators, registers, stoves, or other apparatus (including amplifiers) that produce heat.
9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding-type plug has two blades and a third grounding prong. The wide blade or third prong is provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.
10. Protect the power cord and plug from being walked on or pinched particularly at plugs, convenience receptacles, and the point where it exits from the apparatus.
11. Only use attachments and accessories specified by Rane.
12. Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.
13. Unplug this apparatus during lightning storms or when unused for long periods of time.
14. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.
15. The plug on the power cord is the AC mains disconnect device and must remain readily operable. To completely disconnect this apparatus from the AC mains, disconnect the power supply cord plug from the AC receptacle.
16. This apparatus shall be connected to a mains socket outlet with a protective earthing connection.
17. When permanently connected, an all-pole mains switch with a contact separation of at least 3 mm in each pole shall be incorporated in the electrical installation of the building.
18. If rackmounting, provide adequate ventilation. Equipment may be located above or below this apparatus, but some equipment (like large power amplifiers) may cause an unacceptable amount of hum or may generate too much heat and degrade the performance of this apparatus.
19. This apparatus may be installed in an industry standard equipment rack. Use screws through all mounting holes to provide the best support.
WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture. Apparatus shall not be exposed to dripping or splashing and no objects filled with liquids, such as vases, shall be placed on the apparatus.
WARNING
The symbols shown below are internationally accepted symbols that warn of potential hazards with electrical products.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
ATTENTION: RISQUE DE CHOCS ELECTRIQUE - NE PAS OUVRIR
To reduce the risk of electrical shock, do not open the unit. No user serviceable parts inside. Refer servicing to qualified service personnel.
This symbol indicates that a dangerous voltage constituting a risk of electric shock is present within this unit.
This symbol indicates that there are important operating and maintenance instructions in the literature accompanying this unit.
WARNING: This product may contain chemicals known to the State of California to cause cancer, or birth defects or other reproductive harm.
NOTE: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC Rules.
These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
• Consult the dealer or an experienced radio/TV technician for help.
CAUTION: Changes or modifications not expressly approved by Rane Corporation could void the user's authority to operate the equipment.
CAN ICES-3 (B)/NMB-3(B)
SIXTY-TWO
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OWNER’S MANUAL
Instructions de Sécurité
1. Lisez ces instructions.
2. Gardez précieusement ces instructions.
3. Respectez les avertissements.
4. Suivez toutes les instructions.
5. Ne pas utiliser près d’une source d’eau.
6. Ne nettoyer qu’avec un chiffon doux.
7. N’obstruer aucune évacuation d’air. Effectuez l’installation en suivant les instructions du fabricant.
8. Ne pas disposer près d’une source de chaleur, c-à-d tout appareil produisant de la chaleur sans exception.
9. Ne pas modifier le cordon d’alimentation. Un cordon polarisé possède 2 lames, l’une plus large que l’autre. Un cordon avec tresse de masse possède 2 lames plus une 3è pour la terre. La lame large ou la tresse de masse assurent votre sécurité. Si le cordon fourni ne correspond pas à votre prise, contactez votre électricien.
10. Faites en sorte que le cordon ne soit pas piétiné, ni au niveau du fil, ni au niveau de ses broches, ni au niveau des connecteurs de vos appareils.
11. N’utilisez que des accessoires recommandés par Rane.
12. N’utilisez que les éléments de transport, stands, pieds ou tables spécifiés par le fabricant ou vendu avec l’appareil. Quand vous utlisez une valise de transport, prenez soin de vous déplacer avec cet équipement avec prudence afin d’éviter tout risque de blessure.
13. Débranchez cet appareil pendant un orage ou si vous ne l’utilisez pas pendant un certain temps.
14. Adressez-vous à du personnel qualifié pour tout service après vente. Celui-ci est nécessaire dans n’importe quel cas où l’appareil est abimé : si le cordon ou les fiches sont endommagés, si du liquide a été renversé ou si des objets sont tombés sur l’appareil, si celui-ci a été exposé à la pluie ou l’humidité, s’il ne fonctionne pas correctement ou est tombé.
15. La fiche du cordon d’alimentation sert à brancher le courant alternatif AC et doit absolument rester accessible. Pour déconnecter totalement l’appareil du secteur, débranchez le câble d’alimentation de la prise secteur.
16. Cet appareil doit être branché à une prise terre avec protection.
17. Quand il est branché de manière permanente, un disjoncteur tripolaire normalisé doit être incorporé dans l’installation électrique de l’immeuble.
18. En cas de montage en rack, laissez un espace suffisant pour la ventilation. Vous pouvez disposer d’autres appareils au-dessus ou en-dessous de celui-ci, mais certains (tels que de gros amplificateurs) peuvent provoquer un buzz ou générer trop de chaleur au risque d’endommager votre appareil et dégrader ses performances.
19. Cet appareil peut-être installé dans une baie standard ou un chassis normalisé pour un montage en rack. Visser chaque trou de chaque oreille de rack pour une meilleure fixation et sécurité.
ATTENTION: afin d’éviter tout risque de feu ou de choc électrique, gardez cet appareil éloigné de toute source d’humidité et d’éclaboussures quelles qu’elles soient. L’appareil doit également être éloigné de tout objet possédant du liquide (boisson en bouteilles, vases,…).
ATTENTION
Les symboles ci-dessous sont reconnus internationalement comme prévenant tout risque électrique.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
ATTENTION: RISQUE DE CHOCS ELECTRIQUE - NE PAS OUVRIR
Afin d’éviter tout risque de choc électrique, ne pas ouvrir l’appareil.
Aucune pièce ne peut être changée par l’utilisateur. Contactez un
SAV qualifié pour toute intervention.
Ce symbole indique que cette unité utilise un voltage
élevé constituant un risque de choc électrique.
Ce symbole indique la présence d’instructions d’utilisation et de maintenance importantes dans le document fourni.
REMARQUE: Cet équipement a été testé et approuvé conforme aux limites pour un appareil numérique de classe B, conformément au chapitre 15 des règles de la FCC. Ces limites sont établis pour fournir une protection raisonnable contre tout risque d’interférences et peuvent provoquer une
énergie de radiofréquence s'il n'est pas installé et utilisé conformément aux instructions, peut également provoquer des interférences aux niveaux des équipements de communication. Cependant, il n'existe aucune garantie que de telles interférences ne se produiront pas dans une installation particulière. Si cet équipement provoque des interférences en réception radio ou télévision, ceci peut être detecté en mettant l'équipement sous/ hors tension, l'utilisateur est encouragé à essayer de corriger cette interférence par une ou plusieurs des mesures suivantes:
• Réorienter ou déplacer l'antenne de réception.
• Augmenter la distance entre l'équipement et le récepteur.
• Connecter l'équipement à une sortie sur un circuit différent de celui sur lequel le récepteur est branché.
• Consulter un revendeur ou un technicien radio / TV expérimenté.
ATTENTION: Les changements ou modifications non expressément approuvés par Rane Corporation peuvent annuler l'autorité de l'utilisateur à manipuler cet équipement et rendre ainsi nulles toutes les conditions de garantie.
CAN ICES-3 (B)/NMB-3(B)
SIXTY-TWO
Cartons et papier à recycler.
3
OWNER’S MANUAL
Copyright Notices
©2014 Rane Corporation. All rights reserved. Serato DJ and Scratch Live are trademarks of Serato.
Trademarked in the United States and other countries. This software is based in part on the work of the
Independent JPEG Group, and uses libpng code, copyright © 2000-2002 Glenn Randers-Pehrson. The
Serato NoiseMap ™ Control Tone, the audio pressed on Serato Control vinyl and Control CDs, is copyright
©2004-2014 Serato. The Control Vinyl and Control CDs are licensed for personal use only. The creation of personal backups of the Control CD is allowed, however duplicating Control CDs for commercial benefit is strictly prohibited. For avoidance of doubt the duplication or creation of Control vinyl for any use is strictly prohibited. Please respect our copyright. Windows
®
is a registered trademark of Microsoft Corporation in the United States and other countries. Apple, Mac, Macintosh, iTunes, Safari, QuickTime, GarageBand, and OS X are registered trademarks of Apple Inc., registered in the United States and other countries.
Check List
These items are included in the box:
• 1 Sixty-Two Mixer.
• Serato DJ software and drivers install disc.
• 2 (two) control CDs.
• 2 (two) control records.
• 2 USB cables.
• IEC C5 line cord.
• Serato DJ Software Manual.
• This Sixty-Two Mixer Manual.
Wear Parts
The Sixty-Two Mixer contains no wear parts. The control vinyl records and CDs are wear parts as
described in "Limited Warranties" on page 41.
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OWNER’S MANUAL
Contents
2 Important Safety Instructions
4 Check List
6 Quick Start: Software
6 Serato DJ Software Installation for Mac OSX
6 Serato DJ Software Installation for Windows
7 Quick Start: Hardware
8 Quick Start: Operation
10 Sixty-Two Overview
11 Sixty-Two Connections
13 Deck Input Channels
14 Channel Faders & Crossfader
15 Aux
15 Session In and Out
15 Main and Booth
16 Software Controls
17 Sample Player (SP-6) Triggers
18 FlexFX Loop
22 Shift Options
22 Flanger Effect Options Menu
23 Deck 1-2 Channel Options Menu
25 DJ Changeover
26 Rane Drivers
28 Factory Defaults
29 MIDI Mapping
36 Magnetic Fader Maintenance
38 Technical Specifications
40 Limited Warranties
42 Declaration of Conformity
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OWNER’S MANUAL
Quick Start: Software
Before using your mixer, at least read this short section for the basics. Read the complete manual to get the best investment from your new Sixty-Two. This section will help get you started with one computer.
Serato DJ Software Installation for Mac OSX
Before installing, we recommend you check for a newer version of Serato DJ at serato.com/downloads and install the latest Serato DJ version if it is newer than the version on the CD-ROM that comes with your mixer.
1. Insert the Serato DJ Installer CD-ROM that came with your unit,
-or-
browse using Finder to the location where the Serato DJ download was saved.
2. Double click the Serato DJ .dmg installer file.
3. The software EULA screen will appear - read the License Agreement, then click Agree.
4. The disk image mounts and opens the actions folder, once this is finished you can unmount the disk image and launch Serato DJ.
5. Drag the Serato DJ application icon to the Applications folder alias.
6. You may then need to enter your User Password to authenticate.
7. Serato DJ will now copy to the Applications folder, once this is finished you can unmount the disk image and launch Serato DJ.
Serato DJ Software Installation for Windows
Before installing, we recommend you download and install the latest Serato DJ version from serato.com if it is newer than the version on the CD-ROM that comes with your mixer.
1. Insert the Serato DJ Installer CD-ROM that came with your unit,
-or-
browse using Windows Explorer to the location where the Serato DJ download installer was saved.
2. Double click the Serato DJ .exe installer file.
3. Accept the Security Warning and click “Run”.
4. The installer introduction screen will appear, click Next.
5. Read the License Agreement, then tick “I agree to the license terms and conditions,” then click Install.
6. If a User Account Control window appears, click Yes.
7. Serato DJ will now perform a standard installation.
8. The installation is now complete. You can now click Close.
NOTE: A shortcut will be also be created on desktop.
When you first connect your Sixty-Two Mixer via USB, you may see a request to install drivers. Accept the request and allow the driver installation to proceed. After drivers are installed, a Sixty-Two control panel will be available, and your software will recognize the Sixty-Two.
After Serato DJ is installed, you will be prompted to "Install Driver" in the Online Panel if you connect a new compatible device that has not already had its driver installed.
Serato Scratch Live
Your Sixty-Two is completely compatible with Serato Scratch Live, downloadable from
serato.com
.
You can download the Sixty-Two Manual for Serato Scratch Live at either serato.com
or dj.rane.com
.
Other DJ and DAW Programs
Rane drivers come with the Serato DJ installer to use other software. See "Rane Drivers" on page 26.
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OWNER’S MANUAL
POWERED POWERED
MAIN SPEAKERS OR AMPS
RIGHT
MAIN OUT
LEFT
SIXTY-TWO
RANE CORPORATION
100-240V 50/60 Hz 15 WATTS
USB B USB A
BOOTH OUT
RIGHT LEFT
SESSION
OUT IN
FLEXFX LOOP
RIGHT
RETURN
LEFT RIGHT
SEND
LEFT
ANALOG INPUTS
PHONO
GROUNDS
PH - CD
4
PH - CD
3
INPUT SELECT
PH - CD
2
PH - CD
1
MIC
INPUT
MIC - LINE
CD OR TURNTABLE OUT CD OR TURNTABLE OUT
7
USB
7.
Quick Start: Hardware
This guide will help you get your decks connected and music playing on one computer. Leave the power off until your decks and amplifiers are connected.
Analog Inputs
1. Connect your Left deck’s RCA cables to ANALOG INPUT 1.
• If it’s a CD player, select CD with the switch above the input jacks.
• If it’s a turntable, select PH (Phono) with the switch above the input jacks. Secure the ground wire to a
Phono Ground terminal.
2. Set the SOURCE selector for DECK 1.
PH / CD 1 plays directly from your deck.
To play from Serato DJ or Scratch Live, choose
A
.
3. Connect your Right deck’s RCA cables to ANALOG INPUT 3.
• Select CD or PH as in step 1.
4. Set the SOURCE selector for DECK 2.
PH / CD 3 plays directly from your deck.
To play from Serato DJ or Scratch Live, choose
A
.
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OWNER’S MANUAL
Analog Outputs
• Main Out is on a pair of balanced XLR jacks with pin 2 “hot” per AES standards.
• Booth Out is on a pair of balanced ¼˝ TRS (tip-ring-sleeve) jacks.
• Session Out is available on a pair of unbalanced RCA jacks.
• Headphones output mix is available on both ¼˝ and 3.5 mm jacks.
The Main, Booth and Session outputs arrive from the same “Main Mix” signal. Main, Booth and Session outputs each have their own LEVEL control. Because all signals are identical, you may use any of these outputs as the “Main” output if a different cable type is required to your speaker amplifiers.
Rane recommends balanced wiring (3-conductor) for the strongest signal and rejection of hum and noise. If your cable to the destination is less than 10 feet (3 meters), you can often get away with an unbalanced cable. See the RaneNote “ Sound System Interconnection ” at rane.com for cable wiring recommendations.
Quick Start: Operation
USB Control Source
The default Inputs for decks performing Digital Vinyl Simulation (DVS) are Inputs 1 and 3, but you can change this. Analog Input 1 or 2 may be selected in Serato DJ software as the DVS signal for the Left
Virtual Deck. Analog Input 3 or 4 may be selected in software as the DVS signal for the Right Virtual Deck.
To select the control sources in Serato DJ, click the SETUP button at the top of the screen. In the Audio tab, verify that Control Source > PGM 1 is set to “1”. This will be your Left Virtual Deck. verify that Control
Source > PGM 2 is set to “3”. This will be your Right Virtual Deck.
To select the control sources in Scratch Live, click the SETUP button at the top of the Scratch Live screen. In the Hardware > General tab, verify that Control Source > PGM 1 is set to “1”. This will be your
Left Virtual Deck. verify that Control Source > PGM 2 is set to “3”. This will be your Right Virtual Deck.
Calibrating Serato DJ for Control Vinyl or CD
Since Serato DJ is controlled by an analog signal, there is no guarantee of what state that signal will be in by the time the software gets to interpret it. Therefore, Serato DJ needs to be able to handle a wide range of signals, and be configurable to use them optimally. Calibrating is just configuring the software to your situation. Calibration is equally important for both vinyl and CD users of Serato DJ.
There are two parts to the Serato DJ Control Vinyl: The directional tone, and the NoiseMap™. Listening to the control vinyl, the directional tone is the 1 kHz tone. The noise map sounds like random noise over the top of the tone. The directional tone provides the current speed and direction of the record, while the noise map tells the software precisely where on the record the needle is currently.
The Noise Sensitivity slider lets you adjust the noise threshold. A threshold is a lower limit, below which a process will not occur. In the case of Serato DJ, the noise threshold is the limit below which the input signal will not be interpreted as control signal; in other words if it’s below the threshold, it is considered noise and ignored.
This setting is necessary because a stylus is very sensitive, and will inevitably pick up noise from the environment as well as the signal on the record, especially in the noisy environment of a live show.
8
SIXTY-TWO
OWNER’S MANUAL
How To Calibrate Serato DJ
With music playing in the background through your system or booth output, put your needle on the record with the turntable stopped. If you are using CD players, the same rules apply. Have the CD deck paused or stopped while calibrating.
Click and hold the estimate button until the slider stops moving. Moving the Noise Sensitivity slider to the left will make Serato DJ more sensitive to slow record movement, but also more sensitive to background noise.
Repeat the process for each deck.
Things to remember:
• Your needle must be on the record.
• Your turntable (or CD player) must be stationary.
• The background music playing must be at a similar level to which you will play your set at.
• Calibrate Serato DJ every time you play.
TIP: If the slider jumps to the far right, then you have a problem with noise in your turntables/CD players/mixer. Check all your connections and make sure your equipment is well earthed.
In some situations you will not be able to improve the signal quality, and you will have to play on regardless. In this situation, stick to rel mode.
The Scopes
The scopes on the setup screen in Serato DJ display the input signal as a phase diagram. The key factors to look at on the scope display are crisp clean lines, round shape, and the tracking percentage in the lower right corner.
Start both turntables or CD players. You will see green rings appear in the scope view, as shown above.
For optimal performance the inner ring should be as close to circular as possible. Use the scope zoom slider to zoom in or out as necessary. Use the scope L/R balance and P/A balance controls to adjust the shape of the inner ring. The number in the top left corner of the scope view gives the current absolute position within the control record or CD. The number in the top right corner is the current speed in RPM. In the bottom left is the current threshold setting, and the number in the bottom right shows the percentage of readable signal – this number should be close to 85% when your system is calibrated properly.
For complete software operating instructions, see the Serato DJ Manual.
9
SIXTY-TWO
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OWNER’S MANUAL
Sixty-Two Overview
Software controls are built-in for one or two computers
• Includes Serato DJ software.
• Includes Rane ASIO and Core Audio Drivers for Serato DJ and other audio programs.
• Advanced MIDI and audio routing: route either deck to either USB Port, and MIDI follows the audio.
• Independently control Library, Cues, Loops and Samples on two computers with more than 40 software controls.
• Each of the two USB ports supports six stereo record and four stereo playback channels.
• USB record channels support:
• Vinyl control signal for two Virtual Decks, or record either of Decks post-fader.
• Record the Main Mix or the Mic.
• FlexFX USB Insert Send to each computer.
• USB playback channels support:
• Playback for two Virtual Decks.
• USB Aux playback for the SP-6 sample player.
• FlexFX USB Insert Return from each computer.
• Great-sounding 32-bit floating-point audio sampled at 48 kHz.
Deck input channel controls
• Pre-fader Level, 3-band isolator EQ, plus low-pass / high-pass sweep Filter with resonance adjustment.
• Crossfader, FlexFX and headphone Cue assigns.
• Proprietary magnetic faders and crossfader with contour and reverse controls.
Mic input
• Mic / Line input level switch.
• Controls: On, Over, Level, 2-band Tone and
FlexFX assign.
• Unused Mic controls easily map to MIDI.
Advanced post-fader FlexFX
• Internal Effects engine with:
• Filter, Flanger, Phaser, Echo, Robot and
Reverb.
• MIDI beat clock tracking and generation.
• Sync BPM with Serato DJ, MIDI beat clock or manual Tap button.
• USB Insert loop for post-fader software effects for each of the two ports.
• External analog insert loop for outboard effect units.
AUTO
SP-6 ASSIGN
BEATS
LOOP
DECK 1
BACK
LOAD
SCROLL
LOOPS
SYNC
ROLL
SYNC OFF
OUT
SAVE
SLIP
LOOP
SHIFT
MANUAL
SELECT
IN
BYPASS
MIC
CLEAN FEED
2
ON
4 6
OVER
8
0
LEVEL
10
OFF
HIGH
+6
OFF
LOW
+6
FLEXFX
INSERT
BPM
TIME
1 2
LOW
FILTER
HIGH
FILTER
NUDGE
BEAT
A
PH / CD
1 2
B
DECK 1
2
4
SOURCE
6
0
LEVEL
10
8
LEFT
PAN
RIGHT
3
FLEXFX
FLANGER
START / STOP
TAP
4
OFF
HIGH
+6
OFF
MID
+6
OFF
LOW
+6
5
PHASER
CUES
2
4
OFF
HIGH
+6
OFF
MID
+6
OFF
LOW
+6
ECHO
1
6
0
LEVEL
10
8
DECK 2
A
PH / CD
3 4
B
ROBOT
ON
2
SOURCE
LEFT
PAN
RIGHT
LOW
FILTER
HIGH
FLEXFX
3
REVERB
CUE
4
MIX
4
DECK 2
6
2 8
SP-6 ASSIGN
0
MAIN
4
10
6
2 8
BACK
LOAD
0 10
SESSION OUT
4 6
2 8
2
0 10
SESSION IN
4 6
MANUAL
8
SELECT
0
BOOTH
10
SCROLL
LOOPS
IN
AUTO
BEATS
SYNC
LOOP
EXT. INSERT
4 6
OUT
SYNC OFF
ROLL
2 8
0
DEPTH
10
LOOP
SLIP
SAVE
SHIFT
5
2
4
AUX
6
8
0
LEVEL
10
A B 1
CUE
DECK 1
2 3 SAMPLES
CUE
USB AUX
4 5 6
CUE
DECK 2
C D
PHONES
4 6
2
0
LEVEL
10
8
LOW
FILTER
HIGH CUE
PAN
MAIN
Main Mix section
• Balanced XLR Main Mix and
1/4" TRS Booth outputs.
• RCA analog Session In & Out.
FLEXFX SPLIT CUE
Headphone monitor with split cueing.
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OWNER’S MANUAL
Sixty-Two Connections
Power Supply
This mixer features an internal universal switching power supply that operates on any AC mains 100 to
240 VAC, 50 or 60 Hz (most places in the world). The universal supply is a major plus for the traveling DJ, who only needs the right IEC line cord, available from a local electronics store. Though this mixer has turn on/off muting, it’s smart to leave the power unplugged until everything else is connected.
Analog Inputs
Four Phono / CD inputs are provided by RCA jacks. These may be set for
PH or CD using rear panel slide switches. Analog inputs 1 and 2 are used by
DECK 1. Analog inputs 3 and 4 are used by DECK 2. Analog
Input 1 or 2 may be selected in Serato DJ software as the Digital Vinyl Simulation (DVS) signal for the Left
Virtual Deck or for recording on USB stereo pair 5-6. Analog Input 3 or 4 may be selected in software as the DVS signal for the Right Virtual Deck or for recording on USB stereo pair 7-8. Set any unused inputs to
CD. Connect your turntable ground wires to the PHONO GROUND posts on the rear when using PH inputs.
One stereo Session Input is available on a pair of RCA input jacks. This input may connect two mixers together or as a general purpose auxiliary input to the mixer.
The Mic Input will accept an XLR 3-pin plug, a balanced ¼˝ TRS (tip-ring-sleeve) plug or an unbalanced
TS (tip-sleeve) plug. This input may be set for Microphone or Line level using the
MIC - LINE switch on the rear panel. Set this to Line when connecting a wireless receiver.
A stereo FlexFX Loop Return input is on unbalanced ¼˝ TS (tip-sleeve) jacks. These inputs automatically switch to mono when only one cable is connected to the left or right Return input. The FlexFX Return input is normally used along with the FlexFX Send output to connect an outboard analog effects processor.
Phono Sensitivity and Analog Insert level can be adjusted in the "Rane Drivers" on page 26.
Analog Outputs
There are five stereo analog outputs available on the mixer:
•
MAIN OUT is on a pair of balanced XLR jacks with pin 2 “hot” per AES standards.
•
BOOTH OUT is on a pair of balanced ¼˝ TRS jacks.
•
SESSION OUT is available on a pair of unbalanced RCA jacks.
•
FLEXFX LOOP SEND output is available on a pair of unbalanced ¼˝ inch TS jacks. For a mono FlexFX Send, use the
Left output. The FlexFX Send output is normally used along with the FLEXFX LOOP RETURN input to connect outboard effects.
•
HEADPHONES output is available on both ¼˝ TRS and 3.5 mm jacks.
The Main, Booth and Session outputs arrive from the same “Main Mix” signal. Main, Booth and Session outputs each have their own
LEVEL control. Because all signals are identical, users may use any of these outputs as the “Main” output if a different cable type is required for system connection.
Rane recommends balanced wiring for the strongest signal and rejection of hum and noise. If your cable to the destination is less than 10 feet (3 meters), you can often get away with an unbalanced cable.
See the RaneNote “ Sound System Interconnection ” at rane.com for cable wiring recommendations.
SIXTY-TWO
RANE CORPORATION
100-240V 50/60 Hz 15 WATTS
RIGHT
MAIN OUT
LEFT
USB B USB A
BOOTH OUT
RIGHT LEFT
SESSION
OUT IN
FLEXFX LOOP
RIGHT
RETURN
LEFT RIGHT
SEND
LEFT
ANALOG INPUTS
PHONO
GROUNDS
PH - CD
4
PH - CD
3
INPUT SELECT
PH - CD
2
PH - CD
1
MIC
INPUT
MIC - LINE
SIXTY-TWO
12
OWNER’S MANUAL
Two USB Ports
There are six stereo record channels and four stereo playback channels. These channels are simultaneously available on two USB ports, allowing two computers to share the device. This allows two
DJs to play together and supports uninterrupted transitions from one DJ to another.
Rane ASIO and Core Audio drivers allow the Sixty-Two to act as a 12-record 8-playback USB sound card for use with Serato DJ and other third-party software applications that support ASIO or Core Audio.
These drivers are multi-client, meaning they allow multiple applications on a computer to share the device at the same time.
The Sixty-Two has two USB ports, allowing simultaneous connection of two computers. Each port is completely independent. It is possible to run Serato DJ on one computer while running third-party
software on the other, Mac or PC. See how to share the Sixty-Two in "DJ Changeover" on page 25.
Left Virtual Deck L&R
USB RECORD
Deck 1 Record L&R
Deck 2 Record L&R
Left DVS Control L&R
Right DVS Control L&R
FX Send L&R
Main Mix Record L&R
Right Virtual Deck L&R
SP-6 Sample Player L&R
FX Return L&R
USB PLAYBACK
USB Playback Stereo Pair Serato DJ Description
1 1-2 Left Virtual Deck Output
2
3
4
3-4
5-6
7-8
Right Virtual Deck Output
SP-6 Output Option
FX Return to the Mixer
USB Record
1
2
3
4
5
6
1-2
3-4
5-6
7-8
9-10
11-12
Record Source Deck 1
Record Source Deck 2
Mixer Use
Select as Deck 1 Source from USB A or USB B
Select as Deck 2 Source from USB A or USB B
USB AUX Source (sum of USB A & USB B)
FlexFX Insert Return (sum of USB A & USB B)
Deck 1 Post Fader and Post Crossfader Output
Deck 2 Post Fader and Post Crossfader Output
Record or DVS Control for Left Deck Selects PH/CD 1 or PH/CD 2 in Control Panel
Record or DVS Control for Right Deck Selects PH/CD 3 or PH/CD 4 in Control Panel
FX Send from the Mixer
Record the Main Mix or Mic
FlexFX Insert Send
Select Main Mix or Mic in the Control Panel
SIXTY-TWO
13
OWNER’S MANUAL
Deck Input Channels
Two input channels, or buses, have nearly identical controls with the exception of the Source selectors.
Source Selector
DECK 1
BYPASS CLEAN FEED
sources:
•
A
Left Virtual Deck (USB stereo playback pair
1-2) from USB A.
SP-6 ASSIGN ON
4 6
OVER
• Also assigns the MIDI controls for the Left Deck
8
BACK
software and Deck 1 mixer to USB A.
0
LEVEL
10
• PH / CD 1 (THRU): Set to PH or CD on the rear panel.
• When selected in software, this input is available
SCROLL
LOOPS
HIGH
+6
signal or for audio recording. To select this control
Setup > PGM 1 and select “1”.
OFF
MIC
LOW
• PH / CD 2 (THRU): Set to PH or CD on the rear panel.
+6
• When selected in software, this input is available
FLEXFX
A
PH / CD
1 2
B
DECK 1
2
4
SOURCE
6
0
LEVEL
10
8
LEFT
PAN
RIGHT
LOW
FILTER
HIGH
FLEXFX
OFF
HIGH
+6
OFF
MID
+6
OFF
LOW
+6
2
4 6
8
DECK 2
A
PH / CD
3 4
B
0
LEVEL
10
SOURCE
OFF
HIGH
+6
OFF
MID
+6
OFF
LOW
+6
LEFT
PAN
RIGHT
LOW
FILTER
HIGH
FLEXFX
INSERT FILTER FLANGER PHASER ECHO ROBOT REVERB
•
•
B
Left Virtual Deck (USB stereo playback pair 1-2) from USB B.
BPM NUDGE START / STOP
Also assigns the MIDI controls for the Left Deck software and Deck 1 mixer to USB B.
SLIP
4000 ms
SAVE LOOP
TIME TAP
BEAT
•
•
A
Right Virtual Deck (USB stereo playback pair 3-4) from USB A.
Also assigns the MIDI controls for the Right Deck software and Deck 2 mixer to USB A.
• PH / CD 3 (THRU): Set to PH or CD with the rear panel switch.
•
AUX
6
A B
ON
2 3
CUE
8
•
PGM 1 and select “3”.
0 10
PH / CD 4 (THRU): Set to PH or CD with the rear panel switch.
•
LEVEL
CUE CUE CUE
When selected in software, this input is available on USB record 7-8 for use as the DVS control signal or for audio recording. To select this control source in Serato DJ: go to Setup > Audio > Deck Setup >
PGM 1 and select “4”.
LOW
FILTER
HIGH
•
B
Right Virtual Deck (USB stereo playback pair 3-4) from USB B.
• Also assigns the MIDI controls for the Left Deck software and Deck 2 mixer to USB B.
4
C
2
EXT. INSERT
4
0
DEPTH
10
5
D
6
8
MIX
4 6
2 8
0
MAIN
10
4 6
2
0 10
SESSION OUT
4 6
8
2 8
0 10
SESSION IN
4 6
2 8
0
BOOTH
10
SP-6 ASSIGN
MANUAL
SELECT
DECK 2
BACK
LOAD
SCROLL
LOOPS
AUTO
BEATS
IN
SYNC
LOOP
OUT
SYNC OFF
ROLL
LOOP
2
SLIP
SHIFT
PHONES
4 6
0
LEVEL
10
CUE
PAN
MAIN
SPLIT CUE
SAVE
8
Level
LEVEL controls adjust the input gain from off to +15 dB. Unity gain (no boost or cut) is at 12 o’clock.
Pan
Left / Right PAN controls adjust the balance of left and right signals. Left and right are equal at 12 o’clock .
Tone Controls
HIGH, MID and LOW full-cut isolator tone controls adjust the frequency response from off to +6 dB. Unity gain (no boost or cut) is at 12 o’clock.
SIXTY-TWO
OWNER’S MANUAL
DECK 1
MIC DECK 1 DECK 2 MIX DECK 2
Filter
BYPASS CLEAN FEED
A
PH / CD
1 2
B
4 6 4 6
A
PH / CD
3 4
B
4 6
The FILTER sweeps from Low-Pass to High-Pass. Set it to 12 o’clock for a flat “no-filter” response. Moving
2
SP-6 ASSIGN ON
4
8 2 8
LOW position progressively reduces high frequencies. Moving the filter toward the HIGH
SOURCE
0
LEVEL
10 0
LEVEL
10
SOURCE
2
0
MAIN
10
8
SP-6 ASSIGN
the mixer in the "Deck 1-2 Channel Options Menu" on page 23, or in the "Rane Drivers" on page 26.
LOAD
0
LEVEL
10
LOAD
used for mixing.
FlexFX
SCROLL
LOOPS
AUTO MANUAL
OFF
HIGH
+6
LEFT
PAN
LOOPS
2 8
The blue FLEXFX buttons assign an input to the FlexFX bus where internal, external analog or software
LOW
FILTER
RIGHT
HIGH
OFF
OFF
HIGH
MID
+6
+6
OFF
OFF
HIGH
MID
+6
+6
LEFT
PAN
RIGHT
LOW
FILTER
HIGH
0 10
SESSION OUT
4 6
0 10
SESSION IN
MANUAL
SCROLL
effects via USB may be inserted. Any combination of Deck 1, Deck 2, Mic or USB Aux can be assigned
2 8
SELECT
AUTO
BEATS
FLEXFX FLEXFX
FLEXFX
OFF
LOW
+6 OFF
LOW
+6 0
BOOTH
10
SYNC
LOOP
and
IN
CONTOUR controls on the front panel. See "Magnetic Fader Maintenance" on page 36.
IN LOOP
These faders use magnetic non-contact mechanisms with no noise and no bleed. Each fader has REVERSE
INSERT FILTER
SYNC OFF
ROLL OUT OUT ROLL
BPM NUDGE START / STOP
FLANGER +Fb
4 6
SAVE LOOP
hold. Use the
TIME TAP
BPM:120 * 1:1
LEVEL controls to stay out of the red.
4000 ms
ON
CUE
2
DEPTH
10
8
LOOP
SLIP
Each Deck channel has a mono meter to assist in setting levels. These meters are quasi-peak with peak
0
BEAT
SAVE
SHIFT SHIFT
1 2 3 4 5 CUES 1 2 3 4 5
Headphone Cue
CUE buttons assign a signal to the headphone monitor. Deck 1, Deck 2, USB Aux, and the
6
A B 1 2 3 SAMPLES 4 5 6 C D
PHONES
4 6
2 8
0
LEVEL
10
simultaneously pressing more than one Cue.
DECK 1
CUE
• The Headphone monitor provides stereo or mono split cue operation.
CUE
DECK 2
• When set for stereo operation ( SPLIT CUE dim), the Pan control pans between stereo
LOW
FILTER
HIGH
Cue and stereo Main Mix.
• When set for Split Cue operation ( SPLIT CUE bright), the Pan control pans between
CUE
PAN
MAIN
SPLIT CUE
• The Phones LEVEL control sets the volume to the headphone jacks.
• Headphone outputs are from ¼" and 3.5 mm jacks on the front panel. Both share the same mix.
14
SIXTY-TWO
DECK 1
SP-6 ASSIGN
BACK
LOAD
SCROLL
LOOPS
BYPASS
MIC
CLEAN FEED
2
ON
4 6
OVER
8
0
LEVEL
10
OFF
HIGH
+6
A
PH / CD
1 2
B
DECK 1
2
4
SOURCE
6
0
LEVEL
10
8
LEFT
PAN
RIGHT
OFF
HIGH
+6
AUTO MANUAL
LOW
FILTER
HIGH
OFF
MID
+6 OFF
MID
+6
OFF
LOW
+6
BEATS SELECT
FLEXFX
FLEXFX
SYNC
LOOP IN
INSERT
ROLL
SYNC OFF
OUT
BPM
OWNER’S MANUAL
SAVE
SLIP
LOOP
TIME
SHIFT
Aux
This digital input is on USB playback stereo pair 5-6 and is normally used for the Serato
DJ SP-6 Sample Player.
To enable the SP-6, go to Setup > Expansion Packs > SP-6 Sample Player and check the box for “Enable SP-6 Sample Player.”
To assign the SP-6 Sample Player to
AUX, click the SP-6 tab at the top of the main software screen and select SP-6 Output as “A.”
This
AUX input has it’s own LEVEL, FILTER and FLEXFX assign. CUE for AUX is in the center just below the
SAMPLES row of buttons.
The Resonance for the
AUX FILTER can be adjusted in the "Rane Drivers" on page
2
4
AUX
6
0
LEVEL
10
LOW
FILTER
HIGH
FLEXFX
8
DECK 1
SP-6 ASSIGN
BACK
LOAD
2
BYPASS
ON
4
MIC
CLEAN FEED
6
OVER
0
LEVEL
10
8
DECK 2 MIX DECK 2
This Mic input on a XLR/TRS combo jack has
4 6 4 6
A B
LEVEL, HIGH and LOW tone controls, FLEXFX
4 6
assign and a meter. Select
2 8 2
MIC or LINE level using the rear panel switch. LINE is usually
8
correct for wireless mic receivers.
2 8
SP-6 ASSIGN
• MIC ON turns the mic input on without ducking other inputs.
• MIC OVER momentarily turns the microphone on, and ducks other inputs by 10 dB (by about 1/3). Releasing this button turns the mic off.
2 8 LOAD
AUTO
BEATS
LOOP
ROLL
SAVE
2
4
SCROLL
LOOPS
SYNC
SYNC OFF
SLIP
SHIFT
MANUAL
SELECT
IN
OUT
LOOP
OFF
HIGH
+6
OFF
LOW
+6
FLEXFX
RIGHT
PAN
DECK 1 MIC
LEFT
PAN
DECK 1
0 10
SESSION OUT
4 6
A
PH / CD
1 2
B
4 6
2
4
8
6
LOOPS PH / CD
A
3 4
LOW
The
OFF
4
+6
6
OVER
OFF
MID
+6
LOW 2
FILTER
HIGH
0
LEVEL
10
8
0
2
10
SESSION IN
0
AUTO
purpose analog stereo AUX input from RCA jacks.
6
SESSION IN and SESSION
2 8
SELECT
OUT are typically used to chain mixers together, though any line-level
LOAD
0 10
BOOTH
10
SYNC
B
LEFT RIGHT
OFF
HIGH
+6 OFF
HIGH
+6 IN
LEFT
PAN PAN
Main and Booth
+6
ECHO ROBOT REVERB EXT. INSERT
BPM
TIME
NUDGE
BEAT
AUTO
BEATS
LOOPS
START / STOP
MANUAL
TAP
SELECT
BPM:120 * 1:1
OFF
HIGH
FLANGER +Fb
4000 ms
LOW
+6
LOW
SYNC OFF
LEVEL control. The Main outputs use
FILTER
HIGH
ON
MID
+6
4
OFF
6
DEPTH
10
OUT ROLL
LOW
SLIP FILTER
HIGH
balanced XLR connectors and the Booth outputs use balanced ¼˝ TRS connectors. Since
CUE
+6
LOOP SAVE
SHIFT
FLEXFX
SYNC
FLEXFX
CUES LOW
+6
The Main Mix section has a quasi-peak stereo meter with peak hold.
LOOP IN
LOW
+6
AUX
6
PHONES
6
8
A B 1
ROLL
SYNC OFF
2
OUT
3 6
PHASER
C
2 8
REVERB
0
LEVEL
10
CUE
SAVE
SLIP
LOOP
BPM
TIME
CUE
USB AUX
NUDGE START / STOP
TAP
CUE
DECK 2
FLANGER +Fb
BPM:120 * 1:1
4000 ms
ON
CUE
BEAT
0
LEVEL
10
SHIFT
LOW
FILTER
HIGH
1 2 3 4 5 CUES 1
PAN
MAIN
3 4
2
2
2
2
2
MIX
4
0
MAIN
10
4 6
0 10
SESSION OUT
4 6
0 10
SESSION IN
4 6
0
BOOTH
10
EXT. INSERT
4
0
DEPTH
10
5
6
6
8
8
8
8
8
MANUAL
SELECT
IN
SYNC
LOOP
OUT
SYNC OFF
ROLL
LOOP
1
A
DECK 2
SP-6 ASSIGN
BACK
LOAD
SCROLL
LOOPS
SLIP
SHIFT
2
B
AUTO
BEATS
SAVE
FILTER
NUDGE
BEAT
3
1
CUE
DECK 1
FLANGER
START / STOP
TAP
4
2
OFF
LOW
+6
5
PHASER
3
CUES
SAMPLES
CUE
USB AUX
OFF
LOW
+6
ECHO
FLANGER +Fb
BPM:120 * 1:1
4000 ms
1
4
2
4 6
0
LEVEL
10
OFF
HIGH
+6
8
DECK 2
A
PH / CD
3 4
B
ROBOT
ON
2
SOURCE
LEFT
PAN
RIGHT
LOW
FILTER
HIGH
FLEXFX
3
REVERB
CUE
4
2
MIX
4 6
2 8
0
MAIN
10
4 6
2
0 10
SESSION OUT
4 6
8
2 8
0 10
SESSION IN
4 6
2 8
0
BOOTH
10
SP-6 ASSIGN
MANUAL
SELECT
DECK 2
BACK
LOAD
SCROLL
LOOPS
AUTO
BEATS
IN
SYNC
LOOP
EXT. INSERT
OUT
SYNC OFF
ROLL
4 6
8
LOOP
SLIP
SAVE
0
DEPTH
10
SHIFT
5
5 6
CUE
DECK 2
C D
2
PHONES
4 6
0
LEVEL
10
CUE
PAN
MAIN
SPLIT CUE
8
FLEXFX 4
AUX
6
2
0
LEVEL
10
8
A B 1 2 3 SAMPLES 4 6 C D
CUE
DECK 1
CUE
USB AUX
CUE
DECK 2
PHONES
4 6
2
0
LEVEL
10
8
LOW HIGH
FILTER
CUE
PAN
MAIN
SPLIT CUE
15
OWNER’S MANUAL
16
IN IN
OUT OUT
Software Controls
A A
1 2
B B
4 6 4 6
A A
3 4
B B
4 6
2
ON
4
ON
4
2
OVER
6
OVER
10
8
2
0
LEVEL
10
LEVEL
10
8 2
0
LEVEL
10
LEVEL
10
8 2
0 10
8
10
SOURCE selectors.
2
4 4 6
When
A
is selected for the
DECK 1 SOURCE, the SP-6 ASSIGN button at
2 8
the top of the
left-hand control strip turns
green
to coincide with the silkscreen color for
USB A
OFF
. When
+6 OFF
HIGH
+6 0 0 10
SESSION OUT
10
SESSION OUT
turns
orange
B
is selected, the
to coincide with the color for
USB B
.
SP-6 ASSIGN button
4 4 6 6
8
8
When
A
is selected for the
DECK 2 SOURCE, the SP-6 ASSIGN button
8
at the top of the
OFF
LOW
right-hand control strip turns the silk-screen color for
USB A
. When
B
+6 green
to coincide with
is selected, the button turns
orange
to coincide with the color for
USB B
.
0 0 10
SESSION IN
10
SESSION IN
SP-6 ASSIGN
2 2
6
8
8
8
OFF
LOW
OFF 0 0 10
BOOTH
10
completely independent Library Browsing, Cue, Loop and Sample control for each USB port. MIDI controls not dedicated to a channel strip, such as SP-6 sample player controls, are assigned to the Left or Right controlstrip using the
SP-6 ASSIGN control.
4 4 6 6
Library Browse
2 2
CUE CUE
TAP TAP ON ON 0
DEPTH
10
DEPTH
10
Serato DJ. If you have any panels open in Serato DJ, the
BACK button will
8
1 2 3 4 5 1 2 3 4 5 5
8
IN IN
OUT OUT
AUX
6
AUX
6
PHONES
4 4 6 6
the focus is in the Crate area, pressing the knob displays the contents of the selected Crate and moves
2
4
C
2 2
0 0
LEVEL
10
LEVEL
8
10
8
CUE CUE
DECK 1
CUE CUE
USB AUX
CUE CUE
DECK 2
2 8
0
LEVEL
10
LEVEL
10
8
the focus into the Library area. When the focus is in the Library area, pressing the knob loads the selected
0
track to the Virtual Deck. Double-pressing will load an instant double to this Deck from the opposite Deck.
Loops Manual / Auto
CUE
CUE
PAN PAN
Manual mode, the
LOOP buttons light
green
to correspond with the
green
lines by the
LOOP controls. In
Auto mode, the buttons are lit
orange
to correspond with the
orange
lines.
Manual Loop Controls
When Manual Loop mode is selected, loop control buttons are illuminated
green
. Loop buttons flash during loop playback.
SELECT - Selects a loop slot in Serato DJ when the encoder is pressed.
IN - Sets a loop in point.
OUT - Sets a loop out point.
LOOP - Turns a loop on or off.
Auto Loop Controls
When Auto loop mode is selected, loop control buttons are illuminated
orange
.
BARS - Selects the auto loop length in Serato DJ. This can be adjusted while an auto loop is already looping as an effect.
LOOP - Performs an auto loop of the number of Bars selected.
ROLL - Performs a loop roll of the number of Bars selected.
SAVE - Saves the current loop to an available loop slot in Serato DJ.
SIXTY-TWO
DECK 1
BYPASS
MIC
CLEAN FEED
A
PH / CD
1 2
B
DECK 1
4 6 4 6
DECK 2
A
PH / CD
3 4
B
SP-6 ASSIGN
6
OVER
2 8 2 8
2
ON
4
8
SOURCE
CUE
DECK 1
0
LEVEL
10 0
LEVEL
10
SOURCE
BACK
0 10
DECK 1 DECK 2
BYPASS CLEAN FEED
PH / CD
1 2
PAN
OFF
4
HIGH
6
+6 OFF
4
HIGH
6
+6
PH / CD
3 4
PAN
SCROLL
2 8 2 8
4
HIGH
6
+6
OVER
AUTO MANUAL
2 8
SOURCE
LOW
FILTER
HIGH
0
OFF
LEVEL
10
MID
+6
0
OFF
LEVEL
MID
10
+6
SOURCE
LOW
FILTER
HIGH
BACK
LOAD
BEATS SELECT
OFF
HIGH
+6 OFF
HIGH
+6
LEFT
PAN
RIGHT
OFF +6 OFF +6
LEFT
PAN
RIGHT
OFF
FLEXFX
HIGH
+6
LOW LOW
LOOP
OWNER’S MANUAL
SYNC
LOOPS
IN
AUTO
SYNC OFF
MANUAL INSERT
FILTER
OFF
MID MID
+6
ROBOT
LOW
FILTER
ROLL
BEATS
SAVE
SLIP
Cues / Samples control
The center
LOOP
/ SAMPLES button is
SYNC
OUT
SELECT
LOOP orange
IN
In CUES mode, the CUES
OFF
1
+6
INSERT
2
NUDGE
BEAT
FILTER
FLEXFX
3
START / STOP
OFF
FLANGER +Fb
BPM:120 * 1:1
LOW
+6
5
PHASER
4000 ms
CUES
OFF
LOW
ECHO
1
+6
FLEXFX
3
CUE
REVERB
4 green
AUX
. There are five Cue
SLIP
buttons dedicated to the
OUT
A
BPM
TIME
B
NUDGE
1
START / STOP
TAP
2 3
FLANGER +Fb
4 5
ON
6
CUE
C
BEAT
In SAMPLES mode, the
CUES / SAMPLES button is
red
, the four Bank buttons
A, B, C and D are
orange
6
1
A
2
B 1
4
2
5
3
CUE
USB AUX
SAMPLES
1
4
2
5
CUE
DECK 2
6
4
C
2
2
MIX
4
0
MAIN
10
4 6
2
2
SESSION IN
4
4
6
6
8
8
0
0
BOOTH
DEPTH
10
10
4
D
0
DEPTH
10
D
5
6
6
8
8
2
2
MIX
2
0 10
SESSION OUT
4 6
8
2
0
MAIN
10
8
2
SESSION IN
4 6
8
2
0 10
SESSION OUT
0
4
BOOTH
10
6
8
8
8
IN
SYNC
LOOPS
LOOP
MANUAL
SYNC OFF
AUTO
OUT ROLL
SELECT BEATS
SLIP
LOOP SAVE
SYNC
IN LOOP
SHIFT
OUT
SYNC OFF
PHONES
4 6
SLIP
ROLL
0
DECK 2
SP-6 ASSIGN
BACK
SCROLL
MANUAL
BACK
LOAD
SELECT
AUTO
BEATS
10
2
CUE
PHONES
4
PAN
6
MAIN
8
are
green
. Sample buttons are assigned to each control strip.
LEVEL
USB A
CUE
or
USB B
using the SP-6 ASSIGN button at the top of
DECK 1
CUE
USB AUX
CUE
DECK 2
Cue Points
LEVEL
CUE
PAN
MAIN
Cue is set in Serato DJ, a Cue button is lit bright
green
, and pressing it will trigger the corresponding
SPLIT CUE
set a new cue point. Hold SHIFT and press a Cue button to delete a cue. See Cue Points in the Serato DJ
Manual.
Sample Player (SP-6) Triggers
In SAMPLES mode, you can trigger six samples in each of four banks. Select Bank A, B, C or D. An
orange
Bank button is brightly lit if any of the six slots in that bank have a track loaded, and that Bank is currently selected. When a bank is selected, any
green
Sample button with a track loaded in the corresponding slot is brightly lit. The button flashes while it’s sample is playing. The Play behavior follows the behavior selected in Serato DJ. Sample playback can be assigned to the Left Virtual Deck, Right
Virtual Deck or USB AUX. The Sixty-Two has a dedicated USB AUX input for the sample player typically used for SP-6 playback. When two USB ports are in use, the SP-6 ASSIGN button at the top of each control strip determines to which computer the SP-6 player controls are assigned. Audio from both USB ports is summed in the mixer.
17
SIXTY-TWO
OWNER’S MANUAL
18
FlexFX Loop
The FlexFX Bus in the Sixty-Two works differently than a typical effects insert loop. This architecture opens up many new possibilities not possible with simple effect insert designs found on other mixers.
The FlexFX Bus is more like an auxiliary bus that can have multiple signals assigned to it. Signals assigned to the bus may then have internal effects, external analog effects and external USB effects applied in any combination. The order of processing in the FlexFX Bus is shown in the graphic below.
1 2 3 4
DECK 1 FLEXFX
DECK 2 FLEXFX
MIC FLEXFX
AUX FLEXFX
EFFECTS ENGINE
FILTER FLANGER PHASER
ECHO ROBOT
FLANGER +FB
BPM:120 * 4:1
2000
MS
REVERB
TIME BEAT
4 6
2
0
DEPTH
10
8
SEND
RIGHT LEFT
EXT. INSERT
SEND
RETURN
A
SEND
B
INSERT
SEND
A RETURN
B RETURN
B
RETURN
A
6
FLEXFX ON
BYPASS
ON
Main
Mix
TAP ON
RETURN
RIGHT LEFT
CUE
5
Cue
Bus
1. FLEXFX buttons for DECK 1, DECK 2, MIC and AUX assign signals to the FlexFX Bus (
bright blue
) or the Main Mix (
dim blue
). This allows assigning multiple inputs to the FlexFX Bus and/or changing the assignment without interrupting audio.
2. The six effect buttons both turn on and sync an internal effect. By keeping this separate from the effects
ON button, it is possible to turn on, sync and cue effects before you hear the wet signal in the
Main Mix. Only one internal effect is selected at a time. Having six independent buttons, it is possible to drum in different effects without interruption.
3. EXT. INSERT is turned on/off with a separate button. The external analog insert can be used with internal effects and the
INSERT or independently. NOTE: If no external connection is made to the FLEXFX
LOOP RETURN jack, the signal will be interrupted when the EXT. INSERT button is turned on.
4. The INSERT is turned on/off with a separate button, and can be used with internal effects, the EXT.
INSERT or independently. The INSERT uses USB record pair 9-10 for the Send and USB playback pair
7-8 for the Return. Using the
INSERT generally requires a low-latency driver control panel setting.
NOTE: Assign a Deck channel or signal to FLEXFX before engaging the INSERT button to avoid
audible artifacts.
5. The FlexFX CUE is after the internal effects insert, analog external insert, USB insert and before the effects
ON function. This allows cueing a Wet signal while listening to the Dry signal before turning the effect
ON.
6. When effect ON is not engaged, internal effects insert, analog external insert and USB insert points are bypassed, and any signal assigned to the FlexFX Loop is simply summed into the Main Mix. This allows you to
CUE the wet signal before the wet signal is heard in the Main Mix.
SIXTY-TWO
DECK 1
SP-6 ASSIGN
BYPASS
MIC
CLEAN FEED
A
PH / CD
1 2
B
DECK 1
2
4 6
8 2
4 6
8
DECK 2
A
PH / CD
3 4
B
2
MIX
4 6
ON
4 6
OVER
OWNER’S MANUAL
BACK
LOAD
2
0
LEVEL
10
8
SOURCE
0
LEVEL
10 0
LEVEL
10
SOURCE
2
0
MAIN
10
4 6
LEFT
PAN
RIGHT
OFF
HIGH
+6 OFF
HIGH
+6
LEFT
PAN
RIGHT
0 10
SESSION OUT
SCROLL
Internal Audio Effects
OFF
HIGH
+6
4
LOOPS
The internal effects engine is in the FlexFX Loop. This allows any combination of DECK 1, DECK 2, MIC and
6
8
INSERT and
AUTO
BEATS
MANUAL
SELECT
LOW
LOW
FILTER
HIGH
MID MID
LOW
FILTER
HIGH
ON button (off bypasses the loop).
2
0 10
SESSION IN
INSERT are also engaged independently. The FlexFX Loop (which includes the External
6
8
FLEXFX FLEXFX
FLEXFX
OFF
LOW
+6 OFF
LOW
+6 0
BOOTH
10
• FILTER •
• PHASER •
SYNC OFF
•
ROBOT
•
REVERB
IN
OUT
INSERT
BPM
FILTER
NUDGE
FLANGER
START / STOP
PHASER ECHO ROBOT REVERB EXT. INSERT
4 6
SLIP
• The effect multiplier is
LOOP
TIME
BEAT
TAP
FLANGER +Fb
BPM:120 * 1:1
4000 ms
ON
CUE
2
0
DEPTH
10
8
8
8
SELECT
IN
BACK
LOAD
SCROLL
LOOPS
AUTO
SYNC
LOOP
OUT
SYNC OFF
ROLL
LOOP
DECK 2
SP-6 ASSIGN
MANUAL
SLIP
BEATS
SAVE
SHIFT
• Changing BPM for one
1 2 3 4 5 CUES 1
effect changes the BPM for all effects.
AUX
6
A B 1 2 3 SAMPLES 4
• Changing the BEAT multiplier results in an immediate change in the effect time.
2
5
3
6
4
C D
5
2
PHONES
4 6
8
0
LEVEL
10
CUE
DECK 1
CUE
USB AUX
CUE
DECK 2
Echo Effects
CUE
PAN
MAIN
delayed signal may be played back multiple times to create the sound of a repeating, decaying echo. The
SPLIT CUE
• Echo: No feedback filter and adjustable recirculation 0 to 70%.
• Duck Echo: Adjustable feedback filter and adjustable recirculation 0 to 70% (see Duck Echo below).
• Low-Cut Echo: Adjustable feedback filter and adjustable recirculation 0 to 70%.
• Low-Cut Hold Echo: Adjustable feedback filter and adjustable recirculation of 0% to 100%.
The feedback-filter types help reduce the “muddy” sound that can result when using a lot of
on page 22, or in the "Rane Drivers" on page 26. Operation of the Echo controls is detailed in the
"Effects Parameter Table" on page 21.
Duck Echo uses a high-pass feedback filter like the Low-Cut Echo. In the presence of signal, the Duck
Echo operates 100% dry (no echo is heard). When signal is removed, the delay is enabled and operates according to the DEPTH knob setting just like the standard High-pass Echo. This is great for having a song echo out regardless of what terminates play (fader cut, song ends filter cut etc.).
19
SIXTY-TWO
20
OWNER’S MANUAL
Effects Display, BPM Source and Match Indicator
The effects display shows the name of the current effect, BPM, MIDI Beat-Clock source,
Beat Multiplier and Time. A bar graph represents the effect time relative to its range. If no effect is selected, the information for the last effect is displayed. The display for the Robot and Reverb is somewhat different.
There four possible BPM sources:
(*) Manual Tap
(S) Serato DJ
(A) USB A Beat-Clock,
(B) USB B Beat-Clock.
BPM time
PHASER
BPM:120 * 4:1
L2
Deck 1 Layer effect name
2000 ms
time range
L3
*, S, A, B multiplier
Deck 2 Layer
To change the BPM source, press and hold the TAP button and use the BEAT joystick to step through the sources. If a new BPM is manually tapped in or the time is manually altered, the BPM source returns to (*)
Manual.
The effect time is normally a product of the BPM and the Beat Multiplier. If the right arrow
or left arrow
appears, there is an inequality between the BPM*Beat and Time. The arrow indicates which way to adjust the Beat Multiplier to correct the inequality and get the closest possible time. If the BPM source is displayed (*, S, A, B), the BPM*Beat matches the displayed Time.
For example, 120 BPM with a 4:1 Beat Multiplier would result in an effect Time of 2000 ms. If the Time is adjusted to a different value, such as 2097 ms, an arrow indicates that the product of the displayed BPM and Beat Multiplier does not result in the displayed effect Time. For this example, 2000 ms is below 2097 ms. In this case, moving the BEAT joystick left or down snaps to 120 * 4:1 and changes the time to 2000 ms.
A flashing Beat Multiplier indicates that the Time required to match the current BPM*Beat product is out of range. For an echo example, if a BPM of 60 is used with a Beat Multiplier of 8, the resulting time is 8000 milliseconds. If the multiplier is set to 16, the resulting time would be 16000 milliseconds, which is out of range. In this case, the time remains at 8000 milliseconds and the multiplier flashes.
Effects Synchronization
This mixer can synchronize its internal effects to four sources as described in the preceding section. The desired clock source is selected by holding down the TAP button and pushing the BEAT joystick up/right or down/left. The selected source (*, S, A, B) is displayed just following the BPM number. Manually tapping a
BPM forces the selection to (*) Manual.
Pressing a FLEXFX button with no other FLEXFX button engaged, with a BPM-tagged song playing in
Serato DJ on that channel, forces the clock source to (S) Serato DJ. The mixer will continue to track the
Serato DJ BPM until a new BPM is manually tapped or a new clock source is selected. When one of S,
A
, or B is selected, the clock source indicator will flash when the mixer is actively following the selected clock.
At any point the BPM and BPM source can be locked. By clicking in on the BEAT joystick, the current
BPM is frozen and the BPM source is set to (*) Manual and locked. The BPM label on the display flashes to indicate that the BPM source has been locked. The mixer will not change the BPM or BPM source until the user manually enters new BPM or time information, changes the BPM source, or unlocks the BPM by clicking in once more on the joystick.
Regardless of the clock source, the mixer broadcasts the current MIDI Beat-Clock to both USB ports when the Send MIDI Beat Clock option is selected in the MIDI Configuration page of the driver control panel. Both USB ports will also echo out any system real-time messages from the host computer.
SIXTY-TWO
OWNER’S MANUAL
Effects Parameter Table
Effect
Filter
Flanger
Phaser
Echo
Robot
Depth Knob Time Encoder Tap Button Beat Joystick
TIME adjusts the LFO time independent of the current BPM and
Beat Multiplier.
The
TAP button manually enters a new BPM.
BEAT adjusts the BPM multiplier to change the number of bars.
DEPTH adjusts the strength of the effect.
DEPTH adjusts the amount of echo recirculation, which in turn affects how quickly the echo effect decays.
The amount of recirculation varies with the echo options selected (see last column). Setting the control to minimum or “0” results in a
Dry signal with the minimum recirculation setting. Setting the control to maximum or “10” results a Wet signal with maximum recirculation.
Holding down the TAP button and turning the
TIME encoder adjusts the BPM.
A minimum of two taps is required to get a new BPM.
Up increases the multiplier, and down decreases the multiplier.
Available multiplier values are: 1/16, 1/8, 1/4, 1/2, 3/4,
1/1, 2/1 4/1, 8/1, 16/1, 32/1 and 64/1. (No 64/1 in Echo.) Pressing the TIME encoder re-syncs the effect.
TIME adjusts the length of the recorded sample used by the echo.
Holding down the button and turning the
TIME encoder adjusts the BPM.
Pressing the ECHO button clears the echo. Time range is 1 ms to 10920 ms.
Hold down the ECHO button and turn the
TIME encoder to adjust the filtered echo frequency.
TAP
Manually tapping in a
BPM switches the BPM source to (*) Manual.
Pressing the
TAP button and tilting the BEAT joystick up/right or down/left selects the BPM source.
The source is shown in the mixer display after the BPM number:
(*) Manual Tap
(S) Serato DJ
(A) USB A Beat-
Clock,
(B) USB B
Clock.
Beat-
Press in on the BEAT joystick to Lock the current BPM.
This prevents the current
BPM from changing until you manually change the
BPM, Time, BPM Clock
Source, or click the Beat
Joystick button again to unlock it. Locked BPM is indicated by “BPM” flashing in the display.
Hold down the and toggle the
FILTER button
BEAT joystick to scroll through Filter types.
Hold down the FLANGER button and toggle the
BEAT joystick to switch between ± feedback.
Hold down the
ECHO button and toggle the BEAT joystick to scroll through Echo types.
When either Hold Echo option is selected, it is possible to suspend an echo. To engage suspend, press the TIME encoder. The ECHO button flashes, indicating that suspend is active.
Suspend terminates input to the delay memory while continuing to play delay memory indefinitely. Press the TIME encoder again to terminate suspend. If you want a suspended echo to gradually decay, turn the DEPTH knob CCW. If you want the decay to stop, turn the DEPTH knob back to or above where it was at when suspend was engaged.
TIME adjusts the % of pitch shift, shown by the bar in the display.
DEPTH adjusts the wet/ dry mix and warble of the robot.
TAP does not affect the robot.
Adjusts the pitch up/right
or down/left
in 20% steps.
Pressing the TIME encoder resets pitch shift to 0%.
Shift or Control
Panel Option*
High-Pass Filter with low or high frequency sync.
Low-Pass Filter with low or high frequency sync.
Flanger with positive feedback.
Flanger with negative feedback.
None
Echo: No feedback filter. Recirculation is adjustable 0-70%.
Duck Echo: Feedback filter adjustable from 20 Hz to 10 kHz. Recirculation is adjustable 0-70%.
Low-cut Echo:
Feedback filter adjustable from 20 Hz to 10 kHz. Recirculation is adjustable 0-70%.
Low-cut Hold Echo:
Feedback filter adjustable from 20 Hz to 10 kHz. Recirculation is adjustable 0-100%.
None
Reverb
Adjusts reverb intensity.
Adjusts the % of reverb decay time, shown by the bar in the display.
TAP does not affect reverb.
Adjusts the decay time up/ right or down/left in 10% steps.
*Effect options are
or in the "Rane Drivers" on page 26.
SIXTY-TWO
21
22
OWNER’S MANUAL
Shift Options
Several menus are available on the mixer to set preferences. Available menus are indicated with a gray up
SHIFT button and then press the desired menu key.
Note: the Shift button may be labeled as the Delete button on older Sixty-Two Mixers.
Ext. Insert Options Menu
This menu sets the sensitivity of the external analog insert to +4 dBu or -10 dBV. Use the
+4 dBu setting when a device operating at
4 Vrms or more is connected to the external
SHIFT
EXT. INSERT
EXTERNAL INSERT
… +4 dBu
-10 dBV
FlexFX Loop. Use the -10 dBV setting when connecting lower voltage devices with RCA connectors. The overall loop gain remains unchanged for both settings. Push the
BEAT joystick up/down to select the desired setting then press the joystick in to keep the selection. Press any effect button or the
SHIFT button to exit the menu.
Filter Effect Options Menu
The Filter menu allows choosing one of four filter types. Move the BEAT joystick up/down to select the desired filter type then press the joystick in to keep the selection. The Low-sync
SHIFT
FILTER
LP FILTER LO
… LP FILTER HI
HP FILTER LO
Filters sync to BPM at the low point of the sweep, and the High-sync Filters sync to BPM
HP FILTER LO
at the high point of the sweep. Press any effect button or the SHIFT button to exit the menu.
• Low-pass Filter Low-sync.
• Low-pass Filter High-sync.
• High-pass Filter Low-sync.
• High-pass Filter High-sync.
Flanger Effect Options Menu
The Flanger menu allows the choice of positive or negative feedback. Move the BEAT joystick up/down to highlight the desired feedback type then press the joystick in to keep the selection. Press any effect button or the SHIFT button to exit the menu.
SHIFT
FLANGER
FLANGER -Fb
… FLANGER +Fb
Echo Effect Options Menu
The Echo menu allows selection of four echo effects:
• Echo.
• Echo with high-pass filter.
SHIFT
ECHO
ECHO
… ECHO 81 Hz
DUCKECHO 75 Hz
• Duck Echo.
• Hold Echo with high-pass filter.
HD ECHO 120 Hz
Move the BEAT joystick up/down to highlight the desired echo type then press the joystick in to keep the selection. For the three high-pass Echo effects, the filter corner frequency is adjusted by highlighting the desired effect and rotating the TIME encoder. Press any effect button or the
SHIFT button to exit the menu.
SIXTY-TWO
23
OWNER’S MANUAL
Deck 1-2 Channel Options Menu
A menu is available for each deck input channel.
Press and hold the SHIFT button then press the
CUE button of an input channel. This menu allows
SHIFT
you to select 1 of 2 USB record sources and set the resonance of the Filter. Record options are:
• Pre-selector PH/CD 1 input source (required for DVS).
• Pre-selector PH/CD 2 input source.
CUE
… REC PH/CD-1
REC PH/CD-2
FILTER RESONANCE
Move the Beat joystick up/down to highlight the desired record source, then press the joystick in to keep the selection. The PH/CD input must be selected for DVS operation.
Resonance is shown on the bar graph, and adjusted with the TIME encoder.
High resonance results in a zippy whistle sound with high peaking of the signal at the corner frequency. High resonance is typically used as an effect. A low resonance settings has no peaking and is typically used for mixing. Press any effect button or the SHIFT button to exit the menu.
Mic Option Menu
Press and hold the SHIFT button then press the
HOLD button to view the Mic option menu.
• Record the Main Mix to USB.
SHIFT
CLEAN FEED
OVER
RECORD MAIN
RECORD MIC
CLEAN FEED
• Record only the Mic to USB.
• Clean Feed:
When Clean Feed is selected, the microphone signal is sent directly to the Main Out and is not present in the USB Main Record, Booth Out or Session Out. When set for Clean Feed, the Mic cannot be assigned to FlexFx. If the Mic FlexFx is pressed, the button will blink off to dim.
Mic Bypass Mode
All controls on the mixer are MIDI mappable, including the Mic sections. If you do not use the Mic sections, you can independently
SHIFT
BYPASS
ON
bypass the controls so they do not affect audio, and only output their MIDI changes. This allows you to map the Mic controls to functions in software, such as effects, and not have to worry about introducing noise in your mix from a floating
Mic input. To toggle Mic Bypass Mode, hold the SHIFT button and press the Mic ON button to bypass.
The button will start flashing lightly, indicating those audio controls are now bypassed and are only outputting MIDI changes. The Mic On and FlexFX buttons, as well as the Level, Pan, and Tone controls are affected by this mode. While bypassed, the FlexFX and Mic On buttons will flash with momentary button presses, but the LED state cannot be set from software like the side strip controls. Holding the
SHIFT button and pressing the Mic ON button again will exit Mic Bypass Mode, returning the Mic section to regular operation. The Mic ON button will return to the “off” state. Be sure to reset the Level, Pan, and Tone controls to appropriate values before switching the Mic back on.
Headphone Tone Control
Press and hold the SHIFT button then press the
SPLIT CUE button to call the headphone menu.
Turn the Time encoder up or down to adjust the
SHIFT
SPLIT CUE
HEADPHONE TONE
LOW HIGH
tone. For larger steps, you can press the joystick left/right. When the bar-graph is in the center, the response is flat. As the control is moved toward Low, low frequencies are boosted and high frequencies are cut. As the bar-graph moves toward High, high frequencies are boosted and low frequencies are cut.
SIXTY-TWO
OWNER’S MANUAL
Mixer Shift Functions
In addition to the menu selections, the Shift button also accesses alternate functions for other buttons.
MIDI Start/Stop
Hold the SHIFT button and press TAP to toggle
MIDI Start/Stop messages. MIDI Start is a system real time message instructing devices to start playing a sequence. MIDI Stop tells devices to stop playing the sequence.
Nudge
Hold the SHIFT button and use the BEAT joystick to “Nudge” the outgoing MIDI beat clock BPM up or down. MIDI beat clock is a system real time message sent 24 times per quarter note.
SHIFT
SHIFT
START / STOP
TAP
BPM Adjust
Hold the SHIFT button and turn the TIME encoder to adjust the BPM to a specific value.
SHIFT
Sync
Hold the SHIFT button and press SYNC to turn Sync on for a Deck. If Sync is already on, pressing Shift/Sync again re-syncs the Deck. Press SHIFT and SYNC OFF to turn Sync off. See Sync in the Serato DJ manual.
LOOP
SYNC
IN
ROLL
SYNC OFF
OUT
Slip
Hold the SHIFT button and press SLIP to toggle Slip On or Off. When Slip Mode is active you can manipulate the audio as normal (e.g., Scratch, Loop, Cues etc.).
However, once you have finished, playback is returned to where it would be if you had not manipulated the audio. See Slip in the
Serato DJ manual.
SAVE
SLIP
SHIFT
LOOP
24
SIXTY-TWO
25
OWNER’S MANUAL
DJ Changeover
The Sixty-Two allows two computers running Serato DJ to connect to the mixer simultaneously. This allows two DJs to play at the same time and for easy DJ set changeover.
Connect both computers to the two USB ports on the Sixty-Two. For each channel on the mixer, set the
DECK SOURCE to either
A
or
B
depending on which your computer is connected to.
USB USB
CD
OUT
CD
OUT
NOTE: If a channel is in use by a computer already, the second computer’s Virtual Deck will become black and display IN USE.
TURNTABLE OUT GROUND
DECK 1 MIC
BYPASS CLEAN FEED
MAIN
AMPS
MIX
4
DECK 2
GROUND TURNTABLE OUT
SP-6 ASSIGN
2
ON
4 6
OVER
8
A
PH / CD
1 2
B
DECK 1
2
4
SOURCE
6
0
LEVEL
10
8 2
4 6
DECK 2
A
PH / CD
3 4
B
8
0
LEVEL
10
SOURCE
2
6
8
SP-6 ASSIGN
0
MAIN
10
4 6
BACK
LOAD
0
LEVEL
10
2
0 10
SESSION IN
4 6
MANUAL
8
SELECT
BACK
LOAD
When a Deck channel is assigned to a USB port with the
SOURCE selector, both MIDI and audio are assigned to the
A
or
B
port. MIDI assignment for
Deck 1 and Deck 2 mixer controls
AUTO
BEATS
LOOP
MANUAL
SELECT
IN
ROLL
SYNC OFF
OUT
SAVE
2
SCROLL
LOOPS
SYNC
SLIP
SHIFT
4
AUX
6
0
LEVEL
10
LOW HIGH
FILTER
FLEXFX
LOOP
8
OFF
HIGH
+6
OFF LOW +6
FLEXFX
BPM
TIME
1
A
INSERT
2
B
LEFT
PAN
RIGHT
LOW
FILTER
HIGH
FILTER
NUDGE
BEAT
FLEXFX
3
1
CUE
DECK 1
FLANGER
START / STOP
TAP
4
2
OFF
HIGH
+6
OFF
MID
+6
OFF LOW +6
PHASER
5
3
CUES
SAMPLES
CUE
USB AUX
OFF
HIGH
+6
OFF
MID
+6
OFF LOW +6
ECHO
1
4
ROBOT
ON
2
5
LEFT
PAN
RIGHT
LOW
FILTER
HIGH
FLEXFX
3
6
CUE
DECK 2
REVERB
CUE
4
C
2
2
0 10
SESSION OUT
4 6
8
8
2
0
BOOTH
10
EXT. INSERT
4
5
D
6
0
DEPTH
10
8
IN
OUT
SYNC OFF
ROLL
LOOP
2
SCROLL
LOOPS
SYNC
LOOP
SLIP
SHIFT
PHONES
4 6
0
LEVEL
10
CUE
PAN
MAIN
SPLIT CUE
AUTO
BEATS
SAVE
8
and the associated side control strip follow the
SOURCE selection. The color of the
SP-6 ASSIGN button at the top of each control strip follows the USB port assignment made by the
SOURCE selector:
green
for USB A and
orange
for USB B. Pressing the
SP-6 ASSIGN button assigns sample player controls to the indicated port. It also assigns other mixer MIDI.
See "Software Controls" on page 16.
NOTE: Settings are saved in the mixer. Software is updated with the mixer’s settings. Therefore, the mixer may replace control source and effect settings in Serato DJ or software control panels with current mixer settings.
Swapping between two DJs is now easier than ever! With a computer already connected to the Sixty-Two and playing, do the following:
1. Connect the second computer to the unused USB port on the Sixty-Two.
2. Switch the
DECK SOURCE on the non-playing mixer channel to the USB source of the second computer.
3. Play a track on this Deck and mix it in when ready — you’ll now have audio from both computers in the mix.
4. Fade out the audio playing from the first computer to the audio playing from the second computer.
5. When only audio from the second computer is left in the mix, remove the first computer.
6. Assign the
DECK SOURCE for the remaining free mixer channel to the second computer and keep rocking.
SIXTY-TWO
26
OWNER’S MANUAL
Rane Drivers
The Serato DJ installer includes Core Audio (Mac) and ASIO (PC) drivers that allow your Rane Sixty-Two to use other popular DJ and DAW audio applications. Once installed, you will have the option to select the
Sixty-Two’s inputs and outputs in the audio settings of these programs.
ASIO (Windows)
The Sixty-Two comes with a low-latency ASIO device driver on the installation CD to interface with
Serato DJ and other 3rd-party software applications on Windows operating systems. Multi-client ASIO allows different audio software applications to simultaneously stream audio to and from the Sixty-Two.
If the same playback channel is selected in more than one application, the driver mixes the audio from the applications before streaming it to the device. The driver Control Panel may be launched from the
Windows Control Panel. Select Start > Control Panel > Rane Sixty-Two.
Core Audio (Macintosh)
The Sixty-Two uses a low-latency Core Audio device driver on the installation CD to interface with Serato
DJ and other 3rd-party software applications on Macintosh operating systems. Core Audio allows audio software applications to simultaneously stream audio to and from the Sixty-Two. To launch the Sixty-Two driver Control Panel, open the System Preferences window. Locate the Sixty-Two in the “Other” section and click the Sixty-Two icon.
NOTE: Settings are saved in the mixer. The control panel for Windows or Macintosh is updated with the mixer’s settings. Therefore, when you connect to a different Sixty-Two Mixer, it's saved settings override your previous Control Panel settings.
The control Panel consists of four pages: Preferences, Program Inputs 1-2, Effects and MIDI. The current page title is in the top center. To move between the four pages, click the icon with the next title in the upper left-hand corner of the control panel.
Preferences page controls
•
USB-6 (11-12) Record source: Two radio buttons select the Main Mix or Mic.
•
USB-3 (5-6) Filter Resonance: Slider adjusts the resonance from Low to High for the
AUX
Filter.
•
USB Port Status: Indicates active USB port(s).
•
Buffer Size: The Buffer Size control allows the
USB driver buffer to be increased or decreased.
This control is in the Rane driver in Windows
(as shown). In Mac systems, the buffer control is in the Serato DJ setup screen and does not appear here. The Sixty-Two drivers are designed to run at latencies as low 8 milliseconds. However, computer performance and available resources (number of applications running) may adversely affect the computer’s ability to stream audio reliably. If pops and clicks are heard in the USB audio, try increasing the buffer size to eliminate them. With ASIO, total round-trip latency is equal to Buffer Size plus device latency. With Core Audio, total round-trip latency is equal to Buffer Size plus software application buffer latency, plus device latency. Device latency is 2.26 ms.
•
Update Device Firmware: This panel indicates the firmware version currently installed in the Sixty-Two.
If the Sixty-Two firmware installed on your computer is newer than the firmware in your Sixty-Two, the
Update Device Firmware panel is enabled. Pressing the Update Firmware button updates the Sixty-Two firmware to the newer version. Check for a Firmware Update after any Serato DJ software updates
SIXTY-TWO
OWNER’S MANUAL
Deck Inputs 1-2 Page Controls
There is one panel for each channel strip on the mixer. Each Deck panel controls these functions:
•
Analog Input Source: The analog input for each channel may be set for Line level (CD) or Phono level (PH) using a switch on the rear of the mixer.
PH/CD 1 and PH/CD 2 are associated with Deck
1. PH/CD 3 and PH/CD 4 are associated with
Deck 2. The control panel shows the input mode selected on the mixer for each of the four inputs.
The mode can only be changed on the mixer.
•
Phono Sensitivity: If Phono Input is selected on the mixer, the Phono Sensitivity adjustment appears in the panel. Click the down-arrow to display a list of 16 sensitivity settings between 2.5 mV and 10 mV in
0.5 mV steps. The default is 5 mV. Set the Phono Sensitivity to the same level of your cartridge (see your cartridge documentation for the correct value). Another method is to match the level of a CD on another input.
•
Filter Resonance: Each channel of the Sixty-Two has a Filter knob that provides High- and Low-Pass filtering. Filter resonance controls the “peak” of the filter cutoff frequency. The Low setting provides the smoothest Filter without adding gain. The High setting adds accent to frequencies near the Filter cutoff point by adding about 12 dB of gain. Adding gain in a narrow region around the cutoff frequency adds a
“zip” effect to audio as the Filter is swept. The default is 5 dB.
•
USB-3 (5-6) Record Source: This control allows users to select one of two analog sources as the vinyl emulation or USB record source for Deck 1. The two radio buttons allow the user to select PH/CD 1 or
PH/CD 2. The post Deck 1 fader signal is always available for recording on USB 1 (1-2) record.
•
USB-4 (7-8) Record Source: This control allows selecting one of two analog sources as the vinyl emulation or the USB record source for Deck 2. The two radio buttons allow the user to select PH/CD 3 or PH/CD 4. The post Deck 2 fader signal is always available for recording on USB 2 (3-4) record.
Effects Page Controls
The Filter panel has four radio buttons allowing users to select filter type and sync mode:
• High-Pass Filter with high-frequency sync.
• High-Pass Filter with low-frequency sync.
• Low-Pass Filter with high-frequency sync.
• Low-Pass Filter with low-frequency sync.
The Flanger panel has two radio buttons allowing users to select one of two feedback modes:
• Positive feedback.
• Negative feedback.
27
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The Echo panel allows users to select one of four echo modes:
• Echo with no feedback filter and adjustable recirculation 0 to 70%.
• Duck Echo: Feedback filter adjustable from 20 Hz to 10 kHz. Recirculation is adjustable 0-70%.
• Low-Cut Echo with adjustable feedback filter and adjustable recirculation 0 to 70%.
• Low-Cut Hold Echo with adjustable feedback filter and adjustable recirculation of 0% to 100%.
• The sliders in the control panel set the low-cut filter cut off frequency.
Default Effects settings are:
• Low-Pass Filter with high-frequency sync.
• Flanger with positive feedback.
• Echo with no feedback filter.
• Echo filter frequencies default to 82 Hz.
The Analog Insert panel has two options:
• +4 dBu
• -10 dBV
We recommend the +4 dBu setting unless you insert a low-voltage device, in which you should use the
-10 dBV setting.
MIDI Configuration Page:
• When Receive MIDI Beat Clock is checked, the mixer receives MIDI Real Time System
Messages.
• When Send MIDI Beat Clock is checked, the mixer sends MIDI Real Time System Messages.
• When User Button Lighting is checked, the mixer will not automatically light button LEDs for momentary presses. Enable this option if you wish to send MIDI commands to the mixer from third-party software to control button LEDs.
Factory Defaults
To reset the Sixty-Two Mixer’s:
• Record/Control Sources
• LP/HP Filter Resonances
• Filter Type, Flanger and Echo effects to factory default settings:
1. Power off the Sixty-Two.
2. Push both Deck 1 and 2
FLEXFX buttons at the same time.
4. While holding these buttons down, power on the Sixty-Two.
5. Immediately after fading up, the
FLEXFX lights flash one time, indicating a successful reset.
NOTE: Settings are saved in the mixer. Software is updated with the mixer’s settings. Therefore, the mixer may replace control source and effect settings in Serato DJ or software control panels with current mixer settings that may have been changed by a different laptop.
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MIDI Mapping
When using Serato DJ or Scratch Live software, the mixer is plug-and-play with all required MIDI mapping done for you. For advanced users or with third-party DAWs, it is possible to custom MIDI-map most mixer controls on the Sixty-Two and control the lighting and color of buttons in the Serato DJ control strips.
There are three groups of MIDI controls:
• Those associated with Deck 1 and the left-hand control strip.
• Those associated with Deck 2 and the right-hand control strip.
• Mixer controls not associated with Deck 1, Deck 2 or either control strip.
There are two USB ports on the mixer, USB A and USB B . Users can assign each of these three groups to
USB A or USB B as follows:
• The
SOURCE selector for Deck 1 determines which USB port will be used for Deck 1 controls and the associated left-hand control strip.
• The
SOURCE selector for Deck 2 determines which USB port will be used for Deck 2 controls and the associated right-hand control strip.
To assign MIDI controls not related to Deck 1 or Deck 2, press the
SP-6 ASSIGN button at the top of a control strip and it will light brightly to indicate that controls belonging to the third MIDI group are assigned to the same USB port. The one exception is the crossfader, which is always sent to both USB ports.
MIDI Assignments
As indicated in the Top Panel MIDI Assignments graphic, there are unique MIDI assignments for Loop controls when in AUTO and MANUAL modes. There are also unique MIDI assignments for Cue and
Sample buttons when in CUE and SAMPLES modes.
MIDI Layers
The mixer is capable of changing MIDI Layers in order to MIDI map one control to multiple functions under different contexts. Changing the MIDI Layer is the same thing as changing the MIDI channel. The MIDI
Layers used for Left Deck and Right Deck can be independently selected. The third group of controls that is not associated with Deck 1, Deck 2 or either control strip will use the MIDI Layer of the group that it is assigned to with the SP-6 ASSIGN button. By default, the other MIDI Layers inherit the functionality of the first Layer. The crossfader is the only control that will only send traffic on MIDI Layer 1.
• Holding down the CUES / SAMPLES button will turn all of the Cue buttons yellow. The Left Deck Cue buttons and Right Deck Cue buttons will each have one Cue button brightly lit. The button that is brightly lit indicates the current MIDI Layer for that group.
• While holding down the CUES / SAMPLES button, press the Cue button corresponding with the desired MIDI
Layer. This will change the MIDI Layer for the deck that Cue button belongs to. It is not necessary to wait for the Cue buttons to display the current MIDI Layer in order to change the MIDI Layer.
• MIDI layer corresponds to the MIDI channel:
MIDI Layer MIDI Channel effect name
1 1
4
5
2
3
5
6
3
4
BPM time
PHASER
BPM:120 * 4:1
2000 ms
L2 L3
*, S, A, B multiplier
MIDI layers other than default Layer 1 are shown at the bottom of the effects display, Deck 1 on the
Deck 1 Layer time range Deck 2 Layer
bottom left and Deck 2 on the bottom right. If Layer 1 is selected, it is not displayed. This allows a user to see at a glance if any of the Decks are in a layer other than Layer 1.
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NOTE: The Serato DJ controls on the mixer’s control strips are not mappable in Layer 1 because they are reserved for the default Serato DJ functions. These controls are fully mappable in Serato
DJ on all other MIDI Layers. All controls on all layers are mappable in third-party applications that support MIDI Mapping.
INPUT SELECT
112 113 114 115
PH - CD
1
PH - CD
2
PH - CD
3
PH - CD
4
Control Change Note On / Off
DECK 1
DECK 2
42
SP-6 ASSIGN
AUTO
43
BACK
LOAD
44
16
SCROLL
LOOPS
45
MANUAL
108
BEATS
44
25
SELECT
17
SYNC
110
SYNC OFF
SLIP
MIC
2
BYPASS CLEAN FEED
41 46
ON
4 6
OVER
100
8
0
LEVEL
10
PH / CD
1 2
A
116
B
DECK 1
SOURCE
94
OFF
HIGH
+6
4
LEFT
PAN
RIGHT
82
OFF
LOW
+6
34
FLEXFX
65
LOW
FILTER
HIGH
68
FLEXFX
31
INSERT
BPM
2
20
TIME
12
FILTER
7
11
FLANGER
17
15
BEAT
16
START / STOP
5
TAP
2
4
89
6
0
LEVEL
10
8
101
OFF
HIGH
+6
77
OFF
MID
+6
71
OFF
LOW
+6
10
PHASER
2
4
90
6
0
LEVEL
10
8
DECK 2
PH / CD
3 4
A
117
B
SOURCE
102
OFF
HIGH
+6
78
OFF
MID
+6
72
OFF
LOW
+6
13
ECHO
9
ROBOT
0
ON
5
LEFT
PAN
RIGHT
66
LOW
FILTER
HIGH
67
FLEXFX
8
REVERB
4
CUE
MIX
2
4
93
6
2
4
0
MAIN
10
6
87
8
2
0 10
SESSION OUT
4 6
69
8
8
2
0 10
SESSION IN
4 6
75
8
0
BOOTH
10
91
EXT. INSERT
2
4 6
1
0
DEPTH
10
8
51
SP-6 ASSIGN
52
BACK
LOAD
55
18
SCROLL
MANUAL
LOOPS
50
AUTO
58
SELECT
19
112
BEATS
45
SYNC
113
SYNC OFF
114
SLIP
115
SHIFT
19
SHIFT
79
2
4
7
AUX
6
8
0
LEVEL
10
1 2 3 4 5
18 23 22 21 20
104 105 98 99 100
A B 1 2 3
CUES
90
SAMPLES
1 2 3 4
78 73 74 75
5
76
101 102 103 106 107
4 5 6 C D
69
CUE
DECK 1
77
CUE
USB AUX
70
CUE
DECK 2
2
PHONES
4 6
99
8
0
LEVEL
10
8
LOW
FILTER
HIGH
24
FLEXFX
105
CUE
PAN
MAIN
56
SPLIT CUE
83 84
0
107
2
106
98
108
3
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22
112
21
23
113
24
25
114
27
26
115
30
41 39
40
55
42
43
46
31
33
48
38
49
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32
MIDI Implementation
Serato DJ MIDI Control only supports:
• Note On/Off
• Standard 7-bit CC (Control Change)
MIDI Note ON/OFF Chart
The note number for an LED indicator under a button is the same as for the button.
The color and brightness of an LED is determined by the velocity as follows:
• 0-30
• 31-47
0x00-0x1E
0x1F-0x2F
Off
Primary Dim
• 48-78
• 79-95
• 96-127
0x30-0x4E
0x4F-0x5F
0x60-0x7F
Primary Full
Secondary Dim
Secondary Full
There are two categories of note on/off MIDI controls:
Red
: Dedicated mixer controls are read only and not affected by MIDI in commands. A user is not able to control mixer functions via MIDI and is unable to change the color or intensity of an LED under one of these mixer controls. Users are able to use MIDI out for these controls to trigger or control software functions.
Green
: MIDI controls on the mixer dedicated to Serato DJ or 3rd-party DAW control. These controls are read/write and a user is able to control the color and intensity of LEDs under these buttons.
16
17
18
19
20
13
14
15
10
11
12
24
25
28
21
22
23
29
30
4
5
7
8
9
Note # Hex # Function
0
2
0x00
0x02
FlexFX On
FX Time Encoder Push
0x04
0x05
0x07
0x08
0x09
FlexFX Cue
FX Tap
Beat Joystick Push
Reverb
Robot
0x0A
0x0B
0x0C
0x0D
0x0E
0x0F
0x10
0x10
0x12
0x13
0x14
0x15
0x16
0x17
0x18
0x19
0x1C
0x1D
0x1E
Phaser
Flanger
Filter
Echo
Beat Joystick North
Beat Joystick South
Beat Joystick East
Beat Joystick West
LH Cue-1
LH Delete
LH Cue-5
LH Cue-4
LH Cue-3
LH Cue-2
LED States
Not Permitted
Not Applicable
Not Permitted
Not Permitted
Not Applicable
Not Permitted
Not Permitted
Not Permitted
Not Permitted
Not Permitted
Not Permitted
Not Applicable
Not Applicable
Not Applicable
Not Applicable
PRI – Green
PRI – Red
PRI – Green
PRI – Green
PRI – Green
PRI – Green
USB AUX FlexFX Not Permitted
LH Manual Loop Select Encoder Push Not Applicable
LH Manual Loop In PRI – Green
LH Manual Loop
LH Manual Out
PRI – Green
PRI – Green
Type
Mixer Control
Mixer Control
Mixer Control
Mixer Control
Mixer Control
Mixer Control
Mixer Control
Mixer Control
Mixer Control
Mixer Control
Mixer Control
Mixer Control
Mixer Control
Mixer Control
Mixer Control
SEC – Yellow DAW MIDI Control
SEC - Orange DAW MIDI Control
SEC – Yellow DAW MIDI Control
SEC – Yellow DAW MIDI Control
SEC – Yellow DAW MIDI Control
SEC – Yellow DAW MIDI Control
Mixer Control
DAW MIDI Control
SEC – Orange DAW MIDI Control
SEC – Orange DAW MIDI Control
SEC – Orange DAW MIDI Control
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33
108
109
110
111
112
102
103
104
105
106
107
113
114
115
91
98
99
100
101
78
79
90
75
76
77
68
69
70
61
63
67
73
74
52
55
56
57
58
46
50
51
43
44
45
31
34
41
42
0x66
0x67
0x68
0x69
0x6A
0x6B
0x6C
0x6D
0x6E
0x6F
0x70
0x71
0x72
0x73
0x4B
0x4C
0x4D
0x4E
0x4F
0x5A
0x5B
0x62
0x63
0x64
0x65
0x34
0x37
0x38
0x39
0x3A
0x3D
0x3F
0x43
0x44
0x45
0x46
0x49
0x4A
0x1F
0x22
0x29
0x2A
0x2B
0x2C
0x2D
0x2E
0x32
0x33
USB Insert
Mic FlexFX
Mic ON
LH SP-6 Assign
LH Back
LH Scroll Encoder Push
LH Manual/Auto Loop
Mic Talk-over
SR Manual/Auto Loop
SR SP-6 Assign
Not Permitted
Not Permitted
Not Permitted
Not Permitted
PRI – Green
Not Applicable
Not Permitted
Not Permitted
Not Permitted
Not Permitted
RH Back
RH Scroll Encoder Push
Split Cue
PRI – Green
Not Applicable
Not Permitted
RH Manual Loop PRI – Green
RH Manual Loop Select Encoder Push Not Applicable
RH Manual Out
RH Manual In
Deck 2 FlexFX
Deck 1 FlexFX
Deck 1 Cue
Deck 2 Cue
RH Cue-2
RH Cue-3
PRI – Green
PRI – Green
Not Permitted
Not Permitted
Not Permitted
Not Permitted
PRI – Green
PRI – Green
RH Cue-4
RH Cue-5
USB Aux Cue
RH Cue-1
RH Delete
Cues/Samples
Ext Insert
Sample-1
Sample-2
Sample-3
Sample-4
Sample-5
Sample-6
Bank A
Bank B
Bank C
Bank D
LH Auto Loop Select Encoder Push
LH Auto Loop
LH Auto Roll
LH Auto Save
RH Auto Loop Select Encoder Push
RH Auto Loop
RH Auto Roll
RH Auto Save
PRI – Green
PRI – Green
Not Permitted
PRI – Green
PRI – Red
Not Permitted
Not Permitted
PRI – Green
PRI – Green
PRI – Green
PRI – Green
PRI – Green
PRI – Green
PRI – Green
PRI – Green
PRI – Green
PRI – Green
Not Applicable
PRI – Green
PRI – Green
PRI – Green
Not Applicable
PRI – Green
PRI – Green
PRI – Green
Mixer Control
Mixer Control
Mixer Control
Mixer Control
SEC – Orange DAW MIDI Control
DAW MIDI Control
Mixer Control
Mixer Control
Mixer Control
Mixer Control
SEC – Orange DAW MIDI Control
DAW MIDI Control
Mixer Control
SEC – Orange DAW MIDI Control
DAW MIDI Control
SEC – Orange DAW MIDI Control
SEC – Orange DAW MIDI Control
Mixer Control
Mixer Control
Mixer Control
Mixer Control
SEC – Yellow DAW MIDI Control
SEC – Yellow DAW MIDI Control
SEC – Yellow DAW MIDI Control
SEC – Yellow DAW MIDI Control
Mixer Control
SEC – Yellow DAW MIDI Control
SEC - Orange DAW MIDI Control
Mixer Control
Mixer Control
SEC – Yellow DAW MIDI Control
SEC – Yellow DAW MIDI Control
SEC – Yellow DAW MIDI Control
SEC – Yellow DAW MIDI Control
SEC – Yellow DAW MIDI Control
SEC – Yellow DAW MIDI Control
SEC – Yellow DAW MIDI Control
SEC – Yellow DAW MIDI Control
SEC – Yellow DAW MIDI Control
SEC – Yellow DAW MIDI Control
DAW MIDI Control
SEC – Orange DAW MIDI Control
SEC – Orange DAW MIDI Control
SEC – Orange DAW MIDI Control
DAW MIDI Control
SEC – Orange DAW MIDI Control
SEC – Orange DAW MIDI Control
SEC – Orange DAW MIDI Control
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MIDI Control Change Chart
Functions highlighted in
red
are MIDI-Out Mixer controls.
Functions highlighted in
blue
are MIDI-In mixer controls.
Functions highlighted in
green
are MIDI-Out Serato DJ or 3rd-party DAW controls.
24
25
26
27
30
33
Control # Hex # Function
0
1
18
19
20
21
5
7
8
2
3
4
16
17
22
23
38
39
0x00
0x01
0x02
0x03
0x04
0x10
0x11
Crossfader
FX Depth
Deck 1 Contour
Deck 2 Contour
Deck 1 Left-Right Pan
0x05 Deck 2 Left-Right Pan
0x07 USB Aux Level
0x08 USB Aux Filter
LH Scroll Encoder
LH Manual Loop Select Encoder
0x12 RH Scroll Encoder
0x13 RH Manual Loop Select Encoder
0x14 FX Time Encoder
0x15 Analog 1 Phono Sensitivity
Values
0-127, 0x00-0x7F
0-127, 0x00-0x7F
0-127, 0x00-0x7F
0-127, 0x00-0x7F
0-127, 0x00-0x7F
0-127, 0x00-0x7F
0-127, 0x00-0x7F
0-127, 0x00-0x7F
2’s Complement from 64 / Relative (Binary Offset)
2’s Complement from 64 / Relative (Binary Offset)
3
4
5
0
1
2
2’s Complement from 64 / Relative (Binary Offset)
2’s Complement from 64 / Relative (Binary Offset)
2’s Complement from 64 / Relative (Binary Offset)
Value Hex Sensitivity (mV) dB
0x00
0x01
0x02
0x05
2.5
3
3.5
0x03 4
0x04 4.5
5 (Default)
16.04
14.46
12.12
11.96
10.94
10.02
6
7
8
9
10
0x06 5.5
0x07 6
0x08 6.5
0x09 7
0x0A 7.5
9.19
8.44
7.74
7.10
6.5
11
12
13
0x0B 8
0x0C 8.5
0x0D 9
5.94
5.41
4.92
0x1B
0x1E
Analog 3 Phono Sensitivity
Analog 4 Phono Sensitivity
0x21 Main Record Select, (USB 11-12)
14
15
0x0E 9.5
0x0F 10
0-127, 0x00-0x7F
1
2
0x01
0x02
Low to High Resonance
Record A3
Record A4
Same as Analog 1 Phono Sensitivity
Same as Analog 1 Phono Sensitivity
4.45
4.00
0x16 Deck 1 Filter Resonance 0-127, 0x00-0x7F
0x17 Deck 1 Input Record Source (USB 5-6) 1
2
0x18 Analog 2 Phono Sensitivity
0x01
0x02
Low to High Resonance
Record A1
Record A2
Same as Analog 1 Phono Sensitivity
0x19 Deck 2 Filter Resonance
0x1A Deck 2 Input Record Source (USB
7-8)
0x26
0x27
USB Aux Filter Resonance
FX Flanger Type
1
2
0x01
0x02
0-127, 0x00-0x7F
0-63, 0x00-0x3F
64-127 0x40-0x7F
Record Main Mix
Record Mic
Low to High Resonance
Negative
Positive
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40 0x28 FX Echo Type
41 0x29 FX Filter Type
94
98
99
100
87
89
90
93
78
82
83
84
71
72
75
77
101
102
105
106
107
108
112
49
55
65
66
69
113
114
115
116
42
43
44
45
48
0x2A Echo HP Frequency
0x2B Hold Echo HP Frequency
0x2C LH Auto Loop Bars Encoder
0x2D RH Auto Loop Bars Encoder
0x30 Clean Feed
0x31 Headphone Tone
0x37 Duck Echo HP Frequency
0x41 Deck 1 LP/HP Filter
0x42 Deck 2 LP/HP Filter
0x45 Session In Level
0x47 Deck 1 Low
0x48 Deck 2 Low
0x4B Booth Level
0x4D Deck 1 Mid
0x4E Deck 2 Mid
0x52 Mic Low
0x53 Deck 1 Fader
0x54 Deck 2 Fader
0x57 Session Out Level
0x59 Deck 1 Level
0x5A Deck 2 Level
0x5D Main Level
0x5E Mic High
0x62 Crossfader Contour
0x63 Phones Level
0x64 Mic Level
0x65 Deck 1 High
0x66 Deck 2 High
0x69 Headphone Cue / Main Pan
0x6A Crossfader Reverse
0x6B Deck 1 Reverse
0x6C Deck 2 Reverse
0x70 PH/CD 1 Select
0x71 PH/CD 2 Select
0x72 PH/CD 3 Select
0x73 PH/CD 4 Select
0x74 Deck 1 Source Select
117 0x75 Deck 2 Source Select
0-31 0x00-0x1F Echo
32-63 0x20-0x3F High-Pass Echo
64-95 0x40-0x5F
96-127 0x60-0x7F
Duck Echo
HP Hold Echo
0-31, 0x00-0x1F
32-63, 0x20-0x3F
64-95, 0x40-0x5F
96-127 0x60-0x7F
Low-Pass Sync Low
Low-Pass Sync High
High-Pass Sync Low
High-Pass Sync High
0-127 0x00-0x7F
0-127 0x00-0x7F
20 Hz-10 kHz, Uniform Octave Steps
20 Hz-10 kHz, Uniform Octave Steps
2’s Complement from 64 / Relative (Binary Offset)
2’s Complement from 64 / Relative (Binary Offset)
0-63, 0x00-0x3F
64-127 0x40-0x7F
Off
On
0-127
0-127
0x00-0x7F
0x00-0x7F
0-127 0x00-0x7F
0-127 0x00-0x7F
0-127 0x00-0x7F
20 Hz-10 kHz, Uniform Octave Steps
20 Hz-10 kHz, Uniform Octave Steps
0-127 0x00-0x7F
0-127 0x00-0x7F
0-127 0x00-0x7F
0-127 0x00-0x7F
0-127 0x00-0x7F
0-127 0x00-0x7F
0-127 0x00-0x7F
0-127 0x00-0x7F
0-127 0x00-0x7F
0-127 0x00-0x7F
0-127 0x00-0x7F
0-127 0x00-0x7F
0-127 0x00-0x7F
0-127 0x00-0x7F
0-127 0x00-0x7F
0-127 0x00-0x7F
0-127 0x00-0x7F
0-127 0x00-0x7F
0-127 0x00-0x7F
0 – Normal, 1 – Reversed 0x00 – Normal, 0x01 – Reversed
0 – Normal, 1 – Reversed 0x00 – Normal, 0x01 – Reversed
0 – Normal, 1 – Reversed 0x00 – Normal, 0x01 – Reversed
0 – Phono, 1 – Line 0x00 – Phono, 0x01 – Line
0 – Phono, 1 – Line
0 – Phono, 1 – Line
0 – Phono, 1 – Line
1
2
3
4
0x01
0x02
0x03
0x04
1
2
3
4
0x01
0x02
0x03
0x04
0x00 – Phono, 0x01 – Line
0x00 – Phono, 0x01 – Line
0x00 – Phono, 0x01 – Line
USB A Left Virtual Deck,
Analog 1
Analog 2
USB B Left Virtual Deck
USB A Right Virtual Deck
Analog 3,
Analog 4
USB B Right Virtual Deck
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36
Magnetic Fader Maintenance
The faders and crossfader in the Sixty-Two are designed with materials highly resistant to corrosion and most chemicals. While they will handle millions of operations, they may become dirty over time. Bad things may be spilled into a fader, but in many instances the fader may not be damaged and the sound quality thus unaffected. Cleaning is only required to maintain the feel of the fader.
In order to maintain the feel of your faders, they may occasionally require cleaning and lubrication. The bearings in the fader work best with DuPont Teflon Multi-use Lubricant (part # D00040101). Make sure to follow the instructions and warnings on the bottle.
This lubricant goes on wet to deeply penetrate moving parts, but sets up with a clean, dry, long-lasting film which will not attract and absorb dirt and grime. Wet or oily lubricants may feel good at first, but will attract dirt and evaporate or become dry over time. See the fader cleaning instructions below.
Fader Assembly Removal
1. Remove all three fader knobs.
2. Remove all six screws holding the fader panel face plate.
3. Lift up the fader panel face plate and set it aside where it can’t get damaged.
4. Remove the two screws at each end of a fader, holding the bottom of the fader in place with your other hand.
5. Take out the fader assembly completely.
6. Note the left connector goes to the left fader, the center connector goes to the crossfader, and the right connector goes to the right fader.
7. Unplug the connectors of the white wires at the fader assembly without pulling the wires.
Reverse this procedure to re-assemble.
• Plug in the connector before re-installing the fader. Notice the connector only will fit one way.
• Test all the faders before installing the fader panel face plate and fader knobs.
Fader Cleaning
1. For a light cleaning, move the carrier to one side and wipe rails with a lint-free cloth. Move the carrier to the other side and repeat.
2. If a heavier cleaning is required to remove oily lubricants or grease, first take the carrier off of the rails by removing one of the endblocks. Clean the rails using a lint-free cloth and alcohol. Use a cue-tip and alcohol to clean the carrier bearings.
3. With the fader clean, dry and assembled, add a couple of drops of Teflon Multi-use Lubricant to each rail of the fader.
4.
Move the carrier back and forth to distribute lubricant.
5.
Do not disturb the position of the small sensors at each end of the fader. If you accidentally do, make sure the parts are standing straight before re-installing.
SIXTY-TWO
OWNER’S MANUAL
Sensors
Fader Calibration
After cleaning or replacement, the sensors may get moved, affecting the contour. After any fader service, perform this procedure to re-calibrate the faders and crossfader.
1. Power off the Sixty-Two.
2. Move all faders to the center-most position.
3. Push down both
DECK 1 CUE and DECK 2 CUE buttons at the same time.
4. While holding these buttons down, power on the Sixty-Two.
5. Immediately after powering up, the
CUE lights will flash one time, indicating a successful calibration.
If the
CUE lights flash three times, the sensors may have moved too far or all faders were not properly centered, and the faders cannot correctly calibrate.
Problems? Contact Rane Corporation customer service at 425-355-6000 or email us at [email protected].
Online help is available at dj.rane.com
.
37
SIXTY-TWO
OWNER’S MANUAL
.65" (1.6 cm) PROJECTION FOR POSTS
AUTO
BEATS
LOOP
DECK 1
SP-6 ASSIGN
BACK
LOAD
SCROLL
LOOPS
SYNC
ROLL
SYNC OFF
OUT
SAVE
SLIP
LOOP
SHIFT
MANUAL
SELECT
IN
BYPASS
MIC
CLEAN FEED
2
ON
4 6
OVER
8
0
LEVEL
10
OFF
HIGH
+6
OFF
LOW
+6
FLEXFX
1
INSERT
BPM
TIME
2
BEAT
LEFT
PAN
RIGHT
LOW
FILTER
HIGH
FILTER
A
PH / CD
1 2
B
DECK 1
2
4
SOURCE
6
0
LEVEL
10
8
NUDGE
3
FLEXFX
FLANGER
START / STOP
TAP
4
OFF
HIGH
+6
OFF
MID
+6
OFF
LOW
+6
5
PHASER
CUES
2
4
OFF
HIGH
+6
OFF
MID
+6
OFF
LOW
+6
ECHO
1
6
0
LEVEL
10
8
DECK 2
A
PH / CD
3 4
B
ROBOT
ON
2
SOURCE
LEFT
PAN
RIGHT
LOW
FILTER
HIGH
FLEXFX
3
REVERB
CUE
4
MIX
4 6
2 8
0
MAIN
10
4 6
2
2
0 10
SESSION OUT
4 6
8
8
0
4 6
2 8
0
BOOTH
10
MANUAL
SELECT
DECK 2
SP-6 ASSIGN
BACK
LOAD
SCROLL
LOOPS
AUTO
BEATS
IN
SYNC
LOOP
EXT. INSERT
OUT
SYNC OFF
ROLL
4 6
2 8
SLIP
LOOP SAVE
0
DEPTH
10
SHIFT
5
4
AUX
6
2
0
LEVEL
10
8
A B 1
CUE
DECK 1
2 3 SAMPLES
CUE
USB AUX
4 5 6
CUE
DECK 2
C D
PHONES
4 6
2
0
LEVEL
10
8
MIXER
14.2"
(36 cm)
LOW
FILTER
HIGH CUE
PAN
MAIN
FLEXFX SPLIT CUE
38
SIXTY-TWO
10.5" (26.7 cm)
.7" (1.8 cm) PROJECTION FOR KNOBS
OWNER’S MANUAL
ADD 3.5” (8.9 cm) MINIMUM CLEARANCE FOR CABLES
.65" (1.6 cm) PROJECTION
14.2"
(36 cm)
39
.7"
(1.8 cm)
PRO-
JEC-
TION
ADD 3.5” (8.9 cm)
MIN. CLEARANCE
FOR PHONES
3.25" (8.3 cm)
4.2" (10.7 cm)
.7" (1.8 cm)
PROJECTION
SIXTY-TWO
OWNER’S MANUAL
Technical Specifications
Sixty-Two Specifications
Analog Inputs
…...Phono or Line level input
…...Phono Response
…...Max Phono Input
…...Max Line Input
ADCs
DACs
Digital Signal Processing
USB Audio
…...Operation
FlexFX Return
FlexFX Send
Mic Input
…...Tone Controls
…...Mic-Line level switch
Line Outputs: Frequency Response
All specifications typical unless otherwise stated
4 Stereo unbalanced RCA jacks
Rear panel switches for each input
RIAA ±1 dB, Gain: 31 dB at 1 kHz
126 mV
4 Vrms
24-bit 48 kHz; dynamic range 101 dB A-weighted
24-bit 48 kHz; dynamic range 107 dB A-weighted
48 kHz, 32-bit floating point
Six Stereo Record, Four Stereo Playback
48 kHz, 32-bit floating point
Stereo unbalanced ¼˝ TS (tip-sleeve) phone jacks
Stereo unbalanced ¼˝ TS (tip-sleeve) phone jacks
Balanced ¼˝ TRS & XLR combination jack
2-band, High and Low
Choose Line to connect wireless receiver
20 Hz to 20 kHz ±0.25 dB, Line in to Line out
…...THD+N <0.01% re 0 dBFS, 20 to 20 kHz, 20 kHz BW
…...Unbalanced jacks (RCA & FlexFX) Maximum 4 Vrms
…...Balanced jacks (Main & Booth) Maximum 8 Vrms
Universal Power Supply
USB Power
Unit: Conformity
......Size
......Weight
Shipping Size
......Weight
100 to 240 VAC, 50 Hz to 60 Hz, 15 W max
Mixer is self-powered
CE, FCC, cCSAus
14.25˝ x 10.5˝ x 4˝ (36.2 x 26.7 x 10.2 cm)
10 lb (4.3 kg)
7.75˝ H x 15˝ W x 19.25˝ D (19.7 x 38.1 x 49 cm)
14 lb (6.4 kg)
40
SIXTY-TWO
41
OWNER’S MANUAL
Limited Warranties
Factory Authorized Service
Your unit may someday need to be serviced by the Rane Factory if you live in the USA. International customers should contact your dealer or distributor for service. You must call the Rane factory before shipping. Please do not return your unit to Rane without prior authorization.
To obtain service or a Return Authorization in the USA, please phone Rane Corporation at 425-355-6000, or fax Rane at 425-347-7757.
Limited U.S.A. Warranty
OF TWO (2) YEARS. WEAR PARTS ARE LIMITED TO A PERIOD OF NINETY (90) DAYS FROM THE INITIAL DATE OF
RETAIL PURCHASE FROM AN AUTHORIZED RANE DEALER—WEAR PARTS REQUIRE PROOF OF PURCHASE
DATE. This limited warranty extends to all purchasers or owners of the product during the warranty period beginning with the original retail purchase. Rane Corporation does not, however, warrant its products against any and all defects:
1) arising out of material or workmanship not provided or furnished by Rane, or 2) resulting from abnormal use of the product or use in violation of instructions, or 3) in products repaired or serviced by other than the Rane Factory, or 4) in products with removed or defaced serial numbers, or 5) in components or parts or products expressly warranted by another manufacturer. Rane agrees to supply all parts and labor to repair or replace defects covered by this limited warranty with parts or products of original or improved design, at its option in each respect, if the defective product is shipped prior to the end of the warranty period to the Rane Factory in the original packaging or a replacement supplied by Rane, with all transportation costs and full insurance paid each way by the purchaser or owner.
Limited Warranty Outside the U.S.A.
RANE PRODUCTS ARE WARRANTED ONLY IN THE COUNTRY WHERE PURCHASED, THROUGH THE AUTHORIZED
RANE DISTRIBUTOR IN THAT COUNTRY, AGAINST DEFECTS IN MATERIAL OR WORKMANSHIP, THE SPECIFIC
PERIOD OF THIS LIMITED WARRANTY SHALL BE THAT WHICH IS DESCRIBED TO THE ORIGINAL RETAIL
PURCHASER BY THE AUTHORIZED RANE DEALER OR DISTRIBUTOR AT THE TIME OF PURCHASE. Rane
Corporation does not, however, warrant its products against any and all defects: 1) arising out of materials or workmanship not provided or furnished by Rane, or 2) resulting from abnormal use of the product or use in violation of instructions, or 3) in products repaired or serviced by other than authorized Rane repair facilities, or 4) in products with removed or defaced serial numbers, or 5) in components or parts or products expressly warranted by another manufacturer. Rane agrees, through the applicable authorized distributor, to repair or replace defects covered by this limited warranty with parts or products of original or improved design, at its option in each respect, if the defective product is shipped prior to the end of the warranty period to the designated authorized Rane warranty repair facility in the country where purchased, or to the Rane factory in the U.S., in the original packaging or a replacement supplied by Rane, with all transportation costs and full insurance paid each way by the purchaser or owner.
ALL REMEDIES AND THE MEASURE OF DAMAGES ARE LIMITED TO THE ABOVE SERVICES, IT IS POSSIBLE THAT
ECONOMIC LOSS OR INJURY TO PERSON OR PROPERTY MAY RESULT FROM THE FAILURE OF THE PRODUCT;
HOWEVER, EVEN IF RANE HAS BEEN ADVISED OF THIS POSSIBILITY, THIS LIMITED WARRANTY DOES NOT
COVER ANY SUCH CONSEQUENTIAL OR INCIDENTAL DAMAGES. SOME STATES OR COUNTRIES DO NOT ALLOW
THE LIMITATIONS OR EXCLUSION OF INCIDENTAL OR CONSEQUENTIAL DAMAGES, SO THE ABOVE LIMITATION
MAY NOT APPLY TO YOU.
ANY AND ALL WARRANTIES, EXPRESS OR IMPLIED, ARISING BY LAW, COURSE OF DEALING, COURSE OF
PERFORMANCE, USAGE OF TRADE, OR OTHERWISE, INCLUDING BUT NOT LIMITED TO IMPLIED WARRANTIES
OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE, ARE LIMITED TO A PERIOD OF TWO (2)
YEARS FROM EITHER THE DATE OF ORIGINAL RETAIL PURCHASE OR, IN THE EVENT NO PROOF OF PURCHASE
DATE IS AVAILABLE, THE DATE OF MANUFACTURE, SOME STATES OR COUNTRIES DO NOT ALLOW LIMITATIONS
ON HOW LONG AN IMPLIED WARRANTY LASTS, SO THE ABOVE LIMITATIONS MAY NOT APPLY TO YOU. THIS
LIMITED WARRANTY GIVES YOU SPECIFIC LEGAL RIGHTS, AND YOU MAY ALSO HAVE OTHER RIGHTS WHICH
VARY FROM STATE TO STATE, COUNTRY TO COUNTRY.
SIXTY-TWO
42
OWNER’S MANUAL
Warranty Procedure - Valid in U.S.A. only
NOTICE! You must complete and return the warranty card or register your product online to extend the Warranty from 2 years to 3 years!
TO VALIDATE YOUR EXTENDED WARRANTY: Use the postcard that came in the box with your unit, or go to the
support page at dj.rane.com and click on
product registration
. Fill out the warranty completely, being sure to include the model and serial number of the unit since this is how warranties are tracked. If your Rane product was purchased in the U.S.A., mail the completed card or register online with to Rane Corporation within 10 days from the date of purchase.
If you purchased the product outside the U.S.A. you must file your warranty registration with the Rane Distributor in that country.
It is advised that you keep your bill of sale as proof of purchase, should any difficulties arise concerning the registration of the warranty card.
NOTICE:
IT IS NOT
NECESSARY TO REGISTER IN ORDER TO RECEIVE RANE CORPORATION’S STANDARD TWO YEAR LIMITED
WARRANTY.
WARRANTY REGISTRATION is made and tracked by MODEL AND SERIAL NUMBERS ONLY, not by the purchaser’s or owner’s name. Therefore any warranty correspondence or inquires MUST include the model and serial number of the product in question. Be sure to fill in the model and serial number in the space provided below and keep this in a safe place for future reference.
WARRANTY SERVICE MUST BE PERFORMED ONLY BY AN AUTHORIZED RANE SERVICE FACILITY LOCATED
IN THE COUNTRY WHERE THE UNIT WAS PURCHASED, OR (if product was purchased in the U.S.) AT THE RANE
FACTORY IN THE U.S.. If the product is being sent to Rane for repair, please call the factory for a Return Authorization number. We recommend advance notice be given to the repair facility to avoid possible needless shipment in case the problem can be solved over the phone. UNAUTHORIZED SERVICE PERFORMED ON ANY RANE PRODUCT WILL
VOID ITS EXISTING FACTORY WARRANTY.
FACTORY SERVICE: If you wish your Rane product to be serviced at the factory, it must be shipped FULLY INSURED,
IN THE ORIGINAL PACKING OR EQUIVALENT. This warranty will NOT cover repairs on products damaged through improper packaging. If possible, avoid sending products through the mail. Be sure to include in the package:
1. Complete return street shipping address (P.O. Box numbers are NOT acceptable).
2. A detailed description of any problems experienced, including the make and model numbers of any other system equipment.
3. Remote power supply, if applicable.
Repaired products purchased in the U.S. will be returned prepaid freight via the same method they were sent to Rane.
Products purchased in the U.S., but sent to the factory from outside the U.S. MUST include return freight funds, and the sender is fully responsible for all customs procedures, duties, tariffs and deposits.
In order to qualify for Rane’s one year extended warranty (for a total of 3 years parts and labor), the warranty must be completely filled out and sent to us immediately. Valid in USA only.
We recommend you write your serial number here in your owners manual and on your sales receipt for your records.
SERIAL NUMBER:____________________________PURCHASE DATE:___________________________
dj.rane.com
is your center for support, accessories, community, and learning how to get the most from your Sixty-Two Mixer.
SIXTY-TWO
OWNER’S MANUAL
43
Declaration of Conformity
Application of
Council Directives:
2001/95/EC 2012/19/EU
2004/108/EC 2006/95/EC
2011/65/EU
Manufacturer:
Rane Corporation
10802 47th Avenue West
Mukilteo WA 98275-5000 USA
Standard(s) to which
conformity is declared:
EN60065: 2002/A1:2006/A11:2008/A2:2010/A12:2011
EN55103-1:2009
EN55103-2:2009
EN50581:2012
ENVIRONMENT E2
SERIAL NUMBERS 900000 - 999999
CE MARK FIRST AFFIXED IN: 2012
This equipment has been tested and found to be in compliance with all applicable standards and regulations applying to the EU’s Low Voltage (LV) directive 2006/95/EC and Electromagnetic Compatibility
(EMC) directive, 2004/108/EC. In order for the customer to maintain compliance with this regulation, high quality shielded cable must be used for interconnection to other equipment. Modification of the equipment, other than that expressly outlined by the manufacturer, is not allowed under this directive. The user of this equipment shall accept full responsibility for compliance with the LV directive and the EMC directive in the event that the equipment is modified without written consent of the manufacturer. This declaration of conformity is issued under the sole responsibility of Rane Corporation.
Type of Equipment: Professional Audio Signal Processing
Brand: Rane
Model: Sixty-Two, Sixty-Two Z
Immunity Results:
Test Description
THD+N: 4 dBu, 400 Hz, BW 20 Hz - 20 kHz
Measurement Conditions
RF Electromagnetic Fields Immunity
80 MHz -1000 MHz, 1 kHz AM, 80% depth, 3V/m <-72 dB
1400 MHz - 2700 MHz, 1 kHz AM, 80% depth, 3V/m <-72 dB
Conducted RF Disturbances Immunity
150 kHz - 80 MHz, 1 kHz AM, 80% depth, 3V rms
Magnetic Fields Immunity
50 Hz - 10 kHz, 3.0 - 0.3 A/m
Common Mode Immunity (Signal Ports)
50 Hz - 10 kHz, -20 dBu
<-71 dB
<-75 dB
<-69 dB
Bandpass re: 4 dBu, 1/3-octave
I, the undersigned, hereby declare that the equipment specified above conforms to the Directive(s) and Standard(s) shown above.
(Signature)
January 25, 2012
(Date)
Greg Frederick
(Full Name)
Compliance Engineer
(Position)
Mukilteo WA USA
(Place)
SIXTY-TWO
OWNER’S MANUAL
44
SIXTY-TWO
PART 22489
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Key Features
- 2-channel mixer
- Serato DJ software
- USB connectivity
- FlexFX effects engine
- Microphone input
- Headphone monitoring