Tennants Auctioneers
Tennants Auctioneers
Musical Instruments to include Guitars from the Paul Brett
Collection
The Auction Centre
Leyburn
North Yorkshire
DL8 5SG
United Kingdom
Started 20 Jun 2015 10:30 BST
Lot
Description
1
A 19th Century German Violin, labelled 'Excelsior Copy of Paulo Maggini made in Germany for H.Senior Huddersfield', with a 370mm
two piece back, ebony tuning pegs, in a leather case
2
A Nickel Mounted Violin Bow, stamped Buttler, the ebony frog with pearl eyes
3
A French Nickel Mounted Violin Bow, stamped C.Bazin, the ebony frog with pearl eyes, weight 52 grams
4
A 19th Century Violin, possibly French, no label, with a 360mm two piece back, ebony tuning pegs, together with three bows, in a fitted
case
5
A 19th Century Violin, possibly French, labelled 'Lutherie Artistique Jean Baptiste Colin 1896', with a 360mm two piece back, rosewood
tuning pegs, together with two nickel mounted bows, cased
6
A 19th Century German Violin, labelled 'Richard Freidl Absroht 1782', with a 360mm one piece back, ebony tuning pegs, together with
two nickel mounted bows
7
A 19th Century Violin, possibly German, labelled 'Copie De Pietro Antonius dalla Costa-fecit in Treviso anno 17', with a 359mm two
piece back, ebony tuning pegs
8
A 19th Century German Violin, no label, with a 362mm two piece back, ebony tuning pegs, together with two bows, in a leather case
9
An Italian 8-String Bowl Back Mandolin, in a leather case, together with a German Violin, with a bow, in a stained pine coffin case (2)
10
A 19th Century German Violin, no label, with a 360mm two piece back, lion mask carved scroll, ebony tuning pegs, together with three
bows, in a stained pine coffin case
11
A Small Late 18th or Early 19th Century Violoncello, possibly English, labelled 'J Wagstaff Maker...', with a 740mm two piece back,
ebony tuning pegs, together with a bow
12
A 19th Century Violin, possibly French, no label, with a 360mm two piece back, ebony tuning pegs, together with two bows, cased
13
A Late 18th Century Violin, possibly Tyrolean, no label, with a 359mm two piece back, rosewood tuning pegs, together with a bow, in a
stained pine coffin case
14
An 18th Century Tyrolean Violin, labelled 'Dominicus Rief in Fils Tyrell 1797', with a 356mm one piece back, rosewood tuning pegs
15
A Modern Chinese Violoncello, with a 760mm two piece back, ebony tuning pegs, together with a bow, in a hard plastic case
16
Four Cased Violins, including a Czech copy of a Strad, with two bows, in a leather case, a Lindo violin with a bow, in a walnut case, a
Somis violin in leather case and another
17
A 19th Century German Violin, no label, with a 352mm one piece back, ebony tuning pegs, together with two bows, in a leather case
18
A 19th Century German 1/2 Size Violin, no label, with a 316mm two piece back, mixed tuning pegs, together with a bow
19
A 19th Century German Violin, with 'Antonius Stradivarius...' label, 358mm two piece back, lions mask carved head, ebony tuning pegs,
together with two bows, cased (a/f)
20
A Late 18th or Early 19th Century German Violin, with pencil inscription, 354mm two piece back, boxwood tuning pegs, together with
two bows, in a stained pine coffin case
21
A 19th Century German Violin, no label, with a 358mm one piece back, ebony tuning pegs, together with a bow, in a stained pine coffin
case
22
A 19th Century German Viola, no label, with a 403mm two piece back, rosewood tuning pegs, together with a 19th Century Violin, no
label, with a 360mm two piece back, rosewood tuning pegs (in the style of Alfred Moritz), together with Three Bows, including one
marked 'Torte', all in a fitted leather ...[more]
23
A Bundle of Twenty Three Mixed Violin and Cello Bows
24
An Early 20th Century French Violin, labelled 'Ch.J.B. Collin-Mezin, Luthier a Paris, Rue de Faub Poissonniere No.29 1901', with a
358mm two piece back, rosewood tuning pegs, in a fitted nylon case
25
An Early 20th Century German Silver Mounted Violin Bow, stamped 'Gunter A Paulus' the ebony frog with enclosed pearl eyes,
engraved silver mounts, the ebony adjuster with two engraved silver bands
26
A Gold Mounted Violin Bow, possibly French, indistinctly stamped 'Lupot', with a plain ebony frog, octagonal gold adjuster, in wooden
case
27
Two Violin Reference Books - Masterpieces of Italian Violin Making by David Rattray 2000 and Universal Dictionary of Violin & Bow
Makers by William Henley
28
Book - Antonio Stadivari The Cremona Exhibition of 1987 by Charles Beare, with dust jacket, in slip case
29
Book - The British Violin, the catalogue of the 1998 exhibition 400 years of violin and bow making in the British isles, by the British Violin
Making Association, with dust jacket and slip case
30
Books - Giuseppe Guarneri del Gesu by Peter Bidulph 1998, two volumes in slip case
31
An English 'Maidstone' Violin, by John G. Murdoch & Co., London, with a 361mm two piece back, mixed tuning pegs, with a bow, in a
leather case
32
A 19th Century German Violin, labelled 'Antonius Stradivarius...', with a 359mm two piece back, ebony tuning pegs, together with two
bows, in a plush lined case
33
A Selmer 'Console' Rosewood Oboe, serial number 1645, with nickel plated keys, cased
34
A Pair of Hawkes & Sons 'Excelsior Sonorous Class' Wooden Clarinets, numbered 7367 and 7368, with nickel plated keys, in a case
35
A Rosewood Oboe by Howarth & Co., London, serial number C6602, with plated keys, in a fitted case ...[more]
36
A Rosewood Clarinet, with plated keys
37
A 19th Century Rosewood Bassoon, with nickel plated mounts and keys
38
A 19th Century Rosewood Flute by Wilde from Rudall & Rose, Strand, London, with nickel plated keys, in a mahogany case, together
with a box of music related books and a box of woodworking tools (3)
39
A Hawkes & Son of London Silver Plated 'Excelsior Sonorous Class A' Trombone, serial number 36531, with foliate engraved collars,
mouthpiece, in a fitted case
40
A Brass 'Anborg of Italy' French Horn, with silver plated keys and valves, cased
41
A Brass Lindo Alto Saxophone, serial number AL-189-0307-016, with faux mother of pearl keys, with a selection of mouthpieces
42
A Jupiter 500 Series Brass Alto Saxophone, serial number 782595, with accessories, in a fitted case
43
A Yamaha YAS 25 Brass Alto Saxophone, serial number 082278, in soft carry case; together with a Hiscox Moulded Case (2)
44
A Stagg Model 88-MBA Brass Marching Tenor Horn, in a fitted case
45
A Silver Plated Leviathan Model Class A New Standard Tuba by Besson & Co., London, with foliate engraved bell, serial number
123745, with mouthpiece and music, cased
46
A 1930s Clifford Twelve String Guitar, with maple back and sides, mahogany neck, ebonised fingerboard, chequered stringing and large
simulated mother-of-pearl scratch plate, trapeze tailpiece and adjustable ebony pyramid bridge
47
A 1960s Hofner President Acoustic Jazz Body Guitar, with single cutaway, serial number 8317, with flamed maple back and sides,
carved spruce top, maple laminated neck, Hofner logo and floral design in mother-of-pearl, dot markers, rosewood fingerboard, Hofner
tailpiece and floating bridge, blonde fi ...[more]
48
A 1950s Maccaferri G30 Plastic Guitar, constructed of ''Dow Styron'' with single cut-away twin F holes, chrome tailpiece, cream plastic
headstock
49
A 1920s Supertone Parlour Guitar, manufactured by Harmony with mahogany back and sides, spruce top with abalone bound body and
sound hole rosette, mahogany neck with ebonised fingerboard inset with mother-of-pearl star and diamond markers, rosewood pin
bridge
50
A 1930s Mastertone Special, made at the Gibson Kalamazoo factory, all mahogany construction, with mahogany neck, ebony
fingerboard, pin bridge, ladder bracing, simple lined decoration to the top and sides, with pearl dot markers The Mastertone special was
made between 1938 and 1942 at the Kalamazoo ...[more]
51
A 1960s Kay Swingmaster, Model K672, with single cutaway semi-acoustic, laminated maple body, with bolt-on maple neck, rosewood
fingerboard with block pearl markers and two Kay gold ''tissue box'' pick-ups, three-way pick-up selector, two tone and two volume
controls, trapeze tailpiece and adjustabl ...[more]
52
A Rare Gibson L1 Acoustic Guitar, circa 1926, serial number 8476, with maple two-piece pressed back, maple rims, spruce top, plain
white celluloid binding, simple sound hole inlay, mahogany neck, silver logo ''The Gibson'', three pearl dot markers on ebony
fingerboard, ebony pyramid pin bridge This ...[more]
53
A 1960s Gibson F25 ''Folksinger'', with mahogany back and sides, spruce top, wide mahogany neck with rosewood fingerboard, reverse
pin bridge and double white laminated pickguard Originally produced in 1963 this model became known as the ''Summer of Love'' guitar
and was easily recognisable by its ...[more]
54
A 1930s Weymann Six String Parlour Guitar, with figured mahogany back and sides, spruce top, mahogany neck with ebony fretboard,
three pearl dot position markers, slotted headstock with replaced brass tuners
55
A 1960s Kay Jazz II, Model K775, with maple laminate body and sunburst finish, bolt-on maple neck, rosewood fretboard with pearloid
markers, twin gold Kay pick-ups, fitted with tremolo, two volume and two tone controls
56
A Kay Kraft Arch Top Guitar, with single round hole, mahogany back and sides, spruce top, mahogany adjustable neck, with stencilled
gold scroll design to the body on sunburst finish
57
A Del Vecchio Electric Dobro, circa 1955, with Brazilian rosewood veneered body, mahogany neck, rosewood fingerboard which
features a single coil pick-up mounted in the top, tone and volume controls This Brazilian made guitar is the electrified version of Chet
Atkins favourite resonator
58
A 1960s Gibson ES125T, serial number 207989, with hollow laminated maple construction with P90 pick-up set into plastic pickguard,
tone and volume controls, one-piece mahogany neck, sunburst finish and trapeze tailpiece
59
A 1960s Harmony Stella Twelve String Guitar, with brown jumbo body, brown finish back, sides and neck, slotted headstock, trapeze
tailpiece
60
A Gibson L Century, circa 1936, with flamed maple back and sides, spruce top, sunburst finish, mahogany neck with simulated motherof-pearl fingerboard inset with rosewood and mother-of-pearl diamond markers, the headstock similarly laminated with rosewood and
simulated mother-of-pearl Gibson logo a ...[more]
61
A 1960s Gibson B45 Twelve String Guitar, model number B4512, serial number 097087, mahogany back and sides, spruce top,
mahogany neck, rosewood fretboard with pearl dot markers, mother-of-pearl triangular headstock inlays with stencilled gold Gibson
logo, trapeze tailpiece and adjustable bridge
62
An Oscar Schmidt Stella Six String Parlour Guitar, circa 1905, rosewood back and sides, spruce top, multi-coloured chequered binding,
one-piece mahogany neck, rosewood fingerboard and bridge, mother-of-pearl split diamond inlay to the headstock
63
A 1930s Regal Parlour Guitar, with fancy half vine mother-of-pearl inlay to the ebony fretboard, rosewood back and sides, mahogany
one-piece neck, abalone bound spruce top and ebony pyramid bridge, ladder bracing
64
A Marquette Branded Parlour Guitar, early 1900s, made by Lyon and Healy, Chicago, with rosewood grained back and sides, spruce
top, simple chequered binding, slotted headstock with mahogany neck, rosewood fretboard with three pearl dot markers, the back of the
headstock with pinned retail label Mack ...[more]
65
A Gibson MK72, circa 1970, with mahogany back and sides, spruce top, mahogany neck, rosewood fingerboard with pearl dot inlays,
fan shaped rosewood pin bridge, nickel-plated Gibson Deluxe tulip tuners This guitar was a unique concept design of Michael Kasha,
Adrian Houtsma and luthier Richard Schne ...[more]
66
A Dobro Resonator by Regal, model 25, circa 1930s, of laminated construction with mahogany neck, single spun resonator, raised nut
for slide playing
67
An Augustino LoPrinzi Custom Double Neck Twelve and Six String Guitar, the broad jumbo body constructed of flame maple, flamed
maple necks, ebony fingerboards with split abalone and mother-of-pearl block markers, one piece ebony eighteen pin bridge with twin
saddles, the headstocks inlaid with abalo ...[more]
68
A 1980 John Le Voi Double Neck Classical Style Guitar, with mahogany back and sides, twin mahogany necks, slotted headstocks,
ebony fingerboards, simple black, white and green binding, one-piece rosewood twelve pin bridge with independent saddles, the inside
with original pencil label ''John Le Voi ...[more]
69
A Rare 1916 Gibson U Harp Guitar, with stained maple back and rims, carved spruce top, oval sound hole, conventional guitar neck and
ten string harp with mahogany tension bar, external truss rod, ebony fingerboard, with plain dot markers, the headstock inscribed ''The
Gibson'' in mother-of-pearl, ce ...[more]
70
A Gibson L0, circa 1930, serial number 481, with Honduras mahogany back, sides, top and neck, with mother-of-pearl dot inlaid
rosewood fretboard, ebony veneered headstock with Gibson logo, a simulated tortoiseshell pickguard and rosewood pin bridge, plain
cream binding
71
A 1982 Gibson Sonex 180 Deluxe, serial number 82302616, cream painted body with bolt-on hardwood neck, with multi-phonic
synthetic material, twin humbucking pick-ups, cream yellow finish and black pickguard, double uncovered humbucking pick-ups, two
tone and two volume controls and stop tailpiece
72
A 1960s Guild F212 Twelve String Guitar, with mahogany back, sides and neck, rosewood fingerboard, serial number AN862, twin truss
rods
73
A 1998 Takimine Limited Edition Electro Acoustic Guitar, with moon inlays, rosewood back and sides, mahogany neck, spruce top, split
pin bridge, red and cream binding fitted with a Takimine Accur Acoustic EQ system, with fitted case
74
A Burns GB 65, of mahogany and maple construction with maple bolt-on neck, rosewood fingerboard and twin pick-ups, Burns chromed
trapeze tailpiece, adjustable bridge, two Burns Res-O-Matic pick-ups, three-way selector of tone and volume
75
A Lyra Branded Small Parlour Guitar by Oscar Schmidt, circa 1920, with maple back and sides, stained spruce top, black and white
chequered binding, bound neck with ebonised fingerboard and three pearl dot markers, celluloid Lyra label to the slotted headstock,
ebonised pin bridge These small bodied ...[more]
76
A Regal Superb Arch Top Guitar, circa 1948, Style 5248, with maple pressed back and sides, sunburst finished, black and cream bar
position markers, chequered binding and tortoiseshell effect pickguard, twin F holes, trapeze tailpiece and adjustable bridge
77
A Roy Smeck Hawaiian Slide Guitar, made by the Harmony Company, Chicago, USA, retailed by W J Dyer & Bros, St Paul, Minnesota,
with mahogany constructed back and sides, mahogany neck, ebony fretboard with simple pearl dot markers, rosewood airplane bridge
with ebony mother-of-pearl pins, raised nut ...[more]
78
A 1978 Aria John Joyce Model Six String Acoustic Guitar, with mahogany back and sides, solid spruce top, mahogany neck, slotted
headstock, rosewood fingerboard and bridge with pearl dot markers, red herringbone binding, J J insignia inlaid to the headstock
79
A 1978 Aria John Joyce Model Twelve String Acoustic Guitar, with rosewood back and sides, cedar top mahogany neck, red
herringbone binding, pearl markers, pyramid bridge, slotted headstock inset with JJ monogram
80
A 1960s Harmony Pete Seeger Long Scale Five String Banjo, reso-tone model, with chromium plated ring, armrest and tailpiece
81
A 1960s Bellini Guitar, laminated construction, made in South Africa
82
A 1930s Galliano Six String Parlour Guitar, with maple back and sides, maple neck, ebony fingerboard with pearl dot markers, ebony
pyramid bridge, black shaped scratch plate, sunburst finish
83
A 1960s Hopf Nylon Strung Classical Style Guitar, slotted headstock, maple construction with spruce top
84
A 1960s Alamo Twin Pick-Up Electric Guitar, with three way toggle switch, tone and volume control, adjustable tailpiece, cased with
original tag and guarantee Alamo Electronics Corporation, San Antonio, Texas
85
A 1960s Kay Note Acoustic Guitar, with stencilled decoration, trapeze tailpiece
86
A 1930s Regal Black Stencilled Parlour Guitar, of maple construction, with one-piece maple slotted neck, ebonised pin bridge
87
A 1960s Harmony Sovereign Acoustic Guitar, black finish with moustache bridge, pearl dot markers, rosewood fingerboard
88
A Bruno ''The Vernon'' Parlour Guitar, with mahogany back and sides, spruce top, one piece mahogany neck, with semi-slotted
headstock pearl dot markers, pyramid bridge, paper label inscribed ''The Vernon by C Bruno and Son, inc New York''
89
A 1940s Harmony Patrician Arch Top Jazz Guitar, with mahogany constructed back and sides, mahogany neck, carved two-piece
spruce top, trapeze tailpiece and floating tailpiece, mahogany one-piece neck, rosewood fingerboard and mother-of-pearl dot markers
90
A 1930s Regal Parlour Guitar, with simulated rosewood back and sides, mahogany neck, simulated mother-of-pearl fingerboard and
headstock veneer, stencilled scroll decoration to the top, bearing original paper label ''The mark of a better instrument made by Regal
Musical Instrument Company, Chicago''
91
A 1980s Ibanez Roadstar II, Model RS440, with two single coil pick-ups, humbucking pick-up, five way pick-up selector, tone and
volume controls, cream finish
92
A Peavey Steve Cropper Classic Electric Signature Guitar, serial number 09711679 signed by Steve Cropper, with telecaster style body,
maple capped basswood with maple neck and rosewood fingerboard, pearl dot markers, with single coil and single humbucker pick-up,
three way selector and coil tap swit ...[more]
93
A 1980s Tokai Solid Bodied Strat Style Guitar, in white, with twin humbucking pick-ups, tone volume control and three way pick-up
selector, locking nut, white painted finish with black pick guard, Vintage style tremolo
94
A Crafter Thinline Twelve String Electro-Acoustic Guitar, model number CTS150-12/N, serial number 05052744, with single cutaway,
mahogany body, spruce top, mahogany neck, rosewood fingerboard, off centre dot markers, LR Baggs pick-up system and EQ, with gig
bag, unplayed condition
95
A Rare Magnatone MKIII, circa 1956, designed by Paul Bigsby, with through-neck construction, single coil pick-up mounted on a black
pickguard, with tone and volume controls, chrome tailpiece with M logo and cream finish
96
A 1930s Regal Six String Parlour Guitar, the spruce top with repaired patch, chequered stringing, slotted headstock
97
A 1959 Gibson Melodymaker Three Quarter Size Guitar, serial number 924677, with mahogany slab body, sunburst finish, mahogany
neck, single pick-up fitted into a black pickguard with tone volume controls and wrap-around bridge
98
A 1930s Beltone Faux Resonator, all laminated mahogany construction, with mahogany neck, rosewood fingerboard, resonator cover
with flat aluminium disc surrounded by small holes with simulated ivory surrounds, fretcut stylised F holes to the upper bout
99
A Vicente Sanchis Style 8 Classical Guitar, with mahogany body, cedar top, with soft case
100
A 1950/60s Hopf Semi-Acoustic Guitar, with black finish body, single pick-up, with controls mounted on a cream scratch plate, trapeze
tailpiece, rosewood fretboard with pearloid block markers
101
A 1960s Kay Les Paul Style Guitar, with mahogany maple capped body, mahogany bolt-on neck, with built-in effects, single volume,
tone and speed control, amp and headphone inputs, two humbucker style pick-ups, with stop bar tailpiece
102
A 1960s Kay Galaxy, with single cut-away semi-acoustic laminated maple body, mahogany neck, rosewood fretboard with mother-ofpearl teardrop inlays, single pick-up, single volume and tone control, trapeze tailpiece and adjustable rosewood bridge, sunburst finish
103
A 1960s Kalamazoo Electric Guitar, fitted with a single EMG pick-up, single volume and tone control, red sparkle finish body, made at
the Gibson Kalamazoo factory
104
A 1960s Harmony Stratatone Jupiter Deluxe H49, with figures maple back and spruce top, fitted with twin pick-ups and selector,
together with five controls including tone bender, block inlaid rosewood fingerboard
105
A Dewey Decibel's Flipout Reverse Guitar, with strat-style body, maple neck and rosewood fretboard
106
A 1930s Regal Semi-Cutaway Acoustic Six String Guitar, with floating bridge, trapeze tailpiece, three piece back, stencilled markers
107
A Kay Upbeat, circa 1958, with single cutaway black finish body, Art Deco style headstock with plastic Kay logo, rosewood fingerboard
with mother-of-pearl block markers, sparkle finish scratch plate and twin ''tissue box'' pick-ups, two volume and two tone controls, threeway pick-up selector, trape ...[more]
108
A 1920s B and J Serenader Guitar, with maple back and sides, grained top
109
A 1920s Michigan Small Bodied Arch Top Guitar, with circular sound hole, maple back and sides, grained arched top, with shaded
sunburst finish, celluloid scratch plate, a trapeze tailpiece
110
An Early 1900s Lyon and Healy / Washburn Oak Bodied Parlour Guitar, with two-piece figured oak back, oak sides, spruce top with a
chequered binding, pyramid pin bridge and rosewood dot inlaid fingerboard
111
A Lyon and Healy / Washburn Rosewood Bodied Six String Parlour Guitar, late 1800s, with two-piece back and chequered centre stripe,
the spruce top with black and white chequered binding, pyramid bridge and rosewood fingerboard with three pearl dot position markers
112
A 1930s Oscar Schmidt Stella ''Barbeque Bob'' Guitar, with simulated pearl stencilled rosette, metal tailpiece and floating bridge, with
fitted case
113
A 1930s Oscar Schmidt Stella Tenor Guitar, black finish body, pearloid headstock and fingerboard veneer, rosewood four-pin bridge,
banjo style tuners, with fitted case
114
A 1960s Harmony Monterey Cello Bodied Jazz Guitar, with maple constructed back and sides, carved spruce top, trapeze tailpiece
115
A 1920s Oscar Schmidt Sovereign Mandolin, with rosewood grained guitar shaped body, spruce top, stained mahogany neck, fan
shaped steel tailpiece and floating bridge
116
A 1920s Oscar Schmidt Stella Banjo, with sixteen tension bars, (one missing), resonator back, with stencilled simulated abalone inlay
117
A British Made Banjolele ''Melody-Uke'', stamped GH & S trademark, British made, fitted with a resonator, with original leather cloth
covered case
118
A 1930s Unbranded Parlour Guitar, with maple back and sides, spruce top, maple neck
119
A 1960s Harmony Stratatone Hollow Bodied Guitar, with single cutaway, single pick-up, tone volume and on/off switch, sunburst finish
120
A 1950/60s Custom Craft Electric Guitar, hollow constructed body, three bolt neck, three way pick-up selector, two volume and two tone
controls, cream finish with chequered binding
121
A 1920s Orpheus Six String Small Bodied Guitar, grained laminate back and sides, trapeze tailpiece and adjustable bridge
122
A Rare 1920s Sovereign Double-Neck and Six String Fretless Bass Guitar by Oscar Schmidt, with rosewood grained back and sides,
herringboned centre strip, joined double scroll headstock, slotted to either side, with unfretted bass neck and fretted conventional guitar
neck, large twelve string pin bri ...[more]
123
A 1960s Kay Broadcaster Six String Electric Guitar, with twin pick-ups, chrome plated parts, laminated single cutaway body
124
A 1960s Di Giorgio Brazilian Classical Guitar, with rosewood back and sides, mahogany neck, carved slotted headstock
125
A Washburn Re-Issue R305S Guitar, with laminated rosewood back and sides, spruce top, star diamond and dot inlaid fretboard, slotted
headstock
126
A 1930s US Strad Small Bodied Acoustic Guitar, of laminated construction with one-piece walnut neck
127
A 1960s Kay Airline Diamond Top Acoustic Guitar, black finish with cream diamond top and diamond scratch plate, trapeze tailpiece,
twin F holes
128
A 1950s Maccaferri Islander Six String Plastic Guitar, striated grey plastic back and sides, cream plastic top
129
A 1960s Teisco Del Ray Model MJ-2L, with mahogany slab body, bolt-on neck, twin pick-ups, two mic switches, two tone and two
volume controls, sunburst finish, this mode was played by Ry Cooder and Hound Dog Taylor
130
A 1930/40s Sherwood Standard Lapsteel Guitar, one piece construction, with bass, treble and tone control, volume off/on switch, single
pick-up, stencilled decoration, sunburst finish, with fitted case
131
A Sovereign F5 Gibson Style Mandolin, with scroll body, sunburst finish, inlaid torch headstock and block markers, with fitted plush case
132
A Modern Hybrid Bowl Back Electro Acoustic Guitar, with single coil pick-up, tone and volume controls, twin F holes
133
A 1960s Epiphone EP93T, serial number 396744, laminated rosewood body, three piece laminated bolt-on neck, three pick-ups with
individual on/off switches, three volume controls and tone slider, tremolo bar, Gibson branded tulip chrome tuners
134
A 1920s Stella Banjo/Mandolin, with large enclosed resonator
135
A Hofner Thinline President Guitar, with compensator tailpiece, pearloid pick guard, made up from original Hofner parts
136
A Hofner Thinline President Guitar, with compensator tailpiece, pearloid pick guard, made up from original Hofner parts
137
A 1970/80s Encore Electric Guitar, model E41M, with Melody maker style slab body, two P90 style pick-ups, two volume and two tone
controls, with soft case
138
A 1940s Harmony Moonlight Bay Stencilled Acoustic Guitar, blue/green body with yellow stencilled Hawaiian scene, stencilled markers
139
A 1950/60s Slab Body Single Pick-up Guitar, possibly a prototype for the Hofner Club series guitar, three piece sycamore body,
laminated maple neck, rosewood fingerboard, single volume and tone control
140
A Travelling Wilbury's Gretch TW Solid Top Single Pick-Up Guitar, with stencil decoration and original box
141
A 1960s Kay Semi-Acoustic Electric Guitar, with maple back and sides, single F hole, three chrome plated ''speed bump'' pick-ups,
three-way pick-up selector and individual volume and tone controls, trapeze tailpiece
142
A 1970s Stella Harmony Twelve String Acoustic Guitar, with brown lacquered body and neck, laminated top, trapeze tailpiece and
floating bridge, stencilled rosette pearloid scratch plate
143
A 1960s Stella Harmony Twelve String Guitar, of laminated construction with sunburst finish, restored by Neil Harpe 10/10/01
144
A Minarik Inferno Electric Guitar, with chambered maple capped body of flame design, mahogany neck with rosewood fingerboard inset
with mother-of-pearl markers, gold hardware equipped with tone pro pick-ups This unique designed guitar features custom tone
chambering throughout the entire body inclu ...[more]
145
A Czechoslovakian Made Auto Harp, with tuning key and manual, boxed
146
A 1960s Harmony Stella Acoustic Guitar, with stencilled H position markers, chromed trapeze tailpiece and adjustable bridge
147
A Hofner Senator Guitar, serial number 596, with maple back, sides and top, laminated maple neck, rosewood fingerboard with dot
inlays, later pick guard, bridge and tailpiece
148
A 1960s Harmony Sovereign Guitar, with black finish body, rosewood moustache pin bridge, rosewood fretboard with pearloid markers,
interior stamped F70 Made in USA
149
A 1930s Regal Arch Top Acoustic Guitar, with laminated back and sides, trapeze tailpiece, ebonised fingerboard with plain dot markers,
the headstock inscribed Regal, Made in Chicago, sunburst finish with white lined F holes
150
A Tanglewood TW145/12-SC Electro Acoustic Twelve String Guitar, mahogany back, sides and neck, cedar top, rosewood fingerboard
inlaid with abalone, snowflake and diamond markers, with tags and box, unplayed condition
151
A 1960s Teisco Twin Neck Guitar, with cream finish body, twin six string necks, the upper neck with two pick-ups, the lower neck with
single pick-up and tremolo, broad white scratch plate, three selector switches, tone and volume control
152
A Vintage Brand Semi-Acoustic Guitar, model VSA850WH, with hollow body, applied finish with abalone binding, twin pick-ups, Bigsby
style tremolo, mother-of-pearl block markers on a rosewood fingerboard, gold plated parts This model is inspired by the Gretch White
Falcon
153
A 1970s Tom Mates Electro Acoustic Guitar, designed for Paul Brett, with mahogany body, spruce cap, single cutaway, pin bridge,
single volume and tone controls, sunburst finish, abalone rosette and reverse Mates headstock inlaid in mother-of-pearl This guitar was
handmade by Gibson Luthier Tom Mate ...[more]
154
A Joseph Bohmann Auto Harp, late 19th century, in fitted plush lined case (in need of restoration)
155
A Kay Rifle Guitar, with laminated mahogany through neck, twin pick-ups, coil taps switch, tone and volume controls, inset brass
markers, with original leatherette zip bag
156
A Philippine Islands Mother-of-Pearl Inlaid Hardwod Ukulele, with coconut shell body
157
A Teisco Del Ray Penncrest Electric Guitar, with two chromed pick-ups, sunburst finish, two volume and two tone controls
158
A 1930s Vega Lapsteel Guitar, one-piece construction with slab body, pearl dot markers and single horseshoe magnet pick-up, tone and
volume control
159
A Yamaha G10 Synthesizer Guitar System, circa 1988, with six string controller connected to a G10C converter rack module
160
A 1930s Radio Tone ''Hawaiian Teacher's Limited of Hollywood California'' Lapsteel Guitar, with papered fingerboard, forward facing
tuners and half Venetian headstock, lightening fretcut sound holes and single cone resonator, sunburst finish
161
A 1960s Harmony Stella Twelve String Guitar, brown finish back, sides and neck, laminated top, stencilled rosette, slotted headstock,
later label ''Repaired by Neil Harpe, Stella Guitars.com, 10/15/01''
162
A 1960s Harmony Rocket II H-54, with single cut-away laminated maple body, bolt-on neck, with ebonised fretboard, pearl dot markers,
twin pick-ups, three-way pick-up selector, two tone and two volume controls, trapeze tailpiece and adjustable rosewood bridge, cherry
burst finish This model features ...[more]
163
A 1966 Kay Concert Hall Style Series K561 Semi-Acoustic Electric Guitar, with single cutaway body, single pick-up and bolt-on neck,
vibrator tailpiece, single volume and tone control
164
A Favilla Twelve String Dreadnought Style Guitar, with laminated rosewood back and sides, laminated spruce top, mahogany neck,
rosewood fretboard, stencilled logo, with fitted case
165
A 1930s Sherwood Deluxe Lapsteel Guitar, with bound laminated body, square mahogany neck, single bar pick-up, volume on / off
switch, bass, treble and tone switch, a Kluson three in a line tuners, with original lead and bullet steel, with fitted Geib case
166
A 1970s Guild Twelve String Guitar, model F212, serial number 83233, with mahogany back and sides, figured spruce top, mahogany
neck, rosewood fretboard and pin bridge, Guild logo in simulated mother-of-pearl, tortoiseshell style pick-guard, with fitted case
167
A 1930s Deloro Six String Guitar, the birch body with simulated burrwood triangular ''inlay'', stencilled position markers, trapeze tailpiece
and floating bridge, with modern case
168
A Folk 12 Dreadnought Style Guitar, with laminated rosewood back and sides, laminated spruce top, trapeze style tailpiece, mahogany
neck, rosewood fretboard, later applied Gibson logo
169
A 1964 Hofner Committee, with bird's-eye maple back and sides, spruce top, maple laminated neck with ebony fingerboard, mother-ofpearl floral markers, trapeze tailpiece and adjustable bridge, see-through Perspex pickguard with Hofner logo, simulated pearl binding
throughout and mother-of-pearl inse ...[more]
170
A Gibson L4, circa 1930, with stained maple back and sides, carved spruce arched top with circular sound hole, simple cream binding
and sound hole rosette, mahogany neck with rosewood fingerboard, pearl dot markers, trapeze tailpiece and ebony adjustable bridge,
the headstock inscribed with Gibson l ...[more]
171
A Harmony Stella Twelve String Guitar, model number 319, serial number 12270000, with brown finished back, sides and neck,
laminated top, trapeze tailpiece and floating bridge, slotted headstock
172
A Mid-19th Century American Classical Six String Guitar, maker unknown, with rosewood back and sides, simple herringbone stripe to
the back, spruce top, mahogany neck with plain ebony fingerboard and pin bridge, bone saddle and pins, simple multi-stripe wood
binding This instrument could possibly b ...[more]
173
A Neapolitan College of Music Flat Back Mandolin, with flamed maple back and sides, arched spruce top with oval sound hole,
tortoiseshell celluloid inlaid scratch plate, the back with lithographed figure of a gypsy girl in flowing robes playing a musical instrument,
paper label to the interior inscr ...[more]
174
A 1930s Dobro Resonator Mandolin, with ebonised plywood constructed body and sunburst plywood top, fitted with a single spun cone
resonator, with moon and star design, ebonised fingerboard with pearl dot markers
175
A 1970s Vox AC30 Top Boost Amplifier, featuring a ten tube circuit which mirrors all of the controls and features of the mid 1960s JMI
Top Boost AC30
176
An 1060s Ampeg Gemini II Amplifier, with 30 plus watts, featuring a single 15inch speaker, reverb and tremolo
177
A 1950s Grampian P A System, made by the Grampian Reproducers Limited of Hanworth Trading Estate, Feltham, Middlesex, two-tone
blue-grey finish
178
A Michael Gurian Classical Guitar, with Brazilian rosewood back and sides, two piece spruce top, mahogany one piece neck, ebony
fretboard, ebony inlaid lacquered bridge, in plush lined hardcase This guitar was purchased by the vendor in 1968 from the New York
Studio of Michael Gurian who had made t ...[more]
179
A Gibson ES335 Studio, serial number 90172476, 1992 with laminated maple top, back and sides, no ''F'' holes, mahogany unbound
neck with ebony dot inlaid fretboard, Gibson Kluson style tuners with plastic tulip winders, two humbuckers, TP6 tailpiece, chrome
hardware, in Stagg plush lined case
180
A PRS Single Cut PRSSC58 Electric Guitar, serial number 11183321, 2011, with flamed maple capped mahogany body, mahogany
neck with rosewood fretboard, bird inlay markers, two humbuckers, nickel plated hardware, in plush lined case with tags, warranty etc
181
An Akai 40,000 Solid State Reel to Reel Tape Recorder, the property of Tom Newman, co-founder of Virgin records and producer of
Mike Oldfield's Tubular Bells. This is one of three Akai 40,000 in use at the Manor Studios in the early 1970s and was the machine that
first played the 3inch reel-to-reel ...[more]
182
A Siemens Cabinet with Amp and Speaker, in green finished case with front grille
183
A Custom Built ''Rat'' Guitar, made by Tom Newman out of various parts, fitted with twin humbucker pick-ups and tremolo unit to an
acoustic body, custom paint finish
184
An Epiphone EJ200N Everly Brothers Jumbo Acoustic Guitar, with laminated maple back and sides, maple neck, spruce top and twin
scrolled tortoiseshell effect scratch plates, moustache bridge, with TKL case
185
A Leak Stereo 30 Pre-Amp; A Quad Pre-Amp. Both these pre-amps were used at the Manor Studios by Tom Newman (2)
186
A Custom Hand Made Guitar by Tom Newman ''The Pirate'', with rectangular body and custom based finish, three single coil pick-ups,
the reverse with set list; A Tom Newman Custom Made Pirate Guitar (2) Both these guitars were custom made and played by Tom
Newman
187
A Tom Newman Fecker Cusso-Caster, made by Tom Newman
188
A Tanglewood 'Sundance' 6-String Acoustic Guitar, serial number TW1 5NS, with makers paper label, solid mahogany back and sides,
spruce top, in a plush lined case
189
A Semer 6-String Electric Lap Steel Guitar, with solid mahogany body, volume and tone controllers on brass plate, in fitted case
190
An Early 1960s Hofner President, with early style cutaway maple body and top, unusual tortoiseshell veneered headstock, three pearl
dot position markers, sunburst finish, non original trapeze tailpiece and replaced adjustable bridge, period Selmer type case
191
A Fender Japanese Special Limited Edition Jazz Bass Guitar, with maple bound neck, black block markers, black finish, serial
number:B010681, hard case
192
A Guild Model G37 BLD Acoustic Guitar, serial number 138971, with maple back and sides, spruce top, mahogany neck, rosewood
fretboard, with pearl dot markers, grover tuners, circa 1976, cased
193
A Richwood Strat Style Guitar, cream blonde finish, maple neck, with hard case; together with a Shure SM58 Microphone and a
Quantity of Leads
194
A Tanglewood TMO-B2 Electro-Acoustic Bass, with moulded bowl back, mahogany neck, rosewood fretboard, with soft case
195
A Laney RI Bass Amplifier, with normal and high inputs, gain, enhance, bass, para-mid, treble and master volume
196
A Michael Gurian Workshops Koa and Spruce Acoustic Guitar, circa 1980, serial no:D1958, with one piece mahogany neck, rosewood
fretboard, ebony pin bridge, cased
197
A Japanese Kimbara Model 71 Six String Acoustic Guitar, with mahogany back and sides, chrome tuners, in soft case, together with
Two Aulos Plastic Recorders - treble and tenor, in cases, with music (3)
198
Three Electric Guitars, comprising a Fender Squire Strat Affinity Series, with red body, a Jaxville with skull decorated body and a Jagard
lap top 6-string in nylon case
199
A Sagadia Model 1105 Classical Guitar, made in Japan, with laminated mahogany body, mahogany neck and cedar top, cased
200
A 1964 Fender Precision Bass Guitar, serial number L36067, with Hollies provenance, sunburst finish, maple neck with rosewood
fretboard, clay dots, tortoiseshell scratchplate, one single coil pick-up, tone and volume control, with non Fender hard case With CITES
A10 (non-transferable) licence no.53 ...[more]
201
A Charvel Strat Style Guitar, serial number 353918, with two piece ash body, translucent brown finish, pearloid scratchplate, maple
neck, rosewood fretboard, mother-of-pearl dot markers, fitted with two single coils and one humbucker, three-way selector and coil tap
switch, tone and volume control, ...[more]
202
A 1960s Terada Classical Guitar, made in Japan, with laminated back and sides, spruce top, mahogany neck and rosewood fretboard,
with hard case
203
A 1976 B.M. Rodeo Dreadnought Acoustic Guitar, handmade at S Yairi, Nagoya, Japan, mahogany back and sides, spruce top, with
soft case
204
A Yamaha CG110A Classical Guitar, with laminated mahogany back and sides, laminate top, mahogany neck, ebonised fretboard, with
soft case
205
A ''KC366'' Classical Guitar, in soft case
206
A 1980s Fender Sidekick Reverb 25 Guitar Amplifier, solid state with single 12'' speakers and footswitch
207
A 1977 Fender Musicmaster Short Scale Bass Guitar, serial number S7 21895, maple neck, rosewood fretboard with pearl dot markers,
single pickup, volume and tone controls, blonde finish with black pick guard, homemade plywood case
208
A 1970s Arbiter Short Scale Bass Guitar, with SG style body, two pickups
209
Two Laney CP10 Foldback Speakers and a Carlsbro Marlin P.A.
210
A Peavey Deuce VT212 Guitar Amp
211
An Antoria Telecaster Custom Style Guitar, with twin humbuckers, black finish with black pick-guard, two volume and two tone controls,
maple neck and fretboard
212
A Takamine Electro Acoustic Classical Guitar, model EG124C, with laminated mahogany body, laminated spruce top, mahogany neck
213
A Hondo Black Finish Hummingbird Style Dreadnought Guitar
214
A Gibson Howard Roberts Fusion Semi-Acoustic Electric Guitar, serial number 94025381, circa 1992, with twin humbucking pick-ups,
three way toggle switch, laminated maple construction with maple neck, ebony fingerboard, dot markers, sunburst finish, inset Gibson
logo and crown inlay in mother-of-pear ...[more]
215
A 1972 Gibson Les Paul Standard Guitar, serial number 127940, with sandwich laminated body, mahogany neck with volute Gibson
Deluxe Kluson style tuners, pearloid crown inlays on a rosewood fretboard, di Marzio neck pick-up, original Gibson bridge pick-up, two
volume and two tone controls, deactivate ...[more]
216
A 1980s Fender Concert Guitar Amplifier, with twin inputs, volume treble boost and mid controls, twin gain controls, treble, bass, mid
and volume mix and reverb, single 12inch speaker, with custom made cover
217
A Yamaha NTX700 Nylon String Electro Acoustic Guitar, with mahogany back, sides and neck, spruce top, oval sound hole, with wood
and abalone inlays, with fitted hard case
218
A Taylor 214CEG Electro Acoustic Guitar, with laminated rosewood back and sides, solid spruce top, mahogany neck, with Taylor soft
case
219
An Epiphone Sorrento Style E452TDN Guitar, limited edition 437 of 1962, single Florentine cutaway, thinline hollow bodied with double
mini humbuckers, twin F holes, two volume and two tone controls, trapeze tailpiece, epiphone plastic logo to the headstock, three way
pick-up selector, in fitted epip ...[more]
220
A Hofner Contemporary Series Verythin Standard Semi-Acoustic Electric Guitar, with twin humbucking pick-ups, three way toggle
switch, two tone and two volume controls, cherry finish, in fitted case
221
A Yamaha AEX502 Semi-Acoustic Guitar, with twin P90 style pick-ups, tone and volume controls, original stop bar tailpiece and
additional TPX chromed tailpiece
222
A Deering Goodtime Tenor Banjo, with maple resonator and neck, in hard case
223
An Ornate 19th Century German Rosewood Zither by Xaver Kerschensteiner, Regensburg, with five bone tuners to engraved gilt metal
baseplate, with accessories and music to fitted case
224
A Wooden Zither, with retailers label for 'Lewis Edward Mason York', with five bone tuners, in a wooden case
225
A Kay 4-String Banjo, the rosewood resonator decorated with an eagle, in a plush lined case, together with a Savana Bajolelle, cased
(2)
226
A Windsor Whirle 'Ambassador Supremus' Banjo, with 28cm vellum head, chrome tension brackets, rosewood resonator (loose), five
black plastic tuners, in a faux crocodile skin case
227
A 4-String Banjo by W Temlett of London, with veneered resonator, mother of pearl inlay, six bone tuners to geared machine head,
cased
228
A Windsor 'Ideal Model 9' Banjo, incomplete and needs rebuilding, cased, together with an empty banjo case (2)
229
A 20th Century German 'Sinfonia' Lute, with makers paper label, constructed of rosewood and maple, with carved aperture cover, in a
fitted case
230
An 8-String Mandolin-Banjo, with geared machine head, white tuners, in a leather case
231
A Stroviols Popular Model 4-String Phono-Fiddle, with aluminium horn, rosewood pegs, together with a bow, cased
232
A George Formby Signature Banjo; and A Case Violin (2)
233
A Pietro Italia Piano Accordion, the faux pearl body set with diamantes, cased
234
An Italian Crucianelli Piano Accordion, with red faux pearl covered body, cased
235
A Thirty Key Anglo System Hexagonal Concertina by C.Jeffries, the pierced nickel plated ends stamped with makers name, with thirty
nickel buttons, leather hand straps inscribed 'C.Wheatstone & Co., London', gilt tooling to leather sides, six fold paper covered leather
bellows, in a mahogany case
236
A Small German Alvari Accordion, with faux pearl covered body, cased
237
A Soprani Italia Piano Accordion, with faux blue pearl body, in case
238
Set Of Scottish Small Pipes marked 'D'
240
A Yamaha PSR 4000 Electronic Keyboard, foot pedal and lead, with soft case
241
A Yamaha P80 Electronic Piano, with front pedal, Lynx adapter and mains lead, with soft case
242
A Behringer Ultrawave B300, keyboard amplifier
243
A Mapex Saturn Series Drum Kit, with electric berry burst finish
244
Two Zildjian Cymbals, circa late 60's or early 70's, comprising a 20inch Power Ride and 18inch Dark Crash
245
A Pearl Signature Series Ian Paice Snare Drum, with polished chrome finish, diameter 36cm
246
Gered Mankowitz - Photograph Of Brian Jones (Rolling Stones) hand signed, 16x16'', 41x41cm, glazed and framed
247
Gered Mankowitz - Rolling Stones, Red Cage, silkscreen print, hand signed and numbered 87/200, with Archive Stamps 41x30'',
104x79cm glazed and framed
248
Gered Mankowitz - The Rolling Stones, Masons Yard silkscreen print, with Archive Stamp, hand signed and numbered 837/1000,
35x24'', 89x61cm glazed and framed
249
Gered Mankowitz - Rolling Stones, Caged silkscreen print, with Archive Stamp, hand signed and numbered 842/1000, 35x24'', 89x61cm
glazed and framed
250
A Bang & Olufsen Beocenter 4600, comprising a turntable, tuner and cassette player, together with a pair of Beovox S35 speakers and
a pair of Beovox S45-2 speakers (5)
251
A Decca Rally Portable Gramophone, simulated snake skin finished case
252
A 1960s Portadyne PR Portable Record Player, in grey two tone finished case, with detachable cover
253
An Excelda Portable Wind-Up Gramophone, with detachable horn and stylus, simulated Kodak camera case, branded leather loop
handle, 29cm by 12cm
254
A Brenell Mk 5M Series 3 Reel to Reel Tape Recorder, previously owned and used by Tom Newman of the Virgin Manor Studios
255
A Teac A3340S Four Channel Reel to Reel Tape Recorder, previously owned and used by Tom Newman at the Ezee Studios, Islington
in the early 1980s as part of the rehearsal facilities
256
A Ferrograph Military Reel to Reel Recorder, serial number WRW1195, year of manufacture 1968; A Ferrograph Logic 7 Reel to Reel
Recorder (2)
257
A Bal-Ami Model CMM Jukebox, serial number 800306, containing a selection of 45rpm singles, with a box of spares, needs attention
258
Edison Gem Phonograph with horn and a small selection of cylinders
259
Edison Standard Type 2 Phonograph No.S9819 with horn and a selection of wax cylinders
260
A Quantity of Cassettes, previously the property of John Entwistle of The Who, including personal recordings, drum tracks, Linn
Programs etc (qty) These sets were previously from the dispersal sale of John Entwistle's effects following his death in 2002
261
Edison Fireside Phonograph no.25326, with two part 'Cygnet' horn with stand; together with a quantity of cylinders in original boxes (qty)
262
Disc Music Box Discs a collection of assorted sizes for 24.5'' to 8''
263
Bells in View Cylinder Music Box playing 10 Airs, lever wind with three bells and label inside lid with printed tune list; 6.25'' long cylinder
in oak box with stained outer with decal to top
264
Cylinder Musical Box Playing Eight Aires late 19th Century lever wind in faux rosewood case, with label inside lid; cylinder 11'' long
265
Edison Gem Phonograph with aluminium horn and a few case cylinders
266
Hi-Fi Equipment, comprising Teleoyne turntable, Arcam tuner, Nokomichi cassette player, Arcam AMD, Arcam CD player, and a pair of
Hacker speakers with stands
267
Hi-Fi Equipment, comprising a Pair of KEF speakers, Rotel tuner and AMP, and a Denon CD player
268
A 19th Century Swiss Cylinder Musical Box, with a 16cm brass cylinder and single steel comb movement playing 10 airs, three bells in
sight, butterfly clappers, lyre shaped tune marker, under glazed cover, with Change/Repeat and Stop/Start levers opposite ratcheted
brass winding arm, tune sheet to un ...[more]
269
Cylinder Music Box 19th Century with lever wind in stained oak case with rosewood veneer with 8'' long cylinder
270
Small Cylinder Musical Box in metal box having 16 piece comb and 2.5'' long cylinder; the box has coloured metal outer and is stamped
'Stirling'
271
Edison Standard Phonograph no.634978 with horn and box of cased cylinders
272
Symphonium Disc Music Box in oak box with veneered lid, Symphonium Cherubs picture glazed inside lid, and twin combs both marked
''Schutz Marke 'Symphonium' Trade Mark''; playing 13.5'' discs with two folders containing approximately 20 discs
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