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Information
When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below.
ASIA
CHINA
Roland Shanghai Electronics
Co.,Ltd.
5F. No.1500 Pingliang Road
Shanghai 200090, CHINA
TEL: (021) 5580-0800
Roland Shanghai Electronics
Co.,Ltd.
(BEIJING OFFICE)
10F. No.18 3 Section Anhuaxili
Chaoyang District Beijing
100011 CHINA
TEL: (010) 6426-5050
Roland Shanghai Electronics
Co.,Ltd.
(GUANGZHOU OFFICE)
2/F., No.30 Si You Nan Er Jie
Yi Xiang, Wu Yang Xin Cheng,
Guangzhou 510600, CHINA
TEL: (020) 8736-0428
HONG KONG
Tom Lee Music Co., Ltd.
Service Division
22-32 Pun Shan Street, Tsuen
Wan, New Territories,
HONG KONG
TEL: 2415 0911
Parsons Music Ltd.
8th Floor, Railway Plaza, 39
Chatham Road South, T.S.T,
Kowloon, HONG KONG
TEL: 2333 1863
INDIA
Rivera Digitec (India) Pvt. Ltd.
409, Nirman Kendra
Mahalaxmi Flats Compound
Off. Dr. Edwin Moses Road,
Mumbai-400011, INDIA
TEL: (022) 2493 9051
INDONESIA
PT Citra IntiRama
J1. Cideng Timur No. 15J-150
Jakarta Pusat
INDONESIA
TEL: (021) 6324170
KOREA
Cosmos Corporation
1461-9, Seocho-Dong,
Seocho Ku, Seoul, KOREA
TEL: (02) 3486-8855
MALAYSIA
Roland Asia Pacific Sdn. Bhd.
45-1, Block C2, Jalan PJU 1/39,
Dataran Prima, 47301 Petaling
Jaya, Selangor, MALAYSIA
TEL: (03) 7805-3263
AFRICA
EGYPT
Al Fanny Trading Office
9, EBN Hagar A1 Askalany
Street,
ARD E1 Golf, Heliopolis,
Cairo 11341, EGYPT
TEL: 20-2-417-1828
REUNION
Maison FO - YAM Marcel
25 Rue Jules Hermann,
Chaudron - BP79 97 491
Ste Clotilde Cedex,
REUNION ISLAND
TEL: (0262) 218-429
SOUTH AFRICA
That Other Music Shop(PTY)Ltd.
11 Melle St., Braamfontein,
Johannesbourg,
SOUTH AFRICA
TEL: (011) 403 4105
FAX: (011) 403 1234
Paul Bothner(PTY)Ltd.
17 Werdmuller Centre,
Main Road, Claremont 7708
SOUTH AFRICA
TEL: (021) 674 4030
PHILIPPINES
G.A. Yupangco & Co. Inc.
339 Gil J. Puyat Avenue
Makati, Metro Manila 1200,
PHILIPPINES
TEL: (02) 899 9801
SINGAPORE
SWEE LEE MUSIC
COMPANY PTE. LTD.
150 Sims Drive,
SINGAPORE 387381
TEL: 6846-3676
CRISTOFORI MUSIC PTE LTD
Blk 3014, Bedok Industrial Park E,
#02-2148, SINGAPORE 489980
TEL: 6243-9555
TAIWAN
ROLAND TAIWAN
ENTERPRISE CO., LTD.
Room 5, 9fl. No. 112 Chung
Shan N.Road Sec.2, Taipei,
TAIWAN, R.O.C.
TEL: (02) 2561 3339
THAILAND
Theera Music Co. , Ltd.
330 Verng NakornKasem, Soi 2,
Bangkok 10100, THAILAND
TEL: (02) 2248821
VIETNAM
Saigon Music
Suite DP-8
40 Ba Huyen Thanh Quan Street
Hochiminh City, VIETNAM
TEL: (08) 930-1969
AUSTRALIA/
NEW ZEALAND
AUSTRALIA/
NEW ZEALAND
Roland Corporation
Australia Pty.,Ltd.
38 Campbell Avenue
Dee Why West. NSW 2099
AUSTRALIA
For Australia
Tel: (02) 9982 8266
For New Zealand
Tel: (09) 3098 715
CENTRAL/LATIN
AMERICA
ARGENTINA
Instrumentos Musicales S.A.
Av.Santa Fe 2055
(1123) Buenos Aires
ARGENTINA
TEL: (011) 4508-2700
BARBADOS
A&B Music Supplies LTD
12 Webster Industrial Park
Wildey, St.Michael, Barbados
TEL: (246)430-1100
BRAZIL
Roland Brasil Ltda.
Rua San Jose, 780 Sala B
Parque Industrial San Jose
Cotia - Sao Paulo - SP, BRAZIL
TEL: (011) 4615 5666
CHILE
Comercial Fancy II S.A.
Rut.: 96.919.420-1
Nataniel Cox #739, 4th Floor
Santiago - Centro, CHILE
TEL: (02) 688-9540
COLOMBIA
Centro Musical Ltda.
Cra 43 B No 25 A 41 Bododega 9
Medellin, Colombia
TEL: (574)3812529
COSTA RICA
JUAN Bansbach Instrumentos
Musicales
Ave.1. Calle 11, Apartado 10237,
San Jose, COSTA RICA
TEL: 258-0211
CURACAO
Zeelandia Music Center Inc.
Orionweg 30
Curacao, Netherland Antilles
TEL:(305)5926866
DOMINICAN REPUBLIC
Instrumentos Fernando Giraldez
Calle Proyecto Central No.3
Ens.La Esperilla
Santo Domingo,
Dominican Republic
TEL:(809) 683 0305
ECUADOR
Mas Musika
Rumichaca 822 y Zaruma
Guayaquil - Ecuador
TEL:(593-4)2302364
EL SALVADOR
OMNI MUSIC
75 Avenida Norte y Final
Alameda Juan Pablo II,
Edificio No.4010 San Salvador,
EL SALVADOR
TEL: 262-0788
GUATEMALA
Casa Instrumental
Calzada Roosevelt 34-01,zona 11
Ciudad de Guatemala
Guatemala
TEL:(502) 599-2888
HONDURAS
Almacen Pajaro Azul S.A. de C.V.
BO.Paz Barahona
3 Ave.11 Calle S.O
San Pedro Sula, Honduras
TEL: (504) 553-2029
MARTINIQUE
Musique & Son
Z.I.Les Mangle
97232 Le Lamantin
Martinique F.W.I.
TEL: 596 596 426860
Gigamusic SARL
10 Rte De La Folie
97200 Fort De France
Martinique F.W.I.
TEL: 596 596 715222
MEXICO
Casa Veerkamp, s.a. de c.v.
Av. Toluca No. 323, Col. Olivar de los Padres 01780 Mexico
D.F. MEXICO
TEL: (55) 5668-6699
NICARAGUA
Bansbach Instrumentos
Musicales Nicaragua
Altamira D'Este Calle Principal de la Farmacia 5ta.Avenida
1 Cuadra al Lago.#503
Managua, Nicaragua
TEL: (505)277-2557
PANAMA
SUPRO MUNDIAL, S.A.
Boulevard Andrews, Albrook,
Panama City, REP. DE
PANAMA
TEL: 315-0101
PARAGUAY
Distribuidora De
Instrumentos Musicales
J.E. Olear y ESQ. Manduvira
Asuncion PARAGUAY
TEL: (595) 21 492147
PERU
Audionet
Distribuciones Musicales SAC
Juan Fanning 530
Miraflores
Lima - Peru
TEL: (511) 4461388
TRINIDAD
AMR Ltd
Ground Floor
Maritime Plaza
Barataria Trinidad W.I.
TEL: (868)638 6385
URUGUAY
Todo Musica S.A.
Francisco Acuna de Figueroa
1771
C.P.: 11.800
Montevideo, URUGUAY
TEL: (02) 924-2335
VENEZUELA
Instrumentos Musicales
Allegro,C.A.
Av.las industrias edf.Guitar import
#7 zona Industrial de Turumo
Caracas, Venezuela
TEL: (212) 244-1122
EUROPE
AUSTRIA
Roland Elektronische
Musikinstrumente HmbH.
Austrian Office
Eduard-Bodem-Gasse 8,
A-6020 Innsbruck, AUSTRIA
TEL: (0512) 26 44 260
BELGIUM/FRANCE/
HOLLAND/
LUXEMBOURG
Roland Central Europe N.V.
Houtstraat 3, B-2260, Oevel
(Westerlo) BELGIUM
TEL: (014) 575811
CZECH REP.
K-AUDIO
Kardasovska 626.
CZ-198 00 Praha 9,
CZECH REP.
TEL: (2) 666 10529
DENMARK
Roland Scandinavia A/S
Nordhavnsvej 7, Postbox 880,
DK-2100 Copenhagen
DENMARK
TEL: 3916 6200
FINLAND
Roland Scandinavia As, Filial
Finland
Elannontie 5
FIN-01510 Vantaa, FINLAND
TEL: (0)9 68 24 020
GERMANY
Roland Elektronische
Musikinstrumente HmbH.
Oststrasse 96, 22844
Norderstedt, GERMANY
TEL: (040) 52 60090
GREECE
STOLLAS S.A.
Music Sound Light
155, New National Road
Patras 26442, GREECE
TEL: 2610 435400
HUNGARY
Roland East Europe Ltd.
Warehouse Area ‘DEPO’ Pf.83
H-2046 Torokbalint,
HUNGARY
TEL: (23) 511011
IRELAND
Roland Ireland
G2 Calmount Park, Calmount
Avenue, Dublin 12
Republic of IRELAND
TEL: (01) 4294444
ITALY
Roland Italy S. p. A.
Viale delle Industrie 8,
20020 Arese, Milano, ITALY
TEL: (02) 937-78300
NORWAY
Roland Scandinavia Avd.
Kontor Norge
Lilleakerveien 2 Postboks 95
Lilleaker N-0216 Oslo
NORWAY
TEL: 2273 0074
POLAND
MX MUSIC SP.Z.O.O.
UL. Gibraltarska 4.
PL-03664 Warszawa POLAND
TEL: (022) 679 44 19
PORTUGAL
Roland Iberia, S.L.
Portugal Office
Cais das Pedras, 8/9-1 Dto
4050-465, Porto, PORTUGAL
TEL: 22 608 00 60
ROMANIA
FBS LINES
Piata Libertatii 1,
535500 Gheorgheni,
ROMANIA
TEL: (266) 364 609
RUSSIA
MuTek
3-Bogatyrskaya Str. 1.k.l
107 564 Moscow, RUSSIA
TEL: (095) 169 5043
SPAIN
Roland Iberia, S.L.
Paseo García Faria, 33-35
08005 Barcelona SPAIN
TEL: 93 493 91 00
SWEDEN
Roland Scandinavia A/S
SWEDISH SALES OFFICE
Danvik Center 28, 2 tr.
S-131 30 Nacka SWEDEN
TEL: (0)8 702 00 20
SWITZERLAND
Roland (Switzerland) AG
Landstrasse 5, Postfach,
CH-4452 Itingen,
SWITZERLAND
TEL: (061) 927-8383
UKRAINE
TIC-TAC
Mira Str. 19/108
P.O. Box 180
295400 Munkachevo,
UKRAINE
TEL: (03131) 414-40
UNITED KINGDOM
Roland (U.K.) Ltd.
Atlantic Close, Swansea
Enterprise Park, SWANSEA
SA7 9FJ,
UNITED KINGDOM
TEL: (01792) 702701
MIDDLE EAST
BAHRAIN
Moon Stores
No.16, Bab Al Bahrain Avenue,
P.O.Box 247, Manama 304,
State of BAHRAIN
TEL: 17 211 005
CYPRUS
Radex Sound Equipment Ltd.
17, Diagorou Street, Nicosia,
CYPRUS
TEL: (022) 66-9426
IRAN
MOCO INC.
No.41 Nike St., Dr.Shariyati Ave.,
Roberoye Cerahe Mirdamad
Tehran, IRAN
TEL: (021) 285-4169
ISRAEL
Halilit P. Greenspoon & Sons
Ltd.
8 Retzif Ha'aliya Hashnya St.
Tel-Aviv-Yafo ISRAEL
TEL: (03) 6823666
NORTH AMERICA
CANADA
Roland Canada Music Ltd.
(Head Office)
5480 Parkwood Way
Richmond B. C., V6V 2M4
CANADA
TEL: (604) 270 6626
Roland Canada Music Ltd.
(Toronto Office)
170 Admiral Boulevard
Mississauga On L5T 2N6
CANADA
TEL: (905) 362 9707
U. S. A.
Roland Corporation U.S.
5100 S. Eastern Avenue
Los Angeles, CA 90040-2938,
U. S. A.
TEL: (323) 890 3700
JORDAN
AMMAN Trading Agency
245 Prince Mohammad St.,
Amman 1118, JORDAN
TEL: (06) 464-1200
KUWAIT
EASA HUSAIN AL-YOUSIFI
& SONS CO.
Abdullah Salem Street,
Safat, KUWAIT
TEL: 243-6399
LEBANON
Chahine S.A.L.
Gerge Zeidan St., Chahine
Bldg., Achrafieh, P.O.Box: 16-
5857
Beirut, LEBANON
TEL: (01) 20-1441
OMAN
TALENTZ CENTRE L.L.C.
P.O. BOX 37, MUSCAT,
POSTAL CODE 113
TEL: 931-3705
QATAR
Al Emadi Co. (Badie Studio &
Stores)
P.O. Box 62, Doha, QATAR
TEL: 4423-554
SAUDI ARABIA aDawliah Universal
Electronics APL
Corniche Road, Aldossary
Bldg., 1st Floor, Alkhobar,
SAUDI ARABIA
P.O.Box 2154, Alkhobar 31952
SAUDI ARABIA
TEL: (03) 898 2081
SYRIA
Technical Light & Sound
Center
Rawda, Abdul Qader Jazairi St.
Bldg. No. 21, P.O.BOX 13520,
Damascus, SYRIA
TEL: (011) 223-5384
TURKEY
Ant Muzik Aletleri Ithalat Ve
Ihracat Ltd Sti
Siraselviler Caddesi
Siraselviler Pasaji No:74/20
Taksim - Istanbul, TURKEY
TEL: (0212) 2449624
U.A.E.
Zak Electronics & Musical
Instruments Co. L.L.C.
Zabeel Road, Al Sherooq Bldg.,
No. 14, Grand Floor, Dubai,
U.A.E.
TEL: (04) 3360715
As of January 15, 2005 (ROLAND)
03453923 ’05-6-5N
To resize thickness, move all items on the front cover and registration marks to left or right.
Owner’s Manual
We’d like to take a moment to thank you for purchasing the Roland Percussion Sound Module TD-20.
201b
Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY
INSTRUCTIONS” (p. 2), “USING THE UNIT SAFELY” (p. 3), and “IMPORTANT NOTES”
(p. 5). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.
234
* CompactFlash and are trademarks of SanDisk Corporation and licensed by
CompactFlash association.
235
* Roland Corporation is an authorized licensee of the CompactFlash™ and CF logo ( trademarks.
236
* Fugue © 2004 Kyoto Software Research, Inc. All rights reserved.
)
202
Copyright © 2004 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.
To resize thickness, move all items on the front cover and registration marks to left or right.
WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
ATTENTION
: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.
INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.
IMPORTANT SAFETY INSTRUCTIONS
SAVE THESE INSTRUCTIONS
WARNING - When using electric products, basic precautions should always be followed, including the following:
1.
Read these instructions.
2.
Keep these instructions.
3.
Heed all warnings.
4.
Follow all instructions.
5.
Do not use this apparatus near water.
6.
Clean only with a dry cloth.
7.
Do not block any of the ventilation openings. Install in accordance with the manufacturers instructions.
8.
Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.
9.
Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.
10. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.
11. Only use attachments/accessories specified by the manufacturer.
12. Unplug this apparatus during lightning storms or when unused for long periods of time.
13. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.
For the U.K.
WARNING:
IMPORTANT:
THIS APPARATUS MUST BE EARTHED
THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
GREEN-AND-YELLOW: EARTH, BLUE: NEUTRAL, BROWN: LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows:
The wire which is coloured GREEN-AND-YELLOW must be connected to the terminal in the plug which is marked by the letter E or by the safety earth symbol or coloured GREEN or GREEN-AND-YELLOW.
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
Apparatus containing
Lithium batteries
ADVARSEL!
Lithiumbatteri - Eksplosionsfare ved fejlagtig håndtering.
Udskiftning må kun ske med batteri af samme fabrikat og type.
Levér det brugte batteri tilbage til leverandøren.
For EU Countries
CAUTION
Danger of explosion if battery is incorrectly replaced.
Replace only with the same or equivalent type recommended by the manufacturer.
Discard used batteries according to the manufacturer’s instructions.
VARNING
Explosionsfara vid felaktigt batteribyte.
Använd samma batterityp eller en ekvivalent typ som rekommenderas av apparattillverkaren.
Kassera använt batteri enligt fabrikantens instruktion.
ADVARSEL
Eksplosjonsfare ved feilaktig skifte av batteri.
Benytt samme batteritype eller en tilsvarende type anbefalt av apparatfabrikanten.
Brukte batterier kasseres i henhold til fabrikantens instruks joner.
VAROITUS
Paristo voi räjähtää, jos se on virheellisesti asennettu.
Vaihda paristo ainoastaan laitevalmistajan suosittelemaan tyyppiin. Hävitä käytetty paristo valmistajan ohjeiden mukaisesti.
For EU Countries
This product complies with the requirements of European Directives EMC 89/336/EEC and LVD 73/23/EEC.
For the USA
FEDERAL COMMUNICATIONS COMMISSION
RADIO FREQUENCY INTERFERENCE STATEMENT
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the
FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:
– Reorient or relocate the receiving antenna.
– Increase the separation between the equipment and receiver.
– Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
– Consult the dealer or an experienced radio/TV technician for help.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
(1) This device may not cause harmful interference, and
(2) This device must accept any interference received, including interference that may cause undesired operation.
Unauthorized changes or modification to this system can void the users authority to operate this equipment.
This equipment requires shielded interface cables in order to meet FCC class B Limit.
For Canada
NOTICE
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
AVIS
Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.
2
TD-20_Ref_e.book 3 ページ ２００５年５月２５日 水曜日 午前９時４９分
USING THE UNIT SAFELY
Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.
Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.
* Material damage refers to damage or other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.
The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.
The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.
The
●
symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.
001
• Before using this unit, make sure to read the instructions below, and the Owner’s Manual.
................................................................................................
001-50
• Connect mains plug of this model to a mains socket outlet with a protective earthing connection.
................................................................................................
002b
• Do not open or perform any internal modifications on the unit. (The only exception would be where this manual provides specific instructions which should be followed in order to put in place user-
installable options; see p. 86, p. 88.)
................................................................................................
003
• Do not attempt to repair the unit, or replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland
Service Center, or an authorized Roland distributor, as listed on the “Information” page.
................................................................................................
004
• Never use or store the unit in places that are:
• Subject to temperature extremes (e.g., direct sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are
• Damp (e.g., baths, washrooms, on wet floors); or are
• Humid; or are
• Exposed to rain; or are
• Dusty; or are
• Subject to high levels of vibration.
................................................................................................
007
• Make sure you always have the unit placed so it is level and sure to remain stable. Never place it on stands that could wobble, or on inclined surfaces.
................................................................................................
008a
• The unit should be connected to a power supply only of the type described in the operating instructions, or as marked on the bottom of unit.
................................................................................................
008e
• Use only the attached power-supply cord. Also, the supplied power cord must not be used with any other device.
................................................................................................
009
• Do not excessively twist or bend the power cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are fire and shock hazards!
................................................................................................
010
• This unit, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist.
................................................................................................
011
• Do not allow any objects (e.g., flammable material, coins, pins); or liquids of any kind (water, soft drinks, etc.) to penetrate the unit.
................................................................................................
3
TD-20_Ref_e.book 4 ページ ２００５年５月２５日 水曜日 午前９時４９分
012a:
• Immediately turn the power off, remove the power cord from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the
“Information” page when:
• The power-supply cord, or the plug has been damaged; or
• If smoke or unusual odor occurs
• Objects have fallen into, or liquid has been spilled onto the unit; or
• The unit has been exposed to rain (or otherwise has become wet); or
• The unit does not appear to operate normally or exhibits a marked change in performance.
................................................................................................
013
• In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit.
................................................................................................
014
• Protect the unit from strong impact.
(Do not drop it!)
................................................................................................
015
• Do not force the unit’s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords—the total power used by all devices you have connected to the extension cord’s outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through.
................................................................................................
016
• Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service
Center, or an authorized Roland distributor, as listed on the “Information” page.
................................................................................................
022a
• Always turn the unit off and unplug the power cord before attempting installation of the circuit board (SOUND & SYSTEM EXPANSION BOARD for TD-20).
................................................................................................
026
• Do not put anything that contains water (e.g., flower vases) on this unit. Also, avoid the use of insecticides, perfumes, alcohol, nail polish, spray cans, etc., near the unit. Swiftly wipe away any liquid that spills on the unit using a dry, soft cloth.
................................................................................................
101a
• The unit should be located so that its location or position does not interfere with its proper ventilation.
................................................................................................
102b
• Always grasp only the plug on the power-supply cord when plugging into, or unplugging from, an outlet or this unit.
................................................................................................
103a:
• At regular intervals, you should unplug the power plug and clean it by using a dry cloth to wipe all dust and other accumulations away from its prongs. Also, disconnect the power plug from the power outlet whenever the unit is to remain unused for an extended period of time. Any accumulation of dust between the power plug and the power outlet can result in poor insulation and lead to fire.
................................................................................................
104
• Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children.
................................................................................................
106
• Never climb on top of, nor place heavy objects on the unit.
................................................................................................
107b
• Never handle the power cord or its plugs with wet hands when plugging into, or unplugging from, an outlet or this unit.
................................................................................................
108a
• Before moving the unit, disconnect the power plug from the outlet, and pull out all cords from external devices.
................................................................................................
109a
• Before cleaning the unit, turn off the power and unplug the power cord from the outlet.
................................................................................................
110a
• Whenever you suspect the possibility of lightning in your area, pull the plug on the power cord out of the outlet.
................................................................................................
115a
• Install only the specified circuit board (SOUND &
SYSTEM EXPANSION BOARD for TD-20).
Remove only the specified screws (p. 86, p. 88).
................................................................................................
118
• Should you remove screws from the bottom panel
of the unit (p. 17, p. 86, p. 88), keep them in a safe
place out of children’s reach, so there is no chance of them being swallowed accidentally.
................................................................................................
4
TD-20_Ref_e.book 5 ページ ２００５年５月２５日 水曜日 午前９時４９分
IMPORTANT NOTES
291b
In addition to the items listed under “IMPORTANT SAFETY INSTRUCTIONS” and “USING THE UNIT
SAFELY” on pages 2–4, please read and observe the following:
Power Supply
301
• Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter (such as a refrigerator, washing machine, microwave oven, or air conditioner), or that contains a motor. Depending on the way in which the electrical appliance is used, power supply noise may cause this unit to malfunction or may produce audible noise. If it is not practical to use a separate electrical outlet, connect a power supply noise filter between this unit and the electrical outlet.
307
• Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.
308
• Although the LCD and LEDs are switched off when the
POWER switch is switched off, this does not mean that the unit has been completely disconnected from the source of power. If you need to turn off the power completely, first turn off the POWER switch, then unplug the power cord from the power outlet. For this reason, the outlet into which you choose to connect the power cord’s plug should be one that is within easy reach and readily accessible.
Placement
351
• Using the unit near power amplifiers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference.
352a
• This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.
352b
• Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initiating a call, or while conversing. Should you experience such problems, you should relocate such wireless devices so they are at a greater distance from this unit, or switch them off.
354a
• Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes.
Excessive heat can deform or discolor the unit.
355b
• When moved from one location to another where the temperature and/or humidity is very different, water droplets (condensation) may form inside the unit. Damage or malfunction may result if you attempt to use the unit in this condition. Therefore, before using the unit, you must allow it to stand for several hours, until the condensation has completely evaporated.
Maintenance
401a
• For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth.
402
• Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.
Repairs and Data
452
• Please be aware that all data contained in the unit’s memory may be lost when the unit is sent for repairs.
Important data should always be backed up on a DATA card, in another MIDI device (e.g., a sequencer), or written down on paper (when possible). During repairs, due care is taken to avoid the loss of data. However, in certain cases
(such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland assumes no liability concerning such loss of data.
Memory Backup
501b
• This unit contains a battery which powers the unit’s memory circuits while the main power is off. When this battery becomes weak, the message shown below will appear in the display. Once you see this message, have the battery replaced with a fresh one as soon as possible to avoid the loss of all data in memory. To have the battery replaced, consult with your retailer, the nearest Roland
Service Center, or an authorized Roland distributor, as listed on the “Information” page.
“Backup Battery Low!”
5
TD-20_Ref_e.book 6 ページ ２００５年５月２５日 水曜日 午前９時４９分
IMPORTANT NOTES
Additional Precautions
551
• Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that you periodically save a backup copy of important data you have stored in the unit’s memory on a DATA card or in another MIDI device (e.g., a sequencer).
552
• Unfortunately, it may be impossible to restore the contents of data that was stored in the unit’s memory, on a DATA card, or in another MIDI device (e.g., a sequencer) once it has been lost. Roland Corporation assumes no liability concerning such loss of data.
553
• Use a reasonable amount of care when using the unit’s buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.
554
• Never strike or apply strong pressure to the display.
556
• When connecting / disconnecting all cables, grasp the connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements.
557
• A small amount of heat will radiate from the unit during normal operation.
558a
• To avoid disturbing your neighbors, try to keep the unit’s volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night).
558c
• Since sound vibrations can be transmitted through floors and walls to a greater degree than expected, take care not to allow such sound to become a nuisance to neighbors, especially at night and when using headphones. Although the drum pads and pedals are designed so there is a minimal amount of extraneous sound produced when they’re struck, rubber heads tend to produce louder sounds compared to mesh heads. You can effectively reduce much of the unwanted sound from the pads by switching to mesh heads.
559a
• When you need to transport the unit, package it in the box
(including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.
562
• Use a cable from Roland to make the connection. If using some other make of connection cable, please note the following precautions.
• Some connection cables contain resistors. Do not use cables that incorporate resistors for connecting to this unit. The use of such cables can cause the sound level to be extremely low, or impossible to hear. For information on cable specifications, contact the manufacturer of the cable.
Before Using Cards
Using DATA Cards
704
• Carefully insert the DATA card all the way in—until it is firmly in place.
fig.CFslot
CompactFlash™
705
• Never touch the terminals of the DATA card. Also, avoid getting the terminals dirty.
707
• This unit’s memory card slot accepts CompactFlash memory cards. Microdrive storage media are not compatible.
708
• CompactFlash cards are constructed using precision components; handle the cards carefully, paying particular note to the following.
• To prevent damage to the cards from static electricity, be sure to discharge any static electricity from your own body before handling the cards.
• Do not touch or allow metal to come into contact with the contact portion of the cards.
• Do not bend, drop, or subject cards to strong shock or vibration.
• Do not keep cards in direct sunlight, in closed vehicles, or other such locations (storage temperature: -25 to 85°
C).
• Do not allow cards to become wet.
• Do not disassemble or modify the cards.
985
* The explanations in this manual include illustrations that depict what should typically be shown by the display. Note, however, that your unit may incorporate a newer, enhanced version of the system (e.g., includes newer sounds), so what you actually see in the display may not always match what appears in the manual.
6
TD-20_Ref_e.book 7 ページ ２００５年５月２５日 水曜日 午前９時４９分
Contents
USING THE UNIT SAFELY ........................................................................3
IMPORTANT NOTES..................................................................................5
Connecting Headphones, Audio Equipment, Amps, or Other Gear ......................... 19
Connecting the Hi-Hat (VH-12) and Setting the “VH Offset” .................................... 21
Listening to the Demo Song...................................................................22
Button Operation and Displays..............................................................23
Chapter 1. Drum Kit Settings [KIT] ........................................................28
7
TD-20_Ref_e.book 8 ページ ２００５年５月２５日 水曜日 午前９時４９分
8
Contents
Adjusting the Volume [F1 (VOLUME)]............................................................... 29
Assigning a Tempo for Each Kit [F2 (TEMPO)] ................................................. 29
Output Level Monitor [F5 (MONITOR)]............................................................. 29
Chapter 2. Drum Instrument Settings [INST] ........................................31
Lock the Pad You are Editing (EDIT LOCK) ...................................................... 31
Playing a Pattern by Hitting a Pad (Pad Pattern) [F1 (PATTERN)]................ 35
Changing the Pitch with the Hi-Hat Pedal [F2 (PDLBEND)] .......................... 35
MIDI Note Numbers transmitted by Hi-Hat [F4 (HH MIDI)] ......................... 36
MIDI Note Number transmitted by Brush Sweep/Cross Stick
Chapter 3. Mixer Settings .......................................................................37
Chapter 4. Effect Settings.......................................................................38
Chapter 5. Trigger Settings [TRIGGER].................................................44
Trigger Inputs and Pad/Playing Methods corresponding chart..................... 44
How Playing Dynamics Changes the Volume (Velocity Curve)..................... 45
Adjusting the Offset of VH-12 Automatically.................................................... 46
TD-20_Ref_e.book 9 ページ ２００５年５月２５日 水曜日 午前９時４９分
Contents
Detecting Trigger Signal Attenuation (Retrigger Cancel) ................................ 48
Double Triggering Prevention (Mask Time)....................................................... 49
Rim/Edge Dynamic Response (Rim Gain)......................................................... 49
Playing Bow, Bell, and Edge (3-Way Triggering) .............................................. 50
Chapter 6. Sequencer (Playback)...........................................................51
Setting the Tempo by Hitting a Pad (Tap Tempo)............................................. 53
Synchronizing with an External MIDI Device ................................................... 53
Make Settings for the Backing Part [F2 (BACKING)]........................................ 54
Volume/Pan Settings for Each Part [F4 (MIXER)] ............................................ 57
Effect Settings for Backing Parts [F5 (REV/CHO)] ........................................... 57
Time Signature/Number of Measures/Tempo Settings [F1 (SETUP)] .......... 58
Choosing a Playback Method [F2 (TYPE)].......................................................... 58
Chapter 7. Sequencer (Recording/Editing) ...........................................61
Checking the Tones and Phrases During Recording (Rehearsal).................... 63
Connecting Two Patterns [F2 (APPEND)].......................................................... 65
Saving Patterns to a Memory Card [F5 (CARD)]............................................... 67
Chapter 8. Copy Function [COPY] .........................................................69
Chapter 9. Using a CompactFlash Memory Card [CARD] ...................70
9
TD-20_Ref_e.book 10 ページ ２００５年５月２５日 水曜日 午前９時４９分
Contents
Chapter 10. Settings for the Entire TD-20 [SETUP] ..............................74
Setting the MIDI Channels for Each Part [F1 (MIDI CH)]................................ 74
MIDI Settings for the Entire TD-20 [F2 (GLOBAL)] .......................................... 74
MIDI Messages for Detailed Performance Expressions [F3 (CTRL)].............. 76
Switching Drum Kits via MIDI (Program Change) [F4 (PROG)] .................... 76
Saving Data to an external MIDI Device (Bulk Dump) [F5 (BULK)] .............. 77
Output Destination for the Drum Instruments .................................................. 78
Output Destination for the Sequencer Parts/Metronome Click/
Sound Input from MIX IN [F4 (OTHER)] ........................................................... 78
Preview Button Settings [F1 (PREVIEW)]........................................................... 80
Chapter 11. Drum Kit Chain [CHAIN] .....................................................82
Naming a Drum Kit Chain [F5 (NAME)]............................................................ 83
Chapter 12. Other Functions [TOOLS] ..................................................84
Synchronizing Images to a TD-20 Performance [F5 (V-LINK)] .................................. 84
About Expansion Board..........................................................................86
À propos des carte d’extension .............................................................88
Précautions à prendre lors de l’installation d’une carte d’extension ......................... 88
Messages and Error Messages ..............................................................90
Note Number (Factory Settings) ............................................................96
Backing Instrument List..........................................................................98
MIDI Implementation Chart ...................................................................100
10
TD-20_Ref_e.book 11 ページ ２００５年５月２５日 水曜日 午前９時４９分
Features
Everything Is New! Module—
Stand—V-Hi-Hat—Pads
The TD-20 follows in the foot steps of the industry standard
TD-10, taking advantage of even more powerful COSM technology. Velocity, position, and interval of each hit are detected precisely, providing real and natural dynamics. The new, dual trigger PD-125/105 pads give you superior feel, response and control of the sound. You can play both shallow and deep rim shots. 15 trigger inputs let you use lots of pads,
leaving room for advanced Pad Switch applications. (p. 80)
* COSM (Composite Object Sound Modeling) is a Roland technology combining multiple sound modeling processes to create new sounds.
* Positional detection is possible on snare drums (head/rim), toms (rim) and ride cymbals (bow).
560 New Drum Sounds
Expanded V-Editing
The onboard sound library was created for the TD-20, and designed to work with enhanced V-Editing. Besides being able to change heads, muffling types, shell depth, etc. you can also place one of two sizzle types on any cymbal, put a tambourine on the hi-hat, add snare buzz to the toms or kick, change the beater type and move the microphone position on all sounds
An Easy User Interface
The interface is very easy to navigate. With the many buttons on the top panel, you won’t lose time searching for functions.
Clear graphics, icons and menus guide you through the simple and complex operations. No matter where you are inside the TD-20, pushing the KIT button always brings you back to the main kit page. Even still, please read this manual.
High-speed triggering
Advances in trigger technology combined with new pad designs and V-Hi-Hat pads, provide natural response and feel. Even playing with brushes (plastic only) has improved.
Compact Flash Offers Perfect
Data Organization
You can back up all of your kits into 8 different, nameable files on the CF card. Each one stores 50 kits, all patterns, percussion
sets and global parameters (p. 70). You can copy FROM the
card, the individual kits, instruments within a kit and
percussion sets (p. 69). You can also save/load up to 100
Audio Signal Routing Stage or Studio
Flexibility of audio routing is important in the professional environment. The TD-20 lets you use all of the outputs in a very efficient way. Each sound of the drum kit can be assigned to one of the 10 individual outs. (Master out can be used as an individual pair. The Effects, Ambience, Backing parts, Click and even audio coming in the MIX input, can be assigned to individual outputs. Perfect for any situation.
Unique V-Hi-Hat VH-12
The VH-12 V-Hi-Hat, which mounts on just about any hi-hat stand on the market, lets you control the technology with the same movements and feel of an acoustic hi-hat. You can do foot splashes, “swish” sounds and even closing it tighter will
create changes in the nuance and/or pitch of the sound (p. 26).
Cables Are Easy To Organize
The MDS-20 stand allows you to pass the cables through the pipes, making easy to transport and set up again. It streamlines the look as well.
11
TD-20_Ref_e.book 12 ページ ２００５年５月２５日 水曜日 午前９時４９分
Features
Top Quality Signal
Processing
Each instrument assigned to trigger 1–15 head and rim inputs
has an individual three-band equalizer and compressor(p. 38).
There is also a multi-effects unit with reverbs, delays, flanger, chorus, pitch shifter, phaser, ring modulator, overdrive, etc.
(p. 40) There’s also Ambience, with a new room “shape”
feature in addition to being able to change wall materials, size,
etc. (p. 40) A master Compressor/EQ lets you apply it to
individual kits or for all of the kits (p. 43). All effects are
simple to understand and use. Via the top panel, you can also turn all the effects on or off individually.
Functions For Stage
The group faders on the top panel let you make quick changes
as needed during performance (p. 24). You can play drum kits
in any desired order (Drum Kit Chain, p. 82). The +/- buttons
are large enough to be pressed with a drum stick. (Don’t HIT them!) Another very useful function allows you to send the
click sound ONLY to the headphones if desired (p. 78). An
audio input (stereo) for custom monitoring (MIX IN jack, p.
19) is also provided. The MIX EDIT function allows immediate
editing of volume, Ambience send level, and MFX send level
using the group faders (p. 37).
Sequencer
Recording and playing back patterns is very easy. The 6 part backing section, (including drums) can be used for live or recording performances. Recording directly from the pads to
the percussion part is a great new feature, too (p. 75).
Advanced Tempo Functions
Each KIT can have it’s own tempo setting. The visual indicator helps you count off the tempo of a song without needing to
hear the click (p. 59). Tap Tempo function allows you to set
tempo from all trigger inputs or the preview button (Tap
Expansion Board
The TD-20’s bottom panel provides the access for the future
Expansion Board, which will not only add new sounds, but
provides a system upgrade using Flash ROM (p. 86, p. 88).
MIDI Sound Module
Potentials
Percussion sets are accessed on a different MIDI channel than the drums. They can be played from the internal sequencer or external MIDI source (SPD type pad etc.) and feature a 128 note map. And with 262 backing instruments available, there
are sounds for all types of music (p. 98).
V-LINK function
V-LINK ( ) is a function that allows music and images to be performed together. By using MIDI to connect two or more V-LINK compatible devices, you can easily enjoy performing a wide range of visual effects that are linked to the expressive elements of a music performance. By using the TD-
20 and Edirol DV-7PR together, connected pads can be used to
switch the Edirol DV-7PR’s images (clips/palettes) (p. 84).
12
TD-20_Ref_e.book 13 ページ ２００５年５月２５日 水曜日 午前９時４９分
Panel Descriptions
Top Panel
fig.top
1 2
3 17 18 19
20
4
7 8
5 6
9
10
11
14
12
22
21
23
15
13
16
24
1.
Trigger Level Indicator
This lights up and moves each time a trigger signal is received from a pad. It monitors the pad connection and is helpful when customizing trigger parameters.
2.
LED Display
Displays the Kit number (currently selected drum kit).
3.
Graphic Display
During normal performance, you see the kit name and other information. When editing, relative graphics and text will appear depending on the edit mode you are in.
* In this owner’s manual, this will be referred to as “the display.”
4.
CHAIN Button
A Chain allows you to set up a customized order for playing your kits. There are 16 Chains (32 steps each).
Chains can be named also (p. 82).
5.
TOOLS Button
Provides access to the Level Monitor, Memory status, and
6.
COPY Button
Copy or exchange data between drum kits, instruments,
13
TD-20_Ref_e.book 14 ページ ２００５年５月２５日 水曜日 午前９時４９分
Panel Descriptions
7.
CARD Button
For access to (Compact Flash) memory card functions
such as saving/loading data etc. (p. 70)
8.
SETUP Button
For access to functions that affect the TD-20 globally,
such as MIDI parameters etc. (p. 74)
9.
TRIGGER Button
For access to trigger parameters (p. 44).
10.
EXIT Button
Press this to return to the previous screen. Repeated pressing takes you back to the “DRUM KIT” screen.
11.
F1–F5 Buttons
These buttons change their function depending on the contents of the display. The lower part of the display will
indicate the function of each button (p. 23).
12.
SHIFT Button
Used in combination with other buttons. How this functions is explained in respective parts of this manual.
13.
GROUP FADERS
The faders are switchable, allowing you to adjust the volume of the kick, snare, toms, hi-hat, cymbals, percussion and backing instruments, and the click sound
14.
SEQUENCER
These provide access to and control of sequencer functions (pattern playback/recording, Percussion set)
15.
DRUM KIT
These buttons take you to the screens for creating or
editing a drum kit. (p. 31, p. 37, p. 38).
16.
KIT Button
One touch brings you back to the basic display screen. It works from any Edit mode as well.
17.
MIX IN Knob
Adjusts the level of the audio source connected to the
MIX IN jack. This sound is output from the MASTER
OUT jacks and/or the PHONES jack. Other possibilities
18.
PHONES Knob
Adjusts the headphone volume. Plugging in headphones does not affect the master output (like other audio device.)
19.
MASTER Knob
Adjusts the volume of the MASTER OUT jacks.
20.
CURSOR Buttons
Used to move the cursor in the display (p. 23).
21.
VALUE Dial
This dial functions like the + and - buttons. Use it to scroll
quickly or make large changes in edited values (p. 23).
22.
TRIG SELECT
Use the lower two buttons to select the trigger number
(pad) you want to access. Press the RIM button to select the rim of a pad. (RIM button lights.) The PREVIEW button lets you audition the instrument assigned here, or
you can hit a pad as well to select (p. 24).
23.
PREVIEW Button
This velocity sensitive button allows you to audition an instrument after you have chosen it with the TRIG
SELECT buttons or after you have played a pad/pedal
24.
+ Button, - Button
These buttons are used to switch drum kits or to change values when editing. The + button increases the value,
and the - button decreases it (p. 23). You can also use the
tip of your drum stick to press them. Never hit them with a stick as this can cause malfunctions.
14
TD-20_Ref_e.book 15 ページ ２００５年５月２５日 水曜日 午前９時４９分
Panel Descriptions
Rear Panel
fig.rear_50
1 2 3 4 5 6 7 8 10 9 11
1.
POWER Switch
This switch turns the power on/off.
945
* If you need to turn off the power completely, first turn off the
POWER switch, then unplug the power cord from the power
2.
AC Inlet
Connect the included AC power cable to this inlet.
3.
* For details on the power consumption, refer to p. 103.
The unit should be connected to a power source only of the type marked on the bottom of the unit.
TRIGGER INPUT Jacks
Here is where you plug in pads, kick triggers, or acoustic triggers. With dual trigger pads (PD-125/120/105/80R/
9/8/7), use a stereo (TRS) cable (p. 18).
4.
MIDI IN Connector
To connect an external MIDI source (sequencer, pad controller, keyboard, computer, etc.) to play the TD-20’s
sounds, or to load data (pp. 74–77).
5.
MIDI OUT/THRU Connector
For using the TD-20/pads to play sounds in an external
MIDI sound module, or recording/saving data to an
external MIDI sequencer (pp. 74–77).
6.
MIX IN Jack
Used for connecting any external audio source (p. 19).
This audio signal will be output from the MASTER OUT jacks and/or PHONES jack. Other signal routing
7.
FOOT SWITCH Jack
Optional foot switches (such as BOSS FS-5U) give you access to a variety of functions like selecting drum kits, sequencer start/stop, etc. Using an optional PCS-31 cable
(standard insert cable), two foot switches can be utilized
8.
DIRECT OUT Jacks
Individual outputs have a variety of uses. The TD-20
offers many options. See the SETUP screen (p. 78).
9.
MASTER OUT Jacks
For connecting to your amp/audio system. For monaural output, use the MASTER OUT L (MONO) jack.
10.
DIGITAL OUT Connector
This coaxial-type digital out connector sends the same audio signal as is output from MASTER OUT jacks.
11.
Security Slot ( )
For retail store use.
http://www.kensington.com/
15
TD-20_Ref_e.book 16 ページ ２００５年５月２５日 水曜日 午前９時４９分
Panel Descriptions
Front Panel
fig.front
1
1.
PHONES Jack
A pair of stereo headphones can be connected to this jack.
Connecting the headphones will not mute the output
from the MASTER OUT jacks (p. 19).
2.
CompactFlash Card Slot
Accepts a CompactFlash memory card (optional). Each memory card can store all settings of the TD-20, such as
drum kits and sequencer performance data, etc. (p. 70)
* The CompactFlash is the only memory card can be used by the
TD-20.
2
16
TD-20_Ref_e.book 17 ページ ２００５年５月２５日 水曜日 午前９時４９分
Setting Up the Kit
Mounting the TD-20 on the Stand
1.
Attach the stand holder (included with the optional drum stand) to the TD-20.
Using the screws attached to the bottom panel, attach the holder so the unit is oriented as shown in the diagram.
* ONLY use the 12 mm screws (M5 x 12) provided with the TD-20. Other screws may damage the unit.
fig.StandHolder.e
Wide
Narrow
928, 929
• When turning the unit upside-down, get a bunch of newspapers or magazines, and place them under the four corners or at both ends to prevent damage to the buttons and controls. Also, you should try to orient the unit so no buttons or controls get damaged.
• When turning the unit upside-down, handle with care to avoid dropping it, or allowing it to fall or tip over.
2.
Attach the TD-20 and stand holder to the drum stand (such as the optional MDS-20BK).
See the owner’s manual for the stand for details on assembling the drum stand and attaching the TD-20.
005
This unit should be used only with a stand that is recommended by Roland.
006
101c
When using the unit with a stand recommended by Roland, the stand must be carefully placed so it is level and sure to remain stable. If not using a stand, you still need to make sure that any location you choose for placing the unit provides a level surface that will properly support the unit, and keep it from wobbling.
This TD-20 is designed for use only with Roland stand MDS series. Use with other stands is capable of resulting in instability causing possible injury.
The optional APC-33 All Purpose Clamp can be attached to a pipe of 10.5–28.6 mm radius in case you want to mount the TD-20 on a cymbal stand or other such stand.
17
TD-20_Ref_e.book 18 ページ ２００５年５月２５日 水曜日 午前９時４９分
Setting Up the Kit
Connecting the Pads and Pedals
Using the provided cables, connect the pads, cymbals, hi-hat, and kick trigger.
* When mounting a TD-20 on an MDS-20 drum stand, use the built-in connection cables.
Set Up Example
fig.Kit.e
TD-20 Rear Panel
TD-20
Roland
10 / RIDE
11 / EDGE
8 / CRASH 1
7 / HI-HAT
HH CTRL
VH-12
CY-14C
3 / TOM 1
PD-105
4 / TOM 2
PD-105
CY-15R
9 / CRASH 2
CY-14C
2 / SNARE
PD-125
5 / TOM 3
PD-125
PD-125
KD-120
6 / TOM 4
1 / KICK
18
The HI-HAT and RIDE cymbal use two cables each. See p. 21 and p. 50.
TD-20_Ref_e.book 19 ページ ２００５年５月２５日 水曜日 午前９時４９分
Setting Up the Kit
Connecting Headphones, Audio Equipment, Amps, or Other
Gear
fig.Connect.e
Speakers with built-in amp, etc.
L
CD/MD player, etc.
R
Rear Panel
Stereo set, etc.
Stereo phone type
Phone type
Stereo phone type
1.
Turn off the power of all devices before you make connections.
921
* To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections.
2.
Connect the MASTER OUT L (MONO) and R jacks on the rear panel to your audio system or amp. Headphones should ONLY be connected to the PHONES jack.
3.
Connect the supplied power cord to the AC inlet.
4.
Plug the power cord plug into a power outlet.
Front Panel
The TD-20’s MIX IN jack allows you to play along with a
CD or other audio sources.
• To adjust the volume of the device connected to the MIX
IN jack, turn the [MIX IN] knob on the TD-20’s top panel.
• The sound input from the MIX IN jack can be output from the MASTER OUT, PHONES, or DIRECT OUT 5–8
926a
* When connection cables with resistors are used, the volume level of equipment connected to the MIX IN jack may be low. If this happens, use connection cables that do not contain resistors, such as those from the Roland PCS series.
19
TD-20_Ref_e.book 20 ページ ２００５年５月２５日 水曜日 午前９時４９分
Setting Up the Kit
Turning On/Off the Power
941
* Once the connections have been completed (p. 18, p. 19), turn
on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices.
fig.VolMin
1.
Turn the [MASTER] and [PHONES] completely to the left to lower the volume to “0.”
2.
Turn down the volume control on the connected amp or audio system.
3.
Push the [POWER] switch on the TD-20’s rear panel to turn on the power.
fig.PowerOn.e
Lower Position
No Sound When Hitting the Pads or Using the
Pedals?
Check the following points.
When Using an Amp or Audio System
• Is the amp or audio system connected to the TD-20’s
MASTER OUT jacks?
• Is the input of the amp or audio system properly connected?
• Is there a problem with any connection cables?
• Is the volume turned down in the [GROUP
FADERS] sliders?
• Is [MASTER] turned completely to the left?
• Have the input select settings of your audio system or amp been made correctly?
• Is the amp or audio system volume setting correct?
When Using Headphones
• Are the headphones connected to the PHONES jack?
• Is [PHONES] turned completely to the left?
ON
942
* This unit is equipped with a protection circuit. A brief interval
(a few seconds) after power up is required before the unit will operate normally.
Turning Off the Power
1.
Completely turn down the volume of the TD-20 and any connected external devices.
2.
Turn off the power to all external devices.
3.
Push the [POWER] switch on the TD-20’s rear panel to turn off the power.
Precautions When Turning on the
Power
After the power is turned on, do NOT hit any pads or step on the pedals until the drum kit name (following figure) appears in the display. Doing so can cause triggering problems.
fig.00-006
945
* If you need to turn off the power completely, first turn off the
POWER switch, then unplug the power cord from the power
4.
Turn on the power to the connected amp or audio system.
5.
While hitting a pad, gradually turn [MASTER]
(or [PHONES]) to the right to adjust the volume level.
20
TD-20_Ref_e.book 21 ページ ２００５年５月２５日 水曜日 午前９時４９分
Setting Up the Kit
Connecting the Hi-Hat (VH-12) and Setting the “VH Offset”
Connecting the Hi-Hat
Adjusting Mesh Head
Tension (PD-125/105)
Heads MUST BE TUNED BEFORE PLAYING.
When adjusting, use a tuning key.
Like with an acoustic drum, accurate and equal head tension is needed for correct triggering response.
Clutch screw
TRIGGER
OUTPUT jack
CONTROL
OUTPUT jack
On the PD-125/105, adjusting the head tension affects only the head response, and not the pitch of the sound, as it would on an acoustic drum.
1.
Loosen the tuning bolts until a slight gap is produced.
2.
Tighten all tuning bolts by fingers, as tightly as you can.
fig.PD-Nut.e
to
TRIGGER INPUT
HI-HAT jack to
HH CTRL jack
Adjusting the Offset
When using the VH-12, the “VH Offset” needs to be set up.
1.
Loosen the clutch of the top hi-hat and let it sit on the bottom hi-hat.
* Do NOT touch the hi-hats or the pedal.
2.
Hold down [KIT] and press [TRIGGER].
The “VH offset” parameter is set automatically. (approx.
3 seconds)
[TRIGGER] stops flashing and remains lit.
fig.05-VHOffset3
Tuning bolt
Washer
Hoop
Slight gap
3.
Using the tuning key, turn the tuning bolts two full revolutions each, thus tightening them.
Tighten each tuning bolt one by one, observing the numerical order shown in the figure.
fig.PD-BoltOrder
1 3
5
6
If you need, make further adjustments to the parameters.
4
2
If you do not make VH-12’s setting correctly, it may cause malfunction. For details, refer to the VH-12 owner’s manual.
21
TD-20_Ref_e.book 22 ページ ２００５年５月２５日 水曜日 午前９時４９分
Listening to the Demo Song
The internal demo song features the TD-20’s expressive capabilities and top quality sounds. The drums on this song were recorded from the TD-20 system to a sequencer in real time.
1.
Press [CHAIN] and [TOOLS] simultaneously.
The “DEMONSTRATION” screen appears.
fig.Demo_70
2.
Press [F5 (PLAY)].
The demo song is played.
* Press [F4 (STOP)] to stop the demo song.
Caution Concerning Volume
When playing back the demo song, turn [MASTER] and
[PHONES] to the left (counterclockwise) to bring the volume level down. The sound levels (volume) of the instruments may be louder when the demo song is played back.
Demo Song
Cluster Hang Copyright (C) 2004, Roland US
981a
* All rights reserved. Unauthorized use of this material for purposes other than private, personal enjoyment is a violation of applicable laws.
982
* No data for the music that is played will be output from MIDI
OUT.
You can use [+/-] or [VALUE] to switch the kit being used in the song, an easy way to check the sounds.
* Preset drum kits are always selected to play the demo song.
Function Buttons
[F1 (DRUMS)]
You can MUTE the enntire drum track.
[F2 (BACKING)]
You can MUTE all the backing instruments.
• You can change the volume balance with [GROUP
• Hold down [SHIFT] and press [TEMPO] to turn the
metronome click (p. 59) on/off.
The click sounds with the settings which you set before you enter the “DEMONSTRATION” screen.
3.
Press [EXIT] or [KIT] to return to the “DRUM
KIT” screen.
22
TD-20_Ref_e.book 23 ページ ２００５年５月２５日 水曜日 午前９時４９分
Button Operation and Displays
Operations common to all aspects TD-20 operations.
Saving Your Settings
Every time you change a value during the editing process, it’s automatically stored in the TD-20’s memory. There’s no
“write/save” process. (except when using a memory card) and then press [F2] (in this case, “EDIT” is displayed above
[F2]).
Changing Data Values
fig.00-004_40
Buttons, Sliders, Dial and
Knobs
References for top panel buttons, sliders, dial and knobs will be printed in square brackets [ ]; e.g., [SETUP].
Cursor
fig.00-001e_70
Cursor
Cursor refers to the highlighted characters indicating an onscreen parameter that can be set. When there is more than one possibility within the screen, use the [CURSOR] buttons to move it.
fig.00-002_50
[+] and [-] (referred to in this manual as [+/-]) and the
[VALUE] dial are both used to change the values of settings.
Both methods have advantages.
[+/-]
• Each time [+] is pressed, the value increases. Each time [-] is pressed, the value decreases. This is convenient for fine adjustments.
• When making an on/off setting, [+] will turn the setting on and [-] will turn it off.
• If you hold down [+] and press [-], the value will increase rapidly. If you hold down [-] and press [+], the value will decrease rapidly.
[VALUE] dial
The dial allows you to make major changes to the value quickly. If you hold down [SHIFT] and turn [VALUE], the value will change even more rapidly.
Function Buttons ([F1]–[F5])
fig.00-003_50
The [F1]–[F5] buttons are called “function buttons.” The bottom part of the display will show the names of the functions available for [F1]–[F5]. For example, if this owner’s manual makes reference to [INST] - [F2 (EDIT)], press [INST],
23
TD-20_Ref_e.book 24 ページ ２００５年５月２５日 水曜日 午前９時４９分
Button Operation and Displays
Group Faders
fig.00-009
Example: Adjusting the Snare Volume
1.
Press [FADER] so the upper indicator is lit.
2.
Move the [GROUP FADERS] [SNARE] slider.
The slider position shows the current snare volume.
* After switching with [FADER], the values for the [GROUP
FADERS] sliders may not reflect the actual volume of the sound assigned to that fader. So after switching, be sure to move the faders a bit before making your setting.
* This will NOT affect the independent volume balance for each
kit in: Mixer Settings (p. 37).
Choosing Pads from the TD-
20’s Top Panel
fig.00-007_70
Use [GROUP FADERS] sliders to adjust the volume.
If you press the [FADER] button, the function of the faders will change as is explained in the chart below. An LED will light up at the upper and lower right of the faders to indicate which set of sounds is active.
• When upper indicator is lit, you can adjust the volume of following trigger inputs.
KICK
SNARE
TOMS
HI-HAT
CRASH 1
CRASH 2
RIDE
AUX
1 KICK
2 SNARE
3 TOM 1, 4 TOM 2, 5 TOM 3, 6 TOM 4
7 HI-HAT
8 CRASH 1
9 CRASH 2
10 RIDE, 11 EDGE
12 AUX 1, 13 AUX 2, 14 AUX 3, 15 AUX 4
The ([TRIG SELECT]) buttons can be used to select the pad/ trigger input to be edited without needing to hit a pad. When you press [1], the next lower-numbered trigger will be selected. When you press [15], the next higher-numbered trigger will be selected. When using a rim capable pad, [RIM] lets you know you’re editing the rim. [PREVIEW] plays the sound in the display. So it’s easy to edit with only the TD-20 and a pair of headphones.
* When you select the hi-hat (trigger number 7), you can sound the closed hi-hat by holding down [SHIFT] and pressing
[PREVIEW].
• When lower indicator is lit, you can adjust the volume of following trigger inputs and sequencer parts.
AUX 1
AUX 2
AUX 3
AUX 4
PERC
BACKING
CLICK
12 AUX 1
13 AUX 2
14 AUX 3
15 AUX 4
24
TD-20_Ref_e.book 25 ページ ２００５年５月２５日 水曜日 午前９時４９分
Button Operation and Displays
How to Play Patterns
fig.06-003_70
Adjusting the Display
Contrast
Display contrast can be influenced by location and lighting.
When needed, adjust the display contrast by:
holding down [KIT] and turning [VALUE]
.
* You can also adjust it in the screen displayed by pressing
[SETUP] - [F4 (OPTION)] - [F5 (LCD)] (p. 81).
Pressing [PATTERN]. The basic screen for the sequencer appears.
Press [+/-] or turn [VALUE] in this screen to choose a pattern.
Or press [F1 (LIST)] to choose from the pattern list.
fig.06-001
About the Display in the
Upper Right of the Screen
fig.00-005_70
Press [PLAY] to start playback of the pattern.
Press [STOP] to stop playback.
Press [STOP] again to return to the top of the pattern.
How to Turn the Metronome
(Click) On/Off
Hold down [SHIFT] and press [TEMPO] to turn ON and OFF.
* The [TEMPO] indicator can also be used as a visual
How to Adjust the Tempo
fig.06-Tempo1_70
Many edit screens require you to hit a pad or the [PREVIEW] button to access the parameters you want. The upper right of the display will show the number and trigger input jack name of the corresponding pad. The first character (“H” or “R”) stands for Head or Rim. ([RIM] lights up when played.)
You can use the TRIGGER SELECT buttons and [PREVIEW] to get the same results. In cases where settings for the head and rim can be edited separately, the following characters will also be displayed.
fig.00-006_70
To adjust the tempo of the sequencer and click, use [+/-] or
[VALUE] in the screen displayed by pressing [TEMPO].
About the Preset Drum Kits
The TD-20 is shipped from the factory with 50 pre-loaded drum kits. After changing the settings, you can restore the
factory settings at any time (p. 69). These drum kits are
referred to as
Preset Drum Kits
.
25
TD-20_Ref_e.book 26 ページ ２００５年５月２５日 水曜日 午前９時４９分
Playing Methods
Pad (PD-125/105)
fig.Play-Head.e
Head Shot
Hit only the head of the pad.
With certain snare sounds, playing position will change the nuance of the sound.
fig.Play-Rim.e
Rim Shot
Strike the head and the rim of the pad simultaneously.
Head
Head
Rim fig.Play-Cross.e
Cross Stick
Only strike the rim of the pad.
Depending on the instrument assigned to the rim you can play rim shots and/or cross stick sounds.
Rim
Rim
* To play the cross stick, be sure that you only strike the rim of the pad. Placing your hand on the head of the pad might prevent the cross stick sound from being played properly.
Change the Nuance of the Rim Shot
With certain snare and tom sounds, slight changes in the way you play rim shots changes the nuance.
fig.Play-Rim.e
Normal Rim Shot
(Open Rim Shot)
Strike the head and rim simultaneously.
Head
Rim fig.Play-Shallow.e
Shallow Rim Shot
Simultaneously strike the head near the rim and the rim itself.
Head
Hi-Hat (VH-12)
Open/Closed
The hi-hat tone changes smoothly and continuously from open to closed in response to how far the pedal is pressed.
You can also play the foot closed sound (playing the hi-hat with the pedal completely pressed down) and foot splash sound (playing the hi-hat with the pedal fully pressed and then instantly opening it).
Pressure
When you strike the hi-hat while pressing on the pedal with the hi-hat closed, you can then change the closed tone in response to the pressure you place on the pedal.
Bow Shot
This playing method involves striking the middle area of the top hi-hat. It corresponds to the sound of the “head-side” of the connected trigger input.
fig.Play-VHBow
Edge Shot
This playing method involves striking the edge of the top hihat with the shoulder of the stick. When played as shown in the figure, the “rim-side” sound of the connected trigger input is triggered.
fig.Play-VHEdge.e
Edge sensor
Rim
* Do not strike the bottom hi-hat or the underside of the top hihat.
26
TD-20_Ref_e.book 27 ページ ２００５年５月２５日 水曜日 午前９時４９分
Playing Methods
Cymbal (CY-15R/14C)
Bow Shot
This is the most common playing method, playing the middle area of the cymbal. It corresponds to the sound of the “headside” of the connected trigger input.
fig.Play-CYBow
Choke Play
Choking (pinching) the cymbal’s edge with the hand immediately after hitting the cymbal makes the sound stop.
Choke the location of the edge sensor shown in the figure. If you choke an area where there is no sensor, the sound does not stop.
fig.Play-Choke.e
Roland logo
Edge sensor
Edge Shot
This playing method involves striking the edge with the shoulder of the stick. When played as shown in the figure, the
“rim-side” sound of the connected input is triggered.
fig.Play-CYEdge.e
Positional Sensing
fig.Play-CYPosi
Edge sensor
Bell Shot (CY-15R)
This playing method involves striking the bell. On the CY-
15R, when played as shown in the figure, the “rim-side” sound of the connected input is triggered.
fig.Play-Bell
With certain ride sounds, playing position will change the nuance of the sound.
* Only TRIGGER INPUT 10 RIDE corresponds to the positional sensing.
About the instruments corresponding to each playing
* Strike the bell somewhat strongly with the shoulder of the stick.
* On the CY-14C, bell shots are not supported.
27
TD-20_Ref_e.book 28 ページ ２００５年５月２５日 水曜日 午前９時４９分
Chapter 1. Drum Kit Settings [KIT]
Choosing a Drum Kit
1.
Press [KIT].
[KIT] lights, and the “DRUM KIT” screen appears.
fig.01-001*_70
Selecting a Drum Kit from the
List [F1 (LIST)]
You can select a drum kit by accessing the list of available kits.
fig.01-002_70
2.
Use [+/-] or [VALUE] to select drum kits.
Foot switches or pads can be programmed to make
The selected or current kit number is indicated at all times in the LED display at the left of the LCD display.
About the “DRUM KIT” Screen
fig.01-001_70
A
1.
Press [KIT] - [F1 (LIST)].
The “DRUM KIT LIST” screen appears.
2.
Use [VALUE], [+/-], or [CURSOR] to select a drum kit.
Function Buttons
[F1 (< PAGE)]
The previous page of the list appears.
[F2 (PAGE >)]
The next page of the list appears.
3.
Press [EXIT] (or just press [KIT]) to return to the
“DRUM KIT” screen.
B
A:
Drum Kit Name
B:
Overall Kit Effects On/Off status (p. 38)
Pressing [KIT] always takes you back to the “DRUM KIT” screen, from any Edit mode in the TD-20.
28
TD-20_Ref_e.book 29 ページ ２００５年５月２５日 水曜日 午前９時４９分
Chapter 1. Drum Kit Settings [KIT]
Kit Parameters [F2 (FUNC)]
1.
Press [KIT] - [F2 (FUNC)].
2.
Press [F1]–[F3] and [CURSOR (up/down)] to select the parameter.
3.
Use [+/-] or [VALUE] to make settings.
Adjusting the Volume [F1 (VOLUME)]
fig.01-003_70
Playing Brushes [F3 (BRUSH)]
In each kit, you can choose whether sticks or brushes will be used.
fig.01-005_70
Parameter
Brush
Switch
Value
OFF, ON
Description
OFF:
for using sticks
ON:
for using brushes
Parameter Value Description
Kit Volume 0–127 Volume of the entire drum kit
Pedal HH Volume 0–127 Volume of the hi-hat’s foot closed sound
XStick Volume 0–127 Volume of cross stick sound
When Brush Switch is set to “ON,” the brush icon appears in the “DRUM KIT” screen.
fig.01-005_70
Assigning a Tempo for Each Kit
[F2 (TEMPO)]
Each kit can have an individual tempo setting.
When you select a kit of which Kit Tempo is set to “ON,” the tempo you define here will be set automatically.
fig.01-004_70
Output Level Monitor [F5 (MONITOR)]
You can check the output level from the selected jacks.
Use [+/-] or [VALUE] to choose the jacks.
Choose from: Master, Phones, and separate stereo outs.
fig.01-005a_70
Parameter
Kit Tempo
Tempo
Value
OFF, ON
20–260
Description
OFF:
tempo is not defined
ON:
tempo is defined defined tempo
When you select a kit of which Kit Tempo is set to “ON,” the defined tempo appears in the upper right of the display.
fig.01-004a_70
29
TD-20_Ref_e.book 30 ページ ２００５年５月２５日 水曜日 午前９時４９分
Chapter 1. Drum Kit Settings [KIT]
Naming a Drum Kit
[F3 (NAME)]
Each kit’s name can use up to 12 characters.
fig.01-005_70
Playing Cross Stick
[F5 (XSTICK)]
In each kit, you can choose to use/not use cross stick by pressing [F5 (XStick)] in the “DRUM KIT” screen.
• Cross stick can be played fig.01-007_70
1.
Press [KIT] - [F3 (NAME)].
The “DRUM KIT NAME” screen appears.
2.
Press [CURSOR (left/right)] to move the cursor to the character to be changed.
3.
Use [VALUE], [+/-], or [CURSOR (up/down)] to change the character.
• Cross stick not possible fig.01-008_70
Function Buttons
[F1 (INSERT)]
A blank space is inserted at the cursor position, and characters after this point are moved to the right one space.
[F2 (DELETE)]
Character at the cursor position is deleted, and characters after this point are moved to the left one space.
[F3 (SPACE)]
Character at the cursor position is replaced by a blank space.
[F4 (CHAR)]
Type of character at the cursor position changes between uppercase/lowercase alphabet, or numbers and symbols.
30
TD-20_Ref_e.book 31 ページ ２００５年５月２５日 水曜日 午前９時４９分
Chapter 2. Drum Instrument Settings [INST]
Here’s how to select and edit sounds, such as the snare drum and kick drum.
Choosing a Pad to Edit
There are two basic ways to select the sound you want to edit.
Choose by Hitting a Pad
1.
Press [INST].
[INST] lights, and the “INST” screen appears.
fig.02-001_70
Lock the Pad You are Editing
(EDIT LOCK)
When editing instruments, you can prevent the screen from being switched inadvertently even if you hit another pad.
1.
Select the pad to be locked.
The settings screen for the pad appears.
2.
Press TRIG SELECT [LOCK] to make it light.
The pad is locked and other pads cannot be selected.
3.
To release the lock, press [LOCK] to make it go off.
* You can change the pad to be locked by pressing TRIG
SELECT [1] or [15] even if the [LOCK] is lit.
2.
Strike a pad.
The settings screen for the struck pad appears.
To select a pad’s rim, strike the rim.
Assign an Instrument to a
Pad
All the TD-20 sounds are referred to as instruments (
INST
).
fig.02-001_70
Choose with the Trigger Select
Buttons
1.
Press [INST].
[INST] lights, and the “INST” screen appears.
2.
Press TRIG SELECT [1] or [15] to select the trigger input number.
The trigger input number is indicated in the upper part of the screen.
3.
Press TRIG SELECT [RIM] to select the head or rim.
Head:
Rim: fig.02-002_70
[RIM] is unlit.
[RIM] is lit.
1.
Press [INST].
[INST] lights, and the “INST” screen appears.
“Group”:
“Inst”:
Type of instrument (Inst Group)
Name of instrument (Inst Name)
2.
Strike a pad.
The settings screen for the struck pad appears.
3.
Press [CURSOR (up/down)] to move the cursor to “Group” or “Inst.”
4.
Use [+/-] or [VALUE] to select the Inst group/ instrument.
5.
Press [EXIT] to return to the “DRUM KIT” screen.
When MIDI Note Number corresponding to a pad is received, the pad is selected and shown in the screen.
Pressing [F5 (H & R)], you can choose to set the head and rim simultaneously or individually. When you select the head and rim simultaneously, the rim’s instrument number is one bigger than head.
31
TD-20_Ref_e.book 32 ページ ２００５年５月２５日 水曜日 午前９時４９分
Chapter 2. Drum Instrument Settings [INST]
Selecting an Instrument from the List [F1 (LIST)]
Here you can select from the list of all available instruments.
fig.02-003_70
1.
Press [INST] - [F1 (LIST)].
The “INST LIST” screen appears.
2.
Strike a pad.
The settings screen for the struck pad appears.
3.
Use [VALUE], [+/-], or [CURSOR] to select the instrument.
Function Buttons
[F1 (< PAGE)]
The previous page of the list appears.
[F2 (PAGE >)]
The next page of the list appears.
[F3 (< GROUP)], [F4 (GROUP >)]
Selects the Inst Group.
[F5 (H & R)]
Switches to select the head and rim instruments simultaneously or individually.
4.
Press [EXIT] to return to the “INST” screen.
About the Display at the Lower of the
Instrument Name
fig.02-InstInfo_70
POSI:
Instrument marked with “*P” (p. 95)
You can select the effect on/off with pressing
[F3 (CONTROL)] - [F3 (MIDI)] “Position Ctrl.”
It can be correspond only to some special inputs (p.
INTRVL:
Instrument marked with “*I” (p. 95)
XSTK:
Instrument marked with “*X” (p. 95)
* These appear only when [F5 (H & R)] is off.
Editing Drum Sounds
[F2 (EDIT)]
Editing methods differ according to the type of instrument.
Editing an Acoustic Drum Kit (V-EDIT)
V-EDIT allows you to select a head type, shell depth, muffling, etc. Please see the charts on next page.
When V-EDIT Can Be Used
V-EDIT is possible in the following instrument groups
“KICK,” “SNARE,” “TOM,” “HI-HAT,” “CRASH,”
“SPLASH,” “CHINA,” or “RIDE.”
The following icon appears to indicate instruments which are V-EDIT compatible.
fig.02-004_70
Editing Other Instruments
Other instruments only allow “Pitch” and “Decay Time” adjustment.
Editing Procedure
1.
Press [INST] - [F2 (EDIT)].
The “INST EDIT” screen appears.
2.
Strike a pad.
The settings screen for the struck pad appears.
3.
Use [F1]–[F4] and [CURSOR (up/down)] to select the parameter.
4.
Use [+/-] or [VALUE] to adjust the setting.
5.
When finished, press [EXIT] to return to the
“INST” screen.
32
TD-20_Ref_e.book 33 ページ ２００５年５月２５日 水曜日 午前９時４９分
KICK
fig.02-KICK_70
Chapter 2. Drum Instrument Settings [INST]
TOM
fig.02-TOM_70
Parameter
[F1 (SHELL)]
Shell Depth
Beater Type
[F2 (HEAD)]
Head Type
Head Tuning
[F3 (MUFFLE)]
Muffling
Snare Buzz
[F4 (MIC)]
Mic Position
Value
NORMAL, DEEP1–2
FELT, WOOD, PLASTIC
CLEAR, COATED, PINSTRIPE
-480–+480
OFF, TAPE1–2, BLANKET, WEIGHT
OFF, 1–8
OUTSIDE2–1, STANDARD,
INSIDE1–2
SNARE
fig.02-SNARE_70
Parameter
[F1 (SHELL)]
Shell Depth
[F2 (HEAD)]
Head Type
Head Tuning
[F3 (MUFFLE)]
Muffling
Snare Buzz
[F4 (MIC)]
Mic Position
Value
NORMAL, DEEP1–2
CLEAR, COATED, PINSTRIPE
-480–+480
OFF, TAPE1–2, FELT1–2
OFF, 1–8
OUTSIDE2–1, STANDARD,
INSIDE1–2
* PINSTRIPE is a registered trademark of Remo Inc., U.S.A.
HI-HAT
fig.02-HIHAT_70
Parameter
[F1 (SHELL)]
Material
Shell Depth
[F2 (HEAD)]
Head Type
Head Tuning
[F3 (MUFFLE)]
Muffling
Strainer Adj.
[F4 (MIC)]
Mic Position
Value
WOOD, STEEL, BRASS
1.0”–20.0”
CLEAR, COATED, PINSTRIPE
-480–+480
OFF, TAPE1–2, DOUGHNUTS1–2
OFF, LOOSE, MEDIUM, TIGHT
OUTSIDE2–1, STANDARD,
INSIDE1–2
Parameter
[F1 (SIZE)]
Size
[F2 (TAMB)]
Value
1”–40”
Add Tambourine OFF, ON
[F3 (FIXED)]
Fixed Hi-Hat
[F4 (MIC)]
NORMAL, FIXED1–4
Mic Position OUTSIDE2–1, STANDARD,
INSIDE1–2
*
NORMAL:
The gap between the top and bottom hi-hat is controlled by the pedal.
FIXED:
The gap is fixed.
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Chapter 2. Drum Instrument Settings [INST]
CRASH/SPLASH/CHINA/RIDE
fig.02-CYM_70
For some instruments, raising or lowering the value beyond a certain point may not produce further change.
• KICK/SNARE/TOM: “Head Tuning”
• CRASH/SPLASH/CHINA/RIDE: “Sustain”
• Other Instruments: “Pitch” and “Decay”
Some instruments have the parameters cannot be edited.
• SNARE: “Material” and “Strainer Adj.”
Parameter
[F1 (SIZE)]
Size
[F2 (SIZZLE)]
Sizzle Type
[F3 (SUSTAIN)]
Sustain
[F4 (MIC)]
Mic Position
Value
1”–40”
OFF, RIVET, CHAIN
-31–+31
OUTSIDE2–1, STANDARD,
INSIDE1–2
Other Instruments
fig.02-005_70
Parameter
Pitch
Decay Time
Value
-480–+480
-31–+31
You can edit the instruments of the head and rim simultaneously. Pressing [F5 (H & R)], you can choose to set the head and rim simultaneously or individually.
* When the instruments assigned to the head and rim are not in the same Inst Group, you only can set the head and rim individually even if [F5 (H & R)] is set to ON.
You can restore the settings for each instrument to the standard values by pressing [F4 (DEFAULT)] - [F5
(EXECUTE)] in the “INST” screen.
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Chapter 2. Drum Instrument Settings [INST]
Using Pads/Pedal as
Controllers [F3 (CONTROL)]
1.
Press [INST] - [F3 (CONTROL)].
2.
Strike a pad.
The settings screen for the struck pad appears.
You can select by using [TRIG SELECT].
3.
Press [F1]–[F5] and [CURSOR (up/down)] to select the parameter.
4.
Use [+/-] or [VALUE] to adjust settings.
5.
When finished, press [EXIT] to return to the
“INST” screen.
Parameter Value
[F1 (PATTERN)]
Pad Pattern OFF, P 1–100,
U 101–200
Pad Ptn Velocity
OFF, ON
Tap Ptn
Mute Grp
OFF, 1–8
[F2 (PDLBEND)]
Pedal Bend
Range
-24–0– +24
Description
Playing a Pattern by Hitting a Pad (Pad Pattern) [F1 (PATTERN)]
Refer to
Pitch with the Hi-Hat Pedal [F2 (PDLBEND)]
[F3 (MIDI)]
Tx Channel CH1–CH16,
GLOBAL
Note No.
0 (C -)–127
(G9), OFF
Gate Time
Position
Ctrl Sw
0.1–8.0 (s)
OFF, ON
[F4 (HH MIDI)]
Note No.
Gate
0 (C -)–127
(G9), OFF
0.1–8.0 (s)
[F5 (BR MIDI)]
Brush Note
No.
XStick Note
No.
0 (C -)–127
(G9), OFF
0 (C -)–127
(G9), OFF
Refer to
Refer to
Refer to
MIDI Note Number transmitted by Brush
MIDI Note Numbers transmitted by Hi-
Playing a Pattern by Hitting a Pad
(Pad Pattern) [F1 (PATTERN)]
This function starts playback of a pattern when a pad is struck.
This function provides a very convenient way to use patterns during a live performance.
If different patterns have been assigned to two or more pads, striking another pad while a pattern is playing back will cause pattern playback to switch to the newly selected pattern.
* Performances using the Pad Pattern function cannot be recorded to sequencers.
Pad Pattern:
OFF, P 1–100, U 101–200
Selects the played back pattern when the pad is struck.
* If all pads are set to “OFF,” icon appears.
Pad Ptn Velocity:
OFF, ON
OFF:
The pattern plays back at the velocity set for the pattern, regardless of the strength with which the pad is struck.
ON:
The pattern plays back with the velocity changing in response to the strength with which the pad is struck.
Tap Ptn Mute Grp:
OFF, 1–8
In Tap playback (p. 58), if one sound (pattern) is set to
play before the previous sound (pattern) has finished playing, this setting allows you to either have the previous sound stop and the subsequent sound start playing or have the two sounds layered.
Patterns set to the same number:
The previous sound stops while in progress, and the subsequent sound (pattern) starts playing.
Patterns set to the different numbers:
The previous sound continues to play to the end, while the subsequent sound (pattern) is superimposed on it.
Changing the Pitch with the Hi-Hat
Pedal [F2 (PDLBEND)]
This setting allows you use the hi-hat pedal as a pitch bender for sounds assigned to any pad or rim.
Specified in semitone steps.
Pedal Bend Range:
-24–0– +24
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TD-20_Ref_e.book 36 ページ ２００５年５月２５日 水曜日 午前９時４９分
Chapter 2. Drum Instrument Settings [INST]
MIDI Settings for Each Pad [F3 (MIDI)]
Tx Channel:
CH1–CH16, GLOBAL
MIDI transmit channel for each pad.
GLOBAL:
Transmits on the same channel as the drum kit
Note No.:
0 (C -)–127 (G 9), OFF
OFF:
Note messages are not transmitted.
Gate Time:
0.1–8.0 (s)
See the column.
Position Ctrl:
OFF, ON
This can be set for trigger inputs SNARE (Head, Rim),
TOM (Rim), RIDE (Bow), and AUX (Rim).
This turns the changing of the sound by strike position/ rim shot nuance ON or OFF.
SNARE (Head):
Strike position
SNARE (Rim):
TOM (Rim):
Rim shot nuance
Rim shot nuance
RIDE (Bow):
AUX (Rim):
Strike position
Rim shot nuance
MIDI Note Number transmitted by
Brush Sweep/Cross Stick [F5 (BR
MIDI)]
Brush Note No.:
0 (C -)–127 (G 9), OFF
OFF:
Note messages are not transmitted.
XStick Note No.:
0 (C -)–127 (G 9), OFF
OFF:
Note messages are not transmitted.
When Setting Multiple Pads to the
Same Note Number
When the note number is set to be more than one pad received, the instrument assigned to the pad with the lowest
TRIGGER INPUT number is played. When note numbers for the head and rim are duplicated, the head instrument is played.
An asterisk (*) appears at the right of the note number for
TRIGGER INPUTS that are not sounded.
Example:
Note number “38 (D 2)” is set for the head and rim of
TRIGGER INPUT 2 (SNARE) and the head of TRIGGER
INPUT 3 (TOM 1). In this case, when Note Number “38” is received, the instrument assigned to the head of TRIGGER
INPUT 2 (SNARE) is played.
MIDI Note Numbers transmitted by
Hi-Hat [F4 (HH MIDI)]
Open (Bow): Bow shot of open hi-hat
Closed (Bow): Bow shot of closed hi-hat
Open (Edge): Edge shot of open hi-hat
Closed (Edge): Edge shot of closed hi-hat
Pedal: Pedal hi-hat (Foot closed)
Note No.:
0 (C -)–127 (G 9), OFF
OFF:
Note messages are not transmitted.
Gate:
0.1–8.0 (s)
See the column.
About the Gate Time
Percussion sound modules normally produce sound only in response to “Note on” messages, and ignore “Note off” messages. However general-purpose sound modules or samplers do receive the note-off messages that are transmitted and respond by turning off the sound.
For example, if you are triggering a “loop” in a sampler, or other sounds then the gate time parameter is very important. With the factory defaults (preset values), the transmitted gate time is set to the minimum value.
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TD-20_Ref_e.book 37 ページ ２００５年５月２５日 水曜日 午前９時４９分
Chapter 3. Mixer Settings
Mixer Parameters [MIXER]
Here you can adjust the volume, pan, etc.
fig.03-001_70
Using Group Faders to Edit (MIX EDIT)
You can use the GROUP FADERS to make adjustments.
fig.03-002_70
1.
Press [MIXER].
[MIXER] lights.
2.
Use [F1]–[F5] or [CURSOR (up/down)] to select the parameter.
3.
Use TRIG SELECT [1], [15], [RIM], or [CURSOR
(left/right)] to select the instrument you wish to set.
You can also select the instrument by striking a pad.
4.
Use [+/-], [VALUE], or [CURSOR (up/down)] to make the setting.
1.
2.
3.
Press [MIXER] and [FADER] simultaneously.
[MIXER] lights, and [FADER] flashes.
Press [F1]–[F4] to select the parameter.
Move the fader which corresponds to the
TRIGGER INPUT you wish to adjust.
* You can also use [+/-], [VALUE], or [CURSOR (up/down)].
Parameter
[F1 (VOLUME)]
Value
0–127 Volume
[F2 (PAN)]
Pan L15–CTR–
R15
[F3 (MIN VOL)]
Minimum
Volume
0–10
Description
Volume of each trigger input
Pan of each trigger input
[F4 (KIT VOL)]
Kit Volume
Pedal HH
Volume
XStick Volume
0–127
0–127
0–127
Minimum volume of each trigger input
(This is used to narrow the dynamic range.)
Volume of the entire drum kit
Volume of the hi-hat’s foot closed sound
Volume of cross stick sound
5.
* Pressing [F5 (H & R)] in the [F1 (VOLUME)], [F2 (PAN)], or
[F3 (MIN VOL)] setting screen, you can choose to set the head and rim simultaneously or individually.
Press [EXIT] to return to the “DRUM KIT” screen.
Parameter
[F1 (VOLUME)]
Value
Volume
[F2 (AMB SND)]
0–127
AMB SEND
LEVEL
0–127
[F3 (MFX SND)]
MFX SEND
LEVEL
0–127
Description
Volume of each trigger input
Send level to the ambience for each trigger input
Send level to the multi-effects for each trigger input
* These settings are always common to the head and rim.
4.
Press [EXIT] or [FADER] to return to the “DRUM
KIT” screen.
* After pressing [EXIT] or [FADER], the values for the
[GROUP FADERS] sliders may not reflect the actual volume of the sound assigned to that fader. Be sure to move the faders a bit before making your setting.
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TD-20_Ref_e.book 38 ページ ２００５年５月２５日 水曜日 午前９時４９分
Chapter 4. Effect Settings
Effects On and Off Switches
[EFFECTS SWITCH]
These switches allow you to turn all individual effects and master effects on/off within each drum kit.
fig.04-001_70
Using the Compressor and
EQ [COMP/EQ]
An individual Compressor and EQ can be applied to every sound assigned to a trigger input.
1.
Press [COMP/EQ].
[COMP/EQ] lights.
2.
Strike the pad you wish to set.
3.
Press [F2], [F3], or [CURSOR] to select the parameter.
1.
Press [EFFECTS SWITCH].
[EFFECTS SWITCH] lights, and the “EFFECTS SWITCH” screen appears.
2.
Press [F1]–[F5] to turn the following on/off.
[F1]: Pad Compressor (*1)
[F2]: Pad Equalizer (*1)
[F3]: Ambience
[F4]: Multi-effects
[F5]: Master Effects
3.
Press [EXIT] to return to the “DRUM KIT” screen.
* Effect on/off status appears in the “DRUM KIT” screen.
fig.04-002e_70
Function Buttons
[F2 (COMP)]
Pad compressor parameters appear.
[F3 (EQ)]
Pad equalizer parameters appear.
4.
Use [+/-] or [VALUE] to adjust the setting.
5.
Press [F1] and/or [F4] to turn on the compressor/equalizer for each trigger input.
[F1]:
Turns the pad compressor on/off
[F4]:
Turns the pad equalizer on/off
ON OFF
* 1: All pad compressors or pad equalizers are turned on/off simultaneously.
,
COMP/EQ setting is ON, EFFECTS SWITCH is ON
Effect applies.
,
COMP/EQ setting is ON, EFFECTS SWITCH is OFF
Effect does not apply.
COMP/EQ setting is OFF
Effect does not apply.
* Pressing [F5 (H & R)], you can choose to set the head and rim simultaneously or individually.
The sound may be distorted in a certain setting.
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Chapter 4. Effect Settings
Compressor (COMP)
A compressor adjusts the envelope (changes in the volume over time) and changes the character of the sound in response to playing dynamics.
fig.04-003_70
About Threshold and Ratio
As shown in the diagram below, these parameters determine how the volume is to be compressed.
fig.Compressor.e
0.5:1
1:1
Ratio
1.7:1
4:1
50:1
Parameter
Attack
Type
Time
Value
EMPHASIS,
CRUSH
Description
EMPHASIS
Emphasizes the attack of the sound.
CRUSH
Press the attack.
This changes Thre and ratio values.
COMP SOFT 1–2,
COMP MED 1–3,
COMP HARD 1–2,
LIMITER 1–2,
EXPANDER 1–3
KICK 1–3,
SNARE1–3,
TOM 1–3,
CYM 1–2,
OTHER1–3
This changes Atck,
Hold, and Rels values.
For more detailed setting, adjust the parameters below.
Parameter
Gain
Thre
(Threshold)
Ratio
Atck
(Attack)
Hold
Rels (Release)
Value
-15– +20 (dB)
-30–0 (dB)
0.5:1–50:1
0–255 (ms)
2–9999 (ms)
2–9999 (ms)
Description
Output level of the compressor
Volume level at which compression begins
Compression ratio
Time from when the volume goes up the threshold level until the compressor effect applies
Time compression is kept
Time from when the volume falls below the threshold level until the compressor effect no longer applies
Threshold
Input Level
Equalizer (EQ)
You can use three-band equalizers (for high, middle, and low frequency ranges) to adjust the sound.
fig.04-004_70
Parameter
Q
Freq
(Frequency)
Gain
Value
0.5–8.0
(only for MID)
20–1k (LOW),
20–8k (MID),
1k–8k (HIGH)
-15– +15 (dB)
Description
Width of the frequency range
A higher Q narrows the affected area.
Point at which the boost/cut will occur
Amount of boost/cut
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Chapter 4. Effect Settings
Ambience [AMBIENCE]
You can choose the type of room where the drums are to be played and modify the sound.
fig.04-005_70
Multi-Effects [MULTI EFFECTS]
The multi-effects allow you to further customize your sound and also provides a choice of output configurations.
fig.04-006_70
1.
2.
3.
4.
Press [AMBIENCE].
[AMBIENCE] lights.
Press [F2]–[F4] or [CURSOR] to select the parameter.
Use [+/-] or [VALUE] to adjust the setting.
Press [F1] to turn the ambience on.
Parameter
[F2 (TYPE)]
Room Type
Value
BEACH,
LIVING ROOM,
BATH ROOM,
STUDIO,
GARAGE,
LOCKER ROOM,
THEATER, CAVE,
GYMNASIUM,
DOME STADIUM
0–127 Level
[F3 (ROOM)]
Room Size TINY, SMALL,
MEDIUM,
LARGE, HUGE
Wall Type WOOD, PLAS-
TER, GLASS
Mic Position LOW, HIGH
Description
Location where the drums are played
Total ambience level
5 size available
Wall material
Ambience mic position
Shape of the room Room Shape 0–100
[F4 (AMB SND)]
Send Level 0–127 Ambience send level for each instrument
* Pressing [F5 (H & R)] in the [F4 (AMB SND)] setting screen, you can choose to set the head and rim simultaneously or individually.
1.
Press [MULTI EFFECTS].
[MULTI EFFECTS] lights.
2.
Press [F2], [F3], or [CURSOR] to select the parameter.
3.
Use [+/-] or [VALUE] to adjust the setting.
4.
Press [F1] to turn the multi-effects on.
Parameter Value
[F2 (MFX)]
Type
Level
REVERB,
GATE REVERB,
DELAY,
PANNING DELAY,
BEAT DELAY,
FLANGER, PHASER,
CHORUS, ENHANCER,
PITCH SHIFT, OVER-
DRIVE, DISTORTION,
LO-FI, RING MOD
0–127
Description
Type of multieffects
Total effect level
[F3 (MFX SND)]
Send Level 0–127 Effect SEND level for each instrument
* Pressing [F5 (H & R)] in the [F3 (MFX SND)] setting screen, you can choose to set the head and rim simultaneously or individually.
40
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Chapter 4. Effect Settings
Multi-Effects Parameters
REVERB
Adds reverberation to the sound, simulating an acoustic space.
Parameter
Room Type
PreDly
Time
HiDamp
HiCut
Value
1–5
0–100.0 (ms)
0–127
4.0k–12.5k (Hz),
THRU
160–12.5k (Hz),
THRU
Description
Type of reverb
1: Lite
2: Medium
3: Deep
4: Shallow
5: Thin
Time until the reverb is heard
Duration of reverberation
Frequency above which the reverb is reduced in level
Frequency above which the high-frequency content of the reverb sound is filtered out
GATE REVERB
This is a special type of reverb in which the reverb is cut off without being allowed to decay naturally.
Parameter
Room Type
Time
HiCut
HiDamp
Thre
(Threshold)
Hold
Value
1–5
0–127
160–12.5k (Hz),
THRU
4.0k–12.5k (Hz),
THRU
-60– +12 (dB)
0.05–2.00 (s)
Description
Type of reverb
1: Lite
2: Medium
3: Deep
4: Shallow
5: Thin
Duration of reverberation
Frequency above which the high-frequency content of the reverb sound is filtered out
Frequency above which the reverb is reduced in level
Volume level at which the reverb starts to be gated
Time from when the reverb level falls below the Threshold until the gate starts to close
Parameter Value
Rels
(Release)
0–200 (ms)
Description
Time from the start to the completion of the gate closing process
DELAY
Adds the delay sound.
Parameter Value
Time 0–2000 (ms)
Feedback -98–98 (%)
Description
Time until the delay sound is heard
Amount of the delay sound that is fed back into the effect (minus: inverts the phase)
PANNING DELAY
This is a delay effect with echoes that pan left and right.
Parameter Value
TimeL
TimeR
Level L
Level R
0–1500 (ms)
0–127
Feedback -98–98 (%)
Description
Time until the delay sound is heard
Volume level of the delay sound
Amount of the delay sound that is fed back into the effect (minus: inverts the phase)
BEAT DELAY
This is a delay effect that synchronizes with a tempo in sequencer.
Parameter
Time
Shift
Level 1
Level 2
Pan 1
Pan 2
Feedback
Value
32th note–half note
-half note–0–
+half note
0–127
L15–CTR–R15
-98–98 (%)
Description
Time until the delay sound is heard
Time of shifting the interval between the 1st and 2nd delay
Volume level of the delay sound
Stereo position of the delay sound
Amount of the delay sound that is fed back into the effect (minus: inverts the phase)
* If you set Tempo, Time, and Shift to make the delay time over
1500 ms, the delay time cannot be more than 1500 ms.
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Chapter 4. Effect Settings
FLANGER
Produces a metallic resonance that rises and falls somewhat like a jet airplane taking off or landing.
Parameter Value
Delay
LFO Rate
Depth
Feedback
0–15.0 (ms)
1–128
0–127
-98–98 (%)
Phase 0–180
Description
Tone of the flanger
Frequency of modulation
Depth of modulation
Amount of the flanger sound that is fed back into the effect (minus: inverts the phase)
Spatial spread of the sound
PHASER
Adds a phase-shifted sound to the original sound, producing a swirling modulation.
Parameter Value
Freq 100–8000 (Hz)
Description
Basic frequency at which the sound will be modulated
LFO Rate
Depth
Resonance
1–128
0–127
0–127
Frequency of modulation
Depth of modulation
Amount of feedback
CHORUS
Gives richness and spaciousness to the sound.
Parameter Value
Delay
LFO Rate
Depth
Phase
8.0–30.0 (ms)
1–128
0–127
0–180
Description
Tone of the chorus
Frequency of modulation
Depth of modulation
Spatial spread of the sound
ENHANCER
Controls the overtone structure of the high frequencies, adding sparkle and brightness to the sound.
Parameter Value
Sens
LF Level
0–127
0–127
Description
Sensitivity of the enhancer
Volume level of the low frequency range of the direct sound
PITCH SHIFT
Shifts the pitch of the original sound.
Parameter Value
Mode 1–5
Delay
Coarse
Fine
Feedback
0–100.0 (ms)
-24–12
-100–100
-98–98 (%)
Description
Setting a higher value results in a slower response, but steadier pitch.
Time until the pitch-shifted sound is heard
Amount of pitch shift
(semitone steps)
Amount of pitch shift (2cent steps)
Amount of the pitch-shifted sound that is fed back into the effect (minus: inverts the phase)
OVERDRIVE
Creates a soft distortion similar to that produced by vacuum tube amplifiers.
Parameter Value
Drive 0–127
HF Level 0–127
LF Bypass OFF, ON
Expanse OFF, ON
Description
Amount of distortion
Level of high frequency range
Bypass for the low frequency range
When this is set to
“OFF,” the low frequency range also has a distortion sound.
Adding the spatial spread of the sound
DISTORTION
Produces a more intense distortion than Overdrive.
Parameter Value
Gain
HF Level
0–127
0–127
LF Bypass OFF, ON
Expanse OFF, ON
Description
Amount of distortion
Level of high frequency range
Bypass for the low frequency range
When this is set to
“OFF,” the low frequency range also has a distortion sound.
Adding the spatial spread of the sound
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Chapter 4. Effect Settings
LO-FI
Intentionally degrades the sound quality for creative purposes.
Parameter Value
Fs Rate
Bit
BPF Cutoff
OFF, 1/2–1/32
OFF, 15–1
0–100
BPF Mix 0–127
Description
Sample rate
Number of bits in data
Cutoff frequency of the
BPF (Band Pass Filter)
Amount of mixing the sound that goes through the BPF
RING MOD
Applies amplitude modulation (AM) to the input signal, producing bell-like sounds.
Parameter Value
Freq 0–127
Description
Frequency at which modulation is applied
Master Effects [MASTER
COMP/EQ]
A stereo compressor (limiter)/three-band equalizer provides final audio touches to the total sound of the TD-20. Can be used for each kit and/or all kits.
fig.04-007_70
Parameter
Release
Value
0–100
Description
Time from when the volume falls below the threshold level until the compressor effect no longer applies
Output volume of compressor
Gain
[F3 (M EQ)]
Type
Q
Freq (Frequency)
Gain
-60– +12
(dB)
SHELV
(Shelving),
PEAK
(MID: fixed to “PEAK”)
0.5–8.0
(only when
Type is set to “PEAK”)
20–1k
(LOW), 20–
16K (MID),
1k–16k
(HIGH)
-12– +12
SHELVE:
Entire range above/below the selected frequency range is boosted/cut
PEAK:
The vicinity of the selected frequency range is boosted/ cut
Width of the frequency range
A higher Q narrows the affected area.
Point at which the boost/cut will occur
Amount of boost/cut
The sound may be distorted in a certain setting.
You can use the master effect on “per kit” basis, or as a
1.
Press [MASTER COMP/EQ].
[MASTER COMP/EQ] lights.
2.
Press [F2], [F3], or [CURSOR] to select the parameter.
3.
Use [+/-] or [VALUE] to adjust the setting.
4.
Press [F1] to turn the master effects on.
Parameter Value
[F2 (M COMP)]
Threshold -60–0 (dB)
Ratio
Attack
1:1–100:1
0–100
Description
Volume level at which compression begins
Compression ratio
Time from when the volume goes up the threshold level until the compressor effect applies
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Chapter 5. Trigger Settings [TRIGGER]
Selecting the Pad Type [F1
(BANK)]
To be sure the TD-20 accurately receives signals sent from the pads, select the
trigger type
(the type of pads being used) for each trigger input.
Trigger Type
A
trigger type
is a group of trigger settings with values optimally adjusted for a particular pad. Indications such as
“KD120,” “PD125,” or “VH12,” etc. in the above display correspond to this. When you select a trigger type for a connected pad, each of the parameters is set to the most appropriate values for that pad, allowing you to play it without encountering problems with the settings. Only when factors unrelated to the selection of the proper trigger type prevent you from getting good results in performance should you fine-tune the individual parameters for the pad you are using.
Trigger Bank
Trigger Banks
allow you to store the 15 trigger settings as a single unit of information. The large number at the left edge of the above display is the Trigger Bank number. Move the cursor to this area to select the Trigger Bank.
1.
Press [TRIGGER] - [F1 (BANK)].
[TRIGGER] lights, and the “TRIGGER BANK” screen will appear.
fig.05-TrigBank_70
2.
Press [CURSOR (left)] to move the cursor to the
Trigger Bank number.
3.
Use [+/-] or [VALUE] to select the Trigger Bank.
4.
Press [CURSOR (right)] to move the cursor to a trigger type.
5.
Strike the pad you wish to set.
The cursor will move to the trigger type for the struck pad.
You can also select by using [CURSOR] or [TRIG
SELECT].
6.
Use [+/-] or [VALUE] to select the trigger type.
Trigger Type
CY14C
CY8
CY6
CY12H
VH12
VH11
PAD1
PAD2
RT7K
RT5S
RT3T
PD125
PD120
PD105
PD100
PD85
PD9
PD8
PD7
PD6
KD120
KD85
KD8
KD7
CY15R
CY12RC
Used Model
PD-125
PD-120
PD-105
PD-100
PD-85, PD-80R, PD-80
PD-9
PD-8
PD-7
PD-6
KD-120
KD-85, KD-80
KD-8
KD-7
CY-15R
CY-12R/C
CY-14C
CY-8
CY-6
CY-12H
VH-12
VH-11
When using a non-Roland pad
RT-7K
RT-5S
RT-3T
* When you select the trigger type, the trigger parameters (except the crosstalk cancel parameters) are automatically set to the most efficient values for each pad. Make settings for the parameter as needed.
* When 3Way Trigger (p. 50) is set to ON, “RD CTRL” is
displayed for the trigger type for TRIGGER INPUT 11 EDGE.
It cannot be changed.
Trigger Inputs and Pad/Playing
Methods corresponding chart
Trigger Input
KICK
SNARE
TOM 1–4
HI-HAT
CRASH 1, 2
RIDE
EDGE
AUX 1–4
Dual Trigger
Mesh Pad
o x x o x x x o
Positional
Sensing
x x x o x o x x
Rim Shot
Nuance
o x x o x x x o
* Brush sweep and Cross Stick can be used only SNARE.
* Each playing method can be used with the instruments
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Chapter 5. Trigger Settings [TRIGGER]
Setting the Pad Sensitivity
[F2 (BASIC)]
When you are using pads made by other manufacturers, try adjusting the following parameters.
1.
Press [TRIGGER] - [F2 (BASIC)].
[TRIGGER] lights, and the “TRIGGER BASIC” screen will appear.
fig.05-TrigBasic_70
Minimum level for the pad (Threshold)
This setting allows a trigger signal to be received only when the pad is above a determined force level (velocity). This can be used to prevent a pad from sounding because of vibrations from other pads.
In the following example, B will sound but A and C will not sound.
fig.Threshold.e
Threshold
A B C
2.
Use [CURSOR (up/down)] to select the parameter.
3.
Strike the pad you wish to set.
The setting screen for the struck pad will appear.
You can also select by using [TRIG SELECT].
4.
Use [+/-] or [VALUE] to adjust the setting.
5.
When you’re finished, press [EXIT] to return to the “DRUM KIT” screen.
Parameter
Trig Type
Sensitivity
Threshold
Curve
Value
1–32
0–31
LINEAR, EXP1,
EXP2, LOG1,
LOG2, SPLINE,
LOUD1, LOUD2
Description
Pad sensitivity
Minimum level for the pad
How playing dynamics changes the volume
Pad Sensitivity
You can adjust the sensitivity of the pads to accommodate your personal playing style.
This allows you to have more dynamic control over the sound volume, based on how hard you play.
Sensitivity:
1–32
Higher sensitivity allows the pad to produce a loud volume even when played softly.
Lower sensitivity will keep the pad producing a low volume even when played forcefully.
Threshold:
0–31
When set to a higher value, no sound is produced when the pad is struck lightly.
Gradually raise the “Threshold” value while striking the pad.
Check this and adjust accordingly. Repeat this process until you get the perfect setting for your playing style.
How Playing Dynamics Changes the
Volume (Velocity Curve)
This setting allows you to control the relation between playing velocity (striking force) and changes in volume. Adjust this curve until the response feels as natural as possible.
fig.VeloC-LINEAR.e
Curve:
LINEAR
Volume
The standard setting. This produces the most natural correspondence between playing dynamics and volume change.
fig.VeloC-EXP.e
Curve:
EXP1, EXP2
Compared to LINEAR, strong dynamics produce a greater change.
Volume
LINEAR
EXP1
EXP2
Striking Force
Striking Force fig.VeloC-LOG.e
Curve:
LOG1, LOG2
Compared to LINEAR, a soft playing produces a greater change.
Volume
LOG2
LOG1
Striking Force fig.VeloC-SPLINE.e
Curve:
SPLINE
Extreme changes are made in response to playing dynamics.
Volume
SPLINE
Striking Force fig.VeloC-LOUD.e
Curve:
LOUD1, LOUD2
Very little dynamic response, making it easy to maintain strong volume levels. If using drum triggers, these settings help maintain stable levels.
Volume
LOUD2
LOUD1
Striking Force
45
TD-20_Ref_e.book 46 ページ ２００５年５月２５日 水曜日 午前９時４９分
Chapter 5. Trigger Settings [TRIGGER]
Hi-Hat Settings [F3 (HI-HAT)]
1.
Press [TRIGGER] - [F3 (HI-HAT)].
[TRIGGER] lights, and the “TRIGGER HIHAT” screen will appear.
fig.05-TrigHH_70
Adjusting the Offset of VH-12
Automatically
1.
Press [TRIGGER] - [F3 (HI-HAT)].
2.
Press [F5 (OFFSET)].
The “VH OFFSET ADJUSTMENT” screen will appear.
fig.05-VHOffset1_70
2.
Use [CURSOR (up/down)] to select the parameter.
3.
Use [+/-] or [VALUE] to adjust the setting.
4.
When you’re finished, press [EXIT] to return to the “DRUM KIT” screen.
Parameter Value
Hi-Hat Type VH12,
VH11/FD
Description
Used Hi-Hat Controller
VH12:
VH-12
VH11/FD:
VH-11, FD-8
• When Hi-Hat Type is set to “VH12”
Parameter Value
Offset -100– +100
Foot Splash
Sens
Noise
Cancel
-10– +10
(Initial Value: +5)
1–3
(Initial Value: 1)
Description
Extent of Opening Hi-Hat
The bigger the value is, the wider the opening extent is.
Amount of how easy to make the Foot Splash
Amount of strength to cancel the bow and edge noise when you play “Foot
Close.”
The bigger the value is, the more difficult to have a noise excluding the “Foot Close.”
• When Hi-Hat Type is set to “VH11/FD”
Parameter Value
Foot Splash
Sens
CC Max
-10– +10
(Initial Value: +8)
90, 127
(Initial Value: 90)
CC
Resolution
NORMAL,
HIGH
(Initial Value:
NORMAL)
Description
Amount of how easy to make the Foot Splash
Amount of Control
Change that is transmitted in stepping the pedal down completely.
Amount of Data Resolution that is transmitted from Hi-Hat Pedal. (*1)
*1: When you control the pitch by Hi-Hat Pedal (p. 35), the
pitch can be changed smoothly if you set “High.”
3.
Loosen the clutch of the top hi-hat and let it sit on the bottom hi-hat.
* Do NOT touch the hi-hats or the pedal.
4.
Press [F5 (EXECUTE)].
[TRIGGER] flashes, and the “VH offset” parameter is set automatically.
fig.05-VHOffset2_70
When finished, [TRIGGER] stops flashing and remains lit, and the following screen appears.
fig.05-VHOffset3_70
You can also perform this operation by holding down
[KIT] and pressing [TRIGGER] (p. 21).
Adjusting the Offset of VH-11
1.
Connect the VH-11 and TD-20.
2.
After making the hi-hat settings, release your foot from the pedal, and while keeping your foot off the pedal, turn on the power to the TD-20.
3.
Loosen the clutch screw and let the hi-hat rest naturally on the motion sensor unit.
4.
Press [TRIGGER] - [F1 (BANK)].
* [TRIGGER] lights, and the “TRIGGER BANK” screen appears.
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Chapter 5. Trigger Settings [TRIGGER]
5.
Set the trigger type for hi-hat to “VH11” (p. 44).
6.
Press [TRIGGER] - [F3 (HI-HAT)].
* The “TRIGGER HI-HAT” screen appears.
7.
Set the TD-20’s parameters as described below.
Parameter
Hi-Hat Type
Foot Splash Sens
CC Max
CC Resolution
Value
VH11/FD
+8
90
NORMAL
8.
While reading the meter displayed on the right side of the TD-20’s screen, adjust the offset with the VH-11’s VH offset adjustment screw.
Adjust the offset so that the black meter.
fig.05-TrigVH11_70
appear in the
[F1 (XTALK)]:
XTALK CANCEL fig.05-Xtalk1_70
[F2 (MOUNT)]:
MOUNT TYPE
Select the pad mount type here.
PAD:
Using a pad mount
CYMBAL:
Using a cymbal mount fig.05-Xtalk2_70
[F3 (GROUP)]:
XTALK GROUP
Crosstalk Cancel affects the pads set to the same number.
fig.05-Xtalk3_70
* For detailed descriptions regarding the VH-11, instructions on connections, and other information, refer to the VH-11
Owner’s Manual.
Eliminate Crosstalk Between
Pads [F4 (XTALK)]
When two pads are mounted on the same stand, hitting one pad may trigger the sound from another pad unintentionally.
(This is called
crosstalk
.) Eliminate this by adjusting Xtalk
Cancel on the pad that is sounding inadvertently.
Crosstalk Example: If you hit the snare pad and the tom 1 also sounds
Set the snare and tom 1 to the same group. Raise the
“XTALK CANCEL” for the pad being used for the tom 1.
The tom 1 pad will be less prone to receive crosstalk from other pads. With a setting “OFF,” crosstalk prevention will not work.
* If the value is set too high, and two pads are played simultaneously, the one that is struck less forcefully may not sound. Be careful and set this parameter to the minimum value required to prevent crosstalk.
In some cases, you can prevent crosstalk between two pads by increasing the distance between them.
1.
Press [TRIGGER] - [F4 (XTALK)].
2.
Use [F1]–[F3] to select the parameter.
3.
Strike the pad you wish to set.
The cursor will move to the trigger input number for the struck pad.
You can also select by using [CURSOR] or [TRIG
SELECT].
4.
Use [+/-] or [VALUE] to adjust the setting.
5.
When you’re finished, press [EXIT] to return to the “DRUM KIT” screen.
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Chapter 5. Trigger Settings [TRIGGER]
Advanced Trigger
Parameters [F5 (ADVANCE)]
The following parameters (Advanced Trigger Parameters) are automatically set to the most efficient values for each pad
when you select the Trigger Type (p. 44), and don’t require
adjustment, except if you experience any of the problems that are discussed in the explanation of each parameter.
1.
Press [TRIGGER] - [F5 (ADVANCE)].
2.
Use [F1]–[F3] and [CURSOR (up/down)] to select the parameter.
3.
Strike the pad you wish to set.
The setting screen for the struck pad will appear.
You can also select by using [TRIG SELECT].
4.
5.
Use [+/-] or [VALUE] to adjust the setting.
When you’re finished, press [EXIT] to return to the “DRUM KIT” screen.
Parameter
[F1 (SCAN)]
Value Description
Trig Type
Scan Time
Retrig Cancel
Mask Time
[F2 (RIM)]
0–4.0 (ms) Trigger signal detection time
1–16 Detecting trigger signal attenuation
0–64 (ms) Double triggering pre-
Trigger Signal Detection Time
(Scan Time)
Since the rise time of the trigger signal waveform may differ slightly depending on the characteristics of each pad or acoustic drum trigger (drum pickup), you may notice that identical hits (velocity) may produce sound at different volumes. If this occurs, you can adjust the “Scan Time” so that your way of playing can be detected more precisely.
fig.ScanTime.e
Scan Time
Time
Scan Time:
0–4.0 (ms)
While repeatedly hitting the pad at a constant force, gradually raise the Scan Time value from 0 msec, until the resulting volume stabilizes at the loudest level. At this setting, try both soft and loud strikes, and make sure that the volume changes appropriately.
* As the value is set higher, the time it takes for the sound to be played increases. Set this to the lowest value possible.
Detecting Trigger Signal Attenuation
(Retrigger Cancel)
Important if you are using acoustic drum triggers. Such triggers can produce altered waveforms, which may also cause inadvertent sounding at Point A in the following figure
(
Retrigger
).
fig.Retrigger.e
A
Time
Trig Type
Rim Gain
RimShot Adjust
XStick Thrshld
0–3.2
0–8.0
0–127
Rim/Edge dynamic re-
[F3 (3-WAY)]
3Way Trigger
(Ride & Edge)
OFF, ON Playing Bow/Bell/Edge
[F5 (NAME)]
48
This occurs in particular at the decaying edge of the waveform. Retrigger Cancel detects such distortion in and prevents retriggering from occurring.
Retrig Cancel:
1–16
While repeatedly striking the pad, raise the “Retrig Cancel” value until retriggering no longer occurs.
* Although setting this to a high value prevents retriggering, it then becomes easy for sounds to be omitted when the drums played fast (roll etc.). Set this to the lowest value possible while still ensuring that there is no retriggering.
TD-20_Ref_e.book 49 ページ ２００５年５月２５日 水曜日 午前９時４９分
Chapter 5. Trigger Settings [TRIGGER]
You can also eliminate this problem of retriggering with the Mask Time setting. Mask Time does not detect trigger signals if they occur within the specified amount of time after the previous trigger signal was received. Retrigger
Cancel detects the attenuation of the trigger signal level, and triggers the sound after internally determining which trigger signals were actually generated when the head was struck, while weeding out the other false trigger signals that need not trigger a sound.
Double Triggering Prevention
(Mask Time)
When playing a kick trigger the beater can bounce back and hit the head a second time immediately after the intended note—with acoustic drums sometimes the beater stays against the head—this causes a single hit to “double trigger” (two sounds instead of one). The Mask Time setting helps to prevent this. Once a pad has been hit, any additional trigger signals occurring within the specified “Mask Time” (0–64 msec) will be ignored.
fig.MaskTime.e
Mask Time
Time
Rim Shots Response (Rim Shot Adjust)
When a PD-125/120/105/80R or RT-5S (trigger) is connected, you can adjust the sensitivity of the rim response.
RimShot Adjust:
0–8.0
There are some cases that you have a rim sound unexpectedly when you hit the head strongly. You can improve this situation with decreasing the value of “RimShot Adjust.”
* When you set the value too small, it might be difficult to play the rim sound.
Cross Stick Threshold
(XStick Thrshld)
When a PD-125/120/105/80R or RT-5S (trigger) is connected, you can determine the “cross over point” between the cross stick and a rim shot sounds.
XStick Thrshld:
0–127
Setting this to a higher value makes it easier to get cross stick sounds. When set to “0,” playing a cross stick produces the open rim shot sound.
* Increasing the value excessively may cause the cross stick to sound as well when the open rim shot is played.
fig.MaskTime.e
High
Sound not produced
Mask Time:
0–64 (ms)
Adjust the “Mask Time” value while playing the pad.
When using a kick trigger, try to let the beater bounce back and hit the head very quickly, then raise the “Mask Time” value until there are no more sounds made by the beater rebound.
* When set to a high value, it will be difficult to play very quickly. Set this to as low a value as you can.
Low
Soft
Rim Shot
Sound
Cross Stick
Sound
Hard
Striking force
Cross Stick Threshold
(0–127)
If two or more sounds are being produced when you strike the head just once, then adjust Retrig Cancel.
Rim/Edge Dynamic Response
(Rim Gain)
When a PD-125/120/105, PD-80R, PD-9/8/7, CY series pad,
VH-12, or RT-5S (trigger) is connected, you can adjust the relation between your playing velocity (force) on the rim/ edge and the resulting volume level.
Rim Gain:
0–3.2
Higher value allows the rim/edge to produce a loud volume even when played softly. Lower value will keep the rim/edge producing a low volume even when played forcefully.
49
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Chapter 5. Trigger Settings [TRIGGER]
Playing Bow, Bell, and Edge
(3-Way Triggering)
When using the CY-15R or CY-12R/C for the RIDE, you can three way triggering (bow, bell, and edge shot) performance are possible.
3Way Trigger:
OFF, ON
Connect as shown below, set 3Way Trigger to “ON.” fig.05-Ride.e
Ride
CY-15R or CY-12R/C
BOW/BELL
BOW/EDGE
TD-20 Rear Panel
EDGE
RIDE
Correspondences Between Playing
Method and Trigger Input
Playing Method
Bow Shot
Bell Shot
Edge Shot
TD-20 TRIGGER INPUT
10 RIDE head
10 RIDE rim
11 EDGE rim
* Head-side tone for the TRIGGER INPUT 11 EDGE cannot be sounded.
* When 3Way Trigger is set to “ON,” “RD CTRL” is displayed for the trigger type for TRIGGER INPUT 11 EDGE. It cannot be changed.
50
Naming a Trigger Bank [F5 (Name)]
Each trigger bank can be named (up to 12 characters).
fig.05-BankName_70
1.
In the “TRIGGER BANK” screen, select the trigger bank you want to name.
2.
[F5 (ADVANCE)] - [F5 (NAME)].
The “TRIGGER BANK NAME” screen appears.
3.
[CURSOR (left/right)] to move the cursor to the character to be changed.
4.
Use [VALUE], [+/-], or [CURSOR (up/down)] to change the character.
Function Buttons
[F1 (INSERT)]
A blank space is inserted at the cursor position.
[F2 (DELETE)]
Character at the cursor position is deleted.
[F3 (SPACE)]
Character at the cursor position is replaced by a blank space.
[F4 (CHAR)]
Character at the cursor position changes between uppercase/lowercase alphabet, or numbers and symbols.
5.
When finished, Press [EXIT].
TD-20_Ref_e.book 51 ページ ２００５年５月２５日 水曜日 午前９時４９分
Chapter 6. Sequencer (Playback)
The TD-20’s sequencer organizes music into six parts. The
Drum Kit part is used to record/play back what is played on the pads. Additionally, Melody Part, Bass Part, Backing 1 Part, and Backing 2 Part are the four backing instrument parts, and there is another Percussion part.
The collective performance of these six parts is called a
pattern
.
Preset Patterns (Pattern P 1–100)
Settings in Preset patterns cannot be modified. These patterns are provided for use in practicing or live performances.
User Patterns (Pattern U 101–200)
These are patterns for you to use as you wish. You can record directly from the pads or an external MIDI keyboard in real
time (p. 61). User pattern settings are saved automatically.
Using Preset Patterns
As you cannot record over a preset pattern, the following appears in the display if you press [REC].
fig.06-002_70
About Preset Pattern Copyright
The sounds, phrases and patterns contained in this product are sound recordings protected by copyright. Roland hereby grants to purchasers of this product the permission to utilize the sound recordings contained in this product for the creation and recording of original musical works; provided however, the sound recordings contained in this product may not be sampled, downloaded or otherwise re-recorded, in whole or in part, for any other purpose, including but not limited to the transmission of all or any part of the sound recordings via the internet or other digital or analog means of transmission, and/or the manufacture, for sale or otherwise, of any collection of sampled sounds, phrases or patterns, on CD-ROM or equivalent means.
The sound recordings contained in this product are the original works of Roland Corporation. Roland is not responsible for the use of the sound recordings contained in this product, and assumes no liability for any infringement of any copyright of any third party arising out of use of the sounds, phrases and patterns in this product.
Basic Operation
fig.06-001
If you want to change, edit, or record any Preset pattern
settings, copy them to a User pattern (p. 64).
[PATTERN]:
Selects patterns. This displays the basic screen for the sequencer.
[STOP]
Stops playback of the pattern. When pressed while the pattern is stopped, this returns you to the beginning of the pattern.
[PLAY]
Starts playback of the pattern.
[REC]
Enters record-standby mode.
[TEMPO]
[CURSOR (up)]
When pressed while the pattern is stopped, this returns you to the beginning of the pattern.
[CURSOR (left)]
When pressed while the pattern is stopped, this returns you to the previous measure in the pattern.
[CURSOR (right)]
When pressed while the pattern is stopped, this advances you to the next measure in the pattern.
[CURSOR (down)]
When pressed while the pattern is stopped, this advances you to the end of the pattern.
* [CURSOR] cannot be used while the pattern is played back.
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Chapter 6. Sequencer (Playback)
Choosing a Pattern
[PATTERN]
fig.06-003_70
Select a Pattern from the List
[F1 (LIST)]
Here you can select patterns from a list of pattern names.
Pattern number, pattern name, beat, measure length, pattern playback type, and tempo are displayed.
fig.06-List_70
1.
Press [PATTERN].
[PATTERN] lights, and the “PATTERN” screen appears.
2.
Use [+/-] or [VALUE] to select the pattern.
* If you press [F5 (NEW)], an empty pattern with the lowest number is called up.
About the “PATTERN” screen.
fig.06-004_70
F
E
G
C D B A
A:
Pattern Number
Currently selected pattern number.
B:
C:
Pattern Name
The name of the currently selected pattern.
Pattern Type
“P” is displayed for preset patterns, and “U” is displayed for user patterns. When choosing an empty pattern, an asterisk (*) appears.
D:
E:
F:
G:
Measure Number
Playback begins from the measure indicated here when [PLAY] is pressed.
Beat
When you have finished making the settings, press
[PATTERN] to bring up this screen. This prevents data from being overwritten inadvertently during performance.
1.
Press [PATTERN] - [F1 (LIST)].
The “PATTERN LIST” screen appears.
2.
Use [VALUE], [+/-], or [CURSOR (up/down)] to select the pattern.
Function Buttons
[F1 (
▲
PAGE)]
The previous page of the list appears.
[F2 (PAGE
▼
)]
The next page of the list appears.
[F5 (NEW)]
An empty pattern with the lowest number is called up.
3.
Press [EXIT] to return to the “PATTERN” screen.
Playing Back a Pattern
[PLAY]
fig.06-Play_70
1.
Select the pattern to play.
2.
Press [PLAY].
[PLAY] lights, and playback of the pattern begins.
3.
Press [STOP] to stop playback of the pattern.
[PLAY] goes off, and returns to the beginning of the measure played at that moment.
4.
Press [STOP] once again to return to beginning of the pattern.
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Chapter 6. Sequencer (Playback)
Tempo Adjustment
1.
Press [TEMPO].
2.
[TEMPO] lights, and the “TEMPO” screen appears.
fig.06-Tempo1_70
Synchronizing with an External MIDI
Device
This section discusses the settings that allow an external MIDI sequencer and the TD-20’s sequencer to be synchronized. The device that is playing back is called the “master” and the device that is synchronizing to the playback is called the “slave.”
1.
Press [TEMPO].
[TEMPO] lights, and the “TEMPO” screen appears.
2.
Press [F2 (SYNC)].
The “TEMPO SYNC” screen appears.
fig.06-Tempo4_70
3.
Use [+/-] or [VALUE] to select the tempo.
4.
Press [EXIT] to return to the “DRUM KIT” screen.
Setting the Tempo by Hitting a Pad
(Tap Tempo)
You can set the tempo by hitting a pad or [PREVIEW]
two or more times
at
quarter-note intervals
of the desired tempo.
1.
Press [TEMPO].
[TEMPO] lights, and the “TEMPO” screen appears.
2.
Press [F3 (TAP)].
The “TAP TEMPO” screen appears.
fig.06-Tempo2_70
3.
Press [CURSOR (up)] to move the cursor to
“Tap Switch.”
4.
Use [+/-] or [VALUE] to set to “ON.”
5.
Press [CURSOR (down)] to move the cursor to
“Tap Pad.”
6.
Use [+/-] or [VALUE] to select the pad (or
[PREVIEW]) to use for Tap Tempo function.
7.
Press [KIT] to return to the “DRUM KIT” screen.
When you hit the pad (or [PREVIEW] selected in the step 5, the tempo is displayed at the upper right of the display.
fig.06-Tempo3_70
3.
Use [+/-] or [VALUE] to make settings.
4.
Press [KIT] to return to the “DRUM KIT” screen.
Parameter Value
Sync Mode INTERNAL, EXTERNAL,
AUTO, REMOTE
Description
See below.
INTERNAL:
The TD-20’s tempo setting will be used for playback/ recording. When shipped from the factory, this setting is selected.
EXTERNAL:
The TD-20’s sequencer will operate in accordance with tempo data (MIDI Clock) from the external device.
AUTO:
This is a convenient setting that combines features of both the INTERNAL and EXTERNAL settings. When no synchronization signal is being received, the TD-20’s tempo setting will be used for playback/recording. When a synchronization signal is being received from an external device, the TD-20 will sync to that signal.
REMOTE:
The TD-20 will obey start/pause/stop messages from an external device, but will playback according to its own tempo setting.
Synchronizing to the playback of an external sequencer
In this case, the TD-20 will be the slave and an external sequencer will be master.
1.
Connect the TD-20’s MIDI IN connector with a
MIDI cable to the MIDI OUT connector of the external sequencer.
2.
3.
Set Sync Mode to “EXTERNAL.”
Begin playback on the external sequencer.
Synchronized playback will begin.
53
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Chapter 6. Sequencer (Playback)
Part Settings [F2 (PART)]
PATTERN PART screen (Only for User Pattern)
fig.06-Part_70
Make Settings for the Backing Part
[F2 (BACKING)]
Here you can select the instrument used for the backing parts
(other parts than drum kit part and percussion part), etc.
1.
Press [PATTERN] - [F2 (PART)].
The “PATTERN PART” screen appears.
2.
Press [F2 (BACKING)].
The “MELODY (BASS, BACKING1, BACKING2)PART” screen appears.
fig.06-Backing_70
Muting a Specific Part [F1 (MUTE)]
You can mute specific parts in user patterns.
1.
Press [PATTERN] - [F2 (PART)].
The “PATTERN PART” screen appears.
2.
Press [F1 (MUTE)].
The “PART MUTE” screen appears.
fig.06-Mute1_70
3.
Press [F1]–[F5] to turn each part muted or played.
[F1]: Melody Part
[F2]: Bass Part
[F3]: Backing 1 Part + Backing 2 Part
[F4]: Percussion Part
[F5]: Drum Kit Part
4.
Press [PATTERN] to return to the “PATTERN” screen.
* You can check the part mute status in the “PATTERN” screen.
fig.06-Mute2_70
3.
Press [F1]–[F4] to select the part you wish to set.
[F1]: Melody Part
[F2]: Bass Part
[F3]: Backing 1 Part
[F4]: Backing 2 Part
4.
Press [CURSOR (up/down)] to select the parameter.
5.
Use [+/-] or [VALUE] to make settings.
Parameter
Inst
Key Shift
Bend Range
Value
-24–0– +24
0– +24
Description
Part Instrument
Shifts the overall pitch (in semitone steps).
Amount of change in pitch with pitch bend at the maximum level (in semitone steps).
MUTE PLAY
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Chapter 6. Sequencer (Playback)
Instrument Numbers/Instrument
Names
You can change the tone by changing the instrument number. Selecting different variations within each instrument number changes the instrument name, with a different tone being selected.
Instrument numbers correspond to the program numbers
(1-128).
Variation Tones
These are slightly varied tone types found in an instrument number. The number of variation tones varies with the instrument number.
fig.06-Variation_70
Percussion Part Settings [F3 (PERC)]
Choosing a Percussion Set
An assembled group of different
percussion instruments
is called a
percussion set
. There are 8 percussion sets, with percussion instruments assigned to each note number (128).
So multiple instruments can be used at one time. They can be edited and use the effects unit of the backing instruments.
1.
Press [PATTERN] - [F2 (PART)].
The “PATTERN PART” screen appears.
2.
Press [F3 (PERC)].
The “PERCUSSION PART” screen appears.
fig.06-PercPart_70
Instrument Name Number of
Variation Tones
Master Tuning
Here you can adjust the overall tuning for the Melody, Bass,
Backing 1, and Backing 2 part.
1.
Press [PATTERN] - [F2 (PART)] - [F2
(BACKING)] - [F5 (M TUNE)].
The “MASTER TUNE” screen appears.
fig.06-Tune_70
3.
Use [+/-] or [VALUE] to select the percussion set.
Percussion Set Settings
1.
In the “PERCUSSION PART” screen, press [F5
(EDIT)].
The “PERCUSSION SET EDIT” screen appears.
fig.06-PercSet_70
2.
Use [+/-] or [VALUE] to make setting.
Master Tune:
415.3–466.2Hz
* You can set this to 440.0 Hz by pressing [F5 (440 Hz)].
2.
Make settings of the percussion set.
3.
When finished, press [EXIT] to return to the
“PERCUSSION PART” screen.
Selecting a Percussion Instrument
Select an instrument for each note number.
1.
Press [CURSOR (up/down)] to select the note number you wish to set.
2.
Use [VALUE] or [+/-] to select the instrument.
You can listen the sound of instrument by pressing
[PREVIEW].
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Chapter 6. Sequencer (Playback)
Selecting a Percussion Instrument from the List [F1 (LIST)]
Here you can select from the list of all available instruments.
1.
Press [CURSOR (up/down)] to select the note number you wish to set.
2.
Press [F1 (LIST)].
The “PERCUSSION SET INST LIST” screen appears.
fig.06-PercList_70
Parameter
Pan
Pitch
Decay Time
Cho Send Level
Rev Send Level
CC
Value
L15–CTR–R15
-480–+480
-31–+31
0–127
0–127
0–127
Description
Stereo position
–
–
Amount of chorus
Amount of reverb
See below.
CC:
Specifies how the instrument which changes the tone like a snare (striking position) or hi-hat (pedal position) sounds.
4.
Press [EXIT] to return to the “PERCUSSION
SET EDIT” screen.
Naming a Percussion Set [F3 (NAME)]
Each percussion set can be named (up to 12 characters).
fig.06-PercName_70
3.
Use [VALUE], [+/-], or [CURSOR] to select the instrument.
Function Buttons
[F1 (< PAGE)]
Previous page of the list appears.
[F2 (PAGE >)]
The next page of the list appears.
[F5 (OFF)]
Selects the instrument #561 (OFF).
4.
Press [EXIT] to return to the “PERCUSSION
SET EDIT” screen.
Making the Settings for Each
Percussion Instrument [F2 (EDIT)]
Set the volume, pan, pitch, decay, etc. for each percussion instrument.
1.
Press [F2 (EDIT)].
The “PERCUSSION SET EDIT” screen appears.
fig.06-PercEdit_70
2.
Press [CURSOR] to select the parameter.
3.
Use [+/-] or [VALUE] to make settings.
Parameter
Perc Note
(Inst)
Value
0 (C -)–127 (G 9)
0–127 –
Description
Note number to be set
Instrument
Volume
56
1.
Press [F3 (NAME)].
The “PERCUSSION SET NAME” screen appears.
2.
Press [CURSOR (left/right)] to move the cursor to the character to be changed.
3.
Use [VALUE], [+/-], or [CURSOR (up/down)] to change the character.
Function Buttons
[F1 (INSERT)]
A blank space is inserted at the cursor position.
[F2 (DELETE)]
Character at the cursor position is deleted.
[F3 (SPACE)]
Character at cursor position is replaced by a blank space.
[F4 (CHAR)]
Character at the cursor position changes between uppercase/lowercase alphabet, or numbers and symbols.
4.
Press [EXIT] to return to the “PERCUSSION
SET EDIT” screen.
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Chapter 6. Sequencer (Playback)
Volume/Pan Settings for Each Part
[F4 (MIXER)]
* Drum part cannot be set here. Set in the MIXER settings (p.
* To adjust volume/pan settings for each instrument of the
percussion part, refer to p. 55.
1.
Press [PATTERN] - [F2 (PART)].
The “PATTERN PART” screen appears.
2.
Press [F4 (MIXER)].
The “PART VOLUME”, “PART PAN”, “PART REVERB
SEND LEVEL”, or “PART CHORUS SEND LEVEL” screen appears.
fig.06-Mixer_70
Effect Settings for Backing Parts [F5
(REV/CHO)]
Set the amount of reverb and chorus for each backing part.
1.
Press [PATTERN] - [F2 (PART)].
The “PATTERN PART” screen appears.
2.
Press [F5 (REV/CHO)].
The “REVERB/CHORUS” screen appears.
fig.06-RevCho_70
3.
Press [F1]–[F4] to select the parameter.
4.
Press [CURSOR (left/right)] to select the part you wish to set.
5.
Use [+/-], [VALUE], or [CURSOR (up/down)] to make settings.
Parameter
[F1 (VOLUME)]
PART VOLUME
[F2 (PAN)]
PART PAN
[F3 (REV SND)]
PART REVERB SEND LEVEL
[F4 (CHO SND)]
PART CHORUS SEND LEVEL
Value
0–127
L15–CTR–R15
0–127
0–127
3.
Press [CURSOR] to select the parameter.
4.
Use [+/-] or [VALUE] to make settings.
5.
Press [F1] and/or [F5] to turn the reverb/chorus
ON or OFF.
[F1]:
Reverb On/Off
[F5]:
Chorus On/Off
Parameter
REVERB
Type
Time
CHORUS
Type
Rate
Depth
Value Description
ROOM1,
ROOM2,
STAGE1,
STAGE2,
HALL1, HALL2,
DELAY, PAN-
DELAY
0–127
Type of reverb
Reverb Length/
Delay Time
TYPE1–3
1–64
1–64
Type of chorus
Speed of modulation
Depth of modulation
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Chapter 6. Sequencer (Playback)
Pattern Settings [F3 (FUNC)]
Set various settings for the user patterns.
Time Signature/Number of
Measures/Tempo Settings [F1
(SETUP)]
1.
Press [PATTERN].
The “PATTERN PART” screen appears.
2.
Press [F3 (FUNC)] - [F1 (SETUP)].
The “PATTERN SETUP” screen appears.
fig.06-PtnSetup_70
3.
Press [CURSOR] to select the parameter.
4.
Use [+/-] or [VALUE] to make settings.
Parameter
Pattern Length
Value
1–999
Time Signature Numerator: 1–15
Denominator: 2, 4, 8, 16
Tempo 20–260 –
Description
Number of measures
Beat
3.
Press [CURSOR (up/down)] to select the parameter.
4.
Use [+/-] or [VALUE] to make settings.
58
Time Signature can be set on an empty pattern. You cannot set 1/8 and 1/16-3/16.
Choosing a Playback Method [F2
(TYPE)]
1.
Press [PATTERN].
The “PATTERN PART” screen appears.
2.
Press [F3 (FUNC)] - [F2 (TYPE)].
The “PATTERN TYPE” screen appears.
fig.06-PtnType_70
Parameter Value
Play Type LOOP, ONESHOT,
TAP, VLINK
Tap Reset Time OFF, 0.2–4.0
Quick Play OFF, ON
Description
See below.
About Play Type (LOOP, ONESHOT,
TAP, VLINK)
LOOP ( ):
After the pattern is played back all the way to the end, playback then repeats, starting at the beginning of the pattern. Playback continues until [STOP] is pressed.
Loop is useful for practicing and live performance.
ONESHOT ( ):
Playback stops once the end of the pattern is reached.
This is a convenient feature to use when assigning
patterns to the pads (Pad Pattern; p. 35). Each time you
hit the pad to which the pattern is assigned, it will automatically start from the beginning of the pattern.
Supplementary function for LOOP and
ONESHOT
Quick Play:
OFF, ON
Quick Play starts playback of the pattern from the first note (first event) even if when you recorded the pattern, you left a pause at the beginning. For example if you had just played/recorded freely, ignoring the tempo clock.
TAP ( ):
When set to Pad Pattern (p. 35), the sounds are played
back in sequence each time the pad is pressed. (You can use [PLAY] instead of a pad.)
For example if you specify “TAP” for a pattern which contains a melody line and assign this pattern to a pad, you can play the notes of the melody in order each time you strike the pad. You can set the “Tap Reset Time” so that the pattern will automatically return to the beginning if that time interval elapses without that pad being hit again. You can play a bass line with your kick drum, too.
* When using Realtime Recording (p. 61) to record patterns used
for TAP playback, make the Quantize settings (p. 63) before
you begin recording.
V-LINK ( ):
Special “TAP” for the V-LINK function (p. 84).
You can switch the images in order each time you strike the pad (or press [PLAY]).
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Chapter 6. Sequencer (Playback)
Supplementary function for TAP and
V-LINK
Tap Reset Time:
OFF, 0.2–4.0 (sec)
This function automatically returns the pattern to the beginning if the set time interval elapses without the pad being hit again. This is the time interval that resets the pattern being used. If it is set to “OFF,” this function will be disabled.
Starting and Stopping the
Metronome (Click) On/Off
1.
Press [TEMPO].
[TEMPO] lights, and the “TEMPO” screen appears.
2.
Press [F5] to turn the click ON and OFF.
fig.06-Click1_70
You can have the velocity of the pattern being played change according to the force with which the
pad is tapped (Pad Pattern Velocity). Refer to p. 35.
3.
Press [EXIT] to return to the “DRUM KIT” screen.
Naming a Pattern [F5 (NAME)]
Each pattern can be named (up to 12 characters).
fig.06-PtnName_70
1.
Press [PATTERN] - [F3 (FUNC)] - [F5 (NAME)].
[PATTERN] lights, and the “PATTERN NAME” screen appears.
2.
Press [CURSOR (left/right)] to move the cursor to the character to be changed.
3.
Use [VALUE], [+/-], or [CURSOR (up/down)] to change the character.
You can also turn the click on/off by holding down
[SHIFT] and pressing [TEMPO].
Using a Indicator as a Click
You can use the [TEMPO] indicator as a click.
1.
Press [TEMPO].
[TEMPO] lights, and the “TEMPO” screen appears.
2.
Press [F4] to turn the [TEMPO] indicator flashing (ON) or going off (OFF).
fig.06-Click2_70
3.
Press [EXIT] to return to the “DRUM KIT” screen.
Function Buttons
[F1 (INSERT)]
A blank space is inserted at the cursor position.
[F2 (DELETE)]
Character at the cursor position is deleted.
[F3 (SPACE)]
Character at cursor position is replaced by a blank space.
[F4 (CHAR)]
Character at the cursor position changes between upper case/lowercase alphabet, or numbers and symbols.
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Chapter 6. Sequencer (Playback)
Setting the Click
1.
Press [TEMPO] - [F1 (CLICK)].
The “CLICK SETTINGS” screen appears.
fig.06-Click5_70
2.
3.
Press [CURSOR] to select the parameter.
Use [+/-] or [VALUE] to make settings.
Parameter Value
[F1 (INST)]
Description
Inst
Pan
Amb Send
Level
Refer to right column.
L15–CENTER–
R15
0–127
Sound for the click
Stereo position of the click
Amount of ambience for the click
You have to turn the
Output
[F2 (TIMESIG)]
When “---” is displayed, this level is set to
“0” automatically to prevent the click sound from leaking.
MASTER
+PHONES,
PHONES ONLY,
DIRECT 5,
DIRECT 6,
DIRECT 5+6,
DIRECT 7,
DIRECT 8,
DIRECT 7+8
Output destination for the click
You can also select by pressing [SETUP]
Time
Signature
Interval
[F3 (COUNT)]
Count In
Play
Count In
Rec
During
Play
OFF, 1 MEAS,
2 MEAS
OFF, 1 MEAS,
2 MEAS
OFF, ON
During Rec
Numerator: 0–13
Denominator:
2, 4, 8, 16
When the numerator is set to “0,” no accent is added to the first beat.
1/2 (half note), 3/8 (dotted quarter note),
1/4 (quarter note), 1/8 (eighth note),
1/12 (eighth-note triplet), 1/16 (16th note)
OFF, ON
Adds a count in before playback.
Adds a count in before recording.
Sets the click to play during pattern playback.
Sets the click to play during recording.
To adjust the click level, move [GROUP FADERS] -
Click Instruments
VOICE, CLICK, BEEP, METRONOME, CLAVES,
WOOD BLOCK, STICKS, CROSS STICK, TRIANGLE,
COWBELL, CONGA, TALKING DRUM, MARACAS,
CABASA, CUICA, AGOGO, TAMBOURINE, SNAPS,
909 SNARE, 808 COWBELL
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Chapter 7. Sequencer (Recording/Editing)
Recording a Pattern [REC]
What is played on the pads or on an external MIDI keyboard can be recorded (Realtime Recording).
Your performance will be recorded exactly as you play it, including hi-hat control pedal movements and Positional
Sensing.
How to Record
The procedure is the same when recording with pads or with a MIDI keyboard.
(1) Select an Empty Pattern
1.
Press [PATTERN].
[PATTERN] lights, and the “PATTERN” screen appears.
fig.06-003_70
Please keep in mind that even though there are 100 user patterns, the amount of memory available will be determined by how much data is recorded into TD-20.
You can check the amount of memory available by pressing [TOOLS] - [F2 (INFO)] - [F1 (MEMORY)].
2.
Press [F5 (NEW)].
An empty pattern is automatically selected.
fig.07-Rec1-2_70
Storing performance data that describes every instance where the Hi-Hat Control Pedal is used, and that includes strike position detection rapidly consumes the
User memory.
If all of the patterns have been used, this can’t be selected.
Delete an unneeded pattern (p. 66) before you record.
* You can also select by using [+/-] or [VALUE].
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Chapter 7. Sequencer (Recording/Editing)
(2) Set the Time Signature, the
Number of Measures, and the Tempo
1.
In the “PATTERN” screen, press [F3 (FUNC)] -
[F1 (SETUP)].
The “PATTERN SETUP” screen appears.
fig.07-Rec2-1_70
(3) Select a MIDI Channel
Be sure that the transmit channel on your keyboard corresponds to the MIDI channel of the part you wish to record.
Each part has it’s own MIDI channel. The factory preset channels are as follows:
2.
Press [CURSOR] to select the parameter.
3.
Use [+/-] or [VALUE] to make settings.
Part
Drum Kit part
Percussion part
Melody part
Bass part
Backing 1 part
Backing 2 part
MIDI Channel
CH10
CH11
CH1
CH2
CH3
CH4
Parameter
Pattern Length
Time Signature
Tempo
Value
1–999
Numerator: 1–15
Denominator: 2, 4, 8, 16
20–260
You can change the MIDI channel by pressing [SETUP] -
[F1 (MIDI)] - [F1 (MIDI CH)] (p. 74).
Time Signature can be set on an empty pattern. You cannot set 1/8 and 1/16–3/16.
You can record the percussion part with pads by pressing
[SETUP] - [F1 (MIDI)] - [F2 (GLOBAL)] and then setting
Local Control to “ON (PERC)” (p. 75).
If REC Mode (p. 63) is set to “Replace,” it is not necessary
to specify the Length. Recording will continue until you press [STOP], and the number of measures recorded will automatically become the “LENGTH” setting.
(4) Part Setting
Follow the procedures described in
(p. 54) to make settings of the parts.
You can have a count sound (click) inserted before recording begins by pressing [TEMPO] - [F1 (CLICK)] -
[F3 (COUNT)] and then setting Count In Rec (p. 60).
If you are recording from the pads, disregard paragraphs (3) and (4) of this section.
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Chapter 7. Sequencer (Recording/Editing)
(5) Set the Recording Method
1.
In the “PATTERN” screen, press [REC].
[PLAY] flashes, and [REC] lights.
The “PATTERN REC STANDBY” screen appears, and the click sound begins to play.
fig.07-Rec5-1_70
(6) Recording
1.
Press [PLAY] to begin recording.
[PLAY] stops flashing and remains lit, and the
“PATTERN RECORDING” screen appears.
fig.07-Rec6-1_70
2.
Press [CURSOR (up/down)] to select the parameter.
3.
Use [+/-] or [VALUE] to make settings.
Parameter
Tempo
Quantize
Rec Mode
Hit Pad
Start
Value
20–260
8th note–
64th note,
OFF
LOOP ALL,
LOOP 1–2,
REPLACE
OFF, ON
Description
–
See below.
See below.
When “ON,” recording starts the instant you strike a pad in recording standby mode. Press [F5 (HIT-
PAD)] to turn on/off.
This function can be used only when Local
“ON (DRUM).”
Quantize
Quantize is a function that corrects timing inaccuracies while you record. Set the note value before you begin recording and everything you play will be quantized automatically.
The value should be set to the shortest note appearing in the phrase. When set to “OFF,” the pattern is recorded exactly as played.
* When using Tap Playback to play back a pattern you have created, first make sure that this is not set to “OFF,” then quantize. If set to “OFF,” then Tap Playback cannot be executed correctly.
Rec Mode
LOOP ALL:
The entire pattern will be repeated in loop mode and you can continually record (like overdubbing).
LOOP 1, LOOP 2:
Recording in a one or two measure loop mode.
REPLACE:
Recording will continue until you press [STOP]. Any previously recorded data for all Parts will be erased.
2.
Play with pads or MIDI keyboards to record.
3.
Press [STOP] to stop recording.
[PLAY] and [REC] go off.
You can name the recorded pattern (p. 59).
Checking the Tones and Phrases
During Recording (Rehearsal)
The Rehearsal function temporarily suspends recording during the recording process, allowing you to rehearse and then quickly resume recording.
1.
2.
While recording is underway, press [REC].
[REC] flashes, and the REHEARSAL screen appears.
Now, data from pads or keyboard cannot be recorded.
fig.07-Rehearsal_70
3.
Press [REC] to resume recording.
[REC] lights.
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Chapter 7. Sequencer (Recording/Editing)
Editing a Pattern [F4 (EDIT)]
You can edit user patterns.
PATTERN EDIT screen (Preset Pattern)
fig.07-PrstEdit_70
3.
When you want to copy selected measures or part, press [F4 (MEASURE)].
The “COPY PATTERN MEASURE” screen appears.
fig.07-Cpy4_70
PATTERN EDIT screen (User Pattern)
fig.07-UserEdit_70
Copying a Pattern [F1 (COPY)]
Copy the pattern as is to the User patterns.
fig.07-Cpy1
1 2 3 4 5 6 7 8
Src
4.
Press [CURSOR] to select the parameter.
5.
Use [+/-] or [VALUE] to select the pattern, part, and measures.
Pattern
Src Copysource pattern
Dst Copy-destination pattern
Part
Copysource part
Copy-destination part
6.
Press [F5 (COPY)].
The confirmation screen appears.
fig.07-Cpy5_70
Measure
Measures to be copied (First Measure–
Last Measure)
First measure of the copy-destination
1 2 3 4 5 6 7 8
Dst
You can copy selected measures of a part or pattern. Unlike copying an entire pattern, settings such as instrument and part volume etc. will not be copied.
fig.07-Cpy2
1 2 3 4 5 6 7 8
Src
7.
Press [F5 (EXECUTE)].
* To cancel, press [F1 (CANCEL)].
1 2 3 4 5 6 7 8
Dst
1.
Press [PATTERN] - [F4 (EDIT)].
The “PATTERN EDIT” screen appears.
2.
Press [F1 (COPY)].
The “COPY PATTERN” screen appears.
fig.07-Cpy3_70
• If the number of measures in the copy-source pattern and the copy-destination pattern differ, the number of measures in the copy-destination pattern may increase or decrease according to this difference.
• When “ALL” is specified in copy-source part, then only
“ALL” may be specified in copy-destination part.
Additionally, if other than “ALL” is specified in copysource part, then “ALL” cannot be specified in copydestination part.
• When copying between drum kit parts and percussion parts or backing parts, copy takes place in accord with the predetermined correspondence between note numbers and pads. Only note numbers assigned to pads will be copied.
For more on note numbers and trigger inputs, refer to
Note Number (Factory Settings)
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Chapter 7. Sequencer (Recording/Editing)
Connecting Two Patterns [F2
(APPEND)]
This connects two patterns to create one pattern. The pattern specified as “Dst” will be first, and the pattern specified as
“Src” will be connected to it. The new pattern will be created in “Dst.” fig.07-Apd1
Dst
1 2 3 4
Src
1 2 3 4
+
Erasing a pattern [F3 (ERASE)]
This erases the pattern. Performance data is erased, while beat, measure length, and other settings are left intact.
fig.07-Ers1
1 2 3 4 5 6 7 8
1 2 3 4 5 6 7 8
Dst
1.
Press [PATTERN] - [F4 (EDIT)].
The “PATTERN EDIT” screen appears.
2.
Press [F2 (APPEND)].
“APPEND PATTERN” screen appears.
fig.07-Apd2_70
1 2 3 4 5 6 7 8
You can erase portions of the pattern, in measure units. The erased portions become blank measures.
fig.07-Ers2
1 2 3 4 5 6 7 8
1 2 3 4 5 6 7 8
3.
Press [CURSOR (up)] to move the cursor to
“Src.”
4.
Use [+/-] or [VALUE] to select the pattern that will come later.
5.
Press [CURSOR (down)] to move the cursor to
“Dst.”
6.
Use [+/-] or [VALUE] to select the pattern that will come first.
7.
Press [F5 (APPEND)].
The confirmation screen appears.
fig.07-Apd3_70
Although the data is erased, the pattern length is unchanged.
1.
Press [PATTERN] - [F4 (EDIT)].
The “PATTERN EDIT” screen appears.
2.
Press [F3 (ERASE)].
The “ERASE PATTERN” screen appears.
fig.07-Ers3_70
3.
When you want to erase selected measures or part, press [F4 (MEASURE)].
The “ERASE PATTERN MEASURE” screen appears.
fig.07-Ers4_70
8.
Press [F5 (EXECUTE)].
* To cancel, press [F1 (CANCEL)].
4.
Press [CURSOR (left/right)] to select the parameter.
5.
Use [+/-] or [VALUE] to select the pattern, part, and measures.
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Chapter 7. Sequencer (Recording/Editing)
Pattern
Pattern to be erased
Part
Part to be erased
Measure
Measures to be erased
(First Measure–Last Measure)
6.
Press [F5 (ERASE)].
The confirmation screen appears.
fig.07-Ers5_70
2.
Press [F4 (DELETE)].
The “DELETE PATTERN” screen appears.
fig.07-Del3_70
3.
When you want to delete selected measures, press [F4 (MEASURE)].
The “DELETE PATTERN MEASURE” screen appears.
fig.07-Del4_70
7.
Press [F5 (EXECUTE)].
* To cancel, press [F1 (CANCEL)].
Deleting a Pattern [F4 (DELETE)]
This deletes the pattern performance, beat, measure length, part, and all other settings, creating a empty pattern.
fig.07-Del1
1 2 3 4 5 6 7 8
1
You can delete unneeded measures from the pattern, then connects the portions before and after the resulting gap.
fig.07-Del2
1 2 3 4 5 6 7 8
4.
Press [CURSOR (left/right)] to select the parameter.
5.
Use [+/-] or [VALUE] to select the pattern and measures.
Pattern
Pattern to be deleted
Measure
Measures to be deleted
(First Measure–Last Measure)
6.
Press [F5 (DELETE)].
The confirmation screen appears.
fig.07-Del5_70
1 2 3 7 8
7.
Press [F5 (EXECUTE)].
* To cancel, press [F1 (CANCEL)].
1.
• The performance data following the deleted range is moved forward (and the performance data for that part is shortened).
• When all parts in the targeted range are specified, deletion results in the pattern itself becoming shorter.
• When all measures for all parts are deleted, the pattern itself is deleted, resulting in a pattern containing no performance data (an empty pattern). Settings, including beat and measure length, are restored to their initial values as well.
Press [PATTERN] - [F4 (EDIT)].
The “PATTERN EDIT” screen appears.
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Chapter 7. Sequencer (Recording/Editing)
Saving Patterns to a Memory Card
[F5 (CARD)]
You can use an optional CompactFlash memory card to save pattern data.
PATTER CARD screen
fig.07-PtnCard_70
930 (Modified)
* Never remove a CompactFlash card while the
CompactFlash indicator on the TD-20’s top panel is lit.
Doing so may corrupt the unit’s data or the data on the
CompactFlash card.
931
* Carefully insert the CompactFlash card all the way in— until it is firmly in place.
Saving a Pattern to a Memory Card
[F1 (SAVE)]
Patterns will be saved up to 100.
1.
Insert a CompactFlash card into the
CompactFlash card slot on the TD-20’s front panel.
2.
Press [PATTERN] - [F4 (EDIT)].
The “PATTERN EDIT” screen appears.
3.
Press [F5 (CARD)].
The CompactFlash indicator light, and the “PATTERN
CARD” screen appears.
* If you insert a card being used for the first time by the TD-20, display shows “Unformatted!” Refer to
4.
Press [F1 (SAVE)].
The “PATTERN SAVE” screen appears.
fig.07-PtnSave1_70
Cards supported by TD-20 are 3.3 V CompactFlash cards with the capacity of 16 to 512 MB.
20
You can check the amount of memory card available by
pressing [TOOLS] - [F2 (INFO)] - [F2 (CARD)] (p. 84).
Save/Load and Copy Functions of the TD-
fig.CardImage
[LOAD]
[CARD]
[SAVE]
TD-20
SETUP
KIT
INST
PERC
TRIG
CHAIN
PATTERN
[COPY]
SETUP
KIT
INST
PERC
TRIG
CHAIN
PATTERN
[LOAD]
[SAVE]
[PATTERN] - [EDIT] - [CARD]
Backup (1–8)
PATTERN
Pattern (1–100)
CompactFlash
5.
Press [CURSOR (up)], and then use [+/-] or
[VALUE] to select the pattern you want to save.
6.
Press [CURSOR (down)], and then use [+/-] or
[VALUE] to select a backup pattern to which you want to save the pattern.
* You can select an empty backup pattern with the lowest number by pressing [F4 (NEW)].
7.
Press [F5 (SAVE)].
The confirmation screen appears.
fig.07-PtnSave2_70
8.
* To cancel, press [F1 (CANCEL)].
Press [F5 (EXECUTE)] to save the pattern.
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Chapter 7. Sequencer (Recording/Editing)
Loading a Pattern from a Memory
Card [F2 (LOAD)]
Patterns saved on a memory card can be loaded into the TD-
20.
1.
Insert a CompactFlash card into the
CompactFlash card slot on the TD-20’s front panel.
2.
Press [PATTERN] - [F4 (EDIT)].
The “PATTERN EDIT” screen appears.
3.
Press [F5 (CARD)].
The CompactFlash indicator light, and the “PATTERN
CARD” screen appears.
4.
Press [F2 (LOAD)].
The “PATTERN LOAD” screen appears.
fig.07-PtnLoad1_70
Deleting a Pattern from a Memory
Card [F3 (DELETE)]
You can delete the unneeded pattern from a memory card.
1.
Insert a CompactFlash card into the
CompactFlash card slot on the TD-20’s front panel.
2.
Press [PATTERN] - [F4 (EDIT)].
The “PATTERN EDIT” screen appears.
3.
Press [F5 (CARD)].
The CompactFlash indicator light, and the “PATTERN
CARD” screen appears.
4.
Press [F3 (DELETE)].
The “PATTERN DELETE” screen appears.
fig.07-PtnDel1_70
5.
Press [CURSOR (up)], and then use [+/-] or
[VALUE] to select the backup pattern you want to load.
6.
Press [CURSOR (down)], and then use [+/-] or
[VALUE] to select the user pattern to which the backup pattern will be copied.
7.
Press [F5 (LOAD)].
The confirmation screen appears.
fig.07-PtnLoad2_70
5.
Use [+/-] or [VALUE] to select the unneeded backup pattern.
6.
Press [F5 (DELETE)].
The confirmation screen appears.
fig.07-PtnDel2_70
7.
* To cancel, press [F1 (CANCEL)].
Press [F5 (EXECUTE)] to delete the backup pattern.
8.
* To cancel, press [F1 (CANCEL)].
Press [F5 (EXECUTE)] to load the pattern.
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Chapter 8. Copy Function [COPY]
You can copy drum kits, instruments, etc. to the destination of your choice.
Copying will overwrite the data that was in the new destination. So take caution when performing this operation.
1.
Press [COPY].
[COPY] lights, and the “COPY” screen appears. If a
CompactFlash card is inserted into the CompactFlash
card slot, the CompactFlash indicator also lights (p. 70).
fig.08-CopyMenu_70
4.
Press [F4] or [F5].
[F4 (EXCHNG)]:
The contents of the copy-source and copy-destination are exchanged. (This can be selected when a “USER” data is used for the copy-source.)
[F5 (COPY)]:
The previous content of the copy-destination is overwritten by the content of the copy-source.
The confirmation screen appears. (Example: Copying a drum kit) fig.08-Confirm_70
2.
Press [F1]–[F5] to select what you want to copy.
[F1 (KIT)]: drum kit
[F2 (INST)]: drum instrument
[F3 (PERC)]: percussion set
[F4 (TRIG)]: trigger bank
[F5 (CHAIN)]: drum kit chain
3.
Use [CURSOR], [+/-], or [VALUE] to select the copy-source and the copy-destination.
fig.08-CopyParam_70
A B D F
5.
* To cancel, press [F1 (EXIT)].
Press [F5 (EXECUTE)] to carry out the procedure.
“EXCHNG” is convenient for changing the order of data in a sequence.
For details on copying a pattern, refer to p. 64.
C E G
A:
copy-source type (PRESET, USER, or CARD)
B:
copy-source
C:
copy-destination
D:
backup containing the copy-source
(This appears when “CARD” is selected for the copysource type.)
E:
exchange button
(This appears when “USER” is selected for the copysource type.)
F:
copy-source pad
(This appears when copying a drum instrument.)
G:
copy-destination pad
(This appears when copying a drum instrument.)
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Chapter 9. Using a CompactFlash Memory Card [CARD]
You can use an optional CompactFlash memory card to save
TD-20 settings and sequencer data.
CARD MENU screen
fig.09-CardMenu_70
930 (Modified)
* Never remove a CompactFlash card while the
CompactFlash indicator on the TD-20’s top panel is lit.
Doing so may corrupt the unit’s data or the data on the
CompactFlash card.
931
* Carefully insert the CompactFlash card all the way in— until it is firmly in place.
Saving Data to a Memory
Card [F1 (SAVE)]
All data (drum kits, percussion sets, patterns, and setup) will be saved up to 8 sets.
1.
Insert a CompactFlash card into the
CompactFlash card slot on the TD-20’s front panel.
2.
PRESS [CARD].
[CARD] AND the CompactFlash indicator light, and the
“CARD MENU” screen appears.
* If you insert a card being used for the first time by the TD-20,
display shows “Unformatted!” Refer to p. 72 and initialize it.
3.
Press [F1 (SAVE)].
The “CARD SAVE” screen appears.
fig.09-CardSave1_70
Cards supported by TD-20 are 3.3 V CompactFlash cards with the capacity of 16 to 512 MB.
20
You can check the amount of memory card available by
pressing [TOOLS] - [F2 (INFO)] - [F2 (CARD)] (p. 84).
Save/Load and Copy Functions of the TD-
fig.CardImage
[LOAD]
[CARD]
[SAVE]
TD-20
SETUP
KIT
INST
PERC
TRIG
CHAIN
PATTERN
[COPY]
SETUP
KIT
INST
PERC
TRIG
CHAIN
PATTERN
[LOAD]
[SAVE]
[PATTERN] - [EDIT] - [CARD]
Backup (1–8)
PATTERN
Pattern (1–100)
CompactFlash
4.
Use [+/-] or [VALUE] to select a backup area to which you want to save the data.
* You can select an empty backup area with the lowest number by pressing [F4 (NEW)].
5.
Press [F5 (SAVE)].
The confirmation screen appears.
fig.09-CardSave2_70
6.
* To cancel, press [F1 (CANCEL)].
If you want to change the name of the backup area, press [F4 (NAME)].
7.
Press [F5 (EXECUTE)] to save the data.
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Chapter 9. Using a CompactFlash Memory Card [CARD]
Naming a Backup [F4 (NAME)]
Each backup area can be given a name of up to 12 characters.
1.
In the “CARD SAVE” confirmation screen, press [F4 (NAME)].
The “CARD SAVE NAME” screen appears.
fig.09-CardName_70
2.
Press [CURSOR (left/right)] to move the cursor to the character to be changed.
3.
Use [VALUE], [+/-], or [CURSOR (up/down)] to change the character.
Loading Data from a
Memory Card [F2 (LOAD)]
Data saved on a memory card can be loaded into the TD-20.
1.
Insert the CompactFlash card into the
CompactFlash card slot on the TD-20’s front panel.
2.
PRESS [CARD].
[CARD] AND the CompactFlash indicator light, and the
“CARD MENU” screen appears.
3.
Press [F2 (LOAD)].
The “CARD LOAD” screen appears.
fig.09-CardLoad1_70
Function Buttons
[F1 (INSERT)]
A blank space is inserted at the cursor position, and characters after this point are moved to the right one space.
[F2 (DELETE)]
Character at the cursor position is deleted, and characters after this point are moved to the left one space.
[F3 (SPACE)]
Character at the cursor position is replaced by a blank space.
[F4 (CHAR)]
Type of character at the cursor position changes between upper case/lowercase alphabet, or numbers and symbols.
4.
When you’re finished, press [F5 (SAVE)] to return to the confirmation screen.
4.
Use [+/-] or [VALUE] to select the backup area containing the data you want to load.
5.
Press [F5 (LOAD)].
The confirmation screen appears.
fig.09-CardLoad2_70
* To cancel, press [F1 (CANCEL)].
6.
Press [F5 (EXECUTE)] to load the data.
* You can also load individual kits, percussion sets, etc. from a
memory card. To do so, use the Copy function (p. 69).
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Chapter 9. Using a CompactFlash Memory Card [CARD]
Deleting Data from a
Memory Card [F3 (DELETE)]
You can delete the unneeded data from a memory card.
1.
Insert the CompactFlash card into the
CompactFlash card slot on the TD-20’s front panel.
2.
PRESS [CARD].
[CARD] AND the CompactFlash indicator light, and the
“CARD MENU” screen appears.
3.
Press [F3 (DELETE)].
The “CARD DELETE” screen appears.
fig.09-CardDel1_70
4.
Use [+/-] or [VALUE] to select the backup area containing the unneeded data.
5.
Press [F5 (DELETE)].
The confirmation screen appears.
fig.09-CardDel2_70
Formatting a Memory Card
[F4 (FORMAT)]
When a card is being used for the first time by the TD-20, you must execute the following procedure to initialize the card.
(This prepares the card for use with the TD-20.)
When a card is initialized, all data on that card will be lost. Make sure that it does not contain data you wish to keep.
1.
Insert a CompactFlash card into the
CompactFlash card slot on the TD-20’s front panel.
2.
PRESS [CARD].
[CARD] AND the CompactFlash indicator light, and the
“CARD MENU” screen appears.
3.
Press [F4 (FORMAT)].
The “CARD FORMAT” screen appears.
fig.09-Format1_70
4.
Press [F5 (EXECUTE)].
The confirmation screen appears.
fig.09-Format2_70
6.
* To cancel, press [F1 (CANCEL)].
Press [F5 (EXECUTE)] to delete the backup.
5.
* To cancel, press [F1 (CANCEL)].
Press [F5 (EXECUTE)] again to start formatting.
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Chapter 9. Using a CompactFlash Memory Card [CARD]
Checking the State of a
Memory Card [F5 (INFO)]
1.
Insert a CompactFlash card into the
CompactFlash card slot on the TD-20’s front panel.
2.
PRESS [CARD].
[CARD] AND the CompactFlash indicator light, and the
“CARD MENU” screen appears.
3.
Press [F5 (INFO)].
The “CARD INFORMATION” screen appears.
fig.09-CardInfo_70
Backup:
Pattern:
Size:
number of used backup areas number of saved patterns used memory size/total memory size
4.
Press [EXIT] twice (or just press [KIT]) to return to the “DRUM KIT” screen.
The CompactFlash indicator goes off.
For details on saving patterns, refer to
Saving Patterns to a Memory Card [F5 (CARD)]
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Chapter 10. Settings for the Entire TD-20 [SETUP]
MIDI Settings and Operations
[F1 (MIDI)]
Setting the MIDI Channels for Each
Part [F1 (MIDI CH)]
For each part, you can specify the channel on which the TD-20 will receive and transmit MIDI messages.
1.
Press [SETUP].
[SETUP] lights.
2.
Press [F1 (MIDI)] - [F1 (MIDI CH)].
The “MIDI CHANNEL” screen appears.
fig.10-MidiCh_70
3.
Press [CURSOR (up/down)] to select the parameter.
4.
Use [+/-] or [VALUE] to make settings.
Parameter
Soft Thru
Local Control
Device ID
V-LINK MIDI Ch
V-LINK Device ID
Value
OFF, ON
OFF, ON (DRUM), ON (PERC)
1–32
CH1–CH16
1–32, 128
Soft Thru
This section explains how you can use the Roland SPD-20 (a
MIDI controller) together with the TD-20’s pads to play internal sounds and an external sound module.
When Soft Thru is set to “ON,” the messages received at MIDI
IN will also be transmitted from the MIDI OUT/THRU connector.
fig.SoftThru.e
Pad or pedal
SPD-20
3.
Press [CURSOR (up/down)] to select the part you wish to set.
4.
Press [CURSOR (left/right)] to select the parameter.
5.
Use [+/-] or [VALUE] to make settings.
Parameter Value
Tx/Rx
Channel
OFF, ON
Description
Turns the transmitting and receiving MIDI messages
ON or OFF.
CH1–CH16 transmit and receive channel
* Drum kit part and percussion part can be overlaid and set to
“CH10.” When a duplicate note number is received, the instrument assigned to the drum kit part (the pad instrument) sounds. Other note number is received, the percussion part instrument is played.
* Other parts and MIDI channels cannot be overlaid.
MIDI Settings for the Entire TD-20
[F2 (GLOBAL)]
1.
Press [SETUP].
[SETUP] lights.
2.
Press [F1 (MIDI)] - [F2 (GLOBAL)].
The “MIDI GLOBAL” screen appears.
fig.10-MidiGlobal_70
TRIGGER
INPUT MIDI IN
MIDI OUT
To the MIDI IN of another sound module or sampler
MIDI
OUT/THRU
TD-20
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Chapter 10. Settings for the Entire TD-20 [SETUP]
Local Control
This is required when you want to trigger sounds in an external sound module and/or record your performance on an external MIDI sequencer, and NOT use the TD-20’s internal sounds. If that is your need, then turn Local Control to “OFF.”
The trigger signals from the pads go directly to the MIDI
OUT/THRU connector.
The TD-20’s default mode is with Local Control “ON.” fig.LocalCtrl.e
Device ID
The setting described here is necessary only when you wish to transmit separate data to two or more TD-20 units at the same time. Do not change this setting in any other case. (At the factory settings, the device ID is set to “17.”)
TD-20
Pad
Trigger Input
If you lose track of the Device ID setting that was used when saving data via a bulk dump, it will no longer be possible to reload the bulk data that was saved.
Example:
Suppose that when data was saved via bulk dump (p. 77), the
TD-20’s Device ID was set to “17.” When re-transmitting this data back to the TD-20, it won’t receive if the Device ID is set to something other than “17.” fig.DeviceID.e
Transmit data
Device ID: 17
OUT
Trigger
→MIDI
Converter
Local Control:
OFF IN
MIDI IN MIDI OUT
OUT IN
Internal Sound Generator
Device ID: 17
External MIDI Sequenc
(Soft Thru: ON)
If you make connections and record as shown, with a setting of Local Control “ON,” duplicate notes will be re-transmitted to the TD-20 and will not be played correctly.
ON (DRUM):
The performance data from the pad is sent to the drum kit part. Normally set to this.
ON (PERC):
The performance data from the pad is sent to the percussion part and drum kits cannot be played. Select this only when you record the percussion part with pads.
When Local Control is set to “ON (PERC),” the sound does not change if you switch drum kits because drum kits cannot be played with pads.
MIDI IN
System Exclusive is not received
Device ID: 16
V-LINK MIDI Ch (V-LINK MIDI Channel)
When V-LINK function (p. 84) is on, the performance data
recorded in the backing part of the sequencer is transmitted on this channel.
* At the factory settings, this is set to “CH16.”
V-LINK Device ID
Set this ID to match the device ID number of the Edirol DV-
7PR which is controlled by the TD-20. If this is set to “128,” you can control the Edirol DV-7PR regardless of the device ID number of it.
* At the factory settings, this is set to “128.”
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Chapter 10. Settings for the Entire TD-20 [SETUP]
MIDI Messages for Detailed
Performance Expressions [F3 (CTRL)]
1.
Press [SETUP].
[SETUP] lights.
2.
Press [F1 (MIDI)] - [F3 (CTRL)].
The “MIDI CONTROL” screen appears.
fig.10-MidiCtrl_70
Switching Drum Kits via MIDI
(Program Change) [F4 (PROG)]
Each drum kit/percussion set has its own program change number.
1.
Press [SETUP].
[SETUP] lights.
2.
Press [F1 (MIDI)] - [F4 (PROG)].
The “MIDI PROGRAM CHANGE (DRUM KIT)” or
“MIDI PROGRAM CHANGE (PERC SET)” screen appears.
fig.10-MidiPcDrum_70
3.
Press [CURSOR (up/down)] to select the parameter.
4.
Use [+/-] or [VALUE] to make settings.
Parameter Value
Pedal CC
Snare CC
Ride CC
Toms CC
OFF,
MODULATION(1),
BREATH(2),
FOOT(4),
EXPRESSION(11),
GENERAL1(16)–
GENERAL4(19)
HH Note#
Border
0–127
Description
Control change used for transmitting/receiving the depth to which the hi-hat pedal pressed
Control change used for transmitting/receiving the strike position of the snare, ride, and tom 1–4
See below.
* When a control change is set to be more than one parameter, an asterisk (
*
) appears at the right of the unavailable parameter.
fig.10-MidiPcPerc_70
3.
Press [F3 (DRM KIT)], [F4 (PRC GRP)], and
[CURSOR (up/down)] to select the drum kit or percussion set you wish to set.
[F3 (DRM KIT)]: Drum Kit
[F4 (PRC GRP)]: Percussion Set
4.
Use [+/-] or [VALUE] to make settings.
The drum kits/percussion sets will switch when a Program
Change message is received from an external MIDI device.
When you switch TD-20’s drum kits/percussion sets, the
Program Change number set here is transmitted.
HH Note# Border
(Hi-Hat Note Number Border)
The only time you would need to change this setting is when you are triggering an external sound module.
The note number transmitted when you strike the hi-hat will change depending on the amount of pressure on the hi-hat pedal. Hi-Hat Note Number Border allows you to adjust the pedal position at which the note number switches from the open hi-hat to the closed hi-hat.
At the factory default value (127), the closed hi-hat note number will be transmitted only if the hi-hat pad is played with the pedal completely depressed. If you want this note number to be transmitted when the pedal is slightly raised, set this to a value such as 90.
Turning the Reception/Transmission of
Program Changes On/Off
In the “MIDI PROGRAM CHANGE (DRUM KIT)” or “MIDI
PROGRAM CHANGE (PERC SET)” screen, pressing [F1] turns the reception of program changes on or off, and pressing
[F2] turns the transmission on/off.
76
If you change the Hi-hat Note Number Border setting, the hi-hat of a pattern that was recorded onto the internal sequencer by playing the pads may play back in a way that is different from the actually recorded performance.
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Chapter 10. Settings for the Entire TD-20 [SETUP]
Saving Data to an external MIDI
Device (Bulk Dump) [F5 (BULK)]
Saving Data
To save data, use the external sequencer as you would when recording musical data, and perform the following steps on the TD-20 as shown in the following diagram.
1.
Connect the TD-20’s MIDI OUT connector with a
MIDI cable to the MIDI IN connector of the external sequencer.
fig.BulkDump.e
5.
Start the recording process of the external sequencer.
6.
Press [F5 (EXECUTE)] to begin sending the data.
fig.10-MidiBulk2_70
* If you want to stop sending, press [F5 (STOP)].
7.
When finished, the following screen appears.
fig.10-MidiBulk3_70
MIDI IN MIDI OUT
Sequencer TD-20
2.
Press [SETUP].
[SETUP] lights.
3.
Press [F1 (MIDI)] - [F5 (BULK)].
The “MIDI BULK DUMP” screen appears.
fig.10-MidiBulk1_70
Bulk Dump is one kind of System Exclusive message. Be sure to use an external MIDI sequencer that is capable of recording System Exclusive messages. In addition, confirm that the sequencer is not set to “Do not receive
System Exclusive messages.”
Loading Data to the TD-20
4.
Press [+/-], [VALUE], and [CURSOR (up/down)] to select the content to be sent.
Transmit Data
ALL
SETUP
Description
All data, including setup, drum kits, user percussion sets, user patterns
Trigger, pad, and other kinds of settings
ALL DRUM KITS
1 DRUM KIT
All data for drum kits 1–50
Only the data for the selected drum kit
ALL TRIG BANKS All settings for trigger banks 1–4
1 TRIG BANK Only the settings for the selected trigger bank
ALL PERC
GROUPS
1 PERC GROUP
ALL PATTERNS
All data for the user percussion sets
1–8
Only the data for the selected percussion set
All data for the user patterns 101–200
At this time, all the TD-20’s current data is overwritten.
Make sure you have made the needed backup.
1.
Connect the TD-20’s MIDI IN connector with a
MIDI cable to the MIDI OUT connector of the external sequencer.
fig.BulkLoad.e
MIDI OUT MIDI IN
Sequencer TD-20
2.
Press “PLAY” on the external sequencer to transmit the data to the TD-20.
Received data is written into the TD-20.
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Chapter 10. Settings for the Entire TD-20 [SETUP]
Selecting Output Destinations
[F2 (OUTPUT)]
Here you can select the output destination for each TRIGGER
INPUTs, sequencer parts, and the sound input from the MIX
IN jack.
Output Destination for the Drum
Instruments
1.
Press [SETUP].
[SETUP] lights.
2.
Press [F2 (OUTPUT)], and then Press [F1]–[F3] to select the output destination jacks.
The “OUTPUT ASSIGN (MASTER)” or “OUTPUT
ASSIGN (DIRECT)” screen appears.
[F1 (MASTER)]: MASTER OUT jacks and PHONES jack
[F2 (DIR 1–4)]: DIRECT OUT 1–4 jacks
[F3 (DIR 5–8)]: DIRECT OUT 5–8 jacks
3.
Press TRIG SELECT [1], [15], [RIM], or
[CURSOR (left/right)] to select the TRIGGER
INPUT.
You can also select by striking the pad.
4.
Use [+/-], [VALUE], or [CURSOR (up/down)] to select the output destination.
Output Destination for the Sequencer
Parts/Metronome Click/Sound Input from MIX IN [F4 (OTHER)]
1.
Press [SETUP].
[SETUP] lights.
2.
Press [F3 (OUTPUT)] - [F4 (OTHER)].
The “OUTPUT ASSIGN (OTHER)” screen appears.
fig.10-OutAsgn3_70
3.
Press [CURSOR (left/right)] to select the source.
AMB:
MFX:
BACK:
PERC:
CLICK:
MIXIN:
Ambience
Multi-effects
Backing parts of the sequencer
Percussion part of the sequencer
Metronome click
Sound input from the MIX IN jack
4.
Use [+/-], [VALUE], or [CURSOR (up/down)] to select the output destination.
* You can restore all output destinations to factory settings
(MASTER and PHONES) by pressing [F5 (DEFAULT)] - [F5
(EXECUTE)].
OUTPUT ASSIGN (MASTER) screen
fig.10-OutAsgn1_70
* You can restore all output destinations to factory settings
(L+R) by pressing [F5 (DEFAULT)] - [F5 (EXECUTE)].
OUTPUT ASSIGN (DIRECT) screen
fig.10-OutAsgn2_70
* You can restore all output destinations to factory settings by pressing [F5 (DEFAULT)] - [F5 (EXECUTE)].
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Chapter 10. Settings for the Entire TD-20 [SETUP]
Setting the Switches
[F3 (CONTROL)]
Using Foot Switches [F1 (FOOT SW)]
Two foot switches (BOSS FS-5U, optional) can be used with an optional cable (PCS-31) to switch drum kits and play back patterns.
fig.FootSw.e
PCS-31
(sold separately)
5.
When setting to “USER,” press [CURSOR] to move the cursor to “SW1” or “SW2.”
6.
Use [+/-] or [VALUE] to select the functions for
SW1 and SW2.
Function
KIT SELECT
CHAIN SELECT
PATTERN SELECT
PATTERN PLAY
USER
SW1
KIT# DEC
CHAIN# DEC
PTN# DEC
SW2
KIT# INC
CHAIN# INC
PTN# INC
PTN# INC STOP/PLAY
Select from the table below.
KIT# INC
KIT# DEC
CHAIN# INC
CHAIN# DEC
PTN# INC
PTN# DEC
PTN PLAY
PTN STOP
STOP/PLAY
XSTICK SW
Calls up the next kit.
Calls up the previous kit.
Calls up the next drum kit chain.
Calls up the previous drum kit chain.
Calls up the next pattern.
Calls up the previous pattern.
Plays back the pattern.
Stops the pattern.
Plays back/stops the pattern.
Switches to use/not use cross stick.
FS-5U
Foot Switch
FS-5U x 2 (PCS-31)
DP-2 o: Functions
SW1
o (red plug)
–
SW2
o (white plug) o
–: Does not function
1.
Connect the foot switches to the FOOT SW jack.
2.
Press [SETUP].
[SETUP] lights.
3.
Press [F3 (CONTROL)] - [F1 (FOOT SW)].
The “FOOT SWITCH” screen appears.
fig.10-FootSw_70
When using foot switches to switch kits in a Drum Kit
Chain (p. 82), FUNCTION should be set to “KIT
SELECT,” and you need to press the [CHAIN], so its indicator is lit. (The Drum Kit Chain settings need to be made beforehand.)
4.
Use [+/-] or [VALUE] to select the function for foot switches.
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Chapter 10. Settings for the Entire TD-20 [SETUP]
Using Pads as Switches
[F2 (PAD SW)]
Pads connected to TRIGGER INPUT 15 (AUX4) and/or 14
(AUX3) can be set to switch drum kits and play back patterns.
1.
Connect the pad(s) to the TRIGGER INPUT 15
(AUX 4) and/or 14 (AUX3).
2.
Press [SETUP].
[SETUP] lights.
3.
Press [F3 (CONTROL)] - [F2 (PAD SW)].
The “PAD SWITCH” screen appears.
fig.10-PadSw_70
• If you don’t want sound from the pad used as a pad switch, press [MIXER] - [F1 (VOLUME)], and set the
volume level for AUX4 and/or AUX3 to “0” (p. 37). Or
press [INST] and select “561 Off” for AUX4 and/or AUX3
• When using pad switches to switch kits in a Drum Kit
Chain (p. 82), FUNCTION should be set to “KIT SELECT
1” or “KIT SELECT 2,” and you need to press the
[CHAIN], so its indicator is lit. (The Drum Kit Chain settings need to be made beforehand.)
Other Settings [F4 (OPTION)]
4.
Use [+/-] or [VALUE] to select the function.
5.
When setting to “USER,” press [CURSOR] to move the cursor to “AUX3” and “AUX4.”
6.
Use [+/-] or [VALUE] to select the functions for the heads and rims of AUX3 and AUX4.
Preview Button Settings
[F1 (PREVIEW)]
Here, the [PREVIEW] velocity can be set.
1.
Press [SETUP].
[SETUP] lights.
2.
Press [F4 (OPTION)] - [F1 (PREVIEW)].
The “PREVIEW” screen appears.
fig.10-Preview_70
Function AUX3
Head Rim Head
AUX4
Rim
OFF
KIT SELECT1 OFF KIT#
INC
KIT# INC
KIT#
DEC
KIT SELECT2
CHAIN SELECT1
KIT# DEC
OFF CHAIN
# INC
CHAIN
# DEC
CHAIN SELECT2 CHAIN# DEC CHAIN# INC
PATTERN
SELECT1
PATTERN
SELECT2
USER
OFF
OFF
PTN# DEC
OFF
PTN#
INC
PTN# INC
Select from the table below.
PTN#
DEC
OFF
KIT# INC
KIT# DEC
CHAIN# INC
CHAIN# DEC
PTN# INC
PTN# DEC
XSTICK SW
Turns off Pad Switch.
Calls up the next kit.
Calls up the previous kit.
Calls up the next drum kit chain.
Calls up the previous drum kit chain.
Calls up the next pattern.
Calls up the previous pattern.
Switches to use/not use cross stick.
3.
Press [CURSOR (up/down)] to select the parameter.
4.
Use [+/-] or [VALUE] to make settings.
parameter Value
Dynamics
Velocity
OFF,
ON
1–127
Description
OFF:
No velocity. Level is fixed.
ON:
Button responds to velocity.
Velocity when Dynamics is set to
“OFF.”
Master Effect Mode [F2 (COMP/EQ)]
You can specify which is used for the master effect (p. 43),
individual settings for each drum kit or common settings to all kits.
1.
Press [SETUP].
[SETUP] lights.
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2.
Press [F4 (OPTION)] - [F2 (COMP/EQ)].
The “MASTER COMP/EQ MODE” screen appears.
fig.10-Master_70
Chapter 10. Settings for the Entire TD-20 [SETUP]
1.
Press [SETUP] - [F5 (F RESET)].
[SETUP] lights, and the “FACTORY RESET” screen appears.
fig.10-Factory1_70
3.
Use [+/-] or [VALUE] to make settings.
INDIVIDUAL:
Master effect for each kit, individually.
GLOBAL:
When this is set to “GLOBAL,” “GLOBAL” appears on the icon at the left part of the master effect setting screen.
fig.10-Master2_70
Master effect common to other drum kits is used.
2.
Press [F5 (RESET)].
The confirmation screen appears.
fig.10-Factory2_70
3.
* To cancel, press [F1 (CANCEL)].
Press [F5 (EXECUTE)] to execute Factory
Reset.
When Factory Reset is finished, the following screen appears.
fig.10-Factory3_70
Adjusting the Display Contrast
[F5 (LCD)]
The display contrast is strongly influenced by the location of the TD-20 and the lighting of the room it’s in. Adjust this parameter when needed.
1.
Press [SETUP].
[SETUP] lights.
2.
Press [F4 (OPTION)] - [F5 (LCD)].
The “LCD CONTRAST” screen appears.
fig.10-Display_70
* If you do not want to adjust the VH Offset parameter, press [F1
(CANCEL)].
4.
Press [F5 (ADJUST)].
The “VH OFFSET ADJUSTMENT” screen appears.
fig.05-VHOffset1_70
3.
Use [+/-] or [VALUE] to adjust.
* You can also adjust it by holding [KIT] and turning [VALUE].
5.
Loosen the clutch of the top hi-hat and let it sit on the bottom hi-hat.
* Do NOT touch the hi-hats or the pedal.
6.
Press [F5 (EXECUTE)].
The VH Offset parameter is set automatically.
fig.05-VHOffset2_70
Restoring the Factory
Settings [F5 (F RESET)]
This restores the TD-20 to the original factory settings
(
Factory Reset
).
When finished, the “DRUM KIT” screen appears.
All data and settings stored in the TD-20 are lost in carrying out this operation. So if necessary, save your data to a memory card or an external MIDI device before
executing the factory reset (p. 70, p. 77).
When Factory Reset is carried out, the [GROUP FADERS] settings values are set to the maximum volume, regardless of the slider positions.
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Chapter 11. Drum Kit Chain [CHAIN]
Drum Kit Chain
allows you to step through the drum kits of your choice and in the order you want. The TD-20 lets you create and store 16 different chains of up to 32 steps each.
fig.11-001e
32 steps
Chain 1 Kit
7
Kit
2
Kit
5
Kit
10
Chain 2
8.
Repeat steps 7 and 8 to create the drum kit chain.
fig.11-ChainEdit2_70
Chain 16
Creating a Drum Kit Chain
1.
Press [CHAIN] to switch Drum Kit Chain on.
[CHAIN] lights, and the “DRUM KIT CHAIN” screen appears.
fig.11-ChainEmpty_70
9.
Press [EXIT].
The “DRUM KIT CHAIN” screen appears.
Function Buttons
[F1 (INSERT)]
A step with the same kit is inserted at the cursor position, and steps after this point are moved back one place.
[F2 (DELETE)]
Step at the cursor position is deleted, and steps after this point are moved forward one place.
[F5 (NAME)]
You can name a drum kit chain.
2.
Press [F1 (EDIT)].
The “CHAIN EDIT” screen appears.
fig.11-ChainEdit1_70
3.
Press [CURSOR (left)] to move the cursor to the chain number.
4.
Use [+/-] or [VALUE] to select the chain number.
5.
Press [CURSOR (right)] to move the cursor to the step (the order in which the drum kits will be selected) in the right area of the display.
6.
Press [CURSOR (up/down)] to select the step.
7.
Use [+/-] or [VALUE] to select the drum kit.
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Chapter 11. Drum Kit Chain [CHAIN]
Naming a Drum Kit Chain
[F5 (NAME)]
Each chain’s name can use up to 12 characters.
fig.11-ChainName_70
Playing with a Drum Kit
Chain
1.
Press [CHAIN] to switch Drum Kit Chain on.
[CHAIN] lights.
fig.11-ChainPlay_70
1.
Select the drum kit chain you want to name in the “DRUM KIT CHAIN” screen.
2.
Press [F1 (C EDIT)] - [F5 (NAME)].
The “CHAIN NAME” screen appears.
3.
Press [CURSOR (left/right)] to move the cursor to the character to be changed.
4.
Use [VALUE], [+/-], or [CURSOR (up/down)] to change the character.
2.
Press [CURSOR (up/down)] to select the chain number to be used.
3.
Use [+/-] or [VALUE] to call up the kits to be used in each selected step in the chain.
4.
When the performance is finished, press
[CHAIN] or [EXIT] to switch Drum Kit Chain off.
[CHAIN] goes off.
Function Buttons
[F1 (INSERT)]
A blank space is inserted at the cursor position, and characters after this point are moved to the right one space.
[F2 (DELETE)]
Character at the cursor position is deleted, and characters after this point are moved to the left one space.
[F3 (SPACE)]
Character at the cursor position is replaced by a blank space.
[F4 (CHAR)]
Type of character at the cursor position changes between upper case/lowercase alphabet, or numbers and symbols.
5.
When you’re finished, press [EXIT] twice to return to the “DRUM KIT CHAIN” screen.
With the Foot Switch and Pad Switch functions, you can use the foot switches and pads to call up drum kit chains.
For more details, refer to
If differences in volume levels between kits is a problem, press [MIXER] - [F4 (KIT VOL)] and adjust “Kit Volume”
(the overall kit volume).
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Chapter 12. Other Functions [TOOLS]
Output Level Monitor
[F1 (MONITOR)]
1.
Press [TOOLS] - [F1 (MONITOR)].
[TOOLS] lights, and the “OUTPUT MONITOR” screen appears.
fig.12-Monitor_70
2.
Use [+/-] or [VALUE] to select the output.
Choose from: Master, Phones, and separate stereo outs.
3.
Press [EXIT] twice (or just press [KIT]) to return to the “DRUM KIT” screen.
[TOOLS] goes off.
Checking the Current Status
[F2 (INFO)]
1.
Press [TOOLS] - [F2 (INFO)].
2.
Press [F1], [F2], or [F5] to display the status you want to see.
[F1 (MEMORY)]:
Information of the internal memory fig.12-Memory_70
Synchronizing Images to a
TD-20 Performance
[F5 (V-LINK)]
What is V-LINK?
V-LINK ( ) is a function that allows music and images to be performed together. By using MIDI to connect two or more V-LINK compatible devices, you can easily enjoy performing a wide range of visual effects that are linked to the expressive elements of a music performance.
For example, by using the TD-20 and Edirol DV-7PR together, you can use the pads connected to the TD-20 to switch the
Edirol DV-7PR’s images (clips/palettes).
* In order to use V-LINK with the TD-20 and Edirol DV-7PR, you will need to make connections using an Edirol UM-1X/
UM-1SX (sold separately).
Connection Examples
* Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.
Use an Edirol UM-1X to connect the TD-20’s MIDI OUT connector to the Edirol DV-7PR’s remote jack.
fig.V-LINKconnect.e
Projector
Edirol DV-7PR REMOTE
[F2 (CARD)]:
Memory card information fig.12-Card_70
Edirol UM-1X
Display
[F5 (VERSION)]:
TD-20’s internal program version fig.12-Version_70
MIDI OUT
3.
Press [EXIT] twice (or just press [KIT]) to return to the “DRUM KIT” screen.
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Chapter 12. Other Functions [TOOLS]
Using V-LINK
Turning V-LINK On/Off
1.
Press [TOOLS].
[TOOLS] lights, and the “TOOLS” screen appears.
fig.12-Tools_70
V-LINK function
Palette 1–20
Clip 1–28
Selecting a palette
Selecting a clip
Dissolve Time Changing the time of the transition between clips
Transmitted
MIDI messages
Note On (*1)
Note On (*2)
Note On (*2)
(Velocity)
2.
Press [F5 (V-LINK)] to turn the V-LINK function
ON and OFF.
fig.12-VLinkOn1_70
* Before turning V-LINK on, turn the Edirol DV-7PR’s power on.
3.
Press [KIT] or [EXIT] to display the “DRUM KIT” screen.
When V-LINK is on, the V-LINK icon appears in the “DRUM
KIT” screen.
fig.12-VLinkOn2_70
* The V-LINK function will always be OFF when you turn the
TD-20’s power on.
V-LINK Functions that the TD-20 Can
Control and MIDI Messages
When playing a pattern by hitting a pad (Pad Pattern; p. 35),
you can assign the following functions to the note messages recorded in the backing parts of the pattern to control the V-
LINK-compatible video equipment.
* The backing parts are the parts other than the drum part and percussion part of the internal sequencer.
* Set Play Type (p. 58) of the pattern to “V-LINK.”
* The Performance data recorded in the backing part of the
sequencer is transmitted on V-LINK MIDI Ch (p. 75).
* Set V-LINK Device ID (p. 75) to match the device ID number
of the video equipment which is controlled by the TD-20.
*1
Palette No.
Note No.
Palette 1
Palette 2
Palette 3
Palette 4
Palette 5
Palette 6
Palette 7
Palette 8
Palette 9
Palette 10
Palette 11
Palette 12
Palette 13
Palette 14
Palette 15
Palette 16
Palette 17
Palette 18
Palette 19
Palette 20
37 (C#2)
39 (D#2)
42 (F#2)
44 (G#2)
46 (A#2)
49 (C#3)
51 (D#3)
54 (F#3)
56 (G#3)
58 (A#3)
61 (C#4)
63 (D#4)
66 (F#4)
68 (G#4)
70 (A#4)
73 (C#5)
75 (D#5)
78 (F#5)
80 (G#5)
82 (A#5)
Clip 19
Clip 20
Clip 21
Clip 22
Clip 23
Clip 24
Clip 25
Clip 26
Clip 27
Clip 28
Clip 11
Clip 12
Clip 13
Clip 14
Clip 15
Clip 16
Clip 17
Clip 18
Clip No.
Clip 1
Clip 2
Clip 3
Clip 4
Clip 5
Clip 6
Clip 7
Clip 8
Clip 9
Clip 10
* For details on clips/palettes, dissolve time, and retrigger point, refer to the Edirol DV-7PR owner’s manual.
*2
67 (G4)
69 (A4)
71 (B4)
72 (C5)
74 (D5)
76 (E5)
77 (F5)
79 (G5)
81 (A5)
83 (B5)
53 (F3)
55 (G3)
57 (A3)
59 (B3)
60 (C4)
62 (D4)
64 (E4)
65 (F4)
Note No.
36 (C2)
38 (D2)
40 (E2)
41 (F2)
43 (G2)
45 (A2)
47 (B2)
48 (C3)
50 (D3)
52 (E3)
The TD-20 does not support the Edirol DV-7PR’s dual stream mode.
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About Expansion Board
Expansion boards (optional) are cards that allow you to upgrade the system and add new instruments and drum kits.
The bottom panel of the TD-20 has a slot that allows expansion boards to be installed.
Install only the specified circuit board (SOUND & SYSTEM
EXPANSION BOARD for TD-20).
* Sound expansion boards for the Roland JV/XP/XV/Fantom series cannot be used.
Cautions When Installing a
Expansion Board
901
• To avoid the risk of damage to internal components that can be caused by static electricity, please carefully observe the following whenever you handle the board.
1
• Before you touch the board, always first grasp a metal object (such as a water pipe), so you are sure that any static electricity you might have been carrying has been discharged.
2
• When handling the board, grasp it only by its edges.
Avoid touching any of the electronic components or connectors.
5
• Save the bag in which the board was originally shipped, and put the board back into it whenever you need to store or transport it.
911
• Do not touch any of the printed circuit pathways or connection terminals.
912
• Never use excessive force when installing a circuit board. If it doesn’t fit properly on the first attempt, remove the board and try again.
913
• When circuit board installation is complete, double-check your work.
914
• Always turn the unit off and unplug the power cord before attempting installation of the circuit board (SOUND &
SYSTEM EXPANSION BOARD for TD-20).
915
• Install only the specified circuit board (SOUND & SYSTEM
EXPANSION BOARD for TD-20). Remove only the specified screws.
How to Install a Expansion
Board
1.
Always turn the TD-20 off and unplug the power cord before attempting installation of the circuit board (SOUND & SYSTEM EXPANSION BOARD for TD-20).
2.
Remove only the eight screws as indicated below, and open the cover located on the bottom of the TD-20.
fig.00-049ae
Removal screws
3.
Check that the plastic board holders are positioned as shown figure. Rotate them if necessary.
fig.00-049be
Expansion board
Board holder
Connector
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4.
While positioning the holes on the board over the board holders, carefully insert the connector on the board into the socket on the
TD-20. Make sure the connector is securely connected, and that all three board holders project through the holes.
5.
Use the Installation Tool supplied with the
Expansion board to turn the holders in the
LOCK direction, so the board will be fastened in
fig.00-049c
place.
LOCK
About Expansion Board
(To remove the Expansion board, turn the board holders in the UNLOCK direction, and lift up the board using the provided tool. Remove the board and secure the cover plate.)
6.
Secure the cover plate using the eight screws removed in step
2
.
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À propos des carte d’extension
(French language for Canadian Standard)
Les cartes d’extension (optionnelles) sont des cartes qui vous permettent d’augmenter la puissance de votre système et d’ajouter de nouveaux instruments ainsi que des batteries.
Le panneau du dessous du TD-20 a un créneau permettant l’installation des cartes d’extension.
N’installez que la ou les carte de circuits imprimés spécifiée.
(SOUND & SYSTEM EXPANSION BOARD pour TD-20)
* Les cartes d’extension de son pour les séries JV/XP/XV/Fantom de Roland ne peuvent être utilisées.
Installation d’une carte d’extension
1.
Éteignez toujours le TD-20 et débranchez le câble électrique avant toute tentative d’installation de carte de circuits imprimés
(SOUND & SYSTEM EXPANSION BOARD pour
TD-20).
2.
Enlevez seulement les huit vis et ouvrez la plaque située sous le TD-20.
fig.00-049af
Vis
Précautions à prendre lors de l’installation d’une carte d’extension
901 (F)
• Veuillez suivre attentivement les instructions suivantes quand vous manipulez la carte afin d’éviter tout risque d’endommagement des pièces internes par l’électricité statique.
1
• Toujours toucher un objet métallique relié à la terre
(comme un tuyau par exemple) avant de manipuler la carte pour vous décharger de l’électricité statique que vous auriez pu accumuler.
2
• Lorsque vous manipulez la carte, la tenir par les côtés.
Évitez de toucher aux composants ou aux connecteurs.
5
• Conservez le sachet d’origine dans lequel était la carte lors de l’envoi et remettez la carte dedans si vous devez la ranger ou la transporter.
911(F)
• Ne pas toucher aux circuits imprimés ou aux connecteurs.
912(F)
• Ne jamais forcer lors de l’installation de la carte de circuits imprimés. Si la carte s’ajuste mal au premier essai, enlevez la carte et recommencez l’installation.
913(F)
• Quand l’installation de la carte de circuits imprimés est terminée, revérifiez si tout est bien installé.
914(F)
• Toujours éteindre et débrancher l’appareil avant de commencer l’installation de la carte. (SOUND & SYSTEM
EXPANSION BOARD pour TD-20).
915(F)
• N’installez que les cartes de circuits imprimes spécifiées
(SOUND & SYSTEM EXPANSION BOARD pour TD-20).
Enlevez seulement les vis indiquées.
3.
Veillez à ce que les supports en plastique pour la carte soient positionnés tel qu’indiqué.
Faites-les pivoter si nécessaire.
fig.00-049bf
Carte d’extension
Support pour la carte
Prise
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À propos des carte d’extension
4.
Pendant que vous alignez les trous de la carte au-dessus des supports, insérez délicatement le connecteur sur la carte dans la prise du TD-
20. Assurez-vous que le connecteur est raccordé correctement et que les trois supports s’emboîtent bien dans les trous.
5.
Pour tourner les supports en position LOCK
(verrouillé), utilisez l’outil d’installation de la carte d’extension fournie à cet effet. De cette
fig.00-049c
façon, la carte sera bien fixée à sa place.
LOCK
(Pour enlever la carte d’extension, faites tourner les supports dans la direction UNLOCK (déverrouillé) et soulevez la carte en utilisant l’outil à cet effet. Retirez la carte et remettez la plaque .)
6.
Refermez la plaque en utilisant les huit vis enlevées à l’étape
2
.
89
TD-20_Ref_e.book 90 ページ ２００５年５月２５日 水曜日 午前９時４９分
Messages and Error Messages
This section lists the messages (error messages) that the TD-20 produces and explains the meaning of each message, giving you the appropriate action to take.
fig.Message_70
When an indication of “ACCEPT” is shown above [F5] as in the figure, pressing that button will close the message window.
Error Messages
Message
Backup Battery Low!
Backup NG!
Unformatted!
Card Damaged!
BULK DUMP
Checksum Error!
Meaning
The internal backup battery of the TD-20 (a battery that maintains data in the user memory) has run down.
Data in the TD-20’s memory may be corrupted. The TD-20’s internal backup battery (the battery used for saving User memory data) is fully drained; internal data has been lost.
MIDI Communication Error!
It is possible that the power has been turned off for the MIDI device connected to the TD-
20’s MIDI IN connector.
System Error!
A problem has occurred with the internal system.
Measure Maximum!
Step Maximum!
Data Overload!
Not Enough Memory!
The maximum number of measures that can be recorded to one pattern has been exceeded; no further recording or editing that adds measures can be carried out.
The maximum number of steps that can be recorded to one chain has been exceeded; no further editing that adds steps can be carried out.
Pattern contained an excessive amount of data, and as a result could not be output successfully from MIDI OUT.
Pattern recording or editing could not be carried out because there was not enough internal memory.
No Card!
No Space!
No Data!
Unsupported!
No card is in the memory card slot.
There are no empty space on the memory card.
No data you request on the memory card.
A card the size of which is not supported by
TD-20 has been inserted.
Action
Contact your dealer or a nearby Roland service center to have the battery replaced.
Contact your dealer or a nearby Roland service center to have the battery replaced. Follow the messages appearing on the screen to carry out
Factory Reset (p. 81); you will then be able to
use the unit temporarily.
Check the power of the connected MIDI device.
Contact your dealer or a nearby Roland service center.
Delete unneeded measures from the pattern
being recorded or edited (p. 66).
Delete unneeded steps from the chain being
Try eliminating a part that has too much data.
Try deleting patterns that are no longer needed
Insert a memory card.
–
Cards supported by TD-20 are 3.3 V Compact-
Flash cards with the capacity of 16 to 512 MB.
Check the card.
A card the format of which is not supported by TD-20 has been inserted.
The data stored on the card has been corrupted.
The checksum value of a system exclusive message was incorrect.
Correct the checksum value.
90
TD-20_Ref_e.book 91 ページ ２００５年５月２５日 水曜日 午前９時４９分
Messages and Error Messages
Message
BULK DUMP
Receive Address Error!
BULK DUMP
Receive Data Error!
BULK DUMP
Receive Time Out!
Meaning
The receive address of a system exclusive message was incorrect.
A MIDI message was received incorrectly.
The interval in receiving system exclusive messages were too long.
Action
Correct the receive address.
If the same error message is displayed repeatedly, there is a problem with the MIDI messages that are being transmitted to the TD-20.
Make the interval of the data shorter.
Messages
Message
BULK DUMP
Receiving... Please Wait.
BULK DUMP
Aborted!
Preset Pattern!
Empty Pattern!
No Empty Pattern!
MIDI Offline!
MIDI Buffer Full!
No Empty Backup!
No Empty
Backup Pattern!
Power On Too Long.
Please Turn Off!
Auto Shutdown Completed.
Please Turn Off!
Meaning
Bulk data is now being received.
Bulk data transmission was halted.
Action
–
–
You cannot record on the preset pattern.
This pattern contains no performance data; it cannot be edited.
There are no empty patterns for recording.
A MIDI cable was disconnected. (Or communication with the external MIDI device stopped for some reason.)
A large amount of MIDI messages were received in a short time, and could not be processed completely.
Copy the pattern onto a user pattern.
Select the other pattern that contains performance data.
Delete unneeded pattern (p. 66).
Make sure that MIDI cables have not been pulled out or broken.
Confirm that the external MIDI device is properly connected. If the problem persists, reduce the amount of MIDI messages sent to the TD-
20.
Delete unneeded backup (p. 72).
There are no empty backup area on the memory card.
There are no empty backup pattern on the memory card.
The power remains ON for a long time.
Delete unneeded backup pattern (p. 68).
Turn the TD-20’s power off, then turn on again.
91
TD-20_Ref_e.book 92 ページ ２００５年５月２５日 水曜日 午前９時４９分
Drum Instrument List
No.
Name
KICK
22”Birch K
22”Solid K
22”StdMple K
22”Maple K
24”Carbon K
22”CbnMple K
22”GT K
22”TitanHp K
22”Mahogny K
20”Lite K
22”RoseWd K
22”Oak K
Recording1 K
Recording2 K
Universal K
BigOpen K
JazzCombo1 K
JazzCombo2 K
Cannon K
Roto K
Booth K
Ballad K
Swing K
Heavy K
Can K
Fusion K
Latin K
Meat K
Pillow K
DryMed K
Dry K
Solid K
Reso K
Raw K
Vintage K
OldMple K
Hard K
BigLow K
Hybrid K
Gabba1 K
Gabba2 K
Gabba3 K
29
30
31
32
25
26
27
28
21
22
23
24
17
18
19
20
37
38
39
40
33
34
35
36
41
42
13
14
15
16
9
10
11
12
7
8
5
6
3
4
1
2
KICK PROCESSED
43
Cartoon K
44
Chicken K
45
Jive K
46
RB K
47
Layered K
48
Lazy K
49
HardLow K
50
Alley K
51
DaFloor K
52
Croak K
53
Plastic K
54
Trip K
55
Gokigen K
56
FX-Wah K
57
Lo-Fi K
Remark No.
Name
KICK ELEC
58
Cosmic K
59
Hi-Q K
60
Analog1 K
61
Analog2 K
62
Analog3 K
63
ClascElec1 K
64
ClascElec2 K
65
ClascElec3 K
66
ClascElec4 K
67
ClascElec5 K
68
ClascElec6 K
69
TR808 Kick
70
TR909 Kick
SNARE
71
RoundBdge S
72
RoundBdge SR
73
CoolyMple S
74
CoolyMple SR
75
70’sMetal S
76
70’sMetal SR
77
WoodBrass S
78
WoodBrass SR
79
13”Hole S
80
13”Hole SR
81
Aluminum S
82
Aluminum SR
83
Titanium S
84
Titanium SR
85
Skanky S
86
Skanky SR
87
30’sMaple S
88
30’sMaple SR
89
BrassPico S
90
BrassPico SR
91
Booth S
92
Booth SR
93
Studio S
94
Studio SR
95
Ballad S
96
Ballad SR
97
Swing S
98
Swing SR
99
Street S
100
Lite S
101
LA Fat S
102
Ring S
103
Whack S
104
Impulse S
105
Cruddy1 S
106
Cruddy2 S
107
HotRod S
108
HotRod SR
Remark
*P *I
*P *I *X
*P *I
*P *I *X
*I
*I *X
*I
*I *X
*I
*I *X
*P *I
*I *X
*P *I *X
*P *I *X
*I *X
*I *X
*P *I
*P *I *X
*P *I
*P *I *X
*P *I
*P *I *X
*P *I
*P *I *X
*P *I
*P *I *X
*P *I
*P *I *X
*P *I
*P *I *X
*P *I
*P *I *X
*I *X
*I *X
*I *X
*I *X
*I
*I *X
No.
Name Remark
SNARE BRUSH
109
Brush1 S
110
Brush1 SR
111
Brush2 S
112
Brush2 SR
*BRUSH
*BRUSH
SNARE PROCESSED
113
Basis S
114
Chunk S
115
ClapTailS
116
ClubDry S
117
Dump S
118
HopRim1 S
119
HopRim2 S
120
HopRim3 S
121
LzrGate S
122
Pick S
123
Planet S
124
RB S
125
2Step S
126
Lo-Fi S
127
Round XStik
128
Cooly XStik
129
70’s XStik
130
WoodBr XStik
131
13” XStik
132
Alumi XStik
133
Titan XStik
134
Skanky XStik
135
30’s XStik
136
Reggae XStik
137
Ballad XStik
138
Studio XStik
139
Swing XStik
140
Hard XStik
141
Maple XStik
*X
*X
*X
*X
*X
*X
*X
*X
*X
*X
*X
*X
*X
*X
SNARE ELEC
142
ClascElec1 S
143
ClascElec2 S
144
ClascElec3 S
145
ClascElec4 S
146
ClascElec5 S
147
TR808 Snare
148
TR808 SnrRim
149
TR909 Snare
150
TR909 SnrRim
92
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No.
Name
TOM
175
176
177
178
179
180
181
182
167
168
169
170
171
172
173
174
159
160
161
162
163
164
165
166
151
152
153
154
155
156
157
158
12”Birch T1
12”Birch T1R
13”Birch T2
13”Birch T2R
16”Birch T3
16”Birch T3R
18”Birch T4
18”Birch T4R
12”GT T1
12”GT T1R
13”GT T2
13”GT T2R
16”GT T3
16”GT T3R
18”GT T4
18”GT T4R
10”Univ T1
10”Univ T1R
12”Univ T2
12”Univ T2R
14”Univ T3
14”Univ T3R
16”Univ T4
16”Univ T4R
12”Clasc T1
12”Clasc T1R
13”Clasc T2
13”Clasc T2R
16”Clasc T3
16”Clasc T3R
18”Clasc T4
18”Clasc T4R
183
184
185
186
187
188
189
190
12”Fiber T1
12”Fiber T1R
14”Fiber T2
14”Fiber T2R
16”Fiber T3
16”Fiber T3R
18”Fiber T4
18”Fiber T4R
191
192
12”Maple T1
12”Maple T1R
193
14”Maple T2
194
14”Maple T2R
195
16”Maple T3
196
16”Maple T3R
197
18”Maple T4
198
18”Maple T4R
199
12”Oak T1
200
12”Oak T1R
201
14”Oak T2
202
14”Oak T2R
203
16”Oak T3
204
16”Oak T3R
205
18”Oak T4
206
18”Oak T4R
Remark
*P
*P
*P
*P
*P
*P
*P
*P
*P
*P
*P
*P
*P
*P
*P
*P
*P
*P
*P
*P
*P
*P
*P
*P
*P
*P
*P
*P
No.
Name
239
Round T3
240
Round T4
241
80’sDry T1
242
80’sDry T2
243
80’sDry T3
244
80’sDry T4
245
90’sBig T1
246
90’sBig T2
247
90’sBig T3
248
90’sBig T4
249
90’sPower T1
250
90’sPower T2
251
90’sPower T3
252
90’sPower T4
253
OctaTom C Hi
254
OctaTom B
255
OctaTom A
256
OctaTom G
257
OctaTom F
258
OctaTom E
259
OctaTom D
260
OctaTom C
261
Mallet T1
262
Mallet T2
263
Mallet T3
264
Mallet T4
265
Brush T1
266
Brush T2
267
Brush T3
268
Brush T4
207
8”Roto T1
208
8”Roto T1R
209
10”Roto T2
210
10”Roto T2R
211
12”Roto T3
212
12”Roto T3R
213
14”Roto T4
214
14”Roto T4R
215
16”Roto T5
216
16”Roto T6
217
18”Roto T7
218
18”Roto T8
219
18”RotoExLo1
220
18”RotoExLo2
221
Ballad T1
222
Ballad T2
223
Ballad T3
224
Ballad T4
225
Swing T1
226
Swing T2
227
Swing T3
228
Swing T4
229
Pop1 T1
230
Pop1 T2
231
Pop1 T3
232
Pop1 T4
233
Pop2 T1
234
Pop2 T2
235
Pop2 T3
236
Pop2 T4
237
Round T1
238
Round T2
Remark
Drum Instrument List
No.
Name
TOM ELEC
269
ClscElec1 T1
270
ClscElec1 T2
271
ClscElec1 T3
272
ClscElec1 T4
273
ClscElec2 T1
274
ClscElec2 T2
275
ClscElec2 T3
276
ClscElec2 T4
277
ClscElec3 T1
278
ClscElec3 T2
279
ClscElec3 T3
280
ClscElec3 T4
281
ClscElec4 T1
282
ClscElec4 T2
283
ClscElec4 T3
284
ClscElec4 T4
285
TR808 T1
286
TR808 T2
287
TR808 T3
288
TR808 T4
289
TR909 T1
290
TR909 T2
291
TR909 T3
292
TR909 T4
HI-HAT
293
14”P-HatHH
294
14”P-HatHHEg
295
13”Hatz HH
296
13”Hatz HHEg
297
14”Hatz HH
298
14”Hatz HHEg
299
14”Dark HH
300
14”Dark HHEg
301
14”Edge HH
302
14”Edge HHEg
303
TriangleHH
304
HandCym HH
305
Brush HH
306
CR78 HH
307
TR808 HH
308
TR909 HH
309
Tekno HH
310
Elec HH
CRASH
311
16”DarK CrBw
312
16”DarK CrEg
313
16”Thin CrBw
314
16”Thin CrEg
315
16”PaperCrBw
316
16”PaperCrEg
317
16”FsPwrCrBw
318
16”FsPwrCrEg
319
18”PowerCrBw
320
18”PowerCrEg
321
18”Med CrBw
322
18”Med CrEg
323
19”NY CrBw
324
19”NY CrEg
325
18”Fast CrBw
326
18”Fast CrEg
327
18”Fast CrBl
328
Brush Cr
329
Brush CrEg
330
Mallet Cr
Remark
*I
*I
*I
*I
*I
*I
*I
*I
*I
*I
93
TD-20_Ref_e.book 94 ページ ２００５年５月２５日 水曜日 午前９時４９分
Drum Instrument List
No.
Name
SPLASH
331
332
333
334
335
336
337
338
339
340
6”SplazhSpBw
6”SplazhSpEg
8”Thin SpBw
8”Thin SpEg
8”Bell SpBw
8”Bell SpEg
8”Open SpBw
8”Open SpEg
10”Med SpBw
10”Med SpEg
CHINA
341
342
343
344
345
346
347
348
349
12”PgyBack
12”PgyBackEg
16”Swish
16”Swish Eg
18”CB Low
18”CB Low Eg
20”U-China
China PgBack
Crash PgBack
RIDE
358
359
360
361
362
363
364
365
350
351
352
353
354
355
356
357
18”PRideRd
18”PRideRdBl
18”PRideRdEg
18”Bop Rd
18”Bop RdBl
18”Bop RdEg
20”HeavyRd
20”HeavyRdBl
20”HeavyRdEg
20”Med Rd
20”Med RdBl
20”Med RdEg
20”TurkyRd
20”TurkyRdBl
20”TurkyRdEg
19”NY Rd
366
367
368
369
19”NY RdBl
19”NY RdEg
20”Lite Rd
20”Lite RdBl
370
371
20”Lite RdEg
22”CleanRd
372
22”CleanRdBl
373
22”CleanRdEg
374
18”FormuRd
375
18”FormuRdBl
376
18”FormuRdEg
377
20”Bell Rd
378
20”Bell RdBl
379
20”Bell RdEg
380
Brush Rd
381
Brush RdEg
382
Mallet1 Rd
383
Mallet2 Rd
Remark
*I
*I
*I
*I
*I
*I
*I
*P
*I
*P
*I
*P
*I
*P
*I
*P
*I
*P
*I
*I
*P
*I
*P
*P
*I
*P
*I
*I
No.
Name
PERCUSSION
416
Agogo Hi
417
Agogo Lo
418
Cabasa
419
Cuica Hi
420
Cuica Lo
421
Cuica Acc
422
Pandeiro
423
PandeiroMute
424
PandeiroSlap
425
Surdo Hi
426
Surdo HiMute
427
Surdo Lo
428
Surdo LoMute
429
Whistle
430
WhistleShort
431
VibraSlap
432
Tabla Na
433
Tabla Te
434
Tabla Ti
435
Tabla Tin
436
Tabla Tun
437
Baya Ge
438
Baya Gin
439
Baya Ka
440
Baya Slide
441
PotDrum
442
PotDrum Acc
443
PotDrum Mute
444
Djembe Tone
445
Djembe Slap
446
Djembe Bass
447
TalkingDr
448
TalkingDr Up
449
Castanet
450
WoodBlock
384
Bongo Hi
385
Bongo HiSlap
386
Bongo Lo
387
Bongo LoSlap
388
Conga Hi
389
Conga HiMute
390
Conga HiSlap
391
Conga Lo
392
Conga LoMute
393
Cajon Bass
394
Cajon Mute
395
Cajon Slap
396
Cowbell Hi
397
Cowbell Lo
398
Cowbell Mute
399
CowbellMambo
400
Claves
401
SquareBlock
402
Block Hi
403
Block Lo
404
Maracas
405
Caxixi
406
Shaker
407
Tambourine1
408
Tambourine2
409
Tambourine3
410
Guiro Long
411
Guiro Short
412
Timbale Hi
413
Timbale HiRm
414
Timbale Lo
415
TimbalePaila
Remark No.
Name
451
Timpani C
452
Timpani G
453
ConcertBD
454
ConcertBD Mt
455
HandCymbal
456
HandCymbalMt
457
Triangle
458
TriangleCls
459
Triangle2
460
Triangle2Cls
461
Crotale
462
BellTree
463
SleighBell
464
TreeChimes
465
ThaiGong
466
TinyGong
467
Gong
468
OrchestraHit
469
SnareRoll
470
ConcertSnare
471
SteelDrum
472
Celesta
473
Glockenspiel
474
Kalimba
475
Marimba
476
TubularBell
477
Vibraphone
478
Xylophone
PERC ANALOG
479
CR78Cowbell
480
CR78Guiro
481
CR78Maracas
482
CR78MtlBeat
483
CR78Tamb
484
TR808Clap
485
TR808Claves
486
TR808Cowbell
487
TR808Maracas
488
TR808XStick
489
TR909Clap
SFX
490
Hi-Q
491
Poa
492
Pyon
493
Picoon
494
Byon
495
Kyun
496
Psyun
497
Boom
498
SuperLow
499
TimeWarp1
500
TimeWarp2
501
Transform1
502
Transform2
503
Tramsform3
504
Tekno FX1
505
Tekno FX2
506
Tekno FX3
507
Ring FX
508
Drop Out
509
LaserGun
510
Spiral
511
Emergency
512
Wonderer
Remark
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TD-20_Ref_e.book 95 ページ ２００５年５月２５日 水曜日 午前９時４９分
Drum Instrument List
No.
Name
OTHER
537
538
539
540
541
542
543
544
529
530
531
532
533
534
535
536
521
522
523
524
525
526
527
528
513
514
515
516
517
518
519
520
Click
Beep
Sticks
Sticks2
MetroBell
MetroClick
FingerSnaps
Clap
R8Slap
Motor
Engine
Glass
Burt
Boing1
Boing2
Bounce
VerbyHit
AfroStomp
Bomb!
TuningTom
ReverseCrash
ReverseChina
PhaseCrash
PhaseRide
Scratch1
Scratch2
Scratch3
Scratch4
TapeStop
TapeRewind
Voice OK
Voice Yeah
545
546
547
548
549
550
551
552
Vocoder1
Vocoder2
TeknoHit
PhillyHit
FunkHit
Bass Gliss
Guitar Gliss
GuitarScrtch
553
554
CutGt Down
CutGt Up
555
WahGt1 Down
556
WahGt1 Up
557
WahGt2 Down
558
WahGt2 Up
559
Sine 440Hz
560
For PadCheck
561
Off
Remark
About Remarks
*P (Position):
Can get various changes of the sound in accordance with the positioning where on the pad you hit with a stick. In rim sounds, can get such various changes of the sound in accordance with the depth of the stick on the rim.
*I (Interval):
Can make the sound so smooth in accordance with a roll or continuous strokes with sticks.
*X (XStick):
When the Cross Stick Switch is turned
ON, it makes possible to use both “Rim
Shot” and “Cross Stick” on the rim.
*BRUSH:
Can be played using “Brush Sweep.”
About Snare/Tom
Instruments
The last letter of each instrument name means the sound of head shot, or rim shot.
(Example)
S: head sound of Snare
SR:
T1: rim sound of Snare head sound of Tom 1
T1R: rim sound of Tom 1
About Cymbal
Instruments
The last letter of each instrument name means the sound of bow shot, edge shot, or bell shot.
(Example)
HH: bow sound of hi-hat
HHEg: edge sound of hi-hat
CrBw: bow sound of crash
CrEg: edge sound of crash
Rd: bow sound of ride
RdBl: bell sound of ride
RdEg: edge sound of ride
Copyright
When you purchase the TD-20 percussion sound module from an authorized Roland dealer, the included sounds are licensed, not sold, to you by Roland Corporation, for commercial use in music production, public performance, broadcast, etc.
You may use any of the included sounds in a commercial or noncommercial recording without paying any additional license fees.
However, you must strictly adhere to the following crediting guidelines on any music recording that utilize material from TD-20.
Reproduction or duplication of any of the sound contained in the TD-20, either as they exist on this sound module or by any means of reformatting, mixing, filtering, resynthesizing, processing or otherwise editing for use in another product or for re-sale, is strictly prohibited without the express written consent of Roland. All unauthorized giving, trading, lending, renting, re-issue, redistribution or re-sale of the sounds included in the TD-20 are expressly prohibited.
In Plain English: Be creative in your application of the TD-20 sounds, and keep this sounds for your use only.
DO NOT COPY IT.
* Special thanks to Spectrasonics.
95
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Percussion Set
1. Latin Toys
Note No.
C-1 0
1
2
3
4
5
6
7
8
9
11
10
Guiro Long
Cuica Hi
Cuica Lo
Cowbell Hi
Cowbell Lo
Cowbell Lo
Cowbell Mute
Tambourine1
Tambourine2
Conga LoMute
Tambourine1
Conga Lo
Claves
Conga Hi
Claves
Bongo Lo
Claves
Bongo LoSlap
Bongo Hi
Triangle
Bongo HiSlap
SleighBell
Agogo Lo
BellTree
Tambourine1
TriangleCls
Cowbell Mute
Agogo Hi
Conga HiSlap
TreeChimes
Bass Gliss
GuitarScrtch
WahGt1 Down
WahGt1 Up
WahGt2 Down
WahGt2 Up
CR78Guiro
CR78Tamb
TR808Clap
TR808Cowbell
TR808Maracas
TR909Clap
Hi-Q
R8Slap
Scratch2
Scratch3
Sticks
Click
MetroClick
MetroBell
Clap
VibraSlap
SquareBlock
Off
Beep
Crotale
SquareBlock
6"SplazhSpEg
6"SplazhSpBw
Guiro Short
29
30
31
32
33
34
35
C2 36
37
38
40
39
41
42
43
44
45
46
47
C3 48
49
50
52
51
53
54
55
56
57
58
59
C0 12
13
14
16
15
17
18
19
20
21
22
23
C1 24
25
26
28
27
Note Number (Factory Settings)
Drum Kit
Drum Kit 1–50
(Trigger Inputs)
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
(7) Closed HH Rim
–
(11) Ride-Edge
(7) Open HH Rim
(12) AUX1
(12) AUX1 Rim
(13) AUX2
(13) AUX2 Rim
(14) AUX3
(14) AUX3 Rim
(15) AUX4
(15) AUX4 Rim
(1) Kick Rim
(1) Kick
(2) Snare
(6) Tom4 Rim
(2) Snare Rim
(6) Tom4
(7) Closed HH
(5) Tom3
(7) Pedal HH
(4) Tom2
(7) Open HH
(4) Tom2 Rim
(3) Tom1
(8) Crash1
(3) Tom1 Rim
(10) Ride
(9) Crash2 Rim
(10) Ride Rim
–
(8) Crash1 Rim
–
(9) Crash2
(5) Tom3 Rim
(11) Ride-Edge Rim
96
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Note No.
C4 60
61
62
63
64
65
66
67
68
69
70
71
C5 72
73
74
76
75
77
78
79
80
81
82
83
C6 84
85
86
88
87
89
90
91
92
93
94
95
C7 96
97
98
99
100
101
102
103
104
105
106
107
C8
108
109
110
111
112
113
114
115
116
117
118
119
C9
120
121
122
123
124
125
126
127
Conga LoMute
PandeiroMute
Pandeiro
PandeiroSlap
TreeChimes
Crotale
Gong
Cajon Bass
Cajon Mute
Cajon Slap
CowbellMambo
SquareBlock
Caxixi
Timbale HiRm
TimbalePaila
Cuica Acc
Surdo Hi
Surdo HiMute
PotDrum
PotDrum Acc
PotDrum Mute
Djembe Tone
Djembe Slap
Djembe Bass
TalkingDr
TalkingDr Up
Tabla Na
Tabla Te
Tabla Ti
Tabla Tun
Baya Ge
Baya Gin
Baya Ka
Baya Slide
ConcertBD
HandCymbal
Off
Bongo Hi
Bongo Lo
Conga Hi
Conga HiSlap
Conga Lo
Timbale Hi
Timbale Lo
Agogo Hi
Agogo Lo
Cabasa
Maracas
WhistleShort
Whistle
Guiro Short
Guiro Long
Claves
Block Hi
Block Lo
Cuica Hi
Cuica Lo
TriangleCls
Triangle
Shaker
SleighBell
BellTree
Castanet
Surdo LoMute
Surdo Lo
Bongo HiSlap
Bongo LoSlap
Conga HiMute
• Up to eight percussion sets can be stored.
• You can change the used instruments in each percussion set.
For details, refer to
Note Number (Factory Settings)
97
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Backing Instrument List
PC CC0 Name VOICES
PIANO
1
2
0
8
PIANO 1
PIANO 1W
16 PIANO 1D
0
8
PIANO 2
PIANO 2W
3
0
8
PIANO 3
PIANO 3W
4
0
8
1
2
HONKY-TONK 2
HONKY-TONK W 2
1
2
1
1
2
E. PIANO
5
0 E.PIANO 1 1
8 DETUNED EP 1 2
24 60’S E.PIANO
1
64 FM+SA EP
65 HARD EP
2
2
6
0 E.PIANO 2 2
64 BRIGHT FM EP 2
CLAVI
7
0
8
HARPSICHORD 1
COUPLED HPS.
2
16 HARPSI.W
24 HARPSI.O
2
2
8
0 CLAV.
64 FUNK CLAV.
1
2
13
14
15
CHROMATIC PERCUSSION
9
10
11
12
0
0
0
0
8
CELESTA 1
GLOCKENSPIEL 1
MUSIC BOX
VIBRAPHONE
VIB.W
1
1
2
0
0
MARIMBA
XYLOPHONE
1
1
0
8
9
TUBULAR-BELL 1
CHURCH BELL 1
CARILLON 1
16
0 SANTUR 1
ORGAN
17
18
0
8
ORGAN 1 1
DETUNED OR.1
2
16 60’S ORGAN 1 1
32 ORGAN 4 2
64 SC88 ORGAN 4 1
65 EVEN BAR 2
0
8
ORGAN 2
32 ORGAN 5
1
DETUNED OR.2
2
2
19
20
21
22
0
0
8
0
0
0 ORGAN 3 2
0 CHURCH ORG.1
1
8 CHURCH ORG.2
2
16 CHURCH ORG.3
2
REED ORGAN
HARMONICA
BANDONEON
1
ACCORDION FR 2
ACCORDION IT 2
1
2
23
24
GUITAR
25
26
0 NYLON-STR.GT
1
0
8
STEEL-STR.GT
12-STR.GT
64 NYLON+STEEL
1
2
2
27
0
8
JAZZ GT.
1
HAWAIIAN GT.
1
28
29
0
8
CLEAN GT.
CHORUS GT.
0 MUTED GT.
64 MUTED GT.2
65 POP GT.
66 FUNK GT.
67 FUNK GT.2
1
2
1
2
1
1 *
1 *
30
0 OVERDRIVE GT 1
64 FDBK.ODRV.GT
2
31
0
8
DISTORTIONGT 1
FEEDBACK GT.
2
64 HEAVY GT.
1
65 FDBK. HVY.GT
2
66 MUTED DIS.GT
1
67 ROCK RHYTHM 2
32
0
8
GT.HARMONICS
1
GT. FEEDBACK 1
*
: VELOCITY SWITCH
The tone switches at velocity 116.
BASS
33
0 ACOUSTIC BS.
2
64 ELCTRC.AC.BS
2
34
0 FINGERED BS.
64 FUNK BASS
1
2
65 REGGAE BASS 2
35
0 PICKED BS.
1
64 MUTE PICKBS1 1
65 MUTE PICKBS2 1
36
0 FRETLESS BS.
37
0 SLAP BASS 1
64 SLAP BASS 3
65 RESO SLAP
66 SLAP BASS 4
1
1
1
1
1
38
0 SLAP BASS 2 1
98
SYN. BASS
39
0
1
8
SYNTH BASS 1 1
SYNTHBASS101 1
SYNTH BASS 3 1
64 TB33 BS 1
65 TB33 BS 2
66 TB33 BS 3
1
1
1
40
0 SYNTH BASS 2
16 RUBBER BASS
2
2
64 SH101 BS 1
65 SH101 BS 2
1
1
66 SH101 BS 3 1
67 MODULAR BASS 2
ORCHESTRA
41
0
8
42
0
43
0
44
0
45
0
46
0
47
0
48
0
VIOLIN
SLOW VIOLIN
VIOLA
CELLO
CONTRABASS
TREMOLO STR
1
1
1
1
1
1
PIZZICATOSTR 1
HARP
TIMPANI
1
1
STRINGS
49
0
8
STRINGS
ORCHESTRA
1
2
50
0 SLOW STRINGS 1
51
0
8
SYN.STRINGS1
1
SYN.STRINGS3
2
64 SYN.STRINGS4
2
65 OB STRINGS 2
52
0 SYN.STRINGS2
2
53
0 CHOIR AAHS 1
32 CHOIR AAHS 2 1
54
0
55
0
56
0
VOICE OOHS
SYNVOX
ORCHESTRAHIT
1
1
2
BRASS
57
0
58
0
1
59
0
60
0
61
0
1
62
0
8
TRUMPET
TROMBONE
TROMBONE 2
TUBA 1
MUTEDTRUMPET 1
1
1
2
FRENCH HORN
FR.HORN 2
BRASS 1
BRASS 2
2
2
1
2
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PIPE
73
74
75
76
77
78
79
80
0
0
0
0
0
0
0
0
REED
69
70
71
72
65
66
67
68
0
0
0
0
0
0
0
0
SYN. BRASS
63
0 SYNTH BRASS1 2
8 SYNTH BRASS3 2
16 ANALOGBRASS1 2
64 SYNTH BRASS5 2
65 POLY BRASS 2
66 QUACK BRASS 2
67 OCTAVE BRASS 2
64
0 SYNTH BRASS2 2
8 SYNTH BRASS4 1
16 ANALOGBRASS2 2
64 SOFT BRASS 2
65 VELO BRASS 1 2
66 VELO BRASS 2 2
SOPRANO SAX
ALTO SAX
TENOR SAX 1
BARITONE SAX 1
1
1
OBOE 1
ENGLISH HORN 1
BASSOON
CLARINET
1
1
PICCOLO
FLUTE
RECORDER
PAN FLUTE
BOTTLE BLOW
SHAKUHACHI
WHISTLE
OCARINA
83
84
85
SYN. LEAD
81
0
1
8
SQUARE WAVE
SQUARE
SINE WAVE
82
0
1
8
SAW WAVE
SAW
DOCTOR SOLO
64 BIG LEAD
65 WASPY SYNTH
0
0
SYN.CALLIOPE
2
CHIFFER LEAD 2
0 CHARANG 2
64 DIST. LEAD 1 2
65 DIST. LEAD 2 2
66 FUNK LEAD 2
2
1
1
2
1
2
2
2
86
87
0 SOLO VOX 2
0 5TH SAW WAVE 2
64 BIG FIVES 2
88
0 BASS & LEAD 2
2
2
1
1
1
1
1
1
64 BIG & RAW
65 FAT & PERKY
2
2
92
93
94
SYN. PAD
89
90
0 FANTASIA
0 WARM PAD
64 THICK PAD
65 HORN PAD
91
2
0 POLYSYNTH 2
64 80’S POLYSYN 2
1
2
2
0
0
SPACE VOICE
BOWED GLASS
1
2
95
96
0 METAL PAD
64 PANNER PAD
0 HALO PAD
2
2
2
0 SWEEP PAD
64 POLAR PAD
65 CONVERGE
1
1
1
SYN. SFX
97
0 ICE RAIN
98
0 SOUNDTRACK
64 ANCESTRAL
65 PROLOGUE
99
0
1
CRYSTAL
SYN MALLET
100
0
101
0
ATMOSPHERE
BRIGHTNESS
102
0 GOBLIN
103
0
1
ECHO DROPS
ECHO BELL
2 ECHO PAN
64 ECHO PAN 2
65 BIG PANNER
66 RESO PANNER
104
0 STAR THEME
ETHNIC MISC
105
0
1
106
0
107
0
108
0
8
109
0
110
0
111
0
112
0
SITAR
SITAR 2
BANJO
SHAMISEN
KOTO
TAISHO KOTO
KALIMBA
BAGPIPE
FIDDLE
SHANAI
PERCUSSIVE
113
0
114
0
115
0
TINKLE BELL
AGOGO
STEEL DRUMS
1
1
1
1
1
1
1
2
1
1
1
2
1
2
2
2
2
2
1
2
2
2
1
2
2
2
2
2
2
Backing Instrument List
116
0
8
117
0
8
118
0
8
119
0
8
9
120
0
WOODBLOCK
CASTANETS
TAIKO
CONCERT BD
MELO. TOM 1
MELO. TOM 2
SYNTH DRUM
808 TOM
ELEC PERC.
REVERSE CYM.
1
1
1
1
1
1
1
1
1
1
GUITAR BASS FX
121
0
1
GT.FRETNOISE
1
GT.CUT NOISE 1
64 WAH BRUSH GT 1
65 GT. SLIDE
66 GT. SCRATCH
67 BASS SLIDE
1
1
1
SFX
122
0
1
123
0
1
2
3
5
124
0
1
3
125
0
1
3
5
BREATH NOISE
FL.KEY CLICK
SEASHORE
RAIN
THUNDER
WIND
BUBBLE
BIRD
DOG
BIRD 2
TELEPHONE 1
TELEPHONE 2
DOOR
WIND CHIMES
126
0
2
HELICOPTER
CAR-STOP
9 BURST NOISE
64 SPACE TRI.
127
0
3
128
0
2
3
APPLAUSE
PUNCH
GUN SHOT
LASERGUN
EXPLOSION
1
1
2
1
1
1
1
1
2
1
1
2
1
1
1
2
1
1
1
2
2
1
1
PC:
Program number
(Instrument number)
CC0:
Value of control change number 0
VOICES: Number of voices used
* To switch instruments from the external MIDI device, send “0” on the
CC32# (Control Change Bank Select) from the external MIDI device to the
TD-20.
* The value of the CC32# (Control
Change Bank Select) that the TD-20 transmits is always “0.”
99
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MIDI Implementation Chart
PERCUSSION SOUND MODULE
(SOUND GENERATOR SECTION)
Model TD-20
MIDI Implementation Chart
Date : Jan. 25, 2004
Version : 1.00
Function...
Transmitted Recognized
Remarks
Basic
Channel
Default
Changed
1–16, OFF
1–16, OFF
1–16, OFF
1–16, OFF
Memorized
Mode
Default
Messages
Altered
Note
Number :
True Voice
Velocity
Note On
Note Off
After
Touch
Key’s
Channel’s
Mode 3
X
**************
0–127
**************
O 9nH, v = 1–127
O 8nH, v = 64
O *3
X
Mode 3
X
**************
0–127
0–127
O
O *4
O *3
X
Pitch Bend
Control
Change
0, 32
1
2
4
6, 38
7
10
11
16–19
64
91
93
100, 101
Program
Change
: True Number
System Exclusive
System
Common
: Song Position
: Song Select
: Tune Request
X O *4
O
O (Pad, Pedal) *1 *2 *3
O (Pad, Pedal) *1 *2 *3
O (Pad, Pedal) *1 *2 *3
X
X
X
O (Pad, Pedal) *1 *2 *3
O (Pad, Pedal) *1 *2 *3
X
X
X
X
O *4
O *1 *2 *3
O *1 *2 *3
O *1 *2 *3
O *4
O
O *4
O *1 *2 *3
O *1 *2 *3
O *4
O *4
O *4
O *4
O 0–127 *5
0–127
O 0–127 *5
**************
O
X
X
X
O
X
X
X
Bank Select
Modulation
Breath Controller
Foot Controller
Data Entry
Volume
Panpot
Expression
General Purpose Controller 1–4
Hold 1
Effects 1
(Reverb Send Level)
Effects 3
(Chorus Send Level)
RPN LSB, MSB
Program No. 1–128
System
Real Time
: Clock
: Commands
X
X
O
X
Aux
Messages
: All Sound Off
: Reset All Controllers
: Local On/Off
: All Notes Off
: Active Sensing
: System Reset
Notes
X
X
X
X
O
X
O (120, 126, 127)
O
X
O (123–127)
O
X
*1 One is selected as the strike position.
*2 One is selected as the hi-hat control pedal.
*3 Drum part only.
Mode 1 : OMNI ON, POLY
Mode 3 : OMNI OFF, POLY
Mode 2 : OMNI ON, MONO
Mode 4 : OMNI OFF, MONO
*4 Backing part only.
*5 O X is selectable.
O : Yes
X : No
100
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PERCUSSION SOUND MODULE
(SEQUENCER SECTION)
Model TD-20
MIDI Implementation Chart
Date : Jan. 25, 2004
Version : 1.00
Function...
Transmitted Recognized
Remarks
Basic
Channel
Default
Changed
1–16, OFF
1–16, OFF
1–16, OFF
1–16, OFF
Memorized
Mode
Default
Messages
Altered
Note
Number :
True Voice
Velocity
Note On
Note Off
After
Touch
Key’s
Channel’s
Mode 3
X
**************
0–127
**************
O 9nH, v = 1–127
O 8nH, v = 64
O *3
X
Mode 3
X
**************
0–127
0–127
O
O
O *3
X
Pitch Bend
Control
Change
0, 32
1
2
4
6, 38
7
10
11
16–19
64
91
93
100, 101
Program
Change
: True Number
System Exclusive
System
Common
: Song Position
: Song Select
: Tune Request
O *4 O *4
O *6 *7
O *1 *2 *3
O *1 *2 *3
O *1 *2 *3
O *4 *6 *7
O *6 *7 *10
O *4 *6 *7
O *1 *2 *3
O *1 *2 *3
O *4
O *4 *6 *7
O *4 *6 *7
O *4 *6 *7
X
O *1 *2 *3
O *1 *2 *3
O *1 *2 *3
X
X
X
O *1 *2 *3
O *1 *2 *3
O *4
X
X
X
X O 0–127 *5 *6 *7
**************
O
X
X
X
O
X
X
X
Bank Select
Modulation
Breath Controller
Foot Controller
Data Entry
Volume
Panpot
Expression
General Purpose Controller 1–4
Hold 1
Effects 1
(Reverb Send Level)
Effects 3
(Chorus Send Level)
RPN LSB, MSB
Program No. 1–128
Only reception/transmission of Bulk Data.
System
Real Time
: Clock
: Commands
O
O
O *8
O *9
Aux
Messages
: All Sound Off
: Reset All Controllers
: Local On/Off
: All Notes Off
: Active Sensing
: System Reset
Notes
X
X
X
X
X
X
O
O
X
O (123–127)
X
X
*1 One is selected as the strike position.
*2 One is selected as the hi-hat control pedal.
*3 Drum part only.
*4 Backing part only.
*5 O X is selectable.
*6 Transmits when pattern is selected.
*7 Transmits when modified.
*8 Receives when Sync Mode setting is “EXTERNAL” or “AUTO.”
*9 Receives when Sync Mode setting is “EXTERNAL,” “AUTO,”
or “REMOTE.”
*10 Except drum part.
Mode 1 : OMNI ON, POLY
Mode 3 : OMNI OFF, POLY
Mode 2 : OMNI ON, MONO
Mode 4 : OMNI OFF, MONO
O : Yes
X : No
101
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Specifications
TD-20: Percussion Sound Module
Sound Generator
Variable Drum Modeling
Ambience Parameters
Room Type, Room Size, Wall Type, Mic Position, Room Shape
Mixer Parameters
Volume, Pan, Minimum Volume, Output Assign
Maximum Polyphony
64 Voices
Instruments
Drum Instruments: 560
Backing Instruments: 262
Drum Kits
50
Effect Types
Pad Equalizer (each pad)
Pad Compressor (each pad)
Multi-Effects: 14 types
Master Compressor
Master Equalizer
Reverb (for backing part)
Chorus (for backing part)
Drum Kit Chains
16 chains (32 steps per chain)
Instrument Parameters
V-EDIT (KICK):
Shell Depth, Beater Type, Head Type, Head Tuning, Muffling,
Snare Buzz, Mic Position
V-EDIT (SNARE):
Shell Material, Shell Depth, Head Type, Head Tuning,
Muffling, Strainer Adjustment, Mic Position
V-EDIT (TOM):
Shell Depth, Head Type, Head Tuning, Muffling, Snare Buzz,
Mic Position
V-EDIT (HI-HAT):
Cymbal Size, Add Tambourine, Mic Position, Fixed Hi-Hat
V-EDIT (CYMBAL):
Cymbal Size, Sizzle Type, Sustain, Mic Position
EDIT:
Pitch, Decay
Percussion Sets
8
Sequencer
User Patterns: 100
Preset Patterns: 100
Parts: 6
Play Type: Oneshot, Loop, Tap
Tempo: 20–260
Resolution: 192 ticks per quarter note
Recording Method: Realtime
Maximum Note Storage: approx. 20,000 Notes
Click Instruments: 20
Display
64 x 240 dots (backlit graphic LCD)
7 segments, 3 characters (LED)
Trigger Level Indicator (LED)
Faders
8
Preview Button
102
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Connectors
Trigger Input Jack x 15
Hi-Hat Control Jack (VH-12, FD-7, FD-8)
Master Output Jacks (L/MONO, R)
Direct Output Jack x 8
Digital Output Jack (COAXIAL)
Headphones Jack (Stereo 1/4 inch phone type)
Mix in Jack (Stereo 1/4 inch phone type)
MIDI Connectors (IN, OUT/THRU)
Foot Switch Jack (1/4 inch TRS phone type)
CompactFlash Card Slot
AC Inlet
Output Impedance
1.0 k ohms
Power Supply
AC 117 V, AC 230 V, AC 240 V (50/60 Hz)
AC 220 V (60 Hz)
Power Consumption
16 W
Dimensions
307 (W) x 256 (D) x 105 (H) mm
12-1/8 (W) x 10-1/8 (D) x 4-3/16 (H) inches
Weight
2.9 kg / 6 lbs 7 oz
Accessories
Owner’s Manual
Power Cord
Specifications
Options
Pads (PD-7, PD-8, PD-9, PD-80, PD-80R, PD-105BK,
PD-125BK)
Cymbals (CY-8, CY-12H, CY-12R/C, CY-14C, CY-15R)
Kick Triggers (KD-7, KD-8, KD-80, KD-120BK)
Hi-Hat (VH-12)
Hi-Hat Control Pedal (FD-8)
Stands (MDS-20)
Cymbal Mount (MDY-10U)
Pad Mount (MDH-10U)
984
* A separate publication titled “MIDI Implementation” is also available. It provides complete details concerning the way
MIDI has been implemented on this unit. If you should require this publication (such as when you intend to carry out bytelevel programming), please contact the nearest Roland Service
Center or authorized Roland distributor.
962a
* In the interest of product improvement, the specifications and/ or appearance of this unit are subject to change without prior notice.
103
TD-20_Ref_e.book 104 ページ ２００５年５月２５日 水曜日 午前９時４９分
Drums
INST
1 KICK
Head
Rim
INST
INST
Head
2 SNARE
Rim
Head
INST
INST
3 TOM1
:
6 TOM4
Rim
INST
INST
7 HI-HAT
Head
Rim
INST
INST
8 CRASH1
Head
Rim
INST
INST
9 CRASH2
10 RIDE
11 EDGE
12 AUX1
13 AUX2
14 AUX3
15 AUX4
Head
Rim
INST
INST
Head
Rim
Head
Rim
Head
INST
INST
Rim
INST
INST
Head
INST
INST
Rim
Head
INST
INST
Rim
INST
INST
Block Diagram
COMP/
EQ
MIXER
/VOLUME
COMP/EQ
COMP/EQ
COMP/EQ
COMP/EQ
COMP/EQ
COMP/EQ
COMP/EQ
COMP/EQ
COMP/EQ
COMP/EQ
COMP/EQ
COMP/EQ
COMP/EQ
COMP/EQ
COMP/EQ
COMP/EQ
COMP/EQ
COMP/EQ
COMP/EQ
COMP/EQ
COMP/EQ
COMP/EQ
Volume
Volume
Volume
Volume
Volume
Volume
Volume
Volume
Volume
Volume
Volume
Volume
Volume
Volume
Volume
Volume
Volume
Volume
Volume
Volume
Volume
Volume
KICK
SNARE
TOMS
HI-HAT
CRASH 1
CRASH 2
RIDE
AUX1
AUX2
AUX3
AUX4
MIXER
/KIT VOL
AMBIENCE
Percussion Set
PERC
PATTERN/PART
/PERC/EDIT/EDIT
INST Volume
Backing Part
MELODY
INST
Volume
PATTERN
/PART
/MIXER
/VOLUME
Volume
INST
BASS Volume
BACK 1
BACK 2
INST Volume
Volume INST
PATTERN
/PART
/BACKING
PERC
GROUP
FADERS
MIDI CC#7
(Volume)
Volume
Volume
Volume
Volume
Volume
AMBIENCE
TYPE
ROOM
REV Send
REV Send
REV Send
REV Send
REV Send
PART
REVERB
Type
Time
Click
TEMPO/CLICK/INST
INST
CLICK
CLICK
([SHIFT] + [TEMPO]) switch with
[FADER]
TD-20 Block Diagram
104
AMB Send
AMB Send
AMB Send
AMB Send
AMB Send
AMB Send
AMB Send
AMB Send
AMB Send
AMB Send
AMB Send
AMB Send
AMB Send
AMB Send
AMB Send
AMB Send
AMB Send
AMB Send
AMB Send
AMB Send
AMB Send
AMB Send
AMB Send
TD-20_Ref_e.book 105 ページ ２００５年５月２５日 水曜日 午前９時４９分
MFX Send
MFX Send
MFX Send
MFX Send
MFX Send
MFX Send
MFX Send
MFX Send
MFX Send
MFX Send
MFX Send
MFX Send
MFX Send
MFX Send
MULTI
EFFECTS
MFX Send
MFX Send
MFX Send
MFX Send
MFX Send
MFX Send
MFX Send
MFX Send
MULTI
EFFECTS
(MFX)
MIXER
/PAN
SETUP
/OUTPUT
/MASTER
SETUP
/OUTPUT
/DIRECT
SETUP
/OUTPUT
/OTHER
CHO Send
PAN
CHO Send
CHO Send
CHO Send
CHO Send
PART
CHORUS
Type
Rate
Depth
PAN
PAN
MASTER
COMP/EQ
Hi
Md
Lo
MASTER
PHONES
PHONES
DIGITAL
OUT
L/MONO
MASTER
R
DIRECT 1
DIRECT 2
DIRECT 3
DIRECT 4
DIRECT 5 (L)
DIRECT 6 (R)
DIRECT 7 (L)
DIRECT 8 (R)
MIX IN
MIX IN
105
TD-20_Ref_e.book 106 ページ ２００５年５月２５日 水曜日 午前９時４９分
Index
Symbols
+/- .................................................................. 14, 23
Numerics
3-WAY ................................................................. 48
A
Acoustic Drum Kit ............................................. 32
Add Tambourine ............................................... 33
ADVANCE ......................................................... 48
AMB SEND LEVEL ........................................... 37
Amb Send Level ................................................. 60
APPEND ............................................................. 65
B
Backing Instrument ........................................... 98
Backing Part ........................................................ 57
BANK .................................................................. 44
BASIC .................................................................. 45
Beater Type ......................................................... 33
Bell Shot ............................................................... 27
Bend Range ......................................................... 54
Block Diagram .................................................. 104
Bow Shot ....................................................... 26–27
BR MIDI .............................................................. 36
BRUSH ................................................................. 29
Brush .................................................................... 36
Brush Note No. .................................................. 36
Brush Switch ....................................................... 29
BULK ................................................................... 77
Bulk Dump ......................................................... 77
C
CARD ................................................ 14, 67, 70, 84
Card ..................................................................... 16
CC Max ................................................................ 46
CC Resolution .................................................... 46
CHAIN .................................................... 13, 82–83
Channel ............................................................... 74
CHAR ................................................ 30, 59, 71, 83
CHINA ................................................................ 34
Choke ................................................................... 27
CHORUS ............................................................. 57
Click ................................................... 25, 59–60, 78
Click Instruments ............................................... 60
COMP .................................................................. 80
CompactFlash ............................................... 16, 70
Connection .............................................. 18–19, 84
CONTROL .................................................... 35, 79
COPY ....................................................... 13, 64, 69
COUNT ............................................................... 60
Count In Play ..................................................... 60
Count In Rec ....................................................... 60
CRASH ................................................................ 34
Cross Stick .............................................. 26, 30, 36
crosstalk .............................................................. 47
CTRL .................................................................... 76
CURSOR ............................................................. 14
Cursor .................................................................. 23
Curve ................................................................... 45
CY-15R/14C ....................................................... 27
Cymbal .......................................................... 27, 34
D
Decay Time ......................................................... 34
DELETE ..................... 30, 59, 66, 68, 71–72, 82–83
Demo Song ......................................................... 22
Depth ................................................................... 57
Device ID ............................................................ 75
DIGITAL OUT ................................................... 15
DIRECT OUT ..................................................... 15
Display ................................................................ 13
Display Contrast .......................................... 25, 81
Drum Instrument ............................................... 92
DRUM KIT .......................................................... 14
Drum Kit ....................................................... 28, 30
Drum Kit Chain ........................................... 82–83
During Play ........................................................ 60
During Rec .......................................................... 60
Dynamics ............................................................ 80
E
Edge Shot ...................................................... 26–27
EDIT ......................................................... 32, 56, 64
Edit ....................................................................... 32
EDIT LOCK ........................................................ 31
Effect .................................................................... 57
EQ ........................................................................ 80
ERASE ................................................................. 65
Error Message .................................................... 90
EXCHNG ............................................................ 69
EXIT ..................................................................... 14
Expansion Board ................................................ 86
106
TD-20_Ref_e.book 107 ページ ２００５年５月２５日 水曜日 午前９時４９分
Index
F
F RESET ............................................................... 81
Factory Reset ...................................................... 81
FADER ........................................................... 24, 37
FIXED .................................................................. 33
Fixed Hi-Hat ....................................................... 33
Foot Splash Sens ................................................. 46
FOOT SW ............................................................ 79
FOOT SWITCH .................................................. 15
Foot Switch ......................................................... 79
FORMAT ............................................................. 72
FUNC ................................................................... 29
Function Button ................................................. 23
G
Gate ...................................................................... 36
Gate Time ............................................................ 36
GLOBAL .............................................................. 74
GROUP FADERS ................................... 14, 24, 37
H
H & R ................................................. 31, 37–38, 40
HEAD .................................................................. 33
Head Shot ............................................................ 26
Head Tuning ....................................................... 33
Head Type .......................................................... 33
Headphones ........................................................ 19
HH MIDI ............................................................. 36
HH Note# Border ............................................... 76
HI-HAT ............................................................... 33
Hi-Hat .......................................... 21, 26, 35–36, 46
Hi-Hat Type ........................................................ 46
Hit Pad Start ....................................................... 63
I
INFO .............................................................. 73, 84
INSERT ........................................ 30, 59, 71, 82–83
INST ..................................................................... 31
Inst ................................................................. 54, 60
Instrument
Drum .............................................................. 31
Instrument Name ......................................... 32, 55
Instrument Number .......................................... 55
Interval ................................................................ 60
K
Key Shift .............................................................. 54
KICK .................................................................... 33
KIT ................................................................. 14, 28
Kit Parameters .................................................... 29
Kit Tempo ........................................................... 29
KIT VOL .............................................................. 37
Kit Volume ................................................... 29, 37
L
LCD ...................................................................... 81
LED Display ....................................................... 13
LIST .......................................................... 28, 32, 56
LOAD ............................................................ 68, 71
Local Control ...................................................... 75
LOCK ................................................................... 31
LOOP ............................................................. 58, 63
M
Mask Time .......................................................... 49
MASTER ............................................................. 14
Master Effect ....................................................... 80
MASTER OUT .................................................... 15
Master Tuning .................................................... 55
Material ............................................................... 33
MEMORY ........................................................... 84
Memory Card ................................... 67–68, 70–73
Mesh Head .......................................................... 21
Message ............................................................... 91
Metronome ................................................... 25, 59
MFX SEND LEVEL ............................................ 37
MIC ...................................................................... 33
Mic Position ........................................................ 33
MIDI ...................................................... 36, 74, 100
MIDI CH ............................................................. 74
MIDI Channel .................................................... 62
MIDI IN ............................................................... 15
MIDI OUT/THRU ............................................. 15
MIN VOL ............................................................ 37
Minimum Volume ............................................. 37
MIX EDIT ............................................................ 37
MIX IN .............................................. 14–15, 19, 78
MIXER ........................................................... 37, 57
MONITOR .................................................... 29, 84
MOUNT TYPE ................................................... 47
MUFFLE .............................................................. 33
Muffling .............................................................. 33
N
NAME ................................... 30, 56, 59, 71, 82–83
Noise Cancel ....................................................... 46
Note No. .............................................................. 36
Note Number ............................................... 36, 96
O
Offset ............................................................. 21, 46
107
TD-20_Ref_e.book 108 ページ ２００５年５月２５日 水曜日 午前９時４９分
Index
ONESHOT .......................................................... 58
Open Rim Shot ................................................... 26
OPTION .............................................................. 80
Other Instruments ............................................. 34
OUTPUT ............................................................. 78
Output ................................................................. 60
Output Destination ............................................ 78
Output Level ................................................ 29, 84
P
Pad ........................................................... 18, 21, 26
Pad Pattern ......................................................... 35
Pad Ptn Velocity ................................................. 35
PAD SW .............................................................. 80
Pad Type ............................................................. 44
Pan ................................................................. 37, 60
PART .................................................................... 54
Part ....................................................................... 57
PART CHORUS SEND LEVEL ........................ 57
PART PAN .......................................................... 57
PART REVERB SEND LEVEL ......................... 57
PART VOLUME ................................................. 57
Pattern ..................................................... 25, 52, 64
PATTERN EDIT ................................................. 64
Pattern Length .............................................. 58, 62
PD-125/105 ................................................... 21, 26
PDLBEND ........................................................... 35
Pedal .................................................................... 18
Pedal Bend Range .............................................. 35
Pedal CC .............................................................. 76
Pedal HH Volume ....................................... 29, 37
PERC .................................................................... 55
Percussion Instrument ................................ 55–56
Percussion Part ................................................... 55
Percussion Set ............................................... 55–56
PHONES ....................................................... 14, 16
Pitch ..................................................................... 34
Play Type ............................................................ 58
Playback Method ............................................... 58
Playing Method .................................................. 26
Position Ctrl ........................................................ 36
Positional Sensing .............................................. 27
POWER ............................................................... 15
Power ................................................................... 20
Preset Drum Kit ................................................. 25
Preset Pattern ..................................................... 51
Pressure ............................................................... 26
PREVIEW ................................................ 14, 24, 55
PROG ................................................................... 76
Program Change ................................................ 76
Q
Quantize .............................................................. 63
Quick Play .......................................................... 58
R
Rate ...................................................................... 57
Realtime Recording ........................................... 61
REC ...................................................................... 61
Rec Mode ............................................................ 63
Recording ...................................................... 61–63
Recording Method ............................................. 63
Rehearsal ............................................................. 63
REPLACE ............................................................ 63
Retrig Cancel ...................................................... 48
Retrigger Cancel ................................................ 48
REV/CHO .......................................................... 57
REVERB .............................................................. 57
RIDE .................................................................... 34
Ride CC ............................................................... 76
RIM ................................................................ 24, 48
Rim Gain ............................................................. 49
Rim Shot .............................................................. 26
RimShot Adjust .................................................. 49
S
SAVE ............................................................. 67, 70
SCAN ................................................................... 48
Scan Time ............................................................ 48
Sensitivity ........................................................... 45
SEQUENCER ..................................................... 14
Sequencer ...................................................... 51, 61
SETUP ..................................................... 14, 58, 74
Shallow Rim Shot .............................................. 26
SHELL ................................................................. 33
Shell Depth ......................................................... 33
SHIFT .................................................................. 14
Size ................................................................. 33–34
Sizzle Type .......................................................... 34
SNARE ................................................................ 33
Snare Buzz .......................................................... 33
Snare CC ............................................................. 76
Soft Thru ............................................................. 74
SPACE ............................................... 30, 59, 71, 83
SPLASH .............................................................. 34
step ....................................................................... 82
Strainer Adj. ....................................................... 33
Sustain ................................................................. 34
Sync Mode .......................................................... 53
108
TD-20_Ref_e.book 109 ページ ２００５年５月２５日 水曜日 午前９時４９分
Index
T
TAMB .................................................................. 33
TAP ................................................................ 58–59
Tap Ptn Mute Grp .............................................. 35
Tap Reset Time ............................................. 58–59
TEMPO ................................................................ 29
Tempo ................................................ 25, 53, 58, 62
Tension ................................................................ 21
Threshold ............................................................ 45
Time ..................................................................... 57
Time Signature ....................................... 58, 60, 62
TIMESIG .............................................................. 60
TOM ..................................................................... 33
Toms CC .............................................................. 76
TOOLS ........................................................... 13, 84
TRIG SELECT ............................................... 14, 24
TRIGGER ...................................................... 14, 44
Trigger Bank ....................................................... 44
TRIGGER INPUT ............................................... 15
Trigger Level Indicator ..................................... 13
Trigger Select ...................................................... 31
Trigger Type ....................................................... 44
Tuning ................................................................. 55
Tx Channel .......................................................... 36
Tx/Rx .................................................................. 74
U
User Pattern ........................................................ 51
V
VALUE .......................................................... 14, 23
Variation .............................................................. 55
V-EDIT ................................................................. 32
Velocity ................................................................ 80
Velocity Curve .................................................... 45
VERSION ............................................................ 84
VH-11 ................................................................... 46
VH-12 ....................................................... 21, 26, 46
V-LINK .............................................. 58–59, 84–85
V-LINK Device ID ............................................. 75
V-LINK MIDI Ch ............................................... 75
VOLUME ............................................................ 29
Volume ................................................................ 37
X
XSTICK ................................................................ 30
XStick Note No. .................................................. 36
XStick Thrshld .................................................... 49
XStick Volume .............................................. 29, 37
XTALK ................................................................. 47
XTALK CANCEL .............................................. 47
XTALK GROUP ................................................. 47
109
TD-20_Ref_e.book 110 ページ ２００５年５月２５日 水曜日 午前９時４９分
Preset Drum Kit List
No. Name
9
10
7
8
5
6
3
4
1
2
VPro
Slamin’
METAL
JazzCombo
OverDrive
Titanium
RotoKit
UNIVERSE
Skanky
Brushes
*1
*1
*2
No. Name
15
16
17
18
11
12
13
14
19
20
Spark!
>>GT>>
Antique
=BreakBeats=
Studio
Groover
Mallet
Drumline
JazzGig
Airtime
*1
*1
No. Name
25
26
27
28
21
22
23
24
29
30
Sploink!
Boogaloo
Zeppy
Arena
Maple
Shallow
Ballad
Raspy
PopReggae
BrassBiggie
*1: A Pattern is assigned to CRASH 2. (Pad Pattern; p. 35)
*2: Brushes can be used.
*3: Parameters including volume etc. are set to standard values. Use this when creating a kit from scratch.
*1
*1
No. Name
35
36
37
38
31
32
33
34
39
40
WetBooth
70s Record
Lite
Mellow
Stadium
TiteOctas
90s Power
FxJungle
Tekno
TR-808
*1
*1
*1
No. Name
41 TR-909
42 Hex< >Drum
43 Cosmosis
44 Technology
45 OrchPerc
46 Survivor
47 Latin Toys
48 African Perc
*1
*1
49 Tabla/Sitar
*1
50 UserKit
*3
Preset Pattern List
No. Name T.S Len Tempo
1 Drums POP
2 Drums JAZZ
4/4
4/4
3 Drums BALLAD
12/8
4 Drums H.ROCK
4/4
10
13
9
9
5 Rockin’ Hard
6 Night Groove
7 Fast Track
8 Water Fall
4/4
4/4
4/4
4/4
18
4
4
4
9 Smooth Sail
10 Bug Juice
11 Strunk
12 Faced
4/4
4/4
4/4
4/4
4
4
4
4
13 4 & 7
15/8
14 Swing A
4/4
4
16
15 Swing B
16 Latin 4 bars
4/4
4/4
8
4
17 Latin 8 bars
18 Rockin’
19 Rollin’
20 Shufflin’
21 Minoplis
22 Grr-unge
23 Rockmay
24 Shoot!
25 Jammin’
26 Clap Happy
27 Happy R&B
28 Holiday
29 Cruisin’
30 Festival
31 Let’s Roll
32 Woa
33 Pop X
34 Purplroq
35 Pop’n Love
36 In the House
37 Smoove
38 Shuffle Bop
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
6/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
8
16
24
26
4
4
8
4
8
8
8
8
4
4
8
8
8
4
4
4
2
4
113
104
104
111
110
164
148
114
130
100
128
140
118
111
100
89
124
112
140
100
94
92
115
212
212
130
89
74
82
67
120
180
100
152
95
88
105
80
No. Name
39 Funky Alley
40 Old Soul
41 Brown Funk
42 Thick Funk
43 Up Shuffle
44 R&B Shuffle
45 Shuffle Grv
46 R&B Groove
47 Smooth Grv
48 Slow Fusion
49 Country Blld
50 6/8 Ballad
51 Slow
52 Reggae
53 Rastamon
54 Salsa 1
55 Salsa 2
56 Songo
57 Latin Jazz
58 Afro Jazz
59 Smooth Jazz
60 Modern Jazz
61 Blues12bar A
62 Blues12bar B
63 Surfpunk
64 Rockabilly
65 Funk Hop
66 Funk 5/4A
67 Funk 4/4B
68 King Strut
69 Krunkn’
70 Start & Stop
71 Prowl
72 Guttn’
73 Ambient
74 Rockin’A8bar
75 Rockin’B8bar
76 Shufflin’Itr
T.S Len Tempo
4/4
4/4
4/4
4/4
4/4
4/4
4/4 20
4/4 16
4/4 26
4/4 22
4/4 20
4/4 28
4/4 12
4/4 12
4/4 4
4/4 24
4/4
5/4
4
2
4/4
4/4
4/4
4/4
4
4
4
4
4/4
4/4
8
8
4/4 18
4/4 12
4/4 26
4/4 16
4/4 17
4/4 12
4/4 19
4/4 15
4/4 8
6/8 21
4/4
4/4
4
8
4/4 4
4/4 17
8
8
4
4
8
8
130
192
102
86
86
84
94
112
102
109
167
194
183
136
55
55
80
68
96
100
100
140
73
85
102
50
69
122
86
115
90
114
132
102
130
112
96
80
No. Name
T.S:
Time Signature
Len:
Pattern Length
T.S Len Tempo
77 Shufflin’A8 4/4
78 Shufflin’B10
4/4
79 4 & 7 A 2bar
15/8
80 4 & 7 B 2bar
15/8
81 Samba
82 Sitar Rag
83 Aco Bass
84 BrassSection
4/4
4/4
4/4
4/4
85 Jazz End
4/4
86 OrchString1 4/4
87 OrchString2 4/4
88 OrchString3 4/4
89 StrChord
90 DiscoTapBass
91 TrashBass
92 Applause
4/4
4/4
4/4
4/4
93 Sweep Pad 1
94 Sweep Pad 2
95 Grv Bass
96 Strings
97 Pad&Bass
98 Synchord1
99 7 Notes
100 12 Notes
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
Play Type:
1–80: LOOP
81–98: TAP
99, 100: V-LINK
1
4
8
1
8
8
6
8
1
17
4
5
8
10
2
2
8
3
7
12
2
8
8
8
60
128
128
128
150
120
120
120
140
140
115
115
120
100
160
160
80
80
120
128
80
120
128
128
110
To resize thickness, move all items on the front cover and registration marks to left or right.
WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
ATTENTION
: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.
INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.
IMPORTANT SAFETY INSTRUCTIONS
SAVE THESE INSTRUCTIONS
WARNING - When using electric products, basic precautions should always be followed, including the following:
1.
Read these instructions.
2.
Keep these instructions.
3.
Heed all warnings.
4.
Follow all instructions.
5.
Do not use this apparatus near water.
6.
Clean only with a dry cloth.
7.
Do not block any of the ventilation openings. Install in accordance with the manufacturers instructions.
8.
Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.
9.
Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.
10. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.
11. Only use attachments/accessories specified by the manufacturer.
12. Unplug this apparatus during lightning storms or when unused for long periods of time.
13. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.
For the U.K.
WARNING:
IMPORTANT:
THIS APPARATUS MUST BE EARTHED
THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
GREEN-AND-YELLOW: EARTH, BLUE: NEUTRAL, BROWN: LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows:
The wire which is coloured GREEN-AND-YELLOW must be connected to the terminal in the plug which is marked by the letter E or by the safety earth symbol or coloured GREEN or GREEN-AND-YELLOW.
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
Apparatus containing
Lithium batteries
ADVARSEL!
Lithiumbatteri - Eksplosionsfare ved fejlagtig håndtering.
Udskiftning må kun ske med batteri af samme fabrikat og type.
Levér det brugte batteri tilbage til leverandøren.
For EU Countries
CAUTION
Danger of explosion if battery is incorrectly replaced.
Replace only with the same or equivalent type recommended by the manufacturer.
Discard used batteries according to the manufacturer’s instructions.
VARNING
Explosionsfara vid felaktigt batteribyte.
Använd samma batterityp eller en ekvivalent typ som rekommenderas av apparattillverkaren.
Kassera använt batteri enligt fabrikantens instruktion.
ADVARSEL
Eksplosjonsfare ved feilaktig skifte av batteri.
Benytt samme batteritype eller en tilsvarende type anbefalt av apparatfabrikanten.
Brukte batterier kasseres i henhold til fabrikantens instruks joner.
VAROITUS
Paristo voi räjähtää, jos se on virheellisesti asennettu.
Vaihda paristo ainoastaan laitevalmistajan suosittelemaan tyyppiin. Hävitä käytetty paristo valmistajan ohjeiden mukaisesti.
For EU Countries
This product complies with the requirements of European Directives EMC 89/336/EEC and LVD 73/23/EEC.
For the USA
FEDERAL COMMUNICATIONS COMMISSION
RADIO FREQUENCY INTERFERENCE STATEMENT
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the
FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:
– Reorient or relocate the receiving antenna.
– Increase the separation between the equipment and receiver.
– Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
– Consult the dealer or an experienced radio/TV technician for help.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
(1) This device may not cause harmful interference, and
(2) This device must accept any interference received, including interference that may cause undesired operation.
Unauthorized changes or modification to this system can void the users authority to operate this equipment.
This equipment requires shielded interface cables in order to meet FCC class B Limit.
For Canada
NOTICE
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
AVIS
Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.
2
Information
When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below.
ASIA
CHINA
Roland Shanghai Electronics
Co.,Ltd.
5F. No.1500 Pingliang Road
Shanghai 200090, CHINA
TEL: (021) 5580-0800
Roland Shanghai Electronics
Co.,Ltd.
(BEIJING OFFICE)
10F. No.18 3 Section Anhuaxili
Chaoyang District Beijing
100011 CHINA
TEL: (010) 6426-5050
Roland Shanghai Electronics
Co.,Ltd.
(GUANGZHOU OFFICE)
2/F., No.30 Si You Nan Er Jie
Yi Xiang, Wu Yang Xin Cheng,
Guangzhou 510600, CHINA
TEL: (020) 8736-0428
HONG KONG
Tom Lee Music Co., Ltd.
Service Division
22-32 Pun Shan Street, Tsuen
Wan, New Territories,
HONG KONG
TEL: 2415 0911
Parsons Music Ltd.
8th Floor, Railway Plaza, 39
Chatham Road South, T.S.T,
Kowloon, HONG KONG
TEL: 2333 1863
INDIA
Rivera Digitec (India) Pvt. Ltd.
409, Nirman Kendra
Mahalaxmi Flats Compound
Off. Dr. Edwin Moses Road,
Mumbai-400011, INDIA
TEL: (022) 2493 9051
INDONESIA
PT Citra IntiRama
J1. Cideng Timur No. 15J-150
Jakarta Pusat
INDONESIA
TEL: (021) 6324170
KOREA
Cosmos Corporation
1461-9, Seocho-Dong,
Seocho Ku, Seoul, KOREA
TEL: (02) 3486-8855
MALAYSIA
Roland Asia Pacific Sdn. Bhd.
45-1, Block C2, Jalan PJU 1/39,
Dataran Prima, 47301 Petaling
Jaya, Selangor, MALAYSIA
TEL: (03) 7805-3263
AFRICA
EGYPT
Al Fanny Trading Office
9, EBN Hagar A1 Askalany
Street,
ARD E1 Golf, Heliopolis,
Cairo 11341, EGYPT
TEL: 20-2-417-1828
REUNION
Maison FO - YAM Marcel
25 Rue Jules Hermann,
Chaudron - BP79 97 491
Ste Clotilde Cedex,
REUNION ISLAND
TEL: (0262) 218-429
SOUTH AFRICA
That Other Music Shop(PTY)Ltd.
11 Melle St., Braamfontein,
Johannesbourg,
SOUTH AFRICA
TEL: (011) 403 4105
FAX: (011) 403 1234
Paul Bothner(PTY)Ltd.
17 Werdmuller Centre,
Main Road, Claremont 7708
SOUTH AFRICA
TEL: (021) 674 4030
PHILIPPINES
G.A. Yupangco & Co. Inc.
339 Gil J. Puyat Avenue
Makati, Metro Manila 1200,
PHILIPPINES
TEL: (02) 899 9801
SINGAPORE
SWEE LEE MUSIC
COMPANY PTE. LTD.
150 Sims Drive,
SINGAPORE 387381
TEL: 6846-3676
CRISTOFORI MUSIC PTE LTD
Blk 3014, Bedok Industrial Park E,
#02-2148, SINGAPORE 489980
TEL: 6243-9555
TAIWAN
ROLAND TAIWAN
ENTERPRISE CO., LTD.
Room 5, 9fl. No. 112 Chung
Shan N.Road Sec.2, Taipei,
TAIWAN, R.O.C.
TEL: (02) 2561 3339
THAILAND
Theera Music Co. , Ltd.
330 Verng NakornKasem, Soi 2,
Bangkok 10100, THAILAND
TEL: (02) 2248821
VIETNAM
Saigon Music
Suite DP-8
40 Ba Huyen Thanh Quan Street
Hochiminh City, VIETNAM
TEL: (08) 930-1969
AUSTRALIA/
NEW ZEALAND
AUSTRALIA/
NEW ZEALAND
Roland Corporation
Australia Pty.,Ltd.
38 Campbell Avenue
Dee Why West. NSW 2099
AUSTRALIA
For Australia
Tel: (02) 9982 8266
For New Zealand
Tel: (09) 3098 715
CENTRAL/LATIN
AMERICA
ARGENTINA
Instrumentos Musicales S.A.
Av.Santa Fe 2055
(1123) Buenos Aires
ARGENTINA
TEL: (011) 4508-2700
BARBADOS
A&B Music Supplies LTD
12 Webster Industrial Park
Wildey, St.Michael, Barbados
TEL: (246)430-1100
BRAZIL
Roland Brasil Ltda.
Rua San Jose, 780 Sala B
Parque Industrial San Jose
Cotia - Sao Paulo - SP, BRAZIL
TEL: (011) 4615 5666
CHILE
Comercial Fancy II S.A.
Rut.: 96.919.420-1
Nataniel Cox #739, 4th Floor
Santiago - Centro, CHILE
TEL: (02) 688-9540
COLOMBIA
Centro Musical Ltda.
Cra 43 B No 25 A 41 Bododega 9
Medellin, Colombia
TEL: (574)3812529
COSTA RICA
JUAN Bansbach Instrumentos
Musicales
Ave.1. Calle 11, Apartado 10237,
San Jose, COSTA RICA
TEL: 258-0211
CURACAO
Zeelandia Music Center Inc.
Orionweg 30
Curacao, Netherland Antilles
TEL:(305)5926866
DOMINICAN REPUBLIC
Instrumentos Fernando Giraldez
Calle Proyecto Central No.3
Ens.La Esperilla
Santo Domingo,
Dominican Republic
TEL:(809) 683 0305
ECUADOR
Mas Musika
Rumichaca 822 y Zaruma
Guayaquil - Ecuador
TEL:(593-4)2302364
EL SALVADOR
OMNI MUSIC
75 Avenida Norte y Final
Alameda Juan Pablo II,
Edificio No.4010 San Salvador,
EL SALVADOR
TEL: 262-0788
GUATEMALA
Casa Instrumental
Calzada Roosevelt 34-01,zona 11
Ciudad de Guatemala
Guatemala
TEL:(502) 599-2888
HONDURAS
Almacen Pajaro Azul S.A. de C.V.
BO.Paz Barahona
3 Ave.11 Calle S.O
San Pedro Sula, Honduras
TEL: (504) 553-2029
MARTINIQUE
Musique & Son
Z.I.Les Mangle
97232 Le Lamantin
Martinique F.W.I.
TEL: 596 596 426860
Gigamusic SARL
10 Rte De La Folie
97200 Fort De France
Martinique F.W.I.
TEL: 596 596 715222
MEXICO
Casa Veerkamp, s.a. de c.v.
Av. Toluca No. 323, Col. Olivar de los Padres 01780 Mexico
D.F. MEXICO
TEL: (55) 5668-6699
NICARAGUA
Bansbach Instrumentos
Musicales Nicaragua
Altamira D'Este Calle Principal de la Farmacia 5ta.Avenida
1 Cuadra al Lago.#503
Managua, Nicaragua
TEL: (505)277-2557
PANAMA
SUPRO MUNDIAL, S.A.
Boulevard Andrews, Albrook,
Panama City, REP. DE
PANAMA
TEL: 315-0101
PARAGUAY
Distribuidora De
Instrumentos Musicales
J.E. Olear y ESQ. Manduvira
Asuncion PARAGUAY
TEL: (595) 21 492147
PERU
Audionet
Distribuciones Musicales SAC
Juan Fanning 530
Miraflores
Lima - Peru
TEL: (511) 4461388
TRINIDAD
AMR Ltd
Ground Floor
Maritime Plaza
Barataria Trinidad W.I.
TEL: (868)638 6385
URUGUAY
Todo Musica S.A.
Francisco Acuna de Figueroa
1771
C.P.: 11.800
Montevideo, URUGUAY
TEL: (02) 924-2335
VENEZUELA
Instrumentos Musicales
Allegro,C.A.
Av.las industrias edf.Guitar import
#7 zona Industrial de Turumo
Caracas, Venezuela
TEL: (212) 244-1122
EUROPE
AUSTRIA
Roland Elektronische
Musikinstrumente HmbH.
Austrian Office
Eduard-Bodem-Gasse 8,
A-6020 Innsbruck, AUSTRIA
TEL: (0512) 26 44 260
BELGIUM/FRANCE/
HOLLAND/
LUXEMBOURG
Roland Central Europe N.V.
Houtstraat 3, B-2260, Oevel
(Westerlo) BELGIUM
TEL: (014) 575811
CZECH REP.
K-AUDIO
Kardasovska 626.
CZ-198 00 Praha 9,
CZECH REP.
TEL: (2) 666 10529
DENMARK
Roland Scandinavia A/S
Nordhavnsvej 7, Postbox 880,
DK-2100 Copenhagen
DENMARK
TEL: 3916 6200
FINLAND
Roland Scandinavia As, Filial
Finland
Elannontie 5
FIN-01510 Vantaa, FINLAND
TEL: (0)9 68 24 020
GERMANY
Roland Elektronische
Musikinstrumente HmbH.
Oststrasse 96, 22844
Norderstedt, GERMANY
TEL: (040) 52 60090
GREECE
STOLLAS S.A.
Music Sound Light
155, New National Road
Patras 26442, GREECE
TEL: 2610 435400
HUNGARY
Roland East Europe Ltd.
Warehouse Area ‘DEPO’ Pf.83
H-2046 Torokbalint,
HUNGARY
TEL: (23) 511011
IRELAND
Roland Ireland
G2 Calmount Park, Calmount
Avenue, Dublin 12
Republic of IRELAND
TEL: (01) 4294444
ITALY
Roland Italy S. p. A.
Viale delle Industrie 8,
20020 Arese, Milano, ITALY
TEL: (02) 937-78300
NORWAY
Roland Scandinavia Avd.
Kontor Norge
Lilleakerveien 2 Postboks 95
Lilleaker N-0216 Oslo
NORWAY
TEL: 2273 0074
POLAND
MX MUSIC SP.Z.O.O.
UL. Gibraltarska 4.
PL-03664 Warszawa POLAND
TEL: (022) 679 44 19
PORTUGAL
Roland Iberia, S.L.
Portugal Office
Cais das Pedras, 8/9-1 Dto
4050-465, Porto, PORTUGAL
TEL: 22 608 00 60
ROMANIA
FBS LINES
Piata Libertatii 1,
535500 Gheorgheni,
ROMANIA
TEL: (266) 364 609
RUSSIA
MuTek
3-Bogatyrskaya Str. 1.k.l
107 564 Moscow, RUSSIA
TEL: (095) 169 5043
SPAIN
Roland Iberia, S.L.
Paseo García Faria, 33-35
08005 Barcelona SPAIN
TEL: 93 493 91 00
SWEDEN
Roland Scandinavia A/S
SWEDISH SALES OFFICE
Danvik Center 28, 2 tr.
S-131 30 Nacka SWEDEN
TEL: (0)8 702 00 20
SWITZERLAND
Roland (Switzerland) AG
Landstrasse 5, Postfach,
CH-4452 Itingen,
SWITZERLAND
TEL: (061) 927-8383
UKRAINE
TIC-TAC
Mira Str. 19/108
P.O. Box 180
295400 Munkachevo,
UKRAINE
TEL: (03131) 414-40
UNITED KINGDOM
Roland (U.K.) Ltd.
Atlantic Close, Swansea
Enterprise Park, SWANSEA
SA7 9FJ,
UNITED KINGDOM
TEL: (01792) 702701
MIDDLE EAST
BAHRAIN
Moon Stores
No.16, Bab Al Bahrain Avenue,
P.O.Box 247, Manama 304,
State of BAHRAIN
TEL: 17 211 005
CYPRUS
Radex Sound Equipment Ltd.
17, Diagorou Street, Nicosia,
CYPRUS
TEL: (022) 66-9426
IRAN
MOCO INC.
No.41 Nike St., Dr.Shariyati Ave.,
Roberoye Cerahe Mirdamad
Tehran, IRAN
TEL: (021) 285-4169
ISRAEL
Halilit P. Greenspoon & Sons
Ltd.
8 Retzif Ha'aliya Hashnya St.
Tel-Aviv-Yafo ISRAEL
TEL: (03) 6823666
NORTH AMERICA
CANADA
Roland Canada Music Ltd.
(Head Office)
5480 Parkwood Way
Richmond B. C., V6V 2M4
CANADA
TEL: (604) 270 6626
Roland Canada Music Ltd.
(Toronto Office)
170 Admiral Boulevard
Mississauga On L5T 2N6
CANADA
TEL: (905) 362 9707
U. S. A.
Roland Corporation U.S.
5100 S. Eastern Avenue
Los Angeles, CA 90040-2938,
U. S. A.
TEL: (323) 890 3700
JORDAN
AMMAN Trading Agency
245 Prince Mohammad St.,
Amman 1118, JORDAN
TEL: (06) 464-1200
KUWAIT
EASA HUSAIN AL-YOUSIFI
& SONS CO.
Abdullah Salem Street,
Safat, KUWAIT
TEL: 243-6399
LEBANON
Chahine S.A.L.
Gerge Zeidan St., Chahine
Bldg., Achrafieh, P.O.Box: 16-
5857
Beirut, LEBANON
TEL: (01) 20-1441
OMAN
TALENTZ CENTRE L.L.C.
P.O. BOX 37, MUSCAT,
POSTAL CODE 113
TEL: 931-3705
QATAR
Al Emadi Co. (Badie Studio &
Stores)
P.O. Box 62, Doha, QATAR
TEL: 4423-554
SAUDI ARABIA aDawliah Universal
Electronics APL
Corniche Road, Aldossary
Bldg., 1st Floor, Alkhobar,
SAUDI ARABIA
P.O.Box 2154, Alkhobar 31952
SAUDI ARABIA
TEL: (03) 898 2081
SYRIA
Technical Light & Sound
Center
Rawda, Abdul Qader Jazairi St.
Bldg. No. 21, P.O.BOX 13520,
Damascus, SYRIA
TEL: (011) 223-5384
TURKEY
Ant Muzik Aletleri Ithalat Ve
Ihracat Ltd Sti
Siraselviler Caddesi
Siraselviler Pasaji No:74/20
Taksim - Istanbul, TURKEY
TEL: (0212) 2449624
U.A.E.
Zak Electronics & Musical
Instruments Co. L.L.C.
Zabeel Road, Al Sherooq Bldg.,
No. 14, Grand Floor, Dubai,
U.A.E.
TEL: (04) 3360715
As of January 15, 2005 (ROLAND)
03453923 ’05-6-5N
To resize thickness, move all items on the front cover and registration marks to left or right.
Owner’s Manual
We’d like to take a moment to thank you for purchasing the Roland Percussion Sound Module TD-20.
201b
Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY
INSTRUCTIONS” (p. 2), “USING THE UNIT SAFELY” (p. 3), and “IMPORTANT NOTES”
(p. 5). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.
234
* CompactFlash and are trademarks of SanDisk Corporation and licensed by
CompactFlash association.
235
* Roland Corporation is an authorized licensee of the CompactFlash™ and CF logo ( trademarks.
236
* Fugue © 2004 Kyoto Software Research, Inc. All rights reserved.
)
202
Copyright © 2004 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.
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