TECHNICAL PRODUCTION RIDER 2017 v2
TECHNICAL PRODUCTION RIDER
2017 v2
This rider is updated regularly and pursuant to Production Manager’s advance. Please check that you
have the latest version, and disregard any previously released versions or “word of mouth” information,
other than information sent only by those authorized by Nile Rodgers Productions.
Any possible options and alternative for the following equipment, other than what is listed herein, must
meet Chic Production Manager’s approval.
Pages included on this document:
1. Cover, contents and presentation
2. P.A system and FOH requirements
3. Monitor requirements
4. Microphones/D.I.boxes and accessories
5. Backline and band requirements
6. Miscellaneous consumables, risers, required personnel
7. Input and Channel list
8. Stage plot
9. Lighting Design & requirements
10. Lighting plot 1 (truss fixtures)
11. Lighting plot 2 (floor fixtures)
12. Visuals Requirements (where applicable)
John Ryan – Tech Production Manager/FOH Engineer - Nile Rodgers & Chic Production - johnryannew@gmail.com
International cell: +39 3469487082 - - Italy cell: +39 3289173405
TECHNICAL PRODUCTION RIDER
2017 v2
page 2/12
Upon request, Chic Production may recommend our preferred audio/lighting rental company.
P.A. System Requirements
P.A. System: Professional quality, preferably flown, stereo four-way speaker system (three way + subwoofers), capable of delivering 110 db distortion-free, wide band audio, evenly distributed throughout the
venue, plus full range front fills and delay systems where needed. Software/hardware control for the sound
system must be available at front of house position and operated by a qualified systems engineer,
available to assist our FOH engineer during setup, sound check and show time. Preferred audio systems
are (quantity depending on venue/audience capacity and subject to Production Manager’s
approval):
•
•
•
•
ADAMSON Energia E15, E12 or Y18 or Y10 or Spektrix (for small venues)
Funktion One Vero
L-Acoustics K1, K2 or V-Dosc or DV-Dosc
D&B Audiotechnik J Series
Note: If you don’t have a preferred supplier, we may provide contacts for professional local dealers where
available.
FOH Control Requirements
FOH Mixer: One professional digital audio mixer with minimum 24 input faders + VCA’s on main
layer. Chic FOH engineer has show files for the following acceptable models:
•
Allen & Heath dLive S7000
•
AVID Profile (minimum 3 DSP)
•
Digico SD5, SD7, SDTen
•
Yamaha PM1D, PM5D-RH
Our FOH sound engineer travels with show memory cards for quick recall and setup ONLY for any of the
above listed mixers. No other digital mixers are acceptable when sound check is not possible. Please
arrange for firmware version compatibility with our sound engineer before arrival.
Note: Sharing of mixers with other productions is possible ONLY if the specified digital models are provided.
In events where limited time is granted for line check or sound check, these mixers are mandatory, and no
analog mixing desks will be acceptable.
FOH Mix position: The front of house mixing position will be located facing the stage, ideally at the
center of the Venue or directly in line with one side of the main PA system, no closer than 80 feet (25
meters) and no further than 115 feet (55 meters) from stage. There must be no visual obstruction
between the stage and the FOH mixing position and between the main PA hang and the mixing position.
The FOH position at indoor venues will not be located in booths, side corridors or under balconies, unless
equipped with near field monitors, compatible and time-aligned with the main sound system. Proper
protection (security barriers etc.) and lighting is necessary for the FOH work space and seating
arrangements must be taken in advance to allow sufficient space for the equipment and the FOH engineer
to operate safely.
John Ryan – Tech Production Manager/FOH Engineer - Nile Rodgers & Chic Production - johnryannew@gmail.com
International cell: +39 3469487082 - - Italy cell: +39 3289173405
TECHNICAL PRODUCTION RIDER
2017 v2
page 3/12
MONITOR Control Requirements
MONITOR Mixer: One professional digital audio mixer. Chic monitor engineer has show files for the
following acceptable models (not in order of preference):
•
Allen & Heath dLive S7000
•
AVID Venue S6L 32D
•
CADAC CDC6, CDC7, CDC8
•
Digico SD5, SD7, SDTen
•
Soundcraft Vi6/Vi4
•
SSL Live 500+
•
Yamaha PM1D, PM5D-RH
Our monitor engineer travels with show memory cards for quick recall and setup ONLY for the above listed
mixers. No other digital mixers are acceptable when sound check is not possible. Please advise on firmware
version compatibility with our sound engineer before arrival.
Note: Sharing of mixers with other productions is possible ONLY if the specified digital models are provided.
In events where limited time is granted for line check or sound check, these mixers are mandatory, and no
analog mixing desks will be acceptable.
MONITOR Mixer position: Mixer will be on an off-stage wing, stage left, with full access and visibility of
stage and musicians. There will be no curtains or physical obstructions in the monitor engineer’s line of
sight. Proper lighting for this workspace is necessary. Possibly avoid using this area as passageway to
dressing rooms.
Monitor Wedges: (MUST ALL BE THE SAME MODEL, WITH IDENTICAL AMPS/PROCESSORS)
14 (fourteen) high quality bi-amped monitor wedges, in order of preference (Quantity includes monitor
engineer’s cue wedge plus a spare wedge): (please, must be all the same!!!)
•
•
•
Meyer - MJF212A
D&B Audiotechnik - M2/M4/MAX15 (with D12/D80 amps – NO D6)
L-Acoustics - 115XT-HiQ/MTD115b (with LA8 amps)
1 (one) subwoofer, 2 x 15 or 1 x 18 inch speakers (for Drum Fill), of the same series listed above. This
may have the same aux send as drummer’s wedge, but on separate EQ. The sub cabinet must deliver
40Hz at -3dB.
In Ear Systems:
6 (six) Wireless IEM systems, Sennheiser SR2050/SR2000/EW300G3 or Shure PSM1000/PSM900.
Please provide minimum 2 Shure SE535 + 4 Sennheiser IE4 earpieces.
Note: all the IEM systems must be connected to a dedicated antenna combiner (same brand/series) with
unidirectional/circular polarized/helical antenna (like Sennheiser A5000CP or Professional Wireless RHCP).
NO omnidirectional antennas.
MONITOR MIXES – see stage plot (order may change depending on the available mixing desk):
01 drum wedge + sub, (aux send 14 if separate)
02 bass wedge
03 Nile wedge
04 piano SL wedge
05-06 keyboards SR IEM (stereo)
07 sax wedge
08 trumpet wedge
09 vocal 1 wedge
10 vocal 2 wedge
11 riser vocals wedge
12 guitar tech IEM (mono)
13 down stage external wedges (2 wedges, 1 mix)
14 drum sub (if separate - preferred solution)
15-16 Nile IEM (stereo)
17 -18 vocal 2 IEM (stereo)
19-20 piano SL IEM (stereo)
21-22 spare IEM (stereo)
24 reverb (internal FX)
John Ryan – Tech Production Manager/FOH Engineer - Nile Rodgers & Chic Production - johnryannew@gmail.com
International cell: +39 3469487082 - - Italy cell: +39 3289173405
TECHNICAL PRODUCTION RIDER
2017 v2
page 4/12
MICROPHONES & D.I. Boxes
All vocal and horn microphones (hardwired and wireless) must have the same capsule model,
except where specified on the attached channel list. Please advise if any of the microphones
are not available as per channel list. Any alternative choices must be approved.
4 (four) wireless handheld microphones (2 main + 2 spare), Shure UHF-R/Axient series with Beta58
capsules, tuned on four different and clean frequencies. Make sure to have new batteries plus sufficient
spares. All batteries must be DURACELL/PROCELL/ALKALINE.
2 (two) D.I. boxes at monitor mixer position (for show intro, 47-48 on the channel list).
MISCELLANEOUS accessories
Mic/boom stands: All mic stands must be in perfect working order, sturdy and with no rust or sharp
edges. Please provide (See input channel list for exact amount and type of microphone stands):
2 (two) vertical mic stands with heavy round base (mandatory). Please also
1 (one) 12”/14” gooseneck extension rod for drummer’s vocal mic stand with 90° XLR/F cable or
extension.
IMPORTANT!!
Shout System (connected between monitor and FOH desk positions) Please provide 2 (two) small
active speakers, with volume control, + 2 (two) dynamic microphones with on/off switch.
Comms: The comms will include a 2-station intercom on a separate channel, with beacon lights for silent
call, connected between monitor and FOH desk positions for exclusive use by our sound crew.
Please do not hesitate to contact our Tech Production Manager/FOH Sound Engineer for any
questions, comments or suggestions regarding this Tech Rider. Once you have the final audio
supply, please send a detailed and itemized confirmation to John Ryan at:
johnryannew@gmail.com.
International cell: +39 3469487082 - - - Italy cell: +39 3289173405
John Ryan – Tech Production Manager/FOH Engineer - Nile Rodgers & Chic Production - johnryannew@gmail.com
International cell: +39 3469487082 - - Italy cell: +39 3289173405
TECHNICAL PRODUCTION RIDER
2017 v2
page 5/12
BACKLINE and BAND Requirements
A professional English speaking drum tech is always required, hired locally or provided by the backline
supplier, at no cost to Nile Rodgers Productions or Chic Management. Chic Tech Production Manager may
recommend our preferred backline rental company and/or tech upon request.
Nile Rodgers – Guitar & vocals
02 - Fender Hot Rod DeVille (Please 4 x 10” only) – leave on wheels or lift 25cm (9”)
01- Fender Stratocaster made in USA (white or black) as backup + strap with new (009-042) strings
01– Set of D’Addario electric guitar strings, nickel wound, 009-042 gauge or NYXL0942
01- Boss tuner (spare)
01- Shure UR4D wireless unit (double receiver unit)*
03 - Shure UR1 instrument body packs*
03 - Shure WA302 or WA304 jack-mini Cannon* (NO angled jack, provide with straight ¼” jack only)
*NOTE: Only Shure UR4D with UR1 body packs. NO Shure Axient/NO Sennheiser.
Jerry Barnes – Bass & vocals
Jerry Barnes is an Aguilar endorsed artist. If you have problems supplying the following equipment, please contact:
Justin Huth – Artist Relations Manager – Aguilar Amplification LLC +1 212 4319109 ext. 113 –jhuth@aguilaramp.com
02 - Aguilar DB751 heads
02 - Aguilar DB410 cabinets
01- Fender Jazz Bass 4 string, with strap and new strings as backup
01– set of D’Addario EPS165 pro steel ROUND WOUND strings
Rich Hilton – SR Keyboards & vocals
01- Roland RD700GX + Roland sustain pedal with long wire (no other option is possible)
01- Roland RD800 + Roland sustain pedal with long cable
01 - spare sustain pedal with long cable (keyboard player is standing)
01- QuikLok double X keyboard stand with extender for top keyboard mount (never two separate stands)
Russell Graham – SL Piano & vocals
01- Roland RD800
01- Roland RD800 or Roland RD700GX + sustain pedal (spare backup)
01- QuikLok single X keyboard stand
01- QuikLok laptop stand
01 - Shure B57 on boom stand with 3ft XLR
Ralph Rolle – Drums & vocals (drum plot attached)
Ralph Rolle is a Yamaha endorsed artist. If you have problems supplying the following kit, please contact:
Shinnosuke "Danny" Natsume - International Drum Artist Relations - YAMAHA CORPORATION JAPAN
Web:http://www.yamaha.co.jp/english/product/drums:shinnosuke_natsume@gmx.yamaha.com OR
shinnosuke_danny@yahoo.co.jp TEL +81-53-460-3102 FAX +81-53-460-3125 or Cell +81-90-7310-5130
Yamaha Absolute Custom Nouveau or Maple (please match exact sizes and heads)
01
01
01
01
01
01
01
01
02
02
01
01
10
02
01
01
01
01
01
01
01
01
01
01
01
01
- 22” kick drum (Remo Power Stroke Pro clear or Powersonic Clear)
- 14” x 5.5” Yamaha Dave Weckl snare (Remo Powerstroke 3 Coated)
- 14” x 3.5” brass piccolo snare drum (Remo Powerstroke 3 Clear)
- 8” x 7” tom (Remo Pinstripe Clear)
- 10” x 7.5” tom (Remo Pinstripe Clear)
- 12” x 8” tom (Remo Pinstripe Clear)
- 16” x 16” floor (Remo Pinstripe Clear)
- Roland SPD-SX Drum pad with Roland PDS stand and APC33 clamp – MUST BE SPD-SX
– DW 9000 kick pedal (one is for backup)
- snare drum stands
- metal tambourine with clamp
- hi hat stand (please, this must have a short center rod or it will have to be cut off)
- boom cymbal stands
- Rock and Sock Drum stools with large square seat
– drum carpet
Cymbals-Zildjian
- 10” A custom splash
- 10" K Splash (on top of 18" K)
- 14” A custom Z combination hi hats
- 14” ZXT Trashformer
- 16” A custom fast crash
- 16” A custom medium crash
- 17” K custom hybrid crash
- 17” K china
- 18" K Crash or Crash of Doom
- 20” A custom ride
- Zildjian Oriental China Trash
John Ryan – Tech Production Manager/FOH Engineer - Nile Rodgers & Chic Production - johnryannew@gmail.com
International cell: +39 3469487082 - - Italy cell: +39 3289173405
TECHNICAL PRODUCTION RIDER
2017 v2
page 6/12
MISCELLANEOUS Backline & Consumables
01
02
01
02
06
08
12
12
02
-
Ultracase GSX-6 (Guitar Boat)
standard drum Stools
high bar stool with back rest
guitar Stands
6mt (20ft) Instrument cables (Reference Laboratory RIC-01 preferred)
3mt (9ft) Instrument cables (Reference Laboratory RIC-01 preferred)
Duracell or ProCell 9 Volt Batteries (per show)
Duracell or ProCell AA Batteries (per show)
Rolls Gaff Tape non glossy (white and black – per show)
IMPORTANT!!!
3 - 45cm (16”/18”) Box Fan – black if possible
Risers – 3 separate rolling risers must be supplied when changeover between acts is expected.
(d x w x h) Risers must be safe, sturdy and equipped with safety connectors, steps, brakes on wheels
and covered with black carpet and black skirts draped on the sides.
Drums: One 2mt x 3mt x 60cm (8ft x 10ft x 24 inches) + with steps behind the riser.
Horns: One 2mt x 2mt x 30cm (8ft x 8ft x 12 inches)
Vocals: One 1mt x 2mt x 30cm (4ft x 8ft x 12 inches) + 6 inch step on stage left side.
Note: If possible, please provide 2 “skids” to help move the keyboard rigs.
Please do not hesitate to contact our Tech Production Manager/FOH Sound Engineer for any
questions, comments or suggestions regarding this Tech Rider. Once you have the final
backline supply, please send a detailed and itemized confirmation or copy of the work order to
John Ryan at: johnryannew@gmail.com.
International cell: +39 3469487082 - - Italy cell: +39 3289173405
John Ryan – Tech Production Manager/FOH Engineer - Nile Rodgers & Chic Production - johnryannew@gmail.com
International cell: +39 3469487082 - - Italy cell: +39 3289173405
TECHNICAL PRODUCTION RIDER
2017 v2
page 7/12
INPUT AND FOH CHANNEL LIST
splitter
1
FOH
SOURCE
MIC/D.I.
notes
KICK
Audix D6
Heavy Short boom stand
2
SNARE TOP
Shure SM57
3
SNARE BOTTOM
Shure Beta98A or SM57
Shure A98D clamp or short boom
4
SNARE 2
Shure Beta98S or SM57
Shure A98D clamp or short boom
5
HI HAT
Audix ADX51 or AKG C451ck1
6
RACK TOM 1
Audix M1245 or Shure Beta98A *
Audix DC Clamp or Shure A98D clamp
7
RACK TOM 2
Audix M1245 or Shure Beta98A *
Audix DC Clamp or Shure A98D clamp
8
FL TOM 1
Audix M1245 or Shure Beta98A *
Audix DC Clamp or Shure A98D clamp
9
FL TOM 2
Audix M1245 or Shure Beta98A *
Audix DC Clamp or Shure A98D clamp
10
OVERHEAD (Stage Center)
Audix CX112 or AKG C414 or AT4050
Boom stand
11
OVERHEAD (Stage Right)
Audix CX112 or AKG C414 or AT4050
Boom stand
12
OVERHEAD (Stage Left)
Audix CX112 or AKG C414 or AT4050
Boom stand
13
CLAP MACHINE 1 L
d.i.
14
CLAP MACHINE 1 R
d.i.
15
TAMBOURINE
SM57
16
(please leave empty)
17
BASS
d.i.
18
BASS MIC
Shure Beta52 or Audix D6 or D4
Audix Cab Grabber or Short boom
19
GUITAR
Shure SM57
Audix Cab Grabber or Short boom
20
GUITAR SPARE
Shure SM57
Boom stand
21
TRUMPET
Shure Beta58
Boom stand
22
SAX
Shure Beta58
Boom stand
23
KBRD 1 L (stage right - top)
24
KBRD 1 R (stage right - top)
XLR
XLR
25
KBRD 2 L (stage right - btm)
XLR
26
KBRD 2 R (stage right - btm)
XLR
27
PIANO L (stage left)
XLR
28
PIANO R (stage left)
XLR
29
VOCODER L
d.i.
30
VOCODER R
d.i.
31
RICH KBRD VOCAL (SR)
Shure Beta58
32
RALPH DRUM VOCAL
Shure Beta57A or Audix OM7
33
JERRY BASS VOCAL
Shure Beta58
Boom stand
34
RUSS PIANO VOCAL (SL)
Shure Beta58
Boom stand
35
NILE VOCAL
Shure Beta58
36
KIM VOCAL 1 (SR)
Shure Beta58 UR or Axient series
Round base straight stand
37
FOLAMI VOCAL 2 (SL)
Shure Beta58 UR or Axient series
Round base straight stand
38
RISER VOCAL 1
Shure Beta58 or SM58
Boom stand
39
RISER VOCAL 2
Shure Beta58 or SM58
Boom stand
40
SPARE VOCAL 1
Shure Beta58 UR series
41
SPARE VOCAL 2
Shure Beta58 UR series
47
INTRO MUSIC L
d.i. at monitor desk
48
INTRO MUSIC R
d.i. at monitor desk
Short boom stand
Boom stand
Stereo channel if available
Short boom stand
Short boom stand
Stereo channel if available
Stereo channel if available
Stereo channel if available
Stereo channel - 1 x Beta57 on boom
stand with short XLR cable
Boom stand
Boom stand with goose neck
Boom stand
42
43
44
45
46
John Ryan – Tech Production Manager/FOH Engineer - Nile Rodgers & Chic Production - johnryannew@gmail.com
International cell: +39 3469487082 - - Italy cell: +39 3289173405
IEM
5-6
7
SPAREGT
CH20
FOLAMI
RFCH37
NILE
CH35
3
KIM
RFCH36
9
10
IEM
17-18
2
13
NOCABLES
CROSSINGHERE
BASS
VOCALCH33
SPARE
11
4
SLKBRDS
PIANOCH27-28
VOCODERCH29-30
VOCAL34
IEM
19-20
4x8x12”
BKVOCALS
CH38-39
800
IEM
15-16
MAX13FEET
AMPSTOMIC
STAND
MAINGT
CH19
10x8x24”
DRUMSCH1–16
VOCALCH32
BASS
CH17d.i.
CH18mic
SPARERF
MICS
CH42-43
IEM12
GUITARWORLD
13
SRKBRDS
TOPCH23-24
BTM25-26
VOCALCH31
8
8x8x12”
HORNSCH21-22
1:TOP
14:SUB
MONITORWORLD
RFMICWORLD
RFIEMWORLD
CUE
TECHNICAL PRODUCTION RIDER
2017 v2
page 8/12
ALL DRAWINGS BELOW ARE NOT IN SCALE
STAGE PLOT & MONITOR LAYOUT
VOCODER
800
GX
John Ryan – Tech Production Manager/FOH Engineer - Nile Rodgers & Chic Production - johnryannew@gmail.com
International cell: +39 3469487082 - - Italy cell: +39 3289173405
TECHNICAL PRODUCTION RIDER
2017 v2
page 9/12
LIGHTING Design & Requirements (where applicable)
This lighting rider is intended for use when appearing as the headlining Artist with CHIC Production’s LD.
Depending on the size of the venue or festival appearance, this design may be resized and equipped with
alternative fixtures to fit smaller stages, but only after approval by Chic Tech Production Manager. In most
cases, we will adapt to festival lighting rigs, operated by the local operator.
A secure and safely flown truss rig is required. Dimensions will depend on stage/venue capacity. The truss
design is distributed in three (3) separate horizontal trusses, each with separate motorized units, enough
to support the weight of each truss, including fixtures and cables.
UPSTAGE:
01 (ONE) 12mt x 40 x 40cm truss, 6mt high from stage floor
MIDDLE:
01 (ONE) 12mt x 40 x 40cm truss, 6,50mt high from stage floor
DOWNSTAGE:
01 (ONE) 12mt x 40 x 40cm truss, 7mt high from stage floor
Rigging points and distance between trusses will depend on venue’s availability and characteristics.
MIXER (if we travel with our LD):
01 (ONE) Grand MA Light with two (2) 17 inch flat monitors
MOVING LIGHTS:
20 (twenty) 1200W spot (14 hanging + 6 on stage floor) MAC 2000 Profile
20 (twenty) 1200W wash (14 hanging + 6 on stage floor) MAC 2000 Wash
LED:
12 (twelve) Moduled/bar 40°
CONVENTIONAL LIGHTS:
03 (three) 2500W follow spots and operators, hired locally. No less than 2 follow spots please.
22 (twenty two) ETC Source 26° 575/750W
28 (twenty eight) PAR 64 100W CP61
08 (eight) Bars of 4 x PAR ACL 250W, 28V
14 (fourteen) Thomas 2-Light Moles Fay
60 (sixty) channel dimmer
EFFECTS:
02 (two) DF50 DMX controlled hazers (used sparingly during the show)
02 (two) DMX controlled fans (for the hazers)
01 (one) Large DMX controlled rotating mirror ball (flown center on downstage truss)
COMMS:
05 (five) intercom stations: 1 at FOH, 1 at house lights control, 1 at dimmer rack, 2 at follow spots.
For questions, comments and further explanation, please contact our Tech Production
Manager, John Ryan at johnryannew@gmail.com.
John Ryan – Tech Production Manager/FOH Engineer - Nile Rodgers & Chic Production - johnryannew@gmail.com
International cell: +39 3469487082 - - Italy cell: +39 3289173405
TECHNICAL PRODUCTION RIDER
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2017 v2
EUROPEAN PRODUCTION LIGHTING DESIGN
page 10/12
LARGE LIGHTING PLOT
$
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Massimo Tomasino – Lighting Designer - Nile Rodgers & Chic Production – info@massimotomasino.it
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John Ryan – Tech Production Manager/FOH Engineer - Nile Rodgers & Chic Production - johnryannew@gmail.com
International cell: +39 3469487082 - - Italy cell: +39 3289173405
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TECHNICAL PRODUCTION
RIDER
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2017 v2
EUROPEAN PRODUCTION
page 11/12LIGHTING PLOT
STAGE FLOOR VIEW
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Massimo Tomasino – Lighting Designer - Nile Rodgers & Chic Production – info@massimotomasino.it
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John Ryan – Tech Production Manager/FOH Engineer - Nile Rodgers & Chic Production - johnryannew@gmail.com
International cell: +39 3469487082 - - Italy cell: +39 3289173405
TECHNICAL PRODUCTION RIDER
2017 v2
page 12/12
Visuals Requirements (where applicable)
If not supplied locally, we suggest hiring our preferred supplier and operator to discuss any details of this
package and to offer the full visual content of the show. For further details please contact Ian Woodall at
ian.woodall@high-scream.com.
If LED walls are available and our visuals team cannot be on site, some minor visual content may be provided by Chic
Tech Production Manager.
If agreed per contract: Our Live Video show consists of live mixed visuals, treated and mixed by Chic Visuals Director,
Ian Woodall. When agreed with local production, we may carry a Video Control System with HD input and output. Where
possible, we will take a feed from the house camera system to mix with our visuals.
Artist Video Control (AVC) - We require approximately 6x4ft (1,80 x 1,20mt) floor space for control setup of our
Visuals Director, side of stage, opposite audio monitor world, or F.O.H, where he may see the screen and the band.
Proper protection (security barriers etc.), AC outlets and lighting is necessary for the control work space and seating
arrangements must be taken in advance to allow sufficient space for the equipment and the operator to operate safely.
Please provide a table suitable for this workspace.
** PLEASE NOTE THAT OUR PREFERRED POSITION IS AT FOH NEXT TO THE SOUND ENGINNER **
DVI or HDSDI feed to the screen: supplied at our AVC. Direct feed to screen with the minimal latency (frame delay)
possible.
LED Walls:
We have a Resolume system to map custom LED, map lighting LED fixtures, output to video strips etc.
We require details of the screen resolution, layout mapping, processor requirements and processor location in relation to
the screen DVI or HDSDI feed to the screen supplied at AVC. Direct feed to screen with the minimal latency (frame
delay) possible. If there are any other Video elements on or around stage we would like to use them.
Upstage LED Wall: (backdrop) with a high resolution pixel pitch suitable for live HD cameras with HD video input. We
would like to achieve the maximum size possible (stage and reasonable common sense permitting) therefore please
provide stage dimensions in addition to the LED screen configuration.
Please supply all camera and LED system information at the earliest time possible and please discus all visuals related
info at the earliest time possible to Ian Woodall ian.woodall@high-scream.com
NOTE:
In case we should not travel with our full video production, a minimal video content package may be downloaded upon
request. Please contact John Ryan.
John Ryan – Tech Production Manager/FOH Engineer - Nile Rodgers & Chic Production - johnryannew@gmail.com
International cell: +39 3469487082 - - Italy cell: +39 3289173405
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