Bass Multi-Effects Processor Owner`s Manual

Bass Multi-Effects Processor Owner`s Manual
Bass Multi-Effects
Processor
Owner’s Manual
Professional audio equipment
01
Warranty
We at DigiTech® are very proud of our products and back up each one we sell with the following warranty:
1.
Please register online at digitech.com within ten days of purchase to validate this warranty. This
warranty is valid only in the United States.
2.
DigiTech warrants this product, when purchased new from an authorized U.S. DigiTech dealer and
used solely within the U.S., to be free from defects in materials and workmanship under normal use
and service. This warranty is valid to the original purchaser only and is non-transferable.
3.
DigiTech liability under this warranty is limited to repairing or replacing defective materials that show
evidence of defect, provided the product is returned to DigiTech WITH RETURN AUTHORIZATION,
where all parts and labor will be covered up to a period of one year. A Return Authorization number
may be obtained by contacting DigiTech. The company shall not be liable for any consequential damage
as a result of the product’s use in any circuit or assembly.
4.
Proof-of-purchase is considered to be the responsibility of the consumer. A copy of the original
purchase receipt must be provided for any warranty service.
5.
DigiTech reserves the right to make changes in design, or make additions to, or improvements upon
this product without incurring any obligation to install the same on products previously manufactured.
6.
The consumer forfeits the benefits of this warranty if the product’s main assembly is opened and
tampered with by anyone other than a certified DigiTech technician or, if the product is used with AC
voltages outside of the range suggested by the manufacturer.
7.
The foregoing is in lieu of all other warranties, expressed or implied, and DigiTech neither assumes
nor authorizes any person to assume any obligation or liability in connection with the sale of this
product. In no event shall DigiTech or its dealers be liable for special or consequential damages or
from any delay in the performance of this warranty due to causes beyond their control.
NOTE: The information contained in this manual is subject to change at any time without notification.
Some information contained in this manual may also be inaccurate due to undocumented changes in the
product since this version of the manual was completed. The information contained in this version of the
owner’s manual supersedes all previous versions.
Technical Support & Service
If you require technical support, contact DigiTech Technical Support. Be prepared to accurately describe the
problem. Know the serial number of your device – this is printed on a sticker attached to the chassis. If you
have not already taken the time to register your product, please do so now at digitech.com.
Before you return a product to the factory for service, we recommend you refer to this manual. Make sure
you have correctly followed installation steps and operating procedures. For further technical assistance or
service, please contact our Technical Support Department at (801) 566-8800 or visit digitech.com. If you
need to return a product to the factory for service, you MUST first contact Technical Support to obtain a
Return Authorization Number.
NO RETURNED PRODUCTS WILL BE ACCEPTED AT THE FACTORY WITHOUT A
RETURN AUTHORIZATION NUMBER.
Please refer to the Warranty information, which extends to the first end-user. After expiration of the
warranty, a reasonable charge will be made for parts, labor, and packing if you choose to use the factory
service facility. In all cases, you are responsible for transportation charges to the factory. If the product is
still under warranty, DigiTech will pay the return shipping.
Use the original packing material if it is available. Mark the package with the name of the shipper and with
these words in red: DELICATE INSTRUMENT, FRAGILE! Insure the package properly. Ship prepaid, not
collect. Do not ship parcel post.
Table of Contents
Section 1 - Introduction................................. 1
Getting Acquainted......................................................... 1
About the BP355............................................................ 1
Performance Mode.................................................... 1
Stompbox Footswitch Mode................................... 1
Bypass Mode .............................................................. 1
Tuner Mode................................................................. 2
Tone Library (Knob 1).............................................. 2
Effects Library (Knob 2)........................................... 2
Effects Level (Knob 3).............................................. 2
Amp Gain (Knob 4).................................................. 2
Amp Level (Knob 5).................................................. 2
Master Level (Knob 6).............................................. 2
X-EditTM Editor/Librarian......................................... 3
Presets.......................................................................... 3
Create Your Sound in Three Easy Steps.................... 3
A Guided Tour of the BP355....................................... 4
Front Panel.................................................................. 4
Rear Panel.................................................................... 7
Section 2 - Getting Started........................... 8
Making Connections....................................................... 8
Mono Operation - Amplifier................................... 8
Stereo Operation...................................................... 8
Stereo Amp Setup...................................................... 8
Stereo Mixer Setup................................................... 9
Computer Recording Setup ................................... 9
Amp/Mixer Setup ..................................................... 9
Applying Power ............................................................10
Section 3 - Editing Functions....................... 11
Editing/Creating Presets..............................................11
Storing/Copying/Naming a Preset.............................12
Section 4 - Models and Parameters............ 13
About the Models.........................................................13
Model Definitions.........................................................13
Fretless/Wah.............................................................13
Compressor .............................................................14
Distortion..................................................................14
Amplifier....................................................................16
EQ...............................................................................17
Noise Gate/Auto Swell..........................................17
Chorus/FX.................................................................18
Delay ..........................................................................25
Reverb .......................................................................26
Section 5 - Other Functions........................ 27
Phrase Looper...............................................................27
Drum Machine...............................................................27
Aux Input........................................................................28
Expression Pedal...........................................................28
LFOs.................................................................................29
Factory Reset.................................................................29
Expression Pedal Calibration.....................................30
Section 6 - Appendix..................................... 31
Specifications..................................................................31
Expression Pedal - Assignable Parameters..............32
Tone Library...................................................................34
Effects Library................................................................34
Section 1 - Introduction
Getting Acquainted
Congratulations on your purchase of the BP355. You now have an incredibly advanced modeling bass
processor that can keep up with your creative impulses and even increase them. Armed with DigiTech®’s
patented AudioDNA2® custom audio DSP chip, the BP355 gives you a huge selection of tones and effects,
right at your fingertips. When you easily dial up a tone or effect from the Tone Library or the Effects
Library, you’ll appreciate the accuracy in each model, and the dynamic interaction in each tone. Add USB
support for computer recording and a built-in drum machine, and you have the BP355: the key to unlock
your creative potential.
About the BP355
Performance Mode
When you first apply power to the BP355, it powers up in Performance mode. Performance mode provides
access to all of the presets within the BP355 via the Up and Down Footswitches. The Amp A/B
Footswitch toggles between two amp channels for the selected preset. Knob 1 selects a tone from the
Tone Library, Knob 2 selects an effects chain from the Effects Library, Knob 3 adjusts the Effects Level,
and Knob 4 adjusts the Amp Gain, Knob 5 adjusts the Amp Level, and Knob 6 adjusts the Master Level
(volume).
Stompbox Footswitch Mode
The BP355 includes a very convenient Stompbox Footswitch mode, where the Up, Down, and Amp A-B
footswitches function as on/off switches for the Distortion, Chorus/FX and Delay effects. To enable
Stompbox Footswitch mode, press the Up and Amp A/B Footswitches simultaneously. The Display will
read STOMP briefly indicating Stompbox footswitch mode has been enabled. The Down, Up, and Amp
A/B Footswitches will now turn Distortion, Chorus/FX, and Delay effects respectively on and off in the
current preset.
NOTE: While Stompbox footswitch mode is active, you cannot navigate through the BP355’s presets, nor
can you change the Amp A/B channels in the current preset.
To exit Stompbox footswitch mode and return to Preset footswitch mode, press the Up and Amp A/B
Footswitches simultaneously again. The Display will read PRESET briefly indicating Preset footswitch
mode is now active again.
Bypass Mode
The BP355 presets can be bypassed via an analog bypass circuit for a clean, unprocessed bass signal. To
bypass the BP355, press the Up and Down Footswitches simultaneously. The Display reads Bypass
indicating the preset is bypassed. Press any footswitch to exit Bypass and return the BP355 to the last
preset used.
1
Tuner Mode
The Tuner in the BP355 allows you to quickly tune or check the tuning on your bass. Enter Tuner mode by
pressing and holding the Up and Down Footswitches simultaneously for 2 seconds. The Display briefly
shows tuner indicating that you are in Tuner mode. To begin tuning, play a note on your bass (a harmonic
at the 12th fret usually works best). The Display shows the note being played. The Matrix LEDs indicate
whether you are sharp or flat. The top 5 red LEDs indicate the note is sharp and should be tuned down.
The bottom 5 red LEDs indicate the note is flat and should be tuned up. The center green LED indicates
the note is in tune. The output is muted in Tuner mode. The Expression Pedal controls the bass volume
while tuning. Exit tuner mode by pressing any Footswitch.
Display shows
note played
Top LEDs indicate
note is sharp
Green LED indicates
note is in tune
Bottom LEDs indicate
note is flat
In Tuner mode, you can change your tuning reference. The default factory setting is A=440 Hz (displayed as
A=440). Rotating Knob 1 selects alternate dropped tunings and tuning references. Alternate tunings are A
= A, A = G, A = G, and tuning references A=427 - A=453. The display window briefly flashes the current
tuning reference.
Tone Library (Knob 1)
In Performance mode, this knob selects a variety of genre-based amp tone defaults ranging from Blues to
Metal to Country. Behind the scenes, the Fretless/Wah, Compressor, Distortion, Amp/Cabinet model, EQ,
and Noise Gate are configured to create a specified tone with a single click of this knob. You can further
refine the sound by editing the preset (see Editing/Creating Presets on page 11). Changing between
different Tone Library defaults does not change the Chorus/FX, Delay or Reverb, letting you experiment
with different amp styles quickly in the context of the current effect chain.
Effects Library (Knob 2)
In Performance mode, this knob selects a variety of post-amplifier model effect chains (Chorus, Chorus +
Delay, Delay + Reverb, etc.). You can further refine the sound by editing the preset (see Editing/Creating
Presets on page 11). Changing between different Effects Library defaults does not change the Fretless/Wah,
Compressor, Distortion, Amp/Cabinet model, EQ, and Noise Gate settings, letting you experiment with
different effect chains quickly in the context of the current amp tone.
Effects Level (Knob 3)
In Performance mode, this knob changes the relative level of the post-amp effects (Chorus/FX, Delay, and
Reverb). This can be thought of as an effects mix control, where turning this knob clockwise increases the
level of these effects and turning it counter-clockwise decreases the level of these effects.
Amp Gain (Knob 4)
This knob adjusts the Gain (distortion) for the selected Amp model (not available for Direct).
Amp Level (Knob 5)
This knob adjusts the Level (volume) of the selected Amp model.
Master Level (Knob 6)
This knob controls the overall output volume of all of the BP355’s presets.
2
X-EditTM Editor/Librarian
You can edit your BP355 with your computer, using the X-EditTM Editor/Librarian. Download X-EditTM, USB
drivers, and documentation from www.digitech.com.
Presets
Presets are named and numbered locations of programmed sounds which reside in the BP355. Presets
are recalled with the Footswitches. The active effects in each preset are indicated by lighted LEDs in the
Effect Matrix. The BP355 comes with 70 User presets (1-70) and 70 Factory presets (F1-F70). The User
presets are locations where your creations may be stored. The Factory presets do not allow you to store
any changes to them. From the factory, the 70 User presets are exact duplicates of the 70 Factory presets.
This allows you to create your own presets without losing the sounds that came with the BP355.
Create Your Sound in Three Easy Steps
1.
Tone Library
Select one of 30 different tones from rock, metal, blues, funk, and more. The
tones consist of a combination of Fretless/Wah,
Compressor, Distortion Stompbox, Amplifier/Cabinet, EQ, and Noise Gate.
For a complete list of available tones, see page 34.
2.
Effects Library
Select one of 30 different effects chains. The effects consist of a combination
of Chorus/FX, Delay, and Reverb.
For a complete list of available effects chains, see page 34.
3.
Effects Level
Adjust the overall level of the post-amp effects to your liking.
... Rock on!
To make further edits, refer to page 11.
To store the preset, refer to page 12.
3
A Guided Tour of the BP355
Front Panel
5
6
4
3
2
7
8
1
9
1. Up/Down Footswitches
These two Footswitches are used to select presets, access the Tuner, or bypass the BP355. The Footswitch
on the right will select the next preset up, and the Footswitch on the left will select the next preset down.
Pressing both Footswitches together will bypass the currently selected preset. Pressing and holding both
Footswitches will access the Tuner. Press any Footswitch to exit Bypass or Tuner mode.
2. Knobs 1-6 (From left to right)
These six knobs perform various functions, depending on which mode is currently active and what (if
anything) is being edited. The functions are listed below:
Tone Library (Knob 1)
1. In Performance mode, this knob selects from a library of preset amp tones. (See page 34 for a list
of preset amp tones.)
2. When editing a preset, this knob changes the Amp or Effect model for the selected row.
3. When editing an Effect row, press this knob to turn on or bypass the effect.
4. When the Drums row is selected, this knob selects the first pattern of each style (Rock, Blues,
Jazz, etc.).
5. When the Expression row is selected, this knob selects the Expression Pedal, LFO 1, and LFO 2
parameter links.
Effects Library (Knob 2)
1. In Performance mode, this knob selects from a library of preset effect chains. (See page 34 for a
list of preset effect chains.)
2. When editing a preset, this knob modifies the parameter listed in the column directly above it for
the selected Effect row.
3. When the Drums row is selected, this knob selects the different drum patterns available.
4. When the Expression row is selected, this knob selects which parameter is assigned to the
Expression Pedal, LFO1 or LFO2.
4
Effects Level (Knob 3)
1. In Performance mode, this knob adjusts the overall level of post amp model effects (Chorus/FX,
Delay, and Reverb).
2. When editing a preset, this knob modifies the parameter listed in the column directly
above it
for the selected Effect row.
3. When the Drums row is selected, this knob adjusts the playback Tempo of the drum machine.
4. When the Expression row is selected, this knob selects the heel value for the parameter linked to
the Expression Pedal.
Amp Gain (Knob 4)
1. In Performance mode, this knob adjusts the Amp Gain (distortion) for the selected Amp
model. To change the Amp Gain for Amp A or Amp B, select amp channels using the Amp A/B
Footswitch and use this knob to change each channel’s Amp Gain.
2. When editing a preset, this knob modifies the parameter listed in the column directly above it for
the selected Effect row.
3. When the Expression row is selected, this knob selects the toe value for the parameter linked to
the Expression Pedal.
4. When the Drums row is selected, this knob changes the drum machine playback level.
Amp Level (Knob 5)
1. In Performance mode, this knob adjusts the Amp Level (volume) of the selected Amp model.
To change the Amp Level for Amp A or Amp B, select amp channels using the Amp A/B
Footswitch and use this knob to change each channel’s Amp Level.
2. When editing a preset, this knob modifies the parameter listed in the column directly above it for
the selected Effect row.
3. When the Expression row is selected, this knob selects the LFO waveform. LFO 1 or LFO 2 must
first be selected with Knob 1 for this parameter to be available.
Master Volume (Knob 6)
1. In Performance mode, this knob adjusts the output level of the BP355.
2. When editing a preset, this knob modifies the parameter listed in the column directly above it for
the selected Effect row.
3. When the Expression row is selected, this knob sets the LFO speed. LFO 1 or LFO 2 must first
be selected with Knob 1 for this parameter to be available.
3. Edit Buttons
These buttons navigate up and down the matrix, selecting the row of parameters which the knobs will edit.
Press one of these buttons to step through the Effect rows, and return to the preset name display. See page
11 for more information about editing presets.
4. Matrix
The matrix provides information regarding the current preset and parameter edit functions. In
Performance mode, the LEDs running down the left side of the Matrix provide a visual indication of which
effects are in use for the selected preset. While editing a preset, the LEDs indicate that the Effect row is
selected for editing. In Tuner mode, the LEDs indicate whether the note played is sharp, flat, or in tune.
5. Display
The Display provides information for different functions depending on the mode that has been selected. In
Performance mode, the Display will show the currently selected preset name and number. In Edit mode,
the Display will show the name and value of the parameter being adjusted. In Bypass mode, the Display will
read BYPASS. In Tuner mode, the Display will show the note played.
5
6. Drums
The Drums button is used to turn on and off the BP355’s built-in drum machine. When the Drums button
is turned on, the Drums LED lights and the selected drum pattern plays continuously. Select the Drums
row using the Edit buttons and use Knobs 1-4 to change the style, pattern, tempo, and level of the drum
machine. See page 27 for more information about the drum machine and a list of patterns.
NOTE: The drum machine cannot be used while the Phrase Looper is active.
7. Store
The Store button is used to save your custom edits to the user presets. See page 12 for more information
about storing presets.
8. Expression Pedal
The Expression Pedal provides real-time control of the BP355’s Volume, Wah, or one of several assignable
effects parameters. Almost every parameter is available for Expression Pedal control. The Expression Pedal
is equipped with a V-switch that turns the Wah feature on or off when you apply extra pressure to the
toe. See page 13 for more information about Wah models; see page 28 to learn about adjusting V-switch
sensitivity and calibrating the Expression Pedal; refer to page 32 for a list of parameters you can link to the
Expression Pedal.
9. Amp A/B Footswitch
This Footswitch switches between two amp channels for the selected preset. The Display will read AmP
A when channel A is selected, and AMP B when channel B is selected. Pressing and holding the Amp A/B
footswitch enables and disables the Phrase Looper; see page 27 for more information about using the
Phrase Looper.
NOTE: You can apply different EQ settings, Amp models and/or Amp settings to each amp channel (Amp
A and Amp B). When the EQ or Amp row is selected, press the Amp A/B Footswitch to select a channel.
The display will show which channel is selected (Amp A or Amp B).
6
Rear Panel
1
2
3
4
5
6
7
8
9
1. Input
Connect your instrument to this high-impedance TS input.
2. Amp / Mixer (for the 1/4" Outputs)
This button optimizes the BP355’s 1/4" outputs for use when plugged into a bass amp or a mixer/recording
device. When set to Mixer (“In” position; display reads 1/4MIX), speaker compensation is turned on
and the outputs are optimized for connecting to a mixer or recording device. When set to Amp (“Out”
position; display reads 1/4AMP), the outputs are optimized for running directly in to the input of a bass
amp.
3. 1/4" Left (Mono) and Right Outputs
Connect the Left (Mono) output to the input of a single amplifier (or mixer input) for mono operation.
Connect the Left and Right outputs to the inputs of 2 amplifiers (or 2 mixer channels) for stereo operation.
4. Headphones
Connect stereo headphones to this 1/8" jack. For proper frequency response, the XLR Amp/Mixer switch
should be set to Mixer (“In” position) when using headphones. Headphones with 16-100 Ohm impedance
are recommended.
5. Aux In
Connect the headphone output of an MP3 or CD player using a stereo 1/8" cable to this 1/8" stereo TRS
jack for rehearsing with your favorite pre-recorded material. Adjust the output level of your playback
device and the BP355’s Master Level knob for the proper volume balance.
6. Amp / Mixer (for the XLR Outputs)
This button optimizes the BP355’s XLR outputs for use when plugged into a power amp/speaker system or
a mixer/recording device. When set to Mixer (“In” position; display reads xlrMIX), speaker compensation
is turned on and the outputs are optimized for connecting to a mixer, recording device or headphones.
When set to Amp (“Out” position; display reads xlrAMP), the outputs are optimized for running directly in
to the input of a bass amp or power amp.
7. XLR Balanced Line Outputs
Connect these outputs to your power amplifier/speaker system or to a mixing console that accepts
balanced XLR connections. Speaker compensation can be enabled on these outputs when connected to a
full-range speaker system. The XLR outputs are always configured for stereo operation.
8. USB Port
The USB port is for connecting the BP355 to a computer and serves two purposes: (1) for use with the
downloadable X-Edit™ Editor/Librarian software, and (2) for streaming audio to and from the computer.
The BP355 will stream 2 channels up and 2 channels down from the computer at 44.1kHz, 16 and 24 bit. A
utility panel in the Editor/Librarian controls the direct/playback mix and USB record level when used with
recording software. Knobs 4 and 5 also control the direct/playback mix and USB record level when USB is
connected and the Fretless/Wah Row is selected.
NOTE: X-Edit Editor/Librarian software and USB drivers can be downloaded at www.digitech.com.
9. Power Input
Connect only the DigiTech® PS0913B power supply to this jack.
7
Section 2 - Getting Started
Making Connections
There are several different connection options available with the BP355. Before connecting the BP355,
make sure that the power to your amplifier and the BP355 is turned off. There is no power switch on the
BP355. To turn the BP355 on or off, connect or disconnect the included PS0913B power supply from the
Power Input jack.
Mono Operation - Amplifier
Connect your bass to the Input of the BP355. Connect a single mono instrument cable from the Left
(Mono) output of the BP355 to the instrument input or effect return on your amplifier. Set the ¼˝ Amp/
Mixer switch to Amp.
Bass Amp Input/
Effect Return
¼” Amp/Mixer
switch set to “Amp”
¼” Left (Mono) Output
Input
Stereo Operation
For stereo operation connect the bass to the Input of the BP355. Connect one cable to the BP355’s
Left (Mono) output, and another cable to the BP355’s Right output. Connect one cable to the input of
one amplifier, channel of a mixer, or power amp. Connect the second cable to a second amplifier, second
channel of a mixer, or power amp. If connecting to a mixing console, set the pan controls of the mixer
channels hard left and right in order to retain stereo separation. If connecting to a mixer, set the ¼˝ Amp/
Mixer switch to Mixer. If connecting to two amplifiers, set the ¼˝ Amp/Mixer switch to Amp.
Stereo Amp Setup
Bass Amp Inputs/
Effect Returns
¼” Left (Mono)
Output
Input
¼” Right Output
¼” Amp/Mixer
switch set to “Amp”
8
Stereo Mixer Setup
4
6
4
2
4
0
6
0
6
+2
0 +1
-2
6
4
4
4
0
4
6
8
Aux 2 10
0 +1
-1
+2
Aux 1 10
4
0
Aux 2 10
0 +1
-2
6
8
0
6
8 2
0
Aux 2 10
-1
+2
4
Aux 1 10
6
8 2
0 +1
-2
6
8 2
Aux 1 10
4
0
Aux 2 10
-1
+2
0
6
8 2
0 +1
-2
6
8 2
Aux 1 10
4
0
Aux 2 10
-1
+2
0
6
8 2
0 +1
-2
6
8 2
Aux 1 10
4
0
Aux 2 10
-1
+2
0
6
8 2
0
Aux 2 10
-1
8 2
Aux 1 10
4
8 2
0
0 +1
-2
4
8 2
Aux 1 10
4
8 2
Aux 2 10
-1
6
8 2
Aux 1 10
4
0
XLR Amp/Mixer
switch set to “Mixer”
6
8 2
0
2
-2
-1
+2
0 +1
-2
+2
-3
+3 -3
+3 -3
+3 -3
+3 -3
+3 -3
+3 -3
+3 -3
+3
-4
+4 -4
+4 -4
+4 -4
+4 -4
+4 -4
+4 -4
+4 -4
+4
-5
Pan
+5
-5
Pan
+5
Mute
Mute
L/R
L/R
+10
-5
Pan
L/R
-5
Pan
L/R
-5
+5
Pan
-5
L/R
-5
L/R
L/R
+10
+5
0
+5
0
0
-5
-5
-5
-5
-5
-5
-5
-5
-10
-10
-10
-10
-10
-10
-10
-10
-20
-20
-30
-∞
-20
-30
-∞
1
-20
-30
-∞
2
-20
-30
-∞
3
-20
-30
-∞
4
-20
-30
-∞
5
+5
Pan
Mute
+10
+5
0
+5
Pan
Mute
+10
+5
0
+5
Mute
+10
+5
0
+5
Mute
+10
+5
0
+5
Mute
+10
+5
0
Pan
L/R
+10
+5
-5
Mute
-20
-30
-∞
-30
-∞
6
7
8
Input
XLR Left Out
XLR Right Out
Computer Recording Setup
Studio Reference
Monitors
XLR Left Out
XLR Right Out
USB
USB Ports
XLR Amp/Mixer
switch set to “Mixer”
Input
Amp/Mixer Setup
PA Speaker (Left)
PA Speaker (Right)
Stereo Power Amp
2- Speaker Cabs
1/4" Left and
Right Outputs
XLR Left and
Right Outputs
Mixer
4
6
4
6
-2
-2
Pan
Mute
4
4
6
4
Mute
8
L/R
L/R
+10
+10
+10
+10
+10
+5
+5
+5
+5
+5
+5
+5
+5
0
0
0
0
0
0
0
0
-5
-5
Input
XLR Amp/Mixer
switch set to “Mixer”
-5
-10
-5
-10
-20
-10
-20
-30
-
3
-5
-10
-20
-30
-
2
-5
-10
-20
-30
-
1
-20
-30
-
4
-30
-
5
6
+2
+3
Mute
+10
-30
-
0 +1
+4
-5
+5
+10
-20
Aux 2 10
-1
-2
+3 -3
Pan
+10
-10
6
8
0
+2
+4 -4
-5
+5
Mute
L/R
6
Aux 1 10
4
8 2
0 +1
-2
+3 -3
Pan
0
6
Aux 2 10
-1
+2
+4 -4
-5
+5
0
0 +1
-2
+3 -3
+4 -4
L/R
6
Aux 1 10
4
Aux 2 10
-1
+2
8 2
6
8 2
0
0 +1
Pan
0
Aux 1 10
4
8 2
Aux 2 10
-1
-5
+5
Mute
L/R
4
8 2
0
Aux 1 10
4
0
-2
+3 -3
Pan
6
8 2
0
8 2
+2
+4 -4
-5
+5
Mute
L/R
6
8 2
6
0 +1
-2
+3 -3
Pan
Mute
L/R
L/R
6
Aux 2 10
-1
+2
+4 -4
-5
+5
0
0 +1
-2
+3 -3
+4 -4
-5
Aux 1 10
4
Aux 2 10
-1
+2
+3 -3
Mute
4
6
8 2
0
0 +1
+4 -4
+5
0
Aux 1 10
4
Aux 2 10
-1
+2
Pan
8 2
6
8 2
0
0 +1
-3
0
Aux 1 10
4
8 2
Aux 2 10
-1
6
8 2
0
Aux 1 10
4
0
-5
9
6
8 2
0
2
-4
¼” Amp/Mixer
switch set to “Amp”
4
2
-5
-5
-10
-10
-20
-20
-30
-
-30
-
Pan
+5
Applying Power
Before applying power to anything, set your amp(s) to a clean tone and set the tone controls to a flat EQ
response (on most amps, this would be 0 or 5 on the tone controls). Then follow the steps listed below.
1. T
urn the amp volume all the way down.
2. Connect the plug of the PS0913B power supply to the power jack on the rear panel of the BP355.
3. Connect the other end of the PS0913B power supply to an AC outlet. Turn the BP355’s Master Level
knob (Knob 6) down to “0”.
4. Turn the power of your amplifier(s) to the on position and adjust the volume(s) to a normal playing
level.
5. Gradually increase the BP355’s Master Level knob to achieve the desired volume.
2. Connect PS0913B to power jack
4.Turn amp volume up
3. Connect PS0913B
to AC outlet and
turn the BP355’s
Master Level to “0”
1.Turn amp volume down
5.Turn the BP355’s Master Level
to the desired listening volume
10
Section 3 - Editing Functions
Editing/Creating Presets
The BP355 is designed to make preset editing and creation easy and intuitive. When creating your own
sound, you must first start with an existing preset. Note that the preset you begin with doesn’t have to
be in the memory location you intend to have it reside, since you can store it to any User preset location
during the store procedure.
The easiest way to start is by using the Tone Library and Effects Library knobs. The Tone Library
knob will let you select from a variety of pre-programmed amp/distortion tones (see page 34) based on
different musical styles. The Effects Library knob will then let you select from a palette of effects chains
(see page 34), from simple delays to full multi-effect signals with modulation, delay and reverb. Use the
Effects Level Knob to increase or decrease the overall Chorus/FX, Delay and Reverb levels if desired.
Using these three controls should get you close to a sound you are after. From there you can then use the
Edit buttons to navigate through the individual effects for some fine tune edits.
1. Select a tone
with the
Tone Library knob
2. Select an effect
3. Adjust the
or effects chain with the effects level with the
Effects Library knob
Effects Level knob
To edit and create a preset:
1. Use the Up and Down Footswitches to select the preset you wish to edit.
2. If you find a preset close to what you want, you can begin editing the effect parameters by pressing the
Edit Up/Down buttons and selecting the Effect row you want to edit.
3. If you are trying to find something different from the existing presets, begin by using the Tone Library,
Effects Library and Effects Level knobs to get close to a sound you want.
4. Press the Edit Up/Down buttons to begin selecting the individual Effects rows to edit their
parameters.
5. To bypass or enable an Effect row, press the Tone Library knob.
6. Use the Knobs 2-6 to modify the effects’ parameter settings.
7. When editing the Amp Model and EQ rows, use the Amp A/B Footswitch to select between the
two amp channels. You can then edit each channel’s Amp Model, Cabinet Model, Amp Gain, Amp Level,
and EQ settings independently.
8. Select the Fretless/Wah row using the Edit Up/Down buttons and use Knob 6 to set the overall
Preset Level.
NOTE: Anytime a stored value within a preset is changed, the Store button LED lights up. This indicates
that you need to store the changes. Changing presets, or turning the power off before storing any changes,
erases any changes made and the BP355 will revert to the stored values for the preset.
11
Storing/Copying/Naming a Preset
Once the preset has been modified to your liking, you may store your settings to any of the 70 User preset
locations (presets 1-70). The following steps outline the procedure for storing changes to a preset or
copying a preset to a different location:
1. P
ress the Store button once. The Store button LED blinks and the first character in the Display
flashes, indicating that you can now name your custom creation.
2. Use Knob 1 to select the alpha-numeric character and Knob 2 to select the next character
location.
1. Press Store;
characters in Display
flash individually
2. Use Knobs to
name Preset
3. O
nce the desired name is shown in the display, press the Store button again to enter the second stage
of the storing process. The red Display begins to flash.
4. Select the User preset location where your new sound will reside using the Up and Down
Footswitches. The displays show the preset name and User preset number about to be overwritten.
3. Press Store again;
Preset number flashes
4. Select destination
with Footswitches
5. Press the Store button again to save the changes.
The procedure for copying one preset to another preset location is the same. Use the Footswitches
to select the preset that you want to copy, then follow steps 1-4 for storing a preset as described above.
Press either Edit button at any time to abort the Store procedure.
12
Section 4 - Models and Parameters
About the Models
The BP355 can be thought of as several different “virtual” amplifiers and individual, high-tech stompboxes
in a single programmable package. With stompboxes, the order in which they are connected affects the
overall sound. The BP355 has placed the Amp and Effect models in an order for optimum results. The
following diagram shows the order in which they are connected.
Fretless/
Wah
Compressor
Noise Gate
Distortion
Chorus/FX
Cabinet
Amp
Delay
EQ
Reverb
Model Definitions
Each Amp and Effect model within the BP355 can be programmed to suit your personal taste and
application. Understanding how these components alter the sound, and how each parameter alters the
effect, will help you achieve the sound you are looking for. The following overview of the BP355’s effects
outlines what each effect and parameter does.
Fretless/Wah
The Fretless simulator creates a fretless bass sound when using a fretted bass. Wah is an effect controlled
by an Expression Pedal making the bass sound as if it’s saying “Wah.”
Fretless/Wah Model - Knob 1 selects the Fretless Simulator or Wah model.
FRET 1 - 3 (Fretless Simulator), CRYwah (based on a Dunlop® Cry Baby Wah®), clyde(based on a
Vox® Clyde McCoyTM Wah), and FULRNG (DigiTech® Full Range Wah sweeps the entire spectrum of
audible frequencies). Press this knob to turn the model on and off.
Fretless Amount - Knob 2 adjusts the amount of Fretless Simulator mixed in with the dry signal.
Ranges from 0 to 99.
Wah Minimum - Knob 3 adjusts the Wah Pedal Minimum. Ranges from 0 (toe up) to 99 (toe
down).
Wah Maximum - Knob 4 adjusts the Wah Pedal Maximum. Ranges from 0 (toe up) to 99 (toe
down).
Wah Level - Knob 5 adjusts the Wah Level. Ranges from 0dB to +12dB.
NOTE: If any of the 3 Wah types are selected in Fretless/Wah, the wah can be turned on and off by
pressing firmly on the Expression pedal toe. The Expression pedal will override any expression link and
control the wah when it is enabled. If any of the 3 Fretless types are selected, Wah cannot be used and
pressing on the Expression pedal toe will do nothing.
13
Compressor
A Compressor is used to increase sustain, tighten up the bass, and prevent the signal from clipping the
input of other effects. It sets a maximum boundary for the strength of a signal.
Comp Model - Knob 1 selects one of three Compressor models: DIGCMP (DigiTech® Compressor),
CSCOMP (Based on a Boss® CS-2 Compressor/Sustainer), or DYNCOMP (Based on an MXR®
Dynacomp). Press this knob to turn the selected Compressor model on and off.
Knobs 2-6 have the following functions for the various Compressor models:
Compressor
Model
Knob 2
(Sustain)
Knob 3
(Tone)
Knob 4
(Attack)
Knob 5
(Crossover Freq)
Knob 6
(Compressor
Level)
Sustain
Tone
Attack
Crossover
Level
cscomp
Sustain
Attack
--
--
Level
dyncmp
Sensitivity
--
--
--
Output
digcmp
Distortion
The BP355 models the tones of 18 popular distortion stompboxes, each of which can be tweaked and
modified, just like the real thing.
Distortion Model - Knob 1 selects one of 18 Distortion models. Press this knob to turn the
selected Distortion model on and off.
scream Based on an Ibanez® TS-9
808
Based on an Ibanez TS-808 Tube Screamer
Spark Based on a Voodoo Lab Sparkle Drive
oddriv Based on a Guyatone® Overdrive OD-2
dod250 Based on a DOD® 250
Overdrive/Preamp
redlne DigiTech Redline Modified
Overdrive
rodent Based on a Pro Co RATTM
mxdist Based on an MXR® Distortion +
DSDist Based on a Boss® DS-1TM
Distortion
grungeDigiTech® Grunge®
zone Based on a Boss MT-2 Metal Zone®
death DigiTech Death MetalTM
gonklt Based on a DOD Gonkulator Ring Mod
8tavia Based on a Roger Mayer OctaviaTM
fuzltr Based on a Demeter Fuzzulator
clasfz Based on a DOD Classic Fuzz
fuzzY Based on an Arbiter® Fuzz FaceTM
big MP Based on an Electro-Harmonix® Big Muff Pi®
14
Knobs 2-6 have the following functions for the various Distortion models:
Dist. Model
Knob 2
(Gain)
Knob 3
(Param. 1)
Knob 4
(Param. 2)
Knob 5
(Param. 3)
Knob 6
(Distortion
Level)
P7
(X-EditTM
only)
Drive
Tone
--
--
Level
--
Overdrive
Tone
--
--
Level
--
SPARK
Gain
Tone
Clean
--
Volume
--
oddriv
Drive
--
--
--
Level
--
DOD250
Gain
--
--
--
Level
--
Scream
808
redlne
Gain
Low
High
--
Level
--
rodent
Distortion
Filter
--
--
Level
--
mxdist
Distortion
--
--
--
Output
--
dsdist
Gain
Tone
--
--
Level
--
Grunge
Grunge
Butt
Face
--
Loud
--
Gain
Low
Mid Level
High
Level
Mid Freq
--
Low
Mid
High
Level
--
gonklt
Gunk
Smear
Suck
--
Heave
--
8tavia
Drive
--
--
--
Volume
--
fuzltr
Fuzz
Tone
Loose/Tight
--
Volume
--
clasfz
Fuzz
Tone
--
--
Volume
--
fuzzY
Fuzz
--
--
--
Volume
--
Sustain
Tone
--
--
Volume
--
zone
death
big MP
15
Amplifier
Amp Modeling is a technology which applies the tone of several popular modern and vintage amps.
NOTE: You can select different Amp models and/or modify Amp settings for each amp channel (Amp
A and Amp B). When the Amp row is selected, press the Amp A/B Footswitch to select a channel. The
display will show which channel is selected (Amp A or Amp B).
Amp Model - Knob 1 selects one of the classic, modern, and DigiTech custom Amp models. Press
this knob to turn Amp and Cabinet modeling on and off. Note that when you select an Amp model,
the default Cabinet model is automatically selected. You can, however, change the Cabinet model after
selecting an Amp model.
RCKSVT Based on an Ampeg® SVT
ASHDWN Based on an AshdownTM Bass
Magnifier
BASSMN Based on a Fender® Bassman®
SOLAR Based on a Sunn® 200S
STELAR Based on an SWR® Interstellar Overdrive™
COMNDO Based on a Trace-Elliot®
Commando™
BOMBER Based on an Ampeg B15
HIWTAG Based on a Hiwatt® Custom 50
BOOGIE Based on a Mesa Boogie® 400+
BASIC Based on a SWR® Basic Black
900JCM Based on a Fender Dual
Showman™
DEMTER Based on a DemeterTM VTBP-201S
57dlux Based on a ‘57 Fender Tweed
Deluxe
65TWIN Based on a ‘65 Fender Blackface Twin Reverb®
77mstr Based on a ‘77 Marshall® Master Volume
topbst Based on a ‘63 Vox® AC30 Top Boost
rectfr Based on an ‘01 Mesa Boogie® Dual RectifierTM
digslo DigiTech® Solo
DIGCLN DigiTech Clean Tube
diggan DigiTech High Gain
DIRECT Direct
Cabinet - When the Amp/Cabinet row is selected, Knob 2 selects the speaker Cabinet model.
AC1X18 Based on an Acoustic® 360 1x18
AM1X15 Based on an Ampeg® Portaflex 1x15
SW1X15 Based on an SWR® Basic Black 1x15
SU2X15 Based on a Sunn® 2x15
ED4X10 Based on an EdenTM 4x10 with horn
BM4X10 Based on a Fender® Tweed Bassman® 4x10
HW4X12 Based on a Hiwatt® 4x12 with Fane speakers
AM8X10 Based on an Ampeg 8x10
DL1X12 Based on a Fender Tweed Deluxe 1x12
TW2X12 Based on a Fender Dual
Showman® 2x12
VX2X12 Based on a Vox® AC30 Top Boost 2x12
MA4X12 Based on a Marshall® 1969 Straight with Celestion® G12-T70 speakers
VTG412 Based on a Mesa Boogie® with Celestion Vintage 30’s
Direct No cabinet model
Amp Gain - Knob 3 adjusts the Gain (distortion) for the selected Amp model (not available for
Direct). The Gain parameter ranges from 0 to 99.
Amp Level - Knob 6 adjusts the Level (volume) of the selected Amp model. The Level parameter
ranges from 0 to 99.
16
EQ
The BP355’s EQ helps further shape your tone with Bass, Midrange, and Treble controls. To help get you
started, there are four preset EQ curves: Mid Boost (midbst), Scoop (ScooP), Bright (BRight), and
Warm (WarM) that can be selected using Knob 1. Bass, Midrange, and Treble parameters range from -12dB
to +12dB.
NOTE: You can modify EQ settings for each amp channel (Amp A and Amp B). When the EQ row is
selected, press the Amp A/B Footswitch to select a channel. The display will show which channel is
selected (Amp A or Amp B).
EQ Model - Knob 1 selects between 4 different EQ modes (Mid Boost, Scoop, Bright, and Warm),
each with different frequency centers for Mid and Treble. Pressing this knob turns the EQ on and off.
Bass - Knob 2 adjusts the amount of low end level (Bass). Ranges from -12dB to 12dB.
Mid Frequency - Knob 3 selects the frequency that the Mid parameter adjusts. Ranges from 300 Hz
to 5000 Hz.
Mid Range - Knob 4 adjusts the amount of midrange level. Ranges from -12dB to 12dB.
Treble - Knob 5 adjusts the amount of high end level (Treble). Ranges from -12dB to 12dB.
Presence - Knob 6 boosts or cuts the Presence level for the selected channel. Ranges from -12dB
to 12dB.
Treble Frequency (X-EditTM only) - This parameter selects the frequency that the Treble parameter
adjusts. Ranges from 500 Hz to 8000 Hz.
Noise Gate/Auto Swell
A Noise Gate is designed to eliminate noise while you are not playing, or provide an auto volume swell
effect.
Gate Model - Knob 1 selects between the DigiTech® noise gate or the volume swell effect. Values
include: gate (Selects the Noise Gate) and swEll (Selects the Auto Swell effect.) Press this knob to
turn the Noise Gate/Auto Swell on and off.
Threshold (Noise Gate only) - Knob 2 sets the signal strength (Threshold) required to open or
close the Noise Gate. Parameters range from 0 (opens easily) to 99 (requiring strong signals to
open).
Attack Time - Knob 3 sets the attack time. Ranges from 0 (shorter attack time) to 99 (longer
attack time).
Release - Knob 4 sets the Release parameter. Ranges from 0 to 99.
Attenuation - Knob 5 sets the Attenuation parameter. Ranges from 0 to 99.
Swell Sensitivity (Auto Swell only) - Knob 6 sets the Swell Sensitivity parameter of the Auto
Swell. Ranges from 0 to 99.
17
Chorus/FX
The Chorus/FX row in the BP355 is a multi-function module, allowing you to select Effect models such as
Chorus, Flanger, Phaser, Vibrato, Rotary Speaker, Tremolo, Panner, Envelope Filter (auto wah), AutoYa™,
YaYa™, SynthTalk™, Step Filter, Whammy™, Pitch Shift, Detune, Harmony, and Octaver effects. When
the Chorus/FX row is selected, Knob 1 is used to choose the Effect model. Press this knob to turn these
Effect models on and off. Only one of the effects in this row can be used at a time. After selecting the type
of effect in this module, Knobs 2-6 can then be used to adjust the individual parameters associated with
the selected effect. The following list describes each Effect model and its parameters in more detail:
Chorus
A Chorus adds a short delay to your signal. The delayed signal is modulated in and out of tune and then
mixed back with the original signal to create a thicker sound. The BP355 includes the following Chorus
Effect models: CE CHS (based on the classic Boss® CE-2 Chorus), tc chS (based on the TC Electronic
Chorus), CHORUS (DigiTech®’s Dual Chorus), and MCHORS (DigiTech’s famous Multi Chorus®).
Knobs 2-6 have the following functions for the various Chorus models:
Chorus Model
Knob 2
(Pre/Post Amp)
Knob 3
(Speed)
Knob 4
(Depth)
Knob 5
(Regeneration)
Knob 6
(FX Level)
CE CHS
Pre/Post Amp
Speed
Depth
--
--
TC CHS
Pre/Post Amp
Speed
Width
Chorus/Flange
Intensity
chorus
Pre/Post Amp
Speed
Depth
Waveform
Level
Mchors
Pre/Post Amp
Speed
Depth
Waveform
Level
Flanger
A Flanger uses the same principle as a Chorus but uses a shorter delay time and adds regeneration (or
repeats) to the modulating delay. This results in an exaggerated up and down sweeping motion to the
effect. The BP355 includes the following Flanger Effect models: fLangr (the DigiTech® Flanger), trgfLG
(the DigiTech Triggered Flanger), mxFLgr (based on an MXR® Flanger), and ehFLgr (based on an ElectroHarmonix® Electric Mistress).
Knobs 2-6 have the following functions for the various Flanger models:
Flanger Model
Knob 2
(Pre/Post Amp)
Knob 3
(Speed)
flangr
Pre/Post Amp
Speed
trgflg
Pre/Post Amp
Speed
mxflgr
Pre/Post Amp
Speed
EHflgr
Pre/Post Amp
Rate
Knob 4
(Depth)
Knob 5
(Regeneration)
Knob 6
(FX Level)
Depth
Regen
Level
Sensitivity
LFO Start
Level
Width
Regen
Manual
Range
Color
--
18
Phaser
A phaser splits the incoming signal, and then changes the phasing of the signal. This signal is then taken in
and out of phase and mixed back in with the original signal. As the phasing changes, different frequencies
get canceled resulting in a warm sort of twisting sound. The BP355 includes the following Phaser models:
phaser (the DigiTech Phaser), tphase (the DigiTech Triggered Phaser), mxphas (based on an MXR
Phase 100), and ehphas (based on an Electro-Harmonix Small Stone).
Knobs 2-6 have the following functions for the various Phaser models:
Phaser Model
Knob 2
(Pre/Post Amp)
Knob 3
(Speed)
Knob 4
(Depth)
Knob 5
(Regeneration)
Knob 6
(FX Level)
Phaser
Pre/Post Amp
Speed
Depth
Regen
Level
tphase
Pre/Post Amp
Speed
Sensitivity
LFO Start
Level
mxphas
Pre/Post Amp
Speed
Intensity
--
--
ehphas
Pre/Post Amp
Rate
--
Color
--
Vibrato (viBRaT)
The DigiTech Vibrato effect modulates the pitch of the incoming signal at an even rate.
Pre/Post Amp - Knob 2 determines where the effect appears in the effects chain. Turn counterclockwise for Pre (appears before the Distortion effect), or clockwise for Post (appears after the
Noise Gate effect).
Speed - Knob 3 adjusts the rate (Speed) at which the pitch modulates. Ranges from 0 to 99.
Depth - Knob 4 adjusts the intensity (Depth) of the modulating pitch. Ranges from 0 to 99.
Rotary Speaker (ROTARY)
The Rotary Speaker emulates a device that included a spinning horn and woofer. The rotation of these two
speakers produced an interesting combination of the sound panning from side to side. This produced a
slight pitch change due to the speed of the sound coming towards, and then going away from the listener.
Pre/Post Amp - Knob 2 determines where the effect appears in the effects chain. Turn counterclockwise for Pre (appears before the Distortion effect), or clockwise for Post (appears after the
Noise Gate effect).
Speed - Knob 3 adjusts the rate (Speed) of the spinning speakers. Ranges from 0 to 99.
Intensity - Knob 4 controls the intensity of the effect. Ranges from 0 to 99.
Doppler - Knob 5 controls the Pitch Shift effect that is the ratio between the horn and the rotor
positions. Ranges from 0 to 99.
X-Over - Knob 6 sets the crossover frequency between the rotor and the horn. Ranges from 0 to
99.
19
VibroPan (vibpan)
A vibrato is an effect that modulates the pitch of the incoming signal. This will take the whole signal slightly
in and out of tune at a steady pace. The DigiTech® VibroPan also incorporates an automatic panner with the
vibrato effect that creates a lush chorus-like sound.
Pre/Post Amp - Knob 2 determines where the effect appears in the effects chain. Turn counterclockwise for Pre (appears before the Distortion effect), or clockwise for Post (appears after the
Noise Gate effect).
Speed - Knob 3 adjusts how fast the signal is being modulated.
Depth - Knob 4 adjusts the amount of pitch change.
Vibrato/Pan- Knob 5 adjusts the amount of panning incorporated with the vibrato effect. When
set at 0, this effect is a standard vibrato. As the parameter is turned up, the phase difference of the
vibrato signal sent to the two channels is changed until a full stereo image is obtained at 99.
Waveform - Knob 6 selects a waveform: triang, Sine, or Square.
Unicord Uni-VibeTM (unovib)
Based on the Unicord® Uni-VibeTM pedal, Uni-Vibe adds a lush chorus or rotary speaker (vibrato) effect to
your tone.
Pre/Post Amp - Knob 2 determines where the effect appears in the effects chain. Turn counterclockwise for Pre (appears before the Distortion effect), or clockwise for Post (appears after the
Noise Gate effect).
Speed - Knob 3 adjusts the rate (Speed) of the chorus modulation or spinning speaker (vibrato)
effect. Ranges from 0 to 99.
Intensity - Knob 4 controls the intensity of the effect. Ranges from 0 to 99.
Chorus/Vibrato - Knob 5 selects either the chorus or vibrato effect. Turn counter-clockwise for
Chorus, or clockwise for Vibrato.
Volume - Knob 6 adjusts the volume of the effect.
20
Tremolo/Panner
A Tremolo effect modulates the volume of the signal at an even rate. The BP355 includes the following
Tremolo models: trmolo (the DigiTech® Tremolo), optrem (based on the Fender® Opto Tremolo),
bitrem (based on the Vox® Bias Tremolo), and panner (the DigiTech Panner),.
Pre/Post Amp - Knob 2 determines where the effect appears in the effects chain. Turn counterclockwise for Pre (appears before the Distortion effect), or clockwise for Post (appears after the
Noise Gate effect).
Speed - Knob 3 adjusts the rate (Speed) at which the volume modulates. Ranges from 0 to 99
Depth - Knob 4 adjusts the intensity (Depth) of the modulating volume. Ranges from 0 to 99.
Waveform (DigiTech Tremolo and Panner only) - Knob 5 selects a waveform: triang, Sine, or
Square.
Envelope Filter (eNvlOp)
The DigiTech Envelope Filter is a dynamic Wah effect that alters your sound based upon how hard you play.
Pre/Post Amp - Knob 2 determines where the effect appears in the effects chain. Turn counterclockwise for Pre (appears before the Distortion effect), or clockwise for Post (appears after the
Noise Gate effect).
Sensitivity - Knob 3 adjusts the sensitivity or the input signal required to trigger the Wah effect.
Ranges from 0 to 99.
Range - Knob 4 controls the range of the Envelope effect. Ranges from 0 to 99.
DOD FX25 (fx25)
This envelope filter is based on the DOD FX25.
Pre/Post Amp - Knob 2 determines where the effect appears in the effects chain. Turn counterclockwise for Pre (appears before the Distortion effect), or clockwise for Post (appears after the
Noise Gate effect).
Sensitivity - Knob 3 adjusts the sensitivity or the input signal required to trigger the Wah effect.
Ranges from 0 to 99.
Range - Knob 4 controls the range of the envelope effect. Ranges from 0 to 99.
21
AutoYa™ (AUTOYA)
An AutoYaTM combines the chara`cteristics of a Wah and a Flanger together creating an almost human
vowel characteristic as if the bass were saying “Yah.” The AutoYa automatically provides this animation to
the sound at an even rate.
Pre/Post Amp - Knob 2 determines where the effect appears in the effects chain. Turn counterclockwise for Pre (appears before the Distortion effect), or clockwise for Post (appears after the
Noise Gate effect).
Speed - Knob 3 adjusts the speed of the AutoYa sweep. Ranges from 0 to 99.
Intensity - Knob 4 adjusts the intensity of the AutoYa effect. Ranges from 0 to 99.
Range - Knob 5 adjusts the throaty quality of the AutoYa effect. Ranges from 0 to 49.
YaYa™ (yaya)
The YaYaTM is another effect exclusive to DigiTech products. Like the AutoYa, it combines the characteristics
of a wah and a flanger together providing a unique talk box type of effect when linked to and controlled by
the Expression Pedal.
Pre/Post Amp - Knob 2 determines where the effect appears in the effects chain. Turn counterclockwise for Pre (appears before the Distortion effect), or clockwise for Post (appears after the
Noise Gate effect).
Pedal - Knob 3 adjusts the Ya pedal position. Ranges from 0 to 99.
Intensity - Knob 4 adjusts the intensity of the YaYa effect. Ranges from 0 to 99.
Range - Knob 5 adjusts the throaty quality of the YaYa effect. Ranges from 0 to 49.
SynthTalkTM (snthtk)
SynthTalkTM is another effect exclusive to DigiTech®. It makes your bass appear to speak based upon the
dynamics of your playing style.
Pre/Post Amp - Knob 2 determines where the effect appears in the effects chain. Turn counterclockwise for Pre (appears before the Distortion effect), or clockwise for Post (appears after the
Noise Gate effect).
Attack - Knob 3 adjusts the attack of the synthesized voice. Ranges from 0 to 99.
Release - Knob 4 adjusts the release of the synthesized voice. Ranges 0 to 99.
Vox - Knob 5 changes the characteristics of the various synth voices. Ranges from 0 to 99.
Sensitivity - Knob 6 adjusts the sensitivity of the input signal required to trigger the SynthTalk
effect. Ranges from 0 to 99.
Balance (X-EditTM only) - adjusts the left to right balance of the wet signal, Ranges from
left 99 to right 99.
22
Step Filter (stpflt)
The DigiTech Step Filter is like an automatic “random wah” with a square waveform.
Pre/Post Amp - Knob 2 determines where the effect appears in the effects chain. Turn counterclockwise for Pre (appears before the Distortion effect), or clockwise for Post (appears after the
Noise Gate effect).
Speed - Knob 3 adjusts the speed of the Wah effect. Ranges from 0 to 99.
Intensity - Knob 4 controls the intensity of the Wah effect. Ranges from 0 to 99.
DigiTech Whammy® (wHammy)
The DigiTech Whammy® is an effect that uses an Expression Pedal to bend the pitch of the incoming signal,
or add a bendable harmony with the original signal. As the Pedal is moved, the note bends either up or
down. When DigiTech Whammy is selected, it is automatically placed before the Amp modeling as shown in
the block diagram on page 13.
Pre/Post Amp - Knob 2 determines where the effect appears in the effects chain. Turn counterclockwise for Pre (appears before the Distortion effect), or clockwise for Post (appears after the
Noise Gate effect).
Shift Amount - Knob 3 selects the interval and direction of the pitch bend. Choices are as follows:
WhammyTM (no Dry Signal)
oct up (1 octave above)
2octup (2 octaves above)
2nd dn (a second below)
rv2ndn (a second below reversed pedal action)
4th dn (a fourth below)
oct dn (an octave below)
2octdn (2 octaves below)
DIVeBM (Dive Bomb)
Harmony Bends (Dry Signal Added)
m3>Mj3 (a minor third to a Major third)
2ndmj3 (a second above to a Major third above)
3rd4th (a third above to a fourth above)
4th5th (a fourth above to a fifth above)
5thoct (a fifth above to an octave above)
hoctup (one octave above)
hoctdn (one octave down)
octu>d (octave up/down)
Pedal Position - Knob 5 provides a manual control of the Whammy pedal position. Ranges from 0
to 99.
Mix - Knob 6 adjusts the Whammy mix. Ranges from 0 to 99.
Pitch Shift (PitCH)
A Pitch Shifter copies the incoming signal, then shifts the pitch of the copy to a different note. The shifted
note is then mixed back with the original signal, sounding as if two basses were playing different notes.
Pre/Post Amp - Knob 2 determines where the effect appears in the effects chain. Turn counterclockwise for Pre (appears before the Distortion effect), or clockwise for Post (appears after the
Noise Gate effect).
Shift Amount - Knob 3 selects the interval of the shifted pitch. Ranges from -24 (2 octaves
below) to 24 (2 octaves above).
Mix - Knob 6 controls the mix level of the shifted pitch. Ranges from 0 to 99.
23
Detune (DetUNe)
A Detuner makes a copy of your incoming signal, takes the copied signal slightly out of tune from the
original, then mixes the two signals together. The result is a doubling type of effect as if two basses were
playing the same part together.
Pre/Post Amp - Knob 2 determines where the effect appears in the effects chain. Turn counterclockwise for Pre (appears before the Distortion effect), or clockwise for Post (appears after the
Noise Gate effect).
Shift Amount - Knob 3 adjusts the amount of detune shift. Ranges from -24 to 24 cents.
Level - Knob 6 controls the mix of the detuned note. Ranges from 0 to 99.
Harmony (HARMNY)
Harmony pitch shifting makes a copy of the incoming signal, and then changes the pitch of the copied
note to a diatonically correct interval specified by the Amount parameter. Harmony sharpens or flattens
the shifted pitch in order to keep the specified interval within the selected key and scale creating a true
harmony.
Pre/Post Amp - Knob 2 determines where the effect appears in the effects chain. Turn counterclockwise for Pre (appears before the Distortion effect), or clockwise for Post (appears after the
Noise Gate effect).
Shift Amount - Knob 3 selects the amount or harmony interval for the Harmony. Interval
choices include:
OCT
7TH
6tH
5tH
4tH
3RD
2ND
Dn
Dn
Dn
Dn
Dn
Dn
Dn
(octave down)
(a seventh below)
(a sixth below)
(a fifth below)
(a fourth below)
(a third below)
(a second below)
2ND
3RD
4TH
5TH
6TH
7TH
OCT
UP
UP
UP
UP
UP
UP
UP
(a second above)
(a third above)
(a fourth above)
(a fifth above)
(a sixth above)
(a seventh above)
(an octave above)
Key - Knob 4 selects the musical key that the Harmony uses. Key choices range from the Key of E
(KEY E) through the Key of Eb (KEY E∫).
Scale - Knob 5 selects the scale the Harmony will use. Scale choices include: Major (MAJOR),
Minor (MINOR), Dorian (DORIAN), Mixolydian (MIXLYd), Lydian (LYDIAN), and Harmonic Minor
(HMINor).
Level - Knob 6 adjusts the Harmony Level of all the pitch-altering effects in this module. Ranges
from 0 to 99.
24
Boss® OC-2 OctaverTM (octavr)
Based on the Boss® OC-2 OctaverTM, this model adds two signals to your original bass signal. The first is
one octave below your bass, and the second is two octaves below your bass. Each additional signal has its
own volume control.
Pre/Post Amp - Knob 2 determines where the effect appears in the effects chain. Turn counterclockwise for Pre (appears before the Distortion effect), or clockwise for Post (appears after the
Noise Gate effect).
Octave 1- Knob 3 adjusts the the volume of the signal 1 octave below the input signal. Ranges from
0 to 99.
Octave 2 - Knob 4 controls the volume of the signal 2 octaves below the input signal. Ranges 0 to
99.
Dry Level - Knob 6 controls the volume of the dry signal. Ranges from 0 to 99.
Delay
Delay is an effect that records a portion of the incoming signal, and then plays it back a short time later.
The recording can repeat just once or several times.
Delay Model - Knob 1 selects one of the 7 different Delay models. Values include: algdly
(DigiTech® Analog Delay), dm dly (Based on the Boss DM-2 Analog Delay), digdly (DigiTech
Digital Delay), moddly (DigiTech Modulated Delay), pngdly (DigiTech Pong Delay), tapdly
(DigiTech Tape Delay), and ecoplx (Based on the MaestroTM EP-2 Echoplex® Tape Echo). Press this
knob to turn the Delay models on and off.
Knobs 2-6 have the following functions for the various Delay models:
Delay Model
Knob 2
(Time)
Knob 3
(Repeats)
Knob 4
(Param. 1)
Knob 5
(Param. 2)
Knob 6
(Delay Level)
algdly
Time
Repeats
--
--
Delay Level
dm dly
Repeat Rate
Echo
Intensity
--
--
digdly
Time
Repeats
Ducker
Threshold
Ducker Level
Delay Level
moddly
Time
Repeats
Depth
--
Delay Level
pngdly
Time
Repeats
Ducker
Threshold
Ducker Level
Delay Level
tapdly
Time
Repeats
Wow
Flutter
Delay Level
ecoplx
Time
Repeats
--
--
Volume
NOTE: The Repeats parameter (Knob 3) ranges from 0 to Repeat Hold (rpthld) for all models except
the Echoplex® and DM-2. Repeat Hold is one click past 99, and acts as an infinite repeat.
25
Reverb
Using reverb in recorded program material gives the listener a sense that the material is being performed in
an actual room or hall. It is this similarity to actual acoustic spaces that makes reverberation a useful tool
in recorded music. The BP355 features genuine Lexicon® reverbs, whose rich, lush effects have been heard
in countless songs, soundtracks, and live performances for decades.
Reverb Model
Knob 1 selects the Reverb model or acoustic space. Press this knob to turn the Reverb models on
and off. The following models are available:
lexamb - Lexicon® Ambience
lexstd - Lexicon Studio
lexrom - Lexicon Room
lexhal - Lexicon Hall
emtplt - Based on an EMT240 Plate
Knobs 2-6 have the following functions for the various Reverb models:
Reverb Model
lexamb
Knob 2
(Pre Delay)
Knob 3
(Decay)
Knob 4
(Liveliness)
Knob 6
(Reverb Level)
Pre Delay
Decay
Liveliness
Reverb Level
lexstd
Pre Delay
Decay
Liveliness
Reverb Level
lexrom
Pre Delay
Decay
Liveliness
Reverb Level
lexhal
Pre Delay
Decay
Liveliness
Reverb Level
emtplt
Pre Delay
Decay
Liveliness
Reverb Level
26
Section 5 - Other Functions
Phrase Looper
The BP355 features a built-in 20 second Phrase Looper for creating on the fly performance loops of the
music you play. The Phrase Looper can be accessed any time during performance and used with any of the
BP355’s presets.
To use the Phrase Looper, follow these steps:
1. Press and hold the Amp A/B Footswitch for 2 seconds until LOOPER appears in the display. The
Looper LED in the matrix will also light indicating the Looper is now active.
2. Arm the Phrase Looper to record by pressing the Amp A/B Footswitch again. The display will read
ARMED meaning it is ready for you to start playing (You can also start recording immediately when this
footswitch is pressed).
3. Begin playing a phrase on the bass. The Phrase Looper will begin recording anything that is played. The
display will read RECoRD.
4. Once you are ready to set the loop point, press any footswitch. The display will briefly read PLAY and
the recorded phrase will now begin playing back.
5. To add an overdub to the looped phrase, press and hold the Amp A/B Footswitch. The display will
read OVRDUB. While holding the footswitch, begin playing the overdub phrase to be added to the loop.
When the Amp A/B Footswitch is released, the display will briefly flash PLAY and the looped phrase
will continue with the newly added overdub phrase added.
6. To stop the Phrase Looper, press and release the Amp A/B Footswitch quickly. You can resume
playback by pressing this footswitch again.
7. To clear a recorded loop, stop the loop playback first as outlined in step 6 and then press and hold the
Amp A/B Footswitch for 2 seconds until the display read CLEARD.
To exit the Phrase Looper mode, press and hold left Amp A/B Footswitch for 4 seconds until the display
reads LPEXIT. Exiting the Looper clears the recorded loop.
While the Phrase Looper is active, the Amp A/B Footswitch cannot be used to select the amp A/B
channels in the BP355’s presets. The preset Up and Down Footswitches can still be used navigate
through all of the BP355’s presets.
NOTE: While the Phrase Looper feature is active, the Drum Machine feature is not available.
Drum Machine
The BP355 includes a built-in drum machine loaded with 60 useful patterns and 5 metronome settings that
are easily accessible at the touch of a button (the Drums button, specifically). Pressing the Drums button
will enable the drum machine and start playback of the selected drum pattern (except when in Store or
Bypass mode). When you turn the drum machine on, the display reads Drums ON; when you turn the
drum machine off, the display reads Drums Of.
When the Drums row is selected (using the Edit buttons), Knob 1 selects the drum Style, Knob 2
adjusts the drum Pattern, Knob 3 adjusts the Tempo of the drum pattern and Knob 4 adjusts the drum
machine playback level. Press the Drums button again to stop playback of the drum loop.
Drum Pattern List
27
Beats (8th beat)
1-5
jazz
1-4
Beats (16th beat)
6-8
hiphp
1-4
rock
1-8
world
1-4
hRock
1-8
Met
4/4
metal
1-8
Met
3/4
blues
1-8
Met
5/8
groov
1-4
Met
7/8
cntry
1-4
met
mtrnom
Aux Input
The Aux Input allows you to connect an MP3 or CD player to the BP355 and jam with your favorite artists.
The signal from your MP3 or CD player is output through the left, right, and headphone outputs of the
BP355. To use the Aux Input, connect the headphone output of your MP3 or CD player to the Aux Input
on the rear panel of the BP355 using an 1/8" stereo cable, and press play on your MP3 or CD player. Use
the playing device’s volume control and the BP355’s Master Level knob to balance the levels.
Expression Pedal
The Expression Pedal on the BP355 can be linked to control the BP355’s Volume, Wah, Whammy™,
YaYa™, or almost any of the BP355’s other parameters in real time with your foot. When a parameter
has been linked to the Expression Pedal, a minimum (heel) and maximum (toe) value can also be specified.
Apply extra pressure to the toe of the Expression Pedal to activate the V-switch, and the Expression
Pedal switches between the linked parameter and the Wah. The procedure for linking a parameter to the
Expression Pedal is as follows:
1. Press either Edit button until the Expression row has been selected (indicated by the LED lighting on
the Expression row).
2. Rotate Knob 1 until EXPPDL appears in the Display.
3. Rotate Knob 2 until the desired parameter to be linked appears in the Display. See page 32 for a
complete list of parameters that can be linked to the Expression Pedal.
4. Rotate Knob 3 to select the minimum (heel) value the assigned parameter will reach with the
Expression Pedal in the toe up position.
5. Rotate Knob 4 to select the maximum (toe) value the assigned parameter will reach with the
Expression Pedal in the toe down position.
6. Store your Expression Pedal assignment to your preset. See page 12 for more information on the
storing procedure.
28
LFOs
The BP355 includes two assignable low frequency oscillators (LFO 1 and LFO 2) which
can be assigned to any of the same parameters available for assignment to the Expression
Pedal. A low frequency oscillator will automatically vary the value of the assigned parameter at
a steady rate. A minimum and maximum value each LFO will reach may be also be assigned.
For instance, if the Amp Gain was assigned to LFO 1, and the minimum value was set at 1 and
the maximum value was set at 99, the BP355 would automatically sweep the amount of
distortion from a clean sound to a distorted sound. Individual LFO speeds are also available
for assignment. In the previous example, the LFO speed would determine the length of time it
took the LFO to sweep from the clean to the distorted sound. The procedure for assigning the LFOs in
the BP355 is as follows:
1. Press the Edit button until the Expression row has been selected (indicated by the LED lighting on the
Expression row).
2. Rotate Knob 1 to select one of the two LFO links, LFO 1 (LFO1) or LFO 2 (LFO2).
3. Rotate Knob 2 to select the parameter you want linked to the LFO 1 or LFO 2. See page 32 for a list
of assignable parameters.
4. Rotate Knob 5 to select which waveform you want the LFO to use, Triangle (TRIanG), Sine (SINE), or
Square (SQUARE).
5. Rotate Knob 6 to select the speed you want the parameter to be controlled at.
Factory Reset
This function resets the BP355 to its original factory settings. This procedure erases all custom User
presets, and recalibrates the Expression Pedal.
ATTENTION: Performing this function will erase all user-programmed
data. All such data will be lost forever! Be sure you want to erase the
memory and start fresh before continuing with this procedure.
The procedure for performing a Factory Reset is as follows:
1. P
ress and hold the Store button while powering up the BP355.
2. When the display prompts you with FACRST, release the Store button, which is now flashing.
3. Press and hold the flashing Store button for 3 seconds until RSTORD appears in the display and release.
The Restore procedure takes several seconds to complete; during the procedure, the display will count
up. After the Restore procedure is complete, the Expression Pedal calibration procedure will begin. See
step two of the Expression Pedal Calibration section below.
29
Expression Pedal Calibration
The Expression Pedal on the BP355 needs to be recalibrated for use after a factory reset has been
performed. This calibration procedure is automatically entered after a factory reset procedure. (You
can also initiate the calibration procedure by pressing and holding the Up and Down Footswitches
for approximately 5 seconds.) In the event the Pedal’s calibration fails, or if the Pedal does not function
properly, it can be re-calibrated using the Pedal Calibration procedure. This will not erase the User presets.
The procedure for Calibrating the Expression Pedal is as follows:
1. P
ress and hold the Up/Down Footswitches until PDLCAL appears in the display (BYPASS, TUNER,
and Exit will be displayed before PDLCAL is accessed, after about 5 seconds.)
2. When the Display prompts you with TOE DN, rock the Expression Pedal forward (toe down) and
press either the Up or Down Footswitch.
3. When the Display prompts you with TOE UP, rock the Expression Pedal back (toe up) and press
either the Up or Down Footswitch.
4. The Display now prompts you to calibrate the V-Switch sensitivity (VSwxxx), where XXX is the current
V-Switch threshold. Rock the Expression Pedal forward and press firmly on the toe once to turn the
V-Switch on (wah ON), and again to turn the V-Switch off
(wahOFF).
5. If the V-Switch is too sensitive, press the right Up Footswitch to raise the threshold (range is 0-200).
Keep testing the V-Switch sensitivity and adjust the threshold until it only engages when you want it to
(too sensitive a setting will lead to the V-Switch falsely triggering on or off when using the Expression
Pedal).
6. When the V-Switch sensitivity is set to your satisfaction, press both Up/Down Footswitches
simultaneously to exit.
NOTE: If the Display shows error, an error has occurred and steps 2 through 5 should be repeated.
30
Section 6 - Appendix
Specifications
General Specifications
A/D/A Converter:
Sampling Frequency: DSP Section: Simultaneous Effects: Preset Memory: Phrase Looper: Drum Machine: Dimensions: Unit Weight: 24-bit high performance audio
44.1 kHz
AudioDNA2™ DSP Processor
10
70 User Presets (1-70) / 70 Factory Presets (F1-F70)
20 seconds of record time
60 Patterns
17.5˝ Length x 8.75˝ Width x 2.5˝ Height
6.2 lbs.
Analog Input Connections:
Bass Input: 1/4˝ Unbalanced (TS)
Input Impedance: 500k Ohms
Aux Input: 1/8˝ Stereo (TRS)
Analog Output Connections:
1/4˝ Outputs
Left/Right Outputs: 1/4˝ Impedance Unbalanced
Left/Right Output Impedance: 500 Ohms per side
Maximum Output: +10 dBu
XLR Outputs
Left/Right Outputs: Impedance Balanced
Left/Right Output Impedance: 1 kohm per side
Maximum Output: +16 dBu
Headphones
1/8˝ Stereo (TRS) – 13.6mW per channel @ 50 Ohms
Digital Connections:
Universal Serial Bus (USB): Type B, supports USB1.1 Full Speed (12 Mbps Bandwidth USB 2.0 compatible)
BP355 USB Recording Specifications:
Sample Rate: 44.1 kHz
Bit depth: supports 16-bit or 24-bit (depends on setup in Recording Software)
Power Requirements:
US and Canada: Japan: Europe: UK: 120 VAC, 60 Hz Adapter: PS0913B-120
100 VAC, 50/60 Hz Adapter: PS0913B -100
230 VAC, 50 Hz Adapter: PS0913B -230
240 VAC, 50 Hz Adapter: PS0913B -240
Windows® Software Requirements
Windows 7, 8.x, 10 (32/64-bit)
Intel/AMD Dual Core
4GB RAM
USB Port
USB driver installed
Internet connection for software download
Mac® Software Requirements
Mac OS 10.8.5 or later
Intel Dual Core
4GB RAM
USB Port
Internet connection for software download
31
Expression Pedal - Assignable Parameters
Fretless/Wah Effects based on:
Dunlop® Cry Baby Wah®
Vox® Clyde McCoy Wah
DigiTech® Full Range Wah
Compressor Effects based on:
DigiTech Compressor
Boss® CS-2
Compressor/Sustainer
MXR® Dynacomp
Wah Model
Wah
Minimum
Wah
Maximum
Wah Level
–
–
X-Edit
CRYWAH
Wah Minimum
Wah Maximum
Wah Level
–
–
–
CLYDE
Wah Minimum
Wah Maximum
Wah Level
–
–
–
FULRNG
Wah Minimum
Wah Maximum
Wah Level
–
–
–
Comp Model
Sustain
Tone
Attack
X-Over
Level
X-Edit
DIGCMP
Sustain
Tone
Attack
X-Over
Level
–
CSCOMP
Sustain
–
Attack
–
Level
–
DYNCMP
Sensitivity
–
–
–
Output
–
X-Edit
Distortion Effects based on:
Dist. Model
Gain
Param 1
Param 2
Param 3
Distortion
Level
Ibanez® TS-9
Ibanez TS-808 Tube Screamer
Voodoo Lab Sparkle Drive
Guyatone® Overdrive OD-2
DOD® 250 Overdrive/Preamp
DigiTech Redline Modified
Overdrive
Pro Co RATTM
MXR® Distortion +
Boss DS-1TM Distortion
DigiTech Grunge®
Boss MT-2 Metal Zone®
DigiTech Death MetalTM
Scream
Drive
Tone
–
–
Level
–
808
Overdrive
Tone
–
–
Level
–
death
–
DOD Gonkulator Ring Mod
gonklt
Gunk
(Dist Gain)
Roger Mayer OctaviaTM
Demeter Fuzzulator
DOD Classic Fuzz
Arbiter® Fuzz FaceTM
Electro-Harmonix® Big Muff Pi®
8tavia
Drive
fuzltr
Fuzz
clasfz
Fuzz
fuzzY
Amp
All amp models
(A and B channels)
EQ
4 band EQ
Noise Gate/Auto Swell
SPARK
Gain
Tone
Clean
–
Volume
–
oddriv
Drive
–
–
–
Level
–
DOD250
Gain
–
–
–
Level
–
redlne
Gain
Low
High
–
Level
–
rodent
Distortion
Filter
–
–
Level
–
mxdist
Distortion
–
–
–
Output
–
dsdist
Gain
Tone
–
–
Level
–
Grunge
Grunge
Butt
Face
–
Loud
–
zone
Gain
Low
Mid Level
High
Level
Mid Freq
Low
Mid
High
Level
–
Smear (Ring
Mod Level)
Suck
(Dist Level)
–
Heave
(Output Level)
–
–
–
–
Volume
–
Tone
Loose/Tight
–
Volume
–
Tone
–
–
Volume
–
Fuzz
–
–
–
Volume
–
big MP
Sustain
Tone
–
–
Volume
–
Amp Model
Cabinet Model
Amp Gain
–
–
Amp Level
X-Edit
–
Cabinet Model
Amp Gain
–
–
Amp Level
–
On/Off
Bass
Mid Frequency
Mid Level
Treble
Presence
X-Edit
–
Bass
Mid Frequency
Mid Level
Treble
Presence
–
Swell
Sensitivity
X-Edit
Gate Type
Threshold
Attack Time
Release
Attenuation
DigiTech Noise Gate
GATE
Threshold
Attack Time
Release
Attenuation
DigiTech Auto Swell
SWELL
–
Attack Time
Release
Attenuation
Swell
Sensitivity
–
Chorus Effects based on:
Boss CE-2 Chorus
TC Electronic® Chorus
DigiTech Dual Chorus
DigiTech Multi Chorus
Effect Model
Pre/Post Amp
Speed
Depth
Regen
FX Level
X-Edit
CE CHS
Pre/Post Amp
Speed
Depth
–
–
–
TC CHS
Pre/Post Amp
Speed
Width
–
Intensity
–
CHORUS
Pre/Post Amp
Speed
Depth
Waveform
Level
–
MCHORS
Pre/Post Amp
Speed
Depth
Waveform
Level
–
Flanger Effects based on:
DigiTech Flanger
DigiTech Triggered Flanger
MXR Flanger
EH Electric Mistress
Effect Model
Pre/Post Amp
Speed
Depth
Regen
FX Level
X-Edit
FLANGR
Pre/Post Amp
Speed
Depth
Regen
Level
Waveform
TRGFLG
Pre/Post Amp
Speed
Sensitivity
LFO Start
Level
–
MXFLGR
Pre/Post Amp
Speed
Width
Regen
Manual
–
EHFLGR
Pre/Post Amp
Rate
Range
Color
–
–
Phaser Effects based on:
DigiTech Phaser
DigiTech Triggered Phaser
MXR Phase 100
EH Small Stone
Effect Model
Pre/Post Amp
Speed
Depth
Regen
FX Level
X-Edit
PHASER
Pre/Post Amp
Speed
Depth
Regen
Level
Waveform
TPHASE
Pre/Post Amp
Speed
Sensitivity
LFO Start
Level
–
MXPHAS
Pre/Post Amp
Speed
Intensity
–
–
–
EHPHAS
Pre/Post Amp
Rate
–
Color
–
–
–
32
Vibrato/Rotary Effects based on:
DigiTech® Vibrato
DigiTech Rotary
DigiTech Vibro/Pan
Unicord® Uni-VibeTM
Effect Model
Pre/Post Amp
Speed
Depth
Regen
FX Level
X-Edit
VIBRAT
Pre/Post Amp
Speed
Depth
–
–
–
ROTARY
Pre/Post Amp
Speed
Intensity
Doppler
X-Over
–
VIBPAN
Pre/Post Amp
Speed
Depth
Vibrato/Pan
Waveform
–
UNOVIB
Pre/Post Amp
Speed
Intensity
Chorus/Vibrato
Volume
–
Tremolo Effects based on:
DigiTech Tremolo
Fender® Opto Tremolo
Vox Bias Tremolo
DigiTech Panner
Effect Model
Pre/Post Amp
Speed
Depth
Regen
FX Level
X-Edit
TRMOLO
Pre/Post Amp
Speed
Depth
Waveform
–
–
OPTREM
Pre/Post Amp
Speed
Depth
–
–
–
BITREM
Pre/Post Amp
Speed
Depth
–
–
–
PANNER
Pre/Post Amp
Speed
Depth
Waveform
–
–
Effect Model
Pre/Post Amp
Speed
Depth
Regen
FX Level
X-Edit
ENVLOP
Pre/Post Amp
Sensitivity
Range
–
–
–
FX25
Pre/Post Amp
Blend
Sensitivity
Range
–
–
AUTOYA
Pre/Post Amp
Speed
Intensity
Range
–
–
Envelope/Special Effects
based on:
DigiTech Envelope Filter
DOD FX25
DigiTech AutoYaTM
DigiTech YaYaTM
DigiTech Synth Talk
DigiTech Step Filter
33
YAYA
Pre/Post Amp
Pedal
Intensity
Range
–
–
SNTHTK
Pre/Post Amp
Attack
Release
Vox
Sensitivity
Balance
STPFLT
Pre/Post Amp
Speed
Intensity
–
–
–
Pitch Effects based on:
DigiTech Whammy®
DigiTech Pitch Shift
DigiTech Detune
DigiTech Harmony
Boss OC-2 Octaver
Effect Model
Pre/Post Amp
Speed
Depth
Regen
FX Level
X-Edit
WHAMMY
Pre/Post Amp
Shift Amount
–
Pedal Position
Mix
–
PITCH
Pre/Post Amp
Shift Amount
–
–
Mix
–
DETUNE
Pre/Post Amp
Shift Amount
–
–
Level
–
HARMNY
Pre/Post Amp
Shift Amount
Key
Scale
Level
–
OCTAVR
Pre/Post Amp
Octave 1
Octave 2
–
Dry Level
–
Delay Effects based on:
DigiTech Analog Delay
Boss DM-2 Analog Delay
Delay Model
Time
Repeats
Parameter 1
Parameter 2
Delay Level
X-Edit
ALGDLY
Time
Repeats
Delay Level
–
Delay Level
–
DM DLY
Repeat Rate
Echo
Intensity
–
–
–
DigiTech Digital Delay
DIGDLY
Time
Repeats
Ducker
Threshold
Ducker Level
Delay Level
–
DigiTech Modulated Delay
MODDLY
Time
Repeats
Depth
–
Delay Level
–
DigiTech Pong Delay
PNGDLY
Time
Repeats
Ducker
Threshold
Ducker Level
Delay Level
–
DigiTech Tape Delay
MaestroTM EP-2 Echoplex®
Tape Echo
TAPDLY
Time
Repeats
Wow
Flutter
Delay Level
–
ECOPLX
Time
Repeats
–
–
Volume
–
Reverb Effects based on:
Lexicon® Ambience
Lexicon Studio
Lexicon Room
Lexicon Hall
EMT 240 Plate
Reverb Model
Pre Delay
Decay
Liveliness
–
Reverb Level
X-Edit
LEXAMB
Pre Delay
Decay
Liveliness
–
Reverb Level
–
LEXSTD
Pre Delay
Decay
Liveliness
–
Reverb Level
–
LEXROM
Pre Delay
Decay
Liveliness
–
Reverb Level
–
LEXHAL
Pre Delay
Decay
Liveliness
–
Reverb Level
–
EMTPLT
Pre Delay
Decay
Liveliness
–
Reverb Level
–
Tone Library
1
Rock 1
ROCK 1
16
Sinister
SINSTR
2
Rock 2
ROCK 2
17
Punchy
PUNCHY
3
Slap 1
18
Fingerstyle
FINGER
4
Slap 2
SLAP 2
19
Mid Boost
MIDBST
5
Compressed
CMPRSD
20
Big Bottom
BIGBTM
6
Funk
FUNK
21
Pick Style
7
Clean
CLEAN
22
Groove
8
Drive
DRIVE
23
Solo Bass
SOLO
9
Metal
METAL
24
Honky
HONKY
10
Warm
WARM
25
Sustain
SUSTAN
11
Bright
BRIGHT
26
Dirty Wah
DRTWAH
12
Heavy
HEAVY
27
Grind
GRIND
13
Clean Wah
CLNWAH
28
Smooth
SMOOTH
14
British Classic
BRTCLS
29
Motown
MOTOWN
15
British Modern
BRTMOD
30
Vintage
VINTAG
SLAP 1
PICK
GROOVE
Effects Library
1
Chorus
CHORUS
16
Chorus + Digital Delay
CHRDLY
2
Phaser
PHASER
17
Chorus + Delay + Reverb
CHDLRV
3
Flanger
FLANGR
18
Flanger + Analog Delay
FLGDLY
4
Pitch
PITCH
19
Phaser + Tape Delay
PHSDLY
5
Tremolo
TREMLO
20
Phaser + Mod Delay
PHMDLY
6
Octaver
OCTAVR
21
Phaser + Room Reverb
PHSRVB
7
Envelope Filter
ENVFLT
22
Digital Delay + Hall Reverb
DDLYRV
8
Digital Delay
DDELAY
23
Pitch + Plate
pchPLT
9
Analog Delay
ADELAY
24
Chorus + Hall Reverb
CHRRVB
10
Pong Delay
PDELAY
25
Pong Delay + Hall Reverb
PNGHAL
11
Mod Delay
MDELAY
26
Mod Delay + Room
MDLYRM
12
Tape Delay
TAPDLY
27
Tremolo + Tape Delay
TRMTAP
13
Hall Reverb
HALRVB
28
Pitch + Digital Delay
PCHDLY
14
Plate Reverb
PLTRVB
29
Mod Delay + Plate Reverb
MODPLT
15
Ambience
AMBIEN
30
Octaver + Tape Delay
OCTTAP
34
PHONE:
WEB:
SUPPORT:
(801) 566-8800
digitech.com
digitech.com/en-US/support
BP355 Owner's Manual
5059482-A
© 2016 Harman
All rights reserved
DigiTech is a registered trademark of Harman
AutoYa, DigiTech, DOD, Death Metal, Johnson Amplification, Grunge, Lexicon, Multi Chorus, Whammy, and
YaYa are trademarks of Harman International Industries, Inc.
Other product names modeled in this product are trademarks of their respective companies that do not
endorse and are not associated or affiliated with DigiTech or Harman International Industries, Inc. They
are trademarks of other manufacturers and were used merely to identify products whose sounds were
reviewed in the creation of this product.
35
Was this manual useful for you? yes no
Thank you for your participation!

* Your assessment is very important for improving the work of artificial intelligence, which forms the content of this project

Download PDF

advertisement