Endre-eNerd Tech Rider
Endre-eNerd
Tech Rider
info@endre-enerd.com
endre-enerd.com
v1.0
Contents
1. General ................................................................................................... 3
2. Stage & FOH position .............................................................................. 3
3. Timing ..................................................................................................... 4
4. Local crew ............................................................................................... 4
5. PA ........................................................................................................... 4
6. FOH mixing desk ..................................................................................... 4
7. Input Channel list .................................................................................... 5
8. FOH outboard FX..................................................................................... 5
9. Microphones ........................................................................................... 5
9.1.
Trumpet / Sax / Vocals: ............................................................................................. 6
9.2.
Drums: ....................................................................................................................... 6
9.3.
Microphone Stands and Clamps ............................................................................... 6
10.
Stage Monitoring .............................................................................. 6
11.
Stage Backline ................................................................................... 7
11.1. For All (except sax): ................................................................................................... 7
11.2. Trumpet ..................................................................................................................... 7
11.3. Vocals ........................................................................................................................ 7
11.4. Drums ........................................................................................................................ 7
11.4.1. Shells .................................................................................................................. 7
11.4.2. Cymbals .............................................................................................................. 8
11.4.3. Hardware............................................................................................................ 8
11.4.4. Drum rack ........................................................................................................... 8
11.4.5. Other .................................................................................................................. 8
12.
Visuals .............................................................................................. 9
12.1. Lighting ...................................................................................................................... 9
12.2. Projection .................................................................................................................. 9
13.
Contact ............................................................................................. 9
14.
Appendix: Cheat Sheet .................................................................... 10
1. General
The present document sums up the key technical requirements of the Endre-eNerd (the Artist)
performances. Please note that the requirements listed below are valid for Europe only and are
based on the assumption that the Artist can provide






the drum kit
the cymbals
the on-stage mixers
the on-stage dynamic processors (3 x FMR Audio RNC 1773, SPL Transient Designer 4)
the audio interface (RME Fireface 800)
the in-ear monitor system including the splitters, preamps and personal mixers.
Overseas inquiries will be handled separately.
IMPORTANT: No changes to the below listed equipment and requirements can be made without
the written approval of an authorized representative of the Endre-eNerd staff.
2. Stage & FOH position


The stage has to be at least 6m x 4m, even and dry.
There must be sufficient lighting for load in, set up, sound check and load out.

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Drum riser is not required, but if there is one, it should be at least 3m x 3m and not higher
than 0.6m.
The stage and FOH position including all the equipment should be secure and safe from
access of unauthorized persons.
Neither the controls on the FOH mixing console (or the saved scenes in case of a digital
mixer) nor the FOH outboard effect settings nor the on-stage equipment settings can be
altered after sound check.
Any music to be played before or after the performance (including DJ sets) should be
patched through the FOH mixer and all transitions should be handled by the Artist.
3. Timing
Load in time is 15 minutes, in case if there’s direct access to the stage from the car park. At least
120 minutes must be provided for set-up and 60 minutes for sound check. This time may be
longer if there are technical problems e.g. the requested gear is not working as expected.
4. Local crew
Provided by the promoter.


A local technician with sufficient knowledge of the local sound, lighting and other electrical
systems should be available during our entire presence at the venue from load in to load
out, especially during load in, sound check and the performance itself.
The promoter is expected to provide two local stagehands to load in and out the Artist’s
equipment.
5. PA
Provided by the promoter.
There are no preferred brands (actually there are, but the list would be too long), but the PA
system should be capable of handling a massive amount of low frequencies without choking the
sound. The promoter is expected to share the specs of the PA and the dimensions of the venue
with the Artist at least weeks before the show.
6. FOH mixing desk
Provided by the promoter.
The FOH mixing desk shall be of a professional brand designed for high quality live sound
applications (Yamaha, Midas, Allen & Heath, Crest i.e.) equipped with at least four groups and
group inserts, with all channels input pre amps, EQ’s and filters as well as all additional send and
return possibilities and all the metering options in proper working condition. If the monitor
mixing is handled from the FOH position, the mixing console must have at least 8 aux busses, 6 of
which have to be switchable to pre-fade and the remaining two should be post-fade, if monitor
mixing is handle on-stage by the band, two post-fade auxes are enough.
IMPORTANT: The FOH mixing engineer is provided by the Artist.
7. Input Channel list
Ch.#
01.
02.
03.
04.
05.
06.
07.
08.
09.
10.
11.
12.
13.
14.
15.
16.
17.
18.
19.
20.
21.
22.
23.
24.
Instrument
Bass Drum
Snare Drum
Toms-L
Toms-R
Overhead-L
Overhead-R
Computer-L
Computer-R
Vocoder/Wavedrum-L
Vocoder/Wavedrum-R
reserved
Bass Synth
Bass-L
Bass-R
Guitar-L
Guitar-R
Trumpet-L
Trumpet-R
Vocals-L
Vocals-R
Sax
reserved
reserved
reserved
Signal type
balanced line (XLR)
balanced line (XLR)
balanced line (XLR)
balanced line (XLR)
balanced line (XLR)
balanced line (XLR)
balanced line (XLR)
balanced line (XLR)
balanced line (XLR)
balanced line (XLR)
Stereo Group
1
1
2
2
3
3
unbalanced line (jack)
balanced line (jack)
balanced line (jack)
unbalanced line (jack)
unbalanced line (jack)
balanced line (XLR)
balanced line (XLR)
balanced line (jack)
balanced line (jack)
balanced mic
8. FOH outboard FX
Provided by the promoter.
The FOH fx rack must contain


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at least two decent stereo and four mono compressors (Drawmer, Klark Teknik, SPL etc.)
a quality master reverb
a quality tap delay (can be hosted in a multi effects unit)
9. Microphones
Provided by the promoter (unless stated otherwise).
9.1. Trumpet / Sax / Vocals:


2 x EV RE20 RE-Series or equivalent for trumpet/sax (No AKG, no Shure, no Audio-Technica
please!)
1 x Sennheiser MD431II Profipower, E 945 or equivalent for vocals. (No AKG, no Shure, no
Audio-Technica please!)
9.2. Drums:
Drum microphones are normally provided by the Artist. If for any reason it is not possible, the
following drum mics are required:



1 x Sennheiser E 902 or equivalent for bass drum
6 x Sennheiser E 904 toms/snare (no substitutes please)
2 x decent condenser cardioid mics for overhead, EarthWorks SR25 preferred
9.3. Microphone Stands and Clamps
Provided by the promoter.


2 x high boom stands /w clamps for overheads
3 x boom stands /w clamps at trumpet / sax / vocals
10. Stage Monitoring
Normally the band members use their own In Ear monitoring system, including splitters, preamps
and personal mixers.
If for any reason the Artist has to request monitoring from the promoter, it should meet the specs
below:


2 x separate monitor cue mixes (1, 2) at drums/bass to “In Ear” mixers - ¼” jack inputs!
4 x high quality floor monitors at guitars / trumpet / sax / vocals for monitor cue mixes
3,4,5,6
Or




a personal in-ear monitoring system (Behringer Powerplay, Aviom or MyMix, Behringer
preferred)
6 x personal mixers
1 x 16 Input module A/D
1 x 16 Input splitter
11. Stage Backline
Provided by the promoter (unless stated otherwise).
11.1. For All (except sax):

5 x 5 230V/50Hz power outlet at drums / bass / guitar / trumpet / vocals
11.2. Trumpet



1 x Mackie 802-VLZ3 mixer or equivalent
1 x Volume pedal (Boss FV-50L or similar)
1 x Wah-pedal (Dunlop Cry Baby preferred)
11.3. Vocals

1 x TC Electronic VoiceLive 1 FX pedal
11.4. Drums
The drumkit is normally provided by the Artist. If for any reason the Artist has to request drums,
hardware and accessories, they should meet the following specifications:



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
1 x Behringer X32 Mixer (or Behringer DDX3216 /w ADAT Card, no other makes)
1 x RME Fireface 800
3 x FMR Audio RNC 1773
1 x SPL Transient Designer 4
1 x 12 U high 19” rack flightcase
1 x Behringer HA4700 or equivalent headphone preamp /w >= 4 outputs
11.4.1. Shells
Use only top line Yamaha or DW Drums (e.g. Yamaha Recording Custom, DW Lacquer Custom)

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1 x 22" bass drum (fitted with Evans EQ1-4 series batter/Evans EQ1, 3 resonant head /w a
max. 10” diameter off centre hole)
1 x 14" snare drum (equipped with Remo Emperor X for batter head)
1 x 8" rack tom (/w Remo coated Ambassador batter/Remo clear Ambassador resonant
head)
1 x 10" rack tom (/w Remo coated Ambassador batter/Remo clear Ambassador resonant
head)
1 x 12" rack tom (/w Remo coated Ambassador batter/Remo clear Ambassador resonant
head)


1 x 14" rack tom (/w Remo coated Ambassador batter/Remo clear Ambassador resonant
head)
1 x 15" or 16” rack tom (/w Remo coated Ambassador batter/Remo clear Ambassador
resonant head)
11.4.2. Cymbals
Preferred: Turkish (branded Pasha on certain markets) Rockbeat or Fusion series
Alternatives: Meinl Byzance, Zildjian K series
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14” Hi Hat
17” Crash (Thin or Medium)
19” Crash (Medium or Hard or Crash/Ride)
22” Ride (Dry) with normal or big bell
22” China (Any)
16” China (Thin)
11.4.3. Hardware
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
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1 x snare stand
1 x cable hi-hat stand with drop clutch (Pearl Eliminator series preferred)
1 x double bass drum pedal (Pearl Eliminator of Tama Iron Cobra preferred)
8 x cymbal boom arms with memory locks (Pearl CH-830 preferred)
1 x solidly built, round drum throne (adjustable height, no saddle-type seat)
4 x regular tom holders – e.g. Yamaha CL940B or CL945B (must be compatible with the
drums supplied)
1 x long tom holder - Yamaha CL940LB or CL945LB (must be compatible with the drums
supplied)
11.4.4. Drum rack
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1 x Gibraltar GRS-850DBL Road Series Drum Rack on Gibraltar SC-RC Casters
17 x Gibraltar GRSMC Multi Rack Clamp
17 x Gibraltar SC-GRSHML Memory Clamp
3 x Pearl AX-25 multi-clamp
2 x Pearl AX-25L multi-clamp (absolutely necessary for mounting the hi-hat!)
1 x Pearl TH-88 tom holder or equivalent (like Pearl TH 2000) (absolutely necessary for
mounting the hi-hat!)
11.4.5. Other

1 x drum carpet, min. size: 2m x 1.5m
IMPORTANT: Please note, that if the drums are to be supplied by the promoter, an extra two
hours will be required for assembling and adjusting the drum hardware.
12. Visuals
12.1. Lighting
Provided by the promoter.
The venue should have a properly installed light system with scene memory capabilities. The
operator of the light equipment is also provided by the promoter and she/he is expected to
consult the Artist’s representative for specific guidelines related to the performance.
12.2. Projection
Provided by the promoter.
If the size and other technical parameters of the venue make it possible, the Artist will use a
special projection technique on a semi-transparent screen provided by the Artist. The lights
operator must consult the Artist on how to work efficiently with this projection technique.
13. Contact
Barbara Bércesi
tel: +36 30 6195125
email: info@endre-enerd.com
more info: endre-enerd.com
14. Appendix: Cheat Sheet
Activity
Load In
Set Up
Sound Check
Performance
Tear Down
Load Out
Timing
Starts at
Ends at
Dimensions
Stage
Drum riser
Stage
W
D
H
PA System
Speakers/Line arrays
Brand
Model
Qty
Subwoofers
Brand
Model
Qty
Amplifiers
Brand
Model
Qty
FOH Mixing Desk
Brand
Model
FOH Outboard FX
Compressors/Gates
Brand
Model
Brand
Delay/Multi FX
Model
Qty
Brand
Reverb/Multi FX
Model
Qty
Qty
Other Signal Processors
Brand
Model
Qty
Microphones
Instr.
Trumpet
Sax
Vocals
Brand
Model
Qty
Drum mics
Is this required? (Y/N) Skip the rest of this table if NOT.
Bass Drum
Snare Drum
Toms 1-5
Overheads
Sennheiser
e-904
6
Stage monitoring
Is this required? (Y/N) Skip this table if NOT.
From FOH Mixer? (Y/N)
Monitor Mixer
Brand
Model
In Ear Monitor Mixer
Brand
Model
A/D Input Modules
Qty
Personal Mixers
Qty
Stage Backline
For All
Qty
Power Outlets
Trumpet
Brand
Model
Mixer
Volume Pedal
Wah-Pedal
FX Pedal
Vocals
Is this required? (Y/N) Skip this table if NOT.
Brand
Model
TC Electronic
VoiceLive 1
Note
Mackie 802-VLZ3 or equivalent
Boss FV-50L or equivalent
Dunlop Cry Baby preferred
Note
No substitute
Shell Set
Drum
Drums
Is this required? (Y/N) Skip this table if NOT.
Brand
Size
22"
8"
10"
12"
14"
15" or 16"
Brand
Bass Drum
Tom 1
Tom 2
Tom 3
Tom 4
Tom 5
Snare Drum
Batter Head
Remo Coated Ambassador
Remo Coated Ambassador
Remo Coated Ambassador
Remo Coated Ambassador
Remo Coated Ambassador
Remo Coated Ambassador
Model
Size
14"
Cymbals
Size
Brand
Is this required? (Y/N) Skip this table if NOT.
Hi-Hat
14"
Crash 1 (Thin to Medium)
17"
Crash 2 (Hard or Crash Ride)
19"
Ride
22"
China 1
22"
China 2 (Thin)
16"
Hardware
Cable Hi-Hat
Snare Stand
Double Bass Drum Pedal
Cymbal Boom Arms
Drum Throne
Tom Holders (short)
Tom Holders (long)
Drum Rack
Base rack+casters
Multi Rack Clamp
Memory Clamp
Multi Clamp
Multi Clamp (long)
Tom Arm
Brand
Brand
Is this required? (Y/N) Skip this table if NOT.
Model
Resonant Head
Batter Head
Resonant Head
Remo Emperor X
Model
Model
Qty
1
1
1
8
1
4
1
Model
Qty
Note
Is this required? (Y/N) Skip this table if NOT.
Gibraltar GRS-850DBL on SC-RC Casters
1
Gibraltar GRSMC Multi Rack Clamp
17
Gibraltar SC-GRSHML
17
Pearl
AX-25
3
Pearl
AX-25L
2 required for mounting the hi-hat!
Pearl
TH-88
1 or Pearl TH 2000, for mounting the hi-hat!
Other
Drum Rug
Flightcase
Dimensions
Is this required? (Y/N) Skip this table if NOT.
W: > 2m
D: > 1.5m
12 U high 19” rack
Electronics
Is this required? (Y/N) Skip this table if NOT.
Brand
Model
Qty
Note
or Behringer DDX3216 /w ADAT Card, no other
Mixer
Behringer X32
1
makes
Audio I/O
Fireface 800
1 No other makes
RME
FMR
Compressor
RNC 1773
3 No other makes
Audio
Dynamic Processor SPL
Transient Designer 4
1 No other makes
Headphone Amps Behringer HA4700
1 or equivalent headphone preamp /w >= 4 outputs
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