Speakers and Electronics
Speakers and Electronics
www.electrovoice.com
mics • dsp • amps • speakers
2
Contents
X-Line
4
Xlvc
6
Xlc
8
XLCi
9
X-Array
10
Xi Series
11
EVA - Expandable Vertical Array
14
EVH - Horn Load
16
EVF - Front Load
18
FRi Series
20
EVI Series
22
EVID Series
24
S Series Mini Monitor
28
ZX/ZXA Series
29
Sx/SxA Series
32
Phoenix
36
QRx Series
38
Tour X
40
Force i Loudspeaker Series
42
Variplex II Systems
44
TL Series
45
SL Series
46
Compression Drivers
47
Low Frequency Transducers
48
EVM Instrument Speakers
49
Rigging and Accessories
50
Tour Grade Amplifiers
56
Precision Series Remote Control Amplifiers
58
Q Series Amplifiers MK II
60
Contractor Precision Series Amplifiers
62
Compact Precision
65
Commercial Power Amplifiers
66
NetMax Digital Matrix System
68
Signal Processors
70
3
X-Line
Install
Concert
Speakers
Live for Sound
X-Line system development was driven by the need for a
high-level concert touring system that combined the sonic
impact and vocal intelligibility of the renowned X-Array
system with the uniform, predictable coverage that only
a line-array configuration can deliver. The X-Line system
Xvls
Xvlt
Xsub(F)
provides wide horizontal dispersion from a single, vertical
line-array with exceptional coherent wavefront summation
in the vertical plane. Extended low-frequency polar control
produces more uniform power response, further enhancing
overall intelligibility.
Cabinet
• High-output, three-way line-array system
• Rectangular cabinet designed
• 90° horizontal coverage pattern ideal
for long-throw applications
• New EV® Hydra™ time-synchronized
HF vertical plane-wave generator
provides excellent far-field summing
• Ring Mode Decoupling™ (RMD™) provides
level-independent fidelity, greater midbass
clarity, and high frequency accuracy
• Proprietary rigging allows for rapid
venue load-in and load-out
• High-output, three-way line-array system
• Five-degree trapezoidal cabinet design
for lower "J" section of linear array
• 120° horizontal coverage typical for
medium-throw assignment
• New EV Hydra™ time-synchronized HF
vertical plane wave generator provides
excellent far-field summing
• Ring Mode Decoupling™ (RMD™) provides
level-independent fidelity, greater midbass
clarity, and high frequency accuracy
• Proprietary rigging allows for rapid
venue load-in and load-out
Cabinet
X-Line Two x 18" Subwoofer
• High-output, line-array subwoofer system
• Rectangular cabinet with footprint
identical to other X-Line systems
• Can be flown or ground-stacked
4
with non-flying version
• Proprietary rigging allows for rapid
venue load-in and load-out
X-Line
Install
Concert
Speakers
Live for Sound
Xvls
Xvlt
Xsub/f
Frequency range (-3 dB)
40 Hz–16 kHz
40 Hz–16 kHz
33–400 Hz
Recommended high-pass frequency
50 Hz
50 Hz
33 Hz
Sensitivity (SPL 1 W/1 m) (LF/MB/HF)
101 dB/111 dB/118 dB
101 dB/111 dB/117 dB
100/106 dB*
Max. SPL/1m (calc.) (LF/MB/HF)
138 dB/139 dB/142 dB
138 dB/139 dB/141 dB
131/137 dB*
Long-term power handling (LF/MB/HF)
1,200 W/600 W/225 W
1,200 W/600 W/225 W
1,200 W
Short-term power handling (LF/MB/HF)
4,800 W/2,400 W/900 W
4,800 W/2,400 W/900 W
4,800 W
Coverage (H° x V°)
90° x 5°
120° x 9°
200° x 325°
LF driver
2 x EVX-155 Plate
2 x EVX-155 Plate
2 x EVX-180B
MB driver
2 x ND08
2 x ND08
—
HF driver
3 x ND6
3 x ND6
—
Crossover frequencies
220 Hz/1,250 Hz
220 Hz/1,250 Hz
80 Hz
Nominal impedance
2 x 8 Ω/8 Ω/5.3 Ω
2 x 8 Ω/8 Ω/5.3 Ω
2x8Ω
Input connections
2 Neutrik® NL8
2 Neutrik® NL8
2 Neutrik® NL8
Dimensions (H [front/rear] x W x D)
494.3/494.3 x 1244.6 x 740.4 mm
19.46”/19.46” x 49” x 29.15”
494.3/429.7 x 1244.6 x 740.4 mm
19.46”/16.92” x 49” x 29.15”
494.3/494.3 x 1244.6 x 740.4 mm
19.46”/19.46” x 49” x 29.15”
Net weight
117 kg (257 lbs.)
115 kg (253 lbs.)
92 kg (202 lbs.)
5
Xlvc
Install
Concert
Speakers
Live for Sound
When a line array with limited size and weight is required,
XLVC is the choice of professionals around the world.
XLVC very compact line arrays combine reliability,
XLD281
Very Compact 120° H Dual 8"Line Array System
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XLD291
Full Bandwidth 3-way Element (60Hz-20kHz)
Very Compact, Lightweight
CCT™ (Coverage Control Technology)
120° Horizontal Coverage to 250 Hz
Simple, Quick Integrated Rigging
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Versatile Subwoofer Integration
Bi-Amp or Tri-Amp Operation
Neodymium Transducers
LAPS Aiming and Flying Software
Very Compact 90° H Dual 8"Line Array System
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XCS312
intelligibility and sonic horsepower in a package that is
easy to configure and suspend.
Very compact, lightweight
CCT™ (Coverage Control Technology)
Simple, quick integrated rigging
90° horizontal coverage to 200 Hz
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•
•
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Versatile subwoofer integration
Bi-amp or tri-amp operation
Neodymium transducers
LAPS aiming and flying software
Triple 12"Cardioid Very Compact Line-array Bass Element
• Three DVX3120 12" low-frequency transducers
• 1500 W continuous, 6000 W peak
• Versatile integration in main arrays
• Self-contained rigging hardware
• LAPS aiming and prediction software compatible
XLE181 & XLE191 Very Compact 120° or 90° H Single 8"Line Array System
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6
XLE181: 120°h x 10°v
XLE191: 90°h x 10°v
Full Bandwidth 2-Way Element (75Hz-20kHz)
Most Compact, Very Lightweight
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•
Simple, Quick Integrated Rigging
Bi-Amp or Fullrange Operation
Neodymium Transducers
LAPS Aiming and Flying Software
XLVC
Install
Concert
Speakers
Live for Sound
XLD281
XLD291
XLE181 & XLE191
XCS312
Frequency Range (-3dB)
75 Hz - 18 kHz
75 - 18 kHz
90 Hz - 18 kHz
45 - 100 Hz
Max SPL (Calc.) Peak
149 dB *
150 dB
149 dB*
136 dB
Horizontal Coverage:
120 °
90 °
120 ° (181) : 90°(191)
200°
Power Handling cont.
200/200/80W
200/200/80W
200/80W
1500 W
Power Handling Peak
800/800/320W
800/800/320W
800/320W
6000 W
LF Transducer
2 x DVN2080
2 x DVN2080
DVN2080
3 x EV DVX3120
HF Transducer
2 x ND2-8
2 x EV ND2s
2 x ND2-8
Nominal Impedance
16/16/16 Ω
16/16/16 Ω
16/16 Ω
4/8 Ω
Dimensions
726 x 251 x 369mm 28.58” x 9.9” x 14.52”
726 x 251 x 369mm 28.58” x 9.9” x 14.52”
516 x 251 x 369 mm 20.3” x 9.9” x 14.52”
726 x 508 x 677 mm 28.58” x 20” x 26.65”
Weight
21.8 kg (48 lbs)
21.8 kg (48 lbs)
17.2 kg (38 lbs)
67.1 kg (148 lbs)
7
Xlc
Concert
Speakers
Live for Sound
Whether at a medium-sized festival, in a large concert hall
or house of worship, or as a supplementary system used
with X-Line, XLC compact line arrays have a proven record
Xlc127DVX
Three-Way, High-Output
Compact Line-array Element
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Xlc215
of performance and reliability. It is no wonder why XLC is
one of the most popular line array systems in the world.
Xlc
Three-Way, High-Output
907DVX Compact Line-array Element
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Accurate vertical control & coverage
Compact & lightweight
Fast, simple integrated rigging
Tri-amp or optional bi-amp operation
True three-way design
LAPS aiming software
120° horizontal full-range line-array
Quik-Rig™ or fixed installation rigging
High-Output Dual 15" Subwoofer Line-array Element
• Compact & lightweight, 139 dB SPL
• Fast, simple integrated rigging
• Footprint identical to XLC-127DVX
Horizontal Coverage
• Optional adapter grid for use with XLD281
• 2 x DVX3151 transducers
• Quik-Rig™ or fixed installation rigging
Xlc 127DVX
Xlc 907DVX
Xlc 215
120°
90 °
300°
LF Power Handling
500 W cont./2000 W peak
500 Watts
1000W/4800W
MB Power Handling
300 W cont./1200 W peak
300 Watts
—
150 Watts
—
145 dB
139 dB
HF Power Handling
150 W cont./600 W peak
Sensitivity (LF/MB/HF)
95 dB/101 dB/110 dB
Max. SPL (calc.)
126/130/138 dB
103 dB*
LF Transducer
1 x 12” DVX3121
EV DVX3121
2xDVX3151
MB Transducer
2x DVN 2065
2 x DVN2065
—
HF Transducer
2 x ND6-16
2 x ND6-16
—
Connectors
2 Neutrik® NL8
2 Neutrik® NL8
2 Neutrik® NL8
Enclosure Material
EV®-coated plywood
EV®-coated plywood
EV®-coated plywood
Grille
Powder-coated steel
Powder-coated steel
Powder-coated steel
Environmental Specs
Dimensions (H x W x D)
Net Weight
8
Accurate vertical control & coverage
Compact & lightweight
Tri-amp or optional bi-amp operation
True three-way design
LAPS aiming software
90° horizontal full-range line-array
Quik-Rig™ or fixed
installation rigging
IEC 529 IP24
IEC 529 IP24
IEC 529 IP24
MIL STD 810
MIL STD 810
MIL STD 810
362 x 991 x 572 mm
362 x 990 x 572 mm
546 x 991 x 572 mm
14.25” x 39 ” x 22.5”
14.25” x 39 ” x 22.5”
21.5” x 39” x 22.5”
50,4 kg (111 lbs)
48.1 kg
54.5 kg (120 lbs)
XLCi
Speakers
Live for Sound
Xlci
Three-Way, High-Output
127DVX Compact Line-array Element
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Xlci 215
Xlci
Three-Way, High-Output
907DVX Compact Line-array Element
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Accurate vertical control & coverage
Compact & lightweight
Tri-amp or optional bi-amp operation
True three-way design
LAPS aiming software
120° horizontal full-range line-array
Fixed installation rigging
Accurate vertical control & coverage
Compact & lightweight
Tri-amp or optional bi-amp operation
True three-way design
LAPS aiming software
90° horizontal full-range line-array
Fixed installation rigging
High-Output Dual 15" Subwoofer Line-array Element
• Compact & lightweight, 139 dB SPL
• Fast, simple integrated rigging
• Footprint identical to XLC-127DVX
Horizontal Coverage
• Optional adapter grid for use with XLD281
• 2 x DVX3151 transducers
• Fixed installation rigging
Xlci 127DVX
Xlci 907DVX
Xlci 215
120°
90 °
300°
LF Power Handling
500 W cont./2000 W peak
500 Watts
1000W/4800W
MB Power Handling
300 W cont./1200 W peak
300 Watts
—
150 Watts
—
145 dB
139 dB
HF Power Handling
150 W cont./600 W peak
Sensitivity (LF/MB/HF)
95 dB/101 dB/110 dB
Max. SPL (calc.)
126/130/138 dB
103 dB*
LF Transducer
1 x 12” DVX3121
EV DVX3121
2xDVX3151
MB Transducer
2x DVN 2065
2 x DVN2065
—
HF Transducer
2 x ND6-16
2 x ND6-16
—
Connectors
2 Neutrik® NL8
2 Neutrik® NL8
2 Neutrik® NL8
Enclosure Material
EV®-coated plywood
EV®-coated plywood
EV®-coated plywood
Grille
Powder-coated steel
Powder-coated steel
Powder-coated steel
Environmental Specs
Dimensions (H x W x D)
Net Weight
Install
XLCi is the dedicated installation version of the popular XLC compact line-array featuring visually appealing rigging that
doesn't distract from building architecture.
IEC 529 IP24
IEC 529 IP24
IEC 529 IP24
MIL STD 810
MIL STD 810
MIL STD 810
362 x 991 x 572 mm
362 x 990 x 572 mm
546 x 991 x 572 mm
14.25” x 39 ” x 22.5”
14.25” x 39 ” x 22.5”
21.5” x 39” x 22.5”
50,4 kg (111 lbs)
48.1 kg
54.5 kg (120 lbs)
9
X-Array
Concert
Speakers
Live for Sound
Install
X-Array traditional horizontal array systems provide world class performance and flexibility for the ultimate in concert
touring reinforcement.
Xw12A
Floor-Monitor
Xw15A
Floor-Monitor
• 2-way high-output Floor monitor
• Vented LF enclosure
• 3" voice coil (titanium
diaphragm) for low distortion
• Two symmetrical 55° angles
• 2-way high-output Floor monitor
• Vented LF enclosure
• 3" voice coil (titanium
diaphragm) for low distortion
• Two symmetrical 55° angles
10
Xw12A
Xw15A
Frequency Range (-3 dB)
65 Hz - 16 KHz
55 Hz - 18 KHz
Recommended High-Pass Frequency
Systemcontroller
Systemcontroller
Axial Sensitivity SPL 1W/1m
98/110 dB
99/110 dB
Max. SPL / 1m (calc.); full space
129/135 dB
133/135 dB
Long-Term Power Handling
300/75 W
600/75 W
Short-Term Power Handling (Peak)
1.200/300 W
2.400/300 W
Coverage (nominal -6 dB) H° x V°
55° x 80° (CD Horn)
55° x 80° (CD Horn)
Directivity Index
11.6 dB (+2.3/-2.1dB)
11.6 dB (+3.0/-3.6dB)
1,200 Hz - 16 KHz
1,200 Hz - 16 KHz
LF woofer (transducer)
12” (DL12ST)
15” (EVX-155)
MB woofer (transducer)
---
---
HF throat diameter (transducer)
1.4” (ND6-16)
1.4” (ND6-16)
Crossover Frequencies
Factory preset
Factory preset
Nominal Impedance
8 Ω/16 Ω
8 Ω/16 Ω
Minimum Impedance
8.2 Ω/10.5 Ω
7.2 Ω/14.3 Ω
Input Connections
2 four-pin Speakon
2 four-pin Speakon
Dimensions (H x W at front x D)
534 x 449 x 313 mm
23” x 17.2” x 12.2”
(in floor position)
644 x 452 x 340 mm
25.4” x 18” x 13.4”
(in floor position)
Net Weight
21.9 kg (48 lbs.)
28.4 kg (62.5 lbs.)
Xi Series
The Electro-Voice Xi-Series brings premium, tourquality sound to installation. Inspired by the features of
EV's acclaimed X-Array touring systems, the Xi-Series
incorporates a potent combination of high-output and
ultra-linear short, medium, and long-throw systems in
two-way, three-way, and four-way configurations. Xi-Series
loudspeakers incorporate the acoustic advantage of EV's
Ring-Mode Decoupling (RMD™), and features HP horns
to secure excellent directivity control and even coverage.
The three-way systems can be operated in a Vertical
Beam Shaping (VBS) configuration using EV digital signal
processors or EV DSP-equipped amplifiers.This unique
approach extends the vertical coverage angle control as
low as 125Hz - well below that permitted by the mid-bass
horn alone (about 800Hz). These can be thought of as
two and three-element, low-frequency line arrays. This
extraordinary low-frequency control is achieved through
optimized woofer placement in conjunction with presets
that overlap individual components (using All Pass Filters).
To achieve sound performance without compromises,
Xi-Series is designed for multi-way active operation,
except the Xi-1082, which contains a passive crossover
network.Xi-Series is made of 18 mm, 13-ply birch plywood
finished in black, textured paint and full-face protected
by a powder-coated, steel front-grille backed with foam.
These horn-loaded systems, except Xi-1123A/106F and
Xi-212A3/106F, have an identical footprint for an uniform
look. All systems, except the Xi-1082, have integrated
handles and two L-Tracks on the top and bottom. A
detailed "Flying manual" is available.
Install
Speakers
Live for Sound
Xi-1082
• 2-Way Full-range
• Vented LF enclosure
• 1.25" voice coil (titanium diaphragm)
Xi-1152A/64F
Xi-1122A/85F
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• Typical under-balcony slant also perfect
• for front-stage and near-field use
• 2 x 3/8"-16 mounting bracket inserts
2-Way Full-range
Vented LF enclosure
3" voice coil (titanium diaphragm) HF
Integrated 35 mm stand mount
Trapezoidal (15° per side)
Xi-1123A/106F
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Xi-1152A/94F
2-Way Full-range
Solid bass down to 50 Hz (-3 dB)
Vented LF enclosure
3" voice coil (titanium diaphragm) HF
Integrated 35 mm stand mount
Trapezoidal (15° per side)
Xi-2123A/106F
3-Way High-Output Full-range
Vented slot load designed LF enclosure
Horn-loaded MB/HF section fully rotatable
3" voice coil (titanium diaphragm) HF
Bypassable MB/HF passive crossover
• VBS mode brings vertical directivity
control down to 250 Hz
• Excellent directivity 500 Hz – 16 kHz
• Trapezoidal (9° per side)
11
Xi-Series
Speakers
Live for Sound
Install
Xi-1191A
Xi-2181A
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Xi-1122MHA/64F
1 x 18" Subwoofer 1191 (F)
2 x 18" Subwoofer 2181 (F)
Vented design
Superior linear excursion capability
Accurate transient detail trapezoidal (9° per side)
Xi-1183A/64F
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60° x 40° for near and mid field
MB/HF section horn-loaded
Excellent directivity control
Trapezoidal (9° per side)
3" voice coil (titanium diaphragm) HF
Xi-1153A/64F
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3-Way High-Output Full-range
Vented slot load designed LF enclosure
Coaxial horn-loaded MB/HF section fully rotatable
3" voice coil (titanium diaphragm) HF
• VBS for vertical directivity control down to 300 Hz
• Excellent directivity control
• Trapezoidal (9° per side)
Xi-2122MHA
• 2-Way output Far-field
• MB/HF section horn-loaded
• Excellent directivity control
• Trapezoidal (9° per side)
• 3" voice coil (titanium diaphragm) HF
Xi-2153A/64F
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•
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12
3-Way High-Output Full-range
Vented slot load designed LF enclosure
Coaxial horn-loaded MB/HF section fully rotatable
3" voice coil (titanium diaphragm) HF
• VBS mode brings vertical directivity
control down to 150 Hz
• Excellent directivity control
• Trapezoidal (9° per side)
Xi-1082
Xi-1122A/85F
Xi-1152A/64F
Xi-1152A/94F
50 Hz - 20 kHz
58 Hz - 17 kHz
50 Hz - 16 kHz
50 Hz - 16 kHz
Recommended High-Pass Frequency
60-80 Hz (12 dB/Oct.)
Dx46 preset
Dx46 preset
Dx46 preset
Axial Sensitivity SPL 1W/1m
90 dB
99/110 dB
98/113 dB
98/112 dB
Max. SPL / 1m (calc.); full space
118 dB
130/135 dB
132/138 dB
132/137 dB
Long-Term Power Handling
175 W
300/75 W
600/75 W
600/75 W
Short-Term Power Handling (Peak)
700 W
1.200/300 W
2.400/300 W
2.400/300 W
Coverage (nominal -6 dB) H° x V°
90° x 40° (CD Horn)
80° x 55° (CD Horn)
60° x 40° (CD Horn)
90° x 40° (CD Horn)
Directivity Index
11.2 dB (+1.8/-2.7 dB)
2.000 - 20.000 Hz
10.9 dB (+1.2/-2.9 dB)
1.200 - 16.000 Hz
13.4 dB (+1.3/-2.3 dB)
1.200 - 16.000 Hz
12.3 dB (+0.7/-1.5 dB)
1.200 - 16.000 Hz
LF woofer (transducer)
8” (---)
12” (DL-type)
15” (EVX-155)
15” (EVX-155)
HF throat diameter (transducer)
1” (DH3)
1.4” (ND6-16)
1.4” (ND6-16)
1.4” (ND6-16)
Crossover Frequencies
3,500 Hz (passive)
Dx46 preset
Dx46 preset
Dx46 preset
Nominal Impedance
8Ω
8 Ω/16 Ω
8 Ω/16 Ω
8 Ω/16 Ω
Minimum Impedance
5.8 Ω
8.5 Ω/13.4 Ω
6.3 Ω/14.0 Ω
6.3 Ω/12.2 Ω
Input Connections
barrier strip
2 four-pin Speakon
2 four-pin Speakon
2 four-pin Speakon
Dimensions (H x W at front x D)
235 x 488 x 285 mm
9.25” x 11.21” x 11.22”
584 x 375 x 356 mm
22.99” x 14.76” x 14.01”
759 x 450 x 413 mm
29.88” x 17.72” x 16.26”
759 x 450 x 413 mm
29.88” x 17.72” x 16.26”
Net Weight
13.3 kg (29.3 lbs.)
31.3 kg (69 lbs.)
40.8 kg (89.9 lbs.)
40.8 kg (89.9 lbs.)
Xi-1123A/106F
Xi-2123A/106F
Xi-1183A/64F
Xi-1153A/64F
Xi-1122MH64
75 Hz - 17 kHz
62 Hz - 18 kHz
66 Hz - 17 kHz
48 Hz - 17 kHz
125 Hz - 20 kHz
Frequency Range (-3 dB)
Recommended High-Pass Frequency
Dx46 preset
Dx46 preset
Dx46 preset
Dx46 preset
Dx46 preset
Axial Sensitivity SPL 1W/1m
96/107/112 dB
100/107/112 dB
96/107/112 dB
91.5/107/112 dB
110/112 dB
Max. SPL / 1m (calc.); full space
129/140/137 dB
135/140/137 dB
128/138/137 dB
125/138/137 dB
141/137 dB
Long-Term Power Handling
300/300/75 W
600/300/75 W
600/300/75 W
600/300/75 W
300/75 W
Short-Term Power Handling (Peak)
1.200/1.200/300 W
2.400/1.200/300 W
2.400/1.200/300 W
2.400/1.200/300 W
1.200/300 W
Coverage (nominal -6 dB) H° x V°
100° x 60° (CD Horn)
100° x 60° (CD Horn)
60° x 40° (CD Horn)
60° x 40° (CD Horn)
60° x 40° (CD Horn)
Directivity Index
10.3 dB (+1.4/-1.2 dB)
500 - 16.000 Hz
10.1 dB (+1.6/-3.5 dB)
160 - 16.000 Hz
13.3 dB (+1.4/-1.1dB)
800 - 16.000 Hz
13.3 dB (+1.4/-1.1dB)
800 - 16.000 Hz
13.4 dB (+2.0/-1.8 dB)
800 - 16.000 Hz
LF woofer (transducer)
12” (DL-type)
2 x 12” (DL-type)
18” (EVX-180B)
15” (EVX-155)
---
MB woofer (transducer)
10” (DL-type)
10” (DL-type)
12” (ND-12)
12” (DL12ST)
12” (ND-12)
HF throat diameter (transducer)
1.4 (ND6-16)
1.4 (ND6-16)
1.4” (ND6-16)
1.4” (ND6-16)
1.4” (ND6-16)
Crossover Frequencies
Dx46 preset
Dx46 preset
Dx46 preset
Dx46 preset
Dx46 preset
Nominal Impedance
16 Ω/12 Ω/16Ω
8 Ω/12 Ω/16Ω
8 Ω/12 Ω/16Ω
8 Ω/12 Ω/16
16 Ω/16
Minimum Impedance
9.2 Ω/8.5 Ω/14.6 Ω
4.6 Ω/8.5 Ω/14.6 Ω
7.1 Ω/8.7 Ω/14.6 Ω
7.4 Ω/8.7 Ω/14.6
9.9 Ω/12.9
Input Connections
2 eight-pin Speakon
2 eight-pin Speakon
2 eight-pin Speakon.
2 eight-pin Speakon.
2 eight-pin Speakon
Dimensions (H x W at front x D)
801 x 456 x 473 mm
31.54” x 17.95 x 18.62”
1007 x 456 x 473 mm
39.65” x 17.95” x 18.62”
914 x 586 x 759 mm
36” x 23.07” x 29.88”
914 x 586 x 759 mm
36” x 23.07” x 29.88”
596 x 584 x 759 mm
23.47” x 22.99” x 29.88”
Net Weight
52.2 kg ( 115 lbs.)
68.0 kg (149.9 lbs.)
93.0 kg (205 lbs.)
93.0 kg (205 lbs.)
61 kg (136 lbs.)
Xi-2153A/64 F
Xi-1191A
Xi-2181A (F)
Xi-2122MHA/42F
Frequency Range (-3 dB)
55 Hz - 18 kHz
37 Hz - 160 Hz
38 Hz - 160 Hz
120 Hz - 16 kHz
Recommended High-Pass Frequency
Dx46 preset
Dx46 preset
Dx46 preset
Dx46 preset
Axial Sensitivity SPL 1W/1m
100/107/112 dB
94 dB
99 dB
112/116 dB
Max. SPL / 1m (calc.); full space
133/138/137 dB
128 dB
136 dB
146/144 dB
Long-Term Power Handling
1.200/300/75 W
600 W
1.200 W
600/150 W
Short-Term Power Handling (Peak)
4.800/1.200/300 W
2.400 W
4.800 W
2.400/600 W
Coverage (nominal -6 dB) H° x V°
60° x 40° (CD Horn)
essentially omni
essentially omni
40° x 20°(CD Horn)
Directivity Index
13.4 dB (+1.4/-1.2 dB)
800 - 16.000 Hz
2.7 dB (+1.0/-0.6dB)
63 - 100 Hz
3.4 dB (+1.4/-0.9dB)
63 - 200 Hz
17.2 dB (+2.0/-2.7 dB)
800 - 16.000 Hz
LF woofer (transducer)
2 x 15” (EVX-155)
18” (EVX-180B)
2 x 18” (EVX-180B)
---
MB woofer (transducer)
12” (DL12ST))
---
---
2 x 12” (ND12)
HF throat diameter (transducer)
1.4” (ND6-16)
---
---
2 X 1.4” (ND6-16)
Crossover Frequencies
Dx46 preset
Dx46 preset
Dx46 preset
Dx46 preset
Nominal Impedance
4 Ω/12 Ω/16Ω
8Ω
2x8Ω
6 Ω/8Ω
Minimum Impedance
3.8 Ω/8.7 Ω/14.6 Ω
6.7 Ω
2 x 6.0 Ω
4.9 /7.3
Input Connections
2 eight-pin Speakon
2 eight-pin Speakon
2 eight-pin Speakon
2 eight-pin Speakon
Dimensions (H x W at front x D)
1.233 x 586 x 759 mm
48.54” x 23.07” x 29.88”
914 x 586 x 759 mm
35.98” x 23.07” x 29.88”
914 x 586 x 759 mm
35.98” x 23.07” x 29.88”
914 x 584 x 759 mm
35.98” x 22.99” x 29.88”
Net Weight
109 kg (240 lbs.)
68.0 kg (149.9 lbs.)
83.5 kg (184 lbs)
86.3 kg (190 lbs.)
Install
Frequency Range (-3 dB)
Speakers
Xi-Series
Live for Sound
13
EVA - Expandable Vertical Array
Install
Speakers
Live for Sound
The EVA series (Expandable Vertical Array) is an elegantly
simple solution for installed sound applications. EVA offers
true line-array performance from the patented Hydra plane
wave generator. The sophisticated internal crossover
allows up to eight EVA boxes to be powered by a single
amplifier channel with no additional DSP required. The
internal hidden rigging not only looks great, but also makes
EVA incredibly easy to install.
EVA-2082S 1220 Full-Range Dual Element Line Array Module
•
•
•
•
•
EVA-2082S 126
True line-array performance
120° horizontal coverage pattern
20° vertical coverage pattern
104 dB sensitivity
Hidden suspension hardware (included)
•
•
•
•
architecturally pleasing
Three finishes available – indoor, PI and fiberglass
EVADA (EVA Design Assistant) software tool
Single amplifier channel drive
configuration for entire array
• Advanced sixth-order crossover
network with HF protection
Full-Range Dual Element Line Array Module
•
•
•
•
•
True line array performance
120° horizontal coverage pattern
6° vertical coverage pattern
104 dB sensitivity
Hidden suspension hardware (included)
– architecturally pleasing
• Three finishes available – indoor, PI and fiberglass
• EVADA (EVA Design Assistant) software tool
• Single amplifier channel drive
configuration for entire array
• Advanced sixth-order crossover
network with HF protection
EVA-2082S 906 Full-Range Dual Element Line Array Module
•
•
•
•
•
EVA-2082S 920
True line-array performance
90° horizontal coverage pattern
6° vertical coverage pattern
104 dB sensitivity
Hidden suspension hardware (included) –
architecturally pleasing
-Range Dual Element Line Array Module
•
•
•
•
•
True line-array performance
90° horizontal coverage pattern
2° vertical coverage pattern
104 dB sensitivity
Hidden suspension hardware (included)
– architecturally pleasing
• Three finishes available – indoor, PI and fiberglass
14
• Three finishes available – indoor,
PI and fiberglass
• EVADA (EVA Design Assistant) software tool
• Single amplifier channel drive
configuration for entire array
• # Advanced sixth-order crossover
network with HF protection
• EVADA (EVA Design Assistant) software tool
• Single amplifier channel drive
configuration for entire array
• Advanced sixth-order crossover
network with HF protection
Single 15-inch subwoofer
• DVX3151A 15” (381 mm) LF transducer
with fully symmetric drive
• System rating: 500 W continuous, 2000 W peak
• Easily configures to cardioid directional pattern
for low-frequency control and feedback reduction
• Hidden suspension hardware (included)
EVA-2151D
•
•
•
•
architecturally pleasing
Three finishes available – indoor, PI and fiberglass
EVADA (EVA Design Assistant) software tool
Single amplifier channel drive
configuration for entire array
• Advanced sixth-order crossover
network with HF protection
Dual 15-inch subwoofer
• Dual DVX3151A 15” (381 mm) LF
transducers with fully symmetric drive
• System rating: 500 W continuous, 2000 W peak
• Easily configures to cardioid directional pattern
for low-frequency control and feedback reduction
• Hidden suspension hardware (included)
•
•
•
•
architecturally pleasing
Three finishes available – indoor, PI and fiberglass
EVADA (EVA Design Assistant) software tool
Single amplifier channel drive
configuration for entire array
• Advanced sixth-order crossover
network with HF protection
EVA has an internal, nearly invisible rigging
EVA-SG (Standard Grid)
system. Modules are connected to one another
For typical tilt angles in 3 and 4 module arrays
with an internal top-to-bottom metal structure
and pull-up applications in large arrays when
that is hidden by the cover panels. This gives
extreme angles are required. Includes one
an EVA cluster great aesthetic appeal—more
spreader bar.
an architectural element than a loudspeaker
EVA-EG (Extended Grid)
system. The rigging system is designed to
For typical tilt angles in arrays taller than four
carry an array of up to eight modules with a
modules, or extreme angles in arrays of four
safety factor of >8:1.
modules or less. Includes one spreader bar.
EVA-1151D
EVA-2151D
Frequency Response
(-3 dB)
60 - 19000 Hz
EVA-2082S 1220
EVA-2082S 126
EVA-2082S 906
EVA-2082S 920
50 - 160
45 - 160
Recommended HighPass Frequency
50 Hz
35 Hz
35 Hz
Sensitivity 1 W/1 m
104 dB 3 module array
94 dB (Whole Space)
97 dB (Whole Space)
Max. SPL/1m (calc)
135 dB
127 (Whole Space)
133 (Whole Space)
System Power Handling
(Continuous/Program/
Peak)
350 Watts
500 Watts
1000 Watts
Nominal Impedance
(Passive)
16 Ω
8Ω
4Ω
Input Connections
Phoenix/Euroblock style screw terminals
Phoenix Euroblock
Phoenix Euroblock
Frequency Response
(-10 dB)
45 - 20000 Hz
39 - 160
33 - 160
Coverage(Nominal -6
dB) H°
120 °
120 °
90 °
90 °
Omnidirectional
Omnidirectional
Coverage(Nominal -6
dB) V°
20 °
6°
6°
20 °
Omnidirectional
Omnidirectional
LF Transducer
(2) EVS2008, 8 In (203mm) Driver
DVX3159A
DVX3159A (X2)
HF Transducer
(4) DH2005, 1.25 In (32mm) Diaphragm Compression Driver
None
None
Crossover Frequency
1740 Hz
100 Hz Active
100 Hz Active
Minimum Impedance
12 Ω
6Ω
3Ω
Birch Plywood
Birch Plywood
Enclosure Material
Birch and Pine Plywood
Grill
16 GA Galvanneal, Powder-coated (PI Version - Stainless Steel with Hydrophobic Cloth
Suspension
EVA Grid (Sold Separately)
Height
Width
Depth
20.17 in (512.2 mm)
23.5 in (596.9 mm)
14.53 in (369.1 mm)
20.25 in (514.4 mm)
23.5 in (596.9 mm)
14.1 in (358.2 mm)
20.25 in (514.4 mm)
23.5 in (596.9 mm)
14.1 in (358.2 mm)
20.17 in (512.2 mm)
23.5 in (596.9 mm)
14.53 in (369.1 mm)
23.5" (596.9mm)
23.5" (596.9mm)
18.16" (461.3mm)
31.0" (787.4mm)
23.5" (596.9mm)
31.32" (795.5mm)
Weight Net
76.19 lbs (34.513.23 lbs (6 kg))
79.06 lbs (35.813.23 lbs (6 kg))
79.06 lbs (35.813.23 lbs (6 kg))
76.19 lbs (34.513.23 lbs (6 kg))
100 Lbs
172 Lbs
Install
EVA-1151D
Speakers
EVA - Expandable Vertical Array
Live for Sound
15
EVH - Horn Load
Install
Speakers
Live for Sound
The global success of the FRX and FRX+ series
affirms Electro-Voice’s approach to coaxial horn-loaded
loudspeakers for venues of all sizes. The EVH series
condenses all this experience into a new, dedicated
solution for installed sound applications. EVH represents
a unique design concept: maintain directivity control all
the way down to 500 Hz in a mid-sized, 15-inch two-way,
coaxial horn-loaded configuration that offers exceptional
value, while providing an unusually high degree of rigging
flexibility and six available coverage patterns (ranging from
60 x 40 to 90 x 90).
This premium component provides improved dynamic
performance, including reduced distortion and power
compression.
EVH loudspeakers are available with a choice of two
woofer/compression driver combinations. The EVH-1152S
is equipped with an SMX215115-inch 400-W woofer
and one ND2B medium-format, 2-inch diaphragm, 40-W
high-frequency compression driver on a 12-inch-square
waveguide. The EVH-1152D features the same woofer
and the new DH7N large-format compression driver with a
3-inch diaphragm and neodymium magnetic structure.
• (28) M10 threaded suspension points
EVH-1152S
EVH series features include
• All-new high performance components in choice of two
configurations (“S” & “D”)
• Six available coverage patterns on rotatable Constant
DirectivityTM waveguides
• Advanced fourth-order crossover network with HF
protection
• PI (indirect weather exposure) version available, with
gland nut and stainless-steel grille
• Unique input panel – designed from installer’s
perspective with a range of innovative, user-friendly
features
• Wide range of available rigging options and accessories
Two-Way Coaxial Full-Range High-Efficiency Loudspeaker System
• ND2B 2" (51 mm) diaphragm 1.4(36 mm)exit pure titanium compression driver
• SMX2151 15" (381 mm) LF transducer
with fully symmetric drive
• Advanced fourth-order crossover
network with HF protection
• Various coverage patterns: Constant
Directivity rotatable waveguides
EVH-1152D
Two-Way Coaxial Full-Range High-Efficiency Loudspeaker System
• DH7N 3" (76 mm) diaphragm 1.4(36 mm)exit pure titanium compression driver
• SMX2151 15" (381 mm) LF transducer
with fully symmetric drive
• Advanced fourth-order crossover
network with HF protection
• Various coverage patterns: Constant
Directivity rotatable waveguides
16
• 106 dB sensitivity, 139 dB maximum SPL
• System rating: 500 W continuous, 2000 W peak
• Active rating: LF 400 W / HF 40 W
continuous (1600 W / 160 W peak)
• (28) M10 threaded suspension points
• PI and FG version available with gland
nut and stainless steel grille
• 106 dB sensitivity, 139 dB maximum SPL
• System rating: 500 W continuous, 2000 W peak
• Active rating: LF 400 W / HF 75 W
continuous (1600 W / 300 W peak)
• M10 threaded suspension points
• PI and FG version available with gland
nut and stainless steel grille
EVH-1152S/64
EVH-1152S/66
EVH-1152S/94
EVH-1152S/96
EVH-1152S/99
60 - 15000 Hz
Frequency Response
(-10 dB)
50 - 16000 Hz
Recommended High-Pass
Frequency
60 Hz
Sensitivity 1 W/1 m
106 dB
105 dB
104 dB
Max. SPL/1m (calc)
139 dB
138 dB
137 dB
System Power Handling
(Continuous/Program/
Peak)
500 Watts / 1000 Watts / 2000 Watts
Nominal Impedance
(Passive)
8Ω
Minimum Impedance
6Ω
Input Connections
Phoenix/Euroblock style screw terminals
Coverage(Nominal -6
dB) H°
40°
60 °
60 °
90 °
90 °
90 °
Coverage(Nominal -6
dB) V°
30°
40 °
60 °
40 °
60 °
90 °
LF Transducer
SMX2151, 15 in (381mm), 2000W Peak
HF Transducer
ND2B, 2 in (51 mm) Diaphragm Compression Driver
Crossover Frequency
1300 Hz
Enclosure Material
13 Ply Weather Resistant Birch
Grill
16 GA Galvanneal, Powdercoat, with Rotatable Logo
Suspension
(28) M10 Threaded Points
Height
Width
Depth
30.26 in (768.6 mm)
30.26 in (768.6 mm)
26.78 in (680.1 mm)
Weight Net
143.08 lbs (64.9 kg)
EVH-1152D/66
EVH-1152D/94
EVH-1152D/96
EVH-1152D/99
Frequency Response
(-3 dB)
60 - 17000 Hz
Frequency Response
(-10 dB)
50 - 20000 Hz
Recommended High-Pass
Frequency
60 Hz
Sensitivity 1 W/1 m
106 dB
105 dB
104 dB
Max. SPL/1m (calc)
139 dB
138 dB
137 dB
System Power Handling
(Continuous/Program/
Peak)
500 Watts / 1000 Watts / 2000 Watts
Nominal Impedance
(Passive)
8Ω
Minimum Impedance
6.1 Ω
Input Connections
Phoenix/Euroblock style screw terminals
Coverage(Nominal -6
dB) H°
40°
60 °
60 °
90 °
90 °
90 °
Coverage(Nominal -6
dB) V°
30°
40 °
60 °
40 °
60 °
90 °
LF Transducer
SMX2151, 15 in (381mm), 2000W Peak
HF Transducer
DH7N, 3 in (76 mm) Diaphragm Compression Driver
Crossover Frequency
1300 Hz
Enclosure Material
13 Ply Weather Resistant Birch
Grill
16 GA Galvanneal, Powdercoat, with Rotatable Logo
Suspension
(28) M10 Threaded Points
Height
Width
Depth
30.26 in (768.6 mm)
30.26 in (768.6 mm)
26.78 in (680.1 mm)
Weight Net
145.5 lbs (66.1 kg)
EVH-1152D/43
EVH-1152D/64
Install
EVH-1152S/43
Frequency Response
(-3 dB)
Speakers
EVH - Horn Load
Live for Sound
17
EVF - Front Load
Install
Speakers
Live for Sound
EVF is the most comprehensive series of front-loaded
loudspeaker systems ever offered for installed sound.
Available in 12- or 15-inch two way configurations
with a range of coverage patterns, and enhanced with
dedicated low-frequency systems, EVF loudspeakers
match exceptional audio performance, efficiency, easeof-use, and aesthetics with unprecedented value. EVF
systems employ the latest Electro-Voice components to
ensure years of reliable use and consistently excellent
sound. “S”-designated systems are equipped with SMX
series woofers and ND2B 2-inch compression drivers;
“D”-designated systems are equipped with the highestperformance DVX series woofers and the new DH7N
3-inch compression driver.
EVF series features include:
• Seven available coverage patterns aid the design process
• High maximum SPL output capability with extremely
low distortion
• All 12- and 15-inch enclosures and the 18-inch subwoofer
have the same height, promoting attractive clusters
• Biampable, but sophisticated internal crossover/EQ
networks make cost-saving passive operation very attractive
• Available in black or white in one of three versions:
EVCoat™ (interior use), PI (indirect weather exposure),
and FG (fiberglass – direct exposure)
• Unique input panel – designed from installer’s
perspective with a range of innovative, user-friendly features
• Wide range of available rigging options and accessories
18
EVF-1122S 64
EVF-1122S 66
EVF-1122S 94
EVF-1122S 96
EVF-1122S 99
EVF-1122S 126
Frequency Response (-3 dB)
58 - 16000 Hz
58 - 16000 Hz
58 - 16000 Hz
58 - 16000 Hz
58 - 16000 Hz
58 - 16000 Hz
Frequency Response (-10 dB)
49 - 19000 Hz
49 - 19000 Hz
49 - 19000 Hz
49 - 19000 Hz
49 - 19000 Hz
49 - 19000 Hz
Recommended High-Pass Frequency
65 Hz
65 Hz
65 Hz
65 Hz
65 Hz
65 Hz
Sensitivity 1 W/1 m
98 dB
98 dB
98 dB
98 dB
98 dB
98 dB
Max. SPL/1m (calc)
131 dB
131 dB
131 dB
131 dB
131 dB
131 dB
System Power Handling (Continuous/Program/Peak)
500 W
500 W
500 W
500 W
500 W
500 W
Nominal Impedance (Passive)
8Ω
Minimum Impedance
6Ω
Input Connections
Phoenix/Euroblock style screw terminals
Coverage(Nominal -6 dB) H°
60 °
60 °
90 °
90 °
90 °
120 °
Coverage(Nominal -6 dB) V°
40 °
60 °
40 °
60 °
90 °
60 °
LF Transducer
SMX2121, 12 in
(305mm) Driver
SMX2121, 12 in
(305mm) Driver
SMX2121, 12 in
(305mm) Driver
SMX2121, 12 in
(305mm) Driver
SMX2121, 12 in
(305mm) Driver
SMX2121, 12 in
(305mm) Driver
HF Transducer
ND2B, 2 in (51 mm) Diaphragm Compression Driver
Crossover Frequency
1450 Hz
1450 Hz
1450 Hz
1450 Hz
1450 Hz
Enclosure Material
13 Ply Weather Resistant Birch
Grill
16 GA Galvanneal, Powdercoat, with Rotatable Logo
Suspension
(22) M10 Threaded Points
Internal Crossover
Yes
Max. SPL/1m (calc); half space
135 dB
LF Nominal Impedance
8Ω
Height
Width
Depth
30.26 in (768.6 mm)
16 in (406.3 mm)
16.27 in (413.3 mm)
Weight Net
63.05 lbs (28.6 kg)
63.05 lbs (28.6 kg)
63.05 lbs (28.6 kg)
63.05 lbs (28.6 kg)
63.05 lbs (28.6 kg)
1450 Hz
63.05 lbs (28.6 kg)
EVF - Front Load
Speakers
Live for Sound
• ND2B 2” (51 mm) diaphragm, 1.4” (36 mm)exit pure titanium compression driver
• SMX2121 12” (305 mm) LF transducer
with fully symmetric drive
• Advanced fourth-order crossover
network with HF protection
• Coverage pattern: 120° x 60° Constant
Directivity™ 12” rotatable waveguide
EVF-1152S
• 98 dB sensitivity, 131 dB maximum SPL
• System rating: 500 W continuous, (2000 W peak)
• Active rating: LF 400 W / HF 40 W
continuous (1600 W / 160 W peak)
• # (22) M10 threaded suspension points
• # PI version available with gland
nut and stainless steel grille
Two-Way Full-Range Loudspeaker System
• ND2B 2" (51 mm) diaphragm 1.4" (36 mm)exit pure titanium compression driver
• SMX2151 15" (381 mm) LF transducer
with fully symmetric drive
• Advanced fourth-order crossover
network with HF protection
• Coverage pattern: 40° x 30° Constant
Directivity™ 12" rotatable waveguide
EVF-1152S 43
EVF-1152S 64
• 101 dB sensitivity, 134 dB maximum SPL
• System rating: 500 W continuous, (2000 W peak)
• Active rating: LF 400 W / HF 40 W
continuous (1600 W / 160 W peak)
• (22) M10 threaded suspension points
• PI version available with gland nut
and stainless steel grille
EVF-1152S 66
EVF-1152S 94
EVF-1152S 96
EVF-1152S 99
60 °
60 °
90 °
90 °
90 °
40 °
60 °
40 °
60 °
90 °
Frequency Response (-3 dB)
70 - 14000 Hz
Frequency Response (-10 dB)
41 - 18000 Hz
Recommended High-Pass Frequency
45 Hz
Sensitivity 1 W/1 m
101 dB
Max. SPL/1m (calc)
134 dB
System Power Handling (Continuous/Program/Peak)
500 W
Nominal Impedance (Passive)
8Ω
Minimum Impedance
6Ω
Input Connections
Phoenix/Euroblock style screw terminals
Coverage(Nominal -6 dB) H°
40 °
Coverage(Nominal -6 dB) V°
30 °
LF Transducer
SMX2151, 15 in (381mm) Driver
HF Transducer
ND2B, 2 in (51 mm) Diaphragm Compression Driver
Crossover Frequency
1450 Hz
Enclosure Material
13 Ply Weather Resistant Birch
Grill
16 GA Galvanneal, Powdercoat, with Rotatable Logo
Suspension
(22) M10 Threaded Points
Internal Crossover
Yes
Max. SPL/1m (calc); half space
135 dB
Install
Two-Way Full-Range Loudspeaker System
Mobile Audio
EVF-1122S
LF Nominal Impedance
Height
Width
Depth
30.26 in (768.6 mm)
18.5 in (469.8 mm)
18.37 in (466.6 mm)
Weight Net
70.77 lbs (32.1 kg)
19
EVF - Front Load
Speakers
Live for Sound
EVF-1122D
EVF-1122D
Install
• ND2B 2” (51 mm) diaphragm, 1.4” (36 mm)exit pure titanium compression driver
• SMX2121 12” (305 mm) LF transducer
with fully symmetric drive
• Advanced fourth-order crossover
network with HF protection
• Coverage pattern: 120° x 60° Constant
Directivity™ 12” rotatable waveguide
EVF-1152D
• 98 dB sensitivity, 131 dB maximum SPL
• System rating: 500 W continuous, (2000 W peak)
• Active rating: LF 400 W / HF 40 W
continuous (1600 W / 160 W peak)
• # (22) M10 threaded suspension points
• # PI version available with gland
nut and stainless steel grille
Two-Way Full-Range Loudspeaker System
• ND2B 2" (51 mm) diaphragm 1.4" (36 mm)exit pure titanium compression driver
• SMX2151 15" (381 mm) LF transducer
with fully symmetric drive
• Advanced fourth-order crossover
network with HF protection
• Coverage pattern: 40° x 30° Constant
Directivity™ 12" rotatable waveguide
EVF1122S
126
20
EVF1122S
64
EVF1122S
66
EVF1122S
94
EVF1122S
96
EVF1122S
99
• 101 dB sensitivity, 134 dB maximum SPL
• System rating: 500 W continuous, (2000 W peak)
• Active rating: LF 400 W / HF 40 W
continuous (1600 W / 160 W peak)
• (22) M10 threaded suspension points
• PI version available with gland nut
and stainless steel grille
EVF1152S
43
EVF1152S
64
EVF1152S
66
EVF1152S
94
EVF1152S
96
EVF1152S
99
45 Hz
45 Hz
45 Hz
45 Hz
45 Hz
Frequency Response (-3 dB)
58 - 16000 Hz
Recommended High-Pass
Frequency
65 Hz
65 Hz
65 Hz
65 Hz
65 Hz
65 Hz
70 - 14000 Hz
45 Hz
Sensitivity 1 W/1 m
98 dB
98 dB
98 dB
98 dB
98 dB
98 dB
101 dB
Max. SPL/1m (calc)
131 dB
System Power Handling (Continuous/Program/Peak)
500 W
500 W
500 W
500 W
500 W
500 W
500 W
500 W
500 W
500 W
500 W
500 W
Nominal Impedance (Passive)
8Ω
8Ω
8Ω
8Ω
8Ω
8Ω
8Ω
8Ω
8Ω
8Ω
8Ω
8Ω
Input Connections
Phoenix/Euroblock style screw terminals
Frequency Response (-10 dB)
49 - 19000 Hz
Coverage(Nominal -6 dB) H°
120 °
60 °
60 °
90 °
90 °
90 °
40 °
60 °
60 °
90 °
90 °
90 °
Coverage(Nominal -6 dB) V°
60 °
40 °
60 °
40 °
60 °
90 °
30 °
40 °
60 °
40 °
60 °
90 °
LF Transducer
SMX2121, 12 in (305mm) Driver
HF Transducer
ND2B, 2 in (51 mm) Diaphragm Compression Driver
Crossover Frequency
1450 Hz
Minimum Impedance
6Ω
Enclosure Material
13 Ply Weather Resistant Birch
Grill
16 GA Galvanneal, Powdercoat, with Rotatable Logo
Suspension
(22) M10 Threaded Points
Internal Crossover
Yes
Max. SPL/1m (calc); half space
135 dB
LF Nominal Impedance
8Ω
Height x Width x Depth
30.26 in (768.6 mm) x 16 in (406.3 mm) x 16.27 in (413.3 mm)
30.26 in (768.6 mm) x 18.5 in (469.8 mm) x 18.37 in (466.6 mm)
Weight Net
63.05 lbs (28.6 kg)
70.77 lbs (32.1 kg)
134 dB
41 - 18000 Hz
SMX2151, 15 in (381mm) Driver
EVF - Front Load
Speakers
Live for Sound
EVF-1181S
• EVS18SB 18" (457
mm) LF Transducer
• 99 dB sensitivity, 131
dB maximum SPL
• System rating: 400 W
continuous, 1600 W peak
• (28) M10 threaded
suspension points
• EVS12SB 12" (305 mm) LF transducer
• 103 dB sensitivity, 135 dB maximum SPL
• System rating: 400 W
continuous, 1600 W peak
• (22) M10 threaded suspension points
• Passive network included
EVF-1151S Front-Loaded Bass Element
Front-Loaded Subwoofer
EVF-2151D
Front-Loaded Subwoofer
• Dual DVX3159A (381mm)
LF Transducers
• 101 dB sensitivity, 137 dB
maximum SPL
• System rating: 1000 W
continuous, 4000 W peak
• (28) M10 threaded suspension points
• EVS15SB 15" (381 mm) LF transducer
• 103 dB sensitivity, 135 dB maximum SPL
• System rating: 400 W
continuous, (1600 W peak)
• (22) M10 threaded suspension points
EVF-1121S
EVF-1151S
EVF-1181S
EVF-2151D
Frequency Response (-3 dB)
70 - 98 Hz
67 - 95 Hz
35 - 100 Hz
40 Hz - 2.6 kHz
Frequency Response (-10 dB)
48 - 120 Hz
46 - 124 Hz
28 - 650 Hz
30 Hz - 3.2 kHz
Recommended High-Pass Frequency
50 Hz
35 Hz
33 Hz
35 Hz
Sensitivity 1 W/1 m
103 dB
103 dB
99 dB
101 dB
Max. SPL/1m (calc)
135 dB
135 dB
131 dB
137 dB
System Power Handling (Continuous/Program/Peak)
400 W
400 W
400 W
1000 W
Nominal Impedance (Passive)
4 Ω passive / 8 Ω bi-amp
4 Ω passive / 8 Ω bi-amp
8Ω
4Ω
6Ω
2.7 Ω
EVS18SB, 18 in (457mm) Driver
Dual DVX3159A, 15” (381 mm) drivers
Minimum Impedance
Input Connections
Phoenix/Euroblock style screw terminals
LF Transducer
EVS12SB, 12 in (305mm) Driver
EVS15SB, 15 in (381mm) Driver
Install
EVF-1121S Front-Loaded Bass Element
Crossover Frequency
Enclosure Material
13 Ply Weather Resistant Birch
Grill
16 GA Galvanneal, Powdercoat, with Rotatable Logo
Suspension
(22) M10 Threaded Points
(28) M10 Threaded Points
Internal Crossover
Yes
No
Max. SPL/1m (calc); half space
135 dB
Height
Width
Depth
30.26 in (768.6 mm)
16 in (406.3 mm)
16.27 in (413.3 mm)
30.26 in (768.6 mm)
18.5 in (469.8 mm)
18.37 in (466.6 mm)
30.26 in (768.6 mm)
26.6 in (675.6 mm)
28.6 in (726.4 mm)
30.26 in (768.6 mm)
26.60 in (675.6 mm)
28.60 in (726.4 mm)
Weight Net
57.76 lbs (26.2 kg)
62.61 lbs (28.4 kg)
101.2 lbs (46 kg)
130.5 lb (59.3 kg)
131 dB
21
FRi Series
Install
Speakers
Live for Sound
The FRi+ Series brings premium Electro-Voice®
components, including the DH7 compression driver and
DL series woofers, to a new level of affordability. The
FRi+ Series provides exceptional value for permanent
FRi+122/64
installations that require flexibility and performance.
Numerous threaded mounting points help make
suspension easy, and allow for installation in any situation.
12" Two-Way Full-Range Passive or Active Speaker System
•
•
•
•
Two-way full-range loudspeaker
Switchable between full range and biamp
Vented LF enclosure
3" voice coil (titanium diaphragm)
• Trapezoidal cabinet (15° per side)
• Comes with four eye bolts
• Twelve 3/8"-16 suspension points
FRi+122/66
•
•
•
•
Two-way full-range loudspeaker
Switchable between full range and biamp
Vented LF enclosure
3" voice coil (titanium diaphragm)
• Trapezoidal cabinet (15° per side)
• Comes with four eye bolts
• Twelve 3/8"-16 suspension points
FRi+122/94
•
•
•
•
FRi+181S
Two-way full-range loudspeaker
Switchable between full range and biamp
Vented LF enclosure
3" voice coil (titanium diaphragm)
FRi+ Series Speaker System
• Subwoofer
• Vented slot load design
• Built-in low-pass filter (switchable
for biamp operation)
22
• Trapezoidal cabinet (15° per side)
• Comes with four eye bolts
• Twelve 3/8"-16 suspension points
• Trapezoidal (7.5° per side)
• Comes with 4 eyebolts
• 16 x 3/8"-16 suspension points
FRi+152/64
15" Two-Way Full-Range Passive or Active Speaker System
• Two-way, full-range loud speaker
• Solid bass to 42 Hz (-10 dB) allows
pure full-range performance
• Switchable between fullrange and biamp
• Vented LF enclosure
• 3" voice coil (titanium diaphragm) HF
Trapezoidal cabinet (15° per side)
• Comes with four eyebolts
• Twelve 3/8"-16 suspension Points
Speakers
FRi Series
Live for Sound
• Two-way, full-range loud speaker
• Solid bass to 42 Hz (-10 dB) allows
pure full-range performance
• Switchable between fullrange and biamp
• Vented LF enclosure
• 3" voice coil (titanium diaphragm) HF
Trapezoidal cabinet (15° per side)
• Comes with four eyebolts
• Twelve 3/8"-16 suspension Points
Install
FRi+152/66
FRi+152/94
• Two-way, full-range loud speaker
• Solid bass to 42 Hz (-10 dB) allows
pure full-range performance
• Switchable between fullrange and biamp
• Vented LF enclosure
• 3" voice coil (titanium diaphragm) HF
Trapezoidal cabinet (15° per side)
• Comes with four eyebolts
• Twelve 3/8"-16 suspension Points
FRi Series Speaker System
FRi-2082/28LPM
•
•
•
•
2-Way Full-range
Vented LF enclosure
1" voice coil
Low-profile slanted design
• 45° angle allows under-balcony, on-wall
and stage monitoring applications
• Only FRi-2082 comes with mounting bracket!
• 2 x 3/8"-16 suspension points
FRi-2082
FRi+122/64/66/94
FRi+152/64/66/94
FRi+181S
Frequency Range (-10 dB)
55 Hz - 18 kHz
50 Hz - 16 kHz
42 Hz - 15 kHz
36 - 160 Hz
Recommended High-Pass Frequency
50 Hz (12 dB/Oct.)
50 Hz (12 dB/Oct.)
40 Hz (12 dB/Oct.)
36 Hz (12 dB/Oct.)
Axial Sensitivity SPL 1W/1m
93 dB
97 dB
98 dB
97 dB
(97/112 dB)
(98/112 dB)
(Biamp mode)
Max. SPL /1 m (calc.); full space
122 dB
128 dB
129.5 dB
129 dB
Continuous Power Handling (Biamp op.)
200 W
300 W (300 W/60 W)
350 W (350 W/60 W)
400 W
Peak Power Handling (Peak)
800 W
1,200 W
1,400 W
1,600 W
Coverage (nominal -6 dB) (H° x V°)
100° x 100° (CD Horn)
60° x 40°/60° x 60°/90° x 40°
60° x 40°/60° x 60°/90° x 40°
300° x 270°
LF woofer (transducer)
50mm x 203 mm (2” x 8”)
304mm (12”) (DL12BFH)
1391 mm (5”) (DL15BFH)
457 mm (18”) (DL18MT)
HF throat diameter (transducer)
25 mm (1”) (compr. driver)
76 mm (3”) (DH7)/1.4” Exit
76 mm (3”) (DH7)/1.4” Exit
---
Crossover Frequencies
2,800 Hz
1,600 Hz
1,600 Hz
130 Hz
Nominal Impedance (Biamp)
8Ω
8 Ω (8 Ω/8 Ω)
8 Ω (8 Ω/8 Ω)
8Ω
Input Connections
Barrier strips
Dual barrier strips
Dual barrier strips
Dual barrier strips
Dimensions (H x W at front x D)
222 x 620 x 356 mm
8.75” x 24.5” x 14”
711 x 401 x 445 mm
28” x 15.9” x 17.6”
711 x 483 x 589 mm
28” x 19” x 23.2”
711 x 597 x 762 mm
28” x 23.5” x 30”
Net Weight
18.2 kg (40 lbs.)
27.3 kg (60 lbs.)/29.5 kg (65 lbs.)
31.8 kg (70 lbs.)/34 kg (75 lbs.)
45.5 kg (100 lbs.)
23
EVI Series
Install
Speakers
Live for Sound
EVI provides an economical solution for permanent
installations that require coverage over a rectangular area.
In a typical room, the distance from the loudspeaker to
the last row is two or more times the distance to the front
row, resulting in a substantial loss of level and intelligibility
EVI-12
EVI Series Speaker Systems
•
•
•
•
EVI-15
•
•
•
•
PRO™ Driver protection circuit
Time Path™ phasing plug
Multi-angled housing
Five 3/8"-16 hanging points
Two-way, full-range loudspeaker
High sensitivity
Vented LF enclosure
1.25" voice coil (titanium diaphragm) HF
•
•
•
•
PRO™ Driver protection circuit
Time Path™ phasing plug
Multi-angled housing
Five 3/8"-16 hanging points
EVI Series Speaker Systems
•
•
•
•
•
•
24
Two-way, full-range loudspeaker
High sensitivity
Vented LF enclosure
1.25" voice coil (titanium diaphragm) HF
EVI Series Speaker Systems
•
•
•
•
EVI-28
towards the back. The Variable Intensity horn delivers six
to eight dB more SPL to the back of the room, overcoming
level loss without resorting to the expense and complexity
of additional systems or components.
Two-way, full-range loudspeaker
Vented LF enclosure
1.25" voice coil (titanium diaphragm) HF
PRO™ Driver protection circuit
Time Path™ phasing plug
Multi-angled housing
• Stacked, frequency-shaded woofers maintain
vertical coverage angle down to 500 Hz with
120° (typical 180°); ideal for reverberant rooms
• Three 3/8"- hanging points
EVI Vari Intense® coverage pattern (3-2-1 Rule):
Install
If speaker height = H, then coverage length = 3H, coverage width = 2H, and first row coverage = 1H
Speakers
EVI Series
Live for Sound
H
W
idt
h
H
=
2H
EVI-12
th =
Leng
EVI-15
3H
EVI-28
Frequency range (-3 dB)
50 Hz–20 kHz
50 Hz–20 kHz
60 Hz–20 kHz
Sensitivity (SPL 1 W/1 m)
99.5 dB
100 dB
93 dB
Max. SPL/1m (calc.)
129 dB
129.5 dB
123.5 dB
Long-term power handling
250 W
250 W
250 W
Short-term power handling
1,000 W
1,000 W
1,000 W
Coverage (H° x V°)
LT-60° x 70°, ST= 110° x 90°
60° x 65°
65° x 65°
LF driver
12”
15”
2 x 8”
HF driver (exit)
1” (DH2010A)
1” (DH2010A)
1” (DH2010A)
Crossover frequency
2,000 Hz
2,000 Hz
2,000 Hz
Nominal impedance (minimum)
8Ω
8Ω
8Ω
Input connections
screw terminal
screw terminal
screw terminal
Dimensions (H x W at front x D)
554 x 356 x 699 mm
21.8” x 14” x 27.5”
584 x 429 x 766 mm
23” x 16.9” x 30.2”
353 x 496 x 523 mm
13.9” x 19.5” x 20.6”
Net weight
21.8 kg (48 lbs)
24.0 kg (53 lbs)
16.3 kg (36 lbs)
25
EVID Series
Install
Speakers
Live for Sound
EVID speakers beautify not only the sound of a room,
but also the looks. Designed to have best in class sonic
characteristics and stunning high fidelity, EVID is typically
Mobile Audio
EVID 3.2
at home in retail environments, boardrooms, restaurants,
and bars.
EVID Series Premium Surface-Mount Speaker System
• Two-way full range
• Vented LF enclosure
• 0.75" voice coil (titanium diaphragm) with
Neodymium magnetic structure
• Full-bandwidth overload protection for HF and LF
EVID 4.2
Two-way, high-output full range
Vented LF enclosure
High sensitivity
1" voice coil (titanium diaphragm) with
Neodymium magnetic structure
• HF section features Coherent Coverage
Waveguide™ to minimize interference
Full bandwidth overload protection for HF and LF
Three-dimensional ellipse (for compact look)
Magnetically shielded for video applications
Comes with Strong Arm Mount (SAM™) and a hex-key
Suspension insert for SAM™, safety point on rear side
•
•
•
•
•
Full bandwidth overload protection for HF and LF
Three-dimensional ellipse (for compact look)
Magnetically shielded for video applications
Comes with Strong Arm Mount (SAM™) and a hex key
Suspension insert for SAM™; safety point on rear side
EVID Series Premium Surface-Mount Subwoofer
•
•
•
•
•
•
26
•
•
•
•
•
EVID Twin 6" Surface-Mount Speaker System
•
•
•
•
EVID 12.1
Three-dimensional ellipse (for compact look)
Magnetically shielded for video applications
Comes with Strong Arm Mount (SAM™) and a hex key
Suspension insert for SAM™; safety point on rear side
EVID Series Premium Surface-Mount Speaker System
• Two-way full range
• Vented LF enclosure
• 1" voice coil (titanium diaphragm) with
Neodymium magnetic structure
• HF section features Coherent Coverage
Waveguide™ to minimize interference
EVID 6.2
•
•
•
•
Subwoofer
Slot-loaded port design
Dual-voice-coil, high-excursion transducer
High sensitivity
Built-in stereo crossover with high-pass output
Trapezoidal
• Comes with mounting bracket (passed EIA 636 at a
safety factor of 8:1) for on-wall or corner mounting
• One safety 3/8"-16 eyebolt included
• Suspension inserts and 2 x 3/8" hanging inserts
• Powered version (120v only) available
• 4” woofer, 4” passive radiator, and a 1”
tweeter provide high quality sound
• Fully sealed enclosures provides superior
sound isolation from adjacent rooms.
• Tuned passive radiator design ensures consistently
superior performance in any installation.
• Either 70v/100v or 8 ohm operation is
standard on both models. No need to
buy or stock special versions.
EVID FM 6.2 EVID Series InWall Speaker System
• Shallow profile allows installation virtually anywhere.
• Secure phoenix style pass through connectors
for easy wiring and installation.
• Four point “quick mounting” tabs provide
fast easy installation in anywall cavity.
• The transformer is mounted on the rear can
surface to further enhance stiffness.
• Specially designed ribbed back can
is designed to eliminate flexing.
• 6” woofer coupled with a 6” passive
radiator for extended bass response
• Fully sealed enclosures provides superior
sound isolation from adjacent rooms.
• Tuned passive radiator design ensures consistently
superior performance in any installation.
• Either 70v/100v or 8 ohm operation is
standard on both models. No need to
buy or stock special versions.
• Shallow profile allows installation virtually anywhere.
• Secure phoenix style pass through connectors
for easy wiring and installation.
• Four point “quick mounting” tabs provide
fast easy installation in anywall cavity.
• The transformer is mounted on the rear can
surface to further enhance stiffness.
• Specially designed ribbed back can
is designed to eliminate flexing.
EVID 3.2/T
EVID 12.1
EVID 4.2/T
EVID 6.2/T
EVID FM 4.2
Install
EVID FM 4.2 EVID Series InWall Speaker System
Speakers
EVID Series
Live for Sound
EVID FM 6.2
Frequency response (-10 dB)
85 Hz–20 kHz
65 Hz–20 kHz
62 Hz–20 kHz
40 Hz–140 Hz
52 - 20000 Hz
52 - 20000 Hz
Sensitivity (SPL 1 W/1 m)
87 dB
89 dB
94 dB
100 dB
87 dB
90 dB
Max. SPL/1m (calc.)
112 dB
115 dB
122 dB
128 dB
Long-term power handling
75 W
100 W
150 W
175/175 W
Short-term power handling
300 W
400 W
600 W
700/700 W
Transformer taps
70V: 5 W
70V: 3.75 W
70V: 7.5 W
—
1.75, 3.75, 7.5, 15, 30
at 70 v
7.5, 15, 30, 60 w at 70 v
(transformer version only)
100V: 10 W
70V/100V: 7.5 W, 15 W,
30 W
70V/100V:15 W, 30 W,
60 W
—
Coverage (H° x V°)
140° x 100°
120° x 80°
100° x 80°
—
LF driver
2” x 3.5”
2” x 4”
2” x 6”
12”
4 inch with 4 inch passive
radiator
6 inch with 6 inch passive
radiator
HF driver
0.75”
1”
1”
—
1 inch Titanium dome
tweeter
1 inch Titanium dome
tweeter
Nominal impedance (non-transformer
version)
8
8
8
8
8Ω
8Ω
Minimum impedance (non-transformer
version)
6
6
6
6
Input connections
spring terminal
spring terminal
spring terminal
spring terminal
Dimensions (H x W at front x D)
234 x 127 x 165 mm
9.2” x 5.1” x 6.5”
310 x 175 x 216 mm
12.2” x 6.9” x 8.5”
419 x 228 x 298 mm
16.5” x 9” x 11.75”
412 x 584 (at front) x
305 mm
16.25” x 23” x 12”
13.78 in (350 mm)
7.41 in (188.3 mm)
3.76 in (95.6 mm)
18.31 in (465 mm)
10.08 in (256 mm)
3.95 in (100.3 mm)
Net weight (incl. mounting bracket)
1.5 kg (3.3 lbs)
3.9 kg (8.5 lbs)
5.3 kg (12 lbs)
18.1 kg (40 lbs)
6.39 lbs (2.9 kg)
12.79 lbs (5.8 kg)
27
EVID - ceiling speakers
Install
Speakers
Live for Sound
No matter what an installation calls for, EVID ceiling
speakers can fill the need. Each model is unique
and designed to meet the toughest “problem” job
specifications. Sonically superior and aesthetically
pleasing, the EVID ceiling speakers have no match.
From the compact, powerful C4.2 to the exclusive
EVID C4.2
waveguide-coupled design of the C8.2HC for highceiling environments; the EVID ceiling line will solve any
installation requirement. The EVID ceiling speaker line was
designed with the contractor and listener in mind. Great
sound, simple installation, and exceptional value are part of
every model.
EVID Series 4" Two-Way Ceiling System
•
•
•
•
•
For use in air-handling spaces
4" woofer
Wave-guide coupled titanium-coated dome tweeter
Three-point mounting system for easy installation
Mounting support ring and tile rails included
EVID C8.2/C8.2LP
EVID Series 8" Two-Way Ceiling System
• For use where a flush-mount design is desired
but demand for high-quality audio exists
• Specially tuned enclosure
• 8" woofer
• 1waveguide-coupled tweeter for
coverage up to 18 kHz
• Four-point mounting system
EVID C8.2HC
• Mounting support ring and tile rails included
• No additional accessories needed
for most installations
• Also available in black
• Low profile back can (3shorter in depth)
for tight fitting ceiling spaces (C8.2LP)
EVID 8" Two-Way Pattern Control Ceiling System
•
•
•
•
28
• No additional accessories needed
for most installations
• Also available in black
For use in high-ceiling, reverberant "problem" rooms
Exclusive ported, wave-guide coupled 8" driver
Four-point mounting system
Mounting support ring and tile rails included
• No additional accessories needed
for most installations
• Patent-pending design
Speakers
EVID - ceiling speakers
Live for Sound
EVID C10.1 EVID Series Compact and Powerful Ceiling Subwoofer
10" subwoofer in tuned high performance enclosure
Low-frequency performance down to 45 Hz
Flexible installation
Four-point mounting system
• Mounting support ring and tile installations included
• No additional accessories needed
for most installations
EVID C12.2 High-Performance Ceiling Speaker System
• For use in large venues including
high-ceiling applications
• Features EVID 920-8B transducer
• 12" coaxial with high power handling
and 100 dB sensitivity
• Integrated 64 W transformer allows for
use in 70 V/100 V applications
• Automatic saturation compensation for distortionfree performance at high sound levels
• Transformer tap selection via a convenient
switch on the front of baffle
• Rear enclosure is constructed from heavy-gauge steel
EVID C4.2
LF Transducer
HF Transducer
EVID C8.2LP
EVID C8.2
• Durable black powder-coat
• Tile bridge included for safe suspension
in a drop ceiling that uses mineral wool
or other fiber-based ceiling tiles
• Can also be suspended by an integrated 3/8"
rigging point for use with threaded rod
• Can be mounted using the three pendant
mount tabs on the rear enclosure
• Rear cover includes provisions for a junction box
fitting providing access to a four-pin, phoenixtype connector that allows direct connection
to the speaker with 12-gauge wire
EVID C8.2HC
EVID C10.1
EVID C.12.2
4”
8”
8”
10”
12”
Polypropylene cone
Polypropylene cone
Polypropylene cone
+Waveguide
Polypropylene cone
Polypropylene cone
19 mm (0.75”)
25 mm (1”)
25 mm (1”)
Ti Mylar Laminate Dome
Ti Mylar Laminate Dome
Ti Mylar Laminate Dome
25 mm (1”)
Frequency Response (-10 dB)
65 Hz - 20 kHz
50 Hz - 20 kHz
50 Hz - 20 kHz
45 - 180 Hz
65 Hz - 20 kHz
Power Handling(8 Ω)
80 W (overload protected)
100 W (overload protected)
100 W (overload protected)
150 W
100W
Coverage Pattern
130° conical
110° conical
75° conical (@ >1 kHz)
180°
90° average
Sensitivity (1W/1m)
86 dB
91 dB
93 dB
94 dB
100 dB
Input Configuration
8 Ω, 70 V, 100 V
8 Ω, 70 V, 100 V
8 Ω, 70 V, 100 V
8 Ω, 70 V, 100 V
8 Ω / 70V / 100V
Transformer Power Taps (W)
(1.88*), 3.75, 7.5, 15, 30
(1.88*), 3.75, 7.5, 15, 30
(7.5*), 15, 30, 60
(7.5*), 15, 30, 60
(4*), 8, 16, 32, 64 ASC protected
333 x 414 mm
Dimensions (H x Dia.)
176 x 181mm
178 x 270 mm/255 x 270 mm
303 x 320 mm
303 x 320 mm
6.93” x 7.13”
7.01” x 10.65”/10.04” x 10.63”
11.99” x 12.60”
11.99” x 12.60”
5.0 kg (11.0 lbs.)
6.0 kg (13.2 lbs.)
Weight
2.7 kg (6.0 lbs.)
Acoustic Design
Ported cabinet, internally damped
Two-Way, inc. passive crossover
Cabinet Construction
Steel enclosure and UL94V-0 rated baffle and bezel
Mounting System
Integrated 3-point toggle anchors
Grille Construction
Powder-coated steel
Available Colors
White (paintable surface)
Install
•
•
•
•
7.0 kg (15.4 lbs.)
12.3 kg
Dual ported cabinet,
internally damped
Ported cabinet, internally damped
Two-Way inc. passive crossover
*70 V only*
29
S Series Mini Monitor
Install
Speakers
Live for Sound
A 5.25-inch, 160W, two-way monitor loudspeaker
system. Ideal for distributed sound applications
that require high-quality sound reproduction. The
lowfrequency section is a 5.25-inch direct-radiating
woofer with a polypropylene cone installed in an
S-40
S Series Speaker Systems
•
•
•
•
Two-way, full-range ultracompact
Ultra-linear frequency response
Vented LF enclosure
Full bandwidth protection circuit
for woofer and tweeter
S-40
30
optimally vented, high-impact polystyrene enclosure. The
high-fequency section is a one-inch, direct-radiating,
soft-dome tweeter. The system’s circuits automatically
reduce power delivery to drivers if threshold is exceeded,
reducing the possibility of driver failure.
Frequency range
85 Hz–20 kHz (+/- 3dB)
Sensitivity (SPL 1W/1m)
85 dB
Max. SPL/1m (calc.)
113 dB
Long-term power handling
160 W
Short-term power handling
640 W
Coverage (H° x V°)
100° x 100°
Directivity Index
9.8 dB (+3.8/-3.6 dB)
2 kHz–20 kHz
LF driver
5.25”
HF driver
1” Softdome
Crossover frequencies
3,500 Hz
Nominal impedance (low Z version)
4Ω
Minimum impedance (low Z version)
3.7 Ω
Input connections
spring terminal
Dimensions (H x W at front x D)
249 x 178 x 150 mm
(9.8” x 7” x 5.9”)
Net weight (including mounting bracket)
2.6 kg (5.7 lbs.)
• Ferrofluid-cooled soft-dome tweeter
• Trapezoidal
• 2 x 1/4" –20 suspension points
ZX/ZXA Series
ZX1
Composite 8" two-way
•
•
•
•
•
•
•
ZX1i
EV8L high performnace 8"woofer
Exclusive port design for extended LF response
200W cont., 400W program power handling,
Integrated overload protection
DH2005 true compression driver "1,25voice coil)
Rotatable 90 x 50 HF horn
Integrated monitor angle
•
•
•
•
Integrated pole-mount adapter and handle
4 metric inserts for additional mounting options
2 Neutik NL4 connectors
Available in black and white
Composite indoor/outdoor 8" two-way
•
•
•
•
•
ZXA1
New, high-power woofers and drivers, contemporary
styling, and innovative mechanical solutions for all
permanent installation and mobile stage applications make
ZX the new standard in lightweight sound.
Mobile Audio
The Advanced Generation of Versatile, High-Performance,
Lightweight Speakers. Building upon decades of
experience manufacturing lightweight, molded enclosures
with high-end components, ZX loudspeakers comprise a
new family that takes audio technology to the next level.
Install
Speakers
Live for Sound
EV8L weatherized woofer
DH2005 true compression driver
100 x 100 and 90 x 50 coverage pattern
Weatherized for indoor and outdoor use
"Clickn' Mount"Quick SAM mounting system for
• wide range of motion included
• 4-pin detachable Phoenix-style connector
• Dedicated transformer models with
wide range of selectable tabs
Compact Powered Loudspeaker
•
•
•
•
•
•
•
Integrated 800 watt power amplifier
Biamplified design with transducer protection
EV8L 8"high-output LF transducer
DH2"05 1exit true compression driver
90° x 50° coverage pattern
Rotatable horn design
123 dB maximum SPL
•
•
•
•
•
Selectable high-pass filter for use with subwoofers
Line and microphone inputs
Integral monitor angle on enclosure
Built-in pole mount
Lightweight (< 20 lbs) with integral
handle for easy carrying
31
Zx/ZxA Series
ZX3
Composite 12" two-way
ZX4
Composite 15" two-way
• ND2 2" voice coil, 1" exit
neodymium compression driver
• 600 W cont. 2400 peak
• 90° x 50° and 60° x 60° horn patterns
• Seven M8 rigging points,
two single stud fittings
• NL4 or two conductor SJO cable and
gland nut (weatherized versions)
• Available in two finishes:
indoor or weatherized
• Black or white
Mobile Audio
Install
Speakers
Live for Sound
ZX5
•
•
•
•
•
•
15" 2-Way with EVS15SF woofer
DH3 1.25" titanium HF driver
400 Watt cont. 1600W Peak
High sensitivity (100dB)
Adjustable monitor angles 45° and 55°
Large Format 90° x 50° EV horn
Composite 15" two-way
• DVX-3150 : New high-power 15" woofer
• ND2 : New 2" voicecoil Neodymium
compression driver
• New asymmetrically molded polypropylene enclosure
• Internal passive crossover (switchable to biamp)
• 10 x metric inserts (M8)
•
•
•
•
3 Ancra single-stud fittings (5 attachment points)
Integrated pole-mount adapter
Powder-coated full-face steel grille backed with foam
Standard floor monitor angle 45°, adjustable
to 55° with integrated monitor feet
ZXA5
•
•
•
•
•
•
•
32
Integrated Amplifier with 1000W LF, 250W HF
Selectable 100 Hz High Pass
XLR and 1/4" TRS Input Connector
XLR Output Connector
PowerCon Connector with Slave Through
DVX3150 15" LF Transducer with Forced Air Cooling
ND2 2" Voice Coil, 1" Exit Neodymium
•
•
•
•
•
•
Compression Driver
Two Models: 60° x 60° or 90° x 50°
Coverage Patterns
High Sensitivity, 133 dB Maximum SPL
Adjustable Monitor Angle (45° or 55°)
3 Anchor Plates for Single Stud Fittings and
10 Integral Suspension Points
Zx/ZxA Series
ZX1i
ZX3
ZX4
ZX5
ZXA1
ZXA5
60 - 20000 Hz
60 - 20000 Hz
58 - 15000 Hz
60 - 20000 Hz
58 - 18000 Hz
60 Hz - 20 kHz Hz Full
Range Mode
58 - 18000 Hz
Recommended High-Pass
Frequency
40 Hz
40 Hz
50 Hz
42 Hz
36 Hz
36 Hz
100 Hz User Selectable
Sensitivity 1 W/1 m
94 dB
94 dB
97 dB
100 dB
98 dB
Max. SPL/1m (calc)
123 dB
123 dB
131 dB
132 dB
132 dB
System Power Handling (Continuous/Program/Peak)
200 Watts
200 Watts
600 Watts
400 Watts
600 Watts
Nominal Impedance (Passive)
8Ω
8Ω
8Ω
8Ω
8Ω
–
Speaker Type
Fullrange, Mid-High,
Two-Way, Wedges
Fullrange, Mid-High,
Two-Way
Fullrange
Fullrange, Mid-High,
Two-Way, Wedges
Fullrange, Mid-High,
Two-Way, Wedges
Fullrange, Powered Monitors, Powered Speakers,
Two-Way, Wedges
Input Connections
Parallel Neutrik® NL4
Frequency Response (-10 dB)
48 - 20000 Hz
48 - 20000 Hz
48 - 20000 Hz
42 - 20000 Hz
Coverage(Nominal -6 dB) H°
90 °
90 °
90 °
Coverage(Nominal -6 dB) V°
50 °
50 °
50 °
LF Transducer
EV8L
EV8L
HF Transducer
DH2005
Crossover Frequency
Minimum Impedance
Enclosure Material
High Impact Polystyrene
Grill
Polyester Powder Coated, 18GA Galvanized Steel
Internal Crossover
Yes
Yes
Chassis Size
8 in (203.2 mm)
8 in (203.2 mm)
12 in (304.8 mm)
Flying
No
Yes
Outdoor
No
Color
2 conductor SJO cable
and gland nut
123 dB
–
XLR and TRS Combo;
XLR with Independent
Gain
XLR
39 - 20000 Hz
48 Hz - 20 kHz Hz Full
Range Mode
50 - 20000 Hz
60 °
90 °
90°, 100°
90°
60 °
50 °
50°, 100°
50°
DVX3121
EVS15SF
DVX3150
EV8L, 203mm (8 in)
Driver
DVX3150
DH2005
ND2
DH3
ND2
DH2005, 25mm (1 in)
Exit Compression Driver
ND2
1.7 kHz
1.7 kHz
2 kHz
1500 Hz
1500 Hz
1800 Hz
1500 Hz
6Ω
6Ω
6.2 Ω
6.5 Ω
6.5 Ω
Yes
No, Yes
15 in (381 mm)
15 in (381 mm)
8 in (203.2 mm)
15 in (381 mm)
Yes
Yes
Yes
No
Yes
Yes
Yes
No
Yes
No
No
Black
Black, White
Black, White
Black
Black, White
Black
Black, White
Rotatable Horn
Yes
Yes
no
Power Handling
(Continuous/Program/Peak)
200 W/400 W/800 W
200 W/400 W/800 W
600 W / 2400 W
400 W / 1600 W
600 W / 2400 W
Amplifier Power (RMS)
800 W
1250 W
Power Requirement
120V: 95V - 132V, 50 - 60 Hz, 0.6A; 230V:190V 264V, 50 - 60 Hz, 0.4A
Height
Width
Depth
17.76 in (451 mm)
11.1 in (282 mm)
10.35 in (263 mm)
17.76 in (451 mm)
11.1 in (282 mm)
10.35 in (263 mm)
Weight Net
18.52 lbs (8.4 kg)
18.52 lbs (8.4 kg)
43.65 lbs (19.8 kg)
27.01 in (686 mm)
17.52 in (445 mm)
15.98 in (406 mm)
27.24 in (692 mm)
17.56 in (446 mm)
16.18 in (411 mm)
17.99 in (457 mm)
11.1 in (282 mm)
10.39 in (264 mm)
27.24 in (692 mm)
17.56 in (446 mm)
16.18 in (411 mm)
44.53 lbs (20.2 kg)
22.11.02 lbs (5 kg)
19 lbs (8.62 kg)
50.49 lbs (22.9 kg)
Mobile Audio
ZX1
Frequency Response (-3 dB)
Install
Speakers
Live for Sound
33
Sx/SxA Series
Speakers
Live for Sound
offers the convenience of powered loudspeakers with the
performance and reliability for which EV is known.
Sx80BE
Sx80TB
Install
As a manufacturer of tour proven loudspeakers and
amplifiers, it only makes sense to pair the two together
within the most popular loudspeaker design in history. SXA
Mobile Audio
•
•
•
•
•
•
•
•
34
2-Way Full-range
Vented LF enclosure
1" voicecoil (titanium diaphragm)
PRO™ Driver protection
HF-horn features Varipath™
Trapezoidal
Compact dimensions
7 x M6 and 4 x M5 inserts
•
•
•
•
•
•
•
•
Sx 80
Sx 100 +
Sx 250
Frequency Range (-10 dB)
51 Hz - 20 kHz
60 Hz - 20 kHz
50 Hz - 20 kHz
Frequency Response (-10dB)
Recommended High-Pass
Frequency
---
---
45 Hz (12 dB/Oct.)
Rated Output Power
Axial Sensitivity SPL
1W/1m (Biamp mode)
92 dB
98 dB
99 dB
Max. SPL / 1m (calc.);
full space
121 dB
(100V: 110 dB)
127 dB
200 W
130 dB
SxA100+
SxA250
55Hz to 20kHz
55Hz to 20kHz
long term
LF150/HF 50Watts
LF150/HF 50Watts
10ms burst
LF350W/HF 80W
LF350W/HF 80W
Max. Sound Pressure Level
124 dB
126 dB
HF Coverage (nominal)
65° x 65°
80° x 55°
Components
LF
12“ woofer
DL15BFH
HF
DH 2010A
DH 2010A
Inputs
Microphone Input (XLR)
Line Level Input (XLR/1/4“)
XLR out (slave)
Microphone Input (XLR)
Line Level Input (XLR/1/4“)
XLR out (slave)
Level Controls
Mic Level (-35 dBu to 0 dBu
Master Level (- infinity to
0 dB)
Mic Level (-35dBu to 0dBu
Master Level (- infinity
to 0dB)
2-Band EQ
LF: +/- 6dB
HF: +/- 4dB
LF: +/- 6dB
HF: +/- 4dB
Long-Term Power Handling
(low Z)
175 W
(100V resp. Biamp)
(60 W/100V)
Short-Term Power Handling
(Peak), low Z
700 W
Coverage (nominal -6 dB)
H° x V°
90° x 60°
(CD Horn)
65° x 65°
(CD Horn)
80° x 55°
Directivity Index
(800 - 16.000 Hz)
9.2 dB
(+2.3/-3.9 dB)
11.1 dB
(+2.4/-4.1 dB)
11.6 dB
(+3.0/-6.9 dB)
LF woofer (transducer)
8” (---)
12” (---)
15”(DL15BFH)
HF throat diameter
(transducer)
1” (DH2005)
1” (DH2010A)
1”(DH2010A)
Power Requirement
120V or 220-240V 50/60Hz
120V or 220-240V 50/60Hz
Crossover Frequencies
2,200 Hz
1,500 Hz
1,600 Hz
Dimensions
586 x 429 x 312 mm
625 x 437 x 333 mm
Nominal Impedance (nontransformer)
8Ω
8Ω
8Ω
(heights x width x depth)
23.07” x 16.89” x 12.28”
24.60” x 17.20” x 13.11”
Weight (net)
19.5 kg (43 lbs.)
22.2 kg (48.94 lbs.)
800 W
350 W
2-Way Full-range
Vented LF enclosure
1" voicecoil (titanium diaphragm)
PRO™ Driver protection
HF-horn features Varipath™
Trapezoidal
Compact dimensions
7 x M6 and 4 x M5 inserts
1,400 W
Minimum Impedance (nontransformer)
7.2 Ω
5.6 Ω
5.2 Ω
Input Connections
see above
see above
2 four-pin Speakon
Dimensions (H x W at
front x D)
400 x 292 x 222 mm
15.75” x 11.5” x 8.75”
586 x 429 x 312 mm
23.07” x 16.89” x 12.28”
625 x 431 x 330 mm
24.6” x 16.97” x 12.99”
Net Weight
8.2 kg (T/PIX: 9.3 kg)
18.1 lbs. (T/PIX: 20.5 lbs.)
14.5 kg
32 lbs
18.1 kg
39.9 lbs.
Sx80PIX
Sx80PI
•
•
•
•
•
•
•
•
2-Way Full-range
Vented LF enclosure
1.25" voice coil (titanium diaphragm)
PRO™ Driver protection circuit
HF-horn features Varipath™
• 65° x 65° CD horn from the famous Sx 300
for an outstanding acoustic performance
• Fully compatible with Sx mounting
hardware and accessories
• Pole-mount adapter
15" two-way
•
•
•
•
•
SxA250
Trapezoidal (25° per side)
Physical characteristics of
Sx 300 with slightly lower sensitivity
4 x M8x1.25 attachment inserts
Powered composite 12" two-way
• Very compact, lightweight, robust
polypropylene enclosure
• Real fullrange 55 Hz – 20k Hz for front-of house
or monitor (with F200 monitor adapter)
• Biamped with 350 W plus 80 W peak power
for a very dynamic musical response
• Mixable microphone and line inputs with a 2-band EQ
Sx250
•
•
•
•
Install
Composite 12" two-way
•
•
•
•
•
SxA100+
2-Way Full-range
Vented LF enclosure
1" voicecoil (titanium diaphragm)
PRO™ Driver protection
HF-horn features Varipath™
Trapezoidal
Compact dimensions
7 x M6 and 4 x M5 inserts
Mobile Audio
Sx100+
•
•
•
•
•
•
•
•
2-Way Full-range
Vented LF enclosure
1" voicecoil (titanium diaphragm)
PRO™ Driver protection
HF-horn features Varipath™
Trapezoidal
Compact dimensions
7 x M6 and 4 x M5 inserts
Speakers
Sx/SxA Series
Live for Sound
2-Way Full-range
Extended bass response
15" DL-Woofer 1.25" titanium diaphragm
80 x 55 degree horn pattern
18mm plywood enclosure
•
•
•
•
Rugged FUTURATM finish
Five sided, multi-angle cabinet
Built-in stand mount
Suspendable using optional SK-1 kit
•
•
•
•
Mixable microphone and line inputs and a 2-band EQ
EV DL15 woofer with cast aluminium frame
DH2010A 1.25" driver with 80° x 55° CD horn
Pole-mount adapter
Powered 15" two-way
• 7-ply plywood enclosure with EV Coat
cover; extremely scratch resistant
• 5-side enclosure with 45° monitor angle
• True fullrange (55Hz – 20kHz) for frontof-house or monitor applications
• Biamped at 350W plus 80W peak power
for a very dynamic musical response
35
Sx/SxA Series
Mobile Audio
Install
Speakers
Live for Sound
Sx300E
Composite 12" two-way
•
•
•
•
•
•
•
Sx300PI
Trapezoidal (25° per side)
4 x M8x1.25 attachment inserts
Overview of variants see right spread sheet
Sx300 PI outdoor version
Sx300 PIX for 70V/100V
2-Way Full-range
High Sensitivity
Ultra-linear frequency response
Vented LF enclosure
1.25" voice coil (titanium diaphragm)
PRO™ Driver protection circuit
HF-horn features Varipath™
•
•
•
•
•
Trapezoidal (25° per side)
4 x M8x1.25 attachment inserts
Overview of variants see right spread sheet
Sx300 PI outdoor version
Sx300 PIX for 70V/100V
Composite weatherized 70/100v 12" two-way
•
•
•
•
•
•
•
36
•
•
•
•
•
Composite weatherized 12" two-way
•
•
•
•
•
•
•
Sx300PIX
2-Way Full-range
High Sensitivity
Ultra-linear frequency response
Vented LF enclosure
1.25" voice coil (titanium diaphragm)
PRO™ Driver protection circuit
HF-horn features Varipath™
2-Way Full-range
High Sensitivity
Ultra-linear frequency response
Vented LF enclosure
1.25" voice coil (titanium diaphragm)
PRO™ Driver protection circuit
HF-horn features Varipath™
•
•
•
•
•
Trapezoidal (25° per side)
4 x M8x1.25 attachment inserts
Overview of variants see right spread sheet
Sx300 PI outdoor version
Sx300 PIX for 70V/100V
High output composite dual 12" two-way
Sb122
Two-element vertical line array
For highest output outdoors
Very high sensitivity (105 dB/1W/1m)
High intelligibility
Two 12" woofers
DH2T driver on 65° x 65°Varipath horn
All-weather cabinet
•
•
•
•
SuperSAM mounting, 60° x 180° adjustable
Waterproof connection
by SJO cable with gland nut
Internal 600 W transformer available (SX600PIX)
Install
•
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•
•
•
Composite 12" subwoofer
•
•
•
•
•
•
•
Subwoofer
Direct radiating vented design
Trapezoidal (25° per side)
Lo-Pass Filter
4 x M8x1.25 attachment points
Sb122PI outdoor version
Sb122PIX fro 70V/100V
Mobile Audio
Sx600PI
Speakers
Sx/SxA Series
Live for Sound
Sx 300
Sx600PI
Sb 122
Frequency Range (-10 dB)
50 Hz - 20 kHz
70 Hz - 18 kHz
45 - 600 Hz
Recommended High-Pass Frequency
---
90 Hz
48 Hz (12 dB/Oct.)
Axial Sensitivity SPL 1W/1m (Biamp mode)
99 dB
105 dB
99 dB*
Max. SPL / 1m (calc.); full space
131 dB (100V: 123 dB)
138 dB
131 dB*
Long-Term Power Handling (low Z)
300 W
600 W
400 W
(100V resp. Biamp)
(200 W/100V)
Short-Term Power Handling (Peak), low Z
1,200 W
2,400 W
1,600 W
Coverage (nominal -6 dB) H° x V°
65° x 65° (CD Horn)
65° x 65°
essentially omni
Directivity Index (800 - 16.000 Hz)
11.1 dB (+2.4/-4.1 dB)
11.3 dB
---
LF woofer (transducer)
12” (DL12BFH)
2 x 12” (ND12,DL12BFH)
12” (EVS12)
HF throat diameter (transducer)
1” (DH2010A)
1”(DH2T)
Crossover Frequencies
1,500 Hz
1,800 Hz
160 Hz
Nominal Impedance (non-transformer)
8Ω
4Ω
8Ω
Minimum Impedance (non-transformer)
6.0 Ω
3.5 Ω
6.0 Ω
Input Connections
2 four-pin Speakon
SJO cable/gland nut
2 four-pin Speakon
Dimensions (H x W at front x D)
586 x 429 x 312 mm 23.07” x 16.89” x 12.28”
1163 x 429 x 312 mm 45.79” x 16.89” x 12.28”
586 x 429 x 312 mm 23.07” x 16.89” x 12.28”
Net Weight
14.5 kg (PIX: 17.7 kg) 30 lbs. (PIX: 49.0 lbs.)
36.3 kg 80 lbs.
14.6 kg 32.2 lbs.
37
Phoenix
Mobile Audio
Install
Speakers
Live for Sound
Phoenix represents the rebirth of Manifold Technology.
Designed for tremendous SPL and sonic headroom, as
well as ease of transport and set-up, Phoenix fills the
needs of the live sound PA professional who finds that
X-Array is just too much and QRx is not enough. The
high-output performance of Phoenix has been optimized
PX2122
to reproduce rock, pop, and dance music. Using dual,
ND2, neodymium compression drivers on a manifold horn
and state-of-the-art DVX woofers, Phoenix loudspeakers
can perform louder and longer with less stress on system
components.
High output dual 12" two-way
• Dual ND2 2" Voice Coil, 1" Exit
Neodymium Compression Drivers
• Dual DVX3121 12LF Transducers
with Forced Air Cooling
• Long-Throw 30° x 45° Rotatable Coverage Pattern
• 1000W Continuous (4000W
Peak) Power Handling
PX2152
High output dual 15" two-way
• Dual ND2 2" Voice Coil, 1" Exit
Neodymium Compression Drivers
• Dual DVX3150 15LF Transducers
with Forced Air Cooling
• High Sensitivity, 136 dB maximum SPL
• 60° x 45° Rotatable Coverage Pattern
PX2181
• 1200W Continuous (4800W
Peak) Power Handling
• Passive/Biamp Selectable
• Integral Points for eyebolts or optional Rigging Kit
• Arrayable
High output dual 18" subwoofer
• Dual Horn-Loaded DVX3180 18" LF
Transducers with Forced Air Cooling
• 1000W Continuous (4000W
Peak) Power Handling
• High-Efficiency Sub-ScoopTM Design
• Dual/Parallel Mode Selectable
• Very High Sensitivity, 141 dB max. SPL
38
• Biamp Operation
• Very High Sensitivity, 138 dB max. SPL
• Integral Rigging Points for Eyebolts
or Optional Rigging Kit
• Designed for horizontal arrays
of two or three cabinets
• Integral Mounting Points on Rear Panel
for Optional Wheel/Caster Kit
• Enclosure is Stackable in Both
Horizontal and Vertical Orientations
• Dual ND2 2" Voice Coil, 1" Exit
Neodymium Compression Drivers
• VX3121 12LF Transducer with Forced Air Cooling
• Very High Sensitivity, 132 dB(PX1122M)
/ 134 dB(PX1152M) max. SPL
• Ultra-Compact, Low Profile, Multipurpose Design
PX1152M
•
•
•
•
90° x 45° Coverage Pattern
600W Cont. (2400W Peak) Power Handling
Passive/Biamp Selectable
Integral Rigging Point for PXSAM Strong Arm & Pole
• Mount for Tripod Use
High output 15" two-way monitor
• Dual ND2 2" Voice Coil, 1" Exit
Neodymium Compression Drivers
• VX3151 15LF Transducer with Forced Air Cooling
• Very High Sensitivity, 132 dB(PX1122M)
/ 134 dB(PX1152M) max. SPL
• Ultra-Compact, Low Profile, Multipurpose Design
•
•
•
•
90° x 45° Coverage Pattern
600W Cont. (2400W Peak) Power Handling
Passive/Biamp Selectable
Integral Rigging Point for PXSAM Strong Arm & Pole
• Mount for Tripod Use
PX2122
PX2152
PX2181
PX1122M
PX1152M
Frequency Range (-10 dB)
60 Hz - 19 kHz
50 Hz - 18 kHz
40 Hz - 180 Hz
55 Hz - 19 kHz
50 Hz - 19 kHz
Recommended High-Pass
Frequency
80 Hz (12 dB/Oct.)
40 Hz (12 dB/Oct.)
32 Hz (12 dB/Oct.)
50 Hz (12 dB/Oct.)
45 Hz (12 dB/Oct.)
Axial Sensitivity SPL 1 W/1 m
102 dB
99 dB
105 dB
98 dB
100 dB
Max. SPL /1 m (calc.); full space
138 dB
136 dB
141 dB
132 dB
134 dB
LF Power Handling (Passive)
–—
1200 W Cont. / 4,800 W Peak
–—
600 W Cont. / 2,400 W Peak
600 W Cont. / 2,400 W Peak
LF Power Handling (Biamp)
1000 W Cont. / 4,000 W Peak
1000 W Cont. / 4,000 W Peak
1000 W Cont. / 4,000 W Peak
500 W Cont. / 2,000 W Peak
Peak 500 W Cont. / 2,000 W Peak
HF Power Handling (Biamp)
80 W Cont. / 320 W Peak
80 W Cont. / 320 W Peak
–—
80 W Cont. / 320 W Peak
80 W Cont. / 320 W Peak
Coverage (nominal -6 dB) H° x V°
30° (or 45°) x 45° (or 30°)
60° (or 45°) x 45° (or 60°)
Omnidirectional
90° x 45°
90° x 45°
LF transducer
2 x 12” DVX3121
2 x 15” DVX3150
2 x 18” DVX3180
1 x 12” DVX3121
1 x 12” DVX3151
HF transducer
2 x 2” ND2-16
2 x 2” ND2-16
–—
2 x 2” ND2-16
2 x 2” ND2-16
Crossover Frequencies
1600 Hz
1,600 Hz
80 Hz - 125 Hz
80 Hz - 125 Hz
1,600 Hz 80 Hz - 125 Hz
LF Impedance
4 Ω Nominal
4 Ω Nominal
4 Ω Nominal
8 Ω Nominal
8 Ω Nominal
HF Impedance
8 Ω Nominal
8 Ω Nominal
–—
8 Ω Nominal
8 Ω Nominal
Input Connections
Neutrik Speakon NL4’s
Neutrik Speakon NL4’s
Neutrik Speakon NL4’s
Neutrik Speakon NL4’s
Neutrik Speakon NL4’s
Enclosure Material
18 mm Plywood with EVCoat™
18 mm Plywood with EVCoat™
18 mm Plywood with EVCoat™
18 mm Plywood with EVCoat™
18 mm Plywood with EVCoat
Dimensions (H x W x D)
1219 x 457 x 445 mm
1219 x 457 x 445 mm
1219 x 569 x 758 mm
546 x 366 x 305 mm
610 x 366 x 305 mm
(48” x 18” x 17,5”)
48” x 18” x 17,5”
48.0” x 22.42” x 29.85”
Net Weight
50.1 kg (110.3 lbs.)
45.6 kg (100.5 lbs.)
86.5 kg (190,5 lbs.)
23.1 kg (51 lbs.)
25.1 kg (55.3 lbs.)
Install
High output 12" two-way monitor
Mobile Audio
PX1122M
Speakers
Phoenix
Live for Sound
24.00” x 17.42” x 12.97”
39
QRx Series
Mobile Audio
Install
Speakers
Live for Sound
QRx Series has become the standard for regional sound
companies, rental professionals, and contractors who want
compact high-performance loudspeakers with concertgrade EV components. Covered with rugged EVCOAT,
QRx looks great stacked, on poles, as monitors, or flown
with simple, integrated, L-track rigging points on top and
bottom. Their unique, asymmetrical, fully rotable horns
with 15 degree downward bias ensures high-frequency
coverage without having to tilt the enclosure toward the
audience. Our powerhouse, the DH7 large-format driver
(three-inch voice-coil, 1.4-inch exit) provides the highfrequency engine, while a selection of DL and EVX woofers
anchor the low and sub frequencies. The combination of
high-level components, unique design, and versatility make
QRx Series one of the best values in the industry.
QRx 112/75 Compact 12" two-way
•
•
•
•
•
•
2-Way High-Output Full-range
High Sensitivity
Ultra-linear frequency response
Solid bass down to 52 Hz (-10 dB)
Vented LF enclosure
Asymmetric CD-horn aimed downward by 10°
•
•
•
•
3" voice coil (titanium diaphragm)
Protection circuits for HF-driver and LF-woofer
Easy external operation mode selection
5-side multi-angled housing with monitor slant
QRx 115/75 Compact 15" two-way
•
•
•
•
•
•
QRx 118S
2-Way High-Output Full-range
High Sensitivity
Ultra-linear frequency response
Solid bass down to 50 Hz (-10 dB)
Vented LF enclosure
Asymmetric CD-horn aimed downward by 10°
3" voice coil (titanium diaphragm)
Protection circuits for HF-driver and LF-woofer
Easy external operation mode selection
5-side multi-angled housing with monitor slant
Same front width as Rx 118 S
Compact 18" subwoofer
• Subwoofer
• Direct radiating vented design
• High Sensitivity
40
•
•
•
•
•
• Solid bass down to 30 Hz (-10 dB)
• Rectangular
• Equipped with shown features below
Speakers
QRx Series
Live for Sound
QRx 153/75Compact 15" three-way
•
•
•
•
•
•
Three-way, high-output, full-range loudspeaker
Biamp only
Solid bass to 42 Hz (-10dB)
Vented LF enclosure
Asymmetrical CD horn aimed downward by 10°
3" HF voice coil (titanium diaphragm)
• Protection circuit for HF driver
• Trapezoidal cabinet (15° per side)
for tightpack situations
• Comes with L-track hardware and
single-stud ancra fittings
2-Way Highest-Output Full-range
High Sensitivity
Ultra-linear frequency response
Extended bass response down to 50 Hz (-10 dB)
Vented LF enclosure
•
•
•
•
•
Asymmetric CD-horn aimed downward by 10°
3" voice coil (titanium diaphragm)
Protection circuits for HF-driver and LF-woofers
Easy external operation mode selection
Trapezoidal (10° per side)
Mobile Audio
•
•
•
•
•
Install
QRx 212/75 Compact dual 12" two-way
QRx 218S
Compact dual 18" subwoofer
•
•
•
•
•
Frequency Range (-10 dB)
Subwoofer
Direct radiating vented design
High Sensitivity
Solid bass down to 31 Hz (-10 dB)
Rectangular
• Also perfect in combination with
large HP and MH horns
• Equipped with shown features below
• Flyable version available
QRx112/75
QRx115/75
QRx153
QRx(H) 212/75
QRx118
QRx218S
52 Hz - 18 kHz
45 Hz - 15 kHz
42 Hz - 20 kHz
50 Hz - 15 kHz
38/40Hz - 250 Hz
40 - 250 Hz
Frequency Range (-3 dB) with controller amp
46 Hz - 18 kHz
48 Hz - 18 kHz
50 Hz - 16 kHz
43 Hz - 18 kHz
36/38Hz - 125 Hz
38 - 125 Hz
Recommended High-pass frequency
45 Hz (12 dB/Oct.)
45 Hz (12 dB/Oct.)
—
45 Hz (12 dB/Oct.)
36 Hz (12 dB/Oct.)
35 Hz (12 dB/Oct.)
Axial Sensitivity SPL 1W/1m
(Biamp operation)
100 dB
(100/112 dB)
100 dB
(101/112 dB)
98/105 dB
102 dB
(102/112 dB)
98 dB
100 dB
Max. SPL / 1m (calc.)
131 dB
133 dB
130 dB
136 dB
132/133 dB
135 dB
Continuous Power Handling
350 W (300 W/75 W)
450 W (400 W/75 W)
400 W/150 W/150 W
650 W (600 W/75 W)
600/800 W
800 W
Peak Power Handling (Biamp)
1,400 W (1,200/300 W)
1,800 W (1,600/300
W)
1,600 W/600 W/600 W
2,600 W (2,400/300 W)
2,400/3,200 W
1,600W
Coverage (nominal -6 dB) H° x V°
75° x 50°
(asym. CD horn)
75° x 50°
(asym. CD horn)
75° x 50°
(asym. CD horn)
75° x 50°
(asym. CD horn)
essentially
omni
essentially
omni
LF woofer (transducer)
12” (DL12BFH)
15” (DL15X)
15” (DL15ST)
2 x 12” (DL12BFH)
1x18”(EVX) /
2x15”(DL15)
2 x 18” (DL18MT)
VC diameter
3” (DH7)
3” (DH7)
8” MF8 MF/ 3” DH7 HF
3” (DH7)
---
---
Crossover Frequencies (slope in Biamp
mode)
1,500 Hz (24 dB/Oct.)
1,500 Hz (24 dB/Oct.)
1,200 Hz
1,500 Hz (24 dB/Oct.)
100 Hz (24 dB/Oct.)
100 Hz (24 dB/Oct.)
Nominal Impedance (Biamp mode)
8 Ω (8 Ω/8 Ω)
8 Ω (8 Ω/8 Ω)
8 Ω/12 Ω/12 Ω
4 Ω (4 Ω/8 Ω)
8/4 Ω
4Ω
Input Connections
2 Neutrik® NL4
2 Neutrik® NL4
2 Neutrik® NL4
2 Neutrik® NL4
2 Neutrik® NL4
2 Neutrik® NL4
Dimensions (H x W at front x D)
675 x 390 x 372 mm
26.6” x 15.36” x 16”
759 x 450 x 407 mm
29.9” x 17.72” x 16.02”
1,240 x 467 x 485 mm
41.5” x 18.4” x 19.12”
990 x 390 x 375 mm
38.98” x 15.47” x 14.77”
900 x 450 x 600 mm
35.5” x 17.7” x 23.6”
990 x 560 x 600 mm
39” x 22.05” x 23.6”
Net Weight (subs without wheel kit)
26.0 kg (58 lbs.)
32.0 kg. (71 lbs.)
47 kg (97 lbs.)
36.5 kg. (80 lbs.)
47.5/48.5 kg (100/102
lbs.)
59.5 kg (131 lbs.)
41
Tour X
Install
Speakers
Live for Sound
Tour X embodies the same engineering excellence and
aesthetic design found in every world-class EV tour
system. Its form is seamlessly integrated into practical,
functional elements that make a bold statement about the
TX1122
multi-application purpose and breakthrough performance.
A host of innovative features and patent-pending designs
make Tour X the most exciting portable loudspeaker series
available.
12" two-way
Mobile Audio
• DH3 1.25" (32 mm) Diaphragm, 1" (25 mm)exit pure titanium compression driver
• SMX2120 12(305 mm) LF transducer
with fully symmetric drive
• Advanced fourth-order crossover with HF protection
TX1152
•
•
•
•
•
60° x 40° rotatable coverage pattern
100 dB sensitivity, 133 dB maximum SPL
500 W continuous, 2000 W peak power handling
Pole mount for tripod use
Six 3/8" threaded points for suspension
•
•
•
•
60° x 40° rotatable coverage pattern
103 dB sensitivity, 139 dB maximum SPL
1000 W continuous, 4000 W peak power handling
Six 3/8" threaded points for suspension
Dual 15" Two-way Full-range
• ND2-8 2" (51 mm) diaphragm, 1" (25.4 mm)exit neodymium compression driver
• Dual SMX2151 15" (381 mm) LF
transducers with fully symmetric drive
• Advanced sixth-order crossover with HF protection
42
90° x 50° coverage pattern
97 dB sensitivity, 130 dB maximum SPL
500 W continuous, 2000 W peak power handling
Pole mount for tripod use
Six 3/8" threaded points for suspension
15" two-way
• DH3 1.25" (32 mm) Diaphragm, 1" (25 mm)exit pure titanium compression driver
• SMX2151 15" (381 mm) LF transducer
with fully symmetric drive
• Advanced fourth-order crossover with HF protection
TX2152
•
•
•
•
•
18" subwoofer
TX2181
• EVS-18S 18" (457 mm)
LF transducer
• 100 dB sensitivity, 132
dB maximum SPL
• Integrated low pass filter
with 6 dB / octave slope
• 500 W continuous, 2000
W peak power handling
• Pole mount to elevate a
two-way loudspeaker
• Mounting points to attach
optional TX-W1 wheel kit
TX1122FM
12" two-way dedicated floor monitor
with fully symmetric drive
• Integrated crossover with steep 24 dB
/ octave slopes and HF protection
• 90° x 50° coverage pattern
• 500 W continuous, 2000 W peak power handling
Mobile Audio
• 55° compact vertical floor monitor with
Signal Synchronized Transducers™
• 99 dB sensitivity, 132 dB maximum SPL
• DH3 1.25" (32 mm) diaphragm, 1(25 mm)exit pure titanium compression driver
• SMX2121 12" (305 mm) LF transducer
TX1152FM
Dual 18" subwoofer
• Dual EVS-18S 18" (457 mm)
LF transducers
• 103 dB sensitivity,
138 dB maximum SPL
• 1000 W continuous, 4000 W
peak power handling
• Four integrated handles
for easy portability
• Mounting points to attach
optional TX-W1 wheel kit
15" two-way dedicated floor monitor
• 55° vertical floor monitor with Signal
Synchronized Transducers™
• 100 dB sensitivity, 133 dB maximum SPL
• DH3 1.25" (32 mm) diaphragm, 1(25 mm)exit pure titanium compression driver
• SMX2151 15" (381 mm) LF transducer
with fully symmetric drive
Install
TX1181
Speakers
Tour X
Live for Sound
• Integrated crossover with steep 24 dB
/ octave slopes and HF protection
• 90° x 50° coverage pattern
• 500 W continuous, 2000 W peak power handling
TX1122
TX1152
TX2152
TX1181
TX2181
TX1122FM
TX1152FM
Frequency Response (-3 dB)
60 - 20000 Hz
55 - 20000 Hz
55 - 13000 Hz
50 - 160 Hz
50 - 160 Hz
70 - 20000 Hz
65 - 20000 Hz
Sensitivity 1 W/1 m
97 dB
100 dB
103 dB
100 dB
103 dB
99 dB
100 dB
Max. SPL/1m (calc)
130 dB
133 dB
139 dB
132 dB
138 dB
132 dB
133 dB
System Power Handling (Continuous/Program/Peak)
500 Watts
500 Watts
1000 Watts
500 Watts
1000 Watts
500 Watts
500 Watts
Nominal Impedance (Passive)
8Ω
8Ω
4Ω
8Ω
4Ω
8Ω
8Ω
Speaker Type
Fullrange
Fullrange
Fullrange
Subs
Subs
Fullrange
Fullrange
Input Connections
Parallel Neutrik® NL4
Parallel Neutrik® NL4
Parallel Neutrik® NL4
Parallel Neutrik® NL4
Parallel Neutrik® NL4
Parallel Neutrik® NL4
Parallel Neutrik® NL4
Frequency Response (-10 dB)
45 - 20000 Hz
40 - 20000 Hz
50 - 18000 Hz
45 - 700 Hz
40 - 1500 Hz
55 - 20000 Hz
45 - 20000 Hz
Coverage(Nominal -6 dB) H°
90 °
60 °
60 °
90 °
90 °
Coverage(Nominal -6 dB) V°
50 °
40 °
40 °
50 °
50 °
LF Transducer
SMX2120
SMX2151
(2) SMX2151
SMX2121
SMX2151
HF Transducer
DH3
DH3
ND2
DH3
DH3
Crossover Frequency
1750 Hz
1650 Hz
1750 Hz
1600 Hz
1750 Hz
Minimum Impedance
5.4 Ω
5.6 Ω
3.1 Ω
7.5 Ω
2.9 Ω
6.4 Ω
6.2 Ω
Enclosure Material
Plywood and MDF with
EVCOAT
Plywood and MDF with
EVCOAT
Plywood and MDF with
EVCOAT
Plywood and MDF with
EVCOAT
Plywood and MDF with
EVCOAT
Plywood and MDF with
EVCOAT
Plywood and MDF with
EVCOAT
Suspension
(6) 3/8-inch threaded
inserts
(6) 3/8-inch threaded
inserts
(6) 3/8-inch threaded
inserts
EVS18S
(2) EVS18S
Internal Crossover
Yes
Yes
Yes
Yes
No
Yes
Yes
Flying
Yes
Yes
Yes
No
No
No
No
Rotatable Horn
No
Yes
Yes
No
No
Height
Width
Depth
24.25 in (616 mm)
15.04 in (382 mm)
14.96 in (380 mm)
30.55 in (776 mm)
17.56 in (446 mm)
17.56 in (446 mm)
45.43 in (1154 mm)
20 in (508 mm)
18.54 in (471 mm)
30.28 in (769 mm)
17.28 in (439 mm)
23.27 in (591 mm)
45.43 in (1154 mm)
20 in (508 mm)
27.2 in (691 mm)
17.32 in (440 mm)
14.33 in (364 mm)
22.56 in (573 mm)
18.7 in (475 mm)
17.28 in (439 mm)
25.79 in (655 mm)
Weight Net
44.53 lbs (20.2 kg)
61.29 lbs (27.8 kg)
94.36 lbs (42.8 kg)
74.52 lbs (33.8 kg)
123.68 lbs (56.1 kg)
43.65 lbs (19.8 kg)
23.11.02 lbs (5 kg)
43
Force i Loudspeaker Series
Speakers
Live for Sound
Force i is built for the professional on a budget and boasts
great sound, portability, and outstanding value. Each Force
i system is easy to transport and simple to set up, making it
perfect for performers, traveling DJs, school functions, and
15" two-way
Mobile Audio
Force i
•
•
•
•
•
Force i Monitor
Force i25
RoadWood™ trapezoidal enclosure
Compact size - 25.2" tall
Lightweight – 46 lbs (20.9 kg)
RMD™ (Ring-Mode Decoupling)
1pure titanium compression driver
•
•
•
•
80º x 55º true constant-directivity horn
High-power crossover network
PTP™ (Power Tracking Protection)
Built-in metal stand mount
•
•
•
•
80º x 55º true constant-directivity horn
High-power crossover network
PTP™ (Power Tracking Protection)
Built-in metal stand mount
12" two-way monitor
•
•
•
•
•
RoadWood™ trapezoidal enclosure
Super-low-profile
Lightweight – only 28 lbs (12.7 kg)
RMD™ (Ring-Mode Decoupling)
1" pure titanium compression driver
Dual 15" Two-way
•
•
•
•
•
•
44
youth groups. Force i tops and subs are designed to work
together as a system, efficiently using a single amplifier
channel to drive both.
Two-element shaded array
RMD™ (Ring-Mode Decoupling)
1" pure titanium compression driver
80º x 55º true constant-directivity horn
High-power crossover network
Built-in wheels for easy transport
Force i Loudspeaker Series
Force i Sub
Mobile Audio
Speakers
Live for Sound
18" subwoofer
• 18" cast-frame driver with 350 W continuous /
700 W program / 1,400 W peak power handling
• Built-in input filter for single-amp drive
capability – no bi-amp required
• Comes with 34pole for elevating two-way systems
Frequency Response (-3 dB)
• Comes with wheels and removable
expandable handle for easy transport
• Enclosure is strong and light – 88 lb (40.0 kg)
• Same height (25.5") as Force i twoway for more efficient packing
Force i
Force i Monitor
Force i Sub
Force i25
60 - 20000 Hz
85 - 17000 Hz
36 - 210 Hz
46 - 18000 Hz
Sensitivity 1 W/1 m
100 dB
99 dB
100 dB
Max. SPL/1m (calc)
130 dB
128 dB
131 dB
100 dB
System Power Handling (Continuous/
Program/Peak)
250 Watts
250 Watts
350 Watts
600 Watts
Nominal Impedance (Passive)
8Ω
8Ω
8Ω
4Ω
Speaker Type
Fullrange, Mid-High, Two-Way
Fullrange, Two-Way, Wedges
Subs
Fullrange, Mid-High, Two-Way
Input Connections
Parallel Neutrik® NL4
Parallel Neutrik® NL4
Parallel Neutrik® NL4
Frequency Response (-10 dB)
40 - 20000 Hz
Parallel Neutrik® NL4
35 - 20000 Hz
Coverage(Nominal -6 dB) H°
80 °
55 °
omni
80 °
Coverage(Nominal -6 dB) V°
55 °
80 °
omni
50 °
Internal Crossover
Yes
Yes
Yes
Yes
Chassis Size
15 in (381 mm)
12 in (304.8 mm)
18 in (457.2 mm)
15 in (381 mm)
Flying
No
No
No
No
Outdoor
No
No
No
No
Color
Black
Black
Black
Black
Height
Width
Depth
25.51 in (648 mm)
18.31 in (465 mm)
15.2 in (386 mm)
21.5 in (546 mm)
14.21 in (361 mm)
9.69 in (246 mm)
25.51 in (648 mm)
20.39 in (518 mm)
23.5 in (597 mm)
45.98 in (1168 mm)
17.91 in (455 mm)
20.24 in (514 mm)
Weight Net
53.13 lbs (24.1 kg)
28.44 lbs (12.9 kg)
87.74 lbs (39.8 kg)
114.64 lbs (52 kg)
45
Variplex II Systems
Install
Speakers
Live for Sound
The Variplex II is one example of the many THX-approved
Electro-Voice systems. They join the large, diverse family
of EV cinema products developed for both large and small
cinemas. EV's wide range of products and time-proven
acoustic excellence ensures that any system can be
designed to fit any room, and more importantly, that the
cinema experience will be the best your customers have
ever heard. And take note: The THX-approved, highquality, CPS Series amplifiers are part of this formula for
success.
Variplex II&trade;
•
•
•
•
Three-way stage system
Vari-Intense® technology provides
uniform front-to-back coverage
Ring-Mode Decoupling™ improves
vocal clarity and intelligibility
• Variplex™ B model features passive MB/
HF crossover for biamping
• THX® approved
• Digital Dynamics Capable™
Variplex II&trade; XL
• Three-way, high-output stage system
• High-output MB and HF drivers
• Vari-Intense® technology provides
uniform front-to-back coverage
• Ring-Mode Decoupling™ improves
vocal clarity and intelligibility
• THX® approved
• Digital Dynamics Capable™
Variplex Matinee Three-Way Screen Channel Speaker
• Three-way design for intelligibility and clarity
• Asymmetric Directed Coverage™ technology
for even coverage from simple installation
• Very uniform frequency response
46
• Digital Dynamic Capable™, wide dynamic range
• Compact and fully assembled
• Passive or bi-amp operation
TL Series
TL Series low-frequency systems offer a variety of lowfrequency solution for general fixed installation or lowfrequency supplementation in existing installations. Lowfrequency systems have f3s as low as 40 Hz. Response
below 30 Hz is generally required for theatrical effects,
reproduction of pipe organs, and some special effects
in contemporary music, such as synthesizers and downtuned bass guitars. The TL 880D is specially suited for this
special type of application.
TL880D
TL440
•
•
•
•
Very-low-frequency subwoofer
Direct radiating vented design
High acoustic output to below
20 Hz (-10 dB) allows
real low end effects
• THX® approved
• Very-low-frequency subwoofer
• Direct radiating vented design
• High acoustic output featuring
single EVX180B woofer
• THX® approved
Variplex II XL
Variplex II
Variplex M
TL440
TL880D
Frequency Range
34 Hz - 16 kHz
34 Hz - 16 kHz
45 Hz - 18 kHz
33 Hz• - 3.2 kHz
23 Hz - 1.8 kHz
Sensitivity, 1W/1m (LF/MF/HF)
104/109/112 dB
101/109/112 dB
104 dB
96 / 102 dB
99 / 105 dB
Max.SPL/1m (calc.) (ave./peak)
130 / 136 dB
130 / 136 dB
127 / 133 dB
130 / 136 dB
136 / 162 dB
Crossover Frequency
500Hz / 1300 Hz
500Hz / 1300 Hz
500 Hz
Long-term Power Handling (LF/MF/HF)
1600/400/75 W
800/400/75 W
500 / 300 W
600 W
1.200 W
Short-term Power Handling (LF/MF/HF)
6400/1600/300 W
3200/1600/300 W
2000 / 1200 W
2.400 W
4.800 W
Coverage Horizontal (long axis/short axis)
90°
90°
90°
omnidirectional(<125 Hz)
omnidirectional
Coverage Vertical (up/down)
20°/30°
20°/30°
20°/30°
HF driver
ND 6-8
ND6-8
DH2T
MF driver
2 x EV8DH
2 x EV8DH
2 x EV8D
LF driver
4 x DL15ST
2 x DL15ST
2 x EV15G
1 x EVX 180B
2 x EVX180B
Nominal Impedance
2x4/4/8Ω
4/4/8Ω
4/4Ω
8Ω
4Ω
Dimensions (Height/Width/Depth)
1924 x 1296 x 396 mm
1924 x 648 x 396 mm
1924 x 648 x 396 mm
1003 / 572 / 559
1210 / 762 / 605
75.8” x 51” x 15.6”
75.8” x 25.5” x 15.6”
75.8” x 25.5” x 15.6”
39.5”x22.5”x22”
47.5”x30”x23.8”
139 kg (306.4 lbs.)
74 kg (163.1 lbs.)
72,6 kg (160.1 lbs.)
49 kg (108 lbs
72,6kg (160 lbs)
Weight (net)
Install
Speakers
Live for Sound
47
SL Series
Install
Speakers
Live for Sound
Proven in thousands of installations and live applications
around the world including the Olympics, the FIFA World
Cup, Live 8, and Live Earth, EV delivers truly state-ofthe-art DSP for today's applications. EV's flagship digital
sound system processor, the Dx46, sets the standard for
SL10-2V SL12-2V
digital loudspeaker controllers and processors, providing
48-bit filter algorithms, 24-bit AD/DA conversion, and a
dynamic range of 115 dB. The EV DC-One is a two-in, sixout digital signal processor for loudspeaker management
and optimization.
SL Series Cinema Speaker Systems
•
•
•
•
High-output, two-way surround loudspeaker
Versatile suspension and safety options
15° slanted cabinet
Exceptionally wide and smooth frequency response
•
•
•
•
•
Full-Bandwidth overload protection
Strong-Arm-Mount™ for easy, flexible aiming
Lightweight, unobtrusive plastic enclosure
Easy-access input terminals
8-2way with 1,25” compression driver
•
•
•
•
SL10-2V model has 10" woofer
SL10-2V includes wall mounting brackets
THX® compatible
Digital Dynamics Capable™
SL8.2
SL12-2V
48
SL10-2V
SL8.2
60 - 20kHz
Frequency Range
70Hz - 20 kHz
60Hz - 20kHz
Sensitivity, 1W/1m
93 dB
93 dB
Max.SPL/1m (calc.) (ave./peak)
116 / 121 dB
113 / 119 dB
115/121 dB
Long-term Power Handling
200W
100 W
200 W
Short-term Power Handling
800 W
400 W
800 W
Coverage (H x V)
100° x 90°
100° x 100°
100° x 100°
LF driver
12” woofer
10” woofer
EV8L
HF driver
DH2010A
1” compression driver
DH2005
Nominal Impedance
8Ω
8Ω
8Ω
Dimensions (Height/Width/Depth) in mm
535 x 476 x 335
476 x 318 x 275
451 x 282 x 263
21” x 18.7” x 13”
18.75” x 12.5” x 10.8”
17.75” x 11.12” x 10.35”
Weight (net)
21,4 kg (47 lbs.)
10,5 kg (23.1 lbs.)
8.4 kg (18.5 lbs)
EV compression driver requirements call for ultraprecise tolerances, state-of-the-art modeling routines,
and exceptional engineering expertise. Manufacturing
techniques are frequently pushed to process limits, and
materials are formed and stabilized with cutting-edge
DH2T-8/DH2T-16
systems and controls. Each EV compression driver's
parameters are tightly controlled to ensure world-class
performance, putting these drivers at the top of the class in
every respect.
DH3/2010A 1.25" Driver
2" Driver
• One-inch exit screw-on, mediumformat compression driver
• 160-watt power rating
• 2" titanium diaphragm
• High performance on a wide variety
of thread-on horn designs
DH7-8/DH7-16 High-Value 3" Driver
• One-inch exit screw-on, smallformat compression driver
• 80-watt power rating
• 1.25" titanium diaphragm
• Excellent extended-bandwidth
• HF driver for multi-way
loudspeaker systems
ND6-8/ND6-16 High-Value 3" Driver
• Large-format ceramic
compression driver
• 300-watt power rating
• 3" titanium diaphragm
• 1.4" or 2" exit diameter for use on
almost any highperformance horn
• Excellent for use with directradiator
or horn-loaded LF and MB sections
ND6x-8/ND6-16
•
•
•
•
•
Speakers
Compression Drivers
Live for Sound
• Large-format neodymium
compression driver
• 300 W power rating
• 3" titanium diaphragm 1.4"
or 2" exit diameter for use
on almost any HP horn
• EV's highest-performance
compression driver gives
world-class performance
in any application
High-Performance High-Value 3" 500 Hz Driver
Large-format neodymium compression driver
300 W power rating
3" titanium diaphragm with 1.4" or 2" exit diameter for use on almost any HP horn
EV's highest-performance compression driver gives world-class performance in any application
ND6X from > 500 Hz
DH7-8/DH7-16
ND6-8/ND6-16
DH2T
DH3/DH2010A
Frequency response
1,000 Hz–20 kHz
1,000 Hz–20 kHz / 500Hz-16kHz (ND6X)
1,200 Hz–20 kHz
1,500 Hz–20 kHz
Crossover frequency (minimum)
1,000 Hz
1,000 Hz
1,200 Hz
1,500 Hz
Midband sensitivity*
111 dB
112 dB
112 dB
111 dB
Long-term power rating (AES)
75 W
75 W
40 W
20 W
Short-term power rating
300 W
300 W
160 W
80 W
Impedance
8/16 Ω
8/16 Ω
8Ω
8Ω
Throat diameter
35 mm adapter (1.4”/2.0”)
35 mm adapter (1.4”/2.0”)
25 mm ()
1.0” (25 mm)
Diaphragm diameter
76 mm (3.0”)
76 mm (3.0”)
50 mm (2.0”)
32 mm (1.25”)
Overall diameter
165 mm (6.5”)
132 mm (5.2”)
132 mm (5.2”)
107 mm (4.5”)
Overall depth
69 mm (2.7”)
69 mm (2.7”)
89 mm (3.5”)
89 mm (3.5”)
Net weight
4.54 kg (10.0 lbs)
2.5 kg (5.5 lbs)
2.27 kg (5.0 lbs)
1.5 kg (3.4 lbs)
*Average from 1,000 Hz–5 kHz on
HP6040 horn (DH3 average from 1,500
Hz–5 kHz on HPT64 horn)
49
Live for Sound
Speakers
Low Frequency Transducers
EV component woofers are high-efficiency designs highly
refined from years of development and field experience.
They employ extended-length voice coils for high-impact
reproduction of dynamic low-frequency program. All
woofers feature proprietary heat-transfer systems for
unmatched power capacity and reliability. Kevlar®-fibercomposite cones are used to provide structural strength
DL12BFH
Chassis
•
•
•
•
•
EVX155
Chassis
•
•
•
•
•
•
•
EVX180B
15" woofer
Cast Aluminium frame
600 watt cont. 2400 watt peak
98 dB Sensitivity
RMD
Touring grade performance
4" Edge Wound Voice Coil
Chassis
•
•
•
•
•
•
50
12" woofer
Cast Aluminium frame
300 watt Cont. 1200 watt peak
100 dB Sensitivity
RMD
18" woofer
Cast Aluminium frame
600 watt cont. 2400 watt peak
99 dB sensitivity
Touring grade performance
4" Edge Wound Voice Coil
to resist collapse during explosive dynamic peaks and
to provide internal mechanical damping to minimize
resonances that can change the character of the sound
at high levels. DL and EVX woofers are made of cast
aluminium frames with push terminals, and all feature RingMode Decoupling™ (RMD™) except for the DL18MT and
the EVX180B.
EVM Instrument Speakers
Speakers
Live for Sound
EVM12L BlackLabel
the OFFICIAL guitar loudspeaker of Zakk Wylde and Black Label Society
improved power handling, improved magnet design, better venting
300W
Frequency Response 80Hz - 7kHz
Sensitivity 100dB
EVM12L Classic
Mobile Audio
•
•
•
•
•
Zakk Wylde signature guitar speaker
The Classic EVM12L guitar speaker
• 200W Power handling
• Frequency response: 80Hz – 7kHz (at -10 dB down)
• Heavy-duty cast frame reduces the low-frequency flex
inherent in stamped frame designs.
• Large 16lbs (7.3kg) magnet allows for higher efficiency,
better cooling and maximum output
• Manufactured in the USA
DL12BFH
EVX155
EVX180B
EVM12L Black Label
EVM12L Classic
Cone diameter
12” (305 mm)
15” (381 mm)
18” (457 mm)
12” (305mm)
12” (305mm)
Coil diameter
2.5” (63.5 mm)
4” (101.6 mm)
4” (101.6 mm)
2.5” (63.5 mm)
2.5” (63.5 mm)
Impedance
8Ω
8Ω
8Ω
8 or 16 Ω
8 or 16 Ω
Frequency range
60–2,500 Hz
40–2,000 Hz
30–800 Hz
80Hz–7kHz
80Hz–7kHz
Long-term power rating (EIA)
300 W
600 W
600 W
300 W
200 W
Short-term power rating
1,200 W
2,400 W
2,400 W
1200 W
1000 W
Sensitivity (1 W @ 1 m)
96 dB
98 dB
98 dB
100 dB
100 dB
Maximum SPL
120.8 dB
125.8 dB
125.8 dB
125 dB
125 dB
Efficiency
3.69%
4.32%
3.4%
5.9%
5.9%
Frame front diameter
309.6 mm (12.19”)
385.0 mm (15.16”)
460.5 mm (18.13”)
309.6 mm (12.19”)
309.6 mm (12.19”)
Magnet diameter
155.6 mm (6.13”)
209.6 mm (8.25”)
8.25” (209.6 mm)
190.5 mm (7.5”)
190.5 mm (7.5”)
Overall depth
133.4 mm (5.25”)
184.2 mm (7.25”)
203.2 mm (8.00”)
133.4 mm (5.25”)
133.4 mm (5.25”)
Mounting bolt circle diameter
293.7 mm (11.563”)
369.9 mm (14.563”)
441.3 mm (17.375”)
293.7 mm (11.563”)
293.7 mm (11.563”)
Baffle cutout diameter
281.0 mm (11.063”)
357.2 mm (14.063”)
425.5 mm (16.750”)
281.0 mm (11.063”)
281.0 mm (11.063”)
Net weight
5.0 kg (11.1 lbs.)
10.3 kg (22.8 lbs.)
10.6 kg (23.4 lbs.)
8.6 kg (19 lbs.)
8.6 kg (19 lbs.)
51
Speakers
Rigging and Accessories
EVI 12/15/28
Live for Sound
EBK-1 (Eyebolt-Kit)
EVI-12
Ceiling mount
EVI-12MBB
EVI-12MBW
EVI-15
Ceiling mount
EVI-28
EVI-15MBB
EVI-15MBW
black
white
Wall or ceiling mount
black
white
EVI-28MBB
EVI-28MBW
black
white
The radius of action is 140°.
EVID 12.1
1 Eyebolt is included.
Note: One 3/8“-16-thread
forged steel eyebolt is
included. A second is
necessary!
EVID 3.2 / 4.2 / 6.2
Angle markers
100°
EVID 12.1
FRi-2082
Bracket passes EIA 636 at a
safety factor of 8:1.
FRi+
The bracket for on-wall or corner
mounting and a safety eyebolt
comes with EVID 12.1.
EVF Series / EVH Series
Under balcony/on-wall mount
on-wall
52
90°
SAM™ comes with
each EVID™ system
and includes a
hex-key-tool. SAM™
has angle markers
to make installation
easier.
The 100° x 100°
dispersion angle
allows one to install
FRi-2082 vertically
on the wall as well.
Mounting bracket
comes with FRi-2082.
4 Eyebolts included (imperial)
4 M10 metric eyebolts included
Xi- 1082
Under balcony or
on-wall mount
MB-1082: black
S-40
Wall, ceiling or stand mount
Sx 100/300, Sb 122
Note: The threat diameter can be reduced with
a standard 5/8-inch screw adapter for different
mic stands.
S-40 MB/B:
S-40 MB/W:
1) MB 100
2) MB 100 + MB 200
black
white
1)
Sx 80
Wall or ceiling mount
2)
Sx 250/SxA250
Security advice:
When flown by 90° (figure 2)
don’t use eyebolts only!
Stand mount
Sk-1 Rigging Kit
For cost effective
installation.
Sx 80 MBB
Sx 80 MBW
Speakers
Rigging and Accessories
Live for Sound
For speakers stands
with 35 mm diameter.
black
white
Sx 80 SM black
Sx 100 / Sx 300 / Sb 122
Horizontal Cluster 120° (2 systems)
Horizontal Cluster 180° (3 systems)
2 x MB 200 + 1 x MB 300 neccessary
3 x MB 200 + 2 x MB 300 neccessary
Wall or ceiling-mount
1 x MB 200 neccessary
2 x MB 200 neccessary
Eyebolt
neccessary
Sx-Series™ hardware-overview:
Sx 100+
MB 200 B
MB 200 W
Sx 80
Sx 80 SM
Stand mount
Sx 80 MBB U-bracket
Sx 80 MBW U-bracket
Sx 300
MB 300 B
Sb 122
MB 300 W
black
black
white
Vertical Cluster
3/8“ Quick links
neccessary
U-bracket
U-bracket
black
white
Array-kit (2 plates)
black
Array-kit (2 plates)
white
53
Speakers
Rigging and Accessories
Live for Sound
ZX1
ZX1-90 + TCA-ZX1
ZX1i + AB-ZE
ZX1 - 90 + MP1 -B
ZX3 / ZX5
MB-3/MB-5 Wall/Ceiling mounting bracket
VSA-1 using HA3
SSK-1
54
CB5 cluster bracket kit
EBK-3 M8 eyebolt kit
HA-3 or HA-5 handel adapter
to be used with VSA-1
Rigging and Accessories
Speakers
Live for Sound
EV Innovation
EVF / EVH Series
VRK-1
VRK-2
HRK and VRK
rigging kits
(HRK not shown)
EVA / EVF / EVH Series
CDG
Dual gland nut cover plate
gland nut cover plates
CDNL4
Dual NL4 cover plate
CSG
Single Gland Nut cover plate
55
Speakers
Rigging and Accessories
XLD281 + XLC215 + AGCD
XLD281 + XS212 + CBeam
56
Live for Sound
XLD281 + XS 212
XLD281 + XS212 + Dolly
XLC concert/portable Rigging
B-1 Grid for XLC
(other rigging hardware included with speaker)
Rigging and Accessories
XLCi install rigging
Speakers
Live for Sound
B-2 Grid for XLCi
(other rigging hardware included with speaker)
XLC and XLVC ground stack kits
XGS-3
XGS-4
57
Tour Grade Amplifiers
Tour Grade amplifiers are designed for most demanding
audio applications in touring sound and fixed installation.
Based on Grounded Bridge Class-H topology, they offer a
unique combination of high output power, sonic excellence
and High-efficiency in a compact lightweight format.
Their integrated switch-mode power supply provides
TG5
Electronics
58
sufficient headroom to ensure high dynamic outputs and
reliable operation on extreme low loads.
Optional IRIS-Net™ Module RCM-26 opens up a whole
world of state-of-the-art DSP including FIR-Drive, remote
control, networking and unique system supervision – down
to an individual loudspeaker component.
Tour Grade Amplifier
•
•
•
•
•
TG7
Live for Sound
Up to 2 x 1900 W into 2 Ω
Grounded Bridge Class-H design
Switch-mode power supply
Microprocessor-controlled
Front LCD panel for operation mode
set-up and monitoring
• Slot for optional RCM-26 IRIS-Netcompatible DSP and control module
• 11-level protection package
• Only 31.4 lbs (14.2 kg)
Tour Grade Amplifier
•
•
•
•
•
Up to 2 x 3500 W into 2 Ω
Grounded Bridge Class-H design
Switch mode power supply
Microprocessor-controlled
Front LCD panel for operation mode
set-up and monitoring
• Slot for optional RCM-26 IRIS-Net
compatible DSP and control module
• 11-level protection package
• Only 32 lbs (14.5 kg)
Tour Grade Amplifiers
Live for Sound
Remote Control Interface
•
•
•
•
RCM-26
USB-CAN converter for IRIS-Net enabled devices
Supports up to 100 CAN devices
Parallel CAN connections on RJ-45 Ethercons
USB-powered
• XLR jack for audio bus monitoring
• 19" rackmount panel included
• Status LED shows CAN activity and device status
Concert
UCC1
IRIS-Net Remote Control Module for Tour Grade Amplifiers
• Pilot tone detection for cable supervision
• Six recallable DSP/configuration presets
• Parallel RJ-45 CAN bus connectors
Mobile Audio
Install
• Extensive DSP Functionality including
FIR-Drive technology
• High precision load impedance supervision
• Two GPI and two GPO ports
• One-button system check allows a complete
diagnostic test of all connected cables and
loudspeaker components in a matter of minutes
TG5
TG7
2Ω
4Ω
8Ω
2Ω
4Ω
8Ω
2000 W
1450 W
850 W
3500 W
2500 W
1500 W
Continuous Output Power(20-20 kHz, THD<0,2%)
1200 W
600 W
2100 W
1050 W
Maximum Bridged Output
3800 W
2900 W
7000 W
5000 W
Continuous Output Power(1 kHz, THD 1%)
Amplifier Gain
39 dB, 35 dB 32 dB (switchable)
Analog Inputs
2 audio inputs on internal slot connector, pre-/post fader
selectable
CAN Bus Interface
10 - 500 kbaud, 2x RJ-45 (IRIS-Net Control)
DIM 30
41.5 dB, 35 dB, 32 dB (switchable)
Optional with RCM-26
Optional with RCM-26
0.02 %
0.02 %
Input Impedance (Balanced)
20 kΩ
20 kΩ
Input Sensitivity
0 dBU/+6dBu/+7dBu (switchable)
0 dBu / 4 dBu / 9 dBu (switchable)
Intermodulation Distortion (SMPTE)
Network Control (IRIS-Net)
Yes
0.05 %
0.05 %
Optional
Optional
Slew Rate
30 V/µs
35 V/µs
Total Harmonic Distortion
0.05 %
0.05 %
109 dB
111 dB
Optional with RCM-26
Optional with RCM-26
A/D Conversion
24 Bit linear, Sigma-Delta, 128 times oversampling
Data Format
24 Bit linear A/D and D/A conversion, 48 Bit processing
Internal Processing
2 DSPs (150 MHz, 300 MIPS)
Signal-to-Noise Ratio (A-weighted)
116 dB
THD+N
< 0.005%
D/A Conversion
24 Bit, Sigma-Delta, 128 times over-sampling
Sample Rate
48 kHz
Digital Inputs
AES3 (AES/EBU) format, XLR In/Thru connectors
Sample Rate Conversion (SRC)
32 kHz - 192 kHz, internal Sample-Rate- Converter
FIR-Drive
Yes
Optional with RCM-26
Optional with RCM-26
GPIO Control Port
1 x 6-pole Euro block 2 Control Inputs 2 Control Outputs
2 Reference Outputs (+5 V, 200 mA / GND)
Optional with RCM-26
Optional with RCM-26
1000 W
1450 W
Power Consumption 1/8 max. output power
@4 Ω
100-240 V, 50-60 Hz
100-240 V, 50-60 Hz
Control Protocol
Power Supply
CAN Bus
CAN-Bus (with RCM 26 module)
CAN-Bus (with RCM 26 module)
Height X Width X Depth
3.33 in (84.7 mm) x 3.17 in (80.4 mm) x 9.06 in (230.3 mm)
3.47 in (88.1 mm) X 19 in (482.6 mm) X 20.16 in (512 mm)
Weight Net
.53 lbs (240 g)
31.31 lbs (14.2 kg)
Electronics
RCM-26
32.0 lbs (14.5 kg)
59
Precision Series Remote Control Amplifiers
Proven among critical installations and the highest profile
tours, the DSP-Controlled P-Series amplifiers combine
legendary performance with uncompromised remotecontrol and system-supervision capability with the.
P1200RL
IRIS-Net. software. Using state-of-the-art technologies
from our signal processor developments, Electro-Voice
offers amplifiers that provide superior audio performance,
guaranteed.
Precision Series DSP Remote Amplifiers
• Up to 2 x 850 W into 2 Ω
• Class-AB design
• Remote control and monitoring of all
parameters via IRIS-Net software
• Full input and output DSP processing with
RCM-24 DSP and control module
• Two GPI and two GPO ports
Electronics
P1200RT
• One-button system check allows a complete
diagnostic test of all connected cables and
loudspeaker components in a matter of minutes
• Pilot tone detection for cable supervision
• Eight recallable DSP/configuration presets
• Parallel RJ-45 CAN bus connectors
Precision Series DSP Remote Amplifiers
• Up to 2 x 1800 W into 2 Ω
• Class-AB design
• Remote control and monitoring of all
parameters via IRIS-Net software
• Full input and output DSP processing with
RCM-24 DSP and control module
• Two GPI and two GPO ports
60
• One-button system check allows a complete
diagnostic test of all connected cables and
loudspeaker components in a matter of minutes
• Pilot tone detection for cable supervision
• Eight recallable DSP/configuration presets
• Parallel RJ-45 CAN bus connectors
Precision Series DSP Remote Amplifiers
• Up to 2 x 590 W into 70/100 V line
• Class-AB design
• Remote control and monitoring of all
parameters via IRIS-Net software
• Full input and output DSP processing with
RCM-24 DSP and control module
• Two GPI and two GPO ports
P3000RL
Live for Sound
• One-button system check allows a complete
diagnostic test of all connected cables and
loudspeaker components in a matter of minutes
• Pilot tone detection for cable supervision
• Eight recallable DSP/configuration presets
• Parallel RJ-45 CAN bus connectors
Precision Series Remote Control Amplifiers
P3000 RL
P1200 RT
8Ω
4Ω
2Ω
8Ω
4Ω
2Ω
100V
70 V
Continous Output Power
(1 kHz, THD 1%)
380 W
600 W
850 W
850 W
1300 W
1800 W
590 W
580 W
Rated Output Power
(20 Hz-20 kHz, THD <0,2%)
300 W
500 W
-
750 W
1200 W
-
500 W
500 W
Maximum Bridged Output
(1 kHz, THD 1%)
1200 w
1700 W
-
2600 W
3600 W
-
-
-
THD @ Rated Output Power
< 0.05%
<0.1%
<0.2%
<0.03%
<0.01%
<0.2%
<0.3%
<0.08%
<0.001%
<0.1%
<0.3%
Signal-to-Noise Ratio
> 105 dB
>100 dB
Frequency Response
(-1 dB)
20 Hz - 20 kHz
45 Hz - 20 kHz
Dynamic Audio Limiter
THD </= 1% (Inputsignal </= + 20 dBu
Protections
Hi-Temperature, DC, HF, Back EMF, Peak Current Limiter, Inrush Current Liminter, Power On Delay
Cooling
3(4)-stage fan, front-to-rear cooling
Input Sensivity
and Impedance
1.55 V (+6dBu), 20 kOhm, XLR Input
Maximum Input Level
8.7 V (+21 dBu)
Serial Interface
Network: CAN, 2 RJ45 (CAT-5 Cabling), RS-232 for media control systems
Control Logic In
and Outputs
2 x 0V 5V free configurable, Easy-Remote
Loudspeaker Connectors
Barrier Strip
Dimensions
(Width x Height x Depth)
483 x 132.5 x 390 mm (52” x 19” x 15.4”) ( 3 U)
Net Weight
17 kg (37.5 lbs.)
Install
DIM 30
Intermodulation (SMPTE)
Speakon NL4
Barrier Strip
30 kg (66.2 lbs.)
25 kg (55.1 lbs.)
The EV Linear Precision Series is a veryhigh-quality power amplifier design to elicit maximum
performance from any speaker system. Its ultralow
distortion and powerful amplifiers ensure that program
material will be amplified very accurately. Complete
protection is provided for high temperature, audio limiters,
power-up delay, and peak current limiters.
Precision Series Power Amplifiers
•
•
•
•
•
Classic EV flagship performance amplifier
Up to 2 x 1800 W into 2 Ω
Extremely high sonic performance and quality
Class-AB design
Dual power supply
• Three-stage front-to-rear fans
• Complete protection package
• Classic EV amplifier dynamic headroom
for real-world music and applications
• Built-in dynamic limiters
P3000
Continuous Rated Power(1 kHz, THD 1%) 2Ω
2Ω
4Ω
1800 Watts
1300 Watts
850 Watts
1200 Watts
750 Watts
3600 Watts
2600 Watts
Continuous Rated Power(20-20 kHz, THD<0,2%)
Maximum Bridged Output
DIM 30
0.01 %
Input Impedance (Balanced)
20 kΩ
Input Sensitivity
0 dBu / +6 dBu / +26 dB
Intermodulation Distortion (SMPTE)
0.01 %
Network Control (IRIS-Net)
No
Slew Rate
40 V/µs
Total Harmonic Distortion
0.05 %
Signal-to-Noise Ratio (A-weighted)
105 dB
Height
Width
Depth
11.3 in (33 mm)
19 in (482.6 mm)
15.35 in (390 mm)
Weight Net
63.93 lbs (29 kg)
Electronics
P3000
Concert
P1200 RL
Mobile Audio
Live for Sound
8Ω
61
Q Series Amplifiers MK II
As direct descendants of the legendary P3000, Q Series
amplifiers take Electro-Voice's unique amplifier design
to a new level. With Q Series efficient Class-H design,
the permanent voltage rail is designed to cover the
average music signal, rather than supplying the voltage
for maximum output power. If dynamic peaks require a
Q44
Live for Sound
higher output voltage, the voltage rail is switched to the
maximum. This process saves up to 50% of the power
consumption found in conventional amplifier designs. Q
Series combines sonic excellence all in a compact and
affordable package.
Electro-Voice Q Series Power Amplifier
• Up to 2 x 650 W into 2 Ω
• XLR pass-though input connections
• The NL4 connection on output A also
carries output B on pins +/- 2 to allow easy
connection to bi-amped loudspeakers
• Switchable LPN filter extra tonal fundamentals
and "kick" with a protective low-cut for 12" or 15"
Q66
Electro-Voice Q Series Amplifier
Electronics
• Up to 2 x 900W into 2 Ω
• XLR pass-though input connections
• The NL4 connection on output A also
carries output B on pins +/- 2 to allow easy
connection to bi-amped loudspeakers
• Switchable LPN filter extra tonal fundamentals
and "kick" with a protective low-cut for 12" or 15"
Q99
loudspeakers without additional subwoofers
Class-AB design
Three-stage front-to-rear-fans
Complete protection package
Classic EV amplifier dynamic headroom
for real-world music and applications
• Built-in dynamic limiters
•
•
•
•
Electro-Voice Q Series Power Amplifier
• Up to 2 x 1250 W into 2 Ω
• XLR pass-though input connections
• The NL4 connection on output A also
carries output B on pins +/- 2 to allow easy
connection to bi-amped loudspeakers
• Switchable LPN filter extra tonal fundamentals
and "kick" with a protective low-cut for 12" or 15"
62
loudspeakers without additional subwoofers
Class-AB design
Three-stage front-to-rear fans
Complete protection package
Classic EV amplifier dynamic headroom
for real-world music and applications
• Built-in dynamic limiters
•
•
•
•
loudspeakers without additional subwoofers
Class-H design
Three-stage front-to-rear fans
Complete protection package
Classic EV amplifier dynamic headroom
for real-world music and applications
• Built-in dynamic limiters
•
•
•
•
Q Series Amplifiers MK II
Install
Concert
Live for Sound
• Up to 2 x 1800 W into 2 Ω
• XLR pass-though input connections
• The NL4 connection on output A also
carries output B on pins +/- 2 to allow easy
connection to bi-amped loudspeakers
• Switchable LPN filter extra tonal fundamentals
and "kick" with a protective low-cut for 12" or
Q44
Mobile Audio
Electro-Voice Q Series Power Amplifier
15loudspeakers without additional subwoofers
Class-H design
Three-stage front-to-rear fans
Complete protection package
Classic EV amplifier dynamic headroom
for real-world music and applications
• Built-in dynamic limiters
•
•
•
•
Q66
Q99
Q1212
2Ω
4Ω
8Ω
2Ω
4Ω
8Ω
2Ω
4Ω
8 Ω
2Ω
4Ω
8Ω
650 Watts
450 Watts
270 Watts
900 Watts
600 Watts
380 Watts
1250
Watts
900 Watts
550 Watts
1800
Watts
1200
Watts
750 Watts
Continuous Output Power(20-20 kHz, THD<0,2%)
400 Watts
200 Watts
500 Watts
250 Watts
800 Watts
400 Watts
1100
Watts
550 Watts
Maximum Bridged Output
1300 W
900 W
1700
Watts
1200
Watts
2800
Watts
1800
Watts
3600
Watts
2400
Watts
Continuous Output Power(1 kHz, THD 1%)
Cooling
Front-to-Rear, 3-stage fans
DIM 30
0.05 %
Input Impedance (Balanced)
20 kΩ
Input Sensitivity
+2.2 dBu
Amplifier Gain
32 dB
Intermodulation Distortion (SMPTE)
0.1 %
Maximum Input Voltage
+21 dBu (8.69 Vrms)
Network Control (IRIS-Net)
No
Slew Rate
25 V/µs
Total Harmonic Distortion
0.03 %
Frequency Response
10 Hz - 40 kHz
+3.1 dBu
+5.1 dBu
+6.6 dBu
26 V/µs
27 V/µs
30 V/µs
Signal-to-Noise Ratio (A-weighted)
106 dB
107 dB
109 dB
110 dB
Height
Width
Depth
3.47 in (88.1 mm)
19 in (482.6 mm)
16.63 in (422.5 mm)
3.47 in (88.1 mm)
19 in (482.6 mm)
16.59 in (421.5 mm)
3.47 in (88.1 mm)
19 in (482.6 mm)
16.59 in (421.5 mm)
3.47 in (88.1 mm)
19 in (482.6 mm)
16.59 in (421.5 mm)
Weight Net
27.78 lbs (12.6 kg)
32.63 lbs (14.8 kg)
35.94 lbs (16.3 kg)
39.02 lbs (17.7 kg)
Electronics
Q1212
63
Contractor Precision Series Amplifiers
The CPS Series are high-performance amplifiers with
unmatched dynamic range capability, ensuring the most
reliable operation. Designed for the contractor, the CPS
Series feature 2-RU chassis, Phoenix-type connectors for
inputs and outputs, pre-programmable power-on delay,
easy power-on via remote contact closures, rear panel
CPS 2.4
Up to 2 x 650 W into 2 Ω
Phoenix-type input and output connections
Remote power-on/off contact
Rear-mounted attenuators
Programmable time for custom
power-on delay settings
• Module slot for optional RCM-810 card,
Electronics
attenuators, and a switchable 50 Hz high-pass filter (HPF).
Features include the same protection circuits typical of
EV amplifiers. Complete protection is provided for high
temperature, audio limiters, power-up delay, and peak
current limiters.
Contractor Precision Series Class-H Power Amplifier
•
•
•
•
•
CPS 2.6
•
•
•
•
allowing IRIS-Net control and monitoring
Switchable 50 Hz high-pass filter
Three-stage front-to-rear fans
Class-AB design
Complete protection package
Contractor Precision Series Class-H Power Amplifier
•
•
•
•
•
Up to 2 x 900 W into 2 Ω
Phoenix-type input and output connections
Remote power-on/off contact
Rear-mounted attenuators
Programmable time for custom
power-on delay settings
• Module slot for optional RCM-810 card,
CPS 2.9
•
•
•
•
allowing IRIS-Net control and monitoring
Switchable 50 Hz high-pass filter
Three-stage front-to-rear fans
Class-AB design
Complete protection package
Contractor Precision Series Class-H Power Amplifier
•
•
•
•
•
Up to 2 x 1250 W into 2 Ω
Phoenix-type input and output connections
Remote power-on/off contact
Rear-mounted attenuators
Programmable time for custom
power-on delay settings
• Module slot for optional RCM-810 card,
64
Live for Sound
•
•
•
•
allowing IRIS-Net control and monitoring
Switchable 50 Hz high-pass filter
Three-stage front-to-rear fans
Class-H design
Complete protection package
Live for Sound
CPS 2.12
Contractor Precision Series Class-H Power Amplifier
Contractor Precision Series 4-ch. Amplifier
• Four amplifier channels, each can be
run as either low or high impedance,
delivering up to 500 W per channel
• Phoenix-type input and output connections
• Remote power-on/off contact
• Rear-mounted attenuators
• Module slot for optional RCM-810 card,
allowing IRIS-Net control and monitoring
CPS 4.10
• Optional RCM-810 card allows for VLD
configuration in IRIS-Net, allowing configuration
of each output channel's power to match
any load from 2-10 Ω in 0.1 ohm steps
• 50 Hz high-pass filter when operating in Hi-Z mode
• Class-D design for optimum efficiency
• Complete protection package
Concert
Install
Contractor Precision Series 8-ch. Amplifier
• Eight amplifier channels, each can be
run as either low or high impedance,
delivering up to 500 W per channel
• Phoenix-type input and output connections
• Remote power-on/off contact
• Rear-mounted attenuators
• Module slot for optional RCM-810 card,
allowing IRIS-Net control and monitoring
CPS 4.5
• Module slot for optional RCM-810 card,
allowing IRIS-Net control and monitoring
• Switchable 50 Hz high-pass filter
• Three-stage front-to-rear fans
• Class-H design
• Complete protection package
Mobile Audio
Up to 2 x 1800 W into 2 Ω
Phoenix-type input and output connections
Remote power-on/off contact
Rear-mounted attenuators
Programmable time for custom
power-on delay settings
• Optional RCM-810 card allows for VLD
configuration in IRIS-Net, allowing configuration
of each output channel's power to match
any load from 2-10 Ω in 0.1 ohm steps
• 50 Hz high-pass filter when operating in Hi-Z mode
• Class-D design for optimum efficiency
• Complete protection package
Contractor Precision Series 4-ch. Amplifier
• Four amplifier channels, each can be
run as either low or high impedance,
delivering up to 1000 W per channel
• Phoenix-type input and output connections
• Remote power-on/off contact
• Rear-mounted attenuators
• Module slot for optional RCM-810 card,
allowing IRIS-Net control and monitoring
• Optional RCM-810 card allows for VLD
configuration in IRIS-Net, allowing configuration
of each output channel's power to match
any load from 2-10 Ω in 0.1 ohm steps
• 50 Hz high-pass filter when operating in Hi-Z mode
• Class-D design for optimum efficiency
• Complete protection package
• IRIS-Net remote control module
for CPS series amplifiers
• Complete status control and supervision for
two-, four- and eight-channel models
• Load-monitoring function
• Variable Load Drive on four- and eight-channel
CPS models for maximum rated power into
all loads ranging from 2 Ω to 10 Ω, in steps
of 0.1 ohm, controlled via IRIS-Net
Electronics
•
•
•
•
•
CPS 8.5
Contractor Precision Series Amplifiers
RCM-810
65
Contractor Precision Series Amplifiers
CPS 2.4
Continuous Output Power(1 kHz, THD 1%)
CPS 2.6
CPS 2.12
4Ω
8Ω
2Ω
4Ω
8Ω
2Ω
4Ω
8Ω
2Ω
4Ω
8Ω
650 W
450 W
270 W
900 W
600 W
380 W
1250 W
900 W
550 W
1800 W
1200 W
750 W
400 W
200 W
500 W
250 W
800 W
400 W
1100 W
550 W
1300 W
900 W
1800 W
1200 W
2800 W
1800 W
3600 W
2400 W
Maximum Bridged Output
Amplifier Gain
32 dB
Analog Inputs
2, electronically balanced, Phoenix-type
CAN Bus Interface
Yes (With Optional RCM-810 Card)
Cooling
Front-to-Rear, 3-stage-fans
Crossover Type
Optional Modules
Optional Modules
Modular
Modular
DIM 30
0.05 %
0.02 %
0.05 %
0.05 %
Input Impedance (Balanced)
20 kΩ
Input Sensitivity
2.2 dBu (1.0V)
+3.1 dBu (1.11Vrms)
+5.1 dBu (1.39 Vrms)
+6.6 dBu (1.66 Vrms)
Intermodulation Distortion (SMPTE)
0.1 %
0.05 %
0.1 %
0.1 %
Maximum Input Voltage
+21 dBu (8.69 Vrms)
+21 dBu (8.69 Vrms)
+21 dBu (8.69 Vrms)
+21 dBu (8.69 Vrms)
Network Control (IRIS-Net)
Optional
Optional
Optional
Optional
26 V/µs
27 V/µs
30 V/µs
32.63 lbs (14.8 kg)
35.94 lbs (16.3 kg)
39.02 lbs (17.15.43 lbs (7 kg))
Slew Rate
25 V/µs
Total Harmonic Distortion
0.03 %
Variable Load Drive (VLD)
No
Frequency Response
10 Hz - 40 kHz (±1 dB)
Height
Width
Depth
3.47 in (88.1 mm)
19 in (482.6 mm)
16.59 in (421.5 mm)
Weight Net
27.78 lbs (12.13.23 lbs (6 kg))
CPS 4.10
Continuous Rated Power(1 kHz, THD 1%)
CPS 8.5
4Ω
8Ω
2Ω
4Ω
8Ω
2Ω
4Ω
8Ω
1000 W
1000 W
500 W
500 W
500 W
250 W
500 W
500 W
250 W
900 W
450 W
450 W
225 W
450 W
225 W
2000 W
2000 W
1000 W
1000 W
1000 W
1000 W
Maximum Bridged Output
Amplifier Gain
CPS 4.5
2Ω
Continuous Rated Power(20-20 kHz,
THD<0,2%)
Electronics
CPS 2.9
2Ω
Continuous Output Power(20-20 kHz,
THD<0,2%)
66
Live for Sound
32 dB (Lo-Z), 33 dB (70V), 36 dB (100V)
32 dB (Lo-Z), 33 dB (70V), 36 dB (100V)
32 dB (Lo-Z), 33 dB (70V), 36 dB (100V)
Analog Inputs
4, electronically balanced, Phoenix-type
4, electronically balanced, Phoenix-type
8, electronically balanced, Phoenix-type
CAN Bus Interface
Yes (With Optional RCM-810 Card)
Yes (With Optional RCM-810 Card)
Yes (With Optional RCM-810 Card)
Cooling
Front-to-Rear, continuously variable fans
0.02 %
0.02 %
0 dBu (.775V)-2 Ω, +3 dBu (1.1V)-4/8 Ω, +6 dBu (1.55)
70V/100V
DIM 30
0.02 %
Input Impedance (Balanced)
20 kΩ
Input Sensitivity
0 dBu (.775V)-2 Ω, +3 dBu (1.1V)-4/8 Ω, +6 dBu (1.55)
70V/100V
0 dBu (.775V)-2 Ω, +3 dBu (1.1V)-4/8 Ω, +6 dBu (1.55)
70V/100V
Intermodulation Distortion (SMPTE)
0.05 %
0.05 %
Maximum Input Voltage
+22 (9.76 Vrms)
Network Control (IRIS-Net)
Optional
Slew Rate
28 V/µs
Optional
Optional
Total Harmonic Distortion
0.05 %
Variable Load Drive (VLD)
Yes
Frequency Response
15 Hz-30 kHz
Continuous Rated Power(1 kHz, THD 1%)
100v
1000 W
500 W
500 W
Continuous Rated Power(1 kHz, THD
1%) 70v
1000 W
500 W
500 W
Continuous Rated Power(20-20 kHz,
THD<0,2%) 100v
900 W
450 W
500 W
Continuous Rated Power(20-20 kHz,
THD<0,2%) 70v
900 W
450 W
450 W
Height
Width
Depth
3.47 in (88.1 mm)
19 in (482.6 mm)
16.59 in (421.5 mm)
Weight Net
24.47 lbs (11.1 kg)
24.47 lbs (11.1 kg)
30.8 lbs (13.9 kg)
Compact Precision
Compact Precision Series Class-H Power Amplifier
• Up to 2 x 1600 W into 2 Ω
• XLR pass-though input connections
• The NL4 connection on output A also
carries output B on pins +/- 2 to allow easy
connection to bi-amped loudspeakers
• Extremely lightweight and highly efficient
• Class-H design
CP4000S
•
•
•
•
Switch mode power supply
Three-stage front-to-rear fans
Complete protection package
Classic EV amplifier dynamic headroom
for real-world music and applications
• Built-in dynamic limiters
Compact Precision Series Class-H Power Amplifier
• Up to 2 x 2100 W into 2 Ω
• XLR pass-though input connections
• The NL4 connection on output A also
carries output B on pins +/- 2 to allow easy
connection to bi-amped loudspeakers
• Extremely lightweight and highly efficient
• Class-H design
•
•
•
•
Switch mode power supply
Three-stage front-to-rear fans
Complete protection package
Classic EV amplifier dynamic headroom
for real-world music and applications
• Built-in dynamic limiters
CP3000S
2Ω
Maximum power (1k Hz; THD <1%)
1600 W
4Ω
Electronics
CP3000S
over their average continuous rating. Features include
the same comprehensive protection circuits typical of
EV amplifiers. Complete protection is provided for high
temperature, audio limiters, power-up delay, and peak
current limiters.
Mobile Audio
The CP Series are high-performance amplifiers with
unmatched dynamic range capability, ensuring the
most reliable operation favored by users in all sound
reinforcement applications. The amplifiers' power supply
is specifically designed to deliver high peak signals, which
provide 30 percent more burst signal output headroom
Install
Concert
Live for Sound
CP4000S
8Ω
2Ω
4Ω
8Ω
2100 W
1100 W
600 W
1500 W
900 W
Rated power (20 Hz–20 kHz; THD <0.2%)
900 W
450 W
1200 W
600 W
Maximum bridged output (1,000 Hz; <1% THD)
3200 W
2200 W
4200 W
3000 W
Slew rate
35 V/µs
35 V/µs
Total harmonic distortion
<0.05%
<0.05%
Intermodulation distortion (SMPTE)
<0.02%
<0.02%
Crosstalk (at 1,000 Hz)
<-80 dB
<-80 dB
Input impedance (balanced)
20 kΩ
20 kΩ
Signal-to-noise ratio (dB A-weighted)
107 dB
108 dB
Dimensions (W x H x D)
483 x 88.1 x 368.8 mm
19” x 3.5” x 15.22”
483 x 88.1 x 384 mm
19” x 3.5” x 15.5”
Net weight
8.15 kg (17.96 lbs.)
8.70 kg (19.2 lbs)
67
Commercial Power Amplifiers
EV Commercial Power amplifiers are designed to operate
under a variety of adverse conditions without fail. Several
configurations, power levels, and features are available to
suit nearly any commercial application. Features include
many of the same comprehensive protection circuits
PA1250T
typical of EV amplifiers. Complete protection is provided
for high temperature, audio limiters, power-up delay, and
peak current limiters. Phoenix-type connectors for inputs
and outputs allow for easy rack wiring.
1x250-Watt Single Channel Power Amplifier
•
•
•
•
•
PA2250T
Live for Sound
Up to 1 x 270 W into 70/100 V lines
2RU design
Stepped rear attenuators
Selectable 50 Hz or 300 Hz high-pass filter
Phoenix-type inputs and outputs
2x250-Watt Dual Channel Power Amplifier
Electronics
• Up to 2 x 270 W into 70/100 V or 4-ohm lines
• Bridged mode provides 1 x
540 W into 8-ohm load
• 2RU design
• Stepped rear attenuators
PA2400T
•
•
•
•
•
Selectable 50 Hz or 300 Hz high-pass filter
Phoenix-type inputs and outputs
High-efficiency circuitry design
Three-stage front-to-rear fans
Complete protection package
•
•
•
•
Phoenix-type inputs and outputs
High-efficiency circuitry design
Three-stage front-to-rear fans
Complete protection package
2x400-Watt Dual Channel Power Amplifier
• Up to 2 x 430 W into 70/100 V or 4-ohm lines
• Bridged mode provides 1 x
860 W into 8-ohm load
• 2RU design
• Stepped rear attenuators
• Selectable 50 Hz or 300 Hz high-pass filter
68
• High-efficiency circuitry design
• Three-stage front-to-rear fans
• Complete protection package
Live for Sound
PA2450L
Commercial Power Amplifiers
2x450-Watt Dual Channel Power Amplifier
• High-efficiency circuitry design
• Three-stage front-to-rear fans
• Complete protection package
Concert
Up to 2 x 450 W into 4 Ω
Bridged mode provides 1 x 900 W into 8-ohm load
2RU design
Stepped rear attenuators
Selectable 50 Hz or 300 Hz high-pass filter
Phoenix-type inputs and outputs
4x150-Watt Four-Channel Power Amplifier
•
•
•
•
•
Up to 4 x 160 W into 4 Ω
Bridged mode provides 2 x 315 W into 8-ohm load
2RU design
Stepped rear attenuators
Selectable 50 Hz or 300 Hz high-pass filter
•
•
•
•
Phoenix-type inputs and outputs
High-efficiency circuitry design
Three-stage front-to-rear fans
Complete protection package
PA2450L
PA4150L
PA2400T
PA2250T
PA1250T
7100
Number of Channels
2
4
2
2
1
2
Load Impedance
8/4 Ω
8/4 Ω
8/4 Ω/100V/70V
8/4 Ω/100V/70V
100V/70V
8/4 Ω
Rated output power
(*rated load) THD<1%, 1kHz
220W/450W
100W/160W
215W/430W/430W/430W
135W/270W/270W/270W
270W/270W
100 W /145 W
Rated output power
(*rated load) THD<0.2%,
20Hz – 20kHz
200W/400W
75W/150W
200W/400W/400W/400W
125W/250W/250W/250W
250W/250W
75 W/100 W
Slew rate at 1kHz V/µs
28
16
25/25/65/46
18/18/61/41
61/41
19 V / uS
Frequency response -1dB,
ref. 1kHz
<10Hz -40kHz
<10Hz -40kHz
65Hz -40kHz/65Hz -20kHz
65Hz -40kHz/65Hz -20kHz
65Hz -20kHz
20 Hz - 20 kHz
Input impedance 20Hz – 20kHz,
>20kohm
>20kohm
>20kohm
>20kohm
>20kohm balanced
30 kOhm balanced
Input sensitivity @ rated output
power or voltage, 1kHz
0dBu (775mV)
0dBu (775mV)
0dBu (775mV)
0dBu (775mV)
0dBu (775mV)
0 dBu (775 mV)
THD @ rated output
power MBW=80kHz, 1kHz
<0.1%
<0.1%
<0.1%
<0.1%
<0.1%
< 0.1 %
< 0.1 %
IMD-SMPTE 60Hz, 7kHz
<0.1%
<0.1%
<0.1%
<0.1%
<0.1%
DIM30 3.15kHz, 15kHz
<0.1%
<0.1%
<0.1%
<0.1%
<0.1%
Crosstalk ref. 1kHz, @ 10% rated
output power
<-75dB
<-75dB
<-75dB
<-75dB
<-75dB
Dimensions (W x H x D)
483mm x 88mm x 406mm
(19”x 3.5”x16”)
483mm x 88mm x 406mm
(19”x 3.5”x16”)
483mm x 88mm x 406mm
(19”x 3.5”x16”)
483mm x 88mm x 406mm
(19”x 3.5”x16”)
483mm x 88mm x 406mm
(19”x 3.5”x16”)
483 x 44.4 x 304 mm
(19" x 1.75" x 12")
Weight
16.5kg (36.34lbs)
18kg(39.65lbs)
26kg(57.27lbs)
23.5kg(51.76lbs )
16.5kg(36.34lbs)
8.16 kg (18.2 lb)
Electronics
PA4150L
Mobile Audio
Install
•
•
•
•
•
•
69
NetMax Digital Matrix System
The EV NetMax N8000 is an all-purpose digital audio
system controller with outstanding performance features.
NetMax is highly flexible due to the modular hardware
design, which renders many other applications possible.
Four slots with 8- channel audio modules at the rear of the
Live for Sound
device offer up to 32 local audio channels. Each slot can
be equipped either with an audio input module or an audio
output module. The modular signal processing in the N8000
is implemented on powerful audio signal processors.
N8000-1500 NetMax 1500 MIPS Digital Matrix Controller
• 1500 MIPS internal processing
• Up to 1900 MIPS of processing
power available per unit
• Cobranet and Dante audio networking options
• Supports Ethernet, RS-232, USB and
CAN Communications Protocols
N8000
NetMax 300 MIPS Digital Matrix Controller
Electronics
•
•
•
•
•
Full IRIS-Net software support
32-channel digital matrix bus
114 dB dynamic range
Cobranet and Dante audio networking options
Supports Ethernet, RS-232, USB and
CAN communications protocols
• Up to 1000 MIPS of processing
AI-1
Eight line-level inputs on Euroblock connectors
Electronically balanced inputs
20 kΩ input impedance
117 dB dynamic range provides superior sonic quality
• Automatic configuration-Indication of
installation and removal in IRIS-Net
• DSP (100 MIPS) on board
NetMax Analog Mic/Line Input Card
•
•
•
•
•
70
power available per unit
• Extensive range of DSP functions
• Modular hardware chassis
• Integrated supervision, scheduling
and auto-compiling DSP
• Fully-programmable analog and digital GPIO support
NetMax Analog Input Card
•
•
•
•
MI-1
• Extensive range of DSP functions
• Modular hardware chassis
• Integrated supervision, scheduling
and auto-compiling DSP
• Fully-programmable analog and digital GPIO support
Eight mic/line-level inputs on Euroblock connectors
Electronically balanced inputs
Selectable mic/line pad via IRIS-Net
48 V phantom power
Gain and level adjustable via IRIS-Net
• Automatic configuration-Indication of
installation and removal in IRIS-Net
• DSP (100 MIPS) on board
NetMax Digital Matrix System
Live for Sound
TPI-8/TPI-12 Touch Panel Interfaces
• Up to three front units in a wallstation – easy daisy
chaining of any combination PWS 4/6 modules
using included connection wire
• Easy labeling of buttons – label field protected
by a transparent cover
• Configuration via IRIS-Net – Buttons and LEDs
can be used for various functions
• Customizable button behavior- Buttons can be
configured as momentary, latching, or radio groups,
and all have status LEDs to indicate current state.
• Custom design of the control surface –
individual configuration via IRIS-Net™,
functionality and graphical representation
for all kinds of applications.
• Long life span and noiseless operation
– no fan, no hard disk.
• Reliable server technology –
Win XP Embedded™ operating system,
industry approved product quality.
Concert
PWS-4, 6, C Programmable Wall Stations
Gigabit primary and secondary Ethernet interfaces
Typical latency: 1 mS
Dante Zen device discovery
Compatible with Dante Virtual Soundcard
NetMax 8 Channel Digital Input Card
• Four inputs for eight channels of AES/
EBU or S/PDIF digital audio input
• Euroblock or TOSLINK optical input connectors
• Accepts sample rates of 32-192 kHz
• Independent sample rate converters allow inputs
of different sample rates on each DI-1 input
• Lock indication LED
• DSP (100 MIPS) on board
CM-1
DO-1 NetMax 8 Channel Digital Output Card
DSP-1
• Four outputs for eight channels of
AES/EBU digital audio output
• 48 kHz sampling rate
• +21 dBu maximum output level
• Automatic configuration-Indication of
installation and removal in IRIS-Net
• DSP (100 MIPS) on board
NetMax CobraNet Audio Network Module
• 100BASE-TX ethernet interface; 100Mbit/s fullduplex Ethernet interface; IEEE 802.3u compatible.
• Secondary 100BASE-TX Ethernet interface.
Second Ethernet interface for the connection of
a redundant network to establish fault tolerant
systems. Internal audio output interface for the
transmission of 32 digital audio channels with 48
kHz sample rate and 16, 20, or 24-bit word length
Mobile Audio
DI-1
Eight line-level outputs on Euroblock connectors
Electronically balanced outputs
100Ω output impedance
118 dB dynamic range provides
superior sonic quality
• Automatic configuration-Indication of
installation and removal in IRIS-Net
• DSP (100 MIPS) on board
• Internal audio input interface for receiving 32
digital audio channels with 48 kHz sample
rate and 16, 20, or 24-bit word length.
• Control, monitoring, configuration, and
firmware updates via Ethernet protocol.
• Status LEDs. Link, activity, fault, and CobraNet
conductor status indication via Ethernet connectors.
Electronics
•
•
•
•
•
•
•
•
Install
DM-1 NetMax Dante Audio Network Module AO-1 NetMax 8 Channel Analog Output Card
N8000 Microprocesssor Expansion Module
• 300 MIPS computing capacity - doubles the
DSP power of a NetMax System Controller
• Two RAM banks (512k x 24 Bit) - allow for
additional delay lines up to 21.8 seconds
• 48-bit signal processing.
• Double precision DSP algorithms.
• Automatic configuration - signals whether
a new module has been inserted,
or if one has been removed.
71
Signal Processors
Proven in thousands of installations and live applications
around the world including the Olympics, the FIFA World
Cup, Live 8, and Live Earth, EV delivers truly state-ofthe-art DSP for today's applications. EV's flagship digital
sound system processor, the Dx46, sets the standard for
Dx46
Live for Sound
digital loudspeaker controllers and processors, providing
48-bit filter algorithms, 24-bit AD/DA conversion, and a
dynamic range of 115 dB. The EV DC-One is a two-in, sixout digital signal processor for loudspeaker management
and optimization.
FIR Drive Sound System Processor
•
•
•
•
•
2x6 FIR-Drive Loudspeaker Processor
Analog and AES/EBU Inputs
Full IRIS-Net Control and Configuration
Ethernet and USB Data Interfaces
Full Loudspeaker Protection Package,
Including PA Limiters and TEMP Limiters
• Dedicated Array EQ and Delay Sections
For Advanced Applications
Electronics
DC-One
72
• -6 dB Switchable Analog Pad Inserted
Before A/D Converters On Inputs
• 4 Separate Delay Sections
• 5 Contact Closure Inputs
• 60 Factory Presets
• 30 User Presets
• Unique Edit/Compare mode for
audible parameter adjustment
Two-In-Six-Out Loudspeaker Processor
• USB connection for DC-One Editor Software Control
• Analog or AES/EBU Inputs
• 6 dB analog pad placed before A/D
converter for system protection
• Highly customizeable security settings
• Contact closure interface for remote Preset recall
• 20 User Presets
• 60 Factory Presets
• Unique Edit/Compare Mode for comparing
edited Presets and settings
• 6 predefined Operation Configurations,
including Free Edit
Signal Processors
Live for Sound
DC-One PC Control Software
• PC editor for DC-One configuration
• Provides detailed, real-time control and
monitoring of DC-One hardware
• Unique security and lock-out functions
are available and highly customizable
through the DC-One editor software
Real-time control with IRIS-Net or RACE software
RS-232 or optional RS-485 serial connection
30 user presets
50 factory presets
Function LEDs for each output
• Six predefined operating configurations,
including Free Edit
• 115 dB dynamic range
Dx46
DC-One
Dx38
Analog Inputs
2 XLR (Electronically Balanced), 2 XLR THRU OUT (Electronically Balanced)
2 XLR (Electronically Balanced), 2 XLR THRU OUT (Electronically Balanced)
2 XLR (Electronically Balanced), 2 XLR THRU OUT (Electronically Balanced)
Analog Outputs
6 XLR (Electronically Balanced)
6 XLR (Electronically Balanced)
4 XLR (elec. balanced)
Digital Inputs
1 XLR AES/EBU (2 Ch)
1 XLR AES/EBU (2 Ch)
No
Maximum Input Voltage
8.7 V / +21 dBu (Without -6 dB Analog Pad Engaged)
8.7 V / +21 dBu (Without -6 dB Analog Pad Engaged)
24.5V/+30 dBu
Nominal Input Voltage
1.55V/+ 6 dBu
1.23 V / +4 dBu
1.55V/+ 6 dBu
Input Impedance (Balanced)
10 kΩ
10 kΩ
20 kΩ
Maximum Output Voltage
8.7 V / +21 dBu
8.7 V / +21 dBu
8.7V/+ 21 dBu
Nominal Output Voltage
1.55 V (+6 dBu)
1.23 V / +4 dBu
Output Impedance (Balanced)
50 Ω
50 Ω
< 100 Ω
Frequency Response
20 Hz - 40 kHz
10 Hz - 22 kHz (±0.5 dB)
20 - 20 kHz (- 0.5 dB)
Dynamic Range
116 dB (A-weighted)
111 dB (unweighted, band limited 22 Hz - 22 kHz)
115 dB
THD+N
<0,002% (band limited 20 Hz to 20 kHz)
< 0.01% (band limited 22 Hz - 22 kHz)
< 0.01%
A/D Conversion
24-Bit Delta Sigma
24-bit/sigma-delta (linear phase) 128 times oversampling
24-bit/sigma-delta (linear phase) 128 times oversampling
D/A Conversion
24-Bit Delta Sigma
24-bit/sigma-delta 128 times oversampling
24-bit/sigma-delta 128 times oversampling
Data Format
24-Bit
24-Bit
24-Bit
Internal Processing
48-Bit Double Precision
32-Bit Floating Point
48-Bit
Sample Rate
48 kHz
48 kHz
48 kHz
Control Protocol
USB, Ethernet
Front Panel USB Connector
RS232, MIDI, RS485 (optional)
Height X Width X Depth
1.74 in (44.25 mm) X 19 in (482.6 mm) X 14 in (355.6 mm)
1.75 in (44.45 mm) X 19 in (482.6 mm) X 14 in (355.6 mm)
1.72 in (43.6 mm) X 19 in (482.6 mm) X 14.72 in (374 mm)
Weight Net
10.14 lbs (4.6 kg)
10.14 lbs (4.6 kg)
11.02 lbs (5 kg)
Mobile Audio
•
•
•
•
•
Install
Two-In-Four-Out Loudspeaker Processor
Electronics
Dx38
• State-of-the-art graphics provide a highly detailed,
easy to use over view of a complete system
• Intuitive navigation and block diagrams
provide easy access to all DC-One
functions and DSP sections
• Easy connection to DC-One hardware via USB
Concert
DC-One Editor Software
73
74
Mobile Audio
Concert
75
Mobile Audio
Concert
Concert
Install
Mobile Audio
Commercial
Bosch Communications Systems
Americas–
Headquarter Americas
Bosch Security Systems, Inc.
12000 Portland Ave South,
Burnsville, MN 55337, USA
USA–Ph: 1-800-392-3497
Fax: 1-800-955-6831
Canada–Ph: 1-866-505-5551
Fax: 1-866-336-8467
Latin America–
Ph: 1-952-887-5532
Fax: 1-952-736-4212
Europe, Africa & Middle-East
Headquarters EMEA
EVI Audio GmbH
Hirschberger Ring 45,
94315 Straubing, Germany
Phone: +49 9421 706-0,
Fax: +49 9421 706-265
©2010 Bosch Security Systems, Inc. LIT000473000
France: EVI Audio France S.A.,
Parc de Courcerin,
Allée Lech Walesa,
F 77185 Lognes, France
Phone: +33 1-6480-0090
Fax: +33 1-6006-5103
UK: Shuttlesound,
4 The Willows Centre,
Willow Lane, Mitcham,
Surrey CR4 4NX, UK
Phone: +44 208 646 7114
Fax: +44 208 254 5666
Asia & Pacific Rim
Headquarter Asia
Telex Communications (SEA) Pte Ltd
38C Jalan Pemimpin
Singapore 577180
Tel: (65) 6319 0616
Fax: (65) 6319 0620
Japan: EVI Audio Japan, Ltd
5-3-8 Funabashi, Setagaya-ku,
Tokyo 156-0055
Tel: +81 (3) 5316-5021
Fax: +81 (3) 5316-5031
Hong Kong: Telex EVI Audio (Hong Kong) Ltd.
Room 508-509, 5/F,
Topsail Plaza
11 On Shum Street
Shek Mun,Shatin HK
Phone: +852 2351-3628,
Fax: +852 2351-3329
Shanghai: Telex EVI Audio (Shanghai) Co., Ltd.
Room 3105-3109,
Tower 1 Office Building,
218 Tian Mu Xi Rd.,
Shanghai, China
Postal Code: 200070
Tel: +86 21-6317-2155
Fax : +86 21-6317-3025
Microphones
Born and bred in the American heartland, Electro-Voice
lays claim to over 80 years of unmatched innovation
in microphone design and manufacturing. Back in
1927, company founders Al Kahn and Lou Burroughs
started out as true pioneers, establishing the industry
standard for audio engineering excellence and reliability
while continuously upping the ante with breakthrough
technologies like the Humbucking coil for noise
cancellation, Variable-D™ and VOB™.
Eight decades on, Electro-Voice microphones continue to
deliver the sound of history’s most significant events. We’ve
helped the world hear everything from the very first radio
broadcasts to John Glenn’s first orbit of the Earth; from
Elvis and the Beatles to the largest world tours with today’s
biggest artists; from Knut Rockne using his “Electric Voice”
at Notre Dame to the state-of-the-art wireless microphone
systems at this year’s Superbowl; from Presidential
inaugurations to tonight’s evening news; from Dr. Martin
Luther King’s “I Have A Dream” speech to the Next Big
Thing rehearsing in the garage next door…
Electro-Voice stays true to its roots as a great American
brand while advancing to new heights in the 21st century.
We were the first to offer N/DYM™ neodymium technology
in microphones and created ClearScan™ for quick,
automatic wireless microphone channel coordination.
And that’s just the beginning—our engineers are constantly
working on new ways to keep your tone intact.
From soundcheck to encore, Electro-Voice microphones
offer great sound, durability, ergonomics and style,
whether you’re outfitting a world tour, a house of worship,
a professional studio or a neighborhood block party. We
believe the equipment you use should withstand both the
rigors of performance and the scrutiny of your listeners. At
Electro-Voice, innovating new products to make you sound
your best is job number one—our name says it all.
Table of Contents:
Artist Relationships2
Wired Microphones4
Live Performance Microphones
PL Series6
NDYM Series8
RE Live10
Cardinal / Raven11
Broadcast Microphones
RE Broadcast12
Field Production13
Installation Microphones
Polar Choice14
RE Installation16
General Purpose18
Wired Accessories19
Wired Guidelines20
Microphone Selection Chart
22
Wireless Microphones24
RE-226
RE-2 PRO28
REV30
Wireless Antenna Accessories
32
Wireless Microphones34
Wireless Cables, Clips & others
36
Wireless Guidelines38
We’re proud to be the brand of choice of professional artists and engineers from
around the world, from all corners of the music and pro audio industry. From local
broadcast studios, rehearsal spaces and nightclubs to the largest concert tours, our
microphones and wireless systems are trusted tools that help forge careers.
Our ongoing relationships include:
ARTISTS
DRIVE
Keith Capsuto
Al Green
Dropkick Murphys
Keith Frank
Albert Lee
Echo and the Bunnymen
Kenny Olson
Alexx Calise
Ed “Mr. Improv” Hull
Kenny Wayne Shepherd
Alison Hinds
Elliott and the Untouchables
Keri Noble
Eric Gales
Kerry King
Annie Minogue Band
Eric Tavares
Kreg Viesselman
Avishai Cohen
Fishbone
Larry Russell
Big Bang Theory
Garrett Mason
Lee Scratch Perry
Black Label Society
Geezer Butler
Angelo Kelly
(Kelly Family)
Blackbird McKnight
(Parliament)
George Clinton
(Parliament)
(Slayer)
Leroy Van Dyke
Let’s Get It
Blackhawk
Gregg Rolie Band
Levon Helm
Blasko
Gregory Brock
LMT Connection
Bobby Bare Jr.
GWAR
Lonesome Spurs
Bootsy Collins
Hatebreed
Los Lobos
Carina
Heaven Davis
Maki Ohguro
Cesaria Evora
Helen Cornelius
Maktub
Charlie Lustman
Henry Murphy and the Seahawks
Malford Milligan
CLÃ
(Ozzy Osbourne)
(Portugal)
Clem Burke
(Blondie)
Courtney Pine
Crash Anthem
dada
Damon Johnson
Danny B. Harvey
Dave Wolfe
David Fonseca
David Frizzell
David Pack
Davie Kimm
Deke Dickerson
Delaney Jackson
Derick Sebastian
DevilDriver
Dino Cezares
Dr. Dog
(Dragonforce)
Honeydogs
(Guns ‘N’ Roses)
Marcia Ball
Mark Chestnutt
Jack Frost
James LoMenzo
Marthia Sides
(Megadeth)
Jerry Montano
Maze Meusel
Megadeth
Jim Vilandre
Meldrum
Jimmy Clark
Jimmy Keegan
Michael H. Sweet
(Spock’s Beard)
Joe Bonamassa
Joe Fraulob
Michel Montano
Mitch Gordon
Moe Bandy
John Berry
Johnny Hawthorn Band
Johnny Kelly
Marcello Mello
Marcus Miller
Hoven Droven
(Type-O-Negative)
Johnny Young
K&Neo
Dick Dale
DJ Ashba
Herman Li
Joshua Craig Podolsky
Devo
2
(Black Sabbath)
(Kid Rock)
Karl Denson’s Tiny Universe
Karnes McCarrick
Keegan McClellan
Mogwai
Neal McCoy
Nick Catanese
Niki Barr
No Other Name
Patrice Pike
Pete Anderson
Phil Bloch
(Boston)
Presidents of the United
States of America
Purple Reign
Real Groove Band
Reamonn
Reverse Cowgirl
Richard Buckner
Rick Ward
Rob Powers
(Broadcaster)
Rockie Lynne
Rogue Wave
Ronnie McDowell
Rupee
Saint Lu
Sambomaster
Saxon
Secret Agent Bill
Shinya
Skerik
Southern Culture on the Skids
Sparklehorse
Staind
Static-X
The Monks
ENGINEERS
The Roots
Al Davis
Theresa Andersson
Bill Racine
Three Days Grace
Bradley Johnson
ThundHERstruck
Brian Garcia
Tim Burlingame/Kathrin Shorr
Brian Herb
Tim Lepard
Bruce Reiter
Tommy Bolan
Craig Schumacher
Tommy Victor
(Prong)
Dan Lance
Tony Campos
Dave Fridmann
Travis Larson Band
Deanne Franklin
Twisted Sister
Doug Short
Versa Emerge
Duane Dungey
Vibro Champs
Jeremy Smith
Wolf Simon
Jim Baker
XNO
Johnny K
Yellow Hands
Mark Robertson
Yngwie Malmsteen
Mark Vanderwall
Zakk Wylde
Rafael Alkins
Rocky Holman
Sean Peel
Steve “Sonny” B. Taylor
Steve Brown
Steve Vai
T.M. Stevens
Takako Afuso
Takida
TAT
Terri Nunn
Terri Walker
Terry Evans
The Baseballs
The Buzzcocks
The Honeydogs
The Joe Taylor Group
The Lads
The Legendary Shack
Shakers
3
4
Wired Microphones
Wired
Live Performance Microphones
Electro-Voice is a proven leader in the design and manufacture of live
sound microphones. Preferred by performers the world over since the
company was founded in 1927, Electro-Voice microphones have long
been the choice of the music industry’s greatest artists. Why have so
many top-name performers chosen Electro-Voice microphones over the
years?
Trusted by both the artists and their skilled engineers and technicians, our
legendary capsule designs are engineered to deliver the highest quality
tone and clarity in any performance situation.
Rugged design and construction ensures that the capsule (the heart of a
microphone’s performance) remains unaffected by treatment that would
destroy other brands’ microphones.
Reliable and predictable polar pattern performance allows superior control
in the mains and monitors.
Performances as sonically spectacular for the artist as they are for the
audience – the Electro-Voice sound is synonymous with the highest
quality and musicality.
Broadcast Microphones
Benchmarked by the legendary RE20 and RE27N/D Variable-D®
vocal microphones, Electro-Voice broadcast studio and field production
microphones confidently uphold their reputations as Industry Standards.
These number-one choices for radio and television voiceover and
interview work define the sound and reliability broadcast professionals
around the world have come to demand.
Unquestionable reliability and spot-on sonic performance are prime
requirements in broadcast field production work. Electro-Voice field
production mics have been the go-to industry workhorses for decades.
You’ve seen Electro-Voice live interview microphones in the hands of
reporters and news correspondents around the world – from interviews
with the President of the United States to the family next door – EV’s
RE50 and 635A mics are famous in broadcast, television, and radio inthe-field broadcasts. These microphones set world standards for ENG
(electronic news gathering) and EFP (electronic field production). They
are extremely rugged and withstand high humidity, temperature extremes
and corrosive effects such as salt-air – all while providing excellent sound
performance and that legendary “Buchanan Hammer” durability.
Installed Sound Microphones
Electro-Voice remains on the cutting edge of installed sound technology
through innovative adaptation of our legendary RE and PolarChoice
condenser capsules. These premium-grade elements are worldrenowned for their superb sonic performance.
Electro-Voice’s breakthrough PolarChoice technology sets new standards
in Installed Sound convenience, reliability and performance. Shortening
the long list of products, polar pattern selections and margin for error,
each PolarChoice model incorporates four switchable polar patterns
strategically designed for these specific applications. Selection and
deployment is as easy as choosing the best physical design for the
installation, and setting the polar pattern switch for the best coverage
performance. Should installation conditions change, the polar pattern can
always be changed to meet the new requirements.
5
PL Series
Live
Wired
Live for Sound
The PL Series is a comprehensive family of vocal and instrument microphones for the professional live sound and studio
community. Featuring seven vocal models and three instrument models, the PL Series’ exceptional durability, sonic
performance and contemporary styling meet the needs of today’s sound system professional.
PL24
Entry-level Dynamic Vocal Microphone
The PL24 is a professional-grade supercardioid dynamic
vocal microphone designed for live sound applications.
With its balanced frequency response, the PL24’s sonic
performance is robust and articulate, delivering all-around
vocal clarity in any live sound situation.
•
•
•
•
•
Balanced blend of controlled lows, palatable
mid-range, and smooth high frequency content
Powerful neodymium magnet structure
Tight-mesh Memraflex™ grille
Supercardioid polar pattern
Dynamic element
Also available: PL24S with on/off switch.
PL44
Mid-level Dynamic Vocal Microphone
The PL44 is a professional-grade supercardioid dynamic
microphone designed for plug-and-play placement of vocals
in any mix. Its high-mid frequency content design precisely
lifts vocals in the mix to where they need to be, resulting in
fast and effective vocal placement.
PL80a
•
•
•
•
•
Voice-contoured for transparency and
high-mid lift
Powerful neodymium magnet structure
Tight-mesh Memraflex™ grille
Supercardioid polar pattern
Dynamic element
Premium Dynamic Vocal Microphone
The PL80a is a premium-grade supercardioid dynamic
microphone designed to elegantly capture the character
of vocals in live sound applications. Its EQ-friendly sonic
contour adapts well to any vocal texture, allowing vocals to
sit nicely in the mix without sounding harsh.
•
•
•
•
•
Incredible vocal power and clarity
Robust, forgiving and EQ-friendly performance
Superior off-axis rejection
Ultra-low handling noise
Exceptionally cooperative tonal characteristics
Also available: PL80c with the classic beige PL finish.
PL84
Premium Condenser Vocal Microphone
The PL84 is a professional-grade cardioid condenser vocal
microphone designed to enhance a professional vocalist’s
creative expression. With its warm lows, musical mid-range
and smooth high-frequency response, the PL84 captures all
of the intimate detail expressive vocalists require.
Also available: PL84S with on/off switch.
6
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•
•
Carefully voiced for intimate detail and presence
Condenser element for fast transient response
Tight-mesh Memraflex™ grille
Cardioid polar pattern
PL Series
Live for Sound
Dynamic Kick Drum & Instrument Microphone
PL33
Voiced specifically for kick drums and
low-frequency instruments
Powerful neodymium magnet structure
Tight-mesh Memraflex™ grille
Supercardioid polar pattern
Dynamic element
•
•
•
•
•
Voiced specifically for snare drums and
tom-toms
Powerful neodymium magnet structure
Complete with DRC-1 drum rim clamp
Supercardioid polar pattern
Excellent isolation from surrounding drums
•
•
•
•
Small diaphragm condenser
Voiced for overhead drums, hi-hats and acoustic stringed instruments
Tight-mesh Memraflex™ grille
Tight cardioid polar pattern
The PL37 is a tight-cardioid condenser microphone
designed to deliver all the crisp detail of cymbals, high-hats
and percussion instruments on stage or in the studio. The
PL37 delivers all the dialed-in tone and percussive transient
response detail that professional drummers and sound
system engineers require.
PL DK models and contents:
•
PL DK4 (for a 4-piece drum kit): Three PL35’s and
one PL33
•
PL DK4 Plus (for a four-piece drum kit): Three PL35’s, one PL33 and one PL37
•
PL DK5 (for a five-piece drum kit): Four PL35’s and one PL33
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PL DK7 (for a five-piece drum kit): Four PL35’s, one PL33 and two PL37’s
PL Series drum mics are also available in pre-pack
assortments of our most requested drum set configurations.
The DK’s come ready for the gig in a heavy-duty firm shell
gig bag (with shoulder strap), which can hold up to six
PL35’s, three PL37’s and one PL33 should you wish to
expand your PL Series drum mic tool kit.
Wired
The PL33 is a supercardioid dynamic microphone designed
to deliver the power, punctuation and snap of kick drums in
sound reinforcement systems or recording studios of any
size. Its frequency response is strategically crafted to deliver
great kick drum sound with little, if any, additional EQ’ing.
•
•
•
•
•
Dynamic Tom, Snare & Instrument Microphone
PL35
Live
The PL35 is a professional-grade supercardioid dynamic
microphone designed to deliver the power, punctuation and
natural tones of tom and snare drums in sound reinforcement
systems or recording studios of any size. Delivery includes
the unique DRC-1 drum rim clamp.
Condenser Overhead & Instrument Microphone
Pre-pack Drum Kits
PL37
PL Drum Kits
Specification
PL24 & PL24S
PL44
PL80a & PL80c
PL84 & PL84S
Element
Dynamic
Dynamic
Dynamic
Condenser
(self-biased)
PL33
PL35
PL37
Dynamic
Dynamic
Condenser
(self-biased)
Polar Pattern
Supercardioid
Supercardioid
Supercardioid
Cardioid
Supercardioid
Supercardioid
Cardioid
Frequency
Response
80 - 16,000 Hz
80 - 18,000 Hz
80 - 16,000 Hz
50 - 20,000 Hz
20 - 10,000 Hz
50 - 16,000 Hz
50 - 16,000 Hz
Impedance
600 Ω
600 Ω
600 Ω
200 Ω
150 Ω
600 Ω
200 Ω
Open Circuit
Voltage
2.2 mV/Pascal
2.2 mV/Pascal
2.2 mV/Pascal
3.5 mV/Pascal
0.63 mV/Pascal
2.2 mV/Pascal
6 mV/Pascal
Power
Requirements
Passive
Passive
Passive
11 to 52 VDC
Passive
Passive
11 to 52 VDC
Connector Type
Three-Pin XLR
Three-Pin XLR
Three-Pin XLR
Three-Pin XLR
Three-Pin XLR
Three-Pin XLR
Three-Pin XLR
Mic Type
Handheld
Handheld
Handheld
Handheld
Instrument
Instrument
Instrument
Case Material
Die-Cast Zinc
Die-Cast Zinc
Die-Cast Zinc
Die-Cast Zinc
Die-Cast Zinc
Die-Cast Zinc
Die-Cast Zinc
Finish
Textured
Satin Black
Textured
Satin Black
Textured
Satin Black
Textured
Satin Black
Textured
Satin Black
Textured
Satin Black
Textured
Satin Black
7
N/DYM Series
Live
Wired
Live for Sound
Excellent, clear sound; comfortable, safe handling; powerful neodymium magnetic structures and EV’s unique VOB™
technology … all set the N/DYM Series microphones apart from other microphones on the market. Designed to deliver
exceptional power and clarity in live performance applications, N/DYM microphones outperform any other microphone in
their class.
N/D267a
Versatile Dynamic Vocal Microphone
The N/D267a incorporates EV’s unique VOB™ (VocallyOptimized Bass™) technology to provide the performer with
reduced resonant distortion at low frequencies. Critical
damping of the low frequency resonant peak has resulted
in a microphone with increased finesse and vocal clarity;
ensuring a clean, clear, consistent sound that “punches
through the mix.”
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•
•
•
VOB™ technology
Cardioid polar pattern
Tight-mesh Memraflex™ grille
Dynamic, high-sensitivity neodymium element
Warm Grip™ handle for more comfortable feel and low handling noise
Available with on/off switch (N/D267as)
N/D367s
High-performance Dynamic Vocal Microphone
Classic N/DYM sound. The N/D367s has proven very
popular with female vocalists across a variety of musical
genres, thanks to its smooth, controlled frequency response
and exceptional N/DYM sensitivity. The N/D367 also
provides great sound for podium use.
N/D767a
•
•
•
•
•
•
•
Top-class vocal microphone
Multi-stage shock mount
Dynamic, high-sensitivity neodymium element
Tight-mesh Memraflex™ grille
Condenser-like performance
VOB™ technology
Supercardioid polar pattern
Premium High SPL Dynamic Vocal Microphone
The N/D967 is the highest gain-before-feedback
performance vocal microphone on the market, making it
a perfect choice for louder stage environments. Comes
with a superior multistage shock mount for unmatched low
handling noise.
8
Cardioid polar pattern
Dynamic, high-sensitivity neodymium element
Classic N/DYM sound
Tight-mesh Memraflex™ grille
Smooth, controlled frequency response
Superior multistage shock mount for unmatched low handling noise
On/off switch
Premium Dynamic Vocal Microphone
The N/D767a is the singer and engineer’s first choice for
outstanding vocal clarity in live performance applications.
With low handling noise, VOB™ technology, and excellent
clarity through all frequencies, the N/D767a is the top choice
dynamic mic in its class.
N/D967
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•
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•
•
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Highest gain-before-feedback microphone
Optimized response for live performance
Vocal personality switch shapes sound
Dynamic, high-sensitivity neodymium element
Tight-mesh Memraflex™ grille
Unique removable front grille assembly and pop filter for easy, hygienic cleaning
N/DYM Series
Live for Sound
N/DYM Series Instrument Group
Dynamic Supercardioid Instrument Microphone
Designed specifically for instruments
Supercardioid pattern
Dynamic, high-sensitivity neodymium element
Unique pivoting head ensures perfect placement for use on drums, horns, acoustic and
electric guitar
Accurate response, even in high sound pressure levels (SPL)
Rugged steel construction
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•
Outstanding choice for electric guitar/bass guitar amplifier, toms, snare, cymbals, hi-hat, brass and acoustic guitar
Dynamic, high-sensitivity neodymium element
Cardioid pattern for superior feedback rejection and acoustic isolation
VOB™ technology provides tailored bass response for controlled “proximity effect”
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•
•
Designed specifically for kick drum
A go-to mic for live or studio environments
Optimized sensitivity for the high sound pressure levels found in bass drum miking
Excellent on bass guitar, floor toms and electric guitar cabinets
Extended low-frequency response
Frequency response tailored for instant kick drum sound
N/D468
Designed specifically for horns, drums, acoustical and
electric guitars, the N/D468’s large-diameter voice coil
(up to 50% larger than other mics) provides a powerful,
articulate yet natural sound. Its unique pivoting-head design
ensures perfect mic placement, while the supercardioid
pattern provides superior off-axis rejection and acoustic
isolation in any application.
Live
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•
Wired
Pulling double-duty on stage or in the studio, N/DYM Series instrument mics deliver outstanding performance in virtually
any application. Highly acclaimed for their superior transient response and powerful tonal detail, these mics are the right
choice when settling for good enough isn’t an option.
Dynamic Cardioid Instrument & Amplifier Microphone
N/D478
More durable and natural sounding than the other “industry
standard” instrument mic, the N/D478 is ideal for miking
drums, percussion or guitar amplifiers. Its integrated VOB™
technology reduces resonant distortion at low frequencies.
The N/D478 also does a great job as a vocal microphone.
Dynamic Cardioid Kick Drum Microphone
N/D868
The N/D868 is truly a top performer in any application,
thanks to its ability to handle incredibly high sound pressure
levels without distortion. With a frequency response
specifically designed as the perfect kick drum sound, the N/
D868 has been applauded by drummers and engineers the
world over.
Specification
N/D267a
N/D367s
N/D767a
N/D967
N/D468
N/D478
N/D868
Element
Dynamic
Dynamic
Dynamic
Dynamic
Dynamic
Dynamic
Dynamic
Polar Pattern
Cardioid
Supercardioid
Supercardioid
Supercardioid
Supercardioid
Cardioid
Cardioid
Frequency
Response
45 - 15,000 Hz
25 - 20,000 Hz
35 - 22,000 Hz
50 - 13,000 Hz
20 - 22,000 Hz
45 - 15,000 Hz
20 - 10,000 Hz
Impedance
300 Ω
300 Ω
300 Ω
150 Ω
150 Ω
300 Ω
150 Ω
Open Circuit
Voltage
2.9 mV/Pascal
3 mV/Pascal
3.1 mV/Pascal
4 mV/Pascal
3.1 mV/Pascal
2.9 mV/Pascal
1 mV/Pascal
Power
Requirements
Passive
Passive
Passive
Passive
Passive
Passive
Passive
Connector Type
Three-Pin XLR
Three-Pin XLR
Three-Pin XLR
Three-Pin XLR
Three-Pin XLR
Three-Pin XLR
Three-Pin XLR
Mic Type
Handheld
Handheld
Handheld
Handheld
Instrument
Instrument
Instrument
Case Material
Metal
Metal
Metal
Metal
Metal
Metal
Metal
Finish
Non-Reflective
Black
Non-Reflective
Black
Non-Reflective
Black
Non-Reflective
Black
Non-Reflective
Black
Non-Reflective
Black
Non-Reflective
Black
9
RE Live
Live
Wired
Live for Sound
With sonic quality and versatility proven at the highest levels, the performance group from EV’s RE Series have become
trusted industry standards for both stage and studio use. Although these premium grade handheld and stand mount
condensers turn a good-sounding stage into a GREAT one, they will also deliver the professional depth, personality and
sheen your recordings require.
RE200
True Condenser Cardioid Microphone
The RE200 is a cardioid condenser instrument microphone
designed for the exacting acoustic reproduction of choirs,
strings, percussion, acoustic guitar and brass instruments in
live performance and studio recordings.
RE410
Premium-grade handheld condenser
Cardioid pattern for excellent feedback rejection and acoustic isolation
Ideal for both vocals and spoken word use
High-compliance shock mount effectively eliminates handling noise
Tight-mesh Memraflex™ grille
Multistage pop filter
•
•
•
•
•
•
Premium-grade handheld condenser
Supercardioid pattern for excellent feedback rejection and acoustic isolation
Wide dynamic range
High-compliance shock mount effectively eliminates handling noise
Tight-mesh Memraflex™ grille
Multistage pop filter
Premium Condenser Instrument Microphone
A cardioid condenser mic designed for use with musical
instruments via its specially designed instrument-mount
clip assembly. The RE920 is a premium-grade condenser
solution when clipped to drum rims, brass, woodwinds
and stringed instruments. Although terminated in a TA4F
connector for use with EV and Telex bodypack transmitters,
it can be made hard-wired with the additional TXA XLR
preamp.
10
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•
•
•
•
Premium Condenser Supercardioid Vocal Microphone w/HPF
The RE510’s 5/8” diameter, self-biased, condenser capsule
offers the warmth of a larger capsule design without
sacrificing off-axis performance or transient response. Its
supercardioid polar pattern enhances acoustic isolation and
off-axis rejection. Low-frequency roll-off switch tailors lowfrequency response to meet application requirements.
RE920
True condenser design
Continuous presence rise enhances sound quality
Transformerless output
Cardioid pattern
Small, unobtrusive profile
Premium Condenser Cardioid Vocal Microphone
Engineered for professional club and concert sound or
studio recording applications, the cardioid condenser RE410
provides crisp, clear top-end and sweet mid-range, pulling
the voice front-and-center in any mixing situation. The RE410
delivers the critical details other mics leave behind.
RE510
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Unidirectional horn/drum mic
Back electret condenser element
Cardioid polar pattern
TA4F connector for wireless bodypacks
A wired solution when coupled with a TXA
High SPL handling
Custom clip for securely mounting on a variety
of instruments
Cardinal / Raven
Live
Wired
Live for Sound
The Cardinal and Raven microphones combine gorgeous, streamlined modern design with the latest audio engineering technology
to offer sonic detail and clarity unparalleled in the industry. While both mics excel at capturing vocals and instruments in studio and
on stage, they have been designed to be two birds of a different feather. The Cardinal is a Class-A cardioid condenser with smooth
and detailed performance, while the Raven is a stylish dynamic that holds up even under the toughest conditions.
Condenser Vocal & Instrument Microphone
•
•
•
•
•
•
•
Pressure gradient condenser
Very musical cardioid polar pattern
Class-A discrete ultra-low noise circuitry
Unique double swivel-mounted design for ideal positioning
Innovative visual design with cherry finish
Great for voice or instruments
Outstanding performance on tom-toms and overhead drums
•
•
•
•
•
•
Dynamic microphone with studio detail
and clarity
Cardioid pattern with excellent off-axis rejection
Unique double swivel-mounted design for ideal positioning
Great for voice or instrument
Chosen as the preferred electric guitar cabinet mic by hundreds of live and studio engineers.
Stylish retro design
Cardinal
The Cardinal is a cardioid condenser microphone designed
to capture vocal and instrumental details in live sound or
studio applications. Employing Class-A discrete amplifier
circuitry, the Cardinal’s smooth and detailed performance
is sure to please even the most discerning artists and
engineers. Although initially designed for vocals, the Cardinal
has become a go-to favorite for miking tom-toms and
overhead drums because of its unique tonal and transient
response characteristics.
Dynamic Vocal & Instrument Microphone
Raven
The Raven is a stylish dynamic microphone designed to
capture the character of live and studio vocals. It is also
the perfect microphone for live and studio instruments, and
has been chosen as the preferred electric guitar cabinet
microphone by hundreds of live and studio engineers. The
Raven incorporates collaborative designs from top industry
microphone engineers to provide unparalleled performance
in a stunning package.
Specification
RE200
RE410
RE510
RE920
Cardinal
Raven
Element
True Condenser
Condenser
(self-biased)
Condenser
(self-biased)
Condenser
(back electret)
Condenser
(self-biased)
Dynamic
Polar Pattern
Cardioid
Cardioid
Supercardioid
Cardioid
Cardioid
Cardioid
Frequency
Response
50 - 18,000 Hz
50 - 20,000 Hz
50 - 20,000 Hz
80 - 18,000 Hz
35 - 20,000 Hz
45 - 16,000 Hz
Impedance
200 Ω
250 Ω
150 Ω
1000 Ω
50 Ω
335 Ω
Open Circuit
Voltage
10 mV/Pascal
3.2 mV/Pascal
2.5 mV/Pascal
1.3 mV/Pascal
10.6 mV/Pascal
2.51 mV/Pascal
Power
Requirements
12 - 52 VDC Phantom
24 - 48 VDC Phantom
12 - 52 VDC Phantom
5 VDC
(via optional bodypack)
24 - 48 VDC Phantom
Passive
Connector
Type
Three-Pin XLR
Three-Pin XLR
Three-Pin XLR
TA4F
Three-Pin XLR
Three-Pin XLR
Mic Type
Instrument
Handheld
Handheld
Instrument
Vocal / Instrument
Vocal / Instrument
Case Material
Metal
Metal
Metal
Metal
Metal/wood
Metal
Finish
Semi-Gloss
Camera Black
Non-Reflective Black
Non-Reflective Black
Non-Reflective Black
Cherry Wood
Non-Reflective Black
11
RE Broadcast
Wired
Live for Sound
Broadcast
Benchmarked by the legendary RE20 and RE27N/D Variable-D® vocal microphones, Electro-Voice broadcast studio and
field production microphones confidently uphold their reputations as Industry Standards. These number-one choices for
radio and television voice-over and interview work define the sound and reliability broadcast professionals around the world
have come to demand.
RE20
Broadcast Announcers Microphone w/ Variable-D
The RE20 Variable-D® dynamic cardioid microphone is truly
an industry standard, a firm favorite among broadcasters
and sound engineers worldwide. Its popularity also extends
into music production as a premium grade instrument
microphone. Its Variable-D® design and heavy-duty internal
P-pop filter reduce proximity effect, while an internal element
shock-mount reduces vibration-induced noise.
RE27N/D
•
•
•
•
•
•
•
Variable-D® for minimal proximity effect
True cardioid with no coloration at 180-degrees off-axis
Voice tailored frequency response
Studio condenser-like performance
Large diaphragm
Humbucking coil
Bass roll-off switch
Broadcast Announcers Microphone w/ Variable-D & N/DYM Cap
The RE27N/D is a high-performance, neodymium-equipped
industry-standard broadcast microphone. Superb resolution
and depth for vocals and instruments have also made the
versatile RE27N/D a favorite of recording studios and live
sound engineers around the world.
•
•
•
•
•
•
Variable-D® for minimal proximity effect
Neodymium element design brings 6 dB
more sensitivity
Ultra-flat frequency response
Studio condenser-like performance
Three selectable filters: -6 dB from 250-100 Hz, -12 dB from 1000-100 Hz and -3 dB high
frequency roll-off
Integral wind and blast filters
Specification
RE20
RE27N/D
RE16
RE50-B
RE50 N/D-B
635A
635N/D-B
Element
Dynamic
Dynamic
Dynamic
Dynamic
Dynamic
Dynamic
Dynamic
Polar Pattern
Cardioid
Cardioid
Supercardioid
Omni
Omni
Omni
Omni
Frequency
Response
45 - 18,000 Hz
45 - 20,000 Hz
80 - 15,000 Hz
80 - 13,000 Hz
80 - 13,000 Hz
80 - 13,000 Hz
80 - 13,000 Hz
Impedance
150 Ω
150 Ω
150 Ω
150 Ω
150 Ω
150 Ω
150 Ω
Open Circuit
Voltage
1.5 mV/Pascal
3.1 mV/Pascal
1.4 mV/Pascal
2.0 mv/Pascal
2.0 mV/Pascal
1.4 mV/Pascal
2.8 mV/Pascal
Power
Requirements
Passive
Passive
Passive
Passive
Passive
Passive
Passive
Connector Type
Three-Pin XLR
Three-Pin XLR
Three-Pin XLR
Three-Pin XLR
Three-Pin XLR
Three-Pin XLR
Three-Pin XLR
Mic Type
Vocal / Instrument
Vocal / Instrument
Handheld
Handheld
Handheld
Handheld
Handheld
Case Material
Steel
Steel
Steel
Aluminum
Aluminum
Steel
Steel
Fawn Beige
Semi-Gloss
Camera black
Semi-Gloss
Camera Black
Fawn Beige
Non-Reflective
Black
Finish
12
Fawn Beige
Satin Nickel
Field Production
Live for Sound
Field Production Group
Variable-D® dynamic microphone,
Supercardioid polar pattern
Great for podium or handheld use
Unique blast filter makes close-up use possible without popping
Uniform response independent of angle
Humbucking coil reduces electromagnetic hum pickup
A Variable-D® dynamic supercardioid microphone designed
for the most exacting professional use, employing an integral
blast filter to permit handheld and outdoor use without
“P-popping” or excessive wind noise. EV’s Variable-D®
design allows its directional characteristic to be independent
of frequency.
•
•
•
•
•
Omnidirectional polar pattern
Dynamic element
Extremely low handling noise via Dyna-Damp™ “mic in-a-mic” shock mount system
Impervious to wind noise and p-pops via its four-
stage pop filter
Withstands high humidity, temperature extremes, and corrosive salt air
The RE50B is the industry standard in broadcast television
production handheld interview mics, seen and heard in the
hands of reporters and news correspondents around the
world – from interviews with the President of the United
States to the family next door.
•
•
•
•
•
Omnidirectional / Dynamic
Higher output model with neodymium
magnet structure
Extremely low handling noise
Impervious to wind noise and p-pops via its four-
stage pop filter
Withstands high humidity, temperature extremes, and corrosive salt air
•
•
•
•
•
•
•
Omnidirectional polar pattern
Dynamic element
Incredibly robust and durable
Linear frequency response
Completely pop-free
Four-stage pop and dust filter
Internal effective shock absorber
•
•
•
•
•
Omnidirectional / Dynamic
Neodymium element design delivers
higher output
Acoustalloy® diaphragm material for very smooth response over a wide frequency range
Integral windscreen and blast filter
Black semi-gloss finish
Handheld Interview Microphone
Handheld Interview Microphone w/ N/DYM Capsule
RE16
RE50B
RE50N/D-B
The RE50N/D-B delivers all of the outstanding performance
of the industry standard RE50B with the added benefit of
its high-output neodymium capsule magnet. An industry
standard in broadcast television production where the
additional gain of the neodymium capsule is well-suited for
particular camera or recording device inputs.
Classic Handheld Interview Microphone
635A
The classic 635A live interview wired microphone is the most
popular (ENG) electronic news gathering mic in the world.
It delivers great sound and is known as “The Buchanan
Hammer” for its rugged durability – a nod to EV’s ancestral
home in Michigan. Also available in black (model: 635A/B).
Classic Handheld Interview Microphone w N/DYM Capsule
635N/D-B
The 635N/D-B has the same “hammer-like” toughness and
classic performance and reputation as the 635A(B) with
the added benefit of increased output from its neodymium
magnet structure.
13
Broadcast
Dynamic Supercardioid Handheld w/ Variable-D
•
•
•
•
•
•
Wired
EV´s legendary RE50B and model 635 microphones are classics in broadcast television and radio. These microphones set
world standards, especially for ENG (Electronic News Production) and EFP (Electronic Field Production). They are extremely
rugged and can withstand high humidity, temperature extremes and corrosive effects such as salt-air, yet still provide the
excellent sound performance broadcast professionals demand.
Polar Choice
Wired
Live for Sound
EV’s PolarChoice installation microphones feature user-selectable polar patterns in a variety of boundary, podium and
desktop models. Users can select between omnidirectional, cardioid, supercardioid and hypercardioid (figure “8” on the
PC Boundary), all in one mic! No matter the pattern selected, PC mics have a consistent voicing optimized for speech,
equating to excellent clarity and speech intelligibility with outstanding feedback rejection.
PC Boundary
Multi-pattern Boundary Layer Microphone
Install
The PC Boundary is a very low-profile area microphone
that can be used on any surface and with virtually any mic
mixer. With one omni-directional and three directional polar
patterns on board, it is ideal for virtually any installation
where premium-grade area coverage is required.
PC Desktop
Available in 5”, 12” and 18” gooseneck length versions.
Available in 5”, 12” and 18” gooseneck length versions.
Switchable omni, cardioid, supercardioid or hypercardioid polar patterns
Mute switch with LED can be programmed as either push on/off or push-to-mute
Smooth and uniform frequency response, no matter what pattern is selected
Extended low-frequency response and switchable high-pass filter
Sturdy steel base
•
•
•
•
•
Switchable omni, cardioid, supercardioid or hypercardioid polar patterns
Mute switch with LED can be programmed as either push on/off, or push-to-mute
Smooth and uniform frequency response, no matter what pattern is selected
Extended low frequency response and switchable high-pass filter
Sturdy steel base
Multi-pattern Gooseneck Microphone w/ XLR
PC/XLR models are dual gooseneck section podium
microphones designed to be installed where mating to a
three-pin XLR-F adaptation exists. Delivering four switchable
PC polar patterns, it can be mounted into flush-mount,
recessed, or standard three-pin XLR-F connectors on a
podium or tabletop.
Available in 12” and 18” gooseneck length versions.
14
•
•
•
•
•
Multi-pattern Podium Microphone
The PC Plus is the first dual gooseneck section podium
microphone with the flexibility to be installed into any
environment. Delivering four switchable PC polar patterns, it
can be mounted via a standard three-pin XLR connector or
permanently flush-mounted to a podium or tabletop.
PC/XLR
Selectable polar pattern to easily adapt to different acoustic environments.
Switchable omni, cardioid, supercardioid or figure
“8” polar patterns
Easy-to-use mute switch. Can be programmed to operate as either latching on/off or momentary
Consistent microphone voicing across all four patterns
Multi-pattern Desktop Microphone
The PC Desktop is a free-standing, dual gooseneck section
tabletop microphone firmly anchored by its elegant base.
Selecting one of four polar patterns - omni, cardioid, supercardioid or hyper-cardioid - via an easy-to-access switch
simplifies choosing the right microphone for changing
conditions.
PC Plus
•
•
•
•
•
•
•
•
•
Switchable omni, cardioid, supercardioid or hypercardioid polar patterns
Smooth and uniform frequency response, no matter what pattern is selected
The most natural-sounding podium mic on the market
Sturdy steel base
Mates well with the CPSM recessed shock mount accessory
Polar Choice
Live for Sound
PC/FL
Multi-pattern Gooseneck Microphone w/ Flange Mount
Switchable omni, cardioid, supercardioid or hypercardioid polar patterns
Smooth and uniform frequency response, no matter what pattern is selected
The most natural-sounding podium mic on the market
Installs via an included flange mount kit with knurled brass threaded housing
Wired
•
•
•
•
PC/FL models are the flange-mount equivalent of the PC /
XLR models described above. The four switchable PC polar
patterns are accessed at the cable mounted XLR-M sized
preamp module at the end of its 20’ low-noise cable.
Available in 12” and 18” gooseneck length versions.
PolarChoice Wireless Conversions
When the contracted job includes a $50,000 conference table with an installation rider stipulating “not to be marred or
modified,” or the sheer ease of secure storage and deployment lends itself to logical portability – a wireless solution is the ONLY
option. The PolarChoice Satellite models deliver all of the features of their wired versions combined with the portability and easeof-use of wireless adaptation. Coupled with an Electro-Voice or Telex brand wireless bodypack system, these Satellite models
become a key component of a logical wireless solution.
Accepts Electro-Voice REV, RE2, RE2PRO and Telex FMR or SAFE1000 model bodypack transmitters
Selectable polar pattern to easily adapt to different acoustic environments.
Switchable omni, cardioid, supercardioid or figure “8” polar patterns
Easy-to-use mute switch. Can be programmed to operate as either latching on/off or momentary
•
•
•
•
Accepts Electro-Voice REV, RE2, RE2PRO and Telex FMR or SAFE1000 model bodypack transmitters
Switchable omni, cardioid, supercardioid or hypercardioid polar patterns
Mute switch with LED can be programmed as either push on/off, or push-to-mute
An extended low frequency response and switchable high-pass filter
PC Boundary Satellite
The PC Boundary Satellite is a low-profile area microphone
that can be used on any surface with the additional
convenience of adapting to any Electro-Voice or Telex brand
wireless bodypack transmitter. Delivering the identical polar
pattern, filter and mute switch functionality as its wired
counterpart, it is ideal for virtually any installation where
a wireless solution to premium grade area coverage is
required.
Multi-pattern Desktop Microphone PC Desktop Satellite
The PC Desktop Satellite is a dual gooseneck section tabletop
microphone and base, with the additional convenience
of adapting to any Electro-Voice or Telex brand wireless
bodypack transmitter. Delivering the identical polar pattern,
filter and mute switch functionality as its wired counterpart, it
is ideal for virtually any installation where a wireless solution to
premium grade tabletop goosenecks is required.
Available in 5”, 12” and 18” gooseneck length versions.
Specification
PC Boundary
PC Desktop
PC Plus
PC/XLR
PC/FL
PC Boundary SAT
PC Desktop SAT
Dual Condenser
(back electret)
Omni
Cardioid
S-cardioid
Figure 8
Dual Condenser
(back electret)
Omni
Cardioid
S-cardioid
H-cardioid
Dual Condenser
(back electret)
Omni
Cardioid
S-cardioid
H-cardioid
Dual Condenser
(back electret)
Omni
Cardioid
S-cardioid
H-cardioid
Dual Condenser
(back electret)
Omni
Cardioid
S-cardioid
H-cardioid
Dual Condenser
(back electret)
Omni
Cardioid
S-cardioid
Figure 8
Dual Condenser
(back electret)
Omni
Cardioid
S-cardioid
H-cardioid
Frequency
Response
50 to 20,000 Hz
50 to 20,000 Hz
50 to 20,000 Hz
50 to 20,000 Hz
50 to 20,000 Hz
50 to 20,000 Hz
50 to 20,000 Hz
Impedance
200 Ω
200 Ω
200 Ω
200 Ω
200 Ω
1000 Ω
200 Ω
Open Circuit
Voltage
31.5 mV/Pascal
5.6 mV/Pascal
5.6 mV/Pascal
5.6 mV/Pascal
5.6 mV/Pascal
17.8 mV/Pascal
5.6 mV/Pascal
Power
Requirements
12 - 52 VDC
12 - 52 VDC
12 - 52 VDC
12 - 52 VDC
12 - 52 VDC
5 VDC (via
optional bodypack)
5 VDC (via
optional bodypack)
Connector Type
Three-pin XLR
Three-pin XLR
Three-pin XLR
Three-Pin XLR
Three-Pin XLR
TA4F
TA4F
Mic Type
Boundary
Gooseneck
Gooseneck
Gooseneck
Gooseneck
Boundary
Gooseneck
Case Material
Steel
Steel
Steel
Steel
Steel
Steel
Steel
Finish
Non-Reflective
Camera Black
Non-Reflective
Camera Black
Non-Reflective
Camera Black
Non-Reflective
Camera Black
Non-Reflective
Camera Black
Non-Reflective
Camera Black
Non-Reflective
Camera Black
Element
Polar Pattern
15
Install
Multi-pattern Boundary Layer Microphone
•
•
•
•
RE Installation
Wired
Live for Sound
The RE Installed Sound Series microphones give the installed sound professional sonically superior solutions at a very
affordable price. Featuring EV’s premium performance condenser capsules, these microphones deliver all of the great
sound and reliability professional sound contractors demand.
RE90B
Half-cardioid Pattern Boundary Layer Microphone
Boundary microphone with “half-cardioid” pick-up pattern
and built-in equalization. Ideal for video and teleconferencing
systems, boardrooms, classrooms or houses-of-worship.
Delivers every word fully and naturally.
Install
Also available in white (RE90BW).
RE90P
•
•
•
•
•
Half-cardioid polar pattern
Boundary layer
Ultra-thin profile (16 mm) housing
Rubber non-slip bottom pad and strong
steel screen
Integrated pop filter
Cardioid Pattern Gooseneck Microphone
The RE90P dual gooseneck section podium microphone
achieves sonically superior performance at a very affordable
price. Featuring EV’s premium performance RE90 capsules
and in-line preamps, these goosenecks deliver all the great
sound and reliability professional sound contractors demand.
•
•
•
Dual gooseneck section podium microphone
Uniform frequency response and polar pattern
Strutted, yet flexible, ultra-thin gooseneck
Available in 12” and 18” versions.
RE90H
Cardioid Pattern Hanging Microphone
Compact hanging-style condenser microphone. Ideal
for choral, instrumental, vocal groups and live theater.
Controlled cardioid polar response for distant sound pickup without feedback. 25’ braided and shielded cable with
built-in preamp.
•
•
•
•
Hanging installation microphone
Internal preamp
Very uniform polar pattern
Integrated 25’ shielded low-noise cable
Also available in white (RE90HW).
RE90L
Cardioid Pattern Lavalier Microphone
Omnidirectional lavalier microphone with mic pre-amp
and XLR termination. One of the world’s most compact
and lightweight high-performance microphones. Smooth
frequency response for excellent sound quality. Perfect
for television production, house of worship and business
applications.
16
•
•
•
•
•
Ultra-miniature condenser element
Internal preamp and XLR termination
Omnidirectional polar pattern
Perfect for television, business and house of worship applications
Complete assortment of clips
RE Installation
Live for Sound
Meeting the sonic performance needs of today’s installed sound professional requires precision tools. Electro-Voice engineers
have risen to the challenge, developing the RE92 premium-grade condenser capsule to deliver the highest grade of acoustical
performance. Choosing an RE92 Installation Series product insures superior sonic integrity and maximum durability.
Cardioid Pattern Hanging Microphone w/ HPF
Hanging installation microphone
Wide, smooth frequency response
Cardioid polar pattern
In-line electronics module
12 dB/octave switchable high pass filter
Transformerless differential output to drive long cables
•
•
•
•
Wide, smooth frequency response
Tight cardioid polar pattern
Super-low noise condenser capsule
4’ cable terminates at in-line preamp with 12 dB/
octave switchable HPF and XLR output
RE92H
Designed specifically for applications where the condenser
microphone needs to be suspended from above the sound
source. The RE92H is ideal for theater, house of worship or
any application where a small, high-quality mic needs to be
“heard but not seen.”
Also available in white (RE92HW).
Cardioid Pattern Lavalier Microphone
RE92L
The RE92L is a professional-quality miniature cardioid
electret condenser lavalier microphone. Its excellent sound
quality and small size make it the perfect choice for miking
speech in house of worship, broadcast, presentation and
theater applications. Terminated with three-pin XLR.
Specification
RE90B
RE90P
RE90H
RE90L
RE92H
RE92L
Element
Condenser
(back electret)
Condenser
(back electret)
Condenser
(back electret)
Condenser
(back electret)
Condenser
(back electret)
Condenser
(back electret)
Polar Pattern
Cardioid
Cardioid
Cardioid
Omni
Cardioid
Cardioid
Frequency
Response
80 to 15,000 Hz
70 to 15,000 Hz
75 to 15,000 Hz
50 to 18,000 Hz
40 to 20,000 Hz
40 to 20,000 Hz
Impedance
200 Ω
200 Ω
200 Ω
100 Ω
250 Ω
250 Ω
Open Circuit
Voltage
25 mV/Pascal
4.5 mV/Pascal
27 mV/Pascal
12.6 mV/Pascal
5.6 mV/Pascal
5.6 mV/Pascal
Power
Requirements
9 - 52 VDC
9 - 52 VDC
9 - 52 VDC
9 - 52 VDC
24 - 52 VDC
24 - 52 VDC
Connector Type
Three-pin XLR
Three-pin XLR
Three-pin XLR
Three-pin XLR
Three-pin XLR
Three-pin XLR
Mic Type
Boundary
Gooseneck
Hanging
Lavalier
Hanging
Lavalier
Case Material
Die cast zinc
Steel
Steel
Metal
Metal
Metal
Finish
Non-Reflective Black
or White
Non-Reflective Black
Non-Reflective Black
or White
Non-Reflective Black
Non-Reflective Black
or White
Non-Reflective Black
17
Install
•
•
•
•
•
•
Wired
RE92 Series
General Purpose
649B
Live for Sound
Dynamic Lavalier Microphone
Wired
This popular omnidirectional dynamic lavalier microphone
has been an industry standard for many years. Its frequency
response is tailored for balanced performance in the lavalier
chest position. The turned aluminum case and nested
mechanical parts assure rugged durability.
785 Group
Dynamic element.
Omnidirectional polar pattern
Rugged aluminum body
Robust mechanical and electrical design
•
•
•
•
All units include a heavy duty, three-hole mounting flange and an extra-strength 16” flex arm of steel tubing.
SR785LN/O includes a push button switch with normally “open” switching
SR785L is the same as SR785LN/O except without normally “open” switching
785L is the same as SR785LN/O except without a switch
•
•
•
•
•
12” gooseneck
Dynamic element
Cardioid polar pattern
Powerful neodymium magnet structure
XLR termination
Gooseneck Paging Microphone
A low-impedance gooseneck microphone for single zone
paging. Designed for applications where ruggedness,
dependability and durability are the main requirements.
Microphone housing is constructed of die-cast zinc alloy to
stand up to the toughest abuse and conditions. Features
a recessed aluminum grille with a windscreen and durable
satin-chrome finish.
US690
•
•
•
•
Gooseneck Microphone
US690 12” flexible gooseneck microphone’s neodymium
magnet structure provides up to 6 dB more sensitivity than
conventional designs. The US690 terminates with an XLRtype connector and plug-in mount. Its rugged design and
mic element make the US690 ideal for the most demanding
applications where superb sound is required.
US600EL & US602FL
PTT Hand Microphone
US602FL – A hand microphone featuring clear speech
transmission in high ambient noise level environments,
convenient grip-to-talk activation and noise-canceling
dynamic design. Perfect for police, marine and mobile
paging applications.
General
US600EL is built to withstand rough usage and
atmospheric extremes. A hand microphone designed for
maximum noise rejection in high ambient areas and effective
use without “close talking” techniques. An excellent choice
for critical communication applications.
NC450D & 450D
PTT Hand Microphone
NC450D dynamic noise-canceling paging hand
microphone with push-to-talk switch is particularly effective
for use in noisy locations. Its excellent voice response
characteristics also make it an excellent choice in quiet
areas. 200 ohm impedance matches low impedance inputs.
WP300
Wall Plate Microphone
WP300S is dynamic, omnidirectional wall plate
microphone that is ideal for security monitoring, fast-food
and retail outlets, warehouses and public usage applications.
Mounts onto a standard single-gang electrical box. Brushed
satin-chrome finish front plate includes double-pole, doublethrow switch for push-to-talk and line-shorting capabilities.
18
450D – Same as NC450D except without noisecancellation. Molded Cycolac® housing in pebble-grain
black finish and unterminated black neoprene coil cord
relieved at the housing by spring-type strain relief.
WP300 is the same as WP300S except without the
double-pole, double-throw switch.
Wired Accessories
Live for Sound
Wired Microphone Accessories
Wired
Direct replacement of standard equipment or optional accessories for Electro-Voice wired microphones.
Shock mount adapters
TXA
422A
DRC-1
The TXA is designed to enable
the use of lavalier, head-worn
and other TA4F-terminated
Electro-Voice professional microphones in a wired configuration.
Using standard phantom power
through the TXA ensures the
same high-quality audio performance that you expect using
Electro-Voice microphones over
wireless systems.
Desk stand with rubber
shock mount. Accepts
all EV mic stand clamps.
Designed for PL35
(stock replacement).
Also works well with
N/D468.
309A
CPSM
SAPL-3
RE20
RE90P
PL37
(stock replacement)
RE27N/D
PC-12/XLR
RE200 (optional)
(Replacement elastic bands,
PC-18/XLR
PART # 71220X)
Stand adapters
311
320
323S
326
SAPL-1
SAPL-2
635A & 635AB
RE20
RE50-B
All N/Dym
Handhelds
All PL Series
Handhelds
PL33
RE16
RE27N/D
RE50N/D-B
RE20
RE200
N/D868
BK-1
RE27N/D
N/D468
N/D868
(black foam unless otherwise indicated) Windscreens
314E
376 (grey)
379-1 (black)
379-2 (red)
WSPL-1
WSPL-2
WSPL-3
PL35
635A
General Purpose
PL Series (vocal)
PL33
635AB
Fits most vocal
RE410
RE20
N/Dym Series
RE510
RE27N/D
Cobalt Series
RE50B
N/D868
RE Series vocal
RE50N/D-B
WSPL-4
PL37
RE200
19
Wired Guidelines
Live for Sound
Wired
Eight Decades of Engineering Excellence.
In 1934, just six years into its existence as a pioneer
in electro-acoustical solutions, Electro-Voice invented
the hum-bucking coil for microphones – still an industry
standard almost 80 years later. This invention marked
the start of EV’s success in building microphones, and
the company continued to drive audio technology ahead,
rising to the challenges of rapidly changing times. During
World War Two, EV worked with the U.S. Military on the
development of the T-45 noise-cancelling microphone,
a helmet-attached device that raised the success rate
of combat communications from 20% to 90%, saving
many lives in the process. With reliability and performance
proven in the most critical environments, EV microphones
later accompanied U.S. astronauts on the earliest space
missions and many thereafter. And all this, of course,
occurred while EV mics were performing at the highest level
on live stages around the world, during the heyday of Jazz
and the birth of Rock ‘N’ Roll.
EV continues to set new standards for microphone design
today, adding to this long list of historic achievements
in audio design. We were the first manufacturer to use
neodymium-based magnet structures (N/DYM®) in
microphones, thus achieving higher output and condenserlike qualities such as substantially-faster transient response,
crystal clarity and reliable performance. Our goals in
developing microphone technologies have always been the
same: providing the highest sound quality, achieving better
and more comfortable handling for the user and extending
our tradition of legendary reliability and warranty support.
A host of patented technologies attest to EV’s success in
meeting these goals, including the following:
Variable-D
A fundamental principal of acoustical behavior is that the volume and
perceived frequency content of a sound is influenced by the distance
between source and point of perception. As this distance varies, there
is a non-linear adjustment of this perceived balance. Very near, a sound
source will sound full with rich low-frequencies, defined mid-range, and
articulate high end. But as this distance increases, the perceived sound
will thin-out with a dramatically reduced low-frequency content. Because
microphones serve as the point of perception at the front-end of the
audio signal chain, this phenomenon greatly influences how microphones
are used and perform.
Normal directional microphones (cardioid, supercardioid and
hypercardioid) generate increased bottom-end when used close-up.
This is typically called the “proximity effect.” While some vocalists like
this effect and use it to enhance their performance, it is attainable only
in close-up situations where the microphone capsule is within a couple
of inches of the performer’s mouth. When the distance between the
microphone and the source is extended, the sound quality changes
dramatically, losing a substantial amount of the low-frequency content –
thus changing the tone of the performance drastically.
maximum damping that is completely uncolored and undistorted at
180° off-axis, ensuring the same frequency response as if the source
was nearly on-axis. This characteristic is particularly beneficial when
the performer (announcer, vocalist or instrumentalist) moves around
while addressing the microphone. And this same attribute is why
radio announcers and DJ’s have chosen Electro-Voice Variable-D®
microphones for decades.
Low-frequency content comes in a variety of characters. An added
benefit of the Variable-D® technology’s low-frequency stabilization is
the resulting personality of the low-frequency content. Variable-D®
microphones produce a tight low-end that is unmatched by any other
microphone technology, and this is why models such as the RE20 and
RE27N/D are revered not only as the #1 announcers mic, but also the
go-to mic for capturing kick drums, low-frequency instruments and guitar
amplifiers.
For decades, the RE16, RE20 and RE27N/D Variable-D® microphones
have been the chosen industry standard for broadcast show hosts, vocal
booths, voice-over studios and professional touring or rental companies,
trusted for their unparalleled acoustical performance and robust durability.
Electro-Voice’s patented Variable-D® eliminates this disadvantage. On
the rear side of the diaphragm there is a perforated pipe (interference
duct) with precise sonic slots at set distances. The duct provides
VOB
Electro-Voice’s unique VOB™ technology (Vocally-Optimized Bass™)
reduces low-frequency distortion in the microphone’s output. VOB™
counteracts proximity effect, sibilance and P-popping, thus assuring
maximum musical clarity and vocal intelligibility. Critical damping of the
low-frequency resonant peak results in a microphone that replaces
20
the “muddiness” found in competitive models with greater warmth and
increased vocal intelligibility. With a wider range of working distances than
other microphones, this intelligibility ensures a clean, clear, consistent
sound that “cuts through the mix”.
Wired Guidelines
Live for Sound
Microphone techniques for musical instruments
Miking techniques are a matter of personal preference. Choosing the right microphone for your application is a good place to
start, and the suggested mic notes in each application below indicate EV mics that are either designed for the application or
have been recommended by experienced professionals for their performance as described. These are merely guidelines to assist
in the choice and placement of the microphone to achieve optimal performance
Usage
Best Mic placement
Suggested EV Mic
Kick Drum
Due to the unique nature of kick drums and placement, choosing a mic that is designed for
kick drum and low-frequency instruments is recommended. Miking from the front of the drum
(opposite the batter head) is preferred.
PL33, N/D868, RE20 and
RE27N/D
Front heads with hole: Place the mic inside the hole so that the capsule (mesh grille area) is
just inside the interior of the drum. Aim the capsule at an angle toward the spot on the batter
head where the beater makes contact for desired snap (attack of the sound).
Front heads without a hole: Aiming the capsule directly on-axis to the front head and within
1” of the head, choosing a spot that is between 2” and 8” towards the center from the rim.
The center of the head has the floppiest tone, and the edge will have the tightest.
Kick drum with no front head: This allows the widest variety of placement options, but
increases off-axis bleed and eliminates the tonal advantage of the front (resonance) head.
Avoid placing the mic dead-center aiming directly into the beater because of possible wind
velocity distortion. Choose a spot inside the drum between 2” and 8” from the outer shell,
aiming the capsule at an angle toward where the beater strikes the batter head. Placing the
mic deeper or shallower inside the drum will offer tone and attack variations.
Snare Drum
Place mic 1-3” above the batter head, 0-2” in from the rim depending on the desired tone.
Aim each mic at the top head angled down 45 degrees. If the drum rings, tape deadening
material to the head or use damping rings. For more “snare” sound, place a second mic
under the drum (aimed up at the bottom head) and reverse the phase on its input channel.
PL35, N/D468 and N/D478
Electric Guitar
Place microphone approximately 1-2” from and at a 0° angle to the speaker cone. To reduce
boominess, position the microphone off-axis to the cone at 45°, or move the mic toward the
center of the cone. You can expect a brighter tone at the voice coil (speaker center) and a
darker tone the farther out from center you go.
PL33, PL35, N/D467, N/
D478, N/D868, RE20,
RE27N/D and Raven
Tom-Toms
On double-headed toms, place mic 1-3” over the top of the drum head at a 45° angle to the
drum surface and 1/2” from the drum edge. On single headed toms, use above method or
place mic inside tom from underneath at a 90° angle from the center of head, 3-5” away.
PL35, N/D468; for floor tom
– RE20, N/D868
Cymbals
Place microphone 1-2’ above the top of the cymbals. If using a stereo pair technique,
increase the overhead distance of the drum set to 2-3’, and use the three-to-one rule as a
separation concept.
PL37, RE200 and Cardinal
High-Hat
Place 5” above outside edge at a 45° down-angle toward the top cymbal.
PL37 and RE200
Brass
Place microphone 6-24” away, on axis with the bell of the instrument.
PL80a, N/D468, RE20,
RE27N/D and Raven
Acoustic Guitar
Place microphone 6-12” from where fingerboard joins the body and aim toward sound hole.
PL37, N/D468, N/D478,
RE200, RE20 and Cardinal
21
Wired
General microphone use guidelines
1. Always point the microphone at the desired source and away from sources of unwanted sound.
2. The microphone should be located close to the sound source to minimize interference from other potential sound sources.
3. Use the three-to-one rule when using multiple microphones: place each microphone three times farther away from other microphones as it is from the desired sound source. (If the microphone is 1‘ away from a sound source, it should be 3’ away from the next closest microphone).
4. Minimize over-handling of the microphone to reduce unwanted mechanical noise.
5. Positioning the microphone close to the sound source will increase gain-before-feedback and will also increase the bass tone of the signal.
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24
Wireless Microphones
Key Strengths
• Designed and supported in the USA
• Electro-Voice microphones, DSP, amplifiers and
loudspeakers & Telex intercom systems are part of
the Bosch Communications family of pro audio brands
• ClearScan™ -- The original and best scanning technology on the planet
• Patented Posi-Phase® true diversity for dropout-free audio with the best range in the business
• Complete range of models and accessories to fit applications and installations of all shapes and sizes
• Designed and built for maximum professional performance
• Superior design, construction and warranty
Why Choose EV Wireless?
Wireless
All EV wireless systems are designed to exacting standards in
our Lincoln, Nebraska facility and built in state-of-the-art Bosch
production facilities around the world. Advanced techniques are
employed in the design of each wireless product, from initial
computer simulation and circuit design all the way through
the manufacturing line and automated testing. The individual
components in every EV system are tested prior to a complete
system test, ensuring reliable field performance. EV wireless
microphone products are supported from the factory in Lincoln,
Nebraska as well as authorized centers in Canada, Germany and
Singapore. EV has been in the business of providing quality wireless
communications for demanding professional events for over thirty
years – we have the hands-on experience and engineering knowhow to address all your wireless needs. Whether designing a onechannel system or a large, multiple-wireless deployment, you can
trust EV to provide the product, frequency coordination and system
accessories for a turnkey installation.
25
RE-2 Series
Live for Sound
Whether you‘re performing at the local rock club, lecturing at a corporate seminar, or speaking in a house of worship, the
Electro-Voice RE-2 brings ease-of-use, clear sound, and clean channels to wireless.
RE-2 Bodypack
BPU-2 Bodypack Transmitter
The BPU-2 is a compact bodypack transmitter for the RE-2
wireless system made of high-impact ABS plastic. The
single on/off switch also functions as mute, and the TA4
microphone connector is compatible with any EV lavalier or
headworn mic.
RE-2 Handheld
•
•
•
•
•
•
•
Available with four different microphone elements
N/DYM 267a Dynamic element
N/DYM® 767a Dynamic premium vocal microphone
RE410 cardioid condenser
RE510 supercardioid condenser
On/Off acts as mute and can be disabled.
Internal 1/2-wave antenna
•
•
•
•
•
•
•
One touch Auto-ClearScan™
Programmable in 25kHz steps across 28 MHz operating bandwidth
Backlit LCD displays the Group, Channel, Frequency, transmitter battery level, diversity operation, and RF and Audio signal level meters
Balanced XLR audio output for Microphone or Line level signals and a 1/4-inch line level jack
Fourth generation Posi-phase™ diversity and advanced audio circuits
Unique “Guitar” setting
Detachable 1/4-wave antennas
UHF Wireless Microphone
The RE-2 is a completely programmable, frequency-agile
system with one-touch Auto-ClearScan. It operates over
28MHz (six TV channels), XLR mic, line level output, and
many other features.
Wireless
Unique “smart” battery with low battery LED
LCD Displays Group and Channel, Frequency, or Battery Level
One On/Off button that also acts as a mute
On/Off button can be disabled
Cell phone style beltclip
Optional pouches and fixed clip available
A wide selection of lapel and headworn microphone accessories available
HTU2 Handheld Transmitter
The HTU2 handheld transmitter is a rugged, high-impact,
ABS plastic handheld available with EV N/D267a, N/D767a,
RE410, or RE510 microphone elements. One-button on/
off/mute, coupled with the smart battery feature, makes the
HTU2 easy to use, and easy to maintain.
RE-2 Receiver
•
•
•
•
•
•
•
CONSUMER ALERT
Most users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone system without a license is
subject to certain restrictions: the system may not cause harmful interference; it must operate at a low power level (not in excess of 50 milliwatts); and it
has no protection from interference received from any other device. Purchasers should also be aware that the FCC is currently evaluating use of wireless
microphone systems, and these rules are subject to change. For more information, call the FCC at 1-888-CALL-FCC (TTY: 1-888-TELL-FCC) or visit
the FCC’s wireless microphone website at www.fcc.gov/cgb/wirelessmicrophones
26
RE-2 Series
Live for Sound
Specification
RE-2 Receiver
Audio Parameters
Frequency Response
50-15 kHz +/- 2 dB
Balanced Output
(max @ 40 kHz deviation)
Receiver Type
Synthesized PLL
Frequency Response (RF)
A Band 648-676MHz (TV Channels 43-48)
G Band 614-642 MHz (TV Channels 38-42)
Number of Channels
1112 possible channels, Programmable in 25 kHz steps
Modulation
+/- 40 kHz
Diversity
Digital Posi-Phase True Diversity
RF Sensitivity
< 1.0 uV for 12 dB SINAD
Mic position
Line position
-10 dBV
Adjustable 10 mV - 2V RMS
Unbalanced Output
Adjustable 10 mV - 1V RMS
Distortion
< 1.0%, 0.5% typical
(ref 1 kHz, 40 kHz deviat)
Signal-to-Noise Ratio
> 100 dB A weighted
Image Rejection
> 60 dB
Dynamic Range
> 100 dB
Squelch
Tone Code plus Amplitude
Ultimate Quieting
> 100 dB
FCC Certification
Approved under Part 15
Power Requirements
12 V AC/DC 300 mA
Antennas
Detachable 1/4 wave
Dimensions
HxWxD
1.72” x 7.5” x 5.9”
43.69 cm x 190.5 mm x 150 mm
Microphone Head Options
767a
N/D767a Supercardioid
N/DYM Dynamic
267a
N/D267a Versatile
Cardioid Dynamic
RE410
RE410
Classic Cardioid Condenser
RE510
RE510
Classic Supercardioid Condenser
Transmitters, Bodypack (BPU-2) and Handheld (HTU-2)
Radiated Ouput
30 mW typical
TA4 Connector Wiring
Pin 1: Ground; Pin 2 Mic Input;
Pin 3: +5 V bias; Pin 4: +5 V bias through a 3 kW resistor
Audio Gain Adjustment
40 dB (handheld 26 dB)
Power Requirements
9 Volt Alkaline Battery
Battery Life (typical)
> 8 hours with 9 Volt Alkaline Typical
Bodypack Antenna
Flexible external 1/4 wave
Handheld Antenna
Internal 1/2 wave
Dimensions (Handheld)
9.4” (240 cm) Long
Dimensions (Bodypack)
HxWxD
3.8” x 2.6” x 0.92”
96.5 mm x 66 mm x 23.4 mm
RE-2 Systems
RE2-N2
Receiver + N/D267a handheld transmitter
RE2-N7
Receiver + N/D767a handheld transmitter
RE2-410
Receiver + RE410 handheld transmitter
RE2-510
Receiver + RE510 handheld transmitter
RE2-G
Receiver + bodypack transmitter + MAC-G3 guitar cord
RE2-BP
Receiver + bodypack transmitter
RE2-L10
Receiver + bodypack transmitter + OLM10 lavalier mic
RE2-L21
Receiver + bodypack transmitter + ULM21 lavalier mic
RE2-E
Receiver + bodypack transmitter + RE97 headworn mic (beige or brown)
RE2 COMBO
Receiver + N/D267a handheld + bodypack transmitter + ULM21 lavalier mic
Wireless
RE-2 UHF systems provide groups of up to 10 simultaneous, harmonized channels per frequency bands. Besides individual
components, following complete sets, including transmitter and receiver are available:
27
RE-2 PRO Series
Live for Sound
When applications like rentals, small tours, referee systems or tough environments call for a wireless microphone with a mix
of REV and RE-2 features, the answer is RE-2 PRO.
RE-2 PRO Bodypack
WTU-2 Bodypack Transmitter
The WTU-2 is a compact metal bodypack solution for the
RE-2 system. Automatically compatible with the Telex RSB2 mute switch for football applications. Selectable RF output
power and rechargeable AA battery operation with optional
BH-200 charger.
RE-2 PRO Handheld
•
•
•
•
•
•
ABS Resin body with interchangeable microphone heads
User accessible on/off/mute switch
Defeatable on/off switch
8 hour operation on one 9V battery
Shure microphone compatibility
PL80a and N/D967 microphones not available
on HTU-2
RE-2 Professional Receiver w/ rack mount hardware
The RE-2 is a completely programmable, frequency-agile
system with one-touch Auto-ClearScan. It operates over
28MHz, XLR mic, line level output, and many other features.
The RE-2 PRO receiver includes all of the rack-mount
hardware needed.
Wireless
Cast magnesium construction
Flat steel beltclip
Two AA batteries w/ NiMH rechargeable option
Exclusive EV Guitar optimization mode
5mW or 50mW transmit power
Compatible with RSB-2 referee mute switch
TA4 connector for all EV mic options
“Blackberry Proof”
PHTU2 Handheld Transmitter
The PHTU-2 offers a high-impact, ABS plastic handle, and
interchangeable RC2 microphone heads. Available with N/
D767a, PL80a, N/D967, RE410, and RE510 microphone
elements, the PHTU-2 delivers the best sound for any
application.
RE-2 PRO Receiver
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
Rack Mounting hardware with front mount antenna cables
One touch Auto-ClearScan
Programmable in 25kHz steps across 28 MHz operating bandwidth
Backlit LCD displays the Group, Channel, Frequency, transmitter battery level, diversity operation, and RF and Audio signal level meters
Balanced XLR audio output for Microphone or Line level signals and a 1/4-inch line level jack
Fourth generation Posi-phase™ diversity and advanced audio circuits
Unique “Guitar” setting
Detachable 1/4-wave antennas
CONSUMER ALERT
Most users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone system without a license is
subject to certain restrictions: the system may not cause harmful interference; it must operate at a low power level (not in excess of 50 milliwatts); and it
has no protection from interference received from any other device. Purchasers should also be aware that the FCC is currently evaluating use of wireless
microphone systems, and these rules are subject to change. For more information, call the FCC at 1-888-CALL-FCC (TTY: 1-888-TELL-FCC) or visit
the FCC’s wireless microphone website at www.fcc.gov/cgb/wirelessmicrophones
28
RE-2 PRO Series
Live for Sound
Specification
RE-2 PRO Receiver
Audio Parameters
Frequency Response
50-15 kHz +/- 2 dB
Balanced Output
(max @ 40 kHz deviation)
Receiver Type
Synthesized PLL
Frequency Response (RF)
A Band 648-676MHz (TV Channels 43-48)
G Band 614-642 MHz (TV Channels 38-42)
Number of Channels
1112 possible channels, Programmable in 25 kHz steps
Modulation
+/- 40 kHz
Diversity
Digital Posi-Phase True Diversity
RF Sensitivity
< 1.0 uV for 12 dB SINAD
Mic position
Line position
-10 dBV
Adjustable 10 mV - 2V RMS
Unbalanced Output
Adjustable 10 mV - 1V RMS
Distortion
< 1.0%, 0.5% typical
(ref 1 kHz, 40 kHz deviat)
Signal-to-Noise Ratio
> 100 dB A weighted
Image Rejection
> 60 dB
Dynamic Range
> 100 dB
Squelch
Tone Code plus Amplitude
Ultimate Quieting
> 100 dB
FCC Certification
Approved under Part 15
Power Requirements
12 V AC/DC 300 mA
Antennas
Detachable 1/4 wave
Dimensions
HxWxD
1.72” x 7.5” x 5.9”
43.69 cm x 190.5 mm x 150 mm
Microphone Head Options
767a
N/D767a Supercardioid
N/DYM Dynamic
967
N/D967 Versatile
Supercardioid Dynamic
PL80a
PL80a
Supercardioid Dynamic
RE410
RE410
Classic Cardioid Condenser
RE510
RE510
Classic Supercardioid Condenser
Bodypack (WTU-2)
Controls
Power, Menu Set, Up and Down
Indicators
Red LED low battery indicator
Backlit LCD Display
Battery level, Channel / Group, or Frequency
Battery Life
8 hours w/ two AA alkaline typical
Battery Recharge
Optional BH-200 w/ NiMH AA
Antenna
External 1/4 wave detachable
Connector
TA4F input for microphone, Pin 1: ground, Pin 2: Mic input,
Pin 3: +5 Bias, Pin 4: +5V through 3k ohm
RF Output Selectable
5 mW or 50 mW typical
Case Material
Cast Magnesium
Dimensions
HxWxD
3.37” x 2.6” x 0.75”
85 mm x 66 mm x 19 mm
Handheld (PHTU-2)
Controls
Power on/off, Set, Up and Down
LCD Display
Battery level, Channel / Group, or Frequency
Battery Life
8 hours w/ 9V alkaline typical
Antenna
Internal 1/2 wave
RF Output
30 mW typical
Case Material
High Impact ABS & Aluminum
DImensions
Length x Diameter
9.75” x 2.04”
24.8 cm x 52 mm
Two Bay Battery Charger
LED indicator show charging status
Two drop in bays for REV-WT or WTU-2 transmitters
10 hour recharge time and transmitters can be left in charger indefinitely
Use standard NiMH AA batteries
Safeguards against wrong or improperly
inserted batteries
BH-200
The BH-200 recharges Nickel Metal Hydride (NiMH) AA
batteries in REV-WT and WTU-2 bodypack transmitters.
2500 mAH batteries will last over 10 hours and recharge in
10 hours. The BH-200 helps to reduce waste and the cost
of running wireless microphones all day, everyday.
Wireless
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29
REV Series
Live for Sound
The REV UHF System is the best-sounding, most roadworthy professional wireless in the industry to date. REV’s
optimized, analog audio path was developed to provide the truest representation of a wired microphone sound in a wireless
system. REV offers two handheld options: a stylish, metal, compact handle for concert and broadcast, and the user-friendly
presentation handheld for rental house, and other applications. In addition, EV‘s IRIS-Net PC software enables remote
monitoring, control, and programming over a CAN bus connection through an EV UCC-1 converter.
REV-H
REV Concert Handheld Transmitter
The REV-H is a metal transmitter with interchangeable mic
heads and a back-lit LCD display. All controls are inside the
battery compartment, out of harm‘s way. With the EV 767a,
967, PL80a, RE410, or RE510, the REV-H is a world-class
vocal microphone.
REV-PH
REV Receivers
ABS Resin body with interchangeable microphone heads
User accessible on/off/mute switch
8 hour operation on one 9V battery
Shure microphone compatibility
5mW or 50mW transmit power
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Cast magnesium construction
Flat steel beltclip
Two AA batteries w/ NiMH rechargeable option
Exclusive EV Guitar optimization mode
5mW or 50mW transmit power
Compatible with RSB-2 referee mute switch
TA4 connector for all EV mic options
“Blackberry Proof”
REV-S Single and REV-D Dual Receivers
The REV-S is a full-rack width chassis with a universal power
supply, headphone monitoring, CAN Bus connections, and full
front-panel controls. Designed for one channel applications, or
larger installations that require an odd number of receivers.
Wireless
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REV Bodypack Transmitter
REV-WT is a cast magnesium bodypack transmitter that
uses two AA batteries, and can be used with the optional
BH-200 charger. Unique features include programmable
on/off switch, RSB-2 referee mute switch compatibility, and
exclusive REV Guitar mode.
The REV-Dual receiver includes two world class UHF receiving
channels with the most “wired” sounding audio in the market.
CAN bus connection on the back for use with IRIS-Net PC
software for monitor and control.
30
Aluminum Construction
Back lit LCD display
10 hour operation on two AA Batteries
N/D 767, N/D 967, PL80a, RE410, RE510 Heads
Shure mic head compatibility
5mW or 50mW transmit power
REV Presentation Handheld Transmitter
The REV-PH presentation handheld combines the compact
RC2 interchangeable microphone elements, and a rugged
handle with a user-accessible on/off/mute switch. The REVPH is perfect for applications that require the user to mute or
turn it on or off.
REV-WT
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Full 19” rack width with integrated rack mounting
Ground independent ½ wave antennas
Antenna pass-through connections to drive 6 channels (3 REV-D) with just two antennas
IEC connection universal switching power supply
Headphone jack for direct monitoring
PC monitor and control with Iris-Net
CAN bus pass-through connectors
No adjustments or switches on back panel
REV Series
Live for Sound
Specification
REV-S Single and REV-D Dual Receivers
REV-H and REV-PH Concert Handheld
Controls
Buttons for Power on/off, set, up
and down
Displays
Backlit LCD display showing:
battery level, channel/group or
frequency
Battery Life (REV-H)
(REV-PH)
Front Panel Controls
Buttons for On/Off, menu, set, up and down
1/4” headset jack with selector and volume
Indicators LCD
Group, channel, diversity, label, and set-up
Backlit Display
Menu-driven dot matrix
10 hours w/ 2 AA alkaline typical
8 hours w/ 9V alkaline typical
Back Panel Connectors
Antenna (REV-H)
(REV-PH)
Internal proprietary
Internal 1/2 wave
1/4” unbalanced adjustable line level output
XLR balanced Mic / Line level output
RJ-45 CAN interface (x2, parallel)
Antennas
Detachable 1/2 wave
Microphone Elements
EV N/D767a or N/D967 Dynamic
EV RE510 or RE410 Condenser
PL80a Supercardioid
RF Specifications
C1 Band 614-638 MHz (TV Channels 37-41)
C2 Band 650-674 MHz (TV Channels 44-47)
C3 Band 674-698 MHz (TV Channels 48-51)
Case Material (REV-H)
(REV-PH)
Machined Aluminum
High Impact ABS
Number of Channels
950 possible (programmable in 25 kHz steps)
DSP PosePhase True Diversity
RF Output
Normal: 5 mW typical
High: 50 mW typical
Diversity
Squelch
Tone code plus adjustable amplitude
Receiver Type
Synthesized PLL agile UHF
RF Sensitivity
< 0.8 uV for 12 dB SINAD
Audio Specifications
100-15 kHz +/- 2 dB microphone
30-15 kHz +/- 2 dB Instrument
Audio Output Level
Balanced line level 10 mV - 1 V RMS adjustable
Unbalanced Output
Adjustable
8 mV to 0.755 V RMS (100 k ohm load)
Distortion
Less than 0.5% (@ 1 kHz, 40 kHz deviation)
Length x Max Diameter
9.75” x 2.04”
24.8 cm x 52 mm
Dimensions
REV-WT Bodypack Transmitter
Controls
Buttons for Power on/off, menu
set, up and down
Signal to Noise Ratio
> 110 dB (A)
Indicators
Red LED low battery indicator
Dynamic Range
> 100 dB
Backlit LCD Display
Battery level, channel/group or
frequency
REV-D Antenna Output
TNC
Powered Antenna Output
12 Vdc, 15 mA
Battery Life
8 hours w/ 2 AA alkaline typical
Battery Recharge
Optional BH-200 w/ NiMH AA
Internal Switching Power
Supply
Universal cord, 90-240 VAC, 50-60 Hz
Antenna
External 1/4 wave detachable
IRIS Net
Connector
TA4F input for microphone, Pin
1: ground, Pin 2: Mic input, Pin
3: +5 bias, Pin 4: +5 V through
3k ohm
CAN Bus Monitoring &
Control
Dimensions
HxWxD
1.72” x16” x 12”
43.7 mm x 406.4 mm x 304.8 mm
RF Output Selectable
5 mW or 50 mW typical
Case Material
Cast Magnesium
Dimensions
HxWxD
3.37” x 2.6” x 0.75”
85 mm x 66 mm x 19 mm
Model #
Description
Model #
Description
RE90TX
Omnidirectional MicroMini lapel mic
CXU-XXX
Low loss coaxial antenna cable 25-100 ft
RE92TX
Unidirectional MicroMini lapel mic
WP-WT
Bodypack pouch for REV-WT
RE97TX
Lightweight omni headworn mic
MAC-G2
Guitar cord
HM7
Headworn cardioid condenser mic
RC2-767
767a dynamic head
FA-XX
1/2 wave Rx antenna
RC2-967
967 dynamic head
AB-2
1/2 wave antenna bracket
RC2-PL80a
PL80a dynamic head
UAA-500
UHF antenna amplifier (520-806 MHz)
RC2-410
RE410 condenser head
APD4+
Antenna / Pwr distribution (600-780 MHz)
RC2-510
RE510 condenser head
TP-2
Termination plug for APD4+
MSA-REV
Mic stand adapter
LPA-500
Directional Rx antenna (450-900 MHz)
CONSUMER ALERT
Most users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone system without a license is
subject to certain restrictions: the system may not cause harmful interference; it must operate at a low power level (not in excess of 50 milliwatts); and it
has no protection from interference received from any other device. Purchasers should also be aware that the FCC is currently evaluating use of wireless
microphone systems, and these rules are subject to change. For more information, call the FCC at 1-888-CALL-FCC (TTY: 1-888-TELL-FCC) or visit
the FCC’s wireless microphone website at www.fcc.gov/cgb/wirelessmicrophones
31
Wireless
REV Accessories and Parts
Wireless Antenna Accessories
Live for Sound
Wireless Antenna Accessories
Accessories needed for wireless microphone antenna systems. Included are products for remote mounting, amplifying,
distributing and combining antenna signals.
APD4+
UHF Antenna / Power Distribution System
UHF Antenna/Power Distribution System
The APD4+ is a UHF antenna/power distribution system
(provides power and RF signals for 4 units) for use with
RE-2 and REV receivers.
LPA-500
Wireless
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½ wave omni-directional antenna for
excellent coverage
Can be remote mounted using the AB-2 bracket
Frequency tuned for best reception:
FA-GW, Green/White, Freq.: 610-710 MHz
FA-BW, Blue/White, Freq.: 710-880 MHz
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3 or 10dB selectable gain
Green LED to indicate power
Requires phantom power from APD4+ or
REV receiver
Wideband 500 – 900 MHz operating range
Cast aluminum case with mounting tabs
Passive Antenna Splitter / Combiner
The APS-1 is a passive device that splits one transmit
signal into two, or combines two receive signals into one. A
combiner can be used to locate antennas in multiple rooms
for increased coverage.
32
5dB gain on axis compared to an omni-
directional antenna
Mounting hardware for microphone stands, truss, walls, and other surfaces
Includes 10 foot coax cable for remote mounting
Standard EV TNC connector for use with
CXU-XX cables
Antenna Signal Amplifier
The UAA-500 is a broadband UHF amplifier with selectable
3dB and 10dB amplification settings. Antenna signal
amplifiers are used to make up for losses in the cable run,
they do not extend the operating range of the wireless
microphone.
APS-1
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Flexible 1/2 Wave UHF Antenna
The FA-XX is a family of ground independent ½ wave
omni-directional antennas. These antennas can be remote
mounted using the AB-2 bracket or attached directly to the
receiver or APD4+.
UAA-500
Provides diversity antenna distribution to four single receivers
Provides power distribution for four
RE-2 receivers
Universal power supply with IEC power cord
Phantom power on antenna inputs for UAA-500 amplifier
Can be cascaded to provide antennas for up to 16 receivers (requires 5 APD4+)
Directional Log Periodic Antenna
The LPA-500 is a passive directional log periodic antenna
with mounting hardware and 10-foot coax cable. LPA
antennas are used to extend the range of coverage in certain
direction.
FA-XX
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Combines two antenna signals into one
Operating range 100MHz to 900MHz
Low signal loss of -3.4dB
High signal isolation of 23dB
EV standard TNC connections
Wireless Antenna Accessories
Live for Sound
Low-Loss Coaxial Cable
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Less than 3.5 dB loss per 100 feet at
UHF frequencies
Terminated on both ends with TNC connectors
Pre cut in 25, 50, 75 and 100 foot lengths.
Easily connected with AB-2 bracket for
other lengths
The CXU is a family of low-loss coaxial cables are for longer
antenna cable runs. XX designates length, 25 ft (8m), 50 ft
(16m), 75 ft (23m) and 100 ft (30.6m).
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Mounts antenna on wall or other structure
Can be used to mount a ½ wave antenna on microphone stand
Includes a 10ft coax cable
Includes male to male TNC adapter for use with CXU-X or other longer coax cables
The AB-2 is a universal mounting bracket for ½-wave
antennas, with 10-foot coax cable. For use with FA-XX and
CLA-X ground independent half wave antennas.
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Flexible for durability but stands out from the body for efficient radiation
Replacement for standard antenna that ships with bodypacks
Frequency tuned for efficient radiation
Threaded connector for REV-WT, WTU-2 bodypacks
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Extreme flexibility for use under costumes
Smaller than BPA for discrete mounting
Frequency tuned for efficient radiation
Threaded connector for REV-WT, WTU-2 bodypacks
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TNC threaded connection
50 Ohm termination for APD4+
Universal Mounting Bracket
1/4 Wave Flex Bodypack Antenna
CXU-XXX
AB-2
BPA
The BPA is a direct replacement ¼ wave flex antenna for
the antenna that is included with the REV-WT, WTU-2, and
older CSB-1000, WT-1000, REV-BP bodypacks.
1/4 Wave Super Flex Bodypack Antenna
AN-Sflex
¼ wave super flex antenna for REV-WT, WTU-2, and older
CSB-1000, WT-1000, REV-BP bodypacks.
50 Ohm TNC Termination Plug
TP-2
Wireless
50 Ohm TNC termination plug for use with APD4+ antenna
distributor. All unused outputs of the APD4+ must be
terminated to prevent reflections and range problems.
33
Wireless Microphones
Live for Sound
Microphones
Electro-Voice has a wide range of lavalier and headworn microphones for use with any EV wireless bodypack transmitter. Any of
these microphones can be used with the TXA adapter on page XX in XLR wired applications.
OLM10
Omni-Directional Lavalier Microphone
The OLM10 is a rugged lavalier microphone that picks up
sound from all directions. The small size and wide pick up
pattern make this an ideal microphone for beginners and soft
speakers.
ULM21
Wireless
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Ultra-miniature lavalier (Diameter 0.2”)
Back electret condenser element
Omnidirectional polar pattern
6 foot (180cm) permanently attached cord
TA4F connector compatible with all EV bodypack transmitters
Use with TXA for wired XLR applications
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Back electret condenser element
Cardioid polar pattern
6 foot (180cm) permanently attached cord
TA4F connector compatible with all EV bodypack transmitters
Use with TXA for wired XLR applications
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Unidirectional horn/drum mic
Back electret condenser element
Wired with TA4F connector
Smooth audio response and high SPL handling
Custom clip for securely mounting on a variety
of instruments
Use with TXA preamp for XLR wired applications
Horn and Instrument Microphone
The RE920Tx is a cardioid condenser microphone designed
for wireless use with musical instruments via its specially
designed instrument-mount clip assembly. Although
terminated in a TA4F connector for use with EV and Telex
bodypack transmitters, it can be made hard-wired with the
additional TXA XLR preamp.
34
Back Electret cardioid microphone
Clothing clip attaches at microphone body to maintain cardioid pattern
6 foot (180cm) permanently attached cord
TA4F connector compatible with all EV bodypack transmitters
Use with TXA for wired XLR applications
Directional Lavalier Microphone
The RE92Tx is a professional-quality, miniature cardioid,
electret condenser, lavalier microphone. Designed for
picking up speech, it is an excellent choice for use in any
presentation, house-of-worship, broadcast, or theater
application.
RE920Tx
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Omni-Directional Lavalier Microphone
The RE90Tx is a lightweight high-performance omnidirectional lavalier microphone. It is terminated with a TA4F
connector for any EV wireless system, perfect for broadcast,
house of worship, and business applications.
RE92Tx
Back Electret omni-directional microphone
Clothing clip included for easy mounting
6 foot (180cm) permanently attached cord
TA4F connector compatible with all EV bodypack transmitters
Use with TXA for wired XLR applications
Cardioid Lavalier Microphone
The ULM21 is a rugged lavalier microphone with a
directional pick up pattern. The small size and pick up
pattern helps reduce feedback and improve sound quality.
RE90TX
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Wireless Microphones
Micro-Headworn Condenser Microphone
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Ultra-Low Profile for Inconspicuous Use
Lightweight, Durable
Interchangeable for Left or Right Ear
Omni-directional Polar Pattern Provides
Clean Sound and Uniform Response
Use with TXA preamp for XLR wired applications
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Two ear wearing style for stability
Lightweight, durable
Interchangeable for left or right side microphone boom
Omni-directional polar pattern for clean sound
Moisture resistant
TA4F connector compatible with all EV bodypack transmitters
Use with TXA for wired XLR applications
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Ultra-Miniature Size for Inconspicuous Use
Omni-directional Polar Pattern to Provide Clean Sound and Uniform Response
Available in black and beige
Superior Sound Quality
TA4F connector compatible with all EV bodypack transmitters
Use with TXA for wired XLR applications
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Lightweight – 0.9 ounces (25 grams), less cable
Behind-the-head headband is comfortable and stays in place
Cardioid pickup pattern ensures good gain before feedback
Frequency response and proximity effect similar to handheld vocal mics
TA4F connector compatible with all EV bodypack transmitters
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Supercardioid pickup pattern ensures good gain before feedback
Behind-the-head headband is comfortable and stays in place
Frequency response and proximity effect similar to premium handheld vocal mics
TA4F connector compatible with all EV bodypack transmitters
Use with TXA for wired XLR applications
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RC2-767 – Supercardioid dynamic N/D767a
RC2-967 – Supercardioid dynamic N/D967
RC2-PL80a – Supercardioid dynamic PL80a
RC2-410 – Cardioid condenser RE410
RC2-510 – Supercardioid Condenser RE510
RE97Tx
The RE97Tx is an ultra-low profile, omnidirectional, backelectret condenser, headworn microphone designed for
use with standard EV and Telex belt packs. The RE97Tx is
intended for spoken-word use such as houses-of-worship,
corporate AV, theaters, fixed install, and other applications
where a full-range, natural, well-balanced sound is required.
The RE97Tx microphone is available in beige, brown, and
black.
Two Sided Micro-Headworn Condenser Microphone
RE97-2Tx
The RE97-2Tx is an Ultra-low profile, omnidirectional,
back-electret condensor headworn microphone ideal for
applications where a full - range, natural, well balanced sound
is required. The RE97 microphone element provides a clean
and accurate sonic quality and uniform output. This has a two
ear hook design with a band behind the head for comfort and
stability. The band is fully adjustable and the hooks fold flat
for storage and the boom can be on the left of right side.
Micro-Lavalier Condenser Microphone
RE97LTx
The RE97LTx is a micro-lavalier (black and beige) omnidirectional, condenser microphone designed for applications
that demand a high quality microphone element that is
practically invisible when worn by the speaker or performer.
The RE97LTx is intended for spoken-word use in theatrical
performance, fixed installations, corporate AV presentations,
houses of worship, or any venue.
Headworn Condenser Microphone
HM2
The Electro-Voice HM2 headworn microphone is the ideal
microphone for anyone who requires high-quality vocals
in a hands-free application. The HM2 is perfect for use by
lead vocalists, singing instrumentalists, dancers, aerobic
instructors and other presenters.
Headworn Condenser Microphone
HM7
The HM7 headworn microphone is the ideal microphone for
singers and entertainers that really need to move during a
performance. The HM7 has a supercardioid microphone that
offers concert vocal performance and stage noise rejection.
The rugged headband makes for a comfortable fit and the
flexible boom ensures precise microphone placement.
Microphone Heads for REV-H, REV-PH and PHTU-2
RC2-XXX
The RC2 line of interchangeable heads includes the top
dynamic and condenser EV vocal microphones for the
REV and RE-2PRO wireless systems. Dynamic vocal
microphones available are the N/D767a, N/D967 and the
PL80a. And the premium concert condenser microphones
RE410 and RE510 complete the RC2 series.
Wireless
Live for Sound
35
Cables, Clips & Others
Live for Sound
Cables, Clips and other accessories
These mounting brackets, cables and other accessories can be used to complete or complement any Electo-Voice wireless
microphone system.
RM-D
Dual Rackmount Kit
Dual Rackmount kit - (for two receivers) works with RE-2,
FMR-500, SAFE-1000 and other older ½ rack receivers.
Includes all screws and hardware required.
RM-S
Wireless
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Female TNC end connects to any EV/Telex receiver
Male TNC connector mounts in the rack
mount knockouts
Four cables included in each kit, enough for
two receivers
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TA4 in and out connectors for any EV/Telex lavelier microphone and bodypack transmitter
The belt clip can be flipped for right or left side wearing
Positive toggle switch is large and easy to use without looking
Noiseless mute, no clicks or pops
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Elastic top band for a snug, secure fit
Clear window over LCD screen
Top strap snaps to secure bodypack
Leather covered integrated belt clip for belt, costume or guitar strap mounting
Leather Pouch for REV-WT
The WP-WT is a leather pouch for REV-WT and WTU-2
bodypack transmitter. A clear window in the front allows the
LCD screen to show through and the snapping top strap
secures the bodypack. An integrated leather covered metal
beltclip on the back of the WP-WT secures the unit to a belt,
costume, or guitar strap.
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Mounts one RE-2 receiver in one 19” rack space
Includes knock outs for front mount antenna cables, (RMS-TNC includes cables)
Includes screws, hardware and instructions for installation
Powder coated steel construction
Referee Mute Switch
Referee Mute Switch
The RSB-2 toggle mute switch is the football standard for
referee wireless systems. The RSB-2 plugs in between
the lavalier or headworn microphone and the bodypack
transmitter to provide a noiseless mute. The REV-WT and
WTU-2 bodypacks automatically recognize the RSB-2 but
older transmitters require a special referee version.
WP-WT
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Front Mount Antenna Kit
The FMCK includes 4 front mount antenna cables with
female TNC connectors on one end and a bulkhead male
TNC on the other end. The male connectors mount in the
provided knockouts in the RM-S and RM-D rack mount kits.
The four cables included are enough for two receivers.
RSB-2
Mounts two RE-2 receivers side by side in one 19” rack space
Includes knock outs for FMCK front mount antenna cables
Includes screws, hardware and instructions for installation
Powder coated steel construction
Single Rackmount Kit
Single Rackmount kit - works with RE-2, FMR-500, SAFE1000 and other older ½ rack receivers. Includes all screws
and hardware required.
FMCK
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Cables, Clips & Others
Live for Sound
XLR to TA4 Adapter Cord
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TA4 connector for any EV or Telex Bodypack
4 ft cord to XLR
Works with dynamic microphones only
The MAC-2 cord allows any dynamic handheld microphone
be used with any EV or Telex wireless bodypack transmitter.
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George L no-solder, low noise cable and connectors for great sound and easy repairs
Includes right angle and straight in ¼
inch connector
TA4 connector for any EV or Telex bodypack transmitter
No-solder George L™ guitar cable for the REV-WT, WTU-2,
CSB-1000, WT-1000, and REV-BP. The MAC-G2 includes
a straight in and a right angle ¼ inch connector so you can
use whichever is best for your guitar.
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George L low noise cable for great sound
Built in signal pad to work with BPU-2/WT-500 bodypack transmitters
TA4 connector for any EV or Telex bodypack transmitter
The MAC-G3 uses low noise George L guitar cord for the
BPU-2 and WT-500 bodypack transmitters. Using the
MAC-G3 with the EV RE-2 exclusive Guitar Optimization
gives you one of the most “wired” sounding wireless rigs of
all time.
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Fits BPU-2, WT-500, REV-BP, CSB-1000 and WT-
1000 Bodypacks
Elastic sides for a snug, secure fit
Clear window over LCD screen
Top strap snaps to secure bodypack and it covers the on/off switch
Leather covered integrated belt clip for belt, costume or guitar strap mounting
The WP-1000 is a leather pouch for CSB-1000, BPU-2,
WT-500, WT-1000, and REV-BP bodypack transmitter. A
clear window in the front allows the LCD screen to show
through and the snapping top strap covers and protects the
on/off button. An integrated leather covered metal beltclip
on the back of the WP-1000 secures the unit to a belt,
costume, or guitar strap.
George L Guitar Cable
RE-2 Guitar Cord featuring George L’s Cable
Leather Pouch for BPU-2
BC-1000
Beltclip w/ Tab & Screw
BP2-Clip-Swivel
Beltclip w/ Tab & Screw
BP2-Clip
Flat Beltclip for BPU-2
MAC-2
MAC-G2
MAC-G3
WP-1000
MSSA
Custom Stand Adapter
MSA-REV
Custom Stand Adapter
HHCK
Handheld Color Kit
The MSSA is a custom
fit stand adapter for the
RE-2/FMR-500, PHTU-2
and REV-PH handheld
transmitters.
The MSA-REV is a
custom fit stand adapter
for the RE-H handheld
transmitters.
The HHCK includes 6
different color caps for the
HTU-2, HT-500, PHTU-2
and REV-PH handheld
transmitters. The color
caps help the sound
engineering identify which
channel is in use from a
distance.
The BC-1000 is a cell
phone style swiveling
beltclip with tab and screw
for the REV-WT, WTU-2,
CSB-1000, WT-1000, or
the REV-BP transmitter.
The mounting tab also
allows these transmitters
to work with the PC
and Boundary Satellite
wireless accessory
microphones.
The BP2-Clip-Swivel is a
cell phone style swiveling
beltclip with tab and screw
for the BPU-2, and the
WT-500 transmitter. The
mounting tab also allows
these transmitters to work
with the PC and Boundary
Satellite wireless
accessory microphones.
37
Wireless
The BP2-Clip is a flat
beltclip for the BPU-2, and
the WT-500 transmitter.
The BP2-Clip offers an
alternative mounting style
to the standard swivel clip.
Wireless Guidelines
Live for Sound
Choose the wireless system wisely!
It’s important to note that all wireless systems are not
created equal. Only a very few of the products on the
market today are actually designed and built by the people
selling them. Many of the most popular systems are built
by microphone companies that only recently began to
manufacture wireless devices. EV is unique in the world
of wireless. Electro-Voice has been leading the way in
microphone technology for 80 years and Telex practically
invented professional wireless microphones 30 years ago.
In the late 1990’s when Telex and Electro-Voice came
together, these two great heritages combined into a one
of a kind microphone company. All EV wireless products
are the result of this vast experience and technological
know-how. As more and more wireless products get into
the market, more problems in installation and performance
are being encountered. Often times these problems are
unique to the situation and require a trained professional
with considerable RF experience to solve. EV maintains a
staff of highly trained RF engineers and designers to help
our dealers and customers get systems to work in the most
critical and demanding applications. Wherever possible,
we build features into our new products to take care of
problems before they start. The key for the selling dealer is
that they have a large company with plenty of experience
and talent backing-up their wireless installations.
Important Wireless Terminology
Like any other technical business, the wireless world is filled
with technical jargon and concepts all its own. It is very
important that you understand the basics of this language,
or overzealous marketing materials can easily mislead you.
A wireless system at its most basic includes a transmitter,
handheld or bodypack, and a receiver. There are many ways
to get the signal from point A to point B and it is important
to dispel any myths or preconceived notions that may have
been picked up from various marketing materials. We will go
through the more common technical terms and try to give
you and objective outlook.
What is Diversity?
Diversity reception is a method of minimizing the effects of multi-path
delays that create drop outs of the radio signal. This is done by combining
or selecting two or more antenna sources for the same signal in order
to produce a constantly usable signal. This always requires more than
one antenna in different physical locations but not necessarily multiple
receivers.
There are many diversity circuits used in wireless microphones on the
market today, including twin receiver “switching” diversity, antenna
diversity, switching antenna diversity, and the EV patented Posi-Phase
auto diversity. Each of these methods may be effective, depending on the
particular implementation of the circuitry by the manufacturer, provided
other critical areas of the receiver circuitry are not compromised.
The term “diversity” is derived from the word “diverse”, which according
to the American Heritage Dictionary means varied or unlike. In the RF
world, this translates to two or more unlike sources of received signal
energy at the receiver. As long as the two sources of signal are unlike or
varied from each other, they are diverse, hence the term ‘diversity’. These
days you hear a lot of hype about some systems that claim to be “true”
diversity. It this were true, there would also have to be a “false” diversity.
But, by definition, any receiver using two or more varied signal inputs
has diversity, so the only ‘false’ diversity would be single antenna nondiversity. Major manufacturers may differ in their particular implementation
of the diversity circuitry, but all diversity systems use different sources of
received energy from two or more antennas. The term ‘true diversity’ is
meaningless from an engineering standpoint.
Wireless
What is patented Posi-Phase Diversity?
Posi-Phase diversity uses two antennas spaced apart, connected to a
single high quality receiver. The antenna signals are connected internally
to microprocessor circuits that monitor the phase relationship between
the two antennas. Both antennas are active at all times which greatly
increases the signal strength under normal conditions. In the event of a
signal interruption from a partial phase cancellation (multipath) or total
phase cancellation (dropout) the logic circuitry adjusts the phase of the
secondary antenna to a positive condition relative to the primary antenna.
This process occurs in a fraction of a second and continually adjusts the
phase of the second antenna for the optimum signal. A similar patented
technique is used in cellular telephones to insure their reliable operation.
Telex Posi-Phase diversity is more effective and less costly to produce
38
than switching diversity because only one high quality receiver is required.
Since only one receiver is needed, we are able to concentrate on the
overall receiver design on more important aspects of the receiver design
such as filtering, IF circuitry, squelch and audio circuitry Concentrating on
these critical areas of a receiver design yields superior performance over
switching diversity.
The superior performance is easily verified by a simple shoot-out with
range and audio quality tests. Generally, under the same environment EV
systems will go nearly twice as far as competitive models in a similar price
range.
Live for Sound
Wireless Guidelines
What is Phase Cancellation?
Phase cancellation or multipath dropout is a phenomenon where a direct radio signal and a reflected radio signal combine in the receiver. The two
signals are slightly out of phase from each other due to the delay in the reflected signal. The phase difference causes the two signals to interfere with
each other and cause deterioration in the quality of signal at the receiver. When the distance and geometry are just right, the signals are 180 degrees
out of phase and can cancel each other completely, often referred to as a dropout.
A very common example of phase cancellation or multipath dropout has occurred to most people at one time or another. If you have ever driven your car
listening to your favorite FM radio station and pulled up to a stop light and noticed your radio station become fuzzy and faded away as you pull slowly
forward, you have experienced phase cancellation. Did you notice that when you pulled your car up just a few feet the station came back to perfect
reception?
Because multipath problems are related to the geometry of the set up, it is possible to walk test the transmitters and correct potential dropouts using
tools like the Sound Check Screen in the REV and adjusting your antenna placements. But be wary, each time you change the scenery, arena, or even
add people in the performance area, the mix changes.
What is Squelch Circuit?
Good receiver design begins with the RF and IF filtering, but another important part of the receiver circuitry is the squelch system, or RF detection
circuitry. This circuitry is the “gate” that allows the audio to turn on or off based on the RF signals entering the receiver. Simple gate squelch circuits
that are commonly used in most competitive wireless receivers have a detector circuit that opens the audio path as soon as a preset level of RF energy
is reached. When the signal is below the preset level, the audio path is “closed” or grounded to be very quiet. The obvious problem with a simple gate
squelch is that any RF energy including distortion, hiss, harmonics from such sources as lighting dimmers, CD or DVD players, computers, digital
effects and electric motors are indistinguishable from the desired signal. This extraneous RF energy will open the squelch gate just as easily as the
intended transmitter. So, often times the user must “crank” up the squelch level all the way up to limit the sensitivity to noise, which reduces range and
performance of the system.
What is Combination Squelch Circuit?
Wireless
Advanced products like the FMR-1000, RE-1 and ENG-100 use a combination of tone-code and amplitude squelch to provide maximum protection
against errant signals. In this case, the tone squelch works as described in the previous section and when the tone is present the amplitude squelch
remains active. If, in the unlikely event, random noise fools the tone detector, the signal at the intended frequency still needs to be high enough to
register on the amplitude squelch. The back up amplitude squelch further reduces the chances that an errant signal will cause audio noise while the
transmitter is turned off.
39
Wireless Guidelines
Live for Sound
Wireless “Gain Settings”
Almost every wireless microphone system has an
adjustment on the transmitter that is called a “Gain”
adjustment, which often confuses users. This setting
should really be called a “Deviation Control”, but that would
more than likely confuse users even more. The problem
with calling it a gain setting, however, is that the end user
attempts to use it to set their overall audio level – not what
the control is designed to do. After all, wired microphones
do not have a gain control and the mixing board or amplifier
must be used to control the audio levels.
The gain setting is unique to wireless microphones and
is used to maximize the signal-to-noise ratio and dynamic
range whether it is used as a podium microphone, close
talking vocal mic, lapel, headworn, or even guitar or
instrument. Frequency Modulated (FM) radios transmit
audio information as changes in the carrier frequency. So, in
the operation of a wireless microphone system, the greater
the changes in frequency (deviation), the better the signalto-noise ratio will be. So, if the system’s maximum deviation
is +/-40KHz, we want the loudest level input into the
microphone to generate 40KHz deviation. With the gain set
above that, we would be clipping or distorting the maximum
input and if it is set too low, we are not getting the clearest
possible signal.
How to properly set the Wireless “Gain”
1) Before the audio connections are even made or with the PA system muted, simply sing or scream into the microphone as loudly as it will ever be
used in performance in this application. (For guitar systems, turn the gains on the guitar to maximum and hit the hardest note that will be used in
concert)
2) Then adjust the gain on the transmitter until the audio meter peaks in the usable range.
3) Make the audio connections and use the mixing board or amplifier to set the appropriate audio levels for the PA. For a guitar/instrument wireless
system, use the receiver output level adjustment to match the “wired” instrument output level.
What other considerations should I think about?
When selecting a wireless system, consider the long-term use for the system and always purchase a complete solution. That is, if you eventually intend
to add more systems, make sure you select a system that will allow for the total number of future systems. Also, don’t forget to look at accessories such
as antenna combiners, antenna amplifiers, antennas, low loss coaxial cable, and microphone choices.
Electro-Voice has a complete line of wireless accessories for UHF systems. These accessories allow the system to be tailored for the individual
application and allow the user to get the most from their investment.
Wireless Microphone Antenna Guide
ANTENNA TYPES
Most products ship with 1/4-inch wave antennas to be mounted directly on the receiver or the rack mount hardware.
These 1/4-inch wave antennas are not ground independent, meaning that they cannot be mounted remotely at the end of a run of coaxial cable. For
remote mounting, use 1/4-inch wave or directional Log Periodic antennas such as the FA-GW, CLA series or the LPA500.
Wireless
REMOTE MOUNTING
Antennas should be mounted with a direct line-of-sight to the performance area. Whenever possible, that also means above the cast and crew, so
mounting antennas ten feet in the air at the side of the stage is one of the best places for them. All coaxial cable has signal loss, so keep the cable runs
to minimum and use low loss cables to keep the maximum performance range. The CXU cables from EV use very low loss cables that will help maintain
range.
ANTENNA DISTRIBUTION
When racking multiple receivers together, it is best to use an antenna distribution system like the APD4+. The APD4+ provides power and antenna
connectors for 4 ½ rack receivers and can be cascaded to run antennas for up to 16 systems from 2 antennas (using 5 APD4+ units). With the REV-D
receiver’s antenna pass through feature, one APD4+ can supply antennas for 24 channels of REV wireless. One important thing to keep in mind is to
connect the input of each additional splitter to the output of the original APD4+ (the one connected directly to the antennas) to prevent a loss of range.
40
Bosch Communications Systems
Americas–
Headquarter Americas
Bosch Security Systems, Inc.
12000 Portland Ave South,
Burnsville, MN 55337, USA
USA–Ph: 1-800-392-3497
Fax: 1-800-955-6831
Canada–Ph: 1-866-505-5551
Fax: 1-866-336-8467
Latin America–
Ph: 1-952-887-5532
Fax: 1-952-736-4212
Europe, Africa & Middle-East
Headquarters EMEA
EVI Audio GmbH
Hirschberger Ring 45,
94315 Straubing, Germany
Phone: +49 9421 706-0,
Fax: +49 9421 706-265
©2010 Bosch Security Systems, Inc. LIT000476000
France: EVI Audio France S.A.,
Parc de Courcerin,
Allée Lech Walesa,
F 77185 Lognes, France
Phone: +33 1-6480-0090
Fax: +33 1-6006-5103
UK: Shuttlesound,
4 The Willows Centre,
Willow Lane, Mitcham,
Surrey CR4 4NX, UK
Phone: +44 208 646 7114
Fax: +44 208 254 5666
Asia & Pacific Rim
Headquarter Asia
Telex Communications (SEA) Pte Ltd
38C Jalan Pemimpin
Singapore 577180
Tel: (65) 6319 0616
Fax: (65) 6319 0620
Japan: EVI Audio Japan, Ltd
5-3-8 Funabashi, Setagaya-ku,
Tokyo 156-0055
Tel: +81 (3) 5316-5021
Fax: +81 (3) 5316-5031
Hong Kong: Telex EVI Audio (Hong Kong) Ltd.
Room 508-509, 5/F,
Topsail Plaza
11 On Shum Street
Shek Mun,Shatin HK
Phone: +852 2351-3628,
Fax: +852 2351-3329
Shanghai: Telex EVI Audio (Shanghai) Co., Ltd.
Room 3105-3109,
Tower 1 Office Building,
218 Tian Mu Xi Rd.,
Shanghai, China
Postal Code: 200070
Tel: +86 21-6317-2155
Fax : +86 21-6317-3025
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