Casio PX300 User's Manual

Casio PX300 User's Manual
ES
USER’S GUIDE
GUÍA DEL USUARIO
Please keep all information for future reference.
Guarde toda información para tener como referencia futura.
Safety Precautions
Before trying to use the piano, be sure to
read the separate “Safety Precautions”.
Precauciones de seguridad
Antes de intentar usar el piano, asegúrese
de leer las “Precauciones de seguridad”
separadas.
PX300-ES-1
NOTICE
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to
Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful
interference in a residential installation. This equipment generates, uses and can radiate radio frequency
energy and, if not installed and used in accordance with the instructions, may cause harmful interference to
radio communications. However, there is no guarantee that interference will not occur in a particular
installation. If this equipment does cause harmful interference to radio or television reception, which can be
determined by turning the equipment off and on, the user is encouraged to try to correct the interference by
one or more of the following measures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
• Consult the dealer or an experienced radio/TV technician for help.
FCC WARNING
Changes or modifications not expressly approved by the party responsible for compliance could void the
user’s authority to operate the equipment.
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, REFER SERVICING TO QUALIFIED SERVICE
PERSONNEL.
Important!
Please note the following important information before using this product.
• Before using the optional AD-12 Adaptor to power the unit, be sure to check the AC Adaptor for any
damage first. Carefully check the power cord for breakage, cuts, exposed wire and other serious damage.
Never let children use an AC adaptor that is seriously damaged.
• The product is not intended for children under 3 years.
• Use only CASIO AD-12 adaptor.
• The AC adaptor is not a toy.
• Be sure to disconnect the AC adaptor before cleaning the product.
CASIO ELECTRONICS CO., LTD.
Unit 6, 1000
North Circular Road
London NW2 7JD, U.K.
This mark is valid in the EU countries only.
Please keep all information for future reference.
413A-E-002A
Contents
General Guide .......................... E-2
Other Settings ........................ E-21
Attachment of the Score Stand .................. E-2
Changing the Keyboard Touch ................. E-21
Playing Back All the Built-in Tunes ............. E-3
Changing the Piano Key ........................... E-21
Power Supply ........................... E-4
Changing the Pitch of the Piano to
Match Another Instrument ........................ E-21
Using the AC Adaptor ................................. E-4
Using MIDI ................................................ E-22
Connections ............................. E-5
Connecting Headphones ............................ E-5
Expanding the Selections in the
Built-in Tunes ............................................ E-23
Troubleshooting ..................... E-24
Connecting to a PEDAL Jack ..................... E-5
Connecting an audio or musical instrument
amplifier ...................................................... E-6
Playing with Different Tones ... E-7
Selecting and Playing a Tone ..................... E-7
Selecting Main Tones and
Variation Tones ........................................... E-7
Specifications......................... E-25
Operational Precautions ....... E-26
Setting Control Key Chart ..... E-26
Selecting a GM Tone or Drum Set .............. E-7
Appendix ..................................A-1
Using Tone Effects ...................................... E-8
Tone List ..................................................... A-1
Layering Two Tones .................................... E-9
Rhythm List ................................................. A-2
Assigning Different Tones to the
Left and Right Sides of the Keyboard ....... E-10
Song List ..................................................... A-2
Using the Piano’s Pedals .......................... E-10
Fingered Chord Chart ................................. A-4
Drum Assignment List ................................. A-3
Using the Built-in Metronome ................... E-11
MIDI Implementation Chart
Playing Rhythms .................... E-12
Using Auto Accompaniment ...................... E-13
Learning to Play the Built-in
Tunes ...................................... E-17
Playing a Built-in Tune .............................. E-17
Practicing a Built-in Tune .......................... E-17
Recording to and Playing Back
from Song Memory ................ E-18
Recording Your Keyboard Play................. E-19
Playing Back from Song Memory ............. E-20
To delete song memory data .................... E-20
Company and product names used in this
manual may be registered trademarks of others.
413A-E-003A
E-1
General Guide
Back Panel
1
2
Attachment of the Score Stand
Insert the score stand into the slot at the top of the digital piano
as shown in the illustration.
3
4
Left Side Panel
5
6
7
8
J
9
0 A
BC D E F G
H
I
K
L
N O
M
NOTE
CONTROL
• Each chapter of this manual starts with an illustration
of the piano’s console, which shows the buttons and
other controllers you need to operate.
REVERB
CHORUS
E-2
413A-E-004A
General Guide
1
PEDAL DAMPER jack
E
RHYTHM, SONG button
2
PEDAL SOFT/SOSTENUTO jack
F
TRACK 1/L TRACK 2/R button
3
LINE OUT R, L/MONO jacks
G
SONG MEMORY button
4
LINE IN R, L/MONO jacks
H
METRONOME button
5
POWER button
I
Display screen
6
DC 12V jack
J
TONE buttons
7
MIDI THRU/OUT/IN terminals
K
TEMPO buttons
8
PHONES jacks
L
RHYTHM/SONG SELECT buttons
9
VOLUME knob
M
BEAT buttons
0
CONTROL button
N
VARIATION button
A
REVERB CHORUS button
O
SPLIT button
B
INTRO/ENDING button
C
SYNCHRO/FILL-IN button
D
START/STOP, PLAY/STOP button
NOTE
• Key, button, and other names are indicated in the text of this manual using bold type.
Playing Back All the Built-in Tunes
The following procedure plays back the built-in tunes in sequence.
1
While holding down the SONG button, press the START/STOP button at the same time.
2
Press the START/STOP button again to stop tune play.
413A-E-005A
• This causes the SONG indicator lamp to flash, and starts sequential playback of the built-in tunes.
• You can play along with the built-in tunes on the keyboard, if you want. Tone assigned to the keyboard is the
one that is preset for the built-in tune that is playing.
E-3
Power Supply
You can power this digital piano by plugging it into a
standard household power outlet.
Be sure you turn off power and unplug the power cord
from the electrical outlet whenever the digital piano
is not in use.
Using the AC Adaptor
Make sure that you use only the AC adaptor specified
for this digital piano.
Specified AC Adaptor: AD-12
[Left Side Panel]
DC 12V jack
AC adaptor AD-12
AC outlet
IMPORTANT!
• Make sure that the product is turned off before connecting
or disconnecting the AC adaptor.
• Using the AC adaptor for a long time can cause it to
become warm to touch. This is normal and does not
indicate malfunction.
E-4
413A-E-006A
Connections
IMPORTANT!
• Whenever connecting external equipment, first set the
VOLUME knob of the digital piano and the volume
controller of the external equipment to relatively low
volume settings. You can later adjust volume to the level
you want after connections are complete.
Connecting Headphones
Connect commercially available headphones to the
digital piano’s PHONES jacks. This cuts off the builtin speakers, which means you can practice even late
at night without disturbing others. To protect your
hearing, make sure that you do not set the volume
level too high when using headphones.
Connecting to a PEDAL Jack
Depending on the type of operation you want the
pedal (SP-3) to perform, connect the pedal’s cable to
the digital piano’s PEDAL DAMPER jack or PEDAL
SOFT/SOSTENUTO jack. If you want to use both
jacks at the same time, you need to purchase another
optionally available pedal.
See “Using the Piano’s Pedals” on page E-10 for
information about using a pedal.
[Back Panel]
PEDAL jacks
[Left Side Panel]
PHONES jacks
SP-3
Headphones
413A-E-007A
E-5
Connections
Connecting an audio or
musical instrument amplifier
Connecting to an audio or musical instrument
amplifier provides even clearer, more powerful sound
through external speakers.
Audio amplifier AUX IN, etc.
RIGHT
(Red)
PIN plugs
LEFT
(White)
Connecting to a Musical Instrument
Amplifier 3
Use commercially available cables to connect the
amplifier to the piano’s LINE OUT jacks as shown in
Figure 3. R jack output is right channel sound, while
L/MONO jack output is left channel sound.
Connecting to the L/MONO jack only outputs a
mixture of both channels. It is up to you to purchase
connecting cable like the one shown in the illustration
for connection of the amplifier. Use the piano’s
VOLUME knob to adjust the volume level.
Accessories and Options
Use only the accessories and options specified for this
digital piano. Use of non-authorized items creates the
danger of fire, electric shock, and personal injury.
Standard jacks
INPUT 1
INPUT 2
Standard plug
Tape recorder,
MIDI sound
source
Guitar amplifier,
keyboard amplifier, etc.
Playing Output from External
Equipment through the Piano’s
Speakers 1
R jack input sounds through the piano’s right speaker,
while L/MONO jack input sounds through the left
speaker. Connecting to the L/MONO jack only causes
the same output to be produced from both speakers.
It is up to you to purchase connecting cables that are
compatible with the equipment you are connecting.
Connecting to Audio Equipment 2
Use commercially available cables to connect the
external audio equipment to the piano’s LINE OUT
jacks as shown in Figure 2. R jack output is right
channel sound, while L/MONO jack output is left
channel sound. It is up to you to purchase connecting
cables like the ones shown in the illustration for
connection of audio equipment. Normally in this
configuration you must set the audio equipment’s
input selector to the setting that specifies the terminal
(such as AUX IN) to which the piano is connected.
Use the piano’s VOLUME knob to adjust the volume
level.
E-6
413A-E-008A
Playing with Different Tones
Selecting and Playing a Tone
4
Your piano has the following types of tones built in.
Main Tones
15
Variation Tones
15
GM Tones
128
Drum Sets
10
Press the VARIATION button so the
indicator lamp above it is lit.
• This selects the variation tone assigned to each
TONE button.
Example: PIPE ORGAN
• For information about variation tone assigned
to each button, see the Tone List on page A-1.
5
Selecting Main Tones and
Variation Tones
To toggle between the main tone
(VARIATION indicator lamp off) and variation
tone (VARIATION indicator lamp on), press
the VARIATION button or the TONE button.
Selecting a GM Tone or Drum Set
Press the POWER button.
1
POWER button
Use the VOLUME knob to adjust the
volume level.
2
• Before playing, it is a good idea to set the
volume to a relatively low level.
You can use the following procedure to assign one
of the piano’s 128 GM tones or 10 drum sets to the
GM TONES button. After you assign a GM tone,
you can select it by pressing the GM TONES button.
In addition, you can also assign a second GM tone
or drum set as the variation tone of the GM TONES
button. See “Selecting the GM TONES Button
Variation Tone” on page E-8.
1
Press the GM TONES button.
2
Use the Tone List on page A-1 to find the
GM tone or drum set number you want.
Press one of the 15 TONE buttons to select
the tone you want.
3
• The names of the main tones are marked above
the TONE buttons.
Example: To select JAZZ ORGAN
• This selects the GM tone that is currently
assigned to the GM TONES button.
• The display continues to display the tune or
rhythm number.
Example: 008 (GM CELESTA)
3
While holding down the CONTROL button,
press the GM TONES button. Remember to
keep the CONTROL button depressed.
• This causes the tone number of the GM tone
that is currently assigned to the GM TONES
button to appear on the display.
Example: 080
(GM SQUARE LEAD)
VOLUME
REVERB
CHORUS
CONTROL
413A-E-009C
TONE
METRONOME
TEMPO
BEAT
VARIATION
GM TONES SPLIT
GM SELECT
E-7
Playing with Different Tones
While holding down the CONTROL
button, use the keyboard keys shown below
to input the tone number of the GM tone
you want to assign to the GM TONES
button.
4
Example: 008 (GM CELESTA)
Selecting the GM TONES Button
Variation Tone
To assign a variation tone to the GM TONES button,
perform the steps under “Selecting a GM Tone or
Drum Set” on page E-7. After step 1, however, press
the VARIATION button so the indicator lamp above
it is lit.
After you assign a GM tone as the variation tone,
you can select it by pressing the GM TONES button
while the indicator lamp above the VARIATION
button is lit.
Using Tone Effects
1
4 6
Reverb: Makes your notes resonate
Chorus: Adds more breadth to your notes
9
1
0 2 3 5 7 8
▲
C1
Press the REVERB CHORUS button to cycle
through the effect settings as shown below.
• You can find out the current reverb/chorus
configuration by looking at the REVERB and
CHORUS indicator lamps.
▲
C2
▲
C3
▲
C4
▲
C5
▲
C6
▲
C7
▲
C8
On
Both on
• Be sure to input all three digits.
• This displays the number of the assigned tone.
Off
Both off
On
Reverb on
5
After inputting the tone number you want,
release the CONTROL button to exit the
GM tone setting screen.
On
Chorus on
NOTE
• You can also select a tone by holding down the GM
TONES button as you use the GM SELECT [ ]
and [ ] buttons to scroll through tone numbers
on the display.
• The tone that you assign to the GM TONES button
is retained until you turn off the keyboard.
• If a drum set is assigned to the GM TONES button,
keyboard keys sound drum sounds when you press
them. See page A-3 for information about the drum
sounds that are assigned to each of the keyboard
keys.
E-8
413A-E-010C
Playing with Different Tones
To Select effect type
Layering Two Tones
You can select from among four reverb effects and four
chorus effects by pressing the keyboard keys shown
below.
PREPARATION
1 Reverb Effect Keys
1: Room 2
0: Room 1
Use the following procedure to layer to two tones, so
they sound at the same time.
• If you plan to use a variation tone, perform the procedure
on page E-7 to select the variation tone for the applicable
TONE button(s) before starting this procedure.
3: Hall 2
2: Hall 1
1
▲
C1
▲
C2
▲
C3
▲
C4
▲
C5
▲
C6
▲
C7
▲
C8
2 Chorus Effect Keys
1: Chorus 2
0: Chorus 1
1
While holding down the TONE button of
one of the tones you want to use (the base
tone), press the TONE button of the other
tone (the layered tone).
Example: Press GRAND PIANO 2 button and
STRINGS button at the same time.
3: Chorus 4
2: Chorus 3
While holding down the CONTROL
button, press one of the keyboard keys
shown above.
• This causes the indicator lamp of the base tone
to light, and the layered tone to flash.
• If the base tone (the one you pressed first) is a
variation tone, the indicator lamp above the
VARIATION button will light.
GRAND PIANO 2
STRINGS
• The tones are now layered.
2
After you are finished using the layered
tones, press one of the TONE buttons again
to unlayer them.
NOTE
• Note that you cannot layer the main tone and
variation tone assigned to the same TONE button.
413A-E-011A
E-9
Playing with Different Tones
Adjusting the Volume of Layered Tones
1
While holding down the CONTROL
button, use the keyboard keys shown below
to adjust the volume of the layered tones.
Specifying the Keyboard Tone Split Point
1
While holding down the SPLIT button,
press the keyboard key where you want the
left limit of the high range (right) tone to
be.
–
Left limit of the high range
Low range
High range
+
▲
C1
▲
C2
▲
C3
▲
C4
▲
C5
▲
C6
▲
C7
▲
C8
+ : Raises the volume (0 to 24)
– : Lowers the volume (–24 to 0)
• A note does not sound when you press a
keyboard key at this time.
NOTE
Assigning Different Tones to the Left
and Right Sides of the Keyboard
You can assign different tones to keys on the left side
and the right side of the keyboard.
• The split point setting also controls the point where
the keyboard splits between the accompaniment
keyboard (pages E-14, 15) and the melody
keyboard. Moving the split point also affects the
sizes of the accompaniment keyboard and the
melody keyboard.
Split Point
Using the Piano’s Pedals
STRINGS
1
GRAND PIANO 2
The digital piano is equipped with two pedal jacks,
one for a damper pedal and one for a soft/sostenuto
pedal.
Press the TONE button of the tone you want
to select for the high (right) range.
Example: GRAND PIANO 2
2
Press the SPLIT button.
3
Press the TONE button of the tone you want
to select for the low (left) range.
• This causes the SPLIT indicator lamp to light.
• The keyboard is now split between the two
tones.
Example: STRINGS
4
SP-3
After you are finished using the split
keyboard, press the SPLIT button again to
unsplit it.
• This causes the SPLIT indicator lamp to go out.
E-10
413A-E-012A
Playing with Different Tones
Pedal functions
• Damper pedal
Pressing this pedal causes notes to reverberate and
to sustain longer.
• Soft pedal
Pressing this pedal dampens notes and slightly
reduces their volume. Only notes played after the
pedal is depressed are affected, and any notes
played before the pedal is pressed sound at their
normal volume.
Using the Built-in Metronome
You can use the metronome to sound a count that helps
keep you in proper time.
1
Press the METRONOME button.
2
While holding down the CONTROL
button, press the BEAT [ ] or [ ] button
to specify how many beats there are per
measure.
• Sostenuto pedal
Like the damper pedal, this pedal causes notes to
reverberate and to sustain longer. The difference
between the two pedals is the timing when they
are pressed.
With the sostenuto pedal, you press the pedal after
depressing the notes you want to sustain. Only the
notes whose keyboard keys are depressed when the
sostenuto pedal is pressed are affected.
• The first value of the beat can be set to a value
of 2 through 6. The bell (indicating the first beat
of a measure) does not sound while a value of 0
is specified. All beats are indicated by a click
sound. This setting lets you practice with a
steady beat, without worrying about how many
beats there are in each measure.
Selecting the Pedal Function
A pedal connected to the piano’s PEDAL SOFT/
SOSTENUTO jack can operate as either a soft pedal
or a sostenuto pedal. When you turn on the keyboard,
the pedal is initially configured for soft pedal
operation. You can perform the following operation
to select either soft or sostenuto for the pedal
operation.
1
• This starts the metronome.
3
While holding down the CONTROL
button, use the TEMPO [ ] and [ ]
buttons to change the tempo (speed) of the
metronome.
While holding down the CONTROL
button, use the keyboard keys shown below
to select either soft or sostenuto.
Soft:
• You can also use keyboard keys to change the
tempo setting (See page E-13).
Sostenuto:
4
▲
C1
413A-E-013A
▲
C2
▲
C3
▲
C4
▲
C5
▲
C6
▲
C7
▲
C8
Press the METRONOME button again to
stop the metronome.
E-11
Playing Rhythms
You can select from among 120 built-in rhythms. See
the Rhythm List on page A-2 of this manual for more
information.
4
Press the START/STOP button again to stop
the rhythm.
NOTE
NOTE
• Rhythms 110 through 119 consist of chord
accompaniments only, without any drums or other
percussion instruments. These rhythms do not
sound unless CASIO CHORD, FINGERED, or
FULL RANGE CHORD is selected as the
accompaniment mode. With such rhythms, make
sure that CASIO CHORD, FINGERED, or FULL
RANGE CHORD is selected before you try playing
chords (see the next page).
• You can also cycle through the available rhythms
in step 2 by holding down the CONTROL button
and pressing the RHYTHM/SONG SELECT [ ]
or [ ] button.
Press the RHYTHM button so the RHYTHM
indicator lamp (above the button) is lit.
1
• Each press of the button toggles between the
upper indicator lamp and lower indicator lamp.
While holding down the CONTROL
button, use the keyboard keys shown below
to input a three-digit rhythm number.
2
1
4 6
9
0 2 3 5 7 8
▲
C1
▲
C2
▲
C3
▲
C4
▲
C5
▲
C6
▲
C7
▲
C8
• To select rhythm number 5, for example, press
the 0 key , the 0 key and then the 5 key.
3
Press the START/STOP button.
• This starts the rhythm.
SYNCHRO/ START/
STOP
FILL-IN
CONTROL INTRO/
ENDING
E-12
RHYTHM
METRONOME
TEMPO RHYTHM/
SONG SELECT
413A-E-014B
Playing Rhythms
To adjust the tempo of the rhythm
Using Auto Accompaniment
Press the RHYTHM button so the RHYTHM
indicator lamp is lit.
1
• Each press of the button toggles between the
upper indicator lamp and lower indicator lamp.
While holding down the CONTROL
button, use the TEMPO [ ] and [ ]
buttons to change the tempo (speed) of the
rhythm.
2
With auto accompaniment, the keyboard
automatically plays rhythm, bass, and chord parts in
accordance with chords you select using simplified
keyboard fingerings, or chords you play. Auto
accompaniment makes it feel like you have your own
private backup group with you all the time.
• To return the rhythm to its standard tempo
setting, press the TEMPO [ ] and [ ] buttons
at the same time.
To play with auto accompaniment
NOTE
• You can also use keyboard keys to change the tempo
setting.
(1) While holding down the CONTROL button,
press the METRONOME button.
(2) While keeping the CONTROL button
depressed, use the keyboard keys shown below
to input a three-digit number.
PREPARATION
• Select the rhythm you want to use and adjust the tempo.
1
* Tempo Range: 030 to 255
1
4 6
While holding down the CONTROL
button, press one of the keyboard keys
shown below to select a chord mode.
9
CASIO CHORD:
Full-Range Chord:
023578
Normal:
▲
C1
▲
C2
▲
C3
▲
C4
▲
C5
▲
C6
▲
C7
Fingered:
▲
C8
▲
C1
▲
C2
▲
C3
▲
C4
▲
C5
▲
C6
▲
C7
▲
C8
• Here we will select the CASIO CHORD mode.
• See page E-14 for information about how to use
the chord modes.
413A-E-015A
2
Press the SYNCHRO/FILL-IN button.
3
Press the INTRO/ENDING button.
• This configures the piano so rhythm and chord
accompaniment will start automatically when
you press any keys within the accompaniment
keyboard range.
• This configures the piano so accompaniment
starts with an intro pattern.
E-13
Playing Rhythms
4
Use a CASIO CHORD fingering to play the
first chord within the accompaniment
keyboard range.
• See “How to Play Chords” on this page for
information about how to finger chords with
the various chord modes.
• This will cause the intro pattern for the selected
rhythm to play, followed by the auto
accompaniment rhythm and chord pattern.
5
Use CASIO CHORD fingerings to play
other chords.
• You can insert a fill-in pattern while an auto
accompaniment is playing by pressing the
SYNCHRO/FILL-IN button. A fill-in helps to
change the mood of the auto accompaniment
pattern.
6
To stop auto accompaniment play, press the
INTRO/ENDING button.
• This will play an ending pattern for the selected
rhythm before stopping auto accompaniment
play.
NOTE
• You can start or stop auto accompaniment play
without an intro or ending pattern by pressing the
START/STOP button in steps 3 and 6.
E-14
How to Play Chords
The way you finger chords depends on the current
chord mode.
■ Normal
In this mode there is no auto accompaniment, so you
can play all of piano’s keys for standard-fingering
chords or melody notes.
■ CASIO CHORD
This method of chord play makes it possible for
anyone to easily play chords, regardless of previous
musical knowledge and experience. The following
describes the CASIO CHORD “Accompaniment
keyboard” and “Melody keyboard”, and tells you how
to play CASIO CHORDs.
CASIO CHORD Accompaniment Keyboard and
Melody Keyboard
Accompaniment
keyboard
Melody keyboard
IMPORTANT!
• The accompaniment keyboard can be used for playing
chords only. No sound will be produced if you try playing
single melody notes on the accompaniment keyboard.
413A-E-016A
Playing Rhythms
Chord Types
CASIO CHORD accompaniment lets you play four
types of chords with minimal fingering.
Chord Types
Example
Major chords
Press one accompaniment key.
Note that the chord produced
when
you
press
an
accompaniment keyboard key
does not change octave,
regardless of which key you use
to play it.
Minor chords (m)
To play a minor chord, keep the
major chord key depressed and
press any other accompaniment
keyboard key located to the right
of the major chord key.
Seventh chords (7)
To play a seventh chord, keep the
major chord key depressed and
press
any
other
two
accompaniment keyboard keys
located to the right of the major
chord key.
Minor seventh chords (m7)
To play a minor seventh chord,
keep the major chord key
depressed and press any other
three accompaniment keyboard
keys located to the right of the
major chord key.
C
Cm
Cdim
Caug *1
Csus4
C7 *2
Cm7 *2
Cmaj7 *2
Cm7 5
C7 5 *1
C7sus4
Cadd9
Cmadd9
CmM7 *2
Cdim7 *1
C Major (C)
C C#DE E F F#GA A B B C C#DE E F
C minor (Cm)
C C#DE E F F#GA A B B C C#DE E F
C seventh (C7)
C C#DE E F F#GA A B B C C#DE E F
NOTE
• See the “Fingered Chord Chart” on page A-4 for
details on playing chords with other roots.
C minor seventh
(Cm7)
C C#DE E F F#GA A B B C C#DE E F
*1: Inverted fingerings cannot be used. The lowest
note is the root.
*2: The same chord can be played without pressing
the 5th G.
NOTE
NOTE
• It makes no difference whether you press black or
white keys to the right of a major chord key when
playing minor and seventh chords.
■ FINGERED
In this mode, you specify chords by playing them as
you would on a piano, inside the accompaniment
keyboard range. To specify a C-chord, you would play
C-E-G.
• Except for the chords specified in note*1 above,
inverted fingerings (i.e. playing E-G-C or G-C-E
instead of C-E-G) will produce the same chords as
the standard fingering.
• Except for the exception specified in note*2 above,
all of the keys that make up a chord must be
pressed. Failure to press even a single key will not
play the desired FINGERED chord.
FINGERED Accompaniment Keyboard and Melody
Keyboard
Accompaniment
keyboard
Melody keyboard
IMPORTANT!
• The accompaniment keyboard can be used for playing
chords only. No sound will be produced if you try playing
single melody notes on the accompaniment keyboard.
413A-E-017A
E-15
Playing Rhythms
■ FULL RANGE CHORD
This accompaniment method makes it possible to play
a total of 38 chord variations: the 15 available with
FINGERED plus 23 additional variations. The
keyboard interprets any input of three or more keys
that matches a FULL RANGE CHORD pattern to be a
chord. Any multi-key input that is not a FULL RANGE
CHORD pattern is interpreted as melody play. Because
of this, there is no need for a separate accompaniment
keyboard, and the entire keyboard from end-to-end
can be used for both melody and chords.
Adjusting Accompaniment Volume
Perform the following operation to change the volume
level of the rhythm and chord accompaniment (setting
range : 000 to 127).
1
While holding down the CONTROL
button, use the keyboard keys shown below
to raise (+) or lower (–) the accompaniment
volume.
–
FULL RANGE CHORD Accompaniment Keyboard
and Melody Keyboard
+
Accompaniment keyboard/Melody keyboard
Chords Recognized by This Piano
The following table identifies patterns that are
recognized as chords by FULL RANGE CHORD.
Pattern Type
Number of Chord Variations
FINGERED
The 15 chord patterns shown under
“FINGERED” on page E-15.
▲
C1
▲
C2
▲
C3
▲
C4
▲
C5
▲
C6
▲
C7
▲
C8
+ : Raises the accompaniment volume
– : Lowers the accompaniment volume
23 standard chord fingerings. The
following are examples of the 23
chords available with C as the bass
note.
Standard
Fingerings
C6 • Cm6 • C69
D D
E
F
G
A
B
•
•
•
•
•
•
C C
C
C
C
C
C
B D m Dm Fm Gm Am B m
•
•
•
•
•
•
C
C
C C
C
C
C
Ddim A 7 F7 Fm7 Gm7 A add9
•
•
•
•
•
C
C
C C
C
C
C
Example: To play the chord C major and E .
1
E
E G
C
G
C
2
1 ..... Chord C
2 ..... Chord CC
E
NOTE
• If there are more than six semitones between the
lowest note and the next note to the right, the lowest
note is interpreted as a bass note.
E-16
413A-E-018A
Learning to Play the Built-in Tunes
NOTE
Playing a Built-in Tune
Your piano comes with 25 Music Library tunes built
in. See the Song List on page A-2 of this manual for
more information.
• You can also cycle through the available tunes in
step 2 by holding down the CONTROL button and
pressing the RHYTHM/SONG SELECT [ ] or
[ ] button.
Press the SONG button so SONG indicator
lamp (below the button) is lit.
1
• Each press of the button toggles between the
upper indicator lamp and lower indicator lamp.
Practicing a Built-in Tune
While holding down the CONTROL
button, press the keyboard keys shown
below to input a tune number.
2
1
4 6
9
PREPARATION
• Select the tune you want to practice and adjust the tempo.
If you are playing a tune for the first time, a slow tempo
is probably best.
1
023578
▲
C1
You can turn off the left hand part or right hand part
of a built-in tune and play along on the piano.
▲
C2
▲
C3
▲
C4
▲
C5
▲
C6
▲
C7
● The indicator lamps above the button show the
current on/off status of the parts.
• To turn off the left hand part, the TRACK 1/
L indicator lamp should be unlit.
• To turn off the right hand part, the TRACK 2/
R indicator lamp should be unlit.
▲
C8
• To select tune number 5, for example, press the
0 key and then the 5 key. Always input two
digits for the tune number.
3
Press the PLAY/STOP button.
4
Press the PLAY/STOP button again to stop
tune playback.
Use the TRACK 1/L TRACK 2/R button to
turn parts on or off.
2
Press the PLAY/STOP button.
3
Play the missing part on the piano’s
keyboard.
4
Press the PLAY/STOP button again to stop
song playback.
• This starts the playback of the tune.
• This starts playback of the tune, without the
part you selected in step 1.
TRACK 1/L
TRACK 2/R
CONTROL
413A-E-019A
PLAY/
STOP
SONG
RHYTHM/SONG SELECT
E-17
Recording to and Playing Back from Song Memory
You can store the notes you play in Song Memory for
later playback.
Tracks
The song memory of this piano records and plays back
notes much like a standard tape recorder. There are
two tracks, each of which can be recorded separately.
Besides notes, each track can be assigned its own tone
number. During playback you can adjust the tempo
to change the speed of playback.
Recorded Data Storage
This digital piano has a lithium battery to supply
power to retain memory contents even while power
is off.* The life of the lithium battery is five years after
the date of manufacture of the digital piano. Be sure
to contact your CASIO service provider about having
the lithium battery replaced every five years.
* Never turn off piano power while a record
operation is in progress.
IMPORTANT!
Start
Track 1
Track 2
End
Auto Accompaniment
(rhythm, bass, chords), melody
Melody
Data recorded in track
Song Memory Capacity
• You can store a total of up to about 5,200 notes (Track
1 + Track 2) in Song Memory.
• Recording stops automatically if the number of
notes in Song Memory exceeds the maximum while
you are recording. This is indicated by the SONG
MEMORY indicator lamp turning on.
• If the data recorded in a single track uses up all the
available Song Memory capacity, you will not be able to
record anything in the other track.
• Recording new data to a track automatically deletes any
data previously stored in that track.
• Turning off power while a record operation is in progress
deletes anything recorded up to that point.
• CASIO shall not be held responsible for any losses by you
or any third party due to loss of data caused by
malfunction or repair of this digital piano, or by battery
replacement.
SONG MEMORY Button Operation
Each press of the SONG MEMORY button cycles
through the functions shown below.
Other Song Memory Data
The following data is included when recording to Song
Memory: selected tone, tempo and beat settings, pedal
operations, reverb and chorus settings, selected
rhythm (Track 1 only).
Playback
Standby
Record
Standby
Normal
Lit
Flash
Unlit
SYNCHRO/ TRACK 1/L
FILL-IN
TRACK 2/R
INTRO/
ENDING
E-18
START/
STOP
SONG
MEMORY
METRONOME
413A-E-020A
Recording to and Playing Back from Song Memory
Recording Your Keyboard Play
You can record to either track with or without playback
of the other track.
To record to one track without playing
back the other
1
Press the SONG MEMORY button twice so
the SONG MEMORY indicator lamp is
flashing.
• At this time the TRACK 1/L indicator lamp
should also be flashing. This indicates that the
piano is standing by for recording to Track 1.
NOTE
• If you want to record to Track 2, press the
TRACK 1/L TRACK 2/R button here. This will
cause the TRACK 2/R indicator lamp to flash,
which indicates that the piano is standing by for
recording to Track 2.
• Select the tone and effects you want to use in
your recording, and configure the tempo and
beat settings.
• If you want to use the metronome during
recording, press the METRONOME button to
start it.
• If you want to use a rhythm and/or auto
accompaniment during recording (to Track 1
only), select the rhythm and chord mode.
2
Start playing something on the keyboard.
3
When you are finished, press the START/
STOP button to stop recording.
Starting the Record Operation
You can use any of the following methods to start a
record operation in step 2 of the above procedure.
■ When recording to Track 1 with rhythm or auto
accompaniment
• Press the START/STOP button to start recording.
• Press the SYNCHRO/FILL-IN button to put the
piano into synchro start standby. Recording will
start when you finger a chord in the
accompaniment range of the keyboard.
• Press the INTRO/ENDING button to put the
piano into synchro start standby. Recording will
start and an intro pattern will play when you
finger a chord in the accompaniment range of the
keyboard.
■ When recording to Track 1 without rhythm or
auto accompaniment
• Recording will start as soon as you play anything
on the keyboard.
■ When recording to Track 2
• Press the START/STOP button or play something
on the keyboard to start recording.
• This will automatically start recording.
• Actually, there are a variety of different ways
to start the record operation. See “Starting the
Record Operation” below for more information.
• If you are using a rhythm, you can stop
recording with an ending pattern by pressing
the INTRO/ENDING button.
• Stopping recording causes the SONG MEMORY
indicator lamp to light, and indicator lamp
above the button of the track to which you
recorded to light.
• To play back the track you just recorded, press
the START/STOP button again.
4
413A-E-021A
After you are finished recording and
playing back, press the SONG MEMORY
button so the SONG MEMORY indicator
lamp is off.
E-19
Recording to and Playing Back from Song Memory
To record to a track while playing
back from the other
3
After you finish recording, you can play back Track 1
and Track 2 at the same time.
Example: To record to Track 2 while playing back the
contents of Track 1
Press the START/STOP button.
• This starts playback of the track you selected.
• You can change the tempo setting as a track is
playing.
• As a track is playing, you can turn the
metronome on or off using the METRONOME
button.
• You cannot change the tone setting during
playback.
• Press the START/STOP button again to stop
playback.
1
Press the SONG MEMORY button once.
2
Press the TRACK 1/L TRACK 2/R button
so TRACK 1/L indicator is lit.
To delete song memory data
3
Press the SONG MEMORY button again.
IMPORTANT!
4
5
• This causes the SONG MEMORY indicator
lamp to light.
• This causes the TRACK 1/L indicator lamp to
flash. Press theTRACK 1/L TRACK 2/R button
again, so it causes the TRACK 2/R indicator
lamp to flash, which indicates that the piano is
standing by for recording to Track 2.
• Select the tone and effects you want to use while
recording.
Press the START/STOP button or play
something on the keyboard to start
simultaneous playback from Track 1 and
recording to Track 2.
2
1
Press the SONG MEMORY button twice.
2
Use the TRACK 1/L TRACK 2/R button to
select the track you want to delete.
3
Hold down the SONG MEMORY button
until its indicator lamp stops flashing and
remains lit.
4
Press the TRACK 1/L TRACK 2/R button.
Press the SONG MEMORY button once.
• This causes the SONG MEMORY indicator
lamp to light.
Use the TRACK 1/L TRACK 2/R button to
select the track you want to play back.
• This causes the SONG MEMORY indicator
lamp to be flashing.
• The indicator lamps above the button show the
currently selected track.
• To delete Track 1, the TRACK 1/L indicator
lamp should be flashing.
• To delete Track 2, the TRACK 2/R indicator
lamp should be flashing.
When you are finished, press the START/
STOP button again to stop recording.
Playing Back from Song Memory
1
• The procedure below deletes all of the data from the
selected track. Note that the delete operation cannot be
undone. Check to make sure you really do not need the
data in Song Memory before you perform the following
steps.
• This deletes the contents of the track.
● The indicator lamps above the button show the
currently selected track.
• To play back Track 1, the TRACK 1/L
indicator lamp should be lit.
• To play back Track 2, the TRACK 2/R
indicator lamp should be lit.
• To play back Track 1 and Track 2, both the
indicator lamps should be lit.
E-20
413A-E-022A
Other Settings
Changing the Keyboard Touch
1 This setting changes the relative touch of the
keyboard keys.
Changing the Piano Key
2 Use this setting to raise or lower the overall key of
the keyboard in semitone steps.
Changing the Pitch of the Piano
to Match Another Instrument
3 Use this setting to raise or lower the overall pitch
of the piano. The setting range is plus or minus 50
cents (100 cents = 1 semitone) from the standard
pitch of A4 = 440.0Hz.
While holding down the CONTROL
button, use the keyboard keys shown below
to select the keyboard setting you want.
1
1
Weak
Off
▲
C1
3 + : Raise
Strong
Normal
▲
C2
▲
C3
2 Changing the Piano Key
Higher (C to F)
Normal (C)
Lower (F to B)
<Keys and their indicators>
Key:
Display:
F#
G
A
A
B
B
F
E
E
D
C#
C
3 Changing the Pitch of the Piano to Match
Another Instrument
+: Raise
– : Lower
* Each press of a key changes the current setting by
approximately 1 cents (1/100 semitone).
– : Lower
▲
C4
▲
C5
2
Lower
1 Changing the Keyboard Touch
Off:
Weak (Strong sound is produced even when
relatively light pressure is applied.) :
Normal:
Strong (Normal sound is produced even when
relatively strong pressure is applied.) :
Higher
▲
C6
▲
C7
▲
C8
NOTE
• Holding down the CONTROL button and pressing
keyboard keys “–” and “+” at the same time returns
tuning to the standard A4 = 440.0Hz.
C4 : Normal
CONTROL
413A-E-023A
E-21
Other Settings
MIDI Settings
Using MIDI
1 Send Channel
Use this setting to specify one of the MIDI channels
(1 through 16) as the Send Channel for sending
MIDI messages to an external device.
What is MIDI?
The letters MIDI stand for Musical Instrument Digital
Interface, which is the name of a worldwide standard
for digital signals and connectors that makes it
possible to exchange musical data between musical
instruments and computers (machines) produced by
different manufacturers.
MIDI Connections
To use a computer or other MIDI device to record and
playback the MIDI data produced by this keyboard,
you must connect the MIDI IN and MIDI OUT
terminals of both devices in order to send and receive
data.
There is a third MIDI terminal named MIDI THRU,
which passes any MIDI messages received by the
MIDI IN terminal on to another device.
MIDI cable: MK-5
MIDI IN
MIDI OUT
Other
device
2 Accomp MIDI Out
Use this setting to specify whether or not MIDI
messages for the piano’s auto accompaniment
should be sent.
3 MIDI IN Chord Judge
Specifies whether chord judge should be performed
on accompaniment range MIDI Note On messages
received from an external device.
4 Local Control
This setting controls whether or not power is cut
off internally from the piano’s keyboard and sound
source. Turning off Local Control cuts off power to
the keyboard and source, which means that the
piano does not produce any sound when played.
This comes in handy when you want to turn off the
piano’s keyboard and use its auto accompaniment
feature to accompany an external sequencer or other
device.
MIDI IN
Computer etc.
E-22
413A-E-024A
Other Settings
1
While holding down the CONTROL
button, press one the keyboard keys shown
below to configure the setting you want.
1
2
–+
▲
C1
▲
C2
▲
C3
▲
C4
▲
C5
On
3
On
Off
▲
C6
Off
▲
C7
4 Off
▲
C8
Expanding the Selections in
the Built-in Tunes
You can transfer song data from your computer to the
piano. You can store up to 10 tunes (about 29,000 note,
about 174 kilobytes) as built-in tunes 25 through 34.
For SMF data you purchase or create, you need to use
special CASIO conversion software to convert it to
CASIO format before transferring it to the piano.
You can obtain a copy of the special CASIO conversion
software by downloading it at the Web page shown
below. After downloading, install the software on your
computer.
CASIO MUSIC SITE
On
1 Send Channel
– : Decreases value
+: Increases value
2 Accomp MIDI Out
Off
On
http://music.casio.com/
• In addition to the software itself, the CASIO MUSIC
SITE will also provide you with information about
its installation and use. You can also find out about
how to connect your computer and piano, the latest
news about your piano and other CASIO musical
instruments, and much more.
3 MIDI IN Chord Judge
Off
On
4 Local Control
Off
On
413A-E-025B
E-23
Troubleshooting
Symptom
Possible Cause
No sound produced when 1. VOLUME knob set to MIN.
keyboard keys are pressed.
2. Headphones connected to the
digital piano.
3. Local Control turned off.
4. Check
the
current
accompaniment mode setting.
Normally, the accompaniment
keyboard will not produce any
note while CASIO CHORD or
FINGERED is selected as the
accompaniment mode.
Action
1. Move the VOLUME knob more
towards MAX.
2. Disconnect the headphones
from the digital piano.
3. Turn on Local control.
4. Change the accompaniment
mode to NORMAL.
Reference
Page E-7
Page E-5
Page E-23
Page E-13
No sound from the left speaker or The left or right LINE IN cable is Check the LINE IN cables for Page E-6
right speaker.
not connected correctly.
proper connection.
Keyboard out of tune.
1. The piano key is set to a value 1. Change the piano key setting to Page E-21
other than C.
C, or turn the digital piano
power off and then back on
again.
2. Incorrect pitch setting of the 2. Correct the pitch setting, or turn Page E-21
the digital piano power off and
piano.
then back on again.
No sound produced by demo tune 1. VOLUME knob set to MIN.
1. Move the VOLUME knob more Page E-7
play.
towards MAX.
2. Headphones connected to the 2. Disconnect the headphones Page E-5
from the digital piano.
digital piano.
Memory contents deleted.
Lithium battery is dead.
Contact your CASIO Service Page E-26
Provider for replacement of the
lithium battery.
No sound produced by connected 1. The digital piano Send Channel 1. Change the Send Channel
external MIDI sound source when
does not match the Send Channel
settings so they are identical.
the digital piano keys are pressed.
of the MIDI sound source.
2. Volume or expression setting of 2. Change the volume or
the external sound source is set
expression setting of the
to 0.
external sound source to an
appropriate value.
E-24
Page E-23
See the
documentation
that comes with
the external
sound source.
413A-E-026A
Specifications
Models:
PX-300
Keyboard:
88 piano keys (with touch response)
Polyphony:
32 notes, maximum
Tones:
15 panel tones + 15 variation tones + 128 GM tones + 10 drum sets; with layer and split
Digital Effects:
Reverb (4 types), Chorus (4 types)
Metronome:
• Time Signatures: 0, 2, 3, 4, 5, 6
• Tempo Range: 30 to 255
Auto Accompaniment:
• Number of Rhythms: 120
• Tempo Range: 30 to 255
• Controllers: START/STOP, INTRO/ENDING, SYNCHRO/FILL-IN
• Modes: Normal; CASIO CHORD; FINGERED; FULL RANGE CHORD
• Accompaniment Volume: Adjustable
Built-in Tunes:
• Number of Tunes: 25 preset + 10 loaded song data
• Tempo: 30 to 255
• Demo: Sequential looping of all 25 preset tunes
Lesson Function:
Lesson Part: Left hand, right hand
Song Memory:
• Operations: Real-time recording, playback
• Capacity: Approximately 5,200 notes (2 tracks)
• Memory Backup: Built-in lithium battery (Battery Life: 5 years)
Pedals:
Damper, Soft/Sostenuto (Selectable)
Other Functions:
• Touch: 3 types, off
• Transpose: 1 octave (F to C to F)
• Tuning: A4 = 440.0Hz ±50 cents (adjustable)
MIDI:
16 multi-timbre receive, GM Level 1 standard
Input/Output:
• Headphones: Stereo mini jacks × 2
Output Impedance : 170Ω
Output Voltage : 1.1V (RMS) MAX
• Pedal: Standard jacks × 2
• LINE OUT (R)(L/MONO): Standard jacks × 2
Output impedance: 2.3kΩ
Output voltage: 1.4V (RMS) MAX
• LINE IN (R)(L/MONO):
Standard jacks × 2
Input impedance: 9.0kΩ
Input voltage: 200mV
• Power: 12V DC
• MIDI (THRU) (OUT) (IN)
Speakers:
(12cm × 6cm) × 2 (Output: 8.0W + 8.0W)
Power Supply:
AC Adaptor: AD-12
Power Consumption:
12V
Dimensions:
132.3× 27.8 × 13.2 cm (52 1/16 × 10 15/16 × 5 3/16 inch)
Weight:
Approximately 12.5 kg (27.5 lbs)
18W
• Design and specifications are subject to change without notice.
413A-E-027B
E-25
Operational Precautions
Locating the Unit
Avoid the following locations.
• Areas exposed to direct sunlight and high humidity
• Areas subjected to very low temperatures
• Near a radio, TV, video deck, or tuner (unit can cause
interference with audio or video signals)
Care of the Unit
• Never use benzene, alcohol, thinner or other such
chemicals to clean the exterior of the unit.
• To clean the keyboard, use a soft cloth dampened with a
weak solution of a mild neutral detergent and water.
Wring out all excess moisture from the cloth before
wiping.
• Note that CASIO COMPUTER CO., LTD. shall not be
held liable for any damages or losses or any claims by
third parties arising from corruption or loss of data
caused by malfunction or repair of the unit, or from
battery replacement.
You may notice lines in the finish of the case of this
product. These lines are the result of the molding
process used to shape the plastic of the case. They
are not cracks or breaks in the plastic, and are no
cause for concern.
NOTE
• Unauthorized reproduction of this manual in its
entirety or in part is expressly forbidden. All rights
reserved.
• CASIO COMPUTER CO., LTD. shall not be held
liable for any damages or losses or any claims by
third parties arising from use of this product or this
manual.
• The contents of this manual are subject to change
without notice.
Lithium Battery
This unit is equipped with a lithium battery to provide
power needed to retain memory contents while unit power
is turned off. Should the lithium battery go dead, all memory
contents will be lost whenever you turn unit power off. The
normal life of the lithium battery is five years from the time
that the battery was installed. Be sure to periodically contact
your retailer or authorized service provider to have the
lithium battery replaced. Note that you will be charged
separately for lithium battery replacement.
Setting Control Key Chart
While the CONTROL button is depressed, the keyboard keys can be used to perform a variety of different setting
functions. To help you understand which keyboard keys you need to press, it is a good idea to remember where
the various C notes (C1 through C8) are on the keyboard.
* A value next to a note name indicates the relative position of the note on the keyboard as shown below.
1
▲
C1
1
3
4
6
8
0
E-26
2
▲
C2
3 4 5
▲
C3
6
▲
C4
7
8 90
▲
C5
A
▲
C6
▲
C7
▲
C8
Number Input Keys (0 to 9)
2 Keyboard Touch (Off, Weak, Normal, Strong)
Chord Mode (Normal, CASIO CHORD, Fingered, Full-Range Chord)
Accompaniment Volume (–, +)
5 Layered Tones Volume (–, +)
Piano Key (F to C to F)
7 Reverb Effect (1 to 4)
Chorus Effect (1 to 4)
9 Pitch Setting (–, +)
Pedal Function (Soft, Sostenuto)
A MIDI (see page E-22)
413A-E-028A
413A-E-029A
Appendix/Apéndice
Tone List/Lista de sonidos
Panel Tones/Sonidos de panel
1
000
001
002
003
004
005
006
007
008
009
010
011
012
013
014
2
GRAND PIANO 1
GRAND PIANO 2
GRAND 80
ELEC PIANO 1
ELEC PIANO 2
60’S E.PIANO
ROCK ORGAN
JAZZ ORGAN
CLAVI
STRINGS
SYNTH-STRINGS
SYNTH-VOICE
SYNTH-BASS
FANTASY
ACOUSTIC GUITAR
3 4 5
16
32
32
32
16
32
16
16
32
32
32
32
16
16
32
0
0
2
4
4
4
18
17
7
49
50
54
62
88
25
2
1
2
2
1
4
2
2
2
2
2
2
2
2
2
6
ROCK PIANO
DANCE PIANO
PIANO PAD
DYNO ELEC PIANO
FM ELEC PIANO
VIBRAPHONE
DRAWBAR ORGAN
PIPE ORGAN
HARPSICHORD
80’S SYNTH-STR
70’S SYNTH-STR
CHOIR
SYNTH-PAD
NEW AGE
ACOUSTIC BASS
3
4 5
16
16
16
32
16
32
32
32
32
32
32
32
16
16
32
1
1
0
4
5
11
16
19
6
50
51
52
90
88
32
1 No./Nº
2 Tone Name/Nombre de sonidos
2
1
8
3
2
2
2
2
2
1
2
2
2
1
2
3 Maximum Polyphony/Polidonía máxima
4 Program Change/Cambio de programa
5 Bank Select MSB/MSB de selección de banco
6 Variation Tones/Sonidos de variación
GM Tones/Sonidos GM
1
000
001
002
003
004
005
006
007
008
009
010
011
012
013
014
015
016
017
018
019
020
021
022
023
024
025
026
027
028
029
030
031
032
033
034
035
036
037
038
039
040
041
042
043
044
045
046
047
048
2
GM PIANO 1
GM PIANO 2
GM PIANO 3
GM HONKY-TONK
GM E.PIANO 1
GM E.PIANO 2
GM HARPSICHORD
GM CLAVI
GM CELESTA
GM GLOCKENSPIEL
GM MUSIC BOX
GM VIBRAPHONE
GM MARIMBA
GM XYLOPHONE
GM TUBULAR BELL
GM DULCIMER
GM ORGAN 1
GM ORGAN 2
GM ORGAN 3
GM PIPE ORGAN
GM REED ORGAN
GM ACCORDION
GM HARMONICA
GM BANDONEON
GM NYLON STR.GUITAR
GM STEEL STR.GUITAR 1
GM JAZZ GUITAR
GM CLEAN GUITAR
GM MUTE GUITAR
GM OVERDRIVE GT
GM DISTORTION GT
GM GT HARMONICS
GM ACOUSTIC BASS
GM FINGERED BASS
GM PICKED BASS
GM FRETLESS BASS
GM SLAP BASS 1
GM SLAP BASS 2
GM SYNTH-BASS 1
GM SYNTH-BASS 2
GM VIOLIN
GM VIOLA
GM CELLO
GM CONTRABASS
GM TREMOLO STRINGS
GM PIZZICATO
GM HARP
GM TIMPANI
GM STRINGS 1
413A-E-057A
3 4 5
1
32
32
32
16
32
16
32
32
32
32
16
32
32
32
32
16
16
16
16
16
32
16
32
16
32
32
32
32
32
32
32
32
32
32
32
32
32
32
32
32
32
32
32
32
32
32
32
32
32
049
050
051
052
053
054
055
056
057
058
059
060
061
062
063
064
065
066
067
068
069
070
071
072
073
074
075
076
077
078
079
080
081
082
083
084
085
086
087
088
089
090
091
092
093
094
095
096
097
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
2
GM STRINGS 2
GM SYNTH-STRINGS 1
GM SYNTH-STRINGS 2
GM CHOIR AAHS
GM VOICE DOO
GM SYNTH-VOICE
GM ORCHESTRA HIT
GM TRUMPET
GM TROMBONE
GM TUBA
GM MUTE TRUMPET
GM FRENCH HORN
GM BRASS
GM SYNTH-BRASS 1
GM SYNTH-BRASS 2
GM SOPRANO SAX
GM ALTO SAX
GM TENOR SAX
GM BARITONE SAX
GM OBOE
GM ENGLISH HORN
GM BASSOON
GM CLARINET
GM PICCOLO
GM FLUTE
GM RECORDER
GM PAN FLUTE
GM BOTTLE BLOW
GM SHAKUHACHI
GM WHISTLE
GM OCARINA
GM SQUARE LEAD
GM SAWTOOTH LEAD
GM CALLIOPE
GM CHIFF LEAD
GM CHARANG
GM VOICE LEAD
GM FIFTH LEAD
GM BASS+LEAD
GM FANTASY
GM WARM PAD
GM POLYSYNTH
GM SPACE CHOIR
GM BOWED GLASS
GM METAL PAD
GM HALO PAD
GM SWEEP PAD
GM RAIN DROP
GM SOUND TRACK
3 4 5
1
32
32
32
32
32
32
16
32
32
32
32
16
32
32
16
32
32
32
32
32
32
32
32
32
32
32
32
16
16
32
32
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
098
099
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
2
GM CRYSTAL
GM ATMOSPHERE
GM BRIGHTNESS
GM GOBLINS
GM ECHOES
GM SF
GM SITAR
GM BANJO
GM SHAMISEN
GM KOTO
GM THUMB PIANO
GM BAG PIPE
GM FIDDLE
GM SHANAI
GM TINKLE BELL
GM AGOGO
GM STEEL DRUMS
GM WOOD BLOCK
GM TAIKO
GM MELODIC TOM
GM SYNTH-DRUM
GM REVERSE CYMBAL
GM GT FRET NOISE
GM BREATH NOISE
GM SEASHORE
GM BIRD
GM TELEPHONE
GM HELICOPTER
GM APPLAUSE
GM GUNSHOT
3 4 5
16
16
16
16
16
16
16
32
32
32
32
16
32
32
32
32
16
32
32
32
32
32
32
32
16
16
32
32
16
32
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
Drum Sets/Ajustes de batería
1
128
129
130
131
132
133
134
135
136
137
2
STANDARD SET 1
STANDARD SET 2
ROOM SET
POWER SET
ELECTRONIC SET
SYNTH SET 1
SYNTH SET 2
JAZZ SET
BRUSH SET
ORCHESTRA SET
4
5
0
1
8
16
24
25
30
32
40
48
120
120
120
120
120
120
120
120
120
120
A-1
Appendix/Apéndice
Rhythm List/Lista de ritmos
1 No./Nº
2 Rhythm Name/Nombre de ritmo
1
2
1
2
1
2
000
001
002
003
004
005
006
007
008
009
010
011
012
013
014
015
016
017
018
019
020
021
022
023
024
025
026
027
028
029
030
031
032
033
034
035
036
037
038
039
POP 1
WORLD POP
8 BEAT POP
SOUL BALLAD 1
POP SHUFFLE 1
8 BEAT DANCE
POP BALLAD 1
POP BALLAD 2
BALLAD
FUSION SHUFFLE
SOUL BALLAD 2
16 BEAT 1
16 BEAT 2
8 BEAT 1
8 BEAT 2
8 BEAT 3
DANCE POP 1
POP FUSION
POP 2
POP WALTZ
DANCE
DISCO 1
DISCO 2
EURO BEAT
DANCE POP 2
GROOVE SOUL
TECHNO
TRANCE
HIP-HOP
FUNK
POP ROCK 1
POP ROCK 2
POP ROCK 3
FUNKY POP
POP SHUFFLE 2
ROCK BALLAD
SOFT ROCK
ROCK 1
ROCK 2
HEAVY METAL
040
041
042
043
044
045
046
047
048
049
050
051
052
053
054
055
056
057
058
059
060
061
062
063
064
065
066
067
068
069
070
071
072
073
074
075
076
077
078
079
60’S SOUL
60’S ROCK
SLOW ROCK
SHUFFLE ROCK
50’S ROCK
BLUES
NEW ORLNS R&R
TWIST
R&B
ROCK WALTZ
BIG BAND 1
BIG BAND 2
BIG BAND 3
SWING
SLOW SWING
FOX TROT
JAZZ COMBO 1
JAZZ VOICES
ACID JAZZ
JAZZ WALTZ
POLKA
POP POLKA
MARCH 1
MARCH 2
WALTZ 1
SLOW WALTZ
VIENNESE WALTZ
FRENCH WALTZ
SERENADE
TANGO
BOSSA NOVA 1
BOSSA NOVA 2
SAMBA 1
SAMBA 2
MAMBO
RHUMBA
CHA-CHA-CHA
MERENGUE
BOLERO
SALSA
080
081
082
083
084
085
086
087
088
089
090
091
092
093
094
095
096
097
098
099
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
REGGAE
PUNTA
CUNBIA
PASODOBLE
SKA
BLUEGRASS
DIXIE
TEX-MIX
COUNTRY 1
COUNTRY 2
FOLKLORE
JIVE
FAST GOSPEL
SLOW GOSPEL
SIRTAKI
HAWAIIAN
ADANI
BALADI
ENKA
STR QUARTET
PIANO BALLAD 1
PIANO BALLAD 2
PIANO BALLAD 3
EP BALLAD 1
EP BALLAD 2
BLUES BALLAD
MELLOW JAZZ
JAZZ COMBO 2
RAGTIME
BOOGIE-WOOGIE
ARPEGGIO 1
ARPEGGIO 2
ARPEGGIO 3
PIANO BALLAD 4
6/8 MARCH
MARCH 3
2 BEAT
WALTZ 2
WALTZ 3
WALTZ 4
NOTE
• Rhythms 110 through 119 consist of chord accompaniments only, without any drums or other percussion instruments. These rhythms do not
sound unless CASIO CHORD, FINGERED, or FULL RANGE CHORD is selected as the accompaniment mode. With such rhythms, make sure
that CASIO CHORD, FINGERED, or FULL RANGE CHORD is selected before you try playing chords.
NOTA
• Los ritmos 110 al 119 consisten solamente de acompañamientos de acordes, sin ninguna batería ni otros instrumentos de percusión. Estos
ritmos no suenan a menos que CASIO CHORD, FINGERED o FULL RANGE CHORD sean seleccionados como el modo de acompañamiento.
Con tales ritmos, asegúrese de que se selecciona CASIO CHORD, FINGERED o FULL RANGE CHORD, antes de tratar de ejecutar los acordes.
Song List/Lista de canciones
1 No./Nº
1
00
01
02
03
04
05
06
07
08
09
10
11
12
A-2
2 Song Name/Nombre de canciones
2
Winter Games
Hills
Hot Feel
Someday My Prince Will Come
Waltz For Debby
Hard To Say I’m Sorry
Saving All My Love For You
Let It Be
Jingle Bells
Nocturne Op.9-2
Fantaisie-Impromptu Op.66
Etude Op.10-3 “Chanson de l’adieu”
Etude Op.25-9
1
13
14
15
16
17
18
19
20
21
22
23
24
2
Valse Op.64-1 “Petit Chien”
Träumerei
Blumenlied
La Fille aux Cheveux de Lin
Arabesque 1
Gymnopédies
Canon in D Major
Jesus Bleibet Meine Freude
Sonata K.331 3rd Mov. “Turkish March”
Für Elise
Sonata Op.13 “Pathétique” 2nd Mov.
Sonata Op.27-2 “Moonlight” 1st Mov.
413A-E-058B
413A-E-059A
29
41
F3 54
53
F3
65
77
E6 88
D6 86
C6 84
B5 83
A5 81
G5 79
F5
E5 76
D5 74
C5 72
B4 71
A4 69
G4 67
F4
E4 64
D4 62
C4 60
B3 59
A3 57
G3 55
E6 87
C6 85
B5 82
A5 80
F5 78
E5 75
C5 73
B4 70
A4 68
F4 66
E4 63
C4 61
B3 58
A3 56
E3 51
E3 52
C3 49
C3 48
B2 46
A2 44
F2 42
E2 39
C2 37
B1 34
A1 32
F1 30
E1 27
D3 50
B2 47
A2 45
G2 43
F2
E2 40
D2 38
C2 36
B1 35
A1 33
G1 31
F1
E1 28
Key/Note Number
High Q
Slap
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Standard1 Kick 2
Standard1 Kick 1
Side Stick
Standard1 Snare 1
Hand Clap 1
Standard1 Snare 2
Low Tom 2
Closed Hi-Hat
Low Tom 1
Pedal Hi-Hat
Mid Tom 2
Open Hi-Hat
Mid Tom 1
High Tom 2
Crash Cymbal 1
High Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibraslap
Ride Cymbal 2
High Bongo
Low Bongo
Mute High Conga
Open High Conga
Open Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short High Whistle
Long Low Whistle
Short Guiro
Long Guiro
Claves
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
Applause
STANDARD SET 1
High Q
Slap
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Standard2 Kick 2
Standard2 Kick 1
Side Stick
Standard2 Snare 1
Hand Clap 2
Standard2 Snare 2
Low Tom 2
Closed Hi-Hat
Low Tom 1
Pedal Hi-Hat
Mid Tom 2
Open Hi-Hat
Mid Tom 1
High Tom 2
Crash Cymbal 1
High Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibraslap
Ride Cymbal 2
High Bongo
Low Bongo
Mute High Conga
Open High Conga
Open Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short High Whistle
Long Low Whistle
Short Guiro
Long Guiro
Claves
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Jingle Bell
Bar Chimes
Castanets
Mute Surdo
Open Surdo
Applause
STANDARD SET 2
High Q
Slap
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Room Kick 2
Room Kick 1
Side Stick
Room Snare 1
Hand Clap 1
Room Snare 2
Room Low Tom 2
Closed Hi-Hat
Room Low Tom 1
Pedal Hi-Hat
Room Mid Tom 2
Open Hi-Hat
Room Mid Tom 1
Room High Tom 2
Crash Cymbal 1
Room High Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibraslap
Ride Cymbal 2
High Bongo
Low Bongo
Mute High Conga
Open High Conga
Open Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short High Whistle
Long Low Whistle
Short Guiro
Long Guiro
Claves
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
Applause
ROOM SET
High Q
Slap
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Power Kick 2
Power Kick 1
Side Stick
Power Snare 1
Hand Clap 1
Power Snare 2
Power Low Tom 2
Power CHH
Power Low Tom 1
Power PHH
Power Mid Tom 2
Power OHH
Power Mid Tom 1
Power High Tom 2
Crash Cymbal 1
Power High Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibraslap
Ride Cymbal 2
High Bongo
Low Bongo
Mute High Conga
Open High Conga
Open Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short High Whistle
Long Low Whistle
Short Guiro
Long Guiro
Claves
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
Applause
POWER SET
High Q
Slap
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Electric Kick 2
Electric Kick 1
Side Stick
Electric Snare 1
Hand Clap 1
Electric Snare 2
Electric Low Tom 2
Closed Hi-Hat
Electric Low Tom 1
Pedal Hi-Hat
Electric Mid Tom 2
Open Hi-Hat
Electric Mid Tom 1
Electric High Tom 2
Crash Cymbal 1
Electric High Tom 1
Ride Cymbal 1
Reverse Cymbal
Ride Bell
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibraslap
Ride Cymbal 2
High Bongo
Low Bongo
Mute High Conga
Open High Conga
Open Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short High Whistle
Long Low Whistle
Short Guiro
Long Guiro
Claves
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
Applause
ELECTRONIC SET
Drum Assignment List/Lista de sonidos de batería
SYNTH SET 1
High Q
Slap
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Synth1 Kick 2
Synth1 Kick 1
Synth1 Rim Shot
Synth1 Snare 1
Hand Clap 2
Synth1 Snare 2
Synth1 Low Tom 2
Synth1 Closed HH 1
Synth1 Low Tom 1
Synth1 Closed HH 2
Synth1 Mid Tom 2
Synth1 Open HH
Synth1 Mid Tom 1
Synth1 High Tom 2
Synth1 Crash Cymbal
Synth1 High Tom 1
Synth1 Ride Cymbal
Chinese Cymbal
Ride Bell
Synth1 Tambourine
Splash Cymbal
Synth1 Cowbell
Crash Cymbal 2
Vibraslap
Ride Cymbal 2
Synth1 High Bongo
Synth1 Low Bongo
Synth1 Mute Hi Conga
Synth1 Open Hi Conga
Synth1 Open Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Synth1 Maracas
Short High Whistle
Long Low Whistle
Short Guiro
Long Guiro
Synth1 Claves
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Elec. Mute Triangle
Elec. Open Triangle
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
Applause
SYNTH SET 2
High Q
Slap
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Synth2 Kick 1
Synth2 Kick 1
Side Stick
Synth2 Snare 1
Hand Clap 1
Synth2 Snare 2
Low Tom 2
Closed Hi-Hat
Low Tom 1
Pedal Hi-Hat
Mid Tom 2
Open Hi-Hat
Mid Tom 1
High Tom 2
Crash Cymbal 1
High Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Tambourine
Splash Cymbal
Synth1 Cowbell
Crash Cymbal 2
Vibraslap
Ride Cymbal 2
High Bongo
Low Bongo
Mute High Conga
Open High Conga
Open Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Synth1 Maracas
Short High Whistle
Long Low Whistle
Short Guiro
Long Guiro
Synth1 Claves
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Elec. Mute Triangle
Elec. Open Triangle
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
Applause
JAZZ SET
High Q
Slap
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Jazz Kick 2
Jazz Kick 1
Side Stick
Jazz Snare 1
Hand Clap 1
Jazz Snare 2
Low Tom 2
Closed Hi-Hat
Low Tom 1
Pedal Hi-Hat
Mid Tom 2
Open Hi-Hat
Mid Tom 1
High Tom 2
Crash Cymbal 1
High Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibraslap
Ride Cymbal 2
High Bongo
Low Bongo
Mute High Conga
Open High Conga
Open Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short High Whistle
Long Low Whistle
Short Guiro
Long Guiro
Claves
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
Applause
BRUSH SET
High Q
Slap
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Jazz Kick 2
Jazz Kick 1
Side Stick
Brush Snare 1
Brush Slap
Brush Snare 2
Brush Low Tom 2
Closed Hi-Hat
Low Tom 1
Pedal Hi-Hat
Mid Tom 2
Open Hi-Hat
Mid Tom 1
High Tom 2
Crash Cymbal 1
High Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibraslap
Ride Cymbal 2
High Bongo
Low Bongo
Mute High Conga
Open High Conga
Open Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short High Whistle
Long Low Whistle
Short Guiro
Long Guiro
Claves
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
Applause
ORCHESTRA SET
Closed Hi-Hat
Pedal Hi-Hat
Open Hi-Hat
Ride Cymbal 1
Sticks
Square Click
Metronome Click
Metronome Bell
Jazz Kick 1
Concert BD 1
Side Stick
Concert SD
Castanets
Concert SD
Timpani F
Timpani F#
Timpani G
Timpani G#
Timpani A
Timpani A#
Timpani B
Timpani c
Timpani c#
Timpani d
Timpani d#
Timpani e
Timpani f
Tambourine
Splash Cymbal
Cowbell
Concert Cymbal 2
Vibraslap
Concert Cymbal 1
High Bongo
Low Bongo
Mute High Conga
Open High Conga
Open Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short High Whistle
Long Low Whistle
Short Guiro
Long Guiro
Claves
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
Applause
Appendix/Apéndice
A-3
A-4
F
F /(G )
G
(G )/A
A
(A )/B B
F /(G )
G
(G )/A
A
(A )/B B
Chord
Type
F
Root
E
m7 5
E
dim
(D )/E M7
(D )/E dim7
D
m7
D
7
C /(D )
m
C /(D )
M
C
Chord
Type
C
Root
aug
Fingered Chord Chart/Cuadro de acordes digitados (Fingered)
sus4
7sus4
m add9
mM7
75
add9
Appendix/Apéndice
413A-E-060A
413A-E-061A
413A-E-062A
MIDI Implementation Chart
Model PX-300
Function ...
Transmitted
Recognized
Basic
Channel
Default
Changed
1
1-16
1-16
1-16
Mode
Default
Messages
Altered
Mode 3
X
❊❊❊❊❊❊❊❊❊❊❊❊❊❊
Mode 3
X
True voice
21-108
❊❊❊❊❊❊❊❊❊❊❊❊❊❊
0-127
0-127
Note ON
Note OFF
O 9nH V = 1-127
X 8nH V = 64
O 9nH V = 1-127
X 9nH V = 0, 8nH V = **
X
X
X
X
X
O
O
X
O*1
O
O
O
O
O*2
O*2
O
O
O
O
O
O
O
O*1
O
O
O
O
O
O
O
O
O
O
O
Note
Number:
Velocity
After
Touch
Key’s
Ch’s
Pitch Bender
0, 32
1
6, 38
7
10
11
64
66
67
91
93
100, 101
120
121
Control
Change
Program
Change
:True #
O 0-127
❊❊❊❊❊❊❊❊❊❊❊❊❊❊
O*3
O*3*4
System
Common
: Song Pos
: Song Sel
: Tune
X
X
X
X
X
X
System
Real Time
: Clock
: Commands
O
O
X
X
Aux
: Local ON/OFF
: All notes OFF
: Active Sense
: Reset
X
O
X
X
X
O
O
X
Remarks
Remarks
** = no relation
Bank select
Modulation
Data entry
Volume
Pan
Expression
Damper
Sostenuto
Soft
Reverb send
Chorus send
RPN LSB, MSB
All sound off
Reset all controller
O 0-127
❊❊❊❊❊❊❊❊❊❊❊❊❊❊
System Exclusive
Messages
Version: 1.0
*1 Fine tune and coarse tune send/receive, RPN Null, and pitch bend sense receives
*1 Afinación fina y envío/recepción de afinación gruesa, RPN nulo y recepción de captación de inflexión de altura tonal.
*2 In accordance with pedal
*2 De acuerdo al pedal.
*3 • Reverb type [F0][7F][7F][04][05][01][01][01][01][01][00][vv][F7]
vv=00: Room1, 01: Room2, 04: Hall1, 03: Hall2
• Chorus type [F0][7F][7F][04][05][01][01][01][01][02][00][vv][F7]
vv=00: Chorus1, 01: Chorus2, 02: Chorus3, 03: Chorus4
*3 • Tipo de reverberación [F0][7F][7F][04][05][01][01][01][01][01][00][vv][F7]
vv=00: Room1, 01: Room2, 04: Hall1, 03: Hall2
• Tipo de chorus [F0][7F][7F][04][05][01][01][01][01][02][00][vv][F7]
vv=00: Chorus1, 01: Chorus2, 02: Chorus3, 03: Chorus4
*4 GM on/off GM on = MIDI In Chord Judge off
GM off = MIDI In Chord Judge on
*4 Activación/desactivación de GM
Activación de GM = Análisis de acordes de entrada MIDI desactivado
Desactivación de GM = Análisis de acordes de entrada MIDI activado
Mode 1 : OMNI ON, POLY
Mode 3 : OMNI OFF, POLY
413A-E-063A
Mode 2 : OMNI ON, MONO
Mode 4 : OMNI OFF, MONO
O : Yes
X : No
This recycle mark indicates that the packaging conforms to
the environmental protection legislation in Germany.
Esta marca de reciclaje indica que el empaquetado se
ajusta a la legislación de protección ambiental en Alemania.
CASIO COMPUTER CO.,LTD.
6-2, Hon-machi 1-chome
Shibuya-ku, Tokyo 151-8543, Japan
P
MA0402-C Printed in China
PX300-ES-1
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