Owner`s Man ual
Modeling
Guitar Processor
Owner’s
Manual
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RP155
DigiTech
8760 S. Sandy Parkway
Sandy, Utah 84070, USA
DECLARATION OF CONFORMITY
European Contact:
Harman Music Group
8760 South Sandy Parkway
Sandy, Utah 84070 USA
Ph: (801) 566-8800
Fax: (801) 568-7583
Your local DigiTech Sales and Service Office or
Vice-President of Engineering
8760 S. Sandy Parkway
Sandy, Utah 84070, USA
Date: January 02, 2009
The product herewith complies with the requirements of the Low Voltage Directive
2006/95/EC and the EMC Directive 2004/108/EC.
EN 55013 (2001+A1)
EN 55020 (1998)
Supplementary Information:
IEC 60065 (7th ed. 2001)
Safety:
EMC:
conforms to the following Product Specifications:
Product option:
declares that the product:
Product name:
Manufacturer’s Name:
Manufacturer’s Address:
Editing/Creating Presets ...............................................16
Storing/Copying a Preset..............................................18
Section Two - Editing Functions
Getting Acquainted .......................................................... 1
Included Items .................................................................. 1
About the RP155 ............................................................. 2
Performance Mode ....................................................... 2
Bypass Mode .................................................................. 2
Tuner Mode..................................................................... 2
Tone Library Knob ........................................................ 4
Effects Library Knob..................................................... 4
Master Level Knob........................................................ 4
X-EditTM Editor/Librarian ............................................. 4
Presets ............................................................................. 5
A Guided Tour of the RP155 ........................................ 6
Front Panel ..................................................................... 6
Rear Panel .....................................................................10
Getting Started ...............................................................12
Making Connections......................................................12
Mono Operation - Amplifier ....................................12
Stereo Operation ........................................................13
Applying Power ..............................................................15
Section One - Introduction
Table of Contents
About the Models ..........................................................19
Model Definitions ..........................................................20
Pickup ...............................................................................20
Wah ...................................................................................20
Compressor ....................................................................21
Distortion ........................................................................22
Amplifier...........................................................................24
Cabinet .............................................................................25
EQ......................................................................................25
Noise Gate ......................................................................26
Chorus/FX. ......................................................................27
Chorus. ..........................................................................27
Flanger ...........................................................................28
Phaser ............................................................................28
Vibrato............................................................................29
Rotary Speaker ............................................................29
Tremolo..........................................................................29
Panner.............................................................................30
Envelope Filter .............................................................30
Auto Ya™ ......................................................................30
Step Filter......................................................................31
DigiTech Whammy™..................................................31
Pitch Shift ......................................................................32
Detune ...........................................................................32
Harmony Pitch Shifting ..............................................33
Delay .................................................................................34
Reverb ..............................................................................35
Section Three - Models and Parameters
Specifications ...................................................................39
Tone LIbrary ....................................................................41
Effects Library .................................................................42
Section Five - Appendix
Phrase Looper ................................................................36
Drum Machine ................................................................37
Optional Passive Volume/
Continuous Control Pedal...........................................38
Factory Reset..................................................................38
Section Four - Other Functions
NOTE: The information contained in this manual is subject to change at any time without notification. Some
information contained in this manual may also be inaccurate due to undocumented changes in the product or
operating system since this version of the manual was completed. The information contained in this version of
the owner’s manual supersedes all previous versions.
7. The foregoing is in lieu of all other warranties, expressed or implied, and DigiTech neither assumes nor
authorizes any person to assume any obligation or liability in connection with the sale of this product. In no
event shall DigiTech or its dealers be liable for special or consequential damages or from any delay in the
performance of this warranty due to causes beyond their control.
6. The consumer forfeits the benefits of this warranty if the product’s main assembly is opened and tampered
with by anyone other than a certified DigiTech technician or, if the product is used with AC voltages outside
of the range suggested by the manufacturer.
5. DigiTech reserves the right to make changes in design, or make additions to, or improvements upon this
product without incurring any obligation to install the same on products previously manufactured.
4. Proof-of-purchase is considered to be the burden of the consumer.
3. DigiTech liability under this warranty is limited to repairing or replacing defective materials that show
evidence of defect, provided the product is returned to DigiTech WITH RETURN AUTHORIZATION,
where all parts and labor will be covered up to a period of one year. A Return Authorization number may
be obtained from DigiTech by telephone. The company shall not be liable for any consequential damage as a
result of the product’s use in any circuit or assembly.
2. DigiTech warrants this product, when used solely within the U.S., to be free from defects in materials and
workmanship under normal use and service.
1. The warranty registration card must be mailed within ten days after purchase date to validate this
warranty.
We at DigiTech® are very proud of our products and back up each one we sell with the following warranty:
Warranty
s20
s03"0OWER3UPPLY
s7ARRANTY#ARD
Disclaimer: DigiTech, Lexicon, Whammy,YaYa, AutoYa, and Johnson Amplification are trademarks of Harman International
Industries, Inc. Other product names modeled in this product are trademarks of their respective companies that do not
endorse and are not associated or affiliated with DigiTech or Harman International Industries, Inc. They are trademarks of
other manufacturers and were used merely to identify products whose sounds were reviewed in the creation of this product.
The utmost care was taken while your RP155 was being manufactured. Everything should be
included and in perfect working order. If anything is missing, contact the factory at once. Please
help us become acquainted with you and your needs by completing your warranty card or registering online at www.digitech.com. It is your safeguard should a problem arise with your RP155.
Before you get started, please make sure that the following items have been included:
Included Items
Congratulations on your purchase of the RP155. You now have an incredibly advanced modeling
guitar processor that can keep up with your creative impulses and even increase them. Armed
with DigiTech®’s patented AudioDNA2® custom audio DSP chip, the RP155 gives you a huge
selection of tones and effects, right at your fingertips. When you easily dial up a tone or effect
from the Tone Library or the Effects Library, you’ll appreciate the accuracy in each model, and the
dynamic interaction in each tone. Add USB support for computer recording, a Phrase Looper
and a built-in drum machine and you have the RP155: the key to unlock your creative potential.
Getting Acquainted
Section 1 - Introduction
1
2
The Tuner in the RP155 allows you to quickly tune or check the tuning on your guitar. Enter Tuner
mode by pressing and holding both Footswitches simultaneously. The Display briefly shows TU
indicating that you are in Tuner mode. To begin tuning, play a note on your guitar (a harmonic at
the 12th fret usually works best). The Display shows the note being played. The Matrix LEDs indicate whether you are sharp or flat. The top 5 red LEDs indicate the note is sharp and should be
tuned down. The bottom 5 red LEDs indicate the note is flat and should be tuned up. The center
green LED indicates the note is in tune. The output is muted in Tuner mode. Exit tuner mode by
pressing either Footswitch.
Tuner Mode
The RP155 presets can be bypassed via a true analog bypass circuit for a clean, unprocessed guitar
signal. To bypass the RP155, press both Footswitches simultaneously. The Display reads By
indicating the preset is bypassed. Press either Footswitch to exit Bypass and return the RP155
to the last preset used.
Bypass Mode
When you first apply power to the RP155, it powers up in Performance mode. Performance mode
provides access to all of the presets within the RP155 via the Up and Down Footswitches.
Knob 1 selects a tone from the Tone Library, Knob 2 selects an effect combination from the Effects Library, +NOB adjusts the Effects Level, and Knob 4 adjusts the Master Level (volume).
Performance Mode
About the RP155
Exit Tuner mode by pressing either Footswitch.
In Tuner mode, you can change your tuning reference. The default factory setting is A=440 Hz
(displayed as 40). Rotating Knob 1 selects alternate and dropped tunings. Alternate tunings are
A=453Hz to A=427 Hz (displayed as 53 to 27). Dropped tunings are A=A flat (displayed as Aº),
A=G (displayed as G), and A=G flat (displayed as Gº). The display window will briefly flash the currently selected tuning preference.
Bottom LEDs indicate
note is flat
Green LED indicates
note is in tune
Top LEDs indicate
note is sharp
Display shows
note played
3
4
You can edit your RP155 with your computer, using the X-EditTM Editor/Librarian. Download
X-EditTM, USB drivers, and documentation from www.digitech.com.
X-EditTM Editor/Librarian
This knob controls the overall output volume of all of the RP155’s presets.
Master Level Knob
In Performance mode, this knob changes the relative level of the post-amp effects (Chorus/FX,
Delay, and Reverb). This can be thought of as an effects mix control, where turning this knob
clockwise increases the level of these effects and turning it counter-clockwise decreases the level
of these effects.
Effects Level Knob
In Performance mode, this knob selects a variety of post-amplifier model effect chains (Chorus,
Chorus + Delay, Delay + Reverb, etc.). You can further refine the sound by editing the preset (see
Editing/Creating Presets on page 16). Changing between different Effects Library defaults does not
change the Compressor, Distortion, Amp/Cabinet model, and EQ settings, letting you experiment
with different effect chains quickly in the context of the current amp tone.
Effects Library Knob
In Performance mode, this knob selects a variety of genre-based amp tone defaults ranging from
Blues to Metal to Country. Behind the scenes, the Compressor, Distortion, Amp/Cabinet model,
and EQ are configured to create a specified tone with a single click of this knob. You can further
refine the sound by editing the preset (see Editing/Creating Presets on page 16). Changing between
different Tone Library defaults does not change the Chorus/FX, Delay or Reverb, letting you experiment with different amp styles quickly in the context of the current effect chain.
Tone Library Knob
3. Adjust the
2. Select an effect
or effects chain with the effects level with the
Effects Level knob
Effects Library knob
To learn about storing changes to presets, see page 18.
1. Select a tone
with the
Tone Library knob
The Tone Library knob, Effects Library knob, and Effects Level knob make it easy to
quickly load preset tones, effects, and effects chains.
Presets are named and numbered locations of programmed sounds which reside in the RP155.
Presets are recalled with the Footswitches. The active effects in each preset are indicated by
lighted LEDs in the Effect Matrix. The RP155 comes with 50 User presets (1-50) and 50 Factory
presets (51-00). The User presets are locations where your creations may be stored. The Factory
presets do not allow you to store any changes to them. From the factory, the 50 User presets are
exact duplicates of the 50 Factory presets. This allows you to create your own presets without
losing the sounds that came with the RP155.
Presets
5
6
Front Panel
2
3
4
A Guided Tour of the RP155
1
5
6
7
Effects Library Knob (Knob 2)
1. In Performance mode, this knob selects from a library of pre-programmed effect
configurations. (See page 42 for a list of preset effect configurations.)
2. When editing a preset, this knob modifies the parameter listed in the column
directly above it for the selected Effect row.
3. When the Drums row is selected, this knob selects the different drum patterns available.
Tone Library Knob (Knob 1)
1. In Performance mode, this knob selects from a library of pre-programmed amp tones.
(See page 41 for a list of preset amp tones.)
2. When editing a preset, this knob changes the Amp or Effect model for the selected row.
3. When editing an Effect row, press this knob to turn on or bypass the effect.
4. When the Drums row is selected, this knob selects the first pattern of each
style (Rock, Blues, Jazz, etc.).
2. Knobs 1-4
These four knobs perform various functions, depending on which mode is currently active and
what (if anything) is being edited. The functions are listed below:
1. Footswitches
These two Footswitches are used to select presets, access the Tuner, enable the Phrase Looper,
and Bypass the RP155. The Footswitch on the right will select the next preset up, and the
Footswitch on the left will select the next preset down. Pressing both Footswitches together
will bypass the currently selected preset. Pressing and holding the Left Footswitch will enable and
disable the Phrase Looper. Pressing and holding both Footswitches for 2 seconds will access the
Tuner. Press either Footswitch to exit Bypass or Tuner mode.
7
8
4. Matrix
The matrix provides information regarding the current preset and parameter edit functions. In
Performance mode, the LEDs running down the left side of the Matrix provide a visual indication
of which effects are in use for the currently selected preset. While editing a preset, the LEDs
indicate the Effect row currently selected for editing. In Tuner mode, the LEDs indicate whether
the note played is sharp, flat, or in tune.
3. Edit buttons
These buttons navigate up and down the matrix, selecting the row of parameters which the
knobs will edit. Press one of these buttons to step through the Effect rows, and return to the
preset name display. See page 16 for more information about editing presets.
Master Volume Knob (Knob 4)
1. In Performance mode, this knob adjusts the output level of the RP155.
2. When editing a preset, this knob modifies the parameter listed in the column directly
above it for the selected Effect row.
3. When the Drums row is selected, this knob adjusts the drum machine playback level.
%FFECTS,EVEL+NOB+NOB
1. In Performance mode, this knob adjusts the overall level of post amp model effects (Chorus/Mod, Delay, and Reverb).
2. When editing a preset, this knob modifies the parameter listed in the column directly
above it for the selected Effect row.
3. When the Drums row is selected, this knob adjusts the playback Tempo of the drum
machine.
7. Store
The Store button is used to save your custom edits to the user presets. See page 18 for more
information about storing presets.
Note: The RP155’s Drum Machine is not available when the Phrase Looper is active.
6. Drums
The Drums button is used to turn on and off the RP155’s built-in drum machine. When the
Drums button is turned on, the Drums button LED lights and the selected drum pattern plays
continuously. Select the Drums row using the Edit buttons and use Knobs 1-4 to change the
style, pattern, tempo, and level of the drum machine. See page 37 for more information about the
drum machine and a list of patterns.
5. Display
The Display provides information for different functions depending on the mode that has been
selected. In Performance mode, the Display will show the currently selected preset number. In
Edit mode, the Display will show the value of the parameter being adjusted. In Tuner mode, the
Display will show the note played.
9
10
1
2
3
4
5
6
7
3. Left (Mono) and Right Outputs
Connect the Left (Mono) output to the input of a single amplifier (or mixer input) for mono
operation. Connect the Left and Right outputs to the inputs of 2 amplifiers (or 2 mixer channels)
for stereo operation.
2. Amp / Mixer
This button optimizes the RP155’s outputs for use when plugged into a guitar amp or a mixer/
recording device. When set to Mixer (“In” position), the outputs are optimized for connecting
to a mixer, recording device or headphones. When set to Amp (“Out” position), the outputs are
optimized for running directly in to the input of a guitar amp.
1. Input
Connect your instrument to this high-impedance TS input.
Rear Panel
7. Power Input
Connect only the DigiTech® PS0913B power supply to this jack.
Note: You can download the X-Edit Editor/Librarian software and USB drivers at www.digitech.com.
6. USB Jack
The USB jack connects the RP155 to a computer and provides two purposes. First it is used to
provide communication between the RP155 and the X-Edit™ Editor/Librarian software. Second, it
is used to stream four channels of audio (2 up / 2 back) to and from the computer when using the
RP155 to record via any DAW recording application. Knobs 2 and also control the direct/playback mix and USB record level when USB is connected and the Pickup Row is selected.
5. Control In
You can connect a passive volume or continuous control pedal to this 1/4" jack to control the a
Wah and/or the WhammyTM when either or both of those effects are turned on. When neither
Wah nor Whammy is turned on, the pedal controls the RP155’s volume by default.
Note: The Headphones output can have either a mono or stereo signal, depending on what 1/4"
outputs are connected. If neither (or both) 1/4" outputs are connected, the Headphones output
will be in stereo. If a cable is connected to the Left (Mono) 1/4" output only, the Headphones
output will be in mono.
4. Headphones
Connect a pair of stereo headphones to this 1/8" jack. For proper frequency response, the Amp/
Mixer switch should be set to Mixer (“in” position) when using headphones. Headphones with an
impedence of 100 Ohms or less are recommended.
11
12
NOTE: When using a
guitar amp, it may be best to
connect the Output of the
RP155 to the effect return
of the amplifier.
Guitar Amp Input/Effect Return
Left (Mono)
Output
Input
Amp/Mixer
switch set to
Amp.
Connect your guitar to the Input of the RP155. Connect a single mono instrument cable from
the Left (Mono) output of the RP155 to the instrument input or effect return on your amplifier.
Set the Amp/Mixer switch to Amp.
Mono Operation - Amplifier
There are several different connection options available with the RP155. Before connecting the
RP155, make sure that the power to your amplifier and the RP155 is turned off. There is no
power switch on the RP155. To turn the RP155 on or off, connect or disconnect the included
PS0913B power supply from the Power Input jack.
Making Connections
Getting Started
Amp/Mixer
switch set to
Amp.
Outputs
Input
Guitar Amp Input/Effect Returns
Stereo Amp Setup
NOTE: When using a guitar amp,
it may be best to connect the
Output of the RP155 to the effect
return of the amplifier.
For stereo operation connect the guitar to the Input of the RP155. Connect one cable to the
RP155’s Left (Mono) output, and another cable to the RP155’s Right output. Connect one cable
to the input of one amplifier, channel of a mixer, or power amp. Connect the second cable to a
second amplifier, second channel of a mixer, or power amp. If connecting to a mixing console, set
the pan controls of the mixer channels hard left and right in order to retain stereo separation. If
connecting to a mixer, set the Amp/Mixer switch to Mixer. If connecting to two amplifiers, set
the Amp/Mixer switch to Amp.
Stereo Operation
13
14
1
2
3
4
Mixer
5
6
Amp/Mixer switch
set to Mixer
Outputs
Stereo Mixer Setup
USB
Outputs
Instrument Input
Amp/Mixer switch
set to Mixer
Powered
Studio Monitor
Computer Recording Setup
Powered
Studio Monitor
Instrument Input
1.Turn amp volume down
4.Turn amp volume up
5. Turn the RP155’s Master Level to the
desired listening volume
3. Connect PS0913B to AC outlet
and turn the RP155’s Master
Level to “0”
2. Connect PS0913B to power jack
1. Turn the amp volume all the way down.
2. Connect the plug of the PS0913B power supply to the power jack on the rear panel of the
RP155.
3. Connect the other end of the PS0913B power supply to an AC outlet. Turn the RP155’s Master Level knob (Knob 4) down to “0”.
4. Turn the power of your amplifier(s) to the on position and adjust the volume(s) to a normal
playing level.
5. Gradually increase the RP155’s Master Level knob to achieve the desired volume.
Before applying power to anything, set your amp(s) to a clean tone and set the tone controls to
a flat EQ response (on most amps, this would be 0 or 5 on the tone controls). Then follow the
steps listed below.
Applying Power
15
16
The easiest way to start is by using the Tone Library and Effects Library knobs. The Tone
Library knob will let you select from a variety of pre-programmed amp/distortion tones (see
page 41) based on different musical styles. The Effects Library knob will then let you select
from a palette of effects chains (see page 42), from simple delays to full multi-effect signals with
modulation, delay and reverb. Use the Effects Level Knob to easily increase or decrease the
Chorus/FX, Delay and Reverb levels if desired. Using these three controls should get you close
to a sound you are after. From there you can then use the Edit buttons to navigate through the
individual effects for some fine tune edits.
The RP155 is designed to make preset editing and creation easy and intuitive. When creating
your own sound, you must first start with an existing preset. Note that the preset you begin
with doesn’t have to be in the memory location you intend to have it reside, since you can store
it to any User preset location during the store procedure.
Editing/Creating Presets
Section Two - Editing Functions
Anytime a stored value within a preset is changed, the Store button LED lights up. This indicates
that you need to store the changes. Changing presets, or turning the power off before storing any
changes erases any edits made and the RP155 will revert to the stored values for the preset.
1. Use the Footswitches to select the preset you wish to edit. If you are trying to find something different from the existing presets, begin by using the Tone Library, Effects Library, and
Effects Level knobs to get close to a sound you want.
2. Once you have a sound close to what you are after, begin editing the effect parameters by pressing the Edit Up/Down buttons and selecting the Effect row you want to edit.
3. To turn on or off an Effect row, press Knob 1 and then use Knobs 2-4 to modify the effects
parameter settings.
To edit and create a custom preset:
17
18
2. Select a destination
with the Footswitches.
3. Press the Store button
again to save your changes.
1. Press the Store button;
the Preset number flashes.
The procedure for copying one Preset to another Preset location is the same. Simply use the
Footswitches to select the Preset that you want to copy, then follow the steps listed above.
1. Press the Store button once and the current Preset location will flash in the Display. This is
asking you to select a new User Preset location where your new sound will reside.
2. If desired, select a new User Preset location using the Footswitches.
3 Press the Store button again to save the changes.
Once the preset has been modified to your liking, you may store your settings to any of the
50 User preset locations (presets 1-50). The following steps outline the procedure for storing
changes to a preset or copying a preset to a different location:
Storing/Copying a Preset
Pickup
Simulator
Wah
Noise Gate
Compressor
Volume
Pedal
Distortion
Chorus/FX
Chorus/FX
(Whammy)
Delay
Amp
Modeling
Reverb
EQ
Cabinet
Model
The RP155 can be thought of as several different “virtual” amplifiers and individual, high-tech
stompboxes in a single programmable package. With stompboxes, the order in which they are
connected affects the overall sound. The RP155 has placed the Amp and Effect models in an order
for optimum results. The following diagram shows the order in which they are connected.
About the Models
Section Three - Models and Parameters
19
20
Wah Level - Knob 4 adjusts the Wah Level. Ranges from 0dB to +12dB.
7AH-AXIMUM+NOB adjusts the Wah Pedal Maximum. Ranges from 0 (toe up) to
99 (toe down).
Wah Minimum - Knob 2 adjusts the Wah Pedal Minimum. Ranges from 0 (toe up) to 99
(toe down).
Wah Model - Knob 1 selects the Wah model. Values include: FR (DigiTech® Full Range
Wah sweeps the entire spectrum of audible frequencies), Cb (Cry Wah is a traditional
sounding Wah), and mc (based on a Vox® Clyde McCoyTM Wah). Press this knob to turn Wah
models on and off.
Wah is an effect controlled by an Expression Pedal making the guitar sound as if it’s saying “Wah.”
Wah
Preset Level - Knob 4 adjusts the volume level for each preset individually.
Pickup Model - Knob 1 selects the Pickup model to be simulated. Values include: sh
(gives a single coil pickup the warm tone of a humbucker), and hs (gives a humbucker the
unique sound of a single coil). Press this knob to turn Pickup modeling on and off.
The Pickup Simulator provides the thick tone of a humbucker pickup to a guitar with single coil
pickups, or the bright, edgy sound of a single coil pickup to a guitar with a humbucker. This gives
you the best of both worlds without having to change guitars during a performance.
Pickup
Each Amp and Effect model within the RP155 can be programmed to suit your personal taste
and application. Understanding how these components alter the sound, and how each parameter
alters the effect, will help you achieve the sound you are looking for. The following overview of the
RP155’s effects outlines what each effect and parameter does.
Model Definitions
Compressor
Attack (X-EditTM only for DigiComp) - Knob 4 adjusts the amount of time the
Compressor takes to respond to a signal that exceeds the threshold. Ranges from 0 to 99.
Compressor Level - Knob 4 adjusts the Level from the Compressor. Ranges from 0 to
99.
4ONE!TTACK+NOB adjusts the tone for the DigiTech Compressor, or attack for the
Boss CS-2. Ranges from 0 to 99.
Sustain - Knob 2 adjusts the amount of sustain. Ranges from 0 to 99.
Comp Model - Knob 1 selects one of two Compressor models: DC (DigiTech® Main
Squeeze Compressor) or CS (Based on a Boss® CS-2 Compressor/Sustainer). Press this
knob to turn the selected Compressor models on and off.
A Compressor is used to increase sustain, tighten up guitars, and prevent the signal from clipping
the input of other effects. It sets a maximum boundary for the strength of a signal.
21
22
DigiTech and DOD are trademarks of Harman International Industries, Inc. Other product names modeled in this product are
trademarks of their respective companies that do not endorse and are not associated or affiliated with DigiTech or Harman
International Industries, Inc. They are trademarks of other manufacturers and were used merely to identify products whose
sounds were reviewed in the creation of this product.
Distortion Model - Knob 1 selects one of 4 Distortion models. Press this knob to turn
the selected Distortion model on and off.
TS - Based on an Ibanez® TS-9
gr - DigiTech® Grunge
®
T8 - Based on an Ibanez TS-808
mz - Based on a Boss MT-2 Metal Zone®
op - Based on a DOD® 250 Overdrive/Preamp rm - Based on a DOD Gonkulator Ring Mod
rt - Based on a Pro Co RATTM
ff - Based on an Arbiter® Fuzz FaceTM
ds - Based on a Boss® DS-1TM Distortion
bm - Based on an Electro-Harmonix® Big
Muff Pi®
The RP155 models the tones of 10 popular distortion stompboxes, each of which can be tweaked
and modified, just like the real thing.
Distortion
Mid Level
Smear (Ring
Mod Level)
-Tone
Gain
Gunk
(Dist Gain)
Fuzz
Sustain
mz
ff
bm
Face
rm
Tone
Filter
Distortion
rt
Gain
--
Gain
op
Grunge
Tone
Drive
t8
gr
Tone
Drive
ts
ds
+NOB
(Tone)
Knob 2
(Gain)
Distortion
Model
Volume
Volume
Suck
(Dist Level)
Level
Loud
Level
Level
Level
Level
Level
Knob 4
(Level)
--
--
Heave
(Output Lvl)
Low
Butt
--
--
--
--
--
P4
(X-EditTM
only)
--
--
--
Mid Freq
--
--
--
--
--
--
0
(X-Edit
only)
Knobs 2, 3, and 4 have the following functions for the various Distortion models:
--
--
--
High
--
--
--
--
--
--
P6
(X-Edit
only)
23
24
DigiTech is a trademark of Harman International Industries, Inc. Other product names modeled in this product are trademarks
of their respective companies that do not endorse and are not associated or affiliated with DigiTech or Harman International
Industries, Inc. They are trademarks of other manufacturers and were used merely to identify products whose sounds were
reviewed in the creation of this product.
mv
80
90
A5
sl
Dr
ch
td
tb
tr
Amp Model - Knob 1 selects one of the classic, modern, and DigiTech custom Amp models. Press this knob to turn Amp and Cabinet modeling on and off. Note that when you
select an Amp model, the default Cabinet model is automatically selected. You can, however,
change the Cabinet model after selecting an Amp model.
AC - Based on a ‘63 Vox AC30 Top Boost
- Based on a ‘57 Fender® Tweed Champ®
hw - Based on a ‘69 Hiwatt® Custom 100
- Based on a ‘57 Fender Tweed Deluxe
- Based on a ‘59 Fender Tweed Bassman®
mb - Based on a ‘81 Mesa Boogie® Mark II C
rc - Based on a ‘01 Mesa Boogie Dual
- Based on a ‘65 Fender Blackface Twin
Reverb®
Rectifier
hc - Based on a ‘96 MatchlessTM HC30
- Based on a ‘65 Fender Blackface Deluxe
ds - DigiTech® Solo
Reverb®
dm - DigiTech Metal
- Based on a ‘68 Marshall® 100 Watt
dG - DigiTech High Gain
Super Lead (plexi)
db - DigiTech Bright Clean
- Based on a ‘77 Marshall Master Volume
dc - DigiTech Clean Tube
- Based on a ‘83 Marshall JCM800
da - Dreadnaught acoustic
- Based on a ‘93 Marshall JCM900
di - Direct (No Amp Model)
- Based on a ‘62 Vox AC15
Amp Modeling is a technology which applies the tone of several popular modern and vintage
amps. Amp Modeling also includes an acoustic guitar simulation.
Amplifier
EQ Model - Knob 1 selects between 4 different EQ modes, each with different frequency
The RP155’s EQ helps further shape your tone with Bass, Midrange, and Treble controls. To help
get you started, there are four preset EQ curves: Mid Boost (MB), Scoop (SP), Bright (BR), and
Warm (WM) that can be selected using Knob 1. Bass, Midrange, and Treble parameters range from
-12dB to +12dB.
EQ
Amp Level - Knob 4 adjusts the Level (volume) of the selected Amp model. The Level
parameter ranges from 0 to 99.
!MP'AIN+NOB adjusts the Gain (distortion) for the selected Amp model (not available for Acoustic or Direct). The Gain parameter ranges from 0 to 99.
DigiTech and Johnson Amplification are trademarks of Harman International Industries, Inc. Other product names modeled in
this product are trademarks of their respective companies that do not endorse and are not associated or affiliated with DigiTech or Harman International Industries, Inc. They are trademarks of other manufacturers and were used merely to identify
products whose sounds were reviewed in the creation of this product.
Cabinet - Knob 2 selects the speaker Cabinet model.
vt - Based on a 4x12 Johnson® Straight w/
td - Based on a 1x12 ‘57 Fender® Tweed
Deluxe®
Celestion Vintage 30’s
tr - Based on a 2x12 ‘65 Fender Blackface Twin ds - 4x12 DigiTech® Solo
db - 2x12 DigiTech Bright
Reverb®
ac - Based on a 2x12 ‘63 Vox® AC30 Top Boost dm - 4x12 DigiTech Metal
dr - 4x12 DigiTech Rock
w/ Jensen® Blue Backs
da - 4x12 DigiTech Alt Rock
tb - Based on a 4x10 ‘59 Fender Tweed
dv - 4x12 DigiTech Vintage
Bassman®
cl - Based on a 4x12 Marshall® 1969 Straight w/ di - Direct (No cabinet model)
Celestion® G12-T70
25
26
Attenuation (X-EditTM only)+NOB sets the Attenuation parameter. Ranges from 0 to
99.
Release - Knob 4 sets the Release parameter. Ranges from 0 to 99.
Threshold/Swell Sensitivity - Knob 2 sets the signal strength (Threshold) required to
open or close the Noise Gate, or the Swell Sensitivity for the Auto Swell. Both parameters
range from 0 (opens easily/high sensitivity) to 99 (requiring strong signals to open/high sensitivity).
!TTACK4IME+NOB sets the attack time. Ranges from 0 (shorter attack time) to 99
(longer attack time).
Gate Model - Knob 1 selects between the DigiTech® noise gate or the volume swell effect.
Values include: ga (Selects the noise gate) and sw (Selects the volume swell effect.) Press
this knob to turn the noise gate or auto swell on and off.
A Noise Gate (GA) is designed to eliminate noise while you are not playing; this model also
includes an Auto Swell (SW), which provides an automatic volume swell effect.
Noise Gate
Treble - Knob 4 adjusts the amount of high end level (Treble).
Treble Freq (X-Edit only) - This parameter selects the frequency that the Treb parameter
adjusts. Ranges from 500 Hz to 8000 Hz.
Midrange - +NOB adjusts the amount of midrange level.
Mid Freq (X-EditTM only) - This parameter selects the frequency that the Mid parameter
adjusts. Ranges from 300 Hz to 5000 Hz.
"ASS+NOB adjusts the amount of low end level (Bass).
centers for Mid and Treble. Pressing this knob turns the EQ on and off.
Waveform (X-Edit only for DigiTech Chorus models) - Selects a waveform: tr, Si, or
Sq (Triangle, Sine, or Square).
Level - Knob 4 controls the level of the effect (DigiTech Chorus models only). Ranges
from 0 to 99.
$EPTH+NOB adjusts the Depth of the modulation. Ranges from 0 to 99.
Speed - Knob 2 adjusts the rate (Speed) of the modulation. Ranges from 0 to 99.
Chorus
A Chorus adds a short delay to your signal. The delayed signal is modulated in and out of tune and
then mixed back with the original signal to create a thicker sound. The RP155 includes the following Chorus Effect models: CE (based on the classic Boss® CE-2 Chorus), DC (DigiTech®’s Dual
Chorus), and MC (DigiTech’s famous Multi Chorus®).
The Chorus/FX row in the RP155 is a multi-function module, allowing you to select Effect models
such as Chorus, Flanger, Phaser, Tremolo, Panner, Vibrato, Rotary Speaker, YaYa™, AutoYa™,
SynthTalk™, Envelope Filter (auto wah), Detune, Pitch Shift, and Whammy™ effects. When the
Chorus/FX row is selected, Knob 1 is used to choose the Effect model. Press this knob to turn
these Effect models on and off. Only one of the effects in this row can be used at a time. After
selecting the type of effect in this module, Knobs 2-4 can then be used to adjust the individual
parameters associated with the selected effect. The following list describes each Effect model and
its parameters in more detail:
Chorus/FX
27
28
Depth
Width
Speed
Speed
fl
mx
Regen
Regen
Knob 4
(Regen)
Manual
--
0
(X-EditTM
only)
--
Level
P6
(X-Edit
only)
--
Waveform
P7
(X-Edit
only)
Level (X-Edit only) - Controls the level of the effect. Ranges from 0 to 99.
Waveform (X-EditTM only) - Selects a waveform: tr, Si, or Sq (Triangle, Sine, or Square).
Regeneration - Knob 4 controls the regeneration of the effect. Ranges from 0 to 99.
$EPTH+NOB adjusts the Depth of the modulation. Ranges from 0 to 99.
Speed - Knob 2 adjusts the rate (Speed) of the modulation. Ranges from 0 to 99.
Knobs 2, , and 4 have the following functions:
Phaser (PH)
A phaser splits the incoming signal, and then changes the phasing of the signal. This signal is then
taken in and out of phase and mixed back in with the original signal. As the phasing changes, different frequencies get canceled resulting in a warm sort of twisting sound.
+NOB
(Depth)
Knob 2
(Speed)
Flanger
Model
Knobs 2, , and 4 have the following functions for the Flanger models:
Flanger
A Flanger uses the same principle as a Chorus but uses a shorter delay time and adds regeneration
(or repeats) to the modulating delay. This results in an exaggerated up and down sweeping motion
to the effect. The RP155 includes the following Flanger Effect models: fL (the DigiTech Flanger),
and mx (based on an MXR® Flanger).
Waveform - Knob 4 selects a waveform: tr, Si, or Sq (Triangle, Sine, or Square).
$EPTH+NOB adjusts the intensity (Depth) of the modulating volume. Ranges from 0 to
99.
Tremolo (TR)
A Tremolo effect modulates the volume of the signal at an even rate.
Speed - Knob 2 adjusts the rate (Speed) at which the volume modulates. Ranges from 0 to
99.
Crossover (X-EditTM only)- Selects the crossover frequency between the horn and rotor.
Ranges from 0 (200 Hz) to 99 (1600 Hz).
Doppler - Knob 4 controls the Pitch Shift effect that is the ratio between the horn and the
rotor positions. Ranges from 0 to 99.
)NTENSITY+NOB controls the intensity of the effect. Ranges from 0 to 99.
Speed- Knob 2 adjusts the rate (Speed) of the spinning speakers. Ranges from 0 to 99.
Rotary Speaker (RO)
Rotary Speaker is an emulation of a device that included a spinning horn and woofer. The rotation
of these two speakers produced an interesting combination of the sound panning from side to side.
This produced a slight pitch change due to the speed of the sound coming towards, and then going
away from the listener.
Vibrato (vB)
A Vibrato effect modulates the pitch of the incoming signal at an even rate.
Speed - Knob 2 adjusts the rate (Speed) at which the pitch modulates. Ranges from 0 to 99.
$EPTH+NOB adjusts the intensity (Depth) of the modulating pitch. Ranges from 0 to 99.
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30
Range - Knob 4 adjusts the throaty quality of the AutoYa effect. Ranges from 0 to 49.
)NTENSITY+NOB adjusts the intensity of the AutoYa effect. Ranges from 0 to 99.
Speed - Knob 2 adjusts the speed of the AutoYa sweep. Ranges from 0 to 99.
AutoYa™ (AY)
An AutoYa combines the characteristics of a Wah and a Flanger together creating an almost human
vowel characteristic as if the guitar were saying “Yah.” The AutoYa™ automatically provides this
animation to the sound at an even rate.
2ANGE+NOB controls the range of the Envelope effect. Ranges from 0 to 99.
Sensitivity - Knob 2 adjusts the sensitivity or the input signal required to trigger the Wah
effect. Ranges from 0 to 99.
Envelope Filter (ef)
The Envelope Filter is a dynamic Wah effect that alters your sound based upon how hard you play.
Waveform - Knob 4 selects a waveform: tr, Si, or Sq (Triangle, Sine, or Square).
$EPTH+NOB adjusts the intensity (Depth) of the changing pan. Ranges from 0 to 99.
Panner (PA)
An Auto Panner modulates the sound from left to right at an even rate.
Speed - Knob 2 adjusts the rate (Speed) at which the signal pans from side to side. Ranges
from 0 to 99.
(ARMONY"ENDS (Dry Signal Added)
m3 (a minor third to a Major third)
23 (a second above to a Major third above)
34 (a third above to a fourth above)
45 (a fourth above to a fifth above)
5o (a fifth above to an octave above)
hu (one octave above)
hd (one octave down)
ud (octave up/down)
Mix - Knob 4 adjusts the Whammy mix. Ranges from 0 to 99.
0EDAL0OSITION+NOB provides a manual control of the Whammy pedal position.
Ranges from 0 to 99.
WhammyTM (no Dry Signal)
ou (1 octave above)
2o (2 octaves above)
2d (a second below)
d2 (a second below reversed pedal action)
4d (a fourth below)
od (an octave below)
o2 (2 octaves below)
DB (Dive Bomb)
Shift Amount - Knob 2 selects the interval and direction of the pitch bend. Choices are
as follows:
DigiTech Whammy™ (wH)
The DigiTech WhammyTM is an effect that uses an Expression Pedal to bend the pitch of the incoming signal, or add a bendable harmony with the original signal. As the Pedal is moved, the note
bends either up or down. When DigiTech Whammy is selected, it is automatically placed before
the Amp modeling as shown in the block diagram on page 19.
)NTENSITY+NOB controls the intensity of the Wah effect. Ranges from 0 to 99.
Speed - Knob 2 adjusts the speed of the Wah effect. Ranges from 0 to 99.
Step Filter (sf)
The Step Filter is like an automatic “random wah” with a square waveform.
31
32
Level - Knob 4 controls the mix of the detuned note. Ranges from 0 to 99.
Shift Amount - Knob 2 adjusts the amount of pitch difference applied to the copied signal.
Ranges from –24 to 24 cents.
Detune (Dt)
A Detuner makes a copy of your incoming signal, takes the copied signal slightly out of tune from
the original, then mixes the two signals together. The result is a doubling type of effect as if two
guitars were playing the same part together.
Mix - Knob 4 controls the mix level of the shifted pitch. Ranges from 0 to 99.
Shift Amount - Knob 2 selects the interval of the shifted pitch. Ranges from –24 (2
octaves below) to 24 (2 octaves above).
Pitch Shift (Ps)
A Pitch Shifter copies the incoming signal, then shifts the pitch of the copy to a different note. The
shifted note is then mixed back with the original signal, sounding as if two guitars were playing
different notes.
(octave down)
(a seventh below)
(a sixth below)
(a fifth below)
(a fourth below)
(a third below)
(a second below)
2u
3u
4u
5u
6u
7u
Ou
(a second above)
(a third above)
(a fourth above)
(a fifth above)
(a sixth above)
(a seventh above)
(an octave above)
Level (X-EditTM only) - Adjusts the IPS Level of all the pitch-altering effects in this module.
Ranges from 0 to 99.
Scale - Knob+selects the scale the IPS will use. Scale choices include: Major (MA), Minor
(MI), Dorian (DO), Mixolydian (MX), Lydian (LY), and Harmonic Minor (HM).
Key$+NOB selects the musical key that the IPS uses. Key choices range from the Key of E
(E) through the Key of Eb (Eº).
OD
7D
6d
5d
4d
3d
2d
Shift - Knob 2 selects the amount or harmony interval for the Harmony Pitch Shifter. Interval
choices include:
Harmony Pitch Shifting (HA)
Harmony Pitch Shifting makes a copy of the incoming signal, and then changes the pitch of the
copied note to a diatonically correct interval specified by the Amount parameter. A Harmony
Pitch Shifter sharpens or flattens the shifted pitch in order to keep the specified interval within
the selected key and scale creating a true harmony.
33
34
+NOB
(Repeats)
Repeats
Repeats
Repeats
Repeats
Repeats
Knob 2
(Time)
Time
Time
Time
Time
Time
Delay
Model
ad
dd
md
pd
td
Level
Delay Level
Delay Level
Level
Delay Level
Knob 4
(Level)
Wow
Duck Thresh
Depth
Duck Thresh
--
P4
(X-EditTM
only)
Knobs 2, , and 4 have the following functions for the various Delay models:
Flutter
Duck Level
--
Duck Level
--
0
(X-Edit
only)
Delay Model - Knob 1 selects one of the 5 different Delay models. Values include: ad
(DigiTech® Analog Delay), dd (DigiTech Digital Delay), md (DigiTech Modulated Delay), pd
(DigiTech Pong Delay), and td (DigiTech Tape Delay). Press this knob to turn the Delay models on and off.
Delay is an effect that will record a portion of the incoming signal, and then play it back a short
time later. The recording can repeat just once or several times.
Delay
Liveliness
Liveliness
Liveliness
Decay
Decay
Decay
ro
ha
pl
Liveliness
Liveliness
Decay
Decay
am
--
--
sp
st
+NOB
(Liveliness)
Knob 2
(Decay)
Reverb Level
Reverb Level
Reverb Level
Reverb Level
Reverb Level
Reverb
Knob 4
(Reverb
Level)
Predelay
Predelay
Predelay
Predelay
Predelay
--
P4
(X-EditTM
only)
ro - Lexicon Room
ha - Lexicon Hall
pl - Based on an EMT240 Plate
Reverb
Model
sp - Based on a Fender®
Twin Reverb
am - Lexicon® Ambience
st - Lexicon Studio
Reverb Model
Knob 1 selects the Reverb model or acoustic space. Press this knob to turn the Reverb
models on and off. The following models are available:
Using reverb in recorded program material gives the listener a sense that the material is being performed in an actual room or hall. It is this similarity to actual acoustic spaces that makes reverberation a useful tool in recorded music. The RP155 features genuine Lexicon® reverbs, whose rich,
lush effects have been heard in countless songs, soundtracks, and live performances for decades.
Reverb
35
36
1. Press and hold the left Down Footswitch for 2 seconds until LP appears in the display. The
LOOPER LED in the matrix will also light indicating the Looper is now active.
2. Arm the Phrase Looper to record by pressing the Down Footswitch again. The display will
read AR meaning it is armed and ready for you to start playing (You can also start recording
immediately when this footswitch is pressed).
3. Begin playing a phrase on the guitar. The Phrase Looper will begin recording anything that is
played. The display will read rC.
4. Once you are ready to set the loop point, press any footswitch. The display will briefly read PL
and the recorded phrase will now begin playing back.
5. To add an overdub to the looped phrase, press and hold the left Down Footswitch. The
display will read DU. While pressing down the Down Footswitch, begin playing the overdub
phrase to be added to the loop. When the Down Footswitch is released, the display will
briefly flash PL and the looped phrase will continue with the newly added overdub phrase
added.
6. To stop the Phrase Looper, press and release the left Down Footswitch quickly. You can
resume playback by pressing this footswitch again.
7. To clear a recorded loop, stop the loop playback first as outlined in step 6 and then press and
hold left Down Footswitch for 2 seconds until the display reads LC.
8. To exit the Phrase Looper mode, press and hold left Down Footswitch for 4 seconds until the
display reads LE and then returns to the preset number display.
The RP155 features a built-in 20 second Phrase Looper for creating on the fly performance loops
of the music you play. The Phrase Looper can be accessed any time during performance and used
with any of the RP’s presets. To use the Phrase Looper, follow these steps:
Phrase Looper
Section Four - Other Functions
m5
m7
Metronome (Mt) (5/8)
Metronome (Mt) (7/8)
h1-h8
t1-t8
l1-l8
g1-g4
c1-c4
Hard Rock (HR)
Metal (ME)
Blues (BL)
Groove (GR)
Country (CT)
Metronome (Mt)
Metronome (Mt) (3/4)
Metronome (Mt) (4/4)
World (WO)
Me
m3
m4
w1-w4
p1-p4
r1-r8
j1-j4
Rock (Rk)
Hip Hop (HH)
b6-b8
Beats (BE) (16th beat)
Jazz (JZ)
b1-b5
Beats (BE) (8th beat)
Drum Pattern List
The RP155 includes a built-in drum machine loaded with 60 useful patterns including a metronome
setting that are easily accessible at the touch of a button (the Drums button, specifically). Pressing the Drums button will enable the drum machine and start playback of the selected drum pattern (except when in Store or Bypass mode). When the Drums row is selected (using the Edit
buttons), Knob 1 scrolls through the first patterns for each drum style, Knob 2 scrolls through all
the drum patterns, +NOB adjusts the Tempo of the drum pattern and Knob 4 adjusts the Level
of the drum pattern. Press the Drums button again to stop playback of the drum loop.
Drum Machine
Note: The RP155’s Drum Machine is not available when the Phrase Looper is active.
While the Phrase Looper is active, the left Down Footswitch cannot be used to select presets.
The right Up Footswitch can still be used navigate through all of the RP’s presets. To select the
next preset up, press the right Up Footswitch quickly to advance to the next preset. To select a
previous preset, press and hold the right Up Footswitch and the presets will slowly scroll backwards until the footswitch is released.
37
38
1. Press and hold the Store button while powering up the RP155.
2. When the display prompts you with FR, release the Store button, which is now flashing.
3. Press and hold the flashing Store button for 3 seconds until RS appears in the display and
release. 4HE&ACTORY2ESETPROCEDURETAKESAPPROXIMATELYSECONDS
The procedure for performing a Factory Reset is as follows:
ATTENTION: Performing this function will erase all user-programmed data. All
SUCHDATAWILLBELOSTFOREVER"ESUREYOUWANTTOERASETHEMEMORYANDSTARTFRESH
before continuing with this procedure.
This function resets the RP155 to its original factory settings. This procedure erases all custom
User presets.
Factory Reset
Connect a passive volume or continuous control pedal to the RP155’s Control In jack to control
the RP155’s Volume, Wah, or Whammy™ in real time with your foot. Turn on the Wah or Whammy to control it with the optional pedal, or turn on both the Wah and the Whammy to control
both simultaneously. When a pedal is connected and neither the Wah nor the Whammy effects are
activated, the pedal controls the RP155’s volume by default.
Optional Passive Volume/Continuous Control Pedal
Analog Output Connections:
Left/Right Outputs: 1/4" Unbalanced
Left/Right Output Impedance: 500 Ohms per side
Maximum Output: +10dBu
Headphones: 1/8" Stereo (TRS) – 13.6mW per channel @ 50 Ohms
Control In: 1/4" Unbalanced
Analog Input Connections:
Guitar Input: 1/4" Unbalanced (TS)
Input Impedance: 500k Ohms
General Specifications
A/D/A Converter: 24-bit high performance audio
Sampling Frequency: 44.1 kHz
DSP Section: AudioDNA2™ DSP Processor
Simultaneous Effects: 11
Preset Memory: 50 User Presets (1-50) / 50 Factory Presets (51-00)
Phrase Looper: 20 seconds of record time
Drum Machine: 60 Patterns
Shipping Dimensions: 10 1/2" Length x 8 3/4" Width x 2 1/2" Height
Shipping Weight: 3.34 lbs.
Specifications
3ECTION!PPENDIX
39
40
Minimum Mac Computer System Requirements:
OS 10.4 or higher
Power PC or Intel® G4/G5 Processor
800 MHz processor speed (1.2 GHz recommended)
512 MB RAM (1GB recommended)
Minimum Windows® PC Computer System Requirements:
Windows® XP w/Service Pack 2 and .NET Framework 2.0 installed
500 MHz processor speed (1.2 GHz recommended)
512 MB RAM (1GB recommended)
Power Requirements:
US and Canada: 120 VAC, 60 Hz Adapter: PS0913B-120
Japan: 100 VAC, 50/60 Hz Adapter: PS0913B -100
Europe: 230 VAC, 50 Hz Adapter: PS0913B -230
UK: 240 VAC, 50 Hz Adapter: PS0913B -240
2053"2ECORDING3PECIFICATIONS
Sample Rate: 44.1 kHz
Bit depth: supports 16-bit or 24-bit (depends on setup in Recording Software)
Digital Connections:
Universal Serial Bus (USB): Type B, supports USB1.1 Full Speed (12 Mbps Bandwidth USB 2.0 compatible)
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
Overdrive
Rock 1
Rock 2
Blues 1
Blues 2
Metal 1
Metal 2
Country 1
Country 2
Warm Drive
Crunch
Texas Tone
Rockabilly
Solo 1
Solo 2
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
Rock Wah
Chunky
Smooth
Heavy
Clean 1
Clean 2
British 1
British 2
American 1
American 2
Tube Drive
Distortion
Scooped
Punchy
Bright Clean
Tone Library
41
42
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
Chorus
Phaser
Flanger
Pitch
Tremolo
Rotary
Envelope Filter
Digital Delay
Analog Delay
Pong Delay
Mod Delay
Tape Delay
Hall Reverb
Plate Reverb
Spring Reverb
Effects Library
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
Chorus + Digital Delay
Chorus + Delay + Reverb
Flanger + Analog Delay
Phaser + Tape Delay
Phaser + Mod Delay
Phaser + Room Reverb
Digital Delay + Hall Reverb
Analog Delay + Spring
Chorus + Hall Reverb
Pong Delay + Hall Reverb
Tape Delay + Spring Reverb
Tremolo + Tape Delay
Pitch + Digital Delay
Mod Delay + Plate Reverb
Rotary + Tape Delay
43
44
45
DigiTech and the RP155 are trademarks of the Harman Music Group. Other product names
modeled in this product are trademarks of their respective companies that do not endorse
and are not associated or affiliated with DigiTech. They are trademarks of other manufacturers and were used merely to identify products whose sounds were reviewed in the
creation of this product.
©2009 Harman International Industries, Incorporated, all rights reserved.
Printed 1/2009
RP155 Owner’s Manual 18-6409V-A
Printed in China
DigiTech®
8760 South Sandy Parkway
Sandy, Utah 84070
PH (801) 566-8800
FAX (801) 566-7005
http://www.digitech.com
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