nikkor technology
I AM YOUR EYES
www.europe-nikon.com
See Through Different Eyes
Every photographer is unique. Whatever your ideas, experience or creative vision,
there is a NIKKOR lens to draw out your potential. Each product in the lineup
represents the pride and craftsmanship that only an optical manufacturer can
understand, delivering a level of clarity and reliability that every passionate
photographer can appreciate. How will you see the world? Let NIKKOR help.
Capture more. Create more.
Wide-Angle Zoom NIKKOR Lenses.................... p4-p6 Normal Zoom NIKKOR Lenses........................p7-p11
Fixed Focal-Length NIKKOR Lenses.............. p16-p23 Special-Purpose NIKKOR Lenses..............p24-p27
NIKKOR Technology........................................... p30-p33Specifications................................................. p34-p35
Telephoto Zoom NIKKOR Lenses..................................p12-p15
Manual-Focus Lenses & Optional Accessories......p28-p29
WIDE-ANGLE ZOOM
N IK KO R LENSE S
Ultra-wide-angle zoom lenses for dynamic perspectives
Sharp, ultra-wide-angle zoom with VR
AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED
AF-S NIKKOR 16-35mm f/4G ED VR
DX
This incredible range of wide-angle zooms delivers a broader depth of field, shorter working
distances and more dramatic perspectives to your photography. With a variety of focal lengths and
aperture combinations for every budget or camera, NIKKOR lenses deliver the clarity and detail your
photography deserves. Try different viewpoints or get closer to subjects as you change the zoom
range, and you'll soon discover a new approach to wide-angle photography.
Explore the extremes of photography with the ultra-wide-angle
coverage of this practical zoom lens. With the widest end of
10 mm covering a 109° angle of view, this lens delivers dramatic
perspectives to give your photography a creative edge. Close-up
shooting capability and minimized distortion also add to its appeal.
This versatile ultra-wide-angle zoom covers a remarkably broad
range, with Vibration Reduction (VR) that provides an effect
equivalent to 2.5 stops* to enable blur-free handheld images at
slower shutter speeds in places such as interiors and night scenes.
Ideal for travel and documentary work.
*Based on CIPA Standard. This value is achieved when attached to an FX-format digital
SLR camera, with zoom set at the maximum telephoto position.
10 mm 109°
24 mm 61°
16 mm 107°
35 mm 63°
Lens construction: 14 elements in 9 groups
Minimum focus distance: 0 ,24 m (AF)
0,22 m (MF)
Maximum reproduction ratio: 0,19×
Filter-attachment size: 77 mm
Accessories: Hood HB-23 / Case CL-1118
Lens construction: 17 elements in 12 groups
Minimum focus distance: 0,28 m
Maximum reproduction ratio: 0,24×
Filter-attachment size: 77 mm
Accessories: Hood HB-23 / Case CL-1120
An optical masterpiece: widest at 14 mm with fixed f/2.8
AF-S DX Zoom-Nikkor 12-24mm f/4G IF-ED
DX
AF-S NIKKOR 14-24mm f/2.8G ED
A very popular choice for extreme wideangle photography. The fixed aperture
ensures consistent exposures across
the zoom range. Perfect for shooting
large building exteriors, narrow interiors
and vast natural landscapes.
12 mm 99°
24 mm 61°
Lens construction: 11 elements in 7 groups
Minimum focus distance: 0,3 m
Maximum reproduction ratio: 0,12×
Filter-attachment size: 77 mm
Accessories: Hood HB-23 / CL-S2 (optional)
© Ray Demski
With a fixed maximum aperture of f/2.8, this award-winning
professional lens delivers edge-to-edge sharpness across the
frame. Nano Crystal Coat and ED glass ensure outstanding
contrast, even in backlit conditions. Tough and reliable, this is
essential glass for professional photographers everywhere.
14 mm 114°
24 mm 84°
Lens construction: 14 elements in 11 groups
Minimum focus distance: 0,28 m (in 18-24 mm)
Maximum reproduction ratio: 0,14×
Filter-attachment size: Filter cannot be attached
Accessories: Built-in hood / Case CL-M3
AF-S NIKKOR 14-24mm f/2.8G ED
Unique viewpoints turn into dramatic perspectives
: Aspherical lens elements
: ED glass elements
• Minimum focus distance is the distance from a camera’s focal plane mark to the subject.
5
N O R M A L ZO O M
N IK KO R L ENSE S
This remarkable line of lenses is designed to handle a variety of scenes and subject matter. Whichever
versatile and portable lens you choose, from the compact and approachable to the refined and highpowered, normal zooms will become a vital part of your photography. Choose the lens that best suits
your skill level and creative pursuits.
AF-S NIKKOR 18-35mm f/3.5-4.5G ED
Legendary professional wide-angle zoom lens
Compact and approachable wide-angle zoom lens
AF-S Zoom-Nikkor 17-35mm f/2.8D IF-ED
AF-S NIKKOR 18-35mm f/3.5-4.5G ED
© Joshua Cripps
With a fixed maximum aperture of f/2.8,
this lens covers the optimal range for
wide-angle assignments. The glass
produces clear and high-contrast images
throughout the entire zoom range.
A highly reliable professional lens.
17 mm 104°
35 mm 62°
Lens construction: 13 elements in 10 groups
Minimum focus distance: 0,28 m
Maximum reproduction ratio: 0,21×
Filter-attachment size: 77 mm
Accessories: Hood HB-23 / Case CL-76
While featuring 100° angle-of-view coverage at 18 mm, this
compact and lightweight zoom gives you superb mobility. The
optical system incorporates two ED glass elements and three
aspherical lens elements in order to maximize the performance of
high-pixel-count D-SLR cameras.
© Andrew Hancock
18 mm 100°
35 mm 63°
Lens construction: 12 elements in 8 groups
Minimum focus distance: 0,28 m
Maximum reproduction ratio: 0,19×
Filter-attachment size: 77 mm
Accessories: Hood HB-66 / Case CL-1118
AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR
: Aspherical lens elements
: ED glass elements
• Minimum focus distance is the distance from a camera’s focal plane mark to the subject.
6
Make every photo opportunity
come alive with dynamic zoom coverage
7
Fast f/2.8 standard zoom lens delivering exceptional image
quality
High-powered zoom with VR for DX photographers
AF-S DX Zoom-Nikkor 17-55mm f/2.8G IF-ED
AF-S DX NIKKOR 18-105mm f/3.5-5.6G ED VR
DX
This powerful, approx. 5.8× standard
zoom lens makes it possible to shoot
most subject matter with just one lens.
Vibration Reduction (VR) with an effect
equivalent to 3.5 stops* helps you
achieve steadier shots during low-light
and telephoto shooting.
This is the DX lens for both stunning
sharpness and beautiful bokeh. Its fine
resolution delivers exceptional image
rendering – from close subjects all the
way to infinity – to satisfy professionals
on assignment as well as aspiring highend photographers who value image
quality.
17 mm 79°
55 mm 28°50'
18 mm 76°
105 mm 15°20'
Lens construction: 14 elements in 10 groups
Minimum focus distance: 0,36 m (at 35 mm)
Maximum reproduction ratio: 0,20×
Filter-attachment size: 77 mm
Accessories: Hood HB-31 / Case CL-1120
Lens construction: 15 elements in 11 groups
Minimum focus distance: 0,45 m
Maximum reproduction ratio: 0,20×
Filter-attachment size: 67 mm
Accessories: Hood HB-32 / Case CL-1018
Remarkably compact and light,
DX-format standard zoom lenses
AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR II
AF-S DX NIKKOR 16-80mm f/2.8-4E ED VR
© Yoshitsugu Enomoto
Practical standard zoom with VR and
remarkably wide coverage
Normal zoom lens with superior depiction and
high mobility
AF-S DX NIKKOR 16-80mm f/2.8-4E ED VR
DX
AF-S DX NIKKOR 16-85mm f/3.5-5.6G ED VR
DX
(When retracted)
Versatile, high-power zooms with stunning image quality
DX
AF-S DX NIKKOR 18-140mm f/3.5-5.6G ED VR
: Aspherical lens elements
The most balanced and versatile standard zoom lens for passionate
DX-format camera users, with 5.3× zoom coverage that starts at
an 83° angle of view at 16 mm. Incredible sharpness, compact
body and Vibration Reduction (VR) with an effect equivalent to 3.5
stops* to ensure steadier shots and more photo opportunities –
from daily snapshots to travel documentary work.
16 mm 83°
85 mm 18°50'
16 mm 83°
80 mm 20°
Lens construction: 17 elements in 13 groups
Minimum focus distance: 0,35 m
Maximum reproduction ratio: 0,22×
Filter-attachment size: 72 mm
Accessories: Hood HB-75 / Case CL-1218 (optional)
Lens construction: 17 elements in 11 groups
Minimum focus distance: 0,38 m
Maximum reproduction ratio: 0,21×
Filter-attachment size: 67 mm
Accessories: Hood HB-39 / Case CL-1015
: Aspherical lens elements
: ED glass elements
• Minimum focus distance is the distance from a camera’s focal plane mark to the subject.
*Based on CIPA Standard. The value is achieved when: DX-format lenses are attached to a
DX-format digital SLR camera, FX-format compatible lenses are attached to an FX-format
digital SLR camera, and zoom lenses are set at the maximum telephoto position.
8
(When retracted)
18 mm 76°
140 mm 11°30'
Lens construction: 11 elements in 8 groups
Minimum focus distance: 0 ,28 m (AF); 0,25 m (MF)
Maximum reproduction ratio: 0,30× (AF); 0,36× (MF)
Filter-attachment size: 52 mm
Accessories: Hood HB-69 (optional) / Case CL-0815 (optional)
: Aspherical lens elements
AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED II DX
Weighing only 205 g/7.2 oz, this light
and compact standard zoom lens offers
clear, high-contrast pictures and approx.
3.1× zoom capability. It also enables you
to shoot close-up photographs with its
significantly short focus distance of
0.28 m/0.9 ft.
18 mm 76°
55 mm 28°50'
Lens construction: 7 elements in 5 groups
Minimum focus distance: 0,28 m
Maximum reproduction ratio: 0,30× (at 55 mm)
Filter-attachment size: 52 mm
Accessories: Hood HB-45 (optional) / Case CL-0815 (optional)
DX
The powerful, approx. 7.8× zoom of this
lens covers a wide focal-length range
from wide-angle to telephoto. Superb
optical performance achieves highdefinition images when combined with
high-pixel-count cameras. Vibration
Reduction (VR) that provides an effect
equivalent to 4.0 stops* effectively
compensates camera shake. This lens
is deal for capturing diverse scenes
of everyday life or during travel with a
single lens.
The employment of a retractable-lens
mechanism enables a compact and light
body. The high-performance optical
design incorporating an aspherical lens
element delivers high-definition images
throughout the entire zoom range. Builtin Vibration Reduction (VR) provides
an effect equivalent to a shutter speed
4.0 stops* faster. With 0.25 m/0.8 ft
minimum focus distance, you can get
much closer to the subject.
18 mm 76°
55 mm 28°50'
Remarkably lightweight 5× normal zoom lens with a maximum
aperture of f/2.8 at the maximum wide-angle position. This highperformance lens adopts the latest technologies such as Nano
Crystal Coat, fluorine coat and electromagnetic diaphragm – all are
firsts for DX-format lenses. Vibration Reduction (VR) provides an
effect equivalent to a shutter speed 4.0 stops* faster in Normal
mode. Utilizing its excellent rendering and superior mobility,
genuine shooting can be enjoyed during travel.
DX
: ED glass elements
Lens construction: 17 elements in 12 groups
Minimum focus distance: 0,45 m
Maximum reproduction ratio: 0,23×
Filter-attachment size: 67 mm
Accessories: Hood HB-32 (optional) / Case CL-1018 (optional)
AF-S DX NIKKOR 18-200mm f/3.5-5.6G ED VR II DX
One lens for every opportunity. This
incredibly versatile lens has a dynamic
zoom coverage of approx. 11× from the
widest 76° to the maximum telephoto
8°. Then there is also Vibration
Reduction (VR) with an effect equivalent
to 3.5 stops* for even more potential.
Perfect when you need to travel light.
18 mm 76°
200 mm 8°
Lens construction: 16 elements in 12 groups
Minimum focus distance: 0,5 m
Maximum reproduction ratio: 0,22×
Filter-attachment size: 72 mm
Accessories: Hood HB-35 / Case CL-1018
9
Compact and light, ultra-high-power zoom with VR
AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR
Sharp and approachable standard zoom lenses
DX
A compact and light body is achieved
while featuring high-power approx.
16.7× zoom capability. High optical
performance is realized with the
employment of three ED glass and three
aspherical lens elements. Vibration
Reduction (VR) provides an effect
equivalent to a shutter speed 4.0 stops*
faster. This well-balanced high-power
zoom lens is ideal for capturing diverse
subjects with a single lens.
AF-S NIKKOR 24-85mm f/3.5-4.5G ED VR
An excellent compact standard-use lens
that works well with agile FX-format
cameras. Covering the most frequently
used zoom range, this versatile lens
can handle a wide range of subject
matter, including landscapes, interiors,
portraits and candids. The Vibration
Reduction (VR) with an effect equivalent
to 4.0 stops* enhances your handheld
capability, opening up many new
lowlight opportunities.
18 mm 76°
300 mm 5°20’
24 mm 84°
85 mm 28°30'
Lens construction: 16 elements in 12 groups
Minimum focus distance: 0,48 m
Maximum reproduction ratio: 0,31×
Filter-attachment size: 67 mm
Accessories: Hood HB-39 (optional)/Case CL-1018 (optional)
Lens construction: 16 elements in 11 groups
Minimum focus distance: 0,38 m
Maximum reproduction ratio: 0,22×
Filter-attachment size: 72 mm
Accessories: Hood HB-63 / Case CL-1118
DX-format, ultra-high-power 16.7x zoom lens with VR
AF-S DX NIKKOR 18-300mm f/3.5-5.6G ED VR
DX
Despite having an unprecedented
approx. 16.7× zoom capability, this
lens offers consistent image quality
throughout its broad range. You can
even shoot handheld at 300 mm supertelephoto, thanks to built-in Vibration
Reduction (VR) with an effect equivalent
to 3.5 stops*. Experience a truly allaround performance lens that is ideal for
travel and events.
18 mm 76°
300 mm 5°20’
AF Zoom-Nikkor 24-85mm f/2.8-4D IF
Covering the most frequently used
zoom range, this lens offers a great
balance of fine resolution and smooth
tonal gradation. AF macro shooting up to
1/2× is another great advantage.
24 mm 84°
85 mm 28°30'
Practical standard zoom lens with VR and Nano Crystal Coat
Versatile, high-powered 11x zoom with VR
AF-S NIKKOR 24-120mm f/4G ED VR
AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR
24 mm 84°
120 mm 20°20'
Lens construction: 17 elements in 13 groups
Minimum focus distance: 0,45 m
Maximum reproduction ratio: 0,23×
Filter-attachment size: 77 mm
Accessories: Hood HB-53 / Case CL-1218
10
© Kate Hopewell-Smith
High-performance, fast normal zoom lens with an aspherical
ED glass element
Incredibly reliable, highly balanced standard zoom lens
AF-S NIKKOR 24-70mm f/2.8E ED VR
AF-S NIKKOR 24-70mm f/2.8G ED
2.9× normal zoom lens with VR and f/2.8 fixed maximum aperture.
Employs an aspherical ED glass element – a first for NIKKOR
lenses, ED glass and HRI lens elements plus Nano Crystal Coat to
achieve high optical performance delivering high-resolution images
with natural blurring effect. Evolved Vibration Reduction (VR)
provides an effect equivalent to a shutter speed 4.0 stops* faster.
Higher-speed and more accurate AF is ensured, while stable AE
control is realized even during high-speed continuous shooting
via the adoption of an electromagnetic diaphragm mechanism.
Fluorine coat is applied to the extreme front and rear lens
surfaces for easy maintenance. Highly durable body is designed
to withstand the severest shooting environments of professionals,
while retaining superb operability and comfortable holding.
With a fixed aperture of f/2.8, the NIKKOR glass in this lens
provides both fine resolution and natural representation. In
addition, the Nano Crystal Coat helps effectively reduce ghost
and flare effects under harsh lighting. Praised for its reliability and
overall image quality, this is a long-time favorite of passionate
professionals.
Lens construction: 15 elements in 11 groups
Minimum focus distance: 0,5 m (0,21 m in macro)
Maximum reproduction ratio: 0,17× (0,50× in macro)
Filter-attachment size: 72 mm
Accessories: Hood HB-25 / Case CL-S2 (optional)
Lens construction: 19 elements in 14 groups
Minimum focus distance: 0,45 m (at 300 mm)
Maximum reproduction ratio: 0,29×
Filter-attachment size: 77 mm
Accessories: Hood HB-58 / Case CL-1120
This versatile 5× zoom lens delivers
stunning image quality at any aperture
or focal length, while the Nano Crystal
Coat reduces ghost and flare effects.
The lens body is impressively slim
and compact, despite having built-in
Vibration Reduction (VR) that provides
an effect equivalent to 3.5 stops*. A
standard zoom lens of exceptional utility
and value for FX-format users.
AF-S NIKKOR 24-70mm f/2.8E ED VR
A powerful zoom lens optimized for
FX-format cameras. This lens offers
outstanding sharpness for such a broad
zoom range while maintaining an f/5.6
aperture at the telephoto end. Built-in
Vibration Reduction (VR) compensates
camera shake for up to 3.5 stops*. A
remarkably versatile zoom lens best
suited for travel and other outdoor
applications.
28 mm 75°
300 mm 8°10'
Lens construction: 19 elements in 14 groups
Minimum focus distance: 0,5 m
Maximum reproduction ratio: 0,31×
Filter-attachment size: 77 mm
Accessories: Hood HB-50 / Case CL-1120
24 mm 84°
70 mm 34°20'
Lens construction: 15 elements in 11 groups
Minimum focus distance: 0,38 m (in 35-50 mm)
Maximum reproduction ratio: 0,26×
Filter-attachment size: 77 mm
Accessories: Hood HB-40 / Case CL-M3
24 mm 84°
70 mm 34°20'
Lens construction: 20 elements in 16 groups
Minimum focus distance: 0 ,38 m (in 35-50 mm), 0,41 m (in 24, 28, 70 mm)
Maximum reproduction ratio: 0,28×
Filter-attachment size: 82 mm
Accessories: Hood HB-74 / Case CL-M3
: Aspherical lens elements
: ED glass elements
: Aspherical ED glass element
• Minimum focus distance is the distance from a camera’s focal plane mark to the subject.
*Based on CIPA Standard. The value is achieved when: DX-format lenses are attached to a
DX-format digital SLR camera, FX-format compatible lenses are attached to an FX-format
digital SLR camera, and zoom lenses are set at the maximum telephoto position.
11
TELEPHOTO ZOOM
N IK KO R LENSE S
Approachable zoom for sharp super-telephoto shooting
AF-S DX NIKKOR 55-300mm f/4.5-5.6G ED VR
One telephoto zoom lens can drastically broaden your creative and compositional potential. With
their longer focal lengths, relatively shallow depths of field and dramatic telephoto compression
effect, you can capture a wide array of subjects in ways few lenses can. In addition, many of these
lenses come with Vibration Reduction (VR) to control camera shake, so you can expect sharper shots
AF-S DX NIKKOR 55-200mm f/4-5.6G ED VR II
© Yves Paternoster
of your telephoto subjects.
This practical zoom lens allows DX users
to reach 300 mm supertelephoto and
make sharper shots with ease, thanks
to built-in Vibration Reduction (VR) that
provides an effect equivalent to 3.0
stops*. In addition, the new HRI (High
Refractive Index) lens – a first for the
NIKKOR lineup – achieves clear, highcontrast images at every aperture and
focal length, and contributes to making
the lens body compact. Ideal for travel
and events.
Telephoto zoom lens featuring a retractable lens mechanism
AF-S DX NIKKOR 55-200mm f/4-5.6G ED VR II
DX
Featuring a 55-200 mm focal-length
range and f/4-5.6 maximum aperture, this
telephoto zoom lens adopts a retractable
barrel mechanism to realize remarkably
compact size. Vibration Reduction (VR)
provides an effect equivalent to a shutter
speed 4.0 stops* faster. The employment
of an ED glass element achieves superior
optical performance with minimal
chromatic aberration.
55 mm 28°50'
200 mm 8°
Lens construction: 13 elements in 9 groups
Minimum focus distance: 1,1 m
Maximum reproduction ratio: 0,23×
Filter-attachment size: 52 mm
Accessories: Hood HB-37 (optional) / Case CL-0915 (optional)
55 mm 28°50'
300 mm 5°20'
Lens construction: 17 elements in 11 groups
Minimum focus distance: 1,4 m
Maximum reproduction ratio: 0,27×
Filter-attachment size: 58 mm
Accessories: Hood HB-57 / Case CL-1020
Compact and accessible telephoto zoom with
a powerful 300 mm reach
AF-S VR Zoom-Nikkor 70-300mm f/4.5-5.6G IF-ED
Whether you shoot in DX format or FX
format, this small and portable zoom
offers impressive versatility with a fairly
long focal length of 300 mm. Its approx.
4.3× zoom range and Vibration Reduction
(VR) with an effect equivalent to 2.5 stops*
add to its utility for most telephoto shooting
opportunities. The specialized NIKKOR
glass produces clear, high-contrast images
with less chromatic aberration.
Compact design with convenient telephoto range
AF-S DX VR Zoom-Nikkor 55-200mm f/4-5.6G IF-ED DX
Vibration Reduction (VR) with an effect
equivalent to 3.0 stops* significantly
reduces camera shake throughout
the entire focal length, making sharp
telephoto shots substantially easier. An
ideal lens for sports, people and school
events, this lens provides clear images
with less blur.
© Lucas Gilman
55 mm 28°50'
200 mm 8°
Lens construction: 15 elements in 11 groups
Minimum focus distance: 1,1 m
Maximum reproduction ratio: 0,22×
Filter-attachment size: 52 mm
Accessories: Hood HB-37 / Case CL-0918
Nail the decisive moment
and capture the action from a distance
AF-S NIKKOR 70-200mm f/2.8G ED VR II
: ED glass elements
• Minimum focus distance is the distance from a camera’s focal plane mark to the subject.
*Based on CIPA Standard. The value is achieved when: DX-format lenses are
attached to a DX-format digital SLR camera, FX-format compatible lenses are
attached to an FX-format digital SLR camera, and zoom lenses are set at the
maximum telephoto position.
DX
70 mm 34°20'
300 mm 8°10'
Lens construction: 17 elements in 12 groups
Minimum focus distance: 1.5 m
Maximum reproduction ratio: 0.24x
Filter-attachment size: 67 mm
Accessories: Hood HB-36 / Case CL-1022
Fixed aperture f/2.8 with great optics and beautiful bokeh
AF Zoom-Nikkor 80-200mm f/2.8D ED
This high-performance zoom has a fixed
f/2.8 aperture throughout the zoom range,
giving your telephoto shots a beautiful
background bokeh. Expect remarkable
image reproduction in the fine details,
even when shooting wide-open. AF
close-up shooting is also possible, letting
you focus and shoot from 1.5 m/4.9 ft.
80 mm 30°10'
200 mm 12°20'
Lens construction: 16 elements in 11 groups
Minimum focus distance: 1,8 m (1,5 m in macro)
Maximum reproduction ratio: 0,13× (0,17x in macro)
Filter-attachment size: 77 mm
Accessories: Hood HB-7 (optional) / Case CL-43A
13
Significantly refined: a pro’s essential telephoto zoom lenses
AF-S NIKKOR 70-200mm f/2.8G ED VR II
AF-S NIKKOR 70-200mm f/4G ED VR
The most reliable and essential f/2.8 fixed aperture telephoto
zoom lens has now been reborn with a number of significant
improvements. Optimized for FX-format cameras, the resulting
images deliver stunning detail and contrast across the entire frame
when taken at any focus point or aperture. What's more, the
lens comes equipped with enhanced AF performance, Vibration
Reduction (VR) with an effect equivalent to 3.5 stops* and Nano
Crystal Coat to reduce ghost and flare effects, broadening your
shooting potential and giving photographers added confidence
when shooting in difficult situations.
This carry-anywhere telephoto zoom lens is useful across a wide
general range of shooting scenarios such as sports and snapshots.
Its Nano Crystal Coat effectively reduces ghost and flare while
its high-performance Vibration Reduction (VR) minimizes the
effects of camera shake, allowing you to shoot at a shutter speed
approximately 4.0 stops* faster. Close-up capability is an added
advantage.
70 mm 34°20'
200 mm 12°20'
Lens construction: 21 elements in 16 groups
Minimum focus distance: 1,4 m
Maximum reproduction ratio: 0,11×
Filter-attachment size: 77 mm
Accessories: Hood HB-48 / Case CL-M2
70 mm 34°20'
200 mm 12°20'
Lens construction: 20 elements in 14 groups
Minimum focus distance: 1,0 m
Maximum reproduction ratio: 0,27×
Filter-attachment size: 67 mm
Accessories: Hood HB-60 / Case CL-1225 /
Tripod Collar Ring RT-1 (optional)
AF-S NIKKOR 200-500mm f/5.6E ED VR © Craig Kolesky
Top-of-the-line, super-telephoto zoom for
crucial assignments
Super-telephoto zoom lens with superb optical performance
and VR
AF-S NIKKOR 200-400mm f/4G ED VR II
AF-S NIKKOR 200-500mm f/5.6E ED VR
This zoom range 200-400 mm lens has a fixed aperture of f/4 and
is a NIKKOR-exclusive quality lens. Ideal for photographers who
need to keep their gear to a minimum while on super-telephoto
assignments that require stunning image quality. Nano Crystal
Coat and Vibration Reduction (VR) with an effect equivalent to 3.0
stops* offer added capability, contributing to sharper images under
demanding conditions.
This super-telephoto zoom lens covers 200-500 mm focal-length
range with a fixed maximum aperture of f/5.6. Adoption of ED
glass elements achieves superior optical performance with
minimal chromatic aberration throughout the entire zoom range.
Vibration Reduction (VR) system provides an effect equivalent to
a shutter speed 4.5 stops* faster in Normal mode. Sport mode
is adopted as a VR mode option to cope with quick movements.
Stable AE control is ensured even during high-speed continuous
shooting via the adoption of an electromagnetic diaphragm
mechanism, enabling the capture of decisive moments of wild
birds or flying aircraft.
Long-range, VR-enabled 400 mm zoom lens
AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR
This 5× telephoto zoom is ideal for shooting sports, wild birds,
aircraft and landscapes. Its superior optical performance is due in
part to its one Super ED and four ED glass elements, as well as its
Nano Crystal Coat. Vibration Reduction (VR) is integrated to offer
an effect equivalent to a shutter speed 4.0 stops* faster.
AF-S NIKKOR 70-200mm f/4G ED VR © Andrew Hancock
200 mm 12°20'
400 mm 6°10'
80 mm 30°10'
400 mm 6°10'
Lens construction: 24 elements in 17 groups
Minimum focus distance: 2 m (AF) ; 1,95 m (MF)
Maximum reproduction ratio: 0,26× (AF) ; 0,27× (MF)
Filter-attachment size: 52 mm
Accessories: Hood HK-30 / Case CL-L2
Lens construction: 20 elements in 12 groups
Minimum focus distance: 1,75 m (AF); 1,5 m (MF)
Maximum reproduction ratio: 0,17× (AF); 0,19× (MF)
Filter-attachment size: 77 mm
Accessories: Hood HB-65 / Case CL-M2
200 mm 12°20'
500 mm 5°
Lens construction: 19 elements in 12 groups
Minimum focus distance: 2,2 m
Maximum reproduction ratio: 0,22×
Filter-attachment size: 95 mm
Accessories: Hood HB-71 / Case CL-1434
• Minimum focus distance is the distance from a camera’s focal plane mark to the subject.
*Based on CIPA Standard. The value is achieved when: DX-format lenses are attached to a
DX-format digital SLR camera, FX-format compatible lenses are attached to an FX-format
digital SLR camera, and zoom lenses are set at the maximum telephoto position.
14
AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR © Ray Demski
: ED glass elements
: Super ED glass element
15
FIXED FOC AL- LENGTH
N IK KO R LENSE S
Dynamic perspectives achieved by ultra-wide angle
Superb optics with fast f/1.4 for amazing bokeh
AF Nikkor 14mm f/2.8D ED
AF-S NIKKOR 24mm f/1.4G ED
The greatest advantage of this versatile
wide-angle lens is its amazingly beautiful
bokeh at f/1.4 while covering an 84°
angle of view. Its optical design now
reveals more refined detail with even
less aberration. In addition, Nano Crystal
Coat effectively reduces ghost and flare
effects in harsh lighting.
At 14 mm, this lens covers an extremely
wide 114° angle of view, capturing
a remarkably broad expanse with an
exaggerated perspective, making it ideal
for shooting large buildings, narrow
indoor spaces or vast nature.
Fixed focal-length lenses not only offer stunning sharpness. This approachable lineup of fast aperture
lenses also gives photographers an easy way to shoot beautiful background bokeh and get a broader
range of shooting opportunities in low light. From the 14 mm ultra-wide-angle to the 800 mm
84°
114°
super-telephoto, the NIKKOR fixed focal-length lineup gives your images a distinct personality.
Lens construction: 14 elements in 12 groups
Minimum focus distance: 0,2 m
Maximum reproduction ratio: 0,15×
Filter-attachment size: Rear-attachment type
Accessories: Built-in hood / Case CL-S2
Lens construction: 12 elements in 10 groups
Minimum focus distance: 0,25 m
Maximum reproduction ratio: 0,18×
Filter-attachment size: 77 mm
Accessories: Hood HB-51 / Case CL-1118
Compact and light, fast wide-angle lens with
high image quality
AF Nikkor 20mm f/2.8D
With both a dynamic perspective and
a great depth of field, this 20 mm lens
gives you edge-to-edge sharpness and
less distortion when shooting interiors,
landscapes and more. Superb optics and
compact design (approx. 270 g/9.5 oz).
AF-S NIKKOR 24mm f/1.8G ED
94°
Lens construction: 12 elements in 9 groups
Minimum focus distance: 0,25 m
Maximum reproduction ratio: 0,12×
Filter-attachment size: 62 mm
Accessories: Hood HB-4 (optional) / Case CL-S2 (optional)
A fast, compact, lightweight, wide-angle prime lens that can
create natural blur utilizing the maximum aperture of f/1.8.
Employing Nano Crystal Coat, ED glass elements, and aspherical
lens elements delivers superior optical performance with minimal
ghost effect and chromatic aberration. The latest optical design
technologies achieve superior resolution to the edges of the frame.
Ideal for shooting wide landscapes.
Compact, ultra-wide-angle lens for elaborate expression
84°
AF-S NIKKOR 20mm f/1.8G ED
This 20 mm lens enables photographic
expression utilizing the shallow depth
of field achieved at the maximum
aperture of f/1.8. The latest optical design
technology delivers high resolution and
superb point-image reproduction while
minimizing chromatic aberration. ED glass
elements and Nano Crystal Coat ensure
superior image quality. A great choice for
landscapes and indoor shots.
© Ken Goshima
Lens construction: 12 elements in 9 groups
Minimum focus distance: 0,23 m
Maximum reproduction ratio: 0,20×
Filter-attachment size: 72 mm
Accessories: Hood HB-76 / Case CL-1015
Standard wide-angle lens for general purpose
AF Nikkor 24mm f/2.8D
Compact and approachable, this wideangle lens provides sharp images with a
great perspective. Ideal for landscapes,
travel, environmental portraits and more.
94°
Lens construction: 13 elements in 11 groups
Minimum focus distance: 0,2 m
Maximum reproduction ratio: 0,23×
Filter-attachment size: 77 mm
Accessories: Hood HB-72 / Case CL-1015
84°
Lens construction: 9 elements in 9 groups
Minimum focus distance: 0,3 m
Maximum reproduction ratio: 0,11×
Filter-attachment size: 52 mm
Accessories: Hood HN-1 (optional) / Case CL-0715 (optional)
AF-S NIKKOR 20mm f/1.8G ED
Create individual depiction utilizing a unique perspective
: Aspherical lens elements
: ED glass elements
• Minimum focus distance is the distance from a camera’s focal plane mark to the subject.
17
Fast f/1.8 wide-angle lens with exquisite sharpness and
quality bokeh
Standard wide-angle lens for general purpose
Ultra-fast f/1.4 for exquisite sharpness and bokeh
AF-S NIKKOR 28mm f/1.8G
AF Nikkor 28mm f/2.8D
AF-S NIKKOR 50mm f/1.4G
This light, compact and convenient
wide-angle lens allows you to get as
close as 0.25 m/0.85 ft with a natural
perspective. A great lens for nearly any
wide-angle subject matter.
This lens is designed to take full
advantage of the latest high-megapixel
cameras by delivering stunning
sharpness and clarity. Its Nano Crystal
Coat reduces ghost and flare effects to
enhance its image quality even further.
75°
Expect outstanding image quality, edgeto-edge sharpness and high contrast
at any aperture or focus distance. An
ultra-fast f/1.4 maximum aperture not
only creates attractive bokeh with its
rounded 9-blade diaphragm, but also
offers great low-light performance. Ideal
for portraits, landscapes, travel and
more.
74°
Lens construction: 11 elements in 9 groups
Minimum focus distance: 0,25 m
Maximum reproduction ratio: 0,21×
Filter-attachment size: 67 mm
Accessories: Hood HB-64 / Case CL-0915
Compact and light, fast wide-angle lens with high resolution
AF-S NIKKOR 35mm f/1.4G
AF-S NIKKOR 35mm f/1.8G ED
The legendary manual-focus Nikkor 35mm f/1.4 has now been
upgraded to an AF-S lens with the latest digital technology. This
lens achieves a remarkable level of coma aberration correction in
order to deliver stunning images, even at a wide-open aperture.
Nano Crystal Coat drastically reduces ghost and flare effects when
shooting wide-angle, where the possibility of these effects can
increase. A great choice for nature, landscape, night scenes and
astrophotography.
This wide-angle prime lens realizes superior point-image
reproduction. With its high resolving power and sharp rendering
capability, impressive expression utilizing natural and beautiful
bokeh for both foreground and background can be attained. It is
ideal for snapshots as well as for capturing diverse scenes such as
night landscapes, landscapes and portraits.
Aspherical lens elements
Lens construction: 7 elements in 6 groups
Minimum focus distance: 0,45 m
Maximum reproduction ratio: 0,14×
Filter-attachment size: 52 mm
Accessories: Hood HR-2 (optional) / Case CL-0715 (optional)
Fast normal lens designed for the Nikon Df
Strikingly crisp, compact and approachable primes
AF-S NIKKOR 50mm f/1.8G (Special Edition)
AF-S NIKKOR 50mm f/1.8G
Remarkably light and compact body
considering the fast f/1.8 maximum
aperture and built-in SWM that enables
smooth AF. This lens features a newly
designed optical system including
an aspherical lens element, offering
stunning sharpness and quality bokeh. A
great choice for portraits, still-life shots,
low-light scenes and more.
47°
The current 50mm f/1.8G has been redesigned to achieve ideal
matching with the smallest and lightest FX-format camera, the
Nikon Df, maximizing its high optical performance and superior
mobility. While paying homage to classic manual-focus lenses,
its external design features leather-tone finish as well as a silver
aluminum ring and knurled focus ring, all coordinated with the Df.
47°
Lens construction: 11 elements in 8 groups
Minimum focus distance: 0,25 m
Maximum reproduction ratio: 0,23×
Filter-attachment size: 58 mm
Accessories: Hood HB-70 / Case CL-0915
Lens construction: 10 elements in 7 groups
Minimum focus distance: 0,3 m
Maximum reproduction ratio: 0,19×
Filter-attachment size: 67 mm
Accessories: Hood HB-59 / Case CL-1118
46°
Lens construction: 8 elements in 7 groups
Minimum focus distance: 0,45 m
Maximum reproduction ratio: 0,14×
Filter-attachment size: 58 mm
Accessories: Hood HB-47 / Case CL-1013
63°
63°
This lens offers quality optics and an
ultra-fast f/1.4 maximum aperture,
delivering superb resolution and color
reproduction. An approachable standard
lens for both fine detail and stunning
bokeh imagery.
46°
Lens construction: 6 elements in 6 groups
Minimum focus distance: 0,25 m
Maximum reproduction ratio: 0,17×
Filter-attachment size: 52 mm
Accessories: Hood HN-2 (optional) / Case CL-0715 (optional)
Wide-angle f/1.4 prime with stunning clarity
AF Nikkor 50mm f/1.4D
AF Nikkor 50mm f/1.8D
Lens construction: 7 elements in 6 groups
Minimum focus distance: 0,45 m
Maximum reproduction ratio: 0,15×
Filter-attachment size: 58 mm
Accessories: Hood HB-47 / Case CL-1013
ED glass elements
Lens construction: 7 elements in 6 groups
Minimum focus distance: 0,45 m
Maximum reproduction ratio: 0,15×
Filter-attachment size: 58 mm
Accessories: Hood HB-47 / Case CL-1013
Offering natural image rendering and
exceptional sharpness, this extremely
compact and lightweight lens weighs
approx. 155 g/5.5 oz, making it a
convenient carry-around lens for nearly
any shooting opportunity.
: Aspherical lens elements
Fast and highly practical wide-angle lens
Strikingly crisp, f/1.8 prime for DX users
AF-S DX NIKKOR 35mm f/1.8G
DX
Lens construction: 8 elements in 6 groups
Minimum focus distance: 0,3 m
Maximum reproduction ratio: 0,16×
Filter-attachment size: 52 mm
Accessories: Hood HB-46 / Case CL-0913
18
Lens construction: 6 elements in 5 groups
Minimum focus distance: 0,45 m
Maximum reproduction ratio: 0,15×
Filter-attachment size: 52 mm
Accessories: Hood HR-2 (optional) / Case CL-0715 (optional)
A fast f/2 aperture makes it easier to
shoot in low light, giving you sharp and
high-contrast images from infinity to
up-close. A great choice for landscapes
and environmental portraits with either
deep-focus or beautiful background
bokeh.
Optimized for DX-format cameras, this
lens delivers both the superb sharpness
and smooth bokeh you expect from a
prime lens, making it particularly suited
for portraits. The fast aperture ensures
more photo opportunities in low light.
44°
46°
AF Nikkor 35mm f/2D
62°
Lens construction: 6 elements in 5 groups
Minimum focus distance: 0,25 m
Maximum reproduction ratio: 0,23×
Filter-attachment size: 52 mm
Accessories: Hood HN-3 (optional) / Case CL-0715 (optional)
AF-S NIKKOR 50mm f/1.8G
© Ryo Ohwada
: Aspherical lens elements
: ED glass elements
• Minimum focus distance is the distance from a camera’s focal plane mark to the subject.
19
Medium-range telephoto lens optimal for portraits
AF-S NIKKOR 85mm f/1.8G
An approachable portrait prime lens
for FX and DX photographers alike.
With its fast f/1.8 aperture and a new
optical design, this lens delivers both
stunning details and quality bokeh from
a surprisingly light and compact body.
Moreover, its Silent Wave Motor (SWM)
offers quieter and smoother AF.
28°30'
Lens construction: 9 elements in 9 groups
Minimum focus distance: 0,8 m
Maximum reproduction ratio: 0,12×
Filter-attachment size: 67 mm
Accessories: Hood HB-62 / Case CL-1015
AF-S NIKKOR 200mm f/2G ED VR II
AF-S NIKKOR 58mm f/1.4G
© Johannes Schedler
High-performance medium telephoto with ED glass
Crystal-clear, amazingly fast telephoto with VR
AF Nikkor 180mm f/2.8D IF-ED
AF-S NIKKOR 200mm f/2G ED VR II
Remarkably compact and easy to handle for a fast medium
telephoto, this lens utilizes NIKKOR’s renowned ED glass to
compensate for chromatic aberration and deliver high-contrast
clear images, even at the maximum aperture of f/2.8. A favorite of
astronomical photographers, the lens is also well-suited for close
portraits, short-range sports, theater photography and more.
Trusted by countless professionals, this telephoto prime lens has
captured many significant moments in sports, theater and studio
portraiture. ED glass elements – including one Super ED glass –
compensate for chromatic aberration, plus Nano Crystal Coat
ensures clarity in demanding light. Vibration Reduction (VR) with
an effect equivalent to 3.0 stops* and a fast f/2 aperture broaden
creative potential. *Based on CIPA Standard. This value is achieved
when attached to n FX-format digital SLR camera.
© Jeremy Walker
Fast normal lens with overwhelming rendering performance
Medium-range telephoto lens optimal for portraits
AF-S NIKKOR 58mm f/1.4G
AF-S NIKKOR 85mm f/1.4G
12°20'
13°40'
This prime lens achieves impressive scene description with high
resolution and smooth, beautiful bokeh. Despite the fast aperture,
sharp, high-contrast images of distant subjects can be captured
even at the maximum aperture. Point light sources located at
infinity can be finely reproduced as point images even with the
aperture set at the maximum. In addition, elaborately designed
bokeh characteristics depict subjects attractively, resulting in
images with natural depth. Superior rendering capability that
realizes two contradictory factors enables new photographic
creativity. With all these advantages, this lens is a very individual
addition to the NIKKOR lineup.
Employing a re-designed optical system incorporating Nano
Crystal Coat, this lens inherits an ultra-fast f/1.4 and a rounded
nine-blade diaphragm for stunning bokeh. In addition, the newly
developed MF driving mechanism reduces focus time lag and
enables smooth operation in M/A mode. Expect incredibly crisp
yet natural image rendering for portraits, whether for studio work
or other commercial shoots outdoors.
Lens construction: 9 elements in 6 groups
Minimum focus distance: 0,58 m
Maximum reproduction ratio: 0,12×
Filter-attachment size: 72 mm
Accessories: Hood HB-68 / Case CL-1015
Lens construction: 10 elements in 9 groups
Minimum focus distance: 0,85 m
Maximum reproduction ratio: 0,11×
Filter-attachment size: 77 mm
Accessories: Hood HB-55 / Case CL-1118
: Aspherical lens elements
: Aspherical lens elements
: ED glass elements
: Super ED glass element
• Minimum focus distance is the distance from a camera’s focal plane mark to the subject.
Lens construction: 13 elements in 9 groups
Minimum focus distance: 1,9 m
Maximum reproduction ratio: 0,12×
Filter-attachment size: 52 mm
Accessories: Hood HK-31 / Case CL-L1
DC lenses allowing creative focus control
AF DC-Nikkor 105mm f/2D
AF DC-Nikkor 135mm f/2D
DC (Defocus Image Control) allows you
to control the degree of soft focus in the
foreground or background of an image.
With a focal length of 105 mm and a fast
f/2 maximum aperture, it performs well
as a portrait lens with sharpness and
excellent bokeh.
28°30'
40°50'
20
Lens construction: 8 elements in 6 groups
Minimum focus distance: 1,5 m
Maximum reproduction ratio: 0,15×
Filter-attachment size: 72 mm
Accessories: Built-in hood / Case CL-38
23° 20'
Using the same DC (Defocus Image
Control) employed in the 105mm f/2D,
the 135 mm focal length offers more
telephoto reach, making it ideal for tight
portraits while providing opportunities
to shoot with a shallow depth of field or
under low light.
18°
Lens construction: 6 elements in 6 groups
(plus one protective lens)
Minimum focus distance: 0,9 m
Maximum reproduction ratio: 0,13×
Filter-attachment size: 72 mm
Accessories: Built-in hood / Case CL-38 (optional)
Lens construction: 7 elements in 6 groups
(plus one protective lens)
Minimum focus distance: 1,1 m
Maximum reproduction ratio: 0,13×
Filter-attachment size: 72 mm
Accessories: Built-in hood / Case CL-38 (optional)
21
The most renowned professional telephoto prime
Prime telephoto lens employing a PF (Phase Fresnel) lens
New-generation, super-telephoto lens achieving a light
body and high optical performance
New-generation, super-telephoto lens achieving a light
body and high optical performance
AF-S NIKKOR 300mm f/2.8G ED VR II
AF-S NIKKOR 300mm f/4E PF ED VR
AF-S NIKKOR 500mm f/4E FL ED VR
AF-S NIKKOR 600mm f/4E FL ED VR
This fast 500 mm super-telephoto lens with superior rendering
is useful for sport scenes. Employing two fluorite lens elements
realizes an extremely lightweight approx. 3090 g body. Besides
fluorite elements, ED glass elements plus Nano Crystal Coat
are employed to achieve high optical performance with minimal
chromatic aberration and ghost effect. Vibration Reduction (VR)
system (provides an effect equivalent to a shutter speed 4.0
stops* faster in Normal mode) adopts Sport mode as a VR mode
option. Even during high-speed continuous shooting, superior AF
tracking is achieved, while exposure is stably controlled with the
adoption of an electromagnetic diaphragm mechanism. Tripod
collar ring utilizing bearings enables smooth switching between
horizontal and vertical orientation. Fluorine coat is applied for
enhanced durability and dust prevention.
This fast 600 mm super-telephoto lens realizes superior optical
performance in a remarkably light body. Employing two fluorite
lens elements achieves an extremely lightweight approx. 3810
g body. In addition, ED glass elements and Nano Crystal Coat
are employed to deliver high optical performance with minimal
chromatic aberration and ghost effect. Vibration Reduction (VR)
system provides an effect equivalent to a shutter speed 4.0 stops*
faster in Normal mode. Sport mode is also adopted for providing
stable viewfinder images even when tracking radically-moving
subjects such as wild animals. Even during high-speed continuous
shooting, superior AF tracking is achieved, while exposure is stably
controlled with the adoption of an electromagnetic diaphragm
mechanism. Tripod collar ring utilizing bearings enables smooth
switching between horizontal and vertical orientation. Fluorine coat
is applied for enhanced durability and dust prevention.
This highly regarded professional super-telephoto lens is now
reborn with Vibration Reduction (VR) to enable handheld shooting
at up to 3.0 stops* slower. The Nano Crystal Coat reduces ghost
and flare effects, helping to create stunningly crisp, clear images.
The best choice for indoor and action sports.
8°10'
This telephoto lens employs a PF (Phase Fresnel) lens element, a
first in the NIKKOR lineup, to realize an outstandingly compact and
light body while effectively minimizing chromatic aberration. High
optical performance is also ensured with an ED glass element and
Nano Crystal Coat. Vibration Reduction (VR) function provides an
effect equivalent to a shutter speed 4.5 stops* faster in Normal
mode. Ideal for capturing a wide range of scenes such as sports,
wildlife, landscapes, and portraits.
Lens construction: 11 elements in 8 groups
(plus one Meniscus Protective Lens)
Minimum focus distance: 2,3 m (AF) ; 2,2 m (MF)
Maximum reproduction ratio: 0,15× (AF) ; 0,16× (MF)
Filter-attachment size: 52 mm
Accessories: Hood HK-30 / Case CL-L1
8°10'
Lens construction: 16 elements in 10 groups
Minimum focus distance: 1,4 m
Maximum reproduction ratio: 0,24×
Filter-attachment size: 77 mm
Accessories: Hood HB-73 / Case CL-M3 /
Tripod Collar Ring RT-1 (optional)
4°10'
5°
Approachable, easy-to-handle telephoto lens
Remarkably lightweight, high-performance
super-telephoto lens
AF-S Nikkor 300mm f/4D IF-ED
AF-S NIKKOR 400mm f/2.8E FL ED VR
Offering an excellent balance between
size and image quality, this lens realizes
great sharpness, making it an ideal
super-telephoto lens for sports, wildlife
or travel applications. Also handles
closer subjects incredibly well.
Overwhelming super-telephoto with fluorite
AF-S NIKKOR 800mm f/5.6E FL ED VR
With its 800 mm focal length, this lens is what sports and press
photographers have been waiting for. Employing fluorite, ED glass
and Nano Crystal Coat, it delivers outstandingly clear images
with minimized chromatic aberration, ghosting and flare. Supertelephoto shooting is reliably supported by an electromagnetic
diaphragm mechanism and Vibration Reduction (VR) with
an effect equivalent to 4.5 stops* (4.0 stops* with the AF-S
TELECONVERTER TC800-1.25E ED). Thanks to the use of fluorite
and magnesium alloy, a light yet durable lens is realized. With the
dedicated 1.25x Teleconverter employing ED glass, focal length is
extended to 1000 mm while retaining superior reproduction.
AF-S TELECONVERTER TC800-1.25E ED
8°10'
This new-generation super-telephoto lens provides outstanding
optical performance with minimized chromatic aberration. The
weight of approx. 3800 g is realized through the employment of
fluorites for superior mobility. Vibration Reduction (VR) with an
effect equivalent to 4.0 stops* adopts a new “Sport” mode that
is particularly effective when shooting sports. Other noticeable
features include an electromagnetic diaphragm for stable exposure
control even during continuous shooting, a highly reliable fluorine
coat applied to the lens front, and a tripod mount ring incorporating
bearings for smooth operation.
Lens construction: 10 elements in 6 groups
Minimum focus distance: 1,45 m
Maximum reproduction ratio: 0,27×
Filter-attachment size: 77 mm
Accessories: Built-in hood / Case CL-M2
Lens construction: 16 elements in 12 groups
(plus one meniscus protective glass with fluorine coat)
Minimum focus distance: 4,4 m
Maximum reproduction ratio: 0,14×
Filter-attachment size: 40,5 mm
Accessories: Hood HK-40 / Case CT-608
Lens construction: 16 elements in 12 groups
(plus one meniscus protective glass with fluorine coat)
Minimum focus distance: 3,6 m
Maximum reproduction ratio: 0,15×
Filter-attachment size: 40,5 mm
Accessories: Hood HK-34 / Case CT-505
• Compatible cameras: D4 series/D3 series/D800 series/D750/D600 series/D7000
series/D5000 series/D3000 series
• Compatible AF teleconverters: [AF is possible when attached to f/8-compatible cameras] AF-S TELECONVERTER TC800-1.25E ED/AF-S TELECONVERTER TC-14E III, [MF
only] AF-S TELECONVERTER TC-20E III/AF-S TELECONVERTER TC-17E II
6°10'
3°10'
Lens construction: 16 elements in 12 groups
Minimum focus distance: 2,6 m
Maximum reproduction ratio: 0,17×
Filter-attachment size: 40,5 mm
Accessories: Hood HK-38 / Case CT-405
: Fluorites
: ED glass elements
With AF-S TELECONVERTER
TC800-1.25E ED attached
: ED glass elements
22
AF-S NIKKOR 300mm f/4E PF ED VR
© Robert Bösch
: Fluorites [Note] Supplied AF-S TELECONVERTER
TC800-1.25E ED is a dedicated
teleconverter to the AF-S NIKKOR
800mm f/5.6E FL ED VR and cannot be
attached to other lenses. It is not sold
separately.
: PF lens element
• Minimum focus distance is the distance from a camera’s focal plane mark to the
subject.
*Based on CIPA Standard. The value is achieved when: DX-format lenses are attached
to a DX-format digital SLR camera, FX-format compatible lenses are attached to an FXformat digital SLR camera.
AF-S NIKKOR 800mm f/5.6E FL ED VR
© Sergey Gorshkov
Lens construction: 20 elements in 13 groups
Minimum focus distance: 5,9 m (AF) ;
5,8 m (MF)
Maximum reproduction ratio: 0,15× (AF) ; 0,15× (MF)
Filter-attachment size: 52 mm
Accessories: H
ood HK-38 / Case CT-801 /
AF-S TELECONVERTER TC800-1,25E ED
AF-S TELECONVERTER TC800-1,25E ED*1
Lens construction: 5 elements in 3 groups
Weight: 135 g/4,8 oz
Diameter x length*2 : 62,5 x 16 mm/2,5 x 0,6 in,
*1 Focal length is extended by 1,25×,
*2 Distance from camera’s lens-mount flange,
23
SPECIAL-PURPOSE
N I K KO R L E N S E S
These optical wonders take close-up shots with up to life-size reproduction, capturing the finest detail in
its actual size on the sensor. Whether you shoot macro, portraits or other subject matter, expect striking
sharpness, beautiful background bokeh and a wide range of focus distance: from closest 1:1 to infinity.
MICRO LENSES
Compact and approachable DX Micro with amazing clarity
Versatile, high-performance micro lens for DX photographers
AF-S DX Micro NIKKOR 40mm f/2.8G
AF-S DX Micro NIKKOR 85mm f/3.5G ED VR
DX
This remarkably light, compact and agile
micro lens serves as an exceptional
complement to DX cameras. In addition
to life-size (1×) close-up capability, the
40 mm focal length can make a wide
variety of subject matter approachable,
including portraits. An excellent Micro
NIKKOR for any DX photographer.
Don't let the name fool you: Special-purpose lenses are not only for special occasions. This category
contains Micro lenses, Fisheye lenses and PC (Perspective Control) lenses. Each speciality offers a
new way of seeing the world, and can lead to new levels of fun and creative photography.
DX
Compact and lightweight, even with
the incorporated Vibration Reduction
(VR) with an effect equivalent to 3.0
stops*, which enables steadier handheld
shooting. With a great working distance
and continuous autofocus from infinity to
life-size (1×), this lens gives you amazing
sharpness and background bokeh for
close-up subjects, portraits, nature
images and more.
18°50'
38°50'
Lens construction: 9 elements in 7 groups
Minimum focus distance: 0,163 m
Maximum reproduction ratio: 1,00×
Filter-attachment size: 52 mm
Accessories: Hood HB-61 / Case CL-0915
Lens construction: 14 elements in 10 groups
Minimum focus distance: 0,286 m
Maximum reproduction ratio: 1,00×
Filter-attachment size: 52 mm
Accessories: Hood HB-37 / Case CL-1018
Compact and versatile standard micro lenses
Excellently balanced micro lens with VR
AF-S Micro NIKKOR 60mm f/2.8G ED
AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED
Delivers stunningly sharp images up to
life-size (1×) at all f-stops with incredible
bokeh. Nano Crystal Coat effectively
reduces ghost and flare effects under
harsh lighting, such as in backlit
situations. With its wide focusing range,
this lens is not limited to extreme closeup photography and can be used for
most subject matter.
This medium telephoto micro has
Vibration Reduction (VR) with an effect
equivalent to 3.0 stops* for easy handheld
macro shooting. The lens delivers
crisp yet natural images in any genre
ofphotography. The longer focal length
gives it a great working distance when
shooting close-ups of flowers, insects and
other small wildlife. It also takes fantastic
portraits. Nano Crystal Coat effectively
reduces ghost and flare effects.
23°20'
39°40'
Lens construction: 12 elements in 9 groups
Minimum focus distance: 0,185 m
Maximum reproduction ratio: 1,00×
Filter-attachment size: 62 mm
Accessories: Hood HB-42 / Case CL-1018
Lens construction: 14 elements in 12 groups
Minimum focus distance: 0,314 m
Maximum reproduction ratio: 1,00×
Filter-attachment size: 62 mm
Accessories: Hood HB-38 / Case CL-1020
Powerful telephoto micro lens with great working distance
AF Micro-Nikkor 60mm f/2.8D
© Takeshi Fukazawa
This longtime seller delivers crisp
images at any focus distance from
infinity to life-size (1x). Ideal for general
close-ups, portraits, landscapes, copy
work and more.
Expand your possibilities to find new dimensions
Lens construction: 8 elements in 7 groups
Minimum focus distance: 0,219 m in.
Maximum reproduction ratio: 1,00×
Filter-attachment size: 62 mm
Accessories: Hood HN-22 (optional) / Case CL-0815 (optional)
: Aspherical lens elements
By taking advantage of the long working
distance of 0.26 m/0.9 ft at life-size (1×),
it is ideal for shooting flowers, insects
and other tiny wildlife without disturbing
them. The NIKKOR glass ensures clear
and high-contrast images regardless of
f-stop, and the lens performs superbly
as a regular telephoto as well.
12°20'
39°40'
AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED
AF Micro-Nikkor 200mm f/4D IF-ED
: ED glass elements
• Minimum focus distance is the distance from a camera’s focal plane mark to the subject.
Lens construction: 13 elements in 8 groups
Minimum focus distance: 0,5 m
Maximum reproduction ratio: 1,00×
Filter-attachment size: 62 mm
Accessories: Hood HN-30 (optional) / Case CL-45
*Based on CIPA Standard. The value is achieved when: DX-format lenses are attached
to a DX-format digital SLR camera, FX-format compatible lenses are attached to an FXformat digital SLR camera.
25
FISHEYE LENSES
These specialized lenses feature an ultra-wide angle of view that bends and distorts the subject matter as it
reaches the edges of the frame. Try different viewpoints and angles in various scenes with a fisheye lens and even
ordinary scenes can turn into extraordinary photographs.
With NIKKOR’s exclusive PC (Perspective Control) tilt and shift operation, these lenses enable you to control the
perspectives, distortion and depth of field in your images. PC lenses make you more approachable to professional
creative techniques that usually only large-format NIKKOR lenses can handle.
PC LENSES/
PC MICRO LENSES
PC-E lenses lineup: more freedom in controlling perspectives
PC-E NIKKOR 24mm f/3.5D ED
PC-E Micro NIKKOR 85mm f/2.8D
This wide-angle PC lens covers an 84° angle of view and features
tilt and shift operation, as well as +/-90° revolving mechanism.
Ideal for architecture, cityscapes, general indoor photography and
nature. Auto aperture control is possible with the electromagnetic
diaphragm*. Nano Crystal Coat reduces ghost and flare effects.
This medium-telephoto PC lens enables tilt, shift and +/-90°
revolving mechanism and also has micro capability to shoot up to
1/2× life-size. A great choice for long-range portraits, nature, and
commercial work with uniquely controlled perspectives. Auto
aperture control is possible with electromagnetic diaphragm*.
Nano Crystal Coat is employed to reduce ghost and flare effects.
84°
28°30'
Lens construction: 6 elements in 5 groups
Minimum focus distance: 0,39 m
Maximum reproduction ratio: 0,50×
Filter-attachment size: 77 mm
Accessories: Hood HB-22 / Case CL-1120
Lens construction: 13 elements in 10 groups
Minimum focus distance: 0,21 m
Maximum reproduction ratio: 0,36×
Filter-attachment size: 77 mm
Accessories: Hood HB-41 / Case CL-1120
PC-E Micro NIKKOR 45mm f/2.8D ED
AF DX Fisheye-Nikkor 10.5mm f/2.8G ED
Fun-to-use, compact fisheye lens for DX photographers
Sharp, full-frame fisheye lens creating
dramatic perspectives
AF DX Fisheye-Nikkor 10.5mm f/2.8G ED
AF Fisheye-Nikkor 16mm f/2.8D
DX
© Cliff Mautner
With a fast f/2.8 aperture, this standard PC lens also has micro
capability, shooting up to 1/2× life-size and enabling tilt, shift
and +/-90° revolving mechanism. Perfect for commercial work,
product shots, nature photography or any other subjects that
require a natural perspective and fine detail. Auto aperture control
is possible with electromagnetic diaphragm*. Nano Crystal Coat is
employed to reduce ghost and flare effects.
51°
This compact and lightweight fisheye lens is designed exclusively
for DX-format cameras. With its frame-filling 180° angle of view
and unique bending effects, any scene or subject will take on new
dimensions through the viewfinder, making anything you shoot
fun. The lens has edge-to-edge sharpness and enables you to get
as close to the subject as 3 cm/1.2 in. from the lens front.
PC-E NIKKOR 24mm f/3.5D ED
Lens construction: 9 elements in 8 groups
Minimum focus distance: 0,253 m
Maximum reproduction ratio: 0,50×
Filter-attachment size: 77 mm
Accessories: Hood HB-43 / Case CL-1120
180°
180°
Lens construction: 10 elements in 7 groups
Minimum focus distance: 0,14 m
Maximum reproduction ratio: 0,20×
Accessories: Built-in hood / Case CL-0715
26
NIKKOR’s supreme optical performance provides continuous
sharpness from infinity to the closest subject, offering the uniquely
altered reality of ultra-wide-angle photography for beautiful and
dramatic images. Four bayonet type filters attached to the lens
rear give more creative options in filter effects.
Lens construction: 8 elements in 5 groups
Minimum focus distance : 0,25 m
Maximum reproduction ratio: 0,09×
Accessories: Built-in hood / Case CL-0715 (optional) / Filter L37C, A2, B2, O56
: Aspherical lens elements
: ED glass elements
• Minimum focus distance is the distance from a camera’s focal plane mark to the subject.
*Available only with cameras compatible with the electromagnetic diaphragm (Nikon D4 series, D3 series, D800 series, D750, D600 series, D7000 series, D5000 series and D3000
series).
•The Nikon D4 series and D3 series can be used without any limitations. However, operations maybe limited with other models, while some older cameras may be incompatible.
© Yves Paternoster
MANUAL-FOCUS LENSES
This great lineup features eight fixed focal-length lenses, including two micro lenses.
Lens construction
[groups/elements]
Minimum focus
distance [m]
Maximum
reproduction ratio [x]
Filter-attachment
size [mm]
Lens hood
(optional)
Lens case
(optional)
Nikkor 50mm f/1.2
6/7
0.5
1/7.9
52
HS -12/ HR -2
CL-0915
CL-0915
Nikkor 50mm f/1.4
6/7
0.45
1/6.8
52
HS -9/ HR -1
CL-0815
HN -2
CL-0815
Micro-Nikkor
55mm f/2.8 / Auto
Extension Ring PK-13
5/6
0.25/0.9
(0.225/0.738)
1/2 (1)
52
HN -3
CL-0915
HN -3
CL-0915
Micro-Nikkor 105mm
f/2.8 / Auto Extension
Ring PN-11
9/10
0.41/1.34
(0.37/1.21)
1/2 (1/0.88)
52
HS -14
(provided)
CL-1018 /
CL-38
Lens construction
[groups/elements]
Minimum focus
distance [m]
Maximum
reproduction ratio [x]
Filter-attachment
size [mm]
Lens hood
(optional)
Lens case
(optional)
Nikkor 20mm f/2.8
9/12
0.25
1/8.3
62
HK-14
CL-0915
Nikkor 24mm f/2.8
9/9
0.3
1/8.8
52
HN -1
Nikkor 28mm f/2.8
8/8
0.2
1/3.9
52
Nikkor 35mm f/1.4
7/9
0.3
1/5.6
52
Lens name
Lens name
* Minimum focus distance is the distance from a camera’s focal plane mark to the subject. * Values in parentheses apply when Auto Extension Ring PK-13 or PN-11 is in use.
OPTIONAL ACCESSORIES
AF-S Teleconverters
Extension Rings
Teleconverters increase the original focal length to 2×, 1.7× or 1.4× when attached between an AF-S/AF-I lens and the camera body. Their
superior optical performance retains the high-quality imaging advantages of your original lenses while also supporting its signal transmission.
n Auto Extension Ring PK-11A, 12, 13
n Macro Adapter Ring BR-2A/BR-5
These extension rings are for NIKKOR lenses with the AI
(Automatic maximum aperture Indexing) system. Seven extension
lengths can be achieved when used individually or in combination.
Mounted to the lens in reverse, this extension ring can be
attached directly or using the Bellows Focusing Attachment.
When shooting in a reproduction ratio larger than 1×, even better
lens performance is realized by attaching the ring to the lens in
reverse. BR-2A is compatible
*The exposure meter cannot be used with cameras that do not have an exposure meter
coupling lever, such as the F80 and F75
This adapter converts the bayonet mount of reverse-mounted
lenses to the 52 mm thread used for filters and hoods (HB-type
bayonet hoods cannot be used).
with lenses having 52 mmsized front attachment and the
BR-5 (with BR-2A together) with
lenses having 62 mm-sized front
PK-11A
attachment.
Filters/holders
Hoods
n Neutral Color NC Filter
Lens hoods reduce stray light that can degrade your image quality
while minimizing ghost and flare effects. They can also be used
as lens protectors. For every type of NIKKOR lens, there is a lens
hood available. They are classified according
to the attachment methods and materials:
HB (bayonet), HN (screw-on), HK (slip-on),
HS (snap-on) and HR (rubber screw-on).
n Adapter Ring BR-3
AF-S Teleconverter TC-20E III
AF-S Teleconverter TC-17E II
AF-S Teleconverter TC-14E III
This teleconverter expands the focal length
by 2× and slows down the aperture by 2
stops.
This teleconverter expands the focal length
by 1.7× and slows down the aperture by
This teleconverter expands the focal length
by 1.4× and slows down the aperture by 1
stop. Fluorine coat is applied to the front and
rear surfaces.
Lens construction: 7 elements in 5 groups
Case: CL-0715
Lens construction: 7 elements in 4 groups
Case: CL-0715
1.5 stops.
Lens construction: 7 elements in 4 groups
Case: CL-0715
AF-S Nikkor 400mm f/2.8D IF-ED II*5
AF-S Nikkor 400mm f/2.8D IF-ED*5
AF-I Nikkor 400mm f/2.8D IF-ED*5
AF-S NIKKOR 500mm f/4E FL ED VR*3
AF-S NIKKOR 500mm f/4G ED VR*3
AF-S Nikkor 500mm f/4D IF-ED II*3*5
AF-S Nikkor 500mm f/4D IF-ED*3*5
AF-I Nikkor 500mm f/4D IF-ED*3*5
AF-S NIKKOR 600mm f/4E FL ED VR*3
AF-S NIKKOR 600mm f/4G ED VR*3
AF-S Nikkor 600mm f/4D IF-ED II*3*5
AF-S Nikkor 600mm f/4D IF-ED*3*5
*1 Autofocus cannot be used.
*2 Autofocus with TC-20E III/TC-17E II can be used when attached to an f/8-compatible autofocus camera with the AF mode set to AF-S.
*3 Autofocus with TC-20E III/TC-17E II can be used when attached to an f/8-compatible autofocus camera.
*4 Autofocus with TC-14E III can be used when attached to an f/8-compatible autofocus camera. Autofocus with TC-20E III/TC-17E II cannot be used.
*5 Not compatible with TC-14E III.
28
: Aspherical lens element
n Soft Focus Filter
Give your images a moderately soft and beautiful blur effect. Good
for various shooting situations, such as portraiture.
PK-13
BR-2A
BR-3
BR-5
n Circular Polarizing Filter II
The following AF-S and AF-I NIKKOR lenses are compatible with AF-S Teleconverters.
AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED*1
AF-S NIKKOR 200mm f/2G ED VR II
AF-S VR Nikkor 200mm f/2G IF-ED
AF-S NIKKOR 300mm f/2.8G ED VR II
AF-S VR Nikkor 300mm f/2.8G IF-ED
AF-S Nikkor 300mm f/2.8D IF-ED II*5
AF-S Nikkor 300mm f/2.8D IF-ED*5
AF-I Nikkor 300mm f/2.8D IF-ED*5
AF-S NIKKOR 300mm f/4E PF ED VR*2
AF-S Nikkor 300mm f/4D IF-ED*3*5
AF-S NIKKOR 400mm f/2.8E FL ED VR
AF-S NIKKOR 400mm f/2.8G ED VR
Ideal as a lens protector, this filter does not affect the color balance
(visible light spectrum) of your lens. Its multilayer coating prevents
light reflection inside the glass.
PK-12
AF-I Nikkor 600mm f/4D IF-ED*3*5
AF-S NIKKOR 800mm f/5.6E FL ED VR*4
AF-S NIKKOR 70-200mm f/2.8G ED VR II
AF-S VR Zoom-Nikkor 70-200mm f/2.8G IF-ED
AF-S NIKKOR 70-200mm f/4G ED VR*3
AF-S Zoom-Nikkor 80-200mm f/2.8D IF-ED*5
AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR*4
AF-S NIKKOR 200-400mm f/4G ED VR II*3
AF-S VR Zoom-Nikkor 200-400mm f/4G IF-ED*3
AF-S NIKKOR 200-500mm f/5.6E ED VR*4
• Other lenses cannot be used. Do not attach other lenses, as the rear lens elements will touch
and could damage the teleconverter elements.
• The Vibration Reduction (VR) function operates with VR lenses when used with the following
Nikon SLR cameras: FX/DX-format digital SLR cameras, F6, F5, F100, F80 series, F75 series
and F65 series.
• Depending on the combination with digital/film SLR camera, the teleconverter’s focal length
information may not display correctly in Exif data. Please refer to the relevant teleconverter
manual for further information.
• AF-S TELECONVERTER TC800-1.25E ED is a supplied accessory of the AF-S NIKKOR 800mm
f/5.6E FL ED VR and not sold separately.
• When effective aperture is f/5.6 to f/8, autofocus is possible when attached to an f/8-compatible autofocus camera. But the focus point that is used for autofocus or manual focus with
electronic rangefinder is limited to that located at the center. Also, focus may not be achieved
when shooting low-contrast or dark subjects.
By dramatically reducing the reflective qualities, polarizing filters
allow direct shooting through glass or into bodies of water, and
enable better capture of other non-metallic objects that reflect
light. Polarizing filters also cut the reflective light of vapor and
minute dust in the air, so blue skies can be rendered even bluer.
n Bayonet Filter: Ultraviolet L37C
This filter absorbs ultraviolet light and produces clear images with
high contrast. The L37C has multilayer coating to reduce reflection.
Can also be used as a lens protector.
n Slip-in Circular Polarizing Filter
Designed for use with telephoto lenses equipped with a slipin filter holder, this filter reduces reflected light and draws out
more clarity and color while decreasing the effect of sunlight
reflection from airborne water vapor and dust. Also, polarizing
filters darken the blue in skies without affecting the contrast,
further emphasizing your subject. When shooting in color, the filter
eliminates color casting caused by reflected light.
NAL-1 Zoom/Focus Assist Lever
When attached to a zoom ring or a focus ring, this lens attachment
enables smoother zoom or focus operation. It is especially helpful
for zooming during movie recording as well as for fine manual
focusing.
FT1 Mount Adapter
The FT1 mount adapter allows NIKKOR F-mount
lenses to be used with Nikon 1 cameras equipped
with a Nikon 1 mount. The angle of view of an
F-mount lens mounted on the FT1 is equivalent to
that of a 35mm-format lens with a focal length about
2.7x longer.
29
NIKKOR TECHNOLOGY
Known for its reliability, clarity and devotion to the needs of passionate photographers, NIKKOR, Nikon’s exclusive lens brand, is on a quest to create
the finest optics in the world. By adhering to the strictest requirements and testing both in the lab and across a wide range of actual shooting situations, Nikon creates technologies that make NIKKOR lenses the best choice for any type of still or moving imagery.
Aspherical ED glass
Using ED (Extra-low Dispersion) glass that successfully minimizes
color fringing as a material, this type of lens features non-spherical
surfaces on one or both sides of the glass. It provides superior
rendering capability by maximizing the advantages of both ED
glass and an aspherical lens – effectively correcting various lens
aberrations such as lateral chromatic aberration, coma flare at the
periphery, as well as distortion and spherical aberration. It achieves
aberration correction of ED glass and aspherical lens in one
element, contributing to lens compactness. Adopted in the AF-S
NIKKOR 24-70mm f/2.8E ED VR.
Image of aspherical ED glass
Aspherical ED glass: provides superior rendering capability by maximizing the advantages of
both ED glass and an aspherical lens
ED glass: Enables the production of lenses that offer superior sharpness and color correction
by minimizing chromatic aberration
Secondary
spectrum
Normal glass
Secondary
spectrum
ED glass
Aspherical lens: Virtually eliminates the problem of coma and other types of lens aberration
Image
plane
Focal
point
Conceptual
image
Spherical
aberration
Normal lens
PF (Phase Fresnel) lens
Aspherical lens
Image
plane
Conceptual
image
Focal
point
Aspherical lens
This type of lens utilizes non-spherical
surfaces on either one or both sides
of the glass in order to eliminate
certain types of lens aberration. These
aspherical elements are particularly
useful for correcting the distortion in
wide-angle lenses. Such distortions are
caused by variations in the magnification
of the image, depending on its distance
from the optical axis. Aspherical lens
elements correct these distortions by
continuously changing the refractive
index from the center of the lens.
Since the 1960s, Nikon engineers
have established design theories and
lens-processing techniques to refine
the aspherical lens. In 1968, the OP
Fisheye-Nikkor 10mm f/5.6 became
the first interchangeable SLR lens
incorporating aspherical lens elements.
Since then, aspherical lenses have
been an important part of the NIKKOR
lens family, with every new addition
to the lineup providing a new level of
contrast, resolution and compact design.
Conceptual image of
distortion correction
Distortion is suppressed
Conceptual image of
spherical aberration
correction
Spherical
aberration
Normal lens
Aspherical lens
Refractive index is continuously
changed from the center
Hybrid aspherical lenses: made of a special plastic molded onto
optical glass.
The PF (Phase Fresnel) lens, developed by
Nikon, effectively compensates chromatic
aberration utilizing the photo diffraction
phenomenon*. It provides superior chromatic
aberration compensation performance when
combined with a normal glass lens. Compared
Conceptual image of the
to many general camera lenses that employ
appearance of the PF (Phase
an optical system using the photorefractive
Fresnel) lens
phenomenon, a remarkably compact and
lightweight body can be attained with less number of lens
elements.
A general interchangeable lens forms an image on an imaging
plane, using the photorefractive phenomenon. The degree of light
refraction differs depending on the color (wavelength), and image
formation is performed in the order of blue (B), green (G), and red (R)
starting with the portion near the lens. The color deviation referred
to as chromatic aberration induces color bleeding, resulting in a
deterioration of observed or captured images.
With PF (Phase Fresnel) lenses, on the other hand, image
formation is performed in the order of red (R), green (G), and blue (B)
starting with the portion near the lens. By combining the PF (Phase
Fresnel) lens with a refractive lens, chromatic aberration can be
effectively compensated.
*Diffraction phenomenon: Light has characteristics as a waveform. When a waveform
faces an obstacle, it attempts to go around and behind it, and this characteristic is referred
to as diffraction. Diffraction causes chromatic dispersion in the reverse order of refraction.
Chromatic aberration compensation with the PF (Phase Fresnel) lens
Molded glass aspherical lenses: manufactured by directly
pressing optical glass into a high-precision aspherical mold.
ED glass / Super ED glass
Nikon was the world’s first camera
maker to develop ED (Extra-low
Dispersion) glass that could minimize
prism-caused color dispersion. This
low-dispersion ED glass also offers
anomalous dispersion characteristics
like calcium fluoride crystals, which
consequently minimize the secondary
spectrum. For lenses using normal
optical glass, the longer the focal
length, the more difficult it is to correct
the chromatic aberration that causes
color fringing. Nikon’s ED glass, which
effectively compensates for this kind
of chromatic aberration, is employed
in a wide range of NIKKOR telephoto
lenses for superior reproduction.
Refractive lens element
Fluorite lens
Secondary
spectrum
Normal glass
Secondary
spectrum
Fluorite is a monocrystal optical material that features a high
transmission rate within both the infrared and ultraviolet zones.
With its superb anomalous dispersion properties, fluorite intensely
blocks the secondary spectrum in order to effectively correct
chromatic aberration within the visible light spectrum – something
that is more difficult to achieve at longer focal lengths. It is also
significantly lighter than optical glass, giving you a more effective
lens with less weight.
ED glass
High Refractive Index lens
Secondary
spectrum
Super ED glass
Nikon has also developed Super ED
glass featuring even lower dispersion
properties and extremely high performance in eliminating the
secondary spectrum, to minimize chromatic aberration even
further, as well as other lens aberrations.
The longer the wavelengths,
the farther the focal point
Originating from Nikon’s work in
semiconductor manufacturing technology,
NIKKOR’s Nano Crystal Coat is an
antireflective coating that employs an
extra-low refractive index coating featuring
ultra-fine, nano-sized* crystal particles.
These crystallized particles eliminate
reflections inside the lens throughout the
spectrum of visible light waves (380 to
780 nm) in ways that far exceed the limits
of conventional antireflection coating
systems. Nano Crystal Coat not only
solves ghost effects caused by red light,
which was incredibly difficult for previous
systems. It also effectively reduces
ghost and flare effects caused by
light entering the lens diagonally. The
result: clearer images.
*One nanometer equals one millionth of a millimeter
Incident
light
Reflected light
Conventional multilayer
coating
Lens
Without coating
Incident
light
Reflected light
Nano Crystal Coat
Lens
Nano Crystal Coat
(From left) Without coating, Nikon Super
Integrated Coating, Nano Crystal Coat
Nikon’s coating system utilizing fluorine
Nikon’s fluorine coat effectively repels dust, water droplets,
grease or dirt, ensuring easy removal even when they adhere to
the lens surface. Thanks to Nikon’s original technology, it delivers
higher durability and is more peel-resistant. Compared to other
manufacturers’ coating of a similar kind, fluorine coat endures
a higher frequency of lens surface wiping and provides longerduration staying power. Its anti-reflective effect also contributes to
the capture of clear images.
PF (Phase Fresnel) lens
Mutual cancellation compensates
chromatic aberration
PF (Phase Fresnel) lens element
The shorter the wavelengths,
the farther the focal point
White light
Blue
Green
Static contact angle: 110˚
Red
With flourine coat
Static contact angle: 40˚
Without coating
[Note]
Due to the characteristics of a PF (Phase Fresnel) lens that utilizes the photo diffraction
phenomenon, when there is a strong light source within the frame or when light enters the
lens from outside of the frame, ring-shaped colored flare may occur according to shooting
conditions. This phenomenon can be minimized with “PF Flare Control” included in Capture
NX-D. Refer to the software manual for more information. Capture NX-D is available from
our website. Please download and use the latest version.
Comparison images of PF Flare Control effect
With a refractive index of more than 2.0, one HRI lens can offer
effects equivalent to those obtained with several normal glass
elements and can compensate for both field curvature and
spherical aberrations. Therefore, HRI lenses achieve great optical
performance in an even more compact body.
Original image
30
Nano Crystal Coat
PF Flare Control applied
31
NIKKOR TECHNOLOGY
Vibration Reduction (VR)
Silent Wave Motor
With NIKKOR’s Vibration Reduction system, camera shake
information is detected by the VR sensor of the VR lens unit, which
is continually in motion inside the lens, aligning the optical axis
with your camera’s imaging sensor, thereby reducing image blur.
By providing the equivalent of shooting at shutter speeds up to 4.5
stops* faster, the system helps you achieve sharper shots when
shooting sports scenes, dimly lit landscapes and handheld situations.
Nikon’s original Silent Wave Motor (SWM) converts “traveling
waves” into rotational energy to drive the optics used for focusing.
The two SWM lens types – ring type and compact type – are
specifically chosen to match each lens’s specs and design. Any
AF-S NIKKOR lens featuring these SWMs delivers extremely
smooth, quiet and comfortable auto focusing for both general
shooting as well as extreme situations, such as sports and wildlife.
VR off
VR on
In-lens blur correction for clearer viewfinder image
Panning detection for moving subjects
VR lens unit
Nikon’s Vibration Reduction (VR)
function is built into the lens. Unlike
with in-camera systems, your
Image sensor
camera’s sensor does not move with
Direction of movement
VR, thereby giving you a steadier
VR mechanism
view through the viewfinder and eliminating the blur
you would see in the image itself. A clear view makes it easier to
confirm your composition and place your focus point accurately.
For a panning shot in which
subject movement needs to
be emphasized, Nikon’s VR
detects camera movement
for panning, automatically
suppressing the blur-correction
function. For a horizontally
moving subject, only vertical
blur is corrected. With VR lenses employing Active mode, choose
Normal mode for panning shots.
Optimization in every lens
Consider, for example, the special situation of using a micro lens
to shoot extreme close-ups of a flower where the photographer
is in a crouching position. This shooting scenario deserves its own
VR parameters, so Nikon conducted over 10,000 shooting tests to
refine unique algorithms for each VR lens type. Yet another reason
why the vibration reduction system is built inside the lens.
Looking through a fully blur-corrected viewfinder for long periods
of time may cause feelings similar to motion sickness in some
photographers. To prevent this, Nikon developed an exclusive
algorithm utilized when the shutter release button is half-pressed.
This first algorithm controls the blur correction at a slightly
lower level than usual. When the shutter release button is fully
pressed, a second algorithm engages to maximize camera shake
compensation during exposure for clear images.
The instant the shutter is released, the VR lens unit will reset to a
central position (optical axis) from an off-centered position which is
the result of VR operation. Although the shift range of the VR lens
unit is limited, centering of the lens ensures uniform shift in any
direction, maximizing the VR effect as well as optical performance.
High blur-correction
performance
32
Degree
of blur
VR OFF
VR ON (4.5 stops)
It is said that a shutter
speed of 1/[focal length
Shutter speed [s]
1/500 1/250 1/125 1/60 1/30 1/15 1/8
(mm)] second or slower
1/6
may cause image blur,
Effect: 4.5 stops
however, this cannot
be applied to every situation because there are differences in
photographers’ skill and lens/camera performance. For this reason,
Nikon’s engineers compared an image with VR on and another
without VR based on CIPA Standard. As a result, the VR effect
providing the equivalent of a shutter speed up to 4.5 stops* faster
is confirmed. This allows photographers to use slower shutter
speeds than would otherwise be possible for taking sharp images
with minimal blur, expanding photographic expression.
A/M (auto-priority manual) mode
This mode also enables an easy transition
from autofocus to manual during AF operation.
However, mode switch sensitivity has been altered
to reduce the possibility of sudden unintentional
switching to manual focus while shooting.
SWM
Compact SWM
Thanks to a mechanism incorporated in the lens barrel, smooth
focusing operation in Manual focus mode is realized in the same
way as users have become accustomed to with conventional
manual-focus lenses by adding an appropriate torque to the focus
ring. The AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR II, AF-S DX
Zoom-Nikkor 18-55 mm f/3.5-5.6G ED II and AF-S DX Nikkor 55200mm f/4-5.6G ED VR II are equipped with A-M mode switch,
and the focus ring on these lenses rotate during autofocus.
Tripod vibration reduction function
This function automatically differentiates the frequency of the
vibration from that of camera shake, and changes the algorithm to
correct image blur caused by slight tripod vibration.
Three VR modes selectable
according to shooting situations
Normal mode
Normal mode is recommended for most general scenes. In this
mode, slow and wide camera movement is regarded as the
photographer recomposing a shot and blur-correction operation is
limited accordingly. Normal mode also includes automatic panning
detection.
Active mode
Centering prior to exposure
Simply by rotating a focus ring, M/A mode allows you to switch
from autofocus to manual with virtually no time lag. This makes
it possible to seamlessly switch to fine manual focusing while
looking through the viewfinder.
A-M mode ring/lever/switch
• Refer to page 34 for VR lenses with Active mode.
• Refer to page 34 for VR lenses with this function.
Dual algorithm
M/A (manual-priority auto) mode
When shooting from a moving vehicle or other unstable position,
the lens can sometimes misinterpret camera movement or a
photographer’s intentions. In this case, choose Active mode for
further compensation, a more stable viewfinder image and even
steadier shots.
• Refer to page 34 for VR lenses with Active mode.
Sport mode
Sport mode is particularly effective
for shooting sports because natural
finder image can be reliably provided even when tracking randomly
moving subjects. This is also achieved when tracking subjects with
handheld panning or even during movie recording. A more stable
finder image is attained when utilizing a monopod or a tripod.
For shooting still subjects, Normal mode that offers a higher blurcorrection effect is recommended.
*Based on CIPA Standard. The value is achieved when: DX-format lenses are attached
to a DX-format digital SLR camera, FX-format compatible lenses are attached to an
FX-format digital SLR camera, and zoom lenses are set at the maximum telephoto
position. For VR effect in stops with each lens, refer to page 34.
n Nikon Super Integrated Coating
Nikon’s exclusive multilayer lens coating
achieves high transmittance in a wider
wavelength range. Even for zoom lenses
with a large number of glass elements, this
coating system effectively reduces the ghost
and flare effects that are likely to occur in
backlit situations, helping you achieve highcontrast images with rich gradation. With
outstanding color balance and reproduction
capability, superb optical performance can
be achieved. Ghost and flare effects caused
by internal reflections particular to digital
cameras are also effectively minimized.
This coating system is applied to all current
lenses in the NIKKOR lineup.
n Meniscus Protective Glass
NIKKOR’s exclusive protective glass for
lenses comes attached to the front of
fast super-telephoto lenses. Normal flat
protective glass lets incoming light reflect
off the surface of the image sensor or film,
especially under a strong light source such
as a spotlight. This then reflects again off
the protective glass, resulting in a ghost
effect. NIKKOR’s curved meniscus glass
dramatically reduces this re-reflected light,
realizing clearer images with less ghosting.
n D Signal – Distance information output
capability
The D stands for Distance. Subject-tocamera distance information is obtained
with an internal encoder, which is linked to
the lens focus ring. This information is then
transmitted to the camera body for highprecision exposure control found in 3D Color
Matrix Metering II/III and i-TTL Balanced FillFlash. Every AF, AF-S, PC and PC-E series
lens has a distance signal built in.
n E-type lenses
An electromagnetic diaphragm mechanism
is incorporated inside the body of these
lenses and controlled via electronic signals
from the camera body. This gives you
incredibly accurate aperture control, even
when a teleconverter is being used with a
super-telephoto lens*.
*Some limitations apply
n G-type lenses
For this type of lens, apertures are always
selected from the camera body, as there is
no aperture ring on the lens itself. Through
the powerful control of diaphragm blades,
stable high-speed continuous shooting is
enabled, even at smaller apertures*.
*Some limitations apply
n Rounded Diaphragm
When shooting with an ordinary diaphragm,
blurry, polygon-shaped spots are likely to
appear in images of scenes that include
point light sources such as street lamps
or holiday lighting at night. A rounded
diaphragm is achieved by using specialized
blades for a beautiful and naturally round
shape for out-of-focus objects.
n Internal Focusing
With this focusing method, all the lens
elements are divided into front, middle and
rear groups, with only the middle group
moving to focus.
n Rear Focusing
With Nikon’s Rear Focusing (RF) system, all
the lens elements are divided into specific
lens groups, with only the rear lens group
moving for focusing.
n Close-Range Correction system
The Close-Range Correction (CRC) system
is one of Nikon’s most important focusing
innovations, because it provides superior
picture quality when shooting at close
distances, increasing your focusing range.
With CRC, the lens elements are configured
in a “floating element” design wherein each
lens group moves independently to achieve
focusing.
33
SPECIFICATIONS
Lens name
Vibration Reduction (VR)
Number of
Focusing
Tripod diaphragm
System*1 Effect in
VR mode
vibration
blades
stops*2
reduction
Lens
construction
[groups/
elements]
Angle of view
with
FX-format
cameras
Angle of view
with
DX-format
cameras
9/14
7/11
11/14
12/17
10/13
8/12
—
—
114˚-84˚
107˚-63˚
104˚-62˚
100˚-63˚
109˚-61˚
99˚-61˚
90˚-61˚
83˚-44˚
79˚-44˚
76˚-44˚
IF
IF
IF
IF
IF
IF
13/17
11/17
10/14
8/11
5/7
11/15
12/17
12/16
14/19
12/16
16/20
11/15
11/15
11/16
13/17
14/19
—
—
—
—
—
—
—
—
—
—
84˚-34˚20'
84˚-34˚20'
84˚-28˚30'
84˚-28˚30'
84˚-20˚20'
75˚-8˚10'
83˚-20˚
83˚-18˚50'
79˚-28˚50'
76˚-28˚50'
76˚-28˚50'
76˚-15˚20'
76˚-11˚30'
76˚-8˚
76˚-5˚20'
76˚-5˚20'
61˚-22˚50'
61˚-22˚50'
61˚-18˚50'
61˚-18˚50'
61˚-13˚20'
53˚-5˚20'
IF
IF
IF
9/13
11/15
11/17
16/21
14/20
12/17
11/16
12/20
17/24
12/19
—
—
—
34˚20'-12˚20'
34˚20'-12˚20'
34˚20'-8˚10'
30˚10'-12˚20'
30˚10'-6˚10'
12˚20'-6˚10'
12˚20'-5˚
28˚50'-8˚
28˚50'-8˚
28˚50'-5˚20'
22˚50'-8˚
22˚50'-8˚
22˚50'-5˚20'
20˚-8˚
20˚-4˚
8˚-4˚
8˚-3˚10'
12/14
11/13
9/12
10/12
9/12
9/9
9/11
6/6
7/10
8/11
6/8
5/6
7/8
6/7
6/7
6/7
5/6
6/9
9/10
9/9
6/6
6/7
6/8
9/13
8/11
10/16
6/10
12/16
12/16
12/16
13/20
114˚
94˚
94˚
84˚
84˚
84˚
75˚
74˚
63˚
63˚
—
62˚
46˚
46˚
47˚
47˚
46˚
40˚50'
28˚30'
28˚30'
23˚20'
18˚
13˚40'
12˚20'
8˚10'
8˚10'
8˚10'
6˚10'
5˚
4˚10'
3˚10'
90˚
70˚
70˚
61˚
61˚
61˚
53˚
53˚
44˚
44˚
44˚
44˚
31˚30'
31˚30'
31˚30'
31˚30'
31˚30'
27˚20'
18˚50'
18˚50'
15˚20'
12˚
9˚
8˚
5˚20'
5˚20'
5˚20'
4˚
3˚10'
2˚40'
2˚
7/10
5/8
7/9
9/12
7/8
10/14
12/14
8/13
10/13
8/9
5/6
—
180˚
—
39˚40'
39˚40'
—
23˚20'
12˚20'
84˚
51˚
28˚30'
180˚
107˚
38˚50'
26˚30'
26˚30'
18˚50'
15˚20'
8˚
61˚
34˚50'
18˚50'
Minimum
f-stop
Minimum
focus distance
[m/ft] *3
Maximum
reproduction
ratio[x]
Weight
[g/oz]
FilterDiameter x length
attachment size
[mm/in.] *4
[mm]
0,19
0,12
0,14
0,24
0,21
0,19
460
465
970
680
745
385
82,5 x 87
82,5 x 90
98 x 131,5
82,5 x 125
82,5 x 106
83 x 95
0,22
0,21
0,20
0,30 (0,36)*6
0,30
0,20
0,23
0,22 (0,5)*6
0,31
0,29
0,28
0,26
0,17
0,22
0,23
0,31
480
485
755
195
205
420
490
565
830
550
1070
900
545
465
710
800
Lens cap
type
Lens hood*5
Lens case
77
77
—
77
77
77
Snap-on
Snap-on
Slip-on
Snap-on
Snap-on
Snap-on
HB-23 (provided)
HB-23 (provided)
Built-in
HB-23 (provided)
HB-23 (provided)
HB-66 (provided)
CL-1118 (provided)
CL-S2 (optional)
CL-M3 (provided)
CL-1120 (provided)
CL-76 (provided)
CL-1118 (provided)
80 x 85,5
72 x 85
85,5 x 110,5
66 x 59,5
70,5 x 74
76 x 89
78 x 97
77 x 96,5
83 x 120
78,5 x 99
88 x 154,5
83 x 133
78,5 x 82,5
78 x 82
84 x 103,5
83 x 114,5
72
67
77
52
52
67
67
72
77
67
82
77
72
72
77
77
Snap-on
Snap-on
Snap-on
Snap-on
Snap-on
Snap-on
Snap-on
Snap-on
Snap-on
Snap-on
Snap-on
Snap-on
Snap-on
Snap-on
Snap-on
Snap-on
HB-75 (provided)
HB-39 (provided)
HB-31 (provided)
HB-69 (optional)
HB-45 (optional)
HB-32 (provided)
HB-32 (optional)
HB-35 (provided)
HB-58 (provided)
HB-39 (optional)
HB-74 (provided)
HB-40 (provided)
HB-25 (provided)
HB-63 (provided)
HB-53 (provided)
HB-50 (provided)
CL-1218 (provided)
CL-1015 (provided)
CL-1120 (provided)
CL-0815 (optional)
CL-0815 (optional)*17
CL-1018 (provided)
CL-1018 (optional)
CL-1018 (provided)
CL-1120 (provided)
CL-1018 (optional)
CL-M3 (provided)
CL-M3 (provided)
CL-S2 (optional)
CL-1118 (provided)
CL-1218 (provided)
CL-1120 (provided)
■ WIDE-ANGLE ZOOM NIKKOR LENSES [p4-p6]
AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED
AF-S DX Zoom-Nikkor 12-24mm f/4G IF-ED
AF-S NIKKOR 14-24mm f/2.8G ED
AF-S NIKKOR 16-35mm f/4G ED VR
AF-S Zoom-Nikkor 17-35mm f/2.8D IF-ED
AF-S NIKKOR 18-35mm f/3.5-4.5G ED
2,5
Normal
4,0
3,5
Normal / Active
Normal / Active
4,0
Normal
IF
IF
IF
IF
IF
IF
IF
IF
IF
IF
IF
3,5
4,0
3,5
3,5
4,0
4,0
Normal
Normal
Normal / Active
Normal / Active
Normal
Normal / Active
4,0
3,5
3,5
Normal
Normal / Active
Normal / Active
IF
IF
IF
IF
IF
4,0
3,0
3,0
3,5
4,0
2,5
Normal
Normal
Normal
Normal / Active
Normal / Active
Normal / Active
IF
IF
IF
4,0
3,0
4,5
Normal / Active
Normal / Active
Normal / Sport
7
7
9
9
9
7
22-29
22
22
22
22
22-29
0,24(0,22)*6
0,3
0,28*9
0,28*10
0,28
0,28
■ NORMAL ZOOM NIKKOR LENSES [p7-p11]
AF-S DX NIKKOR 16-80mm f/2.8-4E ED VR
AF-S DX NIKKOR 16-85mm f/3.5-5.6G ED VR
AF-S DX Zoom-Nikkor 17-55mm f/2.8G IF-ED
AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR II
AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED II
AF-S DX NIKKOR 18-105mm f/3.5-5.6G ED VR
AF-S DX NIKKOR 18-140mm f/3.5-5.6G ED VR
AF-S DX NIKKOR 18-200mm f/3.5-5.6G ED VR II
AF-S DX NIKKOR 18-300mm f/3.5-5.6G ED VR
AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR
AF-S NIKKOR 24-70mm f/2.8E ED VR
AF-S NIKKOR 24-70mm f/2.8G ED
AF Zoom-Nikkor 24-85mm f/2.8-4D IF
AF-S NIKKOR 24-85mm f/3.5-4.5G ED VR
AF-S NIKKOR 24-120mm f/4G ED VR
AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR
√
√
7
7
9
7
7
7
7
7
9
7
9
9
9
7
9
9
22-32
22-36
22
22-36
22-38
22-38
22-38
22-36
22-32
22-40
22
22
22-32
22-29
22
22-38
0,35
0,38
0,36*11
0,28 (0,25)*6
0,28
0,45
0,45
0,5
0,45*12
0,48
0,38*13 (0,41)*14
0,38*13
0,5 (0,21)*8
0,38
0,45
0,5
■ TELEPHOTO ZOOM NIKKOR LENSES [p12-p15]
AF-S DX NIKKOR 55-200mm f/4-5.6G ED VR II
AF-S DX VR Zoom-Nikkor 55-200mm f/4-5.6G IF-ED
AF-S DX NIKKOR 55-300mm f/4.5-5.6G ED VR
AF-S NIKKOR 70-200mm f/2.8G ED VR II*15
AF-S NIKKOR 70-200mm f/4G ED VR
AF-S VR Zoom-Nikkor 70-300mm f/4.5-5.6G IF-ED
AF Zoom-Nikkor 80-200mm f/2.8D ED*15
AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR*15
AF-S NIKKOR 200-400mm f/4G ED VR II*15
AF-S NIKKOR 200-500mm f/5.6E ED VR*15
√
√
√
7
7
9
9
9
9
9
9
9
9
22-32
22-32
22-29
22
32
32-40
22
32-40
32
32
1,1
1,1
1,4
1,4
1,0
1,5
1,8 (1,5)*7
1,75 (1,5)*6
2 (1,95)*6
2,2
0,23
0,22
0,27
0,11
0,27
0,24
0,13 (0,17)*7
0,17 (0,19)*6
0,26 (0,27)*6
0,22
300
335
530
1540 (1460)*16
850
745
1300
1570
3360
2300
70,5 x 83
73 x 99,5
76,5 x 123
87 x 205,5
78 x 178,5
80 x 143,5
87 x 187
95,5 x 203
124 x 365,5
108 x 267,5
52
52
58
77
67
67
77
77
52
95
Snap-on
Snap-on
Snap-on
Snap-on
Snap-on
Snap-on
Snap-on
Snap-on
Slip-on
Snap-on
HB-37 (optional)
HB-37 (provided)
HB-57 (provided)
HB-48 (provided)
HB-60 (provided)
HB-36 (provided)
HB-7 (optional)
HB-65 (provided)
HK-30 (provided)
HB-71 (provided)
CL-0915 (optional)
CL-0918 (provided)
CL-1020 (provided)
CL-M2 (provided)
CL-1225 (provided)
CL-1022 (provided)
CL-43A (provided)
CL-M2 (provided)
CL-L2 (provided)
CL-1434 (provided)
7
7
7
9
7
7
7
7
9
7
7
7
9
7
7
7
7
9
9
7
9
9
9
9
9
9
9
9
9
9
9
22
16
22
16
16
22
16
22
16
16
22
22
16
16
16
16
22
16
16
16
16
16
22
22
22
32
32
22
22
22
32
0,2
0,2
0,25
0,25
0,23
0,3
0,25
0,25
0,3
0,25
0,3
0,25
0,45
0,45
0,45
0,45
0,45
0,58
0,85
0,8
0,9
1,1
1,5
1,9
2,3 (2,2)*6
1,4
1,45
2,6
3,6
4,4
5,9 (5,8)*6
0,15
0,23
0,12
0,18
0,20
0,11
0,21
0,17
0,19
0,23
0,16
0,23
0,14
0,14
0,15
0,15
0,15
0,12
0,11
0,12
0,13
0,13
0,15
0,12
0,15 (0,16)*6
0,24
0,24
0,27
0,15
0,14
0,15 (0,15)*6
670
355
270
620
355
270
330
205
600
305
200
205
280
230
190
185
155
385
595
350
640
815
760
2930
2900
755
1440 (1300)*16
3800
3090
3810
4590
87 x 86,5
82,5 x 80,5
69 x 42,5
83 x 88,5
77,5 x 83
64,5 x 46
73 x 80,5
65 x 44,5
83 x 89,5
72 x 71,5
70 x 52,5
64,5 x 43,5
73,5 x 54
64,5 x 42,5
73 x 52,5
72 x 52,5
63,5 x 39
85 x 70
86,5 x 84
80 x 73
79 x 111
79 x 120
78,5 x 144
124 x 203,5
124 x 267,5
89 x 147,5
90 x 222,5
159,5 x 358
140 x 387
166 x 432
160 x 461
Gelatin filter
77
62
77
72
52
67
52
67
58
52
52
58
52
58
58
52
72
77
67
72
72
72
52
52
77
77
40,5
40,5
40,5
52
Slip-on
Snap-on
Snap-on
Snap-on
Snap-on
Snap-on
Snap-on
Snap-on
Snap-on
Snap-on
Snap-on
Snap-on
Snap-on
Snap-on
Snap-on
Snap-on
Snap-on
Snap-on
Snap-on
Snap-on
Snap-on
Snap-on
Snap-on
Slip-on
Slip-on
Snap-on
Snap-on
Slip-on
Slip-on
Slip-on
Slip-on
Built-in
HB-72 (provided)
HB-4 (optional)
HB-51 (provided)
HB-76 (provided)
HN-1 (optional)
HB-64 (provided)
HN-2 (optional)
HB-59 (provided)
HB-70 (provided)
HB-46 (provided)
HN-3 (optional)
HB-47 (provided)
HR-2 (optional)
HB-47 (provided)
HB-47 (provided)
HR-2 (optional)
HB-68 (provided)
HB-55 (provided)
HB-62 (provided)
Built-in
Built-in
Built-in
HK-31 (provided)
HK-30 (provided)
HB-73 (provided)
Built-in
HK-38 (provided)
HK-34 (provided)
HK-40 (provided)
HK-38 (provided)
CL-S2 (provided)
CL-1015 (provided)
CL-S2 (optional)
CL-1118 (provided)
CL-1015 (provided)
CL-0715 (optional)
CL-0915 (provided)
CL-0715 (optional)
CL-1118 (provided)
CL-0915 (provided)
CL-0913 (provided)
CL-0715 (optional)
CL-1013 (provided)
CL-0715 (optional)
CL-1013 (provided)
CL-1013 (provided)
CL-0715 (optional)
CL-1015 (provided)
CL-1118 (provided)
CL-1015 (provided)
CL-38 (optional)
CL-38 (optional)
CL-38 (provided)
CL-L1 (provided)
CL-L1 (provided)
CL-M3 (provided)
CL-M2 (provided)
CT-405 (provided)
CT-505 (provided)
CT-608 (provided)
CT-801 (provided)
7
7
7
9
7
9
9
9
9
9
9
22
22
22
32
32
32
32
32
32
32
32
0,14
0,25
0,163
0,185
0,219
0,286
0,314
0,5
0,21
0,253
0,39
0,20
0,09
1,00
1,00
1,00
1,00
1,00
1,00
0,36
0,50
0,50
305
290
235
425
440
355
750
1190
730
740
635
63 x 62,5
63 x 57
68,5 x 64,5
73 x 89
70 x 74,5
73 x 98,5
83 x 116
76 x 193
82,5 x 108
82,5 x 112
83,5 x 107
Gelatin filter
Rear-attachment type
52
62
62
52
62
62
77
77
77
Slip-on
Slip-on
Snap-on
Snap-on
Snap-on
Snap-on
Snap-on
Snap-on
Snap-on
Snap-on
Snap-on
Built-in
Built-in
HB-61 (provided)
HB-42 (provided)
HN-22 (optional)
HB-37 (provided)
HB-38 (provided)
HN-30 (optional)
HB-41 (provided)
HB-43 (provided)
HB-22 (provided)
CL-0715 (provided)
CL-0715 (optional)
CL-0915 (provided)
CL-1018 (provided)
CL-0815 (optional)
CL-1018 (provided)
CL-1020 (provided)
CL-45 (provided)
CL-1120 (provided)
CL-1120 (provided)
CL-1120 (provided)
■ FIXED FOCAL-LENGTH NIKKOR LENSES [p16-p23]
AF Nikkor 14mm f/2.8D ED
AF-S NIKKOR 20mm f/1.8G ED
AF Nikkor 20mm f/2.8D*18
AF-S NIKKOR 24mm f/1.4G ED
AF-S NIKKOR 24mm f/1.8G ED
AF Nikkor 24mm f/2.8D*18
AF-S NIKKOR 28mm f/1.8G
AF Nikkor 28mm f/2.8D
AF-S NIKKOR 35mm f/1.4G
AF-S NIKKOR 35mm f/1.8G ED
AF-S DX NIKKOR 35mm f/1.8G
AF Nikkor 35mm f/2D
AF-S NIKKOR 50mm f/1.4G
AF Nikkor 50mm f/1.4D
AF-S NIKKOR 50mm f/1.8G (Special Edition)
AF-S NIKKOR 50mm f/1.8G
AF Nikkor 50mm f/1.8D
AF-S NIKKOR 58mm f/1.4G
AF-S NIKKOR 85mm f/1.4G
AF-S NIKKOR 85mm f/1.8G
AF DC-Nikkor 105mm f/2D
AF DC-Nikkor 135mm f/2D
AF Nikkor 180mm f/2.8D IF-ED
AF-S NIKKOR 200mm f/2G ED VR II*15
AF-S NIKKOR 300mm f/2.8G ED VR II*15
AF-S NIKKOR 300mm f/4E PF ED VR*15
AF-S Nikkor 300mm f/4D IF-ED (black)*15
AF-S NIKKOR 400mm f/2.8E FL ED VR*15
AF-S NIKKOR 500mm f/4E FL ED VR
AF-S NIKKOR 600mm f/4E FL ED VR
AF-S NIKKOR 800mm f/5.6E FL ED VR*15
RF
RF
RF
RF
RF
RF
RF
RF
IF
IF
RF
RF
IF
IF
IF
IF
IF
IF
IF
IF
IF
3,0
3,0
4,5
Normal / Active
Normal / Active
Normal / Sport
√
√
√
4,0
4,0
4,0
4,5
Normal / Sport
Normal / Sport
Normal / Sport
Normal / Active
√
√
√
√
When using the D5000 series and
D3000 series, autofocusing is
possible only with AF-S or AF-I
lenses that have the motor built-in.
*1 With the IF (Internal Focusing) system,
the shorter the shooting distance,
the shorter the focal length becomes
because of its optical characteristics.
*2 Based on CIPA Standard. This value is
achieved when: DX-format lenses are
attached to a DX-format digital SLR
camera, FX-format compatible lenses
are attached to an FX-format digital
SLR camera, and zoom lenses are set
at the maximum telephoto position.
*3 Minimum focus distance is the
distance from a camera's focal plane
mark to the subject.
*4 Distance from camera lens mount
flange.
*5 Lens hood names indicate type: HB
(bayonet), HN (screw-on), HK (slip-on),
HS (snap-on) and HR (rubber screw-on).
*6 Number in ( ) is for MF.
*7 Number in ( ) is for macro setting.
*8 Number in ( ) is for macro setting at
85 mm telephoto end.
*9 When in between 18-24 mm.
*10 When in between 20-28 mm.
*11 When in 35 mm.
*12 When in 300 mm.
*13 When in between 35-50 mm.
*14 When in 24, 28, 70 mm.
*15 Tripod mounting collar is provided.
*16 Number in ( ) is the weight without
tripod mounting collar.
*17 Use CL-0715 instead if you are using
the lens hood HB-33.
*18 Close-Range Correction (CRC) system
*19 Using shifting and/or tilting under
some conditions may cause
vignetting.
■ SPECIAL-PURPOSE NIKKOR LENSES [p24-p27]
34
AF DX Fisheye-Nikkor 10.5mm f/2.8G ED*18
AF Fisheye-Nikkor 16mm f/2.8D*18
AF-S DX Micro NIKKOR 40mm f/2.8G*18
AF-S Micro NIKKOR 60mm f/2.8G ED
AF Micro-Nikkor 60mm f/2.8D*18
AF-S DX Micro NIKKOR 85mm f/3.5G ED VR
AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED
AF Micro-Nikkor 200mm f/4D IF-ED*15*18
PC-E NIKKOR 24mm f/3.5D ED*19
PC-E Micro NIKKOR 45mm f/2.8D ED*18*19
PC-E Micro NIKKOR 85mm f/2.8D*18*19
IF
IF
IF
IF
RF
3,0
3,0
Normal
Normal
35
NIKKOR & ACC
NIKKOR & ACC is an app for viewing on digital devices. This gives you easy access to various kinds
of information about products used with Nikon digital SLR cameras, such as interchangeable lenses,
Speedlights and related accessories. Its extensive product information will help enhance your
photo-taking experience.
http://imaging.nikon.com/lineup/application/nikkor_acc.htm
COOLPIX_A4 Leaflet Horizontal_W279 X H210mm
01_EN_BV
2016
Corporation
e withoutSpecifications
any notice or obligation
on theare
part
of the to
manufacturer.
Mayany
2016
and equipment
subject
change without
notice or obligation
onNikon
the part
of the manufacturer. May 2016
2016 Nikon Corporation
ORRECT USAGE, READ MANUALS
CAREFULLY
BEFORE
USINGREAD
YOURMANUALS
EQUIPMENT.
TO ENSURE
CORRECT
USAGE,
CAREFULLY BEFORE USING YOUR EQUIPMENT.
WARNING
ENTATION IS SUPPLIED
ON CD-ROM
SOMEONLY.
DOCUMENTATION IS SUPPLIED ON CD-ROM ONLY.
www.europe-nikon.com
Visit the Nikon Europe website at: www.europe-nikon.com
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Netherlands
Europe B.V. Tripolis 100, Burgerweeshuispad 101, 1076 ER Amsterdam, The Netherlands
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