advertisement
E-A7 MIDI Implementation
1. Received data
6 Data Entry (Controller number 6, 38)
Status 2nd byte 3rd byte
BnH 06H mmH
BnH 26H llH 9 Channel Voice Messages
7 Note off
Status 2nd byte 3rd byte
8nH kkH vvH
9nH kkH 00H n= MIDI channel number: 0H–FH (Ch.1–16) mm, ll= the value of the parameter specified by RPN/NRPN mm= MSB, ll= LSB
6 Volume (Controller number 7)
Status 2nd byte 3rd byte
BnH 07H vvH n= MIDI channel number: kk= note number: vv= note off velocity:
0H–FH (Ch.1–16)
00H–7FH (0–127)
00H–7FH (0–127)
7 Note on
Status 2nd byte 3rd byte
9nH kkH vvH n= MIDI channel number: vv= Volume:
0H–FH (Ch.1–16)
00H–7FH (0–127),
Initial value= 64H (100)
5 Volume messages are used to adjust the volume balance of each
Part.
5 Not received when “Volume” RX Event is off.
n= MIDI channel number: kk= note number: vv= note on velocity:
0H–FH (Ch.1–16)
00H–7FH (0–127)
01H–7FH (1–127)
5 Not received when Rx.NOTE MESSAGE= OFF. (Initial value is ON)
7 Polyphonic Key Pressure
Status 2nd byte 3rd byte
AnH kkH vvH
6 Pan (Controller number 10)
Status 2nd byte 3rd byte
BnH 0AH vvH n= MIDI channel number: vv= pan:
0H–FH (Ch.1–16)
Initial value= 40H (Center)
5 Not received when “PanPot” RX Event is Off n= MIDI channel number: kk= note number: vv= key pressure:
0H–FH (Ch.1–16)
00H–7FH (0–127)
00H–7FH (0–127)
5 The resulting effect is determined by System Exclusive messages. With the initial settings, there will be no effect.
7 Control Change
5 The value specified by a Control Change message will not be reset even by a Program Change, etc.
6 Bank Select (Controller number 0, 32)
Status 2nd byte 3rd byte
BnH 00H mmH
BnH 20H llH
6 Expression (Controller number 11)
Status 2nd byte 3rd byte
BnH 0BH vvH n= MIDI channel number: vv= Expression:
0H–FH (Ch.1–16)
00H–7FH (0–127),
Initial value= 7FH (127)
5 Not received when “Expression” RX Event is Off.
6 C1 (Controller number 16)
Status 2nd byte 3rd byte
BnH 10H vvH n= MIDI channel number: vv= Control value:
0H~FH (Ch.1~16)
00H~7FH (0~127) n= MIDI channel number: mm= Bank number MSB: ll= Bank number LSB:
0H–FH (Ch.1–16)
00H–7FH,
Initial value= 00H
00H–7FH
5 Bank Select processing is suspended until a program change is received.
5 Not received when Program Change RX event is Off.
6 Modulation (Controller number 1)
Status 2nd byte 3rd byte
BnH 01H vvH
6 Portamento (Controller number 65)
Status 2nd byte 3rd byte
BnH 41H vvH n= MIDI channel number: vv= Modulation depth:
0H–FH (Ch.1–16)
00H–7FH (0–127)
6 Hold 1 (Controller number 64)
Status 2nd byte 3rd byte
BnH 40H vvH n= MIDI channel number: vv= Control value:
0H–FH (Ch.1–16)
00H–7FH (0–127)
5 Not received when “Hold” RX Event is Off.
5 Not received when Rx.MODULATION= OFF (Initial value is ON).
5 The resulting effect is determined by System Exclusive messages. With the initial settings, this is Pitch Modulation
Depth.
n= MIDI channel number: vv= Control value:
0H–FH (Ch.1–16)
00H–7FH (0–127) 0–63= OFF,
64–127= ON
6 Sostenuto (Controller number 66)
Status 2nd byte 3rd byte
BnH 42H vvH
6 Portamento Time (Controller number 5)
Status 2nd byte 3rd byte
BnH 05H vvH n= MIDI channel number: vv= Portamento Time:
0H–FH (Ch.1–16)
00H–7FH (0–127),
Initial value= 00H (0) n= MIDI channel number: vv= Control value:
0H–FH (Ch.1–16)
00H–7FH (0–127) 0–63= OFF,
64–127= ON
5 Not received when “Sostenuto” RX Event is Off.
5 This adjusts the rate of pitch change when Portamento is ON or when using the Portamento Control. A value of 0 results in the fastest change.
Copyright © 2015 ROLAND CORPORATION 1
01
6 Soft (Controller number 67)
Status 2nd byte 3rd byte
BnH 43H vvH n= MIDI channel number: vv= Control value:
0H–FH (Ch.1–16)
00H–7FH (0–127) 0–63= OFF, 64–127=
ON
5 Not received when “Soft” RX Event is Off.
Status 2nd byte 3rd byte
BnH 47H vvH n= MIDI channel number: vv= Resonance value
(relative change):
0H–FH(Ch.1–16)
00H–7FH(-64–0–+63),
Initial value= 40H (no change)
6 Release Time (Controller number 72)
Status 2nd byte 3rd byte
BnH 48H vvH n= MIDI channel number: vv= Release Time value
(relative change):
0H–FH(Ch.1–16)
00H–7FH (-64–0–+63),
Initial value= 40H (no change)
6 Attack time (Controller number 73)
Status 2nd byte 3rd byte
BnH 49H vvH n= MIDI channel number: vv= Attack time value
(relative change):
0H–FH (Ch.1–16)
00H–7FH (-64–0–+63),
Initial value=40H (no change)
6 Cutoff (Controller number 74)
Status 2nd byte 3rd byte
BnH 4AH vvH n= MIDI channel number: vv= Cutoff value
(relative change):
0H–FH (Ch.1–16)
00H–7FH(-64–0–+63),
Initial value= 40H (no change)
6 Decay Time (Controller number 75)
Status 2nd byte 3rd byte
BnH 4BH vvH n= MIDI channel number: vv= Decay Time value
(relative change):
0H–FH (Ch.1–16)
00H–7FH (-64–0–+63),
Initial value= 40H (no change)
6 Vibrato Rate (Controller number 76)
Status 2nd byte 3rd byte
BnH 4CH vvH n= MIDI channel number: vv= Vibrato Rate value
(relative change):
0H–FH (Ch.1–16)
00H–7FH (-64–0–+63),
Initial value= 40H (no change)
6 Vibrato Depth (Controller number 77)
Status 2nd byte 3rd byte
BnH 4DH vvH n= MIDI channel number: vv= Vibrato Depth Value
(relative change):
0H–FH (Ch.1–16)
00H–7FH (-64–0–+63),
Initial Value= 40H (no change)
6 Vibrato Delay (Controller number 78)
Status 2nd byte 3rd byte
BnH 4EH vvH n= MIDI channel number: vv= Vibrato Delay value
(relative change):
0H–FH (Ch.1–16)
00H–7FH (-64–0–+63),
Initial value=40H (no change)
6 Portamento control (Controller number 84)
Status 2nd byte 3rd byte
BnH 54H kkH n= MIDI channel number: kk= source note number:
0H–FH (Ch.1–16)
00H–7FH (0–127)
5 A Note-on received immediately after a Portamento Control message will change continuously in pitch, starting from the pitch of the Source Note Number.
5 If a voice is already sounding for a note number identical to the Source Note Number, this voice will continue sounding
(i.e., legato) and will, when the next Note-on is received, smoothly change to the pitch of that Note-on.
5 The rate of the pitch change caused by Portamento Control is determined by the Portamento Time value.
Example 1
On MIDI
90 3C 40
B0 54 3C
90 40 40
80 3C 40
80 40 40
Example 2
On MIDI
B0 54 3C
90 40 40
80 40 40
Description
Note on C4
Portamento Control from C4
Note on E4 glide from
Note off C4
Note off E4
Description
Portamento Control from C4
Note on E4
Note off E4
Result
C4 on no change
C4 to E4 no change
E4 off
Result no change glide from C4 to E4
E4 off
6 Effect 1 (Reverb Send Level) (Controller number 91)
Status 2nd byte 3rd byte
BnH 5BH vvH n= MIDI channel number: vv= Reverb Send Level:
0H–FH (Ch.1–16)
00H–7FH (0–127)
5 This message adjusts the Reverb Send Level of each Part.
5 Not received when “Reverb” RX Event is Off.
6 Effect 3 (Chorus Send Level) (Controller number 93)
Status 2nd byte 3rd byte
BnH 5DH vvH n= MIDI channel number: vv= Chorus Send Level:
0H–FH (Ch.1–16)
00H–7FH (0–127)
5 This message adjusts the Chorus Send Level of each Part.
5 Not received when “Chorus” RX Event is Off.
6 NRPN MSB/LSB (Controller number 99, 98)
Status 2nd byte 3rd byte
BnH 63H mmH
BnH 62H llH n= MIDI channel number: 0H–FH (Ch.1–16) mm= upper byte (MSB) of the parameter number specified by NRPN ll= lower byte (LSB) of the parameter number specified by NRPN
5 The value set by NRPN will not be reset even if Program
Change or Reset All Controllers is received.
5 Not received when “NRPN” RX Event is Off.
NRPN
MSB LSB
01H 08H
01H 09H
01H 0AH
01H 20H
01H 21H
01H 63H
**NRPN**
The NRPN (Non Registered Parameter Number) message allows an extended used to modify sound parameters, etc.
To use these messages, you must first use NRPN messages (Controller number 98 and 99, their order does not matter) to specify the parameter to be controlled, and then use Data Entry messages (Controller number 6) to specify the value of the specified parameter.
Once an NRPN parameter has been specified, all Data Entry messages received on that channel will modify the value of that parameter.
To prevent accidents, it is recommended that you set RPN Null (RPN
parameter. Refer to “[Example 4]” on page 14.
On the E-A7, Data entry LSB (Controller number 38) of NRPN is ignored, so it is no problem to send Data entry MSB (Controller number 6) only
(without Data entry LSB).
On the E-A7, NRPN can be used to modify the following parameters:
01H 64H
01H 66H
18H rrH
1AH rrH
Data entry
MSB mmH mmH mmH mmH mmH mmH mmH mmH mmH mmH
Function and range
Vibrato Rate (relative change) mm: 00H–40H–7FH (-64–0–+63)
Vibrato Depth (relative change) mm: 00H–40H–7FH (-64–0–+63)
Vibrato Delay (relative change)
TVF Cutoff Frequency (relative change) mm: 00H–40H–7FH (-64–0–+63)
TVF Resonance (relative change) mm: 00H–40H–7FH (-64–0–+63)
TVF&TVA Envelope Attack Time (rel. mm: 00H–40H–7FH (-64–0–+63)
TVF&TVA Envelope Decay Time (rel. change) mm: 00H–40H–7FH (-64–0–+63)
TVF&TVA Env. Release Time (relative change) mm: 00H–40H–7FH (-64–0–+63)
(relative change) rr: Drum Instrument note number mm: 00H–40H–7FH (-64–0–+63 semitone)
Drum Instrument TVA Level (absolute rr: Drum Instrument note number mm: 00H–7FH (0–max)
2
1CH rrH
1DH rrH
1EH rrH
60H rrH mmH mmH mmH mmH
Drum Instrument Panpot (absolute change) rr: Drum Instrument note number mm: 01H–40H–7FH (left–center–right) change) rr: Drum Instrument note number mm: 00H–7FH (0–max)
Drum Instr. Chorus Send (absolute change) rr: Drum Instrument note number mm: 00H–7FH (0–max)
Equalizer Switch
61H rrH
62H rrH mmH mmH mm: 01H–02H (Instrument, Off)
Equalizer Low Frequency rr: Drum Instrument note number mm: 00H–05H (90, 150, 180, 300, 360,
600Hz)
Equalizer Low Gain rr: Drum Instrument note number mm: 00H–1EH (-15–0–+15dB)
63H rrH mmH rr: Drum Instrument note number mm: 00H–10H (200, 250, 315, 400, 500,
630, 800, 1000, 1250, 1600, 2000,
2500, 3150, 4000, 5000, 6300, 8000Hz)
64H rrH
65H rrH
66H rrH
67H rrH
4FH 10H
4FH 11H
4FH 13H mmH mmH mmH mmH mmH mmH mmH rr: Drum Instrument note number mm: 00H–1EH (-15–0–+15dB)
Equalizer Mid Q rr: Drum Instrument note number mm: 00H–04H (0.5, 1.0, 2.0, 4.0, 8.0)
Equalizer High Frequency rr: Drum Instrument note number mm: 00H–06H (1500, 2000, 3000, 4000,
6000, 8000, 12000Hz)
Equalizer High Gain rr: Drum Instrument note number mm: 00H–1EH (-15–0–+15dB)
Part 4 On/Off (Upper 1) mm: 00H–7FH (00–3FH=Off, 40–7FH= On)
Part 11 On/Off (Lower) mm: 00H–7FH (00–3FH=Off, 40–7FH= On)
Part 6 On/Off (Upper 2) mm: 00H–7FH (00–3FH=Off, 40–7FH= On)
4FH 25H
4FH 26H
4FH 18H
4FH 19H
4FH 1AH
4FH 1BH
4FH 1CH
4FH 1DH
4FH 1EH
4FH 1FH
4FH 20H
4FH 21H
4FH 22H
4FH 23H
4FH 24H mmH mmH mmH mmH mmH mmH mmH mmH mmH mmH mmH mmH mmH mmH mmH mm: 00H–7FH (00–3FH=Off, 40–7FH= On)
Part 15 On/Off (Melody Int.) mm: 00H–7FH (00–3FH=Off, 40–7FH= On)
Part 8 On/Off (Acc 5) mm: 00H–7FH (00–3FH=Off, 40–7FH= On)
Part 9 On/Off (Acc 6) mm: 00H–7FH (00–3FH=Off, 40–7FH= On)
Part 10 On/Off (Acc Drums) mm: 00H–7FH (00–3FH=Off, 40–7FH= On)
Part 2 On/Off (Acc Bass) mm: 00H–7FH (00–3FH=Off, 40–7FH= On)
Part 1 On/Off (Acc 1) mm: 00H–7FH (00–3FH=Off, 40–7FH= On)
Part 3 On/Off (Acc2) mm: 00H–7FH (00–3FH=Off, 40–7FH= On)
Part 5 On/Off (Acc3) mm: 00H–7FH (00–3FH=Off, 40–7FH= On)
Part 7 On/Off (Acc 4) mm: 00H–7FH (00–3FH=Off, 40–7FH= On)
Master Accompaniment On/Off mm: 00H–7FH (00–3FH=Off, 40–7FH= On)
Master Volume Upper (1–2–3) On/Off mm: 00H–7FH (00–3FH=Off, 40–7FH= On)
Master Volume Lower On/Off mm: 00H–7FH (00–3FH=Off, 40–7FH= On)
Master Volume Bass (Acc.Bass) On/Off mm: 00H–7FH (00–3FH=Off, 40–7FH= On)
Master Volume Acc.Drum On/Off mm: 00H–7FH (00–3FH=Off, 40–7FH= On)
5 Part On/Off NRPN messages are received on the Basic MIDI
Channel.
6 RPN MSB/LSB (Controller number 101, 100)
Status 2nd byte 3rd byte
BnH 65H mmH
BnH 64H llH n= MIDI channel number: 0H–FH (Ch.1–16) mm= upper byte (MSB)of parameter number specified by RPN ll= lower byte (LSB) of parameter number specified by RPN
5 Not received when “RPN” RX Event is Off.
5 The value specified by RPN will not be reset even by messages such as Program Change or Reset All Controller.
**RPN**
The RPN (Registered Parameter Number) messages are expanded control changes, and each function of an RPN is described by the MIDI Standard.
To use these messages, you must first use RPN (Controller number 101 and 100, their order does not matter) to specify the parameter to be controlled, and then use Data Entry messages (Controller number 6, 38) has been specified, all Data Entry messages received on that channel will modify the value of that parameter.
To prevent accidents, it is recommended that you set RPN to Null (RPN
Number= 7FH 7FH) when you have finished setting the value of the desired parameter.
Refer to “[Example 4]” on page 14.
On the E-A7, RPN can be used to modify the following parameters.
RPN
MSB LSB
00H 00H
00H 01H
00H 02H
00H 05H
7FH 7FH
Data entry
MSB LSB mmH --- mmH llH mmH --- mmH llH
--- ---
7 Program Change
Status 2nd byte
CnH ppH
7 Channel Pressure
Status 2nd byte
DnH vvH
Explanation
Pitch Bend Sensitivity
Initial value= 02H (2 semitones) ll: ignored (processed as 00H)
Up to 2 octaves can be specified in semitone steps.
mm, ll: 00 00H–40 00H–7F 7FH (–100–0–
+99.99 cents),
Initial value= 40 00H (+/- 0 cent)
Refer to “About the Tuning” on page
Channel Coarse Tuning mm: 28H–40H–58H (-24–0–+24 semitones),
Initial value= 40H (+/-0 semitone) ll: ignored (processed as 00H)
Modulation Depth Range mm: 00H–04H (0–4 semitones)
Cent/Value
RPN null
Set condition where RPN and NRPN are unspecified. The data entry messages after set RPN null will be ignored.
(No Data entry messages are required after RPN null). Settings already mm, ll: ignored n= MIDI channel number: pp= Program number:
0H–FH (Ch.1–16)
00H–7FH (prog.1–prog.128)
5 Not received when “Program Change” RX Event is Off.
5 After a Program Change message is received, the sound will change beginning with the next Note-on. Voices already sounding when the Program Change message was received will not be affected.
n= MIDI channel number: vv= Channel Pressure:
0H–FH (Ch.1–16)
00H–7FH (0–127)
5 Not received when “Channel Pressure” RX Event is Off.
5 The resulting effect is determined by System Exclusive messages. With the initial settings there will be no effect.
7 Pitch Bend Change
Status 2nd byte 3rd byte
EnH llH mmH n= MIDI channel number: mm, ll= Pitch Bend value:
0H–FH (Ch.1–16)
00 00H–40 00H–7F 7FH (–8192–0–+8191)
5 Not received when “Pitch Bender ” RX Event is Off.
5 The resulting effect is determined by System Exclusive messages. With the initial settings the effect is Pitch Bend.
3
9 Channel Mode Messages
7 All Sounds Off (Controller number 120)
Status 2nd byte 3rd byte
BnH 78H 00H n= MIDI channel number: 0H–FH (Ch.1–16)
5 When the message is received, all notes currently sounding on the corresponding channel will be turned Off.
7 Reset All Controllers (Controller number
121)
Status 2nd byte 3rd byte
BnH 79H 00H n= MIDI channel number: 0H–FH (Ch.1–16)
5 When this message is received, the following controllers will be set to their reset values.
Controller
Pitch Bend Change
Polyphonic Key Pressure
Channel Pressure
Modulation
Expression
Hold 1
Portamento
Sostenuto
Soft
RPN
NRPN
Reset value
+/-0 (center)
0 (off)
0 (off)
0 (off)
127 (max)
0 (off)
0 (off)
0 (off)
0 (off)
unset; previously set data do not change
unset; previously set data do not change
7 All Notes Off (Controller number 123)
Status 2nd byte 3rd byte
BnH 7BH 00H
9 System Realtime Messages
7 Active Sensing
Status
FEH
5 When Active Sensing is received, the unit will begin monitoring the intervals of all further messages. While monitoring, if the interval between messages exceeds 420 ms, the same processing will be carried out as when All Sounds
Off, All Notes Off and Reset All Controllers are received, and message interval monitoring will be halted.
7 Timing Clock
Status
F8H
* STYLE: Received when Sync RX is On and the Sync Mode Style RX parameter (MIDI\Edit System) is set to AUTO or MIDI.
* SONG: Received when Sync RX is On and the Sync Mode Song RX parameter (MIDI\Edit System) is set to AUTO or MIDI.
5 When “Timing Clock” message is received, the Style or Song is synchronized to an external clock according to the following table.
Song/Style Sync RX
Internal
Auto
MIDI
Remote
Response
A Style/Song will neither start/stop nor follow the tempo of the external
Timing Clock (F8) and “Start /Stop”
(FA/FC) messages.
If a Style/Song receives MIDI “Start/
Stop” (FA/FC), it will follow
Internal or External clock, depending are received.
If a Style/Song receives MIDI
“Start/Stop” (FA/FC) it will follow
External “MIDI Clock” (F8) messages and therefore wait until they are received.
If a Style/Song receives MIDI “Start/
Stop” (FA/FC) it will follow only n= MIDI channel number: 0H–FH (Ch.1–16)
5 When All Notes Off is received, all notes on the corresponding channel will be turned off. However, if Hold 1 or Sostenuto is
ON, the sound will be continued until these are turned off.
7 Omni Off (Controller number 124)
Status 2nd byte 3rd byte
BnH 7CH 00H n= MIDI channel number: 0H–FH (Ch.1–16)
5 The same processing will be carried out as when All Notes Off is received.
7 Omni On (Controller number 125)
Status 2nd byte 3rd byte
BnH 7DH 00H n= MIDI channel number: 0H–FH (Ch.1–16)
5 The same processing will be carried out as when All Notes Off is received. OMNI ON will not be turned on.
7 MONO (Controller number 126)
Status 2nd byte 3rd byte
BnH 7EH mmH n= MIDI channel number: mm= mono number:
0H–FH (Ch.1–16)
00H–10H (0–16)
5 The same processing will be carried out as when All Sounds Off and All Notes Off is received, and the corresponding channel will be set to Mode 4 (M= 1) regardless of the value of “mm
(mono number).”
7 POLY (Controller number 127)
Status 2nd byte 3rd byte
BnH 7FH 00H n= MIDI channel number: 0H–FH (Ch.1–16)
5 The same processing will be carried out as when All Sounds Off and All Notes Off is received, and the corresponding channel will be set to Mode 3.
7 Start
Status
FAH
* STYLE: Received when Sync RX is On and the Sync Mode Style RX parameter (MIDI\Edit System) is set to AUTO, MIDI or
REMOTE.
* SONG: Received when Sync RX is On and the Sync Mode Song RX parameter (MIDI\Edit System) is set to AUTO, MIDI or
REMOTE.
7 Continue (Song playback only)
Status
FBH
5 Received when Sync RX is On and the Sync Mode Song RX parameter (MIDI\Edit System) is set to AUTO, MIDI or REMOTE.
5 When a “Continue” message is received, the Song continues playing from the current position.
7 Stop
Status
FCH
* STYLE: Received when Sync RX is On and the Sync Mode Style RX parameter (MIDI\Edit System) is set to AUTO, MIDI or
REMOTE.
* SONG: Received when Sync RX is On and the Sync Mode Song RX parameter (MIDI\Edit System) is set to AUTO, MIDI or
REMOTE.
5 When a “Stop” message is received, the Style or Song stops playing.
9 System Common Messages
7 Song Position Pointer
Status 2nd byte 3rd byte
F2H XXH YYH
XX= Song Position ( Bar ) LSB
YY= Song Position ( Bar ) MSB
4
9 System Exclusive Messages
Status
F0H
F7H:
Data byte iiH, ddH, ......,eeH
Status
F7H
F0H: System Exclusive Message status
ii= ID number: an ID number (manufacturer ID) to indicate the manufacturer whose Exclusive message this is. Roland ‘s manufacturer ID is 41H. ID numbers 7EH and 7FH are extensions of the MIDI standard; Universal
Non-realtime Messages (7EH) and Universal Realtime
Messages (7FH).
dd,...,ee= data: 00H–7FH (0–127)
EOX (End Of Exclusive)
6 GM1 System On
This message resets the internal settings of the unit to the General
MIDI 1 initial state.
Status
F0H
Data byte
7EH, 7FH, 09H, 01H
Status
F7H
Byte Explanation
F0H
7EH
7FH
09H
01H
F7H
Exclusive status
ID number (Universal Non-realtime Message)
Device ID (Broadcast)
Sub ID#1 (General MIDI Message)
Sub ID#2 (General MIDI 1 On)
EOX (End Of Exclusive)
5 When this message is received, Rx.BANK SELECT will be OFF and
Rx.NRPN will be OFF.
5 There must be an interval of at least 50 ms between this message and the next message.
5 Not received when RX SYSEX parameter (MENU/MIDI/Edit System/
Param) is OFF.
5 Only for the Song parts.
6 GM2 System On
Status
F0H
Data byte
7EH 7FH 09H 03H
Status
F7H
Byte Explanation
F0H
7EH
7FH
09H
03H
F7H
Exclusive status
ID number (Universal Non-realtime Message)
Device ID (Broadcast)
Sub ID#1 (General MIDI Message)
Sub ID#2 (General MIDI 2 On)
EOX (End Of Exclusive)
5 When this message is received, the E-A7 will be able to receive the messages specified by General MIDI 2, and use the
General MIDI 2 sound map.
5 Not received when RX SYSEX parameter (MENU/MIDI/Edit System/
Param) is OFF.
5 Only for the Song parts.
6 GM System Off
GM System Off is a command message that resets the internal state of the
E-A7 from the GM state to its native condition. The E-A7 will reset to the GS default state.
Status
F0H
Data byte
F0H 7EH 7FH 09H 02H
Status
F7H
Byte Explanation
F0H
7EH
7FH
09H
02H
F7H
Exclusive status
ID number (Universal Non-realtime Message)
Device ID (Broadcast)
Sub ID#1 (General MIDI Message)
Sub ID#2 (General MIDI Off)
EOX (End Of Exclusive)
5 When this message is received, the E-A7 will reset to the GS default state.
5 Not received when RX SYSEX parameter (MENU/MIDI/Edit System/
Param) is OFF.
5 Only for the Song parts.
6 GS reset
GS Reset is a command message that resets the internal settings of a device to the GS initial state. This message appears at the beginning of GS music data, and a GS device that receives this message will data.
Status
F0H
Data byte
41H, dev, 42H, 12H, 40H,
00H, 7FH, 00H, 41H
Byte Explanation
F0H
41H dev
Exclusive status
ID number (Roland)
Device ID (dev: 00H–1FH (1–32),
Initial value is 10H (17))
42H
12H
Model ID (GS)
Command ID (DT1)
40H Address MSB
00H Address
7FH
00H
Address LSB
Data (GS reset)
41H Checksum
F7H EOX (End Of Exclusive)
Status
F7H
5 When this message is received, Rx.NRPN will be ON.
5 There must be an interval of at least 50 ms between this message and the next.
5 Not received when RX SYSEX parameter (MENU/MIDI/Edit System/
Param) is OFF.
5 Only for the Song parts.
6 Exit GS Mode
“Exit GS Mode” resets the internal settings of the unit to Arranger
Mode I initial state .
Status
F0H
Data byte
41H, dev, 42H, 12H, 40H,
00H, 7FH, 7FH, 42H
Status
F7H
Byte Explanation
F0H
41H dev
Exclusive status
ID number (Roland)
42H
12H
Device ID (dev: 00H–1FH (1–32) Initial value is
10H(17))
40H Address MSB
00H Address
7FH
7FH
Model ID (GS)
Command ID (DT1)
Address LSB
Data (Exit GS Mode)
42H Checksum
F7H EOX (End Of Exclusive)
5 There must be an interval of at least 100 ms between this message and the next message.
5 Not received when RX SYSEX parameter (MENU/MIDI/Edit System/
Param) is OFF.
5 Only for the Song parts.
7 Universal Realtime System Exclusive Messages
6 Master Volume
Status
F0H
Data byte
7FH, 7FH, 04H, 01H, llH, mmH
Status
F7H
Byte Explanation
F0H
7FH
7FH
04H
01H llH mmH
F7H
Exclusive status
ID number (universal realtime message)
Device ID (Broadcast)
Sub ID#1 (Device Control messages)
Sub ID#2 (Master Volume)
Master Volume lower byte
Master Volume upper byte
EOX (End Of Exclusive)
5 The lower byte (llH) of Master Volume will be handled as 00H.
5 Not received when RX SYSEX parameter (MENU/MIDI/Edit System/
Param) is OFF.
5
6 Master Fine Tuning
Status Data byte Status
F0H 7FH,7FH,04H,03H,llH,mmH F7H
Byte Explanation
F0H
7FH
7FH
04H
03H llH mmH
F7H
Exclusive status
ID number (universal realtime message)
Device ID (Broadcast)
Sub ID#1 (Device Control)
Sub ID#2 (Master Fine Tuning)
Master Fine Tuning LSB
Master Fine Tuning MSB
EOX (End Of Exclusive) mm, ll : 00 00H–40 00H–7F 7FH (-100–0–+99.9 [cents])
5 Not received when RX SYSEX parameter (MENU/MIDI/Edit System/
Param) is OFF.
6 Master Coarse Tuning
Status Data byte Status
F0H 7FH,7FH,04H,04H,llH,mmH F7
Byte Explanation
F0H
7FH
7FH
04H
04H llH mmH
F7H
Exclusive status
ID number (universal realtime message)
Device ID (Broadcast)
Sub ID#1 (Device Control)
Sub ID#2 (Master Coarse Tuning)
Master Coarse Tuning LSB
Master Coarse Tuning MSB
EOX (End Of Exclusive) llH: mmH: ignored (processed as 00H)
28H–40H–58H (-24–0–+24 [semitones])
5 Not received when RX SYSEX parameter (MENU/MIDI/Edit System/
Param) is OFF.
7 Global Parameter Control (Song part)
Global Parameter Control messages are newly provided for General MIDI 2.
6 Reverb Parameters
Status
F0H
Data byte
7FH, 7FH, 04H, 05H, 01H, 01H,
01H, 01H, 01H, ppH, vvH
Status
F7H
01H
01H
01H
01H
01H ppH vvH
F7H
Byte Explanation
F0H
7FH
7FH
04H
05H
Exclusive status
ID number (universal realtime message)
Device ID (Broadcast)
Sub ID#1 (Device Control)
Sub ID#2 (Global Parameter Control)
Slot path length
Parameter ID width
Value width
Slot path MSB
Slot path LSB (Effect 0101: Reverb)
Parameter to be controlled.
Value for the parameter.
EOX (End Of Exclusive) pp=0 pp=1
Reverb Type vv= 00H Small Room (Room1) vv= 01H Medium Room (Room2) vv= 02H Large Room (Room3) vv= 03H Medium Hall (Hall1) vv= 04H Large Hall (Hall2) vv= 08H Plate (Plate)
Reverb Time vv= 00H–7FH0–127
6 Chorus Parameters
Status
F0H
Data byte
7FH, 7FH, 04H, 05H, 01H, 01H,
01H, 01H, 02H, ppH, vvH
Status
F7H
01H
01H
01H
01H
02H ppH vvH
F7H
Byte Explanation
F0H
7FH
7FH
04H
05H
Exclusive status
ID number (universal realtime message)
Device ID (Broadcast)
Sub ID#1 (Device Control)
Sub ID#2 (Global Parameter Control)
Slot path length
Parameter width
Value width
Slot path MSB
Slot path LSB (Effect 0102: Chorus)
Parameter to be controlled.
Value for the parameter.
EOX (End Of Exclusive) pp=0 Chorus Type vv=0 Chorus1 vv=1 Chorus2 vv=2 Chorus3 vv=3 Chorus4 vv=4 FB Chorus vv=5 Flanger
6 pp=1 pp=2
Mod Rate vv= 00H–7FH 0–127
Mod Depth vv= 00H–7FH 0–127 pp=3 Feedback pp=4 vv= 00H–7FH 0–127
Send To Reverb vv= 00H–7FH 0–127
6 Channel Pressure
Status
F0H
Data byte
7FH, 7FH, 09H, 01H, 0nH, ppH, rrH
Status
F7H
Byte Explanation
F0H
7FH
7FH
09H
01H
0nH ppH rrH
F7H
Exclusive status
ID number (universal realtime message)
Device ID (Broadcast)
Sub ID#1 (Controller Destination Setting)
Sub ID#2 (Channel Pressure)
MIDI Channel (00–0F)
Controlled parameter
Controlled range
EOX (End Of Exclusive) pp=0 pp=1 pp=2 pp=3 pp=4 pp=5
Pitch Control rr= 28H–58H -24–+24 [semitones]
Filter Cutoff Control rr= 00H–7FH -9600–+9450 [cents]
Amplitude Control rr= 00H–7FH 0–200%
LFO Pitch Depth rr= 00H–7FH 0–600 [cents]
LFO Filter Depth rr= 00H–7FH 0–2400 [cents]
LFO Amplitude Depth rr= 00H–7FH 0–100%
6 Controller
Status
F0H
Data byte
7FH, 7FH, 09H, 03H, 0nH, ccH, ppH, rrH
Status
F7H
Byte Explanation
F0H
7FH
7FH
09H
03H
0nH ccH ppH rrH
F7H
Exclusive status
ID number (universal realtime message)
Device ID (Broadcast)
Sub ID#1 (Controller Destination Setting)
Sub ID#2 (Control Change)
MIDI Channel (00–0F)
Controller number (01–1F, 40–5F)
Controlled parameter
Controlled range
EOX (End Of Exclusive) pp=0 pp=1 pp=2 pp=3 pp=4 pp=5
Pitch Control rr= 28H–58H -24–+24 [semitones]
Filter Cutoff Control rr= 00H–7FH -9600–+9450 [cents]
Amplitude Control rr= 00H–7FH 0–200%
LFO Pitch Depth rr= 00H–7FH 0–600 [cents]
LFO Filter Depth rr= 00H–7FH 0–2400 [cents]
LFO Amplitude Depth rr= 00H–7FH 0–100%
6 Scale/Octave Tuning Adjust
Status
F0H
Data byte
7EH, 7FH, 08H, 08H, ffH, ggH, hhH, ssH…
Status
F7 ffH ggH hhH ssH
F7H
Byte Explanation
F0H
7EH
7FH
08H
08H
Exclusive status
ID number (Universal Non-realtime Message)
Device ID (Broadcast)
Sub ID#1 (MIDI Tuning Standard)
Sub ID#2 (scale/octave tuning 1-byte form)
Channel/Option byte1 bits 0–1= channel 15 to 16 bit 2 to 6= Undefined
Channel byte2 bits 0–6= channel 8 to 14
Channel byte3 bits 0–6= channel 1 to 7
12 byte tuning offset of 12 semitones from C to B
00H= –64 [cents]
40H= 0 [cents] (equal temperament)
7FH= +63 [cents]
EOX (End Of Exclusive)
2. Transmitted data
9 Channel Voice Messages (Style part &
Song part)
7 Note off
Status 2nd byte 3rd byte
9nH kkH 00H
6 Expression (Controller number 11)
Status 2nd byte 3rd byte
BnH 0BH vvH n= MIDI channel number: vv= Expression:
0H–FH (Ch.1–16)
00H–7FH (0–127),
Initial value= 7FH (127)
5 This adjusts the volume of a Part. It can be used independently from Volume messages. Expression messages are used for musical expression within a performance, e.g., expression pedal movements, crescendo and decrescendo.
5 Not transmitted when “Expression” TX Event is Off.
n= MIDI channel number: kk= note number:
0H–FH (Ch.1–16)
00H–7FH (0–127)
7 Note on
Status 2nd byte 3rd byte
9nH kkH vvH n= MIDI channel number: kk= note number: vv= note on velocity:
0H–FH (Ch.1–16)
00H–7FH (0–127)
01H–7FH (1–127)
6 C1 (Controller number 16)
Status 2nd byte 3rd byte
BnH 10H vvH n= MIDI channel number: vv= Control value:
0H–FH (Ch.1–16)
00H–7FH (0–127)
6 Hold 1 (Controller number 64)
Status 2nd byte 3rd byte
BnH 40H vvH
7 Control Change
5 The value specified by a Control Change message will not be reset even by a Program Change, etc.
6 Bank Select (Controller number 0, 32)
Status 2nd byte 3rd byte
BnH 00H mmH
BnH 20H llH n= MIDI channel number: vv= Control value:
0H–FH (Ch.1–16)
00H–7FH (0–127)
5 Not transmitted when “Hold” TX Event is Off.
6 Portamento (Controller number 65)
Status 2nd byte 3rd byte
BnH 41H vvH n= MIDI channel number: mm= Bank number MSB: ll= Bank number LSB:
0H–FH (Ch.1–16)
00H–7FH
00H–7FH
5 Not transmitted when “Program Change” Tx Event is Off.
n= MIDI channel number: vv= Control value:
0H–FH (Ch.1–16)
00H–7FH (0–127) 0–63= OFF, 64–127= ON
6 Sostenuto (Controller number 66)
Status 2nd byte 3rd byte
BnH 42H vvH
6 Modulation (Controller number 1)
Status 2nd byte 3rd byte
BnH 01H vvH n= MIDI channel number: vv= Control value:
0H–FH (Ch.1–16)
00H–7FH (0–127) 0–63= OFF, 64–127= ON
5 Not transmitted when “Sostenuto” TX Event is Off.
n= MIDI channel number: vv= Modulation depth:
0H–FH (Ch.1–16)
00H–7FH (0–127)
5 Not transmitted when “Modulation” TX Event= OFF.
6 Soft (Controller number 67)
Status 2nd byte 3rd byte
BnH 43H vvH
6 Portamento Time (Controller number 5)
Status
BnH 05H vvH
2nd byte n= MIDI channel number: vv= Portamento Time:
3rd byte
0H–FH (Ch.1–16)
00H–7FH (0–127),
Initial value= 00H (0)
5 This adjusts the rate of pitch change when Portamento is ON or when using the Portamento Control. A value of 0 results in the fastest change.
n= MIDI channel number: vv= Control value:
0H–FH (Ch.1–16)
00H–7FH (0–127) 0–63= OFF, 64–127= ON
5 Not transmitted when “Soft” TX Event is Off.
Status 2nd byte 3rd byte
BnH 47H vvH
6 Data Entry (Controller number 6, 38)
Status 2nd byte 3rd byte
BnH 06H mmH
BnH 26H llH n= MIDI channel number: vv= Resonance value
(relative change):
0H–FH (Ch.1–16)
00H–7FH (-64–0–+63),
Initial value= 40H (no change) n= MIDI channel number: 0H–FH (Ch.1–16) mm, ll= the value of the parameter specified by RPN/NRPN mm= MSB, ll= LSB
6 Volume (Controller number 7)
Status 2nd byte 3rd byte
BnH 07H vvH
6 Release Time (Controller number 72)
Status 2nd byte 3rd byte
BnH 48H vvH n= MIDI channel number: vv= Release Time value
(relative change):
0H–FH(Ch.1–16)
00H–7FH (-64–0–+63),
Initial value= 40H (no change) n= MIDI channel number: vv= Volume:
0H–FH (Ch.1–16)
00H–7FH (0–127),
Initial value= 64H (100)
5 Volume messages are used to adjust the volume balance of each
Part.
5 Not transmitted when “Volume” TX Event is off.
6 Attack time (Controller number 73)
Status 2nd byte 3rd byte
BnH 49H vvH n= MIDI channel number: vv= Attack time value
(relative change):
0H–FH (Ch.1–16)
00H–7FH (-64–0–+63),
Initial value=40H (no change)
6 Pan (Controller number 10)
Status 2nd byte 3rd byte
BnH 0AH vvH n= MIDI channel number: vv= pan:
0H–FH (Ch.1–16)
00H–40H–7FH (Left–Center–Right),
Initial value= 40H (Center)
• The stereo position can be adhusted in 127 steps.
• Not transmitted when “PanPot” TX Event is Off.
6 Cutoff (Controller number 74)
Status 2nd byte 3rd byte
BnH 4AH vvH n= MIDI channel number: vv= Cutoff value
(relative change):
0H–FH (Ch.1–16)
00H–7FH(-64–0–+63),
Initial value= 40H (no change)
7
6 Decay Time (Controller number 75)
Status 2nd byte 3rd byte
BnH 4BH vvH n= MIDI channel number: vv= Decay Time value
(relative change):
6 Vibrato Rate (Controller number 76)
Status 2nd byte 3rd byte
BnH 4CH vvH n= MIDI channel number: vv= Vibrato Rate value
(relative change):
6 Vibrato Depth (Controller number 77)
Status 2nd byte 3rd byte
BnH 4DH vvH n= MIDI channel number: vv= Vibrato Depth Value
(relative change):
0H–FH (Ch.1–16)
00H–7FH (-64–0–+63),
Initial value= 40H (no change)
0H–FH (Ch.1–16)
00H–7FH (-64–0–+63),
Initial value= 40H (no change)
0H–FH (Ch.1–16)
00H–7FH (-64–0–+63),
Initial Value= 40H (no change)
01H 21H
01H 63H
01H 64H
01H 66H
18H rrH
1AH rrH
1CH rrH
1DH rrH
1EH rrH mmH mmH mmH mmH mmH mmH mmH mmH mmH
TVF Resonance (relative change) mm: 00H–40H–7FH (-64–0–+63)
TVF&TVA Envelope Attack Time (rel. change) mm: 00H–40H–7FH (-64–0–+63)
TVF&TVA Envelope Decay Time (rel. change) mm: 00H–40H–7FH (-64–0–+63)
TVF&TVA Env. Release Time (relative change) mm: 00H–40H–7FH (-64–0–+63)
Drum Instrument Pitch Coarse
(relative change) rr: Drum Instrument note number
mm: 00H–40H–7FH (-64–0–+63 semitone)
Drum Instrument TVA Level (absolute change) rr: Drum Instrument note number mm: 00H–7FH (0–max)
Drum Instrument Panpot (absolute change) rr: Drum Instrument note number mm: 01H–40H–7FH (left–center–right)
Drum Instr. Reverb Send (absolute change) rr: Drum Instrument note number mm: 00H–7FH (0–max)
Drum Instr. Chorus Send (absolute change) rr: Drum Instrument note number mm: 00H–7FH (0–max)
Equalizer Switch
6 Vibrato Delay (Controller number 78)
Status 2nd byte 3rd byte
BnH 4EH vvH n= MIDI channel number: vv= Vibrato Delay value
(relative change): n= MIDI channel number: kk= source note number:
0H–FH (Ch.1–16)
00H–7FH (-64–0–+63),
Initial value=40H (no change)
6 Portamento control (Controller number 84)
Status 2nd byte 3rd byte
BnH 54H kkH
0H–FH (Ch.1–16)
00H–7FH (0–127)
6 Effect 1 (Reverb Send Level) (Controller number 91)
Status 2nd byte 3rd byte
BnH 5BH vvH n= MIDI channel number: vv= Reverb Send Level:
0H–FH (Ch.1–16)
00H–7FH (0–127)
5 This message adjusts the Reverb Send Level of each Part.
5 Not transmitted when “Reverb” TX Event is Off.
6 Effect 3 (Chorus Send Level) (Controller number 93)
Status 2nd byte 3rd byte
BnH 5DH vvH
60H rrH
61H rrH
62H rrH
63H rrH mmH mmH mmH mmH mm: 01H–02H (Instrument, Off)
Equalizer Low Frequency rr: Drum Instrument note number mm: 00H–05H (90, 150, 180, 300, 360,
600Hz)
Equalizer Low Gain rr: Drum Instrument note number mm: 00H–1EH (-15–0–+15dB)
Equalizer Mid Frequency rr: Drum Instrument note number
mm: 00H–10H (200, 250, 315, 400,
500, 630, 800, 1000, 1250, 1600,
2000, 2500, 3150, 4000, 5000, 6300,
8000Hz) n= MIDI channel number: vv= Chorus Send Level:
0H–FH (Ch.1–16)
00H–7FH (0–127)
5 This message adjusts the Chorus Send Level of each Part.
5 Not transmitted when “Chorus” TX Event is Off.
6 NRPN MSB/LSB (Controller number 99, 98)
Status 2nd byte 3rd byte
BnH 63H mmH
BnH 62H llH n= MIDI channel number: 0H–FH (Ch.1–16) mm= upper byte (MSB) of the parameter number specified by NRPN ll= lower byte (LSB) of the parameter number specified by NRPN
5 Not transmitted when “NRPN” TX Event is Off.
64H rrH
65H rrH
66H rrH
67H rrH
4FH 10H
4FH 11H
4FH 13H mmH mmH mmH mmH mmH mmH mmH rr: Drum Instrument note number mm: 00H–1EH (-15–0–+15dB)
Equalizer Mid Q rr: Drum Instrument note number mm: 00H–04H (0.5, 1.0, 2.0, 4.0, 8.0)
Equalizer High Frequency rr: Drum Instrument note number mm: 00H–06H (1500, 2000, 3000, 4000,
6000, 8000, 12000Hz)
Equalizer High Gain rr: Drum Instrument note number mm: 00H–1EH (-15–0–+15dB)
Part 4 On/Off (Upper 1) mm: 00H–7FH (00–3FH=Off, 40–7FH= On)
Part 11 On/Off (Lower) mm: 00H–7FH (00–3FH=Off, 40–7FH= On)
Part 6 On/Off (Upper 2) mm: 00H–7FH (00–3FH=Off, 40–7FH= On)
**NRPN**
The NRPN (Non Registered Parameter Number) message allows you to use an extended range of control changes, which are not defined by the MIDI specification. NRPNs provide a great deal of freedom, and can be used with any manufacturer’s devices. As a result, any particular parameter number can easily mean one thing when used for a certain device, and mean something completely different on another device.
Note that RPNs and NRPNs require that a multiple number of messages be processed in the correct order. However, a majority of the sequencers currently on the market cannot always be relied on to consistently send messages in the proper order if the messages are located at almost exactly the same point in time.
On GS instruments, NRPN can be used to modify the following parameters.
The range of values for relative change parameters will be different with certain models. Please see the explanation that follows the chart.:
NRPN Data entry
MSB LSB
01H 08H
01H 09H
01H 0AH
01H 20H
MSB mmH mmH mmH mmH
Function and range
Vibrato Rate (relative change) mm: 00H–40H–7FH (-64–0–+63)
Vibrato Depth (relative change) mm: 00H–40H–7FH (-64–0–+63)
Vibrato Delay (relative change) mm: 00H–40H–7FH (-64–0–+63)
TVF Cutoff Frequency (relative change) mm: 00H–40H–7FH (-64–0–+63)
8
4FH 25H
4FH 26H
4FH 18H
4FH 19H
4FH 1AH
4FH 1BH
4FH 1CH
4FH 1DH
4FH 1EH
4FH 1FH mmH mmH mmH mmH mmH mmH mmH mmH mmH mmH mm: 00H–7FH (00–3FH=Off, 40–7FH= On)
Part 15 On/Off (Melody Int.) mm: 00H–7FH (00–3FH=Off, 40–7FH= On)
Part 8 On/Off (Acc 5) mm: 00H–7FH (00-3FH=Off, 40–7FH= On)
Part 9 On/Off (Acc 6) mm: 00H–7FH (00–3FH=Off, 40–7FH= On)
Part 10 On/Off (Acc Drums) mm: 00H–7FH (00–3FH=Off, 40–7FH= On)
Part 2 On/Off (Acc Bass) mm: 00H–7FH (00–3FH=Off, 40–7FH= On)
Part 1 On/Off (Acc 1) mm: 00H–7FH (00–3FH=Off, 40–7FH= On)
Part 3 On/Off (Acc 2) mm: 00H–7FH (00–3FH=Off, 40–7FH= On)
Part 5 On/Off (Acc 3) mm: 00H–7FH (00–3FH=Off, 40–7FH= On)
Part 7 On/Off (Acc 4) mm: 00H–7FH (00-3FH=Off - 40-7FH= On)
6 RPN MSB/LSB (Controller number 101, 100)
Status 2nd byte 3rd byte
BnH 65H mmH
BnH 64H llH n= MIDI channel number: 0H–FH (Ch.1–16) mm= upper byte (MSB)of parameter number specified by RPN ll= lower byte (LSB) of parameter number specified by RPN
5 Not transmitted when “RPN” RX Event is Off.
Data entry
MSB LSB mmH --- mmH llH mmH ---
7 Program Change
Status 2nd byte
CnH ppH n= MIDI channel number: pp= Program number:
0H–FH (Ch.1–16)
00H–7FH (prog.1–prog.128)
5 Not transmitted when “Program Change” TX Event is Off.
7 Pitch Bend Change
Status 2nd byte 3rd byte
EnH llH mmH n= MIDI channel number: mm, ll= Pitch Bend value:
0H–FH (Ch.1–16)
00 00H–40 00H–7F 7FH (-8192–0–+8191)
5 Not transmitted when “Pitch Bender” TX Event is Off.
9 Channel Mode Messages
7 MONO (Controller number 126)
Status 2nd byte 3rd byte
BnH 7EH mmH n= MIDI channel number: mm= mono number:
0H–FH (Ch.1–16)
00H–10H (0–16)
5 The corresponding channel is set to Mode 4 (M= 1).
7 POLY (Controller number 127)
Status 2nd byte 3rd byte
BnH 7FH 00H n= MIDI channel number: 0H–FH (Ch.1–16)
5 The corresponding channel is set to Mode 3.
9 System Realtime Messages
7 Active Sensing
Status
FEH
5 This message is transmitted at intervals of approximately 250 ms.
7 Timing Clock
Status
F8H
7 Start
Status
FAH
* STYLE: Transmitted when MIDI/Edit System/Sync/Sty.strt-stp parameter is “On”.
* SONG: Transmitted when MIDI/Edit System/Sync/SMF strt-stp parameter is “On”.
7 Continue (Song playback only)
Status
FBH
5 Transmitted when MIDI/Edit System/Sync/SMF strt-stp is “On”.
5 This message is transmitted when the sequencer is not started from the beginning.
7 Stop
Status
FCH
* STYLE: Transmitted when MIDI/Edit System/Sync/Sty.strt-stp parameter is “On”. parameter is “On”.
* SONG: Transmitted when MIDI/Edit System/Sync/SMF strt-stp parameter is “On”. parameter is “On”.
9 System Common Messages
7 Song Position Pointer
Status 2nd byte 3rd byte
F2H XXH YYH
XX= Song Position ( Bar ) LSB
YY= Song Position ( Bar ) MSB
5 Transmitted when MIDI/Edit System/Sync/SMF Pos.Tx parameter is On.
7 System Exclusive Messages
Status
F0H
F0H:
Data byte iiH, ddH, ......,eeH
Status
F7H
System Exclusive Message status
ii= ID number: an ID number (manufacturer ID) to indicate the manufacturer whose Exclusive message this is. Roland ‘s manufacturer ID is 41H.
F7H: standard; Universal Non-realtime Messages (7EH) and
Universal Realtime Messages (7FH).
dd,...,ee= data: 00H–7FH (0–127)
EOX (End Of Exclusive)
5 Not transmitted when TX SYSEX parameter (MENU/MIDI/Edit
System/Param) is OFF.
6 GS reset the GS initial state. This message appears at the beginning of GS music data, and a GS device that receives this message will automatically be set to the proper state to correctly play back GS music data.
Status
F0H
Data byte
41H, dev, 42H, 12H, 40H, 00H,
7FH, 00H, 41H
Status
F7H
Byte Explanation
F0H
41H dev
Exclusive status
ID number (Roland)
42H
12H
Initial value is 10H (17))
40H
00H Address
7FH
00H
Model ID (GS)
Command ID (DT1)
Address MSB
Address LSB
Data (GS reset)
41H Checksum
F7H EOX (End Of Exclusive)
5 Not transmitted when TX SYSEX parameter (MENU/MIDI/Edit
System/Param) is OFF.
9
3. Individual parameter transmission
one parameter as one exclusive message (one packet of “F0 ..... F7”).
In Individual Parameter Transmission, you must use the Address and Size listed in the following “Parameter Address Map”. Addresses marked at “#” cannot be used as starting addresses.
9 System Exclusive messages
7 Data set 1 DT1 (12H)
Status
F0H
Data byte
41H, dev, 42H, 12H, aaH, bbH, ccH, ddH, ... eeH, sum
Status
F7H
Byte Explanation
F0H
41H dev
42H
12H aaH bbH
Exclusive status
ID number (Roland)
Device ID (dev: 00H–1FH, Initial value is 10H)
Model ID (GS)
Command ID (DT1)
Address MSB: upper byte of the starting address of the data to be sent
Address: middle byte of the starting address of the data to be sent
Address LSB: lower byte of the starting address of the ccH ddH data to be sent.
Data: the actual data to be sent. Multiple bytes of data are transmitted in order starting from the address.
: : eeH Data sum Checksum
F7H EOX (End Of Exclusive)
5 The amount of data that can be transmitted at one time depends on the type of data, and data will be transmitted from the specified starting address and size.
5 Data larger than 128 bytes will be divided into packets of 128 bytes or less, and each packet will be sent at an interval of about 40 ms.
5 Regarding the checksum, please refer to “Example of an
Exclusive message checksum calculation” on page 14.
10
6 Common parameters
Parameters that apply to all Parts of each module are called “Common” parameters.
Address(H)
40 00 00
40 00 01#
40 00 02#
40 00 03#
Size(H)
00 00 04
Data (H)
0018–07E8
5 Refer to “About the Tuning” on page 15.
Parameter
MASTER TUNE
Description
-100.0–+100.0 [cents]
Use nibblized data.
Default Value (H)
00 04 00 00
Description
0 [cents]
40 00 04
40 00 05
40 00 06
00 00 01
00 00 01
00 00 01
00–7F
28–58
01–7F
MASTER VOLUME
MASTER KEY-SHIFT
MASTER PAN
40 00 7F
40 01 30
00 00 01
00 00 01
00
00–07
MODE SET
REVERB MACRO
40 01 31
40 01 32
40 01 33
40 01 34
40 01 35
40 01 37
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00–07
00–07
00–7F
00–7F
00–7F
00–7F
REVERB CHARACTER
REVERB PRE-LPF
REVERB LEVEL
REVERB TIME
REVERB DELAY FEEDBACK
REVERB PREDELAY TIME
0–127
(= F0 7F 7F 04 01 00 vv F7)
-24–+24 [semitones]
-63 (LEFT)–+63 (RIGHT)
00 = GS Reset (Rx. only)
00: Room 1
Room
03:
Hall
05: Plate
06: Delay
07: Panning Delay
0–7
0–7
0–127
0–127
0–127
0–127 [ms]
7F
40
40
04
04
00
40
40
00
00
127
0 [semitones]
0 (CENTER)
Hall 2
4
0
64
64
0
0
5 REVERB MACRO is a macro parameter that allows global setting of reverb parameters. When you select the reverb type with REVERB MACRO, each reverb parameter will be set to their most suitable value.
5 REVERB CHARACTER is a parameter that changes the reverb algorithm. The value of REVERB CHARACTER corresponds to the REVERB MACRO of the same number.
Address(H)
40 01 38
Size(H)
00 00 01
Data (H)
00–07
Parameter
CHORUS MACRO
40 01 39
40 01 3A
40 01 3B
40 01 3C
40 01 3D
40 01 3E
40 01 3F
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00–07
00–7F
00–7F
00–7F
00–7F
00–7F
CHORUS PRE-LPF
CHORUS LEVEL
CHORUS FEEDBACK
CHORUS DELAY
CHORUS RATE
CHORUS DEPTH
00 00 01 00–7F CHORUS SEND LEVEL TO
REVERB
Description
00: Chorus 1
Chorus
03:
Feedback
Flanger
06: Short Delay
07: Short Delay(FB)
0–7
0–127
0–127
0–127
0-127
0-127
0-127
Default Value (H)
02
00
40
08
50
03
13
00
Description
Chorus 3
0
64
8
80
3
19
0
5 CHORUS MACRO is a macro parameter that allows global setting of chorus parameters. When you select the chorus type with CHORUS MACRO, each chorus parameter will be set to their most suitable value.
6 Part parameters
The E-A7 has 21 Parts: 5 parts assigned to the Keyboard, and 16 parts for Songs.
For Keyboard part control, use the address [50 xx xx]
For Song part control, use the address [40 xx xx]
The 21 Parts are:
11
12
13
14
9
10
7
8
15
16
Track
1
2
5
6
3
4
Keyboard parts
Name
—
—
—
Upper1
—
Upper 2
—
—
—
—
Lower
—
Upper 3
—
Melody Intell
—
MIDI channel
—
—
—
6
—
4
11
—
13
—
15
—
—
—
—
—
11
12
13
14
7
8
9
10
15
16
Track
1
2
5
6
3
4
Song parts
Name
Part 1
Part 2
Part 3
Part 4 UP1
Part 5
Part 6 UP2
Part 7
Part 8
Part 9
Part 10
Part 11 LW1
Part 12
Part 13 UP3
Part 14
Part 15 MI
Part 16
The relation between Part number and Block number is as follows.
x...BLOCK NUMBER (0–F)
: :
Part 1
Part 2
Part 9
Part10
Part11
Part12
Part16
(default MIDI ch = 1)
(default MIDI ch = 2)
(default MIDI ch = 9)
(default MIDI ch =10)
(default MIDI ch =11)
(default MIDI ch =12)
: :
(default MIDI ch =16) x=1 x=2
: x=9 x=0 x=A x=B
: x=F
5 n... MIDI channel number (0–F) of the BLOCK.
In the following map, the control numbers of the control changes are indicated as CC#.
MIDI channel
1
2
5
6
3
4
11
12
13
14
7
8
9
10
15
16
SysEx X=
X= 1
X= 2
X= 3
X= 4
X= 5
X= 6
X= 7
X= 8
X= 9
X= 0
X= A
X= B
X= C
X= D
X= E
X= F
11
Address(H)
40 1x 00
40 1x 01#
40 1x 02
40 1x 03
40 1x 04
40 1x 05
40 1x 06
40 1x 07
40 1x 08
40 1x 09
40 1x 0A
40 1x 0B
40 1x 0C
40 1x 0D
40 1x 0E
Size(H)
00 00 02
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00–01
00–01
00–01
00–01
00–01
00–01
00–01
00–01
Data (H)
00–7F
00–7F
00–10
00–01
00–01
00–01
00–01
40 1x 0F
40 1x 10
40 1x 11
40 1x 12
40 1x 13
40 1x 15
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00–01
00–01
00–01
00–01
00–01
00–02
Parameter
TONE NUMBER
Rx. CHANNEL
Rx. PITCH BEND
Rx. CH PRESSURE (CAf)
Rx. PROGRAM CHANGE
Rx. CONTROL CHANGE
Rx. POLY PRESSURE(PAf) OFF/ON
Rx. NOTE MESSAGE
Rx. RPN
Rx. NRPN
Rx. MODULATION
Rx. VOLUME
Rx. PANPOT
Rx. EXPRESSION
Rx. HOLD1
Rx. PORTAMENTO
Rx. SOSTENUTO
Rx. SOFT
MONO/POLY MODE
(=CC# 126 01/CC# 127 00)
USE FOR RHYTHM PART
Description
CC#00 VALUE 0–127
P.C. VALUE 1–128
1–16, OFF
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
Mono/Poly
0 = OFF
1 = MAP1
Default Value (H)
00
00
Same as the Part Number
01
01
01
01
01
01
01
00 (01*)
01
01
01
01
01
01
01
01
01
00 at x≠0
01 at x=0
Description
0
1
ON
ON
ON
ON
ON
ON
ON
OFF (ON*)
ON
ON
ON
ON
ON
ON
ON
ON
Poly
OFF (Normal Part)
MAP1 (Drum Part)
5 This parameter sets the Drum Map of the Part used as the Drum Part. The E-A7 can simultaneously (in different Parts) use up to two
Drum Maps (MAP1, MAP2). With the initial settings, Part10 (MIDI CH=10, x=0) is set to MAP1 (1), and other Parts are set to normal instrumental Parts (OFF(0)).
5 Only for Song parts.
Address(H)
40 1x 16
40 1x 17
40 1x 18#
Size(H)
00 00 01
00 00 02
Default Value (H)
40
08 00
Description
0 [semitones]
0 [Hz]
5 PITCH OFFSET FINE allows you to alter, by a specified frequency amount, the pitch at which notes will sound. This parameter differs from the conventional Fine Tuning (RPN #1) parameter in that the amount of frequency alteration (in Hertz) will be identical no matter which note is played. When a multiple number of Parts, each of which has been given a different setting for PITCH OFFSET FINE, are sounded by means of an identical note number, you can obtain a Celeste effect.
5 Only for Song parts.
Data (H)
28–58
08–F8
Parameter
PITCH KEY SHIFT
PITCH OFFSET FINE
Description
-24–+24 [semitones]
-12.0–+12.0 [Hz]
Use nibblized data.
40 1x 37
40 1x 40
40 1x 41#
40 1x 42#
40 1x 43#
40 1x 44#
40 1x 45#
40 1x 46#
40 1x 47#
40 1x 48#
40 1x 49#
40 1x 4A#
40 1x 4B#
40 1x 2A
40 1x 2B#
40 1x 30
40 1x 31
40 1x 32
40 1x 33
40 1x 34
40 1x 35
40 1x 36
40 1x 19 00 00 01 00–7F PART LEVEL
40 1x 1A
40 1x 1B
40 1x 1C
40 1x 1D
40 1x 1E
40 1x 1F
40 1x 20
40 1x 21
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00–7F
00–7F
00–7F
00–7F
00–7F
00–5F
00–5F
00–7F
VELOCITY SENSE DEPTH
VELOCITY SENSE OFFSET
PART PANPOT
KEYBOARD RANGE LOW
KEYBOARD RANGE HIGH
CC1 CONTROLLER NUMBER
CC2 CONTROLLER NUMBER
CHORUS SEND LEVEL
40 1x 22 00 00 01 00–7F REVERB SEND LEVEL
40 1x 23
40 1x 24
00 00 01
00 00 01
00 00 02
00–01
00–01
00 00–40
00–7F 7F
Rx.BANK SELECT
RX BANK SELECT LSB
PITCH FINE TUNE
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 0C
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
TONE MODIFY1
Vibrato Rate
TONE MODIFY3
TVF Cutoff Freq
TONE MODIFY4
TVF Resonance
TONE MODIFY5
TVF&TVA Env.attack
TONE MODIFY6
TVF&TVA Env.decay
TONE MODIFY8
Vibrato Delay
SCALE TUNING C
SCALE TUNING C#
SCALE TUNING D
SCALE TUNING D#
SCALE TUNING E
SCALE TUNING F
SCALE TUNING F#
SCALE TUNING G
SCALE TUNING G#
SCALE TUNING A
SCALE TUNING A#
SCALE TUNING B
0–127
(=CC#
0–127
0–127
(=CC#
0–127
7)
0–127
-64 (Left)–+63 (Right)
(C-1)–(G9)
(C-1)–(G9)
0–95
0–95
93)
91)
OFF/ON
OFF/ON
-100–0–+100 [cents]
(= RPN#1)
-64–+63
(=NRPN# 8/CC#76)
-64–+63
(=NRPN# 32/CC#74)
-64–+63
(=NRPN# 33/CC#71)
-64–+63
(=NRPN# 99/CC#73)
-64–+63
(=NRPN# 100/CC#75)
-64–+63
(=NRPN# 10/CC#78)
-64–+63 [cents]
-64–+63 [cents]
-64–+63 [cents]
-64–+63 [cents]
-64–+63 [cents]
-64–+63 [cents]
-64–+63 [cents]
-64–+63 [cents]
-64–+63 [cents]
-64–+63 [cents]
-64–+63 [cents]
-64–+63 [cents]
64
40
40
40
00
7F
10
11
00
28
01
01
40 00
40
40
40
40
40
40
40
40
40
40
40
40
40
40
40
40
40
40
40
40
100
64
64
0 (CENTER)
C-1
G9
16
17
0
40
ON
ON
0
0
0
0
0
0
0
0
0
0 [cents]
0 [cents]
0 [cents]
0 [cents]
0 [cents]
0 [cents]
0 [cents]
0 [cents]
0 [cents]
0 [cents]
0 [cents]
0 [cents]
5 SCALE TUNING is a function that allows fine adjustment to the pitch of each note in the octave. The pitch of each identically-named
Address(H)
40 2x 00
40 2x 01
40 2x 02
40 2x 03
40 2x 04
40 2x 05
40 2x 06
Size(H)
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
Data (H)
28–58
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
Parameter
MOD PITCH CONTROL
Description
-24–+24 [semitones]
MOD TVF CUTOFF CONTROL -9600–+9600 [cents]
MOD AMPLITUDE CONTROL
MOD LFO1 RATE CONTROL
MOD LFO1 PITCH DEPTH
MOD LFO1 TVF DEPTH
MOD LFO1 TVA DEPTH
-100.0–+100.0 [%]
-10.0–+10.0 [Hz]
0–600 [cents]
0–2400 [cents]
0–100.0 [%]
Default Value (H)
40
40
40
40
0A
00
00
Description
0 [semitones]
0 [cents]
0 [%]
0 [Hz]
10 [cents]
0 [cents]
0 [%]
12
40 2x 07
40 2x 08
40 2x 09
40 2x 0A
00 00 01
00 00 01
00 00 01
00 00 01
00–7F
00–7F
00–7F
00–7F
MOD LFO2 RATE CONTROL
MOD LFO2 PITCH DEPTH
MOD LFO2 TVF DEPTH
MOD LFO2 TVA DEPTH
-10.0–+10.0 [Hz]
0–600 [cents]
0–2400 [cents]
0–100.0 [%]
40
00
00
00
5 All MOD control parameters are ignored whenever you use sounds with CC00 values ranging from 80 to 91.
Address(H)
40 2x 10
40 2x 11
40 2x 12
40 2x 13
40 2x 14
40 2x 15
40 2x 16
40 2x 17
40 2x 18
40 2x 19
40 2x 1A
Size(H)
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
Data (H)
40–58
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
Parameter
BEND PITCH CONTROL
BEND LFO1 PITCH DEPTH
BEND LFO1 TVF DEPTH
BEND LFO1 TVA DEPTH
BEND LFO2 PITCH DEPTH
BEND LFO2 TVF DEPTH
BEND LFO2 TVA DEPTH
Description
0–24 [semitones]
BEND TVF CUTOFF CONTROL -9600–+9600 [cents]
BEND AMPLITUDE CONTROL -100.0–+100.0 [%]
BEND LFO1 RATE CONTROL -10.0–+10.0 [Hz]
0–600 [cents]
0–2400 [cents]
0–100.0 [%]
BEND LFO2 RATE CONTROL -10.0–+10.0 [Hz]
0–600 [cents]
0–2400 [cents]
0–100.0 [%]
Default Value (H)
42
40
40
40
00
00
00
40
00
00
00
5 All BEND control parameters are ignored whenever you use sounds with CC00 values ranging from 80 to 91.
40 2x 20
40 2x 21
40 2x 22
40 2x 23
40 2x 24
40 2x 25
40 2x 26
40 2x 27
40 2x 28
40 2x 29
40 2x 2A
40 2x 30
40 2x 31
40 2x 32
40 2x 33
40 2x 34
40 2x 35
40 2x 36
40 2x 37
40 2x 38
40 2x 39
40 2x 3A
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
28–58
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
28–58
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
CAf PITCH CONTROL
CAf TVF CUTOFF CONTROL
CAf AMPLITUDE CONTROL
CAf LFO1 RATE CONTROL
CAf LFO1 PITCH DEPTH
CAf LFO1 TVF DEPTH
CAf LFO1 TVA DEPTH
CAf LFO2 RATE CONTROL
CAf LFO2 PITCH DEPTH
CAf LFO2 TVF DEPTH
CAf LFO2 TVA DEPTH
PAf PITCH CONTROL
PAf TVF CUTOFF CONTROL -9600–+9600 [cents]
PAf AMPLITUDE CONTROL
PAf LFO1 RATE CONTROL
PAf LFO1 PITCH DEPTH
PAf LFO1 TVF DEPTH
PAf LFO1 TVA DEPTH
PAf LFO2 RATE CONTROL
PAf LFO2 PITCH DEPTH
PAf LFO2 TVF DEPTH
PAf LFO2 TVA DEPTH
-24–+24 [semitones]
-9600–+9600 [cents]
-100.0–+100.0 [%]
-10.0–+10.0 [Hz]
0–600 [cents]
0–2400 [cents]
0–100.0 [%]
-10.0–+10.0 [Hz]
0–600 [cents]
0–2400 [cents]
0–100.0 [%]
-24–+24 [semitones]
-100.0–+100.0 [%]
-10.0–+10.0 [Hz]
0–600 [cents]
0–2400 [cents]
0–100.0 [%]
-10.0–+10.0 [Hz]
0–600 [cents]
0–2400 [cents]
0–100.0 [%]
00
00
00
40
40
40
40
00
40
40
40
40
00
00
00
40
00
00
40
00
00
00
5 All PAf control parameters are ignored whenever you use sounds with CC 00 values ranging from 80 to 91.
40 2x 40
40 2x 41
40 2x 42
40 2x 43
40 2x 44
40 2x 45
40 2x 46
40 2x 47
40 2x 48
40 2x 49
40 2x 4A
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
28–58
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
CC1 PITCH CONTROL
CC1 TVF CUTOFF CONTROL -9600–+9600 [cents]
CC1 AMPLITUDE CONTROL
CC1 LFO1 RATE CONTROL
CC1 LFO1 PITCH DEPTH
CC1 LFO1 TVF DEPTH
CC1 LFO1 TVA DEPTH
CC1 LFO2 RATE CONTROL
CC1 LFO2 PITCH DEPTH
CC1 LFO2 TVF DEPTH
CC1 LFO2 TVA DEPTH
-24–+24 [semitones]
-100.0–+100.0 [%]
-10.0–+10.0 [Hz]
0–600 [cents]
0–2400 [cents]
0–100.0 [%]
-10.0–+10.0 [Hz]
0–600 [cents]
0–2400 [cents]
0–100.0 [%]
40
40
40
40
00
00
00
40
00
00
00
5 All CC01 control parameters are ignored whenever you use sounds with CC 00 values ranging from 80 to 91.
40 2x 50
40 2x 51
40 2x 52
40 2x 53
40 2x 54
40 2x 55
40 2x 56
40 2x 57
40 2x 58
40 2x 59
40 2x 5A
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
28–58
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
CC2 PITCH CONTROL -24–+24 [semitones]
CC2 TVF CUTOFF CONTROL -9600–+9600 [cents]
CC2 AMPLITUDE CONTROL
CC2 LFO1 RATE CONTROL
CC2 LFO1 PITCH DEPTH
CC2 LFO1 TVF DEPTH
CC2 LFO1 TVA DEPTH
CC2 LFO2 RATE CONTROL
CC2 LFO2 PITCH DEPTH
CC2 LFO2 TVF DEPTH
CC2 LFO2 TVA DEPTH
-100.0–+100.0 [%]
-10.0–+10.0 [Hz]
0–600 [cents]
0–2400 [cents]
0–100.0 [%]
-10.0–+10.0 [Hz]
0–600 [cents]
0–2400 [cents]
0–100.0 [%]
40
40
40
40
00
00
00
40
00
00
00
5 All CC02 control parameters are ignored whenever you use sounds with CC 00 values ranging from 80 to 91.
5 You may not always be able to obtain the desired effect by modifying the LFO 1 and LFO 2 parameters.
0 [Hz]
0 [cents]
0 [cents]
0 [%]
Description
2 [semitones]
0 [cents]
0 [%]
0 [Hz]
0 [cents]
0 [cents]
0 [%]
0 [Hz]
0 [cents]
0 [cents]
0 [%]
0 [semitones]
0 [cents]
0 [%]
0 [Hz]
0 [cents]
0 [cents]
0 [%]
0 [Hz]
0 [cents]
0 [cents]
0 [%]
0 [semitones]
0 [cents]
0 [%]
0 [Hz]
0 [cents]
0 [cents]
0 [%]
0 [Hz]
0 [cents]
0 [cents]
0 [%]
0 [semitones]
0 [cents]
0 [%]
0 [Hz]
0 [cents]
0 [cents]
0 [%]
0 [Hz]
0 [cents]
0 [cents]
0 [%]
0 [semitones]
0 [cents]
0 [%]
0 [Hz]
0 [cents]
0 [cents]
0 [%]
0 [Hz]
0 [cents]
0 [cents]
0 [%]
13
4. Supplementary material
7 Decimal and Hexadecimal table
(An “H” is appended to the end of numbers in hexadecimal notation.)
In MIDI documentation, data values and addresses/sizes of Exclusive messages, etc. are expressed as hexadecimal values for each 7 bits.
The following table shows how these correspond to decimal numbers.
27
28
29
30
31
23
24
25
26
19
20
21
22
15
16
17
18
11
12
13
14
7
8
9
10
5
6
3
4
1
2
Dec.
0
17H
18H
19H
1AH
1BH
1CH
1DH
1EH
1FH
0FH
10H
11H
12H
13H
14H
15H
16H
07H
08H
09H
0AH
0BH
0CH
0DH
0EH
Hex.
00H
01H
02H
03H
04H
05H
06H
Hex.
58H
59H
5AH
5BH
5CH
5DH
5EH
5FH
50H
51H
52H
53H
54H
55H
56H
57H
48H
49H
4AH
4BH
4CH
4DH
4EH
4FH
40H
41H
42H
43H
44H
45H
46H
47H
Dec.
92
93
94
95
88
89
90
91
84
85
86
87
80
81
82
83
76
77
78
79
72
73
74
75
68
69
70
71
64
65
66
67
59
60
61
62
63
55
56
57
58
51
52
53
54
47
48
49
50
43
44
45
46
39
40
41
42
35
36
37
38
Dec.
32
33
34
37H
38H
39H
3AH
3BH
3CH
3DH
3EH
3FH
2FH
30H
31H
32H
33H
34H
35H
36H
27H
28H
29H
2AH
2BH
2CH
2DH
2EH
Hex.
20H
21H
22H
23H
24H
25H
26H
Dec.
120
121
122
123
124
125
126
127
112
113
114
115
116
117
118
119
104
105
106
107
108
109
110
111
96
97
98
99
100
101
102
103
Hex.
78H
79H
7AH
7BH
7CH
7DH
7EH
7FH
70H
71H
72H
73H
74H
75H
76H
77H
68H
69H
6AH
6BH
6CH
6DH
6EH
6FH
60H
61H
62H
63H
64H
65H
66H
67H
5 Decimal values such as MIDI channel, bank select, and program change are listed as one greater than the values given in the above table.
5 A 7-bit byte can express data in the range of 128 steps. For data where greater precision is required, we must use two or more bytes. For example, two hexadecimal numbers aa bbH expressing two 7-bit bytes would indicate a value of aa x
128+bb.
5 In the case of values which have a +/– sign, 00H = –64, 40H =
+/–0, and 7FH = +63, so that the decimal expression would be
64 less than the value given in the above chart. In the case of two types, 00 00H = –8192, 40 00H = +/–0, and 7F 7FH =
+8191. For example, if aa bbH were expressed as decimal, this would be aa bbH - 40 00H = aa x 128+bb –64 x 128.
5 Data marked “Use nibbled data” is expressed in hexadecimal in
4-bit units. A value expressed as a 2-byte nibble 0a 0bH has the value of a x 16+b.
[Example 1] What is the decimal expression of 5AH ?
From the preceding table, 5AH = 90
[Example 3] EA 00 28
EnH is the Pitch Bend Change status, and n is the MIDI channel number.
The 2nd byte (00H = 0) is the LSB and the 3rd byte (28H = 40) is the
MSB, but Pitch Bend Value is a signed number in which 40 00H (= 64 x
12+80 - (64 x 12+80) = 5120 –8192 = –3072 If the Pitch Bend Sensitivity is set to 2 semitones, -8192 (00 00H) will cause the pitch to change
-200 cents, so in this case -200 x (-3072) ÷ (-8192) = -75 cents of
Pitch Bend is being applied to MIDI channel 11.
[Example 4] B3 64 00 65 00 06 0C 26 00 64 7F 65 7F
BnH is the Control Change status, and n is the MIDI channel number. For
Control Changes, the 2nd byte is the control number, and the 3rd byte is the value.
status, MIDI has a provision called “running status” which allows the status byte of the second and following messages to be omitted. Thus, the above messages have the following meaning.
B3 64 00 MIDI ch.4, lower byte of RPN parameter number: 00H
(B3) 65 00 (MIDI ch.4) upper byte of RPN parameter number: 00H
(B3) 06 0C (MIDI ch.4) upper byte of parameter value:
(B3) 26 00 (MIDI ch.4) lower byte of parameter value:
0CH
00H
(B3) 64 7F (MIDI ch.4) lower byte of RPN parameter number: 7FH
(B3) 65 7F (MIDI ch.4) upper byte of RPN parameter number: 7FH
RPN parameter number 00 00H on MIDI channel 4, and then set the RPN parameter number to 7F 7FH.
RPN parameter number 00 00H is Pitch Bend Sensitivity, and the MSB of the value indicates semitone units, so a value of 0CH = 12 sets the maximum pitch bend range to ±12 semitones (1 octave). (On GS sound generators the LSB of Pitch Bend Sensitivity is ignored, but the LSB should be transmitted anyway (with a value of 0) so that operation will be correct on any device.)
Entry messages transmitted on that same channel will be valid, so after the desired value has been transmitted, it is a good idea to set the parameter number to 7F 7FH to prevent accidents.
This is the reason for the (B3) 64 7F (B3) 65 7F at the end. It is not desirable for performance data (such as Standard MIDI File data) to contain many events with running status as given in [Example 4]. This is because if playback is halted during the song and then rewound or fast-forwarded, the sequencer may not be able to transmit the correct status, and the sound generator will then misinterpret the data. Take care to give each event its own status.
It is also necessary that the RPN or NRPN parameter number setting and the value setting be done in the proper order. On some sequencers, in an order different than the order in which they were received. For this reason it is a good idea to slightly skew the time of each event
(about 1 tick for TPQN = 96, and about 5 ticks for TPQN = 480).
* TPQN: Ticks Per Quarter Note
7 Example of an Exclusive message checksum calculation
Roland Exclusive messages (RQ1, DT1) are transmitted with a checksum at the end (before F7) to make sure that the message was correctly indicated by “H”)
The checksum is a value derived by adding the address, size, and checksum itself and inverting the lower 7 bits.
that in the exclusive (SysEx) message we are transmitting, the address is aa bb ccH and the data or size is “dd ee ffH”.
[Example 2] What is the decimal expression of the value 12
34H given as hexadecimal for each 7 bits?
From the preceding table, since 12H = 18 and 34H = 52
18 x 128+52 = 2356
[Example 3] What is the decimal expression of the nibbled value 0A 03 09 0D ?
From the preceding table, since 0AH = 10, 03H = 3, 09H = 9,
0DH = 13 ((10 x 16+3) x 16+9) x 16+13 = 41885
[Example 4] What is the nibbled expression of the decimal value 1258?
16) 1258
16) 78 ... 10
16) 4 ... 14
0 … 4 aa + bb + cc + dd + ee + ff = sum sum ÷ 128 = quotient ... remainder
128 - remainder = checksum
[Example 1] Setting REVERB MACRO to “ROOM 3”
According to the “Common parameters” on page 11, the REVERB MACRO
Address is “40 01 30H”, and ROOM 3 corresponds to “02H”. Thus…
01 F7
(1) (2) (3) (4) (5) address data checksum (6)
(1) Exclusive Status (2) ID (Roland)
(4) Model ID (GS)
(3) Device ID (17)
(5) Command ID (DT1) (6) End of Exclusive
Next, we calculate the checksum.
7 Examples of actual MIDI messages
[Example 1] 92 3E 5F
9n is the Note-on status, and n is the MIDI channel number. Since 2H = 2,
3EH= 62, and 5FH = 95, this is a Note-on message with MIDI CH = 3, note number 62 (note name is D4), and velocity 95.
[Example 2] CE 49
CnH is the Program Change status, and n is the MIDI channel number.
40H+01H+30H+02H = 64+1+48+2 = 115 (sum)
115 (sum) ÷ 128 = 0 (quotient) ... 115 (remainder) checksum = 128 - 115 (remainder) = 13 = 0DH
This means that F0 41 10 42 12 40 01 30 02 0D F7 is the message we need to transmit.
14
[Example 2] Setting REVERB LEVEL to “12”
According to the “Common parameters” on page 11, the REVERB LEVEL
Address is “40 01 33H”, and the parameter value is “0CH”. Thus,
01 F7
(1 (2) (3) (4) (5) address data checksum (6)
(1) Exclusive Status (2) ID (Roland)
(4) Model ID (GS)
(3) Device ID (17)
(5) Command ID (DT1) (6) EOX
Next we calculate the checksum.
40H + 01H + 33H + 0CH=64 + 1 + 51 + 12=128 (sum)
128 (sum) ÷ 128 = 0 (quotient) ... 0 (remainder) checksum = 128 - 0 (remainder) = 128 = 80H
In this case, however, the checksum value should be 00H, not 80H. You should use 00H if the remainder is 0. This means that F0 41 10 42 12 40
01 33 0C 00 F7 is the message we transmit.
7 About the Tuning
In MIDI, individual Parts are tuned by sending RPN #1 (Channel Fine
Tuning) to the appropriate MIDI channel.
In MIDI, an entire device is tuned by either sending RPN #1 to all MIDI channels being used, or by sending a System Exclusive MASTER TUNE (address
40 00 00H).
RPN #1 allows tuning to be specified in steps of approximately 0.012 cents (to be precise, 100/8192 cent), and System Exclusive MASTER TUNE allows tuning in steps of 0.1 cent. One cent is 1/100th of a semitone.
TUNE are added together to determine the actual pitch sounded by each
Part.
Frequently used tuning values are given in the following table for your reference. Values are in hexadecimal (decimal in parentheses).
Hz at A4
445.0
444.0
443.0
442.0
441.0
440.0
439.0
438.0
cents
+19.56
+15.67
+11.76
+ 7.85
+ 3.93
0
- 3.94
- 7.89
RPN #1
4C 43 (+1603)
4A 03 (+1283)
47 44 (+ 964)
45 03 (+ 643)
42 42 (+ 322)
40 00 (0)
3D 3D (- 323)
3A 7A (- 646)
Sys.Ex. 40 00 00
00 04 0C 04 (+196)
00 04 09 0D (+157)
00 04 07 06 (+118)
00 04 04 0F (+ 79)
00 04 02 07 (+ 39)
00 04 00 00 (0)
00 03 0D 09 (- 39)
00 03 0B 01 (- 79)
[Example] Setting the tuning of MIDI channel 3 to A4 = 442.0 Hz
Send RPN#1 to MIDI channel 3. From the above table, the value is 45
03H.
B2 64 01 MIDI ch.3, lower byte of RPN parameter number: 01H
(B2) 65 00 (MIDI ch.3) upper byte of RPN parameter number: 00H
(B2) 06 45 (MIDI ch.3) upper byte of parameter value:
(B2) 26 03 (MIDI ch.3) lower byte of parameter value:
45H
03H
(B2) 64 7F (MIDI ch.3) lower byte of RPN parameter number: 7FH
(B2) 65 7F (MIDI ch.3) upper byte of RPN parameter number: 7FH
7 The Scale Tune Feature (address: 40 1x 40 or
50 1X 40) of the notes from C through B. Though the settings are made while working with one octave, the fine adjustments will affect all octaves. By making the appropriate Scale Tune settings, you can obtain a complete three possible types of scale setting are explained below.
Example Settings
Note name Arabic Scale
F#
G
E
F
C
C#
D
D#
G#
A
A#
B
0
0
0
0
0
0
0
0
0
0
0
0
0
–8
+4
+16
–14
–2
–10
+2
+14
–16
+14
–12
–6
+45
–2
-12
–51
–8
+43
–4
+47
0
–10
–49
The values in the table are given in cents. Refer to the explanation of
Scale Tuning on page 12 to convert these values to hexadecimal, and
transmit them as Exclusive data. For example, to set the tune (C-B) of the Part1 Arabian Scale, send the following data:
F0 41 10 42 12 40 11 40 3A 6D 3E 34 0D 38 6B 3C 6F 40 36 0F 76 F7
INDIVIDUAL PARAMETER TRANSMISSION
(Model ID E-A7 = 00H, 00H, 00H,
1FH)
9 System Exclusive messages
Data Set 1 (DT1) is the only System Exclusive messages transmitted by the E-A7.
7 Data set 1 DT1 (12H)
Status
F0H
Data byte
41H, dev, 00H, 00H, 00H, 1FH, 12H, aaH, bbH, ccH, ddH, eeH, ... ffH, sum
Status
F7H
Byte Explanation
F0H
41H dev
Exclusive status
ID number (Roland)
12H aaH bbH
Device ID (dev: 00H – 1FH, Initial value is 10H)
00H, 00H, 00H, 1FH Model ID (E-A7)
Command ID (DT1)
Address MSB: upper byte of the starting address of the data to be sent
Address: middle 1 byte of the starting address of the data to be sent
Address: middle 2 byte of the starting address of the ccH ddH eeH
: : ffH data to be sent
Address LSB: lower byte of the starting address of the data to be sent.
Data: the actual data to be sent. Multiple bytes of data are transmitted in order starting from the address.
Data sum Checksum
F7H EOX (End Of Exclusive)
6 Equal Temperament
This method of tuning divides the octave into 12 equal parts. It is currently the most widely used form of tuning, especially in occidental
6 Just Temperament (Tonic of C)
The principal triads resound much more beautifully than with equal temperament, but this benefit can only be obtained in one key. If
6 Arabic Scale
By altering the setting for Scale Tune, you can obtain a variety of other tunings suited for ethnic music. For example, the settings introduced below will set the unit to use the Arabic scale.
15
Expandable Arranger
Model: E-A7
MIDI Implementation Chart
Basic
Channel
Mode
Note
Number
Velocity
After
Touch
Pitch Bend
Control
Change
Program
Change
System Exclusive
System
Common
System
Real Time
Aux
Messages
Notes
Function...
Default
Changed
Default
Messages
Altered
True Voice
Note On
Note Off
Key’s
Channel’s
84
91
93
98, 99
100, 101
75
76
77
78
71
72
73
74
64
65
66
67
0,32
1
5
6, 38
7
10
11
16
Transmitted Recognized
1–16
1–16, Off
1–16
1–16, Off
Mode 3
Mode 3, 4 (M=1)
*****
0–127
*****
O
X
X
Mode 3
Mode 3, 4 (M=1)
O
X
0–127
0–127
X
O *1
O *1
O *1 O *1
O
O
O *1
O *1
O *1
O *1
O *1
O *1
O
O
O
O
O
O
O *1
O *1
O
O
O
O
O
O *1
O *1
O *1
O *1
O *1
O *1
O
O *1
O *1
O *1
O *1
O *1
O
O
O
O
O *1
O *1
O *1
O *1
O
O
O
O
O
O (Reverb)
O (Chorus)
O
O
*1
*1
*1
*1
True #
O *1
*****
O
0–127
*1
O *1 O *1
Song Position Pointer
Song Sel
Tune
Clock
Commands
All Sounds Off
Reset All Controllers
Local On/Off
All Notes Off
Active Sensing
Reset
*1 O X is selectable
X
O
X
*2 Recognized as M= 1 even if M≠ 1
O *1
X
X
O *1
O *1
X
X
O *1
X
O
O
X
O
O (120, 126, 127)
O (121)
O (Song parts)
O (123-125)
O
X
Mode 1: OMNI ON, POLY
Mode 3: OMNI OFF, POLY
Mode 2: OMNI ON, MONO
Mode 4: OMNI OFF, MONO
Date: Nov. 20, 2015
Version: 1.00
Remarks
Up1= Ch.4, Up2= Ch. 6, Up3= Ch. 13
Lower= Ch. 11, M.Intell= Ch. 15
*2
Bank Select
Modulation
Portamento Time
Data Entry
Volume
Panpot
Expression
C1
Hold 1
Portamento
Sostenuto
Soft
Resonance
Release Time
Attack Time
Cutoff
Decay Time
Vibrato Rate
Vibrato Depth
Vibrato Delay
Portamento Control
Effect 1 Depth
Effect 3 Depth
NRPN LSB, MSB
RPN LSB, MSB
Program Number 1–128
O : Yes
X : No
advertisement
* Your assessment is very important for improving the workof artificial intelligence, which forms the content of this project