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126
mic preamps and voice processors
A DESIGNS Pacifica Stereo Microphone Preamp A stereo, solid-state
1RU microphone pre amplifier inspired by the “Quad Eight Sound” from the 1970s. It
features input and output transformers, 70dB gain, phase reverse switch, -20dB pad,
48V phantom, 2 XLR inputs and outputs, and direct inject 1/4" inputs.
ITEMDESCRIPTION
PRICE
PACIFICA................... Stereo solid state mic pre, 1RU.................................................. 2095.00
Aphex Remote Controlled Mic Preamps The 1788A is a remote controlled
8-channel mic pre that can be situated close to the mic and operated remotely. That
way there is less of a chance to introduce RF interference, mic sensitivity reduction,
phase problems, and other performance degradations due to long cable runs. It can be
controlled via PC or MAC via Ethernet with the free downloadable 1788SW software or
any device that generates MIDI. I/O includes 8 XLR mic pres, and 8 XLR outs. The 188 is
an 8-channel remote controlled mic pre and is a more cost effective alternative to the
1788A yet can be controlled in the same way as the 1788A. It has 1 XLR out, 2 ADAT optical
outs, wordclock, Ethernet and does not have extensive metering.
ITEMDESCRIPTION
PRICE
1788A...................8-channel analog mic pre, remote controlled, 2RU.......................... 4999.00
188.......................8-channel remote-controlled mic pre with A/D converter, 1RU........ 1499.00
ART
TUBE MP
PROJECT SERIES
MIC PREAMPS
These microphone preamps handle
a wide range of input signal levels with XLR
and 1/4" inputs and outputs. Tube-MP models are
single channel units with gain control, input impedance selection, phase invert, 48V
phantom power, hi-pass filter and output level control, and provide up to 70dB of gain.
The USB Dual Pre is a portable preamp with computer interface, and can be used
for field recording. Its 2 channels have independent gain control, and the unit can
be powered via a supplied 12V DC adapter, 9V battery or by the USB interface itself.
ITEMDESCRIPTION
PRICE
TUBE-MP-PROJECT................Project Series tube preamp................................................. 69.00
TUBE-MP-USB-PROJECT........Project Series tube preamp with USB................................. 99.00
TUBE-MP/C ...........................Project Series tube preamp with compressor...................... 99.00
USB-DUAL-PRE-Project.......Project Series 2-channel USB mic preamp......................... 79.00
dmpa-II
ART Pro MPA II and Digital MPA II Microphone Preamps
The Pro-MPA-II's mic inputs feature selectable 48V phantom power, backlit analog VU meters, 8 segment LED array, XLR and 1/4" outs, variable input impedance,
and can operate at low or high plate voltage on the 2 hand-selected 12AX7 tubes
for a wide range of tone. It may be configured for dual-mono or -stereo use with
selectable mid/side microphone support. The DMPA-II has all the same features
but adds digital outputs – AES/EBU, ADAT, S/PDIF, 44.1kHz-192kHz internal sampling rates, 2 word clock jacks, and 16-/24-bit switchable dithering.
Aphex CHANNEL Master Preamp and Input Processor 7 devices in
1 rack unit: Reflected Plate Amplifier Tube Preamp, EasyRider Class 'A' Compressor, Logic
Assisted Gate, De-Esser, Big Bottom, Parametric EQ, and the Aural Exciter. Features an 1/4"
instrument input, XLR Mic input, dedicated XLR and unbalanced 1/4" output jacks, gain reduction metering, front-panel sample rate and clock source selection, and an internal clock.
ITEMDESCRIPTION
PRICE
CHANNEL.................... Preamp/compressor/gate/de-esser/para EQ/etc. unit.................. 999.00
APHEX PROJECT CHANNEL CHANNEL STRIP An extremely high quality channels
strip designed for ease of use. Its Class 'A' preamp offers ultra-wide bandwidth as well as
maximum gain and headroom. The included optical compressor features a single-knob ratio
control. Also included are Aphex’s popular Aural Exciter and Big Bottom processors. S/PDIF
digital output and dBFS output meter make it easy to get a proper digital signal to an audio
interface for recording. A front panel sample rate button allows for easy selection of sample
rates from 44.1kHz to 96kHz. Analog outputs are also provided for use with outboard A/D
converters or analog mixers. A front panel mounted instrument input automatically overrides
the rear panel XLR mic input so a microphone can remain plugged in while the instrument
input is in use.
ITEMDESCRIPTION
PRICE
PROJECT-CHANNEL.... Channel strip with optical compressor, 1RU................................ 499.00
ITEMDESCRIPTION
PRICE
PRO-MPA-II.......2-channel mic preamp......................................................................... 269.00
DMPA-II.............2-channel mic preamp with AES/EBU, ADAT, and S/PDIF digital outs..... 369.00
ART TUBEOPTO-8 Eight-Channel Mic Pre with ADAT I/O 8 discrete
Class 'A' vacuum tube mic preamps are packaged in a single rack unit with 8 channel
24-bit ADAT I/O at 44.1 or 48kHz. Each input offers pad, phase and low frequency rolloff switches. Input gain and variable output level control of each channel allows up to
70dB of clean gain or tube warming and soft clipping. Each channel has LED meters
to monitor the preamp output. Wordclock in and thru-puts allow multiple Tubeopto8’s
to be synced. Features 8 XLR-1/4" combo input jacks, and 8 1/4" TRS outs.
avalon design VT-737SP Mono Mic Preamp/Compressor/EQ
The VT-737SP features a combination of tube preamplifiers, opto-compressor,
sweep equalizer, output level and VU metering in a 2RU space. Features include
phantom power, De-Ess control, linkable stereo tracking (with a second unit), +30dB
headroom and -92dB noise floor. Inputs; mic +30dB at 1kHz balanced XLR, instrument
+30dB unbalanced front panel jack, line +36dB balanced XLR. Output; XLR connector,
output trim gain -45dB to 20dB. Frequency response; 1Hz-200kHz line in/out.
ITEMDESCRIPTION
PRICE
TUBEOPTO-8.............. 8-channel mic pre with ADAT I/O................................................. 399.00
ITEMDESCRIPTION
PRICE
VT737SP.................... Mic preamp/compressor/EQ....................................................... 2475.00
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mic preamps and voice processors
AUDIENT ASP008 8-Channel Variable Impedance Mic PreAMP
This 8-transistor discrete Class ‘A’ design front end has extended bandwidth and an
exceptionally low noise floor. Outstanding technical performance delivers incredible
transparency and detail without coloration or other unwanted artifacts. Each channel
features an XLR input,“soft start” 48V phantom power, switchable input impedance,
25-250Hz hi-pass filter as well as line input selection. Channels 1 and 2 also feature a
–20dB attenuator and high-impedance instrument/DI inputs on front-mounted jacks.
LEDs indicate signal presence or overload. The optional 96kHz digital output card
provides both AES/EBU and ADAT optical outputs.
ITEMDESCRIPTION
PRICE
ASP008............................ 8-channel variable impedance mic preamp......................... 1400.00
ASP008-AES/ADAT96....... ASP008 with AES/EBU/ADAT 96kHz digital output card........ 1925.00
AUDIENT MICO Dual Mic Pre A twin mic pre with built-in ultra-high quality
ADCs, making it an ideal front-end for desktop users. The front-end balanced discrete Class ‘A’ design is also used in the ASP008 and the ASP8024 mixing consoles. It
also features HMX harmonic sculpting on channel 1 for creating vintage style character and complexity by simply turning a knob. For recording a single source with twin
mics or mic+DI, the variphase control on channel 2 allows precise phase alignment
(or creative mis-alignment) of the 2 signal paths.
dbx 376 Single-Channel/386 Dual-Channel Mic Preamps
These single rack-space 24-bit/96kHz tube preamps pack performance without the
price. The 376 is a single-channel processor with 3-band parametric EQ, compressor, de-esser, and has 48V phantom power, AES/EBU and S/PDIF digital outputs,
phase invert and 75Hz low cut filter. The 386 dual-channel processor provide the
same features as the 376 without the EQ and compressor/de-esser. It adds Word
Clock sync I/O.
ITEMDESCRIPTION
PRICE
376............................ Mono-tube preamp....................................................................... 529.95
386............................ Dual-tube preamp........................................................................ 529.95
dbx 286S Mic PREAMP/Processor
Includes input gain control, switchable +48V phantom power, an 80Hz high-pass
filter, OverEasy® compressor and a tunable De-Esser. Fine-tune the Enhancer HF
and LF Detail controls to add sparkle and crispness or fullness and depth to vocals
and instruments. Separate threshold and ratio controls on the Expander/Gate allow
you to reduce headphone leakage or radically gate noisy guitar amps. Other features
include a full compliment of metering and status LEDs, floating balanced XLR mic
inputs that accept balanced or unbalanced connectors, a 1/4" TRS line input and an
insert jack to interface between mic preamp and signal processing sections.
ITEMDESCRIPTION
PRICE
286S.......................... Mic preamp/processor.................................................................. 199.95
ITEMDESCRIPTION
PRICE
MICO������������������������� Compact twin mic pre with XLR-1/4" combo inputs,
switchable hi-pass, 48V phantom, -10dB pad............................ 660.00
1021
NEW!
1024
BEHRINGER ADA8200 ULTRAGAIN DIGITAL 8x8 ADAT AUDIO INTERFACE
Building on the legacy of the ADA8000, Behringer has improved it by upgrading to
reference-class Cirrus Logic converters and eight Midas-designed microphone
preamps, making the ADA8200 the natural choice for musicians and engineers. Signal
conversion can be processed at 48 or 44.1kHz sample rates with a frequency range
of 10Hz-24kHz.
ITEMDESCRIPTION
PRICE
ADA8200................................8x8 ADAT Audio interface & AD/DA convertor.................... 199.99
earthworks ZDT Series 1021/1022/1024 Mic Preamps
The ZDT preamp series is based on an entirely balanced signal path and new
discrete circuitry designed by David Blackmer, establishing a new standard of
sonic excellence. The specifications are astounding: frequency response from
1Hz-200kHz +/- .5dB, rise time of .27 microseconds, < .0001% distortion. These
preamps are so fast, so clean and so transparent they behave like “wire with gain”.
They have XLR inputs and outputs, precision stepped gain from 5-60dB in 5dB steps,
48Volt phantom with indicator LED per channel, polarity reverse, and imminent
(10dB below) clipping indicators.
ITEMDESCRIPTION
PRICE
1021.......................... Single-channel in half-rack, 1RU............................................... 1399.00
1022.......................... Dual-channel unit in 1RU.......................................................... 1999.00
1024.......................... 4-channel unit in 1RU................................................................ 3299.00
DAKING Mic Pre IV Features all discrete transistor circuitry with transformer-balanced inputs and outputs, Class ‘A’ amplifiers, and all-relay switching with gold bifurcated
contacts, and switchable +48v phantom power. Includes 3 inputs per channel (mic-lineinstrument) with instrument input on front of each channel, 20db pad on mic inputs,
20-segment VU meters, and steel construction for strength and noise immunity.
ITEMdescription
PRICE
MICPRE-4.................. 4-channel mic pre...................................................................... 2395.00
DAKING MIC PRE ONE Class ‘A’ Mic Preamp
A Class ‘A’, fully-discrete transistor design that features
a unique variable high-pass filter, a freestanding
‘DI-style’ steel enclosure, switchable phase, 20dB
mic input pad and +48V phantom power, plus a
selectable 1/4" front panel hi-z instrument input.
Two knobs control the variable high-pass filter
(0-200Hz) and continuously variable input gain,
with a 20-segment LED meter for monitoring. The rear
of the unit offers a Jensen transformer-isolated mic and fully-balanced XLR output, a
1/4" line output, and a DC power connector from the external supply.
EMPIRICAL LABS MIKE-E Digitally controlled mic preamp
This unit’s transformer-coupled mic preamp section features a top-quality compressor/limiter, a low-noise transformer input and digitally controlled gain, as
well as stepped gain control. There are 4 sections to the CompSat™ section:
saturator - a multi-stage soft clipping circuit; a compressor/saturation circuit that
offers long-knee compression in the form of 4 ratios (2:1, 4:1, 8:1, and “Nuke”); the
2-circuit, signal to noise-improving emphasis section; and a mix control to mix the
uncompressed signal with the compressed signal.
ITEMDESCRIPTION
PRICE
MIC-PRE-ONE............ Mic preamp.................................................................................. 795.00
ITEMdescription
PRICE
EL9-MIKE-E................ Mic preamp/compressor/saturator............................................. 1599.00
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mic preamps and voice processors
FOCUSRITE ISA One Single
Channel Mic Preamp This mic
preamp features Lundahl transformers,
switchable impedance, line input (XLR
and TRS), dedicated insert point, phantom power, phase reverse, hi-pass filter, headphone output with volume control, and a rugged custom flight case. Also includes
independent DI channel with dedicated gain control, active or passive pickup switch,
TRS out for routing to an amp, and XLR out.
FOCUSRITE ISA TWO MICROPHONE PREAMP Bring your mics to life with this
dual-mono mic pre featuring classic Focusrite sound quality along with 2 independent channels with line-in and front panel instrument inputs. Sonic clarity is provided
by mu-metal shielded Lundahl input transformers, variable input impedance and variable cut-off high-pass filter (16-420Hz). Rear panel features include balanced inserts
(per channel), TRS line inputs, and user-calibrated metering, allowing you to calibrate your analog levels with your DAW/converters, resulting in clip-free recordings.
ITEMdescription
PRICE
ISAONE....................... Single channel mic preamp with independent DI......................... 499.99
ITEMdescription
PRICE
ISATWO...................... Dual-mono mic pre....................................................................... 899.99
FOCUSRITE OCTOPRE MKII 8-Channel Mic Preamp With built-in
24-bit/96kHz ADAT connections and 8 channels of pre-amps, the OCTOPRE-MKII is
a powerful input upgrade for any DAW. It’s also a great expansion for any analog or
digital console, or hard disk recorder. Connect it to your audio interface’s ADAT input
to create a high-quality, multi-channel recording solution. Features -10dB pad, direct
output, 48V and XLR Combi jacks on each channel. The -DYNAMIC model adds built-in
8-channel 24-bit/96kHz ADAT inputs, Sapphire mic pres, and 8 single dial VCA-based
feed-forward compressors. Analog I/O features (8) mic/line combi-XLR/TRS inputs
and (8) 1/4" TRS outputs. Both models feature word clock in (word clock out is available on the -DYNAMIC.)
ITEMDESCRIPTION
PRICE
OCTOPRE-MKII.......................8-channel mic pre with 24-bit/96kHz ADAT out................ 499.99
OCTOPRE-MKII-DYNAMIC......8-channel mic pre with 24-bit/96kHz ADAT in/out........... 699.99
fmr audio RNP8380 Really Nice
Preamp As a follow up to the RNC1773
compressor, the RNP8380 continues to
deliver extremely hi-fidelity performance at
a no nonsense price. It features a 2-channel
rack design with balanced XLR connectors
(which auto detect and adjust for unbalanced use), TRS 1/4" iso-balanced inserts for
each channel, +27.5dBu of gain, 48V phantom power, third order EMI-resistant filter,
stepped gain control, and phase inversion control.
ITEMDESCRIPTION
PRICE
RNP8380.................... 2-channel mic preamp................................................................. 475.00
FOCUSRITE ISA Series Mic Preamps The ISA828 has 8 ISA-series transformer-based mic preamps with switchable impedance, direct instrument inputs, 8 line
inputs and 8 line outputs. It integrates seamlessly with ProTools HD and other hard
disc recorders and mixing desks via 25-pin D-Type connectors. The ISA428-MKII has
4 ISA mic preamps, also with switchable impedance and direct instrument inputs
per channel. Each channel on both units includes an insert point, hi-pass filter, and
6 LED input meter.
ITEMDESCRIPTION
PRICE
ISA828...................................8-channel mic preamp................................................... 2499.99
ISA428-MKII..........................4-channel mic preamp................................................... 1499.99
ISA8CHANNELA/DOPTION.......192kHz A/D card option for both models.......................... 499.99
JOHN HARDY COMPANY M-1 MICROPHONE PREAMP
Available with 1-4 channels this 1RU modular mic pre provides
sonic accuracy and transparency via its world-renown Jensen
JT-11-BMQ transformer, 990 discrete op-amp and the elimination
of all coupling capacitors from the signal path. The dual-range gain
control and High Gain switch provide great resolution for easy and
accurate adjustment of levels, while the 20-segment LED meter (with separate peak
LED) allows accurate output monitoring. Other per-channel controls include switchable polarity reverse and phantom power and ground lift. All front panel switches are
LED-illuminated for ease of use.
ITEMdescription
PRICE
M-1-1CH.................... 1-channel modular mic preamp................................................. 1111.04
M-1-2CH.................... 2-channel modular mic preamp................................................. 1701.28
M-1-3CH.................... 3-channel modular mic preamp................................................. 2291.52
M-1-4CH.................... 4-channel modular mic preamp................................................. 2881.76
M-1-CHANNEL............ Additional mic pre for M-1........................................................... 590.24
GRACE DESIGN M101/M103 The m101 features balanced, transformerless,
trans-impedance circuit topology, universal switching power supply, dedicated LED
indicators for preamp functions, 48V phantom power, and HPF switch. The Ribbon
Mic Mode bypasses the input decoupling capacitors, raises the input impedance from
8.1kΩ to 20kΩ, and defeats the 48V phantom power, preventing damage to delicate
ribbon mic elements. The gain range is 10-75dB, including the additional +10dB of
gain available with the output trim control. The m103 adds a 3-band EQ and optical
compressor. Controls include fully parametric mid, with shelving and peak modes
on the high and low bands. The compressor circuit is based on an optical attenuator
and provides gentle limiting to fairly heavy compression, while remaining neutral and
transparent. The compressor controls can be linked for stereo applications, the order
of the EQ/COMP is switchable, and monitoring signal status is simple with 10-segment
gain reduction and output meters. The m101 and m103 include a HI-Z input on the
front panel. Rear panel I/O options include both balanced TRS and unbalanced TS 1/4"
outputs along with the standard XLR balanced out and XLR microphone in. The m103
adds XLR and 1/4" unbalanced mic pre out, and XLR line so that the mic pre and EQ/
COMP sections can be accessed independently of each other.
GRACE DESIGN M201 MICROPHONE PreAMPLIFIER This preamp delivers
massive headroom, ultra-wide bandwidth and a very open, musical character. The signal
path is fully balanced from start to finish, resulting in a wider dynamic range. New highcurrent output drivers enable even longer cable runs without signal loss. The exclusive
ribbon mic mode shifts the gain range up 10dB while deactivating 48V phantom power,
bypassing the decoupling capacitors and optimizing the input impedance. Each channel
has an ‘input mode’ rotary switch which selects between a standard 48V phantom input,
ribbon mic mode, a front panel DI input or high voltage input for DPA mics (130V or 190V).
The m201 is also available with a state of the art 24-bit/192kHz A/D converter option,
from the factory or as a retrofit to existing units. The A/D converter features word clock,
Digidesign LoopSync, and proprietary dual stage PPL with s-Lock for extremely low jitter.
ITEMDESCRIPTION
PRICE
M101.......................... Single-channel mic pre/DI............................................................ 685.00
M103.......................... Single-channel mic pre/DI with EQ and optical compressor...... 1695.00
ITEMdescription
PRICE
M201������������������������� 2-channel mic preamp............................................................... 2375.00
M201A/D������������������� A/D converter option, factory-install only..................................... 935.00
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mic preamps and voice processors
NEW!
MANLEY LABORATORIES MTNT 2-Channel Microphone Preamp
Two distinctly different microphone preamps in one box. The left channel includes
tubes and transformers from the "SLAM!’s" mic preamp circuit. On the right channel,
an immaculate solid-state mic preamp, useful for clean, crisp and clear sound. Switch
in the “60’s and 70’s” positions for some crunch. Flexibility with unique variable
impedance control simultaneously performs gain make up - pick the best sound,
not just the loudest. Inputs are on XLR-1/4" combo jacks with XLR and 1/4" outputs.
ITEMdescription
PRICE
MTNT.......................... 2-channel Microphone preamp................................................... 2700.00
MANLEY LABORATORIES, INC CORE Microphone Preamplifier
Channel Strip An affordable and innovative mic preamplifier, compressor,
equalizer, and limiter combo unit that combines the best of Manley's product line.
Its well-designed interface layout combines with musical and forgiving circuitry to
enable a user to focus on performance rather than constant tweaking of knobs.
Hand-crafted in Southern California, it features 48V phantom power, 120Hz hi-pass
filter, phase invert switch, input attenuator, pre-selectable mic gain (40dB, 60dB),
selectable line amp gain (20dB, 40dB) and more. I/O consists of a balanced XLR mic
input, XLR line input, front panel direct instrument 1/4" input, 1/4" insert (between
Mic Preamp/Compressor and EQ/Limiter), balanced XLR direct output and balanced
XLR main output.
ITEMdescription
PRICE
CORE.......................... Microphone preamplifier............................................................ 2000.00
MANLEY LABORATORIES 40MPB and DMMPX All-Tube Microphone
Preamps These all-tube microphone preamps have a big, open and alive sound.
The GAIN control changes the amount of negative feedback deployed, delivering
tonal textures from richly warm to blindingly fast. The transformer-coupled balanced
XLR I/O keeps it agile and beefy, while the 1/4" unbalanced output leaves room for
more options. The DMMPX has two channels of 40MPB, the device that led the tube
audio resurgence. Both the Dual Mono and Mono Mic Preamps feature 1/4" DI
jacks for adding some richness to instruments such as bass, drum machines, and
keyboards.
ITEMdescription
PRICE
40MPB....................... Mono mic preamp....................................................................... 1980.00
DMMPX...................... Dual mono mic preamp.............................................................. 2970.00
LaChapell Audio 992EG
Two- Channel Tube Preamp
This 2-channel fully-balanced all-tube preamp and instrument amp features Jensen
transformers and 8 dual triode vacuum tubes. Includes a fully variable level control
for the input and output stage, amplifier isolated VU meters, and 5 illuminated
toggle switches per channel for Meter On/Off, 48V (Phantom), -20db input pad, phase
reverse and Mute. The input stage features Jensen's JT-115k transformer along with
two 12AX7/ECC83 vacuum tubes per channel. The direct instrument input (Hi-Z) stage
utilizes the high performance Cinemag CM-DBX direct transformer which feeds the
balanced differential amplifier input. This double balanced approach allows for an
extremely quiet Hi-Z stage. The 992’s output stage features two 12AU7 tubes in parallel
with the Jensen JT-11BM line output transformer to balance the outputs.
MANLEY LABORATORIES, INC. ELOP Stereo Electro-Optical Limiter
Perfect for tracking in the studio, its quick grab tames vocals while the gentle slow
release characteristic keeps it natural - like a hand on a fader. Its unique high
frequency extension is retained even when digging deep. Features an all-tube audio
path with 1/4" I/O and balanced XLR, Hi-Current drive <50 Ohm 1/4" & XLR outputs,
BYPASS switches with AUTOMUTE w/warmup delay, stereo link, side-chain high-pass
filter (100HZ or 200HZ), and more.
ITEMdescription
PRICE
MELOPB..................... Stereo electro-optical limiter...................................................... 2970.00
MILLENnIA HV-37 MIC and INSTRUMENT PREAMP
This transparent 2-channel preamp is housed in a compact 1RU chassis. Its front
panel has a continuously-variable gain control and 1/4" instrument inputs. Features
include a DC-coupled ribbon mic setting with 10dB boost, 80Hz roll-off filter, 15dB
pad, polarity flip and 48V phantom power. Its internal power supply allows for operation from 100–240V.
ITEMdescription
PRICE
HV37.......................... Mic and instrument preamp, 1RU.............................................. 1439.99
ITEMdescription
PRICE
992EG........................ 2-channel tube mic/instrument preamp.................................... 3750.00
rme QUADMIC II 4-CHANNEL MIC PREAMP This preamp has 4 balanced mic/
line inputs via Neutrik XLR/TRS combo jacks and can be battery-powered – making
it ideal for remote recordings. Each channel features 48V phantom power, a low-cut
filter, and phase reversal. Amplification can be set between 6 and 60dB and it has
LEDs for signal, clip, and activated phantom power.
ITEMDESCRIPTION
PRICE
QUAD-MIC-II.............. 4-channel mic preamp with line outputs..................................... 799.00
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millennia HV-3D 4-/8-Channel Solid State Mic Preamp
The HV-3D is a 4- or 8-channel, fully-matched microphone preamplifier. With circuitry
identical to Millennia’s acclaimed HV-3C series, the HV-3D offers high resolution
gain switching (36 steps @ 1.5dB per step), +23dBu native input headroom, +32dBu
output headroom and requires no input pads or switch points. It features an entirely
balanced audio path, laser trimmed FET-based output, matched discrete transistor
front-end and ultra-high dynamic stability.
ITEMdescription
PRICE
HV3D-4...................... 4-channel mic preamp............................................................... 2977.99
HV3D-4-TO-8............. 4-channel upgrade for HV3D-4.................................................. 1400.00
HV3D-8...................... 8-channel mic preamp............................................................... 4021.99
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mic preamps and voice processors
NEW!
PRESONUS RC 500 Solid-state Channel Strip Featuring the same FET
compressor and semi-parametric EQ design as the ADL 700, the RC-500’s microphone preamps are transformer-coupled, class 'A' and high gain with minimal signal
path. The FET compressor uses hybrid detection methods with switching relays for
hard bypass. A 3-band semi-parametric EQ also has switching relays for hard bypass.
Other characteristics include high grade components including film capacitors, 1%
tolerance resistors, and low distortion op amps. It offers 48V phantom power, 80Hz
roll off, -20dB pad, VU Meter with selectable output level and gain reduction display,
and a master fader output control. The I/O consists of balanced mic/line inputs via
XLR, balanced send and return, and a balanced output on XLR or TRS.
ITEMDESCRIPTION
PRICE
RC500........................ Solid-state channel strip.............................................................. 799.95
PRESONUS TubePre v2 and BlueTube DP Mic/Instrument Preamps
The Tube Pre v2 and BlueTube DP v2 preamps offer low-noise/high headroom audio
in a compact metal chassis. Both feature XMAX Class ‘A’ amplifiers, a 12AX7 tube,
Drive control, +48V phantom power, polarity-reverse switch, 80Hz high-pass filter,
-20dB pad, and backlit VU meter. The 1ch TubePre v2 features separate unbalanced
1/4" instrument and balanced XLR mic inputs, along with unbalanced 1/4" and balanced XLR line outputs. The 2ch BlueTube DP features 2 combo mic/instrument
inputs along with balanced XLR and unbalanced 1/4" main outputs.
ITEMdescription
PRICE
TUBE-PRE-V2.........................1-channel, 1/3RU, tube mic preamp................................ 129.95
BLUETUBE-DUALPATH-V2......2-channel, 1/2RU, tube mic preamp................................ 229.95
RADIO DESIGN LABS HR-MP2 DUAL-CHANNEL MICROPHONE
PREAMPLIFIER This flexible device operates as either a stereo or dual mono preamp
with line level output and can operate with almost any microphone. Useful features
include 20-60dB of gain, selectable +24/48V phantom power, -15dB pad, dual LED VU
meter (calibrated to +4dBu), clip indicator and 6dB/octave 80Hz low-cut filter. I/O includes
(2)XLR in, detachable terminal block and 1/4" TRS balanced line-level outputs as well as
summed mono output via line-level detachable terminal block. Power supply not included.
ITEMDESCRIPTION
PRICE
HR-MP2.................................Dual microphone preamplifier.......................................... 343.52
PS24AS..................................24VDC @ 400mA power supply.......................................... 22.23
HRRA2....................................1RU rack adapter for HR-MP2............................................ 46.82
HRFP1....................................Filler panel for HRRA2........................................................ 28.56
RADIO DESIGN LABS STM-2 COMPACT MIC PREAMP
This low-cost and compact amplifier is designed for commercial sound, broadcast
and even security applications. Featuring RF-filtered inputs, adjustable 35-65dB of
gain and phantom supply input, the STM-2 operates from 24VDC, but can operate
from 12VDC with a 6dB reduction in headroom. Each of the 2 balanced or unbalanced
outputs drives either high- or low-impedance loads.
ITEMDESCRIPTION
PRICE
STM2......................................Compact mic preamp....................................................... 140.63
PRESONUS ADL 700 CHANNEL STRIP Three dual-triode 12AX7 tubes and a
high-voltage Class ‘A’ dual-transformer design are at the heart of this ultra-low-noise,
flexible preamp that provides up to 73dB of gain. Variable mic-input impedance
allows for a variety of tonal effects, while switchable compressor/EQ signal flow
gives you the flexibility to choose whichever meets your application. Other features
include fully variable FET compressor/ limiter, 4-band semi-parametric equalizer,
variable high-pass filter, phantom power, -20dB pad, polarity inversion and a dual
mode analog VU meter.
ITEMdescription
PRICE
ADL700...................... Tube channel strip..................................................................... 1999.95
PRESONUS DIGIMAX D8 8-CHANNEL MIC PREAMP Features 8 balanced combo mic/line inputs, XMAX Class ‘A’ microphone preamps, 8 channels of
24-bit/48kHz ADAT output, 2 front-panel 1/4" instrument inputs, 1 ADAT Lightpipe
optical digital output, AD converters, word clock, LED metering, -20dB pads on all
channels, and (8) 1/4" TRS direct analog outputs. 48V phantom power is switchable
in pairs for condenser mics.
tc02
SM Pro Audio Red Valve Series Tube
Preamps Featuring selectable phantom
power, phase reversal, adjustable optical compressor, and -20dB Pad. These Class ‘A’ preamplifiers have hand tested 12AX7 tubes in metal
housing. Tailored for home project studio use,
all the units can be used as high-quality DI units.
tc01
ITEMDESCRIPTION
PRICE
SMP-TC01-1.............. Single-channel tube preamplifier, half-rack chassis................... 139.99
SMP-TC02-1.............. 2-channel tube preamplifier, 1RU................................................ 179.99
EP-84
ITEMdescription
PRICE
DIGIMAX-D8............... 8-channel mic preamp with ADAT out, 48kHz.............................. 399.95
PRESONUS Studio Channel The Studio Channel is a professional channel
strip combining Class ‘A’ tube microphone/instrument preamplifier, VCA-based compressor and 3-band parametric equalizer perfect for the professional and project
studio. The compressor controls include threshold, ratio, attack, release, make-up
gain, auto, and soft settings. It has a precision analog VU meter for gain reduction and
output, EQ Pre/Post compressor switch, 80Hz hi-pass filter, 20dB pad, phase invert,
high headroom, ultra low noise design, and a rugged metal chassis. It includes XLR
and 1/4" TS inputs, XLR balanced and 1/4" TRS balanced/unbalanced outputs.
ITEMDESCRIPTION
PRICE
STUDIO-CHANNEL...... Mic pre/compressor/EQ................................................................ 299.95
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SM PRO Audio 8-Channel Microphone Preamps Low-noise, rackmountable mic preamps with 48V phantom power, gain control, phase reverse, 60dB of gain,
23db of maximum output, and a peak light for each channel. The EP84 is for analog or
digital (with the optional SMP-AOO-1 output module) applications and features -20dB
pads, 80Hz low cut filters, and XLR/TRS inputs and outputs. The PR8E is perfectly
suited for use as a front-end device for many hard disk recording systems, as well as
adding additional mic pre's to digital mixers and sound cards. It boasts a very high gain
structure with exceptionally low noise and features balanced XLR/combo inputs and
TRS outputs, and a built-in -20dB pad in the 1/4" TRS line-in jack sockets. Other applications include expansion for multi-channel DAW’s and input from line-level devices.
ITEMDESCRIPTION
PRICE
SMP-EP84-1.............. 8-channel mic preamp, 2RU........................................................ 299.95
SMP-PR8E-1.............. 8-channel mic preamp, 1RU........................................................ 179.99
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mic preamps and voice processors
RUPERT NEVE DESIGNS PORTICO II SERIES
MIC PRE A 2RU single channel full-featured mic
pre with 4-band EQ, compressor-limiter, “texture”
control and level metering. The Portico II Channel
includes Variable Silk/Silk+ Texture control, a fully tunable “de-esser”, multiple
VCA filtering and detection options, a transient-optimized swept HPF and parallel
compression blending. Get input signals from mic in on XLR, balanced line in on XLR
or DI on 1/4". Also has 1 XLR output, a 1/4" side chain (send/return), and a 1/4" link
(send/return).
ITEMdescription
PRICE
PORTICO-II-CHANNEL............Single channel mic pre, 2RU.......................................... 3495.00
sound devices MixPre Field
Preamp/Mixer A studio quality 2-channel portable stereo mic preamp and mixer. Features include pan
switches, slate mic, 1kHz oscillator and headphone monitoring. Up to 66dB of gain,
input transformers, 48V phantom power, High pass filters, LED meters, limiters, 2 AA
batteries or external power.
ITEMDESCRIPTION
PRICE
MIX-PRE-D................. Portable mic preamp/mixer...........................................................899.00
sound devices MM-1 Mic Preamp
A full-featured, portable single-channel
microphone preamplifier with a flexible
headphone monitoring function. Its headphone monitoring function is an advantage
where com channels or mix-minus feeds
are needed. Features include: Transformer-balanced inputs and outputs, dual-stage
limiter, two-position high-pass filter 48V or 12V phantom power, 12V T-powering, AA
(2) battery powered or External DC (5-17 V).
ITEMDESCRIPTION
PRICE
MM1........................... Portable mic preamp.................................................................... 499.00
solid state logic XLogic Alpha Channel With the classic combination of
a mic preamp, filter, EQ and dynamics, the Xlogic Alpha Channel is the perfect front
end to your digital audio workstation. Includes “Variable Harmonic Drive” circuit
for distortion characteristics, built-in A/D conversion, auto-sample rate sensing and
auto-compression to avoid DAC clipping.
ITEMDESCRIPTION
PRICE
ALPHA-CHANNEL........ XLogic alpha-channel strip........................................................ 1099.00
solid state logic XLogic Alpha VHD Four Channel Mic Preamp
The VHD Pre adds four SSL mic preamps to any line level DAW audio interface. The
four mic pres have independent Variable Harmonic Drive circuits that use analogue
signal paths to generate rich harmonic distortion, taking it from valve-style warmth
through to trashy transistoresque overdrive. Features 75dB of gain, 48V phantom
power, 20dB pad, XLR I/O and more.
sound devices MP-1 Portable Mic
Preamp A portable battery powered field
mic preamp ideal for radio, television, or
field recording applications. It features 2-AA
battery power, 48V and 12V phantom power,
balanced XLR I/O, 2-position (80Hz/160Hz) high-pass filter, 120dB of dynamic range
and up to 66dB of gain. It also has a dual-stage opto-isolator limiter on board.
ITEMDESCRIPTION
PRICE
MP1........................... Portable mic preamp.................................................................... 399.00
ITEMDESCRIPTION
PRICE
ALPHA-VHD-4............. 4-channel mic pre with variable harmonic drive....................... 1629.00
STUDIO TECHNOLOGIES
Announcer’s Consoles
Audio control tabletop hubs for announcers, commentators, and production personnel. Compatible
with all broadcast and production audio system
environments. Each unit features a mic preamp
with selectable gain and 48V phantom power. Other
features include stereo headphone monitoring, 2 rotary headphone output level
controls (MODEL-233 has 3), and microcontroller-directed audio routing. MODEL220/230/233 offer 2 line-level inputs, and 3 pushbutton switches that provide programmable “click-free” audio path control (210/212 offer 2 switches). MODEL-212 provides
unbalanced AES digital audio signals and a bidirectional digital interface for direct
integration with Riedel® intercom systems. MODEL-230/233 offer a dual-channel
intercom interface with “auto-terminate.” MODEL-44 serves as an interconnection
hub, providing power and signal routing for up to 6 announcer’s consoles. Each of the
6 channels is individually over-current and short-circuit protected.
ITEMdescription
PRICE
MODEL-210����������Console, broadcast IFB in, transformer-balanced out, line-level out.... 691.11
MODEL-212����������Console, 2 digital audio in, digital audio main and talkback outs.... 989.43
MODEL-220����������Console, 2 line-level in, broadcast IFB in, transformer-balanced
out, line-level out, Aux relay contacts................................................ 889.99
MODEL-230����������Console, 2 line-level in, broadcast IFB in, transformer-balanced
out, line-level out, Aux relay contacts.............................................. 1088.87
MODEL-233����������Console, 2 line-level in, transformer-balanced out, 2 line-level
out, Aux relay contacts, tally status out........................................... 1188.31
MODEL-44������������Interface for 200-series consoles, RJ45 connectors........................... 889.99
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rear
SUMMIT AUDIO 2BA-221 MIC/LINE PREAMP MODULE The 2BA-221 uses
separate and individually controlled solid state input controls to mix the microphone
input with the Hi-Z or line input into the variable vacuum tube output. Mix the inputs
together through the 12AX7A/ECC83 tube output or separately through individual
solid state outputs. Multiple units can be linked together to form a modular mixing
device with individual outs, inserts per channel and a final vacuum tune stage. Other
features include a swept high pass filter, insert jack, internal power supply and
compact 1/2-rack size form factor.
ITEMDESCRIPTION
PRICE
2BA-221..................... Microphone/line level preamp...................................................... 679.99
Certified Repair by
Experienced Technicians
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center for many of the major brands we carry.
For expert advice - call: 800-356-5844
M-F: 9:00-5:30 Central
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mic preamps and voice processors
UNIVERSAL AUDIO 4-710D 4-CHANNEL Mic Preamp
A boutique quality, 4-channel microphone/line preamp with tube
and solid-state tone blending capabilities. It offers selectable
1176-style compression circuitry on each channel, plus 4 additional line inputs feeding 8 channels of 24-bit A/D conversion at selectable sample rates
up to 192kHz. Each of the 4 channels allows for continuously variable phase-aligned
tone, between a 100% tube and 100% solid-state signal path. Balanced send and return
jacks are available for external processing or signal access. Digital output is available via dual ADAT Lightpipe or AES/EBU DB-25 connectors, for integration with the
most popular audio interfaces. Other features include large backlit VU meters, 48V
phantom power, 75Hz low-cut filter, polarity switch, monolithic balanced output stage,
8-channel soft limiter, ultra-low jitter clock subsystem, 75ohm BNC word clock I/O
and anti-pop protection on power-up. I/O includes (4) 1/4" unbalanced high-Z inputs
and 3-pin XLR mic in, line in, line out, and 1/4" send and return jacks per channel.
ITEMdescription
PRICE
4-710D ...................... 4-channel mic preamp.............................................................. 1999.00
UNIVERSAL AUDIO 710
Twin-Finity™ Mic Pre
A radically new UA preamp design which combines the classic retro warmth of UA
tube design with the transient bite of solid-state. All in 2RU, half-rack, all-metal
chassis. It features Twin-Finity™ tone-blending mic/line preamp and Hi-Z instrument DI, dual-path 310V Class ‘A’ tube and transimpedance solid state preamp, and
phase-aligned “Tone-Blending” of tube and solid-state. It has dual-gain stages (wire
with gain to creamy to crunchy), discrete JFET DI with 2.2M-ohm ultra Hi-Z impedance, and monolithic balanced output stage. It has 70dB+ of gain, +48V phantom, pad
(-15dB), phase invert, and low cut filter (75Hz). Connectivity includes front panel
Hi-Z input (switched from mic/line automatically via jack detect), rear panel XLR mic
input, XLR line input and XLR line output.
UNIVERSAL AUDIO 2-610S Dual-Channel Tube Mic Preamp
Based on the legendary UA 610 modular console, this “silver-face” preamp offers
–15dB input pad, phase reverse, 48V phantom power, and 2 bands of shelving EQ.
Inputs include 2x XLR mic with variable impedance (500 or 2K Ω), 2x balanced 1/4"
line, and 2x unbalanced 1/4" Hi-Z (46K or 2.2M Ω). Outputs are XLR line out. Other
features include variable input gain and output levels, custom wound double sized
alloy transformers, improved frequency response of 20Hz-20kHz +1dB, and ultraquiet operation (greater than 82dB signal-to-noise ratio). Whether you’re running
pure analog or seeking to enhance your digital audio workstation, it will bring classic
tube character to your recording.
ITEMDESCRIPTION
PRICE
710-TWIN-FINITY....... Single-channel tube/solid-state mic pre/DI................................. 799.00
ITEMdescription
PRICE
2-610S ...................... Dual-channel tube mic preamp, silver...................................... 2199.00
universal audio 6176 Channel Strip With the 6176 Universal Audio
combines the 610B tube microphone preamp with the legendary 1176LN compressor to create the ultimate single channel signal path for everything from vocals to
vibraphones. Features include a 12AX7A tube and 12BH7 (1 each per channel), 48V
phantom power, a joint/split switch to separate the compressor from the mic preamp, and can run in stereo with the 1176SA (optional). I/O includes XLR and 1/4" input
for the mic preamp, XLR input for the compressor (split mode), and XLR outputs for
both sections. All I/O are balanced.
universal audio LA-610 MKII This 2nd generation revamp features true
compressor bypass, larger metering, improved signal output and an auto-sensing
power supply. It gives a vintage “all tube” luxury sound in a modern channel strip
format, combining the 610 mic-pre/EQ/DI section and a T4 opto-compressor into a
single 2RU unit. The 610 tube preamp, DI and EQ is from UA’s TEC award-winning
6176 and is based on the legendary console modules developed by Bill Putnam in the
'60s. It also offers an authentic Teletronix LA-2A-style T4 opto-compressor.
ITEMdescription
PRICE
6176.......................... Channel strip............................................................................. 2499.00
ITEMDESCRIPTION
PRICE
LA-610-MKII.............. Classic tube-recording channel................................................. 1599.00
UNIVERSAL AUDIO SOLO-610 Mic PreAmp This preamp delivers the classic Putnam 610 console sound in
a single-channel format. It has a continuous gain control with an even greater range, allowing for more precise gain
structuring and doubles as input signal padding. It has a portable “go anywhere” design and is hand-assembled in
the US. Includes 48V phantom power, lo-cut filtering, phase reverse, flexible dual impedance selection for both
mic and DI inputs, ground lift and mic/line level output switch, plus gain and level control for a wide variety of clean
to colored tonal shaping.
ITEMdescription
PRICE
SOLO-610................... Classic vacuum tube mic preamp and DI box..................................................................................999.00
YAMAHA MLA8 Mic/Line Amplifier
Top-performing, compact 8-channel head amplifier featuring a 26dB pad. It provides
adjustable 44dB gain trim, an 80Hz hi-pass filter, and a phantom power switch on
each channel. Euroblock terminals and a D-sub 25-pin connector are on the rear for
a perfect connection with Yamaha digital mixers.
ITEMDESCRIPTION
PRICE
MLA8.......................... 8-channel mic/line head amplifier............................................... 641.45
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