Roland PCR-1 Owner's Manual

Thank you for purchasing the MIDI keyboard controller PCR-1.

Before using this unit, carefully read the sections entitled: “USING

THE UNIT SAFELY” and “IMPORTANT NOTES” (OWNER’S

MANUAL p. 2–4). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.

Copyright © 2004 ROLAND CORPORATION

All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.

USING THE UNIT SAFELY

Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.

Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.

* Material damage refers to damage or other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.

The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.

The

●

symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.

001

• Before using this unit, make sure to read the instructions below, and the Owner’s Manual.

................................................................................................

002a

• Do not open or perform any internal modifications on the unit.

................................................................................................

003

• Do not attempt to repair the unit, or replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

................................................................................................

004

• Never use or store the unit in places that are:

• Subject to temperature extremes (e.g., direct sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are

• Damp (e.g., baths, washrooms, on wet floors); or are

• Humid; or are

• Exposed to rain; or are

• Dusty; or are

• Subject to high levels of vibration.

................................................................................................

007

• Make sure you always have the unit placed so it is level and sure to remain stable. Never place it on stands that could wobble, or on inclined surfaces.

................................................................................................

009

010

• This unit, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist.

................................................................................................

011

• Do not allow any objects (e.g., flammable material, coins, pins); or liquids of any kind

(water, soft drinks, etc.) to penetrate the unit.

................................................................................................

012d

• Immediately turn the power off, and request servicing by your retailer, the nearest Roland

Service Center, or an authorized Roland distributor, as listed on the “Information” page when:

• If smoke or unusual odor occurs

• Objects have fallen into, or liquid has been spilled onto the unit; or

• The unit has been exposed to rain (or otherwise has become wet); or

• The unit does not appear to operate normally or exhibits a marked change in performance.

................................................................................................

2

For EU Countries

This product complies with the requirements of European Directive 89/336/EEC.

For the USA

FEDERAL COMMUNICATIONS COMMISSION

RADIO FREQUENCY INTERFERENCE STATEMENT

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the

FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

– Reorient or relocate the receiving antenna.

– Increase the separation between the equipment and receiver.

– Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.

– Consult the dealer or an experienced radio/TV technician for help.

This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:

(1) This device may not cause harmful interference, and

(2) This device must accept any interference received, including interference that may cause undesired operation.

Tested To Comply With FCC Standards

FOR HOME OR OFFICE USE

Unauthorized changes or modification to this system can void the users authority to operate this equipment.

This equipment requires shielded interface cables in order to meet FCC class B Limit.

For Canada

NOTICE

This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.

AVIS

Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.

DECLARATION OF CONFORMITY

Compliance Information Statement

Model Name :

Type of Equipment :

Responsible Party :

Address :

Telephone :

PCR-1

USB AUDIO INTERFACE/MIDI KEYBOARD CONTROLLER

Edirol Corporation North America

425 Sequoia Drive, Suite 114, Bellingham, WA 98226

(360) 594-4276

For the USA

PCR-1_e1.book 3 ページ２００３年１１月２０日　木曜日　午後３時２２分


013

• In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit.

................................................................................................

014

• Protect the unit from strong impact.

(Do not drop it!)

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023

• DO NOT play a CD-ROM disc on a conventional audio CD player. The resulting sound may be of a level that could cause permanent hearing loss. Damage to speakers or other system components may result.

................................................................................................

104

• Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children.

................................................................................................

106

• Never climb on top of, nor place heavy objects on the unit.

................................................................................................

108c

• Disconnect all cords coming from external devices before moving the unit.

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3


4

IMPORTANT NOTES

In addition to the items listed under “USING THE UNIT SAFELY” on page 2 -3, please read and observe the following:

Power Supply

307

• Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.

Placement

352a

• This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.

352b

• Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initiating a call, or while conversing.

Should you experience such problems, you should relocate such wireless devices so they are at a greater distance from this unit, or switch them off.

354a

• Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Excessive heat can deform or discolor the unit.

355b

• When moved from one location to another where the temperature and/or humidity is very different, water droplets (condensation) may form inside the unit.

Damage or malfunction may result if you attempt to use the unit in this condition. Therefore, before using the unit, you must allow it to stand for several hours, until the condensation has completely evaporated.

358

• Do not allow objects to remain on top of the keyboard. This can be the cause of malfunction, such as keys ceasing to produce sound.

Maintenance

401a

• For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth.

402

• Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.

Repairs and Data

452

• Please be aware that all data contained in the unit’s memory may be lost when the unit is sent for repairs.

Important data should always be backed up in another MIDI device (e.g., a sequencer), or written down on paper (when possible). During repairs, due care is taken to avoid the loss of data. However, in certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland assumes no liability concerning such loss of data.

Additional Precautions

551

• Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that you periodically save a backup copy of important data you have stored in the unit’s memory in another MIDI device (e.g., a sequencer).

552

• Unfortunately, it may be impossible to restore the contents of data that was stored in the unit’s memory once it has been lost. Roland Corporation assumes no liability concerning such loss of data.

553

• Use a reasonable amount of care when using the unit’s buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.

556

• When connecting / disconnecting all cables, grasp the connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements.

558a

• To avoid disturbing your neighbors, try to keep the unit’s volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night).

559a

• When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent

562 packaging materials.


IMPORTANT NOTES

• Use a cable from Roland to make the connection. If using some other make of connection cable, please note the following precautions.

• Some connection cables contain resistors. Do not use cables that incorporate resistors for connecting to this unit. The use of such cables can cause the sound level to be extremely low, or impossible to hear. For information on cable specifications, contact the manufacturer of the cable.

Handling CD-ROMs

801

• Avoid touching or scratching the shiny underside

(encoded surface) of the disc. Damaged or dirty CD-

ROM discs may not be read properly. Keep your

204 discs clean using a commercially available CD cleaner.

Copyright

851

• Unauthorized recording, distribution, sale, lending, public performance, broadcasting, or the like, in whole or in part, of a work (musical composition, video, broadcast, public performance, or the like) whose copyright is held by a third party is prohibited by law.

852b

• When exchanging audio signals through a digital connection with an external instrument, this unit can perform recording without being subjected to some of the restrictions of the Serial Copy Management

System (SCMS). This is because the unit is intended solely for musical production, and is designed not to be subject to restrictions as long as it is used to record works (such as your own compositions) that do not infringe on the copyrights of others. (SCMS is a feature that prohibits second-generation and later copying through a digital connection. It is built into

MD recorders and other consumer digital-audio equipment as a copyright-protection feature.)

853

• Do not use this unit for purposes that could infringe on a copyright held by a third party. We assume no responsibility whatsoever with regard to any infringements of third-party copyrights arising through your use of this unit.

206j

* Windows® is known officially as: “Microsoft®

Windows® operating system.”*Microsoft and

Windows are registered trademarks of Microsoft

Corporation.

206e

* The screen shots in this document are used in compliance with the guidelines of the Microsoft

Corporation.

207

* Apple and Macintosh are registered trademark of

Apple Computer, Inc.

209

* MacOS is a trademark of Apple Computer, Inc.

231

* OMS is a registered trademark of Opcode Systems,

Inc.

232

* FreeMIDI is a trademark of Mark of the Unicorn, Inc.

5

6

Contents of the package

The PCR-1 includes the following items. When you open the package, first make sure that all items are included. If any are missing, contact the dealer where you purchased the PCR-1.

● fig.pcr-1

USB Audio Interface / MIDI Keyboard Controller PCR-1

●

USB cable

Use this to connect the USB connector of your computer with the USB connector of the

PCR-1. For details on connections and driver installation, refer to Setup ( Windows

: p. 14 /

Macintosh

: p. 31 ).

* Please use only the included USB cable. If you require a replacement due to loss or damage, please contact a

“EDIROL/Roland Service Center” listed in the “Information” section at the end of this manual.

●

CD-ROM

This contains drivers and editors for use with the PCR-1.

●

Template sheets (two sheets)

One of these templates lists the messages that are assigned to the knobs and sliders (controllers) by

GM2 memory (memory no. 0). A blank sheet is also included for you to make a note of your own controller settings.

●

Owner’s Manual

This is the manual you are reading. Please keep it on hand for reference.


Quick page reference table

Before you begin

Using the audio functionality

Using the MIDI functionality

Making system settings

Trouble Shooting

Driver Installation

Settings

Names of things and what they do

Table of operating modes

System settings

Audio and MIDI flow

Playing sounds on your computer

Recording sound on your computer

Digital recording the output of the PCR-1 on a CD/MD/DAT

Startup mode

Features Useful When Playing

Pitch Bend

Modulation

Octave Shift

Transpose

Changing memory sets

Transmitting the current controller values all at once

Assign MIDI messages

Note Assign

Aftertouch Assign

Control Change Assign

Program Change Assign

RPN/NRPN Assign

Sys Ex. Assign

Tempo Assign

Copying a MIDI message assignment

Canceling a MIDI message assignment

Saving a memory set

Transmitting/receiving bulk data

Protecting a memory set

F8 Clock

Velocity Offset

Keyboard Port Set

H-Activity On / Off

USB MIDI Driver Mode

Startup Memory

Factory Reset

Pitch Bend Time

USB Audio Sampling Frequency

USB Audio Driver Mode

Direct Monitor On / Off

Pitch Bend Time

Modulation Setting

Problems related to the USB driver

Problems when using the PCR-1

p. 85

p. 86

p. 87

p. 88

p. 89

p. 92

p. 94 p. 94

p. 60

p. 61

p. 63

p. 65

p. 68

p. 71

p. 74

p. 77

p. 49

p. 51

p. 52 p. 52 p. 52 p. 52 p. 52

p. 59

p. 14, p. 31

p. 44

p. 9

p. 50

p. 93

p. 43

p. 46

p. 47

p. 94

p. 95 p. 95 p. 95 p. 95

p. 97

p. 96 p. 96

p. 97 p. 97 p. 97

p. 106

p. 111

7


Contents

USING THE UNIT SAFELY............... 3

IMPORTANT NOTES ........................ 4

Contents of the package ................. 6

Quick page reference table............. 7

Names of things and what they do 9

Panel ................................................................ 9

Rear Panel..................................................... 12

Setup ...................... 13

Getting Connected and Installing

Drivers (Windows) ......................... 14

Installing the driver..................................... 14

Settings and checking ................................. 26

Getting Connected and Installing

Drivers (Macintosh) ....................... 31

Mac OS X users ............................................ 31

Installing the driver ............................... 31

Setting the audio device........................ 32

Mac OS 9 users............................................. 33

Installing the PCR-1 driver................... 33

Setting the driver ................................... 34

Installing the ASIO driver .................... 38

Operation ............... 41

Basic use ........................................ 42

Basic connections......................................... 42

Audio and MIDI flow ................................. 43

Input / output devices ............................... 44

Use audio functionality ................. 46

Playing sounds on your computer............ 46

Recording sound on your computer ........ 47

Digitally recording sound from your computer....................................................... 49

Use MIDI functionality ................... 50

Table of operating modes........................... 50

Startup mode................................................ 51

Features Useful When Playing .................. 52

Setting the MIDI Transmit Channel ......... 53

Selecting Sounds on a Sound Module

(Sending Program Change / Bank Select

Massages)...................................................... 55

Transmitting a Reset message.................... 58

Changing the Memory Sets ........................ 59

Transmitting the current controller values all at once (SNAPSHOT)............................. 60

Assign MIDI messages (EDIT)................... 61

NOTE ASSIGN ....................................... 63

AFTERTOUCH ASSIGN....................... 65

CONTROL CHANGE ASSIGN ........... 68

PROGRAM CHANGE ASSIGN........... 71

RPN / NRPN ASSIGN.......................... 74

Sys Ex. ASSIGN ...................................... 77

TEMPO ASSIGN .................................... 85

Copying a MIDI message assignment

(ASSIGN COPY) .......................................... 86

Canceling a MIDI message assignment

(NO ASSIGN) .............................................. 87

Saving a memory set (SAVE) ..................... 88

Transmitting/receiving bulk data

(BULK).......................................................... 89

Protecting a memory set (PROTECT) ....... 92

System settings ............................. 93

Appendices ............. 99

Memory sets................................. 100

Troubleshooting .......................... 106

Problems related to the USB driver......... 106

Problems when using the PCR-1 ............. 111

MIDI implementation.................... 117

Main specifications...................... 122

index ............................................. 123

8

Names of things and what they do

Panel

fig.panel-1

1 Master volume knob

This adjusts the volume that is output from the headphone jack, the master output jacks.

* This does not effect the volume that is output from the digital output jacks.

2 SHIFT Button

Use this in conjunction with other buttons.

3 MEMORY / PGM CHANGE Button

Press the[MEMORY] Button

Press the [SHIFT] so it is lit, and then press the [MEMORY] .

4 MIDI CH / BANK SEL Button

Accesses memories that are stored within the PCR-1.

Transmits program change messages on the current channel.

Press the [MIDI CH] Button

Press the [SHIFT] so it is lit, and then press the [MIDI CH] .

Specifies the transmission channel ( “current channel” ) for the keyboard and bender.

Transmits bank select messages on the current channel.

5 EDIT Button

Used to assign MIDI messages to the controllers.

6 Display

Indicates the current status and various other information.

USB

DATA OUT

HEX

Lights if the PCR-1 is connected to your computer via USB.

This will blink when MIDI messages are transmitted via USB or MIDI OUT.

Lights when the value shown in the display is hexadecimal.

9


Names of things and what they do fig.panel-2

7

7 Controllers [R1] – [R8] , [S1] ( [SHIFT] + [R1] ) – [S8] ( [SHIFT] + [R8] )

You can assign MIDI messages to these controllers.

( ➝

Assign MIDI messages (EDIT) (p. 61))

When the [SHIFT] button is unlit (SHIFT OFF), these controllers correspond to [R1]--[R8]. When the button is lit (SHIFT ON), they correspond to [S1]--[S8].

12

13

15 fig.panel-3

8 9 10 11

14

8 DEC Button

Decreases the value of a setting by one (except in PLAY mode

(p. 51)).

9 INC Button

Increases the value of a setting by one (except in PLAY mode

(p. 51)).

10 HEX Button

When not in PLAY mode

(p. 51), sets the input

mode to Hexadecimal (Hexadecimal input mode).

11 DECIMAL Button

When not in PLAY mode

(p. 51), sets the input

mode to Decimal (Decimal input mode).

12 Controllers [B1] – [B6], [L1] – [L3]

You can assign MIDI messages to these controllers.(

➝

Assign MIDI messages (EDIT)

(p. 61))

16

10



13 TRANSPOSE / ENTER Button

Use [TRANSPOSE] + [OCTAVE -/+] to transpose the pitch of the keyboard in semitone steps.

Also, in any mode except PLAY mode, it functions as the [ENTER] button, which you need to press to confirm the settings you’ve made.

14 OCTAVE - / +

Press [OCTAVE - / +] to shift the pitch of the keyboard up or down in steps of an octave.

When not in PLAY mode, use these buttons to return to the previous setting item (the [BACK] button) or to cancel the setting and return to PLAY mode (the [CANCEL] button).

15 MODULATION Button

This button can be used to apply vibrato.

16 BENDER Switch

This switch can be used to modify the pitch.

11



Rear Panel

fig.rear

17 18 19 20 21 22

17 Security Slot ( )

http://www.kensington.com/

18 Input volume

This dual concentric knob adjusts the input level to input jacks L and R .

19 Input jacks (PCA Pin Type)

These are input jacks for analog audio signals. You can connect dynamic mics, guitars, or audio devices. You must set the Input select switch to the position appropriate for the device you have connected.

If you connect a guitar or mic only to the L jack or R jack, the signal will be monaural.

20 Master output jacks (PCA Pin Type)

These are analog audio output jacks. You can connect them to your external monitor speaker system.

21 Digital output jack / Headphone jack

* The same jack serves as both the headphone jack and digital output jack.

fig.hint

Optical

These are digital jacks for connecting optical cables. Digital jacks for connecting coaxial cables are labeled Coaxial.

• Use these jacks to output digital audio to a digital audio device such as a MD/DAT.

On the PCR-1, the input from the input jacks cannot be output directly to the Digital output connector.

• You can connect a set of headphones to this jack. The headphone jack will output the same signal as the master output jacks and digital output jacks. Sound will be output from the master output jacks even if headphones are connected.

22 USB connector

Use this when connecting the PCR-1 to your computer via a USB cable.

12


Setup

This section explains how to install the drivers needed for connecting the PCR-1 to a computer, and make the necessary settings.

Getting Connected and Installing Drivers (Windows) ........... (p. 14)

Getting Connected and Installing Drivers (Macintosh).......... (p. 31)

What is a driver?

A “driver” is software that transfers data between the PCR-1 and application software running on your computer, when your computer and the PCR-1 are connected by a USB cable. The driver sends data from your application to the PCR-1, and from the PCR-1 to your application.

13


Getting Connected and Installing Drivers

(Windows)

Installing the driver

The installation procedure will differ depending on your system.

Please proceed to one of the following sections, depending on the system you use.

• Windows XP users ........................................................... (p. 14)

• Windows 2000 users......................................................... (p. 20)

• Windows Me/98 users .................................................... (p. 25)

Windows XP users

1

Disconnect all USB cables except for a USB keyboard and USB mouse (if used).

2

Open the System Properties dialog box.

1.

Click the Windows start menu, and from the menu, select Control

Panel.

2.

In “Pick a category” , click “Performance and Maintenance” .

3.

In “or pick a Control Panel icon” , click the System icon.

fig.2-1

3

Click the Hardware tab, and then click [Driver Signing] .

Open the Driver Signing Options dialog box.

If you are using Windows

XP Professional, you must log on using a user name with an administrative account type (e.g.,

Administrator). For details on user accounts, please consult the system administrator of your computer.

Depending on how your system is set up, the

System icon may be displayed directly in the

Control Panel (the Classic view). In this case, doubleclick the System icon.

14

4

Make sure that “What action do you want Windows to take?” is set to

“Ignore” .

If it is set to “Ignore” , simply click [OK] .

If it is not set to “Ignore” , make a note of the current setting (“Warn” or

“Block”). Then change the setting to “Ignore” and click [OK].

If you changed “What action do you want

Windows to take?” , you must restore the previous setting after you have

installed the driver. (If you changed “What action do you want Windows to take?” (p. 18))


Getting Connected and Installing Drivers (Windows)

5

6

Click [OK] to close the System Properties dialog box.

Exit all currently running software (applications).

Also close any open windows. If you are using virus checking or similar software, be sure to exit it as well.

7

Prepare the CD-ROM.

Insert the CD-ROM into the CD-ROM drive of your computer.

8

Click the Windows start button. From the menu that appears, select

“Run...”

The “Run...” dialog box will appear.

fig.2-3_30

9

Specify the name of the file you want to execute.

Enter the following into the “Open” field, and click [OK] .

If the screen indicates

“Windows can perform the same action each time you insert a disk or connect a device with this kind of file” , click

[Cancel] .

To check the drive name

Click the Start button, and choose My Computer from the menu that appears. In the window that appears, check the drive name of the CD-ROM drive into which you inserted the

CD-ROM in step 7.

The drive name is the (D:) or (E:) displayed by the

CD-ROM drive .

(drive name) : \Driver\USB_XP2K\SETUPINF.EXE

The SetupInf dialog box will appear.

You are now ready to install the driver.

* In the explanatory example shown here, the drive name is given as “D:” . The drive name “D:” may be different for your system. Specify the drive name of your CD-

ROM drive.

10

Use the USB cable to connect the PCR-1 to your computer .

Near the task bar, your computer will indicate “Found New Hardware” .

Please wait.

11

The Found New Hardware Wizard will appear.

Select “Install from a list or specific location (Advanced)” , and click

[Next] .

This unit is equipped with a protection circuit. A brief interval (a few seconds) after connecting the USB cable is required before the unit will operate normally.

15


Getting Connected and Installing Drivers (Windows) fig.2-7_20

12

The screen will indicate “Please choose your search and installation options” .

Select “Don’t search. I will choose the driver to install” , and click

[Next] .

16

13

Make sure that the “Model” field indicates “EDIROL PCR-1 WAVE” or

“EDIROL PCR-1 MIDI” , and click [Next] . Driver installation will begin.

If the “What action do you want Windows to take?” (Step 4) setting was not set to “Ignore”, a

“Hardware Installation” dialog box will appear.

If “What action do you want Windows to take?” is set to “Warn”

A dialog box with a “!” symbol will appear.

1. Click [Continue Anyway].

2. Continue the installation.

If “What action do you want Windows to take?” is set to “Block”

A dialog box with a “x” symbol will appear.

1. Click [OK].

2. When the “Found New Hardware Wizard” appears, click [Finish].

3. Return to step 1 (p. 14) and re-install the driver from the beginning of the procedure.

14

The Insert Disk dialog box will appear.

Click [OK] .

15

The Files Needed dialog box will appear.

Input the following into the “Copy files from” field, and click [OK] .

(drive name):\DRIVER\USB_XP2K

The Insert Disk dialog may not appear. In that case, proceed to the next step.

Specify the drive name of your CD-ROM drive..

If the “What action do you want Windows to take?” (Step 4) setting was not set to “Ignore”, a








16

The screen will indicate “Completing the Found New Hardware Wizard” .

Click [Finish] .

17

The Found New Hardware Wizard will appear again.

select “Install from a list or specific location (Advanced)” , and click

[Next] .

fig.2-7_20

18

The screen will indicate “Please choose your search and installation options” .

Select “Don’t search. I will choose the driver to install” , and click

[Next] .

19

Make sure that the “Model” field indicates “EDIROL PCR-1 WAVE” or

“EDIROL PCR-1 MIDI” , and click [Next] . Driver installation will begin.







20


Click [OK] .

The Insert Disk dialog may not appear. In that case, proceed to the next step.

21



(drive name):\DRIVER\USB_XP2K Specify the drive name of your CD-ROM drive.

17









22


Click [Finish] .

Wait until “Found New Hardware” appears near the taskbar.

23

When driver installation has been completed, the System Settings Change dialog box will appear.

Click [Yes] . Windows will restart automatically.

If the System Settings

Change dialog box does not appear, restart

Windows from the Start menu.

If you changed “What action do you want Windows to take?”

If you changed the What action do you want Windows to take? (p. 14)

setting, restore the original setting after Windows restarts.

1. Log on to Windows using the user name of an administrative account

(e.g., Administrator).

2. Click the Windows start button, and from the menu that appears, select

Control Panel .

3. In “Pick a category,” click “Performance and Maintenance”.

4. In “or pick a Control Panel icon”, click the System icon. The System

Properties dialog box will appear.

5. Click the Hardware tab, and then click [Driver Signing]. The Driver

Signing Options dialog box will appear.

6. Return the What action do you want Windows to take? setting to the original setting (either “Warn” or “Block”), and click [OK].

7. Click [OK]. The System properties dialog box will close.



Control Panel (classic view). In this case, doubleclick the System icon.

This completes installation of the driver.

Next, we recommend that you enable background processing on your computer, so MIDI and audio processing will be as smooth as possible.(

➔ Enabling background processing (p. 19))

18



■

Enabling background processing

In Windows XP, make settings to enable background processing. If you fail to make this setting, you may experience interruptions in the sound. To ensure that MIDI and audio processing occurs smoothly, use the following procedure to make settings.

1


1.

Click the Windows start menu, and from the menu, select Control

Panel.

2.

In “Pick a category” , click “Performance and Maintenance” .

3.

In “or pick a Control Panel icon” , click the System icon.

2

Click the Advanced tab.

3

At the right of the Performance field, click [Settings] .

The Performance Options dialog box will appear.

4


fig.2-30a

5

In the Processor Scheduling field, select “Background services” , and click [OK] .



Control Panel (the Classic view). In this case, doubleclick the System icon.

6

In the System Properties dialog box, click [OK] .

The System Properties dialog box will close.

Next, make MIDI device and audio device settings.

(

➝Specifying the audio and MIDI input/output destination (p. 26))

19



Windows 2000 users

1


2


Click the Windows Start button, and from the menu that appears, select

Settings | Control Panel . In Control Panel , double-click the System icon.

fig.05-2_30

3

Click the Hardware tab, and then click [Driver Signing] .

The Driver Signing Options dialog box will appear.

Log on to Windows as a user with administrative privileges (such as

Administrator)

20

4

Make sure that “File signature verification” is set to “Ignore” .

If it is set to “Ignore” , simply click [OK] .

If it is not set to “Ignore”, make a note of the current setting (“Warn” or

“Block”). Then change the setting to “Ignore” and click [OK] .

5

6


7

Prepare the CD-ROM.


8



Click the Windows Start button. From the menu that appears, select

“Run...”


If you changed “File signature verification” , you must restore the previous setting after you have installed the driver.

(

➝If you changed “File signature verification” (p.

23))


Getting Connected and Installing Drivers (Windows) fig.05-5_30

9

In the dialog box that appears, input the following into the

“Open” field, and click [OK] .


In the Windows desktop, double-click the My

Computer icon. In the window that appears, check the drive name of the CD-ROM drive into which you inserted the

CD-ROM in step7.


CD-ROM drive .

10

(drive name) : \Driver\USB_XP2K\SETUPINF.EXE



* In the explanatory example shown here, the drive name is given as “D:”. The drive name “D:” may be different for your system. Specify the drive name of your CD-

ROM drive.



If the “File signature verification” (Step 4) setting was not set to “Ignore”, a “Digital Signature Not

Found” dialog box will appear.

If “File signature verification” is set to “Warn”

1. Click [Yes].


If “File signature verification” is set to “Block”

1. Click [OK].

2. When the “Found New Hardware Wizard” appears, click [Finish].

3. Return to step 1 (p. 20) and re-install the driver from the beginning of the procedure.

11


Click [OK] .

If the Insert Disk dialog box does not appear, proceed to the next step.

12



(drive name) : \DRIVER\USB_XP2K

Specify the drive name of your CD-ROM drive.

21



If the “File signature verification” (Step 4) setting was not set to “Ignore,” a “Digital Signature Not



1. Click [Yes].


13


Click [Finish] .

14

The System Settings Change dialog box will appear.


Log on to Windows as a user with administrative privileges (e.g.,

Administrator).

15

After you have logged on to Windows, the Insert Disk dialog box will appear again.Click [OK] .

16



(drive name) : \DRIVER\USB_XP2K

If the Insert Disk dialog box does not appear, proceed to the next step.

Specify the drive name of your CD-ROM drive.

If the “File signature verification” (Step 4) setting was not set to “Ignore,” a “Digital Signature Not



1. Click [Yes].


17


Click [Finish] .

If the Found New

Hardware Wizard dialog box does not appear, proceed to the next step.

22



18

The System Settings Change dialog box may appear.


If the System Settings Change dialog box does not appear, restart


If you changed “File signature verification”

If you changed the “File signature verification” (p. 20) setting, restore

the original setting after Windows restarts.

1. After Windows restarts, log in to Windows as a user with administrative privileges , (such as Administrator).

2. In the Windows desktop, right-click the My Computer icon, and from the menu that appears, select Properties. The System

Properties dialog box will appear.

3. Click the Hardware tab, and then click [Driver Signing]. The Driver

Signing Options dialog box will appear.

4. Return the “File signature verification” setting to the original setting (either “Warn” or “Block”), and click [OK].

5. Click [OK]. The System Properties dialog box will close.

If the System Settings

Change dialog box does not appear, restart



Next, we recommend that you enable background processing on your computer, so MIDI and audio processing will be as smooth as possible.

(

➔ Enabling background processing (p. 24))

23



■

Enabling background processing

In Windows 2000, make settings to enable background processing. If you fail to make this setting, you may experience interruptions in the sound. To ensure that MIDI and audio processing occurs smoothly, use the following procedure to make settings.

1


Settings | Control Panel . In Control Panel , double-click the System icon.

2


3

At the right of the Performance field, click [Performance Options] .

fig.back2000

The Performance Options dialog box will appear.

4

In the Application response field, choose “Background services” and click [OK] .

5



(


24



Windows Me/98 users

1

With the PCR-1 disconnected, start up Windows.


If you are using virus checking or similar software, be sure to exit it as well.

2



3

Prepare the CD-ROM.


4

Click the Windows Start button. From the menu that appears, select Run...

.


fig.05-13_30

5

In the dialog box that appears, input the following into the

“Open” field, and click [OK] .


In the Windows desktop, double-click the My

Computer icon. In the window that appears, check the drive name of the CD-ROM drive into which you inserted the

CD-ROM in step3.


CD-ROM drive .

(drive name) : \Driver\USB_ME98\SETUPINF.EXE



* In the explanatory example shown here, the drive name is given as “D:” . The drive name “D:” may be different for your system. Specify the drive name of your CD-

ROM drive.

6


The driver will be installed automatically.

7

In the SetupInf dialog box, click [OK] .



(


If a message recommends that you restart Windows, restart Windows as directed.

25



Settings and checking

■

Specifying the audio and MIDI input/output destination

Windows XP users

1

Open Control Panel .

Click the Windows start button, and from the menu that appears, select

Control Panel .

2

Open the Sounds and Audio Devices Properties dialog box.

In “Pick a category” click “Sound, Speech, and Audio Devices” . Next, in

“or pick a Control Panel icon” , click the sounds and Audio Devices icon.

3

Click the Audio tab.

fig.XP_J

4

For MIDI music playback , click the located at the right of [Default device]

, and select the following from the list that appears.


Sounds and Audio

Devices icon may be displayed directly in the

Control Panel (the Classic view). In this case, doubleclick the Sounds and

Audio Devices icon.

For details on the PCR-1’s input/output devices,

refer to Input / output devices (p. 44)

26

Sound playback

Sound recording

EDIROL PCR-1

EDIROL PCR-1

5

Close the Sounds and Audio Devices Properties dialog box.

Click [OK] to complete the settings.

For details on adjusting the audio latency and using

ASIO Direct Monitor, refer

to Taking full advantage

(p. 29).

This completes settings for using the PCR-1 with an application that uses the standard

Windows device settings, such as Media Player.

For details on how to make these settings, refer to the owner’s manual for your software.

For details on the PCR-1’s input/output devices, refer to Input / output devices (p. 44).



Windows 2000 / Me users

1



Settings | Control Panel .

2

Open the Sounds and Multimedia Properties .

In Control Panel , double-click the Sounds and Multimedia icon to open the

“Sounds and Multimedia Properties” dialog box.

3


fig.MEe

4

For MIDI music playback , click the located at the right of [Preferred device] , and select the following from the list that appears.

If the Sound and

Multimedia icon is not displayed, click “Show all control panel options” in the frame at the left.


refer to Input / output devices (p. 44).

Sound playback

Sound recording

EDIROL PCR-1

EDIROL PCR-1




(p. 29).

5

Close the Sounds and Audio Devices Properties dialog box.






27



Windows 98 users

1



Settings | Control Panel .

2

Open the Multimedia Properties dialog box.

In Control Panel , double-click the Multimedia icon to open the “Multimedia

Properties” dialog box.

3


fig.98_E

4

Specify the “Preferred device” .

Click the Playback field and

Recording field, make the following selections from the list that appears, and click [Apply] .

Playback

Recording

EDIROL PCR-1

EDIROL PCR-1

5

Close the Multimedia Properties dialog box.



refer to Input / output devices (p. 44)




(p. 29).





28


■

Taking full advantage

Adjusting the audio latency

You can change the driver settings to adjust the latency of the audio. To adjust the latency, change the Buffer Size in the driver settings dialog box.

3

4

1

Open the “Driver Settings” dialog box.

1.

Open “Control Panel” .

2.

Double-click “EDIROL PCR-1” icon.

The Driver Settings dialog box will appear.

2

Adjust the driver buffer size.

The following setting will produce the shortest latency.

Set “Audio Buffer Size” to the far left (Min) .

Click [OK] to close the driver settings dialog box.

Restart the application that is using the PCR-1.

5

Play back audio data on your application.


If interruptions occur in the sound, repeat step 1 to step 5, and gradually increase the buffer size specified in step 2 until interruptions no longer occur.

Latency is the time delay from when an application plays back audio data until the sound is actually heard from an audio device such as the PCR-1.

In Windows XP, click

"Switch to Classic View" to select Classic View on your computer. If you're not in Classic View, the

EDIROL PCR-1 icon won't be shown.

In Windws Me, click

"Show all Control Panel

Options.”

If you are using an application that has a function for testing audio devices, get it to perform its tests.

Depending on the application you are using, there may be a buffer size or latency adjustment function among the audio settings of the application as well. For details, refer to the operation manual for your application.

29



Using ASIO Direct Monitor

If the PCR-1's DIRECT MONITOR ON / OFF

setting (p. 97) is

AUTO , you can control the PCR-1's Direct Monitor settings from your ASIO 2.0 compatible software.

1


1.

Open the “Control Panel”

2.

Double-click “EDIROL PCR-1” icon.

The Driver Settings dialog box will appear.

2

Make the following settings.

Check the “Use ASIO Direct Monitor” check box.

3


In Windows XP, click

“Switch to classic view” to switch the display to the classic view. EDIROL

PCR-1 icon will not be displayed unless the classic view is selected.

In Windows Me, click

“View all Control Panel options.”

When using ASIO Direct

Monitor , monitoring may switch on/off at unexpected times, depending on the application settings and on the recording procedure. If this occurs, uncheck the check box in step 2 to disable ASIO Direct

Monitor .

Depending on your application, there may also be an ASIO Direct

Monitor setting among the audio settings of your application. For details, refer to the operation manual for your application.

30


Getting Connected and Installing Drivers

(Macintosh)

The installation procedure will differ depending on your system.

Please proceed to one of the following sections, depending on the system you use.

• Mac OS X users ................................................................. (p. 31)

• Mac OS 9 users .................................................................. (p. 33)

Mac OS X users

■

Installing the driver

1

Disconnect all USB cables other than those for your keyboard and mouse, and restart your Macintosh.

2

Prepare the CD-ROM.


3

In the Driver (Mac OS X) folder of the CD-ROM, double-click

PCR1USBDriver.pkg.

4

The display will indicate “Welcome to the EDIROL PCR-1 USB Driver

Installer” . Click [Continue] .

5

The display will indicate “Select a Destination” .

Click the drive in which the operating system is installed to select it, and then click [Continue] .

6

The display will indicate “Easy Install” .

Click Install or Upgrade .

7

The display will indicate “Installing this software requires you to restart your computer when the installation is done” .

Click [Continue Installation] .

8

The display will indicate “The software was successfully installed” .

Click [Restart] to restart your computer.

This completes installation of the PCR-1 driver.

9


If the “Authenticate” dialog box appears during the installation, input the password and click “OK.”

Select your startup disk as the drive.

If the “Authenticate” dialog box appears during the installation, input the password and click “OK.”

31


Getting Connected and Installing Drivers (Macintosh)

■

Setting the audio device

1

2


Open “System Preferences” and click “Sound” .

3

In the Sound Effects tab, set “Play alerts and sound effects through” to

“EDIROL PCR-1 44.1 kHz” .

4

In the Output tab, set “Choose a device for sound output” to “EDIROL

PCR-1 44.1 kHz” .

5

In the Input tab, set “Choose a device for sound input” to “EDIROL PCR-

1 44.1 kHz” .

When you have finished making settings, close the dialog box.

* You'll need to make MIDI device settings within the sequencer you're using. For details, refer to the owner's manual for your sequencer software.

This unit is equipped with a protection circuit. A brief interval (a few seconds) after connecting USB cable is required before the unit will operate normally.

Although “44.1 kHz” is used for the purpose of explanation within this document, this changes depending on the actual setting of the sampling frequency select on your

PCR-1 (p. 96).

Once set this way, all sounds from your

Macintosh (including audio alerts) will be output only through the PCR-1, not from the speakers of your Macintosh.

When using the PCR-1 with your software

Before using the PCR-1 with your software, please note the following points.

• Use the USB cable to connect the PCR-1 to your computer before you start up your software.

• Do not disconnect the USB cable from the PCR-1 while your software is running.

• Quit your software before you disconnect the USB cable from the PCR-1.

• Turn off the Sleep function of your Macintosh.

• The PCR-1 will not operate in the Mac OS X Classic environment. Use the PCR-1 when the

Classic environment is not running.



32



Mac OS 9 users

■

Installing the PCR-1 driver

Use either OMS or FreeMIDI as the MIDI driver.

The included PCR-1 driver is an add-on module for using the PCR-1 with OMS or FreeMIDI.

* Either OMS or FreeMIDI must be installed in your Macintosh, as appropriate for the sequencer software you are using.

OMS can be found in the

OMS 2.3.8 E folder within the OMS (Mac OS 9) folder of the CD-ROM. If you would like to know more about OMS, refer to

OMS_2.3_Mac.pdf

which can be found in the same folder.

If a PCR-1 is already connected to your Macintosh when you install the driver, a message like the following will appear when the Macintosh is started up.

Perform the steps described below as appropriate for the message that is displayed.

If the screen indicates:

“Software needed for the USB device “PCR-1” is not available. Would you like to look for the software on the Internet?” → click [Cancel].

If the screen indicates:

“The software needed to use the USB device “PCR-1” cannot be found.

Please refer to the device documentation to install the necessary software”.

→ click [OK].

1

Use the following procedure to install the PCR-1 driver.


If you are using a virus checker or similar software, be sure to exit this as well.

2

Prepare the CD-ROM.Insert the CD-ROM into the CD-ROM drive.

3

Double-click the PCR-1 Driver-E Installer icon (found in the Driver E (Mac

OS 9) folder of the CD-ROM) to start up the installer.

4 fig.05-20

5

Verify the Install Location , and click [Install] .

If a message like the following is displayed, click [Continue] .

The other currently running applications will exit, and installation will continue.

6

A dialog box will indicate Installation was successful .

Click [Restart] to restart your Macintosh.

If you install OMS or

FreeMIDI after installing the PCR-1 driver, you must install the PCR-1 driver once again.

Disconnect the PCR-1 from the Macintosh before you perform the installation.

The installation location will be shown differently depending on your system. Make sure that you have selected the startup disk for the system you are currently using.

33



■

Setting the driver

If you are using FreeMIDI, proceed to FreeMIDI settings (p. 36).

OMS settings

1


fig.3-3

2

From the CD-ROM, drag the Driver E (Mac OS 9) - OMS

Setting folder into the Opcode - OMS Applications folder on the hard disk of your Macintosh to copy it there.

fig.3-4

3

In the Opcode - OMS Applications folder where you installed OMS, double-click OMS Setup to start it up.

fig.3-5_35

4

If a dialog box like the one shown here appears, click [Turn It Off] . A confirmation dialog box will then appear, so click [OK] .

fig.3-6_35

5

The Create a New Studio Setup dialog box will appear. Click

[Cancel] .

If you accidentally clicked [OK] , click

[Cancel] in the next screen.


If you are using the PCR-1 in conjunction with other

MIDI devices, make settings as described in

Readme_E.htm

located in the Driver E (Mac OS 9) folder of the CD-ROM.

We recommend that you turn off AppleTalk, by selecting Chooser from the

Apple menu.

34


Getting Connected and Installing Drivers (Macintosh) fig.3-8_35

6

Choose “Open” from the File menu.

From the OMS Setting folder that you copied in step 3 , select the PCR-

1 file, and click [Open] .

A screen like the one shown here will appear.

fig.3-9_35

7

From the Edit menu, select OMS

MIDI Setup .

In the OMS MIDI Setup dialog box that appears, check Run MIDI in background , and click [OK] .

fig.3-10_40

8

From the File menu, choose Make

Current .

* If you are unable to select Make

Current , it has already been applied, and you may continue to the next step.

A diamond mark (

◊) indicate in the settings are enabled.

9

Verify that MIDI transmission and reception can be performed correctly. From the Studio menu, choose Test

Studio .

fig.OMS3

10

Try moving the fader of the PCR-1.

If the arrow beside number 1 or 2 in the diagram at right blinks, the settings have been made correctly.



35



11

Exit OMS Setup .

From the File menu, choose [Exit] . If the AppleTalk confirmation dialog box appears, click [OK] to close the dialog box.


Next, make MIDI device settings in your sequencer or other software.


For details on the PCR-1’s input / output devices, refer to Input / output devices (p. 44).

FreeMIDI settings

1


2

From the CD-ROM, drag the Driver E (Mac OS 9) - FreeMIDI Setting folder into the FreeMIDI Applications folder on the hard disk of your Macintosh to copy it there.

3

Open the FreeMIDI Applications folder from the location into which you installed FreeMIDI , and double-click the FreeMIDI Setup icon to start it up.

4

The first time you start up, use the following procedure.

1.

A dialog box saying “Welcome to FreeMIDI!” will appear.

Click [Continue] .

2.

The FreeMIDI Preferences dialog box will appear.

Click [Cancel] .

3.

The About Quick Setup dialog box will appear.

Click [Cancel] .


If you are using the PCR-1 in conjunction with other

MIDI devices, make settings as described in

Readme_E.htm

located in the Driver E (Mac OS 9) folder of the CD-ROM.

When “OMS is installed on this computer...” appears, click [FreeMIDI].

36



5

From the File menu, choose Open .

6

Select PCR-1 from the FreeMIDI Setting folder you copied in step 3 , and click [Open] .

7

Verify that MIDI transmission and reception occur correctly.

From the MIDI menu, choose Check Connections .

fig.FreeMIDI_40

8

Try moving the fader of the PCR-1.

If the number 1 or 2 in the diagram at right blinks, the settings have been made correctly.

If you are unable to select

Open , make settings as follows.

1.From the File menu, choose FreeMIDI

Preference .

2.Uncheck “Use OMS when available.”

3. Close FreeMIDI.

4. Return to step 4 and continue the procedure.



9

Once again choose the MIDI menu command Check Connections to end the test.

10

From the File menu, choose Quit to exit FreeMIDI Setup .


Next, make MIDI device settings in your sequencer or other software.



37



■

Installing the ASIO driver

You must install the PCR-1 driver even if you will be using only audio on the

PCR-1. Be sure to install the PCR-1 driver before you install the ASIO driver.

( ➔

Installing the PCR-1 driver (p. 33))

This section explains how to install the ASIO driver that allows the PCR-1 to be used by your sequencer software or audio editing software.

For details on installation and settings of the ASIO driver, be sure to also read the Driver E (Mac OS 9) - Readme_E.htm

document on the CD-ROM.

The PCR-1 cannot play back audio data from the Macintosh’s sound manager (such as audio CDs and alert sounds).

ASIO (Steinberg Audio

Stream In/Out Interface)

This is an audio interface standard promoted by the

Steinberg Corporation.

When the PCR-1 is used with ASIO-compatible software, the synchronization precision will be improved, allowing a more sophisticated music production environment.

The ASIO driver of the PCR-1 supports the following audio input/output channels.

• Audio input ........ 24/16 bit 1 stereo ch. (2 monaural chs.)

• Audio output ...... 24/16 bit 1 stereo ch. (2 monaural chs.)

Here we will explain how to install the ASIO 1.0 16 bit-compatible driver.

If your ASIO-compatible software supports ASIO 2.0 or recording/ playback of 24 bit audio data, using the following drivers will provide a higher quality environment.

ASIO-compatible software

ASIO2.0-compatible

✕

✕

❍

❍

24 bit compatible

✕

❍

✕

❍

Driver to use

PCR-1 ASIO 1.0 16 bit




1

From the Driver E (Mac OS 9) - ASIO folder of the CD-ROM, copy [PCR-1

ASIO1.0 16bit] to the ASIO Drivers folder of the ASIO-compatible software you are using (e.g., Cubase VST, Logic Audio, Digital Performer, Metro, or

SPARK LE).

2

Start up your ASIO-compatible software.

The Audio setting dialog box will be named differently depending on your software. For details refer to the manual of your software.

38

3

Open the Audio setting dialog box of your ASIO-compatible software, and select [PCR-1 ASIO1.0 16bit] as the ASIO Device .




(p. 39).



■

Taking full advantage

Adjusting the audio latency

You can change the driver settings to adjust the latency of the audio. To adjust the latency, change the Buffer Size in the driver settings dialog box.

1


Open the ASIO Control Panel from the Audio Settings dialog box of your

ASIO-compatible application.

2

Adjust the driver buffer size.

The following setting will produce the shortest latency.

Set “Buffer Size” to the far left (Min).

3


Latency is the time delay from when an application plays back audio data until the sound is actually heard from an audio device such as the PCR-1.

The name of the Audio

Settings dialog box and the procedure for opening the

ASIO Control Panel will differ depending on your application. For details, refer to the operation manual for your application.

4

5

Restart the application that is using the PCR-1.

Play back audio data on your application.

If you are using an application that has a function for testing audio devices, get it to perform its tests.

If interruptions occur in the sound, repeat step 1 to step 5, and gradually increase the buffer size specified in step 2 until interruptions no longer occur.

Depending on the application you are using, there may be a buffer size or latency adjustment function among the audio settings of the application as well. For details, refer to the operation manual for your application.

39



Using ASIO Direct Monitor

If the PCR-1's DIRECT MONITOR ON / OFF

setting (p. 97) is

AUTO , you can control the PCR-1's Direct Monitor settings from your ASIO 2.0 compatible software.

1


Open the ASIO Control Panel from the Audio Settings dialog box of your

ASIO-compatible application.

2

Check the “Use ASIO Direct Monitor” check box.

3


The name of the Audio

Settings dialog box and the procedure for opening the

ASIO Control Panel will differ depending on your application. For details, refer to the operation manual for your application.

When using ASIO Direct

Monitor , monitoring may switch on/off at unexpected times, depending on the application settings and on the recording procedure. If this occurs, uncheck the check box in step 2 to disable ASIO Direct

Monitor .

Depending on your application, there may also be an ASIO Direct

Monitor setting among the audio settings of your application. For details, refer to the operation manual for your application.

40


Operation

The PCR-1 is a controller that transmits MIDI messages. You cannot perform using only the

PCR-1 by itself. You will need to connect it to a sound module or computer.

The various controllers ( [R1–R8] , [S1–S8] , [B1–B6] , [L1–L3] ) can be assigned almost any message you want to get the control you need for your particular setup. For details on the

messages that can be assigned, refer to Assign MIDI messages (EDIT) (p. 61).

41

Basic use

Basic connections

fig.connect-basic

42

* To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections.

If you connect as shown in the diagram, you will be able to monitor the playback from your software or the sound from instruments or audio devices connected to the PCR-1.


Basic use

Audio and MIDI flow

■

Audio flow (Block diagram)

fig.diagram

USB

INPUT

LEVEL

AUDIO INPUT

MASTER

VOLUME

DIRECT MONITOR(p.97)

■

MIDI flow

When using a USB connection

fig.flow-usb

PC

MIDI OUT DEVICE

EDIROL PCR-1

USB

PCR-1

BULK RECEPTION

MIDI IN DEVICE

EDIROL PCR-1 1

EDIROL PCR 1 2

PORT 1

PORT 2 /

BULK TRANSMISSION

* For an explanation of the items in the diagram, refer to

Input / output devices (p. 44).

* For details on the actual operation, refer to

Use MIDI functionality (p. 50).

DIGITAL OUT(OPTICAL)

AUDIO OUTPUT

PHONES

43


Basic use

Input / output devices

In order to obtain the best performance from your software, you must make the appropriate input/output device settings.

For details on these settings, refer to the owner’s manual for your software.

* If you are unable to select the PCR-1 in the device settings for your software, it is possible that the PCR-

1 driver was not installed correctly. Please reinstall the driver.

Audio Devices

Audio output device

EDIROL PCR-1

This sends audio signals from your computer to the PCR-1. If you are using Media Player you will normally choose this. You should also use this if you are using an application such as SONAR in WDM driver mode or a Direct Sound application.

MME EDIROL PCR-1 Out

This sends audio signals from your computer to the PCR-1. Use this if you are using an application that does not have a WDM driver mode, or if you want to use 24-bit audio with a non-ASIO application .

* Windows XP/2000 only

Audio input devices

EDIROL PCR-1

This receives audio signals sent from the PCR-1 to your computer. Normally, you should use this. You should also use this when using an application such as SONAR in WDM driver mode.

MME EDIROL PCR-1 In

This receives audio signals sent from the PCR-1 to your computer. Use this if you are using an application that does not have a WDM driver mode, or if you want to use 24-bit audio with a non-ASIO application .

ASIO device

EDIROL PCR-1

* Windows XP/2000 only

Select “EDIROL PCR-1” as the ASIO setting for your application if you are using the

PCR-1 with an ASIO application such as Cubase.

* To prevent audio loops from causing oscillation or double monitoring, turn monitoring off in your application or use the ASIO Direct Monitor setting.

MIDI Devices

MIDI OUT device

PCR-1 (Mac OS 9: PCR-1 1)

MIDI IN device

This is the bulk reception port. When receiving bulk data into the PCR-1, select PCR-1 as the output port for your sequencer software or other program.

PCR-1 1

PCR-1 2

These ports receive messages from the keyboard, bender switch, and controllers.

The port assignment determines how the keyboard, bender switch, and controllers are mapped to PCR-1 1 or PCR-1 2 .

You may find it convenient to select PCR-1 1 for messages used for real-time performance on a software synthesizer or for recording on a sequencer track, and select PCR-1

2 for messages used to control a sequencer (e.g., sequencer start/stop, or track fader control).

PCR-1 2 is also the bulk transmission port. When transmitting bulk data from the PCR-

1 , select PCR-1 2 as the input port for your sequencer software.

44

Basic use

Two MIDI ports

Some sequencer software that supports MIDI controllers lets you independently specify the MIDI input port used for recording MIDI tracks (the “MIDI IN port”) and the MIDI input port used to control the software (the “CTRL IN port”).

fig.midi-port.e

Sequencer software

Track

Track

Record on tracks

THRU

Normally, you will connect your MIDI keyboard to the

MIDI IN port, and use it for recording your performance on tracks or using the MIDI Thru function of your software to play sound modules or

MIDI IN port

PCR-1

Software synthesizer

MIDI OUT port

MIDI sound module

CTRL IN port soft synthesizers. The MIDI messages sent here have the meaning that is assigned to them by the MIDI specification. In other words, when you play the keyboard, note messages will be transmitted and recorded on the track, and the sound module that receives these messages will produce sound.

fig.midi-port2.e

In contrast, the data received from the CTRL IN port is used to operate your software in the same way as data from your computer’s mouse or keyboard; it will not be recorded on the tracks or “thru-ed” to your sound module or soft synthesizer. The MIDI messages sent here are interpreted in a completely different way than defined in the MIDI specification.

For this reason, messages that are input from the CTRL

IN port are not normally “thru-ed” to your sound module or soft synthesizer.

For example, even if you play your keyboard to send a note-on message, the software that receives this message will not produce a note; instead, it might interpret this message as meaning that the PLAY/

STOP button had been pressed.

The actual operation that will occur will depend on the software you are using.

fig.midi-port3.e

Since the same MIDI message can be interpreted in completely different ways, as described above, the software lets you specify the MIDI IN port and CTRL

IN port separately so that the two types can be distinguished.

When the PCR-1 is connected via USB, you can select either of the two MIDI ports (PCR-1 1, PCR-1 2) as the output destination for MIDI messages produced by the faders, knobs, and buttons of the PCR-1.

In other words, by assigning “PCR-1 1” as your software’s MIDI IN port and “PCR-1 2” as its CTRL IN port, you can do things like using the button operations to control mixer operations in your software while using the knobs to edit your software synthesizer.

The output destination of the MIDI messages transmitted when you operate the PCR-1’s knobs, and

buttons can be specified separately for each controller. (Assign MIDI messages (EDIT) (p. 61))

45


Use audio functionality

In order to play sounds on your computer from the PCR-1, you will need to first install the driver and make device settings. (

➝Windows (p. 14) , Macintosh (p. 31)

You must also turn on the PCR-1’s USB Audio functionality. (

➝USB AUDIO ON/OFF (p. 96))

Playing sounds on your computer

Here’s how you can listen to audio playback from your computer from the PCR-1 or headphones connected to the PCR-1. Play back audio data (e.g., .WAV data). fig.connect-play

USB cable

46

Headphones

Signal flow

Audio cable

OUTPUT

External input jacks

(AUX IN, LINE IN)

Stereo set,

Monitor speakers, etc.

* You will no longer hear sound from the internal speaker of your computer.

* The PCR-1 is not equipped with its own MIDI sound generator. This means that MIDI data from your computer cannot be played by the PCR-1.

* If the sampling frequency is set to 96 kHz REC, you will not hear the playback sound from your application .( ➝

USB AUDIO MODE SETTING

(p. 96))

* Some connection cables contain a resistor. Do not use a cable with a built-in resistor to connect with the

PCR-1. Doing so may make the sound extremely weak, or inaudible. Use the cable without a built-in resistor (eg.,Roland PCS series).

To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections.

Use audio functionality

Recording sound on your computer (using your application to record sound from external audio device)

fig.PCrec

Setting

• Use the

Input volume (p. 12) to adjust the input level.Check the input level on the application

that you using.

• You must set the PCR-1’s sample rate to match the sampling frequency used by your application.( ➝ USB AUDIO MODE SETTING

(p. 96))

In order for the sampling frequency setting to take effect, you exit applications and disconnect the USB cable from the PCR-1, then connect it again.

• If Direct Monitor

(p. 97) is ON, the signal input through the audio input jacks will be output

from the headphone jack and the master output jacks. is ON, use the Master volume knob (p.

9) to adjust the monitor level.

* Adjusting the monitor level will not change the recording level.

47


Don’t connect anything to input jacks you are not using.

Howling could be produced depending on the location of microphones relative to speakers.

This can be remedied by:

1.Changing the orientation of the microphone (s)/ 2.Relocating microphone (s) at a greater distance from speakers/ 3.Lowering volume levels.

fig.loop

Be careful of looped connections

Example of loop connecttion

INPUT

LINE OUT

Audio amp

(Cassette deck,

Record Player)

OUTPUT LINE IN

If the PCR-1 is connected as shown above to a device that outputs (“thru-s”) the input audio

(such as a cassette player that is in recording mode), turning on the Input monitor switch will cause the sound to loop between the PCR-1 and the other device, causing oscillation and producing an unexpectedly high volume. Be aware that such connections may cause the system to malfunction, or your speakers to be damaged.

48


Digitally recording sound from your computer

fig.digital.e

Connections

Use an optical digital cable to connect your recording device to the Digital output jack .

* Signals input through the PCR-1's input jacks cannot be directly output from the digital output jack.

The digital output jack always outputs only the audio signal that is being sent from the computer.

Setting the Sampling frequency

Set your audio playback software, the PCR-1, and your digital recording device (e.g., MD or

DAT) to the same sampling frequency

(p. 96).

Whenever you’ve changed the sampling frequency, you must exit any applications you are using, disconnect the USB cable from the PCR-1, then connect it again.

* The PCR-1 does not support professional digital audio formats.

Don’t connect anything to input jacks you are not using.

49

Use MIDI functionality

Table of operating modes

You can switch modes at any time, as shown below.

Mode

PLAY mode

(p. 51)

Switching modes

When you turn on the power, the PCR-1 will start up in PLAY mode.

MIDI Channel mode

(MIDI CH)

(p. 53)

Press the [MIDI CH] .

Explanation

Transmit MIDI messages by playing the keyboard or operating the controllers.

Set the transmit channel

( current channel

p. 53)

for the keyboard and bender lever.

Program Change mode

(PROGRAM CHANGE)

(p. 56)

Press the [SHIFT] so it is lit, and then press the [PGM

CHANGE] .

Bank mode

(BANK)

(p. 57)

Press the [SHIFT] so it is lit, and then press the [BANK

SEL] .

Transmit program change messages on the current channel

(p. 53).

Transmit bank select messages (MSB, LSB) on the current channel

(p. 53).

Panic mode

(PANIC)

(p. 58)

Simultaneously,

Press the [MIDI CH] and the [EDIT] .

Stop “stuck” notes or other problems with the sound on a connected

MIDI sound module.

Memory mode

(MEMORY)

(p. 59)

Press the [MEMORY

] .

Recall a memory set from internal memory into the current memory

(p. 88).

Snapshot mode

(SNAPSHOT)

(p. 60)

Simultaneously,

Press the [MEMO-

RY] and the [MIDI

CH]

Transmit the current values of controllers ( [R1–

R8] or [S1–S8] ) at once.

Edit mode

(EDIT)

(p. 61)

Press the [EDIT] .

Assign MIDI messages to the controllers, transmit/ receive bulk data, or make system settings.

You are returned to Play mode once a setting or a process has been completed within the other modes. If you want to return to Play mode without completing a setting or operation, press the button for the current mode (i.e., the button that is lit). Alternatively, press the [CANCEL] button. The setting you were in the process of making will be discarded.

50

Startup mode

fig.connect-out1

Use MIDI functionality

PLAY mode

When you power up the PCR-1, it will start up in PLAY mode.

In PLAY mode, playing the keyboard will transmit note messages to play the connected MIDI device.

The display will show the current channel

(p. 53).

In PLAY mode, you can play the keyboard to produce sound on a connected sound module, and also use various other functions, such as operating the bender switch to change the pitch of the currently sounding note (Pitch Bend), using the modulation button to add vibrato

(Modulation), or switching the octave (Octave Shift).

In order to send MIDI messages from the PCR-1 to your application, perform the following steps.

1

Set the MIDI channel the PCR-1 will use to transmit to the same channel on the application is using to receive on.

Use MIDI Channel mode to set the MIDI transmit channel .

( ➝

MIDI Channel mode (MIDI CH) (p. 53)).

2

Select a sound on your MIDI sound module .

( ➝

”Selecting Sounds on a Sound Module”

(p. 55)).

3

Once you have finished making settings, try playing the keyboard.

When you play the keyboard in PLAY mode , MIDI messages are sent to the application.

* Since the PCR-1 does not contain a sound generator, you cannot play MIDI data using the PCR-1 alone.

51



Features Useful When Playing

Applying Pitch

Changes to Notes

(Pitch Bend)

Modifying the Sound of Notes

(Modulation)

Changing Octaves

(Octave Shift)

Transpose the Pitch of the Keyboard

(Transpose)

Move the BENDER Switch (left or right) to transmit Pitch Bend messages, and apply subtle pitch changes to notes.

PITCH BEND TIME

(p. 97) specifies the time it is to take for the

pitch bend to reach its maximum after the bender switch has been pressed.

* The amount of pitch change ("bend range") depends on the settings of your sound module.

Pressing the Modulation Button will transmit Modulation messages, changing the sound in real time (usually by adding a vibrato effect).

MODULATION SETTING

(p. 97) specifies the value of the

Modulation message

(CC#01) transmitted when you press the Modulation Button .

* The type of change this produces in the sound depends on the settings of your sound module.

You can press [OCTAVE -] or [OCTAVE +] to raise or lower the pitch range of the keyboard (the Octave Shift function). This lets you play a wider range of notes than would normally be accessible from the 25 keys.

Press [OCTAVE -] once to lower the pitch range one octave. Press it once again to lower the range an additional octave. Permissible settings for this range from

-4 to 5 octaves.

* [OCTAVE -] setting.

or [OCTAVE +] will light according to the current Octave Shift

* If you simultaneously press [OCTAVE -] and [OCTAVE +] , the Octave Shift setting will be reset to 0, restoring the normal pitch range of the keyboard.

You can press [TRANSPOSE] + [OCTAVE +] or [TRANSPOSE] + [OCTAVE -] to transpose the keyboard in semitone steps (the Transpose function).

You can transpose the pitch in a range of -12–12 (semitones).

* If you press and hold [TRANSPOSE] , [OCTAVE -] or [OCTAVE +] will light according to the current Transpose setting.

* If you hold down [TRANSPOSE] and simultaneously press [OCTAVE -] and

[OCTAVE +] , the Transpose setting will be reset to 0.

fig.MEMO

While playing the keyboard, move the Bender Switch to the left to lower the pitch of the currently selected patch, or to the right to raise its pitch. This is known as pitch bend .

You can also apply vibrato by gently pressing the Modulation button. This is known as modulation .

If you press the Modulation Button and the same time move Bender Switch to the right or left, you can apply both effects at once.

Octave Shift and Transpose can be set independently.

To switch the PCR-1 to PLAY mode...

The PCR-1 will automatically start up in PLAY mode when you connect the PCR-1 to your computer by USB cable.

To return to PLAY mode from another mode ( ➝

Setting the MIDI Transmit Channel (p. 53)),

press the button of the current mode (i.e., the button that is lit).

Alternatively, you can press the [CANCEL] button. In this case, the setting you had been making will be cancelled.

52



* The setting will be cancelled if you press another button instead of the [ENTER] button.

OMNI

If you turn the Omni setting ON, all messages will be transmitted on the current channel regardless of the channel that is specified for each controller.

Also, all messages will be transmitted to the KEYBOARD PORT SET (p. 94) regardless of the

port that is specified for each controller.

fig.edt

1. Press the [EDIT] button.

The display will indicate “EDT”.

fig.omn

2. Press the [OMNI] key.

The display will blink “OMN”.

3. Confirm what’s indicated and press the [ENTER] button.

4. The display will show the current setting.

0 OMNI OFF

Messages will be transmitted on the channel and port specified for each controller.

1 OMNI ON

Messages will be transmitted on the current channel from the

Keyboard Port, regardless of the channel and port specified for each controller.

5. Use the [DEC] [INC] buttons or the [0] or [1] keys to select the mode.

6. Press the [ENTER] button.

Setting the input mode

fig.hexdec

If you are not in Play mode, you can use one of two ways to input a numerical value into the PCR-1; Decimal input mode or Hexadecimal input mode.

If you want to input decimal numbers, press the [DECIMAL] button. If you want to input hexadecimal numbers, press the [HEX] button. When you connect the PCR-1 to your computer by USB cable, the PCR-1 will start up in

Decimal mode.

Decimal and hexadecimal numbers correspond as follows.

Decimal:0–127

Hexadecimal:00–7F

However, for MIDI CH and PROGRAM CHANGE, the values are as follows.

MIDI CH

PROGRAM CHANGE

Decimal

1–16

1–128

Hexadecimal

00–0F

00-7F

* Normally, the display will show three digits when using Decimal input mode. For this reason, there will be no indication of the parameter you are now inputting, and you may lose track of what you are doing.

If this occurs, you can temporarily switch back to Hexadecimal mode to check the parameter you are inputting. Then switch back to Decimal mode and continue.

54



Selecting Sounds on a Sound Module

(Sending Program Change / Bank Select Massages)

To select a sound on your MIDI sound module, transmit a Program Change in Program

Change mode .

To select a sound from a different bank, first use Bank mode to transmit a Bank Select message that switches the bank. Then transmit a program change.

* You must send the Bank Select message before sending the Program Change message.

What is a bank?

MIDI sound modules organize their numerous sounds in various groups according to the category of sound.

These groups are called “banks.”

Program Change messages can only select sounds within the same bank, but by using these in conjunction with Bank Select messages, you can select different variations of sound.

* The way in which sounds are organized will differ for each sound module. For details, refer to the owner’s manual of the sound module you are using.

•

Program Change Mode (PROGRAM CHANGE) (p. 56)

•

Bank mode (BANK) (p. 57)

55


Program Change Mode (PROGRAM CHANGE)

This mode lets you transmit a program change message on the current channel

(p. 53).

fig.PC-1_90

56

fig.program

1

Press the [SHIFT] button so it is lit.

2

Press the [PGM CHANGE] button.

The [PGM CHANGE] button will light. The display will indicate the program change that was transmitted most recently.

* The [HEX] or [DECIMAL]

button will also light according to the input mode (p. 54).

1Use the [DEC] [INC] buttons or the [0] – [F] keys of the keyboard to specify the program change you want to transmit.

DEC Change the current value by -1

3

Press the [ENTER] button.

The program change has now been transmitted.

The setting will be cancelled if you press another button instead of the [ENTER] button.


Bank mode (BANK)

This mode lets you transmit a bank select (MSB, LSB) message on the current channel . The program change message you most recently transmitted (specified) in Program Change mode

(p. 56) will also be transmitted following the bank select message.

fig.BANK2_90

fig.bank

1

Press the [SHIFT] button so it is lit.

2

Press the [BANK SEL] button.

The [BANK SEL] will light. The display will indicate the most recently transmitted bank select (MSB) value.

* The [HEX] or [DECIMAL]

button will also light according to the input mode (p. 54).

fig.BANK-2

3

First, specify the bank select MSB (CC#00).

Use the [DEC] [INC] buttons or the [0] – [F] keys of the keyboard to specify the bank select MSB that you want to transmit.

4



fig.BANK-3

5

Next, specify the bank select LSB (CC#32).

The display will indicate the most recently transmitted bank select (LSB) value.

Use the [DEC] [INC] buttons or the [0] – [F] keys of the keyboard to specify the bank select LSB that you want to transmit.

6


The bank select has now been transmitted.


57



Transmitting a Reset message

(What to do if there are “stuck” MIDI notes)

If notes on a connected MIDI sound module become “stuck”, or if there is something wrong with the sound, you can execute the Panic function to solve the problem.

When you execute the Panic function, All sound off , All notes off , and Reset all controllers messages will be transmitted on all channels.

Panic Mode (PANIC)

fig.panic2_90

1

2 fig.panic

1

Simultaneously press the [MIDI CH] button and [EDIT] button.

The [MIDI CH] button and [EDIT] button will light.

2


The [MIDI CH] button and [EDIT] button will blink several times.

The Panic function has now been executed.

58



Changing the Memory Sets

When the PCR-1 is shipped, its internal memory contains sixteen different settings. For details

on the contents of each memory number, refer to Memory sets (p. 100).

You will use Memory mode to change the Memory sets.

Memory mode (MEMORY)

fig.memory2_90

2 1

3 fig.memory

1

Press the [MEMORY] button.

The [MEMORY] button will light. The display will indicate the memory number that you selected most recently.

2

Use the [DEC] [INC] buttons or the [0] – [F] keys of the keyboard to specify the memory number that you want to recall.

3


The memory has now been recalled.


For details on customizing (editing) the controller settings, refer to Assign MIDI messages

(EDIT) (p. 61).

If you edit the controller settings of a memory you recall, and want to keep your changes, you

must save the memory before powering down the PCR-1. For the procedure, refer to Saving a memory set (SAVE) (p. 88).

59


Transmitting the current controller values all at once (SNAPSHOT)

Once you have set the various controllers to the desired settings, you can transmit a detailed description of this state in the form of a “snapshot”. When you execute this function, the current values of the controllers [R1–R8] or [S1–S8] will be transmitted.

* When the [SHIFT] button is off, [R1–R8] will be transmitted. When the [SHIFT] button is on, [S1–

S8] will be transmitted.

fig.MEMO

This is convenient when you want to record the state of these controllers together at the beginning of a song in your sequencer, as the initial values.

Snapshot mode (SNAPSHOT)

fig.snap2_90

60

fig.snap

1

Simultaneously press the [MEMORY] button and the [MIDI CH] button.

The [MEMORY] and [MIDI CH] buttons will light.

2


The [MEMORY] button and [MIDI CH] button will blink several times.

The snapshot will be transmitted.


Assign MIDI messages (EDIT)

You can assign the following functions to a controller.

You will use Edit mode to assign MIDI messages.

NOTE

AFTERTOUCH

CONTROL CHANGE

PROGRAM CHANGE

RPN

NRPN

Sys Ex

TEMPO (20-250)

NOTE ASSIGN (p. 63)

AFTERTOUCH ASSIGN (p. 65)

CONTROL CHANGE ASSIGN (p. 68)

PROGRAM CHANGE ASSIGN (p. 71)

RPN / NRPN ASSIGN (p. 74)

RPN / NRPN ASSIGN (p. 74)

Sys Ex. ASSIGN (p. 77)

TEMPO ASSIGN (p. 85)

You can copy assigned messages to another controller, or cancel an assignment. For details, refer to

Copying a MIDI message assignment

(ASSIGN COPY) (p. 86) or

Canceling a MIDI message assignment

(NO ASSIGN) (p. 87).

* If you want to assign a single-byte system message (system realtime message, tune request) or a freely specified message of up to 24 bytes, refer to

Sys Ex. ASSIGN (p. 77).

Edit mode ( EDIT )

fig.EDIT2_90

61



Specifying the button mode

When you make Assign settings (p. 61) in Edit mode to assign a message to a button, you must

specify the operating mode of the button (button mode).

When you use a button as a controller, turning the button on will transmit the maximum specified value, and turning it off will transmit the minimum value.

1. Press the [0] or [1] key to select either Latch mode or Toggle mode.

0

1

Latch mode

Toggle mode

The setting will turn on when you press the button, and off when you release it. The button will remain lit while you are pressing it.

The setting will alternate on/off each time you press the button. The button will light when an On message is transmitted, and will go dark when an Off message is transmitted.


Specifying the port

When you are making Assign settings (p. 61) in Edit mode and have selected Advanced mode,

you must specify the USB port to which the message assigned to the controller will be sent when using a USB connection.

1. Press a key [1] – [3] to select the port.

1

2

PORT 1

PORT 2

Messages will be sent to “PCR-1 1”

Messages will be sent to “PCR-1 2”

3 PORT 1, 2 Messages will be sent to both “PCR-1 1” and “PCR-1 2”


* For details on the port, refer to Input / output devices (p. 44).

62


■

NOTE ASSIGN

Here’s how to assign a Note message to a controller. In addition to being used to play sounds, note messages can also be used to control a sequencer.

Mode Keyboard Velocity Port

Basic mode

fig.edt2

1

Press the [EDIT] button.

The display will indicate “EDT.” fig.r-1

2

Slightly move the controller to which you want to assign a Note message. In the case of a button, press that button.

The display will indicate the number of the selected controller.

3

Verify that the display shows the correct controller number, and press the [ENTER] button.

fig.nt0

4

Press an ASSIGNABLE FUNCTION key ( to get "NT0" to appear in the display.

) on the keyboard enough times fig.c

5


The display will indicate “C–.”

6

Input the channel. Use the [DEC] [INC] buttons or the [0] – [F] keys to specify the channel.

fig.n

7


The display will indicate “N–.”

8

Input the note number. Use the [DEC] [INC] buttons or the [0] – [F] keys to specify the note number.

9


10

If you are making an assignment for a button, specify the button mode.

( ➝

Specifying the button mode (p. 62))

63



Advanced mode 1

Advanced mode 1 of NOTE ASSIGN lets you specify the velocity value in addition to the items of Basic mode.

1.


2.

Slightly move the controller to which you want to assign a Note message. In the case of a button, press that button.


3.

Verify that the display indicates the correct controller, and press the [ENTER] button.

4.

Using the ASSIGNABLE FUNCTION keys ( ) on the keyboard, get "NT0" to appear in the display, then press the [1] key of the keyboard.

5.


6.

Input the channel.

7.


8.

Input the note number.

fig.v

9.


The display will indicate “V–.”

10.

Input the velocity.

*1 Reference fig.p

11.


The display will indicate “P–.”

12.

Specify the output port. ( ➝

Specifying the port (p. 62))

13.


(

➝ Specifying the button mode (p. 62))

*1 Reference

• If you set [S1] – [S8] , [R1] – [R8] to NOTE ASSIGN, setting the controller to the maximum position will transmit the specified velocity value.

• If you assign this to [B1] – [B6] , the specified velocity value will be transmitted when you turn the controller on. When you turn the controller off, a note message with a velocity value of 0 will be transmitted.

64

*1 The -- area displays the currently set value. If it has not been set, the default setting will be displayed. Even if you change the type or mode of the MIDI message that is assigned, the default setting will be displayed. This will be lit if the value is the same as the currently set value, or will blink if the value is different.



■

AFTERTOUCH ASSIGN

Here’s how to assign an Aftertouch message to a controller.

Mode

Basic mode

Advanced mode 1

Advanced mode 2

Advanced mode 3

Keyboard

0

1

2

3

Basic mode

fig.edt2

1


The display will indicate “EDT.”

Message

Channel Pressure

Channel Pressure

Polyphonic Key Pressure

Polyphonic Key Pressure

Value range Port

0-127 (00–7FH) Port 1

Assignable Assignable

0-127 (00–7FH) Port 1


6

7

8

3 fig.at1

4 fig.r-1

2

Slightly move the controller to which you want to assign an Aftertouch message. In the case of a button, press that button.


Verify that the display shows the correct controller number, and press the [ENTER] button.

Press an ASSIGNABLE FUNCTION key ( to get "AT0" to appear in the display.


5

Verify that the display is correct, and press the [ENTER] button.

The display will indicate “C–”.

*1 Reference




( ➝



65



Advanced mode 1–3

Advanced mode 1 of AFTERTOUCH ASSIGN lets you specify the upper and lower limits of the aftertouch value in addition to the items of Basic mode. Advanced modes 2 and 3 let you specify an aftertouch message for an individual note (Polyphonic Key Pressure) instead of specifying the channel.

1.


2.

Slightly move the controller to which you want to assign an Aftertouch message. In the case of a button, press that button.


3.

Verify that the display indicates the correct controller, and press the [ENTER] button.

fig.at1

4.

Using the ASSIGNABLE FUNCTION keys ( ) on the keyboard, get

"AT0" to appear in the display, then press the [1] - [3] key of the keyboard.

The display will indicate the selected mode.

5.


6.

Input the channel.

7.


8.

If you are using Advanced modes 2 or 3, input the note number.

9.

If you are using Advanced modes 2 or 3, press the [ENTER] button.

10.

If you are using Advanced modes 1 or 3, specify the upper limit and lower limit of the value as described in

Specifying the range of values (upper and lower limits) (p. 67)

, and specify the output port.

11.

If you are using Advanced modes 1 or 3, specify the output port.( ➝

Specifying the port

(p. 62))

12.


(


66



Specifying the range of values (upper and lower limits)

If in Edit mode you selected an Assign type (p. 61) that lets you specify the range of values, you

will need to specify the upper limit and lower limit of the value.

* Normally, when using Decimal input mode, the value you are specifying appears in the display as a three digit number. This means that there is no indication of which parameter you are currently entering, so you may lose track of what you are doing. If this occurs, you can temporarily switch to Hex input mode to check the parameter that you are now inputting. Then switch back to Decimal input mode and continue. (

➝Setting the input mode (p. 54))

fig.max

1. The following display will appear.

2. Use the [DEC] [INC] buttons or the [0] – [F] keys to specify the upper limit.

*1 Reference fig.min


The following display will appear.

4. Use the [DEC] [INC] buttons or the [0] – [F] keys to specify the lower limit.


*1 Reference


67



■

CONTROL CHANGE ASSIGN

Here’s how to assign a control change message to a controller.

Mode

Basic mode

Advanced mode 1

Advanced mode 2 keyboard

0

1

2

Basic mode

fig.edt2

1



00–7FH

Value range Port

PORT 1


Simulates a rotary encoder Assignable fig.r-1

2

Slightly move the controller to which you want to assign a Control Change message. In the case of a button, press that button.


3

Confirm what’s indicated, and press the [ENTER] button.

fig.cc0

4

Press an ASSIGNABLE FUNCTION key ( to get "CC0" to appear in the display.


5



*1 Reference

6


fig.n

7


The display will indicate “N–”.

*1 Reference

8

Use the [DEC] [INC] buttons or the [0] – [F] keys to specify the control change number.

9


10


( ➝


68




Advanced mode 1

Advanced mode 1 of CONTROL CHANGE ASSIGN lets you specify the upper and lower limits of the control change value in addition to the items of Basic mode.

1.


2.

Slightly move the controller to which you want to assign a Control Change message. In the case of a button, press that button.


3.


4.

Using the ASSIGNABLE FUNCTION keys ( ) on the keyboard, get "CC0" to appear in the display, then press the [1] key of the keyboard.

The display will indicate “CC1”.

5.


6.

Input the channel.

7.


8.

Input the control change number.

9.


fig.p

10.

Specify the range of values. ( ➝

Specifying the range of values (upper and lower limits) (p. 67))

The display will indicate “P–”.

11.



12.


( ➝


*1 Reference


69



Advanced mode 2

Advanced mode 2 simulates the operation of a conventional rotary encoder. If this is assigned to a controller, moving that controller toward the right (upward) of center will have the same effect as turning the encoder clockwise, and moving the controller toward the left (downward) of center will have the same effect as turning the encoder counterclockwise. As the controller is moved further away from the center, the result will be the same as if the rotary encoder were moved more quickly.

You can assign advanced mode 2 to a button, but it will not function.

1.


2.

Slightly move the controller to which you want to assign a Control Change message.


3.


4.

Using the ASSIGNABLE FUNCTION keys ( ) on the keyboard, get "CC0" to appear in the display, then press the [2] key of the keyboard.

The display will indicate “CC2”.

5.


6.

Input the channel.

7.


8.

Input the control change number. Use the [DEC] [INC] buttons or the [0] – [F] keys to specify the control change number.

fig.p

9.



10.



*1 Reference

70




■

PROGRAM CHANGE ASSIGN

Here’s how to assign a program change message to a controller.

Mode

Basic mode

Advanced mode 1

Advanced mode 2

Advanced mode 3

Advanced mode 4

Number

0

1

2

3

4

Basic mode

fig.edt2

1



Effect

Fixed value

Bank

Not output

Assignable range of values Not output

Fixed value Output

PC DEC

PC INC

Not output

Not output

Port

PORT 1

PORT 1

Assignable

PORT 1

PORT 1 fig.r-1

2

Slightly move the controller to which you want to assign a Program Change message. In the case of a button, press that button.


3


fig.pc0

4

Press an ASSIGNABLE FUNCTION key ( to get "PC0" to appear in the display.


5



*1 Reference

6


fig.n

7


The display will indicate “N–”.

*1 Reference

8

Use the [DEC] [INC] buttons or the [0] – [F] keys to specify the program change number.

9


* If you assign Basic mode to [S1] – [S8] or [R1] – [R8] , moving the controller up to the maximum position will transmit the assigned program change messages.


71



Advance mode 1, 2

Advanced mode 1 of PROGRAM CHANGE ASSIGN lets you specify the upper and lower limits of the program change value. Advanced mode 2 lets you transmit BANK LSB/MSB settings in addition to the program change.

1.


2.

Slightly move the controller to which you want to assign a Program Change message. In the case of a button, press that button. The display will indicate the number of the selected controller.

3.


Advanced mode 1

—Specifying the range of values

4.

Using the ASSIGNABLE FUNCTION keys ( ) on the keyboard, get "PC0" to appear in the display, then press the [1] key of the keyboard.

5.


6.

Input the channel.

7.


8.

Specify the range of values. ( ➝

Specifying the range of values (upper and lower limits)

(p. 67))

Advanced mode 2

—Transmitting bank data

4.

Using the ASSIGNABLE FUNCTION keys ( ) on the keyboard, get "PC0" to appear in the display, then press the [2] key of the keyboard.

5.


6.

Input the channel.

7.


fig.bank-2

8.

Specify the bank select MSB (CC#00). Use the [DEC] [INC] buttons or the [0]

– [F] keys to specify the MSB.

fig.BANK-3

9.


10.

Specify the bank select LSB (CC#32). Use the [DEC] [INC] buttons or the [0]

– [F] keys to specify the LSB.

11.


12.

Input the program change number.

fig.p

13.



14.



*1 Reference

*1 Reference

*1 Reference

72




Advanced modes 3 and 4

Advanced mode 3 lets you assign the Program Change Decrement function ( PC DEC ) to a controller.

Advanced mode 4 lets you assign the Program Change Increment function ( PC INC ) to a controller.

1.


2.

Slightly move the controller to which you want to assign Program Change DEC/INC. In the case of a button, press that button.


3.


4.

Using the ASSIGNABLE FUNCTION keys ( ) on the keyboard, get "PC0" to appear in the display, then press the [3] or [4] key of the keyboard.

5.


Program Change Decrement function (PC DEC)

This transmits a program change that is one less than the previously transmitted program change number.

Program Change Increment function (PC INC)

This transmits a program change that is one greater than the previously transmitted program change number.

The PC DEC or PC INC is transmitted on the current channel, just as in Program Change Mode

(PROGRAM CHANGE) (p. 56). The value that is actually transmitted will appear in the display.

• In the explanation here, the “previously transmitted program number” refers to the one that

was last transmitted by Advanced Mode 3 or 4 or in Program Change Mode (PROGRAM

CHANGE) (p. 56).

• Program changes transmitted by basic mode or advanced modes 1 and 2 will not affect the increment/decrement functions.

73



■

RPN / NRPN ASSIGN

Here’s how you can assign an RPN or NRPN message to a controller.

Mode

Basic mode

Advanced mode 1

Keyboard

0

1 fig.edt2

1



Data entry MSB

(CC#6) range

0-127 (00–7FH)

Assignable

Data entry LSB

(CC#38) range

Not transmitted

0-127 (00–7FH)

Port

PORT 1

Assignable fig.r-1

2

Slightly move the controller to which you want to assign an RPN or NRPN message. In the case of a button, press that button.


3


fig.rp0

4

Press an ASSIGNABLE FUNCTION key ( to get "RP0" to appear in the display.

) on the keyboard enough times fig.np0

* If you want to assign an NRPN message, press the [NRPN] key. The following procedure is the same as for RPN.

fig.c

5


The display will blink “C–”.

*1 Reference

6


7


fig.BANK-2

8

Use the [DEC] [INC] buttons or the [0] – [F] keys to specify the RPN MSB

(CC#101) or NRPN MSB (CC#99).

*1 Reference

74




9


fig.BANK-3

10

Use the [DEC] [INC] buttons or the [0] – [F] keys to specify the RPN LSB

(CC#100) or NRPN LSB (CC#98).

11


12


( ➝


*1 Reference


75



Advanced mode

In Advanced mode for RPN/NRPN, you can specify the upper and lower limit of the data entry

MSB (CC#06) value when the RPN/NRPN message is transmitted, as well as the various settings available in Basic mode.

1.


2.

Slightly move the controller to which you want to assign the RPN or NRPN message. In the case of a button, press that button.


3.


4.

Using the ASSIGNABLE FUNCTION keys ( ) on the keyboard, get "RP0" to appear in the display, then press the [1] key of the keyboard.

* If you want to assign an NRPN message, press the [NRPN] key. The following procedure is the same as for RPN.

5.


6.


7.


8.

Use the [DEC] [INC] buttons or the [0] – [F] keys to specify the RPN MSB (CC#101) or

NRPN MSB (CC#99).

9.


10.

Use the [DEC] [INC] buttons or the [0] – [F] keys to specify the RPN LSB (CC#100) or

NRPN LSB (CC#98).

11.


fig.p

12.

Specify the lower limit of the data entry MSB (CC#06) value. ( ➝

Specifying the range of values (upper and lower limits) (p. 67))

The display will indicate “P–.”

13.



14.


(


*1 Reference

76




■

Sys Ex. ASSIGN

Here’s how you can assign a system exclusive message to a controller. Advanced mode 2 lets you assign a single-byte system message (System realtime message, tune request).

Advanced modes 3 and 4 let you assign any desired message. (Input up to 24 bytes) fig.edt2

Mode

Basic mode

Advanced mode 1

Advanced mode 2

Advanced mode 3

Advanced mode 4

Key-

Mode Value range Required ending board

0 Sys Ex. message Default range Input F7

1

2

3

4

Sys Ex. message Assignable

Single byte system message

Any desired

MIDI message

Any desired

MIDI message

–

Default range Specified number of bytes

Assignable

Input F7

–

Specified number of bytes

Notes/restrictions

1st byte fixed at F0

1st byte fixed at F0

[0–5, 7, 9, D, E] [DA-

TA][CHECKSUM] buttons are invalid

[CHECKSUM] button is invalid

[CHECKSUM] button is invalid

Sys Ex. ASSIGN can calculate the checksum automatically, and lets you specify a variable (data)

range or embed a channel/block number within the message. ( Sys Ex. ASSIGN items (p. 79))

In Sys Ex. ASSIGN, the input mode will be HEX mode.

1



fig.r-1

2

Slightly move the controller to which you want to assign the system exclusive message. In the case of a button, press that button.


3 fig.se0

4


Press an ASSIGNABLE FUNCTION key ( to get "SE0" to appear in the display.

) on the keyboard enough times

5

If you want to select an Advanced mode, press a key from [1] to [4] .

The selected mode will blink in the display.

6


Then continue with the procedure described in Basic mode or Advanced mode (p. 78).

For some actual examples of settings, refer to

Examples of assigning system exclusive messages (p. 82).

77



For Basic mode or Advanced mode 1

The display will blink “F0”, which is the first byte (starting status byte) of a system exclusive message. (This cannot be changed.) fig.f0

7.

8.

Confirm what’s indicated, and press the [ENTER]

Use the [0] – [F] keys to input the second byte.

button.

9.


10.

Input the third and subsequent bytes in the same way.

11.

When you have finished inputting the message, use the keyboard to enter [F] and [7] , specifying the ending status byte “F7”.

12.


13.

If Advanced mode1, specify the range of values. ( ➝

Specifying the range of values

(upper and lower limits) (p. 67))

14.



15.


(


For Advanced mode 2

fig.f0

The display will indicate “F-.”

7.

8.

9.

Use the [6] , [8] , [A] – [C] , [F] keys to specify the system message.




For Advanced modes 3 or 4

fig.BANK-3

The display will indicate “L–”.

7.

Use the [0] – [F] keys of the keyboard to specify the number (decimal) of bytes you want to input.

8.


9.

Use the [0] – [F] keys to input the first byte.

10.


11.

Input the second and subsequent bytes in the same way.

*1 Reference

12.

After you have input the number of bytes you specified in step 7, the PCR-1 will check whether the messages you’ve input are indeed valid MIDI messages. If there is a problem, the display will indicate “ERR”.

In this case, you should press the [ENTER] button, which takes you back to step 7, where you can input the values over again.

13.

If Advanced mode4, specify the range of values. ( ➝

Specifying the range of values

(upper and lower limits) (p. 67))

14.



15.


(

➝Specifying the button mode (p. 62))

78




■

Sys Ex. ASSIGN items

•

•

•

Specifying the checksum (p. 79)

Specifying the location of the data (p. 80)

Inputting channel/block data (p. 81)

Specifying the checksum

The PCR-1 can automatically calculate the checksum of a system exclusive message and embed it in the message. In order to use this function, you must use the following procedure to specify the starting location from which the checksum is calculated, and the location at which the checksum is inserted. You can also select the type of checksum.

For an actual example, please read the Sys Ex.ASSIGN section Bend Pitch Control (p. 84).

fig.css

1.

Press the [CHECKSUM] key before you input the byte at which checksum calculation should begin.

The display will indicate “CSS” (Checksum Start).

If you press the [CHECKSUM] key once again, “CSS” (Checksum Start) will be cancelled.

2.


3.

Continue inputting data.

fig.cs1

4.

Press the [CHECKSUM] key at the location where the checksum should be inserted.

The display will indicate “CS1” (Checksum type 1).

5.


Checksum types

There are two types of checksum, as follows.

1

2

CHECKSUM TYPE 1

CHECKSUM TYPE 2

This is the method used by Roland and most other manufacturers

Select this if the method other than type 1 is used fig.cs12

Switching the type

If you want to switch to type 2 , press the [2] key after you press [CHECKSUM] in step 4.

To switch back to type 1 , press the [1] key.

[CHECKSUM]

[2] [1]

*1

[CHECKSUM]

79


Specifying the location of the data

Here’s how to specify the location and data type of the variable portion (data) within a system exclusive message.

The range of data values will be the default range in the case of Basic mode or Advanced mode

3. In the case of Advanced modes 1 and 4, you can specify the range of data values.

For an actual example, please read the Sys Ex. ASSIGN section

Master Volume (p. 83).

1.

Press the [DATA] key at the location where you want to input the data.

The display will indicate “DT0”.

2.

Use the [0] – [4] keys to select the type of data.

Data number

DT0

Data type

7bit

Default range

00H–7F

Target of range setting

Example

(specified upper/lower limits)

* In the case of DT1–DT4 (data consisting of two or more bytes), a data area will automatically be allocated for the next byte, and “-DT” will be displayed. (This cannot be changed.)

3.


4.

If you selected DT1 through DT4, the display will indicate “-DT”.


80



Inputting channel/block data

If a system exclusive message includes a channel or GS block number, here’s how to specify the type and the value of the upper bits. For the channel and block number, the setting of the current channel will be inserted as the lower bits. (The block number is not actually a channel, but corresponds to the “part” within a GS sound module. On the PCR-1, this corresponds to the channel for the sake of convenience.)

Current channel 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16

CH

BL

0

1

1

2

2

3

3

4

4

5

5

6

6

7

7

8

8

9

9

0

A

A

B

B

C

C

D

D

E

E

F

F

For an actual example, refer to

Bend Pitch Control (p. 84) in the section on the Edit Mode.

1.

Press the [DATA] key several times at the location where you want to input the channel/ block number, to select “0CH” for the channel or “0BL” for the block.

fig.chbl

[DATA] [DATA] [DATA]

[DATA]

2.

Use the [0] – [7] keys to input the value of the upper four bits.

The “0” in the display will change to the numerical value that you input.

3.


81



■

Examples of assigning system exclusive messages

•

•

•

GM2 System On (p. 82)

Master Volume (p. 83)

Bend Pitch Control (p. 84)

GM2 System On

F0 7E 7F 09 03 F7

Here’s how to assign a GM2 System On system exclusive message in Basic mode .

1.



2.



3.


4.

Press an ASSIGNABLE FUNCTION key (

"SE0" to appear in the display.

) on the keyboard enough times to get

5.


The display will indicate “F0”, which is the first byte (beginning status) of a system exclusive message. This cannot be changed. (This cannot be changed.)

6.


7.

Use the [7] and [E] keys to input the second byte “7E”.

8.


9.

Use the [7] and [F] keys to input the third byte “7F”.

10.


Input the fourth and fifth bytes in the same way.

11.

Finally, use the [F] and [7] keys to input the ending status byte “F7”.

12.


13.



14.

If you are making an assignment for a button, specify the button mode. ( ➝


The GM2 System On message has now been assigned.

82



Master Volume

F0 7F 7F 04 01 vL vM F7

Since a Master Volume message has a data range of 00 00–7F 7F and we do not need to specify the range, we will use Basic mode . Since the two bytes of data are in the order of LSB and then

MSB, we will select “DT3” (p. 80) when we input the data.

1.



2.



3.


4.

Press an ASSIGNABLE FUNCTION key (

"SE0" to appear in the display.

) on the keyboard enough times to get

5.


The display will indicate “F0,” which is the first byte (beginning status) of a system exclusive message. (This cannot be changed.)

6.


7.

Use the [7] and [F] keys to input the second byte “7F”.

8.


Input the third, fourth and fifth bytes in the same way.

9.

Since the sixth byte is the data area, press the [DATA] key, and then press [3] .

The display will indicate “DT3”.

10.


11.

Since we selected “DT3” as the sixth byte, the seventh byte will automatically be allocated as the data area and cannot be modified.

12.


13.

Use the [F] and [7] keys to input the ending status byte “F7”.

14.


15.



16.

If you are making an assignment for a button, specify the button mode. ( ➝


The Master Volume message has now been assigned.

83



Bend Pitch Control

Since the GS Bend Pitch Control message has a data range of 40H–58H (0–24 semitones), we will select Advanced mode 1 , which lets us specify the range. Since the data format is one byte, we

will select “DT0” (p. 80) when inserting the data.

1.



2.



3.

Confirm what’s indicated and press [ENTER] .

4.

(

Using the ASSIGNABLE FUNCTION keys

) on the keyboard, get "SE0" to appear in the display, then press the [1] key of the keyboard.

The display will indicate “SE1”.

5.


The display will blink “F0”, which is the first byte

(beginning status) of a system exclusive message.

(This cannot be changed.)

6.


7.

Use the [4] and [1] keys to input the second byte

“41”.

8.


Input the third, fourth and fifth bytes in the same way.

9.

Since the sixth byte is the beginning of the checksum calculation area, press the

[CHECKSUM] key to specify this byte as the beginning of the area for which the checksum will be calculated.

10.


11.

Input the sixth byte.

12.

Since the seventh byte will have “2” in the upper bits and the block number in the lower bits, press

[DATA] three times.

The display will indicate “0BL”.

13.

To specify “2” for the upper bits, press the [2] key.

The display will indicate “2BL”.

fig.checksum

Block number 1 byte

F0 41 10 42 12 40 2x 10 DATA SUM F7

Address

Checksum calculation region

Data Checksum

14.


15.

In the same way, enter bytes 8.

16.

Since the ninth byte is the data area, press the

[DATA] key.

The display will indicate “DT0.”

17.


18.

Since the ten byte will contain the checksum, press the [CHECKSUM] key to specify the location at which the checksum will be input.

The display will blink “CS1” (Checksum Type 1).

19.


20.

Press the [F] and then [7] keys to input the ending status “F7.”

21.


22.

Next, specify an upper limit value of “58” for the data area.

23.

Press [ENTER] .

24.

Specify a lower limit value of “40” for the data area.

25.

Press [ENTER] .

26.

Specify the output port.

( ➝


27.


(

➝Specifying the button mode (p. 62))

The GS Bend Pitch Control message has been assigned.

84



■

TEMPO ASSIGN

You can assign a controller to adjust the speed (20–250) of the F8 Clock message.

fig.edt2

* In order to transmit F8 Clock messages, the F8 CLOCK setting must be “ON”.

( ➝ “F8 CLOCK ON/OFF”

(p. 94))

1



2

Slightly move the controller to which you want to assign

TEMPO. In the case of a button, press that button.


fig.r-1

3

Confirm what’s indicated and press the [ENTER] button.

4

Press an ASSIGNABLE FUNCTION key ( to get "TMP" to appear in the display.

) on the keyboard enough times fig.tmp

5


6

If you are making the assignment for a button, specify the button mode.

( ➝


In the case of a button, the value will be fixed at maximum (250) for ON, and minimum (20) for

OFF.

85



Copying a MIDI message assignment

(ASSIGN COPY)

Here’s how a message assigned to a controller can be copied to another controller.

fig.edt2

1



fig.r-1

2

Slightly move the controller to which you want to copy the assignment (the

“copy destination”). In the case of a button, press that button.


3 fig.cpy

4


Slightly move the controller whose assignment you want to copy (the “copy source”). In the case of a button, press that button.

The display will indicate “CPY”.

5


The display will blink the copy-source controller number.

fig.s-1

6


86



Canceling a MIDI message assignment

(NO ASSIGN)

Here’s how you can cancel the message assigned to a controller. Once its assignment is cancelled, no message will be transmitted when you operate that particular controller.

fig.edt2

1



5 fig.yes

6

3 fig.noa

4 fig.r-1

2

Slightly move the controller whose assignment you want to cancel. In the case of a button, press that button.



Press an ASSIGNABLE FUNCTION key ( to get "NOA" to appear in the display.

) on the keyboard enough times


The display will blink “YES,” so press the [ENTER] button once again.

87



Saving a memory set (SAVE)

fig.edt2

1

Here’s how to save the settings of the current memory into internal memory.

You can save settings into internal memory numbers 1–F.

You cannot save to memory number 0 (GM2).

* After you edit the settings, perform the “SAVE” operation as needed. If you turn off the power without performing “SAVE”, your changes will be lost.



fig.sav

2

Press the [SAVE] key.

The display will blink “SAV.” fig.ptc

3


If the display indicates “PTC”, it means that the Save could not be carried out

because the PROTECT setting (p. 92) is on. Turn PROTECT off, and then try the

operation once again from step 1.

4

Select a memory number 1–F. Use the [DEC] [INC] buttons or the [1] – [F] keys to specify the save-destination memory number.

The specified memory number will blink in the display.

5


About the memories of the PCR

The PCR has the following sixteen memories.

Memory number 0

Memory number 1

:

Memory number F

GM2 SET

User memories

(15)

Cannot be saved

Can be saved

“Current memory” is a location into which you can recall one of these memories.

In order to use one of the saved memories, you must recall it into current memory as described

in Memory mode (MEMORY) (p. 59).

The contents of current memory will be lost when you turn off the power. If you have modified the settings in current memory, perform the “SAVE” operation if you want to keep your changes.

You can set the STARTUP MEMORY (p. 95) setting to specify the memory that will be loaded

into current memory when you turn on the power.

88



Transmitting/receiving bulk data (BULK)

Bulk dump allows a large amount of data to be transferred in a single operation. For example, this can be used to store all settings of a device into a computer or sequencer.

* When you transmit or receive Bulk data, the contents of the current memory will be lost. Save the current memory settings as needed before you perform this operation.

Receive mode

fig.edt2

1



fig.blr

2

Press the [BULK] key.

The display will blink “BLR” (Bulk Receive).

fig.rs

3


isplay will indicate “RS”, and the “S” will blink.

4

Use the [DEC] [INC] buttons or the [0] [1] keys to select the mode.

0 SINGLE BULK

The received data will overwrite the current memory. Memories 1–F will not be affected.

1 ALL BULK The received data will overwrite memories 1–F.

fig.rs1

5


The third digit of the display will blink, and the PCR-1 will wait to receive bulk data.

89


Use MIDI functionality fig.bulk-dis

About the display in Bulk mode

Receive SINGLE

BULK

Waiting to receive

(blinking)

1st digit: indicates Receive mode or

Transmit mode

Transmit ALL

BULK

Waiting to transmit

(blinking)

3rd digit: indicates

Transmitting/Receiving/Waiting states

receiving

Transmitting

2nd digit:

Single Bulk or All Bulk

transmitting

6

Transmit bulk data from your sequencer or other device.

Specify “PCR” (Mac OS 9: PCR-1 1) as the MIDI output device for your sequencer software. For details on this setting, refer to the manual of your sequencer software.

For details on the port that will be used to transfer bulk data, refer to


(p. 44).

fig.end

7

When the PCR finishes receiving the bulk data, the display will indicate “END”.

Error display

fig.err

If the data could not be received correctly, the display will blink “ERR”.

If this occurs, press the [CANCEL] button to cancel the “ERR” display.

Once “ERR” has been dismissed, perform the bulk reception procedure over again, from step 1.

8


90



Transmit mode

fig.edt2

1



2

Press the [BULK] key.

fig.blt

3

Press the [1] key.

The display will blink “BLT” (Bulk Transmit).

fig.ts

4


The display will indicate “TS”, and the “S” will blink.

5


0 SINGLE BULK

The currently recalled memory (the current memory) will be transmitted as bulk data

1 ALL BULK

All memories (memories 1–F) will be transmitted as bulk data.

6


fig.ts-1

7

The third digit of the display will blink, and the PCR-1 will wait to transmit bulk data.

8


On your sequencer software, specify “PCR -1 2” as the MIDI input device. For details on this setting, refer to the manual of your sequencer software.

For details on the port that will be used to transfer bulk data, refer to


(p. 44).

fig.end

9

When the PCR finishes receiving the bulk data, the display will indicate “END”.

10


91



Protecting a memory set (PROTECT)

If you turn the Protect setting ON, ALL BULK

(p. 89) reception and

SAVE

(p. 88) operations

will be disabled.

fig.edt2

1



3

4 fig.ptc

2

Press the [PROTECT] key.

The display will blink “PTC”.


The display will show the current setting.

0 PROTECT OFF Allow changes.

1 PROTECT ON Prohibit changes.

5

6



92


System settings

Here’s how you can make various system settings for the PCR-1.

fig.edt2

1



fig.sy0

2

Press the [SYSTEM] key.

The display will indicate “SY0”.

3

Use the [0] - [8] , [A] - [E] keys to specify the System setting that you want to set, and then press the [ENTER] button.

Confirm what’s indicated and use the appropriate method to make the setting.

Mode

F8 CLOCK ON/OFF

F8 CLOCK DEFAULT

TEMPO

F8 CLOCK PORT SET

VELOCITY OFFSET

KEYBOARD PORT

SET

H-ACTIVITY ON /

OFF

USB MIDI DRIVER

MODE

STARTUP MEMORY

FACTORY RESET

USB AUDIO ON /

OFF

USB AUDIO MODE

SETTING

DIRECT MONITOR

ON / OFF

PITCH BEND TIME

MODULATION SET-

TING

Keyboard

Content of the setting

0 Specify whether F8 Clock is to be transmitted.

If “F8 CLOCK ON/OFF” is ON, specify the default value

1 of the F8 Clock. After the power is turned on, this tempo will continue to be output until you move a controller to

2

3 which TEMPO is assigned.

If “F8 CLOCK ON / OFF” is ON, specify the port from which the F8 Clock is to be transmitted.

The value you specify here will be added to the velocity of the notes played from the keyboard.

* If the result of the addition would exceed 7FH, the velocity will be 7FH.

4

5

6

Specify the port from which messages produced by the

BENDER lever of the keyboard are to be transmitted.

Turn this ON if you are using certain applications (such as

Pro Tools LE).

When ON, “90 00 7F” will be output from PCR 2 approximately every 500 ms.

Specify the type of USB MIDI driver used for USB connection.

7

8

A

B

C

D

E

* The setting will take effect the next time you turn on the power

Specify the memory that will be selected when the power is turned on.

Restore all settings of the PCR-1 to their factory-set condition.

Switch the USB AUDIO functionality ON / OFF.

The setting will take effect the next time you turn on the power

Specify the USB AUDIO sampling frequency and driver mode.

* The setting will take effect the next time you turn on the power

Make Direct Monitor settings (Sending the input signal from the audio input jacks directly to the PCR-1’s headphone jack).

Specify the time it is to take for the maximum pitch bend to be reached after you press the bender switch. Higher settings for this value produce a slower pitch bend.

Specify the value of the Modulation message (CC#01) transmitted when you press the Modulation Button .

Default

OFF

120

PORT 1

0

PORT 1

OFF

Original

Driver

GM2

-

ON

44.1kHz

(AD-

VANCE)

ON

2

127

Setting method

p. 94 p. 94 p. 94 p. 94 p. 94

p. 95 p. 95 p. 95 p. 95

p. 96 p. 96

p. 97 p. 97 p. 97

93


System settings

F8 CLOCK ON / OFF (Keyboard : 0)

Perform steps 1-3.

fig.hyo

4.

Use the [DEC] [INC] buttons or the [0] or [1] keys to switch F8 CLOCK ON

/ OFF.

The display will indicate either “ON” or “OFF”.

5.


F8 CLOCK DEFAULT TEMPO (Keyboard : 1)

Perform steps 1-3.

4.

Use the [DEC] [INC] buttons or the

TEMPO. (Value range 20-250)

[0] - [F] keys to specify F8 CLOCK DEFAULT

The specified value will indicate in the display.

5.


0 OFF

1 ON

F8 CLOCK PORT SET (Keyboard : 2)

Perform steps 1-3.

4.


(

➝ Specifying the port (p. 62))

[1] - [3] keys to specify F8 CLOCK PORT SET .

The specified port will indicate in the display.

5.


VELOCITY OFFSET (Keyboard : 3)

Perform steps 1-3.

4.


(Value range 0-127)

[0] - [F] keys to specify VELOCITY OFFSET.


5.


KEYBOARD PORT SET (Keyboard : 4)

Perform steps 1-3.

4.


(

➝ Specifying the port (p. 62))

[1] - [3] keys to specify KEYBOARD PORT SET.

The specified port will indicate in the display.

5.


94


System settings

H-ACTIVITY ON / OFF (Keyboard : 5)

fig.hyo

Perform steps 1-3.

4.

Use the [DEC] [INC] buttons or the [0] or [1] keys to switch H-ACTIVITY

ON / OFF.


5.


0 OFF

1 ON

USB MIDI DRIVER MODE (Keyboard : 6)

Perform steps 1-3.

4.

Use the

MODE.

[DEC] [INC] buttons or the [0] or [1] keys to specify the USB MIDI DRIVER

0 Original driver

FPT technology is used to perform high-speed MIDI transfer. Normally, we recommend that you use this mode.

1 Generic driver

Select this if you are using the standard MIDI driver provided by your operating system.

* FPT = Fast Processing Technology for MIDI Transmission:

Effective use is made of the USB bandwidth according to the amount of MIDI data to be transmitted, ensuring that MIDI data processing will always occur optimally.

5.


STARTUP MEMORY (Keyboard : 7)

Perform steps 1–3.

4.


MEMORY setting.

[0] or [1] keys to specify the GM2/LAST ACCESS

0 GM2 MEMORY

1

LAST ACCESS

MEMORY

5.


When the PCR starts up, memory number 0 (GM2) will be loaded into current memory

(p. 88) regardless of the

state in which the power was turned off.

Upon power-up, the PCR-1 will recall the memory that was last recalled or saved into current memory

(p. 88).

FACTORY RESET (Keyboard : 8)


fig.rst

4.

The display will indicate “RST”.

fig.yes

5.


The display will blink “YES”.

6.


95


System settings

USB AUDIO ON / OFF (Keyboard : A)

The USB AUDIO ON/OFF setting will take effect when you reconnect the USB cable.


fig.hyo

4.

Use the [DEC] [INC] buttons or the [0] or [1] keys to switch USB AUDIO ON

/ OFF.


0 OFF

1 ON

5.


USB AUDIO MODE SETTING (Keyboard : B)

The USB AUDIO ON/OFF setting will take effect when you reconnect the USB cable.


4.


FREQUENCY or DRIVER MODE.

[0] - [5] keys to switch USB AUDIO SAMPLING

0

1

2

Advanced mode

The special driver will be used, allowing audio to be recorded/played with high quality and stable timing. In

Advanced mode, audio signals can be transferred between the PCR-1 and the computer at a resolution of 24 bits and sampling frequencies of 44.1 / 48 / 96 kHz . Select this mode if you are using an application that allows high-quality audio recording/playback, such as an application that supports 24 bit audio or an ASIOcompatible application. We recommend that you normally use this mode.

3

44.1kHz

(ADVANCE)

48kHz

(ADVANCE)

96kHz PLAY

(ADVANCE)

96kHz REC

(ADVANCE)

4

5

44.1kHz

48kHz

Standard driver mode

The standard driver provided by the operating system will be used. Audio data will be transferred between the

PCR-1 and your computer with 16-bit depth and a sampling frequency of 44.1/48 kHz .Use this setting if you are using the Mac OS 9 sound manager.

5.


96


System settings

DIRECT MONITOR ON / OFF (Keyboard : C)


4.

Use the [DEC] [INC] buttons or the [0] - [2] keys to switch DIRECT MONITOR ON / OFF.

0

1

OFF

The input signal from the audio input jacks will not be sent to the headphone jack, or master output jacks.

AUTO

Settings or operations in your ASIO 2.0 application (e.g., Cubase) will switch Direct Monitor ON / OFF.

2 ON

The input signal from the audio input jacks will be output to the

PCR-1’s speakers, headphone jack, and master output jacks.

5.


PITCH BEND TIME (Keyboard : D)

Perform steps 1-3.

4.

Use the [DEC] [INC] buttons or the [0] - [5] keys to specify PITCH BEND TIME . (Value range 0-5)


5.


MODULATION SETTING (Keyboard : E)

Perform steps 1-3.

4.


(Value range 0-127)

[0] - [F] keys to specify MODULATION SETTING.


5.


97


MEMO

98


Appendices

This section contains troubleshoooting information and explanations of convenient functions.You may read this material as necessary.

Memory sets ..................................................................................p. 100

Troubleshooting ...........................................................................p. 106

MIDI implementation ...................................................................p. 117

Main specifications ......................................................................p. 122

99


Memory sets

With the factory settings, the GM2 set shown in the illustration is assigned to the controllers.

Use the included template.

The following memory sets are also provided.

GM2 set (MEMORY: 0) .................................... (p. 100)

H-COMPATIBLE (ProTools LE, Digital Performer 3)

MCR-8 MODE 3 (SONAR 2) SET .................. (p. 101)

MCR-8 MODE 3 (SONAR 2) - A (MEMORY: 1).... (p. 101)

MCR-8 MODE 3 (SONAR 2) - B (MEMORY: 2) .... (p. 101)

MCR-8 MODE 3 (SONAR 2) - C (MEMORY: 3) .... (p. 101)

MCR-8 MODE 3 (SONAR 2) - D (MEMORY: 4).... (p. 101)

MCR-8 MODE 4 (Cubase 5/SX) SET ............ (p. 102)

MCR-8 MODE 4 (Cubase 5/SX) - A (MEMORY: 5)(p. 102)

MCR-8 MODE 4 (Cubase 5/SX) - B (MEMORY: 6)(p. 102)

MCR-8 MODE 4 (Cubase 5/SX) - C (MEMORY: 7))(p. 102)

MCR-8 MODE 4 (Cubase 5/SX) - D (MEMORY: 8)(p. 102)

SET (MEMORY: 9) .................................................. (p. 103)

GS SET ..................................................................... (p. 103)

GS-A (MEMORY: A) .......................................................(p. 103)

GS-B (MEMORY: B).........................................................(p. 104)

GS-C (MEMORY: C) ........................................................(p. 104)

XG SET ..................................................................... (p. 105)

XG-A (MEMORY: D).......................................................(p. 105)

XG-B (MEMORY: E) ........................................................(p. 105)

For details on settings for actually using each memory set with your application, refer to the Read Me file for each memory set, located in the Memory Files folder of the CD-ROM.

Since the PCR-1 does not have controllers [P1] and [P2], the PCR-1 itself is unable to transmit or edit the messages assigned to these controllers.

(Internally, the PCR-1 does maintain data for [P1] and [P2].)

In order to maintain memory set compatibility with other models in the PCR series, all memory sets include the data for [P1] and [P2] when they are bulk-dumped.

■

GM2 set (MEMORY: 0)

Parameter Message (Hex.)

R1 FILTER CUTOFF

R2 FILTER RESONANCE

R3 VIBRATO RATE

R4 VIBRATO DEPTH

R5 VIBRATO DELAY

R6 COARSE TUNING

R7 FINE TUNING

R8 PAN (CHANNEL)

S1 PORTAMENTO TIME

S2 AFTERTOUCH

S3 ENVELOPE ATTACK

S4 ENVELOPE DECAY

S5 ENVELOPE RELEASE

S6 CHORUS

S7 REVERB

S8 VOLUME (CHANNEL)

CC 74(4A)

CC 71(47)

CC 76(4C)

CC 77(4D)

CC 78(4E)

RPN 0/2(00/02)

RPN 0/1(00/01)

CC 10(0A)

CC 5(05)

CHANNEL PRESSURE

CC 73(49)

CC 75(4B)

CC 72(48)

CC 93(5D)

CC 91(5B)

CC 7(07)

B1 PROGRAM CHANGE DEC PROGRAM CHANGE

B2 PROGRAM CHANGE INC PROGRAM CHANGE

B3 PORTAMENTO ON/OFF CC 65(41)

B4 POLY MODE ON B0 7F 00

B5 MONO MODE ON

B6 GM2 SYSTEM ON

L1 STOP

L2 START

B0 7E 01

F0 7E 7F 09 03 F7

FC

FA

L3 CONTINUE

P1 HOLD

P2 EXPRESSION

FB

CC 64(40)

CC 11(0B)

Range (Hex.)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0/-(00/–) - 127/-(7F/–)

0/0(00/00) - 127/127(7F/7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F) min:1(00) max:128(7F)

0(00) / 127(7F)

-

-

-

-

-

-

0(00) / 127(7F)

0(00) - 127(7F)

Ch.

-

-

1

-

1

1

-

-

-

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

Port

2

2

1

1

1

1

-

-

2

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

100


Memory sets

■

MCR-8 MODE 3 (SONAR 2) SET

When using this memory set, turn the PCR-1’s OMNI (p. 54) setting OFF.

MCR-8 MODE 3 (SONAR 2) - A (MEMORY: 1) MCR-8 MODE 3 (SONAR 2) - B (MEMORY: 2)

Parameter

R1 TRACK 1

R2 TRACK 2

R3 TRACK 3

R4 TRACK 4

R5 TRACK 5

R6 TRACK 6

R7 TRACK 7

R8 TRACK 8

S1 TRACK 1

S2 TRACK 2

S3 TRACK 3

S4 TRACK 4

S5 TRACK 5

S6 TRACK 6

S7 TRACK 7

S8 TRACK 8

B1 TRACK 1

B2 TRACK 2

B3 TRACK 3

B4 TRACK 4

B5 TRACK 5

B6 TRACK 6

L1 <<

L2 ■ Stop

L3 > Play

P1 HOLD

P2 EXPRESSION

*2

*2

*2

*2

*2

*2

*2

*2

*1

*1

*1

*1

*1

*1

*1

*1

*3

*3

*3

*3

*3

*3

Message

(Hex.)

CC 16(10)

CC 16(10)

CC 16(10)

CC 16(10)

CC 16(10)

CC 16(10)

CC 16(10)

CC 16(10)

CC 17(11)

CC 17(11)

CC 17(11)

CC 17(11)

CC 17(11)

CC 17(11)

CC 17(11)

CC 17(11)

CC 80(50)

CC 80(50)

CC 80(50)

CC 80(50)

CC 80(50)

CC 80(50)

CC 82(52)

CC 82(52)

CC 82(52)

CC 64(40)

CC 11(0B)

Range (Hex.) Ch.

Port

13

14

5

6

3

4

1

2

15

1

1

7

8

5

6

3

4

1

2

7

8

5

6

3

4

1

2

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) - 127(7F)

MCR-8 MODE 3 (SONAR 2) - C (MEMORY: 3)

2

2

2

2

2

2

2

2

2

1

1

2

2

2

2

2

2

2

2

2

2

2

2

2

2

2

2

Parameter

R1 TRACK 9

R2 TRACK 10

R3 TRACK 11

R4 TRACK 12

R5 TRACK 13

R6 TRACK 14

R7 TRACK 15

R8 TRACK 16

S1 TRACK 9

S2 TRACK 10

S3 TRACK 11

S4 TRACK 12

S5 TRACK 13

S6 TRACK 14

S7 TRACK 15

S8 TRACK 16

B1 TRACK 9

B2 TRACK 10

B3 TRACK 11

B4 TRACK 12

B5 TRACK 13

B6 TRACK 14

*3

*3

L1 Automation Write

L2 ■ Stop

L3 Rec

P1 HOLD

P2 EXPRESSION

*3

*3

*3

*3

*2

*2

*2

*2

*2

*2

*2

*2

*1

*1

*1

*1

*1

*1

*1

*1

Message

(Hex.)

CC 16(10)

CC 16(10)

CC 16(10)

CC 16(10)

CC 16(10)

CC 16(10)

CC 16(10)

CC 16(10)

CC 17(11)

CC 17(11)

CC 17(11)

CC 17(11)

CC 17(11)

CC 17(11)

CC 17(11)

CC 17(11)

CC 80(50)

CC 80(50)

CC 80(50)

CC 80(50)

CC 80(50)

CC 80(50)

CC 82(52)

CC 82(52)

CC 82(52)

CC 64(40)

CC 11(0B)


Port

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) - 127(7F)

13

14

12

14

9

10

11

12

11

1

1

13

14

15

16

9

10

11

12

13

14

15

16

9

10

11

12

2

2

2

2

2

2

2

2

2

1

1

2

2

2

2

2

2

2

2

2

2

2

2

2

2

2

2

Parameter

R1 TRACK 1

R2 TRACK 2

R3 TRACK 3

R4 TRACK 4

R5 TRACK 5

R6 TRACK 6

R7 TRACK 7

R8 TRACK 8

S1 TRACK 1

S2 TRACK 2

S3 TRACK 3

S4 TRACK 4

S5 TRACK 5

S6 TRACK 6

S7 TRACK 7

S8 TRACK 8

B1 TRACK 1

B2 TRACK 2

B3 TRACK 3

B4 TRACK 4

B5 TRACK 5

B6 TRACK 6

L1 <<

L2 ■ Stop

L3 > Play

P1 HOLD

P2 EXPRESSION

*2

*2

*2

*2

*2

*2

*2

*2

*1

*1

*1

*1

*1

*1

*1

*1

*4

*4

*4

*4

*4

*4

Message

(Hex.)

CC 16(10)

CC 16(10)

CC 16(10)

CC 16(10)

CC 16(10)

CC 16(10)

CC 16(10)

CC 16(10)

CC 17(11)

CC 17(11)

CC 17(11)

CC 17(11)

CC 17(11)

CC 17(11)

CC 17(11)

CC 17(11)

CC 81(51)

CC 81(51)

CC 81(51)

CC 81(51)

CC 81(51)

CC 81(51)

CC 82(52)

CC 82(52)

CC 82(52)

CC 64(40)

CC 11(0B)


Port

13

14

5

6

3

4

1

2

15

1

1

7

8

5

6

3

4

1

2

7

8

5

6

3

4

1

2

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) - 127(7F)

MCR-8 MODE 3 (SONAR 2) - D (MEMORY: 4)

2

2

2

2

2

2

2

2

2

1

1

2

2

2

2

2

2

2

2

2

2

2

2

2

2

2

2

Parameter

R1 TRACK 9

R2 TRACK 10

R3 TRACK 11

R4 TRACK 12

R5 TRACK 13

R6 TRACK 14

R7 TRACK 15

R8 TRACK 16

S1 TRACK 9

S2 TRACK 10

S3 TRACK 11

S4 TRACK 12

S5 TRACK 13

S6 TRACK 14

S7 TRACK 15

S8 TRACK 16

B1 TRACK 9

B2 TRACK 10

B3 TRACK 11

B4 TRACK 12

B5 TRACK 13

B6 TRACK 14

*4

*4

L1 Automation Write

L2 ■ Stop

L3 Rec

P1 HOLD

P2 EXPRESSION

*4

*4

*4

*4

*2

*2

*2

*2

*2

*2

*2

*2

*1

*1

*1

*1

*1

*1

*1

*1

Message

(Hex.)

CC 16(10)

CC 16(10)

CC 16(10)

CC 16(10)

CC 16(10)

CC 16(10)

CC 16(10)

CC 16(10)

CC 17(11)

CC 17(11)

CC 17(11)

CC 17(11)

CC 17(11)

CC 17(11)

CC 17(11)

CC 17(11)

CC 81(51)

CC 81(51)

CC 81(51)

CC 81(51)

CC 81(51)

CC 81(51)

CC 82(52)

CC 82(52)

CC 82(52)

CC 64(40)

CC 11(0B)


Port

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) - 127(7F)

13

14

12

14

9

10

11

12

11

1

1

13

14

15

16

9

10

11

12

13

14

15

16

9

10

11

12

2

2

2

2

2

2

2

2

2

1

1

2

2

2

2

2

2

2

2

2

2

2

2

2

2

2

2

Generic Surface Preset *1

Roland MCR-8 (Aux Send 1)

Roland MCR-8 (Aux Send 2)

Aux Send 1 Pan

Aux Send 2 Pan

Roland MCR-8 (Mute + Solo) Pan

Roland MCR-8 (Record Arming) Pan

*2

Aux Send 1 Level

Aux Send 2 Level

Volume

Volume

*3 *4

Aux Send 1 Pre/Post Aux Send 1 Enable

Aux Send 2 Pre/Post Aux Send 2 Enable

Mute

White Arm

Solo

Record Arm

101


Memory sets

■

MCR-8 MODE 4 (Cubase 5/SX) SET

When using this memory set, turn the PCR-1’s OMNI (p. 54) setting OFF.

Parameter

R1 TRACK 1 PAN

R2 TRACK 2 PAN

R3 TRACK 3 PAN

R4 TRACK 4 PAN

R5 TRACK 5 PAN

R6 TRACK 6 PAN

R7 TRACK 7 PAN

R8 TRACK 8 PAN

S1 TRACK 1 FADER

S2 TRACK 2 FADER

S3 TRACK 3 FADER

S4 TRACK 4 FADER

S5 TRACK 5 FADER

S6 TRACK 6 FADER

S7 TRACK 7 FADER

S8 TRACK 8 FADER

B1 TRACK 1 SOLO

B2 TRACK 2 SOLO

B3 TRACK 3 SOLO

B4 TRACK 4 SOLO

B5 TRACK 5 SOLO

B6 TRACK 6 SOLO

L1 <<

L2 ■ Stop

L3 > Play

P1 HOLD

P2 EXPRESSION

MCR-8 MODE 4 (Cubase 5/SX) - A (MEMORY: 5)

Message

(Hex.)

CC 72(48)

CC 73(49)

CC 74(4A)

CC 75(4B)

CC 76(4C)

CC 77(4D)

CC 78(4E)

CC 79(4F)

CC 64(40)

CC 65(41)

CC 66(42)

CC 67(43)

CC 68(44)

CC 69(45)

CC 70(46)

CC 71(47)

CC 0(00)

CC 1(01)

CC 2(02)

CC 3(03)

CC 4(04)

CC 5(05)

CC 19(13)

CC 21(15)

CC 22(16)

CC 64(40)

CC 11(0B)


Port

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) - 127(7F)

16

16

16

16

16

16

16

16

16

1

1

16

16

16

16

16

16

16

16

16

16

16

16

16

16

16

16

2

2

2

2

2

2

2

2

2

1

1

2

2

2

2

2

2

2

2

2

2

2

2

2

2

2

2

MCR-8 MODE 4 (Cubase 5/SX) - C (MEMORY: 7)

Parameter

R1 TRACK 9 PAN

R2 TRACK 10 PAN

R3 TRACK 11 PAN

R4 TRACK 12 PAN

R5 TRACK 13 PAN

R6 TRACK 14 PAN

R7 TRACK 15 PAN

R8 TRACK 16 PAN

S1 TRACK 9 FADER

S2 TRACK 10 FADER

S3 TRACK 11 FADER

S4 TRACK 12 FADER

S5 TRACK 13 FADER

S6 TRACK 14 FADER

S7 TRACK 15 FADER

S8 TRACK 16 FADER

B1 TRACK 9 SOLO

B2 TRACK 10 SOLO

B3 TRACK 11 SOLO

B4 TRACK 12 SOLO

B5 TRACK 13 SOLO

B6 TRACK 14 SOLO

L1 <<

L2 ■ Stop

L3 Rec

P1 HOLD

P2 EXPRESSION

Message

(Hex.)

CC 56(38)

CC 57(39)

CC 58(3A)

CC 59(3B)

CC 60(3C)

CC 61(3D)

CC 62(3E)

CC 63(3F)

CC 48(30)

CC 49(31)

CC 50(32)

CC 51(33)

CC 52(34)

CC 53(35)

CC 54(36)

CC 55(37)

CC 32(20)

CC 33(21)

CC 34(22)

CC 35(23)

CC 36(24)

CC 37(25)

CC 20(14)

CC 21(15)

CC 23(17)

CC 64(40)

CC 11(0B)


Port

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) - 127(7F)

16

16

16

16

16

16

16

16

16

1

1

16

16

16

16

16

16

16

16

16

16

16

16

16

16

16

16

2

2

2

2

2

2

2

2

2

1

1

2

2

2

2

2

2

2

2

2

2

2

2

2

2

2

2

Parameter

R1 TRACK 1 PAN

R2 TRACK 2 PAN

R3 TRACK 3 PAN

R4 TRACK 4 PAN

R5 TRACK 5 PAN

R6 TRACK 6 PAN

R7 TRACK 7 PAN

R8 TRACK 8 PAN

S1 TRACK 1 FADER

S2 TRACK 2 FADER

S3 TRACK 3 FADER

S4 TRACK 4 FADER

S5 TRACK 5 FADER

S6 TRACK 6 FADER

S7 TRACK 7 FADER

S8 TRACK 8 FADER

B1 TRACK 1 MUTE

B2 TRACK 2 MUTE

B3 TRACK 3 MUTE

B4 TRACK 4 MUTE

B5 TRACK 5 MUTE

B6 TRACK 6 MUTE

L1 <<

L2 ■ Stop

L3 > Play

P1 HOLD

P2 EXPRESSION

MCR-8 MODE 4 (Cubase 5/SX) - B (MEMORY: 6)

Message

(Hex.)

CC 72(48)

CC 73(49)

CC 74(4A)

CC 75(4B)

CC 76(4C)

CC 77(4D)

CC 78(4E)

CC 79(4F)

CC 64(40)

CC 65(41)

CC 66(42)

CC 67(43)

CC 68(44)

CC 69(45)

CC 70(46)

CC 71(47)

CC 40(28)

CC 41(29)

CC 42(2A)

CC 43(2B)

CC 44(2C)

CC 45(2D)

CC 19(13)

CC 21(15)

CC 22(16)

CC 64(40)

CC 11(0B)


Port

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) - 127(7F)

16

16

16

16

16

16

16

16

16

1

1

16

16

16

16

16

16

16

16

16

16

16

16

16

16

16

16

2

2

2

2

2

2

2

2

2

1

1

2

2

2

2

2

2

2

2

2

2

2

2

2

2

2

2

MCR-8 MODE 4 (Cubase 5/SX) - D (MEMORY: 8)

Parameter

R1 TRACK 9 PAN

R2 TRACK 10 PAN

R3 TRACK 11 PAN

R4 TRACK 12 PAN

R5 TRACK 13 PAN

R6 TRACK 14 PAN

R7 TRACK 15 PAN

R8 TRACK 16 PAN

S1 TRACK 9 FADER

S2 TRACK 10 FADER

S3 TRACK 11 FADER

S4 TRACK 12 FADER

S5 TRACK 13 FADER

S6 TRACK 14 FADER

S7 TRACK 15 FADER

S8 TRACK 16 FADER

B1 TRACK 9 MUTE

B2 TRACK 10 MUTE

B3 TRACK 11 MUTE

B4 TRACK 12 MUTE

B5 TRACK 13 MUTE

B6 TRACK 14 MUTE

L1 <<

L2 ■ Stop

L3 Rec

P1 HOLD

P2 EXPRESSION

Message

(Hex.)

CC 56(38)

CC 57(39)

CC 58(3A)

CC 59(3B)

CC 60(3C)

CC 61(3D)

CC 62(3E)

CC 63(3F)

CC 48(30)

CC 49(31)

CC 50(32)

CC 51(33)

CC 52(34)

CC 53(35)

CC 54(36)

CC 55(37)

CC 88(58)

CC 89(59)

CC 90(5A)

CC 91(5B)

CC 92(5C)

CC 93(5D)

CC 20(14)

CC 21(15)

CC 23(17)

CC 64(40)

CC 11(0B)


Port

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) / 127(7F)

0(00) - 127(7F)

16

16

16

16

16

16

16

16

16

1

1

16

16

16

16

16

16

16

16

16

16

16

16

16

16

16

16

2

2

2

2

2

2

2

2

2

1

1

2

2

2

2

2

2

2

2

2

2

2

2

2

2

2

2

102


Memory sets

■

H-COMPATIBLE (ProTools LE, Digital Performer 3) SET (MEMORY: 9)

When using this memory set, turn the PCR-1’s OMNI (p. 54) setting OFF, and turn the

H-ACTIVITY

(p.

95) setting ON.

Parameter

R1 ROTARY ENCODER 1

R2 ROTARY ENCODER 2

R3 ROTARY ENCODER 3

R4 ROTARY ENCODER 4

R5 ROTARY ENCODER 5

R6 ROTARY ENCODER 6

R7 ROTARY ENCODER 7

R8 ROTARY ENCODER 8

S1 FADER 1

S2 FADER 2

S3 FADER 3

S4 FADER 4

S5 FADER 5

S6 FADER 6

S7 FADER 7

S8 FADER 8

B1 MUTE 1

B2 SOLO 1

B3 REC 1

B4 WRITE 1

B5 TRACK <

B6 TRACK >

L1 REWIND

L2 STOP

L3 PLAY

P1 HOLD

P2 EXPRESSION

Message (Hex.)

B0 40 dd

B0 41 dd

B0 42 dd

B0 43 dd

B0 44 dd

B0 45 dd

B0 46 dd

B0 47 dd

B0 0F 00 B0 2F 40 B0 00 dd B0 20 00 B0 0F 00 B0 2F 00

B0 0F 01 B0 2F 40 B0 01 dd B0 21 00 B0 0F 01 B0 2F 00

B0 0F 02 B0 2F 40 B0 02 dd B0 22 00 B0 0F 02 B0 2F 00

B0 0F 03 B0 2F 40 B0 03 dd B0 23 00 B0 0F 03 B0 2F 00

B0 0F 04 B0 2F 40 B0 04 dd B0 24 00 B0 0F 04 B0 2F 00

B0 0F 05 B0 2F 40 B0 05 dd B0 25 00 B0 0F 05 B0 2F 00

B0 0F 06 B0 2F 40 B0 06 dd B0 26 00 B0 0F 06 B0 2F 00

B0 0F 07 B0 2F 40 B0 07 dd B0 27 00 B0 0F 07 B0 2F 00

B0 0F 00 B0 2F dd

B0 0F 00 B0 2F dd

B0 0F 00 B0 2F dd

B0 0F 00 B0 2F dd

B0 0F 0A B0 2F dd

B0 0F 0A B0 2F dd

B0 0F 0E B0 2F dd

B0 0F 0E B0 2F dd

B0 0F 0E B0 2F dd

CC 64(40)

CC 11(0B)

Range (Hex.)

DEC(01) / INC(41)

DEC(01) / INC(41)

DEC(01) / INC(41)

DEC(01) / INC(41)

DEC(01) / INC(41)

DEC(01) / INC(41)

DEC(01) / INC(41)

DEC(01) / INC(41)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

ON(42) / OFF(02)

ON(43) / OFF(03)

ON(47) / OFF(07)

ON(44) / OFF(04)

ON(40) / OFF(00)

ON(42) / OFF(02)

ON(41) / OFF(01)

ON(43) / OFF(03)

ON(44) / OFF(04)

0(00) / 127(7F)

0(00) - 127(7F)

Ch.

-

-

-

-

-

-

-

-

-

1

1

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

Port

2

2

2

2

2

2

2

2

2

1

1

2

2

2

2

2

2

2

2

2

2

2

2

2

2

2

2

■

GS SET

When using this memory set, you will find it convenient to turn the PCR-1’s OMNI (p. 54) setting ON.

GS-A (MEMORY: A)

Parameter

R1 REVERB MACRO

R2 REVERB CHARACTER

R3 REVERB PRE-LPF

R4 REVERB TIME

R5 REVERB PREDELAY TIME

R6 REVERB DELAY FEEDBACK

R7 REVERB LEVEL

R8 PART PANPOT

S1 VIBRATO RATE

S2 VIBRATO DEPTH

S3 VIBRATO DELAY

S4 TVF&TVA ENV.ATTACK

S5 TVF&TVA ENV.DECAY

S6 TVF&TVA ENV.RELEASE

S7 REVERB SEND LEVEL

S8 PART LEVEL

B1 PROGRAM CHANGE DEC

B2 PROGRAM CHANGE INC

B3 NRPN ON/OFF

B4 RANDOM PAN

B5 MODE POLY/MONO

B6 GS RESET

L1 STOP

L2 START

L3 CONTINUE

P1 HOLD

P2 EXPRESSION

Message (Hex.)

F0 41 10 42 12 40 01 30 dd SUM F7

F0 41 10 42 12 40 01 31 dd SUM F7

F0 41 10 42 12 40 01 32 dd SUM F7

F0 41 10 42 12 40 01 34 dd SUM F7

F0 41 10 42 12 40 01 37 dd SUM F7

F0 41 10 42 12 40 01 35 dd SUM F7

F0 41 10 42 12 40 01 33 dd SUM F7

F0 41 10 42 12 40 1x 1C dd SUM F7

F0 41 10 42 12 40 1x 30 dd SUM F7

F0 41 10 42 12 40 1x 31 dd SUM F7

F0 41 10 42 12 40 1x 37 dd SUM F7

F0 41 10 42 12 40 1x 34 dd SUM F7

F0 41 10 42 12 40 1x 35 dd SUM F7

F0 41 10 42 12 40 1x 36 dd SUM F7

F0 41 10 42 12 40 1x 22 dd SUM F7

F0 41 10 42 12 40 1x 19 dd SUM F7

PROGRAM CHANGE

PROGRAM CHANGE

F0 41 10 42 12 40 1x 0A dd SUM F7

F0 41 10 42 12 40 1x 1C 00 SUM F7

F0 41 10 42 12 40 1x 13 dd SUM F7

F0 41 10 42 12 40 00 7F 00 41 F7

FC

FA

FB

CC 64(40)

CC 11(0B)


0(00) - 7(07)

0(00) - 7(07)

0(00) - 7(07)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

1(01) - 127(7F)

0(00) - 64(40) - 127(7F)

0(00) - 64(40) - 127(7F)

0(00) - 64(40) - 127(7F)

0(00) - 64(40) - 127(7F)

0(00) - 64(40) - 127(7F)

0(00) - 64(40) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F) min:1 (00) max:128 (7F)

OFF(00) / ON(01)

-

-

-

BLOCK

BLOCK

MONO(00) / POLY(01) BLOCK

-

-

-

-

-

-

0(00) / 127(7F)

0(00) - 127(7F)

-

1

1

-

-

-

-

-

-

-

BLOCK

BLOCK

BLOCK

BLOCK

BLOCK

BLOCK

BLOCK

BLOCK

BLOCK

Port

2

2

1

1

1

1

-

-

2

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

103


Memory sets

GS-B (MEMORY: B)

Parameter

R1 CHORUS MACRO

R2 CHORUS PRE-LPF

R3 CHORUS DELAY

R4 CHORUS RATE

R5 CHORUS DEPTH

R6 CHORUS FEEDBACK

R7 CHORUS LEVEL

R8 PART PANPOT

S1 CHORUS SEND LEVEL TO REVERB

S2 CHORUS SEND LEVEL TO DELAY

S3 TVF CUTOFF FREQ

S4 TVF RESONANCE

S5 MODULATION DEPTH

S6 BEND RANGE

S7 CHORUS SEND LEVEL

S8 PART LEVEL



B3 NRPN ON/OFF

B4 RANDOM PAN

B5 MODE POLY/MONO

B6 GS RESET

L1 STOP

L2 START

L3 CONTINUE

P1 HOLD

P2 EXPRESSION

Message (Hex.)

F0 41 10 42 12 40 01 38 dd SUM F7

F0 41 10 42 12 40 01 39 dd SUM F7

F0 41 10 42 12 40 01 3C dd SUM F7

F0 41 10 42 12 40 01 3D dd SUM F7

F0 41 10 42 12 40 01 3E dd SUM F7

F0 41 10 42 12 40 01 3B dd SUM F7

F0 41 10 42 12 40 01 3A dd SUM F7

F0 41 10 42 12 40 1x 1C dd SUM F7

F0 41 10 42 12 40 01 3F dd SUM F7

F0 41 10 42 12 40 01 40 dd SUM F7

F0 41 10 42 12 40 1x 32 dd SUM F7

F0 41 10 42 12 40 1x 33 dd SUM F7

F0 41 10 42 12 40 2x 04 dd SUM F7

F0 41 10 42 12 40 2x 10 dd SUM F7

F0 41 10 42 12 40 1x 21 dd SUM F7

F0 41 10 42 12 40 1x 19 dd SUM F7

PROGRAM CHANGE

PROGRAM CHANGE

F0 41 10 42 12 40 1x 0A dd SUM F7

F0 41 10 42 12 40 1x 1C 00 SUM F7

F0 41 10 42 12 40 1x 13 dd SUM F7

F0 41 10 42 12 40 00 7F 00 41 F7

FC

FA

FB

CC 64(40)

CC 11(0B)

GS-C (MEMORY: C)

Parameter

R1 DELAY MACRO

R2 DELAY PRE-LPF

R3 DELAY TIME RATIO LEFT

R4 DELAY TIME CENTER

R5 DELAY TIME RATIO RIGHT

R6 DELAY FEEDBACK

R7 DELAY LEVEL

R8 PART PANPOT

S1 DELAY SEND LEVEL TO REVERB

S2 DELAY LEVEL LEFT

S3 DELAY LEVEL CENTER

S4 DELAY LEVEL RIGHT

S5 EQ LOW GAIN

S6 EQ HIGH GAIN

S7 DELAY SEND LEVEL

S8 PART LEVEL

B1 EQ ON / OFF

B2 EQ LOW FREQ (200Hz/400Hz)

B3 EQ HIGH FREQ (3kHz/6kHz)

B4 RANDOM PAN

B5 MODE POLY/MONO

B6 GS RESET

L1 STOP

L2 START

L3 CONTINUE

P1 HOLD

P2 EXPRESSION

Message (Hex.)

F0 41 10 42 12 40 01 50 dd SUM F7

F0 41 10 42 12 40 01 51 dd SUM F7

F0 41 10 42 12 40 01 53 dd SUM F7

F0 41 10 42 12 40 01 52 dd SUM F7

F0 41 10 42 12 40 01 54 dd SUM F7

F0 41 10 42 12 40 01 59 dd SUM F7

F0 41 10 42 12 40 01 58 dd SUM F7

F0 41 10 42 12 40 1x 1C dd SUM F7

F0 41 10 42 12 40 01 5A dd SUM F7

F0 41 10 42 12 40 01 56 dd SUM F7

F0 41 10 42 12 40 01 55 dd SUM F7

F0 41 10 42 12 40 01 57 dd SUM F7

F0 41 10 42 12 40 02 01 dd SUM F7

F0 41 10 42 12 40 02 03 dd SUM F7

F0 41 10 42 12 40 1x 2C dd SUM F7

F0 41 10 42 12 40 1x 19 dd SUM F7

F0 41 10 42 12 40 4x 20 dd SUM F7

F0 41 10 42 12 40 02 00 dd SUM F7

F0 41 10 42 12 40 02 02 dd SUM F7

F0 41 10 42 12 40 1x 1C 00 SUM F7

F0 41 10 42 12 40 1x 13 dd SUM F7

F0 41 10 42 12 40 00 7F 00 41 F7

FC

FA

FB

CC 64(40)

CC 11(0B)

Range (Hex.)

0(00) - 7(07)

0(00) - 7(07)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

1(01) - 127(7F)

0(00) - 64(40) - 127(7F)

0(00) - 64(40) - 127(7F)

0(00) - 64(40) - 127(7F)

0(00) - 64(40) - 127(7F)

0(00) - 127(7F)

64(40) - 88(58)

0(00) - 127(7F)

0(00) - 127(7F) min:1 (00) max:128 (7F)

OFF(00) / ON(01)

-

MONO(00) / POLY(01)

-

-

-

-

0(00) / 127(7F)

0(00) - 127(7F)

Port

2

2

1

1

1

1

-

-

2

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

Ch.

-

-

BLOCK

BLOCK

BLOCK

-

-

-

-

1

1

-

-

-

-

-

-

-

BLOCK

BLOCK

BLOCK

BLOCK

BLOCK

BLOCK

BLOCK

BLOCK

BLOCK

Range (Hex.)

0(00) - 9(09)

0(00) - 7(07)

1(01) - 120(78)

1(01) - 115(73)

1(01) - 120(78)

0(00) - 64(40) - 127(7F)

0(00) - 127(7F)

1(01) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

22(34) - 64(40) - 76(4C)

22(34) - 64(40) - 76(4C)

0(00) - 127(7F)

0(00) - 127(7F)

OFF(00) / ON(01)

200Hz(00) / 400Hz(01)

3kHz(00) / 6kHz(01)

-

MONO(00) / POLY(01)

-

-

-

-

0(00) / 127(7F)

0(00) - 127(7F)

Port

2

2

1

1

1

1

1

1

2

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

Ch.

BLOCK

-

-

BLOCK

BLOCK

-

-

-

-

1

1

-

-

-

-

-

-

-

BLOCK

-

-

-

-

-

-

BLOCK

BLOCK

104


Memory sets

■

XG SET

When using this memory set, you will find it convenient to turn the PCR-1’s OMNI (p. 54) setting ON.

XG-A (MEMORY: D)

Parameter

R1 BEND PITCH CONTROL

R2 BEND FILTER CONTROL

R3 BEND AMPLITUDE CONTROL

R4 PITCH EG INITIAL LEVEL

R5 PITCH EG ATTACK TIME

R6 PITCH EG RELEASE LEVEL

R7 PITCH EG RELEASE TIME

R8 PAN

S1 BEND LFO PMOD DEPTH

S2 BEND LFO FMOD DEPTH

S3 BEND LFO AMOD DEPTH

S4 REVERB SEND

S5 CHORUS SEND

S6 VARIATION SEND

S7 DRY LEVEL

S8 VOLUME



B3 PART MODE NORMAL/DRUM

B4 RANDOM PAN

B5 MONO/POLY MODE

B6 XG SYSTEM ON

L1 STOP

L2 START

L3 CONTINUE

P1 HOLD

P2 EXPRESSION

Message (Hex.)

F0 43 10 4C 08 0ch 23 dd F7

F0 43 10 4C 08 0ch 24 dd F7

F0 43 10 4C 08 0ch 25 dd F7

F0 43 10 4C 08 0ch 69 dd F7

F0 43 10 4C 08 0ch 6A dd F7

F0 43 10 4C 08 0ch 6B dd F7

F0 43 10 4C 08 0ch 6C dd F7

F0 43 10 4C 08 0ch 0E dd F7

F0 43 10 4C 08 0ch 26 dd F7

F0 43 10 4C 08 0ch 27 dd F7

F0 43 10 4C 08 0ch 28 dd F7

F0 43 10 4C 08 0ch 13 dd F7

F0 43 10 4C 08 0ch 12 dd F7

F0 43 10 4C 08 0ch 14 dd F7

F0 43 10 4C 08 0ch 11 dd F7

F0 43 10 4C 08 0ch 0B dd F7

PROGRAM CHANGE

PROGRAM CHANGE

F0 43 10 4C 08 0ch 07 dd F7

F0 43 10 4C 08 0ch 0E 00 F7

F0 43 10 4C 08 0ch 05 dd F7

F0 43 10 4C 00 00 7E 00 F7

FC

FA

FB

CC 64(40)

CC 11(0B)

Range (Hex.)

0(00) - 64(40) - 127(7F)

0(00) - 64(40) - 127(7F)

0(00) - 64(40) - 127(7F)

0(00) - 64(40) - 127(7F)

0(00) - 64(40) - 127(7F)

0(00) - 64(40) - 127(7F)

0(00) - 64(40) - 127(7F)

1(01) - 64(40) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F) min:1 (00) max:128 (7F)

OFF(00) / ON(01)

-

MONO(00) / POLY(01)

-

-

-

-

0(00) / 127(7F)

0(00) - 127(7F)

Ch.

CURRENT CH

CURRENT CH

CURRENT CH

CURRENT CH

CURRENT CH

CURRENT CH

CURRENT CH

CURRENT CH

CURRENT CH

CURRENT CH

CURRENT CH

CURRENT CH

CURRENT CH

CURRENT CH

CURRENT CH

CURRENT CH

-

-

CURRENT CH

CURRENT CH

CURRENT CH

-

-

-

-

1

1

Port

2

2

1

1

1

1

-

-

2

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

XG-B (MEMORY: E)

Parameter

R1 MW PITCH CONTROL

R2 MW FILTER CONTROL

R3 MW AMPLITUDE CONTROL

R4 REVERB PAN

R5 CHORUS PAN

R6 VARIATION PAN

R7 SEND VARIATION TO REVERB

R8 SEND VARIATION TO CHORUS

S1 MW LFO PMOD DEPTH

S2 MW LFO FMOD DEPTH

S3 MW LFO AMOD DEPTH

S4 REVERB RETURN

S5 CHORUS RETURN

S6 VARIATION RETURN

S7 SEND CHORUS TO REVERB

S8 VOLUME



B3 PART MODE NORMAL/DRUM

B4 RANDOM PAN

B5 MONO/POLY MODE

B6 XG SYSTEM ON

L1 STOP

L2 START

L3 CONTINUE

P1 HOLD

P2 EXPRESSION

Message (Hex.)

F0 43 10 4C 08 0ch 1D dd F7

F0 43 10 4C 08 0ch 1E dd F7

F0 43 10 4C 08 0ch 1F dd F7

F0 43 10 4C 02 01 0D dd F7

F0 43 10 4C 02 01 2D dd F7

F0 43 10 4C 02 01 57 dd F7

F0 43 10 4C 02 01 58 dd F7

F0 43 10 4C 02 01 59 dd F7

F0 43 10 4C 08 0ch 20 dd F7

F0 43 10 4C 08 0ch 21 dd F7

F0 43 10 4C 08 0ch 22 dd F7

F0 43 10 4C 02 01 0C dd F7

F0 43 10 4C 02 01 2C dd F7

F0 43 10 4C 02 01 56 dd F7

F0 43 10 4C 02 01 2E dd F7

F0 43 10 4C 08 0ch 0B dd F7

PROGRAM CHANGE

PROGRAM CHANGE

F0 43 10 4C 08 0ch 07 dd F7

F0 43 10 4C 08 0ch 0E 00 F7

F0 43 10 4C 08 0ch 05 dd F7

F0 43 10 4C 00 00 7E 00 F7

FC

FA

FB

CC 64(40)

CC 11(0B)

Range (Hex.)

0(00) - 64(40) - 127(7F)

0(00) - 64(40) - 127(7F)

0(00) - 64(40) - 127(7F)

0(00) - 64(40) - 127(7F)

0(00) - 64(40) - 127(7F)

0(00) - 64(40) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F)

0(00) - 127(7F) min:1 (00) max:128 (7F)

OFF(00) / ON(01)

-

MONO(00) / POLY(01)

-

-

-

-

0(00) / 127(7F)

0(00) - 127(7F)

Ch.

CURRENT CH

CURRENT CH

CURRENT CH

-

-

-

-

-

CURRENT CH

CURRENT CH

CURRENT CH

-

-

-

-

CURRENT CH

-

-

CURRENT CH

CURRENT CH

CURRENT CH

-

-

-

-

1

1

Port

2

2

1

1

1

1

-

-

2

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

105


Troubleshooting

fig.winmac

Problems common to Windows and Macintosh fig.win

Problems occurring only in Windows fig.mac

Problems occurring only in Macintosh

Trouble shooting is organized according to different operating systems. Refer to the icon(s) at the left of the title to find your items you need.

* For details on operating your Windows or Macintosh computer, refer to the owner’s manual of the computer and operating system you are using.

Problems related to the USB driver

Cannot install the driver correctly

Did you make the correct connections and settings for installation? Check each one of the following items.

• Is the PCR-1 connected correctly?

Make sure that the USB connector of your computer is connected to the PCR-1 by a USB cable.

• Is the CD-ROM correctly inserted into your CD-ROM drive?

Installation is not possible unless the CD-ROM included with the PCR-1 is inserted in your CD-

ROM drive. Make sure that the CD-ROM is correctly inserted into your CD-ROM drive.

• Is the CD-ROM or the lens of the CD-ROM dirty?

If the CD-ROM or the lens of the CD-ROM drive is dirty, the installer may not work correctly. Clean the disc and/or lens using a commercially-available CD cleaner or lens cleaner.

• Are you installing the software from a networked CD-ROM drive?

The software cannot be installed from a networked CD-ROM drive.

• Could other applications or resident software (such as antivirus programs) be running?

Installation may not be successful if other programs are running.

Be sure to close all other programs before installation.

• Is your computer’s power-conservation mode turned off?

If power-conservation settings are enabled on your computer, please disable any such settings. (For the procedure, refer to the owner’s manual of your computer.)

• Could any other USB device be connected?

Before you install, disconnect all USB devices except for your mouse and keyboard.

• Is there sufficient free space on your hard disk?

Delete unneeded files to increase the amount of free space. After deleting the unneeded files, empty the recycling bin.

106


Troubleshooting

• Is USB enabled on your computer?

Refer to the operation manual for your computer, and make sure that USB is enabled.

Device Manager indicate any of these: “Other device,” “Unknown device,” or a device for which “?”, “!” or “x” is displayed?

If the driver installation could not be successfully completed, the installed driver may remain in an

incomplete state. Make sure to install the driver over again(p. 14).

You attempted to install using the procedure in “Installing the driver,” but the installation was not successful.

Use the procedure in Deleting the driver (p. 110) to uninstall the driver.

Then set the PCR to the following driver mode, turn the PCR’s power on again, and install the driver once again.]

“USB MIDI DRIVER MODE “

(p. 95)

0: Original driver

“USB AUDIO MODE SETTING”

(p. 96)

0: 44.1kHz (ADVANCE)

Is OMS or FreeMIDI installed? (Mac OS 9)

The PCR-1 driver cannot be installed unless OMS or FreeMIDI are installed. Please install OMS or

FreeMIDI .

PCR-1 is not detected when making OMS or FreeMIDI settings (Mac OS 9 users)

• Is the PCR-1 detected?

Reconnect the USB cable.

If other USB devices are connected, connect only the PCR-1.

It is possible that the Macintosh did not correctly detect and initialize the PCR-1. Leave the

PCR-1’s USB cable connected, and restart your Macintosh. If it is still not detected, shut down your Macintosh, and then restart it.

In some cases, the PCR-1 will not be detected if you have connected it to the USB connector located on the keyboard of the Macintosh. Please connect it to a USB connector on the

Macintosh itself.

The “Insert Disk” dialog box does not appear

It is possible that the unsuccessfully installed driver is still present.

Turn off the power of your computer, and then install the driver once again.

107


Troubleshooting

Cannot install the driver correctly“Find new hardware wizard” does not execute automatically

The “Insert Disk” dialog box does not appear

The “Insert Disk” dialog box does not appear “Find new hardware wizard” ends before the process is completed

• It may take about 15 seconds (or more) after the USB cable is connected for the PCR-1 to be detected.

• Is the USB cable connected correctly?

Make sure that the PCR-1 and your computer are correctly connected via a USB cable.

• Is USB enabled on your computer?

Refer to the operation manual for your computer, and make sure that USB is enabled.

• Does your computer or USB hub have sufficient power supply capacity?

The PCR-1 cannot be connected if insufficient power is supplied to it. Check whether one of the following cases apply.

If you are using the PCR-1 with a notebook computer that is running on its battery, operation may be unreliable with some models of computer. If this is the case, connect the

AC adaptor to your notebook computer.

The power conservation mode of your computer may limit the power that is supplied to

USB. Check the settings of your computer.

In some cases, the PCR-1 cannot be used with a bus-powered hub (a hub that does not contain a power supply). Please use a self-powered hub (a hub that contains a power supply).

• It has been found that in some cases, not all of the Windows 98 files required to support audio via USB are installed when a computer is shipped.

Please contact the manufacturer of your computer.

• Does your computer meet the USB specifications?

If you are using a computer that does not fulfill the electrical requirements of the USB specifications, operation may be unstable. In this case, you may be able to solve the problem by connecting a USB hub.

If the above actions do not solve the problem, it is possible that the PCR-1 has been incorrectly detected by the computer. Please reinstall the driver from the beginning of the procedure. (

Getting

Connected and Installing Drivers (Windows) (p. 14))

108


Troubleshooting

“Found unknown device” appears even though you installed the driver

If your computer or USB hub has two or more USB connectors, and you connect the PCR-1 to a USB connector to which the PCR-1 has never been connected before, the “Unknown device” dialog box may appear even on a computer onto which you have already installed the driver.

Refer to Installing the driver (p. 14), and install the driver once again. This is not a malfunction.

If the “Found unknown device” dialog box appears even though the PCR-1 is connected to the same USB connector as before, it is possible that the computer has detected the PCR-1 incorrectly.

Please reinstall the driver from the beginning of the procedure (p. 14).

Can’t install/delete/use the driver in Windows XP/2000

• Did you log on to Windows as a user with administrative privileges?

In order to install/delete/re-install the driver in Windows XP/2000, you must be logged into

Windows as a user with administrative privileges, such as Administrator. For details, please contact the system administrator for your computer system.

• Did you make “Driver Signing Options”?

• In order to install/re-install the driver, you must make “Driver Signing Options”.

( ➝ Windows XP

(p. 14),

Windows 2000

(p. 20)

Windows XP/2000 displays a “Hardware Installation” or

“Digital Signature Not Found” dialog box

• Did you make “Driver Signing Options”?

In order to install/re-install the driver, you must make the settings described in “Driver Signing

Options” .

( ➝ Windows XP

(p. 14),

Windows 2000

(p. 20)

109


Troubleshooting

■ Deleting the driver

If you were unable to install the driver according to the procedure given, the PCR-1 may not be recognized correctly by the computer. In this case, use the following procedure to delete the driver, and then follow the procedure to install the driver once again.

1

Start up Windows with the PCR-1 disconnected.

Disconnect all USB cables other than a USB keyboard or USB mouse.

* If you are using Windows XP Professional/2000, log on as a user that has administrative privileges (e.g.,

Administrator).

2

Windows users

Here’s how to uninstall the dedicated driver.


3

From the Windows Start menu, choose “Run...”.

In the Run dialog box, input the following into the Open field, and click [OK].

Windows XP/2000 users: D:\DRIVER\USB_XP2K\Uninstal.EXE

Windows Me/98 users: D:\DRIVER\USB_ME98\Uninstal.EXE

* The drive name D: may be different on your system. Use the drive name for your CD-ROM drive.

4

Follow the on-screen instructions to uninstall the driver.

1

Macintosh ( Mac OS 9) users

Turn off the power of the PCR-1.

Also disconnect the USB cable (by which the PCR-1 is connected) from your Macintosh.

2

From the system extensions folder, drag “USB PCR-1 Driver” and “USB PCR-1Audio

Driver” into the trash to delete it.

3

Delete PCR-1 from the OMS Folder inside the System folder, or drag PCR-1 Driver from the

FreeMIDI Folder inside the System folder to the trash.

4

Restart the Macintosh.

110

Troubleshooting

Problems when using the PCR-1

fig.winmac

Operating system becomes unstable

• Operation becomes unstable when the computer is started up with the PCR-1 already connected

Please start up your computer with the PCR-1 disconnected, and then connect the PCR-1. On a computer that uses a USB keyboard, starting up the computer with the PCR-1 already connected may cause operation to become unstable. In this case, start up the computer with the PCR-1 disconnected, and then connect the PCR-1.

fig.winmac

Can’t hear sound from the computer

• Do the recording and playback sampling frequencies match?

Set the recording and playback sampling frequencies so they match.

• The PCR-1’s Sampling frequency select switch may have been set to “96 kHz REC”.

With this setting, only recording is possible. Sound from the computer cannot be played back.

• In your playback software, have you specified the audio data output destination?

For some software, such as Cool Edit Pro LE, you will need to specify the PCR-1 as the output destination for audio data. For details on the procedure for making settings, refer to the owner’s manual for your software.

• Are you running multiple applications?

If multiple applications are running simultaneously, an error message may appear. If this occurs, click [OK] and exit the other applications.

Even if an application window is closed, it is still running if it appears in the taskbar. Be sure to exit unneeded applications displayed.

• Was the driver installed correctly?

In order for you to play back audio data via the PCR-1, the driver must be installed. For installation and settings, refer to “Getting Connected and Installing Drivers” ( ➝ Windows

(p. 14),

Macintosh

(p. 31).

• Is your computer in Suspend or Sleep mode?

If so, get your computer to resume normal operation, then exit all applications that are using the

PCR-1. Next, turn the PCR-1’s power off, then switch it on again.

• Did you plug in the USB cable, or unplug it while an application was running?

Exit all applications that are using the PCR-1, and exit all applications that are using the PCR-1, and re-connect the PCR-1.

• Have you selected “Game compatible device” or “Voice modem” as the output for the audio track?

If game compatible device or voice modem (the actual name will depend on the computer you are using) is selected for the audio track of your software, the audio track may not play back. Do not select these devices as the port.

fig.winmac

Volume from a device connected to the input jacks is too low

• Are you using a cable that has a built-in resistor?

Use a cable without a built-in resistor (e.g., Roland PCS series).

• Is the Input volume raised appropriately?

Turn the knob clockwise to adjust the volume.

111

Troubleshooting fig.winmac

Noise is heard during audio playback

In some cases, you may also be able to solve this problem by grounding the chassis of your computer, or the grounding connector of the AC power supply plug of your computer. In addition, you can check whether any devices that produce a strong magnetic field are located nearby, such as a television or microwave oven.

• Are two or more audio devices such as the PCR-1 or a mixer connected to your computer?

Try connecting only a single PCR-1 unit, and check whether the noise disappears. If numerous audio devices are connected to a computer, noise may occur depending on your system. In such cases, connect only the PCR-1 to your computer.

Does your sequencer software support ASIO 2.0 or 24-bit audio?

If your ASIO-compatible software does not support ASIO 2.0, it will not operate correctly if you use

[PCR-1 ASIO2.0 16bit] or [PCR-1 ASIO2.0 24bit] as the ASIO driver.

In this case, select either [PCR-1 ASIO1.0 16bit] or [PCR-1 ASIO1.0 24bit] as the ASIO driver.

If your ASIO-compatible software does not support 24-bit audio input/output, it will not operate correctly if you select [PCR-1 ASIO1.0 24bit] or [PCR-1 ASIO2.0 24bit] as the ASIO driver. In this case, select either [PCR-1 ASIO1.0 16bit] or [PCR-1 ASIO2.0 16bit] as the ASIO driver.

Graphic accelerators may cause noise to be heard during audio playback.

Use the following procedure to turn the graphic accelerator “Off.”

1.

2.

3.

4.

In the Windows Control Panel , double-click the Screen Properties dialog box, and click the

Settings tab.

Click Details , and in the properties that appear, click the Performance tab. For Windows

2000, click the Troubleshooting tab.

In the graphic, set the Hardware accelerator slider to None , and click [OK] .

In the Screen Properties dialog box, click [OK] to close the dialog box. Then restart your computer.

Try using the following procedure to change your disk drive settings.

The following setting item may not exist on some computers.

1.

2.

In the Windows Control Pane l, double-click

Click the Device Manager tab.

System .

3.

Double-click Disk Drives to see the list of devices .

4.

From the list, select GENERIC IDE DISK TYPE??

, and click Properties to access the

GENERIC IDE DISK TYPE?? Properties dialog box.

* In the ?? field of GENERIC IDE DISK TYPE??

112

Troubleshooting

* Depending on your system, a DMA Settings dialog box may appear. Check the contents, and click either [OK] or [Cancel] .

6.

In the System Properties computer.

dialog box, click [OK] to close the dialog box. Then restart your

Try installing more memory.

Installing more memory will increase the performance of your computer. For details on how to install more memory, refer to the operation manual for your computer.

Does your computer satisfy the requirements of the USB standard?

If you are using a computer (such as a computer that you yourself assembled) that does not satisfy the electrical requirements of the USB specifications, you may experience interruptions in the audio. If this occurs, you may be able to solve the problem by connecting a USB hub that contains its own power supply.

In some cases you may be able to solve this problem in the “EDIROL PCR-1 Driver settings” dialog box.

For details, refer to the section “Part of the playbacks wrong: e.g., notesare broken offprematurely, or somenotes are lost” within the README_E file located in the folder in which you installed the CD-ROM.

On some computers, audio playback may be interrupted due to the Power Management settings in the Control Panel.

The Power Supply Properties that you see when you double-click Power Management will differ depending on your computer system. One example is given below, but you should also refer to the operation manual for your computer. Some computers may not have all of the following setting items.

1.

Click the Windows Start button, and select Settings | Control Panel to open the [Control

Panel] .

2.

In Control Panel , double-click System to open the System Properties dialog box.

3.

Click the Device Manager tab.

4.

Double-click System Devices to display the list of devices .

5.

From the list, select Advanced Power Management Support . Then click Properties to open the Advanced Power Management Support Properties dialog box.

6.

Click the Settings tab, and in Troubleshooting , place a check in the check box for Don’t Poll

Power Supply Status . Then click [OK] .

7.

In the System Properties dialog box, click [OK] .

8.

Restart Windows.

113


Troubleshooting

Depending on the virtual memory setting or network-related settings, noise may occur.

Please make the following settings before use.

• In Chooser of the Apple menu, set AppleTalk to “Inactive.”(This setting is not changed as a result of turning off AppleTalk, as requested by OMS when sequencer software is started up. You must change the setting yourself using the “Chooser.”)

• In the “Memory” Control Panel, set Virtual Memory to “Off.”

• Depending on the way in which you connect to the Internet, use the PCR-1 with the following settings.

If you connect to the Internet via a LAN cable

Use while the LAN cable is connected.

If you connect to the Internet via the internal modem port, or are not connected to the

Internet

In the “TCP/IP” Control Panel , set “Connect via” to “PPP.”

After you have made the settings, restart your Macintosh.

* Do not use software that accesses the network (such as a Web browser) at the same time that you are using sequencer software or audio editing software.

fig.ASIO-04

Try increasing the Buffer Size in the ASIO Driver control panel.

The name of the settings dialog box will differ depending on your software.

* If you change the buffer size , you must exit the software and then restart it.

* Roland can make no guarantee of, nor provide support regarding the operation of sequencer software and audio editing software made by another manufacturer. Please contact the manufacturer of the software you are using.

114



Playback or recording halts midway through, and then becomes impossible

• Was a heavy processing load experienced while using the PCR-1, such as accessing the CD-ROM drive or a network?

If an operation involving a heavy processing load is performed while the PCR-1 is in use, it may not operate correctly. If this occurs, stop playback/recording, and then try resuming playback/ recording. If you are still unable to play back/record, exit all applications that use the PCR-1, switch off the PCR-1, then turn it on again.

fig.mac

Can’t record / play 24-bit audio data

• Does your software support 24-bit audio data?

• Is your software set to record/play 24-bit audio data?

• Have you selected [PCR-1 ASIO1.0 24bit] or [PCR-1 ASIO2.0 24bit] as the ASIO driver?

fig.win

Recording produces a silent (blank) file

• Try setting the bit rate to “16 bit or higher.”

If you are using Windows 98 Second Edition and your recording software is set to a bit rate setting of 8 bits, a silent file may be created, effectively making recording impossible. If this occurs, set the bit rate to “16 bit or higher,” and you will be able to record normally.

• In your operating system, is the audio data input destination set correctly?

• On your recording software, is the audio data input destination set correctly?

• The PCR-1’s USB AUDIO MODE SETTING (p.96) select may have been set to “96 kHz

PLAY”.

When set to “96 kHz PLAY” , only playback is possible. If you want to record the sound from your computer, choose a setting other than “96 kHz PLAY” .

115



Can’t record MIDI

• Has the MIDI device you are using been set correctly?

Make the correct input/output device settings. ( ➝

Input / output devices (p. 44))

Make sure that the PCR-1 is selected as the MIDI input/output device (port) in the software that you want to control. If the PCR-1 is connected via USB, you can use two ports for controlling your software. Make sure that the desired port is correctly selected. ( ➝

Audio and MIDI flow (p. 43))

• Are you running multiple applications?

If multiple applications are running simultaneously, an error message may appear. If this occurs, click [OK] and exit the other applications.

Even if an application window is closed, it is still running if it appears in the taskbar. Be sure to exit unneeded applications displayed.

• Was the driver installed correctly?

In order for you to play back audio data via the PCR-1, the driver must be installed. For installation and settings, refer to “Getting Connected and Installing Drivers” ( ➝ Windows

(p. 14)/

Macintosh

(p. 31).

• Could the power of your equipment be off?

Make sure that the power to your audio equipment (e.g., stereo) and the PCR-1 has been connected.

• Are the volume controls of the PCR-1 set appropriately?

Use the PCR-1’s front panel VOLUME knob to adjust the volume.

• Is your computer in Suspend or Sleep mode?

If so, get your computer to resume normal operation, then exit all applications that are using the

PCR-1. Next, disconenct the USB cable from the PCR-1, then connect it again.

• Did you plug in the USB cable, or unplug it while an application was running?

Exit all applications that are using the PCR-1, and exit all applications that are using the PCR-1, and re-connect the PCR-1.

Is OMS/FreeMIDI set correctly?

As described in

OMS settings (p. 34) or

FreeMIDI settings (p. 36), check the OMS or FreeMIDI

settings. Also make sure that the device for MIDI IN/OUT is correctly selected in the MIDI settings of your MIDI sequencer software.

Is the OMS setup enabled?

If a diamond-shaped symbol is not displayed at the left edge of the title area in the OMS setup window, the setup is not enabled. From the OMS File menu, choose “Make Current”

(p. 35).

116


MIDI implementation

1. Receive data

■

System exclusive messages

● Universal non-realtime system exclusive message

❍ Identity request message

Status

F0H

Data byte

7EH, dev, 06H, 01H

Status

F7H

2. Transmit data

■

Channel voice messages

In addition to the channel voice messages that can be transmitted in each mode, the

PCR-1 lets you assign any channel voice message to any controller and transmit it.

Byte

F0H

7EH dev

06H

01H

F7H

Explanation

Exclusive status

ID number (Universal non-realtime system exclusive message)

Device ID (10 or 7FH (Broadcast))

Sub ID #1 (PCR-1)

Sub ID #1 (PCR-1)

EOX (End of Exclusive)

● Note off

Status

9nH

2nd byte kkH n = MIDI channel number: kk = note number:

3rd byte

00H

0H – FH (Ch.1 – 16)

00H – 7FH (0 – 127)

* Transmitted when you release a key in Play mode.

● Data transmission

The PCR-1 can use Bulk Dump (p. 119) to transfer its internal

Memory sets (p. 100).

● Note on

Status

9nH

2nd byte kkH

3rd byte vvH

❍

Data Set 1 DT1 (12H)

These messages transmit the actual data, and are used to transfer data settings to a device.

n = MIDI channel number: kk = note number: vv = note on velocity:

0H – FH (Ch.1 – 16)

00H – 7FH (0 – 127)

01H – 7FH (1 – 127)

* Transmitted when you push a key in Play mode.

Status

F0H

:

: aaH ddH

: eeH sum

F7H

Byte

F0H

41H

10H

00H

62H

12H

Data byte

41H, 10H, 00H, 62H, 12H, aaH, ddH, ...eeH, sum

Status

F7H

Explanation

Exclusive status

ID number (Roland)

Device ID (For the PCR-1, fixed at 10H)

Model ID #1 (PCR-1)

Model ID #1 (PCR-1)

Command ID (RQ1)

Address

Data

● Polyphonic key pressure

Status

AnH

2nd byte kkH

3rd byte vvH n = MIDI channel number: kk = note number: vv = key pressure:

● Control change

Status

BnH

2nd byte ccH

0H – FH (Ch.1 – 16)

00H – 7FH (0 – 127)

00H – 7FH (0 – 127)

3rd byte vvH

Data

Checksum


* The amount of data that can be transmitted at once is fixed for each type of data.

Data that does not have the specified starting address and data size will not be

received. Refer to the explanation in 3. Bulk Dump (p. 119).

* There must be an interval of at least 40 ms between each exclusive message that is sent.

* Also, you must leave an interval of at least 500 ms after transmitting one set of bulk dump data.

n = MIDI channel number: cc = controller number: vv = control value:

0H – FH (Ch.1 – 16)

00H – 77H

00H – 7FH

❍

Bank Select (Controller number 0, 32)

Status 2nd byte 3rd byte

BnH

BnH

00H

20H n = MIDI channel number: mm = Bank number MSB: ll = Bank number LSB: mmH llH

0H – FH (Ch.1 – 16)

00H – 7FH

00H – 7FH

* Transmitted in Bank mode.

❍ Modulation (Controller number 1)


BnH 01H vvH n = MIDI channel number:0H – FH (Ch.1 – 16) vv = Modulation depth:00H – 7FH (0 – 127)

* Transmitted by upward/downward operation of the BENDER lever in Play mode.

117


MIDI implementation

● Program change

Status 2nd byte

CnH ppH n = MIDI channel number: pp = Program number:

0H – FH (Ch.1 – 16)

00H – 7FH (prog. 1 – prog. 128)

* Transmitted in Program change mode.

● Channel pressure

Status 2nd byte

DnH vvH

0H – FH (Ch.1 – 16)

00H – 7FH (0 – 127) n = MIDI channel number: vv = Channel pressure:

● Pitch bend change

Status 2nd byte

EnH llH

3rd byte mmH n = MIDI channel number: mm, ll = Pitch Bend value:

(-8192 – 0 – +8191)

* Transmitted by rightward/leftward operation of the BENDER lever in Play mode.

0H – FH (Ch.1 – 16)

00 00H – 40 00H – 7FH 7FH

■

Channel mode messages

In addition to the channel mode messages that can be transmitted in Panic mode, the PCR-1 lets you assign any channel voice message to any controller and transmit it.

● Channel mode messages


BnH ccH vvH n = MIDI channel number: cc = controller number: vv = control value:

0H – FH (Ch.1 – 16)

78H – 7FH

00H – 7FH

❍

All sounds off (Controller number 120)


BnH 78H 00H n = MIDI channel number: 0H – FH (Ch.1 – 16)

* Transmitted in Panic mode.

❍

Reset all controllers (Controller number 121)

Status

BnH

2nd byte

79H

3rd byte

00H n = MIDI channel number: 0H – FH (Ch.1 – 16)


❍ All notes off (Controller number 123)

Status

BnH

2nd byte

7BH

3rd byte

00H

0H – FH (Ch.1 – 16) n = MIDI channel number:


■

System common message

On the PCR-1 you can assign the following system common messages to any controller and transmit them.

● MTC quarter frame

Status 2nd byte

F1H mmH mm = Message type/value

● Song position pointer

Status

F2H

2nd byte mmH

3rd byte llH

00 00H - 7F 7FH (0-16383) mm, ll = Song position:

● Song select

Status 2nd byte

F3H mmH mm = Song number:

● Tune request

Status

F6H

00 00H - 7F 7FH (0-16383)

■

System realtime message

In addition to the Active Sensing messages that are transmitted constantly, the

PCR-1 allows you to assign the following system realtime messages (other than

Active Sensing) to any controller and transmit them.

● Timing Clock

Status

F8H

* Transmitted if the System setting F8 CLOCK is ON.

● Start

Status

FAH

● Continue

Status

FBH

● Stop

Status

FCH

● Active sensing

Status

FEH

* Transmitted at intervals of approximately 250 ms.

* Cannot be assigned to a controller.

● System reset

Status

FFH

118


MIDI implementation

■

System exclusive message

The PCR-1 is able to transmit the following exclusive messages: exclusive messages assigned to the controllers, Identity Reply, and Bulk Dump.

● Universal non-realtime system exclusive

❍ Identity reply

This message will be transmitted when an Identity Request message is received.

Status

F0H

Data byte

7EH,10H,06H,02H,41H,62H,01H,

00H,00H,02H,01H,00H,00H

Status

F7H

Byte

F0H

7EH

10H

06H

02H

41H

62H 01H

00H 00H

02H 01H

00H 00H

F7H

Explanation

Exclusive status

ID number (Universal non-realtime message)

Device ID (For the PCR-1, fixed at 10H)

Sub ID #1 (General Information)

Sub ID #1 (Identity Reply)

ID number (Roland)

Device family code

Device family number code

Software revision level

:


● Data transmission

❍ Data Set 1 DT1 (12H)

Transmitted when you execute Bulk TX in the Bulk mode.

Status

F0H

Data byte

41H, 10H, 00H, 62H, 12H, aaH, ddH, ...eeH, sum

Status

F7H

:

:

: ddH eeH sum

F7H

Byte

F0H

41H

10H

00H

62H

12H aaH

Explanation

Exclusive status

ID number (Roland)

Device ID

Model ID #1 (PCR-1)

Model ID #1 (PCR-1)

Command ID (RQ1)

Address

Data

Data

Checksum


* The amount of data that can be transmitted at once is fixed for each type of data.

Data that does not have the specified starting address and data size will not be received. Refer to the explanation in 3. Bulk Dump.

* There must be an interval of at least 40 ms between each exclusive message that is sent.

* Also, you must leave an interval of at least 500 ms after transmitting one set of bulk dump data.

3. Bulk dump

Bulk dump allows a large amount of data to be transferred in a single operation.

For example, this can be used to store all settings of a device into a computer or sequencer.

On the PCR-1, a bulk dump will be transmitted when you execute the Bulk mode operation BULK TX. The bulk dump is transmitted as several exclusive messages.

Address Parameter Packets

00H, 00H, 00H, 00H--00H, 00H, 1A, 7FCurrent memory 27

* You must leave an interval of at least 40 ms between each exclusive message.

* In the case of ALL BULK, the contents of memories 1--F will be transmitted as the current memory, consecutively from memory 1 through memory F. After transmitting one set of bulk dump data, you must leave an interval of at least

500 ms.

* Please be aware that if you modify the data dumped from the PCR-1 by changing the order in which the exclusive messages are transmitted, by inserting other messages between the system exclusive messages, or by speeding up the timing of the transmission, the data may not be set correctly when the PCR-1 receives it.

119


MIDI implementation

4. Supplementary material

● Decimal and Hexadecimal table

(An “H” is appended to the end of numbers in hexadecimal notation.)

In MIDI documentation, data values and addresses/sizes of Exclusive messages, etc. are expressed as hexadecimal values for each 7 bits.

The following table shows how these correspond to decimal numbers.

fig.11-22e

Dec.

Hex.

Dec.

Hex.

Dec.

Hex.

Dec.

Hex.

18H

19H

1AH

1BH

1CH

1DH

1EH

1FH

10H

11H

12H

13H

14H

15H

16H

17H

08H

09H

0AH

0BH

0CH

0DH

0EH

0FH

00H

01H

02H

03H

04H

05H

06H

07H

56

57

58

59

60

61

62

63

52

53

54

55

48

49

50

51

44

45

46

47

40

41

42

43

36

37

38

39

32

33

34

35

24

25

26

27

28

29

30

31

20

21

22

23

16

17

18

19

12

13

14

15

8

9

10

11

4

5

6

7

0

1

2

3

20H

21H

22H

23H

24H

25H

26H

27H

28H

29H

2AH

2BH

2CH

2DH

2EH

2FH

30H

31H

32H

33H

34H

35H

36H

37H

38H

39H

3AH

3BH

3CH

3DH

3EH

3FH

64

65

66

67

68

69

70

71

72

73

74

75

76

77

78

79

80

81

82

83

84

85

86

87

88

89

90

91

92

93

94

95

58H

59H

5AH

5BH

5CH

5DH

5EH

5FH

50H

51H

52H

53H

54H

55H

56H

57H

48H

49H

4AH

4BH

4CH

4DH

4EH

4FH

40H

41H

42H

43H

44H

45H

46H

47H

120

121

122

123

124

125

126

127

112

113

114

115

116

117

118

119

104

105

106

107

108

109

110

111

96

97

98

99

100

101

102

103

78H

79H

7AH

7BH

7CH

7DH

7EH

7FH

70H

71H

72H

73H

74H

75H

76H

77H

68H

69H

6AH

6BH

6CH

6DH

6EH

6FH

60H

61H

62H

63H

64H

65H

66H

67H

* The decimal expression of the MIDI channel, program change, etc., is one greater than the decimal value shown in the table above.

* The hexadecimal expression for each 7 bits allows a maximum of 128 steps (0--

127) to be expressed by one byte of data. Multiple bytes are used if the data requires greater resolution than this. For example, a value expressed by two 7bit bytes “aa” and “bbH” would be aa x 128 + bb.

* In the case of signed (+/-) data, 00H = -64, 40H = +/-0, and 7FH = +63; i.e., a value 64 less than the decimal value shown in the above table is used. In the case of a two-byte value, 00 00H = -8192, 40 00 = +/-0, and 7F 7F = +8191. For example, a value of “aa” and “bbH” would have a decimal expression of aa bbH

- 40 00H = aa x 128 + bb - 64 x 128.

* In the case of data indicated as “use nibble data,” hexadecimal expression in 4bit units is used. A nibble-expressed value of the two bytes 0a and 0bH would have a value of a x 16 + b.

<Example1>

What is the decimal expression of 5AH?

From the preceding table, 5AH = 90.

<Example2>

What is the decimal expression of the 7-bit hexadecimal value 12 34H?

From the preceding table, 12H = 18, and 34H = 52.

Thus, this is 18 x 128 + 52 = 2356

<Example3>

What is the decimal expression of the nibble-expressed value 0A 03 09 0D?

From the preceding table, 0AH = 10, 03H = 3, 09H = 9, and 0DH = 13.

Thus, this is ((10 x 16 + 3) x 16 + 9) x 16 + 13 = 41885

<Example4> What is the nibble-expressed value of decimal 1258?

1258 ÷ 16 = 78 (quotient) ... 10 (remainder)



From the preceding table, 0 = 00H, 4 = 04H, 14 = 0EH, 10 = 0HA.

Thus, the nibble-expressed value is 00 04 0E 0AH

● Example of an actual MIDI message

<Example1> CE 04

CnH is the Program Change status. “n” is the MIDI channel number. EH = 14, and

04H = 04. Thus, this is a program change message on MIDI channel 15, for program number 05.

● Checksum calculation

In order to verify that the message was received correctly, Roland exclusive messages (RQ1, DT1) add a checksum following the end of the data (before the F7).

The checksum value is determined by the address and data (or size) of the exclusive message that is transmitted.

❍ Calculating the checksum

(“H” has been added following hexadecimal values)

The checksum is a value that results in a lower 7 bits of 0 when the address, size, and checksum itself are added together.

Specifically, the calculation will be as follows when the exclusive message you want to transmit has an address of aa bb ccH and data or size of dd ee ffH.

aa + bb + cc + dd + ee + ff = total total ÷ 128 = quotient ... remainder

128 - remainder = checksum

* However, as an exception, the checksum for a remainder of 0 is not 80H but rather 00H.

120


MIDI implementation fig.midi-chart.e

USB AUDIO INTERFACE /

MIDI KEYBOARD CONTROLLER

Model PCR-1

Function...

MIDI Implementation Chart

Transmitted Recognized

Basic

Channel

Default

Changed

1

1—16

X

X

Mode

Default

Messages

Altered

X

X

X

Note

Number : True Voice

Velocity

Note On

Note Off

After

Touch

Key’s

Channel’s

Mode 3

OMNI ON/OFF, MONO, POLY

**************

0—127

**************

O (9n v=1—127)

O (9n v=0)

O

O

X

X

X

X

X

X

Pitch Bend

0-119

O

O

X

X

Date : Jan. 1, 2004

Version : 1.00

Remarks

Control

Change

Program

Change : True Number

O (0—127)

**************

X

X

System Exclusive

System

Common

: Song Position

: Song Select

: Tune Request

O

O

O (0—127)

O

O

X

X

X

System

Real Time

: Clock

: Commands

Aux

Messages

: All Sound Off

: Reset All Controllers

: Local On/Off

: All Notes Off

: Active Sensing

: System Reset

O *1 (120)

O *1 (121)

O

O *1 (123)

O

O

Notes

O

O

* 1 When PANIC is transmitted.

X

X

X

X

X

X

X

X

Mode 1 : OMNI ON, POLY

Mode 3 : OMNI OFF, POLY

Mode 2 : OMNI ON, MONO

Mode 4 : OMNI OFF, MONO

O : Yes

X : No

121


Main specifications

■

PCR-1: USB Audio Interface / MIDI Keyboard Controller

●

Number of Audio Record/Playback

Channels

Record:

Playback:

1 pair of stereo

1 pair of stereo

Full duplex (except for 96 kHz setting)

●

Power Supply

USB Bus Power

●

Current Draw

400 mA

●

Signal Processing

AD/DA Conversion: 24 bits

PC interface: 24 bits

●

Dimensions

450(W) x 220(D) x 28(H) mm

17-3/4 (W) x 8-11/16 (D) x 1-1/8 (H) inches

●

Sampling Rate

44.1/48/96 kHz

●

Weight

1.5 kg / 3 lbs 5 oz

●

Nominal Input Level

-10 dBu

●

Input Impedance

27 k ohms

●

Accessories

CD-ROM

USB Cable

Owner’s Manual

Template Sheets (GM2, BLANK)

●

Nominal Output Level

-10 dBu

●

Output Impedance

1 k ohms

●

Connectors

USB connector: Type B

Line Input jacks (L, R): RCA phono type

Line Output jacks (L, R): RCA phono type

Headphones jack: Stereo miniature phone type

Digital Output connector: Optical type

●

Keyboard

25 Keys (with velocity)

●

Controllers

Master Volume Knob

Memory Button

MIDI Channel Button

Shift Button

Octave Shift Buttons (+/-)

Transpose Button

Assignable Buttons (B1--6)

Pitch Bend Switch

Modulation Switch

Assignable Rotary Volume Knobs (R1--8)

(0 dBu = 0.775 V rms)

* In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.

●

Display

7 segments, 3 characters (LED)

●

Rear Panel

Input Level Knob

122


index

A

Active sensing ..................................................... 118

Advanced mode .............................................. 61, 96

AFTERTOUCH ......................................... 61, 65–66

AFTERTOUCH ASSIGN ......................... 61, 65–66

Aftertouch message .............................................. 65

ALL BULK ................................................. 89, 91–92

All notes off ................................................... 58, 118

All sounds off ................................................ 58, 118

AppleTalk ................................................ 34, 36, 114

ASIO ..................................................... 38, 40, 44, 97

ASIO Control Panel ........................................ 39–40

ASIO Device .......................................................... 38

ASIO Direct Monitor ...................................... 40, 44

ASIO driver ............................................................ 38

ASSIGN COPY ................................................ 61, 86

Assignments .......................................................... 61

Audio Devices ....................................................... 44

Audio flow ............................................................. 43

B

BANK ......................................................... 50, 55, 57

Bank mode ....................................................... 50, 57 bank select ...................................................... 50, 117

Basic mode ............................................................. 61

Bend Pitch Control ............................................... 84

BENDER Switch .................................................... 11

block number ................................................... 77, 81

Buffer Size ........................................................ 29, 39

BULK ................................................................ 89–91

Bulk dump ............................................................. 89

Bulk mode .............................................................. 90

C

CANCEL ..................................................... 11, 50, 52

Channel mode messages .................................... 118

CHANNEL PRESSURE ........................ 65, 100, 118

Channel voice messages ..................................... 117

CHECKSUM ....................................... 77, 79, 84, 120

Continue ............................................................... 118

CONTROL CHANGE ....................... 61, 68–69, 117

CONTROL CHANGE ASSIGN ............... 61, 68–69

Controllers .............................................................. 10

COPY ....................................................................... 86

CTRL IN port ......................................................... 45

Cubase ................................................................... 102

current channel ...................................................... 53

current memory ............................................... 88–89

D

data area ...................................................... 80, 83–84

Data entry ............................................................... 74

DATA OUT .............................................................. 9

Data transmission ........................................ 117, 119

DEC Button ............................................................. 10

Decimal ..................................................... 10, 54, 120

DECIMAL Button .................................................. 10

Decimal input mode ........................................ 10, 54

Deleting the driver .............................................. 110

device ...................................................................... 46

Device Manager ........................................... 112–113

Digital output jack / Headphone jack ................ 12

Digital Signature ...................................... 21–22, 109

Direct Monitor ...................................... 40, 44, 93, 97

DIRECT MONITOR ON / OFF ..................... 93, 97

Display ...................................................................... 9

driver ..................................................... 44, 46, 95–96

Driver Signing ...................................... 14, 18, 20, 23

DT1 ................................................................ 117, 119

123

PCR-1_e1.book 124 ページ２００３年１１月２０日　木曜日　午後３時２２分 index

E

EDIROL PCR-1 .......................................... 26–28, 44

EDIT .................................................................. 50, 61

EDIT Button ............................................................. 9

Edit mode ......................................................... 50, 61

Error ........................................................................ 90

Error display .......................................................... 90

F

F8 CLOCK .............................................................. 93

F8 CLOCK DEFAULT TEMPO ..................... 93–94

F8 CLOCK ON / OFF .................................... 93–94

F8 CLOCK PORT SET .................................... 93–94

FACTORY RESET ........................................... 93, 95

FPT .......................................................................... 95

FreeMIDI ................................................................ 36

G

Generic driver ....................................................... 95

GM2 MEMORY ..................................................... 95

GM2 set ................................................................ 100

GM2 System On .................................................... 82

GS SET .......................................................... 103–104

H

H-ACTIVITY ON / OFF ................................ 93, 95

H-COMPATIBLE SET ........................................ 103

HEX ..................................................................... 9, 54

HEX Button ............................................................ 10

Hexadecimal ............................................ 10, 54, 120

Hexadecimal input mode .............................. 10, 54

I

Identity reply ....................................................... 119

Identity request message ................................... 117

INC Button ............................................................. 10

Input jacks .............................................................. 12

input mode ............................................................ 54

Input volume ......................................................... 12

Insert Disk ........................................................ 16–17

K

KEYBOARD PORT SET ................................. 93–94

L

LAST ACCESS MEMORY ................................... 95

Latch mode ............................................................ 62

Latency ............................................................. 29, 39

LSB ...................................... 50, 57, 72, 74, 76, 80, 83

M

Master output jacks .............................................. 12

Master volume knob .............................................. 9

MCR-8 MODE SET ..................................... 101–102

MEMORY ......................................................... 50, 59

MEMORY / PGM CHANGE Button ................... 9

Memory mode ................................................. 50, 59

memory number ................................................... 59

Memory sets .......................................................... 59

MIDI ....................................................................... 50

MIDI CH .......................................................... 50, 53

MIDI CH / BANK SEL Button ............................. 9

MIDI Channel mode ....................................... 50, 53

MIDI Devices ......................................................... 44

MIDI flow .............................................................. 43

MME EDIROL PCR-1 In ...................................... 44

MME EDIROL PCR-1 Out ................................... 44

Modulation .................................................... 52, 117

MODULATION Button ....................................... 11

MODULATION SETTING ............................ 93, 97

MSB ..................................... 50, 57, 72, 74, 76, 80, 83

MTC quarter frame ............................................. 118

Multimedia Properties ......................................... 28

N

NO ASSIGN ..................................................... 61, 87

NOTE ...................................................................... 61

NOTE ASSIGN ................................................ 61, 63

Note message ........................................................ 63

Note off ................................................................ 117

Note on ................................................................. 117

NRPN ............................................................... 61, 74

NRPN ASSIGN ..................................................... 61

124


O

OCTAVE .......................................................... 11, 52

OCTAVE - / + ....................................................... 11

Octave Shift ............................................................ 52

OMNI ...................................................................... 54

OMNI OFF ............................................................. 54

OMNI ON .............................................................. 54

OMS ........................................................................ 34

Optical .................................................................... 12

Original driver ...................................................... 95

Other device ........................................................ 107

P

PANIC .............................................................. 50, 58

Panic mode ...................................................... 50, 58

PC DEC ............................................................. 71, 73

PC INC ............................................................. 71, 73

PCR-1 ...................................................................... 44

PCR-1 1 ................................................................... 44

PCR-1 2 ................................................................... 44

pitch .................................................................. 11, 52

Pitch Bend .............................................................. 52

Pitch bend change ............................................... 118

PITCH BEND TIME ....................................... 93, 97

PLAY mode ..................................................... 50–51

Polyphonic Key Pressure ....................... 65–66, 117

port .............................................................. 43–45, 62

Power Management ........................................... 113

Preferred device .............................................. 27–28

Program ................................................................ 118

PROGRAM CHANGE ............... 50, 54, 56, 61, 118

PROGRAM CHANGE ASSIGN ................... 61, 71

Program Change Decrement function ............... 73

Program Change Increment function ................ 73

Program Change mode .................................. 50, 56

PROTECT ............................................................... 92

PROTECT OFF ...................................................... 92

PROTECT ON ....................................................... 92

R

Receive data ......................................................... 117

Reset all controllers ...................................... 58, 118

rotary encoder ....................................................... 68

RPN ................................................................... 61, 74

RPN / NRPN ASSIGN .................................. 61, 74

RPN ASSIGN ......................................................... 61

S

sampling frequency ................ 32, 46–47, 49, 93, 96

SAVE ................................................................. 88, 92

Security Slot ........................................................... 12

SHIFT Button ........................................................... 9

SINGLE BULK ...................................................... 89

SNAPSHOT ..................................................... 50, 60

Snapshot mode ................................................ 50, 60

SONAR ................................................................. 101

Song position pointer ......................................... 118

Song select ........................................................... 118

Sounds and Audio Devices ........................... 26–27

Standard driver mode .......................................... 96

Start ....................................................................... 118

STARTUP MEMORY ..................................... 93, 95

Stop ....................................................................... 118

Sys Ex. ..................................................................... 61

Sys Ex. ASSIGN ........................................ 61, 77, 80

Sys Ex. message ..................................................... 77

SYSTEM .................................................................. 93

System common message .................................. 118

system exclusive message ....... 77, 80–82, 117, 119 system message ..................................................... 77

System realtime message ................................... 118

System reset ......................................................... 118

125


T

Template sheets ....................................................... 6

TEMPO ............................................................. 61, 85

TEMPO ASSIGN ................................................... 61

Timing Clock ....................................................... 118

Toggle mode .......................................................... 62

Transmit data ...................................................... 117

TRANSPOSE ......................................................... 52

TRANSPOSE / ENTER Button ........................... 11

Tune request ........................................................ 118

U

Universal non-realtime system exclusive ....... 119

Universal non-realtime system exclusive message ................................................................ 117

Unknown device ................................................. 107

USB ............................................................................ 9

USB AUDIO MODE SETTING ..................... 93, 96

USB AUDIO ON / OFF ................................. 93, 96

USB cable ................................................................. 6

USB connector ....................................................... 12

USB MIDI DRIVER MODE ........................... 93, 95

V

VELOCITY OFFSET ....................................... 93–94

vibrato .................................................................... 52

X

XG SET ................................................................. 105

126


Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.

Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.

* Material damage refers to damage or other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.

The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.

The

●

symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.

001

• Before using this unit, make sure to read the instructions below, and the Owner’s Manual.

................................................................................................

002a

• Do not open or perform any internal modifications on the unit.

................................................................................................

003

• Do not attempt to repair the unit, or replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

................................................................................................

004

• Never use or store the unit in places that are:

• Subject to temperature extremes (e.g., direct sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are

• Damp (e.g., baths, washrooms, on wet floors); or are

• Humid; or are

• Exposed to rain; or are

• Dusty; or are

• Subject to high levels of vibration.

................................................................................................

007

• Make sure you always have the unit placed so it is level and sure to remain stable. Never place it on stands that could wobble, or on inclined surfaces.

................................................................................................

009

010

• This unit, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist.

................................................................................................

011

• Do not allow any objects (e.g., flammable material, coins, pins); or liquids of any kind

(water, soft drinks, etc.) to penetrate the unit.

................................................................................................

012d

• Immediately turn the power off, and request servicing by your retailer, the nearest Roland

Service Center, or an authorized Roland distributor, as listed on the “Information” page when:

• If smoke or unusual odor occurs

• Objects have fallen into, or liquid has been spilled onto the unit; or

• The unit has been exposed to rain (or otherwise has become wet); or

• The unit does not appear to operate normally or exhibits a marked change in performance.

................................................................................................

2

This product complies with the requirements of European Directive 89/336/EEC.

For EU Countries

For Canada

This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.

DECLARATION OF CONFORMITY

Compliance Information Statement

Model Name :

Type of Equipment :

Responsible Party :

Address :

Telephone :

PCR-1

USB AUDIO INTERFACE/MIDI KEYBOARD CONTROLLER

Edirol Corporation North America

425 Sequoia Drive, Suite 114, Bellingham, WA 98226

(360) 594-4276

For the USA

Information

When you need repair service, call your nearest EDIROL/Roland Service Center or authorized

EDIROL/Roland distributor in your country as shown below.

EUROPE

EDIROL (Europe) Ltd.

Studio 3.4 114 Power Road

London W4 5PY

U. K.

TEL: +44 (0)20 8747 5949

FAX:+44 (0)20 8747 5948 http://www.edirol.com/europe

Deutschland

TEL: 0700 33 47 65 20

France

TEL: 0810 000 371

Italia

TEL: 02 93778329

NORTH AMERICA

CANADA

Roland Canada Music Ltd.

(Head Office)

5480 Parkwood Way Richmond

B. C., V6V 2M4 CANADA

TEL: (604) 270 6626

Roland Canada Music Ltd.

(Toronto Office)

170 Admiral Boulevard

Mississauga On L5T 2N6

CANADA

TEL: (905) 362 9707

U. S. A.

Roland Corporation U.S.

5100 S. Eastern Avenue

Los Angeles, CA 90040-2938,

U. S. A.

TEL: (323) 890 3700

AFRICA

EGYPT

Al Fanny Trading Office

9, EBN Hagar A1 Askalany

Street,

ARD E1 Golf, Heliopolis,

Cairo 11341, EGYPT

TEL: 20-2-417-1828

REUNION

Maison FO - YAM Marcel

25 Rue Jules Hermann,

Chaudron - BP79 97 491

Ste Clotilde Cedex,

REUNION ISLAND

TEL: (0262) 218-429

SOUTH AFRICA

Paul Bothner(PTY)Ltd.

Royal Cape Park, Unit 24

Londonderry Road, Ottery 7800

Cape Town, SOUTH AFRICA

TEL: (021) 799 4900

ASIA

CHINA

Roland Shanghai Electronics

Co.,Ltd.

5F. No.1500 Pingliang Road

Shanghai 200090, CHINA

TEL: (021) 5580-0800

HONG KONG

Parsons Music Ltd.

8th Floor, Railway Plaza, 39

Chatham Road South, T.S.T,

Kowloon, HONG KONG

TEL: 2333 1863

INDIA

Rivera Digitec (India) Pvt. Ltd.

409, Nirman Kendra

Mahalaxmi Flats Compound

Off. Dr. Edwin Moses Road,

Mumbai-400011, INDIA

TEL: (022) 2493 9051

INDONESIA

PT Citra IntiRama

J1. Cideng Timur No. 15J-150

Jakarta Pusat

INDONESIA

TEL: (021) 6324170

KOREA

Cosmos Corporation

1461-9, Seocho-Dong,

Seocho Ku, Seoul, KOREA

TEL: (02) 3486-8855

MALAYSIA/

SINGAPORE

Roland Asia Pacific Sdn. Bhd.

45-1, Block C2, Jalan PJU 1/39,

Dataran Prima, 47301 Petaling

Jaya, Selangor, MALAYSIA

TEL: (03) 7805-3263

PHILIPPINES

G.A. Yupangco & Co. Inc.

339 Gil J. Puyat Avenue

Makati, Metro Manila 1200,

PHILIPPINES

TEL: (02) 899 9801

TAIWAN

ROLAND TAIWAN

ENTERPRISE CO., LTD.

Room 5, 9fl. No. 112 Chung

Shan N.Road Sec.2, Taipei,

TAIWAN, R.O.C.

TEL: (02) 2561 3339

THAILAND

Theera Music Co. , Ltd.

330 Soi Verng NakornKasem,

New Road, Sumpantawongse,

Bangkok 10100, THAILAND

TEL: (02) 224-8821

VIETNAM

SAIGON MUSIC

DISTRIBUTOR

(TAN DINH MUSIC)

138 Tran Quang Khai Street

Dist. 1, Ho Chi Minh City

VIETNAM

TEL: (08) 848-4068

AUSTRALIA/

NEW ZEALAND

AUSTRALIA/

NEW ZEALAND

Roland Corporation

Australia Pty.,Ltd.

38 Campbell Avenue

Dee Why West. NSW 2099

AUSTRALIA

For Australia

Tel: (02) 9982 8266

For New Zealand

Tel: (09) 3098 715


Co.,Ltd.

(BEIJING OFFICE)

10F. No.18 3 Section Anhuaxili

Chaoyang District Beijing

100011 CHINA

TEL: (010) 6426-5050


Co.,Ltd.

(GUANGZHOU OFFICE)

2/F., No.30 Si You Nan Er Jie

Yi Xiang, Wu Yang Xin Cheng,

Guangzhou 510600, CHINA

TEL: (020) 8736-0428

CENTRAL/LATIN

AMERICA

ARGENTINA

Instrumentos Musicales S.A.

Av.Santa Fe 2055

(1123) Buenos Aires

ARGENTINA

TEL: (011) 4508-2700

BARBADOS

A&B Music Supplies LTD

12 Webster Industrial Park

Wildey, St.Michael, Barbados

TEL: (246)430-1100

BRAZIL

Roland Brasil Ltda.

Rua San Jose, 780 Sala B

Parque Industrial San Jose

Cotia - Sao Paulo - SP, BRAZIL

TEL: (011) 4615 5666

CHILE

Comercial Fancy II S.A.

Rut.: 96.919.420-1

Nataniel Cox #739, 4th Floor

Santiago - Centro, CHILE

TEL: (02) 688-9540

COLOMBIA

Centro Musical Ltda.

Cra 43 B No 25 A 41 Bododega 9

Medellin, Colombia

TEL: (574)3812529

CURACAO

Zeelandia Music Center Inc.

Orionweg 30

Curacao, Netherland Antilles

TEL:(305)5926866

DOMINICAN REPUBLIC

Instrumentos Fernando Giraldez

Calle Proyecto Central No.3

Ens.La Esperilla

Santo Domingo,

Dominican Republic

TEL:(809) 683 0305

ECUADOR

Mas Musika

Rumichaca 822 y Zaruma

Guayaquil - Ecuador

TEL:(593-4)2302364

GUATEMALA

Casa Instrumental

Calzada Roosevelt 34-01,zona 11

Ciudad de Guatemala

Guatemala

TEL:(502) 599-2888

HONDURAS

Almacen Pajaro Azul S.A. de C.V.

BO.Paz Barahona

3 Ave.11 Calle S.O

San Pedro Sula, Honduras

TEL: (504) 553-2029

MARTINIQUE

Musique & Son

Z.I.Les Mangle

97232 Le Lamantin

Martinique F.W.I.

TEL: 596 596 426860

PERU

Audionet

Distribuciones Musicales SAC

Juan Fanning 530

Miraflores

Lima - Peru

TEL: (511) 4461388

TRINIDAD

AMR Ltd

Ground Floor

Maritime Plaza

Barataria Trinidad W.I.

TEL: (868)638 6385

URUGUAY

Todo Musica S.A.

Francisco Acuna de Figueroa 1771

C.P.: 11.800

Montevideo, URUGUAY

TEL: (02) 924-2335

VENEZUELA

Instrumentos Musicales

Allegro,C.A.

Av.las industrias edf.Guitar import

#7 zona Industrial de Turumo

Caracas, Venezuela

TEL: (212) 244-1122

EUROPE

Gigamusic SARL

10 Rte De La Folie

97200 Fort De France

Martinique F.W.I.

TEL: 596 596 715222

MEXICO

Casa Veerkamp, s.a. de c.v.

Av. Toluca No. 323, Col. Olivar de los Padres 01780 Mexico

D.F. MEXICO

TEL: (55) 5668-6699

NICARAGUA

Bansbach Instrumentos

Musicales Nicaragua

Altamira D'Este Calle Principal de la Farmacia 5ta.Avenida

1 Cuadra al Lago.#503

Managua, Nicaragua

TEL: (505)277-2557

AUSTRIA

Roland Elektronische

Musikinstrumente HmbH.

Austrian Office

Eduard-Bodem-Gasse 8,

A-6020 Innsbruck, AUSTRIA

TEL: (0512) 26 44 260

BELGIUM/FRANCE/

HOLLAND/

LUXEMBOURG

Roland Central Europe N.V.

Houtstraat 3, B-2260, Oevel

(Westerlo) BELGIUM

TEL: (014) 575811

CZECH REP.

K-AUDIO

Kardasovska 626.

CZ-198 00 Praha 9,

CZECH REP.

TEL: (2) 666 10529

DENMARK

Roland Scandinavia A/S

Nordhavnsvej 7, Postbox 880,

DK-2100 Copenhagen

DENMARK

TEL: 3916 6200

FINLAND

Roland Scandinavia As, Filial

Finland

Elannontie 5

FIN-01510 Vantaa, FINLAND

TEL: (0)9 68 24 020

GERMANY

Roland Elektronische

Musikinstrumente HmbH.

Oststrasse 96, 22844

Norderstedt, GERMANY

TEL: (040) 52 60090

GREECE

STOLLAS S.A.

Music Sound Light

155, New National Road

Patras 26442, GREECE

TEL: 2610 435400

HUNGARY

Roland East Europe Ltd.

Warehouse Area ‘DEPO’ Pf.83

H-2046 Torokbalint,

HUNGARY

TEL: (23) 511011

IRELAND

Roland Ireland

G2 Calmount Park, Calmount

Avenue, Dublin 12

Republic of IRELAND

TEL: (01) 4294444

ITALY

Roland Italy S. p. A.

Viale delle Industrie 8,

20020 Arese, Milano, ITALY

TEL: (02) 937-78300

NORWAY

Roland Scandinavia Avd.

Kontor Norge

Lilleakerveien 2 Postboks 95

Lilleaker N-0216 Oslo

NORWAY

TEL: 2273 0074

POLAND

MX MUSIC SP.Z.O.O.

UL. Gibraltarska 4.

PL-03664 Warszawa POLAND

TEL: (022) 679 44 19

PORTUGAL

Roland Iberia, S.L.

Portugal Office

Cais das Pedras, 8/9-1 Dto

4050-465, Porto, PORTUGAL

TEL: 22 608 00 60

ROMANIA

FBS LINES

Piata Libertatii 1,

535500 Gheorgheni,

ROMANIA

TEL: (266) 364 609

RUSSIA

MuTek

Dorozhnaya ul.3,korp.6

117 545 Moscow, RUSSIA

TEL: (095) 981-4967

SPAIN

Roland Iberia, S.L.

Paseo García Faria, 33-35

08005 Barcelona SPAIN

TEL: 93 493 91 00

SWEDEN

Roland Scandinavia A/S

SWEDISH SALES OFFICE

Danvik Center 28, 2 tr.

S-131 30 Nacka SWEDEN

TEL: (0)8 702 00 20

SWITZERLAND

Roland (Switzerland) AG

Landstrasse 5, Postfach,

CH-4452 Itingen,

SWITZERLAND

TEL: (061) 927-8383

UKRAINE

TIC-TAC

Mira Str. 19/108

P.O. Box 180

295400 Munkachevo,

UKRAINE

TEL: (03131) 414-40

UNITED KINGDOM

Roland (U.K.) Ltd.

Atlantic Close, Swansea

Enterprise Park, SWANSEA

SA7 9FJ,

UNITED KINGDOM

TEL: (01792) 702701

MIDDLE EAST

BAHRAIN

Moon Stores

No.16, Bab Al Bahrain Avenue,

P.O.Box 247, Manama 304,

State of BAHRAIN

TEL: 17 211 005

CYPRUS

Radex Sound Equipment Ltd.

17, Diagorou Street, Nicosia,

CYPRUS

TEL: (022) 66-9426

IRAN

MOCO INC.

No.41 Nike St., Dr.Shariyati Ave.,

Roberoye Cerahe Mirdamad

Tehran, IRAN

TEL: (021) 285-4169

ISRAEL

Halilit P. Greenspoon & Sons

Ltd.

8 Retzif Ha’aliya Hashnya St.

Tel-Aviv-Yafo ISRAEL

TEL: (03) 6823666

JORDAN

MUSIC HOUSE CO. LTD.

FREDDY FOR MUSIC

P. O. Box 922846

Amman 11192 JORDAN

TEL: (06) 5692696

KUWAIT

EASA HUSAIN AL-YOUSIFI

& SONS CO.

Abdullah Salem Street,

Safat, KUWAIT

TEL: 243-6399

LEBANON

Chahine S.A.L.

Gerge Zeidan St., Chahine

Bldg., Achrafieh, P.O.Box: 16-

5857

Beirut, LEBANON

TEL: (01) 20-1441

OMAN

TALENTZ CENTRE L.L.C.

Malatan House No.1

Al Noor Street, Ruwi

SULTANATE OF OMAN

TEL: 2478 3443

QATAR

Badie Studio & Stores

P.O. Box 62,

Doha, QATAR

TEL: 423554

SAUDI ARABIA aDawliah Universal

Electronics APL

Corniche Road, Aldossary

Bldg., 1st Floor, Alkhobar,

SAUDI ARABIA

P.O.Box 2154, Alkhobar 31952

SAUDI ARABIA

TEL: (03) 898 2081

SYRIA

Technical Light & Sound

Center

Rawda, Abdul Qader Jazairi St.

Bldg. No. 21, P.O.BOX 13520,

Damascus, SYRIA

TEL: (011) 223-5384

TURKEY

ZUHAL DIS TICARET A.S.

Galip Dede Cad. No.37

Beyoglu - Istanbul / TURKEY

TEL: (0212) 249 85 10

U.A.E.

Zak Electronics & Musical

Instruments Co. L.L.C.

Zabeel Road, Al Sherooq Bldg.,

No. 14, Grand Floor, Dubai,

U.A.E.

TEL: (04) 3360715

As of December 10, 2005 (EDIROL-1)

No results