Sherwood Newcastle R-865 User's Manual

R-865

Audio/Video Receiver

Introduction

READ THIS BEFORE OPERATING YOUR UNIT

This symbol is intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

CAUTION

: TO REDUCE THE RISK OF

ELECTRIC SHOCK, DO NOT

REMOVE COVER (OR BACK). NO

USER-SERVICEABLE PARTS

INSIDE. REFER SERVICING TO

QUALIFIED SERVICE PERSONNEL.

This symbol is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.

WARNING

: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,

DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE.

Note to CATV System Installer :

This reminder is provided to call the CATV system installer’s attention to Article 820-40 of the NEC that provides guidelines for proper grounding and, in particular, specifies that the cable ground shall be connected to the grounding system of the building, as close to the point of cable entry as pracitcal.

FCC INFORMATION

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

• Reorient or relocate the receiving antenna.

• Increase the separation between the equipment and receiver.

• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.

• Consult the dealer or an experienced radio/TV technician for help.

Caution : Any changes or modifications in construction of this device which are not expressly approved by the party responsible for compliance could void the user’s authority to operate the equipment.

FOR YOUR SAFETY

U.S.A

CANADA 120 V

Units shipped to the U.S.A and Canada are designed for operation on 120 V AC only.

Safety precaution with use of a polarized AC plug.

However, some products may be supplied with a nonpolarized plug.

CAUTION

: To prevent electric shock, match wide blade of plug to wide slot, fully insert.

ATTENTION

: Pour éviter chocs électriques, introduire la lame la plus large de la fiche dans la borne correspondante de la prise et pousser jusqu’ au fond.

• Avoid high temperatures. Allow for sufficient heat dispersion when installed on a rack.

• Keep the set free from moisture, water, and dust.

• Do not let foreign objects in the set.

• Handle the power cord carefully. Hold the plug when unplugging the cord.

• Unplug the power cord when not using the set for long periods of time.

• Do not obstruct the ventilation holes.

• Do not let insecticides, benzene, and thinner come in contact with the set.

• Never disassemble or modify the set in any way.

2

SAFETY INSTRUCTION

1. Read Instructions - All the safety and operating instructions should be read before the product is operated.

2. Retain instructions - The safety and operating instructions should be retained for future reference.

3. Heed Warnings - All warnings on the product and in the operating instructions should be adhered to.

4. Follow Instructions - All operating and use instructions should be followed.

5. Cleaning - Unplug this product from the wall outlet before cleaning.

Do not use liquid cleaners or aerosol cleaners. Use a damp cloth for cleaning.

6. Attachments - Do not use attachments not recommended by the product manufacturer as they may cause hazards.

7. Water and Moisture - Do not use this product near water - for example, near a bath tub, wash bowl, kitchen sink, or laundry tub; in a wet basement, or near a swimming pool; and the like.

8. Accessories - Do not place this product on an unstable cart, stand, tripod, bracket, or table. The product may fall, causing serious injury to a child or adult, and serious damage to the product. Use only with a cart, stand, tripod, bracket, or table recommended by the manufacturer, or sold with the product. Any mounting of the product should follow the manufacturer’s instructions, and should use a mounting accessory recommended by the manufacturer.

9. A product and cart combination should be moved with care. Quick stops, excessive force, and uneven surfaces may cause the product and cart combination to overturn.

10. Ventilation - Slots and openings in the cabinet are provided for ventilation and to ensure reliable operation of the product and to protect it from overheating, and these openings must not be blocked or covered.

The openings should never be blocked by

PORTABLE CART WARNING placing the product on a bed, sofa, rug, or other similar surface.

This product should not be placed in a built-in installation such as a bookcase or rack unless proper ventilation is provided or the manufacturer’s instructions have been adhered to.

11. Power Sources - This product should be operated only from the type of power source indicated on the marking label. If you are not sure of the type of power supply to your home, consult your product dealer or local power company. For products intended to operate from battery power, or other sources, refer to the operating instructions.

12. Grounding or Polarization - This product may be equipped with a polarized alternating-current line plug (a plug having one blade wider than the other). This plug will fit into the power outlet only one way. This is a safety feature. If you are unable to insert the plug fully into the outlet, try reversing the plug. If the plug should still fail to fit, contact your electrician to replace your obsolete outlet. Do not defeat the safety purpose of the polarized plug.

Alternate Warnings - This product is equipped with a three-wire grounding-type plug, a plug having a third(grounding) pin. This plug will only fit into a grounding-type power outlet. this is a safety feature. If you are unable to insert the plug into the outlet, contact your electrician to replace your obsolete outlet. Do not defeat the safety purpose of the grounding-type plug.

13. Power-Cord Protection - Power-supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them, paying particular attention to cords at plugs, convenience receptacles, and the point where they exit from the product.

14. Outdoor Antenna Grounding - If an outside antenna or cable system is connected to the product, be sure the antenna or cable system is grounded so as to provide some protection against voltage surges and built-up static charges. Article 810 of the

National Electrical Code, ANSI/NFPA 70, provides information with regard to proper grounding of the mast and supporting structure, grounding of the lead-in wire to an antenna discharge unit, size of grounding conductors, location of antenna-discharge unit, connection to grounding electrodes, and requirements for the grounding electrode. See Figure 1.

Figure 1

Example of antenna grounding as per

National Electrical Code, ANSI/NFPA 70

ELECTRIC

SERVICE

EQUIPMENT

GROUND

CLAMP

NEC - NATIONAL ELECTRICAL CODE

ANTENNA

LEAD IN

WIRE

ANTENNA

DISCHARGE UNIT

(NEC SECTION 810-20)

GROUNDING CONDUCTORS

(NEC SECTION 810-21)

GROUND CLAMPS

POWER SERVICE GROUNDING

ELECTRODE SYSTEM

(NEC ART 250, PART H)

15. Lightning - For added protection for this product during a lightning storm, or when it is left unattended and unused for long periods of time, unplug it from the wall outlet and disconnect the antenna or cable system. This will prevent damage to the product due to lightning and power-line surges.

16. Power Lines - An outside antenna system should not be located in the vicinity of overhead power lines or other electric light or power circuits, or where it can fall into such power lines or circuits. When installing an outside antenna system, extreme care should be taken to keep from touching such power lines or circuits as contact with them might be fatal.

17. Overloading - Do not overload wall outlets, extension cords, or integral convenience receptacles as this can result in a risk of fire or electric shock.

18. Object and Liquid Entry - Never push objects of any kind into this product through openings as they may touch dangerous voltage points or short-out parts that could result in a fire or electric shock.

Never spill liquid of any kind on the product.

19. Servicing - Do not attempt to service this product yourself as opening or removing covers may expose you to dangerous voltage or other hazards. Refer all servicing to qualified service personnel.

20. Damage Requiring Service - Unplug this product form the wall outlet and refer servicing to qualified service personnel under the following conditions: a) When the power-supply cord or plug is damaged, b) If liquid has been spilled, or objects have fallen into the product, c) If the product has been exposed to rain or water, d) If the product does not operate normally by following the operating instructions. Adjust only those controls that are covered by the operating instructions as an improper adjustment of other controls may result in damage and will often require extensive work by a qualified technician to restore the product to its normal operation.

e) If the product has been dropped or damaged in any way, and f) When the product exhibits a distinct change in performance - this indicates a need for service.

21. Replacement Parts - When replacement parts are required, be sure the service technician has used replacement parts specified by the manufacturer or have the same characteristics as the original part. Unauthorized substitutions may result in fire, electric shock, or other hazards.

22. Safety Check - Upon completion of any service or repairs to this product, ask the service technician to perform safety checks to determine that the product is in proper operating condition.

23. Wall or Ceiling Mounting - The product should be mounted to a wall or ceiling only as recommended by the manufacturer.

24. Heat - The product should be situated away from heat sources such as radiators, heat registers, stoves, or other products

(including amplifiers) that produce heat.

3

CONTENTS

• Introduction

READ THIS BEFORE OPERATING YOUR UNIT | 2

SAFETY INSTRUCTION | 3

• System Connections | 5

• Front Panel Controls | 14

• Universal Remote Controls | 16

OPERATING COMPONENTS WITH REMOTE CONTROL | 18

REMOTE CONTROL OPERATION RANGE | 18

LOADING BATTERIES | 18

USING FUNCTIONS OF REMOTE CONTROL | 19

• ROOM 2 Remote Controls

REMOTE CONTROL OPERATION RANGE | 27

LOADING BATTERIES | 27

• Operations

LISTENING TO A PROGRAM SOURCE | 28

SURROUND SOUND | 31

ENJOYING SURROUND SOUND | 34

LISTENING TO RADIO BROADCASTS | 39

RECORDING | 42

DIGITAL AUDIO RECORDING WITH MD RECORDER | 43

OTHER FUNCTIONS | 44

ROOM 2 SOURCE PLAYBACK | 46

• Using OSD

CURRENT STATUS DISPLAY | 47

• OSD Menu Settings | 47

SETTING THE POWER AMP ASSIGN | 49

SETTING THE SPEAKER SETUP | 49

SETTING THE SYSTEM SETUP | 57

SETTING THE SURROUND SETUP | 63

SETTING THE CH LEVEL SETUP | 66

SETTING THE ROOM2 FEED SETUP | 69

• Troubleshooting Guide | 71

• Specifications | 72

• Setup Code Table | 73

4

System Connections

• Pleas be certain that this unit is unplugged from the AC outlet before making any connections.

• Since different components often have different terminal names, carefully read the operating instructions of the component connected.

• Be sure to observe the color coding when connecting audio, video and speaker cords.

• Make connections firmly and correctly. If not, it can cause loss of sound, noise or damage to the unit.

3 12 7 1 14 8 10 11

MANUFACTURED UNDER LICENSE FROM DOLBY

LABORATORIES. "DOLBY", "PRO LOGIC", AND THE

DOUBLE-D SYMBOL ARE TRADEMARKS OF DLOBY

LABORATORIES.

9

SPEAKER IMPEDANCE

FRONT , CENTER , SURROUND A or B,

SURROUND BACK : 6 OHMS ( ) MIN.

SURROUND A and B : 12 OHMS( ) MIN.

6 5 4 2 3 5 13

1. CONNECTING ANTENNAS

FM Indoor Antenna

FM Outdoor Antenna

9

• Change the position of the FM indoor antenna until you get the best reception of your favorite FM stations.

• A 75

Ω outdoor FM antenna may be used to further improve the reception. Disconnect the indoor antenna before replacing it with the outdoor one.

AM Outdoor Antenna

AM Loop Antenna

AM Loop Antenna

• Place the AM loop antenna as far as possible from the receiver, TV set, speaker cords and the AC input cord and set it to a direction for the best reception.

• If the reception is poor with the AM loop antenna, an AM outdoor antenna can be used in place of the AM loop antenna.

5

2. CONNECTING AUDIO COMPONENTS

TAPE MONITOR Tape deck, MD recorder, etc.

AUDIO

IN

L

AUDIO

OUT

R

L

R

AUX Additional tape deck. etc.

L

R

AUDIO

OUT

CD CD player, etc.

L

R

AUDIO

OUT

• The TAPE MONITOR IN/OUT jacks may also be connected to the LINE OUT/IN jacks of an optional graphic equalizer.

3. CONNECTING VIDEO COMPONENTS

• There are three types of video jacks(COMPONENT, S-VIDEO, COMPOSITE) for connecting video components.

Connect them to the corresponding video jacks according to their capability.

• For your reference, the excellence in picture quality is as follows : “COMPONENT” >“S-VIDEO”>“COMPOSITE”.

• When making COMPONENT VIDEO connections, connect “Y” to “Y”, “C

B

” to “C

B

”(or “B-Y”, “P

B

”) and “C

R

” to “C

R

”(or “R-Y”,

“P

R

” ).

• When connecting to video recording component such as video deck, DVD recorder, etc . or TV for ROOM 2, you must use the same type of video jacks that you did connect to video playback components such as DVD player, LD player, etc.

• This unit is equipped with a function that up-converts composite video or S-Video signals to component video signals or downconverts S-Video signals to composite video signals and outputs them from the MONITOR OUTs. Because of this, one of three types of MONITOR OUT jacks can be connected to the monitor TV regardless of how the video components are connected to VIDEO IN jacks of this unit.

• Connect the video components, referring to the following table.

Relationship between the video input signal and video output signal

COMPONENT

Video input signals

S-VIDEO COMPOSITE COMPONENT

Composite

S-Video

S-Video

Component

Component

Component

Component

MONITOR OUTs

S-VIDEO COMPOSITE

Composite

S-Video

S-Video

Composite

S-Video

Composite

Composite

S-Video

S-Video

Composite

S-Video

Composite

VIDEO 2 / ROOM 2 OUTs

S-VIDEO COMPOSITE

Composite

S-Video

S-Video Composite

S-Video

S-Video

Composite

Composite

Notes :

• In such a case of making only COMPONENT VIDEO connections between this receiver and video component, while viewing a movie via MONITOR COMPONENT OUTs, if the OSD menu operation is performed with the OSD, CURSOR control( , ,

, ), ENTER buttons, etc., the picture is automatically turned off and only the OSD menu is displayed.

• When S-Video signals and composite video signals are input into this receiver, even though the OSD menu operation is performed, the OSD menu cannot be displayed via MONITOR COMPOSITE OUT.

• When Sherwood DVD player such as V-768, etc. is connected to the DIGI-LINK jack for system control, you should connect the DVD player to the “ VIDEO 2” jacks of this unit.

Because, if the PLAY button, etc. is pressed on the DVD player, the VIDEO 2 is automatically selected as an input source on this unit. Then playback, etc. starts.

6

VIDEO 1 Video deck, DVD recorder, etc.

Y

C

B

C

R

COMPONENT

OUT

AUDIO

OUT

R L

AUDIO

IN

R L

(COMPOSITE)

VIDEO

OUT IN

S-VIDEO

OUT IN

VIDEO 2 DVD player, DVD recorder, etc.

Y

C

B

C

R

COMPONENT

OUT

AUDIO

OUT

R L

AUDIO

IN

R L

(COMPOSITE)

VIDEO

OUT IN

S-VIDEO

OUT IN

• The jacks of VIDEO 1/VIDEO 2 may also be connected to a DVD recorder or other digital video recording component. For details, refer to the operating instructions of the component to be connected.

• For ROOM 2 playback, the VIDEO 2/ ROOM 2 OUT jacks can be connected to the amplifier, TV, etc. installed in another room.(For details, refer to “ROOM 2 connections” on page 12.)

VIDEO 3 DVD player, LD player, Video deck, etc.

AUDIO

OUT

R L

(COMPOSITE)

VIDEO

OUT

S-VIDEO

OUT

MONITOR TV, Projector, etc.

Y

C

B

C

R

COMPONENT

IN

(COMPOSITE)

VIDEO

IN

S-VIDEO

IN

• The jacks of VIDEO 3 can also be connected to an additional video component such as a cable TV tuner, an LD player or satellite system .

Component video input default settings : (*)

• If you connect the COMPONENT VIDEO INs to your video components, it is easier to do so following the default settings.

• If your component video connections are different from the default setting , you should assign the COMPONENT

INs you used with the “When selecting the COMPONENT VIDEO SETUP” procedure on page 59.

• The default settings are as follows :

COMPONENT IN 1 : VIDEO 1, COMPONENT IN 2 : VIDEO 2

7

4. CONNECTING DIGITAL INs and OUT

• The OPTICAL and the COAXIAL DIGITAL OUTs of the components that are connected to CD, AUX and VIDEO

1~ VIDEO 4 of this unit can be connected to these

DIGITAL INs.

• A digital input should be connected to the components such as a CD player, LD player, DVD player, etc. capable of outputting DTS Digital Surround, Dolby Digital or PCM format digital signals, etc.

• If the component with OPTICAL IN jack is connected to the OPTICAL OUT jack of this unit, you can record the high quality sound of CDs, etc. without degradation.

• For details, refer to the operating instructions of the component connected.

• When making the COAXIAL DIGITAL connection, be sure to use a 75

Ω COAXIAL cord, not a conventional AUDIO cord.

• All of the commercially available optical fiber cords cannot be used for the equipment. If there is an optical fiber cord which cannot be connected to your equipment, consult your dealer or nearest service organization.

Note :

• Be sure to make either a OPTICAL or a COAXIAL

DIGITAL connection on each component. (You don’t need to do both.)

Component with

OPTICAL DIGITAL OUT

Component with

OPTICAL DIGITAL OUT

Component such as an

MD recorder, CD recorder with OPTICAL DIGITAL IN

Component with

COAXIAL DIGITAL OUT

Component with

COAXIAL DIGITAL OUT

Digital input default settings

• If you connect the DIGITAL INs to your components, it is easier to do so following the default settings.

• If your DIGITAL connections are different from default settings, you should assign the DIGITAL INs you used with the “When selecting the DIGITAL INPUT SETUP” procedure on page 57.

• The default settings are as follows :

OPTICAL IN 1 : VIDEO 1, OPTICAL IN 2 : VIDEO 2, COAXIAL IN 1 : CD, COAXIAL IN 2 : VIDEO 3, (Front) OPTICAL IN 3 :

VIDEO 4

5. CONNECTING 8CH DIRECT INs

• Use these jacks to connect the corresponding analog audio and video outputs of a DVD player or a external decoder, etc. that has 6, 7 or 8 channel audio and video outputs.

• In case of 6 or 7 channel outputs, do not connect both of the SURROUND BACK L and R inputs or the

SURROUND BACK R input of this unit.(For details, refer to the operating instructions of the component to be connected.)

Decoder with 6, 7 or 8 channel outputs

FRONT

R L

SURROUND

R L

S-VIDEO

OUT

8 CH DIRECT OUTs

CENTER SUBWOOFER

SURR.BACK

R L

(COMPOSITE)

VIDEO OUT

8

6. CONNECTING PREOUTs

Power amplifiers

CENTER

L

R

FRONT

L

R

SURROUND

L

R

SURROUND BACK powered subwoofer

Center speaker

Front speakers

Surround speakers

Surround back speakers

• Use these jacks when adding additional power amplifiers.

• Connect the PREOUT jacks to the powered speakers or the power amplifiers connected to speakers respectively.

• When using only one surround back speaker, connect the SURROUND BACK LEFT jack to the power amplifier.

• If this is the case, you can connect the subwoofer without built-in amplifier to SURROUND BACK RIGHT terminals of the power amplifier.(For details, refer to “When selecting the SUBWOOFER” on page 53.)

• To emphasize the deep bass sounds, connect a powered subwoofer.

Notes :

• After installing the speakers , first adjust the speaker settings according to your environment and speaker layout (For details, refer to “SETTING THE SPEAKER SETUP” on page 49.)

• According to speaker settings, you cannot use either SURROUND BACK RIGHT jack or both of SURROUND BACK jacks.

7. CONNECTING SYSTEM CONTROL

• Connect this jack to the DIGI LINK jack of the external

Sherwood component that uses the DIGI LINK II or III remote control system.

Sherwood component with DIGI LINK II or III

CD player

Tape deck

DVD player

System control cord

8. CONNECTING DC TRIGGER OUT

• Connect a component to DC TRIGGER OUT jack that allows DC 12 V to turn on or off when a specfic input source is selected or not.

• For details, refer to the operating instructions of the components to be connected.

• To link DC TRIGGER OUT with a specific input source, refer to “When selecting the DC TRIGGER SETUP” on page 61.

Notes :

• This output voltage (12 V d.c., 100 mA ) is for (status) control only, it is not sufficient for drive capability.

• When making DC TRIGGER connection, you should use the stereo mini cord, not a mono mini cord.

Component to be triggered by DC when a specific input source is selected

9

9. CONNECTING SPEAKERS

Front right Center

Front left

Surround A right

Surround B right

Surround A left

Surround B left

Surround back left

Surround back right

(or "Passive" subwoofer)

• Be sure to connect speakers firmly and correctly according to the channel(left and right) and the polarity(+ and -). If the connections are faulty, no sound will be heard from the speakers, and if the polarity of the speaker connection is incorrect, the sound will be unnatural and lack bass.

• For installing the speakers, refer to “Speaker placement” on page 11.

• After installing the speakers, first adjust the speaker settings according to your environment and speaker layout.(For details, refer to “SETTING THE SPEAKER SETUP” on page 49.)

• You can connect the surround and the surround back speakers with various combinations according to the usage purpose.

Surround speakers A and B

• This unit allows you to connect two different sets of surround speakers and to place them in the appropriate locations in your room, resulting in enjoying both movie soundtracks and music listening with optimum surround sound and no compromise.

• However, if you have only a set of surround speakers, connect them to either SURROUND A or SURROUND B SPEAKER terminals according to your taste.

Surround back speakers

• When using only one surround back speaker , you should connect it to SURROUND BACK LEFT channel. In this case, you can connect a subwoofer without built-in amplifier to SURROUND BACK RIGHT channel.(For details, refer to “When selecting the SUBWOOFER” on page 53.)

• If you assign the power amplifier for the surround back channels to the ROOM 2, this unit can drive the speakers in another room(ROOM 2).

(For details, refer to “ROOM 2 connections” on page 12. and “SETTING THE POWER AMP ASSIGN” on page 49.)

Caution :

• For safe amplifier operation, in case of using either surround A or surround B speakers, use all the speakers with impedance of over 6 ohms. However, in case of using both surround A and surround B speakers, use only these speakers with impedance of over 12 ohms and other speakers with impedance of over 6 ohms.

• Do not let the bare speaker wires touch each other or any metal part of this unit. This could damage this unit and/or the speakers.

10

Speaker placement

Ideal speaker placement varies depending on the size of your room and the wall coverings, etc. The typical example of speaker placement and recommendations are as follows :

Front left and right speakers and center speaker

• Place the front speakers with their front surfaces as flush with TV or monitor screen as possible.

• Place the center speaker between the front left and right speakers and no further from the listening position than the front speakers.

• Place each speaker so that sound is aimed at the location of the listener’s ears when at the main listening position.

Surround speakers A and B

• To achieve more effective surround sound for both movies and music , connect two different sets of surround speakers and place them in the appropriate locations for two types of sources as follows :

• Surround speakers A :

For watching movies, place the surround speakers A approximately 1 meter (40 inches ) above the ear level of a seated listener on the direct left and right of them or slightly behind.

• Surround speakers B :

For playing multi-channel music , place the surround speakers B at the same height as the front speakers and slightly at an angle to the rear of the listening position , and point them toward the listening position .

Surround back left and right speakers

• Place the surround back speakers at the back facing the front at a narrower distance than front speakers.

• When using a single surround back speaker, place it at the rear center facing the front at a slightly higher position (0 to 20 cm ) than the surround speakers.

• We recommend installing the surround back speaker(s) at a slightly downward facing angle. This effectively prevents the surround back channel signals from reflecting off the TV or screen at the front center, resulting in interference and making the sense of movement from the front to the back less sharp.

Subwoofer

• The subwoofer reproduces powerful deep bass sounds.

Place a powered subwoofer anywhere in the front as desired.

Notes :

When using a conventional TV , to avoid interference with the TV picture, use only magnetically shielded front left and right and center speakers.

To obtain the best surround effects, the speakers except the subwoofer should be full range speakers.

2

3

1

4

5

6 7

13

8

9

10 12 11

1. TV or screen

2. Front left speaker

3. Subwoofer

4. Center speaker

5. Front right speaker

6. Surround left speaker A

7. Surround right speaker A

8. Surround left speaker B

9. Surround right speaker B

10. Surround back left speaker

11. Surround back right speaker

12. Surround center speaker

13. Listeing position

Surround speaker A

Surround back speaker

Front speaker

60 to 90 cm

Point slightly downward

Surround speaker B

11

ROOM 2 connections

• ROOM 2 playback feature allows you to play a different program source in another room as well as one source in the main room at the same time.

• For ROOM 2 playback, connect the VIDEO 2 / ROOM 2 OUT jacks to the amplifier, TV, etc. installed in another room, or connect the SURROUND BACK speaker terminals to the speakers.

• In case of using a pair of speakers only, you should assign the power amplifier for surround back channels to the ROOM

2.(For details, refer to “SELECTING THE POWER AMP ASSIGN” on page 49.)

Notes :

• To minimize hum or noise, use high quality connected cords.

• You cannot use the digital audio signal for ROOM 2 playback.

Another room(Room 2) Main room

• When connecting VIDEO 2/ROOM 2 OUTs to the components.

This receiver

IN

S-VIDEO

IN

VIDEO

(COMPOSITE)

TV or projector

L

R

AUDIO

IN

Amplifier Speakers

• When connecting SURROUND BACK speaker terminals to

the speakers.

This receiver

Speakers left right

10. CONNECTING MULTI-ROOM SYSTEM KIT

• The multi-room system kit (sold separately ) is essential for operation from a remote location.

For information on the multi-room kit, contact the Xantech corporation at 1-800-843-5465 or www.xantech.com.

• IR IN jack allows you to control this receiver from another room with the remote control unit.

• To control this receiver from another room with the remote control unit, connect the IR IN jack to the output of the connecting block.

• If this receiver is located inside a cabinet or other enclosure where the infrared beams from the remote control unit cannot enter, then operation with the remote control unit will not be possible.

In such a case, connect the IR IN jack to the output of the connecting block.

Note:

• Remote operation may become unreliable if the IR receiver is exposed to strong light such as direct sunlight or inverted fluorescent.

Another room(Room 2)

Main room

This receiver

POWER

STANDBY

ON/ OFF

DECODING STEREO DIGITAL/ANALOG PURE AUDIO VIDEO

INPUT SELECTOR

AUDIO T.MON

8CH DIRECT

A/V RECEIVER R-865

Connecting block

(Multi-room system kit) output

IR receiver

(Multi-room system kit)

• When this receiver is located inside a cabinet.

In the cabinet

This receiver

POWER STANDBY

ON/ OFF

DECODING STEREO DIGITAL/ANALOG PURE AUDIO VIDEO AUDIO

INPUT SELECTOR

T.MON

8CH DIRECT

A/V RECEIVER R-865 output

Connecting block

(Multi-room system kit)

IR receiver

(Multi-room system kit)

12

11. CONNECTING MICROPHONE

• To use Auto Speaker Setup function, connect the supplied microphone to the SETUP MIC jack.(For details, refer to

“When selecting the AUTO SPEAKER SETUP” on page

55.)

Notes:

• Because the microphone for Auto Speaker Setup is designed for use with this receiver, do not use a microphone other than the one supplied with this receiver.

• After you have completed the auto speaker setup procedure, disconnect the microphone.

Microphone

12. CONNECTING PC FOR UPGRADES

• This receiver incorporates RS-232C terminal that may be used in the future to update the operating software so that it will be able to support new digital audio formats, external control by using an external device and the like.

• Connect RS-232C terminal to your PC.

PC with RS-232C port

Notes :

• Be sure to set the UPGRADE switch to “SVC” (service) before updating.

• This switch should be set to “OPR” (operation) during

UPGRADE switch normal operation except for upgrades.

If not, this receiver will not operate normally.

• Programming for upgrades and external control requires specialized programming knowledge and for that reason we recommend that it only be done by qualified installers. For more information on future upgrades and external control, visit the

Sherwood web site at www.sherwoodamerica.com or contact your dealer.

• Do not disconnect the connection cable while updating the operating software, etc.

Should this happen, it may be result in malfunction or cause damage to the unit.

13. SWITCHED AC OUTLETs

• Theses outlets are switched on(power-on mode) and off(standby mode) according to power control as follows(Maximum total capacity is 100 W, 1 A).

Standby mode - Switched AC outlet off

Power-on mode - Switched AC outlet on

14. AC INLET

• Plug the supplied AC input cord into this AC INLET and then into the wall AC outlet.

Note:

• Do not use an AC input cord other than the one supplied with this unit. The AC input cord supplied is designed for use with this unit and should not be used with any other device.

To a wall AC outlet.

13

Front Panel Controls

13 14

12

1

2

• To open the panel door push

gently on the lower third of

the panel door.

3 4 5 6 7 8 9 10

16 17 18 19 20 21 22 23

24 25 26 27 28

1. POWER switch

2. STANDBY button/indicator

3. DECODING MODE button

4. STEREO button

5. DIGITAL/ANALOG button

6. PURE AUDIO button

7. VIDEO SELECTOR button

8. AUDIO SELECTOR button

9. TAPE MONITOR button

10. 8 CH DIRECT button

11. MASTER VOLUME CONTROL knob

12. MULTI CONTROL knob

13. REMOTE SENSOR

14. FLUORESCENT DISPLAY

For details, see next page.

15. PANEL DOOR

16. DOLBY HEADPHONE button

17. DOLBY VIRTUAL SPEAKER button

18. DOLBY PL IIx button

19. DYNAMIC RANGE button

29 30 31 32 33

20. LABEL button

21. ENTER/MEMORY button

22. BAND button

23. TUNING UP(+)/DOWN( ) buttons

24. HEADPHONE jack

25. HEADPHONE SELECTOR button

26. CHANNEL SELECTOR button

27. DOLBY PL II MUSIC PARAMETER button

28. CINEMA EQ button

29.TONE MODE button

30. ROOM 2 button

31. FM MODE button

32. PRESET UP(+)/DOWN(-) buttons

33. VIDEO 4 INPUT jacks

For details, see next page.

11

15

14

FLUORESCENT DISPLAY

1 2 3 4 5 6 7 3 8

L C R

DOLBY H DIGITAL EX VIRTUAL DIRECT AUTO DTS ES 96/24 NEO:6

PCM PRO LOGIC SOUND TAPE MON STEREO

Z

MPEG PURE ANALOG DIGITAL TUNED PRESET

VIDEO SET

1 2 3 4

R2 MUTE

CINE-EQ

MEMORY

SL SW SR

LFE

SB

A B

AP-SW

10 11 12

1. CHANNEL indicators

2. PCM SIGNAL indicator

3. SURROUND MODE indicators

4. TAPE MONITOR indicator

5. DIRECT indicator

6. STEREO indicator

7. AUTO indicator

8. SLEEP indicator

9. VIDEO INPUT indicators

10. MPEG SIGNAL indicator

11. PURE AUDIO indicator

12. ANALOG INPUT indicator

13 14 15 16 17

13. DIGITAL INPUT indicator

14. Input, frequency, volume level, operating information, etc.

15. TUNED indicator

16. PRESET indicator

17. ROOM 2 indicator

18. MUTE indicator

19. CINEMA EQ indicator

20. MEMORY indicator

21. SURROUND A/B indicators

22. SUBWOOFER indicators

9

18

19

20

21

22

VIDEO 4 INPUT JACKS

VIDEO 4

OPTICAL IN3

S-VIDEO

VIDEO L - AUDIO - R

• The VIDEO 4 input jacks may be also connected to an additional video component such as a camcorder, a video game player, etc.

• If the OPTICAL IN 3 is connected to the component connected to VIDEO 4, it is easier to do so following the default settings.(For details, refer to “Digital input default settings” o page 8.)

• If the OPTICAL IN 3 connection is different from the default settings, you should assign the DIGITAL INs you used with the “When selecting the DIGITAL INPUT

SETUP” procedure on page 57.

OPTICAL

DIGITAL OUT

S-VIDEO

OUT

VIDEO

OUT

L R

AUDIO OUT

VIDEO 4 Camcorder, video game player, etc.

15

Universal Remote Controls

This universal remote control can operate not only this receiver but also most popular brands of audio and video components such as CD players, tape decks, TVs, cable boxes, VCRs, DVD players, satellite receivers, etc.

• To operate 7 components other than this receiver, you should enter the setup code for each component.

(For details, refer to “USING FUNCTIONS OF REMOTE CONTROL” on page 19.)

• The numbered buttons on the remote control have different functions in different device modes.

For details, refer to “FUNCTION TABLE of the NUMBERED BUTTONS” on the next page.

POWER ON button

SLEEP button

TEST TONE button

CHANNEL SELECTOR button

CHANNEL/ADJUST UP/DOWN( / ) buttons

DOLBY PL II MUSIC PARAMETER button

DISPLAY button

PRESET TUNING UP/DOWN(+/-) buttons

DSP MODE UP/DOWN( / ) buttons

DECODING MODE button

SURROUND A/B button

DIGITAL/ANALOG button

NUMERIC(0~9, +10, +100) /

INPUT SELECTOR buttons

To select the desired input source of TUNER~8 CH DIRECT IN.

MACRO(M1~M3) buttons

To operate a macro function, press the corresponding

MACRO button.

LCD SCREEN

STANDBY button

DEVICE buttons

To operate the desired component with this remote control, first select the corresponding DEVICE button.

DIMMER button

ROOM 2 button

VOLUME UP/DOWN( / ) buttons

MUTE button

OSD button

CURSOR CONTROL( , , , )/

ENTER buttons

RETURN button

TUNING UP/DOWN(+/-) buttons

PRESET SCAN button

STEREO button

SURROUND BACK button

PURE AUDIO button

DECODING MODE buttons

LIGHT button

Activates the backlighting of the remote control for about 20 seconds. If only other button is pressed while the backlighting is on, the remote control will remain backlight for an additional period.

16

FUNCTION TABLE of the NUMBERED BUTTONS.

Device to be

controlled

Button symbol

(for CD player) (for tape deck)

POWER ON POWER ON

STANDBY STANDBY

(for TV)

POWER ON

STANDBY

(for VCR)

POWER ON

(for DVD player) (for satellite receiver) (for cable box)

POWER ON POWER ON POWER ON

STANDBY STANDBY STANDBY STANDBY

MUTE

INPUT

SELECTOR

MUTE

INPUT

SELECTOR

MUTE

INPUT

SELECTOR

MUTE

INPUT

SELECTOR

CHANNEL

UP/DOWN( / )

CHANNEL

UP/DOWN( / )

CHANNEL

UP/DOWN( / )

CHANNEL

UP/DOWN( / )

VOLUME

UP/DOWN( / )

VOLUME

UP/DOWN( / )

VOLUME

UP/DOWN( / )

VOLUME

UP/DOWN( / )

MENU

ENTER

PLAY

RECORD

REVERSE SEARCH( ) /

FORWARD SEARCH( )

REWIND( ) /

FAST FORWARD( )

STOP STOP

REVERSE SKIP( ) /

FORWARD SKIP( )

FORWARD PLAY

PAUSE REVERSE PLAY

SETUP

CURSOR

CONTROL

ENTER

DISPLAY

RETURN

RECORD

REWIND( ) /

FAST FORWARD( )

REVERSE SEARCH( ) /

FORWARD SEARCH( )

STOP STOP

REVERSE SKIP( ) /

FORWARD SKIP( )

PLAY PLAY

PAUSE PAUSE

NUMERIC NUMERIC NUMERIC NUMERIC NUMERIC NUMERIC

Notes :

• Some functions for each component may not be available or may work differently.

• Depending on other kinds of components that are available for each DEVICE button, some functions may not be available or may work differently. too.

• For details about functions , refer to the operating instructions of each component.

17

OPERATING COMPONENTS WITH REMOTE CONTROL

1

Enter the setup code for each component other than this receiver you wish to control. For details, refer to “Entering a setup code” on page 19.

2

Turn on the component you want to operate.

3

Press the DEVICE button on the remote control corresponding to the component you wish to operate.

4

Aim the remote control at the REMOTE

SENSOR of the component you wish to control and press the button corresponding to the operation you want.

• When operating a Sherwood CD player or tape deck using digi link system remote control, aim the remote control at the REMOTE SENSOR of this receiver.

However, to operate a Sherwood DVD player, aim at the REMOTE SENSOR of the corresponding component.

REMOTE CONTROL OPERATION RANGE

• Use the remote control unit within a range of about 7 meters (23 feet) and angles of up to 30 degrees aiming at the remote sensor.

30

7m

30

LOADING BATTERIES

• When the remote control does not operate, the old batteries should be replaced. In this case, load new batteries within several minutes after removing old batteries.

• If the batteries are removed or have been exhausted for a longer period of time, memorized contents will be cleared. Should this happen, you should memorize them again.

1

Remove the cover.

2

Load four batteries(“AAA” size) matching the polarity.

+

+

• Remove the batteries when they are not used for a long time.

• Do not use the rechargeable batteries.

• Be sure to use alkaline batteries.

18

USING FUNCTIONS OF REMOTE CONTROL

• This remote control can control up to 8 different components.

• Before operating audio and video components other than this receiver with using this remote control, the setup code for each component should be entered.

• For system remote control operation, “000” was stored previously in the memory of the device button “CD” for Sherwood CD player,

“DVD” for Sherwood DVD player, “AUX” for Sherwood tape deck and “TV” for Sherwood TV respectively as its factory setup code.

So, you don’t need to enter its code for each Sherwood component except in such a case that its code does not work.

Entering a setup code

• Setup code entry is the easiest way to program this remote control for operating audio and video components.

1

Turn on the component you want to operate

2

Find the setup codes according to the type and the brand name of your component, referring to “Setup Code Table” on page 73.

3

Press and hold down both the ENTER button and the desired one of the DEVICE buttons for more than 2 seconds.

4

While “LEARN” is displayed, press the

CURSOR UP( )/DOWN( ) buttons to select the setup code mode (“CODE”), then press the ENTER.

• Then “LEARN” is displayed on the LCD screen for several seconds.

Notes:

• The AUDIO button is unavailable for the audio components other than this receiver.

• During setting operation, to exit from the setting mode, press any of the DEVICE buttons.

• Each time the CURSOR UP( )/DOWN( ) buttons are pressed, the mode changes as follows :

LEARN DELETE MACRO

CODE PUNCH

• Then “PRESET” and 3 digit number are displayed.

• If “PRESET”, etc. go off, start again from the above step .

5

While “PRESET”, etc. are displayed, enter a 3 digit code and press the ENTER button, aiming the remote control sensor on the component.

• Then “OK” is displayed on the LCD screen.

• To be sure that the setup code is correct, press the

POWER ON (or STANDBY) button.

• If the setup code is correct, your component will be turned off.

• When your component is not turned off, repeat the above steps to , trying entering each code for your component until you find one that works.

• If “NG” is displayed, retry entering the correct setup code while “PRESET” and 3 digit number are displayed.

19

Operate the component using the corresponding function buttons.

6

• If any of buttons fails to operate as they should , start from the step again to enter the correct setup code.

Notes:

• Manufacturers may use different setup codes for the same product category. For that reason, it is important that you check to see if the code you have entered operates as many controls as possible. If only a few functions operate, check to see if another code will work with more buttons.

• When operating a Sherwood CD player or tape deck using the system remote control, aim the remote control at the REMOTE

SENSOR on this receiver.

However, in case of Sherwood DVD player and MD recorder, aim it at the REMOTE SENSOR on the corresponding component.

7

Repeat the above steps to for each of your other components.

2

Perform the steps and in “Entering a setup code” procedure on page 19 to select the setup code mode (“CODE”).

Searching a setup code

• In addition to enter a setup code using “Setup Code

Table” on page 73, it is also possible to search through all the codes that are stored in the library of this remote control.

1

Turn on the component you want to operate.

3

While “PRESET” is displayed, search a setup code, aiming the remote control at the remote semsor on the component.

4

While “PRESET” is displayed, press the

ENTER button to store the setup code.

• Each time the CURSOR UP( )/DOWN( ) buttons are pressed, the setup code is selected one by one.

• If the selected code is correct, your component will be turned off.

• When your component is not turned off, repeat this step until you find one that works.

5

Operate the component using the corresponding function buttons.

• If any of buttons fails to operate as they should, start from the step again to find the correct setup code.

20

• Then “OK” is displayed on the LCD screen.

6

Repeat the above steps to for each of your other components

Programing the commands from other remote controls( LEARNING mode )

• If the setup codes are not available for your component or you want to program a missing or special function into one button of a device, the learning function enables this remote control to learn the commands from other remote controls.

1

Place this remote control and other remote control facing each other at a distance of 5 to 15 cm (2 to 6 inches ) apart.

5 to 15 cm

(2 to 6 inches)

3

While “LEARN” is displayed, press the

ENTER button.

2

Press and hold down the ENTER button and the desired one of the DEVICE buttons for more than 2 seconds.

• Then “LEARN” is displayed on the LCD screen for several seconds

Note :

• During setting operation , to exit from the setting mode, press any of the DIVICE buttons.

4

While “SEL” is flickering, on this remote control, press the button corresponding to the function to be learned.

Example) If the function to be learned is playback, press the PLAY( ) button.

• Then “SEL” is flickering.

• If “SEL” goes off, start again from the above step .

5

While “READY” is displayed, on the other remote control, press the button of the function to be learned.

• If the command has been learned successfully,

“OK” is displayed and then “SEL” is flickering.

• If “ERROR” is displayed and then “SEL” is flickering, it means that for some reason the command was not learned. In this case, repeat the above steps and .

Notes :

• If an incorrect signal has been sent or, in some cases, the command from other remote control simply cannot be learned.

• In some “ERROR” cases, the remote controls just need to be moved closer together or farther apart.

21

• Then “READY” is displayed.

Note:

• You cannot program a function into some buttons such as DEVICE, MACRO and LIGHT buttons.

6

While “SEL” is flickering, repeat the above steps and to program all the commands you want to the buttons on this remote control under the same device mode.

To exit from the setting mode, press any of the

DEVICE buttons.

7

Repeat the above steps to to program the commands from a different remote control.

8

Operate the newly programmed buttons to make sure the learning function was performed properly.

Erasing the programmed command from one button

1

Perform the steps and in “Entering a setup code” procedure on page 19 to select the delecting mode (“DELETE”).

• Then “BTTN” is displayed on the LCD screen for several seconds.

3

While “SEL” is flickering, press the button for the command you want to erase.

Example) When the button for the command to be erased is PLAY button

2

While “BTTN” is displayed, press the

CURSOR UP( )/DOWN( ) buttons to select the one command deleting mode

(BTTN), then press the ENTER button.

• Each time the CURSOR UP( )/DOWN( ) buttons are pressed, “BTTN” or “LEARN”(all command deleting mode) is selected.

• Then “SEL” is flickering.

• If “BTTN” goes off, start again from the above step .

4

While “SEL” is flickering, repeat the above step to erase other commands.

• “OK” is displayed and then “SEL” is flickering.

Erasing all the commands programmed under a device mode

1

Perform the steps and in “Entering a setup code” procedure on page 19 to select the deleting mode (“DELETE”).

• Then “BTTN” is displayed on the LCD screen for several seconds.

3

While “SURE?” is displayed, press the

ENTER button

2

While “BTTN” is displayed, press the

CURSOR UP( )/DOWN( ) buttons to select the all command deleting mode

(“LEARN”), then press the ENTER button.

• Then “SURE?” is displayed .

• If “SURE?” goes off, start again from the above step

4

To erase all the commands programmed under other device mode, repeat the above steps to .

•Then all the commands programmed are erased.

22

Programming a macro function

• The macro function enables you to program a series of button operations(up to 15) on this remote control into a single button.

• You can store up to three separate macro command sequences into “M1”, “M2” and “M3” buttons.

1

Perform the steps and in “Entering a setup code” procedure on page 19 to select the macro mode (“MACRO”).

2

While “M1” is displayed, press the

CURSOR UP( )/DOWN( ) buttons to select the MACRO button to be programmed into, then press the ENTER button.

• Then “M1” is displayed on the LCD screen for several seconds.

• During macro setting operation, pressing any of the

DEVICE buttons cannot exit from the macro mode.

3

While “SEL” is flickering, press the operation buttons you want to program in order.

Example) When playing a DVD on the DVD player connected to VIDEO 2 jacks of this receiver.

1. Press “AUDIO” button to control this receiver.

2. Press “POWER ON” button to turn this receiver on.

3. Press “VIDEO 2(7)” button to select the desired input source.

4. Press “DVD” button to control the DVD player.

5. Press “POWER ON” button to turn the DVD player on.

6. Press “PLAY ( )” button to start playback.

• Each time the operation buttons are pressed, the programmed order is displayed.

• Each time the CURSOR UP( )/DOWN( ) buttons are pressed, “M1”, “M2” or “M3” is selected.

• Then “SEL” is flickering.

• If “SEL” goes off, start again from the above step .

4

Press any of the MACRO buttons

(M1~M3) to complete the programming.

• Then “OK” is displayed.

To erase a macro program

• When erasing a macro program, perform the above steps , and , but ignore the step .

To change a macro program

• When a new macro program is stored into a MACRO button with performing the above steps to , the previous macro program is erased from the memory of the MACRO button.

Operating a macro function

• Aim the remote control at the REMOTE SENSORs of the components to be controlled and press the

MACRO button you want.

Example) When pressing “M1” button.

Notes:

• The codes programmed into a MACRO button will be transmitted at an interval of 0.5 seconds. However, some components may not be able to complete one operation in 0.5 seconds and may miss the next code.

In this case, the macro function cannot control the corresponding components correctly.

• Be sure to use the remote control within the remote control operation range of the components.

• Depending on the operation status of the components, etc., the macro function cannot control the corresponding components correctly.

23

Programing a punch-through function

• The punch-through function allows the volume controls , channel controls or transport controls to link to a different device while a device is controlled with this remote control as a master device.

• For example, since this receiver will likely be used as the sound system while watching TV, you may want to use volume controls to operate this receiver although this remote control is set to control the TV.

1

Perform the steps and in “Entering a setup code” procedure on page 19 to select a master device and the punch -through mode (“PUNCH”).

• Then “VOL” is displayed on the LCD screen for several seconds.

3

While the device is displayed, press the

CURSOR UP( )/DOWN( ) buttons to select the desired punch-through device, then press the ENTER button.

2

While “VOL” is displayed, press the

CURSOR UP( )/DOWN( ) buttons to select the desired punch-through mode , then press the ENTER button.

• Each time the CURSOR UP( )/DOWN( ) buttons are pressed, the mode changes as follows:

VOL : The volume punch -through mode allows the “VOLUME / ” and “MUTE” buttons to function to operate a different device.

DELETE : All punch-through deleting mode.

PLAY : The transport punch-through mode allows the “ ”, “ ”, “ ”, “ ”, “ ”, “ ”, “

” and “ ” buttons to function to operate a different device.

CH : The channel punch-through mode allows the

“CH/ADJUST / ” and “CH. SEL” buttons to function to operate a different device.

• Then the device to which you can link the selected punch-through mode is displayed.

• Each time the CURSOR UP( )/DOWN( ) buttons are pressed , depending on the selected punchthrough mode, punch-through devices and the one punch-through deleting mode (“DELETE”) are selected as follows :

• In case of the volume punch-through,

AUDIO DELETE TV

• In case of the transport punch-through,

CD DELETE DVD VCR AUX

• In case of the channel punch-through,

TV DELETE SAT CABLE VCR

• Then “OK” is displayed and the current punchthrough mode is displayed.

4

5

While the punch-through mode is displayed, repeat the above steps and to program other punch-through function under the same master device mode.

To program punch-through functions under other master device mode, repeat the above steps to .

24

Operating a punch-through function

• While this remote control is set to control a master device, aim the remote control at the REMOTE

SENSOR of the punch-through device and press the desired button of the programmed punch-through controls.

Example ) When pressing “PLAY ( )” button.

• Then the punch-through device is displayed on the

LCD screen.

Erasing the programmed puch-through function

1

Perform the steps and in “Entering a setup code” procedure on page 19 to select a master device and the punch-through mode (“PUNCH”).

• Then “VOL” is displayed on the LCD screen for several seconds.

3

While the device is displayed, press the

CURSOR UP( )/DOWN( ) buttons to select the one punch-through deleting mode(“DELETE”), then press the ENTER button.

2

While “VOL” is displayed, press the

CURSOR UP( )/DOWN( ) buttons to select the punch-through mode to be erased, then press the ENTER button.

• Each time the CURSOR UP( )/DOWN( ) buttons are pressed, the mode changes as follows:

VOL DELETE PLAY CH

• Then the device is displayed .

4

While the punch-through mode is displayed, repeat the above steps and to erase other punch-through function under the same master device mode.

• Each time the CURSOR UP( )/DOWN( ) buttons are pressed, depending on the selected punchthrough mode, the punch-through devices and the deleting mode (“DELETE”) are selected.

• Then “OK” is displayed and the current punchthrough mode is displayed .

5

To erase punch-through functions under other master device mode, repeat the above steps to .

25

Erasing all the punch-through functions programmed under a master device mode

1

Perform the steps and in “Entering a setup code” procedure on page 19 to select a master device and the punch-through mode (“PUNCH”).

• Then “VOL” is displayed on the LCD screen for several seconds.

2

While “VOL” is displayed, press the

CURSOR UP( )/DOWN( ) buttons to select the all punch-through deleting mode

(“DELETE”).

3

While “DELETE” is displayed, to erase all the punch-through functions programmed under the master device mode, press

ENTER button.

• Each time the CURSOR UP( )/DOWN( ) buttons are pressed, the mode changes as follows:

VOL DELETE PLAY CH

• Then “DELETE” is displayed .

4

To erase all the punch-through functions programmed under other master device mode , repeat the above steps to .

• Then “OK” is displayed and “DELETE” is displayed.

• To exit from the deleting mode, press any of the

DEVICE buttons.

26

ROOM 2 Remote Controls

This remote control unit is an additional remote control unit for the ROOM 2 source playback only.

• You can use the ROOM 2 functions with this remote control unit more conveniently in another room than with the universal remote control unit.

REMOTE CONTROL OPERATION RANGE

ROOM2

PHONO CD TUNER

AUX

VIDEO 1

AUDIO

VIDEO 2 VIDEO 3

VIDEO 4 VIDEO 5 VIDEO 6

VIDEO

MUTE

VOLUME

ROOM 2 BUTTON

Each time this button is pressed, the ROOM 2 function is activated or canceled.

ROOM 2 INPUT SELECTOR

BUTTONS

When one of these buttons is pressed, the corresponding input source is selected.

MUTE BUTTON

Mutes the sound of the ROOM2 source.

• To resume the previous sound level,

press it again.

VOLUME UP/DOWN( )

BUTTONS

Adjust the sound volume of the

ROOM 2 source.

• Aim the ROOM 2 remote control(or the universal remote control) at the IR receiver installed in another room.(For details, refer to

“CONNECTING MULTI-ROOM SYSTEM

KIT” on page 12.)

Another room(Room 2)

To main room

IR receiver

(Multi-room system kit)

• When you operate the ROOM 2 function in the main room, aim the universal remote control(or the ROOM 2 remote control) at the remote sensor of this receiver.

LOADING BATTERIES

1

Remove the cover.

Note:

• On the remote control, “PHONO”, “VIDEO 5” and

“VIDEO 6” buttons are not available for this receiver.

2

Load two batteries (“AAA” size, 1.5V ) matching the polarity.

27

Operations

Notes : • Before operating this receiver with the supplied remote control, refer to “ Universal Remote Controls” on page 16 for details about operation.

• Before operating this receiver, first set this unit as desired for optimum performance, doing the OSD menu setting procedures. (For details, refer to “OSD Menu Settings” on page 47.)

LISTENING TO A PROGRAM SOURCE

3

Select the desired input source.

Before operation

• Enter the standby mode.

• The STANDBY button lights up in amber.

This means that the receiver is not disconnected from the AC mains and a small amount of current is retained to support the operation readiness.

• To switch the power off, push the POWER switch again.

• Then power is cut off and the STANDBY button goes off.

or

1

In the standby mode, turn the power on.

or

• Each time the STANDBY button on the front panel is pressed, the receiver is turned on to enter the operating mode (the STANDBY button lights up in blue) or off to enter the standby mode(the STANDBY button lights up in amber).

• On the remote control, press the POWER ON button to enter the operating mode or press the STANDBY button to enter the standby mode.

• In the standby mode, if the INPUT SELECTOR button is pressed, the receiver is turned on automatically and the desired input is selected.

• Each time the “AUDIO” button is pressed, the input source changes as follows:

TUNER

(frequency display)

CD AUX

• Each time the “VIDEO” button is pressed, the input source changes as follows:

VIDEO 1 VIDEO 2 VIDEO 3 VIDEO 4

• When the TAPE MONITOR button is set to on so that

“TAPE MON” lights up, other inputs can not be heard from the speakers.

To listen to an input source except TAPE MONITOR, be sure to set the TAPE MONITOR button to off.

TAPE MONITOR function

You can connect either a tape deck or a graphic equalizer to the receiver’s TAPE MONITOR jacks.

Only when you listen to the component connected to these jacks, set the TAPE MONITOR button to on.

If you connect a 3-head tape deck, you can listen to the sound being recorded during recording, not the source sound.

For further details, refer to the operating instructions of the component connected.

When selecting the 8 CH DIRECT as desired or

2

Switch the speakers on.

• Then the SPEAKER indicator ( ) lights up and the sound can be heard from the speakers.

• When using the headphones for private listening, press this button again to switch the speakers off, then the SPEAKER indicator ( ) goes off(speaker off mode).

28

• Depending on the power amplifier setting for the surround back channels and the surround back speaker setting, “8(, 7 or

6) CH DIRECT” is displayed and the 8(/7/6) separate analog signals from the component connected to this input pass through the tone, volume and bass management(if selected) circuits only and can be heard from your speakers.(In case that the TAPE MONITOR button is set to on, the TAPE

MONITOR button is automatically set to off.)

• Press the 8 CH DIRECT button or select the desired input source to cancel the 8 CH direct function.

• These analog signals can be heard only. They cannot be recorded.

When CD, AUX or VIDEO 1~ VIDEO 4 is selected

4

Select the digital or the analog input as desired.

Adjusting the tone (bass and treble)

Select the tone mode as desired.

7 or

• Each time this button is pressed, the corresponding input is selected as follows:

DIGITAL ANALOG

• When TUNER or TAPE MONITOR is selected as an input source, the analog input is automatically selected.

Notes:

• When the selected digital input is not connected,

“DIGITAL” is flickering, meaning no sound.(Refer to

“ENJOYING SURROUND SOUND” on page 34.)

• To select the digital input, you should assign the connected DIGITAL IN to the corresponding input source. (For details, refer to “When selecting the

DIGITAL INPUT SETUP” on page 57.)

5

Operate the selected component for playback.

• When playing back the program sources with surround sound, refer to “ENJOYING SURROUND

SOUND” on page 34.

6

Adjust the (overall) volume.

DOWN UP or

• Each time this button is pressed, the tone mode changes as follows:

BASS TREBLE DEFEAT OFF(or ON)

• The tone display is shown for several seconds.

• If the tone display disappears, press the TONE

MODE button again.

• ( ) : When the tone defeat function is activated

(“DEFEAT ON”), bass and treble modes cannot be selected

Note:

• When the pure audio function is activated, the tone mode cannot be selected.

8

At the desired tone mode, adjust as desired.

At the tone defeat mode, each time the MULTI

CONTROL knob is rotated, the tone defeat mode changes as follows:

DEFEAT ON : When listening to a program source without the tone effect.

DEFEAT OFF : When adjusting the tone for your taste.

At the desired tone (bass or treble), each time the

MULTI CONTROL knob is rotated, the tone level can be adjusted within the range of +10~ -10 dB.

• In general, we recommend the bass and treble to be adjusted to 0(flat) level.

• To complete tone adjustment, repeat the above steps and .

• Extreme settings at high volume may damage your speakers.

29

Achieving higher purity of sound quality Compensating for edgy or shrill movie sound tracks

or

• Only when playing program sources recorded in either analog stereo or 2 channel PCM format, the pure audio function can be selected.

• “PURE” lights up and the stereo mode is automatically selected and all the video-related circuits as well as the digital processing circuits are turned off.

• Press this button again to cancel the pure audio function.

• When you select other input source or the other between digital and analog inputs, the pure audio function is automatically canceled.

Muting the sound

• When the pure audio function is selected, the cinema

EQ function can not be selected.

• “CINEMA-EQ ON” will scroll on the display.

• Press it again to cancel, then “CINEMA-EQ OFF” will scroll on the display.

Listening with the headphones

• “MUTE” lights up.

• To resume the previous sound level, press the button again.

• Ensure that the HEADPHONE SELECTOR button is set to the speaker off mode.

• Depending on the signal format which is being input, you can listen in different Dolby Headphone modes, stereo mode, etc. with pressing the DOLBY

HEADPHONE button. (For details, refer to “To listen in a Dolby Headphone mode” on page 36).

30

SURROUND SOUND

• This receiver incorporates a sophisticated Digital Signal Processor that allows you to create optimum sound quality and sound atmosphere in your personal Home Theater.

Surround modes

DTS Digital Surround

DTS Digital Surround(also called simply DTS) is a multi-channel digital signal format which can handle higher data rates. Discs bearing the “ ” include the recording of up to

5.1 channels of digital signals, which can be generally thought to provide better sound quality due to the lower audio compression required.

It also provides wide dynamic range and separation, resulting in magnificent sound.

DTS - ES Extended Surround™

( )

This is a new multi channel digital signal format which greatly improves the 360- degree surround impression and space expression thanks to further expanded surround signals, offering high compatibility with the conventional DTS format.

In addition to the 5.1 channels, DTS-ES Extended Surround also offers the surround back (sometimes also referred to as

“surround center”) channel for surround playback with a total of 6.1 channels. DTS-ES Extended Surround includes two signal formats with different surround signal recording methods as follows:

• DTS-ES™ Discrete 6.1

Because the signals for 6.1 channels (including the surround back channel) are fully independent, it is possible to achieve a sense that the acoustic image are moving about freely among the background sounds surrounding the listener from 360 degrees.

Though maximum performance is achieved when sound tracks recorded with this system are played using a DTS -ES decoder, when played with a conventional DTS decoder, the surround back channel signals are automatically downmixed to the surround left and surround right channels so that none of the signal components are lost.

• DTS Neo : 6 Cinema

This mode is optimum for playing movies. Decoding is performed with emphasis on separation performance to achieve the same atmosphere with 2-channel sources as with

6.1-channel sources.

• DTS Neo : 6 Music

This mode is suited mainly for playing music. The front left and front right signals bypass the decoder and are played directly so there is no loss of sound quality, and the effect of the surround signals from the center, surround left, surround right and surround back channels adds a natural sense of expansion to the sound field.

DTS 96/24

Conventional surround formats used sampling frequencies of

48 or 44.1 kHz, so 20 kHz was about the maximum playback signal frequency. With DTS 96/24, the sampling frequency is increased to 96 or 88.2 kHz to achieve a wide frequency range of over 40 kHz. In addition, this format has a resolution of 24 bits, resulting in the same frequency band and dynamic range as 96kHz / 24 bit PCM signals.

As with conventional DTS surround, DTS 96/24 is compatible with a maximum of 5.1 channels. DTS 96/24 is fully compatible with the conventional DTS surround format, so

DTS 96/24 sources can be played using a conventional DTS

5.1 channel decoder.

“DTS”, “DTS-ES”, “DTS 96/24” and “Neo:6” are trademarks of

Digital Theater Systems, Inc.

Dolby Digital

Dolby Digital is the multi- channel digital signal format developed by Dolby Laboratories. Discs bearing the

• DTS - ES™ Matrix 6.1

With this format, the additional surround back channel signals undergo matrix encoding and are input to the surround left and surround right channels beforehand. During playback, they are decoded to the surround left, surround right and surround back channels.

Because the bit stream format is 100% compatible with conventional DTS signals, the effect of the DTS-ES Matrix 6.1

format can be achieved even with DTS 5.1- channel signal sources. Of course, it is possible to play DTS-ES Matrix 6.1 channel signal sources with a DTS 5.1 - channel decoder.

When DTS-ES Discrete 6.1 or Matrix 6.1 sources are decoded with a DTS - ES decoder, the format is automatically detected upon decoding and the optimum surround mode is selected.

However, some DTS - ES Matrix 6.1 sources may be detected as DTS sources. In this case, the DTS - ES Matrix mode should be selected manually to play these sources.

DTS Neo : 6™ surround

This mode applies conventional 2-channel signals such as digital PCM or analog stereo signals to the high precision digital matrix decoder used for DTS-ES Matrix 6.1 to achieve 6.1channel surround playback. DTS Neo : 6 surround includes two modes for selecting the optimum decoding for the signal source.

31

D I G I T A L digital signals, which can reproduce much better sound quality, spatial expansion and dynamic range characteristics than the previous Dolby Surround effect.

Dolby Digital EX

This mode creates the back (sometimes also referred to as

“surround center”) signals from the surround left and right signals in Dolby Digital 5.1 channel source using a matrix decoder and provides 6.1 channel surround playback. For the best results, this mode should be selected during playback of

EX. With this additional channel, you can experience more dynamic and realistic moving sound especially.

When Dolby Digital EX sources are decoded with a Dolby

Digital EX decoder, the format is automatically detected upon decoding and the Dolby Digital EX mode is selected.

However, some Dolby Digital EX sources may be detected as

Dolby Digital sources. In this case, the Dolby Digital EX mode should be selected manually to play these sources.

Dolby Pro Logic IIx surround

Dolby Pro Logic IIx decodes all stereo (2 channel ) and 5.1

channel sources and extends to 7.1channel surround playback. It delivers the most natural, full range and immersing 7.1 channel listening experience. Dolby Pro Logic

IIx surround includes two modes as follows :

• Dolby Pro Logic IIx Movie

When enjoying movies, this mode allows you to further enhance the cinematic quality by adding processing that emphasizes the sounds of the action special effects.

• Dolby Pro Logic IIx Music

When listening to music, this mode allows you to further enhance the sound quality by adding processing that emphasizes the musical effects.

Dolby Pro Logic II surround

This mode applies conventional 2-channel signals such as digital PCM or analog stereo signals as well as Dolby

Surround signals, etc. to surround processing to offer improvements over conventional Dolby Pro Logic circuits.

Dolby Pro Logic II surround includes Dolby Pro Logic II Movie and Dolby Pro Logic II Music like Dolby Pro Logic IIx surround.

Dolby Virtual Speaker

This mode creates a virtual surround sound field using as few as two front speakers, allowing you to experience listening from 5.1 channel speakers.

This mode is effective not only for 5.1 channel sources but also for stereo( 2 channel ) sources.

Dolby Headphone

The Dolby Headphone function simulates 5.1 channel surround sound, which allows you to enjoy 5.1 channel surround sound through 2 channel headphones, just like listening from 5.1 channel speakers.

This mode is effective not only for 5.1 channel sources but also for stereo( 2 channel ) sources.

Manufactured under license from Dolby Laboratories.

“Dolby”, “Pro Logic” and the double-D symbol are trademarks of Dolby Laboratories.

MPEG Multichannel

This mode is a surround system which faithfully reproduces the ambience and dynamics of movie soundtracks and music alike. Though the number of audio channels are same as

Dolby Digital, discs bearing the “ ” provides much better at locating individual sounds to the correct and stable position in the sound stage.

• The following modes apply conventional 2-channel signals such as digital PCM or analog stereo signals to high performance Digital Signal Processor to recreate sound fields artificially. Select one of the 13 provided surround modes according to the program source you want to play.

Theater

This mode provides the effect of being in a theater -in-the round when watching a play.

Movie

This mode provides the effect of being in a movie theater when watching a movie.

Hall 1/2

This mode provides the ambience of a chamber hall for chamber music or an instrumental solo (Hall 1) or a concert hall for orchestral music or an opera (Hall 2).

Stadium

This mode provides the expansive sound field to achieve the true stadium effect when watching baseball or soccer games.

Church

This mode provides the ambience of a church for baroque, string orchestral or choral group music.

Club 1/2

This mode creates the sound field of a jazz club with a low ceiling and hard walls (Club 1) or a live house with a relatively spacious floor (Club 2).

Arena 1/2

This mode provides the feeling of a live concert in a medium sized (Arena 1) or large (Arena 2) arena.

Game

Use this mode to enjoy video game sources.

4CH Stereo

This mode creates a wider, deeper and more natural soundstage from 2 channel PCM or analog stereo sources.

The front left channel signals are output to the surround left channel and the front right channel signals are output to the surround right channel.

Matrix

This mode reproduces a delayed signals from the surround channels to emphasize the sense of expansion for music sources.

• When using the 8 CH DIRECT INs to play back the sound from the additional multi-channel decoder for surround sound, you can enjoy the corresponding surround sound, too.( For details, refer to the operating instructions of the component to be connected.)

32

For your reference, the sound from each channel can be reproduced according to the surround modes as follows:

Modes

DTS, DTS 96/24

DTS ES DISCRETE/MATRIX

Channels

DTS NEO 6: CINEMA/MUSIC

DOLBY DIGITAL

DOLBY DIGITAL EX

DOLBY PRO LOGIC IIx MOVIE/MUSIC

DOLBY PRO LOGIC II MOVIE/MUSIC

DOLBY VIRTUAL SPEAKER

MPEG

4CH STEREO

Other Surrounds

STEREO

8 CH DIRECT

FRONT L/R CENTER

SURROUND

L/R

SURROUND BACK

L/R

SUBWOOFER

(*): Depending on the subwoofer mode setting, the sound from the subwoofer channel may be reproduced.

• Depending on the speaker settings and the number of the encoded channels, etc. the sound from the corresponding channels cannot be reproduced.(For details, refer to “SETTING THE SPEAKER SETUP” on page 49.)

33

ENJOYING SURROUND SOUND

• Surround sound effect will not work properly if the signal passes through a graphic equalizer.

Please refer to your equalizer operating instructions for guidance on switching off (or defeating) the equalizer.

Note:

• Before surround playback, first perform the SPEAKER SETUP procedure, etc. on the OSD menu for optimum performance.

(For details, refer to “SETTING THE SPEAKER SETUP” on page 49.)

1

Notes :

Depending on the input digital signal format, select the desired decoding mode.

or

• Only when the digital input is selected as signal input for the input sources except TUNER and TAPE MONITOR, the decoding mode can be selected.

• Noise may be generated at the beginning of playback and while searching during DTS playback in the auto mode. In this case, try playing in the DTS mode.

• You can select the “DTS”, “DOLBY DIGITAL”, “MPEG” or

“PCM” mode directly on the remote control.

• Each time the DECODING MODE button is pressed, the decoding mode changes as follows :

* Auto mode(“AUTO” lights up): The input digital signal format

(DTS, Dolby Digital, MPEG or PCM( 2 channel stereo), etc.) used by the selected digital input source is detected automatically to perform the necessary decoding process for optimum surround mode.

* Dolby Digital mode(“DOLBY DIGITAL” lights up): The Dolby

Digital signal processing is performed only when Dolby Digital signals are input.

* DTS mode(“ DTS” lights up): The DTS signal processing is performed only when DTS signals are input.

* MPEG mode(“MPEG” lights up): The MPEG signal processing is performed only when MPEG signals are input.

* PCM mode(“PCM” lights up): The PCM signal processing is performed only when PCM signals are input.

Select the desired surround mode.

2 or

• Each time the MULTI CONTROL knob is rotated or the DSP

MODE UP(>) or DOWN(<) button is pressed , the surround mode changes depending on the input signal format and the selected decoding mode as follows :

Signal format being input

Dolby Digital 5.1,

Dolby Digital EX 6.1 channel sources

Dolby Digital 2 channel sources

DTS sources

DTS 96/24 sources

MPEG sources

PCM ( 2 channel ) sources

Analog stereo sources

Selected decoding mode

Auto, Dolby Digital mode

Auto, DTS mode

Auto, MPEG mode

Auto, PCM mode

-

Selectable surround mode

(DOLBY DIGITAL EX,)

DOLBY DIGITAL

(DOLBY DIGITAL EX,) DOLBY DIGITAL, PL II MOVIE,

PL II MUSIC

(DTS ES MATRIX or DTS ES DISCRETE,) DTS

DTS 96/24

MPEG

PL II MOVIE, PL II MUSIC, BYPASS,

DTS NEO 6 : CINEMA, DTS NEO 6 : MUSIC, THEATER,

MOVIE, HALL 1/2, STADIUM, CHURCH, CLUB 1/2,

ARENA 1/2, GAME, 4CH STEREO, MATRIX

( ): Possible only when surround back channel is not set to “None”.(Refer to “When selecting the SPEAKER CONFIGURATION” on page 49.)

BYPASS mode: Audio signals bypass signal processing circuits for surround sound and are played in stereo mode.

If Dolby Pro Logic IIx, Dolby Virtual Speaker or Dolby Headphone mode is combined with BYPASS mode, you will enjoy its original surround effects, not affected by other surround modes.

• When MPEG signals are input in the required decoding mode, the corresponding surround mode will be automatically selected regardless of using the MULTI CONTROL knob or DSP MODE UP(>) or DOWN(<) button.

Notes:

• When the selected decoding mode is not matched to the input signal format, the indicator of the signal being input flickers, meaning the required process cannot be performed and no sound is heard. Therefore, be sure to select the required decoding mode and the available surround mode according to the input signal format.

• When the 8 CH DIRECT is selected as an input source, the decoding and surround modes cannot be selected.

• When the pure audio function is activated, the surround mode cannot be selected.

• When 96 kHz PCM signals are input, only the stereo mode can be selected.

• When DTS 96/24 or MPEG signals are input, the Dolby Pro Logic IIx, Dolby Virtual Speaker and Dolby Headphone modes cannot be selected.

34

Continued

When canceling the surround mode for normal stereo operation.

or

• Depending on the signal format which is being input, either the stereo mode or the 2CH downmix mode is selected.

• To cancel either the stereo mode or the 2 CH downmix mode, select the desired surround mode with using the MULTI CONTROL knob or DSP MODE UP/DOWN (>/<) buttons.

2CH downmix mode

• This mode allows the multi-channel signals encoded in DTS, Dolby Digital or MPEG format to be mixed down into

2 front channels and to be reproduced through only two front speakers or through headphones.

• When the HEADPHONE SELECTOR button is set to the speaker off mode to listen with headphones, if the Dolby

Headphone off mode is selected while playing the digital signals from DTS, Dolby Digital or MPEG sources, it will enter the 2CH downmix mode automatically.

To cancel the 2CH downmix mode, select the desired Dolby Headphone mode with pressing the DOLBY

HEADPHONE button.(For details, refer to “To listen in a Dolby Headphone mode” on page 36.)

Listening in a Dolby Pro Logic IIx, Dolby Virtual Speaker or Dolby Headphone mode

To listen in a Dolby Pro Logic IIx mode

Note : When the power amplifier for the surround back channels is assigned to the “ROOM2” or the surround back channel is set to “None”, the Dolby Pro Logic IIx mode cannot be selected.

• While listening in a surround mode, select the desired Dolby Pro Logic IIx mode.

or

• Each time this button is pressed, the mode changes as follows:

PL IIx MOVIE PL IIx MUSIC Off(original surround mode)

• Combined with the original surround mode, Dolby Pro Logic IIx decoding creates 6.1 or 7.1 channel surround sound depending on whether the surround back channel is set to “1CH” or “2CH”.

• In case of playing in the stereo or 2CH downmix mode, it is canceled and the selected Dolby Pro Logic IIx mode will be combined with the previous surround mode.

• The desired mode can be selected with pressing the CURSOR RIGHT( ) button only when the OSD menu operation is not performed.

To listen in a Dolby Virtual Speaker mode

• This mode creates a virtual surround sound field using as few as two front speakers, allowing you to experience listening from 5.1 channel speakers.

Note : Before using Dolby Virtual Speaker function, first set the speaker layout and virtualization mode as desired.(For details, “When selecting the VIRTUAL SPEAKER SETUP” on page 52.)

• While playing in a surround mode, or

• “DOLBY VS ~” is displayed and combined with the original surround mode, this mode is activated.

• In case of playing in the stereo or 2CH downmix mode, it is canceled and the selected Dolby Virtual Speaker mode will be combined with the previous mode.

• To cancel the Dolby Virtual Speaker mode, press this button again.

Then it returns to the previous mode.

• The desired mode can be selected with pressing the CURSOR LEFT

( ) button only when the OSD menu operation is not performed.

35

Continued

To listen in a Dolby Headphone mode

• The Dolby Headphone function simulates 5.1 channel surround sound, which allows you to enjoy 5.1 channel surround sound through 2 channel headphones, just like listening from 5.1 channel speakers.

Note : Only when the HEADPHONE SELECTOR button is set to the speaker off mode, the Dolby Headphone mode can be selected.

• While listening with headphones, select the desired Dolby Headphone mode.

• Each time this button is pressed, the mode changes as follows : or

DOLBY HEADPHONE 1: This simulates the soundfield as if you were in a relatively small room with less reverberations.

DOLBY HEADPHONE 2: This simulates the soundfield as if you were in a typical listening room with moderate reverberations.

DOLBY HEADPHONE 3: This simulates the soundfield as if you were in a large space like theater.

Off : Depending on the signal format which is being input, either the stereo mode or the 2CH downmix mode is selected.

• Combined with the current mode, the selected Dolby Headphone mode is activated.

• The desired mode can be selected with pressing the CURSOR UP( ) button only when the OSD menu operation is not performed.

Notes :

• In case that the original surround mode is “DOLBY DIGITAL EX” or “DTS ES” mode, it will be automatically changed to “DOLBY DIGITAL” or “DTS” mode.

• Only when playing a stereo (2 channel) source in “PL IIx”, “DOLBY VS” or “DOLBY HEADPHONE” mode, you can select the original surround mode to be combined with use of the MULTI CONTROL knob or the DSP MODE

UP(>)/DOWN(<) buttons.(However, in case of “PL IIx” mode, you cannot select “PL II”mode.)

• When “PL IIx” mode is selected while playing in “PL II” mode, it will be automatically changed to “DOLBY

DIGITAL” or “BYPASS” mode depending on the signal format which is being input.

Selecting the desired surround speakers for different program sources

• When two sets of surround speakers are connected to the SURROUND A and B speaker terminals and are installed as described in “Speaker placement” on page 11, to achieve more effective surround sound depending on whether program source is movie or music and the different surround modes for the two types of sources, you can select the desired surround speakers.

• Each time this button is pressed, the surround speakers are selected as follows :

Surround A : When using surround speakers A for watching movies.

(“ ” lights up)

Surround B : When using surround speakers B for playing multi-channel

(“ ” lights up) music.

Surround A and B : When using both surround speakers A and B.

(“ ” light up)

Selecting the surround back channel mode as connected

• You can set the surround back channel mode according to surround back speaker connection.

• Each time this button is pressed, the mode changes as follows :

1 channel : When a surround back speaker is connected.

(“ ” lights up)

SB

2 channel : When two surround back speakers are connected.

(“

SB

” lights up)

None : When surround back speakers are not connected.

Note: When the power amplifier for surround back channels is assigned to “ROOM2” or the surround speakers are all set to “None”, the surround back channel is automatically set to None.

36

Adjusting each channel level with test tone

• The volume level of each channel can be adjusted easily with the test tone function.

Note: When speakers are switched off , the test tone function does not work.

Enter the test tone mode.

1

• The test tone will be heard from the speaker of each channel for 2 seconds as follows:

FL FC FR SR

Front Left Center Front Right Surround Right

SUB SL ( SC) or ( B L BR)

SUBwoofer Surround Left (Surround Center) (Surr. Back Left Surr. Back Right)

• Depending on the speaker setting(None or No), the test tone of the corresponding channel is not available.

• ( ): possible depending on whether the surround back channel is set to 2 CH or 1 CH.

2

At each channel, adjust the level as desired until the sound level of each speaker is heard to be equally loud.

3

Cancel the test tone function.

or

DOWN UP

• You can select the desired channel and adjust its level with repeating the steps and in

“Adjusting the current channel levels” procedure.

Adjusting the current channel levels

• After adjusting each channel level with test tone, adjust the channel levels either according to the program sources or to suit your tastes.

• If you have performed the CH LEVEL SETUP procedure on the OSD menu, you can memorize the adjusted channel levels into preset memory(PRESET 1, PRESET 2) and recall the memorized whenever you want.

(Refer to “SETTING THE CH LEVEL SETUP” on page 66.)

Select the desired channel.

1

• Each time this button is pressed, the corresponding channel is selected as follows:

FRONT-L FRONT-C FRONT-R SURR-R

SUBWOOFER SURR-L ( SURR-C) or ( BACK-L BACK-R) or

• Depending on the speaker settings and surround mode, etc., some channels cannot be selected.

• ( ): possible depending on whether the surround back channel is set to 2 CH or 1 CH.

Note: When speakers are switched off, only

FRONT-L and FRONT-R channels can be selected.

37

2

Adjust the level of the selected channel as desired.

DOWN UP or

3

Repeat the above steps and to adjust each channel level.

Adjusting the Dolby Pro Logic IIx / Dolby Pro Logic II Music parameters

• When selecting either the Dolby Pro Logic IIx Music mode or the Dolby Pro Logic II Music mode depending on whether “S/B CH” is set to “None” or not, you can adjust the various surround parameters for optimum surround effect.(Refer to “When selecting the SPEAKER CONFIGURATION” on page 49.)

• In case of PL IIx MUSIC mode, only when original surround mode is “BYPASS” mode or 2 channel digital signals from Dolby Digital sources, etc. are input, these parameter settings affect the surround effects.

Press the DOLBY PL II MUSIC PARAMETER button to select the desired parameter.

1 or

• Each time this button is pressed, the parameter changes and is displayed for several seconds as follows;

Panorama mode(“PANORAMA”, default value : OFF)

This mode extends the front stereo image to include the surround speakers for an exciting “wraparound” effect with side wall imaging. Select “OFF” or “ON”.

Center width control(“C-WIDTH”, default value : 0)

This adjusts the center image so it may be heard only from the center speaker, only from the left/right speakers as a phantom image, or from all three front speakers to varying degrees.

The control can be set in 8 steps from 0 to 7.

Dimension control(“DIMENSION”, default value : 0)

This gradually adjusts the soundfield either towards the front or towards the rear. The control can be set in 7 steps from -3 to +3.

2

At the desired parameter, adjust it as desired.

3

Repeat the above steps and to adjust other parameters.

or

DOWN UP

• If the parameter display disappears, start from the step again.

38

LISTENING TO RADIO BROADCASTS

2

Select the desired band.

Auto tuning

Select the tuner.

1 or

BAND FREQUENCY

• Each time this button is pressed, the band is changed to FM or AM.

• When pressing the BAND button without selecting the TUNER, the tuner will be selected automatically.

3

Press the TUNING UP(+) or DOWN(-) button for more than 0.5 second.

+ or

• Then “ AUTO” appears on the display. The tuner will now search until a station of sufficient strength has been found. The display shows the tuned frequency and “TUNED”.

• If the station found is not the desired one, simply repeat this operation.

• Weak stations are skipped during auto tuning.

Manual tuning

• Manual tuning is useful when you already know the frequency of the desired transmitter.

• Perform the steps ~ in “Auto tuning” procedure and press the TUNING UP(+) or DOWN(-) button repeatedly until the right frequency has been reached.

+ or

Auto presetting

• Auto presetting function automatically searches for FM stations only and store them in the memory.

• While listening to radio broadcasts, press and hold down the (ENTER/)MEMORY button for more than 3 seconds.

or

• Then “AUTO” lights up and this unit starts auto presetting.

• Up to 30 FM stations can be stored.

Notes:

• FM stations of weak strength cannot be memorized.

• To memorize AM stations or weak stations, perform

“Manual presetting” procedure with using “Manual tuning” operation.

• When performing auto presetting with the remote control, first be sure to turn off the OSD menu display.

39

2

Press the (ENTER/) MEMORY button.

Manual presetting

• You can store up to 30 preferred stations in the memory.

1

Tune in the desired station with auto or manual tuning.

Note

• When performing manual presetting with the remote control, first be sure to turn off the OSD menu display.

or

• “MEMORY” is flickering for several seconds.

3

Select the desired preset number (1~30) and press the (ENTER/)MEMORY button.

+ or

• The station has now been stored in the memory.

• A stored frequency is erased from the memory by storing another frequency in its place.

• If “MEMORY” goes off, start again from the above step .

4

Repeat the above steps to to memorize other stations.

MEMORY BACKUP FUNCTION

The following items, set before the receiver is turned off, are memorized.

• INPUT SELECTOR settings

• Surround mode settings

• Preset stations, etc.

Tuning to preset stations

• After selecting the tuner as input source, select the desired preset number.

+ or

40

Listening to FM stereo broadcasts

• While listening to FM broadcasts.

Scanning preset stations in sequence

• Each time this button is pressed, the FM mode changes as follows;

Stereo mode : “STEREO” lights up.

Mono mode : “STEREO” goes off.

• When FM stereo broadcasts are poor because of weak broadcast signals, select the FM mono mode to reduce the noise, then FM broadcasts are reproduced in monaural sound.

• The receiver will start scanning the stations in the preset sequence and each station is received for 5 seconds.

• At the desired station, press this button again to stop scanning.

41

RECORDING

• The analog signals from the 8 CH DIRECT inputs as well as the digital signals from DIGITAL inputs can be heard but cannot be recorded.

• The volume, channel level, tone(bass, treble) settings, etc. have no effect on the recording signals.

Recording with TAPE MONITOR

1

Select the desired input as a recording source except TAPE MONITOR.

or

2

Start recoding on the component connected to TAPE MONITOR.

3

Start play on the desired input.

• For tape monitor function, refer to “TAPE MONITOR function” on page 28.

Dubbing from video components onto

VIDEO 1

1

Select the desired input of VIDEO 2~ 4 as a recording source except VIDEO 1.

or

Dubbing the sound and image signals separately onto VIDEO 1

Example) When dubbing the VIDEO 2 image signal and the CD sound signal separately onto VIDEO 1.

Select CD as an sound recording source.

1

2

Start recording on the component connected to VIDEO 1.

Start play on the desired input.

3

• The audio and video signals from the desired input will be dubbed onto the VIDEO 1and you can enjoy them on the

TV set and from the speakers.

• When the VIDEO 2(/ROOM 2) IN/OUT jacks are connected to video recording component such as video deck, etc., in the same manner, recording with VIDEO 2 can be performed.

(If this is the case, be sure to deactivate the ROOM 2 function and to set the VIDEO 2 OUT to On. For details, refer to “When selecting the VIDEO 2 OUT” on page 60.)

2

Select VIDEO 2 as a image recording source with performing “When selecting the CURRENT VIDEO” procedure on page 59.

Image source

Sound source or

Image source

Sound source

42

3

Start recording on the component connected to VIDEO 1.

4

Start play on the components connected to

VIDEO 2 and CD respectively.

• The audio signal from the CD and the video signal from the VIDEO 2 will be dubbed and you can enjoy them on the TV set and from the speakers.

• When the VIDEO 2(/ROOM 2) IN/OUT jacks are connected to video recording component such as video deck, etc., in the same manner, recording with

VIDEO 2 can be performed.

(If this is the case, be sure to deactivate the ROOM

2 function and to set the VIDEO 2 OUT to On. For details, refer to “When selecting the VIDEO 2

OUT” on page 60.)

DIGITAL AUDIO RECORDING WITH MD RECORDER

• Only when the OPTICAL DIGITAL OUT of this receiver is connected to the OPTICAL DIGITAL IN of the MD recorder or CD recorder, you can enjoy high-quality sound of digital recording without converting the original signals. Refer to “CONNECTING

AUDIO COMPONENTS” and “CONNECTING DIGITAL INs and OUT” on page 6 and 8 and the operating instructions of the

MD recorder or CD recorder.

Notes:

• Digital recording is available for the digital audio program sources such as CDs, MDs, some DVDs, etc.

• In most DVDs as well as some CDs, etc., digital recording may not be available depending on the signal format.

• There are some restrictions on recording digital signals. When making digital recordings, refer to the operating instructions of your digital recording equipment to know what restrictions are imposed.

1

Select a desired input of CD, AUX and

VIDEO 1~VIDEO 4 as a recording source.

2

For digital recording, select the desired digital input as recording signal input.

or or

3

Start recording on the component connected to OPTICAL DIGITAL OUT.

• Each time this button is pressed, the corresponding input is selected as follows:

DIGITAL ANALOG

Note : When the selected digital input is not connected, “DIGITAL” is flickering, meaning no recording as well as no sound.

4

Start play on the desired input.

43

OTHER FUNCTIONS

2

Adjust the dynamic range as desired.

Compressing the dynamic range

(Dolby Digital sources only)

• This function compresses the dynamic range of previously specified parts of the Dolby Digital sound track(with extremely high volume)to minimize the difference in volume between the specified and nonspecified parts.

This makes it easy to hear all of the sound track when watching movies at night at low levels.

1

While the digital signals from the Dolby

Digital program source are being input.

• Each time the MULTI CONTROL knob is rotated, the compression rate changes as follows:

• In some Dolby Digital software, this function may not be available.

• “DYNAMIC : ~” is displayed for several seconds.

• If the dynamic range mode disappears, start again from the above step .

Operating the sleep timer

• The sleep timer allows the system to continue to operate for a specified period of time before automatically shutting off.

• To set the receiver to automatically turn off after the specified period of time.

Adjusting the brightness of the fluorescent displays

• Each time this button is pressed, the sleep time changes and disappears in several seconds as follows:

10 20 30 60 90 OFF

Unit : minutes

• While operating the sleep timer, “ ” lights up.

• When the sleep time is selected, all display panels of

Sherwood components connected by the DIGI LINK

III are dimly lit.

• Each time this button is pressed, the brightness of all fluorescent displays of Sherwood components connected by the DIGI LINK III changes together as follows:

ON dim OFF

• In the display OFF mode, pressing any button will restore the display ON mode.

44

Entering a label

• This function can be operated on the input sources except TUNER, TAPE MONITOR and 8 CH

DIRECT.

1

Select the desired input source to enter its label.

or

2

Press the LABEL button to enter the label input mode.

Example ) When selecting VIDEO 1.

4

Confirm your selection.

3

Select the character on the flickering digit.

• Each time the MULTI CONTROL knob is rotated, the characters change as follows:

Blank ( )

Alphabets: A~Z, a~z

Numerals: 0~9

Symbols:

• Then the next digit will flicker.

5

Repeat the above steps and to enter the desired characters on the rest of the digits.

• On up to 9 digits, the desired characters can be entered.

Note: If any of INPUT SELECTOR buttons is pressed while entering a label, the label input mode will be canceled.

6

Memorize the desired label.

Correcting or clearing a label

1

Select the desired input source to be rectified or cleared.

or

2

Repeat the steps ~ in “Entering a label” procedure.

• To clear a label, make a blank on each digit and memorize it, then the label is cleared and its factory input source will be displayed.

• If the LABEL button is pressed for more than 3 seconds, blanks will be made on all the digits at once.

45

ROOM 2 SOURCE PLAYBACK

• This function allows enjoying one source in the main room and playing another in a different room at the same time.

• The analog signals from the 8 CH DIRECT inputs and TAPE MONITOR INs as well as the digital signals from the coaxial or optical digital input cannot be output from the (VIDEO 2/) ROOM 2 OUTs, meaning no playback in a different room.

• When you connect the multi-room system kit to the IR IN jack of this unit, you can control this unit with not only the universal remote control unit but also the ROOM2 remote control unit in a different room, too.

(For details, refer to “CONNECTING MULTI-ROOM SYSTEM KIT” on page 12 and “ROOM 2 Romte controls” on page 27.)

CAUTION : Even when the ROOM 2 function is deactivated, if the VIDEO 2 OUT is set to On, the signals of the selected source as a main room source will be output from the VIDEO 2/ROOM 2 OUTs.(For details, refer to “When selecting the VIDEO 2 OUT” on page 60.)

When using the ROOM 2 remote control unit

• You can use the ROOM 2 function with the ROOM 2 remote control unit more conveniently.

Press the ROOM 2 button.

ROOM2

1 ROOM2

PHONO CD TUNER

AUX

AUDIO

VIDEO 1 VIDEO 2 VIDEO 3

VIDEO 4 VIDEO 5 VIDEO 6

VIDEO

MUTE

VOLUME

• “R2” lights up and “(R2)~” is displayed for several seconds and the ROOM 2 function is activated.

• To cancel the ROOM 2 function, press it again.

Then “R2” goes off.

• In the operating mode, when one of the ROOM 2

INPUT SELECTOR buttons on this remote control is pressed, the ROOM 2 function is automatically activated without pressing the ROOM 2 button and the desired input is selected.

When using the universal remote control unit or the buttons on the front panel.

Press the ROOM 2 button.

1 or

• “R2” lights up and “(R2)~” is displayed for several seconds and the ROOM 2 function is activated.

• To cancel the ROOM 2 function, press it again.

Then “R2” goes off.

• You can cancel the ROOM 2 function with using these buttons even in the standby mode.

2

Select the desired input as a ROOM 2 source.

ROOM2

PHONO CD TUNER

AUX

VIDEO 1

AUDIO

VIDEO 2 VIDEO 3

VIDEO 4 VIDEO 5 VIDEO 6

VIDEO

CD TUNER

AUX

VIDEO 1 VIDEO 2

AUDIO

VIDEO 3

MUTE

VOLUME • The selected ROOM 2 source is displayed for several seconds as follows: (R2) TUNER, (R2) CD,

(R2) AUX, (R2) VIDEO 1~4.

• Only these sources can be played in another room.

VIDEO 4

VIDEO

• When an audio program source is selected, as a ROOM 2 source, the image of the video program source selected previously can be played separately, too. (For details, refer to “ SETTING THE ROOM2 FEED SETUP” on page 69.)

• The MUTE and VOLUME UP/DOWN( / ) buttons on this remote control can be available only when the ROOM 2 function is operating.

Note:

• When the muting effect for the ROOM 2 source is operating,

“MUTE” is flickering.

3

Start play on the component related to the

ROOM 2 source.

2

Select the desired input as a ROOM 2 source while displaying “(R2)~”.

or

• The selected ROOM 2 source is displayed for several seconds.

• Only while displaying “(R2)~”, the volume level for the

ROOM 2 source can be adjusted.

• When “(R2)~” is not displayed, press the ROOM 2 button briefly twice.

3

Start play on the component related to the

ROOM 2 source.

Notes:

• When the pure audio function is activated for the main room source, the video signals of the ROOM 2 source cannot be output, too.

• Even when this receiver enters the standby mode, in such a case that “R2” lights up still and the STANDBY button lights up in blue as it does in the operating mode, meaning only the ROOM 2 circuitry operates, the ROOM 2 source can be played independently.

• When the ROOM 2 function is operating in the standby mode, only the ROOM 2 remote control unit is available.

• When you do not use the ROOM 2 function, cancel the ROOM 2 function to save electricity.

• For ROOM 2 volume adjustment, refer to “SETTING THE ROOM 2 FEED SETUP” on page 69.

46

Using the OSD

This unit incorporates an OSD(On-screen display) function to provide information about basic operation of this unit and to simplify the setup procedures.

The OSD function uses a monitor TV connected to this unit as a display and has two kinds of display modes such as current status display and menu screen.

Notes :

• Any on-screen display shown on the monitor TV will not be recorded.

• Because this unit cannot support the OSD function for the progressively scanned video signal, the OSD for current status and menu settings may be displayed abnormally or may not be displayed.

CURRENT STATUS DISPLAY

This mode shows the status corresponding to each operation.

• The on-screen display will automatically disappear in several seconds.

• For examples, there are 2 status displays as follows.

Notes :

• When watching a movie earnestly, if you want to turn off the current status display function, set the OSD auto display mode to Off.(For details, refer to “When selecting the OSD AUTO DISPLAY” on page 59.)

Current status display function might not operate as expected if :

• You view a movie via MONITOR COMPONENT OUTs while component video signals are input into this receiver.

• You view a movie via MONITOR COMPOSITE OUT while S-Video signals and composite video signals are input into this receiver.

When selecting the desired input source. When selecting the TEST TONE mode.

VIDEO 1 (OPTICAL 1)

Input source Signal input

FL : - - - - - - - - - - - - : 0 dB

Channel level or overall volume display

• When adjusting overall volume, the volume level display will be shown.

• The test tone display will be shown until the test tone mode is canceled.

OSD Menu Settings

• The OSD menu allows you to perform the setup procedures easily. In most situations, you will only need to set this once during the installation and layout of your home theater, and it rarely needs to be changed later. The OSD menu consists of 6 main menus: power amp assign, speaker setup, system setup, surround setup, CH level setup and room 2 feed setup. Some of these menus are divided into various sub-menus.

• The OSD menu settings are performed easily with the CURSOR control( , , , ), OSD, RETURN and ENTER buttons.

Notes :

• In such a case of making only COMPONENT VIDEO connections between this receiver and video component, while viewing a movie via the MONITOR COMPONENT OUTs, if the OSD menu operation is performed, the picture is automatically turned off and only the OSD menu is displayed.

• When S-Video signals and composite video signals are input into this receiver, even though the OSD menu operation is performed, the

OSD menu cannot be displayed via MONITOR COMPOSITE OUT.

1

Turn the menu screen on.

• The main menu will be shown.

• To turn the menu screen off, press this button again.

M A I N M E N U

P O W E R A MP A S S I G N

S P E A K E R S E T U P

S Y S T E M

S U R R O U N D

S E T U P

S E T U P

C H L E V E L S E T U P

R O O M 2 F E E D S E T U P

, : M o v e

O S D : Q u i t E N T E R : S e l e c t

• In the bottom of the display, “OSD” stands for the OSD button,

“RETURN” for “RETURN”, “ENTER” for “ENTER”, “ ”,

“ ”, “ ” and “ ” for CURSOR UP( ), DOWN( ),

LEFT( ) and RIGHT( ).

47

2

Select the desired menu using the CURSOR

UP( )/DOWN( ) buttons.

3

Confirm your selection.

• The selected category or item will provide the needed setting details using the subsequent screens.

When selecting the POWER AMP ASSIGN

P O WE R A MP A S S I G N

S / B A C K

ROO M 2

R E T U R N : B a c k , : S e l e c t

49

When selecting the SPEAKER SETUP

S P E A KE R S E T U P

S P E A K E R C O N F I G U R A T I O N

S P E A K E R D I S T A N C E

V I R T U A L S P E A K E R S E T U P

S U B W O O F E R : A C T I V E

S U B W O O F E R M O D E : L F E

C R O S S O V E R F R E Q . : 8 0 H z

A U T O S P E A K E R S E T U P

, : M o v e

R E T U R N : B a c k E N T E R : S e l e c t

49

When selecting the SYSTEM SETUP

S Y S T E M S E T U P

D I G I T A L I N P U T S E T U P

T O NE C O N T R O L

OS D A U T O D I S P L A Y :

C UR R E N T V I D E O : VID 1

On

C OMP O N E N T V I D E O S E T U P

V I D E O 2 O U T : Off

D C T R I G G E R S E T U P

A / V S Y N C : 0 F r a m e

R E T U R N : B a c k E N T E R : S e l e c t

57

When selecting the CH LEVEL SETUP

C H L E V E L S E T U P

P R E S E T 1 : C A L L

P R E S E T 1 T R I M

P R E S E T 2 : C A L L

P R E S E T 2 T R I M

C H L E V E L T R I M

L F E L E V E L T R I M

, : S e l e c t

R E T U R N : B a c k E N T E R : C a l l

66

When selecting the SURROUND SETUP

S U R ROU N D S E T U P

D E C O D I N G M O D E :

S U R R O U N D M O D E :

A U T O

D O L B Y D I G I T A L E X

+ N O N E

D Y N A M I C R A N G E : 0 . 0

P L I I x M US I C P A R A M E T E R

R E T U R N : B a c k , : S e l e c t

63

When selecting the ROOM2 FEED SETUP

R O O M 2 F E E D S E T U P

V O L U M E MO D E : Variable

R O O M 2 F E E D :

T U N E R

Off

V I D E O 1

C D

A U X

V I D E O 2

V I D E O 3

V I D E O 4

69

R E T U R N : B a c k , : S e l e c t

• For the setting details, see page in .

• Adjust the setting(s) in each setting category to your preference.

• When the RETURN button is pressed on a sub-menu, the previous menu is resumed.

48

SETTING THE POWER AMP ASSIGN

• You can assign the power amplifier for the surround back channels to the ROOM 2.

In this case, you need not use the power amplifier to drive the speakers additionally in a different room (ROOM 2).

P O WE R A MP A S S I G N

S / B A C K

ROO M 2

R E T U R N : B a c k , : S e l e c t

Press the CURSOR LEFT( )/RIGHT( ) buttons to use the power amplifier as desired.

• Each time these buttons are pressed, the power amplifier is assigned as follows :

S /BACK : Select this to use power amplifier for the surround back channels.

ROOM 2 : Select this to use it for the ROOM 2.

SETTING THE SPEAKER SETUP

• After you have installed this unit and connected all the components, you first perform the speaker setup settings for the optimum sound acoustics according to your environment and speaker layout.

• Even when you change speakers, speaker positions, or the layout of your listening environment, you should perform the speaker setup settings, too.

• When performing the AUTO SPEAKER SETUP procedure, you need not perform the SPEAKER CONFIGURATION, SPEAKER

DISTANCE and CH LEVEL SETUP procedures.

S P E A KE R S E T U P

S P E A K E R C O N F I G U R A T I O N

S P E A K E R D I S T A N C E

V I R T U A L S P E A K E R S E T U P

S U B W O O F E R : A C T I V E

S U B W O O F E R M O D E : L F E

C R O S S O V E R F R E Q . : 8 0 H z

A U T O S P E A K E R S E T U P

, : M o v e

R E T U R N : B a c k E N T E R : S e l e c t

To select the sizes of the speakers that are connected.

To enter the distance between the listening position and each speaker to set the delay time automatically for the optimum surround playback.

To adjust the Dolby Virtual Speaker setting modes as desired.

To select the type of the subwoofer that is connected.

To select the desired subwoofer mode

To select the desired crossover frequency

To set the speaker setup and channel level setup automatically.

When selecting the SPEAKER CONFIGURATION

1

Press the CURSOR UP( )/DOWN( ) buttons to select the SPEAKER CONFIGURATION, then press the ENTER button.

S P E A K E R C O N F I G U R A T I O N

S U B W O O F E R :

F R O N T :

Yes

Large

C E N T E R : Large

S U R R . A / B : A + B

S U R R . ( A )

S U R R . ( B ) :

: Large

Large

S / B C H :

S U R R . B A C K :

2CH

Large

R E T U R N : B a c k , : S e l e c t

49

2

Press the CURSOR UP( )/DOWN( ) buttons to select the desired speaker.

• Each time these buttons are pressed, “ ” and “ ” are moved to the corresponding speaker mode.

Press the CURSOR LEFT( )/RIGHT( ) buttons to select the desired mode.

3

• Depending on your speaker type, you can select one of these following speaker types.

• Yes/No : Select the desired depending on whether a subwoofer is connected or not.

• Large : Select this when connecting speakers that can fully reproduce sounds below crossover frequency.

• Small : Select this when connecting speakers that cannot fully reproduce sounds below crossover frequency.When this is selected, sounds below crossover frequency are sent to the subwoofer.

• None : Select this when no speakers are connected. When this is selected, sounds are sent to the speakers which are not set to None.

• A/B/A+B : Select the desired depending on surround speaker connections (and whether program source is movie or music in such a case that two sets of surround speakers are connected).

• 2CH/1CH : Select the desired depending on the number of surround back speakers.

Notes :

• When speakers are set to “Small”, you should set the CROSSOVER FREQUENCY correctly according to their low frequency playback capacity. (Refer to “When selecting the CROSSOVER FREQUENCY” on page 54.)

• When “FRONT’ is set to “Small”, “SUBWOOFER” is automatically set to “Yes”, and when “SUBWOOFER” is set to “No”, “FRONT” is automatically set to “Large”.

• When “FRONT” is set to “Small”, “CENTER”, “SURROUND” and “SURR. BACK” cannot be set to “Large”.

• When the power amplifier for surround back channels is assigned to “ROOM2” or the surround speakers are all set to None, “S/B CH” is automatically set to “None”.

• When “SURR. (A)” or “SURR. (B)” is set to “Small”, “SURR. BACK” cannot be set to “Large”.

• If either “SURR. (A)” or “SURR. (B)” is set to “Small”, the output is the same as when “SURR. (A)” and “SURR.

(B)” are both set to “Small”.

4

Repeat the above steps and until the speakers are all set to the desired mode.

50

When selecting the SPEAKER DISTANCE

1

Press the CURSOR UP( )/DOWN( ) buttons to select the SPEAKER DISTANCE, then press the

ENTER button.

S P E A K E R D I S T A N C E

U N I T : Feet

F L : 1 0 R : 1 0

F C : 1 0

S U R R . ( A ) L : 1 0

S U R R . ( A ) R : 1 0

S U R R . ( B ) L : 1 0

S U R R . ( B ) R : 1 0

B L : 1 0 R : 1 0

R E T U R N : B a c k , : S e l e c t

2

Press the CURSOR UP( )/DOWN( ) buttons to select the unit.

3

Press the CURSOR LEFT( )/RIGHT( ) buttons to select the desired unit.

• Then “ ” and “ ” are moved to the unit mode.

4

Press the CURSOR UP( )/DOWN( ) buttons to select the desired speaker.

• Each time these buttons are pressed, “Meters” or

“Feet” is selected.

• Once a unit is selected, the distances are automatically changed in the selected unit.

5

Press the CURSOR LEFT( )/RIGHT( ) buttons to enter the distance from the selected speaker to the listening position.

• Then “ ” and “ ” are moved to its distance.

• You cannot select the subwoofer and the speakers set to “None”.

• You can set the distance within the range of 0.3~9 meters in 0.3 meter intervals(or 1~30 feet in 1 feet intervals)

6

Repeat the above steps and until the distances are all entered.

51

When selecting the VIRTUAL SPEAKER SETUP

1

Press the CURSOR UP( )/DOWN( ) buttons to select the VIRTUAL SPEAKER SETUP, then press the ENTER button.

V I R T U A L S P E A K E R S E T U P

D O L B Y V S : Off

S P E A K E R L A Y O U T :

2 - SP E A K E R

M O D E :

W I DE

R E T U R N : B a c k , : S e l e c t

2

Press the CURSOR LEFT( )/RIGHT( ) buttons to select the DOLBY VS(Virtual Speaker) mode as desired.

• Each time these buttons are pressed, the Dolby

Virtual Speaker mode changes as follows :

On : Select this to activate the Dolby Virtual Speaker function.

Off : Select this to cancel it.

3

Press the CURSOR UP( )/DOWN( ) buttons to select the SPEAKER LAYOUT mode.

4

Press the CURSOR LEFT( )/RIGHT( ) buttons to select the desired mode.

52

• You can select the desired one of four speaker layouts for actual speakers to be used .

• Each time these buttons are pressed , the speaker layout mode changes as follows :

2- SPEAKER : Select this when using 2 front speakers.

3- SPEAKER : Select this when using 2 front and center speakers.

4- SPEAKER : Select this when using 2 front and

2 surround speakers.

5- SPEAKER : Select this when using 2 front, center and 2 surround speakers.

Note :

• When the speakers are set to “None”, the corresponding speaker layout modes cannot be selected.

5

Press the CURSOR UP( )/DOWN( ) buttons to select the virtualization mode.

6

Press the CURSOR LEFT( )/RIGHT( ) buttons to select the desired mode.

When selecting the SUBWOOFER

• When the subwoofer without built-in amplifier is connected to “SURROUND BACK/SW” terminals, you should set “SUBWOOFER” to “PASSIVE”.

1

Press the CURSOR UP( )/DOWN( ) buttons to select the SUBWOOFER.

• Each time these buttons are pressed, the virtualization mode changes as follows:

WIDE: This mode expands the front channel sound field.

REFERENCE: This is the standard mode.

Notes :

• When “WIDE” is selected as virtualization mode, you can select “2-SPEAKER”, “3-SPEAKER”, “4-

SPEAKER” or “5-SPEAKER”.

• When “REFERENCE” is selected as virtualization mode, you can select “2-SPEAKER” or “3-

SPEAKER” only.

2

Press the CURSOR LEFT( )/RIGHT( ) buttons to select the desired mode.

Note :

• When “S/B CH” is set to “2 CH” on the SPEAKER

CONFIGURATION menu, the SUBWOOFER cannot be selected.

• Depending on your subwoofer type , you can select one of following types.

ACTIVE: Select this when connecting the powered subwoofer to “SW” of PREOUT jacks.

PASSIVE: Select this when connecting the subwoofer without built-in amplifier to “SURROUND

BACK/SW” terminals.

Note :

• If “SUBWOOFER” is set to “PASSIVE”, the

SURROUND BACK RIGHT channel of the speaker terminals and PREOUT jacks is automatically changed to SUBWOOFER channel.

53

When selecting the SUBWOOFER MODE

1

Press the CURSOR UP( )/DOWN( ) buttons to select the SUBWOOFER

MODE.

2

Press the CURSOR LEFT( )/RIGHT( ) buttons to select the desired mode.

When selecting the CROSSOVER

FREQUENCY

• Crossover frequency is the frequency (Hz) below which the bass sound of each main speakers is to output from the subwoofer or from front speakers which are set to “Large”(when not using a subwoofer).

1

Press the CURSOR UP( )/DOWN( ) buttons to select the CROSSOVER

FREQUENCY.

• Each time these buttons are pressed, the mode changes as follows :

LFE: Select this when the subwoofer reproduces only the low Frequency Effects from multi-channel sources that contain LFE channel, also called the “.1” channel.

LFE + SW: Select this when the subwoofer reproduces not only the Low Frequency Effects but also the bass sounds from stereo(2 channel) analog or PCM sources only.

• Regardless of subwoofer mode setting, the bass sounds of the speakers set to “Small” can be sent to the subwoofer.

2

Press the CURSOR LEFT( )/RIGHT( ) buttons to select the desired crossover frequency.

• You can select the desired within 40~120 Hz in 20 Hz intervals(default value: 80 Hz).

• For speakers set to “Small”, sound with a frequency below the selected crossover frequency is cut, and instead the cut bass sound is output from the subwoofer or speakers which are set to “Large”.

Example) When 100 Hz is selected, the bass sound below 100 Hz is output from the subwoofer or large front speakers(when not using a subwoofer).

54

When selecting the AUTO SPEAKER SETUP

• Auto Speaker Setup lets you avoid troublesome listening-based speaker setup and achieve good surround sound. You should connect the supplied microphone to the SETUP MIC jack so that this receiver can analyze the information from a series of test tones emitted from speakers and can adjust the size, distance and sound level of each speaker automatically.

• If you want to personalize your speaker setup and channel level setup by making the settings manually, perform the “When selecting the SPEAKER CONFIGURATION” procedure on page 49, “When selecting the SPEAKER DISTANCE” procedure on page 51, “Adjusting each channel level with test tone” and “Adjusting the current channel levels” procedures on page 37.

Preparations

1. Connect the supplied microphone to the SETUP MIC jack on the rear panel.(For details, refer to

“CONNECTING MICROPHONE” on page 13.)

Note:

• After you have completed the auto speaker setup procedure, be sure to disconnect the microphone.

2. Place the microphone on a flat level surface at your normal listening position.

• If possible, use a tripod, etc. to attach the microphone at the same height as your ears would be when you are seated in your listening position.

• Ensure there are no obstacles between the speakers and the microphone.

3. For the speakers to be set to “Small”, select the desired crossover frequency performing the “CROSSOVER FREQ.” procedure.(For details, refer to “When selecting the

CROSSOVER FREQUENCY” on page 54.)

1

Press the CURSOR UP( )/DOWN( ) buttons to select the AUTO SPEAKER SETUP, then press the ENTER button.

A U T O S P E A K E R S E T U P

S T A R T F L : 0 dB , L , 1 0 f t

F C : 0 dB , L , 1 0 f t

F R : 0 dB , L , 1 0 f t

A S R : 0 dB , L , 1 0 f t

B S R : 0 dB , L , 1 0 f t

B R : 0 dB , L , 1 0 f t

B L : 0 dB , L , 1 0 f t

B S L : 0 dB , L , 1 0 f t

R E T U R N : B a c k E N TER : S e l e c t

• For your reference, “ASR” / “ASL” stands for Surround A

Right/Left and “BSR” / “BSL” for Surround B Right/Left.

Channel level

Speaker size

Speaker distance

2

Press the ENTER button to start the auto speaker setup procedure.

Result report

A U T O S P E A K E R S E T U P

ME MO R Y F R : 0 dB , L , 1 0 f t

A S R : 1 dB , S , 1 0 f t

B S R : dB , N , f t

B R : 1 dB , S , 0 9 f t

B L : + 2 dB , S , 0 9 f t

B S L : dB , N , f t

A S L : 1 dB , S , 0 9 f t

S W : + 8 dB

R E T U R N : B a c k E N TER : S e l e c t

• Loud test tones are output from each speaker and then if auto speaker setup procedure has been completed, the results of each adjustment will be displayed.

• Each time the ENTER button is pressed, the auto speaker setup procedure will start or stop.

• If there may be a problem with speaker or microphone connection, error message will be displayed. In this case, turn off the power, check the connection as illustrated in error message and then retry the auto speaker setup procedure.

Notes:

• For your reference, other channel levels displayed are the relative levels as compared with FL channel, not adjusted levels.

• Depending on “POWER AMP ASSIGN” and “SUBWOOFER” settings, etc., some channels may be excluded.

(For details, refer to “SETTING THE POWER AMP ASSIGN” and “SETTING THE SPEAKER SETUP” on page 49.)

• Because the test tones are loud, ensure there no infants or small children in the room.

• For best results, ensure the room is as quiet as possible during the auto speaker setup procedure.

If there is too much ambient noise, the results may not be satisfactory.

• If the results are not satisfactory, you can also personalize your speaker setup and channel level setup by making the settings manually.(For details, refer to “When selecting the SPEAKER CONFIGURATION” on page 49, “When selecting the SPEAKER DISTANCE” on page

51, “Adjusting each channel level with test tone” and “Adjusting the current channel levels” on page 37.)

55

Continued

3

To confirm the results, press the CURSOR LEFT( )/RIGHT( ) buttons to select the “MEMORY”, then press the ENTER button.

A U T O S P E A K E R S E T U P

S T A R T F L : 0 dB , L , 1 0 f t

F C : + 4 dB , S , 1 0 f t

F R : 0 dB , L , 1 0 f t

A S R : 1 dB , S , 1 0 f t

B S R : dB , N , f t

B R : + 1 dB , S , 0 9 f t

B L : + 2 dB , S , 0 9 f t

B S L : dB , N , f t

R E T U R N : B a c k E N TER : S e l e c t

• Then the results are memorized.

• Each time the CURSOR LEFT( ) or RIGHT( ) button is pressed, the “MEMORY” or “START” is selected.

• However, if error message is displayed, the results cannot be memorized due to incorrect speaker connections, etc.. In this case, turn off the power, check the connections or change speakers as illustrated in error message and then retry the auto speaker setup procedure(, or memorize the result suggested in error message).

56

SETTING THE SYSTEM SETUP

S Y S T E M S E T U P

D I G I T A L I N P U T S E T U P

T O NE C O N T R O L

On OS D A U T O D I S P L A Y :

C UR R E N T V I D E O : VID 1

C OMP O N E N T V I D E O S E T U P

V I D E O 2 O U T : Off

D C T R I G G E R S E T U P

A / V S Y N C : 0 F r a m e

R E T U R N : B a c k E N T E R : S e l e c t

To assign the connected DIGITAL INs to the desired input sources respectively

To adjust the tone as desired or to select the desired cinema EQ mode.

To set the OSD AUTO DISPLAY mode as desired .

To select a video input source

To assign the connected COMPONENT VIDEO INs to the desired of VIDEO 1~4.

To set the VIDEO 2 OUT mode as desired.

To select the desired input source that uses the DC trigger function.

To adjust the A/V SYNC as desired.

Note:

• When the pure audio function is activated, the TONE CONTROL cannot be selected.

When selecting the DIGITAL INPUT SETUP

• You should assign the connected DIGITAL INs to the desired of CD, AUX and VIDEO 1~4.

(For details, refer to “CONNECTING DIGITAL INs and OUT” on page 8.)

1

Press the CURSOR UP( )/DOWN( ) buttons to select the DIGITAL INPUT SETUP, then press the

ENTER button.

D I G I T A L I N P U T S E T U P

C D

A UX

V I D E O 1

V I D E O 2

V I D E O 3

V I D E O 4

:

:

:

:

:

:

COAX1

N o n e

OPT1

OPT2

COAX2

OPT3

R E T U R N : B a c k , : S e l e c t

2

Press the CURSOR UP( )/DOWN( ) buttons to select the desired input source.

3

Press the CURSOR LEFT( )/RIGHT( ) buttons to select the desired DIGITAL IN.

• Each time these buttons are pressed, “ ” and “ ” are moved to the corresponding DIGITAL IN.

4

Repeat the above steps and until the connected DIGITAL INs are assigned to the desired input sources respectively.

• Each time these buttons are pressed, the DIGITAL

INs change.

Notes:

• When you select “None” instead of a DIGITAL IN for an input source, the analog input is automatically selected.

• In such a case that a DIGITAL IN is assigned to two input sources or more, when these input sources are selected, the digital audio signals can be heard from the same DIGITAL IN.

57

When selecting the TONE CONTROL

1

Press the CURSOR UP( )/DOWN( ) buttons to select the TONE CONTROL, then press the

ENTER button.

T ON E C O N T R O L

C I N EMA E Q : Off

T O N E D E F E A T : Off

B A S S - - - - - - - - - 0 dB

T R E B L E - - - - - - - - - 0 dB

R E T U R N : B a c k , : S e l e c t

Note:

• When the pure audio function is activated, the TONE CONTROL cannot be selected.

2

Press the CURSOR UP( )/DOWN( ) buttons to select the desired item.

• Each time these buttons are pressed, “ ” and “ ” are moved to the corresponding mode.

3

Press the CURSOR LEFT( )/RIGHT( ) buttons to select the desired mode.

• Each time these buttons are pressed, the modes change as follows:

When CINEMA EQ mode is selected

• When the pure audio function is activated, the cinema

EQ function cannot be activated.

On : Select this to compensate for edgy or shrill movie sound tracks.

Off : Select this to cancel the cinema EQ function.

When TONE DEFEAT mode is selected

On : Select this when listening to a program source without the tone effect.

Off : Select this when adjusting tone for your taste.

Note :

• When the tone defeat mode is set to On, the tone (bass and treble) cannot be adjusted.

When the tone defeat mode is set to Off to adjust the tone (bass and treble)

1. Press the CURSOR UP( )/DOWN( ) buttons to select the desired tone mode.

2. At the desired tone mode, press the CURSOR

LEFT( )/RIGHT( ) buttons to adjust the selected tone as desired.

• The tone level can be adjusted within the range of -10

~+10 dB.

• In general, we recommend the bass and treble to be adjusted to 0 dB(flat level).

• Extreme settings at high volume may damage your speakers.

3. To complete tone adjustment, repeat the above steps 1 and 2.

58

When selecting the OSD AUTO DISPLAY

• When the OSD AUTO DISPLAY is set to On, the current status display overlaps the program image on the monitor TV and may interfere with your movie enjoyment. In such a case, set the OSD AUTO

DISPLAY to Off.

1

Press the CURSOR UP( )/DOWN( ) buttons to select the OSD AUTO

DISPLAY.

2

Press the CURSOR LEFT( )/RIGHT( ) buttons to select the desired mode.

When selecting the CURRENT VIDEO

• You can select a video input source on the OSD menu and enjoy its image.

1

Press the CURSOR UP( )/DOWN( ) buttons to select the CURRENT VIDEO.

• Each time these buttons are pressed, the mode changes as follows:

On : To turn on the current status display.

Off : To turn off the current status display.

2

Press the CURSOR LEFT( )/RIGHT( ) buttons to select the desired video input source.

• Each time these buttons are pressed, the video input source changes.

When selecting the COMPONENT VIDEO SETUP

• You should assign the connected COMPONENT VIDEO INs to the desired of VIDEO 1~4.

(For details, refer to “CONNECTING VIDEO COMPONENTS” on page 6~7.)

1

Press the CURSOR UP( )/DOWN( ) buttons to select the COMPONENT VIDEO SETUP, then press the ENTER button.

C O M P O N E N T V I D E O S E T U P

V I D E O 1

V I D E O 2

V I D E O 3

V I D E O 4 :

:

:

: I N 1

I N 2

None

None

R E T U R N : B a c k , : S e l e c t

59

Continued

2

Press the CURSOR UP( )/DOWN( ) buttons to select the desired input source.

3

Press the CURSOR LEFT( )/RIGHT( ) buttons to select the desired

COMPONENT VIDEO IN.

• Each time these buttons are pressed, “ ” and

“ ” are moved to the corresponding

COMPONENT VIDEO IN.

• Each time these buttons are pressed , the

COMPONENT VIDEO INs change .

Note :

• In such a case that a COMPONENT VIDEO IN is assigned to two input sources or more, when these input sources are selected, the component video signals can be viewed from the same COMPONENT

VIDEO IN.

4

Repeat the above steps and until the connected COMPONENT VIDEO INs are assigned to the desired input sources respectively.

2

Press the CURSOR LEFT( )/RIGHT( ) buttons to select the desired mode.

When selecting the VIDEO 2 OUT

• When performing recording with the video recording component connected to VIDEO 2

(/ROOM 2) IN/OUT jacks, you should set the

VIDEO 2 OUT to On and deactivate the ROOM 2 function.

Note: When the ROOM 2 function is activated,

ROOM 2 source playback will be performed regardless of the VIDEO 2 OUT setting.

1

Press the CURSOR UP( )/DOWN( ) buttons to select the VIDEO 2 OUT.

• Each time these buttons are pressed, the mode changes as follows:

On : Select this to output the signals of the selected source as a recording (main room) source from the VIDEO 2/ROOM 2 OUTs.

Off : Select this not to output the signals.

60

When selecting the DC TRIGGER SETUP

• To turn on the component connected to DC TRIGGER OUT jack when the desired input source is selected, you should link DC TRIGGER with the desired input source.

1

Press the CURSOR UP( )/DOWN( ) buttons to select the DC TRIGGER, then press the ENTER button.

D C T R I G GE R S E T U P

D C T R I G GE R :

Off

T U N E R V I D E O 1

C D V I D E O 2

A U X

T A P E MO N .

V I D E O 3

V I D E O 4

E N T E R : S e t , , , : M o v e

2

Press the CURSOR LEFT( )/RIGHT( ) buttons to select the DC TRIGGER mode as desired.

When the DC TRIGGER mode is set to On

3

Press the CURSOR UP( )/

DOWN( )/LEFT( )/RIGHT( ) buttons to select the desired input source that uses the DC trigger function, then press the ENTER button.

• Each time these buttons are pressed, the DC

TRIGGER mode changes as follows:

On : Select this to activate the DC trigger function.

Off : Select this to cancel the DC trigger function.

• Each time the CURSOR CONTROL buttons are pressed, “ ” is moved to the corresponding input source.

When the ENTER button is pressed at the desired input source, “+” is marked it with.

• When the input sources marked with “+” on this menu are selected with the AUDIO and VIDEO

SELECTOR buttons, etc.,the DC trigger function is automatically activated. (For details, refer to

“CONNECTING DC TRIGGER OUT” on page 9.)

• When the ENTER button is pressed at the input source marked with “+”, “+” is cleared and the DC trigger function is canceled for this input source.

• Repeat this step until the desired input sources are all selected.

61

When selecting the A/V SYNC

• There may be a slight delay between the video and audio signals in case that some video playback equipments may process the video signals later than the audio signals due to signal processing procedure, etc..

Should this happen, you can adjust the A/V SYNC to synchronize sound with image.

1

Press the CURSOR UP( )/DOWN( ) buttons to select the A/V SYNC.

2

Press the CURSOR LEFT( )/RIGHT( ) buttons to adjust the A/V SYNC as desired.

• Each time these buttons are pressed, the A/V SYNC can be adjusted within the range of 0~6 frame.

62

SETTING THE SURROUND SETUP

S U R ROU N D S E T U P

D E C O D I N G M O D E : A U T O

S U R R O U N D M O D E :

D O L B Y D I G I T A L E X

+ N O N E

D Y N A M I C R A N G E : 0 . 0

P L I I x M US I C P A R A M E T E R

R E T U R N : B a c k , : S e l e c t

To select the desired decoding mode.

To select the desired surround mode.

To select the desired Dolby surround mode.

To adjust the dynamic range as desired.

To adjust the PL IIx MUSIC PARAMETER as desired.

Notes :

• Only when the digital input is selected as signal input, the decoding mode and the surround mode can be both selected as desired.

• When the analog input is selected, only the surround mode can be selected as desired.

• When the 8 CH DIRECT is selected as an input source, you cannot perform the surround setup.

When selecting the DECODING MODE, SURROUND MODE, DYNAMIC RANGE

Press the CURSOR UP( )/DOWN( ) buttons to select the desired item.

1

• Each time these buttons are pressed, “ ” and “ ” are moved to the corresponding mode.

2

Press the CURSOR LEFT( )/RIGHT( ) buttons to select the desired mode.

• Each time these buttons are pressed, the modes change as follows according to the selected item :

When DECODING MODE is selected

• Depending on the input digital signal format, you can select the desired decoding mode.

AUTO : Select this for automatic detection of a digital input signal format.

The input digital signal format (DTS, Dolby Digital, MPEG or PCM(2 channel stereo), etc.) used by the selected digital input source is detected automatically to perform the necessary decoding process for optimum surround modes.

DOLBY DIGITAL : Select this for Dolby Digital signal processing. The decoding process is preformed only when

Dolby Digital signals are input.

DTS : Select this for DTS signal processing. The decoding process is performed only when DTS signals are input.

MPEG : Select this for MPEG signal processing. The decoding process is performed only when MPEG signals are input.

PCM : Select this for PCM signal processing. The decoding process is performed only when PCM signals are input.

Notes :

• Surround sound effect will not work properly if the signal passes through a graphic equalizer.

Please refer to your equalizer operating instructions for guidance on switching off(or defeating) the equalizer.

• Only when the digital input is selected as signal input for the input sources except TUNER and TAPE MONITOR, the decoding mode can be selected.

• Noise may be generated at the beginning of playback and while searching during DTS playback in the auto mode.

In this case, try playing in the DTS mode.

63

When the SURROUND MODE is selected

• Depending on the input signal format and the selected decoding mode, you can select the desired surround mode as follows:

Signal format being input

Dolby Digital 5.1,

Dolby Digital EX 6.1 channel sources

Dolby Digital 2 channel sources

DTS sources

DTS 96/24 sources

MPEG sources

PCM ( 2 channel ) sources

Analog stereo sources

Selected decoding mode

Auto, Dolby Digital mode

Auto, DTS mode

Auto, MPEG mode

Auto, PCM mode

-

Selectable surround mode

(DOLBY DIGITAL EX,)

DOLBY DIGITAL

(DOLBY DIGITAL EX,) DOLBY DIGITAL, PL II MOVIE,

PL II MUSIC

(DTS ES MATRIX or DTS ES DISCRETE,) DTS

DTS 96/24

MPEG

PL II MOVIE, PL II MUSIC, BYPASS,

DTS NEO 6 : CINEMA, DTS NEO 6 : MUSIC, THEATER,

MOVIE, HALL 1/2, STADIUM, CHURCH, CLUB 1/2,

ARENA 1/2, GAME, 4CH STEREO, MATRIX

( ): Possible only when surround back channel is not set to “None”.(Refer to “When selecting the SPEAKER CONFIGURATION” on page 49.)

BYPASS mode: Audio signals bypass signal processing circuits for surround sound and are played in stereo mode.

If Dolby Pro Logic IIx, Dolby Virtual Speaker or Dolby Headphone mode is combined with BYPASS mode, you will enjoy its original surround effects, not affected by other surround modes.

Notes:

• When the selected decoding mode is not matched to the input signal format, the indicator of the signal being input flickers, meaning the required process cannot be performed and no sound is heard. Therefore, be sure to select the required decoding mode and the available surround mode according to the input signal format.

• When the pure audio function is activated, the surround mode cannot be selected.

• When 96 kHz PCM signals are input, only the stereo mode can be selected.

• When DTS 96/24 or MPEG signals are input, the Dolby Pro Logic IIx, Dolby Virtual Speaker and Dolby Headphone modes cannot be selected.

When the Dolby surround mode is selected

* In case that the HEADPHONE SELECTOR button is set to speaker on mode.

• Combined with the original surround mode, the Dolby surround mode can be selected as follows:

(PL IIx MOVIE PL IIx MUSIC DOLBY VS~ NONE(Dolby surround off)

(original surround mode)

( ) : Impossible only when the power amplifier for the surround back channels is assigned to the “ROOM2” or surround back channel is set to “None”.

• In case of playing in the stereo or 2CH downmix mode, it is canceled and the selected “PL IIx” or “DOLBY VS” mode will be combined with the previous mode.

* In case that the HEADPHONE SELECTOR button is set to speaker off mode.

• Combined with the current mode, the Dolby Headphone mode can be selected as follows:

DOLBY HEADPHONE 1 DOLBY HEADPHONE 2 DOLBY HEADPHONE 3 NONE(Dolby Headphone off)

• If you select the Dolby Headphone off mode, either the stereo mode or the 2 CH downmix mode will be selected depending on the signal format which is being input.

Notes :

• In case that the original surround mode is “DOLBY DIGITAL EX” or “DTS ES” mode, it will be automatically changed to

“DOLBY DIGITAL” or “DTS” mode.

• Only when playing a stereo(2 channel) source in “PL IIx”, “DOLBY VS” or “DOLBY HEADPHONE” mode, you can select the original surround mode to be combined.(However, in case of “PL IIx” mode, you cannot select “PL II”mode.)

• When “PL IIx” mode is selected while playing in “PL II” mode, it will be automatically changed to “DOLBY DIGITAL” or “BYPASS” mode depending on the signal format which is being input.

When the DYNAMIC RANGE is selected

• This function compresses the dynamic range of previously specified parts of the Dolby Digital sound track (with extremely high volume) to minimize the difference in volume between the specified and non-specified parts.

This makes it easy to hear all of the sound track when watching movies at night at low levels.

• The compression rate changes as follows :

Notes :

• Only while the digital signals from the Dolby Digital program source are being input, the dynamic range function can be activated.

• In some Dolby Digital software, this function may not be available.

64

When selecting the PL IIx MUSIC PARAMETER(or the PL II MUSIC PARAMETER)

Notes:

• Depending on whether “S/B CH” is set to “None” or not, you can select either the Dolby Pro Logic II surround or the Dolby Pro Logic IIx surround and can adjust its parameters as desired only while listening in either the PL

II MUSIC mode or the PL IIx MUSIC mode.

(Refer to “When selecting the SPEAKER CONFIGURATION” on page 49.)

• In case of PL IIx MUSIC mode, only when original surround mode is “BYPASS” mode or 2 channel digital signals from Dolby Digital sources, etc. are input, these parameter settings affect the surround effects.

1

Press the CURSOR UP( )/DOWN( ) buttons to select the PL II(x) MUSIC PARAMETER, then press the ENTER button.

P L I I x M U S I C P A R A M E T E R

P A N OR A M A : Off

C E N T E R W I D T H + - - - - - - - 0

D I M E N S I O N - - - - + - - 0

- 0 +

R E T U R N : B a c k , : S e l e c t

2

Press the CURSOR UP( )/DOWN( ) buttons to select the desired parameter.

3

Press the CURSOR LEFT( )/RIGHT( ) buttons to adjust the selected parameter as desired.

When selecting the PANORAMA mode

This mode extends the front stereo image to include the surround speakers for an exciting “wraparound” effect with side wall imaging. Select “Off” or “On”(default value:Off).

When selecting the CENTER WIDTH control

This adjusts the center image so it may be heard only from the center speaker, only from the left/right speakers as a phantom image, or from all three front speakers to varying degrees.

The control can be set in 8 steps from 0 to 7(default value : 0).

When selecting the DIMENSION control

This gradually adjusts the soundfield either towards the front or towards the rear. The control can be set in 7 steps from -3 to +3(default value : 0).

4

Repeat the above steps and to adjust other parameters.

65

SETTING THE CH LEVEL SETUP

C H L E V E L S E T U P

P R E S E T 1 : C A L L

P R E S E T 1 T R I M

P R E S E T 2 : C A L L

P R E S E T 2 T R I M

C H L E V E L T R I M

L F E L E V E L T R I M

, : S e l e c t

R E T U R N : B a c k E N T E R : C a l l

To recall the channel levels memorized into preset memory or to memorize the channel levels adjusted in the CH LEVEL TRIM menu, etc.

To memorize the adjusted channel levels into preset memory.

To adjust the current channel levels as desired.

To adjust LFE (Low Frequency Effect) levels included in Dolby Digital,

DTS and MPEG program sources.

When selecting the PRESET 1 or

PRESET 2

• You can recall the memorized channel levels whenever you want or can memorize the channel levels adjusted in the CH LEVEL TRIM men, etc.

into preset memory.

1

Press the CURSOR UP( )/DOWN( ) buttons to select the PRESET 1 or

PRESET 2.

2

Press the CURSOR

LEFT( )/RIGHT( ) buttons to select the desired mode, then press the ENTER button.

• Each time these buttons are pressed , the mode changes as follows :

CALL : Select this to recall the channel levels memorized into preset memory .

SAVE : Select this to memorize the channel levels adjusted in the CH LEVEL TRIM menu or in

“Adjusting the current channel levels” procedure on page 37.

When selecting the PRESET 1 TRIM or PRESET 2 TRIM

• You can adjust the channel levels directly in the PRESET TRIM menu and can memorize them into preset memory.

1

Press the CURSOR UP( )/DOWN( ) buttons to select the PRESET 1TRIM or PRESET 2 TRIM, then press the ENTER button.

Example) When the PRESET 2 TRIM is selected.

F L

P R E S E T 2 T R I M

: - - - - - - - - - - - - : 0 dB

F C : - - - - - - - - - - - - : 0 dB

F R : - - - - - - - - - - - - : 0 dB

S R : - - - - - - - - - - - - : 0 dB

B R : - - - - - - - - - - - - : 0 dB

B L : - - - - - - - - - - - - : 0 dB

S L : - - - - - - - - - - - - : 0 dB

S W : - - - - - - - - - - - - : 0 dB

R E T U R N : B a c k , : S e l e c t

66

2

Press the CURSOR UP( )/DOWN( ) buttons to select the desired channel.

3

Press the CURSOR LEFT( )/RIGHT( ) buttons to adjust the level of the selected channel as desired.

• Each time these buttons are pressed, “ ” is moved to the corresponding channel.

Note :

• Depending on the speaker settings and surround mode, etc., some channels cannot be selected.

• Each time these buttons are pressed, the channel level can be adjusted within the range of -15~+15 dB.

4

Repeat the above steps and to adjust each channel level until the sound level of each speaker is heard to be equally loud.

When selecting the CHANNEL LEVEL TRIM

• You can adjust the current channel levels as desired. These adjusted levels are just memorized, not into preset memory.

1

Press the CURSOR UP( )/DOWN( ) buttons to select the CH LEVEL TRIM, then press the

ENTER button.

C H L E V E L T R I M

F L : - - - - - - - - - - - - : 0 dB

F C : - - - - - - - - - - - - : 0 dB

F R : - - - - - - - - - - - - : 0 dB

S R : - - - - - - - - - - - - : 0 dB

B R : - - - - - - - - - - - - : 0 dB

B L : - - - - - - - - - - - - : 0 dB

S L : - - - - - - - - - - - - : 0 dB

S W : - - - - - - - - - - - - : 0 dB

R E T U R N : B a c k , : S e l e c t

2

Preform the steps ~ in “When selecting the PRESET 1 TRIM or PRESET 2 TRIM” procedure on the previous page.

• You can memorize the current channel levels into preset memory with performing “When selecting the PRESET

1 or PRESET 2 ” procedure on the previous page.

67

When selecting the LFE LEVEL TRIM

1

Press the CURSOR UP( )/DOWN( ) buttons to select the LFE LEVEL TRIM, then press the ENTER button.

L F E L E V E L T R I M

D O L B Y

D T S

M P E G

- - - - - + 0 dB

- - - - - - - - - - + 10 dB

- - - - - + - - - - - 0 dB

R E T U R N : B a c k , : S e l e c t

2

Press the CURSOR UP( )/DOWN( ) buttons to select the desired LFE level mode.

• Each time these buttons are pressed, “ ” is moved to the corresponding LFE level mode.

3

Press the CURSOR LEFT( )/RIGHT( ) buttons to adjust the selected LFE level as desired.

• Each time these buttons are pressed, the LFE level can be adjusted within the range of either -10~0 dB for Dolby

Digital program sources or -10~+10 dB for DTS and

MPEG program sources.

• In general, we recommend the LFE level for Dolby

Digital program sources to be set at 0 dB and at +10 dB for DTS program sources.(However, the recommended

LFE level for some early DTS program sources is 0 dB.)

If the recommended levels seem too high, lower the setting as necessary.

4

Repeat the above steps and until each level is adjusted as desired.

68

SETTING THE ROOM2 FEED SETUP

R O O M 2 F E E D S E T U P

V O L U M E MO D E : Variable

R O O M 2 F E E D :

T U N E R

Off

V I D E O 1

C D

A U X

V I D E O 2

V I D E O 3

V I D E O 4

R E T U R N : B a c k , : S e l e c t

To select the desired volume mode.

To select the desired ROOM 2 source.

• The ROOM 2 function allows enjoying one source in the main room while playing another in a different room at the same time.

• The analog signals from the 8 CH DIRECT inputs and TAPE MONITOR INs as well as the digital signals from the coaxial or optical digital input cannot be output from the VIDEO 2 / ROOM 2 (audio) OUTs.

When selecting the VOLUME MODE

Press the CURSOR UP( )/DOWN( ) buttons to select the VOLUME MODE.

1

2

Press the CURSOR LEFT( )/RIGHT( ) buttons to select the desired volume mode for the ROOM 2 source.

• Each time these buttons are pressed, the volume mode changes as follows:

Variable : Select this when an power amplifier is connected to the VIDEO 2/ROOM 2(audio) OUTs for ROOM

2 source playback. You can adjust the ROOM 2 volume level with the MASTER VOLUME

CONTROL knob of this receiver or the VOLUME

UP/DOWN buttons on the remote control.

Fixed : Select this when an integrated amplifier, etc. is connected to the VIDEO 2/ROOM 2(audio) OUTs.

You can adjust the ROOM 2 volume level on the connected integrated amplifier, etc.

Notes :

• When you assign the power amplifier for the surround back channels to the ROOM 2, the volume mode is automatically set to Variable.

• In case that an integrated amplifier, etc. is connected to the VIDEO 2/ROOM 2(audio) OUTs and the volume mode is set to Variable, if the ROOM 2 volume level is adjusted to high level on both this receiver and the connected amplifier, the ROOM 2 speaker and the connected amplifier may be damaged.

Therefore, be sure to set the volume mode to Fixed for safe operation when using amplifier with its own volume control for ROOM2.

• When selecting the Fixed mode, first adjust the volume level as desired in the Variable mode and select the Fixed mode. Then the volume level will be fixed to the adjusted level.

69

When selecting the ROOM 2 FEED mode

1

Press the CURSOR UP( )/DOWN( ) buttons to select the ROOM 2 FEED mode.

2

Press the CURSOR LEFT( )/RIGHT( ) buttons to select the ROOM 2 FEED mode as desired.

• Each time these buttons are pressed, the ROOM 2

FEED mode is changed to “On” or “Off”.

• When the ROOM 2 FEED mode is set to “Off”, the

ROOM 2 source cannot be selected.

• When you do not use the ROOM 2 function, set the

ROOM 2 FEED mode to Off to save electricity.

When the ROOM 2 FEED mode is set to On

3

Press the CURSOR UP( )/DOWN( )/LEFT( )/RIGHT( ) buttons to select the desired ROOM 2 source, then press the ENTER button.

• Each time the CURSOR CONTROL buttons are pressed, “+” is moved to the corresponding input source.

• When the audio and video input sources are both marked with “+” , you can enjoy the sound of the audio input source and the image of the video input source separately.

70

Troubleshooting Guide

If a fault occurs, run through the table below before taking your unit for repair.

If the fault persists, attempt to solve it by switching the unit off and on again. If this fails to resolve the situation, consult your dealer. Under no circumstances should you repair the unit yourself as this could invalidate the warranty!

No power

PROBLEM POSSIBLE CAUSE

• The AC input cord is disconnected.

• Poor connection at AC wall outlet or the outlet is dead or off.

No sound

No sound from the surround speakers

No sound from the center speaker

No sound from the surround back speakers

• The speaker wires are disconnected.

• The master volume is adjusted too low.

• The MUTE button is pressed to ON.

• The selected decoding mode is not matched to the input signal format.

• Incorrect selection of input source.

• Incorrect connections between the components.

• Surround mode is switched off(normal stereo mode).

• Master volume and surround level are too low.

• Monaural source is used.

• Surround speaker setting is “None”.

• Dolby Virtual Speaker, normal stereo mode, etc is selected.

• Center speaker setting is “None”.

• Master volume and center level are too low.

• The input signal format or the current surround mode cannot support the 7.1(or 6.1) surround.

• The power amplifier for the surround back channels is assigned to the ROOM 2.

Stations cannot be received

• Master volume and surround back level are too low.

• Surround back speaker setting is “None”.

• No antenna is connected.

• The desired station frequency is not tuned in.

• Antenna is in wrong position.

Preset stations cannot be received

Poor FM reception

Continuous hissing noise during FM reception, especially when a stereo broadcast is received.

Continuous or intermittent hissing noise during AM reception, especially at night.

Remote control unit does not operate.

• An incorrect station frequency has been memorized.

• The memorized stations are cleared.

• No antenna is connected.

• The antenna is not positioned for the best reception.

• Weak signals.

• Noise is caused by motors, fluorescent lamps or lightning, etc.

• Batteries are not loaded or exhausted.

• The remote sensor is obstructed.

• DIGI LINK connections are not made properly.

Other Sherwood components do not react to remote control commands.

A label cannot be displayed.

OSD function is not available.

• Malfunction due to external influences such as static electricity, etc.

• Video connections between this unit and the monitor TV are not made correctly.

REMEDY

• Connect cord securely.

• Check the outlet using a lamp or another appliance.

• Check the speaker connections.

• Adjust the master volume.

• Press the MUTE button to cancel the muting effect.

• Select the available decoding mode.

• Select the desired input source correctly.

• Make connections correctly.

• Select a surround mode.

• Adjust master volume and surround level.

• Select a stereo or surround source.

• Select the desired surround speaker setting.

• Select the desired surround mode.

• Select the desired center speaker setting.

• Adjust master volume and center level.

• Under the proper situations, perform the 7.1(or 6.1) surround playback.(For details, refer to

“ENJOYING SURROUND SOUND” on page 34.)

• Assign the power amplifier to the surround back channels.(For details, refer to “SETTING THE

POWER AMP ASSIGN” on page 49.)

• Adjust master volume and surround back level.

• Select the desired surround back speaker setting.

• Connect an antenna.

• Tune in the desired station frequency.

• Move antenna and retry tuning.

• Memorize the correct station frequency.

• Memorize the stations again.

• Connect an antenna.

• Change the position of the antenna.

• Change the position of the antenna.

• Install an outdoor FM antenna.

• Keep the receiver away from noise sources.

• Install an outdoor AM antenna.

• Replace the batteries.

• Remove the obstacle.

• Make proper DIGI LINK connections.

• Clear it using “To clear a label”. (Refer to

“Correcting or clearing a label” on page 45)

• Make proper video connections.

71

Specifications

AMPLIFIER SECTION

• Power output, stereo mode, 8

Ω, THD 0.05%, 20 Hz~20 kHz | 2 100 W

• Total harmonic distortion, 8

Ω, 100 W, 1 kHz | 0.05 %

• Intermodulation distortion

60 Hz : 7 kHz = 4 : 1 SMPTE, 8 Ω, 100 W | 0.09 %

• Input sensitivity/impedance

Line (CD, TAPE MONITOR, VIDEO) | 200 mV/47 k

Ω

• Signal to noise ratio, IHF “A” weighted

Line (CD, TAPE MONITOR, VIDEO) | 105 dB

• Frequency response

LINE (CD, TAPE MONITOR, VIDEO), 10~100,000 Hz | +0, -3 dB

• Output level

TAPE MONITOR REC, 1 k

Ω

| 200 mV

PRE OUT(Front, Center, Surround, Surround back, Subwoofer), 1 k

Ω

| 1.0 V

• Bass/Treble control, 100 Hz/10 kHz | 10 dB

• Surround mode, only channel driven

Front power output, 8

Ω, 1 kHz, THD 0.7 % | 110 W+110 W

Center power output, 8

Ω, 1 kHz, THD 0.7 % | 110 W

Surround power output, 8 Ω, 1 kHz, THD 0.7 % | 110 W+110 W

Surround back / ROOM2 power output, 8

Ω, 1 kHz, THD 0.7 % | 110 W+110 W

DIGITAL AUDIO SECTION

• Sampling frequency | 32, 44.1, 48, 96, 192 kHz

• Digital input level

Coaxial, 75

Ω

| 0.5 Vp-p

Optical, 660 nm | -15~-21 dBm

VIDEO SECTION

• Video format | NTSC

• Input sensitivity(=Output level), 75

Ω

Video(Composite (normal)) | 1 Vp-p

S-Video(luminance signal) | 1 Vp-p

(chrominance signal) | 0.286 Vp-p

Component video(R-Y signal) | 0.5 Vp-p

(B-Y signal) | 0.5 Vp-p

(Y signal) | 1.0 Vp-p

FM TUNER SECTION

• Tuning frequency range | 87.5~108 MHz

• Usable sensitivity, THD 3 %, S/N 30 dB | 17.2 dBf

• 50 dB quieting sensitivity, mono/stereo | 25.2/43.2 dBf

• Signal to noise ratio, 65 dBf, mono/stereo | 72/68 dB

• Total harmonic distortion, 65 dBf, 1 kHz, mono/stereo | 0.2/0.3 %

• Frequency response, 20 Hz~15 kHz | 1.5 dB

• Stereo separation, 1 kHz | 45 dB

• Capture ratio | 3.0 dB

• IF rejection ratio | 120 dB

AM TUNER SECTION

• Tuning frequency range | 520~1710 kHz

• Usable sensitivity | 12.5 mV

• Signal to noise ratio | 51 dB

• Selectivity | 30 dB

GENERAL

• Power supply | 120 V~60 Hz

• Power consumption | 5 A

• Switched AC outlets | TOTAL 100 W, 1A max.

• Dimensions(W H D) | 440 196 450 mm(17-3/8 7-3/4 17-3/4 inches)

• Weight(Net) | 22.4 kg(49.4 lbs)

Note: Design and specifications are subject to change without notice for improvements.

72

Daewoo

Daytron

Denon

Dumont

Dwin

Electroband

Emerson

Envision

Fisher

Fujitsu

Funai

Futuretech

GE

Gibralter

Setup Code Table

TV

AOC

Admiral

Aiko

Akai

Alaron

Ambassador

America Action

Ampro

Anam

Audiovox

Baysonic

Belcor

Bell & Howell

Bradford

Brockwood

Broksonic

CXC

Candle

Carnivale

Carver

Celebrity

Cineral

Citizen

Concerto

Contec

Craig

Crosley

Crown

Curtis Mathes

005 003

041 031

014

005

026

024

027

043

027 047 048 049

030 027 014 034

027

003

019 001

027

003

028 031

027

005 011

005

010

050

030 014

012 005 011 006 014

011

027

027

010

027 006

007 010 019 008 030 041

012 005 016 011 001 006

022 032 038 040

030 003 006 014 034 035

003

016

002 003

044 036

050

019 028 031 027 029 025

003 026 006 024 034 035

005

019

026

027 026 023

027

007 008 030 041 029 025

004 015 038 040

002 005 003

Midland

Minutz

Mitsubishi

Motorola

Multitech

NAD

NEC

NTC

Nikko

Onwa

Optimus

Optonica

Orion

Panasonic

Penney

Pilco

Philips

LG

LXI

Logik

Luxman

MGA

MTC

Magnavox

Magestic

Marantz

Matsushita

Magatron

Memorex

Goldstar

Gradiente

Grunpy

Hallmark

Harley Davidson

Harman/Kardon

Havard

Hitachi

Infinity

Inteq

JBL

JCB

JVC

KEC

KTV

Kenwood

005 025 003 011

009 011

027 026

025

026

010

027

016 011 018

010

002

010

050

009 046

027

027 005 006

005 003

011 003

007 010 019 020 025

001

011

017 005 025 003

012 005 003 011

010 005 026

001

010 005

042

025 016

019 042 031 017 025 011

001

007 002 008 006 015

004

041 017 025 003

041

027

020 025 022

005 003 011

014

005 025 014

027

019 042 022

041 021

028 031 026

008 042

007 020 008 012 005 025

004 003 011 006 015 040

010 031 005 016 003

010

73

Pilot

Pioneer

Portland

Prism

Proscan

Proton

Pulsar

Quasar

RCA

Radio Shack

Realistic

Runco

SSS

Sampo

Samsung

Samsux

Sansei

Sansui

Sanyo

Scimitsu

Scotch

Scott

Sears

Semivox

Semp

Sharp

Sherwood

Shogun

Signature

Sony

Soundesign

Squareview

Starlite

Supreme

Sylvania

Symphonic

TMK

Tandy

Technics

Technoi Ace

Techwood

Teknika

Telefunken

Toshiba

Totevision

Vector Research

Victor

Vidikron

005 003 006

022

003 006 014

008

007

025 032

002 003

008 042 021

007 008 041 003 013 015

037 038 039 040

007 019 021 027 005 025

003 011 006

019 021 027 005 025 003

011 006

002 005 033

027 003

005 006

012 005 025 003 011 045

006

030

031

019

003

025

028 027 025 003 026

007 010 019 020 025 026

011 006

027

020

041 021 006

000

003

001

050

027 025 026

023

027

050

010 005

023

025 011 024

041

008 042

026

008 011

010 027 017 012 003 026

011 001 006 014

011

019 020 012

006

005

009

010

74

Vidtech

Wards

White Westinghouse

Yamaha

Zenith

025 003

010 021 005 025 004 003

026 011 001

031 034 035

005 003

002 031 001 014

VCR

Admiral

Adventura

Aiko

Aiwa

Akai

America Action

America High

Asha

Audiovox

Beaumark

Bell & Howell

Brocksonic

Broksonic

CCE

Calix

Canon

Carver

Cineral

Citizen

Colt

Craig

Curtis Mathes

Cybernex

Daewoo

Denon

Dynatech

Electrohome

Electrophonic

Emerex

Emerson

Fisher

Fuji

Funai

GE

Garrard

Go Video

GoldStar

Gradiente

HI-Q

Harley Davidson

Harman/Kardon

Harwood

027 021

000

025

005 000

026

025

004

023

005

023

017

021

020 018 021 001

015 025

005

004

081

025

005 025

015

005 012 023 015 024

013 004 026 028

023

010 025

008

000

005

005

002

005 020 000 018 009 021

001 025

012 017

004 003

000

013 004 027 023

000

052

005 006

000

012

000

016 006

015

Minolta

Mitsubishi

Motorola

Multitech

NEC

Nikko

Noblex

Olympus

Opimus

Orion

Panasonic

Penny

Pentax

Philco

Philips

Pilot

Pioneer

Profitronic

Proscan

Protec

Pulsar

Quarter

Quartz

Quasar

RCA

Radio Shack

Radix

Randex

Headquarter

Hitachi

Hughes Net.Sys

JVC

Jensen

KEC

KLH

Kenwood

Kodak

LXI

Lloyd’s

Logik

MEI

MGA

MGN Technology

MTC

Magnasonic

Magnavox

Magnin

Marantz

Marta

Matsushita

Memorex

011

000 008 026

008

014 026

026

005 025

015

014 026 006

004 005

005

000

015

004

023 009

023

023 000

025

004 007 016 000 019

023

004 016

005

004 028 029

004 005 027 007 012 023

000 017 021 011 031 032

008

027 014 009

004 027

000 015

017 014 026 006

005

023

004

005

014

023

013

015

007

011

011

005 027 017 028 029 030

031 032

020 021 001

004 028 022 029 031

004 005 023 008 006

008

004 021

004 016

004 028 029 031

013 004 027 023 008 019

000

005

005

75

Semp

Sharp

Shintom

Shogun

Singer

Sony

Syvania

Symphonic

TMK

Tatung

Teac

Technics

Teknika

Thomas

Toshiba

Totevision

Unitech

Vector

Vector Research

Video Concepts

Videosonic

Wards

Realistic

Runco

STS

Samsung

Sanky

Sansui

Sanyo

Scott

Sears

White WestingHouse

XR-100

Yamaha

Zenith

Ameira High

Brocksonic

Colt

Cutis Mathes

Daewoo

Emerson

Funai

GE

Hitachi

HQ

Lloyds

MGA

Megavox

004 005 027 012 000 017

011

007

008

023 010 033

027 007

000 014 021 026 024

012 023 017 011

020 010 018 009

004 005 012 000 008 017

011

010

027

015

023

015

004 002 000 003

004 016 000 009

000

023

026

000 026

004 028

004 005 000

000

010 009

005 023

023

010

006

010

023

013 004 027 012 016 023

000 008 015 019

021 025

004 000 015

006

007 000 021 003

004 (TV use 008)

001

015

004 (TV use 008)

025

001

000

004 (TV use 008) 013 (TV use 012)

027 (TV use 041) 023

004 (TV use 008) 000

000

000

023

016 (TV use 010) 004 (TV use 008)

000

DVD

Harman/Kardon

JVC

Kenwood

Megavox

Mitsubishi

Onkyo

Panasonic

Philips

Pioneer

Proscan

RCA

Samsung

Sherwood

Sony

Technics

Theta Digital

Toshiba

Yamaha

Zenith

Magnin

Memorex

Mitsubishi

Orion

Panasonic

Penney

Quasar

RCA

Sansui

Sanyo

Sear

Sharp

Sony

Symphonic

Zenith

023

005 028 (TV use 025)

027 (TV use 041)

001

004 (TV use 008) 028 (TV use 042)

004 (TV use 008) 023

028 (TV use 042)

004 (TV use 008) 028 (TV use 042)

013 (TV use 012) 004 (TV use 008)

027 (TV use 041)

000

023

000 005

027 (TV use 041)

002 (TV use 000)

000

000

009

008

005

011

016

011

013

011 006

003 014 026

002

002

017

001 012 000 018 019

020 021 022 023 025

004

013

014

011

013 007

011 010

CBL

ABC

Allegro

Archer

Bell&Howell

Century

Citizen

Comtronics

Contec

Easten

Emerson

Everquest

Focus

Garrard

Gemini

General Instrument

GoldStar

Goodmind

Hamlin

Hitachi

Hytex

Jasco

Jerrold

002 003 009 030

007 006 008

018

018

009

018

018

014

011

001

026

010

022

018

010

033

021

026

021

014

276 006 034

Memolex

Movie Time

NSC

Oak

Optimus

Panasonic

Paragon

Philips

017 040

026

012 020 004 013

006

007

010 018 021

002 007 033 032 009 010

006 034

000

015

015

011

031

000

000

018

016 031

Pioneer 017 025

Popular Mechanics 022

Pulsar

Quasar

000

000

RCA

Radio Shack

Recoton

Regal

031

010

022

012

021

020

026 028

Regency

Rembrandt

Runco

SL Marx

Smasung

Scientific Atlanta

Signal

Signature

Sprucer

Starcom

001

006

000

014

017 014

003 023 030 027

010 014

006

031

002 010

76

Stargate

Starquest

TV86

Teleview

Tocom

Toshiba

Tusa

Unika

United Artists

Universal

Viewstar

Zenith

Zentek

010 014 026

010

015

014

007 008

000

010

018

007

153 019

015

000 024

022

SAT

AlphaStar

Chaparral

Echostar

Expreevu

General Instrument

HTS

Hitachi

Hughes Net.Sys

JVC

Jerrold

Megavox

Memorex

Next Level

Panasonic

Philips

Primestar

RCA

Radio Shack

Realistic

Sony

Star Choice

Toshiba

Uniden

Zenith

008

001

009

009

016 015 018

009

011

007

009

016 015

006 005

006

006

017

006 005

016 015

003 000 002 012

018

014

004

018

010

006 005 014

013

AUX-TAPE/MD

Sherwood 000 (for tape deck)

035 (for MD recorder)

77

AUX-LD

Denon

Mitsubishi

NAD

Pioneer

Sony

007

007

007

007

017 018

AUX-TAPE

Aiwa

Carver

Harman/Kardon

JVC

Kenwood

Megavox

Marantz

Onkyo

Opimus

Panasonic

Pioneer

Sansui

Sony

Technics

Victor

Wards

Yamaha

004 034

004

016 004

022 024

008

004

004

012 025

002 020

038

002 020 011

004

021 014 026

038

024

002

010 009

AUX-AMP

Awia

Carver

Curtis Mathes

Denon

Harman/Kardon

Linn

Megavox

Marantz

Panasonic

Philips

Pioneer

Sony

Technics

Wards

Yamaha

029

023

027

037

040

023

023

023

039

023 040

003 027

019 033

039

003

028

AUX-HOME AUTOMATION

GE

Lutron

One For All

Radio Shack

Security System

Universal X10

X10

043

044

042

043

042

042

042

AUX-DBS

Awia

Fisher

Harman/Kardon

JBL

JVC

Jerrold

RCA

Scientific Artlanta

Sony

Starcom

045 059 029

005

046

046

047

031

006

032

045

031

AUX-ACCESSARY

Archer

GC Electronics

Jebsee

Rabbit

Radio Shack

013

013

013

036

013

CD

Awia

Burmester

California Audio Lab

Carver

DKK

Denon

Emerson

Fisher

Garrard

Genexxa

Harman/Kardon

Hitachi

JVC

010 030

019

002

010 012 020

001

028 034

035

012 033

019 018

004 035

010 011

004

007

78

Panasonic

Parasound

Philips

Pioneer

Proton

QED

Quasar

RCA

Realistic

Rotel

SAE

Sansui

Sanyo

Scott

Sears

Sharp

Sherwood

Kenwood

Krell

LXI

Linn

MCS

MTC

Megavox

Marantz

Mission

NSM

Nikko

Onkyo

Opimus

Sony

Soundesign

Tascam

Teac

Technics

Victor

Wards

Yamaha

Yorx

003 029 016 024 025

010

035

010

002

019

010 035

002 010 013

010

010

033

008 026

001 004 012 035 029

019 009 021 020

002 031

019

010 023

004 035 021 017

010

010

002

012 035 006 036

012 019 013

010 019

010

010 035

012

035

035

029 013 037

013 027 038 039 040 041

000

001 014 022

009

019

019 018 033 013

002 031

007

010 006

005 015

032

R-865

Audio/Video Receiver

5707-04745-001-1