Owner`s Manual - Strumenti Musicali

Owner`s Manual - Strumenti Musicali
HP101_e.book 1 ページ 2005年4月19日 火曜日 午後4時33分
Owner’s Manual
Thank you, and congratulations on your choice of the Roland Digital Piano HP101.
Main Features
Piano Sounds with Rich Resonance and Wide-ranging Expressiveness
The stereo sampling piano sound generator realistically reproduces even the sound
of the hammers striking the strings, producing the tones of a high-quality concert
grand piano. Maximum polyphony of 64 notes ensures that you can use the pedal
freely without running out of notes.
Keyboard and Three Pedals Faithfully Reproduce That True Grand
Piano Feel
This instrument features a compact progressive hammer action keyboard, which
duplicates the touch of a grand piano, with a heavier touch in the lower register, and
a lighter touch in the upper register.
The three pedals are designed for good-feeling response, and allows subtle
performance nuances to be expressed.
Luxurious Wood-Grain Design
Featuring an elegant, wood-grain cabinet, the compact design of this fine instrument
ensures it uses a minimum of space.
In addition to a sliding keyboard lid, the HP101 also features a convenient
headphone hook where you can hang your headphones when they are not in use.
Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY
INSTRUCTIONS” (p. 2), “USING THE UNIT SAFELY” (p. 3, 4), and “IMPORTANT NOTES” (p.
5). These sections provide important information concerning the proper operation of the unit.
Additionally, in order to feel assured that you have gained a good grasp of every feature provided
by your new unit, Owner’s manual should be read in its entirety. The manual should be saved and
kept on hand as a convenient reference.
Copyright © 2004 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in
any form without the written permission of ROLAND CORPORATION.
HP101_e.book 2 ページ 2005年4月19日 火曜日 午後4時33分
WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
The lightning flash with arrowhead symbol, within an
equilateral triangle, is intended to alert the user to the
presence of uninsulated “dangerous voltage” within the
product’s enclosure that may be of sufficient magnitude to
constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is
intended to alert the user to the presence of important
operating and maintenance (servicing) instructions in the
literature accompanying the product.
INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.
IMPORTANT SAFETY INSTRUCTIONS
SAVE THESE INSTRUCTIONS
WARNING - When using electric products, basic precautions should always be followed, including the following:
1.
2.
3.
4.
5.
6.
7.
8.
9.
Read these instructions.
Keep these instructions.
Heed all warnings.
Follow all instructions.
Do not use this apparatus near water.
Clean only with a dry cloth.
Do not block any of the ventilation openings. Install in
accordance with the manufacturers instructions.
Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including
amplifiers) that produce heat.
Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades with
one wider than the other. A grounding type plug has two
blades and a third grounding prong. The wide blade or the
third prong are provided for your safety. If the provided plug
does not fit into your outlet, consult an electrician for
replacement of the obsolete outlet.
10. Protect the power cord from being walked on or pinched
particularly at plugs, convenience receptacles, and the
point where they exit from the apparatus.
11. Only use attachments/accessories specified by the
manufacturer.
12. Use only with the cart, stand, tripod, bracket,
or table specified by the manufacturer, or
sold with the apparatus. When a cart is used,
use caution when moving the cart/apparatus
combination to avoid injury from tip-over.
13. Unplug this apparatus during lightning storms or when
unused for long periods of time.
14. Refer all servicing to qualified service personnel. Servicing
is required when the apparatus has been damaged in any
way, such as power-supply cord or plug is damaged, liquid
has been spilled or objects have fallen into the apparatus,
the apparatus has been exposed to rain or moisture, does
not operate normally, or has been dropped.
For the U.K.
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
BLUE:
NEUTRAL
BROWN: LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.
HP101_e.book 3 ページ 2005年4月19日 火曜日 午後4時33分
USING THE UNIT SAFELY
The
symbol alerts the user to important instructions
or warnings.The specific meaning of the symbol is
determined by the design contained within the
triangle. In the case of the symbol at left, it is used for
general cautions, warnings, or alerts to danger.
Used for instructions intended to alert
the user to the risk of death or severe
injury should the unit be used
improperly.
Used for instructions intended to alert
the user to the risk of injury or material
damage should the unit be used
improperly.
* Material damage refers
other adverse effects
respect to the home
furnishings, as well
animals or pets.
The
symbol alerts the user to items that must never
be carried out (are forbidden). The specific thing that
must not be done is indicated by the design contained
within the circle. In the case of the symbol at left, it
means that the unit must never be disassembled.
to damage or
caused with
and all its
to domestic
The ● symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In
the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.
001
009
• Before using this unit, make sure to read the
instructions below, and the Owner’s Manual.
• Do not excessively twist or bend the power cord,
nor place heavy objects on it. Doing so can
damage the cord, producing severed elements
and short circuits. Damaged cords are fire and
shock hazards!
..........................................................................................................
..........................................................................................................
002a
• Do not open or perform any internal modifications on the unit.
..........................................................................................................
003
• Do not attempt to repair the unit, or replace parts
within it (except when this manual provides
specific instructions directing you to do so). Refer
all servicing to your retailer, the nearest Roland
Service Center, or an authorized Roland
distributor, as listed on the “Information” page.
..........................................................................................................
004
• Never use or store the unit in places that are:
• Subject to temperature extremes (e.g., direct
sunlight in an enclosed vehicle, near a heating
duct, on top of heat-generating equipment); or
are
• Damp (e.g., baths, washrooms, on wet floors);
or are
• Humid; or are
• Exposed to rain; or are
• Dusty; or are
• Subject to high levels of vibration.
..........................................................................................................
007
• Make sure you always have the unit placed so it is
level and sure to remain stable. Never place it on
stands that could wobble, or on inclined surfaces.
..........................................................................................................
008a
• The unit should be connected to a power supply
only of the type described in the operating
instructions, or as marked on the rear of unit.
..........................................................................................................
008e
• Use only the attached power-supply cord. Also,
the supplied power cord must not be used with
any other device.
..........................................................................................................
010
• This unit, either alone or in combination with an
amplifier and headphones or speakers, may be
capable of producing sound levels that could
cause permanent hearing loss. Do not operate for
a long period of time at a high volume level, or at
a level that is uncomfortable. If you experience
any hearing loss or ringing in the ears, you should
immediately stop using the unit, and consult an
audiologist.
..........................................................................................................
011
• Do not allow any objects (e.g., flammable
material, coins, pins); or liquids of any kind
(water, soft drinks, etc.) to penetrate the unit.
..........................................................................................................
012a
• Immediately turn the power off, remove the
power cord from the outlet, and request servicing
by your retailer, the nearest Roland Service
Center, or an authorized Roland distributor, as
listed on the “Information” page when:
• The power-supply cord, or the plug has been
damaged; or
• If smoke or unusual odor occurs
• Objects have fallen into, or liquid has been
spilled onto the unit; or
• The unit has been exposed to rain (or otherwise
has become wet); or
• The unit does not appear to operate normally
or exhibits a marked change in performance.
..........................................................................................................
3
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013
107b
• In households with small children, an adult
should provide supervision until the child is
capable of following all the rules essential for the
safe operation of the unit.
..........................................................................................................
• Never handle the power cord or its plugs with
wet hands when plugging into, or unplugging
from, an outlet or this unit.
..........................................................................................................
014
• Protect the unit from strong impact.
(Do not drop it!)
..........................................................................................................
015
• Do not force the unit’s power-supply cord to
share an outlet with an unreasonable number of
other devices. Be especially careful when using
extension cords—the total power used by all
devices you have connected to the extension
cord’s outlet must never exceed the power rating
(watts/amperes) for the extension cord. Excessive
loads can cause the insulation on the cord to heat
up and eventually melt through.
..........................................................................................................
016
• Before using the unit in a foreign country, consult
with your retailer, the nearest Roland Service
Center, or an authorized Roland distributor, as
listed on the “Information” page.
..........................................................................................................
026
• Do not put anything that contains water (e.g.,
flower vases) on this unit. Also, avoid the use of
insecticides, perfumes, alcohol, nail polish, spray
cans, etc., near the unit. Swiftly wipe away any
liquid that spills on the unit using a dry, soft
cloth.
108d: Selection
• If you need to move the instrument, take note of
the precautions listed below. At least two persons
are required to safely lift and move the unit. It
should be handled carefully, all the while keeping it level.
Make sure to have a firm grip, to protect yourself from
injury and the instrument from damage.
1
• Check to make sure the screws securing the unit to the
stand have not become loose. Fasten them again
securely whenever you notice any loosening.
2
• Disconnect the power cord.
3
• Disconnect all cords coming from external devices.
4
• Raise the adjusters on the stand (p. 10).
5
• Close the lid.
6
• Remove the music stand.
..........................................................................................................
109a
• Before cleaning the unit, turn off the power and
unplug the power cord from the outlet (p. 8).
..........................................................................................................
110a
• Whenever you suspect the possibility of lightning
in your area, pull the plug on the power cord out
of the outlet.
..........................................................................................................
116
101a
• The unit should be located so that its location or
position does not interfere with its proper ventilation.
..........................................................................................................
102b
• Always grasp only the plug on the power-supply
cord when plugging into, or unplugging from, an
outlet or this unit.
..........................................................................................................
103a
• At regular intervals, you should unplug the
power plug and clean it by using a dry cloth to
wipe all dust and other accumulations away from
its prongs. Also, disconnect the power plug from
the power outlet whenever the unit is to remain
unused for an extended period of time. Any
accumulation of dust between the power plug
and the power outlet can result in poor insulation
and lead to fire.
..........................................................................................................
104
• Try to prevent cords and cables from becoming
entangled. Also, all cords and cables should be
placed so they are out of the reach of children.
..........................................................................................................
106
• Never climb on top of, nor place heavy objects on
the unit.
..........................................................................................................
4
• Be careful when opening/closing the lid so you
do not get your fingers pinched (p. 8). Adult
supervision is recommended whenever small
children use the unit.
..........................................................................................................
118c
• Keep any included the music rest’s attachment
screws, screws of stand, and wing nut in a safe
place out of children’s reach, so there is no chance
of them being swallowed accidentally.
..........................................................................................................
HP101_e.book 5 ページ 2005年4月19日 火曜日 午後4時33分
IMPORTANT NOTES
291b
In addition to the items listed under “IMPORTANT SAFETY INSTRUCTIONS” and “USING THE UNIT SAFELY” on pages 2,
3 and 4, please read and observe the following:
Power Supply
Maintenance
301
401b
• Do not connect this unit to same electrical outlet that is being
used by an electrical appliance that is controlled by an
inverter (such as a refrigerator, washing machine, microwave
oven, or air conditioner), or that contains a motor. Depending
on the way in which the electrical appliance is used, power
supply noise may cause this unit to malfunction or may
produce audible noise. If it is not practical to use a separate
electrical outlet, connect a power supply noise filter between
this unit and the electrical outlet.
• To clean the unit, use a dry, soft cloth; or one that is slightly
dampened. Try to wipe the entire surface using an equal
amount of strength, moving the cloth along with the grain of
the wood. Rubbing too hard in the same area can damage the
finish.
307
• Before connecting this unit to other devices, turn off the
power to all units. This will help prevent malfunctions and/
or damage to speakers or other devices.
402
• Never use benzine, thinners, alcohol or solvents of any kind,
to avoid the possibility of discoloration and/or deformation.
403
• The pedals of this unit are made of brass.
Brass eventually darkens as the result of the natural
oxidization process. If the brass becomes tarnished, polish it
using commercially available metal polisher.
308
• Although the LCD and LEDs are switched off when the
POWER switch is switched off, this does not mean that the
unit has been completely disconnected from the source of
power. If you need to turn off the power completely, first turn
off the POWER switch, then unplug the power cord from the
power outlet. For this reason, the outlet into which you
choose to connect the power cord’s plug should be one that is
within easy reach.
Placement
351
• Using the unit near power amplifiers (or other equipment
containing large power transformers) may induce hum. To
alleviate the problem, change the orientation of this unit; or
move it farther away from the source of interference.
352a
• This device may interfere with radio and television reception.
Do not use this device in the vicinity of such receivers.
352b
• Noise may be produced if wireless communications devices,
such as cell phones, are operated in the vicinity of this unit.
Such noise could occur when receiving or initiating a call, or
while conversing. Should you experience such problems, you
should relocate such wireless devices so they are at a greater
distance from this unit, or switch them off.
354a
• Do not expose the unit to direct sunlight, place it near devices
that radiate heat, leave it inside an enclosed vehicle, or
otherwise subject it to temperature extremes. Excessive heat
can deform or discolor the unit.
355b
• When moved from one location to another where the temperature and/or humidity is very different, water droplets
(condensation) may form inside the unit. Damage or
malfunction may result if you attempt to use the unit in this
condition. Therefore, before using the unit, you must allow it
to stand for several hours, until the condensation has
completely evaporated.
356
• Do not allow rubber, vinyl, or similar materials to remain on
the unit for long periods of time. Such objects can discolor or
otherwise harmfully affect the finish.
358
• Do not allow objects to remain on top of the keyboard. This
can be the cause of malfunction, such as keys ceasing to
produce sound.
359
• Do not paste stickers, decals, or the like to this instrument.
Peeling such matter off the instrument may damage the
exterior finish.
Additional Precautions
552
• Unfortunately, it may be impossible to restore the contents of
data that was stored in the unit’s memory once it has been
lost. Roland Corporation assumes no liability concerning
such loss of data.
553
• Use a reasonable amount of care when using the unit’s
buttons, sliders, or other controls; and when using its jacks
and connectors. Rough handling can lead to malfunctions.
556
• When connecting / disconnecting all cables, grasp the
connector itself—never pull on the cable. This way you will
avoid causing shorts, or damage to the cable’s internal
elements.
557
• A small amount of heat will radiate from the unit during
normal operation.
558a
• To avoid disturbing your neighbors, try to keep the unit’s
volume at reasonable levels. You may prefer to use
headphones, so you do not need to be concerned about those
around you (especially when it is late at night).
559a
• When you need to transport the unit, package it in the box
(including padding) that it came in, if possible. Otherwise,
you will need to use equivalent packaging materials.
560
• Do not apply undue force to the music stand while it is in use.
562
• Use a cable from Roland to make the connection. If using
some other make of connection cable, please note the
following precautions.
565
• Before opening or closing the keyboard lid, always make sure
that no pets or other small animals are located on top of the
instrument (in particular, they should be kept away from the
keyboard and its lid). Otherwise, due to the structural design
of this instrument, small pets or other animals could end up
getting trapped inside it. If such a situation is encountered,
you must immediately switch off the power and disconnect
the power cord from the outlet. You should then consult with
the retailer from whom the instrument was purchased, or
contact the nearest Roland Service Center.
• Some connection cables contain resistors. Do not use cables
that incorporate resistors for connecting to this unit. The use
of such cables can cause the sound level to be extremely low,
or impossible to hear. For information on cable specifications,
contact the manufacturer of the cable.
5
HP101_e.book 6 ページ 2005年4月19日 火曜日 午後4時33分
Contents
USING THE UNIT SAFELY ........................................3
IMPORTANT NOTES .................................................5
Chapter 4. Connecting External Devices ............. 25
Connecting to Audio Equipment...................................................25
Connecting to a Computer..............................................................25
Panel Descriptions....................................................7
Connecting MIDI Devices...............................................................26
What’s MIDI?.............................................................................26
Control Panel ......................................................................................7
MIDI Send Channel Settings ...................................................26
Rear Panel............................................................................................7
Switching Local Control On and Off......................................27
Before You Start Playing ..........................................8
Connecting the Pedal Cable..............................................................8
Tone List ............................................................................................28
Connecting the Power Cord .............................................................8
Easy Operation List..........................................................................29
Opening/Closing the Lid .................................................................8
Internal Song List .............................................................................30
Setting Up the Music Rest.................................................................8
Troubleshooting ...............................................................................32
Connecting Headphones...................................................................9
Using the Headphone Hook......................................................9
MIDI Implementation Chart...........................................................33
Turning the Power On and Off ........................................................9
Adjusting the Sound’s Volume ........................................................9
About the Pedals ..............................................................................10
About the Adjuster ..........................................................................10
Chapter 1. Enjoying the Internal Songs ................11
Listening to Internal Songs .............................................................11
Selecting the Song to Play Back...............................................11
Chapter 2. Performance..........................................12
Performing with a Variety of Sounds ...........................................12
Applying Effects to the Sound .......................................................13
Adding Reverberation to the Sound (Reverb) ......................13
Changing the Depth of the Reverb Effect..............................13
Adjusting the Keyboard Touch (Key Touch) ...............................14
Transposing the Key of the Keyboard (Transpose).....................15
Playing Two Sounds Together (Dual Play) ..................................16
Adjusting the Volume Balance in Dual Play
(Dual Balance)............................................................................16
Using Metronome ............................................................................17
Sounding the Metronome ........................................................17
Changing the Beat of Metronome...........................................18
Changing the Metronome Tempo ..........................................18
Changing the Metronome Volume.........................................19
Splitting the Keyboard Into Two Sections for Four-Hand
Performances (Twin Piano Mode) .................................................20
Chapter 3. Changing Various Settings..................21
Tuning to Other Instruments’ Pitches (Master Tuning) .............21
Lowering/ Raising the Standard Pitch ..................................21
Setting the Standard Pitch to 440.0 Hz...................................21
Setting the Standard Pitch to 442.0 Hz...................................21
Changing the Temperament...........................................................22
Setting the Tonic........................................................................22
Changing the Damper Pedal’s Resonance....................................23
Setting the Tuning Curve (Stretch Tuning) ..................................23
Disabling Everything Except Piano Play (Panel Lock)...............24
Using the V-LINK function ............................................................24
6
Appendices
Main Specifications ..........................................................................34
Index ........................................................................ 35
HP101_e.book 7 ページ 2005年4月19日 火曜日 午後4時33分
Panel Descriptions
Control Panel
Rear Panel
1
2
Headphones
Jacks
Pedal Jack
3
AC Inlet
1
Headphones jacks
A set of headphones can be connected here (p. 9).
2
Pedal jack
Connect the pedal cable to this jack (p. 8).
3
AC inlet
Connect the supplied power cord here (p. 8).
4
[Power On] switch
Turns the power on/off (p. 9).
5
[Volume] knob
Adjusts the overall volume level (p. 9).
6
[Demo] button
Plays the internal songs (p. 11).
7
[Tone] button
Used to choose the tone played by the keyboard (p. 12).
8
[Metronome] button
Turns the metronome on/off (p. 17).
9
[Reverb/Key Touch] button
Adds reverberation to the sound (p. 13).
Modifies the playing feel of the keyboard (p. 14).
Control Panel
4
5
6
7
8
9
Rear Panel
10 MIDI Out/In connectors
Connect to external MIDI devices to exchange
performance data (p. 26).
11 Input jacks
10
11
12
These jacks can be connected to another sound
generating device or an audio device, so that the sound
of that device will be output from the HP101’s speakers
(p. 25).
12 Output jacks
Allows you to output the piano’s sound to sound
reinforcement equipment to obtain a more powerful
sound. These can also be connected to a tape recorder or
other recording device to record a performance (p. 25).
7
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Before You Start Playing
Connecting the Pedal Cable
Connect the pedal cable to the Pedal jack on the bottom
panel of the instrument, at the rear.
fig.00-01
Setting Up the Music Rest
1. Insert the included music rest attachment screws into
the screw holes on top of the HP101, and tighten the
screws slightly.
fig.00-03
Connecting the Power Cord
1. Insert the included power cord into the AC inlet on the
2. Put the music rest between the screws and the HP101’s
body.
bottom panel of the instrument, at the rear.
2. Plug the power cord into a power outlet.
NOTE
Be sure to use the supplied power cord.
fig.00-02
3. While supporting the music rest with one hand, secure
it in place by turning the screws.
Opening/Closing the Lid
When attaching the music rest, support it firmly with
one hand to make sure that you don’t drop it. Be careful,
so you don’t get your fingers pinched.
4. To remove the music rest, support it with one hand
To open the lid, use both hands to lift it lightly, and
while loosening the screws.
slide it away from yourself.
After removing the music rest, don’t forget to retighten
the screws.
To close the lid, pull it gently toward yourself, and
lower it softly after it has been fully extended.
NOTE
fig.00-05
Do not apply excessive force to the installed music rest.
NOTE
Be sure to use the supplied screws for attaching the
NOTE
music rest.
When opening and closing the lid, be careful not to let
your fingers get caught. If small children will be using
the HP101, adult supervision should be provided.
NOTE
If you need to move the piano, make sure the lid is
closed first to prevent accidents.
8
NOTE
Before moving the piano, be sure to remove the music
rest to prevent accidents.
HP101_e.book 9 ページ 2005年4月19日 火曜日 午後4時33分
Before You Start Playing
Connecting Headphones
The HP101 has two jacks for plugging in headphones. This
allows two people to listen through headphones
simultaneously, making it very useful for lessons and when
performing piano pieces for four hands. Additionally, this
allows you to play without having to worry about bothering
others around you, even at night.
Plug the headphones into the Phones jack located at the
bottom left of the piano.
Connecting headphones will automatically mute the
sound from the internal speakers.
The headphone volume is adjusted by the [Volume]
knob (p. 9) of the HP101.
fig.00-04.e
Turning the Power On and Off
NOTE
Once the connections have been completed, turn on
power to your various devices in the order specified. By
turning on devices in the wrong order, you risk causing
malfunction and/or damage to speakers and other
devices.
To turn the power on, turn the [Volume] knob all the
way down, and then press the [Power On] switch.
The power will turn on, and the Power indicator at the
left front of the HP101 will light.
After a few seconds, you will be able to play the
keyboard to produce sound.
Use the [Volume] knob to adjust the volume.
NOTE
This unit is equipped with a protection circuit. A brief
Phones jack x 2
interval (a few seconds) after power up is required
before the unit will operate normally.
fig.00-06.e
NOTE
Use Stereo headphones.
Some notes on using headphones
• To prevent damage to the cord, handle the headphones only by
the headset or the plug.
• Connecting the headphones when the volume of connected
equipment is turned up may result in damage to the
headphones. Lower the volume on the HP101 before plugging
in the headphones.
• Listening at excessively high volume levels will not only
damage the headphones, but may also cause hearing loss. Use
the headphones at a moderate volume level.
■ Using the Headphone Hook
Whenever you are not using the headphones, you can hang
them on the headphone hook at the lower left of the HP101.
Attaching the Headphone Hook
Press and twist the headphone hook included with the
HP101 into the hole in the bottom of the HP101 (refer to the
figure below). Turn the wing nut of headphone hook to
secure the headphone hook.
Power Indicator
To turn the power off, turn the [Volume] knob all the
way to the left, and press the [Power On] switch.
The Power indicator at the left front of the HP101 will go
dark, and the power will be turned off.
Adjusting the Sound’s
Volume
Turn the [Volume] knob to adjust the overall volume.
fig.00-07.e
The volume
decreases
The volume
increases
Wing Nut
Headphone Hook
9
HP101_e.book 10 ページ 2005年4月19日 火曜日 午後4時33分
Before You Start Playing
About the Pedals
About the Adjuster
The pedals have the following functions, and are used
mainly for piano performance.
When you move the HP101 or if you feel that the pedals are
unstable, adjust the adjuster located below the pedals as
follows.
fig.00-08.e
❍
Soft Pedal
Damper Pedal
Sostenuto Pedal
Rotate the adjuster to lower it so that it is in firm contact
with the floor. If there is a gap between the pedals and
the floor, the pedals may be damaged. In particular
when placing the instrument on carpet, adjust this so
that the pedals firmly contact the floor.
fig.00-09.j
Damper pedal (right pedal)
While this pedal is pressed, notes will be sustained even after
you take your fingers off the keys.
On an acoustic piano, holding down the damper pedal will
allow the remaining strings to resonate in sympathy with the
sounds that you played from the keyboard, adding a rich
resonance.
The HP101 simulates this “damper resonance.”
You can change the amount of resonance applied with
the damper pedal. Please refer to “Changing the Damper
Pedal’s Resonance” (p. 23).
Sostenuto pedal (center pedal)
This pedal sustains only the sounds of the keys that were
already played when you pressed the pedal.
Soft pedal (left pedal)
When you hold down this pedal and play the keyboard, the
sound will have a softer tone.
10
Adjuster
If the adjuster is difficult to turn, have one person lift
either the left or right side of the stand to make it easier
for another person to turn the adjuster and make the
adjustment.
NOTE
After adjusting the adjuster, press the pedals, and if the
front board moves, turn the adjuster further so that it
makes firm contact with the floor.
NOTE
Always readjust the adjuster after moving the piano.
HP101_e.book 11 ページ 2005年4月19日 火曜日 午後4時33分
Chapter 1. Enjoying the Internal Songs
Listening to Internal Songs
The HP101 comes with 65 piano songs onboard.
The songs are played back continuously in sequence.
For more details, refer to
“Internal Song List” (p. 30).
fig.panel1-1
NOTE
You cannot use the metronome
1
function after you press the
Press the [Demo] button, getting its indicator to light.
[Demo] button and the internal
The demo songs will play back in succession. When the last song has been played,
playback will return to the first song and begin again.
demo songs are playing.
Stopping the playback
2
When you play back an
Press the [Demo] button, getting the button to go dark.
internal song, the reverb effect
Playback will stop.
will automatically be turned
on (the button’s indicator
■ Selecting the Song to Play Back
lights).
fig.panel1-2
2
5 7
10 12 14
17 19
22 24 26
1 3 4 6 8 9 11 13 15 16 18 20 21 23 25 27
C1
1
58 60 62
•••
C2
•••
65
59 61 63 64
C6
C8
While holding down the [Demo] button, press the key that corresponds
to the demo song you wish to hear.
The demo songs are assigned to the keys in sequential order, starting with the
leftmost key.
The selected song is played back. When the selected song is finished playing, the
next song in the sequence starts. The songs are played back until the last one is
finished, after which playback continues from the first song.
Stopping the playback
2
Press the [Demo] button, getting the button to go dark.
Playback will stop.
The next time you press the [Demo] button, the stopped song is played back from
the beginning.
11
HP101_e.book 12 ページ 2005年4月19日 火曜日 午後4時33分
Chapter 2. Performance
Performing with a Variety of Sounds
The HP101 contains 14 different internal tones.
For more details, refer to
You can select a tone by holding down the [Tone] button and pressing the key to
“Tone List” (p. 28).
which the tone is assigned.
The “Grand Piano” tone is selected when the instrument is turned on.
1
You can switch tones by
While holding down the [Tone] button, press the corresponding key.
holding down the [Tone]
Keys with tone assignments:
button and pressing the “C ”
white keys A0–G2
The tone you’ve selected is heard when you finger the keyboard.
or “D ” key. Press the “C ”
key to switch to the
fig.panel2-1
immediately preceding tone;
pressing the “D ” key
switches to the immediately
following tone.
A0 B0 C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2
NOTE
While the [Tone] button is
pressed, pressing white keys
A0 through G2, “C ” and
“D ”won’t result in the
12
Key Pressed
Tone Number
A0
1
Grand Piano
B0
2
Mellow Piano
C1
3
Electric Piano1
D1
4
Electric Piano2
E1
5
Vibraphone
F1
6
Harpsichord
G1
7
Coupled Harpsichord
A1
8
Church Organ 1
B1
9
Organ Flute
C2
10
Rotary Organ
D2
11
Church Organ 2
E2
12
Slow Strings
F2
13
Strings
G2
14
Choir
Tone
production of sound.
HP101_e.book 13 ページ 2005年4月19日 火曜日 午後4時33分
Chapter 2. Performance
Applying Effects to the Sound
fig.panel2-5
■ Adding Reverberation to the Sound (Reverb)
1
By applying the reverb effect you can produce a pleasant reverberation, making it
When you play back an
sound as though you were performing in a concert hall.
internal song, the reverb effect
will automatically be turned
Press the [Reverb/Key Touch] button.
The button’s indicator will light, and a reverb effect will be applied to the sound.
on (the button’s indicator
lights).
To cancel the reverb effect, press the [Reverb/Key Touch] button, getting its
indicator to go dark.
■ Changing the Depth of the Reverb Effect
The amount (depth) of the reverb effect can be set to any of eight levels.
1
Hold down the [Reverb/Key Touch] button and press the “C ” or “D ”
You can change the Depth of
key.
the Reverb Effect by pressing
Pressing the “C ” key as you hold down the [Reverb/Key Touch] button reduces
any “C ” or “D ” key.
the amount of reverb effect applied. Holding down the [Reverb/Key Touch] button
and pressing the “D ” key increases the reverb effect.
C# D#
While holding down
the [Reverb/Key Touch]
buttons...
Press
To restore the depth of the reverb effect at the time the power is turned on, hold
down the [Reverb/Key Touch] button and press the “C ” and “D ” keys
simultaneously.
13
HP101_e.book 14 ページ 2005年4月19日 火曜日 午後4時33分
Chapter 2. Performance
Adjusting the Keyboard Touch
(Key Touch)
You can adjust the touch (playing feel) of the keyboard.
fig.panel2-7
A0 B0 C1 D1
1
Hold down the [Reverb/Key Touch] button and press either the “A0,”
“B0,” “C1,” or “D1” key.
The feel of the keyboard will change.
The key touch is set to “Medium” when the instrument is turned on.
Key
Pressed
14
Settings
A0
Light
Fortissimo (ff) can be produced by playing less
strongly than usual, making the keyboard feel lighter.
This setting makes it easy to play, even for children.
B0
Medium
This allows you to play using the most natural touch.
This is the closest to the touch of an acoustic piano.
C1
Heavy
Fortissimo (ff) cannot be produced unless you play
more strongly than usual, making the keyboard feel
heavier. Dynamic fingering adds even more feeling to
what you play.
D1
Fixed
Sounds at a fixed volume, regardless of your keyboard
playing strength.
HP101_e.book 15 ページ 2005年4月19日 火曜日 午後4時33分
Chapter 2. Performance
Transposing the Key of the Keyboard
(Transpose)
By using the “Transpose function,” you can transpose your performance without
changing the notes you play. For example, even if the song is in a difficult key with
numerous sharps ( ) or flats (
), you can transpose it to a key that is easier for you
to play.
When accompanying a vocalist, you can easily transpose the pitch to a range that is
comfortable for the singer, while still playing the notes as written (i.e., with the same
fingering positions).
fig.panel2-6
While holding down
two buttons...
C5
C6
C7
C8
Press
1
Hold down the [Metronome] and [Reverb/Key Touch] buttons, and press
the key for the note you want to set as the tonic.
Keys for Setting the Transposition:
C5–B5
The keyboard will be transposed.
For example, if you want the E pitch to sound when you play the C key, hold down
the [Metronome] and [Reverb/Key Touch] buttons and press the E5 key.
fig.trans.e
If you play C E G
It will sound E G# B
To cancel the transposition, hold down the [Metronome] and [Reverb/Key Touch]
buttons and press the “C5” key (transposition 0).
This setting returns to the
original value (0) when you
turn off the power.
15
HP101_e.book 16 ページ 2005年4月19日 火曜日 午後4時33分
Chapter 2. Performance
Playing Two Sounds Together
(Dual Play)
Simultaneously playing two tones when one key is pressed is called “Dual play.”
fig.panel2-5
A0 B0 C1
1
Hold down the [Tone] button and press a key to which a tone is assigned
to select the fundamental tone (p. 12).
2
Hold down the [Tone] button and press the [Metronome] button.
Another tone (the Dual Tone) is played together with the tone selected in Step 1.
3
To cancel Dual play, press the [Tone] button.
Changing the Dual Tones
1
Hold down the [Tone] and [Metronome] buttons, and press either the
“A0,” “B0,” or “C1” key.
Key Pressed
Dual Tone
A0
Slow Strings
B0
Strings
C1
Choir
The Dual Tone is changed.
■ Adjusting the Volume Balance in Dual Play
(Dual Balance)
You can change the volume balance between the two layered sounds in Dual play.
fig.panel2-2
C# D#
While holding down
two buttons...
16
Press
HP101_e.book 17 ページ 2005年4月19日 火曜日 午後4時33分
Chapter 2. Performance
1
Hold down the [Tone] and [Metronome] buttons and press the “C ” or
“D ” key.
You can change the Dual
The volume balance changes.
Balance by pressing any “C ”
Hold down the [Tone] and [Metronome] buttons and press the “C ” key to lower
or “D ” key.
the volume of the Dual Tone.
Holding down the [Tone] and [Metronome] buttons and pressing the “D ” key
raises the Dual Tone volume.
To return to the original volume balance, hold down the [Tone] and [Metronome]
buttons and press both the “C ” and “D ” keys simultaneously.
Using Metronome
■ Sounding the Metronome
The HP101 features a built-in metronome.
fig.panel2-4
1
Press the [Metronome] button, getting its indicator to light.
The metronome will sound.
The button flashes in red and green in time with the beat selected at that time. The
button lights in red on the downbeats, and in green on weak beats.
Stopping the metronome
2
The beat is set to “weak beats
only” when the power is
turned on. When the beat is set
Once again press the [Metronome] button, getting the button to go dark.
to “weak beats only,” the
[Metronome] button only
The metronome will stop.
flashes in green.
17
HP101_e.book 18 ページ 2005年4月19日 火曜日 午後4時33分
Chapter 2. Performance
While holding down the [Metronome] button, press the corresponding key.
Tap Tempo
– +
– +
– +
– +
– +
C1
C2
Beat
C3
C4
Preset Tempo
Enter
1 2 3 4 5 6 7 8 9 0
0/4 2/4 3/4 4/4 6/4
– +
C5
– +
1 2 3 4 5 6 7 8
C6
Keys used for setting
the metronome tempo.
C7
C8
Metronome Volume
■ Changing the Beat of Metronome
1
Hold down the [Metronome] button and press either the “A0,” “B0,”
“C1,” “D1,” or “E1” key.
Key Pressed
Beat
A0
Only weak beats (0/4)
B0
2/4
C1
3/4
D1
4/4
E1
4/6
■ Changing the Metronome Tempo
Changing the Tempo in Single Beat Increments
1
Hold down the [Metronome] button and press the “C ” or “D ” key.
You can change the tempo by
The metronome tempo changes.
pressing any “C ” or “D ”
Holding down the [Metronome] button and pressing the “C ” key once increases
the metronome speed by one increment; continue pressing for consecutive increases.
Holding down the [Metronome] button and pressing the “D ” key once decreases
the metronome speed by one increment; continue pressing for consecutive
decreases.
Slows down
the tempo
Speeds up
the tempo
C# D#
While holding down
two buttons...
18
Press
key.
HP101_e.book 19 ページ 2005年4月19日 火曜日 午後4時33分
Chapter 2. Performance
Selecting the Preset Tempo
1
Hold down the [Metronome] button and press the white keys in the “C2”
to “C3” range.
The metronome tempo changes.
Key Pressed
C2
D2
E2
F2
G2
A2
B4
C3
Tempo
60
72
84
96
108
120
138
160
Setting the Tempo Value
1
Hold down the [Metronome] button and press the white keys in the “C4”
to “E5” range.
The tempo can be adjusted in a range of
2
=20–250.
Key Pressed
C4
D4
E4
F4
G4
A4
B4
C5
D5
E5
F5
Tempo
1
2
3
4
5
6
7
8
9
0
Enter
Hold down the [Metronome] button and press the “F5” key to set that
tempo.
Example: Setting the Tempo to
= 130
While holding down the [Metronome] button, press the “C4 (1)” key, the “E4 (3)”
key, and the “E5 (0)” key, in that sequence, then press the “F5” key to set the tempo.
Setting the Tempo According to the Interval a Key is Pressed as you
Hold Down the [Metronome] Button (Tap Tempo)
You can set the tempo according to the interval a key is pressed as you hold down
the [Metronome] button. This function is called “Tap Tempo.” This feature allows
you to set the tempo you have in mind quickly and easily, without indicating the
tempo numerically.
1
Hold down the [Metronome] button and press the “B 0” key at least
twice.
The tempo is set to the interval between presses of the key.
■ Changing the Metronome Volume
The volume of the metronome can be adjusted, with eight volume levels available.
1
This is set to “4” when the
instrument is turned on.
Hold down the [Metronome] button and press a white key in the “C7” to
“C8” range.
Key Pressed
C7
D7
E7
F7
G7
A7
B7
C8
Volume
1
2
3
4
5
6
7
8
19
HP101_e.book 20 ページ 2005年4月19日 火曜日 午後4時33分
Chapter 2. Performance
Splitting the Keyboard Into Two
Sections for Four-Hand Performances
(Twin Piano Mode)
You can divide the keyboard into two separate sections, allowing two people to
perform in the same registers.
C1
C2
C3
1
C4
C3
C4
C5
C6
C5
C6
C3
C4
C7
C5
C8
C6
While holding down the [Tone] button and press the “C8” key.
While holding down
the [Tone] button...
Off
On
B7 C8
C6
C7
Press
2
The keyboard is divided into two separate sections, and the pitch changes.
The damper resonance
The right pedal now functions as the damper pedal for the right keyboard section,
function is not operational in
and the left pedal functions as the damper pedal for the left keyboard section.
Twin Piano Mode.
To exit the function, hold down the [Tone] button and press the “B7”
key.
20
NOTE
HP101_e.book 21 ページ 2005年4月19日 火曜日 午後4時33分
Chapter 3. Changing Various Settings
Tuning to Other Instruments’
Pitches (Master Tuning)
In situations such as when playing ensemble with other
instruments, you can tune the HP101’s standard pitch to the
pitch of another instrument. The standard pitch generally
refers to the pitch of the note that’s played when you finger
the middle A key. This tuning of all the instruments to a
standard pitch is called “tuning.”
■ Setting the Standard Pitch to
440.0 Hz
1. While holding down the [Metronome] and [Reverb/
Key Touch] buttons, press the “C1” key on the
keyboard.
You can set the standard pitch anywhere in a range of 415.3
Hz to 466.2 Hz.
When the instrument is turned on, the standard pitch is set to
“440.0 Hz.”
■ Lowering/ Raising the
Standard Pitch
1. While holding down the [Metronome] and [Reverb/
Key Touch] buttons, press the “C 1” note to lower the
standard pitch, or the “D 1” note to raise it.
Lower
the pitch
Raise
the pitch
C1
While holding down
two buttons...
Press
The standard pitch will be set to 440.0 Hz. This is the
most commonly used setting. The A4 (Middle A) key
will sound at 440.0 Hz.
■ Setting the Standard Pitch to
442.0 Hz
1. While holding down the [Metronome] and [Reverb/
Key Touch] buttons, press the “D1” key on the
keyboard.
C1
While holding down
two buttons...
Press
Each time you press the “C 1” key, the pitch will fall by
0.1 Hz. If you continue holding the key, the pitch will
continue falling.
Each time you press the “D 1” key, the pitch will rise
by 0.1 Hz. If you continue holding the key, the pitch will
continue rising.
D1
While holding down
two buttons...
Press
The standard pitch will be set to 442.0 Hz. This setting is
often used for concert pianos. The A4 (Middle A) key
will sound at 442.0 Hz.
You can confirm the pitch of A4 by holding down the
[Metronome] and [Reverb/Key Touch] buttons and
pressing either the A0, B 0, or B0 key.
A0 B0
While holding down
two buttons...
Press
21
HP101_e.book 22 ページ 2005年4月19日 火曜日 午後4時33分
Chapter 3. Changing Various Settings
While holding down the [Metronome] button and
[Reverb/Key Touch] button, press the corresponding key.
C1
C2
C3
C4
Temperament
Changing the Temperament
You can play classical styles such as Baroque using historic
temperaments (tuning methods).
Today, compositions are generally created with equal
temperament in mind and are played using equal
temperament. However in past ages of classical music, a
variety of temperaments were used. Playing a composition
with its original tuning lets you enjoy the sonorities of the
chords that the composer originally intended.
This is set to “Equal” when the instrument is turned on.
C5
C6
Key
Temperament
Qualities
G 3
Just
Minor
The Just tunings differ from major
and minor keys. You can get the
same effect with the minor scale as
with the major scale.
A3
Mean
Tone
This scale makes some compromises
in just intonation, enabling
transposition to other keys.
B 3
Werckmeister
This temperament combines the
Mean Tone and Pythagorean
tunings. Performances are possible in
all keys (first technique, III).
Kirnberger
This is an improvement of the Mean
Tone and Just tunings that provides a
high degree of freedom of
modulation. Performances are
possible in all keys (III).
Key Touch] buttons, press the appropriate key (F3–B3)
B3
You can choose from among the seven temperaments
described below.
Key
F3
F 3
G3
22
Temperament
Qualities
Equal
In this tuning, each octave is divided
into twelve equal steps. Every
interval produces about the same
amount of slight dissonance.
Pythagor
ean
This tuning, devised by the
philosopher Pythagoras, eliminates
dissonance in fourths and fifths.
Dissonance is produced by thirdinterval chords, but melodies are
euphonious.
Just
Major
This tuning eliminates ambiguities in
the fifths and thirds. It is unsuited to
playing melodies and cannot be
transposed, but is capable of
beautiful sonorities.
C8
Tonic
1. While holding down the [Metronome] and [Reverb/
on the keyboard.
C7
■ Setting the Tonic
When playing with tuning other than equal temperament,
you need to specify the tonic note for tuning the song to be
performed (that is, the note that corresponds to C for a major
key or to A for a minor key).
If you choose an equal temperament, there’s no need to select
a tonic note.
1. While holding down the [Metronome] and [Reverb/
Key Touch] buttons, press the tonic (root) of the key
(C4–B4).
* When performing in ensemble with other instruments, be
aware that depending on the key, there may be some shifting of
the pitch. Tune the HP101 to the standard pitch of the other
instruments.
HP101_e.book 23 ページ 2005年4月19日 火曜日 午後4時33分
Chapter 3. Changing Various Settings
While holding down the [Metronome] button and
[Reverb/Key Touch] button, press the corresponding key.
C1
C2
C3
C5
C6
C7
Damper Resonance
C8
Stretch Tuning
Changing the Damper
Pedal’s Resonance
1. While holding down the [Metronome] and [Reverb/
Key Touch] buttons, the “B 7” note to turn the setting
On, or press the “A7” note to turn the setting Off.
On an acoustic piano, depressing the damper pedal makes
the notes you play resonate with other strings, adding rich
reverberations and fatness to the sound. The damper pedal
on the HP101 recreates this resonance (damper resonance)
when depressed.
You can select from eight levels of depth for the resonant
sound (resonance level).
This is set to “5” when the instrument is turned on.
While holding down
two buttons...
Off
On
* This setting is enabled only with the piano tones. You cannot
set this for other tones.
1. While holding down the [Metronome] and [Reverb/
Key Touch] buttons, press the appropriate key (C2–G2)
on the keyboard.
A7
Larger values will produce a deeper effect.
C6
Key
Depth of
Effect
C2
C 2
D2
E 2
E2
F2
F 2
G2
1
2
3
4
5
6
7
8
C7
C8
Press
Key
Setting the Tuning Curve
(Stretch Tuning)
A7
A piano is generally tuned to a pitch with a lower bass range
and a higher treble range than equal temperament. This
special tuning method for pianos is called “Stretch Tuning.”
B 7
Values
Descriptions
Off
This is the standard tuning curve.
This is the right choice when using
Dual play (p. 16), or when playing in
ensemble with other instruments.
On
This tuning curve expands the bass
and treble ends somewhat. It is suitable for performances such as piano
solos. This setting is in effect when
you turn on the power.
→ This effect works only with the piano tones.
Stretch Tuning is set to ON when the instrument is turned
on.
23
HP101_e.book 24 ページ 2005年4月19日 火曜日 午後4時33分
Chapter 3. Changing Various Settings
Disabling Everything Except
Piano Play (Panel Lock)
The “Panel Lock” function locks the HP101 in a state where
only piano performance can be used, and all buttons will be
disabled. This prevents the settings from being inadvertently
modified even if children press the buttons accidentally.
In the Panel Lock state, only the grand piano sound can be
played.
1. Turn the volume to the minimum, and press the [Power
Using the V-LINK function
Connecting the HP101 to a V-LINK compatible image device
allows you to control the images with the HP101.
V-LINK
V-LINK (
) is a function that allows music and
images to be performed together. By using MIDI to connect
two or more V-LINK compatible devices, you can easily
enjoy a wide range of visual effects that are linked to the
expressive elements of a music performance.
On] switch to turn off the power.
2. Hold down the [Tone] button and press the [Power On]
switch to turn on the power.
How to Use the V-LINK
V-LINK is set to OFF when the instrument is turned on.
1. While holding down the [Metronome] and [Reverb/
Key Touch] buttons, the “G 7” note to turn the setting
On, or press the “G7” note to turn the setting Off.
While holding down the [Tone] button,
press the [Power On] switch.
While holding down
two buttons...
V-LINK
Off
V-LINK
On
C1
All buttons are disabled.
G7
Adjust the volume.
When you play the keyboard, the grand piano sound
will be heard.
To defeat the Panel Lock function, turn the volume
down to the minimum, and turn on the power once
again.
C6
C7
C8
Press
Key
Values
Descriptions
G7
Off
The V-LINK function is switched off.
On
The V-LINK function is switched on.
You can control images using the
twelve keys at the left end of the keyboard.
G 7
* While V-LINK is switched on, no sound is produced when you
press any of the twelve keys at the left end of the keyboard.
All button indicators light up when the V-LINK function is
on.
24
HP101_e.book 25 ページ 2005年4月19日 火曜日 午後4時33分
Chapter 4. Connecting External Devices
Connecting to Audio Equipment
You can connect audio devices to play the sound of the
HP101 through the speakers of your audio system, or to
record your performance on a tape recorder or other
recording device.
When connecting, please use an audio cable with a standard
phone plug (sold separately).
Connection Examples
❍ Use the following procedure when turning on the power.
1. Turn on the power of the connected device.
2. Turn on the power of the HP101.
3. Adjust the volume of each device.
* You cannot use the HP101 to adjust the volume of the
connected sound generating device.
Turning off the power
* To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the power
on all devices before making any connections.
Playing the sound of the HP101 through the
speakers of an audio system/Recording the
performance of the HP101 on a recording device
1. Set the volume of the HP101 and of the connected
devices to the minimum position.
2. Turn off the power to the HP101.
3. Turn off the connected equipment.
fig.audio1.e
Input R/L
(Line In, Aux In)
Connecting to a Computer
You can use a USB MIDI interface cable (sold separately) to
connect the HP101 to your computer.
HP101
You can connect the HP101 to a computer that has Roland’s
Visual MT or other sequencer software installed, and then
play performances from the software through the HP101.
Connection Examples
❍ Use the following procedure when turning on the power.
1. Turn on the power of the HP101.
2. Turn on the power of the connected device.
3. Adjust the volume of each device.
→ You can adjust the volume of a connected sound module with
the HP101.
When Recording HP101 Performances on a Recording
Device
4. Start recording with the connected device.
* To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the power
on all devices before making any connections.
* In order to make connections to your computer, you must
install “MIDI driver” software on your computer. For details,
refer to the owner’s manual for your MIDI interface.
Use a USB MIDI interface cable to connect the USB
connector of your computer to the MIDI connectors of
the HP101.
fig.comp.e
5. Perform on the HP101.
USB Connector
of your Computer
6. When the performance ends, stop recording on the
USB MIDI
interface cable
connected equipment.
Playing the sound of an audio device through the
speakers of the HP101
MIDI OUT
MIDI IN
Computer
HP101
fig.audio2.e
Output R/L
(Line Out, Aux Out)
HP101
25
HP101_e.book 26 ページ 2005年4月19日 火曜日 午後4時33分
Chapter 4. Connecting External Devices
Connecting MIDI Devices
By connecting an external MIDI device and exchanging
performance data, you can control the performances on one
device from the other. For instance, you can output sound
from the other instrument or switch tones on the other
instrument.
Perform on the HP101 to play a MIDI sound
generator
fig.midi1.e
Sound Module
THRU
MIDI
OUT
IN
HP101
■ What’s MIDI?
MIDI stands for Musical Instrument Digital Interface, an
international standard which allows performance
information to be communicated among electronic musical
instruments and computers.
The HP101 provides MIDI connectors, which allow
performance data to be exchanged with external devices.
When these connectors are used to connect the HP101 to
external devices, an even wider range of possibilities
becomes available.
* A separate publication titled “MIDI Implementation” is also
available. It provides complete details concerning the way
MIDI has been implemented on this unit. If you should require
this publication (such as when you intend to carry out bytelevel programming), please contact the nearest Roland Service
Center or authorized Roland distributor.
Connection Examples
* To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the power
on all devices before making any connections.
Playing the HP101 from a MIDI sequencer/
Recording an HP101 performance on a MIDI
sequencer
■ MIDI Send Channel Settings
MIDI features sixteen MIDI channels, numbered 1–16.
Simply connecting a cable is not enough for communication
to take place. The connected devices must be set to use the
same MIDI channels. Otherwise, no sound will be produced,
and no sounds can be selected.
* The HP101 receives all channels 1–16.
When the HP101 is turned on, Channel “1” is selected.
1. While holding down the [Metronome] and [Reverb/
Key Touch] buttons, press the appropriate key (C6–
E 7) on the keyboard.
The MIDI transmit channel will switch to the number
that corresponds to the note you pressed.
fig.midi2.e
MT Series
While holding down
two buttons...
* MT-90s has no MIDI Out connector.
Out
MIDI
In
HP101
2
* Set Local Off if you have connected the HP101 to a MIDI
sequencer. Refer to “Switching Local Control On and Off” (p.
27). Also set your MIDI sequencer to MIDI Thru mode (so
that messages received at MIDI IN will be re-transmitted
without change from MIDI OUT). For details, refer to the
owner’s manual of your MIDI sequencer.
26
4
7
9 11
14 16
1 3 5 6 8 10 12 13 15
C6
C7
Press
C8
HP101_e.book 27 ページ 2005年4月19日 火曜日 午後4時33分
Chapter 4. Connecting External Devices
■ Switching Local Control On
and Off
When connecting a MIDI sequencer, set Local Control to
“OFF.”
Local On is set when the power is switched on.
1. While holding down the [Metronome] and [Reverb/
Key Touch] buttons, the “C8” note to turn the setting
On, or press the “B7” note to turn the setting Off.
As illustrated, information describing what has been played
on the keyboard is passed to the internal sound generator
over two different routes, (1) and (2). As a result, you hear
overlapping or intermittent sounds. To prevent this from
happening, route (1) must be severed, by setting the unit to
what is known as “Local Off.”
While holding down
two buttons...
fig.localcont.e
Local On
Local Off
(1) Local On
Sequencer
MIDI
IN
Sound
Generator
MIDI
OUT
Memory
MIDI
OUT
MIDI
IN
(2) Thru function On
Each note played
is sounded twice
B7 C8
Local Control ON: The keyboard and the internal sound
generator are in a linked state.
C6
C7
Press
fig.localon.e
Sound is emitted
Sound Generator
Local On
Local Control OFF: The keyboard and the internal sound
generator are in an unlinked state. No sound will be
produced by the keyboard when it is played.
fig.localoff.e
No sound produced
Sound Generator
Local Off
→ When a Roland MT series instrument is connected, it is not
necessary to make the Local Off setting. MT units transmit
Local Off messages when their power is switched on. If you
turn on the power in the order of the HP101 → MT series,
Local Off will be set automatically.
27
HP101_e.book 28 ページ 2005年4月19日 火曜日 午後4時33分
Tone List
[Tone] button’s Tone: While holding down the [Tone] button, press the corresponding key.
Dual Tone: While holding down the [Tone] button and [Metronome] button, press the corresponding key.
These select
the Dual Tones
C1
C2
C3
C4
C5
[Tone] button’s
tone (p. 12)
Dual Tone
(p. 16)
While holding down the [Tone] button, press the corresponding key.
Key Pressed
Tone Number
Tone
A0
1
Grand Piano
B0
2
Mellow Piano
C1
3
Electric Piano1
D1
4
Electric Piano2
E1
5
Vibraphone
F1
6
Harpsichord
G1
7
Coupled Harpsichord
A1
8
Church Organ 1
B1
9
Organ Flute
C2
10
Rotary Organ
D2
11
Church Organ 2
E2
12
Slow Strings
F2
13
Strings
G2
14
Choir
Dual Tone
While holding down the [Tone] button and [Metronome] button, press the corresponding key.
Key Pressed
28
Tone
A0
Slow Strings
B0
Strings
C1
Choir
C6
C7
C8
HP101_e.book 29 ページ 2005年4月19日 火曜日 午後4時33分
Easy Operation List
Metronome Settings
While holding down the [Metronome] button, press the corresponding key.
Tap Tempo (p. 19)
– +
– +
– +
C1
Beat (p. 18)
– +
1 2 3 4 5 6 7 8 9 0
C2
C3
Metronome Tempo
(Reference Tempo) (p. 19)
C4
– +
Enter
0 2 3 4 6
– +
C5
– +
1 2 3 4 5 6 7 8
C6
C7
Metronome Tempo (Tempo Value)
(p. 19)
C8
Metronome Volume
(p. 19)
Other Settings
While holding down the [Metronome] button and [Reverb/Key Touch] button,
press the corresponding key.
C1
C4
Temperament/
Tonic Note (p. 22)
C5
Key Transpose
(p. 15)
C6
C7
Setting the MIDI
Channel (p. 26)
C8
Local On/Off (p. 27)
Damper Resonance
(p. 23)
C3
Stretch Tuning (p. 23)
V-LINK (p. 24)
Master Tuning
(p. 21)
C2
29
HP101_e.book 30 ページ 2005年4月19日 火曜日 午後4時33分
Internal Song List
Song
No.
1
Key
A0
Song Name
Composer
Copyright
1ére Arabesque
C. Debussy
© 1995 Roland Corporation
© 2002 Roland Corporation
2
B 0
Late Night Chopin
F. Chopin/
Arranged by John Maul
3
B0
Sonate für Klavier No. 15
W. A. Mozart
© 1996 Roland Corporation
4
C1
Fly Free
John Maul
© 1998 Roland Corporation
5
C 1
Liebesträume III
F. Liszt
© 2001 Roland Corporation
6
D1
Étude, op.10-3
F. Chopin
© 2001 Roland Corporation
7
D 1
Je te veux
E. Satie
© 1997 Roland Corporation
8
E1
Valse, op.64-1
F. Chopin
© 2001 Roland Corporation
9
F1
Golliwog’s Cake walk
C. Debussy
© 1995 Roland Corporation
10
F 1
Fantaisie-Impromptu
F. Chopin
© 2001 Roland Corporation
11
G1
An der schönen, blauen Donau
J. Strauss (II)
© 1996 Roland Corporation
12
G 1
Auf Flügeln des Gesanges
F. Mendelsshon
© 1996 Roland Corporation
13
A1
Mazurka No.5
F. Chopin
© 1995 Roland Corporation
14
B 1
1ère Gymnopédie
E. Satie
© 1997 Roland Corporation
15
B1
Étude, op.25-1
F. Chopin
© 1995 Roland Corporation
16
C2
Clair de Lune
C. Debussy
© 1998 Roland Corporation
17
C 2
Étude, op.10-5
F. Chopin
© 2001 Roland Corporation
18
D2
Doctor Gradus ad Parnassum
C. Debussy
© 1995 Roland Corporation
19
D 2
Grande Valse Brillante
F. Chopin
© 1995 Roland Corporation
20
E2
La prière d'une Vierge
T. Badarzewska
© 1996 Roland Corporation
21
F2
Course en Troïka
P. Tchaikovsky
© 1996 Roland Corporation
22
F 2
To The Spring
E. Grieg
© 1996 Roland Corporation
23
G2
Valse, op.64-2
F. Chopin
© 1996 Roland Corporation
24
G 2
Radetzky Marsch
J. Strauss (I)
© 1996 Roland Corporation
25
A2
Träumerei
R. Schumann
© 1996 Roland Corporation
26
B 2
Moments Musicaux III
F. Schubert
© 1996 Roland Corporation
27
B2
Prélude, op.28-15
F. Chopin
© 1996 Roland Corporation
28
C3
The harmonious blacksmith
G. Handel
© 1996 Roland Corporation
29
C 3
Ungarische Tänze V
J. Brähms
© 1996 Roland Corporation
30
D3
Türkischer Marsch (Beethoven)
L. v. Beethoven
© 1996 Roland Corporation
31
D 3
Nocturne No.2
F. Chopin
© 1996 Roland Corporation
32
E3
Frühlingslied
F. Mendelsshon
© 1996 Roland Corporation
33
F3
Präludium
J. S. Bach
© 1996 Roland Corporation
34
F 3
Jägerlied
F. Mendelsshon
© 1996 Roland Corporation
35
G3
Menuet Antique
M. Ravel
© 1996 Roland Corporation
36
G 3
Für Elise
L. v. Beethoven
© 1996 Roland Corporation
37
A3
Türkischer Marsch (Mozart)
W. A. Mozart
© 1996 Roland Corporation
38
B 3
Ständchen
F. Schubert
© 1996 Roland Corporation
39
B3
Humoreske
A. Dvorák
© 1996 Roland Corporation
30
HP101_e.book 31 ページ 2005年4月19日 火曜日 午後4時33分
Internal Song List
Song
No.
*
Key
Song Name
Composer
Copyright
40
C4
Blumenlied
G. Lange
© 1996 Roland Corporation
41
C 4
Alpenglöckchen
T. Oesten
© 1996 Roland Corporation
42
D4
Menuett G dur (Beethoven)
L. v. Beethoven
© 1996 Roland Corporation
43
D 4
Venezianisches Gondellied
F. Mendelsshon
© 1996 Roland Corporation
44
E4
Alpenabendröte
T. Oesten
© 1996 Roland Corporation
45
F4
Farewell to the Piano
L. v. Beethoven
© 1996 Roland Corporation
46
F 4
Brautchor
R. Wagner
© 1996 Roland Corporation
47
G4
Battle of Waterloo
W. Anderson
© 1996 Roland Corporation
48
G 4
Wiener Marsch
C. Czerny
© 1996 Roland Corporation
49
A4
Le Coucou
L. C. Daquin
© 1996 Roland Corporation
50
B 4
Menuett G dur (Bach)
J. S. Bach
© 1992 Roland Corporation
51
B4
Spinnerlied
A. Ellmenreich
© 1996 Roland Corporation
52
C5
Gavotte
F. Gossec
© 1996 Roland Corporation
53
C 5
Heidenröslein
G. Lange
© 1996 Roland Corporation
54
D5
Zigeuner Tanz
H. Lichner
© 1996 Roland Corporation
55
D 5
La Cinquantaine
G. Marie
© 1996 Roland Corporation
56
E5
Csikos Post
H. Necke
© 1996 Roland Corporation
57
F5
Dolly’s Dreaming Awakening
T. Oesten
© 1996 Roland Corporation
58
F 5
La Violette
L. Streabbog
© 1996 Roland Corporation
59
G5
Fröhlicher Landmann
R. Schumann
© 1996 Roland Corporation
60
G 5
Sonatine op.36-1 (Clementi)
M. Clementi
© 1996 Roland Corporation
61
A5
Sonatine op.20-1 (Kuhlau)
F. Kuhlau
© 1996 Roland Corporation
62
B 5
Sonatine No.5 (Beethoven)
L. v. Beethoven
© 1996 Roland Corporation
63
B5
Hungarian Rag: Hungarian Dance No. 5 Ragtime Arrangement For Solo Piano
J. Brahms/
Arranged by John Maul
© 1996 Roland Corporation
64
C6
Paganoogie Variation: Jazz Variation Based on “Caprice
No. 24 in A Minor”
N. Paganini/
Arranged by John Maul
© 1998 Roland Corporation
65
C 6
L'éveil del l'amour
Masashi &
Kazuko Hirashita
© 2000 Roland Corporation
All rights reserved. Unauthorized use of this material for purposes other than private, personal enjoyment is a violation of applicable laws.
Profile
John Maul
John Maul is a musician, composer and arranger having graduated from the Royal Academy of Music in London. John’s work
encompasses studio recordings and live performances including work with top UK Jazz artists.
His writing credits include commercial music for BBC radio and television, as well as scoring jazz and classical works.
Having been a product specialist for Roland U.K., John is now actively involved in music software composing/programming for
both Roland Japan and various music publishers. Quite recently his “Musical Picture Book,” a volume of original piano music
encompassing all standards of musical ability, which included the piano and orchestral accompaniment data in SMF format, was
published and printed.
31
HP101_e.book 32 ページ 2005年4月19日 火曜日 午後4時33分
Troubleshooting
If you think there’s a problem, read this first.
Case
The power doesn’t
come on
The button doesn’t
work
No sound is heard
Cause/Remedy
Is the power cord connected and plugged in
correctly? (p. 8)
Is the panel locked? (p. 24)
Turn the power off, then back on.
In the upper range,
Is the volume level of the HP101 turned all
the way down? (p. 9)
abruptly beyond a
the sound changes
certain key
Are headphones plugged in? (p. 9)
Has a plug remained connected to the
Phones jack?
Plugging headphones or other plugs into the
headphone jack stops sounds from playing
through the speakers.
Is Local Off selected?
When Local Control is set to OFF, no sound
is produced by playing the keyboard. Set
Local Control to “On” (p. 27).
Is V-LINK switched on?
While V-LINK is switched on, no sound is
produced when you press any of the twelve
keys at the left end of the keyboard (p. 24).
No sound is heard
Have all devices been switched on?
(when a MIDI
Are the MIDI cables connected correctly?
instrument is
Does the MIDI channel match the connected
instrument? (p. 26)
connected)
Case
A High-pitched
whine is produced
Is the HP101 in Dual play? (p. 16)
Sounds are heard
twice (doubled)
when the keyboard
is played
Tone doesn’t
change
Not all played notes
are sounded
When the HP101 is connected to an external
sequencer, set it to the Local OFF mode
(p. 27).
Alternatively, the sequencer could be set so
its MIDI Thru feature is OFF.
Is the panel locked? (p. 24)
Turn the power off, then back on.
The maximum number of notes that the
HP101 can play simultaneously is 64.
Frequent use of the damper pedal when
playing along with a song may result in
performance data with too many notes,
causing some notes to drop out.
The bass range
sounds odd, or
there is a vibrating
resonance
Have you set Transpose? (p. 15)
The tuning or pitch
of the keyboard or
Are the settings for the “Temperament” and
“Stretch Tuning” correct? (p. 22)
song is off
Is the setting for the “Master Tuning”
correct? (p. 21)
Depressing a pedal
Is the pedal connected correctly?
Make sure the pedal cord is securely
connected to the pedal jack on the bottom of
the unit, at the rear (p. 8).
has no effect, or the
pedal effect doesn’t
stop
The pedal rattles
32
Adjust the adjuster underneath the pedal so
that the adjuster presses firmly against the
floor surface (p. 10).
The volume level of
the instrument
connected to Input
jacks is too low
Cause/Remedy
On an acoustic piano, notes in the upper one
and a half octaves of the keyboard continue
to sound until they decay naturally,
regardless of the damper pedal. There is a
difference in the timbre as well. Roland
pianos faithfully simulate such
characteristics of the acoustic piano. On the
HP101, the range that is unaffected by the
damper pedal will change depending on the
Key Transpose setting.
When listening through headphones:
Some of the more flamboyant and
effervescent piano tones feature an
ample high-end component, which may
make the sound appear to have metallic
reverberation added. Since this
reverberation becomes particularly
audible when supplemented by heavy
reverb, you may be able to diminish the
problem by reducing the amount of
reverb applied to the sound.
When listening through speakers:
Here, a different cause (such as
resonance produced by the HP101)
would be suspect. Consult your Roland
dealer or nearest Roland Service Center.
When listening through speakers:
Playing at loud volumes may cause
instruments near the HP101 to resonate.
Resonation can also occur with
fluorescent light tubes, glass doors, and
other objects. In particular, this problem
occurs more easily when the bass
component is increased, and when the
sound is played at higher volumes. Use
the following measures to suppress such
resonance.
• Place speakers so they are 10–15 cm
from walls and other surfaces.
• Reduce the volume.
• Move the speakers away from any
resonating objects.
When listening through headphones:
Here, a different cause would be
suspect. Consult your Roland dealer or
nearest Roland Service Center.
Could you be using a connection cable that
contains a resistor?
Use a connection cable that does not contain
a resistor.
HP101_e.book 33 ページ 2005年4月19日 火曜日 午後4時33分
MIDI Implementation Chart
DIGITAL PIANO
Date : Jul. 1, 2004
MIDI Implementation Chart
Model HP101
Transmitted
Function...
Recognized
Basic
Channel
Default
Changed
1
1–16
1
1–16
Mode
Default
Messages
Altered
Mode 3
x
Mode 3
x
Note
Number :
True Voice
**************
0–127
15–113
Velocity
Note ON
Note OFF
O
x 8n v=64
O
x
After
Touch
Key’s
Ch’s
x
x
x
x
x
x
O
x
x
O
O
O
O
O
O
O
O
O
O
O
O
O
O (0...57)
**************
O (0–127)
0...57
O
O
Pitch Bend
6, 38
7
11
64
66
67
91
100, 101
Control
Change
Prog
Change
: True Number
System Exclusive
Version : 1.00
Remarks
**************
15–113
System
Common
: Song Pos
: Song Sel
: Tune
x
x
x
x
x
x
System
Real Time
: Clock
: Commands
x
x
x
x
Aux
Message
: All sound off
: Reset all controllers
: Local Control
: All Notes OFF
: Active Sense
: Reset
x
x
x
x
O
x
x
O
O
O (123–127)
O
x
Data entry
Volume
Expression
Hold 1
Sostenuto
Soft
Effect 1 (Reverb)
RPN LSB, MSB
Notes
Mode 1 : OMNI ON, POLY
Mode 2 : OMNI ON, MONO
O : Yes
Mode 3 : OMNI OFF, POLY
Mode 4 : OMNI OFF, MONO
X : No
33
HP101_e.book 34 ページ 2005年4月19日 火曜日 午後4時33分
Main Specifications
Keyboard
Keyboard
88 keys (Compact Progressive Hammer Action Keyboard)
Touch Sensitivity
Touch: Light, Medium, Heavy, Fixed
Keyboard Modes
Whole, Dual (volume balance adjustable)
Sound Generator
Max. Polyphony
64 voices
Tones
14 tones
Temperament
7 types, selectable tonic
Stretched Tuning
2 types
Master Tuning
415.3 Hz–466.2 Hz (adjustable in increments of 0.1 Hz)
Transpose
Key Transpose (-6–+5 in semitones)
Effects
Reverb (8 levels), Chorus (for E. Piano only), Damper Resonance (8 levels)
Metronome
Beat
0/4, 2/4, 3/4, 4/4, 6/4
Volume
8 levels
Tempo
Quarter note = 20–250
Preset Songs
65 songs
Others
Rated Power Output
Speakers
12 cm x 2
Display
Beat LED
Control
Volume
Pedals
Damper, Soft, Sostenuto
Other Functions
Panel Lock, Twin Piano Mode
Connectors
Output jacks (L/Mono, R), Input jacks (L/Mono, R), Headphones jack x 2 (Stereo), MIDI connectors (In, Out)
Power Supply
AC 117 V/AC 230 V/AC 240 V
Power Consumption
48 W
Dimensions
(including piano stand)
*
20 W x 2
1,388 (W) x 397 (D) x 810 (H) mm
54-11/16 (W) x 15-11/16 (D) x 31-15/16 (H) inches
1,388 (W) x 397 (D) x 1,000 (H) mm (including music rest)
54-11/16 (W) x 15-11/16 (D) x 39-3/8 (H) inches (including music rest)
Weights
(including piano stand)
42 kg / 93 lbs
Accessories
Owner’s manual, Power Cord, Headphones Hook, Music Rest, Music Rest’s attachment screws
In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.
34
HP101_e.book 35 ページ 2005年4月19日 火曜日 午後4時33分
Index
Numerics
R
440.0 Hz .......................................................................... 21
442.0 Hz .......................................................................... 21
Reverb ............................................................................. 13
Depth ......................................................................... 13
A
S
AC Inlet ............................................................................. 8
Adjuster .......................................................................... 10
Audio Equipment .......................................................... 25
Soft Pedal ........................................................................ 10
Sostenuto Pedal ............................................................. 10
Standard Pitch ................................................................ 21
Stretch Tuning ................................................................ 23
B
Beat .................................................................................. 18
C
Computer ....................................................................... 25
D
Damper Pedal ................................................................ 10
Resonance ................................................................. 23
Damper Resonance ................................................. 10, 23
Dual Balance .................................................................. 16
Dual Play ........................................................................ 16
E
Effects (Reverb) .............................................................. 13
H
T
Tap Tempo ..................................................................... 19
Temperament ................................................................. 22
Tempo ............................................................................. 18
Tone ................................................................................. 12
[Tone] Button ................................................................. 12
Transpose ........................................................................ 15
Tuning Curve ................................................................. 23
Twin Piano Mode .......................................................... 20
V
V-LINK ............................................................................ 24
Volume .............................................................................. 9
Metronome ............................................................... 19
[Volume] Knob ................................................................ 9
Headphone Hook ............................................................ 9
Headphones ..................................................................... 9
I
Internal Song .................................................................. 11
K
Key Touch ...................................................................... 14
L
Lid ...................................................................................... 8
Local Control ................................................................. 27
M
Master Tuning ............................................................... 21
Metronome ..................................................................... 17
Volume ...................................................................... 19
MIDI ................................................................................ 26
MIDI Channel ................................................................ 26
MIDI Devices ................................................................. 26
Music Rest ........................................................................ 8
P
Panel Lock ...................................................................... 24
Pedal ................................................................................ 10
Pedal Cable ....................................................................... 8
Pedal Jack ......................................................................... 8
Phones Jack ...................................................................... 9
Play
Selecting a Song ....................................................... 11
Power ................................................................................ 9
Power Cord ...................................................................... 8
Power Indicator ............................................................... 9
[Power On] Switch .......................................................... 9
35
HP101_e.book 36 ページ 2005年4月19日 火曜日 午後4時33分
MEMO
36
HP101_e.book 37 ページ 2005年4月19日 火曜日 午後4時33分
MEMO
37
HP101_e.book 38 ページ 2005年4月19日 火曜日 午後4時33分
Information
AFRICA
EGYPT
Al Fanny Trading Office
9, EBN Hagar A1 Askalany
Street,
ARD E1 Golf, Heliopolis,
Cairo 11341, EGYPT
TEL: 20-2-417-1828
REUNION
Maison FO - YAM Marcel
25 Rue Jules Hermann,
Chaudron - BP79 97 491
Ste Clotilde Cedex,
REUNION ISLAND
TEL: (0262) 218-429
SOUTH AFRICA
That Other Music Shop(PTY)Ltd.
11 Melle St., Braamfontein,
Johannesbourg,
SOUTH AFRICA
TEL: (011) 403 4105
FAX: (011) 403 1234
Paul Bothner(PTY)Ltd.
17 Werdmuller Centre,
Main Road, Claremont 7708
SOUTH AFRICA
TEL: (021) 674 4030
ASIA
CHINA
Roland Shanghai Electronics
Co.,Ltd.
5F. No.1500 Pingliang Road
Shanghai 200090, CHINA
TEL: (021) 5580-0800
Roland Shanghai Electronics
Co.,Ltd.
(BEIJING OFFICE)
10F. No.18 3 Section Anhuaxili
Chaoyang District Beijing
100011 CHINA
TEL: (010) 6426-5050
Roland Shanghai Electronics
Co.,Ltd.
(GUANGZHOU OFFICE)
2/F., No.30 Si You Nan Er Jie
Yi Xiang, Wu Yang Xin Cheng,
Guangzhou 510600, CHINA
TEL: (020) 8736-0428
HONG KONG
Tom Lee Music Co., Ltd.
Service Division
22-32 Pun Shan Street, Tsuen
Wan, New Territories,
HONG KONG
TEL: 2415 0911
Parsons Music Ltd.
8th Floor, Railway Plaza, 39
Chatham Road South, T.S.T,
Kowloon, HONG KONG
TEL: 2333 1863
INDIA
Rivera Digitec (India) Pvt. Ltd.
409, Nirman Kendra
Mahalaxmi Flats Compound
Off. Dr. Edwin Moses Road,
Mumbai-400011, INDIA
TEL: (022) 2493 9051
INDONESIA
PT Citra IntiRama
J1. Cideng Timur No. 15J-150
Jakarta Pusat
INDONESIA
TEL: (021) 6324170
KOREA
Cosmos Corporation
1461-9, Seocho-Dong,
Seocho Ku, Seoul, KOREA
TEL: (02) 3486-8855
MALAYSIA
Roland Asia Pacific Sdn. Bhd.
45-1, Block C2, Jalan PJU 1/39,
Dataran Prima, 47301 Petaling
Jaya, Selangor, MALAYSIA
TEL: (03) 7805-3263
When you need repair service, call your nearest Roland Service Center or authorized Roland
distributor in your country as shown below.
PHILIPPINES
COSTA RICA
TRINIDAD
NORWAY
JORDAN
G.A. Yupangco & Co. Inc.
339 Gil J. Puyat Avenue
Makati, Metro Manila 1200,
PHILIPPINES
TEL: (02) 899 9801
JUAN Bansbach Instrumentos
Musicales
Ave.1. Calle 11, Apartado 10237,
San Jose, COSTA RICA
TEL: 258-0211
AMR Ltd
Ground Floor
Maritime Plaza
Barataria Trinidad W.I.
TEL: (868)638 6385
AMMAN Trading Agency
245 Prince Mohammad St.,
Amman 1118, JORDAN
TEL: (06) 464-1200
SINGAPORE
CURACAO
URUGUAY
Roland Scandinavia Avd.
Kontor Norge
Lilleakerveien 2 Postboks 95
Lilleaker N-0216 Oslo
NORWAY
TEL: 2273 0074
SWEE LEE MUSIC
COMPANY PTE. LTD.
150 Sims Drive,
SINGAPORE 387381
TEL: 6846-3676
Zeelandia Music Center Inc.
Orionweg 30
Curacao, Netherland Antilles
TEL:(305)5926866
Todo Musica S.A.
Francisco Acuna de Figueroa
1771
C.P.: 11.800
Montevideo, URUGUAY
TEL: (02) 924-2335
CRISTOFORI MUSIC PTE LTD
Blk 3014, Bedok Industrial Park E,
#02-2148, SINGAPORE 489980
TEL: 6243-9555
TAIWAN
ROLAND TAIWAN
ENTERPRISE CO., LTD.
Room 5, 9fl. No. 112 Chung
Shan N.Road Sec.2, Taipei,
TAIWAN, R.O.C.
TEL: (02) 2561 3339
DOMINICAN REPUBLIC
Instrumentos Fernando Giraldez
Calle Proyecto Central No.3
Ens.La Esperilla
Santo Domingo,
Dominican Republic
TEL:(809) 683 0305
ECUADOR
Mas Musika
Rumichaca 822 y Zaruma
Guayaquil - Ecuador
TEL:(593-4)2302364
THAILAND
EL SALVADOR
Theera Music Co. , Ltd.
330 Verng NakornKasem, Soi 2,
Bangkok 10100, THAILAND
TEL: (02) 2248821
OMNI MUSIC
75 Avenida Norte y Final
Alameda Juan Pablo II,
Edificio No.4010 San Salvador,
EL SALVADOR
TEL: 262-0788
VIETNAM
Saigon Music
Suite DP-8
40 Ba Huyen Thanh Quan Street
Hochiminh City, VIETNAM
TEL: (08) 930-1969
AUSTRALIA/
NEW ZEALAND
AUSTRALIA/
NEW ZEALAND
Roland Corporation
Australia Pty.,Ltd.
38 Campbell Avenue
Dee Why West. NSW 2099
AUSTRALIA
For Australia
Tel: (02) 9982 8266
For New Zealand
Tel: (09) 3098 715
CENTRAL/LATIN
AMERICA
ARGENTINA
Instrumentos Musicales S.A.
Av.Santa Fe 2055
(1123) Buenos Aires
ARGENTINA
TEL: (011) 4508-2700
GUATEMALA
Casa Instrumental
Calzada Roosevelt 34-01,zona 11
Ciudad de Guatemala
Guatemala
TEL:(502) 599-2888
HONDURAS
Almacen Pajaro Azul S.A. de C.V.
BO.Paz Barahona
3 Ave.11 Calle S.O
San Pedro Sula, Honduras
TEL: (504) 553-2029
MARTINIQUE
Musique & Son
Z.I.Les Mangle
97232 Le Lamantin
Martinique F.W.I.
TEL: 596 596 426860
Gigamusic SARL
10 Rte De La Folie
97200 Fort De France
Martinique F.W.I.
TEL: 596 596 715222
MEXICO
Casa Veerkamp, s.a. de c.v.
Av. Toluca No. 323, Col. Olivar
de los Padres 01780 Mexico
D.F. MEXICO
TEL: (55) 5668-6699
NICARAGUA
A&B Music Supplies LTD
12 Webster Industrial Park
Wildey, St.Michael, Barbados
TEL: (246)430-1100
Bansbach Instrumentos
Musicales Nicaragua
Altamira D'Este Calle Principal
de la Farmacia 5ta.Avenida
1 Cuadra al Lago.#503
Managua, Nicaragua
TEL: (505)277-2557
BRAZIL
PANAMA
Roland Brasil Ltda.
Rua San Jose, 780 Sala B
Parque Industrial San Jose
Cotia - Sao Paulo - SP, BRAZIL
TEL: (011) 4615 5666
SUPRO MUNDIAL, S.A.
Boulevard Andrews, Albrook,
Panama City, REP. DE
PANAMA
TEL: 315-0101
CHILE
PARAGUAY
Comercial Fancy II S.A.
Rut.: 96.919.420-1
Nataniel Cox #739, 4th Floor
Santiago - Centro, CHILE
TEL: (02) 688-9540
Distribuidora De
Instrumentos Musicales
J.E. Olear y ESQ. Manduvira
Asuncion PARAGUAY
TEL: (595) 21 492147
COLOMBIA
PERU
Centro Musical Ltda.
Cra 43 B No 25 A 41 Bododega 9
Medellin, Colombia
TEL: (574)3812529
Audionet
Distribuciones Musicales SAC
Juan Fanning 530
Miraflores
Lima - Peru
TEL: (511) 4461388
BARBADOS
VENEZUELA
Instrumentos Musicales
Allegro,C.A.
Av.las industrias edf.Guitar
import
#7 zona Industrial de Turumo
Caracas, Venezuela
TEL: (212) 244-1122
EUROPE
AUSTRIA
Roland Elektronische
Musikinstrumente HmbH.
Austrian Office
Eduard-Bodem-Gasse 8,
A-6020 Innsbruck, AUSTRIA
TEL: (0512) 26 44 260
BELGIUM/FRANCE/
HOLLAND/
LUXEMBOURG
Roland Central Europe N.V.
Houtstraat 3, B-2260, Oevel
(Westerlo) BELGIUM
TEL: (014) 575811
CZECH REP.
K-AUDIO
Kardasovska 626.
CZ-198 00 Praha 9,
CZECH REP.
TEL: (2) 666 10529
DENMARK
Roland Scandinavia A/S
Nordhavnsvej 7, Postbox 880,
DK-2100 Copenhagen
DENMARK
TEL: 3916 6200
FINLAND
Roland Scandinavia As, Filial
Finland
Elannontie 5
FIN-01510 Vantaa, FINLAND
TEL: (0)9 68 24 020
GERMANY
Roland Elektronische
Musikinstrumente HmbH.
Oststrasse 96, 22844
Norderstedt, GERMANY
TEL: (040) 52 60090
GREECE
STOLLAS S.A.
Music Sound Light
155, New National Road
Patras 26442, GREECE
TEL: 2610 435400
HUNGARY
Roland East Europe Ltd.
Warehouse Area ‘DEPO’ Pf.83
H-2046 Torokbalint,
HUNGARY
TEL: (23) 511011
IRELAND
Roland Ireland
G2 Calmount Park, Calmount
Avenue, Dublin 12
Republic of IRELAND
TEL: (01) 4294444
ITALY
Roland Italy S. p. A.
Viale delle Industrie 8,
20020 Arese, Milano, ITALY
TEL: (02) 937-78300
POLAND
MX MUSIC SP.Z.O.O.
UL. Gibraltarska 4.
PL-03664 Warszawa POLAND
TEL: (022) 679 44 19
PORTUGAL
KUWAIT
EASA HUSAIN AL-YOUSIFI
& SONS CO.
Abdullah Salem Street,
Safat, KUWAIT
TEL: 243-6399
LEBANON
Roland Iberia, S.L.
Portugal Office
Cais das Pedras, 8/9-1 Dto
4050-465, Porto, PORTUGAL
TEL: 22 608 00 60
Chahine S.A.L.
Gerge Zeidan St., Chahine
Bldg., Achrafieh, P.O.Box: 165857
Beirut, LEBANON
TEL: (01) 20-1441
ROMANIA
OMAN
FBS LINES
Piata Libertatii 1,
535500 Gheorgheni,
ROMANIA
TEL: (266) 364 609
TALENTZ CENTRE L.L.C.
P.O. BOX 37, MUSCAT,
POSTAL CODE 113
TEL: 931-3705
QATAR
RUSSIA
Al Emadi Co. (Badie Studio &
Stores)
P.O. Box 62, Doha, QATAR
TEL: 4423-554
MuTek
3-Bogatyrskaya Str. 1.k.l
107 564 Moscow, RUSSIA
TEL: (095) 169 5043
SAUDI ARABIA
SPAIN
aDawliah Universal
Electronics APL
Corniche Road, Aldossary
Bldg., 1st Floor, Alkhobar,
SAUDI ARABIA
Roland Iberia, S.L.
Paseo García Faria, 33-35
08005 Barcelona SPAIN
TEL: 93 493 91 00
SWEDEN
Roland Scandinavia A/S
SWEDISH SALES OFFICE
Danvik Center 28, 2 tr.
S-131 30 Nacka SWEDEN
TEL: (0)8 702 00 20
SWITZERLAND
Roland (Switzerland) AG
Landstrasse 5, Postfach,
CH-4452 Itingen,
SWITZERLAND
TEL: (061) 927-8383
P.O.Box 2154, Alkhobar 31952
SAUDI ARABIA
TEL: (03) 898 2081
SYRIA
Technical Light & Sound
Center
Rawda, Abdul Qader Jazairi St.
Bldg. No. 21, P.O.BOX 13520,
Damascus, SYRIA
TEL: (011) 223-5384
TURKEY
Ant Muzik Aletleri Ithalat Ve
Ihracat Ltd Sti
Siraselviler Caddesi
Siraselviler Pasaji No:74/20
Taksim - Istanbul, TURKEY
TEL: (0212) 2449624
UKRAINE
TIC-TAC
Mira Str. 19/108
P.O. Box 180
295400 Munkachevo,
UKRAINE
TEL: (03131) 414-40
U.A.E.
UNITED KINGDOM
Roland (U.K.) Ltd.
Atlantic Close, Swansea
Enterprise Park, SWANSEA
SA7 9FJ,
UNITED KINGDOM
TEL: (01792) 702701
Zak Electronics & Musical
Instruments Co. L.L.C.
Zabeel Road, Al Sherooq Bldg.,
No. 14, Grand Floor, Dubai,
U.A.E.
TEL: (04) 3360715
NORTH AMERICA
MIDDLE EAST
CANADA
BAHRAIN
Moon Stores
No.16, Bab Al Bahrain Avenue,
P.O.Box 247, Manama 304,
State of BAHRAIN
TEL: 17 211 005
CYPRUS
Radex Sound Equipment Ltd.
17, Diagorou Street, Nicosia,
CYPRUS
TEL: (022) 66-9426
IRAN
MOCO INC.
No.41 Nike St., Dr.Shariyati Ave.,
Roberoye Cerahe Mirdamad
Tehran, IRAN
TEL: (021) 285-4169
ISRAEL
Roland Canada Music Ltd.
(Head Office)
5480 Parkwood Way
Richmond B. C., V6V 2M4
CANADA
TEL: (604) 270 6626
Roland Canada Music Ltd.
(Toronto Office)
170 Admiral Boulevard
Mississauga On L5T 2N6
CANADA
TEL: (905) 362 9707
U. S. A.
Roland Corporation U.S.
5100 S. Eastern Avenue
Los Angeles, CA 90040-2938,
U. S. A.
TEL: (323) 890 3700
Halilit P. Greenspoon & Sons
Ltd.
8 Retzif Ha'aliya Hashnya St.
Tel-Aviv-Yafo ISRAEL
TEL: (03) 6823666
As of January 15, 2005 (ROLAND)
HP101_e.book 39 ページ 2005年4月19日 火曜日 午後4時33分
For EU Countries
This product complies with the requirements of European Directives EMC 89/336/EEC and LVD 73/23/EEC.
For the USA
FEDERAL COMMUNICATIONS COMMISSION
RADIO FREQUENCY INTERFERENCE STATEMENT
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the
FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in
accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee
that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or
television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
– Reorient or relocate the receiving antenna.
– Increase the separation between the equipment and receiver.
– Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
– Consult the dealer or an experienced radio/TV technician for help.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
(1) This device may not cause harmful interference, and
(2) This device must accept any interference received, including interference that may cause undesired operation.
Unauthorized changes or modification to this system can void the users authority to operate this equipment.
This equipment requires shielded interface cables in order to meet FCC class B Limit.
For Canada
NOTICE
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
AVIS
Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.
HP101_e.book 40 ページ 2005年4月19日 火曜日 午後4時33分
This owner’s manual is printed on recycled paper.
03781323
’05-5-3N
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