ROOM 2 Remote Controls
Introduction
READ THIS BEFORE OPERATING YOUR UNIT
ENGLISH
This symbol is intended to alert the user to the presence of
uninsulated "dangerous voltage" within the product's
enclosure that may be of sufficient magnitude to constitute
a risk of electric shock to persons.
CAUTION
: TO REDUCE THE RISK OF ELECTRIC
SHOCK, DO NOT REMOVE COVER (OR
BACK). NO USER-SERVICEABLE PARTS
INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.
This symbol is intended to alert the user to the presence of
important operating and maintenance (servicing)
instructions in the literature accompanying the appliance.
WARNING : TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,
DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE.
Caution regarding installation
Note : For heat dispersal, do not install this unit in a confined space such as a bookcase or similar enclosure.
Do not block ventilation openings or stack other equipment on the top.
FOR YOUR SAFETY
EUROPE
AUSTRALIA
220 V
240 V
Units shipped to Australia are designed for operation on 240 V AC only.
To ensure safe operation, the three-pin plug supplied must be inserted only into a standard threepin power point which is effectively earthed through the normal household wiring. Extension cords
used with the equipment must be three-core and be correctly wired to provide connection to earth.
Improper extension cords are a major cause of fatalities. The fact that the equipment
operates satisfactorily does not imply that the power point is earthed and that the installation
is completely safe. For your safety, if in any doubt about the effective earthing of the power
point, consult a qualified electrician.
PAN-EUROPEAN UNIFIED VOLTAGE
All units are suitable for use on supplies 220-240 V AC.
CAUTION
• Leave a space around the unit for sufficient ventilation.
• Avoid installation in extremely hot or cold locations, or in an area that is exposed to direct sunlight or heating equipment.
• Keep the unit free from moisture, water, and dust.
• Do not let foreign objects in the unit.
• The ventilation should not be impeded by covering the ventilation openings with items, such as newspapers, table-cloths,
curtains, etc.
• No naked flame sources, such as lighted candles, should be placed on the unit.
• Please be care the environmental aspects of battery disposal.
• The unit shall not be exposed to dripping or splashing for use.
• No objects filled with liquids, such as vases, shall be placed on the unit.
• Do not let insecticides, benzene, and thinner come in contact with the set.
• Never disassemble or modify the unit in any way.
■Notes on the AC power cord and the wall outlet.
• The unit is not disconnected from the AC power source(mains) as long as it is connected to the wall outlet, even if the unit has
been turned off.
• When disconnecting the power cord from the wall outlet, always pull the plug, not the power cord.
• Disconnect the plug from the wall outlet when not using the unit for long periods of time.
• The wall outlet shall be installed near the unit and shall be easily accessible.
Note on recycling
This product’s packaging materials are recyclable and can be reused. Please dispose of any materials
in accordance with the local recycling regulations.
When discarding the unit, comply with local rules or regulations.
Batteries should never be thrown away or incinerated but disposed of in accordance with the local
regulations concerning chemical waste.
This product and the accessories packed together constitute the applicable product according to the
WEEE directive except batteries.
2
• Introduction
READ THIS BEFORE OPERATING YOUR UNIT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
• System Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
• Front Panel Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
• Universal Remote Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
OPERATING COMPONENTS WITH REMOTE CONTROL . . . . . . . . . . . . . . . . . . . . . . 17
REMOTE CONTROL OPERATION RANGE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
LOADING BATTERIES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
USING FUNCTIONS OF REMOTE CONTROL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
• ROOM 2 Remote Controls
REMOTE CONTROL OPERATION RANGE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
LOADING BATTERY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
• Operations
LISTENING TO A PROGRAM SOURCE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
SURROUND SOUND . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
ENJOYING SURROUND SOUND . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
LISTENING TO RADIO BROADCASTS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
LISTENING TO RDS BROADCASTS(FM ONLY) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
(RDS Tuner(Regional Option for some countries in Europe, etc.))
RECORDING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
DIGITAL AUDIO RECORDING WITH MD RECORDER . . . . . . . . . . . . . . . . . . . . . . . . . 41
OTHER FUNCTIONS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
ROOM 2 SOURCE PLAYBACK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
• OSD Menu Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
SETTING THE SYSTEM SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
SETTING THE INPUT SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
SETTING THE SPEAKER / ROOM EQ SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
SETTING THE CH LEVEL SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
SETTING THE SOUND PARAMETER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
SETTING THE ROOM 2 SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
• Troubleshooting Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66
• Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
• Setup Code Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
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ENGLISH
CONTENTS
ENGLISH
System Connections
• Pleas be certain that this unit is unplugged from the AC outlet before making any connections.
• Since different components often have different terminal names, carefully read the operating instructions of the
component connected.
• Be sure to observe the color coding when connecting audio, video and speaker cords.
• Make connections firmly and correctly. If not, it can cause loss of sound, noise or damage to the receiver.
1. CONNECTING ANTENNAS
GND
GND
AM
LOOP
AM
LOOP
• Change the position of the FM indoor antenna
until you get the best reception of your favorite
FM stations.
• A 75Ω outdoor FM antenna may be used to further improve the reception. Disconnect the
indoor antenna before replacing it with the outdoor one.
• Place the AM loop antenna as far as possible
from the receiver, TV set, speaker cords and
the AC input cord and set it to a direction for the
best reception.
• If the reception is poor with the AM loop antenna, an AM outdoor antenna can be used in
place of the AM loop antenna.
GND
AM
LOOP
4
• The jacks of VIDEO 1 may also be connected to a
DVD recorder or other digital video recording
component.
For details, refer to the operating instructions
of the component to be connected.
• The jacks of VIDEO 2/VIDEO 3/VIDEO 4 can also
be connected to an additional video component
such as a cable TV tuner, an LD player or satellite
system.
• Connect the jacks of VIDEO 3/VIDEO 4 to the
video component in the same way.
Note:
• When Sherwood DVD player such as V-768, etc. is
connected to the DIGI-LINK jack for system
control, you should connect the DVD player to the
" VIDEO 2" jacks of this unit.
Because, if the PLAY button, etc. is pressed on the
DVD player, the VIDEO 2 is automatically selected
as an input source on this unit. Then playback, etc.
starts.
HDMI (High Definition Multimedia Interface) connection : (*1)
• You can connect the source component (DVD player, etc.) to the display component (TV, projector, etc.) through this
receiver with using a commercially available HDMI cord.
• The HDMI connection can carry uncompressed digital video signals and digital audio signals.
• This receiver can output digital video and digital audio signals from the MONITOR HDMI OUT of this receiver without
passing through any circuits as they were input into the HDMI IN.
• If you connect the HDMI INs to your video components, it is easier to do so following the default settings.
• If your HDMI connection is different from the default setting, you should assign the HDMI INs you used with the "When
selecting the VIDEO ASSIGN 1" procedure on page 49.
• The default settings are as follows :
HDMI 1 : VIDEO 1, HDMI 2 : VIDEO 2
• HDMI, the HDMI logo and High-Definition Multimedia Interface are trademarks or registered trademarks of HDMI licensing
LLC.
Note :
• Depending on the connected component, unreliable signal transfer may happen. (For details, refer to the operating
instructions of your component.)
Component video input default settings: (*2)
• If you connect the COMPONENT VIDEO INs to your video components, it is easier to do so following the default settings.
• If your component video connections are different from the default setting , you should assign the COMPONENT VIDEO
INs you used with the “When selecting the VIDEO ASSIGN 2” procedure on page 50.
• The default settings are as follows:
COMPONENT IN 1 : VIDEO 1, COMPONENT IN 2 : VIDEO 2, COMPONENT IN 3 : VIDEO 3.
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2. CONNECTING VIDEO COMPONENTS
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Continued
• There are three types of video jacks (COMPONENT, S-VIDEO, (composite) VIDEO) for connecting video
components.
Connect them to the corresponding video jacks according to their capability.
• For your reference, the excellence in picture quality is as follows : “COMPONENT” >“S-VIDEO”> “(composite)
VIDEO” .
• When making COMPONENT VIDEO connections, connect “Y” to “Y”, “PB/CB” to “CB”(or “B-Y”, “PB”) and “PR/CR”
to “CR”(or “R-Y”, “PR” ).
• When recording video program sources through VIDEO 1 OUT jacks or viewing ROOM 2 source through
ROOM 2 OUT jack, you must use the same type of video jacks that you did connect to video playback
components such as DVD player, LD player, etc.
• This unit is equipped with a function that up-converts composite video signals to S-Video signals or downconverts S-Video signals to composite video signals and outputs them from the MONITOR OUTs.
• After connecting the video components, you should set the video mode correctly, reffering to the following table.
(For details, refer to "When selecting the VIDEO MODE" on page 50.)
Relationship between the video input signal and the video output signal
Video Mode
Video input signals
MONITOR OUTs
COMPONENT
S-VIDEO
(COMPOSITE) VIDEO
Setting
COMPONENT
S-VIDEO
(COMPOSITE) VIDEO
×
×
◯
Auto
Component
S-Video
Composite video*2
×
◯
×◯◯
×
◯
×
◯
◯
◯
Component *1
Component
×
×
×
◯
Composite
◯
◯
×
Auto
Component
S-Video
S-Video
◯
×
◯
Auto
Component
Composite video
Composite video
Auto
Component*3
×
×
×
S-Video
Composite video*2
S-Video
×
×
S-Video
S-Video
×
Composite video
Composite video
◯
×
×
×
◯
◯
Auto
×
◯
×
Auto
×
S-Video
S-Video
×
×
◯
Auto
×
Composite video
Composite video
*1 : Component video signal can be output from the MONITOR COMPONENT OUT jacks only.
*2 : The OSD menu and the momentary OSD cannot be displayed via MONITOR COMPOSITE jack.
*3 : If the OSD menu operation is performed, the picture is automatically turned off and only the OSD menu is
displayed via MONITOR COMPONENT OUT jacks.
Note :
• When outputting the component video signal from the MONITOR COMPONENT OUT jacks as it was input, the
momentary OSD cannot be displayed.
3. CONNECTING AUDIO COMPONENTS
• The TAPE IN/OUT jacks can be connected to audio recording equipment such as a tape deck, an MD recorder,
etc.
6
4. CONNECTING EXTERNAL INS
ENGLISH
• Use these jacks to connect the corresponding outputs
of a DVD player or external decorder, etc. that has 6,
7 or 8 channel analog audio outputs.
• In case of 6 or 7 channel outputs, do not connect both
of the SURROUND BACK L and R inputs or the
SURROUND BACK R input of this unit. (For details,
refer to the operating instructions of the component to
be connected.)
5. CONNECTING DIGITAL INS AND OUT
• The OPTICAL and the COAXIAL DIGITAL OUTs of
the components that are connected to this unit can
be connected to these DIGITAL INs.
• A digital input should be connected to the
components such as a CD player, LD player, DVD
player, etc. capable of outputting DTS Digital
Surround, Dolby Digital or PCM format digital
signals, etc.
• If the component with OPTICAL IN jack is
connected to the OPTICAL OUT jack of this unit,
you can record the high quality sound of CDs, etc.
without degradation.
• For details, refer to the operating instructions of the
component connected.
• When making the COAXIAL DIGITAL connection,
be sure to use a 75 Ω COAXIAL cord, not a
conventional AUDIO cord.
• All of the commercially available optical fiber cords
cannot be used for the equipment. If there is an
optical fiber cord which cannot be connected to your equipment, consult your dealer or nearest service
organization.
Note:
• Be sure to make either a OPTICAL or a COAXIAL DIGITAL connection on each component. (You don’t need to
do both.)
Digital input default settings
• If you connect the DIGITAL INs to your components, it is easier to do so following the default settings.
• If your DIGITAL connections are different from default settings, you should assign the DIGITAL INs you used
with the “When selecting the DIGITAL AUDIO” procedure on page 49.
• The default settings are as follows :
OPTICAL IN 1 : VIDEO 1, OPTICAL IN 2 : VIDEO 2, OPTICAL IN 3 : VIDEO 3, OPTICAL IN 4 : VIDEO 4,
(Front) OPTICAL IN 5 : VIDEO 5, COAXIAL IN 1 : CD, COAXIAL IN 2 : AUX.
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6. CONNECTING PRE OUTS
• Use these jacks when adding additional
power amplifiers.
• Connect the PRE OUT jacks to the powered
speakers or the power amplifiers connected
to speakers respectively.
• When using only one surround back speaker,
connect the SURROUND BACK LEFT jack to
the power amplifier.
• To emphasize the deep bass sounds,
connect a powered subwoofer.
Notes :
• After installing the speakers, first adjust the
speaker settings according to your
environment and speaker layout (For details,
“SETTING THE SPEAKER/ROOM EQ
SETUP” on page 52.)
• According to speaker settings, some
channels of PRE OUTs cannot output audio
signals.
7. CONNECTING SYSTEM CONTROL
• Connect this jack to the DIGI-LINK jack of the
external Sherwood component that uses the
DIGI-LINK II or III remote control system.
8. CONNECTING DC TRIGGER OUT
• Connect a component to DC TRIGGER OUT
jack that allows DC 12V to turn on when a
specific input source is selected.
• For details, refer to the operating instructions
of the components to be connected.
• To link DC TRIGGER OUT with a specific
input source, refer to "When selecting the DC
TRIGGER" on page 51.
Note:
• This output voltage (12V d.c., 100mA) is for (status) control only, it is not sufficient for drive capability.
• When making DC TRIGGER connection, you should use the stereo mini cord, not a mono mini cord.
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9. CONNECTING SPEAKERS
• Be sure to connect speakers firmly and correctly according to the channel(left and right) and the polarity
(+ and -). If the connections are faulty, no sound will be heard from the speakers, and if the polarity of the
speaker connection is incorrect, the sound will be unnatural and lack bass.
• For installing the speakers, refer to “Speaker placement” on page 10.
• After installing the speakers, first adjust the speaker settings according to your environment and speaker
layout. (For details, refer to “SETTING THE SPEAKER/ROOM EQ SETUP” on page 52.)
Front speakers A and B
• This unit allows you to connect two different sets of front speakers and to select either FRONT A or/and B
speakers according to your taste.
• However, if you have only a set of front speakers, connect them to either FRONT A or B speaker
terminals.
Surround back speakers
• When using only one surround back speaker, you should connect it to SURROUND BACK/ROOM 2
LEFT channel.
• If you assign the power amplifier for the surround back/room 2 channels to the ROOM 2, this unit can
drive the speakers in another room (ROOM 2).
(For details, refer to “CONNECTING ROOM 2 OUTS” on page 11 and “When selecting the AMP ASSIGN”
on page 46.)
Caution :
• For safe amplifier operation, in case of using either front A or front B speakers, use all the speakers with
impedance of over 6 ohms. However, in case of using both front A and front B speakers, use only these
speakers with impedance of over 12 ohms and other speakers with impedance of over 6 ohms.
• Do not let the bare speaker wires touch each other or any metal part of this unit. This could damage this
unit and/or the speakers.
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Speaker placement
Ideal speaker placement varies depending on the
size of your room and the wall coverings, etc. The
typical example of speaker placement and
recommendations are as follows :
■Front left and right speakers and center speaker
• Place the front speakers with their front surfaces as
flush with TV or monitor screen as possible.
• Place the center speaker between the front left and
right speakers and no further from the listening
position than the front speakers.
• Place each speaker so that sound is aimed at the
location of the listener’s ears when at the main
listening position.
■Surround left and right speakers
• Place the surround speakers approximately 1 meter
(40 inches) above the ear level of a seated listener
on the direct left and right of them or slightly behind.
■Surround back left and right speakers
• Place the surround back speakers at the back facing
the front at a narrower distance than front speakers.
• When using a single surround back speaker, place it
at the rear center facing the front at a slightly higher
position (0 to 20 cm ) than the surround speakers.
• We recommend installing the surround back
speaker(s) at a slightly downward facing angle. This
effectively prevents the surround back channel
signals from reflecting off the TV or screen at the
front center, resulting in interference and making the
sense of movement from the front to the back less
sharp.
1. TV or Screen
2. Front left speaker
3. Subwoofer
4. Center speaker
5. Front right speaker
6. Surround left speaker
7. Surround right speaker
8. Surround back left speaker
9. Surround back right speaker
10. Surround center speaker
11. Listening position
■Subwoofer
• The subwoofer reproduces powerful deep bass
sounds.
Place a subwoofer anywhere in the front as desired.
■Notes :
•When using a conventional TV, to avoid interference with the TV picture, use only magnetically shielded front
left and right and center speakers.
•To obtain the best surround effects, the speakers except the subwoofer should be full range speakers.
10
• ROOM 2 playback feature allows you to play a different program source in another room as well as one source
in the main room at the same time.
• For ROOM 2 playback, connect the ROOM 2 OUT jacks to the amplifier, TV, etc. installed in another room, or
connect the SURROUND BACK/ROOM 2 speaker terminals to the speakers.
• When connecting the SURROUND BACK/ROOM 2 speaker terminals, you should assign the power amplifier
for surround back/room 2 channels to the ROOM 2.
(For details, refer to "When selecting the AMP ASSIGN" on page 46.)
Notes :
• To minimize hum or noise, use high quality connection cords.
• You cannot use the digital audio signal for ROOM 2 playback.
11. CONNECTING PC FOR UPGRADES
• This receiver incorporates RS-232C terminal that may be
used in the future to update the operating software so that it
will be able to support new digital audio formats, external
control by using an external device and the like.
• Connect RS-232C terminal to your PC.
Notes:
• Be sure to set the UPGRADE switch to "SVC" (service) before
updating.
• This switch should be set to "OPR" (operation) during normal
operation except for upgrades. If not, this unit wil not operate
normally.
• Programming for upgrades and external control requires specialized programming knowledge and for that
reason we recommend that it only be done by qualified installers. For more information on future upgrades and
external control, visit the Sherwood web site at www.sherwoodamerica.com or contact your dealer.
• Do not disconnect the connection cable while updating the operating software, etc.
Should this happen, it may be result in malfunction or cause damage to the unit.
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10. CONNECTING ROOM 2 OUTS
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12. CONNECTING MULTI-ROOM SYSTEM KIT
• The multi-room system kit(sold separately ) is essential for operation from a remote location .
For information on the multi-room system kit, contact the Xantech corporation at 1-800-843-5465 or
www.xantech.com.
• IR IN jack allows you to control this receiver from another room with the remote control unit.
• To control this receiver from another room with the remote control unit, connect the IR IN jack to the output of
the connecting block.
• If this receiver is located inside a cabinet or other enclosure where the infrared beams from the remote control
unit cannot enter, then operation with the remote control unit will not be possible. In such a case, connect the IR
IN jack to the output of the connecting block.
Note:
• Remote operation may become unreliable if the IR receiver is exposed to strong light such as direct sunlight or
inverted fluorescent.
13. SWITCHED AC OUTLET
• This outlet is switched on (power-on mode) and off
(standby mode) according to power control as follows
(Maximum total capacity is 100 W (0.43A)).
Standby mode - Switched AC outlet off
Power - on mode - Switched AC outet on
14. AC INPUT
• Plug the supplied AC input cord into this AC inlet and
then into the wall AC outlet.
Note:
• Do not use an AC input cord other than the one supplied
with this unit. The AC input cord supplied is designed for
use with this unit and should not be used with any other
device.
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Front Panel Controls
1. POWER switch
2. POWER ON/STANDBY button/indicator
3. VIDEO INPUT SELECTOR button
4. AUDIO INPUT SELECTOR button
5. EXTERNAL IN button
6. FM/AM button
7. MASTER VOLUME CONTROL knob
8. HEADPHONE jack
9. SPEAKER button
10. PURE AUDIO button
11. SURROUND MODE button
12. STEREO button
13. OSD SETUP button
14. CHANNEL LEVEL button
15. CONTROL UP (▲)/DOWN (▼) buttons
16. ROOM 2 button
17. MEMORY/ENTER button
18. TUNING UP(+)/DOWN(-) buttons
19. PRESET UP(+)/DOWN(-) buttons
20. DIGITAL/ANALOG MODE button
21. MULTI CONTROL knob
22. REMOTE SENSOR
23. PURE AUDIO indicator
24. FLUORESCENT DISPLAY
For details, see below.
25. SETUP MIC jack
For details, see next page.
26. AUX IN jack
For details, see next page.
27. VIDEO 5 INPUT jacks
For details, see next page.
FLUORESCENT DISPLAY
1. Dolby surround mode indicators
2. Auto surround indicator
3. Speaker (/channel output : outer box) indicators
4. Input signal indicators
5. REMASTERING indicator
6. Front A/B speaker indicators
7. ROOM 2 amp indicators
8. ROOM-EQ indicator
9. Input, frequency, surround mode, operating
information, etc.
10. DIGITAL INPUT indicator
11. TONE indicator
12. SLEEP indicator
13. CINEMA EQ indicator
14. STEREO indicator
15. RDS indicators
16. MEMORY indicator
17. TUNED indicator
18. MUTE indicator
19. Preset number, volume level, sleep time display
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SETUP MIC JACK
• To use Auto Setup function, connect the supplied
microphone to the SETUP MIC jack.(For details, refer to
"When selecting the AUTO SETUP" on page 52.)
Notes:
• Because the microphone for Auto Setup is designed for
use with this receiver, do not use a microphone other
than the one supplied with this receiver.
• After you have completed the auto setup procedure,
disconnect the microphone.
AUX IN JACK
• The AUX IN jack can be connected to an
additional audio component such as an
MP3 player, etc.
Note :
• When connecting this jack to an MP3
player, etc., you should use the stereo
mini cord, not a mono mini cord.
VIDEO 5 INPUT JACKS
When not using
the VIDEO 5 INPUT
jacks, cover these
jacks with the
supplied cap.
• The VIDEO 5 input jacks may be also connected
to an additional video component such as a
camcorder, a video game player, etc.
• If the OPTICAL IN 5 is connected to the
component connected to VIDEO 5, it is easier to
do so following the default settings.(For details,
refer to “Digital input default settings” on page 7.)
• If the OPTICAL IN 5 connection is different from
the default settings, you should assign the
DIGITAL INs you used with the “When selecting
the DIGITAL AUDIO" procedure on page 49.
• If you connect the COMPONENT VIDEO INs on
the rear panel to your video component, you
should assign the COMPONENT VIDEO INs you
used with the "When selecting the VIDEO
ASSIGN" procedure on page 49.
14
This universal remote control can operate not only this receiver but also most popular brands of audio and video
components such as CD players, tape decks, TVs, cable boxes, VCRs, satellite receivers, DVD players, etc.
• To operate 7 components other than this receiver , you should enter the setup code for each component.
(For details, refer to “USING FUNCTIONS OF REMOTE CONTROL” on page 18.)
DIGI LINK system remote controls
This remote control can also operate Sherwood compatible components bearing the DIGI LINK(II or III) logo.
• For DIGI LINK system remote control operation, first make the DIGI LINK connections between Sherwood
components.
• The numbered buttons on the remote control have different functions in different device modes. For details,
refer to "FUNCTION TABLE of the NUMBERED BUTTONS" on the next page.
15
ENGLISH
Universal Remote Controls
ENGLISH
FUNCTION TABLE of the NUMBERED BUTTONS.
Notes :
• Some functions for each component may not be available or may work differently.
• Depending on other kinds of components that are available for each DEVICE button, some functions may not be
available or may work differently, too.
• For details about functions, refer to the operating instructions of each component.
16
1
2
3
4
REMOTE CONTROL OPERATION RANGE
Enter the setup code for each
component other than this receiver.
For detalis, refer to “Entering a setup
code” on page 18.
• Use the remote control within a range of
about 7 meters (23 feet) and angles of up
to 30 degrees aiming at the remote sensor.
Turn on the component you want to
operate.
Select the DEVICE button on the
remote control corresponding to the
component you wish to operate.
Aim the remote control at the
REMOTE SENSOR of the component
you wish to control and press the
button corresponding to the operation
you want.
• When operating a Sherwood CD player or tape
deck using digi link system remote control, aim
the remote control at the REMOTE SENSOR
of this receiver.
However, to operate a Sherwood DVD player,
aim at the REMOTE SENSOR of the
corresponding component.
LOADING BATTERIES
•When the remote control does not operate, the old batteries should be replaced. In this case, load new batteries
within several minutes after removing old batteries.
•If the betteries are removed or have been exhausted for a longer period of time, memorized contents will be
cleared. Should this happen, you should memorize them again.
1
Remove the cover.
2
Load four alkaline batteries (“AAA”
size, 1.5V) matching the polarity.
+
+
+
• Remove the batteries when they are not used
for a long time.
• Do not use the rechargeable batteries (Ni-Cd
type).
• Be sure to use alkaline batteries.
17
ENGLISH
OPERATING COMPONENTS WITH REMOTE CONTROL
ENGLISH
USING FUNCTIONS OF REMOTE CONTROL
• This remote control can control up to 8 different components.
• Before operating audio and video components other than this receiver with using this remote control, the setup
code for each component should be entered.
• For system remote control operation, “000” was stored previously in the memory of the device button “CD” for
Sherwood CD player, “DVD” for Sherwood DVD player, “AUX” for Sherwood tape deck and “TV” for Sherwood TV
respectively as its factory setup code. So, you don’t need to enter its code for each Sherwood component except in
such a case that its code does not work.
Entering a setup code
• Setup code entry is the easiest way to program
this remote control for operating audio and
video components.
1
3
4
While “LEARN” is displayed, press the
CURSOR UP(▲)/DOWN(▼) buttons to
select the setup code mode (“CODE”),
then press the ENTER.
Turn on the component you want to
operate
Press and hold down both the ENTER
button and the desired one of the
DEVICE buttons for more than 2
seconds.
• Then “LEARN” is displayed on the LCD screen
for several seconds.
• Each time the CURSOR UP(▲)/DOWN(▼) buttons
are pressed, the mode changes as follows :
LEARN DELETE MACRO
CODE PUNCH
Notes:
• The AUDIO button is unavailable for the audio
components other than this receiver.
• During setting operation, to exit from the setting
mode, press any of the DEVICE buttons.
5
2
Find the setup codes according to the
type and the brand name of your
component, referring to “Setup Code
Table” on page 68.
• Then “PRESET” and 3 digit number are displayed.
• If “PRESET”, etc. go off, start again from the above
step ③.
While “PRESET”, etc. are displayed, enter a 3 digit code and press the ENTER button,
aiming the remote sensor on the component.
Example: When entering "001".
• Then “OK” is displayed on the LCD screen.
• To be sure that the setup code is correct, press the
POWER ON (or STANDBY) button.
• If the setup code is correct, your component will be
turned off.
• When your component is not turned off, repeat the
above steps ② to ⑤, trying entering each code for
your component until you find one that works.
• If “NG” is displayed, retry entering the correct
setup code while “PRESET” and 3 digit number
are displayed.
18
Operate the component using the corresponding function buttons.
• If any of buttons fails to operate as they should , start from the step ① again to enter the correct setup code.
Notes:
• Manufacturers may use different setup codes for the same product category. For that reason, it is important
that you check to see if the code you have entered operates as many controls as possible. If only a few
functions operate, check to see if another code will work with more buttons.
• When operating a Sherwood CD player or tape deck using the system remote control, aim the remote control
at the REMOTE SENSOR on this receiver.
However, in case of Sherwood DVD player and MD recorder, aim it at the REMOTE SENSOR on the
corresponding component.
Repeat the above steps ① to ⑥ for each of your other components.
7
Searching a setup code
• In addition to enter a setup code using “Setup
Code Table” on page 68, it is also possible to
search through all the codes that are stored in
the library of this remote control.
1
3
2
Turn on the component you want to
operate.
While “PRESET” is displayed, search a
setup code, aiming the remote control
at the remote sensor on the
component.
4
• Each time the CURSOR UP(▲)/DOWN(▼)
buttons are pressed, the setup code is selected
one by one.
• If the selected code is correct, your component
will be turned off.
• When your component is not turned off, repeat
this step until you find one that works.
5
Perform the steps ③ and ④ in
“Entering a setup code” procedure on
page 18 to select the setup code mode
(“CODE”).
While “PRESET” is displayed, press the
ENTER button to store the setup code.
• Then “OK” is displayed on the LCD screen.
Operate the component using the
corresponding function buttons.
6
• If any of buttons fails to operate as they
should, start from the step ① again to find the
correct setup code.
19
Repeat the above steps ① to ⑤ for
each of your other components.
ENGLISH
6
2
• If the setup codes are not available for your
component or you want to program a missing or
special function into one button of a device, the
learning function enables this remote control to
learn the commands from other remote controls.
0
9
5
• Then “LEARN” is displayed on the LCD screen
for several seconds
Note :
• During setting operation, to exit from the setting
mode, press any of the DIVICE buttons.
8
7
6
DIMMER
ENTER
4
3
2
1
ADJUST
VOL.
SLEEP
SPK SET PLII PARA
STEREO
T.TONE
LEVEL
VOL.
DSP
CH.SEL
LEVEL
MUTE
TAPE
B
AUTO
A
DECK SEL
TAPE
INTRO
7CH DIR
P.SCAN
A< <B
STANDBY
CD
AUX
VIDEO3
REPEAT
CD
VIDEO2
TUNER
VIDEO1
1
5 to 15 cm
(2 to 6 inches)
3
Press and hold down the ENTER
button and the desired one of the
DEVICE buttons for more than 2
seconds.
Place this remote control and other
remote control facing each other at a
distance of 5 to 15 cm (2 to 6 inches )
apart.
POWER
ENGLISH
Programing the commands from other
remote controls (LEARNING mode)
While “LEARN” is displayed, press the
ENTER button.
4
While “SEL” is flickering, on this remote
control, press the button corresponding
to the function to be learned.
Example: If the function to be learned is playback,
press the PLAY(▶) button.
• Then “SEL” is flickering.
• If “SEL” goes off, start again from the above
step ②.
5
• Then “READY” is displayed.
Note:
• You cannot program a function into some
buttons such as DEVICE, MACRO and LIGHT
buttons.
While “SEL” is flickering, repeat the
above steps ④ and ⑤ to program all
the commands you want to the buttons
on this remote control under the same
device mode.
To exit from the setting mode, press any of the
DEVICE buttons.
While “READY” is displayed, on the
other remote control, press the button
of the function to be learned.
6
• If the command has been learned successfully,
“OK” is displayed and then “SEL” is flickering.
• If “ERROR” is displayed and then “SEL” is
flickering, it means that for some reason the
command was not learned. In this case, repeat
the above steps ④ and ⑤.
Notes :
• If an incorrect signal has been sent or, in some
cases, the command from other remote control
simply cannot be learned.
• In some “ERROR” cases, the remote controls
just need to be moved closer together or
farther apart.
20
7
Repeat the above steps ① to ⑥ to
program the commands from a different
remote control.
8
Operate the newly programmed buttons
to make sure the learning function was
performed properly.
1
2
Perform the steps ③ and ④ in
“Entering a setup code” procedure on
page 18 to select the delecting mode
(“DELETE”).
While “BTTN” is displayed, press the
CURSOR UP(▲)/DOWN(▼) buttons to
select the one command deleting mode
(BTTN), then press the ENTER button.
• Then “BTTN” is displayed on the LCD screen
for several seconds.
3
While “SEL” is flickering, press the
button for the command you want to
erase.
Example: When the button for the command to be
erased is PLAY button.
• Each time the CURSOR UP(▲)/DOWN(▼) buttons
are pressed, “BTTN” or “LEARN”(all command
deleting mode) is selected.
• Then “SEL” is flickering.
• If “SEL” goes off, start again from the above step ①.
4
While “SEL” is flickering, repeat the
above step ③ to erase other
commands.
• “OK” is displayed and then “SEL” is flickering.
Erasing all the commands
programmed under a device mode
1
2
Perform the steps ③ and ④ in
“Entering a setup code” procedure on
page 18 to select the deleting mode
(“DELETE”).
While “BTTN” is displayed, press the
CURSOR UP(▲)/DOWN(▼) buttons to
select the all command deleting mode
(“LEARN”), then press the ENTER
button.
• Then “BTTN” is displayed on the LCD screen
for several seconds.
3
While “SURE?” is displayed, press the
ENTER button
• Then “SURE?” is displayed .
• If “SURE?” goes off, start again from the
above step ①.
4
•Then all the commands programmed are erased.
21
To erase all the commands
programmed under other device mode,
repeat the above steps ① to ③ .
ENGLISH
Erasing the programmed command
from one button
ENGLISH
Programming a macro function
2
• The macro function enables you to program a
series of button operations(up to 15) on this
remote control into a single button.
• You can store up to three separate macro
command sequences into “M1”, “M2” and “M3”
buttons.
1
Perform the steps ③ and ④ in
“Entering a setup code” procedure on
page 18 to select the macro mode
(“MACRO”).
• Then “M1” is displayed on the LCD screen for
several seconds.
• During macro setting operation, pressing any of
the DEVICE buttons cannot exit from the macro
mode.
3
While “M1” is displayed, press the
CURSOR UP(▲)/DOWN(▼) buttons to
select the MACRO button to be
programmed into, then press the ENTER
button.
• Each time the CURSOR UP(▲)/DOWN(▼) buttons
are pressed, “M1”, “M2” or “M3” is selected.
• Then “SEL” is flickering.
• If “SEL” goes off, start again from the above
step ①.
While “SEL” is flickering, press the
operation buttons you want to program
in order.
4
Example: When playing a DVD on the DVD player
connected to VIDEO 2 jacks of this
receiver.
1. Press “AUDIO” button to control this receiver.
2. Press “POWER ON” button to turn this
receiver on.
3. Press “VIDEO 2(7)” button to select the
desired input source.
4. Press “DVD” button to control the DVD player.
5. Press “POWER ON” button to turn the DVD
player on.
6. Press “PLAY (▶)” button to start playback.
Press any of the MACRO buttons
(M1~M3) to complete the programming.
• Then “OK” is displayed.
To erase a macro program
• When erasing a macro program, perform the
above steps ①, ② and ④, but ignore the step ③.
To change a macro program
• When a new macro program is stored into a
MACRO button with performing the above steps
① to ④, the previous macro program is erased
from the memory of the MACRO button.
• Each time the operation buttons are pressed,
the programmed order is displayed.
Operating a macro function
Notes:
• The codes programmed into a MACRO button will
be transmitted at an interval of 0.5 seconds.
However, some components may not be able to
complete one operation in 0.5 seconds and may
miss the next code.
In this case, the macro function cannot control the
corresponding components correctly.
• Be sure to use the remote control within the
remote control operation range of the
components.
• Depending on the operation status of the
components, etc., the macro function cannot
control the corresponding components correctly.
• Aim the remote control at the REMOTE
SENSORs of the components to be controlled
and press the MACRO button you want.
Example: When pressing “M1” button.
22
2
• The punch-through function allows the volume
controls, channel controls or transport controls
to link to a different device while a device is
controlled with this remote control as a master
device.
• For example, since this receiver will likely be
used as the sound system while watching TV,
you may want to use volume controls to operate
this receiver although this remote control is set
to control the TV.
1
Perform the steps ③ and ④ in
“Entering a setup code” procedure on
page 18 to select a master device and
the punch -through mode (“PUNCH”).
• Each time the CURSOR UP(▲)/DOWN(▼)
buttons are pressed, the mode changes as
follows:
→ VOL : The volume punch -through mode
allows the “VOLUME ▲/▼” and
“MUTE” buttons to operate a different
device.
• Then “VOL” is displayed on the LCD screen for
several seconds.
3
While “VOL” is displayed, press the
CURSOR UP(▲)/DOWN(▼) buttons to
select the desired punch-through mode
, then press the ENTER button.
While the device is displayed, press the
CURSOR UP(▲)/DOWN(▼) buttons to
select the desired punch-through
device, then press the ENTER button.
DELETE : All punch-through deleting
mode.
PLAY : The transport punch-through mode
allows the “◀◀”, “●”, “▶▶”, “ ◀◀”, “ ”,
“▶▶ ”, “◀/ ” and “▶” buttons to
operate a different device.
→ CH : The channel punch-through mode
allows the “CHANNEL ∧/∨” and “CH.
LEVEL” buttons to operate a different
device.
• Each time the CURSOR UP(▲)/DOWN(▼)
buttons are pressed, depending on the selected
punch-through mode, punch-through devices
and the one punch-through deleting mode
(“DELETE”) are selected as follows :
• Then the device to which you can link the
selected punch-through mode is displayed.
4
• In case of the volume punch-through,
→ AUDIO
DELETE TV ←
• In case of the transport punch-through,
→ CD
DELETE DVD VCR AUX ←
• In case of the channel punch-through,
→ TV
DELETE SAT CABLE VCR ←
5
• Then “OK” is displayed and the current punchthrough mode is displayed.
23
While the punch-through mode is
displayed, repeat the above steps ②
and ③ to program other punch-through
function under the same master device
mode.
To program punch-through functions
under other master device mode,
repeat the above steps ① to ④.
ENGLISH
Programing a punch-through function
ENGLISH
Operating a punch-through function
• Then the punch-through device is displayed on
the LCD screen.
• While this remote control is set to control a
master device, aim the remote control at the
REMOTE SENSOR of the punch-through
device and press the desired button of the
programmed punch-through controls.
Example: When pressing “PLAY (▶)” button.
Erasing the programmed puch-through
function
1
2
Perform the steps ③ and ④ in
“Entering a setup code” procedure on
page 18 to select a master device and
the punch-through mode (“PUNCH”).
While “VOL” is displayed, press the
CURSOR UP(▲)/DOWN(▼) buttons to
select the punch-through mode to be
erased, then press the ENTER button.
• Then “VOL” is displayed on the LCD screen for
several seconds.
3
While the device is displayed, press
the CURSOR UP(▲)/DOWN(▼)
buttons to select the one punchthrough deleting mode(“DELETE”),
then press the ENTER button.
• Each time the CURSOR UP(▲)/DOWN(▼)
buttons are pressed, the mode changes as
follows:
→ VOL
DELETE PLAY CH ←
• Then the device is displayed .
4
• Each time the CURSOR UP(▲)/DOWN(▼)
buttons are pressed, depending on the
selected punch-through mode, the punchthrough devices and the deleting mode
(“DELETE”) are selected.
• Then “OK” is displayed and the current punchthrough mode is displayed .
5
24
While the punch-through mode is
displayed, repeat the above steps ②
and ③ to erase other punch-through
function under the same master device
mode.
To erase punch-through functions
under other master device mode,
repeat the above steps ① to ④.
1
Perform the steps ③ and ④ in
“Entering a setup code” procedure on
page 18 to select a master device and
the punch-through mode (“PUNCH”).
2
While “VOL” is displayed, press the
CURSOR UP(▲)/DOWN(▼) buttons to
select the all punch-through deleting
mode (“DELETE”).
• Then “VOL” is displayed on the LCD screen for
several seconds.
3
While “DELETE” is displayed, to erase
all the punch-through functions
programmed under the master device
mode, press ENTER button.
• Each time the CURSOR UP(▲)/DOWN(▼)
buttons are pressed, the mode changes as
follows:
→ VOL
DELETE PLAY CH ←
• Then “DELETE” is displayed .
4
• Then “OK” is displayed and “DELETE” is
displayed.
• To exit from the deleting mode, press any of the
DEVICE buttons.
25
To erase all the punch-through
functions programmed under other
master device mode , repeat the above
steps ① to ③.
ENGLISH
Erasing all the punch-through functions
programmed under a master device mode
ENGLISH
ROOM 2 Remote Controls
This remote control unit is an additional remote control unit for the ROOM 2 source playback only.
• You can use the ROOM 2 functions with this remote control unit more conveniently in another room than with
the universal remote control unit.
• For details on ROOM 2 operation, refer to "ROOM 2 SOURCE PLAYBACK" on page 43.
REMOTE CONTROL OPERATION RANGE
• Aim the ROOM 2 remote control(or the
universal remote control) at the IR receiver
installed in another room.(For details, refer to
“CONNECTING MULTI-ROOM SYSTEM KIT”
on page 12.)
• When you operate the ROOM 2 function in the
main room, aim the universal remote control
(or the ROOM 2 remote control) at the remote
sensor of this receiver.
LOADING BATTERY
1
Remove the cover.
2
Load the battery(CR2025) matching
the polarity.
• Remove the battery when it is not used for a long
time.
26
Notes:
• Before operating this receiver with the supplied remote control, refer to "Universal Remote Controls" on page 15
for details about operation.
• Before operating this receiver, first set this unit as desired for optimum performance, doing the OSD menu
setting procedures. (For details, refer to "OSD Menu Settings" on page 44.)
LISTENING TO A PROGRAM SOURCE
Select the desired input source.
3
Before operation
• Enter the standby mode.
• The POWER ON/STANDBY button
lights up in amber. This means that
the receiver is not disconnected from
the AC mains and a small amount of
current is retained to support the
operation readiness.
• To switch the power off, push the
POWER switch again.
Then the power is cut off and the POWER ON /
STANDBY button goes off.
1
• Each time the "AUDIO" button on the front panel
is pressed, the input source changes as follows:
→ CD → AUX → TAPE
In the standby mode, turn the power
on.
• Each time the "VIDEO" button on the front panel
is pressed, the input source changes as follows:
→ VIDEO 1 → VIDEO 2 → - - - → VIDEO 5
• Each time the FM/AM button is pressed, the
band changes as follows:
→ FM STEREO → FM MONO → AM
• Each time the POWER ON/STANDBY button on
the front panel is pressed, the receiver is turned on
to enter the operating mode (the POWER ON/
STANDBY button lights up in blue) or off to enter
the standby mode(the POWER ON/STANDBY
button lights up in amber).
• On the remote control, press the POWER ON
button to enter the operating mode or press the
STANDBY button to enter the standby mode.
• In the standby mode, if the INPUT SELECTOR
button is pressed, the receiver is turned on
automatically and the desired input is selected.
2
When selecting the EXTERNAL IN as desired,
Switch the desired front
speakers on.
• Depending on the power amplifier setting for the
surround back channels and the surround back
speaker setting, "EXT. IN" is displayed and 8(/7/6)
separate analog signals from the component
connected to this input pass through the tone and
volume circuits only and can be heard from your
speakers.
• Press the EXTERNAL IN button or select the
desired input source to cancel the external in
function.
• These analog signals can be heard only, not
recorded.
• Each time this button is pressed, the speaker
mode changes as follows and the sound can
be heard from the speakers connected to the
selected front speaker terminals:
• When using the headphones for private listening, select the
Off mode to switch off the front speakers and all the others.
27
ENGLISH
Operations
ENGLISH
When CD, AUX, VIDEO 1~ 5 is selected as an input source
4
Select the digital or the analog input connected as desired.
• Each time this button is pressed, the
corresponding input is selected as follows:
■Notes:
• When TUNER, TAPE or EXTERNAL IN is selected as an input source, the digital input cannot be selected.
• When the selected digital input is not connected, the “DIG.” indicator flickers and the analog input is
automatically selected.
• The selected digital or analog input is automatically assigned to the corresponding input source on the
INPUT SETUP menu. (For details, refer to "SETTING THE INPUT SETUP" on page 49.)
• The sound from the component connected to the selected digital input can be heard regardless of the
selected input source.
5
Operate the selected component for
playback.
Adjust the (overall) volume.
6
• When playing back the program sources with
surround sound, refer to “ENJOYING
SURROUND SOUND” on page 32.
Listening with headphones
Muting the sound
• "MUTE" flickers.
• To resume the previous sound level, press it again.
28
• Ensure that the SPEAKER button is set to off.
• Depending on the signal format which is being
input, you can listen in different Dolby
Headphone modes, stereo mode, etc. (For
details, refer to "Listening in a Dolby Headphone
mode" on page 33).
• When the EXTERNAL IN is selected as an input
source, only front left and front right channel
signals can be reproduced through the
headphones.
• The PURE AUDIO indicator lights up, the
fluorescent display goes off and all the videorelated circuits are turned off, meaning no video
signal transfer.
• When the pure audio is activated, the optimum
surround mode (or stereo mode, etc.) will be
automatically selected depending on the signal
format being input.
• Press this button again to cancel the pure audio
function.
29
ENGLISH
Achieving higher purity of sound quality
SURROUND SOUND
ENGLISH
• This receiver incorporates a sophisticated Digital Signal Processor that allows you to create optimum sound quality and sound
atmosphere in your personal Home Theater.
Surround modes
■DTS Digital Surround
• DTS Neo : 6 Cinema
This mode is optimum for playing movies. Decoding is
performed with emphasis on separation performance to
achieve the same atmosphere with 2-channel sources as with
6.1-channel sources.
DTS Digital Surround(also called simply DTS) is a multi-channel
digital signal format which can handle higher data rates. Discs
bearing the “
” include the recording of up to
5.1 channels of digital signals, which can be generally thought
to provide better sound quality due to the lower audio
compression required.
It also provides wide dynamic range and separation, resulting
in magnificent sound.
■DTS - ES Extended Surround™
(
• DTS Neo : 6 Music
This mode is suited mainly for playing music. The front left
and front right signals bypass the decoder and are played
directly so there is no loss of sound quality, and the effect of
the surround signals from the center, surround left, surround
right and surround back channels adds a natural sense of
expansion to the sound field.
)
This is a new multi channel digital signal format which greatly
improves the 360- degree surround impression and space
expression thanks to further expanded surround signals,
offering high compatibility with the conventional DTS format.
In addition to the 5.1 channels, DTS-ES Extended Surround
also offers the surround back (sometimes also referred to as
“surround center”) channel for surround playback with a total
of 6.1 channels. DTS-ES Extended Surround includes two
signal formats with different surround signal recording
methods as follows:
■DTS 96/24
Conventional surround formats used sampling frequencies of
48 or 44.1 kHz, so 20 kHz was about the maximum playback
signal frequency. With DTS 96/24, the sampling frequency is
increased to 96 or 88.2 kHz to achieve a wide frequency
range of over 40 kHz. In addition, this format has a resolution
of 24 bits, resulting in the same frequency band and dynamic
range as 96kHz / 24 bit PCM signals.
As with conventional DTS surround, DTS 96/24 is compatible
with a maximum of 5.1 channels. DTS 96/24 is fully
compatible with the conventional DTS surround format, so
DTS 96/24 sources can be played using a conventional DTS
5.1 channel decoder.
• DTS-ES™ Discrete 6.1
Because the signals for 6.1 channels (including the surround back
channel) are fully independent, it is possible to achieve a sense
that the acoustic image are moving about freely among the
background sounds surrounding the listener from 360 degrees.
Though maximum performance is achieved when sound
tracks recorded with this system are played using a DTS -ES
decoder, when played with a conventional DTS decoder, the
surround back channel signals are automatically downmixed
to the surround left and surround right channels so that none
of the signal components are lost.
“DTS”, “DTS-ES”, “Neo:6” and “DTS 96/24” are trademarks
of Digital Theater Systems, Inc.
■Dolby Digital
Dolby Digital is the multi- channel digital signal format
developed by Dolby Laboratories. Discs bearing the
“
” includes the recording of up to 5.1 channels of
• DTS - ES™ Matrix 6.1
With this format, the additional surround back channel
signals undergo matrix encoding and are input to the
surround left and surround right channels beforehand. During
playback, they are decoded to the surround left, surround
right and surround back channels.
Because the bit stream format is 100% compatible with
conventional DTS signals, the effect of the DTS-ES Matrix 6.1
format can be achieved even with DTS 5.1- channel signal
sources. Of course, it is possible to play DTS-ES Matrix 6.1 channel signal sources with a DTS 5.1 - channel decoder.
When DTS-ES Discrete 6.1 or Matrix 6.1 sources are decoded
with a DTS - ES decoder, the format is automatically detected
upon decoding and the optimum surround mode is selected.
However, some DTS - ES Matrix 6.1 sources may be detected
as DTS sources. In this case, the DTS - ES Matrix mode
should be selected manually to play these sources.
digital signals, which can reproduce much better sound
quality, spatial expansion and dynamic range characteristics
than the previous Dolby Surround effect.
■Dolby Digital EX
This mode creates the back (sometimes also referred to as
“surround center”) signals from the surround left and right
signals in Dolby Digital 5.1 channel source using a matrix
decoder and provides 6.1 channel surround playback. For the
best results, this mode should be selected during playback of
sources(bearing the “
”) recorded in Dolby Digital
EX. With this additional channel, you can experience more
dynamic and realistic moving sound especially.
When Dolby Digital EX sources are decoded with a Dolby
Digital EX decoder, the format is automatically detected upon
decoding and the Dolby Digital EX mode is selected.
However, some Dolby Digital EX sources may be detected as
Dolby Digital sources. In this case, the Dolby Digital EX mode
should be selected manually to play these sources.
DTS Neo : 6™ surround
This mode applies conventional 2-channel signals such as
digital PCM or analog stereo signals to the high precision digital
matrix decoder used for DTS-ES Matrix 6.1 to achieve 6.1channel surround playback. DTS Neo : 6 surround includes two
modes for selecting the optimum decoding for the signal source.
30
■Dolby Pro Logic IIx surround
• Dolby Virtual Speaker Wide
The width of the front sound image seems to extend beyond
the front speakers.
• Dolby Pro Logic IIx Movie
When enjoying movies, this mode allows you to further
enhance the cinematic quality by adding processing that
emphasizes the sounds of the action special effects.
■Dolby Headphone
The Dolby Headphone function simulates 5.1 channel
surround sound , which allows you to enjoy 5.1 channel
surround sound through 2 channel headphones, just like
listening from 5.1 channel speakers.
This mode is effective not only for 5.1 channel sources but
also for stereo ( 2 channel ) sources.
• Dolby Pro Logic IIx Music
When listening to music, this mode allows you to further
enhance the sound quality by adding processing that
emphasizes the musical effects.
Manufactured under license from Dolby Laboratories.
“Dolby”, “Pro Logic” and the double-D symbol are trademarks
of Dolby Laboratories.
• Dolby Pro Logic IIx Game
When playing games, this mode allows you to further
enhance the dynamic surround effects by adding processing
that emphasizes the surrounded and exciting sound.
• The following modes apply conventional 2-channel signals
such as digital PCM or analog stereo signals to high
performance Digital Signal Processor to recreate sound
fields artificially. Select one of the 3 provided surround
modes according to the program source you want to play.
■Dolby Pro Logic II surround
This mode applies conventional 2-channel signals such as
digital PCM or analog stereo signals as well as Dolby
Surround signals, etc. to surround processing to offer
improvements over conventional Dolby Pro Logic circuits.
Dolby Pro Logic II surround includes Dolby Pro Logic II Movie,
Dolby Pro Logic II Music and Dolby Pro Logic II Game like
Dolby Pro Logic IIx surround.
■Theater
This mode provides the effect of being in a movie theater
when watching a play.
■Hall
This mode provides the ambience of a concert hall for
classical music sources such as orchestral, chamber music or
an instrumental solo.
■Dolby Virtual Speaker
This mode creates a virtual surround sound field using as few
as two front speakers, allowing you to experience listening
from 5.1 channel speakers.
This mode is effective not only for 5.1 channel sources but
also for stereo(2 channel) sources.
Dolby VIrtual Speaker includes two listening mode as follows:
■Stadium
This mode provides the expansive sound field to achieve the
true stadium effect when watching baseball or soccer games.
• When using the EXTERNAL INs to play back the sound from the additional multi-channel decoder for surround sound, you can
enjoy the corresponding surround sound, too.( For details, refer to the operating instructions of the component to be
connected.)
For your reference, the sound from each channel can be reproduced according to the surround modes as follows:
Modes
Channels
FRONT L/R
CENTER
SURROUND L/R
SURROUND BACK L/R
SUBWOOFER
—
DTS, DTS 96/24
DTS ES DISCRETE/MATRIX
—(*)
DTS NEO: 6 CINEMA/MUSIC
—
DOLBY DIGITAL
DOLBY DIGITAL EX
DOLBY PRO LOGIC IIx MOVIE/MUSIC/GAME
DOLBY PRO LOGIC II MOVIE/MUSIC/GAME
—
DOLBY VIRTUAL SPEAKER
—
—(*)
Other Surrounds
STEREO
—(*)
—
—
—
—(*)
EXTERNAL IN
(*): Depending on the subwoofer setting, the sound from the subwoofer channel may be reproduced.
• Depending on the speaker settings and the number of the encoded channels, etc., the sound from the corresponding channels
cannot be reproduced.(For details, refer to "SETTING THE SPEAKER / ROOM EQ SETUP" on page 52.)
31
ENGLISH
• Dolby Virtual Speaker Reference
The width of the front sound image is defined by the actual
distance between front speakers.
Dolby Pro Logic IIx decodes all stereo (2 channel ) and 5.1
channel sources and extends to 7.1channel surround
playback. It delivers the most natural, full range and
immersing 7.1 channel listening experience. Dolby Pro Logic
IIx surround includes three modes as follows :
ENGLISH
ENJOYING SURROUND SOUND
Notes:
• Before surround playback, first perform the speaker setup procedure, etc. on the OSD menu for optimum performance.
(For details, refer to "SETTING THE SPEAKER/ROOM EQ SETUP" on page 52.)
• When playing digital signals from the Dolby Digital program source or selecting the surround mode such as Dolby Pro Logic II
/Dolby Pro Logic IIx Music, Dolby Headphone, Dolby Virtual Speaker modes, you can adjust their parameters for optimum
surround effect. (For details, refer to "SETTING THE SOUND PARAMETER" on page 61.)
• When the EXTERNAL IN is selected as an input source, the surround modes cannot be selected.
Depending on how to select a surround mode, select the auto surround mode or the manual surround mode.
• Each time this button is pressed, the mode changes as
follows :
Auto surround mode : The optimum surround mode will be
("AUTO" lights up.)
automatically selected depending on the signal
format being input.
Manual surround mode : You can select the desired of different
('AUTO" goes off.)
surround modes selectable for the signal
being input with using the MULTI
CONTROL knob or the SURROUND MODE
UP/DOWN ( ›/‹ ) buttons.
■Notes :
• When the SPEAKER button is set to off, the auto surround mode is invalid.
• Even when the auto surround mode is selected and the same type of digital signal format is being input,
the optimum surround mode may vary depending on whether the speaker type is set to "NONE" or not.
• When the auto surround mode is selected and the PCM (2 channel) digital signal or the analog stereo
signal is being input, only the stereo mode will be selected.
• When the auto surround mode is selected, the surround modes other than the optimum surround mode
cannot be selected.
■When selecting the manual surround mode with pressing the SURROUND MODE button on the front
panel.
Select the desired surround mode.
• Each time the MULTI CONTROL knob is rotated or
the SURROUND MODE UP / DOWN ( >/< ) buttons
are pressed, the surround mode changes depending
on the input signal format as follows :
Signal format being input
Dolby Digital EX 6.1 channel sources,
Dolby Digital 5.1 channel sources
Dolby Digital 2 channel sources
DTS ES Discrete/Matrix 6.1 channel
sources
DTS sources
DTS 96/24 sources
96 kHz PCM (2 channel) sources
PCM (2 channel) sources,
Analog stereo sources
Selectable surround mode
<DOLBY DIGITAL EX, DOLBY D + PLIIx MUSIC>, (DOLBY D + PLIIx MOVIE),
DOLBY DIGITAL, DOLBY VS REFERENCE, DOLBY VS WIDE
<DOLBY PLIIx MOVIE, DOLBY PLIIx MUSIC, DOLBY PLIIx GAME>, [DOLBY PLII MOVIE,
DOLBY PLII MUSIC, DOLBY PLII GAME], DOLBY VS REFERENCE, DOLBY VS WIDE
<corresponding DTS ES mode, DTS + PLIIx MUSIC>, (DTS + PLIIx MOVIE), DTS,
DOLBY VS REFERENCE, DOLBY VS WIDE
DTS, DOLBY VS REFERENCE, DOLBY VS WIDE, <DTS + NEO:6, DTS + PLIIx MUSIC>,
(DTS + PLIIx MOVIE)
DTS 96/24, DOLBY VS REFERENCE, DOLBY VS WIDE
<DOLBY PLIIx MOVIE, DOLBY PLIIx MUSIC, DOLBY PLIIx GAME>, [DOLBY PLII MOVIE,
DOLBY PLII MUSIC, DOLBY PLII GAME], NEO:6 CINEMA, NEO:6 MUSIC,
THEATER, HALL, STADIUM
<DOLBY PLIIx MOVIE, DOLBY PLIIx MUSIC, DOLBY PLIIx GAME>, [DOLBY PLII MOVIE,
DOLBY PLII MUSIC, DOLBY PLII GAME], DOLBY VS REFERENCE, DOLBY VS WIDE,
NEO:6 CINEMA, NEO:6 MUSIC, THEATER, HALL, STADIUM
• Depending on surround back speaker setting, some surround modes can be selected or not as follows:
< >: Possible only when surround back speaker is not set to "NONE".
[ ] : Possible only when surround back speaker is set to "NONE".
( ): Possible only when surround back speaker is set to " 2CH".
32
Continued
• Depending on the signal format which is being input, either the
stereo mode or the 2CH downmix mode is selected.
• To cancel either the stereo mode or the 2CH downmix mode,
select the surround mode with using the MULTI CONTROL knob
on the front panel or the SURROUND MODE UP/DOWN ( >/< )
buttons on the remote control.
2CH downmix mode
• This mode allows the multi-channel signals encoded in DTS or Dolby Digital format to be mixed down into 2 front
channels and to be reproduced through only two front speakers or through headphones.
• When the SPEAKER button is set to off to listen with headphones, if the STEREO button is pressed while playing
the multi-channel digital signals from DTS or Dolby Digital sources, it will enter the 2CH downmix mode
automatically.
• To cancel the 2CH downmix mode, select the desired Dolby Headphone mode with using the MULTI CONTROL
knob on the front panel or the SURROUND MODE UP/DOWN ( >/< ) buttons on the remote control.
Listening in a Dolby Headphone mode
• The Dolby Headphone function simulates 5.1 channel surround sound, which allows you to enjoy 5.1 channel
surround sound through 2 channel headphones, just like listening from 5.1 channel speakers.
Notes :
• Only when the SPEAKER button is set to off, the Dolby Headphone mode can be selected.
• When playing the 96 kHz PCM(2 channel) digital signals, only the stereo mode can be selected.
• While listening with headphones, select the desired Dolby Headphone mode.
• Each time the MULTI CONTROL knob is rotated or the SURROUND
MODE UP/DOWN ( >/< ) buttons are pressed, the mode changes as
follows :
: This simulates the soundfield as if you were in a relatively
small room with less reverberations.
: This simulates the soundfield as if you were in a typical
listening room with moderate reverberations.
: This simulates the soundfield as if you were in a large space
like theater.
Adjusting each channel level with test tone
• The volume level of each channel can be adjusted easily with the test tone function.
Note : When the SPEAKER button is set to off, the test tone function does not work.
Enter the test tone mode.
1
• The test tone will be heard from the speaker of each
channel for 2 seconds as follows:
Front Left
Subwoofer
Front Right
Surround Left
Surround Back
Surround Right
Surr.Back Left
Surr.Back Right
• When the speaker setting is "NONE" or "NO", the test tone
of the corresponding channel is not available.
• ( ) : Possible depending on whether the surround
back channel is set to "2 CH" or "1 CH".
2
At each channel, adjust the level as
desired until the sound level of each
speaker is heard to be equally loud.
Cancel the test tone function.
3
• You can select the desired channel with pressing the
CONTROL UP/DOWN (▲/ ▼) buttons or the
CURSOR UP/DOWN (▲/ ▼) buttons.
33
ENGLISH
To cancel the surround mode for stereo operation
ENGLISH
Adjusting the current channel level
• After adjusting each channel level with test tone, adjust the channel levels either according to the
program sources or to suit your tastes.
• You can adjust the current channel levels as desired. These adjusted levels are just memorized into
user’s memory ("CALIBRATE"), not into preset memory("REFERENCE 1", "REFERENCE 2").
1
Press the CHANNEL LEVEL button.
• Then the memory mode ("CALIBRATE" or
"REFERENCE 1") is displayed for several
seconds.
• When the memory mode or channel level
disappears, press this button again.
Select the desired channel.
2
• Each time these buttons are pressed, the corresponding
channel is selected as follows:
DTS LFE or Dolby Digital LFE
( ): Possible depending on whether the surround back channel is set to "2
CH" or "1 CH".
< >: Possible only when the digital signals from Dolby Digital or DTS
program sources that include LFE signal are input.
• Depending on the speaker settings("NONE" or "NO", etc.) and surround mode, etc., some channels cannot
be selected.
• When the SPEAKER button is set to off, only the Front Left and Front Right channels can be selected.
Adjust the level of the selected channel as desired.
3
4
• The LFE level can be adjusted within the range of
-10~0 dB and other channel levels within the
range of -15~+15 dB.
• In general, we recommend the LFE level to be
adjusted to 0 dB.(However, the recommended
LFE level for some early DTS software is -10 dB.)
If the recommended levels seem too high, lower
the setting as necessary.
Repeat the above steps ② and ③ to adjust each channel level.
34
Memorizing the adjusted channel levels
1
2
After performing the steps ①~④ in "Adjusting the current channel level" procedure on page 34,
press the (MEMORY/) ENTER button.
• The "1" of "REFERENCE 1" indication flickers for
several seconds.
Select the desired one of REFERENCE 1
and REFERENCE 2.
Confirm your selection.
3
• The adjusted channel levels have now been
memorized into the selected memory.
• If the preset memory disappears, perform the
above step ① again.
Recalling the memorized channel levels
Press the CHANNEL LEVEL button.
1
2
Select the desired one of REFERENCE 1
and REFERENCE 2.
• Then the channel levels memorized into the
selected preset memory are recalled.
• "REFERENCE 1" (or "CALIBRATE") is
displayed for several seconds.
• If the channel level mode display disappears,
press this button again.
35
ENGLISH
• You can memorize the adjusted channel levels into preset memory("REFERENCE 1", "REFERENCE 2")
and recall the memorized whenever you want.
ENGLISH
LISTENING TO RADIO BROADCASTS
Auto tuning
Select the desired band.
1
2
Press the TUNING UP(+)/DOWN(-)
buttons for more than 0.5 second.
• The tuner will now search until a station of
sufficient strength has been found. The display
shows the tuned frequency and "TUNED".
• If the station found is not the desired one, simply
repeat this operation.
• Weak stations are skipped during auto tuning.
• Each time this button is pressed, the band
changes as follows :
→ FM STEREO → FM MONO → AM
• When FM stereo broadcasts are poor because of
weak broadcast signals, select the FM mono
mode ("STEREO" goes off) to reduce the noise,
then FM broadcasts are reproduced in monaural
sound.
Manual tuning
Auto presetting
• Manual tuning is useful when you already
know the frequency of the desired station.
• After selecting the desired band, press the
TUNING UP(+) / DOWN(-) buttons repeatedly
until the right frequency has been reached.
• Auto presetting function automatically searches
for FM stations only and store them in the
memory.
• While listening to radio broadcasts, press and hold
down the MEMORY/ENTER button for more than
2 seconds.
• Then "AUTO MEMORY" flickers
and this receiver starts auto
presetting.
• Up to 30 FM stations can be
stored.
Notes:
• FM stations of weak strength
cannot be memorized.
• To memorize AM stations or weak stations, preform
"Manual presetting" procedure with using "Manual
tuning" operation.
36
Manual presetting
Press the MEMORY/ENTER button.
• You can store up to 30 preferred stations in the
memory.
ENGLISH
1
2
Tune in the desired station with auto or
manual tuning.
• "MEMORY" is flickering for several seconds.
3
Select the desired preset number (1~30)
and press the MEMORY/ENTER button.
4
Repeat the above steps ① to ③ to
memorize other stations.
MEMORY BACKUP FUNCTION
The following items, set before the receiver is
turned off, are memorized.
• INPUT SELECTOR settings
• Surround mode settings
• Preset stations,etc.
• The station has now been stored in the memory.
• A stored frequency is erased from the memory by
storing another frequency in its place.
• If "MEMORY" goes off, start again from the above
step ②.
Tuning to preset stations
Scanning preset stations in sequence
• After selecting the tuner as an input source, select
the desired preset number.
• The receiver will start scanning the stations in the
preset sequence and each station is received for 5
seconds.
• At the desired station, press this button again to
stop scanning.
37
RDS Tuner(Regional Option for some countries in Europe, etc.)
ENGLISH
LISTENING TO RDS BROADCASTS(FM ONLY)
RDS(Radio Data System) is a method for sending information signals together with the transmitter signals.
Your tuner is capable of translating these signals and putting the information on the display. These codes
contain the following informations. Program Service name(PS), A list of Program Types(PTY), Traffic
Announcement(TA), Clock Time(CT), Radio Text(RT).
Note :
• In the other countries, RDS tuner function cannot be available.
RDS search
• Use this function to automatically search and
receive the stations offering RDS services.
1
2
In the FM mode, select the RDS
search mode.
• The tuner automatically searches stations
offering RDS services and the station name is
displayed.
• If no other RDS station is found, "NO RDS" is
displayed.
• When "RDS SEARCH" is not displayed, repeat
again from the above step ①.
• Each time this button is pressed, the search
mode changes as follows;
→ RDS SEARCH → TP SEARCH → PTY SEARCH → OFF
TP search
While displaying "TP SEARCH".
2
• Use this function to automatically search and
receive the stations broadcasting the traffic
program.
1
While displaying "RDS SEARCH"
In the FM mode, select the TP search
mode.
• The tuner automatically searches for stations
broadcasting the traffic program.
• "NO TRAFFIC"is displayed if the signal is too
weak or there are no stations broadcasting the
traffic program.
• When "TP SEARCH" is not displayed, repeat
again from the above step ①.
• "TP SEARCH" is displayed.
38
• Use this function to automatically search and
receive the stations broadcasting the desired
program type.
1
2
While displaying "PTY SEARCH",
select the desired program type.
In the FM mode, select the PTY
search mode.
• Each time these buttons are pressed, one of 32
different types of programs is selected.
(NEWS, AFFAIRS, INFO, SPORT, EDUCATE,
DRAMA, CULTURE, SCIENCE, VARIED, POP
MUSIC, ROCK MUSIC, EASY MUSIC, LIGHT
MUSIC, CLASSICS, OTHER MUSIC, WEATHER,
FINANCE, CHILDREN, SOCIAL, RELIGION, PHONE
IN, TRAVEL, LEISURE, JAZZ, COUNTRY, NATION
MUSIC, OLDIES, FOLK MUSIC, DOCUMENT, TEST,
ALARM, NONE)
• "PTY SEARCH" is displayed.
• When "PTY SEARCH" is not displayed, repeat
again from the above step ①.
3
• The tuner automatically searches a station
offering PTY services.
• If no station is found, "NO PROGRAM" is
displayed.
DISPLAY
• In the FM mode,
• Each time the DISPLAY button is pressed, the
display mode changes as follows:
OFF
Program
→ (Surround → Service name →
mode, etc)
(PS)
Program
Clock
Radio
Type → Time → Text
(PTY)
(CT)
(RT)
• If the signals are too weak or no RDS service is
available, "NO NAME", "NO PTY", "NO TIME"
or "NO TEXT" will be displayed.
39
ENGLISH
PTY search
ENGLISH
RECORDING
• The analog signals from the EXTERNAL INs as well as the digital signals from the coaxial or optical digital input can be heard
but cannot be recorded.
• When recording the analog signals from CD, AUX, VIDEO 1~5, be sure to select the analog input.
(For details, refer to "When CD, AUX, VIDEO 1~5 is selected as an input source" on page 28.)
• The volume and tone (bass, treble) settings have no effect on the recording signals.
Recording with TAPE
1
Select the desired input as a recording
source except for TAPE.
Start recording on the TAPE.
2
Start play on the desired input.
3
Dubbing from video components onto
VIDEO 1
1
Start recording on the VIDEO 1.
2
Select the desired of VIDEO 2 ~ 5 as a
recording source except VIDEO 1.
Start play on the desired input.
3
• The audio and video signals from the desired
input will be dubbed onto the VIDEO 1 and you
can enjoy them on the TV set and from the
speakers.
Dubbing the audio and video signals
separately onto VIDEO 1
Example: When dubbing the VIDEO 2 video signal and
the CD audio signal separately onto VIDEO 1.
1
2
Select VIDEO 2 as a video recording
source.
40
Select CD as an audio recording
source.
4
3
Start play on the VIDEO 2 and the CD
respectively.
• The audio signal from the CD and the video
signal from the VIDEO 2 will be dubbed and
you can enjoy them on the TV set and from the
speakers.
Note : Be sure to observe the order of the
above steps ① and ②.
DIGITAL AUDIO RECORDING WITH MD RECORDER
• Only when the OPTICAL DIGITAL OUT of this receiver is connected to the OPTICAL DIGITAL IN of the MD recorder or CD
recorder, you can enjoy high-quality sound of digital recording without converting the original signals. Refer to "CONNECTING
VIDEO COMPONENTS", "CONNECTING AUDIO COMPONENTS" and "CONNECTING DIGITAL INS and OUT" on pages
5~7 and the operating instructions of the MD recorder or CD recorder.
Notes:
• Digital recording is available for the digital audio program sources such as CDs, MDs, some DVDs, etc.
• In most DVDs as well as some CDs, etc., digital recording may not be available depending on the signal format.
• There are some restrictions on recording digital signals. When making digital recordings, refer to the operating instructions of
your digital recording equipment to know what restrictions are imposed.
1
Select the desired of CD, AUX, VIDEO
1~5 as a recording source.
2
For digital recording, select the digital
input as recording signal input.
Note :
• When the digital signals are not input from the
selected digital input, there will be no recording.
(For details, refer to "When CD, AUX, VIDEO 1~ 5
is selected as an input source" on page 28 or
"When selecting the DIGITAL AUDIO" on page
49.)
3
Start play on the desired input.
Start recording on the component
connected to the OPTICAL DIGITAL
OUT.
4
41
ENGLISH
Start recording on the VIDEO 1.
ENGLISH
OTHER FUNCTIONS
Operating the sleep timer
Adjusting the brightness of the
fluorescent displays
• The sleep timer allows the system to continue
to operate for a specified period of time before
automatically shutting off.
• To set the receiver to automatically turn off
after the specified period of time.
• Each time this button is pressed, the
brightness of all fluorescent displays of
Sherwood components connected by the DIGI
LINK III changes together as follows:
• Each time this button is pressed, the sleep time
changes as follows:
→ ON → dimmer → OFF
→ 10 → 20 → 30 → --- → 90 → OFF
Unit : minutes
• In the display OFF mode, pressing any button
will cancel the display OFF mode for several
seconds to display the operation status.
• While operating the sleep timer, "
" lights up.
• When the sleep time is selected, all display
panels of Sherwood components connected by
the DIGI LINK III are dimly lit.
Displaying the audio information
• You can check the audio information of the input source other than tuner on your monitor TV.
• During playback,
• Depending on whether the input signal is digital or
analog signal, the corresponding information is
displayed for several seconds.
Example : When playing the digital signals from the
Dolby Digital source.
42
• This function allows enjoying one source in the main room and playing another in a different room at the same time.
• When you connect the multi-room system kit to the IR IN jack of this receiver, you can control this receiver with not only the
universal remote control unit but also the ROOM 2 remote control unit in a different room, too. (For details, refer to
"CONNECTING MULTI-ROOM SYSTEM KIT" on page 12 and "ROOM 2 Remote Controls" on page 26.)
Notes:
• The analog signals from the EXTERNAL INs and the digital signals cannot be output to the different room, meaning no
playback in a different room.
• You cannot play the ROOM 2 source in any surround mode.
■When using the buttons on the front panel.
■When using the buttons on the remote control unit.
Press the ROOM 2 button.
1
1
Press the ROOM 2 button to enter the
ROOM 2 mode.
• ROOM 2 ~ is displayed for several seconds.
• When the ROOM 2 setting mode disappears,
press the ROOM 2 button again.
• ROOM 2 ~ is displayed for several seconds.
• Each time this button is pressed, the ROOM 2 mode
changes as follows :
ON : To turn on the ROOM 2
function. ("
" lights up.)
OFF : To turn it off. ("
" or "
"
goes off depending on the AMP ASSIGN setting.)
Note :
• When the ROOM 2 mode is set to OFF, you cannot
adjust the ROOM 2 volume.
2
• Each time these buttons are pressed,
the mode changes as follows :
ROOM 2 ~
: To turn on or
(ROOM 2 mode) off the ROOM 2
function.
INPUT ~
: To select the desired
(ROOM 2 input)
ROOM 2 source.
Select the desired input as a ROOM 2 source.
2
VOLUME ~
: To adjust the volume on the power
(ROOM 2 volume) amplifier assigned to ROOM 2.
Note : When the ROOM 2 mode is set to OFF,
the ROOM 2 input and the ROOM 2 volume
cannot be selected
• Each time the INPUT button
on the universal remote
control unit is pressed, the
ROOM 2 input can be
selected among MAIN
source, TUNER, CD, AUX,
TAPE, VIDEO 1 ~ VIDEO 5.
3
Adjust the ROOM 2 volume.
3
• You can adjust the volume on the power amplifier
assigned to ROOM 2 when the SURROUND BACK/
ROOM 2 speaker terminals are connected to the
speakers in a different room. (For details, refer to "When
selecting the AMP ASSIGN" on page 46.)
• The MUTE button on the ROOM 2 remote control unit can
be available only when the ROOM 2 function is operating.
4
Select the desired mode while displaying
the ROOM 2 setting mode.
■When selecting the ROOM 2 mode.
ON : To turn on the ROOM 2 function.
("
" lights up.)
OFF : To turn it off. ("
" or "
" goes off
depending on the AMP ASSIGN setting.)
■When selecting the ROOM 2 input.
• You can select the desired among MAIN source,
TUNER, CD, AUX, TAPE, VIDEO 1 ~ VIDEO 5 as a
ROOM 2 source.
■When selecting the ROOM 2 volume.
• You can adjust the volume on the power amplifier
assigned to ROOM 2 when the SURROUND BACK/
ROOM 2 speaker terminals are connected to the
speakers in a different room. (For details, refer to "When
selecting the AMP ASSIGN" on page 46.)
4
Start play on the component related to the
ROOM 2 source.
Set the selected mode as
desired.
Start play on the component related to the
ROOM 2 source.
Notes:
• When the EXTERNAL IN is selected as a main input, if the MAIN source is selected as a ROOM 2 input, no audio signal
can be heard in the different room (ROOM 2).
• Even when this receiver enters the standby mode, in such a case that "
" lights up still and the POWER
ON/STANDBY button lights up in blue as it does in the operating mode, meaning only the ROOM 2 circuitry operates, the
ROOM 2 source can be played independently.
• When you do not use the ROOM 2 function, turn off the ROOM 2 function to save electricity.
43
ENGLISH
ROOM 2 SOURCE PLAYBACK
ENGLISH
OSD Menu Settings
• The OSD (On-Screen Display) menu is a setting menu that is displayed on the monitor TV and allows you to perform
the setup procedures easily. In most situations, you will only need to set this once during the installation and layout of
your home theater, and it rarely needs to be changed later.
The OSD menu consists of 6 main menus ; system setup, input setup, speaker / room EQ setup, CH level setup,
sound parameter and room 2 setup. These menus are then divided up into various sub-menus.
■Notes:
• The OSD menu and the momentary OSD cannot be diplayed via MONITOR HDMI OUT connector.
• Depending on the VIDEO MODE setting and the video connections between this receiver and the video
component, the OSD menu and the momentary OSD cannot be displayed via MONITOR COMPOSITE OUT jack,
or the picture is automatically turned off and only the OSD menu can be displayed via MONITOR COMPONENT
OUT jacks.
(For details, refer to "Relationship between the video input signal and the video output signal" on page 6.)
■Navigating through the OSD menu
• The explanations here assume you are using the buttons on the remote control when performing the OSD menu
operation. However, you can use the buttons on the front panel as well.
The buttons on the front panel correspond to those on the remote control as shown below.
Turn the menu screen on.
1
• The main menu will be shown.
• To turn the menu screen off, press this button again.
2
Select the desired menu using the CURSOR UP(▲)/DOWN(▼) buttons.
44
Confirm your selection.
ENGLISH
3
When selecting the SYSTEM SETUP
When selecting the INPUT SETUP
When selecting the SPEAKER /ROOM EQ SETUP
When selecting the CH LEVEL SETUP
When selecting the SOUND PARAMETER
When selecting the ROOM 2 SETUP
• For the setting details, see page in ⇨.
• Adjust the setting(s) in each setting category to your preference.
• When the OSD button is pressed on a sub-menu, the menu screen will be turned off.
45
SETTING THE SYSTEM SETUP
ENGLISH
• AMP ASSIGN : To assign the surround back channel's power
amplifier to ROOM 2 for ROOM 2 playbak.
• SUBWOOFER MODE : To select the desired subwoofer mode.
• TONE CONTROL : To adjust the tone (bass and treble) as
desired.
• CINEMA EQ : To select the desired cinema EQ mode.
• BACKGROUND : To select the desired background color of the
OSD menu.
• MOMENTARY OSD : To turn on or off the OSD that shows the
status corresponding to each operation
momentarily.
• OSD POSITION ADJUST : To adjust the positon of the
momentary OSD and the OSD menu.
When selecting the items other than OSD POSITION ADJUST
1
2
Press the CURSOR UP(▲)/DOWN(▼) buttons to select the desired item.
Press the CURSOR LEFT(◀)/RIGHT(▶) buttons to set the selected item as desired.
When selecting the AMP ASSIGN
• You should assign the power amplifier for the surround back/room 2 channels to ROOM 2 when the
SURROUND BACK/ROOM 2 speaker terminals are connected to the speakers installed in another room
for ROOM 2 playback. In this case, you need not use the power amplifier to drive the speakers
additionally. (For details on ROOM 2 connection, refer to "CONNECTING ROOM 2 OUTS" on page 11.)
SURR BACK : To use power amplifier for the surround back channels. ("
ROOM 2 : To use it for ROOM 2 playback. ("
" lights up.)
46
" goes off.)
Continued
• "SW PLUS+" mode is valid only when "FRONT" and "CENTER" are set to "LARGE" and "SUBWOOFER"
is set to "YES" on the SPEAKER/ROOM EQ SETUP menu. (For details, refer to "SETTING THE
SPEAKER/ ROOM EQ SETUP" on page 52.)
NORMAL : When the low frequency signals of channels set to "LARGE" are reproduced from those
channels only.
In this mode, the low frequency signals that are reproduced from the subwoofer channel
is only the low frequency signals of LFE (from the multi-channel sources that contains
LFE (Low Frequency Effects) channel, also called the ".1" channel) and the channels set to
"SMALL".
SW PLUS+ : When the low frequency signals of channels set to "LARGE" are reproduced
simultaneously from those channels and the subwoofer channel.
In this mode, the low frequency range expands more uniformly through the room, but
depending on the size and shape of the room, interference may result in a decrease of the
actual volume of the low frequency range.
When selecting the TONE CONTROL
OFF : To listen to a program source without the tone effect. ("TONE" goes off.)
ON : To adjust the tone for your taste. ("TONE" lights up.)
■When the TONE CONTROL is set to ON to adjust the tone (bass and treble)
1. Press the ENTER button to enter the tone adjustment mode.
2. Press the CURSOR UP(▲)/DOWN(▼) buttons to select the desired tone mode.
3. Press the CURSOR LEFT(◀)/RIGHT(▶) buttons to adjust the selected tone as desired.
• The tone level can be adjusted within the range of
-10 ~ +10 dB.
• In general, we recommend the bass and treble to
be adjusted to 0 dB (flat level).
• Extreme settings at high volume may damage
your speakers.
• To complete tone adjustment, repeat the above
steps 2 and 3.
47
ENGLISH
When selecting the SUBWOOFER MODE
When selecting the CINEMA EQ
ENGLISH
OFF : To turn off the cinema EQ function. ("CINEMA-EQ" goes off.)
ON : To compensate for edgy or shrill movie sound tracks. ("CINEMA-EQ" lights up.)
■Note : When the EXTERNAL IN is selected as an input source, the CINEMA EQ is automatically set to OFF.
When selecting the BACKGROUND
BLACK : To display the black as the color background of the OSD menu.
BLUE : To display the blue.
■Note : Only when no video signals are input into this unit, the selected background color will be displayed.
When selecting the MOMENTARY OSD
ON : To turn on the OSD function that shows the status corresponding to each operation on this unit
momentarily.
OFF : To turn it off.
■Note : When outputting the component video signal from the MONITOR COMPONENT OUT jacks as it was
input, the momentary OSD cannot be displayed.
When selecting the OSD POSITION ADJUST
• You can adjust the position of the momentary OSD and the OSD menu that are displayed on the
monitor TV.
1
2
Press the CURSOR UP(▲)/DOWN(▼) buttons to select the OSD POSITION ADJUST,
then press the ENTER button.
Press the CURSOR UP(▲)/DOWN(▼)/LEFT(◀)/RIGHT(▶) buttons to adjust the position of
the momentary OSD and the OSD menu as desired.
48
• This menu allows you to make the various settings
depending on how to use the input sources connected to
this receiver.
When selecting the items other than NAME
1
2
3
Press the CURSOR UP(▲)/DOWN(▼) buttons to select the desired input source, then press
the ENTER button.
Example: When selecting the VIDEO 1
Press the CURSOR UP(▲)/DOWN(▼) buttons to select the desired item.
■Note :
• Depending on the input source, some items other than
DC TRIGGER cannot be selected.
Press the CURSOR LEFT(◀)/RIGHT(▶) buttons to set the selected item as desired.
When selecting the DIGITAL AUDIO
• You should assign the connected DIGITAL INs to the desired of CD, AUX and VIDEO 1 ~ VIDEO 5.
(For details, refer to "CONNECTING DIGITAL INS and OUT" on page 7.)
• You can select the desired of OPT 1 ~ OPT 5, COAX1 ~ COAX 2 and ANAlog.
■Note :
• In such a case that a DIGITAL IN is assigned to two input sources or more, when these input sources are
selected, the digital audio signals can be heard from the same DIGITAL IN.
When selecting the VIDEO ASSIGN 1
• You should assign the connected HDMI INs to the desired of VIDEO 1 ~ VIDEO 5.
(For details, refer to "CONNECTING VIDEO COMPONENTS" on pages 5 ~ 6.)
• You can select HDMI 1 or HDMI 2.
■Note :
• In such a case that a HDMI IN is assigned to two input sources or more, when these input sources are
selected, the uncompressed digital video signals and audio signals can be output from the MONITOR HDMI
OUT of this receiver without passing through any circuits as they were input into the same HDMI IN.
49
ENGLISH
SETTING THE INPUT SETUP
Continued
ENGLISH
When selecting the VIDEO ASSIGN 2
• You should assign the connected COMPONENT VIDEO INs to the desired of VIDEO 1 ~ 5.
(For details, refer to "CONNECTING VIDEO COMPONENTS" on pages 5 ~ 6.)
• You can select the desired of COMP 1 ~ 3.
■Note :
• In such a case that a COMPONENT VIDEO IN is assigned to two input sources or more, when these input
sources are selected, the component video signals can be viewed from the same COMPONENT VIDEO IN.
When selecting the VIDEO MODE
• You can select the video input signal to be output from the MONITOR OUTs.
AUTO : When there are mutiple video input signals, the video input signals are detected and the video input signal to be
output from the MONITOR OUTs is selected automatically in the following order : component video, S-video,
composite video.
COMPOSITE : The signal that is input into the (COMPOSITE) VIDEO jack is always played. The composite video input
signal is up-converted and output from the S-VIDEO MONITOR OUT jack.
S-VIDEO : The signal that is input into the S-VIDEO jack is always played. The S-video input signal is down-converted
and output from the (COMPOSITE) VIDEO MONITOR OUT jack.
COMPONENT : The signals that are input into the COMPONENT jacks are always played.
Because video conversion is not performed, no video signals are output from the MONITOR
OUT jacks when there are no video signals that are input into the COMPONENT jacks.
• For details, refer to "Relationship between the video input signal and the video output signal" on page 6.
When selecting the AUTO SURROUND
• Depending on how to select a surround mode, you can select the auto surround mode or the manual
surround mode.
ON
: The optimum surround mode will be automatically selected depending on the signal
(Auto surround mode)
format being input.
OFF
(Manual surround mode)
: You can select the disired of different surround modes selectable for the signal being
input with using the MULTI CONTROL knob or the SURROUND MODE UP/DOWN
( >/< ) buttons. (For details, refer to "When selecting the manual surround mode with
pressing the SURROUND MODE button on the front panel" on page 32.)
■Notes :
• When the SPEAKER button is set to off, the auto surround mode is invalid.
• Even when the auto surround mode is selected and the same type of digital signal format is being input,
the optimum surround mode may vary depending on whether the speaker type is set to "NONE" or not.
• When the auto surround mode is selected and the PCM (2 channel) digital signal or the analog stereo
signal is being input, only the stereo mode will be selected.
• When the auto surround mode is selected, the surround modes other than the optimum surround mode
cannot be selected.
When selecting the REMASTER
• The remastering processes the input signal digitally and converts its digital sampling frequency to twice
the current frequency (88.2/96 kHz) for a more detailed sound reproduction.
ON : To process the input signal digitally and to convert its sampling frequency to 88.2/96 kHz for a more
detailed sound reproduction.
OFF : To turn off the remastering function.
■Note :
• The remastering function have no effect on the input digital signal from the 88.2/96 kHz source or higher
as well as the digital signal that is output from the OPTICAL DIGITAL OUT of this receiver.
When selecting the AV SYNC
• There may be a slight time delay between the video and audio signals in case that some video playback
equipments may process the video signals later than the audio signals due to signal processing
procedure, etc.. Should this happen, you can adjust the time delay of audio signals to synchronize the
sound with the picture.
• The time delay can be adjusted within the range of 0 ~ 200 msec.
50
• To turn on the component connected to the DC TRIGGER OUT jack when this input source is selected,
you should set the DC TRIGGER to ON for this input source.
OFF : To turn off the DC trigger function.
ON: To turn it on.
• For details, refer to "CONNECTING DC TRIGGER OUT" on page 8.
When selecting the NAME
• You can give names to the input sources other than tuner.
• Up to 7 characters can be entered for each name.
1
2
Press the CURSOR UP(▲)/DOWN(▼) buttons to select the desired input source, then
press the ENTER button.
Example: When selecting the VIDEO 1
Press the CURSOR UP(▲)/DOWN(▼) buttons to select the NAME, then press the ENTER button.
• The first digit flickers.
3
Press the CURSOR LEFT(◀)/ RIGHT(▶)
buttons to select the desired digit.
4
Press the CURSOR UP(▲)/DOWN(▼)
buttons to enter the desired character on
the flickering digit.
• You can enter the desired among blank, A ~ Z,
a ~ z, 0 ~ 9, (, ), , +, , , -, ., /.
• Then the selected digit will flicker.
5
Repeat the above steps ③ and ④ to enter the desired characters on the rest of the digits.
6
Confirm your entry.
• The name is stored in the memory.
■To resume its factory input source name.
• Make a blank on each digit and press the ENTER
button.
51
ENGLISH
When selecting the DC TRIGGER
ENGLISH
SETTING THE SPEAKER / ROOM EQ SETUP
• After you have installed this receiver and connected all the components, you should adjust the speaker settings for the
optimum sound acoustics according to your environment and speaker layout.
• Even when you change speakers, speaker positions, or the layout of your listening environment, you should adjust the
speaker settings, too.
• When performing the AUTO SETUP procedure, you need not perform the SPEAKER CONFIGURATION, SPEAKER
DISTANCE, SPEAKER CROSSOVER and CH LEVEL SETUP procedures.
• AUTO SETUP : To set the speaker setup and channel level setup
automatically.
• SPEAKER CONFIGURATION : To select the sizes of the speakers that
are connected.
• SPEAKER DISTANCE: To enter the distance between the listening
position and each speaker to set the delay time
automatically for optimum surround playback.
• SPEAKER CROSSOVER : To select the desired crossover frequency.
• ROOM EQ : To turn on or off the room EQ.
When selecting the AUTO SETUP
• Auto Setup lets you avoid troublesome listening-based speaker setup and achieve good surround sound.
Auto Setup has the feature that provides the optimum listening environment at two main listening
positions in your room, where there are often multiple listeners viewing programs together.
You should connect the supplied microphone to the SETUP MIC jack so that this receiver can analyze the
information from a series of test tones emitted from speakers at two main listening positions and can
adjust the size, distance, sound level, crossover frequency and frequency response of each speaker
automatically.
For optimum effectiveness, move the microphone from first position to second position within the listening
area surrounded by the speakers while performing the auto setup.
About the first listening position
The first listening position is the point where a listener sits most often or the listening position when only
one person is listening. Measurements start from this point.
• If you want to personalize your speaker setup and channel level setup by making the settings manually,
perform the "When selecting the SPEAKER CONFIGURATION" on page 54, "When selecting the
SPEAKER DISTANCE" on page 56, "When selecting the SPEAKER CROSSOVER" on page 57,
"Adjusting each channel level with test tone" on page 33 and "Adjusting the current channel level" on
page 34.
• After the auto setup has been completed, set the room EQ mode as desired. (For details, refer to "When
selecting the ROOM EQ" on page 58.)
Preparations
1. Check that the speakers are securely connected
to this receiver.
• If your subwoofer has adjustable volume and
crossover frequency, set the volume halfway
and set the crossover frequency to the
maximum or the low pass filter off.
2. Connect the supplied microphone to the SETUP
MIC jack on the front panel.(For details, refer to
"SETUP MIC JACK" on page 14.)
■Notes :
• Because the microphone for Auto Setup is
designed for use with this receiver, to use the auto
setup function, do not use a microphone other than
the one supplied with this receiver.
• After you have completed the auto setup
procedure, disconnect the microphone.
Place the microphone on a flat level surface at the first main listening position.
1
• If possible, use a tripod, etc. to attach the microphone at the same height as your ears would be when
you are seated in your listening position.
• Ensure there are no obstacles between the speakers and the microphone.
52
Continued
ENGLISH
2
Press the CURSOR UP(▲)/DOWN(▼) buttons to select the AUTO SETUP, then press the
ENTER button.
3
Press the CURSOR UP(▲)/DOWN(▼) buttons to select the START, then press the ENTER
button
When measurements at first position have been completed.
• Loud test tones are output from each speaker and then if measurements at the first position have been completed,
"SECOND POSITION" message will be displayed.
Place the microphone on a flat level at the second main listening position.
4
• For optimum effectiveness, place the microphone at the second main position within the listening area surrounded by
the speakers.
5
Press the CURSOR UP(▲)/DOWN(▼) buttons to select "CONTINUE", then press the ENTER
button
When the auto setup has been completed.
• Loud test tones are output again successively and then if a series of auto setup procedure has been completed,
"COMPLETE" will be displayed.
• To stop the auto setup procedure while performing it, (press the CURSOR UP(▲)/DOWN(▼) buttons to select
"CANCEL THE AUTO SETUP",) then press the ENTER button.
In such a case that the auto setup procedure is stopped before "COMPLETE", the results of each adjustment may
not be memorized.
• If there may be a problem with front speakers or microphone connection, error message will be displayed. In this case,
turn off the power, check the connection and then retry the auto setup procedure.
■Notes :
• Before starting auto setup, be sure not to set the SPEAKER button to off.
• Because the test tones are loud, ensure there no infants or small children in the room.
• For best results, ensure the room is as quiet as possible during the auto setup procedure.
If there is too much ambient noise, the results may not be satisfactory.
53
Continued
To check the results, press the ENTER button.
ENGLISH
6
• Then the results are memorized and the
SPEAKER/ROOM EQ SETUP menu is displayed.
• Check the results on each setup menu(SPEKER
CONFIGURATION menu below, SPEAKER
DISTANCE menu on page 56, SPEAKER
CROSSOVER menu on page 57 and CH LEVEL
SETUP menu for "CALIBRATE" mode on page 59).
• If the results are not satisfactory, you can retry the
auto setup procedure or personalize your speaker
setup and channel level setup by making the
settings manually. (For details, refer to "When
selecting the SPEAKER CONFIGURATION" below,
"When selecting the SPEAKER DISTANCE" on
page 56, "When selecting the SPEAKER
CROSSOVER" on page 57, "Adjusting each
channel level with test tone" on page 33 and
"Adjusting the current channel level" on page 34.)
When selecting the SPEAKER CONFIGURATION
1
2
Press the CURSOR UP(▲)/DOWN(▼) buttons to select the SPEAKER CONFIGURATION,
then press the ENTER button.
Press the CURSOR UP(▲)/DOWN(▼) buttons to select the desired speaker.
54
Continued
• Depending on your speaker type, you can select one of these
following speaker types.
LARGE: Select this when connecting speakers that can fully
reproduce sounds below crossover frequency.
SMALL: Select this when connecting speakers that can not fully
reproduce sounds below crossover frequency. When this is
selected, sounds below crossover frequency are sent to the
subwoofer or speakers which are set to LARGE(when not
using a subwoofer)
NONE: Select this when no speakers are connected. When this is
selected, sounds are sent to the speakers which are not set to
NONE.
2CH/1CH: Select the desired depending on the number of surround
back speakers.
YES/NO: Select the desired depending on whether a subwoofer is
connected or not.
Notes :
• When speakers are set to "SMALL", you should set their crossover frequency correctly according to their
frequency characteristics. (For details, refer to "When selecting the SPEAKER CROSSOVER" on page 57.)
• When the "FRONT" is set to "SMALL", "CENTER", "SURROUND", "SURR BACK" cannot be set to
"LARGE" and "SUBWOOFER" is automatically set to "YES".
• When the "SURROUND" is set to "SMALL", "SURR BACK" cannot be set to "LARGE".
• When the power amplifier for surround back/room 2 channels is assigned to "ROOM 2", the "SURR BACK"
cannot be selected. (For details, refer to "When selecting the AMP ASSIGN" on page 46.)
When setting the speaker size by performing the auto setup.
If the speakers may not be detected properly because of incorrect connection, measurement environment,
or other factors, the speakers are set as follows :
• When a pair of speakers such as front, surround or surround back speakers are detected differently (i.e,
one is detected as "LARGE", the other as "SMALL"), both are automatically set to "SMALL".
• When only one surround speaker is detected, both are automatically set to "NONE".
• When only the surround back right speaker is detected, both are automatically set to "NONE".
In this case, connect that speaker to the SURROUND BACK/ROOM 2 LEFT speaker terminals and retry
the auto setup, then it will be automatically set to "1CH".
4
Repeat the above steps ② and ③ until the speakers are all set to the desired mode.
About the speaker size
• Select "LARGE" or "SMALL" not according to the actual size of the speaker but according to the speaker's
capacity for playing low frequency (bass sound below frequency set on the SPEAKER CROSSOVER
menu) signals.
• If you do not know, try comparing the sound at both settings (setting the volume to a level low enough so
as not to damage the speakers) to determine the proper setting.
• When setting the speaker size by performing the auto setup, depending on whether the measured
crossover frequency of each speaker is lower or higher than 80 Hz, its size is automatically set to "LARGE"
or "SMALL". (For details, refer to "When selecting the SPEAKER CROSSOVER" on page 57.)
55
ENGLISH
3
Press the CURSOR LEFT(◀)/ RIGHT(▶) buttons to set the selected speaker as desired.
ENGLISH
When selecting the SPEAKER DISTANCE
1
2
3
4
Press the CURSOR UP(▲)/DOWN(▼) buttons to select the SPEAKER DISTANCE, then
press the ENTER button.
Press the CURSOR UP(▲)/DOWN(▼) buttons to select the desired item.
Note :
• You cannot select the subwoofer and the speakers
set to "NONE".
Press the CURSOR LEFT(◀)/RIGHT(▶) buttons to set the selected item as desired.
When selecting the desired unit
• You can select either METERS or FEET.
• Once a unit is selected, the distances are
automatically changed in the selected unit.
When setting the distance
• You can set the distance within the range of 0.1 ~
9.0 meters in 0.1 meter intervals (or 0.5 ~ 30 feet in
0.5 feet intervals).
Repeat the above steps ② and ③ until the distances are all set as desired.
About the speaker distance
When enjoying multi-channel surround playback with Dolby Digital and DTS sources, etc., it is ideal that the
center, surround and surround back speakers should be the same distance from the main listening position
as the front speakers. By entering the distance between the listening position and each speaker, the delay
times of center, surround and surround back speakers are automatically adjusted to create an ideal listening
environment virtually as if the center, surround and surround back speakers were at their ideal locations
respectively.
56
When selecting the SPEAKER CROSSOVER
1
2
Press the CURSOR UP(▲)/DOWN(▼) buttons to select the SPEAKER CROSSOVER, then
press the ENTER button.
Press the CURSOR UP(▲)/DOWN(▼) buttons to select the desired speaker.
Note :
• You cannot select the subwoofer and the speakers
set to "NONE".
3
Press the CURSOR LEFT(◀)/RIGHT(▶) buttons to set the crossover frequency as desired.
• You can adjust the crossover frequency within
the range of 40 ~ 200 Hz in 10 Hz intervals.
4
Repeat the above steps ② and ③ until the crossover frequencies are all set as desired.
About the crossover frequency
• When speakers are set to "SMALL", low frequencies in those channels that are below the crossover
frequency are to output from subwoofer or front speakers which are set to LARGE(when not using a
subwoofer).
• Refer to the operating instructions of the speakers to be connected. If the frequency range of your speaker
is 100 Hz~20 kHz, the crossover frequency should be set to 100 Hz(or slightly higher).
57
ENGLISH
• When speakers are set to "SMALL", be sure to set their crossover frequency correctly according to
their frequency characteristics.
ENGLISH
When selecting the ROOM EQ
• The room EQ is a kind of room equalizer for your speakers. According to the acoustic characteristics of
your room measured by the auto setup, the room EQ automatically adjusts the frequency response of
your speakers.
• If you use different brands or sizes of speakers for some channels or have a room with unique acoustic
characteristics, such as walls, furniture, and the dimensions or the shape of the room, we recommend
using the room EQ.
■Note :
• To use the room EQ, first you should finish measuring the acoustic characteristics of your room
performing the auto setup.
(For details, refer to "When selecting the AUTO SETUP" on page 52.)
1
2
Press the CURSOR UP(▲)/DOWN(▼) buttons to select the ROOM EQ.
Press the CURSOR LEFT(◀)/RIGHT(▶) buttons to select the desired room EQ mode.
ON : When turning on the room EQ.
OFF : When turning it off.
58
SETTING THE CH LEVEL SETUP
ENGLISH
Memory mode
■Note :
• Depending on the speaker settings("NONE" or "NO", etc.), some channels cannot be selected.
Adjusting the current channel level
• You can adjust the current channel levels as desired. These adjusted levels are just memorized into
user’s memory("CALIBRATE"), not into preset memory("REFERENCE 1", "REFERENCE 2").
• After adjusting each channel level with test tone, adjust the channel levels either according to the
program sources or to suit your tastes.(For details, refer to "Adjusting each channel level with test tone"
on page 33.)
1
Press the CURSOR UP(▲)/DOWN(▼) buttons to select the desired channel.
■When adjusting the LFE LEVEL
1. Press the CURSOR UP(▲)/DOWN(▼)buttons to select the LFE LEVEL SETUP, then press the ENTER
button.
2. Press the CURSOR UP(▲)/DOWN(▼) buttons to select the desired program source.
2
3
Press the CURSOR LEFT(◀)/RIGHT(▶) buttons to adjust the level of the selected channel or
program source's LFE as desired.
• The LFE level can be adjusted within the range of
-10 ~ 0 dB and other channel levels within the
range of -15 ~ +15 dB
• In general, we recommend the LFE level to be
adjusted to 0 dB.(However, the recommended LFE
level for some early DTS software is -10 dB.) If the
recommended levels seem too high, lower setting
as necessary.
Repeat the above steps ① and ② to adjust each channel level.
59
Memorizing the adjusted channel levels
ENGLISH
• You can memorize the adjusted channel levels into preset memory("REFERENCE 1", "REFERENCE 2")
and recall the memorized whenever you want.
1
After performing the steps ①~③ in "Adjusting the current channel level" procedure on page 59,
press the CURSOR UP(▲)/DOWN(▼) buttons to select a channel (, not the MODE (memory
mode) and the LFE LEVEL SETUP), then press the ENTER button.
• The "REFERENCE 1" indication flickers.
2
Press the CURSOR LEFT(◀)/RIGHT(▶) buttons to select the desired preset memory,
then press the ENTER button.
• Each time the CURSOR LEFT(◀) or RIGHT(▶)
button is pressed, "REFERENCE 1" or
"REFERENCE 2" is selected.
• The adjusted channel levels have now been
memorized into the selected memory.
Recalling the memorized channel levels
1
Press the CURSOR UP(▲)/DOWN(▼) buttons to select the MODE(memory mode).
• "CALIBRATE" may be displayed instead of
"REFERENCE 1" or "REFERENCE 2".
2
Press the CURSOR LEFT(◀)/ RIGHT(▶) buttons to select the desired one of REFERENCE 1
and REFERENCE 2.
• Then the channel levels memorized into the
selected preset memory are recalled.
60
• NIGHT MODE : To adjust the dynamic range compression that
makes faint sound easier to hear at low volume
levels.
• DOLBY PLII MUSIC : To adjust the various surround
parameters for optimum surround effect.
• DOLBY HEADPHONE : To select the desired listening mode for
each Dolby Headphone mode.
• DOLBY VIRTUAL SPEAKER : To select the speaker layout to be
used actually for each Dolby
Virtual Speaker mode.
When selecting the NIGHT MODE
• This function compresses the dynamic range of previously specified parts of the Dolby Digital sound
track (with extremely high volume) to minimize the difference in volume between the specified and nonspecified parts.
This makes it easy to hear all of the sound track when watching movies at night at low levels.
Notes:
• The night mode setting is valid only when the digital signals from the Dolby Digital program source are
being input.
• In some Dolby Digital softwares, the night mode setting may not be valid.
1
2
Press the CURSOR UP(▲)/DOWN(▼) buttons to select the NIGHT MODE, then press the
ENTER button.
Press the CURSOR LEFT(◀)/ RIGHT(▶) buttons to adjust the dynamic range compression as
desired.
0.0 (MIN)
0.1
Lower compression
0.2
:
:
:
0.9
Higher compression
1.0 (MAX)
61
ENGLISH
SETTING THE SOUND PARAMETER
ENGLISH
When selecting the DOLBY PLII MUSIC
• You can adjust the various surround parameters for optimum surround effect.
Note:
• The parameter settings are valid only when listening in either Dolby Pro Logic II Music mode or the
Dolby Pro Logic IIx Music mode.
1
2
3
Press the CURSOR UP(▲)/DOWN(▼) buttons to select the DOLBY PLII MUSIC, then press
the ENTER button.
Press the CURSOR UP(▲)/DOWN(▼) buttons to select the desired parameter.
Press the CURSOR LEFT(◀)/ RIGHT(▶) buttons to adjust the selected parameter as desired.
When selecting the PANORAMA mode
This mode extends the front stereo image to include
the surround speakers for an exciting "wraparound"
effect with side wall imaging. Select "OFF" or
"ON"(default value:OFF).
When selecting the CENTER WIDTH control
This adjusts the center image so it may be heard only
from the center speaker, only from the left/right
speakers as a phantom image, or from all three front
speakers to varying degrees.
The control can be set in 8 steps from 0 to 7(default
value : 3).
When selecting the DIMENSION control
This gradually adjusts the soundfield either towards
the front or towards the rear. The control can be set in
7 steps from -3 to +3(default value : 0).
4
Repeat the above steps ② and ③ to adjust other parameters.
62
• You can select the desired listening mode for each Dolby Headphone mode.
Note:
• The listening mode setting is valid only when playing analog stereo, PCM 2 channel or Dolby Digital 2
channel source.
1
2
3
Press the CURSOR UP(▲)/DOWN(▼) buttons to select the DOLBY HEADPHONE, then
press the ENTER button.
Press the CURSOR UP(▲)/DOWN(▼) buttons to select the desired Dolby Headphone mode.
Press the CURSOR LEFT(◀)/ RIGHT(▶) buttons to select the desired listening mode.
MOVIE : This provides the surround effect suitable
for movie sources.
MUSIC 1 : This provides the surround effect suitable
for music sources.
MUSIC 2 : This provides less surround effect
compared to MUSIC 1 mode.
4
Repeat the above steps ② and ③ to select the desired listening modes for other Dolby
Headphone modes.
63
ENGLISH
When selecting the DOLBY HEADPHONE
ENGLISH
When selecting the DOLBY VIRTUAL SPEAKER
• You can select the speaker layout to be used actually for each Dolby Virtual Speaker mode.
Note:
• The speaker layout settings are valid only when listening in a Dolby Virtual Speaker mode.
1
2
3
Press the CURSOR UP(▲)/DOWN(▼) buttons to select the DOLBY VIRTUAL SPEAKER,
then press the ENTER button.
Press the CURSOR UP(▲)/DOWN(▼) buttons to select the desired Dolby Virtual Speaker mode.
Press the CURSOR LEFT(◀)/RIGHT(▶) buttons to select the desired speaker layout.
When selecting the Dolby Virtual Speaker Reference
mode
2 SPK : When using 2 front speakers only.
3 SPK : When using 2 front and center speakers.
When selecting the Dolby Virtual Speaker Wide mode
2 SPK : When using 2 front speakers only.
3 SPK : When using 2 front and center speakers.
4 SPK : When using 2 front and 2 surround speakers.
5 SPK : When using 2 front, center and 2 surround speakers.
Note:
• When the speakers are set to "NONE", the corresponding speaker layouts cannot be selected.
4
Repeat the above steps ② and ③ to select the desired speaker layout for another Dolby
Virtual Speaker mode.
64
SETTING THE ROOM 2 SETUP
• ROOM 2 : To turn on or off the ROOM 2 function.
• INPUT : To select the desired ROOM 2 source.
• VOLUME : To adjust the volume on the power
amplifier assigned to ROOM 2.
Notes:
• The analog signals from the EXTERNAL INs and the digital signals cannot be output to the different
room, meaning no playback in a different room.
• You cannot play the ROOM 2 source in any surround mode.
1
2
Press the CURSOR UP(▲)/DOWN(▼) buttons to select the desired item.
Note:
• The VOLUME cannot be adjusted when the AMP
ASSIGN is assigned to SURR BACK.
(For details, refer to "When selecting the AMP
ASSIGN" on page 46.)
Press the CURSOR LEFT(◀)/RIGHT(▶) buttons to set the selected item as desired.
When selecting the ROOM 2
OFF : To turn off the ROOM 2 function.
↕
ON : To turn it on.
Notes:
• When the ROOM 2 is set to OFF, the INPUT and the VOLUME cannot be selected.
• When you do not use the ROOM 2 function, set the ROOM 2 to OFF to save electricity.
When selecting the INPUT
• You can select the desired among MAIN source, TUNER, CD, AUX, TAPE, VIDEO 1 ~ VIDEO 5 as a
ROOM 2 source.
Note:
• When the EXTERNAL IN is selected as a main input, if the MAIN source is selected as a ROOM 2 input,
no audio signal can be heard in the different room (ROOM 2).
When selecting the VOLUME
• You can adjust the volume on the power amplifier assigned to ROOM 2 when the SURROUND BACK/
ROOM 2 speaker terminals are connected to the speakers in a different room.
Note:
• You can adjust the VOLUME only when the power amplifier for surround back/room 2 channels is
assigned to "ROOM 2". (For details, refer to "When selecting the AMP ASSIGN" on page 46.)
65
ENGLISH
• The ROOM 2 function allows enjoying one source in the main room while playing another in a different
room at the same time.
ENGLISH
Troubleshooting Guide
If a fault occurs, run through the table below before taking your receiver for repair.
If the fault persists, attempt to solve it by switching the receiver off and on again. If this fails to resolve the situation, consult your
dealer. Under no circumstances should you attempt to repair the receiver yourself. This could void the warranty.
PROBLEM
POSSIBLE CAUSE
REMEDY
No power
• The AC input cord is disconnected.
• Poor connection at AC wall outlet or the outlet is
dead or off.
• Connect cord securely.
• Check the outlet using a lamp or another
appliance.
No sound
• The speaker wires are disconnected.
• The master volume is adjusted too low.
• The MUTE button is pressed to ON.
• Incorrect selection of input source.
• Incorrect connections between the components.
• Check the speaker connections.
• Adjust the master volume.
• Press the MUTE button to cancel the muting effect.
• Select the desired input source correctly.
• Make connections correctly.
No sound from the surround
speakers
• Surround mode is switched off(stereo mode).
• Master volume and surround level are too low.
• Monaural source is used.
• Surround speaker setting is "NONE".
• Select a surround mode.
• Adjust master volume and surround level.
• Select a stereo or surround source.
• Select the desired surround speaker setting.
No sound from the center
speaker
• Dolby Virtual Speaker, stereo mode, etc is
selected.
• Center speaker setting is "NONE".
• Master volume and center level are too low.
• Select the desired surround mode.
• The input signal format or the current surround
mode cannot support the 7.1(or 6.1) surround.
• Master volume and surround back level are too low.
• Surround back speaker setting is "NONE".
• Under the proper situations, perform the 7.1(or
6.1) surround playback.(For details, refer to
"ENJOYING SURROUND SOUND" on page 32.)
• Assign the power amplifier to the surround back
channels.(For details, refer to "When selecting
the AMP ASSIGN"on page 46.)
• Adjust master volume and surround back level.
• Select the desired surround back speaker setting.
Stations cannot be received
• No antenna is connected.
• The desired station frequency is not tuned in.
• Antenna is in wrong position.
• Connect an antenna.
• Tune in the desired station frequency.
• Move antenna and retry tuning.
Preset stations cannot be
received
• An incorrect station frequency has been memorized.
• The memorized stations are cleared.
• Memorize the correct station frequency.
• Memorize the stations again.
Poor FM reception
• No antenna is connected.
• The antenna is not positioned for the best reception.
• Connect an antenna.
• Change the position of the antenna.
Continuous hissing noise during
FM reception, especially when a
stereo broadcast is received.
• Weak signals.
• Change the position of the antenna.
• Install an outdoor FM antenna.
Continuous or intermittent hissing
noise during AM reception,
especially at night.
• Noise is caused by motors, fluorescent lamps or
lightning, etc.
• Keep the receiver away from noise sources.
Remote control unit does not
operate.
• Batteries are not loaded or exhausted.
• The remote sensor is obstructed.
• Replace the batteries.
• Remove the obstacle.
Other Sherwood components do
not react to remote control
commands.
• DIGI LINK connections are not made properly.
• Make proper DIGI LINK connections.
OSD function is not available.
• Video connections between this unit and the
monitor TV are not made correctly.
• Make proper video connections.
No sound from the surround back
speakers
• The power amplifier for the surround back/room 2
channels is assigned to the ROOM 2.
• Select the desired center speaker setting.
• Adjust master volume and center level.
• Install an outdoor AM antenna.
66
AMPLIFIER SECTION
• Power output, stereo mode, 8 ,Ω THD 0.08 %, 20 Hz~20 kHz .................................................................... .............. 2×100 W
• Total harmonic distortion, 8 Ω, 95 W, 1 kHz ................................................................................. .................................... 0.05%
• Intermodulation distortion
60 Hz : 7 kHz= 4 : 1 SMPTE, 8 Ω, 95 W ........................................................................................ .............................. 0.1%
• Input sensitivity/impedance
Line (CD, TAPE, VIDEO) ............................................................................................................................... 200 mV/47kΩ
• Signal to noise ratio, IHF "A" weighted
Line (CD, TAPE, VIDEO) .......................................................................................................................................... 96 dB
• Frequency response
Line (CD, TAPE, VIDEO), 20 Hz ~ 100 kHz ........................................................................................................... 0, -3 dB
• Output level
TAPE OUT, 2.2 k ...................................................................................................................................................... 200 mV
PRE OUT (Front, Center, Surround, Surround back, Subwoofer), 1 k ......................................................................... 1.0 V
• Bass/Treble control, 100 Hz/10 kHz .............................................................................................................................. ±10 dB
• Surround mode, only channel driven
Front power output, 8 Ω, 1 kHz, THD 0.08 % ................................................................................... ............ 115W / 115W
Center power output, 8 ,Ω 1 kHz, THD 0.08 % .................................................................................. ........................ 115W
Surround power output, 8 ,Ω 1 kHz, THD 0.08 % ................................................................................ .......... 115W / 115W
Surround back / ROOM 2 power output, 8 ,Ω 1 kHz, THD 0.08 % ................................................................ 115W / 115W
DIGITAL AUDIO SECTION
• Sampling frequency ................................................................................................................................... 32, 44.1, 48, 96 kHz
• Digital input level
Coaxial, 75Ω ................................................................................................................... ........................................ 0.5 Vp-p
Optical, 660 nm .............................................................................................................................................. -15~-21 dBm
VIDEO SECTION
• Video format ...................................................................................................................................................................... PAL
• Input sensitivity(=Output level), 75 Ω
Video (Composite(normal)) ....................................................................................................................................... 1 Vp-p
S-Video (luminance signal) ....................................................................................................................................... 1 Vp-p
(chrominance signal) ............................................................................................................................ 0.286 Vp-p
Component video (R-Y signal) ............................................................................................................................... 0.5 Vp-p
(B-Y signal) .............................................................................................................................. 0.5 Vp-p
(Y signal) ................................................................................................................................... 1.0 Vp-p
• HDMI connector .............................................................................................................................................................. 19 pin
FM TUNER SECTION
• Tuning frequency range ..................................................................................................................................... 87.5~108 MHz
• Usable sensitivity, THD 3%, S/N 26 dB ........................................................................................................................ 12.8 dBf
• 46 dB quieting sensitivity, mono/stereo ............................................................................................................ 20.2 / 45.3 dBf
• Signal to noise ratio, 65 dBf, mono/stereo ............................................................................................................... 70 / 65 dB
• Total harmonic distortion, 65 dBf,1 kHz, mono/stereo .............................................................................................. 0.5 / 0.8 %
• Frequency response, 30 Hz~15 kHz .............................................................................................................................. ±3 dB
• Stereo separation, 1 kHz ................................................................................................................................................ 32 dB
• Capture ratio .................................................................................................................................................................. 4.0 dB
• IF rejection ratio ............................................................................................................................................................... 60 dB
AM TUNER SECTION
• Tuning frequency range ...................................................................................................................................... 522~1611 kHz
• Usable sensitivity ....................................................................................................................................................... 500 µV/m
• Signal to noise ratio ......................................................................................................................................................... 40 dB
• Selectivity ........................................................................................................................................................................ 25 dB
GENERAL
• Power supply ...................................................................................................................................................... 230 V ~ 50 Hz
• Power consumption ......................................................................................................................................................... 780 W
• Switched AC outlet ....................................................................................................................... TOTAL 100 W (0.43 A) max.
• Dimensions (W×H×D, including protruding parts) .............................. 440×171×421 mm(17-3/8×6-3/4×16-1/2 inches)
• Weight (Net) ..................................................................................................................................................... 15 kg (33.1 Ibs)
Note: Design and specifications are subject to change without notice for improvements.
67
ENGLISH
Specifications
Setup Code Table
ENGLISH
TV
ADMIRAL
AKAI
ALBA
ALBIRAL
ALCATEL
AMSTRAD
ANAM
ARC EN CIEL
ARISTONA
ARTHUR MARTIN
ASA
ATLANTIC
AUDIOSONIC
AUSIND
AUTOVOX
BAIRD
BASICLINE
BAUR
BEKO
BLAUPUNKT
BRANDT
BRION VEGA
BRUNS
BSR
BUSH
CENTURY
CGE
CIHAN
CLARIVOX
CONDOR
CONTEC
CONTINENTAL
EDITION
CROSLEY
CROWN
CTC CLATRONIC
DAEWOO
DECCA
DEGRAAF
DIXI
DRYNATRON
DUAL
DUAL-TEC
DUMONT
ELBE
ELBIT
050
093
068
116
022
000
155
028
099
078
053
125
050
099
054
053
099
083
006
011
023
094
028
050
048
059
033
098
016
065
048
099
087
028
101
147
046
089
099
036
049
049
099
096
046
016
065
134
049
021
156
039
049
ELCIT
123
ELMAN
ELTA
EMERSON
ERRES
EUROPHON
157
043
050
145
019
081
142
149
FERGUSON
139
128
055
111
117
120
122
123
FIDELITY
FINLUX
057
113
134
144
055
019
057
049
100
039
102
040
111
043
114
145
050
110
068
101
101
132
124
050
124
074
079
079
136
132
FISHER
FORGESTONE
FORMENTI
FORTRESS
FRABA
FRONTECH
FUJITSU
FUNAI
GBC
GEC
GELOSO
GOLDSTAR
069
081
GOODMANS
GORENJE
GREATZ
136
116
111
GRANADA
GRUNDIG
039
050
060
040
109
063
043
115
145
081
HANSEATIC
HANTAREX
HEMMERMANN
HIFIVOX
HINARI
HITACHI
118
090
141
099
050
116
132
057
HYPER
IMPERIAL
INGELEN
073
68
046
132
046
090
158
049
098
132
146
116
099
034
113
015
149
099
137
075
054
025
054
109
099
103
092
076
033
066
001
129
033
115
094
114
033
111
097
127
028
158
014
056
132
093
016
001
130
097
103
050
109
127
097
099
051
115
040
149
149
046
073
048
041
150
057
061
053
074
050
055
079
052
057
109
109
136
053
109
111
125
109
132
017
090
060
115
134
099
152
077
134
090
049
075
109
134
049
134
057
122
123
128
058
060
142
058
108
112
099
049
109
139
043
045
034
139
084
145
143
036
110
091
081
090
099
067
081
145
117
088
124
109
079
122
132
128
133
129
132
098
142
046
059
132
060
109
003
077
049
136
058
130
099
125
100
082
047
039
033
033
109
134
099
101
058
134
050
088
INTERFUNK
IRRADIO
ITT
JVC
KTV
KAISUI
KARCHER
KENDO
KENNEDY
KORTING
KRIESLER
LENOIR
LOEWE OPTA
LOGIK
LUMA
LUXOR
MAGNADYNE
MAGNAFON
MARANTZ
MATSUI
McMICHAEL
MEMOREX
METZ
MINERVA
MISTRAL
MITSUBISHI
MIVAR
MULTITECH
MURPHY
MAONIS
NATIONAL
NEC
NECKERMANN
NEI
NIKKAI
NOBLEX
NOBLIKO
NOGAMATIC
NOKIA
093
090
047
142
093
001
123
135
033
099
006
006
098
144
050
099
078
099
008
072
118
049
058
135
046
127
046
049
158
134
088
090
094
094
149
033
118
097
046
134
096
042
033
099
049
060
015
098
028
001
123
135
098
097
099
143
077
NORDMENDE
049
123
143
140
128
083
154
050
128
053
058
148
089
145
129
077
105
129
058
091
090
109
130
109
OCEANIC
ONCEAS
OPTONICA
ORION
OSAKI
OSIO
OSUME
OTTO VERSAND
P.T ACTTRON
PAEL
PANASONIC
019
059
049
097
149
120
139
083
097
132
097
099
090
109
111
050
019
142
PATHE CINEMA
PERDIO
PHILCO
149
047
049
050
115
PHILIPS
134
117
120
123
129
PHOENIX
PHONOLA
103
050
109
115
099
051
053
115
106
060
118
068
050
100
114
057
133
058
035
119
099
099
047
148
115
115
049
080
077
136
050
138
144
104
085
050
019
109
110
134
139
120
136
046
039
140
128
083
122
134
099
043
058
148
089
053
145
105
129
PIONEER
PRANDONIPRINCE
PREMIER
PRINCE
PROTECH
PYE
QUASAR
QUELLE
114
062
RADIOLA
RADIOMARELLI
057
081
109
130
RANK
RBM
REDIFFUSION
REX
ROBOTRON
RTF
SABA
122
134
SAISHO
SALORA
69
028
091
109
099
137
000
060
077
087
033
065
099
030
121
099
060
016
079
009
049
078
099
099
078
020
098
124
098
049
099
149
046
047
057
118
099
078
046
127
074
074
062
096
134
048
048
028
043
086
158
053
125
032
081
064
039
043
145
131
059
118
068
127
090
047
049
109
139
095
104
107
109
116
132
030
132
010
050
088
053
049
101
136
013
019
050
109
124
018
142
024
148
099
149
109
050
111
019
125
142
149
049
145
091
097
053
115
097
054
049
078
097
099
058
123
049
053
134
050
019
142
051
100
111
073
050
053
049
112
074
019
077
053
113
128
142
149
097
132
103
050
109
062
123
144
134
019
141
110
069
050
050
031
097
091
099
139
128
032
050
081
118
117
135
037
145
039
115
040
120
119
120
083
068
122
090
123
053
042
126
111
123
134
148
055
114
ENGLISH
INNO HIT
ENGLISH
SAMBERS
SAMPO
SAMSUNG
SANYO
SBR
SCHAUB LORENZ
SCHNEIDER
SEG
SEI
SELECO
SHARP
Sherwood
SIAREM
SICATEL
SIEMENS
SIERA
SILVER
SINGER
SINUDYNE
SONOKO
SONY
STERN
TANDBERG
TANDY
TASHIKO
TATUNG
TEC
TELEAVIA
TELEFUNKEN
TELETECH
TELEVIDEON
TENSAI
THOMSON
THORNFERGUSON
TOCOM
TOSHIBA
TRANS
CONTINENTS
TRIUMPH
UHER
ULTRA VOX
046
121
015
090
001
060
049
001
129
096
141
132
046
158
016
069
033
000
046
116
005
087
099
078
054
016
158
049
146
096
133
099
002
099
096
028
081
028
090
099
049
012
145
097
051
053
115
077
026
151
002
113
142
058
130
099
109
099
153
005
118
148
109
134
049
142
054
077
136
033
071
149
122
044
054
088
123
048
136
128
050
125
052
149
019
078
019
141
110
059
096
134
087
144
UNIVERSUM
UNIVOX
VEGAVOX
VOXSON
WATSON
WATT RADIO
WEGA
WHITE
WESTINGHOUSE
YOKO
ZANUSSI
ZOPPAS
050
109
115
094
036
100
111
114
049
050
019
142
149
046
046
090
007
144
050
050
109
059
109
127
027
019
033
110
038
069
118
134
060
033
060
099
039
137
063
132
040
065
115
118
043
145
091
041
145
150
086
091
053
109
111
125
028
091
032
081
039
040
014
061
029
004
040
116
041
149
054
086
150
016
033
070
074
098
158
052
098
097
053
134
111
046
125
099
050
109
034
054
077
051
109
116
127
099
099
096
096
111
144
144
019
019
110
110
069
134
134
022
020
052
032
033
056
031
052
031
054
045
018
025
034
134
099
VCR
137
097
092
116
079
050
111
046
033
AKAI
ALBA
AMSTRAD
ANITSCH
ARC EN CIEL
ARISTONA
ASA
AWIA
BAIRD
BAUER. BOSCH
BLAUPUNKT
BRANDT
ELECTRONIQUE
BRIONVEGA
BUSH
C.EDISON
CANON
CAPEHART
CGE
CONTINENTAL
EDISON
CRAIG
CURTIS MATHES
DAEWOO
DAYTRON
DECCA
DEGRAAF
DUAL
DUMONT
DYNATECH
EMERSON
FERGUSON
FIDELITY
FINLANDIA
FINLUX
FISHER
043
057
120
70
042
008
011
009
042
045
018
011
042
014
014
042
033
043
043
055
042
041
008
041
014
020
011
056
052
042
052
042
000
019
001
020
011
003
042
003
011
002
042
011
003
003
000
056
013
052
020
021
040
020
042
006
052
011
011
018
010
059
011
030
019
052
018
006
003
011
005
018
036
HANSEATIC
HARMANKARDON
HIFIVOX
HINARI
HITACHI
IMPERIAL
INGELEN
INGERSOL
ITT
JENSEN
JVC
KENWOOD
KRIESLER
KUBA
LLOYD
LOEWE OPTA
LOGIK
LUXOR
MAGNADYNE
MAGNASONIC
MAGNAVOX
MARANTZ
MATUI
MEMOREX
METZ
MGA
MINERVA
MINOLTA
MITSUBISHI
MTC
MULTITECH
MURPHY
NAONIS
NATIONAL
NEC
NECKERMANN
NOGAMATIC
NOKIA
NORDMENDE
OPTONICA
ORION
011
019
014
004
008
041
003
014
054
043
004
042
002
006
011
042
027
005
033
042
042
005
045
043
011
014
008
033
041
038
019
004
010
000
014
017
055
006
060
011
008
011
042
040
004
002
042
003
052
039
045
002
062
011
042
005
043
046
056
018
018
050
052
038
055
031
053
056
008
007
052
024
011
027
042
056
052
038
041
038
042
056
050
052
056
042
031
060
060
030
052
063
018
027
038
029
014
025
003
043
046
027
005
031
OSAKI
OTTO VERAND
P. CINEMA
PALLADIUM
PANASONIC
PATHE MARCONI
PENTAX
PERDIO
PHILIPS
PHONOLA
PIONEER
PORTLAND
PROLINE
PYE
QUARTZ
QUELLE
RADIOLA
RADIOMARELLI
RCA
REALISTIC
057
REX
SABA
SAISHO
SALORA
SAMSUNG
SANSUI
SANYO
SBR
SCHAUB LORENZ
SCHNEIDER
SEI-SINUDYNE
SELECO
SENTRA
SHARP
SHINTOM
SIEMENS
SIERA
SINUDYNE
SONY
STERN
STS
SUNKAI
SYLVANIA
SYMPHONIC
TASHIKO
TATUNG
TEAC
TEKNIKA
TELEAVIA
TELEFUNKEN
TENOSAL
031
018
031
011
054
045
037
054
007
017
013
011
049
056
052
042
041
056
005
033
042
046
010
060
014
052
041
038
056
052
042
052
042
056
050
052
053
035
025
027
71
011
043
014
041
023
042
006
011
012
031
014
060
020
011
014
005
002
045
041
019
000
046
042
039
002
005
013
042
000
018
041
008
027
042
020
045
008
014
045
027
044
042
006
025
011
011
011
011
011
011
042
042
008
014
051
056
007
040
052
014
045
046
018
045
018
029
031
045
018
029
031
044
031
054
003
005
011
013
056
042
010
017
019
060
003
029
042
011
052
056
025
052
027
035
032
061
005
025
038
056
045
050
031
052
038
056
052
046
105
048
043
031
055
031
054
038
015
056
016
052
026
028
017
017
042
042
056
056
052
052
ENGLISH
FUNAI
GE
GENERAL
GOLDSTAR
GOODMANS
GRAETZ
GRANADA
GRUNDIG
029
045
ENGLISH
THOMSON
THORNFERGUSON
TOSHIBA
TOTELEVISION
UHER
ULTRA VOX
UNITECH
UNIVERSUM
URANYA
VECTOR
VICTOR
VIDITAL
WESTING HOUSE
WARDS
YAMAHA
ZANUSSI
ZENDER
ZOPPAS
042
056
052
039
036
001
013
042
041
013
041
041
004
042
041
041
019
004
042
052
042
042
059
030
052
034
042
056
017
058
052
CBL
ABC
014
Allegro
Archer
Bell&Howell
Century
Citizen
Comtronics
Contec
Easten
Emerson
Everquest
Focus
Garrard
Gemini
General Instrument
GoldStar
Goodmind
Hamlin
Hitachi
Hytex
Jasco
Jerrold
043
060
042
056
052
056
DVD
DENON
GE
JVC
LG
MAGNAVOX
MITSUBISHI
ONKYO
PANASONIC
PHILIPS
PIONEER
PROSCAN
RCA
SAMSUNG
SHERWOOD
SONY
THOMSON
TOSHIBA
VIETA
YAMAHA
ZENITH
017
003
007
011
019
001
009
015
019
002
003
003
016
000
022
005
003
006
014
019
011
004
Movie Time
NSC
Oak
Optimus
Panasonic
Philips
Pioneer
Popular Mechanics
RCA
Radio Shack
Recoton
Regal
Regency
Rembrandt
Sherwood
SL Marx
Smasung
Scientific Atlanta
Signal
Signature
Sprucer
Starcom
010
023
004
004
008
010
020
011
021
012
013
014
004
010
72
002
007
018
018
009
018
018
014
011
001
026
010
022
018
010
033
017
026
012
006
007
010
002
006
015
015
011
031
016
018
017
022
031
010
022
012
001
006
000
014
017
003
010
006
031
002
003
006
021
026
009
008
030
276
040
006
034
020
004
013
018
007
034
021
033
032
026
028
030
027
021
014
031
025
021
020
014
023
014
010
009
010
010
010
015
014
007
010
018
007
153
015
024
022
014
026
MAGAI
MARANTZ
MASPRO
METZ
MINERVA
MULTISTAR
MURATO
NEC
NEIRU
NOKIA
NORSAT
PACE
PANASONIC
PHILIPS
PHONOLA
PROSAT
PYE
QUADRAL
QUELLE
RADIOLA
REDIFFUSION
SABA
SALORA
SAMSUNG
SAT PARTNER
SATPORTNER
SCHAUB LORENZ
SCHNEIDER
SHERWOOD
SIEMENS
SIERA
SILVA
SKY
STARCOM
STARSAT
TECHNISAT
TELEFUNKEN
TELESYSTEM
THORNFERGUSON
008
019
SAT
ALBA
AMSTRAD
ARCON
ARISTONA
ASTRA
BLAUPUNKT
BUSH
CH.MASTER
CITY COM
DDC
DYNASAT
ECHOSTAR
EMME ESSE
FAIT
FERGUSON
FINLUX
FRACARRO
FTE
GOLDSTAR
GRAETZ
GROTHUSEN
GRUNDIG
HINARI
HIRSCHMANN
HITACHI
INGELEN
ITT
ITT-NOKIA
JERROLD
KATHREIN
KOSMOS
KRIESLER
LENCO
LUXOR
030
008
021
016
028
033
016
030
005
030
005
002
005
005
014
006
005
022
004
026
004
033
030
003
013
026
034
032
038
005
004
016
004
026
019
027
009
032
020
041
007
016
013
017
018
036
018
021
037
016
006
TRIAD
UNIDEN
UNITED CABLE
VTECHNOLOGY
VORTEC
ZENDER
037
018
014
022
026
037
023
021
037
73
022
012
016
036
036
022
004
040
021
026
015
001
032
003
016
030
016
030
036
016
015
035
026
003
004
021
026
005
000
033
016
004
039
038
022
003
025
005
010
043
004
022
038
004
003
022
ENGLISH
Stargate
Starquest
TV86
Teleview
Tocom
Tusa
Unika
United Artists
Universal
Viewstar
Zenith
Zentek
037
042
016
017
011
012
029
014
041
016
024
025
018
044
017
018
022
037
016
036
021
ENGLISH
CD
ADCOM
AIWA
AKAI
AUDIO
ARC EN CIEL
DENON
FISHER
H/K
JVC
KENWOOD
MARANTZ
MONDIAL
NAD
NAKAMICHI
NIKKO
ONKYI
PANASONIC
PHILPS
PIONEER
RCA
REALISTIC
SANSUI
SHARP
SHERWOOD
SONY
TEAC
TECHNICS
VICTOR
YAMAHA
AUX-TAPE/MD
021
045
046
016
036
230
054
006
017
028
003
015
033
048
049
016
013
051
014
005
007
045
040
019
000
058
050
055
051
001
044
SHERWOOD
039
022
014
027
012
034
020
014
047
001
010
002
042
037
052
011
008
009
041
053
035
030
029
021
019
025
026
052
043
016
AUX-LD
018
DAEWOO
DENON
GOLDSTAR
KENWOOD
MAGNAVOX
OPTIMUS
PANASONIC
PHILIPS
POINNEER
RCA
REALISTIC
SAMSUNG
SHARP
TECHINCS
TOSHIBA
YAMAHA
016
023
024
032
004
031
006
038
056
000(for tape deck)
015 016(for MD recorder)
057
74
002
012
004
003
010
007
013
010
000
006
007
001
003
013
003
008
009
005
011
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