User Guide - Best Service

User Guide - Best Service

User Guide

© UVI.net

> DO NOT USE THIS PRODUCT UNTIL YOU HAVE

READ THE FOLLOWING LICENSE AGREEMENT.

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The enclosed product is the property of UVI and is licensed to you only for use as part of a musical performance, live or recorded. This license expressly forbids resale or other distribution of the sounds and software included in the Product or their derivatives, either as they exist on disc, reformatted for use in another digital sampler, or mixed, combined, filtered, resynthesized or otherwise edited, for use as sounds, multisounds, samples, multisamples, wavetables, programs or patches in a sampler, microchip or any hardware or software sample playback device.

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TABLE OF CONTENTS

Thanks for purchasing !

Installation Mac / PC

About CS-M

CS-M : User Interface

CS-M : Presets & Layer List

About Energy

Energy : User Interface

Energy : Presets List

About FMX-1

FMX-1 : User Interface

FMX-1 : Presets List

About Kroma

Kroma : User Interface

Kroma : Presets List

About Synthox

Synthox : User Interface

Synthox : Presets & Layer List

About U-1250

U-1250 : User Interface

U-1250 : Presets List

Credits

23

24

27

19

20

22

15

16

18

11

12

14

28

29

30

31

5

4

6

7

10

THANKS FOR PURCHASING

4

Iconic Synth Collection

Take 6 vintage synthesizers, carefully restore them, create a massive array of presets and deeply multi-sample them, professionally process and master the sounds, infuse them into the industry proven UVI Engine--giving you endless sound shaping options, then wrap the results in immaculately prepared GUIs and you’ve got UVI Vintage Legends.

This is the official free player to load and use the all the UVI sounds & instruments available today. Stay tuned at www.uvi.net to get the last infos.

Instantly call up inspiration from the Yamaha CS-70M, CS-40M and CS-20M, the crazy Italian Elka Synthex, the Rhodes Chroma, the king of FM Yamaha

DX1, the rare DK Synergy, and rediscover the classic K250.

At UVI we’ve been producing sound for over 20 years and designing our own software for over 12. We’ve found that virtual instruments with a foundation in sampling have a more defined character and distinct sound quality than those based on digital modeling. The trouble with sample-based instruments is that they’re typically lacking in expression and flexibility; one sample, one sound.

UVI hybrid instruments are more flexible than a conventional ROMpler and more authentic than a simulation, giving you the best of both worlds. Vintage

Legends integrates over 30,000 samples from classic synths into the acclaimed

UVI Engine, giving you the distinct character of hardware with the added control, convenience and power of a modern digital instrument.

In fact we think Vintage Legends sounds better than the hardware that inspired it. Taking these classic tones into new sonic territory, the UVI Engine delivers massive unison spreads, abundant polyphony, thick modeled filters, drive, reverbs, modulation, FX and much, much more. Needless to say our instruments will never need to be serviced or go out of tune (unless you want them to) and they’re far easier to lug around than hardware!

Vintage Legends comes packed with over 800 presets expertly crafted by our sound design team, giving you a huge library of unique sounds and textures not available anywhere else.

We’ve worked hard to develop the highest quality sounds and tools, and wish you the best musical

experience. Enjoy! The UVI Team

> Features in Version 2:

New single mode for loading next generation of UVI sounds and instruments

• Compatible with the UVI scripted instruments

• Powerful Arpeggiator, extremely flexible and complete

• Easy to use Search Engine to find quickly what you’re looking for

• Universal compatibility Mac / PC

• Operate in full 64 bits on Mac / PC

• Manage instruments and loops in the same interface

• Smart integrated browser

• Convenient mixing environment with meters, mute, solo, volume, pan...

• Unlimited parts

• Up to 64 MIDI channels

• Disk streaming per part

• Multiple separate outputs

• MIDI learn

• Expert mode

• Cross-platform Multis & all host compatible

• Unlimited FX

• Complete professional effects arsenal, with easy editing

(delay, reverb, phaser, chorus, EQ, filter, drive, distortion, compressor...)

• Excellent sounding convolution reverb

• Direct sync to host : tempo & transport

• State-of-the-art real-time time-stretch algorithm

• Real-time sync to the beat: loops are always in time

• Latch mode

• Sample/Slice Start for loops and phrases

• Drag & Drop MIDI & Audio

• Import REX files, Apple Loops, AIFF, WAV and more...

• Expandable with all UVI sounds and instruments

• Direct connection to the UVI.net RSS feed

* Yamaha, Elka, ARP, Rhodes, Kurzweil, D.K, CS70M, CS40M, CS20M, DX1, Synthex, Chroma,

K250, K1000 and Synergy are trademarks of their respective owners and are not affiliated, endorsed, connected or sponsored in any way to this manual or any of our affiliate websites ; therefore do not be confused between UVI and these brands.

iLok Required

MachFive 3 by MOTU > Universal & Creative Sampler

If you want to go deeper on the editing and get access to the best time stretch, granular and other synth engine, note that the incredible MOTU MachFive 3 is the big brother of UVI Workstation.

To be able to load sounds from this product, you’ll need an iLok key as well as an iLok.com account.

And if you experience any problem our support is here to help : [email protected]

Check out www.motu.com for more infos about MachFive 3

INSTALLING THE UFS FILE

UFS files are UVI’s monolithic instrument files. All required samples, presets, scripts, FX and impulse responses are contained within an instruments UFS file, making for easy installation and file management.

Follow the procedures outlined below in order to install

Vintage Legends and load in either UVI Workstation 2 or

MOTU MachFive 3.

Stand Alone

Audio Units / RTAS

VST / MAS

... using UVI Workstation 2 or MOTU MachFive 3

Minimum System Requirements

- MacIntel processors

- 4 GB of RAM

- 22 GB of hardisk space

- MAC OS X 10.6 or higher

- Hard Drive: when using Streaming, faster drive will allow more voices to play

- UVI Workstation 2 or MOTU MachFive 3 installed

How to install the UFS file

Copy the UFS file in this location :

[your startup disk]/Library/Application Support/UVISoundBanks

You can also drop an alias of this file in this location, provided they have the same name. (not My soundpack.ufs alias for instance)

Stand Alone

VST

RTAS

... using UVI Workstation 2 or MOTU MachFive 3

Minimum System Requirements

- Core duo or faster

- 4 GB of RAM

- 22 GB of hardisk space

- Windows XP SP2 or higher version, Windows Vista

- Hard Drive: when using Streaming, faster drive will allow more voices to play

- UVI Workstation 2 or MOTU MachFive 3 installed

How to install the UFS file

Copy the UFS file in this location :

C:\Program Files\UVISoundBanks.

You can also drop a shortcut to this file in this location, provided they have the same name. (not Shortcut to My soundpack.ufs for instance)

CS-M

UFS file size : 2.25 GB

Nb of presets : 128

Nb of samples : 6729

Energy

UFS file size : 1.9 GB

Nb of presets : 80

Nb of samples : 1471

FMX1

UFS file size : 9.7 GB

Nb of presets : 202

Nb of samples : 12782

Kroma

UFS file size : 2.1 GB

Nb of presets : 134

Nb of samples : 2869

Synthox

UFS file size : 2 GB

Nb of presets : 128

Nb of samples : 2598

U1250

UFS file size : 3.9 GB

Nb of presets : 155

Nb of samples : 5600

5

ABOUT CS-M

Between 1979 and 1984, Yamaha designed and built some of the most unique and distinct sounding analog synths in the world. (the most famous of which being the well regarded CS-80) At UVI we actually prefer the sound of the lesser known siblings of the family, we’re speaking of 3 marvelous models: the CS-70M,

CS-40M, and CS-20M.

UVI CS-M features a dual-layer architecture and instant preset/layer switching making it an extraordinarily responsive instrument capable of a wide range of sounds. Layers include all possible base waveforms and noises as well as expertly programmed presets, all made on the original machines. In fact, we’ve gone to great lengths to ensure the authentic sound and natural texture of these machines was preserved and translated clearly in CS-M. We sampled everything, down to the unique Unison and Ensemble sounds from the massive CS-70M.

1. EDIT PAGE

THE THREE CS-M PAGES

6

Sound generation and effect controls for Layers A and B

2. MODULATION PAGE

CS-70M

The wonderful vintage aesthetic of this synthesizer can be taken even further with help from the UVI Engine; CS-M comes packed with a wealth of features to help you enrich and customize your sounds including double arpeggios, a step sequencer, LFOs and precision modeled FX, allowing you to freely tread in territory the old hardware couldn’t dream of.

From thick and gritty textures to pulsing warm tones and everywhere in between, UVI CS-M is a grande ode to one of our most beloved inspirations.

LFO, Step Sequencer and modulation routings

3. ARPGEGIATOR PAGE

CS-M is also avaiblable as a single instrument.

Dual arpeggiators

CS-M USER INTERFACE

CS-M loads sounds and waveforms in two layers (A and B), you can edit each with all available controls. CS-M includes 128 presets which can be accessed instantly from any page.

MAIN section

AMPLITUDE

• A / D / S / R

• NO VEL

• VEL > ATK

FILTER

Volume envelope

When on, all sounds will be played at maximum volume

Convert low velocities to long attacks and high velocities to short attacks

• EDIT/MOD/ARP Switch from EDIT page to MOD page to ARP page

• MUTE A/B Mute Layer A or B

• VOLUME/PAN Control volume and pan for layer A or B

• OCTAVE

• MASTER

• PRESET

Octave transpose of the current layer

Global volume control

Select one of the global presets by using the arrows or the conventional preset list

EDIT Selection

• TYPE Select from LPF, BPF, HPF and no filter

• CUT OFF / RES Low pass filter, cut off and resonance

• EG DEPTH

• VELOCITY

• A / D / S / R

Depth of the ADSR applied to the filter.

Second LPF filter mapped to velocity

Filter envelope

STEREO

You can choose to edit only the layer A, only the layer B, or both layers at the same time.

• 1st selection line

This slot allows you to select one of the category: Ensemble, Raw Poly, Raw

Solo, Unison, Waves, Waves Noises, Waves Unison Xtra CS20M Sounds &

Xtra CS20m Waves.

• 2nd selection line

This slot allows you to change the sound from selected category

1. EDIT page

• OFF

• ALT

• UNI

• COLOR

• SPREAD

• TUNE

PITCH

Standard playing mode using mono samples

This emulates the multiple output from old samplers

Each voice is panned sequencially from left to right

(SPREAD parameter sets the depth of the stereo)

Using sound layering manipulation, this feature allows a dramatic extension of the stereo image

To be combined with COLOR and SPREAD settings

Playing neighboring samples, this parameter shifts the color of the sound in a unique way

Works in ALT and UNI mode, setting the stereo spread

Works only in UNI mode, detuning both layers

• TUNE

• DEPTH

• TIME

• MODE

Tune the selected layer in semitones/cents

Note: you can double click on the knob to enter the desired value.

Set the depth of the portamento

Set the glide time

Switch from Poly to Mono mode

7

CS-M USER INTERFACE

MODWHEEL

• EG Depth

• Attack Time

• Decay Time

• LFO Type

LFO DESTINATION

Set the depth of the envelope assigned to LFO speed

Set Attack time the LFO speed’s envelope

Set Decay time the LFO speed’s envelope

Select Waveform of the LFO : Sine, Square, Triangle or Sample & Hold (random)

This section allows you to choose what will be assigned to the modwheel.

• VIBRATO

• RATE

• TREMOLO

• RATE

• FILTER

• DEPTH

On/Off

Speed of the vibrato (free)

On/Off

Speed of the tremolo (tempo dependent)

On/Off

Depth setting from the low pass filter cut off frequency

EFFECTS

The LFO can be routed independently to either layers pitch, volume, drive or filter.

• Knob

• Button A/B

Set the level of the

Set the destination of the LFO

STEP MODULATOR PARAMETERS

• PHASER

• MIX

• DELAY

• MIX

• REVERB

• MIX

On/Off

To adjust the Dry/Wet weighting

On/Off

To adjust the Dry/Wet weighting

On/Off

To adjust the Dry/Wet weighting

Note: You can add as many FX as you want in the UVI Workstation, and you can even edit the sounds deeper within MOTU MachFive 3.1.

• RES

• STEP

• DELAY

• RISE

• SMOOTH

Speed resolution of the step

Number of steps

Time to activate step

Time to activate with a smooth transition

Smoothing the level value

Note: The ‘Smooth’ parameter interpolates values between steps, allowing you to use the Step Sequencer as a custom LFO.

STEP DESTINATION

2. MOD page

CS-M includes a freely controllable LFO and Step Sequence modulators which can be routed independently to both layers.

• Knob

• Button A/B

STEP EDIT

Set the level of the step modulator

Set the destination of the step modulator

LFO PARAMETERS

• SYNC

• SPEED

Enable/Disable Sync LFO to Host Tempo

Speed of the LFO

8

Simply draw your steps with the mouse.

A step with a value of «0» is like having no step.

CS-M USER INTERFACE

3. ARP page

CS-M includes two arpeggiators which can be routed to each layer independently (DUAL MODE), or the first to both layers (MONO MODE).. Arpeggiators are always synced to the UVI Workstation or MachFive 3 master tempo.

Load CS-M into UVI Workstation

In Multi mode, double-click on a part name or, in Single mode, double-click on the preset name ( you can also press the «eye» symbol on the UI), and you will see the browser below when selecting CS-M.

MODE

• MONO

• DUAL

ARP PARAMETERS

ARP 1 is connected to Layer A and Layer B

ARP 1 is connected to Layer 1 and ARP 2 to Layer B

The ‘CS-M.M5p’ contains all data and presets for the instrument; this allows for instant preset changes.

• ARP MODE

• RES

• OCTAVE

• GATE

• STEP

ARP STEP EDITOR

Select up, down or up & down

Select the speed of the Arpeggiator

Extend the range of the Arpeggiator from + 3 to - 3 octaves

Adjust the note length

Select the number of steps played

1

2

1 - COLUMN

2 - LINK

Adjust the velocity of a step

Link a step to the previous one

Save/Load Your Own CS-M Preset

In UVI Workstation you can save your own settings with the ‘Save Mutli’ option available in Multi-mode.

In MOTU MachFive 3 single preset saving is available.

If you’re working within a DAW, all settings will be saved with your project file automatically.

9

10

Brassy

BR-Eve Angelis

BR-French Horn Like

BR-K Brass Orch

BR-Lazer Brass

BR-Majestic OBrass

BR-Power Brass

BR-Sea Fluid

Bass

BS-Alley Shakedown

BS-Burnt Popcorn

BS-Chinese Fretless

BS-Crate Duster

BS-Grain Bass Lead

BS-Intoxic

BS-Jo B Jo Bass

BS-L0c0m0t1v8r

BS-Magus Electrus

BS-Multi Polarity

BS-Music and Nights

BS-TB Progress

BS-TrenZ Diana

BS-Underground

BS-Yeti Bass

BS-Zapp Nostalgia

Play Chords

CH-Accelerator

CH-Analog Crunch

CH-Decade Inversion

Arpeggios

AR-Art Peggios

AR-Cool Session

AR-Gumball Acrobatics

AR-Kieseritzky G

AR-Play 3 Notes

AR-Primitive

AR-Spatial Story

AR-Tanjarre Dream

AR-Tease Analog

AR-Xanalog Beat

AR-Xperimental Valley

Bells

BL-A Very Small One

BL-Baby Bell

BL-Bella Noisa

BL-Ensembells

BL-Guiz Mode

BL-Tremolos

CS-M PRESETS & LAYER LIST

CH-Evolu Chord Wheel

CH-Nate FF1087

CH-Parallel Predators

CH-Relaxing Wheel

CH-Starlight

FX-Drone

FD-Dayvan Indian

FD-Glissandi

FD-Haunted Flat

FD-Kaufman Synchronus

FD-LoFi CoalRider

FD-Move Away

FD-Noise Dunes

FD-Rue of Terra

FD-Sweep Machine

FD-Talking Tex

Keyboards

KB-CS Analog Piano 1

KB-CS Analog Piano 2

KB-CS Analog Piano 3

KB-Dirty Organ

KB-Fantasiatic

KB-HarpsYanalog

KB-Key Tooma

KB-Majestic Keys

KB-Molecular

KB-Nick Wheel Organ

KB-Orgalogic

KB-Organ 20M

KB-Pluck Road

KB-Seq Clavistan

KB-Short Piano

KB-Soft Pluck

Lead

LD-Cajolead

LD-Creamy Synth

LD-CSolo 70M

LD-CSweep Lead

LD-First Lead

LD-Funky Cucumber

LD-Fusion Lead

LD-Mono AL

LD-NoiSolo

LD-Short Cop X

LD-Strange LFO

LD-Wha Wheel Solo

LD-Xtatic Motion

Noisy

Layer content

Ensemble

NS-ColdnQuiet

NS-Guiznoiso

NS-Noise Melody

NS-Noisonic Pad

NS-Ominousea

CSweep 70M

Full Ensemble

Lina Strings 1

Lina Strings 2

Machine String

Softy Brassy

Pads

PD-86 Skies Full Wheel

PD-Analog Pure

PD-Creamy Flutter

PD-Dark Volute

PD-Du ALmosphere

PD-Granular Soft

PD-Hall of Grain

PD-Hornalog Pad

PD-Hybrid Choir

PD-Little Planet

PD-Orchestranalog

PD-Step Walking

PD-Urban Bed

Raw Poly

Bright Pad

Elec Piano

French Hornalog

Grain Soft 1

Grain Soft 2

OBrass

Power Wave

Short Piano

Raw Solo

Polysynth

PL-Big Power One

PL-Full Ens Synth

PL-Laughing Factory

PL-PolyGrain

PL-Portamanteau

PL-Raining Pluck

PL-Submarine Scream

PL-Tekno Idea

Bass Lead

CSolo 70M

Double Seq

Laser

Pluck

Power Grain

Seq Clav

Solo Soft

Unison

Strings Like

ST-Bi Spectral Strings

ST-Ensemble Machine

ST-In a Box

ST-Lina Star

ST-Mutronic Strings

ST-My Eminent

ST-Noisycato

ST-Pizzanalog

ST-Soloist

Bass Lead 1

Bass Lead 2

Dirty Organ

Orchestral Brass

Polyson

Power UNI

Resophonic

Soft Pad

Thing Long

Waves

Sweeps

SW-Classic Jarr

SW-Inverted

SW-Moment of Clarity

SW-Monowheelist

SW-Original Sweep

Saw

Sine

Sine-Saw

Square PWM 1

Square PWM 2

Square PWM 3

Square-Saw PWM 1

Square-Saw PWM 2

Square-Saw-Sine PWM 1

Square-Saw-Sine PWM 2

Waves Noises

Noise BP Raw

Noise BP Reso

Noise Flat Raw

Noise Flat Reso 1

Noise Flat Reso 2

Noise HP Raw

Noise HP Reso

Noise Unison Raw

Noise Unison Reso 1

Noise Unison Reso 2

Sub Noise Unison

Waves Unison

Sine-Saw Uni

Sine-Square Uni

Square-Saw Uni

Square-Saw-Sine Uni

CS20M Sounds

Big One

Big Two

Gizmono

Funky Bass

Technoid

PortHardmento

Noisonic

Lazer

Organic

SeqOrgan

Fifth Avenue

Pianoise

CS20M Waves

Sine

Triangle

Saw

Square PWM 0

Square PWM 2

Square PWM 4

Square PWM 6

Square PWM 8

Noise

ABOUT ENERGY

1. EDIT PAGE

THE ENERGY PAGES

The DK Synergy is easily one of the most odd vintage synthesizers. Sporting 32 oscillators of sine or triangle wave, the Synergy was primarily known for additive synthesis but is capable of some FM synthesis as well. Synergy was one of the first synthesizers with a memory cartridge, allowing some expansion to the 24 internal patches but required an external device to write them.

Sound generation and effect controls

2. MODULATION PAGE

The DK Synergy was and is a nightmare to program—but the sounds are fantastic, used by electronic virtuosos like Wendy Carlos. So we were determined to create a full library of patches from this keyboard and bring you a dose of this classic odd-ball. In addition to the included patches you can design your own from basic waveforms offered by the hardware. The UVI Engine allows for further customization of Energy—giving you a built-in arpeggiator, step sequencer,

LFO and precision-modeled FX.

LFO, Step Sequencer and modulation routings

THE ENERGIZER

UVI Energy has a one-of-a-kind sound and is an exclusive instrument only available in the Vintage Legends collection.

Crank up the grit and power of your sound with our exclusive

‘Energizer’ effect.

11

ENERGY USER INTERFACE

After loading a preset into the UVI Workstation or MachFive 3, you’ll find the following graphic interface for each of the Energy presets.

The included features allow for quick and intuitive sound sculpting.

1. EDIT Page

ARP ON/OFF

Some Energy presets use an internal arpeggiator that you can desactivate thanks to this button. Don’t forget that you can use the full-featured UVI

Workstation arpeggiators in any preset !

AMPLITUDE

• A / D / S / R

• VEL SENSE

• VEL > ATK

Volume envelope.

Adjust velocity sensitivity.

Convert low velocities to long attacks and high velocities to short attacks

Note: the longest attack will be set by the «A» parameter.

FILTER

• HP / BP / HP

• CUT OFF

• RES

• ENV DEPTH

• A / D / S / R

• VEL SENSE

• DRIVE

Filter mode.

Set cut-off frequency.

Adjust resonance (Q) of the filter.

Depth of the ADSR applied to the filter

Typical filter envelope.

Adjust velocity sensitivity

Adjust Drive amount.

PITCH

• MODE

• DEPTH

• TIME

SUB OSC

• Select OSC

• Volume

Switch from Poly to Mono mode.

Set the depth of the portamento in Poly mode.

Set the glide time of both mode

Clean or Dirty sub oscillator

Adjust sub oscillator volume

STEREO

• OFF

• ALT

• UNI

• COLOR

• SPREAD

• TUNE

> EFFECTS

• PHASER

• MIX

• DELAY

• MIX

• REVERB

• MIX

Standard playing mode using mono samples

This emulates the multiple output from old samplers

Each voice is panned sequentially from left to right

(SPREAD parameter sets the depth of the stereo)

Using sound layering manipulation, this feature allows a dramatic extension of the stereo image

To be combined with COLOR and SPREAD settings

Playing neighboring samples, this parameter shifts the color of the sound in a unique way

Works in ALT and UNI mode, setting the stereo spread

Works only in UNI mode, detuning both layers

> MODWHEEL

This section allows you to choose what will be assigned to the modwheel.

• VIBRATO

• RATE

• TREMOLO

• RATE

• FILTER

• DEPTH

On/Off

Speed of the vibrato (free)

On/Off

Speed of the tremolo (tempo dependent)

On/Off

Depth setting from the low pass filter cut off frequency

On/Off

To adjust the Dry/Wet weighting

On/Off

To adjust the Dry/Wet weighting

On/Off

To adjust the Dry/Wet weighting

2. MOD Page

Energy features a complete LFO and intuitive Step Sequencer modulator that can be connected to pitch, volume, drive and filter.

12

ENERGY USER INTERFACE

Low Frequency Oscillator

LFO PARAMETERS

• SYNC

• SPEED

• EG Depth

• Attack Time

• Decay Time

• LFO Type

LFO DESTINATION

Enable/Disable Sync LFO to Host Tempo

Speed of the LFO

Set the depth of the envelope assigned to LFO speed

Set Attack time the LFO speed’s envelope

Set Decay time the LFO speed’s envelope

Select Waveform of the LFO : Sine, Square, Triangle or Sample & Hold (random)

LFO can be connected independantly to both layers for pitch, volume, drive and filter.

• Knob Set the level of the LFO per destination

Step Sequencer

Load Energy Presets into UVI Workstation

In Multi mode, double-click on a part name or, in Single mode, double-click on the preset name ( you can also press the «eye» symbol on the UI), and you will see the browser below when selecting an Energy Preset.

STEP MODULATOR PARAMETERS

• RES

• STEP

• DELAY

• RISE

• SMOOTH

Speed resolution of the step

Number of steps

Time to activate step

Time to activate with a smooth transition

Smoothing the level value

Note :

Thanks to the smooth paramater you can transform the Seq modulator as very powerfull LFO.

STEP DESTINATION

• Knob Set the level of the step modulator to volume and filter.

Save/Load Your Own Energy Preset

In UVI Workstation you can save your own settings with the ‘Save Mutli’ option available in Multi-mode.

In MOTU MachFive 3 single preset saving is available.

If you’re working within a DAW, all settings will be saved with your project file automatically.

STEP EDIT

Simply draw your steps with the mouse.

A step with a value of «0» is like having no step.

13

ENERGY PRESETS LIST

Arpeggios

Balladisiac

Clarpsic Analog

Columbo

Crazy Arp Wheel

Noisy Eighty

Seventy Nine Chords

Slow Motion

Speed Motion

Square Mode

Bass

BasSolid

Dark Side Bass

Dirt Clav

Distronic

Harsh Square

Nu Motor Bass

Powering

Spectro Bass

Zapp Land

Bells

Anabell

Delicanalog Bell

DK Bells

Organic Bells

Pizzi Bells

Space Music Box

Strange Bell

Superbe LL

Synth Balafon

Xylosonic

FX

Big Temple

Crazy Take Off

Drunk Robot

EneR2D2

FX Tchkok

Tension

Keys

Acoustic Like

Basikeys

Broken Piano

Church Engine

Clavinergy

14

Decarpsychord

DK Roussel

Dramatic Org

Electric DK Piano

Ham Organic

Hybrid Harp

Innocent Keys

Road me Softy

Speaker Road

Suitcasing

Vinyl Pluck

Wurlynergy

Leads

Art Monica

Beauty Lead

BP Solead

Dubstep Lead

Polead Brassy

Short Seq Lead

Skrillergy

Square Me

Misc

Brass 5th Wheel

Cheap Orchestra

Dream Pluck

Hybrid Power Brass

Kingston Vibes

Orgestra

Poly Dirty

Poly Stepped

Stack Fifth

Stepped Stack

Tangerine Brass

Top Corn

Pads

Acoustic Pad

DK Fantasy

Gospel Stack

Ominous Syn

Reflexions

Simply Beauty

Sweep Energy

Thin Brass Pad

Typical DK Pad

ABOUT FMX1

Back in 1985 Japanese super-synth designer Yamaha set out to fashion their biggest and baddest FM synth ever. And they succeeded. The DX1 was constructed in an extremely limited run of 100 units, utilizing only top-of-the-line components.

The sound these machines made was unlike anything else, almost more organic than digital.

Our sound designers spent a great deal of time exploring all the sonic fields this machine could traverse, and have packed it with presets ranging from utility to the most creative textures and ambiences. Even more, the base waveforms of the unit were carefully captured allowing you to create your own patches from scratch.

In addition to an exhaustive sample set, FMX1 includes arpeggios, a step sequencer, LFOs and precision modeled FX to help sculpt your sounds to fit the mix perfectly; we even included a true FM synthesis module to further

FMize your presets!

All of this packed with a wealth of features exclusive to the UVI Engine.

Pure FM sounds, slamming bass tones and rich atmospheres awai, UVI FMX1 puts the legacy of a fantastic Eighties super-synth squarely within reach.

1. EDIT PAGE

THE TWO FMX1 PAGES

Sound generation and effect controls

2. MODULATION PAGE

FMX1 is also avaiblable as a single instrument.

LFO, Step Sequencer and modulation routings

15

FMX1 USER INTERFACE

After loading a preset into the UVI Workstation or MachFive 3, you’ll find the following graphic interface for each of the FMX1 presets. The included features allow for quick and intuitive sound sculpting.

1. EDIT Page

ARP ON/OFF

Some FMX-1 presets use an internal arpeggiator that you can desactivate thanks to this button. Don’t forget that you can use the internal ultra complete

UVI Workstation arpeggiators in any preset !

FMIZER

FMX1 combine deep sampling and a smart true FM oscillator : FMizer.

• FMIZER

• LEVEL

• PITCH

• VEL

To adjust the amount of «harmonicity»

To adjust the level of the FMizer

To transpose the FMizer by semi-tone

Adjust velocity sensitivity to FMizer

Note:

FMizer oscillator is also connected to the Filter Env and the Modwheel in a musical way. Just play with it !

EG AMPLITUDE

• A / D / S / R

• VEL SENSE

Volume envelope

Adjust velocity sensitivity

EG FILTER

• A / D / S / R

• VEL SENSE

FILTER

• HP / BP / HP

• ENV DEPTH

• CUT OFF

• RES

PITCH

FIlter envelope

Adjust velocity sensitivity

Filter modes

Depth of the ADSR applied to the filter

Set cut-off frequency

Adjust resonance (Q) of the filter

• MODE

• DEPTH

• TIME

STEREO

• OFF

• ALT

• UNI

• COLOR

• SPREAD :

• TUNE :

> MODWHEEL

Switch from Poly to Mono mode

Set the depth of the portamento in Poly mode

Set the glide time of both mode

Standard playing mode using mono samples

This emulates the multiple output from old samplers

Each voice is panned sequentially from left to right

(SPREAD parameter sets the depth of the stereo)

Using sound layering manipulation, this feature allows a dramatic extension of the stereo image

To be combined with COLOR and SPREAD settings

Playing neighboring samples, this parameter shifts the color of the sound in a unique way

Works in ALT and UNI mode, setting the stereo spread

Works only in UNI mode, detuning both layers

This section allows you to choose what will be assigned to the modwheel.

• VIBRATO

• VBRT

• TREMOLO

• TRML

• FILTER

• FLTR

On/Off

Speed of the vibrato (free)

On/Off

Speed of the tremolo (tempo dependent)

On/Off

Depth setting from the low pass filter cut off frequency

> EFFECTS

• DRIVE

• DRVE

• CRUSHER

• CRSH

• PHASER

• PHSR

• DELAY

• DLY

• REVERB

• RVRB

On/Off

Adjust Drive amount.

On/Off

Adjust Crusher amount.

On/Off

To adjust the Dry/Wet weighting

On/Off

To adjust the Dry/Wet weighting

On/Off

To adjust the Dry/Wet weighting

16

FMX1 USER INTERFACE

2. MOD Page

FMX-1 features a complete LFO and an intuitive Step Sequencer modulator that can be connected to pitch, volume, drive and filter.

Load FMX1 Presets into UVI Workstation

In Multi mode, double-click on a part name or, in Single mode, double-click on the preset name ( you can also press the «eye» symbol on the UI), and you will see the browser below when selecting an FMX-1 Preset.

STEP SEQUENCER PARAMETERS

• STEP Number of steps

• DELAY

• RISE

Time to activate step

Time to activate with a smooth transition

• SMOOTH Smoothing the level value

• RESOLUTION Speed resolution of the step

Note :

The ‘Smooth’ parameter interpolates values between steps, allowing you to use the Step Sequencer as a custom LFO.

STEP MOD ROUTING

• Knob

STEP EDIT

Set the level of the step modulator to volume and filter.

Simply draw your steps with the mouse.

A step with a value of «0» is like having no step.

LFO PARAMETERS

• SYNC

• SPEED

• EG Depth

• Attack Time

• Decay Time

• LFO Type

LFO DESTINATION

Enable/Disable Sync LFO to Host Tempo

Speed of the LFO

Set the depth of the envelope assigned to LFO speed

Set Attack time the LFO speed’s envelope

Set Decay time the LFO speed’s envelope

Select Waveform of the LFO : Sine, Square, Triangle or Sample & Hold (random)

LFO can be connected independently on both layers for pitch, volume, drive and filter.

• Knob Set the level of the LFO per destination

Save/Load Your Own FMX1 Preset

In UVI Workstation you can save your own settings with the ‘Save Mutli’ option available in Multi-mode.

In MOTU MachFive 3 single preset saving is available.

If you’re working within a DAW, all settings will be saved with your project file automatically.

17

FMX1 PRESETS LIST

Bassploitation Wheel

Classic DX Bass

FM Sub

FMized Bass

Funky Bossy

Harsh Bass

Hybrid F Crunch

Imagibassion

Jaco Fretless

Round Bass

X-Funky Trash

Bells

Bellet

ChristFMas

Flexi Bell

Glassolo

Glocken Dream

Heaven Gosp

Little Bell

Multi Bells

Music Crusher Box

Music Vox

New Wave Tube

Organic FM Bells

Tubulars

Arpeggios

A Muse Eye

Chord Actuator

Chord Last Word

Chord Power G

Chord Proximity Array

Ethno Synth

FM Game

Inter Nate Arp

Linear Processes

Magical Toys

Metal Zag

Mysterious Mallet

Plastecine Vein

Pure FM Arp

The Crush

Two Balaphonic

World Is Wheel

Bass

Fretted

Classic FM Fret

Digital Guitar

Edgital Guitar

FM Strat Soft

GuitaBrass

Hybrid Fretted

Nylon Stage

Plastic Harp

Square Harp

Stringed BX

FX

Amber Consequence

Burning Up

Electromagnetic Drone

Lazer Cave

LynXience

Off The Wall

SFX Scream

Shoot In Space

Space F Two

Thunder Pad

UFmO

VCS Madness

WOPR Jam

Xcape from Hell

Keys

Clavinet A

DX1 Clavinet Full

DX1 Full Tines

Electric Organ

Electric Piano 1

Electric Piano 2

EP Metal Bell

FunkHybrid

Gospel FM

Hybrid Tines

Medium Tines

Mellow Electric

Multi Keys

Old Upright

Pipe Organ Bright

Pipe Organ Dark

Reggae FM

Rockin Organ

Supertramp

Tines Dark

Toy Piano

Wurly Tines

Xborgan Bubbles

Zombi Dancer EP

Lead

80s Brass Lead

Hybrid CS80 Solo

Liquid Mosquitos

Mono LFO

Organizer FM

Pure FM Solo

So Sexy Brassy

Solomono

Sweepy Leader

Truncated Transmission

Uneven Surfaces

Z Bastion Lead

Mallet

Acoustic Mallet

DX1 Vibes

Ethnic Flavour

FMarimba

Noisy Blocks

Syn Mallet Vox

Tubuvibes

Tune Percs

Vibe Vibes

Misc.

:

Almost Seventies

Brasspsichord

Digital X

Dream Poly Short

Dstep Power Syn

FM Typical Synth

Keys Rockin

Pop Corn Wheel BPF

Powanaloger

Raw Short Synth

Scritti Chyme

Sonic One O One

Space Edit

THE Gomono

Orchestral

Analog Strings

Bright Strings

Dirty Brass

DX1 Pure Brass

FM Section

FrenchM Horns

Harpsichord

High FM Strings

Horn Section 2 way

Iconic Brass

Majestic CS80 Brass

Mid Strings B

Motional Strings

Noisy Brass

Plastic Brass

Pure FM Brass

Subtle 5th Brass

Syn Brass

That 80s Brass

Wha Wheel Brass

Pads

Bad Ass Pad

Blue Big Bang

Dream Pad

Fifth Dimension

FM Analog Synth

FoMinous

Grand Openning

Hemispherical Gates

Hybrid Pad

Interference

Mohair Pad

Natiproton Decelerator

Ominous Section

Pictures

Portatmosphere

ProFet Marvel

Quasi Gomo

Saint El DX1

Slow Attack

Solar Fields

Sun Rise

Sweep Saxtone

Turning Dust to Vipers

Vox Purity

Xtra 4OP

Analog Bass

BellissimaX

Celeste

Clavi Four

Dyno My FM

Eighty One Bells

EML Impression

Ethno Choo

Fat Analog Bass

FM CPiano

FM4 Piano

Full OrPgan

Fuzz Mania

Gost Sine

Hand Drums

Heavy Bass

Lead Synthox

Metal Pad

Nitro Bells

Noisy Beauty

Pad Chemist

Perc Organ

Pianotic

Space Cathedral

Sweep Fiesta

Synth Aero

That Clavinet

Ultra Cheap Organ

V Church

Wave 2 Lead

Wave 4 Lead

Wave 5 Bass

X4 Analogic

Z Voices

18

ABOUT KROMA

THE TWO KROMA PAGES

1. EDIT PAGE

The Rhodes Chroma is a unique specimen, easily identified by it’s vibrant looks and sound. One of the first microprocessor-based analog synths, Chroma was the last keyboard designed by ARP, a pioneering synthesizer house of the 70’s, before Rhodes later began selling it in early eighties. The sound of Chroma is very, very good—rich and immediate.

UVI Kroma comes loaded with dozens of presets programmed on a fully restored unit including Arpeggios, Bass, Bells, Brass, FX, Leads, Pads, Strings,

Sweeps. Even the basic waveforms of the unit were sampled to allow design of new patches. Take complete control of this veritable classic with a built in arpeggiator, step sequencer, LFOs and precision modeled FX.

From elegant and brassy to analog atmosphere and everywhere in-between,

UVI Kroma brings back a forgotten classic with an arsenal of sound sculpting tools exclusive to the UVI Engine.

Sound generation and effect controls

2. MODULATION PAGE

Kroma is also avaiblable as a single instrument.

LFO, Step Sequencer and modulation routings

19

KROMA USER INTERFACE

After loading a preset into the UVI Workstation or MachFive 3, you’ll find the following graphic interface for each of the Kroma presets. The included features allow for quick and intuitive sound sculpting.

1. EDIT Page

ARP ON/OFF

Some Kroma presets use an internal arpeggiator that you can desactivate thanks to this button. Don’t forget that you can use the full-featured UVI

Workstation arpeggiators in any preset !

AMPLITUDE

• A / D / S / R

• VEL SENSE

• VEL > ATK

Volume envelope

Adjust velocity sensitivity

Convert low velocities to long attacks and high velocities to short attacks

Note: the longest attack will be set by the «A» parameter.

FILTER

• HP / BP / HP

• CUT OFF

• RES

• ENV DEPTH

• A / D / S / R

• VEL SENSE

Filter mode

Set cut-off frequency

Adjust resonance (Q) of the filter

Depth of the ADSR applied to the filter

Filter envelope

Adjust velocity sensitivity

PITCH

• DEPTH

• TIME

• MODE

Set the depth of the portamento in Poly mode.

Set the glide time of both mode

Switch from Poly to Mono mode

NOISE OSC

• Noise Type Select Pink of White noise

• Noise Osc Screen Adjust Noise volume

STEREO

• OFF

• ALT

• UNI

• COLOR

• SPREAD

• TUNE

> EFFECTS

• DRIVE

• DRIVE

• PHASER

• MIX

• DELAY

• MIX

• REVERB

• MIX

Standard playing mode using mono samples

This emulates the multiple output from old samplers

Each voice is panned sequentially from left to right

(SPREAD parameter sets the depth of the stereo)

Using sound layering manipulation, this feature allows a dramatic extension of the stereo image

To be combined with COLOR and SPREAD settings

Playing neighboring samples, this parameter shifts the color of the sound in a unique way

Works in ALT and UNI mode, setting the stereo spread.

Works only in UNI mode, detuning both layers

> MODWHEEL

This section allows you to choose what will be assigned to the modwheel.

• VIBRATO

• RATE

• TREMOLO

• RATE

• FILTER

• DEPTH

On/Off

Speed of the vibrato (free)

On/Off

Speed of the tremolo (tempo dependent)

On/Off

Depth setting from the low pass filter cut off frequency

On/Off

Adjust Drive amount.

To adjust the Dry/Wet weighting

On/Off

To adjust the Dry/Wet weighting

On/Off

To adjust the Dry/Wet weighting

2. MOD Page

Kroma features a complete LFO and an intuitive Step Sequencer modulator that can be connected to pitch, volume, drive and filter.

20

KROMA USER INTERFACE

LFO

LFO PARAMETERS

• SYNC

• SPEED

• EG Depth

• Attack Time

• Decay Time

• LFO Type

LFO DESTINATION

Enable/Disable Sync LFO to Host Tempo

Speed of the LFO

Set the depth of the envelope assigned to LFO speed

Set Attack time the LFO speed’s envelope

Set Decay time the LFO speed’s envelope

Select Waveform of the LFO : Sine, Square, Triangle or Sample & Hold (random)

LFO can be connected independently on both layers for pitch, volume, drive and filter.

• Knob Set the level of the LFO per destination

Step Sequencer

Load Kroma Presets into UVI Workstation

In Multi mode, double-click on a part name or, in Single mode, double-click on the preset name ( you can also press the «eye» symbol on the UI), and you will see the browser below when selecting an Energy Preset.

STEP MODULATOR PARAMETERS

• RES

• STEP

• DELAY

• RISE

• SMOOTH

Speed resolution of the step

Number of steps

Time to activate step

Time to activate with a smooth transition

Smoothing the level value

Note :

The ‘Smooth’ parameter interpolates values between steps, allowing you to use the Step Sequencer as a custom LFO

STEP DESTINATION

• Knob Set the level of the step modulator to volume and filter.

Save/Load Your Own Kroma Preset

In UVI Workstation you can save your own settings with the ‘Save Mutli’ option available in Multi-mode.

In MOTU MachFive 3 single preset saving is available.

If you’re working within a DAW, all settings will be saved with your project file automatically.

STEP EDIT

Simply draw your steps with the mouse.

A step with a value of «0» is like having no step.

21

KROMA PRESETS LIST

Arpeggios

Bronski Bass

Chord Wheel Me

FX Sequence

Instant Reggae

Jacky Nalog

Korda Chrome

Kromarpeggio 1

Saw Sage

Sequence Man

Technauto

Trashpegiator

Bass

Bassmati

Crytpon B

Daft Funky

Jam on It

Lazer Harp Wheel

Lead Bass

Mr Basso

Obassma

Squaring

Standard

Bells

Bell My Doo

Christmas Bells

Cristanalog Clear

Harp Bell

Jingle Bell

Metabellic

Noisy Bell

Soft Palace

Wendy Dark Tube

Wonder Bell

Brassy

Brassizer

Chroma Poly Brass

Cool Brass

Crawling

Hybrid Trumpets

LyncHorn

Majestic Horns

Mayhem of Brass

Mercury Brass

Stabnalogic

Toto Feel

22

Vangelo

Warm Soft Brass

FX

Beast Who Fly

KromaX FX Menu 1

KromaX FX Menu 2

Mini THX

Plan Nine

Snakes Talking

Stress Lodge

Keyboards

Chromatic Solo

Fifth Solo

Funky Man

Guitar Sync

HP Wave

Nasty Lead

Noisy Brassy Lead

Scarlead

Scream Solo

Slowlo Synth

Solid Saw Lead

Tube Solo

Pads

Analog Beauty

Analog Choir 1

Arctic Pad

AKromardion

Analog Toy Piano

Baby Organ

Caroussel Organ

Clavinex

Electric Piano

FunKroma Clav

Harpsynalog

Jazzy KrOrgan

Soft Church

Space Piano

SweePiano

Synth Clavecin

Synth Harp

Too Filtered Piano

Very Soft Keys

Wursynthzer

Leads

Brass me Tender

Changosphere

Chrominous Pad

Dreamy One

Evolupad

Ionized

Padamento

Philadelphia

Pure Pad

Roady Pad

Silencio

Superbe

Tiny Voice

Polysynth

Cindy Soft

Eighties Stab

EmoPolytional

Hybrid Poly

Massive Polysynth

Organopolis

Poly Culture

Polysound

PortaGrainto

Prophet Fifth

Radom Filter

Short Stab

Wheel Me

Strings

Analog Orchestra

BrasStrings

Eminent Like

Equinox

HP Strings

Imaginary Stacc

Just Soline

Sweeps

Fest du Sweep

Fifth Floor

Galactica

Inverted

Multi Sweep

Road Sweep

Sweeper

Windy Carlos

Waves

Saw PWM 00

Saw PWM 03

Saw PWM 05

Saw PWM 08

Saw PWM 10

Square PWM 01

Square PWM 03

Square PWM 05

Square PWM 08

Square PWM 10

ABOUT SYNTHOX

Considered by some to be the best analog synthesizer ever designed, the Synthex comes to us from the

Italian manufacturer Elka. The

Synthex was made famous by Jean

Michel Jarre on his ‘Rendez vous’

EP which features a ripping Lazer

Harp sound. Due to the oscillator design and lush filters this synth packs a distinctly thick and raw ding working units can be a tedious and expensive task; UVI Synthox brings you the best of this instrument in the form of a convenient and extraordinary sounding soft synth.

sound. The Synthex has become increasingly rare with time and fin-

UVI Synthox features a dual-layer architecture and instant preset/layer switching making it an extraordinarily responsive and capable instrument. Layers include all possible base waveforms and noises from the hardware as well as expertly programmed presets. We’ve gone to great lengths to ensure the authentic sound and natural texture of these machines was preserved and translated clearly in our instruments. We sampled everything, including the raw waveforms with different configurations of the Chorus section.

Take this classic to the next level with the UVI Engine;

Synthex comes packed with a wealth of features to enrich and further customize your sounds, including double arpeggios, a step sequencer,

LFOs and precision modeled

FX—allowing you to explore territory the old hardware couldn’t dream of.

From thick and sizzling textures to funky analog tones and everywhere in-between, UVI Synthox has a distinct and addictive sound.

1. EDIT PAGE

THE THREE SYNTHOX PAGES

Sound generation and effect controls for Layers A and B

2. MODULATION PAGE

LFO, Step Sequencer and modulation routings

3. ARPGEGIATOR PAGE

Synthox is also avaiblable as a single instrument.

Dual arpeggiators

23

SYNTHOX USER INTERFACE

Synthox loads sounds and waveforms in two layers (A and B), you can edit each with all available controls. Synthox includes 128 presets which can be accessed instantly from any page.

MAIN section

AMPLITUDE

• A / D / S / R

• NO VEL

• VEL > ATK

FILTER

Volume envelope

When on, all sounds will be played at maximum volume.

Convert low velocities to long attacks and high velocities to short attacks

• EDIT/MOD/ARP Switch from EDIT page to MOD page to ARP page

• MUTE A/B Mute Layer A or B

• VOLUME/PAN Control volume and pan for layer A or B

• OCTAVE

• MASTER

• PRESET

Octave transpose of the current layer

Global volume control

Select one of the global presets by using the arrows or the conventional preset list

VOICE CONTROLS / EDIT

• TYPE Select from LPF, BPF, HPF and no filter

• CUT OFF / RES Low pass filter, cut off and resonance

• EG DEPTH

• VELOCITY

• A / D / S / R

Depth of the ADSR applied to the filter

Second LPF filter mapped to velocity

Filter envelope

STEREO

You can choose to edit only the layer A, only the layer B, or both layers at the same time.

• 1st selection line

This slot allows you to select one of the category below: Keys, Organ-Flute,

Polysynth, Seq-Lead, Waves Noise, Waves Osc, Waves Osc Chorus A &

Waves Osc Chorus B.

• 2nd selection line

This slot allows you to change the sound from selected category.

1. EDIT Page

• OFF

• ALT

• UNI

• COLOR

• SPREAD

• TUNE

PITCH

Standard playing mode using mono samples

This emulates the multiple output from old samplers

Each voice is panned sequentially from left to right

(SPREAD parameter sets the depth of the stereo)

Using sound layering manipulation, this feature allows a dramatic extension of the stereo image

To be combined with COLOR and SPREAD settings

Playing neighboring samples, this parameter shifts the color of the sound in a unique way

Works in ALT and UNI mode, setting the stereo spread.

Works only in UNI mode, detuning both layers

• TUNE

• DEPTH

• TIME

• MODE

Tune the selected layer in semitones/cents

Note: you can double click on the knob to enter the desired value.

Set the depth of the portamento

Set the glide time

Switch from Poly to Mono mode

24

SYNTHOX USER INTERFACE

MODWHEEL CONTROLS

• Attack Time

• Decay Time

• LFO Type

LFO DESTINATION

Set Attack time the LFO speed’s envelope

Set Decay time the LFO speed’s envelope

Select Waveform of the LFO : Sine, Square, Triangle or Sample & Hold (random)

This section allows you to choose what will be assigned to the modwheel.

• VIBRATO

• RATE

• TREMOLO

• RATE

• FILTER

• DEPTH

On/Off

Speed of the vibrato (free)

On/Off

Speed of the tremolo (tempo dependent)

On/Off

Depth setting from the low pass filter cut off frequency

EFFECTS

The LFO can be routed independently to either layers pitch, volume, drive or filter.

• Knob

• Button A/B

Set the level of the

Set the destination of the LFO

STEP MODULATOR PARAMETERS

• PHASER

• MIX

• DELAY

• MIX

• REVERB

• MIX

On/Off

To adjust the Dry/Wet weighting

On/Off

To adjust the Dry/Wet weighting

On/Off

To adjust the Dry/Wet weighting

Note:

You can add as many FX as you want in the UVI Workstation, and you can even edit the sounds deeper within MOTU MachFive 3.1.

2. MOD Page

Synthox includes a freely controllable LFO and Step Sequence modulators which can be routed independently to both layers

• RES

• STEP

• DELAY

• RISE

• SMOOTH

Speed resolution of the step

Number of steps

Time to activate step

Time to activate with a smooth transition

Smoothing the level value

Note:

The ‘Smooth’ parameter interpolates values between steps, allowing you to use the Step Sequencer as a custom LFO.

STEP DESTINATION

• Knob

• Button A/B

STEP EDIT

Set the level of the step modulator

Set the destination of the step modulator

LFO PARAMETERS

• SYNC

• SPEED

• EG Depth

Enable/Disable Sync LFO to Host Tempo

Speed of the LFO

Set the depth of the envelope assigned to LFO speed

Simply draw your steps with the mouse.

A step with a value of «0» is like having no step.

25

SYNTHOX USER INTERFACE

3. ARP Page

Synthox includes two arpeggiators which can be routed to each layer independently (DUAL MODE), or the first to both layers (MONO MODE). Arpeggiators are always synced to the UVI Workstation or MachFive 3 master tempo.

Load Syntox into UVI Workstation

In Multi mode, double-click on a part name or, in Single mode, double-click on the preset name ( you can also press the «eye» symbol on the UI), and you will see the browser below when selecting Synthox.

MODE

• DUAL ON

• DUAL OFF

ARP PARAMETERS

ARP 1 is connected to Layer A and Layer B

ARP 1 is connected to Layer 1 and ARP 2 to Layer B

The ‘Synthox.M5p’ contains all data and presets for the instrument; this allows for instant preset changes.

• ARP MODE

• RES

• OCTAVE

• GATE

• STEP

ARP STEP EDITOR

Select up, down or up & down

Select the speed of the Arpeggiator

Extend the range of the Arpeggiator from + 3 to - 3 octaves

Adjust the note length

Select the number of steps played

1

2

1 - COLUMN

2 - LINK

Adjust the velocity of a step

Link a step to the previous one

Save/Load Your Own Synthox Preset

In UVI Workstation you can save your own settings with the ‘Save Mutli’ option available in Multi-mode.

In MOTU MachFive 3 single preset saving is available.

If you’re working within a DAW, all settings will be saved with your project file automatically.

26

Load Syntox into UVI Workstation

In Multi mode, double-click on a part name or, in Single mode, double-click on the preset name ( you can also press the «eye» symbol on the UI), and you will see the browser below when selecting Synthox.

The ‘Synthox.M5p’ contains all data and presets for the instrument; this allows for instant preset changes.

Save/Load Your Own Synthox Preset

In UVI Workstation you can save your own settings with the ‘Save Mutli’ option available in Multi-mode.

In MOTU MachFive 3 single preset saving is available.

If you’re working within a DAW, all settings will be saved with your project file automatically.

Arpeggios

AR-Analog Heart

AR-Back in Time

AR-JMJ Double Arp

AR-Pop Cornox

AR-Rythm and Arp

AR-Space Caroussel

AR-Synthoxerone

AR-Universe Sound

AR-Wonderland

AR-Z Plane Airlines

AR-Zamundsens Axel

Bells

BL-BellKa

BL-Brush Bells

BL-Happy New Year

BL-Little Porta

BL-Paper Bell

Brassy

BR-B11 Wah brass

BR-B17 Brass I

BR-B18 Brass II

BR-B19 Brass III

BR-Brasspeggios

BR-Grace Brass

BR-Velvet Aurora

Bass

BS-Funky Sub

BS-Kev Bassic

BS-One Finger Analog

BS-Ring Modus

BS-Skream Lexx

BS-Synthoxico

BS-TB Inspiration

BS-Ultra Funk

BS-Weird One

BS-Wheel Control

BS-Wheelex

BS-Whistle Sub

BS-ZanziBass

Play Chords

CH-Chain Lightning

CH-Circuit Jumper

CH-Determination

CH-Jack Sail Air

CH-Lunar Scarab

CH-Omni Step

SYNTHOX PRESETS & LAYER LIST

CH-Union Jacking

CH-Use your Wheel

CH-Variator

CH-Vulcan Trampoline

FXs

FX-Framheim Wind

FX-Park Six More

FX-Terra Novox

FX-The Bomb

Keyboards

KB-B15 Tremolo piano

KB-B23 Church organ

KB-B24 Reed organ

KB-B25 Electric organ

KB-B30 Metallic piano

KB-B31 Pianet

KB-B32 Funky Clav

KB-B33 Clavichord I

KB-B34 Clavichord II

KB-B35 Clavinet

KB-B36 Electric Piano I

KB-B37 Electric Piano 2

KB-B38 Chimes

KB-B39 Vibes

KB-Dream Hes Beck

KB-Dulce Organ

KB-Keys and Sweep

KB-Organisation

KB-PhonKB

KB-PianoOSc

KB-Road Cruiser

Leads

LD-B12 Fat Sound

LD-B13 Metallic

LD-B14 Pan flutes

LD-B41 Sweep 2

LD-B43 Landing

LD-B46 Ring mod

LD-B49 Whistle

LD-Chorusolo

LD-Dstep Polead

LD-Pure Sawtooth

LD-The Court Jet

LD-Therem Whistle

LD-Ultra Solo

LD-Water Drop Lead

Pads

Layer content

Keys

PD-Air Dream Keys

PD-AL Jarre High

PD-B16 Chorale

PD-B26 High pass swp

PD-BarbapaPad

PD-Deep Orbit

PD-Evolugate Wonder

PD-Glacier Veins

PD-Glycosidic Bond

PD-Lost Music Box

PD-Porta Sweep on Wheel

PD-Robotic Love

PD-Smooth One

PD-StePad Plaza

PD-Sweet Place

PD-Teal Voices

PD-Tender Threads

PD-Zen and Beauty

Polysynth

Clavichord1

Clavichord2

Clavinet

EPiano1

EPiano2

FunkyClav

MetallicPiano

Pianet

TremoloPiano

Vibes

Organ-Flute

Chimes

ChurchOrgan

ElectronicOrgan

PanFlutes

ReedOrgan

Whistle

Pad-Chorused

PL-B10 Chunky synth

PL-B40 Sweep 1

PL-B44 Wash of sound

PL-B45 Fast decay

PL-B46 Ring mod Harp

PL-B47 Phased sweep

PL-B48 Bass pluck

PL-Complextro Figures

PL-Grain Poly

PL-Onyx Wheel Me

PL-Trance Evolwheel

PL-Tri Repeater

Cellos

Chorale

DoubleBass

FilteredChorus

FilteredStrings

HiPassSweep

PhasedSweep

Violins

Polysynth

Strings

ST-B20 Double basses

ST-B21 Cellos

ST-B22 Violins

ST-B28 Filtered chorus

ST-B29 Filtered strings

ST-Dual Layer Strings

ST-Space O Tron

Sweeps

BassPluck1

Brass1

Brass2

Brass3

ChunkySynth

FilteredBrass

TakeOff 1

TakeOff 2

WahBrass

WashOfSound

SW-B42 Take-off

SW-Moelleux

SW-Quality Sweep

SW-Sun Glasses

SW-Ultra Sweep

Note:

All the BXX named presets are inspired from the original factory presets supplied with the beast.

Seq-Lead

BassPluck2

FastDecay

FatSound

Landing

Metallic

RingMod1

RingMod2

Sweep1

Sweep2

Waves Noise

PinkNoise

WhiteNoise

Waves Osc

PWM-2

PWM-4

PWM+2

PWM+4

Sawtooth

Square

Triangle

Wvs Osc Chorus A

CH1-PWM-2

CH1-PWM-4

CH1-PWM+2

CH1-PWM+4

CH1-Saw

CH1-Square

CH1-Triangle

Wvs Osc Chorus A

PWM-2

PWM-4

PWM+2

PWM+4

Saw

Square

Tri

27

ABOUT U1250

The first keyboard to deliver sampled waveforms via oscillator, the K250 was a joint effort carried out with legendary musician Stevie Wonder, the founder of ARP—Alan Pearlman, and prolific synthesizer artisan Bob Moog among others. Able to produce brilliant acoustic sounds without the use of disk drives, the K250 was the world’s first ROMpler and boasted an impressive 24 voices of polyphony. A beastly 88 weighted-keyboard instrument, the K250 was designed with performance in mind and later joined by the K1000—a 76-key version which came with additional sounds but was relatively difficult to program due to restrictive front-panel controls.

In making the U1250 we decided to tackle both the K250 and the K1000 serie, programming a wide range of sounds including Acoustic and Electric Pianos,

Bells, Mallets, Drums, Percussion, Guitar, Bass, Pads, Wind, Brass and other

Orchestral instruments, many of the patches evoking classic Eighties nostalgia.

These sounds were then tediously multi-sample to produce the rich library of the U1250.

These classic sounds from the late 80’s and early 90’s are given new life and playability with the UVI Engine. We’ve included a number of controls that offer easy customization and enhanced sculpting not available in hardware.

These features combined offer a deep and unparalleled experience.

U1250 User Interface

U1250 is also avaiblable as a single instrument

28

U1250 USER INTERFACE

After loading a preset from U1250 into the UVI Workstation 2 or MachFive 3, you’ll find the following graphic interface.

The included features allow to tweak the sounds quickly and intuitively.

> PITCH ENV

This section allows you to simulate a portamento like effect.

• DEPTH

• TIME

To adjust the depth of the Pitch envelope

To set the timing of the Pitch envelope

> DRIVE

• On/Off

• AMOUNT

> EFFECTS

• PHASER

• MIX

• DELAY

• MIX

• REVERB

• MIX

To bypass or activate the Drive effect

Adjust Drive amount

> MODWHEEL

This section allows you to choose what will be assigned to the modwheel.

• VIBRATO

• RATE

• TREMOLO

• RATE

• FILTER

• DEPTH

On/Off

Speed of the vibrato (free)

On/Off

Speed of the tremolo (tempo dependent)

On/Off

Depth setting from the low pass filter cut off frequency

On/Off

To adjust the Dry/Wet weighting

On/Off

To adjust the Dry/Wet weighting

On/Off

To adjust the Dry/Wet weighting

> AMPLITUDE

• A / D / S / R

• VEL SENSE

• VEL > ATK

Typical volume envelope

Adjust velocity sensitivity

Convert low velocities to long attacks and high velocities to short attacks

Note: the longest attack will be set by the «A» parameter.

> FILTER

• HP / BP / HP

• ENV DEPTH

• CUT OFF

• RES

Filter mode

Depth of the ADSR applied to the filter

Set cut-off frequency

Adjust resonance (Q) of the filter

> FILTER ENV

• A / D / S / R

• VEL SENSE

> STEREO

• OFF

• ALT

• UNI

• COLOR

• SPREAD

• TUNE

Typical filter envelope

Adjust velocity sensitivity

Standard playing mode using mono samples

This emulates the multiple output from old samplers

Each voice is panned sequencially from left to right

(SPREAD parameter sets the depth of the stereo)

Using sound layering manipulation, this feature allows a dramatic extension of the stereo image

To be combined with COLOR and SPREAD settings

Playing neighbouring samples, this parameter shifts the color of the sound in a unique way

Works in ALT and UNI mode, setting the stereo spread

Works only in UNI mode, detuning both layers

ABOUT SPARKVERB™

The reverberation included in U1250 is the new UVI SparkVerb™, a highly advanced synthetic reverb that focuses on sound quality and musicality.

By using U1250 whithin MachFive 3 and UVI Workstation 2 you’ll be able to edit all the SparkVerb™ parameters.

> BIT CRUSHER

This section affects the loaded U-1250 preset globally.

• POWER

• BIT

On/Off from 0 to 24 bit

• FREQUENCY from 0 to 48 000 Hz

• DRIVE add drive to the output

29

U1250 PRESETS LIST

Acoustic &

Electric Pianos

Classic Electric

Classic EP Phased

Concert Piano

Dyno Tines

Electric Dream

HarPiano Ballad

Honky Tonk

Hybrid Tines

K Tines Full

K Tines Hard

K Tines Mellow

K Tines Soft

Large Piano

Liquid EPiano

New Age Grand 1

New Age Grand 2

Piano and Strings

Power Grand

Rock 250 Piano

Synth Cheap Piano

Two Fifty Grand

WurlEPiano`

Bell & Mallet

Caribean Steel Drums

Chill Out Marimbas

Columbells

Delay Bells

Dirty One

Dream Bell

Jezza Bell

K-alimba

Kristmas Bells

Marimbell

Metal Chimes

Road Bells 1

Road Bells 2

So Pure

Suspense Chord

Vibes

Voices and Bells

Zigomatic Mallet

Drums-Percs

Big Rock Drums

Collins Gated Kit

Factory Metal

Granular Impact

30

Jedi Atam Air

Metal C Works

Mix Drum Perc Kit

Orchesral Timpani

Standard Kit

Tribal Mood

Guitar-Bass

Acoustic Guitar Simple

Acoustic Guitar Stereo

Aqua Bass

Crunch Mutes

Dist Lead Guitar

Electric Bass

Huge Stack Guitar

Hybrid Synth Guitar

Jazz Acoustic Bass

K12 Strings Guitar

Obassession

Obese Guitar Wall

Slapped Bass

Y Bass Guitar

Keyboards

Alien Keys

Barbarie Flute

Chinese Keys

Claroussel

DulciMother

Electric Church

Electric Organ A

Electric Organ B

Full DrawBar Leslie

Full DrawBar Stop

Harpsichord

Jaguar Organ

Jazz Organ

Klavinetology

Sine Keys

Smart Polysynth

Smoothy Organ

Street Organ

Ultra Klav

Orchestra

Action Strings

Dimension Orchestra

Emotional Strings

Fast Strings Ensemble

Flarimbas

Glass Strings

Glassic Choirs

Harp Classical

Harp Glissando

Harp GlissandUp

Harp New Age

Hybrid Harp

Large Strings Ensemble

Little Orchestra

Mallet Orchestra

New K Choir 1

New K Choir 2

Old K Choir 1

Old K Choir 2

Pianovoxchestack

PizzOrchestal

Soft Strings Orchestra

The K Brass

Tristesse Strings

Pads

Bowed PiADno

Cloud Voices

Ess K Pad

Fat Analog Pad

Filter Wheel

Flutty Pad

Ghostmosphere

Lauper Synth

Ominous Full

Ominous K Dark

Slow Distorsion

Smart Pad

Synths

Amanda Lead

Analog Strings

FX Falling Synth

K Sawlo

Lets Get Funky

Mallet Brass Synth

One Two Lead

Organic Synth

Oscillator Mayhem

PolySaw

Power K Synth

Sinus Porta Pad

Space Keys

Starship Drone

Techno Synth Sax

That 90s Synth

TOP Forty 80s

Voice OLo

Wave Lead

Wind & Brass

Bar Horn Section

Brass Band

Classical Flute

Full Brass

Full Horn Solo

Horn Ensemble

Klarinet

Little Room Band

Reed Ensemble

Sexy Sax

Tower Brass

Trombone

Trumpet High

Trumpet

Uboe

World Flute

Yon Soft Horns

CREDITS & THANKS

Produced by UVI

Recording / Editing / Sound Design

Damien Vallet

Emmanuel Usai

Kevin Guilhaumou

Alain J Etchart

Nathaniel Reeves

Scripting & Software

Olivier Tristan

Remy Muller

Graphic Design

Nathaniel Reeves

Anthony Hak

Special Thanks

Jean-Bernard Emond for the Kurzweil K250 and DK Synergy

Eric Inglebert for the Chroma Polaris & Elka Synthex

Christian Braut for the Yamaha DX1

Manu @ Masterwave for everything else !

* Yamaha, Elka, ARP, Rhodes, Kurzweil, D.K, CS70M, CS40M, CS20M, DX1, Synthex, Chroma,

K250, K1000 and Synergy are trademarks of their respective owners and are not affiliated, endorsed, connected or sponsored in any way to this manual or any of our affiliate websites ; therefore do not be confused between UVI and these brands.

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