Strymon TimeLine User manual

USER MANUAL

®

TimeLine

- User Manual

Front Panel Controls

VALUE: Provides fine adjustment of delay time.

Push to access the parameter menu for the current delay machine. Hold to access the global menu.

TIME: Provides coarse adjustment of delay time.

REPEATS: Sets the delay feedback level (number of repeats.)

FILTER: Controls the shape of the repeats filter.

dTape: controls tape age dBucket: controls the special dBucket filter. See dBucket section for full details.

Filter: controls center frequency of LFO filter.

TYPE: Selects the currently active delay machine. Push to toggle the display between showing time and the current bank. Hold to save the current preset.

TIP: If the parameter or global menu is currently displayed, push to exit and show bank or time.

REVERSE

PATTERN

DUAL

ICE

DUCK

SWELL

DIGITAL TREM dBUCKET dTAPE LO-FI

TYPE

push (bank / time) hold (save)

FILTER

VALUE

push (param) hold (global)

®

FILTER

TIME

GRIT

REPEATS

SPEED

A & B LEDS: Green if active. Amber if the preset has been edited.

Off if bypassed.

TAP LED: Flashes to indicate delay time in quarter notes. Flashes alternating red/green while looper is active.

Flashes amber to indicate that a tap division is active.

TIP: To find the knob positions of a saved preset, turn each knob until the LED returns to GREEN after glowing

Amber.

REC / DUB

A

FOOTSWITCH A: Press to engage or bypass preset A of the current bank. Hold to activate infinite repeats.

Looper Active: Activates record if there is no loop recorded or clears the loop and starts recording if the looper is stopped. Overdubs if loop is playing.

BANK DOWN

PLAY

B

BANK UP

TAP

FOOTSWITCH B: Press to engage or bypass infinite repeats.

MIX

Looper Active: Starts playing loop. Restarts

MOD preset B of the current bank. Hold to activate loop from beginning if pressed while playing.

MIX: Adjusts the mix of analog dry signal to wet delay signal. The Mix occurs in analog. Set around 3 o’clock for a

50/50 mix.

GRIT:

Progressively adds distortion and artifacts dTape: controls tape bias dBucket: controls bucket loss

DEPTH

STOP hold (looper)

SPEED:

Controls the speed of the delay modulation LFO dTape: controls tape crinkle

DEPTH:

Controls the intensity of the delay modulation.

dTape: controls wow & flutter

TAP: Tap to set the delay time.

Looper Active: Stops loop.

Hold to enter and exit looper.

BANK SELECT: Press A & B to select a lower bank. Press B & TAP to select a higher bank. While the selected bank is pending it is displayed as “B.A.N.K.”

After the desired bank is selected, press A or B to activate a preset from that bank.

® pg 2

TimeLine

- User Manual

Rear Panel

INPUTS: High impedance inputs.

Use LEFT input for mono. RIGHT

IN is used as an effect return if the feedback loop is selected.

POWER: NEVER plug into voltage higher than 9VDC. Requires at least

300mA of available current. 9V DC center negative polarity.

®

OUTPUTS: Use LEFT output for mono. RIGHT OUT is used as an effect send if the feedback loop is selected.

EXP: Connect an expression pedal or switch for external tap tempo. See EXP

Connections

MIDI: Full featured MIDI input and output supporting Midi CCs,

Program changes, etc. See the

MIDI Specification section for a complete list of features and commands.

LOOP SWITCH: Set switch to feedback loop to insert an effect in the delay feedback path. See

Feedback Loop.

pg 3

TimeLine

- User Manual

®

In Depth: Filter & Grit controls

The Filter knob works in conjunction with the Grit knob to shape the fidelity of the repeats. The brightest and cleanest repeats occur when they are both set at the minimum position.

*The below descriptions are for the Digital, Dual, Pattern, Reverse, Ice, Duck, Swell, Trem & Lo-Fi delay machines. To see how the Filter &

REVERSE

VALUE


TIME REPEATS MIX

PATTERN

ICE

DUCK

DUAL SWELL

DIGITAL TREM

REVERSE dBUCKET FILTER

FILTER

Function provides a flat full-bandwidth

® response. As you turn the knob up, the repeats

DIGITAL

ICE

SWELL

TREM

VALUE


SPEED

MOD

TIME

DEPTH

A

As you continue to turn the Filter Knob, the low end is progressively reduced, and some highs are added back in to create an EQ curve similar to that of a Tape delay when the knob is at

PLAY

B

LO-FI

FILTER

TAP

FILTER

Grit control will depend on the strength of the input signal. Hotter inputs will intensify the effect of the

B

of the wet signal may change as you increase the Grit control (getting louder or softer depending on the input signal strength). Use the MIX knob to compensate accordingly.

REC / DUB PLAY

GRIT

REPEATS

BANK UP

SPEED

MIX

MOD

TAP

DEPTH

STOP hold (looper)

Delay time ranges and Display

REVERSE

PATTERN

DUAL

ICE

DUCK

SWELL

VALUE


TIME


TYPE

push (bank / time) push the

FILTER

FILTER

to toggle the display between BANK & TIME

B

GRIT

REPEATS MIX

SPEED

MOD

DEPTH

TAP

TIME can be displayed in milliseconds or BPM based on the MS/BPM global parameter

BANK DOWN dBucket (RANGE = SINGLE) dBucket (RANGE = DOUBLE) dTape (TAPE SPEED = NORMAL) dTape (TAPE SPEED = FAST)

BANK UP

Digital, Dual, Pattern, Reverse, Ice, Duck, Swell, Trem, Filter

Lo-Fi

REC / DUB PLAY

STOP hold (looper)

60mS - 2500mS

2 mS - 2500mS

40mS - 400mS

80mS - 800mS

60mS - 2500mS

30mS - 1250mS pg 4

TimeLine

- User Manual

EXP Connections

Connect an external

TAP switch to tap tempo remotely.

Use a standard TRS cable to connect the external switch. Set the EXP MD global setting to TAP to use external tap.

TAP

OR

Connect a standard TRS

expression pedal for continuous control over any knob. To select the knob(s) controlled by the expression pedal, use the

EP SET parameter in each preset. All knobs can be controlled simultaneously.

See Common Parameters for set up instructions.

pg 5

®

TimeLine

- User Manual

Banks and Patches

TimeLine has 100 banks with A & B patches in each bank. Banks are numbered 0 to 99 on the display. The patches in banks 0-49 are duplicated in banks 50-99 at the factory.

®

Saving Patches

REVERSE

PATTERN

DUAL

ICE

DIGITAL TREM dBUCKET dTAPE

TYPE

push (bank / time) hold the

LO-FI

FILTER

VALUE


TIME

REVERSE

PATTERN

REPEATS

ICE

DUAL

DUCK

MIX

SWELL

VALUE


TIME

REPEATS MIX

REC / DUB

DUCK

SWELL

BANK DOWN

REVERSE

PATTERN

DUAL

PLAY

B

ICE

DIGITAL TREM dBUCKET FILTER dTAPE LO-FI

GRIT

TYPE

push (bank / time) push the TYPE

MOD

FILTER

to save to the current patch location

GRIT SPEED

MOD

DUAL

DIGITAL

ICE

DUCK

SWELL

TREM

BANK UP

REC / DUB

OR

VALUE

push (param) turn the value encoder

TAP

BANK DOWN

PLAY

B

PATTERN

DUAL

DIGITAL

ICE

TAP

dBUCKET dTAPE

TYPE

VALUE


LO-FI

DUCK

A

SWELL

TREM

STOP hold (looper)

FILTER

STOP hold (looper) to select the bank to save to

MIX

dBUCKET dTAPE

LO-FI

TYPE


A

REC / DUB push the TYPE encoder

or the A or B footswitch

®

B

TIME

VALUE


DUCK will be displayed when the patch has been saved

GRIT

®

FILTER

REPEATS

PLAY

B

SPEED

TIME

MIX

MOD

TAP

GRIT

REPEATS

SPEED

MIX

MOD

TAP

DEPTH

STOP hold (looper)

DIGITAL dBUCKET dTAPE LO-FI

TYPE


FILTER

Restoring Factory Patches

PATTERN

ICE

DUCK

A

VALUE


®

FILTER

TIME

B

GRIT

REPEATS

SPEED

MOD

MIX

TAP

DEPTH

REC / DUB

BANK DOWN

PLAY

BANK UP

STOP hold (looper)

DUAL SWELL

DIGITAL

CAUTION: This procedure will erase any custom patches saved in the TimeLine and restore them to factory dTAPE

TREM

FILTER

REC / DUB

LO-FI

BANK DOWN

FILTER

PLAY

GRIT

BANK UP

SPEED

MOD

TYPE


®

A B TAP

BANK DOWN BANK UP

REC / DUB PLAY

STOP hold (looper)

POWER UP TimeLine while holding A & TAP. Keep holding for 5 seconds after

TimeLine has powered up.

REINIT will be displayed and all factory patches will automatically be restored pg 6

TimeLine

- User Manual

Editing Parameters

While displaying

ICE

PATTERN DUCK

DUAL SWELL


TYPE


FILTER

VALUE

push (param) push the value encoder

®

FILTER

REVERSE

REPEATS

menu

PATTERN

ICE

DUCK

MIX

DUAL SWELL

VALUE

push (param) turn the value encoder

DIGITAL TREM

MOD

DEPTH FILTER

TYPE


®

REPEATS

PARAMETER

GRIT

MIX

SPEED

MOD

DEPTH

A

REVERSE

PATTERN

BANK DOWN

DUAL

ICE

DUCK

SWELL

B

push (param) push the value encoder again

A

TIME

and turn to edit the selected

BANK UP

DIGITAL TREM

REC / DUB PLAY dBUCKET FILTER dTAPE LO-FI

TYPE

Delay Machines: Common Parameters

®

REC / DUB

FILTER

GRIT

STOP hold (looper)

SPEED

MIX

MOD

PLAY

DEPTH

B

BANK UP

TAP

STOP hold (looper)

A B TAP

All Delay Machines share a set of parameters. These parameters are saved with each preset and include:

Tap Division:

BANK DOWN BANK UP

Selects the subdivision to use for delay repeats when tapping in a tempo.

Tap division options include:

PLAY

STOP hold (looper)

Quarter notes (default), Dotted Eighth notes, Eighth notes, Triplets, Sixteenth notes note: If TAPDIV is set to anything other than Quarter notes, the TAP LED will blink in amber

Boost: +/- 3dB of boost/cut. This can be useful for level matching in your effects chain, or can be used as an effect such as boosting a solo with delay.

Persist: Turns on delay persist “trails” which will spill over when the effect is bypassed. Use this if it is desired for delay repeats to continue after the effect has been bypassed. Note that if persist is set to ON, the bypass mode will automatically be analog bypass.

Name: Allows editing the 16 character name of the current patch. Use the VALUE encoder to change the selected character. Use the TYPE encoder to select a character. Exit by pressing the VALUE encoder, then press and hold the TYPE encoder to SAVE the name permanently.

note: For the patch name to be displayed the NAMES global must be set to ON or SCROLL.

Expression Pedal ON/OFF: Enables or disables the expression pedal input for each patch.

Expression Pedal Set: Enters the expression pedal setup for each patch. All knobs can be configured to be used with the expression pedal. To set up which knobs are controlled by the expression pedal, push the Value encoder when it displays “EP SET” and it will then display “HEEL”.

Turn the knob(s) to the position desired at heel down on the expression pedal. Then, turn the Value encoder right to display”TOE” and set the knobs to their desired values at the toe down position on the expression pedal. An expression pedal can control all of the knobs simultaneously.

pg 7

®

TimeLine

- User Manual

Delay Machines: Digital

PARAMETERS:

Smear:

REVERSE

PATTERN

DUAL

DIGITAL dBUCKET

ICE

DUCK

SWELL

TREM

LO-FI

FILTER

VALUE


FILTER

TIME

GRIT

REPEATS MIX

®

SPEED

MOD

DEPTH

®

BANK / TIME hold (save)

A B

Softens the attack of the repeats while maintaining full frequency response. This allows for higher mix levels while keeping the delay out of the way of the dry

BANK UP

OFF

PLAY

TAP

STOP hold (looper)

High Pass: Reduces the low frequency content of the wet signal after the delay. A useful additional tone sculptor for delays on low-note riffs or chords where you want to reduce booming in your rig.

OFF

20Hz

40Hz

60Hz

80Hz

100Hz

120Hz

140Hz

160Hz

180Hz

200Hz

230Hz

260Hz

300Hz

350Hz

400Hz

500Hz

600Hz

700Hz

800Hz

900Hz

Repeat Dynamics: Reduces the Repeats in a non-linear fashion so that the delay tapers off faster than it normally would. The effect is most easily heard with high Repeats levels, allowing for high repeats that trail off to allow the next phrase or chord to stand out more.

OFF

ON

TIPS & TRICKS:

The HIPASS parameter can be very effective in producing bright repeats for a ‘super-clean’ digital delay. Set the Filter and GRIT knobs to minimum position for full bandwidth and experiment.

Set GRIT and FILTER knobs to 12:00 for an “analog-voiced” digital delay, or try GRIT at minimum and FILTER at maximum for a “tape-voiced” digital delay.

pg 8

TimeLine

- User Manual

Delay Machines: Dual

PARAMETERS:

Time 2:

REVERSE

PATTERN

DUAL

ICE

DUCK

SWELL

VALUE



®

TREM dBUCKET

FILTER GRIT SPEED

dTAPE LO-FI

TYPE

®

BANK / TIME

Adjusts the delay time of Delay 2 relative to Delay 1. Since Delay 2 is a ratio of Delay 1, it adjusts with changes in delay TIME or Tap Tempo to keep the same ratio, and allows for cool rhythmic effects.

1/8

A B

MOD

TAP

8/1 1/7

1/6

1/5

2/5

1/2

2/3

5/6

7/8

BANK DOWN

1/1

3/2

5/3

2/1

7/2

4/1

5/1

BANK UP

1/4 3/4

4/5

5/4

4/3

5/2

3/1

PLAY

6/1

7/1

DEPTH

STOP hold (looper)

Repeats 2:

Adjusts the repeats level of Delay 2. Set to TRACK to follow Delay 1 Repeats knob. When not set to TRACK, you can set an independent repeat level for delay 2. In this case changing the Repeats knob will only affect the repeats level for Delay 1.

TRACK

|||||||||||

Mix 2:

High Pass:

Adjusts the mix level of Delay 2. Set to TRACK to follow Delay 1 Mix, set by the Mix knob. When not set to TRACK, you can set an independent mix level for delay 2. In this case changing the Mix knob will only affect the mix level for Delay 1.

TRACK

|||||||||||

Reduces the low frequency content of the wet signal after the delay. A useful additional tone sculptor for delays on low-note riffs or chords where you want to reduce booming in your rig.

OFF

20Hz

40Hz

60Hz

80Hz

100Hz

120Hz

140Hz

160Hz

180Hz

200Hz

230Hz

260Hz

300Hz

350Hz

400Hz

500Hz

600Hz

700Hz

800Hz

900Hz

Configuration:

Select from a series or parallel dual delay setup. In series, Delay 1 feeds Delay 2, just as if you had two independent stereo delays connected on your pedalboard. In parallel configuration, the input signal goes to Delay 1 and Delay 2 simultaneously, and the output of the two delays are fed to the Left and Right channels respectively (or summed to the Left channel in Mono operation).

SERIES

PARA

TIPS & TRICKS:

Set the CONFIG param to PARALLEL to get independent Right and Left channel delay lines

(the two parallel delays will be summed to mono in mono operation - very useful for rhythmic delays). This also allows for a ‘wet - dry’ stereo setup as follows:

CONFIG param to PARALLEL ::: Turn the MIX knob to minimum (dry) ::: Set RPT2 param to TRACK

Set TIME2 param to 1:1 ::: Set MIX2 param to set the level of the delays

Now the knobs on the machine will control Delay2 (Right channel), while Delay1 (Left channel) is dry only (since

MIX knob is minimum). The repeats will only be heard from the Right channel.

pg 9

TimeLine

- User Manual

®

Delay Machines: Pattern

REVERSE

PATTERN

ICE

DUCK

VALUE



DUAL SWELL

A delay with selectable repeat patterns that provide a wide range of sounds. Rhythmic, Ambient delays are easily achievable.

DIGITAL TREM

PARAMETERS:

Pattern: dBUCKET FILTER


MOD dTAPE LO-FI

® ideas. The patterns will create a stereo field of delay taps when using both the L and R outputs, but will sum to the mono output when the R output jack is unplugged.

1

2

A

7 12

B TAP

3 8 13

4

5

9

10

BANK DOWN

14

15

BANK UP

6

REC / DUB

11 16

PLAY

DEPTH

STOP hold (looper)

Smear: Softens the attack of the repeats while maintaining full frequency response. This allows for higher mix levels while keeping the delay out of the way of the dry signal. With high Repeats levels, the delayed signal gets dreamy and ethereal.

OFF

|||||||||


OFF

20Hz

40Hz

60Hz

80Hz

100Hz

120Hz

140Hz

160Hz

180Hz

200Hz

230Hz

260Hz

300Hz

350Hz

400Hz

500Hz

600Hz

700Hz

800Hz

900Hz

TIPS & TRICKS:

The more intricate patterns can be most effective when the input is simple or ‘sparse’.

Pattern 16 is a sort of ‘early reflection’ pattern. Experiment with delay times around 200mS, lots of Repeats and the

SMEAR param at maximum to create reverb-like sounds. Add some MOD DEPTH at lower MOD SPEED and play with the Filter and Grit knobs and HIPASS param to dial in the ‘reverb’ tone.

pg 10

TimeLine

- User Manual

®

Delay Machines: Reverse

REVERSE

PATTERN

ICE

VALUE



DUCK

An improvement on the classic reverse delay. The input signal triggers the delay so the reverse signal is always predictable, musical and repeatable.

DIGITAL

SWELL

TREM

PARAMETERS:

Smear: dBUCKET FILTER


MOD dTAPE LO-FI

A

TYPE


®

B TAP

OFF

|||||||||

BANK DOWN BANK UP

DEPTH


OFF

20Hz

40Hz

60Hz

80Hz

100Hz

120Hz

140Hz

160Hz

180Hz

200Hz

230Hz

260Hz

300Hz

350Hz

400Hz

500Hz

600Hz

700Hz

800Hz

900Hz

STOP hold (looper)

TIPS & TRICKS:

Try setting the TIME knob to around 500mS, and hold a ringing chord for an interesting rhythmic effect. Experiment with the FILTER, GRIT and MOD knobs.

To keep your dry signal feeding into the reverse delay while effectively bypassed, assign an expression to control the

MIX knob. Assign the HEEL position to the MIX knob at minimum. Assign the TOE position to the desired wet mix on the

MIX knob. Rock the expression pedal all the way back to bypass the delay. Rock the pedal to the TOE position to hear reverse repeats that have already been generating while the mix was at full dry.

pg 11

TimeLine

- User Manual

ICE

VALUE


TIME

REPEATS MIX

PATTERN DUCK

A delay that slices up the input signal and plays back the pieces at selectable intervals. The playback interval can be varied from -1 octave to +2 octaves. The slice size can also be varied, changing the size of the audio chunks being played back.

DIGITAL TREM

PARAMETERS:

Interval: dBUCKET dTAPE LO-FI

FILTER

FILTER

GRIT SPEED

MOD

DEPTH

®


REC / DUB

A

-Octave

-Major 7th

-minor 7th

-Major 6th

-minor 6th

-Tritone

-Perfect 4th

-Major 3rd

-minor 3rd

-minor 2nd

-50 cents

-25 cents

+25 cents

+minor 2nd

+Major 2nd

+minor 3rd

+Major 3rd

+Perfect 4th

+Perfect 5th

+minor 6th

+Major 6th

+minor 7th

+Octave

+Octave & 5th

+2 Octaves

STOP hold (looper)

®

Slice:

Blend:

Smear:

Selects the size of the audio chunks that get sliced and pitched. The slice sizes scale with the delay time.

SHORT

MEDIUM

LONG

Blends between the Dry and Ice signal on the delay line, Huge sounds can be obtained when keeping this control below halfway, and setting the Repeats knob around 3 o’clock.

D | I

Softens the attack of the repeats while maintaining full frequency response. This allows for higher mix levels while keeping the delay out of the way of the dry signal. With high

Repeats levels, the delayed signal gets dreamy and ethereal.

TIPS & TRICKS:

The

BLEND param settings nearer the Dry side can result in very deep and atmospheric delays with the Repeats knob set for many repeats.

The ICE signal appears to ‘float in’ as the repeats regenerate.

The MOD knobs can add much dimension to these sounds as well.

OFF

|||||||||

High Pass:


OFF

20Hz

40Hz

60Hz

80Hz

100Hz

120Hz

140Hz

160Hz

180Hz

200Hz

230Hz

260Hz

300Hz

350Hz

400Hz

500Hz

600Hz

700Hz

800Hz

900Hz pg 12

TimeLine

- User Manual

REVERSE

Delay Machines: Duck

ICE

DUCK

VALUE


TIME

REPEATS MIX

DUAL SWELL

A dynamic delay that reacts to your playing with adjustable sensitivity and release time. As the sensitivity is increased, the ducking effect becomes more pronounced.

PARAMETERS: dBUCKET dTAPE LO-FI

FILTER


MOD

DEPTH

Sensitivity:

A


®

Adjusts the input sensitivity for the ducking feature. Turn to higher settings for more extreme ducking. A low level guitar signal will require higher settings to achieve the same ducking effect as a high level guitar signal. At low settings, subtle ducking effects can be achieved.

B TAP

|||||

®

Release Time:

Sets the release time for the ducking effect. This determines how quickly the

REC / DUB delay signal returns to full level once you stop playing. A fast Release with extreme ducking can create a dramatic special effect, while slower releases with moderate ducking can be transparent yet effective.

STOP hold (looper)

0.01

0.05

0.10

0.15

0.20

0.25

0.30

0.35

0.40

0.45

0.50

0.55

0.60

0.65

0.70

0.75

0.80

0.85

0.90

0.95

1.00

Ducking Feedback: Sets the feedback ducking parameter. When on, the Repeats knob is effectively set to minimum while you are playing, and then quickly returns to the Knob setting when you stop playing. Very cool for single line playing with extreme ducking, you can play a

‘dry’ solo, and only the last note played will repeat.

NORMAL

GATE


OFF

20Hz

40Hz

60Hz

80Hz

100Hz

120Hz

140Hz

160Hz

180Hz

200Hz

230Hz

260Hz

300Hz

350Hz

400Hz

500Hz

600Hz

700Hz

800Hz

900Hz

TIPS & TRICKS:

With very slight amounts of ducking, the dynamics of the delay are more ‘felt’ than ‘heard’. Set the

SENS parameter to just ever-so-slightly reduce the delay volume when you play (most easily discovered with high

REPEATS and MIX settings, and RELEASE around 0.30). Then reduce the RELEASE param to 0.01, while keeping the

FEEDBK param at NORMAL. Now set the MIX and REPEATS to your liking. The results can be addicting.

pg 13

TimeLine

- User Manual

REVERSE ICE

PATTERN DUCK

SWELL

VALUE



DIGITAL

A variable attack time delay that can swell into notes or chords. This can create atmosphere and ambience in a subtle and stealthy manner.

dTAPE LO-FI

TREM

FILTER


MOD

DEPTH

PARAMETERS:

TYPE


®

Rise Time:

A

Sets the time constant of the ramp input to the delay. The display indicates the ramp time in seconds. Try setting the ramp time to about the same value as the delay time for natural swell effects.

B TAP

0.10

0.20

0.50

0.60

1.00

1.10

1.60

2.00

2.20

3.00

4.00

REC / DUB

0.25

0.30

0.40

0.70

0.80

0.90

PLAY

1.20

1.30

1.40

1.70

1.80

1.90

2.40

2.60

2.80

STOP hold (looper)

®

Smear:

Softens the attack of the repeats while maintaining full frequency response. This allows for higher mix levels while keeping the delay out of the way of the dry signal. With high Repeats levels, the delayed signal gets dreamy and ethereal.

OFF

|||||||||


OFF

20Hz

40Hz

60Hz

80Hz

100Hz

120Hz

140Hz

160Hz

180Hz

200Hz

230Hz

260Hz

300Hz

350Hz

400Hz

500Hz

600Hz

700Hz

800Hz

900Hz

TIPS & TRICKS:

Set the RISE param to match the delay time for natural swell-meets-delay effects. Turn the MIX fully

CW for volume-pedal swell effects.

pg 14

TimeLine

REVERSE

- User Manual

ICE

DUCK

DUAL SWELL

VALUE



TREM dBUCKET dTAPE LO-FI

FILTER

FILTER GRIT

PARAMETERS:

TYPE

®


SPEED

MOD

DEPTH

LFO (Low Frequency Oscillator): Selects from a variety of LFO waveforms to control the trem

A B TAP

smoother sounds try the SINE waveform. A fast lfo speed with a SAW wave can create a mandolin-like plectrum effect.

BANK UP

REC / DUB

SQUARE

SINE

RAMP

SAW

PLAY

STOP hold (looper)

®

Speed:

Controls the speed of the trem waveform in relationship to the Delay Time. When the delay time is changed by adjusting the Delay TIME knob or with the TAP footswitch, the lfo will track the change in delay time to stay in sync.

1/32

1/24 1/9 1/4 1/1 7/2 8/1

18/1

1/18 1/8 1/3 4/3 4/1 9/1

24/1

1/16

1/7 1/2 3/2 5/1 10/1

32/1

1/12

1/10

1/6

1/5

2/3

3/4

5/2

3/1

6/1

7/1

12/1

16/1

Depth: Selects the depth of the LFO waveform, with maximum setting resulting in no delay volume when the lfo waveform is at it’s lowest point.

OFF

|||||||||


OFF

20Hz

40Hz

60Hz

80Hz

100Hz

120Hz

140Hz

160Hz

180Hz

200Hz

230Hz

260Hz

300Hz

350Hz

400Hz

500Hz

600Hz

700Hz

800Hz

900Hz

TIPS & TRICKS:

The SAW mode at higher LFO SPEED (3:1, 4:1, etc) will create a high-impact ‘plectrum’ effect.

RAMP mode at lower lfo SPEED can create an interesting reverse envelope. Try SQUARE and SINE at higher

LFO SPEED for a traditionally-inspired new sound. Experiment with the MIX control in conjunction with the

DEPTH parameter to dial in the intensity.

pg 15

REVERSE

PATTERN

TimeLine

- User Manual

ICE

DUCK

SWELL

VALUE


TIME

REPEATS MIX

DIGITAL

Delay Machines: Filter

dTAPE LO-FI

TREM

FILTER

A delay with synchronized sweeping filter affecting the repeats. The filter can be placed pre or post delay.


®

PARAMETERS:

REC / DUB

BANK DOWN

+Triangle

-Triangle

-Square

+Square Saw

FILTER

-Sine

GRIT

Up

BANK UP

Down

SPEED

LFO

A B

envelope of the delayed signal. Choose a sine at slow speed for atmospheric treatments. Choose a random LFO at higher speeds and high Filt-Q for a futuristic sound.

MOD

DEPTH

TIPS & TRICKS:

The ‘+’ or ‘-’ in front of the SINE, TRI and SQR lfo shapes designates the polarity of the

TAP

your playing. The ‘+’

LFO shapes will have the highest frequency occur synchronous to the input, while the ‘-’

LFOs will have their lowest frequencies synchronous to the input.

+Sine

Random

Speed:

Selects the ratio at which the LFO tracks the delay time.

1/32

1/24

1/18

1/16

1/12

1/10

1/9

1/8

1/7

1/6

1/5

1/4

1/3

1/2

2/3

3/4

1/1

4/3

3/2

5/2

3/1

7/2

4/1

5/1

6/1

7/1

8/1

9/1

10/1

12/1

16/1

18/1

24/1

32/1

Depth:

Filter Q:

Location:

High Pass:

Selects the depth or intensity of the filter sweep. Use in conjunction with the Filter knob, which sets the mid-point of the sweep, to get the precise range you desire.

OFF

|||||||||

Adjusts the Q, or resonance, of the sweeping filter. Lower values produce milder filtering effects with a broader response and lower resonance. Higher values create sharper resonant peaks which can lend to dramatic sweeping and special effects

0.5

0.7

1.0

This parameter places the LFO-controlled filter either before the delay line

(PRE) or after the delay line (POST). The sonic differences between the two can be substantial, with POST creating a more prominent effect.

PRE

POST

OFF

20Hz

40Hz

60Hz

80Hz

100Hz

1.2

1.5

2.0

2.5

3.0

4.0

5.0

7.0


120Hz

140Hz

160Hz

180Hz

200Hz

230Hz

260Hz

300Hz

350Hz

400Hz

500Hz

600Hz

700Hz

800Hz

900Hz

10.0

TIPS & TRICKS:

The

FILT-Q parameter sets the resonance or sharpness of the filter.

At higher settings, the increase in amplitude at the filter’s resonant frequency can result in an increase in apparent wet signal volume.

Use the MIX knob to adjust the wet level accordingly.

pg 16

®

REVERSE

PATTERN

TimeLine

- User Manual

DIGITAL

ICE

DUCK

SWELL dTAPE

TYPE

TREM

LO-FI

FILTER

VALUE


®

FILTER

TIME

GRIT

REPEATS MIX

SPEED

MOD

DEPTH

PARAMETERS:

Sample Rate:

A B

is reduced, aliasing artifacts wreak havoc on the repeats.

TAP

Bit Depth:

Mix:

Vinyl:

REC / DUB

BANK DOWN

1 kHz

1.5 kHz

2 kHz

3 kHz

4 kHz

5 kHz

6 kHz

7 kHz

8 kHz

9 kHz

PLAY

10 kHz

11 kHz

12 kHz

14 kHz

16 kHz

BANK UP

19 kHz

24 kHz

32 kHz

48 kHz

96 kHz

Reduces the digital bit depth from 32 bits down to 4 bits. Fuzzy crunchy artifacts are introduced as the bit depth is reduced.

4 Bit

4.5 Bit

5 Bit

5.5 Bit

6 Bit

6.5 Bit

7 Bit

7.5 Bit

8 Bit

9 Bit

10 Bit

11 Bit

12 Bit

13 Bit

14 Bit

15 Bit

16 Bit

18 Bit

20 Bit

24 Bit

32 Bit

Mixes the lo-fi (bit and sample-rate dependent) signal with the full resolution signal. Heinously corrupted audio can sit on top of the full resolution signal, or go full lo-fi mix for just the crud.

D | L

Our exclusive dVinyl technology introduces random vinyl dust noise and scratches from a 33 1/3 rpm record. The first half of the control (dynamic) adds vinyl noise that only occurs with the repeats, while the 2nd half of the control (static) adds full-time vinyl noise for song intros, outros or bridges.

D |||

(dynamic)

S |||||

(static)

TIPS & TRICKS:

With a minimum delay time of 2ms, you can set the MIX

STOP hold (looper) to full wet (fully CW) and get a real-time lofi machine with bit-crush, samplerate and filtering possibilities. All knobs and PARAMS are still active. Additionally, you can create modulation effects like chorus, flange and vibrato by using the MOD SPEED and

MOD DEPTH knobs to modulate the delay line. For modern digital mod effects, set the SAMPLE rate to 96kHz and BITS to 32 and turn the

FILTER param to OFF.

Experiment with the

Filter and Grit knobs and the Lo-Fi Params to go from pristine to vintage to garbage can.

®

Filter Shape:

A collection of filters inspired by telephones, victrolas, am radios, bull horns, and other gadgets. The mixed lofi and full-resolution signal (along with any dVinyl noise) goes through the selected filter.

OFF

1

(Portable Vintage Amp)

2

(Victrola Phonograph)

3

(70s Clock Radio)

4

(Bullhorn Megaphone)

5

6

7

8

(Cheerleader’s Plastic Megaphone)

(Antique Telephone Ear Piece)

(Cell Phone)

(Apartment Intercom) pg 17

REVERSE

PATTERN

ICE

DUCK

VALUE


TIME

REPEATS MIX

TimeLine

- User Manual

DUAL

DIGITAL

SWELL

TREM

®

Delay Machines: dTape

dBUCKET dTAPE


LO-FI

FILTER

TYPE

An intricate re-creation of a sliding head tape delay system.

PARAMETERS:

®

FILTER

A

or Normal for standard tape machine operation. The

Wow/Flutter (Mod Depth knob) and Tape Crinkle (Mod

Speed knob) track the tape speed for a huge range of tape machine experiences.

REC / DUB

FAST

NORMAL

PLAY

GRIT SPEED

MOD

DEPTH

B

TIPS & TRICKS:

The mechanical effects of wow/flutter and tape crinkle will track to the Tape Speed

TAP

head frequency response. Select

NORMAL for a warmer tape sound.

High SPEED and DEPTH knob settings

(tape crinkle and wow/flutter) with

NORMAL Tape Speed will produce the characteristics of an old un-serviced tape machine.

STOP hold (looper)

Low End Contour: Allows for shaping the low-end from full low-end to extreme progressive highpassing. With high repeats, this control is a major factor in the overall tape machine sound.

+ | | -

REVERSE

PATTERN

DUAL

ICE REVERSE

DUAL SWELL

ICE hold (global)

REVERSE

REPEATS TIME

VALUE

REVERSE ICE

DUCK

REPEATS

VALUE


SWELL

REPEATS

TIME

MIX

REPEATS MIX

DIGITAL DIGITAL TREM dBUCKET dTAPE LO-FI

TYPE


REC / DUB

A

TREM dTAPE LO-FI

TYPE


A

BANK DOWN

REC / DUB

®

FILTER

dTAPE

TYPE


LO-FI

GRIT

®

FILTER

dTAPE

SPEED GRIT

LO-FI

TYPE


®

TAPE AGE: In dTape, the filter knob takes on the function of TAPE

AGE. This controls the bandwidth of the tape just as it would change over time in a traditional tape delay machine.

As regular tapes wear out, their bandwidth becomes limited. The

TAPE AGE control recreates this. Set to minimum for a fresh, full bandwidth tape.

As the knob is turns clockwise, the tape will get progressively darker.

FILTER

SPEED

B

A

TAP

B

the function of TAPE

BIAS. This control adjusts tape machine bias, from under-biased to over-biased. Bias sets the dynamic range and headroom of the delay signal. Higher bias levels result in reduced echo volume and limited headroom. Lower bias settings result in the cleanest echoes with the most headroom. For an optimally biased tape machine set to 9:00. For an under biased tape machine with extra high frequency response set to minimum.

®

SPEED DEPTH

TAP

TAPE CRINKLE: In dTape,

B

TAP

on the function of TAPE

CRINKLE. This control adjusts the amount and severity of tape

BANK UP irregularities, including friction, creases, splices and contaminants. Tape

Crinkle characteristics track accordingly to tape speed. Set to minimum for a fresh, clean tape. Set to maximum for a tape that has been mangled and chewed for years.

SPEED

MOD

DEPTH

TIPS & TRICKS:

Reduce the Repeats knob if necessary when using minimum bias to tame the regenerative high frequencies.

WOW & FLUTTER: In

TAP

takes on the function of

WOW & FLUTTER. This control varies the amount of mechanically related tape speed fluctuations.

This also results in natural tape machine style modulation. Turn the knob fully counter clockwise for a perfectly tuned, cleaned and serviced tape machine. Turn the knob fully clockwise to hear the sound of a tape machine in need of service. In between the extreme settings, a natural tape modulation is achieved.

pg 18

TimeLine

- User Manual

Delay Machines: dBucket

REVERSE

PATTERN

DUAL

DIGITAL dBUCKET dTAPE


ICE

DUCK

SWELL

LO-FI

TREM

FILTER

PARAMETERS:

Range:

VALUE


®

FILTER

TIME

GRIT

REPEATS MIX

®

SPEED

MOD

DEPTH

A B

Varies the amount of bucket brigade circuits that the delayed signal travels through. Single is essentially one 4096 stage bucket brigade “chip” while Double

BANK UP

TAP

SINGLE

TIPS & TRICKS:

The RANGE parameter selects a ‘one-chip’ dBucket delay, or a ‘two-chip’ dBucket delay. The one-chip delay has half the delay range (SINGLE - 400mS) as the twochip delay (DOUBLE - 800mS), and experiences clock-related artifacts at half the delay time as the two-chip delay. For cleaner delays of 300ms to 400ms, use DOUBLE with lower

GRIT settings. For the warm, fuzzy, lofi sound of the ealiest analog delays, use the single option with lots of GRIT and set the Filter between 12:00 and 5:00 to taste.

STOP hold (looper)

REVERSE

PATTERN

DUAL

ICE

DUCK

SWELL


TYPE


FILTER

A

REC / DUB

VALUE


REVERSE

PATTERN

DUAL

ICE

®

FILTER

DIGITAL dBUCKET

GRIT

dTAPE

TYPE

LO-FI push (bank / time) hold (save)

DUCK

SWELL

TREM

VALUE


MOD

DEPTH

®

FILTER

GRIT SPEED

MOD

DEPTH

B A

brighter depending on preference.

12:00 is a neutral filter setting. Turning

BANK UP the filter clockwise makes the repeats darker and they will get progressively darker with each repeat. Increasing the bucket loss will darken the repeats even further. Turning the filter counterclockwise makes the repeats brighter by applying a ‘post’ high shelf

EQ to the wet signal.

TAP

BANK DOWN

TAP

LOSS. This controls the amount of bucket brigade “chip” loss at each stage in the dBucket algorithm, from no loss at minimum, to full noisy loss at maximum.

STOP hold (looper)

PLAY

STOP hold (looper)

Set to 3:00 to get maximum distortion loss with just a hint of noise. Increasing from 3:00 adds more noisy loss.

TIPS & TRICKS:

A classic analog delay sound is one with a bright first repeat and darker subsequent repeats. To dial this in, set the FILTER knob at minimum and the GRIT (bucket loss) at 12:00. Set the delay time. The bucket loss will reduce the bandwidth and fidelity of the repeats progressively with minimum coloration from the FILTER. pg 19

REC / DUB

REC / DUB

A

A

BANK DOWN

B

®

PLAY

B

PLAY

TimeLine

- User Manual

Looper

TAP LED will turn red to indicate looper controls are active and blink green to show delay time.

REC / DUB

A

REC / DUB

A

B

The A LED will turn amber to indicate looper is overdubbing

PLAY

®

®

B

TAP

BANK UP

STOP hold (looper) hold the TAP footswitch to enter the looper

A

A

B

A

B

BANK DOWN

A

REC / DUB push the A footswitch to start recording

REC / DUB

REC / DUB

A

BANK DOWN

BANK DOWN

PLAY

REC / DUB

B

BANK UP

PLAY push the A footswitch again to overdub

PLAY

®

OR

A

BANK DOWN

REC / DUB

B

BANK UP

TAP

B

TAP

BANK UP

STOP

PLAY

STOP hold (looper)

® push the TAP footswitch to stop loop.

B

or hold the TAP footswitch to exit

TAP

BANK UP

TAP

PLAY

STOP hold (looper)

REC / DUB

STOP hold (looper)

PLAY push the B footswitch to play the loop. Any time the

B footswitch is pressed it will re-trigger the loop.

®

TIPS & TRICKS:

Connect an external MIDI controll to access additional looper features like

Reverse, Half Speed, Undo (to initial recorded loop) and Redo.

NOTE: The loop can be played in the background if desired. Normally the loop will stop when exiting the looper. To keep playing the loop when exiting looper set the Looper Exit global to PLAY. The looper can also be controlled via

MIDI at all times.

LOOPER GLOBALS: There are controls to vary the loop level, looper exit behavior and looper pre or post configuration in the GLOBALS menu. Please consult the globals section of the manual for more information.

LOOPER MIDI CONTROL: Controlling the looper via MIDI is accomplished by sending MIDI note numbers with a velocity greater than zero OR MIDI CCs. Record, Play, Stop, Reverse, Half Speed, Undo (to initial recorded loo) and

Redo can all be controlled via MIDI. See the MIDI specification for the note numbers and CCs.

pg 20

TimeLine

- User Manual

Globals Menu

Global parameters affect TimeLine regardless of what patch is currently active.

Time Display:

Configures the display to show delay time in Milliseconds or Beats Per Minute.

MS

BPM

Global Tap: Allows the last tapped tempo to affect all presets regardless of the tempo saved in the preset.

PRESET

GLOBAL

- when patch is changed, delay time will change to saved value in preset

- delay time will remain at the last tapped tempo regardless of current preset

Looper Location: Switches the Looper to be Pre or Post delay.

PRE

POST

Looper Level: Sets the volume level of the looper playback.

|||||||

Looper Exit: Determines if the looper stops when exiting or keeps playing in the background.

PLAY

STOP

Bypass Set-Up: Changes the bypass mode between True Bypass and Buffered Bypass. In True

Bypass, electromechanical relays are used to bypass TimeLine so that no components are touching the input signal. In Buffered Bypass the bypassed signal runs through a high quality analog buffer.

TRUE BYPASS

BUFFERED BYPASS

MIDI Channel: Sets the MIDI Channel. Can be set to 1 - 16.

CH 1 - 16

MIDI Continuous Controllers: Turns MIDI CC messaging (continuous controllers) ON or OFF.

ON

OFF

MIDI Patch Change: Turns MIDI patch change messaging ON or OFF.

ON

OFF

MIDI Through: When set to ON, MIDI messages that arrive at the input are sent to the output.

ON

OFF pg 21

®

TimeLine

- User Manual

Globals Menu

Bank Scroll:

Sets the maximum bank number to scroll to.

BNK 1-99

EXP input mode: Configures the EXP input to use an Expression Pedal or an external TAP footswitch.

PEDAL

TAP

Dry Signal: Turns the dry signal on or off. This is sometimes useful in a parallel effects loop when an effect level is necessary.

NORMAL

KILL

- dry signal is muted allowing the MIX control to be used as an effect level

Spillover: Allows the wet delay signal of a currently selected preset to “spill” into the next selected preset. IMPORTANT: Because of the delay buffer architecture, the current preset must be active for at least 5 seconds before spillover will be operational.

OFF

ON

Patch Names: Enables or disables the display of patch names when displaying the current bank. If set to ON or SCROLL, when incrementing through banks with the VALUE

ENCODER, the bank number will be displayed with 2 digits followed by the first 3 characters of the patch anme.

OFF

ON

- bank numbers are displayed instead of patch names

- the first 6 characters of the patch name are displayed

SCROLL - the patch name will scroll once completely through it’s 16 characters

then settle on the first 6 characters

® pg 22

TimeLine

- User Manual

Feedback Loop

Set the FEEDBACK LOOP switch to the down position to insert an external effect into the delay feedback path.

NOTE: If not using an external effect in the feedback loop, set switch to stereo.

®

Connect an external effect to the feedback loop. Any external effect can be used. Feel free to experiment with the different sounds that can be achieved.

All of the delay repeats will be processed through the external effect.

SPEED

FEEDBACK pos

+/neg

LFO log lin thru 0

WIDTH

MIX

FAVORITE

REGEN dBucket Flanger

MANUAL

BYPASS

® pg 23

TimeLine

- User Manual

MIDI Specification

KNOBS:

Type encoder

Time

Repeats

Mix

Filter

Grit

Speed

Depth

PARAMETERS:

Tap Division

Boost

Persist

Smear

High Pass

21

23

22

38

47 dTAPE - Tape Speed dTAPE - Low End

58

59 dBUCKET - Range 45

DIGITAL - Repeat Dynamics 56

DUAL - Time 2

DUAL - Repeats 2

DUAL - Mix 2

DUAL - Config

PATTERN - Pattern

SWELL - Rise Time

TREM - Speed

TREM - Depth

TREM - LFO

FILTER - Q

FILTER - LFO

FILTER - Depth

FILTER - Speed

FILTER - Location

LO-Fi - Mix

LO-Fi - Vinyl

LO-Fi - Sample Rate

LO-Fi - Bit Depth

LO-Fi - Filter

ICE - interval

ICE - slice

ICE - blend

DUCK - Sensitivity

DUCK - Release

DUCK - Feedback

32

34

33

36

39

44

61

57

29

40

28

41

42

43

51

52

49

50

53

30

46

25

37

55

54

CC# Value Range

19

3

9

14

15

16

17

18

0-11

0-127

0-127

0-127

0-127

0-127

0-127

0-127

0-4

0-60

0-1

0-18

0-20

0-34

0-1

0-20

0-18

0-20

0-20

0-8

0-29

0-2

0-20

0-17

0-20

0-1

0-15

0-27

0-34

0-18

0-4

0-11

0-10

0-18

0-1

0-20

0-1

0-1

0-26

0-18

0-18

0-1

LOOPER:

Record

Play

Stop

Reverse (toggle)

Undo (to initial loop)

Redo

Looper Level

87

86

85

94

Full/Half Speeed (toggle) 95

Pre/Post (toggle) 96

89

90

98 any any any any any any any any

0-17

MIDI Patch changes:

TimeLine patches are arranged in 100 banks of 2 patches each for a total of 200 presets. MIDI access to these patches is available as MIDI program change messages. Via MIDI, the patches are numbered sequentially, for example:

BANK 1A = MIDI program # 0

BANK 1B = MIDI program # 1

BANK 2A = MIDI program # 2

BANK 2B = MIDI program # 3

BANK 3A = MIDI program # 4 etc ...

To access patches 0-127 via MIDI, send regular program change messages. To access patches 128 to

199, first send a MIDI Patch Bank message (CC# 0) with a value of 1, then the program change message.

Other MIDI CC numbers:

A footswitch

B footswitch

TAP footswitch

Infinite Repeats

Remote TAP

Expression Pedal

Bypass

CC# Value Range

80

82

81

97 down=0 up=127 down=0 up=127 down=0 up=127

off=0 on=127

93 any

100 0-127

102 byp=0 eng=127

MIDI Patch Bank 0 0-1

(value = 0 or 1, send a 0 to access patches 0 to 127 send a 1 to access patches 128 to 199)

Looper MIDI control via MIDI note #’s:

The full time looper can also be controlled by sending

MIDI note numbers with a velocity greater than zero.

Record

Play

Stop

Reverse (toggle) note 0, velocity

> 0 note 2, velocity



> 0

Full/Half Speed (toggle) note 16, velocity

> 0

Pre/Post (toggle)

Undo (to initial loop)

Redo note 17, velocity



> 0

MIDI Time Clock:

TimeLine will accept MIDI clock at the MIDI input and sync delay time.

pg 24

®

TimeLine

- User Manual

Features

• 12 hand crafted delay machine algorithms for meticulous and nuanced delay sounds

• Ultra Low Noise, high performance A/D and D/A Converters

• Premium analog front end and output section

• Analog dry path for a zero latency dry signal that is never converted to digital

• High Performance DSP

• 200 presets, selectable via encoder or on the fly via footswitch

• Numerous deep edit parameters on all delay machines

• Full time 30 second looper available pre or post delay

• Stereo Input & Output

• Expression pedal input with selectable simultaneous control over multiple knob parameters

• Feedback loop option for inserting an external effect into the delay feedback

• +/- 3dB adjustable analog boost or cut configurable per preset

• Delay persist “trails” selectable per preset

• Full time Tap Tempo footswitch and external Tap footswitch available via EXP input

• Rugged & Lightweight Anodized Aluminum Chassis

• Intuitive, performance friendly User Interface

• Global bypass selectable between True Bypass or Analog Buffered Bypass

Specifications

Input Impedance

Output Impedance

Signal to Noise

A/D & D/A

Frequency Response

Max Input Level

Bypass Switching

Dimensions

1Meg Ohm

100 Ohm

115 dB typical

24-bit 96kHz

20Hz to 20kHz

+8dBu

True Bypass (electromechanical relay switching) or Analog Buffered Bypass (with selectable delay persist “trails”)

5” deep x 6.75” wide x 1.87” tall

Power Supply

Input Voltage

Required Current

9VDC Center Negative

300mA

® pg 25

TimeLine

- User Manual

Strymon Non-Transferrable Limited Warranty

Warranty

Strymon warrants the product to be free from defects in material and workmanship for a period of one (1) year from the original date of purchase. If the product fails within the warranty period, Strymon will repair or, at our discretion, replace the product at no cost to the original purchaser.

Exclusions

This warranty covers defects in manufacturing discovered while using this product as recommended by

Strymon. This warranty does not cover loss or theft, nor does the coverage extend to damage caused by misuse, abuse, unauthorized modification, improper storage, lightning, or natural disasters.

Limits of Liability

In the case of malfunction, the purchaser’s sole recourse shall be repair or replacement, as described in the preceding paragraphs. Strymon will not be held liable to any party for damages that result from the failure of this product. Damages excluded include, but are not limited to, the following: lost profits, lost savings, damage to other equipment, and incidental or consequential damages arising from the use, or inability to use this product. In no event will Strymon be liable for more than the amount of the purchase price, not to exceed the current retail price of the product. Strymon disclaims any other warranties, express or implied. By using the product, the user accepts all terms herein.

®

How to Obtain Service Under this Warranty

For North American customers: Contact Strymon through our website at http://www.strymon.net/support for

Return Authorization and information. Proof of original ownership may be required in the form of a purchase receipt.

For International Customers: Contact the Strymon dealer from which the product was purchased from in order to arrange warranty repair service.

Strymon

®

is a division of Damage Control

®

, LLC.

REV C pg 26

Strymon TimeLine User manual

USER MANUAL

- User Manual

Front Panel Controls

- User Manual

Rear Panel

- User Manual

In Depth: Filter & Grit controls

Delay time ranges and Display

- User Manual

EXP Connections

- User Manual

Banks and Patches

Saving Patches

Restoring Factory Patches

- User Manual

Editing Parameters

Delay Machines: Common Parameters

- User Manual

Delay Machines: Digital

- User Manual

Delay Machines: Dual

- User Manual

Delay Machines: Pattern

- User Manual

Delay Machines: Reverse

- User Manual

- User Manual

Delay Machines: Duck

- User Manual

- User Manual

- User Manual

Delay Machines: Filter

- User Manual

- User Manual

Delay Machines: dTape

- User Manual

Delay Machines: dBucket

brighter depending on preference.

- User Manual

Looper

- User Manual

Globals Menu

- User Manual

Globals Menu

- User Manual

Feedback Loop

- User Manual

MIDI Specification

- User Manual

Features

Specifications

Power Supply

- User Manual

Strymon Non-Transferrable Limited Warranty

Warranty

Exclusions

Limits of Liability

How to Obtain Service Under this Warranty

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