Software User Manual
Software User Manual
Version 1.0
End User License Agreement (EULA)
Do not use this product until the following license agreement is understood and accepted.
By using this product, or allowing anyone else to do so, you are accepting this agreement.
UVX-10P (henceforth ‘the Product’) is licensed to you as
3. Ownership
the end user. Please read this Agreement carefully.
As between you and UVI, ownership of, and title to, the
You cannot transfer ownership of these Sounds and Software
enclosed digitally recorded sounds (including any copies)
they contain. You cannot re-sell or copy the Product.
are held by UVI. Copies are provided to you only to enable
you to exercise your rights under the license.
LICENSE AND PROTECTION
4. Term
This agreement is effective from the date you open this package,
and will remain in full force until termination. This agreement
1. License Grant
will terminate if you break any of the terms or conditions of this
UVI grants to you, subject to the following terms and
agreement. Upon termination you agree to destroy and return to
conditions, a non-exclusive, non-transferable right
UVI all copies of this product and accompanying documentation.
to use each authorized copy of the Product.
5. Restrictions
The product is the property of UVI and is licensed to you only
Except as expressly authorized in this agreement, you may not rent,
for use as part of a musical performance, live or recorded. This
sell, lease, sub-license, distribute, transfer, copy, reproduce, display,
license expressly forbids resale or other distribution of the
modify or time share the enclosed product or documentation.
sounds and software included in the Product or their derivatives,
either as they exist on disc, reformatted for use in another
digital sampler, or mixed, combined, filtered, resynthesized or
otherwise edited, for use as sounds, multi-sounds, samples,
multi-samples, wavetables, programs or patches in a sampler,
microchip or any hardware or software sample playback device.
You cannot sell the Product content or give it away for use
by others in their sampling or sample playback devices.
In the event UVI terminates this agreement due to your
breach, you agree to return the original and all other
copies of the software and documentation to UVI.
UVI reserves all rights not expressly granted to herein.
2. Protection of Software
You agree to take all reasonable steps to protect the product and
any accompanying documentation from unauthorized copying
or use. You agree not to modify the product to circumvent any
method or means adopted or implemented by UVI to protect against
or discourage the unlicensed use of copying of the Product.
©2013 UVI, all rights reserved.
All trademarks are the property of their respective owners
2
Table of Contents
Introduction.............................................................................................................................4
Getting Started.......................................................................................................................5
Installation................................................................................................................................6
User Interface - Edit Page.................................................................................................7
User Interface - Mod Page................................................................................................9
Preset List....................................................................................................................10
UVI Workstation: Tips and Tricks....................................................................................11
Credits and Thanks...............................................................................................................12
3
Introduction
UVX-10P
Crown of an Analog Dynasty
In 1985 the world was introduced to the JX-10, a 12-voice, 24-oscillator
analog synthesizer par excellence and the last true analog synth of its
lineage. Following in the footsteps of the JX-8P and JX-3P, the Super JX
was fashioned with a sparse aesthetic. A lack of knobs made the system
a bit of a chore to program but an external controller (the PG800) could
be attached, cheerfully reuniting synthesists with the immediacy and
rapid programming speed of the ever-popular Jupiter and Juno lines. The
JX-10 is known for an immense and capable analog sound, even some
digital textures; it’s simply a magnificent synth. Programming capabilities
were equally rich with independent control of 2 DCOs per voice, 2 EGs,
2 VCFs, onboard chorus and even a sequencer (albeit a limited one).
UVX-10P was designed to deliver on all of the strengths of the JX series
with none of the weaknesses. We started with a pristine JX-10, MKS-70,
and JX-8P and set off, tirelessly programming and sampling these beauties
in high-resolution through a world-class signal chain. As with the UVX3P we made every sample twice, with and without the built-in chorus,
providing an authentic and versatile foundation. This sonic backbone
paired with the UVI Engine results in a lush and extravagant analog sound;
faithful to the hardware with a modern studio bite. UVX-10P delivers a
fully-featured and fully-programmable interface sporting ADSR control
of our high-quality amp and multimode filter designs, multiple effects,
LFO and step modulator, a tediously crafted library of 170+ patches and
even original wave samples for you to create your own programs with.
4
Getting Started
What’s a UFS File?
UFS is UVI’s monolithic instrument file format.
All required assets for an instrument including samples, presets,
scripts, FX and impulse responses are contained within a single
UFS file. This approach allows for an extremely simple workflow
with minimal overhead for file management and updating.
What’s an iLok?
An iLok is a small USB key that stores licenses for software and
instruments including all UVI instruments, sound libraries and effects.
You’ll need an iLok key to use this product.
Compatibility
Compatibility
Stand Alone
Stand Alone
AU, VST, MAS, AAX
VST, RTAS, AAX
Minimum System Requirements
Minimum System Requirements
Intel CPU
Core Duo or faster
4 GB of RAM
4 GB of RAM
9 GB of disk space
9 GB of disk space
MAC OS X 10.7 or higher
Windows Vista or higher
7200rpm HD or SSD recommended
7200rpm HD or SSD recommended
UVI Workstation 2 or MOTU MachFive 3
UVI Workstation 2 or MOTU MachFive 3 installed
iLok (1st or 2nd gen)
iLok (1st or 2nd gen)
5
Installation
Installation
Loading an Instrument
If you purchased a boxed product (USB stick) please attach it
Once you’ve installed the UVX-10P UFS open
to your computer and copy the UFS file to this location:
UVI Workstation or MachFive 3 and do the following:
on Mac: /Library/Application Support/UVISoundBanks
on Windows: C:\Program Files\UVISoundBanks
1
If you purchased a download product please be aware that
it has been compressed in RAR format to speed transfer.
The UFS file will need to be uncompressed before installation.
There are a number of freeware RAR utilities available for both
1. Double-click the browser screen
Mac and Windows platforms. We recommend The Unarchiver
(Mac) and WinRAR (Windows)—links to both of these can be
found on our FAQ in the UFS Installation section, here:
3
http://www.uvi.net/en/content/124-faq
Once you have uncompressed the UFS file
please copy it to this location:
vv Mac: /Library/Application Support/UVISoundBanks
2
on Windows: C:\Program Files\UVISoundBanks
Saving UFS files in a Custom Folder
2. Locate UVX-10P in the Soundbank tab
3. Select the desired instrument and double-click a patch
If you prefer to store your UFS files in a different folder or on a
different hard drive even, feel free—it’s simple to configure:
1. Open UVI Workstation/MachFive 3 and go to ‘Preferences’
2. Click the ‘Sound Banks’ tab
3. Add a new folder for UVIWS/MF3 to scan
Please note: if you add a custom location you will
need to restart UVIWS/MachFive to scan the new
directory and load the enclosed sound banks
1
2
3
The instrument loads and you’re ready to jam!
6
User Interface - Edit Page
Globals + Page
1
Multimode Filter
2
Amp
3
Modwheel
4
Effects
5
Noise
6
The UI is divided into two pages; [Edit] and [Mod]. Main controls such as amp, filter, stereo, pitch and effects are available on the [Edit] page. Clicking the
[Mod] button at the top of the interface reveals the second page of controls, where you can access the LFO and Step Modulator. Presets are accessible
directly through the browser in UVI Workstation/MachFive.
1
Globals + Page
»Mono
Disables polyphony if active
»Arp
Filter cutoff frequency
Filter resonance amount
Sets the UI to the Edit page
»Mod
Sets the UI to the Mod page
2
Filter
(LP), band-pass (BP), or high-pass [HP]
Typical envelope controls for the filter
Adjust the filter velocity sensitivity
»Depth
Depth of the filters EG
» Cutoff Freq
Cutoff frequency of the Filter
5
Effects
»Drive
3
Amp
»ADSR
Adjust drive value
»Phaser
Typical envelope controls for the amp
» Vel Sens
Adjust effect mix amount
»Delay
Adjust the amp velocity sensistivity
» Vel > Atk
Adjust effect mix amount
»Reverb
Remaps Attack to Note Velocity
»ADSR
» Vel Sens
»Filter
Multimode filter can be set to low-pass
[additional controls available in UVIWS/
»Edit
Speed of the tremolo (sync)
» Filter Type
Toggle built-in arpeggiator on/off
MF arp page]
»Tremolo
»Resonance
4
Modwheel
This section provides a quick way to
map common controls to your MIDI
keyboards modwheel
»Vibrato
Adjust effect mix amount
6
Noise
»Amount
Adjust noise mix amount
»White/Pink
Select white or pink noise types
Speed of the vibrato (free)
7
User Interface - Edit Page
7
Stereo
7
Pitch
8
[continued]
Stereo
»Color
Utilizes neighboring samples from the
library to a unique effect
»Spread
Sets the stereo width (in ALT and UNI
modes only)
»Detune
Detunes the unison layers (UNI mode
only)
» Mode - Off
Sets the stereo mode to OFF
(monophonic)
8
» Mode - Alt
Sets the stereo mode to ALT; stereo
position alternates L/R every note, width
controlled by [SPREAD]
Pitch
»Depth
Sets the depth of portamento [Poly]
»Time
Sets the glide time for both modes
» Mode - Uni
Sets the stereo mode to UNI; layers
multiple samples and augments them for
increased stereo presence, modify with
[COLOR] and [DETUNE]
» Mode - Chorus
Activates hardware Chorus layer
8
User Interface - Mod Page
1
LFO
1
Step Modulator
2
LFO
»Sync
Toggle LFO sync to host tempo
»Shape
Select the LFO waveform: Sine, Square,
Triangle or Sample & Hold (random)
»Speed
Set the LFO speed
» EG Depth
Set the depth of the LFO envelope
»Attack
Set the LFO envelope attack time
»Decay
Set the LFO envelope decay time
» > Pitch
Set the pitch modulation amount
» > Drive
Set the drive modulation amount
» > Volume
Set the volume modulation amount
2
Step Modulator
»Res
Set the step speed/resolution
»Steps
Set the number of steps to playback
»Delay
Set the initial delay time
»Rise
Set the time to activate smooth
Saving Presets
» UVI Workstation
1. Click the [Multimode] button in the
main toolbar
2. Click the [Wrench] icon
3. Select ‘Save Multi’
»MachFive3
1. Click the [Wrench] icon and save as a
Multi (all parts) or as a Program [single]
»Smooth
Interpolates sub-step values for a
Settings for both UVI Workstation and
smooth modulation
MachFive will be saved automatically
» > Volume
Set the volume modulation amount
with your project if you’re working within
a DAW.
» > Filter
Set the filter modulation amount
» Step Value
Set the per-step value (draw with
mouse, double-click to enter explicit
values)
» > Filter
Set the filter modulation amount
9
Preset List
Presets
Arpeggios-Steps
Analog Arp
Basecamp Arp
Bass A Googoo
Chaos Ritual
Drive In
Gate One
HP Tronic
LFO10P
Light Tech Tube
Moving Synth
Sonic Fountain
Step by Wheel
Step Delay
Step in Space
TanJXrine Dream
War Sequence
Wheel2wet ARP
Zen Garden
Bass
Bass Killer
Electric like Bass
Fretless Synth Bass
Lazer Harper
Monster X
Mood Loud Bass
Mute Bass
My Arp
Obese Sync
Pure 80s Bass
Submarine
Sync Bass
Bells
Bell CO
Cool Vibes
Dailama Bells
FantaStick Bells
GlockAnalogSpiel
Music Analog Box
Physical Small
Pure Metal Soft Organ Bells
Space Christmas
Synth Large Bells
Synth Little Bells
Thin Bells
Typical Synth Bells
Vibe Ration
Brassy
French Analog Horns
Granular Brass
Majestab Brass
Noisy Brass
OB Like
Porta Fluty Brassy
Power Wheel
Short Steel Brass
Slow and Chorus
Unique Horns
VangelHorns
Warm Section
Keyboards
Baroque n Roll
Chorused EPiano
Dry EPiano
Dyno Zor
Electric Road
Funky Fresh Keys
JX Full Tines
Keylesta
Large Church Organ
Lazer Keys
Metabellic Piano
Metal Toy Piano
My Chorused Dyno
Old 80s EPiano
Power Full Organ
Secundo Levi
Soft Jazz Organ
Space Keys
Synth Clavi Low
Wave Keys
Leads
Chiff Step Lead
Disto Wheel
DsolO
ExpresSolo
FantaStick Lead
Fifths Hit
Funky Brassy
Fusion Solo
Horn X
Mach Sync
Madnessolo
Pure Leadzer
Smooth Flute
So Lead Her Price
Sync Lead
Vox Dirty Lead
Pads
Classic One
Dark Cathedral
Euphoria
High Pad
Ice Tea
JX Choirs
JX Voices
Magnifique
My JX Pad
Ominous JP
PadLockSpiel
PhasOrgan Pad
Porta Pado
Rain Forest
Road Pad
Saw Rise
Sexy Pad
Smooth Choirs
Transilian
Water Choirs
Wheel Animation
Windsoring
Percussions
Balaphonix 1
Balaphonix 2
Holly Wood Log
Marimbottle
Space Steel Drum
Steel Analog
Universe Mallet
Wood Box
Xylophonix
Polysynth
Classic Poly Synth
Dark Poly Synth
Das ist ein Synth
Digital Stack
Dolce Heroine
Flutoscope
Funky Bells
High Poly Synth
Junky Fifth
Juxtaposition
Lazer Power
Metal Stack
MKS Poly Synth
Moody Shorty
Obese Fifths
Poly Son
Poly Sync
Saw Scission
Sirocco
Soft Poly
Strings
Attack AnaStrings
Beautiful Strings
Express Chorused
Huge Orchestra
LOwrchestra 1
LOwrchestra 2
Pure Analog Strings
Soft Orchestral
Space Cello Pad
Stepped Strings
Strings Machine
Sweeps
Dark Wheel Sweep
ExpresSweep
Majesweep
Primal Sweep
Step by Step
Xtra Waves
Pulse 8
Pulse 16
Saw 8
Saw 16
Saw-Pulse 8
Saw-Pulse 16
Square 8
Square 16
Super Saw X 8
Super Saw X 16
Super Square X 8
Super Square X 16
10
UVI Workstation: Tips + Tricks
MIDI Learn
Arpeggiator
Most UVI Workstation parameters can be automated via. a convenient
UVI Workstation comes equipped with a robust arpeggiator. To insert
MIDI Learn. MIDI Learn allows you to bind a physical MIDI controller
an arpeggiator in a part, you need to display the Single view in the
to specific parameters within UVI Workstation.
UVI Workstation, then click on the note icon. The arpeggiator can
be employed as a pattern gate, arpeggiator, or even an advanced
Any FX tab parameter, Macro Knob or Slider in UVI
instruments can use the MIDI Learn feature
rhythmic processor for your live MIDI performance or sequenced MIDI
tracks. Arpeggiators can be inserted in an unlimited number of parts.
The MIDI controller type and the MIDI Channel assignment will
be saved with the multi or with your song in the host sequencer
Automation is assigned per-part
To use MIDI Learn:
1. Right-click the parameter in UVI Workstation
that you want to automate
2. After the MIDI Learn dialog appears, Trigger the
desired MIDI input controller (knob, fader etc.)
Preset Stacking
Thanks to the simplicity of the UVI Workstation you can stack as
many preset as you want by simply assign multiple part on the same
MIDI channel.
Split, Velocity & Key Switch
To remove a MIDI controller assignment:
Right-click the desired parameter and press “Delete”
Unlimited FX
The Keyswitch settings allow you to load multiple presets into two
or more parts and dynamically play and mute them from your MIDI
controller using key switching, note range, velocity range or any
combination of the three parameters. This powerful feature gives you
a great deal of real-time control.
UVI Workstation offers a wide variety of FX, or effect
processors, to cover all your audio processing needs. The FX
Scroll Wheel
implementation is robust and includes the ability to insert
unlimited FX slots in several stages of the signal flow.
All knobs can be adjusted with the scroll wheel on your mouse.
When you double-click on any knob or slider, you can manually enter
Click the “FX” tab to open the FX page on the Single view
or type in the desired value.
In Multi view the FX section is always displayed
11
Credits and Thanks
Produced by UVI
Recording / Editing / Sound Design
Damien Vallet
Kevin Guilhaumou
Alain J Etchart
Software + Scripting
Olivier Tristan
Remy Muller
UI + Design
Nathaniel Reeves
Special Thanks
Manu @ Masterwave
Richard @ RL Music
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