MM-1 User Guide and Technical Information

MM-1 User Guide and Technical Information

®

SOUND

DEVICES

MM-1

Microphone Preamplifier with

Headphone Monitor

User Guide and Technical Information

Sound Devices, LLC

300 Wengel Drive

Reedsburg, WI 53959 USA

Voice (608) 524-0625

Fax (608) 524-0655 www.sounddevices.com

©2001-2002 Sound Devices, LLC

MM-1 Mic Preamp with Headphone Monitor

User Guide and Technical Documentation

General Description

Sound Devices MM-1 combines a high-performance microphone preamplifier with a flexible headphone monitor.

The full-featured, transformer-balanced microphone preamp produces low-noise, low-distortion gain at all switch positions.

Its dual-stage limiter and high-pass filter prevent occasional signal extremes from overloading down-stream equipment.

The MM-1 is at home in a range of applications – film sound

(boom operators), high-definition television production, corporate/industrial environments, radio/television announce booths, and music production. With its headphone monitoring function the MM-1 is a benefit in applications where communications channels and mix-minus feeds need to be monitored in headphones. The user can monitor both microphone audio and external audio sources in headphones with level control.

The MM-1 is designed for durabily. Its extruded aluminum chassis, rugged end panels, machined knobs, and panel mounted connectors assure reliable mechanical operation.

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Features

High Performance Microphone Preamplifier

Maximum of 66 dB of gain, in eleven discrete steps for accurate, repeatable gain settings.

Dynamic range exceeding 120 dB

10 Hz to 50 kHz audio bandwidth.

High immunity to RF interference due to transformers, RF filtering, and all-metal construction

High current line output driver capable of driving very long cable runs.

Premium Lundahl input transformer with superior sonic quality and freedom from interference problems.

Extended range peak limiter via dual opto-isolators makes preamplifier virtually "unclippable".

Selectable 48-volt / 12-volt phantom power or 12-volt T-power for condenser microphones.

High-pass filter with two selectable corner frequencies, 80 and

160 Hz, 6 dB per octave.

Headphone Monitoring

Headphone monitoring of microphone audio, external monitor audio, or a mix of both.

Monitor input accepts balanced or unbalanced mono line-level inputs on 1/4-inch tip-ring-sleeve connector.

Separate level control of Monitor gain and overall headphone gain.

Split ear function via DIP switches.

Portable

Internal battery power (two-AA) for convenient, low cost power.

Excellent battery life with alkaline or lithium primary cells.

External 5-17 VDC powering (plug included).

Durable Mechanical Construction

High strength aluminum chassis withstands punishing field conditions.

Panel-mounted connectors for strength and reliability.

Easy access battery compartment for quick battery changes.

Durable belt clip and end panels.

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MM-1 Mic Preamp with Headphone Monitor

User Guide and Technical Documentation

Block Diagram

Specifications

Gain:

(Mic - Line)

Gain Accuracy

(Mic - Line)

Frequency Response

(Mic - Line)

Equivalent Input

Noise:

(Mic)

Output Clipping Level:

(Line)

Input Clipping Level:

(Mic)

Dynamic Range:

(Mic to Line)

0 dB to 66 dB input to output, switch selectable

+0.6, -0.1 dB with reference to front panel gain markings

(150 ohm source, 100 k load impedances)

20 Hz –20 kHz, +0.1, -0.5 dB, -1 dB at 50 kHz

(relative to 1 kHz level with 150 ohm source)

-126 dBu (-128 dBV) maximum

(150 ohm source, flat weighting, 22 Hz – 22 kHz bandwidth gain setting 36 dB or greater)

+22 dBu minimum with 100k ohm load

+20 dBu minimum with 600 ohm load

+4 dBu minimum at the 0 or +18 dB gain setting

122 dB minimum at the +18 dB gain setting

THD + Noise

Common Mode

Rejection Ratio:

0.05% maximum

(from 50 Hz – 22 kHz @ +4 dBu output level, 22 Hz – 22 kHz filter bandwidth, +46 dB gain setting

100 dB minimum at 80 Hz

60 dB minimum at 10 kHz page 4

MM-1 Frequency

Response

-- w/80 Hz HP

·· w/160 Hz HP d

B u

-2

-3

+1

+0

-1

-4

-5

-6

10 20 50 100 200 500 1k

Hz

2k 5k 10k 20k 50k 100k

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Input:

(Mic)

Input:

(Monitor)

Output:

(Line)

Headphone Output

Impedance:

Frequency Response:

(Monitor In)

Frequency Response:

(Headphone Out)

Input Clipping Level:

(Monitor In)

High-Pass Filter:

Phantom Power:

T-Power:

Limiter:

Internal Voltage

Rails:

Power:

Polarity:

Weight:

(unit only)

Dimensions:

(unit only)

Transformer-balanced, 2k ohm input impedance

Electronically-balanced, 22k ohm input impedance

Transformer-balanced, 130 ohm output impedance

Unbalanced, 200 ohms

10 Hz – 50 kHz, ±0.5 dB, gain at 50 %

10 Hz – 50 kHz, ±0.5 dB, gain at 50 % greater than +30 dBu

80 Hz or 160 Hz (switch selectable), 6 dB per octave

12 V or 48 V (switch selectable), will supply 10 mA per DIN 45 596 specification

12 V via 180 ohm resistors, will supply 10 mA

Limits to +17 dBu output level, 10:1 limiting ratio

5 ms attack time, 100 ms release time

Amber/Red LED indicates limiting/clipping

±15 V, regulated

Internal: 2 x AA batteries

External: 5 – 17 VDC via threaded coaxial jack, (5.5 mm outer diameter, 2.1 mm inner diameter), pin positive, sleeve negative.

Voltages above 17 VDC cause no damage to unit but will open an internal poly fuse. Poly fuse will reset when voltage is removed.

All inputs to all outputs are non-inverting.

XLR – pin 2 = hot, pin 3 = cold, pin 1 is ground.

TRS – Tip = hot, ring = cold, sleeve = ground

0.64 kg

1.42 lbs.

49 mm x 95 mm x 166 mm (h x w x d)

(1.95” x 3.75” x 6.55”) page 5

MM-1 Mic Preamp with Headphone Monitor

User Guide and Technical Documentation

Front Panel Controls and Connectors

1

9

2 3

4

5

6

7 8

1. PREAMP GAIN Switch (Rotary)

Selects the amount of gain from input to output, adjustable in 11 increments.

2. High-Pass Filter Switch

Three-position switch inserts an 80 Hz or 160 Hz corner frequency filter, 6 dB per octave. Off position removes the filter from the signal path.

3. LIMITER Switch

Activates the peak limiter. Limits to +17 dBu output.

4. LIMITER/Peak LED

Bi-color LED illuminates red at 3 dB below clipping; illuminates amber to indicate limiter activity.

5. MONITOR In Gain

Controls the level of Monitor Input signal.

6. PHONES Gain

Controls the overall headphone monitor level of both preamp audio and monitor audio.

7. POWER LED

Bi-color LED illuminates green when the unit is powered and changes to red when approximately four hours of battery life remain.

8. POWER Switch

Selects the power source for the unit, either Internal (battery) or

External power.

9. Headphone Connector

1/4-inch TRS mono headphone output; microphone audio and/or monitor audio in headphones.

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Back Panel Controls and Connectors

16

10 11 12 13 14

15

10. LINE OUT

Transformer-balanced line-level output. +22 dBu peak output level.

11. MIC IN

Transformer-balanced XLR input accepts microphone level signals.

12. Phantom Voltage Switch

Selects phantom voltages between 48 V or 12 V for mic powering.

13. Balanced Monitor Input

Active-balanced ¼-inch connector accepts balanced or unbalanced line level signals from -10 dBu to +24 dBu.

14. Microphone Power Switch

Three-position switch selects Phantom power, T-power (12 Volts), or no power (DYN position).

WARNING: Do not use T-power with phantom powered or dynamic microphones (see “Microphone Powering”).

15. External DC Input Connector

Accepts 5 - 17 VDC, pin (+), sleeve (-).

16. BATTERY Compartment

Requires two AA batteries for operation. Insert positive (+) end of battery first.

Bottom Panel Switches

The bottom panel switches are accessible when the belt clip is removed. Use a 1/16inch allen-head wrench.

17

17. DIP Switches

The “Split Ear” setting allows the a signal to be sent to the left headphone earpiece and a monitor signal to be sent to the right earpiece. Also, S2-B can mute the mic audio to the headphones.

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MM-1 Mic Preamp with Headphone Monitor

User Guide and Technical Documentation

Operational Notes

Transformers

The isolation characteristics of transformers are superior to any other balancing technique, particularly for the adverse and uncontrolled environments of field production. Transformers provide galvanic isolation from the driving source, meaning there is no direct electrical connection. Signals are "transformed" magnetically. Both transformers in the MM-1 use premium magnetic core material to achieve high signal handling capability (especially at low frequencies) while keeping distortion to a minimum. Because of their inherently high common mode impedance, transformers are unrivaled by any other type of input for common-mode noise rejection.

Both the microphone input and line output of the MM-1 can be balanced or unbalanced without problems. When unbalancing (either input or output) ground pin 3 to pin 1. There is no change in gain with an unbalanced connection into or out of the MM-1.

Microphone Powering

Microphones requiring phantom power should use the lowest voltage acceptable to maximize battery life. Most electret-condenser microphones can operate on phantom voltages from 11-52 volts. There is typically no performance benefit to using 48-volts; therefore 12-volt phantom is appropriate. Some microphones which require 48-volt phantom will not operate, or may operate with lower headroom and increased distortion at 12 volts; therefore use 48-volt phantom.

Consult your microphone documentation for the appropriate voltage.

Dynamic microphones do not require phantom power. A properly connected balanced, dynamic microphone will not be affected by the presence of phantom power nor will it draw any current. However, it is good practice to turn phantom power off if the microphone cable is suspect. Poor or incorrectly wired microphone cable can cause audible artifacts in the microphone signal. (Phantom is an excellent cable tester.)

T-powering is a specific powering topology needed only for T-powered

microphones. T-power electrically is 12 volts applied to pin 2 with respect to pin 3 of the XLR connector. Because of the voltage differential of T-power, it is incompatible with dynamic or phantom powered microphones and can permanently damage dynamic and phantom powered mics.

High-Pass Filter

The two positions of the high-pass filter (low-cut) in the MM-1 are useful for removing excess low frequency energy in the audio signals. The 80 Hz position is appropriate when recording general speech, music, and ambient sound. The

160 Hz position is useful to enhance speech clarity. The high pass filter is a single pole design, 6 dB per octave.

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When possible, attempt to equalize at the sound source with microphone selection, use of a windscreen, microphone placement, and onboard microphone filtering. A high-pass filter on the microphone and a high-pass filter on the MM-1 will give an additive effect, increasing the slope of the filter.

Limiter

The MM-1 has a built-in peak responding limiter which can be turned on or off by the front panel switch. The MM-1 limiter is two separate limiters circuits activated by the one switch; the first limiter keeps the input gain stage from clipping, and the second limiter limits the output to +17 dBu. The two limiters enable the MM-1 to limit in excess of 50 dB, meaning that it is very difficult to clip the unit, no matter the gain setting. The Limiter LED on the front panel illuminates amber in proportion to the amount of limiting.

Headphone Monitoring

With headphones connected to the front panel headphone jack the MM-1 can be used to monitor either microphone audio, monitor audio, or a mix of both signals. The Phones level controls the overall headphone volume. The Monitor

Gain adjusts the level of the monitor input signal.

The MM-1 is capable of driving headphones to dangerously high

levels. Take precautions to prevent hearing damage.

Battery Life

Several factors affect battery life including - battery chemistry, ambient temperature of operation, microphone powering, and headphone drive levels.

Experimentation is recommended to determine battery life for each individual setup. Note: Nickel-cadmium batteries are not recommended in the MM-1 since these batteries have lower energy per cell than other types and will result in very short service.

Battery Type

Duracell AA MN

1500

Duracell AA MN

1500

Duracell AA MN

1500

Operational Characteristics

Powered, idle

Battery Life

XX hrs.

Dynamic microphone, +4dBu output,

75 ohm headphones at moderate level

XX hrs.

Condenser microphone (48V), 75 ohm headphones at high levels

XX hrs.

1600 mAh NiMH

AA

Dynamic microphone, +4dBu output,

75 ohm headphones at moderate level

XX hrs page 9

MM-1 Mic Preamp with Headphone Monitor

User Guide and Technical Documentation

Application Notes

Line Driving/Mic Checking

Audio from remote microphones located more than 100 meters from a mixing console improve when sending line level signals to the mix position. Long cable runs at microphone level are more prone to noise and interference than line level signals. Phantom voltages can also drop over long cable runs resulting in problems at the microphone. The MM-1 can be used to step microphone signals to line level, provide power to microphones, transformer-isolate grounds, and to verify microphone audio in headphones.

Wireless Boom Operator

The MM-1 can be used to allow a boom operator to have an un-tethered connection to a production van or mix position. The microphone is connected directly to the MM-1, and the “boom op” can hear microphone audio directly in headphones. The MM-1 is used to power the microphone and provide gain. The output of the MM-1 is connected to a body-pack wireless transmitter. A two-way radio’s earpiece output is connected to the monitor input of the MM-1. Via the two-way the boom operator receives director’s cues. The MM-1 allows the user to control monitoring levels of the comm feed and the microphone signal in headphones without affecting the microphone signal sent to the wireless transmitter.

Boom Operator page 10

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Radio/Television Announcer Position

The MM-1 is used as a microphone preamplifier for an announcer’s microphone and can pass a mix-minus headphone feed to the announcer. Sending a line level signal from the announcer position to the main mixing console is preferred over sending a mic level signal. When engaged, the limiter prevents distortion during shouting and high microphone signal levels.

Announcer

In the set-up above the announcer has level control in the headphones of their overall audio level and the level of the mix-minus feed.

Podium Microphones

Often podium microphones need to carry long cable lengths and “see” multiple audio consoles. Using an MM-1 between podium microphones and mixing consoles provides needed isolation for the microphone. Because the MM-1 has transformer coupling for both inputs and outputs the potential for ground loops is substantially reduced. Driving line level signals to mixing consoles and powering microphones locally greatly improves the reliability and audio quality of a podium mic feeds. The microphone is connected directly to the MM-1, which provides gain, microphone power, filtering, and limiting. In addition, the microphone signal can be verified using the headphone output of the MM-1.

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MM-1 Mic Preamp with Headphone Monitor

User Guide and Technical Documentation

FCC Statement

This device has been tested and found to comply with the limits for a class B digital device, pursuant to part 15 of the FCC rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation.

This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation.

Warranty

Sound Devices, LLC warrants the MM-1 Microphone Preamp with Headphone Monitoring against defects in materials and workmanship for a period of ONE (1) year from date of original retail purchase. This is a non-transferable warranty that extends only to the original purchaser. Sound Devices, LLC will repair or replace the product at its discretion at no charge.

Warranty claims due to severe service conditions will be addressed on an individual basis. THE WARRANTY AND REME-

DIES SET FORTH ABOVE ARE EXCLUSIVE. SOUND DEVICES,

LLC DISCLAIMS ALL OTHER WARRANTIES, EXPRESS OR

IMPLIED, INCLUDING WARRANTIES OF MERCHANTABILITY

AND FITNESS FOR A PARTICULAR PURPOSE. SOUND

DEVICES, LLC IS NOT RESPONSIBLE FOR SPECIAL, INCIDEN-

TAL, OR CONSEQUENTIAL DAMAGES ARISING FROM ANY

BREACH OF WARRANTY OR UNDER ANY OTHER LEGAL THEO-

RY. Because some jurisdictions do not permit the exclusion or limitations set forth above, they may not apply in all cases.

For all service, including warranty repair, please send the

MM-1, along with proof of purchase date to:

Sound Devices, LLC

Service Repair

300 Wengel Drive

Reedsburg, WI 53959 USA telephone: (608) 524-0625 page 12

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