AG-DVX200
Memory Card Camera Recorder
Memory Card Camera Recorder
1
Captured from video shot on AG-DVX200
Opening New Paths to Video Production with 4K Quality and Mobility
1
The AG-DVX200 debuts as the world's first* 4/3-type large format camcorder with integrated
zoom lens. Combining digital video technology that Panasonic has developed over its long history of producing broadcast equipment with its expertise in professional camera recorder, the
AG-DVX200 blazes an entirely new trail in video production.
This new camera recorder captures stunning images with the shallow focus and attractive
Bokeh effect of its 4/3-type large-format sensor, and the latitude made possible by the 12-stop
V-Log L processing inherited. High-speed processing of these high resolution images by a new
4K engine enables high-quality, multi-format (4K/24p, UHD/60p, FHD/60p) recording.
The AG-DVX200 also features a number of high-end functions to meet video production needs,
including Full-HD, 120 fps Variable Frame Rate (VFR) shooting and dual codec recording. And it
integrates a newly developed LEICA DICOMAR 4K 13x zoom lens. High-speed, high-precision
full-auto functions and professional-level manual functions provide operating ease and mobility
that are possible only from a lens-integrated body.
The crimson red coloring and stylish carbon-black textured body form a highly impressive and
innovative design, in response to the artistic sensibility of video creators. This color scheme also
reflects the expressive capability of the AG-DVX200's vividly detailed 4K images together with
its superb mobility and intuitively easy operation, supporting the everyday demands of active
professionals.
*The microphone shown in the photo is an option.
*1: For a lens-integrated 4K/60p camera recorder with a 4/3-type sensor. (As of March 2016, according to a Panasonic survey.)
2
Rich Expression from a 4/3-type Sensor and 4K Engine
* picture simulated
New 4/3-type Sensor for
Beautiful Bokeh Effects and
4K Resolution
NEW
The AG-DVX200 features a 4/3-type, largeformat image sensor. It creates highly attractive
Bokeh effects by blending 4K resolution with
shallow depth of field. It also lets you capture
clear images with minimal noise when shooting
in dimly lit locations.
3
LEICA DICOMAR 4K Lens NEW
The high-performance LEICA
DICOMAR 4K lens has passed
the stringent quality standards of
Leica Camera AG. A multi-coating process
minimizes ghosts and flaring, while the use of
a low-dispersion glass suppresses chromatic
aberration. This results in especially clear
images with very little color bleeding.
* Leica is a registered trademark of Leica Microsystems IR
GmbH.
* DICOMAR is a registered trademark of Leica Camera AG.
* LEICA DICOMAR products are manufactured using Leicacertified measuring instruments and quality assurance systems
based on rigorous quality standards approved by LEICA
DICOMAR AG.
NEW
4K Engine with
High-Speed Processing on a New LSI
The 4K engine, which is mounted on the
AG-DVX200's newly developed LSI, quickly
processes the massive amount of 4K data.
A new noise reduction function also minimizes
noise when shooting dark scenes with
increased gain.
UHD/60p High-Resolution Recording
Recording at a maximum 60p (60 fps) is
possible with UHD (3840 x 2160) resolution.
It produces smooth, high-resolution images
from fast-moving scenes. This is important
due to the recent announcement of UHD
59.94 native acquisition.
V-Log L before color grading
V-Log L after color grading
* picture simulated
Variable Frame Rate HD Recording
at Max. 120 fps
When recording at high Full-HD (1920 x 1080)
resolution, the frame rate can be varied from
2 fps to 120 fps.* Slow-motion images can
be achieved by shooting at up to 12x normal
speed (in 24p mode), and quick-motion images
can be produced by dropping frames.
* When shooting from 2 fps to 96 fps, 28.0mm can be achieved
at the wide-angle end, but this is limited to 35.2mm when
shooting at 100 fps or 120 fps.
* Images captured from actual footage shot on
AG-DVX200 and graded for printing.
12 stops of Latitude from V-Log L
The AG-DVX200 features a V-Log L function
that is equivalent to the V-Log and curve
characteristics provided on the new VariCam
Series. Its 12-stop wide dynamic range
accommodates cinema production work
requiring post-process color gradation.
In addition to this, gamma curves can be
selected from 8 modes, including CINE-LIKE V,
CINE-LIKE D, FILMLIKE 1/2/3, HD and SD.
* Image captured from actual footage shot on
AG-DVX200 and graded for printing.
High-Quality 4K (UHD) 10 bit 4:2:2
Image Output
The HDMI output terminal enables camerathrough output of 4K (4096 x 2160) /24p and
UHD (3840 x 2160)/30p images. This allows
uncompressed recording of 10 bit 4:2:2 image
quality by external recorders.*
*When HDMI / HD SDI is set to 10 bits, all internal recordings
are disabled.
Infrared Shooting Function
The AG-DVX200 has an integrated, detachable
IR filter. Its IR mode enables it to record 4K
images in the dark. Shooting and recording are
possible in a zero-lux environment, such as
unlighted nightscapes, animals in nature, and
event sites before the lights are turned on.
* An optional IR light is required separately.
* The VariCam 35 and VariCam LT V-Log has 14+ stops.
4
Nimble Mobility with an Integrated Optical 13x Zoom Lens
and Intelligent Full-Auto Functions
Ball OIS System
OIS Lens Unit
1. Roll
5. Yaw
2. X
4. Pitch
3. Y
* picture simulated
Newly Developed Integrated
Optical 13x Zoom Lens
NEW
This 13x zoom lens comprises 17 lenses in 11
groups, including 5 aspheric lenses. It offers
a level of mobility that is possible only with an
integrated lens, extending from 28 mm wide1
angle (in FHD mode)* to a wide zoom range
with F2.8 brightness (at the wide-angle end), for
news gathering and video production.
2
The i.Zoom* function increases the zooming
capability to a maximum of approximately 20x,
while maintaining high resolution.
*1: 35 mm film equivalent. Varies depending on the video
recording format. FHD: 28 mm, 4K/24p: 29.5 mm, UHD/30p:
30.6 mm, UHD/60p: 37.2 mm
*2: Cannot be used in 4K/UHD shooting modes.
Intelligent AF
NEW
The AG-DVX200 features a high-speed, highprecision Intelligent AF system. Its new microdrive focus unit provides the focus lens with
an extremely fine, continuous drive, to quickly
trace your subject's movements. The excellent
focusing speed, tracking performance and
stability of this AF system strongly support the
detailed 4K images and shallow focus.
Custom AF
NEW
Auto focus operation can be customized by
adjusting the AF Speed, AF Sensitivity and
AF Area Width.
Advanced Hand-Shake Correction
• Advanced Optical Image Stabilizer (OIS):
The correction area has been dramatically increased
in the newly developed lens. This provides powerful
correction even in unstable shooting situations, such
as low-angle or high-angle shots. The OIS lens drive
mechanism has also been changed to a ball system.
The ball OIS system reduces wear on the drive
section, and greatly improves correction for smallamplitude hand-shake.
• 5-Axis Hybrid Image Stabilizer:*
By using hand-shake correction that combines the
effects of both optical and electronic image stabilization,
hand-shake in various directions, including the rotary
direction, is detected and corrected.
* Cannot be used in 4K/UHD shooting modes.
5
AG-DVX200
Correction Area
Expanded to
Approximately
400%
General Pro Camera Recoder*
Correction Area
*Comparison with AG-AC160A
Locus of blurring
Triple Manual Ring
NEW
The AG-DVX200 features three manual rings for
mechanical (cam-driven) Zoom, Focus and Iris
control. This manual operation offers a highly
familiar, professional feel.
ND Filters, Gain, White Balance
• ND Filters: OFF, 1/4, 1/16, 1/64 ND filters
built-in.
3
• Gain Selector: Negative gain is added.*
Select from −6 dB to 24 dB or 0 dB to 24 dB
gain for 3-position (L/M/H) allocation.
• AWB Selector: Two-value (A/B) memory and
presets (3200/5600/VAR) can be selected.
*3: To be supported by firmware upgrade in April 2016. For details,
please visit Panasonic website. (http://pro-av.panasonic.net/).
6
4K/FHD Multi-Codec Recording and Double-Slot Reliability
Multi-Format/Multi-Codec Recording
The MP4/MOV codec provides 4K (4096 x
2160)/24p, UHD (3840 x 2160)/60p, and FHD
(1920 x 1080) high-bit-rate recording, and the
AVCHD codec supports low-bit-rate HD/SD
recording. Being able to select from a variety of
recording modes, each with a different image
quality, frame rate, and bit rate, meets a wide
range of applications, from cinema production
to Internet distribution.
(See below table for more details.)
* The use of DCF Technologies is under license from MultiFormat, Inc.
SD Memory Card U3 Standard for
4K Acquisition
The AG-DVX200 records onto SDHC/SDXC
memory cards. Supporting the UHS Speed
Class 3 for high-speed data transfer, this
enables 4K/24p, UHD/60p, and VFR recording.
Approximately 160 minutes of 4K/24p data can
be recorded onto a 128 GB SD memory card,
or a scene of about 110 minutes of UHD/60p
data. (A 64 GB SD memory card will hold
approximately 80 minutes
of 4K/24p data, or about
55 minutes of UHD/
60p data.)
Video Recording Mode (when System Frequency is 59.94 Hz)
Recording Mode
Recording Format
4K
100 Mbps
Recording Mode
Recording Format
4K
Bit Rate
4096 x 2160/24.00p FastScan
100 Mbps
3840 x 2160/50.00p FastScan
150 Mbps
3840 x 2160/25.00p
100 Mbps
1920 x 1080/50.00p/25.00p (ALL-I)
200 Mbps
1920 x 1080/50.00p
100 Mbps
1920 x 1080/50.00p/25.00p/50.00i
50 Mbps
3840 x 2160/59.94p FastScan
150 Mbps
100 Mbps
1920 x 1080/59.94p/29.97p/23.98p (ALL-I)
200 Mbps
1920 x 1080/59.94p
100 Mbps
1920 x 1080/59.94p/29.97p/23.98p/59.94i
50 Mbps
PS
1920 x 1080/59.94p
25 Mbps
PS
1920 x 1080/50.00p
25 Mbps
PH
1920 x 1080/59.94i/23.98p
21 Mbps
PH
1920 x 1080/50.00i
21 Mbps
HA
1920 x 1080/59.94i
17 Mbps
HA
1920 x 1080/50.00i
17 Mbps
HE
1440 x 1080/59.94i
5 Mbps
HE
1440 x 1080/50.00i
5 Mbps
PM
1280 x 720/59.94p
8 Mbps
PM
1280 x 720/50.00p
8 Mbps
SA
720 x 480/59.94i(SIDE CROP/LETTERBOX/SQUEEZE)
9 Mbps
SA
720 x 576/50.00i(SIDE CROP/LETTERBOX/SQUEEZE)
9 Mbps
MOV/MP4
FHD
*24.00p of 59.94 Hz and 50.00 Hz is the same recording format.
7
Bit Rate
4096 x 2160/24.00p FastScan
3840 x 2160/29.97p/23.98p
UHD
AVCHD
Video Recording Mode (when System Frequency is 50.00 Hz)
UHD
MOV/MP4
FHD
AVCHD
FastScan : The distortion in fast-moving subjects can be reduced by selecting FastScan mode when using 4K24p, UHD29.97p, UHD23.98p or UHD25p. However, angle of the view narrows.
Background
Recording
Background
Recording
Background
Recording
Background
Recording
Slot1
Slot1
Slot1
UHD/FHD Dual Codec Recording
Scene1
Scene1
Scene1
Slot2
Slot2
Slot2
Scene2
Scene2
Scene2
Scene3
Scene3
Scene3
Recording Mode
RegularRecording
Recording
Regular
Regular Recording
Relay
Recording
Relay
Recording
Relay
Recording
Relay
Recording
Slot1
Slot1
Slot1
UHD/FHD Dual Codec Recording (when FHD 50 Mbps mode)
Recording Format
Main-Recording side MOV/MP4
UHD/29.97p/25.00p/23.98p 100 Mbps
Sub-Recording side
FHD/29.97p/25.00p/23.98p 50 Mbps
MOV/MP4*
Recording
Recording
Recording
Slot2
Slot2
Slot2
* Same recording mode selected in the main-recording side.
Recording
Recording
Recording
UHD/FHD or FHD/FHD Dual Codec Recorging (when FHD 8 Mbps mode)
Recording Mode
Simultaneous
Recording
Simultaneous
Recording
Simultaneous
Recording
Simultaneous
Recording
Slot1
Slot1
Slot1
Recording
Recording
Recording
Slot2
Slot2
Slot2
Recording
Recording
Recording
Double SD Memory Card Slot
Boosts Recording Reliability
Two SD memory card slots allow dual-codec
recording, and enable various recording
formats to raise recording reliability.
• Background Recording: Records ordinary
Rec Start/Stop-controlled data in Slot 1, and
records all data, even when the AG-DVX200 is
stopped, in Slot 2.
• Relay Recording: Automatically records
continuously from Slot 1 to Slot 2.
• Simultaneous Recording: Identical data is
recorded onto cards in both slots in this highly
redundant recording mode.
• SD Memory Card Copy: Recorded data is
copied between the two slots.
Recording Format
Main-Recording side MOV/MP4
UHD/29.97p/25.00p/23.98p 100 Mbps
FHD/59.94p/50.00p/29.97p/25.00p/23.98p 200 Mbps
FHD/59.94p/50.00p 100 Mbps
Sub-Recording side
FHD/59.94p/50.00p/29.97p/25.00p/23.98p 8 Mbps
MOV
UHD/FHD Dual Codec Recording
NEW
This function allows the image to be
simultaneously recorded into two different,
Main and Sub, formats.* An efficient workflow
can be achieved by using the UHD (3840 x
2160) file for the main recording and the FHD
Sub Rec file for tasks such as previews, offline
editing, and Internet data transfers. Dual Codec
Recording is provided with two modes, an FHD
50M mode and an FHD 8M mode.(See the
table above.)
* Different frame rates cannot be selected.
Other Recording Functions
Digital Audio 2-Channel Recording
• Pre Rec: This function constantly caches
approximately 4 seconds of video and audio
data in MOV/MP4 format, or approximately
3 seconds in AVCHD format, prior to Rec Start,
so the data can be recovered in case there is a
delay in pressing Rec Start.
• Interval Rec: Records intermittently based on
a set interval time.
• Freeze Frame: Images can be recorded as
still images together with audio.
• Rec Check: This lets you check the end of
the most recently recorded clip with one-touch
ease.
Two-channel audio is recorded with the high
sound quality of the Linear PCM format
(MOV/MP4) or Dolby Digital format (AVCHD).
The built-in mic, mic input, or line input can be
selected for each channel, and the sound level
can be manually adjusted.
8
Flexible Operations That Assist Professional Camera Work
Expand and Peaking
WAVE (Waveform)
* picture simulated
* picture simulated
4.3-type Touch Panel LCD
The viewfinder features a high-resolution OLED
display (approximately 2,360,000 dots, with an
image display area of approximately 1,770,000
dots) for excellent color reproduction.
The EVF provides the ability to critically focus
even in 4K.
The integrated, large-screen, high-resolution
(approximately 2,760,000 dots) 4.3-type LCD
HD monitor provides easy viewing for previews
and focusing. Equipped with a touch panel, it
allows use of area functions, such as Touch
Focus, and enables an Icon Touch function for
various settings and operations.
9
High-Quality OLED EVF
Focus Assist Functions
LCD/EVF Displays That Assist Shooting
A wide variety of Focus Assist functions
support quick and accurate manual focusing.
• Expand: Visibility can be enhanced by
expanding the display of any desired part of
the screen.*
• Waveform and Vectorscope Display: WAVE
(Waveform) and VECTOR (Vectorscope) can
be easily displayed on a subscreen of the LCD
monitor.
• Level Gauge: Horizontal or vertical tilting of
the camcorder can be checked on the LCD and
viewfinder.
• ZEBRA: Two zebra patterns are integrated,
from 50% to 105% in 5% steps.
• Marker (Y Level): The brightness level in the
center of the screen is displayed in percentage.
• A Safety Zone Marker and Center Marker can
be displayed.
• Picture Quality Settings: Detail, Skintone,
Chroma Level, Chroma Phase, Color
Correction, Master pedestal level, Gamma and
Knee can be set.
* The part to be expanded is designated by touching the
screen.
• Peaking: The contours of subjects in focus
are colored for display emphasis.
• One-Push AF: This function temporarily
activates Auto Focus when shooting in Manual
mode.
• Focus Transition: The focus can be shifted
to a preset focus position (focal distance) with
a single touch. Up to three focus positions can
be preset.
• Area Function: Auto Focus is activated for
a subject that is touched on the LCD panel. In
addition to focusing, changes can be made to
Auto Iris and Brightness Display.
• MF Assist: Focus is automatically adjusted
after you adjust it with the focus ring in Manual
Focus Mode.
Scene Files
Six files preset with picture quality settings are
provided as Scene Files (1: Standard,
2: Shooting under fluorescent lights, 3: Extra
Color & Detail, 4: Enhanced gradation of
luminance in low-light scenes, 5: Cine-Like
setting shifted to prioritize contrast, and
6: Cine-Like setting shifted to prioritize dynamic
range). You can change any of the settings as
desired and store one set as a Custom File in
the AG-DVX200, and up to eight sets on a
SD memory card.
User Buttons
Any of the below listed 40 functions can be
allocated to the User Buttons. There are a total of
12 User Buttons: Eight on the AG-DVX200 body,
and four on the LCD Touch Panel.
The AWB button can also be used as
a User Button.*
Assignable Functions
Focus Assist, Backlight, Spotlight, Black Fade,
White Fade, ATW, ATW Lock, Digital Zoom,
Histogram Display, Rec Check, Last Scene Delete,
DRS, Freeze Frame, Super Gain, Area Function, Focus
Transition, Capture, EVF/LCD Detail, IR Shooting,
Level Gauge, Background, Flash Band Correction,
PRE-REC, WFM, FAST ZOOM, EVF ON/OFF,
Auto Iris Level, Zebra, Image Stabilizer, Scene File,
Auto Rec, Area Width Adjust, VFR Mode, Focus Macro,
i.Zoom, V-Log View Assist, Menu, LCD/EVF output,
Push Auto*, and Card Slot Selection*.
*To be supported by firmware upgrade in April 2016. For details,
please visit Panasonic website. (http://pro-av.panasonic.net/).
* picture simulated
10
Other Functions, Specifications, and Interfaces
Battery Cover
USB3.0 HOST/DEVICE
Side Terminal
Rear Terminal
HDMI/SDI/VIDEO Image Outputs
XLR Mic/Audio Input (2 Channels)
• HDMI OUT: Outputs images
up to 4K/24p and UHD/60p.*
The AG-DVX200 features +48 V phantom power
supply XLR mic and audio input terminals
(2 channels). The front mic terminal is positioned
behind the mic mount to prevent problems
such as obstruction when the mic is used at
the side of the camcorder. The rear external
audio terminal is positioned on the right side
for situations where shoulder-type shooting
is required. This also simplifies removal while
holding the camcorder in shooting position.
* Images output during UHD/60p recording are FHD.
• SDI OUT: Outputs HD SDI or SD SDI.
Panasonic recorders equipped with SDI input
can be linked to the Rec Start/Stop function of
the AG-DVX200.
• VIDEO OUT: Outputs composite images.
11
• USB HOST: SD memory card data files can
be copied onto external media, such as a USB
hard disk or USB memory device. Data copied
onto a USB hard disk or USB memory device
can also be reproduced.
• USB DEVICE: The AG-DVX200 can be
connected to a PC or Mac, and SD memory
card files can be transferred for linear editing.
Other Interfaces and Equipment
• TC PRESET IN/OUT: Time code
synchronization is possible for two AG-DVX200
camcorders.
• Camera Remote: Focus, Iris, Zoom, Rec
Start/Stop.
• Equipped with an audio output terminal
(Stereo Mini Jack x 1).
• Equipped with a headphone terminal
(Stereo Mini Jack x 1).
Lens Cover
Various Covers to Increase Mobility
and Safety
• Battery Cover: A hatch-type cover protects
the battery. This new design provides safety
and stability.
• Terminal Cover: The terminal block is
covered to protect it from dust and impacts.
• Lens Cover: A lens cover is built into the lens
hood to increase safety during travel.
Wireless Remote Control
from an iPad
NEW
1
The AG-JJLAGRP1G AG ROP app for iPad*
is available free of charge from the Apple App
Store. It enables wireless remote control of the
2
AG-DVX200* .
The control screen of the AG ROP app displays
large numerals and provides upper and lower
touch keys for easy understanding and use.
In addition to a multitude of control functions,
AG ROP control screen
* picture simulated
AG ROP
Download on the
App Store
such as camera settings, picture quality
adjustment, REC start/stop and menu setting,
the AG ROP app allows control of the
AG-DVX200's internal lens for remote operation
of the i.Zoom, zoom and focus. This provides
extra versatility when, for example, the
AG-DVX200 is set up on a crane.
It also displays a thumbnail view and a
3
preview view, so clips* recorded in dual
codec recording mode can be displayed as
thumbnails and previewed on an iPad.
*For details, please visit Panasonic website. (http://pro-av.
panasonic.net/).
*1 iOS 7.1, iOS 8.1, and iOS 9 are supported.
*2 Installation of a wireless module (AJ-WM50/AJ-WM30 (sold
separately)) is required. The firmware in the camera recorder
may need to be updated to the newest version.
*3 Only sub-recording (8 Mbps) of dual codec recording is
supported. Other data is not displayed in the thumbnail view.
• App Store is a service mark of Apple Inc.
• Apple, the Apple logo, and iPad are trademarks of Apple Inc.,
registered in the U.S. and other countries.
12
Workflow & Options
As of April, 2016
Example of 4K workflow
3G SDI (1080p)
BT-LH910G
HD Monitor
SDI
USB 3.0
HDMI
OFFLOADING to
USB 3.0 Storage*1
MOV
MP4
AG-DVX200
HDMI 1.4
BT-4LH310
4K Monitor
Atomos SHOGUN
10 bit 4K Recorder*3
(Other manufacturer’s product)
4K VIERA*2
FZ-Y1CH
TOUGHPAD 4K*3
SDXC Memory Card
HDMI 2.0
4K Editing*3
Adobe
Premiere Pro
Apple
Final Cut Pro
Avid
Media Composer
Grass Valley
EDIUS Pro
*1: Please visit Panasonic website <http://pro-av.panasonic.net/en/dvx4k> "Operation confirmed USB HDD"
*2: As for the model supporting 4K video playback
*3: It is equipment and software that schedules confirming the operation. Please visit Panasonic website<http://pro-av.panasonic.net/>
Options
AG-VBR59
NEW
Lithium Ion Battery (59,00 mAh)
AG-BRD50
VW-VBD58
AJ-WM50
Battery Charger
Lithium Ion Battery (5,800 mAh)
Wireless Module
AG-VBR89G
Quick-charge for the
AG-VBR59/89G/118G new series
battery packs
AG-B23
Lithium Ion Battery (8,850 mAh)
AG-VBR118G
Lithium Ion Battery (11,800 mAh)
*Not available in some areas.
13
NEW
*Not available in some areas.
Battery Charger
NEW
*Not available in some areas
AJ-WM30
Wireless Module
*Not available in some areas
AG-MC200G
BT-4LH310
XLR Microphone
787.4 mm (31 inches) LCD Monitor
DCI 4K IPS LCD panel,
DCI 4K/QFHD/2K/HD/SD Display
Input: 3G-SDI x4, HDMI 1.4 x 2,
Display Port x2, AC/DC
Specifications
As of April, 2016
General
Power: Power Consumption: Operating Temperature: Operating Humidity: Weight:
Dimensions: DC 7.2 V (when the battery is used)
DC 12 V (when the AC adaptor is used)
21.7 W
0 °C to 40 °C (32 °F to 104 °F)
10 % RH to 80 % RH (no condensation)
Approx. 2.7 kg (5.95 lb)
(body only, excluding lens hood, battery, and accessories)
Approx. 3.1 kg (6.84 lb)
(including lens hood, battery, and eye cup)
181 mm (W) x 216 mm (H) x 374 mm (D)
(excluding protrusion and eye cup)
(7-1/8 inches x 8-1/2 inches x 14-23/32 inches)
Camera Unit
Pickup Device: 4/3-type MOS solid state image sensor
Effective Pixels: FHD (1920 x 1080): 15.49 megapixel
UHD (3840 x 2160) 59.94p/50.00p: 8.71 megapixel
UHD (3840 x 2160) 29.97p/25p.00: 12.89 megapixel
4K (4096 x 2160) 24p: 13.35 megapixel
Lens: Optical image stabilizer lens, optical 13x motorized zoom
F2.8 to F4.5 (f=12.8 mm to 167 mm)
35 mm equivalent:
FHD: 28.0 mm to 365.3 mm
UHD 59.94p/50.00p: 37.2 mm to 485.1 mm
UHD 29.97p/25.00p: 30.6 mm to 398.7 mm
4K 24p: 29.5 mm to 384.9 mm
Filter Diameter: 72 mm
ND Filter: OFF, 1/4, 1/16, 1/64
IR Filter:
Incorporates the ON/OFF control function
Shortest Shooting Distance (M.O.D.): Approx. 1.0 m from the front lens
Gain Setting: L/M/H selector switch
–6 dB to 24 dB (Adjustable in 1dB steps. Negative gain values are
available only when [EXPAND] is enabled, and the automatic
setting can be assigned to L/M/H.)
Super Gain:
30 dB and 36 dB switched
(when assigning [S.GAIN] to the USER button)
Color Temperature Setting: ATW, ATW LOCK, Ach, Bch,
preset 3200 K/preset 5600 K/VAR (2000 K to 15000 K)
Shutter Speed: When [SYSTEM MODE] = 59.94 Hz
•60i/60p mode: 1/60 sec., 1/100 sec., 1/120 sec., 1/180 sec.,
1/250 sec., 1/350 sec., 1/500 sec., 1/750 sec., 1/1000 sec.,
1/1500 sec.,1/2000 sec.,1/3000 sec., 1/4000 sec.,1/8000 sec.
•30p mode: 1/30 sec.,1/50 sec.,1/60 sec., 1/100 sec., 1/120 sec.,
1/180 sec., 1/250 sec., 1/350 sec., 1/500 sec., 1/750 sec.,
1/1000 sec., 1/1500 sec., 1/2000 sec., 1/3000 sec.,1/4000 sec.,
1/8000 sec.
•24p mode: 1/24 sec., 1/48 sec., 1/50 sec., 1/60 sec., 1/100 sec.,
1/120 sec., 1/180 sec., 1/250 sec., 1/350 sec., 1/500 sec.,
1/750 sec., 1/1000 sec., 1/1500 sec., 1/2000 sec., 1/3000 sec.,
1/4000 sec., 1/8000 sec.
When [SYSTEM MODE] = 50.00 Hz
•50i/50p mode: 1/50 sec., 1/60 sec., 1/100 sec., 1/125 sec.,
1/180 sec., 1/250 sec., 1/350 sec., 1/500 sec., 1/750 sec.,
1/1000 sec., 1/1500 sec., 1/2000 sec., 1/3000 sec.,
1/4000 sec., 1/8000 sec.
•25p mode: 1/25 sec., 1/50 sec., 1/60 sec., 1/100 sec.,
1/125 sec., 1/180 sec., 1/250 sec., 1/350 sec., 1/500 sec.,
1/750 sec., 1/1000 sec., 1/1500 sec., 1/2000 sec., 1/3000 sec.,
1/4000 sec., 1/8000 sec.
Slow Shutter Speed:
When [SYSTEM MODE] = 59.94 Hz
•60i/60p mode: 1/2 sec., 1/4 sec., 1/8 sec., 1/15 sec., 1/30 sec.
•30p mode: 1/2 sec., 1/4 sec., 1/8 sec., 1/15 sec.
•24p mode: 1/2 sec., 1/3 sec., 1/6 sec., 1/12 sec.
When [SYSTEM MODE] = 50.00 Hz
•50i/50p mode: 1/2 sec., 1/3 sec., 1/6 sec., 1/12 sec., 1/25 sec.
•25p mode: 1/2 sec., 1/3 sec., 1/6 sec., 1/12 sec.
Synchro Scan Shutter:
When [SYSTEM MODE] = 59.94 Hz
•60i/60p mode: 1/60.0 sec. to 1/249.8 sec.
•30p mode: 1/30.0 sec. to 1/249.8 sec.
•24p mode: 1/24.0 sec. to 1/249.6 sec.
When [SYSTEM MODE] = 50.00 Hz
•50i/50p mode: 1/50.0 sec. to 1/250.0 sec.
•25p mode: 1/25.0 sec. to 1/250.0 sec.
Shutter Open Angle: 5.0 deg to 180.0 deg to 360.0 deg
(in 0.5 deg steps, angle display)
VFR Recording Frame Rate: When [SYSTEM MODE] = 59.94 Hz
•60p mode: 2, 15, 30, 40, 55, 58, 60, 62, 65, 75, 90, and 120 fps
•30p mode: 2, 15, 26, 28, 30, 32, 34, 45, 60, 75, 90, and 120 fps
•24p mode: 2, 12, 18, 20, 22, 24, 26, 28, 30, 36, 48, 60, 72, 84,
96, and 120 fps
When [SYSTEM MODE] = 50 Hz
•50p mode: 2, 12, 25, 33, 45, 48, 50, 52, 55, 62, 75, 100,
and 120 fps
•25p mode: 2, 12, 21, 23, 25, 27, 30, 37, 50, 62, 75, 100,
and 120 fps
Sensitivity:
When [HIGH SENS.] mode
F11 (2,000 lx, 3,200 K, 89.9% reflect, 1080/59.94i)
F12 (2,000 lx, 3,200 K, 89.9% reflect, 1080/50i)
Minimum Subject Illumination: 0.2 lx (F2.8, gain 18 dB, [1/2 sec.], [HIGH SENS.] mode)
Digital Zoom: 2x/5x/10x, i.Zoom (1.0x to 1.54x, variable zoom)
Lens Hood: Hood with lens cover
Memory Card Recorder
Recording Media:
SDHC memory card (4 GB to 32 GB),
SDXC memory card (48 GB to 128 GB), UHS-I supported
*An SD memory card with a capacity of UHS Speed Class 3 (U3)
is required to shoot videos with a bit rate of 100 Mbps or higher.
An SDXC memory card with a capacity of 64 GB or more and
UHS Speed Class 3 (U3) is required to shoot UHD 2160/59.94p/
50.00p videos with a bit rate of 150 Mbps or higher.
Recording Slot: Slot x 2
System Format: 59.94 Hz / 50 Hz
Motion Picture Recording: Recording Format: MOV, MP4, AVCHD
Recording Mode: *Please see the Video record mode table.
Still Picture Recording:
JPEG (DCF/Exif2.2) supported
8.8M: 4096 x 2160 (17:9), 8.3M: 3840 x 2160 (16:9),
2.1M: 1920 x 1080 (16:9), 0.2M: 640 x 360 (16:9),
0.3M: 640 x 480 (4:3)
Digital Video
Video Signal for External Output:
8 bit 4:2:2/10 bit 4:2:2 (switchable menu)
*Output of UHD/59.94p/50.00p becomes 8 bit 4:2:0. When 10 bit
4:2:2 is selected, recording is not possible with the main unit.
Recording Video Signal: 8 bit 4:2:0
Video Compression Format: MPEG-4 AVC/H.264 High Profile (MOV/MP4/AVCHD)
Digital Audio
Recording Audio Signal: 48 kHz/16 bit, 2 CH
Audio Compression Format: LPCM (MOV/MP4) Dolby Digital (AVCHD)
Headroom: 12 dB
Dual Codec
Recording Method: MOV, MP4
Video Compression Format:MPEG-4 AVC/H.264 High Profile
Audio Compression Format:LPCM
Recording Format:
When [Dual Codec] = FHD 50 Mbps
[Main Recorder]
Recording mode = MOV/MP4
•UHD/29.97p/25.00p/23.98p 100 Mbps
[Sub Recorder]
Recording mode = Same as the recording mode and the frame
rate of the main recorder
•FHD/29.97p/25.00p/23.98p 50Mbps
Recording Format:
When [Dual Codec] = FHD 8 Mbps
[Main Recorder]
Recording mode = MOV/MP4
•UHD/29.97p/25.00p/23.98p 100 Mbps
•FHD/59.94p/50.00p/29.97p/25.00p/23.98p 200 Mbps
•FHD/59.94p/50.00p 100 Mbps
[Sub Recorder]
Recording mode = MOV
•FHD/59.94p/50.00p/29.97p/25.00p/23.98p 8 Mbps
Video Input/Output
SDI OUT:
VIDEO OUT:
HDMI OUT:
BNC x1, 0.8 V [p-p], 75 Ω, 3 G/1.5 G HD SDI, SD SDI supported
Output format: 1080/59.94p LEVEL-A/50.00p LEVEL-A,
1080/29.97PsF/25.00PsF/24.00PsF/23.98PsF,
1080/59.94i/50.00i, 720/59.94p/50.00p, 480/59.94i, 576/50.00i
BNC x 1, Composite 1.0 V [p-p], 75 Ω
HDMI x 1
(HDMI type A terminal, not compatible with VIERA Link)
Output format:
2160/59.94p/50.00p/29.97p/25.00p/24.00p/23.98p,
1080/59.94p/50.00p/29.97p/25.00p/24.00p/23.98p/59.94i/50.00i,
720/59.94p/50.00p, 480/59.94p, 576/50.00p
Audio Input
Built-in Microphone:
Supports stereo microphone
Audio Input1/Audio Input2:XLR x 2, 3-pin
Input high impedance, LINE/MIC/MIC+48 V (switchable SW)
LINE: 4 dBu/0 dBu (switchable menu)
MIC: –40 dBu/–50 dBu/–60 dBu (menu)
Audio Output
SDI OUT:
HDMI OUT: Audio OUT:
Headphone:
Speaker: 2 CH (LPCM) switchable gain: 0 dB/–6 dB/–12 dB
2 CH (LPCM)
3.5 mm diameter stereo mini jack x 1, Output level: 600 Ω, 316 mV
3.5 mm diameter stereo mini jack x 1
20 mm diameter, round x 1
Other Input/Output
CAM REMOTE: TC PRESET IN/OUT: USB HOST: USB DEVICE: DC IN:
2.5 mm diameter super mini jack x1 (ZOOM, S/S)
3.5 mm diameter mini jack x1 (FOCUS, IRIS)
BNC x 1,
Used as the input and output terminals
Input: 1.0 V to 4.0 V [p-p], 10 kΩ
Output: 2.0 V ±0.5 V [p-p], low impedance
Type A connector, 9-pin, bus power supported
In Recording mode; USB2.0 compatible (5 V, 0.5 A)
In Playback mode; USB 3.0 compatible (5 V, 0.9 A), used for
external media device connection
*External media device with a capacity of 32 GB or below or a
capacity above 2 TB cannot be used
Micro-B connector, 10-pin, USB 3.0,
Mass storage function (read only)
DC 12 V (11.4 V to 12.6 V), EIAJ type 4
Monitor/Viewfinder
LCD Monitor: Viewfinder: 4.3 type HD color monitor, Approx. 2,760,000 dots
0.39 type OLED (organic EL display)
Approx. 2,360,000 dots, video display area: approx. 1,770,000 dots
Included Accessories
Battery (VW-VBD58), Battery charger, AC adaptor, Shoulder strap, Microphone holder,
Screw for microphone holder (12 mm), AC cable x 2, Eye cup, Lens hood,
INPUT terminal cap, CD-ROM (operating instructions)
Weight and dimensions are approximate.
Specifications are subject to change without notice.
*A part of functions are scheduled to be released soon. For details, please visit
Panasonic website. (http://pro-av.panasonic.net/).
*Not available in some areas.
14
Panasonic Corporation
Connected Solutions Company
2-15 Matsuba-cho, Kadoma, Osaka 571-8503 Japan
http://pro-av.panasonic.net/
Argentina
+54 11 4122 7200
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+61 (0) 2 9491 7400
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*The terms HDMI and HDMI High-Definition Multimedia Interface, and the HDMI Logo are trademarks or registered trademarks of HDMI Licensing Administrator, Inc. in the United States and other countries. Dolby and the double-D symbols are trademarks of Dolby
Laboratories. SDHC logo and SDXC logo are trademarks of SD-3C, LLC. Adobe, the Adobe logo and Adobe Premiere are either trademarks or registered trademarks of Adobe Systems Incorporated. Apple, the Apple logo and Final Cut Pro are trademarks of Apple
Inc.,registered in the U.S. and other countries. Avid, the Avid logo and Media Composer are trademarks or registered trademarks of Avid Technology, Inc. or its subsidiariesin the United States and/or other countries. Grass Valley and EDIUS are trademarks or
registered trademarks of Grass Valley. Shogun/ATOMOS are registered trademarks of ATOMOS Pty Ltd.
SP-DVX200PE3 00K201708ZP-2 Printed in Japan