H1 - H4
L E N S E S
P. 4
P. 5
Gianluca Colla / Italy
P. 6
Spencer Wynn / Canada
P. 1 0
P. 9
Bert Stephani / Belgium
P.14
Matt Hart / UK
P. 1 2
Wojtek Wojtczak / Poland
P. 1 6
Massimiliano Angeloni / Italy
P. 8
Gathot Subroto / Indonesia
P. 1 1
Supalerk Narubetkrausee / Thailand
P. 1 5
Ken Kaminesky / Canada
P. 7
Jeff Carter / UK
P. 13
Yonghui Wang / China
Pål Laukli / /Norway
P. 1 7
John Rourke / UK
P. 18
Dan Westergren / U.S.A.
Supported by
P.19
P. 2 0
Dirk Bogaerts / Beligum
Visit these links to learn
what the professionals are saying about
X mount lenses and X accessories and
see some of the beautiful results!
Chalit Padoongcheep /Thailand
P. 2 2
P. 2 1
Torwong Salwala / Thailand
GiuliaTorra / Italy
XF LENS
X-Accessories
h t t p : / / f u j i fi l m - x . c o m / x f - l e n s /
http://fujifilm-x.com/accessories/
Specifications are subject to change without notice.
For more information, please visit our website:
http://www.fujifilm.com/products/digital_cameras/accessories/
c 2016 FUJIFILM Corporation
& A C C E S S O R I E S
P2- 3/P3 2
The vision of the X Series,
the choice for X Series owners
A collection of creativity-oriented lenses,
which complement the X-Trans CMOS sensor perfectly
and eliminate the low-pass filter for ultimate sharpness.
2
3
P4- 5/P3 2
XF14 mmF2.8 R
X-Pro2 : F6.4 1/4 sec. ISO400
XF16 mmF1.4 R WR
Gianluca Colla / Italy
High resolving power across the frame
from the centre to the edges.
This ultra-wide-angle lens, which has a diagonal angle of view
greater than 90°, produces extraordinary images. Distortion has
been kept to a measured value of zero, with sharpness right
across the frame, even when the subject is near the edges.
Ideally suited to landscape and architectural photography, the
minimum working distance of 18cm also enables close-up shots.
Plus, the distance indicator and depth-of-field scale for
pre-focusing in MF mode mean it's great for quick snapshots, too.
X-Pro2 : F7 30 sec. ISO640
Spencer Wynn / Canada
Fast aperture ultra wide-angle lens
A dramatic field of view to push your photography further.
With a focal length of 24mm (35mm format equivalent) and a maximum aperture of F1.4, this lens can be used to
create dynamic images. It's perfect for low-light photography such as evening or night scenes, and despite being a
wide-angle lens, the F1.4 maximum aperture delivers strong bokeh effects. With a minimum working distance of
15cm, high-speed autofocus, a weather and dust-resistant construction that can work in temperatures as low as
-10°C, and great portability thanks to its compact size, it offers endless shooting opportunities.
4
Prime Ultra Wide Angle Lens
Prime Ultra Wide Angle Lens
5
P6- 7/P3 2
XF18 mmF2 R
XF23 mmF1.4 R
A fast aperture lens the offers beautiful bokeh
and has a natural field of view
that's great for documentary images.
This wide-angle lens is perfect for capturing everyday life. The
field of view equivalent to 35mm in the 35mm film format
captures both subject and its surroundings for superb documentary images and despite offering a fast maximum aperture of
F1.4, it weighs just 300g. It is also ideal for portraiture with
smooth bokeh, hand-held shots in low light, and close-ups of
food and small accessories when used with the camera's Macro
mode. Using the distance indicator and depth-of-field scale to
pre-focus in MF mode makes it ideal for capturing quick snaps, too.
X-Pro2 : F2 1/4000 sec. ISO200
Jeff Carter / UK
A great all-rounder with a useful field of view,
great sharpness and rich tonality for
perfect landscapes and portraits.
This highly portable, easy-to-handle wide-angle lens has a
field of view equivalent to 27mm in the 35mm film format so
it's perfect for landscapes,general snapshots and, by virtue of
the 18cm minimum focusing distance, close-ups. The
outstanding sharpness, combined with the maximum aperture
of F2 for silky bokeh also makes it suitable for portraiture; the
lens' small size means your subjects won't feel intimidated.
X-Pro2 : F2.8 1/120 sec. ISO400
6
Prime Wide Angle Lens
Gathot Subroto / Indonesia
Prime Wide Angle Lens
7
P8- 9/P3 2
XF27 mmF2.8
X-Pro2 : F4 1/320 sec. ISO2500
XF35 mmF1.4 R
Matt Hart / UK
At just 78g, this is the lightest lens
in the X-series.
Use it with a compact and
lightweight camera for
he perfect 'go anywhere' outfit.
A highly versatile lens, with a focal length equivalent to
41mm in the 35mm film format. It produces extremely
sharp images even at its maximum aperture, despite its
compact form factor. AF performance is also
exceptional. Combine it with a compact and lightweight
camera body, such as the X-M1, to create asystem that
combines portability and fast response – perfect not
only for snapshots, but also a range of other subjects
including portraits, landscapse and architecture.
X-Pro1 : F1.4 1/200 sec. ISO1000
Bert Stephani / Belgium
A high-performance standard lens
with incredible definition,
even when shooting wide open.
This lens delivers images with amazing clarity, even with
the aperture wide open at F1.4. All the lens groups are
shifted together during focusing to minimize aberration
changes whether working close-up or at infinity. This
unique design delivers images in which the focus is
blended with smooth bokeh in out of focus areas. Offering
a focal length equivalent to 53mm in the 35mm film
format, it is a must-have optic for all X-Series owners.
8
Prime Standard Lens
Prime Standard Lens
9
P10 - 1 1/P3 2
XF35 mmF2 R WR
X-Pro2 : F2 1/80 sec. ISO800
Supalerk Narubetkrausee / Thailand
The new standard prime lens,high performance
in a compact lightweight design.
A standard focal length prime lens which delivers sharp
images with rich bokeh. The optical construction of 9
elements in 6 groups, including two aspherical elements,
achieves the perfect balance of high image quality and
compact size.The exterior of the lens is weather and
dust-resistant and it can work in temperatures as low as
-10°C. Ideal for any scene and application, this is the new
standard lens for all photography fans
10
Prime Standard Lens
XF56 mmF1.2 R APD / XF56 mmF1.2 R
X-Pro2, XF56mmF1.2 R : F5.6 1/125 sec. ISO800
Wojtek Wojtczak / Poland
A fast aperture medium-telephoto lens
that offers both stunning sharpness and beautiful bokeh.
Featuring a maximum aperture of F1.2, this lens delivers beautiful bokeh and a medium telephoto focal length equivalent to
85mm in the 35mm film format. Images are extremely sharp even with the aperture wide open. The apodization (APD)
version delivers even smoother bokeh with rich tonality. This ability to produce the ultimate bokeh so your subject stands out
makes this lens ideal for portraits, as well as a range of other subjects.
Prime Mid-range Telephoto Lens
11
P12 - 1 3/P3 2
XF60 mmF2.4 R Macro
X-E1 : F14 1/250 sec. ISO320
Yonghui Wang / China
A supremely sharp medium telephoto macro lens
with a minimum working distance of
26.7cm and 0.5x maximum magnification.
This medium telephoto lens produces outstanding macro
images. The use of one aspherical and one extra-low
dispersion element effectively controls various aberrations,
such as f ield curvature and chromatic aberration, plus all
the lens groups are shifted together during focusing to
achieve the highest level of sharpness in the X-series line
up. As well as being perfect for close-ups, it can also be
used for many other medium telephoto applications, with
the F2.4 maximum aperture delivering smooth bokeh.
12
XF90 mmF2 R LM WR
Prime Mid-range Telephoto Lens
X-T1 : F2 1/50 sec. ISO200
Pål Laukli / Norway
Fast aperture telephoto lens: it delivers razor-sharp, bokeh-rich images for the ultimate optical performance.
The rounded aper ture blades combined with an optical constr uction of 11 elements in 8 g roups, including three ED (extra
low-dispersion) elements designed to minimise vignetting, creates beautiful circular bokeh right to the edge of the image. At approx.
540g, the lens is compact, por table and offers a wide shooting range from 0.6m to inf inity. Thanks to the newly developed Quad
Linear Motor, it delivers high-speed autofocus, and features a weather and dust-resistant constr uction for maximum versatility.
Prime Telephoto Lens
13
P14 - 1 5/P3 2
XF10-24 mmF4 R OIS
XF16-55 mmF2.8 R LM WR
X-E2S : F4.5 1/400 sec. ISO1000
Massimiliano Angeloni / Italy
Offering image quality,
versatility and reliability,
this is the perfect standard zoom lens.
X-T1 : F8 3.7 sec. ISO200
Ken Kaminesky / Canada
An ultra-wide angle to wide angle zoom, ideally suited to indoor shoots and any situation where space is tight.
An ultra-wide angle zoom offering a 90 degree* horizontal field of view and covering focal lengths equivalent to 15 to 36mm in the 35mm film
format. The 10mm setting is perfect for indoor shots when you cannot move very far from your subject, plus its resolving power also makes it the
perfect lens to capture vast wilderness or architecture. The 24mm setting is great for portraiture and general snapshots. * When the aspect ratio is 3:2
14
Ultra Wide Angle Zoom Lens
A premium lens that combines the convenience of a zoom with
image quality on par with prime lenses. Featuring a maximum
aperture of F2.8 across its zoom range, it delivers edge-to-edge
sharpness, even on the wide angle end. The newly-developed
Nano GI coating controls ghosting and flare, while the focal
lengths equivalent to 24mm to 84mm in the 35mm film format
cover a wide range of shooting options, including landscapes and
portraits. Furthermore, the dust-resistant, splash-resistant and
low-temperature resistant design means it can be relied on to
produce great results in a wide range of conditions.
Standard Zoom Lens
15
P16 - 1 7/P3 2
XF50-140 mmF2.8 R LM OIS WR
XF18-55 mmF2.8-4 R LM OIS
X-T1 : F22 1/125 sec. ISO200
John Rourke / UK
Packing a premium optical performance,
yet weighing less than 1kg,
this rugged telephoto zoom is ready for anything.
With a telephoto range equivalent to 76mm to 213mm in the 35mm film format
this lens, which offers a constant F2.8 maximum aperture, is suitable not only for
portraiture, but also for fast-moving subjects such as sports, animals, and more.
It features six ED elements, including one Super ED lens element, for superb
results. An image stabilization system equivalent to five shutter speed stops is
also featured for shake-free results, while the triple-linear AF motor maximises
focusing performance. The dust-resistant, splash-resistant and low-temperature
resistant design also ensures it can be used in almost any shooting conditions.
16
Tele-Photo Zoom Lens
X-T1 : F3.2 1/125 sec. ISO600
Dan Westergren / U.S.A.
A compact,
lightweight standard zoom lens
covering a popular focal range.
This standard zoom lens covers the most frequently-used
focal lengths, equivalent to 27mm to 84mm in the 35mm
film format. Despite its extremely light weight and compact
design it offers a variable maximum aperture of F2.8 to F4
and uses a linear motor for fast and silent AF. Image
stabilization is also provided for great results in low light
conditions. Suitable for a wide range of subjects, this
highly portable and easy to use lens produces great
sharpness and beautiful bokeh at the same time.
Standard Zoom Lens
17
P18 - 1 9/P3 2
XF18-135 mmF3.5-5.6 R LM OIS WR
XF100-400 mmF4.5-5.6 R LM OIS WR
Featuring five stops of optical image stabilization,
this all-weather zoom lens covers wide angle
to telephoto focal lengths
so you can seize every photo opportunity.
This lens covers a wide range of focal lengths, from
wide-angle (equivalent to 27mm in the 35mm film format)
through a standard field of view to telephoto, so it's suitable
for anything from landscapes and architecture to portraits and
sports photography. The dust-resistant and splash-resistant
lens also features an image stabilization function for added
reliability. An ideal alternative to prime lenses, ensuring
you'll never miss a shot through changing lenses.
X-T1 : F5 1/70 sec. ISO200
Dirk Bogaerts / Beligum
High performance all weather zoom lens
with 5.0-stop image stabilization function
that allow hand-held shots
even at super-telephoto range.
Super telephoto zoom lens covers the range of 152 – 609mm
(35mm format equivalent). To minimize the color aberration, a typical problem for a telephoto lens, the optical
construction comprises 21 elements in 14 groups with 5 ED
Lens and 1 super ED Lens. The lens achieves highest image
quality in its class. The lens supports the photographer to
shoot super-telephoto images hand-held with the 5.0-stop
optical image stabilization, quiet high-speed autofocus
driven by the linear motor, and compact and lightweight
design weighing less than 1.4kg. In addition to the weatherand dust-resistant, and -10°C low-temperature operation
construction, the front element is applied with water and
dirt repellent coating to make the lens even tougher.
X-T1 : F5.6 1/400 sec. ISO200
18
Faruk Akbaş / Turkey
High Magnification Zoom Lens
Super Tele-Photo Zoom Lens
19
P20 - 2 1/P3 2
XF55-200 mmF3.5-4.8 R LM OIS
XC16-50 mmF3.5-5.6 OIS II
X-A2 : F1.4 1/64 sec. ISO320
Standard Zoom Lens
Torwong Salwala / Thailand
A great value zoom lens with image quality approaching
that of top-end models.
This standard zoom lens can be used to shoot a wide variety of subjects thanks to focal length equivalent
to 24mm to 76mm in the 35mm film format. The all-glass lens groups include three aspherical elements
and one extra-low dispersion element to deliver premium image quality comparable to that of the
higher-end XF18-55mm lens. It also has a minimum working distance of 15cm for close-up shots.
XC50-230 mmF4.5-6.7 OIS II
X-T1 : F5.6 1/180 sec. ISO320
Chalit Padoongcheep / Thailand
X-A2 : F6.7 1/160 sec. ISO800
20
Tele-Photo Zoom Lens
GiuliaTorra / Italy
Bring your subjects closer with this highly portable telephoto zoom.
An advanced optical performance and
3.5-stop image stabilization deliver clear images across the zoom range.
This telephoto zoom covers focal lengths equivalent to 84mm to 305mm in the 35mm film format and has a fast aperture of F3.5 to F4.8 despite its portable size.
Optically, it uses a Super ED lens element, which is comparable to a fluorite lens, to thoroughly eliminate chromatic aberration and deliver outstanding picture quality.
Sharp and clear images are obtained throughout its zoom range, even with the aperture wide open. The HT-EBC coating maintains strong contrast even against
backlight, while the image stabilization function – equivalent to 4.5 shutter speed stops – and fast autofocus with the linear motor ensure shooting is quick and easy.
This is a compact and lightweight telephoto zoom lens that offers zoom magnification of 4.6x, and covers the
Tele-Photo Zoom Lens
widest range of focal lengths in the series, equivalent to 76mm to 350mm in the 35mm film format. Its
advanced optical performance across the entire range captures even distant subjects with great clarity, plus the
image stabilization function minimizes camera shake. The use of a stepper motor enables smooth autofocusing.
21
P22 - 2 3/P3 2
ZEISS Autofocus lenses for X-mount
Since, 1890, innovative, leading edge ZEISS technology has inspired
photographers around the globe.
World‐class precision, exceptional image quality and high‐grade workmanship
come together perfectly in the new ZEISS Touit lenses for the Fuji X mount system.
Compact and lightweight while being robust and durable at the same time,
these new ZEISS Touit lenses also offer reliable autofocus, making them the ideal
companion for travel photography.
X Accessories
Tele Converter
XF 1.4X TC WR
Extend the focal length by 1.4x
without comprimising image quality
M Mount Adapter
Touit 2.8/12 ( Distagon design, T* coating )
Touit 1.8/32 ( Planar design, T* coating )
The M Mount adapter lets you use an incredibly wide selection of lenses with an X
Mount-equipped camera body. Made from the same high-grade metal material used in X
Mount cameras and the XF lens X Mount, the adapter is engineered to ensure a
high-precision fit. It also features electronic contacts for communicating signals with the
camera body and a function button that lets users smoothly choose settings and functions
for the mounted lens (Shoot Without Lens, focal length settings, various image
corrections, etc.) *1 Also in the case of the X-Pro1, the bright frame in the Optical
Viewfinder mode changes according to the lens focal length setting for easy shooting.*2
*1 X-Pro1 requires firmware version 1.11 or higher.
*2 The bright frame may not be displayed for lenses with certain focal lengths.
Function
Button
Signal
Contacts
Compatible with:
X-Pro2/X-T1/X-T10/X-E2S/X-M1/X-A2
Touit 2.8/50M
Macro Extension Tube
( Makro-Planar design, T* coating )
Fits between camera body and interchangeable lens to enable macro photography at a higher
magnification ratio. Available in 11mm and 16mm, depending on the level of magnification required.
XF35mmF1.4 R ( x0.17 )
XF35mmF1.4 R with MCEX-11 ( x0.47 )
MCEX-11
MCEX-16
XF35mmF1.4R with MCEX16 ( x0.61 )
F in d mo re in f o r ma t ion a bo u t t h e s e l e n s e s a t
h ttp:/ / ww w. z ei ss. co.jp/
22
23
P24 - 2 5/P3 2
Shoe Mount F lash
Leather Case
EF-42
Tilt angle: 90°. Swivel angle: 180°
(Left) and 120° (Right).
Requires 4xAA batteries.
EF-X20
Compatible with: X-Pro2/X-T1/
A compact and stylish hot-shoe flash, powered
with two AA batteries, with an easy-to-use dial to
control output. The design features extensive use
of metal in the exterior casing to give an added
premium feel.
X-T10/X-E2S/X-M1/X-A2/X100T/ X30
BLC-XT1
BLC-XE1
This half case, specifically designed for the X-T1, is made of genuine leather for a
luxury feel. Users can access the SD card and battery without removing the camera
from the case. It comes with a shoulder strap, also made of leather, and a wrapping
cloth to cover your camera when putting it in a bag.
This half case, specif ically
designed for the X-E1 / X-E2, is
made from genuine leather for a
luxury feel and has a contoured
grip for a solid hold. Users can
access the SD card and battery
without removing the camera
from the case, which comes
supplied with a wrapping cloth
for the camera.
Compatible with: X-T1
Compatible with: X-Pro2/X-T1/X-T10/X-E2S/
EF-20
X-M1/X-A2/X100T/X30
Tilt angle: 90°
Requires 2xAA batteries.
Compatible with: X-E2S
Compatible with: X-Pro2/X-T1/X-T10/
BLC-XM1/BLC-XT10
X-E2S/X-M1/X-A2/X100T/X30
Remote Release
Stereo Microphone
This half case, specifically designed for the
X-Pro2, is made from genuine leather for a
luxury feel.
Allows users to set the microphone level while checking
the level meter on the camera. It features a 2.5mm jack, and
can be fitted with a conversion adapter to connect to
supported X Series models.* The included adapter is
required to convert the terminal for camera connection.
Compatible with: X-Pro2/X-T1/X-T10/X-E2S/X-M1/
X-A2/XQ2/X100T/X30
RR-80A
Compatible with: X-E1/X-S1/FinePixHS50EXR/
HS30EXR/HS20EXR/S9100/S9000/S100FS
BLC-XPro2
MIC-ST1
RR-90
RR-90
Compatible with: X-T10
Compatible with: X-Pro2/X-T1/X-T10/X-E2S/X100T/X30
Protector F ilter
< Compatible Lenses >
A clear protection filter with
a transmittance rate of over
99.7%. The thin, multi-layer
Super EBC coating protects
the lens surface without
compromising its colour
reproduction performance.
Compatible with: X-T1
This grip has the same dust- and splash-resistant structure as the
cameras in X-T1 series. It features a shutter release button, AE-L / AF-L
and focus assist buttons, as well as twin command dials for excellent
operability when you hold the camera vertically. The tripod mounting
socket at the base of the grip is aligned with the optical axis. It houses
an auxiliary battery (NP-W126) to enable the shooting of approx. 700
shots on a single charge when combined with the camera body battery.
Compatible with: X-M1/X-A2
Compatible with: X-Pro2
Hand Grip
VG-XT1
T h i s h a l f c a s e , s p e c i f i c a l ly
designed for the X-M1/ X-T10, is
made of genuine leather for a
luxury feel. Users can access the
SD card and battery, or mount the
camera on a tripod without
removing the camera from the
case.
PRF-39
XF27mmF2.8
XF60mmF2.4 R Macro
PRF-43
XF35mmF2 R WR
PRF-49S
X100T(AR-X100 required) / X70(LH-X70 required)
PRF-52
XF18mmF2 R
XF35mmF1.4R
PRF-58
XF14mmF2.8 R
XF18-55mmF2.8-4 R LM OIS
XC16-50mmF4.5-6.7 OIS II
XC50-230mmF4.5-6.7 OIS II
PRF-62
XF23mmF1.4 R
XF56mmF1.2 R /APD
XF90mmF2 R LM WR
XF55-200mmF3.5-4.8 R LM OIS
HG-XM1
GB-001
PRF-67
XF16mmF1.4 R WR
XF18-135mmF3.5-5.6 R LM OIS WR
Offering an assured hold while
preventing any interference with a
tripod head, this grip is ideal when
the camera is fitted with a large lens.
This grip strap gives a more assured
hold when fitted to a camera body. It
can be combined with a hand grip
to achieve an even higher level of
PRF-72
XF10-24mmF4 R OIS
XF50-140mmF2.8 R LM OIS WR
PRF-77
XF16-55mmF2.8-4 R LM WR
XF100-400mmF4.5-5.6 R LM OIS WR
The tripod mounting socket is
aligned with the optical axis and both
batter y and memor y card can be
accessed while the grip is in place.
stability.
Compatible with: X-Pro2/X-T1/X-T10/X-E2S/
X-M1/X-A2/X-S1/X100T
Compatible with: X-M1/X-A2
X30(LH-X10 required)
X-S1
Tethered Shooting Software
HS-V5 for Windows® Ver.1.1
Advanced software for tethered shooting with an X-T1 or X-T1 Graphite Silver Edition. Once
attached, users can control the camera with the computer, and save images direct to the hard
drive. USB2.0*2 is supported for the connectivity between the camera and the computer.
MHG-XPRO2
MHG-XE
MHG-XT10
Compatible with: X-Pro2
Compatible with: X-E2S/X-E1
Compatible with: X-T10
These grips feature a 38mm-wide quick release plate that can be directly fitted
to compatible tripod mounts. The tripod mounting socket is aligned with the
optical axis, plus the battery and memory card can be changed while the grip is
mounted to the camera. The MHG-XT, which is designed for the X-T1, is
available in three different shapes.
MHG-XT Large/Std/Small
24
Compatible with: X-T1
*1
Must be updated to the tethering-compatible firmware
(Ver. 3.0 or later). Internet connection is required for
downloading compatible firmware.
*2
A USB2.0 MicroB cable must be used for USB
connection between the camera and computer.
Others
“HS-V5 for Windows® Ver.1.0” is a tethering software that allows
users to connect X-T1* and X-T1 Graphite Silver Edition* to PC
to directly save captured images onto PC or control the cameras
f ro m c o m p u t e r. T h e u s e o f U S B 2 . 0 c a b l e * * i s s u p p o r t e d f o r
c onne c tion b e twe e n the c a me r a a nd P C.
Body Cap
BCP-001
Lens Front Cap
FLCP-72II
Lens Front Cap
FLCP-52
Lens Front Cap
FLCP-72
Lens Hood Cap for 18mm
LHCP-001
Lens Hood Cap for 35mm
LHCP-002
Lens Rear Cap
RLCP-001
Lens Front Cap
FLCP-67
Lens Front Cap
FLCP-43
Lens Front Cap
FLCP-58
Lens Hood for 16mm
LH-XF16
Lens Hood for 35mmF2
LH-XF35-2
Lens Front Cap
FLCP-77
Lens Front Cap
FLCP-62
Lens Front Cap
FLCP-39
Lens plate compatible with ARCA SWISS
MLP-75XF
25
P26 - 2 7/P3 2
Tec hno lo g y
< Coating & Glass >
< Optics >
All-Lens-Group (ALG) Focusing
HT-EBC (High Transmittance Electron Beam Coating)
Focusing ALG
HT-EBC
6.5%
HT-EBC (High Transmittance Electron Beam Coating) is the
multi-layer coating technology developed to enhance the many
high-performance lens elements used in broadcast lenses. Lenses with
HT-EBC boast a high transmittance (99.8%) and low reflectivity
(0.2%) over a broad wavelength band and deliver uniform
performance that extends to light in the visible spectrum. This high
transmittance rate enables the transmission of reds, blues and other
light that dramatically influence photographic expression to the
sensor surface. Thanks to the excellent applicability of the process,
the entire lens surface can be treated with highly durable HT-EBC, realizing
high edge-to-edgetransmittance. XF lenses treated with HT-EBC
are also highly resistant to ghosting and lens flares caused by stray
light. For the photographer, this advanced coating technology means
more freedom in selecting angles and composing the shot.
Adoption of the ALG focusing approach of moving all lens groups
together minimizes aberrations and fluctuations due to the focus
position and maximizes lens performance across the focus drive
range. Because there is no change in the relative position of the
lens groups during focusing, the in-focus plane is sharp and the
description of the out-of-focus plane does not change, which
means no degradation of the bokeh
effect due to the focus distance. This
lens design approach requires
moving many lens groups and
consequently a powerful driving
mechanism. XF lenses adopt a high
-torque DC coreless motor for
XF35mmF1.4 R
exceptionally responsive performance.
reflectance (%)
6.0%
1.0%
0.2%
0.0%
400nm
450
500
550
600
650
700nm
wavelength (nm)
Non-coat
Conventional
coating
HT-EBC
Transmittance Rate Comparison
Inner Focusing
Because the weight of the elements within a lens affects auto focus
speed, it makes sense for them to be as light as possible. In the
zoom lenses, XF23mmF1.4 R, and XF56mmF1.2 R an internal
Floating Focusing
Floating Focusing
High image quality throughout the focus range. The Floating
Focus System is designed to deliver high image quality
throughout the focus range. It uses two focus groups that work
Aspherical Lens
ED Lens
Super ED Lens
In the case of conventional optical glass lenses, the longer the
focal length, the more difficult correction of chromatic aberration
becomes. Color fringing results from light rays of different
wavelengths focusing at different points. The solution is extra low
dispersion glass which has different dispersion characteristics
from conventional optical glass. It can correct various aberrations,
produce color fringing-free quality from edge to edge, and achieve
sharp high-contrast descriptive performance. ED glass lenses have
superb characteristics, but their manufacture is extremely difficult,
and the larger the diameter of the lens, the higher the precision of
26
in conjunction with each other depending on the focusing
distance to correct various aberrations.
Nano GI Coating
Nano GI Coating
A new-generation of coating technology that reduces reflected
light by placing cone-shaped "Boehmite" nanoparticles, smaller
than the wavelength of visible light, over the lens surface in a
moth-eye structure. The technology seamlessly adjusts the
differences in the refraction index between air and glass to prevent
reflections and produce clear images with reduced flare and
ghosting. The use of an index-matching layer further enhances the
coating's effect. This can be applied to a diverse range of glass
materials with low to high refractive indices.
Incident light
Reflected Light
Transmitted Light
General Anti-reflective Coating
Nano GI Coating
Nano GI
Coating
Multi-layer
Coating
Matching Layer
Glass
Glass
Aspherical Lens
Aspherical lenses eliminate and correct aberrations to deliver
premium image quality. A single aspherical lens has the effect of
multiple spherical lenses, thereby reducing the total number of
elements and enabling the development of more compact-sized
lenses. XF/XC lenses contain aspherical lenses along with other
glass elements molded in a precise metal die. This enables
high-performance lens coatings to be added, such as HT-EBC, that
combat flare and ghosting.
ED / Super ED Lens
focusing method is used for high-speed auto focus, moving the
relatively small and light-weight lens elements installed from the
center to the back of the lens, to bring the subject rapidly into focus.
APD Filter
Aspherical Lens image
Spherical lens
Metal mold for producing the aspherical lens
Aspherical lens
Normal lens
ED lens
Axial
chromatic
Aberration
> Wide
Axial
chromatic
Aberration
> Narrow
processing (polishing) technology that is demanded. The same
advanced polishing technology that produces the ultra
large-scale ED glass lens elements used in acclaimed Fujinon
broadcast lenses is also used to create the premium XF lens.
APD Filter
An optical filter that reduces the amount of light passing through
the perimeter of the lens to create silky bokeh effects.
Light-absorbing nanoparticles are synthesized on thin film to
create a compact and lightweight APD filter offering optimum
gradation from the perimeter to the centre of an image. This filter
has been introduced to the 56mm F1.2 R APD ahead of others in
the lineup.
APD Filter
Out-focus
Object
Lens
Image Plane
In-focus Object
APD Filter
Making Sense of lens names
To tell what a lens does and how it will help your photography, just look
at the letters and numbers in its name. They have the following meanings:
. Lens series (XF or XC) / . Focal Length / . Maximum aperture of the lens/
. Presence of an aperture ring / . Refers to "Linear Motor" / . Indicates the use
of an "Optical Image Stabilizer"/ . Indicates Weather Resistance ability /
. Indicates the Capability for Macro photography / .Refers to "APD Filter"
Photographed image
XF18-135mm F3.5-5.6 R LM OIS WR
XF 60mm F2.4 R Macro
XF56mmF1.2 R APD
27
P28 - 2 9/P3 2
Tec hno lo g y
< Drive & Control >
Image Stabilization
OIS
The time required for the detection
and the correction of high frequency
camera-shake elements
Camera-shake elements
Drift elements
Time
High-frequency camera-shake
Low-frequency camera-shake
* 'Drift' refers to low-frequency signals that occur with a gyro sensor and
constitutes noise that hampers the detection of camera-shake signals.
Time
Low-frequency camera-shake elements
need to be detected and corrected
when the shutter runs slowly.
LM
high-speed and high-precision focusing as well as advanced image
stabilization.With excellent energy efficiency, the technology
demonstrates its strong benefit in video recording and other shooting conditions that involve constant lens movements.
Tr i p l e L M
The Triple Linear Motor system is a new technology involving
three actuators, positioned at 120 degree intervals on the optical
axis, to deliver silent operation and excellent response in
large-diameter lenses. Since the actuators are positioned to form
an equilateral triangle around the lens's centre of balance, the drive
unit's center of balance matches the point of force. The minimal
drive loss and outstanding torque deliver rapid movement of lens
elements in large lenses.
Quad Linear Motor
Stepping Motor
The XF lenses embody premium quality. The lens barrel and exterior elements are
made of high quality aluminum. Especially the finely machined rings are individually
milled from a solid metal block, and every detail of every part is carefully finished to
ensure comfort of operation and consistently high quality. When mounted on the
body, the balance, appearance and even the way it feels when held for a shot are
designed to multiply the pleasure of photography.
Weather Resistance /
Dust Resistance / Freeze Resistance
WR
The lens barrel is is sealed at various points to enhance its air-tightness and prevent
dust and water ingress. The XF50-140mm F2.8 R LM OIS features a design that
absorbs the temperature difference between the outer and inner parts of the lens to
minimise the impact on optical parts and also uses electronic parts that guarantee
operation in low temperatures down to -10°C.
Quad LM
Powerful motor delivers exceptional focusing performance. This newly-developed motor uses four
magnets in the focus unit to ensure the XF90mm works quickly, quietly and accurately. The smooth
operation is achieved by matching the emphasis of the actuator, the gravity point of the drive unit, and
the center of the guide axis that supports the focus unit.
AF/MF Switch Mechanism
with Distance Index
AF /M F
“Depth-of Field”Scales
The XF14mmF2.8 R and XF23mm F1.4 R lenses have an AF/MF switch mechanism,
which allows manual focusing using the lenses' distance index and depth-of-field
scales by moving the focus ring back and forth. Additionally, an S-AF+MF stand-by
MF mode, which allows fine adjustment using the focus ring after autofocusing
without having to switch focus mode, will be available for all the XF lenses.
STM
Improving autofocus, the stepping motor turns one step per pulse allowing a high level of
control, and because it directly drives the focus lens without using a gear, it is silent and more
suitable for movie shooting. The simple structure also helps downsize the focus unit. The AF
drive system of the XF 10 - 2 4 m m F 4 R OIS, XC 16-50mmF3.5-5.6 OIS and XC 50-230mm
F4.5-6.7 OIS lenses all adopts the stepping motor.
*New firmware that enables stand-by MF mode for each camera body will be available from November 2014
Distance Index
X-mount acquired its high optical design flexibility owing to its short flange back
distance and wide opening, thus achieving high resolution all the way to the edge of
the image. Moreover, X Mount features 10 contact pins for communication of the
unique optical profile of the mounted lens and other data to the camera body and for
electronic control of the lens. Referencing these data, the camera body can perform
optimum image processing and produce images with enhanced resolution and an
improved S/N ratio.
Circular Aperture
The beautiful bokeh effect of the XF/XC lens is a reflection of Fujifilm’s
uncompromising attention to the shape and the manufacture of the aperture
diaphragm blades. The aperture consists of multiple diaphragm blades,
which usually have an identical radius (R, angle).
Non-circular aperture
28
For photographers who are particular about even the slightest difference in exposure
and depth of the field, XF lenses let you adjust the aperture in steps of 1/3 EV. These
tiny increments on a relatively small diameter lens mean that the rotation angle for
each step is very small; consequently, there is a need for clear tactile confirmation of
how much the aperture is adjusted as the user rotates the ring. XF lenses adopt a
rotation angle of 4 degrees per 1/3 stop. Each full stop also gives a stronger clicking
sensation than that of 1/3 stops, so that you can feel how much the aperture is adjusted
while keeping your eye on the viewfinder.Also in the case of the zoom lens with
anaperture ring that operates any focal distance setting, the enhancement of the
clicksensation and the setting of a slightly larger rotation angle of 6 degrees per1/3
stop lets you shift from maximum to minimum aperture in one simple action.
Metal Lens Barrel & Exterior Finish
The Linear Motor technology, which directly moves lens elements
in the non-contact state, enables silent operation and excellent
response. XF18-55mmF2.8-4R LM OIS and XF55-200mm
F3.5-4.8R LM OIS incorporates the Linear Motor technology into
the focusing unit and image stabilization unit to achieve
Triple Linear Motor
Detected
Camera-shake Amount
Detected
Camera-shake Amount
Fujifilm's image stabilization technology boasts the world's
best performance, equivalent to over 5 stops (based on CIPA
standards). It uses a high-precision gyro sensor with quartz
oscillators for advanced signal-detection performance.
Fujifilm's unique Drift Tracking technology, which extracts
only the camera-shake elements of detected signals, enables
the correction of low-frequency camera shake that occurs at
slow shutter speeds.
LM ( Linear Motor )
1/3-Step Aperture Ring
Circular aperture
29
P30 - 3 1/P3 2
Specification
Lens
configuration
· Focal length
(35mm format equivalent)
· Angle of view
· Max.aperture
· Min.aperture
· Aperture control
Number of blades Focus range
· Stop size
· External dimensions
Max.
· Weight
magnification
· Filter size
XF14 mmF2.8 R
Lens
configuration
· Focal length
(35mm format equivalent)
· Angle of view
· Max.aperture
· Min.aperture
· Aperture control
Number of blades
· Stop size
Focus range
· External dimensions
Max.
· Weight
magnification
· Filter size
XF10-24 mmF4 R OIS
10 elements in 7
groups
(includes 2 aspherical
and 3 extra-low
dispersion elements)
· f=14mm (21mm)
· 90.8°
· F2.8
· F22
· 7 (rounded
diaphragm
opening)
· 1/3EV (19steps)
Nomal :
30cm-∞
Macro :
18cm-∞
0.12x
14 elements in 10
groups
(includes 4
aspherical and
4 extra-low
dispersion elements)
· Ø65.0mm x 58.4mm
· 235g(excluding caps
and hoods)
· Ø58mm
XF16 mmF1.4 R WR
· Ø78mm x
· f=10-24mm
(15-36mm)
· 110°-61.2°
· F4
· F22
· 7(rounded
iaphragm opening)
· 1/3EV (16steps)
Normal : 0.5m-∞
Macro : 24cm-∞
0.16x
(Telephoto)
Normal : 0.6m-∞
Macro :
[Wide]0.3m-10m
[Telephoto]0.4m-10m
0.08x(Wide)
0.16x
(Telephoto)
Normal : 1m-∞
Macro : 1m-3m
0.06x(Wide)
0.12x
(Telephoto)
XF16-55 mmF2.8 R LM WR
13 elements in 11
groups
(includes 2 aspherical
and 2 extra-low
dispersion elements)
· f=16mm (24mm)
· 83.2°
· F1.4
· F16
· 9 (rounded
diaphragm
opening)
· 1/3EV (22steps)
15cm-∞
0.21x
17 elements in 12
groups
(includes 3 aspherical
and 3 extra-low
dispersion elements)
· Ø73.4mm x 73.0mm
· 375g(excluding caps
and hoods)
· Ø67mm
XF18 mm F2 R
· Ø83.3mm x
· f=16-55mm
(24-84mm)
· 83.2°-29°
· F2.8
· F22
· 9(rounded
iaphragm opening)
· 1/3EV (19 steps)
106.0mm(Wide)/
129.5mm(Telephoto)
· 655g
(excluding caps/hood)
· Ø77mm
XF50-140 mm F2.8 R LM OIS WR
8 elements in 7
groups
(includes 2 aspherical
elements)
· f=18mm (27mm)
· 76.5°
· F2.0
· F16
· 7(rounded
diaphragm
opening)
· 1/3EV (19steps)
Nomal :
0.8m-∞
Macro :
18cm-2.0m
0.14x
23 elements in 16
groups
(includes 6 extra-low
dispersion elements incl.
1 super ED lens)
· Ø64.5mm x 33.7mm
· 116g(excluding caps
and hoods)
· Ø52mm
XF23 mmF1.4 R
· f=50-140mm
(76-213mm)
· 31.7°-11.6°
· F2.8
· F22
· 7(rounded
iaphragm opening)
· 1/3EV(19 steps)
· Ø82.9mm(Wide)/
XF18-55 mm F2.8-4 R LM OIS
11 elements in 8
groups
(includes 1 aspherical
elements)
· f=23mm (35mm)
· 63.4°
· F1.4
· F16
· 7(rounded
diaphragm
opening)
· 1/3EV (22steps)
Nomal :
0.6m-∞
Macro :
28cm-∞
0.1x
14 elements in 10
groups
(includes 3
aspherical and
1 extra-low
dispersion elements)
· Ø72.0mm x 63.0mm
· 300g(excluding caps
and hoods)
· Ø62mm
XF27 mmF2.8
· f=18-55mm
(27-84mm)
· 76.5°-29.0°
· F2.8-F4.0
· F22
· 7(rounded
iaphragm opening)
· 1/3EV(19 steps)
Normal : 0.6m(whole zoom position)
Macro :
[Wide]30cm-10m
[Telephoto]40cm-10m
175.9mm(Telephoto)
· 995g(excluding caps/
hood/tripod mount)
· Ø72mm
· Ø65.0mm x
0.15x
(Telephoto)
70.4mm(Wide)/
97.9mm(Telephoto)
· 310g(excluding caps
and hoods)
· Ø58mm
XF18-135mmF3.5-5.6 R LM OIS WR
7 elements in 5
groups
(includes 1 aspherical
elements)
· f=27mm (41mm)
· 55.5°
· F2.8
· F16
· 7(rounded
diaphragm
opening)
· 1/3EV (16steps)
Nomal :
0.6m-∞
Macro :
34cm-∞
0.1x
· Ø61.2mm x 23.0mm
· 78g(excluding caps
16 elements in 12
groups
(includes 4 aspherical
and
2 extra-low
dispersion elements)
ED Lens
and hoods)
· Ø39mm
Aspherical Lens
XF35 mmF1.4 R
XF55-200 mmF3.5-4.8 R LM OIS
8 elements in 6
groups
(includes 1 aspherical
element)
· f=35mm (53mm)
· 44.2°
· F1.4
· F16
· 7(rounded
diaphragm
opening)
· 1/3EV (22steps)
Nomal :
0.8m-∞
Macro :
28cm-2.0m
0.17x
· Ø65.0mm x 50.4mm
· 187g(excluding caps
Super
ED Lens
and hoods)
· Ø52mm
ED Lens
XF35 mmF2 R WR
Aspherical
Lens
14 elements in 10
groups
(includes 1 aspherical
and
2 extra-low dispersion
elements incl.
1 super ED lens)
· Ø75.7mm x
· f=18-135mm
(27-206mm)
· 76.5°-12°
· F3.5-F5.6
· F22
· 7(rounded
iaphragm opening)
· 1/3EV (17steps)
Normal : 0.6m-∞
Macro : 0.45m-∞
0.27x
97.8mm(Wide)/
158mm(Telephoto)
· 490g(excluding caps
and hoods)
· Ø67mm
· Ø75mm x
· f=55-200mm
(84-305mm)
· 29.0°-8.1°
· F3.5-F4.8
· F22
· 7(rounded
iaphragm opening)
· 1/3EV (17steps)
Normal : 1.1m-∞
Macro : 1.1m-3m
0.18x
(Telephoto)
118mm (Wide)/
177mm(Telephoto)
· 580g(excluding caps
and hoods)
· Ø62mm
XF100-400mm4.5-5.6 R LM OIS WR
9 elements in 6
groups
(includes 2 aspherical
element)
· f=35mm (53mm)
· 44.2°
· F2
· F16
· 9(rounded
diaphragm
opening)
· 1/3EV (19 steps)
35cm-∞
0.135x
21 elements in 14
groups(includes 6
extra-low dispersion
elements incl.
1 super ED lens)
· Ø60.0mm x 45.9mm
· 170g(excluding caps
and hoods)
· Ø43mm
· Ø94.8mm x
· f=100-400
(152-609mm)
· 16.2°-4.1°
· F4.5-F5.6
· F22
· 9(rounded
iaphragm opening)
· 1/3EV (15steps)
1.75m-∞
0.19x
(Telephoto)
XF56mmF1.2 R APD / XF56mmF1.2 R
hood/tripod mount)
XC16-50 mmF3.5-5.6 OIS II
· 7(rounded
XF56mmF1.2 R
11 elements in 8
groups
· f=56mm (85mm)
(includes 1 aspherical and
· 28.5°
2 extra-low dispersion
elements+APD Filter)
· F1.2
· F16
XF56mmF1.2 R APD
diaphragm
opening)
· 1/3EV(23steps)
*1/2EV,
from max.aperture
to next step,only
210.5mm(Wide)/
270mm(Telephoto)
· 1,375g(excluding caps/
· Ø77mm
ED Lens
Normal :
0.7m-∞
Macro :
0.7m-3.0m
0.09 x
12 elements in 10
groups(includes 3
aspherical and 1
extra-low dispersion
elements)
· Ø73.2mm x 69.7mm
· 405g(excluding caps
and hoods)
· Ø62mm
XF60 mmF2.4 R Macro
· f=16-50mm
(24-76mm)
· 83.2°-31.7°
· F3.5-F5.6
· F22
· 7(rounded
iaphragm opening)
· 1/3EV (17steps)
Normal : 0.6m-∞
(whole zoom position)
0.2x
Macro :
(Wide)
[Wide]0.15m-10m
[Telephoto]0.35m-10m
· Ø62.6mm x
65.2mm(Wide)/
98.3mm(Telephoto)
· 195g(excluding caps
and hoods)
· Ø58mm
XC50-230 mmF4.5-6.7 OIS II
10 elements in 8
groups
(includes 1 aspherical
and 1 extra-low
dispersion elements)
· f=60mm (91mm)
· 26.6°
· F2.4
· F22
· 9(rounded
diaphragm
opening)
· 1/3EV (20steps)
Nomal :
0.6m-∞
Macro :
26.7cm-2.0m
0.5x
· Ø64.1mm x 63.6mm
· 215g(excluding caps
13 elements in 10
groups(includes 1
aspherical and 1
extra-low dispersion
elements)
and hoods)
· Ø39mm
XF90 mmF2 R LM WR
· Ø69.5mm x
· f=50-230mm
(76-350mm)
· 31.7°-7.1°
· F4.5-F6.7
· F22
· 7(rounded
iaphragm opening)
· 1/3EV(15 steps)
Normal : 1.1m-∞
Macro : 1.1m-3m
0.2x
(Telephoto)
-
-
111mm(Wide)/
177mm(Telephoto)
· 375g(excluding caps
and hoods)
· Ø58mm
XF 1.4X TC WR
11 elements in 8
groups
(includes 3 extra-low
dispersion elements)
30
87mm(Wide)/
87mm(Telephoto)
· 410g(excluding caps
and hoods)
· Ø72mm
f=90mm (137mm)
17.9°
· F2
· F16
· 7(rounded
diaphragm
opening)
· 1/3EV (19steps)
0.6m-∞
0.2x
· Ø75.0mm x 105mm
· 540g(excluding caps
and hoods)
· Ø62mm
7 elements 3 groups
-
-
-
· Ø58mm x 15mm
· 130g
31
H1 - H4
L E N S E S
P. 4
P. 5
Gianluca Colla / Italy
P. 6
Spencer Wynn / Canada
P. 1 0
P. 9
Bert Stephani / Belgium
P.14
Matt Hart / UK
P. 1 2
Wojtek Wojtczak / Poland
P. 1 6
Massimiliano Angeloni / Italy
P. 8
Gathot Subroto / Indonesia
P. 1 1
Supalerk Narubetkrausee / Thailand
P. 1 5
Ken Kaminesky / Canada
P. 7
Jeff Carter / UK
P. 13
Yonghui Wang / China
Pål Laukli / /Norway
P. 1 7
John Rourke / UK
P. 18
Dan Westergren / U.S.A.
Supported by
P.19
P. 2 0
Dirk Bogaerts / Beligum
Visit these links to learn
what the professionals are saying about
X mount lenses and X accessories and
see some of the beautiful results!
Chalit Padoongcheep /Thailand
P. 2 2
P. 2 1
Torwong Salwala / Thailand
GiuliaTorra / Italy
XF LENS
X-Accessories
h t t p : / / f u j i fi l m - x . c o m / x f - l e n s /
http://fujifilm-x.com/accessories/
Specifications are subject to change without notice.
For more information, please visit our website:
http://www.fujifilm.com/products/digital_cameras/accessories/
c 2016 FUJIFILM Corporation
& A C C E S S O R I E S