September 2016
© 2016 Atomos Global | atomos.com
1
03Introduction
04 What We Do – Rec / Play / Mon / Edit
10 Field Monitor-Recorders
12Inferno
14 Flame Series
16 Blade Series
18 Ninja Recorders
20 Power Station
21 G-Technology partnership
22 Calibration with X-Rite
23 HDMI Cable
24 Broadcast & Pro AV
26 Shogun Studio
28Ronin
30Converters
32 Accessories / CFast / Warranty / Education
34 Specifications
Credit: Abandon Visuals
2 Atomos
HDR is here. We’re determined
to open it up to everyone.
At Atomos we’re proud of our track record at
breaking open cutting edge technology to
filmmakers of all walks of life. Whether it was the
changeover from MPEG to ProRes or the upgrade
to 4K, we focus on helping creative professionals
grasp the latest technology at a faster rate and
at a lower cost. This lets you not only create
more powerful stories but through greater
efficiencies deliver more profit for your business.
This year we’ve focused on ensuring the exciting
breakthrough that is HDR becomes part of every
filmmakers arsenal by making it easier to use and
available at a range of price points. Read on to
discover more & we look forward to seeing your
creative visions come to life in 2016.
Jeromy Young
Co-founder
Ian Overliese
Co-founder
© 2016 Atomos Global | atomos.com
3
WHAT WE DO
Atomos partner with brands like Apple & AVID
to create professional touchscreens for leading
camera brands such as Canon, Sony, Panasonic,
Nikon, Arri, JVC & Red.
High resolution,
calibrated SuperAtom
monitor
On affordable
media
Record to
ProRes &
DNxHR
With a single connection, video professionals add recording
direct from the camera sensor to Hollywood-ready formats like
Apple ProRes and Avid DNxHR onto affordable & high capacity
HDD/SSD media.
Along side professional recording, the calibrated touchscreen is
an audio and video monitor with an array of shot setup scopes
and a playback device with on-board controls for instant shot
review, tagging and playout to larger monitors, making it a swiss
army knife for Production, Post-production & Digital signage.
Professional Recording, Playback, Monitoring & Editing
that will unleash the hidden potential of your camera from
DSLR to Cinema.
4 Atomos
RECORDING
Every camera records, however the internal recording often isn’t
suitable in professional applications. Atomos overcome many of
the limitations professionals face with their camera.
Overcome the DSLR 30min
Recording Limit
Avoid lossy, MPEG camera
compression
Higher Resolution
10-bit Color
Recording externally to the camera
means that the traditional 29m59s
barrier imposed by many DSLR
cameras does not apply.
To limit file size some camera’s only
capture frame to frame changes rather
than every frame. All Atomos recorders
capture full “I” frame information just
like film, making manipulation in post
production easier and higher quality.
Recording to 8-bit only allows for a
maximum of 256 gradations in chroma
and luminance per channel of RGB.
All Atomos monitor-recorders record to
10-bit (1024 gradations) for smoother
color transitions.
More accurate 4:2:2 color
While every pixel’s luminance
information is captured, color is
sampled for smaller file sizes. With the
4:2:2 standard, Atomos have higher
color sampling than conventional 4:2:0
for more accurate colors with increased
color resolution.
High resolution & High
bit rate
Recording resolution alone isn’t
enough. Even 4K might be rejected in
Post if the bit rate is too low. Internal
camera 4K is typically recorded up
to 100Mb/s, whereas with ProRes &
DNxHR you can record up to 880Mb/s,
maintaining the best possible quality.
Record longer & Reduce
media costs
Cameras use low capacity, high price/
GB media. Atomos uses high volume,
high capacity computer SSD’s & HDD’s
from the world’s most trusted media
brands, allowing easy access anytime,
anywhere in the world.
Discover the full list of compatible cameras and media:
www.atomos.com/cameras
www.atomos.com/drives
© 2016 Atomos Global | atomos.com
5
MONITORING
Atomos combine external recording with a professional touchscreen monitor
that is armed with scopes and tools for perfect shot setup.
AtomOS
AtomOS is our custom-built operating system designed specifically for filmmakers to keep the
Atomos feature set a single touch away. Its incredibly fast, intuitive and evolving with regular
free updates for new features.
TOOLS & SCOPES
Focus Assist
Luma Parade
False Color
2:1 Zoom
RGB Parade
Blue Only
1:1 Zoom
Vectorscope
Anamorphic
Zebra Pattern
Vectorscope Zoom
Safe Area
6 Atomos
AtomHDR is a proprietary image processing technology, delivering the high brightness range
of Post Production HDR in a field monitor. All you need is the Log output from your camera
(Sony, Canon, Panasonic, Arri, JVC, Red) and to activate AtomHDR on the Inferno, Flame,
Blade or Studio series to reveal the HDR magic. The Inferno & Flames also have 1500nit
brightness panel and 10-bit color processing for HDR with a wider brightness range and
smoother color transitions.
HDR CONTROLS
AtomHDR
Select camera log signal type
& toggle viewing environment
Log to Video
Convert Log to Rec709
Native Video Source
Shoot native Rec709 or Log, up to
a maximum of 1500nit brightness
Custom Looks
For SDR shooting upload your own
.cube files for custom “Looks”
© 2016 Atomos Global | atomos.com
7
PLAY BACK
Instantly review and collaborate on set.
4K UHD to HD downscale
Playback controls
Custom Playlist
Review with confidence
4K models can downscale to HD for output
to lower resolution devices.
Create custom playlists using Favorite,
entire clip or loop functions for reviewing
compilation of dailies for clients or digital
signage playout.
8 Atomos
Review footage on the product or out
to a larger monitor. Scrub, slow and
fast motion control for detailed edit and
review (available with OS7.1)
Use the suite of monitoring tools to
check color, focus, exposure on
recorded or uploaded content.
EDITING
Edit on the fly and finalize in post using your NLE
of choice.
Tag as you shoot or review
Tag clips during recording or playback to create
an FCPX project with tagged footage.
Works with all NLE’s
Dock and drop files straight into the timeline of all
major NLE’s on both Mac and PC.
PQ I/O for HDR Editing
Take PQ out into larger HDR compatible
larger screens or feed HDR from your NLE
into the PQ input for HDR grading using your
Atomos product.
“The footage plays
natively without any codec
issues and plays instantly
without having to do any
transcoding”
Abandon Visuals
© 2016 Atomos Global | atomos.com
9
FIELD MONITOR RECORDERS
“AtomHDR mode needs to be seen
to be believed – It’s going to be very
difficult to use any other screen
besides the Flame now”
Cloakroom Media
Credit: Cloakroom Media & Flying Dragon
SHOGUN INFERNO
10 Atomos
SHOGUN FLAME
NINJA FLAME
SAMURAI BLADE
CASE STUDY: TESLA
Cloakroom Media & Flying Dragon Aerial teamed up on a TVC production for Tesla Motors Australia.
We were given two production days to complete the filming and put together some cutting edge kit
to film from the land and the skies (a pair of Freefly ALTA’s coupled with MoVI M15’s & Red Epic
Dragons as well as a Freefly TERO). We were delighted to be invited to test out two pre release
products labeled the Atomos Ninja Flame & Shogun Flame.
Clarity, Detail, Brightness
When we began to setup the Shogun Flame, we powered up
our video link and instantly we all were taken back from the
image we were seeing. The image was so bright and clear;
it was hard to believe it was real at first. It’s super impressive,
I don’t think there is any monitor that displays such clarity,
detail and brightness all in one, let alone function as a 4K
recorder. Its a combination of the AtomHDR mode and the
1500nit screen that work together to give you that awesome
display.
The New Monitoring Standard
In conclusion, for this Tesla shoot both the Shogun and
Ninja Flames performed beyond our expectation. It can run
all day without a hiccup and the monitoring in AtomHDR
mode needs to be seen to be believed – It’s going to be very
difficult to use any other screen besides the Flame now. I am
confident that AtomHDR will be the new monitoring standard
among productions of all scales, and I can not wait to get it
on set again for my clients to take advantage of this new and
innovative technology.
SDI and HDMI Flexibility
We shot the Tesla from a leading van on the track, which had
a Shogun Flame tethered to the RED Dragon via HD SDI.
From inside the vehicle we dialed up HDR mode & the beauty
of this is that the finer detail in the image becomes more
apparent. Our DP for this shoot Matt Wood was in awe! There is
something about seeing a DP of Matt’s level getting excited like
a little kid – it tends to rub off on the rest of the crew.
Long Battery Life
Both Ninja Flame and Shogun Flame have dual battery plates
so you can hot swap batteries whilst in use. We used the dual
Sony L series batteries which lasted well over the entire 4-hour
race track sequence even when recording the whole time. This
brings me back to my experience with the Ninja Blade with
continuous power which I still use with my C100mkII.
NINJA BLADE
NINJA 2
NINJA STAR
© 2016 Atomos Global | atomos.com 11
SHOGUN INFERNO
PERFECT FOR:
Music Video:
Multi cam HDR/4K
from Quad SDI
cameras
Sports:
High frame rate
Broadcast:
ISO recordings
Cinema
Latest HDR and
4K 60p technologies
SHOGUN INFERNO
INFERNO SERIES CORE FEATURES
RECORD
12 Atomos
PLAY
The Quad SDI inputs let you connect
from cameras with multiple 1.5/3/6/12G
SDI outputs without the need for
converters.
Apart from 4K recording, high frame
rate HD from 50p to 240p can be
recorded from cameras with these
outputs.
Create playlists easily, either entire clips
or tagged parts of clips, for playback on
the unit or out to a larger screen.
Record and play out pristine ProRes/
DNxHR in 4K resolution and
24/25/30/50/60p frame rates.
Capture HDR Log or Raw as ProRes,
DNxHR or CDNG. Works with Arri,
Canon, Panasonic, Sony (Raw & Log)
& JVC, Red (Log)
Our patent pending Continuous power
system automatically swaps to the
second battery when power is low for
uninterrupted recording in the field.
Specifications correct at time of printing E&OE
Shogun Inferno combines the world’s most advanced HDR monitor with high resolution,
high frame rate recording. Connect cinema cameras from Arri, Sony, Canon, Panasonic,
Red or JVC over the QuadLink SDI or HDMI 2.0 connections to make mastering a high
resolution, high frame rate, HDR workflow a reality.
Log
Where 4K increases the number of pixels,
HDR increases the brightness range –
displaying brighter and darker parts in a
scene at the same time.
AtomHDR
In consumer terms it means scenes are
more vivid and life-like while in filmmaking
terms you no longer clip highlights or
sacrifice shadow detail.
MONITOR
With AtomHDR shoot in Log from your
camera and preview post production
HDR on the monitor to judge exposure
perfectly for final delivery in either HDR or
SDR in Post.
EDIT
Record the high brightness range
of your camera’s Log profile while
monitoring the final, vibrant post
production HDR result (Canon, Sony,
Panasonic, Arri, JVC, Red).
The high resolution 7” calibrated
monitor, boasts 1500nit brightness
which makes it perfect for hood-free
outdoor monitoring.
Record to visually lossless Apple ProRes
or AVID DNxHD as an edit friendly,
visually lossless industry benchmark
independent of the camera brand used.
10-bit monitor processing increases
the number of colors from 16.7 million
for standard 8-bit panels to 1.07 billion,
minimizing color banding on screen.
Apply a custom look to SDR footage by
uploading and applying “.cube” 3D LUT’s.
View in full/half mode on screen, output it
to a monitor or record into the footage.
Playout HDR as PQ or HLG to larger
HDR compatible screens or feed HDR
as a PQ or HLG signal in for mobile HDR
grading
© 2016 Atomos Global | atomos.com 13
SHOGUN FLAME
FLAME SERIES
MODEL COMPARISON
SHOGUN FLAME
Perfect for RAW and SDI cameras
1.5/3/6/12G SDI & HDMI in/out
Sony & Canon Raw recording
Bi-directional SDI/HDMI conversion
XLR in/out (cable included)
Genlock / LTC input
FLAME SERIES CORE FEATURES
RECORD
14 Atomos
PLAY
The SDI/HDMI Shogun Flame and
HDMI only Ninja Flame can input from
cameras, PC’s, game consoles etc and
output for larger monitors and TV’s.
Apart from 4K recording, high frame
rate HD up to and including 50/60/120p
can be recorded from cameras that
output these high frame rates.
Create playlists easily, either entire clips
or tagged parts of clips, for playback on
the unit or out to a larger screen.
Record and play out pristine ProRes/
DNxHR in 4K resolution and 24/25/30p
frame rates.
Edit friendly Apple ProRes & AVID
DNxHD in 422 for improved color
accuracy & 10-bit for the extended color
depth demanded in post production.
Our patent pending Continuous power
system automatically swaps to the
second battery when power is low for
uninterrupted recording in the field.
Specifications correct at time of printing E&OE
NINJA FLAME
NINJA FLAME
The Flame series will change the way you shoot
PERFECT FOR:
with Log from the camera, combining 3 core monitor
technologies - AtomHDR, a High Brightness 1500nit
panel and 10-bit color processing - to get the
brightness range of HDR Log but with bright, natural
colors. This lets you monitor the way you see and
record direct to 4K/HD 4:2:2 ProRes / DNxHR Log for
HDR or SDR processing in post production.
Corporate Outdoor/studio monitor,
faster ProRes workflow
Indie As director’s monitor,
on gimbals or with DSLR’s
Gaming 4K/HD from the console,
live audio monitoring &
tagging for edit
Underwater 3rd party housings that
bring 4K HDR underwater
Wildlife Pre-roll cache recording,
long record times
NINJA FLAME
Perfect for HDMI mirrorless/DSLR cameras
HDMI in/out
N/A
N/A
Line audio in / out
N/A
MONITOR
EDIT
Record the high brightness range
of your camera’s Log profile while
monitoring the final, vibrant post
production HDR result (Canon, Sony,
Panasonic, Arri, JVC, Red).
The high resolution 7” calibrated
monitor, boasts 1500nit brightness
which makes it perfect for hood-free
outdoor monitoring.
Record to visually lossless Apple ProRes
or AVID DNxHD as an edit friendly,
visually lossless industry benchmark
independent of the camera brand used.
10-bit monitor processing increases
the number of colors from 16.7 million
for standard 8-bit panels to 1.07 billion,
minimizing color banding on screen.
Apply a custom look to SDR footage by
uploading and applying “.cube” 3D LUT’s.
View in full/half mode on screen, output it
to a monitor or record into the footage.
Playout HDR as PQ or HLG to larger
HDR compatible screens or feed HDR
as a PQ or HLG signal in for mobile HDR
grading
© 2016 Atomos Global | atomos.com 15
SAMURAI BLADE
BLADE SERIES
The Blade series adds the professional video
functionality missing in HDMI and SDI cameras.
Monitor on a larger 5” calibrated screen with
waveform and focus assist tools, bypass the
internal lossy MPEG recording by capturing 10bit 4:2:2 ProRes or DNxHD and even play back
and start tagging footage immediately on set to
make post production more efficient.
MODEL COMPARISON
SAMURAI BLADE
Perfect for Proxy and SDI cameras
HD/SD SDI in/out
D-Tap adapter included
BLADE SERIES CORE FEATURES
RECORD
16 Atomos
PLAY
The SDI Samurai Blade and HDMI Ninja
Blade have an input for connection with
cameras, PC’s, game consoles etc and
output for larger monitors and TV’s.
Frame accurate timecode and start/
stop triggers from the leading camera
brands over SDI (Samurai) or HDMI
(Ninja).
We support affordable HDD or SSD from
the world’s leading media brands. HDD is
the most affordable option, while SSD is
suitable for vibration sensitive shoots.
Compatible with HD and SD video for
recording and playout.
Edit friendly Apple ProRes & AVID
DNxHD in 422 for improved color
accuracy & 10-bit for the extended color
depth demanded in post production.
Our patent pending Continuous power
system automatically swaps to the
second battery when power is low for
uninterrupted recording in the field.
Specifications correct at time of printing E&OE
NINJA BLADE
NINJA FLAME
PERFECT FOR:
Weddings Calibrated monitor, long
recordings on affordable
media
Indie Films Proxy recorder & focus
pulling monitor for
Cinema cameras
Documentary Lightweight ProRes
& Monitor add on to
DSLR’s
NINJA BLADE
Perfect for HDMI DSLR cameras
HDMI in/out
Canon & Nikon battery plates included
MONITOR
EDIT
AtomHDR brings post production HDR
images to the field. The Blade series
previews HDR on the 8-bit, 400nit panel
(Inferno & Flame feature 10-bit, 1500nit
brightness range and PQ/HLG in/out).
The 5” SuperAtom IPS capacitive
touchscreen is 1280 x 720 with 325ppi
and overlay to ensure you see your
image crisply & cleanly as you monitor.
Record to visually lossless Apple ProRes
or AVID DNxHD as an edit friendly,
visually lossless industry benchmark
independent of the camera brand used.
Colors you can trust with both out of the
box and ongoing calibration (optional
X-Rite unit) to SMPTE Rec.709 & D65
white point.
Suite of monitor tools including
waveform, RGB parade, luma parade,
vectorscope, focus peaking, false color
& blue only.
Mark content in recording or playback
using 10 different tags and save as an
XML file with your content for faster
editing in FCPX.
© 2016 Atomos Global | atomos.com 17
NINJA STAR
NINJA
RECORDERS
MODEL COMPARISON
NINJA STAR
Perfect for Drones & recording with existing monitors
HDMI (micro) in/out
No monitor
95 x 60 x 25mm, 3.7 x 2.4 x 1.0”
Apple ProRes
CFast 2.0/1.0 media
NINJA RECORDERS CORE FEATURES
18 Atomos
Record to visually lossless Apple
ProRes as an edit friendly, visually
lossless, camera independent industry
benchmark. DNxHD available as well
on the Ninja 2.
Edit friendly Apple ProRes & AVID
DNxHD in 422 for improved color
accuracy & 10-bit for the extended color
depth demanded in post production.
Recording externally to the camera
means that the traditional 29.59min
barrier imposed on many DSLR cameras
does not apply.
Frame accurate timecode and start/stop
triggers from the leading camera brands.
Compatible with HD and SD video for
recording and playout.
Synchronize with the camera’s timecode
via HDMI embedded for independent
external recording.
Specifications correct at time of printing E&OE
NINJA 2
These lightweight Ninja models are the most
PERFECT FOR:
affordable and compact way to record professional,
visually lossless Apple ProRes direct from the sensor
of your DSLR camera or any HDMI source. They also
extend the record time beyond the 30min DSLR barrier
and offer an affordable playout solution for reviewing
with larger monitors on set.
Underwater Small footprint, low
buoyancy ProRes recorder
Youtube ProRes HD recording
& talent monitor combined
Education Add ProRes to older MPEG
video cameras.
Perfect for
Canon 5DMKIII
NINJA 2
Perfect Recording Upgrade for DSLR’s
HDMI (Full) in/out
4.3” touchscreen
115 x 87 x 41mm, 4.5 x 3.4 x 1.6”
Apple ProRes & AVID DNxHD
2.5” SSD / HDD media
Extract 24P/30P from 60i & 25P from
50i or pSF equivalents in real time.
Recorded footage can be played back
and controlled on screen (Ninja2) or
out to larger monitors for client viewing.
Ninja2 only; The 4.3” resistive
touchscreen is 800 x 480 with 220ppi.
Perfect to navigate menu options and as
a comfort monitor on set.
The HDMI input and output allows you
to connect and record from any HDMI
device or loop out to larger monitors for
client review.
Our low power design means that long
battery life (5hrs+) is realized.
Ninja Star only; The world’s smallest,
lightest Apple ProRes recorder at only
130g (4.6oz) and 95mm wide (3.7”).
© 2016 Atomos Global | atomos.com 19
POWER STATION
POWER STATION
EXTEND CAMERA RUNTIME. CHARGE 3x FASTER. CONTINUOUS POWER.
POWER STATION CORE FEATURES
Continuous Power
Our patented Continuous Power dual
battery system allows batteries to be
hot swapped ensuring you will never be
without power in the field.
3x Faster Charge
The DC input lets you connect to AC
power to charge the provided batteries
up to 3x the rate of conventional
chargers.
Power
Extend Run Time
Extend your camera run time
beyond the manufacturers own
battery capacity.
DC Battery Adapters
Dummy batteries to power Sony A7s/
A7RII, Panasonic GH4, Nikon 800/810,
Canon 5D MKIII and Sony camcorders
using NP-F L series sold separately.
Weight
DC power output
2 DC outputs at 8.4V, 4A Max Total
Without batteries
143g / 5oz
USB Charging output
2 USB outputs at 5V, 3A Max Total
With batteries
719g / 25.4oz
Max total output power
32W
Dimensions (W x H x D mm)
160 x 55 x 35mm
Operational temperature
0°C - 40°C (32°F 104°F)
DC input voltage
12V to 19V
Battery input voltage
7.4V System (8.4V Max), 2 slots
Compatible Batteries
Sony NPF series mount.
Nikon and Canon batteries via optional
Battery Management
Battery Charging (on DC
power only)
2 x 1.6A fast chargers (approx 3 hours
to simultaneously charge a 2x NP-F570
batteries)
Atomos adapters
20 Atomos
Specifications correct at time of printing E&OE
G-TECHNOLOGY
G-TECHNOLOGY
An exciting partnership with G-Technology expands the affordability and workflow speed of our patented
Master Caddy system by directly integrating it into the G-Technology range of ev Series solutions.
G-TECHNOLOGY & ATOMOS WORKFLOW
1
Choose SSD
2
Insert into
Master Caddy
(G-Technology
Edition)
3
Record in the field
4
Slide into ev Series
reader (Atomos
Caddy Edition)
5
Dock & drop files using ev series Raid
& Desktop Systems
© 2016 Atomos Global | atomos.com 21
CALIBRATION
Every brand of monitor in the field and in the editing suite
naturally drifts in color over time. Atomos have partnered
with calibration leader X-Rite to open up professional
monitor calibration to all filmmakers.
FIELD MONITORS
EDITING MONITORS
USB TO SERIAL
FAST AND ACCURATE
Make judgments on color and
luminance in the field with
the confidence of a calibrated
monitor.
Final editing decisions need to
be made on a calibrated screen.
The same X-Rite model used
in the field can also be used to
calibrate monitors in the
editing suite.
Use the same X-Rite i1Display
Pro model already trusted by
professionals around the world.
There is no “special” model,
simply purchase the Atomos
USB to serial cable and get to
work calibrating the monitors in
your workflow.
The X-Rite i1Display Pro model
is renowned for its speed and
accuracy – a simple 3 step
process is all it takes to ensure
your Atomos monitor-recorders
are always color accurate.
STUDIO
FLAME
BLADE
INFERNO
22 Atomos
i1Display Pro supported on Atomos Inferno, Flame, Blade and Studio series
HDMI CABLES
Ensure your HDMI cables aren’t the weakest link
on set. Featuring high quality connectors,
high speed HDMI 2.0a for the latest high frame
rate recordings and a coiled cable for neater cable
management on the rig. These are the only HDMI
cables specifically designed for filmmakers.
HDMI 2.0 READY
HDR READY
4K 60p READY
ATOMFLEX COILED CABLE
Passes the high speed tests laid
out in HDMI 2.0. 4K 60p and HD
240p are fully supported.
Compatible with High Dynamic
Range (HDR) product line up.
The perfect cable for Atomos
Inferno and connecting
other high frame rate 4K 60p
infrastructure.
Coiled cable to give flexibility on
the rig, extending & retracting as
you need to minimize clutter.
HDMI Cables
Part number
Connector (Atomos)
Connector (Camera)
Cable type
Length (cm)
Length (inches)
ATOM4K60C1
HDMI Full
HDMI Micro (die cast metal)
Coiled
30cm coiled (60cm extended)
12” coiled (24” extended)
ATOM4K60C2
HDMI Full
HDMI Micro (die cast metal)
Coiled
40cm coiled (80cm extended)
16” coiled (32” extended)
ATOM4K60C3
HDMI Full
HDMI Mini (die cast metal)
Coiled
30cm coiled (60cm extended)
12” coiled (24” extended)
ATOM4K60C4
HDMI Full
HDMI Mini (die cast metal)
Coiled
40cm coiled (80cm extended)
16” coiled (32” extended)
ATOM4K60C5
HDMI Full
HDMI Full (die cast metal)
Coiled
30cm coiled (60cm extended)
12” coiled (24” extended)
ATOM4K60C6
HDMI Full
HDMI Full (die cast metal)
Coiled
40cm coiled (80cm extended)
16” coiled (32” extended)
© 2016 Atomos Global | atomos.com 23
BROADCAST & PRO AV
“The perfect solution for recording
4K Multi-cam large scale events”
Chris Davies, Senior Broadcast Engineer,
Gearhouse Broadcast
SHOGUN STUDIO
RONIN
SHOGUN INFERNO
PAGE 12
24 Atomos
Specifications correct at time of printing E&OE
CASE STUDY: WORLD MUSIC TOUR
Gearhouse Broadcast were commissioned to facilitate the 4K production of the Sydney leg of what
proved to be one of the top grossing tours of 2015. To have an understanding of the scale of this
event, the size of the production crew was 300 – and that was just the Recording/OB crew alone!
Client Demanded ProRes Delivery
The client requested that the production was to be captured
in 4K for archiving and a future 4K delivery. The specific
requirement was 4K ProRes HQ, making the footage 10bit,
low compressed and edit ready for Final Cut Pro. We set
out to achieve the best possible image capture which
required technologies that we would not usually use for a
multi-cam recording.
Best of the Best in Multi-cam
The camera of choice was the Sony PMW-F55 CineAlta,
20 of them to be exact. The large sensor, low light and 4K
capabilities made this camera a no brainer. We also had two
Phantom Flex 4K cameras and a few Arri Alexa’s for additional
stylized shots. These cameras were paired with Fujinon and
Canon cinema zoom lenses. To add to the list of toys we had
4x techno cranes, a Helicopter with a Cineflex stabilizer and 6x
remotely operated hot heads, that, coupled with some of the
best camera operators Australia has to offer.
Easy to use Rack-based Monitoring
& Recording
This rack set up was the most impressive in the production,
it seemed to be a favorite for the producers and the client.
Having such a vivid image displayed on these monitors with
all of the tools just a touch away was instrumental in our
success. The fact that this rack was our 4k Record seemed
to be just a bonus.
Making the Complex, Simple
The Shogun Studio integrated perfectly to our ecosystem,
locking signal and timecode flawlessly. The simplicity of the
Atomos system in such a complex environment makes it a
breath of fresh air once that record button is tapped.
The Shogun studio proved to be the perfect solution for
recording 4k Multi-cam large scale events. We can now take on
any 4K event knowing that we can confidently capture pristine
footage that is immediately edit-ready.
Challenge; 4K Data Wrangling
With all of these camera rigs equipped to capture amazing
pictures, the next challenge was to get them feeding back to
the OB compound. We ran fiber from each camera back to the
OB into the Sony Baseband processors and then distributed
the 4K signal into the final link of the chain, the Atomos Shogun
Studio. In fact we used a combination of Shogun and Shogun
studios just in case we decided to get some units mobilized.
Credit: Gearhouse Broadcast
CONNECT-AC
CONNECT
© 2016 Atomos Global | atomos.com 25
SHOGUN STUDIO
SHOGUN
STUDIO
SHOGUN STUDIO CORE FEATURES
RECORD
26 Atomos
PLAY
Record camera ISO feeds directly from
the sensor via HDMI or SDI turning any
camera into a studio head. Increased
quality 4:2:2 10-bit ProRes/DNxHR/HD
with file naming & Metadata.
Shogun Studio provide continuous
4K/HD recording with the ability to
automatically record onto the 2nd drive
when the first is full.
In Playback mode customer playlists
can be created from Favorites (even
respecting subclip i/o points), selected
clips or a combination of the two.
Shogun Studio has both HDMI and 12G SDI
in/out (back compatible with 1.5/3/6G SDI).
You can convert between HDMI and SDI
(both ways) and downscale from 4K to HD
on the outputs.
SDI & HDMI Rec Start / Stop triggers
that can be cascaded across multiple
devices as well as the ability to remotely
control the Studio via 9pin RS422
Machine control or AMP over Ethernet.
Shogun Studio benefits from redundant
dual auto load balancing power supplies
and industry standard IEC connectors
making it easy to connect to your rack
PDU or UPS.
Specifications correct at time of printing E&OE
Harnessing the latest 4K/HD recorder, monitor
and playback technologies the Shogun Studio
enhances existing HD workflows and provides
an affordable rack mount solution for creating
4K Masters.
PERFECT FOR:
Event Playout 4K/HD playout with GenLock and
Playlist
Sports
Multi camera 4K ProRes record
with Waveform
OB Vans 3RU all in one record/monitor/test/
convert/playout
MONITOR
EDIT
AtomHDR brings post production HDR
images to the field. Shogun Studio
previews HDR on the 8-bit, 400nit
panel (Inferno & Flame feature 10-bit,
1500nit brightness range).
Spectacular 7.1” 1920x1200 over 320PPI
SuperAtom IPS capacitive touch-screen &
record indicators. Calibrated in the factory
to Rec.709 & calibrate anytime using the
optional X-Rite unit.
Record to visually lossless Apple ProRes
or AVID DNxHR as an edit friendly,
visually lossless industry benchmark
independent of the camera brand used.
Supports up to 12 tracks 24-bit 48k
Audio on SDI, 2 channels XLR in at
mic or line level, 48V phantom and
Audio Delay as well as 2 XLR outputs
per Recorder.
Monitor more than just the composition
of the shot with wave form Luma,
RGB parade and vector scope. Check
exposure, focus and critical focus with
2:1 zoom.
Playout HDR as PQ or HLG to larger
HDR compatible screens or feed HDR
as a PQ or HLG signal in for mobile HDR
grading.
© 2016 Atomos Global | atomos.com 27
RONIN
RONIN
Designed for fixed facility studios and OB
vans, Ronin lets you standardize ISO, Live and
Switched HD or SD recording feeds direct to
Apple ProRes or Avid DNxHD ready immediately
for post production.
RONIN CORE FEATURES
RECORD
28 Atomos
PLAY
Ronin is compatible with HD and SD
video for recording and playout.
Record to visually lossless Apple ProRes
or AVID DNxHD as an edit friendly,
visually lossless industry benchmark
independent of the camera brand used.
Synchronize with the camera’s timecode
& record run, free run, time-of-day time
codes for independent external recording.
Edit friendly Apple ProRes & AVID
DNxHD in 422 for improved color
accuracy & 10-bit for the extended color
depth demanded in post production.
Dual Ronins provide continuous
recording for extra long shoots. Loop
out to the second Ronin and start
recording as the first drive fills.
Recorded footage can be played back
and controlled on screen or out to larger
monitors for client viewing.
Specifications correct at time of printing E&OE
PERFECT FOR:
Concerts – High capacity, affordable
media for long run times.
Broadcast – standardize iso, live and
switched recordings
OB Vans - Continuous recording with
dual Ronins test/convert/playout
Dual Ronin also available
MONITOR
EDIT
A 5” resistive touchscreen (800 x 480)
to navigate menu options and as a
comfort monitor during recording.
SDI input for connection with cameras
& broadcast infrastructure and output
for larger monitors and TV’s.
We support affordable, readily available
HDD or SSD. For mastering and
archiving, they outperform DVD’s and
Blu-ray significantly in size of cost.
2 channels of XLR balanced analog
(48kHz 16-bit) in addition to the 12
channels embedded in the SDI signal.
Forget buttons & tape, move to
touchscreens & HDD/SSD. Adjust audio
channels on screen & monitor feeds with
intuitive feedback.
AC power drives the Ronin with
continuous battery backup for
emergency situations.
© 2016 Atomos Global | atomos.com 29
CONVERTERS
CONNECT
THE WORLD’S SMALLEST BATTERY
POWERED VIDEO CONVERTER.
10 HRS
BATTERY
H2S
S2H
CONNECT-AC
H2S
THE WORLD’S SMALLEST AC POWERED
VIDEO CONVERTER.
Rack Mountable
S2H
The internal battery lasts 2 hours and with a fully
There is an optional rack mount kit to
charged battery mounted lasts 10 hours.
hold up to 4 Connect AC converters.
CONNECT/CONNECT-AC CORE FEATURES
Test Pattern & Audio Tone Generator
3:2 & 2:2 Pulldown
A test pattern & audio tone generator is built in to use as a
line testing tool. A time saver for system technicians & system
integrators in the field or in the studio.
Extract 24P/30P from 60i & 25P from 50i or pSF equivalents
in real time.
CONNECT H2S/S2H SPECS
Weight & Dimensions
113g (without battery) / 213g (with battery)
45.0mm (w) x 76.5mm (l) x 34.0mm (h)
Power Consumption 2W while converting
Batteries • Internal up to 1 hour • 2600mAh - 10hrs (included)
• 5200mAh (NP Series, 7.4V - 16.8V) - 20hrs (optional)
• 7800mAh - 30hrs (optional) • AC Power
Supply 100-240V (included) • D-Tap Adapter (optional)
Continuous Power
(Patent Pending)
Connect acts as a battery, feeding continuous power
into your Ninja, Samurai, or another Connect.
Built-in 3:2
Pulldown Removal
• 25PSF (50i)>25P • 30PSF (60i) >30P • 24p (3:2-60i) >24P
Test Pattern GeneratorSMPTE 75%, Color Bars 75 & 100%, SDI EQ/PLL
Pathological, Audio Tone 1kHz @ -20dBfs
30 Atomos
USB Interface
Firmware Update Interface ONLY
Video Input
H2S: HDMI x 1 Video Out
H2S: 3G/HD/SD-SDI x 2 S2H: 3G/HD/SD-SDI x1 and HDMI x1
S2H: 3G/HD/SD-SDI x1
Audio (In/Out)Embedded Audio 2ch, 24, 20 or 16-bit
Timecode & Rec Trigger Exchange
SDI: Sony, Canon, Panasonic, Arri, RED
HDMI: Sony, Canon Timecode, Canon Start/Stop
Supported Formats (In/Out)1080p60, 1080p59.94, 1080p50, 1080i60, 1080i59.94,
1080i50, 1080p30, 1080p29.97,1080p25, 1080p24,
1080p23.98, 1080pSF30, 1080pSF29.97, 1080pSF25,
1080pSF24,1080pSF23.98, 720p60, 720p59.94, 720p50,
486i59.94, 480i59.94, 576i50
All specifications correct when published, subject to E&OE.
External Battery
D-Tap/AC
Power
They are stackable too. With the AC power
supply included, you can charge up to three
Connect units simultaneously.
Internal battery
Timecode & Trigger pass through
Flash light
Allow for pass through of timecode and start/stop trigger
between devices.
A built in LED torch so you can see what you’re
connecting to in the dark.
CONNECT-AC S2H / CONNECT-AC H2S SPECS
Weight & Dimensions
115g (without battery) / 215g (with battery)
85.0mm (w) x 90.0mm (l) x 25.0mm (h)
AC Power 100-240VAC, 0.2A, 50-60Hz
Power Consumption 2W while converting
2:2 Pulldown Removal
• 25PSF (50i)>25P • 30PSF (60i) >30P • 24PSF > 24P
Test Pattern GeneratorSMPTE 75%, Color Bars 75 & 100%, SDI EQ/PLL Pathological,
Audio Tone 1kHz @ -20dBfs
USB Interface
Firmware Update Interface ONLY
Video Input
S2H: 3G/HD/SD-SDI x 1 H2S: HDMI x 1
Video Out
S2H: 3G/HD/SD-SDI x 1 and HDMI x 1 H2S: 3G/HD/SD-SDI x 2
Audio (In/Out)Embedded Audio 2ch, 16, 20 or 24-bit
Timecode
& Rec Trigger Exchange
SDI: Sony, Canon, Panasonic, Arri, RED
HDMI: Sony, Canon Timecode, Canon Start/Stop
Supported Formats (In/Out)1080p60, 1080p59.94, 1080p50, 1080i60, 1080i59.94,
1080i50, 1080p30, 1080p29.97,1080p25, 1080p24,
1080p23.98, 1080pSF30, 1080pSF29.97, 1080pSF25,
1080pSF24,1080pSF23.98, 720p60, 720p59.94, 720p50,
486i59.94, 480i59.94, 576i50
All specifications correct when published, subject to E&OE.
© 2016 Atomos Global | atomos.com 31
ACCESSORIES
SUNHOOD
Optional sun hood available for Shogun,
Ninja Assassin, Samurai/Ninja Blade,
Ninja 2. Replacement available for hoods
included with Inferno and Flame models
POWER STATION BATTERY ADAPTERS
ARMOR BUMPER
LCD PROTECTOR
Protection from bumps and knock
on Shogun and Ninja Assassin
Matte protector sheet for 7” models
Power Station battery adapters for Sony FW-50,
Panasonic BLF19, Canon LP-E6, Sony NP-F570,
Nikon EN-EL15
2600mAh 2 cell & 5200mAh 4 cell
battery
BATTERIES
HDD/SSD CADDIES x 5
AC POWER ADAPTER
FAST BATTERY CHARGER
DC TO D-TAP COILED CABLE
Replacement AC power for all
monitor-recorders
CFast Media
CFast speed & size, made affordable by Atomos
For all recorders
Fast single battery charger
for Atomos and Sony NP style
batteries
For all 7” recorders
Specs
ATOMCFT64
ATOMCFT128
Size
64GB*
128GB*
CFast version
CFast 1.0
Write Speed
80MB/s
Read Speed
200MB/s
Operating temperature
-25 to 45 degrees Celsius
-13 to 113 degrees Fahrenheit
* Some of the listed storage capacity is used for formatting and other purposes and
is not available for data storage
32 Atomos
TRAVEL CASE
HARD CASE
USB TO SERIAL CABLE
Smaller footprint travel case for
Shogun, Ninja Assassin and Blade
series
Hard carry case and
replacements foams available
Calibration cable to connect with
optional X-Rite calibration unit
DOCKING STATION
CFAST READER DOCK
CANON & NIKON
BATTERY ADAPTER
Dock SSD/HDD to Mac/PC
CONNECT-AC RACK KIT
Fits four Connect-ACs
10
%
EDUCATION
D I S C O U N T
3
YEAR
WARRANTY
R E G I S T E R E D
P R O D U C T S
Dock CFast to Mac/PC
RONIN RACK KIT
Fits two Ronins
XLR BREAKOUT CABLE
Replacement breakout XLR cable
for Shogun
For students just starting out on their filmmaking career, Atomos offer a generous 10%
discount off product over US$500 MSRP. The education discount is available to students
and institutions alike and can be claimed directly from authorized Atomos education
resellers. Institution with more complex needs are welcome to contact their local Atomos
office (atomos.com/contact) to design a customized Atomos bundle.
For more details visit: www.atomos.com/school
Registering your Atomos product is easy and rewarding.
You’ll be the first to know about new features and firmware and your warranty will
be tripled from the standard 1 year to 3 years warranty (extended warranty applies
to Atomos product greater than $500 MSRP on products registered within 1 year
of purchase)
Learn more and register your product at: www.atomos.com/registration
© 2016 Atomos Global | atomos.com 33
SHOGUN INFERNO
SHOGUN FLAME
NINJA FLAME
Weight
Without batteries & media
709g / 25.0oz
650g / 22.9oz
620g / 21.9oz
With batteries & media
1153g / 40.7oz
1094g / 38.6oz
1064g / 37.5oz
Dimensions (W x H x D mm)
214 x 127 x 45mm, 8.4 x 5 x 1.8”
214 x 127 x 45mm, 8.4 x 5 x 1.8”
214 x 127 x 45mm, 8.4 x 5 x 1.8”
Construction
High quality lightweight ABS Polycarbonate for
durability & portability
High quality lightweight ABS Polycarbonate for
durability & portability
High quality lightweight ABS Polycarbonate for
durability & portability
Built-in armor protection
Built-in armor protection
Built-in armor protection
Operating power (including SSD)
10 - 27W
10 - 24W
10 - 24W
Compatible batteries
NP-F series and supporting accessories
NP-F series and supporting accessories
NP-F series and supporting accessories
Input voltage (battery)
6.2V to 16.8V
6.2V to 16.8V
6.2V to 16.8V
Battery time (based on 7.4V)
-
-
-
5200mAh - up to 1.5hrs (monitor & record 4K 30p)
5200mAh - up to 1.5hrs (monitor & record 4K 30p)
5200mAh - up to 1.5hrs (monitor & record 4K 30p)
7800mAh - up to 2.2hrs (monitor & record 4K 30p)
7800mAh - up to 2.2hrs (monitor & record 4K 30p)
7800mAh - up to 2.2hrs (monitor & record 4K 30p)
DC In
1 x DC in (6.2 - 16.8V)
1 x DC in (6.2 - 16.8V)
1 x DC in (6.2 - 16.8V)
Continuous power
* Patent pending
Primary-secondary battery system
Change batteries without losing power
Loop batteries continuously
Primary-secondary battery system
Change batteries without losing power
Loop batteries continuously
Primary-secondary battery system
Change batteries without losing power
Loop batteries continuously
Size
7.1”
7.1”
7.1”
Resolution
1920 x 1200
1920 x 1200
1920 x 1200
PPI
325
325
325
Aspect ratio
16:9 native
16:9 native
16:9 native
Color Gamut
REC709 HDTV
REC709 HDTV
REC709 HDTV
Look up table (LUT) support
3D LUT (.cube file format)
3D LUT (.cube file format)
3D LUT (.cube file format)
Anamorphic de-squeeze
2x, 1.5x, 1.33x, Panasonic 8:3
2x, 1.5x, 1.33x, Panasonic 8:3
2x, 1.5x, 1.33x, Panasonic 8:3
Technology
SuperAtom IPS panel (capacitive touch), calibration to
Rec.709 with optional calibration unit
SuperAtom IPS panel (capacitive touch), calibration to
Rec.709 with optional calibration unit
SuperAtom IPS panel (capacitive touch), calibration to
Rec.709 with optional calibration unit
AtomHDR
Yes
Yes
Yes
Supported Log formats
Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
Panasonic Vlog, JVC JLog, Red LogFilm
Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
Panasonic Vlog, JVC JLog, Red LogFilm
Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
Panasonic Vlog, JVC JLog, Red LogFilm
Supported Gamuts
Sony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / BT2020 / DCI P3 / DCI P3+
Panasonic V Gamut
Arri Alexa Wide Gamut
Sony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / BT2020 / DCI P3 / DCI P3+
Panasonic V Gamut
Arri Alexa Wide Gamut
Sony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / BT2020 / DCI P3 / DCI P3+
Panasonic V Gamut
Arri Alexa Wide Gamut
Bit depth
10-bit (8+2 FRC)
10-bit (8+2 FRC)
10-bit (8+2 FRC)
Brightness
1500nit (+/- 10%)
1500nit (+/- 10%)
1500nit (+/- 10%)
HDR input (PQ/HLG*)
HDR output (PQ/HLG*)
Yes / Yes*
Yes / Yes*
Yes / Yes*
Yes / Yes*
Yes / Yes*
Yes / Yes*
HDMI
1 x HDMI (2.0)
1 x HDMI (1.4b)
1 x HDMI (1.4b)
SDI
Quad link 4 x 3G SDI or up to 12G single link SDI
1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G (SMPTE)
-
Signal
Uncompressed true 10-bit or 8-bit 422
(camera dependent)
Uncompressed true 10-bit or 8-bit 422
(camera dependent)
Uncompressed true 10-bit or 8-bit 422
(camera dependent)
HDMI
1 x HDMI (2.0)
1 x HDMI (1.4b)
1 x HDMI (1.4b)
SDI
1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G
1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G
-
Signal
Uncompressed true 10-bit or 8-bit 422
(playback file dependent)
Uncompressed true 10-bit or 8-bit 422
(playback file dependent)
Uncompressed true 10-bit or 8-bit 422
(playback file dependent)
HDMI to HDMI
720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60
720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/120,
2160p 24/25/30
720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/120,
2160p 24/25/30
SDI to SDI
(Limitations on RAW input to loop out)
720p 50/60, 1080i 50/60
1080pSF 24/25/30
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60
720p 50/60, 1080i 50/60
1080pSF 24/25/30
1080p 24/25/30/50/60/120*
2160p 24/25/30
-
HDMI to SDI
720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60
720p 50/60, 1080i 50/60
1080p 24/25/30/50/60/120*
2160p 24/25/30
-
SDI to HDMI
(Limitations on RAW input to loop out)
720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60
720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/120*
2160p 24/25/30
-
Power
Touchscreen
HDR
Video input/loop out
Video output (play out)
Supported loop out formats
Video signal conversion
34 Atomos
*** No HDMI Spec for 2K DCI
^
Specifications correct at time of printing E&OE
* Available in a future firmware update. ** 24/30/60 frame rates also include 23.98/29.97/59.94 frame rates for all resolutions
From supported HDMI sources such as gaming consoles & graphics cards ^^ Optional unit (XDCA-FS7) needed for Raw output
SAMURAI BLADE
NINJA BLADE
NINJA 2
NINJA STAR
345g / 12oz
311g / 11oz
300g / 11oz
130g / 4.6oz
696g / 25oz
662g / 23oz
651g / 23oz
249g / 8.8oz
153 x 87 x 48mm, 6.0 x 3.4 x 1.9”
136 x 87 x 48mm, 5.4 x 3.4 x 1.9”
115 x 87 x 41mm, 4.5 x 3.4 x 1.6”
95 x 60 x 25mm, 3.7 x 2.4 x 1.0”
Aircraft-grade Aluminum for durability & portability
Aircraft-grade Aluminum for durability & portability
Aircraft-grade Aluminum for durability & portability
Aircraft-grade Aluminum for durability & portability
3.3W (monitoring only) / 6.8W (Rec, Mon, Play)
3.3W (monitoring only) / 6.8W (Rec, Mon, Play)
3.3W (monitoring only) / 6.0W (Rec, Mon, Play)
3.5W / 4.5W (Rec,Play)
NP-F series, D-Tap and supporting accessories
NP-F series, D-Tap and supporting accessories
NP-F series, D-Tap and supporting accessories
NP-F series, D-Tap and supporting accessories
6.2V to 16.8V
6.2V to 16.8V
6.2V to 16.8V
6.2V to 16.8V
2600mAh - up to 4hrs
2600mAh - up to 4hrs
2600mAh - up to 5hrs
2600mAh - up to 5hrs
5200mAh - up to 8hrs
5200mAh - up to 8hrs
5200mAh - up to 9hrs
5200mAh - up to 9hrs
7800mAh - up to 12hrs
7800mAh - up to 12hrs
7800mAh - up to 14hrs
7800mAh - up to 14hrs
-
-
-
-
Primary-secondary battery system
Change batteries without losing power
Loop batteries continuously
Primary-secondary battery system
Change batteries without losing power
Loop batteries continuously
Primary-secondary battery system
Change batteries without losing power
Loop batteries continuously
via optional Power Station
5”
5”
4.3”
-
1280 x 720
1280 x 720
800 x 480
-
325
325
220
-
16:9 native / 4:3 Letterbox
16:9 native / 4:3 Letterbox
16:9 native / 4:3 Letterbox
-
REC709 HDTV
REC709 HDTV
SMPTE
-
1D LUT
1D LUT
-
-
-
-
-
-
SuperAtom IPS panel (capacitive touch), calibration to
Rec.709 with optional calibration unit
SuperAtom IPS panel (capacitive touch), calibration to
Rec.709 with optional calibration unit
LCD (Resistive touch)
-
Yes
Yes
No
No
Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
Panasonic Vlog, JVC JLog, Red LogFilm
Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
Panasonic Vlog, JVC JLog, Red LogFilm
N/A
N/A
Native gamut (no conversion)
Native gamut (no conversion)
N/A
N/A
8-bit
8-bit
8-bit
N/A
400nit
400nit
No / No
No / No
No / No
No / No
N/A
N/A
-
1 x HDMI (1.4)
1 x HDMI (1.4)
1 x HDMI Micro (1.4)
1 x HD/SD-SDI (SMPTE)
-
-
-
Uncompressed true 10-bit or 8-bit 422
(camera dependent)
Uncompressed true 10-bit or 8-bit 422
(camera dependent)
Uncompressed true 10-bit or 8-bit 422
(camera dependent)
Uncompressed true 10-bit or 8-bit 422
(camera dependent)
-
1 x HDMI (1.4)
1 x HDMI (1.4)
1 x HDMI Micro (1.4)
1 x HD/SD-SDI
-
-
-
Uncompressed true 10-bit or 8-bit 422
(playback file dependent)
Uncompressed true 10-bit or 8-bit 422
(playback file dependent)
Uncompressed true 10-bit or 8-bit 422
(playback file dependent)
Uncompressed true 10-bit or 8-bit 422
(playback file dependent)
-
SD 480i, 576i
1280 x 720p 50/60
1920 x 1080i 50/60
1920 x 1080p 24/25/30
SD 480i, 576i
1280 x 720p 50/60
1920 x 1080i 50/60
1920 x 1080p 24/25/30
SD 480i, 576i
1280 x 720p 50/60
1920 x 1080i 50/60
1920 x 1080p 24/25/30
720p 50/60, 1080i 50/60
1080pSF 24/25/30
1080p 24/25/30
-
-
-
-
-
-
-
-
-
-
-
N/A
© 2016 Atomos Global | atomos.com 35
SHOGUN INFERNO
SHOGUN FLAME
NINJA FLAME
Supported Codecs & frame rates (record & playback)
Brand / Model / Codec
Resolution / Frame rate
Resolution / Frame rate
Sony
FS5/FS7^^/FS700
CDNG
4K DCI; 24/25/30p
4K UHD;
2K; 24/25/30/50/60/100*/120*p
1080;
4K DCI; 24/25/30p
4K UHD;
2K; 24/25/30/50/60/100*/120*p
1080;
Canon
C300MKII/C500
CDNG
4K DCI; 24/25/30p
4K UHD; 24/25/30p
2K;
1080;
4K DCI; 24/25/30p
4K UHD; 24/25/30p
2K;
1080;
Panasonic*
Varicam
CDNG
4K DCI; 24/25/30p
4K UHD; 24/25/30p
2K;
1080;
4K DCI; 24/25/30p
4K UHD; 24/25/30p
2K;
1080;
Arri*
Alexa Mini
.ARI
2880x1620; 24/25/30/50/60p
2880x2160; 24/25/30/50/60p
Brand / Model / Codec
Resolution / Frame rate
Resolution / Frame rate
Sony
FS5/FS7/FS700*
ProRes (HQ, 422, LT)
DNxHR (HQX, HQ, SQ, LB)
4K DCI; 24/25/30/50/60p
4K UHD;
2K; 24/25/30/50/60/100/120/200*/240*p
1080;
4K DCI; 24/25/30p
4K UHD;
2K; 24/25/30/50/60/100/120p
1080;
Canon
C300MKII/C500
ProRes (HQ, 422, LT)
DNxHR (HQX, HQ, SQ, LB)
4K DCI; 24/25/30p
4K UHD; 24/25/30p
2K;
1080;
4K DCI; 24/25/30p
4K UHD; 24/25/30p
2K;
1080;
Brand / Model / Codec
Resolution / Frame rate
Resolution / Frame rate
Resolution / Frame rate
4K DCI; 24/25/30/50/60p
4K UHD; 24/25/30/50/60p
2K; N/A
1080p; 24/25/30/50/60/100^/120^/200*/240*p
1080i; 50/60i
720p; 50/60p
4K DCI;
4K UHD; 24/25/30p
2K; N/A
1080p; 24/25/30/50/60/100^/120^p
1080i; 50/60i
720p; 50/60p
4K DCI;
4K UHD; 24/25/30p
2K; N/A
1080p; 24/25/30/50/60/100^/120^p
1080i; 50/60i
720p; 50/60p
Pulldown removal
24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)
24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)
24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)
4K UHD downscaling
Yes - Loopout and playback (Not available in RAW)
Yes - Loop-out and playback (Not available in RAW)
Yes - Loop-out and playback
HDMI
2 or 8ch 24-bit, camera dependent
2 or 8ch 24-bit, camera dependent
2 or 8ch 24-bit, camera dependent
SDI
12ch 48kHz 24-bit
12ch 48kHz 24-bit
-
Audio
2ch balanced XLR analog in/out
Dynamic range >90dB
Max signal level +24dBu
Max analog gain +52dB
48V Phantom Power for Mic
2ch balanced XLR analog in/out
Dynamic range >90dB
Max signal level +24dBu
Max analog gain +52dB
48V Phantom Power for Mic
Line in / Mic in / Headphone out 2ch 48kHz 24-bit
HDMI
Auto HDMI Trigger
Supported Protocols - Canon, Sony, Atomos Open
Standard
Auto HDMI Trigger
Supported Protocols - Canon, Sony, Atomos Open
Standard
Auto HDMI Trigger
Supported Protocols - Canon, Sony, Atomos Open
Standard
SDI
SDI trigger camera selectable
SDI trigger camera selectable
-
Other
LANC control - Slave
LANC control - Slave
LANC control - Slave
Playlist / Genlock / LTC
Yes / Yes / Yes
Yes / Yes / Yes
Yes / No / No
CDNG (Recorded content)
No support
No support
N/A
ProRes (Recorded content)
All recorded files can playback. Playback in slow
motion >= 100fps
All recorded files can playback. Playback in slow
motion >= 100fps
All recorded files can playback. Playback in slow
motion >= 100fps
DNxHR / DNxHD (recorded content)
All recorded files can playback. Playback in slow
motion >= 100fps
All recorded files playback at native rate except 4K DCI
which plays back at 24p only. Playback in slow motion
>= 100fps
All recorded files can playback. Playback in slow
motion >= 100fps
Pre-roll record
Yes (HD 8s, 4K 2s)
Yes (HD 8s, 4K 2s)
Yes (HD 8s, 4K 2s)
Custom timelapse
Yes
Yes
Yes
Meta data tagging
Yes (10 tags available)
Yes (10 tags available)
Yes (10 tags available)
Supported media
(Approved List at Atomos.com/drives)
Select SSD: CDNG (4K30p), Video (4K60p, 1080 240p)
Select SSD: Video (4K 30p, 1080 60p)
Select SSD or HDD: Video (1080 30p, 720 60p)
Select SSD: CDNG (4K30p)
Select SSD: Video (4K 30p, 1080 60p)
Select SSD or HDD: Video (1080 30p, 720 60p)
Select SSD: Video (4K 30p, 1080 60p)
Select SSD or HDD: Video (1080 30p, 720 60p)
Master caddy case
Master Caddy II (included)
75mm x 105mm x 12mm
Master Caddy II (included)
75mm x 105mm x 12mm
Master Caddy II (included)
75mm x 105mm x 12mm
Master caddy dock
2.5” SATA to USB 2.0/3.0
2.5” SATA to USB 2.0/3.0
2.5” SATA to USB 2.0/3.0
Supported applications
Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+
EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
Autodesk Smoke 2015
Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+
EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
Autodesk Smoke 2015
Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+
EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
Autodesk Smoke 2015
XML support
FCPX XML native support, FCP7/Adobe limited support
with 3rd party conversion tools
FCPX XML native, FCP7 supported with conversion
(Adobe compatible)
FCPX XML native, FCP7 supported with conversion
(Adobe compatible)
Accessories included
Shogun Inferno unit, HPRC case, Control cable, XLR input
breakout cable, 2x NP-F750 5200mAh batteries, Fast battery
charger, SATA 3/2 to USB 3/2 HDD/SSD docking station,
DC to D-Tap coiled cable, Master Caddy II x 5, 12V-3A AC
adapter x 2 (Fast charger & DC power), HDR sunhood
Shogun Flame unit, Custom HPRC case, Control cable, XLR
input breakout cable, 2x NP-F750 5200mAh batteries, Fast
battery charger, SATA 3/2 to USB 3/2 HDD/SSD docking station, DC to D-Tap coiled cable, Master Caddy II x 5, 12V-3A
AC adapter x 2 (Fast charger & DC power), HDR sunhood
Ninja Flame unit, Custom HPRC case, Control cable, 2x NPF750 5200mAh batteries, Fast battery charger, SATA 3/2 to
USB 3/2 HDD/SSD docking station, DC to D-Tap coiled cable,
Master Caddy II x 5, 12V-3A AC adapter x 2 (Fast charger &
DC power), HDR sunhood
Optional extras
Atomos HDMI cable, X-Rite calibration, XLR in/out
breakout cable
Atomos HDMI cable, X-Rite calibration, XLR in/out
breakout cable
Atomos HDMI cable, X-Rite calibration
Raw Record*
Raw to ProRes /
DNxHR
Video to ProRes /
DNxHR
(DNx utilizes a .MOV
wrapper)
Refer camera compatibility
list; atomos.com/cameras
ProRes (HQ, 422, LT)
DNxHR (HQX,HQ,SQ,LB)
Resolution / Frame rate
N/A
Resolution / Frame rate
N/A
Onboard processing
Audio in/out (48kHz PCM audio)
Remote start/stop
Playback
Recording
36 Atomos
*** No HDMI Spec for 2K DCI
^
Specifications correct at time of printing E&OE
* Available in a future firmware update. ** 24/30/60 frame rates also include 23.98/29.97/59.94 frame rates for all resolutions
From supported HDMI sources such as gaming consoles & graphics cards ^^ Optional unit (XDCA-FS7) needed for Raw output
SAMURAI BLADE
NINJA BLADE
NINJA 2
NINJA STAR
Resolution / Frame rate
Resolution / Frame rate
Resolution / Frame rate
Resolution / Frame rate
N/A
N/A
N/A
N/A
Resolution / Frame rate
Resolution / Frame rate
Resolution / Frame rate
Resolution / Frame rate
N/A
N/A
N/A
N/A
Resolution / Frame rate
Resolution / Frame rate
Resolution / Frame rate
Resolution / Frame rate
1080p; 24/SF24/25/SF25/30/SF30
1080i; 50/60i
720p; 50/60p
SD 480i, 576i
1080p; 24/SF24/25/SF25/30/SF30
1080i; 50/60i
720p; 50/60p
SD 480i, 576i
1080p; 24/SF24/25/SF25/30/SF30
1080i; 50/60i
720p; 50/60p
SD 480i, 576i
24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)
24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)
24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)
24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)
-
-
-
-
-
2ch 48kHz 16-bit
2ch 48kHz 16-bit
2ch 48kHz 16-bit (no gain control)
12ch 48kHz 16-bit
-
-
-
Line in / Headphone out 2ch 48kHz 16-bit
Line in / Headphone out 2ch 48kHz 16-bit
Line in / Headphone out 2ch 48kHz 16-bit
Line in 2ch 48kHz 16-bit
-
Auto HDMI Trigger
Supported Protocols - Canon, Sony, Atomos Open
Standard
Auto HDMI Trigger
Supported Protocols - Canon, Sony, Atomos Open
Standard
Auto HDMI Trigger
Supported Protocols - Canon, Sony, Atomos Open
Standard
SDI trigger camera selectable
-
-
-
LANC control - Slave
LANC control – Slave
-
-
-
-
-
-
N/A
N/A
N/A
N/A
All recorded files can playback. Playback in slow
motion >= 100fps
All recorded files can playback. Playback in slow
motion >= 100fps
All recorded files can playback. Playback in slow
motion >= 100fps
All recorded files can playback. Playback in slow
motion >= 100fps
All recorded files can playback. Playback in slow
motion >= 100fps
All recorded files can playback. Playback in slow
motion >= 100fps
All recorded files can playback. Playback in slow
motion >= 100fps
All recorded files can playback. Playback in slow
motion >= 100fps
-
-
-
-
-
-
-
-
Yes (Favorite, Reject)
Yes (Favorite, Reject)
Yes (Favorite, Reject)
Yes (Favorite, Reject)
SSD 2.5”
HDD (5,400 to 7,200rpm)
SSD 2.5”
HDD (5,400 to 7,200rpm)
SSD 2.5”
HDD (5,400 to 7,200rpm)
Atomos CFast & approved 3rd party CFast
Master Caddy 1 (included)
75mm x 105mm x 12mm
Master Caddy 1 (included)
75mm x 105mm x 12mm
Master Caddy 1 (included)
75mm x 105mm x 12mm
-
2.5” SATA to USB 2.0/3.0
2.5” SATA to USB 2.0/3.0
2.5” SATA to USB 2.0/3.0
USB 2.0/3.0 CFast card reader
Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+ / EDIUS 6.0+ / Vegas Pro 10+
/ Lightworks /
Autodesk Smoke 2015
Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+
EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
Autodesk Smoke 2015
Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+
EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
Autodesk Smoke 2015
FCPX XML native, FCP7 supported with conversion
(Adobe compatible)
FCPX XML native, FCP7 supported with conversion
(Adobe compatible)
FCPX XML native, FCP7 supported with conversion
(Adobe compatible)
Samurai Blade unit, Universal battery charger 110-240V, AC
adapter & car charger, docking station & leads, 2 x master
caddy cases, 1 x Atomos 2600mAh battery, Rugged carry
case, D-Tap adapter, 2.5mm “Y” adapter cable for LANC
Ninja Blade unit, Universal battery charger 110-240V, AC
adapter & car charger, docking station & leads, 2 x master
caddy cases, 1 x Atomos 2600mAh battery, Rugged carry
case, Canon & Nikon adapter plates, 2.5mm “Y” adapter
cable for LANC
Ninja 2 unit, Universal battery charger 110-240V, docking station & leads, 2 x master caddy cases, 1 x Atomos 2600mAh
battery, Canon & Nikon adapter plates
Ninja Star unit, Universal battery charger 110-240V, AC adapter & car charger, CFast card reader, 1 x Atomos 2600mAh
battery, Rugged carry case, Cheese plate mounting adapter
5 x Master caddy cases, Sunhood, Carry cases, Canon
& Nikon adapter plates, Connect H2S converter,
Connect S2H converter, Power Station
5 x Master caddy cases, Sunhood, D-Tap adapter,
Carry cases, Connect H2S converter, Connect S2H
converter, Power Station
5 x Master caddy cases, Sunhood, D-Tap adapter, car
adapter, Carry cases, Connect H2S converter, Connect
S2H converter, Power Station
D-Tap adapter, Canon & Nikon adapter plates, Connect
H2S converter, Connect S2H converter, CFast cards,
Atomos specialty HDMI cables, Power Station
1080p; 24/SF24/25/SF25/30/SF30
1080i; 50/60i
720p; 50/60p
SD 480i, 576i
Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+
EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
Autodesk Smoke 2015
FCPX XML native, FCP7 supported with conversion
(Adobe compatible)
© 2016 Atomos Global | atomos.com 37
SHOGUN STUDIO
RONIN
Weight & dimensions
Weight
5.0kg / 11lb
1.8kg / 3lb 15oz (Ronin)
4.8kg / 10lb 9oz (Ronin Duo)
Rack height
3Ru
3Ru
Rack mounting
Removable rack ears
Optional rack shelf
Dimensions (W x H x D mm)
447 x 152 x 251mm, 17.6 x 6.0 x 9.9” (without rack ears)
490 x 152 x 251mm, 19.3 x 6.0 x 9.9” (with rack ears)
202 x 120 x 160mm, 8.0 x 4.7 x 6.3” (Ronin)
490 x 120 x 160mm, 19.3 x 4.7 x 6.3” (Ronin Duo)
Construction
Steel construction for durability
Steel construction for durablility
Cooling
Actively controlled fan with heat sinks
Heat sink, fanless
Operating power (including SSD)
20 - 60W
3.3W (monitoring only) / 6.8W (Rec, Mon, Play)
Redundant PSU
Yes
No
Compatible batteries
No
NP series, D-Tap and supporting accessories
Input voltage (battery)
-
6.2V to 16.8V
DC Out
No
Yes
Continuous power
* Patent pending
Dual power supplies
AC, battery & DC
Size
7.1”
5”
Resolution
1920 x 1200
800 x 480
PPI
320
220
Aspect ratio
16:9 native
16:9 native / 4:3 Letterbox
Color standard
Rec.709 HDTV
SMPTE
Look up table (LUT) support
3D LUT (.cube file format)
No
Technology
SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional X-Rite unit
LCD (resistive touch)
Video analysis tools
Luma waveform, RGB parade, Vectorscope, Vectorscope zoom
No
Calibration
Calibration in factory to Rec.709, in field
calibration with optional X-Rite unit
No
AtomHDR
Yes
No
Supported Log formats
Sony SLog2 / SLog3, Canon CLog / CLog2, Arri Log C, Panasonic Vlog, JVC JLog, Red
LogFilm
N/A
Supported Gamuts
Sony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / BT2020 / DCI P3 / DCI P3+
Panasonic V Gamut
Arri Alexa Wide Gamut
N/A
Bit depth
8-bit
8-bit
Brightness
400nit
HDR input (PQ/HLG*)
HDR output (PQ/HLG*)
Yes / Yes*
Yes / Yes*
Power
Touchscreen
HDR
Video input/loop out
HDMI
1 x HDMI (1.4b) per channel
No
SDI
1 x 4K-SDI 12G/6G or HD-SDI 3G/1.5G per channel
1 x HD/SD-SDI 1.5G (SMPTE)
Signal
Uncompressed true 10-bit or 8-bit 422 (camera dependent)
Uncompressed true 10-bit or 8-bit 422
(camera dependent)
HDMI
1 x HDMI (1.4b) per channel
No
SDI
1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G (SMPTE) per channel
1 x HD/SD-SDI 1.5G (SMPTE)
Signal
Uncompressed true 10-bit or 8-bit 422 (playback file dependent)
Uncompressed true 10-bit or 8-bit 422 (playback file dependent)
Video output (play out)
Supported Codecs & frame rates (record & playback)
Raw to CDNG (Record only)
Raw to ProRes / DNxHR
38 Atomos
Codecs
Cinema DNG for supported cameras (Sony FS5/FS7/FS700, Canon C300MKII, C500,
Panasonic VaricamLT Raw*)
Frame rates
4K DCI / 4K UHD; 24/25/30p
2K / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120p
Codecs
Apple ProRes HQ, 422, LT
AVID DNxHR HQX. HQ, SQ, LB
Frame rates
4K DCI / 4K UHD; 24/25/30
2K / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100^/120^
*** No HDMI Spec for 2K DCI
^
N/A
N/A
Specifications correct at time of printing E&OE
* Available in a future firmware update. ** 24/30/60 frame rates also include 23.98/29.97/59.94 frame rates for all resolutions
From supported HDMI sources such as gaming consoles & graphics cards ^^ Optional unit (XDCA-FS7) needed for Raw output
SHOGUN STUDIO
RONIN
Codecs
Apple ProRes HQ, 422, LT
AVID DNxHR HQX. HQ, SQ, LB
Frame rates
4K DCI / 4K UHD; 24/25/30
2K*** / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120
1080i; 50/60i
720p; 50/60p
Codecs
Apple ProRes HQ, 422, LT
AVID DNxHD 220x, 220, 145, 36
Frame rates
1080p; 24/SF24/25/SF25/30/SF30
1080i; 50/60i
720p; 50/60p
SD 480i, 576i
HDMI
24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)
24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)
SDI
Yes - Always on
via optional Connect converter
Analogue audio
On HDMI/SDI loop out (Rec & Playout)
No
HDMI
2 or 8ch 24-bit, camera dependent
No
SDI
12ch 48kHz 24-bit
12ch 48kHz 16-bit
Analogue audio
2 x XLR in & 2 x XLR out on rear per record
channel.
Mic or line level with phantom 48V
2 x XLR in & 2 x XLR out on rear per record
channel.
Processing
Gain control on line in & headphone output
Gain control on line in & headphone output
Maximum audio quality
24-bit, 48kHz
16-bit, 48kHz
Audio delay
Delay setting +1 to 99 frames
No
HDMI
Auto HDMI Trigger
Supported Protocols - Canon, Sony, Atomos Open Standard
No
SDI
SDI trigger camera selectable
SDI trigger camera selectable
RS422
RS422 machine control
No
AMP
via Ethernet RJ45 10/100
No
Serial
Calibration (front)
LANC control - slave
HDMI
Embedded timecode from camera or video device
No
SDI
Embedded timecode from camera or video device
Embedded timecode from camera or video device
LTC In
Yes (LTC loop back)
No
GenLock In
Yes (GenLock loop back)
No
Playlist
Yes (run down or reverse order) for selected, favorite or all clips
No
Playback options
Loop in & out markets
Loop in & out markets
Dual channel
Record 4K master with HD proxies. Record both ProRes & DNxHR versions, independent dual channel record.
No
Continuous record
Single channel 4K / HD recording automatically switches between drive when at
capacity
No
Pre-roll record
Yes (HD 8s, 4K 2s)
No
Custom timelapse
Yes (Key frameable up to 10 video and single frame Intervals, can be triggered from
internal clock).
No
Meta data tagging
Yes (10 tags available)
Yes (Favorite, Reject)
Drive slots
2 (1 per record channel)
1 per device
Drive connection types
SATA
SATA
Video to ProRes / DNxHR
Onboard processing
Audio in/out (48kHz PCM audio)
Remote control
Timecode
Playback
Recording
Recording media
Supported media
(Approved List Only)
4K / HD (50/60/120p*)
CFast 2.0, SSD 2.5”, HDD (HD 50/60 only - 7,200 up to 1080p60)
HD
CFast 1.0, SSD 2.5”, HDD (5,400 up to 1080p30)
HD
CFast 1.0, SSD 2.5”, HDD (5,400 up to 1080p30)
Master caddy case
Master Caddy II (included)
75mm x 105mm x 12mm
Master Caddy I (included)
75mm x 105mm x 12mm
Master caddy dock
2.5” SATA to USB 2.0/3.0
2.5” SATA to USB 2.0/3.0
Supported applications
FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+, EDIUS 6.0+ / Vegas Pro 10+ /
Lightworks / Autodesk Smoke 2015
Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+ / EDIUS
6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015
XML support
FCPX XML native, FCP7 supported with conversion (Adobe compatible)
FCPX XML native, FCP7 supported with conversion (Adobe compatible)
Accessories included
Shogun Studio unit, 2x Rack ears with screws, 5x Master II Caddies
4x Rubber feet, 2x Large rubber feet, 2x IEC power cable, 1x Screen cleaning cloth
Ronin unit, docking station & leads, 5 x master caddy cases, 2 x Atomos 2600mAh
battery, D-Tap adapter
Optional extras
Master Caddy II x 5, X-Rite calibration
Rack mount adapter, Connect H2S converter, Connect s2H converter
Warranty
1 year. Extended to 3 years on product registration
1 year. Extended to 3 years on product registration
© 2016 Atomos Global | atomos.com 39
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Atomos (HQ)
29 Nott Street, Port Melbourne
VIC 3207 Australia
Email sales@atomos.com
Tel +61 3 9999 5908
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Atomos Inc
Europe, Middle East & Africa
Atomos Co. Ltd
Atomos China Co., Ltd.
2056 NW Aloclek Drive,
Atomos GmbH
AY bld. 1-2-3 Nihonbashi Horidomecho
1208, Golden Tower,
Suite #303 Hillsboro, OR, 97124
Hohe Str. 21
Chuo-ku,
No.1 Xibahe South Road,
56410 Montabaur, Germany
Tokyo 103-0012
Chaoyang District, 100028, Beijing,
Tel: + 49 2602 839 180 0
Tel: +81 3 6661 2827
Tel: +1 503 388 3236
China
(English & German)
Tel: +86 10 6440 3688
® 2016 Atomos Global. “Atomos” and product names are registered trademarks.
40 Atomos