To resize thickness, move all items on the front cover to left or right.
Version 2.0
Appendices
Copyright
• Unauthorized recording, distribution, sale, lending, public performance, broadcasting, or the like, in whole or
in part, of a work (musical composition, video, broadcast, public performance, or the like) whose copyright is
held by a third party is prohibited by law.
Appendices
• When exchanging audio signals through a digital connection with an external instrument, this unit can
perform recording without being subject to the restrictions of the Serial Copy Management System (SCMS).
This is because the unit is intended solely for musical production, and is designed not to be subject to restrictions as long as it is used to record works (such as your own compositions) that do not infringe on the
copyrights of others. (SCMS is a feature that prohibits second-generation and later copying through a digital
connection. It is built into MD recorders and other consumer digital-audio equipment as a copyrightprotection feature.)
• Do not use this unit for purposes that could infringe on a copyright held by a third party. Roland assumes no
responsibility whatsoever with regard to any infringements of third-party copyrights arising through your
use of this unit.
About the License Agreement
• The VS-2480 and its CD-R capability are designed to allow you to reproduce material to which you have copyright, or
material which the copyright owner has granted you permission to copy. Accordingly, reproduction of Music CD or
other copyrighted material without permission of the copyright owner avoiding technical prohibiting features of
second-generation and later copying like SCMS or others constitutes copyright infringement and may incur penalties
even in case such reproduction is for your own personal use and enjoyment (private use). Consult a copyright specialist
or special publications for more detailed information on obtaining such permission from copyright holders.
Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY
INSTRUCTIONS” (Owner’s Manual p. 2), “USING THE UNIT SAFELY” (Owner’s
Manual p. 3), and “IMPORTANT NOTES” (Owner’s Manual p. 4). These sections
provide important information concerning the proper operation of the unit.
Additionally, in order to feel assured that you have gained a good grasp of every
feature provided by your new unit, User Guide, Owner’s Manual, and Appendices
should be read in its entirety. These manuals should be saved and kept on hand as a
convenient reference.
• Iomega is a registered trademark of Iomega Corporation.
• ZIP is a trademark of Iomega Corporation.
• All product names mentioned in this document are trademarks or registered trademarks of their respective owners.
02902323
’02-2-A3-21KS
Copyright © 2002 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without the
written permission of ROLAND CORPORATION.
Roland Web site: http://www.roland.co.jp/
To resize thickness, move all items on the front cover to left or right.
Information
Contents
When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as
shown below.
AFRICA
EGYPT
Al Fanny Trading Office
About MIDI .............................................................................................. 3
About SCSI ............................................................................................. 4
9, EBN Hagar A1 Askalany Street,
ARD E1 Golf, Heliopolis,
Cairo 11341, EGYPT
TEL: 20-2-417-1828
REUNION
Maison FO - YAM Marcel
Troubleshooting ..................................................................................... 5
Error Messages ...................................................................................... 9
Glossary ................................................................................................ 12
Shortcut Key Operations ..................................................................... 16
Parameter List ...................................................................................... 18
25 Rue Jules Hermann,
Chaudron - BP79 97 491
Ste Clotilde Cedex,
REUNION ISLAND
TEL: (0262) 218-429
Algorithm List ....................................................................................... 33
MIDI Implementation ............................................................................ 88
Track Sheet ........................................................................................... 95
SPECIFICATIONS ................................................................................. 98
Index .................................................................................................... 100
ITALY
ISRAEL
SUPRO MUNDIAL, S.A.
Roland Italy S. p. A.
150 Sims Drive,
SINGAPORE 387381
TEL: 846-3676
Boulevard Andrews, Albrook,
Panama City, REP. DE PANAMA
TEL: 315-0101
Viale delle Industrie 8,
20020 Arese, Milano, ITALY
TEL: (02) 937-78300
Halilit P. Greenspoon &
Sons Ltd.
CRISTOFORI MUSIC PTE
LTD
PARAGUAY
NORWAY
Swee Lee Company
Blk 3014, Bedok Industrial Park E,
#02-2148, SINGAPORE 489980
TEL: 243 9555
TAIWAN
J.E. Olear y ESQ. Manduvira
Asuncion PARAGUAY
TEL: (021) 492-124
Roland Scandinavia Avd.
Kontor Norge
Easa Husain Al-Yousifi
POLAND
Portinari 199 (ESQ. HALS),
San Borja, Lima 41,
REP. OF PERU
TEL: (01) 4758226
P. P. H. Brzostowicz
SOUTH AFRICA
Room 5, 9fl. No. 112 Chung Shan
N.Road Sec.2, Taipei, TAIWAN,
R.O.C.
TEL: (02) 2561 3339
UL. Gibraltarska 4.
PL-03664 Warszawa POLAND
TEL: (022) 679 44 19
That Other Music Shop
(PTY) Ltd.
THAILAND
URUGUAY
PORTUGAL
P.O.Box 32918, Braamfontein 2017
Johannesbourg, SOUTH AFRICA
TEL: (011) 403 4105
17 Werdmuller Centre,
Main Road, Claremont 7708
SOUTH AFRICA
P.O.BOX 23032, Claremont 7735,
SOUTH AFRICA
TEL: (021) 674 4030
ASIA
CHINA
Beijing Xinghai Musical
Instruments Co., Ltd.
6 Huangmuchang Chao Yang
District, Beijing, CHINA
TEL: (010) 6774 7491
Shanghai Xingtong Acoustics
Equipment CO.,Ltd.
HONG KONG
Tom Lee Music Co., Ltd.
Service Division
22-32 Pun Shan Street, Tsuen
Wan, New Territories,
HONG KONG
TEL: 2415 0911
INDIA
Rivera Digitec (India) Pvt. Ltd.
409, Nirman Kendra Mahalaxmi
Flats Compound Off. Dr. Edwin
Moses Road, Mumbai-400011,
INDIA
TEL: (022) 498 3079
INDONESIA
Theera Music Co. , Ltd.
330 Verng NakornKasem, Soi 2,
Bangkok 10100, THAILAND
TEL: (02) 2248821
VIETNAM
ROMANIA
Av. Francisco de Miranda,
Centro Parque de Cristal, Nivel
C2 Local 20 Caracas
VENEZUELA
TEL: (212) 285-8586
Piata Libertatii 1,
RO-4200 Gheorghehi
TEL: (095) 169-5043
AUSTRALIA
AUSTRIA
Roland Corporation
Australia Pty., Ltd.
38 Campbell Avenue
Dee Why West. NSW 2099
AUSTRALIA
TEL: (02) 9982 8266
NEW ZEALAND
Roland Corporation Ltd.
32 Shaddock Street, Mount Eden,
Auckland, NEW ZEALAND
TEL: (09) 3098 715
CENTRAL/LATIN
AMERICA
ARGENTINA
Instrumentos Musicales S.A.
Av.Santa Fe 2055
(1123) Buenos Aires
ARGENTINA
TEL: (011) 4508-2700
Rua San Jose, 780 Sala B
Parque Industrial San Jose
Cotia - Sao Paulo - SP, BRAZIL
TEL: (011) 4615 5666
COSTA RICA
JUAN Bansbach
Instrumentos Musicales
Ave.1. Calle 11, Apartado 10237,
San Jose, COSTA RICA
TEL: 258-0211
1461-9, Seocho-Dong,
Seocho Ku, Seoul, KOREA
TEL: (02) 3486-8855
Comercial Fancy
BENTLEY MUSIC SDN BHD
140 & 142, Jalan Bukit Bintang
55100 Kuala Lumpur, MALAYSIA
TEL: (03) 2144-3333
PHILIPPINES
G.A. Yupangco & Co. Inc.
339 Gil J. Puyat Avenue
Makati, Metro Manila 1200,
PHILIPPINES
TEL: (02) 899 9801
BELGIUM/HOLLAND/
LUXEMBOURG
Roland Benelux N. V.
Houtstraat 3, B-2260, Oevel
(Westerlo) BELGIUM
TEL: (014) 575811
DENMARK
Roland Scandinavia A/S
Nordhavnsvej 7, Postbox 880,
DK-2100 Copenhagen
DENMARK
TEL: (039)16 6200
FRANCE
4, Rue Paul Henri SPAAK,
Parc de l'Esplanade, F 77 462 St.
Thibault, Lagny Cedex FRANCE
TEL: 01 600 73 500
Roland Brasil Ltda
CHILE
Siemensstrasse 4, P.O. Box 74,
A-6063 RUM, AUSTRIA
TEL: (0512) 26 44 260
Roland France SA
BRAZIL
Cosmos Corporation
Roland Austria GES.M.B.H.
S.A.
Rut.: 96.919.420-1
Nataniel Cox #739, 4th Floor
Santiago - Centro, CHILE
TEL: (02) 688-9540
EL SALVADOR
OMNI MUSIC
75 Avenida Norte y Final
Alameda Juan Pablo ,
Edificio No.4010 San Salvador,
EL SALVADOR
TEL: 262-0788
MEXICO
Casa Veerkamp, s.a. de c.v.
Av. Toluca No. 323, Col. Olivar
de los Padres 01780 Mexico D.F.
MEXICO
TEL: 668-0480
FINLAND
Roland Scandinavia As,
Filial Finland
Lauttasaarentie 54 B
Fin-00201 Helsinki, FINLAND
TEL: (9) 682 4020
GERMANY
Roland Elektronische
Musikinstrumente HmbH.
FBS LINES
RUSSIA
MuTek
3-Bogatyrskaya Str. 1.k.l
107 564 Moscow, RUSSIA
TEL: (095) 169 5043
SPAIN
Roland Electronics
de España, S. A.
Calle Bolivia 239, 08020
Barcelona, SPAIN
TEL: (93) 308 1000
SWEDEN
Roland Scandinavia A/S
SWEDISH SALES OFFICE
Danvik Center 28, 2 tr.
S-131 30 Nacka SWEDEN
TEL: (08) 702 0020
SWITZERLAND
Roland (Switzerland) AG
Musitronic AG
Gerberstrasse 5, Postfach,
CH-4410 Liestal, SWITZERLAND
TEL: (061) 927-8383
UKRAINE
TIC-TAC
Mira Str. 19/108
P.O. Box 180
295400 Munkachevo, UKRAINE
TEL: (03131) 414-40
UNITED KINGDOM
Roland (U.K.) Ltd.
Atlantic Close, Swansea
Enterprise Park, SWANSEA
SA7 9FJ,
UNITED KINGDOM
TEL: (01792) 700139
Oststrasse 96, 22844 Norderstedt,
GERMANY
TEL: (040) 52 60090
MIDDLE EAST
GREECE
BAHRAIN
STOLLAS S.A.
Music Sound Light
155, New National Road
Patras 26442, GREECE
TEL: (061) 43-5400
HUNGARY
Intermusica Ltd.
Warehouse Area ‘DEPO’ Pf.83
H-2046 Torokbalint, HUNGARY
TEL: (23) 511011
IRELAND
Roland Ireland
Audio House, Belmont Court,
Donnybrook, Dublin 4.
Republic of IRELAND
TEL: (01) 2603501
LEBANON
A. Chahine & Fils
Gerge Zeidan St., Chahine Bldg.,
Achrafieh, P.O.Box: 16-5857
Beirut, LEBANON
TEL: (01) 20-1441
Al Emadi Co. (Badie Studio
& Stores)
Musicland Digital C.A.
EUROPE
Abdullah Salem Street,
Safat, KUWAIT
TEL: 243-6399
QATAR
138 Tran Quang Khai St.,
District 1
Ho Chi Minh City
VIETNAM
TEL: (08) 844-4068
AUSTRALIA/
NEW ZEALAND
KUWAIT
Cais Das Pedras, 8/9-1 Dto
4050-465 PORTO
PORTUGAL
TEL: (022) 608 00 60
VENEZUELA
J1. Cideng Timur No. 15J-150
Jakarta Pusat
INDONESIA
TEL: (021) 6324170
MALAYSIA
Francisco Acuna de Figueroa 1771
C.P.: 11.800
Montevideo, URUGUAY
TEL: (02) 924-2335
Tecnologias Musica e Audio,
Roland Portugal, S.A.
Saigon Music
PT Citra IntiRama
KOREA
Todo Musica S.A.
JORDAN
AMMAN Trading Agency
245 Prince Mohammad St.,
Amman 1118, JORDAN
TEL: (06) 464-1200
VIDEO Broadcast S.A.
11 Melle St., Braamfontein,
Johannesbourg, SOUTH AFRICA
8 Retzif Ha'aliya Hashnya St.
Tel-Aviv-Yafo ISRAEL
TEL: (03) 6823666
Lilleakerveien 2 Postboks 95
Lilleaker N-0216 Oslo
NORWAY
TEL: 273 0074
PERU
5F. No.1500 Pingliang Road
New East Club Plaza, Shanghai,
CHINA
TEL: (021) 5580-0800
2
Distribuidora De
Instrumentos Musicales
ROLAND TAIWAN
ENTERPRISE CO., LTD.
Paul Bothner (PTY) Ltd.
Preset Patch List .................................................................................. 27
PANAMA
SINGAPORE
Moon Stores
No.16, Bab Al Bahrain Avenue,
P.O.Box 247, Manama 304,
State of BAHRAIN
TEL: 211 005
CYPRUS
Radex Sound Equipment Ltd.
17, Diagorou Street, Nicosia,
CYPRUS
TEL: (02) 66-9426
P.O. Box 62,
Doha, QATAR
TEL: 4423-554
SAUDI ARABIA
aDawliah Universal
Electronics APL
Corniche Road, Aldossary Bldg.,
1st Floor, Alkhobar,
SAUDI ARABIA
P.O.Box 2154, Alkhobar 31952
SAUDI ARABIA
TEL: (03) 898 2081
SYRIA
Technical Light & Sound
Center
Bldg. No. 47,
Khaled Ebn Al Walid St.
Damascus, SYRIA
TEL: (011) 221-1230
TURKEY
Barkat muzik aletleri ithalat
ve ihracat Ltd Sti
Siraselviler Caddesi Siraselviler
Pasaji No:74/20
Taksim - Istanbul, TURKEY
TEL: (0212) 2499324
U.A.E.
Zak Electronics & Musical
Instruments Co. L.L.C.
Zabeel Road, Al Sherooq Bldg.,
No. 14, Grand Floor, Dubai, U.A.E.
TEL: (04) 3360715
NORTH AMERICA
CANADA
Roland Canada Music Ltd.
(Head Office)
5480 Parkwood Way Richmond
B. C., V6V 2M4 CANADA
TEL: (0604) 270 6626
Roland Canada Music Ltd.
(Toronto Office)
Unit 2, 109 Woodbine Downs
Blvd, Etobicoke, ON
M9W 6Y1 CANADA
TEL: (0416) 213 9707
U. S. A.
Roland Corporation U.S.
5100 S. Eastern Avenue
Los Angeles, CA 90040-2938,
U. S. A.
TEL: (323) 890 3700
IRAN
MOCO, INC.
No.41 Nike St., Dr.Shariyati Ave.,
Roberoye Cerahe Mirdamad
Tehran, IRAN
TEL: (021) 285-4169
As of January 1, 2002 (Roland)
This section explains the basic concepts of MIDI, and how the
VS-2480/2480CD handles MIDI messages.
What is MIDI
MIDI stands for Musical Instrument Digital Interface. It is a
worldwide standard that allows electronic musical
instruments and personal computer to exchange musical
performance data and messages such as sound selections.
Any MIDI-compatible device can transmit musical data (as
appropriate for the type of device) to any other MIDIcompatible device, regardless of its manufacturer or model
type.
MIDI connectors
MIDI messages (the data handled by MIDI) are transmitted
and received using the following three types of connectors.
On the VS-2480/2480CD, MIDI OUT and MIDI THRU are
handled by a single connector, which can be switched to act
as the desired connector.
MIDI IN:
MIDI OUT:
This receives MIDI messages from external
MIDI devices.
This transmits MIDI messages from the
VS-2480/2480CD.
MIDI THRU: This re-transmits all MIDI messages that were
received at MIDI IN, without modifying them.
MIDI channels
MIDI is able to send information over a single MIDI cable
independently to two or more MIDI devices. This is made
possible by the concept of MIDI channels. You can think of
MIDI channels as being somewhat similar in function to the
channels on a television. By changing the channel of a TV set,
you can view a variety of programs being transmitted by
different broadcast stations. This is because data is received
only from the transmitter whose channel is selected on the
receiver.
In the same way, a MIDI device whose receive channel is set
to “1” will receive only the data being transmitted by another
MIDI device whose transmit channel is also set to “1.”
About MIDI
About MIDI
MIDI messages
The VS-2480/2480CD uses the following types of MIDI
message.
Note messages:
These messages are used to play notes. On a keyboard, these
message transmit the key (note number) that was pressed,
and how strongly it was pressed (velocity). On the VS-2480/
2480CD, these messages are used when you use a MIDI
sound source to play the metronome sound.
Control Change messages:
In general, these messages are used to transmit information
such as vibrato, hold, and volume etc., that makes a
performance more expressive. The various functions are
differentiated by a controller number from 0–127, and the
controller number is defined for each function. The functions
that can be controlled on any given device will depend on
that device.
On the VS-2480/2480CD, these messages can be transmitted
to external MIDI devices by V.Fader function.
Exclusive messages:
Unlike note messages and control change messages,
exclusive messages are used to transmit settings that are
unique to a particular device. On the VS-2480/2480CD, they
can be used to control VS-2480/2480CD mixer parameter,
when it receives exclusive messages.
Exclusive messages intended for different units are
distinguished by their Device ID, rather than by MIDI
channel. When exclusive messages are to be transmitted or
received, you must set the Device ID of both units to a
matching setting.
MIDI Implementation Chart
MIDI allows a variety of electronic musical instruments to
communicate with each other. However it is not necessarily
the case that all devices will be able to communicate using all
types of MIDI message. They can only communicate using
those types of MIDI message that they have in common.
Each owner’s manual for a MIDI device includes a MIDI
Implementation Chart. This chart shows you at a glance the
types of MIDI message that can be transmitted and received.
By comparing the implementation charts of two devices, you
will be able to see the types of message with which they will
be able to communicate.
3
About SCSI
SCSI stands for Small Computer System Interface. It is a
data transfer standard that allows large amounts of data to
be sent and received. The VS-2480 comes prepared with a
SCSI connectors allowing you to connect external SCSI
devices such as hard disks and Zip drives. This section
describes the procedures and precautions taken when using
these devices.
Disk drives are precision devices. If they are connected or
used incorrectly, not only may they fail to operate correctly,
but the data on the disk can be lost or, in the worst case, the
disk drive itself may be damaged. Please be sure to read the
manual for your disk drive.
A disk drive being used for the first time with the VS-2480
must be formatted by the VS-2480. When a disk drive is
formatted, all data on that disk drive is lost. Before using a
disk drive that has been used by another device, make sure
that it is all right to erase the data.
About Connections
Up to 7 disk drives can be connected to the SCSI connector of
the VS-2480. Use SCSI cable to connect the disk drives,
connecting as shown below. SCSI connectors are not
distinguished by input and output ends, so you may attach
either end of the cable to the devices. Devices connected in
this fashion are referred to as a SCSI chain or daisy chain.
About Terminators
To protect against return noise, the device at each end of a
SCSI chain must have a terminating resistance. This is
referred to as a terminator. Since the VS-2480 is one end of
the SCSI chain, its internal terminator is normally in effect.
Connect a terminator only to the last external drive in the
chain. There are two types of terminators, those that can be
switched on and off (internal) and those that are attached
using SCSI connections (externally attached). Select the
method appropriate for the disk drive you are using.
• Your disk drive may feature a terminator switch that is
normally left in the “On” position (i.e., the terminator is
usually in effect). Use this type of device as the last piece
in a daisy chain.
• Do not use double terminators. For example, don’t attach
an external terminator to a disk drive that already has
and internal terminator.
Active Terminators
If you are using an external terminator, we recommend that
you make it an active terminator. In this case, if you are using
a disk drive that allows you to turn the power to the
terminator on and off, be sure to turn this power on. For
details on attaching an active terminator, refer to the owner’s
manual for your disk drive.
Active Terminator (p. 12), Terminator Power (p. 15)
fig.01-01
About SCSI ID Numbers
VS-2480
Disk Drive1
(Zip Drive, etc)
Disk Drive2
(Zip Drive, etc)
Disk Drive7
(CD-RW Drive, etc)
• The VS-2480 features a DB-25 type connector (female).
After checking your disk drive to see what kind of SCSI
connector it uses, connect it with the appropriate cable.
• Keep SCSI cables as short as possible, and use only
cables which have an impedance that is compatible with
the SCSI standard (110Ω +/-10%), and that are
completely shield.
• Do not allow the total length of all SCSI cables
connecting the chain of disk drives to exceed 6.5 meters.
• Do not connect or disconnect SCSI cables when the
power of any device is turned on.
4
Each disk drive is distinguished by its SCSI ID number (0–7).
This means that when two or more disk drives are connected,
you must make settings so that the SCSI ID numbers of the
disk drives do not conflict (coincide). If the SCSI ID numbers
conflict, the VS-2480 will not be able to correctly recognize
the disk drives.
With the factory settings, the VS-2480 is set to SCSI ID
number 7. Set the disk drives you are connected to ID
numbers other than 7.
Troubleshooting
When the VS-2480/2480CD does not perform the way you
expect, check the following points before you suspect a
malfunction. If this does not resolve the problem, contact
servicing by your dealer or qualified Roland Service Center.
Recording and Playback
• The power of the VS-2480/2480CD and the connected
devices is not turned on.
• The audio cables are not connected correctly.
• The audio cables are broken.
• The volume is turned down on the connected mixer or
amp.
• The input mixer or the track mixer has not selected
correctly.
• The volume level of the channel is turned down.
• The track status is off (the STATUS indicator is off).
• The Solo or Mute function is being used.
• The project with a recording mode of “M16” or “CDR” is
selected.
→ When “M16” is selected, the VS-2480/2480CD will
function as a 16 track recorder. When “CDR” is
selected, the VS-2480/2480CD will function as a
eight-pair stereo recorder (channel link is on: track
1/2, 3/4–). Track 17–24 cannot be used.
For details refer to the “Main feature: Disk Recorder
Section”(Owner’s Manual).
• Each Levels of the VS-2480/2480CD is turned down.
Channel fader
Master fader
MONITOR knob
PHONES knob
• The output jacks which are connected are different than
the output jacks selected in the master section of the
mixer.
• Short phrases less than 0.5 seconds cannot be played
back.
• The volume level of the instrument connected to
the VS-2480 is too low.
→ Could you be using a connection cable that contains
a resistor? Use a connection cable that does not
contain a resistor.
• I can’t record or play back, even when I press [PLAY].
→ Does the he PLAY indicator just blink green? When
the EXT SYNC indicator is on, the VS-2480 is
receiving MTC receive standby messages from the
external MIDI device. Operate the external MIDI
device or press [STOP].
→ When “POWER OFF/RESTART” appears in the
display it means that the shutdown procedure is
being performed. Hold down [SHIFT] and press
[PLAY (RESTART)]. This restarts the VS-2480/
2480CD.
Cannot record
• The recording track has not been selected (the STATUS
indicator is not blinking red).
• Recording source tracks, playback tracks, or effects have
not been assigned.
• The disk drive has insufficient capacity.
• The project has an insufficient number of events.
• The number of tracks which can be simultaneously
recorded will decrease.
→ Depending on the organization of the song data or
the disk drive performance etc., the number of tracks
which can be simultaneously recorded or played
back may be limited.
→ When the recording mode is "M16" or "CDR," up to
16 tracks can be recorded simultaneously.
→ when set the Sample Rate to more than “64 kHz” or
set the Vari Pitch to “On,” the number of tracks
which can be simultaneously recorded may be
limited.
For details refer to the “Main feature: Disk Recorder
Section”(Owner’s Manual).
5
Troubleshooting
No Sound
A specific channels does not sound
Troubleshooting
Cannot record digitally
• The CD player’s digital connection is not accepted.
• The MASTER CLOCK is set to “INT”.
Disk drive problems
The internal hard disk is not being
recognized
• The DIGITAL IN connector (optical/coaxial/R-BUS)
was not properly selected.
• The hard disk has not been installed correctly.
• The sampling rate of the recording destination project is
different than the sampling rate of the digital audio
device.
• The “Partition” settings are not right.
→ Match the sample rate setting of the digital audio
device to the setting of the project. If it is not
possible to change the sample rate of the digital
audio device, create a new project with that sample
rate.
• The digital signal is not being transmitted from the
digital audio device.
→ Some digital audio devices do not output a digital
signal unless they are in play mode. If this is the
case, put your digital audio device in standby
(pause) mode before putting the VS-2480/2480CD
into record mode.
• The digital signal format is different.
→ Some digital audio devices may use a special digital
signal format. Please connect to a digital audio
device that is compatible with S/P DIF.
Noise and distortion appear in the
recorded sound
• Input sensitivity settings are incorrect.
→ If input sensitivity settings are too high, the
recorded sound will be distorted. Conversely, if they
are too low, the recorded sound will be obscured by
noise. Adjust the SENS knobs so that the level
meters move at as high a level as possible, within the
range of -12 dB to 0 dB.
• The equalizer is being used with the input mixer.
→ Some equalizer settings may cause the sound to
distort even if the channel number of the peak
indicator does not reverse. Readjust the equalizer.
• “ATT” (Attenuator) setting is incorrect.
→ If noise or distortion occurred as a result of track
bouncing, the track output levels were too high.
The playback pitch is strange
• The Vari-Pitch function is turned on (the VARI PITCH
icon is appeared in the display).
• The time compression/expansion function is being used.
6
• “IDE DRIVE” is set to “Off”.
→ We recommend setting the partition size to “10GB.”
• Although the Region Erase operation is finished, the
available recording time does not increased.
→ The audio data is erased by Region Cut,
RegionErase or Phrase Delete etc., the data that is no
longer played back is not actually erased from the
hard disk. If you wish to increase the available
recording time, please read “If “Disk Full!” appears
in the display (Project Optimize)” .
The Zip drive is not recognized
• The Zip drive is not connected correctly.
• The same device ID number is assigned to two or more
SCSI devices (Zip drives , CD-RW drives, etc.).
• The Zip drive has not been initialized.
• No Zip disk is inserted in the drive.
→ When switching Zip disks, be sure to select the
newly inserted disk as the current drive.
• A project backup Zip disk is inserted.
→ Project copies and project backup copies have
different disk formats. Take precautions such as
sticking labels on disks saved as project backup data
disks to distinguish the from other disks.
• The VS-2480/2480CD project data saved on Zip disks
cannot use the computer’s internal Zip drive.
→ The VS-2480/2480CD project data format is
particular to the VS-2480/2480CD. The data cannot
be handled by other devices.
• Initialization is cancelled, with error messages such as
“Medium Error!,” “Unusable Sector!,” “Operation
Failed!” or other messages appearing in the display.
→ The Zip disk may scratched or be otherwise
damaged. Try another (new) disk to check whether
or not the same condition reappears.
→ The Zip drive may be broken. Connect the Zip drive
to a device other than the VS-2480/2480CD (e.g.,
your computer) to see if the drive can initialize
disks, read files, and perform other operations
normally.
Troubleshooting
Internal Effects
MIDI Devices Problems
Effects cannot be used
With the VS-2480/2480CD as master,
the MIDI sequencer does not respond
to commands
• The VS8F-2 has not been installed correctly.
• Only one VS8F-2 has been installed (when EFFECT 3–8
cannot be used).
• You are already attempting to select the algorithm for
Vocoder 2 (19), Voice Transformer or Mastering Tool Kit
with FX1, FX3, FX5 or FX7.
• I’d like to change the order of an effect algorithm.
→ The connection orders cannot be altered. They can
only be turned on or off. For more detailed
information on what goes on with the algorithm
orders, please refer to the “Algorithm List” (p. 33).
CD-RW Drive Problems
I made an audio CD on the CD-R/RW
drive, but it doesn’t play on a
consumer CD player.
• The finalized process was not carried out. When making
audio CDs, set “FINALIZE” to “On” or “OnlyFin.”.
• Audio CD’s created using a CD-RW disc cannot be
played on a conventional CD player. Please use a CD-R
disc.
The CD-R drive is not being recognized
• The CD-RW drive is not connected correctly.
• The MIDI cable is broken.
• The MIDI OUT/THRU switch is not set to “Out”.
• “MIDI OUT SYNC Gen.” (the MIDI out sync generator)
is not set to the appropriate synchronization method
(MTC, MIDI Clock, Sync Track).
• The EXT indicator is blinking (“SYNC MODE” is set to
“EXT”).
• The two devices are not set to the same type of MTC
(during MTC synchronization).
• The MIDI clock data has not been recorded on the sync
track (if you are using the sync track for
synchronization).
• The settings of the MIDI sequencer are not correct.
• The MIDI sequencer is not ready to playback.
When synchronizing using a MIDI
sequencer as the master, the VS-2480
does not respond to the sequencer
messages
• The MIDI cable is not connected correctly.
• The MIDI cable is broken.
• You are trying to synchronize using the MIDI clock.
→ The VS-2480 cannot be run in slave mode using a
method other than MTC.
• The same device ID number is assigned to two or more
SCSI devices (Zip drives , CD-RW drives, etc.).
• The EXT indicator is off (“SYNC MODE” is set to
“INT”).
• No CD-R/RW disc is inserted in the drive.
• The two devices are not set to the same type of MTC
(during MTC synchronization).
• A CD-RW drive that is not designated by Roland.
Cannot write to CD-R discs
• The project’s sample rate is set to something other than
44.1 kHz.
• No IDE hard disk is installed.
• The internal IDE hard disk does not have sufficient free
disk space.
• The settings of the MIDI sequencer are not correct.
• The VS-2480/2480CD is not in playback standby mode
(with the PLAY indicator blinking).
• MTC reception is in poor condition.
→ Setting the ERROR LEVEL to “5” or higher may
improve conditions.
• The CD-R disc does not have sufficient free space.
• You are trying to write to a commercial CD software
disc.
• You are trying to write to a CD-R disc that has been
finalized.
7
Troubleshooting
• You are attempting to select the algorithm for Reverb,
Gated Reverb, Vocoder2 (19), Voice Transformer or
Mastering Tool Kit with FX2, FX4, FX6 or FX8.
• The MIDI cable is not connected correctly.
Troubleshooting
With a video device as the master, the
VS-2480/2480CD does not respond
• The cable connected to the L-connector, the SYSTEM E
connector or the MIDI cable is not properly connected.
• The MIDI cable is broken.
• The EXT indicator is off (“SYNC MODE” is set to
“INT”).
• “MMC MODE” (MMC mode) is not set to “SLAVE.”
• The MTC frame rate of the video device differs from that
of the SI-80SP (Roland Video MIDI Sync Interface), or the
video and the VS-2480/2480CD are not set to the same
type of MTC.
• MTC reception is in poor condition.
→ Setting the ERROR LEVEL to “5” or higher may
improve conditions.
Other problems
Data on the disk drive was not saved
properly
• The VS-2480/2480CD’s power was turned off without
performing the shutdown process.
• The power was turned off while the disk drive was
operating.
• A strong shock was applied to the disk drive.
• The disk drive or SCSI cable was connected or
disconnected while the power was still turned on.
→ Remake partition the disk drive (and also execute
physical formatting). Also, we recommend that you
execute Surface Scan as well.
8
Error Messages
Aborted Command!
Illegal Request!
properly connected and that the sample rates for all of the
devices match, try this operation again.
This disk drive cannot be used by the VS-2480/2480CD.
COAXIAL In Lock
Already Selected
OPTICAL In Lock
This disk drive you've chosen is already the selected drive.
R-BUS1 Lock
R-BUS2 Lock
Arbitration Failed!
Busy Status!
Check Condition!
Drive Status Error!
No Drive Found.
WORD CLOCK In Lock
The sample rate reference clock is set by the digital signal
received at the DIGITAL IN connector as shown above. You
can now record the digital signal.
COAXIAL In Unlock
OPTICAL In Unlock
Blank Disc
R-BUS2 Unlock
The CD in your drive is blank. Insert a CD or CD-R/RW that
contains recorded material.
WORD CLOCK In Unlock
Can't Communicate!
Drive Time-out!
Message Error!
Phase Mismatch!
R-BUS1 Unlock
You cannot yet record the incoming digital audio because it
is not being received by the DIGITAL IN connector as shown
above, or because the project sample rate and the sample rate
of the digital device connected to the DIGITAL IN are
different.
Undefined Sense!
Done!
Unknown Drive Error!
The operation was a success.
There is a problem with your disk drive connection. Make
sure the disk drive is connected correctly.
Disk Memory Full!
Cannot write in “Track at Once” format on
CD-RW Disc!
You have tried to write the audio data in "Track at Once"
format with a CD-RW disc in the drive.
Can't record CD!
Digital recording from a CD player is not enabled. Please
read "CD Digital Parameter" and "Changing the Routing (EZ
Routing Condition)" (Owner's Manual).
Can't Recover Project!
The drive check Recover procedure could not be executed
because there was not enough free space on the disk. Delete
unneeded projects or use the Project Optimize procedure.
Can't Set Marker!
Track number markers must be at least four seconds apart.
Change to Internal Clock?
No digital signal is being received by the DIGITAL IN
connector. Switch the sample rate reference clock to the VS2480/2480CD's internal clock by pressing [ENTER/YES].
After checking to make sure that all digital devices are
There is insufficient free space on the disk. Erase unneeded
data or select a different disk drive. The current disk
partition already contains 200 projects, the maximum
number of projects it can hold. Delete unneeded projects or
select a different disk drive.
Drive Busy!
If this message appears when you first begin using a disk
drive with the VS-2480/2480CD, the disk drive is not fast
enough. You may still be able to use this disk with projects
that have a lower sample rate or use a different recording
mode.
If this message appears after you have been using a disk
drive with the VS-2480/2480CD, the data on the disk drive
has become fragmented. This will unacceptably slow down
the reading and writing of data. Try bouncing the current
track to re-record its data onto another track, or optimize
your project. If this message still appears after these
measures have been taken, copy the project data to another
disk drive and initialize the disk drive that experienced the
problem.
Event Memory Full!
The project already contains all of the events it can hold.
9
Error Messages
The disk drive could not be accessed. Make sure that the disk
drive is connected correctly.
Error Messages
Delete unneeded automix data or perform a Project Optimize
operation.
No Data to Write
Finalized CD!
No Disc!
The CD is a commercial CD or a CD-R/RW disc you have
already finalized. Replace the disc with a blank disc or one
that has not yet been finalized.
There is no disc in the Roland CD recorder (CD-R/RW
drive). Please insert a disc.
Found Illegal Track Pair!
No Disk Drive!
You are trying to Region Edit or Phase Edit (Copy, Move, or
Exchange etc.) between a V-Track recorded using
CDRRecMode and a V-Track recorded using some other
recording mode. Use V-Tracks that were recorded using the
same recording mode.
No disk drive is connected or an internal hard disk has not
been installed. Make sure that your disk drive is properly
connected.
Operation Failed!
Processing was halted due to insufficient memory or due to
an error that occurred in the disk drive itself. Check your
connections and verify the reliability of your hard drive.
Hardware Error!
There is a problem with the disk drive. Contact the disk
drive's manufacturer or dealer.
Illegal Track!
You are trying to create a new phrase using a V-Track
recorded in CDRRecMode and a V-Track recorded using
some other recording mode. Please use V-Tracks that were
recorded using the same recording mode.
The project you have selected contains no data.
No IDE Drive!
The unit has no IDE-type disk drive. Install an internal hard
disk drive.
Not 44.1kHz Project!
The project's sample rate is not 44.1 kHz. Only 44.1 kHz
audio can be written to a CD-R/RW disc.
Unusable Sector!
The disk that you are using is not 512 bytes/sector. This disk
cannot be used by the VS-2480/2480CD.
Drive Not Ready!
The disk drive is not yet ready. Please wait a moment.
Obey Copyrights?
There is not enough room on the CD-R/RW disc.
This message asks if you agree to the terms and conditions
regarding the reproduction, broadcast, and sale of the
software. Please carefully read the License Agreement.
Not Enough Free Events!
Please Insert CD-R Disc!
You have tried to undo or redo when the remaining number
of free project events is less than 200. This operation cannot
be performed.
Either the Roland CD recorder (CD-R/RW drive) loading
tray is still open, there is no CD-R/RW disc in the drive, or
the drive is otherwise not yet ready.
Lack of IDE Memory!
Please Wait...
There is insufficient free space on the internal IDE hard disk
to make the image data file.
The operation has not yet completed. Please wait a moment.
MARKER Memory Full!
Two or more disk drives are set to the same SCSI ID number.
Reset the hard drives so that each as its own SCSI ID number.
Lack of CD-R Memory!
The project already contains 1000 markers, the maximum
number it can hold. Delete unneeded markers.
Medium Error!
There is a problem with the disk drive media. This disk
cannot be used by the VS-2480/2480CD. In some cases, data
can be recovered using the Drive Check operation.
No CD-R Drive!
Either no Roland CD recorder (CD-R/RW drive) is
connected, or its power is not turned on.
10
SCSI ID Error!
SCSI Not Available!
The SCSI components of the VS-2480/2480CD are not
working. Contact your dealer or qualified Roland service
personnel for service.
Project Protected!
Since Project Protect is on, the operation cannot be executed.
Error Messages
TOC Read Error!
An error occurred while reading the CD-R/RW disc. There is
a problem with the Roland CD recorder (CD-R/RW drive) or
the CD-R/RW disc.
Too Many Markers!
The CD already has 98 markers, the maximum number of
markers it can hold.
Drive Unformatted!
The disk drive has not yet been initialized by the VS-2480/
2480CD. Initialize the disk drive.
If the disk drive has already been initialized by the VS-2480/
2480CD, there is a problem with its connections. Make sure
that the disk drive is properly connected.
Error Messages
Operation Canceled!
You have aborted the procedure by pressing [EXIT/NO].
Write Another CD?
The CD-writing operation is complete. If you want to write
the same data to a new disc, press [ENTER/YES]. Otherwise,
press [EXIT/NO].
Write Protected!
The disk drive is write-protected.
11
Glossary
Active Terminator
COSM
A type of terminator (a terminating resistance) place at each
end of a SCSI chain. A new addition to SCSI-2 specifications,
compared with ordinary terminators, it provides greater
operating stability for SCSI devices, thus improving signal
transmission performance.
Stands for Composite Object Sound Modeling. This is “a
technology which combines multiple sound models to create
new sounds,” which was first used on the Roland’s VG-8 VGuitar System. For example, sounds created on the VG-8 are
the result of a variety of sound models (elements) such as the
pickup, the body of the guitar, the guitar amp, mic, and
speaker etc.
Analyzer
A device that divides the frequency spectrum into narrow
bands, and displays a level meter for each function band to
analyze the frequency distribution.
Current Project
The project currently being recorded, played back, or edited
is referred to as the current project.
CD-R
Short for Compact Disc Recordable. This is a system for
reading and writing discs in the same format as that used for
CDs (CD-ROMs and music CDs). A specialized CD-R drive
allows one-time only writing of discs.
However, as long as the data has not been finalized and there
is sufficient capacity remaining on the disc, the CD-R drive
can be used for multiple additions to, and changes in the
material.
Sometimes they are referred to as “Write Once CD,” “CDWrite Once,” or something similar.
CD-RW
Short for Compact Disc ReWritable. This is a system
allowing creation of discs that can be read using the same
format as regular CDs (CD-ROMs and Music CDs). While
resembling the CD-R system in that it uses a special CD-RW
drive, these discs can be rewritten any number of times.
Compressor
An effect that suppresses volume fluctuations. When the
input signal exceeds a specified level (threshold), the gain is
reduced as the input signal rises, thus suppressing signal
overload. The same algorithm can also be used as a limiter
(an effect that instantaneously suppresses peaks).
Of the effects in this system, only the compressor included in
guitar multis 1–3 simulates a compact compressor for guitar,
and works differently from a limiter. (It suppresses signal
overloads, and also evens out the volume by raising lowlevel signals.)
DAT
Short for Digital Audio Tape. This refers both to the system
of recording digitized sound to magnetic tape, as well as to
the tapes themselves. Besides digital audio signals, all song
information is recorded on the tape, including starts and
track data, information to allow or prevent copying, etc.
Dynamics (effect)
Effects that compressor expand the range of volume changes.
These effects are used to reduce noise when recording to
tape, or to increase the dynamic range of a tape or wireless
mic. Dynamics effects provided on this system include
Enhancer, Expander, Compressor, and Limiter.
DSP
An abbreviation for Digital Signal Processing. Technology
that uses dedicated circuitry or software calculations to
process digitized audio or video signals in order to
implement the functionality of a mixer, filter, or effect
processor. By extension, DSP is also used to collectively refer
to effect devices and effect functionality that uses such
technology.
Expander
An effect that increases (by a fixed ratio) the difference in
loud and soft volume levels, by making low-level signals
softer, and high-level signals louder.
Finalize
This is the operation that writes the TOC to a prepared audio
disc. Whereas additions and changes can be made to discs
that have not yet been finalized, such discs are not playable
on regular CD players.
12
Glossary
Formants
Limiter
A formant is an important element which determine the
character of a vocal sound. It is a fixed overtone whose
location is determined by the size of the vocal chords.
An effect that works similarly to a compressor. When the
input signal rises beyond a specified level (threshold), a
limiter instantly lowers the gain to limit the output level. The
degree of compression is specified by the Ratio. In general,
ratios of 1:10 or less are referred to as compression, in
distinction to limiting.
Conventional pitch shifters modify the pitch in a way that
changes even the location of the formants (which by nature
do not change). For example when a conventional pitch
shifter raises the pitch, a “duck voice” is produced as if the
vocal chords had shrunk, and when the pitch is lowered a
“giant voice” is produced as if the vocal chords had
expanded.
The Voice Transformer modifies the basic pitch and the
formant separately, allowing a variety of voice characters to
be created.
MMC
MMC is an acronym for MIDI Machine Control. This is rule
that defines how MIDI system exclusive message can be used
to control multiple recording devices from a single device.
The VS-2480/2480CD supports MMC. In addition to song
playback, stop and fast-forward, you can also select the
tracks for recording, etc.
Frame
MTC
MTC stands for MIDI Time Code. This is a group of
messages which are transmitted and received between MIDI
devices to synchronize their operation. Unlike MIDI Clock
messages, MTC specifies an absolute time. Like SMPTE time
code, MTC also supports a variety of frame rates. If you wish
to use MTC to synchronize the operation of two devices, both
devices must be set to the same frame rate.
GUITAR (Hi-Z)
A high-impedance input jack for directly connecting electric
guitars.
GPI
GPI stands for General Purpose Interface. This is a control
jack provided on professional and consumer video devices
such as video editors and title superimpoters. By connecting
this control jack to the foot switch jack of the VS-2480/
2480CD and setting the Foot Switch Assign to “GPI,” the
connected device will be able to playback/stop the VS-2480/
2480CD.
NTSC Format
Color television format used in Japan, the United States, and
other countries. Tapes recorded in the NTSC format cannot
be played back on video decks utilizing the SECAM/PAL
formats.
Oscillator
A device that generates an alternating signal. On this system,
the term refers to the internal oscillator used to sound a
reference tone for measurement by the spectrum analyzer. It
is able to produce a 20 Hz–20 kHz sine wave, pink noise and
white noise.
IDE
➔ Analyzer
IDE stands for Integrated Device and Electronics. This is
the standard data transmission method used by the hard disk
drives of recent personal computers. The HDP88 series hard
disk drives (sold separately) that can be installed in the
VS-2480/2480CD are IDE compatible.
➔ Sine wave
➔ Pink noise
➔ White noise
13
Glossary
Similar to the individual frames in a roll of movie film, the
numerous still pictures that are displayed in rapid succession
to create a moving video image are also known as “frames.”
About thirty of these frames are shown each second. When
hard disk recorders, sequencers, and other such equipment
are synchronized with video, it is generally assumed that
there should be one frame every 1/30th of a second.
Glossary
Phantom Power
S/P DIF
This is a method of providing electric power to condenser
mics via the mic cables. Generally, a mixer’s internal
phantom power source supplies 6–48 volts (DC). Supplying
phantom power to dynamic mics, audio playback devices, or
other such equipment may result in damage to the
equipment. Turn the phantom power switch on only when
connecting condenser mics which need phantom power;
otherwise, leave it switched off.
S/P DIF stands for Sony/Philips Digital Interface Format.
This is a specifications for transmitting and receiving stereo
digital audio signals between digital audio devices.
The VS-2480/2480CD provides coaxial connectors which
support S/P DIF.
Pink noise
Noise that contains equal amounts of energy in each octave
of the frequency spectrum. On this system, the internal
oscillator can be used to generate pink noise in the audio
bandwidth.
➔ Oscillator
SCMS
SCMS stands for Serial Copy Management System. This is
a function that protects the rights of copyright holders by
prohibiting recording via a digital connection for more than
two generations. When digital connections are made
between digital recorders that implement this function,
SCMS data will be recorded along with the audio data.
Digital audio data which contains this SCMS data cannot
again be recorded via a digital connection.
➔ Analyzer
SCSI
PS/2 Keyboard, PS/2 Mouse
This keyboard and mouse can be connected to the connectors
furnished on PS/2 computers developed by IBM in the
United States. The VS-2480/2480CD allows you to use a PS/2
keyboard, input names, and perform operations using the
PS/2 mouse.
SCSI stands for Small Computer System Interface. This is a
data transmission method that can transmit large amounts of
data in a short time. Since the VS-2480/2480CD has a SCSI
connector, external SCSI devices such as hard disks or
removable disk drive etc. can be connected.
SECAM Formats/PAL Formats
R-BUS
Roland’s digital communication specification developed to
allow audio and control data to be exchanged between
devices. Multi-channel audio signals, word clock, and MIDIcompatible operation data and synchronization signals can
be exchanged. A single R-BUS connector allows
simultaneous bi-directional transfer of eight channels of
digital audio data. The connector is a DB-25 type, and uses a
special cable for connections. It should NOT be connected to
other types of ports that use similar connectors!
Removable Disk Drives
Disk drives that have been able to remove the disk, such as a
Zip drive, are referred to as the “removable disk drives.”
RSS
RSS stands for Roland Sound Space. This is an effect which
allows a sound source to be placed in three-dimensional
space when played back on a conventional stereo system.
The sound can be placed not only in front of the listener, but
also directly to the side, above, below, and behind the
listener.
14
Color television formats used in Europe and other areas.
Tapes recorded in the SECAM or PAL formats cannot be
played back on video decks designed for the NTSC format.
Shutdown
In order to turn the power off safely, you must first make
sure that the performance has been saved to hard disk, and
that the hard disk heads are parked. This procedure is
referred to as Shutdown.
Sine wave
A sinuosity waveform. This is the simplest waveform, and
contains only a specific frequency without no other
frequency components. On this system, the internal oscillator
can generate a sine wave at any desired frequency in the
range of 20 Hz–20 kHz.
Glossary
SMPTE time code
Zip Drive
This is a signal format defined by the American organization
SMPTE (Society of Motion Picture and Television Engineers)
which is used to synchronize the operation of video or audio
devices. SMPTE specifies “hours:minutes:seconds:frames” to
indicate the address of each frame of a video image. For this
reason, there are a variety of frame rates.
A magnetic disk drive format standardized by Iomega
Corporation. Disks that can be used for reading and writing
data with Zip drives are call Zip disks. Similar to 3.5-inch
floppy disks in size and usage, one Zip disk can store 100 MB
or 250 MB of data.
Terminator Power
This refers to the power supplied to external type active
terminators.
TOC
Glossary
Short for Table of Contents. This is the region on the CD-R
disc that handles information such as song times, end times,
sequence, and so on. Although the songs on a disc and their
playing time can be displayed when an audio CD is placed in
a CD player, this is because they can be read automatically
from the TOC. The TOC is recorded differently than music
data, with its main characteristic being disc access, such as
the ability to go to the start of any song instantly.
Track Minutes
The amount of available recording time that is called for a
standard unit corresponding to the time of one continuous
monaural signal recorded to one track.
VGA
Although developed by IBM in America as a graphics system
with a resolution of 640 x 480 pixels able to display sixteen
colors, various companies have further developed VGAcompatible modes, enabling high-resolution multi color
displays. Today, rather than designating a particular
graphics system, VGA has instead come to mean a standard
of high-resolution graphics. The VS-2480/2480CD is
equipped with a VGA output connector, allowing you to
connect a VGA monitor and display the information with a
resolution of 640 x 480 pixels in 256 colors.
White noise
Noise that contains equal energy at all frequencies. On this
system, the internal oscillator can be used to generate white
noise in the audio bandwidth. Perceptually, and when
observed on a spectrum analyzer, the level will appear to rise
as you move toward the higher range.
➔ Analyzer
➔ Oscillator
15
Shortcut Key Operations
Here is a list of the functions that can be performed by pressing multiple buttons, or using the TIME/VALUE dial in
conjunction with a button.
CH EDIT/SELECT/PHRASE SEQ STATUS/AUTOMIX STATUS buttons
Hold [STATUS]:
[SHIFT] + [CH EDIT]:
[SHIFT] + [SOLO (IN1-16)]:
[CLEAR] + [SOLO (IN1-16)]:
[SHIFT] + [MUTE (IN 17-24 AUX MST)]:
[CLEAR] + [MUTE (IN 17-24 AUX MST)]:
[TRACK STATUS] + [CLEAR]:
[AUTOMIX] + [AUTOMIX STATUS] (*1):
[SHIFT] + [MASTER EDIT (TR1-16)]:
[SHIFT] + [V.FADER] (TR17-24):
(*1)
To the select source to be recorded on the track (Quick louting) screen
Channel View screen
Solo mode on/off
Solo function off (all channel)
Mute mode on/off
Mute function on/off (each channel)
All track assign is canceled.
Switch the Automix status of each channel (when Automix is “on”)
To the Master block setting screen
To the V.Fader Mode
INPUT1-16, INPUT17-24, AUX1-8 MST, TRACK1-16, TRACK17-24, FX1-8 RTN
Transport Control buttons
[SHIFT] + [STORE (ZERO)]:
[SHIFT] + [SHUT/EJECT (STOP)]:
[SHIFT] + [RESTART (PLAY)]:
[REC] + [TRACK STATUS] (1–24):
[STOP] + [TRACK STATUS] (1–24):
Store current song data to the disk drive
Shut down
Restart (after shut down)
Switch the status to REC (REC indicator blinks red)
Switch the status to PLAY (PLAY indicator lights green)
LOCATOR/MARKER/SCENE buttons
[LOCATOR (BANK)] → [CLEAR] + [0]—[9]:
[SHIFT] + [BANK (LOCATOR)] → [0]—[9]:
[SCENE (BANK)] → [CLEAR] + [0]—[9]:
[SHIFT] + [BANK (SCENE)] → [0]—[9]
[CLEAR] + [TAP]:
[SHIFT] + [CLEAR] + [TAP] → [ENTER/YES]:
[AUTOMIX] + [SNAPSHOT (TAP)]:
[AUTOMIX] + [REC]:
Clear the setting of locators
Switch the locator bank
Clear the setting of scenes
Switch the scene bank
Erase a marker
Erase all markers
Execute the snapshot (When Automix is “on”)
Automix Realtime recording (when Automix is “on.”)
[CLEAR] + [IN]:
[CLEAR] + [OUT]:
[CLEAR] + [FROM]:
[CLEAR] + [TO]:
Clear the track edit in point
Clear the track edit out point
Clear the track edit from point
Clear the track edit to point
[SHIFT] + [IN]:
[SHIFT] + [OUT]:
[SHIFT] + [FROM]:
[SHIFT] + [TO]:
Locate to the in point
Locate to the out point
Locate to the from point
Locate to the to point
[PREVIOUS]:
If there is a phrase on current time, move to the beginning of that phrase.
If not, move to the end of the previous phrase (when PREVIOUS/NEXT
Sw is “PHRASE”). Move to the previous marker (when PREVIOUS/
NEXT Sw is “MARKER”)
If there is a phrase on current time, move to the end of that phrase. If not,
move to the beginning of the next phrase (when PREVIOUS/NEXT Sw is
“PHRASE”). Move to the next marker (when PREVIOUS/NEXT Sw is
“MARKER”)
[NEXT]:
[CD-RW MASTERING] + [TAP]:
16
Register a marker for audio CD track number
Shortcut Key Operations
■ Other
To Mastering Room setting screen
Switch the Graphic display (Home Condition)
Redo function (when the UNDO indicator is lit)
To the Tempo map setting screen
Moves to the beginning sound is recorded of the project.
Moves to the ending sound is recorded of the project.
To the Sync parameter settings screen
To the loop start/end point setting screen
To the punch in/out point setting page
Change of the simultaneous appear track number of the playlist.
Change of the time axis display width of the playlist.
Modify the value at 10 times the usual speed. When adjusting the
channel level and AUX Send level, value is changed per 0.1 dB. In Play
condition when the cursor is displayed at the sub frame of the time
code display, move the current time in units of approximately 1/100
frame.
[SHIFT] + [MARKER]:
To the Marker setting screen
[SHIFT] + [EZ ROUTING]:
To the Patch Bay screen
[SHIFT] + [AUTOMIX]:
To the Automix screen
[SHIFT] + [CH EDIT]:
Adjust the each channel faders to set the “0 dB,” and the PAN knobs
to set the “Center.”
[PHRASE PAD PLAY]:
Switch the Phrase Sequence PLAY/REC
(when Phrase Sequence mode).
[SHIFT] + [PHRASE SEQ (PHRASE PAD PLAY)]: Phrase Sequence Mode Off/On
[SHIFT] + [PHRASE/REGION/AUTOMIX]:
Edit Message parameter (Global Parameter) Off/On
[SHIFT] + [MASTERING (CD-RW)]:
[SHIFT] + [DISPLAY (HOME)]:
[SHIFT] + [REDO (UNDO)]:
[SHIFT] + [TAP]:
[SHIFT] + [PROJECT TOP (PREVIEW TO)]:
[SHIFT] + [PROJECT END (PREVIEW FROM)]:
[SHIFT] + [EXT SYNC]:
[SHIFT] + [LOOP]:
[SHIFT] + [AUTO PUNCH]:
[SHIFT] + [
][
]:
[SHIFT] + [
][
]:
[SHIFT] + TIME/VALUE dial:
[SHIFT] + Dropping:
Shortcut Key Operations
■ Mouse Operation
Copy the data.
■ ASCII Keyboard
[SPACE]:
PLAY/STOP the project performance.
17
Parameter List
■ Input Mixer [IN 1-16] (or [IN 17-24 AUX MST]) → [CH EDIT] (IN 1–16, 17–24)]
Parameter name
Display
Value, Initial value
Patchbay
-
Channel Link
Attenuator
Phase
Fader Group
Fader Link
Level Meter
Solo
Mute
Offset Level
Fader
Mix Send Switch
Offset Pan
Mix Send Pan
Dynamics Switch
Dynamics Type
Compressor Auto Gain Switch
Compressor Key In
Compressor Threshold Level
Compressor Ratio
Compressor Attack
Compressor Release
Compressor Level
Expander Key In
Expander Threshold Level
Expander Ratio
Expander Attack
Expander Release
Equalizer Switch
Filter Switch
Filter Frequency
Filter Q
Equalizer Low Gain
Equalizer Low Frequency
Equalizer Low Mid Gain
Equalizer Low Mid Frequency
Equalizer Low Mid Q
Equalizer High Mid Gain
Equalizer High Mid Frequency
Equalizer High Mid Q
Equalizer High Gain
Equalizer High Frequency
AUX Send Switch
AUX Send Level
AUX Send Pan
Direct Path Switch
Effect Insert Switch
Effect Insert Send Level
Effect Insert Return Level
Surround Pan
Surround Depth
Surround LR:C Rate
Surround Sub Woofer Level
Link
ATT
Phase
Group
F.LINK
Solo
Mute
Fader
MIX
PAN
PAN
DYN Sw
DYN Type
AutoGain
KeyIn
Threshold
Ratio
Attack
Release
Level
KeyIn
Threshold
Ratio
Attack
Release
EQ Sw
Filter Sw
Filter F
Filter Q
EQ Low G
EQ Low F
EQ Lo-Mid G
EQ Lo-Mid F
EQ Lo-Mid Q
EQ Hi-Mid G
EQ Hi-Mid F
EQ Hi-Mid Q
EQ High G
EQ High F
AUX (1–8)
DIR (1–8)
FX1–8
Snd
Rtn
SURROUND PAN
SURROUND DEPTH
SURROUND LR:C
SURROUND Sub.W
ANALOG INPUT 1–16, R-BUS1 1–8, R-BUS2 1–8, COAXIAL,
OPTICAL (*1)
Off, On
-42.0–0.0–+6.0 dB
NRM, INV
Off, 1–16
Off, On
Pre, Pst
Off, On
Off, On
-∞–0.0–+6.0 dB (*2)
-∞–+6.0 dB
Off, On
L63–C–R63 (*3)
L63–0–R63
Off, On
COMPRESSOR, EXPANDER, EXP+COMP (*4)
Off, On (*5) (*6)
IN1–24 (Initial value is the current channel)(*5)
-24.0–0.0 dB (*5) (*6)
1.00:1–2.00:1–∞:1 (*5) (*6)
0.0–10.0–800.0ms (*5) (*6)
0–500–8000 ms (*5) (*6)
-24.0–0.0–+24.0 dB (*5) (*6) (*7)
IN1–24 (Initial value is the current channel)(*8)
-80.0–-40.0–0.0 dB (*6) (*8)
1.00:1–2.00:1–∞:1 (*6) (*8)
0.0–800.0ms (*6) (*8)
0–500–8000 ms (*6) (*8)
Off, On
Off, LPF, HPF, BPF, BEF (*9)
20Hz–2.00 kHz–20.0 kHz (*9) (*10)
0.36–0.71–16.0 (*9) (*10)
-15.0–0.0–15.0 dB (*9)
20 Hz–80 Hz–1.0 kHz (*9)
-15.0–0.0–15.0 dB (*9)
20 Hz–400 Hz–20.0 dB (*9)
0.36–2.00–16.0 (*9)
-15.0–0.0–15.0 dB (*9)
20 Hz–2.00 kHz–20.0 kHz (*9)
0.36–2.00–16.0 (*9)
-15.0–0.0–15.0 dB (*9)
1.0 kHz–10.0 kHz–20.0 kHz (*9)
Off, Pre/Pst (*11)
-∞–+6.0 (*12)
L63–C–R63 (*13)
1, ..., 8 (INPUT MIXER CH 1), Off, On
Off, Ins, InsL, InsR, InsS (*14)
-∞–0.0–+6.0 dB (*15)
-∞–0.0–+6.0 dB (*15)
L63–C–R63 (*16)
F63–C–R63 (*16)
0–50–100 % (*16) (*17)
-∞–0.0–+6.0 dB (*16) (*18)
*1
*2
*3
*4
*5
18
Patchbay works in pairs. Odd-numbered channel can select an odd-numbered input or Lch, and even-numbered channel can select
an even-numbered input or Rch.
Selectable area of the patchbay varies by the select settings of R-BUS2 COAXIAL and R-BUS2 OPTICAL in the Project parameters.
Valid when Channel Link is “On.”
If Channel Link is On, the “Pan” parameter will change to the offset pan parameter.
When the dynamics type is "EXP+COMP," dynamics on the track mixer cannot be used.
Valid when Dynamics Type is “COMPRESSOR.”
Parameter List
*6
*7
*8
*9
*10
*11
*12
*13
*14
*15
*16
*17
*18
Valid when Dynamics Type is “CEXP+COMP.”
Max +6.0dB when compressor auto gain switch is "On."
Valid when Dynamics Type is “EXPANDER.”
Valid when Equalizer Switch is “On.”
Valid when Filter Switch is except “Off.”
Pre/Pst is switched at the same time by each bus in MASTER EDIT.
Valid when AUX Switch is except “Off.”
Valid when AUX Bus Link is “On.”
“Off” or “Ins” are valid when Channel Link is “On.”
Valid when Effect Insert Switch is except “Off.”
Valid when Surround Mix Switch is “On.”
Valid when Surround Mix Mode is except “2+2.”
Valid when Surround Mix Mode is “3+2+1.”
■ Track Mixer [TR 1-16] (or [TR 17-24 FX RTN] → [CH EDIT] (TR 1–16, 17–24)
Display
Value, Initial value
V-track
Phrase Pad Switch
Play Mode
Channel Link
Attenuator
Phrase
Fader Group
Level Meter
Solo
Mute
Offset Level
Fader
Mix Send Switch
Offset Pan
Mix Send Pan
Dynamics Switch
Dynamics Type
Compressor Auto Gain Switch
Compressor Key In
Compressor Threshold Level
Compressor Ratio
Compressor Attack
Compressor Release
Compressor Level
Expander Key In
Expander Threshold Level
Expander Ratio
Expander Attack
Expander Release
Equalizer Switch
Filter Switch
Filter Frequency
Filter Q
Equalizer Low Gain
Equalizer Low Frequency
Equalizer Low Mid Gain
Equalizer Low Mid Frequency
Equalizer Low Mid Q
Equalizer High Mid Gain
Equalizer High Mid Frequency
Equalizer High Mid Q
Equalizer High Gain
Equalizer High Frequency
AUX Send Switch
AUX Send Level
AUX Send Pan
Direct Path Switch
Effect Insert Switch
V.Track
PhrPAD
PlyMod
Link
ATT
Phase
Group
Meter
Solo
Mute
Fader
MIX
Pan
Pan
DYN Sw
DYN Type
AutoGain
KeyIn
Threshold
Ratio
Attack
Release
Level
KeyIn
Threshold
Ratio
Attack
Release
EQ Sw
Filter Sw
Filter F
Filter Q
EQ Low G
EQ Low F
EQ Lo-Mid G
EQ Lo-Mid F
EQ Lo-Mid Q
EQ Hi-Mid G
EQ Hi-Mid F
EQ Hi-Mid Q
EQ High G
EQ High F
AUX (1–8)
DIR (1–8)
FX (1–8)
1–16
Off, On
Gate, Trg, oneS
Off, On
-42.0–0.0–+6.0 dB
NRM, INV
Off, 1–8
Pre, Pst
Off, On
Off, On
-∞–0.0–+6.0 (*1)
-∞–0.0–+6.0 dB
Off, On
L63–C–R63 (*2)
L63–C–R63
Off, On
COMPRESSOR, EXPANDER, EXP+COMP (*3)
Off, On (*4) (*5)
TR1–24 (Initial value is the current channel)(*4)
-24.0–0.0 dB (*4) (*5)
1.00:1–2.00:1–∞:1 (*4) (*5)
0.0–10.0–800.0ms (*4) (*5)
0–500–8000 ms (*4) (*5)
-24.0–0.0–+24.0 dB (*4) (*5) (*6)
TR1–24 (Initial value is the current channel)(*7)
-80.0–-40.0–0.0 dB (*5) (*7)
1.00:1–2.00:1–∞:1 (*5) (*7)
0.0–800.0ms (*5) (*7)
0–500–8000 ms (*5) (*7)
Off, On
Off, LPF, HPF, BPF, BEF (*8)
20Hz–2.00 kHz–20.0 kHz (*8) (*9)
0.36–0.71–16.0 (*8) (*9)
-15.0–0.0–15.0 dB (*8)
20 Hz–80 Hz–1.0 kHz (*8)
-15.0–0.0–15.0 dB (*8)
20 Hz–400 Hz–20.0 dB (*8)
0.36–2.00–16.0 (*8)
-15.0–0.0–15.0 dB (*8)
20 Hz–2.00 kHz–20.0 kHz (*8)
0.36–2.00–16.0 (*8)
-15.0–0.0–15.0 dB (*8)
1.0 kHz–10.0 kHz–20.0 kHz (*8)
Off, Pre/Pst (*10)
-∞–+6.0 (*11)
L63–0–R63 (*12)
Off, On
Off, Ins, InsL, InsR, InsS (*13)
Parameter List
Parameter name
19
Parameter List
Effect Insert Send Level
Effect Insert Return Level
Surround Pan
Surround Depth
Surround LR:C Rate
Surround Sub Woofer Level
*1
*2
*3
*4
*5
*6
*7
*8
*9
*10
*11
*12
*13
*14
*15
*16
*17
Snd
Rtn
SURROUND PAN
SURROUND DEPTH
SURROUND LR:C
SURROUND Sub.W
-∞–0.0–6.0 dB (*14)
-∞–0.0–6.0 dB (*14)
L63–C–R63 (*15)
F63–C–R63 (*15)
0–50–100 % (*15) (*16)
-∞–0.0–+6.0 dB (*15) (*17)
Valid when Channel Link is “On.”
If Channel Link is On, the “Pan” parameter will change to the offset pan parameter.
When the dynamics type is "EXP+COMP," dynamics on the track mixer cannot be used.
Valid when Dynamics Type is “COMPRESSOR.”
Valid when Dynamics Type is “CEXP+COMP.”
Max +6.0dB when compressor auto gain switch is "On."
Valid when Dynamics Type is “EXPANDER.”
Valid when Equalizer Switch is “On.”
Valid when Filter Switch is except “Off.”
Pre/Pst is switched at the same time by each bus in MASTER EDIT.
Valid when AUX Switch is except “Off.”
Valid when AUX Bus Link is “On.”
“Off” or “Ins” are valid “Off” or “Ins” when Channel Link is “On.”
Valid when Effect Insert Switch is except “Off.”
Valid when Surround Mix Switch is “On.”
Valid when Surround Mix Mode is except “2+2.”
Valid when Surround Mix Mode is “3+2+1.”
■ Effect Return [TR 17-24 FX RTN] → [CH EDIT] (FX 1–8 RTN)
Parameter name
Display
Value, Initial value
Assign
Fader Group
Mono Switch
Level Meter
Solo
Mute
Effect Return Level
Effect Return Balance
Mix Send Switch
AUX Send Switch
AUX Send Level
AUX Send Pan
Direct Path
Surround Pan
Surround Depth
Surround LR:C Rate
Surround Sub Woofer Level
ASSIGN
GROUP
MONOSw
Solo
Solo
FADER
BAL
MIX
AUX (1–8)
DIR (1–8)
SURROND PAN
SURROND DEPTH
SURROUND LR:C
SURROUND Sub.W
AUX1–AUX8, DIR1–DIR8
Off, On
Off, On
Pre, Post
Off, On
Off, On
-∞–0.0–+6.0 dB
L63–C–R63
Off, On
Off, On
-∞–+6.0 dB
L63–C–R63
Off, On
L63–C–R63 (*1)
F63–C–R63 (*1)
0–50–100 % (*1) (*2)
-∞–0.0–+6.0 dB (*1) (*3)
*1
*2
*3
20
Valid when Surround Mix Switch is “Off.”
Valid when Surround Mix Mode is except “2+2.”
Valid when Surround Mix Mode is “3+2+1.”
Parameter List
■ Master Block [MASTER EDIT (TR 1-16)]
Parameter name
Display
Value, Initial value
Master Level
Master Balance
Monitor Level
Monitor Balance
AUX Master Position
AUX Master Level
AUX Bus Link
AUX Master Balance
DIR Master Position
DIR Master Level
DIR Master Balance
Rec Bus Attenuator
Monitor Source
AUX A
AUX B
ANALOG MULTI OUTPUT
MST
MON
AUX (1–8)
AUX (1–8)
LINK
AUX
DIR (1–8)
DIR (1–8)
DIR (1–8)
REC ATT
MONITOR
AUX A L/R
AUX B L/R
A.MULTI (1/2–7/8)
-∞–0.0–6.0 dB
L63–C–R63
-∞–6.0 dB
L63–C–R63
Pre, Pst
-∞–0.0–6.0 dB
Off, On
L63–C–R63 (*1)
Pre, Pst
-∞–0.0–6.0 dB
L63–C–R63 (*2)
-42–6.0–0.0 dB
MASTER, REC BUS, AUX1, ..., AUX8, DIR1, ..., DIR8
MASTER, MONITOR, AUX1/2, ..., AUX7/8, DIR1/2, ..., DIR7/8
MASTER, MONITOR, AUX1/2, AUX3/4, ..., AUX7/8, DIR1/2, ..., DIR7/8
R-BUS1 1/2
R-BUS1 3/4
R-BUS1 5/6
R-BUS1 7/8
R-BUS2 1/2
R-BUS2 3/4
R-BUS2 5/6
R-BUS2 7/8
COAXIAL L/R
OPTICAL L/R
PHONES1 L/R
PHONES2 L/R
Effect Insert Switch (1–8)
Effect Insert Send Level
Effect Insert Return Level
Track Direct Out
Track Direct Source
R-BUS1 1/2
R-BUS1 3/4
R-BUS1 5/6
R-BUS1 7/8
R-BUS2 1/2
R-BUS2 3/4
R-BUS2 5/6
R-BUS2 7/8
COAXIAL L/R
OPTICAL L/R
PHONES1 L/R
PHONES2 L/R
FX (1–8)
Snd
Rtn
TRACK DIRECT OUT
TRACK DIRECT SOURCE
MASTER, MONITOR, AUX1/2, ..., AUX7/8, DIR1/2, ..., DIR7/8
MASTER, MONITOR, AUX1/2, AUX3/4, ..., AUX7/8, DIR1/2, ..., DIR7/8
MASTER, MONITOR, AUX1/2, ..., AUX5/6, AUX7/8, DIR1/2, ..., DIR7/8
MASTER, MONITOR, AUX1/2, ..., AUX7/8, DIR1/2, ..., DIR7/8
MASTER, MONITOR, AUX1/2, ..., AUX7/8, DIR1/2, ..., DIR7/8
MASTER, MONITOR, AUX1/2, ..., AUX7/8, DIR1/2, DIR3/4, ..., DIR7/8
MASTER, MONITOR, AUX1/2, ..., AUX7/8, DIR1/2, ..., DIR5/6, DIR7/8
MASTER, MONITOR, AUX1/2, ..., AUX7/8, DIR1/2, ..., DIR7/8
MASTER, MONITOR, AUX1/2, ..., AUX7/8, DIR1/2, ..., DIR7/8
MASTER, MONITOR, AUX1/2, ..., AUX7/8, DIR1/2, ..., DIR7/8
MASTER, MONITOR, AUX1/2, ..., AUX7/8, DIR1/2, ..., DIR7/8
MASTER, MONITOR, AUX1/2, ..., AUX7/8, DIR1/2, ..., DIR7/8
Off, Ins
-∞–0.0–6.0 dB (*7)
-∞–0.0–6.0 dB (*7)
Off, On
PostFader, PreFader
Valid when AUX Bus Link is “On.”
Valid when DIR is selected by the linked channel or FX RTN channel
Valid when Track Direct Out is “On.”
Valid when Surround Mix Switch is “On,” and Surround Mix Mode is “2+2.”
Valid when Surround Mix Switch is “On,” and Surround Mix Mode is “3+1.”
Valid when Surround Mix Switch is “On,” and Surround Mix Mode is “3+2+1.”
Valid when Effect Insert Switch is “3+2+1.”
Parameter List
*1
*2
*3
*4
*5
*6
*7
TR1/2, ..., TR23/24, MONITOR (*3),
MASTER, MONITOR, AUX1/2, AUX3/4, L/R, Ls/Rs, DIR1/2, ..., DIR7/8 (*4),
MASTER, MONITOR, AUX1/2, AUX3/4, L/R, C/RC, DIR1/2, ..., DIR7/8 (*5),
MASTER, MONITOR, AUX1/2, L/R, C/Sub.W, Ls/Rs, DIR1/2, ..., DIR7/8 (*6)
21
Parameter List
■ System Parameter [UTILITY] → [(Page1) F1 (SYSTEM)]
Parameter name
Display
Analog Input Phantom Switch
ANALOG INPUT
DISPLAY SECTION
External Level Meter Display Section
Meter Position
MB-24 Time Display
MB-24 Meter Scale
IDE Drive
SCSI Self ID
VGA Out
Refresh Rate
Holizontal Position
Vertical Position
Operation Target
PS/2 Mouse
Pointer Speed
PS/2 Keyboard
Mouse Button Swap Switch
Keyboard Type
Value, Initial value
Off, On
Off, ANALOG INPUT 1-16, R-BUS/COAX/OPT IN,
AUX1-8/DIR1-8, ANALOG OUTPUT, R-BUS/COAX/OPT OUT
METER POSITION
Pre, Post
TIME DISPLAY
MEASURE/BEAT, TIME CODE, CLOCK/SCENE
METER SCALE
X1, X1/2
IDE DRIVE
Off, On
SCSI SELF ID
0–7
VGA OUT
Off, On
REFRESH RATE
60 Hz, 66Hz, 70Hz, 75Hz
H.POSITION
-5–0–+5
V.POSITION
When “REFRESH RATE” is 60 Hz: -47–0–+47
When “REFRESH RATE” is 66 Hz: -15–0–+16
When “REFRESH RATE” is 70 Hz: -37–0–+37
When “REFRESH RATE” is 75 Hz: -11–0–+11
OPERATION TARGET
LCD, VGA
PS/2 MOUSE
Off, On
POINTER SPEED
1, 2, 3, 4, 5
PS/2 KEYBOARD
Off, On
MOUSE BUTTON SWAP Sw. Off, On
KEYBOARD TYPE
101/104, 106/109
■ Global Parameter [UTILITY] → [(Page1) F2 (GLOBAL)]
Parameter name
Display
Value, Initial value
Input Peak Level
Foot Switch Assign
CD Digital Recording
Shift Lock
Switching Time
Knob/Fader Assign Switch
Previous/Next Switch
Locator/Scene Type
Numerics Type
Return to Locate Switch
Edit Point Switch Type
Undo Message
Edit Message
Pan Knob Auto Display
Parameter Knob Auto Display
AUX Knob Auto Display
Date/Remain Switch
Remaining Display Type
INPUT PEAK LEVEL
FOOT SWITCH ASSIGN
CD DIGITAL REC
SHIFT LOCK
SWITCHING TIME
KNOB/FDR ASSIGN Sw
PREVIOUS/NEXT Sw
LOCATOR/SCENE TYPE
NUMERICS TYPE
RETURN TO LOCATE Sw
EDIT POINT Sw TYPE
UNDO MESSAGE
EDIT MESSAGE
PAN KNOB AUTO Disp
PRM KNOB AUTO Disp
AUX KNOB AUTO Disp
DATE/REMAIN Sw
REMAIN DISP TYPE
0 dB, -3 dB, -6 dB
Play/Stop, Record, TapMarker, Next, Previous, GPI
Off, On
Off, On, Once
0.3–0.5–2.0 sec
Knob, Fader
PHRASE, MARKER
Safe, Quick
Up, Down
Off, On
OVERWRITE, Same as LOCATOR
Off, On
Off, On
Off, CH VIEW
Off, CH VIEW
Off, CH VIEW
Date, Remain
Time, CapaMB, Capa %, Event
■ Project Parameter [UTILITY] → [(Page1) F3 (Proj)]
Parameter name
Display
Master Clock
MASTER CLOCK
Dither
Digital Copy Protect
R-BUS2 COAXIAL Select
R-BUS2 OPTICAL Select
Display Offset Time
Time Display Format
Peak Hold Switch
Value, Initial value
INT, R-BUS1, R-BUS2, COAXIAL IN, OPTICAL IN, WORD CLOCK,
EXT TIME CODE (Sync=MIDI IN, R-BUS1, R-BUS2, SMPTE IN)
DITHER
Off, 24bit, 23bit, ... , 8bit
DIGITAL COPY PROTECT Off, On
R-BUS2 COAXIAL Sel
R-BUS2-1/2, 5/6, COAX, R-BUS2-1/2, COAX, R-BUS2-5/6,
R-BUS2 OPTICAL Sel
R-BUS2-3/4, 7/8, OPTI, R-BUS2-3/4, OPTI R-BUS2-7/8,
DISPLAY OFFSET TIME 00:00:00:00.00–23:59:59:29.99 (*)
TIME DISPLAY FORMAT ABS, REL
PEAK HOLD Sw
Off, On
* The settable value for Offset will change slightly depending on the MTC type.
22
Parameter List
■ Play/Recording Parameter [UTILITY] → [(Page1) F4 (PlyRec)]
Parameter name
Display
Value, Initial value
Record Monitor
Marker Stop
Fade Curve
Fade Length
Vari Pitch Switch
Vari Pitch
RECORD MONITOR
MARKER STOP
FADE CURVE
FADE LENGTH
VARI PITCH Sw
Vari Pitch
Solo/Mute Switch Type
Scrub Length
Preview To Length
Preview From Length
SOLO/MUTE Sw TYPE
SCRUB LENGHT
PREVIEW TO LENGHT
PREVIEW FROM LENGHT
Auto, Source
Off, On
Linear, Exp
2, 10, 20, 30, 40, 50 ms
Off, On
16.00 kHz–96.00 kHz–98.00 kHz (fs=96.0 kHz)
16.00 kHz–88.20 kHz–98.00 kHz (fs=88.2 kHz)
16.00 kHz–64.00 kHz–98.00 kHz (fs=64.0 kHz)
16.00 kHz–48.00 kHz–50.00 kHz (fs=48.0 kHz)
16.00 kHz–44.10 kHz–50.00 kHz (fs=44.1 kHz)
16.00 kHz–32.00 kHz–50.00 kHz (fs=32.0 kHz)
All Bus Send, MIX BUS Send
25–70–100 ms
1.0–10.0 sec
1.0–10.0 s
■ MIDI Parameter [UTILITY] → [(Page1) F5 (MIDI)]
Parameter name
Display
Value, Initial value
MIDI through Switch
Device ID
MMC Mode
MMC source
MIDI OUT/THRU
DEVICE ID
MMC MODE
MMC SOURCE
Out, Thru
1–17–32
Off, MASTER, SLAVE
MIDI, R-BUS1, R-BUS2
■ Sync Parameter [UTILITY] → [(Page1) F6 (SYNC)]
Parameter name
Display
Value, Initial value
Sync Mode
Sync with Gap
External Sync Source
Sync Offset Time
Frame Rate
Error Level
MIDI OUT Sync Generator
R-BUS1 OUT Sync Generator
R-BUS2 OUT Sync Generator
SYNC MODE
SYNC with Gap
EXT SYNC SOURCE
SYNC OFFSET TIME
FRAME RATE
ERROR LEVEL
MIDI OUT SYNC Gen.
R-BUS1 SYNC Gen.
R-BUS2 SYNC Gen.
INT, EXT
Off, On
MIDI IN, R-BUS1, R-BUS2, SMPTE IN
00:00:00:00.00–23:59:59:29.99(*)
30, 29N, 29D, 25, 24
0–5–10
Off, MTC, MIDIclk, SyncTr
Off, MTC
Off, MTC
* The settable value for Offset will change slightly depending on the MTC type.
Parameter List
■ Tempo Map [UTILITY] → [(Page2) F1 (TEMPO)]
Parameter name
Display
Value, Initial value
Tempo Map Number
Beat
Tempo
Measure
MAP #
BEAT
=
MEASURE
1–50
1/1–16/1, 1/2–16/2, 1/4–4/4–16/4, 1/8–16/8, 1/16–16/16
25.0–120.0–250.0
1–999
23
Parameter List
■ Metronome Parameter [UTILITY] → [(Page2) F2 (Metro)]
Parameter name
Display
Value, Initial value
Metronome Out
Internal Level
Metronome Mode
Tone Type
Metronome MIDI Channel
Accent Note
Accent Velocity
Normal Note
Normal Velocity
METRONOME OUT
INT LEVEL
METRONOME MODE
TONE TYPE
METRONOME MIDI Ch
ACCENT NOTE
ACCENT VELOCITY
NORMAL NOTE
NORMAL VELOCITY
Off, INT, MIDI
-∞–0.0–6.0 dB (*1)
Rec Only, Rec & Play (*2)
CLICK1, CLICK2, CLICK2(NOTE), DRUM (*3)
1–10–16 (*4)
C_0–C#2–G_9 (*4)
1–100–127 (*4)
C_0–C#2–G_9 (*4)
1–60–127 (*4)
*1
*2
*3
*4
Valid when Metronome Out is “INT.”
Valid when Metronome Out is except “Off.”
When the tone type is "CLICK (NOTE)," notes in accordance with the accent note and normal note are output.
Valid when Metronome Out is “MIDI.”
■ Metronome Drum Pattern Edit [UTILITY] → [(Page2) F2 (Metro)] → [F1 (PtnEdt)]
Parameter name
Display
Value, Initial value
Percussion
Percussion Switch
Percussion Verocity
High Hat Switch
High Hat Verocity
Snare Drum Switch
PERCUSSION
VELO
H.H.
VELO
S.D.
Snare Drum Verocity
Bass Drum Switch
VELO
B.D.
Bass Drum Verocity
VELO
Hand Clap, Cowbel, Maracas
Off, On
1–100–127
(Off), (Close), (Open)
1–100–127
Off, On (Initial value: odd-numbered beats are On.
even-numbered beats are Off.)
1–100–127
Off, On (Initial value: odd-numbered beats are Off.
even-numbered beats are On.)
1–100–127
■ Auto Punch/Loop [UTILITY] → [(Page2) F3 (A.P/LP)]
Parameter name
Display
Value, Initial value
Auto Punch In Point
Auto Punch Out Point
Loop Start Point
Loop End Point
IN
OUT
START
END
Unregistration, 00:00:00:00.00–23:59:59:29.99 (*)
Unregistration, 00:00:00:00.00–23:59:59:29.99 (*)
Unregistration, 00:00:00:00.00–23:59:59:29.99 (*)
Unregistration, 00:00:00:00.00–23:59:59:29.99 (*)
*
The settable value for Offset will change slightly depending on the MTC type.
■ V.Fader [UTILITY] → [(Page2) F6 (V.FDR)]
24
Parameter name
Display
Value, Initial value
Knob/Fader Assign
KNOB/FDR ASSIGN USER
Knob1–16
Knob1–16
FADER1–16
KNOB1–16
ATT, PHASE, GROUP, Ch LINK, Fader LINK, LEVEL, PAN, SOLO,
MUTE, AUX1–8 Send Sw, AUX1–8 Send Lev, AUX1/2–7/8 SendPAN,
InsFX1–8 Sw, InsFX1–8 SndLev, InsFX1–8 RrnLev, Surnd PAN,
Surnd DEPTH, Surnd LR:C, Surnd SubWLev, Dyn Sw, Dyn Type,
Cmp KeyIn, Cmp Thresh, Cmp RATIO, Cmp ATTACK,
Cmp RELEASE, Cmp LEVEL, Cmp AUTOGAIN, Exp KeyIn,
Exp Thresh, Exp RATIO, Exp ATTACK, Exp RELEASE, EQ Sw,
EQ Low Gain, EQ Low Freq, EQ LoMid Gain, EQ LoMid Freq,
EQ LoMid Q, EQ HiMid Gain, EQ HiMid Freq, EQ HiMid Q,
EQ High Gain, EQ High Freq, EQ Fltr TYPE,EQ Fltr Freq, EQ Fltr Q
cc# 0–cc# 7–cc# 119
cc# 0–cc# 10–cc# 119
Parameter List
■ Scene [UTILITY] → [(Page3) F1 (SCENE)]
Parameter name
Display
Value, Initial value
Scene Active Channel
INPUT MIXER (1–24)
TRACK MIXER (1–24)
FX RETURN (1–8)
AUX MASTER (1–8)
DIR (1–8)
EFFECT (1–8)
MST (MST)
Valid, Ignore
Valid, Ignore
Valid, Ignore
Valid, Ignore
Valid, Ignore
Valid, Ignore
Valid, Ignore
■ Automix [UTILITY] → [(Page3) F2 (A.MIX)]
Parameter name
Display
Value, Initial value
Writing Parameter
WRITING PARAMETER
After Punch Out
Return Time
Master Block
Input Mixer
Track Mixer
Effect Return Mixer
AUX Master
Direct Path
Effect Switch
AFTER PUNCH OUT
RETURN TIME
MST
INPUT MIXER(1–24)
TRACK MIXER(1–24)
FX RETURN(1–8)
AUX MASTER(1–8)
DIR(1–8)
FX(1–8)
LEVEL, PAN/Bal, EQ, MUTE, Aux Send, InsFX Lev,
SURROUND(initial value is all On)
Return, Keep
0, 100, 200, 300, 400, 500, 600, 700, 800, 900, 1000 ms
MST(Initial value is all MANUAL)
MANUAL, WRITE, READ
MANUAL, WRITE, READ
MANUAL, WRITE, READ
MANUAL, WRITE, READ
MANUAL, WRITE, READ
MANUAL, WRITE, READ
■ Surround [UTILITY] → [(Page3) F3 (Surrnd)]
Parameter name
Display
Value, Initial value
Surround Mix Switch
Surround Mix Mode
SURROUND MIX Sw
SURROUND MIX MODE
Off, On
2+2, 3+1, 3+2+1
■ Oscillator/Analyzer [UTILITY] → [(Page3) F4 (OscAna)]
Oscillator
Display
Value, Initial value
Switch
Source
Attenuator
Fader
Mix Send Pan
Mix Send Switch
AUX Send Switch
AUX Send Level
Direct Path
Sw
SOURCE
ATT
Fader
PAN
MIX
AUX (1–8)
DIR (1–8)
Off, On
PINK Noise, WhiteNoise, Sin Wave, METRONOME (*1)
-42.0–-12–+0 dB (*2)
-∞–0.0–6.0 dB
L63–C–R63
Off, On
Off, On
-∞–6.0 dB
Off, On
*1
*2
Parameter List
Parameter name
Metronome is not output to monitor when “METRONOME” is selected.
Valid when Source is except “METRONOME.”
Analyzer
Parameter name
Display
Value, Initial value
Source
SOURCE
Average Times
Average Type
Use Effect Board
AVERAGE TIMES
AVERAGE TYPE
Use EFFECT Board
IN1–IN24, TR1–TR24, FX1–8 RTN L, FX1–8 RTN R, Gen/OSC,
MST L, MST R, MON L, MON R, AUX1–8, DIR1–8
1–128
Off, NRM, EXP
Off, A, B, C, D
25
Parameter List
■ Parameter Initialize [UTILITY] → [(Page3) F6 (PrmIni)]
Parameter name
Display
Value, Initial value
Initialize Section
INITIALIZE SECTION
MIXER & UTILITY, MIXER, UTILITY
■ Project New [PROJECT] → [(Page1) F2 (NEW)]
Parameter name
Display
Value, Initial value
Project Name
Copy Utility Parameter
Copy Mixer/Scene Parameter
Sample Rate
Recording Mode
NAME
Copy Utility Prm
Copy Mixer/Scene Prm
Sample Rate
Recording Mode
InitProj 000 (*)
Off, On
Off, On
96k, 88.2k, 64k, 48k, 44.1k, 32k
M24, MTP, CDR, M16, MT1, MT2, LIV, LV2
*
A new number which is not designated to the projects which are already stored is allocated to 000.
■ Project Protect [PROJECT] → [(Page1) F4 (PROTEC)]
Parameter name
Display
Value, Initial value
Project Protect
-
Off, On
■ Format Drive [PROJECT] → [(Page4) F2 (FmtDrv)]
Parameter name
Display
Value, Initial value
Partition Size
Physical Format
Surface Scan
Partition Size
Physical Format
SurfaceScan
500 MB, 1 GB (1000 MB), 2 GB (2000 MB), 10GB
Off(Quick), On
Off, On
■ Clear Partition [PROJECT] → [(Page4) F3 (ClrPrt)]
26
Parameter name
Display
Value, Initial value
Surface Scan
SurfaceScan
Off, On
Preset Patch List
On the VS-2480/2480CD, you can access the range of effects listed below.
Loop:
Direct Level is set to “0.” Connect this Patch to the effects bus.
Insert:
This Patch mixes the direct sound and effected sound. Insert it into a channel.
* The Patches using algorithm shown below cannot be selected on the EFFECT 2, 4, 6 and 8.
Reverb/Gate Reverb/Vocoder2 (19)/Voice Transformer/Mastering Tool Kit
* The Patches cannot be selected on the EFFECT 2, 4, 6 and 8, when the Algorithm shown below is used on the EFFECT 1, 3, 5 and 7.
Vocoder2 (19)/Voice Transformer/Mastering Tool Kit
* The Patches using algorithm shown below cannot be selected on the projects with 64kHz or higher sampling rate.
Reverb/Gate Reverb/Vocoder2 (19)/Voice Transformer/Mic Modeling/Speaker Modeling/Mastering Tool Kit
■ Same as Algorithm (36 presets)
No.
Patch Name
Algorithm
Type
Input
Comment
P000
P001
P002
P003
P004
P005
P006
P007
P008
P009
P010
P011
P012
P013
P014
P015
P016
P017
P018
Reverb
Reverb2
Gate Reverb
Delay
StPS-Delay
Delay RSS
TapeEcho201
MultiTapDly
StDly-Chorus
Chorus RSS
Space Chorus
St Phaser
AnalogPhaser
St Flanger
AnalogFlnger
Rotary
2ch RSS
MicModeling
GuitarMulti1
Reverb
Reverb2
Gate Reverb
Delay
Delay RSS
Tape Echo 201
Multi Tap Delay
Stereo Delay Chorus
Chorus RSS
Space Chorus
Stereo Phaser
Analog Phaser
Stereo Flanger
Analog Flanger
Rotary
2ch RSS
Mic Modeling
Guitar Multi 1
Loop
Loop
Loop
Loop
Insert
Insert
Loop
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Mono
Mono
Mono
Mono
Stereo
Mono
Mono
Mono
Stereo
Mono
Stereo
Stereo
Stereo
Stereo
Stereo
Mono
2ch
2ch
Mono
(p. 34)
(p. 36)
(p. 38)
(p. 40)
(p. 42)
(p. 44)
(p. 45)
(p. 46)
(p. 48)
(p. 50)
(p. 51)
(p. 52)
(p. 54)
(p. 55)
(p. 56)
(p. 57)
(p. 58)
(p. 60)
(p. 62)
P019
GuitarMulti2
Guitar Multi 2
Insert
Mono
(p. 62)
P020
GuitarMulti3
Guitar Multi 3
Insert
Mono
(p. 62)
P021
P022
GuitarAmpMdl
Vocal Multi
Guitar Amp Modeling
Vocal Multi
Insert
Insert
Mono
Mono
(p. 64)
(p. 66)
P023
P024
P025
P026
P027
P028
P029
P030
P031
P032
P033
Voice Trans
Vocal Cancel
Vocoder
Vocoder2 (19)
Lo-Fi Proces
3BndIsolator
DualComp/Lim
ParametricEQ
Graphic EQ
Hum Canceler
Stereo Multi
Voice Transformer
Vocal Canceler
Vocoder
Vocoder2 (19)
Lo-Fi Processor
3band Isolator
Dual Compressor/Limiter
Parametric Equalizer
Graphic Equalizer
Hum Canceler
Stereo Multi
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Mono
Stereo
Mono
Mono
Stereo
Stereo
2ch
2ch
2ch
Stereo
Stereo
(p. 68)
(p. 69)
(p. 71)
(p. 72)
(p. 74)
(p. 75)
(p. 76)
(p. 78)
(p. 79)
(p. 80)
(p. 81)
P034
Speaker Mdl
Speaker Modeling
Insert
Stereo
(p. 83)
P035
MastringTool
Mastering Tool Kit
insert
Stereo
(p. 85)
Stereo Pitch Shifter Delay
[3 Band EQ] → [Reverb]
[Reverb] → [Gate] → [3 Band EQ]
[Gate Reverb] → [3 Band EQ]
[Delay] → [3BAND EQ]
[Pitch Shifter] → [Delay] → [3 Band EQ]
[3 Tap Delay] → [RSS]
[Tape Echo 201]
[Multi Tap Delay] → [3 Band EQ]
[Delay] → [Chorus] → [3 Band EQ]
[Chorus] → [RSS]
[Space Chorus]
[Phaser] → [3 Band EQ]
[Analog Phaser]
[Flanger] → [3 Band EQ]
[Analog Flanger]
[Noise Suppressor] → [Over Drive] → [Rotary Speaker]
[RSS 3D Panner]
[Mic Converter] → [Bass Cut] → [Distance] → [Limiter]
[Compressor] → [Heavy Metal] → [Noise Suppressor] →
[Auto Wah] → [GAmp Mdl] → [Flanger] → [Delay]
[Compressor] → [Distortion] → [Noise Suppressor] →
[Auto Wah] → [GAmp Mdl] → [Flanger] → [Delay]
[Compressor] → [OverDrive] → [Noise Suppressor] →
[Auto Wah] → [GAmp Mdl] → [Flanger] → [Delay]
[Noise Suppressor] → [G-Amp] → [Speaker Modeling]
[Noise Suppressor] → [Limiter/De-esser] → [Enhancer] →
[3 Band EQ] → [Pitch Shifter] → [Delay] → [Chorus]
[Voice Transformer] → [Reverb]
[Vocal Canceler] → [3 Band EQ]
[10 Band Vocoder] → [Chorus]
[19 Band Vocoder] → [Chorus]
[Lo-Fi Processor] → [Realtime Modify Filter] → [Noise Supressor]
[3 Band Isolator]
[Compressor/Limiter] → [Noise Suppressor]
[4 Band EQ]
[10 Band EQ]
[Hum Canceler] → [Noise Suppressor]
[Noise Suppressor] → [Compressor/Limiter] → [Enhancer] →
[3 Band EQ]
[SP Modeling] → [Bass Cut Freq] → [Lo Freq Trim] →
[Hi Freq Trim] → [Limiter]
[4 Band EQ] → [Bass Cut] → [Enhancer] → [3 Band Expander] →
[3 Band Compressor] → [Mixer] → [Limiter] → [Soft Clip]
Preset Patch List
27
Preset Patch List
■ Reverb (18 presets)
No.
Patch Name
Algorithm
Type
Input
Comment
P036
P037
P038
P039
P040
P041
P042
P043
P044
P045
P046
P047
P048
RV:LargeHall
RV:SmallHall
RV:Strings
RV:PianoHall
RV:Orch Room
RV:VocalRoom
RV:MediumRm
RV:LargeRoom
RV:CoolPlate
RV:Short Plt
RV:Vocal Plt
RV:Soft Amb.
RV:Room Amb.
Reverb
Reverb
Reverb
Reverb
Reverb
Reverb
Reverb
Reverb
Reverb
Reverb
Reverb
Reverb
Reverb
Loop
Loop
Loop
Loop
Loop
Loop
Loop
Loop
Loop
Loop
Loop
Loop
Loop
Mono
Mono
Mono
Mono
Mono
Mono
Mono
Mono
Mono
Mono
Mono
Mono
Mono
P049
P050
P051
P052
P053
RV:Cathedral
RV:Long Cave
RV:GarageDr.
RV:Rock Kick
RV:RockSnare
Reverb
Reverb
Reverb
Reverb
Reverb
Loop
Loop
Loop
Loop
Loop
Mono
Mono
Mono
Mono
Mono
Large concert hall reverberation.
Small hall reverberation.
Reverberation optimized for delicate highs of strings.
Rich and warm reverberation optimized for pianos.
Reverberation of large-capacity rooms such as big banquet halls.
Room reverb suitable for vocals and chorus.
Warm and naturally spacious room reverb.
Modeled acoustics of wide rooms with lots of reverberation.
Distinctive bright plate reverb.
Shorter plate reverb.
Crystal-clear reverb optimized for vocals.
Modeled reverberation of a room with minimal wall reflections.
Natural reverberation of rooms with good acoustics, suitable for drums
and guitars.
Acoustics of a very large, high-ceilinged church.
Modeled reverberation of deep caves.
Natural reverb that enhances unique drum sounds.
Reverb with many low-frequency components, suitable for rock kicks.
Rich and thick sounding reverb suitable for rock snares.
■ Reverb2 (20 presets)
*
“Reverb” and “Reverb2” use different algorithms with different sound characters.
No.
Patch Name
Algorithm
Type
Input
Comment
P054
P055
P056
P057
P058
P059
P060
P061
P062
P063
P064
P065
P066
R2:LargeHall
R2:SmallHall
R2:Strings
R2:PianoHall
R2:Orch Room
R2:VocalRoom
R2:MediumRm
R2:LargeRoom
R2:CoolPlate
R2:Short Plt
R2:Vocal Plt
R2:Soft Amb.
R2:Room Amb.
Reverb2
Reverb2
Reverb2
Reverb2
Reverb2
Reverb2
Reverb2
Reverb2
Reverb2
Reverb2
Reverb2
Reverb2
Reverb2
Loop
Loop
Loop
Loop
Loop
Loop
Loop
Loop
Loop
Loop
Loop
Loop
Loop
Mono
Mono
Mono
Mono
Mono
Mono
Mono
Mono
Mono
Mono
Mono
Mono
Mono
P067
P068
P069
P070
P071
P072
P073
R2:Cathedral
R2:Long Cave
R2:GarageDr.
R2:Rock Kick
R2:RockSnare
R2:BriteGte2
R2:Fat Gate2
Reverb2
Reverb2
Reverb2
Reverb2
Reverb2
Reverb2
Reverb2
Loop
Loop
Loop
Loop
Loop
Loop
Loop
Mono
Mono
Mono
Mono
Mono
Mono
Mono
Large concert hall reverberation.
Small hall reverberation.
Reverberation optimized for delicate highs of strings.
Rich and warm reverberation optimized for pianos.
Reverberation of large-capacity rooms such as big banquet halls.
Room reverb suitable for vocals and chorus.
Warm and naturally spacious room reverb.
Modeled acoustics of wide rooms with lots of reverberation.
Distinctive bright plate reverb.
Shorter plate reverb.
Crystal-clear reverb optimized for vocals.
Modeled reverberation of a room with minimal wall reflections.
Natural reverberation of rooms with good acoustics, suitable for drums
and guitars.
Acoustics of a very large, high-ceilinged church.
Modeled reverberation of deep caves.
Natural reverb that enhances unique drum sounds.
Reverb with many low-frequency components, suitable for rock kicks.
Rich and thick sounding reverb suitable for rock snares.
A high-density and bright sounding gated reverb. Adjust Threshold.
A high-density and warm sounding gated reverb. Adjust Threshold.
■ Gate Reverb (4 presets)
No.
Patch Name
Algorithm
Type
Input
Comment
P074
P075
P076
P077
RV:BriteGate
RV:Fat Gate
RV:ReverseGt
RV:PanningGt
Gate Reverb
Gate Reverb
Gate Reverb
Gate Reverb
Loop
Loop
Loop
Loop
Mono
Mono
Mono
Mono
Slightly brighter gate reverb.
Dynamic reverb sound with powerful mids and lows.
A reverse gate commonly used as a special effect.
A special effect with gate reverb shifting from left to right.
■ Delay (9 presets)
28
No.
Patch Name
Algorithm
Type
Input
Comment
P078
P079
P080
P081
P082
P083
P084
DL:Short Dly
DL:MediumDly
DL:LongDelay
DL:AnalogDly
DL:Tape Echo
DL:Karaoke
DL:Multi-Tap
Delay
Delay
Delay
Delay
Stereo Delay Chorus
Stereo Delay Chorus
Stereo Delay Chorus
Loop
Loop
Loop
Loop
Loop
Loop
Loop
Mono
Mono
Mono
Mono
Stereo
Stereo
Stereo
P085
P086
DL:MltTapAmb Multi Tap Delay
DL:Ping Pong
Multi Tap Delay
Loop
Loop
Mono
Mono
An ambience effect that adds depth to the sound by doubling.
Natural echo optimized for vocals.
Long delay suited for brass and analog synth solos.
Analog sound with gradually diminishing feedbacking highs.
Modeled tape echo with distinctive wow flutter.
Intense reverberation that effectively enhances karaoke vocals.
Spacious reflections using positioning delay at any point along the stereo
soundfield.
An ambience effect using 10 short delay units.
A special effect using tap delay.
Preset Patch List
■ Tape Echo 201 (4 presets)
No.
Patch Name
Algorithm
Type
Input
Comment
P087
P088
P089
P090
TE:ShortEcho
TE:LongEcho
TE:OldTape
TE:PanEcho
Tape Echo 201
Tape Echo 201
Tape Echo 201
Tape Echo 201
Loop
Loop
Loop
Loop
Mono
Mono
Mono
Mono
Models short type tape echo.
Models long type tape echo.
Models tape echo using an old tape.
Models tape echo in stereo.
■ Chorus (6 presets)
No.
Patch Name
Algorithm
Type
Input
Comment
P091
P092
P093
CH:Lt Chorus
CH:Deep Cho
CH:DetuneCho
Stereo Delay Chorus
Insert
Stereo Delay Chorus
Insert
Stereo Pitch Shifter Delay Insert
Stereo
Stereo
Stereo
P094
P095
P096
SPCHO:MODE 1 Space Chorus
SPCHO:MODE 2 Space Chorus
SPCHO:MODE 3 Space Chorus
Insert
Insert
Insert
Stereo
Stereo
Stereo
Natural stereo chorus with shallow depth for spacious, crystal-clear sound.
Intense stereo chorus that adds depth and spaciousness to the sound.
Chorus with left and right channels separately pitch shift-detuned up and
down.
Models MODE1 of the classic SDD-320 ambience processor.
Models MODE2 of the classic SDD-320 ambience processor.
Models MODE3 of the classic SDD-320 ambience processor.
■ Phaser (3 presets)
No.
Patch Name
Algorithm
Type
Input
Comment
P097
P098
P099
PH:Lt Phaser
PH:DeepPhase
AP:FB-Phaser
Stereo Phaser
Stereo Phaser
Analog Phaser
Insert
Insert
Insert
Stereo
Stereo
Stereo
Lighter 4-stage stereo phaser suitable for synth strings.
Deep phaser effective for electronic piano and clavinet sounds.
Models analog phaser with oscillation on purpose.
■ Flanger (3 presets)
No.
Patch Name
Algorithm
Type
Input
Comment
P100
P101
P102
FL:LtFlanger
FL:Deep Fl
AF:SBF-325
Stereo Flanger
Stereo Flanger
Analog Flanger
Insert
Insert
Insert
Stereo
Stereo
Stereo
Stereo flanger with slight modulation.
Deeper stereo flanger for metallic jet swooshing sound.
Models Roland SBF-325 analog flanger.
■ Pitch Shifter (7 presets)
No.
Patch Name
Algorithm
Type
Input
Comment
P103
P104
PS:-4thVoice
PS:ShimmerUD
Vocal Multi
Insert
Stereo Pitch Shifter Delay Insert
Mono
Stereo
P105
P106
P107
P108
P109
VT:M to Fm
VT:Fm to M
VT:Male Duo
VT:FemaleDuo
VT:Robot
Voice Transformer
Voice Transformer
Voice Transformer
Voice Transformer
Voice Transformer
Mono
Mono
Mono
Mono
Mono
Adds sound down a fourth to the direct sound.
A special effect with left channel pitch rising and right channel pitch
dropping over time.
Converts a male voice into a female voice.
Converts a female voice into a male voice.
Turns a single male voice into a duet (by adding a female voice).
Turns a single female voice into a duet (by adding a male voice).
Special effect like a robot speaking.
Insert
Insert
Insert
Insert
Insert
* PSD = Pitch Shifter Delay
■ Mic Modeling (29 presets)
Patch Name
Algorithm
Type
Input
Comment
P110
P111
MM:57→58
MM:57→421
Mic Modeling
Mic Modeling
Insert
Insert
2ch
2ch
P112
MM:57→451
Mic Modeling
Insert
2ch
P113
MM:57→87
Mic Modeling
Insert
2ch
P114
MM:57→47
Mic Modeling
Insert
2ch
P115
MM:57→Line
Mic Modeling
Insert
2ch
P116
MM:DR20→421
Mic Modeling
Insert
2ch
P117
MM:DR20→451
Mic Modeling
Insert
2ch
P118
P119
P120
P121
P122
P123
P124
P125
P126
P127
P128
MM:DR20→87
MM:10→58
MM:10→87
MM:Mini→57
MM:Mini→87
MM:C3KB→57
MM:C3KB→58
MM:C3KB→421
MM:C3KB→451
MM:C3KB→87
MM:C3KB→47
Mic Modeling
Mic Modeling
Mic Modeling
Mic Modeling
Mic Modeling
Mic Modeling
Mic Modeling
Mic Modeling
Mic Modeling
Mic Modeling
Mic Modeling
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Insert
2ch
2ch
2ch
2ch
2ch
2ch
2ch
2ch
2ch
2ch
2ch
Converts a general-purpose D. mic to a vocal D. mic. Rich mid/low range.
Converts a general-purpose D. mic to a large D. mic. For drums and guitar
amp.
Converts a general-purpose D. mic to a small C. mic. For acoustic guitar
and cymbals.
Converts a general-purpose D. mic to a large C. mic. For vocals and
acoustic inst.
Converts a general-purpose D. mic to a vintage C. mic. For vocals and
acoustic inst.
Cancels the characteristics of D.mic, giving the sound a flat frequency
response.
Converts a Roland DR-20 to an instrumental D. mic. For drums and guitar
amp.
Converts a Roland DR-20 to a small C. mic. For acoustic guitar and
cymbals.
Converts a Roland DR-20 to a large C. mic. For vocals and acoustic inst.
Converts a headset mic to a vocal D. mic.
Converts a headset mic to a large C. mic.
Converts a miniature C. mic to a general-purpose D. mic.
Converts a miniature C. mic to a large C. mic.
Converts a AKG C3000B to a general-purpose D. mic
Converts a AKG C3000B to a vocal D. mic.
Converts a AKG C3000B to an instrumental D. mic.
Converts a AKG C3000B to a small C. mic.
Converts a AKG C3000B to a large C. mic.
Converts a AKG C3000B to a vintage C. mic.
29
Preset Patch List
No.
Preset Patch List
P129
MM:C3KB→Line Mic Modeling
Insert
2ch
P130
P131
P132
P133
P134
P135
P136
P137
P138
MM:Kick&Snr1
MM:Kick&Snr2
MM:H.Hat&Tom
MM:Dr.OvrTop
MM:Dr.OvrAll
MM:Ac.Guitar
MM:StudioVcl
MM:StereoMic
MM:Ambience
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Insert
2ch
2ch
2ch
2ch
2ch
2ch
2ch
2ch
2ch
Cancels the characteristics of AKG C3000B, giving the sound a flat
frequency response.
For the bass drum (L channel) and snare drum (R channel) of a drum set (1).
For the bass drum (L channel) and snare drum (R channel) of a drum set (2).
For the hi-hat (L channel) and tom (R channel) of a drum set.
A patch for placing mics above the drums mainly to mic the cymbals.
A patch for placing mics above the front of the drums to mic the entire set.
For acoustic guitar. InsertL: brighter, InsertR: warmer.
For vocals. InsertL: natural, InsertR: Rock.
Gives time-lag to a sound miked in stereo, emphasizing spaciousness.
Models ambience mics. Add reverb and mix with original source.
Mic Modeling
Mic Modeling
Mic Modeling
Mic Modeling
Mic Modeling
Mic Modeling
Mic Modeling
Mic Modeling
Mic Modeling
* D. mic = dynamic microphone, C. mic = condenser microphone
■ Vocal (10 presets)
No.
Patch Name
Algorithm
Type
Input
Comment
P139
P140
VO:Vocal Fx
VO:JazzVocal
Vocal Multi
Vocal Multi
Insert
Insert
Mono
Mono
P141
P142
P143
VO:RockVocal
VO:Narration
VO:BigChorus
Vocal Multi
Vocal Multi
Vocal Multi
Insert
Insert
Insert
Mono
Mono
Mono
P144
P145
P146
P147
P148
VO:Club DJ
VO:AM-Radio
VO:PlusTwo
VO:Robot Fx
VO:Bull Horn
Vocal Multi
Vocal Multi
Stereo Pitch Shifter Delay
Stereo Pitch Shifter Delay
Guitar Multi 3
Insert
Insert
Insert
Insert
Insert
Mono
Mono
Stereo
Stereo
Mono
Basic setup for recording/mixdown of vocals.
A natural sounding jazz club-like ambience for warm reverb well-suited
for vocals.
Sound featuring limiter/enhancer processing as well as a unison effect.
An effect with heavy compression, used for narration.
A spacious-sounding stereo effect similar to increasing the number of
vocalists.
A club DJ-tailored effect that uses a pitch shifter to make voices lower.
Sound featuring hard compression and narrower frequency range.
A special effect that adds two more voices using a pitch shifter.
SF movie-like effect using a pitch shifter.
Modeled effect of sound produced from a Bull Horn or old radio.
* PSD = Pitch Shifter Delay
■ Guitar (11 presets)
No.
Patch Name
Algorithm
Type
Input
Comment
P149
P150
P151
P152
P153
P154
P155
P156
P157
P158
P159
GT:Rock Lead
GT:LA Lead
GT:MetalLead
GT:Metal Jet
GT:CleanRthm
GT:DIedClean
GT:Delay Rif
GT:Acoustic
GT:BluesDrv.
GT:Liverpool
GT:Country
Guitar Multi 2
Guitar Multi 2
Guitar Multi 1
Guitar Multi 1
Guitar Multi 1
Vocal Multi
Guitar Multi 2
Vocal Multi
Guitar Multi 3
Guitar Multi 3
Guitar Multi 3
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Mono
Mono
Mono
Mono
Mono
Mono
Mono
Mono
Mono
Mono
Mono
Straight distortion sound with delay.
Lead guitar sound with tasty compression and chorus applied.
Metal sound with dynamic, ultrahigh gain distortion.
Distortion together with a metallic effect achieved by flanging.
Clean sound with compression and chorus applied.
Superclean sound like line recording directly into the console.
Delay sounds at dotted eighth note intervals when a 120 BPM riff is played.
Optimized for electroacoustic guitars.
Crunchy overdrive sound suited to blues and R&R.
Crunchy sound often heard on ‘60s British rock.
Clean sound featuring distinctive compression and delay.
■ Guitar Amp Modeling (9 presets)
No.
Patch Name
Algorithm
Type
Input
Comment
P160
GA:JazChorus
Guitar Amp Modeling
Insert
Mono
P161
P162
P163
P164
P165
P166
P167
P168
GA:CleanTwin
GA:Vin.Tweed
GA:BluesDrv.
GA:MatchLead
GA:StudioCmb
GA:JMP-Stack
GA:SLDN Lead
GA:5150 Lead
Guitar Amp Modeling
Guitar Amp Modeling
Guitar Amp Modeling
Guitar Amp Modeling
Guitar Amp Modeling
Guitar Amp Modeling
Guitar Amp Modeling
Guitar Amp Modeling
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Mono
Mono
Mono
Mono
Mono
Mono
Mono
Mono
Roland JC-120 amp. Sounds more authentic when used with chorus for
mixdown.
U.S. tube combo amp circa “black panel.”
’50s U.S. tube amp overdrive.
Old British amp crunchy overdrive.
Hot-rodded British combo amp.
Favorite late ‘70s amp of studio musicians.
Late ‘60s British stacks.
An ‘80s amp known for versatile distortion.
Big tube amp standard for American heavy metal.
* Mdl. = Modeling
■ Bass (6 presets)
No.
Patch Name
Algorithm
Type
Input
Comment
P169
BS:DI’edBass
Vocal Multi
Insert
Mono
P170
P171
P172
P173
P174
BS:MikedBass
BS:CompBass
BS:Fat Bass
BS:Auto Wah
BS:FX Bass
Guitar Amp Modeling
Stereo Multi
Mastering Tool Kit
Guitar Multi 2
Stereo Delay Chorus
Insert
Insert
Insert
Insert
Insert
Mono
Stereo
Stereo
Mono
Stereo
Slight limiting and equalization optimized, ideal for line recording
applications.
A miked speaker box with four 12”s.
Hard-compressed sound optimized for slaps.
Enhanced low end. Edit LoMid EQ to suit the source instruments.
Synth bass like sound added with auto wah essential for ‘70s funk.
Solo-optimized sound with depth and spaciousness added through delay
and chorus.
* Mdl. = Modeling
30
Preset Patch List
■ Special Effects (11 presets)
No.
Patch Name
Algorithm
Type
Input
Comment
P175
LFP:BreakBts
Lo-Fi Processor
Insert
Stereo
P176
P177
P178
P179
P180
P181
P182
P183
P184
P185
LFP:1bitDist
LFP:TeknoFlt
LFP:Reso Flt
LFP:FatBotom
VOP22:M19Band
VOP22:S19Band
HC:Quiet60Hz
HC:Quiet50Hz
VC:Vocal Cnl
VC:CenterCnl
Lo-Fi Processor
Lo-Fi Processor
Lo-Fi Processor
Lo-Fi Processor
Vocoder2 (19)
Vocoder2 (19)
Hum Canceler
Hum Canceler
Vocal Canceler
Vocal Canceler
Insert
Insert
Insert
Loop
Insert
Insert
Insert
Insert
Insert
Insert
Stereo
Stereo
Stereo
Stereo
Mono
Mono
Stereo
Stereo
Stereo
Stereo
Reproduces the tonal change produced by lowering the bit/rate of a
sampled sound.
Extreme distortion sound produced by lowering the number of bits.
Emphasizes the out-of-band noise that occurs with low sampling rates.
Filter with resonance as found on synthesizers. Adjust CutOff.
Add heavy low-range for the groove. Mix with original source.
Clear and crisp vocoder.
Special stereo vocoder with long decay.
Cancels 60 Hz hum noise.
Cancels 50 Hz hum noise.
Cancels a vocal located in the center.
Cancel all sound located in the center.
■ Parametric Equalizer (26 presets)
No.
Patch Name
Algorithm
Type
Input
Comment
P186
P187
P188
P189
P190
P191
P192
PEQ:BassDrum
PEQ:RockBD
PEQ:RockSD
PEQ:RimShot
PEQ:Toms
PEQ:Hi Hat
PEQ:Cymbals
Parametric Equalizer
Parametric Equalizer
Parametric Equalizer
Parametric Equalizer
Parametric Equalizer
Parametric Equalizer
Parametric Equalizer
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Stereo
Stereo
Stereo
Stereo
Stereo
Stereo
Stereo
P193
P194
P195
P196
PEQ:Overhead
PEQ:Bass 1
PEQ:Bass 2
PEQ:SlapBass
Parametric Equalizer
Parametric Equalizer
Parametric Equalizer
Parametric Equalizer
Insert
Insert
Insert
Insert
Stereo
Stereo
Stereo
Stereo
P197
P198
P199
P200
P201
P202
P203
P204
P205
P206
P207
P208
P209
P210
P211
PEQ:Sax
PEQ:Bari.Sax
PEQ:ElecGtr
PEQ:NylonGtr
PEQ:BluesGtr
PEQ:SlideGtr
PEQ:LineGtr
PEQ:Male
PEQ:RockMale
PEQ:Female
PEQ:RockFeml
PEQ:Narrator
PEQ:Organ
PEQ:St.Piano
PEQ:SmallCho
Parametric Equalizer
Parametric Equalizer
Parametric Equalizer
Parametric Equalizer
Parametric Equalizer
Parametric Equalizer
Parametric Equalizer
Parametric Equalizer
Parametric Equalizer
Parametric Equalizer
Parametric Equalizer
Parametric Equalizer
Parametric Equalizer
Parametric Equalizer
Parametric Equalizer
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Stereo
Stereo
Stereo
Stereo
Stereo
Stereo
Stereo
Stereo
Stereo
Stereo
Stereo
Stereo
Stereo
Stereo
Stereo
For bass drum. Adjust LowQ and HiG.
For bass drum. A sound suitable for rock with mid-lows emphasized.
For snare drum. Drops the mid-lows and emphasizes the attack and snares.
For rim shot. Emphasizes the feeling of attack unique to a rim shot.
For toms. Adjust LowF and LowMidF.
For the crisper hi-hat. Adjust bell sound with HiMidG.
For cymbals. Emphasizes the difference in tone between cymbals and their
clarity.
For drum kit. Use when miking the sound of the entire kit.
For electric bass. Wide-range and tight bass sound.
For electric bass. Fatter and with more punch than P194. For rock.
For electric bass. Settings that emphasize the accent of pulled notes with
slap technique.
For alto/soprano sax. Lower HiG for mellow sound.
For baritone sax. Adjust LoMidF.
Settings that keep the lead guitar from being buried in the mix.
Emphasize the tone of nylon strings. Adjust fret sound with HiG.
Adds a delicate nuance suitable when playing blues on an acoustic guitar.
Adds a rich feel to acoustic slide guitar. Adjust HiF.
For piezo pickups. Adjust brightness with HiG.
Improves the tone quality of a male vocal. Adjust HiG.
Equalizer that adds energy to a male vocal. Best for rock. Try with Comp.
Improves the tone quality of a female vocal. Adjust LoMidG.
Equalizer that adds energy to a female vocal. Best for rock. Try with Comp.
Standard equalizer for male narration. Brings out the character of the voice.
Settings to bring out the character of a church organ.
For miking piano in stereo. Left: low range, right: high range.
Settings that bring out the chorus without letting it conflict with the main
vocal.
■ Graphic Equalizer (3 presets)
No.
Patch Name
Algorithm
Type
Input
Comment
P212
P213
GEQ:TotalEQ1
GEQ:TotalEQ2
Graphic Equalizer
Graphic Equalizer
Insert
Insert
Stereo
Stereo
P214
GEQ:Space EQ
Graphic Equalizer
Insert
Stereo
Boosts the low and high ranges.
Attenuates the lows and highs to narrow the range, tightening up the
sound.
Special settings that turn a monaural source into stereo.
■ Stereo Multi (5 presets)
Patch Name
Algorithm
Type
Input
Comment
P215
P216
P217
P218
P219
CL:Comp
CL:Limiter
EQ:Loudness
EQ:Fat Dance
EQ:ThinJingl
Stereo Multi
Stereo Multi
Stereo Multi
Stereo Multi
Stereo Multi
Insert
Insert
Insert
Insert
Insert
Stereo
Stereo
Stereo
Stereo
Stereo
Stereo type compression optimized for broadcast mixing.
A convenient effect for analog mastering because it can limit peak signals.
Applies EQ curve with slightly boosted lows and highs.
Hard compression plus equalizing for dance music.
Limiter and EQ processing for FM radio and TV broadcasting.
31
Preset Patch List
No.
Preset Patch List
■ Speaker Modeling (11 presets)
No.
Patch Name
Algorithm
Type
Input
Comment
P220
SPM:SuperFlt
Speaker Modeling
Insert
Stereo
P221
SPM:P.GenBlk
Speaker Modeling
Insert
Stereo
P222
P223
P224
P225
SPM:P.E-Bs
SPM:P.Mack
SPM:SmalCube
SPM:WhiteCon
Speaker Modeling
Speaker Modeling
Speaker Modeling
Speaker Modeling
Insert
Insert
Insert
Insert
Stereo
Stereo
Stereo
Stereo
P226
SPM:W.C+tiss
Speaker Modeling
Insert
Stereo
P227
P228
P229
P230
SPM:S.Radio
SPM:SmallTV
SPM:BoomBox
SPM:BB.LowBs
Speaker Modeling
Speaker Modeling
Speaker Modeling
Speaker Modeling
Insert
Insert
Insert
Insert
Stereo
Stereo
Stereo
Stereo
Modeling is used to compensate the DS-90, to produce an even flatter
sound with a wider range.
A widely used model of powered monitors (two-way type, with a woofer
diameter of 170 mm (6-1/2 inches)).
Powered monitors characterized by a bright tone.
Powered monitors characterized by an extended low-frequency response.
Small full-range speakers widely used in recording studios.
Sealed enclosure two-way speakers known for their white woofers and
widely used in recording studios.
A more mild sound, with tissue paper affixed over the tweeters of the
above “White Cone” speakers.
Small pocket-type radio.
Speakers built into a 14 inch size television.
Radio cassette recorder.
Radio cassette recorder with the Low Boost switched on.
■ Mastering Tool Kit (19 presets)
32
No.
Patch Name
Algorithm
Type
Input
Comment
P231
P232
P233
P234
P235
P236
P237
P238
P239
P240
P241
P242
P243
P244
P245
P246
P247
P248
P249
MTK:Mixdown
MTK:PreMastr
MTK:LiveMix
MTK:PopMix
MTK:DanceMix
MTK:JinglMix
MTK:HardComp
MTK:SoftComp
MTK:ClnComp
MTK:DnceComp
MTK:OrchComp
MTK:VocalCmp
MTK:Acoustic
MTK:RockBand
MTK:Orchestr
MTK:LoBoost
MTK:Brighten
MTK:DJsVoice
MTK:PhoneVox
Mastering Tool Kit
Mastering Tool Kit
Mastering Tool Kit
Mastering Tool Kit
Mastering Tool Kit
Mastering Tool Kit
Mastering Tool Kit
Mastering Tool Kit
Mastering Tool Kit
Mastering Tool Kit
Mastering Tool Kit
Mastering Tool Kit
Mastering Tool Kit
Mastering Tool Kit
Mastering Tool Kit
Mastering Tool Kit
Mastering Tool Kit
Mastering Tool Kit
Mastering Tool Kit
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Insert
Stereo
Stereo
Stereo
Stereo
Stereo
Stereo
Stereo
Stereo
Stereo
Stereo
Stereo
Stereo
Stereo
Stereo
Stereo
Stereo
Stereo
Stereo
Stereo
Mix down for CD
Pre-master for video editing
Final mix of live recording
for Pop music
for Dance music
Jingle for FM radio
Heavy compression
Light compression
Eliminating the background noise and clean up the sound
Compression for dance music
Compression for orchestra
Compression for vocal
Acoustic guitar
for Rock band
for Orchestra
Enhancing the low frequency range
Enhancing the high frequency range
DJ Microphone
Telephone voice modeling
Algorithm List
This section describes the effects associated with the respective algorithms and internal terminations. Read this
section when you need to check the algorithms in the built-in library (pre-set library) or before creating a new
library.
● To add reverbs (Reverb-related)
Reverb ............................................................................... (p. 34)
Reverb2 ............................................................................. (p. 36)
Gate Reverb...................................................................... (p. 38)
● To add delayed sounds (Delay-related)
Delay ................................................................................. (p. 40)
Stereo Pitch Shifter Delay .............................................. (p. 42)
Tape Echo 201 .................................................................. (p. 45)
Multi Tap Delay .............................................................. (p. 46)
● To expand sounds (Chorus-related)
Stereo Delay Chorus ....................................................... (p. 48)
Space Chorus ................................................................... (p. 51)
● To swing sounds (Modulation-related)
Stereo Phaser.................................................................... (p. 52)
Analog Phaser.................................................................. (p. 54)
Stereo Flanger .................................................................. (p. 55)
Analog Flanger ................................................................ (p. 56)
● To alter the volume increment (Compressor-related)
Dual Compressor/Limiter............................................. (p. 76)
● To increase/decrease levels by frequency band
(Filter-related)
3band Isolator .................................................................. (p. 75)
Parametric Equalizer ...................................................... (p. 78)
Graphic Equalizer ........................................................... (p. 79)
● To add effects suited for the guitar/bass
Guitar Multi 1 .................................................................. (p. 62)
Guitar Multi 2 .................................................................. (p. 62)
Guitar Multi 3 .................................................................. (p. 62)
Guitar Amp Modeling .................................................... (p. 64)
● To add effects suited for vocals
Vocal Multi ....................................................................... (p. 66)
Voice Transformer........................................................... (p. 68)
Vocal Canceler ................................................................. (p. 69)
● To add movement to sounds
Rotary................................................................................ (p. 57)
● To give three-dimensional location
Delay RSS ......................................................................... (p. 44)
Chorus RSS....................................................................... (p. 50)
2ch RSS.............................................................................. (p. 58)
● Others
Mic Modeling................................................................... (p. 60)
Vocoder............................................................................. (p. 71)
Vocoder2 (19) ................................................................... (p. 72)
Hum Canceler .................................................................. (p. 80)
Stereo Multi ...................................................................... (p. 81)
Speaker Modeling ........................................................... (p. 83)
Mastering Tool Kit .......................................................... (p. 85)
● To make sound quality rough (Lo-Fi-related)
Lo-Fi Processor ................................................................ (p. 74)
fig.08-01e
Effect block
Algorithm List
Parameters within the same effect
(left/right channels linked)
Audio signal
Control signal
33
Algorithm List
Reverb
This feature adds reverberation to the sound to model the size of space such as a hall and a room.
fig.08-04
Direct Level
Input L
3BAND EQ
Output L
Reverb
Direct Level
Input R
Output R
Sound types
Sounds around us can be analyzed and categorized into three types: direct sounds, early reflections and
reverberation. A direct sound is the sound that reaches the listener directly from the source. An early reflection is
the sound that has rebounded from the wall once, twice or several times. A reverberation is the sound we hear
after sound reflections are repeated many times.
fig.08-05e
Early reflections
Later
reverberation
Direct sound
Sound
source
Listener
Relationship between sound and time
Reflected sound reach the listener in the following sequence. The pre-delay is the time from when the direct
sound is heard until the reverb is heard. The reverb time is the time over which the reverb decays to silence.
fig.08-06e
Level
Direct sound
Early reflections
Later reverberation
Pre Delay
Time
Reverb Time
Reverb sound quality
The sound quality of a reverb is affected by materials of the walls and other members from which the sound is
rebounded. This is because the degree of attenuation in the High and low frequency bands varies. HF-Damp Gain
and LF-Damp Gain are provided so that you can adjust such attenuation degrees. The smaller the value becomes,
the steeper the degree of attenuation of the reverberation becomes severer in the High and low frequency bands.
In addition, in order to obtain softer reverberation, make the frequency lower by using HF-Damp Frequency
(High Freqreq-Damp Freq). In order to obtain harder reverberation, make the frequency Higher by using LFDamp Frequency (LoFreq-Damp Freq).
34
Algorithm List
Parameter (full name)
Setting
Function
On, Off
Turns the equalizer on or off.
EQ (Equalizer)
Sw (Switch)
Low Gain
-12– +12 dB
Sets the boost/cut amount in the low frequency band.
Low Freq (Low Frequency)
20 - 2000 Hz
Sets the center frequency in the low frequency band.
Low Q
0.3–10.0
Sets the width of the area around the low frequency that
will be affected by the gain settings.
*1
Low Type
Shlv, Peak
Sets the type of the low frequency band equalizer
(Shelving type or peaking type).
Mid Gain (Middle Gain)
-12– +12 dB
Sets the boost/cut amount in the middle frequency band.
Mid Freq (Middle Frequency)
200–8000 Hz
Sets the center frequency in the middle frequency band.
Mid Q (Middle Q)
0.3–10.0
Sets the width of the area around the middle frequency that
will be affected by the gain settings.
High Gain
-12– +12 dB
Sets the boost/cut amount in the High frequency band.
High Freq (High Frequency)
1.4–20.0 kHz
Sets the center frequency in the High frequency band.
High Q
0.3–10.0
Sets the width of the area around the High frequency that
will be affected by the gain settings.
*1
Hi Type (High Type)
Shlv, Peak
Sets the type of the High frequency band equalizer (Shlving
type or peaking type).
Level (Output Level)
0–100
Sets the volume after passing through the equalizer.
Reverb:
Adds reverberation.
Room Size (Room Size)
5–40 m
Sets the size of the room.
Time (Reverb Time)
0.1–32.0 sec.
Sets the time length of the reverb sound.
PreDLY (Pre-Delay)
0–200 ms
Sets the time until the reverb sound appears.
Difusi (Diffusion)
0–100
Sets the extent of diffusion of the early reflection sound.
Densty (Density)
0–100
Sets the density of the reverb sound.
ERLvl (Early Reflection Level)
0 to100
Sets the volume of the early reflection.
LF Damp Gain (LF-Damp Gain)
-36–0 dB
Sets the degree of attenuation of the reverb in the low
frequency band.
LF Damp Freq (LF-Damp Frequency)
50–4000 Hz
Sets the frequency on which the reverb starts attenuating in
the low frequency band.
HF Damp Gain (HF-Damp Gain)
-36–0 dB
Sets the degree of attenuation of the reverb in the High
frequency band.
HF Damp Freq (HF-Damp Frequency)
1.0–20.0 kHz
Sets the frequency on which the reverb starts attenuating in
the High frequency band.
HiCF (High Cut Frequency)
0.2–20.0 kHz
Sets the frequency for which the High frequency band
elements of the reverb are cut.
FX Lvl (Effect Level)
-100–100
Sets the volume of the reverb sound.
DirLvl (Direct Level)
-100–100
Sets the volume of the direct sound.
*1: If Low Type (Lo Type) or High Type (Hi Type) is set to “Shlv (Shlving Type),” the setting for Lo Q or High Q is
invalid.
“Reverb” cannot be used on EFFECT2, 4, 6, and 8 (even-numbered effects).
*
“Reverb” cannot be used on the projects with 64kHz or higher sampling rate.
Algorithm List
*
35
Algorithm List
Reverb2
This gate reverb works in either of two modes of gate operation (Gate/Ducking). In the Gate mode, the gate opens
when a certain volume (Threshold Level) is exceeded while in the Ducking mode, the gate opens when the
volume becomes as low as or lower than Threshold Level. You can use two reverbs (FX1 and FX2) with different
settings, or use it in combination with a previous reverb.
fig.08-49
Input L
Direct Level
Output L
3BAND EQ
Reverb 2
3BAND EQ
Input R
Direct Level
Output R
Reverb types
There are five reverb types: You can choose the type with Reverb Type.
Room1:
Room2:
Hall1:
Hall2:
Plate:
Ordinary room reverb
Room reverb with a softer tone compared with Room1
Ordinary hall reverb
Hall reverb with a softer tone compared with Hall1
Plate reverb
Selecting Gate type
Reverb sounds have different effects depending on the gate operation types. Use Gate Mode to select the type.
Gate:
Duckn:
36
The gate opens when the volume of the direct sound exceeds the value set with
Threshold Level (Thres). The gate closes when the volume drops below the Threshold
Level value.
Operates in the opposite manner as in the “Gate” mode. The gate closes when the
volume of the direct sound exceeds the value set with Threshold Value. The gate opens
when the volume becomes as low as or lower than the Threshold Level value.
Algorithm List
Parameter (full name)
Rev (Reverb 2):
Setting
Function
Gate reverb with two modes of gate operation
Sw (Switch)
On, Off
Turns the reverb on or off.
Type (Reverb Type)
See the column on
the previous page.
Sets the reverb type.
Gate (Gate)
On, Off
Opens or closes the gate.
Mode (Gate Mode)
Gate, Ducking
Sets the gate operation type.
Time (Reverb Time)
0.1–10.0 sec.
Sets the length (time) of the reverb sound.
PreDLY (Pre-Delay)
0–200 ms
Sets the time until the reverb sound is output.
Densty (Density)
0–100
Sets the density of the reverb sound.
HPF (High Pass Filter)
Thru, 20 - 2000 Hz
Sets the frequency at which HPF starts taking effect.
Set this to “Thru” if HPF is to be disabled.
LPF (Low Pass Filter)
1.0–20.0 kHz, Thru
Sets the frequency at which LPF starts taking effect.
Set this to “Thru” if LPF is to be disabled.
Thresh (Threshold)
0–100
Sets the reference volume for controlling gate operations.
Attack (Attack)
1–100
Sets the time from when the direct sound level exceeds the
threshold level until when the gate is completely open.
Releas (Release)
1–100
Sets the time from when the hold time has elapsed until the
sound is completely muted.
HoldT (Hold Time)
1–100
Sets the time from when the input falls below the threshold
level until when the release begins.
FX Lvl (Effect Level).
0–100
Sets the volume of the reverb sound.
DirLvl (Direct Level)
0–100
Sets the volume of the direct sound.
EQ (Equalizer)
Sw (Switch)
On, Off
Turns the equalizer on or off.
Low Gain (Low Gain)
-12– +12 dB
Sets the boost/cut amount in the low frequency band.
Low Freq (Low Frequency)
20 - 2000 Hz
Sets the center frequency in the low frequency band.
Low Q
0.3–10.0
Sets the width of the area around the low frequency that
will be affected by the gain settings.1
*1
Low Type
Shlv, Peak
Sets the type of the low frequency band equalizer
(Shlving type or peaking type).
Mid Gain (Middle Gain)
-12– +12 dB
Sets the boost/cut amount in the middle frequency band.
Mid Freq (Middle Frequency)
200–8000 Hz
Sets the center frequency in the middle frequency band.
Mid Q (Middle Q)
0.3–10.0
Sets the width of the area around the middle frequency that
will be affected by the gain settings.
High Gain
-12– +12 dB
Sets the boost/cut amount in the High frequency band.
High Freq (High Frequency)
1.4–20.0 kHz
Sets the center frequency in the High frequency band.
High Q
0.3–10.0
Sets the width of the area around the High frequency that
will be affected by the gain settings.1
*1
Hi Type (High Type)
Shlv, Peak
Sets the type of the High frequency band equalizer (Shlving
type or peaking type).
Level (Output Level)
0–100
Sets the volume after passing through the equalizer.
*1: If Low Type (Lo Type) or High Type (Hi Type) is set to “Shlv (Shlving Type),” the setting for Lo Q or High Q is
invalid.
Algorithm List
37
Algorithm List
Gate Reverb
This is a reverb in which the reverberation is muted during its decay. Its reverse mode can be used in conjunction
with Accent sounds to obtain sounds like from reverse playback of a tape.
fig.08-42
Input L
Output L
Direct Level
3BAND EQ
Gate Reverb
3BAND EQ
Input R
Direct Level
Output R
Gate Reverb
fig.08-43e
Level
Direct sound (DirLvl)
Accent sound
Reverb sound
Reverb
Level
(EfxLvl)
Accent
Level
(AcLvl)
Time
Gate Time
(Time)
Pre Delay
(PreDLY)
Accent Delay Time
(AcDLY)
Reverb applications
You can select how reverb sounds can be applied by setting up Gate Mode (Mode).
Normal:
L->R:
R->L:
Reverse1:
Reverse2:
38
Ordinary Gate Reverb
The Gate Reverb sound moves from the left to right side.
The Gate Reverb sound moves from the right to left side.
Reverse Gate (effect as if reverb are replayed backward.)
Reverse Gate that causes the reverb sound to decay midway.
Algorithm List
Parameter (full name)
GRev (Gate Reverb):
Setting
Function
Mutes the revert sound midway.
Sw (Switch)
On, Off
Turns the gate reverb on or off.
Mode (Gate Mode)
See the column on
the previous page.
Defines how the reverb sound is applied.
Time (Gate Time)
10–400 s
Sets the time from when the reverb sound begins until it is
muted.
PreDLY (Pre-Delay)
0–300 ms
Sets the time until the reverb sound appears.
Thick (Thickness)
0–100
Sets the thickness of the reverb sound.
Densty (Density)
0–100
Sets the density of the reverb sound.
AcDLY (Accent Delay Time)
0–200 ms
Sets the time from when the reverb sound is muted until the
accent sound appears.
AcLvl (Accent Level)
0–100
Sets the volume of the accent sound.
AcPan (Accent Pan)
L63–R63
Sets the pan of the accent sound.
FX Lvl (Effect Level).
-100–100
Sets the volume of the gate reverb sound.
DirLvl (Direct Level)
-100–100
Sets the volume of the direct sound.
On, Off
Turns the equalizer on or off.
EQ (Equalizer)
Sw (Switch)
Low Gain (Low Gain)
-12– +12 dB
Sets the boost/cut amount in the low frequency band.
Low Freq (Low Frequency)
20 - 2000 Hz
Sets the center frequency in the low frequency band.
Low Q
0.3–10.0
Sets the width of the area around the low frequency that
will be affected by the gain settings.1
*1
Low Type
Shlv, Peak
Sets the type of the low frequency band equalizer
(Shlving type or peaking type).
Mid Gain (Middle Gain)
-12– +12 dB
Sets the boost/cut amount in the middle frequency band.
Mid Freq (Middle Frequency)
200–8000 Hz
Sets the center frequency in the middle frequency band.
Mid Q (Middle Q)
0.3–10.0
Sets the width of the area around the middle frequency that
will be affected by the gain settings.
High Gain
-12– +12 dB
Sets the boost/cut amount in the High frequency band.
High Freq (High Frequency)
1.4–20.0 kHz
Sets the center frequency in the High frequency band.
High Q
0.3–10.0
Sets the width of the area around the High frequency that
will be affected by the gain settings.1
*1
Hi Type (High Type)
Shlv, Peak
Sets the type of the High frequency band equalizer (Shlving
type or peaking type).
Level (Output Level)
0–100
Sets the volume after passing through the equalizer.
*1: If Low Type (Lo Type) or High Type (Hi Type) is set to “Shlv (Shlving Type),” the setting for Lo Q or High Q is
invalid.
*
“Gate Reverb” cannot be used on EFFECT2, 4, 6, and 8 (even-numbered effects).
*
“Gate Reverb” cannot be used on the projects with 64kHz or higher sampling rate.
Algorithm List
39
Algorithm List
Delay
Delay is a feature to add a delayed sound to the direct sound in order to add thickness to the sound or to yield a
special effect.
fig.08-08
Input L
Direct Level
Output L
3BAND EQ
Feedback Level Lch
Delay
Feedback Level Rch
3BAND EQ
Input R
Direct Level
Output R
Delay sounds and the spread of sound
As a delay is output in the stereo mode, it sounds from the right and the left sides. These delay sounds can be
adjusted by setting Delay shift (shift). Set it to the value on the L side to cause the left-side delay sound lag behind
and to the value on the R side to cause the right-side delay sound lag behind. Set shift to “0” to make the delay
sounds on the both sides simultaneously. Setting the right and left delay times to different values yields more
spreading effect.
* The sum of the Delay Time value and the Delay shift value should not exceed the setting range of Delay Time.
For example, if the setting range of Delay Time is 0 to 1200 ms and Delay Time is set to 1000 ms, the setting
range of Delay Shift should be L200 to R200 ms.
Delay repetition
Delay feedback means to return the delay sound to the Delay input. The amount of feedback is set with FBLevel
(Feedback Level). The greater this value becomes, the more times the delay sound is repeated. Setting this level
to a negative value inverts the phase. Excessively large values may cause oscillation.
Parameter (full name)
Setting
Function
Delay:Adds a delayed sound to the direct sound, adding depth to the sound or creating special effects.
40
Sw (Switch)
On, Off
Turns the delay on or off.
Time (Delay Time)
0–1200 ms
Sets the time from direct sound until when the delay sound
is heard.
*1
Shift (Delay Shift)
L1200–0–R1200 ms
Sets the delay time difference between the right and left
delay sounds.
Lch FeedbackLvl (Lch Feedback Level)
-100–100
Sets the amount of the left-side delay should be returned to
the delay input.
Rch FeedbackLvl (Rch Feedback Level)
-100–100
Sets the amount of the right-side delay should be returned
to the delay input.
LF Damp Gain (LF-Damp Gain)
-36–0 dB
Sets the degree of attenuation in the low frequency band for
the delay sound fed back.
LF Damp Freq (LF-Damp Frequency)
50–4000 Hz
Sets the frequency at which attenuation in the low
frequency band starts to the delay sound fed back.
HF Damp Gain (HF-Damp Gain)
-36–0 dB
Sets the degree of attenuation in the High frequency band
for the delay sound fed back.
HF Damp Freq (HF-Damp Frequency)
1.0–20.0 kHz
Sets the frequency at which attenuation in the High
frequency band starts to the delay sound fed back.
Lch FXLvl (Lch Effect Level)
-100–100
Sets the volume for the left-side delay sound.
Rch FXLvl (Rch Effect Level)
-100–100
Sets the volume for the right-side delay sound.
DirLvl (Direct Level)
-100–100
Sets the volume of the direct sound.
Algorithm List
EQ (Equalizer)
Sw (Switch)
On, Off
Turns the equalizer on or off.
Low Gain (Low Gain)
-12– +12 dB
Sets the boost/cut amount in the low frequency band.
Low Freq (Low Frequency)
20 - 2000 Hz
Sets the center frequency in the low frequency band.
Low Q
0.3–10.0
Sets the width of the area around the low frequency that
will be affected by the gain settings.1
*2
Low Type
Shlv, Peak
Sets the type of the low frequency band equalizer
(Shlving type or peaking type).
Mid Gain (Middle Gain)
-12– +12 dB
Sets the boost/cut amount in the middle frequency band.
Mid Freq (Middle Frequency)
200–8000 Hz
Sets the center frequency in the middle frequency band.
Mid Q (Middle Q)
0.3–10.0
Sets the width of the area around the middle frequency that
will be affected by the gain settings.
High Gain
-12– +12 dB
Sets the boost/cut amount in the High frequency band.
High Freq (High Frequency)
1.4–20.0 kHz
Sets the center frequency in the High frequency band.
High Q
0.3–10.0
Sets the width of the area around the High frequency that
will be affected by the gain settings.1
*2
Hi Type (High Type)
Shlv, Peak
Sets the type of the High frequency band equalizer (Shlving
type or peaking type).
Level (Output Level)
0–100
Sets the volume after passing through the equalizer.
*1: The sum of the Delay Time (Time) value and the Delay Shift (Shift) value should not exceed the setting range of
Delay Time. For example, if Delay Time is set to 1000 ms, the setting range of Delay Shift is L200 to R200 ms.
*2: If Low Type (Lo Type) or Hi Type (High Type) is set to “Shlv (Shlving Type),” the setting for Lo Q or High Q is
invalid.
Algorithm List
41
Algorithm List
Stereo Pitch Shifter Delay
Changes the pitch of the direct sound. Corrects vocals out of tune or adds thickness to the sound by mixing the
direct sound and a sound at a shifted pitch.
fig.08-12
Input L
Output L
Direct Level
3BAND EQ
Pitch Shifter L
Delay L
Delay R
Pitch Shifter R
3BAND EQ
Input R
Output R
Direct Level
Setting up pitch
Chromatic Pitch (Chromatic) is used for major pitch variation while Fine Pitch (Fine) is used for fine adjustment.
Setting up slightly different pitches for the right and left gives thickness to the sound.
Parameter (full name)
Setting
Function
PShift (Pitch Shifter Delay) : Shifts the pitch.
Sw (Switch)
42
On, Off
Turns the pitch shifter on or off.
Lch Chroma Pitch (Lch Chromatic Pitch)
-12–12
Sets the left-side pitch variation (by semitone).
Rch Chroma Pitch (Rch Chromatic Pitch)
-12–12
Sets the right-side pitch variation (by semitone).
Lch Fine Pitch
-100–100
Sets the left-side pitch variation (by cent).
Rch Fine Pitch
-100–100
Sets the right-side pitch variation (by cent).
Lch PreDly (Lch Pre-Delay)
0–50 ms
Sets the time from when the direct sound is output until
when the left-side sound at a shifted pitch is output.
Rch PreDly (Rch Pre-Delay)
0–50 ms
Sets the time from when the direct sound is output until
when the right-side sound at a shifted pitch is output.
Lch FBDly (Lch Feedback Delay Time)
0–500 ms
Sets the feedback repetition cycle for the left-side delay
sound.
Rch FBDly (Rch Feedback Delay Time)
0–500 ms
Sets the feedback repetition cycle for the right-side delay sound.
Lch FeedbackLvl (Lch Feedback Level)
-100–100
Sets the amount of the left-side sound at a shifted pitch
should be returned to the left pitch shifter input.
Rch FeedbackLvl (Rch Feedback Level)
-100–100
Sets the amount of the right-side sound at a shifted pitch
should be returned to the right-side pitch shifter input.
Lch CrossFeedbackLvl (Lch Cross-Feedback Level)-100–100
Sets the amount of the left-side sound at a shifter pitch
should be returned to the right-side pitch shifter input.
Rch CrossFeedbackLvl (Rch Cross-Feedback Level)-100–100
Sets the amount of the right-side sound at a shifted pith
should be returned to the left-side pitch shifter input.
FX Lvl (Effect Level)
-100–100
Sets the volume of the sound at a shifter pitch.
DirLvl (Direct Level)
-100–100
Sets the volume of the direct sound.
Algorithm List
EQ (Equalizer)
Sw (Switch)
On, Off
Turns the equalizer on or off.
Low Gain (Low Gain)
-12– +12 dB
Sets the boost/cut amount in the low frequency band.
Low Freq (Low Frequency)
20 - 2000 Hz
Sets the center frequency in the low frequency band.
Low Q
0.3–10.0
Sets the width of the area around the low frequency that
will be affected by the gain settings.1
*1
Low Type
Shlv, Peak
Sets the type of the low frequency band equalizer
(Shlving type or peaking type).
Mid Gain (Middle Gain)
-12– +12 dB
Sets the boost/cut amount in the middle frequency band.
Mid Freq (Middle Frequency)
200–8000 Hz
Sets the center frequency in the middle frequency band.
Mid Q (Middle Q)
0.3–10.0
Sets the width of the area around the middle frequency that
will be affected by the gain settings.
High Gain
-12– +12 dB
Sets the boost/cut amount in the High frequency band.
High Freq (High Frequency)
1.4–20.0 kHz
Sets the center frequency in the High frequency band.
High Q
0.3–10.0
Sets the width of the area around the High frequency that
will be affected by the gain settings.1
*1
Hi Type (High Type)
Shlv, Peak
Sets the type of the High frequency band equalizer (Shlving
type or peaking type).
Level (Output Level)
0–100
Sets the volume after passing through the equalizer.
*1: If Low Type (Lo Type) or High Type (Hi Type) is set to “Shlv (Shlving Type),” the setting for Lo Q or High Q is
invalid.
Algorithm List
43
Algorithm List
Delay RSS
The right-side, left-side and center Delay sounds can be set separately. As RSS (p. 58) is connected to both the right
and left outputs, the sound image of the sound from the left-side channel is localized at 90˚ to the left and that of
the sound from the right-side channel at 90˚ to the right. The center Delay output can receive the Feedback effect.
fig.08-20
Input L
Output L
Direct Level
Feedback Level
L ch Delay
3 Tap Delay
Center Delay
R ch Delay
Input R
RSS
RSS
Output R
Direct Level
• The location is fixed; no azimuth or elevation can be specified.
• Refer to the column “Labeling on RSS product package”(p. 59).
Parameter (full name)
DlyRSS (Delay RSS):
Setting
Gives three-dimensional location to Delay sounds.
Time (Delay Time)
0–1200 ms
Sets the time from direct sound until when the left and right
delay sound is heard.
shift (Delay shift)
L1200–0–R1200 ms
Sets the balance of the right and left delay times.
C.Time (Center Delay Time)
0–1200 ms
Sets the time from direct sound until when the center delay
sound is heard.
RSS Lvl (RSS Level)
0–100
Sets the volume of the RSS sound.
C-Lvl (Center Level)
0–100
Sets the volume for the center delay sound.
LF Damp Gain (LF-Damp Gain)
-36–0 dB
Sets the degree of attenuation in the low frequency band for
the center delay sound returned to the input.
LF Damp Freq (LF-Damp Frequency)
50–4000 Hz
Sets the frequency at which attenuation in the low
frequency band starts for the center delay sound returned
to the input.
HF Damp Gain (HF-Damp Gain)
-36–0 dB
Sets the degree of attenuation in the High frequency band
for the center delay sound returned to the input.
HF Damp Freq (HF-Damp Frequency)
1.0–20.0 kHz
Sets the frequency at which attenuation in the High
frequency band starts for the center delay sound returned
to the input.
FBLvl (Feedback Level)
-100–100
Sets the amount of the center delay sound should be
returned to the delay input.
FX Lvl (Effect Level)
-100–100
Sets the volume of the delay RSS sound.
DirLvl (Direct Level)
-100–100
Sets the volume of the direct sound.
Phones (Phones)
Off, On
Set to On when you use headphones
Set to Off when you use speakers
*1 Refer to the column “Precautions for using RSS”(p. 59).
44
Function
*1
Algorithm List
Tape Echo 201
Models the tape echo section of the Roland RE-201 Space Echo. Capable of reproducing very subtle behavior at
the measuring instrument level as well as adding subtle changes in pitch due to deterioration of the tape or
inconsistency in tape rotation
fig.08-71
Output L
Input L
TapeEcho201
Input R
Output R
About replay head
RE-201 is equipped with three heads for creating sounds with different delay times (short, middle and long delay
sounds). A desired combination of heads for use can be selected with Mode Selector (Mode).
In addition, separate panning features for the three replay heads not included in RE-201 are added.
Parameter (full name)
Echo (Tape Echo 201):
Setting
Function
Models the tape echo section of the Roland RE-201 Space Echo.
Sw (Switch)
On, Off
Turns the tape echo on or off.
Mode (Mode Selector)
1–7
Selects a combination of the three replay heads.
Repeat Rate (Repeat Rate)
0–100
Sets the tape speed.
Intnsty (Intensity)
0–100
Sets the number of repeated the delay sound.
Tone Bass (Tone Bass)
-100– +100
Sets the low frequency band tone of the tape echo sound.
Tone Treble (Tone Treble)
-100– +100
Sets the High frequency band tone of Tape Echo sound.
Pan HeadS (Pan Head S)
L63–R63
Sets the pan settings for the short delay playback head.
Pan HeadM (Pan Head M)
L63–R63
Sets the pan settings for the middle delay playback head.
Pan HeadL (Pan Head L)
L63–R63
Sets the pan settings for the long delay playback head.
Tape Dist (Tape Distortion)
0–100
Adds tape-specific distortion.
WahFluter Rate (Wah-Flutter Rate)
0–100
Sets the fluttering rate of pitch due to deterioration of the
tape or inconsistency in the rotation.
WahFlutter Depth (Wah-Flutter Depth)
0–100
Sets the fluttering depth of pitch due to deterioration of the
tape or inconsistency in the rotation.
FX Lvl (Effect Level).
0–100
Sets the volume of the tape echo sound.
DirLvl(Direct Level)
0–100
Sets the volume of the direct sound.
Algorithm List
45
Algorithm List
Multi Tap Delay
This is a Delay feature that can set 10 delay sounds separately.
fig.08-45
Output L
Diret Level
Input L
3BAND EQ
Pan 1
Pan 2
Pan 10
Multi Tap Delay
Feedback Level
3BAND EQ
Input R
Parameter (full name)
MTD (Multi-Tap Delay):
46
Output R
Diret Level
Setting
Function
Issues 10 delay sounds separately.
Time Ch1 – Ch10 (Delay Time 1 – 10)
0–1200 ms
Sets the time from the direct sound until when the delay
sound for channels 1–10 is heard.
Level Ch1 – Ch10 (Delay Level 1 – 10)
0–100
Sets the volumes of delay sounds for channels 1–10.
Pan Ch1 – Ch10 (Pan 1 – 10)
L63–R63
Sets the pan of the delay sounds for channels 1–10.
FBTim (Feedback Delay Time)
0–1200 ms
Sets the repetition frequency for feedback.
FBLvl (Feedback Level)
-100–100
Sets the amount of the delay sound should be returned to
the delay input.
FX Lvl (Effect Level).
-100–100
Sets the volume of the delay sound.
DirLvl (Direct Level)
-100–100
Sets the volume of the direct sound.
Algorithm List
EQ (Equalizer)
Sw (Switch)
On, Off
Turns the equalizer on or off.
Low Gain (Low Gain)
-12– +12 dB
Sets the boost/cut amount in the low frequency band.
Low Freq (Low Frequency)
20 - 2000 Hz
Sets the center frequency in the low frequency band.
Low Q
0.3–10.0
Sets the width of the area around the low frequency that
will be affected by the gain settings.1
*1
Low Type
Shlv, Peak
Sets the type of the low frequency band equalizer
(Shlving type or peaking type).
Mid Gain (Middle Gain)
-12– +12 dB
Sets the boost/cut amount in the middle frequency band.
Mid Freq (Middle Frequency)
200–8000 Hz
Sets the center frequency in the middle frequency band.
Mid Q (Middle Q)
0.3–10.0
Sets the width of the area around the middle frequency that
will be affected by the gain settings.
High Gain
-12– +12 dB
Sets the boost/cut amount in the High frequency band.
High Freq (High Frequency)
1.4–20.0 kHz
Sets the center frequency in the High frequency band.
High Q
0.3–10.0
Sets the width of the area around the High frequency that
will be affected by the gain settings.1
*1
Hi Type (High Type)
Shlv, Peak
Sets the type of the High frequency band equalizer (Shlving
type or peaking type).
Level (Output Level)
0–100
Sets the volume after passing through the equalizer.
*1: If Low Type (Lo Type) or High Type (Hi Type) is set to “Shlv (Shlving Type),” the setting for Lo Q or High Q is
invalid.
Algorithm List
47
Algorithm List
Stereo Delay Chorus
Delay and Chorus can be combined to create spaciousness.
fig.08-10
Output L
Input L
Delay L
Chorus L
Cross FB Level Lch
Cross FB Level Lch
Cross FB Level Rch
Cross FB Level Rch
Chorus R
Delay R
3BAND EQ
3BAND EQ
Input R
Output R
How feedback works for Delay and Chorus
Feedback is the feature to return the effect sound to its input. The amount of feedback is set with FBLevel
(Feedback Level). Cross-Feedback is the feature to return the effect sound from the right input to the left input
and the effect send from the left input to the right. The amount of cross-feedback is set with Cross-Feedback Level
(CrossFB Level).
The greater this value becomes, the more times the delay sound is repeated. Setting this level to a negative value
inverts the phase.
For feedback of chorus, the greater the value becomes, the more spaciousness and thickness is added to the sound.
Setting this level to a negative value inverts the phase.
* Excessively great values may cause oscillation, leading to abnormal noise.
Parameter (full name)
Setting
Function
Delay:Adds a delayed sound to the direct sound, adding depth to the sound or creating special effects.
48
Sw (Switch)
On, Off
Turns the delay on or off.
Time (Delay Time)
0–500 ms
Sets the time from direct sound until when the delay sound
is heard.
*1
Shift (Delay Shift)
L500–0–R500 ms
Sets the delay time difference between the right and left
delay sounds.
Lch FeedbackLvl (Lch Feedback Level)
-100–100
Sets the amount of the left-side delay should be returned to
the left delay input.
Rch FeedbackLvl (Rch Feedback Level)
-100–100
Sets the amount of the right-side delay should be returned
to the right delay input.
Lch CrossFeedbackLvl (Lch Cross-Feedback Level)-100–100
Sets the amount of the left-side delay should be returned to
the right delay input.
Rch CrossFeedbackLvl(Rch Cross-Feedback Level)-100–100
Sets the amount of the right-side delay should be returned
to the left delay input.
FX Lvl (Effect Level)
-100–100
Sets the volume of the delay sound.
DirLvl (Direct Level)
-100–100
Sets the volume of the direct sound.
Algorithm List
Chorus:
Adds spaciousness and depth to the sound.
Sw (Switch)
On, Off
Turns the chorus on or off.
Rate (Rate)
0.1–10.0 kHz
Sets the rate of modulation.
Depth (Depth)
0–100
Sets the depth of modulation.
PreDLY (Pre-Delay)
0–50 ms
Sets the time delay from when the direct sound begins until
the processed sound is heard.
Lch FeedbackLvl (Lch Feedback Level)
-100–100
Sets the amount of the left-side chorus sound should be
returned to the left chorus input.
Rch FeedbackLvl (Rch Feedback Level)
-100–100
Sets the amount of the right-side chorus sound should be
returned to the right chorus input.
Lch CrossFeedbackLvl (Lch Cross-Feedback Level)-100–100
Sets the amount of the left-side chorus sound should be
returned to the right chorus input.
Rch CrossFeedbackLvl(Rch Cross-Feedback Level)-100–100
Sets the amount of the right-side chorus sound should be
returned to the left chorus input.
FX Lvl (Effect Level)
-100–100
Sets the volume of the chorus sound.
DirLvl (Direct Level)
-100–100
Sets the volume of the direct sound.
On, Off
Turns the equalizer on or off.
EQ (Equalizer)
Sw (Switch)
Low Gain (Low Gain)
-12– +12 dB
Sets the boost/cut amount in the low frequency band.
Low Freq (Low Frequency)
20 - 2000 Hz
Sets the center frequency in the low frequency band.
Low Q
0.3–10.0
Sets the width of the area around the low frequency that
will be affected by the gain settings.1
*2
Low Type
Shlv, Peak
Sets the type of the low frequency band equalizer
(Shlving type or peaking type).
Mid Gain (Middle Gain)
-12– +12 dB
Sets the boost/cut amount in the middle frequency band.
Mid Freq (Middle Frequency)
200–8000 Hz
Sets the center frequency in the middle frequency band.
Mid Q (Middle Q)
0.3–10.0
Sets the width of the area around the middle frequency that
will be affected by the gain settings.
High Gain
-12– +12 dB
Sets the boost/cut amount in the High frequency band.
High Freq (High Frequency)
1.4–20.0 kHz
Sets the center frequency in the High frequency band.
High Q
0.3–10.0
Sets the width of the area around the High frequency that
will be affected by the gain settings.1
*2
Hi Type (High Type)
Shlv, Peak
Sets the type of the High frequency band equalizer (Shlving
type or peaking type).
Level (Output Level)
0–100
Sets the volume after passing through the equalizer.
*1: The sum of the Delay Time (Time) value and the Delay Shift (Shift) value should not exceed the setting range of
Delay Time. For example, if the delay time is set to 300 ms, the setting range of Delay Shift is L200 to R200 ms.
*2: If Lo Type (Low Type) or Hi Type (High Type) is set to “Shlv (Shlving Type),” the setting for Lo Q or High Q is
invalid.
Algorithm List
49
Algorithm List
Chorus RSS
RSS (p. 58) is connected to the Chorus output. The sound image is defined with the sound from the left-side
channel located at left 90˚ and the sound from the right-side channel at right 90˚.
fig.08-22
Input L
Output L
Direct Level
RSS
Chorus
RSS
Output R
Direct Level
Input R
• Location is fixed; no azimuth or elevation can be specified.
• Refer to the column “Labeling on RSS product package”(p. 59).
Parameter (full name)
ChoRSS (Chorus RSS)
Setting
: Locates chorus sounds three-dimensionally.
Rate (Chorus Rate)
0.1–10.0 Hz
Sets the rate of modulation.
Depth (Chorus Depth)
0–100
Sets the depth of modulation.
FX Lvl (Effect Level)
-100–100
Sets the volume of the chorus RSS sound.
DirLvl (Direct Level)
-100–100
Sets the volume of the direct sound.
Phones (Phones)
Off, On
Set to On when you use headphones
Set to Off when you use speakers
*1 Refer to the column “Precautions for using RSS”(p. 59).
50
Function
*1
Algorithm List
Space Chorus
This is a chorus effect simulating Roland SDD-320. The effect to be changed can be reproduced by turning the four
buttons 1 to 4 on or off.
fig.08-51
Output L
Input L
Space Chorus
Input R
Output R
Parameter (full name)
Spcho (Space Chorus):
Setting
Function
Adds a chorus effect simulating SDD-320.
Sw (Switch)
On, Off
Turns the space chorus on or off.
InMode (Input Mode)
Mono, Stereo
Specifies whether the input signal is stereo or mono.
Mode (Space Mode)
1, 2, 3, 4, 1+4, 2+4, 3+4
Sets the chorus variation style.
MixBal (Mix Balance)
0–100
Sets the volume balance between the chorus sound and
the direct sound.
Algorithm List
51
Algorithm List
Stereo Phaser
A phaser adds a phase-shifted sound to the direct sound, producing a twisting modulation that creates
spaciousness and depth.
fig.08-36
Input L
Output L
Phaser L
3BAND EQ
Phaser R
3BAND EQ
Input R
Output R
Phaser and Flanger
The effects obtained with Phaser and Flanger are very similar. Both add twisting modulation effects to the sound,
creating spaciousness and depth. In other words, they create something like strongly accentuated chorus.
Phaser provides a unique surge sounding like bubbles coming up. Flanger works mostly in the same mechanism
as for Chorus. Besides that, it can create SE-type sounds like ascending/descending sounds of a jet.
Parameter (full name)
Phs (Phaser):
52
Setting
Function
Adds a sound with a shifted phase to the direct sound to add spaciousness to the sound.
Sw (Switch)
Off, On
Turns the phaser on or off.
Mode (Mode)
4, 8, 12, 16
Sets the number of stages in the phaser (p. 54).
Pol (Polarity)
Sync, Inv
Sets the right and left phases of modulation.
Rate (Rate)
0.1–10.0 Hz
Sets the rate at which the phaser will modulate.
Depth (Depth)
0–100
Sets the depth of modulation.
Manual (Manual)
0–100
Sets the reference frequency for adding the surging effect
to the sound.
Reso (Resonance)
0–100
Enhances frequency components at around the center
frequency set with Manual.
*1
CrossFBLvl (Cross-Feedback Level)
0–100
Sets the amount of the phaser sound to be returned to the
channel opposite to the one used for input.
*2
FX Lvl (Effect Level).
-100–100
Sets the volume of the phaser sound.
DirLvl (Direct Level)
-100–100
Sets the volume of the direct sound.
*3
Algorithm List
EQ (Equalizer)
Sw (Switch)
On, Off
Turns the equalizer on or off.
Low Gain (Low Gain)
-12– +12 dB
Sets the boost/cut amount in the low frequency band.
Low Freq (Low Frequency)
20 - 2000 Hz
Sets the center frequency in the low frequency band.
Low Q
0.3–10.0
Sets the width of the area around the low frequency that
will be affected by the gain settings.1
*4
Low Type
Shlv, Peak
Sets the type of the low frequency band equalizer
(Shlving type or peaking type).
Mid Gain (Middle Gain)
-12– +12 dB
Sets the boost/cut amount in the middle frequency band.
Mid Freq (Middle Frequency)
200–8000 Hz
Sets the center frequency in the middle frequency band.
Mid Q (Middle Q)
0.3–10.0
Sets the width of the area around the middle frequency that
will be affected by the gain settings.
High Gain
-12– +12 dB
Sets the boost/cut amount in the High frequency band.
High Freq (High Frequency)
1.4–20.0 kHz
Sets the center frequency in the High frequency band.
High Q
0.3–10.0
Sets the width of the area around the High frequency that
will be affected by the gain settings.1
*4
Hi Type (High Type)
Shlv, Peak
Sets the type of the High frequency band equalizer (Shlving
type or peaking type).
Level (Output Level)
0–100
Sets the volume after passing through the equalizer.
*1: An excessively great values for Resonance (Reso) may cause oscillation.
*2: An excessively large value for Cross-Feedback level may cause oscillation.
*3: When a mono source has been input, set “Inv” to provide spaciousness to the sound. Set “Sync” for inputting a
stereo source.
*4: If Low Type (Lo Type) or High Type (Hi Type) is set to “Shlv (Shlving Type),” the setting for Lo Q or High Q is
invalid.
Algorithm List
53
Algorithm List
Analog Phaser
Two units of analog phasers are placed in parallel to accommodate stereo sounds. Surges unique to Phaser is
created by adding sounds with the phase shifted periodically.
fig.08-75
Input L
Input R
Analog
Phaser L
Analog
Phaser R
Output L
Output R
Number of stages of Phaser
As the number of sages of Phaser increases, the number of frequency points suppressed increases as well,
generating sharper effect.
fig.08-76e
Level
4 stage
Frequency
Level
8 stage
Frequency
Parameter (full name)
APH (Analog Phaser):
54
Setting
Function
Two units of analog phaser are placed in parallel to accommodate stereo
sounds.
Sw (Switch)
On, Off
Turns the analog phaser on or off.
Mode (Mode)
8STAGE, 4STAGE
Sets the number of stages of phaser.
Freq (Frequency)
0–100
Sets the center frequency to which the phase effect is
applied.
Reso (Resonance)
0–100
Enhances frequency components at around the center
frequency set with Frequency.
LFO1/2 Rate (LFO1/2 Rate)
0–100
Sets the phase effect cycle length.
LFO1/2 Dep (LFO1/2 Depth)
0–100
Sets the depth of the phase effect cycle.
LFO1/2 ChB(LFO1/2 Channel B Inverse)
Nor Inv
“Inv” indicates that the surge phase should be inverted and
“Nor” indicates that it should not be inverted.
Algorithm List
Stereo Flanger
fig.08-38Parameter (full name)SettingFunction
Input L
Output L
Flanger L
3BAND EQ
Flanger R
3BAND EQ
Input R
Flg (Flanger):
Output R
Adds effect similar to ascending/descending sound of a jet.
Sw (Switch)
On, Off
Turns the flanger on or off.
Pol (Polarity)
Sync, Inv
Sets the right and left phases of modulation.
Rate (Rate)
0.1–10.0 Hz
Sets the rate at which the flanger is modulated.
*3
Depth (Depth)
0–100
Sets the depth of modulation.
Manual (Manual)
0–100
Sets the center frequency subject to application of the
Flanger effect.
Reso (Resonance)
0–100
Enhances frequency components at around the center
frequency set with Manual.
*1
CrossFBLvl (Cross-Feedback Level)
0–100
Sets the amount of the flanger sound to be returned to the
channel opposite to the one used for input.
*2
FX Lvl (Effect Level).
-100–100
Sets the volume of the flanger sound.
DirLvl (Direct Level)
-100–100
Sets the volume of the direct sound.
On, Off
Turns the equalizer on or off.
EQ (Equalizer)
Sw (Switch)
Low Gain (Low Gain)
-12– +12 dB
Sets the boost/cut amount in the low frequency band.
Low Freq (Low Frequency)
20 - 2000 Hz
Sets the center frequency in the low frequency band.
Low Q
0.3–10.0
Sets the width of the area around the low frequency that
will be affected by the gain settings.1
*4
Low Type
Shlv, Peak
Sets the type of the low frequency band equalizer
(Shlving type or peaking type).
Mid Gain (Middle Gain)
-12– +12 dB
Sets the boost/cut amount in the middle frequency band.
Mid Freq (Middle Frequency)
200–8000 Hz
Sets the center frequency in the middle frequency band.
Mid Q (Middle Q)
0.3–10.0
Sets the width of the area around the middle frequency that
will be affected by the gain settings.
High Gain
-12– +12 dB
Sets the boost/cut amount in the High frequency band.
High Freq (High Frequency)
1.4–20.0 kHz
Sets the center frequency in the High frequency band.
High Q
0.3–10.0
Sets the width of the area around the High frequency that
will be affected by the gain settings.1
*4
Hi Type (High Type)
Shlv, Peak
Sets the type of the High frequency band equalizer (Shlving
type or peaking type).
Level (Output Level)
0–100
Sets the volume after passing through the equalizer.
*1: An excessively great values for Resonance (Reso) may cause oscillation.
Algorithm List
*2: An excessively large value for Cross-Feedback level may cause oscillation.
*3: When a mono source has been input, set “Inv” to provide spaciousness to the sound. Set “Sync” for inputting a
stereo source.
*4: If Low Type (Lo Type) or High Type (Hi Type) is set to “Shlv (Shlving Type),” the setting for Lo Q or High Q is
invalid.
55
Algorithm List
Analog Flanger
Models Roland SBF-325 Analog Flanger. Provides three types of flanger effects as well as chorus-like effect.
fig.08-73
Input L
Input R
Analog
Flanger L
Analog
Flanger R
Output L
Output R
Types of Flanger Effect
Analog Flanger provides a variety of flanger effects or chorus effects. Selecting the desired flanger effect type in
Mode.
FL1:
FL2:
FL3:
CHO:
General monaural flanger
Stereo flanger that allows stereo location of the direct sound to take effect.
Cross mix flanger that provides more powerful effect
Chorus effect
Parameter (full name)
AFL (Analog Flanger):
Setting
Models SBF-325 Analog Flanger.
Sw (Switch)
On, Off
Turns the analog flanger on or off.
Modulation Freq (Modulation Frequency)
0–100
Sets the center frequency subject to application of the
flanger effect.
Modulation Rate (Modulation Rate)
0–100
Sets the flanger’s modulation rate.
Modulation Depth (Modulation Depth)
0–100
Sets the depth of the flanger modulation.
Mode (Mode)
FL1, FL2, FL3, CHO
Sets the type of flanger effects.
Feedback (Feedback Level)
0–100
Sets the amount of the delayed sound should be returned
to the flanger input.
*1, *2
ChB (Channel B Inverse)
Nor, Inv
“Inv” indicates that the Flanger effect on Channel B should
be inverted. “Nor” indicates that it should not be inverted.
Phase ChA (Mix A Inverse)
Nor, Inv
“Inv” indicates that the phase should be inverted for mixing
Channel A Flanger sound into the direct sound.
“Nor” indicates that the phase should not be inverted.
Phase ChB (Mix B Inverse)
Nor, Inv
“Inv” indicates that the phase should be inverted for mixing
Channel B Flanger sound into the direct sound.
“Nor” indicates that the phase should not be inverted.
*1: This feature is disabled when Mode is set to “CHO.”
*2: Excessively large values may cause oscillation.
56
Function
Algorithm List
Rotary
Models a rotary speaker. Behaviors of High and low frequency band Roters can be set up separately, allowing
realistic modeling of unique surging sensation. This effect is suited for organ sounds.
fig.08-32
Input L
Output L
Noise Suppressor
Over Drive
Rotary Speaker
Output R
Input R
Parameter (full name)
NS (Noise Suppressor):
Setting
Function
Mutes noise in the silent mode.
Sw (Switch)
On, Off
Turns the noise suppressor on or off.
Thresh (Threshold)
0–100
Sets the level to start muting noise.
Release (Release)
0–100
Sets the time over which the volume will drop to 0 after the
noise starts being muted.
Ovd (Overdrive):
Adds distortion to the sound.
Sw (Switch)
On, Off
Turns overdrive on or off.
Gain (Gain)
0–100
Sets the degree of sound distortion.
Level (Level)
0–100
Sets the volume of the overdrive sound.
Rot (Rotary Speaker):
Models a rotary speaker.
LRate (Low Rate)
0.1–10.0 Hz
Sets the rotary frequency of the low frequency band roter.
HRate (High Rate)
0.1–10.0 Hz
Sets the rotary frequency of the High frequency band roter.
Algorithm List
57
Algorithm List
2ch RSS
Gives each of the sounds input into the respective channels three-dimensional locations.
fig.08-16
Output L
Input A
RSS
RSS
Input B
Output R
• Input A is input into the L-channel side of the effect. Therefore, it is required to insert and connect “Lch” of the
effect to the channel handling Input A. Similarly, Input B is input into the R-channel side of the effect. Insert and
connect “Rch” of the effect to the channel handling Input B.
• Do not output the direct sound.
What is RSS?
It stands for Roland Sound Space. This is one of the Roland’s proprietary effect technologies that enables threedimensional location of the sound source on the ordinary stereo system. Not only control on effect for the front
and the sides of the audience, this technology provides controls on directions (azimuth) such as up, down and
rear as well as control on distance to localize the sound source.
fig.08-17e
Up
Elevation
Back
Right
Left
0°
Front
Azimus
Down
Parameter (full name)
RSS:
Setting
Gives sounds three-dimensional locations.
Azimuth
-180–180˚
Sets output directions, front, back, right and left, for the
Input A channel.
Elevation
-90–90˚
Sets output directions, up and down, for the Input A
channel.
Type
A
Same effects can be achieved as the old VS series (VS880/880EX/890/1680/1880/1824/1824CD/VSR-880).
More distinctive effects can be achieved than Type A.
B
Phones
58
Function
Off, On
Set to On when you use headphones
Set to Off when you use speakers.
Algorithm List
Precautions for using RSS
When you use RSS with Phones Off, please notice the following points.
• Acoustically “dead” rooms are most suitable.
• A single-way speaker is suited. However, a multi-way type will do if it incorporates the coaxial or virtual
coaxial system.
• Place the speakers as far as possible from the walls on the sides.
• Do not separate the right and left speakers too much.
• Recommended sweet spots for listening are as follows:
fig.08-17b
30°
30°
Labeling on RSS product package
In order to allow RSS to demonstrate its maximum performance, it is important to specify listening environment.
For sale, we recommend that you should attach the following labeling on the packages of your products produced
by using RSS patches.
■ When using with Phones Off
■ When using with Phones On
fig.08-18e
For Stereo Speakers
For Headphones
This sound is made to be played specifically through speakers.
The proper effect cannot be obtained if listened to through headphones.
Less reflections from the wall
or floor are better.
If a hard wall is close to it,
draw a curtain.
SP
EA
KE
Speaker should be placed
as far away as possible from
the wall or floor.
SP
EA
KE
R
R
24 to 30
This sound has been made specifically for playing through headphones.
You cannot obtain the proper effect if listening through speakers.
.
Algorithm List
59
Algorithm List
Mic Modeling (Microphone Modeling)
This modifies sound that was recorded by a conventional dynamic mic, lapel mic or direct line, causing it to sound
as though it had been recorded by an expensive condenser mic or a special studio mic. The mic simulator can add
effects of proximity or distance.
fig.08-67
Input A
Output A
Mic Converter A
BassCut A
Distance A
Limiter A
Distance B
Limiter B
Link
Mic Converter B
Bass Cut B
Input B
Output B
Selecting the microphone used for recording.
Input of Mic Converter selects the type of microphone to be used recording.
DR-20:
Sml.Dy:
Hed.Dy:
Min.Cn:
Flat:
C3000B:
Roland DR-20 (dynamic microphone manufactured by Roland)
Small Dynamic Microphone (dynamic microphone used for instruments and vocal)
Head-worn Dynamic Microphone (headset-type dynamic microphone)
Miniature Condenser Microphone (very small condenser microphone)
Line input
AKG C3000B (Condenser microphone manufactured by AKG)
Microphone types that can be modeled
The characteristics of the low-end general-purpose microphone are converted into the characteristics of the Highend microphone for studio application. You can add sound quality changes to already recorded sounds just as if
a different type of microphone were used or if they were recorded at a different distance. In addition, it is possible
to add microphone characteristics to line-recorded instrumental sounds. These characteristics can be set up by
selecting the relevant value for Out of Mic Converter.
Sml.Dy:
Voc.Dy:
Lrg.Dy:
Sml.Cn:
Lrg.Cn:
Vnt.Cn:
Flat:
Dynamic microphone for general musical instruments and vocal sounds. Ideal for a guitar
amplifier and snare drums.
Dynamic microphone for standard vocal sounds. Characterized in middle frequency band sounds
with tension. Suited for vocal.
Dynamic microphone with a extended low frequency band. For bass and tom drums.
Small condenser microphone for musical instruments. Characterized in bright High frequency
band sounds. For metal percussion and acoustic guitars.
Condenser microphone with flat characteristics. For vocal, narration and live musical instruments.
Vintage condenser microphone. For vocal and live musical instruments.
Microphone with flat frequency response. For removing peculiarity of the microphone used for
recording sounds.
* When a condenser-type mic is selected in OUT, low-range noise transmitted through the mic stand may be
accentuated due to the mic’s low range characteristics. In such instances, either cut out any unnecessary low end
with bass cut filter, or equip the mic stand with an isolation mount (a mic holder with rubber or other shock
absorbing material).
Proximity effect of microphone
In nature, a microphone tends to extend the low frequency band characteristics when placed close to the sound
source. This is called proximity effect. This effect can be modeled in Proximity Effect (Prox-Efect). Set the
parameter to a positive (+) value for a shorter distance to the sound source and a negative (-) value for a longer
distance to the sound source. Time of Distance models the time difference due to distance from the sound source.
Controlling Channels A and B separately
Setting Link On enables simultaneous control on the 4-Band Parametric Equalizer via Channel B according to the
settings on the Channel A side. To control Channels A and B separately, turn Link Off.
60
Algorithm List
Parameter (full name)
Lnk (Link):
Setting
Function
Channel B follows the settings for Channel A.
Link (Link Switch)
On, Off
Specifies if Channel B follows or does not follow the
settings for Channel A.
CnvA, CnvB (Mic Converter):Converts the characteristics of the low-end general-purpose microphone into
the characteristics of the High-end microphone for studio application.
Sw (Switch)
On, Off
Turns the microphone converter on or off.
Input (Input)
See the column on
the previous page.
Sets the microphone type used for recording.
Output (Output)
See the column on
the previous page.
Sets the microphone types to be Modeled.
Phase (Phase)
Nor, Inv
Sets the microphone phase.
BCutA, BCutB (Bass Cut Filter): Cuts off undesired low frequency band sounds such as pop noise.
Sw (Switch)
On, Off
Turns the bass cut filter on or off.
Freq (Frequency)
Thru, 20 - 2000 Hz
Sets the frequency for cutting off undesired low frequency
band sounds such as pop noise.
DstnA, DstnB (Distance):
Models the frequency characteristics and time difference due to distance
difference.
Sw (Switch)
On, Off
Turns the distance on or off.
Prox.Fx (Proximity Effect)
-12– +12
Corrects the low frequency band characteristics due to the
distance from the sound source.
Time (Time)
0–3000 cm
Models the time difference due to the distance from the
sound source.
LmtA, LmtB (Limiter):
Prevents distortion by suppressing signals at High levels.
Sw (Switch)
On, Off
Turns the limiter on or off.
Thrsh (Threshold)
-60–0 dB
Sets the volume level to start suppressing excessive input.
Attack (Attack Time)
0–100
Sets the time from when the input level exceeds the
threshold level to when the effect begins to apply.
Release (Release Time)
0–100
Sets the time from when the input level drops below the
threshold level to when the effect ceases to apply.
Detect HPF Freq (Detect HPF Frequency)
Thru, 20 - 2000 Hz
Normally, sets “Thru”.
Sets the cutoff frequency of the level detection section.
Level (Output Level)
-60– +24 dB
Sets the volume of the compressor sound.
Algorithm List
61
Algorithm List
Guitar Multi 1–3
These provide multi-effects for guitar sounds suited for rock. Guitar Multi 1 through 3 differ in the degree of
sound distortion. Guitar Multi 1 provides the Highest degree of distortion and Guitar-Multi 3 the lowest.
fig.08-26
Input L
Compressor
Heavy Metal
Noise
Suppressor
Output L
Auto Wah
GAmp Mdl
Flanger
Delay
Output R
Input R
fig.08-27
Input L
Compressor
Distortion
Noise
Suppressor
Output L
Auto Wah
GAmp Mdl
Flanger
Delay
Output R
Input R
fig.08-28
Input L
Compressor
OverDrive
Noise
Suppressor
Output L
Auto Wah
GAmp Mdl
Flanger
Delay
Output R
Input R
Usage of Guitar Multi 1 through 3
The basic configuration is almost identical for all of Guitar-Multi 1 through 3. The only difference is the type of
the second effect (heavy metal, distortion, and overdrive). Select Guitar Multi 1 to add severe distortion to the
sound, and select Guitar Multi 3 for soft distortion as that achieved with the vacuum tube amplifier.
Adding Wah effect by changing input volume
Typically, Auto-Wah provides an automatic wah effect at the cycle set with Rate (Rate).
Alternatively, you can give wah effect according to changes of input volume. For example, you can apply the wah
effect so that it reflects changes in picking on the guitar. First, adjust sensitivity for changes in input volume by
using Sense (Sens). Set it to a larger value for finer subtlety. After that, you simply decide the direction into which
the filter should be moved by entering a setting for Polarity (Pol).
Selecting Guitar Amplifier
You can select which type of Guitar Amplifier to use with Mode (Mode) under Guitar Amplifier Simulator.
Small:
Built In:
2 Stack:
3 Stack:
Small-sized amplifier
Built-in type amplifier
Large-sized two-deck stacked amplifiers
Large-sized three-deck stacked amplifiers
Compressors used in Guitar Multi 1 through 3
Compressors used in Guitar Multi 1 through 3 are designed to accommodate playing of the guitar, providing a
slightly different effect from ordinary compressors. Compressors for the guitar unifies volumes by suppressing
signals at High levels and enhancing signals at low levels.
Unlike these, ordinary compressors simply suppress signals at High levels.
62
Algorithm List
Parameter (full name)
Setting
Function
Comp (Compressor):Compresses the entire output signals when the input volume exceeds a specified value.
Sw (Switch)
On, Off
Turns the compressor on or off.
Sustain (Sustain)
0–100
Sets the time over which low level signals are boosted to a
constant volume.
Attack (Attack)
0–100
Sets the strength of attack when a sound is input.
Tone (Tone)
-50–50
Sets the tone color.
Level (Level)
0–100
Sets the volume of the compressor sound.
Metal (Heavy Metal) / Dstr (Distortion) / Ovd (Overdrive): Gives distortion to the sound.
Sw (Switch)
On, Off
Turns the metal, distortion or overdrive on or off.
Gain (Gain)
0–100
Sets the degree of the distortion.
Low Gainain (Low Gain)
-100–100
Sets the boost/cut amount in the low frequency band. (only for Metal)
MidGain (Middle Gain)
-100–100
Sets the boost/cut amount in the middle frequency band.(only for Metal)
High Gainain (High Gain)
-100–100
Sets the boost/cut amount in the High frequency band. (only for Metal)
Tone (Tone)
0–100
Sets the tone color. (for Distortion/Overdrive only)
Level (Level)
0–100
Sets the volume of the metal, distortion or overdrive sound.
NS (Noise Suppressor):
Sw (Switch)
Mutes noise in the silent mode.
On, Off
Turns the noise suppressor on or off.
Thresh (Threshold)
0–100
Sets the level to start muting noise.
Release (Release)
0–100
Sets the time over which the volume will drop to 0 after the noise
starts being muted.
Wah (Auto Wah):
Adds the wah effect.
Sw (Switch)
On, Off
Turns the auto wah on or off.
Mode (Mode)
LPF, BPF
Set to “BPF” for the wah effect in a narrow range of frequencies
and to “LPF” for wah effect in a broad range of frequencies.
Pol (Polarity)
Up, Down
Activated only for adding the wah effect according to input volume
changes. Set to “Up” for moving the filter to a Higher frequency and
“Down” for moving it to a lower frequency.
Sens (Sense)
0–100
Normally “0.”
Sets sensitivity for input volume changes for adding the wah effect
according to input volume changes.
Freq (Frequency)
0–100
Sets the frequency at which the wah effect starts working.
Peak (Peak)
0–100
Sets the degree of the wah effect applied at around the frequency.
Rate (Rate)
0.1–10.0 Hz
Sets the rate at which the wah effect will be cyclically modulated.
Depth (Depth)
0–100
Sets the depth at which the wah effect will be cyclically modulated.
Level (Level)
0–100
Sets the volume of the wah sound.
Mdl (Guitar Amplifier Simulator): Models Guitar Amplifier.
Sw (Switch)
On, Off
Turns the guitar amplifier simulator on or off.
Mode (Mode)
See the column on
the previous page.
Type of the guitar amplifier.
Flg (Flanger):
Adds effects similar to ascending/descending sound of a jet.
On, Off
Turns the flanger on or off.
Rate (Rate)
0.1–10.0 Hz
Sets the rate of modulation for the flanger.
Depth (Depth)
0–100
Sets the depth of modulation for the flanger.
Manual (Manual)
0–100
Sets the center frequency subject to application of the flanger effect.
Reso (Resonance)
0–100
Enhances frequency components at around the center frequency
set with Manual.
Continued...
63
Algorithm List
Sw (Switch)
Algorithm List
Dly (Delay):Adds a delayed sound to the direct sound, adding depth to the sound or creating special effects.
Sw (Switch)
On, Off
Turns the delay on or off.
Time (Delay Time)
0–1000 ms
Sets the time from direct sound until when the delay sound is heard. *1
shift (shift)
L1000–0–R1000 ms
Sets the delay time difference between the right and left delay sounds.
FBTim (Feedback Delay Time)
0–1000 ms
Sets the feedback repetition cycle.
FBLvl (Feedback Level)
-100–100
Sets the amount of the delay sound should be returned to the delay
input.
FX Lvl (Effect Level)
-100–100
Sets the volume of the delay sound.
DirLvl (Direct Level)
-100–100
Sets the volume of the direct sound.
*1: The sum of the Delay Time value and the Delay shift value should not exceed the setting range of Delay Time.
For example, if Delay Time is set to 800 ms, the setting range of Delay shift is L200 to R200 ms.
Guitar Amp Modeling (Guitar Amplifier Modeling)
Models a guitar amplifier.
fig.08-34
Input L
Output L
Noise Suppressor
G-Amp
Speaker Modeling
Output R
Input R
Parameter (full name)
NS (Noise Suppressor):
Function
Mutes noise in the silent mode.
Sw (Switch)
On, Off
Turns the noise suppressor on or off.
Thresh (Threshold)
0–100
Sets the level to start muting noise.
Release (Release)
0–100
Sets the time over which the volume will drop to 0 after the noise
starts being muted.
AMP (Pre-Amplifier):
Models the pre-amplifier section of a guitar amplifier.
Sw (Switch)
On, Off
Turns the compressor on or off.
Amp Type (Pre-amplifier type)
See the column on
the next page.
Sets the type of the guitar amplifier.
Gain (Gain)
Low, Middle, High
Sets the degree of sound distortion on the pre-amplifier.
Bright (Bright)
On, Off
You can set this on to generate clear-cut bright sounds.
Volume (Volume)
0–100
Sets the volume and degree of distortion of the amplifier.
Bass (Bass)
0–100
Sets the tone of the low range.
Middle (Middle)
0–100
Sets the tone of the middle range.
Treble (Treble)
0–100
Sets the tone of the High range.
Presence (Presence)
0–100 (-100–0)
Sets the tone of the ultra-High range.
Master (Master)
0–100
Sets the volume of the entire pre-amplifier
Sp (Speaker Simulator):
64
Setting
*1
*2
*3
Models a speaker.
Sw (Switch)
On, Off
Sp Type (Speaker Type)
See the column on
the previous page.
Turns the speaker simulator on or off.
Mic Setting (Microphone Setting)
1, 2, 3
Sets the location of the microphone that is recording the sound of
the speaker.This can be adjusted in three steps, with the
microphone becoming more distant in the order of 1, 2, and 3.
MicLvl (Microphone Level)
0–100
Sets the microphone volume.
Sets the speaker type.
Algorithm List
DirLvl (Direct Level)
0–100
Sets the volume of the direct sound.
*1: Can be set only when JC-120, Clean Twin or BG Lead is selected for Pre-amplifier Type.
*2: Cannot be set when Match Drive is selected for the Pre-amplifier Type.
*3: The setting range is -100 to 0 when Match Drive is selected for the Pre-amplifier Type.
Pre-amplifier
Models the pre-amplifier section of a guitar amplifier. 14 types of pre-amplifiers that can be modeled are listed
below: The type can be set with pre-amplifier Type.
JC-120:
Clean Twin:
Match Drive:
BG Lead:
MS1959<I>:
The sound of a Roland.
The sound of standard built-in type vacuum tube amplifier.
The sound of a recent vacuum tube amplifier widely used in blues, rock and fusion.
The sound of a vacuum tube amplifier representative of the late 70’s through 80’s.
The sound of the large vacuum tube amplifier stack that was indispensable to the British
hard rock of the 70’s, with input I connected.
The same amplifier as MS1959 <I>, but with input II connected.
The same amplifier as MS1959 <I>, but with input I and II connected in parallel.
The sound of a vacuum tube amplifier usable in a wide variety of styles.
The sound of a large vacuum tube amplifier suitable for heavy metal.
A metal lead sound with a distinctive mid-range.
The sound of the BOSS OD-1 compact effector.
The sound of the BOSS OD-2 compact effector with the Turbo switch on.
Distortion sound
Fuzz sound
MS1959<II>:
MS1959<I+II>:
SLDN Lead:
Metal 5150:
Metal Lead:
OD-1:
OD-2Turbo:
Distortion:
Fuzz:
* With JC-120, Clean Twin or BG Lead is selected, turning Bright (Bright) on generates clear-cut bright sound.
Speaker simulator
Models a speaker. The 12 types of speakers as listed below can be modeled: The type is set with Speaker Type.
The type can be set with Speaker Type.
Type
Cabinet
(size (in inch), number of units)
Speaker
Microphone
Small
Middle
JC-120
Built In 1
Built In 2
Built In 3
Built In 4
BG Stack 1
BG Stack 2
MS Stack 1
MS Stack 2
Metal Stack
Small open-back enclosure
Open back enclosure
Open back enclosure
Open back enclosure
Open back enclosure
Open back enclosure
Open back enclosure
Sealed enclosure
Large sealed enclosure
Large sealed enclosure
Large sealed enclosure
Large double stack
10
12 x 1
12 x 2
12 x 2
12 x 2
12 x 2
12 x 2
12 x 2
12 x 2
12 x 4
12 x 4
12 x 4
Dynamic microphone
Dynamic microphone
Dynamic microphone
Dynamic microphone
Condenser microphone
Condenser microphone
Condenser microphone
Condenser microphone
Condenser microphone
Condenser microphone
Condenser microphone
Condenser microphone
Recommended combinations of Pre-amplifier and Speaker
Speaker Type
BG Stack 1, BG Stack 2, Middle
BG Stack 1, BG Stack 2, Metal Stack
BG Stack 1, BG Stack 2, Metal Stack
BG Stack 1, BG Stack 2, Metal Stack
BG Stack 1, BG Stack 2, Metal Stack
BG Stack 1, BG Stack 2, Metal Stack
Built In1 - 4
Built In1 - 4
Built In 1 - 4
Algorithm List
Pre-amplifier Type
BG Lead
MS1959II
MS1959I+II
SLDN Lead
Metal 5150
Metal Lead
OD-2 Turbo
Distortion
Fuzz
65
Algorithm List
Vocal Multi
This feature provides a multi-effect suited for vocals.
fig.08-30
Input L
Noise
Suppressor
Output L
Limiter/
De-esser
Enhancer
3BAND EQ
Pitch Shifter
Delay
Chorus
Output R
Input R
Cutting distortion in vocals
Limiter can be used to suppress signals at a High level to prevent sound distortion. To do this, follow the steps
below:
Mode (Mode):
Limiter Threshold (Thresh):
Limiter Release (Release):
Limiter Level (Level):
Limiter
Sets the volume at which sound distortion starts being suppressed.
Determines the time that elapses before the input level becomes off after it drops
below the Limiter Threshold.
Decides the volume after passing through Limiter.
Cutting the sibilant sounds of a voice.
De-esser can be used to cut off sibilant sounds contained in vocal sounds to achieve softer sound quality. To do
this, follow the steps below:
Mode (Mode):
De-esser Sense (Sens):
De-esser Frequency (Freq):
Parameter (full name)
NS (Noise Suppressor):
Setting
Function
Mutes noise in the silent mode.
Sw (Switch)
On, Off
Turns the noise suppressor on or off.
Thresh (Threshold)
0–100
Sets the level to start muting noise.
Release (Release)
0–100
Sets the time over which the volume will drop to 0 after the
noise starts being muted.
Lmt (Limiter / De-esser):
Suppresses signals at High levels to control distortion /
Suppresses the annoying s-consonant.
Sw (Switch)
On, Off
Turns the limiter/de-esser on or off.
Mode (Mode)
Limiter, De-esser
Selects limiter or de-esser.
Thresh (Limiter Threshold)
0–100
Sets the volume at which sound distortion starts being
suppressed.
Release (Limiter Release)
0–100
Sets the time until when the limiter will turn off after the input
level falls the limiter Threshold (Thresh).
Level (Limiter Level)
0–100
Sets the volume of the limiter sound.
ENH (Enhancer):
66
De-esser
Sets the degree of the De-esser effect.
Sets the frequency at which De-esser effect starts working.
Accentuates the sound and push the sound forward.
Sw (Switch)
On, Off
Turns the enhancer on or off.
Sens (Sense)
0–100
Sets the degree of the enhancer effect desired.
Freq (Frequency)
1.0–10.0 kHz
Sets the frequency at which the enhancer effect starts working.
MixLvl (Mix Level)
0–100
Sets the amount of the enhancer sound should be mixed
into the direct sound.
Level (Level)
0–100
Sets the volume of the enhancer sound.
Algorithm List
EQ (Equalizer)
Sw (Switch)
On, Off
Turns the equalizer on or off.
Low Gain (Low Gain)
-12– +12 dB
Sets the boost/cut amount in the low frequency band.
Low Freq (Low Frequency)
20 - 2000 Hz
Sets the center frequency in the low frequency band.
Low Q
0.3–10.0
Sets the width of the area around the low frequency that
will be affected by the gain settings.1
*1
Low Type
Shlv, Peak
Sets the type of the low frequency band equalizer
(Shlving type or peaking type).
Mid Gain (Middle Gain)
-12– +12 dB
Sets the boost/cut amount in the middle frequency band.
Mid Freq (Middle Frequency)
200–8000 Hz
Sets the center frequency in the middle frequency band.
Mid Q (Middle Q)
0.3–10.0
Sets the width of the area around the middle frequency that
will be affected by the gain settings.
High Gain
-12– +12 dB
Sets the boost/cut amount in the High frequency band.
High Freq (High Frequency)
1.4–20.0 kHz
Sets the center frequency in the High frequency band.
High Q
0.3–10.0
Sets the width of the area around the High frequency that
will be affected by the gain settings.1
*1
Hi Type (High Type)
Shlv, Peak
Sets the type of the High frequency band equalizer (Shlving
type or peaking type).
Level (Output Level)
0–100
Sets the volume after passing through the equalizer.
Pshift (Pitch shifter):
shifts the pitch.
Sw (Switch)
On, Off
Turns the pitch shifter on or off.
Chromatic Pitch
-12–12
Pitch variation (by semitone)
Fine Pitch
-100–100
Pitch variation (by cent)
FX Lvl (Effect Level)
-100–100
Sets the volume of the pitch shift sound.
DirLvl (Direct Level)
-100–100
Sets the volume of the direct sound.
Dly(Delay):Adds a delayed sound to the direct sound, adding depth to the sound or creating special effects.
Sw (Switch)
On, Off
Turns the delay on or off.
Time (Delay Time)
0–1000 ms
Sets the time from direct sound until when the delay sound
is heard.
FBLvl (Feedback Level)
-100–100
Sets the amount of the delay sound should be returned to
the delay input.
FX Lvl (Effect Level)
-100–100
Sets the volume of the delay sound.
DirLvl (Direct Level)
-100–100
Sets the volume of the direct sound.
Cho (Chorus):
Sw (Switch)
Adds spaciousness and thickness to the sound.
On, Off
Turns the chorus on or off.
Rate (Rate)
0.1–10.0 Hz
Sets the rate of modulation.
Depth (Depth)
0–100
Sets the depth of modulation.
PreDLY (Pre-Delay)
0–50 ms
Sets the time delay from when the direct sound begins until
the processed sound is heard.
FX Lvl (Effect Level)
-100–100
Sets the volume of the chorus sound.
DirLvl (Direct Level)
-100–100
Sets the volume of the direct sound.
*1: If Low Type (Lo Type) or High Type (Hi Type) is set to “Shlv (Shlving Type),” the setting for Lo Q or High Q is
invalid.
Algorithm List
67
Algorithm List
Voice Transformer
You can convert male voice into female voice, female voice into male voice, and human voice into mechanical
voice to create sounds of various qualities by controlling the base pitch and the formant separately.
fig.08-63
Input L
Output L
Voice
Transformer
Reverb
Output R
Input R
• When inputting voice, use voice of one person only. Inputting voices of more than one person disables normal
operation.
• Be sure that sound from a speaker does not enter the microphone you are using. This will have the same effect
as if several voices were input to the unit.
• A undirectional microphone is recommended for use. It is also recommended that the person should speak
standing as close to the microphone as possible.
• “Voice Transformer” cannot be used on EFFECT2, 4, 6, and 8 (even-numbered effects).
• When “Voice Transformer” is used on EFFECT1, 3, 5, and 7 (odd-numbered effects), EFFECT2, 4, 6, and 8 (evennumbered effects) cannot be used.
• “Voice Transformer” cannot be used on the projects with 64kHz or higher sampling rate.
Parameter (full name)
VT (Voice Transformer):
Function
Creates various voice characters.
Sw (Switch)
On, Off
Turns Vocal the transformer on or off.
Robot (Robot)
On, Off
When this is on, the audio will be output at a fixed pitch
regardless of the pitch that is input.
Chromatic Pitch
-12– +36
Sets the pitch variation of the voice to be output (by
semitone).
Fine Pitch
-100–100
Sets the pitch variation of the voice to be output (by cent).
Chromatic Formant
-12– +12
Sets the formant variation of the voice to be output (by
semitone).
Fine Formant
-100– +100
Sets the formant variation of the voice to be output (by
cent).
MixBal (Mix Balance)
0–100
Sets the volume balance between the output voice and the
input voice.
REV (Reverb):
Sw (Switch)
Adds reverberation.
On, Off
Turns the reverb on or off.
Time (Reverb Time)
0.1–32.0 sec
Sets the length (time) of the reverb sound.
PreDLY (Pre-Delay)
0–200 ms
Sets the time until the reverberation appears.
Densty (Density)
0–100
Sets the density of the reverb sound.
FX Lvl (Effect Level).
0–100
Sets the volume of the reverb sound.
Formants (p.13)
68
Setting
Algorithm List
Vocal Canceler
When a stereo source is being input from CD or DAT and so on, this cancels the sound which is located in the
stereo center, such as the vocal or bass.
fig.08-61
Output L
Input L
3BAND EQ
Vocal Canceler
3BAND EQ
Input R
Output R
Depending on the music source, sounds that you do not wish to be canceled may be canceled as well. In
particular if the musical source has heavy reverb or if the sound that you wish to delete is not located in the
center, the vocal canceler may not produce the desired result.
Canceling the vocals alone
Vocal Canceler cancels the sound located in the center. That means it cancels sounds such as the bass and sounds
of the lead instrument along with vocal sounds. To cancel vocals only to create music for karaoke, for example,
set Range Lo to around 100 Hz and Range Hi to around 1 kHz.
Parameter (full name)
VC (Vocal Canceler):
Setting
Function
Cancels sounds located in the center such as vocals and the bass.
Sw (Switch)
On, Off
Turns the vocal canceler on or off.
Balance (Balance)
0–100
If the sound that you wish to cancel is not located in the
center, find the point at which it is most effectively cancelled.
RangeLo (Range Low)
Unlimit, 20 - 2000 Hz
Sets the lower limit of the frequency band to be canceled.
*1
RangeHi (Range High)
1.0 - 20.0 kHz, Unlimit Sets the upper limit of the frequency band to be canceled.
*2
EQ (Equalizer)
Sw (Switch)
On, Off
Turns the equalizer on or off.
Low Gain (Low Gain)
-12– +12 dB
Sets the boost/cut amount in the low frequency band.
Low Freq (Low Frequency)
20 - 2000 Hz
Sets the center frequency in the low frequency band.
Low Q
0.3–10.0
Sets the width of the area around the low frequency that
will be affected by the gain settings.1
*3
Low Type
Shlv, Peak
Sets the type of the low frequency band equalizer
(Shlving type or peaking type).
Mid Gain (Middle Gain)
-12– +12 dB
Sets the boost/cut amount in the middle frequency band.
Mid Freq (Middle Frequency)
200–8000 Hz
Sets the center frequency in the middle frequency band.
Mid Q (Middle Q)
0.3–10.0
Sets the width of the area around the middle frequency that
will be affected by the gain settings.
-12– +12 dB
Sets the boost/cut amount in the High frequency band.
High Freq (High Frequency)
1.4–20.0 kHz
Sets the center frequency in the High frequency band.
High Q
0.3–10.0
Sets the width of the area around the High frequency that
will be affected by the gain settings.1
*3
Hi Type (High Type)
Shlv, Peak
Sets the type of the High frequency band equalizer (Shlving
type or peaking type).
Level (Output Level)
0–100
Sets the volume after passing through the equalizer.
Continued...
69
Algorithm List
High Gain
Algorithm List
*1: Setting to “Unlimit” means that the frequency that can be played back on this unit is the lower limit.
*2: Setting to “Unlimit” means that the frequency that can be played back on this unit is the upper limit.
*3: If Low Type (Lo Type) or High Type (Hi Type) is set to “Shlv (Shlving Type),” the setting for Lo Q or High Q
is invalid.
70
Algorithm List
Vocoder
The vocoder creates “talking instrument” effects. To use Vocoder, input an instrumental sound into the left
channel and a vocal sound into the right channel. The instrumental sound is split into ten frequency bands to be
processed according to its frequency components.
fig.08-14
Output L
Input L
(Instrument)
Chorus
10 Band Vocoder
Input R (Mic)
Output R
Instrumental sounds are input into the L-channel side of the effect. Therefore, it is required to insert and connect
“Lch” of the effect to the channel handling instrumental sounds. Similarly, vocal sounds are input into the
R-channel side of the effect. Insert and connect “Rch” of the effect to the channel handling vocal sounds.
Tips for using Vocoder
It is a good idea to choose instrumental sounds containing a lot of overtones. Recommended sounds include those
with saw-tooth waveforms such as strings and distorted guitar sounds.
Parameter (full name)
Setting
Function
Voc (Vocoder): The pitch is specified with the instrumental sound while the tone is output in vocals.
Char 1–10 (Voice Characters)
CHO (Chorus):
0–100
Sets the volume by frequency band. These are used to
change the vocoder tone.
Adds spaciousness and depth to the sound.
Sw (Switch)
On, Off
Turns the chorus on or off.
Rate (Rate)
0.1–10.0 Hz
Sets the rate of modulation.
Depth (Depth)
0–100
Sets the depth of modulation.
PreDLY (Pre-Delay)
0–50 ms
Sets the time delay from when the direct sound begins until
the processed sound is heard.
FBLvl (Feedback Level)
-100–100
Sets the amount of the chorus sound should be returned to
the chorus input.
FX Lvl (Effect Level)
-100–100
Sets the volume of the chorus sound.
DirLvl (Direct Level)
-100–100
Sets the volume of the direct sound.
Algorithm List
71
Algorithm List
Vocoder2 (19)
This is a 19-band vocoder. Provides clear sounds that used to be impossible with the previous vocoders.
fig.08-65
Input L
(Instrument)
Output L
VOCODER
+
+
Chorus
Input R(Mic)
Output R
Noise
Suppressor
• Instrumental sounds are input into the L channel side of Effect. Therefore, it is required to insert-connect “Lch”
of Effect to the channel handling instrumental sounds. Similarly, vocal sounds are input into the R channel side
of Effect. Insert-connect “Rch” of Effect to the channel handling vocal sounds.
• “Vocoder2 (19)” cannot be used on EFFECT2, 4, 6, and 8 (even-numbered effects).
• When “Vocoder2 (19)” is used on EFFECT1, 3, 5, and 7 (odd-numbered effects), EFFECT2, 4, 6, and 8 (evennumbered effects) cannot be used.
• “Vocoder2 (19)” cannot be used on the projects with 64kHz or higher sampling rate.
Difference between Vocoder and Vocoder 2
Compared to Vocoder, Vocoder 2 has a significant number of frequency bands as points. It also makes it possible
to make fine adjustment including adjustment of the input sensitivity of the microphone and location of sounds
as well as setting the input level for instrumental sounds and removing noise. All this yields clear human voices.
“Envelope” for defining sound characteristics
Each sound has its own envelope. An envelope gives characteristics to the sound and functions as a significant
factor for the human ear to distinguish different sound types. On Vocoder 2, you can use Envelope to give the
following characteristics.
Sharp:
Soft:
Long:
Enhances human voice.
Enhances instrumental sound.
Vintage sound with long reverberation.
Sound location
Pan Mode (PanMode) can be used to specify how Vocoder sounds should be located.
Mono:
Stereo:
L→R:
R→L:
Locating in the middle.
Stereo (Odd-number frequencies are located to the left and even-number frequencies to
the right.)
Lower frequencies are located to the left and upper frequencies to the right.
Lower frequencies are located to the right and upper frequencies to the left.
Sounding instrumental sounds with the formant fixed
While inputting voice through the microphone, instrumental sounds can be sounded at the same vocal formant.
For example, when saying “a-i-u-e-o” into the microphone, set “Hold” On at the moment the speaker is on the
“i” sound to issue an instrumental sound with the formant of the “i” sound.
72
Algorithm List
Parameter (full name)
Voc (Vocoder 2):
Setting
Function
The pitch is specified as in the instrumental sound while the tone is output in
the human voice.
Envelope (Envelope)
Sharp, Soft, Long
Defines characteristics of the sound.
PanMode (Pan Mode)
Mono, Stereo, L→R, R→L Defines how the sound is located.
Hold (Hold)
On, MIDI
Specifies that an instrumental sound is or is not issued
with the formant fixed.
MicSens (Microphone Sensitivity)
0–100
Sets the input sensitivity of the microphone.
SynInLvl (Synthesizer In Level)
0–100
Sets the input level of the instrumental sound.
Character Ch1 – 19
(Voice Character Channels 1 - 19)
0–100
Sets the tone of the vocoder.
Mic (Microphone Mix)
0–100
Sets the amount of the sound after passing through the
microphone HPF should be mixed into the Vocoder
output.
MicHPF (Microphone HPF)
Thru, 1.0–20.0 kHz
Sets the frequency at which HPF on the vocal sounds
through the microphone starts taking effect.
Sets this to “Thru” if HPF is not desired.
MicPan (Microphone Pan)
L63–R63
Sets the panning of vocal sounds through the
microphone.
NSThresh (Noise Suppressor Threshold)
0–100
Sets the volume to start muting noise on the
instrumental sound input.
Cho (Chorus):
Sw (Switch)
Adds spaciousness and depth to the sound.
On, Off
Turns the chorus on or off.
Rate (Rate)
0.1–10.0 Hz
Sets the rate of modulation.
Depth (Depth)
0–100
Sets the depth of modulation.
PreDly (Pre-Delay)
0–50 ms
Sets the time delay from when the direct sound begins
until the chorus sound is heard.
MixBal (Mix Balance)
0–100
Sets the volume balance between the chorus sound
and the direct sound.
Algorithm List
73
Algorithm List
Lo-Fi Processor
This allows you to create a “lo-fi” sound by lowering the sample rate and/or decreasing the number of bits.
fig.08-53Parameter (full name)SettingFunction
Output L
Input L
Input R
Lo-Fi
Processor
Realtime
Modify Filter
Noise
Suppressor
Lo-Fi
Processor
Realtime
Modify Filter
Noise
Suppressor
Output R
Creating lo-fi sounds
Follow the steps below to create lo-fi sounds essential to dance music including hip-hop and DJ music.
Lo-fi Processor
• Turn Pre Filter and Post Filter off. This provides powerful lo-fi sounds containing digital distortion.
• Set Rate and Bit to relatively low values. Note, however, an excessively low value for Bit may cause big
noise even in the silent mode. In that case, increase Threshold (Thresh) of Noise Suppressor.
Realtime Modify Filter
• Increase resonance to add a twist to the sound. Note that excessive resonance may cause oscillation.
Lo-Fi (Lo-Fi Processor):
Creates lo-fi sounds.
Sw (Switch)
On, Off
Turns the lo-fi processor on or off.
Pre Filter (Pre Filter Switch)
On, Off
Turns the filter to reduce digital distortion on or off.
Rate (Rate)
Off, 1/2 - 1/32
Sets the sample rate.
Set Rate to “Off” if no change is desired.
Bit (Bit)
Off, 15 bits - 1 bit
Sets the number of bits in data.
Set Bit to “Off” if no change is desired.
Post Filter (Post Filter Switch)
On, Off
Turns the filter to reduce digital distortion due to
modification to lo-fi sounds on or off.
FX Lvl (Effect Level).
0–100
Sets the volume of the lo-fi sound.
DirLvl (Direct Level)
0–100
Sets the volume of the direct sound.
RMF (Realtime Modify Filter): Creates sounds with a twist.
Sw (Switch)
On, Off
Turns the realtime modify filter on or off.
Type (Type)
LPF, BPF, HPF
Sets the filter type.
CutOff (Cutoff Frequency)
0–100
Sets the cutoff frequency.
Reso (Resonance)
0–100
Enhances the frequency components around cutoff
frequency.
Gain (Gain)
0–24 dB
Sets the volume of the realtime modify filter.
NS (Noise Suppressor):
74
Mutes noise in the silent mode.
Thresh (Threshold)
0–100
Sets the level to start muting noise.
Release (Release)
0–100
Sets the time over which the volume will drop to 0 after the
noise starts being muted.
Algorithm List
3band Isolator
Sharply cuts off components by frequency band to eliminate undesired sounds. Useful to eliminate undesired
sounds and take out only specific sounds from a CD. Isolator can make sounds completely perish, unlike ordinary
equalizers that leave some sounds even with the gains of the respective frequency bands set to the minimum.
fig.08-69
Input L
Input R
3 Band
Isolator L
3 Band
Isolator R
Output L
Output R
Muting the bass
Set up as follows to eliminate low frequency band sounds such as bass sounds.
Anti-phase Low Mix Switch (AntiPhase LoMixSw): On
Anti-phase Low Level (AntiPhase LoLev):
Relatively High
Muting vocals
Set up as follows to eliminate middle frequency band sounds such as vocal sounds.
Anti-phase Middle Mix Switch (AntiPhase MidMixSw): On
Anti-phase Middle Level (AntiPhase MidLev):
Relatively High
Muting noise
Identify the frequency band of the noise and set the relevant Level (LowLvl, MidLvl or HiLvl) to -60 dB.
Parameter (full name)
Iso (3-band Isolator):
Setting
Function
Divides the input sound into three frequency bands to abstract or eliminate the
sound.
Sw (Switch)
On, Off
Turns the 3-band isolator on or off.
AntiPhase LoLev (Anti-phase Low Level)
0–100
Sets the amount of the low frequency band sound should
be muted.
AntiPhase MidLev (Anti-phase Middle Level)
0–100
Sets how much of the middle frequency band sound should
be muted.
LoMixSw (Anti-phase Low Mix Switch)
On, Off
Mutes or leaves the low frequency band sound.
MidMixSw (Anti-phase Middle Mix Switch)
On, Off
Mutes or leaves the middle frequency band sound.
LowLvl (Low Level)
-60– +4 dB
Increases or decreases frequency bands in the low
frequency band.
MidLvl (Middle Level)
-60– +4 dB
Increases or decreases frequency bands in the middle
frequency band.
HiLvl (High Level)
-60– +4 dB
Increases or decreases frequency bands in the High
frequency band.
Algorithm List
75
Algorithm List
Dual Compressor/Limiter
Compressors suppress signals at High levels. Limiter is used to control excessive input. Each of the above is used
to prevent sound distortion or to control dynamics.
fig.08-40
Output L
Input A
Compressor/Limiter A
Noise Suppressor A
Detector in
Detector in
Detector in
Detector in
Compressor/Limiter B
Noise Suppressor B
Input B
Output R
Input A is input into the L-channel side of the effect. Therefore, it is required to insert and connect “Lch” of the
effect to the channel handling Input A. Similarly, Input B is input into the R-channel side of the effect. Insert and
connect “Rch” of the effect to the channel handling Input B.
Difference between Compressor and Limiter
Behaviors of Compressor and Limiter are very similar. Both of them compress the entire output signals if input
signals exceed a certain level (threshold level), according to the input level.
Compressor automatically drops the amplitude to suppress all levels in the exceeding section. Limiter suppresses
only the maximum level of input signals.
Using as Limiter
Threshold Level (Thresh):
Ratio (Ratio):
Attack Time (Attack):
Release Time (Release):
Relatively High
100:1
Relatively short
Relatively short
Using as Compressor
Threshold Level (Thresh):
Ratio (Ratio):
Attack Time (Attack):
Release Time (Release):
76
A level that does not cause distortion of output sounds.
1.5:1, 2:1, 4:1
Adjusted according to the input sound type.
Adjusted according to the input sound type.
Algorithm List
Parameter (full name)
Setting
Function
CmpA, CmpB
(Compressor):
Compresses the entire output signals when the input volume has exceeded a
preset value.
(Limiter):
Suppresses the volume of the section where the input volume has exceeded the
preset value.
Sw (Switch)
On, Off
Turns the compressor/limiter on or off.
Thrsh (Threshold Level)
-60 - 0 dB
Sets the level at which the compressor/limiter starts taking
effect.
Ratio (Ratio)
1.5:1, 2:1, 4:1, 100:1
Sets the compression ratio applied when threshold level
(Thresh) is exceeded.
Attack (Attack Time)
0–100
Sets the time from when the input level exceeds the
threshold level to when the effect begins to apply.
Release (Release Time)
0–100
Sets the time from when the input level drops below the
threshold level to when the effect ceases to apply.
Level (Output Level)
-60–12 dB
Sets the volume of the compressor/limiter sound.
Detect (Detect In)
A, B, Link
Selects Input A or B for controlling compressor/limiter. Set
this to “Link” for controlling by the input at a greater level.
NS (Noise Suppressor):
Mutes noise in the silent mode.
Sw (Switch)
On, Off
Turns the noise suppressor on or off.
Thresh (Threshold)
0–100
Sets the level to start muting noise.
Release (Release)
0–100
Sets the time over which the volume will drop to 0 after the
noise starts being muted.
Detect (Detect In)
A, B, Link
Selects the input (Input A/Input B) for controlling Noise
Suppressor. Set this to “Link” for controlling by the input at
a greater level.
Algorithm List
77
Algorithm List
Parametric Equalizer (4-Band Parametric Equalizer)
This is an equalizer that can freely change the cutoff frequency or the band width (Q). With this equalizer, you
can create sounds with subtlety.
fig.08-55
Input A
Output A
4Band EQ A
Link
4Band EQ B
Input B
Output B
Cutting noise.
4-Band Parametric Equalizer can freely change the cutoff frequency or the band width (Q) at four points, that is,
in the High, High middle, low middle and low frequency bands.
Capitalizing on this feature, you can precisely capture the point where any noise or howling is occurring. To find
such point, the first step is to increase the gain for easier identification of sound variation and move the cutoff
frequency little by little. Then, perform filtering by sharpening “Q.”
Controlling Channels A and B separately
Setting Link On enables simultaneous control on the 4-Band Parametric Equalizer via Channel B according to the
settings on the Channel A side. To control Channels A and B separately, turn Link off.
Parameter (full name)
Lnk (Link):
Setting
Function
Makes Channel B follow the settings for Channel A.
Link (Link Switch)
On, Off
Specifies if Channel B follows or does not follow the
settings for Channel A.
PEQA, PEQB (4 Band Parametric Equalizer): Parametric equalizer with four bands.
78
Sw (Switch)
On, Off
Turns the parametric equalizer on or off.
Low Gain (Low Gain)
-12– +12 dB
Sets the boost/cut amount in the low frequency band.
Low Freq (Low Frequency)
20 - 2000 Hz
Sets the center frequency in the low frequency band.
Low Q (Low Q)
0.3–10
Sets the width of the area around the low frequency that
will be affected by the gain settings.
*1
Low Type
Shlv, Peak
Sets the type of the low frequency band equalizer
(Shlving type or peaking type).
LowMid Gain (Low Middle Gain)
-12– +12 dB
Sets the boost/cut amount in the low middle frequency band.
LoMid Freq (Low Middle Frequency)
200–8000 Hz
Sets the center frequency in the low middle frequency band.
LoMid Q (Low Middle Q)
0.3–10
Sets the width of the area around the Low middle frequency
that ill be affected by the gain settings.
HiMid Gain (High Middle Gain)
-12– +12 dB
Sets the boost/cut amount in the High middle frequency band.
HiMid Freq (High Middle Frequency)
200–8000 Hz
Sets the center frequency in the High middle frequency band.
HiMid Q (High Middle Q)
0.3–10
Sets the width of the area around the High middle
frequency that will be affected by the gain settings.
Hi Type (High Type)
Shlv, Peak
Sets the type of the High frequency band equalizer (Shlving
type or peaking type).
High Gain (High Gain)
-12– +12 dB
Sets the boost/cut amount in the High frequency band.
High Freq (High Frequency)
1.4–20.0 kHz
Sets the center frequency in the High frequency band.
High Q (High Q)
0.3–10
Sets the width of the area around the High frequency that
will be affected by the gain settings.
*1
InputG (Input Gain)
-60– +12 dB
Sets the overall volume before passing through the equalizer.
Level (Output Level)
-60– +12 dB
Sets the overall volume after passing through the equalizer.
Algorithm List
*1: If Low Type (Low Type) or High Type (High Type) is set to “Shlv (Shlving Type),” the setting for Lo Q or High
Q is invalid.
Graphic Equalizer (10-Band Graphic Equalizer)
This Equalizer sets the boost/cut amount by each segment of the frequency divided into ten bands. In performing
PA at a live, this feature is useful to prevent howling by cutting the site-specific resonance frequency.
fig.08-57
Input A
Output A
10BAND EQ A
Link
10BAND EQ B
Input B
Output B
Preventing howling
While performing PA at a live, follow the steps below to prevent howling. First, identify the site-specific
resonance frequency to cut its gain.
Controlling Channels A and B separately
Setting Link On enables simultaneous control on the 10-Band Parametric Equalizer via Channel B according to
the settings on the Channel A side.
To control Channels A and B separately, turn Link Off.
Parameter (full name)
Lnk (Link):
Link (Link Switch)
Setting
Function
Makes Channel B follow the settings for Channel A.
On, Off
Specifies if Channel B follows or does not follow the
settings for Channel A.
GEQA, GEQB (10-Band Graphic Equalizer): Models a 10-band graphic equalizer.
Sw (Switch)
On, Off
Turns the parametric equalizer on or off.
31.2 – 16 k (Gain)
-12– +12 dB
Sets the boost/cut amount at the respective frequencies.
InputG (Input Gain)
-60– +12 dB
Sets the overall volume before passing through the
equalizer.
Level (Output Level)
-60– +12 dB
Sets the overall volume after passing through the equalizer.
Algorithm List
79
Algorithm List
Hum Canceler
Eliminates annoying hum (or “surge” sounding “boon”).
fig.08-59
Input A
Hum Canceler
Noise
Suppressor
Hum Canceler
Noise
Suppressor
Input B
Output A
Output B
Removing hum
Hum is a noise with a certain low frequency. Hum is generated mostly due to ingression of part of alternating
current into signals as alternating current is converted into direct current in the power circuit. Sets Frequency
(Freq) to that according with the frequency of the power source (50 Hz/60 Hz), and hum with that frequency and
frequencies of its multiples can be removed.
Range Lo and Rage Hi can be used to specify the frequency band of hum to be removed.
Parameter (full name)
HC (Hum Canceler):
Setting
Function
Removes hum.
Sw (Switch)
On, Off
Turns the hum canceler on or off.
Freq (Frequency)
20.0–800.0 Hz
Sets the frequency of hum to be removed.
Width (Width)
10–40%
Sets the width of the filter which will remove the hum.
Depth (Depth)
0–100
Sets the depth of the filter which will remove the hum.
Thresh (Threshold)
0–100
Sets the level at which the hum is to be removed.
RangeLo (Range Low)
Unlimit, 20 - 2000 Hz
Sets the lower limit of the frequency of hum to be removed.
*1
RangeHi (Range High)
1.0 - 20.0 kHz, Unlimit Sets the upper limit of the frequency of hum to be removed.
*2
NS (Noise Suppressor):
Mutes noise in the silent mode.
Sw (Switch)
On, Off
Turns the noise suppressor on or off.
Thresh (Threshold)
0–100
Sets the level to start muting noise.
Release (Release)
0–100
Sets the time over which the volume will drop to 0 after the
noise starts being muted.
*1: Setting to “Unlimit” means that the frequency that can be played back on this unit is the lower limit.
*2: Setting to “Unlimit” means that the frequency that can be played back on this unit is the upper limit.
80
Algorithm List
Stereo Multi
fig.08-47
Input L
Input R
Compressor/
Limiter
Enhancer
3BAND EQ
Noise
Suppressor
Compressor/
Limiter
Enhancer
3BAND EQ
Parameter (full name)
NS (Noise Suppressor):
Sw (Switch)
Output L
Noise
Suppressor
Setting
Output R
Function
Mutes noise in the silent mode.
On, Off
Turns the noise suppressor on or off.
Thresh (Threshold)
0–100
Sets the level to start muting noise.
Release (Release)
0–100
Sets the time over which the volume will drop to 0 after the
noise starts being muted.
Cmp (Compressor/Limiter): Compresses the entire output signals when the input volume exceeds a
specified value.
Sw (Switch)
On, Off
Turns the compressor on or off.
Thrsh (Threshold Level)
-60–0 dB
Sets the level at which the compressor starts taking effect.
Ratio (Ratio)
1.5:1, 2:1, 4:1, 100:1
Sets the compression ratio applied when the threshold level
is exceeded.
Attack (Attack Time)
0–100
Sets the time from when the input level exceeds the
threshold level to when the effect begins to apply.
Release (Release Time)
0–100
Sets the time from when the input level drops below the
threshold level to when the effect ceases to apply.
Level (Output Level)
-60–12 dB
Sets the volume of the compressor sound.
Enh (Enhancer):
Accentuates the sound and push the sound forward.
Sw (Switch)
On, Off
Turns the enhancer on or off.
Sens (Sense)
0–100
Sets the degree of the enhancer effect desired.
Freq (Frequency)
1.0–10.0 kHz
Sets the frequency at which the enhancer effect starts
working.
MixLvl (Mix Level)
0–100
Sets the amount of the enhancer sound should be mixed
into the direct sound.
Level (Level)
0–100
Sets the volume of the enhancer sound.
Algorithm List
81
Algorithm List
EQ (Equalizer)
Sw (Switch)
On, Off
Turns the equalizer on or off.
Low Gain (Low Gain)
-12– +12 dB
Sets the boost/cut amount in the low frequency band.
Low Freq (Low Frequency)
20 - 2000 Hz
Sets the center frequency in the low frequency band.
Low Q
0.3–10.0
Sets the width of the area around the low frequency that
will be affected by the gain settings.1
*1
Low Type
Shlv, Peak
Sets the type of the low frequency band equalizer
(Shlving type or peaking type).
Mid Gain (Middle Gain)
-12– +12 dB
Sets the boost/cut amount in the middle frequency band.
Mid Freq (Middle Frequency)
200–8000 Hz
Sets the center frequency in the middle frequency band.
Mid Q (Middle Q)
0.3–10.0
Sets the width of the area around the middle frequency that
will be affected by the gain settings.
High Gain
-12– +12 dB
Sets the boost/cut amount in the High frequency band.
High Freq (High Frequency)
1.4–20.0 kHz
Sets the center frequency in the High frequency band.
High Q
0.3–10.0
Sets the width of the area around the High frequency that
will be affected by the gain settings.1
*1
Hi Type (High Type)
Shlv, Peak
Sets the type of the High frequency band equalizer (Shlving
type or peaking type).
Level (Output Level)
0–100
Sets the volume after passing through the equalizer.
*1: If Low Type (Lo Type) or High Type (Hi Type) is set to “Shlv (Shlving Type),” the setting for Lo Q or High Q is
invalid.
82
Algorithm List
Speaker Modeling
Models a variety of speaker characteristics ranging from those of High-end professional monitor speakers used
as the standard at studios around the world to those of speakers of small-sized TV sets and portable radios.
fig.08-81
Input L
Output L
SP Modeling
BassCut Freq
Lo Freq Trim
Hi Freq Trim
Limiter
SP Modeling
BassCut Freq
Lo Freq Trim
Hi Freq Trim
Limiter
Input R
Output R
• Speaker Modeling is adjusted so that its optimal effect is achieved when a Roland Powered Monitor DS-90 is
used in digital connection. Its effect may not be fully achieved with other types of speakers.
• “Mic Modeling” cannot be used on the projects with 64kHz or higher sampling rate.
Speaker types applicable for modeling
The characteristics of the following types of speakers can be modeled. Set the desired type for Model.
THRU:
Super FLAT:
Powered GenBlk:
Powered E-Bas:
Powered Mack:
Small Cube:
White Cone:
White C +tissue:
Small Radio:
Small TV:
Boom Box:
BoomBox LoBoost:
No modeling is to be performed.
DS-90 is corrected by modeling to produce wider-range and untwisted sounds.
Typical model of powered monitor (two-way type, the woofer diameter = 170 mm (6-1/
2 inches))
Powered monitor characterized in delightful sound quality
Powered monitor characterized in well-extended low frequency band sounds
Small-sized full-range speaker widely used in recording studios
Enclosed-type two-way speaker widely used in recording studios, characterized in
white woofers.
Mild sounds from “White Cone” Tweeter covered with tissue paper
Pocket-type small-sized radio
Speaker attached to the 14-inch TV set
Radio cassette recorder
Radio cassette recorder with the low frequency band enhanced
* Use “THRU” for clear comparison between sounds with and without modeling.
Algorithm List
Continued...
83
Algorithm List
Parameter (full name)
Setting
Function
SpMod (Speaker Modeling): Selects the speaker subject to characteristics modeling.
Sw (Switch)
Off, On
Turns the Speaker Modeling on or off.
Model (Model)
See the column on
the previous page.
Specifies the speaker actually generating sounds.
Output Speakers (Output Speakers)
DS-90/DS-90A, DS-50A
Phase (Phase)
NRM, INV
Sets the phase of the speaker. “NRM” for the same phase,
and “INV” for the inverted phase.
BCut (Bass Cut Filter): Cuts off undesired low sounds such as pop noise.
Sw (Switch)
On, Off
Turns the bass cut filter on or off.
Freq (Frequency)
Thru, 20 - 2000 Hz
Sets the frequency for cutting off undesired low frequency
band sounds such as pop noise.
LFT (Low Frequency Trimmer): Adjusts the low frequency band sounds.
Sw (Switch)
On, Off
Turns the low frequency trimmer on or off.
Gain (Gain)
-12– +12dB
Sets the boost/cut amount.
Freq (Frequency)
20–2000 Hz
Sets the center frequency of the trimmer.
HFT (High Frequency Trimmer): Adjusts the High frequency band sounds.
Sw (Switch)
Turns the High frequency trimmer on or off.
Gain (Gain)
-12– +12dB
Sets the boost/cut amount.
Freq (Frequency)
1.0–20.0 kHz
Sets the center frequency.
Lmt (Limiter):
Sw (Switch)
84
On, Off
Prevents distortion by suppressing signals at High levels.
On, Off
Turns the limiter on or off.
Thresh (Threshold)
-60–0 dB
Sets the volume at which the limiter starts working.
Release (Release)
0–100
Sets the time from when the input level drops below the
threshold level to when the effect ceases to apply.
Level (Level)
-60– +24 dB
Sets the volume after passing through the limiter.
Algorithm List
Mastering Tool Kit
This Kit is a compressor that splits sounds into different frequency band to unify their volumes. With this feature,
you can perform mastering at the optimized level when mixing down into an MD or a CD or when producing
your original audio CD using the CD-R disk.
fig.08-78
H
Input L
4Band EQ
Bass Cut
Enhancer
Input
M
Expander
Compressor
Expander
Compressor
Expander
Compressor
Expander
Compressor
Expander
Compressor
Expander
Compressor
Output L
Mixer
Limiter
Output
Mixer
Limiter
Output
L
H
4Band EQ
Bass Cut
Enhancer
Input
Input R
M
Output R
L
Effect of “Detect Time” under Input
With ordinary compressors, a moment of delay occurs to suppress a level over instance after it has been detected.
With this algorithm, this problem is bypassed by using the input sound only for level detection and adding a
specified length of delay to the sound for processing and output. “Detect Time” under Input is the setting of the
delay time for this purpose. Note that supplying Detect Time causes time difference between input and output of
audio signals, requiring due considerations if used for operations other than mastering (ex. channel insertion).
Splitting into frequency bands
To split into High, middle and low frequency bands, Low Split
Point (LoSplit Point) and High Split Point (HiSplit Point) under
Input are used to specify frequencies.
Level
L-SplitP
H-SplitP
fig.08-79
Low
Mid
High
Freq
Parameter (full name)
Setting
Function
On, Off
Turns the equalizer on or off.
EQ (Equalizer)
Sw (Switch)
-24– +12 dB
Sets the overall volume before passing through the equalizer.
Low Gain (Low Gain)
-12– +12 dB
Sets the boost/cut amount in the low frequency band.
Low Freq (Low Frequency)
20–2000 Hz
Sets the center frequency in the low frequency band.
Low Q (Low Q)
0.3–16.0
Sets the width of the area around the low frequency that
will be affected by the gain settings.
*1
Low Type
Shlv, Peak
Sets the type of the low frequency band equalizer
(Shlving type or peaking type).
LoMid Gain (Low Middle Gain)
-12– +12 dB
Sets the boost/cut amount in the low middle frequency band.
LoMid Freq (Low Middle Frequency)
20–8000 Hz
Sets the center frequency in the low middle frequency band.
LoMid Q (Low Middle Q)
0.3–16.0
Sets the width of the area around the low middle frequency
that will be affected by the gain settings.
HiMid Gain (High Middle Gain)
-12– +12 dB
Sets the boost/cut amount in the High frequency band.
HiMid Freq (High Middle Frequency)
20–8000 Hz
Sets the center frequency in the High middle frequency band.
Continued...
85
Algorithm List
InputG (Input Gain)
Algorithm List
HiMid Q (High Middle Q)
Sets the width of the area around the High middle
frequency that will be affected by the gain settings.
High Gain (High Gain)
-12– +12 dB
Sets the boost/cut amount in the High frequency band.
High Freq (High Frequency)
1.40–20.0 kHz
Sets the center frequency in the High frequency band.
High Q (High Q)
0.3–16.0
Sets the width of the area around the High frequency that
will be affected by the gain settings.
*1
Hi Type (High Type)
Shlv, Peak
Sets the type of the High frequency band equalizer (Shlving
type or peaking type).
Level (Level)
-24– +12 dB
Sets the overall volume after passing through the equalizer.
BCut (Bass Cut Filter):
Cuts off undesired low frequency band sounds such as pop noise.
Sw (Switch)
On, Off
Turns the bass cut filter on or off.
Freq (Frequency)
Thru, 20 - 2000 Hz
Sets the frequency for cutting off undesired low frequency
band sounds such as pop noise.
Enh (Enhancer):
Accentuates the sound and push the sound forward.
Sw (Switch)
On, Off
Sens (Sensitivity)
0–100
Sets the degree of the enhancer effect desired.
Freq (Frequency)
1.00–10.0 kHz
Sets the frequency at which the enhancer effect starts working.
MixLvl (Mix Level)
-24– +12dB
Set the amount of the enhancer sound to be added to the direct sound.
In (Input):
Turns the enhancer on or off.
Splits the direct sound into three frequency bands, that is, low, middle and High
frequency bands.
InGain (Input Gain)
-24– +12dB
D-Time (Detect Time)
0–10 ms
Sets the overall volume before entering expander/compressor.
Sets the length of delay to add to the direct sound input.
Split Point Low (Low Split Point) 20–800 Hz
Sets the frequency at which the direct sound is split into three bands (on the
low frequency band side).
Split Point High (High Split Point) 1.60–16.0 kHz
Sets the frequency at which the direct sound is split into three bands (on the
High frequency band side).
Exp (Expander):
86
0.3–16.0
Expands the dynamic range at a certain ratio.
Sw (Switch)
On, Off
Turns the expander on or off.
Low Thre (Low Threshold)
-80–0 dB
Sets the volume at which the expander for the low frequency band starts working.
Low Ratio (Low Raito)
1:1.0–1:16, 1:INF
Sets the ratio at which the output in the low frequency band is increased
when the input level has dropped below the low threshold level.
Low Atck (Low Attack)
0–100 ms
Sets the time until when the low frequency band expander starts working
after the input level dropps below the low threshold level.
Low Rel (Low Release)
50 ms–5.000 s
Sets the time until when the High frequency band expander stops working
after the input level exceeds the low threshold level.
Mid Thre (High Threshold)
-80–0 dB
Sets the volume at which the expander for the middle frequency band starts
working.
Mid Ratio (High Ratio)
1:1.0–1:16, 1:INF
Sets the ratio at which the output in the middle frequency band is increased
when the input level has dropped below the middle threshold level.
Mid Atck (High Attack)
0–100 ms
Sets the time until when the middle frequency band expander starts working
after the input level dropps below the middle threshold level.
Mid Rel (High Release)
50 ms–5.000 s
Sets the time until when the middle frequency band expander stops working
after the input level exceeds the middle threshold level.
High Thre (High Threshold)
-80–0 dB
Sets the volume at which the expander for the High frequency band starts
working.
High Ratio (High Ratio)
1:1.0–1:16, 1:INF
Sets the ratio at which the output in the High frequency band is increased
when the input level has dropped below the High threshold level.
High Atck (High Attack)
0–100 ms
Sets the time until when the High frequency band expander starts working
after the input level dropps below the High threshold level.
High Rel (High Release)
50 ms–5.000 s
Sets the time until when the High frequency band expander stops working
after the input level exceeds the High threshold level.
Algorithm List
Cmp (Compressor):Compresses the entire output signals when the input volume exceeds a specified value.
SW (Switch)
On, Off
Turns the compressor on or off.
Low Thre (Low Threshold)
-24–0 dB
Sets the volume at which the compressor for the low frequency band starts working.
Low Ratio (Low Raito)
1:1.0–1:16, 1:INF
Sets the ratio at which the output in the low frequency band is suppressed
when the input level has exceeded the low threshold level.
Low Atck (Low Attack)
0–100 ms
Sets the time until when the low frequency band compressor starts working
after the input level has exceeded the low threshold level.
Low Rel (Low Release)
50 ms–5.000 s
Sets the time until when the low frequency band compressor stops working
after the input level has dropped below the low threshold level.
Mid Thre (Middle Threshold)
-24–0 dB
Sets the volume at which the compressor in the middle frequency band
starts working.
Mid Ratio (Middle Ratio)
1:1.0–1:16, 1:INF
Sets the ratio at which the output in the middle frequency band is
suppressed when the input level has exceeded the middle threshold level.
Mid Atck (Middle Attack)
0–100 ms
Sets the time until when the middle frequency band compressor starts
working after the input level has exceeded the middle threshold level.
Mid Rel (Middle Release)
50 ms–5.000 s
Sets the time until when the middle frequency band compressor stops
working after the input level has dropped below the middle threshold level.
High Thre (High Threshold)
-24–0 dB
Sets the volume at which the compressor for the High frequency band starts
working.
High Raito (High Ratio)
1:1.0–1:16, 1:INF
Sets the ratio at which the output in the High frequency band is suppressed
when the input level has exceeded the High threshold level.
High Atck (High Attack)
0–100 ms
Sets the time until when the High frequency band compressor starts
working after the input level has exceeded the High threshold level.
High Rel (High Release)
50 ms–5.000 s
Sets the time until when the High frequency band compressor stops working
after the input level has dropped below the High threshold level.
Mix (Mixer):
Adjusts the volume by frequency band.
Low Level (Low Level)
-80– +6 dB
Sets the volume in the low frequency band after passing through the
expander and compressor.
Mid Level (Middle Level)
-80– +6 dB
Sets the middle frequency band volume after passing through the expander
and compressor.
High Level (High Level)
-80– +6 dB
Sets the volume in the High frequency band after passing through the
expander and compressor.
Lmt (Limiter):
Prevents distortion by suppressing signals at High levels.
Sw (Switch)
On, Off
Turns the limiter on or off.
Thresh (Threshold)
-24–0 dB
Sets the volume at which the limiter starts working.
Attack (Attack)
0–100 ms
Sets the time until when the limiter starts working after the input level has
exceeded threshold level.
Release (Release)
50 ms–5.000 s
Sets the time until when the limiter stops working after the input level drops
below the threshold level.
Out (Output):
Provides settings concerning overall output.
SoftClip (Soft Clip)
On, Off
Suppresses conspicuous distortion that may occur when the effect of
compressor/limiter has been applied excessively.
Level (Level)
-80– +6 dB
Sets the overall volume after passing through the limiter.
Algorithm List
*1: If Low Type (Lo Type) or High Type (Hi Type) is set to “Shlv (Shlving Type),” the setting for Lo Q or High Q is
invalid.
• With Compressor, the level is automatically adjusted to the optimal with the settings for Threshold (Thres) and Raito
(Ratio). Setting Attack (Atck) to a relatively long time may cause distortion. For this reason, a margin of -6 dB is
provided. Adjust the Mixer (Mix) level as required.
• “Mastering Tool Kit” cannot be used on EFFECT2, 4, 6, and 8 (even-numbered effects).
• When “Mastering Tool Kit” is used on EFFECT1, 3, 5, and 7 (odd-numbered effects), EFFECT2, 4, 6, and 8 (evennumbered effects) cannot be used.
• “Mastering Tool Kit” cannot be used on the projects with 64kHz or higher sampling rate.
87
MIDI Implementation
MIDI Implementation
Model VS-2480/2480CD Version 1.01 Jun. 29 2001
1. TRANSMITTED DATA AND
RECOGNIZED RECEIVE DATA
■Channel Voice message
●Note On/Off
When “METORONOME OUT” in the UTILITY condition METRONOME screen is “OUT,”
MIDI note number/velocity of MIDI channel number which is assigned to the Metronome
is transmitted.
Received when the effect patch Voice Transformer effect (algorithm 27) is selected (FX1, 3, 5
or 7) and MIDI CONTROL Sw is “On.”
Status
Second
Third
9nH
mmH
llH
n = MIDI Channel No.:
0H - FH (ch.1-ch.16) (*1)
0H - 7H (ch.1-ch.8) (*2)
mm = Note No.:
0CH - 7FH (12 - 127) (*1)
24H - 54H (38 - 64) (*2)
-------------------------------------------------------------------------Level Meter and Note Number table
------------------------------------------------------------------------Level Meter
Analog
Digital
Input
Target
Input
Input
Mixer
ll = Velocity:
01H - 7FH (1 - 127) / 00H = NOTE OFF
(*1) Only when transmitting Metronome.
(*2) Only when receiving with MIDI CONTROL Sw of Voice Transformer is “On.”
n = 0,2,4,6 (FX1,3,5,7): Voice Transformer: Chromatic Pitch
mm = 24H - 54H (C2 - C6)
ll = ignored
n = 1,3,5,7 (FX1,3,5,7): Voice Transformer: Chromatic Formant
mm = 24H - 3CH (C2 - C4)
ll = Ignored
●Polyphonic Key Pressure
Transmits the level meter value of VS-2480/2480CD according to the value of “DISPLAY
SECTION.” (MIDI ch. is fixed to 16.)
Ignored when received.
Status
Second
Third
AFH
mmH
llH
mm = Note No.:
00H - 5BH (0 - 91)
ll = Level Meter Value:
00H - 7FH (0 - 127)
Track
Mixer
FX
Return
AUX/
DIR
Analog
Output
Digital
Output
Note
Number
Level
Meter
Channel
Level
Meter
Channel
Level
Meter
Channel
Level
Meter
Channel
Level
Meter
Channel
Level
Meter
Channel
Level
Meter
Channel
Level
Meter
Channel
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
Input 1
Input 2
Input 3
Input 4
Input 5
Input 6
Input 7
Input 8
Input 9
Input 10
Input 11
Input 12
Input 13
Input 14
Input 15
Input 16
MONITOR L
MONITOR R
MASTER L
MASTER R
R-BUS1 1
R-BUS1 2
R-BUS1 3
R-BUS1 4
R-BUS1 5
R-BUS1 6
R-BUS1 7
R-BUS1 8
R-BUS2 1
R-BUS2 2
R-BUS2 3
R-BUS2 4
R-BUS2 5
R-BUS2 6
R-BUS2 7
R-BUS2 8
Coaxial L
Coaxial R
Optical L
Optical R
MONITOR L
MONITOR R
MASTER L
MASTER R
InMix 1
InMix 2
InMix 3
InMix 4
InMix 5
InMix 6
InMix 7
InMix 8
InMix 9
InMix 10
InMix 11
InMix 12
InMix 13
InMix 14
InMix 15
InMix 16
InMix 17
InMix 18
InMix 19
InMix 20
InMix 21
InMix 22
InMix 23
InMix 24
MONITOR L
MONITOR R
MASTER L
MASTER R
TrMix 1
TrMix 2
TrMix 3
TrMix 4
TrMix 5
TrMix 6
TrMix 7
TrMix 8
TrMix 9
TrMix 10
TrMix 11
TrMix 12
TrMix 13
TrMix 14
TrMix 15
TrMix 16
TrMix 17
TrMix 18
TrMix 19
TrMix 20
TrMix 21
TrMix 22
TrMix 23
TrMix 24
MONITOR L
MONITOR R
MASTER L
MASTER R
FxRtn 1L
FxRtn 1R
FxRtn 2L
FxRtn 2R
FxRtn 3L
FxRtn 3R
FxRtn 4L
FxRtn 4R
FxRtn 5L
FxRtn 5R
FxRtn 6L
FxRtn 6R
FxRtn 7L
FxRtn 7R
FxRtn 8L
FxRtn 8R
MONITOR L
MONITOR R
MASTER L
MASTER R
AUX 1
AUX 2
AUX 3
AUX 4
AUX 5
AUX 6
AUX 7
AUX 8
DIR 1
DIR 2
DIR 3
DIR 4
DIR 5
DIR 6
DIR 7
DIR 8
MONITOR L
MONITOR R
MASTER L
MASTER R
Output 1
Output 2
Output 3
Output 4
Output 5
Output 6
Output 7
Output 8
MONITOR L
MONITOR R
MASTER L
MASTER R
R-BUS1 1
R-BUS1 2
R-BUS1 3
R-BUS1 4
R-BUS1 5
R-BUS1 6
R-BUS1 7
R-BUS1 8
R-BUS2 1
R-BUS2 2
R-BUS2 3
R-BUS2 4
R-BUS2 5
R-BUS2 6
R-BUS2 7
R-BUS2 8
Coaxial L
Coaxial R
Optical L
Optical R
MONITOR L
MONITOR R
MASTER L
MASTER R
36
37
38
39
40
41
42
43
44
45
46
47
88
Channel Status 1ch
Channel Status 2ch
Channel Status 3ch
Channel Status 4ch
Channel Status 5ch
Channel Status 6ch
Channel Status 7ch
Channel Status 8ch
0:Off, 1:Play, 2:Bounce/Source, 3:Rec
0:Off, 1:Play, 2:Bounce/Source, 3:Rec
0:Off, 1:Play, 2:Bounce/Source, 3:Rec
0:Off, 1:Play, 2:Bounce/Source, 3:Rec
0:Off, 1:Play, 2:Bounce/Source, 3:Rec
0:Off, 1:Play, 2:Bounce/Source, 3:Rec
0:Off, 1:Play, 2:Bounce/Source, 3:Rec
0:Off, 1:Play, 2:Bounce/Source, 3:Rec
48
49
50
51
52
53
54
55
56
57
58
59
Channel Status 9ch
Channel Status 10ch
Channel Status 11ch
Channel Status 12ch
Channel Status 13ch
Channel Status 14ch
Channel Status 15ch
Channel Status 16ch
Channel Status 17ch
Channel Status 18ch
Channel Status 19ch
Channel Status 20ch
0:Off, 1:Play, 2:Bounce/Source, 3:Rec
0:Off, 1:Play, 2:Bounce/Source, 3:Rec
0:Off, 1:Play, 2:Bounce/Source, 3:Rec
0:Off, 1:Play, 2:Bounce/Source, 3:Rec
0:Off, 1:Play, 2:Bounce/Source, 3:Rec
0:Off, 1:Play, 2:Bounce/Source, 3:Rec
0:Off, 1:Play, 2:Bounce/Source, 3:Rec
0:Off, 1:Play, 2:Bounce/Source, 3:Rec
0:Off, 1:Play, 2:Bounce/Source, 3:Rec
0:Off, 1:Play, 2:Bounce/Source, 3:Rec
0:Off, 1:Play, 2:Bounce/Source, 3:Rec
0:Off, 1:Play, 2:Bounce/Source, 3:Rec
60
Channel Status 21ch 0:Off, 1:Play, 2:Bounce/Source, 3:Rec
61
Channel Status 22ch 0:Off, 1:Play, 2:Bounce/Source, 3:Rec
62
Channel Status 23ch 0:Off, 1:Play, 2:Bounce/Source, 3:Rec
63
Channel Status 24ch 0:Off, 1:Play, 2:Bounce/Source, 3:Rec
64
65
66
67
68
69
70
71
72
SCALE
0:X1, 1:X1/2
73
LOCATION
1:PRE FADER, 2:POST FADER
74
75
76
77
78
8SEG.MODE
0:Measure/Beat, 1:Time Code, 2:Clock+Scene
79
OVER RANGE
0:0db
80
MASTER MUTE
0:OFF, 1:ON
81
PEAK HOLD TIME 0:OFF
82
83
84
85
86
87
88
CLOCK HOUR(*1) / MEAS. MSB (*2)
89
CLOCK MIN.(*1) / MEAS. LSB (*2)
90
CLOCK SEC.(*1) / BEAT (*2)
91
SCENE (*1) / TICK (*2)
92
(*1) When 8SEG.MODE is 2.
(*2) When 8SEG.MODE is 0.
--------------------------------Level Meter Value and Level
--------------------------------Value
Level
0
0dB
1
-1dB
2
-2dB
:
127
-Infinite
AUX5/6 SEND PAN
86 -> -> -> -> -> -> ->
AUX7/8 SEND PAN
87 -> -> -> -> -> -> ->
OFFSET FADER LEVEL 88 -- -> -- -> -- -> -OFFSET PAN
89 -- -> -- -> -- -> --------------------------------------------------------------------------TRACK MIX CH.
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
MIDI ch. ->
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
-------------------------------------------------------------------------TRACK STATUS(*2)
35 -> -> -> -> -> -> -> -> -> -> -> -> -> -> ->
FADER LEVEL
39 -> -> -> -> -> -> -> -> -> -> -> -> -> -> ->
PAN
42 -> -> -> -> -> -> -> -> -> -> -> -> -> -> ->
AUX1 SEND LEVEL
44 -> -> -> -> -> -> -> -> -> -> -> -> -> -> ->
AUX2 SEND LEVEL
45 -> -> -> -> -> -> -> -> -> -> -> -> -> -> ->
AUX3 SEND LEVEL
46 -> -> -> -> -> -> -> -> -> -> -> -> -> -> ->
AUX4 SEND LEVEL
47 -> -> -> -> -> -> -> -> -> -> -> -> -> -> ->
AUX5 SEND LEVEL
48 -> -> -> -> -> -> -> -> -> -> -> -> -> -> ->
AUX6 SEND LEVEL
49 -> -> -> -> -> -> -> -> -> -> -> -> -> -> ->
AUX7 SEND LEVEL
50 -> -> -> -> -> -> -> -> -> -> -> -> -> -> ->
AUX8 SEND LEVEL
51 -> -> -> -> -> -> -> -> -> -> -> -> -> -> ->
AUX1/2 SEND PAN
52 -> -> -> -> -> -> -> -> -> -> -> -> -> -> ->
AUX3/4 SEND PAN
53 -> -> -> -> -> -> -> -> -> -> -> -> -> -> ->
AUX5/6 SEND PAN
54 -> -> -> -> -> -> -> -> -> -> -> -> -> -> ->
AUX7/8 SEND PAN
55 -> -> -> -> -> -> -> -> -> -> -> -> -> -> ->
OFFSET FADER LEVEL 56 -- -> -- -> -- -> -- -> -- -> -- -> -- -> -OFFSET PAN
57 -- -> -- -> -- -> -- -> -- -> -- -> -- -> -TRACK MIX CH.
17 18 19 20 21 22 23 24
MIDI ch. ->
9 10 11 12 23 14 15 16
-------------------------------------------------------------------------TRACK STATUS(*2)
67 -> -> -> -> -> -> ->
FADER LEVEL
71 -> -> -> -> -> -> ->
PAN
74 -> -> -> -> -> -> ->
AUX1 SEND LEVEL
76 -> -> -> -> -> -> ->
AUX2 SEND LEVEL
77 -> -> -> -> -> -> ->
AUX3 SEND LEVEL
78 -> -> -> -> -> -> ->
AUX4 SEND LEVEL
79 -> -> -> -> -> -> ->
AUX5 SEND LEVEL
80 -> -> -> -> -> -> ->
AUX6 SEND LEVEL
81 -> -> -> -> -> -> ->
AUX7 SEND LEVEL
82 -> -> -> -> -> -> ->
AUX8 SEND LEVEL
83 -> -> -> -> -> -> ->
AUX1/2 SEND PAN
84 -> -> -> -> -> -> ->
AUX3/4 SEND PAN
85 -> -> -> -> -> -> ->
AUX5/6 SEND PAN
86 -> -> -> -> -> -> ->
AUX7/8 SEND PAN
87 -> -> -> -> -> -> ->
OFFSET FADER LEVEL 88 -- -> -- -> -- -> -OFFSET PAN
89 -- -> -- -> -- -> --------------------------------------------------------------------------RETURN MIX CH.
1 2 3 4 5 6 7 8
MIDI ch. ->
1 2 3 4 5 6 7 8
-------------------------------------------------------------------------FADER LEVEL
102 -> -> -> -> -> -> ->
BALANCE
103 -> -> -> -> -> -> ->
AUX1 SEND LEVEL
104 -> -> -> -> -> -> ->
AUX2 SEND LEVEL
105 -> -> -> -> -> -> ->
AUX3 SEND LEVEL
106 -> -> -> -> -> -> ->
AUX4 SEND LEVEL
107 -> -> -> -> -> -> ->
AUX5 SEND LEVEL
108 -> -> -> -> -> -> ->
AUX6 SEND LEVEL
109 -> -> -> -> -> -> ->
AUX7 SEND LEVEL
110 -> -> -> -> -> -> ->
AUX8 SEND LEVEL
111 -> -> -> -> -> -> ->
AUX1/2 SEND Bal
112 -> -> -> -> -> -> ->
AUX3/4 SEND Bal
113 -> -> -> -> -> -> ->
AUX5/6 SEND Bal
114 -> -> -> -> -> -> ->
AUX7/8 SEND Bal
115 -> -> -> -> -> -> ->
-------------------------------------------------------------------------MASTER BLOCK
MIDI ch.=14
DIR1 LEVEL
104
DIR2 LEVEL
105
DIR3 LEVEL
106
DIR4 LEVEL
107
DIR5 LEVEL
108
DIR6 LEVEL
109
DIR7 LEVEL
110
DIR8 LEVEL
111
DIR1/2 Bal
112
DIR3/4 Bal
113
DIR5/6 Bal
114
DIR7/8 Bal
115
MIDI ch.=15
AUX1 LEVEL
104
AUX2 LEVEL
105
AUX3 LEVEL
106
AUX4 LEVEL
107
AUX5 LEVEL
108
AUX6 LEVEL
109
AUX7 LEVEL
110
AUX8 LEVEL
111
AUX1/2 Bal
112
AUX3/4 Bal
113
AUX5/6 Bal
114
AUX7/8 Bal
115
MIDI ch.=16
MASTER LEVEL
102
MASTER BAL
103
MONITOR BAL
104
--------------------------------------------------------------------------
●Control Change
+——————+————————++——————+————————++——————+————————++——————+————————++——————+————————+
| Data | Lev(dB)|| Data | Lev(dB)|| Data | Lev(dB)|| Data | Lev(dB)|| Data | Lev(dB)|
+——————+————————++——————+————————++——————+————————++——————+————————++——————+————————+
|
0 | — Inf ||
30 | —22.0 ||
60 | —10.3 ||
90 | — 2.3 || 120 |
4.6 |
|
1 | —80.0 ||
31 | —21.6 ||
61 | —10.0 ||
91 | — 2.0 || 121 |
4.8 |
|
2 | —68.0 ||
32 | —21.2 ||
62 | — 9.8 ||
92 | — 1.8 || 122 |
5.0 |
|
3 | —60.0 ||
33 | —20.8 ||
63 | — 9.5 ||
93 | — 1.5 || 123 |
5.2 |
|
4 | —56.0 ||
34 | —20.4 ||
64 | — 9.3 ||
94 | — 1.3 || 124 |
5.4 |
|
5 | —53.0 ||
35 | —20.0 ||
65 | — 9.0 ||
95 | — 1.0 || 125 |
5.6 |
|
6 | —50.0 ||
36 | —19.6 ||
66 | — 8.8 ||
96 | — 0.8 || 126 |
5.8 |
|
7 | —48.0 ||
37 | —19.2 ||
67 | — 8.6 ||
97 | — 0.6 || 127 |
6.0 |
|
8 | —46.0 ||
38 | —18.8 ||
68 | — 8.4 ||
98 | — 0.4 |+——————+————————+
|
9 | —44.0 ||
39 | —18.4 ||
69 | — 8.2 ||
99 | — 0.2 |
|
10 | —42.0 ||
40 | —18.0 ||
70 | — 8.0 || 100 |
0.0 |
|
11 | —40.0 ||
41 | —17.6 ||
71 | — 7.6 || 101 |
0.2 |
|
12 | —38.0 ||
42 | —17.2 ||
72 | — 7.3 || 102 |
0.4 |
|
13 | —36.0 ||
43 | —16.8 ||
73 | — 7.0 || 103 |
0.6 |
|
14 | —34.5 ||
44 | —16.4 ||
74 | — 6.6 || 104 |
0.8 |
|
15 | —33.0 ||
45 | —16.0 ||
75 | — 6.3 || 105 |
1.0 |
|
16 | —32.0 ||
46 | —15.6 ||
76 | — 6.0 || 106 |
1.3 |
|
17 | —31.0 ||
47 | —15.2 ||
77 | — 5.8 || 107 |
1.5 |
|
18 | —30.0 ||
48 | —14.8 ||
78 | — 5.5 || 108 |
1.8 |
|
19 | —29.0 ||
49 | —14.4 ||
79 | — 5.3 || 109 |
2.0 |
|
20 | —28.0 ||
50 | —14.0 ||
80 | — 5.0 || 110 |
2.3 |
|
21 | —27.2 ||
51 | —13.6 ||
81 | — 4.8 || 111 |
2.5 |
|
22 | —26.4 ||
52 | —13.2 ||
82 | — 4.6 || 112 |
2.8 |
|
23 | —25.6 ||
53 | —12.8 ||
83 | — 4.4 || 113 |
3.0 |
|
24 | —24.8 ||
54 | —12.4 ||
84 | — 4.2 || 114 |
3.3 |
|
25 | —24.0 ||
55 | —12.0 ||
85 | — 4.0 || 115 |
3.5 |
|
26 | —23.6 ||
56 | —11.6 ||
86 | — 3.6 || 116 |
3.8 |
|
27 | —23.2 ||
57 | —11.3 ||
87 | — 3.3 || 117 |
4.0 |
|
28 | —22.8 ||
58 | —11.0 ||
88 | — 3.0 || 118 |
4.2 |
|
29 | —22.4 ||
59 | —10.6 ||
89 | — 2.6 || 119 |
4.4 |
+——————+————————++——————+————————++——————+————————++——————+————————+
The controller numbers that have been set by means of the FADER/KNOB parameters in
the Utility menus FADER/USER screen are transmitted when the faders and knobs are
operated while the faders are inV.Fader mode.
Status
Second
Third
BnH
mmH
llH
n = MIDI Channel No.:
0H - FH (ch.1-ch.16)
mm = Controller No.:
00H - 77H (0 - 119)
ll = Controller Value:
00H - 7FH (0 - 127)
Parameters on the Mixer section can be received and transmitted by the control change
messages when MIXER CONTROL TYPE in the UTILITY-MIDI screen is set to “C.C.”
Status
Second
Third
BnH
mmH
llH
n = MIDI Channel No.:
0H - FH (ch.1-ch.16: see below)
mm = Mixer Parameter No.:
(see below)
ll = Mixer Parameter Value.:
00H - 7FH (0 - 127) (*1)
-------------------------------------------------------------------------Mixer Parameter and MIDI Channel/Control Change No.
-------------------------------------------------------------------------INPUT MIX CH.
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
MIDI ch. ->
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
-------------------------------------------------------------------------FADER LEVEL
7 -> -> -> -> -> -> -> -> -> -> -> -> -> -> ->
PAN
10 -> -> -> -> -> -> -> -> -> -> -> -> -> -> ->
AUX1 SEND LEVEL
12 -> -> -> -> -> -> -> -> -> -> -> -> -> -> ->
AUX2 SEND LEVEL
13 -> -> -> -> -> -> -> -> -> -> -> -> -> -> ->
AUX3 SEND LEVEL
14 -> -> -> -> -> -> -> -> -> -> -> -> -> -> ->
AUX4 SEND LEVEL
15 -> -> -> -> -> -> -> -> -> -> -> -> -> -> ->
AUX5 SEND LEVEL
16 -> -> -> -> -> -> -> -> -> -> -> -> -> -> ->
AUX6 SEND LEVEL
17 -> -> -> -> -> -> -> -> -> -> -> -> -> -> ->
AUX7 SEND LEVEL
18 -> -> -> -> -> -> -> -> -> -> -> -> -> -> ->
AUX8 SEND LEVEL
19 -> -> -> -> -> -> -> -> -> -> -> -> -> -> ->
AUX1/2 SEND PAN
20 -> -> -> -> -> -> -> -> -> -> -> -> -> -> ->
AUX3/4 SEND PAN
21 -> -> -> -> -> -> -> -> -> -> -> -> -> -> ->
AUX5/6 SEND PAN
22 -> -> -> -> -> -> -> -> -> -> -> -> -> -> ->
AUX7/8 SEND PAN
23 -> -> -> -> -> -> -> -> -> -> -> -> -> -> ->
OFFSET FADER LEVEL 24 -- -> -- -> -- -> -- -> -- -> -- -> -- -> -OFFSET PAN
25 -- -> -- -> -- -> -- -> -- -> -- -> -- -> -INPUT MIX CH.
17 18 19 20 21 22 23 24
MIDI ch. ->
1 2 3 4 5 6 7 8
-------------------------------------------------------------------------FADER LEVEL
71 -> -> -> -> -> -> ->
PAN
74 -> -> -> -> -> -> ->
AUX1 SEND LEVEL
76 -> -> -> -> -> -> ->
AUX2 SEND LEVEL
77 -> -> -> -> -> -> ->
AUX3 SEND LEVEL
78 -> -> -> -> -> -> ->
AUX4 SEND LEVEL
79 -> -> -> -> -> -> ->
AUX5 SEND LEVEL
80 -> -> -> -> -> -> ->
AUX6 SEND LEVEL
81 -> -> -> -> -> -> ->
AUX7 SEND LEVEL
82 -> -> -> -> -> -> ->
AUX8 SEND LEVEL
83 -> -> -> -> -> -> ->
AUX1/2 SEND PAN
84 -> -> -> -> -> -> ->
AUX3/4 SEND PAN
85 -> -> -> -> -> -> ->
(*1) Mixer Level Table
(*2) Value and switching Track status corresponds as follows.
(Track status cannot be switched when tracks are assigned to Phrase Pads.)
(1) While VS-2480/2480CD stops
Value:
0-41
42-83
84-127
Status:
MUTE -> MUTE
PLAY -> MUTE
REC -> MUTE
(2) While playback/recording
Value:
0-41
MUTE -> REC
PLAY -> REC
REC -> REC
42-83
84-127
MUTE -> X
PLAY -> MUTE
REC -> X
(*) X = Ignored
MUTE -> X
PLAY -> X
REC -> REC
MUTE -> PLAY
PLAY -> PLAY
REC -> X
Status:
MUTE -> PLAY
PLAY -> PLAY
REC -> PLAY
❍Bank Select (MSB/LSB)
Switches the effect bank.
Status
Second
BnH
00H
BnH
20H
n = MIDI Channel No.:
Third
mmH
llH
0H - 7H ( ch.1 = FX1 ch.2 = FX2 ch.3 = FX3
ch.4 = FX4 ch.5 = FX5 ch.6 = FX6 ch.7 = FX7
ch.8 = FX8)
89
MIDI Implementation
MIDI Implementation
MIDI Implementation
mm = upper byte of bank number:
00H
ll = lower byte of bank number:
00H - 04H (0 - 4)
Bank Select | Program Change | Patch Number
MSB | LSB |
|
------+-----+--------------------+--------------------00H | 00H | 00H - 63H (0 - 99) | Preset #000 - #099
00H | 01H | 00H - 63H (0 - 99) | Preset #100 - #199
00H | 02H | 00H - 27H (0 - 39) | Preset #200 - #239
00H | 03H | 00H - 63H (0 - 99) | User
#000 - #099
00H | 04H | 00H - 63H (0 - 99) | User
#100 - #199
❍Hold1
VS-2480/2480CD can receive when EFFECT C.C. Rx Sw” in the UTILITY condition MIDI
screen is “OUT,” effect patch Vocoder2 effect (algorithm 28) is selected, and Vocoder2’s
Hold parameter is "MIDI."
Status
Second
Third
BnH
40H
llH
n = MIDI Channel No.:
0,2,4,6H ( ch.1 = FX1 ch.3 = FX3 ch.5 = FX5
ch.7 = FX7)
ll = Control Value:
00H - 7FH (0 - 127)
❍NRPN(MSB/LSB)
Parameters on the Mixer/Effect section can be changed when UTILITY-MIDI screens
EFFECT C.C. Rx Sw is "On."
Status
Second
Third
BnH
62H
llH
BnH
63H
mmH
n = MIDI Channel No.:
0H - 7H ( ch.1 = FX1 ch.2 = FX2 ch.3 = FX3 ch.4 = FX4
ch.5 = FX5 ch.6 = FX6 ch.7 = FX7 ch.8 = FX8)
8H - 9H ( ch.9 = Input Mixer, ch.10=Track Mixer)
mm = upper byte of the parameter number to be assigned with NRPN.:
00H
n = 0H - 7H
00H - 17H (1 - 24)
n = 8H - 9H
ll = lower byte of the parameter number to be assigned with NRPN.:
00H - 3EH (0 - 62)
❍Data Entry (MSB/LSB)
When UTILITY-MIDI screens EFFECT C.C. Rx Sw is "On," controls effect parameter
assigned with NRPN.
Status
Second
Third
BnH
06H
mmH
BnH
26H
llH
n = MIDI Channel No.:
0H - 7H ( ch.1 = FX1 ch.2 = FX2 ch.3 = FX3 ch.4 = FX4
ch.5 = FX5 ch.6 = FX6 ch.7 = FX7 ch.8 = FX8)
8H - 9H ( ch.9 = Input Mixer, ch.10 = Track Mixer)
mm = upper byte corresponding to the parameter assigned with NRPN.
ll = lower byte corresponding to the parameter assigned with NRPN.
<Ex> mmH llH = 40H 00H = -8192
= 7FH 7FH = -1
= 00H 00H = 0
= 3FH 7FH = +8191
❍Data Increment
When UTILITY-MIDI screens EFFECT C.C. Rx Sw is "On," increments the effect parameter
assigned with NRPN.
Status
Second
Third
BnH
60H
00H
n = MIDI Channel No.:
0H - 7H ( ch.1 = FX1 ch.2 = FX2 ch.3 = FX3 ch.4 = FX4
ch.5 = FX5 ch.6 = FX6 ch.7 = FX7 ch.8 = FX8)
8H - 9H ( ch.9 = Input Mixer, ch.10 = Track Mixer)
Increment the effect parameter selected with NRPN.
❍Data Decrement
When UTILITY-MIDI screens EFFECT C.C. Rx Sw is "On," decrements the effect parameter
assigned with NRPN.'
Status
Second
Third
BnH
61H
00H
n = MIDI Channel No.:
0H - 7H ( ch.1 = FX1 ch.2 = FX2 ch.3 = FX3 ch.4 = FX4
ch.5 = FX5 ch.6 = FX6 ch.7 = FX7 ch.8 = FX8)
8H - 9H ( ch.9 = Input Mixer, ch.10 = Track Mixer)
Decrement the effect parameter selected with NRPN.
90
-------------------------------------------------------------------------NRPN Parameters Number Map
-------------------------------------------------------------------------+————+—————————+————————————————————————————————————————————————————————+
| Ch | NRPN
|
|
|
| MSB LSB |
|
|====|=========+=========+==============================================|
| 0 | 00H 00H | EFFECT 1 Parameter
|
|
+—————————+————————————————————————————————————————————————————————+
|
| 01H 00H | (Reserved)
|
|
:
:
|
| 7FH 7FH |
|
+————+—————————+————————————————————————————————————————————————————————+
| 1 | 00H 00H | EFFECT 2 Parameter
|
|
+—————————+————————————————————————————————————————————————————————+
|
| 01H 00H | (Reserved)
|
|
:
:
|
| 7FH 7FH |
|
+————+—————————+————————————————————————————————————————————————————————+
| 2 | 00H 00H | EFFECT 3 Parameter
|
|
+—————————+————————————————————————————————————————————————————————+
|
| 01H 00H | (Reserved)
|
|
:
:
|
| 7FH 7FH |
|
+————+—————————+————————————————————————————————————————————————————————+
| 3 | 00H 00H | EFFECT 4 Parameter
|
|
+—————————+————————————————————————————————————————————————————————+
|
| 01H 00H | (Reserved)
|
|
:
:
|
| 7FH 7FH |
|
+————+—————————+————————————————————————————————————————————————————————+
| 4 | 00H 00H | EFFECT 5 Parameter
|
|
+—————————+————————————————————————————————————————————————————————+
|
| 01H 00H | (Reserved)
|
|
:
:
|
| 7FH 7FH |
|
+————+—————————+————————————————————————————————————————————————————————+
| 5 | 00H 00H | EFFECT 6 Parameter
|
|
+—————————+————————————————————————————————————————————————————————+
|
| 01H 00H | (Reserved)
|
|
:
:
|
| 7FH 7FH |
|
+————+—————————+————————————————————————————————————————————————————————+
| 6 | 00H 00H | EFFECT 7 Parameter
|
|
+—————————+————————————————————————————————————————————————————————+
|
| 01H 00H | (Reserved)
|
|
:
:
|
| 7FH 7FH |
|
+————+—————————+————————————————————————————————————————————————————————+
| 7 | 00H 00H | EFFECT 8 Parameter
|
|
+—————————+————————————————————————————————————————————————————————+
|
| 01H 00H | (Reserved)
|
|
:
:
|
| 7FH 7FH |
|
+————+—————————+————————————————————————————————————————————————————————+
| 8 | 00H 00H | Input Mixer Channel 1 EQ Parameter
|
|
+—————————+————————————————————————————————————————————————————————+
|
| 01H 00H | Input Mixer Channel 2 EQ Parameter
|
|
:
:
|
| 17H 00H | Input Mixer Channel 24 EQ Parameter
|
|
+—————————+————————————————————————————————————————————————————————+
|
| 18H 00H | (Reserved)
|
|
:
:
|
| 7FH 7FH |
|
+————+—————————+————————————————————————————————————————————————————————+
| 9 | 00H 00H | Track Mixer Channel 1 EQ Parameter
|
|
+—————————+————————————————————————————————————————————————————————+
|
| 01H 00H | Track Mixer Channel 2 EQ Parameter
|
|
:
:
|
| 17H 00H | Track Mixer Channel 24 EQ Parameter
|
|
+—————————+————————————————————————————————————————————————————————+
|
| 18H 00H | (Reserved)
|
|
:
:
|
| 7FH 7FH |
|
+————+—————————+————————————————————————————————————————————————————————+
-------------------------------------------------------------------------NRPN and Mixer Parameters
-------------------------------------------------------------------------+———————————————————————————————————————————————————————————————————————+
| NRPN
| Data
|
|
|
|
Entry |
|
|=========+=========+===================================================|
| ccH 00H | mmH llH | EQ SWITCH
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| ccH 01H | mmH llH | EQ LOW GAIN
|
|
|
|
—150,,,150 = —15.0,,,15.0dB|
|—————————+—————————+———————————————————————————————————————————————————|
| ccH 02H | mmH llH | EQ LOW FREQUENCY
|
|
|
|
20,,,88 = 20Hz,,,1.00kHz(*1)|
|—————————+—————————+———————————————————————————————————————————————————|
| ccH 03H | mmH llH | EQ LOWMID GAIN
|
|
|
|
—150,,,150 = —15.0,,,15.0dB|
|—————————+—————————+———————————————————————————————————————————————————|
| ccH 04H | mmH llH | EQ LOWMID FREQUENCY
|
|
|
|
20,,,140 = 20Hz,,,20.0kHz(*1)|
|—————————+—————————+———————————————————————————————————————————————————|
| ccH 05H | mmH llH | EQ LOWMID Q
|
|
|
|
30,,,96 = 0.36,,,16.0(*2)|
|—————————+—————————+———————————————————————————————————————————————————|
| ccH 06H | mmH llH | EQ HIGHMID GAIN
|
|
|
|
—150,,,150 = —15.0,,,15.0dB|
|—————————+—————————+———————————————————————————————————————————————————|
| ccH 07H | mmH llH | EQ HIGHMID FREQUENCY
|
|
|
|
20,,,140 = 20Hz,,,20.0kHz(*1)|
|—————————+—————————+———————————————————————————————————————————————————|
| ccH 08H | mmH llH | EQ HIGHMID Q
|
|
|
|
30,,,96 = 0.36,,,16.0(*2)|
|—————————+—————————+———————————————————————————————————————————————————|
| ccH 09H | mmH llH | EQ HIGH GAIN
|
|
|
|
—150,,,150 = —15.0,,,15.0dB|
|—————————+—————————+———————————————————————————————————————————————————|
| ccH 0AH | mmH llH | EQ HIGH FREQUENCY
|
|
|
|
88,,,140 = 1.00kHz ,,,20.0kHz(*1)|
|—————————+—————————+———————————————————————————————————————————————————|
| ccH 0BH | mmH llH | EQ FILTER TYPE
|
|
|
|
0,,,4 = Off,LPF,HPF,BPF,BEF|
|—————————+—————————+———————————————————————————————————————————————————|
| ccH 0CH | mmH llH | EQ FILTER FREQUENCY
|
|
|
|
20,,,140 = 20Hz,,,20.0kHz(*1)|
|—————————+—————————+———————————————————————————————————————————————————|
| ccH 0DH | mmH llH | EQ FILTER Q
|
|
|
|
30,,,96 = 0.36,,,16.0(*2)|
|—————————+—————————+———————————————————————————————————————————————————|
* The Mixer Channel number is specified in NRPN’s MSB (avove ccH).
(*1) Mixer Frequency Table
+——————+————————++——————+————————++——————+————————++——————+————————++——————+————————+
| Data |Freq(Hz)|| Data |Freq(Hz)|| Data |Freq(Hz)|| Data |Freq(Hz)|| Data |Freq(Hz)|
+——————+————————++——————+————————++——————+————————++——————+————————++——————+————————+
|
20 |
20 ||
45 |
84 ||
70 |
355 ||
95 | 1.50k || 120 | 6.30k |
|
21 |
21 ||
46 |
90 ||
71 |
376 ||
96 | 1.60k || 121 | 6.70k |
|
22 |
22 ||
47 |
94 ||
72 |
400 ||
97 | 1.70k || 122 | 7.10k |
|
23 |
24 ||
48 |
100 ||
73 |
422 ||
98 | 1.80k || 123 | 7.50k |
|
24 |
25 ||
49 |
106 ||
74 |
450 ||
99 | 1.90k || 124 | 8.00k |
|
25 |
27 ||
50 |
112 ||
75 |
473 || 100 | 2.00k || 125 | 8.40k |
|
26 |
28 ||
51 |
120 ||
76 |
500 || 101 | 2.10k || 126 | 9.00k |
|
27 |
30 ||
52 |
125 ||
77 |
530 || 102 | 2.24k || 127 | 9.44k |
|
28 |
32 ||
53 |
133 ||
78 |
560 || 103 | 2.37k || 128 | 10.0k |
|
29 |
33 ||
54 |
140 ||
79 |
600 || 104 | 2.50k || 129 | 10.6k |
|
30 |
36 ||
55 |
150 ||
80 |
630 || 105 | 2.66k || 130 | 11.2k |
|
31 |
38 ||
56 |
160 ||
81 |
670 || 106 | 2.80k || 131 | 12.0k |
|
32 |
40 ||
57 |
170 ||
82 |
710 || 107 | 3.00k || 132 | 12.5k |
|
33 |
42 ||
58 |
180 ||
83 |
750 || 108 | 3.15k || 133 | 13.3k |
|
34 |
45 ||
59 |
190 ||
84 |
800 || 109 | 3.35k || 134 | 14.0k |
|
35 |
47 ||
60 |
200 ||
85 |
840 || 110 | 3.55k || 135 | 15.0k |
|
36 |
50 ||
61 |
210 ||
86 |
900 || 111 | 3.76k || 136 | 16.0k |
|
37 |
53 ||
62 |
224 ||
87 |
944 || 112 | 4.00k || 137 | 17.0k |
|
38 |
56 ||
63 |
237 ||
88 | 1.00k || 113 | 4.22k || 138 | 18.0k |
|
39 |
60 ||
64 |
250 ||
89 | 1.06k || 114 | 4.50k || 139 | 19.0k |
|
40 |
63 ||
65 |
266 ||
90 | 1.12k || 115 | 4.73k || 140 | 20.0k |
|
41 |
67 ||
66 |
280 ||
91 | 1.20k || 116 | 5.00k |+——————+————————+
|
42 |
71 ||
67 |
300 ||
92 | 1.25k || 117 | 5.30k |
|
43 |
75 ||
68 |
315 ||
93 | 1.33k || 118 | 5.60k |
|
44 |
80 ||
69 |
335 ||
94 | 1.40k || 119 | 6.00k |
+——————+————————++——————+————————++——————+————————++——————+————————+
(*2) Mixer Q Table
+——————+————————++——————+————————++——————+————————++——————+————————+
| Data |
Q
|| Data |
Q
|| Data |
Q
|| Data |
Q
|
+——————+————————++——————+————————++——————+————————++——————+————————+
|
30 | 0.36 ||
50 | 1.12 ||
70 | 3.55 ||
90 | 11.2 |
|
31 | 0.38 ||
51 | 1.20 ||
71 | 3.76 ||
91 | 12.0 |
|
32 | 0.40 ||
52 | 1.25 ||
72 | 4.00 ||
92 | 12.5 |
|
33 | 0.42 ||
53 | 1.33 ||
73 | 4.22 ||
93 | 13.3 |
|
34 | 0.45 ||
54 | 1.40 ||
74 | 4.50 ||
94 | 14.0 |
|
35 | 0.47 ||
55 | 1.50 ||
75 | 4.73 ||
95 | 15.0 |
|
36 | 0.50 ||
56 | 1.60 ||
76 | 5.00 ||
96 | 16.0 |
|
37 | 0.53 ||
57 | 1.70 ||
77 | 5.30 |+——————+————————+
|
38 | 0.56 ||
58 | 1.80 ||
78 | 5.60 |
|
39 | 0.60 ||
59 | 1.90 ||
79 | 6.00 |
|
40 | 0.63 ||
60 | 2.00 ||
80 | 6.30 |
|
41 | 0.67 ||
61 | 2.10 ||
81 | 6.70 |
|
42 | 0.71 ||
62 | 2.24 ||
82 | 7.10 |
|
43 | 0.75 ||
63 | 2.37 ||
83 | 7.50 |
|
44 | 0.80 ||
64 | 2.50 ||
84 | 8.00 |
|
45 | 0.84 ||
65 | 2.66 ||
85 | 8.40 |
|
46 | 0.90 ||
66 | 2.80 ||
86 | 9.00 |
|
47 | 0.94 ||
67 | 3.00 ||
87 | 9.44 |
|
48 | 1.00 ||
68 | 3.15 ||
88 | 10.0 |
|
49 | 1.06 ||
69 | 3.35 ||
89 | 10.6 |
+——————+————————++——————+————————++——————+————————+
-------------------------------------------------------------------------NRPN and Effect Parameters
--------------------------------------------------------------------------
❍Algorithm 0 Reverb (FX1,FX3,FX5,FX7)
+———————————————————————————————————————————————————————————————————————+
| NRPN
| Data
|
|
|
|
Entry |
|
|=========+=========+===================================================|
| 00H 00H | mmH llH | EQ SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 01H | mmH llH | EQ: Low EQ Type
|
|
|
|
0,1 = Shelving, Peaking|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 02H | mmH llH | EQ: Low EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 03H | mmH llH | EQ: Low EQ Frequency
|
|
|
|
2,,,200 = 20,,,2000Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 04H | mmH llH | EQ: Low EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 05H | mmH llH | EQ: Mid EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 06H | mmH llH | EQ: Mid EQ Frequency
|
|
|
|
20,,,800 = 200,,,8000Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 07H | mmH llH | EQ: Mid EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 08H | mmH llH | EQ: High EQ Type
|
|
|
|
0,1 = Shelving, Peaking|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 09H | mmH llH | EQ: High EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0AH | mmH llH | EQ: High EQ Frequency
|
|
|
|
14,,,200 = 1.4,,,20.0kHz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0BH | mmH llH | EQ: High EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0CH | mmH llH | EQ: Out Level
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0DH | mmH llH | Reverb: Room Size
|
|
|
|
5,,,40m|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0EH | mmH llH | Reverb: Reverb Time
|
|
|
|
1,,,320 = 0.1,,,32.0s|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0FH | mmH llH | Reverb: Pre Delay
|
|
|
|
0,,,200 = 0,,,200ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 10H | mmH llH | Reverb: Diffusion
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 11H | mmH llH | Reverb: Density
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 12H | mmH llH | Reverb: Early Reflection Level
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 13H | mmH llH | Reverb: LF Damp Frequency
|
|
|
|
5,,,400 = 50,,,4000Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 14H | mmH llH | Reverb: LF Damp Gain
|
|
|
|
—36,,,0dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 15H | mmH llH | Reverb: HF Damp Frequency
|
|
|
|
10,,,200 = 1.0,,,20.0kHz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 16H | mmH llH | Reverb: HF Damp Gain
|
|
|
|
—36,,,0dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 17H | mmH llH | Reverb: HI Cut Frequency
|
|
|
|
2,,,200 = 0.2,,,20.0kHz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 18H | mmH llH | Reverb: Effect Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 19H | mmH llH | Reverb: Direct Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1AH | 00H 00H | (Reserved)
|
:
:
| 00H 7FH | 00H 00H |
|
+———————————————————————————————————————————————————————————————————————+
❍Algorithm 1 Delay
+———————————————————————————————————————————————————————————————————————+
| NRPN
| Data
|
|
|
|
Entry |
|
|=========+=========+===================================================|
| 00H 00H | mmH llH | Delay SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 01H | mmH llH | EQ SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 02H | mmH llH | Delay: Delay Time
|
|
|
|
0,,,1200ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 03H | mmH llH | Delay: Shift
|
|
|
|
—1200,,,1200 = L1200,,,R1200ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 04H | mmH llH | Delay: Lch Feedback Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 05H | mmH llH | Delay: Rch Feedback Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 06H | mmH llH | Delay: Lch Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 07H | mmH llH | Delay: Rch Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 08H | mmH llH | Delay: LF Damp Frequency
|
|
|
|
5,,,400 = 50,,,4000Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 09H | mmH llH | Delay: LF Damp Gain
|
|
|
|
—36,,,0dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0AH | mmH llH | Delay: HF Damp Frequency
|
|
|
|
10,,,200 = 1.0,,,20.0kHz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0BH | mmH llH | Delay: HF Damp Gain
|
|
|
|
—36,,,0dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0CH | mmH llH | Delay: Direct Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0DH | mmH llH | EQ: Low EQ Type
|
|
|
|
0,1 = Shelving, Peaking|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0EH | mmH llH | EQ: Low EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0FH | mmH llH | EQ: Low EQ Frequency
|
|
|
|
2,,,200 = 20,,,2000Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 10H | mmH llH | EQ: Low EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 11H | mmH llH | EQ: Mid EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 12H | mmH llH | EQ: Mid EQ Frequency
|
|
|
|
20,,,800 = 200,,,8000Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 13H | mmH llH | EQ: Mid EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 14H | mmH llH | EQ: High EQ Type
|
|
|
|
0,1 = Shelving, Peaking|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 15H | mmH llH | EQ: High EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 16H | mmH llH | EQ: High EQ Frequency
|
|
|
|
14,,,200 = 1.4,,,20.0kHz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 17H | mmH llH | EQ: High EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 18H | mmH llH | EQ: Out Level
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 19H | 00H 00H | (Reserved)
|
:
:
| 00H 7FH | 00H 00H |
|
+———————————————————————————————————————————————————————————————————————+
* (Delay Time) + (Absolute value of Shift) should be 1200 or less.
❍Algorithm 2 Stereo Delay Chorus
+———————————————————————————————————————————————————————————————————————+
| NRPN
| Data
|
|
|
|
Entry |
|
|=========+=========+===================================================|
| 00H 00H | mmH llH | Delay SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 01H | mmH llH | Chorus SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 02H | mmH llH | EQ SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 03H | mmH llH | Delay: Delay Time
|
|
|
|
0,,,500ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 04H | mmH llH | Delay: Shift
|
|
|
|
—500,,,500 = L500,,,R500ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 05H | mmH llH | Delay: Lch Feedback Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 06H | mmH llH | Delay: Rch Feedback Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 07H | mmH llH | Delay: Lch Cross Feedback Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 08H | mmH llH | Delay: Rch Cross Feedback Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 09H | mmH llH | Delay: Effect Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0AH | mmH llH | Delay: Direct Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0BH | mmH llH | Chorus: Rate
|
|
|
|
1,,,100 = 0.1,,,10.0Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0CH | mmH llH | Chorus: Depth
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0DH | mmH llH | Chorus: Pre Delay
|
|
|
|
0,,,50ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0EH | mmH llH | Chorus: Effect Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0FH | mmH llH | Chorus: Direct Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 10H | mmH llH | Chorus: Lch Feedback Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 11H | mmH llH | Chorus: Rch Feedback Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 12H | mmH llH | Chorus: Lch Cross Feedback Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 13H | mmH llH | Chorus: Rch Cross Feedback Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 14H | mmH llH | EQ: Low EQ Type
|
|
|
|
0,1 = Shelving, Peaking|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 15H | mmH llH | EQ: Low EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 16H | mmH llH | EQ: Low EQ Frequency
|
|
|
|
2,,,200 = 20,,,2000Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 17H | mmH llH | EQ: Low EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 18H | mmH llH | EQ: Mid EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 19H | mmH llH | EQ: Mid EQ Frequency
|
|
|
|
20,,,800 = 200,,,8000Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1AH | mmH llH | EQ: Mid EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1BH | mmH llH | EQ: High EQ Type
|
|
|
|
0,1 = Shelving, Peaking|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1CH | mmH llH | EQ: High EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1DH | mmH llH | EQ: High EQ Frequency
|
|
|
|
14,,,200 = 1.4,,,20.0kHz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1EH | mmH llH | EQ: High EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1FH | mmH llH | EQ: Out Level
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 20H | 00H 00H | (Reserved)
|
:
:
| 00H 7FH | 00H 00H |
|
+———————————————————————————————————————————————————————————————————————+
* (Delay Time) + (Absolute value of Shift) should be 500 or less.
❍Algorithm 3 Stereo Pitch Shifter Delay
+———————————————————————————————————————————————————————————————————————+
| NRPN
| Data
|
|
|
|
Entry |
|
|=========+=========+===================================================|
| 00H 00H | mmH llH | P.ShifterDelay SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 01H | mmH llH | EQ SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 02H | mmH llH | P.ShifterDelay: Lch Chromatic Pitch
|
|
|
|
—12,,,12|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 03H | mmH llH | P.ShifterDelay: Lch Fine Pitch
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 04H | mmH llH | P.ShifterDelay: Lch Pre Delay
|
|
|
|
0,,,50ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 05H | mmH llH | P.ShifterDelay: Lch Feedback Delay Time
|
|
|
|
0,,,500ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 06H | mmH llH | P.ShifterDelay: Lch Feedback Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
91
MIDI Implementation
MIDI Implementation
MIDI Implementation
| 00H 07H | mmH llH | P.ShifterDelay: Lch Cross Feedback Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 08H | mmH llH | P.ShifterDelay: Rch Chromatic Pitch
|
|
|
|
—12,,,12|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 09H | mmH llH | P.ShifterDelay: Rch Fine Pitch
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0AH | mmH llH | P.ShifterDelay: Rch Pre Delay
|
|
|
|
0,,,50ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0BH | mmH llH | P.ShifterDelay: Rch Feedback Delay Time
|
|
|
|
0,,,500ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0CH | mmH llH | P.ShifterDelay: Rch Feedback Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0DH | mmH llH | P.ShifterDelay: Rch Cross Feedback Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0EH | mmH llH | P.ShifterDelay: Effect Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0FH | mmH llH | P.ShifterDelay: Direct Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 10H | mmH llH | EQ: Low EQ Type
|
|
|
|
0,1 = Shelving, Peaking|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 11H | mmH llH | EQ: Low EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 12H | mmH llH | EQ: Low EQ Frequency
|
|
|
|
2,,,200 = 20,,,2000Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 13H | mmH llH | EQ: Low EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 14H | mmH llH | EQ: Mid EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 15H | mmH llH | EQ: Mid EQ Frequency
|
|
|
|
20,,,800 = 200,,,8000Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 16H | mmH llH | EQ: Mid EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 17H | mmH llH | EQ: High EQ Type
|
|
|
|
0,1 = Shelving, Peaking|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 18H | mmH llH | EQ: High EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 19H | mmH llH | EQ: High EQ Frequency
|
|
|
|
14,,,200 = 1.4,,,20.0kHz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1AH | mmH llH | EQ: High EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1BH | mmH llH | EQ: Out Level
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1CH | 00H 00H | (Reserved)
|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 02H | mmH llH | Delay RSS: Center Delay Time
|
|
|
|
0,,,1200ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 03H | mmH llH | Delay RSS: RSS Level
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 04H | mmH llH | Delay RSS: Center Level
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 05H | mmH llH | Delay RSS: Feedback Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 06H | mmH llH | Delay RSS: LF Damp Frequency
|
|
|
|
5,,,400 = 50,,,4000Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 07H | mmH llH | Delay RSS: LF Damp Gain
|
|
|
|
—36,,,0dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 08H | mmH llH | Delay RSS: HF Damp Frequency
|
|
|
|
10,,,200 = 1.0,,,20.0kHz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 09H | mmH llH | Delay RSS: HF Damp Gain
|
|
|
|
—36,,,0dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0AH | mmH llH | Delay RSS: Effect Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0BH | mmH llH | Delay RSS: Direct Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0CH | mmH llH | Delay RSS: Phones SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0DH | 00H 00H | (Reserved)
|
| 00H 7FH | 00H 00H |
|
+———————————————————————————————————————————————————————————————————————+
| 00H 7FH | 00H 00H |
|
+———————————————————————————————————————————————————————————————————————+
+———————————————————————————————————————————————————————————————————————+
| NRPN
| Data
|
|
|
|
Entry |
|
|=========+=========+===================================================|
| 00H 00H | mmH llH | Chorus SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 01H | mmH llH | Vocoder: Voice Character 1
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 02H | mmH llH | Vocoder: Voice Character 2
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 03H | mmH llH | Vocoder: Voice Character 3
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 04H | mmH llH | Vocoder: Voice Character 4
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 05H | mmH llH | Vocoder: Voice Character 5
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 06H | mmH llH | Vocoder: Voice Character 6
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 07H | mmH llH | Vocoder: Voice Character 7
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 08H | mmH llH | Vocoder: Voice Character 8
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 09H | mmH llH | Vocoder: Voice Character 9
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0AH | mmH llH | Vocoder: Voice Character 10
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0BH | mmH llH | Chorus: Rate
|
|
|
|
1,,,100 = 0.1,,,10.0Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0CH | mmH llH | Chorus: Depth
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0DH | mmH llH | Chorus: Pre Delay
|
|
|
|
0,,,50ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0EH | mmH llH | Chorus: Feedback Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0FH | mmH llH | Chorus: Effect Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 10H | mmH llH | Chorus: Direct Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 11H | 00H 00H | (Reserved)
|
+———————————————————————————————————————————————————————————————————————+
| NRPN
| Data
|
|
|
|
Entry |
|
|=========+=========+===================================================|
| 00H 00H | mmH llH | Compressor SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 01H | mmH llH | Metal/Distortion/Over Drive SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 02H | mmH llH | Noise Suppressor SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 03H | mmH llH | Auto Wah SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 04H | mmH llH | Guitar Amp Modeling SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 05H | mmH llH | Flanger SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 06H | mmH llH | Delay SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 07H | mmH llH | Compressor: Attack
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 08H | mmH llH | Compressor: Level
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 09H | mmH llH | Compressor: Sustain
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0AH | mmH llH | Compressor: Tone
|
|
|
|
—50,,,—50|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0BH | mmH llH | Noise Suppressor: Threshold
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0CH | mmH llH | Noise Suppressor: Release
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0DH | mmH llH | Auto Wah: Mode
|
|
|
|
0,1 = LPF,BPF|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0EH | mmH llH | Auto Wah: Polarity
|
|
|
|
0,1 = Down,Up|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0FH | mmH llH | Auto Wah: Frequency
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 10H | mmH llH | Auto Wah: Level
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 11H | mmH llH | Auto Wah: Peak
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 12H | mmH llH | Auto Wah: Sens
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 13H | mmH llH | Auto Wah: Rate
|
|
|
|
1,,,100 = 0.1,,,10.0Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 14H | mmH llH | Auto Wah: Depth
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 15H | mmH llH | Guitar Amp Modeling: Mode
|
|
|
|
0,,,3 = Small,BultIn,2Stack,3Stack|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 16H | mmH llH | Flanger: Rate
|
|
|
|
1,,,100 = 0.1,,,10.0Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 17H | mmH llH | Flanger: Depth
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 18H | mmH llH | Flanger: Manual
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 19H | mmH llH | Flanger: Resonance
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1AH | mmH llH | Delay: Delay Time
|
|
|
|
0,,,1000ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1BH | mmH llH | Delay: Shift
|
|
|
|
—1000,,,1000 = L1000,,,R1000ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1CH | mmH llH | Delay: Feedback Time
|
|
|
|
0,,,1000ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1DH | mmH llH | Delay: Feedback Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1EH | mmH llH | Delay: Effect Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1FH | mmH llH | Delay: Direct Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
:
:
❍Algorithm 4 Vocoder
:
:
| 00H 7FH | 00H 00H |
|
+———————————————————————————————————————————————————————————————————————+
❍Algorithm 5 2CH RSS
+———————————————————————————————————————————————————————————————————————+
| NRPN
| Data
|
|
|
|
Entry |
|
|=========+=========+===================================================|
| 00H 00H | mmH llH | 2CH RSS: Ach Azimuth
|
|
|
|
—30,,,30 = —180,,,180|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 01H | mmH llH | 2CH RSS: Ach Elevation
|
|
|
|
—15,,,15 = —90,,,90|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 02H | mmH llH | 2CH RSS: Bch Azimuth
|
|
|
|
—30,,,30 = —180,,,180|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 03H | mmH llH | 2CH RSS: Bch Elevation
|
|
|
|
—15,,,15 = —90,,,90|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 04H | mmH llH | 2CH RSS: Phones SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 05H | mmH llH | 2CH RSS: RSS Type
|
|
|
|
0,1 = Type A,Type B|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 06H | 00H 00H | (Reserved)
|
:
:
| 00H 7FH | 00H 00H |
|
+———————————————————————————————————————————————————————————————————————+
❍Algorithm 6 Delay RSS
+———————————————————————————————————————————————————————————————————————+
| NRPN
| Data
|
|
|
|
Entry |
|
|=========+=========+===================================================|
| 00H 00H | mmH llH | Delay RSS: Delay Time
|
|
|
|
0,,,1200ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 01H | mmH llH | Delay RSS: Shift
|
|
|
|
—1200,,,1200 = L1200,,,R1200ms|
92
:
:
| 00H 7FH | 00H 00H |
|
+———————————————————————————————————————————————————————————————————————+
* (Delay Time) + (Absolute value of Shift) should be 1200 or less.
❍Algorithm 7 Chorus RSS
+———————————————————————————————————————————————————————————————————————+
| NRPN
| Data
|
|
|
|
Entry |
|
|=========+=========+===================================================|
| 00H 00H | mmH llH | Chorus RSS: Chorus Rate
|
|
|
|
1,,,100 = 0.1,,,10.0Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 01H | mmH llH | Chorus RSS: Chorus Depth
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 02H | mmH llH | Chorus RSS: Effect Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 03H | mmH llH | Chorus RSS: Direct Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 04H | mmH llH | Chorus RSS: Phones SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 05H | 00H 00H | (Reserved)
|
:
:
❍Common for Algorithm 8,9,10 Guitar Multi 1, 2, 3
* (Delay Time) + (Absolute value of Shift) should be 1000 or less.
❍Individual for Algorithm 8 Guitar Multi 1
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 20H | mmH llH | Metal: Gain
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 21H | mmH llH | Metal: Level
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 22H | mmH llH | Metal: Hi Gain
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 23H | mmH llH | Metal: Mid Gain
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 24H | mmH llH | Metal: Low Gain
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 25H | 00H 00H | (Reserved)
|
:
:
| 00H 7FH | 00H 00H |
|
+———————————————————————————————————————————————————————————————————————+
❍Individual for Algorithm 9 Guitar Multi 2
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 20H | mmH llH | Distortion: Gain
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 21H | mmH llH | Distortion: Level
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 22H | mmH llH | Distortion: Tone
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 23H | 00H 00H | (Reserved)
|
:
:
| 00H 7FH | 00H 00H |
|
+———————————————————————————————————————————————————————————————————————+
❍Individual for Algorithm 10 Guitar Multi 3
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 20H | mmH llH | Over Drive: Gain
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 21H | mmH llH | Over Drive: Level
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 22H | mmH llH | Over Drive: Tone
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 23H | 00H 00H | (Reserved)
|
:
:
| 00H 7FH | 00H 00H |
|
+———————————————————————————————————————————————————————————————————————+
❍Algorithm 11 Vocal Multi
+———————————————————————————————————————————————————————————————————————+
| NRPN
| Data
|
|
|
|
Entry |
|
|=========+=========+===================================================|
| 00H 00H | mmH llH | Noise Suppressor SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 01H | mmH llH | Limiter/De—esser SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 02H | mmH llH | Enhancer SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 03H | mmH llH | EQ SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 04H | mmH llH | P.Shifter SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 05H | mmH llH | Delay SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 06H | mmH llH | Chorus SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 07H | mmH llH | Limiter/De—esser Mode
|
|
|
|
0,1 = Limiter,De—esser|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 08H | mmH llH | Noise Suppressor: Threshold
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 09H | mmH llH | Noise Suppressor: Release
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0AH | mmH llH | Limiter: Threshold
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0BH | mmH llH | Limiter: Release
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0CH | mmH llH | Limiter: Level
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0DH | mmH llH | De—esser: Sens
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0EH | mmH llH | De—esser: Frequency
|
|
|
|
10,,,100 = 1.0,,,10.0kHz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0FH | mmH llH | Enhancer: Sens
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 10H | mmH llH | Enhancer: Frequency
|
|
|
|
10,,,100 = 1.0,,,10.0kHz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 11H | mmH llH | Enhancer: MIX Level
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 12H | mmH llH | Enhancer: Level
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 13H | mmH llH | EQ: Low EQ Type
|
|
|
|
0,1 = Shelving, Peaking|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 14H | mmH llH | EQ: Low EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 15H | mmH llH | EQ: Low EQ Frequency
|
|
|
|
2,,,200 = 20,,,2000Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 16H | mmH llH | EQ: Low EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 17H | mmH llH | EQ: Mid EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 18H | mmH llH | EQ: Mid EQ Frequency
|
|
|
|
20,,,800 = 200,,,8000Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 19H | mmH llH | EQ: Mid EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1AH | mmH llH | EQ: High EQ Type
|
|
|
|
0,1 = Shelving, Peaking|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1BH | mmH llH | EQ: High EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1CH | mmH llH | EQ: High EQ Frequency
|
|
|
|
14,,,200 = 1.4,,,20.0kHz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1DH | mmH llH | EQ: High EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1EH | mmH llH | EQ: Out Level
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1FH | mmH llH | P.Shifter: Chromatic Pitch
|
|
|
|
—12,,,12|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 20H | mmH llH | P.Shifter: Fine Pitch
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 21H | mmH llH | P.Shifter: Effect Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 22H | mmH llH | P.Shifter: Direct Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 23H | mmH llH | Delay: Delay Time
|
|
|
|
0,,,1000|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 24H | mmH llH | Delay: Feedback Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 25H | mmH llH | Delay: Effect Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 26H | mmH llH | Delay: Direct Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 27H | mmH llH | Chorus: Rate
|
|
|
|
1,,,100 = 0.1,,,10.0Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 28H | mmH llH | Chorus: Depth
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 29H | mmH llH | Chorus: Pre Delay
|
|
|
|
0,,,50ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 2AH | mmH llH | Chorus: Effect Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 2BH | mmH llH | Chorus: Direct Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 2CH | 00H 00H | (Reserved)
|
:
:
| 00H 7FH | 00H 00H |
|
+———————————————————————————————————————————————————————————————————————+
❍Algorithm 12 Rotary
+———————————————————————————————————————————————————————————————————————+
| NRPN
| Data
|
|
|
|
Entry |
|
|=========+=========+===================================================|
| 00H 00H | mmH llH | Noise Suppressor SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 01H | mmH llH | Over Drive SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 02H | mmH llH | Noise Suppressor: Threshold
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 03H | mmH llH | Noise Suppressor: Release
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 04H | mmH llH | Over Drive: Gain
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 05H | mmH llH | Over Drive: Level
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 06H | mmH llH | Rotary: Low Rate
|
|
|
|
1,,,100 = 0.1,,,10.0Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 07H | mmH llH | Rotary: Hi Rate
|
|
|
|
1,,,100 = 0.1,,,10.0Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 08H | 00H 00H | (Reserved)
|
:
:
| 00H 7FH | 00H 00H |
|
+———————————————————————————————————————————————————————————————————————+
❍Algorithm 13 Guitar AMP Modeling
+———————————————————————————————————————————————————————————————————————+
| NRPN
| Data
|
|
|
|
Entry |
|
|=========+=========+===================================================|
| 00H 00H | mmH llH | Noise Suppressor SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 01H | mmH llH | Pre Amp SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 02H | mmH llH | Speaker SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 03H | mmH llH | Noise Suppressor: Threshold
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 04H | mmH llH | Noise Suppressor: Release
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 05H | mmH llH | Pre Amp: Mode
|
|
|
|
0,,,13 = JC—120,Clean Twin,Match Drive,BG Lead,|
|
|
|
MS1959(I), MS1959(II), MS1959(I+II), |
|
|
|
SLDN Lead, Metal 5150, Metal Lead,
|
|
|
|
OD—1, OD—2Turbo, Distortion, Fuzz
|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 06H | mmH llH | Pre Amp: Volume
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 07H | mmH llH | Pre Amp: Bass
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 08H | mmH llH | Pre Amp: Middle
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 09H | mmH llH | Pre Amp: Treble
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0AH | mmH llH | Pre Amp: Presence
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0BH | mmH llH | Pre Amp: Master
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0CH | mmH llH | Pre Amp: Bright
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0DH | mmH llH | Pre Amp: Gain
|
|
|
|
0,1,2 = Low,Middle,High|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0EH | mmH llH | Speaker: Type
|
|
|
|
0,,,11 = Small, Middle, JC—120, Built In 1, |
|
|
|
Built In 2,Built In 3, Built In 4, |
|
|
|
BG Stack 1, BG Stack 2,
|
|
|
|
MS Stack 1, MS Stack 2, Metal Stack|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0FH | mmH llH | Speaker: MIC Setting
|
|
|
|
0,1,2 = 1,2,3|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 10H | mmH llH | Speaker: MIC Level
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 11H | mmH llH | Speaker: Direct Level
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 12H | 00H 00H | (Reserved)
|
:
:
| 00H 7FH | 00H 00H |
|
+———————————————————————————————————————————————————————————————————————+
* Pre Amp Middle is invalid when the Mode = Match Drive.
* When the Mode = Match Drive, Pre Amp Presence works counter to the value (-100,,,0).
* Pre Amp Bright is available only when the Mode = JC-120, Clean Twin, BG Lead.
❍Algorithm 14 Stereo Phaser
+———————————————————————————————————————————————————————————————————————+
| NRPN
| Data
|
|
|
|
Entry |
|
|=========+=========+===================================================|
| 00H 00H | mmH llH | Phaser SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 01H | mmH llH | EQ SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 02H | mmH llH | Phaser: Mode
|
|
|
|
0,,,3 = 4,8,12,16stage|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 03H | mmH llH | Phaser: Rate
|
|
|
|
1,,,100 = 0.1,,,10.0Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 04H | mmH llH | Phaser: Depth
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 05H | mmH llH | Phaser: Polarity
|
|
|
|
0,1 = Inverse,Synchro|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 06H | mmH llH | Phaser: Manual
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
93
MIDI Implementation
MIDI Implementation
MIDI Implementation
| 00H 07H | mmH llH | Phaser: Resonance
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 08H | mmH llH | Phaser: Cross Feedback
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 09H | mmH llH | Phaser: Effect Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0AH | mmH llH | Phaser: Direct Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0BH | mmH llH | EQ: Low EQ Type
|
|
|
|
0,1 = Shelving, Peaking|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0CH | mmH llH | EQ: Low EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0DH | mmH llH | EQ: Low EQ Frequency
|
|
|
|
2,,,200 = 20,,,2000Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0EH | mmH llH | EQ: Low EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0FH | mmH llH | EQ: Mid EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 10H | mmH llH | EQ: Mid EQ Frequency
|
|
|
|
20,,,800 = 200,,,8000Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 11H | mmH llH | EQ: Mid EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 12H | mmH llH | EQ: High EQ Type
|
|
|
|
0,1 = Shelving, Peaking|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 13H | mmH llH | EQ: High EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 14H | mmH llH | EQ: High EQ Frequency
|
|
|
|
14,,,200 = 1.4,,,20.0kHz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 15H | mmH llH | EQ: High EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 16H | mmH llH | EQ: Out Level
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 17H | 00H 00H | (Reserved)
|
:
:
| 00H 7FH | 00H 00H |
|
+———————————————————————————————————————————————————————————————————————+
❍Algorithm 15 Stereo Flanger
+———————————————————————————————————————————————————————————————————————+
| NRPN
| Data
|
|
|
|
Entry |
|
|=========+=========+===================================================|
| 00H 00H | mmH llH | Flanger SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 01H | mmH llH | EQ SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 02H | mmH llH | Flanger: Rate
|
|
|
|
1,,,100 = 0.1,,,10.0Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 03H | mmH llH | Flanger: Depth
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 04H | mmH llH | Flanger: Polarity
|
|
|
|
0,1 = Inverse,Synchro|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 05H | mmH llH | Flanger: Manual
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 06H | mmH llH | Flanger: Resonance
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 07H | mmH llH | Flanger: Cross Feedback Level
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 08H | mmH llH | Flanger: Effect Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 09H | mmH llH | Flanger: Direct Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0AH | mmH llH | EQ: Low EQ Type
|
|
|
|
0,1 = Shelving, Peaking|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0BH | mmH llH | EQ: Low EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0CH | mmH llH | EQ: Low EQ Frequency
|
|
|
|
2,,,200 = 20,,,2000Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0DH | mmH llH | EQ: Low EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0EH | mmH llH | EQ: Mid EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0FH | mmH llH | EQ: Mid EQ Frequency
|
|
|
|
20,,,800 = 200,,,8000Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 10H | mmH llH | EQ: Mid EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 11H | mmH llH | EQ: High EQ Type
|
|
|
|
0,1 = Shelving, Peaking|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 12H | mmH llH | EQ: High EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 13H | mmH llH | EQ: High EQ Frequency
|
|
|
|
14,,,200 = 1.4,,,20.0kHz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 14H | mmH llH | EQ: High EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 15H | mmH llH | EQ: Out Level
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 16H | 00H 00H | (Reserved)
|
:
:
| 00H 7FH | 00H 00H |
|
+———————————————————————————————————————————————————————————————————————+
❍Algorithm 16 Dual Compressor/Limiter
+———————————————————————————————————————————————————————————————————————+
| NRPN
| Data
|
|
|
|
Entry |
|
|=========+=========+===================================================|
| 00H 00H | mmH llH | Comp/Limit A SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 01H | mmH llH | Noise Suppressor A SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 02H | mmH llH | Comp/Limit B SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 03H | mmH llH | Noise Suppressor B SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 04H | mmH llH | Comp/Limit A: Detect
|
|
|
|
0,1,2 = A,B,Link|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 05H | mmH llH | Comp/Limit A: Level
|
|
|
|
—60,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 06H | mmH llH | Comp/Limit A: Thresh
|
|
|
|
—60,,,0dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 07H | mmH llH | Comp/Limit A: Attack
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 08H | mmH llH | Comp/Limit A: Release
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 09H | mmH llH | Comp/Limit A: Ratio
|
|
|
|
0,,,3 = 1.5:1,2:1,4:1,100:1|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0AH | mmH llH | Noise Suppressor A: Detect
|
|
|
|
0,1,2 = A,B,Link|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0BH | mmH llH | Noise Suppressor A: Threshold
|
|
|
|
0,,,100|
94
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0CH | mmH llH | Noise Suppressor A: Release
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0DH | mmH llH | Comp/Limit B: Detect
|
|
|
|
0,1,2 = A,B,Link|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0EH | mmH llH | Comp/Limit B: Level
|
|
|
|
—60,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0FH | mmH llH | Comp/Limit B: Thresh
|
|
|
|
—60,,,0dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 10H | mmH llH | Comp/Limit B: Attack
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 11H | mmH llH | Comp/Limit B: Release
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 12H | mmH llH | Comp/Limit B: Ratio
|
|
|
|
0,,,3 = 1.5:1,2:1,4:1,100:1|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 13H | mmH llH | Noise Suppressor B: Detect
|
|
|
|
0,1,2 = A,B,Link|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 14H | mmH llH | Noise Suppressor B: Threshold
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 15H | mmH llH | Noise Suppressor B: Release
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 16H | 00H 00H | (Reserved)
|
:
:
| 00H 7FH | 00H 00H |
|
+———————————————————————————————————————————————————————————————————————+
❍Algorithm 17 Gate Reverb (FX1 or FX3)
+———————————————————————————————————————————————————————————————————————+
| NRPN
| Data
|
|
|
|
Entry |
|
|=========+=========+===================================================|
| 00H 00H | mmH llH | G.Reverb SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 01H | mmH llH | EQ SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 02H | mmH llH | G.Reverb: Gate Time
|
|
|
|
10,,,400ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 03H | mmH llH | G.Reverb: Pre Delay
|
|
|
|
0,,,300ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 04H | mmH llH | G.Reverb: Effect Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 05H | mmH llH | G.Reverb: Mode
|
|
|
|
0,,,4 = Normal,L—>R,R—>L,Reverse1,Reverse2|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 06H | mmH llH | G.Reverb: Thickness
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 07H | mmH llH | G.Reverb: Density
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 08H | mmH llH | G.Reverb: Accent Delay
|
|
|
|
0,,,200ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 09H | mmH llH | G.Reverb: Accent Level
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0AH | mmH llH | G.Reverb: Accent Pan
|
|
|
|
1,,,127 = L63,,,R63|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0BH | mmH llH | G.Reverb: Direct Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0CH | mmH llH | EQ: Low EQ Type
|
|
|
|
0,1 = Shelving, Peaking|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0DH | mmH llH | EQ: Low EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0EH | mmH llH | EQ: Low EQ Frequency
|
|
|
|
2,,,200 = 20,,,2000Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0FH | mmH llH | EQ: Low EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 10H | mmH llH | EQ: Mid EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 11H | mmH llH | EQ: Mid EQ Frequency
|
|
|
|
20,,,800 = 200,,,8000Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 12H | mmH llH | EQ: Mid EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 13H | mmH llH | EQ: High EQ Type
|
|
|
|
0,1 = Shelving, Peaking|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 14H | mmH llH | EQ: High EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 15H | mmH llH | EQ: High EQ Frequency
|
|
|
|
14,,,200 = 1.4,,,20.0kHz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 16H | mmH llH | EQ: High EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 17H | mmH llH | EQ: Out Level
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 18H | 00H 00H | (Reserved)
|
:
:
| 00H 7FH | 00H 00H |
|
+———————————————————————————————————————————————————————————————————————+
❍Algorithm 18 Multi Tap Delay
+———————————————————————————————————————————————————————————————————————+
| NRPN
| Data
|
|
|
|
Entry |
|
|=========+=========+===================================================|
| 00H 00H | mmH llH | EQ SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 01H | mmH llH | M.Tap Delay: Time 1
|
|
|
|
0,,,1200ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 02H | mmH llH | M.Tap Delay: Level 1
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 03H | mmH llH | M.Tap Delay: Pan 1
|
|
|
|
1,,,127 = L63,,,R63|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 04H | mmH llH | M.Tap Delay: Time 2
|
|
|
|
0,,,1200ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 05H | mmH llH | M.Tap Delay: Level 2
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 06H | mmH llH | M.Tap Delay: Pan 2
|
|
|
|
1,,,127 = L63,,,R63|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 07H | mmH llH | M.Tap Delay: Time 3
|
|
|
|
0,,,1200ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 08H | mmH llH | M.Tap Delay: Level 3
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 09H | mmH llH | M.Tap Delay: Pan 3
|
|
|
|
1,,,127 = L63,,,R63|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0AH | mmH llH | M.Tap Delay: Time 4
|
|
|
|
0,,,1200ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0BH | mmH llH | M.Tap Delay: Level 4
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0CH | mmH llH | M.Tap Delay: Pan 4
|
|
|
|
1,,,127 = L63,,,R63|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0DH | mmH llH | M.Tap Delay: Time 5
|
|
|
|
0,,,1200ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0EH | mmH llH | M.Tap Delay: Level 5
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0FH | mmH llH | M.Tap Delay: Pan 5
|
|
|
|
1,,,127 = L63,,,R63|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 10H | mmH llH | M.Tap Delay: Time 6
|
|
|
|
0,,,1200ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 11H | mmH llH | M.Tap Delay: Level 6
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 12H | mmH llH | M.Tap Delay: Pan 6
|
|
|
|
1,,,127 = L63,,,R63|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 13H | mmH llH | M.Tap Delay: Time 7
|
|
|
|
0,,,1200ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 14H | mmH llH | M.Tap Delay: Level 7
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 15H | mmH llH | M.Tap Delay: Pan 7
|
|
|
|
1,,,127 = L63,,,R63|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 16H | mmH llH | M.Tap Delay: Time 8
|
|
|
|
0,,,1200ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 17H | mmH llH | M.Tap Delay: Level 8
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 18H | mmH llH | M.Tap Delay: Pan 8
|
|
|
|
1,,,127 = L63,,,R63|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 19H | mmH llH | M.Tap Delay: Time 9
|
|
|
|
0,,,1200ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1AH | mmH llH | M.Tap Delay: Level 9
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1BH | mmH llH | M.Tap Delay: Pan 9
|
|
|
|
1,,,127 = L63,,,R63|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1CH | mmH llH | M.Tap Delay: Time 10
|
|
|
|
0,,,1200ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1DH | mmH llH | M.Tap Delay: Level 10
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1EH | mmH llH | M.Tap Delay: Pan 10
|
|
|
|
1,,,127 = L63,,,R63|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1FH | mmH llH | M.Tap Delay: Feedback Delay Time
|
|
|
|
0,,,1200ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 20H | mmH llH | M.Tap Delay: Feedback Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 21H | mmH llH | M.Tap Delay: Effect Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 22H | mmH llH | M.Tap Delay: Direct Level
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 23H | mmH llH | EQ: Low EQ Type
|
|
|
|
0,1 = Shelving, Peaking|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 24H | mmH llH | EQ: Low EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 25H | mmH llH | EQ: Low EQ Frequency
|
|
|
|
2,,,200 = 20,,,2000Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 26H | mmH llH | EQ: Low EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 27H | mmH llH | EQ: Mid EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 28H | mmH llH | EQ: Mid EQ Frequency
|
|
|
|
20,,,800 = 200,,,8000Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 29H | mmH llH | EQ: Mid EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 2AH | mmH llH | EQ: High EQ Type
|
|
|
|
0,1 = Shelving, Peaking|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 2BH | mmH llH | EQ: High EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 2CH | mmH llH | EQ: High EQ Frequency
|
|
|
|
14,,,200 = 1.4,,,20.0kHz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 2DH | mmH llH | EQ: High EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 2EH | mmH llH | EQ: Out Level
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 2FH | 00H 00H | (Reserved)
|
:
:
| 00H 7FH | 00H 00H |
|
+———————————————————————————————————————————————————————————————————————+
❍Algorithm 19 Stereo Multi
+———————————————————————————————————————————————————————————————————————+
| NRPN
| Data
|
|
|
|
Entry |
|
|=========+=========+===================================================|
| 00H 00H | mmH llH | Noise Suppressor SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 01H | mmH llH | Comp/Limit SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 02H | mmH llH | Enhancer SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 03H | mmH llH | EQ SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 04H | mmH llH | Noise Suppressor: Threshold
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 05H | mmH llH | Noise Suppressor: Release
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 06H | mmH llH | Comp/Limit: Level
|
|
|
|
—60,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 07H | mmH llH | Comp/Limit: Thresh
|
|
|
|
—60,,,0dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 08H | mmH llH | Comp/Limit: Attack
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 09H | mmH llH | Comp/Limit: Release
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0AH | mmH llH | Comp/Limit: Ratio
|
|
|
|
0,,,3 = 1.5:1,2:1,4:1,100:1|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0BH | mmH llH | Enhancer: Sens
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0CH | mmH llH | Enhancer: Frequency
|
|
|
|
10,,,100 = 1.0,,,10.0kHz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0DH | mmH llH | Enhancer: MIX Level
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0EH | mmH llH | Enhancer: Level
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0FH | mmH llH | EQ: Low EQ Type
|
|
|
|
0,1 = Shelving, Peaking|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 10H | mmH llH | EQ: Low EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 11H | mmH llH | EQ: Low EQ Frequency
|
|
|
|
2,,,200 = 20,,,2000Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 12H | mmH llH | EQ: Low EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 13H | mmH llH | EQ: Mid EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 14H | mmH llH | EQ: Mid EQ Frequency
|
|
|
|
20,,,800 = 200,,,8000Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 15H | mmH llH | EQ: Mid EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 16H | mmH llH | EQ: High EQ Type
|
|
|
|
0,1 = Shelving, Peaking|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 17H | mmH llH | EQ: High EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 18H | mmH llH | EQ: High EQ Frequency
|
|
|
|
14,,,200 = 1.4,,,20.0kHz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 19H | mmH llH | EQ: High EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1AH | mmH llH | EQ: Out Level
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1BH | 00H 00H | (Reserved)
|
:
:
| 00H 7FH | 00H 00H |
|
+———————————————————————————————————————————————————————————————————————+
❍Algorithm 20 Reverb 2
+———————————————————————————————————————————————————————————————————————+
| NRPN
| Data
|
|
|
|
Entry |
|
|=========+=========+===================================================|
| 00H 00H | mmH llH | Reverb SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 01H | mmH llH | EQ SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 02H | mmH llH | Reverb 2: Reverb Type
|
|
|
|
0,,,4 = Room1,Room2,Hall1,Hall2,Plate|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 03H | mmH llH | Reverb 2: Reverb Time
|
|
|
|
1,,,100 = 0.1,,,10.0sec|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 04H | mmH llH | Reverb 2: Pre Delay
|
|
|
|
0,,,200msec|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 05H | mmH llH | Reverb 2: Density
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 06H | mmH llH | Reverb 2: High Pass Filter
|
|
|
|
1,,,200 = Thru,20,,,2000Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 07H | mmH llH | Reverb 2: Low Pass Filter
|
|
|
|
10,,,201 = 1.0,,,20,0kHz,Thru|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 08H | mmH llH | Reverb 2: Effect Level
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 09H | mmH llH | Reverb 2: Direct Level
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0AH | mmH llH | Reverb 2: Gate SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0BH | mmH llH | Reverb 2: Gate Mode
|
|
|
|
0,1 = Gate,Ducking|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0CH | mmH llH | Reverb 2: Gate Threshold
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0DH | mmH llH | Reverb 2: Gate Attack Time
|
|
|
|
1,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0EH | mmH llH | Reverb 2: Gate Release Time
|
|
|
|
1,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0FH | mmH llH | Reverb 2: Gate Hold Time
|
|
|
|
1,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 10H | mmH llH | EQ: Low EQ Type
|
|
|
|
0,1 = Shelving, Peaking|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 11H | mmH llH | EQ: Low EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 12H | mmH llH | EQ: Low EQ Frequency
|
|
|
|
2,,,200 = 20,,,2000Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 13H | mmH llH | EQ: Low EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 14H | mmH llH | EQ: Mid EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 15H | mmH llH | EQ: Mid EQ Frequency
|
|
|
|
20,,,800 = 200,,,8000Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 16H | mmH llH | EQ: Mid EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 17H | mmH llH | EQ: High EQ Type
|
|
|
|
0,1 = Shelving, Peaking|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 18H | mmH llH | EQ: High EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 19H | mmH llH | EQ: High EQ Frequency
|
|
|
|
14,,,200 = 1.4,,,20.0kHz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1AH | mmH llH | EQ: High EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1BH | mmH llH | EQ: Out Level
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1CH | 00H 00H | (Reserved)
|
:
:
| 00H 7FH | 00H 00H |
|
+———————————————————————————————————————————————————————————————————————+
❍Algorithm 21 Space Chorus
+———————————————————————————————————————————————————————————————————————+
| NRPN
| Data
|
|
|
|
Entry |
|
|=========+=========+===================================================|
| 00H 00H | mmH llH | Chorus SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 01H | mmH llH | Chorus: Input Mode
|
|
|
|
0,1 = Mono,Stereo|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 02H | mmH llH | Chorus: Mode
|
|
|
|
0,,,6 = 1,2,3,4,1+4,2+4,3+4|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 03H | mmH llH | Chorus: Mix Balance
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 04H | 00H 00H | (Reserved)
|
:
:
| 00H 7FH | 00H 00H |
|
+———————————————————————————————————————————————————————————————————————+
❍Algorithm 22 Lo-Fi Processor
+———————————————————————————————————————————————————————————————————————+
| NRPN
| Data
|
|
|
|
Entry |
|
|=========+=========+===================================================|
| 00H 00H | mmH llH | Lo—Fi Processor SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 01H | mmH llH | Realtime Modify Filter SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 02H | mmH llH | Lo—Fi Processor: Pre Filter SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 03H | mmH llH | Lo—Fi Processor: Rate
|
|
|
|
0,,,31 = 0ff,1/2,,,1/32|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 04H | mmH llH | Lo—Fi Processor: Number of Bit
|
|
|
|
0,,,15 = Off,15,,,1bit|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 05H | mmH llH | Lo—Fi Processor: Post Filter SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 06H | mmH llH | Lo—Fi Processor: Effect Level
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 07H | mmH llH | Lo—Fi Processor: Direct Level
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
95
MIDI Implementation
MIDI Implementation
MIDI Implementation
| 00H 08H | mmH llH | Realtime Modify Filter: Filter Type
|
|
|
|
0,,,2 = LPF,BPF,HPF|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 09H | mmH llH | Realtime Modify Filter: Cut Off
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0AH | mmH llH | Realtime Modify Filter: Resonance
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0BH | mmH llH | Realtime Modify Filter: Gain
|
|
|
|
0,,,24dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0CH | mmH llH | Noise Suppressor: Threshold
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0DH | mmH llH | Noise Suppressor: Release
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0EH | 00H 00H | (Reserved)
|
:
:
| 00H 7FH | 00H 00H |
|
+———————————————————————————————————————————————————————————————————————+
❍Algorithm 23 4 Band Parametric EQ
+———————————————————————————————————————————————————————————————————————+
| NRPN
| Data
|
|
|
|
Entry |
|
|=========+=========+===================================================|
| 00H 00H | mmH llH | Parametric EQ Link SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 01H | mmH llH | Parametric EQ Ach SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 02H | mmH llH | Parametric EQ Bch SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 03H | mmH llH | EQ Ach: Input Gain
|
|
|
|
—60,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 04H | mmH llH | EQ Ach: Low EQ Type
|
|
|
|
0,1 = Shelving, Peaking|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 05H | mmH llH | EQ Ach: Low EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 06H | mmH llH | EQ Ach: Low EQ Frequency
|
|
|
|
2,,,200 = 20,,,2000Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 07H | mmH llH | EQ Ach: Low EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 08H | mmH llH | EQ Ach: Low Mid EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 09H | mmH llH | EQ Ach: Low Mid EQ Frequency
|
|
|
|
20,,,800 = 200,,,8000Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0AH | mmH llH | EQ Ach: Low Mid EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0BH | mmH llH | EQ Ach: High Mid EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0CH | mmH llH | EQ Ach: High Mid EQ Frequency
|
|
|
|
20,,,800 = 200,,,8000Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0DH | mmH llH | EQ Ach: High Mid EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0EH | mmH llH | EQ Ach: High EQ Type
|
|
|
|
0,1 = Shelving, Peaking|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0FH | mmH llH | EQ Ach: High EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 10H | mmH llH | EQ Ach: High EQ Frequency
|
|
|
|
14,,,200 = 1.4,,,20.0kHz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 11H | mmH llH | EQ Ach: High EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 12H | mmH llH | EQ Ach: Output Level
|
|
|
|
—60,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 13H | mmH llH | EQ Bch: Input Gain
|
|
|
|
—60,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 14H | mmH llH | EQ Bch: Low EQ Type
|
|
|
|
0,1 = Shelving, Peaking|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 15H | mmH llH | EQ Bch: Low EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 16H | mmH llH | EQ Bch: Low EQ Frequency
|
|
|
|
2,,,200 = 20,,,2000Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 17H | mmH llH | EQ Bch: Low EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 18H | mmH llH | EQ Bch: Low Mid EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 19H | mmH llH | EQ Bch: Low Mid EQ Frequency
|
|
|
|
20,,,800 = 200,,,8000Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1AH | mmH llH | EQ Bch: Low Mid EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1BH | mmH llH | EQ Bch: High Mid EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1CH | mmH llH | EQ Bch: High Mid EQ Frequency
|
|
|
|
20,,,800 = 200,,,8000Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1DH | mmH llH | EQ Bch: High Mid EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1EH | mmH llH | EQ Bch: High EQ Type
|
|
|
|
0,1 = Shelving, Peaking|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1FH | mmH llH | EQ Bch: High EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 20H | mmH llH | EQ Bch: High EQ Frequency
|
|
|
|
14,,,200 = 1.4,,,20.0kHz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 21H | mmH llH | EQ Bch: High EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 22H | mmH llH | EQ Bch: Output Level
|
|
|
|
—60,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 23H | 00H 00H | (Reserved)
|
:
:
| 00H 7FH | 00H 00H |
|
+———————————————————————————————————————————————————————————————————————+
* When Link SW = On, Bch corresponds to Ach.
❍Algorithm 24 10 Band Graphic EQ
+———————————————————————————————————————————————————————————————————————+
| NRPN
| Data
|
|
|
|
Entry |
|
|=========+=========+===================================================|
| 00H 00H | mmH llH | Graphic EQ Link SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 01H | mmH llH | Graphic EQ Ach SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 02H | mmH llH | Graphic EQ Bch SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 03H | mmH llH | EQ Ach: Input Gain
|
|
|
|
—60,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 04H | mmH llH | EQ Ach: 31.25Hz Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 05H | mmH llH | EQ Ach: 62.5Hz Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 06H | mmH llH | EQ Ach: 125Hz Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 07H | mmH llH | EQ Ach: 250Hz Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
96
| 00H 08H | mmH llH | EQ Ach: 500Hz Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 09H | mmH llH | EQ Ach: 1.0kHz Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0AH | mmH llH | EQ Ach: 2.0kHz Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0BH | mmH llH | EQ Ach: 4.0kHz Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0CH | mmH llH | EQ Ach: 8.0kHz Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0DH | mmH llH | EQ Ach: 16.0kHz Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0EH | mmH llH | EQ Ach: Output Level
|
|
|
|
—60,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0FH | mmH llH | EQ Bch: Input Gain
|
|
|
|
—60,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 10H | mmH llH | EQ Bch: 31.25Hz Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 11H | mmH llH | EQ Bch: 62.5Hz Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 12H | mmH llH | EQ Bch: 125Hz Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 13H | mmH llH | EQ Bch: 250Hz Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 14H | mmH llH | EQ Bch: 500Hz Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 15H | mmH llH | EQ Bch: 1.0kHz Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 16H | mmH llH | EQ Bch: 2.0kHz Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 17H | mmH llH | EQ Bch: 4.0kHz Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 18H | mmH llH | EQ Bch: 8.0kHz Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 19H | mmH llH | EQ Bch: 16.0kHz Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1AH | mmH llH | EQ Bch: Output Level
|
|
|
|
—60,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1BH | 00H 00H | (Reserved)
|
:
:
| 00H 7FH | 00H 00H |
|
+———————————————————————————————————————————————————————————————————————+
* When Link SW = On, Bch corresponds to Ach.
❍Algorithm 25 Hum Canceler
+———————————————————————————————————————————————————————————————————————+
| NRPN
| Data
|
|
|
|
Entry |
|
|=========+=========+===================================================|
| 00H 00H | mmH llH | Hum Canceler SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 01H | mmH llH | Noise Suppressor SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 02H | mmH llH | Hum Canceler: Freq
|
|
|
|
200,,,8000 = 20.0,,,800.0Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 03H | mmH llH | Hum Canceler: Width
|
|
|
|
10,,,40%|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 04H | mmH llH | Hum Canceler: Depth
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 05H | mmH llH | Hum Canceler: Threshold
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 06H | mmH llH | Hum Canceler: Range Low
|
|
|
|
1,,,200 = Unlimit,20,,,2000Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 07H | mmH llH | Hum Canceler: Range High
|
|
|
|
10,,,201 = 1.0,,,20,0kHz,Unlimit|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 08H | mmH llH | Noise Suppressor: Threshold
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 09H | mmH llH | Noise Suppressor: Release
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0AH | 00H 00H | (Reserved)
|
:
:
| 00H 7FH | 00H 00H |
|
+———————————————————————————————————————————————————————————————————————+
❍Algorithm 26 Vocal Canceler
+———————————————————————————————————————————————————————————————————————+
| NRPN
| Data
|
|
|
|
Entry |
|
|=========+=========+===================================================|
| 00H 00H | mmH llH | Vocal Canceler SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 01H | mmH llH | EQ SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 02H | mmH llH | Vocal Canceler: Balance
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 03H | mmH llH | Vocal Canceler: Range Low
|
|
|
|
1,,,200 = Unlimit,20,,,2000Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 04H | mmH llH | Vocal Canceler: Range High
|
|
|
|
10,,,201 = 1.0,,,20,0kHz,Unlimit|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 05H | mmH llH | EQ: Low EQ Type
|
|
|
|
0,1 = Shelving, Peaking|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 06H | mmH llH | EQ: Low EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 07H | mmH llH | EQ: Low EQ Frequency
|
|
|
|
2,,,200 = 20,,,2000Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 08H | mmH llH | EQ: Low EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 09H | mmH llH | EQ: Mid EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0AH | mmH llH | EQ: Mid EQ Frequency
|
|
|
|
20,,,800 = 200,,,8000Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0BH | mmH llH | EQ: Mid EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0CH | mmH llH | EQ: High EQ Type
|
|
|
|
0,1 = Shelving, Peaking|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0DH | mmH llH | EQ: High EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0EH | mmH llH | EQ: High EQ Frequency
|
|
|
|
14,,,200 = 1.4,,,20.0kHz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0FH | mmH llH | EQ: High EQ Q
|
|
|
|
3,,,100 = 0.3,,,10.0|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 10H | mmH llH | EQ: Out Level
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 11H | 00H 00H | (Reserved)
|
:
:
| 00H 7FH | 00H 00H |
|
+———————————————————————————————————————————————————————————————————————+
❍Algorithm 27 Voice Transformer (FX1,FX3,FX5,FX7)
❍Algorithm 29 Mic Modeling
+———————————————————————————————————————————————————————————————————————+
| NRPN
| Data
|
|
|
|
Entry |
|
|=========+=========+===================================================|
| 00H 00H | mmH llH | Voice Transformer SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 01H | mmH llH | Reverb SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 02H | mmH llH | (Reserved)
|
|
|
|
|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 03H | mmH llH | MIDI Control SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 04H | mmH llH | Voice Transformer: Robot SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 05H | mmH llH | Voice Transformer: Chromatic Pitch
|
|
|
|
—12,,,36|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 06H | mmH llH | Voice Transformer: Fine Pitch
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 07H | mmH llH | Voice Transformer: Chromatic Formant
|
|
|
|
—12,,,12|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 08H | mmH llH | Voice Transformer: Fine Formant
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 09H | mmH llH | Voice Transformer: Mix Balance
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0AH | mmH llH | Reverb: Reverb Time
|
|
|
|
1,,,100 = 0.1,,,10.0sec|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0BH | mmH llH | Reverb: Pre Delay
|
|
|
|
0,,,200msec|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0CH | mmH llH | Reverb: Density
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0DH | mmH llH | Reverb: Effect Level
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0EH | mmH llH | MIDI Control: Bend Range
|
|
|
|
0,,,12 = 0ff,1,,,12|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0FH | mmH llH | MIDI Control: Portamento
|
|
|
|
0...100 = Off,1,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 10H | 00H 00H | (Reserved)
|
+———————————————————————————————————————————————————————————————————————+
| NRPN
| Data
|
|
|
|
Entry |
|
|=========+=========+===================================================|
| 00H 00H | mmH llH | Link SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 01H | mmH llH | Mic Converter Ach SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 02H | mmH llH | Bass Cut Ach SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 03H | mmH llH | Distance Ach SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 04H | mmH llH | Limiter Ach SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 05H | mmH llH | Mic Converter Bch SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 06H | mmH llH | Bass Cut Bch SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 07H | mmH llH | Distance Bch SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 08H | mmH llH | Limiter Bch SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 09H | mmH llH | Mic Converter Ach: Input
|
|
|
|
0,,,4 = DR—20,SmlDy,HedDy,MinCn,Flat|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0AH | mmH llH | Mic Converter Ach: Output
|
|
|
|
0,,,6 = SmlDy,VocDy,LrgDy,SmlCn,LrgCn,VntCn,Flat|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0BH | mmH llH | Mic Converter Ach: Phase
|
|
|
|
0,1 = Normal,Inverse|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0CH | mmH llH | Bass Cut Ach: Bass Cut Frequency
|
|
|
|
1,,,200 = Thru,20,,,2000Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0DH | mmH llH | Distance Ach: Proximity Effect
|
|
|
|
—12,,,+12|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0EH | mmH llH | Distance Ach: Timelag
|
|
|
|
0,,,1000 = 0,,,3000cm|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0FH | mmH llH | Limiter Ach: Detect HPF Frequency
|
|
|
|
1,,,200 = Thru,20,,,2000Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 10H | mmH llH | Limiter Ach: Level
|
|
|
|
—60,,,24dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 11H | mmH llH | Limiter Ach: Threshold
|
|
|
|
—60,,,0dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 12H | mmH llH | Limiter Ach: Attack
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 13H | mmH llH | Limiter Ach: Release
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 14H | mmH llH | Mic Converter Bch: Input
|
|
|
|
0,,,4 = DR—20,SmlDy,HedDy,MinCn,Flat|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 15H | mmH llH | Mic Converter Bch: Output
|
|
|
|
0,,,6 = SmlDy,VocDy,LrgDy,SmlCn,LrgCn,VntCn,Flat|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 16H | mmH llH | Mic Converter Bch: Phase
|
|
|
|
0,1 = Normal,Inverse|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 17H | mmH llH | Bass Cut Bch: Bass Cut Frequency
|
|
|
|
1,,,200 = Thru,20,,,2000Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 18H | mmH llH | Distance Bch: Proximity Effect
|
|
|
|
—12,,,+12|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 19H | mmH llH | Distance Bch: Timelag
|
|
|
|
0,,,1000 = 0,,,3000cm|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1AH | mmH llH | Limiter Bch: Detect HPF Frequency
|
|
|
|
1,,,200 = Thru,20,,,2000Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1BH | mmH llH | Limiter Bch: Level
|
|
|
|
—60,,,24dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1CH | mmH llH | Limiter Bch: Threshold
|
|
|
|
—60,,,0dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1DH | mmH llH | Limiter Bch: Attack
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1EH | mmH llH | Limiter Bch: Release
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1FH | 00H 00H | (Reserved)
|
:
:
| 00H 7FH | 00H 00H |
|
+———————————————————————————————————————————————————————————————————————+
❍Algorithm 28 Vocoder 2 (FX1,FX3,FX5,FX7)
+———————————————————————————————————————————————————————————————————————+
| NRPN
| Data
|
|
|
|
Entry |
|
|=========+=========+===================================================|
| 00H 00H | mmH llH | Chorus SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 01H | mmH llH | Vocoder: Envelope Mode
|
|
|
|
0,,,2 = Sharp,Soft,Long|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 02H | mmH llH | Vocoder: Pan Mode
|
|
|
|
0,,,3 = Mono,Stereo,L—>R,R—>L|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 03H | mmH llH | Vocoder: Hold
|
|
|
|
0,1 = Off,MIDI|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 04H | mmH llH | Vocoder: Mic Sens
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 05H | mmH llH | Vocoder: Synth Input Level
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 06H | mmH llH | Vocoder: Voice Char Level 1
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 07H | mmH llH | Vocoder: Voice Char Level 2
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 08H | mmH llH | Vocoder: Voice Char Level 3
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 09H | mmH llH | Vocoder: Voice Char Level 4
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0AH | mmH llH | Vocoder: Voice Char Level 5
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0BH | mmH llH | Vocoder: Voice Char Level 6
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0CH | mmH llH | Vocoder: Voice Char Level 7
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0DH | mmH llH | Vocoder: Voice Char Level 8
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0EH | mmH llH | Vocoder: Voice Char Level 9
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0FH | mmH llH | Vocoder: Voice Char Level 10
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 10H | mmH llH | Vocoder: Voice Char Level 11
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 11H | mmH llH | Vocoder: Voice Char Level 12
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 12H | mmH llH | Vocoder: Voice Char Level 13
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 13H | mmH llH | Vocoder: Voice Char Level 14
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 14H | mmH llH | Vocoder: Voice Char Level 15
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 15H | mmH llH | Vocoder: Voice Char Level 16
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 16H | mmH llH | Vocoder: Voice Char Level 17
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 17H | mmH llH | Vocoder: Voice Char Level 18
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 18H | mmH llH | Vocoder: Voice Char Level 19
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 19H | mmH llH | Vocoder: Mic High Pass Filter
|
|
|
|
9,,,200 = Thru,1.0,,,20.0kHz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1AH | mmH llH | Vocoder: Mic High Pass Filter Pan
|
|
|
|
1,,,127 = L63,,,R63|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1BH | mmH llH | Vocoder: Mic Mix
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1CH | mmH llH | Vocoder: Noise Suppressor Threshold
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1DH | mmH llH | Chorus: Rate
|
|
|
|
1,,,100 = 0.1,,,10.0Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1EH | mmH llH | Chorus: Depth
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1FH | mmH llH | Chorus: Pre Delay
|
|
|
|
0,,,50ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 20H | mmH llH | Chorus: Mix Balance
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 21H | 00H 00H | (Reserved)
|
:
:
| 00H 7FH | 00H 00H |
|
+———————————————————————————————————————————————————————————————————————+
:
:
| 00H 7FH | 00H 00H |
|
+———————————————————————————————————————————————————————————————————————+
* When Mic converter Input = MinCn, Output is fixed to SmlDy,LrgCn.
* When Link SW = On, Bch corresponds to Ach.
❍Algorithm 30 3 Band Isolator
+———————————————————————————————————————————————————————————————————————+
| NRPN
| Data
|
|
|
|
Entry |
|
|=========+=========+===================================================|
| 00H 00H | mmH llH | Isolator SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 01H | mmH llH | Isolator High Volume
|
|
|
|
—60,,,+4dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 02H | mmH llH | Isolator Middle Volume
|
|
|
|
—60,,,+4dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 03H | mmH llH | Isolator Low Volume
|
|
|
|
—60,,,+4dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 04H | mmH llH | Isolator Anti Phase Middle Switch
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 05H | mmH llH | Isolator Anti Phase Middle Level
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 06H | mmH llH | Isolator Anti Phase Low Switch
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 07H | mmH llH | Isolator Anti Phase Low Level
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 08H | 00H 00H | (Reserved)
|
:
:
| 00H 7FH | 00H 00H |
|
+———————————————————————————————————————————————————————————————————————+
❍Algorithm 31 Tape Echo 201
+———————————————————————————————————————————————————————————————————————+
| NRPN
| Data
|
|
|
|
Entry |
|
|=========+=========+===================================================|
| 00H 00H | mmH llH | Tape Echo SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 01H | mmH llH | Tape Echo Mode Select
|
|
|
|
0,,,6 = 1,,,7|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 02H | mmH llH | Tape Echo Repeat Rate
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 03H | mmH llH | Tape Echo Intensity
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 04H | mmH llH | Tape Echo Effect Level
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 05H | mmH llH | Tape Echo Direct Level
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 06H | mmH llH | Tape Echo Tone Bass
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
97
MIDI Implementation
MIDI Implementation
MIDI Implementation
| 00H 07H | mmH llH | Tape Echo Tone Treble
|
|
|
|
—100,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 08H | mmH llH | Tape Echo Tape Head S Pan
|
|
|
|
1,,,127 = L63,,,R63|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 09H | mmH llH | Tape Echo Tape Head M Pan
|
|
|
|
1,,,127 = L63,,,R63|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0AH | mmH llH | Tape Echo Tape Head L Pan
|
|
|
|
1,,,127 = L63,,,R63|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0BH | mmH llH | Tape Echo Tape Distortion
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0CH | mmH llH | Tape Echo Wah Flutter Rate
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0DH | mmH llH | Tape Echo Wah Flutter Depth
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0EH | 00H 00H | (Reserved)
|
:
:
| 00H 7FH | 00H 00H |
|
+———————————————————————————————————————————————————————————————————————+
❍Algorithm 32 Analog Flanger
+———————————————————————————————————————————————————————————————————————+
| NRPN
| Data
|
|
|
|
Entry |
|
|=========+=========+===================================================|
| 00H 00H | mmH llH | Analog Flanger SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 01H | mmH llH | Analog Flanger Mode
|
|
|
|
0,,,3 = FL1,FL2,FL3,CHO|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 02H | mmH llH | Analog Flanger Feedback
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 03H | mmH llH | Analog Flanger Modulation Rate
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 04H | mmH llH | Analog Flanger Modulation Depth
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 05H | mmH llH | Analog Flanger Modulation Frequency
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 06H | mmH llH | Analog Flanger Channel B Modulation
|
|
|
|
0,1 = Nor,Inv|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 07H | mmH llH | Analog Flanger Channel A Phase
|
|
|
|
0,1 = Nor,Inv|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 08H | mmH llH | Analog Flanger Channel B Phase
|
|
|
|
0,1 = Nor,Inv|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 09H | 00H 00H | (Reserved)
|
:
:
| 00H 7FH | 00H 00H |
|
+———————————————————————————————————————————————————————————————————————+
❍Algorithm 33 Analog Phaser
+———————————————————————————————————————————————————————————————————————+
| NRPN
| Data
|
|
|
|
Entry |
|
|=========+=========+===================================================|
| 00H 00H | mmH llH | Analog Phaser SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 01H | mmH llH | Analog Phaser Mode
|
|
|
|
0,1 = 4STAGE,8STAGE|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 02H | mmH llH | Analog Phaser Frequency
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 03H | mmH llH | Analog Phaser Resonance
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 04H | mmH llH | Analog Phaser LFO 1 Rate
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 05H | mmH llH | Analog Phaser LFO 1 Depth
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 06H | mmH llH | Analog Phaser LFO 1 Channel B Mod
|
|
|
|
0,1 = Nor,Inv|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 07H | mmH llH | Analog Phaser LFO 2 Rate
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 08H | mmH llH | Analog Phaser LFO 2 Depth
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 09H | mmH llH | Analog Phaser LFO 2 Channel B Mod
|
|
|
|
0,1 = Nor,Inv|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0AH | 00H 00H | (Reserved)
|
:
:
| 00H 7FH | 00H 00H |
|
+———————————————————————————————————————————————————————————————————————+
❍Algorithm 34 Speaker Modeling
+———————————————————————————————————————————————————————————————————————+
| NRPN
| Data
|
|
|
|
Entry |
|
|=========+=========+===================================================|
| 00H 00H | mmH llH | Speaker Modeling SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 01H | mmH llH | Bass Cut SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 02H | mmH llH | Low Frequency Trimmer SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 03H | mmH llH | High Frequency Trimmer SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 04H | mmH llH | Limiter SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 05H | mmH llH | Output Speakers
|
|
|
|
0,1 = DS—90/DS—90A,DS—50A |
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 06H | mmH llH | Speaker Modeling Model
|
|
|
| 0,,,11 = THRU,Super Flat,Powered GenBlk,
|
|
|
| Powered E—Bas,Powered Mack,Small Cube,White Cone,|
|
|
| White C +tissue,Small Radio,Small TV,Boom Box,
|
|
|
| BoomBox LoBoost
|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 07H | mmH llH | Speaker Modeling Phase
|
|
|
|
0,1 = NRM,INV|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 08H | mmH llH | Bass Cut Frequency
|
|
|
|
1,,,200 = Thru,20,,,2000Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 09H | mmH llH | Low Frequency Trimmer Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0AH | mmH llH | Low Frequency Trimmer Frequency
|
|
|
|
2,,,200 = 20,,,2000Hz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0BH | mmH llH | High Frequency Trimmer Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0CH | mmH llH | High Frequency Trimmer Frequency
|
|
|
|
10,,,200 = 1.0,,,20.0kHz|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0DH | mmH llH | Limiter Threshold
|
|
|
|
—60,,,0dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0EH | mmH llH | Limiter Release
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0FH | mmH llH | Limiter Level
|
|
|
|
—60,,,24dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 10H | 00H 00H | (Reserved)
|
:
:
| 00H 7FH | 00H 00H |
|
+———————————————————————————————————————————————————————————————————————+
98
❍Algorithm 35 Mastering Tool Kit
+———————————————————————————————————————————————————————————————————————+
| NRPN
| Data
|
|
|
|
Entry |
|
|=========+=========+===================================================|
| 00H 00H | mmH llH | EQ SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 01H | mmH llH | Bass Cut SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 02H | mmH llH | Enhancer SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 03H | mmH llH | Expander SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 04H | mmH llH | Compressor SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 05H | mmH llH | Limiter SW
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 06H | mmH llH | EQ: Input Gain
|
|
|
|
—24,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 07H | mmH llH | EQ: Low EQ Type
|
|
|
|
0,1 = Shelving, Peaking|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 08H | mmH llH | EQ: Low EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 09H | mmH llH | EQ: Low EQ Frequency
|
|
|
|
2,,,42 = 20,,,2000Hz(*1 Frequency Table)|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0AH | mmH llH | EQ: Low EQ Q
|
|
|
|
0,,,31 = 0.3,,,16.0(*2 Q Table)|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0BH | mmH llH | EQ: Low Mid EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0CH | mmH llH | EQ: Low Mid EQ Frequency
|
|
|
|
2,,,54 = 20,,,8000Hz(*1 Frequency Table)|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0DH | mmH llH | EQ: Low Mid EQ Q
|
|
|
|
0,,,31 = 0.3,,,16.0(*2 Q Table)|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0EH | mmH llH | EQ: High Mid EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 0FH | mmH llH | EQ: High Mid EQ Frequency
|
|
|
|
2,,,54 = 20,,,8000Hz(*1 Frequency Table)|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 10H | mmH llH | EQ: High Mid EQ Q
|
|
|
|
0,,,31 = 0.3,,,16.0(*2 Q Table)|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 11H | mmH llH | EQ: High EQ Type
|
|
|
|
0,1 = Shelving, Peaking|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 12H | mmH llH | EQ: High EQ Gain
|
|
|
|
—12,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 13H | mmH llH | EQ: High EQ Frequency
|
|
|
|
39,,,62 = 1.4,,,20.0kHz(*1 Frequency Table)|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 14H | mmH llH | EQ: High EQ Q
|
|
|
|
0,,,31 = 0.3,,,16.0(*2 Q Table)|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 15H | mmH llH | EQ: Level
|
|
|
|
—24,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 16H | mmH llH | Bass Cut Frequency
|
|
|
|
1,,,42 = Off,20,,,2000Hz(*1 Frequency Table)|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 17H | mmH llH | Enhancer Sens
|
|
|
|
0,,,100|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 18H | mmH llH | Enhancer Frequency
|
|
|
|
36,,,56 = 1.0,,,10.0kHz(*1 Frequency Table)|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 19H | mmH llH | Enhancer Mix Level
|
|
|
|
—24,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1AH | mmH llH | Input Gain
|
|
|
|
—24,,,12dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1BH | mmH llH | Input Detect Time
|
|
|
|
0,,,10ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1CH | mmH llH | Input Low Split Point
|
|
|
|
2,,,34 = 20,,,800Hz(*1 Frequency Table)|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1DH | mmH llH | Input High Split Point
|
|
|
|
40,,,60 = 1.6,,,16.0kHz(*1 Frequency Table)|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1EH | mmH llH | Expander Low Threshold
|
|
|
|
0,,,80 = —80,,,0dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 1FH | mmH llH | Expander Mid Threshold
|
|
|
|
0,,,80 = —80,,,0dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 20H | mmH llH | Expander High Threshold
|
|
|
|
0,,,80 = —80,,,0dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 21H | mmH llH | Expander Low Ratio
|
|
|
|
0,,,13 = 1:1.0,,,1:INF(*3 Ratio Table)|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 22H | mmH llH | Expander Mid Ratio
|
|
|
|
0,,,13 = 1:1.0,,,1:INF(*3 Ratio Table)|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 23H | mmH llH | Expander High Ratio
|
|
|
|
0,,,13 = 1:1.0,,,1:INF(*3 Ratio Table)|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 24H | mmH llH | Expander Low Attack
|
|
|
|
0,,,100ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 25H | mmH llH | Expander Mid Attack
|
|
|
|
0,,,100ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 26H | mmH llH | Expander High Attack
|
|
|
|
0,,,100ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 27H | mmH llH | Expander Low Release
|
|
|
|
0,,,100 = 50,,,5000ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 28H | mmH llH | Expander Mid Release
|
|
|
|
0,,,100 = 50,,,5000ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 29H | mmH llH | Expander High Release
|
|
|
|
0,,,100 = 50,,,5000ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 2AH | mmH llH | Compressor Low Threshold
|
|
|
|
—24,,,0dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 2BH | mmH llH | Compressor Mid Threshold
|
|
|
|
—24,,,0dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 2CH | mmH llH | Compressor High Threshold
|
|
|
|
—24,,,0dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 2DH | mmH llH | Compressor Low Ratio
|
|
|
|
0,,,13 = 1:1.0,,,1:INF(*3 Ratio Table)|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 2EH | mmH llH | Compressor Mid Ratio
|
|
|
|
0,,,13 = 1:1.0,,,1:INF(*3 Ratio Table)|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 2FH | mmH llH | Compressor High Ratio
|
|
|
|
0,,,13 = 1:1.0,,,1:INF(*3 Ratio Table)|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 30H | mmH llH | Compressor Low Attack
|
|
|
|
0,,,100ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 31H | mmH llH | Compressor Mid Attack
|
|
|
|
0,,,100ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 32H | mmH llH | Compressor High Attack
|
|
|
|
0,,,100ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 33H | mmH llH | Compressor Low Release
|
|
|
|
0,,,100 = 50,,,5000ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 34H | mmH llH | Compressor Mid Release
|
|
|
|
0,,,100 = 50,,,5000ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 35H | mmH llH | Compressor High Release
|
|
|
|
0,,,100 = 50,,,5000ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 36H | mmH llH | Mixer Low Level
|
|
|
|
0,,,86 = —80,,,6dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 37H | mmH llH | Mixer Mid Level
|
|
|
|
0,,,86 = —80,,,6dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 38H | mmH llH | Mixer High Level
|
|
|
|
0,,,86 = —80,,,6dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 39H | mmH llH | Limiter Threshold
|
|
|
|
—24,,,0dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 3AH | mmH llH | Limiter Attack
|
|
|
|
0,,,100ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 3BH | mmH llH | Limiter Release
|
|
|
|
0,,,100 = 50,,,5000ms|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 3CH | mmH llH | Output Level
|
|
|
|
0,,,86 = —80,,,6dB|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 3DH | mmH llH | Output Soft Clip
|
|
|
|
0,1 = Off,On|
|—————————+—————————+———————————————————————————————————————————————————|
| 00H 3EH | 00H 00H | (Reserved)
|
:
:
| 00H 7FH | 00H 00H |
|
+———————————————————————————————————————————————————————————————————————+
* 1 Effect Frequency Table
+——————+————————++——————+————————++——————+————————++——————+————————+
| Data |Freq(Hz)|| Data |Freq(Hz)|| Data |Freq(Hz)|| Date |Freq(Hz)|
+——————+————————++——————+————————++——————+————————++——————+————————+
|
0 | THRU ||
16 | 100
||
32 |
630 ||
48 | 4.00k |
|
1 | THRU ||
17 | 112
||
33 |
710 ||
49 | 4.50k |
|
2 | 20.0 ||
18 | 125
||
34 |
800 ||
50 | 5.00k |
|
3 | 22.4 ||
19 | 140
||
35 |
900 ||
51 | 5.60k |
|
4 | 25.0 ||
20 | 160
||
36 | 1.00k ||
52 | 6.30k |
|
5 | 28.0 ||
21 | 180
||
37 | 1.12k ||
53 | 7.10k |
|
6 | 31.5 ||
22 | 200
||
38 | 1.25k ||
54 | 8.00k |
|
7 | 35.5 ||
23 | 224
||
39 | 1.40k ||
55 | 9.00k |
|
8 | 40.0 ||
24 | 250
||
40 | 1.60k ||
56 | 10.0k |
|
9 | 45.0 ||
25 | 280
||
41 | 1.80k ||
57 | 11.2k |
|
10 | 50.0 ||
26 | 315
||
42 | 2.00k ||
58 | 12.5k |
|
11 | 56.0 ||
27 | 355
||
43 | 2.24k ||
59 | 14.0k |
|
12 | 63.0 ||
28 | 400
||
44 | 2.50k ||
60 | 16.0k |
|
13 | 71.0 ||
29 | 450
||
45 | 2.80k ||
61 | 18.0k |
|
14 | 80.0 ||
30 | 500
||
46 | 3.15k ||
62 | 20.0k |
|
15 | 90.0 ||
31 | 560
||
47 | 3.55k ||
63 | 22.4k |
+——————+————————++——————+————————++——————+————————++——————+————————+
*2 Effect Q Table
+——————+————————++——————+————————+
| Data |
Q
|| Data |
Q
|
+——————+————————++——————+————————+
|
0 |
0.3 ||
16 |
2.8 |
|
1 |
0.4 ||
17 |
3.1 |
|
2 |
0.5 ||
18 |
3.5 |
|
3 |
0.6 ||
19 |
4.0 |
|
4 |
0.7 ||
20 |
4.5 |
|
5 |
0.8 ||
21 |
5.0 |
|
6 |
0.9 ||
22 |
5.6 |
|
7 |
1.0 ||
23 |
6.3 |
|
8 |
1.1 ||
24 |
7.1 |
|
9 |
1.2 ||
25 |
8.0 |
|
10 |
1.4 ||
26 |
9.0 |
|
11 |
1.6 ||
27 | 10.0 |
|
12 |
1.8 ||
28 | 11.2 |
|
13 |
2.0 ||
29 | 12.5 |
|
14 |
2.2 ||
30 | 14.0 |
|
15 |
2.5 ||
31 | 16.0 |
+——————+————————++——————+————————+
*3 Ratio Table
+——————+————————+
| Data | RATIO |
+——————+————————+
|
0 | 1:1.0 | (OFF)
|
1 | 1:1.1 |
|
2 | 1:1.2 |
|
3 | 1:1.4 |
|
4 | 1:1.6 |
|
5 | 1:1.8 |
|
6 | 1:2.0 |
|
7 | 1:2.5 |
|
8 | 1:3.1 |
|
9 | 1:4.0 |
|
10 | 1:5.6 |
|
11 | 1:8.0 |
|
12 | 1:16
|
|
13 | 1:INF |
+——————+————————+
●Program Change
Parameters on the Mixer/Effect section can be changed when UTILITY-MIDI screens
EFFECTP.C.Rx Sw is “On.”
When UTILITY-MIDI screens EFFECT P.C. Rx Sw is “On,” 00H-07H is received if it
operates as the Effect Program Change.
When UTILITY-MIDI screens SCENE P.C. Rx Sw is “On,” MIDI Channel No. FH is received
if it operates as the Scene Change.
VS-2480/2480CD never transmits this message.
Status
Second
CnH
ppH
n = MIDI Channel No.:
0H - 7H ( ch.1 = FX1 ch.2 = FX2 ch.3 = FX3 ch.4 = FX4
ch.5 = FX5 ch.6 = FX6 ch.7 = FX7 ch.8 = FX8)
FH ( ch.16 = Scene Memory (*1) )
pp = Program No.:
00H - 63H (0 - 99) n = 0H - 7H
pp = Program No.:
00H - 63H (0 - 99) n = FH
(*1) If received while VS-2480/2480CD is playing, playback stops, and then restarts after the
scene switched. Never receives while recording.
●Pitch Bend Change
Receives when effect Algorithm 27 (Voice Transformer) is selected and MIDI control Sw is
On.
Status
Second
Third
EnH
llH
mmH
n = MIDI Channel No.:
0H - 7H (ch.1-ch.8)
n = 0,2,4,6 (ch.1 = FX1, ch.3 = FX3, ch.5 = FX5, ch.7 = FX7)
: Voice Transformer : Fine Pitch
n = 1,3,5,7 (ch.2 = FX1, ch.4 = FX3, ch.6 = FX5, ch.8 = FX7)
: Voice Transformer : Fine Formant
mm,ll = Value:
00H,00H - 40H,00H - 7FH,7FH (-8192 -- 0 -- +8191)
■System Common Messages
●MIDI Time Code Quarter Frame Messages
MIDI Time Code Quarter Frame Messages can be transmitted while the VS-2480/2480CD is
running (Playing or Recording) if the UTILITY-SYNC screens SYNC MODE is “INT” and
SYNC Gen. is “MTC.” The transmitted time counts are summed to “SYNC OFF SET TIME”
as the project top is “00:00:00:00.”
The VS-2480/2480CD synchronizes with the time counts which are summed to “SYNC
OFFSET TIME” as the project top is “00:00:00:00” if the SYNC screens SYNC MODE is
“EXT.”
Status
Second
F1H
mmH (= 0nnndddd)
nnn = Message type:
0 = Frame count LS nibble
1 = Frame count MS nibble
2 = Seconds count LS nibble
3 = Seconds count MS nibble
4 = Minutes count LS nibble
5 = Minutes count MS nibble
6 = Hours count LS nibble
7 = Hours count MS nibble
dddd = 4bit nibble data: 0H - FH (0 - 15)
If the upper and lower 4 bits of the count are combined, these bit fields are assigned as
follows.
Frame Count
xxxyyyyy
xxx
Reserved (000)
yyyyy
Frame No. (0-29)
Seconds Count
xxyyyyyy
xx
Reserved (00)
yyyyyy
Second Count (0-59)
Minutes Count
xxyyyyyy
xx
Reserved (00)
yyyyyy
Minutes Count (0-59)
Hour Count
xyyzzzzz
x
Reserved (0)
yy
Time Code Type
0 = 24 Frame/Sec
1 = 25 Frame/Sec
2 = 30 Frame/Sec (Drop Frame)
3 = 30 Frame/Sec (Non Drop Frame)
zzzzz
Hours Count
●Song Position Pointer
The current position is transmitted with the Song Position Pointer Message before the
VS-2480/2480CD starts top run or after the locate operation when UTILITY-SYNC screens
SYNC MODE is “INT” and SYNC Gen. is “MIDIclk” or “SyncTr.”
Status
Second
Third
F2H
mmH
nnH
mm,nn = Song Position Point: 00H 00H - 7FH 7FH
■System Realtime Message
Transmitted when UTILITY-SYNC screens SYNC MODE is “INT” and SYNC Gen. is
“MIDIclk” or “SyncTr.”
●Timing Clock
Status
F8H
●Start
Status
FAH
●Continue
Status
FBH
●Stop
Status
FCH
■System Exclusive Message
Status
F0H
Byte
F0H
iiH
ddH
:
eeH
F7H
Data Byte
Status
iiH,ddH, ..., eeH
F7H
Description
Status of System Exclusive Message
Manufacturer ID
41H Roland’s Manufacturer ID
7EH Universal Non Real-time Message
7FH Universal Real-time Message
Data:
00H - 7FH (0 - 127)
:
Data
EOX
(End of System Exclusive message)
99
MIDI Implementation
MIDI Implementation
MIDI Implementation
The VS-2480/2480CD can transfer and receive the internal parameters information using
system exclusive messages, and also can be controlled by the external devices using system
exclusive message.
The VS-2480/2480CD can transmit and receive Universal System Exclusive messages, Data
Request (RQ1) and Data set (DT1) as the System Exclusive Message.
❍About Model ID
The Model ID of the VS-2480/2480CD is 00H,40H as for Data Request (RQ1) and Data set
(DT1). The VS-2480/2480CD also can receive 00H,40H (VS-2480/2480CD) and 00,36H (VE7000).
❍About Device ID
System Exclusive messages are not assigned to any particular MIDI channel. Instead, they
have their own special control parameter called device ID.
The roland system exclusive messages use device IDs to specify multiple VS-2480/2480CD
units.
The VS-2480/2480CD sends system exclusive messages using 00H-1FH, and receives the
system exclusive messages whose device ID is same as its device ID and 7FH.
the value of the device ID is the value set on the UTILITY-MIDI screens DEVICE ID minus
one.
●Universal System Exclusive message
❍INQUIRY MESSAGE
❍Identity Request
Status
Data byte
Status
F0H
7EH,Dev,06H,01H
F7H
Byte
Description
F0H
Status of System Exclusive Message
7EH
Universal System Exclusive message Non Real-time header
Dev
Device ID (or 7FH)
06H
General Information (sub-ID #1)
01H
Identify Request (sub-ID #2)
F7H
EOX (End of System Exclusive Message)
The message is used to request the particular information of the VS-2480/2480CD.
The VS-2480/2480CD does not transmit the message.
If the VS-240 received the message and the device ID of the message is same as its device.
ID or 7FH, the VS-2480/2480CD transmits the following Identify Reply message.
❍Identity Reply
Status
F0H
Data Byte
Status
7EH,Dev,06H,02H,41H,mmH,mmH,
F7H
00H,00H,00H,00H,ssH,ssH
Description
Status of System Exclusive Message
Universal System Exclusive Non Real-time Header
Device ID
General Information (sub-ID #1)
Identify Request (sub-ID #2)
Manufacturer ID (Roland)
Device Family Code (VS-2480/2480CD)
Device Family No.
Byte
F0H
7EH
Dev
06H
02H
41H
mmH mmH
00H 00H
00H
00H
ssH ssH
Software Revision Level
F7H
EOX (End of Exclusive Message)
The value of the device family code is according to the value of SYSTEM parameters “MIDI
Model ID.”
When VS-2480/2480CD, the value of the device family code is 40H 01H.
❍MIDI Time Code
Status
F0H
Byte
F0H
7FH
Dev
01H
01H
hr
mn
sc
fr
F7H
100
Data Byte
Status
7FH,Dev,01H,01H,hr,mn,sc,fr
F7H
Description
Status of System Exclusive Message
Universal System Exclusive
Real-time Header
Device ID
MIDI Time Code
MIDI Time Code Full Message
Type/Hour (0yyzzzzz)
yy: Time Code Type
0=24 Frame/Sec
1=25 Frame/Sec
2=30 Frame/Sec (Drop)
3=30 Frame/Sec (Non-Drop)
Minutes (0–59)
Second (0–59)
Frame (0–29)
EOX (End of Exclusive Message)
❍MIDI Machine Control Commands
Status
F0H
Byte
F0H
7FH
Data Byte
7FH,Dev,06H,aaH, ..., bbH
Description
Status of System Exclusive Message
Universal System Exclusive
Real-time Header
Dev
Device ID (or 7FH)
06H
MMC Command Message
aaH
Command
:
:
bbH
Command
F7H
EOX (End of Exclusive Message)
(*) see “3. MIDI Machine Control.”
Status
F7H
●Data Transfer (RQ1,DT1)
❍Data Request (RQ1)
Status
F0H
Byte
F0H
41H
Dev
00H 40H
11H
aaH
bbH
ccH
ddH
ssH
ssH
ssH
ssH
Sum
F7H
Data Byte
Status
41H,Dev,mmH,mmH,11H,
F7H
aaH,bbH,ccH,ddH, ssH,ssH,ssH,ssH,Sum
Description
Status of System Exclusive Message
Manufacturer ID (Roland)
Device ID
Model ID (VS-2480/2480CD)
Command ID (RQ1)
Address MSB
Address
Address
Address LSB
Data MSB
Data
Data
Data LSB
Check Sum
EOX (End of Exclusive Message)
❍Data Set (DT1)
<Model ID = 00H 40H (VS-2480/2480CD)>
Status
Data Byte
F0H
41H,Dev,mmH,mmH,12H,
aaH,bbH,ccH,ddH, ..., eeH,Sum
Byte
Description
F0H
Status of System Exclusive Message
41H
Manufacturer ID (Roland)
Dev
Device ID
00H 40H
Model ID (VS-2480/2480CD)
12H
Command ID (DT1)
aaH
Address MSB
bbH
Address
ccH
Address
ddH
Address LSB
eeH
Data
Sum
Check Sum
F7H
EOX (End of Exclusive Message)
<Model ID = 00H 36H (VE-7000)>
Status
Data Byte
F0H
41H,Dev,mmH,mmH,12H,
aaH,bbH,ccH,ddH, ..., eeH,Sum
Byte
Description
F0H
Status of System Exclusive Message
41H
Manufacturer ID (Roland)
Dev
Device ID
00H 36H
Model ID (VE-7000)
12H
Command ID (DT1)
aaH
Address MSB
bbH
Address
ccH
Address LSB
ddH
Data
Sum
Check Sum
F7H
EOX (End of Exclusive Message)
Status
F7H
Status
F7H
❍The message is transmitted under the following condition.
If the device ID on the message is same as that of the receive device, and the address on the
message correspond to the specified parameter base address, the received data are stored
form the specified parameter base address.
If the interval of received messages is shorter than 25 msec, the VS-2480/2480CD can not
work the receive message procedure correctly.
2. Data Transfer Address Map
Address are expressed in 7bit hexadecimal values.
Address
Binary
7 Bit Hex
MSB
0aaa aaaa
AA
0bbb bbbb
BB
0ccc cccc
CC
LSB
0ddd dddd
DD
■Address Block
<Model ID = 00H 40H (VS-2480/2480CD)>
+———————————————————————————————————————————————————————————————————————————+
| Start
|
|
|
address |
Contents and remarks
|
|=============+=============================================================|
| 00 00 00 00 | (Reserved)
|
|—————————————+—————————————————————————————————————————————————————————————|
| 02 00 00 00 | Utility Parameter
|
|—————————————+—————————————————————————————————————————————————————————————|
| 03 00 00 00 | Project Parameter
|
|—————————————+—————————————————————————————————————————————————————————————|
| 04 00 00 00 | Mixer Parameter
|
|—————————————+—————————————————————————————————————————————————————————————|
| 05 00 00 00 | Effect Parameter
|
|—————————————+—————————————————————————————————————————————————————————————|
| 06 00 00 00 | Sync Track Data
|
+———————————————————————————————————————————————————————————————————————————+
●Utility Parameter
+———————————————————————————————————————————————————————————————————————————+
| Start
|
|
|
|
address | Data
|
Contents and remarks
|
|=============+=========+===================================================|
| 02 00 00 00 | 00 — 01 | PHANTOM SWITCH ANALOG INPUT1
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 00 00 01 | 00 — 01 | PHANTOM SWITCH ANALOG INPUT2
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 00 00 02 | 00 — 01 | PHANTOM SWITCH ANALOG INPUT3
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 00 00 03 | 00 — 01 | PHANTOM SWITCH ANALOG INPUT4
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 00 00 04 | 00 — 01 | PHANTOM SWITCH ANALOG INPUT5
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 00 00 05 | 00 — 01 | PHANTOM SWITCH ANALOG INPUT6
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 00 00 06 | 00 — 01 | PHANTOM SWITCH ANALOG INPUT7
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 00 00 07 | 00 — 01 | PHANTOM SWITCH ANALOG INPUT8
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 00 00 08 | 00 — 08 | MB—24 DISPLAY SECTION
OFF, |
|
|
|
ANALOG INPUT 1—16,R—BUS/COAX/OPT IN, |
|
|
|
INPUT MIXER 1—24,TRACK MIXER 1—24, |
|
|
|
FX1—8 RETURN,AUX1—8/DIR1—8, |
|
|
|
ANALOG OUTPUT,R—BUS/COAX/OPT OUT |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 00 00 09 | 00 — 01 | MB—24 METER POSITION
Pre,Pst |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 00 00 0A | 00 — 02 | MB—24 TIME DISPLAY
|
|
|
|
MEASURE/BEAT,TIME CODE,CLOCK/SCENE |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 00 00 0B | 00 — 01 | MB—24 METER SCALE
x1,x1/2 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 00 00 0C | 00 — 01 | VGA OUT
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 00 00 0D | 00 — 03 | VGA REFRESH RATE
60,66,70,75Hz |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 00 00 0E | 01 — 0B | VGA H.POSITION
+5,,,0,,,—5 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 00 00 0F |
| VGA V.POSITION
|
|
| 01 — 5F |
—47,,,0,,,+47 (VGA REFRESH RATE = 60 Hz)|
|
| 01 — 20 |
—15,,,0,,,+16 (VGA REFRESH RATE = 65 Hz)|
|
| 01 — 4B |
—37,,,0,,,+37 (VGA REFRESH RATE = 70 Hz)|
|
| 01 — 17 |
—11,,,0,,,+11 (VGA REFRESH RATE = 75 Hz)|
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 00 00 10 | 00 — 01 | PS/2 MOUSE
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 00 00 11 | 00 — 04 | PS/2 MOUSE POINTER SPEED
0,,,4 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 00 00 12 | 00 — 01 | PS/2 KEYBOARD
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 00 00 13 | 00 — 01 | PS/2 KEYBOARD TYPE
101/104,106/109 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 01 00 00 | 00 — 02 | INPUT PEAK LEVEL
0,—3,—6dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 01 00 01 | 00 — 05 | FOOT SWITCH ASSIGN
Play/Stop,Record, |
|
|
|
TapMarker,Next,Previous,GPI |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 01 00 02 | 00 — 01 | CD DIGITAL REC
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 01 00 03 | 00 — 02 | SHIFT LOCK
Off,On,Once |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 01 00 04 | 03 — 14 | SWITCHING TIME
0.3,,,2.0sec |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 01 00 05 | 00 — 01 | KNOB/FADER ASSIGN SWITCH
Knob,Fader |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 01 00 06 | 00 — 01 | PREVIOUS/NEXT SWITCH
Phrase,Marker |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 01 00 07 | 00 — 01 | LOCATOR/SCENE TYPE
Safe,Quick |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 01 00 08 | 00 — 01 | NUMERICS TYPE
Up,Down |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 01 00 09 | 00 — 01 | UNDO MESSAGE
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 01 00 0A | 00 — 01 | EDIT MESSAGE
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 01 00 0B | 00 — 01 | PAN KNOB AUTO DISPLAY
Off,CH VIEW |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 01 00 0C | 00 — 01 | PRM KNOB AUTO DISPLAY
Off,CH VIEW |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 01 00 0D | 00 — 01 | AUX KNOB AUTO DISPLAY
Off,CH VIEW |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 01 00 0E | 00 — 01 | DATE/REMAIN SWITCH
Date,Remain |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 01 00 0F | 00 — 03 | REMAIN DISPLAY TYPE
Time,CapaMB,Capa %,Event |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 01 00 10 | 00 — 01 | RETURN TO LOCATE SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 01 00 11 | 00 — 01 | EDIT POINT SWITCH TYPE
Same LOCATOR,OVERWRITE |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 02 00 00 | 00 — 06 | MASTER CLOCK
INT,R—BUS1,R—BUS2,COAXIAL IN, |
|
|
|
OPTICAL IN,WORD CLOCK,EXT TIME CODE |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 02 00 01 | 00 — 7F | DITHER
127,24,,,8 = Off,24,,,8bit |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 02 00 02 | 00 — 01 | DIGITAL COPY PROTECT
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 02 00 03 |
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 02 00 04 | 0000aaaa| DISPLAY OFFSET TIME
(*1,2,3) |
| 02 02 00 05#| 0000bbbb|
aaaabbbbccccddddeeeeffffgggghhhh =
|
| 02 02 00 06#| 0000cccc|
0,,,4294967295block (1block=16sample) |
| 02 02 00 07#| 0000dddd|
|
| 02 02 00 08#| 0000eeee|
|
| 02 02 00 09#| 0000ffff|
|
| 02 02 00 0A#| 0000gggg|
|
| 02 02 00 0B#| 0000hhhh|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 02 00 0C | 00 — 01 | TIME DISPLAY FORMAT
ABS,REL |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 02 00 0D | 00 — 01 | PEAK HOLD SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 02 00 0E | 00 — 02 | R—BUS2 COAXIAL Sel
R—BUS2—1/2 5/6,|
|
|
|
COAX R—BUS2—1/2,COAX R—BUS2—5/6 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 02 00 0F | 00 — 02 | R—BUS2 OPTICAL Sel
R—BUS2—3/4 7/8,|
|
|
|
OPTI R—BUS2—3/4,OPTI R—BUS2—7/8 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 03 00 00 | 00 — 01 | RECORD MONITOR
Auto,Source |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 03 00 01 | 00 — 01 | MARKER STOP
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 03 00 02 | 00 — 01 | FADE CURVE
Linear/Exp |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 03 00 03 | 00 — 05 | FADE LENGTH
2,10,20,30,40,50ms |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 03 00 04 | 00 — 01 | VARI PITCH SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 03 00 05 |
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 03 00 06 | 0aaaaaaa| VARI PITCH
499,,,1561 = 50.00,,,16.00kHz |
| 02 03 00 07#| 0bbbbbbb|
(SAMPLE RATE = 32,44.1,48kHz)|
| 02 03 00 08#| 0ccccccc|
254,,,1561 = 98.00,,,16.00kHz |
| 02 03 00 09#| 0ddddddd|
(SAMPLE RATE = 64,88.2,96kHz)|
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 03 00 0A | 00 — 01 | SOLO/MUTE TYPE
All BUS Send,MIX BUS Send |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 03 00 0B | 00 — 4B | SCRUB LENGTH
25,,,100ms |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 03 00 0C | 0A — 64 | PREVIEW TO LENGTH
1.0,,,10,0sec |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 03 00 0D | 0A — 64 | PREVIEW FROM LENGTH
1.0,,,10,0sec |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 04 00 00 | 00 — 01 | MIDI OUT/THRU SWITCH
Out,Thru |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 04 00 01 | 00 — 1F | MIDI SYSTEM EXCLUSIVE DEVICE ID
1,,,32 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 04 00 02 | 00 — 02 | MMC MODE
Off,Master,Slave |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 04 00 03 | 00 — 02 | MMC SOURCE
MIDI,R—BUS1,R—BUS2 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 04 00 04 | 00 — 01 | MIDI SYSTEM EXCLUSIVE RX SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 04 00 05 | 00 — 01 | MIDI SYSTEM EXCLUSIVE TX SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 04 00 06 | 00 — 02 | MIDI CONTROL TYPE
Off,CC,SysEx |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 04 00 07 | 00 — 01 | SCENE CHANGE BY PROGRAM CHANGE SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 04 00 08 | 00 — 01 | FX CHANGE BY PROGRAM CHANGE SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 04 00 09 | 00 — 01 | FX CONTROL BY CONTROL CHANGE SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 05 00 00 | 00 — 01 | SYNC Mode
INT,EXT |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 05 00 01 | 00 — 01 | SYNC with Gap
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 05 00 02 | 00 — 03 | EXT SYNC SOURCE
MIDI IN,R—BUS1,R—BUS2,SMPTE IN |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 05 00 03 |
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 05 00 04 | 0000aaaa| SYNC OFFSET TIME
(*1,2,3) |
| 02 05 00 05#| 0000bbbb|
aaaabbbbccccddddeeeeffffgggghhhh =
|
| 02 05 00 06#| 0000cccc|
0,,,4294967295block (1block=16sample) |
| 02 05 00 07#| 0000dddd|
|
| 02 05 00 08#| 0000eeee|
|
| 02 05 00 09#| 0000ffff|
|
| 02 05 00 0A#| 0000gggg|
|
| 02 05 00 0B#| 0000hhhh|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 05 00 0C | 00 — 04 | FRAME RATE
24,25,29D,29N,30 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 05 00 0D | 00 — 0A | SYNC ERROR LEVEL
0,,,10 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 05 00 0E | 00 — 03 | MIDI OUT SYNC GENERATE
Off,MTC,MIDIclk,SyncTr |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 05 00 0F | 00 — 01 | R—BUS1 SYNC GENERATE
Off,MTC |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 05 00 10 | 00 — 01 | R—BUS2 SYNC GENERATE
Off,MTC |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 05 00 11 | 00 — 01 | SYNC TRACK ENABLE
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 06 00 00 | 0000aaaa| TEMPO MAP—1
TEMPO MAP TIME
(*1,2)|
| 02 06 00 01#| 0000bbbb|
aaaabbbbccccddddeeeeffffgggghhhh =
|
| 02 06 00 02#| 0000cccc|
0,,,4294967295block (1block=16sample) |
| 02 06 00 03#| 0000dddd|
|
| 02 06 00 04#| 0000eeee|
|
| 02 06 00 05#| 0000ffff|
|
| 02 06 00 06#| 0000gggg|
|
| 02 06 00 07#| 0000hhhh|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 06 00 08 | 0aaaaaaa| TEMPO MAP—1
SYNC TRACK TIME
(*1,2)|
| 02 06 00 09#| 0000bbbb|
aaaabbbbccccddddeeeeffffgggghhhh =
|
| 02 06 00 0A#| 0000cccc|
0,,,4294967295block (1block=16sample) |
| 02 06 00 0B#| 0000dddd|
|
| 02 06 00 0C#| 0000eeee|
|
| 02 06 00 0D#| 0000ffff|
|
| 02 06 00 0E#| 0000gggg|
|
| 02 06 00 0F#| 0000hhhh|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 06 00 10 | 0aaaaaaa| TEMPO MAP—1
TEMPO
|
| 02 06 00 11#| 0bbbbbbb|
250 — 2500 = 25.0 — 250.0 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 06 00 12 | 0aaaaaaa| TEMPO MAP—1
MEASURE
|
| 02 06 00 13#| 0bbbbbbb|
1,,,999 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 06 00 14 | 00
| TEMPO MAP—1
Beat
0 — 79 =
|
| 02 06 00 15#| 00 — 4F |
1/1,2/1,3/1,,,15/16,16/16 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 06 00 16 | 00
| TEMPO MAP—1
(Reserved)
|
| 02 06 00 1F#| 00
|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 06 00 20 |
| TEMPO MAP—2 (See TEMPO MAP—1, 16bytes each)
|
:
:
| 02 06 06 3F#|
| TEMPO MAP—50
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 06 06 40 | 01 — 32 | Total TEMPO MAP NUMBER
1,,,50 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 07 00 00 | 00 — 02 | METRONOME OUT
Off,INT,MIDI |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 07 00 01 |
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 07 00 02 | 0aaaaaaa| METRONOME INT LEVEL
|
| 02 07 00 03#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 07 00 04 | 00 — 01 | METRONOME MODE
Rec Only,Rec&Play |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 07 00 05 | 00 — 03 | METRONOME TONE TYPE
CLICK1,CLICK2, |
|
|
|
CLICK2(Note),DRUM |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 07 00 06 | 00 — 0F | METRONOME MIDI CHANNEL
1,,,16 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 07 00 07 | 0C — 7F | METRONOME MIDI ACCENT NOTE
C_0,,,G_9 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 07 00 08 | 01 — 7F | METRONOME MIDI ACCENT VELOCITY
1,,,127 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 07 00 09 | 0C — 7F | METRONOME MIDI NORMAL NOTE
C_0,,,G_9 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 07 00 0A | 01 — 7F | METRONOME MIDI NORMAL VELOCITY
1,,,127 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 07 00 0B | 00 — 02 | METRONOME PERCUSSION
Hand Clap,Cowbel,Maracas |
|—————————————+—————————+———————————————————————————————————————————————————|
|
|
| DRUM BEAT PATTERN 1
|
| 02 07 10 00 | 00 — 02 |
H.H.
Switch
Off,On,Open |
| 02 07 10 01 | 01 — 7F |
Velocity
1,,,127 |
| 02 07 10 02 | 00 — 01 |
S.D.
Switch
Off,On |
| 02 07 10 03 | 01 — 7F |
Velocity
1,,,127 |
| 02 07 10 04 | 00 — 01 |
B.D.
Switch
Off,On |
| 02 07 10 05 | 01 — 7F |
Velocity
1,,,127 |
| 02 07 10 06 | 00 — 01 |
PERCUSSION Switch
Off,On |
| 02 07 10 07 | 01 — 7F |
Velocity
1,,,127 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 07 10 08 |
| DRUM BEAT PATTERN 2
|
|
|
|
(See DRUM BEAT PATTERN 1, 8bytes each) |
:
:
| 02 07 12 78 |
| DRUM BEAT PATTERN 16
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 08 00 00 | 0000aaaa| AUTO PUNCH IN
(*1,2,3) |
| 02 08 00 01#| 0000bbbb|
aaaabbbbccccddddeeeeffffgggghhhh =
|
| 02 08 00 02#| 0000cccc|
0,,,4294967295block (1block=16sample) |
| 02 08 00 03#| 0000dddd|
|
| 02 08 00 04#| 0000eeee|
|
| 02 08 00 05#| 0000ffff|
|
| 02 08 00 06#| 0000gggg|
|
| 02 08 00 07#| 0000hhhh|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 08 00 08 | 0000aaaa| AUTO PUNCH OUT
(*1,2,3) |
| 02 08 00 09#| 0000bbbb|
aaaabbbbccccddddeeeeffffgggghhhh =
|
| 02 08 00 0A#| 0000cccc|
0,,,4294967295block (1block=16sample) |
| 02 08 00 0B#| 0000dddd|
|
| 02 08 00 0C#| 0000eeee|
|
| 02 08 00 0D#| 0000ffff|
|
| 02 08 00 0E#| 0000gggg|
|
| 02 08 00 0F#| 0000hhhh|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 08 00 10 | 0000aaaa| LOOP FROM
(*1,2,3) |
| 02 08 00 11#| 0000bbbb|
aaaabbbbccccddddeeeeffffgggghhhh =
|
| 02 08 00 12#| 0000cccc|
0,,,4294967295block (1block=16sample) |
| 02 08 00 13#| 0000dddd|
|
| 02 08 00 14#| 0000eeee|
|
| 02 08 00 15#| 0000ffff|
|
| 02 08 00 16#| 0000gggg|
|
| 02 08 00 17#| 0000hhhh|
|
|—————————————+—————————+———————————————————————————————————————————————————|
101
MIDI Implementation
MIDI Implementation
MIDI Implementation
| 02 08 00 18 | 0000aaaa| LOOP TO
(*1,2,3) |
| 02 08 00 19#| 0000bbbb|
aaaabbbbccccddddeeeeffffgggghhhh =
|
| 02 08 00 1A#| 0000cccc|
0,,,4294967295block (1block=16sample) |
| 02 08 00 1B#| 0000dddd|
|
| 02 08 00 1C#| 0000eeee|
|
| 02 08 00 1D#| 0000ffff|
|
| 02 08 00 1E#| 0000gggg|
|
| 02 08 00 1F#| 0000hhhh|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 08 00 20 | 00 — 01 | AUTO PUNCH SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 08 00 21 | 00 — 01 | LOOP SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 09 00 00 | 0000aaaa| MARKER TIME or MARKER NUMBER
(*1,2,4) |
| 02 09 00 01#| 0000bbbb|
aaaabbbbccccddddeeeeffffgggghhhh =
|
| 02 09 00 02#| 0000cccc|
0,,,4294967295block (1block=16sample) |
| 02 09 00 03#| 0000dddd|
or 0,,,999 Marker Number, >=1000 All
|
| 02 09 00 04#| 0000eeee|
|
| 02 09 00 05#| 0000ffff|
|
| 02 09 00 06#| 0000gggg|
|
| 02 09 00 07#| 0000hhhh|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 09 00 08 | 20 — 7F | MARKER NAME —1
(ASCII) |
:
:
:
| 02 09 00 13 | 20 — 7F | MARKER NAME —12
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 09 01 00 | 00 — 04 | MARKER COMMAND (*4)
|
|
|
| 00=MARKER READ
|
|
|
| 01=MARKER WRITE
|
|
|
| 02=MARKER CLEAR
|
|
|
| 03=MARKER NAME READ
|
|
|
| 04=MARKER NAME WRITE
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0A 00 00 | 0000aaaa| LOCATOR— 00 TIME
(*1,2) |
| 02 0A 00 01#| 0000bbbb|
aaaabbbbccccddddeeeeffffgggghhhh =
|
| 02 0A 00 02#| 0000cccc|
0,,,4294967295block (1block=16sample) |
| 02 0A 00 03#| 0000dddd|
|
| 02 0A 00 04#| 0000eeee|
|
| 02 0A 00 05#| 0000ffff|
|
| 02 0A 00 06#| 0000gggg|
|
| 02 0A 00 07#| 0000hhhh|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0A 00 08 | 20 — 7F | LOCATOR— 00 NAME —1
(ASCII) |
:
:
:
:
:
:
:
| 02 0A 0F 3C | 00 —
:
:
:
| LOCATOR— 99 (similar to 02 0A 00 00 — 02 0A 00 13)|
| 02 0A 0F 4F | 00 —
|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0B 00 00 | 0aaaaaaa| KNOB/FADER ASSIGN to
|
| 02 0B 00 01#| 0bbbbbbb|
ATT, |
| 02 0B 00 02#| 0ccccccc|
PHASE, |
| 02 0B 00 03#| 0ddddddd|
GROUP, |
|
|
|
Ch LINK, |
|
|
|
Fader LINK, |
|
|
|
LEVEL, |
|
|
|
PAN, |
|
|
|
SOLO, |
|
|
|
MUTE, |
|
|
|
AUX1 Send Sw, |
|
|
|
AUX2 Send Sw, |
|
|
|
AUX3 Send Sw, |
|
|
|
AUX4 Send Sw, |
|
|
|
AUX5 Send Sw, |
|
|
|
AUX6 Send Sw, |
|
|
|
AUX7 Send Sw, |
|
|
|
AUX8 Send Sw, |
|
|
|
AUX1 Send Lev, |
|
|
|
AUX2 Send Lev, |
|
|
|
AUX3 Send Lev, |
|
|
|
AUX4 Send Lev, |
|
|
|
AUX5 Send Lev, |
|
|
|
AUX6 Send Lev, |
|
|
|
AUX7 Send Lev, |
|
|
|
AUX8 Send Lev, |
|
|
|
AUX1/2SendPAN, |
|
|
|
AUX3/4SendPAN, |
|
|
|
AUX5/6SendPAN, |
|
|
|
AUX7/8SendPAN, |
|
|
|
InsFX1
Sw, |
|
|
|
InsFX2
Sw, |
|
|
|
InsFX3
Sw, |
|
|
|
InsFX4
Sw, |
|
|
|
InsFX5
Sw, |
|
|
|
InsFX6
Sw, |
|
|
|
InsFX7
Sw, |
|
|
|
InsFX8
Sw, |
|
|
|
InsFX1 SndLev, |
|
|
|
InsFX2 SndLev, |
|
|
|
InsFX3 SndLev, |
|
|
|
InsFX4 SndLev, |
|
|
|
InsFX5 SndLev, |
|
|
|
InsFX6 SndLev, |
|
|
|
InsFX7 SndLev, |
|
|
|
InsFX8 SndLev, |
|
|
|
InsFX1 RtnLev, |
|
|
|
InsFX2 RtnLev, |
|
|
|
InsFX3 RtnLev, |
|
|
|
InsFX4 RtnLev, |
|
|
|
InsFX5 RtnLev, |
|
|
|
InsFX6 RtnLev, |
|
|
|
InsFX7 RtnLev, |
|
|
|
InsFX8 RtnLev, |
|
|
|
Surnd
PAN, |
|
|
|
Surnd
DEPTH, |
|
|
|
Surnd
LR:C, |
|
|
|
Surnd SubWLev, |
|
|
|
Dyn
Sw, |
|
|
|
Dyn
Type, |
|
|
|
Cmp
KeyIn, |
|
|
|
Cmp
Thresh, |
|
|
|
Cmp
RATIO, |
|
|
|
Cmp
ATTACK, |
|
|
|
Cmp
RELEASE, |
|
|
|
Cmp
LEVEL, |
|
|
|
Cmp AUTOGAIN, |
|
|
|
Exp
KeyIn, |
|
|
|
Exp
Thresh, |
|
|
|
Exp
RATIO, |
|
|
|
Exp
ATTACK, |
|
|
|
Exp
RELEASE, |
|
|
|
EQ
Sw, |
|
|
|
EQ Low
Gain, |
|
|
|
EQ Low
Freq, |
|
|
|
EQ LoMid Gain, |
|
|
|
EQ LoMid Freq, |
|
|
|
EQ LoMid
Q, |
|
|
|
EQ HiMid Gain, |
|
|
|
EQ HiMid Freq, |
|
|
|
EQ HiMid
Q, |
|
|
|
EQ High Gain, |
|
|
|
EQ High Freq, |
|
|
|
EQ Fltr TYPE, |
|
|
|
EQ Fltr Freq, |
|
|
|
EQ Fltr
Q |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0B 00 04 | 00 — 77 | V.Fader Fader 1
0,,,119 |
:
:
| 02 0B 00 13 | 00 — 77 | V.Fader Fader 16
0,,,119 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0B 00 14 | 00 — 77 | V.Fader Knob 1
0,,,119 |
:
:
| 02 0B 00 23 | 00 — 77 | V.Fader Knob 16
0,,,119 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0C 00 00 | 00 — 01 | SCENE INPUT MIXER 1
Valid,Ignore |
:
:
| 02 0C 00 17 | 00 — 01 | SCENE INPUT MIXER 24
Valid,Ignore |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0C 00 18 | 00 — 01 | SCENE TRACK MIXER 1
Valid,Ignore |
:
:
| 02 0C 00 2F | 00 — 01 | SCENE TRACK MIXER 24
Valid,Ignore |
|—————————————+—————————+———————————————————————————————————————————————————|
102
:
Valid,Ignore |
:
:
| 02 0C 00 3F | 00 — 01 | SCENE AUX MASTER 8
Valid,Ignore |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0C 00 40 | 00 — 01 | SCENE DIR MIXER 1
Valid,Ignore |
:
:
| 02 0C 00 47 | 00 — 01 | SCENE DIR MIXER 8
Valid,Ignore |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0C 00 48 | 00 — 01 | SCENE EFFECT 1
Valid,Ignore |
:
:
| 02 0C 00 4F | 00 — 01 | SCENE EFFECT 8
Valid,Ignore |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0C 00 50 | 00 — 01 | SCENE MASTER
Valid,Ignore |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0D 00 00 | 00 — 02 | AUTOMIX STATUS INPUT MIXER 1
Manual,Write,Read |
:
:
| 02 0D 00 17 | 00 — 02 | AUTOMIX STATUS INPUT MIXER 24
Manual,Write,Read |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0D 00 18 | 00 — 02 | AUTOMIX STATUS TRACK MIXER 1
Manual,Write,Read |
:
:
| 02 0D 00 2F | 00 — 02 | AUTOMIX STATUS TRACK MIXER 24
Manual,Write,Read |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0D 00 30 | 00 — 02 | AUTOMIX STATUS FX RETURN 1
Manual,Write,Read |
:
:
| 02 0D 00 37 | 00 — 02 | AUTOMIX STATUS FX RETURN 8
Manual,Write,Read |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0D 00 38 | 00 — 02 | AUTOMIX STATUS AUX MASTER 1
Manual,Write,Read |
:
:
| 02 0D 00 3F | 00 — 02 | AUTOMIX STATUS AUX MASTER 8
Manual,Write,Read |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0D 00 40 | 00 — 02 | AUTOMIX STATUS DIR 1
Manual,Write,Read |
:
| 02 0D 00 47 | 00 — 02 | AUTOMIX STATUS DIR 8
Manual,Write,Read |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0D 00 48 | 00 — 02 | AUTOMIX STATUS EFFECT 1
Manual,Write,Read |
:
| 02 0A 00 27 | 00 —
|
|
|—————————————+—————————+———————————————————————————————————————————————————|
:
:
| 02 0C 00 37 | 00 — 01 | SCENE FX RETURN 8
Valid,Ignore |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0C 00 38 | 00 — 01 | SCENE AUX MASTER 1
Valid,Ignore |
:
| 02 0A 00 13 | 20 — 7F | LOCATOR— 00 NAME —12
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0A 00 14 | 00 —
| LOCATOR— 01 (similar to 02 0A 00 00 — 02 0A 00 13)|
:
| 02 0C 00 30 | 00 — 01 | SCENE FX RETURN 1
:
| 02 0D 00 4F | 00 — 02 | AUTOMIX STATUS EFFECT 8
Manual,Write,Read |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0D 00 50 | 00 — 02 | AUTOMIX STATUS MASTER
Manual,Write,Read |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0D 00 51 | 00 — 01 | AUTOMIX WRITING PARAMETER LEVEL
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0D 00 52 | 00 — 01 | AUTOMIX WRITING PARAMETER PAN/Bal
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0D 00 53 | 00 — 01 | AUTOMIX WRITING PARAMETER EQ
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0D 00 54 | 00 — 01 | AUTOMIX WRITING PARAMETER MUTE
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0D 00 55 | 00 — 01 | AUTOMIX WRITING PARAMETER AUX Send
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0D 00 56 | 00 — 01 | AUTOMIX WRITING PARAMETER InsFXLev
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0D 00 57 | 00 — 01 | AUTOMIX WRITING PARAMETER SURROUND
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0D 00 58 | 00 — 01 | AUTOMIX AFTER PUNCH OUT
Return,Keep |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0D 00 59 | 00 — 0A | AUTOMIX RETURN TIME
0,,,10 = 0,,,1000ms |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0E 00 00 | 00 — 01 | SURROUND MIX SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0E 00 01 | 00 — 02 | SURROUND MIX MODE
2+2,3+1,3+2+1 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0F 00 00 | 00 — 01 | GENERATOR SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0F 00 01 | 00 — 01 | GENERATOR SOURCE
|
|
|
|
Pink Noise,White Noise,Sin Wave,METRONOME |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0F 00 02 | 0aaaaaaa| GENERATOR ATT
—420,,,60 = —42.0,,,+6.0dB(*5) |
| 02 0F 00 03#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0F 00 04 | 0aaaaaaa| GENERATOR FREQUENCY
|
| 02 0F 00 05#| 0bbbbbbb|
20,,,140 = 20Hz,,,20.0kHz(*6,7) |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0F 00 06 | 0aaaaaaa| GENERATOR FADER LEVEL
|
| 02 0F 00 07#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0F 00 08 | 01 — 7F | GENERATOR PAN
L63,,,R63 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0F 00 09 | 00 — 01 | GENERATOR MIX SEND SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0F 00 0A | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0F 00 0B | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0F 00 0C | 00 — 01 | GENERATOR AUX1 SEND SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0F 00 0D | 00 — 01 | GENERATOR AUX2 SEND SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0F 00 0E | 00 — 01 | GENERATOR AUX3 SEND SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0F 00 0F | 00 — 01 | GENERATOR AUX4 SEND SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0F 00 10 | 00 — 01 | GENERATOR AUX5 SEND SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0F 00 11 | 00 — 01 | GENERATOR AUX6 SEND SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0F 00 12 | 00 — 01 | GENERATOR AUX7 SEND SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0F 00 13 | 00 — 01 | GENERATOR AUX8 SEND SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0F 00 14 | 0aaaaaaa| GENERATOR AUX1 SEND LEVEL
|
| 02 0F 00 15#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0F 00 16 | 0aaaaaaa| GENERATOR AUX2 SEND LEVEL
|
| 02 0F 00 17#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0F 00 18 | 0aaaaaaa| GENERATOR AUX3 SEND LEVEL
|
| 02 0F 00 19#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0F 00 1A | 0aaaaaaa| GENERATOR AUX4 SEND LEVEL
|
| 02 0F 00 1B#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0F 00 1C | 0aaaaaaa| GENERATOR AUX5 SEND LEVEL
|
| 02 0F 00 1D#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0F 00 1E | 0aaaaaaa| GENERATOR AUX6 SEND LEVEL
|
| 02 0F 00 1F#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0F 00 20 | 0aaaaaaa| GENERATOR AUX7 SEND LEVEL
|
| 02 0F 00 21#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0F 00 22 | 0aaaaaaa| GENERATOR AUX8 SEND LEVEL
|
| 02 0F 00 23#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0F 00 24 | 01 — 7F | GENERATOR AUX1X2 SEND PAN
L63,,,R63 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0F 00 25 | 01 — 7F | GENERATOR AUX3X4 SEND PAN
L63,,,R63 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0F 00 26 | 01 — 7F | GENERATOR AUX5X6 SEND PAN
L63,,,R63 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0F 00 27 | 01 — 7F | GENERATOR AUX7X8 SEND PAN
L63,,,R63 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0F 00 28 | 01 — 7F | (Reserved)
|
:
:
| 02 0F 00 2D | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0F 00 2E | 00 — 01 | GENERATOR DIR1 SELECT SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0F 00 2F | 00 — 01 | GENERATOR DIR2 SELECT SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0F 00 30 | 00 — 01 | GENERATOR DIR3 SELECT SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0F 00 31 | 00 — 01 | GENERATOR DIR4 SELECT SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0F 00 32 | 00 — 01 | GENERATOR DIR5 SELECT SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0F 00 33 | 00 — 01 | GENERATOR DIR6 SELECT SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0F 00 34 | 00 — 01 | GENERATOR DIR7 SELECT SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0F 00 35 | 00 — 01 | GENERATOR DIR8 SELECT SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0F 00 36 | 00 — 7F | ANALYZER SOURCE
|
|
|
|
127,0,,,84 = Off,IN1,,,IN24,TR1,,,TR24,|
|
|
|
FX1 RTN L,,,FX8 RTN R,Gen/Osc,MST L,MST R,|
|
|
|
MON L,MON R,AUX1,,,AUX8,DIR1,,,DIR8 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0F 00 37 | 00 — 01 | ANALYZER POSITION
Pre,Pst |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0F 00 38 | 00 — 7F | ANALYZER AVERAGE TIMES
1,,,128 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 0F 00 39 | 00 — 02 | ANALYZER AVERAGE TYPE
Off,NRM,EXP |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 10 00 00 | 00 — 04 | DATE FORMAT
|
|
|
|
mm/dd/yyyy,dd/mm/yyyy,yyyy/mm/dd,|
|
|
|
MMM.dd,YY,ddMMM'YY|'
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 11 00 00 | 00 — 01 | Phrase Pad Master Switch
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 12 00 00 | 00 — 01 | R—BUS1 REMOTE CONTROL
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 12 00 01 | 00 — 01 | R—BUS1 DIF—AT INPUT SELECT
ADAT,TDIF |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 12 00 02 | 01 — 02 | R—BUS1 DIF—AT INPUT CH 1 STATUS
PLY,REC |
:
:
| 02 12 00 09 | 01 — 02 | R—BUS1 DIF—AT INPUT CH 8 STATUS
PLY,REC |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 12 00 0A | 00 — 02 | R—BUS1 ADA—7000 CLOCK SOURCE
|
|
|
|
INTERNAL,R—BUS,WORD CLOCK |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 12 00 0B | 00 — 03 | R—BUS1 ADA—7000 SAMPLING FREQ
32,44.1,48,96k |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 12 00 0C | 00 — 01 | R—BUS1 ADA—7000 FRONT PANEL CONTROL
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 12 00 0D | 00 — 01 | R—BUS1 ADA—7000 INPUT CH 1 PHANTOM +48V
Off,On |
:
:
| 02 12 00 14 | 00 — 01 | R—BUS1 ADA—7000 INPUT CH 8 PHANTOM +48V
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 12 00 15 | 00 — 44 | R—BUS1 ADA—7000 INPUT CH 1 INPUT SENS
|
|
|
|
+4dBu,,,—64dBu |
:
:
| 02 12 00 1C | 00 — 44 | R—BUS1 ADA—7000 INPUT CH 8 INPUT SENS
|
|
|
|
+4dBu,,,—64dBu |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 12 00 1D | 00 — 02 | R—BUS1 AE—7000 CLOCK SOURCE
|
|
|
|
R—BUS,WORD CLOCK,INPUT—A |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 12 00 1E | 00 — 01 | R—BUS1 AE—7000 DIGITAL OUT TYPE
TYPE2,TYPE1 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 12 00 1F | 00 — 01 | R—BUS1 AE—7000 COPY PROTECT
On,Off |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 12 00 20 | 00 — 03 | R—BUS1 VSR—880 CH 1 STATUS
SRC,PLY,REC,MUT |
:
:
| 02 12 00 27 | 00 — 03 | R—BUS1 VSR—880 CH 8 STATUS
SRC,PLY,REC,MUT |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 12 01 00 | 00 —
| R—BUS2
(similar to 02 12 00 00 — 02 12 00 27)|
:
:
:
| 02 12 01 27 | 00 —
|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 30 00 00 | 00 — 01 | MASTERING ROOM
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 30 00 01 | 00 — 01 | MASTERING STATUS
Play,Rec |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 30 00 02 | 00 — 01 | MASTERING CDR Rec MODE
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 30 00 03 | 00 — 01 | MASTERING Auto Marker
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 30 00 04 | 00 — 0F | MASTERING V.Track
1,,,16 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 02 30 00 05 | 00 — 04 | MASTERING After Rec
to ZERO, |
|
|
|
to Last Phrs:0s, |
|
|
|
to Last Phrs:2s, |
|
|
|
to Last Phrs:4s, |
|
|
|
Stay HERE |
+———————————————————————————————————————————————————————————————————————————+
(*) Addresses with a “#” are ignored, even when sent as the Start Address. Transmit the
Data Set (DT1) or Data Request (RQ1) message with the specified size to the address
without “#” mark.
(*1) Time parameters are set to the relocated time (REL) that the time of project top is
“00h00m00s00f00.”
(*2) The VS-2480/2480CD treats the 16 sample as 1 block for managing internal time. Pay
attention to the expression of the internal time changes respond to the sampling frequency
of each project. And time parameter cannot be set to over 24 hours.
Ex.1) Set the time 00h01m00s00f00(FRAME RATE = 30Non-Drop)
Sampling Frequency is 96kHz:
5760000 sample = 360000 block = 00 00 00 05 07 0E 04 00 (4bit nibble)
Sampling Frequency is 88.2kHz:
5292000 sample = 330750 block = 00 00 00 05 00 0B 0F 0E (4bit nibble)
Sampling Frequency is 64kHz:
3840000 sample = 240000 block = 00 00 00 03 0A 09 08 00 (4bit nibble)
Sampling Frequency is 48kHz:
2880000 sample = 180000 block = 00 00 00 02 0B 0F 02 00 (4bit nibble)
Sampling Frequency is 44.1kHz:
2646000 sample = 165375 block = 00 00 00 02 08 05 0F 0F (4bit nibble)
Sampling Frequency is 32kHz:
1920000 sample = 120000 block = 00 00 00 01 0D 04 0C 00 (4bit nibble)
Ex.2) 23h59m59s29f00(FRAME RATE = 30 Non-Drop)
Sampling Frequency is 96kHz:
8294396800 sample = 518399800 block = 01 0E 0E 06 02 07 03 08 (4bit nibble)
Sampling Frequency is 88.2kHz:
7620477060 sample = 476279816 block = 01 0C 06 03 07 04 00 08 (4bit nibble)
Sampling Frequency is 64kHz:
5529597867 sample = 345599867 block = 01 04 09 09 06 07 07 0B (4bit nibble)
Sampling Frequency is 48kHz:
4147198400 sample = 259199900 block = 00 0F 07 03 01 03 09 0C (4bit nibble)
Sampling Frequency is 44.1kHz:
3810238530 sample = 238139908 block = 00 0E 03 01 0B 0A 00 04 (4bit nibble)
Sampling Frequency is 32kHz:
2764798933 sample = 172799933 block = 00 0A 04 0C 0B 07 0B 0D (4bit nibble)
(*3) The Loop Start point must be before the Loop Stop point. the Auto PUunch In point
must be before the Auto Punch Out point. If the interval of each point is shorter than 1 sec,
the VS-2480/2480CD does not work correctly.
(*4) Read/Write/Erase of the Mark points are done by writing operation mode to the
marker command. Set the value of the Marker time and marker Number, before setting the
value of the Marker command.
Ex.1) Delete all mark points (Device ID = 10)
(HOST) => F0 41 10 00 40 12 02 09 00 00 0F 0F 0F 0F 0F 0F 0F 0F 7D F7 => (VS-2480/2480CD)
(HOST) => F0 41 10 00 40 12 02 09 01 00 02 72 F7
=> (VS-2480/2480CD)
(HOST) <= F0 41 10 00 40 12 02 09 00 00 00 00 00 00 00 00 00 00 75 F7 <= (VS-2480/2480CD)
The MARKER CLEAR command is issued with specifying time “FFFFFFFF.”
The return value “0” is a sum of mark points.
Ex.2) Write the mark point (Device ID = 10)
(HOST) => F0 41 10 00 40 12 02 09 00 00 0a 0a 0a 0a 0a 0a 0a 0a ss F7 => (VS-2480/2480CD)
aaaaaaaa = time of Marker, ss = check sum
(HOST) => F0 41 10 00 40 12 02 09 01 00 01 73 F7
=> (VS-2480/2480CD)
(HOST) <= F0 41 10 00 40 12 02 09 00 00 0n 0n 0n 0n 0n 0n 0n 0n ss F7 <= (VS-2480/2480CD)
nnnnnnnn = total Marker number, ss = check sum
If the total of mark point is over 1000, the VS-2480/2480CD ignores the writing and returns
the total numbers of the mark points.
If the mark point already exists 0.1 msec near the new mark point, the VS-2480/2480CD
ignores the writing and returns the total numbers of the mark points.
Ex.3) Read the mark point #3 (Device ID = 10)
(HOST) => F0 41 10 00 40 12 02 09 00 00 00 00 00 00 00 00 00 03 72 F7
(HOST) => F0 41 10 00 40 12 02 09 01 00 00 74 F7
(HOST) <= F0 41 10 00 40 12 02 09 00 00 0n 0n 0n 0n 0n 0n 0n 0n ss F7
nnnnnnnn = total Marker number, ss = check sum
(HOST) <= F0 41 10 00 40 12 02 09 00 00 0a 0a 0a 0a 0a 0a 0a 0a ss F7
aaaaaaaa = time of Marker #3, ss = check sum
=> (VS-2480/2480CD)
=> (VS-2480/2480CD)
<= (VS-2480/2480CD)
<= (VS-2480/2480CD)
If the mark point is less than 3, the VS-2480/2480CD does not return the block of
“aaaaaaaa.”
Ex.4) Read all mark points (Device ID = 10)
(HOST) => F0 41 10 00 40 12 02 09 00 00 0F 0F 0F 0F 0F 0F 0F 0F
FFFFFFFF(>= 1000) means All Marker
(HOST) => F0 41 10 00 40 12 02 09 01 00 00 74 F7
(HOST) <= F0 41 10 00 40 12 02 09 00 00 0n 0n 0n 0n 0n 0n 0n 0n
nnnnnnnn = total Marker number, ss = check sum
(HOST) <= F0 41 10 00 40 12 02 09 00 00 0a 0a 0a 0a 0a 0a 0a 0a
aaaaaaaa = time of Marker #1, ss = check sum
(HOST) <= F0 41 10 00 40 12 02 09 00 00 0b 0b 0b 0b 0b 0b 0b 0b
bbbbbbbb = time of Marker #2, ss = check sum
:
(HOST) <= F0 41 10 00 40 12 02 09 00 00 0x 0x 0x 0x 0x 0x 0x 0x
xxxxxxxx = time of the last Marker#, ss = check sum
7D F7 => (VS-2480/2480CD)
=> (VS-2480/2480CD)
ss F7 <= (VS-2480/2480CD)
ss F7 <= (VS-2480/2480CD)
ss F7 <= (VS-2480/2480CD)
ss F7 <= (VS-2480/2480CD)
If the mark point does not exist, the VS-2480/2480CD does not return blocks under
“aaaaaaaa.”
Ex.5) Delete the mark point (Device ID = 10)
(HOST) => F0 41 10 00 40 12 02 09 00 00 0a 0a 0a 0a 0a 0a 0a 0a ss F7 => (VS-2480/2480CD)
aaaaaaaa = time of Marker, ss = check sum
(HOST) => F0 41 10 00 40 12 02 09 01 00 02 72 F7
=> (VS-2480/2480CD)
(HOST) <= F0 41 10 00 40 12 02 09 00 00 0n 0n 0n 0n 0n 0n 0n 0n ss F7 <= (VS-2480/2480CD)
nnnnnnnn = total marker number, ss = check sum
The VS-2480/2480CD deletes the mark point which includes specified time, and returns the
total numbers of the mark point.
Ex.6) Read the name of mark point #3 (Device ID = 10)
(HOST) => F0 41 10 00 40 12 02 09 00 00 00 00 00
(HOST) => F0 41 10 00 40 12 02 09 01 00 03 71 F7
(HOST) <= F0 41 10 00 40 12 02 09 00 00 0n 0n 0n
nnnnnnnn = total Marker number, ss =
(HOST) <= F0 41 10 00 40 12 02 09 00 08 aa bb
2480CD)
abcdefghijkl = name of Marker #3, ss
00 00 00 00 03 72 F7 => (VS-2480/2480CD)
=> (VS-2480/2480CD)
0n 0n 0n 0n 0n ss F7 <= (VS-2480/2480CD)
check sum
cc dd ee ff gg hh ii jj kk ll ss F7 <= (VS-2480/
= check sum
If the mark point is less than 3, the VS-2480/2480CD does not return the block of
“abcdefghijkl.”
ó·7) Write the name to the mark point #3(Device ID = 10)
(HOST) => F0 41 10 00 40 12 02 09 00 00 00 00 00
(HOST) => F0 41 10 00 40 12 02 09 00 08 aa bb
2480CD)
abcdefghijkl = name of Marker #3, ss
(HOST) => F0 41 10 00 40 12 02 09 01 00 04 70 F7
(HOST) <= F0 41 10 00 40 12 02 09 00 00 0n 0n 0n
nnnnnnnn = total Marker number, ss =
00 00 00 00 03 72 F7 => (VS-2480/2480CD)
cc dd ee ff gg hh ii jj kk ll ss F7 => (VS-2480/
= check sum
=> (VS-2480/2480CD)
0n 0n 0n 0n 0n ss F7 <= (VS-2480/2480CD)
check sum
If the mark point is less than 3, the VS-2480/2480CD ignores the writing and returns the
total numbers of the mark points.
(*5)GENERATOR SOURCE is “METRONOME” when invalid.
(*6)GENERATOR SOURCE is “Sin Wave” when valid.
(*7)see Mixer Frequency Table of NRPN and Mixer Parameter.
●Project Parameter
+———————————————————————————————————————————————————————————————————————————+
| Start
|
|
|
|
address | Data
|
Contents and remarks
|
|=============+=========+===================================================|
| 03 00 00 00 | 20 — 7F | CURRENT PROJECT NAME —1
(ASCII) |
:
:
:
| 03 00 00 0B | 20 — 7F | CURRENT PROJECT NAME —12
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 03 00 00 0C | 00 — 05 | CURRENT PROJECT SAMPLE RATE
|
|
|
|
96k(3),88.2k(4),64k(5),48k(0),44.1k(1),32k(2) |
|—————————————+—————————+———————————————————————————————————————————————————|
| 03 00 00 0D | 00 — 08 | CURRENT PROJECT RECORDING MODE
M24(8),MTP(5),|
|
|
|
CDR(4),M16(3),MT1(0),MT2(1),LIV(2),LV2(6) |
|—————————————+—————————+———————————————————————————————————————————————————|
| 03 00 00 0E | 00 — 3B | CURRENT PROJECT CREATED
(second) |
| 03 00 00 0F | 00 — 3B |
(minute) |
| 03 00 00 10 | 00 — 17 |
(hour) |
| 03 00 00 11 | 01 — 07 |
(a day of week) |
| 03 00 00 12 | 01 — 1F |
(day) |
| 03 00 00 13 | 01 — 0C |
(month) |
| 03 00 00 14 | 0aaaaaaa|
|
| 03 00 00 15#| 0bbbbbbb|
(year) |
|—————————————+—————————+———————————————————————————————————————————————————|
| 03 00 00 16 | 00 — 3B | CURRENT PROJECT SAVED
(second) |
| 03 00 00 17 | 00 — 3B |
(minute) |
| 03 00 00 18 | 00 — 17 |
(hour) |
| 03 00 00 19 | 01 — 07 |
(a day of week) |
| 03 00 00 1A | 01 — 1F |
(day) |
| 03 00 00 1B | 01 — 0C |
(month) |
| 03 00 00 1C | 0aaaaaaa|
|
| 03 00 00 1D#| 0bbbbbbb|
(year) |
|—————————————+—————————+———————————————————————————————————————————————————|
| 03 00 00 1E | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 03 00 00 1F | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 03 00 00 20 | 00 — 01 | CURRENT PROJECT PROTECT
Off, On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 03 00 00 21 | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 03 00 00 22 | 0000000a| PROJECT LIST LENGTH
abbbbbbb = 1,,,200 |
| 03 00 00 23#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 03 00 00 24 | 00
| (Reserved)
|
:
:
:
| 03 00 00 7F | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 03 00 01 00 | 20 — 7F | CURRENT PROJECT COMMENT — 1
(ASCII)|
:
:
:
| 03 00 01 63 | 20 — 7F | CURRENT PROJECT COMMENT —100
(ASCII)|
|—————————————+—————————+———————————————————————————————————————————————————|
| 03 00 01 64 | 00
| (Reserved)
|
:
:
:
| 03 00 01 7F | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 03 00 02 00 | 00 —
| PROJECT— 1 (similar to 03 00 00 00 — 03 00 00 1F)|
:
:
:
| 03 00 02 1F | 00 —
|
|
|—————————————+—————————+———————————————————————————————————————————————————|
103
MIDI Implementation
MIDI Implementation
MIDI Implementation
:
:
:
| 03 00 33 60 | 00 —
:
:
:
| PROJECT—200 (similar to 03 00 00 00 — 03 00 00 1F)|
| 03 00 33 7F | 00 —
|
|
+———————————————————————————————————————————————————————————————————————————+
(*) Addresses with a “#” are ignored, even when sent as the Start Address. Transmit the
Data Set (DT1) message with the specified size to the address without “#” mark.
(*) Only the Data Set (DT1) message to the project name and project comment is acceptable.
●Mixer Parameter
+———————————————————————————————————————————————————————————————————————————+
| Start
|
|
|
|
address | Data
|
Contents and remarks
|
|=============+=========+===================================================|
| 04 00 00 00 | 0aaaaaaa| INPUT CHANNEL 1 ATT
—420,,,60 = —42.0,,,+6.0dB |
| 04 00 00 01#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 02 | 00 — 01 | INPUT CHANNEL 1 PHASE
NRM,INV |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 03 | 00 — 7F | INPUT CHANNEL 1 GROUP
127,0,,,15 = Off,1,,,16 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 04 | 00 — 01 | INPUT CHANNEL 1 LINK
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 05 | 00 — 01 | INPUT CHANNEL 1 FADER LINK
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 06 | 0aaaaaaa| INPUT CHANNEL 1 FADER LEVEL
|
| 04 00 00 07#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 08 | 0aaaaaaa| INPUT CHANNEL 1 OFFSET FADER LEVEL
|
| 04 00 00 09#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 0A | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 0B | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 0C | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 0D | 01 — 7F | INPUT CHANNEL 1 PAN
L63,,,R63 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 0E | 01 — 7F | INPUT CHANNEL 1 OFFSET PAN
L63,,,R63 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 0F | 00 — 01 | INPUT CHANNEL 1 SOLO
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 10 | 00 — 01 | INPUT CHANNEL 1 MUTE
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 11 | 00 — 7F | INPUT CHANNEL 1 ASSIGN TRACK SELECT
|
|
|
|
127,0,,,23 = Off,Tr1,,,Tr24 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 12 | 00 — 01 | INPUT CHANNEL 1 AUX1 SEND SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 13 | 00 — 01 | INPUT CHANNEL 1 AUX2 SEND SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 14 | 00 — 01 | INPUT CHANNEL 1 AUX3 SEND SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 15 | 00 — 01 | INPUT CHANNEL 1 AUX4 SEND SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 16 | 00 — 01 | INPUT CHANNEL 1 AUX5 SEND SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 17 | 00 — 01 | INPUT CHANNEL 1 AUX6 SEND SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 18 | 00 — 01 | INPUT CHANNEL 1 AUX7 SEND SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 19 | 00 — 01 | INPUT CHANNEL 1 AUX8 SEND SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 1A | 0aaaaaaa| INPUT CHANNEL 1 AUX1 SEND LEVEL
|
| 04 00 00 1B#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 1C | 0aaaaaaa| INPUT CHANNEL 1 AUX2 SEND LEVEL
|
| 04 00 00 1D#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 1E | 0aaaaaaa| INPUT CHANNEL 1 AUX3 SEND LEVEL
|
| 04 00 00 1F#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 20 | 0aaaaaaa| INPUT CHANNEL 1 AUX4 SEND LEVEL
|
| 04 00 00 21#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 22 | 0aaaaaaa| INPUT CHANNEL 1 AUX5 SEND LEVEL
|
| 04 00 00 23#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 24 | 0aaaaaaa| INPUT CHANNEL 1 AUX6 SEND LEVEL
|
| 04 00 00 25#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 26 | 0aaaaaaa| INPUT CHANNEL 1 AUX7 SEND LEVEL
|
| 04 00 00 27#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 28 | 0aaaaaaa| INPUT CHANNEL 1 AUX8 SEND LEVEL
|
| 04 00 00 29#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 2A | 01 — 7F | INPUT CHANNEL 1 AUX1/2 SEND PAN
L63,,,R63 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 2B | 01 — 7F | INPUT CHANNEL 1 AUX3/4 SEND PAN
L63,,,R63 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 2C | 01 — 7F | INPUT CHANNEL 1 AUX5/6 SEND PAN
L63,,,R63 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 2D | 01 — 7F | INPUT CHANNEL 1 AUX7/8 SEND PAN
L63,,,R63 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 2E | 00 — 04 | INPUT CHANNEL 1 FX1 INSERT SWITCH
|
|
|
|
Off,Ins,InsL,InsR,InsS |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 2F | 00 — 04 | INPUT CHANNEL 1 FX2 INSERT SWITCH
|
|
|
|
Off,Ins,InsL,InsR,InsS |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 30 | 00 — 04 | INPUT CHANNEL 1 FX3 INSERT SWITCH
|
|
|
|
Off,Ins,InsL,InsR,InsS |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 31 | 00 — 04 | INPUT CHANNEL 1 FX4 INSERT SWITCH
|
|
|
|
Off,Ins,InsL,InsR,InsS |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 32 | 00 — 04 | INPUT CHANNEL 1 FX5 INSERT SWITCH
|
|
|
|
Off,Ins,InsL,InsR,InsS |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 33 | 00 — 04 | INPUT CHANNEL 1 FX6 INSERT SWITCH
|
|
|
|
Off,Ins,InsL,InsR,InsS |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 34 | 00 — 04 | INPUT CHANNEL 1 FX7 INSERT SWITCH
|
|
|
|
Off,Ins,InsL,InsR,InsS |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 35 | 00 — 04 | INPUT CHANNEL 1 FX8 INSERT SWITCH
|
|
|
|
Off,Ins,InsL,InsR,InsS |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 36 | 0aaaaaaa| INPUT CHANNEL 1 FX1 INSERT SEND LEVEL
|
| 04 00 00 37#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 38 | 0aaaaaaa| INPUT CHANNEL 1 FX2 INSERT SEND LEVEL
|
| 04 00 00 39#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 3A | 0aaaaaaa| INPUT CHANNEL 1 FX3 INSERT SEND LEVEL
|
| 04 00 00 3B#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 3C | 0aaaaaaa| INPUT CHANNEL 1 FX4 INSERT SEND LEVEL
|
| 04 00 00 3D#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 3E | 0aaaaaaa| INPUT CHANNEL 1 FX5 INSERT SEND LEVEL
|
| 04 00 00 3F#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 40 | 0aaaaaaa| INPUT CHANNEL 1 FX6 INSERT SEND LEVEL
|
| 04 00 00 41#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 42 | 0aaaaaaa| INPUT CHANNEL 1 FX7 INSERT SEND LEVEL
|
| 04 00 00 43#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 44 | 0aaaaaaa| INPUT CHANNEL 1 FX8 INSERT SEND LEVEL
|
| 04 00 00 45#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 46 | 0aaaaaaa| INPUT CHANNEL 1 FX1 INSERT RETURN LEVEL
|
| 04 00 00 47#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 48 | 0aaaaaaa| INPUT CHANNEL 1 FX2 INSERT RETURN LEVEL
|
| 04 00 00 49#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 4A | 0aaaaaaa| INPUT CHANNEL 1 FX3 INSERT RETURN LEVEL
|
| 04 00 00 4B#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 4C | 0aaaaaaa| INPUT CHANNEL 1 FX4 INSERT RETURN LEVEL
|
| 04 00 00 4D#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 4E | 0aaaaaaa| INPUT CHANNEL 1 FX5 INSERT RETURN LEVEL
|
| 04 00 00 4F#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 50 | 0aaaaaaa| INPUT CHANNEL 1 FX6 INSERT RETURN LEVEL
|
| 04 00 00 51#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 52 | 0aaaaaaa| INPUT CHANNEL 1 FX7 INSERT RETURN LEVEL
|
| 04 00 00 53#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
104
| 04 00 00 54 | 0aaaaaaa| INPUT CHANNEL 1 FX8 INSERT RETURN LEVEL
|
| 04 00 00 55#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 56 | 01 — 7F | INPUT CHANNEL 1 SURROUND PAN
L63,,,R63 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 57 | 01 — 7F | INPUT CHANNEL 1 SURROUND DEPTH
R63,,,F63 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 58 | 01 — 64 | INPUT CHANNEL 1 SURROUND LRC
0,,,100% |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 59 | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 5A | 0aaaaaaa| INPUT CHANNEL 1 SURROUND SUBWOOFER LEVEL
|
| 04 00 00 5B#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 5C | 00 — 01 | INPUT CHANNEL 1 DYNAMICS SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 5D | 00 — 02 | INPUT CHANNEL 1 DYNAMICSTYPE
CMP,EXP,EXP+CMP |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 5E | 00 — 17 | INPUT CHANNEL 1 DYNAMICS CMP KEYIN
CH1,,,CH24 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 5F | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 60 | 0aaaaaaa| INPUT CHANNEL 1 DYNAMICS CMP THRESHOLD
|
| 04 00 00 61#| 0bbbbbbb|
—240,,,0 = —24.0,,,0.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 62 | 00 — 0D | INPUT CHANNEL 1 DYNAMICS CMP RATIO
|
|
|
|
1.00:1,,,Inf:1(*1) |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 63 | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 64 | 00 — 7C | INPUT CHANNEL 1 DYNAMICS CMP ATTACK
|
|
|
|
0.0,,,800.0ms(*2) |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 65 | 00 — 7C | INPUT CHANNEL 1 DYNAMICS CMP RELEASE
|
|
|
|
0,,,8000ms(*2) |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 66 | 0aaaaaaa| INPUT CHANNEL 1 DYNAMICS CMP LEVEL
|
| 04 00 00 67#| 0bbbbbbb|
—240,,,240 = —24.0,,,+24.0dB |
|
|
|
—240,,,60 = —24.0,,,+6.0dB when AUTO GAIN is On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 68 | 00 — 01 | INPUT CHANNEL 1 DYNAMICS CMP AUTO GAIN
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 69 | 00 — 17 | INPUT CHANNEL 1 DYNAMICS EXP KEYIN
CH1,,,CH24 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 6A | 0aaaaaaa| INPUT CHANNEL 1 DYNAMICS EXP THRESHOLD
|
| 04 00 00 6B#| 0bbbbbbb|
—800,,,0 = —80.0,,,0.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 6C | 00 — 0D | INPUT CHANNEL 1 DYNAMICS EXP RATIO
|
|
|
|
1.00:1,,,Inf:1(*1) |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 6D | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 6E | 00 — 7C | INPUT CHANNEL 1 DYNAMICS EXP ATTACK
|
|
|
|
0.0,,,800.0ms(*2) |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 6F | 00 — 7C | INPUT CHANNEL 1 DYNAMICS EXP RELEASE
|
|
|
|
0,,,8000ms(*2) |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 70 | 00 — 01 | INPUT CHANNEL 1 EQ SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 71 | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 72 | 0aaaaaaa| INPUT CHANNEL 1 EQ LOW GAIN
|
| 04 00 00 73#| 0bbbbbbb|
—150,,,150 = —15.0,,,+15.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 74 | 0aaaaaaa| INPUT CHANNEL 1 EQ LOW FREQUENCY
|
| 04 00 00 75#| 0bbbbbbb|
20,,,88 = 20Hz,,,1.00kHz(*3) |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 76 | 0aaaaaaa| INPUT CHANNEL 1 EQ LOWMID GAIN
|
| 04 00 00 77#| 0bbbbbbb|
—150,,,150 = —15.0,,,+15.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 78 | 0aaaaaaa| INPUT CHANNEL 1 EQ LOWMID FREQUENCY
|
| 04 00 00 79#| 0bbbbbbb|
20,,,140 = 20Hz,,,20.0kHz(*3) |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 7A | 0aaaaaaa| INPUT CHANNEL 1 EQ LOWMID Q
|
| 04 00 00 7B#| 0bbbbbbb|
30,,,96 = 0.36,,,16.0(*4) |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 7C | 0aaaaaaa| INPUT CHANNEL 1 EQ HIGHMID GAIN
|
| 04 00 00 7D#| 0bbbbbbb|
—150,,,150 = —15.0,,,+15.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 00 7E | 0aaaaaaa| INPUT CHANNEL 1 EQ HIGHMID FREQUENCY
|
| 04 00 00 7F#| 0bbbbbbb|
20,,,140 = 20Hz,,,20.0kHz(*3) |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 01 00 | 0aaaaaaa| INPUT CHANNEL 1 EQ HIGHMID Q
|
| 04 00 01 01#| 0bbbbbbb|
30,,,96 = 0.36,,,16.0(*4) |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 01 02 | 0aaaaaaa| INPUT CHANNEL 1 EQ HIGH GAIN
|
| 04 00 01 03#| 0bbbbbbb|
—150,,,150 = —15.0,,,+15.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 01 04 | 0aaaaaaa| INPUT CHANNEL 1 EQ HIGH FREQUENCY
|
| 04 00 01 05#| 0bbbbbbb|
88,,,140 = 1.00kHz,,,20.0kHz(*3) |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 01 06 | 00 — 04 | INPUT CHANNEL 1 EQ FILTER TYPE
|
|
|
|
Off,LPF,HPF,BPF,BEF |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 01 07 | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 01 08 | 0aaaaaaa| INPUT CHANNEL 1 EQ FILTER FREQUENCY
|
| 04 00 01 09#| 0bbbbbbb|
20,,,140 = 20Hz,,,20.0kHz(*3) |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 01 0A | 0aaaaaaa| INPUT CHANNEL 1 EQ FILTER Q
|
| 04 00 01 0B#| 0bbbbbbb|
30,,,96 = 0.36,,,16.0(*4) |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 01 0C | 00 — 7F | INPUT CHANNEL 1 INPUT SELECT
127,0,,,7,8,,,15 |
|
|
| = Off,A.IN1x2,,,A.IN15x16,R—BUS1_1x2,,,R—BUS2_7x8 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 01 0D | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 01 0E | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 01 0F | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 01 10 | 00 — 01 | INPUT CHANNEL 1 MIX SEND SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 01 11 | 00 — 01 | INPUT CHANNEL 1 DIR1 SELECT SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 01 12 | 00 — 01 | INPUT CHANNEL 1 DIR2 SELECT SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 01 13 | 00 — 01 | INPUT CHANNEL 1 DIR3 SELECT SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 01 14 | 00 — 01 | INPUT CHANNEL 1 DIR4 SELECT SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 01 15 | 00 — 01 | INPUT CHANNEL 1 DIR5 SELECT SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 01 16 | 00 — 01 | INPUT CHANNEL 1 DIR6 SELECT SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 01 17 | 00 — 01 | INPUT CHANNEL 1 DIR7 SELECT SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 01 18 | 00 — 01 | INPUT CHANNEL 1 DIR8 SELECT SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 00 01 19 | 00
| (Reserved)
|
:
:
:
| 04 00 7F 7F | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 01 00 00 | 00 —
| INPUT CHANNEL 2
|
|
|
|
(similar to 04 00 00 00 — 04 00 7F 7F) |
:
:
:
| 04 01 7F 7F | 00 —
|
|
|—————————————+—————————+———————————————————————————————————————————————————|
:
:
:
| 04 17 00 00 | 00 —
|
|
:
:
:
| INPUT CHANNEL 24
|
|
(similar to 04 00 00 00 — 04 00 7F 7F) |
| 04 17 7F 7F | 00 —
|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 18 00 00 | 00
| (Reserved)
|
:
:
:
| 04 1F 7F 7F | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 00 | 0aaaaaaa| TRACK CHANNEL 1 ATT
—420,,,60 = —42.0,,,+6.0dB |
| 04 20 00 01#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 02 | 00 — 01 | TRACK CHANNEL 1 PHASE
NRM,INV |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 03 | 00 — 7F | TRACK CHANNEL 1 GROUP
127,0,,,15 = Off,1,,,16 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 04 | 00 — 01 | TRACK CHANNEL 1 LINK
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 05 | 00 — 01 | TRACK CHANNEL 1 FADER LINK
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 06 | 0aaaaaaa| TRACK CHANNEL 1 FADER LEVEL
|
| 04 20 00 07#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 08 | 0aaaaaaa| TRACK CHANNEL 1 OFFSET FADER LEVEL
|
| 04 20 00 09#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 0A | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 0B | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 0C | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 0D | 01 — 7F | TRACK CHANNEL 1 PAN
L63,,,R63 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 0E | 01 — 7F | TRACK CHANNEL 1 OFFSET PAN
L63,,,R63 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 0F | 00 — 01 | TRACK CHANNEL 1 SOLO
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 10 | 00 — 01 | TRACK CHANNEL 1 MUTE
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 11 | 00 — 7F | TRACK CHANNEL 1 ASSIGN TRACK SELECT
|
|
|
|
127,0,,,23 = Off,Tr1,,,Tr24 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 12 | 00 — 01 | TRACK CHANNEL 1 AUX1 SEND SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 13 | 00 — 01 | TRACK CHANNEL 1 AUX2 SEND SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 14 | 00 — 01 | TRACK CHANNEL 1 AUX3 SEND SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 15 | 00 — 01 | TRACK CHANNEL 1 AUX4 SEND SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 16 | 00 — 01 | TRACK CHANNEL 1 AUX5 SEND SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 17 | 00 — 01 | TRACK CHANNEL 1 AUX6 SEND SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 18 | 00 — 01 | TRACK CHANNEL 1 AUX7 SEND SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 19 | 00 — 01 | TRACK CHANNEL 1 AUX8 SEND SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 1A | 0aaaaaaa| TRACK CHANNEL 1 AUX1 SEND LEVEL
|
| 04 20 00 1B#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 1C | 0aaaaaaa| TRACK CHANNEL 1 AUX2 SEND LEVEL
|
| 04 20 00 1D#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 1E | 0aaaaaaa| TRACK CHANNEL 1 AUX3 SEND LEVEL
|
| 04 20 00 1F#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 20 | 0aaaaaaa| TRACK CHANNEL 1 AUX4 SEND LEVEL
|
| 04 20 00 21#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 22 | 0aaaaaaa| TRACK CHANNEL 1 AUX5 SEND LEVEL
|
| 04 20 00 23#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 24 | 0aaaaaaa| TRACK CHANNEL 1 AUX6 SEND LEVEL
|
| 04 20 00 25#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 26 | 0aaaaaaa| TRACK CHANNEL 1 AUX7 SEND LEVEL
|
| 04 20 00 27#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 28 | 0aaaaaaa| TRACK CHANNEL 1 AUX8 SEND LEVEL
|
| 04 20 00 29#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 2A | 01 — 7F | TRACK CHANNEL 1 AUX1/2 SEND PAN
L63,,,R63 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 2B | 01 — 7F | TRACK CHANNEL 1 AUX3/4 SEND PAN
L63,,,R63 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 2C | 01 — 7F | TRACK CHANNEL 1 AUX5/6 SEND PAN
L63,,,R63 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 2D | 01 — 7F | TRACK CHANNEL 1 AUX7/8 SEND PAN
L63,,,R63 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 2E | 00 — 04 | TRACK CHANNEL 1 FX1 INSERT SWITCH
|
|
|
|
Off,Ins,InsL,InsR,InsS |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 2F | 00 — 04 | TRACK CHANNEL 1 FX2 INSERT SWITCH
|
|
|
|
Off,Ins,InsL,InsR,InsS |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 30 | 00 — 04 | TRACK CHANNEL 1 FX3 INSERT SWITCH
|
|
|
|
Off,Ins,InsL,InsR,InsS |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 31 | 00 — 04 | TRACK CHANNEL 1 FX4 INSERT SWITCH
|
|
|
|
Off,Ins,InsL,InsR,InsS |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 32 | 00 — 04 | TRACK CHANNEL 1 FX5 INSERT SWITCH
|
|
|
|
Off,Ins,InsL,InsR,InsS |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 33 | 00 — 04 | TRACK CHANNEL 1 FX6 INSERT SWITCH
|
|
|
|
Off,Ins,InsL,InsR,InsS |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 34 | 00 — 04 | TRACK CHANNEL 1 FX7 INSERT SWITCH
|
|
|
|
Off,Ins,InsL,InsR,InsS |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 35 | 00 — 04 | TRACK CHANNEL 1 FX8 INSERT SWITCH
|
|
|
|
Off,Ins,InsL,InsR,InsS |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 36 | 0aaaaaaa| TRACK CHANNEL 1 FX1 INSERT SEND LEVEL
|
| 04 20 00 37#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 38 | 0aaaaaaa| TRACK CHANNEL 1 FX2 INSERT SEND LEVEL
|
| 04 20 00 39#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 3A | 0aaaaaaa| TRACK CHANNEL 1 FX3 INSERT SEND LEVEL
|
| 04 20 00 3B#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 3C | 0aaaaaaa| TRACK CHANNEL 1 FX4 INSERT SEND LEVEL
|
| 04 20 00 3D#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 3E | 0aaaaaaa| TRACK CHANNEL 1 FX5 INSERT SEND LEVEL
|
| 04 20 00 3F#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 40 | 0aaaaaaa| TRACK CHANNEL 1 FX6 INSERT SEND LEVEL
|
| 04 20 00 41#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 42 | 0aaaaaaa| TRACK CHANNEL 1 FX7 INSERT SEND LEVEL
|
| 04 20 00 43#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 44 | 0aaaaaaa| TRACK CHANNEL 1 FX8 INSERT SEND LEVEL
|
| 04 20 00 45#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 46 | 0aaaaaaa| TRACK CHANNEL 1 FX1 INSERT RETURN LEVEL
|
| 04 20 00 47#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 48 | 0aaaaaaa| TRACK CHANNEL 1 FX2 INSERT RETURN LEVEL
|
| 04 20 00 49#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 4A | 0aaaaaaa| TRACK CHANNEL 1 FX3 INSERT RETURN LEVEL
|
| 04 20 00 4B#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 4C | 0aaaaaaa| TRACK CHANNEL 1 FX4 INSERT RETURN LEVEL
|
| 04 20 00 4D#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 4E | 0aaaaaaa| TRACK CHANNEL 1 FX5 INSERT RETURN LEVEL
|
| 04 20 00 4F#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 50 | 0aaaaaaa| TRACK CHANNEL 1 FX6 INSERT RETURN LEVEL
|
| 04 20 00 51#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 52 | 0aaaaaaa| TRACK CHANNEL 1 FX7 INSERT RETURN LEVEL
|
| 04 20 00 53#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 54 | 0aaaaaaa| TRACK CHANNEL 1 FX8 INSERT RETURN LEVEL
|
| 04 20 00 55#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 56 | 01 — 7F | TRACK CHANNEL 1 SURROUND PAN
L63,,,R63 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 57 | 01 — 7F | TRACK CHANNEL 1 SURROUND DEPTH
R63,,,F63 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 58 | 01 — 64 | TRACK CHANNEL 1 SURROUND LRC
0,,,100% |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 59 | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 5A | 0aaaaaaa| TRACK CHANNEL 1 SURROUND SUBWOOFER LEVEL
|
| 04 20 00 5B#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 5C | 00 — 01 | TRACK CHANNEL 1 DYNAMICS SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 5D | 00 — 02 | TRACK CHANNEL 1 DYNAMICS TYPE
CMP,EXP,EXP+CMP |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 5E | 00 — 17 | TRACK CHANNEL 1 DYNAMICS CMP KEYIN
CH1,,,CH24 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 5F | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 60 | 0aaaaaaa| TRACK CHANNEL 1 DYNAMICS CMP THRESHOLD
|
| 04 20 00 61#| 0bbbbbbb|
—240,,,0 = —24.0,,,0.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 62 | 00 — 0D | TRACK CHANNEL 1 DYNAMICS CMP RATIO
|
|
|
|
1.00:1,,,Inf:1(*1) |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 63 | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 64 | 00 — 7C | TRACK CHANNEL 1 DYNAMICS CMP ATTACK
|
|
|
|
0.0,,,800.0ms(*2) |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 65 | 00 — 7C | TRACK CHANNEL 1 DYNAMICS CMP RELEASE
|
|
|
|
0,,,8000ms(*2) |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 66 | 0aaaaaaa| TRACK CHANNEL 1 DYNAMICS CMP LEVEL
|
| 04 20 00 67#| 0bbbbbbb|
—240,,,240 = —24.0,,,+24.0dB |
|
|
|
—240,,,60 = —24.0,,,+6.0dB when AUTO GAIN is On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 68 | 00 — 01 | TRACK CHANNEL 1 DYNAMICS CMP AUTO GAIN
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 69 | 00 — 17 | TRACK CHANNEL 1 DYNAMICS EXP KEYIN
CH1,,,CH24 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 6A | 0aaaaaaa| TRACK CHANNEL 1 DYNAMICS EXP THRESHOLD
|
| 04 20 00 6B#| 0bbbbbbb|
—800,,,0 = —80.0,,,0.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 6C | 00 — 0D | TRACK CHANNEL 1 DYNAMICS EXP RATIO
|
|
|
|
1.00:1,,,Inf:1(*1) |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 6D | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 6E | 00 — 7C | TRACK CHANNEL 1 DYNAMICS EXP ATTACK
|
|
|
|
0.0,,,800.0ms(*2) |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 6F | 00 — 7C | TRACK CHANNEL 1 DYNAMICS EXP RELEASE
|
|
|
|
0,,,8000ms(*2) |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 70 | 00 — 01 | TRACK CHANNEL 1 EQ SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 71 | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 72 | 0aaaaaaa| TRACK CHANNEL 1 EQ LOW GAIN
|
| 04 20 00 73#| 0bbbbbbb|
—150,,,150 = —15.0,,,+15.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 74 | 0aaaaaaa| TRACK CHANNEL 1 EQ LOW FREQUENCY
|
| 04 20 00 75#| 0bbbbbbb|
20,,,88 = 20Hz,,,1.00kHz(*3) |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 76 | 0aaaaaaa| TRACK CHANNEL 1 EQ LOWMID GAIN
|
| 04 20 00 77#| 0bbbbbbb|
—150,,,150 = —15.0,,,+15.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 78 | 0aaaaaaa| TRACK CHANNEL 1 EQ LOWMID FREQUENCY
|
| 04 20 00 79#| 0bbbbbbb|
20,,,140 = 20Hz,,,20.0kHz(*3) |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 7A | 0aaaaaaa| TRACK CHANNEL 1 EQ LOWMID Q
|
| 04 20 00 7B#| 0bbbbbbb|
30,,,96 = 0.36,,,16.0(*4) |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 7C | 0aaaaaaa| TRACK CHANNEL 1 EQ HIGHMID GAIN
|
| 04 20 00 7D#| 0bbbbbbb|
—150,,,150 = —15.0,,,+15.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 00 7E | 0aaaaaaa| TRACK CHANNEL 1 EQ HIGHMID FREQUENCY
|
| 04 20 00 7F#| 0bbbbbbb|
20,,,140 = 20Hz,,,20.0kHz(*3) |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 01 00 | 0aaaaaaa| TRACK CHANNEL 1 EQ HIGHMID Q
|
| 04 20 01 01#| 0bbbbbbb|
30,,,96 = 0.36,,,16.0(*4) |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 01 02 | 0aaaaaaa| TRACK CHANNEL 1 EQ HIGH GAIN
|
| 04 20 01 03#| 0bbbbbbb|
—150,,,150 = —15.0,,,+15.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 01 04 | 0aaaaaaa| TRACK CHANNEL 1 EQ HIGH FREQUENCY
|
| 04 20 01 05#| 0bbbbbbb|
88,,,140 = 1.00kHz,,,20.0kHz(*3) |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 01 06 | 00 — 04 | TRACK CHANNEL 1 EQ FILTER TYPE
|
|
|
|
Off,LPF,HPF,BPF,BEF |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 01 07 | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 01 08 | 0aaaaaaa| TRACK CHANNEL 1 EQ FILTER FREQUENCY
|
| 04 20 01 09#| 0bbbbbbb|
20,,,140 = 20Hz,,,20.0kHz(*3) |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 01 0A | 0aaaaaaa| TRACK CHANNEL 1 EQ FILTER Q
|
| 04 20 01 0B#| 0bbbbbbb|
30,,,96 = 0.36,,,16.0(*4) |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 01 0C | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 01 0D | 01 — 03 | TRACK STATUS
PLAY,REC,MUTE |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 01 0E | 00 — 0F | V.TRACK SELECT
1,,,16 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 01 0F | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 01 10 | 00 — 01 | TRACK CHANNEL 1 MIX SEND SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 01 11 | 00 — 01 | TRACK CHANNEL 1 DIR1 SELECT SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 01 12 | 00 — 01 | TRACK CHANNEL 1 DIR2 SELECT SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 01 13 | 00 — 01 | TRACK CHANNEL 1 DIR3 SELECT SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 01 14 | 00 — 01 | TRACK CHANNEL 1 DIR4 SELECT SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 01 15 | 00 — 01 | TRACK CHANNEL 1 DIR5 SELECT SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 01 16 | 00 — 01 | TRACK CHANNEL 1 DIR6 SELECT SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 01 17 | 00 — 01 | TRACK CHANNEL 1 DIR7 SELECT SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 01 18 | 00 — 01 | TRACK CHANNEL 1 DIR8 SELECT SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 01 19 | 00 — 01 | TRACK CHANNEL 1 PHRASE PAD SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 01 1A | 00 — 02 | TRACK CHANNEL 1 PHRASE PAD PLAY MODE
|
|
|
|
Gate,Trg,OneS |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 20 01 1B | 00
| (Reserved)
|
:
:
:
| 04 20 7F 7F | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 21 00 00 | 00 —
| TRACK CHANNEL 2
|
|
|
|
(similar to 04 20 00 00 — 04 20 7F 7F) |
:
:
:
| 04 21 7F 7F | 00 —
|
|
|—————————————+—————————+———————————————————————————————————————————————————|
:
:
:
| 04 37 00 00 | 00 —
|
|
:
:
:
| TRACK CHANNEL 24
|
|
(similar to 04 20 00 00 — 04 20 7F 7F) |
| 04 37 7F 7F | 00 —
|
|
|———————————————————————————————————————————————————————————————————————————|
| 04 38 00 00 | 00
| (Reserved)
|
:
:
:
| 04 3F 7F 7F | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 00 00 | 00 — 7F | RETURN CHANNEL 1 INPUT SELECT
|
|
|
|
127,0,,,15 = Off,AUX1,,,DIR8 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 00 01 | 00
| (Reserved)
|
:
:
:
| 04 40 00 03 | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 00 04 | 00 — 7F | RETURN CHANNEL 1 GROUP
127,0,,,15 = Off,1,,,16 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 00 05 | 00 — 01 | RETURN CHANNEL 1 MONO SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 00 06 | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 00 07 | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 00 08 | 0aaaaaaa| RETURN CHANNEL 1 FADER LEVEL
|
| 04 40 00 09#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 00 0A | 00
| (Reserved)
|
:
:
:
| 04 40 00 0C | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 00 0D | 01 — 7F | RETURN CHANNEL 1 BALANCE
L63,,,R63 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 00 0E | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 00 0F | 00 — 01 | RETURN CHANNEL 1 SOLO
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 00 10 | 00 — 01 | RETURN CHANNEL 1 MUTE
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 00 11 | 00 — 7F | RETURN CHANNEL 1 ASSIGN TRACK SELECT
|
|
|
|
127,0,,,23 = Off,Tr1,,,Tr24 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 00 12 | 00 — 01 | RETURN CHANNEL 1 AUX1 SEND SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 00 13 | 00 — 01 | RETURN CHANNEL 1 AUX2 SEND SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 00 14 | 00 — 01 | RETURN CHANNEL 1 AUX3 SEND SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 00 15 | 00 — 01 | RETURN CHANNEL 1 AUX4 SEND SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 00 16 | 00 — 01 | RETURN CHANNEL 1 AUX5 SEND SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 00 17 | 00 — 01 | RETURN CHANNEL 1 AUX6 SEND SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 00 18 | 00 — 01 | RETURN CHANNEL 1 AUX7 SEND SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 00 19 | 00 — 01 | RETURN CHANNEL 1 AUX8 SEND SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 00 1A | 0aaaaaaa| RETURN CHANNEL 1 AUX1 SEND LEVEL
|
| 04 40 00 1B#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
105
MIDI Implementation
MIDI Implementation
MIDI Implementation
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 00 1C | 0aaaaaaa| RETURN CHANNEL 1 AUX2 SEND LEVEL
|
| 04 40 00 1D#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 00 1E | 0aaaaaaa| RETURN CHANNEL 1 AUX3 SEND LEVEL
|
| 04 40 00 1F#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 00 20 | 0aaaaaaa| RETURN CHANNEL 1 AUX4 SEND LEVEL
|
| 04 40 00 21#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 00 22 | 0aaaaaaa| RETURN CHANNEL 1 AUX5 SEND LEVEL
|
| 04 40 00 23#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 00 24 | 0aaaaaaa| RETURN CHANNEL 1 AUX6 SEND LEVEL
|
| 04 40 00 25#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 00 26 | 0aaaaaaa| RETURN CHANNEL 1 AUX7 SEND LEVEL
|
| 04 40 00 27#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 00 28 | 0aaaaaaa| RETURN CHANNEL 1 AUX8 SEND LEVEL
|
| 04 40 00 29#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 00 2A | 01 — 7F | RETURN CHANNEL 1 AUX1/2 SEND PAN
L63,,,R63 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 00 2B | 01 — 7F | RETURN CHANNEL 1 AUX3/4 SEND PAN
L63,,,R63 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 00 2C | 01 — 7F | RETURN CHANNEL 1 AUX5/6 SEND PAN
L63,,,R63 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 00 2D | 01 — 7F | RETURN CHANNEL 1 AUX7/8 SEND PAN
L63,,,R63 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 00 2E | 00
| (Reserved)
|
:
:
:
| 04 40 00 55 | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 00 56 | 01 — 7F | RETURN CHANNEL 1 SURROUND PAN
L63,,,R63 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 00 57 | 01 — 7F | RETURN CHANNEL 1 SURROUND DEPTH
R63,,,F63 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 00 58 | 01 — 64 | RETURN CHANNEL 1 SURROUND LRC
0,,,100% |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 00 59 | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 00 5A | 0aaaaaaa| RETURN CHANNEL 1 SURROUND SUBWOOFER LEVEL
|
| 04 40 00 5B#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 00 5C | 00
| (Reserved)
|
:
:
:
| 04 40 01 0F | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 01 10 | 00 — 01 | RETURN CHANNEL 1 MIX SEND SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 01 11 | 00 — 01 | RETURN CHANNEL 1 DIR1 SELECT SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 01 12 | 00 — 01 | RETURN CHANNEL 1 DIR2 SELECT SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 01 13 | 00 — 01 | RETURN CHANNEL 1 DIR3 SELECT SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 01 14 | 00 — 01 | RETURN CHANNEL 1 DIR4 SELECT SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 01 15 | 00 — 01 | RETURN CHANNEL 1 DIR5 SELECT SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 01 16 | 00 — 01 | RETURN CHANNEL 1 DIR6 SELECT SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 01 17 | 00 — 01 | RETURN CHANNEL 1 DIR7 SELECT SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 01 18 | 00 — 01 | RETURN CHANNEL 1 DIR8 SELECT SWITCH
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 40 01 19 | 00
| (Reserved)
|
:
:
:
| 04 40 7F 7F | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 41 00 00 | 00 —
| RETURN CHANNEL 2
|
|
|
|
(similar to 04 40 00 00 — 04 40 7F 7F) |
:
:
:
| 04 41 7F 7F | 00 —
|
|
|—————————————+—————————+———————————————————————————————————————————————————|
:
:
:
| 04 47 00 00 | 00 —
|
|
:
:
:
| RETURN CHANNEL 8
|
|
(similar to 04 40 00 00 — 04 40 7F 7F) |
| 04 47 7F 7F | 00 —
|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 48 00 00 | 00
| (Reserved)
|
:
:
:
| 04 4F 7F 7F | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 00 | 0aaaaaaa| MASTER LEVEL
|
| 04 50 00 01#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 02 | 01 — 7F | MASTER BALANCE
L63,,,R63 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 03 | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 04 | 0aaaaaaa| MONITOR LEVEL (*5)
|
| 04 50 00 05#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 06 | 01 — 7F | MONITOR BALANCE
L63,,,R63 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 07 | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 08 | 00 — 01 | AUX1 MASTER POSITION
Pre,Pst |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 09 | 00 — 01 | AUX2 MASTER POSITION
Pre,Pst |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 0A | 00 — 01 | AUX3 MASTER POSITION
Pre,Pst |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 0B | 00 — 01 | AUX4 MASTER POSITION
Pre,Pst |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 0C | 00 — 01 | AUX5 MASTER POSITION
Pre,Pst |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 0D | 00 — 01 | AUX6 MASTER POSITION
Pre,Pst |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 0E | 00 — 01 | AUX7 MASTER POSITION
Pre,Pst |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 0F | 00 — 01 | AUX8 MASTER POSITION
Pre,Pst |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 10 | 0aaaaaaa| AUX1 MASTER LEVEL
|
| 04 50 00 11#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 12 | 0aaaaaaa| AUX2 MASTER LEVEL
|
| 04 50 00 13#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 14 | 0aaaaaaa| AUX3 MASTER LEVEL
|
| 04 50 00 15#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 16 | 0aaaaaaa| AUX4 MASTER LEVEL
|
| 04 50 00 17#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 18 | 0aaaaaaa| AUX5 MASTER LEVEL
|
| 04 50 00 19#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 1A | 0aaaaaaa| AUX6 MASTER LEVEL
|
| 04 50 00 1B#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 1C | 0aaaaaaa| AUX7 MASTER LEVEL
|
| 04 50 00 1D#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 1E | 0aaaaaaa| AUX8 MASTER LEVEL
|
| 04 50 00 1F#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 20 | 00 — 01 | AUX1/2 BUS LINK
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 21 | 00 — 01 | AUX3/4 BUS LINK
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 22 | 00 — 01 | AUX5/6 BUS LINK
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 23 | 00 — 01 | AUX7/8 BUS LINK
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 24 | 01 — 7F | AUX1/2 MASTER BALANCE
L63,,,R63 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 25 | 01 — 7F | AUX3/4 MASTER BALANCE
L63,,,R63 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 26 | 01 — 7F | AUX5/6 MASTER BALANCE
L63,,,R63 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 27 | 01 — 7F | AUX7/8 MASTER BALANCE
L63,,,R63 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 28 | 00 — 7F | AUX1 ASSIGN TRACK SELECT
|
|
|
|
127,0,,,23 = Off,Tr1,,,Tr24 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 29 | 00 — 7F | AUX2 ASSIGN TRACK SELECT
|
|
|
|
127,0,,,23 = Off,Tr1,,,Tr24 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 2A | 00 — 7F | AUX3 ASSIGN TRACK SELECT
|
|
|
|
127,0,,,23 = Off,Tr1,,,Tr24 |
106
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 2B | 00 — 7F | AUX4 ASSIGN TRACK SELECT
|
|
|
|
127,0,,,23 = Off,Tr1,,,Tr24 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 2C | 00 — 7F | AUX5 ASSIGN TRACK SELECT
|
|
|
|
127,0,,,23 = Off,Tr1,,,Tr24 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 2D | 00 — 7F | AUX6 ASSIGN TRACK SELECT
|
|
|
|
127,0,,,23 = Off,Tr1,,,Tr24 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 2E | 00 — 7F | AUX7 ASSIGN TRACK SELECT
|
|
|
|
127,0,,,23 = Off,Tr1,,,Tr24 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 2F | 00 — 7F | AUX8 ASSIGN TRACK SELECT
|
|
|
|
127,0,,,23 = Off,Tr1,,,Tr24 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 30 | 00 — 01 | DIR1 MASTER POSITION
Pre,Pst |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 31 | 00 — 01 | DIR2 MASTER POSITION
Pre,Pst |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 32 | 00 — 01 | DIR3 MASTER POSITION
Pre,Pst |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 33 | 00 — 01 | DIR4 MASTER POSITION
Pre,Pst |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 34 | 00 — 01 | DIR5 MASTER POSITION
Pre,Pst |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 35 | 00 — 01 | DIR6 MASTER POSITION
Pre,Pst |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 36 | 00 — 01 | DIR7 MASTER POSITION
Pre,Pst |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 37 | 00 — 01 | DIR8 MASTER POSITION
Pre,Pst |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 38 | 0aaaaaaa| DIR1 MASTER LEVEL
|
| 04 50 00 39#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 3A | 0aaaaaaa| DIR2 MASTER LEVEL
|
| 04 50 00 3B#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 3C | 0aaaaaaa| DIR3 MASTER LEVEL
|
| 04 50 00 3D#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 3E | 0aaaaaaa| DIR4 MASTER LEVEL
|
| 04 50 00 3F#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 40 | 0aaaaaaa| DIR5 MASTER LEVEL
|
| 04 50 00 41#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 42 | 0aaaaaaa| DIR6 MASTER LEVEL
|
| 04 50 00 43#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 44 | 0aaaaaaa| DIR7 MASTER LEVEL
|
| 04 50 00 45#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 46 | 0aaaaaaa| DIR8 MASTER LEVEL
|
| 04 50 00 47#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 48 | 01 — 7F | DIR1/2 MASTER BALANCE
L63,,,R63 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 49 | 01 — 7F | DIR3/4 MASTER BALANCE
L63,,,R63 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 4A | 01 — 7F | DIR5/6 MASTER BALANCE
L63,,,R63 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 4B | 01 — 7F | DIR7/8 MASTER BALANCE
L63,,,R63 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 4C | 00 — 7F | DIR1 ASSIGN TRACK SELECT
|
|
|
|
127,0,,,23 = Off,Tr1,,,Tr24 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 4D | 00 — 7F | DIR2 ASSIGN TRACK SELECT
|
|
|
|
127,0,,,23 = Off,Tr1,,,Tr24 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 4E | 00 — 7F | DIR3 ASSIGN TRACK SELECT
|
|
|
|
127,0,,,23 = Off,Tr1,,,Tr24 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 4F | 00 — 7F | DIR4 ASSIGN TRACK SELECT
|
|
|
|
127,0,,,23 = Off,Tr1,,,Tr24 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 50 | 00 — 7F | DIR5 ASSIGN TRACK SELECT
|
|
|
|
127,0,,,23 = Off,Tr1,,,Tr24 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 51 | 00 — 7F | DIR6 ASSIGN TRACK SELECT
|
|
|
|
127,0,,,23 = Off,Tr1,,,Tr24 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 52 | 00 — 7F | DIR7 ASSIGN TRACK SELECT
|
|
|
|
127,0,,,23 = Off,Tr1,,,Tr24 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 53 | 00 — 7F | DIR8 ASSIGN TRACK SELECT
|
|
|
|
127,0,,,23 = Off,Tr1,,,Tr24 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 54 | 00
| (Reserved)
|
:
:
:
| 04 50 00 57 | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 58 | 00 — 01 | MASTER FX1 INSERT SWITCH
Off,Ins |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 59 | 00 — 01 | MASTER FX2 INSERT SWITCH
Off,Ins |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 5A | 00 — 01 | MASTER FX3 INSERT SWITCH
Off,Ins |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 5B | 00 — 01 | MASTER FX4 INSERT SWITCH
Off,Ins |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 5C | 00 — 01 | MASTER FX5 INSERT SWITCH
Off,Ins |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 5D | 00 — 01 | MASTER FX6 INSERT SWITCH
Off,Ins |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 5E | 00 — 01 | MASTER FX7 INSERT SWITCH
Off,Ins |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 5F | 00 — 01 | MASTER FX8 INSERT SWITCH
Off,Ins |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 60 | 0aaaaaaa| MASTER FX1 INSERT SEND LEVEL
|
| 04 50 00 61#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 62 | 0aaaaaaa| MASTER FX2 INSERT SEND LEVEL
|
| 04 50 00 63#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 64 | 0aaaaaaa| MASTER FX3 INSERT SEND LEVEL
|
| 04 50 00 65#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 66 | 0aaaaaaa| MASTER FX4 INSERT SEND LEVEL
|
| 04 50 00 67#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 68 | 0aaaaaaa| MASTER FX5 INSERT SEND LEVEL
|
| 04 50 00 69#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 6A | 0aaaaaaa| MASTER FX6 INSERT SEND LEVEL
|
| 04 50 00 6B#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 6C | 0aaaaaaa| MASTER FX7 INSERT SEND LEVEL
|
| 04 50 00 6D#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 6E | 0aaaaaaa| MASTER FX8 INSERT SEND LEVEL
|
| 04 50 00 6F#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 70 | 0aaaaaaa| MASTER FX1 INSERT RETURN LEVEL
|
| 04 50 00 71#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 72 | 0aaaaaaa| MASTER FX2 INSERT RETURN LEVEL
|
| 04 50 00 73#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 74 | 0aaaaaaa| MASTER FX3 INSERT RETURN LEVEL
|
| 04 50 00 75#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 76 | 0aaaaaaa| MASTER FX4 INSERT RETURN LEVEL
|
| 04 50 00 77#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 78 | 0aaaaaaa| MASTER FX5 INSERT RETURN LEVEL
|
| 04 50 00 79#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 7A | 0aaaaaaa| MASTER FX6 INSERT RETURN LEVEL
|
| 04 50 00 7B#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 7C | 0aaaaaaa| MASTER FX7 INSERT RETURN LEVEL
|
| 04 50 00 7D#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 00 7E | 0aaaaaaa| MASTER FX8 INSERT RETURN LEVEL
|
| 04 50 00 7F#| 0bbbbbbb|
less than —905,—905,,,60 = —Inf,—90.5,,,+6.0dB |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 00 | 00 — 11 | MONITOR SOURCE
|
|
|
|
MASTER,REC BUS,AUX1,,,AUX8,DIR1,,,DIR8 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 01 | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 02 | 00 — 09 | PHONES1 SOURCE
|
|
|
|
MASTER,MONITOR,AUX1/2,,,AUX7/8,DIR1/2,,,DIR7/8 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 03 | 00 — 09 | PHONES2 SOURCE
|
|
|
|
MASTER,MONITOR,AUX1/2,,,AUX7/8,DIR1/2,,,DIR7/8 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 04 | 00 — 09 | (*6)
|
|
|
|
|
|
|
| A.MULTI 1/2 SOURCE
|
|
|
|
MASTER,MONITOR,AUX1/2,AUX3/4,L/R,Ls/Rs,|
|
|
|
DIR1/2,,,DIR7/8(*7) |
|
|
|
MASTER,MONITOR,AUX1/2,AUX3/4,L/R,C/RC,|
|
|
|
DIR1/2,,,DIR7/8(*8) |
|
|
|
MASTER,MONITOR,AUX1/2,L/R,C/Sub.W,Ls/Rs,|
|
|
|
DIR1/2,,,DIR7/8(*9) |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 05 | 00 — 09 | AUX A SOURCE (*10)
|
|
|
|
MASTER,MONITOR,AUX1/2,,,AUX7/8,DIR1/2,,,DIR7/8 |
|
|
|
|
|
|
| A.MULTI 3/4 SOURCE
|
|
|
|
MASTER,MONITOR,AUX1/2,AUX3/4,L/R,Ls/Rs,|
|
|
|
DIR1/2,,,DIR7/8(*7) |
|
|
|
MASTER,MONITOR,AUX1/2,AUX3/4,L/R,C/RC,|
|
|
|
DIR1/2,,,DIR7/8(*8) |
|
|
|
MASTER,MONITOR,AUX1/2,L/R,C/Sub.W,Ls/Rs,|
|
|
|
DIR1/2,,,DIR7/8(*9) |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 06 | 00 — 09 | AUX B SOURCE (*10)
|
|
|
|
MASTER,MONITOR,AUX1/2,,,AUX7/8,DIR1/2,,,DIR7/8 |
|
|
|
|
|
|
| A.MULTI 5/6 SOURCE
|
|
|
|
MASTER,MONITOR,AUX1/2,AUX3/4,L/R,Ls/Rs,|
|
|
|
DIR1/2,,,DIR7/8(*7) |
|
|
|
MASTER,MONITOR,AUX1/2,AUX3/4,L/R,C/RC,|
|
|
|
DIR1/2,,,DIR7/8(*8) |
|
|
|
MASTER,MONITOR,AUX1/2,L/R,C/Sub.W,Ls/Rs,|
|
|
|
DIR1/2,,,DIR7/8(*9) |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 07 | 00 — 09 | (*6)
|
|
|
|
|
|
|
| A.MULTI 7/8 SOURCE
|
|
|
|
MASTER,MONITOR,AUX1/2,AUX3/4,L/R,Ls/Rs,|
|
|
|
DIR1/2,,,DIR7/8(*7) |
|
|
|
MASTER,MONITOR,AUX1/2,AUX3/4,L/R,C/RC,|
|
|
|
DIR1/2,,,DIR7/8(*8) |
|
|
|
MASTER,MONITOR,AUX1/2,L/R,C/Sub.W,Ls/Rs,|
|
|
|
DIR1/2,,,DIR7/8(*9) |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 08 | 00 — 09 | R—BUS1 1/2 SOURCE
|
|
|
|
MASTER,MONITOR,AUX1/2,,,AUX7/8,DIR1/2,,,DIR7/8 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 09 | 00 — 09 | R—BUS1 3/4 SOURCE
|
|
|
|
MASTER,MONITOR,AUX1/2,,,AUX7/8,DIR1/2,,,DIR7/8 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 0A | 00 — 09 | R—BUS1 5/6 SOURCE
|
|
|
|
MASTER,MONITOR,AUX1/2,,,AUX7/8,DIR1/2,,,DIR7/8 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 0B | 00 — 09 | R—BUS1 7/8 SOURCE
|
|
|
|
MASTER,MONITOR,AUX1/2,,,AUX7/8,DIR1/2,,,DIR7/8 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 0C | 00 — 09 | R—BUS2 1/2 SOURCE
|
|
|
|
MASTER,MONITOR,AUX1/2,,,AUX7/8,DIR1/2,,,DIR7/8 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 0D | 00 — 09 | R—BUS2 3/4 SOURCE
|
|
|
|
MASTER,MONITOR,AUX1/2,,,AUX7/8,DIR1/2,,,DIR7/8 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 0E | 00 — 09 | R—BUS2 5/6 SOURCE
|
|
|
|
MASTER,MONITOR,AUX1/2,,,AUX7/8,DIR1/2,,,DIR7/8 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 0F | 00 — 09 | R—BUS2 7/8 SOURCE
|
|
|
|
MASTER,MONITOR,AUX1/2,,,AUX7/8,DIR1/2,,,DIR7/8 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 10 | 00 — 09 | COAXIAL L/R SOURCE
|
|
|
|
MASTER,MONITOR,AUX1/2,,,AUX7/8,DIR1/2,,,DIR7/8 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 11 | 00 — 09 | OPTICAL L/R SOURCE
|
|
|
|
MASTER,MONITOR,AUX1/2,,,AUX7/8,DIR1/2,,,DIR7/8 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 12 | 00 — 01 | TRACK DIRECT OUT
Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 13 | 00 — 01 | TRACK DIRECT SOURCE
PreFader,PostFader |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 14 | 00 — 0C | TRACK DIRECT OUT PHONES1 SOURCE
(*12) |
|
|
|
TR1/2,,,TR23/24,MONITOR |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 15 | 00 — 0C | TRACK DIRECT OUT PHONES2 SOURCE
(*12) |
|
|
|
TR1/2,,,TR23/24,MONITOR |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 16 | 00 — 0C | TRACK DIRECT OUT A.MULTI 1/2 SOURCE
(*12) |
|
|
|
TR1/2,,,TR23/24,MONITOR |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 17 | 00 — 0C | TRACK DIRECT OUT A.MULTI 3/4 SOURCE
(*12) |
|
|
|
TR1/2,,,TR23/24,MONITOR |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 18 | 00 — 0C | TRACK DIRECT OUT A.MULTI 5/6 SOURCE
(*12) |
|
|
|
TR1/2,,,TR23/24,MONITOR |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 19 | 00 — 0C | TRACK DIRECT OUT A.MULTI 7/8 SOURCE
(*12) |
|
|
|
TR1/2,,,TR23/24,MONITOR |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 1A | 00 — 0C | TRACK DIRECT OUT R—BUS1 1/2 SOURCE
(*12) |
|
|
|
TR1/2,,,TR23/24,MONITOR |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 1B | 00 — 0C | TRACK DIRECT OUT R—BUS1 3/4 SOURCE
(*12) |
|
|
|
TR1/2,,,TR23/24,MONITOR |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 1C | 00 — 0C | TRACK DIRECT OUT R—BUS1 5/6 SOURCE
(*12) |
|
|
|
TR1/2,,,TR23/24,MONITOR |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 1D | 00 — 0C | TRACK DIRECT OUT R—BUS1 7/8 SOURCE
(*12) |
|
|
|
TR1/2,,,TR23/24,MONITOR |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 1E | 00 — 0C | TRACK DIRECT OUT R—BUS1 1/2 SOURCE
(*12) |
|
|
|
TR1/2,,,TR23/24,MONITOR |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 1F | 00 — 0C | TRACK DIRECT OUT R—BUS1 3/4 SOURCE
(*12) |
|
|
|
TR1/2,,,TR23/24,MONITOR |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 20 | 00 — 0C | TRACK DIRECT OUT R—BUS1 5/6 SOURCE
(*12) |
|
|
|
TR1/2,,,TR23/24,MONITOR |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 21 | 00 — 0C | TRACK DIRECT OUT R—BUS1 7/8 SOURCE
(*12) |
|
|
|
TR1/2,,,TR23/24,MONITOR |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 22 | 00 — 0C | TRACK DIRECT OUT COAXIAL L/R SOURCE
(*12) |
|
|
|
TR1/2,,,TR23/24,MONITOR |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 23 | 00 — 0C | TRACK DIRECT OUT OPTICAL L/R SOURCE
(*12) |
|
|
|
TR1/2,,,TR23/24,MONITOR |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 24 | 0aaaaaaa| REC BUS MIX ATT
—42.0,,,+0.0dB(—420,,,0) |
| 04 50 01 25#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
(*) Addresses with a “#” are ignored, even when sent as the Start Address. Transmit the
Data Set (DT1) or Data Request (RQ1) message with the specified size to the address
without “#” mark.
(*1) Dynamics Ratio Table
+——————+————————+
| Data | RATIO |
+——————+————————+
|
0 | 1.00:1 |
|
1 | 1.12:1 |
|
2 | 1.25:1 |
|
3 | 1.40:1 |
|
4 | 1.60:1 |
|
5 | 1.80:1 |
|
6 | 2.00:1 |
|
7 | 2.50:1 |
|
8 | 3.20:1 |
|
9 | 4.00:1 |
|
10 | 5.60:1 |
|
11 | 8.00:1 |
|
12 | 16.0:1 |
|
13 | Inf:1 |
+——————+————————+
(*2) Dynamics Attack/Release time Table
+——————+———————+———————++——————+———————+———————++——————+———————+———————++——————+———————+———————+
| Data |Atk(ms)|Rel(ms)|| Data |Atk(ms)|Rel(ms)|| Data |Atk(ms)|Rel(ms)|| Data |Atk(ms)|Rel(ms)|
+——————+———————+———————++——————+———————+———————++——————+———————+———————++——————+———————+———————+
|
0 |
0.0 |
0 ||
32 |
4.0 |
40 ||
64 | 25.0 |
250 ||
96 | 160.0 | 1600 |
|
1 |
0.1 |
1 ||
33 |
4.2 |
42 ||
65 | 26.6 |
266 ||
97 | 170.0 | 1700 |
|
2 |
0.2 |
2 ||
34 |
4.5 |
45 ||
66 | 28.0 |
280 ||
98 | 180.0 | 1800 |
|
3 |
0.3 |
3 ||
35 |
4.7 |
47 ||
67 | 30.0 |
300 ||
99 | 190.0 | 1900 |
|
4 |
0.4 |
4 ||
36 |
5.0 |
50 ||
68 | 31.5 |
315 || 100 | 200.0 | 2000 |
|
5 |
0.5 |
5 ||
37 |
5.3 |
53 ||
69 | 33.5 |
335 || 101 | 210.0 | 2100 |
|
6 |
0.6 |
6 ||
38 |
5.6 |
56 ||
70 | 35.5 |
355 || 102 | 224.0 | 2240 |
|
7 |
0.7 |
7 ||
39 |
6.0 |
60 ||
71 | 37.6 |
376 || 103 | 237.0 | 2370 |
|
8 |
0.8 |
8 ||
40 |
6.3 |
63 ||
72 | 40.0 |
400 || 104 | 250.0 | 2500 |
|
9 |
0.9 |
9 ||
41 |
6.7 |
67 ||
73 | 42.2 |
422 || 105 | 266.0 | 2660 |
|
10 |
1.0 |
10 ||
42 |
7.1 |
71 ||
74 | 45.0 |
450 || 106 | 280.0 | 2800 |
|
11 |
1.1 |
11 ||
43 |
7.5 |
75 ||
75 | 47.3 |
473 || 107 | 300.0 | 3000 |
|
12 |
1.2 |
12 ||
44 |
8.0 |
80 ||
76 | 50.0 |
500 || 108 | 315.0 | 3150 |
|
13 |
1.3 |
13 ||
45 |
8.4 |
84 ||
77 | 53.0 |
530 || 109 | 335.0 | 3350 |
|
14 |
1.4 |
14 ||
46 |
9.0 |
90 ||
78 | 56.0 |
560 || 110 | 355.0 | 3550 |
|
15 |
1.5 |
15 ||
47 |
9.4 |
94 ||
79 | 60.0 |
600 || 111 | 376.0 | 3760 |
|
16 |
1.6 |
16 ||
48 | 10.0 |
100 ||
80 | 63.0 |
630 || 112 | 400.0 | 4000 |
|
17 |
1.7 |
17 ||
49 | 10.6 |
106 ||
81 | 67.0 |
670 || 113 | 422.0 | 4220 |
|
18 |
1.8 |
18 ||
50 | 11.2 |
112 ||
82 | 71.0 |
710 || 114 | 450.0 | 4500 |
|
19 |
1.9 |
19 ||
51 | 12.0 |
120 ||
83 | 75.0 |
750 || 115 | 473.0 | 4730 |
|
20 |
2.0 |
20 ||
52 | 12.5 |
125 ||
84 | 80.0 |
800 || 116 | 500.0 | 5000 |
|
21 |
2.1 |
21 ||
53 | 13.3 |
133 ||
85 | 84.0 |
840 || 117 | 530.0 | 5300 |
|
22 |
2.2 |
22 ||
54 | 14.0 |
140 ||
86 | 90.0 |
900 || 118 | 560.0 | 5600 |
|
23 |
2.4 |
24 ||
55 | 15.0 |
150 ||
87 | 94.4 |
944 || 119 | 600.0 | 6000 |
|
24 |
2.5 |
25 ||
56 | 16.0 |
160 ||
88 | 100.0 | 1000 || 120 | 630.0 | 6300 |
|
25 |
2.7 |
27 ||
57 | 17.0 |
170 ||
89 | 106.0 | 1060 || 121 | 670.0 | 6700 |
|
26 |
2.8 |
28 ||
58 | 18.0 |
180 ||
90 | 112.0 | 1120 || 122 | 710.0 | 7100 |
|
27 |
3.0 |
30 ||
59 | 19.0 |
190 ||
91 | 120.0 | 1200 || 123 | 750.0 | 7500 |
|
28 |
3.2 |
32 ||
60 | 20.0 |
200 ||
92 | 125.0 | 1250 || 124 | 800.0 | 8000 |
|
29 |
3.3 |
33 ||
61 | 21.0 |
210 ||
93 | 133.0 | 1330 |+——————+———————+———————+
|
30 |
3.6 |
36 ||
62 | 22.4 |
224 ||
94 | 140.0 | 1400 |
|
31 |
3.8 |
38 ||
63 | 23.7 |
237 ||
95 | 150.0 | 1500 |
+——————+———————+———————++——————+———————+———————++——————+———————+———————+
(*3)See Mixer Frequency Table of NRPN and Mixer Parameter.
(*4)See Mixer Q Table of NRPN and Mixer Parameter.
(*5)This is read-only. Settings can only be made from the panel.
(*6)This is disabled when SURROUND MIX SWITCH is set to “Off.”
(*7)This is enabled when SURROUND MIX SWITCH is set to “On” and SURROUND MIX
MODE is set to “2+2.”
(*8)This is enabled when SURROUND MIX SWITCH is set to “On” and SURROUND MIX
MODE is set to “3+1.”
(*9)This is enabled when SURROUND MIX SWITCH is set to “On” and SURROUND MIX
MODE is set to “3+2+1.”
(*10)This is enabled when SURROUND MIX SWITCH is set to “Off.”
(*12)This is enabled when TRACK DIRECT OUT is set to “On.”
●Effect Parameter
❍Basic Address
+———————————————————————————————————————————————————————————————————————————+
| Start
|
|
| address
|
Contents and remarks
|
|=============+=========+===================================================|
| 05 00 00 00 | 0aaaaaaa| EFFECTOR — 1 Algorithm
aaaaaaabbbbbbb =
|
| 05 00 00 01#| 0bbbbbbb| ( 0:Reverb
*1)
|
|
|
|
1:Delay
|
|
|
|
2:Stereo Delay Chorus
|
|
|
|
3:Stereo Pitch Shifter Delay
|
|
|
|
4:Vocoder
|
|
|
|
5:2ch RSS
|
|
|
|
6:Delay RSS
|
|
|
|
7:Chorus RSS
|
|
|
|
8:Guitar Multi 1
|
|
|
|
9:Guitar Multi 2
|
|
|
| 10:Guitar Multi 3
|
|
|
| 11:Vocal Multi
|
|
|
| 12:Rotary
|
|
|
| 13:Guitar Amp Modeling
|
|
|
| 14:Stereo Phaser
|
|
|
| 15:Stereo Flanger
|
|
|
| 16:Dual Comp/Limiter
|
|
|
| (17:Gate Reverb
*1)
|
|
|
| 18:Multi Tap Delay
|
|
|
| 19:Stereo Multi
|
|
|
| 20:Reverb 2
|
|
|
| 21:Space Chorus
|
|
|
| 22:Lo—Fi Processor
|
|
|
| 23:4Band Parametric Equalizer
|
|
|
| 24:10Band Graphic Equalizer
|
|
|
| 25:Hum Canceler
|
|
|
| 26:Vocal Canceler
|
|
|
| (27:Voice Transformer
*1,*2)
|
|
|
| (28:Vocoder 2
*1,*2)
|
|
|
| 29:Mic Modeling
|
|
|
| 30:3Band Isolator
|
|
|
| 31:Tape Echo 201
|
|
|
| 32:Analog Flanger
|
|
|
| 33:Analog Phaser
|
|
|
| 34:Speaker Modeling
|
|
|
| (35:Mastering Tool Kit
*1,*2)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 02 | 20 — 7F | EFFECTOR — 1 Name —1
(ASCII) |
:
:
:
| 05 00 00 0D | 20 — 7F | EFFECTOR — 1 Name —12
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 0E | 00 — 7F | EFFECTOR — 1 Parameter Area (See Below)
|
:
:
:
| 05 00 7F 7F | 00 — 7F |
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 01 00 00 | 00 —
| EFFECTOR — 2
|
|
|
|
(similar to 05 00 00 00 — 05 00 7F 7F) |
:
:
:
| 05 01 7F 7F | 00 —
|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 02 00 00 | 00 —
| EFFECTOR — 3
|
|
|
|
(similar to 05 00 00 00 — 05 00 7F 7F) |
:
:
:
| 05 02 7F 7F | 00 —
|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 03 00 00 | 00 —
| EFFECTOR — 4
|
|
|
|
(similar to 05 00 00 00 — 05 00 7F 7F) |
:
:
:
| 05 03 7F 7F | 00 —
|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 04 00 00 | 00 —
| EFFECTOR — 5
|
|
|
|
(similar to 05 00 00 00 — 05 00 7F 7F) |
:
:
:
| 05 04 7F 7F | 00 —
|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 05 00 00 | 00 —
| EFFECTOR — 6
|
|
|
|
(similar to 05 00 00 00 — 05 00 7F 7F) |
:
:
:
| 05 05 7F 7F | 00 —
|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 06 00 00 | 00 —
| EFFECTOR — 7
|
|
|
|
(similar to 05 00 00 00 — 05 00 7F 7F) |
:
:
:
| 05 06 7F 7F | 00 —
|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 07 00 00 | 00 —
| EFFECTOR — 8
|
|
|
|
(similar to 05 00 00 00 — 05 00 7F 7F) |
:
:
:
| 05 07 7F 7F | 00 —
|
|
+———————————————————————————————————————————————————————————————————————————+
(*1) Cannot select “0:Reverb,” “17:Gate Reverb,” “27:Voice Transformer,”28:Vocoder2,” or
“35:Mastering Tool Kit” on Effect 2,4,6, and 8.
(*2) If “27:Voice Transformer,” “28:Vocoder2,” or “35:Mastering Tool Kit” is selected at
Effect 1,3,5, or 7, Effect 2,4,6, or 8 is invalid.
* A meaning of the parameter area changes correspond with the top of parameter of Effect
Algorithm. See the following tables. The address shows at Effect 1.
* If select the different Algorithm type from current one, all parameters will be copied from
the preset patch data which selected Algorithm
107
MIDI Implementation
MIDI Implementation
MIDI Implementation
❍Algorithm 0 Reverb (FX1,FX3,FX5,FX7)
❍Algorithm 2 Stereo Delay Chorus
+———————————————————————————————————————————————————————————————————————————+
| 05 00 00 0E | 0aaaaaaa| EQ SW
|
| 05 00 00 0F#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 10 | 0aaaaaaa| EQ: Low EQ Type
|
| 05 00 00 11#| 0bbbbbbb|
0,1 = Shelving, Peaking|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 12 | 0aaaaaaa| EQ: Low EQ Gain
|
| 05 00 00 13#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 14 | 0aaaaaaa| EQ: Low EQ Frequency
|
| 05 00 00 15#| 0bbbbbbb|
2,,,200 = 20,,,2000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 16 | 0aaaaaaa| EQ: Low EQ Q
|
| 05 00 00 17#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 18 | 0aaaaaaa| EQ: Mid EQ Gain
|
| 05 00 00 19#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1A | 0aaaaaaa| EQ: Mid EQ Frequency
|
| 05 00 00 1B#| 0bbbbbbb|
20,,,800 = 200,,,8000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1C | 0aaaaaaa| EQ: Mid EQ Q
|
| 05 00 00 1D#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1E | 0aaaaaaa| EQ: High EQ Type
|
| 05 00 00 1F#| 0bbbbbbb|
0,1 = Shelving, Peaking|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 20 | 0aaaaaaa| EQ: High EQ Gain
|
| 05 00 00 21#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 22 | 0aaaaaaa| EQ: High EQ Frequency
|
| 05 00 00 23#| 0bbbbbbb|
14,,,200 = 1.4,,,20.0kHz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 24 | 0aaaaaaa| EQ: High EQ Q
|
| 05 00 00 25#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 26 | 0aaaaaaa| EQ: Out Level
|
| 05 00 00 27#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 28 | 0aaaaaaa| Reverb: Room Size
|
| 05 00 00 29#| 0bbbbbbb|
5,,,40m|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2A | 0aaaaaaa| Reverb: Reverb Time
|
| 05 00 00 2B#| 0bbbbbbb|
1,,,320 = 0.1,,,32.0s|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2C | 0aaaaaaa| Reverb: Pre Delay
|
| 05 00 00 2D#| 0bbbbbbb|
0,,,200 = 0,,,200ms|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2E | 0aaaaaaa| Reverb: Diffusion
|
| 05 00 00 2F#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 30 | 0aaaaaaa| Reverb: Density
|
| 05 00 00 31#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 32 | 0aaaaaaa| Reverb: Early Reflection Level
|
| 05 00 00 33#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 34 | 0aaaaaaa| Reverb: LF Damp Frequency
|
| 05 00 00 35#| 0bbbbbbb|
5,,,400 = 50,,,4000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 36 | 0aaaaaaa| Reverb: LF Damp Gain
|
| 05 00 00 37#| 0bbbbbbb|
—36,,,0dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 38 | 0aaaaaaa| Reverb: HF Damp Frequency
|
| 05 00 00 39#| 0bbbbbbb|
10,,,200 = 1.0,,,20.0kHz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3A | 0aaaaaaa| Reverb: HF Damp Gain
|
| 05 00 00 3B#| 0bbbbbbb|
—36,,,0dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3C | 0aaaaaaa| Reverb: HI Cut Frequency
|
| 05 00 00 3D#| 0bbbbbbb|
2,,,200 = 0.2,,,20.0kHz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3E | 0aaaaaaa| Reverb: Effect Level
|
| 05 00 00 3F#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 40 | 0aaaaaaa| Reverb: Direct Level
|
| 05 00 00 41#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 42 | 00
| (Reserved)
|
+———————————————————————————————————————————————————————————————————————————+
| 05 00 00 0E | 0aaaaaaa| Delay SW
|
| 05 00 00 0F#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 10 | 0aaaaaaa| Chorus SW
|
| 05 00 00 11#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 12 | 0aaaaaaa| EQ SW
|
| 05 00 00 13#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 14 | 0aaaaaaa| Delay: Delay Time
|
| 05 00 00 15#| 0bbbbbbb|
0,,,500ms|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 16 | 0aaaaaaa| Delay: Shift
|
| 05 00 00 17#| 0bbbbbbb|
—500,,,500 = L500,,,R500ms|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 18 | 0aaaaaaa| Delay: Lch Feedback Level
|
| 05 00 00 19#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1A | 0aaaaaaa| Delay: Rch Feedback Level
|
| 05 00 00 1B#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1C | 0aaaaaaa| Delay: Lch Cross Feedback Level
|
| 05 00 00 1D#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1E | 0aaaaaaa| Delay: Rch Cross Feedback Level
|
| 05 00 00 1F#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 20 | 0aaaaaaa| Delay: Effect Level
|
| 05 00 00 21#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 22 | 0aaaaaaa| Delay: Direct Level
|
| 05 00 00 23#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 24 | 0aaaaaaa| Chorus: Rate
|
| 05 00 00 25#| 0bbbbbbb|
1,,,100 = 0.1,,,10.0Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 26 | 0aaaaaaa| Chorus: Depth
|
| 05 00 00 27#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 28 | 0aaaaaaa| Chorus: Pre Delay
|
| 05 00 00 29#| 0bbbbbbb|
0,,,50ms|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2A | 0aaaaaaa| Chorus: Effect Level
|
| 05 00 00 2B#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2C | 0aaaaaaa| Chorus: Direct Level
|
| 05 00 00 2D#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2E | 0aaaaaaa| Chorus: Lch Feedback Level
|
| 05 00 00 2F#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 30 | 0aaaaaaa| Chorus: Rch Feedback Level
|
| 05 00 00 31#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 32 | 0aaaaaaa| Chorus: Lch Cross Feedback Level
|
| 05 00 00 33#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 34 | 0aaaaaaa| Chorus: Rch Cross Feedback Level
|
| 05 00 00 35#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 36 | 0aaaaaaa| EQ: Low EQ Type
|
| 05 00 00 37#| 0bbbbbbb|
0,1 = Shelving, Peaking|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 38 | 0aaaaaaa| EQ: Low EQ Gain
|
| 05 00 00 39#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3A | 0aaaaaaa| EQ: Low EQ Frequency
|
| 05 00 00 3B#| 0bbbbbbb|
2,,,200 = 20,,,2000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3C | 0aaaaaaa| EQ: Low EQ Q
|
| 05 00 00 3D#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3E | 0aaaaaaa| EQ: Mid EQ Gain
|
| 05 00 00 3F#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 40 | 0aaaaaaa| EQ: Mid EQ Frequency
|
| 05 00 00 41#| 0bbbbbbb|
20,,,800 = 200,,,8000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 42 | 0aaaaaaa| EQ: Mid EQ Q
|
| 05 00 00 43#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 44 | 0aaaaaaa| EQ: High EQ Type
|
| 05 00 00 45#| 0bbbbbbb|
0,1 = Shelving, Peaking|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 46 | 0aaaaaaa| EQ: High EQ Gain
|
| 05 00 00 47#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 48 | 0aaaaaaa| EQ: High EQ Frequency
|
| 05 00 00 49#| 0bbbbbbb|
14,,,200 = 1.4,,,20.0kHz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 4A | 0aaaaaaa| EQ: High EQ Q
|
| 05 00 00 4B#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 4C | 0aaaaaaa| EQ: Out Level
|
| 05 00 00 4D#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 4E | 00
| (Reserved)
|
:
:
| 05 00 7F 7F | 00
|
|
+———————————————————————————————————————————————————————————————————————————+
❍Algorithm 1 Delay
+———————————————————————————————————————————————————————————————————————————+
| 05 00 00 0E | 0aaaaaaa| Delay SW
|
| 05 00 00 0F#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 10 | 0aaaaaaa| EQ SW
|
| 05 00 00 11#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 12 | 0aaaaaaa| Delay: Delay Time
|
| 05 00 00 13#| 0bbbbbbb|
0,,,1200ms|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 14 | 0aaaaaaa| Delay: Shift
|
| 05 00 00 15#| 0bbbbbbb|
—1200,,,1200 = L1200,,,R1200ms|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 16 | 0aaaaaaa| Delay: Lch Feedback Level
|
| 05 00 00 17#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 18 | 0aaaaaaa| Delay: Rch Feedback Level
|
| 05 00 00 19#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1A | 0aaaaaaa| Delay: Lch Level
|
| 05 00 00 1B#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1C | 0aaaaaaa| Delay: Rch Level
|
| 05 00 00 1D#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1E | 0aaaaaaa| Delay: LF Damp Frequency
|
| 05 00 00 1F#| 0bbbbbbb|
5,,,400 = 50,,,4000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 20 | 0aaaaaaa| Delay: LF Damp Gain
|
| 05 00 00 21#| 0bbbbbbb|
—36,,,0dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 22 | 0aaaaaaa| Delay: HF Damp Frequency
|
| 05 00 00 23#| 0bbbbbbb|
10,,,200 = 1.0,,,20.0kHz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 24 | 0aaaaaaa| Delay: HF Damp Gain
|
| 05 00 00 25#| 0bbbbbbb|
—36,,,0dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 26 | 0aaaaaaa| Delay: Direct Level
|
| 05 00 00 27#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 28 | 0aaaaaaa| EQ: Low EQ Type
|
| 05 00 00 29#| 0bbbbbbb|
0,1 = Shelving, Peaking|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2A | 0aaaaaaa| EQ: Low EQ Gain
|
| 05 00 00 2B#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2C | 0aaaaaaa| EQ: Low EQ Frequency
|
| 05 00 00 2D#| 0bbbbbbb|
2,,,200 = 20,,,2000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2E | 0aaaaaaa| EQ: Low EQ Q
|
| 05 00 00 2F#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 30 | 0aaaaaaa| EQ: Mid EQ Gain
|
| 05 00 00 31#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 32 | 0aaaaaaa| EQ: Mid EQ Frequency
|
| 05 00 00 33#| 0bbbbbbb|
20,,,800 = 200,,,8000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 34 | 0aaaaaaa| EQ: Mid EQ Q
|
| 05 00 00 35#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 36 | 0aaaaaaa| EQ: High EQ Type
|
| 05 00 00 37#| 0bbbbbbb|
0,1 = Shelving, Peaking|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 38 | 0aaaaaaa| EQ: High EQ Gain
|
| 05 00 00 39#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3A | 0aaaaaaa| EQ: High EQ Frequency
|
| 05 00 00 3B#| 0bbbbbbb|
14,,,200 = 1.4,,,20.0kHz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3C | 0aaaaaaa| EQ: High EQ Q
|
| 05 00 00 3D#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3E | 0aaaaaaa| EQ: Out Level
|
| 05 00 00 3F#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 40 | 00
| (Reserved)
|
:
:
| 05 00 7F 7F | 00
|
|
+———————————————————————————————————————————————————————————————————————————+
* (Delay Time) + (Absolute Shift) should be 1200 or less.
108
:
:
| 05 00 7F 7F | 00
|
|
+———————————————————————————————————————————————————————————————————————————+
* (Delay Time) + (Absolute Shift) should be 500 or less.
❍Algorithm 3 Stereo Pitch Shifter Delay
+———————————————————————————————————————————————————————————————————————————+
| 05 00 00 0E | 0aaaaaaa| P.ShifterDelay SW
|
| 05 00 00 0F#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 10 | 0aaaaaaa| EQ SW
|
| 05 00 00 11#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 12 | 0aaaaaaa| P.ShifterDelay: Lch Chromatic Pitch
|
| 05 00 00 13#| 0bbbbbbb|
—12,,,12|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 14 | 0aaaaaaa| P.ShifterDelay: Lch Fine Pitch
|
| 05 00 00 15#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 16 | 0aaaaaaa| P.ShifterDelay: Lch Pre Delay
|
| 05 00 00 17#| 0bbbbbbb|
0,,,50ms|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 18 | 0aaaaaaa| P.ShifterDelay: Lch Feedback Delay Time
|
| 05 00 00 19#| 0bbbbbbb|
0,,,500ms|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1A | 0aaaaaaa| P.ShifterDelay: Lch Feedback Level
|
| 05 00 00 1B#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1C | 0aaaaaaa| P.ShifterDelay: Lch Cross Feedback Level
|
| 05 00 00 1D#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1E | 0aaaaaaa| P.ShifterDelay: Rch Chromatic Pitch
|
| 05 00 00 1F#| 0bbbbbbb|
—12,,,12|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 20 | 0aaaaaaa| P.ShifterDelay: Rch Fine Pitch
|
| 05 00 00 21#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 22 | 0aaaaaaa| P.ShifterDelay: Rch Pre Delay
|
| 05 00 00 23#| 0bbbbbbb|
0,,,50ms|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 24 | 0aaaaaaa| P.ShifterDelay: Rch Feedback Delay Time
|
| 05 00 00 25#| 0bbbbbbb|
0,,,500ms|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 26 | 0aaaaaaa| P.ShifterDelay: Rch Feedback Level
|
| 05 00 00 27#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 28 | 0aaaaaaa| P.ShifterDelay: Rch Cross Feedback Level
|
| 05 00 00 29#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2A | 0aaaaaaa| P.ShifterDelay: Effect Level
|
| 05 00 00 2B#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2C | 0aaaaaaa| P.ShifterDelay: Direct Level
|
| 05 00 00 2D#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2E | 0aaaaaaa| EQ: Low EQ Type
|
| 05 00 00 2F#| 0bbbbbbb|
0,1 = Shelving, Peaking|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 30 | 0aaaaaaa| EQ: Low EQ Gain
|
| 05 00 00 31#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 32 | 0aaaaaaa| EQ: Low EQ Frequency
|
| 05 00 00 33#| 0bbbbbbb|
2,,,200 = 20,,,2000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 34 | 0aaaaaaa| EQ: Low EQ Q
|
| 05 00 00 35#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 36 | 0aaaaaaa| EQ: Mid EQ Gain
|
| 05 00 00 37#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 38 | 0aaaaaaa| EQ: Mid EQ Frequency
|
| 05 00 00 39#| 0bbbbbbb|
20,,,800 = 200,,,8000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3A | 0aaaaaaa| EQ: Mid EQ Q
|
| 05 00 00 3B#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3C | 0aaaaaaa| EQ: High EQ Type
|
| 05 00 00 3D#| 0bbbbbbb|
0,1 = Shelving, Peaking|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3E | 0aaaaaaa| EQ: High EQ Gain
|
| 05 00 00 3F#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 40 | 0aaaaaaa| EQ: High EQ Frequency
|
| 05 00 00 41#| 0bbbbbbb|
14,,,200 = 1.4,,,20.0kHz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 42 | 0aaaaaaa| EQ: High EQ Q
|
| 05 00 00 43#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 44 | 0aaaaaaa| EQ: Out Level
|
| 05 00 00 45#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 46 | 00
| (Reserved)
|
:
:
| 05 00 7F 7F | 00
|
|
+———————————————————————————————————————————————————————————————————————————+
❍Algorithm 4 Vocoder
+———————————————————————————————————————————————————————————————————————————+
| 05 00 00 0E | 0aaaaaaa| Chorus SW
|
| 05 00 00 0F#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 10 | 0aaaaaaa| Vocoder: Voice Character 1
|
| 05 00 00 11#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 12 | 0aaaaaaa| Vocoder: Voice Character 2
|
| 05 00 00 13#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 14 | 0aaaaaaa| Vocoder: Voice Character 3
|
| 05 00 00 15#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 16 | 0aaaaaaa| Vocoder: Voice Character 4
|
| 05 00 00 17#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 18 | 0aaaaaaa| Vocoder: Voice Character 5
|
| 05 00 00 19#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1A | 0aaaaaaa| Vocoder: Voice Character 6
|
| 05 00 00 1B#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1C | 0aaaaaaa| Vocoder: Voice Character 7
|
| 05 00 00 1D#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1E | 0aaaaaaa| Vocoder: Voice Character 8
|
| 05 00 00 1F#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 20 | 0aaaaaaa| Vocoder: Voice Character 9
|
| 05 00 00 21#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 22 | 0aaaaaaa| Vocoder: Voice Character 10
|
| 05 00 00 23#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 24 | 0aaaaaaa| Chorus: Rate
|
| 05 00 00 25#| 0bbbbbbb|
1,,,100 = 0.1,,,10.0Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 26 | 0aaaaaaa| Chorus: Depth
|
| 05 00 00 27#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 28 | 0aaaaaaa| Chorus: Pre Delay
|
| 05 00 00 29#| 0bbbbbbb|
0,,,50ms|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2A | 0aaaaaaa| Chorus: Feedback Level
|
| 05 00 00 2B#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2C | 0aaaaaaa| Chorus: Effect Level
|
| 05 00 00 2D#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2E | 0aaaaaaa| Chorus: Direct Level
|
| 05 00 00 2F#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 30 | 00
| (Reserved)
|
:
:
| 05 00 7F 7F | 00
|
|
+———————————————————————————————————————————————————————————————————————————+
❍Algorithm 5 2CH RSS
+———————————————————————————————————————————————————————————————————————————+
| 05 00 00 0E | 0aaaaaaa| 2CH RSS: Ach Azimuth
|
| 05 00 00 0F#| 0bbbbbbb|
—30,,,30 = —180,,,180|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 10 | 0aaaaaaa| 2CH RSS: Ach Elevation
|
| 05 00 00 11#| 0bbbbbbb|
—15,,,15 = —90,,,90|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 12 | 0aaaaaaa| 2CH RSS: Bch Azimuth
|
| 05 00 00 13#| 0bbbbbbb|
—30,,,30 = —180,,,180|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 14 | 0aaaaaaa| 2CH RSS: Bch Elevation
|
| 05 00 00 15#| 0bbbbbbb|
—15,,,15 = —90,,,90|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 16 | 0aaaaaaa| 2CH RSS: Phones SW
|
| 05 00 00 17#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 18 | 0aaaaaaa| 2CH RSS: RSS Type
|
| 05 00 00 19#| 0bbbbbbb|
0,1 = Type A,Type B|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1A | 00
| (Reserved)
|
:
:
| 05 00 7F 7F | 00
|
|
+———————————————————————————————————————————————————————————————————————————+
❍Algorithm 6 Delay RSS
+———————————————————————————————————————————————————————————————————————————+
| 05 00 00 0E | 0aaaaaaa| Delay RSS: Delay Time
|
| 05 00 00 0F#| 0bbbbbbb|
0,,,1200ms|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 10 | 0aaaaaaa| Delay RSS: Shift
|
| 05 00 00 11#| 0bbbbbbb|
—1200,,,1200 = L1200,,,R1200ms|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 12 | 0aaaaaaa| Delay RSS: Center Delay Time
|
| 05 00 00 13#| 0bbbbbbb|
0,,,1200ms|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 14 | 0aaaaaaa| Delay RSS: RSS Level
|
| 05 00 00 15#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 16 | 0aaaaaaa| Delay RSS: Center Level
|
| 05 00 00 17#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 18 | 0aaaaaaa| Delay RSS: Feedback Level
|
| 05 00 00 19#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1A | 0aaaaaaa| Delay RSS: LF Damp Frequency
|
| 05 00 00 1B#| 0bbbbbbb|
5,,,400 = 50,,,4000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1C | 0aaaaaaa| Delay RSS: LF Damp Gain
|
| 05 00 00 1D#| 0bbbbbbb|
—36,,,0dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1E | 0aaaaaaa| Delay RSS: HF Damp Frequency
|
| 05 00 00 1F#| 0bbbbbbb|
10,,,200 = 1.0,,,20.0kHz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 20 | 0aaaaaaa| Delay RSS: HF Damp Gain
|
| 05 00 00 21#| 0bbbbbbb|
—36,,,0dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 22 | 0aaaaaaa| Delay RSS: Effect Level
|
| 05 00 00 23#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 24 | 0aaaaaaa| Delay RSS: Direct Level
|
| 05 00 00 25#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 26 | 0aaaaaaa| Delay RSS: Phones SW
|
| 05 00 00 27#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 26 | 00
| (Reserved)
|
:
:
| 05 00 7F 7F | 00
|
|
+———————————————————————————————————————————————————————————————————————————+
* (Delay Time) + (Absolute Shift) should be 1200 or less.
❍Algorithm 7 Chorus RSS
+———————————————————————————————————————————————————————————————————————————+
| 05 00 00 0E | 0aaaaaaa| Chorus RSS: Chorus Rate
|
| 05 00 00 0F#| 0bbbbbbb|
1,,,100 = 0.1,,,10.0Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 10 | 0aaaaaaa| Chorus RSS: Chorus Depth
|
| 05 00 00 11#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 12 | 0aaaaaaa| Chorus RSS: Effect Level
|
| 05 00 00 13#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 14 | 0aaaaaaa| Chorus RSS: Direct Level
|
| 05 00 00 15#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 16 | 0aaaaaaa| Chorus RSS: Phones SW
|
| 05 00 00 17#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 18 | 00
| (Reserved)
|
:
:
| 05 00 7F 7F | 00
|
|
+———————————————————————————————————————————————————————————————————————————+
❍Common for Algorithm 8,9,10 Guitar Multi 1, 2, 3
+———————————————————————————————————————————————————————————————————————————+
| 05 00 00 0E | 0aaaaaaa| Compressor SW
|
| 05 00 00 0F#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 10 | 0aaaaaaa| Metal/Distortion/Over Drive SW
|
| 05 00 00 11#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 12 | 0aaaaaaa| Noise Suppressor SW
|
| 05 00 00 13#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 14 | 0aaaaaaa| Auto Wah SW
|
| 05 00 00 15#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 16 | 0aaaaaaa| Guitar Amp Modeling SW
|
| 05 00 00 17#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 18 | 0aaaaaaa| Flanger SW
|
| 05 00 00 19#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1A | 0aaaaaaa| Delay SW
|
| 05 00 00 1B#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1C | 0aaaaaaa| Compressor: Attack
|
| 05 00 00 1D#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1E | 0aaaaaaa| Compressor: Level
|
| 05 00 00 1F#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 20 | 0aaaaaaa| Compressor: Sustain
|
| 05 00 00 21#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 22 | 0aaaaaaa| Compressor: Tone
|
| 05 00 00 23#| 0bbbbbbb|
—50,,,—50|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 24 | 0aaaaaaa| Noise Suppressor: Threshold
|
| 05 00 00 25#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 26 | 0aaaaaaa| Noise Suppressor: Release
|
| 05 00 00 27#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 28 | 0aaaaaaa| Auto Wah: Mode
|
| 05 00 00 29#| 0bbbbbbb|
0,1 = LPF,BPF|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2A | 0aaaaaaa| Auto Wah: Polarity
|
| 05 00 00 2B#| 0bbbbbbb|
0,1 = Down,Up|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2C | 0aaaaaaa| Auto Wah: Frequency
|
| 05 00 00 2D#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2E | 0aaaaaaa| Auto Wah: Level
|
| 05 00 00 2F#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 30 | 0aaaaaaa| Auto Wah: Peak
|
| 05 00 00 31#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 32 | 0aaaaaaa| Auto Wah: Sens
|
| 05 00 00 33#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 34 | 0aaaaaaa| Auto Wah: Rate
|
| 05 00 00 35#| 0bbbbbbb|
1,,,100 = 0.1,,,10.0Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 36 | 0aaaaaaa| Auto Wah: Depth
|
| 05 00 00 37#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 38 | 0aaaaaaa| Guitar Amp Modeling: Mode
|
| 05 00 00 39#| 0bbbbbbb|
0,,,3 = Small,BultIn,2Stack,3Stack|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3A | 0aaaaaaa| Flanger: Rate
|
| 05 00 00 3B#| 0bbbbbbb|
1,,,100 = 0.1,,,10.0Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3C | 0aaaaaaa| Flanger: Depth
|
| 05 00 00 3D#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3E | 0aaaaaaa| Flanger: Manual
|
| 05 00 00 3F#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 40 | 0aaaaaaa| Flanger: Resonance
|
| 05 00 00 41#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 42 | 0aaaaaaa| Delay: Delay Time
|
| 05 00 00 43#| 0bbbbbbb|
0,,,1000ms|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 44 | 0aaaaaaa| Delay: Shift
|
| 05 00 00 45#| 0bbbbbbb|
—1000,,,1000 = L1000,,,R1000ms|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 46 | 0aaaaaaa| Delay: Feedback Time
|
| 05 00 00 47#| 0bbbbbbb|
0,,,1000ms|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 48 | 0aaaaaaa| Delay: Feedback Level
|
| 05 00 00 49#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 4A | 0aaaaaaa| Delay: Effect Level
|
| 05 00 00 4B#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 4C | 0aaaaaaa| Delay: Direct Level
|
| 05 00 00 4D#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
* (Delay Time) + (Absolute Shift) should be 1000 or less.
❍Individual Algorithm 8 Guitar Multi 1
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 4E | 0aaaaaaa| Metal: Gain
|
| 05 00 00 4F#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 50 | 0aaaaaaa| Metal: Level
|
| 05 00 00 51#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 52 | 0aaaaaaa| Metal: Hi Gain
|
| 05 00 00 53#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 54 | 0aaaaaaa| Metal: Mid Gain
|
| 05 00 00 55#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 56 | 0aaaaaaa| Metal: Low Gain
|
| 05 00 00 57#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 58 | 00
| (Reserved)
|
:
:
| 05 00 7F 7F | 00
|
|
+———————————————————————————————————————————————————————————————————————————+
❍Individual Algorithm 9 Guitar Multi 2
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 4E | 0aaaaaaa| Distortion: Gain
|
| 05 00 00 4F#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 50 | 0aaaaaaa| Distortion: Level
|
| 05 00 00 51#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 52 | 0aaaaaaa| Distortion: Tone
|
| 05 00 00 53#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 54 | 00
| (Reserved)
|
:
:
| 05 00 7F 7F | 00
|
|
+———————————————————————————————————————————————————————————————————————————+
❍Individual Algorithm 10 Guitar Multi 3
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 4E | 0aaaaaaa| Over Drive: Gain
|
| 05 00 00 4F#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 50 | 0aaaaaaa| Over Drive: Level
|
| 05 00 00 51#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 52 | 0aaaaaaa| Over Drive: Tone
|
| 05 00 00 53#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
109
MIDI Implementation
MIDI Implementation
MIDI Implementation
| 05 00 00 54 | 00
:
:
| (Reserved)
|
| 05 00 7F 7F | 00
|
|
+———————————————————————————————————————————————————————————————————————————+
❍Algorithm 11 Vocal Multi
+———————————————————————————————————————————————————————————————————————————+
| 05 00 00 0E | 0aaaaaaa| Noise Suppressor SW
|
| 05 00 00 0F#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 10 | 0aaaaaaa| Limiter/De—esser SW
|
| 05 00 00 11#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 12 | 0aaaaaaa| Enhancer SW
|
| 05 00 00 13#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 14 | 0aaaaaaa| EQ SW
|
| 05 00 00 15#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 16 | 0aaaaaaa| P.Shifter SW
|
| 05 00 00 17#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 18 | 0aaaaaaa| Delay SW
|
| 05 00 00 19#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1A | 0aaaaaaa| Chorus SW
|
| 05 00 00 1B#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1C | 0aaaaaaa| Limiter/De—esser Mode
|
| 05 00 00 1D#| 0bbbbbbb|
0,1 = Limiter,De—esser|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1E | 0aaaaaaa| Noise Suppressor: Threshold
|
| 05 00 00 1F#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 20 | 0aaaaaaa| Noise Suppressor: Release
|
| 05 00 00 21#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 22 | 0aaaaaaa| Limiter: Threshold
|
| 05 00 00 23#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 24 | 0aaaaaaa| Limiter: Release
|
| 05 00 00 25#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 26 | 0aaaaaaa| Limiter: Level
|
| 05 00 00 27#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 28 | 0aaaaaaa| De—esser: Sens
|
| 05 00 00 29#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2A | 0aaaaaaa| De—esser: Frequency
|
| 05 00 00 2B#| 0bbbbbbb|
10,,,100 = 1.0,,,10.0kHz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2C | 0aaaaaaa| Enhancer: Sens
|
| 05 00 00 2D#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2E | 0aaaaaaa| Enhancer: Frequency
|
| 05 00 00 2F#| 0bbbbbbb|
10,,,100 = 1.0,,,10.0kHz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 30 | 0aaaaaaa| Enhancer: MIX Level
|
| 05 00 00 31#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 32 | 0aaaaaaa| Enhancer: Level
|
| 05 00 00 33#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 34 | 0aaaaaaa| EQ: Low EQ Type
|
| 05 00 00 35#| 0bbbbbbb|
0,1 = Shelving, Peaking|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 36 | 0aaaaaaa| EQ: Low EQ Gain
|
| 05 00 00 37#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 38 | 0aaaaaaa| EQ: Low EQ Frequency
|
| 05 00 00 39#| 0bbbbbbb|
2,,,200 = 20,,,2000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3A | 0aaaaaaa| EQ: Low EQ Q
|
| 05 00 00 3B#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3C | 0aaaaaaa| EQ: Mid EQ Gain
|
| 05 00 00 3D#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3E | 0aaaaaaa| EQ: Mid EQ Frequency
|
| 05 00 00 3F#| 0bbbbbbb|
20,,,800 = 200,,,8000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 40 | 0aaaaaaa| EQ: Mid EQ Q
|
| 05 00 00 41#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 42 | 0aaaaaaa| EQ: High EQ Type
|
| 05 00 00 43#| 0bbbbbbb|
0,1 = Shelving, Peaking|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 44 | 0aaaaaaa| EQ: High EQ Gain
|
| 05 00 00 45#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 46 | 0aaaaaaa| EQ: High EQ Frequency
|
| 05 00 00 47#| 0bbbbbbb|
14,,,200 = 1.4,,,20.0kHz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 48 | 0aaaaaaa| EQ: High EQ Q
|
| 05 00 00 49#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 4A | 0aaaaaaa| EQ: Out Level
|
| 05 00 00 4B#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 4C | 0aaaaaaa| P.Shifter: Chromatic Pitch
|
| 05 00 00 4D#| 0bbbbbbb|
—12,,,12|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 4E | 0aaaaaaa| P.Shifter: Fine Pitch
|
| 05 00 00 4F#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 50 | 0aaaaaaa| P.Shifter: Effect Level
|
| 05 00 00 51#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 52 | 0aaaaaaa| P.Shifter: Direct Level
|
| 05 00 00 53#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 54 | 0aaaaaaa| Delay: Delay Time
|
| 05 00 00 55#| 0bbbbbbb|
0,,,1000|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 56 | 0aaaaaaa| Delay: Feedback Level
|
| 05 00 00 57#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 58 | 0aaaaaaa| Delay: Effect Level
|
| 05 00 00 59#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 5A | 0aaaaaaa| Delay: Direct Level
|
| 05 00 00 5B#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 5C | 0aaaaaaa| Chorus: Rate
|
| 05 00 00 5D#| 0bbbbbbb|
1,,,100 = 0.1,,,10.0Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 5E | 0aaaaaaa| Chorus: Depth
|
| 05 00 00 5F#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 60 | 0aaaaaaa| Chorus: Pre Delay
|
| 05 00 00 61#| 0bbbbbbb|
0,,,50ms|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 62 | 0aaaaaaa| Chorus: Effect Level
|
| 05 00 00 63#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 64 | 0aaaaaaa| Chorus: Direct Level
|
| 05 00 00 65#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 66 | 00
| (Reserved)
|
:
:
| 05 00 7F 7F | 00
|
|
+———————————————————————————————————————————————————————————————————————————+
❍Algorithm 12 Rotary
+———————————————————————————————————————————————————————————————————————————+
| 05 00 00 0E | 0aaaaaaa| Noise Suppressor SW
|
| 05 00 00 0F#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 10 | 0aaaaaaa| Over Drive SW
|
| 05 00 00 11#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 12 | 0aaaaaaa| Noise Suppressor: Threshold
|
| 05 00 00 13#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 14 | 0aaaaaaa| Noise Suppressor: Release
|
| 05 00 00 15#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 16 | 0aaaaaaa| Over Drive: Gain
|
| 05 00 00 17#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 18 | 0aaaaaaa| Over Drive: Level
|
| 05 00 00 19#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1A | 0aaaaaaa| Rotary: Low Rate
|
| 05 00 00 1B#| 0bbbbbbb|
1,,,100 = 0.1,,,10.0Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1C | 0aaaaaaa| Rotary: Hi Rate
|
| 05 00 00 1D#| 0bbbbbbb|
1,,,100 = 0.1,,,10.0Hz|
110
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1E | 00
| (Reserved)
|
:
:
| 05 00 7F 7F | 00
|
|
+———————————————————————————————————————————————————————————————————————————+
❍Algorithm 13 Guitar AMP Modeling
+———————————————————————————————————————————————————————————————————————————+
| 05 00 00 0E | 0aaaaaaa| Noise Suppressor SW
|
| 05 00 00 0F#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 10 | 0aaaaaaa| Pre Amp SW
|
| 05 00 00 11#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 12 | 0aaaaaaa| Speaker SW
|
| 05 00 00 13#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 14 | 0aaaaaaa| Noise Suppressor: Threshold
|
| 05 00 00 15#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 16 | 0aaaaaaa| Noise Suppressor: Release
|
| 05 00 00 17#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 18 | 0aaaaaaa| Pre Amp: Mode
|
| 05 00 00 19#| 0bbbbbbb|
0,,,13 = JC—120,Clean Twin,Match Drive,BG Lead,|
|
|
|
MS1959(I), MS1959(II), MS1959(I+II), |
|
|
|
SLDN Lead, Metal 5150, Metal Lead,
|
|
|
|
OD—1, OD—2Turbo, Distortion, Fuzz
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1A | 0aaaaaaa| Pre Amp: Volume
|
| 05 00 00 1B#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1C | 0aaaaaaa| Pre Amp: Bass
|
| 05 00 00 1D#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1E | 0aaaaaaa| Pre Amp: Middle
|
| 05 00 00 1F#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 20 | 0aaaaaaa| Pre Amp: Treble
|
| 05 00 00 21#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 22 | 0aaaaaaa| Pre Amp: Presence
|
| 05 00 00 23#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 24 | 0aaaaaaa| Pre Amp: Master
|
| 05 00 00 25#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 26 | 0aaaaaaa| Pre Amp: Bright
|
| 05 00 00 27#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 28 | 0aaaaaaa| Pre Amp: Gain
|
| 05 00 00 29#| 0bbbbbbb|
0,1,2 = Low,Middle,High|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2A | 0aaaaaaa| Speaker: Type
|
| 05 00 00 2B#| 0bbbbbbb|
0,,,11 = Small, Middle, JC—120, Built In 1, |
|
|
|
Built In 2,Built In 3, Built In 4, |
|
|
|
BG Stack 1, BG Stack 2,
|
|
|
|
MS Stack 1, MS Stack 2, Metal Stack|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2C | 0aaaaaaa| Speaker: MIC Setting
|
| 05 00 00 2D#| 0bbbbbbb|
0,1,2 = 1,2,3|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2E | 0aaaaaaa| Speaker: MIC Level
|
| 05 00 00 2F#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 30 | 0aaaaaaa| Speaker: Direct Level
|
| 05 00 00 31#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 32 | 00
| (Reserved)
|
:
:
| 05 00 7F 7F | 00
|
|
+———————————————————————————————————————————————————————————————————————————+
* The Pre Amp Middle is invalid when Mode = Match Drive.
* The Pre Amp Presence works counter to the Value (-100,,,0) when Mode = Match Drive.
* The Pre Amp Bright is valid when Mode = JC-120, Clean Twin, or BG Lead.
❍Algorithm 14 Stereo Phaser
+———————————————————————————————————————————————————————————————————————————+
| 05 00 00 0E | 0aaaaaaa| Phaser SW
|
| 05 00 00 0F#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 10 | 0aaaaaaa| EQ SW
|
| 05 00 00 11#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 12 | 0aaaaaaa| Phaser: Mode
|
| 05 00 00 13#| 0bbbbbbb|
0,,,3 = 4,8,12,16stage|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 14 | 0aaaaaaa| Phaser: Rate
|
| 05 00 00 15#| 0bbbbbbb|
1,,,100 = 0.1,,,10.0Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 16 | 0aaaaaaa| Phaser: Depth
|
| 05 00 00 17#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 18 | 0aaaaaaa| Phaser: Polarity
|
| 05 00 00 19#| 0bbbbbbb|
0,1 = Inverse,Synchro|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1A | 0aaaaaaa| Phaser: Manual
|
| 05 00 00 1B#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1C | 0aaaaaaa| Phaser: Resonance
|
| 05 00 00 1D#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1E | 0aaaaaaa| Phaser: Cross Feedback
|
| 05 00 00 1F#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 20 | 0aaaaaaa| Phaser: Effect Level
|
| 05 00 00 21#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 22 | 0aaaaaaa| Phaser: Direct Level
|
| 05 00 00 23#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 24 | 0aaaaaaa| EQ: Low EQ Type
|
| 05 00 00 25#| 0bbbbbbb|
0,1 = Shelving, Peaking|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 26 | 0aaaaaaa| EQ: Low EQ Gain
|
| 05 00 00 27#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 28 | 0aaaaaaa| EQ: Low EQ Frequency
|
| 05 00 00 29#| 0bbbbbbb|
2,,,200 = 20,,,2000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2A | 0aaaaaaa| EQ: Low EQ Q
|
| 05 00 00 2B#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2C | 0aaaaaaa| EQ: Mid EQ Gain
|
| 05 00 00 2D#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2E | 0aaaaaaa| EQ: Mid EQ Frequency
|
| 05 00 00 2F#| 0bbbbbbb|
20,,,800 = 200,,,8000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 30 | 0aaaaaaa| EQ: Mid EQ Q
|
| 05 00 00 31#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 32 | 0aaaaaaa| EQ: High EQ Type
|
| 05 00 00 33#| 0bbbbbbb|
0,1 = Shelving, Peaking|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 34 | 0aaaaaaa| EQ: High EQ Gain
|
| 05 00 00 35#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 36 | 0aaaaaaa| EQ: High EQ Frequency
|
| 05 00 00 37#| 0bbbbbbb|
14,,,200 = 1.4,,,20.0kHz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 38 | 0aaaaaaa| EQ: High EQ Q
|
| 05 00 00 39#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3A | 0aaaaaaa| EQ: Out Level
|
| 05 00 00 3B#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3C | 00
| (Reserved)
|
:
:
| 05 00 7F 7F | 00
|
|
+———————————————————————————————————————————————————————————————————————————+
❍Algorithm 15 Stereo Flanger
+———————————————————————————————————————————————————————————————————————————+
| 05 00 00 0E | 0aaaaaaa| Flanger SW
|
| 05 00 00 0F#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 10 | 0aaaaaaa| EQ SW
|
| 05 00 00 11#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 12 | 0aaaaaaa| Flanger: Rate
|
| 05 00 00 13#| 0bbbbbbb|
1,,,100 = 0.1,,,10.0Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 14 | 0aaaaaaa| Flanger: Depth
|
| 05 00 00 15#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 16 | 0aaaaaaa| Flanger: Polarity
|
| 05 00 00 17#| 0bbbbbbb|
0,1 = Inverse,Synchro|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 18 | 0aaaaaaa| Flanger: Manual
|
| 05 00 00 19#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1A | 0aaaaaaa| Flanger: Resonace
|
| 05 00 00 1B#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1C | 0aaaaaaa| Flanger: Cross Feedback Level
|
| 05 00 00 1D#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1E | 0aaaaaaa| Flanger: Effect Level
|
| 05 00 00 1F#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 20 | 0aaaaaaa| Flanger: Direct Level
|
| 05 00 00 21#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 22 | 0aaaaaaa| EQ: Low EQ Type
|
| 05 00 00 23#| 0bbbbbbb|
0,1 = Shelving, Peaking|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 24 | 0aaaaaaa| EQ: Low EQ Gain
|
| 05 00 00 25#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 26 | 0aaaaaaa| EQ: Low EQ Frequency
|
| 05 00 00 27#| 0bbbbbbb|
2,,,200 = 20,,,2000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 28 | 0aaaaaaa| EQ: Low EQ Q
|
| 05 00 00 29#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2A | 0aaaaaaa| EQ: Mid EQ Gain
|
| 05 00 00 2B#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2C | 0aaaaaaa| EQ: Mid EQ Frequency
|
| 05 00 00 2D#| 0bbbbbbb|
20,,,800 = 200,,,8000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2E | 0aaaaaaa| EQ: Mid EQ Q
|
| 05 00 00 2F#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 30 | 0aaaaaaa| EQ: High EQ Type
|
| 05 00 00 31#| 0bbbbbbb|
0,1 = Shelving, Peaking|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 32 | 0aaaaaaa| EQ: High EQ Gain
|
| 05 00 00 33#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 34 | 0aaaaaaa| EQ: High EQ Frequency
|
| 05 00 00 35#| 0bbbbbbb|
14,,,200 = 1.4,,,20.0kHz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 36 | 0aaaaaaa| EQ: High EQ Q
|
| 05 00 00 37#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 38 | 0aaaaaaa| EQ: Out Level
|
| 05 00 00 39#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3A | 00
| (Reserved)
|
:
:
| 05 00 7F 7F | 00
|
|
+———————————————————————————————————————————————————————————————————————————+
❍Algorithm 16 Dual Compressor/Limiter
+———————————————————————————————————————————————————————————————————————————+
| 05 00 00 0E | 0aaaaaaa| Comp/Limit A SW
|
| 05 00 00 0F#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 10 | 0aaaaaaa| Noise Suppressor A SW
|
| 05 00 00 11#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 12 | 0aaaaaaa| Comp/Limit B SW
|
| 05 00 00 13#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 14 | 0aaaaaaa| Noise Suppressor B SW
|
| 05 00 00 15#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 16 | 0aaaaaaa| Comp/Limit A: Detect
|
| 05 00 00 17#| 0bbbbbbb|
0,1,2 = A,B,Link|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 18 | 0aaaaaaa| Comp/Limit A: Level
|
| 05 00 00 19#| 0bbbbbbb|
—60,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1A | 0aaaaaaa| Comp/Limit A: Thresh
|
| 05 00 00 1B#| 0bbbbbbb|
—60,,,0dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1C | 0aaaaaaa| Comp/Limit A: Attack
|
| 05 00 00 1D#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1E | 0aaaaaaa| Comp/Limit A: Release
|
| 05 00 00 1F#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 20 | 0aaaaaaa| Comp/Limit A: Ratio
|
| 05 00 00 21#| 0bbbbbbb|
0,,,3 = 1.5:1,2:1,4:1,100:1|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 22 | 0aaaaaaa| Noise Suppressor A: Detect
|
| 05 00 00 23#| 0bbbbbbb|
0,1,2 = A,B,Link|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 24 | 0aaaaaaa| Noise Suppressor A: Threshold
|
| 05 00 00 25#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 26 | 0aaaaaaa| Noise Suppressor A: Release
|
| 05 00 00 27#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 28 | 0aaaaaaa| Comp/Limit B: Detect
|
| 05 00 00 29#| 0bbbbbbb|
0,1,2 = A,B,Link|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2A | 0aaaaaaa| Comp/Limit B: Level
|
| 05 00 00 2B#| 0bbbbbbb|
—60,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2C | 0aaaaaaa| Comp/Limit B: Thresh
|
| 05 00 00 2D#| 0bbbbbbb|
—60,,,0dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2E | 0aaaaaaa| Comp/Limit B: Attack
|
| 05 00 00 2F#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 30 | 0aaaaaaa| Comp/Limit B: Release
|
| 05 00 00 31#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 32 | 0aaaaaaa| Comp/Limit B: Ratio
|
| 05 00 00 33#| 0bbbbbbb|
0,,,3 = 1.5:1,2:1,4:1,100:1|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 34 | 0aaaaaaa| Noise Suppressor B: Detect
|
| 05 00 00 35#| 0bbbbbbb|
0,1,2 = A,B,Link|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 36 | 0aaaaaaa| Noise Suppressor B: Threshold
|
| 05 00 00 37#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 38 | 0aaaaaaa| Noise Suppressor B: Release
|
| 05 00 00 39#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3A | 00
| (Reserved)
|
:
:
| 05 00 7F 7F | 00
|
|
+———————————————————————————————————————————————————————————————————————————+
❍Algorithm 17 Gate Reverb (FX1,FX3,FX5,FX7)
+———————————————————————————————————————————————————————————————————————————+
| 05 00 00 0E | 0aaaaaaa| G.Reverb SW
|
| 05 00 00 0F#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 10 | 0aaaaaaa| EQ SW
|
| 05 00 00 11#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 12 | 0aaaaaaa| G.Reverb: Gate Time
|
| 05 00 00 13#| 0bbbbbbb|
10,,,400ms|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 14 | 0aaaaaaa| G.Reverb: Pre Delay
|
| 05 00 00 15#| 0bbbbbbb|
0,,,300ms|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 16 | 0aaaaaaa| G.Reverb: Effect Level
|
| 05 00 00 17#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 18 | 0aaaaaaa| G.Reverb: Mode
|
| 05 00 00 19#| 0bbbbbbb|
0,,,4 = Normal,L—>R,R—>L,Reverse1,Reverse2|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1A | 0aaaaaaa| G.Reverb: Thickness
|
| 05 00 00 1B#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1C | 0aaaaaaa| G.Reverb: Density
|
| 05 00 00 1D#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1E | 0aaaaaaa| G.Reverb: Accent Delay
|
| 05 00 00 1F#| 0bbbbbbb|
0,,,200ms|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 20 | 0aaaaaaa| G.Reverb: Accent Level
|
| 05 00 00 21#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 22 | 0aaaaaaa| G.Reverb: Accent Pan
|
| 05 00 00 23#| 0bbbbbbb|
1,,,127 = L63,,,R63|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 24 | 0aaaaaaa| G.Reverb: Direct Level
|
| 05 00 00 25#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 26 | 0aaaaaaa| EQ: Low EQ Type
|
| 05 00 00 27#| 0bbbbbbb|
0,1 = Shelving, Peaking|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 28 | 0aaaaaaa| EQ: Low EQ Gain
|
| 05 00 00 29#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2A | 0aaaaaaa| EQ: Low EQ Frequency
|
| 05 00 00 2B#| 0bbbbbbb|
2,,,200 = 20,,,2000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2C | 0aaaaaaa| EQ: Low EQ Q
|
| 05 00 00 2D#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2E | 0aaaaaaa| EQ: Mid EQ Gain
|
| 05 00 00 2F#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 30 | 0aaaaaaa| EQ: Mid EQ Frequency
|
| 05 00 00 31#| 0bbbbbbb|
20,,,800 = 200,,,8000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 32 | 0aaaaaaa| EQ: Mid EQ Q
|
| 05 00 00 33#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 34 | 0aaaaaaa| EQ: High EQ Type
|
| 05 00 00 35#| 0bbbbbbb|
0,1 = Shelving, Peaking|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 36 | 0aaaaaaa| EQ: High EQ Gain
|
| 05 00 00 37#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 38 | 0aaaaaaa| EQ: High EQ Frequency
|
| 05 00 00 39#| 0bbbbbbb|
14,,,200 = 1.4,,,20.0kHz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3A | 0aaaaaaa| EQ: High EQ Q
|
| 05 00 00 3B#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3C | 0aaaaaaa| EQ: Out Level
|
| 05 00 00 3D#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3E | 00
| (Reserved)
|
:
:
| 05 00 7F 7F | 00
|
|
+———————————————————————————————————————————————————————————————————————————+
❍Algorithm 18 Multi Tap Delay
+———————————————————————————————————————————————————————————————————————————+
| 05 00 00 0E | 0aaaaaaa| EQ SW
|
| 05 00 00 0F#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 10 | 0aaaaaaa| M.Tap Delay: Time 1
|
| 05 00 00 11#| 0bbbbbbb|
0,,,1200ms|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 12 | 0aaaaaaa| M.Tap Delay: Level 1
|
| 05 00 00 13#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 14 | 0aaaaaaa| M.Tap Delay: Pan 1
|
| 05 00 00 15#| 0bbbbbbb|
1,,,127 = L63,,,R63|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 16 | 0aaaaaaa| M.Tap Delay: Time 2
|
| 05 00 00 17#| 0bbbbbbb|
0,,,1200ms|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 18 | 0aaaaaaa| M.Tap Delay: Level 2
|
| 05 00 00 19#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1A | 0aaaaaaa| M.Tap Delay: Pan 2
|
| 05 00 00 1B#| 0bbbbbbb|
1,,,127 = L63,,,R63|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1C | 0aaaaaaa| M.Tap Delay: Time 3
|
| 05 00 00 1D#| 0bbbbbbb|
0,,,1200ms|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1E | 0aaaaaaa| M.Tap Delay: Level 3
|
| 05 00 00 1F#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 20 | 0aaaaaaa| M.Tap Delay: Pan 3
|
| 05 00 00 21#| 0bbbbbbb|
1,,,127 = L63,,,R63|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 22 | 0aaaaaaa| M.Tap Delay: Time 4
|
| 05 00 00 23#| 0bbbbbbb|
0,,,1200ms|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 24 | 0aaaaaaa| M.Tap Delay: Level 4
|
| 05 00 00 25#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 26 | 0aaaaaaa| M.Tap Delay: Pan 4
|
| 05 00 00 27#| 0bbbbbbb|
1,,,127 = L63,,,R63|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 28 | 0aaaaaaa| M.Tap Delay: Time 5
|
| 05 00 00 29#| 0bbbbbbb|
0,,,1200ms|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2A | 0aaaaaaa| M.Tap Delay: Level 5
|
| 05 00 00 2B#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2C | 0aaaaaaa| M.Tap Delay: Pan 5
|
| 05 00 00 2D#| 0bbbbbbb|
1,,,127 = L63,,,R63|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2E | 0aaaaaaa| M.Tap Delay: Time 6
|
| 05 00 00 2F#| 0bbbbbbb|
0,,,1200ms|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 30 | 0aaaaaaa| M.Tap Delay: Level 6
|
| 05 00 00 31#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 32 | 0aaaaaaa| M.Tap Delay: Pan 6
|
| 05 00 00 33#| 0bbbbbbb|
1,,,127 = L63,,,R63|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 34 | 0aaaaaaa| M.Tap Delay: Time 7
|
| 05 00 00 35#| 0bbbbbbb|
0,,,1200ms|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 36 | 0aaaaaaa| M.Tap Delay: Level 7
|
| 05 00 00 37#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 38 | 0aaaaaaa| M.Tap Delay: Pan 7
|
| 05 00 00 39#| 0bbbbbbb|
1,,,127 = L63,,,R63|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3A | 0aaaaaaa| M.Tap Delay: Time 8
|
| 05 00 00 3B#| 0bbbbbbb|
0,,,1200ms|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3C | 0aaaaaaa| M.Tap Delay: Level 8
|
| 05 00 00 3D#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3E | 0aaaaaaa| M.Tap Delay: Pan 8
|
| 05 00 00 3F#| 0bbbbbbb|
1,,,127 = L63,,,R63|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 40 | 0aaaaaaa| M.Tap Delay: Time 9
|
| 05 00 00 41#| 0bbbbbbb|
0,,,1200ms|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 42 | 0aaaaaaa| M.Tap Delay: Level 9
|
| 05 00 00 43#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 44 | 0aaaaaaa| M.Tap Delay: Pan 9
|
| 05 00 00 45#| 0bbbbbbb|
1,,,127 = L63,,,R63|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 46 | 0aaaaaaa| M.Tap Delay: Time 10
|
| 05 00 00 47#| 0bbbbbbb|
0,,,1200ms|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 48 | 0aaaaaaa| M.Tap Delay: Level 10
|
| 05 00 00 49#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 4A | 0aaaaaaa| M.Tap Delay: Pan 10
|
| 05 00 00 4B#| 0bbbbbbb|
1,,,127 = L63,,,R63|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 4C | 0aaaaaaa| M.Tap Delay: Feedback Delay Time
|
| 05 00 00 4D#| 0bbbbbbb|
0,,,1200ms|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 4E | 0aaaaaaa| M.Tap Delay: Feedback Level
|
| 05 00 00 4F#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 50 | 0aaaaaaa| M.Tap Delay: Effect Level
|
| 05 00 00 51#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 52 | 0aaaaaaa| M.Tap Delay: Direct Level
|
| 05 00 00 53#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 54 | 0aaaaaaa| EQ: Low EQ Type
|
| 05 00 00 55#| 0bbbbbbb|
0,1 = Shelving, Peaking|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 56 | 0aaaaaaa| EQ: Low EQ Gain
|
| 05 00 00 57#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 58 | 0aaaaaaa| EQ: Low EQ Frequency
|
| 05 00 00 59#| 0bbbbbbb|
2,,,200 = 20,,,2000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 5A | 0aaaaaaa| EQ: Low EQ Q
|
| 05 00 00 5B#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 5C | 0aaaaaaa| EQ: Mid EQ Gain
|
| 05 00 00 5D#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 5E | 0aaaaaaa| EQ: Mid EQ Frequency
|
| 05 00 00 5F#| 0bbbbbbb|
20,,,800 = 200,,,8000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
111
MIDI Implementation
MIDI Implementation
MIDI Implementation
| 05 00 00 60 | 0aaaaaaa| EQ: Mid EQ Q
|
| 05 00 00 61#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 62 | 0aaaaaaa| EQ: High EQ Type
|
| 05 00 00 63#| 0bbbbbbb|
0,1 = Shelving, Peaking|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 64 | 0aaaaaaa| EQ: High EQ Gain
|
| 05 00 00 65#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 66 | 0aaaaaaa| EQ: High EQ Frequency
|
| 05 00 00 67#| 0bbbbbbb|
14,,,200 = 1.4,,,20.0kHz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 68 | 0aaaaaaa| EQ: High EQ Q
|
| 05 00 00 69#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 6A | 0aaaaaaa| EQ: Out Level
|
| 05 00 00 6B#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 6C | 00
| (Reserved)
|
:
:
| 05 00 7F 7F | 00
|
|
+———————————————————————————————————————————————————————————————————————————+
❍Algorithm 19 Stereo Multi
+———————————————————————————————————————————————————————————————————————————+
| 05 00 00 0E | 0aaaaaaa| Noise Suppressor SW
|
| 05 00 00 0F#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 10 | 0aaaaaaa| Comp/Limit SW
|
| 05 00 00 11#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 12 | 0aaaaaaa| Enhancer SW
|
| 05 00 00 13#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 14 | 0aaaaaaa| EQ SW
|
| 05 00 00 15#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 16 | 0aaaaaaa| Noise Suppressor: Threshold
|
| 05 00 00 17#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 18 | 0aaaaaaa| Noise Suppressor: Release
|
| 05 00 00 19#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1A | 0aaaaaaa| Comp/Limit: Level
|
| 05 00 00 1B#| 0bbbbbbb|
—60,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1C | 0aaaaaaa| Comp/Limit: Thresh
|
| 05 00 00 1D#| 0bbbbbbb|
—60,,,0dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1E | 0aaaaaaa| Comp/Limit: Attack
|
| 05 00 00 1F#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 20 | 0aaaaaaa| Comp/Limit: Release
|
| 05 00 00 21#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 22 | 0aaaaaaa| Comp/Limit: Ratio
|
| 05 00 00 23#| 0bbbbbbb|
0,,,3 = 1.5:1,2:1,4:1,100:1|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 24 | 0aaaaaaa| Enhancer: Sens
|
| 05 00 00 25#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 26 | 0aaaaaaa| Enhancer: Frequency
|
| 05 00 00 27#| 0bbbbbbb|
10,,,100 = 1.0,,,10.0kHz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 28 | 0aaaaaaa| Enhancer: MIX Level
|
| 05 00 00 29#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2A | 0aaaaaaa| Enhancer: Level
|
| 05 00 00 2B#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2C | 0aaaaaaa| EQ: Low EQ Type
|
| 05 00 00 2D#| 0bbbbbbb|
0,1 = Shelving, Peaking|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2E | 0aaaaaaa| EQ: Low EQ Gain
|
| 05 00 00 2F#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 30 | 0aaaaaaa| EQ: Low EQ Frequency
|
| 05 00 00 31#| 0bbbbbbb|
2,,,200 = 20,,,2000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 32 | 0aaaaaaa| EQ: Low EQ Q
|
| 05 00 00 33#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 34 | 0aaaaaaa| EQ: Mid EQ Gain
|
| 05 00 00 35#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 36 | 0aaaaaaa| EQ: Mid EQ Frequency
|
| 05 00 00 37#| 0bbbbbbb|
20,,,800 = 200,,,8000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 38 | 0aaaaaaa| EQ: Mid EQ Q
|
| 05 00 00 39#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3A | 0aaaaaaa| EQ: High EQ Type
|
| 05 00 00 3B#| 0bbbbbbb|
0,1 = Shelving, Peaking|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3C | 0aaaaaaa| EQ: High EQ Gain
|
| 05 00 00 3D#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3E | 0aaaaaaa| EQ: High EQ Frequency
|
| 05 00 00 3F#| 0bbbbbbb|
14,,,200 = 1.4,,,20.0kHz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 40 | 0aaaaaaa| EQ: High EQ Q
|
| 05 00 00 41#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 42 | 0aaaaaaa| EQ: Out Level
|
| 05 00 00 43#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 44 | 00
| (Reserved)
|
:
:
| 05 00 7F 7F | 00
|
|
+———————————————————————————————————————————————————————————————————————————+
❍Algorithm 20 Reverb 2
+———————————————————————————————————————————————————————————————————————————+
| 05 00 00 0E | 0aaaaaaa| Reverb SW
|
| 05 00 00 0F#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 10 | 0aaaaaaa| EQ SW
|
| 05 00 00 11#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 12 | 0aaaaaaa| Reverb 2: Reverb Type
|
| 05 00 00 13#| 0bbbbbbb|
0,,,4 = Room1,Room2,Hall1,Hall2,Plate|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 14 | 0aaaaaaa| Reverb 2: Reverb Time
|
| 05 00 00 15#| 0bbbbbbb|
1,,,100 = 0.1,,,10.0sec|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 16 | 0aaaaaaa| Reverb 2: Pre Delay
|
| 05 00 00 17#| 0bbbbbbb|
0,,,200msec|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 18 | 0aaaaaaa| Reverb 2: Density
|
| 05 00 00 19#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1A | 0aaaaaaa| Reverb 2: High Pass Filter
|
| 05 00 00 1B#| 0bbbbbbb|
1,,,200 = Thru,20,,,2000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1C | 0aaaaaaa| Reverb 2: Low Pass Filter
|
| 05 00 00 1D#| 0bbbbbbb|
10,,,201 = 1.0,,,20,0kHz,Thru|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1E | 0aaaaaaa| Reverb 2: Effect Level
|
| 05 00 00 1F#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 20 | 0aaaaaaa| Reverb 2: Direct Level
|
| 05 00 00 21#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 22 | 0aaaaaaa| Reverb 2: Gate SW
|
| 05 00 00 23#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 24 | 0aaaaaaa| Reverb 2: Gate Mode
|
| 05 00 00 25#| 0bbbbbbb|
0,1 = Gate,Ducking|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 26 | 0aaaaaaa| Reverb 2: Gate Threshold
|
| 05 00 00 27#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 28 | 0aaaaaaa| Reverb 2: Gate Attack Time
|
| 05 00 00 29#| 0bbbbbbb|
1,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2A | 0aaaaaaa| Reverb 2: Gate Release Time
|
| 05 00 00 2B#| 0bbbbbbb|
1,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2C | 0aaaaaaa| Reverb 2: Gate Hold Time
|
| 05 00 00 2D#| 0bbbbbbb|
1,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2E | 0aaaaaaa| EQ: Low EQ Type
|
| 05 00 00 2F#| 0bbbbbbb|
0,1 = Shelving, Peaking|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 30 | 0aaaaaaa| EQ: Low EQ Gain
|
| 05 00 00 31#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 32 | 0aaaaaaa| EQ: Low EQ Frequency
|
| 05 00 00 33#| 0bbbbbbb|
2,,,200 = 20,,,2000Hz|
112
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 34 | 0aaaaaaa| EQ: Low EQ Q
|
| 05 00 00 35#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 36 | 0aaaaaaa| EQ: Mid EQ Gain
|
| 05 00 00 37#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 38 | 0aaaaaaa| EQ: Mid EQ Frequency
|
| 05 00 00 39#| 0bbbbbbb|
20,,,800 = 200,,,8000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3A | 0aaaaaaa| EQ: Mid EQ Q
|
| 05 00 00 3B#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3C | 0aaaaaaa| EQ: High EQ Type
|
| 05 00 00 3D#| 0bbbbbbb|
0,1 = Shelving, Peaking|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3E | 0aaaaaaa| EQ: High EQ Gain
|
| 05 00 00 3F#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 40 | 0aaaaaaa| EQ: High EQ Frequency
|
| 05 00 00 41#| 0bbbbbbb|
14,,,200 = 1.4,,,20.0kHz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 42 | 0aaaaaaa| EQ: High EQ Q
|
| 05 00 00 43#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 44 | 0aaaaaaa| EQ: Out Level
|
| 05 00 00 45#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 46 | 00
| (Reserved)
|
:
:
| 05 00 7F 7F | 00
|
|
+———————————————————————————————————————————————————————————————————————————+
❍Algorithm 21 Space Chorus
+———————————————————————————————————————————————————————————————————————————+
| 05 00 00 0E | 0aaaaaaa| Chorus SW
|
| 05 00 00 0F#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 10 | 0aaaaaaa| Chorus: Input Mode
|
| 05 00 00 11#| 0bbbbbbb|
0,1 = Mono,Stereo|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 12 | 0aaaaaaa| Chorus: Mode
|
| 05 00 00 13#| 0bbbbbbb|
0,,,6 = 1,2,3,4,1+4,2+4,3+4|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 14 | 0aaaaaaa| Chorus: Mix Balance
|
| 05 00 00 15#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 16 | 00
| (Reserved)
|
:
:
| 05 00 7F 7F | 00
|
|
+———————————————————————————————————————————————————————————————————————————+
❍Algorithm 22 Lo-Fi Processor
+———————————————————————————————————————————————————————————————————————————+
| 05 00 00 0E | 0aaaaaaa| Lo—Fi Processor SW
|
| 05 00 00 0F#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 10 | 0aaaaaaa| Realtime Modify Filter SW
|
| 05 00 00 11#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 12 | 0aaaaaaa| Lo—Fi Processor: Pre Filter SW
|
| 05 00 00 13#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 14 | 0aaaaaaa| Lo—Fi Processor: Rate
|
| 05 00 00 15#| 0bbbbbbb|
0,,,31 = 0ff,1/2,,,1/32|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 16 | 0aaaaaaa| Lo—Fi Processor: Number of Bit
|
| 05 00 00 17#| 0bbbbbbb|
0,,,15 = Off,15,,,1bit|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 18 | 0aaaaaaa| Lo—Fi Processor: Post Filter SW
|
| 05 00 00 19#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1A | 0aaaaaaa| Lo—Fi Processor: Effect Level
|
| 05 00 00 1B#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1C | 0aaaaaaa| Lo—Fi Processor: Direct Level
|
| 05 00 00 1D#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1E | 0aaaaaaa| Realtime Modify Filter: Filter Type
|
| 05 00 00 1F#| 0bbbbbbb|
0,,,2 = LPF,BPF,HPF|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 20 | 0aaaaaaa| Realtime Modify Filter: Cut Off
|
| 05 00 00 21#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 22 | 0aaaaaaa| Realtime Modify Filter: Resonance
|
| 05 00 00 23#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 24 | 0aaaaaaa| Realtime Modify Filter: Gain
|
| 05 00 00 25#| 0bbbbbbb|
0,,,24dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 26 | 0aaaaaaa| Noise Suppressor: Threshold
|
| 05 00 00 27#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 28 | 0aaaaaaa| Noise Suppressor: Release
|
| 05 00 00 29#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2A | 00
| (Reserved)
|
:
:
| 05 00 7F 7F | 00
|
|
+———————————————————————————————————————————————————————————————————————————+
❍Algorithm 23 4 Band Parametric EQ
+———————————————————————————————————————————————————————————————————————————+
| 05 00 00 0E | 0aaaaaaa| Parametric EQ Link SW
|
| 05 00 00 0F#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 10 | 0aaaaaaa| Parametric EQ Ach SW
|
| 05 00 00 11#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 12 | 0aaaaaaa| Parametric EQ Bch SW
|
| 05 00 00 13#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 14 | 0aaaaaaa| EQ Ach: Input Gain
|
| 05 00 00 15#| 0bbbbbbb|
—60,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 16 | 0aaaaaaa| EQ Ach: Low EQ Type
|
| 05 00 00 17#| 0bbbbbbb|
0,1 = Shelving, Peaking|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 18 | 0aaaaaaa| EQ Ach: Low EQ Gain
|
| 05 00 00 19#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1A | 0aaaaaaa| EQ Ach: Low EQ Frequency
|
| 05 00 00 1B#| 0bbbbbbb|
2,,,200 = 20,,,2000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1C | 0aaaaaaa| EQ Ach: Low EQ Q
|
| 05 00 00 1D#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1E | 0aaaaaaa| EQ Ach: Low Mid EQ Gain
|
| 05 00 00 1F#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 20 | 0aaaaaaa| EQ Ach: Low Mid EQ Frequency
|
| 05 00 00 21#| 0bbbbbbb|
20,,,800 = 200,,,8000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 22 | 0aaaaaaa| EQ Ach: Low Mid EQ Q
|
| 05 00 00 23#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 24 | 0aaaaaaa| EQ Ach: High Mid EQ Gain
|
| 05 00 00 25#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 26 | 0aaaaaaa| EQ Ach: High Mid EQ Frequency
|
| 05 00 00 27#| 0bbbbbbb|
20,,,800 = 200,,,8000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 28 | 0aaaaaaa| EQ Ach: High Mid EQ Q
|
| 05 00 00 29#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2A | 0aaaaaaa| EQ Ach: High EQ Type
|
| 05 00 00 2B#| 0bbbbbbb|
0,1 = Shelving, Peaking|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2C | 0aaaaaaa| EQ Ach: High EQ Gain
|
| 05 00 00 2D#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2E | 0aaaaaaa| EQ Ach: High EQ Frequency
|
| 05 00 00 2F#| 0bbbbbbb|
14,,,200 = 1.4,,,20.0kHz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 30 | 0aaaaaaa| EQ Ach: High EQ Q
|
| 05 00 00 31#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 32 | 0aaaaaaa| EQ Ach: Output Level
|
| 05 00 00 33#| 0bbbbbbb|
—60,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 34 | 0aaaaaaa| EQ Bch: Input Gain
|
| 05 00 00 35#| 0bbbbbbb|
—60,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 36 | 0aaaaaaa| EQ Bch: Low EQ Type
|
| 05 00 00 37#| 0bbbbbbb|
0,1 = Shelving, Peaking|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 38 | 0aaaaaaa| EQ Bch: Low EQ Gain
|
| 05 00 00 39#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3A | 0aaaaaaa| EQ Bch: Low EQ Frequency
|
| 05 00 00 3B#| 0bbbbbbb|
2,,,200 = 20,,,2000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3C | 0aaaaaaa| EQ Bch: Low EQ Q
|
| 05 00 00 3D#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3E | 0aaaaaaa| EQ Bch: Low Mid EQ Gain
|
| 05 00 00 3F#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 40 | 0aaaaaaa| EQ Bch: Low Mid EQ Frequency
|
| 05 00 00 41#| 0bbbbbbb|
20,,,800 = 200,,,8000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 42 | 0aaaaaaa| EQ Bch: Low Mid EQ Q
|
| 05 00 00 43#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 44 | 0aaaaaaa| EQ Bch: High Mid EQ Gain
|
| 05 00 00 45#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 46 | 0aaaaaaa| EQ Bch: High Mid EQ Frequency
|
| 05 00 00 47#| 0bbbbbbb|
20,,,800 = 200,,,8000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 48 | 0aaaaaaa| EQ Bch: High Mid EQ Q
|
| 05 00 00 49#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 4A | 0aaaaaaa| EQ Bch: High EQ Type
|
| 05 00 00 4B#| 0bbbbbbb|
0,1 = Shelving, Peaking|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 4C | 0aaaaaaa| EQ Bch: High EQ Gain
|
| 05 00 00 4D#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 4E | 0aaaaaaa| EQ Bch: High EQ Frequency
|
| 05 00 00 4F#| 0bbbbbbb|
14,,,200 = 1.4,,,20.0kHz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 50 | 0aaaaaaa| EQ Bch: High EQ Q
|
| 05 00 00 51#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 52 | 0aaaaaaa| EQ Bch: Output Level
|
| 05 00 00 53#| 0bbbbbbb|
—60,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 54 | 00
| (Reserved)
|
:
:
| 05 00 7F 7F | 00
|
|
+———————————————————————————————————————————————————————————————————————————+
* When Link Sw = On, Bch corresponds to Ach.
❍Algorithm 24 10 Band Graphic EQ
+———————————————————————————————————————————————————————————————————————————+
| 05 00 00 0E | 0aaaaaaa| Graphic EQ Link SW
|
| 05 00 00 0F#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 10 | 0aaaaaaa| Graphic EQ Ach SW
|
| 05 00 00 11#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 12 | 0aaaaaaa| Graphic EQ Bch SW
|
| 05 00 00 13#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 14 | 0aaaaaaa| EQ Ach: Input Gain
|
| 05 00 00 15#| 0bbbbbbb|
—60,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 16 | 0aaaaaaa| EQ Ach: 31.25Hz Gain
|
| 05 00 00 17#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 18 | 0aaaaaaa| EQ Ach: 62.5Hz Gain
|
| 05 00 00 19#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1A | 0aaaaaaa| EQ Ach: 125Hz Gain
|
| 05 00 00 1B#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1C | 0aaaaaaa| EQ Ach: 250Hz Gain
|
| 05 00 00 1D#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1E | 0aaaaaaa| EQ Ach: 500Hz Gain
|
| 05 00 00 1F#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 20 | 0aaaaaaa| EQ Ach: 1.0kHz Gain
|
| 05 00 00 21#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 22 | 0aaaaaaa| EQ Ach: 2.0kHz Gain
|
| 05 00 00 23#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 24 | 0aaaaaaa| EQ Ach: 4.0kHz Gain
|
| 05 00 00 25#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 26 | 0aaaaaaa| EQ Ach: 8.0kHz Gain
|
| 05 00 00 27#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 28 | 0aaaaaaa| EQ Ach: 16.0kHz Gain
|
| 05 00 00 29#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2A | 0aaaaaaa| EQ Ach: Output Level
|
| 05 00 00 2B#| 0bbbbbbb|
—60,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2C | 0aaaaaaa| EQ Bch: Input Gain
|
| 05 00 00 2D#| 0bbbbbbb|
—60,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2E | 0aaaaaaa| EQ Bch: 31.25Hz Gain
|
| 05 00 00 2F#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 30 | 0aaaaaaa| EQ Bch: 62.5Hz Gain
|
| 05 00 00 31#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 32 | 0aaaaaaa| EQ Bch: 125Hz Gain
|
| 05 00 00 33#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 34 | 0aaaaaaa| EQ Bch: 250Hz Gain
|
| 05 00 00 35#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 36 | 0aaaaaaa| EQ Bch: 500Hz Gain
|
| 05 00 00 37#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 38 | 0aaaaaaa| EQ Bch: 1.0kHz Gain
|
| 05 00 00 39#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3A | 0aaaaaaa| EQ Bch: 2.0kHz Gain
|
| 05 00 00 3B#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3C | 0aaaaaaa| EQ Bch: 4.0kHz Gain
|
| 05 00 00 3D#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3E | 0aaaaaaa| EQ Bch: 8.0kHz Gain
|
| 05 00 00 3F#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 40 | 0aaaaaaa| EQ Bch: 16.0kHz Gain
|
| 05 00 00 41#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 42 | 0aaaaaaa| EQ Bch: Output Level
|
| 05 00 00 43#| 0bbbbbbb|
—60,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 44 | 00
| (Reserved)
|
:
:
| 05 00 7F 7F | 00
|
|
+———————————————————————————————————————————————————————————————————————————+
* When Link Sw = On, Bch corresponds to Ach.
❍Algorithm 25 Hum Canceler
+———————————————————————————————————————————————————————————————————————————+
| 05 00 00 0E | 0aaaaaaa| Hum Canceler SW
|
| 05 00 00 0F#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 10 | 0aaaaaaa| Noise Suppressor SW
|
| 05 00 00 11#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 12 | 0aaaaaaa| Hum Canceler: Freq
|
| 05 00 00 13#| 0bbbbbbb|
200,,,8000 = 20.0,,,800.0Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 14 | 0aaaaaaa| Hum Canceler: Width
|
| 05 00 00 15#| 0bbbbbbb|
10,,,40%|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 16 | 0aaaaaaa| Hum Canceler: Depth
|
| 05 00 00 17#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 18 | 0aaaaaaa| Hum Canceler: Threshold
|
| 05 00 00 19#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1A | 0aaaaaaa| Hum Canceler: Range Low
|
| 05 00 00 1B#| 0bbbbbbb|
1,,,200 = Unlimit,20,,,2000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1C | 0aaaaaaa| Hum Canceler: Range High
|
| 05 00 00 1D#| 0bbbbbbb|
10,,,201 = 1.0,,,20,0kHz,Unlimit|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1E | 0aaaaaaa| Noise Suppressor: Threshold
|
| 05 00 00 1F#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 20 | 0aaaaaaa| Noise Suppressor: Release
|
| 05 00 00 21#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 22 | 00
| (Reserved)
|
:
:
| 05 00 7F 7F | 00
|
|
+———————————————————————————————————————————————————————————————————————————+
❍Algorithm 26 Vocal Canceler
+———————————————————————————————————————————————————————————————————————————+
| 05 00 00 0E | 0aaaaaaa| Vocal Canceler SW
|
| 05 00 00 0F#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 10 | 0aaaaaaa| EQ SW
|
| 05 00 00 11#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 12 | 0aaaaaaa| Vocal Canceler: Balance
|
| 05 00 00 13#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 14 | 0aaaaaaa| Vocal Canceler: Range Low
|
| 05 00 00 15#| 0bbbbbbb|
1,,,200 = Unlimit,20,,,2000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 16 | 0aaaaaaa| Vocal Canceler: Range High
|
| 05 00 00 17#| 0bbbbbbb|
10,,,201 = 1.0,,,20,0kHz,Unlimit|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 18 | 0aaaaaaa| EQ: Low EQ Type
|
| 05 00 00 19#| 0bbbbbbb|
0,1 = Shelving, Peaking|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1A | 0aaaaaaa| EQ: Low EQ Gain
|
| 05 00 00 1B#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1C | 0aaaaaaa| EQ: Low EQ Frequency
|
| 05 00 00 1D#| 0bbbbbbb|
2,,,200 = 20,,,2000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1E | 0aaaaaaa| EQ: Low EQ Q
|
| 05 00 00 1F#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 20 | 0aaaaaaa| EQ: Mid EQ Gain
|
| 05 00 00 21#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 22 | 0aaaaaaa| EQ: Mid EQ Frequency
|
| 05 00 00 23#| 0bbbbbbb|
20,,,800 = 200,,,8000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 24 | 0aaaaaaa| EQ: Mid EQ Q
|
| 05 00 00 25#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 26 | 0aaaaaaa| EQ: High EQ Type
|
| 05 00 00 27#| 0bbbbbbb|
0,1 = Shelving, Peaking|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 28 | 0aaaaaaa| EQ: High EQ Gain
|
| 05 00 00 29#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2A | 0aaaaaaa| EQ: High EQ Frequency
|
| 05 00 00 2B#| 0bbbbbbb|
14,,,200 = 1.4,,,20.0kHz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2C | 0aaaaaaa| EQ: High EQ Q
|
| 05 00 00 2D#| 0bbbbbbb|
3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2E | 0aaaaaaa| EQ: Out Level
|
| 05 00 00 2F#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 30 | 00
| (Reserved)
|
:
:
| 05 00 7F 7F | 00
|
|
+———————————————————————————————————————————————————————————————————————————+
❍Algorithm 27 Voice Transformer (FX1,FX3,FX5,FX7)
+———————————————————————————————————————————————————————————————————————————+
| 05 00 00 0E | 0aaaaaaa| Voice Transformer SW
|
| 05 00 00 0F#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 10 | 0aaaaaaa| Reverb SW
|
| 05 00 00 11#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 12 | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 13 | 00
| (Reserved)
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 14 | 0aaaaaaa| MIDI Control SW
|
| 05 00 00 15#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 16 | 0aaaaaaa| Voice Transformer: Robot SW
|
| 05 00 00 17#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 18 | 0aaaaaaa| Voice Transformer: Chromatic Pitch
|
| 05 00 00 19#| 0bbbbbbb|
—12,,,36|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1A | 0aaaaaaa| Voice Transformer: Fine Pitch
|
| 05 00 00 1B#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1C | 0aaaaaaa| Voice Transformer: Chromatic Formant
|
| 05 00 00 1D#| 0bbbbbbb|
—12,,,12|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1E | 0aaaaaaa| Voice Transformer: Fine Formant
|
| 05 00 00 1F#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 20 | 0aaaaaaa| Voice Transformer: Mix Balance
|
| 05 00 00 21#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 22 | 0aaaaaaa| Reverb: Reverb Time
|
| 05 00 00 23#| 0bbbbbbb|
1,,,100 = 0.1,,,10.0sec|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 24 | 0aaaaaaa| Reverb: Pre Delay
|
| 05 00 00 25#| 0bbbbbbb|
0,,,200msec|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 26 | 0aaaaaaa| Reverb: Density
|
| 05 00 00 27#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 28 | 0aaaaaaa| Reverb: Effect Level
|
| 05 00 00 29#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2A | 0aaaaaaa| MIDI Control: Bend Range
|
| 05 00 00 2B#| 0bbbbbbb|
0,,,12 = 0ff,1,,,12|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2C | 0aaaaaaa| MIDI Control: Portamento
|
| 05 00 00 2D#| 0bbbbbbb|
0...100 = Off,1,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2E | 00
| (Reserved)
|
:
:
| 05 00 7F 7F | 00
|
|
+———————————————————————————————————————————————————————————————————————————+
❍Algorithm 28 Vocoder 2 (FX1,FX3,FX5,FX7)
+———————————————————————————————————————————————————————————————————————————+
| 05 00 00 0E | 0aaaaaaa| Chorus SW
|
| 05 00 00 0F#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 10 | 0aaaaaaa| Vocoder: Envelope Mode
|
| 05 00 00 11#| 0bbbbbbb|
0,,,2 = Sharp,Soft,Long|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 12 | 0aaaaaaa| Vocoder: Pan Mode
|
| 05 00 00 13#| 0bbbbbbb|
0,,,3 = Mono,Stereo,L—>R,R—>L|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 14 | 0aaaaaaa| Vocoder: Hold
|
| 05 00 00 15#| 0bbbbbbb|
0,1 = Off,MIDI|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 16 | 0aaaaaaa| Vocoder: Mic Sens
|
| 05 00 00 17#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 18 | 0aaaaaaa| Vocoder: Synth Input Level
|
| 05 00 00 19#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1A | 0aaaaaaa| Vocoder: Voice Char Level 1
|
| 05 00 00 1B#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1C | 0aaaaaaa| Vocoder: Voice Char Level 2
|
| 05 00 00 1D#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1E | 0aaaaaaa| Vocoder: Voice Char Level 3
|
| 05 00 00 1F#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 20 | 0aaaaaaa| Vocoder: Voice Char Level 4
|
| 05 00 00 21#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 22 | 0aaaaaaa| Vocoder: Voice Char Level 5
|
| 05 00 00 23#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 24 | 0aaaaaaa| Vocoder: Voice Char Level 6
|
| 05 00 00 25#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 26 | 0aaaaaaa| Vocoder: Voice Char Level 7
|
| 05 00 00 27#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 28 | 0aaaaaaa| Vocoder: Voice Char Level 8
|
| 05 00 00 29#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
113
MIDI Implementation
MIDI Implementation
MIDI Implementation
| 05 00 00 2A | 0aaaaaaa| Vocoder: Voice Char Level 9
|
| 05 00 00 2B#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2C | 0aaaaaaa| Vocoder: Voice Char Level 10
|
| 05 00 00 2D#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2E | 0aaaaaaa| Vocoder: Voice Char Level 11
|
| 05 00 00 2F#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 30 | 0aaaaaaa| Vocoder: Voice Char Level 12
|
| 05 00 00 31#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 32 | 0aaaaaaa| Vocoder: Voice Char Level 13
|
| 05 00 00 33#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 34 | 0aaaaaaa| Vocoder: Voice Char Level 14
|
| 05 00 00 35#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 36 | 0aaaaaaa| Vocoder: Voice Char Level 15
|
| 05 00 00 37#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 38 | 0aaaaaaa| Vocoder: Voice Char Level 16
|
| 05 00 00 39#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3A | 0aaaaaaa| Vocoder: Voice Char Level 17
|
| 05 00 00 3B#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3C | 0aaaaaaa| Vocoder: Voice Char Level 18
|
| 05 00 00 3D#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3E | 0aaaaaaa| Vocoder: Voice Char Level 19
|
| 05 00 00 3F#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 40 | 0aaaaaaa| Vocoder: Mic High Pass Filter
|
| 05 00 00 41#| 0bbbbbbb|
9,,,200 = Thru,1.0,,,20.0kHz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 42 | 0aaaaaaa| Vocoder: Mic High Pass Filter Pan
|
| 05 00 00 43#| 0bbbbbbb|
1,,,127 = L63,,,R63|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 44 | 0aaaaaaa| Vocoder: Mic Mix
|
| 05 00 00 45#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 46 | 0aaaaaaa| Vocoder: Noise Suppressor Threshold
|
| 05 00 00 47#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 48 | 0aaaaaaa| Chorus: Rate
|
| 05 00 00 49#| 0bbbbbbb|
1,,,100 = 0.1,,,10.0Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 4A | 0aaaaaaa| Chorus: Depth
|
| 05 00 00 4B#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 4C | 0aaaaaaa| Chorus: Pre Delay
|
| 05 00 00 4D#| 0bbbbbbb|
0,,,50ms|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 4E | 0aaaaaaa| Chorus: Mix Balance
|
| 05 00 00 4F#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 50 | 00
| (Reserved)
|
:
:
| 05 00 7F 7F | 00
|
|
+———————————————————————————————————————————————————————————————————————————+
❍Algorithm 29 Mic Modeling
+———————————————————————————————————————————————————————————————————————————+
| 05 00 00 0E | 0aaaaaaa| Link SW
|
| 05 00 00 0F#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 10 | 0aaaaaaa| Mic Converter Ach SW
|
| 05 00 00 11#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 12 | 0aaaaaaa| Bass Cut Ach SW
|
| 05 00 00 13#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 14 | 0aaaaaaa| Distance Ach SW
|
| 05 00 00 15#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 16 | 0aaaaaaa| Limiter Ach SW
|
| 05 00 00 17#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 18 | 0aaaaaaa| Mic Converter Bch SW
|
| 05 00 00 19#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1A | 0aaaaaaa| Bass Cut Bch SW
|
| 05 00 00 1B#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1C | 0aaaaaaa| Distance Bch SW
|
| 05 00 00 1D#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1E | 0aaaaaaa| Limiter Bch SW
|
| 05 00 00 1F#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 20 | 0aaaaaaa| Mic Converter Ach: Input
|
| 05 00 00 21#| 0bbbbbbb|
0,,,5 = DR—20,SmlDy,HedDy,MinCn,Flat,C300B|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 22 | 0aaaaaaa| Mic Converter Ach: Output
|
| 05 00 00 23#| 0bbbbbbb|
0,,,6 = SmlDy,VocDy,LrgDy,SmlCn,LrgCn,VntCn,Flat|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 24 | 0aaaaaaa| Mic Converter Ach: Phase
|
| 05 00 00 25#| 0bbbbbbb|
0,1 = Normal,Inverse|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 26 | 0aaaaaaa| Bass Cut Ach: Bass Cut Frequency
|
| 05 00 00 27#| 0bbbbbbb|
1,,,200 = Thru,20,,,2000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 28 | 0aaaaaaa| Distance Ach: Proximity Effect
|
| 05 00 00 29#| 0bbbbbbb|
—12,,,+12|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2A | 0aaaaaaa| Distance Ach: Timelag
|
| 05 00 00 2B#| 0bbbbbbb|
0,,,1000 = 0,,,3000cm|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2C | 0aaaaaaa| Limiter Ach: Detect HPF Frequency
|
| 05 00 00 2D#| 0bbbbbbb|
1,,,200 = Thru,20,,,2000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2E | 0aaaaaaa| Limiter Ach: Level
|
| 05 00 00 2F#| 0bbbbbbb|
—60,,,24dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 30 | 0aaaaaaa| Limiter Ach: Threshold
|
| 05 00 00 31#| 0bbbbbbb|
—60,,,0dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 32 | 0aaaaaaa| Limiter Ach: Attack
|
| 05 00 00 33#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 34 | 0aaaaaaa| Limiter Ach: Release
|
| 05 00 00 35#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 36 | 0aaaaaaa| Mic Converter Bch: Input
|
| 05 00 00 37#| 0bbbbbbb|
0,,,5 = DR—20,SmlDy,HedDy,MinCn,Flat,C300B|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 38 | 0aaaaaaa| Mic Converter Bch: Output
|
| 05 00 00 39#| 0bbbbbbb|
0,,,6 = SmlDy,VocDy,LrgDy,SmlCn,LrgCn,VntCn,Flat|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3A | 0aaaaaaa| Mic Converter Bch: Phase
|
| 05 00 00 3B#| 0bbbbbbb|
0,1 = Normal,Inverse|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3C | 0aaaaaaa| Bass Cut Bch: Bass Cut Frequency
|
| 05 00 00 3D#| 0bbbbbbb|
1,,,200 = Thru,20,,,2000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3E | 0aaaaaaa| Distance Bch: Proximity Effect
|
| 05 00 00 3F#| 0bbbbbbb|
—12,,,+12|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 40 | 0aaaaaaa| Distance Bch: Timelag
|
| 05 00 00 41#| 0bbbbbbb|
0,,,1000 = 0,,,3000cm|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 42 | 0aaaaaaa| Limiter Bch: Detect HPF Frequency
|
| 05 00 00 43#| 0bbbbbbb|
1,,,200 = Thru,20,,,2000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 44 | 0aaaaaaa| Limiter Bch: Level
|
| 05 00 00 45#| 0bbbbbbb|
—60,,,24dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 46 | 0aaaaaaa| Limiter Bch: Threshold
|
| 05 00 00 47#| 0bbbbbbb|
—60,,,0dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 48 | 0aaaaaaa| Limiter Bch: Attack
|
| 05 00 00 49#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 4A | 0aaaaaaa| Limiter Bch: Release
|
| 05 00 00 4B#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 4C | 00
| (Reserved)
|
:
:
| 05 00 7F 7F | 00
|
|
+———————————————————————————————————————————————————————————————————————————+
* When Mic Converter Input = MinCn, output is fixed to SmlDy or LrgCn.
* When Link Sw = On, Bch corresponds to Ach.
114
❍Algorithm 30 3 Band Isolator
+———————————————————————————————————————————————————————————————————————————+
| 05 00 00 0E | 0aaaaaaa| Isolator SW
|
| 05 00 00 0F#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 10 | 0aaaaaaa| Isolator High Volume
|
| 05 00 00 11#| 0bbbbbbb|
—60,,,+4dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 12 | 0aaaaaaa| Isolator Middle Volume
|
| 05 00 00 13#| 0bbbbbbb|
—60,,,+4dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 14 | 0aaaaaaa| Isolator Low Volume
|
| 05 00 00 15#| 0bbbbbbb|
—60,,,+4dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 16 | 0aaaaaaa| Isolator Anti Phase Middle Switch
|
| 05 00 00 17#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 18 | 0aaaaaaa| Isolator Anti Phase Middle Level
|
| 05 00 00 19#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1A | 0aaaaaaa| Isolator Anti Phase Low Switch
|
| 05 00 00 1B#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1C | 0aaaaaaa| Isolator Anti Phase Low Level
|
| 05 00 00 1D#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1E | 00
| (Reserved)
|
:
:
| 05 00 7F 7F | 00
|
|
+———————————————————————————————————————————————————————————————————————————+
❍Algorithm 31 Tape Echo 201
+———————————————————————————————————————————————————————————————————————————+
| 05 00 00 0E | 0aaaaaaa| Tape Echo SW
|
| 05 00 00 0F#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 10 | 0aaaaaaa| Tape Echo Mode Select
|
| 05 00 00 11#| 0bbbbbbb|
0,,,6 = 1,,,7|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 12 | 0aaaaaaa| Tape Echo Repeat Rate
|
| 05 00 00 13#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 14 | 0aaaaaaa| Tape Echo Intensity
|
| 05 00 00 15#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 16 | 0aaaaaaa| Tape Echo Effect Level
|
| 05 00 00 17#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 18 | 0aaaaaaa| Tape Echo Direct Level
|
| 05 00 00 19#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1A | 0aaaaaaa| Tape Echo Tone Bass
|
| 05 00 00 1B#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1C | 0aaaaaaa| Tape Echo Tone Treble
|
| 05 00 00 1D#| 0bbbbbbb|
—100,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1E | 0aaaaaaa| Tape Echo Tape Head S Pan
|
| 05 00 00 1F#| 0bbbbbbb|
1,,,127 = L63,,,R63|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 20 | 0aaaaaaa| Tape Echo Tape Head M Pan
|
| 05 00 00 21#| 0bbbbbbb|
1,,,127 = L63,,,R63|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 22 | 0aaaaaaa| Tape Echo Tape Head L Pan
|
| 05 00 00 23#| 0bbbbbbb|
1,,,127 = L63,,,R63|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 24 | 0aaaaaaa| Tape Echo Tape Distortion
|
| 05 00 00 25#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 26 | 0aaaaaaa| Tape Echo Wah Flutter Rate
|
| 05 00 00 27#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 28 | 0aaaaaaa| Tape Echo Wah Flutter Depth
|
| 05 00 00 29#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2A | 00
| (Reserved)
|
:
:
| 05 00 7F 7F | 00
|
|
+———————————————————————————————————————————————————————————————————————————+
❍Algorithm 32 Analog Flanger
+———————————————————————————————————————————————————————————————————————————+
| 05 00 00 0E | 0aaaaaaa| Analog Flanger SW
|
| 05 00 00 0F#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 10 | 0aaaaaaa| Analog Flanger Mode
|
| 05 00 00 11#| 0bbbbbbb|
0,,,3 = FL1,FL2,FL3,CHO|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 12 | 0aaaaaaa| Analog Flanger Feedback
|
| 05 00 00 13#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 14 | 0aaaaaaa| Analog Flanger Modulation Rate
|
| 05 00 00 15#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 16 | 0aaaaaaa| Analog Flanger Modulation Depth
|
| 05 00 00 17#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 18 | 0aaaaaaa| Analog Flanger Modulation Frequency
|
| 05 00 00 19#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1A | 0aaaaaaa| Analog Flanger Channel B Modulation
|
| 05 00 00 1B#| 0bbbbbbb|
0,1 = Nor,Inv|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1C | 0aaaaaaa| Analog Flanger Channel A Phase
|
| 05 00 00 1D#| 0bbbbbbb|
0,1 = Nor,Inv|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1E | 0aaaaaaa| Analog Flanger Channel B Phase
|
| 05 00 00 1F#| 0bbbbbbb|
0,1 = Nor,Inv|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 20 | 00
| (Reserved)
|
:
:
| 05 00 7F 7F | 00
|
|
+———————————————————————————————————————————————————————————————————————————+
❍Algorithm 33 Analog Phaser
+———————————————————————————————————————————————————————————————————————————+
| 05 00 00 0E | 0aaaaaaa| Analog Phaser SW
|
| 05 00 00 0F#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 10 | 0aaaaaaa| Analog Phaser Mode
|
| 05 00 00 11#| 0bbbbbbb|
0,1 = 4STAGE,8STAGE|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 12 | 0aaaaaaa| Analog Phaser Frequency
|
| 05 00 00 13#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 14 | 0aaaaaaa| Analog Phaser Resonance
|
| 05 00 00 15#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 16 | 0aaaaaaa| Analog Phaser LFO 1 Rate
|
| 05 00 00 17#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 18 | 0aaaaaaa| Analog Phaser LFO 1 Depth
|
| 05 00 00 19#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1A | 0aaaaaaa| Analog Phaser LFO 1 Channel B Mod
|
| 05 00 00 1B#| 0bbbbbbb|
0,1 = Nor,Inv|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1C | 0aaaaaaa| Analog Phaser LFO 2 Rate
|
| 05 00 00 1D#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1E | 0aaaaaaa| Analog Phaser LFO 2 Depth
|
| 05 00 00 1F#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 20 | 0aaaaaaa| Analog Phaser LFO 2 Channel B Mod
|
| 05 00 00 21#| 0bbbbbbb|
0,1 = Nor,Inv|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 22 | 00
| (Reserved)
|
:
:
| 05 00 7F 7F | 00
|
|
+———————————————————————————————————————————————————————————————————————————+
❍Algorithm 34 Speaker Modeling
+———————————————————————————————————————————————————————————————————————————+
| 05 00 00 0E | 0aaaaaaa| Speaker Modeling SW
|
| 05 00 00 0F#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 10 | 0aaaaaaa| Bass Cut SW
|
| 05 00 00 11#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 12 | 0aaaaaaa| Low Frequency Trimmer SW
|
| 05 00 00 13#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 14 | 0aaaaaaa| High Frequency Trimmer SW
|
| 05 00 00 15#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 16 | 0aaaaaaa| Limiter SW
|
| 05 00 00 17#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 18 | 0aaaaaaa| Output Speakers
|
| 05 00 00 19#| 0bbbbbbb|
0,1 = DS—90/DS—90A,DS—50A|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1A | 0aaaaaaa| Speaker Modeling Model
|
| 05 00 00 1B#| 0bbbbbbb| 0,,,11 = THRU,Super Flat,Powered GenBlk,
|
|
|
| Powered E—Bas,Powered Mack,Small Cube,White Cone,|
|
|
| White C +tissue,Small Radio,Small TV,Boom Box,
|
|
|
| BoomBox LoBoost
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1C | 0aaaaaaa| Speaker Modeling Phase
|
| 05 00 00 1D#| 0bbbbbbb|
0,1 = NRM,INV|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1E | 0aaaaaaa| Bass Cut Frequency
|
| 05 00 00 1F#| 0bbbbbbb|
1,,,200 = Thru,20,,,2000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 20 | 0aaaaaaa| Low Frequency Trimmer Gain
|
| 05 00 00 21#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 22 | 0aaaaaaa| Low Frequency Trimmer Frequency
|
| 05 00 00 23#| 0bbbbbbb|
2,,,200 = 20,,,2000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 24 | 0aaaaaaa| High Frequency Trimmer Gain
|
| 05 00 00 25#| 0bbbbbbb|
—12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 26 | 0aaaaaaa| High Frequency Trimmer Frequency
|
| 05 00 00 27#| 0bbbbbbb|
10,,,200 = 1.0,,,20.0kHz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 28 | 0aaaaaaa| Limiter Threshold
|
| 05 00 00 29#| 0bbbbbbb|
—60,,,0dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2A | 0aaaaaaa| Limiter Release
|
| 05 00 00 2B#| 0bbbbbbb|
0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2C | 0aaaaaaa| Limiter Level
|
| 05 00 00 2D#| 0bbbbbbb|
—60,,,24dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2E | 00
| (Reserved)
|
:
:
| 05 00 7F 7F | 00
|
|
+———————————————————————————————————————————————————————————————————————————+
❍Algorithm 35 Mastering Tool Kit (FX1,FX3,FX5,FX7)
+———————————————————————————————————————————————————————————————————————————+
| 05 00 00 0E | 0aaaaaaa| EQ SW
|
| 05 00 00 0F#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 10 | 0aaaaaaa| Bass Cut SW
|
| 05 00 00 11#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 12 | 0aaaaaaa| Enhancer SW
|
| 05 00 00 13#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 14 | 0aaaaaaa| Expander SW
|
| 05 00 00 15#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 16 | 0aaaaaaa| Compressor SW
|
| 05 00 00 17#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 18 | 0aaaaaaa| Limiter SW
|
| 05 00 00 19#| 0bbbbbbb|
0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1A | 0aaaaaaa| EQ: Input Gain
—24,,,12dB|
| 05 00 00 1B#| 0bbbbbbb|
|
+—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1C | 0aaaaaaa| EQ: Low EQ Type
0,1 = Shelving, Peaking|
| 05 00 00 1D#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1E | 0aaaaaaa| EQ: Low EQ Gain
—12,,,12dB|
| 05 00 00 1F#| 0bbbbbbb|
|
+—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 20 | 0aaaaaaa| EQ: Low EQ Frequency
2,,,42 = 20,,,2000Hz(*1)|
| 05 00 00 21#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 22 | 0aaaaaaa| EQ: Low EQ Q
0,,,31 = 0.3,,,16.0(*2)|
| 05 00 00 23#| 0bbbbbbb|
|
+—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 24 | 0aaaaaaa| EQ: Low Mid EQ Gain
—12,,,12dB|
| 05 00 00 25#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 26 | 0aaaaaaa| EQ: Low Mid EQ Frequency 2,,,54 = 20,,,8000Hz(*1)|
| 05 00 00 27#| 0bbbbbbb|
|
+—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 28 | 0aaaaaaa| EQ: Low Mid EQ Q
0,,,31 = 0.3,,,16.0(*2)|
| 05 00 00 29#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2A | 0aaaaaaa| EQ: High Mid EQ Gain
—12,,,12dB|
| 05 00 00 2B#| 0bbbbbbb|
|
+—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2C | 0aaaaaaa| EQ: High Mid EQ Frequency 2,,,54 = 20,,,8000Hz(*1)|
| 05 00 00 2D#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2E | 0aaaaaaa| EQ: High Mid EQ Q
0,,,31 = 0.3,,,16.0(*2)|
| 05 00 00 2F#| 0bbbbbbb|
|
+—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 30 | 0aaaaaaa| EQ: High EQ Type
0,1 = Shelving, Peaking|
| 05 00 00 31#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 32 | 0aaaaaaa| EQ: High EQ Gain
—12,,,12dB|
| 05 00 00 33#| 0bbbbbbb|
|
+—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 34 | 0aaaaaaa| EQ: High EQ Frequency 39,,,62 = 1.4,,,20.0kHz(*1)|
| 05 00 00 35#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 36 | 0aaaaaaa| EQ: High EQ Q
0,,,31 = 0.3,,,16.0(*2)|
| 05 00 00 37#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 38 | 0aaaaaaa| EQ: Level
—24,,,12dB|
| 05 00 00 39#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3A | 0aaaaaaa| Bass Cut Frequency
1,,,42 = Off,20,,,2000Hz(*1)|
| 05 00 00 3B#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3C | 0aaaaaaa| Enhancer Sens
0,,,100|
| 05 00 00 3D#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 3E | 0aaaaaaa| Enhancer Frequency
36,,,56 = 1.0,,,10.0kHz(*1)|
| 05 00 00 3F#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 40 | 0aaaaaaa| Enhancer Mix Level
—24,,,12dB|
| 05 00 00 41#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 42 | 0aaaaaaa| Input Gain
—24,,,12dB|
| 05 00 00 43#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 44 | 0aaaaaaa| Input Detect Time
0,,,10ms|
| 05 00 00 45#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 46 | 0aaaaaaa| Input Low Split Point
2,,,34 = 20,,,800Hz(*1)|
| 05 00 00 47#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 48 | 0aaaaaaa| Input High Split Point 40,,,60 = 1.6,,,16.0kHz(*1)|
| 05 00 00 49#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 4A | 0aaaaaaa| Expander Low Threshold
0,,,80 = —80,,,0dB|
| 05 00 00 4B#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 4C | 0aaaaaaa| Expander Mid Threshold
0,,,80 = —80,,,0dB|
| 05 00 00 4D#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 4E | 0aaaaaaa| Expander High Threshold
0,,,80 = —80,,,0dB|
| 05 00 00 4F#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 50 | 0aaaaaaa| Expander Low Ratio
0,,,13 = 1:1.0,,,1:INF(*3)|
| 05 00 00 51#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 52 | 0aaaaaaa| Expander Mid Ratio
0,,,13 = 1:1.0,,,1:INF(*3)|
| 05 00 00 53#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 54 | 0aaaaaaa| Expander High Ratio
0,,,13 = 1:1.0,,,1:INF(*3)|
| 05 00 00 55#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 56 | 0aaaaaaa| Expander Low Attack
0,,,100ms|
| 05 00 00 57#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 58 | 0aaaaaaa| Expander Mid Attack
0,,,100ms|
| 05 00 00 59#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 5A | 0aaaaaaa| Expander High Attack
0,,,100ms|
| 05 00 00 5B#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 5C | 0aaaaaaa| Expander Low Release
0,,,100 = 50,,,5000ms|
| 05 00 00 5D#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 5E | 0aaaaaaa| Expander Mid Release
0,,,100 = 50,,,5000ms|
| 05 00 00 5F#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 60 | 0aaaaaaa| Expander High Release
0,,,100 = 50,,,5000ms|
| 05 00 00 61#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 62 | 0aaaaaaa| Compressor Low Threshold
—24,,,0dB|
| 05 00 00 63#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 64 | 0aaaaaaa| Compressor Mid Threshold
—24,,,0dB|
| 05 00 00 65#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 66 | 0aaaaaaa| Compressor High Threshold
—24,,,0dB|
| 05 00 00 67#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 68 | 0aaaaaaa| Compressor Low Ratio
0,,,13 = 1:1.0,,,1:INF(*3)|
| 05 00 00 69#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 6A | 0aaaaaaa| Compressor Mid Ratio
0,,,13 = 1:1.0,,,1:INF(*3)|
| 05 00 00 6B#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 6C | 0aaaaaaa| Compressor High Ratio
0,,,13 = 1:1.0,,,1:INF(*3)|
| 05 00 00 6D#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 6E | 0aaaaaaa| Compressor Low Attack
0,,,100ms|
| 05 00 00 6F#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 70 | 0aaaaaaa| Compressor Mid Attack
0,,,100ms|
| 05 00 00 71#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 72 | 0aaaaaaa| Compressor High Attack
0,,,100ms|
| 05 00 00 73#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 74 | 0aaaaaaa| Compressor Low Release
0,,,100 = 50,,,5000ms|
| 05 00 00 75#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 76 | 0aaaaaaa| Compressor Mid Release
0,,,100 = 50,,,5000ms|
| 05 00 00 77#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 78 | 0aaaaaaa| Compressor High Release
0,,,100 = 50,,,5000ms|
| 05 00 00 79#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 7A | 0aaaaaaa| Mixer Low Level
0,,,86 = —80,,,6dB|
| 05 00 00 7B#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 7C#| 0aaaaaaa| Mixer Mid Level
0,,,86 = —80,,,6dB|
| 05 00 00 7D#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 7E | 0aaaaaaa| Mixer High Level
0,,,86 = —80,,,6dB|
| 05 00 00 7F#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 01 00#| 0aaaaaaa| Limiter Threshold
—24,,,0dB|
| 05 00 01 01#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 01 02 | 0aaaaaaa| Limiter Attack
0,,,100ms|
| 05 00 01 03#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 01 04 | 0aaaaaaa| Limiter Release
0,,,100 = 50,,,5000ms|
| 05 00 01 05#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 01 06 | 0aaaaaaa| Output Level
0,,,86 = —80,,,6dB|
| 05 00 01 07#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 01 08 | 0aaaaaaa| Output Soft Clip
0,1 = Off,On|
| 05 00 01 09#| 0bbbbbbb|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 01 0A | 00
| (Reserved)
|
:
:
| 05 00 7F 7F | 00
|
|
+———————————————————————————————————————————————————————————————————————————+
(*1) See the Frequency Table of NRPN and Effect Parameters "Algorithm 35 Mastering Tool
Kit."
(*2) See the Q Table of NRPN and Effect Parameters "Algorithm 35 Mastering Tool Kit."
(*3) See the Ratio Table of NRPN and Effect Parameters "Algorithm 35 Mastering Tool Kit."
●Sync Track Data
+———————————————————————————————————————————————————————————————————————————+
| Start
|
|
|
|
address | Data
|
Contents and remarks
|
|=============+=========+===================================================|
| 06 00 00 00 | 0000aaaa| Sync Track Data 1
|
| 06 00 00 01#| 0000bbbb|
aaaabbbbccccdddd
|
| 06 00 00 02#| 0000cccc|
|
| 06 00 00 03#| 0000dddd|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 06 00 00 04 | 0000aaaa| Sync Track Data 2
|
| 06 00 00 05#| 0000bbbb|
aaaabbbbccccdddd
|
| 06 00 00 06#| 0000cccc|
|
| 06 00 00 07#| 0000dddd|
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 06 00 00 08 | 0000aaaa| Sync Track Data 3
|
:
:
:
| 06 07 7F 7B#| 0000dddd| Sync Track Data 32767
|
|—————————————+—————————+———————————————————————————————————————————————————|
| 06 07 7F 7C | 0000aaaa| Sync Track Data 32768
|
| 06 07 7F 7D#| 0000bbbb|
aaaabbbbccccdddd
|
| 06 07 7F 7E#| 0000cccc|
|
| 06 07 7F 7F#| 0000dddd|
|
+———————————————————————————————————————————————————————————————————————————+
<Model ID = 00H 36H (VE-7000)>
Address are expressed in 7bit hexadecimal values.
Address
Binary
7 Bit Hex
MSB
0aaa aaaa
AA
0bbb bbbb
BB
LSB
0ccc cccc
CC
+————————————————————————————————————————————————————————————————————————+
| Start
|
|
|
| address | Data
|
Contents and remarks
|
|==========+=========+===================================================|
| 00 00 00 | 01
| CH_COM_PHASE
|
|——————————+—————————+———————————————————————————————————————————————————|
| 00 00 01 | 01
| VIEW SCREEN (ATT)
|
|——————————+—————————+———————————————————————————————————————————————————|
| 00 00 02 | 01
| DYNAMICS SWITCH
|
|——————————+—————————+———————————————————————————————————————————————————|
| 00 00 03 | 01
| DYNAMICS SCREEN
|
|——————————+—————————+———————————————————————————————————————————————————|
| 00 00 04 | 01
| AUX1 SEND SWITCH
|
|——————————+—————————+———————————————————————————————————————————————————|
| 00 00 05 | 01
| AUX2 SEND SWITCH
|
|——————————+—————————+———————————————————————————————————————————————————|
| 00 00 06 | 01
| AUX3 SEND SWITCH
|
|——————————+—————————+———————————————————————————————————————————————————|
| 00 00 07 | 01
| AUX4 SEND SWITCH
|
|——————————+—————————+———————————————————————————————————————————————————|
| 00 00 08 | 01
| AUX5 SEND SWITCH
|
|——————————+—————————+———————————————————————————————————————————————————|
| 00 00 09 | 01
| AUX6 SEND SWITCH
|
|——————————+—————————+———————————————————————————————————————————————————|
| 00 00 0A | 01
| AUX7 SEND SWITCH
|
|——————————+—————————+———————————————————————————————————————————————————|
| 00 00 0B | 01
| AUX8 SEND SWITCH
|
|——————————+—————————+———————————————————————————————————————————————————|
| 00 00 10 | 01
| VIEW SCREEN (AUX SEN