Yamaha RX-V1070 OWNER'S MANUAL

Yamaha RX-V1070 OWNER'S MANUAL
RX-V1070/870
Natural Sound Stereo Receiver
Thank you for selecting this YAMAHA stereo receiver.
OWNER’S MANUAL
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CONTENTS
Safety Instructions ................... 2
Features ................................... 4
Supplied Accessories .............. 4
Profile of This Unit ................... 5
Speaker Setup for This Unit ..... 6
Connections ............................. 7
Adjustment Before Operation ... 12
Operations ............................. 15
Tuning Operations .................. 17
Using Digital Sound Field
Processor (DSP) .................... 19
Setting the SLEEP Timer ....... 24
Remote Control Transmitter ... 25
Notes about the Remote
Control Transmitter ................. 28
Troubleshooting ...................... 29
Specifications ......................... 30
CAUTION: TO REDUCE THE RISK OF
ELECTRIC SHOCK, DO NOT REMOVE
COVER (OR BACK), NO USER-SERVICEABLE
PARTS INSIDE, REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.
IMPORTANT!
Please record the serial number of this
unit in the space below.
• Explanation of Graphical Symbols
Model:
Serial No.:
The serial number is located on the rear
of the unit.
Retain this Owner’s Manual in a safe
place for future reference.
WARNING
TO REDUCE THE RISK OF FIRE OR
ELECTRIC SHOCK, DO NOT EXPOSE
THIS UNIT TO RAIN OR MOISTURE.
The lightning flash with arrowhead
symbol, within an equilateral triangle,
is intended to alert you to the
presence of uninsulated “dangerous
voltage” within the product’s
enclosure that may be of sufficient
magnitude to constitute a risk of
electric shock to persons.
The exclamation point within an
equilateral triangle is intended to alert
you to the presence of important
operating and maintenance
(servicing) instructions in the
literature accompanying the
appliance.
SAFETY INSTRUCTIONS
1
Read Instructions – All the safety and operating
instructions should be read before the unit is operated.
A. The power-supply cord or the plug has been damaged;
Retain Instructions – The safety and operating instructions
should be retained for future reference.
B. Objects have fallen, or liquid has been spilled into the unit;
3
Heed Warnings – All warnings on the unit and in the
operating instructions should be adhered to.
C. The unit has been exposed to rain; or
4
Follow Instructions – All operating and other instructions
should be followed.
5
Water and Moisture – The unit should not be used near
water – for example, near a bathtub, washbowl, kitchen
sink, laundry tub, in a wet basement, or near a swimming
pool, etc.
2
6
or
or
D. The unit does not appear to operate normally or exhibits a
marked change in performance; or
E. The unit has been dropped, or the cabinet damaged.
Carts and Stands – The unit should be used only with a
cart or stand that is recommended by the manufacturer.
6A A unit and cart combination should
be moved with care. Quick stops,
excessive force, and uneven
surfaces may cause the unit and
cart combination to overturn.
7
Wall or Ceiling Mounting – The unit
should be mounted to a wall or ceiling only as
recommended by the manufacturer.
8
Ventilation – The unit should be situated so that its
location or position does not interfere with its proper
ventilation. For example, the unit should not be situated
on a bed, sofa, rug, or similar surface, that may block the
ventilation openings; or placed in a built-in installation,
such as a bookcase or cabinet that may impede the flow
of air through the ventilation openings.
9
Heat – The unit should be situated away from heat
sources such as radiators, stoves, or other appliances that
produce heat.
16 Servicing – The user should not attempt to service the unit
beyond those means described in the operating
instructions. All other servicing should be referred to
qualified service personnel.
17 Power Lines – An outdoor antenna should be located
away from power lines.
18 Grounding or Polarization – Precautions should be taken
so that the grounding or polarization is not defeated.
19 Outdoor Antenna Grounding – If an outside antenna is
connected to this unit, be sure the antenna system is
grounded so as to provide some protection against voltage
surges and built-up static charges. Article 810 of the
National Electrical Code, ANSI/NFPA 70, provides
information with regard to proper grounding of the mast
and supporting structure, grounding of the lead-in wire to
an antenna discharge unit, size of grounding conductors,
location of antenna discharge unit, connection to
grounding electrodes, and requirements for the grounding
electrode.
EXAMPLE OF ANTENNA GROUNDING
MAST
10 Power Sources – The unit should be connected to a power
supply only of the type described in the operating
instructions or as marked on the unit.
GROUND
CLAMP
11 Power-Cord Protection – Power-supply cords should be
routed so that they are not likely to be walked on or
pinched by items placed upon or against them, paying
particular attention to cords at plugs, convenience
receptacles, and the point where they exit from the unit.
ANTENNA
DISCHARGE UNIT
(NEC SECTION 810–20)
ELECTRIC
SERVICE
EQUIPMENT
GROUNDING CONDUCTORS
(NEC SECTION 810–21)
GROUND CLAMPS
12 Cleaning – The unit should be cleaned only as
POWER SERVICE GROUNDING
ELECTRODE SYSTEM
(NEC ART 250. PART H)
recommended by the manufacturer.
13 Nonuse Periods – The power cord of the unit should be
ANTENNA
LEAD IN
WIRE
NEC – NATIONAL ELECTRICAL CODE
unplugged from the outlet when left unused for a long
period of time.
Note to CATV system installer:
14 Object and Liquid Entry – Care should be taken so that
objects do not fall into and liquids are not spilled into the
inside of the unit.
15 Damage Requiring Service – The unit should be serviced
by qualified service personnel when:
2
This reminder is provided to call the CATV system
installer's attention to Article 820-40 of the NEC that
provides guidelines for proper grounding and, in
particular, specifies that the cable ground shall be
connected to the grounding system of the building, as
close to the point of cable entry as practical.
Caution: Read this before operating your unit
1
2
3
4
5
To ensure the finest performance, please read this
manual carefully. Keep it in a safe place for future
reference.
Install your unit in a cool, dry, clean place – away from
windows, heat sources, and too much vibration, dust,
moisture or cold. Avoid sources of hum (transformers,
motors). To prevent fire or electrical shock, do not
expose to rain and water.
Do not operate the unit upside-down. It may overheat,
possibly causing damage.
Never open the cabinet. If a foreign object drops into
the set, contact your dealer.
Do not use force on switches, knobs or cords. When
moving the set, first turn the unit off. Then gently
disconnect the power plug and the cords connecting to
other equipment. Never pull the cord itself.
6
7
8
9
10
Do not attempt to clean the unit with chemical solvents;
this might damage the finish. Use a clean, dry cloth.
Always set the volume control to “– ∞” before starting
the audio source play: increase the volume gradually to
an appropriate level after the play is started.
To prevent lightning damage, pull out the power cord
and remove the antenna cable during an electrical
storm.
Be sure to read the “Troubleshooting” section on
common operating errors before concluding that your
unit is faulty.
Do not connect audio equipment to the AC outlets on
the rear panel if that equipment requires more power
than the outlets are rated to provide.
FCC INFORMATION
1. IMPORTANT NOTICE : DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the
instructions contained in this manual, meets FCC
requirements. Modifications not expressly approved by
Yamaha may void your authority, granted by the FCC, to
use the product.
2. IMPORTANT : When connecting this product to
accessories and/or another product use only high quality
shielded cables. Cable/s supplied with this product
MUST be used. Follow all installation instructions.
Failure to follow instructions could void your FCC
authorization to use this product in the USA.
3. NOTE : This product has been tested and found to
comply with the requirements listed in FCC Regulations,
Part 15 for Class “B” digital devices. Compliance with
these requirements provides a reasonable level of
assurance that your use of this product in a residential
environment will not result in harmful interference with
other electronic devices.
This equipment generates/uses radio frequencies and, if
not installed and used according to the instructions
found in the users manual, may cause interference
harmful to the operation of other electronic devices.
Compliance with FCC regulations does not guarantee that
interference will not occur in all installations. If this product
is found to be the source of interference, which can be
determined by turning the unit “OFF” and “ON”, please try
to eliminate the problem by using one of the following
measures:
Relocate either this product or the device that is being
affected by the interference.
Utilize power outlets that are on different branch (circuit
breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the
antenna. If the antenna lead-in is 300 ohm ribbon lead,
change the lead-in to coaxial type cable.
If these corrective measures do not produce satisfactory
results, please contact the local retailer authorized to
distribute this type of product. If you can not locate the
appropriate retailer, please contact Yamaha Electronics
Corp., U.S.A. 6660 Orangethorpe Ave, Buena Park, CA
90620.
The above statements apply ONLY to those products
distributed by Yamaha Corporation of America or its
subsidiaries.
We Want You Listening For A Lifetime
YAMAHA and the Electronic Industries Association’s
Consumer Electronics Group want you to get the most out of
your equipment by playing it at a safe level. One that lets the
sound come through loud and clear without annoying blaring or
distortion – and, most importantly, without
affecting your sensitive hearing. Since hearing
damage from loud sounds is often undetectable
until it is too late, YAMAHA and the Electronic
Industries Association’s Consumer Electronics
Group recommend you to avoid prolonged
exposure from excessive volume levels.
3
FEATURES
5 Speaker Configuration
●
●
Digital Sound Field Processor (Including Dolby
Pro Logic Surround Decoder)
4 Programs for Audio Sources
4 Programs for Audio/Video Sources
●
Automatic Input Balance Control for Dolby
Surround
●
Test Tone Generator for Easier Speaker Output
Balance Adjustment
●
3 Center Channel Modes
(NORMAL/WIDE/PHANTOM)
●
40-Station Random Preset Tuning
●
Video Signal Input/Output Capability (Including S
Video Connections)
●
SLEEP Timer
●
On Screen Displays Which Is Helpful in
Controlling This Unit
●
Programmable Remote Control Transmitter
<RX-V1070>
Front:
110W + 110W (8Ω)/135W + 135W (6Ω)
RMS Output Power, 0.015% THD,
20–20,000 Hz
Center: 110W (8Ω)/135W (6Ω) RMS Output
Power, 0.015% THD, 20–20,000 Hz
Rear:
30W + 30W (8Ω)/40W + 40W (6Ω) RMS
Output Power, 0.08% THD, 1,000 Hz
<RX-V870>
Front:
80W + 80W (8Ω)/95W + 95W (6Ω) RMS
Output Power, 0.015% THD,
20–20,000 Hz
Center: 80W (8Ω)/95W (6Ω) RMS Output Power,
0.015% THD, 20–20,000 Hz
Rear:
25W + 25W (8Ω)/28W + 28W (6Ω) RMS
Output Power, 0.08% THD, 1,000 Hz
SUPPLIED ACCESSORIES
After unpacking, check that the following parts are contained.
●
Remote Control Transmitter
<RX-V1070>
●
Batteries (size AA, R6, UM-3)
●
Indoor FM Antenna
●
User Program Sheets
●
AM Loop Antenna
<RX-V870>
OPEN/CLOSE THE CONTROL DOOR
<for RX-V1070 only>
When it is not necessary to operate controls inside the control door, close the door.
To close the door
4
To open the door
PROFILE OF THIS UNIT
You are the proud owner of this Yamaha stereo receiver –an extremely sophisticated audio component. The Digital Sound Field
Processor (DSP) built into this unit takes full advantage of Yamaha’s undisputed leadership in the field of digital audio processing to
bring you a whole new world of listening experiences. Follow the instructions in this manual carefully when setting up your system,
and this unit will sonically transform your room into a wide range of listening environments –movie theater, concert hall, and so on.
In addition, you get incredible realism from Dolby-encoded video sources using the built-in Dolby Pro Logic Surround Decoder.
Rather than tell you about the wonders of digital sound field processing, however, let’s get right down to the business of setting up
the system and trying out its many capabilities. Please read this operation manual carefully and store it in a safe place for later
reference.
Digital Sound Field Processing
What is it that makes live music so good? Today’s advanced
sound reproduction technology lets you get extremely close to
the sound of a live performance, but chances are you’ll still
notice something missing: the acoustic environment of the live
concert hall. Extensive research into the exact nature of the
sonic reflections that create the ambience of a large hall has
made it possible for Yamaha engineers to bring you this same
sound in your own listening room, so you’ll feel all the sound of
a live concert.
What’s more, our technicians, armed with sophisticated
measuring equipment, have even made it possible to capture
the acoustics of a variety of venues such as an actual concert
hall, theater, etc. to allow you to accurately recreate one of
several actual live performance environments, all in your own
home.
Dolby Pro Logic Surround
The Dolby Pro Logic Surround Decoder program lets you
experience the dramatic realism and impact of Dolby Surround
movie theater sound in your own home. Dolby Pro Logic gets
its name from its professional-grade steering logic circuitry,
which provides greater effective channel separation for a much
higher degree of realism than the “passive” Dolby Surround
circuits found in today’s typical home audio/video equipment.
Dolby Pro Logic Surround provides a true center channel, so
that there are four independent channels, unlike passive Dolby
Surround which has in effect only three channels: left, right,
and rear. This center channel allows listeners seated in even
less-than-ideal positions to hear the dialog originating from
action on the screen while getting a stereo effect as well.
This Dolby Pro Logic Surround Decoder employs a digital
signal processing system. This system increases sound
stability at each channel and minimizes crosstalk between
channels compared to conventional analog Dolby signal
processing.
In addition, this unit features a built-in automatic input balance
control. This circuit always presents you the best surround
conditions without performing manual adjustments.
Dolby Pro Logic Surround + DSP
You can also enjoy Dolby Pro Logic with two modes of Digital
Surround field processing. These combinations expand the
surround effect. One is the “ENHANCED” Dolby Pro Logic
Surround, which recreates the surround effect of the 35 mm
film movie theater.
The other is the combination of Dolby Pro Logic and the sound
field program “70 mm MOVIE THEATER”, which recreates the
listening experience of a 70 mm film theater.
Directional Enhancement Circuit + DSP
The newly featured directional enhancement circuit expands
and focuses the digital sound field by emphasizing position of
sound.
This effect puts you in the midst of the action, while centering
and focusing your attention to the screen. This circuit is
available on the sound field program “TV THEATER”.
5
SPEAKER SETUP FOR THIS UNIT
SPEAKERS TO BE USED
This unit is designed to provide the best sound-field quality with a 5 speaker configuration. The speakers to be used with this unit
will be mainly front speakers, rear speakers, and a center speaker. (You can omit the center speaker. Refer to the “4-Speaker
Configuration” shown below.)
The front speakers are used for the output of the main source sound and the effect sound. They will probably be the speakers of
your present stereo speaker system. The rear speakers are used for the output of the effect sound. And the center speaker is
used for the output of the center sound (most important effects as well as dialogue) encoded with the Dolby Surround. The rear
and center speakers do not need to be equal in power to the front speakers. However, all the speakers should have high enough
power handling to accept the maximum output of this unit.
SPEAKER CONFIGURATION
5-Speaker Configuration
4-Speaker Configuration
This configuration is the most effective and is the one that is
recommended. In this configuration, the center speaker is
necessary as well as the rear speakers. If the digital sound
field program is in DOLBY PRO LOGIC, ENHANCED or TV
THEATER mode conversations will be output from the center
speaker and the ambience will be excellent.
● Set the center mode to the “NORMAL” or “WIDE” position.
(For details, refer to page 13.)
The center speaker is not used in this configuration. If the
digital sound field program is in the DOLBY PRO LOGIC,
ENHANCED or TV THEATER mode, the center sound is
output from the left and the right front speakers. However, the
sound effect of other programs can be the same as that of the
5-speaker configuration.
● Be sure to set the center mode to the “PHANTOM” position.
(For details, refer to page 13.)
Front L
Center
Front R
Front L
Dialogue
Dialogue
Surround sound
Surround sound
Rear L
Rear R
Rear L
Front R
Rear R
SPEAKER PLACEMENT
The recommanded speaker configuration, the 5-speaker configuration, will require two speaker pairs: front speakers (your normal
stereo speakers), and rear speakers, plus a center speaker. When you place these speakers, refer to the following.
Front R
Center
Front:
Front L
TV set
Rear R
Rear L
6
In normal position. (The position of your present
stereo speaker system.)
Rear: Behind your listening position, facing slightly inward.
Nearly six feet (approx. 1.8 m) up from the floor.
Center: Precisely between the front speakers. (To avoid
interference with TV sets, use a magnetically shielded
speaker. If, however, it is not effective, keep the
speaker away from TV sets.)
CONNECTIONS
Before attempting to make any connections to or from this unit, be sure to first switch OFF the power to this unit and to any other
components to which connections are being made.
CONNECTIONS WITH OTHER COMPONENTS
When making connections between this unit and other components, be sure all connections are made correctly, that is to say L
(left) to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each component to be connected to this unit.
Front speakers A
Center speaker(s)
LD player Video cassette recorder 1
Right
Left
Compact disc player
(U.S.A. model)
Turntable
Tape deck 1
To AC outlet
Right
Left
Right
Video cassette recorder 2
or tape deck 2
Monitor TV
Front speakers B
Left
Rear speakers
: Refer to “ABOUT THE ACCESSORY TERMINALS” on page 10.
7
CONNECTING S VIDEO TERMINALS
If your video cassette recorder, video disc player, etc. and your monitor are equipped with “S” (high-resolution) video terminals,
connect them to this unit’s S VIDEO terminals, and connect this unit’s S VIDEO MONITOR OUT terminal to the “S” video input of
your monitor. Otherwise, connect the composite video terminals from your video cassette recorder, video disc player, etc. to the
composite video terminals of this unit, and connect this unit’s composite MONITOR OUT terminal to the composite video input of
your monitor.
Note
If video signals are sent to both S VIDEO input and composite input terminals, the signals will be sent to their respective
output terminals independently.
LD player
Video cassette recorder 2
Video cassette recorder 1
Monitor TV
ON SCREEN DISPLAYS
If you connect your video cassette recorder, video disc player, video monitor, etc. to this unit, you can take advantage of this unit’s
capability to display DSP program names and information about other various settings and adjustments on your video monitor’s
screen. This information will be superimposed over the video image.
If there is no video source connected or it is turned off, the information will be displayed over a monochromatic background.
Notes
● If you watch a video source that is connected to both S VIDEO and composite video input terminals of this unit, signals of screen
display information are output from only the S VIDEO MONITOR OUT terminal.
● When no video signal is input to either S VIDEO input or composite video input terminals of this unit, signals of screen display
information are output from both S VIDEO MONITOR OUT and composite MONITOR OUT terminals with a monochromatic
background.
* For the General Model, if the PAL/NTSC switch on the rear panel is set to “PAL”, nothing will be output from either S VIDEO
MONITOR OUT or composite MONITOR OUT terminal in this case.
8
CONNECTING SPEAKERS
Connect the SPEAKERS terminals to your speakers with wire
of the proper gauge, cut to be as short as possible. If the
connections are faulty, no sound will be heard from the
speakers. Make sure that the polarity of the speaker wires is
correct, that is, + and – markings are observed. If these wires
are reversed, the sound will be unnatural and will lack bass.
Do not let the bare speaker wires touch each other and do
not let them touch the metal parts of this unit as this could
damage this unit and/or speakers.
● Use speakers with the specified impedance shown on the
rear of this unit.
How to Connect:
Red: positive (+)
Black: negative (–)
➀ Unscrew the knob.
➁ Insert the bare wire.
2
3
1
Front speaker connection:
One or two speaker systems can be connected to this unit. If
you connect only one speaker system, connect it to either the
FRONT A or B terminals.
Rear speaker connection:
One rear speaker system can be connected to the REAR
terminals.
Center speaker connection:
One or two center speakers can be connected to this unit. If
you connect only one center speaker, connect it to either the
CENTER C or D terminals.
While connecting, be sure to set the CENTER speaker
impedance switch to the proper position.
Set to “C + D” when using two center speakers, or to “C OR D”
when using only one center speaker. If the switch is set to the
improper position, no sound may be heard from the center
speaker.
[Remove approx. 5mm
(1/4") insulation from
the speaker wires.]
➂ Tighten the knob and
secure the wire.
C D
C OR D
* Banana Plug connections are also possible. Simply insert the
Banana Plug connector into the corresponding terminal.
USING AUX TERMINALS (ON THE FRONT PANEL) <for RX-V1070 only>
These terminals are used to connect an auxiliary video
input source such as a camcorder to this unit.
AUDIO OUT
R
AUDIO OUT
L
VIDEO OUT
VIDEO
Camcorder
9
ABOUT THE ACCESSORY TERMINALS
AC OUTLETS
FRONT OUT terminals
(U.S.A., Canada and General models)
......... 2 SWITCHED OUTLETS and 1 UNSWITCHED OUTLET
(Australia model) ...................................1 SWITCHED OUTLET
Use these to connect the power cords from your components
to this unit.
The power to the SWITCHED outlets is controlled by this unit’s
POWER switch or the provided remote control transmitter’s
POWER key. These outlets will supply power to any
component whenever this unit is turned on.
The power to the UNSWITCHED outlet can not be controlled
by this unit’s POWER switch or the provided remote control
transmitter’s POWER key.
These terminals are for front-channel line output. Leave the
jumper bars connected to FRONT IN terminals when you use
the built-in amplifier.
However, if you drive front speakers with an external stereo
power amplifier, remove the jumper bars and connect the input
terminals of the external amplifier (MAIN IN or AUX terminals
of a power amplifier or an integrated amplifier) to these
terminals.
<U.S.A. and General models>
The maximum power (total power consumption of
components) that can be connected to the SWITCHED AC
OUTLETS is 100 watts.
The maximum power (total power consumption of
components) that can be connected to the UNSWITCHED AC
OUTLET is 200 watts.
<Canada model>
The maximum power (total power consumption of
components) that can be connected to the SWITCHED AC
OUTLETS is 120 watts.
The maximum power (total power consumption of
components) that can be connected to the UNSWITCHED AC
OUTLET is 180 watts.
These terminals are for line input to the built-in front-channel
amplifier. Leave the jumper bars connected to FRONT OUT
terminals when you use the built-in amplifier.
However, if you drive front speakers with an external stereo
power amplifier, remove the jumper bars.
REAR OUT terminals
These terminals are for rear-channel line output. If you use the
built-in amplifier, there is no connection to these terminals.
However, if you drive rear speakers with an external stereo
power amplifier, connect the input terminals of the external
amplifier to these terminals.
If you use the built-in amplifier and the external power amplifier
at the same time, the sound will be output only through the
external one.
<Australia model>
CENTER OUT terminal
The maximum power (total power consumption of
components) that can be connected to the SWITCHED AC
OUTLET is 100 watts.
This terminal is for center-channel line output. There is no
connection to this terminal when you use the built-in amplifier.
However, if you drive a center speaker with an external power
amplifier, connect the input terminal of the external amplifier to
this terminal.
If you use the built-in amplifier and the external power amplifier
at the same time, the sound will be output only through the
external one.
REMOTE CONTROL (PHONO) connector
If you have a YAMAHA turntable with the terminal for remote
control, connect it to this connector by using the cable provided
with the turntable. This connection allows you to control the
turntable from the provided remote control transmitter.
GND terminal (For turntable use)
Connecting the ground wire of the turntable to this terminal will
minimize hum, but in some cases better results may be
obtained with the ground wire disconnected.
10
FRONT IN terminals
LOW PASS terminal
This terminal is for output to a mono amplifier driving a
subwoofer. Frequencies above 200 Hz are filtered out so that
only the bass range remains.
●
●
Each antenna should be connected to the designated terminals correctly, referring to the following figure.
Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal
strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience
poor reception quality, an outdoor antenna may result in improvement.
Outdoor FM antenna
ENGLISH
ANTENNA CONNECTIONS
Outdoor AM antenna
Indoor FM
antenna
(included)
AM loop
antenna
(included)
300-ohm
feeder
75-ohm
coaxial
cable
75-ohm/300-ohm
antenna adapter
Ground
Connecting the AM loop antenna
1
2
3
➀
Orient so that the best
reception is obtained.
➂
➁
* The AM loop antenna should be placed apart from the main unit. The antenna may be hung on a wall.
* The AM loop antenna should be kept connected, even if an outdoor AM antenna is connected to this unit.
GND terminal
For maximum safety and minimum interference, connect the
GND terminal to a good grounding. A good grounding is a
metal stake driven into moist earth.
Notes
When connecting the indoor
FM antenna, make sure that
the grooved part of the
connector hole is facing
downward.
●
●
If you need an outdoor FM antenna to improve FM reception
quality, either a 300-ohm feeder or a coaxial cable may be
used. In locations troubled by electrical interference, a
coaxial cable is preferable.
11
ADJUSTMENT BEFORE OPERATION
Speaker balance adjustment
This procedure lets you adjust the sound output level balance between the front, center, and rear speakers using the built-in test
tone generator. With this adjustment, the sound output level heard at the listening position will be the same from each speaker.
This is important for the best performance of the digital sound field processor.
The adjustment of each speaker output level should be done at your listening position with the remote control
transmitter.
Otherwise, the result may not be satisfactory.
* If your monitor is connected to this unit, by turning it on, display information and image on the monitor’s screen will help you to
perform this adjustment.
6
1
5
6
2 4
3
Illustrations: RX-V1070
Parts in shaded areas (
) are not present on RX-V870.
4
1
∞”.
Set to “
OFF
2 Select the front speakers to be used.
Set to “OFF”.
SPEAKERS
5
* If you use two front speaker systems, press both the A
and B switches.
3
BASS
TREBLE
Set to “DEFEAT”.
12
BALANCE
Set to “0”.
Set to “YPC”.
6
POWER
7
10
9
7
8
10
Illustrations: RX-V1070
Parts in shaded areas (
) are not present on RX-V870.
For detailed information on the remote control transmitter, refer to “REMOTE CONTROL TRANSMITTER” on page 25.
10
7
ou
8
Select the center mode according to your speaker
configuration.
(Refer to “SPEAKER CONFIGURATION” on page 6.)
CENTER
MODE
Turn up the volume by using the remote control
transmitter. You will hear a test tone (like pink noise)
from the left front speaker, then the center speaker,
then the right front speaker, and then the rear
speakers, for about two seconds each. The display
changes as shown below.
Front (L)
Center
Rear
(L and R)
Front (R)
NORMAL
WIDE
PHANTOM
On the feature of each mode, refer to the “Note” shown
below.
9
* If your monitor is on, the state of test tone output is also
shown by an image of audio listening room on the
monitor’s screen.
* The test tone from the left rear speaker and the right rear
speaker will be heard at the same time.
Note
In step 8, when you select the center mode, note the following.
NORMAL
Flashes continuously.
For 5 speaker configuration)
NORMAL: Select this mode when you use a center speaker
that is smaller than the front speakers. In this
mode, the bass tone will be output from the front
speakers.
WIDE:
Select this mode when you use the center speaker
approximately same sized as the front speakers.
For 4 speaker configuration)
PHANTOM: Select this mode when you do not use the center
speaker. The center sound will be output from the
left and right front speakers.
13
14
12
13
1
Illustrations: RX-V1070
Parts in shaded areas (
) are not present on RX-V870.
Adjust the BALANCE control so that the effect sound
11 output
level of the left front speaker and the right front
14 Cancel the test tone.
speaker are the same.
NORMAL
Stops flashing and disappears.
BALANCE
Notes
The FRONT EFFECT LEVEL key does not function if the
unit is in the “test” mode. Because the effect sound output
level of the front speakers is used as the basis in speaker
balance adjustment.
● Once you have completed these adjustments, you can
adjust whole sound level on your audio system by using the
VOLUME control (or the MASTER VOLUME keys on the
remote control transmitter).
● If you use external power amplifiers, their volume controls
may also be adjusted to achieve proper balance.
● In step 12, if the center mode is in the “PHANTOM” position,
the sound output level of the center speaker can not be
adjusted. This is because in this mode, the center sound is
automatically output from the left and right front speakers.
●
the sound output level of the center speaker the
12 Make
same as that of the front speakers with the CENTER
LEVEL key.
NORMAL
C
Illuminates. Adjustable
the sound output level of the rear speakers the
13 Make
same as that of the front speakers with the REAR
LEVEL key.
NORMAL
R
Illuminates.
14
Adjustable
OPERATIONS
Illustrations: RX-V1070
Parts in shaded areas (
)
are not present on RX-V870.
PHONES jack
7
3, 3, 5
Tuner controls
2
4
TONE BYPASS
BASS EXTENSION
To play a source
1
7
Set to the “∞” position.
2
1, 6, 3
1
7
If desired, adjust the BASS, TREBLE, BALANCE
controls, etc. (refer to page 16) and use the digital
sound field processor. (Refer to page 19.)
To record a source to tape (or dub from a
tape to another)
POWER
1
Select the source to be recorded.
* “AUX” is not present
on RX-V870.
3
Select the desired input source with the input selector
switches. (For video sources, turn the TV/monitor ON.)
* The indicator corresponding to the
selected input source will illuminate.
4
Select the front speakers to be used.
SPEAKERS
2
3
4
5
Play the source.
Confirm the source by selecting it with the input
selector switch and turning up the VOLUME control.
Set the tape deck or VCR to the recording mode.
If your tape deck has three head monitoring capability,
you can monitor the signal just recorded by selecting
the tape deck in the recording mode with the input
selector switch.
* If you use two front speaker systems, press both the A
and B switches.
5
Play the source. (For detailed information on the tuning
operation, refer to the page 17.)
6
* Also, refer to the manual of the tape deck being used.
Notes
• If you want to enjoy another source while recording, select it
with the input selector switch.
• Adjusting the VOLUME, BASS, TREBLE, BALANCE
controls, BASS EXTENSION and TONE BYPASS switch
and operating the digital sound field processor during
recording have no effect on the material being recorded.
Adjust to the desired output level.
15
Adjusting the BALANCE control
Adjust the balance of the output volume to the left and right
speakers to compensate for sound imbalance caused by
speaker location or listening room conditions.
Selecting the SPEAKER system
Because one or two speaker systems (as front speakers) can
be connected to this unit, the SPEAKERS switches allow you
to select speaker system A or B, or both at once.
BALANCE
SPEAKERS
Note
This control is effective only for the sound from the front
speakers.
Adjusting the BASS and TREBLE
controls
BASS
BASS
TREBLE
: Turn this clockwise to increase (or counterclockwise to decrease) the low frequency
response.
TREBLE : Turn this clockwise to increase (or counterclockwise to decrease) the high frequency
response.
Note
These controls are effective only for the sound from the front
speakers.
When you listen with headphones
Connect the headphones to the PHONES jack. You can listen
to the main sound through headphones. When listening with
headphones privately, set both the SPEAKERS A and B
switches to the OFF position.
PHONES
16
Using the TONE BYPASS switch
Press this switch to revert instantly to the flat states of the
BASS and TREBLE controls without changing the setting of
these controls.
Using the BASS EXTENSION switch
You can boost bass frequency response by setting this switch
to the “ON” position. This switch is effective only on the sound
from the front speakers.
TUNING OPERATIONS
Normally, if station signals are strong and there is no interference, quick automatic-search tuning (AUTOMATIC TUNING) is possible.
However, if signals of the station you want to select are weak, you must tune to it manually (MANUAL TUNING).
3, 4, 3 2, 2
Illustrations: RX-V1070
Parts in shaded areas (
)
are not present on RX-V870.
1, 1
AUTOMATIC TUNING
1
MANUAL TUNING
Select the reception band (FM or AM) while watching
the display.
ou
AM
2
1
Select the reception band (FM or AM) while watching
the display.
AM
FM
FM
2
AUTO
kHZ
FM
AUTO/MAN'L MONO
ou
MHz
3
AUTO/MAN'L MONO
3
“AUTO TUNING”
goes off.
Tune to the desired station manually.
To tune to a higher frequency, press the right side once.
To tune to a lower frequency, press the left side once.
* To continue tuning search, press and hold the button.
4
If the station where tuning search stopped is not the
desired one, follow step 3 again.
Note
If you tune to a FM station manually, it is received in monaural
mode automatically to increase the signal quality.
* If the tuning search does not stop at the desired station
(because the signals of the station are weak), change to
the MANUAL TUNING method.
Display information
1
2
3
➀ Displays the band and frequency of the received station.
➁ Illuminates when an FM stereo broadcast with sufficient
signal strength is received.
➂ Indicates the signal level of the received station.
STEREO
FM
MHz
0
40
60 80 100
17
PRESET TUNING
This unit can store station frequencies (selected by tuning operation) by using preset station buttons. With this function, you can
select any desired station simply by pressing the corresponding preset station button. Up to 40 stations (8 stations per page) can
be programmed.
4, 2 (Preset station buttons)
Illustrations: RX-V1070
Parts in shaded areas (
)
are not present on RX-V870.
2, 1
3
To program stations
1
2
To recall a preset station
Tune to the desired station.
(Refer to the previous page for tuning procedures.)
1
Select the page of preset station buttons.
A/B/C/D/E
PRESET
Select the desired page (A – E) of preset station
buttons while watching the display.
AUTO
FM
A/B/C/D/E
PRESET
AUTO
FM
2
3
MEMORY
STEREO
MHz
60 80 100
40
0
CONCERT
HALL
MEMORY
Flashes for about 5 seconds.
4
Press a preset station button before “MEMORY” goes
off from the display.
PRESET
STEREO
AUTO
FM
MHz
40
0
CONCERT
HALL
60 80 100
Shows the displayed station
has been programmed to A1.
* In the same way, program other stations to A2, A3 ... A8.
* You can program more stations to the preset station buttons on
other pages in the same way by selecting other pages in step 2.
18
Select the desired preset station button.
Notes
● A new setting can be programmed in place of the former
one.
● For presets, the setting of the reception mode (stereo or
monaural) is stored along with the station frequency.
Memory back-up
The memory back-up circuit prevents the programmed data
from being lost even if the POWER switch is turned off or the
power plug is disconnected from the AC outlet or the power is
cut due to temporary power failure. If, however, the power is
cut for more than two weeks, the memory may be erased. If
so, it can be re-programmed simply by following the PRESET
TUNING steps.
USING DIGITAL SOUND FIELD PROCESSOR (DSP)
This unit incorporates a sophisticated, multi-program digital sound field processor, which allows you to expand and shape the audio
sound field from both the audio and video sources, for a theater-like experience in the listening/viewing room.
This digital sound field processor has 8 programs; 4 programs for audio sources and 4 programs for Audio/Video sources. You can
create an excellent audio sound field by selecting the suitable program and adding desired adjustments. In addition, when the
digital sound field program is in the DOLBY PRO LOGIC, ENHANCED or 70 mm MOVIE THEATER mode, the built-in automatic
input balance control functions. This presents you the best surround condition without manual adjustment.
Selects center mode.
(For details,
refer to page 13.)
Displays your selection on
the DSP or other informations.
DELAY
F C R
ms
NORMAL
WIDE
PHANTOM
PRESET
70 mm
TV
SLEEP PRO LOGIC ENHANCED MOVIE THEATER THEATER
Used to adjust the
delay time. (For details,
refer to page 22.)
Digital sound
field program
selector
STEREO
AUTO
kHZ
AM
FM
ROCK
CONCERT
MHz
JAZZ CLUB
CHURCH
40
0
CONCERT
HALL
60 80 100
MEMORY
Used to adjust sound output
level of each speaker.
(For details, refer to
page 22–23.)
19
Description of Each Sound Field Program
PROGRAM
PRO LOGIC
ENHANCED
FEATURE
This program reproduces sources encoded with the Dolby Surround.
The employment of the digital signal processing system improves crosstalk and transfers the sound source
more smoothly and precisely, compared to the conventional type. A stable movie sound field is recreated.
This program reproduces sources encoded with the Dolby Surround.
Enhancing the “Normal” Dolby Pro Logic, the DSP technology simulates the multi-surround speaker
systems of a 35 mm film theater, thus widening the surrounded-sound field with greater presence.
70 mm MOVIE
THEATER
The Yamaha DSP technology is ideally combined with the Dolby Pro Logic to present you incredible
listening experience of the 70 mm film movie theater. This program is ideal for precisely reproducing the
sound design of the newest movies. The sound field is made according to the design of the newest movie
theaters, so the reverberations of the sound field itself are restrained as much as possible. The three
dimensional feeling of the sound field is emphasized, and dialog is precisely oriented on the screen. You
can enjoy watching S.F.X., adventure movies, etc. with this program.
TV THEATER
This program simulates the sound field of a jazz or rock concert. By featuring the directional enhancement
circuit, vocals are oriented on the screen and the sound field is widely expanded. Your attention will be
focused on the screen in enthusiastic atmosphere, as if attending an actual jazz or rock concert.
ROCK CONCERT
JAZZ CLUB
CHURCH
This program is suitable for rock music. A big, powerful sound is reproduced lively and dynamically.
This is a small, cozy jazz club with a low ceiling. The sound is very close and intimate.
This program recreates the acoustic environment of a modern church with a high pointed dome and
columns along the sides. This interior produces a very few primary reflections.
CONCERT HALL
In this program, the center seems even more deeply behind the front speaker pair, creating an expansive,
large hall ambience.
ON/OFF
Whenever pressed, this switches on/off the built-in digital sound field processor (DSP). When the DSP is
on, a program name illuminates in the display and sound output is from the front, rear and (or) center
speakers. Conversely, no illumination of program name and no output from the rear and center speakers
show that the DSP is off.
Description of Dolby Pro Logic Surround
DOLBY PRO LOGIC SURROUND: This unit employs the
Dolby Pro Logic Surround system. This system is similar to
professional Dolby Stereo decoders used in movie theaters.
By employing a four-channel system, the Dolby Pro Logic
Surround system divides the input signals into four levels: the
left and right main channels, the center channel (to characterize
dialog), and the rear surround-sound channels (to characterize
sound effects, background noise and other ambient noise).
Dolby Surround is encoded on the sound track of commercially
available video cassettes and video discs as well. When you
play a source encoded with Dolby Surround on your home video
system, the Dolby Pro Logic Surround mode on this unit
decodes the signal and feeds the surround-sound effects.
The Dolby Pro Logic Surround mode may not be always
effective on video sources not encoded with Dolby Surround.
Manufactured under license from Dolby Laboratories Licensing
Corporation. Additionally licensed under one or more of the
following patents: U.S. number 3,950,590; Canadian numbers
1,004,603 and 1,037,877. “Dolby”, “Pro Logic”, and the double-D
symbol are trademarks of Dolby Laboratories Licensing
Corporation.
20
To play a source with the digital sound field processor
Illustrations: RX-V1070
Parts in shaded areas (
)
are not present on RX-V870.
2
3
1
2
Follow step 1–6 shown in “OPERATIONS” on page 15.
Select the desired program that is suitable for the
source.
PRO LOGIC
The corresponding indicator will illuminate.
3
If desired, adjust the delay time and the output level of
each speaker. (For details, refer to the corresponding
descriptions on page 22–23.)
Notes
● If you prefer to cancel the selected program, press the
ON/OFF switch. The sound will be the normal 2-channel
stereo without surround sound effect.
● In the ROCK CONCERT, JAZZ CLUB, CHURCH and
CONCERT HALL modes, no sound is heard from the center
speaker.
● When a monaural sound source is played in the DOLBY
PRO LOGIC or ENHANCED mode, no sound is heard from
the front speakers and the rear speakers. Sound is heard
only from the center speaker. However, if the center mode
is in the PHANTOM, the front speakers output the sound of
the center speaker.
● If you connect an external amplifier to this unit, see if it has
built-in surround sound or ambience circuitry. If it does,
then be sure that the surround or ambience circuitry on that
amplifier is off while you are using the digital sound field
processor’s Dolby Pro Logic Surround decoding function.
● When this unit is in the Dolby Pro Logic Surround mode, if
the main-source sound is considerably altered by
overadjustment of the BASS, TREBLE controls or BASS
EXTENSION switch, the relationship between the center
and rear channels may produce an unnatural effect.
21
Adjustment of DELAY TIME
You can adjust the time difference between the beginning of
the source sound and the beginning of the effect sound with
the DELAY TIME control.
The DELAY TIME control is effective with all programs.
By applying more or less delay, sound effects, background
noise, and ambient noise coming at you from the rear speakers
can be enhanced or subdued for extra effect.
●
By continuously pressing “+” or “–” on the DELAY TIME
control, the value changes continuously.
However, the value stops changing momentarily at the
preset point.
DELAY TIME
1.
PRO LOGIC:
from 15 to 30 milliseconds
(Preset value: 20 milliseconds)
2. ENHANCED:
from 15 to 30 milliseconds
(Preset value: 20 milliseconds)
3. 70 mm MOVIE
from 15 to 30 milliseconds
THEATER:
(Preset value: 10 milliseconds)
4. TV THEATER:
from 1 to 50 milliseconds
(Preset value: 10 milliseconds)
5. ROCK CONCERT: from 1 to 50 milliseconds
(Preset value: 15 milliseconds)
6. JAZZ CLUB:
from 1 to 50 milliseconds
(Preset value: 11 milliseconds)
7. CHURCH:
from 1 to 50 milliseconds
(Preset value: 40 milliseconds)
8. CONCERT HALL: from 1 to 50 milliseconds
(Preset value: 30 milliseconds)
DELAY
ms
Adjustable.
Note
Adding too much delay will cause an unnatural effect with
some sources. Experiment with the DELAY TIME control to
create the effect that you find most suitable.
Adjustment of the FRONT EFFECT LEVEL
If desired, you can adjust the effect sound output level of the
front speakers with this control. The output level is preset to be
80. However, you can adjust the level between 1 and 100.
●
If the digital sound field program is in the DOLBY PRO
LOGIC mode, the FRONT EFFECT LEVEL control does not
function.
●
Once the output level is adjusted, the level value will be the
same in all the digital sound field programs except for the
DOLBY PRO LOGIC .
●
If a digital sound field program is not used, the FRONT
EFFECT LEVEL control does not function.
●
By continuously pressing “+” or “–” on the CENTER LEVEL
control, the level value changes continuously. However, the
value stops changing momentarily at the point which was
once set in the “test” mode.
●
If the digital sound field program is in the ROCK CONCERT,
JAZZ CLUB, CHURCH or CONCERT HALL mode, the
CENTER LEVEL control can not function.
●
Once the output level is adjusted, the level value will be the
same in all the digital sound field programs except the
above-mentioned ones.
●
If a digital sound field program is not used, the CENTER
LEVEL control does not function.
FRONT EFFECT LEVEL
F
Illuminates.
Adjustable.
Adjustment of the CENTER LEVEL
If desired, you can adjust the sound output level of the center
speaker with this control even if the output level is already set
in “Speaker balance adjustment” on page 12.
CENTER LEVEL
C
Illuminates. Adjustable.
22
If desired, you can adjust the sound output level of the rear
speakers with this control even if the output level is already set
in “Speaker balance adjustment” on page 12.
●
By continuously pressing “+” or “–” on the REAR LEVEL
control, the level value changes continuously. However, the
value stops changing momentarily at the point which was
once set in the “test” mode.
●
Once the output level is adjusted, the level value will be the
same in all the digital sound field programs.
●
If a digital sound field program is not used, the REAR
LEVEL control does not function.
REAR LEVEL
R
Illuminates.
ENGLISH
Adjustment of the REAR LEVEL
Adjustable.
Note
The values of the DELAY TIME, the FRONT EFFECT LEVEL,
CENTER LEVEL, and REAR LEVEL you set the last time will
remain memorized even when the power of this unit is off.
However, if the power plug cord is kept disconnected for more
than one week, these values will be invalid.
23
SETTING THE SLEEP TIMER
If you use the SLEEP timer of this unit, you can set this unit to be turned off automatically. When you are going to sleep while
enjoying a broadcast or other desired input source, this timer function is helpful.
Notes
● The SLEEP timer can be controlled only with the remote control transmitter.
● The components on which the SLEEP timer is effective are the sources connected to a SWITCHED OUTLET on the rear panel
of this unit.
To set the SLEEP time
To cancel the selected SLEEP time
1
Press once when
the SLEEP time displays 30.
SLEEP
Indicates the SLEEP time.
SLEEP
Flashes on and off continuously.
Goes off.
Select the desired SLEEP time. Whenever the SLEEP key
is pressed, the SLEEP time will change as follows.
(Minutes)
120
90
60
30
The SLEEP timer is OFF.
(The indication before the
SLEEP key is pressed.)
After a while, the display returns to the indication before
the SLEEP timer is set, and the “SLEEP” indicator stops
flashing and illuminates.
2
24
The unit will be turned off automatically after the
passing of the SLEEP time you selected.
Returns to the indication
before the SLEEP timer
is set.
REMOTE CONTROL TRANSMITTER
The provided remote control transmitter is designed to control this unit and other YAMAHA components. If the CD player, turntable,
LD player and tape deck connected to this unit are YAMAHA components, then this remote control transmitter will also control
various functions of each component.
Moreover, this remote control transmitter can learn various functions from other remote control transmitters without losing the preset
key functions. If you use this “learning” function, you will no more need so many remote control transmitters to control various
components to be used. For details, refer to page 27.
KEY FUNCTIONS
When you operate this unit and/or other YAMAHA components with this remote control transmitter, set the YPC-USER-LEARN
switch to the YPC (Yamaha Preset Code) position.
For Control of This Unit
Refer to “YPC-USER-LEARN switch”
on page 27.
Turns the power on/off.
Selects preset station number.
* +: Selects higher preset station
number.
–: Selects lower preset station
number.
A/B/C/D/E: Selects the page (A – E)
of preset station buttons.
Used for speaker balance
adjustment.
Adjusts sound output level at
each speaker.
Set the SLEEP time.
Refer to “Blank keys” on page 27.
Selects input source.
Selects a program from
the digital sound field processor.
Switches on/off digital sound field
processor.
Turns the master volume level up/down.
Refer to “RESET button” on page 27.
Refer to page 28.
Adjusts delay time.
Illustrations: RX-V1070
Parts in shaded areas (
When pressed, mutes the volume level.
To resume original volume level, press
this again.
While muting, the indicator on the
VOLUME control flashes continuously.
) are not present on RX-V870.
25
For Other Component Control
Identify the remote control transmitter keys with your component’s keys. If these keys are identical, their function will be the same.
On each key function, refer to the corresponding instruction on your component’s manual.
Controls the compact disc player.
* DISC SKIP is applicable only
to a compact disc changer.
Controls the LD player
Illustrations: RX-V1070
Parts in shaded areas (
26
) are not present on RX-V870.
Starts/stops record play on turntable.
Controls the tape deck.
* DIR A, B and DECK A/B are
applicable only to a double
cassette tape deck.
* For a single cassette deck with
automatic reverse function,
pressing DIR A will reverse the
direction of tape running.
REMOTE CONTROL “LEARNING” FUNCTION
The keys on this remote control transmitter can be programmed to “learn” key-functions from other remote control transmitters. By
using this feature, this unit can then be used in place of one or more other remote control transmitters, thus making operation of
your various audio and video components more convenient. Use the included user program sheets to indicate a new function
learned for each key.
Note
There may occasionally be instances in which, due to the signal-coding and modulation employed by the other remote control
transmitter, this unit will not be able to “learn” its signals.
To Learn a New Function
1
Set to the “LEARN” position.
2
Press a key on this unit where a new function will be
learned.
This unit
Other remote
control transmitter
About 5–10 cm (2–4 in.)
3
Press and hold the key (on the other remote control
transmitter) where the desired new function is.
Notes
● When you operate the desired component with this remote
control transmitter, TRANSMIT/LEARN indicator will flash
steadily.
● The originally preset function of a key is still available in the
USER position if a new function has not been learned to the
key.
● Successful learning to a key results in the erasure of
previously learned functions and their replacement by the
newly learned ones.
● If there is no more room in the memory area for a function to
be learned, the TRANSMIT/LEARN indicator will flash two
times. In this case, even if some keys are not occupied with
functions from other remote control transmitters, no further
learning is possible.
Memory back-up
All of the learned functions will be retained while you replace
the batteries. However, if no batteries are installed for a few
hours, the learned functions will be erased and will have to be
learned again.
Blank keys (Refer to page 25.)
These keys have no preset functions and are used only for
learning other remote control transmitter’s functions.
When the TRANSMIT/LEARN indicator stops illuminating,
the learning is finished.
4
5
Repeat step 2–3 until all desired functions are
successfully learned.
Set to the “USER” position.
Try operating your components.
YPC-USER-LEARN switch (Refer to page 25.)
YPC:
Set to this position when using preset key functions
(for controlling this unit and/or YAMAHA
components).
* “YPC” is the abbreviation of YAMAHA Preset
Code.
USER: Set to this position when using “learned” key
functions.
LEARN: Set to this position when learning new key functions
from other remote control transmitters.
RESET button (Refer to page 25.)
Press this button to “reset” the internal microcomputer which
controls remote control operations. Microcomputer “reset” is
necessary when the remote control freezes.
* Pressing the RESET button will not erase learned functions.
27
To Clear a Learned Function
To Clear All Learned Functions
1
1
Set to the “USER” position.
2
Set to the “LEARN” position.
Press and hold the CLEAR button using the point of a
mechanical pencil, etc.
2
Press and hold the CLEAR button using the point of a
mechanical pencil, etc.
CLEAR
3
CLEAR
Press and hold the key where the learned function to
be deleted is until the indicator flashes 3 times.
TRANSMIT
/LEARN
3
Press and hold any key until the indicator flashes 7
times.
TRANSMIT
/LEARN
To clear two or more functions, repeat step 2 and 3.
Note
If a key is not pressed soon after the CLEAR button is pressed,
this unit will automatically return to the status that was in effect
before the CLEAR button was pressed.
NOTES ABOUT THE REMOTE CONTROL TRANSMITTER
Battery installation
Remote control transmitter operation range
2
1
3
Remote control
sensor
Battery replacement
If you find that the remote control transmitter must be used
closer to the main unit, the batteries are weak. Replace both
batteries with new ones.
Notes
● Use only AA, R6, UM-3 batteries for replacement.
● Be sure the polarities are correct. (See the illustration inside
the battery compartment.)
● Remove the batteries if the remote control transmitter will
not be used for an extended period of time.
● If batteries leak, dispose of them immediately. Avoid
touching the leaked material or letting it come in contact with
clothing, etc. Clean the battery compartment thoroughly
before installing new batteries.
28
Within approximately
7 m (23 feet)
30°
30°
Notes
● There should be no large obstacles between the remote
control transmitter and the main unit.
● If the remote control sensor is directly illuminated by strong
lighting (especially an inverter type of fluorescent lamp etc.),
it might cause the remote control transmitter not to work
correctly. In this case, reposition the main unit to avoid
direct lighting.
TROUBLESHOOTING
If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple
measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power cord and
contact your authorized YAMAHA dealer or service center for help.
Amplifier
SYMPTOM
CAUSE
REMEDY
The unit fails to turn on when the POWER
switch is pressed.
Power cord is not plugged in or is not completely
inserted.
Firmly plug in the power cord.
No sound or no picture.
Incorrect output cord connections.
Connect the cords properly. If the problem persists,
the cords may be defective.
The MUTING switch is ON.
First, turn the volume control to full left. Then, turn
the MUTING switch OFF with the remote control
transmitter and adjust the volume.
Appropriate input selector is not pressed.
Press the appropriate input selector corresponding
to the input source.
The sound suddenly goes off.
The protection circuit has activated because of
short circuit etc.
Turning the unit off and then on will reset the
protection circuit.
Only one side speaker outputs the sound.
Incorrect setting of the BALANCE control.
Adjust it to the appropriate position.
Incorrect cord connection.
Connect cord properly. If the problem persists, the
cables may be defective.
Incorrect cord connections.
Firmly connect the audio plugs. If the problem
persists, the cord may be defective.
No connection from the turntable to the GND
terminal.
Make the GND connection between the turntable
and this unit.
The volume level is low while playing a record.
The record is being played on a turntable with an
MC cartridge.
The player should be connected to the unit through
the MC head amplifier.
No sound from the rear speakers.
The sound output level of the rear speakers is 0.
Turn up the sound output level with the REAR
LEVEL key.
The monaural sound source is played in DOLBY
PRO LOGIC or ENHANCED mode.
Select another program suitable for the monaural
sound source.
The sound output level of the center speaker is 0.
Turn up the sound output level with the CENTER
LEVEL key.
The center mode is in PHANTOM mode.
Select NORMAL or WIDE.
Incorrect sound field program selection.
Select the appropriate program.
Sound “hums”.
No sound from the center speaker.
FM
No sound field program is selected.
FM stereo reception is noisy.
Because of the characteristics of FM stereo
broadcasts, this is limited to cases where the
transmitter is too far away or the antenna input is
poor.
Check the antenna connections.
Try using a multiple element FM antenna.
There is distortion and clear reception cannot
be obtained even with a good FM antenna.
There is multipath interference.
Adjust antenna placement to eliminate multipath
interference.
A desired station cannot be tuned in with Auto
tuning.
The station is too weak.
Use Manual tuning mode.
Use a high quality directional FM antenna.
A desired station cannot be tuned in with Auto
tuning.
Weak signal or loose antenna connections.
Tighten the AM loop antenna connections and
rotate it for best reception.
There are continuous crackling and hissing
noises.
Noises will result from ligtning, fluorescent lamps,
motors, thermostats and other electrical equipment.
Use an outdoor antenna and a ground wire. This
will help somewhat but it is difficult to eliminate all
noise.
There are buzzing and whining noises
(especially in the evening).
A television set is being used nearby.
Relocate this unit away from the TV.
The remote control transmitter does not work.
Direct sunlight or lighting (of an inverter type of
flourescent lamp etc.) is striking the remote control
sensor of the main unit.
Change the position of the main unit.
The batteries of this remote control transmitter are
weak.
Replace the batteries with new ones and press the
RESET button on the remote control transmitter.
The batteries of this remote control transmitter
and/or the other remote control transmitter are
weak.
Replace the batteries (and press the RESET button
for this remote control transmitter).
The distance between the two remote control
transmitters is too long or too short.
Place the remote control transmitters with the
proper distance.
The signal coding or modulation of the other remote
control transmitter is not compatible with this remote
control transmitter.
Learning is not possible.
Memory capacity is full.
Further learning is not possible without deleting
unnecessary commands.
The internal microcomputer “freezes”.
Press the RESET button on the remote control
transmitter.
Power cord of this unit is not plugged in.
Plug in the power cord.
Others
Remote control transmitter
AM
Use Manual tuning mode.
Learning cannot be made successfully.
(The TRANSMIT/LEARN indicator does not
illuminate or flash.)
The sound is degraded when monitoring is
performed by using the headphones connected
to the compact disc player or cassette deck
which are connected with this unit.
29
SPECIFICATIONS
AUDIO SECTION
Minimum RMS Output Power per Channel
Front L,R
8 ohms, 20 Hz to 20 kHz, 0.015% THD
<RX-V1070> ..................................110W+110W
<RX-V870> ........................................80W+80W
6 ohms, 20 Hz to 20 kHz, 0.015% THD
<RX-V1070> ..................................135W+135W
<RX-V870> ........................................95W+95W
Center
8 ohms, 20 Hz to 20 kHz, 0.015% THD
<RX-V1070> .............................................110W
<RX-V870> .................................................80W
6 ohms, 20 Hz to 20 kHz, 0.015% THD
<RX-V1070> .............................................135W
<RX-V870> .................................................95W
Rear L, R
8 ohms, 1 kHz, 0.08% THD
<RX-V1070> ......................................30W+30W
<RX-V870> ........................................25W+25W
6 ohms, 1 kHz, 0.08% THD
<RX-V1070> ......................................40W+40W
<RX-V870> ........................................28W+28W
Dynamic Power per Channel
(by IHF Dynamic Headroom measuring method)
8/6 ohms
<RX-V1070> ...................................160W/190W
<RX-V870> .....................................110W/140W
Dynamic Headroom
8/6 ohms
<RX-V1070> .................................1.6 dB/2.0 dB
<RX-V870> ...................................1.4 dB/1.7 dB
Residual Noise (IHF-A Network).....................150 µV
Channel Separation (Vol. –30 dB)
PHONO MM (Input Shorted 1 kHz/10 kHz)
.............................................................60 dB/45 dB
CD/TUNER/TAPE/LD·TV/VCR
(Input 5.1 k-ohms Terminated 1 kHz/10 kHz)
.............................................................60 dB/45 dB
AUX (Input 5.1 k-ohms Terminated 1 kHz/10 kHz)
<RX-V1070 only> ...........................60 dB/45 dB
Tone Control Characteristics
BASS:
Boost/cut ........................±10 dB (50 Hz)
Turnover Frequency ...................350 Hz
TREBLE:
Boost/cut ..................±10 dB (20 kHz)
Turnover Frequency...............3.5 kHz
BASS EXTENSION..............................+7 dB (50 Hz)
∞
Audio Muting ........................................................–
VIDEO
Video Signal Type
[U.S.A. and Canada model] ........................NTSC
[Australia model] ............................................PAL
[General model] ..................................NTSC/PAL
Video Signal Level ............................1 Vp-p/75 ohms
Input Sensitivity/Impedance
PHONO MM ...............................2.5 mV/47 k-ohms
CD/TUNER/TAPE/LD·TV/VCR....150 mV/47 k-ohms
AUX <RX-V1070 only>............150 mV/47 k-ohms
FRONT IN .........................................1V/47 k-ohms
S-Video Signal Level
Y..................................................1 Vp-p/75 ohms
C ..........................................0.286 Vp-p/75 ohms
Maximum Input Signal (1 kHz, 0.01% THD)
PHONO MM..................................................90 mV
Signal-to-Noise Ratio ........................................50 dB
Output Level/Impedance
REC OUT ...................................150 mV/470 ohms
FRONT OUT ....................................1V/3.3 k-ohms
LOW PASS ...................................0.8V/3.9 k-ohms
Maximum Voltage Output (1 kHz, 0.01% THD)
FRONT OUT ....................................................4.8V
Headphone Jack Rated Output/Impedance
8 ohms, 1 kHz, 0.01% THD
Output Level.....................................................0.6V
Impedance...............................................390 ohms
Frequency Response (20 Hz to 20 kHz)
CD/TUNER/TAPE/LD·TV/VCR ...................0±1.5 dB
AUX <RX-V1070 only> ...........................0±1.5 dB
FRONT IN .................................................0±0.3 dB
RIAA Equalization Deviation
PHONO MM..............................................0±0.5 dB
Total Harmonic Distortion (20 Hz to 20 kHz)
PHONO MM to REC OUT (1V) .....................0.01%
CD/TUNER/TAPE/LD·TV/VCR to FRONT OUT (1V)
....................................................................0.008%
AUX to FRONT OUT (1V) <RX-V1070 only>
....................................................................0.008%
FRONT IN to SP OUT
<RX-V1070>
(50W/8 ohms) ......................................0.008%
(60W/6 ohms) ......................................0.008%
<RX-V870>
(40W/8 ohms) ......................................0.008%
(50W/6 ohms) ......................................0.008%
30
Signal-to-Noise Ratio (IHF-A Network)
PHONO MM (5 mV Input Shorted)
......................................................More than 86 dB
CD/TUNER/TAPE/LD·TV/VCR (Input Shorted)
......................................................More than 93 dB
AUX (Input Shorted) <RX-V1070 only>
......................................................More than 93 dB
Maximum Input Level ..................More than 1.5 Vp-p
Frequency Response ................5 Hz–10 MHz, –3 dB
FM SECTION
Tuning Range
[U.S.A. and Canada models]
................................................87.5 to 107.9 MHz
[Australia and General models]
............................................87.50 to 108.00 MHz
50 dB Quieting Sensitivity (IHF, 75 ohms)
Mono ..........................................1.55 µV (15.1 dBf)
Stereo............................................21 µV (37.7 dBf)
Usable Sensitivity (75 ohms)
(30 dB S/N Quieting, 1 kHz, 100% mod.)
....................................................0.8 µV (9.3 dBf)
Image Response Ratio .....................................45 dB
IF Response Ratio ............................................80 dB
Spurious Response Ratio .................................70 dB
AM Suppression Ratio ......................................55 dB
Capture Ratio...................................................1.5 dB
Alternate Channel Selectivity ............................85 dB
Signal-to-Noise Ratio
(IHF) Mono/Stereo ..............................81 dB/76 dB
Harmonic Distortion
Mono/Stereo (1 kHz) .................................0.1/0.2%
Stereo Separation (1 kHz) ................................50 dB
Frequency Response
20 Hz to 15 kHz .......................................0 ±1.5 dB
AM SECTION
Tuning Range
[U.S.A., Canada and General models]
..................................................530 to 1,710 kHz
[Australia and General models]
..................................................531 to 1,611 kHz
Usable Sensitivity .......................................100 µV/m
Selectivity..........................................................32 dB
Signal-to-Noise Ratio ........................................50 dB
Image Response Ratio .....................................40 dB
Spurious Response Ratio .................................50 dB
Harmonic Distortion............................................0.3%
AUDIO SECTION
Output Level/Impedance
FM (100% mod., 1 kHz) .............700 mV/470 ohms
AM (30% mod., 400 Hz).............200 mV/470 ohms
GENERAL
Power Supply
[U.S.A. and Canada models]
....................................................AC 120V, 60 Hz
[Australia model] .........................AC 240V, 50 Hz
[General model]
..........................AC 110/120/220/240V, 50/60 Hz
Power Consumption
<RX-V1070>
[U.S.A., Australia and General models] ......400W
[Canada model] .............................750 VA, 600W
<RX-V870>
[U.S.A. model] .............................................300W
[Australia and General models]...................350W
[Canada model] .............................600 VA, 500W
AC Outlets
[U.S.A. and General models]
2 SWITCHED OUTLETS............100W max. total
1 UNSWITCHED OUTLET .........200W max. total
[Canada model]
2 SWITCHED OUTLETS............120W max. total
1 UNSWITCHED OUTLET .........180W max. total
[Australia model]
1 SWITCHED OUTLET ..............100W max. total
Dimensions (W x H x D)
.............................................435 x 171.5 x 468.5 mm
(17-1/8” x 6-3/4” x 18-7/16”)
Weight
<RX-V1070> .....................18.6 kg (40 lbs. 15 oz.)
<RX-V870> .........................14.8 kg (32 lbs. 9 oz.)
Accessories.....................................AM loop antenna
Indoor FM antenna
Remote control transmitter
Batteries
User program sheets
Specifications are subject to change without notice.
YAMAHA
YAMAHA
YAMAHA
YAMAHA
YAMAHA
YAMAHA
YAMAHA
ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA
ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, D-25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY
ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE
ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND
SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN
MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA
VP63840-0 Printed in Japan BWWR,BB
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