Yamaha RX-V1 Owner’s Manual

UCA
RX-V1
Natural Sound AV Receiver
Ampli-Tuner Audio-Video
MACRO
MACRO
OFF
POWER
TRANSMIT RE-NAME
STANDBY
V-AUX
TAPE
PHONO
D-TV
CBL/SAT
CLEAR
TUNER
LEARN
MD
CD
VCR 1
VCR 2
VCR 3
LD
TITLE
%
ON
SYSTEM
DIGITAL
SURROUND
ENTER
%
SOURCE
%
DISPLAY
SELECT
%
POWER
MENU
!
$
REC
STOP
PAUSE
*
STANDBY/ON
10KEY DSP
PROGRAM
6CH IMPUT
EFFECT
PRESET/TUNING
A/B/C/D/E
PRESET/TUNING
FM/AM
MEMORY
TUNING MODE
MANL/AUTO FM
AUTO/MANL MONO
#
2
3
4
ROCK
CONCERT
ENTERTAINMENT
CONCERT
VIDEO 1
CONCERT
VIDEO 2
TV
THEATER
6
CHURCH JAZZ CLUB
7
MOVIE
MOVIE
THEATER 1 THEATER 2
8
/DTS
SUR.
10
11
12
0
+10
+100
CHP/INDEX
B
PLAY
HALL 2
1
9
A
$
HALL 1
5
EX/ES
SOUND
– CHAPTER +
SEARCH
!
/
INPUT MODE
%
VOLUME
INPUT SELECTOR
SPEAKERS
DVD
6CH INPUT
DOLBY
D I G I T A L
%
CINEMA DSP
NATURAL SOUND AV RECEIVER RX-V1
A / B / C / D / E PRESET
EDIT
PHONES
BASS
1
0
TREBLE
1
2
1
2
3
3
4
–
5
5
BALANCE
1
1
2
2
3
3
0
4
4
+
–
4
5
5
+
2
0
BASS PROCESSOR
EXTENSION DIRECT
1
2
3
4
L 5
3
4
5 R
ON
OFF
REC OUT/ZONE 2
LD
D-TV
CBL/SAT
VCR 1
VCR 2
VCR 3
VIDEO AUX
DVD
MD
TAPE
TUNER
CD
PHONO
+
VIDEO AUX
SOURCE/REMOTE
S VIDEO
VIDEO
L
AUDIO R
TV INPUT
TV VOL
–
+
MUTE
CH
TV MUTE
–
+
VOLUME
EFFECT
–
DISC
OWNER’S MANUAL
MODE D’EMPLOI
SAFETY INSTRUCTIONS
8
Ventilation – The unit should be situated so that its
location or position does not interfere with its proper
ventilation. For example, the unit should not be situated
on a bed, sofa, rug, or similar surface, that may block the
ventilation openings; or placed in a built-in installation,
such as a bookcase or cabinet that may impede the flow of
air through the ventilation openings.
9
Heat – The unit should be situated away from heat sources
such as radiators, stoves, or other appliances that produce
heat.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF
ELECTRIC SHOCK, DO NOT REMOVE
COVER (OR BACK). NO USER-SERVICEABLE
PARTS INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.
• Explanation of Graphical Symbols
The lightning flash with arrowhead symbol, within an
equilateral triangle, is intended to alert you to the
presence of uninsulated “dangerous voltage” within
the product’s enclosure that may be of sufficient
magnitude to constitute a risk of electric shock to
persons.
The exclamation point within an equilateral triangle
is intended to alert you to the presence of important
operating and maintenance (servicing) instructions in
the literature accompanying the appliance.
WARNING
TO REDUCE THE RISK OF FIRE OR
ELECTRIC SHOCK, DO NOT EXPOSE THIS
UNIT TO RAIN OR MOISTURE.
1
Read Instructions – All the safety and operating
instructions should be read before the unit is operated.
2
Retain Instructions – The safety and operating instructions
should be retained for future reference.
3
Heed Warnings – All warnings on the unit and in the
operating instructions should be adhered to.
4
Follow Instructions – All operating and other instructions
should be followed.
5
Water and Moisture – The unit should not be used near
water – for example, near a bathtub, washbowl, kitchen
sink, laundry tub, in a wet basement, or near a swimming
pool, etc.
6
Carts and Stands – The unit should be used only with a
cart or stand that is recommended by the
manufacturer.
6A A unit and cart combination should be moved
with care. Quick stops, excessive force, and
uneven surfaces may cause the unit and cart
combination to overturn.
7
I
Wall or Ceiling Mounting – The unit should be mounted to
a wall or ceiling only as recommended by the
manufacturer.
10 Power Sources – The unit should be connected to a power
supply only of the type described in the operating
instructions or as marked on the unit.
11 Power-Cord Protection – Power-supply cords should be
routed so that they are not likely to be walked on or
pinched by items placed upon or against them, paying
particular attention to cords at plugs, convenience
receptacles, and the point where they exit from the unit.
12 Cleaning – The unit should be cleaned only as
recommended by the manufacturer.
13 Nonuse Periods – The power cord of the unit should be
unplugged from the outlet when left unused for a long
period of time.
14 Object and Liquid Entry – Care should be taken so that
objects do not fall into and liquids are not spilled into the
inside of the unit.
15 Damage Requiring Service – The unit should be serviced
by qualified service personnel when:
A. The power-supply cord or the plug has been
damaged; or
B. Objects have fallen, or liquid has been spilled into the
unit; or
C. The unit has been exposed to rain; or
D. The unit does not appear to operate normally or
exhibits a marked change in performance; or
E. The unit has been dropped, or the cabinet damaged.
16 Servicing – The user should not attempt to service the unit
beyond those means described in the operating
instructions. All other servicing should be referred to
qualified service personnel.
17 Power Lines – An outdoor antenna should be located away
from power lines.
18 Grounding or Polarization – Precautions should be taken
so that the grounding or polarization is not defeated.
19 For US customers only:
Outdoor Antenna Grounding – If an outside antenna is
connected to this unit, be sure the antenna system is
grounded so as to provide some protection against voltage
surges and built-up static charges. Article 810 of the
National Electrical Code, ANSI/NFPA 70, provides
information with regard to proper grounding of the mast
and supporting structure, grounding of the lead-in wire to
an antenna discharge unit, size of grounding conductors,
location of antenna discharge unit, connection to
grounding electrodes, and requirements for the grounding
electrode.
Note to CATV system installer:
This reminder is provided to call the CATV system installer’s
attention to Article 820-40 of the NEC that provides
guidelines for proper grounding and, in particular, specifies
that the cable ground shall be connected to the grounding
system of the building, as close to the point of cable entry as
practical.
EXAMPLE OF ANTENNA GROUNDING
MAST
ANTENNA
LEAD IN
WIRE
GROUND
CLAMP
ANTENNA
DISCHARGE UNIT
(NEC SECTION 810–20)
ELECTRIC
SERVICE
EQUIPMENT
GROUNDING CONDUCTORS
(NEC SECTION 810–21)
GROUND CLAMPS
POWER SERVICE GROUNDING
ELECTRODE SYSTEM
(NEC ART 250. PART H)
NEC – NATIONAL ELECTRICAL CODE
FCC INFORMATION (for US customers only)
1.
IMPORTANT NOTICE : DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions
contained in this manual, meets FCC requirements.
Modifications not expressly approved by Yamaha may void
your authority, granted by the FCC, to use the product.
2.
IMPORTANT : When connecting this product to accessories
and/or another product use only high quality shielded cables.
Cable/s supplied with this product MUST be used. Follow all
installation instructions. Failure to follow instructions could
void your FCC authorization to use this product in the USA.
3.
NOTE : This product has been tested and found to comply
with the requirements listed in FCC Regulations, Part 15 for
Class “B” digital devices. Compliance with these
requirements provides a reasonable level of assurance that
your use of this product in a residential environment will not
result in harmful interference with other electronic devices.
This equipment generates/uses radio frequencies and, if not
installed and used according to the instructions found in the
users manual, may cause interference harmful to the operation
of other electronic devices.
Compliance with FCC regulations does not guarantee that
interference will not occur in all installations. If this product
is found to be the source of interference, which can be
determined by turning the unit “OFF” and “ON”, please try to
eliminate the problem by using one of the following
measures:
Relocate either this product or the device that is being affected
by the interference.
Utilize power outlets that are on different branch (circuit
breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the
antenna. If the antenna lead-in is 300 ohm ribbon lead,
change the lead-in to coaxial type cable.
If these corrective measures do not produce satisfactory
results, please contact the local retailer authorized to distribute
this type of product. If you can not locate the appropriate
retailer, please contact Yamaha Electronics Corp., U.S.A.
6660 Orangethorpe Ave, Buena Park, CA 90620.
The above statements apply ONLY to those products
distributed by Yamaha Corporation of America or its
subsidiaries.
We Want You Listening For A Lifetime
YAMAHA and the Electronic Industries Association’s Consumer
Electronics Group want you to get the most out of your equipment by
playing it at a safe level. One that lets the sound come through loud
and clear without annoying blaring or distortion – and, most
importantly, without affecting your sensitive hearing.
Since hearing damage from loud sounds is often
undetectable until it is too late, YAMAHA and the
Electronic Industries Association’s Consumer Electronics
Group recommend you to avoid prolonged exposure from
excessive volume levels.
II
CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.
1. To assure the finest performance, please read this manual
carefully. Keep it in a safe place for future reference.
2. Install this unit in a cool, dry, clean place – away from
windows, heat sources, sources of excessive vibration,
dust, moisture and cold. Avoid sources of humming
(transformers, motors). To prevent fire or electrical shock,
do not expose the unit to rain or water.
3. Never open the cabinet. If something drops into the set,
contact your dealer.
4. Do not use force on switches, controls or connection
wires. When moving the unit, first disconnect the power
plug and the wires connected to other equipment. Never
pull the wires themselves.
5. The openings on the cover assure proper ventilation of the
unit. If these openings are obstructed, the temperature
inside the unit will rise rapidly. Therefore, avoid placing
objects against these openings, and install the unit in a
well-ventilated area to prevent fire and damage.
6. The voltage used must be the same as that specified on this
unit. Using this unit with a higher voltage than specified is
dangerous and may result in fire or other accidents.
YAMAHA will not be held responsible for any damage
resulting from the use of this unit with a voltage other than
that specified.
7. Digital signals generated by this unit may interfere with
other equipment such as tuners, receivers and TVs. Move
this unit farther away from such equipment if interference
is observed.
8. Do not attempt to clean the unit with chemical solvents;
this might damage the finish. Use a clean, dry cloth.
9. Be sure to read the “Troubleshooting” section regarding
common operating errors before concluding that the unit is
faulty.
10. When not planning to use this unit for a long period of
time (e.g., a vacation), disconnect the AC power plug from
the wall outlet.
11. To prevent lightning damage, disconnect the AC power
plug and disconnect the antenna cable when there is an
electrical storm.
12. Grounding or polarization – Precautions should be taken
so that the grounding or polarization of the unit is not
defeated.
13. AC outlet
Do not connect audio equipment to the AC outlet on the
rear panel if that equipment requires more power than the
outlet is rated to provide.
III
This unit is not disconnected from the AC power source as long as
it is connected to the wall outlet, even if this unit itself is turned
off. This state is called the standby mode. In this state, this unit is
designed to consume a very small quantity of power.
IMPORTANT
Please record the serial number of this unit in the space below.
MODEL:
Serial No.:
The serial number is located on the rear of the unit.
Retain this Owner’s Manual in a safe place for future reference.
FOR CANADIAN CUSTOMERS
To prevent electric shock, match wide blade of plug to wide slot
and fully insert.
This Class B digital apparatus complies with Canadian ICES-003.
Manufactured under license from Dolby Laboratories. “Dolby”, “AC3”, “Pro Logic”, “Surround EX” and the double-D symbol are
trademarks of Dolby Laboratories.
Confidential Unpublished Works.  1992-1997 Dolby Laboratories,
Inc. All rights reserved.
Manufactured under license from Digital Theater Systems, Inc. US
Pat. No. 5,451,942 and other world-wide patents issued and pending.
“DTS”, “DTS Digital Surround” and “DTS ES” are trademarks of
Digital Theater Systems, Inc. Copyright 1996 Digital Theater
Systems, Inc. All Rights Reserved.
English
Contents
Introduction
2
Features ............................................................................................................... 3
Getting Started .................................................................................................... 5
Controls and Functions ....................................................................................... 6
Preparations
12
Speaker System Configurations ........................................................................ 13
Speaker Placement ............................................................................................ 14
Hookups ............................................................................................................ 15
On-Screen Displays (OSD) ............................................................................... 26
Speaker Settings ................................................................................................ 27
Speaker Output Levels ...................................................................................... 27
Basic Operation
30
Basic Playback .................................................................................................. 31
AM/FM Tuner ................................................................................................... 35
Basic Recording ................................................................................................ 39
Advanced Operation
40
SET MENU Items ............................................................................................. 41
Remote Control Features .................................................................................. 54
Adjusting the Levels of the Effect Speakers ..................................................... 67
Setting the Sleep Timer ..................................................................................... 67
ZONE 2 ............................................................................................................. 68
Addtional Information
70
Digital Sound Field Processing (DSP) .............................................................. 71
Hi-Fi DSP-Sound Field Program ...................................................................... 72
CINEMA-DSP .................................................................................................. 73
CINEMA-DSP Sound Field Program ............................................................... 75
Sound Field Program Parameter Editing .......................................................... 77
Digital Sound Field Parameter Descriptions ..................................................... 78
Appendix
82
Troubleshooting ................................................................................................ 83
Reference Chart for the INPUT and OUTPUT Jacks ....................................... 87
CINEMA - EQ Frequency Characteristics ....................................................... 87
Specifications .................................................................................................... 88
1
Introduction
Introduction
Features
3
Introduction ......................................................................................................... 3
Dolby Digital and Dolby Digital Surround EX .................................................. 3
DTS and DTS ES ................................................................................................ 3
Comparing Surround Technologies .................................................................... 3
Digital Sound Fields (DSP) ................................................................................ 4
Multi-function remote control ............................................................................. 4
Various Input and Output Jacks .......................................................................... 4
Built-in 8-channel power amplifier ..................................................................... 4
Custom installation facility ................................................................................. 4
Getting Started
5
Checking the Package Contents .......................................................................... 5
Installing Batteries in the Remote Control .......................................................... 5
Using the Remote Control .................................................................................. 5
Controls and Functions
6
Front Panel .......................................................................................................... 6
Opening and Closing the Front Panel Door ........................................................ 7
Remote Control ................................................................................................... 8
Front Panel Display ........................................................................................... 10
Rear Panel ......................................................................................................... 11
2
Features
English
Introduction
Welcome to the exciting world of digital home entertainment. The RX-V1 is the most complete and advanced AV receiver available.
Though some of the more advanced features of this unit may not be familiar to you, they are easy to use. Incorporated state-of-the-art
technology such as Dolby Digital and DTS can bring the same audio experience to your home as they have brought to feature films in
quality theaters around the world. To make the listening experience even more enjoyable, the RX-V1 includes a number of exclusive,
digitally created listening environments known as digital sound fields. Choosing a sound field program is like transporting yourself to
such venues as an outdoor arena, an European church, or a cozy jazz club. Take some time now to read more about these features and
enjoy the new experiences the RX-V1 brings to your home theater.
Dolby Digital and Dolby Digital Surround EX
The RX-V1 is equipped with a Dolby Digital decoder which reproduces industry standard Dolby Digital surround sound for a cinematic
audio experience in your home. Dolby Digital is a 5.1 channel format because it uses five discrete channels (left and right Main
channels, Center channel, and left and right Rear channels) and a special low frequency channel (that is used only enough to merit the
“0.1” channel rating) to create incredibly realistic 360˚ surround effects. Recently, Dolby Digital Surround EX was introduced in movie
theaters as an advanced surround technology. The addition of a Rear Center channel makes front-to-back transitions more realistic. You
can enjoy the newest Dolby Digital Surround EX software with the CINEMA DSP programs in the RX-V1 such as Dolby Digital/
Matrix 6.1.
DTS and DTS ES
The RX-V1 is also equipped with a DTS decoder, which uses a 5.1 channel system to create a full surround sound environment. It was
developed as a way to replace the analog soundtracks of movies with six channels of digital sound. In comparison with Dolby Digital,
DTS uses less compression to store the sound information. The newly presented DTS ES system reproduces digital sound similar to
Dolby Digital Surround EX. The use of the Rear Center speaker along with the existing 5.1 channel speakers provides a fully immersive
cinematic audio experience.
Comparing Surround Technologies
To enjoy dynamic feature film sound at home, you should have the appropriate sound reproduction system for your home theater. The
traditional standard for home surround systems was called Dolby Surround and consisted of four channels (left and right Main channels,
a Center channel, and a Surround channel for effects). The new home theater standard is Dolby Digital and consists of 5.1 channels (left
and right Main channels, a Center channel, left and right Rear channels, and an LFE (low frequency effect) channel). The newer DTS
surround technology also makes use of a 5.1 channel system. The 6.1 channel system which adds a Rear Center channel to the 5.1
channel configuration is the latest advancement in surround sound technology, and is employed by Dolby Digital Surround EX and DTS
ES.
L
C
L
R
C
L
R
5.1 channels
Left (L) and right (R) Main,
Left (L) and right (R) Main,
Center (C), and Surround (S) Center (C), left and right Rear
channels
(RL and RR), and Subwoofer
(SW) channels
L
Reproduction Channel System
Dolby Digital
and DTS
R
4 channels
L
Dolby Surround
(Pro Logic)
RR
R
S
S
C
R
SW
SW
RC
RR
Dolby Digital Surround EX
and DTS ES
6.1 channels
Left (L) and right (R) Main,
Center (C), left and right Rear
(RL and RR), Rear Center (RC),
and Subwoofer (SW) channels
3
Introduction
Features
Digital Sound Fields (DSP)
Technological advances in sound reproduction over the last 30 years have enhanced the listening experience with improved clarity,
precision, and power. However, something has been missing: the atmosphere and acoustic ambience of the public venue. Our Yamaha
engineers have extensively researched the nature of sound acoustics and the way sound reflects inside a room. We sent these engineers
to famous theaters and concert halls around the world to measure the acoustics of those venues with sophisticated microphones. The
data they collected is used to recreate these environments in digital sound fields. Some of these digital sound fields have been created
using data measured at the original venue; others have been created from combinations of data to form unique environments for specific
purposes. Some have been designed especially for music, and others especially for movies. Of course, this only solves half of the
problem. Because these engineers have no way of knowing the acoustics of your entertainment room, we have made it possible for you
to adjust the various parameters of this data to tailor each virtual venue to your taste. You can use these sound fields to enhance any
source and in combination with any of the following surround sound technologies.
CINEMA-DSP: Dolby Digital + DSP and DTS + DSP
The Dolby Digital system and DTS system show their full capability in large movie theaters, because feature film soundtracks are
designed to be reproduced in such environments. It is difficult to recreate a sound environment similar to a movie theater in your
entertainment room because of the room size, wall materials, and the number of speakers in your entertainment system. Yamaha
DSP technology makes it possible for you to enjoy nearly the same sound experience as that of a large movie theater in your
entertainment room by compensating for lack of presence and dynamics in your entertainment room with Yamaha’s original
digital sound fields combined with Dolby Digital or DTS soundtracks.
Virtual CINEMA DSP and HP CINEMA DSP
Yamaha developed the Virtual CINEMA DSP algorithm which allows you to experience the virtual sound fields without
surround speakers. This makes it possible for the RX-V1 to produce a full surround sound catering to the number of speakers you
have. The RX-V1 also has an HP (Headphones) CINEMA DSP algorithm which is achieved by the crosstalk processing applying
the precise Head Related Transfer Function. You can therefore enjoy listening to the CINEMA DSP soundfields on headphones.
Multi-function remote control
The remote control can operate other audio-video components once you program the remote control using the manufacturer code and
Learn feature.
Various Input and Output Jacks
The RX-V1 has various output jacks for audio and video signals as well as a digital recording output jack. Many input jacks are also
available for connection to multiple audio-video sources. All the video inputs and outputs have S-video jacks in addition to standard
composite video jacks for improved video picture quality. Component video input and output jacks are also available to deliver the
excellent video signals from DVD players and other high quality video sources. The coaxial and optical digital signal jacks (provided
for direct transmission of digital signals) automatically detect Dolby Digital, DTS, and PCM signals. A demodulator circuit is built into
the Dolby Digital RF input so you can connect it directly to the Dolby Digital RF signal output on your LD player. Additionally, there
are six audio inputs for disscrete multichannel reproduction from an external decoder.
The RX-V1 also comes with a monaural subwoofer jack and split subwoofer jacks which can reproduce delicate but powerful low
frequency effects.
Built-in 8-channel power amplifier
Main: 110 W + 110 W (8Ω) RMS Output Power, 0.015% THD, 20-20,000 Hz
Center: 110 W (8Ω) RMS Output Power, 0.015% THD, 20-20,000 Hz
Rear: 110 W + 110 W (8Ω) RMS Output Power, 0.015% THD, 20-20,000 Hz
Front: 35 W + 35 W (8Ω) RMS Output Power, 0.05% THD, 1 kHz
Rear Center: 110 W (8Ω) RMS Output Power, 0.015% THD, 20-20,000 Hz
Custom installation facility
You can make up a multi-room audio-video system with this unit. With this feature, you can set this unit to reproduce separate input
sources in the main room and in a second (ZONE 2) room using the supplied remote control in the second room.
4
Getting Started
English
Checking the Package Contents
Check your package to make sure it has the following items.
MACRO
MACRO
OFF
POWER
TRANSMIT RE-NAME
STANDBY
V-AUX
TAPE
PHONO
D-TV
CBL/SAT
CLEAR
TUNER
LEARN
MD
CD
VCR 1
VCR 2
VCR 3
LD
TITLE
%
ON
SYSTEM
DVD
ENTER
%
SOURCE
%
DISPLAY
SELECT
%
POWER
MENU
!
$
$
REC
STOP
PAUSE
PLAY
HALL 1
HALL 2
#
JAZZ CLUB
2
3
4
ENTERTAINMENT
CONCERT
VIDEO 1
CONCERT
VIDEO 2
TV
THEATER
6
7
10
11
0
+10
CHP/INDEX
Programming Section
8
MOVIE
MOVIE
THEATER 1 THEATER 2
9
FM Antenna
Quick Reference Card
*
CHURCH
1
ROCK
CONCERT
5
EX/ES
SOUND
– CHAPTER +
SEARCH
!
/
10KEY DSP
Alkaline Batteries (3) (LR6)
%
%
6CH INPUT
/DTS
SUR.
Power Buttons
12
Input Section
+100
DISPLAY
Display Window
A / B / C / D / E PRESET
+
TV INPUT
TV VOL
–
+
+
MUTE
CH
TV MUTE
–
SKIP SEARCH
PLAY
PAUSE (YAMAHA :
PAUSE / STOP)
Operation Section
1~9
PRESET
NUMBER 1~8
VOLUME
EFFECT
SEARCH
POWER
STOP
POWER
Source Select
–
CLEAR
(Preset Group) E
(Preset Group) D
(Preset Group) C
+10
0
PRESET + / –
DISC SKIP
Program/10Key Section
DISC
INDEX
(Preset Group) A
(Preset Group) B
(Preset Group)
A/B/C/D/E
Others
Volume Section
FAST FORWARD
REWIND
REC / PAUSE
Setup Section
DECK A / DECK B
DISPLAY
DIRECTION A/B
PLAY
STOP
SEARCH
POWER
REC PAUSE
AM Loop Antenna
SKIP SEARCH
PLAY
PAUSE
STOP
1~9
+10
0
Remote Control
Antenna Adapter
(U.S.A. and Canada Models only)
Quick Reference Guide
Installing Batteries in the Remote Control
Insert the batteries in the correct direction by aligning the + and – marks on the batteries with the polarity illustrations (+ and –) inside the
battery compartment.
Change the batteries periodically. Do not use old batteries together with new ones.
Do not use different types of batteries (such as alkaline and manganese batteries) together. Read the packaging carefully as these different
types of batteries may have the same shape and color.
■ About Changing Batteries
As the batteries wear out, the operating range of the remote control decreases and
the TRANSMIT indicator does not flash or its light becomes dim. When you
notice any of these conditions, change all of the batteries.
Notes:
Reset button
• If the remote control is without batteries for more than 20 minutes, or if worn out
batteries remain in the unit, the contents of the memory may be cleared.
If the memory is cleared, insert new batteries and reprogram any functions that may
have been cleared.
• After you insert new batteries, be sure to push RESET in the battery compartment
using a ball point pen or similar object before using the remote control. (This does not
clear the contents of the memory.)
Using the Remote Control
The remote control transmits a directional infrared beam. Be sure to aim the remote control directly at the remote control sensor on the main
unit during operation. When the sensor is covered or there is a large object between the remote control and the main unit, the sensor cannot
receive signals. The sensor may not be able to receive signals properly when it is exposed to direct sunlight or a strong artificial light (such as
a fluorescent or strobe light). In this case, change the direction of the light or reposition the main unit to avoid direct lighting.
■ About handling the remote control
DIGITAL
CINEMA DSP
NATURAL SOUND AV RECEIVER RX-V1
DOLBY
D I G I T A L
SURROUND
VOLUME
INPUT SELECTOR
Handle the remote control with care.
STANDBY/ON
INPUT MODE
SPEAKERS
A
PROGRAM
B
6CH IMPUT
EFFECT
PRESET/TUNING
A/B/C/D/E
PRESET/TUNING
FM/AM
EDIT
PHONES
BASS
1
0
TREBLE
1
2
1
2
3
3
4
–
30°
5
5
BALANCE
1
2
1
2
3
3
0
4
4
+
–
4
5
30°
5
+
2
0
BASS PROCESSOR
EXTENSION DIRECT
1
2
3
4
L 5
3
4
5 R
ON
OFF
REC OUT/ZONE 2
DVD
MD
TAPE
TUNER
CD
PHONO
TUNING MODE
MANL/AUTO FM
AUTO/MANL MONO
VIDEO AUX
SOURCE/REMOTE
LD
D-TV
CBL/SAT
VCR 1
VCR 2
VCR 3
VIDEO AUX
MEMORY
S VIDEO
VIDEO
L
Do not spill water or other liquids on the remote control.
AUDIO R
Approximately 6m (20 feet)
Do not drop the remote control.
Do not leave or store the remote control in the following types of conditions:
• high humidity or temperature such as near a heater, stove or bath; or
• dusty places; or
• in places subject to extremely low temperatures.
5
Controls and Functions
Introduction
Front Panel
DIGITAL
CINEMA DSP
NATURAL SOUND AV RECEIVER RX-V1
DOLBY
D I G I T A L
SURROUND
VOLUME
INPUT SELECTOR
STANDBY/ON
INPUT MODE
SPEAKERS
A
PROGRAM
B
6CH IMPUT
EFFECT
PRESET/TUNING
A/B/C/D/E
PRESET/TUNING
FM/AM
EDIT
PHONES
BASS
1
0
TREBLE
1
2
1
2
3
3
4
–
5
5
BALANCE
1
1
2
2
3
3
0
4
4
+
–
4
5
5
+
0
BASS PROCESSOR
EXTENSION DIRECT
1
2
2
3
4
L 5
3
4
5 R
ON
OFF
REC OUT/ZONE 2
SOURCE/REMOTE
LD
D-TV
CBL/SAT
VCR 1
VCR 2
VCR 3
VIDEO AUX
DVD
MD
TAPE
TUNER
CD
PHONO
MEMORY
TUNING MODE
MANL/AUTO FM
AUTO/MANL MONO
VIDEO AUX
S VIDEO
VIDEO
L
AUDIO R
PRESET/TUNING
~ STANDBY/ON
Ÿ Remote Control Sensor
Receives signals from the remote control.
! Front Panel Display
Shows information about the operational status of this unit (see
page 10).
⁄ INPUT MODE
Selects the mode of input for sources that output two or more
types of signals to this unit (see page 33).
You cannot control the input mode when you select 6CH
INPUT as the input source.
Selects the input source (DVD, LD, D-TV, CBL/SAT,
VCR 1, VCR 2, VCR 3, V-AUX, PHONO, CD, TUNER,
TAPE, MD) you want to listen to or watch.
¤ VOLUME
Controls the output level of all audio channels.
This does not affect the REC OUT level.
# PHONES
Outputs audio signals for private listening using headphones.
When you connect headphones, no signals are output to the
PREOUT jacks or the speakers.
6
TUNING MODE
AUTO/MANL MONO
When pushed in (ON), these buttons turn on the set of Main
speakers connected to the A and/or B terminals on the rear
panel.
$ BASS
Adjusts the low frequency response for the left and right Main
speaker channels.
Turn the control to the right to increase the low frequency
response and turn the control to the left to decrease the low
frequency response.
If you increase or decrease the low frequency sound to an
extreme level, the tonal quality from the Center, Front Effect,
Rear Center, and Rear speakers may not match that of the left
and right Main speakers.
› PROGRAM
/
%
@ INPUT SELECTOR
MEMORY
MANL/AUTO FM
‹ SPEAKERS A/B
%
Turns this unit on (On mode) and off (Standby mode). When
you turn on this unit, you will hear a click and there will be a
four to five to second delay before this unit can reproduce
sound.
In Standby mode, this unit consumes a small amount of power
so it can respond to the remote control.
FM/AM
EDIT
Selects the sound field program (see page 34).
Selecting a sound field program turns on the effect.
% TREBLE
Adjusts the high frequency response for the left and right
main channels.
Turn the control to the right to increase the high frequency
response and turn the control to the left to decrease the high
frequency response.
If you increase or decrease the high frequency sound to an
extreme level, the tonal quality from the Center, Front Effect,
Rear Center, and Rear speakers may not match that of the left
and right Main speakers.
Controls and Functions
^ 6CH INPUT
fl BALANCE
Controls the balance of the sound levels coming from the
right and left Main speaker(s). Setting this control to the
center position “0” is appropriate for most situations.
Inputs audio and video signals from a portable external source
such as a video camera. To reproduce source signals from these
jacks, select V-AUX as the input source. To direct this source
to the VCR 1 output jacks, select VIDEO AUX using REC
OUT/ZONE 2.
) PRESET/TUNING (EDIT)
Switches the function of PRESET/TUNING / (the colon
“:” turns on or off).
This button is also used to exchange the places of two preset
stations with each other.
‚ FM/AM
Switches the reception band between FM and AM.
& A/B/C/D/E
Selects one of the five preset station groups.
‡ BASS EXTENSION ON/OFF
When pushed in (ON), this feature boosts the bass frequency
of the left and right main channels by +6 dB (60 Hz) while
maintaining overall tonal balance. This boost is useful if you
do not use a subwoofer.
However, this boost may not be noticeable if the main
speakers are set to “SMALL” and the bass output mode is set
to “SW.”
* PROCESSOR DIRECT ON/OFF
_ MEMORY (MAN’L/AUTO FM)
Enters a station into memory. See “Manually presetting
stations” on page 36 for details. Hold down this button for more
than three seconds to start automatic preset tuning. See
“Automatically presetting stations” on page 37 for details.
— TUNING MODE (AUTO/MAN’L MONO)
Switches the tuning mode between automatic and manual. To
select the automatic tuning mode, press this button so that the
AUTO TUNING indicator appears in the front panel display
(the STEREO indicator also appears if receiving a stereo
broadcast). To select the manual tuning mode, press this button
so that the AUTO TUNING indicator does not appear.
%
%
When pushed in (ON), BASS, TREBLE, BALANCE, and
BASS EXTENSION are bypassed, eliminating any
alteration of the original signal.
° PRESET/TUNING
· VIDEO AUX
%
Switches between 6CH INPUT mode and normal input
modes. 6CH INPUT mode takes priority over the source
selected with INPUT SELECTOR.
You cannot use DSP sound field programs while using an
external decoder.
Selects the source you want to direct to the audio/video
recorder and ZONE 2 outputs independent of the source you
are listening to in the main room. When set to the SOURCE/
REMOTE position, the input source is directed to all outputs.
%
Switches the effect speakers (Center, Front Effect, Rear and
Rear Center) on and off. If you turn off the output of these
speakers using EFFECT, all DTS and Dolby Digital audio
signals are directed to the Main left and right channels except
for the LFE channel.
When DTS or Dolby Digital signals are mixed, the left and
right Main channel signal levels may not match.
English
( REC OUT/ZONE2
fi EFFECT
/
Selects preset stations when the colon “:” appears next to the
band indication in the display, and selects the tuning
frequency when the colon “:” does not appear.
Opening and Closing the Front Panel Door
When you are not operating the controls behind the front panel door, close the door.
7
Controls and Functions
Introduction
Remote Control
MACRO
TRANSMIT RE-NAME
CLEAR
LEARN
MACRO
OFF
ON
SYSTEM
Power Buttons
Turn the power on and off.
Press SYSTEM POWER to turn on the
power and STANDBY to turn off
(Standby mode) the power to the main
unit.
POWER
STANDBY
V-AUX
TAPE
PHONO
D-TV
CBL/SAT
TUNER
MD
CD
VCR 1
VCR 2
VCR 3
LD
DVD
Programming Section
Provides a selection of programming
types you can utilize to conveniently
operate your other components.
Input Section
Selects the input source.
Press an input button repeatedly to select
the input mode.
Display Window
Source Select
Selects the source component
without switching the input.
%
ENTER
%
SOURCE
%
DISPLAY
SELECT
%
POWER
MENU
Program/10-Key
Section
!
!
$
$
REC
STOP
PAUSE
PLAY
*
#
JAZZ CLUB
Functions as the numeric buttons or DSP
program group buttons.
HALL 1
HALL 2
CHURCH
1
2
3
4
ROCK
CONCERT
ENTERTAINMENT
CONCERT
VIDEO 1
CONCERT
VIDEO 2
6
7
5
6.1/ES
TV
THEATER
MOVIE
MOVIE
THEATER 1 THEATER 2
9
TV INPUT
8
11
12
0
+10
+100
–
+
MUTE
CH
TV MUTE
–
+
VOLUME
EFFECT
–
DISC
Functions vary depending on your
components that are set up with the
manufacturer code.
PARAMETER
%
8
SLEEP
TEST
Volume Section
Controls the volume.
ON SCREEN LEVEL
Sets speaker output levels, SET
MENU, DSP parameters, etc.
Provides functions such as play, stop, skip, etc.
for operating your other components.
A / B / C / D / E PRESET
TV VOL
Setup Section
Operation Section
/DTS
SUR.
10
CHP/INDEX
+
Others
SOUND
– CHAPTER +
SEARCH
/
10KEY DSP
%
Shows the source component
that you select to control.
%
6CH INPUT
TITLE
%
SET MENU
Controls and Functions
Used for clearing functions acquired using the Learn and
Rename features, programmed macros, and preset
manufacturer codes (see pages 65, 66).
! RE-NAME
Used for changing the source name in the display window (see
page 65).
⁄ LEARN
Used for setting up the manufacturer code or programming the
functions of other remote controls (see pages 61, 62).
@ MACRO
Used to program a series of operations onto a single button
(see page 63).
¤ MACRO ON/OFF
Turns the macro function on and off.
# TRANSMIT
Flashes while the remote control is sending signals.
‹ 6CH INPUT
Switches to the 6CH INPUT mode when using an external
decoder.
$ LIGHT
Turns the light on or off.
When you press this button once, the light turns on for about
ten seconds. Press again to turn off the light.
› 10KEY/DSP
Selects the numeric button (10KEY) mode or DSP mode. You
can use the 13 buttons to select numbers or DSP programs
directly according to the position of this switch.
% DSP program group/Numeric buttons
Select DSP programs or numbers according to the position of
10KEY/DSP. (Press a button repeatedly to select a DSP
program within that group.)
fi A/B/C/D/E
Selects one of the five preset station groups.
TV operation buttons
TV INPUT switches between TV and VCR mode.
TV MUTE mutes the TV sound.
PRESET +/– selects a preset station.
CH +/– selects the next or previous channel.
DISC +/– skips to the next or previous disc.
& MUTE
Mutes the sound. Press again to restore audio output at the
previous volume level.
‡ VOLUME +/–
Increases or decreases the volume level.
* EFFECT
Switches the effect speakers (center, front, rear, and rear
center) on and off. If the output of these speakers is switched
off, all DTS and Dolby Digital audio signals are directed to the
main left and right channels except for the LFE channel.
° Cover
Slides down to show the setup buttons.
( LEVEL
Selects the effect speaker channels (center, front, rear and
subwoofer) so you can adjust their level independently. Press
this button repeatedly to select the effect speaker channel you
want to adjust, then use + or – to adjust the level.
· ON SCREEN
Selects the On-Screen Display mode for your video monitor.
) SLEEP Timer
Sets the Sleep Timer. Press repeatedly to set the amount of
time before the main unit is automatically turned off.
‚ TEST
Selects the test mode (see page 27).
_ PARAMETER/SET MENU
Selects the PARAMETER mode or SET MENU mode.
You can use the cursor % / / + / – buttons to adjust DSP
program parameter values or SET MENU items according to
the position of this switch.
— Cursor buttons % /
%
Ÿ CLEAR
fl +/–
%
Outputs infrared control signals. Aim this window at the
component you want to operate.
English
~ Infrared window
/+/–
Selects and adjusts DSP program parameters and SET MENU
items according to the position of PARAMETER/SET
MENU.
+ RESET
Press this button after you exchange batteries or when the
remote control stops working properly. (Pressing RESET does
not clear acquired functions.)
^ TV VOL +/–
Increases or decreases the TV volume level.
9
Controls and Functions
Introduction
Front Panel Display
LD
D-TV
CBL/SAT
VCR 1
STEREO VCR 2
AUTO
VCR 3
TUNING
V-AUX
VIRTUAL
DIGITAL
PRO LOGIC
DSP
PCM
SPEAKERS
A
B
MEMORY
~ DTS indicator
Ÿ VIRTUAL indicator
Lights up when using Virtual Cinema DSP (See page 34.)
! Multi-information display
Shows the current DSP program and other information when
adjusting or changing settings.
⁄ STEREO indicator
@ Input source indicator
Shows the current input source with the arrow-shaped cursor.
PRO LOGIC
Light up according to the type of Dolby signals this unit is
reproducing.
“ DIGITAL” lights up when the built-in Dolby Digital
decoder is on.
“ PRO LOGIC” lights up when the built-in Dolby Pro
Logic Decoder is on.
10
Lights up when you select a digital sound field program.
‹ Headphones indicator
Lights up when headphones are connected.
$ SPEAKERS A/B indicator
Lights up according to which set of main speakers are selected.
Both indicators light up when both sets of speakers are selected.
› PCM indicator
Lights up when the AUTO TUNING indicator is on and the
unit is receiving a strong signal for an FM stereo broadcast.
DIGITAL and
indicators
SLEEP
# DSP indicator
Lights up when the built-in DTS decoder is on.
¤
DVD
MD
TAPE
TUNER
CD
PHONO
Lights up when this unit is reproducing PCM (Pulse Code
Modulation) digital audio signals.
% AUTO TUNING indicator
Shows that the Tuner is in automatic tuning mode.
fi MEMORY indicator
Flashes to show a station can be saved.
^ SLEEP indicator
Lights up while the Sleep Timer is on.
Controls and Functions
~
RF (AC-3) input jack
Connect to the RF output terminal of your LD player.
Ÿ Audio equipment jacks
Refer to page 16 for hookup information.
! Video equipment jacks
Refer to page 18 for hookup information.
⁄ Antenna input terminals
Refer to page 25 for hookup information.
@ Speaker terminals
Refer to page 20 for hookup information.
¤ AC OUTLETS
Use these outlets to supply power to your other audio/video
equipment.
# AC power cord
English
Rear Panel
$ DIGITAL OPTICAL/COAXIAL jacks
Refer to page 15 for detailed information.
› 6CH INPUT jacks
Refer to page 24 for hookup information.
% ZONE 2 OUT/VIDEO OUT jacks
Refer to page 68 for hookup information.
fi REMOTE 1 IN/OUT/REMOTE 2 IN
jacks
Refer to page 68 for hookup information.
^ RS232C/CTRL OUT +5V terminals
These are control expansion terminals for commercial use.
Consult your dealer for details.
fl PRE OUT/MAIN IN jacks
Refer to page 23 for hookup information.
Connect to a power outlet.
‹ IMPEDANCE SELECTOR
Use this switch to match the amplifier output to your speaker
impedance. Turn off the power before you change the setting
of this switch (see page 22).
11
Preparations
Preparations
Speaker System Configurations
13
Eight or Seven Speaker Configuration –Full Cinema DSP– ............................ 13
Six Speaker Configuration –Hi Fi DSP– .......................................................... 13
Five Speaker Configuration –Standard 5.1 Channel– ....................................... 13
Four Speaker Configuration –Minimum Requirement– ................................... 13
Speaker Placement
14
Placing the Main Speakers ................................................................................ 14
Placing the Center Speaker ............................................................................... 14
Placing the Front Effect, Rear and Rear Center Speakers ................................ 14
When You Use a Projection Screen .................................................................. 14
Placing the Subwoofers ..................................................................................... 14
Hookups
15
Connecting to Digital Jacks .............................................................................. 15
About the Video Jacks ...................................................................................... 15
About the
RF (AC-3) Signal Input Jack ...................................................... 15
Connecting Audio Components ........................................................................ 16
Connecting Video Components ........................................................................ 18
Connecting Speakers ......................................................................................... 20
Connecting External Amplifiers ....................................................................... 23
Connecting an External Decoder ...................................................................... 24
Connecting Power Supply Cords ...................................................................... 24
Connecting the Antennas .................................................................................. 25
On-Screen Displays (OSD)
26
OSD Modes ....................................................................................................... 26
Selecting the OSD Mode .................................................................................. 26
Speaker Settings
27
Before You Begin ............................................................................................. 27
Speaker Output Levels
27
Dolby Surround Test ......................................................................................... 28
DSP Test ........................................................................................................... 29
12
Speaker System Configurations
Rear
Rear Speakers
Speakers
Front
Front Effect
Effect Speakers
Speakers
Main Speakers
Center Speaker
Front
FrontSubwoofer
Subwoofer
RearCenter
CenterSpeaker
Speaker
Rear
Rear Subwoofer
Subwoofer
Rear
■ Eight or Seven Speaker Configuration –Full Cinema
DSP–
(
)
When you reproduce feature film software, this configuration fullly expresses the
powerful and realistic sound qualities of 70 mm multitrack audio. The dialogue is
positioned as if it were coming from directly on the screen, the sound effect is
positioned slightlly behind the screen, and the soundtrack music is positioned
even further behind the screen to express the width and depth of the overall
presentation. This configuration makes the most of this unit’s capability.
The Rear Center speaker is useful for playback of Dolby Digital Surround EX or
DTS ES.
■ Six Speaker Configuration –Hi Fi DSP–
This configuration is used the most for audio playback with HiFi DSP. It does not
position the dialogue sound as well as a seven or eight speaker configuration.
However, it creates a dynamic DSP (Digital Sound Field Processor) sound field
which adds depth to the sound.
For this speaker configuration, change SET MENU item 1A. CENTER SP to
“NONE” and 1D. REAR CT SP to “NONE” (see page 41).
■ Five Speaker Configuration –Standard 5.1 Channel–
This configuration does not express the height of the sound field as well as the
seven or eight speaker configuration. However, it positions the dialogue sound as
coming directly from the screen.
For this speaker configuration, change SET MENU item 1F. FRNT EFCT SP to
“NONE” and 1D. REAR CT SP to “NONE” (see page 41).
■ Four Speaker Configuration –Minimum
Requirement–
In this configuration, the Center speaker signals and Front Effect speaker signals
are directed to the left and right Main speakers.
For this speaker configuration, change SET MENU item 1A. CENTER SP to
“NONE,” item 1F. FRNT EFCT SP to “NONE,” and item 1D. REAR CT SP to
“NONE” (see page 41).
13
English
The most complete speaker configuration consists of eight speakers: the left and right Main speakers, a Center speaker, the left and right Rear
speakers, the left and right Front Effect speakers, and a Rear Center speaker. If you do not use eight speakers, you can direct the signals for
speakers that are not in your system to other speakers in your configuration. A Subwoofer can be used with any of these configurations to
produce a fuller sound.
Speaker Placement
Where you place your speakers has a tremendous effect on how well your system sounds.
■ Placing the Main Speakers
TV or Video
monitor
Main
speaker
Main
speaker
Place the left and right Main speakers an equal distance from the main listening
position.
If you have a TV or video monitor in your system, the distance of each speaker
from each side of the TV or video monitor should be the same.
■ Placing the Center Speaker
Preparations
TV or Video
monitor
If you have a TV or video monitor in your system, align the front face of the
Center speaker with the front face of the monitor. Place the speaker as close to the
monitor as possible, such as directly over or under the monitor. If you place the
speaker under the monitor, the Front Effect speakers can adjust the height of the
sound to correspond with the action on the screen (depending on the listener’s
position). If you have a projection screen in your system, place the Center speaker
under the screen. Be sure to align the speaker with the center of the screen.
Center speaker
approx.
1m 0.5~1m
(3ft)
(1~3ft)
1.5~3m
0.5~1m
approx.
1m
(5~15ft)
(1~3ft)
(3ft)
■ Placing the Front Effect, Rear and Rear Center
Speakers
These speakers should be placed about 0.5~1m (1~3 feet) outside the Main
speakers and in the front of the room. They should be turned toward the main
listening position. Place the Rear speakers in the back of the room so they face the
main listening position. The Rear speakers can be placed farther apart than the
Front Effect speakers. The Front Effect and Rear speakers should be placed about
1.8m (6 feet) above the floor.
FR
FL
L
C
R
R
RR
L
RC
Once you begin listening to programs, continue to adjust the speaker placement
until you obtain a balanced sound from the Main speakers and the Front Effect
and Rear speakers.
■ When You Use a Projection Screen
Place the speakers as shown in the illustration.
The Main speakers should be placed about one-quarter of the way up from the
bottom of the screen.
1
L
R
1/4
Place the Center speaker in the center and directly under the screen. The Center
speaker provides precise dialogue localization.
C
When you use a projection screen with your system, the Front Effect speakers
provide better effect quality. The CINEMA-DSP sound field programs (see page
34) raise the sound from the Center speaker upward and provide natural sound
corresponding with the video images.
■ Placing the Subwoofers
Place the Front Subwoofer near the Main speakers. Turn it slightly toward the center of the room to reduce wall reflections.
If you use a Rear Subwoofer, place it behind the main listening position. The placement of the Rear Subwoofer is not critical because of
the ultralow frequencies of the sound being reproduced.
By adding a high quality Subwoofer to the speaker configurations shown on pages 21 and 22, you can enjoy more powerful and realistic
movie effects, even if your Main speakers are large.
Note:
Rear
speakers
Rear Speakers
Front Effect
speakers
Front Effect
Speakers
Main speakers
• If you use different brands of speakers (with different tonal qualities) in your
configuration, the tone of a moving human voice and other types of sound may not
shift smoothly. We recommend that you use speakers from the same manufacturer or
speakers with the same tonal quality.
You can also adjust the output levels and equalization of your effect speakers using the
SET MENU (see page 41).
Center
speaker
Front Subwoofer
Front Subwoofer
Rear
Center Speaker
Rear
Center
Rear
Subwoofer
speaker
Rear
Subwoofer
14
If you are using small speakers, the addition of a Subwoofer will reinforce the sound
effects of movies (see page 21).
Hookups
The RX-V1 has digital jacks for direct transmission of digital signals through either coaxial or fiber optic cables. You can use the digital
jacks to input PCM, DTS and Dolby Digital bitstreams. When you connect components to both the COAXIAL and OPTICAL jacks (for CD,
DVD, and CBL/SAT) priority is given to the input signals from the COAXIAL jack. All digital input jacks are acceptable for 96 kHz/24 bit
digital signals.
■ About the Dust Protection Cap
Pull out the cap from the optical jack before you connect the fiber optic cable. Do
not discard the cap. When you are not using the optical jack, be sure to put the cap
back in place. This cap protects the jack from dust.
About the Video Jacks
There are three types of video jacks. Video signals input through the VIDEO jacks are the conventional composite video signals. Video
signals input through the S VIDEO jacks are separated into luminance (Y) and color (C) video signals. The S-video signals achieve high
quality color reproduction.
Video signals input through the COMPONENT VIDEO jacks are separated into luminance (Y) and color difference (PB/CB, PR/CR) video
signals. The jacks are also separated into three for each signal. The description of the component video jacks may be different depending on
the component (e.g. Y, CB, CR / Y, PB, PR / Y, B-Y, R-Y/ etc.). Component video signals provide the best quality in picture reproduction.
Composite VIDEO terminal
S VIDEO terminal
Note:
• Each type of video jack works independently. Signals input through the composite
video, S-video, and component jacks are output through the corresponding composite
video, S-video, and component jacks respectively.
Caution:
• Use a commercially available S-video cable when connecting to the S VIDEO jacks,
and commercially available video cables when connecting to the COMPONENT
VIDEO jacks.
COMPONENT VIDEO terminals
Y
About the
PB/CB
PR/CR
• When you are using the COMPONENT VIDEO jacks, check the details in the owner’s
manual that came with the component being connected.
RF (AC-3) Signal Input Jack
If your LD player has an RF (AC-3) signal output jack, connect it to the RF (AC-3) input jack on this unit. If RF (AC-3) and analog
signals are input at the same time, priority is given to the RF signals. When you want to reproduce RF (AC-3) signals, set the input mode
to “D.D. RF” using INPUT MODE.
Note:
•
RF(AC-3)
RF (AC-3) signals cannot be output using the REC OUT selector. When you record
sound or images from an LD player, be sure to connect the player to either the
DIGITAL OPTICAL or analog AUDIO jacks.
LD
Caution:
• Even if you connect an LD player with an
RF (AC-3) output jack to this unit, you
cannot reproduce Dolby Digital sound from all LD discs. You must playback an LD
disc encoded with Dolby Digital signals in order to take advantage of the Dolby Digital
sound.
15
English
Connecting to Digital Jacks
Hookups
Connecting Audio Components
Before you connect any components, disconnect the power supply to all the components you plan to connect including the RX-V1 and
determine which jacks are for the left and right channels and for input and output.
When you connect other YAMAHA audio equipment (such as a CD player or changer, MD deck, or tape deck, connect to terminals with the
same number labels. Yamaha applies this labelling system to all its products.
In the hookup illustrations on the following pages:
indicates signal direction,
indicates coaxial cables,
Preparations
C
L
indicates left side analog cables,
R
indicates right side analog cables,
O
indicates optical cables; and,
S
indicates S-video cables.
After you finish all hookups, check them again to make sure they are correct.
L
■ Connecting a Turntable
Output
R
Turnable
1
Ground
Connect the left and right signal output cords to the PHONO L and
R jacks.
Note:
RF(AC-3)
AUDIO
PHONO
GND
AUDIO
VIDEO
LD
CD
• These jacks are for connecting a turntable with an MM or high output MC
cartridge. If you have a turntable with a low output MC cartridge, use an inline
boosting transformer or MC-head amplifier when connecting to these jacks.
VIDEO
S VIDEO
DVD
LD
CD
D-TV
DVD
Caution:
CBL
IN
CBL
• The GND terminal does not electrically ground the turntable. It simply reduces
noise in the signal. In some cases, you may hear less noise if you do not connect to
the GND terminal.
Optical Output
■ Connecting a CD Player
Analog Output
L
CD player
1
R
Coaxial Output
C
RF(AC-3)
O
GND
AUDIO
PHONO
AUDIO
VIDEO
VIDEO
S VIDEO
COMPONEN
Y
LD
DVD
A
CD
LD
B
D-TV
C
CD
DVD
CBL
/SAT
COAXIAL
IN
(PLAY)
• When you connect a CD player to both the COAXIAL CD and OPTICAL CD
jacks, priority is given to the input signals from the COAXIAL CD jack.
CBL
/SAT
TAPE
CD
OUT
IN
(REC)
VCR 1
IN
(PLAY)
OUT
MD
MD
OUT
(REC)
IN
OUT
IN
REMOTE 1
(REC)
VCR 2
DVD
16
Notes:
• The COAXIAL CD and OPTICAL CD jacks are available for a CD player which
has coaxial or optical digital outputs.
OPTICAL
IN
(PLAY)
Connect the left and right analog signal output jacks on your CD
player to the CD 1 L and R jacks.
MAIN
OUT
OUT
• The OPTICAL jacks on this unit conform to the EIA standard. If you use a fiber
optic cable that does not conform to this standard, the RX-V1 may not function
properly.
Hookups
■ Connecting a Tape Deck
Analog
Output
English
Analog
Input
L
R
Tape Deck
L
RF(AC-3)
R
AUDIO
PHONO
GND
AUDIO
DVD
CD
COAXIAL
2
Connect the left and right signal input jacks on your tape deck to the
TAPE 4 (REC) L and R jacks.
LD
CD
D-TV
DVD
CBL
/SAT
Connect the left and right signal output jacks on your tape deck to
the TAPE 3 (PLAY) L and R jacks.
VIDEO
S VIDEO
VIDEO
LD
1
CBL
/SAT
IN
(PLAY)
Notes:
TAPE
OPTICAL
CD
IN
OUT
• You can monitor audio recordings if you connect a three-head tape deck to the
TAPE 3 (PLAY) jacks.
(REC)
VCR 1
IN
(PLAY)
IN
OUT
(PLAY)
MD
MD
OUT
(REC)
IN
OUT
• When you connect a tape deck to the RX-V1, keep the deck’s power on while using
the RX-V1. If the power is off, the RX-V1 may distort the sound from other
equipment.
(REC)
VCR 2
DVD
MAIN
OUT
IN
SURROUND
LD
• When you record from source equipment connected to the RX-V1 while the
RX-V1’s power is off, the recorded sound may be distorted. To avoid this problem,
turn on the RX-V1.
■ Connecting an MD or DAT Deck
Optical
Input
Optical
Output
Analog
Input
MD or DAT Deck
1
Connect the left and right analog signal output jacks on your MD or
DAT deck to the MD 3 (PLAY) L and R jacks.
2
Connect the left and right analog signal input jacks on your MD or
DAT deck to the MD 4 (REC) L and R jacks.
3
Connect the optical digital signal output jack on your MD or DAT
deck to the OPTICAL MD (PLAY) jack.
4
Connect the optical digital signal input jack on your MD or DAT
deck to the OPTICAL MD (REC) jack.
L
R
Analog
Output
L
R
RF(AC-3)
GND
LD
CD
CD
DVD
O
AUDIO
PHONO
AUDIO
VIDEO
VIDEO
S VIDEO
C
DVD
A
LD
B
D-TV
C
O
CBL
/SAT
COAXIAL
IN
(PLAY)
CBL
/SAT
TAPE
OPTICAL
CD
OUT
IN
(REC)
VCR 1
IN
(PLAY)
IN
(PLAY)
Note:
OUT
MD
MD
OUT
(REC)
OUT
IN
R
(REC)
VCR 2
DVD
MAIN
OUT
• When you connect your MD or DAT deck to both the analog and digital input and
output jacks, priority is given to the digital signals.
R
17
Hookups
Connecting Video Components
Before you connect any components, disconnect the power supply to all the components you plan to connect including the RX-V1 and
determine which jacks are for the left and right channels and for input and output. After you finish all hookups, check them again to make
sure they are correct.
Note:
• If you make S-video connections to this unit, it is not necessary to make composite video connections. If both types of connections are made, this unit gives
priority to the S-video signal.
Optical Output
Preparations
LD Player
O
C
■ Connecting an LD Player
S-video Output
Video Output
1
L
RF-Signal
Output
Analog Audio Output
RF(AC-3)
AUDIO
PHONO
GND
AUDIO
DVD
COMPONENT VIDEO
Y
PB/CB
DVD
B
D-TV
D-TV
C
CBL
/SAT
CBL
/SAT
MONITOR
OUT
TAPE
OPTICAL
IN
OUT
PREOUT/MAIN IN
(REC)
VCR 1
IN
IN
(PLAY)
FRONT
OUT
(PLAY)
MD
MD
IN
OUT
(REC)
REAR
IN
OUT
VCR 2
MAIN
DVD
(SURROUND)
REMOTE 1
(REC)
OUT
REMOTE 2
CENTER
IN
RS232C
OUT
6CH INPUT
2
MONO
IN
IN
VCR 3
SUB
WOOFER
D-TV
SUB
WOOFER
SPLIT
OUT
SURROUND
LD
Connect the left and right audio signal output jacks on your LD
player to the LD L and R jacks.
If your LD player has an RF signal or optical digital signal outputs, you can
connect them to this unit.
RF (AC-3)
Connect the RF signal output jack on your LD player to the
LD jack.
Connect the optical digital signal output jack on your LD player to the
OPTICAL LD jack.
PR/CR
A
(PLAY)
CD
S
LD
IN
CBL
/SAT
COAXIAL
C
DVD
CD
CD
VIDEO
S VIDEO
VIDEO
LD
R
REAR CTR
CENTER
OUT
Connect the composite video signal output jack on your LD player to
the LD VIDEO jack.
CENTER
CBL
/SAT
ZONE 2 OUT
VIDEO
OUT
MAIN
IN
MONITOR
OUT 1
CTRL
OUT
+5V
20mA
MONITOR
OUT 2
VCR 1
100Ω
If your LD player has an S-video output, you can connect it to this unit.
Connect the S-video signal output jack on your LD player to the LD
S VIDEO jack.
MAIN
OUT
DIGITAL
■ Connecting a TV or Digital TV
Analog Audio Output
L
Optical
Output
R
C
Video
Output
O
RF(AC-3)
AUDIO
PHONO
GND
AUDIO
CD
VIDEO
S VIDEO
VIDEO
LD
Component
Output
COMPONENT VIDEO
Y
PB/CB
A
DVD
LD
B
D-TV
D-TV
C
CBL
/SAT
75Ω
UNBAL.
FM
AN
DVD
(PLAY)
COAXIAL
MONITOR
OUT
TAPE
OPTICAL
IN
OUT
CD
2
GN
CBL
/SAT
IN
CBL
/SAT
AM
AN
If your TV has an S-video output or component video output, you can
connect it to this unit.
Connect the S-video signal output jack on your TV to the D-TV S VIDEO
jack or connect the component signal output jacks on your TV to the D-TV
COMPONENT VIDEO jacks.
VCR 1
IN
FRONT
OUT
(PLAY)
MD
MD
IN
OUT
(REC)
REAR
IN
OUT
VCR 2
MAIN
OUT
SUB
WOOFER
RS232C
OUT
6CH INPUT
MONO
CENTER
IN
IN
IN
SURROUND
VCR 3
D-TV
SUB
WOOFER
SPLIT
OUT
REMOTE 2
LD
(SURROUND)
REMOTE 1
(REC)
DVD
B
REAR CTR
CENTER
OUT
+
CENTER
CBL
/SAT
ZONE 2 OUT
VIDEO
OUT
MAIN
IN
MONITOR
OUT 1
–
MONITOR
OUT 2
VCR 1
100Ω
CTRL
OUT
+5V
20mA
MAIN
OUT
■ Connecting a Satellite Tuner or Cable TV Tuner (Set
Top Box)
DIGITAL
Analog Audio Output
Optical Output
O
Satellite/Cable TV
Tuner
Video
Output
C
RF(AC-3)
GND
AUDIO
PHONO
CD
VIDEO
CD
DVD
CBL
/SAT
COAXIAL
S-video Output
Component
Output
C
AUDIO
LD
VIDEO
S VIDEO
COMPONENT VIDEO
Y
PB/CB
A
DVD
LD
B
D-TV
D-TV
C
G
MONITOR
OUT
TAPE
CD
IN
OUT
75Ω
UNBAL.
CBL
/SAT
CBL
/SAT
IN
(PLAY)
PREOUT/MAIN IN
(REC)
2
VCR 1
IN
(PLAY)
IN
FRONT
OUT
(PLAY)
MD
MD
OUT
(REC)
IN
REAR
IN
OUT
VCR 2
DVD
MAIN
OUT
SUB
WOOFER
6CH INPUT
CBL
/SAT
VCR 1
RS232C
OUT
CENTER
IN
B
REAR CTR
CENTER
OUT
+
CENTER
ZONE 2 OUT
VIDEO
OUT
MAIN
IN
MONITOR
OUT 1
–
MONITOR
OUT 2
100Ω
DIGITAL
MONO
IN
IN
SURROUND
VCR 3
D-TV
SUB
WOOFER
SPLIT
OUT
REMOTE 2
LD
(SURROUND)
REMOTE 1
(REC)
Connect the left and right audio signal output jacks on your tuner to
the CBL/SAT L and R jacks.
If your tuner has coaxial or optical digital signal outputs, you can connect
them to this unit.
Connect the coaxial digital signal output jack on your tuner to the
COAXIAL CBL/SAT jack.
Connect the optical digital signal output jack on your tuner to the OPTICAL
CBL/SAT jack.
S
PR/CR
DVD
OPTICAL
18
1
L
R
Coaxial
Output
Connect the composite video signal output jack on your TV to the
D-TV VIDEO jack.
PREOUT/MAIN IN
(REC)
IN
(PLAY)
Connect the left and right analog signal output jacks on your TV to
the D-TV L and R jacks.
If your TV has an optical digital signal output, you can connect it to this
unit.
Connect the optical digital signal output jack on your TV to the OPTICAL
D-TV jack.
S
PR/CR
DVD
CD
1
S-video Output
Digital TV/
TV
CTRL
OUT
+5V
20mA
MAIN
OUT
Connect the composite video signal output jack on your tuner to the
CBL/SAT VIDEO jack.
If your tuner has an S-video or component video output, you can connect it
to this unit. Connect the S-video signal output jack on your tuner to the
CBL/SAT S VIDEO jack or connect the component signal output jacks on
your tuner to the CBL/SAT COMPONENT VIDEO jacks.
Hookups
R
Audio Input
VCR
English
■ Connecting a VCR
Video Input
L
S-video Input
R
S-video Output
L
1
Connect the left and right audio signal output jacks on your VCR to
the VCR 1 IN L and R jacks.
2
Connect the left and right audio signal input jacks on your VCR to
the VCR 1 OUT L and R jacks.
3
Connect the composite video signal output jack on your VCR to the
VCR 1 VIDEO IN jack.
Audio Output
Video Output
C
RF(AC-3)
AUDIO
PHONO
GND
AUDIO
CD
CD
DVD
COMPONENT VIDEO
Y
PB/CB
PR/CR
A
DVD
LD
B
D-TV
D-TV
C
CBL
/SAT
(PLAY)
MONITOR
OUT
TAPE
OPTICAL
IN
OUT
CD
C
S
DVD
CBL
/SAT
IN
CBL
/SAT
COAXIAL
VIDEO
S VIDEO
VIDEO
LD
S
If your VCR has an S-video input, you can connect it to this unit.
Connect the S-video signal output jack on your VCR to the VCR 1 IN S
VIDEO jack.
PREOUT/MAIN IN
(REC)
VCR 1
IN
IN
(PLAY)
FRONT
OUT
(PLAY)
MD
MD
IN
OUT
(REC)
REAR
IN
OUT
(SURROUND)
REMOTE 1
(REC)
VCR 2
OUT
4
Connect the composite video signal input jack on your VCR to the
VCR 1 VIDEO OUT jack.
If your VCR has an S-video input, you can connect it to this unit.
Connect the S-video signal input jack on your VCR to the VCR 1 OUT S
VIDEO jack.
Notes:
• You can connect other VCRs to the RX-V1 using the VCR 2 and VCR 3 jacks.
• If your VCR has an optical digital signal output jack, connect it to the OPTICAL
VCR 1 jack of this unit.
L
■ Connecting a DVD Player
S-video Output
R
Analog Audio Output
Optical Output
1
Component Output
DVD player
O
C
Video Output
Coaxial Output
RF(AC-3)
GND
AUDIO
PHONO
AUDIO
VIDEO
LD
CD
CD
VIDEO
S VIDEO
COMPONENT VIDEO
Y
PB/CB
C
If your DVD player has coaxial or optical digital outputs, you can connect
one or both of them to this unit.
Connect the coaxial digital signal output jack on your DVD player to the
COAXIAL DVD jack.
Connect the optical digital signal output jack on your DVD player to the
OPTICAL DVD jack.
S
PR/CR
DVD
A
DVD
LD
B
D-TV
D-TV
C
CBL
/SAT
75Ω
UNBAL.
FM
ANT
DVD
GND
CBL
/SAT
IN
CBL
/SAT
(PLAY)
COAXIAL
MONITOR
OUT
TAPE
OPTICAL
IN
OUT
CD
AM
ANT
PREOUT/MAIN IN
(REC)
2
VCR 1
IN
(PLAY)
IN
FRONT
OUT
(PLAY)
MD
MD
IN
OUT
(REC)
REAR
IN
OUT
VCR 2
MAIN
DVD
OUT
REMOTE 2
VCR 3
D-TV
SUB
WOOFER
6CH INPUT
CBL
/SAT
RS232C
OUT
If your DVD player has an S-video output or component video output, you
can connect it to this unit. Connect the S-video signal output jack on your
DVD player to the DVD S-VIDEO jack or connect the component signal
output jacks on your DVD player to the DVD COMPONENT VIDEO
jacks.
MONO
CENTER
IN
IN
IN
B
REAR CTR
CENTER
OUT
+
CENTER
ZONE 2 OUT
VIDEO
OUT
MAIN
IN
MONITOR
OUT 1
–
MONITOR
OUT 2
VCR 1
100Ω
CTRL
OUT
+5V
20mA
MAIN
OUT
DIGITAL
D-TV
DVD
(PLAY)
MONITOR
OUT
TAPE
OPTICAL
IN
OUT
CD
■ Connecting a Video Monitor
CBL
/SAT
C
CBL
/SAT
IN
CBL
/SAT
COAXIAL
PREOUT/MAIN IN
(REC)
VCR 1
IN
IN
(PLAY)
FRONT
OUT
(PLAY)
MD
MD
IN
OUT
(REC)
REAR
IN
OUT
VCR 2
MAIN
DVD
OUT
REMOTE 2
VCR 3
SUB
WOOFER
D-TV
6CH INPUT
CBL
/SAT
MONO
CENTER
IN
IN
IN
RS232C
OUT
REAR CTR
CENTER
OUT
CENTER
ZONE 2 OUT
VIDEO
OUT
MAIN
IN
MONITOR
OUT 1
MONITOR
OUT 2
VCR 1
100Ω
CTRL
OUT
+5V
20mA
1
Connect the composite video signal input jack on your monitor to
MONITOR OUT 1 VIDEO jack.
SUB
WOOFER
SPLIT
OUT
SURROUND
LD
(SURROUND)
REMOTE 1
(REC)
Connect the composite video signal output jack on your DVD player
to the DVD VIDEO jack.
SUB
WOOFER
SPLIT
OUT
SURROUND
LD
(SURROUND)
REMOTE 1
(REC)
Connect the left and right analog signal output jacks on your DVD
player to the DVD L and R jacks.
MAIN
OUT
DIGITAL
If your video monitor has an S-video input, you can connect it to this unit.
Connect the S-video signal input jack on your video monitor to the
MONITOR OUT 1 S-VIDEO jack.
If your video monitor has component video signal inputs, you can connect
them to the COMPONENT VIDEO MONITOR OUT jacks.
S
C
Note:
Video Input
Video
Monitor
S-video Input
• You can connect another monitor to this unit using the MONITOR OUT 2 jacks.
Component Input
19
Hookups
Connecting Speakers
This section explains how to connect speakers to the RX-V1. After you finish connecting your speakers, use the SET MENU to change the
signal output settings according to the number and size of the speakers in your configuration.
■ Using Speaker Cords
Preparations
A speaker cord is actually a pair of insulated cables running side by side. One of
the cables is colored or shaped differently, perhaps with a stripe, groove or ridge.
To make sure you always connect speakers with the correct polarity, determine
the difference between the cables of your speaker cord, make a note of which
cable you plan to use for which polarity (+ and –), and always connect the speaker
cords consistently.
BANANA PLUG
1
Strip off 9 mm (3/8 in.) of an inch of insulation from the ends of the
cables.
2
Twist the exposed wires of the cable together to prevent short
circuits.
3
Loosen the terminal knob by turning it counterclockwise.
4
Insert only the exposed portion of the cable into the slot in the side of
the terminal, and tighten the terminal knob.
Note:
• If your speaker cords have banana plugs, tighten the terminal knob and insert the
plug into the end of the terminal.
Caution:
• Connect the speaker cords with care to avoid creating a short circuit. If you turn on
the power and there is a short circuit, this unit may be damaged even though the
protection circuit automatically shuts off the power.
Right Main
Speaker A
Left Main
Speaker A
■ Connecting the Main Speakers
Before connecting any speaker cords, identify which terminals are for the right
and left channels and also the + and – polarities. If you connect speakers with the
wrong polarity (+ to –), the RX-V1 will not reproduce clear sound.
Connect the + and – terminals of your right and left Main speakers to
the L and R MAIN + and – terminals on this unit.
B
MAIN
A
+
+
+
–
–
–
Right Main
Speaker B
Left Main
Speaker B
Center Speaker
■ Connecting the Center Speaker
SPEAKERS
FRONT
+
+
–
–
REAR
20
+
+
–
–
+
+
–
–
CENTER
REAR CENTER
Connect the + terminal of your Center speaker to the CENTER +
terminal and the – terminal of your Center speaker to the CENTER –
terminal.
Hookups
■ Connecting the Front Effect Speakers
English
Left Front
Effect Speaker
Right Front
Effect Speaker
Connect the + and – terminals of your right and left Front Effect
speakers to the L and R FRONT + and – terminals on this unit.
SPEAKERS
FRONT
+
+
–
–
REAR
+
+
–
–
+
+
–
–
CENTER
REAR CENTER
■ Connecting the Rear and Rear Center Speakers
SPEAKERS
FRONT
+
+
–
–
1
Connect the + and – terminals of your right and left Rear speakers to
the L and R REAR + and – terminals on this unit.
2
Connect the + terminal of your Rear Center speaker to the REAR
CENTER + terminal and the – terminal of your Rear Center speaker
to REAR CENTER – terminal.
REAR
+
+
–
–
+
+
–
–
CENTER
REAR CENTER
Right Rear
Speaker
Left Rear
Speaker
Rear Center Speaker
Subwoofer system
■ Connecting a Front Subwoofer
Connect the signal input jack on your subwoofer to the PRE OUT/
MAIN IN SUBWOOFER MONO jack.
By connecting two Subwoofers to the SUBWOOFER SPLIT jacks, this
unit can reproduce subtle directional changes in the low frequency sounds.
When you use two Subwoofers, connect both of them to the SUBWOOFER
SPLIT jacks using pin plugs.
PREOUT/MAIN IN
FRONT
IN
REAR
(SURROUND)
REMOTE 1
OUT
REMOTE 2
MONO
CENTER
IN
IN
RB2320
Right
Subwoofer
system
RS
232C
100Ω
CTRL
OUT
+5V
20mA
Caution:
SUB
WOOFER
SPLIT
REAR CTR
CENTER
OUT
MAIN
IN
MAIN
OUT
Left
Subwoofer
system
• The SUBWOOFER jacks (output) have a built-in high cut-off filter (90 Hz). When
using a powered subwoofer, set the high cut-off frequency to “MAX” on your
Subwoofer.
21
Hookups
Right Rear
Speaker
Left Rear
Speaker
■ Connecting a Rear Subwoofer
By using both Front and Rear Subwoofers, the CINEMA-DSP sound field
programs can produce realistic movie effects with powerful, dynamic sound. To
take advantage of this dynamic sound, be sure to set the 1C. REAR L/R SP item
in the SET MENU to “LARGE” (see page 41), and connect your Rear speakers
and Subwoofer as shown below.
SPEAKERS
1
Connect the right + input terminal on your Subwoofer to the REAR
R + terminal, and the right – input terminal on your Subwoofer to
the REAR R – terminal with speaker cords.
2
Connect the left + input terminal on your Subwoofer to the REAR
L + terminal, and the left – input terminal on your Subwoofer to the
REAR L – terminal with speaker cords.
3
Connect your Rear speakers to the output terminals on the Rear
Subwoofer.
FRONT
+
+
–
–
Preparations
REAR
+
+
–
–
+
+
–
–
CENTER
REAR CENTER
Subwoofer
system
Be sure to connect the Rear speakers to the Subwoofer with the correct
polarity.
Note:
• Adjust the speaker volume for the Subwoofer with the controls on the Subwoofers,
not on the RX-V1.
■ Impedance Selector switch
Select the position whose requirements your speaker system meets.
(Upper position)
WARNING
Do not change the IMPEDANCE
SELECTOR switch setting while the power to
this unit is on, otherwise this unit may be
damaged.
IF THIS UNIT FAILS TO TURN ON
WHEN THE STANDBY/ON SWITCH IS
PRESSED:
The IMPEDANCE SELECTOR switch may
not be set to either end. If so, set the switch to
either end when this unit is in the standby
mode.
IMPEDANCE SELECTOR
SET BEFORE POWER ON
FRONT
REAR
REAR CENTER
CENTER
MAIN A OR B
A+B
FRONT
REAR
REAR CENTER
CENTER
MAIN A OR B
A+B
VOLTAGE SELECTOR
22
Front Effect:
The impedance of each speaker must be 6Ω or higher.
Rear: The impedance of each speaker must be 4Ω or higher.
Rear Center:
The impedance of the speaker must be 4Ω or higher.
Center: The impedance of the speaker must be 4Ω or higher.
Main: If you use one pair of main speakers, the impedance of each
speaker must be 4Ω or higher.
If you use two pairs of main speakers, the impedance of each
speaker must be 8Ω or higher.
(Lower position)
Front Effect:
The impedance of each speaker must be 8Ω or higher.
Rear: The impedance of each speaker must be 8Ω or higher.
Rear Center:
The impedance of the speaker must be 8Ω or higher.
Center: The impedance of the speaker must be 8Ω or higher.
Main: <Except Canada model>
If you use one pair of main speakers, the impedance of each
speaker must be 8Ω or higher.
If you use two pairs of main speakers, the impedance of each
speaker must be 16Ω or higher.
<For Canada model only>
The impedance of each speaker must be 8Ω or higher.
Hookups
English
Connecting External Amplifiers
If you want to increase the power output to the speakers, or want to use another amplifier, connect an external amplifier to the PRE OUT/
MAIN IN terminals as follows.
PREOUT/MAIN IN
FRONT
REAR
(SURROUND)
SUB
WOOFER
SPLIT
MONO
CENTER
IN
REAR CTR
CENTER
OUT
MAIN
IN
MAIN
OUT
~ MAIN jacks
MAIN OUT jack ....... Main channel line output jacks.
The signals output through these jacks
are affected by BASS, TREBLE,
BALANCE, and BASS EXTENSION
settings.
MAIN IN jacks .......... Line input to the RX-V1 Main channel
amplifiers.
Ÿ CENTER jacks
CENTER OUT jack . Center channel line output jacks.
CENTER IN jack ..... Line input to the RX-V1 Center channel
amplifier.
! REAR CT jack
⁄ SUBWOOFER jacks
Subwoofers reinforce very low frequencies.
MONO .................... Main, Center and Rear channel
frequencies below 90 Hz are output
through this jack. You can also direct
DTS and Dolby Digital LFE signals to
this output.
SPLIT ..................... The SPLIT jacks output stereo separation
for the Main and Rear channels and a
split mono signal for the Center and LFE
channels.
Adjust the volume level of the subwoofer with the control on
the subwoofer. Subwoofer volume cannot be adjusted from this
unit. Depending on the settings in SET MENU items
1. SPEAKER SET, 3A. LFE LEVEL and 4A. LFE LEVEL,
some signals may not be output from the SUBWOOFER jacks.
Rear Center channel line output jack.
@ FRONT
Front Effect channel line output jacks.
¤ REAR (SURROUND)
Rear channel line output jacks.
Note:
• When RCA pin plugs are connected to the PRE OUT/MAIN IN output jacks for output to external amplifiers, the corresponding internal amplifiers will be
muted.
23
Hookups
Connecting an External Decoder
The RX-V1 is equipped with six additional input jacks (left and right MAIN, CENTER, left and right SURROUND and SUBWOOFER) for
discrete multi-channel input from an external decoder, sound processor, or pre-amplifier.
Connect the output jacks on your external decoder to the 6CH
INPUT jacks.
DVD
LD
D-TV
MAIN
Be sure to match the left and right outputs to the left and right input jacks for
the main and surround channels.
To listen to the sound from your external decoder, press 6CH INPUT on this
unit or the remote control.
SURROUND
SUB
WOOFER
6CH INPUT
CBL
/SAT
CENTER
ZONE 2 OUT
VIDEO
OUT
Preparations
VCR 1
Note:
DIGITAL
L
R
C
C
Subwoofer Output
L
R
• When you select 6CH INPUT as the input source, this unit automatically turns off
the digital sound field processor, and you cannot listen to DSP programs.
Center Output
External Decoder
Surround Output
Main Output
Connecting Power Supply Cords
■ Connecting the AC Power Cord
IMPEDANCE SELECTOR
AC Power Cord
After completing all connections, plug the AC power cord into a convenient AC
outlet.
■ AC OUTLETS
AC OUTLETS
AC OUTLETS
24
Use these to connect the power cords from your other components to this unit.
The power to the switched outlets is controlled by this unit’s STANDBY/ON
(SYSTEM POWER ON or STANDBY on the remote). These outlets will supply
power to any connected unit whenever this unit is turned on. The maximum power
(total power consumption of components) that can be connected to AC
OUTLETS is 100 W (U.S.A. and Canada model) or 120 W (Australia model).
Hookups
English
Connecting the Antennas
Both AM and FM indoor antennas are included with this unit. These antennas should provide sufficient signal strength in most situations.
However, a properly installed outdoor antenna provides clearer reception. If you experience poor reception quality using the indoor antennas,
an outdoor antenna may improve the reception.
Connect each antenna as shown below.
Indoor FM antenna (included)
■ Connecting the indoor FM antenna
Connect the included indoor antenna to the 75Ω
UNBAL. FM ANT terminal.
Outdoor FM antenna
T VIDEO
B/CB
SPEAKERS
PR/CR
FRONT
DVD
75Ω coaxial cable
75Ω
UNBAL.
+
+
D-TV
FM
ANT
CBL
/SAT
Antenna adapter to match with
F-type connector (included for
U.S.A. and Canada Models)
GND
MONITOR
OUT
–
–
REAR
+
+
–
–
AM
ANT
PREOUT/MAIN IN
AM loop antenna (included)
FRONT
+
REAR
+
(SURROUND)
75Ω/300Ω
antenna adapter
or
SUB
WOOFER
SPLIT
–
CENTER
CENTER
IN
300Ω ribbon
cable
–
MONO
REAR CENTER
B
MAIN
A
+
+
+
–
–
–
REAR CTR
CENTER
OUT
MAIN
IN
■ Optional outdoor FM antenna
MAIN
OUT
Consult your dealer or authorized service center
about the best method of selecting and erecting an
outdoor FM antenna.
Ground
■ Optional outdoor AM antenna
If this unit is in a steel building or at a great distance from the
transmitter, it may be necessary to install an outdoor AM antenna.
■ Connecting the AM loop antenna
2
1
1
Press the tab to unlock the terminal hole.
3
2
Insert the AM loop antenna lead wires to the AM ANT and GND
terminals.
3
Lift the tab to its original position to lock the lead wires.
Lightly pull on the lead wires to confirm a good connection.
Loop Antenna
4
Attach the loop antenna to the antenna stand.
5
Orient the AM loop antenna so that the best reception is obtained.
Notes:
• The AM loop antenna should be placed away from this unit. The antenna may be
hung on a wall.
• The AM loop antenna should remain connected, even if an outdoor AM antenna is
connected to this unit.
Antenna stand
• To minimize the influence of automobile ignition noise, locate the antenna as far
from heavy traffic as possible.
• Keep the ribbon cable or coaxial cable as short as possible.
Do not bundle or roll up excess cable.
• The antenna should be at least 1.8m (6 feet) from reinforced concrete walls and
metallic structures.
25
On-Screen Displays (OSD)
You can display the operation information for this unit on a video monitor. If you display the SET MENU and DSP sound field program
parameter settings on a screen, it is much easier to see the available options and parameters than it is by reading this information on the front
panel display.
If a video source is being reproduced, the OSD is superimposed over the image.
If a video source is not being reproduced (or the power of the source equipment is off), the OSD is shown on a blue background.
OSD Modes
You can change the amount of information the OSD shows.
Full Display ............... This mode always shows the sound field program parameter settings on the
video monitor (see page 77).
Preparations
Short Display ............. This mode briefly shows the same contents as the front panel display at the
bottom of the screen, then disappears.
Display Off ................ This mode briefly shows the “DISPLAY OFF” message at the bottom of the
screen, then disappears. Afterwards, no changes to operations appear on the
screen except those of the ON SCREEN.
Full Display
Notes:
• When you choose the Full Display mode, INPUT SELECTOR, VOLUME and some
other types of operation information are displayed at the bottom of the screen in the
same format as the front panel display.
• The OSD signal is not output through the REC OUT Selector, and will not be recorded
with any video signal.
• The SET MENU, TEST DOLBY SUR and TEST DSP appear regardless of the OSD
mode.
Short Display
Selecting the OSD Mode
1
When you turn on the power, the video monitor and front panel
display shows the level of the main volume for a few seconds and
then switches to show the current sound field program.
2
Press ON SCREEN on the remote control repeatedly to change the
display mode.
PARAMETER
ON SCREEN LEVEL
ON SCREEN
SET MENU
SLEEP
TEST
The OSD mode changes in the following order: Full Display, Short Display,
and Display Off.
Caution:
• If you choose a video input source that has equipment connected to both the S
VIDEO IN and composite VIDEO IN jacks, and both the S VIDEO OUT and
composite VIDEO OUT jacks are connected to a video monitor, the video signal is
output to both the S VIDEO OUT and VIDEO OUT jacks. However, the OSD is
carried only on the S-video signal. If no video signal is input, the OSD is carried on
both the S-video and composite video signals.
• If your video monitor is connected only to the COMPONENT VIDEO terminals of
this unit, the OSD is not shown. Make sure to connect your video monitor to the
COMPONENT VIDEO terminal and either VIDEO or S VIDEO terminals if you
would like to see the OSD.
• Playing back video software that has an anti-copy signal or video signals with a lot
of noise may produce unstable images.
26
Speaker Settings
English
The RX-V1 has seven SPEAKER SET items in the SET MENU that you must set according to the number of speakers in your configuration
and their size. The following table summarizes these SPEAKER SET items, and shows the initial settings as well as other possible settings. If
the initial settings are not appropriate for your speaker configuration, change the settings in the SET MENU (see page 41).
Summary of SPEAKER SET items 1A through 1G.
Item
Description
Initial Setting
1A. CENTER SP
Selects the Center channel output mode according to the size of the Center speaker.
The possible settings are LRG (large), SML (small) and NONE.
LRG
1B. MAIN SP
Selects the Main channel output mode according to the size of the Main speakers.
The possible settings are LARGE and SMALL.
LARGE
1C. REAR L/R SP
Selects the Rear channel output mode according to the size of the Rear speakers.
The possible settings are LRG (large), SML (small) and NONE.
LRG
1D. REAR CT SP
Selects the Rear center channel output according to the size of the Rear Center speaker.
The possible settings are LRG (large), SML (small) and NONE.
LRG
1E. LFE/BASS OUT
Selects a speaker for the LFE/Bass signal output.
The possible settings are SW (subwoofer), MAIN, and BOTH.
BOTH
1F. FRNT EFCT SP
Selects the Front Effect signal output mode for the Front Effect signals.
The possible settings are YES and NONE.
YES
1G. MAIN LEVEL
Selects the output level for the Main channel signal.
The possible settings are Normal and –10 dB.
Normal
Speaker Output Levels
This section explains how to set the speaker output levels using the test tone generator. The Dolby Surround test is for balancing the output
levels of the six speakers required for surround sound systems. The DSP test is for balancing the Front Effect speakers with the Main
speakers for the DSP sound field programs.
Before You Begin
BASS
1
0
TREBLE
1
2
1
2
3
3
4
–
5
5
0
BALANCE
1
2
1
2
3
3
4
4
+
–
4
5
5
+
2
0
1
4
L 5
1
Set BASS, TREBLE and BALANCE on the front panel to “0” (the
center position) and turn off BASS EXTENSION.
2
Sit in the main listening position and set PARAMETER/SET
MENU on the remote control to PARAMETER.
3
Set 10KEY/DSP on the remote control to DSP and press
SUR.
4
Press TEST on the remote control once or twice to select the test
you want.
2
3
3
4
5 R
PARAMETER
SET MENU
/ DTS
10KEY DSP
• Select “TEST DOLBY SUR.” to match the output levels of the Center,
Rear Center and left and right Rear speakers to the left and right Main
speakers.
• Select “TEST DSP” to match the output levels of the Front Effect
speakers to the Main speakers.
27
Speaker Output Levels
Dolby Surround Test
Use the Dolby Surround Test to balance the output levels of speakers required for surround sound systems.
1
Press TEST on the remote control so “TEST DOLBY SUR.”
appears on the video monitor and front panel display.
2
Adjust VOLUME +/– so you can hear the test tone.
Preparations
TEST
L
C
• The test tone is produced from the left Main speaker, Center speaker, right
Main speaker, right Rear speaker, Rear Center speaker and left Rear
speaker in order. The tone is produced for 2.5 seconds each time.
R
• You can stop the sequence temporarily by pressing % or
L
R
RC
%
FL
FR
.
RR
3
Adjust the output level of the effect speakers using the cursor – or +
buttons on the remote control so the output level coming from each
speaker is the same.
• You can increase the output levels of the effect channels (left Rear, right
Rear, Rear Center and Center) to +10 dB. If the output level of the Center,
Rear, and Rear Center speakers is lower than that from the Main speakers
even after you have increased the sound volume level of the Center, Rear,
and Rear Center speakers up to +10 dB, set the 1G. MAIN LEVEL item in
the SET MENU to “–10dB.” Setting the 1G. MAIN LEVEL item to this
setting decreases the Main speaker volume level to about one-third the
normal level. After you set the 1G. MAIN LEVEL item in the SET
MENU to “–10dB,” adjust the levels for the Center, Rear, and Rear Center
speakers again.
4
When you finish adjusting the output level of the Center, Rear, and
Rear Center speakers, press TEST repeatedly until the current DSP
program appears.
Note:
• The tonal quality of the speakers can be adjusted using the 7. CENTER GEQ, 8.
REAR CT GEQ, and 9. CINEMA EQ items in the SET MENU (see page 49~50).
28
Speaker Output Levels
English
DSP Test
Adjust the output level of the Front Effect speakers while this unit is reproducing a DSP sound field program. If you do not use Front Effect
speakers, set the 1F. FRNT EFCT SP item in the SET MENU to “NONE” (see page 41), and the DSP Front Effect signals will be mixed with
the Main channel signals.
TEST
FR
C
R
L
RC
2
Adjust VOLUME so you can hear the test tone.
• The test tone is produced alternately from the Front Effect speakers and
Main speakers. The tone is produced for 2.5 seconds each time.
R
RR
3
Adjust the output level of the Front Effect speakers using + and – so
the output level coming from the Front Effect speakers is the same as
that of the Main speakers.
• The test tone is automatically produced from the Front Effect speakers
while you are adjusting the level.
4
When you finish adjusting the output level of the Front Effect
speakers, press TEST repeatedly until the current DSP program
appears.
Notes:
• If you cannot hear the test tone, set VOLUME, turn off the power, and check the
speaker cords and hookups.
• The test tone can be reproduced separately from the left and right Front Effect
speakers. This is useful when you want to check the hookups to these speakers.
to reproduce
Press % to reproduce the test tone from the left speaker, and press
the tone from the right speaker. (The OSD shows which speaker is reproducing the
tone.)
• You cannot adjust the output level of the left and right Front Effect speakers
separately.
• You can stop the test tone’s alternation temporarily by pressing % or
%
L
Press TEST repeatedly until “TEST DSP” appears on the video
monitor and front panel display.
%
FL
1
.
• The tonal quality of the speakers can be adjusted using the 7. CENTER GEQ, 8.
REAR CT GEQ, and 9. CINEMA EQ items in the SET MENU (see page 49~50).
• If the sound volume of the Front Effect speakers is lower than that of the Main
speakers, even after you have increased the output level up to +10 dB, set the 1G.
MAIN LEVEL item in the SET MENU to “–10dB.” Setting the 1G. MAIN LEVEL
item to “–10dB” decreases the Main speaker output level to about one-third of the
normal level.
After you set the 1G. MAIN LEVEL item in the SET MENU to “–10dB,” repeat
the TEST DOLBY SUR. procedure on the previous page.
29
Basic Operation
Basic Operation
Basic Playback
31
Power Control ................................................................................................... 31
Selecting a Source ............................................................................................. 32
Input Modes and Indications ............................................................................. 33
Selecting a Sound Field Program ...................................................................... 34
AM/FM Tuner
35
Manual Tuning .................................................................................................. 35
Automatic Tuning ............................................................................................. 35
Presetting Stations ............................................................................................. 36
Tuning to Preset Stations .................................................................................. 38
Exchanging Preset Stations ............................................................................... 38
Basic Recording
39
Preparations ....................................................................................................... 39
30
Basic Playback
English
MACRO
TRANSMIT RE-NAME
STANDBY
CLEAR
LEARN
MACRO
OFF
ON
SYSTEM
POWER
STANDBY
V-AUX
TAPE
PHONO
D-TV
CBL/SAT
TUNER
MD
CD
VCR 1
VCR 2
VCR 3
LD
DVD
SYSTEM
POWER
Input buttons
STANDBY/ON
STANDBY/ON
EFFECT
EFFECT
INPUT
INPUTSELECTOR
SELECTOR
VOLUME
VOLUME
INPUT
MODE
INPUT MODE
DIGITAL
CINEMA DSP
NATURAL SOUND AV RECEIVER RX-V1
DOLBY
D I G I T A L
SURROUND
%
ENTER
%
SOURCE
%
DISPLAY
SELECT
%
POWER
VOLUME
INPUT SELECTOR
%
TITLE
%
6CH INPUT
MENU
STANDBY/ON
SOUND
INPUT MODE
– CHAPTER +
SEARCH
!
!
$
$
REC
STOP
PAUSE
PLAY
*
#
/
SPEAKERS
A
PROGRAM
B
6CH IMPUT
EFFECT
PRESET/TUNING
A/B/C/D/E
PRESET/TUNING
FM/AM
EDIT
PHONES
BASS
1
10KEY DSP
HALL 1
HALL 2
CHURCH
JAZZ CLUB
1
2
3
4
0
TREBLE
1
2
1
2
3
ROCK
CONCERT
ENTERTAINMENT
CONCERT
VIDEO 1
6
7
5
6.1/ES
TV
THEATER
5
5
1
2
1
2
3
3
0
4
4
+
–
4
5
5
+
2
BASS PROCESSOR
EXTENSION DIRECT
1
2
3
4
L 5
3
4
5 R
ON
OFF
REC OUT/ZONE 2
LD
D-TV
CBL/SAT
VCR 1
VCR 2
VCR 3
VIDEO AUX
DVD
MD
TAPE
TUNER
CD
PHONO
MEMORY
TUNING MODE
MANL/AUTO FM
AUTO/MANL MONO
VIDEO AUX
SOURCE/REMOTE
S VIDEO
VIDEO
L
AUDIO R
8
/DTS
SUR.
10
11
12
0
+10
+100
CHP/INDEX
–
0
CONCERT
VIDEO 2
MOVIE
MOVIE
THEATER 1 THEATER 2
9
3
4
BALANCE
A / B / C / D / E PRESET
+
TV INPUT
TV VOL
–
+
TV MUTE
–
+
MUTE
CH
VOLUME
EFFECT
VOLUME
–
EFFECT
DISC
Power Control
1
SYSTEM
POWER
STANDBY
STANDBY/ON
Press STANDBY/ON (or SYSTEM POWER on the remote
control) to turn on the power.
• The front panel (and the monitor screen) shows the level of the volume for
a few seconds and then switches to show the current sound field program.
SYSTEM
POWER
STANDBY/ON
STANDBY
2
Press STANDBY/ON (or STANDBY on the remote control) to turn
off the power.
Note:
• This unit stores its current operational status in memory before the power is turned
off. By connecting a commercially available timer to this unit, you can easily
playback or record a source at any time you wish.
31
Basic Playback
Selecting a Source
INPUT SELECTOR
V-AUX
TAPE
PHONO
D-TV
CBL/SAT
TUNER
MD
CD
VCR 1
VCR 2
VCR 3
LD
DVD
1
Select the source using INPUT SELECTOR, or press one of the
input buttons on the remote control.
• The current source is indicated on the front panel display with an arrow.
• The current source name and input mode appear on the front panel display
and the video monitor for a few seconds.
The selected source
DVD
MD
TAPE
TUNER
CD
PHONO
Basic Operation
LD
D-TV
CBL/SAT
VCR 1
VCR 2
VCR 3
V-AUX
2
Select this
source:
To reproduce the signal
from this equipment.
DVD ..................................
LD ......................................
D-TV ..................................
CBL/SAT ...........................
VCR 1 ................................
VCR 2 ................................
VCR 3 ................................
V-AUX ..............................
PHONO .............................
CD ......................................
TUNER ..............................
TAPE .................................
MD .....................................
DVD player
LD player
Digital TV or TV
Cable TV or Satellite tuner
Video deck 1
Video deck 2
Video deck 3
Other A/V equipment
Turntable
CD player
AM/FM tuner
TAPE deck
MD recorder
Start playback (or select a broadcast station) on the source
equipment.
• Refer to the operation instructions for the equipment.
VOLUME
3
+
VOLUME
–
Adjust VOLUME (or VOLUME +/– on the remote control).
Caution:
• If the power of the equipment connected to the VCR 1, VCR 2, VCR 3, TAPE,
and MD OUT jacks is turned off, reproduced sound may be distorted or the volume
may be lowered. In these cases, turn on the equipment.
■ BGV (Back Ground Video) Function
The BGV (Back Ground Video) function allows you to combine a video signal
from a video source with a sound signal from an audio source. (For example, you
can listen to classical music while you are watching a video.)
Using the remote control, select a source from the video group, then select a
source from the audio group. Use the input buttons on the remote control to make
your selections. The BGV function does not work if you select the sources using
INPUT SELECTOR on the front panel.
32
Basic Playback
English
Input Modes and Indications
The RX-V1 comes with various input jacks. If your external component is connected to more than one type of input jack, you can set the
priority of the input signal. Press INPUT MODE on the front panel or an input button (press it repeatedly) on the remote control to display or
change the input mode.
AUTO
AUTO: ................. This mode is automatically selected when you turn on the power of this
unit. In this mode, the input signal is automatically selected in the
following order.
1) Dolby Digital or DTS encoded signals
2) Digital (PCM) signals
3) Analog signals
DTS: ..................... In this mode, only digital input signals encoded with DTS are selected
even if other signals are input at the same time.
ANALOG: ........... In this mode, only analog input signals are selected even if digital signals
are input at the same time.
<When LD is selected as the input source>
Dolby Digital RF
AUTO: ................. In this mode, this unit automatically selects the signal in the following
order.
1) Dolby Digital RF encoded signals
2) DTS encoded signals
3) Digital (PCM) signals
4) Analog signals
DTS
D.D. RF: ............... This unit only selects Dolby Digital RF encoded signals.
DTS: ..................... This unit only selects DTS encoded signals.
DGTL: .................. This unit only selects digital (PCM) signals input through the OPTICAL
jacks.
DIGITAL
ANALOG: ........... This unit only selects signals input through the ANALOG jacks. This unit
will not select Dolby Digital RF or DTS signals.
Notes:
• For CD, DVD, and CBL/SAT sources, if digital signals are input from both the
OPTICAL and COAXIAL terminals, the digital signal from the COAXIAL terminal is
selected.
• When the “AUTO” mode is selected, the RX-V1 automatically determines the type of
signal. If the RX-V1 detects a DTS or Dolby Digital signal, the decoder automatically
switches to the appropriate setting and reproduces 5.1 channel sound.
• When you use functions such as pause, search, or disc change while playing a disc
encoded with DTS signals, the DTS indicator flashes until the next playback starts.
ANALOG
• If you play a disc encoded with DTS signals and the input mode is set to “ANALOG”,
this unit reproduces the noise of an unprocessed DTS signal. When you want to play a
DTS source, be sure to connect the source to a digital input jack and set the input mode
to “AUTO” or “DTS. ”
• If you switch the input mode to “ANALOG” while playing a disc encoded with DTS
signals, this unit reproduces no sound.
• For LD software that does not contain a digital soundtrack, connect the LD player to
the analog jacks and set the input mode to “AUTO” or “ANALOG.”
• The input mode resets to “AUTO” after you turn off the power. When the current input
source is D-TV, CBL/SAT, and VCR 1, the input mode resets to the one set using the
15. INPUT MODE item in the SET MENU after you turn off the power (see page 52).
• If the LD player is transmitting signals in a non-standard method, the RX-V1 cannot
detect the DTS or Dolby Digital signal. In this case, the decoder automatically switches
to PCM or analog.
• Some audio/video equipment, such as LD players, output different audio signals
through their analog and digital jacks. Change the input mode as necessary.
33
Basic Playback
Selecting a Sound Field Program
You can enhance your listening experience by selecting a DSP sound field program. The 24 DSP sound field programs are divided into 12
DSP program groups. For details about each program, see pages 71~76.
2
Press one of the DSP program group buttons (or PROGRAM
or on the main unit) repeatedly until the DSP program you want
appears in the front panel display.
%
Set 10KEY/DSP to DSP.
10KEY/DSP
%
1
• For example, to select “Live Concert,” press HALL 2 repeatedly. You can
also select sound field programs within the current group by setting
PARAMETER/SET MENU to the PARAMETER position and pressing
the cursor + or – button.
Notes:
• If a DTS or Dolby Digital signal is input when the input mode is set to “AUTO”,
the sound field program automatically switches to the appropriate decoding
program.
• Choose a sound field program based on your listening preference, not on the name
of the program. The acoustics of your listening room affect the sound field
program. Minimize the sound reflections in your room to maximize the effect
created by the program.
Basic Operation
6.1/ES
If you want to utilize the Rear Center
speaker with a 5.1 channel program
source, press 6.1/ES. However, note
that to achieve the proper effect with the
rear center channel, Dolby Digital
Surround EX or DTS ES software
should be used.
• When you select an input source, the main unit automatically selects the last sound
field program used with that source.
• When you turn off the main unit, the current source and sound field program are
memorized and are automatically selected when you turn on the power again.
• When high rate 96kHz sampling 24 bit digital signals are output from source
equipment, the DSP sound field cannot operate on the source sounds. In this case,
the sounds are reproduced as normal 2-channel stereo.
Hi-Fi DSP Programs
1
Europe Hall A
Europe Hall B
Europe Hall C
2
U.S.A. Hall D
Europe Hall E
Live Concert
Church
Jazz Club
Rock Concert
Entertainment
Tokyo
Village Gate
Roxy Theatre
Disco
Freiburg Village Vanguard Warehouse Loft
Party
Royaumont The Bottom Line
Arena
Game/Amusement
CINEMA-DSP Programs
Concert Video 1 Concert Video 2 TV Theater Movie Theater 1 Movie Theater 2
Pop/Rock
Classical/Opera
Mono Movie
Spectacle
Adventure
DJ
Pavilion
Variety/Sports
Sci-Fi
General
/DTS SURROUND
Normal/Matrix 6.1/ES
Enhanced/6.1/ES
■ Virtual CINEMA DSP and HP CINEMA DSP
You can experience the virtual CINEMA DSP sound field by setting the 1C. REAR L/R SP item in the SET MENU to “NONE.” The
sound field processing is changed to the Virtual CINEMA DSP mode according to the selected sound field program. Virtual CINEMA
DSP is performed using the Main speakers. You can also listen to HP (Headphone) CINEMA DSP by connecting your headphones to the
PHONES jack while the DSP sound fields are on.
■ Normal Stereo Reproduction
For normal stereo reproduction, press EFFECT to turn off the effect.
Notes:
• When you turn off the effect, no sound is reproduced from the Front Effect, Center,
Rear, and Rear Center speakers.
• If you turn off the effect while DTS or Dolby Digital signals are being reproduced, the
dynamic range of the signal is automatically compressed.
• The sound volume may be extremely reduced when you turn off the effect or if you
change SET MENU item 3B. D-RANGE to MIN. In this case turn on the effect.
34
AM/FM Tuner
English
Automatic tuning is effective when the radio signals are strong and have no interference. However, manual tuning is best for weaker signals
that have some interference.
Manual Tuning
1
Select “TUNER” as the input source.
You can use INPUT SELECTOR on the main unit or the input button on
the remote control.
FM/AM
or
2
Press AM/FM to select the reception band.
“FM” or “AM” appears in the display.
TUNING MODE
3
AUTO/MAN’L MONO
Press TUNING MODE (AUTO/MAN’L MONO) so that the
“AUTO TUNING” indicator goes off in the display.
If the colon (:) appears in the display next to the AM or FM indicator, press
PRESET/TUNING (EDIT) to turn it off.
Turn this indicator off.
LD
D-TV
CBL/SAT
VCR 1
STEREO VCR 2
AUTO
VCR 3
TUNING
V-AUX
DSP
SPEAKERS
A
%
Press PRESET/TUNING
manually.
SLEEP
MEMORY
or
%
4
PRESET/TUNING
DVD
MD
TAPE
TUNER
CD
PHONO
to tune to the desired station
Hold down the button to continue the tuning search.
Note:
• Manually selecting an FM station will automatically change the reception to
monaural to increase the signal quality.
Automatic Tuning
1
Select “TUNER” as the input source.
You can use INPUT SELECTOR on the main unit or the input button on
the remote control.
FM/AM
2
or
“FM” or “AM” appears in the display.
3
TUNING MODE
AUTO
AUTO/MAN’L MONO
Press AM/FM to select the reception band.
Press TUNING MODE (AUTO/MAN’L MONO) so that the
“AUTO TUNING” indicator appears in the display.
If the colon (:) appears in the display next to the AM or FM indicator, press
PRESET/TUNING (EDIT) to turn it off.
Turn this indicator off.
LD
D-TV
CBL/SAT
VCR 1
VCR 2
AUTO
VCR 3
TUNING
V-AUX
STEREO
DSP
SPEAKERS
A
or
SLEEP
once to begin auto tuning.
%
%
Press PRESET/TUNING
%
4
%
PRESET/TUNING
MEMORY
DVD
MD
TAPE
TUNER
CD
PHONO
Press
to tune to a higher frequency, or press
to tune to a lower
frequency. Press the same button again if the tuning search stops short of the
correct station.
Use manual tuning if the tuning search does not stop at the correct station
because the signals are weak.
35
AM/FM Tuner
Presetting Stations
■ Manually presetting stations
This unit can store up to 40 stations (8 stations x 5 groups). Using this feature, you
can easily tune to any preset station by selecting the preset station number (see
page 38).
1
Tune to a station.
See the previous page for tuning instructions.
2
MEMORY
MEMORY
MAN’L/AUTO FM
Press MEMORY (MAN’L/AUTO FM).
The MEMORY indicator flashes for about five seconds.
3
A/B/C/D/E
Press A/B/C/D/E repeatedly to select a preset station group (A to E).
The group letter appears on the display.
SPEAKERS
A
Note:
or
to select a preset station number
Press
to select a higher preset station number.
Press
%
Press PRESET/TUNING
(1 to 8).
%
Basic Operation
4
%
PRESET/TUNING
%
• You must select a preset station group before the MEMORY indicator stops
flashing (about five seconds).
to select a lower preset station number.
Note:
• You must select a preset station group before the MEMORY indicator goes off
(about five seconds).
MEMORY
5
Press MEMORY (MAN’L/AUTO FM).
MAN’L/AUTO FM
The station band and frequency appear in the display with the preset group
and number you selected.
LD
D-TV
CBL/SAT
VCR 1
VCR 2
VCR 3
V-AUX
STEREO
SPEAKERS
A
MEMORY
DVD
MD
TAPE
TUNER
CD
PHONO
SLEEP
Shows the displayed station has been programmed to A-1.
6
Repeat steps 1 through 5 to store other stations.
You can store up to 40 stations (A1~A8, B1~B8, C1~C8, D1~D8, and
E1~E8).
Notes:
• The memory back-up circuit prevents the stored data from being lost even if this
unit is set to standby mode, the power cord is disconnected from the AC outlet, or
power service is temporarily cut due to power failure. However, if the power is cut
for more than one week, the memory may be deleted.
• Any stored station data existing at a preset number is cleared when you store a new
station at that preset number.
• The reception mode (stereo or monaural) is stored along with the station frequency.
36
AM/FM Tuner
English
■ Automatically presetting stations
You can use the automatic preset tuning feature to store FM stations. With this
function, the unit automatically tunes to FM stations with strong signals, then
stores up to 40 of those stations in order.
Tune to the FM station from which you want automatic presetting to
begin.
1
See page 35 for tuning instructions.
Press and hold MEMORY for more than 3 seconds.
2
MEMORY
The preset number and MEMORY and AUTO TUNING indicators flash.
Then, after about five seconds, automatic preset tuning begins.
MAN’L/AUTO FM
MEMORY
DVD
MD
TAPE
TUNER
CD
PHONO
SLEEP
Automatic Preset Tuning Options
%
%
Before Automatic Preset Tuning begins (within about five seconds), you can set
the preset number from which the unit will store FM stations and the direction in
which the unit will scan for stations.
• Press A/B/C/D/E and PRESET/TUNING / to select the preset
number where the first station will be stored. The unit will stop storing
stations if it reaches preset number E8.
• Turn off PRESET/TUNING (EDIT) (“ : ” is off) and press PRESET/
TUNING to scan for lower frequency stations or PRESET/TUNING
to scan for higher frequency stations. If you do not press either button
before Automatic Preset Tuning begins, the unit will scan for higher
frequency stations.
%
SPEAKERS
A
LD
D-TV
CBL/SAT
VCR 1
STEREO VCR 2
AUTO
VCR 3
TUNING
V-AUX
%
When Automatic Preset Tuning is complete, the display shows the frequency
of the last preset station.
Notes:
• You can replace a preset station with another FM or AM station manually by
simply following the procedure of the section “Manually presetting stations” on
page 36.
• If the number of received stations does not reach to E8, the search finishes
automatically after searching all frequencies.
• With this function, only FM stations with sufficient signal strength are stored
automatically. If the station you want to program is weak in signal strength, tune to
it in monaural mode manually, then program it by following the procedure in
“Manually presetting stations” on page 36.
37
AM/FM Tuner
Tuning to Preset Stations
Press A/B/C/D/E to select the preset station group.
1
A/B/C/D/E
The preset group letter appears in the display and changes each time you
press A/B/C/D/E.
SPEAKERS
A
Press PRESET/TUNING (EDIT) so that the colon (:) appears next
to the AM or FM indicator.
2
PRESET/TUNING
EDIT
SPEAKERS
A
or
%
Press PRESET/TUNING
(1 to 8).
3
PRESET/TUNING
%
“:” must appear in the display to recall preset stations. If necessary, press
PRESET/TUNING (EDIT) again.
to select a preset station number
The preset group and number appear in the display along with the station
band, frequency, and signal strength information.
LD
D-TV
CBL/SAT
VCR 1
STEREO VCR 2
AUTO
VCR 3
TUNING
V-AUX
Basic Operation
SPEAKERS
A
DVD
MD
TAPE
TUNER
CD
PHONO
SLEEP
Exchanging Preset Stations
You can exchange the stations stored on two preset numbers. The example below describes the procedure for exchanging the stored stations
at preset numbers E1 and A5.
Tune to the E1 preset station number.
1
See above for “Tuning to Preset Stations.”
Press and hold PRESET/TUNING (EDIT) for more than 3 seconds.
2
PRESET/TUNING
“E-1” flashes in the display.
EDIT
SPEAKERS
A
Tune to the A5 preset station number.
3
See above for “Tuning to Preset Stations.”
SPEAKERS
A
A-5 flashes in the display.
4
PRESET/TUNING
EDIT
The stations stored at the two preset locations are exchanged.
LD
D-TV
CBL/SAT
VCR 1
VCR 2
AUTO
VCR 3
TUNING
V-AUX
STEREO
SPEAKERS
A
Shows the exchange of stations is completed.
38
Press PRESET/TUNING (EDIT) again.
DVD
MD
TAPE
TUNER
CD
PHONO
SLEEP
Basic Recording
REC OUT/ZONE 2 allows you to record one source while viewing and/or listening to another source.
English
Preparations
1
Turn on the power to the RX-V1 and all connected equipment.
2
Select the source equipment you want to record using REC OUT/
ZONE 2.
STANDBY/ON
REC OUT/ZONE 2
SOURCE/REMOTE
LD
D-TV
CBL/SAT
VCR 1
VCR 2
VCR 3
VIDEO AUX
DVD
MD
TAPE
TUNER
CD
PHONO
• To record the current source, set REC OUT/ZONE 2 to SOURCE/
REMOTE.
• To record a source that you do not want to reproduce, set REC OUT/
ZONE 2 to the source you want to record.
3
Start playback (or select a broadcast station) on the source
equipment.
4
Start recording on the recording equipment.
• If you want to listen to another source, and REC OUT/ZONE 2 is not set
to SOURCE/REMOTE, select the source you want to reproduce with
INPUT SELECTOR and adjust the volume.
Notes:
• Do a test recording before you start an actual recording.
• When this unit’s power is off, you cannot record between other equipment
connected to this unit.
• Operating BASS and TREBLE, BASS EXTENSION, BALANCE, VOLUME,
and DSP programs do not affect the recorded signal.
Caution:
• The
RF (AC-3) input signal cannot be output using REC OUT/ZONE 2.
■ Special considerations when recording DTS software
The DTS signal is a digital bitstream. Attempting to digitally record the DTS
bitstream will result in noise being recorded. Therefore, if you want to use this
unit to record sources that have DTS signals recorded on them, the following
considerations need to be made.
For DTS encoded LDs, DVDs, and CDs:
Only 2-channel analog audio signals may be recorded as follows:
Laser Discs:
Set your Laser Disc player’s left and right outputs to the analog soundtrack.
DVDs:
Use the disc menu to set the DVD player’s mixed 2-channel left and right audio
outputs to the PCM or Dolby Digital soundtrack.
Compact Discs:
The DTS signal recorded on CDs can only be output as a digital bitstream, and
therefore cannot be recorded.
39
Advanced Operation
SET MENU Items
41
Advanced
Operation
Operating the SET MENU ................................................................................ 42
1. SPEAKER SET (1A. CENTER SP to 1G. MAIN LEVEL) ......................... 43
2. LOW FREQ. TEST ....................................................................................... 46
3. DOLBY D. SET (Dolby Digital Set) ............................................................ 47
4. DTS SET ....................................................................................................... 48
5. SP DELAY TIME ......................................................................................... 48
6. AUDIO DELAY ........................................................................................... 48
7. CENTER GEQ (Center Graphic Equalizer) ................................................. 49
8. REAR CT GEQ (Rear Center Graphic Equalizer) ....................................... 49
9. CINEMA EQ ................................................................................................ 50
10. HP TONE CTRL (Headphone Tone Control) ............................................ 51
11. PARAMETER INI (Parameter Initialization) ............................................ 51
12. 6.1/ES AUTO .............................................................................................. 51
13. MEMORY GUARD ................................................................................... 52
14. CMPNT-V INPT (Component Video Input) .............................................. 52
15. INPUT MODE ............................................................................................ 52
16. INPUT RENAME ....................................................................................... 53
17. DIMMER .................................................................................................... 53
18. ZONE 2 SET ............................................................................................... 53
Remote Control Features
54
Using the Remote Control ................................................................................ 54
Each Component Control Area ......................................................................... 56
Operating a Tuner (TUNER Area) ................................................................... 56
Operating a Tape Deck (TAPE Area) ............................................................... 56
Operating a CD Player (CD Area) .................................................................... 57
Operating an MD Recorder (MD Area) ............................................................ 57
Operating an LD Player (LD Area) .................................................................. 58
Operating a DVD Player (DVD Area) .............................................................. 58
Operating a VCR (VCR1/VCR2/VCR3 Area) ................................................. 59
Operating a TV or Digital TV (D-TV Area) ..................................................... 59
Operating a Cable or Satellite TV Tuner (CBSAT Area) ................................. 60
Free area (OPTN and PHONO Areas) .............................................................. 60
Seting the Manufacturer Code in the Remote Control ...................................... 61
Programming a New Remote Control Function ............................................... 62
Using the Macro Feature ................................................................................... 63
Changing the Source Name in the Display Window ........................................ 65
Clearing a Learned Function or Macro ............................................................. 65
Clearing Learned Functions, Macros, Renamed Displays, and Manufacturer
Setups ................................................................................................................ 66
Adjusting the Levels of the Effect Speakers
67
Setting the Sleep Timer
67
ZONE 2
68
Connections ....................................................................................................... 68
Remote Control in ZONE 2 .............................................................................. 69
40
SET MENU Items
English
The SET MENU consists of eighteen items including the Speaker Set, Center Graphic Equalizer and Parameter Initialization features.
Choose the appropriate item and adjust or select the values as necessary.
Notes:
• You can adjust the items in the SET MENU while reproducing a source.
• We recommend that you adjust the items in the SET MENU while using a video monitor. It is easier to see the video monitor screen than it is to see the
front panel display on this unit while adjusting SET MENU items.
Descriptions
Setting (Bold as default)
SPEAKER SET
1A. CENTER SP
1B. MAIN SP
1C. REAR L/R SP
1D. REAR CT SP
1E. LFE/BASS OUT
1F. FRNT EFCT SP
1G. MAIN LEVEL
Selects the output mode suitable for your Center speaker.
Selects the output mode suitable for your Main speakers.
Selects the output mode suitable for your Rear speakers.
Selects the output mode suitable for your Rear Center speaker.
Selects the speakers for your LFE/BASS signal output.
Selects the output mode for your Front Effect speakers.
Selects the output level for your main channels.
LRG / SML / NONE
LARGE / SMALL
LRG / SML / NONE
LRG / SML / NONE
SW / MAIN / BOTH
YES / NONE
Normal / –10 dB
43
43
43
44
44
45
45
2.
LOW FREQ. TEST
Matches the Subwoofer level with the level of the other speakers.
TEST TONE: OFF / ON
OUTPUT: MAIN L/R, MAIN L, CENTER,
MAIN R, R SUR.(REAR R), REAR CT,
L SUR.(REAR L), SUBWOOFER, FRONT
FREQ.: 35 Hz-250 Hz
46
3.
DOLBY D. SET
3A. LFE LEVEL
3B. D-RANGE
SPEAKER: –20 dB to 0 dB
HEADPHONE: –20 dB to 0 dB
SP(SPEAKER): MAX / STD / MIN
HP(HEADPHONE): MAX / STD / MIN
47
Adjusts the output level of the LFE channel for Dolby Digital signals.
Adjusts the dynamic range for Dolby Digital signals.
DTS SET
4A. LFE LEVEL
SPEAKER: –10 dB to +10 dB (0 dB)
HEADPHONE: –10 dB to +10 dB (0 dB)
48
Adjusts the output level of the LFE channel for DTS signals.
5.
SP DELAY TIME
Adjusts the delay time for Center and Rear Center speakers.
CENTER: 0 ms to 5 ms
REAR CNTR: 0 ms to 30 ms (3 ms)
48
6.
AUDIO DELAY
Adjusts the delay time for all channels.
0 ms to 99 ms
48
7.
CENTER GEQ
Matches the Center speaker tonal quality with the Main speakers.
5-band: –6 dB to +6 dB (0 dB)
49
8.
REAR CT GEQ
Controls the tonal quality of the Rear Center speaker.
5-band: –6 dB to +6 dB (0 dB)
49
9.
CINEMA EQ
9A. L, C, R EQ
LCR, FRNT EFCT, REAR L/R, REAR CT: OFF /
ON
50
Items
1.
4.
Adjusts the tonal balance of the Main and Center speakers, Front Effect speakers,
Rear speakers and Rear Center speaker separately.
Page
HIGHFRQ: 1 kHz to 12.7 kHz
GAIN: –9 dB to +6 dB (–3 dB or 0 dB)
9B. FRNT EFCT EQ
9C. REAR L/R EQ
PEQFRQ: 1 kHz to 12.7 kHz (8 kHz or 12.7 kHz)
GAIN: –9 dB to +6 dB (–3 dB or –4 dB)
9D. REAR CT EQ
10. HP TONE CTRL
Adjusts the tonal balance of the headphones.
BASS, TRBL: –6 dB to +3 dB (0 dB)
51
11. PARAMETER INI
Initializes the parameters of a group of DSP programs.
1 to 12
51
12. 6.1/ES AUTO
Selects the AUTO mode of Dolby Digital Matrix 6.1 and DTS ES decoding.
ON / OFF
51
13. MEMORY GUARD
Locks DSP program parameters and other SET MENU settings.
OFF / ON
52
14. CMPNT-V INPT
Selects the equipment to be connected to the component video inputs A, B or C.
A: DVD
B: D-TV
C: CBL/SAT
52
15. INPUT MODE
Selects the initial input mode of the sources connected to D-TV, CBL/SAT and
VCR 1.
D-TV: AUTO / LAST
CBL/SAT: AUTO / LAST
VCR1: AUTO / LAST
52
16. INPUT RENAME
Changes the name of the inputs.
Up to eight characters.
53
17. DIMMER
Adjusts the brightness of the front panel display.
–4 to 0
53
18. ZONE 2 SET
Selects the mode of Zone 2.
CTRL IN : MODE 1 / MODE 2
ZONE 2 OUT: FIX(fixed) / VAR.(variable)
53
41
SET MENU Items
Operating the SET MENU
This section describes how to adjust items in the SET MENU using the remote control.
PARAMETER
ON SCREEN LEVEL
PARAMETER / SET MENU
%
SLEEP
TEST
SET MENU
Cursor buttons
%
■ General procedure for adjusting items
Some items require extra steps to change to the desired setting.
1
Set PARAMETER/SET MENU to SET MENU.
PARAMETER
SET MENU
Press % or
%
2
repeatedly to select an item, then press + or – to change the setting of that item.
• The last item you adjusted appears on the front panel display (or in the SET MENU OSD if you are using a video monitor).
OSD (On Screen Display)
@
Front Panel Display
+
–
@
@
+
–
#
#
+
–
Press % or
%
3
repeatedly or a DSP program button to exit the SET MENU.
10KEY DSP
@
+
–
HALL 1
CHURCH
JAZZ CLUB
#
2
3
4
ENTERTAINMENT
CONCERT
VIDEO 1
CONCERT
VIDEO 2
6
7
TV
THEATER
9
CHP/INDEX
HALL 2
1
ROCK
CONCERT
5
or
6.1/ES
42
%
Advanced
Operation
#
• If “Press + / – Key!” appears on the display, press + or – to select that item, then press % or
or – to change the setting of that item.
MOVIE
MOVIE
THEATER 1 THEATER 2
8
/DTS
SUR.
10
11
12
0
+10
+100
to select a sub item, then press +
SET MENU Items
English
1. SPEAKER SET (1A. CENTER SP to 1G. MAIN LEVEL)
Use this feature to select suitable output modes for your speaker configuration. You must set the output mode when you use a subwoofer.
■ 1A. CENTER SP (Center Speaker Mode)
By adding a Center speaker to your speaker configuration, the RX-V1 can provide good dialogue localization for many listeners and
superior synchronization of sound and images. The OSD shows a large, small or no center speaker depending on how you set this item.
The initial setting is “LRG”.
Select the “LRG” (Large) setting if you have a large Center speaker. The entire range of Center channel signals is sent
to the Center speaker.
Select the “SML” (Small) setting if you have a small Center speaker. Center channel low frequency signals of 90 Hz
and below are directed to the speakers selected with the 1E. LFE/BASS OUT item (see page 44).
Select the “NONE” setting if you do not have a Center speaker. All of the Center channel signals are directed to the
left and right Main speakers. The “NONE” position provides good dialogue localization for the person sitting in the
main listening position.
Large
Small
None
■ 1B. MAIN SP (Main Speaker Mode)
The display shows small or large Main speakers depending on how you set this item. The initial setting is “LARGE”.
Select the “LARGE” setting if you have large Main speakers. The entire range of left and right Main channel signals is
directed to the left and right Main speakers.
Select the “SMALL” setting if you have small Main speakers. The Main channel low frequency signals of
90 Hz and below are directed to the speakers selected with the 1E. LFE/BASS OUT item (see page 44).
Large
Small
Note:
• When you select the “MAIN” setting for the 1E. LFE/BASS OUT item, the Main channel low frequency signals of 90 Hz and below are directed to
the Main speakers even if you select the “SMALL” setting for the Main speaker mode. In this case, the OSD shows large Main speakers.
■ 1C. REAR L/R SP (Rear Speaker Mode)
The OSD shows large, small or no Rear speakers depending on how you set this item. The initial setting is “LRG”.
Select the “LRG” setting if you have large left and right Rear speakers or if you use a Rear Subwoofer (see page 22).
The entire range of Rear channel signals is sent to the left and right Rear speakers.
Select the “SML” setting if you have small left and right Rear speakers. Rear channel low frequency signals of 90 Hz
and below are directed to the speakers selected with the 1E. LFE/BASS OUT item (see page 44).
Select the “NONE” setting if you do not have Rear speakers.
• In this case, Rear Center speaker will automatically be set to “NONE” and the 1D. REAR CT SP item will be skipped.
Large
Small
None
43
SET MENU Items
■ 1D. REAR CT SP (Rear Center Speaker Mode)
By adding a Rear Center speaker to your speaker configuration, the RX-V1 can provide more realistic front-to-back and back-to-front
transitions. The initial setting is “LRG”.
Select the “LRG” setting if you have a large Rear Center speaker. The entire range of Rear Center channel signals is
sent to the Rear Center speakers.
Select the “SML” (small) setting if you have a small Rear Center speaker. Rear Center channel low frequency signals
of 90 Hz and below are distributed to speakers selected with the 1E. LFE/BASS OUT item.
Select the “NONE” setting if you do not have a Rear Center speaker.
Large
Small
None
■ 1E. LFE/BASS OUT (Bass Out Mode)
LFE signals carry low frequency effects when this unit decodes DTS or Dolby Digital signals. Low frequency signals are defined as
90 Hz and below. The initial setting is “BOTH”.
Select the “SW” (Subwoofer) setting if you use a Subwoofer. The LFE signals are directed to the Subwoofer.
Select the “MAIN” setting if you do not use a Subwoofer. The LFE signals are directed to the Main speakers.
Select the “BOTH” setting if you use a Subwoofer and you want to mix the Main channel low frequency sound signals
with the LFE signals.
Advanced
Operation
Subwoofer
Main
Both
Note:
• The low frequency signals of 90Hz and below from all Main, Center, Rear and Rear Center channels are directed to the LFE channel when you
select the small speaker setting in items 1A, 1B, 1C and 1D.
44
SET MENU Items
English
■ 1F. FRNT EFCT SP (Front Effect Speaker Mode)
The RX-V1 uses Front Effect speakers to localize the virtual sound sources of the sound field programs. If you do not use Front Effect
speakers, you can direct the Front Effect signals to the Main speakers.
The OSD shows small or no Front Effect speakers depending on how you set this item. The initial setting is “YES”.
Select the “YES” setting if you use Front Effect speakers.
Select the “NONE” setting if you do not use Front Effect speakers. The Front Effect signals are mixed with the Main
channels.
YES
NONE
■ 1G. MAIN LEVEL
Change this setting if you cannot match the sound volume of the Front, Rear, and Center speakers with the Main speakers because of the
unusually high efficiency performance of the Main speakers. The initial setting is “Normal”.
Select the “Normal” setting if you can match the volume of your effect speakers with the volume of your Main
speakers using the Dolby Surround Test (page 28).
Select the “–10dB” setting if you cannot match the volume of your effect speakers with the volume of your Main
speakers using the Dolby Surround Test (page 28).
Normal
–10dB
Note:
• When this unit decodes 96 kHz sampling/24 bit digital signals or 6CH INPUT is on, level adjustments in items 1A~1F are not possible.
45
SET MENU Items
2. LOW FREQ. TEST
Use this feature to adjust the Subwoofer volume so it matches the volume of the other speakers in your configuration. Change the setting
using the remote control while sitting in the main listening position.
1
Press + or – to set the TEST TONE to “ON”, and adjust the volume using VOLUME + so you can hear the tone.
2
Press
repeatedly to go to OUTPUT and press + or – to select the speaker you want to compare with the Subwoofer.
%
• If “SUBWOOFER” is selected, test tones above 90 Hz will not be output from the Subwoofer. The test tone will not necessarily
be output from the selected speakers. The output mode of the test tone depends on the settings of the 1. SPEAKER SET items in
the SET MENU.
4
Press
%
3
repeatedly to go to FREQ. and press + or – to select the frequency you want to use.
Adjust the Subwoofer volume using the controls on the Subwoofer so it matches the volume of the speaker you are
comparing it to.
Notes:
• Do not turn up the VOLUME too high.
• If no test tone is heard, turn off the power and make sure all the necessary hookups are correct.
Digital Generator
(Wide Band Noise Produced)
■ About the Test Tone
The test tone is produced by the tone generator.
The tone generator produces a narrow band noise centered at a specified
frequency by the band pass filter.
You can change the center frequency from 35 Hz through 250 Hz in one-sixth
octave steps.
Advanced
Operation
NOISE
FREQ.
Band Pass Filter
Center freq.
46
35 Hz~250 Hz
You can use the test tone not only for adjusting the subwoofer level, but also for
checking the low frequency characteristics of your listening room. Low frequency
sounds are especially affected by the listener’s position, speaker placement,
subwoofer polarity and other conditions.
SET MENU Items
English
3. DOLBY D. SET (Dolby Digital Set)
■ 3A. LFE LEVEL
Use this feature to adjust the output level of the LFE (low frequency effect) channel when playing back Dolby Digital encoded software.
This setting is effective only when this unit decodes Dolby Digital signals. The LFE signal carries the low frequency special effect sound
which is only added to certain scenes.
You can adjust the levels from 0 dB to –20 dB.
• Adjust the LFE levels according to the capacity of your subwoofer or headphones.
■ 3B. D-RANGE (Dynamic Range)
Use this feature to adjust the dynamic range. This setting is effective only when this unit decodes Dolby Digital signals.
Select the “MAX” setting for feature films.
Select the “STD” (Standard) setting for general use.
Select the “MIN” setting for listening to sources at extremely low volume levels.
Note:
• When D-RANGE is set to “MIN”, sound output may be faint because some Dolby Digital software is not compatible with the minimum level
dynamic range.
STD
MIN
Dialogue
level
H-LEVEL CUT
0.0
1.0
1.0
Output Level
Dialogue
level
Output Level
Output Level
MAX
Dialogue
level
0.0
L-LEVEL BST
Input Level
Input Level
Input Level
47
SET MENU Items
4. DTS SET
■ 4A. LFE LEVEL
Use this feature to adjust the output level of the LFE (low frequency effect) channel when playing back DTS encoded software. This
setting is effective only when this unit decodes DTS signals. The LFE signal carries the low frequency special effect sound which is only
added to certain scenes.
You can adjust the levels from –10 dB to +10 dB.
• Adjust the LFE level according to the capacity of your subwoofer or headphones.
5. SP DELAY TIME
Use this feature to adjust the delay of the Center and the Rear Center channel sounds. This feature works when this unit decodes DTS or
Dolby Digital signals. Ideally, the Center speaker and the Rear Center speaker should be the same distance from the main listening position
as the left and right Main speakers. However, in most home situations, the Center speaker or the Rear Center speaker is placed in line with
the Main speakers or the Rear speakers. By delaying the sound from the Center speaker and the Rear Center speaker, the apparent distance
from the Center speaker and the Rear Center speaker to the main listening position can be adjusted to make it seem the same as the distance
between the left and right Main speaker, and the left and right Rear speakers to the listening position. Adjusting the delay time for the Center
speaker is especially important for giving depth to the dialogue.
You can adjust the delay time from 0 ms to 5 ms for the Center speaker and from 0 ms to 30 ms for the Rear Center
speaker.
• Increasing the delay 1 ms simulates moving the speakers about 30 cm (one foot) farther away from the listening position.
Center speaker image
C
C
R
RL
RC
RR
Advanced
Operation
L
RC
Rear Center speaker image
6. AUDIO DELAY
Use this feature to adjust the delay time of all channel sounds, when this unit decodes DTS or Dolby Digital signals. Adjusting AUDIO
DELAY is especially important for matching the sounds to screen pictures. Initial settings is “0ms”.
You can adjust the delay time from 0ms to 99ms.
48
SET MENU Items
English
7. CENTER GEQ (Center Graphic Equalizer)
Use this feature to adjust the built-in five band graphic equalizer so the Center speaker tone matches that of the left and right Main speakers.
You can select the 100 Hz, 300 Hz, 1 kHz, 3 kHz, or 10 kHz frequencies.
to select a higher frequency and % to select a lower frequency.
%
1
Use
2
Press + or – to adjust the level of that frequency.
Note:
• You can monitor the Center speaker sound while adjusting this item using the Dolby Surround test tone generator. Press TEST before starting the
procedure above. “TEST DOLBY SUR.” appears, and the test tone starts alternating among the speakers. Once you begin the procedure above, the
test tone remains at the Center speaker and you can hear how the sound changes as you adjust the various frequency levels. To turn off the test tone
generator, press TEST repeatedly until the current DSP program appears (see page 28).
8. REAR CT GEQ (Rear Center Graphic Equalizer)
Use this feature to adjust the built-in five band graphic equalizer so the Rear Center speaker tone matches that of the left and right Main
speakers.
to select a higher frequency and % to select a lower frequency.
%
1
Use
2
Press + or – to adjust the level of that frequency.
49
SET MENU Items
9. CINEMA EQ
Use this feature to match the tonal quality of four groups of speakers: the Main and Center speaker group, the Front Effect speakers group,
the Rear speakers group, and the Rear Center speaker group. CINEMA-EQ consists of a high-shelving equalizer (HIGH) and a parametric
equalizer (PEQ). The high-shelving equalizer changes high frequency characteristics, and the parametric equalizer boosts or cuts any selected
frequency. The equalizer can be used for a variety of purposes, such as adjusting the tonal quality of differing types of speakers, adjusting the
tonal quality in different installation environments, or adjusting the source sound to your liking.
The CINEMA EQ characteristic charts below show the value of the CINEMA EQ factory settings for each speaker group for general
listening conditions.
▲ FRONT and REAR Preset Value
▲ L.C.R. Preset Value
HIGH
PEQ
: FRQ 12.7 kHz
: FRQ 12.7 kHz
G
A
I
N
HIGH
PEQ
GAIN –3 dB
GAIN –4 dB
PEQ
HIGH
HIGH
+
PEQ
: FRQ 12.7 kHz
: FRQ 8.0 kHz
G
A
I
N
GAIN 0dB
GAIN –3dB
HIGH
PEQ
FRQ
FRQ
If you want to change the characteristics, follow the procedure below to adjust the frequency and gain for the high-shelving equalizer (HIGH)
and parametric equalizer (PEQ). For the more detailed characteristics in different settings, see “CINEMA-EQ Frequency Characteristics” on
page 87.
or % repeatedly to select one of the speaker groups and press + to select “ON”.
%
1
Press
2
Press
or % repeatedly to select one of the following parameters, then press + or – to change the setting of that
parameter.
Advanced
Operation
%
%
• Each time you press
reverse order.
, the parameter changes on the front panel display as shown above. Press the cursor % to go in the
Notes:
• When the 1F. FRNT EFCT SP item is set to “NONE”, the Front Effect signals are output from the Main speakers.
• CINEMA-EQ does not work when you press EFFECT to turn off the effect.
50
SET MENU Items
English
10. HP TONE CTRL (Headphone Tone Control)
Use this feature to adjust the level of bass and treble when you use your headphones. The initial Setting is 0 dB for both bass and treble.
This does not effect to the 96 kHz sampling digital signal.
Select BASS or TRBL and press + or – to change each level. You can adjust the level from –6 dB to +3 dB.
11. PARAMETER INI (Parameter Initialization)
Use this feature to initialize the parameters for each DSP program within a DSP program group. When you initialize a DSP program group,
all of the parameter values within that group revert to their initial settings.
Press the DSP program group button on the remote control for the DSP program you want to initialize.
• All of the DSP programs within the selected program group are initialized.
Repeat this step to initialize other DSP program groups.
Notes:
• The asterisk (*) mark next to a DSP program group number indicates that you have changed the parameter values in one or more DSP programs
within that group.
• The parameter values of the DSP programs do not change if you initialize a program group that does not have the asterisk (*) mark.
• When the MEMORY GUARD function is set to “ON” (see page 52), you cannot initialize any program groups.
• You cannot initialize the individual DSP programs within a group separately.
Caution:
• Once you initialize a DSP program group, you cannot have this unit revert the parameter values back to the previous settings automatically.
12. 6.1/ES AUTO
Use this feature to switch the DOLBY Digital Matrix 6.1 and DTS ES AUTO mode on or off.
Select “ON” to allow the main unit to automatically turn on the Dolby Digital Matrix 6.1 or DTS ES decoder when the
software with identification signal is detected.
Select “OFF” if you want to control the mode manually by pressing 6.1/ES on the remote.
51
SET MENU Items
13. MEMORY GUARD
Use this feature to prevent accidental changes to DSP program parameter values and other settings on this unit.
Select “ON” to use MEMORY GUARD to protect the following features:
•
•
•
•
DSP program parameters
All SET MENU items
Front, Rear Center speaker and Subwoofer levels
The On-Screen Display mode
Notes:
• When MEMORY GUARD is “ON”, you cannot use any of the test modes.
• When MEMORY GUARD is “ON”, you cannot select any other SET MENU item.
14. CMPNT-V INPUT (Component Video Input)
Use this feature to designate the input for each COMPONENT VIDEO terminal, A, B, and C. The initial settings are as written on the rear
panel. (Terminal A is for DVD, terminal B is for D-TV, and terminal C is for CBL/SAT.)
Select [A], [B], or [C] according to which terminal your equipment is connected to by pressing % or
2
Select the video input for your equipment by pressing + or –.
%
1
.
Advanced
Operation
• You cannot select the same input once you have already selected it.
15. INPUT MODE
Use this feature to designate the input mode for sources connected to D-TV, CBL/SAT and VCR 1 input jacks when you turn on this unit.
Select “AUTO” to allow this unit to automatically detect the type of input signal and select the appropriate input mode.
Select “LAST” to set this unit to automatically select the last input mode used for that source.
52
SET MENU Items
English
16. INPUT RENAME
Use this feature to change the name of the input which appears on the OSD or the front panel display.
1
Select the input you want to change the name of by pressing an input button (or using INPUT SELECTOR).
2
Press + or – to place the ^ under the space or the character you want to edit.
3
Press % or
to select the character you want to use and + or – to move to the next one.
%
• Press
to change the character in the following order, or press % to go in the reverse order.
A~Z, a space, 0~9, a space, a~z, a space, #, , +, and so on.
%
*
• Follow the procedure above to rename other inputs.
4
Press + or – repeatedly to exit the INPUT RENAME mode.
17. DIMMER
You can adjust the brightness of the front panel display from –4 to 0.
18. ZONE 2 SET
Select ZONE2 OUT to change the setting of the ZONE 2 output volume.
Selecting “VAR.” allows you to control the volume output to ZONE 2 with the remote control.
Select “FIX” when you don’t want to change the volume of output to ZONE 2 with the remote control.
Use CTRL IN to change the setting of the REMOTE 1 IN and REMOTE 2 IN jacks.
Selecting “MODE 1” allows you to control this unit using the tuner preset buttons on the remote control.
Selecting “MODE 2” disables control of this unit using the tuner preset buttons on the remote control.
53
Remote Control Features
The remote control can operate the main unit as well as other Yamaha audio and video components. To control the components of other
manufacturers (or some Yamaha), you must set up the remote control with the manufacturer’s codes. This remote control also has a
sophisticated Learn feature that allows it to acquire functions from the remote controls of other components in your system (or other
household appliances) equipped with infrared remote control receivers. The Macro feature allows you to program a series of operations in
sequence onto a single button, or use the factory preset macros to operate other Yamaha components. These features make it possible for you
to reduce the number of remote control units in your entertainment room.
Notes:
• For operating distance of the remote contorol and notes about batteries, refer to page 5.
• For the name and function of each part and button, refer to pages 8 and 9.
• If the memory in the remote control becomes full, no further learning is possible even if there are still some programmable buttons available.
Using the Remote Control
<Main Unit Control Area>
<Component Control Area>
The main unit control area is the shaded area shown below. It is
for controlling the RX-V1. You can use functions within this area
no matter which Component Control Area is selected.
The component control area is the shaded area shown below. Each
component has different functions for operation buttons in the
component control area. The component, which was chosen by
pressing an input button, can be controlled and the display
window shows the corresponding name of the input.
MACRO
MACRO
TRANSMIT RE-NAME
CLEAR
LEARN
MACRO
OFF
TRANSMIT RE-NAME
ON
CLEAR
LEARN
MACRO
OFF
ON
SYSTEM
STANDBY
V-AUX
TAPE
PHONO
POWER
STANDBY
V-AUX
TAPE
PHONO
D-TV
CBL/SAT
TUNER
MD
CD
D-TV
CBL/SAT
TUNER
MD
CD
VCR 1
VCR 2
VCR 3
LD
DVD
VCR 1
VCR 2
VCR 3
LD
DVD
TITLE
%
TITLE
%
%
ENTER
%
SYSTEM
POWER
ENTER
Input selector
DISPLAY
Advanced
Operation
POWER
MENU
10KEY/DSP
(DSP is selected)
%
!
$
$
REC
STOP
PAUSE
PLAY
POWER
*
#
/
HALL 1
HALL 2
CHURCH
JAZZ CLUB
1
2
3
4
ROCK
CONCERT
ENTERTAINMENT
CONCERT
VIDEO 1
CONCERT
VIDEO 2
6
7
8
5
6.1/ES
SELECT
!
/
10KEY DSP
%
SOUND
– CHAPTER +
SEARCH
TV
THEATER
MOVIE
MOVIE
THEATER 1 THEATER 2
9
10
11
12
0
+10
+100
CHP/INDEX
10KEY DSP
MENU
DISPLAY
! DISPLAY
$
REC
STOP
1
POWER
HALL 2
/
TV INPUT
10KEY/DSP
(10KEY is selected)
5
EX/ES
TV
THEATER
–
+
MUTE
TV MUTE
–
EFFECT
9
6
10
CHP/INDEX
+
+
VOLUME
TV-VOL
–
–
4
7
1
2 8
0
5
11
6
12
*
9
10
+
+–
–
4
7
8
+
EFFECT
TV INPUT
11
12
+10
+100
+ –
CH
TV MUTE
–
SET MENU
%
There are 14 component control areas. You can setup the manufacturer
code and program other remote control functions in each area (Cannot
setup the manufacturer code in the OPTN area). See pages 61 and 62.
54
JAZZ CLUB
CONCERT
VIDEO 2
PARAMETER
TEST
#
3
ON SCREEN LEVEL
SLEEP
PLAY
CONCERT
VIDEO 1
DISC
%
$
+10
+100
TV
MOVIE
MOVIE
THEATER THEATER 1 THEATER 2
CHP/INDEX
0
TV INPUT
MUTE
A / B / C / D / E PRESET
CH
VOLUME
TV MUTE
SOUND
– CHAPTER +
!# $
3
TVDISC
VOL
DISC
PLAY
MOVIE
MOVIE
THEATER 1 ROCK
THEATER 2ENTERCONCERT TAINMENT
A / B / C / D / E PRESET
CH
$ %
ROCK
ENTERCONCERT CONCERT
CONCERT
VIDEO
VIDEO
10KEYTAINMENT
DSP HALL
1 1 HALL
2 2 CHURCH
A / B / C / D / E PRESET
+
ENTER
REC
STOP
PAUSE
CHURCH JAZZ CLUB
2
6.1/ES
TV VOL
%
MENU
PAUSE
SEARCH
!*
HALL 1
SOUND
– CHAPTER +
SEARCH
!
TITLE
%
%
%
SOURCE
%
%
SELECT
%
%
SOURCE
6CH INPUT
%
6CH INPUT
Input selector
and switching the
control area for each
component
Remote Control Features
English
■ SOURCE SELECT
You can control another component independently from the input you selected by pressing an input button.
%
1
Press SELECT % or
2
The display window will show one of the following: V-AUX, TAPE, PHONO, D-TV (digital and regular TV),
CBSAT (Cable TV/Satellite TV), TUNER, MD, CD, VCR 1, VCR 2, VCR 3, LD, DVD, Zone2, OPTN (Option).
to choose a component and set the remote control to be used for it.
SOURCE
%
SELECT
%
■ About Zone2
When you make up a second audio-video room with this unit’s Zone2 system, you might want to use this remote control. Selecting
Zone2 sets the remote control to be in the Zone2 mode. See page 69 for details.
ENTER
%
SOURCE
%
SELECT
%
POWER
DISPLAY
%
%
%
6CH INPUT
TITLE
MENU
SOUND
– CHAPTER +
SEARCH
!
!
$
$
REC
STOP
PAUSE
PLAY
*
#
/
Pressing % selects Zone2 first.
■ About OPTN
OPTN is an extra component control area to be programmed with other remote control functions. (You cannot setup the manufacturer
code in this area.) See page 60 for the programmable area.
ENTER
%
SOURCE
%
SELECT
%
POWER
DISPLAY
%
%
%
6CH INPUT
TITLE
MENU
SOUND
– CHAPTER +
SEARCH
!
!
$
$
REC
STOP
PAUSE
PLAY
*
#
/
Pressing fi selects OPTN first.
■ Light up function
The buttons which are active and the display window light up for 10 seconds after pressing LIGHT.
MACRO
TRANSMIT RE-NAME
CLEAR
LEARN
MACRO
OFF
PHONO
ON
POWER
STANDBY
V-AUX
TAPE
D-TV
CBL/SAT
TUNER
MD
CD
VCR 1
VCR 2
VCR 3
LD
DVD
TITLE
%
%
SYSTEM
ENTER
6CH INPUT
DISPLAY
SELECT
%
POWER
MENU
SOUND
– CHAPTER +
SEARCH
!
!
$
$
REC
STOP
PAUSE
PLAY
/
10KEY DSP
%
%
SOURCE
%
*
#
HALL 1
HALL 2
CHURCH
JAZZ CLUB
1
2
3
4
55
Remote Control Features
Each Component Control Area
The general operational buttons are shown for each area. Some of them may not function depending on the equipment you have.
■ Operating a Tuner (TUNER Area)
STANDBY
V-AUX
TAPE
PHONO
D-TV
CBL/SAT
TUNER
MD
CD
VCR 1
VCR 2
VCR 3
LD
DVD
TITLE
%
%
SYSTEM
POWER
ENTER
6CH INPUT
%
DISPLAY
SELECT
%
!
!
$
$
REC
STOP
PAUSE
PLAY
*
#
JAZZ CLUB
/
10KEY DSP
HALL 1
HALL 2
CHURCH
1
2
3
4
ROCK
CONCERT
ENTERTAINMENT
CONCERT
VIDEO 1
CONCERT
VIDEO 2
5
6
7
8
TV
THEATER
6.1/ES
Preset group A
10
11
12
0
+10
+100
CHP/INDEX
TV INPUT
TV VOL
+
MUTE
CH
TV MUTE
–
+
VOLUME
EFFECT
–
Preset group E
Preset group D
A / B / C / D / E PRESET
+
Preset number 1 to 8
MOVIE
MOVIE
THEATER 1 THEATER 2
9
Preset group B
SOUND
– CHAPTER +
SEARCH
POWER
POWER
MENU
%
%
SOURCE
Preset group C
PRESET + / –
–
DISC
Advanced
Operation
Preset group A/B/C/D/E
■ Operating a Tape Deck (TAPE Area)
STANDBY
V-AUX
TAPE
PHONO
D-TV
CBL/SAT
TUNER
MD
CD
VCR 1
VCR 2
VCR 3
LD
DVD
TITLE
%
%
SYSTEM
POWER
ENTER
6CH INPUT
Fast forward
%
DISPLAY
SELECT
POWER
SOUND
!
!
$
$
REC
STOP
PAUSE
PLAY
*
#
JAZZ CLUB
/
REC / PAUSE
10KEY DSP
HALL 1
HALL 2
CHURCH
1
2
3
4
ROCK
CONCERT
ENTERTAINMENT
CONCERT
VIDEO 1
CONCERT
VIDEO 2
6
7
8
5
TV
THEATER
6.1/ES
MOVIE
MOVIE
THEATER 1 THEATER 2
9
10
11
12
0
+10
+100
CHP/INDEX
TV VOL +/–, TV INPUT, and
TV MUTE function if you
have set up the manufacturer
code for the D-TV Area.
A / B / C / D / E PRESET
+
TV INPUT
TV VOL
–
+
–
DISC
56
MUTE
CH
TV MUTE
Deck A / Deck B
– CHAPTER +
SEARCH
%
Rewind
MENU
%
%
SOURCE
+
VOLUME
EFFECT
–
Direction A / B
PLAY
STOP
Remote Control Features
English
■ Operating a CD Player (CD Area)
STANDBY
V-AUX
TAPE
PHONO
D-TV
CBL/SAT
TUNER
MD
CD
VCR 1
VCR 2
VCR 3
LD
DVD
TITLE
%
%
SYSTEM
POWER
ENTER
6CH INPUT
DISPLAY
%
DISPLAY
SELECT
POWER
!
!
$
$
REC
STOP
PAUSE
PLAY
*
#
JAZZ CLUB
/
10KEY DSP
HALL 2
CHURCH
1
2
3
4
ROCK
CONCERT
ENTERTAINMENT
CONCERT
VIDEO 1
CONCERT
VIDEO 2
5
6
7
8
11
12
0
+10
+100
+
A / B / C / D / E PRESET
TV VOL +/–, TV INPUT, and
TV MUTE function if you
have set up the manufacturer
code for the D-TV Area.
TV INPUT
TV VOL
+
–
Numeric button +10
Numeric button 0
MUTE
CH
TV MUTE
CLEAR
10
CHP/INDEX
+
Numeric buttons 1 to 9
MOVIE
MOVIE
THEATER 1 THEATER 2
9
INDEX
Skip Search
PLAY
PAUSE (YAMAHA : Pause / Stop)
HALL 1
TV
THEATER
6.1/ES
SOUND
– CHAPTER +
SEARCH
%
SEARCH
POWER
STOP
MENU
%
%
SOURCE
VOLUME
EFFECT
–
DISC +/– (Disc Skip)
–
DISC
■ Operating an MD Recorder (MD Area)
SYSTEM
POWER
STANDBY
V-AUX
TAPE
PHONO
D-TV
CBL/SAT
TUNER
MD
CD
VCR 1
VCR 2
VCR 3
LD
DVD
ENTER
%
SOURCE
DISPLAY
%
DISPLAY
SELECT
POWER
!
!
$
$
REC
STOP
PAUSE
PLAY
*
#
JAZZ CLUB
/
10KEY DSP
HALL 1
HALL 2
CHURCH
1
2
3
4
ROCK
CONCERT
ENTERTAINMENT
CONCERT
VIDEO 1
CONCERT
VIDEO 2
5
6
7
8
TV
THEATER
6.1/ES
SOUND
– CHAPTER +
SEARCH
%
SEARCH
POWER
REC / PUASE
MENU
%
%
%
6CH INPUT
TITLE
10
11
12
0
+10
+100
CHP/INDEX
A / B / C / D / E PRESET
TV VOL +/–, TV INPUT, and
TV MUTE function if you
have set up the manufacturer
code for the D-TV Area.
TV INPUT
TV VOL
–
+
MUTE
CH
TV MUTE
PLAY
PAUSE
STOP
Numeric buttons 1 to 9
MOVIE
MOVIE
THEATER 1 THEATER 2
9
+
Skip Search
–
+
Numeric button +10
Numeric button 0
VOLUME
EFFECT
–
DISC
57
Remote Control Features
■ Operating an LD Player (LD Area)
SYSTEM
POWER
STANDBY
V-AUX
TAPE
PHONO
D-TV
CBL/SAT
TUNER
MD
CD
VCR 1
VCR 2
VCR 3
LD
DVD
ENTER
%
SOURCE
DISPLAY
%
POWER
!
!
$
$
REC
STOP
PAUSE
PLAY
*
#
JAZZ CLUB
/
10KEY DSP
HALL 1
HALL 2
CHURCH
1
2
3
4
ROCK
CONCERT
ENTERTAINMENT
CONCERT
VIDEO 1
CONCERT
VIDEO 2
5
6
7
8
TV
THEATER
6.1/ES
Chapter / Time
SOUND
10
11
12
0
+10
+100
CHP/INDEX
A / B / C / D / E PRESET
Advanced
Operation
TV VOL +/–, TV INPUT, and
TV MUTE function if you
have set up the manufacturer
code for the D-TV Area.
TV INPUT
TV VOL
+
MUTE
CH
TV MUTE
–
CHAPTER +/– (Chapter Search)
PLAY
PAUSE
Numeric buttons 1 to 9
MOVIE
MOVIE
THEATER 1 THEATER 2
9
+
SOUND
– CHAPTER +
SEARCH
%
SEARCH
POWER
STOP
MENU
DISPLAY
SELECT
%
%
%
6CH INPUT
TITLE
+
CLEAR
Numeric button +10
Numeric button 0
VOLUME
EFFECT
–
–
DISC
■ Operating a DVD Player (DVD Area)
SYSTEM
POWER
STANDBY
V-AUX
TAPE
PHONO
D-TV
CBL/SAT
TUNER
MD
CD
VCR 1
VCR 2
VCR 3
LD
DVD
DISPLAY
%
DISPLAY
%
MENU
POWER
!
!
$
$
REC
STOP
PAUSE
PLAY
*
#
CHURCH
JAZZ CLUB
/
10KEY DSP
HALL 1
HALL 2
1
2
3
4
ROCK
CONCERT
ENTERTAINMENT
CONCERT
VIDEO 1
CONCERT
VIDEO 2
5
6
7
8
TV
THEATER
6.1/ES
Title / Index
SOUND
10
11
12
0
+10
+100
CHP/INDEX
A / B / C / D / E PRESET
TV VOL +/–, TV INPUT, and
TV MUTE function if you
have set up the manufacturer
code for the D-TV Area.
58
TV INPUT
TV VOL
–
+
MUTE
CH
TV MUTE
SOUND
Skip Search
PLAY
PAUSE
STOP
Numeric buttons 1 to 9
MOVIE
MOVIE
THEATER 1 THEATER 2
9
+
Menu cursor / ENTER
– CHAPTER +
SEARCH
%
POWER
Return
ENTER
SOURCE
SELECT
SEARCH
%
%
MENU
TITLE
%
6CH INPUT
TITLE
–
DISC
+
VOLUME
EFFECT
–
CLEAR
Numeric button +10
Numeric button 0
Disc Skip
Remote Control Features
English
■ Operating a VCR (VCR 1 / VCR 2 / VCR 3 Area)
SYSTEM
POWER
STANDBY
V-AUX
TAPE
PHONO
D-TV
CBL/SAT
TUNER
MD
CD
VCR 1
VCR 2
VCR 3
LD
DVD
ENTER
%
SOURCE
%
DISPLAY
SELECT
Rewind /
Fast Forward
POWER
REC
(Press twice)
MENU
POWER
!
!
$
$
REC
STOP
PAUSE
PLAY
*
#
JAZZ CLUB
/
10KEY DSP
HALL 1
HALL 2
CHURCH
1
2
3
4
ROCK
CONCERT
ENTERTAINMENT
CONCERT
VIDEO 1
CONCERT
VIDEO 2
5
6
7
8
TV
THEATER
6.1/ES
SOUND
– CHAPTER +
SEARCH
%
%
%
%
6CH INPUT
TITLE
TV / VIDEO
10
11
12
0
+10
+100
CHP/INDEX
Numeric button 10 or 0
A / B / C / D / E PRESET
TV VOL +/–, TV INPUT, and
TV MUTE function if you
have set up the manufacturer
code for the D-TV Area.
TV INPUT
TV VOL
–
+
MUTE
CH
TV MUTE
Numeric buttons 1 to 9
MOVIE
MOVIE
THEATER 1 THEATER 2
9
+
PLAY
PAUSE
STOP
+
VOLUME
EFFECT
–
CH +/–
–
DISC
■ Operating a TV or Digital TV (D-TV Area)
STANDBY
V-AUX
TAPE
PHONO
D-TV
CBL/SAT
TUNER
MD
CD
VCR 1
VCR 2
VCR 3
LD
DVD
TITLE
%
%
SYSTEM
POWER
ENTER
6CH INPUT
DISPLAY
%
DISPLAY
SELECT
%
POWER
POWER
MENU
6.1/ES
Enter
!
!
$
$
REC
STOP
PAUSE
PLAY
*
#
JAZZ CLUB
HALL 1
HALL 2
CHURCH
1
2
3
4
ROCK
CONCERT
ENTERTAINMENT
CONCERT
VIDEO 1
CONCERT
VIDEO 2
5
6
7
8
TV
THEATER
10
11
12
0
+10
+100
TV VOL +/–
TV INPUT
TV VOL
–
+
MUTE
CH
TV MUTE
Numeric buttons 1 to 9
Numeric button 10 or 0
A / B / C / D / E PRESET
+
You can control your VCR,
if you have set up the code for VCR1.
MOVIE
MOVIE
THEATER 1 THEATER 2
9
CHP/INDEX
TV INPUT
SOUND
– CHAPTER +
SEARCH
/
10KEY DSP
%
%
SOURCE
–
+
VOLUME
EFFECT
CH +/–
–
DISC
TV MUTE
59
Remote Control Features
■ Operating a Cable or Satellite TV Tuner (CBSAT Area)
STANDBY
V-AUX
TAPE
PHONO
D-TV
CBL/SAT
TUNER
MD
CD
VCR 1
VCR 2
VCR 3
LD
DVD
TITLE
%
%
SYSTEM
POWER
ENTER
6CH INPUT
DISPLAY
MENU
%
MENU
DISPLAY
SELECT
!
$
$
REC
STOP
PAUSE
PLAY
*
#
CHURCH
JAZZ CLUB
/
POWER
10KEY DSP
HALL 1
HALL 2
1
2
3
4
ROCK
CONCERT
ENTERTAINMENT
CONCERT
VIDEO 1
CONCERT
VIDEO 2
5
6
7
8
TV
THEATER
6.1/ES
SOUND
!
POWER
Enter
Menu cursor / ENTER
– CHAPTER +
SEARCH
%
%
%
SOURCE
You can control your VCR,
if you have set up the code for VCR1.
Numeric buttons 1 to 9
MOVIE
MOVIE
THEATER 1 THEATER 2
9
10
11
12
0
+10
+100
CHP/INDEX
Recall
Numeric button 0
A / B / C / D / E PRESET
+
TV INPUT
TV VOL
TV VOL +/–, TV INPUT, and
TV MUTE function if you
have set up the manufacturer
code for the D-TV Area.
TV MUTE
–
+
MUTE
CH
–
+
CH +/–
VOLUME
EFFECT
–
DISC
Advanced
Operation
■ Free Area (OPTN and PHONO Areas)
STANDBY
V-AUX
TAPE
PHONO
D-TV
CBL/SAT
TUNER
MD
CD
VCR 1
VCR 2
VCR 3
LD
DVD
TITLE
%
%
SYSTEM
POWER
ENTER
%
%
DISPLAY
SELECT
MENU
%
POWER
$
REC
STOP
PAUSE
PLAY
POWER
*
#
/
$
$
STOP
PAUSE
PLAY
*
#
JAZZ CLUB
CHURCH
JAZZ CLUB
HALL 1
HALL 2
CHURCH
2
3
4
1
2
3
4
ROCK
CONCERT
ENTERTAINMENT
CONCERT
VIDEO 1
CONCERT
VIDEO 2
ROCK
CONCERT
ENTERTAINMENT
CONCERT
VIDEO 1
CONCERT
VIDEO 2
6
7
8
6
7
8
5
10
11
12
0
+10
+100
TV INPUT
TV VOL
+
–
DISC
MOVIE
MOVIE
THEATER 1 THEATER 2
9
10
11
12
0
+10
+100
CHP/INDEX
A / B / C / D / E PRESET
MUTE
CH
TV MUTE
TV
THEATER
6.1/ES
A / B / C / D / E PRESET
60
!
REC
HALL 2
9
–
!
1
MOVIE
MOVIE
THEATER 1 THEATER 2
10KEY DSP
SOUND
– CHAPTER +
HALL 1
CHP/INDEX
TV VOL +/–, TV INPUT, and
TV MUTE function if you
have set up the manufacturer
code for the D-TV Area.
MENU
SEARCH
%
$
5
+
DISPLAY
SELECT
!
TV
THEATER
6.1/ES
%
!
/
10KEY DSP
SOUND
– CHAPTER +
SEARCH
%
SOURCE
%
ENTER
SOURCE
6CH INPUT
%
%
%
6CH INPUT
TITLE
EFFECT
+
+
VOLUME
TV VOL
–
–
TV INPUT
+
MUTE
CH
TV MUTE
–
DISC
+
VOLUME
EFFECT
–
Remote Control Features
English
Setting the Manufacturer Code in the Remote Control
You can control other components by setting a manufacturer code. A code can be set up in each component controol area except for the
OPTN area. The Yamaha code is factory preset for DVD, LD, CD, MD, TUNER, and TAPE (Yamaha for LD, and Yamaha1 for others).
There is no factory preset code on VCR1/2/3, D-TV, CBSAT, V-AUX, and PHONO.
STANDBY
V-AUX
TAPE
PHONO
D-TV
CBL/SAT
TUNER
MD
CD
VCR 1
VCR 2
VCR 3
LD
DVD
LEARN
1
Select the source component you want to preset by using
the input buttons.
2
Press and hold LEARN for about three seconds using a
ballpoint pen or similar object.
3
Use % / to select the name of your component’s
manufacturer.
flashes
alternately
%
ENTER
SOURCE
%
DISPLAY
SELECT
%
MENU
SEARCH
%
SOUND
– CHAPTER +
!
!
$
$
REC
STOP
PAUSE
PLAY
*
#
POWER
/
• You will find the names of most audio-video manufacturers
worldwide in alphabetical order on the display window.
%
TITLE
%
6CH INPUT
%
SYSTEM
POWER
4
Press POWER (or any other button) on the remote control
while pointing it at the component to check if you have set
up the code correctly. If the component cannot be
controlled by the remote control, try entering another code
for the same manufacturer.
5
Press LEARN to confirm the preset.
• If you want to preset another code for another component
immediately, press ENTER and repeat steps 1 to 4.
Note:
• If you have already programmed a remote control function to a button, the function takes priority over the set up manufacturer code’s function.
■ Controlling a different component from the source component (input) you selected
%
%
POWER
/
DISPLAY
MENU
SEARCH
%
2
Select a Library (component category) by using
SOUND
– CHAPTER +
!
!
$
$
REC
STOP
PAUSE
PLAY
*
#
%
SELECT
Repeat steps 1 and 2 of the procedure in “Setting the
Manufacturer Code in the Remote Control”.
%
ENTER
SOURCE
1
%
%
%
6CH INPUT
TITLE
/ .
• There are 12 Libraries to set up a manufacturer code; L:TV,
L:CAB (CABLE), L:DBS, L:SAT, L:VCR, L:DVD, L:LD,
L:CD, L:MD, L:TAP (TAPE), L:TUN (TUNER), *L:AMP.
*L:AMP has three codes; YPC, DSP, and NO. “YPC” should be
selected to operate the RX-V1. “DSP” is for operating Yamaha DSP
amplifiers other than the RX-V1. “NO” is to clear the main unit
control area functions.
3
Repeat steps 3 and 4 of the procedure in “Setting the
Manufacturer Code in the Remote Control ”.
Note:
• “ERROR” appears in the display window in the following conditions: when pressing a button other than the cursor and ENTER; when pressing more than
one button at once; and when one of MACRO ON/OFF, 10KEY/DSP, PARAMETER/SET MENU is switched to another position.
61
Remote Control Features
Programming a New Remote Control Function
If you desire to program functions not included in the basic operations covered by the manufacturer code, or a manufacturer code is not
available, the following procedure needs to be performed. The possible programming area is the same as a component control area, so
buttons are programmable independently for each source component area. It is also possible to program in the main unit control area.
(Refer to page 54 for details on component control area and main unit control area.)
POWER
CBL/SAT
STANDBY
TITLE
VCR 3
TUNER
V-AUX
%
LD
MD
TAPE
MACRO
DVD
CD
PHONO
OFF
Place this remote control and the other remote control
about 5 to 10 cm (2 to 4 in.) apart on a flat surface so that
their infrared transmitters are aimed at each other.
2
Select a source component.
3
Press LEARN using a ball point pen or similar object.
4
Press and release the button where you want the new
function to be programmed.
5
Press and hold the button on the other remote control that
has the function you want to program into this remote
control until “OK” appears in the display window.
TRANSMIT RE-NAME
SYSTEM
D-TV
VCR 2
CLEAR
LEARN
ON
MACRO
6CH INPUT
VCR 1
%
1
%
5~10 cm (2 to 4 in.)
LEARN
flashes
alternately
STANDBY
TUNER
V-AUX
%
LD
MD
TAPE
MACRO
DVD
CD
PHONO
OFF
TRANSMIT RE-NAME
POWER
CBL/SAT
TITLE
VCR 3
CLEAR
LEARN
ON
MACRO
TRANSMIT RE-NAME
LEARN
V-AUX
MACRO
TAPE
ON
MACRO
OFF
CD
PHONO
DVD
6CH INPUT
• “NG” appears in display window when programming is not
done correctly.
%
%
Advanced
Operation
A/B
CLEAR
STANDBY
LD
SYSTEM
TUNER
%
POWER
CBL/SAT
TITLE
VCR 3
MD
D-TV
VCR 2
TAPE
VCR 1
%
SYSTEM
D-TV
VCR 2
6CH INPUT
VCR 1
%
LEARN
6
Repeat Steps 4 and 5 to program additional functions.
7
Press LEARN again to exit the Learn mode.
Notes:
• If you do not press any button within 30 seconds, the learning process is canceled.
• This remote control transmits infrared rays. If the other remote control also uses infrared rays, this remote control can learn most of the other remote
control’s functions. However, you may not be able to program some special signals or extremely long transmissions. (Refer to the operation instructions for
the other remote control.) When the memory is full, “FULL” appears in the display window, and this remote control cannot acquire any more functions.
Clear unnecessary programmed functions to allow the unit to acquire new functions.
• Even if the batteries in the other remote control have enough power to transmit signals for operation, they may not have enough power to transmit signals to
this remote control.
• When the remote controls are either too close together or too far apart, you may not be able to program this remote control.
• Direct sunlight interferes with infrared rays.
• “ERROR” appears in the display window in the following conditions: when pressing more than one button at once; and when MACRO ON/OFF is
switched to another position.
62
Remote Control Features
English
Using the Macro Feature
The Macro feature makes it possible to perform a series of operations by pressing just one button. For example, when you want to play a CD,
normally you would turn on the components, select the CD input, and press the play button to start playback. Using the Macro feature, you
can perform all those operations by simply pressing the CD macro button. The macro buttons (the input buttons and SYSTEM POWER
ON/STANDBY) are factory preset with macro programs. You can also program your own macros (see page 64).
Press a Macro button
CD
Automatically transmits signals of each button sequentially
SYSTEM
POWER
CD
PLAY
# (CD Area)
Macro button
First
Second
TAPE
TAPE
Third
PLAY
# (TAPE Area)
MD
MD
PLAY
# (MD Area)
LD
LD
PLAY
# (LD Area)
DVD
DVD
PLAY
# (DVD Area)
VCR 1
VCR 1
PLAY
# (VCR1 Area)
VCR 2
VCR 2
PLAY
# (VCR2 Area)
VCR 3
VCR 3
PLAY
# (VCR3 Area)
SYSTEM
POWER
TUNER
TUNER
(*1)
V-AUX
V-AUX
PHONO
PHONO
D-TV
D-TV
CBL/SAT
CBL/SAT
POWER
SYSTEM
POWER
STANDBY
(D-TV Area)
/
(*2)
STANDBY
*1 In order to turn on some Yamaha components connected to this unit, connect those components to AC OUTLETS on the rear panel.
*2 If the macro you select includes power on/off functions, the equipment may turn off if it is already on when you press the macro button. For example, if
your TV is on and you press the SYSTEM POWER macro button, the TV turns off.
Note:
• Make sure you set up the manufacturer code (See page 61) or program a function using the Learn feature (See page 62) to the remote control for your
component, or the factory preset macros do not work.
63
Remote Control Features
■ Operating the Macro Feature
MACRO ON/OFF
1
Set MACRO ON/OFF to ON.
2
Press a Macro button.
Notes:
MACRO
TRANSMIT RE-NAME
CLEAR
LEARN
MACRO
OFF
ON
• When you are finished using the Macro feature, set MACRO ON/
OFF to OFF.
SYSTEM
POWER
STANDBY
V-AUX
TAPE
PHONO
D-TV
CBL/SAT
TUNER
MD
CD
VCR 1
VCR 2
VCR 3
LD
DVD
Macro buttons
• While the main unit is carrying out a macro program, the main unit
does not receive any other button’s function until the macro is
complete (the TRANSMIT indicator stops flashing).
• Continue to aim the remote control at the equipment the macro is
operating until the macro program is complete.
%
ENTER
%
TITLE
%
6CH INPUT
■ Programming a Macro
You can use the Macro feature to transmit many remote control commands by pressing a single button.
1
MACRO
Press MACRO using a ball point pen or similar object.
• If you do not initiate the procedure within 30 seconds, the
macro programming process is canceled.
SYSTEM
V-AUX
TAPE
PHONO
D-TV
CBL/SAT
TUNER
MD
CD
VCR 1
VCR 2
VCR 3
LD
DVD
2
flashes
alternately
Press the macro button on which you want to program the
Macro.
• If you want to change the source component, use SOURCE
SELECT % / or input buttons. When you use input
buttons, input is selected as a Macro step, whereas SOURCE
6CH INPUT
SELECT
%/
%
STANDBY
%
POWER
only changes the component.
Advanced
Operation
• The display window shows the button you chose for
programming the macro and the component name in
alternation.
SYSTEM
POWER
STANDBY
V-AUX
TAPE
PHONO
D-TV
CBL/SAT
TUNER
MD
CD
VCR 1
VCR 2
VCR 3
LD
3
DVD
1
%
ENTER
SOURCE
%
SELECT
%
POWER
/
DISPLAY
MENU
SEARCH
%
SOUND
– CHAPTER +
!
!
$
$
REC
STOP
PAUSE
PLAY
*
#
Press the buttons of the functions that you want to include
in the macro sequence in order.
• You can set up to 10 Macro steps (10 functions).
(ex)
(ex)
%
TITLE
%
6CH INPUT
indicates the number
of macrosteps you
entered
2
1
MCR1 : DVD input
2
MCR2 : DVD ›
3
MCR3 : DVD #
flashes
alternately
3
MACRO
MCR 1 : DVD input
MCR 2 : DVD ›
MCR 3 : DVD #
4 Press MACRO again when the sequence you want to
program is complete.
• After you set 10 steps, “FULL” is displayed.
Notes:
• “NG” appears in the display window when programming is not done correctly.
• “ERROR” appears in the display window in the following conditions: when pressing more than one button at once; and when MACRO ON/OFF is
switched to another position.
64
Remote Control Features
SYSTEM
STANDBY
V-AUX
TAPE
PHONO
D-TV
CBL/SAT
TUNER
MD
CD
VCR 1
VCR 2
VCR 3
LD
DVD
RE-NAME
MENU
%
POWER
%
SOUND
!
!
$
$
REC
STOP
PAUSE
PLAY
*
#
/
Use the cursor buttons % /
to select a character.
• Pressing
changes the character in the following order: A~Z,
a~z, 0~9, space, -(hyphen).
– CHAPTER +
SEARCH
3
RE-NAME
%
DISPLAY
Press RE-NAME using a ballpoint pen or similar object.
%
%
SELECT
2
%
ENTER
SOURCE
Select the source component you want to rename by using
the input buttons.
%
%
%
6CH INPUT
TITLE
1
%
POWER
English
Changing the Source Name in the Display Window
4
Use the cursor buttons /
to the next cursor postion.
5
Press RE-NAME to confirm renaming.
to enter a character or move
• If you want to rename another source component immediately,
press ENTER and repeat steps 1, 3 and 4.
Clearing a Learned Function or Macro
SYSTEM
POWER
STANDBY
V-AUX
TAPE
PHONO
D-TV
CBL/SAT
TUNER
MD
CD
VCR 1
VCR 2
VCR 3
LD
DVD
MACRO
1
Select the source component that you want to clear on the
window by using input buttons.
2
Press LEARN if you want to clear a learned function, or
press MACRO to clear a programmed macro, using a ball
point pen or similar object.
3
Press and hold CLEAR using a ball point pen or similar
object, and at the same time press the button from which
you want to clear the learned function or macro for about
3 seconds.
or
or
LEARN
flashes
alternately
While pressing
CLEAR
SYSTEM
POWER
STANDBY
V-AUX
TAPE
PHONO
D-TV
CBL/SAT
TUNER
MD
CD
VCR 1
VCR 2
VCR 3
MACRO
or
LD
DVD
• “C:NG” appears in the display window if the operation is
unsuccessful. Should this occur, try doing step 3 again.
flashes
alternately
You can clear other learned functions and macros at this time by
continuing to hold down CLEAR and pressing the other buttons
on which those learned functions or macros are programmed.
4
Press LEARN again to confirm clearing a learned
function, or press MACRO again to confirm clearing a
programmed macro.
LEARN
• Once you clear a learned function or macro from a button, the
button reverts to its factory preset function or macro.
65
Remote Control Features
Clearing Learned Functions, Macros, Renamed Displays, and
Manufacturer Setups
ENTER
SOURCE
%
SELECT
%
POWER
DISPLAY
MENU
SEARCH
%
2
Press % /
to select the clear mode. The mode is shown
in the window in the following order:
SOUND
– CHAPTER +
!
!
$
$
REC
STOP
PAUSE
PLAY
*
#
/
Press CLEAR using a ballpoint pen or similar object.
%
%
%
6CH INPUT
TITLE
1
%
CLEAR
(L: name of a component) Clears all
learning functions of the component.
Clears all learning functions of the
main unit control area (see page 54).
For example, when DVD is selected as
the source component.
Clears all learning functions.
Clears all macros.
Clears all renamed displays in the
display window.
Advanced
Operation
Clears all programmed functions
including manufacturer code presets.
This returns to the factory presets.
CLEAR
3
Press and hold CLEAR again for about 3 seconds.
• “C:NG” appears in the display window if the operation is
unsuccessful.
CLEAR
4
Press CLEAR to confirm clearing.
• Once you clear a learned function or macro from a button, the
button reverts to its factory preset function or macro.
Notes:
• If the remote control is without batteries for more than twenty minutes, or if worn out batteries remain in the unit, the contents of the memory may be
cleared.
When the memory is cleared, insert new batteries and program any acquired functions that may have been cleared.
• “ERROR” appears in the display window for the following conditions: when pressing a button other than the cursor and ENTER; when pressing more than
one button at once; and when one of MACRO ON/OFF, 10KEY/DSP, PARAMETER/SET MENU is switched to another position.
66
Adjusting the Levels of the Effect Speakers
1
Set PARAMETER/SET MENU to PARAMETER.
2
Press LEVEL to select the speaker(s) you want to adjust.
English
You can adjust the volume level of each effect speaker (Center, Right Rear, Rear Center, Left Rear, Front Effect, and Subwoofer) while
listening to a music source. Center
PARAMETER
ON SCREEN LEVEL
%
SLEEP
TEST
SET MENU
%
Right Rear
Rear Center
Each time you press this button the selected speaker changes and appears in
the front panel display only as follows: Center, Right Rear, Rear Center,
Left Rear, Front Effect Speakers, and Subwoofer
3
Adjust the speaker volume level using the + or – on the remote
control.
You can adjust the Center, Right Rear, Rear Center, Left Rear, Front Effect
Speakers from +10 dB to –10 dB.
You can adjust the Subwoofer from 0 dB down to –20 dB.
Left Rear
Notes:
Front
• You cannot adjust the left and right speakers independently.
• When you adjust the speaker level using LEVEL, the settings you made using the
Dolby Surround Test and DSP Test change.
• When PARAMETER/SET MENU is set to SET MENU, you cannot adjust the
speaker level using LEVEL. However, each time you press LEVEL the current
level setting of each speaker appears. Select the speaker level you want to check
using % or .
Subwoofer
%
Setting the Sleep Timer
Use this feature to automatically turn off the main unit after the amount of time you set. The Sleep Timer is useful when you plan to fall
asleep while the main unit is reproducing or recording a source. The Sleep Timer also automatically turns off external components connected
to AC OUTLETS. The Sleep Timer can only be set using the remote control.
■ To set the Sleep Timer
PARAMETER
ON SCREEN LEVEL
%
SLEEP
TEST
SET MENU
1
Select a source using INPUT SELECTOR and start playback (or
select a broadcast station) on the source component.
2
Press SLEEP repeatedly to set the amount of time before the main
unit automatically turns off.
%
Each time you press SLEEP, the front panel display changes as shown
below. After a few seconds the display returns to the previous indication.
= SLEEP 120 min = SLEEP 90 min
SLEEP OFF + SLEEP 30 min + SLEEP 60 min +
■ To cancel the Sleep Timer
1
Press SLEEP repeatedly until “SLEEP OFF” appears in the front
panel display.
After a few seconds, the display returns to the previous indication.
Note:
• The Sleep Timer setting can also be canceled by turning off the main unit using
STANDBY on the remote control (or STANDBY/ON on the front panel) or
disconnecting the AC Power Cord from the AC outlet.
67
ZONE 2
You can make up a multi-room audio-video system with this unit. With this feature, you can set this unit to reproduce separate input sources
in the main room and second (Zone 2) room using the supplied remote control in the second room.
ONLY ANALOG SIGNALS ARE SENT TO THE SECOND ROOM. FOR ANY SOURCE YOU WISH TO LISTEN
TO IN THE SECOND ROOM, YOU MUST CONNECT THE ANALOG OUTPUT FROM THE SOURCE TO THE
CORRESPONDING ANALOG INPUT ON THIS UNIT.
Connections
To use the multi-room functions of this unit, you need the following additional equipment:
• An infrared signal receiver in the second room
• An infrared emitter in the main room
This emitter transmits the infrared signals from the remote control in the second room to the main room
(for example, to a CD player or LD player).
• An amplifier and speakers for the second room
• A video monitor for the second room
Notes:
• Since there are so many ways to connect and use this unit in a multi-room installation,
we recommend that you consult with a custom installation specialist for the Zone 2
connections which will best meet your requirements.
OUT
IN
OUT
IN
Remote 1
OUT
• Some Yamaha models are able to connect directly to the REMOTE 1 OUT jacks of
this unit. If you own these products, you may not need to use an infrared emitter. Up to
six Yamaha components can be connected as shown.
This Unit
■ A sample of system configuration and connections
VIDEO SIGNAL ZONE 2 OUT
AUDIO SIGNAL ZONE 2 OUT
Main Room
Second Room
Amplifier
Advanced
Operation
DVD Player
(or other component)
Video
monitor
This Unit
Remote control
(in the Zone 2 mode)
Infrared emitter
Infrared signal receiver
REMOTE 1 OUT
REMOTE 1 IN
■ Special considerations when using DTS software
The DTS signal is a digital bitstream. Therefore, if you attempt to send the DTS signal to Zone 2, you will only be able to hear the digital
noise sound that could damage your loudspeakers.
Due to this characteristic of DTS encoded discs, the following considerations and adjustments need to be made.
For DTS encoded LDs or DVDs
Only 2-channel audio signals may be sent to Zone 2, as follows:
• Laser disc – Set your Laser Disc player’s left and right outputs to the analog sound track.
• DVD disc – Use the disc menu to set the DVD player’s mixed 2-channel left and right audio outputs to PCM or Dolby Digital.
For DTS encoded compact discs
DO NOT USE the Zone 2 feature with DTS encoded compact discs.
68
ZONE 2
English
Remote Control in ZONE 2
In the second (Zone 2) room, the supplied remote control can be used as the Zone 2 remote control. You can select the input source and
control the component which is located in the main room directly from the second room regardless of the listening condition in the main
room.
1 Press SOURCE SELECT % to display ZONE2 in the display
window.
SOURCE
%
DISPLAY
SELECT
SEAR
%
!
2 Use the input buttons to select the input source you want to listen to.
SYSTEM
POWER
STANDBY
V-AUX
TAPE
PHONO
D-TV
CBL/SAT
TUNER
MD
CD
VCR 1
VCR 2
VCR 3
LD
DVD
• The display window shows “2: name of selected input” if the remote
control is in the Zone 2 mode.
3 You can control the component using the Component Control Area
buttons.
%
ENTER
%
SOURCE
%
DISPLAY
SELECT
%
POWER
MENU
SOUND
!
!
$
$
REC
STOP
PAUSE
PLAY
*
#
JAZZ CLUB
HALL 1
HALL 2
CHURCH
1
2
3
4
ROCK
CONCERT
ENTERTAINMENT
CONCERT
VIDEO 1
CONCERT
VIDEO 2
6
7
8
5
6.1/ES
TV
THEATER
• VOLUME + / – can be used to adjust the volume if you set the SET MENU item
18. ZONE2 SET, ZONE2 OUT to “VAR.” (see page 53).
– CHAPTER +
SEARCH
/
10KEY DSP
Note:
%
TITLE
%
6CH INPUT
MOVIE
MOVIE
THEATER 1 THEATER 2
9
10
11
12
0
+10
+100
CHP/INDEX
A / B / C / D / E PRESET
+
TV INPUT
TV VOL
–
+
MUTE
CH
TV MUTE
–
+
VOLUME
EFFECT
VOLUME
–
DISC
69
Additional Information
Digital Sound Field Processing (DSP)
71
Understanding Sound Fields ............................................................................. 71
Recreating a Sound Field .................................................................................. 71
E/R (Early Reflection) ...................................................................................... 71
4ch REV. (Four Channel Reverberation) .......................................................... 71
Illustration of the Virtual Sound Sources and Echo Patterns ............................ 71
Hi-Fi DSP-Sound Field Program
Program Group 1
Program Group 2
Program Group 3
Program Group 4
Program Group 5
Program Group 6
:
:
:
:
:
:
72
Concert Hall 1 .................................................................. 72
Concert Hall 2 .................................................................. 72
Church .............................................................................. 72
Jazz Club .......................................................................... 72
Rock Concert ................................................................... 72
Entertainment ................................................................... 72
CINEMA-DSP
73
The Sound Design of CINEMA-DSP Sound Field Programs .......................... 73
Sound Field Images of the CINEMA-DSP Programs ....................................... 73
Movie Theater Programs ................................................................................... 74
CINEMA-DSP Sound Field Program
75
Program Group 7 : Concert Video 1 ............................................................... 76
Program Group 8 : Concert Video 2 ............................................................... 76
Program Group 9 : TV Theater ....................................................................... 76
Program Group 10 : Movie Theater 1 .............................................................. 76
Program Group 11 : Movie Theater 2 .............................................................. 76
Program Group 12 : Dolby/DTS Surround ...................................................... 76
Additional
Information
Sound Field Program Parameter Editing
77
Changing Parameter Settings ............................................................................ 77
Resetting a Parameter to the Factory Preset Value ........................................... 77
Digital Sound Field Parameter Descriptions
78
EFCT TRIM (Effect Trim) ............................................................................... 78
INIT. DLY (Initial Delay) ................................................................................. 78
P. INIT. DLY (Presence Initial Delay) ............................................................. 78
RC. INIT. DLY (Rear Center Initial Delay) ..................................................... 78
S. INIT. DLY (Surround Initial Delay) ............................................................ 78
S. DLY (Surround Delay) ................................................................................. 79
ROOM SIZE ..................................................................................................... 79
RC. ROOM SIZE (Rear Center Room Size) .................................................... 80
S. ROOM SIZE (Surround Room Size) ............................................................ 80
LIVENESS ........................................................................................................ 80
S. LIVENESS (Surround Liveness) .................................................................. 80
RC LIVENESS (Rear Center Liveness) ........................................................... 80
REV. TIME (Reverberation Time) ................................................................... 81
REV. DELAY (Reverberation Delay) .............................................................. 81
REV. LEVEL (Reverberation Level) ............................................................... 81
70
Digital Sound Field Processing (DSP)
English
Understanding Sound Fields
A sound field is defined as the “characteristic sound reflections of a particular space.”
In concert halls and other music venues, we hear early reflections and reverberations as
well as the direct sound produced by the artist(s). The variations in the early reflections
and other reverberations among the different music venues is what gives each venue its
special and recognizable sound quality.
Yamaha sent teams of sound engineers all around the world to measure the sound
reflections of famous concert halls and music venues, and collect detailed sound field
information such as the direction, strength, range, and delay time of those reflections.
Then we stored this enormous amount of data in the ROM chips of the RX-V1.
Recreating the sound field of a concert hall or an opera house requires localizing the
virtual sound sources in your listening room. The traditional stereo system that uses
only two speakers is not capable of recreating a realistic sound field. Yamaha’s DSP
requires four effect speakers to recreate sound fields based on the measured sound
field data. The processor controls the strength and delay time of the signals output
from the four effect speakers to localize the virtual sound sources in a full circle
around the listener.
FR
L
R
R
The DSP sound field programs can be classified in two types based on the sound field
processing method: programs that use early reflections only and programs that use
both early reflections and reverberation.
R
FL
Recreating a Sound Field
E/R (Early Reflection)
Each sound field is distinguished by the structure of the reflected sound. The increased processing capability of DSP technology enables
Yamaha engineers to incorporate even minute reflections with long delay times into the sound field data.
4ch REV. (Four Channel Reverberation)
This type of program consists of early reflections and high quality digital reverberation processing. Reverberation is the most important
element for recreating the sound field of a church. To recreate a realistic spatial sound image from reverberation data, Yamaha has adapted
the four-channel-output reverberation technology.
Illustration of the Virtual Sound Sources and Echo Patterns
The virtual sound sources and echo patterns for the DSP sound field programs are shown below. The illustration of the virtual sound sources
shows early reflection sound only and the illustration of the echo patterns shows both reflected sound and reverberation.
Echo Patterns
Virtual Sound Sources
The center of these circles represent the virtual
sound source.
The size of the circle indicates the strength of the
virtual sound source.
Direct sound source
Early
reflections
Reverbration
50~80 mSec
The direct sound source
The listening position
71
Hi-Fi DSP-Sound Field Program
Program Group 1 : Concert Hall 1
■ Europe Hall A
This is a large fan-shaped concert hall in
Munich which has approximately 2500
seats. Almost the whole interior is made
of wood. There is relatively little
reflection from the walls, and sound
spreads finely and beautifully.
■ Europe Hall B
This is a large shoe-box type concert
hall with less than 2400 seats located in
Frankfurt. This hall has a very solid,
powerful sound. The listener’s virtual
seat is in the center-right section on the
first floor.
■ Europe Hall C
A classic shoe-box type concert hall
with approximately 1700 seats. Pillars
and ornate carvings create extremely
complex reflections which produce a
very full, rich sound.
Program Group 2 : Concert Hall 2
■ U.S.A. Hall D
This is a large 2600 seat concert hall in
the United States which features a fairly
traditional European design. The interior
is relatively simple, in the American
style. The middle and high frequencies
are richly and beautifully reinforced.
■ Europe Hall E
This is a large 2200 seat shoe-box type
concert hall in Amsterdam. It has a
circular stage with seats located behind
the stage.
■ Live Concert
A large round concert hall with a rich
surround effect. Pronounced reflections
from all directions emphasize the
extension of sounds. The sound field has
a great deal of presence, and your virtual
seat is near the center, close to the stage.
Program Group 3 : Church
■ Tokyo
The acoustic environment of an ordinary
church with moderate reverberations.
The reverberation lasts 2.5 seconds. This
is ideal for reproducing church organ
and choral music.
■ Freiburg
This program recreates the acoustic
environment of a big church located in
south Germany. The reverberation delay
is very long while the early reflections
are smaller than with other sound field
programs.
■ Royaumont
This program features the sound field
created by the refectory (dining hall) of
a beautiful medieval Gothic monastery
located in Royaumont on the outskirts of
Paris.
Program Group 4 : Jazz Club
■ Village Gate
This is the sound field at a jazz club in
New York. It is in a basement and has a
relatively spacious floor area. The
listener’s virtual seat is at the center left
of the hall.
■ Village Vanguard
A traditional jazz club in New York,
located on 7th Avenue. This room has a
low ceiling, and the “stage” is located in
a corner. This program creates an
intimate “close-to-the music” feel.
■ The Bottom Line
This is the sound field at stage front in
“The Bottom Line”, a famous New York
jazz club. The floor can seat 300 people
to the left and right in a sound field
offering a real and vibrant sound.
Program Group 5 : Rock Concert
Additional
Information
■ Roxy Theatre
The ideal program for lively, dynamic
rock music. The data for this program
was recorded at LA’s “hottest” rock
club. The listener’s virtual seat is at the
center-left of the hall.
■ Warehouse Loft
This program simulates a space enclosed
by concrete. An energetic sound field is
created with relatively clear reflections
from the walls.
■ Arena
A classic shoe-box type concert hall.
This program gives you long delays
between direct sounds and effect
sounds, with the extraordinarily
spacious feel of a large arena.
Program Group 6 : Entertainment
■ Disco
This program recreates the acoustic
environment of a lively disco in the
heart of a big city. The sound is dense
and highly concentrated. It is also
characterized by a high-energy,
“immediate” sound.
72
■ Party
This is a sound field suitable for
background music at parties where you
can hear the sound directly from the rear
as well, thus realizing music enjoyment
over a wide area.
■ Game/Amusement
This program adds a deep and spatial
feeling to video game sounds and is also
suitable for karaoke.
CINEMA-DSP
English
The Sound Design of CINEMA-DSP Sound Field Programs
Filmmakers intend the dialog to be located right on the screen, the effect sound a little farther back, the music spread even farther back, and
the surround sound around the listener. Of course, all of these sounds must be synchronized with the images on the screen.
CINEMA-DSP is an upgraded version of YAMAHA DSP specially designed for movie soundtracks. CINEMA-DSP integrates the DTS,
Dolby Digital, and Dolby Pro Logic surround sound technologies with YAMAHA DSP sound field programs to provide the surround sound
field. It recreates the most complete movie sound design in your audio room. In CINEMA-DSP sound field programs, Yamaha’s exclusive
DSP processing is added to the front left, center, and right channels, so the listener can enjoy realistic dialogue, depth of sound, smooth
transition between sound sources, and a surround sound field that goes beyond the screen.
When a DTS or Dolby Digital signal is detected, the CINEMA-DSP sound field processor automatically chooses the most suitable sound
field program for that signal.
L SURROUND SOUND FIELD
PRESENCE SOUND FIELD
DIALOG EFFECT MUSIC
R SURROUND SOUND FIELD
AV ROOM
Sound Field Images of the CINEMA-DSP Programs
Each CINEMA-DSP program has its own type of sound field processing block. The sound field data, including the presence and surround
sound fields, are based on actual measured data. The presence and surround sound fields can be expressed in the distribution of virtual sound
sources and echo patterns. However, as these two types of sound fields are processed with complex elements such as energy balance and
mixing signal ratios, they are expressed as a sound field based on auditory perception.
Dolby Digital or DTS input
Stereo input
Presence sound field
Presence sound field
Sound source
Front sound source
Screen
Listening position
Screen
Listening position
Listening room
Listening room
Left surround sound source
Left surround sound field
Surround sound field
Right surround sound source
Right surround sound field
Reverberation
Reverberation
73
CINEMA-DSP
Movie Theater Programs
Most movie software has four-channel (left, center, right and surround) sound information encoded using Dolby Surround matrix processing
and stored on the left and right tracks. These signals are processed by the Dolby Pro Logic decoder. The Movie Theater Programs are
designed to recreate the spaciousness and delicate nuances of sound that tend to be lost in the encoding and decoding processes.
The six-channel soundtracks found on 70 mm film produce precise sound field localization and rich, deep sound without using matrix
processing. The RX-V1’s Movie Theater 70 mm Programs provide the same quality of sound and sound localization that six-channel
soundtracks do. The built-in Dolby Digital decoder brings the professional quality sound designed for movie theaters, into your home. With
the RX-V1’s Movie Theater program, you can recreate a dynamic sound that gives you the feeling of being at a public theater in your living
room using the Dolby Digital technology.
■ Dolby Pro Logic + DSP Sound Field Effect
These programs express an immense sound field and a large surround effect. They also give depth to the sound from the Main Speakers
to recreate the realistic sound of a Dolby Stereo theater.
Presence DSP
Sound Field
Surround DSP
Sound Field
■ Dolby Digital/DTS + DSP Sound Field Effect
These programs use Yamaha’s tri-field DSP process on each of the Dolby Digital signals for the front, left surround, and right surround
channels. This processing enables the RX-V1 to reproduce the immense sound field and surround expression of a Dolby Digital equipped
movie theater without sacrificing the clear separation of all channels.
Additional
Information
Presence DSP
Sound Field
Left Surround DSP
Sound Field
Right Surround DSP
Sound Field
■ Dolby Digital Matrix 6.1/DTS ES + DSP Sound Field Effect
These programs provide you the maximum experience of the spacious surround effects since an extra Rear Center DSP sound field
created from the Rear Center channel is added.
74
CINEMA-DSP Sound Field Program
According to the input signal format, the RX-V1 automatically chooses the appropriate decoder and DSP sound field pattern.
English
Table of Program Names for Each Input Format
Input
Stereo
(2ch)
DOLBY DIGITAL
(5.1ch)
DTS
(5.1ch)
DOLBY DIGITAL
(6.1ch)*
DTS ES
(6.1ch)*
Pop/Rock
––––––––
––––––––
––––––––
––––––––
DJ
––––––––
––––––––
––––––––
––––––––
Classical/Opera
––––––––
––––––––
––––––––
––––––––
Pavilion
––––––––
––––––––
––––––––
––––––––
Mono Movie
––––––––
––––––––
––––––––
––––––––
Variety/Sports
––––––––
––––––––
––––––––
––––––––
Program
Group
7
CONCERT
VIDEO 1
8
CONCERT
VIDEO 2
9
TV
THEATER
10
MOVIE
THEATER 1
11
MOVIE
THEATER 2
PRO LOGIC
12
70 mm Spectacle
DGTL Spectacle
DTS Spectacle
Spectacle 6.1
Spectacle ES
70 mm Sci-Fi
DGTL Sci-Fi
DTS Sci-Fi
Sci-Fi 6.1
Sci-Fi ES
70 mm Adventure
DGTL Adventure
DTS Adventure
Adventure 6.1
Adventure ES
70 mm General
DGTL General
DTS General
General 6.1
General ES
Normal
––––––––
––––––––
––––––––
––––––––
Enhanced
––––––––
––––––––
––––––––
––––––––
DOLBY
DIGITAL
DTS
DIGITAL SUR
––––––––
Normal
––––––––
Matrix 6.1
––––––––
––––––––
Enhanced
––––––––
Enhanced 6.1
––––––––
––––––––
––––––––
Normal
––––––––
ES
––––––––
––––––––
Enhanced
––––––––
Enhanced ES
* The Matrix decoder is ON.
■ Program Groups 7~9
These are sound field programs for the audio-video sources.
■ Program Groups 10~12
Ideal for reproducing a movie program which is encoded with Dolby Surround, Dolby Digital, or DTS. When the newest movie program
encoded with Dolby Digital Surround EX or DTS ES is input, you can enjoy the full 6.1 channel reproduction using the internal Matrix
decoder.
PRO LOGIC functions when the input signal is analog or PCM audio, or encoded with Dolby Digital in two channels.
DOLBY DIGITAL functions when the input signal is encoded with Dolby Digital in more than two channels.
DTS DIGITAL SUR functions when the input signal is encoded with DTS.
Note:
• No sound wil be output from the Main speakers when a monaural source is played with sound field Program Groups 7~12.
75
CINEMA-DSP Sound Field Program
Program Group 7 : Concert Video 1
■ Pop/Rock
This program produces an enthusiastic atmosphere and lets you
feel as if you are at an actual jazz or rock concert.
■ DJ
The sound field makes the voice of a disc jockey sound clearer.
Program Group 8 : Concert Video 2
■ Classical/Opera
This program provides excellent vocal depth and overall clarity
by restraining excessive reverberation.
The surround sound field is relatively moderate but it reproduces
beautiful sound using data collected from a concert hall.
■ Pavilion
This program reproduces vocals clearly, letting you feel the
spaciousness of a pavilion. Reverberation, which is somewhat
delayed, reproduces the live acoustics unique to a pavilion, and
helps to make concert scenes more exciting.
Program Group 9 : TV Theater
■ Mono Movie
This program is provided for reproducing monaural video
sources (such as old movies). The program produces the
optimum reverberation to create sound depth using only the
presence sound field.
■ Variety/Sports
Though the presence sound field is relatively narrow, the
surround sound field employs the sound environment of a large
concert hall. With this program, you can enjoy watching various
TV programs such as news, variety shows, music programs or
sports programs.
Program Group 10 : Movie Theater 1
■ Spectacle
This program creates the extremely wide sound field of a 70 mm
movie theater. It precisely reproduces the source sound in detail,
making both the video and the sound fields incredibly real. This
program is ideal for any kind of Dolby Surround video source
(especially large-scale movie productions).
■ Sci-Fi
This program clearly reproduces the broad and expansive
cinematic space from the soundtracks of the latest science fiction
films.
Program Group 11 : Movie Theater 2
■ Adventure
Additional
Information
This program is ideal for precisely reproducing the sound design
of the newest 70 mm and multichannel soundtrack films. The
sound field is made to be similar to that of the newest movie
theaters, so the reverberations of the sound field itself are
restrained as much as possible.
■ General
This program is for reproducing sounds from 70 mm and
multichannel soundtrack films, and is characterized by a soft and
extensive sound field. The presence sound field is relatively
narrow. It spatially spreads all around and toward the screen,
restraining the effect of conversations without losing clarity.
Program Group 12 : Dolby/DTS Surround
■ Normal/Matrix 6.1/ES
The built-in decoder precisely reproduces sounds and sound
effects from sources. The highly efficient decoding process
improves crosstalk and channel separation and makes sound
positioning smoother and more precise.
In this program, no DSP effect is applied.
76
■ Enhanced/6.1/ES
This program ideally simulates the multiple surround speaker
systems of 35 mm film theaters. The Dolby Surround decoding
and the digital sound field processing create precise effects
without altering the original sound orientation. The surround
effects produced by this sound field wrap around the viewer
naturally from the back to the left and right and toward the
screen.
Sound Field Program Parameter Editing
English
You can enjoy good quality sound with the pre-set parameters. Although you do not have to change the initial settings, you can change some
of the parameters to better suit the input source or your listening room.
Changing Parameter Settings
Set PARAMETER/SET MENU to PARAMETER on the remote
control.
2
Turn on your video monitor and press ON SCREEN to select the
full display.
3
Select the sound field program you want to adjust.
4
Press
5
Press + or – to change the parameter value.
SET MENU
Program Type (subprogram)
Program No.
Program Name
%
PARAMETER
1
or % to select the parameter.
When you set the parameter to a value other than the factory preset value, an
asterisk mark appears by the parameter name on the monitor screen.
6
Cursor
Repeat steps 3 through 5 above as necessary to change other
program parameters.
Parameters
Example of the CONCERT HALL 1
Resetting a Parameter to the Factory Preset Value
■ To reset some of the parameters to the
factory preset values
Select the parameter you want to reset. Then, press and hold + or
– until the value stops at the factory preset value temporarily.
(The asterisk mark by the parameter name disappears on the
video monitor.)
■ To reset all of the parameters back to the
factory preset values
Use the SET MENU to reset all of the parameter values of all
DSP programs within the selected group to the factory preset
values (see page 51). This operation resets all of the parameter
values of all DSP programs within that group to the factory
preset values.
Notes:
%
• The available parameters may be displayed on more than one OSD page for some of the programs. To scroll through pages, press
or % .
• When “MEMORY GUARD!” appears on the screen, the Memory Guard function is on, and you cannot change parameter values. Turn off the Memory
Guard function using the SET MENU (see page 52).
77
Digital Sound Field Parameter Descriptions
You can adjust the values of certain digital sound field parameters so the sound fields are recreated accurately in your listening room. Not all
of the following parameters are found in every program.
EFCT TRIM (Effect Trim)
Function .................... This parameter adjusts the level of all the effect sounds within a narrow range.
Control Range ........... –3 dB - +3 dB
Description ................ Depending on the acoustics of your listening room, you may want to increase or decrease the effect level relative
to the direct sound.
INIT. DLY (Initial Delay)
Function .................... This parameter changes the apparent distance from the source sound by adjusting the delay between the direct
sound and the first reflection heard by the listener.
Control Range ........... 1 - 99 milliseconds
Description ................ The smaller the value, the closer the sound source seems to the listener. The larger the value, the farther the
apparent distance seems. For a small room, this parameter would be set to a small value, for a large room, set it to
a large value.
Level
Level
Sound Source
Time
INIT. DLY
Primary
Reflected
Sound
Time
Time
INIT. DLY
INIT. DLY
Sound Source
Reflection Face
Small value = 1 ms
Large value = 99 ms
P. INIT. DLY (Presence Initial Delay)
Function .................... This parameter adjusts the delay between the direct sound and the first reflection in the presence sound field.
Control Range ........... 1 - 99 milliseconds
Description ................ The larger the value, the later the first reflection begins.
RC. INIT. DLY (Rear Center Initial Delay)
Function .................... This parameter adjusts the delay between the direct sound and the first reflection in the rear center sound field.
Additional
Information
Control Range ........... 1 - 49 milliseconds
Description ................ The larger the value, the later the first reflection begins.
S. INIT. DLY (Surround Initial Delay)
Function .................... This parameter adjusts the delay between the direct sound and the first reflection on the surround side of the
sound field. You can only adjust this parameter when at least two front channels and two rear channels are used.
Control Range ........... 1 - 49 milliseconds
Description ................ The larger the value, the later the first reflection begins. You can only adjust this parameter for the Dolby Digital
and DTS signals.
78
Digital Sound Field Parameter Descriptions
English
S. DLY (Surround Delay)
Function .................... This parameter adjusts the delay between the direct sound and the first reflection in the surround sound field.
Control Range ........... 0 - 49 milliseconds (The range depends on the signal format.)
Description ................ When Dolby Digital signals are decoded: the larger the parameter, the later the surround sound source begins.
When a non-Dolby Digital program is decoded: the larger the parameter, the later the surround sound field
begins.
No surround sound source is produced.
Others
Dolby Digital or DTS Input
The surround sound field is not reproduced.
Direct Sound
Direct Sound
SURROUND (LS/RS)
S Sound Field
Level
Level
S Sound Field
S. DELAY S. INIT.
DELAY
Time
S. DELAY
Time
ROOM SIZE
Function .................... This parameter adjusts the apparent size of the surround sound field. The larger the value, the larger the surround
sound field becomes.
Control Range ........... 0.1 - 2.0
Description ................ As the sound is repeatedly reflected around a room, the larger the hall is, the longer the time between the original
reflected sound and the subsequent reflections. By controlling the time between the reflected sounds, you can
change the apparent size of the virtual venue. Changing this parameter from one to two, doubles the apparent
length of the room.
Level
Level
Primary
Reflected
Sound
Time
Small
value
Time
Level
Sound Source
Time
Large value
Sound Source
Small value = 0.1
Large value = 2.0
79
Digital Sound Field Parameter Descriptions
RC. ROOM SIZE (Rear Center Room Size)
Function .................... This parameter adjusts the apparent size of the rear center sound field.
Control Range ........... 0.1 - 2.0
Description ................ The larger the value, the more reflective the presence sound field walls become.
S. ROOM SIZE (Surround Room Size)
Function .................... This parameter adjusts the apparent size of the surround sound field.
Control Range ........... 0.1 - 2.0
Description ................ The larger the value, the larger the surround sound field becomes.
LIVENESS
Function .................... This parameter adjusts the reflectivity of the virtual walls in the hall by changing the rate at which the early
reflections decay.
Control Range ........... 0 - 10
Description ................ The early reflections of a sound source decay much faster in a room with acoustically absorbent wall surfaces
than in one which has highly reflective surfaces. A room with acoustically absorbent surfaces is referred to as
“dead,” while a room with highly reflective surfaces is referred to as “live.” The LIVENESS parameter lets you
adjust the early reflection decay rate, and thus the “liveness” of the room.
Level
Level
Level
Source Sound
Live
Dead
Time
Time
Time
Source Sound
Small Reflected
Sound
Small value = 0
Large
Reflected Sound
Large value = 10
S. LIVENESS (Surround Liveness)
Function .................... This parameter adjusts the apparent reflectivity of the virtual walls in the surround sound field.
Control Range ........... 0 - 10
Additional
Information
Description ................ The larger the value, the more reflective the surround sound field walls become.
RC. LIVENESS (Rear Center Liveness)
Function .................... This parameter adjusts the apparent reflectivity of the virtual wall in the rear center sound field.
Control Range ........... 0 - 10
Description ................ The larger the value, the more reflective the surround sound field walls become.
80
Digital Sound Field Parameter Descriptions
English
REV. TIME (Reverberation Time)
Function .................... This parameter adjusts the amount of time it takes for the dense, subsequent reverberation sound to decay by
60 dB (at 1 kHz). This changes the apparent size of the acoustic environment over an extremely wide range.
Control Range ........... 1.0 - 5.0 seconds
Description ................ Set a longer reverberation time for “dead” sources and listening room environments and a shorter time for “live”
sources and listening room environments.
Reverberation
Source Sound
Primary Reflected Sound
60 dB
60 dB
60 dB
Reverberation
REV. TIME
Source Sound
Reverberation
REV. TIME
REV. TIME
Short
Reverberation
Long Reverberation
Small value = 1.0 s
Large value = 5.0 s
REV. DELAY (Reverberation Delay)
Function .................... This parameter adjusts the time difference between the beginning of the direct sound and the beginning of the
reverberation sound.
Control Range ........... 0 - 250 milliseconds
Level
Description ................ The larger the value, the later the reverberation sound begins. A later reverberation sound makes you feel like you
are in a larger acoustic environment.
Source Sound
(dB)
60 dB
Reverberation
Time
REV.
DELAY
REV TIME
REV. LEVEL (Reverberation Level)
Function .................... This parameter adjusts the volume of the reverberation sound.
Control Range ........... 0 - 100%
Level
Description ................ The larger the value, the stronger the reverberation becomes.
Source Sound
REV LEVEL
Time
81
Appendix
Appendix
82
Troubleshooting
83
Reference Chart for the INPUT and OUTPUT Jacks
87
CINEMA - EQ Frequency Characteristics
87
Specifications
88
Troubleshooting
English
Refer to the chart below when the RX-V1 does not function properly. If the problem you are experiencing is not listed below or if the
instruction below does not help, turn the power off, disconnect the power cord, and contact your dealer or the nearest Yamaha Audio
Products Service Department.
After this unit is exposed to strong external electric shock (such as lightning and large static electricity) or you mishandle the operation of
this unit, it may not function properly. In these cases, turn the power off, unplug the power cord, plug it back in after 30 seconds, and start
operating.
General
Possible Cause
What to Do
The power cord is not plugged in or is not
completely inserted.
Plug in the power cord securely (see page
24).
IMPEDANCE SELECTOR on the rear
panel is not set correctly.
Set the switch completely to either position
(depending on your speakers) while this unit
is in standby mode (see page 22).
The protection circuitry has been activated.
Make sure all speaker wire connections on
this unit and on all speakers are secure and
that the wire for each connection does not
touch anything other than its respective
connection.
There is a faulty cable connection.
Connect the audio plugs securely. If the
problem persists, the cords may be defective.
No connection from the turntable to the
GND terminal.
Connect the grounding cord of your turntable
to the GND terminal of this unit (see page
16).
The volume is turned down.
Turn up the volume.
Faulty or incorrect input or output
connection.
Connect the equipment correctly. If the
problem persists, the cords may be defective.
Incorrect input source.
Select the appropriate input source with
INPUT SELECTOR.
This unit is set to DTS input mode.
Press INPUT MODE to select another input
mode
Digital signals other than PCM audio,
Dolby Digital, or DTS encoded signals are
input to this unit by playing a CD-ROM,
etc.
Play a source whose signals this unit can
reproduce.
No picture
The source equipment is connected to this
unit using an S-video cable, but there is
no S-video connection between this unit
and your video monitor.
Connect this unit’s S VIDEO MONITOR OUT
terminal to the TV’s S-video input terminal or
disconnect the S-video cable from the source
equipment.
No sound is coming from one
side.
There is a faulty cable connection.
Connect all cables securely. If the problem
persists, the cords may be defective.
BALANCE is turned all the way to one
side.
Adjust BALANCE.
MUTE is on.
Turn VOLUME to minimum, press MUTE to
restore audio, and adjust the volume again.
The equipment connected to the TAPE/
MD OUT jacks of this unit is turned off.
Turn on the power to the equipment.
The protection circuitry has been activated
because of short circuit etc.
Reset the protection circuitry by turning the
unit off and on.
The SLEEP timer came on.
Cancel the SLEEP timer function.
Problem
The unit fails to turn on when
STANDBY/ON is pressed, or
returns to standby mode
suddenly soon after the power
is turned on.
Hum
No Sound or no picture
The volume level cannot be
increased very much when
adjusting VOLUME.
The sound suddenly goes off.
83
Troubleshooting
Problem
Possible Cause
The effect is off.
What to Do
A Dolby Surround or DTS decoding sound
field program is being used with material
not encoded with Dolby Surround or DTS.
Select another sound field program.
PRO LOGIC/Normal, DOLBY DIGITAL/
Normal or DTS DIGITAL SUR./Normal of
DSP program 12 is selected.
Select another sound field program.
The front level is turned to minimum.
Adjust the Front Effect speaker level (see
page 67).
The 1F. FRNT EFCT item in the SET
MENU is set to “NONE”.
Select “YES” (see page 45).
The 1A. CENTER SP item in the SET
MENU is set to “NONE”.
Select the appropriate mode for your Center
speaker (see page 43).
One of the Hi-Fi DSP sound field
programs (1 to 6) is selected.
Select another sound field program.
The input signals of a source encoded
with Dolby Digital or DTS do not include
center channel signals.
Refer to the instructions for the source
currently playing.
The right and left Rear speaker levels are
set to minimum.
Increase the right and left Rear speaker
levels (see page 67).
A monaural source is played with sound
field program 12.
Select another sound field program.
The 1E. LFE/BASS OUT item in the SET
MENU is set to “MAIN” when a Dolby
Digital or DTS encoded software is
played.
Select “SW” or “BOTH” (see page 44).
The 1E. LFE/BASS OUT item in the SET
MENU is set to “SW” or “MAIN” when a 2channel encoded software is played.
Select “BOTH” (see page 44).
The 1E. LFE/BASS OUT item in the SET
MENU is set to “SW” or “BOTH” and your
system does not include a subwoofer.
Select “MAIN” (see page 44).
The output mode selection for each
channel (MAIN, CENTER or REAR) in the
SET MENU does not match your speaker
configuration.
Select the appropriate output mode for each
channel based on the size of the speakers in
your configuration (see pages 43 through
44).
The volume level cannot be
increased, or sound is
distorted.
The power to the equipment connected to
the REC OUT jacks of this unit is off.
Turn on the power to the equipment.
DSP parameters and some
other settings on this unit
cannot be changed.
The 13. MEMORY GUARD item in the
SET MENU is set to “ON”.
Select “OFF” (see page 52).
This unit does not operate
properly.
The internal microcomputer has been
frozen by an external electric shock (such
as lightning or excessive static electricity)
or by a power supply with low voltage.
Disconnect the AC power cord from the
outlet, then plug it in again after about one
minute.
No sound is coming from the
Effect speakers.
No sound is coming from the
Front Effect speakers.
No sound is coming from the
Center speaker.
No sound is coming from the
Rear Effect speakers.
No sound is coming from the
Subwoofer.
Appendix
Poor bass reproduction.
84
Press EFFECT to turn on the effect sound.
Troubleshooting
Possible Cause
What to Do
A source cannot be recorded
by a tape deck or VCR
connected to this unit.
The source unit is connected to this unit
using digital jacks only.
Make additional connections to the analog
jacks (see pages 16 through 19).
CHECK SP WIRES!" appears
on the display.
Speaker cables are short circuited.
Make sure all speaker cables are
connected correctly.
There is noise from a nearby
TV or tuner.
This unit is too close to the affected
equipment.
Move this unit farther away from the affected
equipment.
The sound is degraded when
listening with the headphones
connected to the CD player or
cassette deck that are
connected to this unit.
The power to this unit is off.
Turn on the power to this unit.
“INPUT DATA ERROR”
appears on the display and no
sound is heard.
A non-standard source is played back, or
the equipment playing back the source is
not operating correctly.
Check the source, or turn off the source
equipment, then turn it on again.
Possible Cause
What to Do
FM stereo reception is
noisy.
Because of the characteristics of FM
stereo broadcasts, this is limited to cases
where the transmitter is too far away or
the antenna input is poor.
Check the antenna connections.
Try using a high quality directional FM
antenna.
Set TUNING MODE to the manual tuning
mode.
There is distortion and clear
reception cannot be
obtained even with a good
FM antenna.
There is multipath interference.
Adjust the antenna orientation to eliminate
multipath interference.
A desired station cannot be
tuned in with the automatic
tuning method.
The station is too weak.
Use the manual tuning method.
Use a high quality directional FM antenna.
Previously preset stations
can no longer be tuned in
using preset tuning.
This unit has been unplugged for a long
period.
Repeat the presetting procedure (see page
36).
A desired station cannot be
tuned in with the automatic
tuning method.
Weak signal or loose antenna
connections.
Tighten the AM loop antenna connections
and adjust the antenna’s orientation for best
reception.
English
Problem
Tuner
FM
Problem
AM
Use the manual tuning method.
There are continuous
crackling and hissing
noises.
Noises result from lightning, fluorescent
lamps, motors, thermostats and other
electrical equipment.
Use an outdoor antenna and a ground wire.
This will help somewhat but it is difficult to
eliminate all the noises.
There are buzzing and
whining noises (especially
in the evening).
A television set is being used nearby.
Relocate this unit away from the TV.
85
Troubleshooting
Remote Control
Problem
The remote control does not
work.
The remote control does not
function properly.
The remote control
does not “learn” new functions.
(The TRANSMIT indicator does
not light up or flash.)
Appendix
Continuous functions such as
volume are learned, but
operate only for a moment
before stopping.
86
Possible Cause
What to Do
The batteries are dead.
Replace the batteries with new ones and
press RESET (see page 5).
The internal microcomputer has “frozen”.
Press RESET on the remote control (see
page 5).
Wrong distance or angle.
The remote control will function within a
maximum range of 6 m (20 feet), no more
than 30 degrees off-axis from the front panel
(see page 5).
Direct sunlight or lighting (such as an
inverter type of fluorescent lamp) is
striking the remote control sensor of this
unit.
Change the position of this unit.
The internal microcomputer has “frozen”.
Press RESET on the remote control (see
page 5).
The batteries of this remote control and/or
the other remote control are too weak.
Replace the batteries (and press RESET on
the remote control) (see page 5).
The distance between the two remote
controls is too far or near.
Place the remote controls at the proper
distance (see page 62).
The signal coding or modulation of the
other remote control is not compatible with
this remote control.
Learning is not possible.
Memory capacity is full.
Further learning is not possible without
deleting unnecessary new functions (see
page 66).
The internal microcomputer has “frozen”.
Press RESET on the remote control (see
page 5).
The learning process is incomplete.
Be sure to press and hold the function button
on the other remote control until TRANSMIT
begins flashing slowly.
Reference Chart for the INPUT and OUTPUT Jacks
DIGITAL
ANALOG
IN
OUT
Ο
Ο
PHONO
CD
TUNER
TAPE
MD
DVD
LD
D-TV
CBL/SAT
VCR 1, 2, 3
V-AUX
6 CH INPUT
SUBWOOFER
ZONE 2 OUT
MONITOR OUT
SPEAKER OUT
HEADPHONES
COAXIAL
OPTICAL
IN
IN
OUT
Ο
Ο
Ο
Ο
Ο
Ο
Ο
Ο
Ο
Ο
Ο
Ο
IN
OUT
S-VIDEO
OUT
IN
COMPONENT
OUT
IN
OUT
Ο
Ο
Ο
Ο
Ο
Ο
Ο ∗2
Ο
RF
Ο
Ο
COMPOSITE
English
VIDEO
AUDIO
SIGNAL
Ο
Ο
Ο
Ο
Ο
Ο
Ο
Ο
Ο ∗3
Ο
Ο ∗1
Ο
Ο
Ο
Ο
Ο
Ο
Ο
Ο
ΟΟ
Ο ∗4
Ο
Ο ∗1
Ο ∗1
ΟΟ
Ο
*1 This input can be changed to another video input by using the SET MENU.
*2 Only for VCR 1
*3 SPLIT L,R, and MONO outputs
*4 MAIN L,R, CENTER, FRONT L,R, REAR L,R, and REAR CENTER total 8 channels
CINEMA - EQ Frequency Characteristics
Cinema EQ is a digital equalizer that lets you independently adjust the sound quality of each speaker.
■HIGH (High Shelving Filter): Adjusts high
■PEQ (Parametric Equalizer): Allows
frequency response smoothly. There are 16
responses affecting frequencies in the 1 to 12.7
kHz range, while gain is adjusted between +6 and
–9 dB.
smooth boost and cut at an arbitrary frequency
range. The center frequency can be in the 1 to
12.7 kHz range, with gain between +6 and –9 dB.
▲ HIGH Frequency
Range
▲ PEQ Frequency
GAIN +6 ~ –9 dB
Range
+6
GAIN +6 ~ –9 dB
+3
+3
G 0
A
–3
I
N –6
G 0
A
–3
I
N –6
–9
–9
20
50
100
200
500
1k
2k
5k
10k
20k
20
50
100
200
FRQ
Range
FRQ
Range
2k
5k
10k
20k
FRQ
1.0 ~ 12.7 kHz
Q 1.85 (fixed)
+6
+3
1.0k
1.2k
1.6k
2.0k
2.5k
3.2k
4.0k
5.0k
5.7k
6.3k
7.1k
8.0k
9.0k
10.1k
11.3k
12.7kHz
G
A
I
N
–9
20
1k
▲ PEQ Frequency
1.0 ~ 12.7 kHz
+6
G 0
A
I –3
N –6
500
FRQ
▲ HIGH Frequency
+3
Q 1.85 (fixed)
+6
0
–3
–6
1.0k
1.2k
1.6k
2.0k
2.5k
3.2k
4.0k
5.0k
5.7k
6.3k
7.1k
8.0k
9.0k
10.1k
11.3k
12.7kHz
–9
50
100
200
500
FRQ
1k
2k
5k
10k
20k
20
50
100
200
500
1k
2k
5k
10k
20k
FRQ
87
Specifications
Audio Section
FM Section
Minimum RMS Output Power per Channel
Tuning Range ---------------------------------------- 87.5 to 107.9 MHz
MAIN L/R, CENTER, REAR L/R/C
(20 Hz to 20 kHz, 0.015% THD, 8 ohms) ------------ 110 W
FRONT L/R (1 kHz, 0.05% THD, 8 ohms) ------------ 35 W
[Australia model] -------------------------- 87.5 to 108.0 MHz
50 dB Quieting Sensitivity (IHF, 75 ohms, 100% mod., 1 kHz)
Mono ------------------------------------------ 1.6 µV (15.3 dBf)
Stereo ------------------------------------------ 23 µV (38.5 dBf)
Dynamic Power (IHF)
MAIN L/R (8/6/4/2 ohms) -------------- 150/180/240/340 W
Usable Sensitinity (75 ohms) [Australia model only]
DIN, Mono (S/N 26 dB) -------------------------------- 0.9 µV
Dynamic Headroom
MAIN L/R (8 ohms) -------------------------------------- 1.3 dB
Power Band Width
DIN, Stereo (S/N 46 dB) --------------------------------- 28 µV
Signal-to-Noise Ratio
MAIN L/R (55 W, 0.04% THD, 8 ohms)
(IHF) Mono/Stereo ------------------------------- 81 dB/75 dB
--------------------------------------------------- 10 Hz to 50 kHz
[Australia model]
Damping Factor
(DIN Weighted, 40 kHz Dev.) Mono/Stereo
MAIN L/R (20 Hz to 20 kHz, 8 ohms) --------- 200 or more
Input Sensitivity/Impedance (110 W/8 ohms)
------------------------------------------------------- 75 dB/69 dB
Harmonic Distortion (1 kHz)
CD, etc. -------------------------------------- 150 mV/47k-ohms
Mono/Stereo -------------------------------------------- 0.1/0.2%
PHONO MM -------------------------------- 2.5 mV/47k-ohms
Stereo Separation (1 kHz) ----------------------------------------- 48 dB
MAIN IN ----------------------------------------- 1 V/47k-ohms
Frequency Response
Output Level/Impedance
20 Hz to 15 kHz ------------------------------------------ 0±1 dB
REC OUT ----------------------------------- 150 mV/600 ohms
MAIN OUT ------------------------------------- 1 V/1.2 k-ohms
SUBWOOFER [SPLIT L/R] ----------------- 2 V/1.2 k-ohms
[MONO] ----------------- 4 V/1.2 k-ohms
PHONES Output ------------------------------------ 150 mV/100 ohms
Frequency Response (10 Hz to 100 kHz)
CD, etc. to MAIN L/R SP. OUT ------------------------ –3 dB
AM Section
Tuning Range ------------------------------------------ 530 to 1,710 kHz
[Australia model] ---------------------------- 531 to 1,611 kHz
Usable Sensitivity --------------------------------------------- 300 µV/m
Signal-to-Noise Ratio ---------------------------------------------- 52 dB
Total Harmonic Distortion (20 Hz to 20 kHz)
CD, etc. to MAIN OUT (1 V) ----------------- 0.005% or less
MAIN IN to SP OUT (55 W/8 ohms) -------- 0.005% or less
Signal to Noise Ratio (IHF-A network)
(Input shorted, EFFECT off) ------------------ 96 dB or more
Residual Noise (IHF-A network)
MAIN L/R SP. OUT --------------------------- 150 µV or less
Channel Separation (Vol –30 dB, 5.1 k-ohms terminated)
1 kHz/10 kHz ---------------------------- 70 dB/60 dB or more
Tone Control (MAIN L/R)
General
Power Supply -------------------------------------- AC 120 V, 50/60 Hz
[Australia model] --------------------------- AC 240 V, 50 Hz
Power Consumption ----------------------------------------------- 550 W
AC Outlets (Total 120 W maximum) ------------------- 3 (Switched)
[Australia model] (100 W maximum) --------- 1 (Switched)
Dimensions (W x H x D) ------------------------- 471 x 211 x 473 mm
(18-1/2” x 8-1/4” x 18-5/8”)
Bass Boost/Cut --------------------------------- ±10 dB (50 Hz)
Weight ----------------------------------------------- 28 kg (61 lbs 11oz)
Treble Boost/Cut ----------------------------- ±10 dB (20 kHz)
Accessories ----------------------------------------------- Remote control
Bass Extension ---------------------------------- +6 dB (60 Hz)
Alkaline batteries
Quick reference guide
Video Section
Video Signal Type ------------------------------------------------- NTSC
AM loop antenna
Indoor FM antenna
Antenna adapter (Except for Australia model)
[Australia model] ------------------------------------------- PAL
Composite Video Signal Level ----------------------- 1 Vp-p/75 ohms
S-Video Signal Level
Y ------------------------------------------------- 1 Vp-p/75 ohms
Appendix
C -------------------------------------------- 0.286 Vp-p/75 ohms
Component Video Signal Level
Y ------------------------------------------------- 1 Vp-p/75 ohms
PB/CB, PR/CR --------------------------------- 0.7 Vp-p/75 ohms
Maximum Input Level ------------------------------------------ 1.5 Vp-p
Signal to Noise Ratio ------------------------------------ 50 dB or more
88
Frequency Response
(MONITOR OUT) ------------------- 5 Hz to 10 MHz, –3 dB
*Specifications are subject to change without notice.
YAMAHA
YAMAHA
YAMAHA
YAMAHA
YAMAHA
YAMAHA
YAMAHA
ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA
ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY
ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE
ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND
SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN
MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA
Printed in Japan
V482920-1
Quick Reference Card
■ Remote Control
■ TUNER
■ CD
SYSTEM
CLEAR
LEARN
MACRO
OFF
ON
TAPE
PHONO
POWER
STANDBY
V-AUX
TAPE
D-TV
CBL/SAT
TUNER
MD
CD
D-TV
CBL/SAT
TUNER
MD
CD
DVD
VCR 1
VCR 2
VCR 3
LD
DVD
TITLE
%
ENTER
VCR 1
POWER
STANDBY
V-AUX
TAPE
PHONO
D-TV
CBL/SAT
TUNER
MD
CD
VCR 2
LD
TITLE
%
ENTER
DVD
%
SOURCE
%
6CH INPUT
Display Window
%
Source Select
ENTER
%
SOURCE
%
DISPLAY
SELECT
%
POWER
MENU
REC
!
$
STOP
/
$
PAUSE
PLAY
*
#
HALL 1
HALL 2
CHURCH
JAZZ CLUB
1
2
3
4
ROCK
CONCERT
ENTERTAINMENT
CONCERT
VIDEO 1
CONCERT
VIDEO 2
6
7
5
Program/10Key Section
6.1/ES
TV
THEATER
MOVIE
MOVIE
THEATER 1 THEATER 2
9
Operation Section
$
PAUSE
PLAY
*
#
CHURCH
JAZZ CLUB
10KEY DSP
11
12
+10
+100
2
3
4
ENTERTAINMENT
CONCERT
VIDEO 1
CONCERT
VIDEO 2
6
7
8
TV
THEATER
9
(Preset Group) B
–
+100
+
TV INPUT
TV VOL
MUTE
CH
TV MUTE
–
+
VOLUME
EFFECT
–
$
REC
STOP
PAUSE
PLAY
*
#
CHURCH
JAZZ CLUB
/
10KEY DSP
HALL 1
(Preset Group) E
MUTE
2
3
4
ENTERTAINMENT
CONCERT
VIDEO 1
CONCERT
VIDEO 2
6
7
8
5
TV
THEATER
INDEX
(Preset Group) D
(Preset Group) C
9
PRESET + / –
TV INPUT
TV VOL
–
12
+10
+100
+
+
MUTE
VOLUME
EFFECT
–
+10
0
DISC SKIP
–
DISC
(Preset Group)
A/B/C/D/E
■ TAPE
Volume Section
11
0
CH
TV MUTE
–
1~9
CLEAR
10
A / B / C / D / E PRESET
+
SKIP SEARCH
PLAY
PAUSE (YAMAHA :
PAUSE / STOP)
MOVIE
MOVIE
THEATER 1 THEATER 2
CHP/INDEX
–
+
VOLUME
EFFECT
HALL 2
1
ROCK
CONCERT
DISC
CH
TV MUTE
12
+10
$
■ MD
SYSTEM
SYSTEM
POWER
STANDBY
V-AUX
TAPE
PHONO
POWER
STANDBY
V-AUX
TAPE
PHONO
D-TV
CBL/SAT
TUNER
MD
CD
D-TV
CBL/SAT
TUNER
MD
CD
VCR 1
VCR 2
VCR 3
LD
DVD
VCR 1
VCR 2
VCR 3
LD
DVD
TITLE
%
TITLE
%
ENTER
%
Others
–
11
0
!
POWER
PRESET
NUMBER 1~8
SOUND
– CHAPTER +
!
%
TV INPUT
TV VOL
+
SEARCH
POWER
STOP
MENU
SEARCH
6.1/ES
10
A / B / C / D / E PRESET
+
DISPLAY
%
MOVIE
MOVIE
THEATER 1 THEATER 2
CHP/INDEX
A / B / C / D / E PRESET
+
HALL 2
1
ROCK
CONCERT
(Preset Group) A
8
0
HALL 1
5
/DTS
SUR.
10
CHP/INDEX
$
STOP
/
6.1/ES
10KEY DSP
!
REC
%
SELECT
SOUND
– CHAPTER +
SEARCH
!
!
POWER
%
SOURCE
DISPLAY
SOUND
– CHAPTER +
SEARCH
%
POWER
MENU
DISPLAY
SELECT
%
%
TITLE
6CH INPUT
%
VCR 3
LD
%
VCR 2
VCR 3
6CH INPUT
Input Section
VCR 1
PHONO
Programming Section
SYSTEM
Power Buttons
V-AUX
%
MACRO
TRANSMIT RE-NAME
STANDBY
%
SYSTEM
POWER
ENTER
DISC
6CH INPUT
PARAMETER
REWIND
ON SCREEN LEVEL
Setup Section
%
SLEEP
TEST
%
%
DISPLAY
SELECT
MENU
POWER
!
!
$
$
REC
STOP
PAUSE
PLAY
*
#
CHURCH
JAZZ CLUB
/
SET MENU
SOUND
REC / PAUSE
10KEY DSP
HALL 1
DISPLAY
HALL 2
%
DIRECTION A/B
PLAY
STOP
SEARCH
POWER
REC PAUSE
POWER
!
$
$
REC
STOP
PAUSE
PLAY
*
#
CHURCH
JAZZ CLUB
/
10KEY DSP
SOUND
– CHAPTER +
!
HALL 1
HALL 2
2
3
4
1
2
3
4
ENTERTAINMENT
CONCERT
VIDEO 1
CONCERT
VIDEO 2
ROCK
CONCERT
ENTERTAINMENT
CONCERT
VIDEO 1
CONCERT
VIDEO 2
5
6
7
8
5
6
7
8
MOVIE
MOVIE
THEATER 1 THEATER 2
9
TV INPUT
11
12
0
+10
+100
TV VOL
+
MUTE
–
DISC
EFFECT
+
+
VOLUME
TV VOL
–
–
TV INPUT
10
11
12
0
+10
+100
+
MUTE
CH
TV MUTE
SKIP SEARCH
PLAY
PAUSE
STOP
1~9
MOVIE
MOVIE
THEATER 1 THEATER 2
9
CHP/INDEX
A / B / C / D / E PRESET
CH
TV MUTE
TV
THEATER
6.1/ES
10
A / B / C / D / E PRESET
–
%
MENU
SEARCH
%
1
CHP/INDEX
+
DISPLAY
SELECT
ROCK
CONCERT
TV
THEATER
6.1/ES
DECK A / DECK B
– CHAPTER +
SEARCH
%
SOURCE
%
FAST FORWARD
%
%
SOURCE
6CH INPUT
–
+
+10
0
VOLUME
EFFECT
–
DISC
V483210
Quick Reference Card
■ LD
■ VCR 1/VCR 2/VCR 3
V-AUX
TAPE
PHONO
POWER
STANDBY
V-AUX
TAPE
PHONO
POWER
STANDBY
V-AUX
TAPE
D-TV
CBL/SAT
TUNER
MD
CD
D-TV
CBL/SAT
TUNER
MD
CD
D-TV
CBL/SAT
TUNER
MD
CD
VCR 1
VCR 2
VCR 3
LD
DVD
VCR 1
VCR 2
VCR 3
LD
DVD
VCR 1
VCR 2
VCR 3
LD
DVD
TITLE
%
TITLE
%
TITLE
%
%
ENTER
%
ENTER
%
SYSTEM
STANDBY
ENTER
6CH INPUT
6CH INPUT
SELECT
!
!
$
$
REC
STOP
PAUSE
PLAY
*
#
CHURCH
JAZZ CLUB
POWER
/
10KEY DSP
HALL 1
HALL 2
1
2
3
4
ROCK
CONCERT
ENTERTAINMENT
CONCERT
VIDEO 1
CONCERT
VIDEO 2
6
7
8
5
TV
THEATER
6.1/ES
CHAPTER / TIME
9
(*1)
TV INPUT
11
12
0
+10
+100
TV VOL
+
MUTE
CH
TV MUTE
–
SELECT
CHAPTER
SEARCH
PLAY
PAUSE
REWIND /
FAST FORWARD
POWER
REC
(Press twice)
+
MENU
!
!
$
$
REC
STOP
PAUSE
PLAY
*
#
CHURCH
JAZZ CLUB
/
10KEY DSP
HALL 1
HALL 2
1
2
3
4
ROCK
CONCERT
ENTERTAINMENT
CONCERT
VIDEO 1
CONCERT
VIDEO 2
6
7
8
5
TV
THEATER
CLEAR
TV / VIDEO
9
+10
0
(*1)
TV VOL
–
–
TV INPUT
11
12
0
+10
+100
MUTE
CH
TV MUTE
■ DVD
V-AUX
TAPE
PHONO
POWER
STANDBY
V-AUX
TAPE
PHONO
D-TV
CBL/SAT
TUNER
MD
CD
D-TV
CBL/SAT
TUNER
MD
CD
VCR 1
VCR 2
VCR 3
LD
DVD
VCR 1
VCR 2
VCR 3
LD
DVD
TITLE
%
TITLE
%
%
ENTER
%
ENTER
POWER
!
!
$
$
REC
STOP
PAUSE
PLAY
*
#
CHURCH
JAZZ CLUB
/
10KEY DSP
HALL 1
6.1/ES
TITLE / INDEX
HALL 2
1
2
3
4
ROCK
CONCERT
ENTERTAINMENT
CONCERT
VIDEO 1
CONCERT
VIDEO 2
5
6
7
8
TV
THEATER
9
+
TV INPUT
11
12
0
+10
+100
–
+
MUTE
CH
TV MUTE
DISPLAY
–
+
VOLUME
EFFECT
%
DISPLAY
SELECT
%
SKIP SEARCH
PLAY
PAUSE
STOP
POWER
POWER
%
10KEY DSP
1~9
CLEAR
ENTER
+10
0
TV INPUT
DISC SKIP
TV VOLUME
MENU
!
$
$
REC
STOP
PAUSE
PLAY
HALL 2
–
#
CHURCH
JAZZ CLUB
1
2
3
4
ENTERTAINMENT
CONCERT
VIDEO 1
CONCERT
VIDEO 2
5
6
7
8
TV
THEATER
MOVIE
MOVIE
THEATER 1 THEATER 2
9
10
11
12
0
+10
+100
A / B / C / D / E PRESET
+
TV INPUT
TV VOL
–
+
MUTE
CH
TV MUTE
–
DISC
TV MUTE
*
ROCK
CONCERT
CHP/INDEX
DISC
SOUND
!
HALL 1
HALL 2
#
CHURCH
JAZZ CLUB
1
2
3
4
ROCK
CONCERT
ENTERTAINMENT
CONCERT
VIDEO 1
CONCERT
VIDEO 2
6
7
8
TV INPUT
TV VOL
10
11
12
0
+10
+100
+
MUTE
CH
TV MUTE
(*2)
1~9
MOVIE
MOVIE
THEATER 1 THEATER 2
9
–
– CHAPTER +
SEARCH
/
6.1/ES
10
A / B / C / D / E PRESET
TV VOL
SOUND
MOVIE
MOVIE
THEATER 1 THEATER 2
CHP/INDEX
(*1)
MENU CURSOR / ENTER
– CHAPTER +
SEARCH
%
CHANNEL + / – (*1)
6CH INPUT
SOURCE
SOUND
HALL 1
*
A / B / C / D / E PRESET
+
%
SELECT
SEARCH
POWER
RETURN
%
MENU
%
DISPLAY
DISPLAY
PLAY
CHP/INDEX
SYSTEM
STANDBY
SOURCE
$
PAUSE
TV
THEATER
ENTER
–
POWER
%
$
STOP
–
+
VOLUME
EFFECT
RECALL
0
CHANNEL + / –
–
DISC
6CH INPUT
MENU
– CHAPTER +
!
REC
/
10KEY DSP
MENU CURSOR /
ENTER
SOUND
!
5
■ D-TV
SYSTEM
POWER
MENU
SEARCH
%
1~9
DISC
DISC
TITLE
PLAY
PAUSE
STOP
+
VOLUME
EFFECT
–
SELECT
10 or 0
+
DISPLAY
6.1/ES
10
A / B / C / D / E PRESET
+
%
POWER
MOVIE
MOVIE
THEATER 1 THEATER 2
CHP/INDEX
%
SOURCE
DISPLAY
MENU
SOUND
– CHAPTER +
SEARCH
%
POWER
1~9
VOLUME
EFFECT
–
DISPLAY
6.1/ES
10
A / B / C / D / E PRESET
+
%
SOUND
MOVIE
MOVIE
THEATER 1 THEATER 2
CHP/INDEX
%
SOURCE
SOUND
– CHAPTER +
SEARCH
%
SEARCH
POWER
STOP
MENU
%
DISPLAY
PHONO
6CH INPUT
%
%
%
%
SOURCE
DISPLAY
■ CBSAT
SYSTEM
SYSTEM
POWER
+
VOLUME
EFFECT
–
(*2)
(*1) TV VOL, TV INPUT, TV MUTE function if you have setup the manufacturer code
for the D-TV Area.
(*1) TV VOL, TV INPUT, TV MUTE fonctionnent si vous avez réglé le code du
fabricant pour la zone D-TV.
(*1) TV VOL, TV INPUT und TV MUTE-Funktion, wenn Sie den Herstellercode für
den D-TV-Bereich eingestellt haben.
(*1) TV VOL, TV INPUT och TV MUTE om du har programmerat tillverkarkoden för
D-TV-området.
(*1) Funzioni TV VOL, TV INPUT, TV MUTE se avete impostato il codice del
fabbricante per l’area D-TV.
(*1) Funciones TV VOL, TV INPUT y TV MUTE si ha preparado el código del
fabricante para el área D-TV.
(*1) TV VOL, TV INPUT, TV MUTE functie als u de fabrikantencode voor de D-TV set
heeft ingevoerd.
(*1)ƒp“G–z⁄w‚g‹D-TV ˇ ‡]'w Dfia‰s‰X¡A«h
TV VOL¡BTV INPUT¡BTV MUTE
¥¥\fl ¥i¥H¤ˇ¥˛¡C
1~9
(*2) You can control your VCR if you have setup the code for VCR 1.
(*2) Vous pouvez commander votre magnétoscope si vous avez réglé le code pour VCR 1.
(*2) Sie können Ihren Videorecorder steuern, wenn Sie den Code für VCR 1 eingestellt
10 or 0
haben.
(*2) Du kan styra videon om du har programmerat tillverkarkoden för VCR 1.
CHANNEL + / –
(*2) Se si è impostato il codice per VCR 1, si può controllare il proprio VCR.
(*2) Podrá controlar su videograbadora si ha preparado el código para VCR 1.
(*2) U kunt uw eigen videorecorder bedienen als u de code voor VCR 1 heeft ingevoerd.
(*2)ƒp“G–z⁄w‚g‹VCR 1‡]'w‰s‰X¡A«h–z¥i¥H––¤
VCR¡C
V483210