Casio Musical Instrument 575E1A User manual

Casio Musical Instrument 575E1A User manual
E
USER’S GUIDE
PX410/575E1A
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
IMPORTANT SAFETY INSTRUCTIONS
1.
2.
3.
4.
5.
6.
7.
8.
9.
Read these instructions.
Keep these instructions.
Heed all warnings.
Follow all instructions.
Do not use this apparatus near water.
Clean only with dry cloth.
Do not block any ventilation openings. Install in accordance with the manufacturer’s instructions.
Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.
Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type
plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your
outlet, consult an electrician for replacement of the obsolete outlet.
10. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.
11. Only use attachments/accessories specified by the manufacturer.
12. Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used,
use caution when moving the cart/apparatus combination to avoid injury from tip-over.
13. Unplug this apparatus during lightning storms or when unused for long periods of time.
14. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or
plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate
normally, or has been dropped.
The apparatus shall not be exposed to dripping or splashing and that no objects filled with liquids, such as vases, shall be placed on the apparatus.
GUIDELINES LAID DOWN BY FCC RULES FOR USE OF THE UNIT IN THE U.S.A. (not applicable to other areas).
NOTICE
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed
to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency
energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no
guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can
be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
• Consult the dealer or an experienced radio/TV technician for help.
FCC WARNING
Changes or modifications not expressly approved by the party responsible for compliance could void the user’s authority to operate the equipment.
Declaration of Conformity
Model Number: PX-410R/PX-575R
Trade Name: CASIO COMPUTER CO., LTD.
Responsible party: CASIO, INC.
Address: 570 MT. PLEASANT AVENUE, DOVER, NEW JERSEY 07801
Telephone number: 973-361-5400
This device complies with Part 15 of the FCC Rules, Operation is subject to the following two conditions:
(1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired
operation.
IMPORTANT!
Please note the following important information before using this product.
• Before using the AD-12 Adaptor to power the unit, be sure to check the AC Adaptor for any damage first.
Carefully check the power cord for breakage, cuts, exposed wire and other serious damage. Never let children
use an AC adaptor that is seriously damaged.
• The product is not intended for children under 3 years.
• Use only CASIO AD-12 adaptor.
• The AC adaptor is not a toy.
• Be sure to disconnect the AC adaptor before cleaning the product.
This mark applies in EU countries only.
CASIO Europe GmbH
Bornbarch 10, 22848 Norderstedt, Germany
Safety Precautions
Congratulations on your selection of the CASIO
electronic musical instrument.
• Before using the instrument, be sure to carefully
read through the instructions contained in this
manual.
• Be sure to keep all user documentation handy for
future reference.
Symbols
Various symbols are used in this user’s guide and on
the product itself to ensure that the product is used
safely and correctly, and to prevent injury to the user
and other persons as well as damage to property.
Those symbols along with their meanings are shown
below.
DANGER
This symbol indicates information that, if ignored
or applied incorrectly, creates the danger of death
or serious personal injury.
Symbol Examples
This triangle symbol ( ) means that the
user should be careful. (The example at
left indicates electrical shock caution.)
This circle with a line through it ( )
means that the indicated action must not
be performed. Indications within or
nearby this symbol are specifically
prohibited. (The example at left indicates
that disassembly is prohibited.)
The black dot ( ) means that the
indicated action must be performed.
Indications within this symbol are actions
that are specifically instructed to be
performed. (The example at left indicates
that the power plug must be unplugged
from the electrical socket.)
WARNING
This indication stipulates matters that have the risk
of causing death or serious injury if the product is
operated incorrectly while ignoring this indication.
CAUTION
This indication stipulates matters that have the risk
of causing injury as well as matters for which there
is the likelihood of occurrence of physical damage
only if the product is operated incorrectly while
ignoring this indication.
E-1
Safety Precautions
WARNING
Smoke, Strange Odor, Overheating
Continued use of the product while it is
emitting smoke, a strange odor, or heat
creates the risk of fire and electric shock.
Take the following steps immediately.
1. Turn off power.
2. If you are using the AC adaptor for
power, unplug it from the wall outlet.
3. Contact your original retailer or an
authorized CASIO Service Provider.
AC Adaptor
● Misuse of the AC adaptor creates the
risk of fire and electric shock. Always
make sure you observe the following
precautions.
• Be sure to use only the AC adaptor
that is specified for this product.
• Use only a power source whose
voltage is the within the rating marked
on the AC adaptor.
• Do not overload electrical outlets and
extension cords.
● Misuse of the AC adaptor’s electric cord
can damage or break it, creating the risk
of fire and electric shock. Always make
sure you observe the following
precautions.
• Never place heavy objects on the cord
or subject it to heat.
• Never try to modify the cord or subject
it to excessive bending.
• Never twist or stretch the cord.
• Should the electric cord or plug
become damaged, contact your
original retailer or authorized CASIO
Service Provider.
● Never touch the AC adaptor while your
hands are wet.
Doing so creates the risk of electric shock.
● Use the AC adaptor where it will not be
splashed with water. Water creates the
risk of fire and electric shock.
● Do not place a vase or any other container
filled with liquid on top of the AC
adaptor. Water creates the risk of fire
and electric shock.
E-2
Do not incinerate the product.
Never throw the product into fire.
Doing so can cause it to explode, creating
the risk of fire and personal injury.
Water and Foreign Matter
Water, other liquids, and foreign matter
(such as pieces of metal) getting into the
product create the risk of fire and electric
shock. Take the following steps
immediately.
1. Turn off power.
2. If you are using the AC adaptor for
power, unplug it from the wall outlet.
3. Contact your original retailer or an
authorized CASIO Service Provider.
Disassembly and Modification
Never try to take this product apart or
modify it in any way. Doing so creates the
risk of electric shock, burn injury, or other
personal injury. Leave all internal
inspection, adjustment, and maintenance up
to your original retailer or authorized
CASIO Service Provider.
Dropping and Impact
Continued use of this product after it has
been damaged by dropping or subjecting it
to strong impact creates the risk of fire and
electric shock. Take the following steps
immediately.
1. Turn off power.
2. If you are using the AC adaptor for
power, unplug it from the wall outlet.
3. Contact your original retailer or an
authorized CASIO Service Provider.
Plastic Bags
Never place the plastic bag the product
comes in over your head or in your mouth.
Doing so creates the risk of suffocation.
Particular care concerning this precaution
is required where small children are
present.
Never climb onto the product or stand.*1
Never climb onto the product or hang from
its edges. Doing so can cause the product
to fall over, creating the risk of personal
injury. Special care concerning this point is
required in households where there are
small children.
Safety Precautions
Do not locate the product on an unstable surface.
Never locate the product on a surface that
is wobbly, tilted, or otherwise unstable*2.
An unstable surface can cause the product
to fall over, creating the risk of personal
injury.
Always make sure you secure the product
to the stand with the screws that are
provided. An unsecured product can fall
from the stand, creating the risk of personal
injury.
CAUTION
AC Adaptor
● Misuse of the AC adaptor creates the
risk of fire and electric shock. Always
make sure you observe the following
precautions.
• Do not locate the electric cord near a
stove or other sources of heat.
• Never pull on the cord when
unplugging from the electrical outlet.
Always grasp the AC adaptor when
unplugging.
● Misuse of the AC adaptor creates the
risk of fire and electric shock. Always
make sure you observe the following
precautions.
• Insert the AC adaptor into the wall
outlet as far as it will go.
• Unplug the AC adaptor from the wall
outlet during lightening storms or
before leaving on a trip or other longterm absence.
• At least once a year, unplug the AC
adaptor from the wall outlet and wipe
away any dust that is built up in the
area around the prongs of the plug.
Relocating the Product
Before relocating the product, always
unplug the AC adaptor from the wall outlet
and disconnect all other cables and
connecting cords. Leaving cords connected
creates the risk of damage to the cords, fire,
and electric shock.
Cleaning
Before cleaning the product, always unplug
the AC adaptor from the wall outlet first.
Leaving the AC adaptor plugged in creates
the risk of damage to the AC adaptor, fire,
and electric shock.
Connectors
Connect only the specified devices and
equipment to the product’s connectors.
Connection of a non-specified device or
equipment creates the risk of fire and
electric shock.
E-3
Safety Precautions
Location
Avoid the following locations for this
product. Such locations create the risk of
fire and electric shock.
• Areas subject to high humidity or large
amounts of dust.
• In food preparation areas or other areas
subject to oil smoke.
• Near air conditioning equipment, on a
heated carpet, in areas exposed to direct
sunlight, inside of a vehicle parked in
the sun, or any other area that subjects
the product to high temperatures.
Display Screen
• Never push on the display screen’s LCD
panel or subject it to strong impact. Doing
so can cause the LCD panel’s glass to
crack, creating the risk of personal injury.
• Should the LCD panel ever crack or
break, never touch the liquid inside of
the panel. LCD panel liquid can cause
skin irritation.
• Should LCD panel liquid ever get inside
your mouth, immediately wash out your
mouth with water and contact your
physician.
• Should LCD panel liquid ever get into
your eyes or onto your skin, rinse with
clear water for at least 15 minutes, and
then contact a physician.
Correct Stand*1 Assembly
Failure to do so can cause the stand to fall
over and the digital piano to fall from the
stand, creating the risk of personal injury.
Make sure you assemble the stand in
accordance with the instructions that come
with it, and ensure that all connections are
secure. Also make sure that you choose an
appropriate location for the stand.
• When placing the digital piano onto the
stand, take care that you do not pinch
your fingers between the digital piano
and the stand.
• At least two people should lift the digital
piano when placing it onto the stand or
moving it. Trying to move the digital
piano alone can cause the stand to fall
over, creating the risk of personal injury.
• Do not drag the stand or tilt it forward
or back when placing the digital piano
onto the stand or moving it. Doing so
can cause the digital piano to fall over,
creating the risk of personal injury.
• Periodically check the screws that secure
the digital piano to the stand for
looseness. If a screw is loose, retighten it.
Loose screws can cause the stand to tip
over and the digital piano to fall, creating
the risk of personal injury.
*1 Stand is available as an option.
Sound Volume
Do not listen to music at very loud volumes
for long periods. Particular care concerning
this precaution is required when using
headphones. High volume settings can
damage your hearing.
Heavy Objects
Never place heavy object on top of the
product.
Doing so can make the product top heavy,
causing the product to tip over or the object
to fall from it, creating the risk of personal
injury.
E-4
*2 Avoid areas where there are multiple layers of
carpeting, and where cables are running under
the product.
Introduction
Congratulations upon your selection of this CASIO musical instrument. This digital piano provides you with the following
features and functions.
❐ 620 Tones Include Rich Advanced Tones
A total of 400 Advanced Tones are programmed with DSP tones to make them richer and more powerful. Advanced tones like
Stereo Piano and Tremolo Electric Piano enhance the Piano and Electric Piano tones to create a totally new sound.
❐ 50 Drawbar Organ Tones
In addition to the 620 standards tones, the digital piano also includes 50 realistic drawbar organ tones. Drawbar organ tones can
be controlled using nine digital drawbars. You can also select percussion or key click, and even edit the parameters of preset tone
and save up to 100 original tones in user tone memory.
❐ Flash Memory
Built-in Flash memory lets you expand your selection of tones and rhythms by downloading data from the CASIO MUSIC SITE,
or by the CD-ROM that comes bundled with the digital piano. You can also store up to 200 SMF format music files for playback.
❐ PIANO SETTING Button
The press of a button optimizes the keyboard setup for piano play.
❐ 166 Preset Rhythms + 16 User Rhythms
A selection of 166 rhythms includes accompaniments for everything from rock to pops and jazz.
You can also transfer accompaniment data from your computer and store up to 16 of them as user rhythms in digital piano
memory.
❐ Auto Accompaniment
Simply play a chord and the corresponding rhythm, bass and chord parts play automatically. One-touch Preset instantly recalls
the most suitable tone and tempo settings to match the rhythm you are using.
❐ Big, Information-packed Display
A big built-in display shows chord names, tempo setting, keyboard information, staff notation of notes played, and more for full
support of all your keyboard play. A built-in backlight keeps the display easy to read, even in total darkness.
❐ Song Memory
Record up to six parts in memory, along with their tone, volume, pan position, and other parameters for later playback. Realistic
ensemble play can also be created using the Auto Accompaniment function.
❐ Synthesizer Mode
Edit built-in sounds to produce your own original creations. Up to 120 of your own sounds can be stored in memory for recall,
just like the built-in tones.
❐ General MIDI compatibility
The General MIDI tones of this digital piano let you connect to a personal computer to enjoy “desktop music” capabilities. This
digital piano can be used as a desktop music input device or sound source, and it's just the thing for playback of commercially
available pre-recorded General MIDI music software.
❐ Powerful effects
A collection of powerful effects, such as DSP, reverb, chorus, and more, give you total control over the type of sound you want.
You can even change the parameters of an effect to create your own, original effects. A 4-band equalizer is also included.
E-5
Introduction
❐ USB port
A USB port provides quick and easy connection to a computer.*
* Note that you will need a commercially available USB cable (A-B type) to connect to a computer using the USB port.
❐ Mixer
You can specify tone, volume, pan position, and other parameters for each built-in Auto Accompaniment part. You can also
control the same parameters for each channel during MIDI input.
❐ Registration Memory
Digital piano setups can be stored in memory for later recall and instant settings whenever you need them. Up to 32 setups (4
setups × 8 banks) can be stored in registration memory.
❐ Data download from your computer (Internet Data Expansion System)
You can use your computer to download data from the CASIO MUSIC SITE.
❐ SD Memory Card Slot
A built-in SD memory card slot helps to simplify transfer of data from a computer and lets you store volumes of data for later
recall when you need it. You can also load a card with a standard MIDI file (SMF) and play it back on the digital piano.
Using the Separate Appendix
Whenever you see the symbol Appendix in this manual, it means you should refer
to the separate Appendix.
The letters A through H indicate the section of the Appendix to which you should
refer.
E-6
Contents
Safety Precautions ................ E-1
Introduction ........................... E-5
General Guide ...................... E-10
Attaching the Score Stand ..................... E-11
Using the Drawbar Organ
Mode ..................................... E-21
To select a drawbar organ tone .............. E-22
To edit a drawbar organ tone ................. E-22
Parameter Details .................................. E-23
To save an edited drawbar organ tone ... E-24
Playing a Demo Tune ............................. E-12
Applying Effects to Tones .... E-25
Power Supply ...................... E-14
Using the AC Adaptor ............................. E-14
Turning Off the Digital Piano .................. E-14
Memory Contents ................................... E-14
Connections ........................ E-16
Effect Blocks .......................................... E-25
Selecting a DSP Type ............................ E-26
About the DSP Button ............................ E-27
Selecting REVERB ................................ E-27
Selecting CHORUS ................................ E-28
Using the Equalizer ................................ E-29
Connecting Headphones ....................... E-16
Connecting to a PEDAL Jack ................. E-16
Using the Microphone Input Jack ........... E-17
Basic Operations ................. E-18
Auto Accompaniment ......... E-30
About the MODE Button ........................ E-30
Selecting a Rhythm ................................ E-30
Playing a Rhythm ................................... E-31
Getting Ready ........................................ E-18
Adjusting the Tempo ............................... E-31
Selecting a Tone by Tone Name ............ E-18
Using Auto Accompaniment ................... E-31
Selecting a Tone by Tone Number ......... E-18
Using an Intro Pattern ............................ E-34
PIANO SETTING Button ........................ E-20
Using a Fill-in Pattern ............................. E-34
Using the PITCH BEND Wheel .............. E-20
Using a Rhythm Variation ....................... E-35
Synchro Starting Accompaniment with
Rhythm Play ........................................... E-35
Finishing with an Ending Pattern ........... E-35
Using One-touch Preset ......................... E-36
Using Auto Harmonize ........................... E-36
E-7
Contents
Adjusting the Accompaniment Volume ... E-37
Using the Metronome ............................. E-38
Correcting Mistakes While
Step Recording ...................................... E-59
Editing Memory Contents ....................... E-60
Mixer Function ..................... E-39
Editing a Song ........................................ E-62
What you can do with the Mixer ............. E-39
Turning Channels On and Off ................ E-39
Using the Parameter Edit Mode ............. E-40
How Parameters Work ........................... E-41
Digital Piano Settings ......... E-63
Using Layer ............................................ E-63
Using Split .............................................. E-64
Using Layer and Split Together .............. E-65
Synthesizer Mode ................ E-43
Transposing the Digital Piano ................ E-66
Synthesizer Mode Functions .................. E-43
Using Touch Response .......................... E-66
Creating a User Tone ............................. E-46
Tuning the Digital Piano ......................... E-67
Storing a User Tone In Memory ............. E-48
Changing Other Settings ........................ E-68
Registration Memory .......... E-49
Using the SMF Player ......... E-72
Registration Memory Features ............... E-49
Playing Back an SMF ............................. E-74
To Save a Setup in Registration
Memory .................................................. E-50
Configuring Other Settings ..................... E-75
To Recall a Setup from Registration
Memory .................................................. E-50
Song Memory Function ...... E-51
Connection to a
Computer ............................. E-77
General MIDI .......................................... E-78
MIDI Settings ......................................... E-78
Tracks .................................................... E-51
Internet Data Expansion System ........... E-79
Basic Song Memory operations ............. E-51
Using Real-time Recording .................... E-52
Playing Back from Song Memory ........... E-54
Recording Melody and Chords with
Step Recording ...................................... E-54
Recording Multiple Tracks ...................... E-57
E-8
Contents
Saving Data .......................... E-80
Using an SD Memory Card .................... E-81
Basic Memory Card Operation ............... E-82
Saving Files ........................................... E-83
Loading a File ........................................ E-84
Renaming a File ..................................... E-85
Deleting a File ........................................ E-86
Formatting an SD Memory Card ............ E-86
Inputting Characters ............................... E-87
SD Memory Card Error Messages ......... E-88
Troubleshooting .................. E-89
Specifications ...................... E-92
Care of your Instrument ..... E-95
MIDI messages that can be sent
and received using the USB port
Company and product names used in this
manual may be registered trademarks of
others.
E-9
General Guide
1
2
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A
B
8
C
D
J
KL
E F
G
H I
*1
a
J
*2
M
O
E-10
9 0
N
P
X
Q
b
R
c
Y Z [
S
*3
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V W
^
General Guide
NOTE
• This digital piano has two different types of tone buttons: a TONE button next to the RHYTHM button for selecting a tone by
tone number, and eight TONE name buttons for selecting a tone by tone name. In this manual, the TONE button next to the
DEMO button is indicated as <TONE>.
1 MIC ECHO button
L CHORD root names
2 MIC VOLUME knob
M Percussion instrument list
3 SONG MEMORY button
N Chord types name
4 TRANSPOSE/FUNCTION button
O POWER button
5 MIXER button
P MAIN VOLUME knob
6 SYNTH button
Q MODE button
7 EFFECT button
R INTRO/ENDING 1/2 buttons
8 Display
S VARIATION/FILL-IN 1/2 buttons
9 RHYTHM button
T SYNCHRO/FILL-IN NEXT button
0 TONE button
U START/STOP button
A ONE TOUCH PRESET button
V TEMPO buttons
B ACCOMP VOLUME button
W METRONOME button
C DATA ACCESS lamp
X SONG MEMORY TRACK buttons
a) BANK button
b) REGISTRATION buttons
c) STORE button
D SMF PLAYER button
E PIANO SETTING button
F DRAWBAR ORGAN button
G DSP button
H EXIT button
I [왖]/[왔]/[왗]/[왘] CURSOR buttons
J Speaker
K PITCH BEND wheel
Y AUTO HARMONIZE button
Z SPLIT button
[ LAYER button
\ CARD button
] DEMO button*4
_ <TONE> buttons
*1: Attaching the Score Stand
Insert the score stand into the slot at the top
of the digital piano as shown in the
illustration.
E-11
General Guide
*2
a Number buttons
b [+]/[–] buttons
(YES/NO)
• For input of numbers to
change displayed settings.
• Negative values can be
changed only by using [+]
and [–] to increment and
decrement the displayed
value.
*3
c
c SD memory card slot
*4: Playing a Demo Tune
Pressing the DEMO button starts demo tune play. There are 3 demo tunes, which continuously play in sequence. To stop demo
tune play, press either the DEMO button or the START/STOP button.
NOTE
• Pressing the [+]/[–] buttons skips to the next demo tune.
• The PIANO SETTING button, Layer, and Split are disabled while a demo tune is playing.
Left Side Panel
d DC 12V jack
e MIC IN jack
f PHONES jacks
d
E-12
e
f
General Guide
Bottom
g
g PEDAL connector
Rear Panel
h USB port
i DAMPER PEDAL jack
j SOFT/SOSTENUTO PEDAL jack
h
i
j
NOTE
• Display examples shown in this User’s Guide are intended for illustrative purposes only. The actual text and values that
appear on the display may differ from the examples shown in this User’s Guide.
• Due to LCD element characteristics, display contrast changes depending on the angle from which you view it. The initial
default contrast setting is one that allows easy viewing for a musician seated directly in front of the display. You can also
adjust the contrast to the level that suits your particular needs. For more information, see page E-71.
E-13
Power Supply
You can power this digital piano by plugging it into a
standard household power outlet.
Be sure you turn off power and unplug the power cord from
the electrical outlet whenever the digital piano is not in use.
Using the AC Adaptor
Make sure that you use only the AC adaptor specified for
this digital piano.
Specified AC Adaptor: AD-12
[Left Side Panel]
Turning Off the Digital Piano
• Be sure to press the POWER button to turn off power and
make sure that the LCD backlight is off before disconnecting
the AC adaptor or doing anything else.
• Never disconnect the AC adaptor while the digital piano is
turned on or try to turn off power using any other technique
besides pressing the POWER button. Doing so can cause
the contents of the digital piano’s Flash memory to become
corrupted. Strange digital piano operation and abnormal
startup when power is turned on are symptoms of
corrupted Flash memory contents. See “Troubleshooting”
on page E-89 for more information.
IMPORTANT!
DC 12V jack
AC adaptor AD-12
AC outlet
• While the following message is on the display, never
turn off the digital piano by pressing the POWER button,
disconnecting the AC adaptor, etc.
(message) “Pls Wait” or “Bulk In”
Turning off the digital piano while the above message is
on the display can cause user data (user tones, song
memory data, etc.) currently stored in digital piano
memory or on SD memory cards to become corrupted.
Once corrupted, you may not be able to recall the data
again.
Note the following important precautions to avoid damage
to the power cord.
● During Use
•
•
•
•
Never pull on the cord with excessive force.
Never repeatedly pull on the cord.
Never twist the cord at the base of the plug or connector.
The power cord should not be stretched tight while it is in
use.
● During Movement
• Before moving the digital piano, be sure to unplug the AC
adaptor from the power outlet.
● During Storage
• Loop and bundle the power cord, but never wind it around
the AC adaptor.
IMPORTANT!
• Make sure that the digital piano is turned off before
connecting or disconnecting the AC adaptor.
• Using the AC adaptor for a long time can cause it to
become warm to the touch. This is normal and does not
indicate malfunction.
E-14
Memory Contents
Settings
Tone, rhythm, and other “main digital piano settings” in effect
when you turn off the digital piano manually by pressing
POWER button are still in effect the next time you turn power
back on.
Main Digital Piano Settings
Tone number, layer, split, split point, drawbar organ tone
settings, transpose, tuning, and contrast settings, touch
response, reverb, chorus, DSP, equalizer, rhythm number,
tempo, keyboard channel, MIDI In Chord Judge on/off,
accomp MIDI out on/off, soft/sostenuto pedal jack
setting, accompaniment volume, user area tones
(Synthesizer Mode), user area accompaniments, user
DSP area, pitch bend range, Auto Harmonize on/off,
Auto Harmonize type, Mixer hold, DSP hold, Auto
Accompaniment mode, all Mixer parameters, all
Synthesizer Mode parameters, Song Memory song
numbers, SMF player settings (play mode, manual play
part, SMF playback volume), microphone echo on/off
Power Supply
Memory Contents
In addition to the above settings, data stored in the
Registration Mode and Song Memory Mode is also retained
when digital piano power is turned off.
Saving Setups and Memory Contents
About Flash memory
Your digital piano comes with built-in Flash memory, which
can continue to hold data even when electrical power is totally
cut off. Flash memory retains data even when you unplug
the AC adaptor, leaving the digital piano without power. You
will be able to recall data after plugging the AC adaptor back
in and turning on power.
• SD Memory Card
See “Using an SD Memory Card” on page E-81.
• Computer hard disk
See “Connection to a Computer” on page E-77.
Initializing the Digital Piano
Initialization can be used to return digital piano parameters
to their initial factory default settings, or to delete all data
currently in digital piano memory. See page E-71 for more
information about initialization.
Returning the digital piano to its initial factory defaults
You can use the CD-ROM that comes with the digital piano
and your computer to return the digital piano’s flash memory
and all of its parameters to their initial factory default settings.
See “Bundled CD-ROM Data” on page E-79 for details.
E-15
Connections
[Back Panel]
IMPORTANT!
• Whenever connecting external equipment, first set the
MAIN VOLUME knob of the digital piano and the volume
controller of the external equipment to relatively low
volume settings. You can later adjust volume to the level
you want after connections are complete.
• Be sure also to refer to the documentation that comes
with the external equipment for its proper connection
procedures.
PEDAL jacks
Connecting Headphones
Connect commercially available headphones to the digital
piano’s PHONES jacks. This cuts off the built-in speakers,
which means you can practice even late at night without
disturbing others. To protect your hearing, make sure that
you do not set the volume level too high when using
headphones.
[Left Side Panel]
PHONES jacks
SP-3
Pedal functions
• Damper Pedal
Pressing the damper pedal while playing will cause the
notes you play to reverberate for a very long time. When
your selected tone has the DSP 099 (Acoustic Resonance)
effect applied, using this pedal causes note to reverberate
just like the pedal on an acoustic grand piano.
• Soft Pedal
Pressing this pedal while playing weakens notes played
on the keyboard after the pedal was pressed, and makes
them sound softer.
• Sostenuto Pedal
Headphones
Connecting to a PEDAL Jack
Depending on the type of operation you want the pedal (SP3) to perform, connect the pedal’s cable to the digital piano’s
DAMPER PEDAL jack or SOFT/SOSTENUTO PEDAL jack.
If you want to use both jacks at the same time, you need to
purchase another optionally available pedal.
Only the notes of the keys that are depressed when this
pedal is pressed are sustained until the pedal is released.
Selecting the Pedal Function
A pedal connected to the piano’s SOFT/SOSTENUTO PEDAL
jack can operate as either a soft pedal or a sostenuto pedal.
When you turn on the digital piano, the pedal is initially
configured for soft pedal operation. For information about
configuring settings, see “Changing Other Settings” on page
E-68.
Adjusting the Effect Applied when
the Damper Pedal is Pressed Half
Way (With optional SP-30 only)
You can specify to what extent the damper effect should be
applied when you press the damper pedal half way. For
information about configuring settings, see “Changing Other
Settings” on page E-68.
E-16
Connections
IMPORTANT!
PEDAL connector
You can connect the optionally available Pedal Unit (SP-30)
to the PEDAL connector. You can then use the pedals for
expression that is similar to that available on an acoustic
piano.
• Be sure to use the microphone’s ON/OFF switch to turn
off the microphone and to disconnect the microphone
from the digital piano whenever you are not using it.
Recommended Microphone Type
[Bottom]
• Dynamic microphone (standard plug)
PEDAL connector
Howling (Feedback Noise)
Any of the following conditions can cause howling (feedback
noise).
• Covering the head of the microphone with your hand
• Positioning the microphone too near to a speaker
Should howling occur, try grasping the microphone further
away from the head, and move away from any nearby
speaker.
Using the Microphone Input Jack
You can use the MIC IN jack to connect a commercially
available microphone and sing along as you play.
NOTE
• When connecting a microphone, be sure to first adjust
the MIC VOLUME to a relatively low setting, and then
adjust to the level you want after connecting.
1
2
3
Set the MIC VOLUME knob setting so it is on the
“MIN” side.
Static Noise
Fluorescent lighting can cause static noise in the microphone
signal. When this happens, move away from the lighting you
suspect may be causing the static.
To turn on microphone echo
1
Press the MIC ECHO button to toggle echo on and
off.
• The MIC ECHO lamp turns on when microphone echo
is turned on.
Turn on the microphone’s ON/OFF switch.
Use the MIC VOLUME knob to adjust microphone
volume to the level you want.
[Left Side Panel]
Microphone ON/OFF switch
Microphone
MIC IN jack
MIC VOLUME knob
Accessories and Options
Use only the accessories and options specified for this
digital piano. Use of non-authorized items creates the
danger of fire, electrical shock, and personal injury.
E-17
Basic Operations
TONE
PITCH BEND
wheel
Number buttons
[+]/[–]
MAIN VOLUME
PIANO SETTING
<TONE>
POWER
Getting Ready
Selecting a Tone by Tone Number
1
2
You can input a three-digit number to specify any one of 744
different tones.
• See the separate “ Appendix A” for a complete list of tones
and their tone names.
Press the POWER button.
Use the MAIN VOLUME knob to adjust overall
digital piano volume.
• Before playing, it is a good idea to set the volume to a
relatively low level.
Selecting a Tone by Tone Name
1
Press the <TONE> button for the type of tone you
want to select.
Example: Press the ORGAN button to display the first
tone in the organ tone group.
2
3
“Advanced Tones” are variations of standard tones, which
are created by programming in effects (DSP) and other
settings.
For details about drawbar organ tones, see “Using the
Drawbar Organ Mode” on page E-21.
Tone Types
Standard Tones: 620 Preset Tones + 124 User Tones
Number
Number
of Tones
000 - 399
400
Advanced Tones
On
400 - 599
200
Preset Tones
Off
Tone Type
DSP Line
On/Off*1
600 - 619
20
Drum Sets
Try playing something on the keyboard.
700 - 799
100
User Tones*2
On/Off*3
• This will play the tone whose name is on the display.
800 - 819
20
User Tones with Waves*4
On/Off*3
Use the [+] and [–] buttons to scroll through the
tone names on the display.
900 - 903
4
User Drum Sets with
Waves*4
On/Off*5
• See the separate “ Appendix A” for the sequence that
the tones appear when scrolled.
Drawbar Organ Tones: 50 Preset Tones + 100 User Tones
Number
E-18
Off
Number
of Tones
Tone Type
DSP Line
On/Off*1
000 - 049
50
Preset Tones
On/Off*5
100 - 199
100
User Tones*6
On/Off*3
Basic Operations
*1: See “Changing Tones and Configuring DSP Effect
Settings” on page E-19.
*2: Memory area for tones created by you. See “Synthesizer
Mode” on page E-43. User tone areas 700 through 799
initially contain the same data as advanced tones 000
through 099.
*3: Depends on source tone or user setting. See “Synthesizer
Mode” on page E-43 for more information.
*4: Area for data transferred from a computer. See “Internet
Data Expansion System” on page E-79 for more
information. For information about waveforms, see
“Creating a User Tone” on page E-46.
*5: Depends on tone. This status can be checked by viewing
the DSP button. See “About the DSP Button” on page E27 for more information.
*6: Memory area for tones created by you. See “To edit a
drawbar organ tone” on page E-22. User drawbar organ
tone areas initially contain two sets of the same data as
drawbar organ tones types 000 through 049.
NOTE
• You cannot select tone numbers not included in the
above range (standard tones 620 through 699 and 820
through 899, and drawbar organ tones from 050 to 099).
When you use the [+] and [–] buttons to scroll through
tone numbers, scrolling jumps across the unused
numbers. Pressing [+] when 619 is selected, for
example, jumps to 700.
To select a tone
1
2
3
Find the tone you want to use in the tone list (the
separate Appendix A) and note its tone number.
Press the TONE button.
NOTE
• Always input all three digits for the tone number,
including leading zeros (if any).
• You can also increment the displayed tone number by
pressing [+] and decrement it by pressing [–].
• When one of the drum sets is selected (tone numbers
600 through 619), each keyboard key is assigned a
different percussion sound. See the separate Appendix
B for details.
Polyphony
The term polyphony refers to the maximum number of notes
you can play at the same time. The digital piano has 32-note
polyphony, which includes the notes you play as well as the
rhythms and auto-accompaniment patterns that are played
by the keyboard. This means that when a rhythm or autoaccompaniment pattern is being played by the digital piano,
the number of notes (polyphony) available for keyboard play
is reduced. Also note that some of the tones offer only 10note polyphony.
Changing Tones and Configuring
DSP Effect Settings
This digital piano has only a single DSP sound source. Because
of this, selecting tones for which DSP is enabled for multiple
parts when layering or splitting tones (pages E-63, 64) can
cause conflicts. To avoid conflicts, DSP is allocated to the last
DSP enabled tone, and DSP is disabled (DSP line OFF) for all
other parts.
DSP line is a parameter that controls whether or not the
currently selected DSP effect is applied to a part.* Each tone
has a DSP line parameter. Selecting a tone for a part applies
the tone’s DSP line parameter setting to all parts.
* The DSP line parameter is turned on (DSP effect is applied)
for the 400 Advanced Tones numbered 000 through 399,
and turned off (DSP effect not applied) for the 200 preset
tones from 400 to 599. For information about other tones,
see “Tone Types” on page E-18.
Use the number buttons to input the three digit tone
number for the tone you want to select.
Example: To select “432 GM ACOUSTIC BASS”, input
4, 3 and then 2.
432 Ac ou sBsG
E-19
Basic Operations
PIANO SETTING Button
Using the PITCH BEND Wheel
Pressing this button changes the setup of the digital piano to
optimize it for piano play.
As its name suggests, the PITCH BEND wheel lets you “bend”
the pitch of a sound. This makes it possible to add a touch of
realism to saxophone and other tones.
Settings
Tone Number: “000”
Rhythm Number: “140”
Accompaniment Mode: Normal
Layer: Off
Split: Off
Auto Harmonize: Off
Transpose: 0
Touch Response:
Off: Returns to initial default
On: No change
Soft/sostenuto pedal jack setting: Soft
Local Control: On
Mixer Channel 1 Parameter Setup: Depends on tone
To optimize digital piano settings for
piano play
1
2
Press the PIANO SETTING button.
Now try playing something on the keyboard.
• The notes you play will sound with a piano tone.
• If you want to play with rhythm accompaniment,
press the START/STOP button. This causes a rhythm
that is optimized for piano will start to play.
• To stop rhythm play, press the START/STOP button
again.
NOTE
• Pressing the PIANO SETTING button while a rhythm is
playing stops rhythm play and then changes the digital
piano setup.
• Pressing the PIANO SETTING button while the digital
piano is in the Synthesizer Mode or other mode exits
the current mode and then changes the digital piano
setup.
• The setup of the digital piano does not change if you
press the PIANO SETTING button when any one of the
following exists.
* During real-time recording, step recording, or while
using the editing function of the Song Memory
* While the data save or overwrite message is on the
display
* During demo tune play
E-20
To use the PITCH BEND wheel
1
While holding down a keyboard key with your right
hand, use your left hand to rotate the PITCH BEND
wheel up and down.
• Releasing the PITCH BEND wheel returns the note
to its original pitch.
NOTE
• With saxophone and electrical guitar tones, the most
realistic sounding effects can be produced if you play
notes and operate the PITCH BEND wheel
simultaneously.
• See “Pitch Bend Range (Initial Default: 12)” on page
E-71 for changing the bend range of the PITCH BEND
wheel.
• Never turn on digital piano power while the PITCH BEND
wheel is rotated.
Using the Drawbar Organ Mode
Your digital piano has built-in “drawbar organ tones” that can be altered using nine digital drawbars whose operations are
similar to the controls on a drawbar organ. You can also select percussion or key click. There is room in memory for storage of up
to 100 user-created drawbar tone variations.
Drawbar Organ Mode Operational Flow
Tone/Rhythm Selection Screeen*
DRAWBAR ORGAN button
EXIT button
Drawbar Organ Tone Selection Screen
[왘] CURSOR button
DRAWBAR ORGAN button
Drawbar Organ Tone Editing Screen
[왗] / [왘] CURSOR buttons
[왗] / [왘] CURSOR buttons
“More?” Screen
[왔] CURSOR button
[왖] CURSOR button
Synthesizer Editing Screen
[왔] CURSOR button
[왖] CURSOR button
DSP Effect Editing Screen
[왔] CURSOR button
[왖] CURSOR button
Name/Save Setting Screen
* You can also display the drawbar organ tone selection screen from the Song Memory Mode or SMF Playback Mode screen. In
this case, however, the Drawbar Organ Tone Editing Screen does not appear.
E-21
Using the Drawbar Organ Mode
CURSOR
Number buttons
[+]/[–]
DRAWBAR ORGAN
To select a drawbar organ tone
1
2
2
Find the drawbar organ tone you want to use in
the tone list (the separate Appendix A) and note
its tone number.
Use the [왗] and [왘] CURSOR buttons to display
the drawbar organ tone editing screen. Select the
parameter whose setting you want to change.
Example: Selecting the “Ft16’” parameter
Parameter Setting
Press the DRAWBAR ORGAN button.
3 F t 16 ’
• This causes the drawbar organ tone selection screen
to appear.
Tone Number
Tone Name
• There are a total of 13 parameters. You can use the
[왗] and [왘] CURSOR buttons to cycle through them.
See “Parameter Details” on page E-23 for more
information.
• While the “More?” screen is on the display, you can
advance to the synthesizer and DSP effect editing
screens by pressing the [왔] CURSOR button or the
[+] button.
000 D r awba r 1
3
Use the number buttons to input the three digit tone
number for the tone you want to select.
NOTE
• Always input all three digits for the tone number,
including leading zeros (if any).
• You can also increment the displayed tone number by
pressing [+] and decrement it by pressing [–].
• When using a drawbar organ tone, playing a note that
is outside the range of the tone you are using, the digital
piano automatically plays the same note in the nearest
octave that falls within the playable range.
To edit a drawbar organ tone
1
Select the drawbar organ tone (000 to 049, 100 to
199) you want to edit.
E-22
Parameter Name
3
Use the [왖] and [왔] CURSOR buttons or the [+]
and [–] buttons to change the setting of the currently
displayed parameter.
• You can also change a parameter setting by entering
a value with the number buttons.
• You can monitor the changes in a tone by playing
notes on the keyboard as you adjust parameter
settings.
NOTE
• Selecting a different tone after you edit parameters
replaces parameter settings with those of the newly
selected tone.
• If you have drawbar organ tones assigned to more than
one channel, changing the drawbar organ setting for one
of the channels causes the same setting to be applied
to all of the other channels as well.
• See “To save an edited drawbar organ tone” on page
E-24 for information about saving your edits.
Using the Drawbar Organ Mode
Editing Synthesizer Mode Parameters
and DSP Parameters of Drawbar Tones
As with standard (non-drawbar) tones, you can edit the
Synthesizer Mode parameters and DSP parameters of
drawbar organ tones. See “Drawbar Organ Mode Operational
Flow” on page E-21.
1
Use the [왗] and [왘] CURSOR buttons to display
“More?”, and then press the [왔] CURSOR button.
• This enters the Synthesizer Mode, which is indicated
by the indicator next to SYNTH on the display screen.
• For the remainder of this procedure, perform the steps
starting from step 3 under “Creating a User Tone” on
page E-46.
Percussion
This parameter lets you add percussion sound, which
provides modulation to sustained tones that you create. When
you hold down a key on the keyboard, the sound produced
decays until it is no longer audible. Pressing the key again
sounds the note again at a louder volume. Percussion has
“2nd Percussion” (2nd overtone pitch) and “3rd Percussion”
(3rd overtone pitch) settings, each of which can be turned on
or off.
You can also specify the percussion decay time, which controls
how long it takes for the percussion sound to decay.
Parameter Name
Parameter Display
Indication
2nd Percussion
Second
3rd Percussion
Third
Percussion
Decay Time
Decay
Parameter Details
The following provides details about the parameters you can
configure using the drawbar organ tone editing screen.
Settings
Off
On
000 to 127
Drawbar Position
This parameter defines the position of each drawbar, and the
volume of each overtone. The larger the value, the greater
the corresponding overtone’s volume.
Parameter Name
Parameter Display
Indication
Settings
Drawbar 16’
Ft 16’
0 to 3
Drawbar 5 1/3’
Ft 5 1/3’
0 to 3
Drawbar 8’
Ft 8’
0 to 3
Drawbar 4’
Ft 4’
0 to 3
Drawbar 2 2/3’
Ft 2 2/3’
0 to 3
Drawbar 2’
Ft 2’
0 to 3
Drawbar 1 3/5’
Ft 1 3/5’
0 to 3
Drawbar 1 1/3’
Ft 1 1/3’
0 to 3
Drawbar 1’
Ft 1’
0 to 3
(Ft: Feet)
Click
The parameter determines whether or not a key click is added
when a sustained tone configured using the drawbars is
played.
Parameter Name
Click
Parameter Display
Indication
Click
Settings
Off
On
E-23
Using the Drawbar Organ Mode
Display Contents in the Drawbar Organ Mode
In the Drawbar Organ Mode, the current status of the drawbar
positions, key click, and percussion parameters are indicated
on the display’s bar graph as shown in the illustrations below.
There is one line for each parameter, and the bottom segment
of the selected parameter line flashes.
The bottom segment of the bar graph column that represents
the currently selected parameter flashes to indicate that it is
selected.
None of the channel numbers (1 to 16) are displayed in the
drawbar organ tone mode and editing mode.
To save an edited drawbar organ
tone
1
2
3
Drawbar Position Graph
Setting Value
0
1
2
4
Off
On
Blink
On
5
Display
Percussion Decay Time Graph
Setting Value
Display
E-24
0-31
32-63
64-95
96-127
Use the [+] and [–] buttons or the number buttons
to select a tone number.
After the tone name is the way you want, press the
[왘] CURSOR button to store the tone.
• Use the [+] and [–] buttons to scroll through letters at
the current cursor location.
• Use the [왗] and [왘] CURSOR buttons to move the
cursor left and right.
• See the page E-87 for information about inputting text.
Click and Percussion On/Off Graph
Off
Press the [왔] CURSOR button three times to display
the screen for inputting a tone name and assigning
a tone number.
• You can select a tone number in the range of 100 to
199.
3
Display
Setting Value
After editing parameters, use the [왗] and [왘]
CURSOR buttons to display “More?”.
After everything is the way you want, press the [왔]
CURSOR button to store the tone.
• This will display a confirmation message asking
whether you really want to save the data. Press the
YES button to save the data.
• After the save operation is complete, the message
“Complete” appears and then the display returns to
the tone selection screen.
• To cancel save, press the EXIT button.
Applying Effects to Tones
This digital piano provides you with a selection of effects
that you can apply to tones.
The built-in effects include a wide variety of variations that
give you access to a selection of general digital effects.
Effect Blocks
The following shows how the effects of this digital piano are
organized.
REVERB
DSP button
CHORUS
Sound Source
16ch
EQUALIZER
off
on
DSP Line
DSP
DSP
DSP effects are applied to the connection between the sound
source and output. You can select distortion and modulation
effects. You can create DSP effect setups and also transfer
downloaded DSP data from your computer. The digital piano
has memory that lets you store up to 100 DSP effect setups.
See “Internet Data Expansion System” on page E-79 and
“Saving the Settings of DSP Parameters” on page E-27 for
more information.
REVERB
Reverb simulates the acoustics of specific types of
environments. You can choose from among 16 different reverb
effects, including “Room” and “Hall”.
Output
CHORUS
The chorus effect gives sound greater depth by causing it to
vibrate. You can choose from among 16 different chorus
effects, including “Chorus” and “Flanger”.
EQUALIZER
The equalizer is another type of effect that you can use to
make adjustments in tone quality. Frequencies are divided
among a number of bands, and raising and lowering the level
of each frequency band alters the sound.
You can reproduce the optimal acoustics for the type of music
you are playing (classics, for example) by selecting the
applicable equalizer setting.
E-25
Applying Effects to Tones
EFFECT
CURSOR
Number buttons
[+]/[–]
DSP
Selecting a DSP Type
In addition to the 100 built-in effect types, you can also edit
effect types to create your own and store them in user
memory. You can have up to 100 effect types in user memory
at one time. You can also select the DSP type of the last DSP
enabled tone that you used. This means you always have
access to the DSP type of Advanced Tones and tones you
download over the Internet. To select the DSP type of the last
DSP enabled tone that you used, select “Ton” in step 3 of the
procedure below.
Perform the following steps to select a DSP type.
PREPARATION
• When using a DSP effect, you should use the Mixer to
confirm that the DSP lines of the required parts are
turned on. See “Mixer Function” on page E-39 for more
information.
EXIT
Changing the Settings of DSP
Parameters
You can control the relative strength of a DSP and how it is
applied. See the following section titled “DSP Parameters”
for more information.
1
After selecting the DSP type you want, use the [왗]
and [왘] CURSOR buttons to display the parameter
whose setting you want to change.
• This displays the parameter setting screen.
2
Use the [+] and [–] buttons or the number buttons
to make the parameter setting you want.
• Pressing the [+] and [–] buttons at the same time
returns the parameter to its recommended setting.
3
Press the EFFECT or EXIT button.
• This exits the tone or rhythm setting screen.
1
2
Press the EFFECT button so the EFFECT indicator
appears on the display.
Press the [왘] CURSOR button.
• The DSP type setting screen (step 3) will appear
automatically about fives seconds after you press the
button.
3
Use the [+] and [–] buttons or number buttons to
select the type of DSP you want.
• See the separate Appendix E for information about
the DSP types that are available.
• Here you could also change the parameters of the
effect you selected, if you want. See “Changing the
Settings of DSP Parameters” for more information.
NOTE
• The DSP type display area shows the DSP number (000
to 199), or “Ton” (user tone created using DSP).
DSP Parameters
The following describes the parameters for each DSP.
DSP
■ Parameter 0 to 7
These parameters differ in accordance with the algorithm*
of the selected DSP type. For details, see the separate
Appendix E, and the “algorithmlist_e.pdf” file in the
“English” folder on the CD-ROM that comes with your
digital piano.
* Effector structure and operation type
■ DSP Reverb Send (Range: 000 to 127)
Specifies how much of the post-DSP sound should be sent
to reverb.
■ DSP Chorus Send (Range: 000 to 127)
Specifies how much of the post-DSP sound should be sent
to chorus.
E-26
Applying Effects to Tones
NOTE
• Whether or not an effect is applied to the parts that are
sounding also depends on Mixer Mode Reverb Send,
Chorus Send, and DSP on/off settings. See “Mixer
Function” on page E-39 for more information.
• Playing a demo tune (page E-12) automatically changes
the effect to the one that is assigned to the tune. You
cannot change or cancel a demo tune effect.
• Changing the effect setting while sound is being output
by the keyboard causes a slight break in the sound when
the effect changes.
• A number of tones, called “Advanced Tones”,
automatically turn on the DSP line for richer, higher
quality sound. If you assign an Advanced Tone to a
keyboard part (Channels 1 through 4), the DSP line turns
on automatically and the DSP selection changes in
accordance with the settings of the Advanced Tone. Also,
the Mixer Mode DSP line on/off setting for the keyboard
part to which the Advanced Tone is assigned is turned
on.*
* The Mixer DSP line setting is automatically turned off
for each part that does not have an Advanced Tone
assigned.
Because of this, DSP effects previously applied to
these parts are cancelled, which can make their tone
sound different. In this case, display the Mixer screen
and turn DSP back on.
Saving the Settings of DSP
Parameters
You can save up to 100 modified DSPs in the user area for
later recall when you need them.
4
After everything is the way you want, press the [왔]
CURSOR button to store the effect.
• This will display a confirmation message asking
whether you really want to save the data. Press the
YES button to save the data.
• The message “Complete” appears momentarily on the
display, followed by the tone or rhythm selection
screen.
About the DSP Button
Checking the DSP button will tell you whether or not DSP is
enabled for the tone that is currently selected for a part. The
DSP button will be lit for a tone that is DSP enabled (DSP line
ON), and unlit for a tone that is DSP disabled (DSP line OFF).
For example, when you move each part while using the split/
layer function, the DSP button lights or goes out in accordance
with that parts setting.
Pressing the DSP button toggles the tone of the part you are
currently playing on the keyboard between enabled (DSP line
ON) and disabled (DSP line OFF).
To turn DSP line on and off
1
Press the DSP button to toggle DSP line for the
currently selected part on and off.
Selecting REVERB
Perform the following steps to select REVERB.
1
NOTE
Press the EFFECT button so the EFFECT indicator
appears on the display.
• User DSP areas 100 through 199 initially contain the
same data as DSP types 000 through 099.
1
After making the DSP parameter settings you want,
press the [왔] CURSOR button.
• This causes the DSP number of the user area where
the DSP will be saved to flash on the display.
2
2
Press the [왔] CURSOR button once.
• This displays the reverb editing screen.
• The reverb type setting screen (step 4) will appear
automatically about fives seconds after you press the
button.
Use the [+] and [–] buttons or the number buttons
to select the user DSP area number where you
want to save the new DSP.
• You can select a user DSP area number in the range of
100 to 199 only.
3
Indicator
3
Press the [왘] CURSOR button.
After the user DSP area number you want is
selected, press the [왘] CURSOR button.
• Use the [+] and [–] buttons to scroll through letters at
the current cursor location.
• Use the [왗] and [왘] CURSOR buttons to move the
cursor left and right.
• See the page E-87 for information about inputting text.
E-27
Applying Effects to Tones
4
Use the [+] and [–] buttons or the number buttons
to scroll through the reverb types until the one you
want is displayed, or use the number buttons to
input the reverb number you want to select.
• See the separate Appendix F for information about
the reverb types that are available.
• Here you could also change the parameters of the
effect you selected, if you want. See “Changing the
Settings of REVERB Parameters” for more
information.
Changing the Settings of REVERB
Parameters
You can control the relative strength of a reverb and how it is
applied. See the following section titled “REVERB
Parameters” for more information.
1
3
Adjusts the damping of high frequency reverberation
(high sound). A smaller value damps high sounds,
creating a dark reverb. A larger value does not damp high
sounds, for a brighter reverb.
Delay Type (No. 6, 7, 14, 15)
■ Delay Level (Range: 000 to 127)
Specifies the size of the delay sound. A higher value
produces a larger delay sound.
■ Delay Feedback (Range: 000 to 127)
Adjusts delay repeat. A higher value produces a greater
number of repeats.
■ ER Level
Same as Reverb Type
After selecting the reverb type you want, use the
[왗] and [왘] CURSOR buttons to display the
parameter whose setting you want to change.
■ High Damp
• This displays the parameter setting screen.
Example: To set the Reverb Time parameter
NOTE
0 7 2 SR v
2
■ High Damp (Range: 000 to 127)
T i me
Same as Reverb Type
• Whether or not an effect is applied to the parts that are
sounding also depends on Mixer Mode Reverb Send,
Chorus Send, and DSP on/off settings. See “Mixer
Function” on page E-39 for more information.
Use the [+] and [–] buttons or the number buttons
to input the parameter setting you want.
Selecting CHORUS
Press the EFFECT or EXIT button.
Perform the following steps to select CHORUS.
• This returns to the tone or rhythm selection screen.
1
REVERB Parameters
2
Controls the reverb size. A larger number produces larger
reverb.
■ Reverb Time (Range: 000 to 127)
Controls how long reverb continues. A larger number
produces longer reverb.
■ ER Level (Initial Echo Sound) (Range: 000 to 127)
This parameter controls the initial reverb volume. The
initial echo sound is the first sound reflected from the
walls and ceiling when a sound is output by this digital
piano. A larger value specifies a larger echo sound.
E-28
Press the [왔] CURSOR button twice.
• This displays the chorus editing screen.
• The chorus type setting screen (step 4) will appear
automatically about fives seconds after you press the
button.
Reverb effects are associated with either a reverb type or delay
type. Parameter settings depend upon the associated type.
Reverb Type (No. 0 to 5, 8 to 13)
■ Reverb Level (Range: 000 to 127)
Press the EFFECT button so the EFFECT indicator
appears on the display.
3
4
Press the [왘] CURSOR button.
Use the [+] and [–] buttons or the number buttons
to scroll through the chorus types until the one you
want is displayed, or use the number buttons to
input the chorus number you want to select.
• See the separate Appendix G for information about
the chorus types that are available.
• Here you could also change the parameters of the
effect you selected, if you want. See “Changing the
Settings of CHORUS Parameters” for more
information.
Applying Effects to Tones
Changing the Settings of CHORUS
Parameters
You can control the relative strength of an effect and how it is
applied. The parameters you can control depend on the effect.
See the following section titled “CHORUS Parameters” for
more information.
1
After selecting the chorus type you want, use the
[왗] and [왘] CURSOR buttons to display the
parameter whose setting you want to change.
2
• This displays the equalizer editing screen.
• The equalizer type setting screen (step 4) will appear
automatically about fives seconds after you press the
button.
3
4
3
Use the [+] and [–] buttons or the number buttons
to input the parameter setting you want.
• Pressing the EXIT or EFFECT button exits the
equalizer setting screen.
• This returns to the tone or rhythm selection screen.
■ Chorus Level (Range: 000 to 127)
Specifies the size of the chorus sound.
Use the [+] and [–] buttons or the number buttons
to select the equalizer type you want.
8 Jazz
Press the EFFECT or EXIT button.
CHORUS Parameters
Press the [왘] CURSOR button.
• See the separate Appendix H for information about
the equalizer types that are available.
Example: To select Jazz
• This displays the parameter setting screen.
2
Press the [왔] CURSOR button three times.
To adjust the gain (volume) of a band
1
■ Chorus Rate (Range: 000 to 127)
Specifies the undulation speed of the chorus sound. A
higher value produces faster undulation.
After selecting the equalizer type you want, use
the [왗] and [왘] CURSOR buttons to select the band
whose gain you want to adjust.
Example: To adjust the HIGH band
0 0 ME q
■ Chorus Depth (Range: 000 to 127)
Specifies the undulation depth of the chorus sound. A
higher value produces deeper undulation.
NOTE
• Whether or not an effect is applied to the parts that are
sounding also depends on Mixer Mode Reverb Send,
Chorus Send, and DSP on/off settings. See “Mixer
Function” on page E-39 for more information.
2
Hi
g
h
Use the [+] and [–] buttons or the number buttons
to adjust the band gain.
Example: To adjust the gain to 10
1 0 ME q
Hi
g
h
• Pressing the EXIT or EFFECT button exits the
equalizer setting screen.
Using the Equalizer
This digital piano has a built-in four-band equalizer and 10
different settings from which you can choose. You can adjust
the gain (volume) of all four equalizer bands within the range
of –12 to 0 to +12.
NOTE
• Changing to another equalizer type causes the band
gain settings to change to the initial settings for the newly
selected equalizer type automatically.
To select the equalizer type
1
Press the EFFECT button so the EFFECT indicator
appears on the display.
E-29
Auto Accompaniment
ACCOMP VOLUME
ONE TOUCH PRESET
RHYTHM
INTRO/ENDING 1/2
MODE
Number buttons
[+]/[–]
METRONOME
TEMPO
VARIATION/FILL-IN 1/2
SYNCHRO/FILL-IN NEXT
AUTO HARMONIZE
START/STOP
This digital piano automatically plays bass and chord parts
in accordance with the chords you finger. The bass and chord
parts are played using sounds and tones that are
automatically selected to select the rhythm you are using.
All of this means that you get full, realistic accompaniments
for the melody notes you play with your right hand, creating
the mood of a one-person ensemble.
Selecting a Rhythm
This digital piano provides you with 166 exciting rhythms
that you can select using the following procedure.
You can also transfer accompaniment data from your
computer and store up to 16 of them as user rhythms in digital
piano memory. See “Internet Data Expansion System” on
page E-79 for more information.
To select a rhythm
1
2
Find the rhythm you want to use in the rhythm list
(the separate Appendix C) and note its rhythm
number.
Press the RHYTHM button.
Number and name of selected rhythm
About the MODE Button
Use the MODE button to select the accompaniment mode you
want to use. Each press of the MODE button cycles through
the available accompaniment modes as shown in the
illustration below.
0 0 0 Md r n
Appears when RHYTHM button is pressed
3
Use the number buttons to input the three digit
rhythm number for the rhythm you want to select.
Example: To select “052 POP 2”, input 0, 5 and then 2.
Normal (Auto Accompaniment off)
052 Po
FULL RANGE CHORD
FINGERED
CASIO CHORD
• Only rhythm sounds are produced when all
accompaniment mode lamps are off.
• The currently selected accompaniment mode is shown by
the mode lamps above the MODE button. Information on
using each of these modes starts from page E-32.
E-30
8B t
p
2
NOTE
• You can also increment the displayed rhythm number
by pressing [+] and decrement it by pressing [–].
Auto Accompaniment
Playing a Rhythm
Using Auto Accompaniment
To play a rhythm
1
Press VARIATION/FILL-IN button 1 or 2.
• This starts the play of the selected rhythm.
• To stop rhythm play, press the START/STOP button.
NOTE
• Chords will sound along with the rhythm if any of the
three accompaniment mode lamps above the MODE
button is lit. If you want to play the rhythm pattern without
chords, press the MODE button until all of the lamps
are off.
• Some rhythms consist of chord accompaniments only,
without any drums or other percussion instruments. Such
rhythms do not sound unless CASIO CHORD,
FINGERED, or FULL RANGE CHORD is selected as
the accompaniment mode.
• Accompaniment sounds (chords, bass, etc.) do not
sound while a metronome rhythm (No. 160 to 165: 0, 2,
3, 4, 5, 6 Beat) is being used, even if the MODE button
setting is CASIO CHORD, FINGERED, or FULL RANGE
CHORD. Because of this, you should press the MODE
button until all of the lamps are off.
The following procedure describes how to use the digital
piano’s Auto Accompaniment feature. Before starting, you
should first select the rhythm you want to use and set the
tempo of the rhythm to the value you want.
To use Auto Accompaniment
1
Use the MODE button to select CASIO CHORD,
FINGERED, or FULL RANGE CHORD as the
accompaniment mode.
• The currently selected accompaniment mode is the
one whose lamp is lit. See “About the MODE Button”
on page E-30 for details.
2
3
Press the START/STOP button to start play of the
currently selected rhythm.
Play a chord.
• The actual procedure you should use to play a chord
depends on the currently selected accompaniment
mode. Refer to the following pages for details on
chord play.
CASIO CHORD .............................. Page E-32
FINGERED ...................................... Page E-33
Adjusting the Tempo
FULL RANGE CHORD ................ Page E-33
You can adjust the tempo of rhythm play within a range of 30 to
255 beats per minute. The tempo setting is used for Auto
Accompaniment chord play, and song memory operations.
Current measure number and
beat number
Chord name
052 Po
To adjust the tempo
1
Press one of the TEMPO buttons (
or
p
2
).
: Increments displayed value (increases tempo)
: Decrements displayed value (decreases tempo)
NOTE
• Pressing both TEMPO buttons (
and
) at the same
time resets the tempo to the default value of the currently
selected rhythm.
Basic fingering of current chord
(May be different from chord actually
being played on the keyboard.)
4
To stop Auto Accompaniment play, press the START/
STOP button again.
E-31
Auto Accompaniment
NOTE
• If you press the SYNCHRO/FILL-IN NEXT button and
then the INTRO/ENDING 1/2 buttons in place of the
START/STOP button in step 2, accompaniment will start
with an intro pattern when you perform the operation in
step 3. For details about these buttons, see pages E-34
and E-35.
• If you press the INTRO/ENDING 1/2 buttons in place of
the START/STOP button in step 4, an ending pattern
will play before accompaniment play is ended. For details
about this button, see page E-35.
• You can adjust the accompaniment part volume level
independently of the main volume. For details, see
“Adjusting the Accompaniment Volume” on page E-37.
CASIO CHORD
This method of chord play makes it possible for anyone to
easily play chords, regardless of previous musical knowledge
and experience. The following describes the CASIO CHORD
“accompaniment keyboard” and “melody keyboard”, and
tells you how to play CASIO CHORDs.
CASIO CHORD Accompaniment Keyboard and Melody
Keyboard
Accompaniment
keyboard
Melody keyboard
NOTE
• The accompaniment keyboard can be used for playing
chords only. No sound will be produced if you try playing
single melody notes on the accompaniment keyboard.
Chord Types
CASIO CHORD accompaniment lets you play four types of
chords with minimal fingering.
Chord Types
Major chords
Major chord names are marked
above the keys of the
accompaniment keyboard. Note
that the chord produced when
you press an accompaniment
keyboard does not change
octave, regardless of which key
you use to play it.
Example
C Major (C)
CC#DE E FF#GA A B B CC# DE E F
Minor chords (m)
To play a minor chord, keep the
major chord key depressed and
press any other accompaniment
keyboard key located to the
right of the major chord key.
C minor (Cm)
Seventh chords (7)
To play a seventh chord, keep
the major chord key depressed
and press any other two
accompaniment keyboard keys
located to the right of the major
chord key.
C seventh (C7)
Minor seventh chords (m7)
To play a minor seventh chord,
keep the major chord key
depressed and press any other
three accompaniment keyboard
keys located to the right of the
major chord key.
C minor seventh (Cm7)
CC#DE E FF#GA A B B CC# DE E F
CC#DE E FF#GA A B B CC# DE E F
CC#DE E FF#GA A B B CC# DE E F
NOTE
• It makes no difference whether you press black or white
keys to the right of a major chord key when playing minor
and seventh chords.
E-32
Auto Accompaniment
See the separate Appendix D for details on playing chords
with other roots.
FINGERED
FINGERED provides you with a total of 15 different chord
types. The following describes the FINGERED
“accompaniment keyboard” and “melody keyboard”, and
tells you how to play a C-root chord using FINGERED.
FINGERED Accompaniment Keyboard and Melody
Keyboard
Accompaniment
keyboard
Melody keyboard
*1: Inverted fingerings cannot be used. The lowest note is
the root.
*2: The same chord can be played without pressing the 5th G.
NOTE
• Except for the chords specified in note*1above, inverted
fingerings (i.e. playing E-G-C or G-C-E instead of C-EG) will produce the same chords as the standard
fingering.
• Except for the exception specified in note*2 above, all
of the keys that make up a chord must be pressed.
Failure to press even a single key will not play the desired
FINGERED chord.
NOTE
• The accompaniment keyboard can be used for playing
chords only. No sound will be produced if you try playing
single melody notes on the accompaniment keyboard.
C
Cm
Cdim
Caug *1
Csus4
C7 *2
Cm7 *2
Cmaj7 *2
Cm7 5
C7 5 *1
C7sus4
Cadd9 *2
Cmadd9 *2
CmM7 *2
Cdim7 *1
FULL RANGE CHORD
This accompaniment method provides a total of 38 different
chord types: the 15 chord types available with FINGERED
plus 23 additional types. The digital piano interprets any
input of three or more keys that matches a FULL RANGE
CHORD pattern to be a chord. Any other input (that is not a
FULL RANGE CHORD pattern) is interpreted as melody play.
Because of this, there is no need for a separate accompaniment
keyboard, so the entire keyboard, from end to end, functions
as a melody keyboard that can be used for both melody and
chords.
FULL RANGE CHORD Accompaniment Keyboard and
Melody Keyboard
Accompaniment keyboard/Melody keyboard
E-33
Auto Accompaniment
Chords Recognized by This Digital Piano
The following table identifies patterns that are recognized as
chords by FULL RANGE CHORD.
Pattern Type
Number of Variations
FINGERED
The 15 chord patterns shown under
FINGERED on page E-33.
23 standard chord fingerings. The
following are examples of the 23
chords available with C as the bass
note.
Standard
Fingerings
C6 • Cm6 • C69
C
D
E
F
G
A
B
•
•
•
•
•
•
C
C
C
C
C
C
C
Using an Intro Pattern
This digital piano lets you insert a short intro into a rhythm
pattern to make startup smoother and more natural.
The following procedure describes how to use the Intro
feature. Before starting, you should first select the rhythm
you want to use, set the tempo, and use the MODE button to
select the chord play method you want to use (Normal,
CASIO CHORD, FINGERED, FULL RANGE CHORD).
To insert an intro
1
• With the above setup, the intro pattern is played and
the auto accompaniment with intro pattern starts as
soon as you play chords on the accompaniment
keyboard.
B C m Dm Fm Gm Am Bm
•
•
•
•
•
•
C
C
C
C
C
C
C
Dm75 A7
F7 Fm7 Gm7 Aadd9
•
•
•
•
•
C
C
C
C
C
C
Press INTRO/ENDING button 1 or 2.
NOTE
• The standard rhythm pattern starts to play after the intro
pattern is complete.
Example: To play the chord C major.
Any of the fingerings shown in the illustration below will
produce C major.
1
E
E G
C
G
C
2
Using a Fill-in Pattern
Fill-in patterns let you momentarily change the rhythm
pattern to add some interesting variation to your
performances.
The following procedure describes how to use the Fill-in
feature.
1 ...... Chord C
2 ...... Chord C
E
NOTE
• As with the FINGERED mode (page E-33), you can play
the notes that form a chord in any combination (1).
• When the lowest note of a chord is separated from its
neighboring note by six or more semitones, the lowest
note becomes the bass note (2).
To insert a fill-in
1
2
Press the START/STOP button to start rhythm play.
Select the fill-in variation you want.
• To insert Fill-in 1, press the VARIATION/FILL-IN 1
button while Variation 1 of the rhythm is playing.
• To insert Fill-in 2, press the VARIATION/FILL-IN 2
button while Variation 2 of the rhythm is playing.
NOTE
• Only the SYNCHRO/FILL-IN NEXT button is operational
while an intro is playing.
• Holding down the SYNCHRO/FILL-IN NEXT or
VARIATION/FILL-IN 1/2 buttons causes the fill-in pattern
to repeat.
E-34
Auto Accompaniment
Using a Rhythm Variation
Finishing with an Ending Pattern
In addition to the standard rhythm pattern, you can also
switch to a secondary “variation” rhythm pattern for a bit of
variety .
You can end your performances with an ending pattern that
brings the rhythm pattern you are using to a natural-sounding
conclusion.
To insert the variation rhythm pattern
1
2
The following procedure describes how to insert an ending
pattern. Note that the actual ending pattern played depends
on the rhythm pattern you are using.
Press the START/STOP button to start rhythm play.
Press the SYNCHRO/FILL-IN NEXT button.
• If a Variation 1 rhythm is currently playing, this plays
Fill-in 1, followed by Fill-in 2, and then switches to
the Variation 2 rhythm.
• If a Variation 2 rhythm is currently playing, this plays
Fill-in 2, followed by Fill-in 1, and then switches to
the Variation 1 rhythm.
• Holding down the SYNCHRO/FILL-IN NEXT button
causes the fill-in pattern to repeat.
Synchro Starting Accompaniment
with Rhythm Play
You can set up the digital piano to start rhythm play at the
same time you play the accompaniment on the keyboard.
To finish with an ending pattern
1
While the rhythm is playing, press INTRO/ENDING
button 1 or 2.
• The timing when the ending pattern starts depends
on when you press the INTRO/ENDING button 1 or
2. If you press the button before the second beat of
the current measure, the ending pattern starts playing
immediately.
NOTE
• Pressing the INTRO/ENDING button prior to the first half
beat at the beginning of a measure plays the ending
immediately. Pressing the button after the first half beat
of a measure causes the ending to be played from the
beginning of the following measure.
The following procedure describes how to use synchro start.
Before starting, you should first select the rhythm you want
to use, set the tempo, and use the MODE button to select the
chord play method you want to use (Normal, CASIO
CHORD, FINGERED, FULL RANGE CHORD).
To use synchro start
1
2
Press the SYNCHRO/FILL-IN NEXT button to put
the digital piano into synchro start standby.
Play a chord and the rhythm pattern starts to play
automatically.
NOTE
• If the MODE button is set to Normal, only the rhythm
plays (without a chord) when you play on the
accompaniment keyboard.
• If you press the INTRO/ENDING button 1 or 2 before
playing anything on the keyboard, the rhythm starts
automatically with an intro pattern when you play
something on the accompaniment keyboard.
• To cancel synchro start standby, press the SYNCHRO/
FILL-IN NEXT button one more time.
E-35
Auto Accompaniment
Using One-touch Preset
Using Auto Harmonize
One-touch preset automatically makes the main settings listed
below in accordance with the rhythm pattern you are using.
When you are using Auto Accompaniment, Auto Harmonize
automatically adds additional notes to your melody in
accordance with the chord that is being played. The result is
a harmony effect that makes your melody line richer and
fuller.
• Keyboard tone
• Layer on/off
• Split on/off
• Auto Harmonize on/off
• Auto Harmonize type
• Accompaniment volume level
• Tempo
• Effect settings
To use Auto Harmonize
1
• The currently selected accompaniment mode is the
one whose lamp is lit. See “About the MODE Button”
on page E-30 for details.
To use one-touch preset
1
2
3
Select the rhythm you want to use.
Normal (Auto Accompaniment off)
Use the MODE button to select the accompaniment
mode you want to use.
FULL RANGE CHORD
FINGERED
Press the ONE TOUCH PRESET button.
• This automatically makes the one-touch preset
settings in accordance with the rhythm you selected.
• The digital piano automatically enters synchro
standby at this time.
4
Use the MODE button to select FINGERED or
CASIO CHORD as the accompaniment mode.
CASIO CHORD
2
Press AUTO HARMONIZE button to turn on Auto
Harmonize.
• This causes the AUTO HARMONIZE indicator to
appear on the display.
Start rhythm and Auto Accompaniment, and play
something on the keyboard.
• Accompaniment is played using the one-touch preset
settings.
3
4
Start Auto Accompaniment play, and play
something on the keyboard.
To turn off Auto Harmonize, press AUTO
HARMONIZE button once.
• This causes the AUTO HARMONIZE indicator to
disappear.
NOTE
• Auto Harmonize turns off temporarily whenever you start
demo tune play. It turns back on as soon as the operation
or function that caused it to turn off is finished.
• Auto Harmonize is enabled only when the Auto
Accompaniment mode is FINGERED or CASIO CHORD.
E-36
Auto Accompaniment
Auto Harmonize Types
Auto Harmonize lets you select from among the 10 Auto
Harmonize types. Type changing is performed by the setting
item using the TRANSPOSE/FUNCTION button.
See “Changing Other Settings” on page E-68 for more
information.
Adjusting the Accompaniment
Volume
You can adjust the volume of the accompaniment parts as a
value in the range of 000 (minimum) to 127 (maximum).
1
Current accompaniment volume setting
About Auto Harmonize notes and
tones
The notes you play on the keyboard are called “melody
notes”, while the notes added to the melody by Auto
Harmonize is called the “harmonize notes”. Auto Harmonize
normally uses the tone you selected for the melody notes as
the tone for the harmonize notes, but you can use the Mixer
(page E-39) to specify a different tone for the harmonize notes.
The harmonize note tone is assigned to Mixer Channel 5, so
change Channel 5 to the tone you want to use for the
harmonize notes.
In addition to the tone, you can also use the Mixer to change
a number of other parameters, such as volume balance. See
“Using the Parameter Edit Mode” on page E-40 for details
on these procedures.
Press the ACCOMP VOLUME button.
1 0 0 A c omp V o l
2
Use the number buttons or the [+]/[–] buttons to
change the current volume setting value.
Example: 110
1 1 0 A c omp V o l
NOTE
NOTE
• The default harmonize note tone when you first turn on
Auto Harmonize is the same tone as the melody note
tone.
• Changing the melody tone setting automatically changes
the harmonize note tone to the same setting.
• Pressing the ACCOMP VOLUME button or EXIT button
returns to the tone or rhythm setting screen.
• Any channel balance settings you make with the Mixer
are maintained when you change the accompaniment
volume setting.
• Pressing [+] and [–] buttons at the same time
automatically sets an accompaniment volume of 100.
E-37
Auto Accompaniment
Using the Metronome
The built-in metronome produces a bell sound for the first
beat of each measure and a click sound for the remaining
beats of the measure. The metronome is the perfect tool for
practicing without accompaniment parts (rhythm).
NOTE
• The metronome sound is actually a type of rhythm.
Because of this, you cannot sound the metronome at
the same time another rhythm is sounding.
• Accompaniment sounds (chords, bass, etc.) do not
sound while a metronome rhythm is being used, even if
the MODE button setting is CASIO CHORD, FINGERED,
or FULL RANGE CHORD. Because of this, you should
press the MODE button until all of the lamps are off.
1
Press the METRONOME button.
• This selects a 4-beat metronome.
1 6 3 Me t r o 4 B t
2
Use the [+] and [–] buttons or number buttons to
specify the rhythm number that corresponds to the
number of beats you want to select.
Rhythm Number
Beat
160
0
161
2
162
3
163
4
164
5
165
6
NOTE
• Specifying a beat value of 0 causes the metronome to
sound clicks only, without the bell sound at the beginning
of each measure. This setting lets you practice with a
steady beat.
3
Press the START/STOP button.
• This starts the metronome.
4
Use the TEMPO buttons to adjust the tempo.
: Increase the tempo (indicated by a higher value)
: Decrease the tempo (indicated by a lower value)
NOTE
• Pressing the
and
buttons at the same time
changes the tempo setting to 120.
E-38
5
To stop the metronome, press the START/STOP
button.
Mixer Function
MIXER
CURSOR
Number buttons
[+]/[–]
What you can do with the Mixer
This digital piano lets you play multiple different musical
instrument parts at the same time during autoaccompaniment play, song memory playback, receipt of data
through USB etc. The Mixer assigns each part to a separate
channel (1 through 16) and lets you control the channel on/
off, volume, and pan pot parameters of each channel.
In addition to channels 1 through 16, the Mixer also has a
DSP channel that you can use to adjust the DSP level, DSP
pan, and other DSP parameters.
NOTE
• Normally, keyboard play is assigned to Channel 1. When
Auto Accompaniment is being used, each part of the
accompaniment is assigned to Channels 6 through 10.
• When this digital piano is being used as the sound source
for an externally connected computer or other MIDI
device, all 16 channels are assigned musical instrument
parts. The notes played over the channel selected by
steps 1 and 2 under “Turning Channels On and Off” on
page E-39 are shown on the displayed digital piano and
staff.
Channel Assignments
The following shows the parts that are assigned to each of
the 16 channels.
Channel
Number
Channel 1
Channel 2
Channel 3
Channel 4
Channel 5
Channel 6
Channel 7
Channel 8
Channel 9
Channel 10
Channel 11
Channel 12
Channel 13
Channel 14
Channel 15
Channel 16
Part
Main tone
Layered tone
Split tone
Layered/split tone
Harmonize Tone
Auto Accompaniment chord part 1
Auto Accompaniment chord part 2
Auto Accompaniment chord part 3
Auto Accompaniment bass part
Auto Accompaniment rhythm part
Song Memory track 1
Song Memory track 2
Song Memory track 3
Song Memory track 4
Song Memory track 5
Song Memory track 6
See pages E-63 to E-65 for information on layered, split, and
layered/split tones.
See page E-51 for information on the song memory.
Turning Channels On and Off
Turning a channel off mutes any instrument recorded in the
channel.
To turn channels on and off
1
Press the MIXER button.
• This causes a pointer to appear on the display next to
MIXER.
2
Use the [왗]/[왘] CURSOR buttons to select a
channel.
Example: To select Channel 1.
Flash
• This causes the upper three segments of the selected
channel’s level meter to flash.
3
Press the [왖]/[왔] CURSOR buttons to display the
on/off selection screen.
On
Channe l
E-39
Mixer Function
4
Use the [+]/[–] buttons to select on or off.
Example: To turn the channel off.
O f f Channe l
• Press the [왖] CURSOR button to return to the channel
selection screen.
• Pressing the MIXER button returns to the Tone Screen.
Using the Parameter Edit Mode
Editing the Parameters for Channels
1 through 16
In the Parameter Edit Mode, you can change the settings of
ten different parameters (including tone, volume, and pan
pot) for the channel you selected on the Mixer screen.
To change parameters
NOTE
• The MIDI data display shows only the data for the
channels selected with the Mixer.
How Channel On/Off Works
The following describes what happens and what appears on
the display when you turn a channel on or off.
1
• This causes a pointer to appear on the display next to
MIXER.
2
3
■ On (on)
■ Off (oFF)
Use the [왖] and [왔] CURSOR buttons to select the
parameter whose setting you want to change.
Indicates channel volume of 127
This setting turns off the currently selected channel, which is
indicated by the absence of the bar at the bottom of the level
meter for that channel.
Off
Use the [왗] and [왘] CURSOR buttons to select the
channel you want.
Example: Select volume setting by displaying “Volume”.
• Each press of the [왖] or [왔] CURSOR buttons cycles
through the parameters.
• You can use the [왗] and [왘] CURSOR buttons to
change to another channel at any time during this
procedure.
This setting turns on the currently selected channel, which is
indicated by a bar appearing at the bottom of the level meter
for that channel. This is also the default setting for all channels
when the digital piano is turned on.
On
Press the MIXER button.
1 2 7 V o l ume
4
Use the number buttons or [+] and [–] to change
the parameter setting.
Example: Change the setting to “060”.
0 6 0 V o l ume
• Pressing the MIXER or EXIT button exits the
parameter edit mode.
Editing DSP Channel Parameters
1
While Channel 16 is selected, press the [왘]
CURSOR button.
• This selects the DSP channel.
• Pressing the [왗] CURSOR button while the DSP
channel is selected returns to Channel 16.
E-40
Mixer Function
How Parameters Work
The following are the parameters whose settings can be
changed in the Parameter Edit Mode.
Tone Parameters
■ Octave Shift (Range: –2 to 0 to +2)
You can use octave shift to shift the range of the tone up or
down. When using the piccolo tone, there may be cases when
very high notes you want to play are not included within the
range of the keyboard. When this happens, you can use octave
shift to shift the keyboard range one octave up.
■ Tone
(Range: 000 to 903, Drawbar organ tones 000 to 199)
This parameter controls the tones assigned to each part.
Anytime the tone is on the display, you can use the TONE
button or DRAWBAR ORGAN button and then select a
different tone, if you want.
000 S t .Gr Pno
■ Part On/Off (Settings: on, oFF)
This parameter can be used to turn each part on (sounds)
and off (does not sound). The current on/off status of each
part is indicated on the display as described below.
On
Channe l
■ Volume (Range: 000 to 127)
This is the parameter that controls the volume of the selected
channel.
1 2 7 V o l ume
■ Pan Pot (Range: –64 to 00 to +63)
0 Oc t Sh i f t
–2 :
–1 :
0:
+1 :
+2 :
Range shifted two octaves down.
Range shifted one octave down.
No shift
Range shifted one octave up.
Range shifted two octaves up.
Tuning Parameters
You can use these parameters to tune each of the parts
individually.
■ Coarse Tune (Range: –24 to 00 to +24)
This parameter controls the coarse tuning of the selected
channel’s pitch in semitone units.
00 C. Tune
■ Fine Tune (Range: –99 to 00 to +99)
This parameter controls the fine tuning of the selected
channel’s pitch in cent units.
00 F i neTune
This parameter controls the pan pot, which is the center point
of the left and right stereo channels. Setting “00” specifies
center, a value less than “00” moves the point left, and a value
greater than “00” moves it right.
63 Pan
E-41
Mixer Function
■ DSP System Reverb Send (Range: 000 to 127)
Effect Parameters
The Mixer lets you control the effects applied to each
individual part, making it different from the Effect Mode,
whose settings are applied to all parts in general.
This parameter adjusts how much reverb is applied to the
DSP part.
000 D . RvbSnd
■ Reverb Send (Range: 000 to 127)
This parameter controls how much reverb is applied to a part.
A setting of “000” turns reverb off, while a setting of 127
applies maximum reverb.
• “Reverb Send” does not work with some drum sounds.
056 Rvb
This parameter controls how much chorus send is applied to
a part. A setting “000” turns chorus send off, while a setting
of 127 applies maximum chorus send.
• “Chorus Send” does not work with drum sounds.
Send
■ DSP Line (Settings: On, Off)
You can use this parameter to turn DSP line off for a particular
channel, or to turn it on.
O f f DSP
L i ne
DSP Part Parameters
■ DSP Level (Range: 0 to 127)
Sets the post-DSP volume.
1 2 7 DSP L e v e l
■ DSP Pan (Range: –64 to 0 to 63)
Sets the post-DSP stereo pan.
0 0 0 DSP
E-42
This parameter adjusts how much chorus is applied to the
DSP part.
Send
■ Chorus Send (Range: 000 to 127)
000 Cho
■ DSP System Chorus Send (Range: 000 to 127)
Pan
000 D . ChoSnd
NOTE
• Changing the tone, volume, pan pot, coarse tune, fine
tune, reverb send, or chorus send setting causes the
corresponding MIDI message to be output from the USB
port.
• Changing the tone settings changes the tone, octave
shift, reverb send, chorus send, and DSP line* parameter
settings.
* When DSP is off (See the NOTE on page E-27).
• Turning on the Mixer’s DSP Line parameter (on this
page) causes the settings of the DSP Pan, DSP System
Reverb Send, and DSP System Chorus parameters to
be used in place of the Pan Pot, Reverb Send, and
Chorus Send parameters.
Synthesizer Mode
The Synthesizer Mode of this digital piano provides the tools
for creating your own original tones. Simply select one of the
built-in tones and change its parameters to create your own
original sound. You can even store your sounds in memory
and select it using the same procedure as that used to select a
preset tone.
Synthesizer Mode Functions
The following describes how to use each of the functions
available in the Synthesizer Mode.
(1) Tone Characteristic Waveform
■ Tone Setting
Specifies which of the preset tones should be used as the
original tone.
(2) Volume Characteristic Parameters
These parameters control how the tone changes over time,
from when the keyboard key is pressed until the tone decays.
You can specify changes in volume and sound characteristics.
■ Attack time
Synthesizer Mode Parameters
The preset tones that are built into this digital piano consist
of a number of parameters. To create a user tone, you first
recall a advanced tone (000 to 399) or a preset tone (400 to
599) and then change its parameters to change it to your own
tone. Note that drum set tones (600 through 619) cannot be
used as the basis of a user tone.
The illustration nearby shows the parameters that make up
the preset tones and what each parameter does. As can be
seen in the illustration, parameters can be divided into four
groups, each of which is described in detail below.
This is the rate or time it takes for the tone to reach its highest
volume level. You can specify a fast rate, where the tone
reaches its highest volume level immediately, a slow rate
where it gradually rises, or something in between.
■ Release time
This is the rate or time it takes for the tone volume to fall to
zero. You can specify a release that ranges from a sudden fall
to zero, to one that gradually falls to zero.
Volume Characteristic
Parameters
Envelope
쎲Attack Time
쎲Release Time
쎲Cutoff Frequency
쎲Resonance
Note ends
Time
Tone Pitch Parameters
Tone Characteristic
Waveform
Tone Setting
쎲Vibrato Type
쎲Vibrato Delay
쎲Vibrato Rate
쎲Vibrato Depth
쎲Octave Shift
A
Key pressed
Output
Tone Characteristic
Setting Parameters
쎲Level
쎲Touch Sense
쎲Reverb Send
쎲Chorus Send
쎲DSP Line
쎲DSP Type
쎲DSP Parameter
R
Key released
A: Attack time
R: Release time
■ Cutoff Frequency
The cutoff frequency is a parameter for adjusting timbre by
cutting any frequency that is higher than a specific frequency.
A larger cutoff frequency produces a brighter (harder) timbre,
while a smaller frequency produces a darker (softer) timbre.
Level
NOTE
• Note that the tone whose parameter you can edit is the
one assigned to the channel (1 through 4) that is currently
selected with the Synthesizer Mode.
Frequency
Cutoff frequency
E-43
Synthesizer Mode
■ Resonance
Resonance enhances the harmonic components in the vicinity
of the cutoff frequency, which creates a distinctive sound. A
larger resonance value enhances the sound as shown in the
figure.
Level
Frequency
Cut off frequency
Small Value
Large Value
Resonance
NOTE
• With some tones, a large resonance value can cause
distortion or noise during the attack part of the tone.
(3) Tone Pitch Parameters
■ Vibrato Type, Vibrato Delay, Vibrato Rate, Vibrato
Depth
These parameters adjust the vibrato effect, which causes
periodic changes in the tone.
■ Octave Shift
This parameter controls the octave of all tones.
(4) Tone Characteristic Setting Parameters
■ Level
This parameter controls the overall volume of the tone.
■ Touch Sense
This parameter controls changes in volume and timbre in
accordance with the relative amount of pressure applied to
the keyboard keys. You can specify more volume for stronger
pressure and less volume or a lighter pressure, or you can specify
the same volume regardless of how much pressure is applied to
the keys.
■ Reverb Send, Chorus Send, DSP Line , DSP Type, DSP
Parameter
These parameters control the effects applied to tones.
E-44
Synthesizer Mode
Saving User Tones
The group of tone numbers from 700 through 799 (User 001 through User 100) is called the “user area” because they are reserved for
storage of user tones. After you recall a preset tone and change its parameters to create your own user tone, you can store it in the user
area for later recall. You can recall your tones using the same procedure that you use when selecting a preset tone.
Number Tone Type
Standard Tone
000-399 Advanced Tones
400-599 Preset Tones
600-619 Drum Sets
Source Tone Select
Parameter Edit
Save As Original Tone
700-799 User Tones*1
700-799 User Area
800-819 User Tones with Waves*2
900-903 User Drum Sets with Waves*3
Drawbar Organ Tones
000-049 Preset Tones
100-199 User Tones*4
*1: You can select any Advanced Tone, preset tone, or user tone. User tone areas 700 through 799 initially contain the same data
as advanced tones 000 through 099.
*2: Area where data transferred from computer is stored (see “Internet Data Expansion System” on page E-79). After transfer,
you can use the digital piano to edit parameters, but you can only overwrite existing parameters. You cannot save the data to
another number.
*3: Area where data transferred from computer is stored (see “Internet Data Expansion System” on page E-79). Transfer only is
allowed, and no parameter editing is allowed.
*4: User tones created by modifying parameters of one of the preset tones (000 to 049). User drawbar organ tone areas initially
contain two sets of the same data as drawbar organ tones types 000 through 049.
NOTE
• You can create an original tone using a user tone that includes a waveform (tone number 800 to 819). In this case, the
storage area is the same as the source tone area. For example, an original tone created using tone number 800 as a source
tone is stored in user area number 800.
E-45
Synthesizer Mode
SYNTH
CURSOR
Number buttons
[+]/[–]
Creating a User Tone
Parameters and Their Settings
Use the following procedure to select a preset tone and change
its parameters to create a user tone.
The following describes the function of each parameter and
provides its setting range.
1
■ Attack Time (Range: –64 to 00 to +63)
2
First, select the preset tone you want to use as a
basis for your user tone.
Press the SYNTH button.
• This causes the SYNTH indicator to appear on the
display.
Currently selected parameter
3
- 01 At k
T i me
■ Release Time (Range: –64 to 00 to +63)
Parameter setting value
00 At k
Time it takes before the tone sounds after a key is pressed
T i me
Use [왗] and [왘] CURSOR buttons to display the
parameter whose setting you want to change.
Time the tone continues to sound after a key is released
- 0 7 Re l . T i me
■ Cutoff Frequency
(Range: –64 to 00 to +63)
High-band cutoff for the harmonic components of the tone
00 V i bDe l a
y
• Each press of [왗] or [왘] CURSOR button changes to
the next parameter. See “Parameters and Their
Settings” on this page for information on setting range
for each parameter.
4
Use [+] and [–] to change the setting of the currently
selected parameter.
• You can also use the number buttons to input a value
to change a parameter setting. See “Parameters and
Their Settings” on this page for information on setting
range for each parameter.
5
After you are finished editing the sound, press the
SYNTH button to exit the Synthesizer Mode.
NOTE
• See “Storing a User Tone In Memory” on page E-48 for
details on saving user tone data to memory so it is not
deleted.
E-46
- 06 C- o f f Fr
q
■ Resonance (Range: –64 to 00 to +63)
Resonance of the tone
- 08 Re s onan .
Synthesizer Mode
■ Vibrato Waveform (Range: See below.)
■ Touch Sensitivity (Range: –64 to 00 to +63)
Specifies the vibrato waveform.
This parameter controls changes in the volume of the tone in
accordance with the pressure applied to the keyboard keys. A
greater positive value increases the volume of the output as
pressure increases, while a negative value decreases volume
with increased keyboard pressure. A setting of zero specifies
no change in output volume in accordance with keyboard
pressure.
S i n V i b . T
Value
y p
Meaning
Sin
Sine Wave
Tri
Triangle Wave
Sau
Sawtooth Wave
Sqr
Square Wave
e
Waveform
32 TchSen se
■ Reverb Send (Range: 000 to 127)
This parameter adjusts reverb.
127 Rvb
■ Vibrato Delay (Range: –64 to 00 to +63)
Specifies the amount of time before vibrato starts.
Send
■ Chorus Send (Range: 000 to 127)
This parameter adjusts chorus.
00 V i bDe l a
y
■ Vibrato Rate (Range: –64 to 00 to +63)
112 Cho
Send
■ DSP Line (Settings: On, Off)
Rate (speed) of the vibrato effect
This parameter controls whether or not the DSP effect is used.
02 V i b . Ra t e
On
DSP
L i ne
■ Vibrato Depth (Range: –64 to 00 to +63)
Depth of the vibrato effect
12 V i bDe
p
t h
■ Octave Shift (Range: –2 to 0 to +2)
Up/down octave shift
- 1 Oc t Sh i f t
■ Level (Range: 000 to 127)
This parameter controls the overall volume of the tone. The
greater the value, the greater the volume. Setting a level of
zero means that the tone does not sound at all.
096 Leve l
E-47
Synthesizer Mode
DSP Settings
Use the DSP editing screen to select the DSP type and to edit
parameters.
1
2
Select a tone, press the SYNTH button, and then
configure parameter settings.
After everything is the way you want, press the [왔]
CURSOR button once.
• This advances to the DSP parameter editing screen.
• Pressing the [왖] CURSOR button returns to the
Synthesizer Mode parameter screen.
This setting specifies DSP parameters. For details, see
“DSP Parameters” on page E-26, the separate Appendix E,
and the “algorithmlist_e.pdf” file in the “English” folder on
the CD-ROM that comes with your digital piano.
NOTE
Storing a User Tone In Memory
The following procedure shows how to store a user tone in
memory. Once a tone is stored, you can call it up just as you
do with a preset tone.
To name a user tone and store it in
memory
1
2
3
• If you store an original tone with the DSP line turned on
(page E-49), simply recalling the tone automatically
changes the DSP line, DSP type, and DSP parameter
settings. This simplifies the recall of original tones that
include a DSP effect.
Select a preset tone to use as the basis for the user
tone, press the SYNTH button to enter the
Synthesizer Mode, and make the parameter settings
you want.
After making parameter settings to create the user
tone, press [왔] CURSOR button twice.
Use [+] and [–] buttons or the number buttons to
change the user area tone number on the display
until the one where you want to store the tone is
shown.
• You can select any tone number from 700 to 799.
701
User Tone Creation Hints
The following hints provide helpful advice on making user
tone creation a bit quicker and easier.
Use a preset tone that is similar to the one you are trying to
create.
Whenever you already have a rough idea of the tone you are
trying to create, it is always a good idea to start with a preset
tone that is similar.
■ Experiment with various different settings.
There are no real rules about what a tone should sound like.
Let your imagination run free and experiment with different
combinations. You may be surprised at what you can achieve.
E-48
4
After the tone name is the way you want, press the
[왘] CURSOR button to store the tone.
• Use the [+] and [–] buttons to scroll through letters at
the current cursor location.
• Use the [왗] and [왘] CURSOR buttons to move the
cursor left and right.
• See the page E-87 for information about inputting text.
5
Press [왔] CURSOR button to save the user tone.
• This will display a confirmation message asking
whether you really want to save the data. Press the
YES button to save the data.
• The message “Complete” appears momentarily on the
display, followed by the tone or rhythm selection
screen.
• To abort the save operation at any time, press the
SYNTH button or the EXIT button to exit the
Synthesizer Mode. Pressing the SYNTH button again
(before selecting another tone) returns to the
Synthesizer Mode with all of your parameter settings
still in place.
Registration Memory
Registration Memory Features
Registration memory lets you store up to 32 digital piano
setups (4 sets × 8 banks) for instant recall whenever you need
them. The following is a list of settings that are saved in
registration memory.
Setup Names
You can assign setups into one of 32 areas, which you can
select using BANK buttons 1 through 4 and the four
REGISTRATION buttons. Area names range from 1-1 through
8-4 as shown below.
Registration Memory Settings
• Tone
• Rhythm
• Tempo
• Layer on/off
• Split on/off
• Split point
• Auto Harmonize on/off
• Mixer settings (Channels 1 to 10)
• Effect settings
• Touch Response settings
• Soft/sostenuto pedal jack
• Transpose
• Tuning
• Accompaniment volume setting
• Pitch bend range
• Auto Harmonize type
• MODE button setting
• Synchro standby state
• Mixer Hold
• DSP Hold
• Synthesizer Mode parameters (Vibrato Waveform, Vibrato
Delay, Vibrato Rate, and Vibrato Depth only)
NOTE
• Each bank of registration memory initially contains data
when you first use the digital piano. Simple replace the
existing data with your own data.
• Registration memory functions are disabled while you
are using the SMF Player, Song Memory or demo tune
function.
• Registration memory functions are also disabled while
you are using the card slot (page E-81).
1
BANK 1
2
1
2
3
4
1-1
1-2
1-3
1-4
BANK 2
2-1
2-2
2-3
2-4
BANK 3
3-1
3-2
3-3
3-4
BANK 4
4-1
4-2
4-3
4-4
BANK 5
5-1
5-2
5-3
5-4
BANK 6
6-1
6-2
6-3
6-4
BANK 7
7-1
7-2
7-3
7-4
BANK 8
8-1
8-2
8-3
8-4
1 Use the BANK button to select the bank. Each press of
BANK cycles through the bank numbers from 1 to 8.
2 Pressing one of the REGISTRATION buttons (1 to 4) selects
the corresponding area in the currently selected bank.
NOTE
• Whenever you save a setup and assign it a setup name,
any setup data previously assigned to that name is
replaced with the new data.
• You can use the digital piano’s USB capabilities to save
your setup data to a computer or other external storage
device. See “Internet Data Expansion System” on page
E-79 for details.
• You can save setup data to an SD memory card, if you
want. See “Saving Data” on page E-80 for more
information.
E-49
Registration Memory
Number buttons
BANK
REGISTRATION
STORE
To Save a Setup in Registration
Memory
To Recall a Setup from
Registration Memory
1
1
Select a tone and rhythm, and otherwise set up the
digital piano the way you want it.
• See “Registration Memory Settings” on page E-49 for
details on what data is stored in the registration
memory.
2
Use the BANK button or the number buttons to
select the bank.
• If you do not perform any operation for about five
seconds after pressing the BANK button, the digital
piano automatically clears the registration memory
recall screen.
Use the BANK button or the number buttons to
select the bank you want.
• If you do not perform any operation for about five
seconds after pressing the BANK button, the display
returns to the contents in step 1, above.
• Bank 1 selected.
1 - - Bank
2
Press the REGISTRATION button (1 to 4) or number
buttons for the area whose setup you want to recall.
1 - - Bank
3
While holding down the STORE button, press a
REGISTRATION button (1 to 4).
• The following display appears when you press the 2
button.
1 - 2 St o r e
4
Release the STORE and REGISTRATION buttons.
NOTE
• The setup is saved as soon as you press a
REGISTRATION button in step 3, above.
E-50
1 - 2 Re c a l l
• The setup name along with the message “Recall”
appears on the display.
NOTE
• If you press a REGISTRATION button without using the
BANK button to select a bank first, the last bank number
selected is used.
Song Memory Function
This digital piano lets you record up to five separate songs in
song memory for later playback. There are two methods you
can use to record a song: real-time recording where you record
the notes as you play them on the keyboard, and step
recording where you input chords and notes one-by-one.
Selecting a Track
Use the SONG MEMORY TRACK buttons marked CHORD/
TR1 through TR6 to select the track you want.
Song Memory Track Buttons
NOTE
Track 4
• Layer and split cannot be used while standing by for
recording or while recording is being performed in the
Song Memory Mode. Also, layer and split are
automatically turned off whenever the digital piano goes
into record standby or starts recording.
Track 2
Track 6
Track 1
Track 5
Track 3
Tracks
Digital piano song memory records and plays back much like
a standard tape recorder. There are a total of six tracks, each
of which can be recorded separately. Besides notes, each track
can have its own tone number. Then when you play back the
tracks together, it sounds like an entire six-piece band. During
playback, you can adjust the tempo to change the speed of
playback.
Start
Track 1
End
Auto accompaniment (Rhythm,
Bass, Chord 1/2/3), Keyboard play
Track 2
Keyboard play
Track 3
Keyboard play
Track 4
Keyboard play
Track 5
Keyboard play
Track 6
Keyboard play
Basic Song Memory operations
The status of the Song Memory changes each time you press
the SONG MEMORY button.
Playback
Sg0 P l a
y
Real-time Recording
Melody data recorded in track.
NOTE
• With this digital piano, Track 1 is the basic track, which
can be used to record keyboard play, along with Auto
Accompaniment. Tracks 2 through 6 can be used for
keyboard play, so they are called melody tracks. Tracks
2 through 6 are used to add other parts to what is
recorded in Track 1.
• Note that each track is independent of the others. This
means that even if you make a mistake while recording,
you only need to re-record the track where the mistake
was made.
• You can use different Mixer settings for each track (page
E-39).
Flash
Sg0 Re c o r d
Step Recording
Sg0 S t e
p
Rec
Lit
Normal
E-51
Song Memory Function
VARIATION/FILL-IN 1/2
CURSOR
SONG MEMORY
Number buttons
[+]/[–]
YES/NO
INTRO/ENDING 1/2
SYNCHRO/FILL-IN NEXT
START/STOP
Using Real-time Recording
SONG MEMORY TRACK
4
• When recording starts, the REC indicator flashes on
the display. After a few moments the indicator stops
flashing, and remains on the display.
• Real-time recording without a rhythm starts. If you
want to record with a rhythm, press the INTRO/
ENDING 1/2 or VARIATION/FILL-IN 1/2.
With real-time recording, the notes you play on the keyboard
are recorded as you play them.
To record with real-time recording
1
Press the SONG MEMORY button twice to enter
real-time record standby.
5
6
2
Use the number buttons to select a song number
(0 to 4).
Song number
Sg1 Re c o r d
• The above song number screen remains on the display
for about five seconds. If it disappears before you have
a chance to select a song number, use the [왔] CURSOR
button to re-display it.
3
Make the following settings.
• Tone number
• Rhythm number
• Tempo
• MODE button
E-52
Play something on the keyboard.
• You can also record Auto Accompaniment chords by
selecting the applicable mode with the MODE button.
• The pedal and pitch bend operations are also
recorded. See “Track 1 Contents After Real-time
Recording” on page E-53 for details.
• Perform step 2, below, within five seconds after
entering record standby.
• The level meters for tracks 11 through 16 are shown
on the display while the digital piano is in record
standby, so you can easily check which tracks are
already recorded. See “Level Meter Contents During
Record/Edit Standby” on page E-58 for details.
Press the START/STOP button to start recording.
Press the START/STOP button to end recording
when you are finish playing.
• If you make a mistake while recording, you can stop
the record operation and begin over again from step
1, or you can use the editing function (page E-60) to
make corrections.
NOTE
• Using real-time recording to record to a track that already
contains recorded data replaces the previous recording
with the new one.
Song Memory Function
Track 1 Contents After Real-time
Recording
In addition to keyboard notes and accompaniment chords,
the following data is also recorded to Track 1 during realtime recording. This data is applied whenever Track 1 is
played back.
• Tone number
• Rhythm number
• INTRO/ENDING 1 button, INTRO/ENDING 2 button,
VARIATION/FILL-IN 1 button, VARIATION/FILL-IN 2
button, SYNCRHO/FILL-IN NEXT button operations
• Pedal operations
The following data is recorded in the header whenever you
start a recording of a track.
• Mixer settings of other tracks
• Effect type
• Accompaniment volume
• Reverb Level
• Chorus Level
• DSP Hold On/Off
• Mixer Hold On/Off
• Pitch bend wheel operation
• Pitch bend range
Mixer Mode Settings
Channel 1 Mixer parameters (page E-39) are automatically
recorded to Track 1. You can use the Mixer to change each of
the parameters.
Memory Capacity
The digital piano has memory for approximately 10,000 notes.
• The measure number and note number flash on the display
whenever remaining memory is less than 100 notes.
• Recording automatically stops (and auto-accompaniment
and rhythm stops playing if they are being used) whenever
memory becomes full.
• Initially, nothing is stored in song memory.
Memory Data Storage
• Whenever you make a new recording, anything previously
stored in memory is replaced.
• Turning off the digital piano while a record operation is in
progress causes the contents of the track your are currently
recording to be lost.
• You can save memory data to SD memory cards, if you
want. See “Saving Data” on page E-80 for more information.
• Remember that you can dump memory contents to a
computer using the procedure described under “Internet
Data Expansion System” on page E-79.
Track 1 Real-time Recording
Variations
The following describes a number of different variations you
can use when recording to Track 1 using real-time recording.
All of these variations are based upon the procedure described
under “To record with real-time recording” on page E-52.
To start recording with synchro start
In place of step 4, press the SYNCHRO/FILL-IN NEXT
button. Auto-accompaniment and recording will both start
when you play a chord on the accompaniment keyboard.
To record using an intro, ending, or fill-in
During recording, the INTRO/ENDING 1/2, SYNCHRO/
FILL-IN NEXT, and VARIATION/FILL-IN 1/2 buttons
(pages E-34 to 35) can all be used as they normally are.
To synchro start Auto Accompaniment with an intro
pattern
In place of step 4, press the SYNCHRO/FILL-IN NEXT button
and then INTRO/ENDING 1 or INTRO/ENDING 2 button.
Auto-accompaniment will start with the intro pattern when
you play a chord on the accompaniment keyboard.
To start Auto Accompaniment part way into a recording
In place of step 4, press the SYNCHRO/FILL-IN NEXT button
and then play something on the melody keyboard to start
recording without Auto Accompaniment. When you reach
the point where you want accompaniment to start, play a
chord on the accompaniment keyboard to start Auto
Accompaniment.
E-53
Song Memory Function
Playing Back from Song Memory
Once you record tracks to song memory, you can play them
back to see what they sound like.
To play back from song memory
1
Use the SONG MEMORY button to enter playback
standby, and then use the number buttons to select
a song number (0 to 4).
Song number
Playback standby
Sg0 P l a
y
• The above song number screen remains on the display
for about five seconds. If it disappears before you have
a chance to select a song number, use the [왔] CURSOR
button to re-display it.
2
Press the START/STOP button to playback the song
you selected.
• You can use the TEMPO buttons to adjust the playback
tempo.
• Press the START/STOP button again to stop playback.
NOTE
• You can play along on the keyboard using layer (page
E-63) and split (page E-64) during playback.
• Pressing the START/STOP button to start playback from
song memory always starts from the beginning of the
song.
• The entire keyboard functions as a melody keyboard,
regardless of the MODE button setting.
To turn off a specific track
Press the SONG MEMORY TRACK button of the track you
want to turn off, or use the Mixer (page E-39) to turn off the
channel of the track.
E-54
Recording Melody and Chords
with Step Recording
With step recording, you can record Auto-Accompaniment
chords and notes, and even specify note lengths one by one.
Even those who find it difficult to play along on the keyboard
with an Auto-Accompaniment can create AutoAccompaniments based on their own original chord
progressions. The following shows the type of data that can
be recorded in Tracks 1 through 6.
Track 1: Chords and Auto-Accompaniment
Tracks 2 through 6: Keyboard play
With step recording, first record the chords and AutoAccompaniment in Track 1. Next, record the melody in Tracks
2 through 6.
NOTE
• Use the procedure under “To record to Tracks 2 through
6 using step recording” on page E-58 for details on how
to record to Tracks 2 through 6.
Song Memory Function
To record chords with step recording
1
Press the SONG MEMORY button three times to
enter step recording standby, and then use the
number buttons to select the song number (0 to 4).
7
After you are finished recording, press the START/
STOP button.
• This enters playback standby for the song you have
just recorded.
• To play back the song at this time, press the START/
STOP button.
Flash
NOTE
Sg0 S t e
2
p
Re c
Make the following settings.
• Rhythm number
• MODE button
3
Press the CHORD/TR1 button, which is one of the
SONG MEMORY TRACK buttons, to select Track1.
• When recording starts, the REC indicator flashes on
the display. After a few moments the indicator stops
flashing, and remains on the display.
4
5
Press the SYNCHRO/FILL-IN NEXT button.
Play a chord.
• Use the chord play method that is specified by the
current MODE button setting (Fingered, CASIO
Chord, etc.).
• When the MODE button is set to Normal, specify the
chord using the root input keyboard and chord type
input keyboard. See “Specifying Chords in the
Normal Mode” on page E-56 for details.
Cho r d
Chord name
Measure, beat, and clock at
current location*
* 96 clocks = 1 beat
6
Input the length of the chord (how long it should
be played until the next chord is played).
• Use the procedure under “Correcting Mistakes While
Step Recording” on page E-59 to correct input mistakes
you make during step recording.
• You can add on to a track that already contains recorded
data by selecting that track in step 3 of the above
procedure. Doing so automatically locates the step
recording start point at the first beat immediately
following the previously recorded data.
• Inputting “0” as the chord length in steps 5 and 6 of the
above procedure specifies a rest, but the rest is not
reflected in the accompaniment contents when the
accompaniment is played.
Track 1 Contents After Step
Recording
In addition to chords, the following data is also recorded to
Track 1 during step recording. This data is applied whenever
Track 1 is played back.
• Rhythm number
• INTRO/ENDING 1 button, INTRO/ENDING 2 button,
VARIATION/FILL-IN 1 button, VARIATION/FILL-IN 2
button, SYNCHRO/FILL-IN NEXT button operations
NOTE
• You can also use number buttons 1 through 7, and button
9 to specify the button release timing for the VARIATION/
FILL-IN 1, VARIATION/FILL-IN 2, and SYNCHRO/FILLIN NEXT buttons. For more information, see “Specifying
the Length of a Note” on page E-56. Specifying release
timing specifies that the applicable button remains
depressed for a particular amount of time. If you do not
specify the release timing, it is assumed that the button
is pressed and then immediately released.
• Use the number buttons to specify the length of the
chord. See “Specifying the Length of a Note” on page
E-56 for details.
• The specified chord and its length are stored in
memory and the digital piano stands by for input of
the next chord.
• Repeat steps 5 and 6 to input more chords.
E-55
Song Memory Function
Specifying Chords in the Normal
Mode
When the MODE button is set to Normal during step
recording, you can specify chords using a method that is
different from CASIO Chord and Fingered fingerings. This
chord specification method can be used to input 18 different
chord types using only two keyboard keys, so chords can be
specified even if you don’t know how to actually play them.
Chord type input
keyboard
Root input keyboard
1
2
3
4
5
6
7
8
9
Major
Minor
Augmented
Diminished
Suspended four
Seventh
Minor seventh
Major seventh
Minor major seventh
0
A
B
C
D
E
F
G
H
Seventh flat five
Minor seventh flat five
Seventh suspended four
Diminished seventh
Minor add ninth
Add ninth
Minor sixth
Sixth
Six ninth
To specify a chord, hold down the key on the root input
keyboard that specifies the root, and press the key in the chord
type input keyboard to specify the chord type. When
inputting a chord with a specified bass note, pressing two
keys of the root input keyboard causes the lower note to be
specified as a bass note.
Example 1: To input Gm7, hold down G on the root input
keyboard and press the m7 key on the chord type
input keyboard.
(m7)
Press key to specify chord
type
(G)
Hold down key to specify chord
root.
Example 2: To input Gm/C, hold down C and G on the root
input keyboard and press the m key on the chord
type input keyboard.
Specifying the Length of a Note
During step recording, the number buttons are used to specify
the length of each note.
Note lengths
Use number buttons [1] through [6] to specify whole notes
( ), half notes ( ), quarter notes ( ), eighth notes ( ), 16th
notes ( ), and 32nd notes ( ).
Example: To specify a quarter note ( ), press [3].
Dots ( ) and triplicates (
)
While holding down the [7] (dot) or [9] (triplicate), use buttons
[1] through [6] to input the lengths of the notes.
Example: To input a dotted eighth notes ( ), hold down [7]
and press [4].
Ties
Input the first and then the second note.
Example: To input
, press [4] and then [8]. Next, press
[5]. This note will be tied to the next note you input
(16th note in this example).
Rest
Hold down [0] and then use number buttons [1] through [9]
to specify the length of the rest.
Example: To input an eighth note rest, hold down [0] and press
[4].
• Pressing the [왘] CURSOR button inputs rests up to the
beginning of the next measure.
Track 1 Step Recording Variations
The following describes a number of different variations you
can use when recording to Track 1 using step recording. All
of these variations are based upon the procedure described
under “To record chords with step recording” on page E-55.
To start accompaniment with an intro pattern
In step 4, press INTRO/ENDING 1 or INTRO/ENDING 2
button after the SYNCHRO/FILL-IN NEXT button.
To switch to a rhythm variation
In step 5, press VARIATION/FILL-IN 1 or VARIATION/
FILL-IN 2 button immediately before inputting the chord.
To insert a fill in
In step 5, press VARIATION/FILL-IN 1 or VARIATION/
FILL-IN 2 button at the measure or beat immediately before
the chord or beat where you want to insert the fill in.
(C)
(G)
Hold down key to specify on bass
and chord root.
E-56
(m)
Press key to specify
chord type.
To insert an ending
In step 5, press INTRO/ENDING 1 or INTRO/ENDING 2
button at the measure or beat immediately before the chord
where you want to insert the ending.
Song Memory Function
IMPORTANT!
• The length of the ending depends on the rhythm you
are using. Check the length of the pattern you are using
and set the length of the chord accordingly in step 6.
Making the chord too short in step 6 can result in the
ending pattern being cut off.
To step record chords without rhythm
Skip step 4. The specified chord of the length specified by
the number buttons is recorded. A rest can be specified here,
so an original chord pattern can be created.
To add chord accompaniment part way through rhythm
play
In place of step 4 at the start of the recording, press
VARIATION/FILL-IN 1 or VARIATION/FILL-IN 2 button
and input rests. Then in step 5, input the chords. Only rhythm
is played where you input the rests, and then chord play starts
after the rests.
Recording Multiple Tracks
Track 1 of the digital piano’s song memory records Auto
Accompaniment and keyboard play. In addition, there are
five other melody tracks that you can use to record melody
parts only. You can record different tones to the melody tracks
and build a full ensemble of instruments for your recordings.
The procedure you use for recording to Tracks 2 through 6 is
identical to the one you use when recording to Track 1.
To record to Tracks 2 through 6 using
real-time recording
You can record to Tracks 2 through 6 while playing back what
you originally recorded on Track 1 and any other tracks that
are already recorded.
1
3
Make the following settings.
• Tone number
• Tempo
4
Press the START/STOP button to start recording.
• At this time, the contents of any tracks that are already
recorded start to play back.
• The pedal and pitch bend operations are also
recorded.
5
6
Use the keyboard to play what you want to record
the track you selected.
Press the START/STOP button to end recording
when you are finished.
Track Contents After Real-time
Recording
In addition to keyboard notes, the following data is also
recorded to the selected track during real-time recording. This
data is applied whenever the track is played back.
• Tone number
• Pedal operations
The following data is recorded in the header whenever you
start a recording of a track.
• Mixer settings of other tracks
• Effect type
• Accompaniment volume
• Reverb Level
• Chorus Level
• DSP Hold On/Off
• Mixer Hold On/Off
• Pitch bend wheel operation
• Pitch bend range
Press the SONG MEMORY button twice to enter
record standby, and then use the number buttons
to select a song number (0 to 4).
• The song number you select should be the one where
you previously input Track 1.
2
Use the SONG MEMORY TRACK buttons to select
the track you want to record to (2 through 6).
• While the digital piano is in record standby, the
display shows the level meters for channels 11
through 16, so you can check which tracks have
already been recorded. See “Level Meter Contents
During Record/Edit Standby” on page E-58 for
details.
E-57
Song Memory Function
To record to Tracks 2 through 6 using
step recording
This procedure describes how to input notes one-by-one,
specifying each note’s pitch and length.
1
Press the SONG MEMORY button three times to
enter real-time record standby, and then use the
number buttons to select a song number (0 to 4).
• The song number you select should be the one where
you previously input Track 1.
Sg1 S t e
2
p
Rec
Use the SONG MEMORY TRACK buttons to select
the track you want to record to (2 through 6).
Example: Select Track 2.
Flash
NOTE
• Use the procedure under “Correcting Mistakes While
Step Recording” on page E-59 to correct input mistakes
you make during step recording.
• You can add on to a track that already contains recorded
data by selecting that track in step 2 of the above
procedure. Doing so automatically locates the step
recording start point at the first beat immediately
following the previously recorded data.
• Whenever you are recording to Tracks 2 through 6, the
entire keyboard functions as a melody keyboard,
regardless of the current MODE button setting.
• When playing back data recorded with Advanced Tones
at the beginning of multiple tracks, the digital piano uses
the DSP type of the Advanced Tone that is recorded in
the track with the largest track number.
• When playing back a track that was recorded with an
Advanced Tone selected, they may be a slight delay
before the first note of the track sounds. If this happens,
try to insert a very short rest at the beginning of the
track.
Track Contents After Step Recording
3
Specify a tone number.
• Pressing a TONE button or the DRAWBAR ORGAN
button displays the tone number and name on the
display. You can then use the number buttons, or the
[+] (increase) and [–] (decrease) buttons to change the
tone.
• After changing the tone number, press any keyboard
key to clear the tone number and name screen, and
return to the note input screen.
4
Use the keyboard keys to input notes, or the [0]
button to input rests.
• At this time, the display shows the keyboard pressure
(velocity). Use the [+] (increase) and [–] (decrease)
buttons to change the velocity.
• You can also input a chord.
5
6
7
Use the number buttons to input the length of the
note or rest (page E-56).
Repeat steps 4 and 5 to input more notes.
Press the START/STOP button to end recording
when you are finished.
E-58
In addition to notes and rests, the following data is also
recorded to the track during step recording. This data is
applied whenever the track is played back.
• Tone number
Level Meter Contents During Record/
Edit Standby
Channels 11 through 16 correspond to Tracks 1 through 6.
Whenever the digital piano is in record or edit (page E-60)
standby, the level meter display shows which tracks already
contain recorded data and which are still empty. Tracks with
four lit segments already contained recorded data, while
tracks with one lit segment are not yet recorded.
Recorded track
Not recorded track
Song Memory Function
Correcting Mistakes While Step
Recording
2
Memory data can be thought of as a musical score that
progresses from left to right, with the input point normally
at the far right of the recorded data.
The procedure described here lets you move the input point
to the left in order to make changes in data you have already
input. Note, however, that moving the input point to the left
and changing data automatically deletes all of the data
recorded to the right of the input point.
Monitoring the data on the display, use [왗] and
[왘] CURSOR buttons to move the input point to
the data you want to change.
Example: To re-record all note data following the note
A3 located at Measure 120, Beat 1, Clock 0.
100 No t e
To correct mistakes while step
recording
A3
Measure 120/Beat 1/Clock 0
(Input point moved to using [왗] and [왘] CURSOR buttons)
Data flow
1
Without exiting step recording, use the [왗]
CURSOR button to move the input point to the left.
•••••••
A3
• The REC indicator disappears from the display, and
the STEP indicator flashes.
100 No t e
3
C#4
• • • • • • •
C4
Press the [왔] CURSOR button.
Rew r i t e?
4
Measure 126/Beat 3/Clock 48
(Normal input point)
Data flow
•••••••
Measure 126/Beat 3/Clock 0
(Previous data)
Data flow
• • • • • • •
C4
Press [왗] CURSOR button.
•••••••
• • • • • • •
Press the YES button.
• This deletes all data from the location you specified
and enters step record standby.
• Pressing the [왖] CURSOR button or the NO button
cancels deleting the data.
C4
Measure 120/Beat 1/Clock 0
(Step re-recording begins from here.)
Use [왗] and [왘] CURSOR
to move left and right.
Data flow
•••••••
All data to
the right
is deleted.
NOTE
• When you reach the end of the recording by pressing
the [왘] CURSOR button, the “REC” indicator appears
and the “STEP” indicator flashes on the display,
indicating that you can add more data using step
recording.
E-59
Song Memory Function
4
To delete specific note data
1
2
3
Perform steps 1 and 2 under “To correct mistakes
while step recording” above to display the note
you want to delete.
Pitch
C4
In response to the “Delete?” message that appears
on the screen, press the YES button to delete the
displayed note.
5
The following types of data can be edited.
• Note intensity
• Notes
• Chords
• Tone numbers
• Rhythm number
• INTRO/ENDING 1 button, INTRO/ENDING 2 button,
VARIATION/FILL-IN 1 button, VARIATION/FILL-IN
2 button, SYNCHRO/FILL-IN NEXT button operations
To edit memory contents
Press the SONG MEMORY button three times to
enter step recording standby, and then use the [+]
and [–] buttons to select a song number (0 to 4).
Flash
Sg0 S t e
3
Velocity
090 No t e
After you record to digital piano memory, you can recall
individual notes and parameter settings (such as tone
number) and make any changes you want. This means you
can correct misplayed notes, make changes in tone
selections, etc.
2
Note editing example
Press the [왔] CURSOR button twice.
Editing Memory Contents
1
Use the [왗] and [왘] CURSOR buttons to move to
the location in track where the note or parameter
you want to change is located.
p
Re c
Use the SONG MEMORY TRACK buttons to
select the recorded track that you want to edit.
Press the [왗] CURSOR button to enter the editing
mode.
• The REC indicator disappears from the display, and
the STEP indicator flashes.
E-60
Make any changes in the value that you want.
• The actual procedures you use to change a parameter
depend on the type of data it contains. See “Editing
Techniques and Display Contents” on page E-61 for
details.
6
7
Repeat steps 4 and 5 to edit other parameters.
Press the START/STOP button to end editing when
you are finished.
NOTE
• The only parameters that can be editted for Tracks 2
through 6 are notes and tone numbers.
• In the case of real-time recording, you later can change
tone numbers you specified while recording to Tracks 1
through 6 is in progress.
• You can only change tone numbers that were originally
set for Tracks 2 through 6 using step recording.
• In the case of real-time recording, you later can change
rhythm numbers you specified while recording to Track
1 is in progress.
• You can only change rhythm numbers that were originally
set for Track 1 using step recording.
• You cannot use the edit procedure to add more data to
a recording.
• You cannot move portions of a recording to a different
location within the recording.
• Note lengths cannot be changed.
Song Memory Function
Editing Techniques and Display
Contents
The following describes the editing techniques you can use
to change the various parameters stored in memory.
To change the key pressure (velocity) of a note
Use the number buttons or [+] and [–] to adjust the key
pressure.
110 No t e
G4
To change the pitch of a note
Input a new note on the keyboard or use [+] and [–] buttons
to change the pitch of a note. The pitch you specify here is
reflected in the keyboard and the notes shown in the staff on
the display.
110 No t e
G4
NOTE
• In the case of real-time recording, you later can change
tone numbers you specified while recording to Tracks 1
through 6 is in progress.
• You can only change tone numbers that were originally
set for Tracks 2 through 6 using step recording.
To change a rhythm number
Use the number buttons or [+] and [–] buttons to change a
rhythm number.
026 16B t B l d2
NOTE
• In the case of real-time recording, you later can change
rhythm numbers you specified while recording to Track
1 is in progress.
• You can only change rhythm numbers that were originally
set for Track 1 using step recording.
IMPORTANT!
• Whenever editing memory contents, never change a
note so it is identical to the note before or after it. Doing
so may alter the length of the changed note and the
note before or after it. Should this happen, you will have
to re-record the entire track.
To change a chord
Use the chord fingering method selected by the MODE button
(FINGERED, CASIO CHORD, etc.) to input a chord.
To change a rhythm controller operation*
* INTRO/ENDING 1 button, INTRO/ENDING 2 button,
VARIATION/FILL-IN 1 button, VARIATION/FILL-IN 2
button, SYNCHRO/FILL-IN NEXT button operations
Press the rhythm controller button you want to change to.
I n t / End1
Ch o r d
To change a tone number
Use the number buttons or [+] and [–] buttons to change a
tone number.
000 S t .Gr Pno
E-61
Song Memory Function
Editing a Song
4
You can perform the following operations in the song editing
mode.
Use the SONG MEMORY TRACK buttons to select
the recorded track or tracks whose data you want
to delete.
Track delete standby
• Delete a song
• Delete a track
• Song header data rewrite (Panel Record)
Recorded track
Track being deleted (Multiple
tracks can be specified.)
To delete a song
1
2
3
4
Press the SONG MEMORY button once to enter
playback standby.
Use the [+] and [–] buttons to select the number of
the song you want to delete.
Press the [왔] CURSOR button. If there is no song
number on the display, press the [왔] CURSOR
button twice.
2
3
Press the YES button.
• This causes the message “Sure?” to appear, confirming
whether you really want to delete the track.
6
Press the YES button.
NOTE
Press the YES button to delete the song and return
to playback standby.
To delete a specific track
1
5
• This displays the song delete screen.
• This causes the message “Sure?” to appear, confirming
whether you really want to delete the song.
5
• You can specify more than one track for deletion by
pressing more than one track select button.
• To deselect a track, simply press its track select button
again.
Press the SONG MEMORY button once to enter
playback standby.
Use the [+] and [–] buttons to select the number of
the song that contains the track you want to delete.
Press the [왔] CURSOR button twice. If there is no
song number on the display, press the [왔] CURSOR
button three times.
• You cannot change the song number while in track delete
standby.
• Pressing the SONG MEMORY button while in track
delete standby returns to record standby.
To rewrite song header data
(Panel Record)
You can use a procedure called “Panel Record” to change the
initial Mixer, tempo and other settings stored in the song
header.
1
2
• This displays the track delete screen.
Number of the song that contains the track
(cannot be changed)
Track delete standby
Sg1 T r . De l . ?
E-62
Press the YES button to delete the track.
3
4
Press the SONG MEMORY button once to enter
playback standby.
Use the [+] and [–] buttons to select the number of
the song that contains the header data you want to
rewrite.
Make the changes you want to the header data.
Press the [왔] CURSOR button three times.
• This displays the header data rewrite screen.
5
Press the YES button to rewrite the header data.
Digital Piano Settings
TRANSPOSE/FUNCTION
CURSOR
TONE
EXIT
Number buttons
[+]/[–]
YES/NO
SPLIT
2
Parts
Press the LAYER button.
Selected layer tone
Up to four parts (numbered 1 through 4) can be used
simultaneously during keyboard play. These parts can be
used by the layer and split functions explained below.
Part 1: Main tone part
Part 2: Layered tone part
Part 3: Split tone part
Part 4: Layered and split tone part
448 St r i n
3
g
Lit
1G
Select the layered tone.
Example: To select “460 GM FRENCH HORN” as the
layered tone, use the number buttons to input
4, 6 and then 0.
Using Layer
Layer lets you assign two different tones (a main tone and a
layered tone) to the keyboard, both of which play whenever
you press a key. For example, you could layer the GM
FRENCH HORN tone on the GM BRASS tone to produce a
rich and brassy sound.
460 F r Ho r n
4
LAYER
G
Now try playing something on the keyboard.
• Both tones are played at the same time.
5
To layer tones
First select the main tone.
Example: To select “461 GM BRASS” as the main tone,
press the TONE button and then use the
number buttons to input 4, 6 and then 1.
461 Br ass
Press the LAYER button again to unlayer the tones
and return the keyboard to normal.
NOTE
Main Tone (GM BRASS) + Layered Tone (GM FRENCH HORN)
1
LAYER
G
• Turning on layering switches the currently selected part
from Part 1 to Part 2, and displays the layered tone. At
that time, you can use the [왗] and [왘] CURSOR buttons
to switch between parts. Turning off layering returns to
Part 1.
• The main tone sounds over Channel 1, while the layered
tone sounds over Channel 2. You can also use the Mixer
to change the tone and volume settings for these
channels.
• Note that layering is not possible during record standby
or recording in the Song Memory Mode, or while you
are using the SMF Player Mode.
E-63
Digital Piano Settings
4
Using Split
With split you can assign two different tones (a main tone
and a split tone) to either end of the keyboard, which lets
you play one tone with your left hand and another tone with
your right hand. For example, you could select GM STRINGS
1 as the main (high range) tone and GM PIZZICATO as the
split (low range) tone, putting an entire string ensemble at
your fingertips.
Split also lets you specify the split point, which is the location
on the keyboard where the changeover between the two tones
occurs.
Example: To specify G3 as the split point, press the G3
key.
G3
5
NOTE
• Leave the MODE button in the Normal or FULL RANGE
CHORD position.
SPLIT
Specify the split point. While holding down the
SPLIT button, press the keyboard key where you
want the leftmost key of the high end range to be.
6
Now try playing something on the keyboard.
• Every key from F3 and below is assigned the GM
PIZZICATO tone, while every key from G3 and above
is assigned the GM STRINGS 1 tone.
Press the SPLIT button again to unsplit the keyboard
and return it to normal.
NOTE
Split Tone
(GM PIZZICATO)
Main Tone (GM STRINGS 1)
Split point
To split the keyboard
1
First select the main tone.
Example: To select “448 GM STRINGS 1” as the main
tone, press the TONE button and then use the
number buttons to input 4, 4 and then 8.
448 St r i n
2
g
1G
Press the SPLIT button.
Selected split tone
Lit
432 AcousBsG
3
Select the split tone.
Example: To select “445 GM PIZZICATO” as the split
tone, use the number buttons to input 4, 4 and
then 5.
445 P i zzca tG
E-64
• Turning on split switches the currently selected part to
Part 3, and displays the split tone. At that time, you can
use the [왗] and [왘] CURSOR buttons to switch between
parts. Turning off split returns to Part 1.
• The main tone sounds over Channel 1, while the split
tone sounds over Channel 3. You can also use the Mixer
to change the tone and volume settings for these
channels.
• Note that split is not possible during record standby or
recording in the Song Memory Mode, or while you are
using the SMF Player Mode.
• When the MODE button is set to CASIO CHORD or
FINGERED, the accompaniment keyboard range is in
accordance with the split point you specify with the above
procedure.
Digital Piano Settings
4
Using Layer and Split Together
You can use layer and split together to create a layered split
keyboard. It makes no difference whether you layer tones
first and then split the keyboard, or split the keyboard and
then layer tones. When you use layer and split in combination,
the high range of the keyboard is assigned two tones (main
tone + layered tone), and the low range two tones (split tone
+ layered split tone).
5
Press the SPLIT button or the LAYER button so both
of the SPLIT and LAYER indicators are displayed.
Input the number of the layered split tone.
Example: To specify the “448 GM STRINGS 1” tone,
enter 4, 4, 8.
448 St r i n
g
1G
LAYER SPLIT
6
Split Tone (GM PIZZICATO)
+
Layered Split Tone
(GM STRINGS 1)
Main Tone (GM BRASS)
+
Layered Tone (GM FRENCH HORN)
To split the keyboard and then layer
tones
Press the TONE button and then input the tone
number of the main tone.
Example: To set “461 GM BRASS” as the main tone.
461 Br ass
2
Play something on the keyboard.
• Press the LAYER button to unlayer the keyboard, and
the SPLIT button to unsplit it.
Split point
1
7
While holding down the SPLIT button, press the
keyboard key where you want the lowest note (the
leftmost key) of the upper range (right side range)
to be.
G
NOTE
• Turning on layer+split switches the currently selected
part to Part 4, and displays the layered tone. At that
time, you can use the [왗] and [왘] CURSOR buttons to
switch between parts. Turning off layer returns to Part
3, while turning off split returns to part 2. Turning off
both layer and split returns to Part 1.
• The main tone sounds over Channel 1, the layer tone
over Channel 2, the split tone over Channel 3, and the
layer/split tone over Channel 4. You can also use the
Mixer to change the tone and volume settings for these
channels.
Press the SPLIT button and then input the number
of the split tone.
Example: To set “445 GM PIZZICATO” as the split tone.
445 P i zzca tG
• After specifying the split tone, press the SPLIT button
to unsplit the keyboard.
3
Press the LAYER button and then input the number
of the layered tone.
Example: To set “460 GM FRENCH HORN” as the
layered tone.
460 F r Ho r n
G
E-65
Digital Piano Settings
Transposing the Digital Piano
Using Touch Response
Transpose lets you raise and lower the overall key of the
digital piano in semitone units. If you want to play an
accompaniment for a vocalist who sings in a key that’s
different from the digital piano, for example, simply use
transpose to change the key of the digital piano.
When touch response is turned on, the relative volume of
sound output by the digital piano is varied in accordance
with the amount of pressure applied, just like an acoustic
piano.
To transpose the digital piano
1
To turn touch response on and off
1
Press the TRANSPOSE/FUNCTION button.
• This causes the FUNCTION indicator to appear on
the display.
• This causes the FUNCTION indicator to appear on
the display.
2
00 Tr ans .
2
Press the TRANSPOSE/FUNCTION button.
Use the [왗] and [왘] CURSOR buttons to display
the touch response setting screen.
2 Touch
Use [+] and [–] to change the transpose setting of
the keyboard.
Example: To transpose the digital piano five semitones
upwards.
05 Tr ans .
• Pressing the TRANSPOSE/FUNCTION button exits
the transpose screen.
3
Use the [+] and [–] buttons to select the touch
response sensitivity level.
• “1” outputs powerful sound even with light key
pressure, while “3” requires very heavy key pressure
to output powerful sound.
• Pressing [+] and [–] at the same time returns
sensitivity to the “2” setting.
• When you select “Off”, the tone does not change
regardless of how much pressure you apply to the
keyboard.
NOTE
• The digital piano can be transposed within a range of –
24 (two octave downwards) to +24 (two octave upwards).
• The transpose setting also affects playback from song
memory and Auto Accompaniment.
• The allowable pitch range you can transpose within
depends on the tone you are using. When transpose
results in a note that is higher than the allowable pitch
range, the keyboard replaces the note with one of the
following.
• The nearest note in the allowable pitch range
(regardless of the pitch of the original note)
• The same note in the nearest octave of the allowable
pitch range
In the case of a note that is lower than the allowable
pitch range, the note is replaced with the nearest note
in the allowable pitch range (regardless of the pitch of
the original note).
• After using Transpose to raise the digital piano to a high
key, notes played at the highest range of the keyboard
may not sound properly for certain tones.
E-66
NOTE
• Touch response not only affects the digital piano’s
internal sound source, it also is output as MIDI data.
• Song Memory playback, accompaniment, and external
MIDI note data do not affect the touch response setting.
Digital Piano Settings
Tuning the Digital Piano
The tuning feature lets you fine tune the digital piano to match
the tuning of another musical instrument.
To tune the digital piano
1
Press the TRANSPOSE/FUNCTION button.
• This causes the FUNCTION indicator to appear on
the display.
2
Use the [왗] and [왘] CURSOR buttons to display
the tuning screen.
00 Tune
3
Use [+] and [–] to change the tuning setting of the
digital piano.
Example: To lower the tuning by 20.
- 20 Tune
• Pressing the TRANSPOSE/FUNCTION button exits
the transpose screen.
NOTE
• The digital piano can be tuned within a range of –99
cents to +99 cents.
*100 cents is equivalent to one semitone.
• The tuning setting also affects playback from song
memory and Auto Accompaniment.
E-67
Digital Piano Settings
Changing Other Settings
Setting Types
The table below shows the parameters whose settings you can change.
Setting menu
Description
Page
Transpose
(Trans.)
Adjusts of overall digital piano tuning by semitone units.
E-66
Auto Harmonize
(AutoHarm)
Selects the Auto Harmonize Type
E-70
Touch Response
(Touch)
Specifies of how sound should change with keyboard pressure.
E-66
Tune
(Tune)
Fine adjustment of overall digital piano tuning.
E-67
Contrast
(Contrast)
Adjusts display brightness.
E-71
Half Damper Depth
(HalfDamp)
Adjusts the amount of pedal effect applied when the damper pedal is pressed part way.
E-71
Soft/Sostenuto
Pedal Jack (Jack)
Specifies the effect applied to the soft/sostenuto pedal jack.
E-71
Mixer Hold
(MixHold)
Turns mixer hold on or off.
E-71
DSP Hold
(DSP Hold)
Turn DSP hold on or off.
E-71
MIDI
(MIDI)
MIDI settings
E-71
Delete/Initialize
(Del/Init)
Initialization can be used to return digital piano parameters to their initial factory default
settings, or to delete all data currently in keyboard memory.
E-71
NOTE
• The above settings are all saved whenever you turn off the digital piano. For details, see “Memory Contents” on page E-14.
• MIDI settings and Delete/Initialize settings are disabled while you are using the SMF Player or Song Memory function.
E-68
Digital Piano Settings
To use the digital piano settings menu
1
Press the TRANSPOSE/FUNCTION button.
• This causes the FUNCTION indicator to appear on the display.
2
Use the [왗] and [왘] CURSOR buttons, and the [왖] and [왔] CURSOR buttons to recall the items whose settings
you want to change.
Tone selection screen
TRANSPOSE/FUNCTION
button
EXIT button
TRANSPOSE/FUNCTION button
[왘] *
00 Tr ans .
[왘]
[왘]
2 Au t oHa rm
[왗]
00 Tune
[왗]
[왗]
Sf t Jack
M i xHo l d
O f f DSP Ho l d
[왗]
[왗]
[왔]
[왗]
[왘]
On
[왗]
[왘]
07 Con t r a s t
[왗]
[왘]
[왘]
0 0 0 Ha l f Damp
[왘]
2 Touch
[왖]
MIDI
setting
[왘]
01 Ke
y
bd
Ch
[왘]
O f f Cho r d
[왘]
On
[왗]
[왔]
[왘]
On
[왗]
[왗]
Loca l
02 Bend
[왗]
[왖]
Delete
setting
[왘]
[왘]
De l Rh
D e l SMF ?
y
?
De l Tone?
[왗]
[왗]
[왔]
Ac / SqOu t
[왖]
Initialize
setting
[왘]
I n i tMi x?
[왘]
I n i t Pa r ?
[왗]
I n i tS
y
s?
[왗]
*
[왖] : [왖] CURSOR button
[왔] : [왔] CURSOR button
[왗] : [왗] CURSOR button
[왘] : [왘] CURSOR button
E-69
Digital Piano Settings
3
Use the [+] and [–] buttons or the number buttons to change the values.
• Settings you make are applied even if you do not press the EXIT button.
• See the following section titled “Setting Menu Items” for details on each setting.
• After making the settings you want, press the TRANSPOSE/FUNCTION button or EXIT button to return to the tone or
rhythm selection screen.
■ In case of a delete or initialize procedure
4
Press the YES button.
• This displays the user area number and data name of the data to be deleted.
• The data size value represents kilobyte units.
5
6
Now use the number buttons, or the [+] (increase) and [–] (decrease) buttons to select the data you want.
Press the [왔] CURSOR button.
• This causes the message “Sure?” to appear, confirming whether you really want to perform the delete or initialize operation.
7
Press the YES button to complete the operation.
• This performs the delete or initialize operation and returns to the step 5 screen.
8
After making the settings you want, press the TRANSPOSE/FUNCTION button or EXIT button to return to the tone
or rhythm selection screen.
IMPORTANT!
• It can take one or two minutes to perform a delete or initialize procedure after you pressing the YES button in step 7 above.
The message “Pls Wait” will remain on the display to indicate that a procedure is being performed. Never try to perform any
operation while “Pls Wait” is displayed. Performing any operation can damage the digital piano’s memory and cause it to
malfunction.
Setting Menu Items
쏋 Auto Harmonize Types
You can select from among the 10 different types of auto harmonize listed below.
No.
Type
(Parameter Name)
Description
0
Duet1
Adds a 1-part harmony to keyboard play.
1
Duet2
Adds a 1-part harmony to keyboard play. Duet2 harmony is more open than Duet1.
2
Country
Adds a country-flavor harmony to keyboard play.
3
Octave
Adds notes one octave below notes played on the keyboard.
4
5th
Adds fifth notes above notes played on the keyboard.
5
3-Way Open
Adds two open harmony parts to notes played on the keyboard (creating three-part harmony).
6
3-Way Close
Adds two close harmony parts to notes played on the keyboard (creating three-part harmony).
7
Strings
Adds harmony suitable for strings.
8
Block
Adds block chord notes.
9
Big Band
Adds harmony suitable for big band play.
E-70
Digital Piano Settings
쏋 Other Settings
Setting menu
Range
Default
00 to 15
07
Adjusts display contrast.
000 to 127
072
Adjusts the amount of the pedal effect applied when the damper
pedal is pressed part way.
Soft/Sostenuto Pedal Jack
(Jack)
Sft/Sos
Sft
Sft: Assigns the soft pedal effect to the pedal.
Sos: Assigns the sostenuto pedal effect to the pedal.
Mixer Hold
(MixHold)
On/Off
Off
When Mixer Hold is turned on, the parameters of accompaniment
parts (Part 6 through Part 10) cannot be modified by
accompaniment data.
DSP Hold
(DSP Hold)
On/Off
Off
On: Current DSP line setting is maintained, even when the tone is
changed.
Off: Changing the tone switches to the DSP line setting of the new
tone.
Range
Default
Description
Keyboard Channel
(Keybd Ch)
01 to 16
01
Specifies the send channel for main tone play.
MIDI In Chord Judge
(Chord)
On/Off
Off
Specifies whether accompaniment range MIDI Note On messages
received from an external device should be interpreted as auto
accompaniment chords.
Accomp/Song MIDI Out
(Ac/SgOut)
On/Off
Off
Specifies whether this digital piano’s auto accompaniment or song
memory is sent as MIDI messages.
Local Control Setting
(Local)
On/Off
On
Specifies whether the digital piano should sound the parts played
on it.
Pitch Bend Range
(Bend)
00 to 12
12
Specifies the maximum change in a tone that can be applied using
the PITCH BEND wheel. The setting range is 00 (no change) to 12
(12 semitones).
Contrast
(Contrast)
Half Damper Depth
(HalfDamp)
Description
쏋 MIDI Setting
Setting menu
쏋 Delete/Initialize Settings
Range
Default
SMF Delete
Setting menu
—
—
Deletes selected SMF data.
Description
User Rhythm Delete
—
—
Deletes selected user rhythm data.
User Tone Delete
—
—
Deletes selected user tone data.
Mixer Reset
(InitMix?)
—
—
Initializes parameters assigned by the Mixer or by input from an
external sequencer.
Parameter Reset
(InitPar?)
—
—
System Reset
(InitSys?)
—
—
Initializes all parameters, except for the display contrast setting.
Initializes the digital piano’s parameters and registration data, and
deletes all data stored in the digital piano’s user area.
E-71
Using the SMF Player
The letters “SMF” stand for Standard MIDI File, which is a file format that allows MIDI data to be shared between different
software and sequencers. There are actually three SMF formats, named SMF 0, SMF 1, and SMF 2. This digital piano supports the
SMF 0 format, which is the one that is most widely used today, and so all mentions of “SMF data” in this manual refer to SMF 0
format data.
You can use your computer to transfer SMFs from the bundled CD-ROM to digital piano flash memory, or SMFs you have
downloaded from the CASIO MUSIC SITE. SMF format music data can be stored in the digital piano’s built-in Flash memory.
Data stored in Flash memory can be played back using the SMF Player Mode. You can also load SMF data from an SD memory
card into the digital piano’s user area and then play it back using the SMF Player Mode. See “Saving Data” on page E-80 for
details.
The follow shows the maximum number of files that can be stored on each type of media.
Flash Memory
: 200 files*
SD Memory Card : 255 files*
* Note that the number of files you can store in memory also depends on the size of each file. If your files are very large, you may
be able to store fewer than the number of files indicated above.
About Flash memory
Initially, your digital piano comes with three sample SMF tunes in memory.
No.
000
001
002
003
004
005
006
007
008
009
010
011
012
013
014
015
016
017
018
019
020
021
022
023
024
025
Tune Name
Nocturne Op.9-2
Fantaisie-Impromptu Op.66
Etude Op.10-3 “Chanson de l’adieu”
Etude Op.25-9
Prelude Op.28-7
Valse Op.64-1 “Petit Chien”
Ave Maria
Moments Musicaux Op.94-3
Fröhlicher Landmann
Von fremden Ländern und Menschen [Kinderszenen]
Träumerei [Kinderszenen]
Canon in D Major
Tambourin
Menuet [Klavierbüchlein für Anna Magdalena Bach]
Invention 1 <C Major BWV 772>
Invention 13 <A Minor BWV 784>
Praeludium 1 [Wohltemperierte Klavier 1]
Jesus Bleibet Meine Freude
Gavotte
Sonatina Op.36-1 1st Mov.
Serenade [Eine Kleine Nachtmusik]
Sonata K.545 1st Mov.
Sonata K.331 3rd Mov. “Turkish March”
Ode To Joy
Für Elise
Sonata Op.13 “Pathétique” 2nd Mov.
No.
026
027
028
029
030
031
032
033
034
035
036
037
038
039
040
041
042
043
044
045
046
047
048
049
Tune Name
Sonata Op.27-2 “Moonlight” 1st Mov.
Waltz Op.39-15 (Duets)
Liebesträume 3
La Prière d’une Vierge
Promenade [Tableaux d’une Exposition]
Csikos Post
Sicilienne Op.78
Arabesque 1
La Fille aux Cheveux de Lin
Passepied [Suite Bergamasque]
Gymnopédie 1
Salut d’Amour
The Entertainer
Maple Leaf Rag
Chopsticks
Grandfather’s Clock
Amazing Grace
No.9 La Chasse [Burgmüller 25 Leichte Etüden Opus100]
No.14 La Styrienne [Burgmüller 25 Leichte Etüden
Opus100]
No.19 Ave Maria [Burgmüller 25 Leichte Etüden Opus100]
No.23 Retour [Burgmüller 25 Leichte Etüden Opus100]
No.25 La Chevaleresque [Burgmüller 25 Leichte Etüden
Opus100]
No.13 [Czerny Etudes de Mécanisme Opus 849]
No.26 [Czerny Etudes de Mécanisme Opus 849]
NOTE
• This is the initial factory default list. It is overwritten by storing SMF from the bundled CD-ROM or SMF data downloaded
from the Internet.
• The CD-ROM that comes bundled with the keyboard can be used to return all SMF tunes to the initial factory defaults shown
in this list. See “Returning the digital piano to its initial factory defaults” on page E-79 for details.
IMPORTANT!
• Note that CASIO COMPUTER CO., LTD. shall not be held liable for any loss of data stored in Flash memory, or on an SD
memory card.
E-72
Using the SMF Player
SMF Player Mode Operational Flow
Display Screen
Tone/Rhythm Selection Screen
Number Area
SMF PLAYER button
SMF PLAYER button
Text Area
Select media.
SMF Player indicator Lights
EXIT button
[왖]*
[왔]*
Select file.
File Name
File Number
000
ABC1
[왘]*, [+]
001
[왗]*, [–]
ABC2
[왘], [+]
[왗], [–]
[왘], [+]
ABC3
[왗], [–]
008
START/STOP button
Direct input using number buttons is also possible.
[왔]
Select play along part.
[왖]
Part Number
Key Ch
01
[왘], [+]
EXIT button
[왗], [–]
Key Ch
04
[왘], [+]
[왗], [–]
[왘], [+]
Key Ch
[왗], [–]
16
START/STOP button
Direct input using number buttons is also possible.
[왖]
[왔]
Select play back mode.
Playback Mode
PlayMode
S1
[왘], [+]
EXIT button
[왗], [–]
PlayMode
SL
[왗], [–]
[왘], [+]
[왗], [–]
[왘], [+]
AL
START/STOP button
PlayMode
A1
PlayMode
[왘], [+]
[왗], [–]
Direct input using number buttons is also possible.
[왔]
Select output mode.
[왖]
Output Mode
EXIT button
Output
Int
[왘], [+]
[왗], [–]
[왘], [+]
Output
[왗], [–]
Out
START/STOP button
During SMF playback
File Number
File Name
001
ABC 2
START/STOP button,
Playback complete.
You can use the [왗] and [왘] CURSOR buttons or
[+] and [–] buttons to change the SMF.
Direct input using number buttons is also possible.
Playback stopped.
*
[왖] : [왖] CURSOR button
[왔] : [왔] CURSOR button
[왗] : [왗] CURSOR button
[왘] : [왘] CURSOR button
Error (Other errors may also occur.)
Data is not an SMF 0 format
Err
Not SMF0
EXIT button
Data is not correct SMF
Err
WrongDat
E-73
Using the SMF Player
ACCOMP VOLUME
CURSOR
Number buttons
[+]/[–]
START/STOP
Playing Back an SMF
Note that the first step you need to perform in the procedure
below depends on whether you are playing back from Flash
memory or an SD memory card.
SMF PLAYER
To play back an SMF
1
What you should do first depends on whether you
are playing back from Flash memory or an SD
memory card.
PREPARATION
• Insert the SD memory card that contains the data you
want to play into the digital piano’s card slot.
Flash Memory
2
IMPORTANT!
Use the SMF PLAYER button to display the
“Internal” indicator in the text area of the screen.
• This causes the “SMF PLAYER” indicator to appear
on the display.
• Never remove the memory card from the card slot or
turn off the digital piano while card data is being
accessed by a save, read, or delete operation. Doing
so can corrupt the data on the memory card or even
damage the card slot.
I n t e r na l
• After pressing the SMF PLAYER button, you can
use the [왗] and [왘] CURSOR buttons to select the
SD memory card.
SD Memory Card
2
Insert the SD memory card that contains the file
you want to play into the digital piano’s card slot.
Use the SMF PLAYER button to display the “Card”
indicator in the text area of the screen.
• This causes the “SMF PLAYER” indicator to appear
on the display.
3
Press the [왔] CURSOR button to display the file
selection screen.
• SMFs are those shows file names end with the
extension “MID”. An error message appears at this
time if there are no SMF files currently in storage
media you are using.
E-74
Using the SMF Player
4
Use tthe number buttons to input the three-digit
file number of the file you want to play.
2
• The name of the currently selected file will appear in
the text area of the display. The file number is shown
in the number area of the display. The Tempo/
Measure area of the display shows the size of the file
in kilobytes.
• You can also use the [왗] and [왘] CURSOR buttons or
[+] and [–] buttons to change the file.
5
6
• Use the [왗] and [왘] CURSOR buttons, the [+] and [–]
buttons, or the number buttons to select the play along
part.
• You can specify the part you want to play on the
keyboard (the play-along part) as a value in the range
of 1 through 16.
• Press the MIXER button to enter the Mixer Mode.
Turn off the channel that corresponds to the play along
part you selected above. See “Turning Channels On
and Off” on page E-39 for more information.
Performing this step turns off the applicable part so
you can play it on the keyboard along with the rest of
the SMF playback.
Press the START/STOP button
• This starts playback of the selected file.
• You can use the TEMPO buttons to adjust the tempo
within the range of 30 to 255.
• You can turn channels 1 through 16 on and off,
regardless of whether file playback is in progress or
stopped. For more information, see “Turning
Channels On and Off” on page E-39.
To stop file playback, press the START/STOP button
again.
Press the [왔] CURSOR button to display a screen
for selecting the part you want to play on the
keyboard (play along part).
NOTE
• Entering the SMF Player Mode initializes all parts by
turning on all Mixer Mode channels.
• After configuring Mixer Mode settings, press the MIXER
button or EXIT button to return to the SMF Player Mode.
Adjusting SMF Playback Volume
The following procedure explains how to control the overall
volume of SMF data playback. You can adjust volume while
playback is stopped or ongoing.
1
2
3
Press the ACCOMP VOLUME button.
Press the [왔] CURSOR button to display the
playback mode selection screen. Use the [왗] and
[왘] CURSOR buttons or the [+] and [–] buttons to
select the playback mode.
• This causes the “SMF Vol.” indicator to appear on the
display, along with a value that indicates the current
SMF volume setting.
You can select from among the following four playback
modes.
Use the [+] and [–] buttons or the number buttons
to adjust the SMF volume.
S1 : One file, one time
SL : One file, repeat
A1 : All files, one time
AL : All files, repeat
• You can specify a setting in the range of 000
(minimum) to 127 (maximum).
• Pressing [+] and [–] at the same time returns the SMF
volume setting to 100.
• Note that this setting does not affect the volume of
the notes you play on the keyboard.
Configuring Other Settings
To configure other settings
4
Press the [왔] CURSOR button to display the output
mode selection screen.
• Use the [왗] and [왘] CURSOR buttons or the [+] and
[–] buttons to select the output mode.
• You can select from among the following two output
types.
Int : Digital piano’s built-in speakers
Out : USB port
NOTE
1
While playback is stopped, select the file you want
to play back.
• Layer, split, and Auto Harmonize are automatically turned
off in the SMF Player Mode.
• Perform steps 1 through 3 under “To play back an
SMF” to select a file.
E-75
Using the SMF Player
SMF Player Error Messages
The following explains what you should do when an error message appears in the SMF Player Mode.
Error Message
Cause
Action
Err Not SMF0
You are attempting to play SMF data that is
not Format 0.
Use only Format 0 SMF data.
Err WrongDat
There is a problem with the SMF data you are
trying to play or the data is corrupted.
Use different data.
E-76
Connection to a Computer
The digital piano’s USB port makes it quick and simple to
connect to a computer. You can install a USB MIDI driver
from the CD-ROM that comes bundled with the digital piano
onto a computer equipped with a USB port. After that, you
can connect your digital piano to the computer and run
commercially available MIDI software on your computer to
exchange MIDI data with the digital piano. You can also
transfer data you downloaded from the CASIO MUSIC SITE
to the digital piano, and even store digital piano data on your
computer’s hard disk.
To install the USB MIDI driver
1
On the computer to which you plan to connect,
install the USB MIDI driver that comes on the CDROM that comes bundled with the digital piano.
• For information about installing the USB MIDI driver,
see the “CASIO USB MIDI Driver User ’s Guide”
(USBmanual_e.pdf) on the CD-ROM.
NOTE
• Before starting actual installation of USB MIDI driver,
be sure to read the contents of the “USBreadme.txt” file
in the “English” folder on the CD-ROM.
• Use Adobe Reader or Acrobat Reader to access the USB
MIDI driver user’s guide.*
* You need to have Adobe Reader or Acrobat Reader installed on
your computer in order to view the contents of the “CASIO
USB MIDI Driver User’s Guide” (USBmanual_e.pdf). If your
computer does not have either Adobe Reader or Acrobat Reader
installed, use the procedure below to install it.
Installing Adobe Reader (Acrobat Reader**)
• Place the CD-ROM that comes bundled with the digital
piano into your computer’s CD-ROM drive.
• On the CD-ROM, navigate to the folder named “Adobe”,
open the folder named “English”, and then double-click
“ar601enu.exe” (“ar505enu.exe”**). Follow the instructions
that appear on your computer screen to install Adobe
Reader.
** Adobe Reader cannot be installed on a computer running
Windows 98. If your computer is running under Windows 98,
double-click “ar505enu.exe” to install Acrobat Reader.
Minimum Computer system Requirements
Supported Operating Systems
Operation is supported under Windows® XP, Windows® 2000,
Windows® Me, Windows® 98SE, and Windows® 98.
● Universal
• IBM AT or compatible computer
• USB port that provides normal operation under Windows
• CD-ROM drive (for installation)
• At least 2MB of free hard disk space (not including space
required for Adobe Reader)
● Windows XP
• 300MHz or higher Pentium processor
• At least 128MB of memory
● Windows 2000
• 166MHz or higher Pentium processor
• At least 64MB of memory
● Windows Me, Windows 98SE, Windows 98
• 166MHz or higher Pentium processor
• At least 32MB of memory
Driver Signing
● Windows XP
1
2
Log on to Windows XP using a Computer
administrator account. See the documentation that
comes with Windows XP for information about
Computer administrator accounts.
On the Windows [Start] menu, click [Control
Panel].
• If you cannot see the [System] icon on the Control
Panel, click [Switch to Classic View].
3
4
Click the [System] icon. On the dialog box that
appears, click the [Hardware] tab, and then click
the [Driver Signing] button.
On the dialog box that appears, select [Ignore], and
then click [OK].
● Windows 2000
1
2
Log on using an Administrators group account. See
the documentation that comes with Windows 2000
for information about the Administrators group.
On the Windows [Start] menu, point to [Settings]
and then click [Control Panel].
E-77
Connection to a Computer
3
4
Click the [System] icon. On the dialog box that
appears, click the [Hardware] tab, and then click
the [Driver Signing] button.
On the dialog box that appears, select [Ignore], and
then click [OK].
General MIDI
This digital piano supports General MIDI, so it can be used
to play commercially available pre-recorded General MIDI
data and General MIDI data send to it from a personal
computer.
See the separate Appendix A for details about the tones that
are available with GM tones numbered 000 to 127.
NOTE
• Company and product names used herein are
trademarks of their respective owners.
You can use the parameter setting procedure (page E-68) to
change the settings of the MIDI parameters described below.
See pages E-68 to E-71 for details about the setting menu and
procedure.
Using the USB port
Note that you need to purchase a commercially available USB
cable to connect the digital piano to a computer using the
USB port. Once you establish a USB connection between the
digital piano and a computer, you can exchange data between
them.
To connect to a computer using the
USB port
1
Use a commercially available USB cable to connect
the digital piano to the computer.
Computer
USB port
MIDI Settings
On: Causes note data input through USB port to be
interpreted as auto accompaniment chord fingerings.
The channel specified by the keyboard channel is used
for specifying chords.
Off: Turns off “MIDI In Chord Judge”.
■ Accomp/Song MIDI Out (Accompaniment/Song MIDI Out)
Turn on this parameter when you want sound auto accompaniment or Song Memory on an external devices sound
source.
USB cable
(A-B type)
USB connector
■ MIDI In Chord Judge
This parameter determines whether note data received from
an external device should be interpreted as an auto
accompaniment chord fingering. Turn on this parameter
when you want to control auto accompaniment chords from
a computer or other external device.
On: Outputs auto accompaniment or Song Memory as MIDI
messages through the digital piano’s USB port.
Digital piano USB port
Off: Does not output auto accompaniment or Song Memory.
NOTE
• For detailed information about MIDI Implementation, visit
the CASIO website at: http://world.casio.com/.
DATA ACCESS Lamp
• The DATA ACCESS lamp lights whenever the digital piano
is exchanging data with a connected computer over a USB
cable connection. Never disconnect the USB cable while the
DATA ACCESS lamp is lit.
E-78
Connection to a Computer
Internet Data Expansion System
The Music Data Management Software application on the CDROM that comes bundled with the digital piano lets you
transfer data you downloaded from the CASIO MUSIC SITE
from your computer to digital piano memory. You can also
use it to save digital piano data to your computer’s hard disk.
Music Data Management Software supports transfer of the
following type of data.
• SMF
• Rhythm Patterns
• Registrations
• User songs created in the Song Memory Mode
• Drum sounds with waveform
• Drawbar organ tones
• Tone
• Tones with waveforms
• DSP
• Package file
• All user data
1. To install the Music Data Management Software, navigate
to the CD-ROM on your computer and double-click
“ides40.exe”. Next, follow the instructions that appear on
your computer screen.
* Application software documentation in various languages
is available on the CD-ROM that comes bundled with the
digital piano. See the folder for the particular language you
want. You can access the manual by opening its HTML
named “index.html” using one of the following types of
web browser applications.
Internet Explorer 4 or higher
Netscape Navigator 4.04 or higher
* Supported Computer Operating Systems
The Music Data Management Software will run under the
following operating systems.
Windows 98SE
Windows Me
Windows 2000
Windows XP
CASIO MUSIC SITE
http://music.casio.com/
Music Data Management Software
Music Data Management Software makes it possible for your
computer to transfer data you downloaded from the CASIO
Music Site to digital piano memory, and to transfer digital
piano memory data to your computer’s hard disk for storage.
After starting up the Music Data Management Software, you
can access the following three converter applications.
■ Wave Converter
Wave Converter creates digital piano Tone With Wave data
from tone data files (.wav) stored on your computer’s hard
disk.
■ Rhythm Converter
Rhythm Converter creates digital piano Rhythm data from
SMF format rhythm data stored on your computer’s hard
disk.
■ Parameter Editor
Parameter Editor makes it possible to use your computer to
edit digital piano parameters.
IMPORTANT!
• Never attempt to perform a data send or receive
operation while the message “Pls Wait” is on the digital
piano display screen.
■ To install the Music Data Management Software
• Before installing the Music Data Management Software, be
sure to read the contents of the applicable readme.txt file.
You can find the readme.txt file inside the same language
folder where the Music Data Management Software you
are installing is located.
IMPORTANT!
• Though Music Data Management Software is designed
to run under the standard configurations of the above
operating systems, note that it may not be able to run
correctly under certain software and hardware
environments.
• Music Data Management Software does not support
operation on a Macintosh.
Downloading Data
Visit the CASIO MUSIC SITE for information about
downloading data.
When you arrive at the CASIO MUSIC SITE, select a
geographic area or country. Next, select an Internet Data
Expansion System data download service.
Note that the services that are available at the CASIO MUSIC
SITE depend on the area or country you select.
Bundled CD-ROM Data
The CD-ROM that comes bundled with the digital piano has
a folder named “DATAforPX”, which contains various data
folders. For details about the data contained in the data
folders, see the “list.txt” file inside of each folder.
■ Returning the digital piano to its initial factory defaults
The “DATAforPX” folder on the CD-ROM that comes
bundled with the digital piano includes a file named
“alldata.ckf”, which contains factory default setup data.
Transferring the “alldata.ckf” data to the digital piano’s flash
memory will return all settings to their initial factory defaults.
• For information about transferring data to the digital
piano’s flash memory, see the application software manual.
E-79
Saving Data
You can save data you create and data you transfer to the digital piano from a computer to the digital piano’s built-in Flash
memory, or to an SD memory card.
The types of files that can be saved to SD memory cards are listed below. Note that each type of file can be saved to a specific, predefined user area, as shown in the “Savable File Types” table below.
After you load SMF data from SD memory cards and store it in a user area, you can play it back using the SMF Player Mode. See
“Using the SMF Player” on page E-72 for more information.
Savable File Types
Display
Indicator
Type
Saved Data
User Area
Number
User Memory
Capacity
File Name
Extension
SMF
Smf
1 Tune
000 – 199
200
MID
Rhythm Pattern
Pattern
1 Pattern
166 – 181
16
Z00
Registration
Regist
1 Bank
1–8
8
Z01
User song created in the Song Memory Mode
Song
1 Tune
0–4
5
Z02
Drum sound with waves
Dr wave
1 Set
900 – 903
4
Z03
Drawbar organ tone
Drawbar
1 Tone
100 – 199
100
Z04
Tone
Tone
1 Tone
700 – 799
100
Z05
Tone with waves
Tn wave
1 Tone
800 – 819
20
Z06
DSP
Dsp
1 Type
100 – 199
100
Z07
Package File*1
Package
1 Pack
—
1
Z08
All User Data*2
All Data
1 Set
—
1
Z09
*1: Package File
A package file combines tone settings, DSP effect settings, and other setup data into a single file that you can manage and load as
a unit (package). Once you create a package file, you will be able to change the entire setup of the digital piano by loading a single
package file.
*2: All of the user data (SMF to package file) in the above table can be handled as a single file.
Package File Data Contents
Data Type
User Area
SMF
190 to 199 (10 Songs)
Rhythm Patterns
174 to 181 (8 rhythms)
Registrations
7 to 8 (2 banks)
Drum Sound With Waves
903 (1 set)
Drawbar Organ Tones
190 to 199 (10 tones)
Tones
790 to 799 (10 tones)
Tones With Waves
810 to 819 (10 tones)
DSP
190 to 199 (10 effects)
IMPORTANT!
• Loading a package file loads the setting data listed in the table under “Package File Data Contents” into the user area, and
replaces all current data with the data in the package file.
• When loading a package file or All Data from or writing such data to an SD memory card, the display’s level meter shows the
progress of the load/write operation as shown below.
[Start]
E-80
[End]
Saving Data
Using an SD Memory Card
Your digital piano is equipped with an SD
memory card slot that supports the use of
SD memory cards that you can use to store
tunes you transfer from your computer, song memory data
you have stored in the digital piano’s flash memory, and other
data. This provides you with access to virtually unlimited
volumes of data that you can instantly load whenever you
need it.
● Supported SD memory Cards:
1GB or less (Cards with capacity greater than 1GB are not
supported.)
IMPORTANT!
• Use only an SD memory card with this digital piano.
Proper operation is not guaranteed when any other type
of card is used.
Memory Card and Card Slot
Precautions
IMPORTANT!
• Be sure to carefully read all documentation that comes
with the memory card for important information about
how to handle it.
• SD memory cards have a write protect switch, which
you can use to protect against accidental deletion of
data. After saving important data to memory card, be
sure to use the write protect switch to protect the data
against accidental changes or deletion.
• Avoid storing and using memory cards in the following
types of locations. Such conditions can cause corruption
of data stored on the card.
• Areas subject to high temperatures, high humidity, or
corrosive agents
• Areas subject to strong electrostatic charge or
electrical noise
• Whenever handling a memory card, make sure that you
never touch its contacts with your fingers.
• If the data access lamp is lit and the message “Pls Wait”
is on the display, it means that data on the memory card
is being accessed by a save, read, or delete operation.
Never remove the memory card from the card slot or
turn off the digital piano while the card is being accessed.
Doing so can corrupt the data on the memory card or
even damage the card slot.
• Never try to insert anything that is not an SD memory
card into the digital piano’s card slot. Doing so can cause
malfunction of the digital piano.
• Inserting a memory card that is charged with static
electricity into the card slot can cause malfunction of
the digital piano. If this happens, turn the digital piano
off and then back on again.
• A memory card that has been in the card slot for a long
time may feel hot when you remove it. This is normal
and does not indicate malfunction.
• Note that a memory card has a limited service life. After
long use, you may not be able to store data to, read
data from, and/or delete data from a card. When this
happens, you will need to purchase a new memory card.
CASIO COMPUTER CO., LTD. assumes no responsibility
for any loss or damage to you or any third party arising
out of the loss or corruption of data.
Using an SD Memory Card with the
Digital Piano
When using a memory card with the digital piano, first be
sure to format the card on the digital piano. See “Formatting
an SD Memory Card” on page E-86 for details about
formatting
Inserting and Removing a Memory
Card
IMPORTANT!
• Be sure to orient the memory card correctly when
inserting it. Never try to force a memory card into the
card slot when you feel resistance.
• Never remove the memory card from the card slot or
turn off the digital piano while card data is being
accessed by a save, read, or delete operation. Doing
so can corrupt the data on the memory card or even
damage the card slot.
To insert a memory card into the card slot
1
With the front side of the memory card facing
upwards, carefully slide it into the card slot. Slide
the card all the way in until you hear it click
securely into place.
front
E-81
Saving Data
CURSOR
SD memory card slot
[+]/[–]
YES/NO
CARD
To remove a memory card from the card slot
1
4 Use the [왗] and [왘] CURSOR buttons to display
the screen for the type of operation you want to
perform.
Press the memory card into the card slot and then
release it.
• This will cause the card to come part way out of the
digital piano.
2
Load
[왘]
Pull the memory card out of the card slot.
• After making sure that the data access lamp is not lit,
carefully pull the memory card from the card slot.*
* Never remove the memory card from the card slot
or turn off the digital piano while any of the
following conditions exists.
• While the digital piano is in the SMF Player Mode
and the CARD indicator is on the display
• While the data access lamp is lit and the message
“Pls Wait” is on the display, indicating that a card
access operation is being performed
Save
[왘]
[왘]
[왗]
De l e t e
[왘]
[왗]
F o r ma t
Insert the memory card into the card slot.
• See the pages referenced below for details about using
each of the above menu operations.
Press the CARD button.
• This causes the CARD indicator to appear on the
display, and also displays “Card” in the display’s text
area.
3
[왗]
R e n ame
Basic Memory Card Operation
1
2
[왗]
Loading a file (Crd Load):
page E-84
Saving a file (Crd Save):
page E-83
Renaming a file (Crd Rename):
page E-85
Deleting a file (Crd Delete):
page E-86
Formatting an SD memory card (Crd Format): page E-86
Press the [왔] CURSOR button to display the Card
Mode menu.
5
Press the [왔] CURSOR button to advance to the
next operation screen of each menu.
NOTE
• Layer, split, and Auto Harmonize are automatically turned
off while the memory card is being used. Tone and
rhythm selection, and rhythm playback are also all
disabled.
E-82
Saving Data
Saving Files
7
You can use the procedures in this section to save Song
Memory, Synthesizer, and other data you create to SD
memory cards for later loading when you need it. See
“Savable File Types” on page E-80 for information about the
type of data you can save.
• The numeric area of the display will show the user
area number, while the text area will show the user
area name*.
* Except registrations and user songs
• Pressing the EXIT or [왖] CURSOR button at this time
will return you to the file type selection screen.
• The user area selection screen will not appear if the
file you selected is a package file or “All Data” file. In
this case, skip this step and go directly to screen.
PREPARATION
• Insert a memory card that has been formatted on the
digital piano into the digital piano’s card slot. Make sure
that the write-protect switch of the memory card is not
in the write-protect position.
8
NOTE
• Depending on the type and the amount of data involved,
a data save or load operation can take anywhere from a
few minutes to more than 30 minutes to complete. The
message “Pls Wait” will remain on the display to indicate
that a data save or load operation is being performed.
• Never try to perform any operation while “Pls Wait” is
displayed. Performing any operation can cause Flash
memory, or memory card data to be deleted, and
damage the digital piano’s memory and cause it to
malfunction.
To save a file to a memory card
3
4
5
6
Press the [왔] CURSOR button to display the Card
Mode menu.
Use the [왗] and [왘] CURSOR buttons to display
the “Save” screen.
Press the [왔] CURSOR button to advance to the
file type selection screen.
Use the [왗] and [왘] CURSOR buttons to select the
file type.
Press the [왔] CURSOR button to advance to the
user area selection screen.
Rhythm Patterns
U_PTRN00
Registrations
U_RGST00
User Songs Created in the
Song Memory Mode
U_SONG00
Drum Sounds with Waveform
U_DRUM00
Drawbar Organ Tones
U_ORGN00
Tones
U_TONE00
Tones with Waveforms
U_TONW00
DSP
U_EFCT00
Package File
PACKAGE0
All User Data
ALLDATA0
• The initial default file name of the SMF will be the
same as the name of the user area you selected in
step 7.
• Use the [+] and [–] buttons to scroll through letters at
the current cursor location. See the page E-87 for
information about inputting text.
• Use the [왗] and [왘] CURSOR buttons to move the
cursor left and right.
Press the CARD button.
• This causes the CARD indicator to appear on the
display, and also displays “Card” in the display’s text
area.
2
Press the [왔] CURSOR button to advance to the
file name input screen.
Initial file name displayed on the screen
IMPORTANT!
1
Use the [왗] and [왘] CURSOR buttons or [+] and
[–] buttons to select the user area where the file
you want to save is located.
9
After inputting the file name, press the [왔] CURSOR
button.
• If you are saving song data, the file type selection
screen appears next. Use the [왗] and [왘] CURSOR
buttons to select “SMF” or “SONG”. After selecting a
file type, press the [왔] CURSOR button.
• This will display a confirmation message asking
whether you really want to save the data. If the media
already contains a file with the same name, a
confirmation message appears asking if you want to
overwrite the existing file with a new one.
E-83
Saving Data
0
Press the YES button to save the data. This will cause
the message “Pls Wait” to appear on the display to
indicate that a memory card access operation is
being performed. Never try to perform any other
operation on the digital piano while the memory
card is being accessed. The message “Complete”
will appear on the display after data save is
complete. After a few seconds, the message will
be replaced by the file name selection screen.
• If you do not want to continue with data save, press
the EXIT button or the NO button in response to the
above confirmation message. This will return you to
the user area selection screen in step 7.
A
After you are finished performing the save
operation, press the CARD button to exit the Card
Mode.
Loading a File
Use the procedures in this section when you want to load data
from an SD memory card into the digital piano’s user area.
IMPORTANT!
• Note the following important points whenever using the
SMF Player Mode to play back data saved with the above
procedure.
* To perform the procedure below, you must have an SD
memory card to which SMF data has been copied from
a computer. Insert an SD memory card that you have
formatted on the digital piano into the card slot of your
computer, and copy the SMF data you want to load into
the directory named “MUSICDAT”. Note that you will
not be able to load the data if it is not located inside the
“MUSICDAT” directory. If you create a sub-directory
inside of the “MUSICDAT” directory, the digital piano
will not be able to load any data inside the sub-directory.
PREPARATION
• Insert the SD memory card that contains the data you
want to load into the digital piano’s card slot.
NOTE
• Depending on the type and the amount of data involved,
a data save or load operation can take anywhere from a
few minutes to more than 30 minutes to complete. The
message “Pls Wait” will remain on the display to indicate
that a data save or load operation is being performed.
E-84
IMPORTANT!
• Never try to perform any operation while “Pls Wait” is
displayed. Performing any operation can cause Flash
memory, or memory card data to be deleted, and
damage the digital piano’s memory and cause it to
malfunction.
To recall file data from an SD memory card
1
Press the CARD button.
• This causes the CARD indicator to appear on the
display, and also displays “Card” in the display’s text
area.
2
3
4
5
6
7
Press the [왔] CURSOR button to display the Card
Mode menu.
Use the [왗] and [왘] CURSOR buttons to display
the “Load” screen.
Press the [왔] CURSOR button to advance to the
file type selection screen.
Use the [왗] and [왘] CURSOR buttons to select the
type file you want to load.
Press the [왔] CURSOR button to display the file
name selection screen.
Use the [왗] and [왘] CURSOR buttons or [+] and [–]
buttons to select the name of the file you want to load.
• You could also use the number buttons to input a
three-digit file number. The file number is shown in
the number area of the display.
8
9
Press the [왔] CURSOR button to advance to the
user area selection screen.
Use the [왗] and [왘] CURSOR buttons or [+] and
[–] buttons to select the user area to which you
want to import the loaded file data.
• The numeric area of the display will show the user
area number, while the text area will show the user
area name*.
* Except registrations and user songs
• The user area selection screen will not appear if the
file you selected is a package file or “All Data” file. In
this case, skip step 9 and go directly to step 10.
• Pressing the EXIT or [왖] CURSOR button at this time
will return you to the file type selection screen.
Saving Data
0
After selecting the user area, press the [왔] CURSOR
button.
• This will display a confirmation message asking
whether you really want to load the data. If you
already have data in the user area, the message will
ask if you want to overwrite the existing data with
the loaded data.
A
5
6
Press the YES button to recall the data.
• This will cause the message “Pls Wait” to appear on
the display to indicate that a card access operation is
being performed. Never try to perform any other
operation on the digital piano while the card is being
accessed. The message “Complete” will appear on the
display after data loading is complete. After a few
seconds, the message will be replaced by the file name
selection screen.
• If you do not want to continue with data loading, press
the EXIT button or the NO button in response to the
above confirmation message. This will return you to
the user area selection screen in step 9.
B
4
After you are finished performing the load
operation, press the CARD button to exit the Card
Mode.
7
8
9
0
Press the CARD button.
3
Press the [왔] CURSOR button to display the Card
Mode menu.
Press the [왔] CURSOR button to advance to the
file name input screen.
After inputting the file name, press the [왔] CURSOR
button.
Press the YES button to change the file name.
• This will cause the message “Pls Wait” to appear on
the display to indicate that a card access operation is
being performed. Never try to perform any other
operation on the digital piano while the card is being
accessed. The message “Complete” will appear on the
display after renaming is complete. After a few
seconds, the message will be replaced by the file name
selection screen.
• If you do not want to continue with file renaming,
press the EXIT button or the NO button in response
to the above confirmation message. This will return
you to the file selection screen.
To rename a file saved to the SD memory card
2
Use the [왗] and [왘] CURSOR buttons or [+] and
[–] buttons to select the name of the file you want
to rename.
• This will display a confirmation message asking
whether you really want to change the name.
• Insert the SD memory card that contains the file you
want to rename into the digital piano’s card slot. Make
sure that the write-protect switch of the memory card is
not in the write-protect position.
• This causes the CARD indicator to appear on the
display, and also displays “Card” in the display’s text
area.
Press the [왔] CURSOR button to display the file
name selection screen.
• Use the [+] and [–] buttons to scroll through letters at
the current cursor location. See the page E-87 for
information about inputting text.
• Use the [왗] and [왘] CURSOR buttons to move the
cursor left and right.
PREPARATION
1
Use the [왗] and [왘] CURSOR buttons to select the
type of the file you want to rename.
• You could also use the number buttons to input a
three-digit file number. The file number is shown in
the number area of the display.
Renaming a File
You can use the procedures in this section to change the name
of a file that you previously saved to the SD memory card.
Press the [왔] CURSOR button to advance to the
file type selection screen.
A
After you are finished performing the rename
operation, press the CARD button to exit the Card
Mode.
Use the [왗] and [왘] CURSOR buttons to display
the “Rename” screen.
E-85
Saving Data
Deleting a File
9
• This will cause the message “Pls Wait” to appear on
the display to indicate that a card access operation is
being performed. Never try to perform any other
operation on the digital piano while the card is being
accessed. The message “Complete” will appear on the
display after file deletion is complete. After a few
seconds, the message will be replaced by the file name
selection screen.
• If you do not want to continue with file deletion, press
the EXIT button or the NO button in response to the
above confirmation message. This will return you to
the file name selection screen.
You can perform the procedure in this section to delete a file
from the SD memory card.
IMPORTANT!
• Note that the file delete operation cannot be undone.
Make sure that you no longer need data before you
delete it.
• Deleting a file causes all of the file numbers following it
to be reduced by one. If you plan to delete another file,
make sure that you do not specify the wrong file number.
PREPARATION
• Insert the SD memory card that contains the file you
want to delete into the digital piano’s card slot. Make
sure that the write-protect switch of the memory card is
not in the write-protect position.
Press the YES button to delete the file.
0
After you are finished performing the delete
operation, press the CARD button to exit the Card
Mode.
Formatting an SD Memory Card
To delete a file from the SD memory card
1
Press the CARD button.
• This causes the CARD indicator to appear on the
display, and also displays “Card” in the display’s text
area.
2
3
4
5
6
7
Press the [왔] CURSOR button to display the Card
Mode menu.
Use the [왗] and [왘] CURSOR buttons to display
the “Delete” screen.
Press the [왔] CURSOR button to advance to the
file type selection screen.
Use the [왗] and [왘] CURSOR buttons to select the
type of the file you want to delete.
Press the [왔] CURSOR button to display the file
name selection screen.
Use the [왗] and [왘] CURSOR buttons or [+] and
[–] buttons to select the name of the file you want
to delete.
• You could also use the number buttons to input a
three-digit file number. The file number is shown in
the number area of the display.
8
After selecting the file, press the [왔] CURSOR
button.
• This will display a confirmation message asking
whether you really want to delete the file.
E-86
Use the procedures in this section to format an SD memory
card before using it for the first time, or when you want to
delete all of the contents on a memory card.
IMPORTANT!
• Before performing the procedure below, check to make
sure that the media does not contain any data you might
need.
• The SD memory card format operation performed by
your digital piano is a “quick format”. If you want to
completely delete all of the data on the card, format it
on you computer or using some other device.
PREPARATION
• Insert the SD memory card you want to format into the
digital piano’s card slot. Make sure that the write-protect
switch of the memory card is not in the write-protect
position.
Saving Data
To format an SD memory card
Inputting Characters
1
The following describes the types of characters you can input
when saving data to the user area and an SD memory card.
Press the CARD button.
• This causes the CARD indicator to appear on the
display, and also displays “Card” in the display’s text
area.
2
3
4
User Area Data
Press the [왔] CURSOR button to display the Card
Mode menu.
Use the [왗] and [왘] CURSOR buttons to display
the “Format” screen.
Press the [왔] CURSOR button.
• This will display a confirmation message asking
whether you really want to format the media.
5
Press the YES button to start formatting.
• This will cause the message “Pls Wait” to appear on
the display to indicate that a card access operation is
being performed. Never try to perform any other
operation on the digital piano while the card is being
accessed. The message “Complete” will appear on the
display after media formatting is complete. After a
few seconds, the message will be replaced by the
screen for the type of operation.
• If you do not want to continue with formatting, press
the EXIT button or the NO button in response to the
above confirmation message. This will return you to
the screen for the type of operation.
6
SD Memory Card Data
You can input the same characters as those that are allowed
for MS-DOS file names.
After you are finished performing the format
operation, press the CARD button to exit the Card
Mode.
E-87
Saving Data
SD Memory Card Error Messages
Display Message
Cause
Action
Err Card R/W
There is something wrong with the memory
card.
Use a different memory card.
Err CardFull
The memory card is full.
1. Use a different memory card.
2. Delete files you no longer need from the
memory card (page E-86).
Err No Card
1. The memory card is not set correctly in the
card slot.
2. There is no memory card in the card slot or
the memory card was removed part way
through a card access operation.
1. Remove the memory card and reinsert it
correctly (page E-81).
2. Insert a memory card into the card slot.
Never remove a memory card from the card
slot while a card access operation is in
progress.
Err No Data
You are attempting to save data to an SD
memory card while a digital piano user area
that does not contain any data is selected.
Select a digital piano user area that contains
data.
Err Name
1. A file with the same name as the one you
are trying to use already exists.
2. You are trying to use a file name that is not
allowed by MS-DOS.
1. Use a different name (page E-85).
Err ReadOnly
Attempt to save a file using the same name as
an existing file that is read only.
Save the new file to a different card or use
another name.
Err Format
1. The format of the memory card is not
compatible with this digital piano.
2. The memory card is not formatted.
3. The memory card is damaged.
1. Change to a memory card that has the
proper format. ........................................ E-81
2. Format the memory card. ..................... E-86
3. Use a different memory card.
Err Mem Full
Digital piano memory became full while
importing data from a memory card.
1. Delete any SMF data, waveform data, or
accompaniment data that you no longer
need from the keyboard’s memory to free
up keyboard flash memory space. ....... E-71
2. If you have song data stored in Song
Memory (SG0 to 4), delete the song data
you no longer need. ............................... E-62
Err Not SMF0
The file you are reading is not an SMF 0 format
file.
Use SMF 0 format files only.
Err No File
1. The digital piano cannot find any file it can
read on the memory card.
1. Use a memory card that contains data stored
by this digital piano or compatible data from
another device.
2. —
2. You are trying to store an SMF to an SD
memory card when there is no SMF in digital
piano memory.
2. Name files using the allowable characters
(page E-87).
Err Protect
The memory card is write protected.
1. Use a different memory card.
2. Adjust the memory card’s write protect
switch to enable data storage. .............. E-81
Err Convert
There is not enough unused memory available
to save data produced by converting song data
from SONG format to SMF format.
Delete any SMF data, waveform data, or
accompaniment data that you no longer need
from the keyboard’s memory to free up
keyboard flash memory space (page E-71).
Err WrongDat
The data on the memory card is corrupted.
Use other data or another memory card.
E-88
Troubleshooting
Problem
Possible Cause
See page
1. Correctly attach the AC adaptor.
2. Press the POWER button to turn
on power.
3. Use the MAIN VOLUME knob to
increase volume.
4. None of the accompaniment
mode indicators are lit, which
means Auto Accompaniment is
turned off.
5. Turn on Local Control.
6. Use the Mixer to turn channel 1
on.
7. Use the Mixer to raise the volume
setting for channel 1.
8. Increase the DSP parameter
value.
9. Exit then re-enter the SMF Player
Mode, or change the SMF Player
play-along part.
E-14
E-18
1. Accompaniment volume is set to
000.
2. Auto Accompaniment part
Channels 6 through 10 are turned
off.
3. Auto Accompaniment part
Channels 6 through 10 volume
setting is too low.
1. Use the ACCOMP VOLUME
button to increase the volume.
2. Use the Mixer to turn the channels
on.
E-37
3. Use the Mixer to raise the volume
setting for the applicable channel.
E-40
Sound output does not change
when key pressure is varied.
Touch response is turned off.
Press
the
TRANSPOSE/
FUNCTION button to turn it on.
E-66
Playing the digital piano sounds
two tones.
Layer is turned on.
Press the LAYER button to turn off
layering.
E-63
Different tones sound when
keys in different digital piano
ranges are pressed.
Split is turned on.
Press the SPLIT button to turn off
split.
E-64
The key or tuning does not
match when playing along with
another MIDI machine.
1. The tuning or transpose
parameter is set to a value other
than 00.
2. Mixer coarse tune, fine tune, and/
or octave shift settings are values
other than 00.
1. Change the transpose or tuning
parameter value to 00.
E-66, 67
2. Use the Mixer to change the
coarse tune, fine tune, and/or
octave shift settings to 00.
E-41
Parts suddenly drop out during
song memory playback.
The number of tones being played
at the same time exceeds the digital
piano’s limitation.
Use the Mixer to turn unneeded
channels off and decrease the
number of parts being played.
E-39
Some parts do not play at all
during song memory playback.
1. Channels are turned off.
1. Use the Mixer to turn channels
on.
2. Use the Mixer to check the
volume setting.
E-39
No digital piano sound
1. Power supply problem.
2. Power is not turned on.
Action
3. Volume setting is too low.
4. Playing in the accompaniment
digital piano area while the
MODE button setting is CASIO
CHORD or FINGERED.
5. Local Control is off.
6. Mixer channel 1 is turned off.
7. Mixer channel 1 volume setting
is too low.
8. The DSP volume parameter is set
too low.
9. The Expression value of the file
data played back on the SMF
player is too low.
Auto Accompaniment does not
sound.
2. Volume setting is too low.
E-18
E-31
E-71
E-39
E-40
E-26
E-72
E-39
E-40
E-89
Troubleshooting
Problem
Possible Cause
Action
Nothing happens when the
LAYER or SPLIT button is
pressed.
1. One or more of the melody
channels (2 through 4) is turned
off.
2. The volume setting of one or
more of the melody channels (2
through 4) is too low.
3. The digital piano is in record
standby.
1. Use the Mixer to turn on
Channels 2 through 4.
E-39
2. Use the Mixer to raise the volume
setting of Channels 2 through 4.
E-40
3. The LAYER and SPLIT buttons
are disabled during recording
and record standby.
4. Turn off the SMF Player Mode.
LAYER and SPLIT are not
available while the SMF Player
Mode is in use.
E-63, 64
4. The SMF Player Mode is currently
being use.
See page
E-72
No sound is produced when
playing MIDI data from a
computer.
1. USB cable is not connected
properly.
2. Channel is turned off, or volume
setting is too low.
1. Connect USB cable properly.
E-78
2. Use the Mixer to turn the channel
on, or raise the volume setting.
E-39, 40
Playing on the digital piano
produces an unnatural sound
when connected to a computer.
The computer’s MIDI Thru function
is turned on.
Turn off the MIDI Thru function on
the computer or turn off Local
Control on the digital piano.
E-71
Cannot
record
chord
accompaniment data on a
computer.
Accomp/Song MIDI Out is turned
off.
Turn on Accomp/Song MIDI Out.
E-71
The digital piano starts up
abnormally when it is turned
on.
1. Flash memory is corrupted. There
is something wrong with the card.
1. a. Disconnect the AC adaptor and
press the POWER button.
b. Reconnect the AC adaptor, and
then press the POWER button
again to turn on power.
c. Use
the
TRANSPOSE/
FUNCTION button to perform
the system reset operation.
• If this does not solve the
problem, contact your
nearest authorized CASIO
Service Provider to request
repair.
2. Wait (about 40 seconds) until the
“Pls Wait” message disappears
from the display.
E-14
Use the TRANSPOSE/FUNCTION
button to perform the system reset
operation. If this does not correct
the problem, contact your nearest
authorized CASIO Service Provider
to request maintenance.
E-71
2. The digital piano detected
abnormal flash memory data and
is automatically resetting the
digital piano system.
A downloaded tone with
waveform contains noise or
digital piano operations become
abnormal when user data is
selected.
E-90
Someone may have turned off the
digital piano while data was being
stored in Flash memory or
something else has caused Flash
memory contents to become
corrupted for some reason.
E-71
Troubleshooting
Problem
Possible Cause
Action
Cannot save data to an SD
memory card.
1. The memory card is writeprotected.
1. Adjust the memory card’s write
protect switch to enable data
storage.
2. Correctly insert the memory card
into the card slot.
3. Use a different memory card or
delete files you no longer need
from the memory card you are
using.
4. Use only a memory card of the
capacity specified for this digital
piano.
5. Use a different memory card .
E-81
1. Correctly insert the memory card
into the card slot.
2. Delete rhythm, SMF, or tone with
wave data currently in the digital
piano’s Flash memory to make
room for the imported data.
3. Use only a memory card of the
capacity specified for this digital
piano.
4. Use a different memory card.
E-81
Stop playback, disconnect the USB
cable from and then reconnect it to
the digital piano’s USB port, and
then try playing back the tune again.
If this does not correct the problem,
exit the MIDI software you are
using, and then disconnect the USB
cable from and then reconnect it to
the digital piano’s USB port. Next,
restart your MIDI software and try
playback again.
E-78
2. The memory card is not inserted
correctly into the card slot.
3. There is not enough space left on
the memory card .
4. You are trying to use a memory
card whose capacity is not
supported by this digital piano.
5. The memory card is damaged.
Cannot recall data from an SD
memory card.
1. The memory card is not inserted
correctly into the card slot.
2. There is not enough space
available in the area into which
you are trying to import the data.
3. You are trying to use a memory
card whose capacity is not
supported by this digital piano.
4. The memory card is damaged.
See page
E-81
E-86
E-81
E-71
E-81
After transferring song data
from my computer, playback
stops part way through.
Digital noise from the USB cable or
power
cord
caused
data
communication between your
computer and digital piano to be
interrupted.
A tone’s quality and volume
sounds slightly different
depending where it is played
on the digital piano.
This is an unavoidable result of the digital sampling process,* and does not indicate
malfunction.
* Multiple digital samples are taken for the low range, middle range, and high range of
the original musical instrument. Because of this, there may be a very slight difference in
tonal quality and volume between sample ranges.
E-91
Specifications
Models:
PX-410R/PX-575R
Keyboard:
88 keys with touch response (Off/1/2/3)
Tones:
400 Advanced Tones + 200 Preset Tones + 20 Drum Sets + 100 standard user
tones + 20 user tones with waves*1 + 4 user drum sets with waves*1 +
50 drawbar organ tones + 100 user drawbar organ tones (894 tones total);
layer/split
Polyphony:
32 notes maximum (10 for certain tones)
Drawbar Organ Function
Drawbars:
9 (16’, 5 1/3’, 8’, 4’, 2 2/3’, 2’, 1 3/5’, 1 1/3’, 1’)
Percussion:
Second, Third
Click:
On, Off
Effects:
DSP (200 types: internal, 100 user areas) + Reverb (16 types) + Chorus (16 types)
+ Equalizer (10 types, 4 bands)
Auto Accompaniment
Rhythm Patterns:
182 (internal, 16 user areas*1)
Tempo:
Variable (226 steps,
= 30 to 255)
Chords:
3 fingering methods (CASIO CHORD, FINGERED, FULL RANGE CHORD)
Rhythm Controller:
START/STOP, INTRO/ENDING 1 and 2, VARIATION/FILL-IN 1 and 2,
SYNCHRO/FILL-IN NEXT
Accomp Volume:
0 to 127 (128 steps)
One-touch Presets:
Recalls settings for tone, tempo, layer on/off, and harmonize on/off in
accordance with rhythm.
Auto Harmonize:
10 types
Metronome:
Time Signatures: 0, 2, 3, 4, 5, 6
Memory Function
Songs:
5
Recording Tracks:
6 (2 through 6 are melody tracks)
Recording Methods:
Real-time, step
Memory Capacity:
Approximately 10,000 notes (total for 5 songs)
Edit Function:
Equipped
Demo Tunes:
3
Tune Number
Name
Composer
0
Toboggan Run
TECH-NOTE INTERNATIONAL LTD.
1
Snow-water
Akiko Fujimoto
2
Malibu Sun
TECH-NOTE INTERNATIONAL LTD.
Synthesizer Function
Parameters:
Attack time; release time; resonance; cutoff frequency; vibrato type; vibrato
delay; vibrato depth; vibrato rate; octave shift; level; touch sense; reverb send;
chorus send; DSP line; DSP type; DSP parameter
*1 The same memory area is used to store waveform data, accompaniment data, and SMF data.
E-92
Specifications
Registration Memory
Number of Setups:
32 (4 setups × 8 banks)
Memory Contents:
Tone, Rhythm, Tempo, Layer on/off, Split on/off, Split point, Harmonize on/
off, Mixer settings (Channels 1 to 10), Effect settings, Touch Response settings,
Soft/sostenuto pedal jack setting, Transpose, Tuning, Accompaniment volume
setting, Pitch bend range, Auto Harmonize type, MODE button setting, Synchro
standby state, Mixer Hold, DSP Hold, Synthesizer Mode parameters
Mixer Function
Channels:
16
Parameters:
Tone; part on/off; volume; pan pot; octave shift; coarse tune; fine tune; reverb
send; chorus send; DSP line; DSP level, DSP pan, DSP system reverb send, DSP
system chorus send
MIDI:
16 multi-timbre receive, GM Level 1 standard
Other Functions
Pitch Bend Range:
Adjustable (12 semitones upwards and downwards)
Transpose:
49 steps (–24 semitones to +24 semitones)
Tuning:
Variable (A4 = approximately 440Hz ±100 cents)
LCD:
Adjustable contrast
SMF Player:
Supported Format:
Flash memory storage for up to 200 files*1
SMF0
Flash Memory
Capacity:
4MB*2
Shared Area:
Approximately 3.5MB*2 (waveform data, accompaniment data, SMF data)
Further storage of waveform, accompaniment, and SMF data becomes
impossible after the total of such data reaches approximately 3.5MB.
SD Memory Cards
Supported SD Memory Cards:
1GB or less (Cards with capacity greater than 1 GB are not supported.)
Functions:
Save and load of data; playback of SMF; card formatting; file delete; file rename
Pedals:
Damper, Soft/Sostenuto (Selectable)
Terminals
SD CARD SLOT
USB port:
TYPE B
Headphones:
Stereo standard jacks × 2
Output Impedance: 170Ω
Output Voltage: 6.0V (RMS) MAX
Pedal:
Standard jacks × 2
Power:
12V DC
Microphone In:
Standard jack (with microphone volume knob)
Input impedance: 3.3KΩ
Input sensitivity: 10mV
Pedal connector
(for optional SP-30 only)
Speakers:
(16cm × 8cm OVAL) × 2 + 쏗5cm × 2 (Output: 8.0W + 8.0W)
*1 The same memory area is used to store waveform data, accompaniment data, and SMF data.
*2 Noted capacities are calculated values based on 1MB = 10242 bytes.
E-93
Specifications
Power Supply:
AC Adaptor: AD-12
Power Consumption:
12V
Dimensions:
134.4 × 34.9 × 15.5cm (52 15/16 × 133/4 × 6 1/8 inch)
Weight:
Approximately 16.7 kg (36.8 lbs)
E-94
18W
Care of your Instrument
Avoid heat, humidity or direct sunlight.
Do not overexpose the instrument to direct sunlight, or place it near an air conditioner, or in any extremely hot place.
Do not use near a TV or radio.
This instrument can cause video or audio interference with TV and radio reception. If this happens, move the instrument away
from the TV or radio.
Do not use lacquer, thinner or similar chemicals for cleaning.
Clean the instrument with a soft cloth dampened in a weak solution of water and a neutral detergent. Soak the cloth in the
solution and squeeze until it is almost dry.
Avoid use in areas subjected to temperature extremes.
Extremely high or low temperature can cause figures on the LCD screen to become dim and difficult to read. This condition
should correct itself when the instrument is brought back to normal temperature.
NOTE
• You may notice lines in the finish of the case of this instrument. These lines are a result of the molding process used to shape
the plastic of the case. They are not cracks or breaks in the plastic, and are no cause for concern.
E-95
O 9nH V = 1-127
X
X
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O 9nH V = 1-127
X 9nH V = 0
X
X
O
O
X
O
O
O
X
O
O
O
O
O
O*2
O*2
O
O
O
0,32
1
6.38
7
10
11
16
17
18
19
64
66
67
71
72
73
0-127
0-127 *1
21-108
❊❊❊❊❊❊❊❊❊❊❊❊❊❊
Key’s
Ch’s
After
Touch
Control
Change
Pitch Bender
Note ON
Note OFF
Velocity
True voice
Mode 3
X
❊❊❊❊❊❊❊❊❊❊❊❊❊❊
Mode 3
X
❊❊❊❊❊❊❊❊❊❊❊❊❊❊
Default
Messages
Altered
Mode
Note
Number
1-16
1-16
1-16
1-16
Default
Changed
Recognized
Transmitted
Basic
Channel
Function ...
Bank select
Modulation
Data entry
Volume
Pan
Expression
DSP Parameter0
DSP Parameter1
DSP Parameter2
DSP Parameter3
Hold1
Sostenuto
Soft pedal
Resonance
Release Time
Attack Time
*1: Depends on tone
Remarks
Version: 1.0
MIDI messages that can be sent and received using the USB port
Models PX-410R/PX-575R
O
X
X
X
X
X
X
O
O
X
O
X
X
X
O
O
X
X
X
X
System Exclusive
: Song Pos
: Song Sel
: Tune
: Clock
: Commands
: Local ON/OFF
: All notes OFF
: Active Sense
: Reset
System
Common
System
Real Time
Aux
Mode 1 : OMNI ON, POLY
Mode 3 : OMNI OFF, POLY
Remarks
Messages
Mode 2 : OMNI ON, MONO
Mode 4 : OMNI OFF, MONO
*2 In accordance with pedal
O 0-127
❊❊❊❊❊❊❊❊❊❊❊❊❊❊
:True #
O 0-127
❊❊❊❊❊❊❊❊❊❊❊❊❊❊
Program
Change
O
O
O
O
O
O
O
O
O
O
O
O
X
O
O
O
O
O
O
O
O
O
O
O
O
O
X
O
74
76
77
78
80
81
82
83
91
93
98,99
100,101
120
121
Brightness
Vibrato rate
Vibrato depth
Vibrato delay
DSP Parameter4
DSP Parameter5
DSP Parameter6
DSP Parameter7
Reverb send
Chorus send
NRPN LSB, MSB
RPN LSB, MSB
All sound off
Reset all controller
O : Yes
X : No
This recycle mark indicates that the packaging conforms to
the environmental protection legislation in Germany.
CASIO COMPUTER CO.,LTD.
6-2, Hon-machi 1-chome
Shibuya-ku, Tokyo 151-8543, Japan
P
MA0605-A Printed in China
PX410/575E1A
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