Casio Musical Instrument LK-55 User manual

Casio Musical Instrument LK-55 User manual
ES
USER’S GUIDE
GUÍA DEL USUARIO
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GUIDELINES LAID DOWN BY FCC RULES FOR USE OF THE UNIT IN THE U.S.A. (not applicable to other areas).
NOTICE
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15
of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a
residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed
and used in accordance with the instructions, may cause harmful interference to radio communications. However,
there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful
interference to radio or television reception, which can be determined by turning the equipment off and on, the user
is encouraged to try to correct the interference by one or more of the following measures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
• Consult the dealer or an experienced radio/TV technician for help.
FCC WARNING
Changes or modifications not expressly approved by the party responsible for compliance could void the user’s
authority to operate the equipment.
Important!
Please note the following important information before using this product.
• Before using the optional AD-5 Adaptor to power the unit, be sure to check the AC Adaptor
for any damage first. Carefully check the power cord for breakage, cuts, exposed wire and
other serious damage. Never let children use an AC adaptor that is seriously damaged.
• Never attempt to recharge batteries.
• Do not use rechargeable batteries.
• Never mix old batteries with new ones.
• Use recommended batteries or equivalent types.
• Always make sure that positive (+) and negative (–) poles are facing correctly as indicated
near the battery compartment.
• Replace batteries as soon as possible after any sign they are getting weak.
• Do not short-circuit the battery terminals.
• The product is not intended for children under 3 years.
• Use only CASIO AD-5 adaptor.
• The AC adaptor is not a toy.
• Be sure to disconnect the AC adaptor before cleaning the product.
CASIO ELECTRONICS CO., LTD.
Unit 6, 1000
North Circular Road
London NW2 7JD, U.K.
This mark is valid in the EU countries only.
Please keep all information for future reference.
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Safety Precautions
Congratulations on your selection of the CASIO
electronic musical instrument.
• Before using the instrument, be sure to carefully
read through the instructions contained in this
manual.
• Please keep all information for future reference.
Symbols
Various symbols are used in this user’s guide and on
the product itself to ensure that the product is used
safely and correctly, and to prevent injury to the user
and other persons as well as damage to property.
Those symbols along with their meanings are shown
below.
DANGER
This symbol indicates information that, if ignored
or applied incorrectly, creates the danger of death
or serious personal injury.
Symbol Examples
This triangle symbol ( ) means that the
user should be careful. (The example at
left indicates electrical shock caution.)
This circle with a line through it ( )
means that the indicated action must not
be performed. Indications within or
nearby this symbol are specifically
prohibited. (The example at left indicates
that disassembly is prohibited.)
The black dot ( ) means that the
indicated action must be performed.
Indications within this symbol are actions
that are specifically instructed to be
performed. (The example at left indicates
that the power plug must be unplugged
from the electrical socket.)
WARNING
This indication stipulates matters that have the risk
of causing death or serious injury if the product is
operated incorrectly while ignoring this indication.
CAUTION
This indication stipulates matters that have the risk
of causing injury as well as matters for which there
is the likelihood of occurrence of physical damage
only if the product is operated incorrectly while
ignoring this indication.
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Safety Precautions
DANGER
Alkaline Batteries
Perform the following steps immediately if
fluid leaking from alkaline batteries ever
gets into your eyes.
1. Do not rub your eyes! Rinse them with
water.
2. Contact your physician immediately.
Leaving alkaline battery fluid in your eyes
can lead to loss of sight.
WARNING
Smoke, Strange Odor, Overheating
Continued use of the product while it is
emitting smoke, a strange odor, or heat
creates the risk of fire and electric shock.
Take the following steps immediately.
1. Turn off power.
2. If you are using the AC adaptor for
power, unplug it from the wall outlet.
3. Contact your original retailer or an
authorized CASIO Service Provider.
AC Adaptor
Misuse of the AC adaptor creates the risk
of fire and electric shock. Always make sure
you observe the following precautions.
• Be sure to use only the AC adaptor that
is specified for this product.
• Use only a power source whose voltage
is within the rating marked on the AC
adaptor.
• Do not overload electrical outlets and
extension cords.
AC Adaptor
Misuse of the AC adaptor’s electric cord
can damage or break it, creating the risk of
fire and electric shock. Always make sure
you observe the following precautions.
• Never place heavy objects on the cord or
subject it to heat.
• Never try to modify the cord or subject it
to excessive bending.
• Never twist or stretch the cord.
• Should the electric cord or plug become
damaged, contact your original retailer
or authorized CASIO Service Provider.
AC Adaptor
Never touch the AC adaptor while your
hands are wet.
Doing so creates the risk of electric shock.
Batteries
Misuse of batteries can cause them to leak,
resulting in damage to nearby objects, or to
explode, creating the risk of fire and
personal injury. Always make sure you
observe the following precautions.
• Never try to take batteries apart or allow
them to become shorted.
• Never expose batteries to heat or dispose
of them by incineration.
• Never mix old batteries with new ones.
• Never mix batteries of different types.
• Do not charge the batteries.
• Make sure the positive (+) and negative
(–) ends of the batteries are facing
correctly.
Do not incinerate the product.
Never throw the product into fire.
Doing so can cause it to explode, creating
the risk of fire and personal injury.
Water and Foreign Matter
Water, other liquids, and foreign matter
(such as pieces of metal) getting into the
product create the risk of fire and electric
shock. Take the following steps
immediately.
1. Turn off power.
2. If you are using the AC adaptor for
power, unplug it from the wall outlet.
3. Contact your original retailer or an
authorized CASIO Service Provider.
Disassembly and Modification
Never try to take this product apart or
modify it in any way. Doing so creates the
risk of electric shock, burn injury, or other
personal injury. Leave all internal
inspection, adjustment, and maintenance up
to your original retailer or authorized
CASIO Service Provider.
Dropping and Impact
Continued use of this product after it has
been damaged by dropping or subjecting it
to strong impact creates the risk of fire and
electric shock. Take the following steps
immediately.
1. Turn off power.
2. If you are using the AC adaptor for
power, unplug it from the wall outlet.
3. Contact your original retailer or an
authorized CASIO Service Provider.
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Safety Precautions
Plastic Bags
Never place the plastic bag the product
comes in over your head or in your mouth.
Doing so creates the risk of suffocation.
Particular care concerning this precaution
is required where small children are
present.
Keep off of the product and stand.*
Climbing onto the product or stand can
cause it to tip over or become damaged.
Particular care concerning this precaution
is required where small children are
present.
Location
Avoid locating the product on an unstable
stand, on an uneven surface, or any other
unstable location. An unstable location can
cause the product to fall over, creating the
risk of personal injury.
CAUTION
AC Adaptor
Misuse of the AC adaptor creates the risk
of fire and electric shock. Always make sure
you observe the following precautions.
• Do not locate the electric cord near a
stove or other sources of heat.
• Never pull on the cord when unplugging
from the electrical outlet. Always grasp
the AC adaptor when unplugging.
AC Adaptor
Misuse of the AC adaptor creates the risk
of fire and electric shock. Always make sure
you observe the following precautions.
• Insert the AC adaptor into the wall outlet
as far as it will go.
• Unplug the AC adaptor from the wall
outlet during lightening storms or before
leaving on a trip or other long-term
absence.
• At least once a year, unplug the AC
adaptor from the wall outlet and wipe
away any dust that is built up in the area
around the prongs of the plug.
Relocating the Product
Before relocating the product, always
unplug the AC adaptor from the wall outlet
and disconnect all other cables and
connecting cords. Leaving cords connected
creates the risk of damage to the cords, fire,
and electric shock.
Cleaning
Before cleaning the product, always unplug
the AC adaptor from the wall outlet first.
Leaving the AC adaptor plugged in creates
the risk of damage to the AC adaptor, fire,
and electric shock.
Batteries
Misuse of batteries can cause them to leak
resulting in damage to nearby objects, or to
explode, creating the risk of fire and
personal injury. Always make sure you
observe the following precautions.
• Use only batteries that are specified for
use with this product.
• Remove batteries from the product if you
do not plan to use it for a long time.
Connectors
Connect only the specified devices and
equipment to the product’s connectors.
Connection of a non-specified device or
equipment creates the risk of fire and
electric shock.
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Safety Precautions
Location
Avoid the following locations for this
product. Such locations create the risk of
fire and electric shock.
• Areas subject to high humidity or large
amounts of dust.
• In food preparation areas or other areas
subject to oil smoke.
• Near air conditioning equipment, on a
heated carpet, in areas exposed to direct
sunlight, inside of a vehicle parked in
the sun, or any other area that subjects
the product to high temperatures.
Display Screen
• Never push on the display screen’s LCD
panel or subject it to strong impact. Doing
so can cause the LCD panel’s glass to
crack, creating the risk of personal injury.
• Should the LCD panel ever crack or
break, never touch the liquid inside of
the panel. LCD panel liquid can cause
skin irritation.
• Should LCD panel liquid ever get inside
your mouth, immediately wash out your
mouth with water and contact your
physician.
• Should LCD panel liquid ever get into
your eyes or onto your skin, rinse with
clear water for at least 15 minutes, and
then contact a physician.
Sound Volume
Do not listen to music at very loud volumes
for long periods. Particular care concerning
this precaution is required when using
headphones. High volume settings can
damage your hearing.
Health Precaution
In extremely rare cases, exposure to strong
sudden light or flashing light can cause
momentary muscle spasms, loss of
consciousness, or other physical problems
with some individuals.
• If you suspect that you might be
susceptible to any condition such as this,
be sure to consult with your physician
before using this product.
Heavy Objects
Never place heavy object on top of the
product.
Doing so can make the product top heavy,
causing the product to tip over or the object
to fall from it, creating the risk of personal
injury.
Correct Stand* Assembly
An incorrectly assembled stand can tip over,
causing the product to fall and creating the
risk of personal injury.
Make sure you assemble the stand correctly,
following the assembly instructions that
come with it. Make sure you mount the
product on the stand correctly.
* Stand is available as an option.
IMPORTANT!
When using batteries, be sure to replace them or shift to
one of the alternate power sources whenever you notice
any of the following symptoms.
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
Dim power supply indicator
Instrument does not turn on
Dim, difficult to read display
Abnormally low speaker/headphone volume
Distortion of sound output
Occasional interruption of sound when playing at high
volumes
Sudden power failure when playing at high volumes
Dimming of the display when playing at high volume
Continued sound output even after you release a key
A totally different tone may sound
Abnormal rhythm pattern and demo tune play
Abnormally low microphone volume
Distortion of microphone input
Dim power supply indicator when a microphone is used
Sudden power failure when using the microphone
Dimming of keyboard lights when notes sound
Loss of power, sound distortion, or low volume when
playing from a connected computer or MIDI device
• Use this product in an area that is well
illuminated.
• Should you ever feel any symptoms
similar to those described above when
using this product, stop using it
immediately and contact your physician.
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Main Features
❐ 255 tones
A wide selection of tones includes stereo piano and synthesized sounds, drum sets, and much more.
❐ PIANO BANK button
The touch of a button takes you directly to piano tones and piano lessons.
❐ Advanced 3-Step Lesson System
The 3-Step Lesson System lets you practice at your own pace. The keyboard automatically grades your performances, so you can
trace your progress as you improve.
• 3-Step Lesson System: Use any of the keyboard’s built-in tunes to learn to play as the keyboard keys light to teach you the
correct notes. First practice the timing of the notes. Next, play along at your own pace. Soon you will be ready for step three,
where you play along at normal speed.
∗ Note that key lights may be difficult to see under direct sunlight or under other very bright lighting.
• Evaluation System: The keyboard can be configured to rate your performances during Step 1 and Step 2 lessons by assigning
points. You can even have the keyboard report your points vocally, both part way through and at the end of a lesson.
❐ Sing-along
Simply connect a commercially available microphone to the microphone jack and you can sing along with the keyboard’s built-in
tunes.
❐ 100 built-in tunes, including piano pieces
Built-in tunes are divided into two groups: a Song Bank of 50 tunes with Auto Accompaniment, and a Piano Bank of 50 piano
tunes. You can simply enjoy listening to the built-in tunes, or eliminate the melody part of a Song Bank tunes or either hand part
of a Piano Bank tune, and then play along on the keyboard.
❐ 120 rhythms
A selection of rhythms cover rock, pops, jazz and just about any other musical style imaginable.
❐ Auto Accompaniment
Simply play a chord and the corresponding rhythm, bass, and chord parts play along automatically.
❐ Musical Information System
A big LCD screen graphically shows you fingerings and notes, making keyboard play more informative and enjoyable than ever
before.
❐ Song Memory function
Record up to two parts in song memory for later playback. Realistic ensemble play can also be created using the Auto
Accompaniment function.
❐ General MIDI compatibility
General MIDI tones let you connect to a personal computer and enjoy “desktop music” capabilities. This keyboard can be used as
a desktop music input device or as a sound source, and it’s just the thing for playback of commercially available pre-recorded
General MIDI music software.
❐ Keys light to show received MIDI messages
The keyboard can be set up so its keys light in accordance with the channels of commercially available General MIDI music
software. You can even turn off the output of a channel and play along on the keyboard.
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Contents
Safety Precautions ................ E-1
Basic Operations ................. E-19
To play the keyboard .............................. E-19
Main Features ........................ E-5
Contents ................................. E-6
Selecting a Tone ..................................... E-19
Turning the Key Light System on and off ...... E-20
Practicing on the Piano ...... E-21
General Guide ........................ E-8
Using the PIANO BANK Button ............. E-21
About the display ................................... E-11
Playing a Built-in Tune........ E-22
Quick Reference .................. E-12
To play the keyboard .............................. E-12
Power Supply ...................... E-14
To play back a Song Bank tune ............. E-22
To play back a Piano Bank tune ............. E-23
Musical Information System ................... E-23
Adjusting the Tempo ............................... E-23
Using batteries ....................................... E-14
To pause playback ................................. E-24
Using the AC Adaptor ............................. E-15
To fast reverse ....................................... E-24
Auto Power Off ....................................... E-15
To fast forward ....................................... E-24
Power On Alert ....................................... E-16
To change the melody tone .................... E-25
Settings and Memory Contents.............. E-16
To play all tunes in succession ............... E-25
Connections ........................ E-17
Advanced 3-Step Lesson ... E-26
Phones/Output Terminal ......................... E-17
Evaluation Mode .................................... E-27
Connecting to a Computer or Other
Equipment .............................................. E-17
Using the Lesson Functions and
Evaluation Mode .................................... E-27
Assignable jack Terminal........................ E-17
Step 1 – Master the timing. .................... E-28
Microphone Jack .................................... E-18
Step 2 – Master the notes. ..................... E-29
Accessories and Options ....................... E-18
Step 3 – Play at normal speed. .............. E-30
Using the Phrase Practice Mode ........... E-30
Voice Fingering Guide ............................ E-31
Using the Metronome ............................. E-31
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Contents
Using a Microphone for
Sing Along ........................... E-32
Using Touch Response .......................... E-48
Adjusting the Accompaniment Volume ... E-49
Tuning the Keyboard .............................. E-50
Auto Accompaniment ......... E-34
Selecting a Rhythm ................................ E-34
Playing a Rhythm ................................... E-35
Adjusting the Tempo ............................... E-35
Using Auto Accompaniment ................... E-35
Using an Intro Pattern ............................ E-38
Using a Fill-in Pattern ............................. E-39
MIDI ....................................... E-51
What is MIDI? ........................................ E-51
General MIDI .......................................... E-52
Changing MIDI Settings ......................... E-52
Messages ............................................... E-56
Troubleshooting .................. E-59
Using a Rhythm Variation ....................... E-39
Using a Fill-in Pattern with
a Variation Rhythm ................................. E-39
Specifications ...................... E-61
Synchro Starting Accompaniment with
Rhythm Play ........................................... E-39
Care of your keyboard ........ E-63
Finishing with an Ending Pattern ........... E-40
Appendix ................................ A-1
Song Memory Function ...... E-41
Note Table ................................................ A-1
Tracks .................................................... E-41
Drum Assignment List .............................. A-3
Real-time Recording to Track 1 ............. E-42
FINGERED Chord Chart .......................... A-5
Playing Back from Song Memory ........... E-44
Tone List ................................................... A-6
Real-time Recording to Track 2 ............. E-44
Rhythm List .............................................. A-9
Deleting the Contents of
a Specific Track ...................................... E-45
Song List ................................................ A-10
MIDI Implementation Chart
Keyboard Settings .............. E-46
Using Layer ............................................ E-46
Using Split .............................................. E-46
Using Layer and Split Together .............. E-47
Transposing the Keyboard ..................... E-48
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E-8
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General Guide
NOTE
• Key, button, and other names are indicated in the text of this manual using bold type.
• This keyboard has two PLAY/STOP buttons. In this manual, the PLAY/STOP button that is located under the SING ALONG
button is indicated as <PLAY/STOP>.
1 POWER button
M CHORD root names
2 Power indicator
N Percussion instrument list
3 VOLUME slider
O SPLIT button
4 MODE switch
P LAYER button
● SONG/PIANO BANK/RHYTHM CONTROLLER
5 INTRO button
6 REW button, NORMAL/FILL-IN button
7 FF button, VARIATION/FILL-IN button
8 PAUSE button, SYNCHRO/ENDING button
9 PLAY/STOP button, START/STOP button
0 Song/Piano Bank controller indicator
A Rhythm controller indicator
Q Voice 1 to 5
R MIC jack
S MIC VOLUME knob
T SING ALONG button
U KEY CONTROL/TRANSPOSE buttons
V <PLAY/STOP> button
W SONG MEMORY button
X SETTING button
Y KEY LIGHT button
B SONG BANK button
● ADVANCED 3-STEP LESSON SYSTEM
C PIANO BANK button
Z SCORING 1 button
D TEMPO buttons
[ PRACTICE PHRASE button
E Speaker
\ SCORING 2 button
F RHYTHM list
] STEP 1 to 3 button
G TONE list
H SONG BANK/SING ALONG list
^ METRONOME button
a LEFT button, TRACK 1 button
I Display
b RIGHT button, TRACK 2 button
J PIANO BANK list
c SPEAK button
K RHYTHM button
L TONE button
*1 Attaching the Score Stand
Insert the score stand into the slot at the top
of the keyboard as shown in the illustration.
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General Guide
*2
d Number buttons
e [+]/[–] buttons
• For input of numbers to
change a displayed number
or setting.
• Negative values cannot be
input using the number
buttons. Use [+] (increase)
and [–] (decrease) instead.
Rear Panel
f
g
h
i
j
f MIDI OUT terminal
g MIDI IN terminal
h ASSIGNABLE JACK terminal
i DC 9V jack
j PHONES/OUTPUT terminal
Controller Indicators
Song/Piano Bank controller indicator
Pressing the SONG BANK, PIANO BANK, or SING ALONG button, or pressing the SONG BANK and PIANO BANK buttons at
the same time to start demo tune play causes the Song/Piano Bank controller indicator to light. This indicates that buttons 5
through 9 are currently functioning as playback control buttons.
Rhythm controller indicator
Pressing the RHYTHM button to enter the Rhythm Mode, or pressing the RHYTHM button and then the SONG MEMORY button
to enter the Song Memory mode causes the Rhythm controller indicator to light. This indicates that buttons 5 through 9 are
currently functioning as rhythm control buttons.
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General Guide
About the display
1
2
8
9
7
4
5
3
6
1.
The icons that appear here indicate whether the keyboard is in the Sing Along Mode, Song Bank Mode, or Piano Bank Mode.
2.
Numeric Area: This area displays tone numbers, song numbers, evaluation values, and other numeric data.
Text Area:
This area displays tone names and song names. It is also used as the display area for the Evaluation Mode,
Song Memory, and other functions.
Indicator Area: This area indicates the type of data that is currently displayed in the numeric area and text area.
Example: The indicator points to “TONE” when a tone name is displayed.
3.
This area is a staff notation display that shows notes being played in built-in tunes, on the keyboard, or from memory, chord
forms, and MIDI receive data.*1 Notes in the range F 6 to C7 are shown in the staff notation display one octave lower, along
2
with an octave up mark (
).*
If you are using a pedal, a pedal mark (
E-11
Quick Reference
This section provides a quick overview of keyboard operation
using steps one and two of the 3-step lesson feature.
4
To play the keyboard
1
• See page A-10 for the Song Bank/Sing Along List.
Example: To select “44 ALOHA OE”, input 4 and then
4.
Press the POWER button to turn on power.
• This causes the power indicator to light.
A l o h a Oe
5
2
Set the MODE switch to NORMAL.
Find the tune you want to play in the SONG BANK/
SING ALONG List, and then use the number
buttons to input its two-digit number.
Press the STEP 1 button or STEP 2 button.
• The keyboard sounds a count beat and waits for you
to play something on the keyboard. The keys that you
need to press first flash.
6
Play the melody along with the selected tune’s
accompaniment.
• Play in accordance with the fingerings, notes, and
dynamic marks that appear on the display.
3
A l o h a Oe
Press the SONG BANK button.
• This causes the SONG BANK button to light.
Fingering
Note pitch
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If you selected lesson Step 1
• Play the notes on the keyboard.
• Accompaniment (left-hand part) plays in time with
the notes.
• With Step 1, the correct melody note is played no
matter which keyboard key you press.
E-13
Important Battery Information
E-14
Power Supply
CAUTION
Using the AC Adaptor
Make sure that you use only the AC adaptor specified for
this keyboard.
Specified AC Adaptor: AD-5
[Rear Panel]
DC 9V jack
AC adapter AD-5
AC outlet
Also note the following important warnings and precautions
when using the AC adaptor.
WARNING
Misuse of the AC adaptor creates the risk of fire and electric
shock. Always make sure you observe the following
precautions.
• Be sure to use only the AC adaptor that is specified
for this product.
• Use only a power source whose voltage is within the
rating marked on the AC adaptor.
• Do not overload electrical outlets and extension cords.
• Never place heavy objects on the cord or subject it to
heat.
• Never try to modify the cord or subject it to excessive
bending.
• Never twist or stretch the cord.
• Should the electric cord or plug become damaged,
contact your original retailer or authorized CASIO
Service Provider.
• Never touch the AC adaptor while your hands are wet.
Doing so creates the risk of electric shock.
Misuse of the AC adaptor creates the risk of fire and electric
shock. Always make sure you observe the following
precautions.
• Do not locate the electric cord near a stove or other
sources of heat.
• Never pull on the cord when unplugging from the
electrical outlet. Always grasp the AC adaptor when
unplugging.
• Insert the AC adaptor into the wall outlet as far as it
will go.
• Unplug the AC adaptor from the wall outlet during
lightening storms or before leaving on a trip or other
long-term absence.
• At least once a year, unplug the AC adaptor from the
wall outlet and wipe away any dust that is built up in
the area around the prongs of the plug.
IMPORTANT!
• Make sure that the keyboard is turned off before
connecting or disconnecting the AC adaptor.
• Using the AC adaptor for a long time can cause it to
become warm to the touch. This is normal and does not
indicate malfunction.
Auto Power Off
When you are using battery power, keyboard power turns
off automatically whenever you leave it on without
performing any operation for about 6 minutes. When this
happens, press the POWER button to turn power back on.
NOTE
• Auto Power Off is disabled (it does not function) when
you are using the AC adaptor to power the keyboard.
To disable Auto Power Off
Hold down the TONE button while turning on the keyboard
to disable Auto Power Off.
NOTE
• When this function is turned off, the keyboard does not
turn off automatically no matter how long it is left with
no operation being performed.
• Auto Power Off is enabled again when you manually
turn off power and then turn it back on again.
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Power Supply
Power On Alert
Settings and Memory Contents
Keyboard keys light to alert you if you leave power on and
do not perform any operation for about 6 minutes. Note that
keys light only, and no sound is produced. When this
happens, press any button or keyboard key to clear the power
on alert.
NOTE
• Power on alert operates only when you are powering
the keyboard using the AC adaptor. It does not operate
when you are using batteries.
To disable Auto Power Off and power
on alert
Hold down the TONE button while turning on the keyboard
to disable Auto Power Off and power on alert.
• When these functions are turned off, the keyboard does not
turn off automatically and no alert is performed no matter
how long it is left with no operation being performed.
• Auto Power Off and power on alert are enabled again when
you manually turn off power and then turn it back on again.
Settings
Tone, rhythm, and other “main keyboard settings” in effect
when power is turned off manually with the POWER button
or automatically by Auto Power Off remain in effect when
you next turn power back on.
Main Keyboard Settings
Main keyboard settings are: layer, split, split point,
touch response, rhythm number, rhythm tempo,
accompaniment volume, layered tone, split tone,
layered split tone, General MIDI mode on/off, accomp
MIDI OUT on/off, Assignable jack setting, keyboard
channel, and voice fingering guide on/off.
Song Memory Contents
In addition to the above settings, data stored using the song
memory function is also retained.
Electrical Power
The settings and memory data described above are retained
as long as the keyboard is being supplied with electrical
power. Unplugging the AC adaptor when batteries are not
loaded or when loaded batteries are dead cuts off the
keyboard’s electrical power supply. This causes all settings
to be initialized to their factory defaults and clears all data
stored in memory.
Power Requirements
Note the following precautions whenever you want to ensure
that current keyboard settings and memory contents are not
lost.
• Make sure the keyboard is being supplied power through
the AC adaptor before replacing its batteries.
• Before unplugging the AC adaptor, make sure that fresh
batteries are loaded in the keyboard.
Make sure that keyboard power is turned off before replacing
batteries or unplugging the AC adaptor.
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Connections
Connection Example
Phones/Output Terminal
PIN plug (red)
PREPARATION
• Before connecting headphones or other external
equipment, be sure to first turn down the volume settings
of the keyboard and the connected equipment. You can
then adjust volume to the desired level after connections
are complete.
PHONES/OUTPUT terminal
Audio connection
1
Stereo standard
plug
INPUT 2
Stereo standard plug
PIN plug (white)
Standard plug
Keyboard or
guitar amp
White
You can also connect the keyboard to a computer or sequencer.
See “MIDI” on page E-51 for details.
Assignable jack Terminal
You can connect an optional sustain pedal (SP-2 or SP-20) to
the ASSIGNABLE JACK terminal to enable the capabilities
described below.
3
2
INPUT 1
Connecting to a Computer or
Other Equipment
[Rear Panel]
Keyboard amp,
guitar amp, etc.
PIN jack
To keyboard’s
PHONES/OUTPUT
terminal
Red
PIN plug
LEFT RIGHT
AUX IN or similar terminal
of audio amplifier
Connecting Headphones (Figure 1)
For details on how to select the pedal function you want, see
“ASSIGNABLE JACK (Default: SUS)” on page E-55.
ASSIGNABLE JACK Terminal
Connecting headphones cuts off output from the keyboard’s
built-in speakers, so you can play even late at night without
disturbing anyone.
Audio Equipment (Figure 2)
Connect the keyboard to a audio equipment using a
commercially available connecting cord with a standard plug
on one end and two PIN plugs on the other end. Note that
the standard plug you connect to the keyboard must be a
stereo plug, otherwise you will be able to output only one of
stereo channels. In this configuration, you normally set the
input selector of the audio equipment to the terminal (usually
marked AUX IN or something similar) where the cord from
the keyboard is connected. See the user documentation that
comes with your audio equipment for full details.
Musical Instrument Amplifier (Figure 3)
Use a commercially available connecting cord to connect the
keyboard to a musical instrument amplifier.
NOTE
• Be sure to use a connecting cord that has a stereo
standard plug on the end you connect to the keyboard,
and a connector that provides dual channel (left and
right) input to the amplifier to which you are connecting.
The wrong type of connector at either end can cause
one of the stereo channels to be lost.
When connected to a musical instrument amplifier, set the
volume of the keyboard to a relatively low level and make
output volume adjustments using the amplifier’s controls.
SP-20
Sustain Pedal
• With piano tones, depressing the pedal causes notes to
linger, much like a piano’s damper pedal.
• With organ tones, depressing the pedal causes notes to
continue to sound until the pedal is released.
Sostenuto Pedal
• As with the sustain pedal function described above,
depressing the sostenuto pedal causes notes to be sustained.
• This difference between a sostenuto pedal and sustain pedal
is the timing. With a sostenuto pedal, you press the keys
and then depress the pedal before you release the keys.
• Only the notes that are sounding when the pedal is
depressed are sustained.
Soft Pedal
Depressing the pedal softens the sound of the notes being
played.
Rhythm Start/Stop Pedal
In this case, the pedal performs the same functions as the
START/STOP button.
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Connections
Microphone Jack
You can connect a commercially available microphone to the
microphone jack and sing along with notes played on the
keyboard. For details, see “Using a Microphone for Sing
Along” on page E-32.
Accessories and Options
Use only the accessories and options specified for this
keyboard. Use of non-authorized items creates the danger of
fire, electrical shock, and personal injury.
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Basic Operations
SING ALONG
PIANO BANK
SONG BANK
TONE
Number buttons
[+] / [–]
POWER
VOLUME
MODE
This section provides information on performing basic
keyboard operations.
2
Press the TONE button.
To play the keyboard
1
2
3
4
Press the POWER button to turn the keyboard on.
Indicator appears
Set the MODE switch to NORMAL.
• If you were in the Song Bank Mode when you pressed
the TONE button, this will cause the SONG BANK
button to flash. If you were in the Piano Bank Mode,
the PIANO BANK button will flash. If you were in
the Sing Along Mode, the SING ALONG button will
flash.
Use the VOLUME slider to set the volume to a
relatively low level.
Play something on the keyboard.
• The keyboard’s initial power on default setting is Song
Bank Mode. The tone that is initially assigned to the
keyboard is 096 FLUTE 1, which is the tone used by
Song Bank tune number 00.
3
Use the number buttons to input the three-digit tone
number of the tone you want to select.
Example: To select “049 ACOUSTIC BASS”, input 0, 4
and then 9.
Selecting a Tone
A c o . Ba s s
This keyboard comes with 255 built-in tones. Use the
following procedure to select the tone you want.
• Press the flashing button (SONG BANK, PIANO
BANK or SING ALONG) to exit the tone select
operation and stop the flashing.
To select a tone
1
Find the tone you want to use in the TONE List and
note its tone number.
• Not all of the available tones are shown on the tone
list printed on the keyboard console. For a complete
list, see the “Tone List” on page A-6.
NOTE
• Always input all three digits for the tone number,
including leading zeros (if any). If you input one or two
digits and stop, the display will automatically clear your
input after a few seconds.
• You can also increment the displayed tone number by
pressing [+] and decrement it by pressing [–].
• When one of the drum sets is selected (tone numbers
246 through 254), each keyboard key is assigned a
different percussion sound. See page A-3 for details.
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Basic Operations
Polyphony
The term polyphony refers to the maximum number of notes
you can play at the same time. The keyboard has 24-note
polyphony, which includes the notes you play as well as the
rhythms and auto-accompaniment patterns that are played
by the keyboard. This means that when a rhythm or autoaccompaniment pattern is being played by the keyboard, the
number of notes (polyphony) available for keyboard play is
reduced. Also note that some of the tones offer only 12-note
polyphony.
• When rhythm or auto accompaniment is playing, the
number of sounds simultaneously played is reduced.
Turning the Key Light System On and
Off
Use the following procedure when you want to turn the key
light system on or off.
To turn the key light system on and off
1
Press the KEY LIGHT button to toggle the key light
system on and off.
• The KEY LIGHT indicator disappears when the key
light system is turned off.
Digital Sampling
A number of the tones that are available with this keyboard
have been recorded and processed using a technique called
digital sampling. To ensure a high level of tonal quality,
samples are taken in the low, mid, and high ranges and then
combined to provide you with sounds that are amazingly
close to the originals. You may notice very slight differences
in volume or sound quality for some tones when you play
them at different positions on the keyboard. This is an
unavoidable result of multiple sampling, and it is not a sign
of malfunction.
E-20
NOTE
• The key light system is turned on automatically whenever
you turn on keyboard power.
642A-E-022A
Practicing on the Piano
Using the PIANO BANK Button
Pressing the PIANO BANK button provides instant access to
piano tones and piano tune selection.
Initial Piano Bank Setting
Tone: 000 Stereo Piano
To use the piano bank
1
Press the PIANO BANK button.
• This causes the PIANO BANK button to light.
Indicator appears
2
Now try playing something on the keyboard.
• The notes you play sound with a piano tone.
3
If you want to playback the built-in tune, press the
PLAY/STOP button.
• This causes the currently selected tune to play in an
endless loop.
• To stop playback, press the PLAY/STOP button again.
642A-E-023A
E-21
Playing a Built-in Tune
SONG BANK
PIANO BANK
Number buttons
[+] / [–]
PLAY/STOP
Your keyboard comes with a total of built-in 100 tunes. You
can play back built-in tunes for your own listening pleasure,
or you can use them for practice and even sing-along. Builtin tunes are divided between the two groups described below.
• Song Bank/Sing Along Group: 50 tunes for one-hand play
The tunes in this group are Auto Accompaniment tunes. A
Song Bank Group tune can be used during a lesson for
melody part practice. If you connect a microphone to the
keyboard and enter the Sing Along Mode*, you can sing
along with the built-in tune.
* The Sing Along Mode reduces the volume of the melody
part of the built-in tunes and changes the tone selection
to one that makes it easier for a vocalist to follow.
• Piano Bank Group: 50 tunes for two-hand play
The piano tunes in this group are subdivided between 20
etudes and 30 concert pieces. A Piano Bank Group tune can
be used during a lesson for left-hand part and right-hand
part practice.
TEMPO
3
Use the number buttons to input the tune’s twodigit number.
Example: To select “44 ALOHA OE”, input 4 and then 4.
Song number
A l o h a Oe
NOTE
• Tune Number 00 is the initial default Song Bank tune
setting whenever you turn on keyboard power.
• You can also increment the displayed tune number by
pressing [+] and decrement is by pressing [–].
4
Press the PLAY/STOP button to start play of the tune.
To play back a Song Bank tune
Staff display
PREPARATION
A l o h a Oe
• Adjust the main volume (page E-19).
1
Song name
Find the tune you want to play in the SONG BANK/
SING ALONG List, and note its number.
• See page A-10 for the Song Bank/Sing Along List.
2
Fingering
Press the SONG BANK button to enter the Song
Bank Mode.
• This causes the SONG BANK button to light.
Chord name
5
Press the PLAY/STOP button to stop playback of
the Song Bank tune.
• The tune you select continues to play until you stop
it.
Indicator appears
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Playing a Built-in Tune
To play back a Piano Bank tune
Musical Information System
1
When the keyboard is playing one of its built-in tunes, the
display shows a variety of information about the tune.
Find the tune you want to play in the PIANO BANK
List, and note its number.
• See page A-11 for the Piano Bank List.
2
Example: Display during Song Bank play
Staff display
Press the PIANO BANK button to specify the Piano
Bank group.
A l o h a Oe
Fingering
Chord name
Indicator appears
NOTE
• Pressing the PIANO BANK button changes the tone to
stereo piano (Tone Number 000).
3
Use the number buttons to input the two-digit tune
number you looked up in step 1.
Example: To select tune number 16 (Ode To Joy), input
1 and then 6.
Od eT o J o y
NOTE
• Chord names are not displayed for Piano Bank tunes.
Adjusting the Tempo
Each tune has a preset default tempo (beats per minute) that
is set automatically whenever you select a tune. While the
tune is playing, you can change the tempo setting to a value
in the range of 40 to 255.
To set the tempo
NOTE
• Tune Number 00 is the initial default Piano Bank tune
setting whenever you turn on keyboard power.
• You can also change the displayed tune number using
the [+] and [–] buttons.
1
Use the TEMPO buttons to set the tempo.
: Increases the tempo value.
: Decreases the tempo value.
Flash
4
5
Press the PLAY/STOP button to start playback.
Tempo value
To stop playback, press the PLAY/STOP button.
• The tune you select continues to play until you stop
it.
NOTE
• While the tempo value is flashing, you can also use the
number buttons or [+] and [–] to input a three-digit value.
Note that you must input leading zeros, so 90 is input
as 090.
• Pressing both the and TEMPO buttons at the same
time automatically returns the currently selected rhythm
to its default tempo.
• Piano Bank tunes have tempo changes part way through
in order to produce specific musical effects. Note that
the tempo setting automatically returns to the default
whenever a tempo change occurs within one of these
tunes.
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Playing a Built-in Tune
To pause playback
To fast forward
1
1
2
Press the PAUSE button while a tune is playing to
pause it.
While a tune is playing or paused, hold down the
FF button to skip forward at high speed.
• The fast forward operation skips forward one measure
at a time.
• The measure and beat numbers on the display change
while the fast forward operation is being performed.
Pressing the PAUSE button again resumes play from
the point where it was paused.
To fast reverse
1
While a tune is playing or paused, hold down the
REW button to skip in a reverse direction at high
speed.
• The fast reverse operation skips back one measure at
a time.
• The measure and beat numbers on the display change
while the fast reverse operation is being performed.
Measure number
2
Beat number
Releasing the FF button starts song playback from
the measure whose number is shown on the display.
NOTE
• Fast forward does not work while tune play is stopped.
2
Releasing the REW button starts song playback from
the measure whose number is shown on the display.
NOTE
• Fast reverse does not work while tune play is stopped.
• Certain playback conditions can cause it to take some
time before fast reverse starts after you press the REW
button.
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642A-E-026A
Playing a Built-in Tune
To change the melody tone
To play all tunes in succession
1
1
Press the TONE button.
Press the SONG BANK button and PIANO BANK
button at the same time.
• Playback starts from Song Bank tune number 00,
followed in sequence by Piano Bank tunes.
• Both the SONG BANK button and PIANO BANK
button are lit during demo play.
Indicator appears
2
Find the tone you want in the TONE List, and then
use the number buttons to input its three-digit
number.
Example: To select “057 VIOLIN”, input 0, then 5, then
7.
• You can select any one of the keyboard’s 255 built-in
tones.
2
To stop tune play, press the PLAY/STOP button.
NOTE
• While a tune is playing, you can use the number buttons
or [+] and [–] to change to another tune.
• You can play along with the tunes on the keyboard.
Viol in
NOTE
• You can also use the [+] and [–] buttons to change the
melody tones.
• For two-hand tunes (Piano Bank tunes), the same tone
is applied for both the left and right hand parts.
• Specifying the tune number for the same tune that is
currently selected returns the melody tone to the default
setting for that tune.
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Advanced 3-Step Lesson
With the Advanced 3-Step Lesson System, you can practice
the built-in tunes and even plot your progress according to
the evaluation points the keyboard awards you.
The 3-Step Lesson System lets you practice at your own pace.
Fingerings and notes appear on the keyboard’s display, and
the keys you should press light up on the keyboard to help
you on your way to keyboard mastery.
With the Evaluation Mode, you can get an idea of how much
you are progressing. You can even find out what phrases in
your performance need more work and concentrate your
practice there.
Lesson Progress
Step 1
Evaluation 1
Step 2
Evaluation 2
Step 3
Targeted Practice
3-Step Lesson
The 3-step lesson feature takes you through the three distinct
steps described below to help you learn to play tunes on the
keyboard.
Step 1 – Master the timing.
In this step, pressing any key on the keyboard plays the
correct note, so you can concentrate on getting the timing
right without worrying about playing the right note.
Accompaniment (left-hand part) waits until you press a key
before proceeding to the next phrase.
Step 2 – Master the notes.
In this step, you use the display to learn which fingers you
should use and how loud or soft to play, and the key light
system to learn which keyboard keys to press.
Accompaniment (left-hand part) waits until your play the
correct note, so you can learn at your own pace.
Step 3 – Play at normal speed.
This is where you enjoy actually playing the tunes you learn
using Step 1 and Step 2. The key light system still shows you
which keyboard keys to press, but accompaniment proceeds
at normal speed regardless of whether or not you play the
correct notes.
Tune Types and Their Parts
Two-hand Tunes (Piano Bank)
These types of tunes are played with both hands, as in a piano
solo. When using these tunes for a 3-step lesson, you can
practice playing along with both the left hand and right hand
parts.
Key Lighting System Operation and
Display Contents During 3-step
Lesson Play
Whenever you select an Auto Accompaniment tune for 3step lesson play, the key lighting system shows you which
keys to press, while the display shows you the notes and their
fingerings.
Note Pitch
The keyboard key that should be pressed lights, while the
actual pitch of the note appears in the display’s staff notation
area. The fingers you should use to play the notes are also
shown on the display.
Note Length
Keyboard keys stay lit for as long as the note should be
played. The staff notation and fingerings also remain on the
display for the length of the note.
Next Note
The keyboard key for the next note to be played flashes, while
a number appears on the display near the finger you should
use to play the next note.
Series of Same Pitch Notes
The keyboard key light turns off momentarily between the
notes and lights again for each successive note. The staff
notation and fingerings also turn off and back on again.
Example: When play requires pressing keys with fingers 3, 2,
and then 1
1st Note
2nd Note
3rd Note
Next note
Current note
Flash Lit
Flash Lit
Lit
Flash
Key light
The built-in tunes of this keyboard are divided between two
basic groups: Auto Accompaniment tunes (Song Bank) and
two-hand accompaniment tunes (Piano Bank). The parts
available for 3-step lesson practice depend on the type of tune
you are using.
Auto Accompaniment Tunes (Song Bank)
As their name suggests, these tunes are made up of an Auto
Accompaniment part and a melody part. When using these
tunes for a 3-step lesson, you can practice playing along with
the melody (right hand) part only.
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642A-E-028A
Advanced 3-Step Lesson
Using Tone and Voice Guide
NOTE
• Note length is not indicated when you are using twohand tunes with 3-step lesson Steps 1 and 2. As soon
as you press a lit key, it goes out and the next key to be
played starts to flash.
• Note length is indicated by the key light system when
you use a two-hand tune with Step 3. In this case, the
next key to be pressed does not flash when you press a
lit key and the next finger number does not appear on
the display. Only the current finger number is shown.
3-step Lesson Tempo Setting
Use the procedure under “Adjusting the Tempo” on page E23 to adjust the tempo for 3-step lesson play.
Dynamic Marks
When the keyboard senses that your timing is off, it will let
you know by changing the notes you play to a tone that is
different from the one you currently have selected. In the
Evaluation Mode, a simulated human voice will also tell you
your evaluation level. The sound effect keeps you informed
of when your evaluation level is about to change.
Expressions
“Good”
<High>
“That’s close”
Evaluation Ranges
“Nice try!”
“Keep trying!”
<Low>
“Take your time” : This expression is used if you do not
play the correct note for a long time.
Evaluation Results
The dynamic marks listed below appear on the display while
tunes are playing. Adjust the pressure you apply to the
keyboard in accordance with the mark that is on the display.
pianissimo: Very soft
piano: Soft
mezzo piano: Moderately soft
mezzo forte: Moderately loud
forte: Loud
fortissimo: Very loud
cresc. (<) crescendo: Gradually louder
decresc. (>) decrescendo: Gradually softer
After you finish playing, the keyboard calculates an
evaluation of your total performance, from beginning to end,
and displays your total score on the monitor screen. The
greater the score, the higher your evaluation is.
Evaluation Rank Display Messages and Sound Effects
Display Message
“Bravo!”
“Great”
“Not bad!”
“Again!”
Sound Effect
Applause and
cheering
Applause only
None
None
<High>
Evaluation Ranges
<Low>
“****” : indicates that the Evaluation Mode was exited
before an evaluation result could be obtained.
Evaluation Mode
The keyboard’s Evaluation Mode awards points to your
performances during Step 1 and Step 2 of the 3-Step Lesson.
A perfect score is 100. Also, the Evaluation Mode provides
comments about your play, both on the monitor screen and
by means of a simulated human voice.
Evaluation Mode Display
Level Indicator (9 Levels): This indicator shows the evaluation
of your current performance at a glance. The more segments
that appear, the higher your points.
NOTE
• If your play is flawless, the message “Perfect!” appears
before the evaluation result.
• If you press the PLAY/STOP button and interrupt the
Evaluation Mode part way through, the monitor screen
shows the evaluation points you have accumulated up
to that point. In this case, the keyboard does not display
a message and play a sound effect.
Using the Lesson Functions and
Evaluation Mode
Example: 50 points
Perform the following steps to master your favorite tunes.
Timing Indicator: In the Evaluation Mode, the configuration
of the star changes with each note to let
you know how your timing is. The more
stars, the better your timing.
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Advanced 3-Step Lesson
• If you accidentally press more than one key in
succession, accompaniment is played for the
corresponding number of notes.
• Pressing more than one key at the same time counts
as a single note. Pressing a key while another key is
held down is counted as two notes.
Step 1 – Master the timing.
1
2
Select the tune you want to use.
Press the STEP 1 button to start Step 1 play.
• After a count sounds, they keyboard stands by and
waits for you to play the first note of the tune.
4
To stop play at any time, press the PLAY/STOP
button.
NOTE
• The hand you should use is indicated by arrows
around it.
• Left hand practice can also be performed with Piano
Bank tunes. Simply select one of the two-hand tunes in
step 1 of the above procedure, and then press the LEFT
button following step 2.
• 3-step lesson does not allow simultaneous practice of
both hands.
• You can also use fast forward and fast reverse operations
with Step 1 play.
• You cannot pause Step 1 play.
• Rhythm does not sound during Step 1 play.
Evaluation 1: Find out how the
keyboard evaluates your Step 1 play.
Use the SCORING 1 button to check the evaluation of your
play in Step 1.
Indicators
3
Press any keyboard keys to play the notes.
1
Press the SCORING 1 button.
• This causes the SCORING 1 indicator to appear on
the display.
• A count beat sounds and then evaluation mode starts.
• The key for the next note to be played flashes while
the keyboard waits for you to play it. When you press
any key to play the note, the key remains lit as the
note plays.
• Accompaniment (left-hand part) waits until you press
any key to play a note.
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642A-E-030A
Advanced 3-Step Lesson
2
Play in accordance with the guidance on the
monitor screen and as told by the voice.
• To stop evaluation, press the PLAY/STOP button. This
displays only the points accumulated up to that point.
3
After you finished playing, your evaluation result
appears on the display.
• For information about evaluation ranks and sound
effects, see “Evaluation Results” on page E-27.
• The keyboard will tell you where you scored the
lowest during your performance, so you can find out
where you need the most work. See “Using the Phrase
Practice Mode” on page E-30 for more information.
• Pressing the SONG BANK button or PIANO BANK
button returns to the tune selection screen.
Br avo !
Step 2 – Master the notes.
1
2
Select the tune you want to use.
Indicator appears
Press the STEP 2 button to start Step 2 play.
• After a count sounds, the keyboard stands by and
waits for you to play the first note of the tune.
3
Follow the key light system to press the correct
keyboard keys and play the notes.
• The key for the next note to be played flashes while
the keyboard waits for you to play it. When you press
any key to play the note, the key remains lit as the
note plays.
• If multiple keys light on the on-screen keyboard guide
when you are using a two-hand tune, it means that
you must press all of the keys that are lit.
4
To stop play at any time, press the PLAY/STOP
button.
642A-E-031A
E-29
Advanced 3-Step Lesson
Step 3 – Play at normal speed.
1
2
Select the tune you want to play.
Press the STEP 3 button to start Step 3 play.
• Accompaniment (left hand part) starts to play at
normal speed.
010 - 014
3
4
Follow the key light system to press the correct
keyboard keys and play the notes.
To stop play at any time, press the PLAY/STOP
button.
NOTE
• Left hand practice can also be performed with Piano
Bank tunes. Simply select one of the two-hand tunes in
step 1 of the above procedure, and then press the LEFT
button following step 2.
• 3-step lesson does not allow simultaneous practice of
both hands.
• You can also use pause, fast forward and fast reverse
operations with Step 3 play.
E-30
642A-E-032A
Advanced 3-Step Lesson
To practice the practice phrase
1
While the Phrase Practice Mode screen is on the
display, press the STEP 1, STEP 2, or STEP 3 button.
To start the metronome
1
• This causes “Beat” to appear on the display. Perform
step 2 within five seconds after “Beat” appears.
• This starts 3-Step Lesson playback of the practice
phrase in accordance with the STEP button you
pressed.
2
Press the METRONOME button to start sounding
the metronome.
Play along on the keyboard.
• Playback continues until the end of the tune is
reached. After that, playback automatically jumps to
the beginning of the tune. Note that playback of the
practice phrase is not repeated automatically.
• To stop playback, press the PLAY/STOP button.
2
Use the number buttons or [+] and [–] to change
the number of beats per measure.
• You can specify the number of beats per measure a
value from 1 to 6.
B ea t
Voice Fingering Guide
Voice fingering guide uses a simulated human voice to call
out fingering numbers during Step 1 and Step 2 one-hand
part practice. If you need to press a key with your thumb, for
example, voice fingering guide says, “One!” In the case of a
chord to be played with your thumb, middle and little finger,
voice fingering guide says, “One, three, five!”
Voice Fingering Guide calls out fingerings only when you do
not press the proper key when you should.
:
:
:
:
:
• The bell (indicating the first beat of a measure) does not
sound while one beat per measure is specified. All beats
are indicated by a click sound. This setting lets you
practice with a steady beat, without worrying about how
many beats there are in each measure.
3
Voice Fingering Guide
One
Two
Three
Four
Five
NOTE
Use the TEMPO buttons to set the tempo.
• Press to increase the tempo (make if faster) or
decrease it (make it slower).
Thumb
Forefinger
Middle finger
Ring finger
Little finger
to
Flash
To turn voice fingering guide on or off
Press the SPEAK button to toggle voice fingering guide on
(voice fingering guide indicator displayed) and off (indicator
not displayed).
Indicator
appears
Tempo value
NOTE
• While the tempo value is flashing, you can also use the
number buttons or [+] and [–] to input a three-digit value.
Note that you must input leading zeros, so 90 is input
as 090.
• Pressing both the and TEMPO buttons at the same
time automatically returns the currently selected rhythm
or tune to its default tempo.
NOTE
• Note that Voice Fingering is disabled in the Evaluation
Mode. Pressing the SCORING 1 or SCORING 2 button
automatically turns off Voice Fingering.
• Exiting the Evaluation Mode automatically restores the
Voice Fingering setting that was in effect when you
entered the Evaluation Mode.
Using the Metronome
The metronome feature of this keyboard produces a bell
sound for the first beat of each measure, followed by click
sounds for each successive beat of the measure. It is the perfect
tool for practicing tunes without accompaniment (rhythm).
4
To turn off the metronome, press the METRONOME
button.
NOTE
• The metronome is disabled whenever you are using Step
1 or Step 2 of the 3-step lesson.
• Starting play of a two-hand tune or Step 3 of the 3-step
lesson while the metronome is operating or activating
the metronome while either of the two above operations
is already in progress causes the metronome to sound
in time with the Auto Accompaniment played by the
keyboard. At this time, the tempo of the metronome beat
changes to that of the default tempo for the Auto
Accompaniment being played.
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Using a Microphone for Sing Along
You can select any of the 50 Song Bank/Sing Along Group
tunes and sing along with its accompaniment.
Using the microphone jack
Connecting a commercially available microphone* to the MIC
jack makes it possible to sing along with the keyboard’s builtin tunes or with output from a MIDI device. When connecting
a microphone, be sure to first adjust the MIC VOLUME to a
relatively low setting, and then adjust to the level you want
after connecting.
* If a microphone was included with your keyboard, use that
microphone. If your keyboard did not come with a
microphone, use a commercially available microphone that
satisfies the stipulated specifications.
1
2
3
Set the MIC VOLUME knob setting so it is on the
“MIN” side.
Turn on the microphone’s ON/OFF switch.
Use the MIC VOLUME knob to adjust microphone
volume to the level you want.
Microphone ON/OFF switch
Microphone
Cannon type (3-prong)
MIC VOLUME knob
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Using a Microphone for Sing Along
To use a microphone for sing along
PREPARATION
• Adjust the main volume (page E-19), accompaniment
volume (page E-49), and microphone volume (page E32).
1
NOTE
• To return a tune to its default key, press both of the KEY
CONTROL/TRANSPOSE buttons ( and ) at the
same time.
Find the tune you want in the SONG BANK/SING
ALONG List, and note its number.
• See page A-10 for the Song Bank/Sing Along List.
2
Press the SING ALONG button to enter the Sing
Along Mode.
• This causes the SING ALONG button to light.
Indicator appears
3
Use the number buttons to input the two-digit song
number.
Example: To select “ALOHA OE”, which is song number
44, input 4 and then 4.
NOTE
• The initial power on default tune setting is “00”.
• You can also specify the song number using the [+] and
[–] buttons.
4
Press the <PLAY/STOP> button to start tune play.
• Now use the microphone to sing along with the
playback.
• The Sing Along Mode is similar to the Song Bank
Mode. The only difference is that the melody part in
the Sing Along Mode is played back at a lower
volume. Also a different tone setting is used in the
Sing Along mode to make sing along easier.
5
Use the KEY CONTROL/TRANSPOSE buttons ( / )
to change the overall key of the playback, if you want.
: Raises the key by one semitone
: Lowers the key by one semitone
6
Press the <PLAY/STOP> button to stop tune play.
• The same song plays in an endless loop until you stop
it.
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Auto Accompaniment
This keyboard automatically plays bass and chord parts in
accordance with the chords you finger. The bass and chord
parts are played using sounds and tones that are
automatically selected to select the rhythm you are using.
All of this means that you get full, realistic accompaniments
for the melody notes you play with your right hand, creating
the mood of an one-person ensemble.
Selecting a Rhythm
This keyboard provides you with 120 exciting rhythms that
you can select using the following procedure.
To select a rhythm
1
Find the rhythm you want to use in the RHYTHM
List and note its rhythm number.
• Not all of the available rhythms are shown on the
rhythm list printed on the keyboard console. For a
complete list, see the “Rhythm List” on page A-9.
2
Press the RHYTHM button.
P op 1
Indicator appears
3
Use the number buttons to input the three digit
rhythm number for the rhythm you want to select.
Example: To select “076 RHUMBA”, input 0, 7 and then
6.
R hum b a
NOTE
• You can also increment the displayed rhythm number
by pressing [+] and decrement it by pressing [–].
• Some rhythms consist of chord accompaniments only,
without any drums or other percussion instruments. Such
rhythms do not sound unless CASIO CHORD,
FINGERED, or FULL RANGE CHORD is selected as
the accompaniment mode.
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Auto Accompaniment
Playing a Rhythm
Using Auto Accompaniment
Use the following procedure to start and stop rhythm play.
The following procedure describes how to use the keyboard’s
Auto Accompaniment feature. Before starting, you should
first select the rhythm you want to use and set the tempo of
the rhythm to the value you want.
To play a rhythm
1
2
3
Set the MODE switch to NORMAL.
To use Auto Accompaniment
Press the START/STOP button to start play of the
currently selected rhythm.
1
To stop rhythm play, press the START/STOP button
again.
2
NOTE
• All of the keyboard keys are melody keys while the
MODE switch is set to NORMAL.
3
Set the MODE switch to CASIO CHORD,
FINGERED, or FULL RANGE CHORD.
Press the START/STOP button to start play of the
currently selected rhythm.
Play a chord.
• The actual procedure you should use to play a chord
depends on the current MODE switch position. Refer
to the following pages for details on chord play.
CASIO CHORD .......................... Page E-36
FINGERED ................................... Page E-37
FULL RANGE CHORD ............. Page E-37
Adjusting the Tempo
The tempo (beats per minute) can be set to a value in the
range of 40 to 255. The tempo value you set is use for Song
Bank, 3-step lesson, and Auto Accompaniment chord play,
as well as playback from memory and metronome operation.
Basic Chord Form
R h u mBa
To set the tempo
1
Use the TEMPO buttons to set the tempo.
: Increase the tempo value.
: Decreases the tempo value.
Chord name
Flash
4
Metronome
Tempo value
Beat number
NOTE
• While the tempo value is flashing, you can also use the
number buttons or [+] and [–] to input a three-digit value.
Note that you must input leading zeros, so 90 is input
as 090.
• Pressing both the and TEMPO buttons at the same
time automatically returns the currently selected rhythm
to its default tempo.
To stop Auto Accompaniment play, press the START/
STOP button again.
NOTE
• You can adjust the accompaniment part volume level
independently of the main volume. For details, see
“Adjusting the Accompaniment Volume” on page E-49.
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Auto Accompaniment
CASIO CHORD
This method of chord play makes it possible for anyone to
easily play chords, regardless of previous musical knowledge
and experience. The following describes the CASIO CHORD
“Accompaniment keyboard” and “Melody keyboard”, and
tells you how to play CASIO CHORDs.
CASIO CHORD Accompaniment Keyboard and Melody
Keyboard
Accompaniment
keyboard
Melody keyboard
NOTE
• The accompaniment keyboard can be used for playing
chords only. No sound will be produced if you try playing
single melody notes on the accompaniment keyboard.
Chord Types
CASIO CHORD accompaniment lets you play four types of
chords with minimal fingering.
Chord Types
Example
Major chords
Major chord names are marked
above the keys of the
accompaniment keyboard. Note that
the chord produced when you press
an accompaniment keyboard does
not change octave, regardless of
which key you use to play it.
C Major (C)
Minor chords (m)
To play a minor chord, keep the
major chord key depressed and
press any other accompaniment
keyboard key located to the right of
the major chord key.
C minor (Cm)
Seventh chords (7)
To play a seventh chord, keep the
major chord key depressed and
press any other two accompaniment
keyboard keys located to the right
of the major chord key.
C seventh (C7)
Minor seventh chords (m7)
To play a minor seventh chord, keep
the major chord key depressed and
press any other three
accompaniment keyboard keys
located to the right of the major
chord key.
C minor seventh (Cm7)
CDE F GAB C DE F
CD E F G A B C D E F
CDE F GAB C DE F
CDE F GAB C DE F
NOTE
• It makes no difference whether you press black or white
keys to the right of a major chord key when playing minor
and seventh chords.
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Auto Accompaniment
FINGERED
NOTE
FINGERED provides you with a total of 15 different chord
types. The following describes the FINGERED
“Accompaniment keyboard” and “Melody keyboard”, and
tells you how to play a C-root chord using FINGERED.
FINGERED Accompaniment Keyboard and Melody
Keyboard
Accompaniment
keyboard
• Except for the chords specified in note*1 above, inverted
fingerings (i.e. playing E-G-C or G-C-E instead of C-EG) will produce the same chords as the standard
fingering.
• Except for the exception specified in note*2 above, all
of the keys that make up a chord must be pressed.
Failure to press even a single key will not play the desired
FINGERED chord.
Melody keyboard
FULL RANGE CHORD
NOTE
• The accompaniment keyboard can be used for playing
chords only. No sound will be produced if you try playing
single melody notes on the accompaniment keyboard.
C
Cm
Cdim
This accompaniment method provides a total of 38 different
chord types: the 15 chord types available with FINGERED
plus 23 additional types. The keyboard interprets any input
of three or more keys that matches a FULL RANGE CHORD
pattern to be a chord. Any other input (that is not a FULL
RANGE CHORD pattern) is interpreted as melody play.
Because of this, there is no need for a separate accompaniment
keyboard, so the entire keyboard, from end to end, can be
used for both melody and chords.
FULL RANGE CHORD Accompaniment Keyboard and
Melody Keyboard
Caug *1
Csus4
C7 *2
Cm7 *2
Cmaj7 *2
Cm7 5
Accompaniment keyboard/Melody keyboard
< Chords Recognized by This Keyboard >
Number of Types
Chord Types
C7
5 *1
C7sus4
Cadd9 *2
Corresponding
15 (on this page)
FINGERED Chord
23
The following are examples of chords
that use C as the bass note.
C6 • Cm6 • C69
Cmadd9 *2
CmM7 *2
Cdim7 *1
Other Chords
C
D
E
F
G
A
B
•
•
•
•
•
•
C
C
C
C
C
C
C
B C m Dm Fm Gm Am B m
•
•
•
•
•
•
C
C
C
C
C
C
C
See the FINGERED Chord Chart on page A-5 for details on
playing chords with other roots.
Dm7 5 A 7 F7 Fm7 Gm7 A add9
•
•
•
•
•
C
C C
C
C
C
*1: Inverted fingerings cannot be used. The lowest note is
the root.
*2: The same chord can be played without pressing the 5th
G.
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Auto Accompaniment
Example: To play the chord C major.
Using an Intro Pattern
Any of the fingerings shown in the illustration below will
produce C major.
This keyboard lets you insert a short intro into a rhythm
pattern to make startup smoother and more natural.
The following procedure describes how to use the Intro
feature. Before starting, you should first select the rhythm
you want to use, and set the tempo.
1
E
G
C
To insert an intro
E
G
C
1 .... Chord C
C
2 .... Chord CE
2
NOTE
• As with the FINGERED mode (page E-37), you can play
the notes that form a chord in any combination (1).
• When the composite notes of a chord are separated by
6 or more notes, the lowest sound becomes the bass
(2).
< Music Example >
Tone: 023, Rhythm: 005, Tempo: 070
D
Bm
E7
A
Bm
G
A
C
A
A
G
4 D
4 #
1
Press the INTRO button to start the selected rhythm
with an intro pattern.
• With the above setup, the intro pattern is played and
the auto accompaniment with intro pattern starts as
soon as you play chords on the accompaniment
keyboard.
NOTE
• The standard rhythm pattern starts to play after the intro
pattern is complete.
• Pressing the VARIATION/FILL-IN button while an intro
pattern is playing causes the variation pattern to sound
after the intro pattern is complete.
• Pressing the SYNCHRO/ENDING button while an intro
pattern is playing causes the ending pattern to sound
after the intro pattern is complete.
4
4
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Auto Accompaniment
Using a Fill-in Pattern
Fill-in patterns let you momentarily change the rhythm
pattern to add some interesting variation to your
performances.
The following procedure describes how to use the Fill-in
feature.
To insert a fill-in
1
2
You can also insert a fill-in pattern while a variation rhythm
pattern is playing.
To insert a fill-in into a rhythm variation
1
Press the START/STOP button to start rhythm play.
Press the NORMAL/FILL-IN button to insert a fillin pattern for the rhythm you are using.
NOTE
• The fill-in pattern does not play if you press the
NORMAL/FILL-IN button while an intro pattern is playing.
Using a Rhythm Variation
In addition to the standard rhythm pattern, you can also
switch to a secondary “variation” rhythm pattern for a bit of
variety.
To insert the variation rhythm pattern
1
2
Using a Fill-in Pattern with a
Variation Rhythm
While a variation rhythm pattern is playing, press
the VARIATION/FILL-IN button to insert a fill-in
pattern for the variation rhythm you are using.
Synchro Starting Accompaniment
with Rhythm Play
You can set up the keyboard to start rhythm play at the same
time you play the accompaniment on the keyboard.
The following procedure describes how to use synchro start.
Before starting, you should first select the rhythm you want
to use, set the tempo, and use the MODE switch to select the
chord play method you want to use (NORMAL, CASIO
CHORD, FINGERED, FULL RANGE CHORD).
To use synchro start
1
Press the SYNCHRO/ENDING button to put the
keyboard into synchro start standby.
Press the START/STOP button to start rhythm play.
Press the VARIATION/FILL-IN button to switch to
the variation pattern for the rhythm you are using.
Flash
NOTE
• To switch back to the standard rhythm pattern, press
the NORMAL/FILL-IN button.
2
Playing a chord and the rhythm pattern starts to
play auto5 T3 4ly.
NOTE
• If the MODE switch is set to NORMAL, only the rhythm
plays (without a chord) when you play on the
accompaniment keyboard.
• If you press the INTRO button before playing anything
on the keyboard, the rhythm starts auto5 T3 4ly with
an intro pattern when you play something on the
accompaniment keyboard.
• Pressing the VARIATION/FILL-IN button before playing
anything on the keyboard causes play to start with the
variation pattern when something is played on the
keyboard.
• To cancel synchro start standby, press the SYNCHRO/
ENDING button one more time.
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Auto Accompaniment
SYNCHRO/ENDING
Finishing with an Ending Pattern
You can end your performances with an ending pattern that
brings the rhythm pattern you are using to a natural-sounding
conclusion.
The following procedure describes how to insert an ending
pattern. Note that the actual ending pattern played depends
on the rhythm pattern you are using.
To finish with an ending pattern
1
While the rhythm is playing, press the SYNCHRO/
ENDING button.
• This causes the ending pattern to play, which brings
rhythm accompaniment to an end.
NOTE
• The timing when the ending pattern starts depends on
when you press the SYNCHRO/ENDING button. If you
press the button before the second beat of the current
measure, the ending pattern starts playing immediately.
Pressing the button at any point in the measure after
the second beat results in the ending pattern playing
from the beginning of the following measure.
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Song Memory Function
RHYTHM
SONG MEMORY
TRACK1
You can store up to two separate songs in song memory for
later playback. The song memory function records your
keyboard play in real time, as you play it.
TRACK2
SONG MEMORY Button Operation
Each press of the SONG MEMORY button cycles through the
functions shown below.
NOTE
• To use song memory, first press the RHYTHM button to
enter the Rhythm Mode.
Playback
Standby
Record
Standby
Normal
Tracks
The song memory of this keyboard records and plays back
notes much like a standard tape recorder. There are two tracks,
each of which can be recorded separately. Besides notes, each
track can be assigned its own tone number. During playback
you can adjust the tempo to change the speed of playback.
Start
Track 1
Track 2
End
Auto Accompaniment
(rhythm, bass, chords), melody
Melody
Data recorded in track
NOTE
• Track 1 is the basic track, which can be used to record
Auto Accompaniment along with the melody. Track 2 can
be used for melody only, and is for adding to what is
recorded in Track 1.
• Note that each track is independent of the other. This
means that if you make a mistake while recording, you
need to re-record only the track where the mistake was
made.
Indicator appears
Flash
Unlit
Selecting a Track
Press the TRACK 1 button to select Track 1 and the TRACK 2
button to select Track 2. The letter “L” (left) appears on the
display to indicate Track 1 is selected, and the letter “R” (right)
appears to indicate Track 2 is selected.
Playback
Each press of the TRACK 1 and TRACK 2 button while the
keyboard is in playback standby (see “SONG MEMORY
Button Operation” above) toggles playback of the
corresponding track on and off. The letter that identifies a
track (L or R) appears on the display whenever playback of
that track is turned on.
Track 1
Track 2
Playback
turned on
Playback
turned off
• With the above setting, Track 1 will play while Track 2 will
not play.
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Song Memory Function
E-42
Song Memory Function
7
Press the START/STOP button to end recording
when you are finished playing.
• If you make a mistake while recording, stop the record
operation and begin over again from step 1.
NOTE
• Using real-time recording to record to a track that already
contains recorded data replaces the existing recording
with the new one.
Track 1 Contents After Real-time
Recording
In addition to keyboard notes and accompaniment chords,
the following data is also recorded to Track 1 during realtime recording. This data is used whenever Track 1 is played
back.
• Tone number
• Rhythm number
• INTRO, SYNCHRO/ENDING, NORMAL/FILL-IN,
VARIATION/FILL-IN button operations
• Pedal operations
Memory Capacity
The keyboard has memory for approximately 5,100 notes. You
can use all 5,100 notes for a single song, or you can divide
memory between two different songs.
• The measure number and note number flash on the display
whenever remaining memory is less than 100 notes.
Flash
Track 1 Real-time Recording
Variations
The following describes a number of different variations you
can use when recording to Track 1 using real-time recording.
All of these variations are based upon the procedure described
under “To record to Track 1 using real-time recording” on
page E-42.
To record without rhythm
Skip step 5. Real-time recording without rhythm starts when
you press a keyboard key.
To start recording with synchro start
In place of step 5, press the SYNCHRO/ENDING button.
Auto Accompaniment and recording will both start when you
play a chord on the accompaniment keyboard.
To record using an intro, ending, or fill-in
During recording, the INTRO, SYNCHRO/ENDING,
NORMAL/FILL-IN, and VARIATION/FILL-IN buttons
(pages E-38 through E-40) can all be used as they normally
are.
To synchro start Auto Accompaniment with an intro
pattern
In place of step 5, press the SYNCHRO/ENDING button and
then the INTRO button. Auto Accompaniment will start with
the intro pattern when you play a chord on the
accompaniment keyboard.
To start Auto Accompaniment part way into a recording
In place of step 5, press the SYNCHRO/ENDING button and
then play something on the melody keyboard to start. When
you reach the point where you want Auto Accompaniment
to start, play a chord on the accompaniment keyboard.
• Recording automatically stops (and Auto Accompaniment
and rhythm stops playing if they are being used) whenever
memory becomes full.
Memory Data Storage
• Anything previously stored in song memory is replaced
whenever you make a new recording.
• Memory contents are retained as long as the keyboard is
supplied with electrical power. Unplugging the AC adaptor
when batteries are not loaded or when loaded batteries are
dead cuts off the keyboard’s electrical power supply,
causing all data stored in song memory to be deleted. Be
sure to plug the keyboard into an electrical outlet with the
AC adaptor before replacing batteries.
• Turning off the keyboard while a record operation is in
progress causes the contents of the track you are currently
recording to be lost.
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Playing Back from Song Memory
Use the following procedure to play back song memory
contents.
To play back from song memory
1
Use the SONG MEMORY button to enter playback
standby, and then use [+] and [–] to select 0 or 1 as
the song number.
• The above song number screen remains on the display
for about five seconds. If it disappears before you have
a chance to select a song number, use the SONG
MEMORY button to display it again.
2
Press the START/STOP button to start playback of
the song you selected.
• During memory playback you can use the TRACK 1
and TRACK 2 buttons to turn playback of either track
on or off.
• You can use the TEMPO buttons to adjust the tempo.
3
Press the START/STOP button again to stop
playback.
E-44
Song Memory Function
3
Make any of the following settings if you want.
• Tone number (page E-19)
• If you are not confident about playing at a fast tempo,
try using a slower tempo setting (page E-35).
4
5
6
Press the START/STOP button to start real-time
recording to Track 2 along with playback from
Track 1.
Listening to the playback from Track 1, play what
you want to record to Track 2 on the keyboard.
Deleting the Contents of a Specific
Track
Use the following procedure to delete all of the data currently
recorded in a specific track.
To delete all of the data in a specific
track
1
Press the START/STOP button to end recording
when you are finished playing.
Use the SONG MEMORY button to enter record
standby, and then use [+] and [–] to select the song
(0 or 1) whose track you want to delete.
Re c . N o .
• If you make a mistake while recording, stop the record
operation and begin over again from step 1.
NOTE
• Track 2 is a melody-only track, so chords cannot be
recorded there. Because of this, the entire keyboard is
a melody keyboard, regardless of the MODE switch
setting.
To record to Track 2 without playing
back Track 1
1
2
3
2
Hold down the SONG MEMORY button until the
track delete screen appears on the display.
T r . De l . ?
3
Use the TRACK 1 or TRACK 2 button to select the
track whose data you want to delete.
Example: To select Track 1
Use the SONG MEMORY button to enter record
standby.
T r . De l . ?
Press the TRACK 1 button to turn off playback of
Track 1.
Continue from step 1 under “To record to Track 2
while playing back Track 1”.
• Note that the above procedure does not turn off
rhythm and Auto Accompaniment.
Track 2 Contents After Real-time
Recording
The following data is recorded to Track 2 during real-time
recording.
• Tone number
• Pedal operations
Flash
4
Press the [+] button.
• This deletes the selected track and enters song
memory playback standby.
NOTE
• The track delete screen is cleared from the display
automatically if you leave the keyboard with the track
delete message on the display for about five seconds
without doing anything.
• Once you select a track in step 3, you cannot change to
a different track without quitting the track delete operation
and starting again.
• You cannot select a track for deletion if that track does
not contain any data.
• Pressing the SONG MEMORY button while the track
delete screen is on the display returns to record standby.
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This section describes how to use layer (to play two tones
with a single key) and split (to assign different tones to either
end of the keyboard), and how to make touch response,
transpose, and tuning settings.
NOTE
• Note that the layer and split functions are not available
while playing a built-in tune or while using the lesson
functions.
Using Layer
Layer lets you assign two different tones (a main tone and a
layered tone) to the keyboard, both of which play whenever
you press a key. For example, you could layer the FRENCH
HORN tone on the BRASS tone to produce a rich and brassy
sound.
To layer tones
1
First select the main tone.
Example: To select “078 BRASS” as the main tone, press
the TONE button and then use the number
buttons or [+] and [–] buttons to input 0, 7 and
then 8.
2
Press the LAYER button.
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642A-E-048A
Keyboard Settings
Using Layer and Split Together
To split the keyboard
1
First select the main tone.
Example: To select “062 STRINGS” as the main tone,
press the TONE button and then use the
number buttons or [+] and [–] buttons to input
0, 6 and then 2.
S t r i ngs
2
Press the SPLIT button.
You can use layer and split together to created a layered split
keyboard. It makes no difference whether you layer tones
first and then split the keyboard, or split the keyboard and
then layer tones. When you use layer and split in combination,
the high range of the keyboard is assigned two tones (main
tone + layered tone), and the low range two tones (split tone
+ layered split tone).
To split the keyboard and then layer
tones
1
Aco . Bas s
Press the TONE button and then input the tone
number of the main tone.
Indicator appears
3
2
Select the split tone.
Example: To select “060 PIZZICATO STRINGS” as the
split tone, use the number buttons or [+] and
[–] buttons to input 0, 6 and then 0.
Press the SPLIT button and then input the number
of the split tone.
P i zz .St r
4
Specify the split point. While holding down the
SPLIT button, press the keyboard where you want
the leftmost key of the high end range to be.
• After specifying the split tone, press the SPLIT button
to unsplit the keyboard.
3
Example: To specify G3 as the split point, press the G3
key.
• Note that you can reverse steps 2 and 3, specifying
the layered tone first and then the split tone.
G3
5
6
Press the LAYER button and then input the number
of the layered tone.
Now try playing something on the keyboard.
• Every key from F 3 and below is assigned the
PIZZICATO STRINGS tone, while every key from G3
and above is assigned the STRINGS tone.
4
Press the SPLIT button again to unsplit the keyboard
and return it to normal.
5
Input the number of the layered split tone.
6
Specify the split point.
Press the SPLIT button or the LAYER button so both
of the SPLIT and LAYER indicators are displayed.
SPLIT
Split Tone
(PIZZICATO STRINGS)
Split point
Main Tone (STRINGS)
• While holding down the SPLIT button, press the
keyboard where you want the leftmost key of the low
end range to be.
E-47
7
Play something on the keyboard.
• Press the LAYER button to unlayer the keyboard, and
the SPLIT button to unsplit it.
LAYER SPLIT
E-48
Keyboard Settings
1
Press the SETTING button until the TOUCH
RESPONSE SELECT screen appears.
Touch
2
Use the [+] and [–] or [0] and [1] buttons to change
the setting.
Example: To select touch response 2.
Adjusting the Accompaniment
Volume
You can adjust the volume of the accompaniment parts as a
value in the range of 000 (minimum) to 127.
To adjust the accompaniment volume
1
Press the SETTING button twice to display the
accompaniment volume adjustment screen.
Touch
A c om p V o l
• Touch response is on when touch response indicator
is on.
Current accompaniment volume setting
2
Use the number buttons or the [+]/[–] buttons to
change the current volume setting value.
Example: 110
A c om p V o l
Indicator appears
NOTE
• Touch response is off when touch response indicator
is off.
• The current accompaniment volume value that appears
in Step 1 automatically clears from the display if you do
not input anything within about five seconds.
• Pressing [+] and [–] buttons at the same time
automatically sets an accompaniment volume of 077.
NOTE
• Touch response not only affects the keyboard’s internal
sound source, it also is output as MIDI data.
• Song memory playback, accompaniment, and external
MIDI note data does not affect the touch response
setting.
About SETTING button
Each press of the SETTING button cycles through a total of
11 setting screens: the touch response screen, the
accompaniment volume screen, the tuning screen, and 8 MIDI
setting screens (page E-52). If you accidentally pass the screen
you want to use, keep pressing the SETTING button until
the screen appears again.
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Keyboard Settings
SETTING
Number buttons
[+] / [–]
Tuning the Keyboard
Use the following procedure to fine tune the keyboard to
match the tuning of another musical instrument.
To tune the keyboard
1
Press the SETTING button three times to display
the tuning screen.
Tune
2
Use the [+], [–], and the number buttons to adjust
the tuning value.
Example: To lower tuning by 20
Tune
NOTE
• The keyboard can be tuned within a range of –50 cents
to +50 cents.
* 100 cents is equivalent to one semitone.
• The default tuning setting is “00” when keyboard power
is turned on.
• If you leave the tuning screen on the display for about
five seconds without doing anything, the screen is
automatically cleared.
• The tuning setting also affects playback from song
memory and Auto Accompaniment.
• To return the keyboard to its default tuning, perform the
above procedure and press the [+] and [–] buttons at
the same time in step 2.
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MIDI
What is MIDI?
MIDI Channels
The letters MIDI stand for Musical Instrument Digital
Interface, which is the name of a worldwide standard for
digital signals and connectors that makes it possible to
exchange musical data between musical instruments and
computers (machines) produced by different manufacturers.
MIDI compatible equipment can exchange keyboard key
press, key release, tone change, and other data as messages.
Though you do not need any special knowledge about MIDI
to use this keyboard as a stand-alone unit, MIDI operations
require a bit of specialized knowledge. This section provides
you with an overview of MIDI that will help to get you going.
MIDI Channel 1 Melody
MIDI Channel 2 Bass
MIDI Channel 10 Drums
MIDI Connections
MIDI messages are send out through the MIDI OUT terminal
of one machine to the MIDI IN terminal of another machine
over a MIDI cable. To send a message from this keyboard to
another machine, for example, you must use a MIDI cable to
connect the MIDI OUT terminal of this keyboard to the MIDI
IN terminal of the other machine. To send MIDI messages
back to this keyboard, you need to use a MIDI cable to connect
the other machine’s MIDI OUT terminal to the MIDI IN
terminal of this keyboard.
To use a computer or other MIDI device to record and
playback the MIDI data produced by this keyboard, you must
connect the MIDI IN and MIDI OUT terminals of both
machines in order send and receive data.
MIDI IN
MIDI allows you to send the data for multiple parts at the
same time, with each part being sent over a separate MIDI
channel. There are 16 MIDI channels, numbered 1 through
16, and MIDI channel data is always included whenever you
exchange data (key press, pedal operation, etc.)
Both the sending machine and the receiving machine must
be set to the same channel for the receiving unit to correctly
receive and play data. If the receiving machine is set to
Channel 2, for example, it receives only MIDI Channel 2 data,
and all other channels are ignored.
MIDI IN
MIDI OUT
MIDI OUT
MIDI IN Receive MIDI Channel = 1
Plays melody.
MIDI keyboard or MIDI sound sourcce
MIDI OUT
MIDI IN Receive MIDI Channel = 2
Plays bass.
MIDI keyboard or MIDI sound sourcce
Computer or other MIDI device
MIDI IN Receive MIDI Channel = 10
Plays drum part.
MIDI keyboard or MIDI sound sourcce
This keyboard is equipped with multi-timbre capabilities,
which means it can receive messages over all 16 MIDI
channels and play up to 16 parts at the same time.
Keyboard and pedal operations performed on this keyboard
are sent out by selecting a MIDI channel (1 to 16) and then
sending the appropriate message.
Computer or other MIDI device
• To use the MIDI THRU function of a connected computer,
sequencer, or other MIDI device, be sure to turn this
keyboard’s LOCAL CONTROL off (page E-54).
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MIDI
General MIDI
As we have already seen, MIDI makes it possible to exchange
musical data between devices produced by different
manufacturers. This musical data does not consist of the notes
themselves, but rather information on whether a keyboard
key is pressed or released, and the tone number.
If tone number 1 on a keyboard produced by Company A is
PIANO while tone number 1 on a Company B's keyboard is
BASS, for example, sending data from Company A's keyboard
to Company B's keyboard produces a result entirely different
from the original. If a computer, sequencer or other device
with auto accompaniment capabilities is used to produce
music data for the Company A keyboard which has 16 parts
(16 channels) and then that data is sent to the Company B
keyboard which can receive only 10 parts (10 channels), the
parts that cannot be played will not be heard.
The standard for the tone numbering sequence, the number
of pads, and other general factors that determine the sound
source configuration, which was arrived at by mutual
consultations by manufacturers, is called General MIDI.
The General MIDI standard defines the tone numbering
sequence, the drum sound numbering sequence, the number
of MIDI channels that can be used, and other general factors
that determine the sound source configuration. Because of
this, musical data produced on a General MIDI sound source
can be played back using similar tones and identical nuances
as the original, even when played on another manufacturers
sound source.
This keyboard conforms with General MIDI standards, so it
can be connected to a computer or other device and used to
play back General MIDI data that has been purchased,
downloaded from the Internet, or obtained from any other
source.
SETTING Button
Each press of the SETTING button cycles through a total of
11 setting screens: the touch response screen, the
accompaniment volume screen, the tuning screen, and 8 MIDI
setting screens. If you accidentally pass the screen you want
to use, keep pressing the SETTING button until the screen
appears again. Also note that leaving a setting screen is
automatically cleared from the display if you do not perform
any operation for about five seconds.
GM MODE (Default: Off)
on: This keyboard plays General MIDI data from a computer
or other external device. MIDI IN CHORD JUDGE
cannot be used when GM MODE is turned on.
oFF: MIDI IN CHORD JUDGE can be used.
1
Press the SETTING button until the GM MODE
screen appears.
Example: When GM MODE is turned off
GM Mo d e
2
Use the [+] and [–] or [0] and [1] buttons to turn
the setting on and off.
Example: To turn GM MODE on
Changing MIDI Settings
You can use this keyboard in combination with an external
sequencer, synthesizer, or other MIDI device to play along
with commercially available General MIDI software. This
section tells you how to make the MIDI settings required
when connecting to an external device.
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MIDI
KEYBOARD CHANNEL (Default: 1)
The keyboard channel is the channel used to send MIDI
messages from this keyboard to an external device. You can
specify one channel from 1 to 16 as the keyboard channel.
1
Press the SETTING button until the KEYBOARD
CHANNEL screen appears.
K e y b d Ch
2
NAVIGATE CHANNEL (Default: 4)
When MIDI messages are received from an external device
for play on this keyboard, the navigate channel is the channel
whose note data appears on the display. You can select one
channel from 1 to 8 as the navigate channel. Since this setting
lets you use the data on any channel of commercially available
MIDI software to light on the on-screen keyboard guide, you
can analyze how different parts of an arrangement are played.
1
Press the SETTING button until the NAVIGATE
CHANNEL screen appears.
Na v i . Ch
Use the [+], [–], and the number buttons to change
the channel number.
Example: To specify channel 4
K e y b d Ch
2
Use the [+], [–], and the number buttons [1]
through [8] to change the channel number.
Example: To specify channel 2
Na v i . Ch
NOTE
• The navigate channel automatically changes to 1
whenever you turn MIDI IN CHORD JUDGE on.
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MIDI
To turn off specific sounds before playing back MIDI data
that is being received
<<Navigate channel on/off>>
While playing MIDI data, press the TRACK 2 button.
• This cuts the sound of the navigate channel, but on-screen
keyboard guide keys continue to light in accordance with
the channel’s data as it is received. Press TRACK 2 button
again to turn the channel back on.
<<Next lower channel from navigate channel on/off>>
While playing MIDI data, press the TRACK 1 button.
• This cuts the sound of the channel whose number is one
less than the navigate channel, but on-screen keyboard
guide keys continue to light in accordance with the
channel’s data as it is received. Press TRACK 1 button again
to turn the channel back on.
Example: If the navigate channel is channel 4, the above
operation turns off channel 3. If the navigate
channel is channel 1 or 2, the above operation turns
off channel 8.
MIDI IN CHORD JUDGE (Default: Off)
on: When a chord specification method is selected by the
MODE switch, chords are specified by the keyboard
channel note data input from the MIDI IN terminal.
oFF: MIDI IN CHORD JUDGE is turned off.
LOCAL CONTROL (Default: On)
This setting determines whether or not the keyboard and
sound source of this keyboard are connected internally. When
recording to a computer or other external device connected
to this keyboard’s MIDI IN/OUT terminal, it helps if you
turn LOCAL CONTROL off.
on: Anything played on the keyboard is sounded by the
internal sound source and simultaneously output as a
MIDI message from the MIDI OUT terminal.
oFF: Anything played on the keyboard is output as a MIDI
message from the MIDI OUT terminal, without being
sounded by the internal sound source. Turn LOCAL
CONTROL off whenever you are using the MIDI THRU
function of a computer or other external device. Also
note that the no sound is produced by the keyboard if
LOCAL CONTROL is turned off and no external device
is connected.
1
Press the SETTING button until the LOCAL
CONTROL screen appears.
Example: When LOCAL CONTROL is on
1
Press the SETTING button until the MIDI IN
CHORD JUDGE screen appears.
Ch o r d
2
Use the [+] and [–] or [0] and [1] buttons to turn
the setting on and off.
Example: To turn MIDI IN CHORD JUDGE on
Loca l
2
Use the [+] and [–] or [0] and [1] buttons to turn
the setting on and off.
Example: To turn LOCAL CONTROL off
Loca l
Ch o r d
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MIDI
E-55
MIDI
SETTING
Number buttons
[+] / [–]
Messages
★ When SUS is set
Pedal depressed
Pedal released
★ When SoS is set
There is a wide variety of messages defined under the MIDI
standard, and this section details the particular messages that
can be sent and received by this keyboard. An asterisk is used
to mark messages that affect the entire keyboard. Messages
without an asterisk are those that affect only a particular
channel.
NOTE ON/OFF
Pedal released
Pedal depressed
= Keyboard depressed.
= Sustained notes
SOUND RANGE SHIFT (Default: On)
on: Shifts low range tones one octave lower and 020
GLOCKENSPIEL/095 PICCOLO one octave higher.
oFF: Plays low range tones and 020 GLOCKENSPIEL/095
PICCOLO at their normal levels.
This message sends data when a key is pressed (NOTE ON)
or released (NOTE OFF).
A NOTE ON/OFF message include a note number (to indicate
note whose key is being pressed or released) and velocity
(keyboard pressure as a value from 1 to 127). NOTE ON
velocity is always used to determine the relative volume of
the note. This keyboard does not receive NOTE OFF velocity
data.
Whenever you press or release a key on this keyboard, the
corresponding NOTE ON or NOTE OFF message is sent from
the MIDI OUT terminal.
Press the key
MIDI OUT Terminal
1
Sh i f t
NOTE ON
• Note number (tone)
• Velocity (volume)
Press the SETTING button until the SOUND RANGE
SHIFT screen appears.
Release the key
MIDI OUT Terminal
NOTE OFF
• Note number (tone)
• Velocity (volume)
2
Use the [+] and [–] or [0] and [1] buttons to change
the setting.
Example: To turn SOUND RANGE SHIFT off
Sh i f t
NOTE
• The pitch of a note depends on the tone that is being
used, as shown in the Note Table on page A-1. Whenever
this keyboard receives a note number that is outside its
range for that tone, the same tone in the nearest
available octave is substituted.
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MIDI
PROGRAM CHANGE
This is the tone selection message. PROGRAM CHANGE can
contain tone data within the range of 0 to 127.
A PROGRAM CHANGE message is sent out through this
keyboard’s MIDI OUT terminal whenever you manually
change its tone number. Receipt of a PROGRAM CHANGE
message from an external machine changes the tone setting
of this keyboard.
NOTE
• This keyboard supports 128 tones in the range 0 to 127.
However, Channel 10 is a percussion-only channel, and
Channels 0, 8, 16, 24, 25, 32, 40, 48, and 62 correspond
to the nine drum set sounds of this keyboard.
PITCH BEND
This message carries pitch bend information for smoothly
sliding the pitch upwards or downwards during keyboard
play. This keyboard does not send pitch bend data, but it can
receive such data.
CONTROL CHANGE
This message adds effects such as vibrato and volume changes
applied during keyboard play. CONTROL CHANGE data
includes a control number (to identify the effect type) and a
control value (to specify the on/off status and depth of the
effect).
The following is a list of data that can be send or received
using CONTROL CHANGE.
Effect
BANK
*1 The BANK SELECT setting of PROGRAM CHANGE can be used
to access any of this keyboard’s 255 tones when selecting tones on
this keyboard from an external machine.
Bank 0: 128 General MIDI tones (PROGRAM CHANGE 0 to 127)
Bank 1: 118 panel tones (PROGRAM CHANGE 0 to 117)
Bank 120: 9 drum sets
(PROGRAM CHANGE 0, 8, 16, 24, 25, 32, 40, 48 and 62)
Immediately prior to sending the PROGRAM CHANGE message,
send two successive CONTROL CHANGE messages containing
the following data.
CONTROL NUMBER= 0, CONTROL VALUE= <bank number>
CONTROL NUMBER= 32, CONTROL VALUE= 0
Example: To select tone number 96 (panel tone “FLUTE 1”)
from an external MIDI machine.
CONTROL NUMBER= 0,
CONTROL VALUE= 1 (bank number)
CONTROL NUMBER= 32, CONTROL VALUE= 0
PROGRAM CHANGE= 96
*2 RPN stands for Registered Parameter Number, which is a special
control change number used when combining multiple control
changes. The parameter being controlled is selected using the
control values of control numbers 100 and 101, and then settings
are made using the control values of DATA ENTRY (control
numbers 6 and 38).
This keyboard uses RPN to control this keyboard’s pitch bend sense
(pitch change width in accordance with bend data) from another
external MIDI device, transpose (this keyboard’s overall tuning
adjusted in halftone units), and tune (this keyboard’s overall fine
tuning).
NOTE
• Sustain (control number 64), sostenuto (control number
66), and soft (control number 67) effects applied using
the foot pedal are also applied.
Control Number
SELECT*1
0, 32
★ Modulation
1
★ Volume
7
★ Pan
10
★ Expression
11
Hold1
64
Sostenuto
66
Soft Pedal
67
RPN*2
100 / 101
Data Entry
6 / 38
★ indicates receive-only messages
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MIDI
ALL SOUND OFF
This message forces all sound being produced over the
current channel to turn off, regardless of how the sound is
being produced.
ALL NOTES OFF
This message turns off all note data sent from an external
device and currently being sounded on the channel.
• Any notes being sustained using a sustain pedal or
sostenuto pedal continue to sound until the next pedal off.
RESET ALL CONTROLLERS
This messages initializes pitch bend and all other control
changes.
SYSTEM EXCLUSIVE*
This message is used to control system exclusives, which are
tone fine adjustments that are unique to a particular machine.
Originally, system exclusives were unique to a particular
model, but now there are also universal system exclusives
that are applicable to machines that are different models and
even produced by different manufacturers.
The following are the system exclusive messages supported
by this keyboard.
■ GM SYSTEM ON ([F0][7E][7F][09][01][F7])
GM SYSTEM ON is used by an external machine to turn on
this keyboard’s GM system. GM stands for General MIDI.
• GM SYSTEM ON takes more time to process than other
messages, so when GM SYSTEM ON is stored in the
sequencer it can take more than 100msec until the next
message.
■ GM SYSTEM OFF ([F0][7E][7F][09][02][F7])
GM SYSTEM OFF is used by an external machine to turn off
this keyboard’s GM system.
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Troubleshooting
Problem
Possible Cause
No keyboard sound
1. Power supply problem.
2. Power is not turned on.
3. Volume setting is too low.
4. The MODE switch is in the
CASIO CHORD or FINGERED
position.
5. LOCAL CONTROL is off.
6. MIDI data has changed the
VOLUME and EXPRESSION
settings to 0.
Action
See page
1. Correctly attach the AC adaptor,
make sure that batteries poles
(+/–) are facing correctly, and
check to make sure that batteries
are not dead.
2. Press the POWER button to turn
on power.
3. Use the VOLUME slider to
increase volume.
4. Normal play is not possible on
the accompaniment keyboard
while the MODE switch is set to
CASIO CHORD or FINGERED.
Change the MODE switch
setting to NORMAL.
5. Turn on LOCAL CONTROL.
6. Adjust both parameters.
Pages
E-14,15
Page E-19
Page E-19
Page E-35
Page E-54
Page E-57
Any of the following symptoms
while using battery power.
• Dim power supply indicator
• Instrument does not turn on
• Dim, difficult to read display
• Abnormally low speaker/
headphone volume
• Distortion of sound output
• Occasional interruption of
sound when playing at high
volumes
• Sudden power failure when
playing at high volumes
• Dimming of the display when
playing at high volume
• Continued sound output even
after you release a key
• A totally different tone may
sound
• Abnormal rhythm pattern and
demo tune play
• Abnormally low microphone
volume
• Distortion of microphone input
• Dim power supply indicator
when a microphone is used
• Sudden power failure when
using the microphone
• Dimming of keyboard lights
when notes sound
• Loss of power, sound distortion,
or low volume when playing
from a connected computer or
MIDI device
Low battery power
Replace the batteries with a set of
new ones or use the AC adaptor.
Pages
E-14, 15
Auto Accompaniment does not
sound.
Accompaniment volume is set to
000.
Use the SETTING button to
increase the volume.
Page E-49
Sound output does not change
when key pressure is varied.
Touch response is turned off.
Press the SETTING button to turn
it on.
Page E-48
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Troubleshooting
Possible Cause
Action
Key light stays on.
Keyboard is waiting for play of
the correct note during Step 1 or
Step 2 play.
1. Press the lit key to continue with
Step 1 or Step 2 play.
2. Press the PLAY/STOP button to
quit Step 1 or Step 2 play.
Pages
E-28, 29
Pages
E-28, 29
Keys are lit though no sound is
being produced.
Power on alert is reminding you
that power was left on without
any operation being performed.
Press any button or keyboard key
to restore power to normal.
Page E-16
When playing with another MIDI
instrument, keys or tunings do not
match.
Transpose or tuning is set to a
value other than 00.
Use the SETTING button to display
the applicable setting screens and
set both transpose and tuning to
00.
Pages
E-48, 50
Cannot
record
Auto
Accompaniment or rhythm.
Track other than Track 1 is selected
as the recording track.
Use the track select buttons to select
Track 1. (Track 2 is melody track.)
Page E-42
When playing General MIDI data
with a computer, playback notes
do not match those produced
when lit keys on the on-screen
keyboard guide are pressed.
Wrong SOUND RANGE SHIFT
setting
Use the SETTING button to display
the SOUND RANGE SHIFT screen
and correct the setting.
Page E-56
Playing on the keyboard produces
an unnatural sound when
connected to a computer.
The computer’s MIDI THRU
function is turned on.
Turn off the MIDI THRU function
on the computer or turn off LOCAL
CONTROL on the keyboard.
Page E-54
Cannot
record
accompaniment data
computer.
chord
on a
ACCOMP MIDI OUT is turned
off.
Turn on ACCOMP MIDI OUT.
Page E-55
Static noise when a microphone is
connected.
1. Use of a microphone that is a
different from the type that is
recommended.
2. Use of the microphone in the
vicinity of fluorescent lighting.
1. Use a full metal shielded Cannon
type microphone.
Page E-32
2. Move the microphone away from
source of the static.
Page E-32
1. Microphone volume setting is
too low.
2. Microphone on/off switch is set
to OFF.
1. Increase the microphone volume
setting.
2. Change the microphone on/off
switch setting to ON.
Page E-32
Problem
No microphone sound
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Page E-32
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Model:
LK-55 / LK-56
Keyboard:
61 standard-size keys, 5 octaves (with touch response on/off)
Key Light System:
Can be turned on and off (up to 10 keys can be lit at the same time)
Tones:
255 (118 panel tones + 128 General MIDI tones + 9 drum sets); with layer and split
Rhythm Instrument Tones:
61
Polyphony:
24 notes maximum (12 for certain tones)
Auto Accompaniment
Rhythm Patterns:
Tempo:
Chords:
Rhythm Controller:
120
Variable (216 steps, = 40 to 255)
3 fingering methods (CASIO CHORD, FINGERED, FULL RANGE CHORD)
START/STOP, INTRO, NORMAL/NORMAL FILL-IN, VARIATION/VARIATION
FILL-IN, SYNCHRO/ENDING
0 to 127 (128 steps)
Accomp Volume:
<Advanced 3-Step Lesson System>
3-step Lesson:
Playback:
Evaluation Mode:
Voice Fingering Guide:
3 lessons (Step 1, 2, 3)
Repeat play of a single tune
Scoring 1, Scoring 2, Phrase Practice
On/Off
Song Bank, Piano Bank
Number of Tunes:
Controllers:
100 (Song Bank/Sing Along: 50, Piano Bank: 50)
PLAY/STOP, PAUSE, FF, REW, LEFT/RIGHT
Tone, Auto Accompaniment, Song Bank, Piano Bank, Sing Along numbers and
names; staff notation, dynamic marks, tAlosnamirT
oomesnamasuorr andbpea0
,-step lesso
numbe
dis plaV,cChord (nam,3 fingerin, pedcalopneration, Song Ban)
Musical Information Function:
Alongicion,/Voice Fingering Guid, (Evaluation ModT)]TJ/F13 1 Tf-17.715 -1.83 TD-0.0012 Tw Sing(Along ModT)Tj/F12 1 Tf1.77 -1.245 TD-0.0091 Tw[(Number of T)83.3(unes:)-7797.1(Song Bank/Sing )12.4(Alonk: 5)
E-61
Specifications
Power Supply:
Batteries:
Battery Life:
AC Adaptor:
Auto Power Off:
2-way
6 AA-size batteries
Approximately 2.7 hours continuous operation on alkaline batteries
AD-5
Turns power off approximately 6 minutes after last key operation. Enabled under
batter power only, can be disabled manually.
Speaker Output:
2.5W + 2.5W
Power Consumption:
9V
Dimensions:
94.4 x 37.8 x 13.3 cm (37 3/16 x 14 7/8 x 5 1/4 inch)
Weight:
Approximately 5.3kg (11.7 lbs)(without batteries)
7.7W
• Design and specifications are subject to change without notice.
E-62
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62
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Care of your keyboard
Avoid heat, humidity or direct sunlight.
Do not overexpose the instrument to direct sunlight, or place it near an air conditioner, or in any extremely hot place.
Do not use near a TV or radio.
This instrument can cause video or audio interference with TV and radio reception. If this happens, move the instrument away
from the TV or radio.
Do not use lacquer, thinner or similar chemicals for cleaning.
Clean the keyboard with a soft cloth dampened in a weak solution of water and a neutral detergent. Soak the cloth in the solution
and squeeze until it is almost dry.
Avoid use in areas subjected to temperature extremes.
Extremely high or low temperature can cause figures on the LCD screen to become dim and difficult to read. This condition
should correct itself when the keyboard is brought back to normal temperature.
NOTE
• You may notice lines in the finish of the case of this keyboard. These lines are a result of the molding process used to shape
the plastic of the case. They are not cracks or breaks in the plastic, and are no cause for concern.
E-63
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Appendix/Apéndice
Note Table/Tabla de notas
(1): Tone number/Número de sonido
(2): Maximum polyphony/Polifonía máxima
(3): Range type/Tipo de gama
(1)
(2)
(3)
(1)
(2)
(3)
(1)
(2)
(3)
(1)
(2)
(3)
(1)
(2)
(3)
0
1
2
3
4
5
6
7
8
9
12
24
24
24
12
24
12
12
12
12
A
A
A
A
A
A
A
A
A
A
10
11
12
13
14
15
16
17
18
19
12
24
12
12
12
12
12
12
24
24
A
A
A
A
A
A
A
A
A
A
20
21
22
23
24
25
26
27
28
29
24
24
24
12
12
12
12
12
12
12
B
A
A
A
A
A
A
A
A
A
30
31
32
33
34
35
36
37
38
39
12
12
12
12
12
12
12
24
24
24
A
A
A
A
A
A
A
A
C
C
40
41
42
43
44
45
46
47
48
49
12
24
12
24
12
24
24
24
12
24
C
C
C
C
C
C
C
C
C
C
(1)
(2)
(3)
(1)
(2)
(3)
(1)
(2)
(3)
(1)
(2)
(3)
(1)
(2)
(3)
50
51
52
53
54
55
56
57
58
59
12
24
24
24
24
24
24
24
24
24
C
C
C
C
C
C
C
A
A
C
60
61
62
63
64
65
66
67
68
69
24
24
24
24
12
24
12
24
24
24
A
A
A
A
A
A
A
A
A
A
70
71
72
73
74
75
76
77
78
79
12
12
12
24
24
24
24
12
24
12
A
A
A
A
C
C
A
C
A
A
80
81
82
83
84
85
86
87
88
89
12
12
12
12
24
24
24
12
24
24
A
A
A
A
A
C
C
C
C
C
90
91
92
93
94
95
96
97
98
99
12
12
24
24
24
24
24
24
12
24
C
C
C
A
A
B
A
A
A
A
(1)
(2)
(3)
(1)
(2)
(3)
(1)
(2)
(3)
(1)
(2)
(3)
(1)
(2)
(3)
100
101
102
103
104
105
106
107
108
109
24
24
12
12
12
12
12
12
12
24
A
A
A
A
A
A
A
A
A
A
111
111
112
113
114
115
116
117
118
119
12
12
12
12
12
12
12
12
24
24
A
A
A
A
A
A
A
A
A
A
120
121
122
123
124
125
126
127
128
129
12
12
24
24
24
24
24
24
12
24
A
A
A
A
A
A
A
A
A
A
130
131
132
133
134
135
136
137
138
139
24
24
24
12
12
12
12
12
24
12
A
A
A
A
A
A
A
A
A
A
140
141
142
143
144
145
146
147
148
149
24
12
24
24
24
24
24
24
24
24
A
A
A
A
A
A
A
A
A
A
(1)
(2)
(3)
(1)
(2)
(3)
(1)
(2)
(3)
(1)
(2)
(3)
(1)
(2)
(3)
150
151
152
153
154
155
156
157
158
159
24
24
24
24
24
24
24
24
24
24
A
A
A
A
A
A
A
A
A
A
160
161
162
163
164
165
166
167
168
169
24
24
24
24
24
24
24
24
24
12
A
A
A
A
A
A
A
A
A
A
170
171
172
173
174
175
176
177
178
179
24
24
12
12
24
24
24
24
12
24
A
A
A
A
A
A
A
A
A
A
180
181
182
183
184
185
186
187
188
189
12
12
24
24
24
24
24
24
24
24
A
A
A
A
A
A
A
A
A
A
190
191
192
193
194
195
196
197
198
199
24
24
24
24
12
24
24
24
12
12
A
A
A
A
A
A
A
A
A
A
(1)
(2)
(3)
(1)
(2)
(3)
(1)
(2)
(3)
(1)
(2)
(3)
(1)
(2)
(3)
200
201
202
203
204
205
206
207
208
209
12
12
12
12
12
12
12
24
12
12
A
A
A
A
A
A
A
A
A
A
210
211
212
213
214
215
216
217
218
219
12
12
12
12
12
12
12
12
12
12
A
A
A
A
A
A
A
A
A
A
220
221
222
223
224
225
226
227
228
229
12
12
24
24
24
24
24
12
12
24
A
A
A
A
A
A
A
A
A
A
230
231
232
233
234
235
236
237
238
239
24
24
12
24
24
24
12
24
24
24
A
A
A
D
D
D
D
D
A
A
240
241
242
243
244
245
246
247
248
249
12
24
24
24
12
24
24
24
24
24
D
D
D
D
D
D
D
D
D
D
(1)
(2)
(3)
250
251
252
253
254
24
24
24
24
24
D
D
D
D
D
NOTE
• The meaning of each range type is described to the right.
NOTA
• El significado de cada tipo de gama se describe a la derecha.
A-1
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Appendix/Apéndice
A=440Hz
Range Type
C-1
C0
C1
C2
C3
C4
C5
C6
C7 G7 C8
C9 G9
A
(Standard type)
(Tipo estándar)
B
“020 GLOCKENSPIEL”/
“095 PICCOLO”
“020 GLOCKENSPIEL”/
“095 PICCOLO”
C
Low pitch
instruments
Instrumentos de
altura tonal baja
D
(Sound Effect)
(Efecto de sonido)
No scale for tones.
Sin escala para los sonidos.
a
........Keyboard range (SOUND RANGE SHIFT turned on)
........Gama del teclado (SOUND RANGE SHIFT activados)
b
........Keyboard range (SOUND RANGE SHIFT turned off)
........Gama del teclado (SOUND RANGE SHIFT desactivados)
c
........Available range (using transpose or MIDI receive)
........Gama disponible (usando la transposición o recepción MIDI)
d
........Notes in these ranges are produced by playing the notes in range c that are in
the nearest octave as the result of transpose and MIDI data receive operations.
........Las notas en estas gamas se producen ejecutando las notas en la gama c que
se encuentre en la octava más cercana como resultado de las operaciones de
transposición y recepción de datos MIDI.
A-2
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LK55_es_appendix.p65
E1 28
3
642A-E-133A
03.2.17, 15:32
F6 89
E6 88
D6 86
C6 84
B5 83
A5 81
G5 79
F5 77
E5 76
D5 74
C5 72
B4 71
A4 69
G4 67
F4 65
E4 64
D4 62
C4 60
B3 59
A3 57
G3 55
F3 53
E3 52
D3 50
C3 48
B2 47
A2 45
G2 43
F2 41
E2 40
D2 38
C2 36
B1 35
A1 33
G1 31
F1 29
E 6 87
C#6 85
B 5 82
A 5 80
F#5 78
E 5 75
C#5 73
B 4 70
A 4 68
F#4 66
E 4 63
C#4 61
B 3 58
A 3 56
F#3 54
E 3 51
C#3 49
B 2 46
A 2 44
F#2 42
E 2 39
C#2 37
B 1 34
A 1 32
F#1 30
E 1 27
Key/Note number
Drumset 4
ELEC SET
,
,
,
,
,
,
,
,
POWER BASS DRUM 2
ELEC BASS DRUM
,
ELEC SNARE
,
DANCE SNARE
ELEC LOW FLOOR TOM
,
ELEC HIGH FLOOR TOM
,
ELEC LOW TOM
,
ELEC LOW MID TOM
ELEC HIGH MID TOM
,
ELEC HIGH TOM
,
REVERSE CYMBAL
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
Drumset 3
POWER SET
,
,
,
,
,
,
,
,
POWER BASS DRUM 2
POWER BASS DRUM 1
,
POWER SNARE 1
,
POWER SNARE 2
ROOM LOW FLOOR TOM
,
ROOM HIGH FLOOR TOM
,
ROOM LOW TOM
,
ROOM LOW MID TOM
ROOM HIGH MID TOM
,
ROOM HIGH TOM
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
Drumset 2
ROOM SET
,
,
,
,
,
,
,
,
POWER BASS DRUM 2
POWER BASS DRUM 1
,
ROOM SNARE 1
,
ROOM SNARE 2
ROOM LOW FLOOR TOM
,
ROOM HIGH FLOOR TOM
,
ROOM LOW TOM
,
ROOM LOW MID TOM
ROOM HIGH MID TOM
,
ROOM HIGH TOM
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
Drumset 1
STANDARD SET
HIGH Q
SLAP
SCRATCH PUSH
SCRATCH PULL
STICKS
SQUARE CLICK
METRONOME CLICK
METRONOME BELL
ACOUSTIC BASS DRUM
BASS DRUM
SIDE STICK
ACOUSTIC SNARE 1
HAND CLAP
ACOUSTIC SNARE 2
LOW FLOOR TOM
CLOSED HI-HAT
HIGH FLOOR TOM
PEDAL HI-HAT
LOW TOM
OPEN HI-HAT
LOW MID TOM
HIGH MID TOM
CRASH CYMBAL 1
HIGH TOM
RIDE CYMBAL 1
CHINESE CYMBAL
RIDE BELL
TAMBOURINE
SPLASH CYMBAL
COWBELL
CRASH CYMBAL 2
VIBRA-SLAP
RIDE CYMBAL 2
HIGH BONGO
LOW BONGO
MUTE HIGH CONGA
OPEN HIGH CONGA
LOW CONGA
HIGH TIMBALES
LOW TIMBALES
HIGH AGOGO
LOW AGOGO
CABASA
MARACAS
SHORT WHISTLE
LONG WHISTLE
SHORT GUIRO
LONG GUIRO
CLAVES
HIGH WOOD BLOCK
LOW WOOD BLOCK
MUTE CUICA
OPEN CUICA
MUTE TRIANGLE
OPEN TRIANGLE
SHAKER
JINGLE BELL
BELL TREE
CASTANETS
MUTE SURDO
OPEN SURDO
APPLAUSE 1
APPLAUSE 2
Drum Assignment List
Lista de asignación de batería
Drumset 5
SYNTH SET
,
,
,
,
,
,
,
,
SYNTH BASS DRUM 2
SYNTH BASS DRUM 1
SYNTH RIM SHOT
SYNTH SNARE 1
,
SYNTH SNARE 2
SYNTH LOW FLOOR TOM
SYNTH CLOSED HI-HAT 1
SYNTH HIGH FLOOR TOM
SYNTH CLOSED HI-HAT 2
SYNTH LOW TOM
SYNTH OPEN HI-HAT
SYNTH LOW MID TOM
SYNTH HIGH MID TOM
SYNTH CYMBAL
SYNTH HIGH TOM
,
,
,
,
,
SYNTH COWBELL
,
,
,
,
,
SYNTH MUTE HIGH CONGA
SYNTH OPEN HIGH CONGA
SYNTH LOW CONGA
,
,
,
,
,
SYNTH MARACAS
,
,
,
SYNTH CLAVES
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
Drumset 6
JAZZ SET
,
,
,
,
,
,
,
,
JAZZ BASS DRUM 2
JAZZ BASS DRUM 1
,
JAZZ SNARE 1
,
JAZZ SNARE 2
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
Drumset 8
ORCHESTRA SET
CLOSED HI-HAT
PEDAL HI-HAT
OPEN HI-HAT
RIDE CYMBAL 1
,
,
,
,
JAZZ BASS DRUM 1
CONCERT BASS DRUM
,
CONCERT SNARE
CASTANETS
CONCERT SNARE
TIMPANI F
TIMPANI F TIMPANI G
TIMPANI A TIMPANI A
TIMPANI B TIMPANI B
TIMPANI C
TIMPANI C TIMPANI D
TIMPANI E TIMPANI E
TIMPANI F
,
,
,
CONCERT CYMBAL 2
,
CONCERT CYMBAL 1
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
Drumset 7
BRUSH SET
,
,
,
,
,
,
,
,
JAZZ BASS DRUM 2
JAZZ BASS DRUM 1
,
BRUSH TAP
BRUSH SLAP
BRUSH SWIRL
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
Drumset 9
VOICE SET
,
,
,
,
,
,
,
,
SYNTH BASS DRUM 1
VOICE BASS DRUM
SYNTH RIM SHOT
VOICE SNARE
,
SYNTH SNARE 1
SYNTH LOW FLOOR TOM
VOICE CLOSED HI-HAT
SYNTH HIGH FLOOR TOM
VOICE PEDAL HI-HAT
SYNTH LOW TOM
VOICE OPEN HI-HAT
SYNTH LOW MID TOM
SYNTH HIGH MID TOM
SYNTH CYMBAL
SYNTH HIGH TOM
,
,
,
,
,
SYNTH COWBELL
,
,
,
,
,
SYNTH MUTE HIGH CONGA
SYNTH OPEN HIGH CONGA
SYNTH LOW CONGA
,
,
,
,
,
SYNTH MARACAS
,
,
,
SYNTH CLAVES
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
Appendix/Apéndice
A-3
F#6 90
4
• “
NOTA
• “
NOTE
FANFARE
–
ONE
TWO
THREE
FOUR
FIVE
Drumset 1
STANDARD SET
,
,
,
,
,
,
,
Drumset 2
ROOM SET
,
,
,
,
,
,
,
Drumset 3
POWER SET
” Indica el mismo sonido que STANDARD SET.
” Indicates the same sound as STANDARD SET.
B 6 94
A 6 92
➝
➝
LK55_es_appendix.p65
C7 96
B6 95
A6 93
G6 91
Key/Note number
,
,
,
,
,
,
,
Drumset 4
ELEC SET
,
,
,
,
,
,
,
Drumset 5
SYNTH SET
,
,
,
,
,
,
,
Drumset 6
JAZZ SET
,
,
,
,
,
,
,
Drumset 7
BRUSH SET
,
,
,
,
,
,
,
Drumset 8
ORCHESTRA SET
,
,
,
,
,
,
,
Drumset 9
VOICE SET
Appendix/Apéndice
A-4
642A-E-134A
03.2.17, 15:32
642A-E-135A
sus4
*
B
[5, 2, 1]
[5, 2, 1]
[5, 2, 1]
[5, 3, 1]
*
[5, 2, 1]
[5, 2, 1]
[5, 3, 1]
[5, 3, 1]
[5, 2, 1]
[5, 3, 1]
[5, 2, 1]
[5, 2, 1]
[5, 3, 1]
[5, 3, 1]
[5, 2, 1]
[5, 3, 1]
[5, 2, 1]
[5, 3, 1]
[5, 2, 1]
[5, 2, 1]
aug
[5, 3, 1]
[5, 3, 1]
B
(A )
A
A
(G )
G
F
(G )
F
E
E
(D )
D
C
(D )
C
Chord
Type
Root
7 sus4
[5, 3, 2, 1]
[5, 4, 2, 1]
[5, 4, 2, 1]
[5, 4, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
m add9
[5, 3, 2, 1]
[4, 3, 2, 1]
[4, 3, 2, 1]
[4, 3, 2, 1]
[4, 3, 2, 1]
[4, 3, 2, 1]
[4, 3, 2, 1]
[4, 3, 2, 1]
[4, 3, 2, 1]
[4, 3, 2, 1]
[4, 3, 2, 1]
[4, 3, 2, 1]
[5, 3, 2, 1]
[5, 4, 2, 1]
[5, 4, 2, 1]
[5, 4, 2, 1]
[5, 4, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
75
[4, 3, 2, 1]
[5, 4, 2, 1]
[5, 4, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
add9
[4, 3, 2, 1]
[4, 3, 2, 1]
[4, 3, 2, 1]
[4, 3, 2, 1]
[4, 3, 2, 1]
[4, 3, 2, 1]
[4, 3, 2, 1]
[4, 3, 2, 1]
[4, 3, 2, 1]
• En este teclado, los acordes marcados con asterisco (*) no pueden ejecutarse en el modo de digitación.
• Para informarse acerca de la ejecución de una pieza que incluya uno de los acordes marcados con un asterisco, vea la parte titulada “Acordes de gama completa” en la página S-37 .
NOTA
m M7
[5, 3, 2, 1]
• Chords marked with asterisk (*) cannot be played in the Fingered Mode on this keyboard.
• See “Full Range Chords” on page E-37 for information about playing a piece that includes one of the chords marked with an asterisk.
NOTE
FINGERED Chord Chart
Cuadro de acordes digitados
Appendix/Apéndice
A-5
Appendix/Apéndice
Tone List
Lista de sonidos
Panel Tones/Sonidos de panel
PIANO
000
STEREO PIANO
001
GRAND PIANO
002
BRIGHT PIANO
003
MELLOW PIANO
004
MODERN PIANO
005
DANCE PIANO
006
STRINGS PIANO
007
HONKY-TONK
008
OCTAVE PIANO
009
ELEC.GRAND PIANO
010
MODERN E.G.PIANO
011
ELEC.PIANO
012
CHORUSED EP
013
MODERN E.PIANO
014
SOFT E.PIANO
015
E.PIANO PAD
016
HARPSICHORD
017
COUPLED HARPSICHORD
018
CLAVI
CHROMATIC PERC
019
CELESTA
020
GLOCKENSPIEL
021
VIBRAPHONE
022
MARIMBA
ORGAN
023
DRAWBAR ORGAN 1
024
DRAWBAR ORGAN 2
025
DRAWBAR ORGAN 3
026
PERC.ORGAN 1
027
PERC.ORGAN 2
028
ELEC.ORGAN 1
029
ELEC.ORGAN 2
030
JAZZ ORGAN
031
ROCK ORGAN
032
CHURCH ORGAN
033
CHAPEL ORGAN
034
ACCORDION
035
OCTAVE ACCORDION
036
BANDONEON
037
HARMONICA
GUITAR
038
NYLON STR.GUITAR
039
STEEL STR.GUITAR
040
12 STR.GUITAR
041
JAZZ GUITAR
042
OCT JAZZ GUITAR
043
CLEAN GUITAR
044
ELEC.GUITAR
045
MUTE GUITAR
046
OVERDRIVE GT
047
DISTORTION GT
048
FEEDBACK GT
BASS
049
ACOUSTIC BASS
050
RIDE BASS
051
FINGERED BASS
052
PICKED BASS
053
FRETLESS BASS
054
SLAP BASS
055
SAW.SYNTH-BASS
056
SQR SYNTH-BASS
STR/ORCHESTRA
057
VIOLIN
058
SLOW VIOLIN
059
CELLO
060
PIZZICATO STRINGS
061
HARP
ENSEMBLE
062
STRINGS
063
SLOW STRINGS
064
CHAMBER
065
SYNTH-STRINGS 1
066
SYNTH-STRINGS 2
067
CHOIR AAHS
068
CHOIRS
069
VOICE DOO
070
SYNTH-VOICE
071
SYNTH-VOICE PAD
072
ORCHESTRA HIT
BRASS
073
TRUMPET
074
TROMBONE
075
TUBA
076
MUTE TRUMPET
077
FRENCH HORN
078
BRASS
079
BRASS SECTION
080
BRASS SFZ
081
ANALOG SYNTH-BRASS
082
SYNTH-BRASS 1
083
SYNTH-BRASS 2
REED
084
SOPRANO SAX
085
ALTO SAX 1
086
ALTO SAX 2
087
BREATHY A.SAX
088
TENOR SAX 1
089
TENOR SAX 2
090
BREATHY T.SAX
091
T.SAXYS
092
BARITONE SAX
093
OBOE
094
CLARINET
A-6
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Appendix/Apéndice
PIPE
095
PICCOLO
096
FLUTE 1
097
FLUTE 2
098
MELLOW FLUTE
099
RECORDER
100
PAN FLUTE
101
WHISTLE
SYNTH-LEAD
102
SQUARE LEAD
103
SAWTOOTH LEAD
104
SINE LEAD
105
CALLIOPE
106
VOICE LEAD
107
BASS+LEAD
SYNTH-PAD
108
FANTASY
109
WARM PAD
110
WARM VOX
111
POLYSYNTH
112
POLY SAW
113
BOWED PAD
114
HALO PAD
115
ATMOSPHERE
116
BRIGHTNESS
117
ECHO PAD
GM Tones/Sonidos GM
PIANO
118
PIANO 1
119
PIANO 2
120
PIANO 3
121
HONKY-TONK GM
122
E.PIANO 1 GM
123
E.PIANO 2 GM
124
HARPSICHORD GM
125
CLAVI GM
CHROMATIC PERC
126
CELESTA GM
127
GLOCKENSPIEL OCT
128
MUSIC BOX
129
VIBRAPHONE GM
130
MARIMBA GM
131
XYLOPHONE
132
TUBULAR BELL
133
DULCIMER
ORGAN
134
ORGAN 1
135
ORGAN 2
136
ORGAN 3
137
PIPE ORGAN
138
REED ORGAN
139
FRENCH ACCORDION
140
HARMONICA GM
141
BANDONEON GM
GUITAR
142
NYLON STR.GUITAR OCT
143
STEEL STR.GUITAR OCT
144
JAZZ GUITAR OCT
145
CLEAN GUITAR OCT
146
MUTE GUITAR OCT
147
OVERDRIVE GT OCT
148
DISTORTION GT OCT
149
GT HARMONICS
BASS
150
ACOUSTIC BASS OCT
151
FINGERED BASS OCT
152
PICKED BASS OCT
153
FRETLESS BASS OCT
154
SLAP BASS 1 OCT
155
SLAP BASS 2 OCT
156
SYNTH-BASS 1
157
SYNTH-BASS 2
STR/ORCHESTRA
158
VIOLIN GM
159
VIOLA
160
CELLO GM
161
CONTRABASS
162
TREMOLO STRINGS
163
PIZZICATO GM
164
HARP GM
165
TIMPANI
A-7
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Appendix/Apéndice
ENSEMBLE
166
ORCHESTRA STRINGS 1
167
ORCHESTRA STRINGS 2
168
SAW.SYNTH-STRINGS 1
169
SAW.SYNTH-STRINGS 2
170
VOICE AHH
171
VOICE DOO GM
172
SYNTH-VOICE GM
173
ORCHESTRA HIT GM
BRASS
174
TRUMPET GM
175
TROMBONE OCT
176
TUBA OCT
177
MUTE TRUMPET GM
178
FRENCH HORN OCT
179
BRASS GM
180
SYNTH-BRASS 1 GM
181
SYNTH-BRASS 2 GM
REED
182
SOPRANO SAX GM
183
ALTO SAX OCT
184
TENOR SAX OCT
185
BARITONE SAX OCT
186
OBOE GM
187
ENGLISH HORN
188
BASSOON
189
CLARINET GM
PIPE
190
PICCOLO OCT
191
FLUTE GM
192
RECORDER GM
193
PAN FLUTE GM
194
BOTTLE BLOW
195
SHAKUHACHI
196
WHISTLE GM
197
OCARINA
SYNTH-LEAD
198
SQUARE WAVE
199
SAWTOOTH WAVE
200
CALLIOPE LEAD
201
CHIFF LEAD
202
CHARANG
203
SOLO VOX
204
FIFTH LEAD
205
BASS LEAD
SYNTH-PAD
206
NEW AGE
207
WARM SYNTH
208
POLYSYNTH GM
209
SPACE CHOIR
210
BOWED GLASS
211
METAL PAD
212
HALO SYNTH
213
SWEEP PAD
SYNTH-SFX
214
RAIN DROP
215
SOUND TRACK
216
CRYSTAL
217
ATMOSPHERE PAD
218
BRIGHT PAD
219
GOBLINS
220
ECHOES
221
SF
ETHNIC
222
SITAR
223
BANJO
224
SHAMISEN
225
KOTO
226
THUMB PIANO
227
BAG PIPE
228
FIDDLE
229
SHANAI
230
TINKLE BELL
PERCUSSIVE
231
AGOGO
232
STEEL DRUMS
233
WOOD BLOCK
234
TAIKO
235
MELODIC TOM
236
SYNTH-DRUM
237
REVERSE CYMBAL
SOUND EFFECTS
238
GT FRET NOISE
239
BREATH NOISE
240
SEASHORE
241
BIRD
242
TELEPHONE
243
HELICOPTER
244
APPLAUSE
245
GUNSHOT
Drum Sounds/Sonidos de batería
246
STANDARD SET
247
ROOM SET
248
POWER SET
249
ELECTRONIC SET
250
SYNTH SET
251
JAZZ SET
252
BRUSH SET
253
ORCHESTRA SET
254
VOICE SET
A-8
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Appendix/Apéndice
Rhythm List
Lista de ritmos
048
CHICAGO BLUES
049
R&B
JAZZ/FUSION
050
BIG BAND
051
JAZZ VOICES
052
SLOW SWING
053
SWING 1
054
SWING 2
055
FOX TROT
056
MODERN JAZZ
057
ACID JAZZ
058
LATIN FUSION
059
JAZZ WALTZ
EUROPEAN
060
POLKA 1
061
POLKA 2
062
MARCH 1
063
MARCH 2
064
SLOW WALTZ
065
VIENNESE WALTZ
066
WALTZ 1
067
FRENCH WALTZ
068
SERENADE
069
TANGO
LATIN I
070
BOSSA NOVA 1
071
BOSSA NOVA 2
072
SAMBA 1
073
SAMBA 2
074
JAZZ SAMBA
075
MAMBO
076
RHUMBA
077
CHA-CHA-CHA
078
MERENGUE
079
BOLERO
LATIN II/VARIOUS I
080
SALSA
081
REGGAE
082
PUNTA
083
CUMBIA
084
PASODOBLE
085
RUMBA CATALANA
086
SEVILLANA
087
SKA
088
TEX-MEX
089
FOLKLORE
VARIOUS II
090
COUNTRY
091
BLUEGRASS
092
TOWNSHIP
093
FAST GOSPEL
094
SLOW GOSPEL
095
RAI
096
ADANI
POPS I
000
POP 1
001
WORLD POP
002
SOUL BALLAD 1
003
POP SHUFFLE
004
POP BALLAD
005
POP 2
006
BALLAD
007
FUSION SHUFFLE
008
POP 3
009
SOUL BALLAD 2
POPS II
010
16 BEAT 1
011
16 BEAT 2
012
16 BEAT 3
013
8 BEAT 1
014
8 BEAT 2
015
8 BEAT 3
016
POP 4
017
DANCE POP
018
POP FUSION
019
POP WALTZ
DANCE/FUNK
020
JUNGLE
021
RAVE
022
TECHNO
023
GROOVE SOUL
024
DISCO
025
EURO BEAT
026
RAP
027
TRANCE
028
FUNK
029
VERY FUNKY
ROCK I
030
ROCK WALTZ
031
SLOW ROCK 1
032
SLOW ROCK 2
033
SOFT ROCK 1
034
SOFT ROCK 2
035
SOFT ROCK 3
036
FOLKIE POP
037
POP ROCK 1
038
60’S SOUL
039
POP ROCK 2
ROCK II
040
ROCK 1
041
ROCK 2
042
POP ROCK 3
043
RIFF ROCK
044
HEAVY METAL
045
50’S ROCK
046
TWIST
047
NEW ORLNS R&R
097
BALADI
098
ENKA
099
STR QUARTET
FOR PIANO I
100
PIANO BALLAD 1
101
PIANO BALLAD 2
102
PIANO BALLAD 3
103
EP BALLAD 1
104
EP BALLAD 2
105
BLUES BALLAD
106
MELLOW JAZZ
107
JAZZ COMBO
108
RAGTIME
109
BOOGIE-WOOGIE
FOR PIANO II
110
ARPEGGIO 1
111
ARPEGGIO 2
112
ARPEGGIO 3
113
PIANO BALLAD 4
114
6/8 MARCH
115
MARCH 3
116
2 BEAT
117
WALTZ 2
118
WALTZ 3
119
WALTZ 4
A-9
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Appendix/Apéndice
Song List/Lista de canciones
Song Bank/Sing Along List
Lista del banco de canciones/cantando en conjunto
00
01
02
03
04
05
06
07
08
09
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
HERO (“SPIDER-MAN” THEME)
COMPLICATED
HERO
MY HEART WILL GO ON (“TITANIC” THEME)
LIVIN’ LA VIDA LOCA
DAYDREAM BELIEVER
STAND BY ME
THE GIRL FROM IPANEMA
WE WISH YOU A MERRY CHRISTMAS
JINGLE BELLS
SILENT NIGHT
JOY TO THE WORLD
O CHRISTMAS TREE
WHEN THE SAINTS GO MARCHING IN
GREENSLEEVES
AMAZING GRACE
AULD LANG SYNE
TWINKLE TWINKLE LITTLE STAR
SUMM SUMM SUMM
LONG LONG AGO
ACH DU LIEBER AUGUSTIN
SIPPIN’ CIDER THROUGH A STRAW
GRANDFATHER’S CLOCK
MICHAEL ROW THE BOAT ASHORE
DANNY BOY
ANNIE LAURIE
MY BONNIE
MY DARLING CLEMENTINE
J’AI PERDU LE DO DE MA CLARINETTE
I’VE BEEN WORKING ON THE RAILROAD
LITTLE BROWN JUG
AURA LEE
OH! SUSANNA
HOUSE OF THE RISING SUN
SHE WORE A YELLOW RIBBON
CAMPTOWN RACES
SWANEE RIVER (OLD FOLKS AT HOME)
YANKEE DOODLE
RED RIVER VALLEY
TURKEY IN THE STRAW
MY OLD KENTUCKY HOME
HOME ON THE RANGE
JAMAICA FAREWELL
LA CUCARACHA
ALOHA OE
LA PALOMA
SANTA LUCIA
TROIKA
SZLA DZIEWECZKA
WALTZING MATILDA
A-10
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Appendix/Apéndice
Piano Bank List
Lista del banco de piano
ETUDES
00
MINUET (J.S.BACH)
01
GAVOTTE (GOSSEC)
02
ARABESQUE (BURGMÜLLER)
03
CHOPSTICKS
04
FRÖHLICHER LANDMANN
05
INVENTIONEN no.1
06
AVE MARIA (GOUNOD)
07
JESUS BLEIBET MEINE FREUDE
08
CANON (PACHELBEL)
09
SONATINA op.36 no.1 1st Mov.
10
SONATA op.13 “PATHÉTIQUE” 2nd Mov.
11
SONATA K.331 1st Mov.
12
PRELUDE op.28 no.7 (CHOPIN)
13
VON FREMDEN LÄNDERN UND MANSCHEN
14
JE TE VEUX
15
RÊVERIE
16
ODE TO JOY
17
SERENADE FROM
“EINE KLEINE NACHTMUSIK”
18
GOING HOME FROM
“FROM THE NEW WORLD”
19
BEAUTIFUL DREAMER
CONCERT PIECES
20
OVER THE RAINBOW
21
THE ENTERTAINER
22
HAPPY BIRTHDAY TO YOU
23
FÜR ELISE
24
TURKISH MARCH (MOZART)
25
GYMNOPÉDIES no.1
26
ETUDE op.10 no.3 “CHANSON DE L’ADIEU”
27
SONATA op.27 no.2 “MOONLIGHT” 1st Mov.
28
HUNGARIAN DANCES no.5
29
TRÄUMEREI
30
LA FILLE AUX CHEVEUX DE LIN
31
HUMORESKE(DVO ÁK)
32
PROMENADE FROM
“TABLEAUX D’UNE EXPOSITION”
33
LE CYGNE FROM
“LE CARNAVAL DES ANIMAUX”
34
VALSE op.64 no.1 “PETIT CHIEN”
35
CHANSON DU TOREADOR
FROM “CARMEN”
36
LARGO (HÄNDEL)
37
WEDDING MARCH
FROM “MIDSUMMER NIGHT’S DREAM”
38
AMERICAN PATROL
39
CSIKOS POST
40
DOLLY’S DREAMING AND AWAKENING
41
LA CHEVALERESQUE
42
SONATA K.545 1st Mov.
43
LA PRIÈRE D’UNE VIERGE
44
TURKISH MARCH (BEETHOVEN)
45
NOCTURNE op.9 no.2 (CHOPIN)
46
LIEBESTRÄUME no.3
47
MARCHE MILITAIRE no.1
48
BLUMENLIED
49
GRANDE VALSE BRILLANTE op.18 no.1
A-11
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O 9nH v = 1-127
X 9nH v = 0, 8nH v = XX
X
O*3
O
O
O*3
O*4
O
O
O
O
O
O
O*4
❊❊❊❊❊❊❊❊❊❊❊❊❊❊
O 9nH v = 1-127
X 9nH v = 0
X
X
X
O
X
O*4
X
X
X
O*5
O*5
O*5
O*4
0,32
1
6,38
7
10
11
64
66
67
100, 101
Key's
Ch's
After
Touch
Control
Change
Pitch Bender
Note ON
Note OFF
Velocity
Soft pedal
RPN LSB, MSB
Bank select
Modulation
Data entry
Volume
Pan
Expression
Hold1
Sostenuto
XX = no relation
0-127
12 - 108*2
36 - 96
True voice
*2 See Note Table on page
A-1.
❊❊❊❊❊❊❊❊❊❊❊❊❊❊
❊❊❊❊❊❊❊❊❊❊❊❊❊❊
Note
Number:
Mode 3
X
Mode 3
X
Default
Messages
Altered
Mode
*1Hold in memory as long as
the power is supplied
1-16
1-16
Remarks
1-16*1
1-16
Recognized
Version: 1.0
Default
Changed
Transmitted
LK-55 / LK-56 MIDI Implementation Chart
Basic
Channel
Function ...
Models
642A-E-147A
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03.2.17, 15:32
O
O*4
O
O
O 0-127
❊❊❊❊❊❊❊❊❊❊❊❊❊❊
O*6
O*5
O*4
X
X
O 0-127
❊❊❊❊❊❊❊❊❊❊❊❊❊❊
O*6
67
100, 101
120
121
True #
O
O
O*5
O*5
64
66
X
O
O
X
X
X
X
X
Mode 1 : OMNI ON, POLY
Mode 3 : OMNI OFF, POLY
Remarks
: Local ON/OFF
: All notes OFF
Messages : Active Sense
: Reset
Soft pedal
RPN LSB, MSB
All sound off
Reset all controller
Hold1
Sostenuto
Mode 2 : OMNI ON, MONO
Mode 4 : OMNI OFF, MONO
O : Yes
X : No
*3 Modulation and after touch for each channel are the same effect.
*4 FINE TUNE, COARSE TUNE send/receive, and PITCH BEND SENSE, RPN Null receive
*5 In accordance with assignable jack setting
*6 GM on/off
GM ON : [F0] [7E] [7F] [09] [01] [F7] GM OFF : [F0] [7E] [7F] [09] [02] [F7]
X
X
O
: Clock
: Commands O
System
Real Time
Aux
X
X
X
: Song Pos X
: Song Sel X
X
: Tune
System
Common
System Exclusive
Program
Change:
Change
This recycle mark indicates that the packaging conforms to
the environmental protection legislation in Germany.
Esta marca de reciclaje indica que el empaquetado se
ajusta a la legislación de protección ambiental en Alemania.
CASIO COMPUTER CO.,LTD.
6-2, Hon-machi 1-chome
Shibuya-ku, Tokyo 151-8543, Japan
LK55_es_Cover.p65
2
P
03.2.17, 15:31
MA0302-A Printed in China
LK55/56-ES-1
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