Yamaha CLP-240/230 Owner's Manual

ENGLISH
CLP-240/230
OWNER'S MANUAL
BEDIENUNGSANLEITUNG
DEUTSCH
MODE D’EMPLOI
MANUAL DE INSTRUCCIONES
Achten Sie darauf, vor Einsatz des Clavinova die “VORSICHTSMASSNAHMEN” auf Seite 6 -7 durchzulesen.
Avant d'utiliser le Clavinova, lire attentivement la section «PRECAUTIONS D'USAGE» aux pages 6 -7.
Antes de utilizar el Clavinova, lea las “PRECAUCIONES” que debe tener en cuenta en las páginas 6 - 7.
IMPORTANT
WICHTIG
IMPORTANT
IMPORTANTE
—Check your power supply—
—Überprüfen Sie Ihren
Netzanschluss—
—Contrôler la source
d'alimentation—
—Verifique la alimentación de
corriente—
Vergewissern Sie sich, dass die
Spannung in Ihrem örtlichen
Stromnetz mit der Spannung
übereinstimmt, die auf dem
Typenschild auf der Unterseite
des Instruments angegeben ist. In
bestimmten Regionen ist auf der
Unterseite des Keyboards in der
Nähe des Netzkabels ein
Spannungswähler angebracht.
Vergewissern Sie sich, dass der
Spannungswähler auf die
Spannung Ihres lokalen
Stromnetzes eingestellt ist. Dieser
Spannungswähler ist bei
Auslieferung auf 240 V
eingestellt. Sie können die
Einstellung mit einem
Schlitzschraubenzieher ändern.
Drehen Sie dazu den
Wählschalter, bis der Pfeil auf
dem Instrument auf die richtige
Spannung zeigt.
Vérifiez que la tension spécifiée
sur le panneau inférieur
correspond à la tension du
secteur. Dans certaines régions,
l'instrument peut être équipé d'un
sélecteur de tension situé sur le
panneau inférieur du clavier à
proximité du cordon
d'alimentation.
Asegúrese de que tensión de
alimentación de CA de su área
corresponde con la tensión
especificada en la placa de
características del panel inferior.
En algunas zonas puede haberse
incorporado un selector de
tensión en el panel inferior de la
unidad del teclado principal,
cerca del cable de alimentación.
Asegúrese de que el selector de
tensión esté ajustado a la tensión
de su área. El selector de tensión
se ajusta a 240V cuando la
unidad sale de fábrica. Para
cambiar el ajuste, emplee un
destornillador de cabeza "recta"
para girar el selector de modo
que aparezca la tensión correcta
al lado del indicador del panel.
Make sure that your local AC
mains voltage matches the
voltage specified on the name
plate on the bottom panel. In
some areas a voltage selector
may be provided on the bottom
panel of the main keyboard unit
near the power cord. Make sure
that the voltage selector is set for
the voltage in your area. The
voltage selector is set at 240V
when the unit is initially shipped.
To change the setting use a
"minus" screwdriver to rotate the
selector dial so that the correct
voltage appears next to the
pointer on the panel.
For information on assembling
the keyboard stand, refer to the
instructions at the end of this
manual.
Weitere Informationen über die
Montage des Keyboard-Ständers
erhalten Sie in den Anweisungen
am Ende dieses Handbuchs.
Vérifiez que ce sélecteur est bien
réglé en fonction de la tension
secteur de votre région. Le
sélecteur de tension est réglé sur
240 V au départ d'usine. Pour
modifier ce réglage, utilisez un
tournevis à lame plate pour
tourner le sélecteur afin de mettre
l'indication correspondant à la
tension de votre région vis à vis
du repère triangulaire situé sur le
panneau.
Pour obtenir des informations sur
l'assemblage du support du
clavier, reportez-vous aux
instructions à la fin de ce manuel.
Para información sobre el
montaje del soporte del teclado,
consulte las instrucciones al final
de este manual.
ESPAÑOL
FRANÇAIS
Before using the Clavinova, be sure to read “PRECAUTIONS” on pages 6 -7.
EN
DE
FR
ES
Introduction
SPECIAL MESSAGE SECTION
PRODUCT SAFETY MARKINGS: Yamaha electronic
products may have either labels similar to the graphics
shown below or molded/stamped facsimiles of these
graphics on the enclosure. The explanation of these
graphics appears on this page. Please observe all cautions
indicated on this page and those indicated in the safety
instruction section.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
See bottom of Keyboard enclosure for graphic symbol markings.
The exclamation point within the
equilateral triangle is intended to alert
the user to the presence of important
operating and maintenance (servicing) instructions in the literature
accompanying the product.
The lightning flash with arrowhead
symbol, within the equilateral triangle, is intended to alert the user to the
presence of uninsulated “dangerous
voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electrical
shock.
IMPORTANT NOTICE: All Yamaha electronic products
are tested and approved by an independent safety testing
laboratory in order that you may be sure that when it is
properly installed and used in its normal and customary
manner, all foreseeable risks have been eliminated. DO
NOT modify this unit or commission others to do so
unless specifically authorized by Yamaha. Product performance and/or safety standards may be diminished.
Claims filed under the expressed warranty may be denied
if the unit is/has been modified. Implied warranties may
also be affected.
SPECIFICATIONS SUBJECT TO CHANGE: The
information contained in this manual is believed to be
correct at the time of printing. However, Yamaha reserves
the right to change or modify any of the specifications
without notice or obligation to update existing units.
ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally
friendly. We sincerely believe that our products and the
production methods used to produce them, meet these
goals. In keeping with both the letter and the spirit of the
law, we want you to be aware of the following:
92-469 1 (bottom)
Battery Notice: This product MAY contain a small non-
rechargable battery which (if applicable) is soldered in
place. The average life span of this type of battery is
approximately five years. When replacement becomes
necessary, contact a qualified service representative to
perform the replacement.
Warning: Do not attempt to recharge, disassemble, or
incinerate this type of battery. Keep all batteries away
from children. Dispose of used batteries promptly and as
regulated by applicable laws. Note: In some areas, the
servicer is required by law to return the defective parts.
However, you do have the option of having the servicer
dispose of these parts for you.
Disposal Notice: Should this product become damaged
beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and
federal regulations that relate to the disposal of products
that contain lead, batteries, plastics, etc.
NOTICE: Service charges incurred due to lack of knowl-
edge relating to how a function or effect works (when the
unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult
your dealer before requesting service.
NAME PLATE LOCATION: The graphic below indicates the location of the name plate. The model number,
serial number, power requirements, etc., are located on
this plate. You should record the model number, serial
number, and the date of purchase in the spaces provided
below and retain this manual as a permanent record of
your purchase.
CLP-240/230
Model
Serial No.
Purchase Date
Thank you for purchasing the Yamaha Clavinova! We recommend that you read this manual carefully so that you can
fully take advantage of the advanced and convenient functions of the Clavinova.
We also recommend that you keep this manual in a safe and handy place for future reference.
About this Owner’s Manual
This manual consists of three main sections: “Introduction,” “Reference” and “Appendix.”
Introduction (page 2):
Please read this section first.
ENGLISH
Reference (page 13):
This section explains how to make detailed settings for the Clavinova’s various functions.
Appendix (page 77):
This section introduces reference material.
* The models CLP-240/230 will be referred to as the CLP/Clavinova in this owner’s manual.
* The illustrations and LED displays shown in this owner’s manual are for instructional purposes only and may appear somewhat different from those on your instrument.
* The panel illustrations shown in this owner’s manual are taken from the CLP-240.
* Copying of commercially available software or music data for purposes other than your personal use is strictly prohibited.
COPYRIGHT NOTICE
This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to
which it has license to use others’ copyrights. Such copyrighted materials include, without limitation, all computer software and
MIDI files, etc. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws.
Any violation of copyright has legal consequences. DON’T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES.
Trademarks:
•
•
•
•
Apple and Macintosh are trademarks of Apple Computer, Inc.
Windows is a registered trademark of Microsoft® Corporation.
SmartMedia is a trademark of Toshiba Corporation.
All other trademarks are the property of their respective holders.
Accessories
• “50 Greats for the Piano” (Music Book)
• Owner’s Manual
This manual contains complete instructions for operating your Clavinova.
• Accessory CD-ROM for Windows
• Accessory CD-ROM for Windows Installation Guide
• Bench
A bench may be included or optional, depending on your locale.
Tuning
Unlike an acoustic piano, the Clavinova does not need to be tuned. It always stays perfectly in tune.
Transporting
If you move to another location, you can transport the Clavinova along with your other belongings. You can move the
unit as it is (assembled) or you can disassemble the unit.
Transport the keyboard horizontally. Do not lean it up against a wall or stand it up on its side. Do not subject the
instrument to excessive vibration or shock.
CLP-240/230 Owner’s Manual
3
Table of Contents
ENGLISH
Introduction
About this Owner’s Manual ............................... 3
Accessories ......................................................... 3
Application Index ............................................... 5
Panel Controls and Terminals............................ 8
Before Using the Clavinova ............................. 10
Key Cover....................................................................10
Music Rest...................................................................10
Music Braces (CLP-240) ............................................10
Turning the Power On ...............................................11
Setting the Volume .....................................................12
Using Headphones .....................................................12
Using the Speaker Switch ...........................................12
Reference
Listening to the Demonstration Tunes............ 14
Listening to 50 Piano Preset Songs ................. 15
Practicing a One-Hand Part Using 50 Preset Songs
(Part Cancel Function)...............................................17
A-B Repeat for 50 Preset Songs .................................18
Selecting & Playing Voices............................... 19
Selecting Voices ..........................................................19
Using the Pedals..........................................................20
Adding Variations to the Sound – [VARIATION]
(CLP-240)/[BRILLIANCE]/[REVERB]/[EFFECT]/
[DDE] (CLP-240).......................................................21
Touch Sensitivity – [TOUCH] ..................................23
Transposition – [TRANSPOSE] ................................24
Combining Two Voices (Dual mode).......................25
Splitting the Keyboard Range and Playing
Two Different Voices (Split mode) (CLP-240).........26
Using the Metronome ................................................28
Recording Your Performance .......................... 29
Recording a performance quickly..............................29
Re-recording a previously recorded song..................31
Recording to RIGHT/LEFT .......................................32
Changing the Initial Settings
(Data recorded at the beginning of a song) ..............34
Handling Songs with a USB Storage Device
(CLP-240).......................................................... 35
About Save and Export...............................................35
Saving Songs ...............................................................36
Exporting a Song in SMF format...............................37
Deleting Song Files .....................................................38
Formatting the USB Storage Device ..........................39
4
CLP-240/230 Owner’s Manual
Playing Back Songs .......................................... 40
Playing Back User/External Songs on the Instrument
..................................................................................... 41
Playing Back User Files from a USB Storage Device
(CLP-240) ................................................................... 42
Playing Back SMF/External songs from a USB storage
device (CLP-240)........................................................ 43
Useful Playback Functions......................................... 43
Detailed Settings – [FUNCTION]...................... 44
Basic Procedure in Function Mode........................... 45
About Each Function ................................................. 47
F1. Fine Tuning of the Pitch............................... 47
F2. Selecting a Scale............................................. 48
F3. Dual Mode Functions ................................... 49
F4. (CLP-240) Split Mode Functions ................. 50
F5. (CLP-240) / F4. (CLP-230)
Other Functions ........................................... 51
F6. (CLP-240) / F5. (CLP-230)
Metronome Volume .................................... 52
F7. (CLP-240) / F6. (CLP-230)
Song Part Cancel Volume............................ 52
F8. (CLP-240) / F7. (CLP-230)
MIDI Functions ........................................... 52
F9. (CLP-240) / F8. (CLP-230)
Backup Functions......................................... 55
F9.5 (CLP-240)/ F8.5 (CLP-230)
Character Code ............................................ 55
Connections ..................................................... 56
Connectors ................................................................. 56
Connection to a USB storage device (CLP-240) ...... 58
Connecting a Personal Computer ............................. 60
Data Backup ..................................................... 62
Message List ..................................................... 63
Troubleshooting............................................... 64
Options............................................................. 64
CLP-240/230: Keyboard Stand Assembly ........ 65
Handling the Floppy Disk Drive (FDD)
and Floppy Disks (CLP-240) ............................. 69
Installing the Floppy Disk Drive (Optional)..... 70
Preset Voice List ............................................... 71
Demo Song List ................................................ 74
Index................................................................. 75
Appendix
Factory Setting List .......................................... 78
MIDI Data Format ............................................ 80
MIDI Implementation Chart ............................ 84
Specifications ................................................... 85
Application Index
Use this index to find reference pages that may be helpful for your particular application and situation.
Listening
Listening to demo songs with different voices.................................................. “Listening to the Demonstration Tunes” on page 14
Listening to songs from “50 Greats for the Piano”................................................. “Listening to 50 Piano Preset Songs” on page 15
Listening to my recorded performance............................................................................................ “Playing Back Songs” on page 40
Listening to songs in the USB storage device ........................................................................ ..........“Playing Back Songs” on page 40
Using the three performance control pedals ........................................................................................ “Using the Pedals” on page 20
Simulating the natural sustain created by the damper pedal on a real grand piano ....................... “[DDE]” (CLP-240) on page 22
Playing an accompaniment that matches pitch...........................................................“Transposition – [TRANSPOSE]” on page 24
Selecting a touch sensitivity type.................................................................................... “Touch Sensitivity – [TOUCH]” on page 23
Fine tuning the pitch of the entire instrument when you play the Clavinova along with other instruments or CD music
..................................................................................................................................................... “Fine tuning of the pitch” on page 47
ENGLISH
Playing
Changing voices
Viewing the list of voices ........................................................................................................................“Preset Voice List” on page 71
Combining two voices ......................................................................................... “Combining Two Voices (Dual mode)” on page 25
Playing different sounds with left and right hands
........................................... “Splitting the Keyboard Range and Playing Two Different Voices (Split mode) (CLP-240)” on page 26
Making the sound more brilliant or mellower ...................................................................................... “[BRILLIANCE]” on page 21
Simulating a concert hall ................................................................................................................................ “[REVERB]” on page 21
Adding spread or swell to the sound............................................................................................................... “[EFFECT]” on page 22
Enhancing the sound with effects ......................................................................................... “[VARIATION]” (CLP-240) on page 21
Practicing
Muting the right- or left-hand part....... “Practicing a One-Hand Part Using 50 Preset Songs (Part Cancel Function)” on page 17
Practicing a specified phrase repeatedly ........................................................................“A-B Repeat for 50 Preset Songs” on page 18
Practicing with an accurate and steady tempo ............................................................................“Using the Metronome” on page 28
Practicing using your recorded song................................................................................ “Recording Your Performance” on page 29
Recording
Recording your performance............................................................................................ “Recording Your Performance” on page 29
Settings
Adjusting the Clavinova settings .............................................................................. “Detailed Settings – [FUNCTION]” on page 44
Connecting the Clavinova to other devices
What is MIDI? ...............................................................................................................................................“About MIDI” on page 57
Making detailed settings for MIDI ....................................................................................................... “MIDI Functions” on page 52
Recording your performance.........................................................................“AUX OUT [L] [R] (LEVEL FIXED) jacks” on page 56
Raising the volume.........................................................................................“AUX OUT [L] [R] (LEVEL FIXED) jacks” on page 56
Outputting other instruments’ sound from the Clavinova .................................................“AUX IN [L/L+R] [R] jacks” on page 57
Connecting to a USB storage device .................................................. “Connection to a USB storage device (CLP-240)” on page 58
Connecting a computer .............................................................................................“Connecting a Personal Computer” on page 60
Assembling
Assembling and disassembling the Clavinova .............................................. “CLP-240/230: Keyboard Stand Assembly” on page 65
CLP-240/230 Owner’s Manual
5
PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical
shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
ENGLISH
Power supply/Power cord
Water warning
• Only use the voltage specified as correct for the instrument. The required
voltage is printed on the name plate of the instrument.
• Check the electric plug periodically and remove any dirt or dust which may have
accumulated on it.
• Do not expose the instrument to rain, use it near water or in damp or wet
conditions, or place containers on it containing liquids which might spill into
any openings.
• Never insert or remove an electric plug with wet hands.
• Use only the supplied power cord/plug.
• Do not place the power cord near heat sources such as heaters or radiators, and
do not excessively bend or otherwise damage the cord, place heavy objects on
it, or place it in a position where anyone could walk on, trip over, or roll anything
over it.
Fire warning
• Do not put burning items, such as candles, on the unit.
A burning item may fall over and cause a fire.
If you notice any abnormality
Do not open
• Do not open the instrument or attempt to disassemble the internal parts or
modify them in any way. The instrument contains no user-serviceable parts. If it
should appear to be malfunctioning, discontinue use immediately and have it
inspected by qualified Yamaha service personnel.
• If the power cord or plug becomes frayed or damaged, or if there is a sudden
loss of sound during use of the instrument, or if any unusual smells or smoke
should appear to be caused by it, immediately turn off the power switch,
disconnect the electric plug from the outlet, and have the instrument inspected
by qualified Yamaha service personnel.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage
to the instrument or other property. These precautions include, but are not limited to, the following:
Power supply/Power cord
Location
• When removing the electric plug from the instrument or an outlet, always hold
the plug itself and not the cord. Pulling by the cord can damage it.
• Remove the electric plug from the outlet when the instrument is not to be used
for extended periods of time, or during electrical storms.
• Do not expose the instrument to excessive dust or vibrations, or extreme cold or
heat (such as in direct sunlight, near a heater, or in a car during the day) to
prevent the possibility of panel disfiguration or damage to the internal
components.
• Do not connect the instrument to an electrical outlet using a multiple-connector.
Doing so can result in lower sound quality, or possibly cause overheating in the
outlet.
• Do not use the instrument in the vicinity of a TV, radio, stereo equipment,
mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio
may generate noise.
• Do not place the instrument in an unstable position where it might accidentally
fall over.
Assembly
• Read carefully the attached documentation explaining the assembly process.
Failure to assemble the instrument in the proper sequence might result in
damage to the instrument or even injury.
• Before moving the instrument, remove all connected cables.
• When setting up the product, make sure that the AC outlet you are using is
easily accessible. If some trouble or malfunction occurs, immediately turn off
the power switch and disconnect the plug from the outlet. Even when the power
switch is turned off, electricity is still flowing to the product at the minimum
level. When you are not using the product for a long time, make sure to unplug
the power cord from the wall AC outlet.
(1)B-11 1/2
6
CLP-240/230 Owner’s Manual
Using the bench (If included)
Maintenance
• In the case of a model with a polished finish, gently remove dust and dirt with a
soft cloth. Do not wipe too hard since small particles of dirt can scratch the
instrument's finish.
• When cleaning the instrument, use a soft, dry or slightly damp cloth. Do not use
paint thinners, solvents, cleaning fluids, or chemical-impregnated wiping
cloths.
Handling caution
• Take care that the key cover does not pinch your fingers, and do not insert a
finger or hand in any gaps on the key cover or instrument.
• Do not place the bench in an unstable position where it might accidentally fall
over.
• Do not play carelessly with or stand on the bench. Using it as a tool or stepladder or for any other purpose might result in accident or injury.
• Only one person should sit on the bench at a time, in order to prevent the
possibility of accident or injury.
• If the bench screws become loose due to extensive long-term use, tighten them
periodically using the included tool.
Saving data
Saving and backing up your data
• The panel settings and certain other types of data will be lost if the power is
turned off before they have been saved. Be sure to save (back up) data you want
to keep to the internal Flash Memory before turning off the power (page 55).
Keep in mind that this data is for temporary backup purposes and may be
inadvertently lost due to malfunction or incorrect operation. Make sure to save
all your important data to computer for permanent safekeeping (page 62).
• Never insert or drop paper, metallic, or other objects into the gaps on the key
cover, panel or keyboard. If this happens, turn off the power immediately and
unplug the power cord from the AC outlet. Then have the instrument inspected
by qualified Yamaha service personnel.
ENGLISH
Connections
• Before connecting the instrument to other electronic components, turn off the
power for all components. Before turning the power on or off for all
components, set all volume levels to minimum. Also, be sure to set the volumes
of all components at their minimum levels and gradually raise the volume
controls while playing the instrument to set the desired listening level.
• Do not place vinyl, plastic or rubber objects on the instrument, since this might
discolor the panel or keyboard.
• In the case of a model with a polished finish, bumping the surface of the
instrument with metal, porcelain, or other hard objects can cause the finish to
crack or peel. Use caution.
• Do not rest your weight on, or place heavy objects on the instrument, and do not
use excessive force on the buttons, switches or connectors.
• Do not use the instrument/device or headphones for a long period of time at a
high or uncomfortable volume level, since this can cause permanent hearing
loss. If you experience any hearing loss or ringing in the ears, consult a
physician.
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.
(1)B-11 2/2
CLP-240/230 Owner’s Manual
7
Panel Controls and Terminals
ENGLISH
Panel Controls and Terminals
The Yamaha Clavinova CLP-240/230 digital piano provides natural, expressive grand piano sound and playability, and
features Yamaha’s original “AWM Dynamic Stereo Sampling (CLP-240)/AWM Stereo Sampling (CLP-230)” tone-generation technology for rich, musical voices.
The CLP-240/230 Grand Piano 1 and 2 voices feature samples painstakingly recorded from a full concert grand piano.
The CLP-240 Grand Piano 1 voice features three velocity-switched samples (Dynamic Sampling), special “Sustain Sampling” (page 51) that samples the unique resonance of an acoustic grand piano’s soundboard and strings when the
damper pedal is pressed, and “Keyoff Samples” that add the subtle sound produced when the keys are released.
The CLP-240/230 also utilizes a “GH3 (Graded Hammer 3)” Keyboard that varies the key weight according to the key
range. Moreover, this specially crafted keyboard lets you use techniques only possible on grand pianos, such as playing the
same note successively and having the sounds blend smoothly even without use of the damper pedal, or playing the same
key quickly and having perfect articulation without the sound cutting off unnaturally. With these features, the CLP-240/
230 comes much closer to the sound of a true acoustic piano.
(The panel illustration is taken from the CLP-240)
2
3
4
6
LEFT
REC
STOP
TEMPO/OTHER VALUE
ON/OFF
RIGHT
USB
USER
PRESET
PLAY/PAUSE
ON
MAX
MIN
!
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
METRONOME
SYNC START
MASTER VOLUME
DEMO
5
8
7
+ / YES
– / NO
TEMPO / FUNCTION #
SONG SELECT FILE
SONG
TRANSPOSE
GRAND
PIANO 1
GRAND
PIANO 2
CHURCH
ORGAN
JAZZ
ORGAN
9
E.PIANO
1
STRINGS
E.PIANO
2
CHOIR
)
HARPSICHORD
E.CLAVICHORD
GUITAR
WOOD
BASS
@
VIBRAPHONE
E.BASS
VARIATION
SPLIT
VOICE
#
*
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
BRILLIANCE REVERB
$
%
CHORUS
PHASER
TREMOLO
ROTARY SP
EFFECT
^
(
1
SELECT
USB TO DEVICE
OFF
ON
NORMAL
HP. SW
SPEAKER
¢
∞
PHONES
º
¡
CLP-240
(LEVEL FIXED)
R
L/L+R
R
L
AUX IN
AUX OUT
USB
TO DEVICE
(
OUT
IN
TO HOST
THRU
MIDI
£
™
CLP-230
MIDI
(LEVEL FIXED)
L
R
8
CLP-240/230 Owner’s Manual
THRU
OUT
USB
L/L+R
R
AUX OUT
AUX IN
º
¡
TO HOST
IN
£
™
HARD
MEDIUM
SOFT
TOUCH
&
ON
DDE
CLP-240
Panel Controls and Terminals
1 [POWER] switch ........................... page 11
% [SPLIT] button (CLP-240).............page 26
2 [MASTER VOLUME] slider ........... page 12
For playing different voices on the left- and righthand sections of the keyboard.
3 [DEMO] button............................ page 14
Demonstration playback is available for each voice.
4 [TRANSPOSE] button................... page 24
You can shift the pitch of the entire keyboard up or
down so that the pitch will match that of another
instrument or singer, while you play the same,
unshifted keys.
5 [REC] button ................................ page 29
For recording your keyboard performance.
6 [RIGHT], [LEFT] buttons .......pages 17, 32
For turning the left- and right-hand parts on or off as
required so you can practice the corresponding part
(the part that is turned off) on the keyboard.
7 [PLAY/PAUSE], [STOP] buttons
..............................................pages 15, 41
For playing back the preset songs, your recorded
material or commercially available music data, etc.
8 [SONG SELECT] button ........pages 15, 41
For selecting a song to play back or edit.
9 [FILE] button (CLP-240)........pages 35, 42
For saving recorded songs and managing song files.
Also lets you format a USB storage device.
) [TEMPO/FUNCTION#] button
..............................................pages 28, 45
For changing the song tempo (speed) and selecting
other useful functions (pages 44-55).
! [METRONOME] button.........pages 28, 52
For using the metronome.
@ Display ......................................... page 11
CAUTION
Do not turn off the power to the instrument while
flashing dashes appear in the display (indicating the
operation is in process). Doing so may damage the
data.
# [–/NO], [+/YES] buttons
For setting values or performing file operations.
Pressing both buttons simultaneously for certain
value settings (Transpose, Tempo, etc.) restores the
default value.
$ Voice group buttons.................... page 19
For selecting voices from 14 internal sounds including Grand Piano 1 and 2. You can also combine two
voices and use them together. (Only the CLP-240 has
the [VARIATION] button.)
^ [BRILLIANCE], [REVERB], [EFFECT]
buttons.........................................page 21
For adjusting the brightness of the sound and adding
reverb and chorus effects to the sound.
& [TOUCH] button ..........................page 23
For fine-tuning the touch response.
* [DDE] button (CLP-240) ..............page 22
For turning the DDE (Dynamic Damper Effect)
function on or off. When DDE is on, the Clavinova
simulates the sustain sound that occur when you
press the damper pedal of a grand piano, as you press
the damper pedal and play the keyboard.
ENGLISH
Adjust the volume level using this slider.
( USB [TO DEVICE] terminals (CLP-240)
.....................................................page 57
For connecting the instrument to a USB storage
device, allowing saving/loading of data to and from
the connected device. The instrument has two TO
DEVICE terminals, A and B, which can be specified
using the [SELECT] switch.
º AUX OUT [L] [R] (LEVEL FIXED) jacks
.....................................................page 56
For outputting the sound of the Clavinova to an
external audio system, or connecting it to another
device (cassette tape recorder, etc.) to record your
performance.
¡ AUX IN [L/L+R] [R] jacks ..............page 57
For connecting an external tone generator, allowing
you to play the sound of that device via the Clavinova’s internal sound system and speakers.
™ USB [TO HOST] terminal .............page 57
For connecting the instrument to your computer,
allowing you to transfer MIDI data between the
Clavinova and the computer.
£ MIDI [IN] [OUT] [THRU] terminals
.....................................................page 57
For connecting external MIDI devices, allowing the
use of various MIDI functions.
¢ [PHONES] jacks, [SPEAKER] switch
.....................................................page 12
For connecting a set of standard stereo headphones,
allowing private practice. The [SPEAKER] switch
turns the internal speakers on or off.
∞ PEDALS.........................................page 20
For producing a range of expressive effects similar to
those produced by the pedals on an acoustic piano.
The left pedal can also be assigned to a variety of
functions.
CLP-240/230 Owner’s Manual
9
Before Using the Clavinova
Before Using the Clavinova
Key Cover
To open the key cover:
Lift the cover slightly, then push and slide it open.
To close the key cover:
Slide the cover toward you and gently lower the cover over
the keys.
ENGLISH
Be careful to avoid catching your fingers
when opening or closing the cover.
CAUTION
Hold the cover with both hands when opening or closing it. Do not release it until it is fully opened or closed. Be careful to avoid catching fingers (yours or others, especially children’s) between the cover and main unit.
CAUTION
Do not place objects such as a piece of metal or paper on top of the key cover. Small objects placed on the key cover
may fall inside the unit when the cover is opened and may be nearly impossible to remove. This could cause electric
shock, short circuit, fire or other serious damage to the instrument.
CAUTION
Disconnect the optional USB storage device connected to the [USB TO DEVICE] A terminal before closing the key
cover. Closing the cover with the device still connected may damage the device.
Music Rest
To raise the music rest:
1. Pull the music rest up and toward yourself as far as it will go.
2. Flip down the two metal supports at the left and right on the rear
of the music rest.
3. Lower the music rest so that it rests on the metal supports.
To lower the music rest:
1. Pull the music rest toward yourself as far as it will go.
2. Raise the two metal supports (at the rear of the music rest).
3. Gently lower the music rest backward until it is all the way down.
CAUTION
Do not try to use the music rest in a half-raised position. When lowering the music rest, do not release your hands from the music rest
until it is all the way down.
Music Braces (CLP-240)
These braces are for holding the pages of music books in place.
To open
10
CLP-240/230 Owner’s Manual
To close
Before Using the Clavinova
Turning the Power On
1.Connect the power cord.
Insert the plugs at the ends of the cord, one into the AC INLET on the Clavinova, and the other into a standard AC
outlet.
In some areas, a plug adaptor may be provided to match the pin configuration of the AC wall outlets in your area.
1-1
1-2
(The shape of plug differs
depending on locale.)
CAUTION
Make sure your CLP-240/230 is rated for the AC voltage supplied in the area in which it is to be used (voltage rating appears
on the name plate on the bottom panel). In some areas, a voltage selector may be provided on the bottom panel of the main
keyboard unit near the power cord. Make sure that the voltage selector is set for the voltage in your area. Connecting the unit
to the wrong AC supply can cause serious damage to the internal circuitry and may even pose a shock hazard!
Use only the AC power cord supplied with the CLP-240/230. If the supplied cord is lost or damaged and needs to be
replaced, contact your Yamaha dealer. The use of an inappropriate replacement can pose a fire and shock hazard!
The type of AC power cord provided with the CLP-240/230 may be different depending on the country in which it is purchased. (In some areas a plug adaptor may be provided to match the pin configuration of the AC wall outlets in your area.)
Do NOT modify the plug provided with the CLP-240/230. If the plug will not fit the outlet, have a proper outlet installed by a
qualified electrician.
ENGLISH
(bottom surface)
2.Turn the power on.
Press the [POWER] switch.
• The display located in the center of the front panel and the power indicator located below the left end of the keyboard lights up.
[POWER] switch
Power indicator
Display
Normally indicates tempo.
When you’re ready to turn off the power, press the [POWER] switch again.
• The display and the power indicator turn off.
NOTE
Power indicator
If you close the key cover without turning the power off, the power indicator remains lit, indicating that the power is
still on.
CLP-240/230 Owner’s Manual
11
Before Using the Clavinova
Setting the Volume
Initially set the [MASTER VOLUME] slider about halfway between the “MIN” and “MAX” settings. Then, when you start
playing, re-adjust the [MASTER VOLUME] slider to the most comfortable listening level.
MIN
MAX
MASTER VOLUME
The level decreases.
The level increases.
CAUTION
Do not use the Clavinova at a high volume level for a long period of time, or your hearing may be damaged.
TERMINOLOGY
MASTER VOLUME:
ENGLISH
The volume level of the entire keyboard sound
NOTE
You can also adjust the [PHONES] output level and the AUX IN input level using the [MASTER VOLUME] slider.
Using Headphones
Connect a pair of headphones to one of the [PHONES]
jacks.
Two [PHONES] jacks are provided.
You can connect two sets of standard stereo headphones. (If you are using only one pair of headphones,
you can plug them into either jack.)
bottom surface
OFF
ON
NORMAL
HP. SW
SPEAKER
PHONES
standard
stereo
phone plug
Using the Headphone Hanger
A headphone hanger is included in the CLP-240/230
package so that you can hang the headphones on the
Clavinova. Install the headphone hanger using included
two screws (4 × 10mm) as shown in the figure.
CAUTION
Do not hang anything other than the headphones on
the hanger. Otherwise, the Clavinova or the hanger
may be damaged.
Using the Speaker Switch
This switch turns the internal speakers on or off.
NORMAL (HP. SW) ......... The speakers produce sound as long as a pair of
headphones is not connected.
ON ....................................... The speakers always produce sound.
OFF ...................................... The speakers produce no sound.
12
CLP-240/230 Owner’s Manual
OFF
ON
NORMAL
HP. SW
SPEAKER
PHONES
Listening to the Demonstration Tunes ............................ 14
Listening to 50 Piano Preset Songs................................... 15
Practicing a One-Hand Part Using 50 Preset Songs (Part
Cancel Function)................................................................... 17
A-B Repeat for 50 Preset Songs ............................................ 18
Selecting & Playing Voices ................................................ 19
Selecting Voices ..................................................................... 19
Using the Pedals .................................................................... 20
Adding Variations to the Sound – [VARIATION] (CLP-240)/
[BRILLIANCE]/[REVERB]/[EFFECT]/[DDE] (CLP-240) 21
Touch Sensitivity – [TOUCH].............................................. 23
Transposition – [TRANSPOSE] ........................................... 24
Combining Two Voices (Dual mode)................................... 25
Splitting the Keyboard Range and Playing Two Different
Voices (Split mode) (CLP-240) ............................................ 26
Using the Metronome ........................................................... 28
Recording Your Performance ........................................... 29
Recording a performance quickly ........................................ 29
Re-recording a previously recorded song ............................ 31
Recording to RIGHT/LEFT .................................................. 32
Changing the Initial Settings (Data recorded at the beginning
of a song) ............................................................................... 34
Handling Songs with a USB Storage Device (CLP-240) . 35
About Save and Export ......................................................... 35
Saving Songs.......................................................................... 36
Exporting a Song in SMF format ......................................... 37
Deleting Song Files................................................................ 38
Formatting the USB Storage Device .................................... 39
ENGLISH
Reference
This section explains how to make detailed settings for the
Clavinova’s various functions.
F2. Selecting a Scale ...............................................................48
F3. Dual Mode Functions......................................................49
F4. (CLP-240) Split Mode Functions....................................50
F5. (CLP-240)/F4. (CLP-230) Other Functions ...................51
F6. (CLP-240)/F5. (CLP-230) Metronome Volume .............52
F7. (CLP-240)/F6. (CLP-230) Song Part Cancel Volume ....52
F8. (CLP-240)/F7. (CLP-230) MIDI Functions ...................52
F9. (CLP-240)/F8. (CLP-230) Backup Functions ................55
F9.5 (CLP-240)/F8.5 (CLP-230) Character Code ................55
Connections ...................................................................... 56
Connectors.............................................................................56
Connecting a Personal Computer.........................................60
Data Backup ...................................................................... 62
Message List....................................................................... 63
Troubleshooting ................................................................ 64
Options .............................................................................. 64
CLP-240/230: Keyboard Stand Assembly......................... 65
Handling the Floppy Disk Drive (FDD) and Floppy Disks
(CLP-240) .......................................................................... 69
Installing the Floppy Disk Drive (Optional) ................... 70
Preset Voice List................................................................. 71
Demo Song List ................................................................. 74
Index .................................................................................. 75
Playing Back Songs ........................................................... 40
Playing Back User/External Songs on the Instrument ........ 41
Playing Back User Files from a USB Storage Device (CLP240) ........................................................................................ 42
Playing Back SMF/External songs from a USB storage device
(CLP-240) .............................................................................. 43
Useful Playback Functions.................................................... 43
Detailed Settings – [FUNCTION] ................................... 44
Basic Procedure in Function Mode ...................................... 45
About Each Function ............................................................ 47
F1. Fine Tuning of the Pitch ................................................. 47
CLP-240/230 Owner’s Manual
13
Listening to the Demonstration Tunes
Listening to the Demonstration Tunes
Demonstration tunes are provided that effectively demonstrate each of the CLP-240/230’s voices.
1 2 4
4
REC
MIN
3
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
MAX
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
ENGLISH
Procedure
1. Turn the power on.
(In case the power is not turned ON) Press the [POWER] switch.
When the power is turned ON, one of the voice button LEDs will light.
Initially set the [MASTER VOLUME] slider about half way between the “MIN”
and “MAX” settings. Then, when you start playing, re-adjust the [MASTER
VOLUME] slider to the most comfortable listening level.
2. Engage Demo mode.
Press the [DEMO] button to engage Demo mode. The voice button indicators
will flash in sequence.
3. Play a Voice demo.
Press one of the voice buttons to start playback of all songs starting from the
corresponding voice demo tune — featuring the voice normally selected by that
voice button. (If you press the SONG [PLAY/PAUSE] button instead of a voice
button, the GRAND PIANO 1 demo tune will begin playback.)
4. Stop the Voice demo and exit from Demo mode.
Press the [DEMO] or SONG [STOP] button.
NOTE
For a list of the demo songs, see
page 74.
NOTE
MIDI reception is not possible in
Demo Song mode.
Demo song data is not transmitted via the MIDI terminals.
NOTE
Demo mode cannot be engaged
during User song recording
(page 29) or file operations
(page 35).
TERMINOLOGY
Mode:
A mode is a status under which
you can execute a certain function. In Demo mode, you can play
back demonstration tunes.
NOTE
You cannot adjust the tempo of
demo songs.
You cannot use the part cancel
function (page 17) or the song
A-B repeat function (page 18) in
Demo mode.
NOTE
On the CLP-240, you can demo
the piano voices with various
effects by pressing the [VARIATION] button, then pressing the
desired voice button. Refer to the
“Piano Voice Demo Description”
on page 74 for the complete list of
demo sounds for the piano voices
with various effects.
14
CLP-240/230 Owner’s Manual
Listening to 50 Piano Preset Songs
Listening to 50 Piano Preset Songs
The Clavinova provides performance data of 50 piano songs. You can simply listen to these songs
(page 15) or use them for practice (page 17). You can also refer to the included “50 Greats for the
Piano” that contains scores for 50 piano preset songs.
3 2 -2 1
REC
MIN
TEMPO/OTHER VALUE
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
MAX
2 -1
4
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
ENGLISH
MASTER VOLUME
Procedure
1. Engage Preset Song mode.
Press the [SONG SELECT] button a few times until the “PRESET” indicator
lights.
2. Play any of the 50 preset songs.
2-1
2-2
Press the [–/NO], [+/YES] buttons to select the number
of the tune you want to play (the number will appear
on the LED display).
1 – 50: Select a preset song number and play only
the song.
ALL:
Play all preset songs in sequence.
rnd:
Play all preset songs continuously in random order.
TERMINOLOGY
song number
Press the SONG [PLAY/PAUSE] button to start playback.
Adjust the Volume
Use the [MASTER VOLUME] control to adjust the volume.
Adjust the tempo
You can use the [TEMPO/FUNCTION# ▼
▲] buttons to adjust the playback tempo
as required. The default tempo can be
recalled by simultaneously pressing the
[▼] and [▲] buttons.
3. Stop playback.
NOTE
Preset Song mode cannot be
engaged while the unit is in Demo
Song mode (page 14) or during
song playback (page 41), User
song recording (page 29), or file
operations (page 35).
Song:
On the CLP-240/230, performance data is called a “Song.”
This includes demonstration
tunes and piano preset tunes.
NOTE
You can play the keyboard along
with the preset song. You can
change the voice playing on the
keyboard.
NOTE
This produces a relative tempo variation, with a range from “–50”
through “0” to “50” at maximum; the
range will differ depending on the
selected song.
Playback will stop automatically when the selected preset song has finished. To
stop the song during playback (or continuous playback), press the SONG
[STOP] button. You can also pause playback by pressing the SONG [PLAY/
PAUSE] button.
• To play back another song continuously, see procedure 2 above.
You can adjust the Brilliance control (page 21) and Reverb type
(page 21) that is applied to the
voice you play on the keyboard
and for the preset song playback.
You can change the Effect type
(page 22) and Touch sensitivity
(page 23) for the keyboard voice.
NOTE
The default tempo “0” is automatically selected whenever a new
preset song is selected, or when
playback of a new preset song
begins during “ALL” or “rnd”
playback.
NOTE
When you select a different song
(or a different song is selected
during chained playback), appropriate reverb and effect types will
be selected accordingly.
CLP-240/230 Owner’s Manual
15
Listening to 50 Piano Preset Songs
4. Exit from Preset Song mode.
Press the [SONG SELECT] button to exit Preset Song mode. The indicator turns
off, and the unit returns to normal play mode.
ENGLISH
How to use the practice functions
You can turn the left- and right-hand parts on or off as required so you can practice the
corresponding part (part cancel function) and continuously repeat a specified phrase
within a song (song A-B repeat function). For more information, see pages 17–18.
16
CLP-240/230 Owner’s Manual
Listening to 50 Piano Preset Songs
Practicing a One-Hand Part Using 50 Preset Songs
(Part Cancel Function)
The 50 preset songs have separate left- and right-hand parts on individual parts. You can turn the
left- and right-hand parts on or off as required so you can practice the corresponding part (the part
that is turned off) on the keyboard. The right-hand part is played by [RIGHT] and the left-hand part
is played by [LEFT].
REC
MIN
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
MAX
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
Procedure
1. Turn off the playback part you wish to practice.
After you select a song to practice, press the [RIGHT] or [LEFT] button to turn
off the corresponding part.
When you first select a song, both [RIGHT] and [LEFT] indicators light up, indicating that you can play back both parts. When you press one of the buttons to
turn off playback, the corresponding button indicator turns off and the corresponding part playback is muted.
• Pressing the buttons repeatedly toggles playback between on and off.
2. Start playback and playing.
Press the SONG [PLAY/PAUSE] button to start playback. Play the part you just
turned off.
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
NOTE
Appropriate channels in the song
will automatically be assigned to
[RIGHT] and [LEFT]. Therefore,
[RIGHT] may be assigned to a
part other than channel 1, or
[LEFT] to a part other than channel 2.
ENGLISH
3 1 2
NOTE
The Preset Song Part Cancel
function cannot be used during
“ALL” or “rnd” (page 15) playback.
NOTE
The parts can be turned on or off
even during playback.
NOTE
The “Song Part Cancel Volume”
function described on page 52
can be used to set the canceled
part so that it plays at a volume
from “0” (no sound) to “20”. The
normal setting is “5”.
Starting playback automatically as you start playing the keyboard
(Sync Start)
When the Sync Start function is engaged, playback of the selected preset song
will begin automatically as soon as you start playing on the keyboard.
To engage the Sync Start function, simultaneously hold down the SONG [STOP]
and press the [PLAY/PAUSE] button.
(Repeat the previous operation to disengage the Sync Start function.)
Playback will then start as soon as you begin playing on the keyboard.
Left Pedal Play/Pause
The left pedal can be assigned to play and pause preset song playback via the
“Left Pedal Mode” function described on page 51.
3. Stop playback.
When playback is complete, it automatically stops and the Clavinova locates the
top of the song. If you wish to stop playback in the middle of a song, press the
SONG [STOP] button. You can also pause playback by pressing the SONG
[PLAY/PAUSE] button.
NOTE
Both parts are automatically
turned ON whenever a new song
is selected.
CLP-240/230 Owner’s Manual
17
Listening to 50 Piano Preset Songs
A-B Repeat for 50 Preset Songs
The A-B Repeat function can be used to continuously repeat a specified phrase within a preset song.
Combined with the Part Cancel function described below, this provides an excellent way to practice
difficult phrases.
1
2
REC
MIN
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
MAX
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
ENGLISH
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
Procedure
1. Specify the beginning (A) and the end (B) of the
phrase, and start practicing.
Select and play a preset song, then press the [TEMPO/
FUNCTION#] button at the beginning of the phrase
you want to repeat.
This sets the “A” point (
play).
will appear on the dis-
To specify the end (B) of the phrase, press the [TEMPO/
FUNCTION#] button a second time at the end of the
phrase.
This sets the “B” point (
will appear on the display).
At this point, repeat playback will begin between the
specified A and B points.
NOTE
The A-B Repeat function cannot
be used during “ALL” or “rnd”
(page 15) playback.
NOTE
• To set the “A” point at the very
beginning of the song, press
the [TEMPO/FUNCTION#] button before starting playback.
• You can have the B point automatically be set to the song’s
end, by setting the A point and
letting the song play to the end.
NOTE
An automatic lead-in (to help
guide you into the phrase) starts
at the A point of the song.
2. Stop playback.
Press the SONG [STOP] button to stop playback while retaining the specified A
and B points. A-B repeat playback will resume if you press the SONG [PLAY/
PAUSE] button.
To cancel the A and B points, press the [TEMPO/FUNCTION#] button once.
NOTE
The A and B points are automatically canceled when a new song
is selected.
18
CLP-240/230 Owner’s Manual
Selecting & Playing Voices
Selecting & Playing Voices
Selecting Voices
Voice buttons
REC
MIN
RIGHT
PLAY/PAUSE
ON
MAX
ON/OFF
LEFT
STOP
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
Procedure
Select the desired voice by pressing one of the Voice buttons.
Then, when you start playing, re-adjust the [MASTER VOLUME] slider for the most
comfortable listening level.
NOTE
To learn characteristics of the
voices, listen to demo songs for
each voice (page 14). Refer to
“Preset Voice List” on page 71 for
more information on the characteristics of each preset voice.
ENGLISH
MASTER VOLUME
TERMINOLOGY
Voice:
On the Clavinova, a voice means
a “tone” or “tonal color.”
NOTE
You can control the loudness of a
voice by adjusting the force with
which you strike the keys,
although different playing styles
(touch sensitivities) have little or
no effect with certain musical
instruments.
Refer to “Preset Voice List” on
page 71.
CLP-240/230 Owner’s Manual
19
Selecting & Playing Voices
Using the Pedals
ENGLISH
The Clavinova has three foot pedals that produce a range
of expressive effects similar to those produced by the
pedals on an acoustic piano.
Damper (Right) Pedal
The damper pedal functions in the same way as a
damper pedal on an acoustic piano. When the damper
pedal is pressed, notes sustain longer. Releasing the pedal
immediately stops (damps) any sustained notes.
When you select the GRAND PIANO 1 voice on the CLP240, pressing the damper pedal activates the instrument’s
special “Sustain Samples” to accurately recreate the
unique resonance of an acoustic grand piano’s soundboard and strings. A “half-pedal” effect lets you use the
damper pedal to create partial sustain effects, depending
on how far down you press the pedal.
Sostenuto (Center) Pedal
If you play a note or chord on the keyboard and press the
sostenuto pedal while the note(s) are held, those notes
will sustain as long as you hold the pedal (as if the
damper pedal had been pressed) but all subsequently
played notes will not be sustained. This makes it possible
to sustain a chord, for example, while other notes are
played “staccato.”
NOTE
If the damper pedal doesn’t work,
make sure that the pedal cord is
properly plugged into the main
unit (page 67).
When you press the damper
pedal here, the notes you
play before you release the
pedal have a longer sustain.
CLP-240/230 Owner’s Manual
NOTE
When the DDE effect is on, you
can hear a simulation of the sustain sound of the damper pedal
on a grand piano, as you press
the damper pedal and play the
keyboard (page 22).
NOTE
Organ, string and choir voices will
continue to sound for as long as
the sostenuto pedal is depressed.
When you press the sostenuto pedal here while holding
the note, the note will sustain
as long as you hold the pedal.
Soft (Left) Pedal
The soft pedal reduces the volume and slightly changes the timbre of notes played while
the pedal is pressed. The soft pedal will not affect notes that are already playing when it
is pressed.
20
NOTE
The depth of the effect produced
by the “Sustain Samples” can be
adjusted via the “Pedal Functions” (page 51) in Function
mode.
NOTE
The left pedal can be assigned to
song play/pause operation or
variation function (CLP-240) via
the “Left Pedal Mode” described
on page 51.
Selecting & Playing Voices
Adding Variations to the Sound – [VARIATION] (CLP240)/[BRILLIANCE]/[REVERB]/[EFFECT]/[DDE]
(CLP-240)
[–/NO] [+/YES]
buttons
REC
MIN
MAX
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
[VARIATION]
button
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
[REVERB]
button
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
[BRILLIANCE]
button
EFFECT
TOUCH
DDE
CLP-240
[EFFECT]
button
[VARIATION] (CLP-240)
Lets you alter another aspect of the effect, depending on the selected type.
Refer to “Preset Voice List” on page 71 for more information on the characteristics of
each variation.
Procedure
Pressing the [VARIATION] or selected voice button toggles the variation on and off.
The indicator lights (ON) each time the [VARIATION] button is pressed.
[BRILLIANCE]
This control can be used to change the tonality or “timbre” of the sound output.
BRIGHT:
NORMAL:
MELLOW:
Bright tone
Standard tone
Soft and mellow tone
NOTE
ENGLISH
MASTER VOLUME
Normal setting = OFF
TERMINOLOGY
Normal setting:
The “Normal setting” refers to the
default setting (factory setting)
obtained when you first turn on
the power to the Clavinova.
NOTE
The left pedal can be assigned to
ON or OFF the variation via the
“Left Pedal Mode” function
described on page 51 (CLP-240).
NOTE
Normal setting = NORMAL
Procedure
To select a brilliance type, press the [BRILLIANCE] button a few times until the indicator corresponding to the desired type lights (the indicator lights in sequence each time
you press the [BRILLIANCE] button). Brilliance can be selected among five types. When
two adjacent indicators are lit, the type that is between the two indicated types is
selected. For example, when both NORMAL and MELLOW are lit, the brilliance setting between NORMAL and MELLOW is selected. This parameter affects the entire
sound of the instrument.
NOTE
When the BRILLIANCE is set to
BRIGHT, the overall sound will be
slightly louder. If the MASTER
VOLUME is set at a high level the
sound may become distorted. If
so, lower the MASTER VOLUME
level.
[REVERB]
This control enables you to select various digital reverb effects that would add extra
depth and expression to the sound to create a realistic acoustic ambience.
OFF:
When no reverb effect is selected, no REVERB indicator is lit.
ROOM: This setting adds a continuous reverb effect to the sound, similar to the
acoustic reverberation you would hear in a room.
HALL 1: For a “bigger” reverb sound, use the HALL 1 setting. This effect simulates
the natural reverberation of a small-size concert hall.
HALL 2: For a truly spacious reverb sound, use the HALL 2 setting. This effect simulates the natural reverberation of a large concert hall.
STAGE: Simulates the reverb of a stage environment.
NOTE
The default reverb type (including
OFF) and depth settings are different for each voice.
CLP-240/230 Owner’s Manual
21
Selecting & Playing Voices
Procedure
Pressing the [REVERB] button repeatedly toggles the reverb on and off.
The indicators light in sequence each time the [REVERB] button is pressed. No effect is
produced when all indicators are off.
Adjusting Reverb Depth
Adjust the reverb depth for the selected voice by using the [–/NO] [+/YES] buttons
while holding the [REVERB] button. The depth range is from 0 through 20. The current
depth setting appears on the LED display while the [REVERB] button is held.
NOTE
Releasing the [REVERB] button
changes the reverb type.
If you are changing the reverb
depth by holding the [REVERB]
button, pressing the [REVERB]
button will not change the reverb
type.
NOTE
ENGLISH
Depth 0: no effect
Depth 20: maximum reverb depth
[EFFECT]
NOTE
The [EFFECT] button allows you to select an effect to give your sound greater depth and
animation.
Default depth settings are different for each voice.
OFF:
When no effect is selected, no EFFECT indicator is lit.
CHORUS: A shimmering, broadening effect
PHASER:
Adds a sweeping effect to the sound.
TREMOLO: Tremolo effect
ROTARY SP: Adds the vibrato effect of a rotary speaker.
The default effect type (including
OFF) and depth settings are different for each voice.
NOTE
Procedure
To select an effect type, press the [EFFECT] button a few times until the indicator corresponding to the desired type lights (the indicators light in sequence each time you press
the [EFFECT] button). No effect is produced when all indicators are off.
Adjusting Effect Depth
You can adjust the effect depth for the selected voice by using the [–/NO] and [+/YES]
buttons while holding the [EFFECT] button.
The depth range is from 0 through 20. The current depth setting appears on the LED
display while the [EFFECT] button is held.
NOTE
Releasing the [EFFECT] button
changes the effect type.
If you are changing the depth settings by holding the [EFFECT]
button, pressing the [EFFECT]
button will not change the effect
type.
NOTE
Depth 0: no effect
Depth 20: maximum effect depth
[DDE] (CLP-240)
The DDE (Dynamic Damper Effect) lets you hear a simulation of the sustain sound of
the damper pedal on a grand piano, as you press the damper pedal and play the keyboard. This effect is applied to the entire sound of the instrument.
Procedure
Pressing the [DDE] button repeatedly toggles the DDE on and off.
Adjusting DDE Depth
You can adjust the DDE depth by using the [–/NO] and [+/YES] buttons while holding
the [DDE] button.
The depth range is from 0 through 20. The current depth setting appears on the LED
display while the [DDE] button is held.
22
CLP-240/230 Owner’s Manual
NOTE
Default depth settings are different for each voice.
NOTE
Normal setting = ON
NOTE
Depth 0: no effect
Depth 20: maximum DDE depth
Selecting & Playing Voices
Touch Sensitivity – [TOUCH]
You can select four different types of keyboard touch sensitivity — HARD, MEDIUM, SOFT or FIXED
— to match different playing styles and preferences.
NOTE
HARD:
Requires that the keys be played quite hard to produce maximum loudness.
MEDIUM: Produces a fairly “standard” keyboard response.
SOFT:
Allows maximum loudness to be produced with relatively light key pressure.
FIXED:
All notes are produced at the same volume no matter how hard the keyboard is played. (No indicators are lit.) The fixed volume can be changed.
This setting does not change the
weight of the keyboard.
NOTE
Normal setting = MEDIUM
[TOUCH] button
[–/NO] [+/YES] buttons
REC
MIN
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
MAX
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
ENGLISH
NOTE
The touch sensitivity type will
become the common setting for
all voices. However, the touch
sensitivity settings may have little
or no effect with certain voices
that are not normally responsive
to keyboard dynamics. (Refer to
the “Preset Voice List” on
page 71.)
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
Procedure
To select a touch sensitivity type press the [TOUCH] button a few times until the indicator corresponding to the desired type lights (the indicators light in sequence each time
the [TOUCH] button is pressed). No indicator is lit when “FIXED” is selected.
Changing the volume when FIXED is selected
When you select FIXED, you can set the volume for notes
played in FIXED mode by using the [–/NO] and [+/YES] buttons while you hold the [TOUCH] button. The current volume level appears on the display. The volume range is from 1
through 127. The default setting is 64.
NOTE
1: minimum volume
127: maximum volume
volume range
NOTE
The touch volume set in FIXED
mode will become the common
setting for all voices.
NOTE
Releasing the [TOUCH] button
changes the touch type.
If you are changing the volume by
holding the [TOUCH] button,
pressing the [TOUCH] button will
not change the touch sensitivity
type. (FIXED mode will remain
selected.)
CLP-240/230 Owner’s Manual
23
Selecting & Playing Voices
Transposition – [TRANSPOSE]
The Clavinova’s Transpose function makes it possible to shift the pitch of the entire keyboard up or
down in semitone intervals to facilitate playing in difficult key signatures, and to let you easily
match the pitch of the keyboard to the range of a singer or other instruments. For example, if you
set the transposition amount to “5,” playing key C produces pitch F. In this way, you can play a
song as though it were in C major, and the Clavinova will transpose it to the key of F.
[TRANSPOSE] button
REC
MIN
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
MAX
[–/NO] [+/YES] buttons
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
ENGLISH
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
EFFECT
TOUCH
DDE
CLP-240
Procedure
Use the [–/NO] and [+/YES] button while holding the
[TRANSPOSE] button to transpose down or up as required.
The amount of transposition appears on the LED display
while the [TRANSPOSE] button is held. The default transpose
setting is “0”.
TERMINOLOGY
transposition
The [TRANSPOSE] button indicator remains lit when a transpose setting other than
“0” is selected. Every time the [TRANSPOSE] button is pressed after that switches the
transpose function ON or OFF.
24
BRILLIANCE REVERB
CLP-240/230 Owner’s Manual
Transpose:
Changing the key signature of a
song. On the Clavinova, transposing shifts the pitch of the entire
keyboard.
NOTE
The transposition range:
–12: –12 semitones (down one
octave)
0: normal pitch
12: 12 semitones (up one octave)
Selecting & Playing Voices
Combining Two Voices (Dual mode)
You can play two voices simultaneously across the entire range of the keyboard. In this way, you
can simulate a melody duet or combine two similar voices to create a thicker sound.
1
REC
MIN
TEMPO/OTHER VALUE
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
MAX
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
METRONOME
– / NO
+ / YES
2
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
Procedure
1. Engage Dual mode.
NOTE (CLP-240)
Press two voice buttons at the same time (or press one voice button while holding another). The voice indicators of both selected voices will light when Dual
mode is active.
• According to the voice numbering
priority shown in the diagram on
the right, the lower value voice
number will be designated as Voice
1 (the other voice will be designated as Voice 2).
Voice numbering priority
1
2
3
4
5
6
7
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
13
14
VOICE
8
9
10
11
12
The CLP-240/230 Function mode provides access to a number of other Dual
mode functions, such as volume balance setting or octave setting (page 49). (If
you do not set Dual mode functions, the appropriate setting will be set in each
voice by default.)
2. Exit Dual mode and return to normal play mode.
Dual and Split (page 26) modes
cannot be engaged at the same
time.
ENGLISH
MASTER VOLUME
NOTE
[VARIATION] in Dual Mode
(CLP-240)
The [VARIATION] button’s indicator will light if the variation is
engaged for either or both of the
Dual mode voices. While Dual
mode is engaged, the [VARIATION] button can be used to turn
the variation for both voices on or
off. To turn the variation on or off
for only one of the voices, hold
the voice button for the other
voice and press the button of the
voice for which you want to
change the variation.
NOTE
[REVERB] in Dual Mode
The reverb type assigned to
Voice 1 will take priority over the
other. (If the reverb is set to OFF,
Voice 2 reverb type will be in
effect.)
To return to the normal single-voice play mode, press any single voice button.
NOTE
[EFFECT] in Dual Mode
Depending on the conditions, one
effect type may take priority over
the other. Depth will be decided
according to the depth default
value of the voice combination.
However, using function F3
(page 49) you can adjust the
depth value for each voice to your
liking.
CLP-240/230 Owner’s Manual
25
Selecting & Playing Voices
Splitting the Keyboard Range and Playing Two Different
Voices (Split mode) (CLP-240)
Split mode enables you to play two different voices on the keyboard — one with the left hand and
another with the right hand. For example, you can play a bass part using the Wood Bass or Electric
Bass voice with the left hand, and a melody with the right hand.
Voice buttons
REC
MIN
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
MAX
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
[SPLIT] button
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
ENGLISH
MASTER VOLUME
DEMO
SONG
TRANSPOSE
TEMPO / FUNCTION #
SONG SELECT FILE
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
Procedure
1. Engage Split mode.
Press the [SPLIT] button so that its indicator lights. The default setting (WOOD
BASS) will be selected for the left-hand voice at first.
The Function mode provides access to a number of other Split mode functions
(page 50). (If you make no settings for Split mode functions, the appropriate
setting will be set in each voice by default.)
NOTE
Dual (page 25) and Split modes
cannot be engaged simultaneously.
2. Specify the split point (the border between the
right-and left-hand range).
(The split point is initially set at the F 2 key by default.
If you do not need to change the split point, skip this procedure.)
You can change the split point to any other key by pressing the key while holding the [SPLIT] button (the name of the current split-point key appears on the
LED display while the [SPLIT] button is held).
An example of split-point key display
(F 2)
followed by a high bar if sharp
26
CLP-240/230 Owner’s Manual
(G2)
(A 2)
followed by a low bar if flat
NOTE
A specified “split point” key is
included in the left-hand range.
NOTE
The split point can also be set via
Function 4 (page 50).
Selecting & Playing Voices
3. Select a voice for the right hand.
Press a voice button.
4. Select a voice for the left hand.
Press the corresponding voice button while holding the [SPLIT] button. (The
indicator of the Left Voice button will light while the [SPLIT] button is pressed.)
To turn the variation on or off for the split voice, hold the [SPLIT] button and
press the [VARIATION] button or the currently-selected voice button.
5. Exit Split mode and return to normal play mode.
NOTE
[VARIATION] in Split Mode
You can turn the variation on or off
for Split mode voices. Normally,
the voice indicator of the right
voice lights in Split mode. The
[VARIATION] can be used to turn
the variation for the right voice on
or off as required. While the
[SPLIT] button is held, however,
the voice indicator of the left voice
lights. In this state the [VARIATION] button turns the variation
for the left voice on or off.
NOTE
[REVERB] in Split Mode
The reverb type assigned to the
right voice will take priority over
the other. (If the reverb is set to
OFF, the left voice’s reverb type
will be in effect.) Reverb depth
setting via the panel controls (i.e.
pressing the [–/NO] or [+/YES]
buttons while holding the
[REVERB] button — see
page 21) will be applied to the
right voice only.
ENGLISH
Press the [SPLIT] button again so that its indicator goes out.
NOTE
[EFFECT] in Split Mode
Depending on the conditions, one
effect type will take priority over
the other. The depth will be
decided according to the depth
default value of the voice combination. However, using function
F4 (page 50) you can change the
depth value for each voice as you
like. Effect depth setting via the
panel controls (i.e. pressing the
[–/NO] or [+/YES] buttons while
holding the [EFFECT] button —
see page 22) will be applied to
the right voice only.
CLP-240/230 Owner’s Manual
27
Selecting & Playing Voices
Using the Metronome
The Clavinova features a built-in metronome (a device that keeps an accurate tempo) that is convenient for practicing.
1
REC
MIN
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
MAX
2
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
[–/NO] [+/YES] buttons
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
CHURCH
ORGAN
JAZZ
ORGAN
E.PIANO
1
STRINGS
E.PIANO
2
CHOIR
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
ENGLISH
[TEMPO/FUNCTION# ▲▼] buttons
Procedure
1. Start the metronome.
The metronome sound is turned on by pressing
the METRONOME [ON/OFF] button.
The beat indicator flashes
at the current tempo.
Adjusting the tempo
The tempo of the metronome and user song recorder playback (the recorder is
described in the next section) can be set from 32 to 280 beats per minute by
using the [TEMPO/FUNCTION# ▼, ▲] buttons (when the [TEMPO/FUNCTION# ▼, ▲] button’s [TEMPO] indicator is lit).
Adjusting the time signature
The time signature (beat) of the metronome can be
set by using the [–/NO] and [+/YES] buttons while
holding the METRONOME [ON/OFF] button. You
can set the beat from 0 to 15. The current setting
appears on the LED display while you are holding
the METRONOME [ON/OFF] button.
NOTE
beat
2. Stop the metronome.
Turn off the metronome by pressing the METRONOME [ON/OFF] button.
28
CLP-240/230 Owner’s Manual
NOTE
If the [TEMPO/FUNCTION#] button’s [FUNCTION#] indicator is lit,
press the [TEMPO/FUNCTION#]
button to light the [TEMPO] indicator.
The volume of the metronome can
be adjusted via the Metronome
Volume function in Function mode
(page 52).
Recording Your Performance
Recording Your Performance
NOTE
The ability to record and play back what you’ve played on the CLP240/230 keyboard can be an effective practice aid. You can, for example, record just the left-hand part, and then practice the right-hand
part while playing back the recorded left-hand part. Or, since you can
record up to two parts separately, you could record the left- and righthand parts separately, or record both parts of a duet and hear how they
sound when played back. The two-part Song Recorder on the CLP240/230 allows the recording of up to three User songs (U01-U03) to
the instrument. On the CLP-240, the User songs can be saved to an
optional USB storage device.
ENGLISH
You can record your performance
(audio data) to a cassette tape
recorder or other recording
device via the AUX OUT jack
(page 56).
TERMINOLOGY
Recording vs. Saving:
The format of performance data recorded on a cassette tape differs from that of data recorded on the
Clavinova. A cassette tape records audio signals. The Clavinova “saves” information regarding note
timing, voices, and a tempo value, but not audio signals. When you play back recorded songs, the
Clavinova produces sound based on the saved information. Therefore, recording on the Clavinova
may be more accurately called “saving information.” However, this book often uses the word “recording” because it seems to make more sense.
Recording a performance quickly
This convenient and simple recording method lets you quickly record
your performance without specifying the recording parts—useful, for
example, in recording solo piano pieces.
In this way, the performance is automatically recorded to right part.
NOTE
When the unit is in Demo Song
mode or during a file operation
(CLP-240), Record mode cannot
be engaged.
24 4 35
REC
MIN
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
MAX
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
Procedure
CAUTION
To avoid erasing previously recorded song(s):
If the song contains data, the part indicator lights up green when you select a song.
Note that recording new data on this part will erase the existing data.
(CLP-240) You cannot record the performance to the connected USB storage device
directly. The recorded songs are saved to the instrument automatically. If you want to
save data to the device, perform the Save operation (page 36) after stopping recording.
1. Make all the initial settings.
Before you begin to record, select the voice you want to record (or voices if you
will be using Dual or Split mode). Make any other desired settings (reverb,
effect, etc.) as well. You might also want to set the volume.
You can also adjust the playback volume using the [MASTER VOLUME] slider.
CLP-240/230 Owner’s Manual
29
Recording Your Performance
2. Engage Record Ready mode.
Press the [REC] button to engage Record Ready mode. This automatically selects
an empty song for recording and makes the RIGHT part active. If an empty
song does not exist, Song U01 will be selected. Recording does not actually start
yet.
The amount of memory available for recording will be shown on the LED display in approximate kilobytes. The SONG [PLAY/PAUSE] indicator will flash at
the current METRONOME tempo setting.
ENGLISH
You can turn on the metronome in this step, and adjust the tempo by using the
[TEMPO/FUNCTION# ▼, ▲] buttons. (Range: 32-280)
Record Ready mode can be disengaged before recording by pressing the [REC]
button again.
3. Start recording.
Recording will begin automatically as soon as you play a note on the keyboard
or press the SONG [PLAY/PAUSE] button. The current measure’s number will
appear on the display while recording.
NOTE
The amount of memory available for recording:
This value in kilobytes (a unit
used of measurement for data)
indicates how much space
remains available for recording on
the Clavinova. You can record up
to a maximum of about 11,000
notes on the CLP-240/230
depending on pedal usage and
other factors.
NOTE
If you have selected the LEFT
part previously in the same song,
the LEFT part will automatically
be made active when pressing
the [REC] button in step 2.
NOTE
If the metronome was on when
you started recording, you’ll be
able to keep time with the metronome while recording, but the
metronome sound will not be
recorded.
NOTE
For more recording information,
see page 33.
4. Stop recording.
Press either [REC] or SONG [STOP] button to stop recording. When recording is
stopped, dashes appear in the display in succession to indicate that the recorded
data is being saved to the instrument automatically. After the data is saved, the
song name (U01-U03) appears in the display. The recorded part’s indicator will
glow green to indicate that it now contains data. (Record mode is disengaged
automatically.)
CAUTION
Do not turn off the power of the instrument when dashes appear in the display in succession. Doing so may delete all song data in the instrument, including external songs
(page 40).
5. Play back the recorded performance.
Press the SONG [PLAY/PAUSE] button to play back the recorded performance.
To stop playback in the middle of a song, press the SONG [STOP] button.
30
CLP-240/230 Owner’s Manual
NOTE
The left pedal can be assigned to
start recording via the “Left Pedal
Mode” function described on
page 51.
NOTE
The record part indicator will
begin to flash when the recorder
memory is almost full. If the memory becomes full during recording, “Full” will appear on the
display and recording will stop
automatically. (All recorded data
up to that point will be retained.)
NOTE
Pressing the SONG [PLAY/
PAUSE] button to start recording,
then pressing the SONG [STOP]
button to stop recording will erase
all previously- recorded data on
the selected part.
Recording Your Performance
Re-recording a previously recorded song
This section explains how to record again in case your performance was not satisfactory.
Procedure
1. Select a voice or voices (and other settings) for
recording, if necessary.
2. Re-engage Record Ready mode.
Press the [REC] button, again.
The selected part’s indicator lights in red.
Follow the procedure from Step 3 in “Recording a performance quickly” on
page 30 to re-record.
NOTE
If you want to change the tempo,
time signature, reverb type, or
effect type when re-recording a
part or when recording to another
part, do so after you engage
Record Ready mode.
ENGLISH
Repeat Step 1 on page 29 if you wish to change the previous settings.
NOTE
You cannot re-record in the middle of a song.
CLP-240/230 Owner’s Manual
31
Recording Your Performance
Recording to RIGHT/LEFT
This lets you record the right and left parts separately. Since you can record the left part while playing back the right, this is useful for recording both parts of a duet.
Procedure
1. Make all the initial settings.
ENGLISH
Same as step 1 in “Recording a performance quickly” on page 29.
2. Select a song to record.
Press the [SONG SELECT] button to light “USER” indicator on, then press the
[–/NO][+/YES] buttons to select a song for recording.
CAUTION
To avoid erasing previously recorded song(s):
If the song contains data, the part indicator lights up green when you select a song.
Note that recording new data on this part will erase the existing data.
3. Engage Record Ready mode.
Press the [REC] button and press the [RIGHT]/[LEFT] button to engage Record
Ready mode. Recording does not actually start yet.
The amount of memory available for recording will be shown on the LED display in approximate kilobytes. The SONG [PLAY/PAUSE] indicator will flash at
the current METRONOME tempo setting.
Record Ready mode can be disengaged before recording by pressing the [REC]
button again.
4. Start and stop recording.
Same as step 3-5 in “Recording a performance quickly” on page 30.
NOTE
Part button indications
Off: Contains no data
On (green): Contains data
On (red): Part is enabled for
recording
NOTE
The amount of memory available for recording:
This value in kilobytes (a unit
used of measurement for data)
indicates how much space
remains available for recording on
the Clavinova. You can record up
to a maximum of about 11,000
notes on the CLP-240/230
depending on pedal usage and
other factors.
NOTE
If the metronome was on when
you started recording, you’ll be
able to keep time with the metronome while recording, but the
metronome sound will not be
recorded.
NOTE
If you want to change the tempo,
time signature, reverb type, or
effect type when rerecording a
part or when recording to another
part, do so after entering Record
Ready mode.
NOTE
If you don’t want to hear the previously recorded part while you
record (for example, when you
want to record a song different
from what you recorded on the
previous part), press the playback part button before pressing
the [REC] button so that its indicator is turned off.
NOTE
For more information on recording, see page 33.
32
CLP-240/230 Owner’s Manual
Recording Your Performance
The user song recorder records the following data:
Data in addition to the notes and voices you play is recorded.
This data includes “Individual Parts” and “Entire Song.” See below.
ENGLISH
Individual Parts
• Notes played
• Voice selection
• [VARIATION] ON/OFF (CLP-240)
• Pedal (Damper/Soft/Sostenuto)
• [REVERB] depth
• [EFFECT] depth
• Dual mode voices
• Dual balance (F3)
• Dual detune (F3)
• Dual octave shift (F3)
• Split mode voices (CLP-240)
• Split balance (F4: CLP-240)
• Split octave shift (F4:CLP-240)
Entire Song
• Tempo
• Time signature (beat)
• [REVERB] type (including OFF)
• [EFFECT] type (including OFF)
CLP-240/230 Owner’s Manual
33
Recording Your Performance
Changing the Initial Settings (Data recorded at the
beginning of a song)
The initial settings (data recorded at the beginning of a song) can be changed after the recording.
For example, after recording, you can change the voice to create a different ambience or adjust the
song tempo to your taste.
ENGLISH
You can change the following initial settings.
Individual Parts
• Voice selection
• [VARIATION] ON/OFF (CLP-240)
• [REVERB] depth
• [EFFECT] depth
• Dual mode voices
• Split mode voices (CLP-240)
• Damper/soft pedal depth
Entire Song
• Tempo
• [REVERB] type (including OFF)
• [EFFECT] type (including OFF)
1. Engage Record mode and select a part to change the initial settings.
The indicator glows red. (Data shared by two parts can be changed via either part.)
2. Change the settings via the panel controls.
For example, if you wish to change the recorded voice from [E. PIANO 1] to
[E. PIANO 2], press the [E. PIANO 2] button. When you wish to change the damper/
soft pedal depth, press and hold the pedal.
Be careful not to press the SONG [PLAY/PAUSE] button or a key on the keyboard,
either of which will start recording and erase all previously-recorded data on the
selected part.
3. Press the [REC] button to exit Record mode.
Be careful not to press the SONG [PLAY/PAUSE] button or a key on the keyboard,
either of which will start recording and erase all previously-recorded data on the
selected part.
34
CLP-240/230 Owner’s Manual
NOTE
You can cancel changes made to
the initial settings by selecting a
different part after Step 2, then
exiting Record mode by pressing
the [REC] button. (Changes
made to the data shared by two
parts are also canceled.)
Handling Songs with a USB Storage Device (CLP-240)
Handling Songs with a USB Storage
Device (CLP-240)
You can handle User songs (save, export and delete) with a USB storage device. You can also format the device or media.
NOTE
For details on connecting a USB
storage device, see page 58.
About Save and Export
Save
You can save three User songs in the instrument to the USB storage device as a single
file (User file). These songs can be saved to a “container” (or memory location) in the
USB storage device. 100 containers are available — A00-A99.
Since the User songs are saved in a special Clavinova format, they cannot be played
back on other instruments, including other Clavinovas.
With this file format, you can re-record each part on the CLP-240. Songs cannot be
directly played back from the USB storage device; they must first be loaded to the
instrument.
For details on the save operation, see “Saving Songs” on page 36.
User songs
(Internal memory)
USB storage device
Save
NOTE
If there is not enough capacity left
on the USB storage device to
save or export the data, an appropriate message will appear on the
display and you will not be able to
save or export the data. Delete
unwanted files from the device to
make more memory available
(page 38), or use another device.
ENGLISH
NOTE
Before handling songs with a
USB storage device, make sure
that the device is not protected.
If the device is protected, you
cannot access it.
NOTE
The “A” indication at the top of the
User file name means “All” — all
three songs in the instrument are
saved into one container.
User file 0 (A00)
User song 1 (U01)
NOTE
Load and playback
User file 1 (A01)
User song 2 (U02)
User song 3 (U03)
User file 99 (A99)
The file numbers which can be
handled in this instrument are 100
files.
• User file numbers: A00-A99
• SMF song numbers: S00-S99
Export
You can export a User song in the instrument to the USB storage device as a single file
(SMF song). Songs can be exported to a “container” (or memory location) in the USB
storage device. 100 containers are available — S00-S99.
Since the User songs are saved in SMF format, they can be played back on other instruments, including other Clavinovas.
With this file format, you cannot re-record on the CLP-240. Songs in this format can be
directly played back from the USB storage device, and do not need to be previously
loaded to the instrument.
For details on the export operation, see “Exporting a Song in SMF format” on page 37.
User songs
(Internal memory)
USB storage device
Export
User song 1 (U01)
SMF song 0 (S00)
User song 2 (U02)
SMF song 1 (S01)
User song 3 (U03)
SMF song 2 (S02)
Directly played back
from the CLP.
NOTE
The “S” indication at the top of the
SMF song name means “SMF.”“
TERMINOLOGY
SMF (Standard MIDI File):
The SMF (Standard MIDI File) format is one of the most common
and widely compatible sequence
formats used for storing sequence
data. There are two variations:
Format 0 and Format 1. A large
number of MIDI devices are compatible with SMF Format 0, and
most commercially available MIDI
sequence data is provided in SMF
Format 0. The SMF format for
sequence files allows you to
exchange song data between different sequencers. User songs
recorded on the CLP-240 are
exported as SMF Format 0.
SMF song 99 (S99)
CLP-240/230 Owner’s Manual
35
Handling Songs with a USB Storage Device (CLP-240)
Saving Songs
1
1 2
REC
MIN
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
MAX
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
ENGLISH
Procedure
1. Select a file container in the device and save the
NOTE
About Save: See page 35.
User songs.
After making sure that the USB storage device is connected to the instrument,
press the [FILE] button (the “SAVE/EXP.” indicator lights). Then, while holding
the [FILE] button, simultaneously press the [–/NO][+/YES] buttons to select a
container (A00-A99). After releasing the [FILE] button, “n y” (no/yes) appears in
the display. Press the [+/YES] button to save the songs. The file will automatically be saved into the “USERFILES” folder and named as “USERFILExx.usr.”
Overwriting the file
If you select a container which contains a User file, three dots appear in the display (ex., “A.0.0.”). If you do not want to overwrite the file, press the [–/NO] button when “n y (no or yes)” appears in the display and select another container. If
you want to overwrite the file, press the [+/YES] button when “n y (no or yes)”
appears in the display. After “n-y” appears in the display again to confirm
whether you wish to overwrite the file or not, press the [+/YES] button once
more.
CAUTION
While the instrument is accessing data (such as during Save, Export, Delete, Load and
Format operations) or is mounting the USB storage device (shortly after the connection: until the FILE LOAD LED flash stops), do NOT unplug the USB cable, do NOT
remove the media from the device, and do NOT turn the power off to either devices.
Doing so may corrupt the data on either or both devices.
2. Exit from the file operation mode.
Press the [FILE] button several times to exit the file operation mode. (The FILE
indicators turn off.)
CAUTION
Do not rename User files on a computer. If the file name is changed in this way, the file
cannot be loaded to the instrument.
36
CLP-240/230 Owner’s Manual
NOTE
If you move a User file from the
“USER FILES” folder using a computer, the file cannot be recognized on the instrument.
Handling Songs with a USB Storage Device (CLP-240)
Exporting a Song in SMF format
TERMINOLOGY
SMF (Standard MIDI File):
The SMF (Standard MIDI File) format is one of the most common and widely compatible sequence formats used for storing sequence data. There are two variations: Format 0 and Format 1. A large number
of MIDI devices are compatible with SMF Format 0, and most commercially available MIDI sequence
data is provided in SMF Format 0. The SMF format for sequence files allows you to exchange song data
between different sequencers. User songs recorded on the CLP-240 are exported as SMF Format 0.
REC
MIN
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
MAX
1 2
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
Procedure
ENGLISH
2 3
1
NOTE
1. Select a User song to export.
Select a User song to export by using the [SONG SELECT] and [–/NO][+/YES]
buttons.
2. Select a song container in the device and export the
User song.
After making sure that the USB storage device is connected to the instrument,
press the [FILE] button (the “SAVE/EXP.” indicator lights). Then, while holding
the [FILE] button, simultaneously press the [–/NO][+/YES] buttons to select a
container (S00-S99). After releasing the [FILE] button, “n y” (no/yes) appears in
the display. Press the [+/YES] button to export the songs. The exported song will
be converted to SMF format and automatically exported into the “USER FILES”
folder and named as “USERSONGxx.mid.”
About Export: See page 35.
NOTE
If the selected song has no data,
the song will not be exported (you
cannot select a container for SMF
songs — S00-S99). Confirm that
the selected song has data by
making sure that the indicator of
[RIGHT] or [LEFT] is turned on.
NOTE
If you move an SMF song from the
“USER FILES” folder using a computer, the file type will be
changed — from a SMF song
(S00-S99) to an External song.
Overwriting the song
If you select a container which contains an SMF song, three dots appear in the
display (ex., “S.0.0.”). If you do not want to overwrite the file, press the [–/NO]
button when “n y (no or yes)” appears in the display and select another container. If you want to overwrite the song, press the [+/YES] button. After “n-y”
appears in the display again to confirm whether you wish to overwrite the file or
not, press the [+/YES] button once more.
CAUTION
While the instrument is accessing data (such as during Save, Export, Delete, Load and
Format operations) or is mounting the USB storage device (shortly after the connection: until the FILE LOAD LED flash stops), do NOT unplug the USB cable, do NOT
remove the media from the device, and do NOT turn the power off to either devices.
Doing so may corrupt the data on either or both devices.
3. Exit from the file operation mode.
Press the [FILE] button several times to exit the file operation mode. (The FILE
indicators turn off.)
CLP-240/230 Owner’s Manual
37
Handling Songs with a USB Storage Device (CLP-240)
Deleting Song Files
1 3
REC
MIN
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
MAX
1 2
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
ENGLISH
Procedure
1. Select a song file to be deleted.
Press the [FILE] button. (The “FORMAT/DEL” indicator lights.) Then, hold the
[FILE] button, simultaneously press the [–/NO][+/YES] buttons to select a file to
be deleted. Three types of files will be displayed in order:
• Axx ...... User files
• Sxx....... SMF songs
• xxx ....... External songs (commercially available songs or songs which have
been edited on a computer)
2. Delete the file.
After releasing the [FILE] button, “n y (no or yes)” appears in the display. If you
want to delete the file, press the [+/YES] button. After “n-y” appears in the display again to confirm whether you wish to delete the file or not, press the [+/
YES] button once more.
If you do not want to delete the song, press the [–/NO] button.
CAUTION
While the instrument is accessing data (such as during Save, Export, Delete, Load and
Format operations) or is mounting the USB storage device (shortly after the connection: until the FILE LOAD LED flash stops), do NOT unplug the USB cable, do NOT
remove the media from the device, and do NOT turn the power off to either devices.
Doing so may corrupt the data on either or both devices.
3. Exit from the file operation mode.
Press the [FILE] button several times to exit the file operation mode. (The FILE
indicators turn off.)
38
CLP-240/230 Owner’s Manual
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
NOTE
Audition the song to be deleted
before deleting. Songs cannot be
played back after engaging the
Delete mode.
NOTE
Only files which contain data will
be displayed.
NOTE
The following types of songs cannot be deleted. If you try to delete
the song, “Pro” (Protected)
appears in the display.
• Protected songs (extension:
Cxx, Exx or SME)
• DOC (Disk Orchestra Collection) songs
• Disklavier Piano Soft songs
NOTE
For User files (Axx) and SMF
songs (Sxx), the song numbers
are fixed and not changed by
deleting files. However, the song
numbers of External files are not
fixed and may be changed by
deleting files.
Handling Songs with a USB Storage Device (CLP-240)
Formatting the USB Storage Device
1 3
REC
MIN
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
MAX
1 2
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
CHURCH
ORGAN
JAZZ
ORGAN
E.PIANO
1
STRINGS
E.PIANO
2
CHOIR
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
Procedure
1. Engage the format mode.
ENGLISH
Press the [FILE] button. (The “FORMAT/DEL” indicator lights.) Then, while
holding the [FILE] button, simultaneously press the [–/NO] and [+/YES] buttons. When “For” (Format) appears in the display, release the [FILE] button to
display “n y” (no/yes).
2. Execute the format operation.
After “n y” (no/yes) appears in the display, press the [+/YES] button. After “n-y”
appears in the display again to confirm whether you wish to format the device
or not, press the [+/YES] button once more.
If you do not want to format the device, press the [–/NO] button.
CAUTION
While the instrument is accessing data (such as during Save, Export, Delete, Load and
Format operations) or is mounting the USB storage device (shortly after the connection: until the FILE LOAD LED flash stops), do NOT unplug the USB cable, do NOT
remove the media from the device, and do NOT turn the power off to either devices.
Doing so may corrupt the data on either or both devices.
3. Exit from the format mode.
Press the [FILE] button several times to exit the file operation mode. (The FILE
indicators turn off.)
CLP-240/230 Owner’s Manual
39
Playing Back Songs
Playing Back Songs
You can play back songs recorded using the Record function (pages 29–34) or commercially available songs. You can also play the keyboard along with the playback.
• 50 Piano Preset Songs (CLP-240/230) ............................................... page 15
50 Piano Preset Songs in the instrument.
• User songs in the instrument (CLP-240/230) ................................... page 41
ENGLISH
User songs which you recorded to the instrument by using the record function
(page 29).
• User files in the USB storage device (CLP-240) ................................ page 42
User files which you saved recorded song data to the USB storage device (page 35).
• SMF songs in the USB storage device (CLP-240) ............................. page 43
SMF songs which you exported recorded song data to the USB storage device
(page 35).
NOTE
You cannot select songs in Demo
Song mode (page 14) or during
file operations (page 35).
NOTE
When playing back songs containing various voices or parts
(such as XG or GM songs), the
voices may not sound correct or
as intended on the original. You
may be able to remedy this and
make the playback sound more
natural or appropriate by changing the Song Channel Selection
setting (page 51) to “1&2,” so that
only channels 1 and 2 will play
back.
NOTE
• External songs in the USB storage device (CLP-240) ....................... page 43
Commercially available songs or songs which have been edited on a computer, etc.
and stored to a USB storage device. Up to 999 songs can be played back on this
instrument (numbers 001-999).
• External songs in the instrument (CLP-240/230)............................. page 41
Songs transferred from a computer (including commercially available songs and
songs which have been edited on a computer). Songs can be transferred (saved) to
the instrument by using the included Musicsoft Downloader software. The songs are
saved to an area of the internal memory separate from the area for recorded User
songs. Up to 255 songs can be played back on this instrument (numbers 001-255).
Sequence formats that can be played on the CLP-240/230
• SMF (Standard MIDI File) Formats 0 and 1
The SMF format is one of the most common and widely compatible sequence formats used
for storing sequence data. There are two variations: Format 0 and Format 1. A large number
of MIDI devices are compatible with SMF Format 0, and most commercially available MIDI
sequence data is provided in SMF Format 0. The SMF format for sequence files allows you to
exchange song data between different sequencers. User songs recorded on the CLP-240 are
exported as SMF Format 0.
• ESEQ
This sequence format is compatible with many of Yamaha’s MIDI devices, including the
Clavinova series instruments. This is a common format used with various Yamaha software.
In the ESEQ files, only DOC (Disk Orchestra Collection) files and Disklavier Piano Soft songs
can be played back on this instrument.
If the song cannot be selected or
loaded, you may need to change
the Character Code setting
(page 55).
NOTE
Song data is not transmitted via
the MIDI connections. However,
channels 3-16 of DOC songs,
Disklavier Piano Soft songs, and
non-protected External songs will
be transmitted via the MIDI connections depending on the Song
Channel Selection setting
(page 51).
NOTE
Appropriate channels in the song
will automatically be assigned to
[RIGHT] and [LEFT]. Therefore,
[RIGHT] may be assigned to a
part other than channel 1, or
[LEFT] to a part other than channel 2.
NOTE
For the USB storage device,
folder directories on this instrument can be recognized up to
two levels. However, the level is
not displayed and song numbers
001-999 are displayed whichever
level the song contains.
NOTE
If the metronome is being used
during playback, the metronome
will automatically stop when playback is stopped.
NOTE
If the REVERB type is changed
via the panel controls during playback, both the playback and keyboard reverb effects will be
changed.
NOTE
If the EFFECT type is changed via
the panel controls during playback,
the playback effect may be
switched off in some cases.
40
CLP-240/230 Owner’s Manual
Playing Back Songs
Playing Back User/External Songs on the Instrument
32 1
REC
MIN
MAX
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
1
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
Procedure
ENGLISH
1. Select the desired song.
Press the [SONG SELECT] button (the USER indicator lights). Then press the
[–/NO] [+/YES] buttons to select a song. The User songs are displayed as “Uxx*”
and External songs in the instrument are displayed as “xxx*.”
*The “U” indication in the User song name means “User.” The letters “xx” represent the song number.
2. Start playback.
Press the SONG [PLAY/PAUSE] button.
The current measure number appears on the display during playback.
NOTE
User song playback cannot be
started when the recorder contains
no data.
NOTE
• You can play the keyboard while the Clavinova is playing back a song. You
can also play the notes in a voice different from the playback voice by selecting a voice from the panel.
You can also enjoy playing duets
with yourself by recording one
part of a duet or a song for two
pianos, then playing the other
part while the recorded part plays
back.
Adjust the volume
Use the [MASTER VOLUME] slider to adjust the volume.
Adjust the tempo
You can use the [TEMPO/FUNCTION# ▼, ▲] buttons to adjust the playback
tempo as required before or during playback. The default tempo (the song’s
original tempo) is set when you press the [▼] and [▲] buttons simultaneously.
NOTE
If you have External songs in the
instrument, you can use the
repeat function.
ALL: Play all External songs in
sequence.
rnd: Play all External songs continuously in random order.
3. Stop playback.
When playback is complete, the Clavinova automatically stops and locates the
top of the song. To stop playback in the middle of a song, press the SONG
[STOP] button. You can also pause playback by pressing the SONG [PLAY/
PAUSE] button.
CLP-240/230 Owner’s Manual
41
Playing Back Songs
Playing Back User Files from a USB Storage Device
(CLP-240)
321
REC
MIN
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
MAX
12
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
CHURCH
ORGAN
JAZZ
ORGAN
E.PIANO
1
STRINGS
E.PIANO
2
CHOIR
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
ENGLISH
Procedure
1. Load a User song file from the USB storage device.
After making sure that the USB storage device is connected to the instrument,
press the [FILE] button (the LOAD indicator lights). Then, while holding the
[FILE] button, press the [–/NO] [+/YES] buttons to select a User song file (Axx*).
After releasing the [FILE] button, “n y (no or yes)” indication appears in the display, press the [+/YES] button to start loading. When loading is started, dashes
appear in the display in succession to indicate that the data is being loaded to
the instrument. To cancel the operation, press the [–/NO] button.
* The “A” indication means “All”—all three songs in the instrument are saved as a User song file. The
letters “xx” represent the file number.
CAUTION
When you load a User song file, three User songs in the instrument will be overwritten.
If you do not want to overwrite them, save them to the USB storage device before loading.
CAUTION
While the instrument is accessing data (such as during Save, Export, Delete, Load and
Format operations) or is mounting the USB storage device (shortly after the connection: until the FILE LOAD LED flash stops), do NOT unplug the USB cable, do NOT
remove the media from the device, and do NOT turn the power off to either devices.
Doing so may corrupt the data on either or both devices.
CAUTION
Do not turn off the power of the instrument when dashes appear in the display in succession. Doing so may delete all song data in the instrument, including external songs
(page 40).
2. Select the desired song.
Press the [FILE] button twice to exit the file mode. Then, press the [SONG
SELECT] button (the USER indicator lights), and press the [–/NO] [+/YES] buttons to select a User song.
3. Start and stop playback.
Same as steps 2 and 3 in “Playing Back User/External Songs on the Instrument”
on page 41.
42
CLP-240/230 Owner’s Manual
NOTE
Files which do not contain data
will not be displayed.
NOTE
If you rename the User song file
from a computer, the song cannot
be loaded.
Playing Back Songs
Playing Back SMF/External songs from a USB storage
device (CLP-240)
2
REC
MIN
1
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
MAX
1
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
CHURCH
ORGAN
JAZZ
ORGAN
E.PIANO
1
STRINGS
E.PIANO
2
CHOIR
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
Procedure
ENGLISH
1. Select the desired song.
After making sure that the USB storage device is connected to the instrument,
press the [SONG SELECT] button (the USB indicator lights). Then, press the
[–/NO] [+/YES] buttons to select a song. The SMF songs are displayed as “Sxx*”
and External songs are displayed as “xxx*.”
* The “S” indication in the SMF song name means “SMF.” The letters “xx” represent the song number.
Repeating songs in the USB Storage device.
Select “ALL”: Play all SMF/External songs in the USB storage device in sequence.
Select “rnd”: Play all SMF/External songs in the USB storage device continuously in
random order.
2. Start and stop playback.
Same as step 2 and 3 in “Playing Back User/External Songs on the Instrument”
on page 41.
Useful Playback Functions
Turning part playback on and off
When you select a song on the Clavinova, the indicators for parts that contain
data (one of [RIGHT] [LEFT] or both) are lit in green. While the Clavinova is playing or
stopped, pressing these part buttons turns off the indicators, and the data on those
parts is not played. Pressing the part buttons toggles part playback on and off.
Starting playback automatically when you start playing the keyboard
(Sync Start)
You can start playback as soon as you start playing the keyboard. This is called the
“Sync Start” function.
To engage the Sync Start function, press the SONG [PLAY/PAUSE] button while holding down the SONG [STOP] button. The SONG [PLAY/PAUSE] lamp will flash at the
current tempo.
(Repeat the previous operation to disengage the Sync Start function.)
Playback will then start as soon as you begin playing on the keyboard.
This function is useful when you wish to match the timing of the beginning of the playback sound and the start of your own performance.
NOTE
Parts can be turned on or off
before or during playback.
NOTE
You can adjust the volume of a
part of a song for which playback
is turned off (pages 17, 52).
TERMINOLOGY
Sync:
Synchronized; occurring at the
same time
Assigning the PLAY/PAUSE function to the left pedal
The left pedal can also be assigned to song play/pause operation via the “Pedal Play/
Pause” (page 51). This is convenient for starting playback of the song anytime after you
have started playing.
CLP-240/230 Owner’s Manual
43
Detailed Settings – [FUNCTION]
Detailed Settings – [FUNCTION]
You can set various parameters to make the best use of Clavinova functions, such as fine tuning the pitch or selecting a
scale, etc.
The following parameters are available.
The CLP-240 has nine main functions, and the CLP-230 has eight main functions.
Some of these main functions consist of a set of sub-modes.
Parameter List
ENGLISH
Function
CLP-240
CLP-230
Reference page
F1
F1
47
Fine tuning of the pitch
—
Selecting a scale
Scale
F2.1
F2.1
48
Base Note
F2.2
F2.2
48
Dual Balance
F3.1
F3.1
49
Dual Detune
F3.2
F3.2
49
Voice 1 Octave Shift
F3.3
F3.3
49
Voice 2 Octave Shift
F3.4
F3.4
49
Voice 1 Effect Depth
F3.5
F3.5
49
Voice 2 Effect Depth
F3.6
F3.6
49
Reset
F3.7
F3.7
49
Split Point
F4.1
—
50
Split Balance
F4.2
—
50
Right Voice Octave Shift
F4.3
—
50
Left Voice Octave Shift
F4.4
—
50
Right Voice Effect Depth
F4.5
—
50
Left Voice Effect Depth
F4.6
—
50
Damper Pedal Range
F4.7
—
50
Dual mode functions
Split mode functions
Other Functions
Reset
F4.8
—
50
Left Pedal Mode
F5.1
F4.1
51
Soft Pedal Effect Depth
F5.2
F4.2
51
Sustain Sample Depth
F5.3
—
51
Keyoff Sample Volume
F5.4
—
51
Song Channel Selection
F5.5
F4.3
51
Metronome volume
—
F6
F5
52
Song Part Cancel Volume
—
F7
F6
52
MIDI Functions
MIDI Transmit Channel Selection
F8.1
F7.1
52
MIDI Receive Channel Selection
F8.2
F7.2
53
Local Control ON/OFF
F8.3
F7.3
53
Program Change ON/OFF
F8.4
F7.4
53
Control Change ON/OFF
F8.5
F7.5
53
Panel/Status Transmit
F8.6
F7.6
54
Initial Setup Send
F8.7
F7.7
54
Voice
F9.1
F8.1
55
MIDI
F9.2
F8.2
55
Tuning
F9.3
F8.3
55
Others
F9.4
F8.4
55
—
F9.5
F8.5
55
Backup Functions
Character Code
44
Sub-Mode
CLP-240/230 Owner’s Manual
Detailed Settings – [FUNCTION]
Basic Procedure in Function Mode
Follow the steps below to use the functions.
(If you become lost while using a function, return to this page and read the basic procedure.)
1 5
REC
MIN
RIGHT
PLAY/PAUSE
ON
MAX
ON/OFF
LEFT
STOP
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
34
24
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
CHURCH
ORGAN
JAZZ
ORGAN
E.PIANO
1
STRINGS
E.PIANO
2
CHOIR
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
Procedure
1. Engage the Function mode.
Press the [TEMPO/FUNCTION#] button so that its [FUNCTION#] indicator
lights.
will appear on the display. (The indication of “
the status of the unit and usage.)
” varies depending on
2. Select a function.
Use the [TEMPO/FUNCTION# ▼, ▲] buttons to select the desired function
from F1–F9 (CLP-240) / F1–F8 (CLP-230).
TEMPO
FUNCTION #
NOTE
ENGLISH
MASTER VOLUME
Functions cannot be selected
during Demo/Song Select/ file
operation (CLP-240) mode or
when the user song recorder is in
operation.
NOTE
To cancel the function in Step 2,
3, or 4, press the [TEMPO/FUNCTION# ▼, ▲] button any time to
exit Function mode.
TEMPO / FUNCTION #
3. Use the [–/NO] [+/YES] buttons.
If the function does not include sub-modes, start setting the parameters.
If the function includes sub-modes, press the [+/YES] button once to enter the
respective sub-mode.
4. Operate the desired function using the following
NOTE
After you select the function, the
current setting will be displayed
when the [–/NO] or [+/YES] button is pressed for the first time.
two buttons.
1 [TEMPO/FUNCTION# ▼, ▲]
Selects the desired function/sub-mode.
2 [–/NO] or [+/YES]
After you select the desired function or sub-mode, set the ON/OFF, select
the type, or change the value, accordingly.
Depending on the setting, the default setting (which is used when you first
turn on the power to the Clavinova) is recalled by pressing the [–/NO] and
[+/YES] buttons simultaneously.
CLP-240/230 Owner’s Manual
45
Detailed Settings – [FUNCTION]
Operation Example 1 (F1. Fine tuning of the pitch)
LED indication
TEMPO
FUNCTION #
TEMPO
FUNCTION #
– / NO
LED indication
+ / YES
TEMPO / FUNCTION #
TEMPO / FUNCTION #
Engage the Function mode.
Change the value.
Select a desired function.
Operation Example 2 (F3.1 “Dual Balance”)
TEMPO
FUNCTION #
TEMPO
FUNCTION #
ENGLISH
Engage the Function mode.
+/ YES
+/ YES
TEMPO
FUNCTION #
TEMPO / FUNCTION #
TEMPO / FUNCTION #
– /NO
LED indication
Select a desired function.
TEMPO / FUNCTION #
Engage the respective
sub-mode.
LED indication
Change the value.
5. After using the function, exit the function mode.
To exit the Function mode, press the [TEMPO/FUNCTION#] button so that its
[TEMPO] indicator lights.
46
CLP-240/230 Owner’s Manual
LED indication
Select a desired sub-mode.
Detailed Settings – [FUNCTION]
About Each Function
NOTE
You can fine tune the pitch of the entire instrument. This function is useful when you play
the Clavinova along with other instruments or
CD music.
1. Engage the Function mode and select
.
2. Use the [–/NO] and [+/YES] buttons to lower
or raise the pitch of the A3 key in approximately 0.2 Hz increments.
.....
.....
Tenths of a hertz are indicated on the LED display by
the appearance and position of one or two dots, as in
the following example:
Display
You can also tune in about 1Hz steps (in any mode other
than Function mode).
To tune down or up, respectively, in approximately 1 Hz incre
ments: Hold the A-1 and A -1 keys (a white and a black key at
the left end) or A-1 and B-1 keys (two white keys at the left end)
simultaneously and press the [–/NO] or [+/YES] button.
To restore standard pitch: Hold the A-1 and A -1 keys (a white
and a black key at the left end) or A-1 and B-1 keys (two white
keys at the left end) simultaneously and press the [–/NO] [+/
YES] buttons simultaneously.
During the procedure described above, the display indicates a value in Hz <
…
>. After the procedure, the display returns to the previous indication.
ENGLISH
F1. Fine Tuning of the Pitch
Value
440.0
Setting range:
440.2
427.0–453.0 (Hz)
440.4
Normal setting:
440.6
440.0 (Hz)
440.8
TERMINOLOGY
Hz (Hertz):
This unit of measurement refers to the frequency of a sound and
represents the number of times a sound wave vibrates in a second.
NOTE
You can also use the keyboard to set the pitch (in any mode
other than Function mode).
To tune up (in about 0.2Hz steps): Hold the A-1 and B-1 keys
(two white keys at the left end) simultaneously and press any key
between C3 and B3.
To tune down (in about 0.2Hz steps): Hold the A-1 and A -1
keys (a white and a black key at the left end) simultaneously and
press any key between C3 and B3.
To restore standard pitch: Hold the A-1, A -1 and B-1 (two
white keys and one black key at the left end) simultaneously and
press any key between C3 and B3.
• Each key has a note name; for example, the lowest
(farthest left) key on the keyboard corresponds to A-1,
and the highest (farthest right) key to C7.
During the procedure described above, the display indicates a value in Hz <
…
>. After the procedure, the display returns to the previous indication.
CLP-240/230 Owner’s Manual
47
Detailed Settings – [FUNCTION]
F2. Selecting a Scale
ENGLISH
You can select various scales.
Equal Temperament is the most common contemporary piano tuning scale. However, history has known numerous other scales, many
of which serve as the basis for certain genres of
music. You can experience these tunings with
the Clavinova.
1. Engage the Function mode and select
2. Press the [+/YES] button to engage the scale
function’s sub-mode, then use the [TEMPO/
FUNCTION# ▼, ▲] buttons to select the
desired sub-mode.
Press the [–/NO] and [+/YES] buttons to select
the number of the desired tuning.
Sub-mode
Equal Temperament
F2.1: Scale
One octave is divided into twelve equal intervals. Currently the most popular piano tuning scale.
Setting range:
PureMajor/PureMinor
Based on natural overtones, three major chords using
these scales produce a beautiful, pure sound.
Pythagorean
This scale, designed by Pythagoras, a Greek philosopher,
is based on the interval of a perfect 5th.
The 3rd produces swells, but the 4th and 5th are beautiful and suitable for some leads.
MeanTone
This scale is an improvement of the Pythagorean in that
the swell of the 3rd has been eliminated. The scale
became popular during the late 16th century through the
late 18th century, and was used by Handel.
Werckmeister/Kirnberger
These scales combine Mean Tone and Pythagorean in
different ways. With these scales, modulation changes the
impression and feel of the songs. They were often used in
the era of Bach and Beethoven. They are often used today
to reproduce the music of that era on harpsichords.
48
CLP-240/230 Owner’s Manual
.
1: Equal Temperament
2: Pure Major
3: Pure Minor
4: Pythagorean
5: Mean Tone
6: Werckmeister
7: Kirnberger
Normal setting: 1: Equal Temperament
F2.2: Base Note
If you select a scale other than Equal Temperament, you
need to specify the root. (You can specify the root note
with Equal Temperament selected, but it is not effective.
The base note setting is effective for tunings other than
the Equal Temperament tuning.)
Setting range:
Normal setting:
• Root indication example
(F)
(G)
followed by
a high bar if sharp
(A )
followed by
a low bar if flat
Detailed Settings – [FUNCTION]
You can set various parameters for Dual mode
to optimize the settings for the songs you play,
such as adjusting the volume balance between
two voices.
Dual mode function settings are set individually for each voice combination.
1. Select the voices in Dual mode, then engage
the Function mode and select
.
2. Press the [+/YES] button to engage the Dual
mode function’s sub-mode, then use the
[TEMPO/FUNCTION# ▼, ▲] buttons to select
the desired sub-mode. Press the [–/NO] [+/
YES] button to assign values.
NOTE
If Dual mode is not engaged,
will appear instead of
and you will be unable to select Dual mode functions. You
can switch from Function mode to Dual mode.
Sub-mode
F3.3: Voice 1 Octave Shift
F3.4: Voice 2 Octave Shift
Setting range: –1, 0, 1
Normal setting: Different for each voice combination.
You can shift the pitch up and down in octave steps for
Voice 1 and Voice 2 independently. Depending on which
voices you combine in Dual mode, the combination may
sound better if one of the voices is shifted up or down an
octave.
F3.5: Voice 1 Effect Depth
F3.6: Voice 2 Effect Depth
Setting range: 0 – 20
Normal setting: Different for each voice combination.
These functions make it possible to individually set the
depth of the effect for Voices 1 and 2 for Dual mode.
(The effect depth settings cannot be changed unless the
[EFFECT] is ON. Function mode must be exited before
the [EFFECT] can be turned ON.)
ENGLISH
F3. Dual Mode Functions
• “Voice 1” and “Voice 2” are explained on page 25.
F3.1: Dual Balance
Setting range:
0 – 20 (A setting of “10” produces an
equal balance between the two Dual
mode voices. Settings below “10”
increase the volume of Voice 2 in
relation to Voice 1, and settings
above “10” increase the volume of
Voice 1 in relation to Voice 2.)
Normal setting: Different for each voice combination.
You can set one voice as the main voice, and another
voice as a softer, mixed voice.
F3.7: Reset
This function resets all Dual mode functions to their
default values. Press the [+/YES] button to reset the values.
NOTE
SHORTCUT:
You can jump directly to the Dual mode functions
by
pressing the [TEMPO/FUNCTION#] button while holding the two
Dual mode voice buttons.
To exit Function mode, you still need to press the [TEMPO/
FUNCTION#] button so that the TEMPO indicator lights up.
F3.2: Dual Detune
Setting range:
-10 – 0 – 10 (With positive values,
the pitch of Voice 1 is raised and the
pitch of Voice 2 is lowered. With negative values, the pitch of Voice 1 is
lowered and the pitch of Voice 2 is
raised.)
NOTE
The available setting range is wider in the lower range (± 60
cents for A-1), and narrower in the higher range (± 5 cents for
C7). (100 cents equal one semitone.)
Normal setting: Different for each voice combination.
Detune Voice 1 and Voice 2 for Dual mode to create a
thicker sound.
CLP-240/230 Owner’s Manual
49
Detailed Settings – [FUNCTION]
F4. (CLP-240) Split Mode Functions
This menu enables you to make various
detailed settings for Split mode.
By changing the split point or other setting,
you can optimize the settings for the songs
you play.
ENGLISH
1. Select the voices in Split mode, then engage
the Function mode and select
.
2. Press the [+/YES] button to engage the Split
mode function’s sub-mode, then use the
[TEMPO/FUNCTION# ▼, ▲] buttons to select
the desired sub-mode. Press the [–/NO] [+/
YES] button to assign values.
If Split mode is not engaged,
will appear instead of
and you will be unable to select Split mode functions. Also note
that you must exit Function mode before you can engage Split
mode.
Sub-mode
F4.1: Split Point
Setting range: The entire keyboard
Normal setting: F 2
Set the point on the keyboard that separates the right and
left-hand sections (split point). The pressed key is
included in the left-hand range.
• Instead of pressing the [–/NO] [+/YES] buttons, you
can engage the split point by pressing the appropriate
key on the keyboard.
• If Function mode is not engaged, you can change the
split point to any other key by pressing the key while
holding the [SPLIT] button (page 26).
• An example of a key name indication for a split point
(G2)
followed by
a high bar if sharp
F4.3: Right Voice Octave Shift
F4.4: Left Voice Octave Shift
Setting range: –1, 0, 1
Normal setting: Different for each voice combination
You can shift the pitch up and down in octave steps for
the Right Voice and Left Voice independently. Make a setting depending on the note range of the songs you play.
You can make this setting for each combination of voices
individually.
F4.5: Right Voice Effect Depth
F4.6: Left Voice Effect Depth
NOTE
(F2)
The volume level of the two voices combined in Split
mode can be adjusted as required. You can make this setting for each combination of voices individually.
(A 2)
followed by
a low bar if flat
Setting range: 0 – 20
Normal setting: Different for each voice combination
These functions make it possible to individually set the
depth of the effect for the left and right Split mode
voices.
The effect depth settings cannot be changed unless the
[EFFECT] is ON. You must exit Function mode before
you can turn on an [EFFECT].
You can make this setting for each combination of voices
individually.
F4.7: Damper Pedal Range
Setting range:
ALL (for both voices)
1 (for the right Voice)
2 (for the left Voice)
Normal setting: ALL
The Damper Pedal Range function determines whether
the damper pedal affects the right voice, the left voice, or
both the left and right voices in Split mode.
F4.8: Reset
This function resets all Split mode functions to their
default values. Press the [+/YES] button to reset the values.
NOTE
F4.2: Split Balance
Setting range:
0 – 20 (A setting of “10” produces an
equal balance between the two Split
mode voices. Settings below “10”
increase the volume of the left voice
in relation to the right voice, and settings above “10” increase the volume
of the right voice in relation to the
left voice.)
Normal setting: Different for each voice combination.
50
CLP-240/230 Owner’s Manual
SHORTCUT:
You can jump directly to Split mode functions
by pressing
the [TEMPO/FUNCTION#] button while holding the [SPLIT] button.
To exit Function mode, you still need to press the [TEMPO/
FUNCTION#] button so that the TEMPO indicator lights up.
Detailed Settings – [FUNCTION]
This section provides a variety of other functions, including letting you assign the operation of the left pedal to one of several modes,
and allowing you to select specific song channels for playback.
1. Engage the Function mode and select
(CLP-240)/
(CLP-230).
2. Press the [+/YES] button to engage the other
functions’ sub-mode, then use the [TEMPO/
FUNCTION# ▼, ▲] buttons to select the
desired sub-mode.
Press the [–/NO] or [+/YES] button to select
the desired pedal function or assign the values.
F5.3 (CLP-240)
Sustain Sample Depth
Setting range: 0 – 20
Normal setting: 12
The GRAND PIANO 1 voice features special “Sustain
Samples” that recreate the unique resonance of an acoustic grand piano’s soundboard and strings when the
damper pedal is pressed. This function lets you adjust the
depth of this effect.
F5.4 (CLP-240)
Keyoff Sample Volume
Setting range: 0 – 20
Normal setting: 10
You can adjust the volume of the keyoff sound (the subtle sound produced when the keys are released) for voices
[GRAND PIANO1], [HARPSICHORD], [E.CLAVICHORD]
(including their variations).
ENGLISH
F5. (CLP-240) / F4. (CLP-230)
Other Functions
Sub-mode
F5.1 (CLP-240)/F4.1
Left Pedal Mode
(CLP-230)
Setting range:
1. Soft Pedal
The soft pedal reduces the volume and slightly
changes the timbre of notes played while the pedal is
pressed. The soft pedal will not affect notes that are
already playing.
2. Song Play/Pause
This mode allows you to start or pause song playback.
In this mode, the Left Pedal functions in the same
manner as the SONG [PLAY/PAUSE] button on the
panel.
3. Variation (CLP-240)
This mode enables you to switch the Voice’s variation
on or off. In this mode, the left pedal functions in the
same manner as the [VARIATION] button on the
panel.
Normal setting: 1(Soft Pedal)
F5.5 (CLP-240)/F4.3 (CLP-230)
Song Channel Selection
Setting range: ALL, 1&2
Normal setting: ALL
The setting here only affects DOC (Disk Orchestra Collection) songs, Disklavier Piano Soft songs, and nonprotected External songs. You can specify which song
channels will play back on this instrument. When “ALL”
is selected, channels 1-16 will be played back. When
“1&2” is selected, only channels 1 and 2 will be played
back, while channels 3-16 will be transmitted via MIDI.
F5.2 (CLP-240)/F4.2 (CLP-230)
Soft Pedal Effect Depth
Setting range: 1 – 5
Normal setting: 3
This function sets the depth of the soft pedal effect.
CLP-240/230 Owner’s Manual
51
Detailed Settings – [FUNCTION]
F6. (CLP-240) / F5. (CLP-230)
Metronome Volume
You can change the volume of the metronome
sound.
Use this function to adjust the metronome volume.
1. Engage the Function mode and select
(CLP-240)/
(CLP-230).
F8. (CLP-240) / F7. (CLP-230)
MIDI Functions
You can make detailed adjustments to MIDI
settings.
For more information about MIDI, see the
“About MIDI” section (page 57).
All MIDI settings described below will affect the MIDI signal
in and out of the USB [TO HOST] connector.
ENGLISH
2. Use the [–/NO] and [+/YES] buttons to set the
metronome volume as required.
1. Engage the Function mode and select
(CLP-240)/
(CLP-230).
Setting range: 1 – 20
Normal setting: 10
NOTE
SHORTCUT:
You can jump directly to the metronome functions
(CLP240)/
(CLP-230) by pressing the [TEMPO/FUNCTION#]
button while holding the METRONOME [ON/OFF] button.
To exit the Function mode, you still need to press the [TEMPO/
FUNCTION#] button so that the TEMPO indicator lights up.
2. Press the [+/YES] button to engage the MIDI
function’s sub-mode, then use the [TEMPO/
FUNCTION# ▼, ▲] buttons to select the
desired sub-mode.
Press the [–/NO] or [+/YES] button to set a
selected parameter.
Sub-mode
F7. (CLP-240) / F6. (CLP-230)
Song Part Cancel Volume
This function sets the volume at which a “canceled” part is played during song playback.
Adjust the part volume to a comfortable level
and use the “canceled” part as a guide with
which to play along.
1. Engage the Function mode and select
(CLP-240)/
(CLP-230).
2. Use the [–/NO] and [+/YES] buttons to set the
volume as required.
Setting range: 0 – 20
Normal setting: 5
NOTE
This function cannot be used for Demo songs.
52
CLP-240/230 Owner’s Manual
F8.1: (CLP-240)/F7.1: (CLP-230)
MIDI Transmit Channel Selection
In any MIDI control setup, the MIDI channels of the
transmitting and receiving equipment must be matched
for proper data transfer.
This parameter enables you to specify the channel on
which the Clavinova transmits MIDI data.
Setting range: 1 – 16, OFF (not transmitted)
Normal setting: 1
NOTE
In Dual mode, Voice 1 data is transmitted on its specified channel. In Split mode (CLP-240), right voice data is transmitted on
its specified channel. In Dual mode, Voice 2 data is transmitted
on the next greater channel number relative to the specified
channel. In Split mode (CLP-240), left voice data is transmitted
on the next greater channel number relative to the specified
channel. In either mode, no data is transmitted if the transmit
channel is set to “OFF.”
NOTE
Song data is not transmitted via the MIDI connections. However,
channels 3-16 of DOC songs, Disklavier Piano Soft songs, and
non-protected External songs will be transmitted via the MIDI
connections depending on the Song Channel Selection setting
(page 51).
F8.2: (CLP-240)/F7.2: (CLP-230)
MIDI Receive Channel Selection
F8.4: (CLP-240)/F7.4: (CLP-230)
Program Change ON/OFF
In any MIDI control setup, the MIDI channels of the
transmitting and receiving equipment must be matched
for proper data transfer. This parameter enables you to
specify the channel on which the Clavinova receives
MIDI data.
Setting range: ALL, 1&2, 1 – 16
Normal setting: ALL
Normally the CLP-240/230 will respond to MIDI program change numbers received from an external keyboard or other MIDI device, causing the
correspondingly-numbered voice to be selected on the
corresponding channel (the keyboard voice does not
change). The CLP-240/230 will normally also send a
MIDI program change number whenever one of its
voices is selected, causing the correspondingly-numbered voice or program to be selected on the external
MIDI device if the device is set up to receive and respond
to MIDI program change numbers.
This function makes it possible to cancel program
change number reception and transmission so that
voices can be selected on the CLP-240/230 without
affecting the external MIDI device.
NOTE
ALL:
“Multi-timbre” Receive mode. This allows simultaneous reception
of different parts on all 16 MIDI channels, enabling the Clavinova
to play multi-channel song data received from a music computer
or sequencer.
1&2:
“1&2” Receive mode. This allows simultaneous reception on
channels 1 and 2 only, enabling the Clavinova to play 1 and 2
channel song data received from a music computer or
sequencer.
NOTE
Program change and other like channel messages received will
not affect the CLP-240/230’s panel settings or the notes you play
on the keyboard.
NOTE
No MIDI reception occurs when Demo mode is engaged or during file operations (CLP-240).
F8.3: (CLP-240)/F7.3: (CLP-230)
Local Control ON/OFF
“Local Control” refers to the fact that, normally, the
CLP-240/230 keyboard controls its internal tone generator, allowing the internal voices to be played directly
from the keyboard. This situation is “Local Control On,”
since the internal tone generator is controlled locally by
its own keyboard.
Local control can be turned OFF, however, so that the
CLP-240/230 keyboard does not play the internal voices,
but the appropriate MIDI information is still transmitted
via the MIDI OUT terminal when notes are played on
the keyboard. At the same time, the internal tone generator responds to MIDI information received via the MIDI
IN terminal.
Setting range: ON/OFF
Normal setting: ON
ENGLISH
Detailed Settings – [FUNCTION]
NOTE
For information on program change numbers for each of the
CLP-240/230’s voices, refer to page 81 in the MIDI Data Format
section.
Setting range: ON/OFF
Normal setting: ON
F8.5: (CLP-240)/F7.5: (CLP-230)
Control Change ON/OFF
Normally the CLP-240/230 will respond to MIDI control
change data received from an external MIDI device or
keyboard, causing the voice on the corresponding channel to be affected by pedal and other “control” settings
received from the controlling device (the keyboard voice
is not affected).
The CLP-240/230 also transmits MIDI control change
information when the pedal or other appropriate controls are operated.
This function makes it possible to cancel control change
data reception and transmission so that, for example, the
CLP-240/230’s pedal and other controls can be operated
without affecting an external MIDI device.
NOTE
For information on control changes that can be used with the
CLP-240/230, refer to the MIDI Data Format on page 80.
Setting range: ON/OFF
Normal setting: ON
CLP-240/230 Owner’s Manual
53
Detailed Settings – [FUNCTION]
F8.6: (CLP-240)/ F7.6: (CLP-230)
Panel/Status Transmit
F8.7: (CLP-240)/F7.7: (CLP-230)
Initial Setup Send
This function causes all the current CLP-240/230 panel
settings (selected voice, etc.) to be transmitted via the
MIDI OUT terminal.
This function lets you send the data of the panel settings
to a computer. By transmitting the panel settings and
recording them on the MIDI sequence recorder prior to
the actual performance data, the instrument will be
automatically restored to the same settings when the performance is played back. You can also use this function to
change the settings of a connected tone generator to the
same settings as the instrument.
TERMINOLOGY
Setup Data:
Data that contains a set of panel settings for the Clavinova.
ENGLISH
Procedure
1. Set up the panel controls as desired.
2. Connect the Clavinova to a sequencer via MIDI, and
set up the sequencer so it can receive the setup data.
3. Engage the Function mode and select
(CLP-
240)/
(CLP-230).
4. Press the [+/YES] button to transmit the panel/status
data.
will appear on the LED display when the data has
been successfully transmitted.
NOTE
See page 81 for a list of the “Panel Data Contents” transmitted
by this function.
NOTE
Receiving the transmitted data:
1. Connect the Clavinova via MIDI to the device to which the
setup data was transmitted previously.
2. Start sending the setup data from the device.
The Clavinova automatically receives the setup data, which will
be reflected in the panel settings.
(For the data to be accepted, the Clavinova that receives the
setup data should be the same model as the one that transmitted the setup data to the sequencer.)
NOTE
For more information on transmitting and receiving setup data
via MIDI, refer to the owner’s manual for the connected MIDI
device.
54
CLP-240/230 Owner’s Manual
Procedure
1. Set up the panel controls as desired.
2. Connect the Clavinova to a sequencer via MIDI, and
set up the sequencer so it can receive the setup data.
3. Engage the Function mode and select
(CLP-
240)/
(CLP-230).
4. Press the [+/YES] button to transmit the panel/status
data.
will appear on the LED display when the data has
been successfully transmitted.
The following data can be sent.
• Voice selection
• [REVERB] type
• [REVERB] depth
• [EFFECT] type
• [EFFECT] depth
• Split point
• Tuning (F1)
• Dual detune (F3.2)
Detailed Settings – [FUNCTION]
TERMINOLOGY
Backup:
You can back up some settings, such as voice selection and
reverb type, so that they will not be lost when you turn off the
power to the Clavinova.
If the backup function is turned on, the settings at power off are
effective. If the backup function is turned off, the settings in
memory are erased when you turn off the power. In this case,
when you turn on the power to the unit, the default settings (the
initial settings) will be used. (The factory setting default list is
found on page 78.)
However, the backup settings themselves, the contents of
the user song recorder memory, and character code setting are always backed up.
You can turn the backup function on or off for
each function group (each of the following
sub-mode functions).
1. Engage the Function mode and select
(CLP-240)/
(CLP-230).
2. Press the [+/YES] button to engage the
backup function’s sub-mode, then use the
[TEMPO/FUNCTION# ▼, ▲] buttons to select
the desired sub-mode.
Press the [–/NO] or [+/YES] button to turn the
backup function on or off.
Sub-mode
F9.1: (CLP-240)/F8.1: (CLP-230) Voice
F9.2: (CLP-240)/F8.2: (CLP-230) MIDI
F9.3: (CLP-240)/F8.3: (CLP-230) Tuning
F9.4: (CLP-240)/F8.4: (CLP-230) Others
•
•
•
•
•
Reverb (ON/OFF, Type, and Depth for each voice)
Effect (ON/OFF, Type, and Depth for each voice)
Variation (CLP-240) (for each voice)
Touch Sensitivity (including the FIXED volume)
Metronome (Beat, Volume <
(CLP-240)/
(CLP-230) settings>)
• Song Part Cancel Volume (
<CLP-240>/
<CLP-230> settings)
F9.2: (CLP-240)/F8.2: (CLP-230) MIDI
The MIDI functions (
230> settings)
<CLP-240>/
(expect for the
<CLP-230>)
<CLP-240>/
<CLP-
F9.3: (CLP-240)/F8.3: (CLP-230) Tuning
• Transpose
• Tuning (
settings)
• Scale (including base note) (
F9.4: (CLP-240)/F8.4:
(CLP-230)
ENGLISH
F9. (CLP-240) / F8. (CLP-230)
Backup Functions
settings)
Others
• Other functions (
<CLP-240>/
<CLP230> settings)
• BRILLIANCE setting
• DDE settings (CLP-240) (ON/OFF, depth)
Factory Preset Recall
All Dual mode, Split mode, reverb, effect, touch sensitivity, tuning settings, and the settings affected by the
Backup Functions can be restored to their original factory preset values by holding the C7 key (right-most key
on the keyboard) while turning the [POWER] switch ON.
This also erases all user song recorder data, and sets all
backup on/off settings (F9 <CLP-240>/F8 <CLP-230>)
to the normal settings. (The factory setting list is found
on page 78.)
CAUTION
Do not turn off the power of the instrument when “CLr”
appears in the display. Doing so may delete all song data
in the instrument, including external songs (page 40).
Setting range: ON/OFF
Normal setting: Voice: OFF
MIDI – Others: ON
Description of sub-modes
F9.1: (CLP-240)/F8.1: (CLP-230) Voice
• Voice (Keyboard, Dual, and Split <CLP-240>)
• Dual (ON/OFF, Voice, and Dual Functions for each
voice combination)
• Split (CLP-240) (ON/OFF, Voice, and Split Functions
for each voice combination)
F9.5 (CLP-240)/ F8.5
Character Code
(CLP-230)
If the song cannot be loaded, you may need to change the
character code setting.
Setting range: En (English)/JA (Japanese)
Normal setting: En
CLP-240/230 Owner’s Manual
55
Connections
Connections
Connectors
CAUTION
Before connecting the Clavinova to other electronic components, turn off the power to all the components. Before turning the power on or off to all components, set all volume levels to minimum (0). Otherwise, electrical shock or damage to
the components may result.
1
2
CLP-240
(LEVEL FIXED)
R
ENGLISH
L/L+R
R
L
AUX IN
AUX OUT
SELECT
USB TO DEVICE
USB
3
(on the left of the panel)
TO DEVICE
3
L
5
4
THRU
OUT
AUX IN
1
2
CLP-230
TO HOST
IN
USB
L/L+R
R
AUX OUT
THRU
MIDI
MIDI
(LEVEL FIXED)
R
OUT
IN
TO HOST
5
4
1 AUX OUT [R] [L] Pin jacks (LEVEL FIXED)
You can connect these jacks to a stereo system to amplify the Clavinova or to a cassette tape recorder to record your performance. Refer to the diagram below and use
audio cables to make the connections.
NOTE
Use audio cables and adaptor
plugs with no resistance.
CAUTION
When the Clavinova’s AUX OUT jacks are connected to an external audio system, first turn on the
power to the Clavinova, then to the external audio system. Reverse this order when you turn the
power off.
Stereo
Clavinova
(LEVEL FIXED)
R
L
AUX OUT
NOTE
AUX OUT
AUX IN
RCA pin plug
RCA pin plug
audio cable
When these are connected (with RCA pin plug; LEVEL FIXED), the sound
is output to the external device at a fixed level, regardless of the [MASTER
VOLUME] slider setting.
56
CLP-240/230 Owner’s Manual
NOTE
The Clavinova’s [MASTER VOLUME] slider setting does not
affect the signal output from the
AUX OUT (LEVEL FIXED) jacks.
When the sound from the AUX
OUT jacks is routed to the AUX IN
jacks, the input sound will be output from the speaker of the CLP.
The output sound may be excessively loud and may cause noise.
Connections
2 AUX IN [R] [L/L+R] jacks
The stereo outputs from another instrument can be connected to these jacks,
allowing the sound of an external instrument to be reproduced via the Clavinova’s
speakers. Refer to the diagram below and use audio cables to make the connections.
CAUTION
When the Clavinova’s AUX IN jacks are connected to an external device, first turn on the power to
the external device, then to the Clavinova. Reverse this order when you turn the power off.
Clavinova
NOTE
If you connect the Clavinova to a
monaural device, use only the
AUX IN [L/L+R] jack.
L/L+R
R
NOTE
The Clavinova’s [MASTER VOLUME] slider setting affect the
input signal from the AUX IN
jacks, but the [BRILLIANCE],
[REVERB], and [EFFECT] settings do not.
AUX IN
AUX IN
ENGLISH
phone plug
(standard)
audio cable
Plug shape depneds on the device.
AUX OUT
Tone Generator
3 USB [TO DEVICE] terminal (CLP-240)
This terminal allows connection to USB storage devices.
Refer to “Connection to a USB storage device” on page 58.
4 USB [TO HOST] terminal
This terminal allows direct connection to a personal computer. Refer to “Connecting a Personal Computer” on page 60 for more information.
5 MIDI [IN] [OUT] [THRU] terminals
Use MIDI cables to connect external MIDI devices to these connectors.
MIDI [IN]: Receives MIDI data.
MIDI [OUT]: Transmits MIDI data.
MIDI [THRU]: Transmits data received at the MIDI [IN] terminal as it is.
NOTE
There are two different types of
USB terminals on the instrument:
USB [TO DEVICE] and USB [TO
HOST]. Take care not to confuse
the two terminals and the corresponding cable connectors. Be
careful to connect the proper plug
in the proper direction.
NOTE
MIDI performance data and commands are transferred in the form
of numeric values.
NOTE
About MIDI
MIDI (Musical Instrument Digital Interface) is a standard format for data transmission/
reception. It enables the transfer of performance data and commands between MIDI devices
and personal computers. Using MIDI, you can control a connected MIDI device from the
Clavinova, or control the Clavinova from a connected MIDI device or computer.
Since MIDI data that can be
transmitted or received varies
depending on the type of MIDI
device, check the “MIDI Implementation Chart” to find out what
MIDI data and commands your
devices can transmit or receive.
The Clavinova’s MIDI Implementation Chart appears on page 84.
CLP-240/230 Owner’s Manual
57
Connections
Connection to a USB storage device (CLP-240)
By connecting the instrument to a USB storage device with a standard USB cable, you can save data
you’ve created to the connected device, as well as read data from the connected device.
Compatible USB storage devices
ENGLISH
A USB storage device, such as a floppy disk drive, hard disk drive, CD-ROM drive, flash
memory reader/writer, etc., can be connected to the USB [TO DEVICE] terminal. Other
USB devices such as a computer keyboard or mouse cannot be used.
The instrument does not necessarily support all commercially available USB storage devices.
Yamaha cannot guarantee operation of USB storage devices that you purchase. Before purchasing USB storage devices, please consult your Yamaha dealer, or an authorized Yamaha
distributor (see list at end of the Owner’s Manual) for advice, or visit the following web page:
http://music.yamaha.com/CLP-240/
http://music.yamaha.com/CLP-230/
NOTE
CD-ROM drive
Although CD-R/RW drives can be
used to read data to the instrument, they cannot be used for
saving data.
NOTE
Do not use a non-ID SmartMedia
card.
NOTE
CAUTION
Avoid frequently turning the power on/off to the USB storage device, or connecting/disconnecting the cable too often. Doing so may result in the operation of the instrument “freezing” or
hanging up. While the instrument is accessing data (such as during Save, Export, Copy, Delete,
Load and Format operations) or is mounting the USB storage device (shortly after the connection:
until the FILE LOAD LED flash stops), do NOT unplug the USB cable, do NOT remove the media
from the device, and do NOT turn the power off to either devices. Doing so may corrupt the data
on either or both devices.
Connection to a USB storage device
This instrument has two USB [TO DEVICE] terminals; one on the left of the panel and
one on the terminal at the bottom.
USB [TO DEVICE] terminal A
Select the desired terminal
Number of USB storage devices
Only one USB storage device can
be connected to the USB [TO
DEVICE] terminal. This instrument can recognize only a single
drive in a USB storage device. If
one storage device contains more
than one drive, only one drive will
be automatically selected and
recognized.
NOTE
If you connect USB storage
devices to both USB [TO
DEVICE] terminals, the devices
may not operate properly.
NOTE
SELECT
USB TO DEVICE
USB [TO DEVICE] terminal B
Both are the same terminal; however, both cannot be used at the same time. Use the
[SELECT] switch to select the desired terminal. Switching to “A” selects the terminal on
the left of the panel, while switching to “B” selects the terminal panel at the bottom.
When the device is mounting, the FILE “LOAD” indicator flashes. When the mounting
operation is completed, the indicator goes off.
CAUTION
While the instrument is accessing data (such as in the Save, Export, Load, Delete or Format operations) or is mounting the USB storage device (shortly after the connection: until the FILE LOAD
LED flash stops), do NOT use the [SELECT] switch. Doing so may corrupt the media or data.
CAUTION
Disconnect the optional USB storage device connected to the [USB TO DEVICE] A terminal before
closing the key cover. Closing the cover with the device still connected may damage the device.
Formatting USB storage media
When executing a file-related operation with a connected USB storage device, a “For”
message may appear, indicating that the device or media may be unformatted. If this
happens, format the media (page 39).
CAUTION
The format operation overwrites any previously existing data. Proceed with caution.
58
CLP-240/230 Owner’s Manual
Though the instrument supports
the USB 1.1 standard, you can
connect and use a USB 2.0 storage device with the instrument.
However, note that the transfer
speed is that of USB 1.1.
Connections
To protect your data (write-protect):
To prevent important data from being inadvertently erased, apply the write-protect provided
with each storage device or media. If you are saving data to the USB storage device, make sure
to disable write-protect.
To display the data in the USB storage device
To view the data of the USB storage device on the CLP display, press the [SONG
SELECT] button a few times until the “USER” indicator lights (pages 42-43).
Backing up your data to a computer
ENGLISH
■ Backing up the instrument data to a computer
Once you’ve saved data to a USB storage device, you can copy the data to the hard disk of your
computer, then archive and organize the files as desired. Simply reconnect the device as
shown below.
Saves internal data to a USB storage device.
Instrument
USB [TO DEVICE] terminal
USB storage
device
Disconnect the USB storage device from the instrument and connect it
to the computer.
Backing up data to a computer and organizing files/folders.
Computer
USB storage device
■ Copying files from a computer hard disk to a USB storage device
Files contained on the hard disk of a computer can be transferred to the instrument by first
copying them to the storage media, then connecting/inserting the media to the instrument.
Not only files created on the instrument itself but also Standard MIDI files created on other
devices can be copied to a USB storage device from the hard disk of the computer. Once
you’ve copied the data, connect the device to the USB [TO DEVICE] terminal of the instrument, and play back the data on the instrument.
Copying the files of the hard disk of the computer to the
USB storage device.
Computer
USB storage device
Disconnect the USB storage device from the computer and connect it
to the instrument.
Reading files on the USB storage device from the instrument.
USB [TO DEVICE] terminal
Instrument
USB storage
device
CLP-240/230 Owner’s Manual
59
Connections
Connecting a Personal Computer
By connecting a computer to the Clavinova's USB [TO HOST] terminal, you can transfer data
between the instrument and the computer via MIDI. To do this, install the USB MIDI driver and
Musicsoft Downloader software from the included CD-ROM.
CAUTION
ENGLISH
When connecting the Clavinova to a personal computer, first turn off the power to both the Clavinova and the computer before connecting any cables. After making connections, turn on the
power to the computer first, then to the Clavinova.
CAUTION
If you are not using the connection between the Clavinova and your computer, you must disconnect the cable from the USB [TO HOST] terminal. The Clavinova may not operate correctly if a
cable is left connected.
Use a USB cable to connect the USB port on your computer to the USB [TO HOST]
terminal on the Clavinova.
Instrument
USB
TO DEVICE
TO HOST
USB [TO HOST] terminal
USB cable
Computer
60
CLP-240/230 Owner’s Manual
TERMINOLOGY
Driver:
A driver is software that provides
a data-transfer interface between
the computer’s operating system
and a connected hardware
device. You need to install a USB
MIDI driver to connect the computer and the instrument.
NOTE
• The instrument will begin transmission a short time after the
USB connection is made.
• When using a USB cable to
connect the instrument to your
computer, make the connection directly without passing
through a USB hub.
• For information on setting up
your sequence software, refer
to the owner’s manual of the
relevant software.
Connections
Precautions when using the USB [TO HOST] terminal
When connecting the computer to the USB [TO HOST] terminal, make sure to observe the
following points. Failing to do so risks freezing the computer and corrupting or even losing
the data. If the computer or the instrument freezes, turn the power to the instrument off or
restart the computer.
CAUTION
• Before connecting the computer to the USB [TO HOST] terminal, exit from any power-saving mode (such as suspended, sleep, standby) of the computer.
• Before turning on the power to the instrument, connect the computer to the USB [TO
HOST] terminal.
ENGLISH
• Execute the following before turning the power to the instrument on/off or plugging/
unplugging the USB cable to/from the USB [TO HOST] terminal.
- Quit any open applications (such as Voice Editor, Multi Part Editor, and sequencer software).
- Make sure that data is not being transmitted from the instrument. (Data is transmitted
only by playing notes on the keyboard or playing back a song.)
• While a USB device is connected to the instrument, you should wait for six seconds or
more between these operations: (1) when turning the power of the instrument off then on
again, or (2) when alternately connecting/disconnecting the USB cable.
CLP-240/230 Owner’s Manual
61
Data Backup
Data Backup
For maximum data security Yamaha recommends that you save your important data to your computer by using the included application Musicsoft Downloader (MSD). This provides a convenient
backup if the internal memory is damaged.
Data that can be saved
ENGLISH
1. Panel settings and recorded User songs
Panel settings are the same data that can be backed up using the Backup Functions
(page 55). You can save the panel settings and recorded User songs as one file.
NOTE
The file described in #1 at left
cannot be saved to a USB storage device (CLP-240).
2. External songs received via computer.
Procedure
1. Install the USB MIDI driver and the MSD from the
included Accessory CD-ROM to your computer
(Windows), then connect the computer and the
instrument.
For installation, see the separate Installation Guide.
For connection, see page 56.
2. Move the data to the computer.
By using the MSD, save the “CLP-xxx.BUP” file from “System Drive” under
“Electronic Musical Instruments” to the computer.
The “CLP-xxx.BUP” file contains the panel settings and recorded User songs.
Also, if you store the external songs in the instrument from the computer, move
the songs from “Flash Memory” under “Electronic Musical Instruments” to the
computer via the MSD.
For instruction on using the MSD, see the Help in the MSD.
To recall the settings and load the songs to the instrument, move the “CLPxxx.BUP” file and the External songs under the folders to which you saved the
files.
NOTE
When MSD is started on a computer connected to the instrument, “con (computer
connection)” appears in the display. When this indication
appears, you cannot operate the
instrument.
NOTE
The Musicsoft Downloader cannot be used when the instrument
is in the following state:
• During Demo mode.
• During song playback.
• During Record mode.
• During file operation (one of the
[FILE] button indicators is lit).
NOTE
The panel settings and User
songs (CLP-xxx.BUP file) remain
in the instrument after being
saved to the computer.
62
CLP-240/230 Owner’s Manual
Message List
Message List
Message
CLr
Comment
Displayed after factory presets are recalled.
CAUTION
con
Displayed when Musicsoft Downloader is started on a computer connected to the instrument.
When this message appears, you cannot operate the instrument.
E01
Indicates failure in accessing the USB storage device because the device or media is damaged.
E02
Displayed when the song data is damaged.
E04
Indicates that the song data is too large to be loaded.
End
Displayed when the current operation is completed.
Err
Displayed when the MIDI/USB cable is disconnected while starting Musicsoft Downloader on a computer connected to the instrument.
FCL
Indicates that internal memory has been cleaned up. Recorded songs and external songs which have been
loaded from a computer are cleared, because the power has been turned off before the song save or load
operations were completed.
ENGLISH
Do not turn off the power of the instrument when “CLr” appears in the display. Doing so may delete all song
data in the instrument, including external songs (page 40).
CAUTION
Do not turn off the power of the instrument when “FCL” appears in the display. Doing so may cause the
instrument to malfunction.
For
Indicates that the instrument has engaged format mode for the USB storage device.
Full
Displayed when internal memory becomes full during song recording.
Displayed when the USB storage device becomes full and the song cannot be saved.
Displayed when the total amount of files has become too large.
Lod
Displayed when a protected song is loading.
ny
Confirms whether each operation is executed or not.
n–y
Reconfirms whether the overwriting, delete or format operation is executed or not.
Pro
Indicates that the USB storage device or media is protected.
CLP-240/230 Owner’s Manual
63
Troubleshooting
Troubleshooting
ENGLISH
Problem
Possible Cause and Solution
The Clavinova does not turn on.
The Clavinova has not been plugged in properly. Securely insert the female plug into
the socket on the Clavinova, and the male plug into a proper AC outlet (page 11).
A click or pop is heard when the power is
turned on or off.
This is normal when electrical current is being applied to the instrument.
Noise is heard from the speakers or headphones.
The noise may be due to interference caused by the use of a mobile phone in close
proximity to the Clavinova. Turn off the mobile phone, or use it further away from the
Clavinova.
The overall volume is low, or no sound is
heard.
• The Master Volume is set too low; set it to an appropriate level using the [MASTER
VOLUME] control.
• Make sure a pair of headphones is not connected to the headphones jack (when the
SPEAKER switch is set to the “NORMAL” position). If the SPEAKER switch is set to
the “OFF” position, set it to “NORMAL” or “ON” (page 12).
• Make sure that Local Control (page 53) is ON.
The speakers do not switch off when a pair of
headphones is connected.
The SPEAKER switch may be switched “ON.” Set the SPEAKER switch to the “NORMAL” position (page 12).
The damper pedal has no effect, or the sound
continuously sustains even when the damper
pedal is not pressed.
The pedal cable/plug may not be properly connected. Make sure to securely insert the
pedal plug into the proper jack (page 67).
(CLP-240)
Even though a USB storage device is connected, the SONG SELECT “USB” indicator
does not turn on when pressing the [SONG
SELECT] button.
The USB storage device may not be recognized by the instrument, depending on the
device itself or the timing of the recognition.
1. Check the [SELECT] switch.
Switching to “A” selects the terminal on the left of the panel, while switching to “B”
selects the terminal panel at the bottom.
2. Check that the device is not damaged.
Check that the FILE “LOAD” indicator flashes after connecting the USB storage
device. If the indicator does not flash, the device may be damaged.
3. Check that the compatibility of the device has been confirmed by Yamaha (page 58).
4. Select SONG SELECT “USB” again.
It may take a while for the instrument to recognize the USB storage device. Press
the [SONG SELECT] button again to turn the “USB” indicator on.
(CLP-240)
The USB storage device has hung up
(stopped).
• The USB storage device is not compatible with the instrument. Only use the devices
whose compatibility has been confirmed by Yamaha (page 58).
• Disconnect the device and connect it to the instrument again.
Options
BC-100 Bench
A comfortable bench styled to match your Yamaha Clavinova.
HPE-160 Stereo Headphones
High-performance lightweight dynamic headphones with extra-soft ear pads.
UD-FD01 USB-FDD Unit (CLP-240)
Floppy disk drive for connecting to the instrument and saving/loading data.
64
CLP-240/230 Owner’s Manual
CLP-240/230: Keyboard Stand Assembly
CLP-240/230: Keyboard Stand Assembly
CAUTION
• Be careful not to confuse parts, and be sure to install all parts in the correct direction. Please assemble the unit
in the appropriate sequence.
• Assembly should be carried out by at least two persons.
• Be sure to use the correct screw size. Using of incorrect screws can cause damage.
• Be sure to tighten all screws upon completing assembly of each unit.
• To disassemble, reverse the assembly sequence.
ENGLISH
Have a Phillips-head (+) screwdriver ready.
Remove all parts from the box. Confirm that all parts shown in the illustration are provided.
6 x 25 mm long screws x 4
AC power cord
A
6 x 16 mm short screws x 4
(The shape of plug differs
depending on locale)
Styrofoam pads
Take out the styrofoam pads, and place A on top of the pads.
Position the styrofoam pads to protect the connector panel at
the bottom of A.
4 x 12 mm thin screws x 2
Headphone hanger
4 x 20 mm tapping screws x 4
B
4 x 10 mm thin screws x2
Side panel protection
(cardboard) pads x 2
Bundled pedal cord inside
C
D
1.
Attach D and E to C.
Cord holders x 2
E
1-1 Untie and straighten out the bundled cord. Don’t
discard the twist tie, you’ll need it later in step 5.
1-2 Secure C using the four 6 x 25 mm long screws.
1-1
1-2
CLP-240/230 Owner’s Manual
65
CLP-240/230: Keyboard Stand Assembly
2.
3-2 Cover the top of D and E with the side panel pro-
Attach B.
2-1 Place the bottom edges of B on the feet’s protrud-
tection pad. Then, fix the protection pad with the
adhesive tape.
ing edges of D and E, then, secure the top part in
alignment with the protruding edges.
2-2 Temporarily secure the top part using 4 x 12 mm
thin screws.
2-2
3-3 Align the dimple on side A with the inner side of
ENGLISH
D and E. Simultaneously lower the left and right
side of A, and secure with D and E.
CAUTION
2-3
• Fingers can become pinched between the main
unit and the rear or side panels, be extra careful
so as not to drop the main unit.
• Do not hold the keyboard in any position other
than the position shown in the illustration.
2-3 Temporarily secure the bottom part using four 4
x 20 mm tapping screws.
2-4 If you assembled the stand on an unlevel surface,
place the assemble stand on a level surface.
3.
Mount A.
3-1 Assemble the side panel protection (cardboard)
pad, as shown in the illustration. Then, remove
the two backing papers from the adhesive tape on
the protection pad.
Place your hands at least
10 cm from either end of
A when positioning it.
3-4 Support the backside of D and E with your hand,
and slightly push A in from the keyboard side
until it stops.
3-5 Remove the side panel protection pad.
66
CLP-240/230 Owner’s Manual
CLP-240/230: Keyboard Stand Assembly
CLP-230
Attach A.
5-1
PEDA
L
4.
4-1 Secure A using 6 x 16 mm short screws from the
front.
4-2 Firmly tighten the screws you temporarily
MIDIPC-1
secured in steps 2-2 and 2-3 above (assembly B).
Tighten these in order starting with the top side
first, then the bottom. Make sure as you do this
that the spaces on the left and right sides
(indicated by 1 and 2 below) are even.
PC-2
Mac
5-3
5-2
ENGLISH
2
1
6.
Connect the power cord.
PC-2
Mac
4 -1
MIDIPC-1
4-2
110
127
220
240
5.
Connect the pedal cord.
5-1 Insert the pedal cord plug to the pedal connector
from the front.
5-2 Attach the cord holders to B, then clip the cord
into the holders.
5-3 Use a twist tie to bundle the pedal cord.
CLP-240
5-1
PC-2
Mac
5-2
MIDIPC-1
5-3
Insert the AC power cord plug into the AC
INLET.
For models that feature a voltage selector:
Set the voltage selector to an appropriate voltage.
Voltage Selector
Before connecting the AC power cord, check the setting of the voltage selector which is provided in some
areas. To set the selector for 110V, 127V, 220V or 240V
main voltages, use a “minus” screwdriver to rotate the
selector dial so that the correct voltage for your region
appears next to the pointer on the panel. The voltage
selector is set at 240V when the unit is initially
shipped. After the proper voltage has been selected,
connect the AC power cord to the AC INLET and an
AC wall outlet. A plug adaptor may be also provided
in some areas to match the pin configuration of the
AC wall outlets in your area.
WARNING
An improper voltage setting can cause serious
damage to the Clavinova or result in improper
operation.
CLP-240/230 Owner’s Manual
67
CLP-240/230: Keyboard Stand Assembly
7.
Set the adjuster.
Rotate the adjuster until it comes in firm contact
with the floor surface.
After completing the assembly, please
check the following.
• Are there any parts left over?
Review the assembly procedure and correct any
errors.
• Is the Clavinova clear of doors and other movable fixtures?
Move the Clavinova to an appropriate location.
ENGLISH
• Does the Clavinova make a rattling noise when
you shake it?
Tighten all screws.
8.
Attach the headphone hanger.
You can attach a headphone hanger on the Clavinova to hang the headphones.
Install the headphone hanger using included two
screws (4 x 10mm) as shown in the figure.
• Does the pedal box rattle or give way when you
step on the pedals?
Turn the adjuster so that it is set firmly against the
floor.
• Are the pedal and power cords inserted securely
into the sockets?
Check the connection.
• If the main unit creaks or is otherwise unsteady
when you play on the keyboard, refer to the
assembly diagrams and retighten all screws.
When moving the instrument after assembly, always
hold the bottom of the main unit.
CAUTION
Do not hold the key cover or top portion. Improper
handling can result in damage to the instrument or
personal injury.
Hold here.
Do not hold here.
68
CLP-240/230 Owner’s Manual
Handling the Floppy Disk Drive (FDD) and Floppy Disks (CLP-240)
Handling the Floppy Disk Drive (FDD)
and Floppy Disks (CLP-240)
The floppy disk drive lets you save original data you’ve
created on the instrument to floppy disk, and allows you
to load data from floppy disk to the instrument.
Be sure to handle floppy disks and treat the disk drive
with care. Follow the important precautions below.
Floppy Disk Compatibility
• 3.5" 2DD and 2HD type floppy disks can be used.
Formatting a Floppy Disk
• If you find that you are unable to use new, blank disks or
old disks that have been used with other devices, you
may need to format them. For details on how to format a
disk, see page 39. Keep in mind that all data on the disk
will be lost after formatting. Make sure to check beforehand whether or not the disk contains important data.
n
Floppy disks formatted on this device may or may not be useable
as is on other devices.
Inserting/Removing Floppy Disks
Inserting a Floppy Disk into the Disk Drive:
Hold the disk so that the label of the disk is facing upward
and the sliding shutter is facing forward, towards the disk
slot. Carefully insert the disk into the slot, slowly pushing
it all the way in until it clicks into place and the eject button pops out.
n
Never insert anything but floppy disks into the disk drive. Other
objects may cause damage to the disk drive or floppy disks.
Removing a Floppy Disk
• After checking that the instrument is not accessing* the
floppy disk (checking that the use lamp on the floppy
disk drive is off), firmly press the eject button at the
upper right of the disk slot all the way in.
When the floppy disk is ejected, pull it out of the drive. If
the floppy disk cannot be removed because it is stuck, do
not try to force it, but instead try pressing the eject button again, or try re-inserting the disk and attempt to
eject it again.
• Be sure to remove the floppy disk from the disk drive
before turning off the power. A floppy disk left in the
drive for extended periods can easily pick up dust and
dirt that can cause data-read and -write errors.
Cleaning the Disk Drive Read/Write
Head
• Clean the read/write head regularly. This instrument
employs a precision magnetic read/write head which,
after an extended period of use, will pick up a layer of
magnetic particles from the disks used that will eventually cause read and write errors.
ENGLISH
An optional floppy disk drive can be installed to the
CLP-240. For instructions on installing the floppy disk
drive, see page 70.
• To maintain the disk drive in optimum working order
Yamaha recommends that you use a commercially-available dry-type head cleaning disk to clean the head about
once a month. Ask your Yamaha dealer about the availability of proper head cleaning disks.
About Floppy Disks
Handle floppy disks with care, and follow
these precautions:
• Do not place heavy objects on a disk or bend or apply
pressure to the disk in any way. Always keep floppy disks
in their protective cases when they are not in use.
• Do not expose the disk to direct sunlight, extremely high
or low temperatures, or excessive humidity, dust or liquids.
• Do not open the sliding shutter and touch the exposed
surface of the floppy disk inside.
• Do not expose the disk to magnetic fields, such as those
produced by televisions, speakers, motors, etc., since
magnetic fields can partially or completely erase data on
the disk, rendering it unreadable.
• Never use a floppy disk with a deformed shutter or housing.
• Do not attach anything other than the provided labels to
a floppy disk. Also make sure that labels are attached in
the proper location.
To Protect Your Data (Write-protect Tab):
• To prevent accidental erasure of important data, slide the
disk’s write-protect tab to the “protect” position (tab
open). When saving data, make sure that the disk’s writeprotect tab is set to the “overwrite” position (tab closed).
* Access of the disk indicates an active operation, such as
recording, playback, or deletion of data.
If a floppy disk is inserted while the power is on, the disk is
automatically accessed, since the instrument checks
whether the disk has data.
CAUTION
Do not remove the floppy disk or turn off the instrument itself
while the disk is being accessed.
Doing so may result not only in loss of data on the disk but also
damage to the floppy disk drive.
write-protect tab open
(protect position)
CLP-240/230 Owner’s Manual
69
Installing the Floppy Disk Drive (Optional)
Installing the Floppy Disk Drive (Optional)
The optional UD-FD01 floppy disk drive can be installed to the bottom of the CLP-240 by using the
included floppy disk drive case and screws.
ENGLISH
Have a Phillips-head (+) screwdriver ready.
1.
Remove the three backing papers from
the adhesive tape in the case, and fit the
floppy disk drive into the case.
3.
Attach the drive and case assembly to the
left underside of the instrument, using the
included four screws (4mm x 10mm).
Insert the drive to the case, with the side having
the rubber stoppers facing the case.
4.
Dual-sided adhesive tape
2.
70
Fold the USB cable inside the case as
shown.
CLP-240/230 Owner’s Manual
Connect the USB cable to the USB [TO
DEVICE] terminal.
Preset Voice List
Preset Voice List
: Yes
: No
CLP-240
GRANDPIANO 1
VARIATION
GRANDPIANO 2
VARIATION
E.PIANO 1
VARIATION
E.PIANO 2
VARIATION
HARPSICHORD
VARIATION
E. CLAVICHORD
VARIATION
VIBRAPHONE
VARIATION
CHURCH ORGAN
Stereo
Sampling
Touch
Response
Dynamic
Sampling*1
Key-Off
Sampling*2
Voice Descriptions
Recorded samples from a full concert grand piano. Also
includes three levels of dynamic sampling, sustain samples,
and key-off samples for exceptionally realistic acoustic
grand piano sound. Perfect for classical compositions as
well as any other style that requires acoustic piano.
Warm and mellow piano. Good for classical compositions.
Spacious and clear piano with bright reverb. Good for popular music.
Bright, spacious piano. Good for popular or rock music.
An electronic piano sound created by FM synthesis.
Extremely “musical” response with varying timbre according
to keyboard dynamics. Good for standard popular music.
A synth-generated type electronic piano sound often heard
in popular music. Used in the DUAL mode it blends well with
an acoustic piano voice.
The sound of an electric piano using hammer-struck metallic
“tines”. Soft tone when played lightly, and an aggressive
tone when played hard.
A slightly different electric piano sound often heard in rock
and popular music.
The definitive instrument for baroque music. Since harpsichord uses plucked strings, there is no touch response.
There is, however, a characteristic additional sound when
the keys are released.
Mixes the same voice an octave higher for a more brilliant
tone.
A hammer-struck keyboard instrument that utilizes an electric pickup that is often heard in funk and soul music. Its tone
is noted for the unique sound produced when the keys are
released.
Includes a unique preset effect.
Vibraphone played with relatively soft mallets. The tone
becomes more metallic the harder you play.
Stereo-sampled, spacious, and realistic marimba.
This is a typical pipe organ sound (8 feet + 4 feet + 2 feet).
Good for sacred music from the Baroque period.
VARIATION
This is the organ's full coupler sound often associated with
Bach’s “Toccata and Fugue”.
JAZZ ORGAN
The sound of a “tonewheel” type electric organ. Often heard
in jazz and rock idioms.
VARIATION
Uses a rotary speaker effect with a different speed. The variations speed is faster. If the variation is selected while holding a chord, the speed of the effect will gradually change.
STRINGS
VARIATION
CHOIR
ENGLISH
Voice Name
Stereo-sampled, large-scale strings ensemble with realistic
reverb. Try combining this voice with piano in the DUAL
mode.
Spacious strings ensemble with a slow attack. Try combining
this voice with a piano or electric piano in the DUAL mode.
A big, spacious choir voice. Perfect for creating rich harmonies in slow pieces.
CLP-240/230 Owner’s Manual
71
Preset Voice List
Voice Name
Stereo
Sampling
VARIATION
GUITAR
VARIATION
WOOD BASS
VARIATION
ENGLISH
E.BASS
72
VARIATION
Touch
Response
Dynamic
Sampling*1
Key-Off
Sampling*2
Voice Descriptions
A choir voice with a slow attack. Try combining this voice
with a piano or electric piano in the DUAL mode.
Warm and natural-sounding nylon guitar. Enjoy the quiet
ambience of nylon strings.
Bright, brilliant steel guitar. Suitable for popular music.
An upright bass played fingerstyle. Ideal for jazz and Latin
music.
Adds a cymbal voice to the bass sound. Ideal for walking
bass lines in jazz tunes.
Electric bass for a wide range of music styles, jazz, rock,
popular, and more.
A fretless bass good for styles such as jazz, fusion, etc.
*1. Dynamic Sampling provides multiple velocity-switched samples to accurately simulate the timbral response of
an acoustic instrument.
*2. Contains a very subtle sample that is produced when the keys are released.
CLP-240/230 Owner’s Manual
Preset Voice List
: Yes
: No
CLP-230
Stereo
Sampling
Touch
Response
Dynamic
Sampling*1
Key-Off
Sampling*2
Voice Descriptions
GRANDPIANO 1
Recorded samples from a full concert grand piano. Perfect
for classical compositions as well as any other style that
requires acoustic piano.
GRANDPIANO 2
Spacious and clear piano with bright reverb. Good for popular music.
E.PIANO 1
An electronic piano sound created by FM synthesis. Good
for standard popular music.
E.PIANO 2
The sound of an electric piano using hammer-struck metallic
“tines”. Soft tone when played lightly, and an aggressive
tone when played hard.
HARPSICHORD 1
The definitive instrument for baroque music. Since harpsichord uses plucked strings, there is no touch response.
There is, however, a characteristic additional sound when
the keys are released.
HARPSICHORD 2
Mixes the same voice an octave higher for a more brilliant
tone.
VIBRAPHONE
Vibraphone played with relatively soft mallets. The tone
becomes more metallic the harder you play.
CHURCH ORGAN 1
This is a typical pipe organ sound (8 feet + 4 feet + 2 feet).
Good for sacred music from the Baroque period.
CHURCH ORGAN 2
This is the organ’s full coupler sound often associated with
Bach’s “Toccata and Fugue”.
JAZZ ORGAN
The sound of a “tonewheel” type electric organ. Often heard
in jazz and rock idioms.
STRINGS 1
Stereo-sampled, large-scale strings ensemble with realistic
reverb. Try combining this voice with piano in the DUAL
mode.
STRINGS 2
Spacious strings ensemble with a slow attack. Try combining
this voice with a piano or electric piano in the DUAL mode.
CHOIR
A big, spacious choir voice. Perfect for creating rich harmonies in slow pieces.
GUITAR
Warm and natural-sounding nylon guitar. Enjoy the quiet
ambience of nylon strings.
ENGLISH
Voice Name
*1. Dynamic Sampling provides multiple velocity-switched samples to accurately simulate the timbral response of
an acoustic instrument.
*2. Contains a very subtle sample that is produced when the keys are released.
CLP-240/230 Owner’s Manual
73
Demo Song List
Demo Song List
: Included
: Not included
Voice Name
CLP-240
CLP-230
GRAND PIANO1
Title
“Eintritt” Waldszenen Op.82
Composer
R. Schumann
HARPSICHORD
Gavotte
HARPSICHORD1
J.S. Bach
ENGLISH
HARPSICHORD2
Invention No.1
The demonstration pieces listed above are short rearranged excerpts of the original compositions.
All other songs are original (©2005 Yamaha Corporation).
Piano Voice Demo Description (CLP-240)
Voice Name
74
Piano Voice Demo
GRAND PIANO1
Stereo sampling
GRAND PIANO2
Monaural sampling
E.PIANO1
Dynamic sampling; mezzo piano
E.PIANO2
Dynamic sampling; mezzo forte
HARPSICHORD
Dynamic sampling; forte
E.CLAVICHORD
With sustain sampling
VIBRAPHONE
Without sustain sampling
CHURCH ORGAN
With key-off sampling
JAZZ ORGAN
Without key-off sampling
CLP-240/230 Owner’s Manual
Index
Index
Numerics
E
50 Greats for the Piano ...................................................15
[EFFECT] button ............................................................ 21
50 Piano Preset Songs .....................................................15
Effects............................................................................... 22
Export .............................................................................. 35
A
F
Adjust
Tempo (50 Piano Preset Songs) ...............................15
Tempo (Recorded Songs) .........................................41
Volume (50 Piano Preset Songs) ..............................15
Volume (Metronome) ..............................................52
Factory Setting List ......................................................... 78
ALL (LED display) ....................................................15, 43
Floppy Disk Drive
Installation (CLP-240).............................................. 70
Assembly ....................................................................65–68
AUX IN ............................................................................57
AUX OUT........................................................................56
B
Backup (data) ..................................................................62
[FILE] button .................................................................. 42
Fine Tuning of the Pitch................................................. 47
Floppy Disk (CLP-240) .................................................. 69
ENGLISH
A-B Repeat.......................................................................18
Format ............................................................................. 39
FUNCTION ..............................................................47–55
Basic Procedure......................................................... 45
K
Key Cover ........................................................................ 10
Backup Functions............................................................55
[BRILLIANCE] button ...................................................21
C
L
[LEFT] button ........................................................... 17, 32
Left Pedal ................................................................... 20, 51
Center Pedal ....................................................................20
Character Code................................................................55
Combining Two Voices (Dual mode)............................25
Connecting a Personal Computer ..................................60
Connection to a USB storage device (CLP-240) ...........58
Connections.....................................................................56
Computer...................................................................60
USB storage device ....................................................58
Connectors ......................................................................56
D
List
Demo Song ................................................................ 74
Factory Setting........................................................... 78
Functions ................................................................... 44
Preset Voice .........................................................71–73
Load ................................................................................. 42
M
[MASTER VOLUME] slider .......................................... 12
Message List..................................................................... 63
METRONOME [ON/OFF] button.......................... 28, 52
Damper Pedal ............................................................20, 50
Metronome Volume ....................................................... 52
[DDE] button (CLP-240) ...............................................22
MIDI [IN] [OUT] [THRU] ........................................... 57
Delete ...............................................................................38
MIDI Data Format.......................................................... 80
[DEMO] button ..............................................................14
MIDI Functions .............................................................. 52
Demo Song List ...............................................................74
MIDI Implementation Chart ......................................... 84
Detailed Settings (FUNCTION).....................................44
Music Braces (CLP-240)................................................. 10
Display .............................................................................11
Music Rest ....................................................................... 10
Dual mode .................................................................25, 49
CLP-240/230 Owner’s Manual
75
Index
N
Normal setting.................................................................21
[SPEAKER] switch .......................................................... 12
Specifications................................................................... 85
SPLIT (CLP-240) (Function) ......................................... 50
P
[SPLIT] button (CLP-240)............................................. 26
[STOP] button .......................................................... 15, 41
Part Cancel.......................................................................17
Sustain Pedal ................................................................... 51
Part Playback On and Off ...............................................43
Sync Start................................................................... 17, 43
[PEDAL] jack...................................................................67
Pedals ...............................................................................20
T
PHONES..........................................................................12
ENGLISH
Piano Voice Demo Description......................................74
Pitch ➝ Fine Tuning of the Pitch...................................47
PLAY/PAUSE (Demo) ....................................................14
Play/Pause (Pedal)...........................................................43
[PLAY/PAUSE] button .............................................15, 41
Play/Pause playback
Demonstration Tunes ...............................................14
Recorded Songs .........................................................41
Useful Playback Functions........................................43
TEMPO...................................................................... 15, 41
TEMPO (METRONOME) ............................................. 28
[TEMPO/FUNCTION#] button.............................. 28, 45
[TOUCH] button............................................................ 23
Touch Sensitivity............................................................. 23
Transporting ..................................................................... 3
[TRANSPOSE] button.................................................... 24
Troubleshooting.............................................................. 64
Tuning ➝ Fine Tuning of the Pitch............................... 47
Playing Back Songs..........................................................40
[POWER] switch .............................................................11
Practicing a One-Hand Part Using 50 Preset Songs......17
Preset songs ➝ 50 Piano Preset Songs ...........................15
Preset Voice List ........................................................71–73
R
[REC] button...................................................................29
Recording.........................................................................29
Initial Settings............................................................34
Repeat ........................................................................15, 18
Re-recording....................................................................33
[REVERB] button ...........................................................21
[RIGHT] button........................................................17, 32
Right Pedal.......................................................................20
RIGHT/LEFT (50 Piano Preset Songs) ..........................17
rnd (LED display)......................................................15, 43
S
Save ..................................................................................35
Scale..................................................................................48
[SELECT] switch (CLP-240) ..........................................58
SMF ..................................................................................35
Soft Pedal ...................................................................20, 51
Song Part Cancel Volume ...............................................52
Song playback ..................................................................40
[SONG SELECT] button ....................................15, 41, 42
Sostenuto Pedal ...............................................................20
76
CLP-240/230 Owner’s Manual
U
USB storage device (CLP-240) ....................................... 58
USB [TO DEVICE] terminal (CLP-240)....................... 57
USB [TO HOST] terminal ............................................. 57
V
[VARIATION] button (CLP-240) ................................. 21
VOICE ............................................................................. 19
Voice group buttons ....................................................... 19
Appendix
This section introduces reference material.
In diesem Abschnitt finden Sie Referenzmaterial.
Cette section présente le matériel de référence.
En esta sección se incluye material de referencia.
Factory Setting List
Liste der Vorgabeeinstellungen
Liste des réglages
Lista de ajustes de fábrica......................................... 78
MIDI Data Format
MIDI-Datenformat
Format des données MIDI
Formato de datos MIDI ........................................... 80
MIDI Implementation Chart
MIDI Implementierung stabelle
Feuille d’implantation MIDI
Gráfica de implementación MIDI ........................... 84
Specifications
Technische Daten
Caractéristiques techniques
Especificaciones........................................................ 85
CLP-240/230 Owner’s Manual
77
Factory Setting List / Liste der Vorgabeeinstellungen /
Liste des réglages / Lista de ajustes de fábrica
Backup Group
Default
Voice
Variation (CLP-240)
CLP-230
GRAND PIANO 1
F8.1
OFF
—
Dual Mode
OFF
Split Mode (CLP-240)
OFF
Split Mode Left Voice (CLP-240)
CLP-240
F9.1
F8.1
—
WOOD BASS
Brilliance
NORMAL
Reverb Type
Preset for each voice
Reverb Depth
Preset for each voice
Effect Type
Preset for each voice
Effect Depth
Preset for each voice
Touch Sensitivity
F9.4
F8.4
F9.1
F8.1
F9.4
—
MEDIUM
Volume in the FIXED Mode
64
DDE (CLP-240)
ON
DDE Depth (CLP-240)
6
Metronome
Metronome Time Signature
Tempo
Transpose
OFF
—
—
0 (no accent)
F9.1
F8.1
120
—
—
0
F9.3
F8.3
Function
CLP-240
CLP-230
Default
F1
F1
Tuning
A3=440Hz
F2.1
F2.1
Scale
1 (Equal Temperament)
F2.2
F2.2
Base Note
C
F3.1
F3.1
Dual Balance
Preset for each voice combination
F3.2
F3.2
Dual Detune
Preset for each voice combination
F3.3, F3.4
F3.3, F3.4
Dual Octave Shift
Preset for each voice combination
F3.5, F.3.6
F3.5, F.3.6
Dual Effect Depth
Preset for each voice combination
F2
F4.1
78
Function
—
Split Point
F4.2
—
Split Balance
Preset for each voice combination
F4.3, F4.4
—
Split Octave Shift
Preset for each voice combination
F4.5, F4.6
—
Split Effect Depth
Preset for each voice combination
F4.7
—
Damper Pedal Range
ALL
F5.1
F4.1
Left Pedal Mode
1 (Soft Pedal)
F5.2
F4.2
Soft Pedal Effect Depth
3
F5.3
—
Sustain Sample Depth
12
F5.4
—
Keyoff Sample Volume
10
F5.5
F4.3
Song Channel Selection
ALL
F6
F5
Metronome Volume
10
F7
F6
Song Part Cancel Volume
5
CLP-240/230 Owner’s Manual
Backup Group
CLP-240
CLP-230
F9.3
F8.3
F9.1
F8.1
F9.4
F8.4
F9.1
F8.1
CLP-240
CLP-230
Function
Default
F8.1
F7.1
MIDI Transmit Channel
1
F8.2
F7.2
MIDI Receive Channel
ALL
F8.3
F7.3
Local Control
ON
F8.4
F7.4
Program Change Send & Receive
ON
F8.5
F7.5
Control Change Send & Receive
ON
F9
F8
Backup
Voice: OFF
MIDI – Others: ON
F9.5
F8.5
Character Code
En
Backup Group
CLP-240
CLP-230
F9.2
F8.2
Always backed up
CLP-240/230 Owner’s Manual
79
MIDI Data Format / MIDI-Datenformat /
Format des données MIDI / Formato de datos MIDI
If you’re already very familiar with MIDI, or are using a computer to control your music hardware with computer-generated MIDI
messages, the data provided in this section can help you to control the CLP-240/230.
Falls Sie bereits mit MIDI vertraut sind oder einen Computer zur Erzeugung von MIDI-Steuermeldungen für die Instrumente verwenden,
können Sie sich zur Steuerung des CLP-240/230 nach den im folgenden Abschnitt aufgeführten Spezifikationen richten.
Si vous êtes très familier avec l’interface MIDI ou si vous utilisez un ordinateur pour commander votre matériel de musique au moyen de
messages MIDI générés par ordinateur, les données suivantes vous seront utiles et vous aideront à commander le CLP-240/230.
SI usted está ya familiarizado con MIDI, o si emplea una computadora para controlar sus aparatos musicales con mensajes MIDI
generados por computadora, los datos proporcionados en esta sección le ayudarán a controlar la CLP-240/230.
1. NOTE ON/OFF
Data format: [9nH] -> [kk] -> [vv]
9nH = Note ON/OFF event (n = channel number)
kk =
Note number (Transmit: 09H ~ 78H = A-2 ~ C8 /
Receive: 00H ~ 7FH = C-2 ~ G8)*
vv =
Velocity (Key ON = 01H ~ 7FH, Key OFF = 00H)
Data format: [8nH] -> [kk] -> [vv] (reception only)
8nH = Note OFF event (n = channel number)
kk =
Note number: 00H ~ 7FH = C-2 ~ G8
vv =
Velocity
* If received value exceeds the supported range for the
selected voice, the note is adjusted by the necessary number of octaves.
2. CONTROL CHANGE
Data format: [BnH] -> [cc] -> [vv]
BnH = Control change (n = channel number)
cc =
Control number
vv =
Data Range
(1) Bank Select
ccH
Parameter
Data Range (vvH)
00H
Bank Select MSB
00H: Normal
20H
Bank Select LSB
00H...7FH
Bank selection processing does not occur until receipt of next
Program Change message.
(2) Modulation (reception only)
ccH
Parameter
Data Range (vvH)
01H
Modulation
00H-7FH
(3) Main Volume (reception only)
ccH
Parameter
Data Range (vvH)
07H
Volume MSB
00H...7FH
(4) Panpot (reception only)
ccH
Parameter
0AH Panpot
Data Range (vvH)
00H-7FH
(5) Expression
ccH
Parameter
0BH Expression MSB
Data Range (vvH)
00H...7FH
(6) Damper
ccH
Parameter
40H
Damper MSB
Data Range (vvH)
00H...7FH
(7) Sostenuto
ccH
Parameter
42H
Sostenuto
Data Range (vvH)
00H-3FH:off, 40H-7FH:on
(8) Soft Pedal
ccH
Parameter
43H
Soft Pedal
Data Range (vvH)
00H-3FH:off, 40H-7FH:on
(9) Effect1 Depth (Reverb Send Level)
ccH
Parameter
Data Range (vvH)
5BH Effect1 Depth
00H...7FH
Adjusts the reverb send level.
(10) Effect4 Depth (Variation Effect Send Level)
ccH
Parameter
Data Range (vvH)
5EH Effect4 Depth
00H...7FH
80
CLP-240/230 Owner’s Manual
(11) RPN
ccH
Parameter
65H
RPN MSB
64H
06H
38H
RPN LSB
Data Entry MSB
Data Entry LSB
Data Range (vvH)
Coarse Tune 02H,
Fine Tune 01H,
Pitch Bend Range 00H
3. MODE MESSAGES
Data format: [BnH] -> [cc] -> [vv]
BnH = Control event (n = channel number)
cc =
Control number
vv =
Data Range
(1) All Sound Off
ccH
Parameter
Data Range (vvH)
78H
All Sound Off
00H
Switches off all sound from the channel. Does not reset Note
On and Hold On conditions established by Channel Messages.
(2) Reset All Controllers
ccH
Parameter
79H
Reset All Controllers
Resets controllers as follows.
Controller
Expression
Damper Pedal
Sostenuto
Soft Pedal
Data Range (vvH)
00H
Value
127 (max)
0 (off)
0 (off)
0 (off)
(3) Local Control (reception only)
ccH
Parameter
Data Range (vvH)
7AH Local Control
00H (off), 7FH (on)
(4) All Notes Off
ccH
Parameter
Data Range (vvH)
7BH All Notes Off
00H
Switches OFF all the notes that are currently ON on the specified channel. Any notes being held by the damper or sostenuto pedal will continue to sound until the pedal is released.
(5) Omni Off (reception only)
ccH
Parameter
Data Range (vvH)
7CH Omni Off
00H
Same processing as for All Notes Off.
(6) Omni On (reception only)
ccH
Parameter
Data Range (vvH)
7DH Omni On
00H
Same processing as for All Notes Off.
(7) Mono (reception only)
ccH
Parameter
Data Range (vvH)
7EH Mono
00H
Same processing as for All Sound Off.
(8) Poly (reception only)
ccH
Parameter
Data Range (vvH)
7FH
Poly
00H
Same processing as for All Sound Off.
• When control change reception is turned OFF in the Function
mode, control change data will not be transmitted or received.
• Local on/off, OMNI on/off are not transmitted. (The appropriate
note off number is supplied with “All Note Off” transmission).
• When a voice bank MSB/LSB is received, the number is
stored in the internal buffer regardless of the received order,
then the stored value is used to select the appropriate voice
when a program change message is received.
• The Multi-timbre and Poly modes are always active. No
change occurs when OMNI ON, OMNI OFF, MONO, or POLY
mode messages are received.
4. PROGRAM CHANGE
Data format: [CnH] -> [ppH]
CnH = Program event (n = channel number)
ppH = Program change number
P.C.#=Program Change number
CLP-240
GRANDPIANO 1
VARIATION
GRANDPIANO 2
VARIATION
E.PIANO 1
VARIATION
E.PIANO 2
VARIATION
HARPSICHORD
VARIATION
E. CLAVICHORD
VARIATION
VIBRAPHONE
VARIATION
CHURCH ORGAN
VARIATION
JAZZ ORGAN
VARIATION
STRINGS
VARIATION
CHOIR
VARIATION
GUITAR
VARIATION
WOOD BASS
VARIATION
E.BASS
VARIATION
CLP-230
GRANDPIANO 1
—
GRANDPIANO 2
—
E.PIANO 1
—
E.PIANO 2
—
HARPSICHORD 1
HARPSICHORD 2
—
—
VIBRAPHONE
—
CHURCH ORGAN 1
CHURCH ORGAN 2
JAZZ ORGAN
—
STRINGS 1
STRINGS 2
CHOIR
—
GUITAR
—
—
—
—
—
MSB
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
LSB
122
123
112
112
122
122
122
123
122
123
122
123
122
122
123
122
122
123
122
122
122
123
122
122
122
124
122
122
P.C.#
0
0
0
1
5
88
4
4
6
6
7
7
11
12
19
19
16
16
48
49
52
52
24
25
32
32
33
35
• When program change reception is turned OFF in the Function mode, no program change data is transmitted or received.
Also, Bank MSB/LSB is not transmitted or received.
5. SYSTEM REALTIME MESSAGES
[rrH]
F8H: Timing clock
FAH: Start
FCH: Stop
FEH: Active sensing
Data
F8H
Transmission
Transmitted every
96 clocks
FAH
Recorder start
FCH
Recorder stop
FEH
Transmitted every
200 milliseconds
Reception
Received as 96-clock tempo timing
when MIDI clock is set to External
Recorder start
Not received when the MIDI clock is
set to Internal.
Recorder stop
Not received when the MIDI clock is
set to Internal.
If a signal is not received via MIDI for
more than 400 milliseconds, the
same processing will take place for All
Sound Off, All Notes Off and Reset All
Controllers as when those signals are
received.
6. SYSTEM EXCLUSIVE MESSAGES
(Yamaha MIDI Format)
Panel Data Transmit
Data format: [F0H] -> [43H] -> [0nH] -> [7CH] -> ... -> [F7H]
F0H, 43H, 0nH, 7CH (n: channel number)
00H, LLH (data length)
43H, 4CH, 20H, 20H (CL)
43H, 4CH, 50H, 27H, 30H, 35H (CLP05)
3xH, 3yH
aaH, bbH: Device No. aa=LSB, bb=MSB
aa=5EH, bb=16H (CLP-240)
aa=5BH, bb=16H (CLP-230)
[PANEL DATA]
[CHECK SUM (1byte)] = 0-(43H+4CH+20H+......+Data end)
F7H
• Panel Data Contents
(1) 1'st Voice
(2) Dual On/Off
(3) Dual Voice
(4) Dual Balance
(5) Dual Detune
(6) Dual Voice1 Octave
(7) Dual Voice2 Octave
(8) Dual Voice1 Effect Depth
(9) Dual Voice2 Effect Depth
(10) Split On/Off
(11) Split Voice
(12) Split Point
(13) Split Balance
(14) Split Voice1 Octave
(15) Split Voice2 Octave
(16) Split Voice1 Effect Depth
(17) Split Voice2 Effect Depth
(18) Split Dumper Mode
(19) Reverb Type 1
(20) Reverb Type 2
(21) Reverb Depth 1
(22) Reverb Depth 2
(23) Effect Type 1
(24) Effect Type 2
(25) Effect Depth
(26) Variation On/Off
(27) Touch Sensitivity
(28) Fixed Data
(29) Left Pedal
(30) Soft Pedal Depth
(31) Absolute tempo low byte
(32) Absolute tempo high byte
(33) Key-Off Sampling Depth
(34) DDE On/Off
(35) DDE Depth
(36) Brilliance
• Panel data send requests cannot be received.
7. SYSTEM EXCLUSIVE MESSAGES
(Universal System Exclusive)
(1) Universal Realtime Message
Data format: [F0H] -> [7FH] -> [XnH] -> [04H] -> [01H] ->
[llH] -> [mmH] -> [F7H]
MIDI Master Volume
• Simultaneously changes the volume of all channels.
• When a MIDI master volume message is received, the volume
only has affect on the MIDI receive channel, not the panel
master volume.
F0H = Exclusive status
7FH = Universal Realtime
7FH = ID of target device
04H = Sub-ID #1=Device Control Message
01H = Sub-ID #2=Master Volume
llH = Volume LSB
mmH = Volume MSB
F7H = End of Exclusive
or
F0H = Exclusive status
7FH = Universal Realtime
XnH = When n is received n=0~F, whichever is received.
X = don’t care
04H = Sub-ID #1=Device Control Message
01H = Sub-ID #2=Master Volume
llH = Volume LSB
mmH = Volume MSB
F7H = End of Exclusive
• Caution: If an error occurs during MIDI reception, the Damper,
Sostenuto, and Soft effects for all channels are turned off and
an All Note Off occurs.
CLP-240/230 Owner’s Manual
81
(2) Universal Non-Realtime Message (GM On)
General MIDI Mode On
Data format: [F0H] -> [7EH] -> [XnH] -> [09H] -> [01H] ->
[F7H]
F0H = Exclusive status
7EH = Universal Non-Realtime
7FH = ID of target device
09H = Sub-ID #1=General MIDI Message
01H = Sub-ID #2=General MIDI On
F7H = End of Exclusive
or
F0H = Exclusive status
7EH = Universal Non-Realtime
XnH = When received, n=0~F.
X = don’t care
09H = Sub-ID #1=General MIDI Message
01H = Sub-ID #2=General MIDI On
F7H = End of Exclusive
When the General MIDI mode ON message is received, the
MIDI system will be reset to its default settings.
This message requires approximately 50ms to execute, so
sufficient time should be allowed before the next message is
sent.
8. SYSTEM EXCLUSIVE MESSAGES (XG Standard)
(1) XG Native Parameter Change
Data format: [F0H] -> [43H] -> [1nH] -> [4CH] -> [hhH] ->
[mmH] -> [llH] -> [ddH] -> [F7H]
F0H = Exclusive status
43H = YAMAHA ID
1nH = When received, n=0~F.
When transmitted, n=0.
4CH = Model ID of XG
hhH = Address High
mmH = Address Mid
llH = Address Low
ddH = Data
|
F7H = End of Exclusive
Data size must match parameter size (2 or 4 bytes).
When the XG System On message is received, the MIDI system will be reset to its default settings.
The message requires approximately 50ms to execute, so
sufficient time should be allowed before the next message is
sent.
(2) XG Native Bulk Data (reception only)
Data format: [F0H] -> [43H] -> [0nH] -> [4CH] -> [aaH] ->
[bbH] -> [hhH] -> [mmH] -> [llH] ->[ddH] ->...->
[ccH] -> [F7H]
F0H = Exclusive status
43H = YAMAHA ID
0nH = When received, n=0~F.
When transmitted, n=0.
4CH = Model ID of XG
aaH = ByteCount
bbH = ByteCount
hhH = Address High
mmH = Address Mid
llH = Address Low
ddH = Data
|
|
|
|
ccH = Check sum
F7H = End of Exclusive
• Receipt of the XG SYSTEM ON message causes reinitialization of relevant parameters and Control Change values. Allow
sufficient time for processing to execute (about 50 msec)
before sending the CLP-240/230 another message.
• XG Native Parameter Change message may contain two or
four bytes of parameter data (depending on the parameter
size).
• For information about the Address and Byte Count values,
refer to Table 1 below. Note that the table’s Total Size value
gives the size of a bulk block. Only the top address of the
block (00H, 00H, 00H) is valid as a bulk data address.
82
CLP-240/230 Owner’s Manual
9. SYSTEM EXCLUSIVE MESSAGES
(Clavinova MIDI Format)
Data format: [F0H] -> [43H] -> [73H] -> [01H] -> [nnH] -> [F7H]
F0H =
43H =
73H =
01H =
nnH =
nn
02H
03H
F7H =
Exclusive status
Yamaha ID
Clavinova ID
Product ID (CLP common)
Substatus
Control
Internal MIDI clock
External MIDI clock
End of Exclusive
10. SYSTEM EXCLUSIVE MESSAGES (Special Control)
Data format: [F0H] -> [43H] -> [73H] -> [66H] -> [11H] ->
[0nH] -> [ccH] -> [vvH] -> [F7H]
F0H = Exclusive status
43H = Yamaha ID
73H = Clavinova ID
7FH = Extended Product ID
xxH = Product ID 49H
11H = Special control
0nH = Control MIDI change (n=channel number)
cc =
Control number
vv =
Value
F7H = End of Exclusive
Control
0n
ccH
vvH
14H: Split Key Number
Split Point
Always 00H
14H
Metronome
Always 00H
1BH 00H: No accent
01H-0FH: 1/4-15/4
7FH: off
Damper Level ch: 00H-0FH 3DH (Sets the Damper Level
for each channel)
00H-7FH
Channel Detune ch: 00H-0FH 43H (Sets the Detune value
for each channel)
00H-7FH
Voice Reserve ch: 00H-0FH 45H
00H : Reserve off 7FH
: on*
* When Volume, Expression is received for Reserve On, they
will be effective from the next Key On. Reserve Off is normal.
11. SYSTEM EXCLUSIVE MESSAGES (Others)
Data format: [F0H] -> [43H] -> [1nH] -> [27H] -> [30H] -> [00H]
-> [00H] -> [mmH] -> [llH] -> [ccH] -> [F7H]
Master Tuning (XG and last message priority) simultaneously
changes the pitch of all channels.
F0H = Exclusive Status
43H = Yamaha ID
1nH = When received, n=0~F.
When transmitted, n=0.
27H = Model ID of TG100
30H = Sub ID
00H =
00H =
mmH = Master Tune MSB
llH = Master Tune LSB
ccH = don’t care (under 7FH)
F7H = End of Exclusive
<Table 1>
MIDI Parameter Change table (SYSTEM)
Address (H) Size (H)
Data (H)
00 00 00
4
020C - 05F4*
01
02
03
04
1
05
1
7E
7F
TOTAL SIZE 07
00 - 7F
—
00
00
Parameter
MASTER TUNE
MASTER VOLUME
—
XG SYSTEM ON
RESET ALL PARAMETERS
Description
-50 - +50[cent]
1st bit 3 - 0 ➝ bit 15 - 12
2nd bit 3 - 0 ➝ bit 11 - 8
3rd bit 3 - 0 ➝ bit 7 - 4
4th bit 3 - 0 ➝ bit 3 - 0
0 - 127
Default value (H)
00 04 00 00
400
7F
00=XG system ON
00=ON (receive only)
*Values lower than 020CH select -50 cents. Values higher than 05F4H select +50 cents.
<Table 2>
MIDI Parameter Change table (EFFECT 1)
Refer to the “Effect MIDI Map” for a complete list of Reverb, Chorus and Variation type numbers.
Address (H)
02 01 00
Size (H)
2
02 01 40
2
Data (H)
00-7F
00-7F
Parameter
REVERB TYPE MSB
REVERB TYPE LSB
00-7F
VARIATION TYPE MSB
00-7F
VARIATION TYPE LSB
• “VARIATION” refers to the EFFECT on the panel.
Description
Refer to Effect MIDI Map
00 : basic type
Default value (H)
01 (=HALL1)
00
Refer to Effect MIDI Map
00 : basic type
00(=Effect off)
00
Description
0 - 127
Default value (H)
7F
<Table 3>
MIDI Parameter Change table (MULTI PART)
Address (H) Size (H)
08 nn 11
1
nn = Part Number
Data (H)
00 - 7F
Parameter
DRY LEVEL
• Effect MIDI Map
REVERB
ROOM
HALL 1
HALL 2
STAGE
OFF
MSB
02H
01H
01H
03H
00H
LSB
10H
10H
11H
10H
00H
MSB
42H
48H
46H
47H
00H
LSB
10H
10H
10H
10H
00H
EFFECT
CHORUS
PHASER
TREMOLO
ROTARY SP
OFF
CLP-240/230 Owner’s Manual
83
YAMAHA Implementation
[ Clavinova ]
MIDI
Chart
Model CLP-240/230 MIDI Implementation
Function...
Transmitted
Chart
Recognized
Basic
Channel
Default
Changed
1 - 16
˛
1 - 16
1 - 16
Mode
Default
Messages
Altered
3
3
˛
**************
˛
˛
0 - 127
**************
0 - 127
0 - 127
Note
Number : True voice
Velocity
Note ON Ø 9nH,v=1-127
Note OFF ˛ 9nH,v=0
Ø
˛
After
Touch
Key's
Ch's
˛
˛
Pitch Bend
Control
Change
Prog
Change
˛
0,32
1
7
10
11
6,38
64,66,67
84
91,94
96-97
100-101
Ø
˛
˛
˛
Ø
˛
Ø
˛
Ø
˛
˛
*1
˛
*1
*1
*1
*1
0 - 127
**************
Ø
Ø
Ø
: Song Pos. ˛
: Song Sel. ˛
: Tune
˛
˛
˛
˛
True #
System
: Clock
Real Time : Commands
Ø
Ø
Ø
Ø
:
:
:
Mes- :
sages:
:
Ø
Ø
˛
Ø
Ø
˛
Ø
Ø
Ø
Ø
Ø
˛
Aux
All Sound Off
Reset All Cntrls
Local ON/OFF
All Notes OFF
Active Sense
Reset
Remarks
9nH,v=1-127
9nH,v=0 or 8nH
0 - 24 semi
Bank Select
Modulation
Main Volume
Panpot
Expression
Data Entry
Ø
Ø
Ø
Ø
Ø
Ø
Ø
Ø
Ø
Ø
Ø
*1
*1
*1
Ø
:
System Exclusive
Common
˛
˛
Date :16-DEC-2004
Version : 1.0
Portamento Control
Effect Depth
RPN Inc,Dec
RPN LSB,MSB
0 - 127
(120,126,127)
(121)
(122)
(123-125)
Notes: *1= These Control Change messages cannot be transmitted by panel
operations, but can be transmitted by song playback data.
Mode 1 : OMNI ON , POLY
Mode 3 : OMNI OFF, POLY
84
CLP-240/230 Owner’s Manual
Mode 2 : OMNI ON ,MONO
Mode 4 : OMNI OFF,MONO
Ø
˛
: Yes
: No
Specifications / Technische Daten /
Caractéristiques techniques / Especificaciones
CLP-240
Keyboard
Sound Source
CLP-230
GH3 keyboard 88 keys (A-1 – C7)
AWM Dynamic Stereo Sampling
AWM Stereo Sampling
Polyphony (Max.)
64
Voice Selection
14 × 2 variations for each voice
14
Effect
Reverb, Effect, Brilliance,
DDE (Dynamic Damper Effect)
Reverb, Effect, Brilliance
Volume
Controls
Recording/Playback
Pedal
Demo Songs
Jacks/Connectors
Memory Device
Main Amplifiers
Speakers
Dimensions (W × D × H)
(with music rest)
Weight
Accessories
Master Volume
Dual, Split, Metronome, Transpose,
Touch (Hard/Medium/Soft/Fixed),
Functions, Speaker ON/OFF
Dual, Metronome, Transpose,
Touch (Hard/Medium/Soft/Fixed),
Functions, Speaker ON/OFF
2-part recording/playback (three user songs), Tempo Adjustment, Sync Start
Damper (with half-pedal effect), Sostenuto, Soft
14 voice Demo Songs, 50 preset Songs
MIDI (IN/OUT/THRU), PHONES × 2, AUX IN
(L/L+R, R), AUX OUT (LEVEL FIXED) (L, R),
USB TO HOST, USB TO DEVICE
MIDI (IN/OUT/THRU), PHONES × 2, AUX IN
(L/L+R, R), AUX OUT (LEVEL FIXED) (L, R),
USB TO HOST
Optional USB storage device
(via USB TO DEVICE teriminal)
—
Internal Flash Memory
(for saving User songs): 65 KB
(for saving External songs): 307 KB
40W × 2
20W × 2
16cm × 2, 5cm × 2
16cm × 2
1,413mm × 507mm × 897mm
[55 5/8" × 19 15/16" × 35 5/16"]
(1,413mm × 507mm × 1,010mm)
[55 5/8" × 19 15/16" × 39 3/4"]
68kg (149lbs., 15oz)
65kg (143lbs., 5oz)
Owner’s Manual, “50 greats for the Piano” (Music Book), Accessory CD-ROM for Windows,
Accessory CD-ROM for Windows Installation Guide,
Bench (included or optional depending on locale)
* Specifications and descriptions in this owner’s manual are for information purposes only. Yamaha Corp. reserves the right to change or modify
products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in every locale, please
check with your Yamaha dealer.
* Die technischen Daten und Beschreibungen in dieser Bedienungsanleitung dienen nur der Information. Yamaha Corp. behält sich das Recht vor,
Produkte oder deren technische Daten jederzeit ohne vorherige Ankündigung zu verändern oder zu modifizieren. Da die technischen Daten, das
Gerät selbst oder Sonderzubehör nicht in jedem Land gleich sind, setzen Sie sich im Zweifel bitte mit Ihrem Yamaha-Händler in Verbindung.
* Les caractéristiques techniques et les descriptions du mode d’emploi ne sont données que pour information. Yamaha Corp. se réserve le droit de
changer ou modifier les produits et leurs caractéristiques techniques à tout moment sans aucun avis. Du fait que les caractéristiques techniques, les
équipements et les options peuvent différer d’un pays à l’autre, adressez-vous au distributeur Yamaha le plus proche.
* Las especificaciones y descripciones de este manual del propietario tienen sólo el propósito de servir como información. Yamaha Corp. se reserva el
derecho a efectuar cambios o modificaciones en los productos o especificaciones en cualquier momento sin previo aviso. Puesto que las especificaciones, equipos u opciones pueden no ser las mismas en todos los mercados, solicite información a su distribuidor Yamaha.
CLP-240/230 Owner’s Manual
85
IMPORTANT SAFETY INSTRUCTIONS
INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,
AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.
WARNING- When using any electrical or electronic product,
basic precautions should always be followed. These precautions
include, but are not limited to, the following:
1.
Read all Safety Instructions, Installation Instructions, Special Message Section items, and any Assembly Instructions
found in this manual BEFORE making any connections, including connection to the main supply.
2.
Main Power Supply Verification: Yamaha products are
manufactured specifically for the supply voltage in the area
where they are to be sold. If you should move, or if any doubt
exists about the supply voltage in your area, please contact your
dealer for supply voltage verification and (if applicable) instructions. The required supply voltage is printed on the name plate.
For name plate location, please refer to the graphic found in the
Special Message Section of this manual.
3.
This product may be equipped with a polarized plug (one
blade wider than the other). If you are unable to insert the plug
into the outlet, turn the plug over and try again. If the problem
persists, contact an electrician to have the obsolete outlet
replaced. Do NOT defeat the safety purpose of the plug.
4.
Some electronic products utilize external power supplies
or adapters. Do NOT connect this type of product to any power
supply or adapter other than one described in the owners manual,
on the name plate, or specifically recommended by Yamaha.
5.
WARNING: Do not place this product or any other
objects on the power cord or place it in a position where anyone
could walk on, trip over, or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! If you must use an extension cord, the minimum wire
size for a 25’ cord (or less) is 18 AWG. NOTE: The smaller the
AWG number, the larger the current handling capacity. For
longer extension cords, consult a local electrician.
6.
Ventilation: Electronic products, unless specifically
designed for enclosed installations, should be placed in locations
that do not interfere with proper ventilation. If instructions for
enclosed installations are not provided, it must be assumed that
unobstructed ventilation is required.
7.
Temperature considerations: Electronic products should
be installed in locations that do not significantly contribute to
their operating temperature. Placement of this product close to
heat sources such as; radiators, heat registers and other devices
that produce heat should be avoided.
8.
This product was NOT designed for use in wet/damp locations and should not be used near water or exposed to rain.
Examples of wet/damp locations are; near a swimming pool,
spa, tub, sink, or wet basement.
9.
This product should be used only with the components
supplied or; a cart, rack, or stand that is recommended by the
manufacturer. If a cart, rack, or stand is used, please observe all
safety markings and instructions that accompany the accessory
product.
10.
The power supply cord (plug) should be disconnected
from the outlet when electronic products are to be left unused for
extended periods of time. Cords should also be disconnected
when there is a high probability of lightning and/or electrical
storm activity.
11. Care should be taken that objects do not fall and liquids are
not spilled into the enclosure through any openings that may exist.
12.
Electrical/electronic products should be serviced by a
qualified service person when:
a. The power supply cord has been damaged; or
b. Objects have fallen, been inserted, or liquids have been
spilled into the enclosure through openings; or
c. The product has been exposed to rain: or
d. The product dose not operate, exhibits a marked change
in performance; or
e. The product has been dropped, or the enclosure of the
product has been damaged.
13. Do not attempt to service this product beyond that
described in the user-maintenance instructions. All other servicing should be referred to qualified service personnel.
14.
This product, either alone or in combination with an
amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss.
DO NOT operate for a long period of time at a high volume level
or at a level that is uncomfortable. If you experience any hearing
loss or ringing in the ears, you should consult an audiologist.
IMPORTANT: The louder the sound, the shorter the time period
before damage occurs.
15.
Some Yamaha products may have benches and/or accessory
mounting fixtures that are either supplied as a part of the product
or as optional accessories. Some of these items are designed to be
dealer assembled or installed. Please make sure that benches are
stable and any optional fixtures (where applicable) are well
secured BEFORE using. Benches supplied by Yamaha are
designed for seating only. No other uses are recommended.
PLEASE KEEP THIS MANUAL
92-469-2
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by
Yamaha may void your authority, granted by the FCC, to
use the product.
2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality
shielded cables. Cable/s supplied with this product
MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations,
Part 15 for Class “B” digital devices. Compliance with
these requirements provides a reasonable level of
assurance that your use of this product in a residential
environment will not result in harmful interference with
other electronic devices. This equipment generates/
uses radio frequencies and, if not installed and used
according to the instructions found in the users manual,
may cause interference harmful to the operation of
other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur
in all installations. If this product is found to be the
source of interference, which can be determined by
turning the unit “OFF” and “ON”, please try to eliminate
the problem by using one of the following measures:
Relocate either this product or the device that is being
affected by the interference.
Utilize power outlets that are on different branch (circuit
breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient
the antenna. If the antenna lead-in is 300 ohm ribbon
lead, change the lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory results, please contact the local retailer authorized
to distribute this type of product. If you can not locate
the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600
Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those products
distributed by Yamaha Corporation of America or its
subsidiaries.
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
IMPORTANT NOTICE FOR THE UNITED KINGDOM
Connecting the Plug and Cord
IMPORTANT. The wires in this mains lead are coloured in
accordance with the following code:
BLUE
: NEUTRAL
BROWN : LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured makings identifying the terminals in your plug proceed as follows:
The wire which is coloured BLUE must be connected to
the terminal which is marked with the letter N or coloured
BLACK.
The wire which is coloured BROWN must be connected to
the terminal which is marked with the letter L or coloured
RED.
Making sure that neither core is connected to the earth terminal of the three pin plug.
(2 wires)
• This applies only to products distributed by Yamaha-Kemble Music
(U.K.) Ltd.
CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH
WIDE BLADE OF PLUG TO WIDE SLOT, FULLY INSERT.
ATTENTION: POUR ÉVITER LES CHOCS ÉLECTRIQUES, INTRODUIRE LA LAME LA PLUS LARGE DE
LA FICHE DANS LA BORNE CORRESPONDANTE DE LA
PRISE ET POUSSER JUSQU’AU FOND.
(polarity)
• This applies only to products distributed by Yamaha Canada Music
Ltd.
• Ceci ne s’applique qu’aux produits distribués par Yamaha Canada
Musique Ltée.
(class B)
COMPLIANCE INFORMATION STATEMENT
(DECLARATION OF CONFORMITY PROCEDURE)
Responsible Party : Yamaha Corporation of America
Address : 6600 Orangethorpe Ave., Buena Park,
Calif. 90620
Telephone : 714-522-9011
Type of Equipment : Electronic Piano
Model Name : CLP-240/230
This device complies with Part 15 of the FCC Rules.
Operation is subject to the following conditions:
1) this device may not cause harmful interference, and
2) this device must accept any interference received including
interference that may cause undesired operation.
See user manual instructions if interference to radio reception
is suspected.
* This applies only to products distributed by
YAMAHA CORPORATION OF AMERICA.
(FCC DoC)
MEMO
For details of products, please contact your nearest Yamaha
representative or the authorized distributor listed below.
Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou
au distributeur le plus proche de vous figurant dans la liste suivante.
NORTH AMERICA
CANADA
Yamaha Canada Music Ltd.
135 Milner Avenue, Scarborough, Ontario,
M1S 3R1, Canada
Tel: 416-298-1311
Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten
Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen
Bestimmungsländern erhältlich.
Para detalles sobre productos, contacte su tienda Yamaha más cercana
o el distribuidor autorizado que se lista debajo.
THE NETHERLANDS/
BELGIUM/LUXEMBOURG
Yamaha Music Central Europe GmbH,
Branch Benelux
Clarissenhof 5-b, 4133 AB Vianen, The Netherlands
Tel: 0347-358 040
FRANCE
U.S.A.
Yamaha Corporation of America
6600 Orangethorpe Ave., Buena Park, Calif. 90620,
U.S.A.
Tel: 714-522-9011
CENTRAL & SOUTH AMERICA
MEXICO
Yamaha de México S.A. de C.V.
Calz. Javier Rojo Gómez #1149,
Col. Guadalupe del Moral
C.P. 09300, México, D.F., México
Tel: 55-5804-0600
Yamaha Musique France
BP 70-77312 Marne-la-Vallée Cedex 2, France
Tel: 01-64-61-4000
ITALY
Yamaha Musica Italia S.P.A.
Viale Italia 88, 20020 Lainate (Milano), Italy
Tel: 02-935-771
SPAIN/PORTUGAL
Yamaha-Hazen Música, S.A.
Ctra. de la Coruna km. 17, 200, 28230
Las Rozas (Madrid), Spain
Tel: 91-639-8888
GREECE
BRAZIL
Yamaha Musical do Brasil Ltda.
Rua Joaquim Floriano, 913 - 4' andar, Itaim Bibi,
CEP 04534-013 Sao Paulo, SP. BRAZIL
Tel: 011-3704-1377
ARGENTINA
Yamaha Music Latin America, S.A.
Sucursal de Argentina
Viamonte 1145 Piso2-B 1053,
Buenos Aires, Argentina
Tel: 1-4371-7021
PANAMA AND OTHER LATIN
AMERICAN COUNTRIES/
CARIBBEAN COUNTRIES
Yamaha Music Latin America, S.A.
Torre Banco General, Piso 7, Urbanización Marbella,
Calle 47 y Aquilino de la Guardia,
Ciudad de Panamá, Panamá
Tel: +507-269-5311
EUROPE
THE UNITED KINGDOM
Yamaha-Kemble Music (U.K.) Ltd.
Sherbourne Drive, Tilbrook, Milton Keynes,
MK7 8BL, England
Tel: 01908-366700
IRELAND
Danfay Ltd.
61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin
Tel: 01-2859177
GERMANY
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030
SWITZERLAND/LIECHTENSTEIN
Yamaha Music Central Europe GmbH,
Branch Switzerland
Seefeldstrasse 94, 8008 Zürich, Switzerland
Tel: 01-383 3990
AUSTRIA
Yamaha Music Central Europe GmbH,
Branch Austria
Schleiergasse 20, A-1100 Wien, Austria
Tel: 01-60203900
CZECH REPUBLIC/SLOVAKIA/
HUNGARY/SLOVENIA
Yamaha Music Central Europe GmbH,
Branch Austria, CEE Department
Schleiergasse 20, A-1100 Wien, Austria
Tel: 01-602039025
POLAND
Philippos Nakas S.A. The Music House
147 Skiathou Street, 112-55 Athens, Greece
Tel: 01-228 2160
ASIA
THE PEOPLE’S REPUBLIC OF CHINA
Yamaha Music & Electronics (China) Co.,Ltd.
25/F., United Plaza, 1468 Nanjing Road (West),
Jingan, Shanghai, China
Tel: 021-6247-2211
HONG KONG
Tom Lee Music Co., Ltd.
11/F., Silvercord Tower 1, 30 Canton Road,
Tsimshatsui, Kowloon, Hong Kong
Tel: 2737-7688
INDONESIA
PT. Yamaha Music Indonesia (Distributor)
PT. Nusantik
Gedung Yamaha Music Center, Jalan Jend. Gatot
Subroto Kav. 4, Jakarta 12930, Indonesia
Tel: 21-520-2577
KOREA
Yamaha Music Korea Ltd.
Tong-Yang Securities Bldg. 16F 23-8 Yoido-dong,
Youngdungpo-ku, Seoul, Korea
Tel: 02-3770-0660
MALAYSIA
Yamaha Music Malaysia, Sdn., Bhd.
Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,
Petaling Jaya, Selangor, Malaysia
Tel: 3-78030900
SWEDEN
Yamaha Scandinavia AB
J. A. Wettergrens Gata 1
Box 30053
S-400 43 Göteborg, Sweden
Tel: 031 89 34 00
PHILIPPINES
DENMARK
YS Copenhagen Liaison Office
Generatorvej 6A
DK-2730 Herlev, Denmark
Tel: 44 92 49 00
FINLAND
F-Musiikki Oy
Kluuvikatu 6, P.O. Box 260,
SF-00101 Helsinki, Finland
Tel: 09 618511
Yupangco Music Corporation
339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,
Makati, Metro Manila, Philippines
Tel: 819-7551
SINGAPORE
Yamaha Music Asia Pte., Ltd.
#03-11 A-Z Building
140 Paya Lebor Road, Singapore 409015
Tel: 747-4374
TAIWAN
NORWAY
Norsk filial av Yamaha Scandinavia AB
Grini Næringspark 1
N-1345 Østerås, Norway
Tel: 67 16 77 70
ICELAND
Skifan HF
Skeifan 17 P.O. Box 8120
IS-128 Reykjavik, Iceland
Tel: 525 5000
Yamaha KHS Music Co., Ltd.
3F, #6, Sec.2, Nan Jing E. Rd. Taipei.
Taiwan 104, R.O.C.
Tel: 02-2511-8688
THAILAND
Siam Music Yamaha Co., Ltd.
891/1 Siam Motors Building, 15-16 floor
Rama 1 road, Wangmai, Pathumwan
Bangkok 10330, Thailand
Tel: 02-215-2626
OTHER ASIAN COUNTRIES
OTHER EUROPEAN COUNTRIES
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: +49-4101-3030
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2317
OCEANIA
AFRICA
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2312
MIDDLE EAST
TURKEY/CYPRUS
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030
OTHER COUNTRIES
Yamaha Music Gulf FZE
LB21-128 Jebel Ali Freezone
P.O.Box 17328, Dubai, U.A.E.
Tel: +971-4-881-5868
AUSTRALIA
Yamaha Music Australia Pty. Ltd.
Level 1, 99 Queensbridge Street, Southbank,
Victoria 3006, Australia
Tel: 3-9693-5111
NEW ZEALAND
Music Houses of N.Z. Ltd.
146/148 Captain Springs Road, Te Papapa,
Auckland, New Zealand
Tel: 9-634-0099
COUNTRIES AND TRUST
TERRITORIES IN PACIFIC OCEAN
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2312
Yamaha Music Central Europe GmbH
Sp.z. o.o. Oddzial w Polsce
ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland
Tel: 022-868-07-57
HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-3273
[CL] 38
Clavinova Web site
http://music.yamaha.com/homekeyboard
Yamaha Manual Library
http://www.yamaha.co.jp/manual/
U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation
© 2005 Yamaha Corporation
WH96240 612MWAP5.3-02B0
Printed in China

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