Roland KR-107 Digital Intelligent Piano Owner's Manual

Roland KR-107 Digital Intelligent Piano Owner's Manual
To resize thickness, move all items on the front cover
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Owner’s Manual
Owner’s Manual
Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY
INSTRUCTIONS” (p. 2), “USING THE UNIT SAFELY” (p. 3, 4, 5), and “IMPORTANT NOTES”
(p. 6, 7, 8). These sections provide important information concerning the proper operation
of the unit. Additionally, in order to feel assured that you have gained a good grasp of
every feature provided by your new unit, Owner’s Manual should be read in its entirety.
The manual should be saved and kept on hand as a convenient reference
202
Copyright © 2005 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without
the written permission of ROLAND CORPORATION.
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03903101
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To resize thickness, move all items on the front cover
and center registration marks to left or right.
WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
The lightning flash with arrowhead symbol, within an
equilateral triangle, is intended to alert the user to the
presence of uninsulated “dangerous voltage” within the
product’s enclosure that may be of sufficient magnitude to
constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is
intended to alert the user to the presence of important
operating and maintenance (servicing) instructions in the
literature accompanying the product.
INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.
IMPORTANT SAFETY INSTRUCTIONS
SAVE THESE INSTRUCTIONS
WARNING - When using electric products, basic precautions should always be followed, including the following:
1.
2.
3.
4.
5.
6.
7.
8.
9.
Read these instructions.
Keep these instructions.
Heed all warnings.
Follow all instructions.
Do not use this apparatus near water.
Clean only with a dry cloth.
Do not block any of the ventilation openings. Install in
accordance with the manufacturers instructions.
Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including
amplifiers) that produce heat.
Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades with
one wider than the other. A grounding type plug has two
blades and a third grounding prong. The wide blade or the
third prong are provided for your safety. If the provided plug
does not fit into your outlet, consult an electrician for
replacement of the obsolete outlet.
10. Protect the power cord from being walked on or pinched
particularly at plugs, convenience receptacles, and the
point where they exit from the apparatus.
11. Only use attachments/accessories specified by the
manufacturer.
12. Use only with the cart, stand, tripod, bracket,
or table specified by the manufacturer, or
sold with the apparatus. When a cart is used,
use caution when moving the cart/apparatus
combination to avoid injury from tip-over.
13. Unplug this apparatus during lightning storms or when
unused for long periods of time.
14. Refer all servicing to qualified service personnel. Servicing
is required when the apparatus has been damaged in any
way, such as power-supply cord or plug is damaged, liquid
has been spilled or objects have fallen into the apparatus,
the apparatus has been exposed to rain or moisture, does
not operate normally, or has been dropped.
For the U.K.
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
BLUE:
NEUTRAL
BROWN: LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.
For EU Countries
This product complies with the requirements of European Directives EMC 89/336/EEC and LVD 73/23/EEC.
For the USA
FEDERAL COMMUNICATIONS COMMISSION
RADIO FREQUENCY INTERFERENCE STATEMENT
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the
FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in
accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee
that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or
television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
– Reorient or relocate the receiving antenna.
– Increase the separation between the equipment and receiver.
– Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
– Consult the dealer or an experienced radio/TV technician for help.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
(1) This device may not cause harmful interference, and
(2) This device must accept any interference received, including interference that may cause undesired operation.
Unauthorized changes or modification to this system can void the users authority to operate this equipment.
This equipment requires shielded interface cables in order to meet FCC class B Limit.
For Canada
NOTICE
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
AVIS
Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.
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USING THE UNIT SAFELY
The
symbol alerts the user to important instructions
or warnings.The specific meaning of the symbol is
determined by the design contained within the
triangle. In the case of the symbol at left, it is used for
general cautions, warnings, or alerts to danger.
Used for instructions intended to alert
the user to the risk of death or severe
injury should the unit be used
improperly.
Used for instructions intended to alert
the user to the risk of injury or material
damage should the unit be used
improperly.
* Material damage refers
other adverse effects
respect to the home
furnishings, as well
animals or pets.
The
symbol alerts the user to items that must never
be carried out (are forbidden). The specific thing that
must not be done is indicated by the design contained
within the circle. In the case of the symbol at left, it
means that the unit must never be disassembled.
to damage or
caused with
and all its
to domestic
The ● symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In
the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.
001
009
• Before using this unit, make sure to read the
instructions below, and the Owner’s Manual.
• Do not excessively twist or bend the power cord,
nor place heavy objects on it. Doing so can
damage the cord, producing severed elements
and short circuits. Damaged cords are fire and
shock hazards!
..........................................................................................................
..........................................................................................................
002a
• Do not open or perform any internal modifications on the unit.
..........................................................................................................
003
• Do not attempt to repair the unit, or replace parts
within it (except when this manual provides
specific instructions directing you to do so). Refer
all servicing to your retailer, the nearest Roland
Service Center, or an authorized Roland
distributor, as listed on the “Information” page.
..........................................................................................................
004
• Never use or store the unit in places that are:
• Subject to temperature extremes (e.g., direct
sunlight in an enclosed vehicle, near a heating
duct, on top of heat-generating equipment); or
are
• Damp (e.g., baths, washrooms, on wet floors);
or are
• Humid; or are
• Exposed to rain; or are
• Dusty; or are
• Subject to high levels of vibration.
..........................................................................................................
007
• Make sure you always have the unit placed so it is
level and sure to remain stable. Never place it on
stands that could wobble, or on inclined surfaces.
..........................................................................................................
008a
• The unit should be connected to a power supply
only of the type described in the operating
instructions, or as marked on the rear of unit.
..........................................................................................................
008e
• Use only the attached power-supply cord. Also,
the supplied power cord must not be used with
any other device.
..........................................................................................................
010
• This unit, either alone or in combination with an
amplifier and headphones or speakers, may be
capable of producing sound levels that could
cause permanent hearing loss. Do not operate for
a long period of time at a high volume level, or at
a level that is uncomfortable. If you experience
any hearing loss or ringing in the ears, you should
immediately stop using the unit, and consult an
audiologist.
..........................................................................................................
011
• Do not allow any objects (e.g., flammable
material, coins, pins); or liquids of any kind
(water, soft drinks, etc.) to penetrate the unit.
..........................................................................................................
012a
• Immediately turn the power off, remove the
power cord from the outlet, and request servicing
by your retailer, the nearest Roland Service
Center, or an authorized Roland distributor, as
listed on the “Information” page when:
• The power-supply cord, or the plug has been
damaged; or
• If smoke or unusual odor occurs
• Objects have fallen into, or liquid has been
spilled onto the unit; or
• The unit has been exposed to rain (or otherwise
has become wet); or
• The unit does not appear to operate normally
or exhibits a marked change in performance.
..........................................................................................................
3
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013
101a
• In households with small children, an adult
should provide supervision until the child is
capable of following all the rules essential for the
safe operation of the unit.
..........................................................................................................
• The unit should be located so that its location or
position does not interfere with its proper ventilation.
..........................................................................................................
014
• Protect the unit from strong impact.
(Do not drop it!)
..........................................................................................................
015
• Do not force the unit’s power-supply cord to
share an outlet with an unreasonable number of
other devices. Be especially careful when using
extension cords—the total power used by all
devices you have connected to the extension
cord’s outlet must never exceed the power rating
(watts/amperes) for the extension cord. Excessive
loads can cause the insulation on the cord to heat
up and eventually melt through.
..........................................................................................................
016
• Before using the unit in a foreign country, consult
with your retailer, the nearest Roland Service
Center, or an authorized Roland distributor, as
listed on the “Information” page.
..........................................................................................................
019
• Batteries must never be recharged, heated, taken
apart, or thrown into fire or water.
102b
• Always grasp only the plug on the power-supply
cord when plugging into, or unplugging from, an
outlet or this unit.
..........................................................................................................
103a
• At regular intervals, you should unplug the
power plug and clean it by using a dry cloth to
wipe all dust and other accumulations away from
its prongs. Also, disconnect the power plug from
the power outlet whenever the unit is to remain
unused for an extended period of time. Any
accumulation of dust between the power plug
and the power outlet can result in poor insulation
and lead to fire.
..........................................................................................................
104
• Try to prevent cords and cables from becoming
entangled. Also, all cords and cables should be
placed so they are out of the reach of children.
..........................................................................................................
106
• Never climb on top of, nor place heavy objects on
the unit.
..........................................................................................................
107b
..........................................................................................................
023
• DO NOT play a CD-ROM disc on a conventional
audio CD player. The resulting sound may be of a
level that could cause permanent hearing loss.
Damage to speakers or other system components
may result.
..........................................................................................................
026
• Do not put anything that contains water (e.g.,
flower vases) on this unit. Also, avoid the use of
insecticides, perfumes, alcohol, nail polish, spray
cans, etc., near the unit. Swiftly wipe away any
liquid that spills on the unit using a dry, soft
cloth.
..........................................................................................................
• Never handle the power cord or its plugs with
wet hands when plugging into, or unplugging
from, an outlet or this unit.
..........................................................................................................
108d: Selection
• If you need to move the instrument, take note of
the precautions listed below. At least two persons
are required to safely lift and move the unit. It
should be handled carefully, all the while keeping
it level. Make sure to have a firm grip, to protect
yourself from injury and the instrument from
damage.
1
• Check to make sure the screw securing the unit
to the stand have not become loose. Fasten
them again securely whenever you notice any
loosening.
2
• Disconnect the power cord.
3
• Disconnect all cords coming from external
devices.
4
• Raise the adjusters on the stand (p. 19).
5
• Close the lid.
7
• Fold down the music rest.
..........................................................................................................
109a
• Before cleaning the unit, turn off the power and
unplug the power cord from the outlet (p. 18).
..........................................................................................................
110a
• Whenever you suspect the possibility of lightning
in your area, pull the plug on the power cord out
of the outlet.
..........................................................................................................
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111: Selection
• If used improperly, batteries may explode or leak
and cause damage or injury. In the interest of
safety, please read and observe the following
precautions (p. 18).
1
• Carefully follow the installation instructions
for batteries, and make sure you observe the
correct polarity.
2
• Avoid using new batteries together with used
ones. In addition, avoid mixing different types
of batteries.
3
• Remove the batteries whenever the unit is to
remain unused for an extended period of time.
5
• If a battery has leaked, use a soft piece of cloth
or paper towel to wipe all remnants of the
discharge from the battery compartment. Then
install new batteries. To avoid inflammation of
the skin, make sure that none of the battery
discharge gets onto your hands or skin.
Exercise the utmost caution so that none of the
discharge gets near your eyes. Immediately
rinse the affected area with running water if
any of the discharge has entered the eyes.
6
• Never keep batteries together with metallic
objects such as ballpoint pens, necklaces,
hairpins, etc.
..........................................................................................................
112
• Used batteries must be disposed of in compliance
with whatever regulations for their safe disposal
that may be observed in the region in which you
live.
• The power-supply cord, or the plug has been
damaged; or
• If smoke or unusual odor occurs
• Objects have fallen into, or liquid has been
spilled onto the unit; or
• The unit has been exposed to rain (or otherwise
has become wet); or
• The unit does not appear to operate normally
or exhibits a marked change in performance.
..........................................................................................................
116
• Be careful when opening/closing the lid so you
do not get your fingers pinched (p. 18). Adult
supervision is recommended whenever small
children use the unit.
..........................................................................................................
118c
• Always keep the following parts including with
the KR107 and small components that may be
removed out of the reach of small children to
avoid accidental ingestion of these parts.
Included Parts
• External memory anti-theft lock securing screw
Removable parts
• Screws fastening the stand
• Screws fastening music rest
• the thumbscrew fastening the headphone hook
..........................................................................................................
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IMPORTANT NOTES
291b
In addition to the items listed under “IMPORTANT SAFETY INSTRUCTIONS” and “USING THE UNIT SAFELY” on pages 2 and 3,
please read and observe the following:
Power Supply
301
• Do not connect this unit to same electrical outlet that is being
used by an electrical appliance that is controlled by an inverter
(such as a refrigerator, washing machine, microwave oven, or air
conditioner), or that contains a motor. Depending on the way in
which the electrical appliance is used, power supply noise may
cause this unit to malfunction or may produce audible noise. If it
is not practical to use a separate electrical outlet, connect a power
supply noise filter between this unit and the electrical outlet.
306b
• Batteries are supplied with the unit. The life of these batteries
may be limited, however, since their primary purpose was to
enable testing.
307
• Before connecting this unit to other devices, turn off the power to
all units. This will help prevent malfunctions and/or damage to
speakers or other devices.
308
• Although the LCD and LEDs are switched off when the POWER
switch is switched off, this does not mean that the unit has been
completely disconnected from the source of power. If you need to
turn off the power completely, first turn off the POWER switch,
then unplug the power cord from the power outlet. For this
reason, the outlet into which you choose to connect the power
cord’s plug should be one that is within easy reach and readily
accessible.
Placement
351
• Using the unit near power amplifiers (or other equipment
containing large power transformers) may induce hum. To
alleviate the problem, change the orientation of this unit; or move
it farther away from the source of interference.
352a
• This device may interfere with radio and television reception. Do
not use this device in the vicinity of such receivers.
352b
• Noise may be produced if wireless communications devices, such
as cell phones, are operated in the vicinity of this unit. Such noise
could occur when receiving or initiating a call, or while
conversing. Should you experience such problems, you should
relocate such wireless devices so they are at a greater distance
from this unit, or switch them off.
354b
• Do not expose the unit to direct sunlight, place it near devices
that radiate heat, leave it inside an enclosed vehicle, or otherwise
subject it to temperature extremes. Also, do not allow lighting
devices that normally are used while their light source is very
close to the unit (such as a piano light), or powerful spotlights to
shine upon the same area of the unit for extended periods of time.
Excessive heat can deform or discolor the unit.
355b
359
• Do not paste stickers, decals, or the like to this instrument.
Peeling such matter off the instrument may damage the exterior
finish.
Maintenance
401b
• To clean the unit, use a dry, soft cloth; or one that is slightly
dampened. Try to wipe the entire surface using an equal amount
of strength, moving the cloth along with the grain of the wood.
Rubbing too hard in the same area can damage the finish.
402
• Never use benzine, thinners, alcohol or solvents of any kind, to
avoid the possibility of discoloration and/or deformation.
403
• The pedals of this unit are made of brass.
Brass eventually darkens as the result of the natural oxidization
process. If the brass becomes tarnished, polish it using commercially available metal polisher.
Repairs and Data
452
• Please be aware that all data contained in the unit’s memory may
be lost when the unit is sent for repairs. Important data should
always be backed up on an external memory, or written down on
paper (when possible). During repairs, due care is taken to avoid
the loss of data. However, in certain cases (such as when circuitry
related to memory itself is out of order), we regret that it may not
be possible to restore the data, and Roland assumes no liability
concerning such loss of data.
Additional Precautions
551
• Please be aware that the contents of memory can be irretrievably
lost as a result of a malfunction, or the improper operation of the
unit. To protect yourself against the risk of loosing important
data, we recommend that you periodically save a backup copy of
important data you have stored in the unit’s memory on an
external memory.
552
• Unfortunately, it may be impossible to restore the contents of
data that was stored on an external memory once it has been lost.
Roland Corporation assumes no liability concerning such loss of
data.
553
• Use a reasonable amount of care when using the unit’s buttons,
sliders, or other controls; and when using its jacks and
connectors. Rough handling can lead to malfunctions.
554
• Never strike or apply strong pressure to the display.
556
• When moved from one location to another where the temperature and/or humidity is very different, water droplets (condensation) may form inside the unit. Damage or malfunction may
result if you attempt to use the unit in this condition. Therefore,
before using the unit, you must allow it to stand for several
hours, until the condensation has completely evaporated.
• When connecting / disconnecting all cables, grasp the connector
itself—never pull on the cable. This way you will avoid causing
shorts, or damage to the cable’s internal elements.
356
• To avoid disturbing your neighbors, try to keep the unit’s volume
at reasonable levels. You may prefer to use headphones, so you
do not need to be concerned about those around you (especially
when it is late at night).
• Do not allow rubber, vinyl, or similar materials to remain on the
unit for long periods of time. Such objects can discolor or
otherwise harmfully affect the finish.
358
• Do not allow objects to remain on top of the keyboard. This can
be the cause of malfunction, such as keys ceasing to produce
sound.
6
557
• A small amount of heat will radiate from the unit during normal
operation.
558a
559b
• When you need to transport the unit, pack it in shock-absorbent
material. Transporting the unit without doing so can cause it to
become scratched or damaged, and could lead to malfunction.
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560
• Do not apply undue force to the music rest while it is in use.
561
• Use only the specified expression pedal (EV-7/5; sold separately).
By connecting any other expression pedals, you risk causing
malfunction and/or damage to the unit.
562
• Use a cable from Roland to make the connection. If using some
other make of connection cable, please note the following precautions.
• Some connection cables contain resistors. Do not use cables
that incorporate resistors for connecting to this unit. The use
of such cables can cause the sound level to be extremely low,
or impossible to hear. For information on cable specifications,
contact the manufacturer of the cable.
565
• Before opening or closing the keyboard lid, always make sure
that no pets or other small animals are located on top of the
instrument (in particular, they should be kept away from the
keyboard and its lid). Otherwise, due to the structural design of
this instrument, small pets or other animals could end up getting
trapped inside it. If such a situation is encountered, you must
immediately switch off the power and disconnect the power cord
from the outlet. You should then consult with the retailer from
whom the instrument was purchased, or contact the nearest
Roland Service Center.
Handling CD-ROMs
801
• Avoid touching or scratching the shiny underside (encoded
surface) of the disc. Damaged or dirty CD-ROM discs may not be
read properly. Keep your discs clean using a commercially
available CD cleaner.
Before Using External
Memory
Using External Memory
705
• Never touch the terminals of the External memory. Also,
avoid getting the terminals dirty.
708
• External memories are constructed using precision
components; handle the cards carefully, paying particular
note to the following.
• To prevent damage to the cards from static electricity,
be sure to discharge any static electricity from your
own body before handling the cards.
• Do not touch or allow metal to come into contact with
the contact portion of the cards.
Handling Floppy Disks
(Using Optional Floppy Disk Drive)
• Do not bend, drop, or subject cards to strong shock or
vibration.
651
• Floppy disks contain a plastic disk with a thin coating of
magnetic storage medium. Microscopic precision is required to
enable storage of large amounts of data on such a small surface
area. To preserve their integrity, please observe the following
when handling floppy disks:
• Never touch the magnetic medium inside the disk.
• Do not use or store floppy disks in dirty or dusty areas.
• Do not subject floppy disks to temperature extremes (e.g.,
direct sunlight in an enclosed vehicle). Recommended
temperature range: 10 to 50˚C (50 to 122˚F).
• Do not expose floppy disks to strong magnetic fields, such as
those generated by loudspeakers.
652
• Floppy disks have a “write protect” tab which can protect the
disk from accidental erasure. It is recommended that the tab be
kept in the PROTECT position, and moved to the WRITE position
only when you wish to write new data onto the disk.
fig.DiskProtect.e
Rear side of the disk
• Do not keep cards in direct sunlight, in closed vehicles,
or other such locations (storage temperature: 0 to 50˚
C).
• Do not allow cards to become wet.
• Do not disassemble or modify the cards.
704 (revise)
• When connecting external memory, make sure to press it
until it is fully inserted.
• Insert the external memory in the External Memory port
evenly and without undue force. Forcing the external
memory may damage the External Memory port.
• Do not insert any object other than the external memory
(e.g., wires, coins, other types of disks, etc.) in the External
Memory port. This may damage the External Memory
port.
• Do not subject the External Memory port cover or
connected External memory to excessive stress.
Write
(can write new data onto disk)
Write Protect Tab
• Close the external memory cover when using the External
memory for extended periods
Protect
(prevents writing to disk)
653
• The identification label should be firmly affixed to the disk.
Should the label come loose while the disk is in the drive, it may
be difficult to remove the disk.
654
• Store all disks in a safe place to avoid damaging them, and to
protect them from dust, dirt, and other hazards. By using a dirty
or dust-ridden disk, you risk damaging the disk, as well as
causing the disk drive to malfunction.
203
* GS (
ration.
* XG lite (
) is a registered trademark of Yamaha Corpo-
ration.
655
• Disks containing performance data for this unit should always be
locked (have their write protect tab slid to the “Protect” position)
before you insert them into the drive on some other unit (except
the PR-300, or a product in the HP-G, HPi, MT, KR, or Atelier
families), or into a computer’s drive. Otherwise (if the write
protect tab remains in the “Write” position), when you perform
any disk operations using the other device’s disk drive (such as
checking the contents of the disk, or loading data), you risk
rendering the disk unreadable by this unit’s disk drive.
) is a registered trademark of Roland Corpo-
207
* Apple and Macintosh are registered trademarks of Apple
Computer, Inc.
220
* All product names mentioned in this document are trademarks or registered trademarks of their respective owners.
7
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Introduction
Thank you, and congratulations on your choice of the Roland KR Intelligent Piano.
While the KR Intelligent Piano certainly allows you to achieve authentic piano performances, it also
features easy-to-use Automatic Accompaniment and numerous other useful functions. In order to
enjoy reliable performance of your new keyboard for many years to come, please take the time to read
through this manual in its entirety.
Main Features
❍ Lusciously Resounding, Richly Expressive Piano Sound
The KR107 reproduces the rich tones of a high-quality grand piano, from the sounds of the hammers
as they strike the strings to the sounds made as the keys are released. 128-voice polyphony ensures
full responsiveness, even with heavy use of the pedals.
What’s more, The “Piano Designer” feature allows you to create your own favorite piano tones.
❍ True Grand Piano Feel
The KR107 features Roland’s Progressive Hammer Action keyboard, which reproduces the feel of a
grand piano, with a firm, weighty touch in the lower registers and a lighter response in the upper
registers. This keyboard also faithfully reproduces the distinctive “click” that’s produced when a
grand piano’s keys are played (Escapement function).
In addition to the ability of adjusting the key weight, a “Hammer Response” function, which
reproduces the subtle action of the hammers, is also incorporated, so there are two key-touch controls
that come into play when determining the precise character of the keyboard. Additionally, the
instrument’s pedals are firm and responsive, lending your performances fuller and more detailed
expressiveness.
❍ Accomplish Tasks Easily with the Main Buttons
Almost all of the KR’s common functions, including playing back songs, displaying notations,
running the automatic accompaniment, selecting tones, and so on can be accomplished using the Main
buttons to the left of the screen.
❍ A Wealth of Practice Features to Foster Musical Growth
Use the “Visual Lesson” feature for enjoyable practice and steady improvement.
You can use this function to score the results of your performances and find out which notes have been
played differently than those indicated in the notation.
The KR also scrolls the notation automatically as you play, making your practices even more
convenient.
❍ Connector Allows Enlarged Display of Notation and Lyrics
The KR107 is equipped with a connector for use with televisions and other external displays.
Connecting a large screen to the KR107 allows you to display a greater number of measures at the
same time.
❍ Easy-To-Use “Music Assistant” Automatic Accompaniment
Feature
You can select from an amazing 500 settings to get automatic accompaniment that perfectly matches
the song you are playing.
Each song’s Music Assistant settings are shown in a manner that is easy to grasp, so playing along
with the changes in the accompaniment is a snap.
For easy enjoyment of Music Assistant, the KR107 also includes songs that you can perform while
reading the chord charts.
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Introduction
❍ Color Display for Easy Operation
The KR107 features a color screen touch panel with rich graphics to make viewing easier. Operations
can be carried out easily, just by touching the screen.
❍ Utilizes External Memory–the New Media
You can save song data created on the KR107 to External memory (sold separately). Extremely
portable, high-capacity external memory also connects easily to computers, allowing song data to be
transferred easily. Taking further advantage of the high-capacity memory, you can also play back
audio files with the KR107.
How To Use This Manual
The KR Owner’s Manual consists of three volumes, Quick Start, Owner’s Manual, and the USB
Install Guide.
Please start out by reading “Before You Start Playing” (p. 17) in the Owner’s Manual (this volume).
This explains how to connect the KR’s power cord and how to turn on the instrument’s power.
After turning on the KR’s power, please continue by reading Quick Start.
By trying out the various procedures while reading the Quick Start, you can easily learn how to play
the KR and make use of its major functions (especially procedures that involve use of the “main
buttons”).
The Owner’s Manual describes procedures, from basic operation to procedures for special
applications (for example, using the KR as an accompanist and creating songs), that will help you
master the KR’s many performance functions.
When connecting a computer to the USB port, be sure to read the USB Install Guide. This describes
the procedure for installing the driver needed to connect via USB.
*
For more on system requirements, refer to the “USB Installation Guide.” However, note that the
KR107 is not compatible with Mac OS 9.
■ Conventions Used in This Manual
This manual uses the following conventions in the interest of simpler, more concise instructions.
• Button names are enclosed in square brackets “[ ]”, as in One Touch Program [Piano]
button.
• For easier readability, some screens and colors used here may differ in part from actual
screens and colors.
• On screen text is enclosed in angled brackets “< >”, as in <Exit>.
• The act of lightly contacting the Touch Screen with your finger is called “touching.”
• An asterisk (*) or a NOTE at the beginning of a paragraph indicates a note or
precaution. These should not be ignored.
• (p. **) refers to pages within the manual.
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Contents
USING THE UNIT SAFELY ................................................. 3
IMPORTANT NOTES............................................................ 6
Introduction.................................................8
Chapter 1 Performance ........................... 22
Playing the Keyboard Like a Piano
(One-Touch Piano) ............................................................... 22
Performing with a Variety of Tones (Tone Buttons) ....... 23
Main Features.......................................................................... 8
Playing Percussion Instruments or Sound Effects...... 24
How To Use This Manual ..................................................... 9
Conventions Used in This Manual ................................. 9
Using Keywords to Search for Tones
(Tone Search).................................................................... 25
Panel Descriptions ...................................14
Performing with Multiple Sounds Layered Together
(Layer) .................................................................................... 26
Performance Pads............................................................ 14
Record/Playback............................................................. 15
Playing Different Tones with the Left and Right Hands
(Split) ...................................................................................... 27
Rear Panel.............................................................................. 16
Shifting the Keyboard Pitch in Octave Steps
(Octave Shift).................................................................... 28
Bottom Panel ......................................................................... 16
Adding Reverberation to the Sound (Reverb) ................. 29
Bottom Panel (Front Left)............................................... 16
Adding Three-Dimensional Breadth to the Sounds You
Play (Advanced 3D) ............................................................. 31
Bottom Panel (Front Right) ............................................ 16
Adding Liveliness to the Sound (Dynamic Emphasis)... 33
Before You Start Playing .........................17
Connect the Pedal Cable...................................................... 17
Connect the Speaker Cable ................................................. 17
Connect the Power Cord ..................................................... 17
Setting Up the Music Rest ................................................... 17
Folding Down the Music Rest ....................................... 17
Using the Music Holders................................................ 17
Removing the Music Rest............................................... 18
Installing Batteries in the Remote Control........................ 18
Adjusting the Sound to Achieve the Preferred Tone
Quality (Equalizer)............................................................... 34
Applying Effects to the Sound (Effects) ............................ 36
Adding Effects to Mic Vocals (Vocal Effect)..................... 37
Enjoying Karaoke Performances with Music Files..... 43
Using the Metronome .......................................................... 44
Using the Metronome ..................................................... 44
Changing the Metronome Settings ............................... 45
Chapter 2 Automatic Accompaniment... 47
Opening/Closing the Lid.................................................... 18
Turning the Power On and Off .......................................... 18
Music Styles and Automatic Accompaniment................. 47
About the Pedals .................................................................. 19
Performing Using Automatic Accompaniment
(One-Touch Arranger) ......................................................... 48
Adjusting the Sound’s Volume and Brilliance................. 19
Connecting Headphones ..................................................... 19
Using the Headphone Hook .......................................... 20
Connecting a Microphone................................................... 20
About the Touch Screen ...................................................... 20
Adjusting the Contrast of the Screen............................ 20
About Chords................................................................... 49
Playing Chords with Simple Fingering
(Chord Intelligence) ........................................................ 49
Viewing Chord Fingerings (Chord Finder) ................. 50
Selecting Music Styles (Music Style Buttons) ................... 51
Main Screens ......................................................................... 21
Using Keywords to Search for Music Styles
(Style Search).................................................................... 52
Piano Screen ..................................................................... 21
Selecting Music Styles on External Memories............. 53
Basic Screen ...................................................................... 21
Playing Only Music Style Rhythm Patterns ..................... 54
Using the Main Icons ...................................................... 21
Adjusting the Accompaniment Tempo............................. 54
The [Option] Button and The [Exit] Button................. 21
Starting and Stopping the Accompaniment ..................... 55
The Scroll Bar and The Page Icon ................................. 21
Having the Accompaniment Start Simultaneously
When You Play the Keyboard (Sync Start).................. 55
Stopping Automatic Accompaniment.......................... 56
Having a Count Sound Play at the End of the Intro
(Countdown).................................................................... 57
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Contents
Modifying an Accompaniment .......................................... 58
Placing a Marker within a Song .................................... 85
Changing the Accompaniment Pattern
(Fill In Buttons) ................................................................ 58
Playback from a Marker Location................................. 86
Changing Accompaniment Patterns in the Screen..... 59
Moving a Marker............................................................. 86
Changing the Instrumental Makeup of Music Styles
(Style Orchestrator) ......................................................... 59
Playing Back the Same Passage Over and Over ......... 87
Adding Harmony to the Right-Hand Part
(Melody Intelligence) ........................................................... 60
Playing Sounds in the Left Hand During a Performance
(Lower Tone)......................................................................... 61
Playing the Piano with Accompaniment Added
(Piano Style Arranger) ......................................................... 62
Erasing a Marker ............................................................. 86
Transposing Keyboard Sounds and Songs Played Back
(Transpose) ............................................................................ 88
Chapter 5 Recording and Saving the
Performance ............................................. 90
Recording a New Song (New Song) .................................. 91
Adjusting the Volume Balance for Each Part
(Balance)................................................................................. 63
Recording With Accompaniment ...................................... 93
Changing the Volume Balance Between the
Accompaniment and the Keyboard
(Balance Knob)................................................................. 63
Recording While Selecting the Track Buttons
(Redoing Recordings) .......................................................... 96
Adjusting the Volume Balance for Each Performance
Part (Part Balance) ........................................................... 63
Erasing the Performance on Specific Tracks ............... 97
Chapter 3 Song Playback ........................65
Recording Along with a Song............................................. 95
Erasing Recorded Performances ........................................ 97
Changing How Recording Stops........................................ 97
Recording Songs Starting with Pickups............................ 98
Using External Memories.................................................... 99
Playing a Song ...................................................................... 65
Using Keywords to Search for Songs
(Song Search).................................................................... 68
Registering the Songs You Like (Favorites)...................... 69
Removing Songs From Favorites .................................. 70
Using the Remote Control................................................... 71
How to Use the Remote Control ................................... 71
Connecting and Ejecting an External Memory ........... 99
Formatting Media (Format) ......................................... 100
Saving Songs ....................................................................... 102
Deleting Saved Songs......................................................... 105
Copying Songs on External Memories to Favorites ...... 106
Copying Songs Saved in Favorites to External
Memories ........................................................................ 107
About the Remote Control ............................................. 72
Chapter 4 Practice Functions..................74
Chapter 6 User Program Registration.. 108
Saving Performance Settings (User Program)................ 108
Displaying the Notation ...................................................... 74
Touching Notes to Confirm the Sounds
(Touch the Notes) ............................................................ 75
Calling Up Saved User Programs .................................... 109
Changing the Way User Programs Are
Called Up........................................................................ 109
Scrolling the Notation Along with the Performances
(AutoSync DigiScore) ..................................................... 75
Saving the User Program Sets .......................................... 109
Making Detailed Settings for
the Notation Display....................................................... 76
Deleting Saved User Program Sets .................................. 111
Saving Notations as Image Data ................................... 79
Copying Sets of User Programs on External Memories
to the User Memory ........................................................... 111
Adjusting the Tempo ........................................................... 81
Setting the Tempo by Pressing the Button in Time
(Tap Tempo)..................................................................... 81
Playing Back at a Fixed Tempo (Tempo Mute)........... 82
Match the Tempo Before You Begin Playing
(Count In) .............................................................................. 83
Muting Some Parts Before Playing (Track Buttons)........ 84
Loading Saved User Program Sets.............................. 110
Coping Sets of User Programs Stored in the User
Memory to External Memories.................................... 112
Using the Pedal to Switch User Programs...................... 112
Selecting the Pedal Used for Switching Settings
(Pedal Shift) .................................................................... 112
Sequential Loading of User Program Sets Stored
(Load Next)..................................................................... 112
Setting Markers for Repeated Practice (Marker) ............. 85
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Contents
Simultaneously Switching User Program and Transmitting
PC Numbers ........................................................................ 113
Creating a Style from a Song You Composed
Yourself (Style Converter)............................................ 132
Saving a User Style............................................................. 135
Chapter 7 Creating and Editing Songs.114
Deleting Saved User Styles .......................................... 136
Multitrack Recording with 16 Parts
(16-Track Sequencer).......................................................... 114
Copying Styles on External Memories to
the User Memory................................................................ 137
The 16-Track Sequencer Screen ................................... 114
Copying Styles Saved in the User Memory
to External Memories.................................................... 137
Modifying the Settings of Each Part ........................... 115
Getting the Most Suitable Part Tones for
the Musical Genre (Tone Set)....................................... 116
Chapter 9 Various Settings ................... 138
Recording a Performance ............................................. 116
Changing the Settings for One-Touch Arranger............ 138
Changing the Recording Method (Rec Mode) ............... 117
Procedure........................................................................ 138
Recording While Erasing the Previous Recording
(Replace Recording) ...................................................... 118
Adjusting the Keyboard Touch (Key Touch) ............ 138
Layering a Recording Over Previously Recorded
Sounds (Mix Recording)............................................... 118
Repeated Recording at the Same Location
(Loop Recording)........................................................... 118
Re-Recording Part of Your Performance
(Punch-in Recording).................................................... 119
Composing an Accompaniment By Entering Chords
(Chord Sequencer).............................................................. 121
Inputting Chords without Playing the Keyboard .... 122
Editing Songs ...................................................................... 122
Basic Operation of the Editing Functions .................. 122
Changing Music Styles Without Changing
the Tone or Tempo (One Touch Setting).................... 139
Changing the Keyboard’s Split Point
(Split Point)..................................................................... 139
Changing How Chords Are Played and Specified
(Arranger Config).......................................................... 139
Placing a Marker in the Middle of a Measure ................ 141
Changing the Settings for the Count ............................... 141
Other Settings...................................................................... 142
Procedure........................................................................ 142
Changing the Tuning (Tuning) ................................... 143
Undoing Edits (Undo) .................................................. 123
Assigning Functions to Pedals and Performance Pads
(Pedal Setting/User Functions)................................... 144
Copying Measures (Copy) ........................................... 123
Changing the Bend Range (Pedal Setting)................. 146
Correcting Timing Discrepancies (Quantize)............ 124
Changing Standard Pitch (Master Tune) ................... 146
Deleting Measures (Delete).......................................... 124
Changing the Language (Language) .......................... 147
Inserting Blank Measures (Insert) ............................... 125
Selecting Images To Be Shown on the KR and
External Displays
(User Image Display) .................................................... 147
Transposing Individual Parts (Transpose) ................ 125
Making Measures Blank (Erase).................................. 126
Exchanging Parts (Part Exchange).............................. 126
Correcting Notes One by One (Note Edit)................. 127
Modifying the Tone Changes in a Song (PC Edit).... 127
Changing the Beat in the Middle of a Song
(Beat Map) ........................................................................... 128
Changing the Tempo of Recorded Songs ....................... 128
Changing the Tempo Within the Song............................ 128
Changing the Screen Message When the Power Is
Turned On (Opening Message)................................... 148
Remembering the Settings Even When the Power is
Turned Off (Memory Backup)..................................... 148
Restoring the Factory Settings (Factory Reset) ......... 149
Changing the Functions of the Remote Control’s
Buttons ............................................................................ 149
Adjusting the Tempo While Listening to a Song...... 128
Switching the Remote Sensor On and Off
(iR function).................................................................... 150
Adjusting the Tempo at a Particular Measure .......... 129
Calibrating the Touch Screen (Touch Screen) ........... 150
Chapter 8 Creating Music Styles...........130
Selecting the Part to Which the Effect is Added
(EffectsPart) ......................................................................... 151
Creating Original Styles (User Styles) ............................. 130
Formatting the User Memory ........................................... 152
Creating New Styles by Combining Internal Music
Styles (Style Composer)................................................ 130
Automatically Starting the Quick Tour........................... 152
12
Adjusting the Piano Designer Resonance ....................... 153
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Contents
Disabling Functions Other Than Piano Performance
(Panel Lock)......................................................................... 153
Detailed Song Playback Settings ...................................... 154
Changing the Tone Settings When Playing Back Songs
(Play Mode) .................................................................... 154
Appendices............................................. 167
Error Messages.................................................................... 171
Tone List .............................................................................. 172
Drum Set List ...................................................................... 174
Viewing Song Information (Information)................. 154
SFX Set............................................................................. 177
Hiding the Lyrics (Lyrics) ............................................ 154
Effects List ........................................................................... 178
Changing the Parts Assigned to the Track Buttons
During SMF Playback (Track Assign) ........................ 155
Music Style List................................................................... 179
Chord List ............................................................................ 180
Internal Song List ............................................................... 182
Chapter 10 Connecting
External Devices.....................................156
Parameters Stored to Internal Memory........................... 184
Connecting an External Display or Television............... 156
The KR allows you to use the following music files 185
Connecting an External Display.................................. 156
About the KR Sound Generator .................................. 185
Connecting a Television ............................................... 157
Main Specifications ............................................................ 187
Changing the Settings for Showing Images with
the External Display and the Television
(External Display).......................................................... 158
Index........................................................ 189
Music Files That the KR Can Use..................................... 185
Explanation of Each Items............................................ 158
Connecting Video Equipment (V-LINK) ........................ 159
Using the V-LINK function.......................................... 159
Connecting MIDI Devices ................................................. 160
Connectors...................................................................... 160
Making the Connections .............................................. 160
Performing in Ensemble with MIDI Instruments
(MIDI Ensemble) ................................................................ 161
MIDI Settings ...................................................................... 161
Selecting the Transmit Channel (Tx Channel) .......... 162
Disconnecting the Internal Sound Generator and
Keyboard (Local Control)............................................. 162
Sending Tone Change Messages (Program Change/
Bank Select MSB/Bank Select LSB) ............................ 163
Sending Recorded Performance Data to a MIDI Device
(Composer MIDI Out) ....................................................... 163
Connecting to Audio Equipment ..................................... 163
Connectors...................................................................... 163
Making the Connections .............................................. 164
Connecting a Computer .................................................... 165
Connect to the MIDI Connectors ................................ 165
Connect to the USB Connector .................................... 165
Making the Settings for the USB Driver..................... 166
Troubleshooting.................................................................. 167
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Panel Descriptions
2
Power
3
5
7
9
4
1
6
8
10
11
1. [Power] switch
Pressed to switch the power on and off (p. 18).
2. [Volume] knob
Adjusts the overall volume (p. 19).
3. [Sound Control] button
Add liveliness to the sound to give it superb clarity and
distinctness.
4. [Brilliance] knob
Adjusts the brightness of the sound (p. 19).
5. [Part Balance] button
This adjusts the relative volume levels of each of the
performance parts (p. 63).
6. [Balance] knob
Changes the volume balance for sounds played with the
keyboard and for songs and accompaniments (p. 63).
7. [Transpose] button
Transposes the pitch of the keyboard or the song being
played (p. 88).
8. [Vocal Effect] Button
Applies a variety of effects to vocals from the
microphone (p. 36).
9. [Ambience/Reverb] button
Adds reverberation to the sound (p. 29).
Adds three-dimensional breadth to the sound (p. 31).
10. [User Program] button
Stores the selected functions and states of the buttons (p.
108).
Performance Pads
11. [Style Orchestrator] button
This is used to change the arrangement type for
automatic accompaniment with the Performance Pads
(p. 58).
12. [User Function] button
This is used to assign a variety of functions to the
Performance Pads (p. 144).
14
12
13
14
15
18 19 20
16 17
21
22
13. [1]–[3] buttons
The operation of each is changed depending on the
buttons numbered 11-12.
14. Music Style buttons
Selects a Music Style for automatic accompaniment (p.
51).
Pressing the [User] button selects a User Style that
you’ve made yourself or a Music Style on external
memory (p. 53).
15. Fill In buttons
Inserts a fill-in in an automatic accompaniment and
changes the accompaniment pattern (p. 58).
[To Variation] button
[To Original] button
16. [Intro/Ending] button
Play an intro or ending during automatic
accompaniment (p. 55).
17. [Start/Stop] button
Starts and stops automatic accompaniment (p. 55).
18. [Count/Marker] button
You can change the count settings (p. 57, p. 83).
These allow you to add and move markers in the
notation as well as repeat playback of song segments
simply and easily (p. 85).
19. Beat Indicator
This lights up in correspondence with the beat of the
selected song or accompaniment.
20. [Metronome] button
Activates the built-in metronome (p. 44).
21. Tempo [-] [+] buttons
Adjusts the tempo.
Press the [-] and [+] buttons at the same time to return to
the original tempo.
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Panel Descriptions
23
24
27
2526
28
29
31
30
32 38
33 34 35 36 37
22. Main Buttons
→ See the Quick Start
[Song/File] button
Use this button to select internal songs or songs from
external memories (p. 65).
[DigiScore] button
Displays notations (p. 74).
[Visual Lesson] button
You can use the practice function.
[Piano Designer] button (p. 153)
[Music Assistant] button (p. 153)
[Super Tones] button
23. Touch Screen
This lets you perform a variety of operations just by
touching the screen (p. 20).
24. Dial
Use this to change on-screen values.
25. [Exit] button
Returns you to the previous screen.
26. [Option] button
Displays a screen for advance function settings.
27. Contrast knob
Adjusts the contrast of the screen (p. 20).
28. [Tone] buttons
Select the Tones that will be played from the keyboard
(p. 23).
29. One Touch Program button
[Piano] button
Makes the optimal settings for a piano performance (p.
22).
[Arranger] button
Makes the optimal settings for playing with automatic
accompaniment (p. 48).
40
39
Record/Playback
31. [Menu] button
You can select functions for playing back, recording or
editing a song (p. 97,p. 114, p. 130, p. 154).
32. Track buttons
Used to play back or record each track of a song (p. 84, p.
96).
33. [
(Reset)] button
Resets the song playback-start location to the beginning
of the song.
34. [
(Play/Stop)] button
Starts and stops playback or recording a song.
(Rec)] button
35. [
When pressed, this button places the instrument in
recording standby (p. 91, p. 114).
36. [
(Bwd)] button
Rewinds the song.
(Fwd)] button
37. [
Fast-forwards the song.
38. Infrared Receiver
Point the remote control at this sensor when using the
remote control to operate the KR107 (p. 72).
39. [Wonderland/Game] button
Here you can learn about instruments while having fun.
→ See the Quick Start
40. External Memory port
Connects an external memory to play (p. 65) and save songs (p.
99).
* Be sure to close the cover of the External Memory port after
connecting USB memory to the External Memory port.
30. [Melody Intelligence] button
Adds harmony to the sounds played with the keyboard
(p. 60).
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Panel Descriptions
Rear Panel
fig.panelRear
1
2
4
3
5
6
7
1. Speaker jack
Connect the speaker cable of the stand (p. 17).
4. Expression pedal jack
You can connect an expression pedal to the KR (p. 156).
2. Ext Display connector
Connect an external display. You can put notations on
the screen and display lyrics (p. 156).
This cannot be used simultaneously with the Video Out
jack.
5. Pedal connector
Connect the pedal cable of the stand to this connector (p.
17).
3. Video Out jack
Connect a television here. This allows you to display the
notations and lyrics on the connected television set (p.
157).
This cannot be used simultaneously with the Ext Display
connector.
6. Input jacks
These jacks can be connected to another sound
generating device or an audio device, so that the sound
of that device will be output from the KR’s speakers (p.
163).
7. Output jacks
These jacks can be connected to your audio system to
enjoy more powerful sound. They can also be connected
Bottom Panel
Bottom Panel (Front Left)
Bottom Panel (Front Right)
fig.panelbottom
fig.panelUSB
1
2
3
4
5
1. Phones jacks
A set of headphones can be connected here (p. 19).
2. Mic Volume knob
Adjusts the volume level for the microphone (p. 20).
3. Mic In jack
Used for connecting microphones (p. 20).
4. MIDI Out/In connectors
These can be connected to an external MIDI device to
exchange performance data (p. 160).
5. USB connector
You can connect a computer and exchange performance
data between the instrument and the computer (p. 165).
16
6
6. Floppy disk drive connector
Connects an optional floppy disk drive to play and save
songs.
* Use floppy disk drive available from Roland.
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Before You
Start Playing
Before You Start Playing
Connect the Pedal Cable
Connect the Power Cord
Insert the pedal cable into the Pedal connector on the
Insert the included power cord into the AC inlet on the
rear panel of the KR107.
bottom panel of the KR107, and then plug it into an
electrical outlet.
fig.00-01
NOTE
Be sure to use the supplied power cord.
fig.00-02
Connect the Speaker Cable
As shown in the diagram, connect the speaker cable
leading from the speaker box of the stand to the speaker
connector located on the rear bottom panel of the KR107.
Push the speaker cable in until it clicks into position.
KR107 Rear
Setting Up the Music Rest
1. Grasping the music rest with both hands, lift it toward
you until its in the upright position.
2. Use the support on the back of the music rest to keep
the stand in place.
Speaker connector
Clip portion
The angle of the music rest can be set to any of three
positions.
fig.mu_stand
Speaker cable
1
2
NOTE
Do not place containers holding liquids (such as flower vases),
insecticide, perfume, alcohol, or similar substances on top of this
piano.
The speakers of this piano are mounted beneath the upper surface,
and face upwards. Malfunctions or accidents may occur if liquids
contact any part of the speakers.
■ Folding Down the Music Rest
1. Raise the support located on the back of the music rest,
Speakers
then gently fold down the music rest.
■ Using the Music Holders
You can use the holders to hold pages in place.
When not using the holders, leave them folded down.
fig.mu_stand4
17
Before You
Start Playing
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Before You Start Playing
■ Removing the Music Rest
Opening/Closing the Lid
You can remove the music rest from the piano.
This allows you to place a notebook computer on the piano.
To open the lid, use both hands to lift it lightly, and
slide it away from yourself.
Position the music rest so it’s upright, then remove the
To close the lid, pull it gently toward yourself, and
two screws, as shown.
You can remove the screws using a coin.
lower it softly after it has been fully extended.
fig.00-05
fig.mu_stand3
NOTE
When opening and closing the lid, be careful not to let your fingers
get caught. If small children will be using the KR107, adult
supervision should be provided.
NOTE
NOTE
Be careful not to lose the screws that you removed from the music
If you need to move the piano, make sure the lid is closed first to
rest, or put them where they might be swallowed by small children.
prevent accidents.
Installing Batteries in the
Remote Control
Turning the Power On and
Off
Install the batteries provided in the remote control.
NOTE
fig.Remote Control-1.j
Remote Control’s (Rear)
Turn on power to your various devices in the order specified. By
turning on devices in the wrong order, you risk causing malfunction
and/or damage to speakers and other devices.
941
To turn the power on, turn the [Volume] knob all the
way down, and then press the [Power] switch.
Remote
Control’s
Cover
1. Open the battery cover on the back of the remote
control.
2. Insert the supplied AA batteries, as shown in the figure
of remote control.
The power will turn on, and the Power indicator at the
left front of the KR107 will light.
After a few seconds, you will be able to play the
keyboard to produce sound.
Use the [Volume] knob to adjust the volume.
NOTE
This unit is equipped with a protection circuit. A brief interval (a few
seconds) after power up is required before the unit will operate
normally.
942
fig.00-06.e
3. Close the battery cover.
Power
NOTE
Be careful to observe the correct polarity (+, - direction) when
installing the batteries.
For more information on the remote control button functions, refer
to “Using the Remote Control” (p. 71).
18
Power Indicator
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To turn the power off, turn the [Volume] knob all the
way to the left, and press the [Power] switch.
when placing the instrument on carpet, adjust this so
that the pedals firmly contact the floor.
fig.00-09.j
The Power indicator at the left front of the KR107 will go
dark, and the power will be turned off.
945
• If you need to turn off the power completely, first turn off the
POWER switch, then unplug the power cord from the power
outlet. Refer to Power Supply (p. 6).
About the Pedals
The pedals have the following functions, and are used
mainly for piano performance.
fig.00-08.e
Adjuster
Adjusting the Sound’s
Volume and Brilliance
Turn the [Volume] knob to adjust the overall volume.
Turn the [Brilliance] knob to adjust the brightness of
the sound.
fig.00-07.e
Soft Pedal
Damper Pedal
Sostenuto Pedal
Damper pedal (right pedal)
While this pedal is pressed, notes will be sustained even after
you take your fingers off the keys.
The length of the sustain changes subtly according to the
extent to which the pedal is depressed.
On an acoustic piano, holding down the damper pedal will
allow the remaining strings to resonate in sympathy with the
sounds that you played from the keyboard, adding a rich
resonance.
The KR107 simulates this damper resonance.
Connecting Headphones
The KR107 has two jacks for plugging in headphones. This
allows two people to listen through headphones
simultaneously, making it very useful for lessons and when
performing piano pieces for four hands. Additionally, this
allows you to play without having to worry about bothering
others around you, even at night.
Plug the headphones into the Phones jack located at the
bottom left of the piano.
You can change the amount of resonance applied with the damper
pedal. Please refer to “[Piano Designer] button” in the Quick Manual.
Sostenuto pedal (center pedal)
This pedal sustains only the sounds of the keys that were
already played when you pressed the pedal.
Connecting headphones will automatically mute the
sound from the internal speakers.
The headphone volume is adjusted by the [Volume]
knob of the KR107.
fig.00-04.e
Soft pedal (left pedal)
When you hold down this pedal and play the keyboard, the
sound will have a softer tone.
The softness of the sound changes subtly depending on the
extent to which the pedal is depressed.
About the Adjuster
When you move the KR107 or if you feel that the pedals are
unstable, adjust the adjuster located below the pedals as
follows.
❍
Phones jack x 2
NOTE
Use Stereo headphones.
Rotate the adjuster to lower it so that it is in firm contact
with the floor. If there is a gap between the pedals and
the floor, the pedals may be damaged. In particular
19
Before You
Start Playing
Before You Start Playing
Before You
Start Playing
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Before You Start Playing
Some Notes on Using Headphones
• To prevent damage to the cord, handle the headphones
only by the headset or the plug.
• Connecting the headphones when the volume of
connected equipment is turned up may result in damage
to the headphones. Lower the volume on the KR107
before plugging in the headphones.
• Listening at excessively high volume levels will not only
damage the headphones, but may also cause hearing
loss. Use the headphones at a moderate volume level.
■ Using the Headphone Hook
Whenever you are not using the headphones, you can hang them on
the headphone hook at the lower left of the KR107.
Attaching the Headphone Hook
Press and twist the headphone hook included with the KR107 into
the hole in the bottom of the KR107 (refer to the figure below).
Some Notes on Using a Microphone
• Be careful of high volume levels when using microphone
late at night or early in the morning.
• When connecting a microphone to the KR107, be sure to
lower the volume. If the volume control is too high when
the microphone is plugged in, noise may be produced by
the speakers.
• Howling could be produced depending on the location
of microphones relative to speakers. This can be
remedied by:
1. Changing the orientation of the microphone(s).
2. Relocating microphone(s) at a greater distance from
speakers.
3. Lowering volume levels.
983
About the Touch Screen
Turn the headphone hook thumbscrew to secure the headphone
The KR makes use of a touch screen.
hook.
This lets you carry out a wide variety of actions just by
touching the screen lightly.
NOTE
The touch screen is operated by touching it lightly with your finger.
Pressing hard, or using a hard object can damage the touch screen.
Be careful not to press too hard, and be sure to use only your fingers
to operate the touch screen.
Thumbscrew
NOTE
Connecting a Microphone
You can connect a microphone into the Mic In jack, and enjoy
karaoke with the KR107.
The positioning of the touch screen may become displaced due to
changes in the surrounding environment and over time. If this
happens, follow the steps in “Calibrating the Touch Screen (Touch
Screen)” (p. 150) to correct the pointer position.
fig.00-10
Mic In jack
Mic Volume knob
NOTE
Do not place items on the touch screen.
■ Adjusting the Contrast of the
Screen
To adjust the contrast of the screen, turn the Contrast
knob located at the right side of the screen.
1. Connect a microphone (sold separately) to the Mic In
jack on the lower-left area of the instrument.
2. Rotate the [Mic Volume] knob on left side of the Mic In
jack to adjust the volume level for the microphone.
20
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Main Screens
When you select an internal song or music
files that includes the lyrics data, this icon
appears in the Piano screen or Basic screen.
Touch this to display the lyrics.
■ Piano Screen
Immediately after the power is turned on, the Piano screen
like the one below is displayed. For details, refer to p. 22.
NOTE
The explanations in this manual include illustrations that depict
what should typically be shown by the display. Note, however, that
your unit may incorporate a newer, enhanced version of the system
(e.g., includes newer sounds), so what you actually see in the display
may not always match what appears in the manual.
985
■ The [Option] Button and The
[Exit] Button
■ Basic Screen
The following screen is called Basic screen.
Tempo
Song name or
Music Style name
Beat Measure
The [Option] Button
The Tone names are
selected appear.
These information are
displayed, when you use the
automatic accompaniment.
You can usually display this screen by pressing [Exit] button
several times.
Follow either of the procedures described below to display it.
• Press the One Touch Program [Arranger] button.
The Basic screen appears and the settings are made for
automatic accompaniment.
• Press the One Touch Program [Piano] button, then press
one of the Tone buttons, then press the [Exit] button.
This displays a screen for advance function settings.
The screen that opens differs depending on the screen that
was displayed when the button was pressed.
The [Exit] Button
Touch to cancel the settings currently being made and close
the screen displayed. Normally, pressing the [Exit] button
one or more times returns you to the Basic screen.
■ The Scroll Bar and The Page
Icon
The Song and Tone selection screens feature a scroll bar at
the right of the screen list, with page icons at the top and
bottom of the scroll bar.
■ Using the Main Icons
Page icon
You can many other screens besides the Basic screen to do
things. The on-screen graphics that appear three dimensional
work like buttons. These are called “Icons.”
Scroll bar
Page icon
The main icons you can use on these screens are as follows.
Some screens consist on two or more pages.
You can display the next page or the previous
page of the screen by touching these icons.
Touch the scroll bar and drag up and down to scroll through
the list.
Touch the page icons <
><
> to change pages.
21
Before You
Start Playing
Before You Start Playing
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Chapter 1 Performance
Playing the Keyboard Like a Piano
(One-Touch Piano)
Chapter 1
You can create the optimal settings for a piano performance with the press of a single
button.
fig.panel1-1
1.
Press the One Touch Program [Piano] button.
A “Piano screen” like the one shown below will appear.
fig.d-piano.eps_60
When you press the One Touch Program [Piano] button, the KR will switch to the
following settings, regardless of the current panel settings.
• If the keyboard has been split into upper and lower sections (p. 27), the
keyboard returns to a single section.
• The pedals return to their usual functions (p. 19).
Since this instrument faithfully
reproduces real acoustic piano
action and response, keys
played in the top one-and-onehalf-octave range continue to
resonate, regardless of the
damper pedal action, and the
tone in this range is audibly
different. The Key Transpose
setting (p. 88) can also be used
to change the range that is
unaffected by the damper
pedal.
You can change the piano
performance settings by
touching the [Piano Designer]
button. For more details, refer
to “[Piano Designer] Button”
in the Quick Start.
• The Grand Piano sound is automatically selected.
• The effect is automatically set to “Damper Resonance” (p. 36).
When you select an internal
song or music file that includes
the lyrics data, <
>
appears in the Piano screen or
Basic screen. Touch this to
display the lyrics.
<
> appears in the Piano
screen or Basic screen when
headphones are connected.
You can add threedimensional breadth to the
sound from the headphones
(p. 31).
22
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Chapter 1 Performance
Performing with a Variety of Tones
(Tone Buttons)
For more about the names of
enjoy perform in a wide range of musical styles.
Tones, take a look at the “Tone
The built-in sounds are called “Tones.” The sounds are organized into six tone
List” (p. 172).
groups, which are assigned to the Tone buttons.
fig.panel1-2
1.
Press any one of the Tone buttons to select a tone group.
You’ll see that button’s indicator light up.
The screen displays the tone names included in the tone group you’ve selected.
fig.d-tonesel.eps_60
This screen is called the “Tone selection screen.”
Tones indicated by
is called an “EX voice.” These voices are especially
recommended.
Tones indicated by a red
mark produce the “Key Off Sound.”
What “Key Off Sound” does is recreate the tonal changes produced when the fingers
are released from the keys.
Tones indicated by “GS” is GS tones.
Touch and drag up and down in the scroll bar to scroll through the screen and
display other tones.
Touch the page icons <
><
> to change pages.
You can touch <Audition> for an audio demonstration of a particular tone.
You can touch <Effects> to add effect sounds to a variety of tones (p. 36).
You can do searches for tones according to search parameters or by name by
touching <Search> (p. 25).
23
Chapter 1
The KR comes with a many built-in instrument sounds and effects. This lets you
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Chapter 1 Performance
2.
Touch a tone name to select the tone.
You’ll hear the tone you’ve selected when you play the keyboard.
Chapter 1
You can use the dial to scroll through the screen as you switch the Tones to be
played.
3.
Press the [Exit] button.
This returns you to the Basic screen or the previous screen.
■ Playing Percussion Instruments or Sound Effects
You can use the keyboard to play percussion sounds or effects like sirens and animal
sounds.
fig.panel1-2
1.
Press the [Super Tones] button and watch the indicator light up.
2.
Touch <
><
> several times to display the “Drums” screen or the
“SFX (SOUND EFFECT)” screen.
fig.d-drum.eps_60
Drum screen
SFX screen
Each note of the keyboard will play a different sound.
You can also have play sounds by touching the screen.
The combination of sounds
assigned to the keyboard
You can select other drum tones by pressing the <
3.
> or <
> buttons.
varies according to the drum
set. Take a look at the “Drum
Press the [Exit] button several times.
Set List” (p. 174) and “SFX Set”
(p. 177).
This returns you to the Basic screen or the previous screen.
24
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Chapter 1 Performance
■ Using Keywords to Search for Tones (Tone Search)
You can search for tones that match the conditions you set for instrument or musical
style. You can also search the tones using the first character of the tone name.
Press any Tone button.
Chapter 1
1.
The tone selection screen appears.
2.
Touch <Search>.
The following “Tone search screen” appears.
fig.d-tonesrch1.eps_60
Condition Search screen
Name Search screen
Touch here to switch these screens.
Searching by Conditions
3.
4.
Touch <Category> or <Genre>, then use the dial to select the search
In condition search, tones
conditions.
satisfying all of the selected
search criteria are sought.
Touch <Search>.
The search results appear in the display.
Touch the tone name to select the tone.
Press the [Exit] button to return to the tone selection screen.
Searching by Tone Name
3
Touch <By Name>.
Touch <By Key> to go to the condition search screen.
4.
Decide which character is to be used for the search.
The selected character appears in the middle of the screen.
Enter the character you’re searching for. For example, touching <ABC> in succession
cycles you through the available choices in that character group (“A”→”B”→”C”...).
Touching <A-0> selects the type of character. Each time you touch <A-0>, the
character switches between alphabets and numerals.
5.
Touch <Search>.
The search results appear in the display.
Touch the tone name to select the Tone.
Press the [Exit] button several times to return to the Basic screen or the previous
screen.
25
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Chapter 1 Performance
Performing with Multiple Sounds
Layered Together (Layer)
Chapter 1
Two tones sounding together when you press a single key is referred to as a “layer
performance.”
For instance, it’s possible to play the Tones for both Piano and Strings simultaneously.
fig.layer.e
Grand Piano 1
Strings 1
Strings 2
1.
When you select an internal
song or music file that includes
Touch <Layer 1>.
fig.d-layer.eps_60
the lyrics data, <
>
appears in the Basic screen.
Touch this to display the lyrics.
<
> appears in the Piano
screen or Basic screen when
headphones are connected.
You can add threedimensional breadth to the
sound from the headphones
(p. 31).
The tone that was sounding before you switched to layer performance, plus the tone
indicated in the lower part of the display, are now played together.
Here, the tone appearing in the upper part of the display is called the “upper tone,”
and the tone appearing in the lower part of the display is called the “layer tone.”
In the same manner, you can touch <Layer 2> to layer further sounds.
Changing the Tones
2.
Touch the name of the tone to be changed.
3.
Press a Tone button to select the new tone (p. 23).
4.
When you have selected the tone, press the [Exit] button.
The display returns to the Basic screen.
Cancelling the Layer
Touch <Layer 1>.
Touch <Layer 2> to have <Layer 2> play as well.
The <Layer 1> and <Layer 2> icons are dimmed, and the Layer performance is
cancelled.
Now when you play the keys, only the tone indicated on the screen is sounded.
26
<-><+> on the tone selection
screen, the pitch of the
keyboard’s sound is changed
in octave units. To learn more,
see “Shifting the Keyboard
Touch here to highlight the tone name.
5.
When you touch Octave
Pitch in Octave Steps (Octave
Shift)” (p. 28).
You can change the balance of
the right-hand and Layer Tone
volume. For instructions, see
“Adjusting the Volume
Balance for Each Performance
Part (Part Balance)” (p. 63).
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Chapter 1 Performance
Playing Different Tones with the Left
and Right Hands (Split)
Dividing the keyboard into right-hand and left-hand areas, then playing different
Chapter 1
sounds in each section is called “split performance.” The boundary key is called the
“split point.”
The split point key is included in the left-hand keyboard area. Each time power to
the keyboard is turned on, the split point is reset to “F#3.”
You can change the split point;
refer to “Changing the
fig.split.e
Keyboard’s Split Point (Split
Split Point
Point)” (p. 139).
Acoustic Bass
1.
Grand Piano 1
When you select an internal
At the Basic screen, touch <Split>.
fig.d-split.eps_60
song or music file that includes
the lyrics data, <
>
appears in the Basic screen.
Touch this to display the lyrics.
<
> appears in the Piano
screen or Basic screen when
headphones are connected.
You can add threedimensional breadth to the
sound from the headphones
The tone sounding prior to the split performance is played in the right-hand section
(p. 31).
of the keyboard, and the tone indicated at the left of the screen is played in the lefthand section of the keyboard.
Here, the tone appearing at the right part of the display is called the “upper tone,”
and the tone appearing at the left part of the display is called the “lower tone.”
When you touch Octave
You can turn the tones on and off by touching <Lower 1> or <Lower 2>.
<-> <+> in the tone selection
screen, the pitch of the
Changing the Tones
keyboard’s sound is changed
2.
in octave units. To learn more,
Touch the name of the tone to be changed.
Pitch in Octave Steps (Octave
3.
Press a Tone button to select the tone (p. 23).
4.
When you have selected the tone, press the [Exit] button.
The display returns to the Basic screen.
Cancelling the Split
5.
see “Shifting the Keyboard
Touch <Split>.
Shift)” (p. 28).
You can change the volume
balance between the upper and
lower parts of the keyboard;
refer to “Adjusting the Volume
Balance for Each Performance
The <Split> icons are dimmed, and the Split performance is cancelled.
Part (Part Balance)” (p. 63).
When you play the keys, only the tone indicated on the screen is sounded.
27
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Chapter 1 Performance
Turning On Layer and Split Performance Simultaneously
Turning on either Layer Performance or Split Performance allows you to divide the
When the keyboard has been
keyboard into a upper and a lower part and play with twoTones layered in the lower
divided into upper and lower
part, and three Tones layered in the upper part.
sections, the damper pedal is
Chapter 1
fig.d-layersplit.eps_60
applied to only the upper
section. If you want to add
lingering reverberations to the
notes of the lower section, see
“Assigning Functions to
Pedals and Performance Pads
(Pedal Setting/User
Functions)” (p. 144).
■ Shifting the Keyboard Pitch in Octave Steps
(Octave Shift)
When using layer performance (p. 26) or split performance (p. 27), you can change
the pitch of the keyboard’s sound in octave units. This function is called “Octave
Shift.”
For example, when playing a Layer performance, if you change the pitch of one of
the tones and then layer it, it changes the impression created with the tone.
1.
On the Basic screen, touch <Layer1> or <Split>.
The KR switches to layer performance or split performance.
2.
To apply Octave Shift, touch the name of the tone you’ve selected.
3.
Press the Tone button to display the Tone selection screen.
fig.d-octshift.eps_60
4.
Touch Octave <-> or <+> in the lower part of the screen to adjust the
pitch of the sound.
Each time you touch <+>, the pitch is raised one octave.
Each time you touch <->, the pitch is lowered one octave.
The sound can be changed from two octaves lower than the original sound (-2) to
two octaves above the original (+2).
Press the [Exit] button to return to the Basic screen or the previous screen.
28
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Chapter 1 Performance
Adding Reverberation to the Sound (Reverb)
Apply a reverb effect to the notes you play with the KR.
Reverb makes it sound as if you are playing in a concert hall.
1.
Chapter 1
fig.panel1-3
Press the [Ambience/Reverb] button and watch the its indicator light up.
A “Reverb screen” like the one shown below appears.
fig.d-reverb.eps_60
2.
Touch an icon to select the performance space.
;
Display
Explanation
Hall1
Hall with bright reverberation
Hall2
Hall with warm reverberation
Room1
Room reverberation
Cathedral
High-ceilinged cathedral
Ground
Wide open space with no reverberations
Room2
Small room
Lounge
Larger room
Studio
A recording studio
Gymnasium
In a gymnasium
Hall3
Large concert hall reverberation
Dome
A domed ballpark
Cave
Adds the extended reverberations found inside a cave
GS Room1
GS Room2
Reproduces an indoor-type reverb.
Provides a clear, expansive reverberation.
GS Room3
GS Hall1
GS Hall2
Reproduces the reverberation found in a hall. Gives
reverberation with a greater sense of depth than GS Room.
29
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Chapter 1 Performance
Chapter 1
Display
3.
Explanation
GS Plate
Reproduces a plate echo (reverberation created using the
vibrations of a metal plate).
GS Delay
A delayed sound that is added to the original, similar to the
reflected sounds of mountain echoes.
GS Pan Delay
The reflected sounds are panned (shifted) laterally.
slider is moved all the way to
Touch the slider beneath the icons to adjust the effect selected.
Touch and slide the knob on the screen to the right for a deeper reverb, and to the
left for less.
You can also move the slider with the dial.
When you press the [Exit] button, the reverb effect is activated, and you return to the
previous screen.
Cancelling the Effect
4.
Press the [Ambience/Reverb] button, and watch the indicator light go
out.
The reverb effect is eliminated.
30
No effect is applied when the
the left. In this case, the
button’s indicator won’t light
up when you press the
[Ambience/Reverb] button.
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Chapter 1 Performance
Adding Three-Dimensional Breadth to
the Sounds You Play (Advanced 3D)
You can add three-dimensional breadth to the sounds you play with automatic
Chapter 1
accompaniment (p. 47), or to internal songs or music files. With this effect, called
“Advanced 3D,” you seem to be surrounded by the sound of the performance.
fig.panel1-4
1.
Press the [Ambience/Reverb] button and watch the indicator light up.
2.
Touch <Advanced 3D>.
The following “Advanced 3D screen” appears.
fig.d-adv3d.eps_60
ON
3.
OFF
<
> appears in the screen
when headphones are
Touch <ON>.
connected.
Three-dimensional breadth is added to the sound.
4.
Touch the icon to switch the effect on or off for each individual part.
When you press the [Exit] button, the Advanced 3D effect is activated, and you
return to the previous screen.
Cancelling the Effect
5.
Touch <OFF>.
The Advanced 3D effect is not
applied, even when you touch
The Advanced 3D effect is eliminated, and the effect is no longer applied to any of
<ON>, if all parts are turned
the parts.
off.
31
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Chapter 1 Performance
Chapter 1
❍
Making Detailed Settings for Advanced 3D
1.
Press the [Ambience/Reverb] button and watch the indicator light up.
2.
Touch <Advanced 3D> to display the Advanced 3D screen.
3.
Press the [Option] button.
fig.d-adv3dopt.eps_60
4.
Touch
to switch the screens.
Touch
for the parameter being set to select the value.
Parameter
Display
Explanation
All Parts
The effect is applied to all tones played with the
keyboard (the lower tone, upper tone, and layer
tone).
Layer Parts
The effect is applied only to the layer part.
When not using a layer performance (p. 26), the
Advanced 3D effect is not applied to the keyboard
performance, even if <Keyboard> on the Advance
3D screen is set to On.
Auto
This selects settings that are adjusted for use with
headphones when headphones are connected.
When no headphones are connected, settings
adjusted for speakers are selected.
Speaker
Settings adjusted for listening to sounds through
speakers are selected.
Headphone
Settings adjusted for listening to sounds through
headphones are selected.
Depth
1–4
Changes the apparent depth of the sound. The
effect is applied more as the value is increased.
Width
1–128
Changes the breadth of the sound.
Part
Mode
You can also change the value with the dial.
With “Part,” you can touch the icon and then select the value.
5.
32
When you press the [Exit] button, you return to the Advanced 3D screen.
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Chapter 1 Performance
Adding Liveliness to the Sound
(Dynamic Emphasis)
You can add liveliness to the sound to give it superb clarity and distinctness.
Chapter 1
fig.panel2-8
1
Press the [Sound Control] button, to display the “Sound Control screen.”
The Dynamic Emphasis function is switched on, enlivening the sound.
fig.d-adv3dopt.eps_60
2
Touch the Type icon to select the type.
Description
Indicator
Sharp
Creates a sound with boosted bass and treble.
Clear
Produces a sound with chords in the low registers that are
clear and distinct.
Power
Creates a sound with boosted bass.
Cancelling the Dynamics Emphasis
3
Press the [Sound Control] button once more, and the indicator light goes
out.
33
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Chapter 1 Performance
Adjusting the Sound to Achieve the
Preferred Tone Quality (Equalizer)
Chapter 1
The KR features a built-in, five-band digital equalizer.
An equalizer boosts or cuts specific sound pitches (frequency ranges) to adjust the
sound balance for the overall performance. For example, you can boost the highs to
get a crisper sound, or boost the low end for a more powerful sound.
You can also adjust the sound to compensate for the acoustical characteristics of the
performance space.
If raising the slider for each frequency ends up distorting the sound, you can correct
the distortion with the Master Level slider.
1.
Press the [Sound Control] button, to display the “Sound Control screen.”
2.
Touch <Equalizer>.
The “Equalizer screen” appears.
fig.d-eq.eps_60
3.
Touch the Type icon to make your selection.
Display
34
Explanation
Piano
The optimal settings for piano performance are selected.
Power
Boosts both the low- and high-frequency ranges.
Mild
Lows and highs are restrained for a pleasant-sounding tone.
Clear
This setting slightly boosts the midrange for a simple pop feeling.
Bright
This setting boosts the high frequencies for a brilliant, sparkling sound.
Flat
All slider values are set to “0.”
User
Store your own preferred settings (p. 35).
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Chapter 1 Performance
4.
Touch the slider to make adjustment.
Displayed
Settings
Value
Explanation
-60–0–+60
Low-frequency range. This is the range of
frequencies for instruments like drums, bass,
organ, guitar and strings.
–
-60–0–+60
Mid-low-frequency range. This is the range of
frequencies for lower brass and woodwind
instruments.
Mid
-60–0–+60
Midrange. This is the range of frequencies where
most instrument sounds are concentrated.
–
-60–0–+60
Mid-high-frequency range. The ear is most
sensitive to this frequency range.
High
-60–0–+60
High-frequency range. These frequencies add
brilliance to the sound.
Master Level
-60–0–+60
You can temper the distortion in the sound by
lowering the level. Raising the level too much may
cause the sound to become distorted.
Chapter 1
Low
You can also move the slider with the dial.
When you press the [Exit] button, the equalization is placed in effect, and you return
to the previous screen.
Cancelling the Effect
5.
❍
Touch <Flat>.
Storing the Settings
You can store adjusted equalizer settings to <User>.
Even after editing the settings, you can touch <User> to call up your preferred
settings.
1.
Press the [Sound Control] button and watch the indicator light up.
2.
Touch <Equalizer>.
The “Equalizer screen” appears.
3.
Adjust the equalizer.
4.
Touch <Write>.
The settings are stored.
Even after editing the settings, you can touch <User> to select the stored settings.
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Chapter 1 Performance
Chapter 1
Applying Effects to the Sound (Effects)
1.
You can apply a wide range of different effects to the notes you play on the
For more on the effect types,
keyboard.
refer to the “Effects List” (p.
178).
First, press the Tone button to select a Tone (p. 23).
The “Tone selection screen” appears.
2.
Then, touch <Effects>.
The “Effects screen” appears.
fig.d-effects.eps_60
Applying Effects to the Sound
3.
Touch <ON>.
The effect selected with <Type> will be applied.
Selecting the Type of Effect
4.
Touch <Type>
NOTE
to select the type of effect.
the upper tone, layer tone, and
The parameters that can be set change according to the type selected in Step 4.
Touch
for the parameter being set to select the value.
Press the [Exit] button to return to the Tone selection screen.
Cancelling the Effect
36
lower tone. In such instances,
you can select which effect is
You can also move the slider with the dial.
6.
applied to certain parts when
different effects are applied to
Setting the Effect
5.
You may find effects not being
On the Effects screen, touch <OFF>.
to have priority.
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Chapter 1 Performance
Adding Effects to Mic Vocals
(Vocal Effect)
For details on connecting a
With a microphone connected, you can add effects to the microphone vocals.
❍
“Connecting a Microphone”
(p. 20).
How to select Vocal Effect
fig.panel1-5
1.
Press the [Vocal Effects] button.
The “Vocal Effects screen” appears.
fig.d-vocalsfx.eps_60
You can adjust the microphone
2.
volume with the Mic Volume
Touch any one of the icons.
knob on the (left) underside of
the KR107.
Icon
3.
Explanation
Page
Echo
Adjusts the microphone echo.
p. 38
Transformer
Alters the microphone vocals.
p. 38
Harmonist
Adds harmonies to the original voice.
p. 39
Vocal Count In
Allows you to start songs and Automatic
Accompaniment using your own tempo.
p. 40
Vocal Keyboard
Allows you to produce sounds conforming to the
vocal scale.
p. 41
Music Files
You can play a specific part as harmony while
playing back a song.
p. 42
When you press the [Exit] button, the effect is applied and you return to
the previous screen.
37
Chapter 1
microphone, refer to
Adding effects to the vocals is referred to as “Vocal Effect.”
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Chapter 1 Performance
Cancelling the Vocal Effect
4.
Press the [Vocal Effects] button and watch the indicator light go out.
Chapter 1
The Vocal Effect function is cancelled.
❍
Adjusting the Echo (Echo)
1.
Touch <Echo> in Step 2 of “How to select Vocal Effect” (p. 37).
fig.d-vo-echo.eps_60
2.
Touch the bar graph to adjust the amount of echo applied to the vocal.
3.
Touch the Echo Type <1> or <2> to change the echo type.
Displayed
Explanation
1
Adds basic reverberations.
2
Adds reverberations for a karaoke-type echo.
Press the [Exit] button to return to the Vocal Effects screen.
❍
Altering Vocals (Transformer)
You can modify the way your voice sounds through the microphone. This is called
the “Voice Transformer” function.
1.
Touch <Transformer> in Step 2 of “How to select Vocal Effect” (p. 37).
fig.d-vo-trans.eps_60
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Chapter 1 Performance
2.
Touch any one of the icons.
Here’s what the different icons do.
Display
Kids
Transforms the input into the sound of a child’s voice.
Bear
Transforms the input sound into the voice of a large animal.
Robot
Transforms the input into the sound of a robot’s voice.
Duck
Transforms the input into a duck’s quacking sound.
Alien
Transforms the input into an alien voice.
Computer
Transforms the input into a voice like that from a computer.
Female
Transforms male voices into female voices.
Male
Transforms female voices into male voices.
Chapter 1
3.
Explanation
Sing through the microphone.
Your voice is transformed according to the item you selected.
Cancelling the Effect
4.
Once again, touch the icon you selected in Step 2.
The Voice Transformer effect is eliminated.
Press the [Exit] button to return to the Vocal Effects screen.
❍
Adding Harmonies (Harmonist)
You can sing with a harmony accompaniment, even when you’re playing solo. This
is called the “Harmonist” function.
1.
Touch <Harmonist> in Step 2 of “How to select Vocal Effect” (p. 37).
Touch
to switch the screen.
fig.d-vo-harmo.eps_60
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Chapter 1 Performance
2.
Touch any one of the icons.
Here’s what the different icons do.
Chapter 1
Display
Explanation
Unison
Sounds like two people singing the same melody.
Oct-Up
Adds another voice one octave higher than the original.
Oct-Down
Adds another voice one octave lower than the original.
5th Up
Adds harmony a fifth above the original.
3rd Up
Adds harmony a third above the original.
4th Down
Adds harmony a major fourth below the original.
My Voice
The melody played on the keyboard is played as the harmony.
The harmony is added to your voice regardless of the pitch.
Duo 1
Duo 2
The added harmony matches the chords specified on the
keyboard. Adding harmony to a single voice gives the effect of
two people singing together.
Variety
The melody played on the keyboard is played as the harmony.
The harmony added is matched to the pitch; for example, higher
pitches are used for female voices, lower pitches for male voices.
Trio
The added harmony matches the chords specified on the
keyboard. This adds a two-voice harmony that makes it seem that
a trio is singing.
Chords
The added harmony matches the chords specified on the
keyboard.
You can change the way harmonies are added with the Melody
Intelligence type (p. 60).
Cancelling the Effect
3.
Touch the Harmonist type you selected in Step 2 again.
The Harmonist function is cancelled.
Press the [Exit] button to go back to the Vocal Effects screen.
❍
Enabling the Start of Songs and Automatic Accompaniment with the
Sound of Your Voice (Vocal Count In)
You can start songs and the Automatic Accompaniment by counting into the
microphone.
1.
Touch <Vocal Count In> in Step 2 of “How to select Vocal Effect” (p. 37).
fig.d-vo-coin.eps_60
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Chapter 1 Performance
2.
Touch <Arranger> or <Song>.
Explanation
Display
Automatic Accompaniment starts at the tempo used for the count.
Song
The song starts at the tempo used for the count.
Chapter 1
3.
Arranger
Count to four (“One, two, three, four”) into the microphone.
Count out the number of beats per measure in the time signature of the selected song
or Music Style.
For example, if you select a time signature of 4/4, then count to four; count to three
when 3/4 time is selected.
The tempo is automatically set according to the interval between the counts as you
speak into the microphone, and the song or Arranger begins.
Press the [Exit] button to return to the Vocal Effects screen.
❍
Playing Instrument Sounds at Vocal Pitches (Vocal Keyboard)
You can have melodies sung into the microphone played with the KR’s internal
Tones.
1.
Touch <Vocal Keyboard> in Step 2 of “How to select Vocal Effect” (p. 37).
fig.d-vo-key.eps_60
2.
If the <OFF> icon is selected, touch the <ON> icon.
3.
Touch any of the icons to select a Tone.
When you play the keys while
using Vocal Keyboard, the
You can also select the Tone by pressing the Tone button.
tone selected for Vocal
Keyboard is played.
When you sing into the microphone, the sung pitches are played using the selected
Tone.
Cancelling the Effect
4.
Touch <OFF>.
The Vocal Keyboard function is cancelled.
Press the [Exit] button to go back to the Vocal Effects screen.
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Chapter 1 Performance
❍
Adding Harmonies to a Specified Part (Music Files)
When you sing while playing back a specified part from song data, harmony is
Chapter 1
added based on pitches of the specified part.
1.
Select the song to which you want to add harmony.
To select a song stored in external memory, connect the external memory to the
external memory port.
2.
Touch <Music Files> in Step 2 of “How to select Vocal Effect” (p. 37).
fig.d-vo-music.eps_60
3.
Touch the icon for the part to which you want to add harmony.
When you play back the song and sing into the microphone, harmonies are added
using the pitches of the specified part.
4.
Touch <Variety>.
When <Variety> is ON, the melody played on the keyboard is played as the
harmony. The harmony added is matched to the pitch.
Cancelling the Effect
5.
Touch the icon you selected in Step 3 again.
The Music Files function is cancelled.
Press the [Exit] button to go back to the Vocal Effects screen.
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Chapter 1 Performance
■ Enjoying Karaoke Performances with Music Files
1.
Connect a microphone.
2.
Adjust the volume level and the amount of echo applied.
Commercial music files
designed for “karaoke” singalong are also available.
You can also enjoy this effect with the Voice Transformer function (p. 38) and
purchasing music files. Refer
to “Music Files That the KR
Can Use” (p. 185).
Harmonist function (p. 39).
3.
Select a song.
To select a song stored in external memory, connect the external memory to the
external memory port. For instructions on how to select songs, refer to “Playing a
Song” (p. 65).
On the KR, lyrics can also be
4.
Adjust the tempo as required with the Tempo [-] [+] buttons.
5.
If necessary, change the key of the song (Transpose: p. 88).
When you press the [
(Play/Stop)] button, the accompaniment starts playing.
Sing along with the accompaniment.
When you play back a Music File with lyrics, the lyrics appear on screen.
6.
Press the [
shown on an external display.
Refer to “Connecting an
External Display” (p. 156) and
“Changing the Settings for
Showing Images with the
External Display and the
Television (External Display)”
(p. 158).
(Play/Stop)] button to stop the accompaniment.
You can stop lyrics from being
displayed. Refer to “Hiding
the Lyrics (Lyrics)” (p. 154).
43
Chapter 1
On the KR, use the Vocal Effect function to adjust the echo (p. 38).
Consult your KR dealer when
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Chapter 1 Performance
Using the Metronome
The KR features a built-in metronome. During playback of the song and
Chapter 1
accompaniment, the metronome plays at that tempo and beat.
fig.panel1-6
■ Using the Metronome
1.
Press the [Metronome] button and watch the indicator light up.
You will hear the metronome.
The following “Metronome screen” appears.
fig.d-metro.eps_60
You can press the [Exit] button to have the metronome continue to play while you
return to the previous screen.
Stopping the Metronome
2.
Press the [Metronome] button once more, and the indicator light goes
out.
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Chapter 1 Performance
■ Changing the Metronome Settings
❍
Adjusting the Tempo
You can adjust the tempo of the metronome. The tempo and beat of the metronome
1.
Chapter 1
changes automatically if you use an Automatic Accompaniment or play back a song.
Press the Tempo [-] or [+] buttons to adjust a tempo.
You can adjust the metronome tempo over a range of
= 10–500.
Pressing the Tempo [-] and [+] buttons simultaneously returns the selected song
accompaniment to the basic tempo.
❍
❍
Changing the Beat of the Metronome
1.
On the Metronome screen, touch <Beat>.
2.
Select the beat with the dial.
When
is selected,
only the upbeat will sound.
Changing the Volume
The volume of the metronome can be adjusted to ten different levels.
1.
On the Metronome screen, touch <Volume>.
2.
Select the volume with the dial.
Choosing
sets the volume to the lowest level, and choosing
sets
it to the highest level.
Choose
❍
to silence the metronome sound.
Changing the Type of Sound
You can change the sound the metronome makes.
The setting is at “Normal metronome sound” when the KR is powered up.
1.
On the Metronome screen, touch <Sound>.
2.
Select the sound with the dial.
Displayed
Explanation
Displayed
Explanation
Normal metronome
sound
Electronic metronome
sound
“1, 2, 3” in Japanese
“1, 2, 3” in English
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Chapter 1 Performance
Chapter 1
Displayed
❍
Explanation
Displayed
Explanation
Dog and cat sounds
Wood block
Triangle and castanet
Hand clap
Changing How the Metronome Beat (Pattern) Sounds
You can set the Metronome to play at even smaller intervals.
1.
On the Metronome screen, touch <Pattern>.
2.
Select the pattern with the dial.
Displayed
Explanation
Displayed
Explanation
Usual sound
Dotted half-note intervals
Half-note intervals
Dotted quarter-note
intervals
Quarter-note intervals
Dotted eighth-note
intervals
Eighth-note intervals
Sixteenth-note intervals
Single back beat added
Triplet rhythm added
Shuffle rhythm added
❍
Turning Off the Beat Light (Beat Indicator)
The beat light flashes in time with the metronome, accompaniment Styles, and song
tempos, but you can set it so that it stays off at all times.
1.
Touch <Beat LED> in the Metronome screen.
2.
Select ON/OFF (Beat Indicator off) with the dial.
46
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Chapter 2 Automatic Accompaniment
Music Styles and Automatic Accompaniment
What is Automatic Accompaniment?
Press the One Touch Program [Arranger] button for Automatic Accompaniment’s
optimum settings. Automatic Accompaniment is a function that provides you with
accompaniment in a variety of musical genres, just by specifying chords in the left
For instructions on playing the
Automatic Accompaniment,
refer to “Selecting Music Styles
(Music Style Buttons)” (p. 51).
hand. Automatic Accompaniment lets you play with an orchestra, even when
performing alone!
Chapter 2
What Are Music Styles?
Accompaniment patterns in various musical genres are called “Music Styles.”
There are many different kinds of music around the world, and each has its own
unique features. What gives jazz or classical music their unmistakable sounds are a
unique combination of elements like instrumentation, melody, and phrasing, which
interact to create the musical character.
Elements of Music Styles
A Music Style consists of a set of six sections called “divisions.”
Division
Explanation
Intro
Played at the start of a song.
Original
The basic accompaniment pattern.
Variation
This is a variation on the Original accompaniment pattern.
Fill In To Original
This is a one-measure phrase inserted at a point where the
mood changes and the accompaniment returns to the original.
Fill In To
Variation
This is a one-measure phrase inserted at a point where the
mood changes and the accompaniment moves ahead to the
variation.
Ending
The conclusion of a song.
In addition, the accompaniment Styles are composed of up to a maximum of eight
performance parts: “Rhythm,” “Bass,” “Accompaniment 1,” “Accompaniment 2,”
“Accompaniment 3,” “Accompaniment 4,” “Accompaniment 5,” and
“Accompaniment 6.”
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Chapter 2 Automatic Accompaniment
Performing Using Automatic Accompaniment
(One-Touch Arranger)
Here’s how to create the settings for Automatic Accompaniment.
Chapter 2
fig.panel2-1
1.
Press the One Touch Program [Arranger] button.
The Basic screen like the one shown below appears.
fig.d-arrbasic.eps_60
<
> appears in the Piano
screen or Basic screen when
headphones are connected.
You can add threedimensional breadth to the
sound from the headphones
(p. 31).
Normally, when you change a
Music Style, the tempo and
tone change to selections that
go well with the selected
Music Style. If you do not want
Observe the settings:
to change the tempo and tone,
• The keyboard is split into left- and right-hand parts, with accompaniment
Styles Without Changing the
• A tone appropriate for the selected Music Style is chosen.
Tone or Tempo (One Touch
• The tempo and beat for the selected Music Style is set.
2.
refer to “Changing Music
chords specified for the left-hand side of the keyboard.
Setting)” (p. 139).
Play a chord on the Lower-part of keyboard.
The accompaniment begins, starting from the intro.
For instructions on selecting
Music Styles, refer to
Play chords with the left hand, and the melody with the right.
“Selecting Music Styles (Music
When you change chords in the left hand, the accompaniment also changes.
Style Buttons)” (p. 51).
fig.arr-split.e
Split Point ( F 3 )
For instructions on starting
and stopping the
accompaniment, refer to
The range specifyed a chord
3.
“Starting and Stopping the
Accompaniment” (p. 55).
Press the [Intro/Ending] button.
After the ending plays, the accompaniment stops.
You can change the range in
which chords are played.
Please refer to “Changing the
Keyboard’s Split Point (Split
Point)” (p. 139).
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Chapter 2 Automatic Accompaniment
■ About Chords
A chord is produced when several notes are played simultaneously. Chords are
indicated by the pitch of the fundamental note of the chord (the root) and the chord
type, which is determined by the other notes of the chord.
For example, the C m chord is expressed in terms of the root note “C” and the chord
type “m” (minor). C m is made up of the three notes “C,” “E
” and “G.”
“C m” is indicated as the chord name on the Basic screen.
fig.chord.e
Chapter 2
Cm
E
Chord Type
Root Note
C
G
Root Note
All chord roots are indicated as a letter, sometimes with
or
added, and
correspond to the notes shown below.
fig.chord-root.e
Normally, settings used for the
■ Playing Chords with Simple Fingering
(Chord Intelligence)
“Chord Intelligence” is a feature that chooses the accompaniment chords the
Chord Intelligence function are
selected, but there may be
settings that are not used. You
can also change the rules
governing how chords are
moment you play a key.
played. For more information,
To play a “C” chord, for example, you normally have to play the three keys C, E, and
see “Changing How Chords
G. But with Chord Intelligence, you only have to press the C key to start a “C” chord
Are Played and Specified
accompaniment.
(Arranger Config)” (p. 139).
fig.chord-intel.e
• Intelligence 1
Major
Minor
Ex: C
Ex: C m
Play the chord root.
Play the root and
the third key above it.
For more information about
chord fingering, refer to the
Seventh
Ex: C 7
Minor Seventh
Play the root and
the second key below it.
Major Seventh
Ex: C maj 7
Ex: C m7
“Chord List” (p. 180).
Play the root,
the third key above it, and
the second key below it.
Diminished
Play the root and
the first key below it.
Ex: C dim
Play the root and
the sixth key above it.
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Chapter 2 Automatic Accompaniment
■ Viewing Chord Fingerings (Chord Finder)
Whenever you are not sure how a certain chord is fingered, you can display the notes
of the chord on the screen.
1.
On the Basic screen, touch <
>.
Chapter 2
fig.d-arrbasic.eps_60
2.
Touch the root of the chord you want to learn about.
The chord fingering appears on screen.
fig.d-crdfind.eps_60
For example, if you wanted to see the fingering for a C# chord, you would touch
<C>, then touch <#>.
Press the [Exit] button to go back to the Basic screen.
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Chapter 2 Automatic Accompaniment
Selecting Music Styles (Music Style Buttons)
You can select a variety of different Music Styles by pressing the Music Style buttons.
Four different preset styles are assigned to the Music Style.
fig.panel2-2
Chapter 2
1.
Press the One Touch Program [Arranger] button.
2.
Press one of the Music Style buttons to select the Music Style group.
For more on the Music Style
names, refer to the “Music
Style List” (p. 179).
Watch the indicator button light up.
Five of the Music Styles included in that group are displayed on the screen.
fig.d-stylesel.eps_60
This screen is called the “Style Selection screen.”
Touch and drag up and down in the scroll bar to scroll through the screen and
display other styles.
Touch the page icons <
><
> to change pages.
You can touch <Search> to find Styles that match the selected criteria (p. 52).
3.
Touch a Music Style name to select the Music Style.
You can use the dial to automatically switch pages and select Styles.
4.
Touch Preset <A>, <B>, <C>, or <D> in the lower part of the screen.
When the Music Style is selected, Preset A is selected.
When any of the Presets from <A> through <D> are selected, the Music Style tempo,
Upper Tone, Style Orchestrator settings (p. 59) and other settings change.
5.
Press the [Exit] button.
The display returns to the Basic screen.
When you play a chord in the left-hand part of the keyboard, the selected Music Style
is automatic.
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Chapter 2 Automatic Accompaniment
■ Using Keywords to Search for Music Styles
(Style Search)
You can search for Music Styles that match the tempo of the song, musical genre, or
other criteria you set.
Chapter 2
You can also search Music Styles using the first character of the Style names.
1.
Press one of the Music Style buttons.
2.
Touch <Search>.
Only the KR’s internal Music
Styles are searchable.
The following “Style Search screen” appears.
fig.d-stylsrch1.eps_60
Condition Search screen
Name Search screen
Touch here to switch these screens.
In a condition search, the KR
❍
Searching by Conditions
3.
satisfying all of the selected
Touch the parameter you want to set, then use the dial to select the search
conditions.
4.
Touch <Search>.
The search results appear in the display.
Touch a Music Style name to select a Music Style.
Press the [Exit] button to return to the Style Search screen.
❍
Searching by Music Style Name
3.
Touch <By Name>.
Touch <By Key> to return to the Condition Search screen.
4.
Decide which character you’ll use for the search.
The selected character appears in the middle of the screen.
Enter the character you are searching for. For example, touching <ABC> in
succession cycles you through the available choices in that character group
(“A”→”B”→”C”...).
Touch <A-0> to toggle between alphabets and numerals.
5.
Touch <Search>.
The search results appear on the display.
Touch a Music Style name to select a Music Style.
Press the [Exit] button several times to return to the Basic screen or the previous
screen.
52
looks for Music Styles
search criteria.
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Chapter 2 Automatic Accompaniment
■ Selecting Music Styles on External Memories
You can play other User Styles saved to external memories (sold separately) or User
memory (p. 135).
fig.panel2-3
Chapter 2
1.
Press the Music Style [User] button.
fig.d-styldisk.eps_60
2.
Touch <User> in the lower left of the screen.
When you touch <User> on the lower part of the screen, the screen for selecting user
memory or external memory Styles appears.
Touching <Preset> in the lower left of this screen returns you to the screen for
selecting the “Trad/World” accompaniment Styles.
3.
Touch <
><
> to select the storage media to which the
accompaniment Style is saved.
The names of the accompaniment styles stored on the selected storage media are
displayed.
4.
Select a Music Style, and touch the Music Style name.
5.
Press the One Touch Program [Arranger] button.
You can save multiple user
You can now perform in the selected Music Style.
Styles to user memory. Take a
Music Styles selected from external memories are stored until the power is turned
look at “Saving a User Style”
off. Even after ejecting the external memory, by pressing the Music Style [User]
(p. 135).
button, you can perform using the most recently selected Music Style.
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Chapter 2 Automatic Accompaniment
Playing Only Music Style Rhythm Patterns
You can also play only the rhythm patterns of Music Styles.
Chapter 2
fig.panel2-4
1.
2.
3.
Select a Music Style (p. 51).
Some Music Styles do not
Press the One Touch Program [Piano] button.
include rhythm patterns.
The performance is set so that only the rhythm patterns are played.
When you select these Style
patterns, no rhythm patterns
Press the [Intro/Ending] button.
The Rhythm part of accompaniment begins, starting from the Intro.
Just as with regular Automatic Accompaniment, you can add intros and endings by
pressing the [Intro/Ending] button, and make changes to the rhythm patterns with
the Fill In button (p. 58).
Adjusting the Accompaniment Tempo
fig.panel2-5
When the Basic screen is displayed, you can use the Tempo [-] [+] buttons or the dial
to change the tempo.
The tempo is indicated on the upper left of the screen.
fig.d-arrbasic.eps_60
Pressing the Tempo [-] [+] buttons simultaneously returns the selected Music Style
or song to the basic tempo.
You can change the tempo of Automatic Accompaniment even while the
accompaniment is playing.
54
NOTE
are played, even when you
play on the left side of the
keyboard.
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Chapter 2 Automatic Accompaniment
Starting and Stopping the Accompaniment
Pressing the One Touch Program [Arranger] button activates Sync Start for the
accompaniment (which starts the accompaniment simultaneously when you play on
the lower section of the keyboard), and automatically sets an appropriate intro for
the accompaniment. You can also change the way the accompaniment starts and
stops.
fig.panel2-6
Chapter 2
■ Having the Accompaniment Start Simultaneously
When You Play the Keyboard (Sync Start)
1.
Press the [Intro/Ending] button and [Start/Stop] button simultaneously,
Sync Start is set immediately
causing the indicators of both buttons to flash.
after the One Touch Program
The Sync Start settings go into effect.
2.
[Arranger] button is pressed.
Play a chord on the lower-part of keyboard.
As you play the keys, the intro and accompaniment begins simultaneously.
❍
Changing the Intro
When set for Sync Start (the indicators of both the [Intro/Ending] button and [Start/
Stop] button are flashing), you can use the following procedure to change the intro,
or prevent the intro from playing.
Starting without an Intro
Press the [Intro/Ending] button and watch the indicator go out.
Now when you play a chord with the keyboard, the accompaniment starts without
the intro.
To Start with a Short Intro Added
Touch <Arranger> in the Basic screen to open the arranger screen.
Touch the Intro <2>.
fig.d-intro2.eps_60
Now when you specify a chord with the keyboard, a short intro is played, and the
accompaniment starts.
55
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Chapter 2 Automatic Accompaniment
❍
Starting at the Press of a Button
1.
Press the [Intro/Ending] button and [Start/Stop] button simultaneously,
and the indicators lights go out.
The Sync Start function is cancelled.
2.
Play a chord on the lower part of keyboard.
Chapter 2
Choose the chord to be played when the accompaniment begins playing.
3.
Press the [Intro/Ending] button or the [Start/Stop] button.
When you press the [Intro/Ending] button, the intro plays, and the accompaniment
starts. When you press the [Start/Stop] button, the accompaniment starts without
the intro.
When you touch Intro <2> on the Basic screen, a short intro plays.
You can change the sound of
Chord Tones and Bass Tones
When you play the keys in the left-hand side of the keyboard while the [Start/Stop]
button’s indicator is not lit, chords play. This note is called the “Chord Tone,” and
the root of the chord being played at the same time is called the “Bass Tone.”
■ Stopping Automatic Accompaniment
❍
Stopping with an Added Ending
1.
Press the [Intro/Ending] button.
An ending plays and the Automatic Accompaniment stops.
❍
Stopping at the Same Time the Button is Pressed
1.
Press the [Start/Stop] button.
The Automatic Accompaniment stops as soon as you press the button.
56
the chord tone and bass tone.
Take a look at “Changing How
Chords Are Played and
Specified (Arranger Config)”
(p. 139).
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Chapter 2 Automatic Accompaniment
■ Having a Count Sound Play at the End of the
Intro (Countdown)
If an intro plays before your performance, you can have a count-in sound played to
the end of the intro, helping you hear when to start playing.
fig.countdown.e
Ex: 4/4
When the Intro has finished playing,
the accompaniment plays.
Intro
2
3
Chapter 2
1
4
Count Sound
1.
Press the [Count/Marker] button and watch the indicator light up.
The following “Countdown settings screen” appears.
fig.d-cntdwn.eps_60
2.
When set to “Count In/
Touch <Count Mode>
to set this to “Count Down” or “Count
In/Down.”
When you press the One Touch Program [Arranger] button, the performance starts,
Down,” a count sound is
added before playback of the
song begins.
and the countdown sound plays at the end of the intro.
❍
Cancelling the Countdown
3.
For more about settings on the
Countdown screen, refer to
Press the [Count/Marker] button and the indicator light goes out.
“Changing the Settings for the
Count” (p. 141).
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Chapter 2 Automatic Accompaniment
Modifying an Accompaniment
When you use Automatic Accompaniment, you can easily add Fill Ins to the
You can add variation to the
accompaniment patterns, change arrangements, and make other changes.
Automatic Accompaniment by
assigning different functions to
■ Changing the Accompaniment Pattern
(Fill In Buttons)
Chapter 2
There are two accompaniment patterns: the Original, and a Variation. In addition, a
fill-in (or short phrase) is added at the points where the accompaniment patterns
change, which adds more interest to the song. It can be effective to use the simpler
original pattern for the first half of the song, and the variation pattern for the second
half.
What’s a “Fill In”?
A short improvisational phrase inserted at the bar line is called a “Fill In.”
The KR automatically plays the appropriate phrase for the selected Music Style.
fig.panel2-7
Press the Fill In [To Variation] button and watch the indicator light up.
The instrument is set so that the variation performance pattern is played.
Press the Fill In [To Original] button and watch the indicator light up.
The instrument is set so that the original performance pattern is played.
Pressing these buttons during a performance inserts a one-bar fill-in at the
appropriate place and time.
Adding a Fill-in without Changing the Accompaniment Pattern
You can play only the fill-in, without changing the accompaniment pattern.
Press the lit [To Original] or [To Variation] Fill In button during the performance.
58
the Performance Pads and
pedals. For more information,
see “Assigning Functions to
Pedals and Performance Pads
(Pedal Setting/User
Functions)” (p. 144).
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Chapter 2 Automatic Accompaniment
■ Changing Accompaniment Patterns in the Screen
You can change accompaniment patterns in intros, fill-ins, endings, and so on by
touching the screen. This lets you enjoy even more advanced performances.
1.
Press the One Touch [Arranger] button.
The Arranger basic screen is displayed.
2.
Touch <Arranger>.
Chapter 2
The following screen appears.
fig.d-cntdwn.eps_60
For more information about
leading bass, refer to p. 145.
Touch the screen to change the accompaniment pattern.
■ Changing the Instrumental Makeup of Music Styles
(Style Orchestrator)
You can change the arrangement of an accompaniment. This function is called “Style
Orchestrator.” Each Music Style has three different accompaniment arrangements.
fig.panel2-8
1.
Press the [Style Orchestrator] button and watch the indicator light up.
The instrument is set to allow you to change the arrangement with the Performance Pads.
2.
When you press the [User
Function] buttons, the [Style
Orchestrator] button’s
Press Performance Pad [1]–[3] to change the arrangement for the
indicator goes out, and the
accompaniment.
function of the Performance
Watch the indicator of the button you pressed light up.
Button
Pads changes. For details refer
to p. 81 and p. 144.
Explanation
1 (Basic)
This is the simplest arrangement.
2 (Advanced)
This is a more involved arrangement.
3 (Full)
This is the most elavorate arrangement.
When simple Music Styles are
selected, there may be no
change in the arrangement
even when you use the Style
Orchestrator function.
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Chapter 2 Automatic Accompaniment
Adding Harmony to the Right-Hand
Part (Melody Intelligence)
You can add harmony to the notes you play on the keyboard.
While an Automatic Accompaniment is playing, the matching harmony is
automatically added to the notes you are playing with the right hand. This function
is called “Melody Intelligence.”
Chapter 2
fig.panel2-10
1.
Press the [Melody Intelligence] button and watch the indicator light up.
When you play something on the right-hand section of the keyboard, harmony is
added.
The following “Melody Intelligence screen” appears.
fig.d-melointel.eps_60
2.
Select and touch a harmony type.
Then when you play a melody on the keyboard, a harmony style is automatically
3.
added.
With some harmonies, Tones
When you press the [Exit] button, you’re returned to the previous screen, while the
may change automatically.
Melody Intelligence function remains selected.
Also, when you play several
keys at the same time, in some
Press the [Melody Intelligence] button once more and the indicator light
goes out.
The Melody Intelligence function is cancelled.
60
cases harmony may be added
to one note.
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Chapter 2 Automatic Accompaniment
Playing Sounds in the Left Hand During a
Performance (Lower Tone)
Normally, when using Automatic Accompaniment in a performance, sounds are not
produced by playing the left-hand part of the keyboard. When you touch the
<Lower 1> or <Lower 2> icon, you can have Tones from the left side of the keyboard
play simultaneously with the Automatic Accompaniment.
Press the One Touch Program [Arranger] button.
Chapter 2
1.
This sets the Automatic Accompaniment.
2.
On the Basic screen, touch <Lower 1>.
Now when you play a chord in the left-hand keyboard area, the notes you play will
sound, and the accompaniment chord changes.
In the same manner, you can play the lower tone by touching <Lower 2>.
By touching both <Lower 1> and <Lower 2>, you can get a Layer performance for
the left-hand.
fig.d-lower.eps_60
Stopping the Sound in the Left-hand
3.
Touch <Lower 1>.
The <Lower 1> icon returns to the original color.
To have <Lower 2> play as well, also touch <Lower 2>.
The lower Tones stop playing.
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Chapter 2 Automatic Accompaniment
Playing the Piano with Accompaniment Added
(Piano Style Arranger)
Usually with Automatic Accompaniment, you play chords on the left-hand side of
the keyboard and the melody on the right-hand side. Chords can also be recognized
over the entire keyboard, allowing you to perform using Automatic Accompaniment
without splitting the keyboard. This function is called “Piano Style Arranger.”
Chapter 2
This makes it possible to add an accompaniment automatically as you play a song
by playing chords in the ordinary way, without giving any thought to the location
of a keyboard split.
1.
2.
Press the One Touch Program [Arranger] button.
Touch <Split> to turn the Split function off.
fig.d-pianist.eps_60
3.
Select a Music Style (p. 51).
4.
Play the keyboard.
The accompaniment starts when you play a chord anywhere on the keyboard.
62
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Chapter 2 Automatic Accompaniment
Adjusting the Volume Balance for Each
Part (Balance)
You can adjust the volume balance between the accompaniment and the keyboard,
and the volume balance for each of the parts in a Music Style.
■ Changing the Volume Balance Between the
Accompaniment and the Keyboard (Balance Knob)
When this knob is turned
You can change the volume balance between a song and accompaniment and the
completely to the
notes you play on the keyboard.
Accompaniment side, no
sounds from the keyboard are
Adjust the volume balance with the Balance knob.
audible, even when the keys
are pressed. You can usually
fig.volbal.e
leave the knob at the center
position.
■ Adjusting the Volume Balance for Each
Performance Part (Part Balance)
You can adjust the volume of each performance part in a Music Style, and the
balance between parts when playing multiple Tones on the keyboard.
fig.panel2-11
1.
Press the [Part Balance] button and watch the indicator light up.
The following “Part Balance screen” appears.
Touch
to switch the screens.
fig.d-partbal2.eps_60
Switch the screens
63
Chapter 2
1.
NOTE
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Chapter 2 Automatic Accompaniment
The volume balance between the performance parts in the Music Style is indicated.
Display
Performance part
Rhythm
Music Style Rhythm Part
Bass
Music Style Bass Part
Accomp1
Accomp2
Accomp3
Accompaniment 1–6
Chapter 2
Accomp4
Accomp5
Accomp6
Chord Tone
Chord Tone (p. 56)
Bass Tone
Bass Tone (p. 56)
Audio
Audio
When you touch <Keyboard>, a screen like the following appears.
fig.d-partbal1.eps_60
Switch the screens
This shows the volume balance between the keyboard’s Tones when either layer
performance (p. 26) or split performance (p. 27) are used, or the volume balance
when using the keyboard to play percussion instruments or sound effects (p. 24).
Displayed
Tone Part
Drum/SFX
Percussion instruments or sound effects played with the keys
Upper
Upper Tone
Lower 1
Lower Tone 1
Lower 2
Lower Tone 2
Layer 1
Layer Tone 1
Layer 2
Layer Tone 2
When you touch <Accomp>, you return to the screen for setting the accompaniment
Style volume balance.
64
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Chapter 3 Song Playback
Playing a Song
Now, let’s try practicing while playing back internal songs, commercial music files,
and songs saved to external memories.
You can use rewind or fast-forward to go to any desired measure, and play back
from that point.
You can also play audio files.
fig.panel3-1
Selecting the Song
When playing back songs on optional external memory, first connect the external
memory to the external memory port.
1.
Press the [Song] button.
The following “Song Selection screen” appears.
fig.d-songsel.eps_60
Touch and drag up and down in the scroll bar to scroll through the screen and
display other songs.
Touch the page icons <
><
> to change pages.
: The fingering is included in the notation.
: The chords are indicated in the notation.
: You can display song lyrics.
: For audio files.
When you touch <
About Random Performances
When “Favorites” is selected as
the genre, songs registered in
“Favorites” are played back in
random order.
When “External Memory” is
selected as the genre, the songs
in the folder appearing on the
screen are played back in
random order.
>, songs selected from all of the internal songs are played in
random order.
When you touch <
>, all of the songs in the genre you have selected are played
in order, starting from the selected song. When the last song is finished, playback
resumes from the first song in the genre.
65
Chapter 3
Record/Playback buttons
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Chapter 3 Song Playback
<
>: The selected song is played back. This changes to <
is played back; playback stops when you touch <
> while the song
>.
If there is recorded song data,
the “Delete song” screen
appears.
By touching <File>, you can then view information about the song (p. 154) and save
songs to external memory (p. 102).
2.
Touch <
3.
Touch the name of the song to be played back.
touch <OK>. If you do not
You use and the dial to select songs.
want to delete the song, touch
><
> to select the song genre.
If it’s okay to delete the song,
Chapter 3
<Cancel>, and either save the
song to a external memory (p.
Playing back
4.
102) or register the song to the
Press the [
Favorites (p. 69).
(Play/Stop)] button.
The button indicator lights up, and playback of the song begins.
Stopping the Song
5.
Press the [
(Play/Stop)] button once again.
The button indicator light goes out, and the song stops.
When the song is finished, playback stops automatically.
Press the [
(Reset)] button to return to the beginning of the song.
NOTE
When you select a song, the
Record/Playback Buttons
measure number in the Basic
fig.composer.e
screen is highlighted. The
performance data is being
loaded while the indication is
highlighted; please wait a few
moments for this to be
completed.
Track buttons (Rhythm, Whole, Bass/Accomp, Lower, Upper):
Each performance part of the song being played back is assigned to a track button. Use these
buttons to select the performance parts that are muted or played. For more detailed
information, refer to p. 84.
[
(Reset)] button: Returns to the beginning of the song.
[
(Play/Stop)] button:
Plays back the song, or if the song is currently being played, it stops the song.
[
[
(Bwd)] button: Moves back the playback position of the song one measure each time
the button is pressed. Moves back the playback position of the song one second each when an
audio file is being played back. When held down, the song “rewinds” continuously.
[
(Fwd)] button: Advances the playback position of the song one measure each time the
button is pressed. Advances the playback position of the song one second each when an audio
file is being played back. When held down, the song is forwarded continuously.
Holding down the [
(Play/Stop)] button and pressing the [
you to the end of the song.
66
NOTE
(Rec)] button: Records the performance. For more detailed information, refer to p. 90.
(Fwd)] button moves
When using markers to specify
a section to be repeated (p. 87),
you can rewind and fast
forward only within the range
between Marker A and
Marker B.
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Chapter 3 Song Playback
When Selecting Songs in Folders
1. Touch the folder name.
2. Touch <
(Play)> at the bottom left of the screen.
After a moment, a list of songs in the folder is displayed.
You can also select the folder using the dial or the [
(Bwd)] or [
(Fwd)]
button on the remote; the folder can then be opened by pressing the
[
(PLAY)] button.
3. Touch a song from the list that appears to select the song you want to
NOTE
If a folder contains 500 or more
files and/or folders, some of
the files and folders may not
be displayed.
play back.
Chapter 3
* Depending on the number of songs contained in a folder, this may take some time.
About Audio Files
Audio files in the following format can be played back:
• “.WAV” extension
• 16bit linear
• Sampling rate of “44.1 kHz”
• Stereo
You cannot use the following functions in playing back audio files.
• Marker (p. 85)
• Displaying notations (p. 74)
• Registering “Favorites” (p. 69)
• Transposing (p. 88)
• Changing tempos (p. 81)
• Track Mute (p. 84)
• Recording (p. 91)
• Search (p. 68)
* Saving or performing other procedures during playback of audio files may
cause the song to stop while it is playing.
67
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Chapter 3 Song Playback
■ Using Keywords to Search for Songs (Song Search)
You can search for songs that match the conditions you set regarding the song tempo
or genre.
You can also search the songs using the first character of the song name.
1.
Press the [Song] button.
2.
Touch <
>.
The following “Song Search screen” appears.
fig.d-songsrch1.eps_60
Name Search screen
Chapter 3
Condition Search screen
Touch here to switch these screens.
❍
Searching by Conditions
3.
Touch the parameter you want to set, then use the dial to select the search
conditions.
With <Data>, songs are searched according to data included in the internal songs.
You can use four different criteria in searches: “Chords,” “Lyrics,” “Finger” (fingering
numbers), and “Any.” By selecting a song containing any of this data, then displaying
it in the KR’s notation, you can display information about the selected data.
4.
Touch <Search>.
The search results appear in the display.
Touch the song name to select the song.
Press the [Exit] button to return to the Song Selection screen.
❍
Searching by Song Name
3.
Touch <By Name>.
Touch <By Key> to return to the Condition Search screen.
4.
Decide which character you will use for the search.
The selected character appears in the middle of the screen.
Enter the character you are searching for. For example, touching <ABC> in
succession cycles you through the available choices in that character group
(“A”→”B”→”C”...).
Touch <A-0> to toggle between alphabets and numerals.
5.
Touch <Search>.
The search results appear in the display.
Touch the song name to select the song.
Press the [Exit] button several times to return to the previous screen.
68
Only the KR’s internal songs
are searchable.
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Chapter 3 Song Playback
Registering the Songs You Like (Favorites)
You can register songs you are currently practicing or enjoy playing to “Favorites,”
allowing you to select these songs easily.
Selecting the Song
1.
Press the [Song] button.
The Song Selection screen appears (p. 65).
fig.d-songsel.eps_60
You can also register songs on
external memory to the
Favorites. For details, refer to
“Copying Songs on External
Memories to Favorites” (p.
106).
Chapter 3
2.
Touch the song name to select the song to be registered.
Registering to Favorites
3.
Touch <Favorites>.
A screen like the one shown below appears.
fig.m-fvrtadd.eps_60
NOTE
You cannot register audio files
to the Favorites.
4.
Touch <OK>.
The selected song is registered to Favorites.
Now you can select the registered song by selecting Favorites for the genre in the
Song Selection screen.
69
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Chapter 3 Song Playback
■ Removing Songs From Favorites
This deletes registered songs for Favorites.
1.
Touch <
><
> in the Song Selection screen to select the
“Favorites” from the genre category.
Chapter 3
fig.d-song-fvrt.eps_60
2.
Touch the name of the song to be deleted.
3.
Touch <Delete>.
A screen like the one shown below appears.
fig.m-fvrtdel.eps_60
4.
Touch <OK>.
The song is deleted.
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Chapter 3 Song Playback
Using the Remote Control
You can use the included remote control to easily start and stop performances and
switch songs.
Refer to “Installing Batteries in
the Remote Control” (p. 18).
■ How to Use the Remote Control
When using the remote control, aim the remote control at the infrared receiver,
keeping in mind the range of operation (below).
Chapter 3
Infrared Receiver
Range of operation
Distance:
4 m (approximately 13 feet)
Angle:
40 degrees to the left and right
of the receiver.
Remote Control
Information from the remote is
not received when Remote
Sensor setting is switched off.
Refer to “Switching the
Precautions Concerning Use of the Remote Control
• The remote control is able to transmit only one operation at a time.
Remote Sensor On and Off (iR
function)” (p. 150).
• The remote control may not operate even within the range of operation if there
is an obstacle between it and the main unit.
• Using the remote control near other equipment that uses remote control systems
may result in operational errors.
• The life of the battery depends on the amount and conditions of use. If the
operational range of the remote control decreases, change the batteries.
• If you will not be using the remote control for a long period of time, remove the
batteries.
• The remote’s response may suffer if the remote’s sensor is situated under
spotlights or exposed to other such strong lighting.
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Chapter 3 Song Playback
■ About the Remote Control
Infrared Emitter
1
Chapter 3
2
3
Adding Effects to Mic
Vocals
Turning the Advanced
3D Function On and
Off
6
7
Restoring the Original
“TONE,” “HARMONY,”
and “TRANSFORM”
Settings
Selecting the Tone for
the Left-Hand and
Right-Hand Tracks
8
Switching the Screen of
the External Display
9
Starting and Stopping
Songs,
Selecting Previous and
Following Songs
Selecting the Song
Genre
4
Muting the Sound
10 Changing the Volume
5
Using the Function
Assigned to the
Buttons
11
12
You can also switch the functions for the [
] (Play/Stop) button, the [FUNC 1]
[FUNC 2] button, the TEMPO [-] [+] button, and the TRANSPOSE [-] [+] button.
Please refer to “Changing the Functions of the Remote Control’s Buttons” (p. 149).
72
Changing the Tempo of
the Song and Automatic
Accompaniment
Transposing Sounds
from the Keyboard and
Songs Being Played
Back
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Chapter 3 Song Playback
Button
Explanation
This changes the vocals from the mic. The setting switches each time you press the
button, cycling through male, female, Kids, and normal voice settings.
HARMONY
This adds harmonies to the mic vocals.
The harmony setting switches each time you press the button, cycling through
Music Files (p. 42), Oct-Up (p. 39), Oct-Down (p. 39), and normal voice settings.
3D
This adds greater breadth to the sound. Pressing this button toggles the Advanced
3D effect on and off.
INTERNAL
This switches the genres of the internal songs.
FAVORITES
Selects songs in the “Favorites.”
EXTERNAL
When you press the button with external memory or a disk connected, the
connected storage media is selected.
4
MUTE
This mutes all of the sounds.
5
FUNC1, FUNC2
You can use the function assigned to this button. You can also change the function
assigned to the button (p. 149).
6
CANCEL
The settings for the [TONE] button, [HARMONY] button, and [TRANSFORM]
button are restored to their original values.
The left and right tracks switch to a piano tone.
7
TONE
Pressing the button successively cycles you through these tone selections: Left
track, Right track, then User track.
DISPLAY
Each press of the button takes you to the next selection among the available choices,
which are, in order: panel, notations, notations+keyboard, lyrics.
You can press the [DISPLAY] button while the Tempo screen or Volume screen is
displayed to clear the Tempo screen or Volume screen.
* Some songs may not feature screens with lyrics.
1
2
3
8
Chapter 3
TRANSFORM
Pressing the [
] button at the beginning of the song selects the previous song.
Pressing the [
] button at a point other than the beginning of the song returns
you to the beginning of the song.
This starts and stops playback of the song.
Playback alternately starts and stops each time you press the [
You can also assign functions to the button (p. 149).
9
When you press the [
] button.
] button, the next song is selected.
10
VOL - +
(Volume)
You can adjust the volume.
11
TEMPO - +
This adjusts the tempo.
You can also assign functions to the button (p. 149).
12
TRANSPOSE - +
This transposing sounds from the keyboard and songs being played back.
You can also assign functions to the button (p. 149).
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Chapter 4 Practice Functions
With the KR107, you can enjoy practice using a variety of functions.
Using “Visual Lesson,” you
Displaying the Notation
The KR can display notations not only for the internal songs, but for music files and
performances recorded with the KR. This is very convenient for performing while
reading the music and for checking songs that have been recorded. When you play
back a music file with lyrics, the lyrics appear on screen.
Selecting the song
can select practice songs suited
to your skill level.
Additionally, you can have
the results your
performance indicated in
points and check the
content in the notation.
Refer to the Quick Start.
When playing back songs on external memories, first connect the external memory
to the external memory port.
1.
Press the [Song] button to select a song.
Chapter 4
For details refer to “Playing a Song” (p. 65).
2.
In some internal songs, the
fingering is displayed.
The fingering numbers shown
Press the [DigiScore] button.
The “Notation screen” appears.
in the screen indicate one
possible fingering.
fig.d-notation.eps_60
Chord names can be displayed
in some of the internal songs
and recorded performances
using the KR’s Chord
Sequencer (p. 121).
You can make more advanced
settings for the notation by
3.
pressing the [Option] button.
Press the [
(Play/Stop)] button.
Playback of the song begins, and the notation advances along with the progression
of the performance.
Notes Regarding the Notation Display
• Since the displayed notation data is read from external memory or the internal
memory, some time may be required for the notation to be displayed.
• The displayed notations are based on music files. Priority is placed on the
readability of the displayed music, not on the accurate rendition of difficult,
high-level performances. Thus, there may be discrepancies seen when compared
with commercially available printed music. The display is not intended for
viewing advanced songs requiring precisely detailed notations, or complex
songs.
• On the notation display screen, lyrics and notes may extend beyond the range
displayed on the screen and may not be visible.
• Playback may start over from the beginning if you display the notation or
change the displayed part during playback of the song.
74
NOTE
No notes are shown in the
notation if the selected part
contains no data. To change
the part being displayed, refer
to “Making Detailed Settings
for the Notation Display” (p.
76).
NOTE
You can not display the
notation for audio files.
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Chapter 4 Practice Functions
■ Touching Notes to Confirm the Sounds
(Touch the Notes)
In the Notation screen, you can have notes played by touching the notes on the
screen.
When you display the keyboard in the screen (p. 77), the keys on the keyboard for
the notes you touch are then shown in the display. This allows you confirm notes by
sight, sound, and touch.
In addition, when you trace part of the notation with your finger, the traced segment
is played back. This allows you to easily play back phrases you like.
fig.d-notation-key.eps_60
Chapter 4
■ Scrolling the Notation Along with the
Performances (AutoSync DigiScore)
You can have the notation displayed in the screen scroll automatically as you play,
even when the song is not being played back. No more frantically trying to turn to
the next page in the notation while you are performing.
This also lets you play difficult passages more slowly and otherwise practice at your
own pace.
* Auto Sync DigiScore is linked to the performance of the part shown in the screen. The
notation does not scroll if you are playing a part that is not currently displayed.
When the Bouncing Ball is Blue
Start playing at the point where the ball is bouncing.
The bouncing ball follows along and the notation scrolls as you play.
When the Bouncing Ball is Red.
You can change the AutoSync
DigiScore settings. Refer to p.
77.
If nothing is played for a short while, the bouncing ball turns red. At this time, if you
play a phrase near the position of the bouncing ball, the ball automatically moves to
the point in the notation where you are playing.
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Chapter 4 Practice Functions
When you play four or more notes while the bouncing ball is red, the ball moves to
the point where you are playing.
When you play fewer than four notes, the bouncing ball does not jump to the new
Under certain conditions, the
position, and the notation does not scroll.
bouncing ball may not move as
The bouncing ball will move within the range of the notation displayed on the
expected.
external display or television. If you start playing at a point that is not currently
shown in the external display or television, the bouncing ball does not jump to the
new position, and the notation does not scroll.
■ Making Detailed Settings for the Notation
Display
Chapter 4
You can change the part appearing on the notation display and change the manner
in which the notation is displayed.
NOTE
You can change the parts to be
1.
Press the [DigiScore] button to display the Notation screen.
2.
Press the [Option] button.
displayed when you touch
each of the icons.
A screen like the one shown below appears.
fig.d-notationopt.eps_60
In some internal songs, the
fingering is displayed.
Switch the screens
The fingering numbers shown
in the screen indicate one
You can select the parts to be displayed in the notation by touching the four icons at
possible fingering.
the lower left of the screen.
Icon
Description
The upper part and lower part are displayed.
The upper part is displayed.
The lower part is displayed.
Chord names can be displayed
in some of the internal songs
and recorded performances
The User part is displayed.
using the KR’s Chord
Sequencer (p. 122).
You can also touch <Export> to save the notation as an image file (p. 79).
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Chapter 4 Practice Functions
3.
Touch
for the parameter being set to select the value.
Press the [Exit] button to return to the Notation screen.
Item
Setting
ON
Displays an enlarged notation.
OFF
Displays the notation at the normal size.
Keyboard
Sets whether the
keyboard is displayed
beneath the notation.
ON
Displayed.
OFF
Not displayed.
OFF
The notation screen does not scroll
automatically.
JUMP
The notation screen scrolls
automatically. When the bouncing ball
is blue, playback begins from the point
in the notation where the ball is set.
When the bouncing ball is red, and you
start playing a phrase at a point in the
notation close to where the ball is
located, the ball moves to the point
where you are playing. This position is
determined after you play at least four
notes of the phrase.
NEXT
NOTE
The notation screen scrolls
automatically from the current position
in the song as you play.
Lyrics
This setting determines
whether or not lyrics in
songs that contain lyrics
data appear in the
notation.
ON
The lyrics are displayed.
OFF
Not displayed.
Finger Numbers
This setting determines
whether or not the
fingering in songs that
contain fingering data
appears in the notation.
ON
The fingering is displayed.
OFF
Not displayed.
Chords
This setting determines
whether or not chord
names in songs that
contain chord data
appears in the notation.
ON
The chord names are displayed.
OFF
Not displayed.
OFF
Not displayed.
C, D, E
The pitch names (C, D, E) are displayed.
Do, Re, Mi
(Fixed)
The pitch names (fixed Do) are
displayed.
Do, Re, Mi
(Movable)
The syllable names (movable Do) are
displayed.
AutoSync DigiScore
Sets the function
whereby the notation
screen scrolls
automatically as you
play, even if the song is
not played back.
Pitches
Sets whether or not the
note names appear in the
music when the notation
is expanded.
Chapter 4
Zoom
Sets whether or not the
enlarged notation is
displayed.
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Chapter 4 Practice Functions
Item
Setting
BASIC
Controls each of the pedal movements.
REPLAY
You can start and stop playback of song
data with the left pedal. Pressing the
pedal in rapid succession moves you
back in the song the number of
measures equal to the number of times
you press the pedal, after which
playback resumes. This allows you to
use the pedal to rewind quickly, a useful
feature when, for example, you want to
repeatedly listen to a difficult phrase.
PAGE1
Scrolls the notation in the KR-107’s
display.
Pressing the center pedal scrolls to the
next page.
Pressing the left pedal scrolls to the
previous page.
PAGE2
Scrolls the notation in the external
display.
Pressing the center pedal scrolls to the
next page.
Pressing the left pedal scrolls to the
previous page.
Resolution
Sets the minimum note
length indicated in the
notation.
16th note
Notes down to sixteenth notes are
indicated.
32nd note
Notes down to thirty-second notes are
indicated.
Clef L
Determines whether a
treble or bass clef is
shown in the notation for
the left-hand part.
Auto
Display is switched automatically.
G Clef
G (treble) clef is displayed in the
notation.
F Clef
F (bass) clef is displayed in the notation.
Clef R
Determines whether
treble or bass clef is
shown in the notation for
the right-hand part.
Auto
Display is switched automatically.
G Clef
G (treble) clef is displayed in the
notation.
F Clef
F (bass) clef is displayed in the notation.
Key
Notation is displayed in
the
specified key.
Auto
Key is switched automatically.
b x 5–0–
#x6
Notation is displayed in the specified
key.
Chapter 4
Pedal
Sets the pedal function.
Item
78
Setting
User Part
Selects the part to display when “User” is selected as the part
to be displayed.
User Track,
Parts 1–16
Lower Part
Selects the part to display when “Lower” is selected as the
part to be displayed.
Lower Track,
Parts 1–16
Upper Part
Selects the part to display when “Upper” is selected as the
part to be displayed.
Upper Track,
Part 1–16
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Chapter 4 Practice Functions
Item
Setting
Bouncing Ball
This setting determines whether or not the
animated ball is shown bouncing in time with the
song as it is played back.
ON
Displayed.
OFF
Not displayed.
Color Notation
This settings determines whether or not the note in
the current position is colored.
ON
The note is
displayed in color.
OFF
Not displayed.
■ Saving Notations as Image Data
You can take notations that are displayed on the KR and save them to external
memories. You can also use saved image data to your computer.
Other than for your own
Insert the external memory onto which you want to save the image data
in the KR’s external memory port.
2.
Record the performance (p. 91).
personal enjoyment, use of the
notations that are output
without the permission of the
copyright holder is prohibited
by law.
Alternatively, press the [Song] button to select a song.
3.
Press the [DigiScore] button.
The Notation screen appears.
4.
Press the [Option] button.
5.
Touch <Export>.
A screen like the one shown below appears.
fig.d-notationbmp.eps_60
79
Chapter 4
1.
NOTE
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Chapter 4 Practice Functions
6.
Touch the respective parameter and set the range of image data and other
settings with the dial.
Setting
Item
7.
Description
Start measure
1, 2–
Selects the measure at which output
begins.
End Measure
– song end
Selects the measure at which output
ends.
Direction
Portrait,
Landscape
Sets the orientation of the notation
being output.
Media
External Memory,
Disk
Selects the media for the save
destination.
Touch <Execute>.
Chapter 4
The notation is saved to the external memory as image data in BMP (bitmap) format.
Do not remove the external
* You cannot save copyrighted song data.
memory while “save” is in
* Other than for your own personal enjoyment, use of the notations that are output without the
permission of the copyright holder is prohibited by law.
progress.
Saving Your Visual Lesson Performance Results
When you practice with Visual Lesson, the notation showing the model performance
appears in the screen above the notation for your own performance. You can save
these notation in BMP (bitmap) format.
1. While in the “performance results confirmation screen” in Visual
Lesson, press the [Option] button.
2. Touch the parameter whose setting you want to change.
3. Set the value with the dial.
4. Touch <Execute>.
80
NOTE
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Chapter 4 Practice Functions
Adjusting the Tempo
This changes the song and Music Style tempos.
If songs seem difficult to play at their original speed, you may find it helpful to first
practice with the tempo slowed down. Then, after becoming more familiar with the
song, you can practice it at a gradually faster tempo.
Changing the tempo has no effect on the pitch of the notes. And you can change the
tempo even when the song is in progress.
fig.panel3-2
Chapter 4
Adjusting the Tempo with the Tempo [-] [+] Buttons
Pressing the [+] button once increases the tempo by one unit. Holding down the
button makes the tempo increase continuously.
Pressing the [-] button once decreases the tempo by one unit. Holding down the
NOTE
button makes the tempo decrease continuously.
You can not adjust the audio
Pressing the [-] [+] buttons simultaneously returns the selected Music Style or song
files’ tempo.
to the basic tempo.
■ Setting the Tempo by Pressing the Button in Time
(Tap Tempo)
You can also set the tempo by pressing the Performance Pad. This feature is called
“Tap Tempo.” By using the Tap Tempo function, you can quickly set the tempo you
are thinking of, without specifying the tempo in numerical terms.
fig.panel3-3
Assigning Functions to the Performance Pads
1.
Press the [User Function] button and watch the indicator light up.
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Chapter 4 Practice Functions
fig.d-usrfunc.eps_60
You can also assign the Tap
Tempo function to the pedal,
and use the pedal to specify
the tempo. For details, refer to
“Assigning Functions to
Pedals and Performance Pads
2.
(Pedal Setting/User
Touch
for the Performance Pad to which the function is
Functions)” (p. 144).
assigned, then select “Tap Tempo.”
Chapter 4
3.
Press the [Exit] button; the tempo is indicated in the upper left of the
screen.
You can start the song by
Specifying the Tempo
giving the count through the
4.
microphone. For more detailed
Press the Pad to which “Tap Tempo” is assigned at least twice.
The tempo is set to the song you used when tapping the button.
■ Playing Back at a Fixed Tempo (Tempo Mute)
If a song has tempo changes, it helps to practice the song first at a steady tempo.
Overriding tempo changes is called “Tempo Muting.”
1.
Hold down the [
(Play/Stop)] button and press one of the Tempo [-]
[+] buttons.
When tempo muting is in effect, the tempo display appears in reverse video.
fig.d-tempmute.eps_60
When you play back the song, it will play at a constant tempo.
Cancel the Tempo Mute Setting
1.
Hold down the [
(Play/Stop)] button and press one of the Tempo [-]
[+] buttons.
Tempo muting is canceled.
Tempo Mute will also be cancelled when you select a different song.
82
information, refer to “Enabling
the Start of Songs and
Automatic Accompaniment
with the Sound of Your Voice
(Vocal Count In)” (p. 40).
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Chapter 4 Practice Functions
Match the Tempo Before You Begin
Playing (Count In)
When you’re playing along with a song, you can listen to the tempo before you start
playing by adding a count-in.
This audible count before the song playback is called a “Count In.”
fig.panel3-3
1.
Press the [Count/Marker] button and watch the indicator light up.
You can have a count sound be
played before the song starts
playing back by holding down
the [
(Reset)] button while
you press the [
Play/
stop] button.The status of the
Count settings won’t be
affected by your use of this
procedure.
2.
Touch <Count Mode>
to set this to “Count In” or “Count In/
Down.”
With this setting, two measures count down before the song playback starts.
Cancelling the Count In
For more about other settings
1.
on the Count settings screen,
Press the [Count/Marker] button so its indicator is turned off.
By pressing [Exit] instead of the [Count/Mark] button, you can close the Count
refer to “Changing the Settings
for the Count” (p. 141).
settings screen without cancelling the count.
83
Chapter 4
The following “Count settings screen” appears.
fig.d-cntin.eps_60
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Chapter 4 Practice Functions
Muting Some Parts Before Playing
(Track Buttons)
With commercially available music files for piano lessons, the part for each hand can
For more on music files, refer
to “Music Files That the KR
Can Use” (p. 185).
be played back independently. This makes it easy to practice hands separately. For
example, you can follow along with your right hand while you listen to that same
right-hand part be played, or you can practice the left-hand part while the right-hand
part plays.
A music file for piano lessons may be assigned to the five Track buttons as shown below.
NOTE
You cannot mute individual
parts separately in audio files.
fig.trackbuttons.e
Chapter 4
Drums/SFX
Accom- Left-hand Right-hand
paniment
Part
Part
By using these Track buttons, you can eliminate the sound of specific parts. This is
referred to as “muting.”
If a single Track button
includes more than one
instrument and you want to
mute just one of those
instruments, take a look at
“Modifying the Settings of
Each Part” (p. 115).
By recording your own performances to the Track Buttons in this fashion, you can
mute parts the same way. For details, refer to “Recording While Selecting the Track
Buttons (Redoing Recordings)” (p. 96).
1.
Select the song that you wish to play back (p. 65).
Selecting the Part that You’ll be Playing
2.
Press any one of the Track buttons to make the button’s indicator light go
When a single Part is not
played, it is called “Minus
One.” Using Minus One, you
can mute out a particular
instrument and play the part
yourself.
dark.
The sound for the selected part no longer plays.
For example, when practicing the right hand, press the [4/Upper] button.
When you play back the song, the right-hand performance will not sound. Practice
your right-hand performance along with the left-hand playback.
Playing Back a Song
3.
Press the [
(Play/Stop)] button.
The song will begin playing back.
The part you selected in step 2 will not sound.
Once again press the button you selected in step 2. The button’s indicator will light
When playing back SMF files
for Roland Piano Digital series
instruments, and the [3/
Lower] button and [4/Upper]
button do not correctly control
the lower/ upper
performances, please change
the “Track Assign” settings.
Please refer to “Changing the
Parts Assigned to the Track
Buttons During SMF Playback
(Track Assign)” (p. 155).
up, and the part will be heard once again.
Even while the song is playing, you can press the track buttons to mute or un-mute
the sound.
Stopping the Song
4.
Press the [
The song will stop.
84
(Play/Stop)] button.
You can adjust the balance
between the keyboard and
song volume levels. Check out
“Adjusting the Volume
Balance for Each Performance
Part (Part Balance)” (p. 63).
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Chapter 4 Practice Functions
Setting Markers for Repeated Practice
(Marker)
By setting markers at points in a song that you want to practice repeatedly, you can
then easily go to and repeat play back of the selected measures.
■ Placing a Marker within a Song
NOTE
You can place two separate markers (Marker A and Marker B) in one song. These
You cannot place markers in
markers are placed at the beginning of a measure to make the beginning and end of
audio files.
a section of music. Placing markers is a handy way to start playback at the same
place as many times as you like. You can add markers or move to a marker even
while playback is in progress.
Access the Marker Screen
First, select the song in which you’ll set the markers (p. 65).
Press the [Count/Marker] button.
2.
Touch <Marker>.
Chapter 4
1.
The Marker screen appears.
fig.d-marker.eps_60
Placing Markers
3.
Go to the measure where you want to set a marker using the [
and [
4.
(Bwd)]
(Fwd)] buttons.
Touch <- - -> for Marker A.
Marker A is placed at the beginning of the measure you selected.
“- - -” on the screen will change to the number of the measure where you placed the
marker.
5.
Markers can also be assigned
in units of beats rather than
In the same way, touch the Marker B <- - -> to set Marker B.
It is not possible to assign marker B to the same location or a measure before marker A.
measures. Refer to “Placing a
Marker in the Middle of a
Measure” (p. 141).
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Chapter 4 Practice Functions
■ Playback from a Marker Location
1.
At the marker screen, touch the measure number of the marker you want
to go to.
fig.d-mark1-5.eps_60
Playback will start from wherever Marker A or Marker B are set.
When you play the song, playback starts from the position of the marker.
With the song playing back, playback will continue if you touch Marker A or Marker
B on the Marker screen.
Chapter 4
■ Erasing a Marker
1.
Touch <Clear> for the marker you want to erase.
fig.d-markclear.eps_60
The marker disappears and the on-screen display changes to <- - ->.
■ Moving a Marker
You can move a marker that has been placed in a song. You can also move the section
of music defined by Markers A and B forward or back, without changing the number
of measures of marked.
1.
On the Marker screen, touch
or
for the marker to be moved.
fig.d-mark1-5.eps_60
When you touch
, the marker is moved to a previous part of the song.
When you touch
, the marker is moved to a later part of the song.
Moving Markers A and B without Changing the Interval Between Them
fig.d-mark1-5.eps_60
86
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Chapter 4 Practice Functions
1.
On the Marker screen, touch
or
in the middle of the screen.
For example, if you have Marker A set at the beginning of the fifth measure, and
Marker B set at the beginning of the ninth measure, when you touch
in the
middle of the screen, Marker A is moved to the beginning of the first measure, and
Marker B is moved to the beginning of the fifth measure.
Touch
to shift Marker A to the beginning of the ninth measure and Marker B
to the beginning of the thirteenth measure.
fig.markerA-B.e
Measure 1
2
3
Marker A
Measure 1
2
4
5
6
7
8
9
10
11
12
13
14
15
16
7
8
9
10
11
12
13
14
15
16
Marker B
3
4
5
6
Chapter 4
Marker A
Marker B
■ Playing Back the Same Passage Over and Over
You can play back a particular passage over and over. This is convenient when you
want to focus on a passage.
1.
First, set Marker A and Marker B to define the measures you want to
repeat.
For instance, suppose you want to play back the passage from the fifth through
eighth measures over and over. You should place Marker A at the beginning of the
fifth bar and Marker B at the beginning of the ninth bar.
2.
Touch <Repeat> in the Marker screen.
fig.d-markrpt.eps_60
OFF
ON
When <Repeat> is On
• If neither Marker A nor
Marker B is set, the song
is played back from the
beginning to the end.
The setting is made for repeated playback of the passage from marker A to marker B.
When you play the song, the marked section of music plays back repeatedly.
Cancelling Repeat Playback
3.
Touch <Repeat> in the Marker screen, and the icon returns to the
• If you only place marker
A, playback repeats
from marker A to the
end of the song.
• If you only place marker
B, playback repeats from
the beginning of the
song to marker B.
original color.
Repeat playback is cancelled.
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Chapter 4 Practice Functions
Transposing Keyboard Sounds and
Songs Played Back (Transpose)
By using the “Transpose function,” you can transpose your performance without
changing the notes you play. For example, even if the song is in a difficult key with
many sharps (
) or flats (
), you can transpose it to a key that is easier for you to
read and play.
You cannot transpose audio
You can also use this function to play back a song in a different key.
When accompanying a vocalist, you can easily transpose the pitch to a range that is
comfortable for the singer, while still playing the notes as written (i.e., with the same
fingering positions).
Chapter 4
fig.panel3-4
First make sure you have selected the song to be transposed (p. 65).
1.
Press the [Transpose] button.
A “Transpose screen” like the one below appears.
fig.d-transpose.eps_60
2.
Touch the Transpose icon.
Target
Icon
88
NOTE
Settings Value
Keyboard sound
-6–0–5
Song to be played back
-24–0–24
Keyboard sounds, songs being played back
-6–0–5
files.
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Chapter 4 Practice Functions
3.
Touch the screen keyboard or
,
to select the transposition
value.
Each time you press
When you touch
or
, it transposes the key by a semitone.
, a value of “0” is set.
You can also use the dial to change the transposition value.
When you transpose a song or the keyboard, the [Transpose] button’s indicator
lights up. As you play the keyboard or play back the song, the notes are transposed.
When you press the [Exit] button, the transposition remains in effect, and you’re
returned to the previous screen.
Cancelling Transposition
Press the [Transpose] button and the indicator light goes out.
The transposition value reverts
Transposition is cancelled.
to “0” when you turn off the
power or select another song.
The next time you press the [Transpose] button, illuminating the indicator, the music
is transposed by the value set here.
Example: Playing a song in E major while playing the keys
for C major
In this example, C is the root note in the key of C major. E, the root of E major, is the
third in C major. It is up four keys, including the black keys, so touch
, then
enter “4” for the setting.
fig.trans.e
If you play C E G
It will sound E G# B
89
Chapter 4
4.
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Chapter 5 Recording and Saving the Performance
You can easily record performances using the five track buttons.
A recorded performance can be played back to listen to your own playing, or to add
additional parts.
NOTE
Recorded performances are
discarded when another song
You can use the KR to make the following kinds of recordings.
is selected, or when the power
• Recording just your own keyboard performance → “Recording a New Song
is turned off. Be sure to save
(New Song)” (p. 91)
• Recording performances using Automatic Accompaniment
→ “Recording With Accompaniment” (p. 93)
important performances on an
external memory. Take a look
at “Saving Songs” (p. 102).
• Recording along with the internal songs and songs on external memories
→ “Recording Along with a Song” (p. 95)
• Re-recording → “Recording While Selecting the Track Buttons (Redoing
Recordings)” (p. 96)
❍
If the Following Screen Appears
If you’ve recorded a song or changed a song’s settings (see p. 115), the following
Chapter 5
message appears on the screen when you try to choose another song.
If it’s okay to delete the song, touch <OK>.
If you do not want to delete the song, touch <Cancel>, and either save the song to an
external memory (p. 102) or register the song to the Favorites (p. 69).
90
NOTE
You cannot record while
playing along with audio files.
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Chapter 5 Recording and Saving the Performance
Recording a New Song (New Song)
This records keyboard performances without the use of the internal songs or
Automatic Accompaniment.
fig.panel4-1
Settings for Recording Performances
1.
Press One Touch Program [Piano] button.
This sets the KR for performance without the use of Automatic Accompaniment.
2.
Decide on the tone of the performance (p. 23).
Use the Tone buttons and the touch screen to select the tone.
When you have finished choosing the settings, press the [Exit] button to display the
Chapter 5
Basic screen.
Recording Settings
3.
Press the [
You press the [
(Rec)] button.
(Rec)] button and the following messages will appear, when a
song has already been recorded.
If you select <New Song>
fig.m-rec.eps_60
when a song has already been
recorded, the “OK to delete
song?” prompt appears in the
screen. For more detailed
information, refer to “If the
Following Screen Appears” (p.
90).
Touch <New Song>.
This switches the KR to the settings required for recording a new song.
The KR is put in recording standby.
To cancel recording, press the [
4.
(Rec)] button once more.
Decide on the tempo and beat.
If necessary, press the [Metronome] button to play the metronome.
When you have finished making the settings, press the [Exit] button to display the
Basic screen.
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Chapter 5 Recording and Saving the Performance
Start Recording
5.
NOTE
Press the [
Any performance that has
(Play/Stop)] button.
been recorded is deleted when
A two-bar count-in plays, then recording starts.
the power to the KR is turned
Even without pressing the [
off. If you do not want a
(Play/Stop)] button, recording starts when you
play the keyboard. There is no count-in played when you start by playing rather than
pushing the [
save it to an external memory
(Play/Stop)] button.
When recording starts, the [
(Play/Stop)] and [
performance deleted, then
or to Favorites. Refer to
(Rec)] buttons’ indicators
“Saving Songs” (p. 102).
light up.
Stop Recording
6.
Press the [
(Play/Stop)] button.
Recording stops.
The performance is recorded to the [1/Whole] button.
Listening to the Recorded Performance
Chapter 5
7.
Press the [
(Reset)] button, then press the [
(Play/Stop)] button.
NOTE
When Auto Start is set to ON,
The recorded performance is played back.
and no action is taken for a
When you press the [
certain period of time after you
(Play/Stop)] button, playback stops.
have recorded a performance,
a confirmation screen asking
Track buttons assignments for recorded performances
When you record only a keyboard performance, the performance will be assigned to
the track buttons as follows.
• Normal performance (playing a single Tone from the entire keyboard)
The performance is recorded to the [1/Whole] button.
• Layer performance
The performance is recorded to the [1/Whole] button.
• Split performance
The lower part of the keyboard is recorded to the [3/Lower] button, and the
upper part of the keyboard is recorded to the [4/Upper] button.
• Layer performance and Split performance
The lower part of the keyboard is recorded to the [3/Lower] button, and the
upper part of the keyboard is recorded to the [4/Upper] button.
• Drum set or sound effect performance
Recorded on the [R/Rhythm] button.
92
you if you want to delete the
song appears in the display.
If you touch <Yes>, the song is
deleted and the demo song
begins.
If you want to return to the
previous screen and continue
with the recorded
performance, touch <No>.
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Chapter 5 Recording and Saving the Performance
Recording With Accompaniment
Try recording a performance along with the Automatic Accompaniment.
Settings for Recording Performances
1.
Press the One Touch Program [Arranger] button.
This chooses the setting for Automatic Accompaniment.
2.
Decide on the Music Style.
When you have finished choosing the settings, press the [Exit] button to display the
Basic screen.
Recording Settings
3.
Press the [
You press the [
(Rec)] button.
(Rec)] button and the following messages will appear, when a
song has already been recorded.
If you select <New Song>
fig.m-rec.eps_60
when a song has already been
recorded, the “OK to delete
song?” prompt appears in the
information, refer to “If the
Following Screen Appears” (p.
90).
Touch <New Song>.
This switches the KR to the settings required for recording a new song.
The KR is put in recording standby.
To cancel recording, press the [
4.
(Rec)] button once more.
Decide on the tempo.
Start Recording
5.
Play a chord on the lower part of the keyboard.
You can change how recording
An Automatic Accompaniment intro starts, and recording starts at the same time.
performance with Automatic
Accompaniment. To learn
Stop Recording
6.
is stopped when recording a
how, see “Changing How
Recording Stops” (p. 97).
Press the [Intro/Ending] button.
An ending plays, then the Automatic Accompaniment, and recording stop at the
same time.
Listening to the Recorded Performance
7.
Press the [
(Reset)] button, then press the [
(Play/Stop)] button.
The recorded performance plays back.
When you press the [
(Play/Stop)] button, playback stops.
93
Chapter 5
screen. For more detailed
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Chapter 5 Recording and Saving the Performance
Track buttons assignments for recorded performances
Performances that have been recorded using Automatic Accompaniment are
Music Styles are composed of
assigned to the track buttons as shown below.
eight parts. For details, refer to
“Music Styles and Automatic
Chapter 5
Track button
94
Performance Recorded
[R/Rhythm]
The rhythm part of an Automatic Accompaniment is
recorded here. In addition, drum sets and effect sounds
that are selected with the keys in a performance are
recorded to this track.
[1/Whole]
When using Piano Style accompaniment (p. 62), the
performance played on the keyboard is recorded here.
[2/ Bass
Accomp]
The Automatic Accompaniment bass part and
accompaniment part are recorded here.
[3/Lower]
When the KR is set so that sounds from performances on
the left-hand side of the keyboard are played while the
Automatic Accompaniment sounds (p. 61), your own
performance on the left-hand side of the keyboard is
recorded here.
[4/Upper]
Your own performance on the right-hand side of the
keyboard is recorded here.
Accompaniment” (p. 47).
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Chapter 5 Recording and Saving the Performance
Recording Along with a Song
Try recording along with internal songs and songs on external memories.
Here, record your right-hand performance along with the song accompaniment.
Settings for Recording Performances
1.
Select a song.
For more on how to select songs, refer to p. 65.
2.
Decide on the tone and tempo of the performance.
3.
Press the [DigiScore] button to display the notation.
For instructions on displaying the notation, refer to p. 74.
within the song you selected.
Recording Settings
4.
Press the [
The song tempo is stored
(Rec)] button.
A screen like the one shown below appears.
fig.m-rec.eps_60
Chapter 5
5.
Touch <Add On>.
With this setting, you can record while listening to the selected song.
Selecting the Track to Record
6.
Press the track button for the track that you want to record (i.e., the track
that you want to play yourself).
The indicator of the button you pressed will blink, and the KR enters recording-
NOTE
standby mode.
Only drum sets or SFX set are
Since in this example we will record the upper part performance, press the [4/
recorded to the [R/Rhythm]
Upper] button to make the button’s indicator light blink.
button.
To cancel recording, press the [
(Rec)] button once more.
Start Recording
7.
Press the [
(Play/Stop)] button.
A two-bar count-in plays, then recording starts.
Even without pressing the [
(Play/Stop)] button, recording starts when you
play the keyboard. There is no count-in played when you start by playing the
keyboard instead of pushing the [
When recording starts, the [
(Play/Stop)] button.
(Play/Stop)] and [
(Rec)] buttons’ indicators light.
Stop Recording
8.
Press the [
(Play/Stop)] button.
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Chapter 5 Recording and Saving the Performance
Recording stops.
Listening to the Recorded Performance
9.
Press the [
(Reset)] button, then press the [
(Play/Stop)] button.
The recorded performance is played back.
When you press the [
(Play/Stop)] button, playback stops.
Recording While Selecting the Track
Buttons (Redoing Recordings)
When you want to re-record, specify the Track button for the performance you want
to re-record, and then record again.
When you select a previously recorded Track button and re-record, everything from
the point at which you begin recording up to the point where you stop recording will
be replaced by the newly re-recorded performance.
1.
Use the [
(Bwd)] and [
(Fwd)] buttons to go to the measure
When you want to record over
again after deleting all of the
previous recording, refer to
“Erasing Recorded
Performances” (p. 97).
Chapter 5
where you want to begin recording.
2.
Press the [
(Rec)] button.
The song tempo is stored
A screen like the one shown below appears.
within the song you selected. If
you want to change the tempo
fig.m-rec.eps_60
of the recorded song, refer to
“Changing the Tempo of
Recorded Songs” (p. 128) and
“Changing the Tempo Within
the Song” (p. 128).
3.
Touch <Add on>.
4.
Press the Track button for the track you want to re-record.
The indicator for the selected Track button starts blinking.
The [
(Play/Stop)] button’s indicator flashes, and the KR is put in recording
standby.
To cancel recording, press the [
5.
Press the [
(Rec)] button once more.
(Play/Stop)] button to begin recording.
Rerecording the Accompaniment Part of Automatic Accompaniment
When rerecording an Automatic Accompaniment performance, set Sync Start (p.
55), then specify a chord or press the [Start/Stop] button.
6.
Press the [
(Play/Stop)] button to stop recording.
If you also want to rerecord the ending of the Automatic Accompaniment, press the
[Intro/Ending] button.
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Chapter 5 Recording and Saving the Performance
Erasing Recorded Performances
You can use the following method to delete a recorded performance.
1.
Hold down the [Song] button and press the [
(Rec)] button.
A screen like the one shown below appears.
fig.m-songdel.eps_60
2.
Touch <OK>.
This deletes the recorded song.
When you touch <Cancel>, the song selection screen or basic screen appears and the
recorded song is not erased.
■ Erasing the Performance on Specific Tracks
1.
Chapter 5
You can select and erase performances on specific tracks.
Hold down the Track button for the track containing the performance
you want to erase, then press the [
(Rec)] button.
The Track button’s light goes dark, and the recorded music is erased.
Changing How Recording Stops
When recording an Automatic Accompaniment performance, you can change the
accompaniment and the way recording mode stops.
1.
Press the [Menu] button and watch the indicator light up.
The Menu screen appears.
2.
Touch <Rec Mode>.
A screen like the one shown below appears.
fig.d-recmode.eps_60
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Chapter 5 Recording and Saving the Performance
3.
Touch <Rec Stop>
to switch between “Arranger Stop” and
“Composer Stop.”
Explanation
Display
Arranger Stop
Recording stops at the same time the Automatic
Accompaniment stops.
Composer Stop
Recording does not stop, even when the Automatic
Accompaniment stops. When you press the [
(Play/
Stop)] button, recording stops.
Recording Songs Starting with Pickups
You can record songs that start with pickup beats (songs that start on a beat other
than the measure’s first beat).
fig.PU.e
Count Sound
~
Chapter 5
Measure -2
PU
1
Recording begins here
Carry out Steps 1–4 on p. 91 to prepare for recording.
If the [
(Rec)] button’s indicator is not lit, press the [
(Rec)] button so the
indicator is lit.
The KR is put in recording standby.
1.
Press the [
(Bwd)] button one time.
The measure number in the upper right of the Basic screen changes to “PU,” and the
KR is set to record a song starting with a pickup.
fig.d-pu.eps_60
Start recording. After a one-measure count, recording begins.
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Chapter 5 Recording and Saving the Performance
Using External Memories
If you install separately available external memory or a floppy disk drive, you’ll be
If connecting an optional
able to save songs you’ve recorded and listen to commercially available music data.
floppy disk drive, substitute
■ Connecting and Ejecting an External Memory
“floppy disk” wherever the
term “external memory”
appears here.
1.
Press the External Memory port cover and open the cover.
Press the cover in; the cover will open.
NOTE
Use external memory available
from Roland. Proper
functioning cannot be
2.
Connect the external memory to the External Memory port.
3.
Press the cover in again to close the cover.
guaranteed if other external
memory products are used.
Chapter 5
* Always keep the Ext Memory port cover closed except when connecting and
disconnecting external memory.
Locking the External Memory Port Cover
When connecting external memory (sold separately), you can lock the memory port
cover to prevent theft of the connected external memory.
1.
Connect the external memory to the external memory port.
2.
Press the External Memory port cover to close the cover.
NOTE
3.
s
Secure the lock using the anti-theft lock screws included with the
Take care not to lose the anti-
instrument.
theft lock screws. Also be sure
to use only the included
screws to secure the anti-theft
lock.
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Chapter 5 Recording and Saving the Performance
■ Formatting Media (Format)
NOTE
The process of preparing external memory or disks so that they can be used with the
When an external memory is
KR107 is called “initialization” (formatting).
initialized, all of the data
In certain cases, particularly with floppy disks, the media is formatted for a specific
saved on the external
type of device. If the media format does not match the KR107’s, you will not be able
memory is erased. If you’re
to use that media with the KR107.
formatting a used external
memory for reuse, be sure to
check first to make sure the
external memory doesn’t
contain any data you don’t
want to lose.
Chapter 5
fig.panel4-3
1.
Connect the external memory to the external memory port.
2.
Press the [Song/File] button.
3.
Touch <File>.
NOTE
When initializing floppy disks,
check to make sure that the
disk’s write protect tab is slid
to the “write” position.
A “File screen” like the one below appears.
fig.d-songfile.eps_60
NOTE
Do not disconnect the
external memory while data
is being read from or written
to the memory.
NOTE
Do not eject the floppy disk
while data is being read from
or written to the disk. This
4.
may scratch the disk’s
Touch <Format Media>.
The following screen appears.
magnetic surface, rendering
the memory unusable. (The
disk drive’s indicator lights
brightly while data is being
read from or written to the
disk. At all other times, the
indicator is lit more dimly, or
is not lit at all.)
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Chapter 5 Recording and Saving the Performance
fig.d-format.eps_60
NOTE
Do not remove the storage
media until the initialization is
completed.
Press the [Exit] button to go back to the previous screen.
5.
Touch <Media>
6.
Touch <Execute>.
to select the storage media to be initialized.
A confirmation screen appears. If you want to quit the initialization, touch <Cancel>.
7.
Touch <OK>.
NOTE
If “Error” appears on screen,
take a look at “Error
Initialization of the external memory begins.
Messages” (p. 171).
Chapter 5
When initialization is completed, you’re returned to the previous screen.
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Chapter 5 Recording and Saving the Performance
Saving Songs
Substitute the words “floppy
A recorded performance is discarded when you switch off the power or choose
disk” for “external memory” if
another song. Storing recorded performances and other data to external memories
using a separately purchased
or the Favorites is called “saving.” Be sure to save important songs to external
floppy disk drive.
memories or Favorites.
What are “Favorites?”
You can register songs you are currently practicing or particularly like to
When using a new strage
“Favorites,” allowing you to select these songs easily (p. 69).
media, first initialize (format)
When you register a song on an external memory to Favorites, you can then play
the external memory on the
back the song without connecting the external memory to the external memory
KR. Take a look at “Formatting
connector.
Media (Format)” (p. 100).
If a recorded performance is saved to Favorites, the performance won’t be erased
when the power is turned off.
NOTE
Some commercially available
music files cannot be saved
Preparations for Saving Data
When saving to external memories, connect the external memory to the external
because they are copy
protected.
memory port.
Chapter 5
1.
2.
Press the [Song/File] button.
When saving to floppy disks,
Touch <File>.
first check to make sure that
the floppy disk’s protect tab is
3.
Touch <Save>.
set to the “Write” position
(p. 7).
The following “Save Song screen” appears.
fig.d-songsave.eps_60
If not handled with care, a
floppy disk and an external
memory can be damaged, or
the data on it become
corrupted, making playback
impossible. We recommend
saving your songs on two
different media.
When you want to clear all of
the content saved to the
“Favorites” and restore the
settings to the original factory
condition on the KR, refer to
“Formatting the User
Memory” (p. 152).
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Chapter 5 Recording and Saving the Performance
Determining the Name of the Song to be Saved
4.
Touch <Rename>.
The following “Rename screen” appears.
fig.d-songname.eps_60
When you touch
, the cursor moves.
When you touch the icon for the letter or character to be input, the character appears
at the cursor location. For example touching <ABC> in succession cycles you
through the available choices in that character group (“A”→”B”→”C”...).
Each touch of <A-a-0-!> cycles the type of characters through “English (upper case),”
Chapter 5
“English (lower case),” “numerals,” “symbols,” then back to “English (upper case).”
When you touch <Del>, the character at the cursor position is deleted.
When you touch <Ins>, a space is inserted at the cursor position.
5.
When you have finished with the name, press the [Exit] button.
Determining the Save Destination
6.
Touch <Media>
7.
Touch <File>
to select the save-destination storage media.
to select the save-destination song number.
If a song name is displayed with a number a song is already saved to that number.
If you select a number with a previously saved song and then proceed to save a new
song, the previously saved song will be erased. If you do not want to lose a saved
song, select a number with no song name indicated in the save-destination column.
Selecting the Save Setting (when saving to external memories)
8.
Press the [Option] button.
9.
Touch “Tone Compatibility”
to select the tone compatibility
format.
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Chapter 5 Recording and Saving the Performance
Some Tones are unique to the KR. Data that is recorded using these tones may not
play back correctly on other Roland Digital Pianos or Music Players. When you want
to save data so that it can be played back on another devices, save the data with
“MT” set as the Tone compatibility format.
Display
Explanation
KR
The song is saved as data capable of reproducing
performances with richness of expression using this unit’s
special Tones.
MT
Data is saved in a form that can also be played on the Roland
Digital Pianos or Music Players other than this unit.
You can listen to songs saved in this format on the Roland HPG/R series and KR series keyboards as well as on Roland MT
series devices.
<Note>
When data saved with “MT” as the Tone compatibility format is played back on this
instrument, some of the nuances that were part of the performance at the time the
data was recorded may be altered.
Even with data saved with “MT” as the Tone compatibility format, an exact
reproduction of the original performance may be unobtainable when using GS
Chapter 5
devices other than Roland Pianos and Music Players.
Selecting the File Format (when saving to external memories)
10.Touch <File Format>
to select the file format.
NOTE
Depending on the playback
instrument, some notes may
drop out or sound different.
Display
i-format
SMF
Explanation
Saves the song in this unit’s format. You can listen to songs
saved in this format on the Roland HP-G/R series and KR
series keyboards as well as on Roland MT series devices. This
format is called “i-format”.
Saves the song as an SMF (Standard MIDI Files). Songs saved
in this SMF format can be listened to on many instruments
that can play SMF music files (p. 185).
A song recorded using commercial music files can’t be saved
in “Save As SMF” format for reasons of copyright protection.
NOTE
Never turn off the power
while the saving operation is
in progress. Doing so will
damage the KR’s internal
memory, making it unusable.
11.Press the [Exit] button.
Save
It’s a good idea to get into the
12.Touch <Execute> to start saving.
protect tab on the floppy disk
habit of moving the write-
you’ve finished saving your
Don’t take the external memory out of the external memory port until the saving
data. Keeping the tab at
process is finished.
“Protect” prevents operations
Press the [Exit] button to return to the Song File screen.
104
to the “Protect” position when
The time required for saving ranges from several seconds to half a minute or more.
that could erase your songs by
mistake.
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Chapter 5 Recording and Saving the Performance
Deleting Saved Songs
This deletes songs that have been saved on external memories, or to Favorites.
To delete a song on an external memory, first connect the external memory to the
external memory port.
1.
Press the [Song/File] button.
2.
Touch <File>.
The “Song File screen” appears.
3.
Touch <Delete>.
A “Delete Song screen” appears.
fig.d-songdel.eps_60
Chapter 5
4.
Touch <Media>
5.
Touch <File>
6.
Touch <Execute>.
to select the storage media.
to select the song to be deleted.
The selected song is deleted.
NOTE
Never turn off the power
while the operation is in
Do not eject the external memory from the external memory port until the operation
progress. Doing so will
is finished.
damage the KR’s internal
Press the [Exit] button to return to the Song File screen.
memory, making it unusable.
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Chapter 5 Recording and Saving the Performance
Copying Songs on External Memories
to Favorites
You can take songs saved on external memories and copy them to Favorites.
You can also copy songs in Favorites to external memories.
1.
Connect the external memory with the song to be copied to the external
memory port.
2.
Press the [Song/File] button.
3.
Touch <File>.
4.
Touch <Copy>.
The following “Copy Song screen” appears.
Chapter 5
fig.d-songcopy.eps_60
Specifying the Copy Source
5.
Touch the <Media>
6.
Touch the <File>
to select the copy source storage media.
to select the song you want to copy.
When “Copy All” is selected, all of the songs on the external memory are copied to
Favorites.
Specifying the Copy Destination
7.
Touch <Favorites>
to select the copy destination for the
song.
If a song name is displayed with a number, a song is already saved to that number.
If you select a number with previously saved song data and proceed to copy to that
location, the previously saved song will be erased. If you don’t want to erase a
previously saved song, choose a number with no song name appears in the
destination column.
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Chapter 5 Recording and Saving the Performance
8.
Touch <Execute>.
Do not eject the external memory from the external memory port until the copy is
finished.
The song from the external memory is copied to Favorites.
■ Copying Songs Saved in Favorites to External
Memories
NOTE
Never turn off the power
while the operation is in
progress. Doing so will
damage the KR’s internal
memory, making it unusable.
Songs that’ve been saved to Favorites can be copied onto external memories.
In this case, in the “Copy Song screen” in Step 4 above, touch the arrow icon in the
center to point the arrow upwards. This sets the KR to copy the song in Favorites to
the external memory.
fig.d-songcopy2.eps_60
memories to Favorites.
Chapter 5
The rest of the procedure is identical to that used for copying songs from external
NOTE
Some song data cannot copy
because they are copy
protected.
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Chapter 6 User Program Registration
Saving Performance Settings
(User Program)
Determining the name of the User Programs
4. Touch <Rename>.
A “Rename screen” like the following appears.
Any collection of settings, including those describing the
current status of your data selections or settings Automatic
Accompaniment, can be saved to the [User Program] button.
You can then call up the stored settings by pressing the [User
Program] button. Saving your preferred combinations of
Music Styles and Tones, as well as other frequently used
settings, makes it more convenient.
fig.d-upgname.eps_50
You can register up to 36 User Programs to the KR.
fig.panel_UPG
When you touch
When you touch the icon for the character to be input,
the character appears of the cursor potion.
For example, touching the <ABC> icon in succession
cycles you through the available choices in that character
group (A→B→C→A...).
→ For more on what can be registered to a User Program, refer to
“Parameters Stored in the User Program” (p. 184).
Each touch of <A-a-0-!> cycles the type of characters
through “English (upper case),” “English (lower case),”
“numerals,” “symbols,” then back to “English (upper
case).”
1. Set the Music Style, Tone, and other data until the
settings are the way you want them.
2. Press the [User Program] button.
Chapter 6
, the cursor moves.
When you touch <Del>, the character at the cursor
position is deleted.
A “User Program screen” like the one shown below
appears.
When you touch <Ins>, a space is inserted at the cursor
position.
fig.d-upg.eps_50
5. When you have finished with the name, press the [Exit]
button.
You’re returned to the Write User Program screen.
Determining the Write Destination
6. Touch
to select the write-destination
number.
3. Touch <Write>.
7. Touch <Execute>.
A “Write User Program screen” like the following
appears.
The current performance settings are saved to the [User
Program] button.
fig.d-upgwrite.eps_50
*
Never turn off the power while the display indicates
<Writing...>. Doing so will damage the KR’s internal
memory, making it unusable.
→ You can restore the content registered to the [User Program]
button to the original factory settings. Refer to “Restoring the
Factory Settings (Factory Reset)” (p. 149).
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Chapter 6 User Program Registration
Calling Up Saved User
Programs
You can easily call up settings saved to the [User Program]
button.
1. Press the [User Program] button.
The “User Program screen” appears.
Touch the scroll bar and drag up or down to scroll
through the screen and display other name of User
Programs.
Touch the page icons <
><
> to change pages.
2. Touch the name of the User Program you want to call
up.
When you touch the name of the User Program, the
buttons or other performance settings instantly change
to the previously saved settings.
Saving the User Program Sets
You can take the 36 User Programs saved to the [User
Program] button and save them as a set to an external
memory, or to user memory.
When saving to an external memory, first connect an external
memory to the external memory port.
→ For more on working with the external memory, refer to
“Using External Memories” (p. 99).
1. Press the [User Program] button.
2. Touch <File>.
3. Touch <Save>.
A “Save User Program screen” like the following
appears.
fig.d-upgsave.eps_50
■ Changing the Way User
Programs Are Called Up
When calling up registered User Programs, you can control
whether or not the Automatic Accompaniment settings are
also switched depending on how long you touch the touch
panel.
1. Press the [User Program] button.
Chapter 6
Giving a Name to a Set of User Programs
2. Press the [Option] button.
A settings screen like the following appears.
fig.d-upgopt.eps_50
4. Touch <Rename>.
The Rename screen appears.
When you touch
, the cursor moves.
When you touch the icon for the character to be input,
the character appears at the cursor position. For example
touching the <ABC> icon in succession cycles you
through the available choices in that character group
(A→B→C→A...).
3. Touch <Instant> or <Delayed> to select the setting.
Display
Explanation
Instant
Immediately after a User Program name is
touched, the Automatic Accompaniment
settings also switch.
Delayed
The Automatic Accompaniment settings
switch after you touch and road the User
Program name for a few moments.
Press the [Exit] button to return to the User Program
screen.
Refer to p. 184 about the parameters stored in the User
Programs.
Each touch of <A-a-0-!> cycles the type of characters
through “English (upper case),” “English (lower case),”
“numerals,” “symbols,” then back to “English (upper
case).”
When you touch <Del>, the character at the cursor
position is deleted.
When you touch <Ins>, a space is inserted at the cursor
position.
5. When you have finished with the name, press the [Exit]
button.
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Chapter 6 User Program Registration
Determining the Save Destination
6. Touch <Media>
fig.d-upgload.eps_50
to select the save-
destination strage media.
7. Touch <File>
to select the save-
destination User Program number.
If a User Program set name is displayed, a User Program
set saved to that saved to that number is already.
If you select a number with previously saved User
Program set data, then save a new set of data to that
same number, the older User Program set will be
deleted. If you don’t want to lose any previously saved
User Programs, select a number in the save-destination
column that does not yet have a name.
Specifying the Set of User Programs to be
Loaded
4. Touch <
Touch the scroll bar and drag up or down to scroll
through the screen and display other name of User
Programs.
8. Touch <Execute> to begin the save.
Chapter 6
*
Never turn off the power or eject the external memory from
the external memory port while the operation is in
progress. Doing so will damage the KR’s internal memory,
making it unusable.
→ When clearing the set of saved User Programs, refer to
“Deleting Saved User Program Sets” (p. 111).
■ Loading Saved User Program
Sets
User Programs that have been saved on external memories or
in user memory can be called up, on an individual set basis,
to the [User Program] button.
*
Note that calling up these User Programs results in the
deletion of all User Programs currently recorded to the
[User Program] button.
When loading a set of User Programs from an external
memory, first connect the external memory to the external
memory port.
→ For more on working with the external memory, refer to
“Using External Memories” (p. 99).
1. Press the [User Program] button.
2. Touch <File>.
3. Touch <Load>.
A “Load User Program screen” like the following
appears.
110
> to select the storage media to be
read from.
Saving
Press the [Exit] button to return to the User Program File
screen.
><
5. Touch the name of User Program to load.
6. Touch <Execute>.
The selected User Programs are loaded to the [User
Program] button.
*
Never turn off the power or eject the external memory from
the external memory port while the operation is in
progress. Doing so will damage the KR’s internal memory,
making it unusable.
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Chapter 6 User Program Registration
Deleting Saved User
Program Sets
You can delete individual User Program sets saved to
external memories or in user memory.
When deleting a set of User Programs on an external
memory, first connect the external memory to the external
memory port.
→ For more on working with the external memory, refer to
“Using External Memories” (p. 99).
Copying Sets of User Programs on
External Memories to the User
Memory
You can copy sets of User Programs saved on external
memories and to user memory.
You can also copy sets of User Programs saved in user
memory and to external memories.
1. Connect the external memory with the settings to be
copied to the external memory port.
1. Press the [User Program] button.
2. Touch the [User Program] button.
2. Touch <File>.
3. Touch <File>.
3. Touch <Delete>.
4. Touch <Copy>.
A “Delete User Program screen” like the following
appears.
A “Copy User Programs screen” like the following
appears.
fig.d-upgcopy.eps_50
fig.d-upgdel.eps_50
Chapter 6
Specifying the Copy Source
4. Touch <Media>
to select the strage
media.
5. Touch
to select the strage
media.
to select the set of User Programs
to be deleted.
6. Touch <Execute>.
The selected User Programs are deleted.
*
5. Touch <Media>
Never turn off the power or eject the external memory from
the external memory port while the operation is in
progress. Doing so will damage the KR’s internal memory,
making it unusable.
6. Touch <File>
to select the set of User
Programs you want to copy.
When “All” is selected, all of the sets of User Programs
on the external memory are copied to user memory.
Specifying the Copy Destination
7. Touch <User>
to select the copy
destination for the set of User Programs.
If a User Program name is displayed, already a User
Program saved to that number is already.
If you select a number with User Programs data, and
then copy data to that number, the previously saved
User Programs are deleted. If you do not want to delete
the saved User Programs, select a number in the savedestination column for which no name is displayed.
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Chapter 6 User Program Registration
8. Touch <Execute>.
The set of User Programs on the external memory is
saved to user memory.
*
Never turn off the power or eject the external memory from
the external memory port while the operation is in
progress. Doing so will damage the KR’s internal memory,
making it unusable.
■ Coping Sets of User Programs
Stored in the User Memory to
External Memories
You can take User Program sets saved in user memory and
copy them to external memories.
In this case, in the Copy User Programs screen in Step 4
above, touch the large arrow icon in the center to get the
arrow to point up. This sets the KR to copy the User Program
set in the user memory to the external memory.
The rest of the procedure is identical to that used for copying
sets of User Program set from external memories to user
memory.
If you want to use the Load Next function to switch
among User Programs saved to external memory, make
sure to set Load Next in all of the User Program sets to
“On.” Also, be sure to set the Pedal Shift value so it is for
the same pedal.
■ Selecting the Pedal Used for
Switching Settings (Pedal Shift)
3. Touch <Pedal Shift>
Display
to select the setting.
Explanation
OFF
You can use a function assigned to the
pedal.
Left Pedal
The left pedal is dedicated to switching
User Programs.The function assigned to
the left pedal cannot be used.
Center Pedal
The center pedal is dedicated to
switching User Programs.The function
assigned to the center pedal cannot be
used.
Press the [Exit] button to return to the User Program
screen.
Chapter 6
Using the Pedal to Switch
User Programs
You can assign the function of the sequential switching of the
“User Programs” to the pedal. That way, each time you
depress the pedal, the KR107 switches to the next User
Program.
Great for use in concerts and similar situations, this allows
you to prepare and save your User Programs in the sequence
they are to be used, and then call up User Programs in the
appropriate order while you perform, simply by depressing
the pedal.
■ Sequential Loading of User
Program Sets Stored
(Load Next)
When using the pedal to switch your User Programs,
you can also call up sequential sets of User Programs as
saved to external memory. This feature is called the
“Load Next” function.
3. Touch <Load Next>
Display
Explanation
OFF
Switches Load Next off. The next press of
the pedal after the 36th User Program is
called up returns you to the first User
Program of the same User Program set.
ON
Switches Load Next on. The next press of
the pedal after the 36th User Program has
been called up takes you to the first User
Program in the next User Program set.
1. Press the [User Program] button.
2. Touch <Pedal> in the lower part of the screen.
to select the setting.
A “PEDAL screen” like the following appears.
fig.d-upgopt.eps_50
Press the [Exit] button to return to the User Program
screen.
The Pedal Shift and Load Next settings are stored in each
User Program set.
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Chapter 6 User Program Registration
Simultaneously Switching
User Program and
Transmitting PC Numbers
You can have PC (Program Change) numbers be transmitted
to an external MIDI device when you switch the User
Program on the KR.
5. Press the [Exit] button.
The User Program screen returns to the display.
Touch <Write> to save the setting to the User Program.
For more detailed information, refer to “Saving
Performance Settings (User Program)” (p. 108).
You can register PC number settings to each of the User
Programs, just as you can with button settings and other
settings preferences.
Calling Up the Performance Settings to Be Set
1. Press the [User Program] button, then touch the name
of the performance setting you want to set.
Setting the Transmission of the PC
2. Press the [Option] button.
3. Touch <
><
> to switch the page to display
the following screen.
fig-upgPCset.eps_50
Chapter 6
4. Touch
for the parameter and make the
settings.
Display
Description
Bank
Select MSB
Sets the Bank Select MSB.
Bank
Select LSB
Sets the Bank Select LSB.
Program
Change
Sets the Program Change messages
(Program Numbers).
Tx PC
Channel
This prevents the PC number from being
transmitted (Off), or sets the transmission
channel (Channel 1–16).
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Chapter 7 Creating and Editing Songs
Multitrack Recording with 16
Parts (16-Track Sequencer)
Commercially Available Music Files
Multitrack recording always you to listen to previously
recorded material while continuing to add performances of
other parts.
By loading the song file from the external memory and using
the 16-Track Sequencer, you can then also edit the song file.
The KR is capable of multitrack recording of up to sixteen
parts. Since each part’s performance is recorded using one
tone, you can layer performances, using up to sixteen tones
for the data in one song. The function used to layer these
sixteen parts, one at a time, is called the “16-Track
Sequencer.”
fig.16track.e
16-Track Sequencer
You can record performances for up to 16 parts,
overlaying them part by part, to create a single song.
Flute Part
Bass Part
Piano Part (left hand)
Piano Part (right hand)
•
•
•
Part 1
Part 2
Part 3
Commercially available song file recorded in Roland’s SMF
format is also composed of sixteen parts.
→ Although with commercially available Roland SMF music
data, Part 11 is included in the [2/Bass Accomp] track button,
other tracks match to the corresponding Track buttons.
* With some commercially available music files, you cannot edit
the data.
■ The 16-Track Sequencer Screen
When recording with 16-track Sequencer, display the 16track Sequencer screen.
1. Press the [Menu] button.
The Menu screen appears.
2. Touch <16trk Sequencer>.
Part 4
A “16-track Sequencer screen” like the one shown below
appears.
Part 16
fig.d-16tr.eps_50
16-Track Sequencer and Track Buttons
In addition to the “16-Track Sequencer” function, the “Track
Buttons” (p. 84) are another of the unit’s playing/recording
functions.
Chapter 7
These five “Track buttons” are used for organizing the 16Track Sequencer’s sixteen parts. This allows you to use the
16-Track Sequencer to add more sounds to performances
recorded with the Track buttons, and make even more
detailed edits of the songs.
You can easily play back the original song data with the 16Track Sequencer, mute parts by pressing the Track buttons,
and more.
Icon
Explanation
<1>–<16>
Touch to select the part to be recorded, or the
part whose settings are to be changed. The
button for the selected part changes color.
The Track buttons correspond to 16-track sequencer parts as
shown below.
This Part to be played back
Part
Track button
[R/Rhythm]
D (10), S (11)
[1/Whole]
1
[2/Bass Accomp]
2, 5–9, 12–16
[3/Lower]
3
[4/Upper]
4
Since the 16-Track Sequencer records one tone to one part,
you cannot use Layer performance (p. 26), Split performance
(p. 27), or other such functions to record two or more tones
simultaneously. Also, you can’t record the performance with
Automatic Accompaniment.
When you want to record with Automatic Accompaniment,
then you should use the Track buttons for recording. (Refer
to “Recording With Accompaniment” (p. 93)
114
The Part not to be played back (Muted Part)
Parts that do not have performance data
recorded to them.
Solo
Only the selected Part is played back.
Mute
This allows you to prevent the sound for the
selected part from playing.
Clear
The performance data for the selected part is
deleted.
Options
This displays the Part Settings screen, in which
you can make detailed settings for each part.
For details refer to p. 115.
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Chapter 7 Creating and Editing Songs
Icon
Explanation
Tone Set
The Tone Set screen appears. For details refer
to p. 116.
■ Modifying the Settings of Each Part
You can change the Tones and volume, as well as mute the
playback, for each individual part in songs recorded with the
16-track Sequencer and the internal songs.
→ Because commercially available Roland SMF music files are
also made up of 16 Parts, you can change the settings for the
individual Parts and play them back in the same way.
First, select the song for which the settings are to be made
(p. 65).
4. Touch
the setting.
You can adjust the values by touching the desired
parameter and turning the dial or by touching and
dragging the slider.
Explanation
Display
Volume
Changes the volume level.
Reverb
Changes the amount of reverb effect
applied to the sound.
Chorus
Changes the amount of chorus applied.
Shifts the direction from which the sound is
heard between left and right.
1. Display the 16-track Sequencer screen (p. 114).
2. Touch the screen to choose the Part for which you want
for the corresponding item to change
Panpot
to make settings.
Touch
or touch
to shift the sound to the right,
to shift it to the left.
Change the settings for the selected Part.
Display
Function
Solo
Only the selected Part is played back.
Mute
Toggles playback of the selected Part to on
or off.
Clear
The performance data for the selected part is
deleted.
* When you touch <Clear>, a message asking you to confirm the
deletion appears. To erase the recorded sound, touch <OK>. If
you don’t want to erase the recorded sound, touch <Cancel>.
Once a performance has been erased, it can’t be restored.
What’s Panpot?
Panpot is the control that determines the placement of
the sound in the stereo sound field between left and
right speakers. By altering the Panpot setting, you can
change the perceived location of the sound between the
left and right speakers.
When you press the [
(Play/Stop)] button, you
hear what the song sounds like as you change the
settings. When you press the [
button, playback of the song stops.
(Play/Stop)]
3. Touch <Part> to make more detailed settings for the
5. Touch
to make settings for other parts.
selected part.
The Part name appears at the upper part of the screen.
A screen like the one shown below appears.
Change the settings for other parts as needed.
fig.d-16trpart.eps_50
6. Hold down the [
(Rec)] button and press the [
(Reset)] button.
This operation set the changes in the settings.
The song can then be saved to an external memory or to
user memory.
If you do not want to delete a song after changing the
settings for the individual parts, save the song to an
external memory or to user memory (p. 102).
You can change the Tone for the selected Part by
pressing a Tone button while this screen is displayed.
When selecting Part 10 or 11, you can touch <Drum Set>
to select the drum set or effect sound.
The Part name and tone name are displayed at the top of
the screen.
* You cannot save the settings that determine whether sounds
for each individual part are played or not (solo and mute).
115
Chapter 7
* You cannot touch <Clear> during playback of the song.
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Chapter 7 Creating and Editing Songs
If the Following Message Appears
■ Recording a Performance
If you try to display another screen after you’ve changed the
song’s settings for each Part, a message like the one below
may appear.
❍ Step 1 Prepare for Recording
fig.m-songmod.eps
Selecting the Song to Record
1. Hold down the [Song] button and press the [
(Rec)]
button.
The following screen is displayed if there is any
previously recorded performance or any song with
changed settings.
fig.m-songmod.eps
Touch <OK> to change the song’s settings.
Touch <Cancel> to discard the changes you’re made.
■ Getting the Most Suitable Part
Tones for the Musical Genre
(Tone Set)
“Tone Set” is a function that automatically assigns the most
suitable tones for the selected musical style.
When you’re creating a song, you can assign Tone sets, then
change the Tones to suit the ideas you have for your song.
1. Display the 16-track Sequencer screen (p. 114).
2. Touch <Tone Set> in the lower part of the screen.
A screen like the one shown below appears.
fig.d-16trtone.eps_50
Touch <OK> to delete the song.
If you want to overwrite while recording, select a song.
Determining the Song’s Beat and Tempo
2. Press the [Metronome] button to select the beat (p. 44).
→ You can’t change a song’s beat once it’s been recorded. If you
want to compose a song whose beat changes partway through
the song, take a look at “Changing the Beat in the Middle of a
Song (Beat Map)” (p. 128).
3. Press the Tempo [-] and [+] buttons to set the basic
tempo of the song.
Chapter 7
If you do not need the metronome sound, press the
[Metronome] button once more.
→ When using song data that has already been recorded, the
recording is made using the source song’s basic tempo. To
change the basic tempo of a song, please refer to “Changing the
Tempo of Recorded Songs” (p. 128).
3. Touch the screen to select a musical genre.
4. Press the [Exit] button.
The 16-track Sequencer screen appears.
Tones for each part are assigned automatically.
* In some genres, some parts may have no tone assigned.
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Chapter 7 Creating and Editing Songs
❍ Step 2 Start Recording
If necessary, choose a recording method.
For more on how to record, refer to the following paragraph.
If you record for the first time, there’s no need to select the
recording method.
Selecting the Part to Record
1. Display the 16-track Sequencer screen (p. 114).
2. Touch the number for the Part you want to record.
The button for the touched part being set turns orange.
Selecting the Sound to Play
3. Use the Tone buttons to choose a Tone to play.
After selecting a Tone, press the [Exit] button to call up
the “16-Track Sequencer screen.”
You can only record drum sounds or effect sounds on
Part D (10) or Part S (11). You can select drum sets or
effect sounds by selecting Part D (10) or Part S (11) and
touching <Drum Set>.
Recording the Performance
4. Press the [
(Reset)] button.
Recording will start at the beginning of the song.
If you want to record from a point other than the
beginning, use the [
(Bwd)] and [
(Fwd)]
buttons to select another measure to begin.
5. Press the [
(Rec)] button and watch the indicator is
light up.
The KR is put in recording standby.
(Play/Stop)] button.
A two-bar count-in sounds, then recording starts.
* You cannot use the performance pads when recording with the
16-track sequencer.
7. Press the [
(Play/Stop)] button.
You can use any of the four methods below to record with
the KR.
Although you will normally be using “Replace Recording,”
where previously recorded material is erased when new
sounds are recorded, you’ll find that you can record songs
easily by using this method in combination with other
recording methods.
Replace Recording (p. 118)
This is the normal method for recording. New material is
recorded as previously recorded material is erased.
Mix Recording (p. 118)
New notes are recorded on top of notes previously recorded.
This convenient feature makes it easy for you to record
melodies over prerecorded accompaniment.
Loop Recording (p. 118)
Specified measures are recorded repeatedly, while new notes
are combined with existing music. A convenient feature for
creating rhythm parts. Loop Recording allows you to record
over and over within a selected segment, adding a different
percussion sound with each pass.
Punch-in Recording (p. 119)
You can re-record only a specified passage as you listen to a
recorded performance.
→ Immediately after the power is turned on, Replace Recording is
selected.
Changing the Recording Method
1. Press the [Menu] button.
The Menu screen appears.
fig.d-menu1.eps_50
Recording stops.
When one part is recorded, continue by selecting and
recording another part. Continue layering parts to finish
recording the song.
→ You only need to follow the procedure described in “Step 1
Prepare for Recording” when you’re recording the first Part.
For the second Part and after, you can skip step 1 and proceed
from “Step 2 Start Recording.”
* Any performance that has been recorded is deleted when the
power to the KR is turned off. It is a good idea to save song
data to an external memory or user memory. For more
information, refer to “Saving Songs” (p. 102).
117
Chapter 7
6. Press the [
Changing the Recording
Method (Rec Mode)
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Chapter 7 Creating and Editing Songs
2. Touch <Rec Mode>.
A “Rec Mode screen” like the following appears.
fig.d-recmode.eps_50
■ Layering a Recording Over
Previously Recorded Sounds
(Mix Recording)
You can record a performance layered over a previously
recorded performance. This method is called “Mix
Recording.”
1. In the “Rec Mode screen,” select <Mix>.
Press the [Exit] button to return to the Menu screen.
The KR is set to the mix recording mode.
3. Touch <Rec Mode>
to select the recording
mode.
Chapter 7
Display
Recording Method
Replace
Replace Recording
Mix
Mix Recording
Loop
Loop Recording
Auto PunchIn/Out
Punch-in recording of the interval
between set markers.
Manual
Punch-In/Out
Punch-in recording starting from the
point at which the pedal, the
Performance Pad or the [
(Rec)]
button is pressed.
For more about Punch In Recording,
refer to p. 119.
Tempo
You can add tempo changes to a
recorded composition. See p. 128.
4. Press the [Exit] button.
Returns to the Menu screen.
■ Recording While Erasing the
Previous Recording
(Replace Recording)
The recording process where previous material is erased as
new material is recorded is called “replace recording.” This
setting is in effect when you turn on the power.
1. In the “Rec Mode screen” (p. 117), select <Replace>.
Press the [Exit] button to return to the Menu screen.
The KR is set to the replace recording mode.
Record the performance using the procedures described
in Chapter 4 (p. 90), “Multitrack Recording with 16 Parts
(16-Track Sequencer)” (p. 114).
118
Record the performance using the procedures described
in “Recording While Selecting the Track Buttons
(Redoing Recordings)” (p. 96), “Multitrack Recording
with 16 Parts (16-Track Sequencer)” (p. 114), or other
methods.
* After you have finished with mix recording, return to the
usual replace recording mode.
■ Repeated Recording at the
Same Location (Loop Recording)
You can record a specified passage over and over, layering
sounds with each pass. This method is called “Loop
Recording.” This is handy when recording a Rhythm Part.
For example, use this method to make a Loop Recording of a
four-measure segment. First record the bass drum, the snare
drum next, then the hi-hat and so on, layering a different
instrument onto the same four measures. After you have
finished recording the four-measure rhythm pattern, you can
then use the procedure in “Copying Measures (Copy)” (p.
123) to create as many copies of the four measures as you
need to complete your Rhythm part.
1. Place A and B markers at the beginning and end of the
passage you want to record.
Take a look at “Setting Markers for Repeated Practice
(Marker)” (p. 85).
If you haven’t recorded anything yet, then use “Blank
Recording” to create the necessary number of measures
before placing the markers.
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Chapter 7 Creating and Editing Songs
What is Blank Recording?
Loop Recording Shortcut
Blank Recording is recording a number of silent
measures with no content.
You can also use the method described below to set Loop
Recording.
1. Set the basic tempo and beat of the song.
1. Place A and B markers at the beginning and end of
2. Hold down the [
[
(Rec)] button and press the
(Play/Stop)] button.
The indicators for the [
(Rec)] and [
(Play/
Stop)] buttons both light up, then after two
measures of the count sound, recording begins.
3. Without performing anything, record only the
required number of measures, then press the
[
(Play/Stop)] button.
The indicators for the [
(Rec)] and [
(Play/
Stop)] buttons both go out, and recording stops.
2. In the Rec Mode screen (p. 117), select <Loop>.
Press the [Exit] button to return to the menu screen.
The recording method changes to loop recording.
3. Press the [
(Rec)] button.
4. Press the Track button for the track to be recorded.
The KR is put in recording standby.
5. Press the [
(Play/Stop)] button to begin
recording.
When the song reaches Marker B, it then returns to
Marker A, where recording continues.
Each time the recording is looped, the newest sounds are
layered over previously recorded sounds.
6. When you press the [
(Play/Stop)] button,
recording stops.
* After you have finished with loop recording, return to the
usual replace recording mode (p. 117).
Take a look at “Setting Markers for Repeated
Practice (Marker)” (p. 85).
If you haven’t recorded anything yet, then perform
“Blank Recording” for the necessary number of
measures before placing the markers.
2. Touch the <Repeat> icon in the Marker screen
(p. 86).
This sets the loop recording mode.
Start a recording.
* After you have finished with loop recording, touch the
<Repeat> icon in the “Marker screen” once more to
return to the usual replace recording mode.
■ Re-Recording Part of Your
Performance (Punch-in Recording)
You can re-record part of a passage as you listen to a
recorded performance. This recording method is called
“Punch-in Recording.” This convenient function lets you
record over a specified points in a part as you listen to a
prerecorded performance in another section.
User Punch-In Recording by the following two methods:
Recording the Region Defined by Markers A and B
(Auto Punch-In/Out)
Before you start recording, place markers A and B to
define the passage you want to re-record. Make the
setting for punch-in recording, and re-record just the
passage between markers A and B.
Recording From the Point at Which the Pedal or
Buttons Are Pressed (Manual Punch-In/Out)
You can play back a performance and depress the pedal
at the desired place to start re-recording. Depressing the
pedal a second time cancels recording and returns you to
playback.
Instead of pressing the pedal, you can press a
performance pad or the[
cancel recording.
(Rec)] button to start and
119
Chapter 7
Recording starts from Marker A.
the passage you want to record.
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Chapter 7 Creating and Editing Songs
❍ Recording a Passage Specified by Markers
1. Before you start re-recording, place markers A and B to
define the passage.
Following the procedures described in “Setting Markers
for Repeated Practice (Marker)” (p. 85), use Markers A
and B to specify the passage.
2. In the Rec Mode screen (p. 117), select <Auto Punch In/
Out>.
2. Begin recording.
Begin recording using the procedures described in
“Recording While Selecting the Track Buttons (Redoing
Recordings)” (p. 96) or “Multitrack Recording with 16
Parts (16-Track Sequencer)” (p. 114).
The previously recorded performance will be played
back.
Press the pedal to which Punch In/Out is assigned (p.
144), a performance pad, or the [
(Rec)] button to
begin recording, then start your performance.
fig.d-rec-punch.eps_50
Recording stops when you press the pedal, the
Performance Pad, or the [
(Rec)] button again, and
the previously recorded performance is played back.
3. When you press the [
(Play/Stop)] button, the
performance stops.
This changes the recording mode to “Punch-In
Recording.”
Press the [Exit] button to return to the Menu screen.
3. Begin recording.
Begin recording using the procedures described in
“Recording While Selecting the Track Buttons (Redoing
Recordings)” (p. 96) or “Multitrack Recording with 16
Parts (16-Track Sequencer)” (p. 114).
Chapter 7
Up until the specified passage, the previously recorded
performance plays back.
When you reach the specified passage, sounds are erased
as recording starts; begin playing now.
When you reach the end of the specified passage,
recording stops, and the KR returns to playback of the
previously recorded performance.
4. When you press the [
(Play/Stop)] button, the
song stops.
❍ Starting Recording from the Measure
Specified by Buttons and Pedals
If using the Performance Pads or pedals, you must first
change the function of the pedals and Pads. Follow the
procedures in “Assigning Functions to Pedals and
Performance Pads (Pedal Setting/User Functions)” (p. 144),
and assign <Auto Punch In/Out> to the buttons or pedal.
1. In the Rec Mode screen (p. 117), select <Manual Punch
In/Out>.
This changes the recording mode to “Punch-In
Recording.”
Press the [Exit] button to return to the Menu screen.
120
* When you’re finished with Punch-In Recording, return to the
ordinary Replace Recording mode. Take a look at “Changing
the Recording Method” (p. 117).
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Chapter 7 Creating and Editing Songs
Composing an
Accompaniment By Entering
Chords (Chord Sequencer)
You are returned to the Chord Sequencer screen.
5. Enter the chord progression and the accompaniment
pattern.
Refer to “Inputting Chords with the Chord Sequencer.”
You can enter a chord progression and choose the places
where the accompaniment pattern will change to create an
accompaniment for a song. This feature is called “Chord
Sequencer.”
Thanks to the chord sequencer, you can create an
accompaniment ahead of time and play along with your
right hand.
1. Press the [Menu] button and watch the indicator light
up.
The Menu screen appears.
2. Touch <Chord Sequencer>.
The screen like the one shown below is called “Chord
Sequencer screen.”
fig.d-chordseq.eps_50
This is the “cursor.” The cursor
shows where the chord change
or other information is input.
6. When you have finished inputting all the data, touch
<Execute>.
When storage of the data is complete, return to the Menu
screen.
Now, press the [
(Play/Stop)] button, and try
playing the melody along with the accompaniment you
created.
* Songs you’ve created are discarded as soon as you turn off the
power. If you do not want to delete the song, save it to an
external memory or to user memory. Refer to “Saving Songs”
(p. 102).
Inputting Chords with the Chord Sequencer
Change the accompaniment arrangements
Move the cursor
This is the end of the song. When
continuing to add input, insert
measures by touching <Ins>.
Select the accompaniment pattern (Division)
1. Use the dial to move the cursor to the input position.
Use the [
(Bwd)] and [
(Fwd)] buttons to move
the cursor one measure at a time.
Explanation
Display
2. Enter the chord progression and the changes in the
accompaniment pattern and arrangement.
Just as when performing with Automatic
Accompaniment, press the keys to specify a chord, and
press a button to select the accompaniment pattern (p.
58). You can change the Style Orchestrator with the
Performance Pads (p. 59).
Ins
One measure is inserted before the measure
where the cursor is positioned.
Del
The measure in which the cursor is
positioned is deleted.
Chords
Allows input of chords without playing the
keyboard. Refer to “Inputting Chords
without Playing the Keyboard” (p. 122).
All Clear
Deletes all of the data that’s been input.
Clear
Deletes the data at the cursor position.
If you touch <Del>, the measure where the cursor is
currently positioned is deleted, while the measures that
follow are moved forward.
Execute
Records the input chord progression. Touch
this icon when you have finished inputting
all of the chords.
To remove what you have input, move the cursor to the
position with input you want to delete, then touch
<Clear>. This deletes the entered setting.
3. Press a Music Style button or the touch screen to select
a Music Style (p. 51).
4. Press the [Exit] button.
3. Touch <Ins> once to insert one measure before the
measure where the cursor is currently positioned.
→ You can only insert an intro at the beginning of a song. When
you add an intro, the number of bars corresponding to the
length of the intro is inserted automatically.
121
Chapter 7
This indicates the position where the
accompaniment pattern (Division) or
the Style Orchestrator changes.
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Chapter 7 Creating and Editing Songs
Functions That Can Be Assigned to the Pedals
and the Performance Pads
→ For instructions on assigning functions, refer to “Assigning
Functions to Pedals and Performance Pads (Pedal Setting/
User Functions)” (p. 144).
• Inputting a short Intro and Ending
Assign “Intro 2/Ending 2" to a pedal or pad.
• Inputting a “Variation” or “Original” without a Fill-In
Assign “Original/Variation” to a pedal or pad.
• Using the keyboard to input slash chords (such as Fm/C)
Assign “Leading Bass” to a pedal or pad.
• Inputting a break somewhere within the song
Assign “Break” to a pedal or pad.
• Insert half fill-ins (fill-ins lasting half a measure)
Assign “Half Fill In” to a pedal or pad.
Check the Accompaniment You Inserted
Here’s how to play back as much of the accompaniment as
you have input.
1. Press the [
Editing Songs
There are many ways you can edit performances recorded
using the KR Track button or 16-track sequencer.
■ Basic Operation of the Editing
Functions
* While songs are being loaded, the measure number in the
upper right of the screen is highlighted (text and background
are inverted). Start editing the song only after the measure
number is no longer highlighted.
Selecting the Editing Function
1. Press the [Menu] button and watch the indicator light up.
The Menu screen appears.
2. Touch <Song Edit>.
A “Song Edit screen” like the following appears.
fig.d-edit1.eps_50
(Reset)] button to return to the
beginning of the song.
2. When you press the [
(Play/Stop)] button, the
performance is played back.
3. Playback stops when you press the [
(Play/Stop)]
Chapter 7
button once more.
■ Inputting Chords without
Playing the Keyboard
You can use <Chords> at the bottom left of the Chord
Sequencer screen to specify chords on the screen.
1. At the Chord Sequencer screen, touch <Chords>.
A screen like the one shown below appears.
3. Touch an editing function to select that function.
For more detailed information, refer to the
corresponding page for each function.
Function
Undoes editing operations that
have been performed.
p. 123
Copy
Copies measures
p. 123,
Quantize
Evens out sounds in recorded
performances.
p. 124
Delete
Deletes measures.
p. 124
Insert
Inserts a blank measure.
p. 125
Transpose
Transposes parts individually.
p. 125
Erase
Erases data in measures, creating
blank measures.
p. 126
Part
Exchange
Exchanges the sounds in parts.
p. 126
Note Edit
Allows corrections to be made
note by note.
p. 127
PC Edit
Allows editing of the Tones
changes that occur during a song.
p. 127
in each to specify the chords.
3. Touch <Execute> to enter the chord.
You are returned to the Chord Sequencer screen.
122
Page
Undo
fig.d-chordinput.eps_50
2. Touch
Explanation
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Chapter 7 Creating and Editing Songs
→ ”PC” stands for “Program Change,” which is a command that
tells an instrument to change the sound it’s using. With songs
that rely on the use of a variety of sounds, a “PC” needs to be
located at every point within the song where the Tone is to be
changed
* Some edits can’t be undone, not even by choosing “Undo.” We
recommend saving songs to external memories or to user memory
before editing. For more on how to save songs, refer to “Saving
Songs” (p. 102).
■ Copying Measures (Copy)
You can copy a portion of a performance to a different bar in
the same Part or to a measure in another Part. This is handy
when you’re composing a song that repeats a similar phrase.
fig.e-copy.e
Ex. To copy measures 5–7 to measure 8.
Editing
4. Touch the item to be edited.
1
2
3
4
5
6
7
1
2
3
4
5
6
7
8
9
10
At Step 3 of “Selecting the Editing Function” (p. 122), select
<Copy>.
5. Set the value with the dial.
To cancel the operation once it is underway, press the
[Exit] button.
A screen like the one shown below appears.
fig.d-e-copy.eps_50
6. When you’re done making all the settings, touch
<Execute>.
When you are finished editing the setting, return to the
“Song Edit screen.”
Press the [Exit] button to return to the Menu screen.
→ You can play back edited songs by pressing the [
Stop)] button in the “Song Edit screen.”
(Play/
■ Undoing Edits (Undo)
You can cancel an editing operation that you’ve just carried
out. This is handy when you want to undo an edit and
restore data to the way it was before.
Item
From
Measure number of the first measure of the
segment to be copied
For
Number of measures to be copied
* There are some edits that can’t be restored.
Copy-source Track button or part number
Src
Editing functions that can be undone appear on screen.
fig.d-e-undo.eps_50
Dst
Choosing “All” copies all Parts. “- - -” appears
in the <Dst> column.
If you choose a Track, you can only copy to the
selected Track. You cannot copy to the other
Track. “- - -” appears in the <Dst> column.
Copy-destination part number
Data can be copied in the following three ways:
Replace
If there is a performance recorded at the copy
destination, this previous recording is erased,
and the copied data is written in its place.
If you touch <Cancel>, the undo is cancelled, and you’re
returned to the Song Edit screen.
If you touch <OK>, the confirmation message appears on
screen. Touch <OK> to undone the most recent edit.
Mode
Mix
If there is a performance recorded at the copy
destination, the copied data is layered over the
previous recording. If the Tones used for the
copy source and copy destination are different,
the copy-destination Tone is used.
Insert
If there is a performance recorded at the copy
destination, the copied portion is inserted
without erasing the previous recording. The
song is lengthened by the number of inserted
measures.
123
Chapter 7
At Step 3 of “Selecting the Editing Function” (p. 122), select
<Undo>.
Content
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Chapter 7 Creating and Editing Songs
Item
Item
Content
Content
Copy-destination measure number
Quantization timing
To
When “End” is selected, the data is copied to
the end of the song.
Times
Number of times the data is to be copied
Select one of the following values
1/2 (half note), 1/4 (quarter note),
1/6 (quarter-note triplet), 1/8 (eighth note),
1/12 (eighth-note triplet), 1/16 (sixteenth
note), 1/24 (sixteenth-note triplet),
1/32 (thirty-second note)
■ Correcting Timing
Discrepancies (Quantize)
Resolution
When finished with the Quantize settings, return to the Song
Edit screen.
You can correct for timing discrepancies in a recorded
performance by automatically aligning the music with the
timing you specify. This is called “Quantizing.”
■ Deleting Measures (Delete)
As an example, let’s say that the timing of some quarternotes in a performance is a little off. In this case, you can
quantize the performance with quarter-note timing, thus
making the timing accurate.
You can delete a part of a performance measure by measure.
When a portion of a performance is deleted, the rest of the
performance is shifted up to fill the gap. Erasing measures in
a specified passage is called “deleting.”
fig.e-quantize.e
fig.e_delete.e
Ex. To delete measures (bars) 5–8
Example: Quarter-note resolution
Actual note data
1
2
3
4
1
2
3
4
5
6
1
2
3
4
5
6
7
8
9
10
Note data after quantization
Example: Sixteenth-note resolution
Actual note data
1
2
3
4
Note data after quantization
At Step 3 of “Selecting the Editing Function” (p. 122), select
<Delete>.
A screen like the one shown below appears.
At Step 3 of “Selecting the Editing Function” (p. 122), select
<Quantize>.
fig.d-e-del.eps_50
A screen like the one shown below appears.
Chapter 7
fig.d-e-quant.eps_50
Item
Item
Content
From
Measure number of the first measure of the
segment to be quantized
For
Number of measures to be quantized
Tr/Pt
124
Track button or part number to be
quantized
Choosing “All” quantizes the same passage
in all Parts.
Content
From
Measure number of the first measure of the
segment to be deleted
For
Number of measures to be deleted
Track button or part number to be deleted
Tr/Pt
When “All” is selected, the same portion of all
parts is deleted.
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Chapter 7 Creating and Editing Songs
■ Inserting Blank Measures
(Insert)
■ Transposing Individual Parts
(Transpose)
You can add a blank measure at a location you specify. This
addition of a blank measure is called “insertion.”
You can transpose specified parts and tracks individually.
At Step 3 of “Selecting the Editing Function” (p. 122), select
<Transpose>.
fig.e_insert.e
Ex. To insert measures (bars) 5-7
A screen like the one shown below appears.
fig.d-e-trans.eps_50
1
2
3
4
5
6
7
1
2
3
4
5
6
7
8
9
10
At Step 3 of “Selecting the Editing Function” (p. 122), select
<Insert>.
A screen like the one shown below appears.
fig.d-e-ins.eps_50
Item
Content
From
Measure number of the first measure of the
segment to be transposed
For
Number of measures to be transposed
Track button or part number to be transposed
Tr/Pt
When “All” is selected, the same portion of all
parts is transposed.
The range of transposition
Item
Content
From
Measure number of the first measure of the
segment to be inserted
For
Number of measures to be inserted
You can select the range to transpose the data,
from -24 (two octaves down) to +24 (two
octaves up), adjustable in semitones.
* You cannot transpose performances of the drum sets and
sound effect sets (such as the Rhythm Track).
When “All” is selected, blank measures are
inserted at the same place in all parts.
125
Chapter 7
Tr/Pt
Track button or part number where data will be
inserted
Bias
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Chapter 7 Creating and Editing Songs
■ Making Measures Blank
(Erase)
Item
You can delete the performance data in a specified block of
measures, turning them into blank measures without
reducing the length of the song. This process is called
“erasing.”
fig.e_erase.e
Ex. To erase measures (bars) 5-8
1
2
3
4
5
6
7
8
9
10
1
2
3
4
5
6
7
8
9
10
Blank measures
Follow the steps in “Selecting the Editing Function” (p. 122)
to choose <Erase>.
A screen like the one shown below appears.
Event
Content
Expression
Erases Expression (volume change) information.
Lyric
Erases only lyrics.
■ Exchanging Parts
(Part Exchange)
You can exchange the notes recorded for a particular part
with the notes recorded for another part. This process of
exchanging parts is called “part exchange.”
At Step 3 of “Selecting the Editing Function” (p. 122), select
<Part Exchange>.
A screen like the one shown below appears.
fig.d-e-partex.eps_50
fig.d-e-erase.eps_50
Content
Chapter 7
Item
From
Measure number of the first measure of the
segment to be erased
For
Number of measures to be erased
Track button or part number to be erased
Tr/Pt
When “All” is selected, the same portion of all
parts is erased.
Select from the following types of performance
data to erase:
All
All performance data, including notes, tempos,
tones switches, volume changes, etc., are erased.
Event
Tempo
Tempo data is erased. Erasing the tempo data for
all measures results in a single, constant tempo.
Prog.Change
Erases the data for switching Tones (p. 123).
Note
Erases only notes.
Except Notes
Erases all of the performance data except for the
notes.
126
Touch each
exchange.
to choose Parts you want to
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Chapter 7 Creating and Editing Songs
■ Correcting Notes One by One
(Note Edit)
■ Modifying the Tone Changes in
a Song (PC Edit)
You can make corrections in a recorded performance one
note at a time. This process of making changes in individual
notes is called “note editing.”
In some songs, the instrument sound changes during the
course of the song (that is, the Tone changes in the middle of
a Part). In such songs, an instruction to switch the Tone is
inserted at the place where you want the sound to change.
This instruction is called a “Program Change” (PC), and
actions such as deleting program changes, or changing the
selected Tone by them are called “PC editing.”
You can make these corrections by using note editing:
• Deleting misplayed notes
• Changing the scale of a single note
• Changing the force used in playing a single key (velocity)
• Change the finger number
At Step 3 of “Selecting the Editing Function” (p. 122), select
<Note Edit>.
A screen like the one shown below appears.
fig.e-note.e
* It is not possible to insert a program change into a measure or
beat that does not contain a program change.
At Step 3 of “Selecting the Editing Function” (p. 122), select
<PC Edit>.
A screen like the one shown below appears.
fig.d-e-pc.eps_50
Location
Pitch Velocity Finger
Number
Location
Tone name
The PC-location display uses “Measure: Beat: Tick” as the
format. A tick is a unit of time that’s shorter than a beat.
Touch
to select the part with the note to be
corrected. The Part number appears at the top of the screen.
Touch
to select the part with the program
change to be edited.
Use the [
(Bwd)] button and the [
use <
> on the screen to find the note to be corrected.
><
(Fwd)] button or
When you’ve found the note you want to correct, touch
“Pitch” or “Velocity” for the note.
Use the dial to correct the pitch or velocity. If you want to
delete the note, touch <Delete>.
When you’re done making all the settings, press the [Exit]
button.
The Part number appears at the top of the screen.
Use the [
(Bwd)] button and the [
(Fwd)] button or
use < > <
be edited.
> on the screen to find the program change to
When you’ve found the Program Change you want to
modify, touch “Tone Name” on the screen.
Press a Tone button to select a Tone group, then select a Tone
with the dial. When selecting Part 10 or 11, select the drum
set or effect sound.
If you want to delete the Program Change, touch <Delete>.
When you’re done making all the settings, press the [Exit]
button.
127
Chapter 7
The note-location display uses “Measure: Beat: Tick: Finger
Number” as the format. A tick is a unit of time that’s shorter
than a beat.
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Chapter 7 Creating and Editing Songs
Changing the Beat in the Middle
of a Song (Beat Map)
You can create songs that have beat changes during the
course of the song.
* You can’t change a song’s beat once it’s been recorded. Before
recording the performance, determine the beat to be used.
Changing the Tempo of
Recorded Songs
You can change the basic tempo of a composition. The basic
tempo was initially set when the song was recorded.
1. Press the Tempo [-] and [+] buttons to choose a tempo.
2. Hold down the [
1. Press the [Menu] button.
[
The Menu screen appears.
(Rec)] button and press the
(Reset)] button.
The song’s basic tempo changes.
2. Touch <Beat Map>.
The change in basic tempo is discarded when you turn
off the power or choose a different song. Save important
song data to external memory or to user memory (p.
102).
A screen like the one shown below appears.
fig.d-beatmap.eps_50
* If the song you’re working on has tempo changes, press the
[
(Reset)] button to go back to the beginning of the song
before you carry out this operation.
3. Use <
and [
><
> in the screen or the [
(Bwd)]
(Fwd)] buttons to move to the measure
whose beat you want to change.
Chapter 7
The measure number appears in the top-right area of the
screen.
Touch <
> to move to the beginning of the song.
Touch <
> to move to the end of the song.
4. Touch
in each to set the beat.
5. Touch <Execute>.
The beat change starts with the measure you selected.
Repeat Steps 3–5 to make beat settings in other measures
as needed.
Recording the Performance
6. Press the [Exit] button twice.
The screen displayed before you pressed the [Menu]
button appears.
7. Press the [
(Reset)] button to return the measure
number to “1.”
8. Start a recording.
Record the performance using the procedures described
in “Chapter 5 Recording and Saving the Performance”
(p. 90). Specify the measure, then change the beat.
128
Changing the Tempo Within
the Song
You can add tempo changes to a recorded composition.
The KR stores song tempo information and performance data
separately. Therefore, when making changes to the tempo in
a song, you must record the changes in the tempo
information independently of the performance data.
This recording of the tempo is called “Tempo Recording.”
■ Adjusting the Tempo While
Listening to a Song
You can add ritardando and other such gradual tempo
changes.
Setting the Rec Mode to “Tempo”
1. Press the [Menu] button.
The Menu screen appears.
2. Touch <Rec Mode>.
A screen like the one shown below appears.
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Chapter 7 Creating and Editing Songs
■ Adjusting the Tempo at a
Particular Measure
fig.d-rec-tempo.eps_50
You can create a tempo change at the beginning of a selected
measure. This is handy when you want to make a sudden
change in tempo.
First, carry out Steps 1–3 of “Changing the Tempo Within the
Song” (p. 128) to make the “Tempo Recording” settings.
1. Use the [
to select <Tempo>.
This makes the setting for tempo recording.
Press the [Exit] button a number of times to switch to the
screen where the measure number is indicated in the
upper right of the screen.
When the KR goes into Tempo Recording, the tempo
indication is highlighted.
(Bwd)] and [
(Fwd)] buttons to
move slightly before the measure where you want to
change the tempo.
(Rec)] button and watch the indicator is
flashing.
The KR is put in recording standby.
6. When you press the [
2. Press the [
(Rec)] button and watch the indicator is
flashing.
The KR is put in recording standby.
3. Use the TEMPO [-] [+] buttons or the dial to change the
4. Press the [
(Play/Stop)] button.
The song’s tempo changes starts with the measure you
selected.
→ While tempo recording is being used to write tempo, the tempo
display in the screen will be highlighted.
5. When you press the [
(Play/Stop)] button, the
change in tempo stops.
(Play/Stop)] button,
recording begins.
the tempo, use the Tempo [-] and [+] buttons or the dial
to vary the tempo as desired.
(Play/Stop)] button,
recording stops.
* You cannot record performances while in Tempo Recording
mode. When you’re finished tempo recording, go back to the
ordinary Replace Recording. Take a look at “Changing the
Recording Method (Rec Mode)” (p. 117).
→ If you want to restore the previous tempo, delete the tempo
data at the place where the tempo was recorded. For an
explanation of how to delete the information of tempo settings,
refer to “Making Measures Blank (Erase)” (p. 126).
The song’s tempo changes.
* You cannot record performances while in Tempo Recording
mode. When you’re finished tempo recording, go back to the
ordinary Replace Recording. Take a look at “Changing the
Recording Method (Rec Mode)” (p. 117).
Tempo Recording Shortcut
Hold down the [
(Rec)] button and press one of the
Tempo [-] [+] buttons to switch to the Tempo Recording
settings. Record tempo information. In this case, tempo
recording is canceled when recording ends.
129
Chapter 7
7. When you get to the place where you want to change
8. When you press the [
The measure number appears in the top-right area of the
Basic screen.
tempo.
Recording the Tempo
5. Press the [
(Fwd)] buttons to move
to the measure where you want to change the tempo.
3. Touch the <Rec Mode>
4. Use the [
(Bwd)] and [
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Chapter 8 Creating Music Styles
Creating Original Styles
(User Styles)
Although the KR features a variety of internal Music Styles,
you can also create your own. These original Styles are called
“User Styles.”
You can use either of the two methods described below to
create a User Style.
Style Composer
With this method, you combine internal Music Styles to
create new Styles. You can create a new Style by selecting
from among the Rhythm, Bass, Accompaniment 1,
Accompaniment 2, Accompaniment 3, Accompaniment 4,
Accompaniment 5, and Accompaniment 6 parts in different
styles.
■ Creating New Styles by
Combining Internal Music
Styles (Style Composer)
You can create a new style by selecting from among the
Rhythm, Bass, Accompaniment 1, Accompaniment 2,
Accompaniment 3, Accompaniment 4, Accompaniment
5,and Accompaniment 6 parts in different Styles. This
function is called the “Style Composer.”
* You can only combine the KR’s built-in Styles.
Displaying the Style Composer Screen
1. Press the [Menu] button.
The Menu screen appears.
fig.d-menu1.eps_50
Style Converter (p. 132)
Create a new Style by extracting the portions you need from
songs composed with the 16-track sequencer.
When you’re composing a song, there’s no need to specify all
the chords. You can specify just some of the chords, and the
KR automatically chooses the other chords and arranges the
Style.
Style Converter features an “Auto mode” that allows you to
easily create Styles from songs with a single chord, and a
“Manual mode,” in which you create Styles from songs with
three kinds of chords–major, minor, and seventh chords.
2. Touch <Style Composer>.
* If a User Style has already been recorded, a message like the
one shown below appears.
Chapter 8
fig.m-styledel.eps
Touch <Cancel> to return to the Menu screen. Save User
Styles to external memories, or to user memory (p. 135).
When you touch <OK>, the previously recorded User Style is
deleted, and a new User Style is created.
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Chapter 8 Creating Music Styles
A “Style Composer screen” like the one shown below
appears.
fig.d-stylecomp.eps_50
Selecting the Styles Assigned to Each Part
3. Touch the part to be set.
4. Press a Music Style button, then select a Style with the
touch screen or the and the dial.
When you have decided on a Style, press the [Exit]
button to display the Style Composer screen.
5. Repeat steps 3 and 4 to determine the Styles for each
Part.
Deciding on a Style
6. Touch <Execute>.
Display
Part
The User Style is recorded to the Music Style [User]
button. Try playing with the new Style.
R
Rhythm
B
Bass
A1
Accompaniment 1
A2
Accompaniment 2
A3
Accompaniment 3
A4
Accompaniment 4
A5
Accompaniment 5
A6
Accompaniment 6
Icon
Function
Deletes all of the settings.
Mute
You can mute the sound of particular
Parts in specific Divisions. For more
information, take a look at “Muting
Parts for a Particular Division” (p. 131).
Clear
Deletes the Styles in selected parts.
Part
The Part Settings screen is displayed,
allowing you to make detailed settings
to each part. For more information, take
a look at “Editing the Volume and Effect
Settings for Each Part” (p. 132).
Records the created Style to the Music
Style [User] button. Touch this when
you have finished creating the Style.
* If you turn off the power or record a new User Style, any User
Style you’ve previously recorded is lost. If you do not want to
delete the Style, save it to an external memory or to user
memory. Take a look at “Saving a User Style” (p. 135).
❍ Muting Parts for a Particular Division
You can mute the sound of particular Parts in specific
Divisions.
For example, all parts are played when you use a “Variation”
accompaniment pattern, whereas if you select the “Original”
accompaniment pattern, every part other than
“Accompaniment 1" is muted. With this arrangement, when
the accompaniment pattern changes from the original to the
variation, it creates a more elaborate effect in the
accompaniment.
→ For more on Divisions, refer to the “Style Arrangements” (p.
132).
1. Touch the Style Composer screen to choose the Part
you want to mute out.
2. Press the Fill In [To Variation] or [To Original] button
to switch to the division that you want to mute.
3. Touch <Mute> on the screen.
The Part you chose is only muted out in the Division you
selected.
If you want to hear the muted-out Part, touch <Mute>
again.
* To mute out a Division that changes after a few seconds (intro,
ending, or fill-in), touch <Mute> immediately after switching
to the Division.
131
Chapter 8
All Clear
Execute
You have created a new Style.
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Chapter 8 Creating Music Styles
❍ Editing the Volume and Effect Settings for
Each Part
Displaying the Part settings screen
1. At the Style Composer screen, touch <Part>.
A screen like the one shown below appears.
fig.d-scomp-part.eps_50
■ Creating a Style from a Song
You Composed Yourself
(Style Converter)
You can take a song you’ve composed yourself and extract
the portions you need to create your own original Style.
When you’re composing a song, there’s no need to specify all
the chords. You can specify some of the chords, and the KR
automatically chooses the other chords and arranges the
style. This function is called the “Style Converter.”
Style Converter features an “Auto mode” that allows you to
easily create Styles from songs with a single chord, and a
“Manual mode,” in which you create Styles from songs with
three kinds of chords–major, minor, and seventh chords.
When creating a song in order to create an music style, it’s
good practice to consider the arrangement of the music style.
Modifying the Settings of Each Part
2. Touch the <Part>
to select the part with
the settings to be changed.
The part name and Tone name are indicated in the upper
part of the screen.
3. Touch
for each parameter to change the value.
You can also change the values by touching each
parameter name and then using the dial.
Chapter 8
Display
Adjusts the volume.
Reverb
Adjusts the amount of reverb effect applied
to the sound.
Chorus
Adjusts the amount of chorus effect applied
to the sound.
A song progresses in predictable a sequence, such as intro,
melody A, melody B, bridge and ending.
With the KR, such changes in songs are allocated to the
following six performance states. We call these six parts of a
song “Divisions.”
Division
Changes the left-right direction from which
the sound appears to come.
When you touch
, the sound moves to
the right; touch
the left.
to move the sound to
You can change the Tone for the selected Part by
pressing a Tone button to change the Tone while this
screen is displayed. When selecting Rhythm Part, you
can touch <Drum Set> to select the drum set or effect
sound.
Finishing the Settings
4. Press the [Exit] button.
The Style Composer screen appears.
132
Music Styles created with the Style Converter function are
composed of eight parts: “Rhythm,”
“Bass,”“Accompaniment 1,“”Accompaniment 2,”
“Accompaniment 3,””Accompaniment 4,“”Accompaniment
5,” “Accompaniment 6.”
Explanation
Volume
Panpot
Style Arrangements
Performance division
Intro
The intro is played at the start of a song.
Ending
This is played at the end of a song.
Original
This is a basic accompaniment pattern.
Variation
This is a developmental accompaniment
pattern. It is a variation on an Original.
Fill-In To
Variation
This is a one-measure phrase inserted at a
juncture where the mood changes. It is used
to make a song more lively.
Fill-In To
Original
This is a one-measure phrase inserted at a
juncture where the mood changes. It is used
to make a song more sedate.
You can make a song more lively or more restrained by
increasing or reducing played parts by Divisions. You can
also modify a song by changing the Tone of the parts in the
Divisions.
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Chapter 8 Creating Music Styles
❍ Creating Styles in Auto Mode
A “Style Converter screen” like the one shown appears.
Points to note when creating songs
• Use one of the major, minor, or diminished seventh
chords to create the song. We recommend using
diminished seventh chords to compose the song.
• It is convenient to record the sounds shown below for
the Parts of the 16-track sequencer.
Rhythm
Bass
Accomp
1
Accomp
2
Accomp
3
D (10)
2
7
8
9
→ When using parts other than Part 2, 7, 8, 9, and D, refer to
“Changing an Extracted Part” (p. 134).
fig.d-styleconv.eps_50
Settings Content
Parameter
Name
Creating songs
Conv.Mode
Switches the mode (Auto/Manual)
1. Use the 16-track sequencer to record the song.
Chord Root
Chord root for the segment to be
extracted
Chord Type
Chord type for the segment to be
extracted (major/minor/seventh)
Division
Division
Displaying the Style Converter screen
From
Measure number of the first measure of
the segment to be extracted
2. Press the [Menu] button.
For
Number of measures extracted
Record the song after referring to “Multitrack Recording
with 16 Parts (16-Track Sequencer)” (p. 114) and other
related sections.
When using music data, first select a song (p. 65).
The Menu screen appears.
3. Touch <Style Converter>.
Making the Settings
* If no song for use in creating a new Style is selected, the
message “Please select a song” appears. Use the [Song] button
to select a song (p. 65), then start the procedure again.
4. Touch <Conv.Mode>, then use the dial to switch the
* If a User Style has already been recorded, a message like the
one shown below appears.
5. Touch <Chord Root> and <Chord Type>, then use the
fig.m-styledel.eps
mode to “Auto.”
This makes the setting for the Auto mode.
dial to input the chord root and type for the segment to
be extracted.
Chapter 8
6. Touch <Division>, then use the dial to select the
Division.
Display
Touch <Cancel> to return to the Menu screen. Please save the
User Style on an external memory or in the internal memory
(p. 135).
When you touch <OK>, the previously recorded User Style is
deleted, and a new User Style is created.
Performance division
Intro
Intro
Original
Original accompaniment pattern
Fill To
Vari
From the fill-in to the variation
Variation
Variation accompaniment pattern
Fill To Ori
From the fill-in to the original
Ending
Ending
* Only one measure can be extracted when “Fill To Vari” or
“Fill To Ori” is selected for the Division. The number of
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Chapter 8 Creating Music Styles
Creating Songs
measures may also be limited in other Divisions.
7. Touch <From> and <For>, then use the dial to select the
measures to be extracted.
Touching <Play> at the bottom of the screen, you can
listen to performance of the portion which you chose.
8. Repeat Steps 5–7 to create Styles for all of the
1. Use the 16-track sequencer to record the song.
Record the song after referring to “Multitrack Recording
with 16 Parts (16-Track Sequencer)” (p. 114) and other
related sections.
When using music data, first select a song (p. 65).
Displaying the Style Converter screen
Divisions.
* If no setting is made for a Division, it uses a simple drum pattern.
2. Press the [Menu] button.
3. Touch <Style Converter>.
Deciding on a Style
9. When you’re done making all the Division settings,
The “Style Converter screen” appears.
4. Touch <Conv.Mode>, then use the dial to switch the
touch <Execute>.
mode to “Manual.”
The User Style is recorded to the [User] button.
* If you turn off the power or record a new User Style, any User
Style you’ve previously recorded is lost. If you do not want to
delete the Style, save it to an external memory or to user
memory. Take a look at “Saving a User Style” (p. 135).
* The following data is saved to the User Style. If a song
includes data other than this, the results you get might not be
what was intended.
• Keyboard performance data
• Amount of Reverb effect applied
• Amount of Chorus effect applied
This makes the setting for the Manual mode.
After that, the steps are the same as for “Creating Styles
in Auto Mode” (p. 133).
When you touch <Play> in the lower part of the screen,
you can listen to the performance of the part selected
with <Options>.
❍ Changing an Extracted Part
You can extract and change part of a song created with 16track sequencer.
❍ Creating a Style in Manual Mode
1. At the Style Converter screen (p. 133), touch <Part>.
When you create a Music Style in the Manual mode, you can
clearly point up the differences in accompaniment for each
individual chord.
fig.d-styleconv.eps_50
A screen like the one shown below appears.
Chapter 8
Points to Note when Creating Songs
• Record your performance with the three chord types of
diminished seventh, major, and minor.
• It is convenient to record the sounds shown below for
the Parts of the 16-track sequencer.
Chords Rhythm Bass
Accomp
1
Accomp
2
Accomp
3
Major
D (10)
3
4
5
6
Seventh
-
2
7
8
9
Minor
-
12
13
14
15
→ The chords all share the same Rhythm Part.
→ If you want to use the performance of other part, check out
“Changing an Extracted Part” (p. 134)
2. Touch the performance Part with settings you want to
change.
3. Use the dial to specify which 16-track Sequencer
performance part you want to extract.
→ In the Manual mode, the type of chords appear at the bottom of
the screen. Set the Parts for all chords.
4. Press the [Exit] button to return to the Style Converter
screen.
The Style Converter screen appears.
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Chapter 8 Creating Music Styles
Saving a User Style
fig.d-stylesave.eps_50
You can save the User Styles you create to external memories
and the user memory. When saved to the user memory, User
Styles are not deleted when the power is turned off. You can
also select Styles saved to the user memory by pressing the
Music Style [User] button.
You can save up to 99 User Styles in user memory.
What is the User Memory?
The user memory is the area within the instrument
where User Styles created with the KR, sets of User
Programs, and other such data are stored.
You can also copy User Styles and sets of User Programs
saved on external memories.
Data saved to the user memory is not deleted, even
when the KR’s power is turned off.
Determining the Name of the Style to be
Saved
5. Touch <Rename>.
A “Rename screen” like the following appears.
fig.d-stylename.eps_50
→ When you want to clear all of the content saved to the user
memory and restore the settings to the factory settings, refer to
“Formatting the User Memory” (p. 152).
Preparations for Saving Data
When saving to an external memory, first connect an external
memory to the external memory port.
1. Press the Music Style [User] button.
A “User Style screen” like the following appears.
fig.d-usrdisk.eps_50
When you touch
, the cursor moves.
When you touch the icon for the character to be input,
the character appears at the cursor position.
For example, touching the <ABC> icon in succession
cycles you through the available choices in that character
group (A→B→C→A...).
Each touch of <A-a-0-!> cycles the type of characters
through “English (upper case),” “English (lower case),”
“numerals,” “symbols,” then back to “English (upper
2. Touch <User>.
3. Touch <File>.
4. Touch <Save>.
A “Save Style screen” like the following appears.
Chapter 8
case).”
When you touch <Del>, the character at the cursor
position is deleted.
When you touch <Ins>, a space is inserted at the cursor
position.
6. When you have finished with the name, press the [Exit]
button.
Determining the Save Destination
7. Touch <Media>
to select the save-
destination strage media.
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Chapter 8 Creating Music Styles
8. Touch
to select the save-destination
number.
If a Style name is displayed, a style is already saved to
that number.
If you select a number with a previously saved User
Style and then save to that number, the previously saved
User Style is deleted. If you do not want to delete the
User Style being saved, select a number in the savedestination column that does not yet have a name.
9. Touch <Execute>.
The saving process starts.
* Never turn off the power or eject the external
memory from the external memory port while the
operation is in progress. Doing so will damage the
KR’s internal memory, making it unusable.
■ Deleting Saved User Styles
This deletes User Styles that have been saved to external
memories or in user memory.
When deleting a User Style on an external memory, first
connect the external memory to the external memory port.
1. Press the Music Style [User] button.
A “User Style screen” appears.
If the User Style screen is not displayed, touch <User> in
the lower part of the screen.
2. Touch <File>.
3. Touch <Delete>.
A “Delete Style screen” like the following appears.
fig.d-styledel.eps_50
4. Touch <Media>
to select the strage
media.
5. Touch
or
to select the Style to be deleted.
6. Touch <Execute>.
The selected Style is deleted.
Chapter 8
* Never turn off the power or eject the external
memory from the external memory port while the
operation is in progress. Doing so will damage the
KR’s internal memory, making it unusable.
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Chapter 8 Creating Music Styles
Copying Styles on External
Memories to the User
Memory
Specifying the Copy Destination
7. Touch <User>
to select the copy destination
for the Style.
You can take User Styles saved on external memories and
copy them to user memory.
If a Style name is displayed, a style is already saved to
that number.
You can also take User Styles saved in user memory and
copy them to external memories.
If you select a number with a previously saved Style and
then copy to that number, the previously saved Style is
deleted. If you do not want to lose the Style being saved,
select a number in the save-destination column that does
not yet have a name.
1. Connect the external memory with the Style to be
copied to the external memory port.
8. Touch <Execute>.
2. Press the [User] button.
A “User Style screen” like the following appears.
fig.d-usrdisk.eps_50
The Style on the external memory is copied to user
memory.
* Never turn off the power or eject the external
memory from the external memory port while the
operation is in progress. Doing so will damage the
KR’s internal memory, making it unusable.
■ Copying Styles Saved in the
User Memory to External
Memories
If the User Style screen is not displayed, touch <User> in
the lower part of the screen.
3. Touch <File>.
4. Touch <Copy>.
A “Copy Style screen” like the following appears.
fig.d-copystyle.eps_50
You can take Styles saved in user memory and copy them to
external memories.
In this case, touch the large arrow icon in the center of the
“Copy Style screen” in Step 4 above so that the arrow points
upwards. Turn the KR will copy user memory Styles to the
external memory.
The rest of the procedure is identical to that used for copying
Styles from external memories to user memory.
Chapter 8
Specifying the Copy Source
5. Touch <Media>
to select the copy source
media.
6. Touch <File>
to select the Style you want to
copy.
When “All” is selected, all of the Styles on the external
memory are copied to user memory.
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Chapter 9 Various Settings
Changing the Settings for
One-Touch Arranger
■ Adjusting the Keyboard Touch
(Key Touch)
You can vary the touch of the keyboard when you play the
keys.
■ Procedure
1. Press the One Touch Program [Arranger] button to
At Step 3 in “Procedure” (p. 138), touch <Key Touch>.
fig.d-p-key.eps_50
display the Basic screen.
fig.d-arrbasic.eps_50
Display
2. Press the [Option] button.
A screen like the one shown below appears.
Fixed
Notes sound at an unchanging volume level,
regardless of how lightly or forcefully you
play the keyboard.
Light
This sets the keyboard to a light touch. You
can achieve fortissimo (ff) play with a less
forceful touch than usual, so the keyboard
feels lighter. This setting makes it easier for
children, whose hands have less strength.
Medium
This sets the keyboard to the standard touch.
You can play with the most natural touch.
This setting is closest to the response of an
acoustic piano.
Heavy
This sets the keyboard to a heavy touch. You
have to play the keyboard more forcefully
than usual in order to play fortissimo (ff), so
the keyboard touch feels heavier. This
setting allows you to add more expression
when playing dynamically.
fig.d-funcmenu1.eps_50
Chapter 9
Parameter
Name
Explanation
Explanation
Key Touch
Refer to “Adjusting the Keyboard Touch
(Key Touch)” (p. 138).
One Touch
Setting
Selects the setting to be specified when the
One Touch Program [Arranger] button is
pressed (p. 139).
Split Point
Sets the key at which the keyboard is divided
(the split point) (p. 139).
To make fine adjustments, touch the slider in the screen.
Arranger
Config.
Sets the way the Automatic Accompaniment
plays sounds (p. 139).
Move the slider to the right to add resistance, and to the left
to make the key touch lighter.
You set the tuning and make a variety of other settings
for the KR107 starting with the second page of the
settings screen.
3. Touch the name of the parameter to be set.
Refer to the corresponding page for each function.
4. Press the [Exit] button to return to the Basic screen.
138
Touch any of the icons <Fixed>, <Light>, <Medium>, or
<Heavy>, to set the key touch for the keyboard.
You can also change the key touch by pressing the
[Piano Designer] button. For more details, refer to the
Quick Start.
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Chapter 9 Various Settings
■ Changing Music Styles Without
Changing the Tone or Tempo
(One Touch Setting)
Normally, when you select a Music Style, the Tone and
tempo settings suitable for that Music Style are selected
automatically. However, you can also set it so the tempo and
Tone settings don’t change when you change Music Styles.
At Step 3 “Procedure” (p. 138), touch <One Touch Setting>.
■ Changing the Keyboard’s Split
Point (Split Point)
This sets the point (the split point) where the keyboard is
divided when specifying chords in the left hand while using
the Automatic Accompaniment and when playing split
performances (p. 27).
The setting is at “F#3” when the KR is powered up.
fig.splitpoint.e
F 3 (Split Point)
fig.d-1touchset.eps_50
B1
B6
Split Point Settings Range
The key you chose for the split point belongs to the lefthand section of the keyboard.
At Step 3 in “Procedure” (p. 138), touch <Split Point>.
Display
Explanation
Suitable
Tone
The suitable tone for a Music Style is
selected automatically.
Suitable
Tempo
The suitable tempo for a Music Style is
selected automatically.
Other
Setting
Other settings (Style Orchestrator, etc.) are
changed automatically.
Touch each icon to switch individual settings on and off.
All items are set to ON when you turn on the power.
Parameters switched to OFF (highlighted in orange) do not
change, even when the Music Style is changed.
fig.d-splitpoint.eps_50
Touch either <C3>, <F#3>, <C4>, or <F#4> in the lower part
of the screen.
The key you chose becomes the split point.
To set another key as the split point, touch
the screen, then specify the key.
in
You can set the split point within a range of B1 to B6.
This changes the settings determining how Music Styles are
played, and how the keys are pressed to specify chords.
What are the Chord Tone and Bass Tone?
When the Automatic Accompaniment is stopped, and Sync
Start (p. 55) is turned off, chords are produced when you
play in the left-hand side of the keyboard. This is called the
“chord tone,” and the root of the chord that is played at the
same time is called the “bass tone.”
139
Chapter9
■ Changing How Chords Are
Played and Specified
(Arranger Config)
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Chapter 9 Various Settings
At Step 3 “Procedure” (p. 138), touch <Arranger Config>.
How to play chords in the Chord Intelligence mode:
fig.d-arrset.eps_50
• Intelligence 1
Major
Ex: C
Play the chord root.
Seventh
Ex: C 7
Touch
Play the root and
the second key below it.
of each item to make settings.
Major Seventh
Parameter
Name
Value
Accomp
Accomp
Chord&Bs
Bass Tone
Chapter 9
Chord Tone
Chord
Recognition
Mode
Explanation
All Music Style parts
are played.
Only Music Style
rhythm parts, chord
Tones, and bass
Tones are played.
OFF,
Acoustic Bs.,
A. Bass+Cymbl,
Fingered Bs.,
Picked Bass.,
Fretless Bs.,
Slap Bass1,
Organ Bass,
Synth Bass 101,
Thum Voice
Selects the bass Tone.
When set to “OFF,”
no tone is played.
OFF, E.Piano 1,
E. Piano 2,
Soft E. Piano,
Hard E. Piano,
Slow Strings,
Strings,
Choir,
Doos Voice
Selects the chord
Tone. When set to
“OFF,” no tone is
played.
Intelligence 1,
Intelligence 2,
Manual
This selects the way
chords are played
with the Chord
Intelligence function.
When you set this to
“Manual,” play all of
the notes describing
the chord.
Ex: C maj 7
Minor
Ex: C m
Play the root and
the third key above it.
Minor Seventh
Ex: C m7
Ex: C dim
“Chord Intelligence” (p. 49) is the name of the function that
recognizes the chords being specified for an accompaniment
when only one or two keys of the chords have been pressed,
which can be used while automatic accompaniment is active.
Play the root,
the third key above it, and
the second key below it.
Diminished
Play the root and
the sixth key above it.
• Intelligence 2
Major
Ex: C
Play the root of the chord.
Seventh
Ex: C 7
Play the root of the chord
and the white key to the
left of the root.
Minor
Ex: C m
What is Chord Intelligence?
140
Play the root and
the first key below it.
Play the root of the chord
and the black key to the
left of the root.
Minor Seventh
Ex: C m7
Play the root of the chord
and the black and white key
to the left of the root.
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Chapter 9 Various Settings
Placing a Marker in the
Middle of a Measure
A marker is normally placed at the start of the selected
measure, but you can also set it so that a marker is placed at a
position partway through a measure.
For detailed information about Marker, refer to “Setting
Markers for Repeated Practice (Marker)” (p. 85).
1. Press the [Count/Marker] button.
Changing the Settings for the
Count
For detailed information about count, refer to “Match the
Tempo Before You Begin Playing (Count In)” (p. 83) and
“Having a Count Sound Play at the End of the Intro
(Countdown)” (p. 57).
1. Press the [Count/Marker] button.
The Count screen (p. 83) appears.
The Count screen appears.
2. Touch
2. Touch <Marker>.
of each item to make settings.
3. Press the [Exit] button to return to the Metronome
The Marker screen appears.
screen.
3. Press the [Option] button.
fig.d-funcmenu2.eps_50
fig.d-funcmenu2.eps_50
4. Touch <Resolution>
to choose the marker
Parameter Name
Countdown Sound
Specify the countdown
sound.
Voice (Japanese),
Voice (English)
Countdown Track
Specify the track or part that
will determine the beginning
of the performance when
added a countdown.
Lower & Upper Tracks
Lower Track
Upper Track
Part 1–16
Count-In Sound
Specify the count-in sound.
Stick, Click, Electronic,
Voice (Japanese), Voice
(English), Wood Block,
Triangle Castanets,
Handclap
Animal
Explanation
Measure
This lets you place a marker at the
beginning of the measure.
Beat
This lets you place a marker at the
beginning of the beat.
5. Press the [Exit] button to go back to the Marker screen.
141
Chapter9
Count Mode
Specify what type of count
will be added.
Count In
(add a count before the
performance),
Countdown
(add a count only before
you begin playing),
Count In/down
(add both a count-in and
a countdown)
setting.
Indication
Value
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Chapter 9 Various Settings
Value
Parameter Name
Count In Measures
Specify the length (number of
measures) of the count-in.
Count In Repeat
When “Repeat” is turned ON
on the Marker screen (p. 87)
this specified whether the
count-in will sound each time
the range between the
markers is repeated, or only
the first time.
1, 2
Other Settings
You can change the tuning, the language shown on the
display, and other settings to make the KR easier to use.
■ Procedure
1. Switch to the Basic screen, or press the One Touch
First time, Each time
Program [Piano] button.
2. Press the [Option] button.
A “Functions screen” like the following appears.
fig.d-funcmenu2.eps_50
When you press the [Option] button on the Basic screen,
the first page displayed shows the parameters for the
Automatic Accompaniment settings (p. 138).
Parameter
Tuning
Pedal
Setting
Master Tune
External Display
Language
User Image
Display
Opening
Message
MIDI Setting
Program
Change
Chapter 9
Memory Backup
MIDI Ensemble
Factory Reset
V-LINK
Remote Control
iR Function
USB Driver
Touch Screen
142
Explanation
Changing the tuning methods.
Assigns functions to the pedal and
performance pad (p. 144).
Sets the KR’s standard pitch (p. 146).
Selects the content to be shown on the
connected external display (p. 158).
Selects the language used in the
display (p. 147).
Selects the image data and display
used (p. 147).
Sets the message that appears when
the power is turned on (p. 148).
Refer to p. 161.
Refer to p. 161.
Stores edited settings and other data to
the KR (p. 148).
Refer to p. 161.
Restores the content stored with
Memory Backup to the original factory
settings (p. 149).
Refer to p. 159.
Changing the functions of the remote
control’s buttons (p. 149).
Sets the remote sensor’s on or off (p.
150)
Refer to p. 166.
Allows for calibration of the touch
screen (p. 150).
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Chapter 9 Various Settings
3. Touch the name of the parameter you want to set.
Tuning
system
Refer to the corresponding page for each function.
Kirnberger
This temperament is a modification of
meantone temperament and just
intonation, allowing more freedom of
modulation. Performances are possible
in all keys (III).
Pythagorean
This temperament is based on the
theories of the Greek philosopher
Pythagoras, and has pure fourths and
fifths. Chords containing a third will
sound impure, but melodies will sound
good.
Meantone
This temperament is a partial
compromise of just intonation in order
to allow modulation.
Werkmeister
This temperament is a combination of
meantone and Pythagorean
temperaments. It allows you to play in
all keys. (First method, number three.)
4. Press the [Exit] button to return to the Functions screen.
■ Changing the Tuning (Tuning)
❍ Choosing the Tuning
You can play classical styles such as Baroque using historic
temperaments (tuning methods).
Most modern songs are composed for and played in equal
temperament, the most common tuning in use today. But at
one time, there were a wide variety of other tuning systems
in existence. By playing in the temperament that was in use
when a composition was created, you can experience the
sonorities of chords originally intended for that song.
Characteristics
At Step 3 in “Procedure” (p. 142), touch <Tuning>.
fig.d-p-temp.eps_50
Touch any one of the icons to choose the tuning system.
When playing in a temperament other than equal
temperament, you must specify the tonic (the note
corresponding to C for a major key, or to A for a minor key)
of the key in which you will play.
Touch <Key>
You can choose from among the eight tunings described
below.
Tuning
system
Characteristics
Just (Maj)
This temperament makes the 5th and
3rd intervals pure. It is unsuited to
playing melodies and cannot be
transposed, but is capable of beautiful
sonorities.
Just (min)
Just intonation differs between major
and minor keys. The same results as
major can be obtained in a minor key.
Arabic
This tuning is suitable for the music of
Arabia.
If you have selected equal temperament, it is not necessary to
select the tonic.
❍ Setting the Tuning Curve (Stretch Tuning)
Pianos are generally tuned so that the low range is flatter and
the high range is sharper than equal tempered pitches. This
method of tuning is unique to the piano, and is known as
“stretched tuning.”
A graph that shows the changes in pitch of actual tuning
compared with the changes in equal temperament pitch is
called a tuning curve. Changing the tuning curve produces
subtle variations in the reverberations of the chords you play.
Touch the Stretch Tuning <ON> or <OFF> icon to select the
tuning curve.
When set to “ON,” the tuning curve features extended low
and high ranges (Stretch Tuning). It is suitable for piano
solos. This setting is selected when the power is turned on.
When set to “OFF,” the standard tuning curve is used. It is
suitable when playing in an ensemble with other
instruments.
143
Chapter9
Equal
This temperament divides the octave
into 12 equal parts. All intervals will be
slightly out of tune by the same amount.
This setting is in effect when you turn on
the power.
to select the tonic.
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Chapter 9 Various Settings
■ Assigning Functions to Pedals
and Performance Pads (Pedal
Setting/User Functions)
You can assign a variety of functions to the left and center
pedals, the expression pedals, and the performance pads.
You can call up the assigned functions just by pressing the
corresponding pedal or pad.
If you set the pedal as a dedicated switch for selecting
User Programs, the function assigned to the pedal
cannot be used. Refer to “Using the Pedal to Switch User
Programs” (p. 112).
❍ Functions that Can be Assigned (Pedals,
Performance Pads)
925
Function
NOTE
Leading
Bass
Toggles the Leading Bass function* on or
off. The function stays on as long as the
pedal to which this is assigned is pressed.
When assigned to a Performance Pad, this
is alternately switched on and off each time
the pad is pressed.
No Chord
Only the Rhythm part is played. After No
Chord is switched on, specifying a chord
by playing the actual keys cancels the
function, and all of the accompaniment
parts are played.
Break
During the performance of Automatic
Accompaniment, the accompaniment
stops for one measure only.
Fill In to
Variation
Performs the same function as the Fill In
[To Variation] button (p. 58).
Fill In to
Original
Performs the same function as the Fill In
[To Original] button (p. 58).
Fill In
A fill-in is inserted, but the accompaniment
pattern after that doesn’t change.
Half Fill In to
Variation
This plays a fill-in half a measure long,
then switches to the Variation
accompaniment pattern.
Half Fill In to
Original
This plays a fill-in half a measure long,
then switches to the Original
accompaniment pattern.
Original/
Variation
This changes the accompaniment pattern
without inserting a fill-in.
Arranger
Reset
When this function is used during
Automatic Accompaniment, the
accompaniment returns to the beginning of
the Division (p. 47).
Intro 1/
Ending 1
Performs the same function as the [Intro/
Ending] button (p. 55). Intro 1 and Ending
1 are played.
Intro 2/
Ending 2
Performs the same function as the [Intro/
Ending] button (p. 55). Intro 2 and Ending
2 are played.
Arranger
Start/Stop
Performs the same function as the [Start/
Stop] button (p. 55).
Orchestrator
Up
This changes the accompaniment to a more
elavorate arrangement (p. 59).
Use only the specified expression pedal (EV-7/5; sold
separately). By connecting any other expression pedals, you risk
causing malfunction and/or damage to the unit.
❍ Assigning Functions to Pedals
At Step 3 “Procedure” (p. 142), touch <Pedal Setting>.
fig.d-pedalset.eps_50
Touch
to assign functions to each of the pedals.
Pressing the One Touch Program [Piano] button restores
the piano performance functions to the pedals (p. 19).
❍ Assigning Functions to Performance Pads
1. Press the [User Function] button and watch the
indicator light up.
A screen like the one shown below appears.
Chapter 9
fig.d-usrfunc.eps_50
2. Touch
to assign functions to each of the
Performance Pads.
144
Explanation
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Chapter 9 Various Settings
Function
Explanation
Orchestrator
Down
Changes the accompaniment to a simpler
arrangement (p. 59).
Melody
Intelligence
Turns the Melody Intelligence function on
and off (p. 60).
Fade In/Out
This starts Automatic Accompaniment
with a fade-in (where the volume gets
progressively louder), ends it with a fadeout (where the volume gets progressively
softer), then stops.
Rotary Slow/
Fast
This switches the speed of the rotary effect*
when you perform with an organ tone.
Glide
While the pedal or Performance Pad is held
down, the pitch of the sound drops
temporarily, returning to the original pitch
when the pedal or Pad is released. This can
be effective for simulating the performance
of instruments like a Hawaiian guitar.
Composer
Play/Stop
Performs the same function as the [
(Play/Stop)] button (p. 65).
Page
Fwd 1
If a song is stopped with the score shown in
the KR display, the notation in the KR
display scrolls to the next page when you
press the pedal.
Page
Bwd 1
If a song is stopped with the score shown in
the KR display, the notation in the KR
display scrolls to the preceding page when
you press the pedal.
Page
Fwd 2
If a song is stopped with the score shown in
the external display, the notation in the
external display scrolls to the next page
when you press the pedal.
Page
Bwd 2
If a song is stopped with the score shown in
the external display, the notation in the
external display scrolls to the preceding
page when you press the pedal.
Punch In/Out
During Punch-in Recording, this starts and
stops recording (p. 119).
Tap
Tempo
You can set the tempo according to the
interval at which the pedal or pad is
pressed (p. 82).
* What is the rotary effect?
This adds a sort of spinning effect to the organ sound, similar
to the sound when a rotary speaker is used.
Changing the speed increases or decreases the speed of this
spinning effect.
Function
Explanation
Composer
Assist
Pressing the pedal during playback of a song
stops the playback. When the pedal is
released, playback resumes from the
beginning of the measure that was playing
when the pedal was pressed. When the pedal
is pressed in rapid succession, the playback
will resume backs up the same number of
measures as the number of times the pedal is
pressed.
Upper
Sostenuto
The pedal functions as a sostenuto pedal
(p. 19).
Upper Soft
The pedal functions as a soft pedal (p. 19).
Lower
Damper
Applies a damper pedal effect to the sounds
in the left-hand side of the keyboard during a
split performance.
Bend Up
This raises the pitch of notes you play on the
keyboard.
Bend
Down
This lowers the pitch of notes you play on the
keyboard.
EX1
When the pedal is pressed during a layer
performance, the Tone volume changes
between two levels, depending on how firmly
the pedal is pressed.
Pressing the pedal with “Pedal EX1” selected
increases the layer Tone volume. The layer
Tone is played at a fixed volume, regardless of
how forcefully the keys are played.
EX2
Pressing the pedal with “Pedal EX2” selected
increases the layer Tone volume.The layer
Tone is played at a fixed volume, regardless of
how forcefully the keys are played.
EX3
Pressing the pedal with “Pedal EX3” selected
increases the layer Tone volume, while the
volume of the left-hand Tone is decreased.
The layer Tone is played at a fixed volume,
regardless of how forcefully the keys are
played.
EX4
Pressing the pedal with “Pedal EX4” selected
increases the layer Tone volume, while the
volume of the right-hand Tone is decreased.
NOTE
The effect may not be applied correctly when you press a pedal
if “Pedal EX1–4” is assigned to more than one pedal.
Using the “Bend Up” or “Bend Down” function during a
split performance (p. 26) changes the pitch of sounds in
the right-hand side of the keyboard. Additionally, the
range in which the pitch can change when the Bender
145
Chapter9
* What is the leading bass function?
The function that sounds the lowest note of a fingered chord
as the bass tone is called “Leading Bass.” When this function
is turned on, the Bass Tone changes when chord inversions
are used. Usually the tonic of the chord you play sounds as
the bass tone.
❍ Functions that Can be Assigned (Pedals
Only)
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Chapter 9 Various Settings
effect is used is called the “bend range”; refer to
“Changing the Bend Range (Pedal Setting)” (p. 146).
fig.d-pedalset.eps_50
❍ Functions that can be assigned (Expression
Pedals Only)
Function
Explanation
Expression
Adjusts the overall volume.
EX1
When the pedal is pressed during a layer
performance, the Tone volume changes
between two levels, depending on how
firmly the pedal is pressed.
Pressing the pedal with “Pedal EX1”
selected increases the layer Tone volume.
The layer Tone is played at a fixed volume,
regardless of how forcefully the keys are
played.
EX2
Pressing the pedal with “Pedal EX2”
selected increases the layer Tone volume.
The layer Tone is played at a fixed volume,
regardless of how forcefully the keys are
played.
EX3
Pressing the pedal with “Pedal EX3”
selected increases the layer Tone volume,
while the volume of the left-hand Tone is
decreased. The layer Tone is played at a
fixed volume, regardless of how forcefully
the keys are played.
EX4
Pressing the pedal with “Pedal EX4”
selected increases the layer Tone volume,
while the volume of the right-hand Tone is
decreased.
Touch <Bend Range>
setting.
to adjust the bend range
You can set this to any value within a range of 1 to 12 (in
half-tone steps, up to one octave).
■ Changing Standard Pitch
(Master Tune)
“Standard pitch” generally refers to the pitch that is heard
when you play middle A. When performing in an ensemble
with other instruments, adjust the standard pitch so that the
instruments of the ensemble match. Tuning all the
instruments to a standard pitch is called “master tuning.”
At Step 3 in “Procedure” (p. 142), touch <Master Tune>.
A screen like the one shown below appears.
fig.d-tuning.eps_50
■ Changing the Bend Range
(Pedal Setting)
The effect of smoothly raising or lowering the pitch of a
played note is called the “bender effect.”
Chapter 9
You can assign the bender function to a pedal, then apply the
bender effect by depressing and releasing the pedal.
You can also make a setting that determines how much the
pitch of the note changes when you apply the bender. The
maximum range of change in pitch is called the “bend
range.”
At Step 3 “Procedure” (p. 142), touch <Pedal Setting>.
Touch
146
to switch the screens.
Touch
to change the pitch.
Standard pitch can be set to any value from 415.3–466.2 Hz.
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Chapter 9 Various Settings
■ Changing the Language
(Language)
fig.d-usrimage.eps_50
Five choices are available for the language used in displaying
information on the screen.
At Step 3 in “Procedure” (p. 142), touch <Language>.
A screen like the one shown below appears.
fig.d-lang.eps_50
Selecting the Display to be Set
1. Touch <KR Display> or <Ext. Display>.
Select the setting either for “KR display” or “Ext.
display” images.
Selecting the Images to be Displayed
Touch
to select the language.
Available settings
English, Japanese, German, French, Spanish
NOTE
First, take an external memory to which the image data
stored in the KR has been saved, and connect the
external memory to the external memory port.
2. Touch <File>.
A screen like the one shown below appears.
fig.d-usrimage2.eps_50
German, Spanish, and French are displayed for some functions.
Other screens will be displayed in English.
■ Selecting Images To Be Shown
on the KR and External
Displays
(User Image Display)
You can have image data from computers and other devices
shown on the onboard display, or on an external display
you’ve connected. You can store two types of image data,
“KR display” data, and “Ext. display” data.
3. Touch the name of the stored image data.
When you touch <Preview>, you can then show the
selected image data on the display selected in Step 1.
At Step 3 in “Procedure” (p. 142), touch <User Image
Display>.
A screen like the one shown below appears.
4. Touch <Save>.
The selected image data is stored.
5. Press the [Exit] button to return to the previous screen.
Chapter9
“KR-display-use” images appear on the KR’s display
when the instrument’s power is turned on. Refer to the
procedure in “Changing the Settings for Showing
Images with the External Display and the Television
(External Display)” (p. 158) to set the instrument so the
“Ext. display” image is displayed on the external
display.
To clear the stored image data, touch <Erase>.
❍ Image data that KR can display
Size
320 x 240 pixels (for KR display)
640 x 480 pixels (for external display)
Format
BMP format
Extension
“.bmp”
147
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Chapter 9 Various Settings
■ Changing the Screen Message
When the Power Is Turned On
(Opening Message)
■ Remembering the Settings
Even When the Power is
Turned Off (Memory Backup)
You can modify this screen to show your favorite phrase
when the power is turned on.
Normally, the various settings revert to their default values
when the power is turned off. However, you can specify that
the settings will be remembered even when the power is
turned off. This function is called “Memory Backup.”
At Step 3 in “Procedure” (p. 142), touch <Opening Message>.
A screen like the one shown below appears.
fig.d-openmsg.eps_50
For more on the settings stored using Memory Backup,
refer to “Parameters Stored in Memory Backup” (p. 184).
At step 3 in “Procedure” (p. 142), touch <Memory Backup>.
A screen like the one shown below appears.
fig.d-memory.eps_50
Use
to move the cursor.
When you touch the character icon, the character is input
where at the position.
When you touch the icon for the character to be input, the
character appears at the cursor position. For example,
touching the <ABC> icon in succession cycles you through the
available choices in that character group (A→B→C→A...).
Each touch of <A-a-0-!> cycles the type of characters through
“English (upper case),” “English (lower case),” “numerals,”
“symbols,” then back to “English (upper case).”
NOTE
When you touch <Del>, the character at the cursor position is
deleted.
Never turn off the power while the display indicates
When you touch <Ins>, a space is inserted at the cursor
position.
memory, making it unusable.
When you have finished inputting the characters, touch
<Execute>.
NOTE
Chapter 9
Touch <Execute>.
The confirmation message appears on screen.
Touch <OK> to store the setting.
When the setting has been stored in memory, the previous
screen will reappear.
Never turn off the power while the display indicates
<Executing...>. Doing so will damage the KR’s internal
memory, making it unusable.
If you touch <All Clear> at the bottom of the screen and
then touch <Execute>, the display reverts to the screen
that normally appears when you turn on the power to
the instrument.
148
<Executing...>. Doing so will damage the KR’s internal
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Chapter 9 Various Settings
■ Restoring the Factory Settings
(Factory Reset)
■ Changing the Functions of the
Remote Control’s Buttons
You can return the content stored with “Memory Backup” (p.
148) and the User Programs (p. 108) to their original factory
settings. This operation is referred to as “Factory Reset.”
You can change the functions assigned to the remote
control’s buttons.
NOTE
At step 3 in “Procedure” (p. 142), touch <Remocon Setting>.
A screen like the one shown below appears.
When you perform a Factory Reset, all settings that have been
stored in memory up to then are erased and reset to their
factory defaults.
This operation does not return the touch screen
calibration settings to the original factory condition. To
return the touch screen calibration settings to the
original factory settings, refer to “Returning the Touch
Screen Calibration Settings to the Original Factory
Settings” (p. 151)
When you want to restore the content registered to the
KR’s User memory to the factory condition, refer to
“Formatting the User Memory” (p. 152).
At step 3 in “Procedure” (p. 142), touch “Factory Reset.”
Changing the [
] (PLAY) Button Functions
1. Touch <PLAY>
[
to assign functions to
] (PLAY) button.
Display
Explanation
Songs are played back continuously in
sequence, starting from the currently
selected song.
A screen like the one shown below appears.
fig.d-factory.eps_50
All Song
Play
Internal Song
Songs in the selected genre are played
back continuously.
“Favorites” Songs
Songs registered to the “Favorites” are
played back in sequence.
Songs on External Memories and
Floppy Disks
Songs within the selected folder are
played back continuously.
Touch <Execute>.
The confirmation message appears on screen.
One Song
Play
Touch <OK> to restore the original factory settings.
NOTE
Never turn off the power while the display indicates
<Executing...>. Doing so will damage the KR’s internal
memory, making it unusable.
Random
Play
“Favorites” Songs
Songs registered to the “Favorites” are
played back in random order.
Songs on External Memories and
Floppy Disks
Songs within the selected folder are
played back in random order.
2. Press the [Exit] button to return to the Functions screen.
149
Chapter9
The songs are played back in random
order.
Internal Song
The songs in all genres are played back in
random order.
When you have finished making the settings, switch off the
power, then switch it back on again.
When you touch <Cancel>, the settings are left untouched,
and you’re returned to the previous screen.
Only the selected song is played back.
Playback stops when the song is finished.
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Chapter 9 Various Settings
Changing the [FUNC1] [FUNC2] Button
Functions
1. Touch <FUNC1> <FUNC2>
Bwd/Fwd
to assign
functions to [FUNC1] [FUNC2] button.
Display
Lyric Color
Replay
Explanation
Display
Fast forwards and rewinds the song.
When [-] button is pressed, the song
rewinds; when [+] button is pressed, the
song is fast forwarded.
NOTE
Explanation
Each time the [FUNC 1] or [FUNC 2]
button is pressed, switch the color used
for lyric in the display.
Pressing the button while the song is
playing back stops the playback. When
you release the button, playback resumes
from the beginning of the measure being
played when you pressed the button.
Pressing the button a number of times in
rapid succession moves the playback
position back by the same the number of
measures, after which playback resumes.
Track 3
Each time the [FUNC 1] or [FUNC 2]
button is pressed, the lower track is
switched on or off. When turned off, the
sound from the lower track does not play.
Track 4
Each time the [FUNC 1] or [FUNC 2]
button is pressed, the upper track is
switched on or off. When turned off, the
sound from the upper track does not play.
Zoom
Displays an enlarged notation.
Repeat
Playback repeats within the marked
range.
Press the [Exit] button to return to the Functions
screen.The remote control buttons’ original function
assignments are restored when the power is turned off. If you
want to save the changed settings, carry out the memory
backup (p. 148).
■ Switching the Remote Sensor
On and Off (iR function)
You set the Remote Sensor to On (active) or Off (disabled).
When switched on, infrared transmission remote control
information is received.
At step 3 in “Procedure” (p. 142), touch “iR function.”
A screen like the one shown below appears.
2. Press the [Exit] button to return to the Functions screen.
Changing the TEMPO [-] [+] Button and the
TRANSPOSE [-] [+] Button Functions
1. Touch <TEMPO> or <TRANSPOSE>
to
assign functions to TEMPO [-] [+] and TANSPOSE [-]
Chapter 9
[+] button.
Display
Tempo
Explanation
Changes the tempo. Pressing [-] button
slows the tempo down; pressing [+]
button speeds up the tempo.
Notation
Scrolls the notation in the external display.
Press [-] button to return to the previous
page; press [+] button to advance to the
next page.
Transpose
Transposes the song. Pressing [-] button
lowers the pitch in semitone steps;
pressing [+] button raises the pitch in
semitone steps.
150
Touch <ON> or <OFF>
■ Calibrating the Touch Screen
(Touch Screen)
If you’ve been using the touch screen for some time, the
pointer may be shifted, making the KR react incorrectly. You
should correct this displacement when necessary by
performing calibration (repositioning).
At step 3 in “Procedure” (p. 142), touch “Touch Screen.”
A screen like the one shown below appears.
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Chapter 9 Various Settings
fig.d-touchpanel.eps_50
Selecting the Part to Which
the Effect is Added
(EffectsPart)
You may find effects not being applied to certain parts when
different effects are applied to the upper tone, layer tone, and
lower tone. In such instances, you can select which effect is to
have priority.
1. Press any tone button, and select the tone (p. 23).
Touch <Execute>.
Touch the points indicated.
NOTE
2. Touch <Effect>.
3. Touch <Part>.
A screen like the one shown below appears.
Do this carefully, because touching a location that’s different
from the one indicated for the pointer may make the
displacement even worse. Be sure to touch the pointer
accurately.
When the calibration is finished, touch <Write> to store the
settings.
NOTE
If you don’t write them to memory, the calibration settings will
be discarded as soon as the power is switched off.
Returning the Touch Screen Calibration
Settings to the Original Factory Settings
If you touch <Factory Reset> in the above screen, the touch
screen calibration settings revert to the original factory
settings.
4. Touch
to select the part to which the effect
is added.
The effect will be applied to the selected part and other
parts to which the same effect has been applied.
Available settings
Upper, Layer 1, Layer 2, Lower 1, Lower 2
Chapter9
151
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Chapter 9 Various Settings
Formatting the User Memory
The KR features an internal storage area where you can save
recorded performances and User Styles. This space is called
the “User Memory.”
The following content is stored to the user memory.
• Content registered to the “Favorites” (p. 69)
• Sets of saved User Programs (p. 109)
• User Styles saved on user memory (p. 135)
• Image files set with the “User Image settings” (p. 147)
To delete all of the content held in the user memory and
restore the original factory settings, carry out the following
procedure.
Automatically Starting the
Quick Tour
You can set the instrument so that the Quick Tour starts
automatically with no operation required.
1. Hold down the [Transpose] button and press the
[Ambience/Reverb] button.
The Quick Tour screen appears.
2. Press the [Option] button.
A screen like the one shown below appears.
fig.d-touchpanel.eps_50
1. Press the [Song/File] button.
2. Touch <File>.
3. Touch <Format Media>.
4. Touch
to select “User.”
5. Touch <Execute>.
A screen like the one shown below appears.
fig.d-touchpanel.eps_50
3. Touch
Item
Auto Start
6. Touch <OK>.
All of the content in the user memory is deleted.
If you touch <Cancel>, the deletion is cancelled, and
you’re returned to the previous screen.
NOTE
Chapter 9
Never turn off the power while the display indicates
<Formatting...>. Doing so will damage the KR’s internal
memory, making it unusable.
BGM
of each parameter to make settings.
Display
Explanation
ON, OFF
This setting determines
whether or not Quick Tour
starts when no adjustment
or other operation is
performed within a fixed
period of time.
ON, OFF
This setting determines
whether or not
background music is
added when Auto Demo
begins.
When Auto Start is set to “ON,” a period of five to ten
minutes passes without the instrument being touched,
the demo automatically starts. The demo stops playing if
the instrument is operated in any way. When Auto Start
is set to “OFF,” the demo does not start unless you touch
the icon in the Demo screen.
4. Press the [Exit] button to return to the Quick Tour
Carrying out this operation does not initialize any
settings other than the user memory settings. To restore
settings other than those for the user memory to the
original factory settings, carry out Factory Reset (p. 149).
screen.
→ This setting is saved even after the power is turned off.
* For more information about Quick Tour, refer to the Quick
Start.
* You cannot start the demo songs if you have any performance
recorded but not saved. Before starting the demo, either delete
or save the song when the song delete screen(p. 90) is
displayed.
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Chapter 9 Various Settings
Adjusting the Piano Designer
Resonance
You can made precise changes to the Piano Designer
“Resonance” setting.
More of the resonance effect is applied as the value is
increased.
1. Press the [Piano Designer] button.
Disabling Functions Other
Than Piano Performance
(Panel Lock)
The “Panel Lock” function locks the KR in a state where only
piano performance can be used, and all buttons will be
disabled. This prevents the settings from being inadvertently
modified even if children press the buttons accidentally.
* In the Panel Lock state, only the grand piano sound can be
played.
2. Press the [Option] button.
A screen like the one shown below appears.
fig.d-touchpanel.eps_50
1. Turn down the volume all the way.
2. Press the [Power] switch to turn off the power.
3. While holding down the [Wonderland/Game] button,
press the [Power] switch and turn on the power.
Hold down the button for at least ten seconds (until the
animation is displayed).
All buttons except for piano play are disabled.
Adjust the volume. When you play the keyboard, the
grand piano sound will be heard.
3. Touch
of each item to make settings.
Explanation
String
With an acoustic piano, playing a
note causes the strings for other keys
already being pressed to resonate.
The function that reproduces this
resonant sound is called “String
Resonance.”
Damper
When the damper pedal on an
acoustic piano is pressed, the sound
of the key that is played causes other
strings to resonate, adding rich
reverberation and breadth to the
sound. This function reproduces the
resonant sound created by pressing
the damper pedal (Damper
Resonance).
Key off
This reproduces the “key off” sound
(the subtle sound made when the
keys are released) produced when
playing an acoustic piano.
Chapter9
Item
To undo the Panel Lock function, turn the volume down
to the minimum, and turn on the power once again.
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Chapter 9 Various Settings
Detailed Song Playback
Settings
■ Changing the Tone Settings
When Playing Back Songs
(Play Mode)
With the normal setting, GS tones (sounds that are
compatible with other GS instruments) will normally be used
to play back song data. By changing this setting, you can play
back song using KR-specific tones for certain portions of the
data.
For detailed information about GS, refer to “About the
KR Sound Generator” (p. 185).
1. Press the [Menu] button.
■ Viewing Song Information
(Information)
You can view file names and other information concerning
songs.
1. Press the [Song/File] button.
2. Touch <File>.
3. Touch <Information>.
A song information is displayed.
■ Hiding the Lyrics (Lyrics)
Some commercially available music files for use in karaoke,
as well as some of the internal songs include lyrics data.
When you play such music files, the lyrics automatically
appear in the screen. If you do not want lyrics to appear
automatically, set this to “OFF.”
1. Press the [Menu] button.
The Menu screen appears.
The Menu screen appears.
Touch
to switch the screens.
2. Touch <Play Mode>.
Touch
A screen like the one shown below appears.
fig.d-plymode.eps_60
to switch the screens.
2. Touch <Lyrics>.
A screen like the one shown below appears.
fig.d-lyric.eps_60
3. Touch the icon to choose the setting.
Icon
Chapter 9
GS
KR
Explanation
Playback uses GS-compatible tones for
performances that sound like other GS
instruments.
Playback uses KR tones for greater
expressiveness. However, differences may
appear when playing back using devices
other than the KR.
4. Press the [Exit] button to go back to the Menu screen.
3. Touch
to select the setting.
Display
Explanation
ON
Lyrics are displayed automatically (when
performance data containing lyrics is played
back).
OFF
Lyrics are not displayed, even if the song
data being played back contains lyrics data.
4. Press the [Exit] button to return to the Menu screen.
5. After changing this setting, try selecting the song once
again.
Even when this is set to “OFF,” you can still have the lyrics be
For more detailed information about selecting a song,
refer to “Playing a Song” (p. 65).
154
displayed by touching <
or Basic screen (p. 21).
> when it appears in the Piano
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Chapter 9 Various Settings
4. Press the [Exit] button to return to the Menu screen.
The screen may be switched when you press the button
while the Lyrics screen is displayed. To have the lyrics
displayed again, touch <
> on the Piano or Basic
screen, or stop playback of the song, then press the
[
After changing this setting, try selecting the song once
again.
For more detailed information about selecting a song,
refer to “Playing a Song” (p. 65).
(Play/Stop)] button.
■ Changing the Parts Assigned
to the Track Buttons During
SMF Playback (Track Assign)
Normally, when playing back Roland Piano Digitalcompatible SMFs (p. 185), the lower part is assigned to the
[3/Lower] button, and the upper part is assigned to the [4/
Upper] button. However, assignment of the upper and lower
parts may differ with some SMF data.
If you cannot get the upper and lower parts to work well set
on “Auto,” then change the setting to “2/1 Part” or “3/4
Part.”
This setting is effective with internal songs, registered
songs for favorites, and SMF format song data.
1. Press the [Menu] button.
The Menu screen appears.
Touch
to switch the screens.
2. Touch <Track Assign>.
A screen like the one shown below appears.
fig.d-trkasgn.eps_60
to select the setting.
Display
Explanation
Auto
The part assigned to each track will be
determined automatically,
depending on the song data.
2/1 Part
Part 1 will be assigned to the upper part
track, part 2 to the lower part track, and part
3 to the user track.
3/4 Part
Part 4 will be assigned to the upper part
track, part 3 to the lower part track, and part
1 to the user track.
Chapter9
3. Touch
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Chapter 10 Connecting External Devices
You can connect the KR to external devices such as audio
equipment, MIDI instruments and computer.
❍ Connecting an External Display or Television
You can connect a computer monitor or other external
display or a television to the KR107, enabling you to display
the Song Select screen, your favorite images, song lyrics, and
notations on a larger screen.
Connecting an External
Display or Television
You can connect a computer monitor or other external
display or a television to the KR107, enabling you to display
the Song Select screen, your favorite images, song lyrics, and
notations on a larger screen.
❍ Connecting Video Equipment (p. 159)
With a V-LINK compatible device connected, you can switch
images with the keyboard.
You can switch screens with the remote control. For
details, see “Using the Remote Control” (p. 71).
❍Connecting MIDI Devices (p. 160)
You can connect a MIDI sequencer and record performance
data from the KR, or play performance data from the KR on
the sequencer. Also, when you connect a MIDI sound
module, you can perform on the KR and hear the sounds
played through the MIDI sound module.
❍ Connecting Audio Equipment (p. 163)
The KR has high-quality built-in stereo speakers, but you can
also hook it up a stereo system for an even more impressive
sound.
You can also connect it to a tape recorder or other recording
equipment and record your performances.
❍ Connecting a Computer (p. 165)
You can use a sequencer program (such as Roland VisualMT) to record performance data from the KR and play
performance data from the program on the KR.
❍Connecting an Expression Pedal
You can connect an expression pedal to the KR.
Connect the Expression pedal to the Expression Pedal
jack on the rear panel of the KR107.
925
NOTE
Use only the specified expression pedal (EV-7/5; sold
separately). By connecting any other expression pedals, you risk
Chapter 10
causing malfunction and/or damage to the unit.
You cannot simultaneously use both an external
display and a television with the KR107. Moreover,
neither the external display nor the television will be
able to display properly if both are connected at the
same time.
When using an external display, connect the display to
the Ext Display connector, but do not connect a
television to the Video Out connector.
If using a television, connect the television to the Video
Out connector, but do not connect any external display
to the Ext Display connector.
For more information about external display settings, refer to
“Changing the Settings for Showing Images with the
External Display and the Television (External Display)” (p.
158).
■ Connecting an External
Display
Displays That Can Be Connected to This
Instrument
In general, a great many of the VGA monitors and multiscan
monitors that are available on the market are compatible
with this instrument. However, before you connect any
monitor, make sure it meets the following specifications:
Resolution
640 x 480 pixels
Horizontal scan frequency
31.5 kHz
Vertical scan frequency
60 Hz
Connector
3-row, 15-pin D-Sub type
Signal
Analog
NOTE
Confirm that the display to be used is compatible with the
frequencies mentioned above. Using a display that is not
compatible with the above frequencies may result in incorrect
image output when images move, and in certain cases may even
damage the display.
156
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Chapter 10 Connecting External Devices
Making the Connections
rest’s moving parts. Keep the base of the display within
one of the areas shown by the dotted lines in the
NOTE
illustration below.
To prevent malfunction and/or damage to speakers or other
Areas for placing the display
devices, always turn down the volume, and turn off the power
on all devices before making any connections.
D-sub 15 pin
(Mini)
KR Bottom
Ext Display Connector
D-sub 15 pin
(Mini)
Display Cable
(Sold separately)
External Display
1. Turn off the power to the KR107 and the display to be
connected.
2. Use display cable (sold separately) to connect the
display to the Ext Display connector on the KR107.
NOTE
You cannot display information or images with an external
display when a television is connected to the Video Out
jack. To use an external display, first disconnect the
television from the Video Out jack, then connect the
external display.
• If you are placing the display on top of the KR, we
recommend using a liquid crystal display (LCD). If using
a cathode ray tube (CRT) display, take extra care to
ensure that the display rests stably on the instrument.
Turning the Power Off
After use, turn off the power using the following procedure.
1. Turn the volume all the way down on the KR107.
2. Turn off the KR107.
3. Turn off the connected display.
■ Connecting a Television
3. Switch on the KR107.
Video Cable
(Sold separately)
4. This sets the display format (p. 158).
5. Switch on the connected display.
KR107’s Jack Panel
Video Out jack
Television
For more on handling the external display, refer to your display’s
owner’s manual.
Making the Connections
Always be sure to use the following procedure when
connecting a television.
You can also remove the music rest, then place the display there so
that it faces forward. For instructions on removing the music rest,
refer to “Removing the Music Rest” (p. 18).
NOTE
You cannot display information or images with a television
when an external display is connected to the Ext Display
connector. To use an television, first disconnect the
external display from the Ext Display connector, then
connect the external display.
1. Turn off the power to the KR107 and the television to
2. Use a video cable (sold separately) to connect the
KR107’s Video Out jack with the television’s video
When using the KR107 with a display placed on it, be sure to
note the following precautions.
• Make sure the display sits stably on the KR107 before
use.
• Do not let the base of the display rest on any of the music
input jack.
3. Turn on the power to the KR107.
4. This sets the display format (p. 158).
5. Turn on the power to the television.
157
Chapter10
be connected.
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Chapter 10 Connecting External Devices
■ Changing the Settings for Showing
Images with the External Display
and the Television
(External Display)
This selects the content shown on the external display or the
television connected to the KR.
1. Press the One Touch Program [Piano] button.
2. Press the [Option] button.
3. Touch <Ext Display>.
A screen like the following appears.
fig.d-extdisp.eps_50
Notes When Switching the Display on External
Displays and Televisions
• Lyrics are not displayed with audio CDs.
• You cannot display any lyrics screen when playing back
music data that does not include lyrics data.
• The internal songs include a number of jazz pieces that
are played in an improvised fashion, and you may find
notes not conforming to measure lines, odd divisions of
the parts played in the left and right hand, and other
such features that do not match what is shown in the
notation.
• Neither the external display nor the television will be
able to display properly if both are connected at the
same time.
Lyric Color
Selects the color used for lyric in the display.
Value: White, Black, Red, Yellow, Green, Blue, Cyan,
Magenta
Device
If you find that the image quality of the television is poor,
try switching the television format.
4. Touch the parameter
to make the settings.
5. Press the [Exit] button to return to the Function screen.
■ Explanation of Each Items
Mode
Chapter 10
Settings
Value
Explanation
Auto
The display of notations, lyrics, notation
+ keyboard, and lyric are switched
automatically.
Panel
Screens are shown the same way they
appear in the KR107’s display.
Notation
The Notation screen is normally
displayed.
Notation +
Keyboard
The notation and keyboard are displayed.
Lyric
The Lyrics screen is normally displayed.
However, lyrics are displayed only when
playing back music files that contains
lyrics data.
158
Value: VGA, PAL, NTSC
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Chapter 10 Connecting External Devices
Connecting Video Equipment
(V-LINK)
Connecting the KR107 to a V-LINK compatible image device
allows you to control the images with the KR107.
While V-LINK is switched on, no sound is produced
when you press any of the twelve keys at the left end of
the keyboard.
5. Touch <OFF> to cancel the V-LINK function.
V-LINK (
) is functionality promoted by Roland
that allows linked performance of music and visual material.
By using V-LINK-compatible video equipment, visual effects
can be easily liked to, and made part of the expressive
elements of a performance.
921
NOTE
To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the power
on all devices before making any connections.
Connection Examples:
fig.02-
V-LINK compatible image device
USB MIDI Interface
MIDI OUT
KR107
■ Using the V-LINK function
1. Press the One Touch Program [Piano] button.
2. Press the [Option] button.
3. Touch <V-LINK>.
4. Touch <ON>.
Switches to Image Control mode.
You can control images using the twelve keys at the left
end of the keyboard.
When V-LINK is on, “V-LINK” is indicated in the Basic
screen and other screens.
Chapter10
fig.V-LINKkey
A0 B0 C1 D1 E1 F1 G1
A0 – G1#
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Chapter 10 Connecting External Devices
Connecting MIDI Devices
By connecting an external MIDI device and exchanging
performance data, you can control one device from the other.
For instance, you can output sound from the other
instrument or switch Tones on the other instrument.
■ Making the Connections
* To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the power
on all devices before making any connections.
1. Turn the volume all the way down on the KR and on
the device you’re about to connect.
What’s MIDI?
MIDI, short for “Musical Instrument Digital Interface,” was
developed as a universal standard for the exchange of
performance data between electronic instruments and
computers.
The KR is equipped with MIDI connectors to let it exchange
performance data with external devices. These connectors
can be used to connect the KR to an external device for even
greater versatility.
2. Switch off the power to the KR and the device you’re
about to connect.
3. Use a MIDI cable (sold separately) to connect the MIDI
connectors to each other.
Please refer to the connection examples below.
4. Switch on the power to the KR and the connected
device.
984
* A separate publication titled “MIDI Implementation” is also
available. It provides complete details concerning the way
MIDI has been implemented on this unit. If you should require
this publication (such as when you intend to carry out bytelevel programming), please contact the nearest Roland Service
Center or authorized Roland distributor.
5. Adjust the volume level on the KR and the connected
device.
6. You should also set the MIDI settings as needed.
For details on the MIDI-related settings, refer to
p. 161–p. 163.
Connection Examples:
■ Connectors
Setup with a MIDI Sequencer
fig.09-
fig.09-10
Roland MT Series
Out
MIDI
In
MIDI Out Connector
Connect this to the MIDI In connector on an external MIDI
device using a MIDI cable (sold separately).
KR107
Performance data when you play the keyboard or depress a
pedal is sent from this connector to the external MIDI
connector.
MIDI In Connector
Connect this to the MIDI Out connector on an external MIDI
device using a MIDI cable (sold separately).
This receives MIDI messages that are sent from external
MIDI devices. The KR receiving MIDI messages can output
sounds, exchange tones and perform other operations.
* When the KR is connected to a MIDI sequencer, set it to Local
OFF. Refer to “Disconnecting the Internal Sound Generator
and Keyboard (Local Control)” (p. 162).
Connecting with a MIDI Sound Module
fig.09-
Sound Module
Chapter 10
THRU
* External MIDI devices can’t be used for remotely changing the
Tones played by the KR’s keyboard.
KR107
160
MIDI
OUT
IN
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Chapter 10 Connecting External Devices
Performing in Ensemble with
MIDI Instruments
(MIDI Ensemble)
MIDI Settings
You can make MIDI settings like those described below.
<MIDI Setting>
fig.09-04.eps
You can connect an electronic percussion device or other
MIDI instrument to the KR’s MIDI In connector for ensemble
playing. Making the MIDI settings for the instrument
connected to the MIDI In connector is easy. The sounds from
the connected MIDI instrument are played from the KR’s
speaker.
1. Press the One Touch Program [Piano] button.
2. Press the [Option] button.
3. Touch <MIDI Ensemble>.
A screen like the following appears.
Display
Explanation
Tx Channel
Chooses the MIDI send channel
(p. 162).
Local Control
Switches Local Control on or off
(p. 162).
fig.09-04.eps
<Program Change>
fig.09-04.eps
4. Select the method for using the MIDI In connector.
Displayed
Meaning
Normal
Normal setting.
Make changes in Tone and other settings
from the connected device.
Pad
Select this when you have percussion pads
connected to the KR’s MIDI In connector.
You do not need to make any MIDI settings
on the KR. Select pad Tones and make other
settings from the connected pads (for further
details, refer to the Owner’s Manual
provided with the pads).
Keyboard
Select this when you have a keyboard
connected to the KR’s MIDI In connector.
You can select tones for the connected
keyboard from the KR. No MIDI settings
need be made on the KR.
Display
Explanation
Bank Select MSB
Sends Bank Select MSB messages
(p. 163).
Bank Select LSB
Sends Bank Select LSB messages
(p. 163).
Program Change
Sends Program Change messages
(Program Numbers) (p. 163).
Chapter10
5. When “Keyboard” is selected in Step 4 above, use
to select the Tone.
The connected keyboard plays using the selected Tone.
161
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Chapter 10 Connecting External Devices
Making the Settings
1. Press the One Touch Program [Piano] button.
Local On: The keyboard and internal sound generator are
connected.
fig.09-
2. Press the [Option] button.
Sound is emitted
3. Touch <MIDI Setting> or <Program Change>.
Sound Generator
4. Touch
to make the setting for each
Local On
item.
Press the [Exit] button to return to the Functions screen.
■ Selecting the Transmit Channel
(Tx Channel)
MIDI organizes things into “channels,” which are numbered
from 1 through 16. Simply connecting a cable is not enough
for communication to take place. The connected devices must
be set to use the same MIDI channels. Otherwise, no sound
will be produced, and no sounds can be selected.
Select the transmit channel (1–16) of the KR.
Local Off: The keyboard and internal sound generator are
separated. No sound will be produced by the
keyboard when it is played.
fig.09-
No sound produced
Sound Generator
Local Off
The channel setting is at “1” when the KR is powered up.
If the keyboard has been split into upper and lower sections,
messages from the left-hand section are fixed at “3.”
The KR receives messages on all channels from 1 through 16.
■ Disconnecting the Internal
Sound Generator and
Keyboard (Local Control)
When connecting a MIDI sequencer, set Local Control to
“OFF.” The setting is at “Local Control ON” when the KR is
powered up.
As illustrated, information describing what has been played
on the keyboard is passed to the sound module over two
different routes, (1) and (2). As a result, you hear overlapping
or intermittent sounds. To prevent this from happening,
route (1) must be disabled, by setting the unit to what is
known as “Local Off.”
fig.09-
(1) Local On
Sequencer
Sound
Generator
MIDI
IN
MIDI
OUT
Memory
Chapter 10
MIDI
OUT
Each note played is sounded twice
162
MIDI
IN
(2) Soft Tru On
→ When connecting a unit in the Roland MT series, you don’t
need to switch off Local Control. MT units transmit Local Off
messages when their power is switched on. First turn on the
power to the KR107, then after a few moments, play a note on
the KR107; when you turn on the power to the MT Series
device, Local Off is automatically enabled for the KR107.
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Chapter 10 Connecting External Devices
■ Sending Tone Change Messages
(Program Change/Bank Select
MSB/Bank Select LSB)
A Program Change is a message that means “change to the
Tone of the specified number.” The device that receives this
changes to the Tone of the corresponding number.
When you choose a Program Change message (Program
Number), the Program Number will be transmitted to the
MIDI device connected to the KR. The MIDI device that
receives the Program Number changes the tone to the
corresponding Program Number.
Normally, the Tone is selected from the 128 Tones available.
Some MIDI devices, however, have more than 128 Tones.
With such devices, the Tone is selected through a
combination of Program Change messages and Bank Select
messages. There are two parts of a Bank Select message: the
MSB (Controller 0, with a value of 0–127) and the LSB
(Controller 32, with a value of 0–127).
* Some MIDI instruments can’t handle Bank Select messages.
Others can handle Bank Selects, but do not recognize the LSB
part.
Connecting to Audio
Equipment
When you connect the KR to audio equipment, you can play
the sounds from the KR through the speakers on the audio
equipment or record your performances on a tape recorder
or other recording device.
When connecting, please use audio cables (sold separately)
with standard phone plugs.
■ Connectors
fig.09-
Output Jacks
You can connect audio equipment using audio cables (sold
separately) and play the sounds from the KR through the
speakers on the connected equipment, or record your
performances on a tape recorder or other recording device.
If the input of the connected device is monaural, you must
use the L (Mono) jack.
Input Jacks
Sending Recorded
Performance Data to a MIDI
Device (Composer MIDI Out)
When Composer Out is active, you can send performance
data recorded with the KR to a connected MIDI device or
computer.
When you turn on the power, this is set to “OFF” (data is not
sent).
1. Press the [Menu] button.
2. Touch <Composer MIDI Out>.
fig.09-04.eps
You can connect another sound source, such as audio
equipment or an electronic instrument, using audio cables
(sold separately). Play the sounds from the connected device
through the speakers on the KR.
If the input of the connected device is monaural, you must
use the L (Mono) jack.
* You cannot use the KR to adjust the volume of the connected
sound generating device.
926a
* When connection cables with resistors are used, the volume
level of equipment connected to the inputs jacks may be low. If
this happens, use connection cables that do not contain
resistors, such as those from the Roland PCS series.
Chapter10
3. Touch
to set ON or OFF.
4. Press the [Exit] button to return to the Menu screen.
163
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Chapter 10 Connecting External Devices
■ Making the Connections
* To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the power
on all devices before making any connections.
Playing Sounds from the KR Through the Speakers
on Audio Equipment or Recording Your
Performances on a Recording Device
Playing Audio Equipment Sounds Through the
Speakers on the KR
fig.09-
Output R/L
(Line Out)
KR107
fig.09-
Input R/L
(Line In, Aux In)
KR107
1. Turn the volume all the way down on the KR and on
the device you’re about to connect.
2. Turn off the power to the KR and other connected
equipment.
1. Turn the volume all the way down on the KR and on
the device you’re about to connect.
2. Turn off the power to the KR and other connected
equipment.
3. Use audio cables (sold separately) to make the
connection.
3. Use audio cables (sold separately) to make the
connection.
4. Turn on the connected equipment.
5. Turn on the KR.
6. Adjust the volume level on the KR and the connected
device.
4. Switch on the KR.
After use, turn off the power using the following procedure.
5. Switch on the connected device.
1. Turn the volume all the way down on the KR and on
6. Adjust the volume level on the KR and the connected
device.
Recording KR Performances on a Recording Device
7. Start recording with the connected device.
8. Play the keyboard.
9. When the performance ends, stop recording on the
Chapter 10
connected equipment.
164
the device you’re about to connect.
2. Turn off the KR.
3. Turn off the connected equipment.
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Chapter 10 Connecting External Devices
Connecting a Computer
■ Connect to the MIDI Connectors
You can use a USB MIDI interface cable (sold separately) to
connect the KR to your computer.
If the KR is connected to a computer in which sequencer
software such as Roland’s “Visual MT” is installed, a song
you’ve recorded on the KR can be saved on your computer.
Connection Examples
* To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the power
on all devices before making any connections.
* In order to make connections to your computer, you must
install “MIDI driver” software on your computer. For details,
refer to the owner’s manual for your MIDI interface.
Use a USB MIDI interface cable to connect the USB
connector of your computer to the MIDI connectors of
the KR.
■ Connect to the USB Connector
You can connect you computer with a USB cable to the USB
connector, located on the left underside of the KR107, and
exchange MIDI data between the instrument and the
computer. You can use the KR to play SMF data created with
the computer and exchange performance data in the same
manner as with MIDI devices connected to the MIDI
connectors.
Connecting your computer to the KR107 for the first time requires
installation of the “USB Driver” (on the included CD-ROM) to the
computer.
The correct driver and the installation procedure will depend on
your system and on the other programs you are using. Be sure to
read the Readme file on the CD-ROM before installation.
Windows XP/2000
→ \W2kXP\Readme_E.htm
Windows Me/98/98SE
→ \W98Me\Readme_E.htm
Mac OS X
→ \Driver (Mac OS X)\Readme_e.htm
fig.comp.e
Bottom left of the KR
*
Only MIDI data can be transmitted using USB.
*
To prevent malfunction and/or damage to speakers or other devices,
always turn down the volume, and turn off the power on all devices
before making any connections.
MIDI OUT
MIDI IN
*
USB cables are not included. Consult your Roland dealer if you need
to purchase.
USB Connector
of your Computer
*
Turn on the power to the KR107 before starting up MIDI applications
on the computer. Do not turn the KR107 on or off while any MIDI
Computer
USB MIDI Interface
application is running.
*
If not using USB, disconnect the USB cable from the KR107.
*
If during the transmission/reception of data, the computer switches to
energy-saving mode or suspended mode, or if the KR107’s power is
switched on or off, the computer may freeze, or the KR107’s operation
may become unstable.
*
Do not connect or disconnect the USB cable or turn off the power
during the transmission/reception of data.
165
Chapter10
For more on system requirements, refer to the “USB
Installation Guide.” However, note that the KR107 is
not compatible with Mac OS 9.
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Chapter 10 Connecting External Devices
Connection examples
fig.comp.e
Bottom left of the KR
USB connector
USB Connector
of your Computer
Computer
1. Turn off the power to the KR107 and the computer.
2. Start up the computer.
3. Connect the KR107 and the computer with a USB cable.
4. Turn on the power to the KR107.
→ Refer to the owner’s manual that came with your computer
■ Making the Settings for the
USB Driver
This sets the USB driver used when you have a computer
connected to the USB connector.
1. Open the Basic screen or press the One Touch [Piano]
button.
2. Touch the [Option] button.
3. Touch <USB Driver>.
4. Touch
Chapter 10
Indication
to select the driver type.
Description
Original
Select this when using the supplied
driver with a USB connection.
Under ordinary circumstances, use this
mode.
Original 2
This is an auxiliary mode.
It is not normally used.
Generic
Select this when using a generic USB
driver included with the OS with a USB
connection.
5. After changing the settings, turn the power off, then on
again.
166
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Appendices
Troubleshooting
If you think there’s a problem, read this first.
Case
Cause/Remedy
The power doesn’t
Is the power cord connected and plugged
in correctly? (p. 17)
come on
The button doesn’t
work
Nothing appears
on screen
Vertical lines
appear in the
screen/Color is
“washed out” at the
edges of the
screen
The touch screen
doesn’t respond
correctly
Case
Screen on connected display or television
doesn’t look right
Is the external display properly connected (p.
156)?
Is the panel locked? (p. 153)
Turn the power off, then back on.
Is the external display’s power turned on?
The KR uses a liquid-crystal screen, so text
may not be displayed when the ambient
temperature is below freezing.
These occur due to the nature of a liquid
crystal display, and do not indicate a
malfunction. They can be minimized by
adjusting the brightness of the screen (p.
20).
Are you using a display that is compatible
with the KR?
Refer to “Displays That Can Be Connected
to This Instrument” (p. 156).
Images not shown
on external display
when external
display is
connected
The positioning of the touch screen may
become displaced if some time has passed
since it was last used. Take a look at
“Calibrating the Touch Screen (Touch
Screen)” (p. 150) to correct the positioning.
Is the pedal connected correctly?
Make sure the pedal cord extending from
the stand is securely connected to the pedal
connector on the rear of the unit (p. 17).
Depressing a
pedal has no
effect, or the pedal
effect doesn’t stop
The volume level
of the instrument
connected to Input
jacks is too low
Unable to read
from/write to
external memory
Low hum coming
from external
device
Remote Control
not functioning
Thin horizontal
Has a different function been assigned to
the pedal?
See “Assigning Functions to Pedals and
Performance Pads (Pedal Setting/User
Functions)” (p. 144).
lines visible in the
Normal pedal operation is automatically
enabled when the One Touch Program
[Piano] button is pressed (p. 19).
Poor-quality of
Could you be using a connection cable that
contains a resistor?
Use a connection cable that does not
contain a resistor.
Cause/Remedy
television screen
images displayed
in television
Do you have a television and external
display connected at the same time?
Connect only one of these.
Are the KR’s settings correct?
Follow the instructions in “Selecting
Images To Be Shown on the KR and
External Displays (User Image Display)”
(p. 147) to set the “External Display” image.
Also refer to “Changing the Settings for
Showing Images with the External Display
and the Television (External Display)” (p.
158).
While narrow horizontal lines may be
visible in the television screen, this is a
particular characteristic of the television set
and does not indicate any problem with the
KR107.
Even when all recommended settings are
used, images may still not be displayed
well with the television set you are using
(images may not match the screen size, and
may be clustered towards the center of the
screen).
No sound is heard
926b
Is the volume level of the KR (p. 19) or
connected device turned all the way down?
Are you using (optional) Roland memory?
Reliable performance cannot be guaranteed
if you use non-Roland memory products.
Do you have different external devices
plugged into different power outlets?
When connecting external devices, always
draw power from the same outlet.
No data from the remote control is received
when the Remote Sensor is switched off.
Check “Switching the Remote Sensor On
and Off (iR function)” (p. 150).
Are headphones plugged in? (p. 19)
Has a plug remained connected to the
Phones jack?
When headphones or plugs are connected,
the keyboard’s speaker stops playing.
No sound is heard
Has the Balance knob been moved all the
way to the right or left?
Has the volume been set to “0” using the
Part Balance? (p. 63)
Has the footage been adjusted so that all
frequency components aren’t sounded? (p.
15 in the Quick Start)
167
Appendices
Are all sliders in the Equalizer screen at the
minimum level? (p. 34)
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Troubleshooting
Case
Cause/Remedy
Case
Is the speaker cable connected and plugged
in correctly?
No sound is heard
No sound from the left side is V-LINK
switched on? (p. 159)
When V-LINK is switched on, the twelve
keys at the left end of the keyboard are used
to control images, and no sounds are
played with these keys.
The Tone has
changed
Have all devices been switched on?
instrument is
connected)
No sound is heard
when the keyboard
is played
Not all played
notes are sounded
Are the MIDI cables connected correctly?
(p. 160)
Does the MIDI channel match the
connected instrument? (p. 162)
Has Local Control been set to “Off”?
When Local Control is set to Off, no sound
is produced by playing the keyboard.
Set Local Control to On (p. 162).
The maximum number of notes can play
simultaneously is 128. Frequent use of the
damper pedal during automatic
accompaniment or when playing along
with a song on external memory may result
in performance data with too many notes,
causing some notes to drop out.
Reverberation still
audible even with
Reverb turned off
Sound from the
Output jacks is not
right
The sound is strange
Sounds are heard
twice (doubled)
when the keyboard
is played
Is the KR in layer play? (p. 26)
In the upper range,
the sound changes
When the KR is connected to an external
sequencer, set it to the Local OFF mode
(p. 162). Alternatively, the sequencer could
be set so its Soft Thru feature is OFF.
abruptly beyond a
certain key
Have you set transpose? (p. 88)
The tuning or pitch
of the keyboard or
song is off
Effects cannot be
Appendices
applied to Tones
A note doesn’t stop
playing
168
Are the settings for the “Temperament”
and “Stretch Tuning” correct? (p. 143)
Is the setting for the “Master Tune” correct?
(p. 146)
If different effects have been selected for
the upper, lower, Layer, and other Tones,
and the effects for the Parts don’t match,
only one of the effects is applied.
It’s not possible to apply more than one
effect at the same time, so when a
performance has been recorded on multiple
tracks or when playing along with a song as
it’s played back, the desired effect may not
be applied.
Have the Chord Tone and Bass Tone been
changed? (p. 139)
Some Chord Tone and Bass Tone notes may
be sounded continuously.
During automatic accompaniment,
changing the Music Style automatically
changes the Tones and tempo of the upper
part of the keyboard to match the new
Music Style. If you want to change only the
Music Style without also altering the tempo
and Tone, check out “Changing Music
Styles Without Changing the Tone or
Tempo (One Touch Setting)” (p. 139).
When a performance made along with a
Music Files tune has been recorded,
recording the performance to button [1/
Whole] may make the Tones for buttons [3/
Lower] and [4/Upper] change as well.
No sound is heard
(when a MIDI
Cause/Remedy
A High-pitched
whine is produced
Since the KR’s piano sounds faithfully
reproduce the sense of spaciousness and
reverberation of an actual acoustic piano’s
sound, a certain amount of reverberation is
still perceptible, even with the reverb effect
deactivated.
Have you made the correct Advanced 3D
settings for use with headphones?
Changing the Advanced 3D “Mode” to
“Headphones” or “Auto” and connecting a
pair of headphones configures the settings
for use with headphones.
On an acoustic piano, notes in the upper
one and a half octaves of the keyboard
continue to sound until they decay
naturally, regardless of the damper pedal.
There is a difference in the timbre as well.
Roland pianos faithfully simulate such
characteristics of the acoustic piano. The
range that is unaffected by the damper
pedal will change depending on the Key
Transpose setting.
When listening through headphones:
Some of the more flamboyant and
effervescent piano tones feature an ample
high-end component, which may make the
sound appear to have metallic reverberation
added. Since this reverberation becomes
particularly audible when supplemented by
heavy reverb, you may be able to diminish
the problem by reducing the amount of
reverb applied to the sound.
When listening through speakers:
Here, a different cause (such as resonance
produced by the KR) would be suspect.
Consult your Roland dealer or nearest
Roland Service Center.
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Troubleshooting
Case
The bass range
sounds odd, or
there is a vibrating
resonance
Cause/Remedy
When listening through speakers:
Playing at loud volumes may cause
instruments near the KR to resonate.
Resonation can also occur with fluorescent
light tubes, glass doors, and other objects.
In particular, this problem occurs more
easily when the bass component is
increased, and when the sound is played at
higher volumes. Use the following
measures to suppress such resonance.
• Place speakers so they are 10–15 cm from
walls and other surfaces.
• Reduce the volume.
• Move the speakers away from any
resonating objects.
When listening through headphones:
Here, a different cause (such as resonance
produced by the KR) would be suspect.
Consult your Roland dealer or nearest
Roland Service Center.
The automatic accompaniment doesn’t play
correctly
Can’t select a tone
or Music Style
Press the [Exit] button several times to
return to the Basic screen (p. 21), and then
select a tone or Music Style.
Case
Cause/Remedy
Only the sound of a
Is the light for the Track button
extinguished? (p. 84)
If the button light is out, the music on that
track is not heard. Press the track button so
the light is illuminated.
particular
instrument in a
song does not play
Pressing the [
(Reset)] button
doesn’t return to
the beginning of
the song
Automatic
accompaniment is
not heard
Have you pressed the One Touch Program
[Arranger] button?
If the One Touch Program [Arranger]
button has not been pressed, only the
rhythm pattern is played (p. 54).
Is the 16-track Sequencer screen displayed?
(p. 114)
Chord Intelligence
can’t be used
Accompaniment
tempo becomes
unstable
The [
(Fwd)]
and [
(Bwd)]
buttons don’t work
There is a slight
playback of a song
on external
memory starts
Lyrics are not
back
If you press a button while the lyrics are
being shown in the display, the lyrics will
disappear. To recall them, touch
<
> in the Piano or Basic screen, or
press the [
(Play/Stop)] button.
In the notation screen, some lyrics or notes
could extend beyond the edges of the
screen, and not be displayed.
If you select a part that does not contain
performance data, notes will not be
displayed in the notation. Change the part
that is displayed (p. 76).
Notation is not
indicated properly
in the display
The notation screen feature is particularly
unsuitable for the display of difficult,
complex musical works that demand
accurate notation. Refer to “Notes
Regarding the Notation Display” (p. 74).
In the notation screen, some lyrics or notes
could extend beyond the edges of the
screen, and not be displayed.
169
Appendices
Song doesn’t play
There are two types of SMF music files:
format 0 and format 1. If the song uses SMF
format 1 data, there will be a slight delay
until playback starts. Refer to the booklet
that came with the music files you’re using
to determine the format type.
in the display
In certain cases, such as when playing
Music Styles on external memories, the
accompaniment may lag when excessive
amounts of performance data are used.
Does the screen indicate message, like “OK
to delete song?” (p. 90)
The internal songs cannot be played back
while recorded performance data remains
in the KR’s memory. Try playing back the
song after deleting the performance data.
If you attempt to play back performance
data that contains more data than the entire
capacity of the KR’s memory, you may find
that operations other than playback (such
as rewind or fast forward) become
unavailable.
With some music files, the lyrics cannot be
displayed correctly.
Is the setting for “Piano Style Arranger”
active? (p. 62)
Song doesn’t play back correctly
song. Press the [
(Reset)] button several
times more to return to the beginning of the
tune.
The fast-forward and reverse buttons are
ignored while music files is being read in.
Wait until processing finishes.
indicated properly
Has Chord Intelligence been set to manual?
(p. 139)
Some music files may contain settings that
stop play at a point partway through the
Has a Marker placed in the song? (p. 85)
delay before
Has the Balance knob been moved all the
way to the right? (p. 63)
Have song settings been changed for each
Part on the 16-Track sequencer screen (p.
115)?
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Troubleshooting
Case
Movement of
notation or
keyboard display
not smooth
Song becomes
unstable
Unable to play
back internal
songs
Cause/Remedy
There may be times when a complex variety
of information is being displayed or when a
large amount of data is displayed at one
time. Change the notation display settings as
described below (p. 76).
- Set “Bouncing Ball” to “Off”
- Set “Color Notation” to “Off”
- Set “Keyboard” to “Off”
- Set “External Display (p. 158)” to “Panel”
In certain cases, such as when playing
songs on external memories, the song may
lag when excessive amounts of
performance data are used.
Have you pressed the remote control’s
[MUTE] button, muting the sound?
Unable to play
The KR107 can play back audio files in the
following format.
• “.WAV” extension
back audio files
• 16bit linear
• Sampling rate of “44.1 kHz”
• Stereo
Can’t record
Has one of the track buttons for recording
been selected? (p. 96)
Has the setting for “Punch-in Recording”
(p. 119) or “Tempo Recording” (p. 128)
been made?
Select the replace recording method (p.
118).
Can’t record
It is not possible to record while the
notation is being generated. Once the unit
has finished generating the notation (i.e.,
when the measure number in the screen is
no longer highlighted), try the operation
once again.
You cannot overdub with audio files.
Tempo of recorded
song or
Appendices
metronome is off
170
If you select an internal song in which the
tempo changes during the song, and then
record, the tempo will change in the same
way for the performances that are recorded
on the other tracks. The tempo of the
metronome will also change in the same
way.
If you record additional material without
erasing the previously recorded song, the
song will be recorded at the first-recorded
tempo. Please erase the previously
recorded song before you re-record (p. 97).
Case
The recorded
performance has
disappeared
Cause/Remedy
Any performance that has been recorded is
deleted when the power to the KR is turned
off or a song is selected. A performance
cannot be restored once it’s been deleted.
Be sure to save it on an external memory or
User Memory before you turn off the
power
(p. 102).
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Error Messages
Meaning
Indication
Error 01:
You can only read the music file. It can not be saved.
Error 02:
An error occurred during writing. The storage media’s protect tab may be in the “Protect” (writing
prohibited) position, or the storage media may not yet be initialized.
Error 10:
No storage media is inserted.
Insert the storage media and try again.
Error 11:
There is not sufficient free memory in the save destination.
Either insert other storage media or delete unneeded files and try again.
Error 14:
An error occurred during writing. The storage media may be corrupted.
Insert other storage media and try again. Alternatively, you can initialize the storage media.
Error 15:
The file is unreadable.
The data format is not compatible with the KR107.
Error 16:
Data was not called up in time for playback of the song.
After waiting several seconds, you may be able to play back the song by pressing the [
] button again.
Error 17:
The selected image data cannot be displayed.
Prepare image data that can be used with the KR107 (p. 147).
Error 30:
The internal memory capacity of the KR107 is full.
Error 40:
The KR107 cannot deal with the excessive MIDI data sent from the external MIDI device.
Reduce the amount of MIDI data sent to the KR107.
Error 41:
A MIDI cable has been disconnected.
Connect it properly and securely.
Error 43:
A MIDI transmission error has occurred.
Check the MIDI cable and connected MIDI device.
Error 51:
There may be a problem with the system.
Repeat the procedure from the beginning. If it is not solved after you have tried several times, contact the
Roland service center.
Error 65:
The Ext Memory port was subjected to excessive current.
Check the storage media to confirm that no damage has occurred to it.
Appendices
171
KR107_e.book 172 ページ 2006年4月5日
水曜日
午前9時40分
Tone List
Appendices
[Piano]
NaturalGrand
Vintage EP
FM E.Piano
Natural Hps.
Vibraphone
Ariel Piano
Natural Gnd2
Honky-tonk
'60sE.Piano1
Phase Clav.2
Morning Lite
Jazzy Vib+Gt
Piano Str2
Piano Oohs
Rock Piano
NaturalMello
Stage EP
Stage Phazer
Vibrations
Celesta
Marimba
Xylophone
NaturalC.Hps
Clav.
Music Box
Glockenspiel
Grand Piano1
Grand Piano2
MellowPiano1
PianoStrings
Bright Piano
DetunedPiano
Honky-tonk 2
MellowPiano2
PianoKidsCho
Air Grand
Ballad Piano
UprightPiano
Mono Piano
FM+SA EP
MIDI Piano1
EG+E.Piano 1
EG+E.Piano 2
Bell Piano
E. Grand
Mild E.Grand
Soft E.Piano
Phase EP
E.Piano 1
Pop E.Piano
Tremolo EP
'60sE.Piano2
E.Piano 2
EP Phase
St.FM EP
EP Legend
Harpsichord
Coupled Hps.
Harpsichord2
Comp Clav.
Reso Clav.
Phase Clav.
Pulse Clav
Celesta 2
Soft Marimba
Vibe Tr.
Marimba Tr.
Kalimba
Music Box 2
Music Bell
Music Bell 2
Tubular-bell
Church Bell
172
Ballad Bells
Bell Monitor
Timeline
Vibra Bells
[Organ]
ChurchOrgan1
Combo Jz.Org
Ballad Organ
German Acco.
Blues Harp
L-Organ
Jazz Organ1
Masked Opera
Grand Pipe
Theater Org.
La Seine
ParisRomance
Mellow Bars
Organ 1
Organ 2
Lower Organ1
Trem. Organ
'70s E.Organ
'60s Organ
Jazz Organ2
Jazz Organ3
Jazz Organ4
Chorus Organ
Perc. Organ
Rock Organ1
Rotary Organ
Rotary Org.S
Rotary Org.F
ChurchOrgan2
Pipe Organ
Trem.Flute
Organ Flute
Nason flt 8'
Organ Bass
Pipe Org. Bs
Digi Church
VS Organ
Metalic Org.
CheeseOrgan
Accordion Fr
AccordionFr2
Accordion It
Bright Acco.
Soft Acco.
Bandoneon
Harmonica
[Guitar / Bass]
EX Nylon Gtr
EX Steel Gt.
Jazz Guitar2
Fl.Gtr Roll
Mandolin
JC Chorus Gt
TC Clean ff
Overdrive Gt
DistortionGt
Amore Story
EX A.Guitar2
Uncle Martin
Flamenco Gtr
Jazz Guitar
Wild Ac.Bs
A.Bass+Cymbl
Acoustic Bs.
Fingered Bs.
Picked Bass
Fretless Bs.
Nylon Guitar
Requint Gtr
EX Ac.Guitar
Steel-str.Gt
12-str.Gt
Steel + Body
Nylon+Steel
EX A.Guitar3
Steel Vox
Ukulele
Hawaiian Gt
Clean Gt.
JC Clean Gt.
Mid Tone GTR
TC Rear Pick
Acid Guitar
Open Hard
Feedback Gt.
Power Guitar
Guitar Pinch
Mystic Gtr
Funk Gt.
Funk Gt.2
Muted Gt.
Muted Dis.Gt
Rock Rhythm
Dist Rtm GTR
Wah Brush Gt
Wood Bass
W.Bass+Ride
Rockabilly
Finger Slap
Mr.Smooth
Slap Bass 1
Slap Bass 2
Synth Bass 1
Jungle Bass
Hammer
SynthBass101
ResoSH Bass
Acid Bass
Clavi Bass
Synth Bass 2
Beef FM Bass
Attack Pulse
Rubber Bass
Sitar
Sitar 2
Banjo
Shamisen
Koto
Taisho Koto
[Strings]
DolceStrings
Velo Strings
Dolce Qrt
Lunar Strngs
R&B SoftPad
Wind & Str
Aerial Harp
Violin
Cello
Harp Strings
Mellow Str
EX Orchestra
Slow Violin
PizzicatoStr
Strings
Oct Strings
Strings 2
DecayStrings
Bright Str
Slow Strings
SlowStrings2
Legato Str
Warm Strings
Sahara Str
Decay Str2
Tremolo Str
Orchestra
Orchestra 2
Farewell
Choir Str
Bell Strings
Pearly Harp
Harp
St. Harp
Viola
Contrabass
Santur
Yang Qin
Yang Qin 2
Er Hu
Soft Pad
Soft Pad 2
Syn.Strings1
Syn.Strings2
Syn.Slow Str
OB Strings
JP Saw Str
Timpani
Warm JP Str
OrchestraHit
Good Old Hit
Euro Hit
6th Hit
Bass Hit
Philly Hit
Philly Hit 2
Mix Hit 1
Mix Hit 2
[Sax/Brass]
BlowAltoVib
PowerBrass 2
Sax Section
Flute
Good Old Day
Brass Sect 2
EX Tp&Shake
Super Tenor
AltoSax Soft
Soprano Sax
Clarinet
Oboe
EX Trumpet
Flugel Horn
Pan Flute
Qu Di
SuperF.Horns
Angel Pipes
Trumpet
Tp Shake
Bright Tp.
Warm Tp.
Dark Trumpet
Romantic Tp
Trombone
Trombone 2
Twin bones
Bones Sect.
Bright Tb.
Tuba
MutedTrumpet
MuteTrumpet2
MuteTrumpet3
French Horns
French Horn2
OrchestraBrs
Brass 1
Brass 2
BrassSection
PowerBrass
Pop Orch
Contemp'Orch
Brass sfz
Brass Fall
Trumpet Fall
EX Alto Sax
AltoSax + Tp
Alto Sax
Grow Sax
BreathyTenor
Tenor Sax
Tenor Sax 2
Tenor Sax f
Tenor Sax B
Baritone Sax
English Horn
Bassoon
Piccolo
Flute 2
Recorder
Bottle Blow
Shakuhachi
Whistle
Ocarina
Bagpipe
Lochscape
Andes Mood
HimalayaPipe
Wide SynBrss
DeepSynBrass
Jump Brass
Saw Brass1
Saw Brass2
Synth Brass1
Synth Brass2
DetuneSawBrs
Pro Brass
SynBrass sfz
[Voice]
Aerial Choir
Jazz Scat
Kid's Choir
Dreaming Box
Rich Choir
Angels Choir
Boys Choir
Opera Voice
Mellow Choir
Holy Voices
Mystic Str
Trancy X
HPF Slicer
Side Band X
Glasswaves
Church Choir
Voice Oohs
Voice Oohs 2
Choir Hahs
Decay Choir
Doos Voice
Doot Accent
Dat Accent
Bap Accent
Thum Voice
Humming
SynVox
KR107_e.book 173 ページ 2006年4月5日
水曜日
午前9時40分
Tone List
Warm SquPad
Voyager
Film Cue
HumanKindnes
Bowed Glass
Metal Pad
Orbiting
Visionary
Halo Pad
JP8 Sqr Pad
Vox Sweep
Consolament
JP-8 Phase
Sweep Pad
Sweep Pad 2
Ice Rain
Clavi Pad
Toy Box
Soundtrack
Crystal
Syn Mallet
ChristmasBel
Clear Bells
Himalaya Ice
Glittery Pad
Atmosphere
Harpvox
Nylon Harp
Nylon + EP
HollowReleas
Tubulence
Landing Pad
Shangri-La
Motion Pad
Brightness
Org Bells
Goblin
Saturn Siren
RandomEnding
Echo Drops
Echo Bell
Echo Pan
Echo Pan 2
Big Panner
Ai-yai-a
Saturn Rings
Star Theme
Rising Osc
Galaxy Way
12th Planet
PolySweep Nz
En-co-re
Piano 1
Piano 1w
Piano 1d
Piano 2
Piano 2w
Piano 3
Piano 3w
Honky-tonk
Honky-tonk 2
E.Piano 1
E.Piano 2
'60s E.Piano
E.Piano 1v
E.Piano 2v
Detuned EP 1
Detuned EP 2
Harpsichord
Coupled Hps.
Harpsi.w
Harpsi.o
Clav.
Celesta
Glockenspiel
Music Box
Vibraphone
Vibe.w
Marimba
Marimba w
Xylophone
Tubular-bell
Church Bell
Carillon
Santur
Organ 1
Organ 2
Pop Organ 1
Detuned Or.1
Detuned Or.2
Church Org.1
Church Org.2
Church Org.3
Full Organ
Jazz Organ1
Rock Organ
Reed Organ
Accordion Fr
Accordion It
Harmonica
Bandoneon
Nylon-str.Gt
Nylon Gt.2
Nylon Gt.o
Ukulele
Steel-str.Gt
12-str.Gt
Mandolin
Jazz Guitar
Hawaiian Gt
Clean Gt.
Chorus Gt.
Muted Gt.
Funk Gt.
Funk Gt.2
Overdrive Gt
DistortionGt
Feedback Gt.
Gt.Harmonics
Gt. Feedback
Acoustic Bs.
Fingered Bs.
Picked Bs.
Fretless Bs.
Slap Bass 1
Slap Bass 2
SynthBass101
Synth Bass 1
Synth Bass 2
Synth Bass 3
Synth Bass 4
Rubber Bass
Violin
Slow Violin
Viola
Cello
Contrabass
Tremolo Str
PizzicatoStr
Harp
Timpani
Strings
Orchestra
Slow Strings
Syn.Strings1
Syn.Strings2
Syn.Strings3
Choir Aahs
Choir
Pop Voice
SynVox
OrchestraHit
Trumpet
Trombone
Trombone 2
Tuba
MutedTrumpet
French Horns
French Horn2
Brass 1
Brass 2
Synth Brass1
Synth Brass2
Synth Brass3
Synth Brass4
AnalogBrass1
AnalogBrass2
Soprano Sax
Alto Sax
Tenor Sax
Baritone Sax
Oboe
English Horn
Bassoon
Clarinet
Piccolo
Flute
Recorder
Pan Flute
Bottle Blow
Shakuhachi
Whistle
Ocarina
Square Wave
Square
Sine Wave
Saw Wave
Saw
Doctor Solo
Syn.Calliope
Chiffer Lead
Charang
Solo Vox
5th Saw Wave
Bass & Lead
Fantasia
Warm Pad
Polysynth
Space Voice
Bowed Glass
Metal Pad
Halo Pad
Sweep Pad
Ice Rain
Soundtrack
Crystal
Syn Mallet
Atmosphere
Brightness
Goblin
Echo Drops
Echo Bell
Echo Pan
Star Theme
Sitar
Sitar 2
Banjo
Shamisen
Koto
Taisho Koto
Kalimba
Bagpipe
Fiddle
Shanai
Tinkle Bell
Agogo
Steel Drums
Woodblock
Castanets
Taiko
Concert BD
Melo. Tom 1
Melo. Tom 2
Synth Drum
808 Tom
Elec Perc.
Reverse Cym.
Gt.FretNoise
Gt.Cut Noise
String Slap
Breath Noise
Fl.Key Click
Seashore
Rain
Thunder
Wind
Stream
Bubble
Bird
Dog
Horse-Gallop
Bird 2
Telephone 1
Telephone 2
DoorCreaking
Door
Scratch
Windchime
Helicopter
Car-Engine
Car-Stop
Car-Pass
Car-Crash
Siren
Train
Jetplane
Starship
Burst Noise
Applause
Laughing
Screaming
Punch
Heart Beat
Footsteps
Gun Shot
Machine Gun
Lasergun
Explosion
Appendices
Analog Voice
InfinitePhsr
X Super Saws
Fat Stacks
Frgile Saws
SuperSawSlow
Electrostars
Bending Logo
2600 Sine
Square Wave
Mg Square
JP8 Square
LM Square
Syn.Square
CC Solo
Sleeper
Dual Sqr&Saw
Jupiter Lead
Sinetific
FM Lead 1
FM Lead 2
Saw Wave
Saw
Doctor Solo
Mg Lead
P5 Saw Lead
JP SuperSaw
Rhythmic Saw
Natural Lead
SequencedSaw
Waspy Synth
Velo SawLead
Attack Lead
DelyResoSaws
Wezcoast
Syn.Calliope
JP8 Pulse
LM PureLead
Orgaenia
Chiffer Lead
Cheese Saw
JP OctAttack
Charang
Reso Saw
Wire Lead
2600 SubOsc
Solo Vox
RAVE Vox
5th Saw Wave
Freeze Synth
Bass & Lead
Fat & Perky
Delayed Lead
Fantasia
Fantasia 2
New Age Pad
New Age Pad2
Sugar Key
FreezinNight
New Year Day
Warm Pad
Sine Pad
Nu Epic Pad
Hollow Pad
Decay Pad
Polysynth
P5 Poly
Poly King
Octave Stack
Hoovercraft
DOC Stack
Bustranza
Space Voice
Heaven II
173
KR107_e.book 174 ページ 2006年4月5日
水曜日
午前9時40分
Drum Set List
*
-----: No sound.
*
[EXC]: will not sound simultaneously with other percussion
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
C2 36
37
38
39
40
41
42
43
44
45
46
47
C3 48
49
50
51
52
53
54
55
56
57
58
59
C4 60
61
62
63
64
65
66
67
68
69
70
71
C5 72
73
74
75
76
77
78
79
80
81
82
83
C6 84
85
86
87
88
89
90
91
92
93
94
95
C7 96
97
98
99
100
101
102
Appendices
103
104
105
106
107
C8 108
174
instruments of the same number.
POP
ROCK
JAZZBRUSH
HIP HOP
VOX DRUM
R&B Snare
Rock Snare m 1
Rock Snare m 2
Pop Snare m 1
Pop Snare Ghost
Pop Snare m 1
Finger Snap
TR-707 Claps
Hand Clap
[EXC7]
Hand Clap 2
[EXC7]
Hand Clap
Pop Pedal HH
[EXC1]
Gospel Hand Clap
Snare Roll
Pop Kick 2
Pop Kick 1
Pop Side Stick
Pop Snare s 1
Pop Snare Ghost
Pop Snare s 2
Pop Low Tom f
Pop CHH 1
[EXC1]
Pop Low Tom
Pop CHH 2
[EXC1]
Pop Mid Tom f
Pop OHH
[EXC1]
Pop Mid Tom
Pop High Tom f
Pop Crash Cymbal 1
Pop High Tom
Pop Ride Cymbal 1
Pop Chinees Cymbal
Pop Ride Bell
Tambourine 2
Splash Cymbal
Cha Cha CowBell
Pop Crash Cymbal 2
Vibra-slap
Pop Ride Cymbal 2
High Bongo 1
Low Bongo 1
Mute High Conga 1
Open High Conga 1
Low Conga 1
High Timbale
Low Timbale
High Agogo
Low Agogo
Shaker 3
Shaker 4
Short Hi Whistle [EXC2]
Long Low Whistle [EXC2]
Short Guiro
[EXC3]
Long Guiro
[EXC3]
Claves
High Wood Block
Low Wood Block
Mute Cuica
[EXC4]
Open Cuica
[EXC4]
Mute Triangle1
[EXC5]
Open Triangle 1 [EXC5]
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
[EXC6]
Open Surdo
[EXC6]
Cana
Hi-Timbale Flam
Lo-Timbale Flam
Timbale Phrase
Shekere 1
Shekere 2
Low Bongo Mute
High Bongo Mute
------------Flamenco Hand Clap
Flamenco Hand Clap
Bongo CowBell
---Bongo CowBell
-------------
R&B Snare
Pop Snare m 2
Pop Snare m 1
Pop Snare m 1
Pop Snare Ghost
Pop Snare m 2
Finger Snap 2
TR-707 Claps
Hand Clap
[EXC7]
Hand Clap 2
[EXC7]
Hand Clap
Pop Pedal HH
[EXC1]
Gospel Hand Clap
Snare Roll
Rock Kick 2
Rock Kick 1
Rock Side Stick
Rock Snare s 1
Pop Snare Ghost
Rock Snare s 2
Rock Low Tom f
Rock CHH 1
[EXC1]
Rock Low Tom
Rock CHH 2
[EXC1]
Rock Mid Tom f
Rock OHH
[EXC1]
Rock Mid Tom
Rock High Tom f
Rock Crash Cymbal
Rock High Tom
Rock Ride Cymbal 1
Pop Chinees Cymbal
Pop Ride Bell
Tambourine 2
Splash Cymbal
Cha Cha CowBell
Chinees Cymbal
Vibra-slap
Pop Ride Cymbal 3
High Bongo 1
Low Bongo 1
Mute High Conga 1
Open High Conga 1
Low Conga 1
High Timbale
Low Timbale
High Agogo
Low Agogo
Shaker 3
Shaker 4
Short Hi Whistle [EXC2]
Long Low Whistle [EXC2]
Short Guiro
[EXC3]
Long Guiro
[EXC3]
Claves
High Wood Block
Low Wood Block
Mute Cuica
[EXC4]
Open Cuica
[EXC4]
Mute Triangle1
[EXC5]
Open Triangle 1 [EXC5]
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
[EXC6]
Open Surdo
[EXC6]
Cana
Hi-Timbale Flam
Lo-Timbale Flam
Timbale Phrase
Shekere 1
Shekere 2
Low Bongo Mute
High Bongo Mute
------------Flamenco Hand Clap
Flamenco Hand Clap
Bongo CowBell
---Bongo CowBell
-------------
R&B Snare
Pop Snare m 1
Pop Snare m 2
Pop Snare m 1
Pop Snare Ghost
Pop Snare m 1
Finger Snap 2
TR-707 Claps
Hand Clap
[EXC7]
Hand Clap 2
[EXC7]
Hand Clap
Pop Pedal HH
[EXC1]
Gospel Hand Clap
Snare Roll
Jazz Kick 2
Jazz Kick 1
Jazz Snare Swing 1
Jazz Snare 1
Jazz Snare Swing 2
Jazz Snare 2
Jazz Low Tom f
Pop CHH 1
[EXC1]
Jazz Low Tom
Pop CHH 2
[EXC1]
Jazz Mid Tom f
Pop OHH
[EXC1]
Jazz Mid Tom
Jazz High Tom f
Jazz Crash Cymbal 1
Jazz High Tom
Jazz Ride Cymbal 1
Jazz Chinees Cymbal
Jazz Ride Cymbal 2
Tambourine 2
Splash Cymbal
Cha Cha CowBell
Jazz Crash Cymbal 2
Vibra-slap
Jazz Ride Cymbal 3
High Bongo 1
Low Bongo 1
Mute High Conga 1
Open High Conga 1
Low Conga 1
High Timbale
Low Timbale
High Agogo
Low Agogo
Shaker 3
Shaker 4
Short Hi Whistle [EXC2]
Long Low Whistle [EXC2]
Short Guiro
[EXC3]
Long Guiro
[EXC3]
Claves
High Wood Block
Low Wood Block
Mute Cuica
[EXC4]
Open Cuica
[EXC4]
Mute Triangle1
[EXC5]
Open Triangle 1 [EXC5]
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
[EXC6]
Open Surdo
[EXC6]
Cana
Hi-Timbale Flam
Lo-Timbale Flam
Timbale Phrase
Shekere 1
Shekere 2
Low Bongo Mute
High Bongo Mute
------------Flamenco Hand Clap
Flamenco Hand Clap
Bongo CowBell
---Bongo CowBell
-------------
Jungle BD 2
Metronome E.Click
Metronome Pi
Concert SD
Snare Roll
Finger Snap
High Q
Slap
Scratch Push
[EXC7]
Scratch Pull
[EXC7]
Sticks
Square Click
Metronome Click
Metronome Bell
Jungle BD 2
HipHop BD1
TR-808 Rimshot
Power Snare 1A
TR-707 Clap
Power Snare 2A
Low Tom 2
Pop CHH 1
[EXC1]
Low Tom 1
Pedal Hi-hat 3
[EXC1]
Mid Tom 2
Pop OHH
[EXC1]
Mid Tom 1
High Tom 2
Crash Cymbal 3
High Tom 1
Ride Cymbal 1
Reverse Cymbal
Ride Bell
Shake Tambourine
Splash Cymbal
TR-808 Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal 2
High Bongo 2
Low Bongo 2
Mute High Conga 2
Open High Conga 2
Low Conga 2
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short Hi Whistle [EXC2]
Long Low Whistle [EXC2]
Short Guiro
[EXC3]
HipVibraslap
[EXC3]
TR-808 Claves
High Wood Block
Low Wood Block
High Hoo
[EXC4]
Low Hoo
[EXC4]
Mute Triangle2
[EXC5]
Open Triangle 2 [EXC5]
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
[EXC6]
Open Surdo
[EXC6]
Applause 2
HipHop SD 2
LoFi SD Rim
TR-808 Clap
Room Snare 1
Standard 1 Snare 2A
Room Snare 2
Standard 1 Snare 1
Standard 1 Snare 2B
------------------Tape Rewind
Phono Noise
Room Snare 1
Room Snare 2A
Elec Snare 4A
Elec Snare 4B
R&B Snare
Rock Snare m 1
Rock Snare m 2
Pop Snare m 1
Pop Snare Ghost
Pop Snare m 1
Finger Snap
TR-707 Claps
Hand Clap
[EXC7]
Hand Clap 2
[EXC7]
Hand Clap
Pop Pedal HH
Gospel Hand Clap
Vox Dut
Vox Dom
Vox Tuush
Vox Hehho
Vox Doyear
Vox Thu!
Vox That
Vox Aahhh
Vox Tu
Vox Dooh
Vox Ptu
Vox Down
Vox Pa
Vox Bom
Vox Toear
Vox Aahhu
Vox Toya
Vox Thu
Vox Cheey
Vox Cymm
Vox Tub
Vox Pruru
Vox Tut
Vox Tyun
Vox Tdum
Vox Afahhhh
High Bongo 1
Low Bongo 1
Mute High Conga 1
Open High Conga 1
Low Conga 1
High Timbale
Low Timbale
High Agogo
Low Agogo
Shaker 3
Shaker 4
Short Hi Whistle [EXC2]
Long Low Whistle [EXC2]
Short Guiro
[EXC3]
Long Guiro
[EXC3]
Claves
High Wood Block
Low Wood Block
Mute Cuica
[EXC4]
Open Cuica
[EXC4]
Mute Triangle1
[EXC5]
Open Triangle 1 [EXC5]
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
[EXC6]
Open Surdo
[EXC6]
Cana
Hi-Timbale Flam
Lo-Timbale Flam
Timbale Phrase
Shekere 1
Shekere 2
Low Bongo Mute
High Bongo Mute
------------Flamenco Hand Clap
Flamenco Hand Clap
Bongo CowBell
---Bongo CowBell
-------------
KR107_e.book 175 ページ 2006年4月5日
水曜日
午前9時40分
Drum Set List
*
-----: No sound.
*
[EXC]: will not sound simultaneously with other percussion instruments of the same number.
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
C2 36
37
38
39
40
41
42
43
44
45
46
47
C3 48
49
50
51
52
53
54
55
56
57
58
59
C4 60
61
62
63
64
65
66
67
68
69
70
71
C5 72
73
74
75
76
77
78
79
80
81
82
83
C6 84
85
86
87
88
89
90
91
92
93
94
95
C7 96
97
98
101
STANDARD 1
STANDARD 2
STANDARD 3
ROOM
---------Bar Chime
Snare Roll
Finger Snap
High Q
Slap
Scratch Push
[EXC7]
Scratch Pull
[EXC7]
Sticks
Square Click
Metronome Click
Metronome Bell
Standard 1 Kick 1
Standard 1 Kick 2
Side Stick 1
Standard 1 Snare 1
TR-909 Clap
Standard 1 Snare 2
Low Tom 2
Close Hi-hat1
[EXC1]
Low Tom 1
Pedal Hi-hat 1
[EXC1]
Mid Tom 2
Open Hi-hat 1
[EXC1]
Mid Tom 1
High Tom 2
Crash Cymbal 1
High Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal 2
---------Cana
Ban Gu 1
Taiko 1
Nao Bo
[EXC8]
Taiko 2
Xiao Bo 1
[EXC8]
Taiko 3
Open High HuYinLuo 2 [EXC8]
Taiko 4
Taiko 5
Open High HuYinLuo 1
Taiko 6
Shou Luo 1
Mute Low HuYinLuo 2
Shou Luo 2
Xiao Bo 2
Ban Gu 2
Xiao Bo 3
Open High HuYinLuo 3
Mute High HuYinLuo
Mute Low HuYinLuo 1
---------------------------------------Open Sagat
Close Sagat
Ban Gu 1
Ban Gu 3
----
---------Bar Chime
Snare Roll
Finger Snap
High Q
Slap
Scratch Push
[EXC7]
Scratch Pull
[EXC7]
Sticks
Square Click
Metronome Click
Metronome Bell
Standard 1 Kick 1
Standard 1 Kick 2
Side Stick 1
Standard 1 Snare 1
TR-909 Clap
Standard 1 Snare 2
Low Tom 2
Close Hi-hat1
[EXC1]
Low Tom 1
Pedal Hi-hat 1
[EXC1]
Mid Tom 2
Open Hi-hat 1
[EXC1]
Mid Tom 1
High Tom 2
Crash Cymbal 1
High Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal 2
High Bongo 1
Low Bongo 1
Mute High Conga 1
Open High Conga 1
Low Conga 1
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short Hi Whistle
[EXC2]
Long Low Whistle [EXC2]
Short Guiro
[EXC3]
Long Guiro
[EXC3]
Claves
High Wood Block
Low Wood Block
Mute Cuica
[EXC4]
Open Cuica
[EXC4]
Mute Triangle1
[EXC5]
Open Triangle 1
[EXC5]
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
[EXC6]
Open Surdo
[EXC6]
-------------------------------------------
---------Bar Chime
Snare Roll
Finger Snap
High Q
Slap
Scratch Push
[EXC7]
Scratch Pull
[EXC7]
Sticks
Square Click
Metronome Click
Metronome Bell
Standard 2 Kick 2
Standard 2 Kick 1
Side Stick 2
Standard 2 Snare 1
TR-808 Clap
Standard 2 Snare 2
Low Tom 2
Closed Hi-hat 2
[EXC1]
Low Tom 1
Pedal Hi-hat 2
[EXC1]
Mid Tom 2
Open Hi-hat 2
[EXC1]
Mid Tom 1
High Tom 2
Crash Cymbal 1
High Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal 2
High Bongo 1
Low Bongo 1
Mute High Conga 1
Open High Conga 1
Low Conga 1
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short Hi Whistle
[EXC2]
Long Low Whistle [EXC2]
Short Guiro
[EXC3]
Long Guiro
[EXC3]
Claves
High Wood Block
Low Wood Block
Mute Cuica
[EXC4]
Open Cuica
[EXC4]
Mute Triangle1
[EXC5]
Open Triangle 1
[EXC5]
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
[EXC6]
Open Surdo
[EXC6]
-------------------------------------------
---------Bar Chime
Snare Roll
Finger Snap
High Q
Slap
Scratch Push
[EXC7]
Scratch Pull
[EXC7]
Sticks
Square Click
Metronome Click
Metronome Bell
Standard 3 Kick 2
Standard 3 Kick 1
Side Stick 2
Standard 3 Snare 1
TR-808 Clap
Standard 3 Snare 2
Low Tom 2
Closed Hi-hat 3
[EXC1]
Low Tom 1
Pedal Hi-hat 2
[EXC1]
Mid Tom 2
Open Hi-hat 3
[EXC1]
Mid Tom 1
High Tom 2
Crash Cymbal 1
High Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal 2
High Bongo 1
Low Bongo 1
Mute High Conga 1
Open High Conga 1
Low Conga 1
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short Hi Whistle
[EXC2]
Long Low Whistle [EXC2]
Short Guiro
[EXC3]
Long Guiro
[EXC3]
Claves
High Wood Block
Low Wood Block
Mute Cuica
[EXC4]
Open Cuica
[EXC4]
Mute Triangle1
[EXC5]
Open Triangle 1
[EXC5]
Shaker
Jingle Bell
Bar Chime
Castanets
Mute Surdo
[EXC6]
Open Surdo
[EXC6]
-------------------------------------------
---------Bar Chime
Snare Roll
Finger Snap
High Q
Slap
Scratch Push
[EXC7]
Scratch Pull
[EXC7]
Sticks
Square Click
Metronome Click
Metronome Bell
Room Kick 2
Room Kick 1
Side Stick 2
Room Snare 1
TR-808 Clap
Room Snare 2
Room Low Tom 2
Closed Hi-hat 4
[EXC1]
Room Low Tom 1
Pedal Hi-hat 2
[EXC1]
Room Mid Tom 2
Open Hi-hat 4
[EXC1]
Room Mid Tom 1
Room High Tom 2
Crash Cymbal 1
Room High Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal 2
High Bongo 1
Low Bongo 1
Mute High Conga 1
Open High Conga 1
Low Conga 1
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short Hi Whistle
[EXC2]
Long Low Whistle [EXC2]
Short Guiro
[EXC3]
Long Guiro
[EXC3]
Claves
High Wood Block
Low Wood Block
Mute Cuica
[EXC4]
Open Cuica
[EXC4]
Mute Triangle1
[EXC5]
Open Triangle 1
[EXC5]
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
[EXC6]
Open Surdo
[EXC6]
-------------------------------------------
175
Appendices
99
100
STD CHINA
KR107_e.book 176 ページ 2006年4月5日
水曜日
午前9時40分
Drum Set List
*
-----: No sound.
*
[EXC]: will not sound simultaneously with other percussion instruments of the same number.
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
C2 36
37
38
39
40
41
42
43
44
45
46
47
C3 48
49
50
51
52
53
54
55
56
57
58
59
C4 60
61
62
63
64
65
66
67
68
69
70
71
C5 72
73
74
75
76
77
78
79
80
81
82
Appendices
83
C6 84
85
86
87
88
176
POWER
ELECTRONIC
TR-808/909
DANCE
---------Bar Chime
Snare Roll
Finger Snap
High Q
Slap
Scratch Push
[EXC7]
Scratch Pull
[EXC7]
Sticks
Square Click
Metronome Click
Metronome Bell
Power Kick2
Power Kick1
Side Stick 2
Dance Snare1
TR-808 Clap
Power Snare 1
Power Low Tom 2
Closed Hi-hat 4
[EXC1]
Power Low Tom 1
Pedal Hi-hat 2
[EXC1]
Power Mid Tom 2
Open Hi-hat 4
[EXC1]
Power Mid Tom 1
Power High Tom 2
Crash Cymbal 1
Power High Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal 2
High Bongo 1
Low Bongo 1
Mute High Conga 1
Open High Conga 1
Low Conga 1
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short Hi Whistle
[EXC2]
Long Low Whistle [EXC2]
Short Guiro
[EXC3]
Long Guiro
[EXC3]
Claves
High Wood Block
Low Wood Block
Mute Cuica
[EXC4]
Open Cuica
[EXC4]
Mute Triangle1
[EXC5]
Open Triangle 1
[EXC5]
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
[EXC6]
Open Surdo
[EXC6]
----
---------Bar Chime
Snare Roll
Finger Snap
High Q
Slap
Scratch Push 2
[EXC7]
Scratch Pull 2
[EXC7]
Sticks
Square Click
Metronome Click
Metronome Bell
Elec Kick 2
Elec Kick 1
Side Stick 2
Elec Snare 1
TR-808 Clap
Elec Snare 2
Elec Low Tom 2
Closed Hi-hat 3
[EXC1]
Elec Low Tom 1
Pedal Hi-hat 2
[EXC1]
Elec Mid Tom 2
Open Hi-hat 3
[EXC1]
Elec Mid Tom 1
Elec High Tom 2
Crash Cymbal 1
Elec High Tom 1
Ride Cymbal 1
Reverse Cymbal
Ride Bell
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal 2
High Bongo 1
Low Bongo 1
Mute High Conga 1
Open High Conga 1
Low Conga 1
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short Hi Whistle
[EXC2]
Long Low Whistle [EXC2]
Short Guiro
[EXC3]
Long Guiro
[EXC3]
Claves
High Wood Block
Low Wood Block
Mute Cuica
[EXC4]
Open Cuica
[EXC4]
Mute Triangle1
[EXC5]
Open Triangle 1
[EXC5]
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
[EXC6]
Open Surdo
[EXC6]
----
---------Bar Chime
Snare Roll
Finger Snap
High Q
Slap
Scratch Push 2
[EXC7]
Scratch Pull 2
[EXC7]
Sticks
Square Click
Metronome Click
Metronome Bell
TR-909 Kick
TR-808 Kick
TR-808 Rimshot
TR-808 Snare 1
TR-808 Clap
TR-909 Snare 1
TR-808 Low Tom 2
TR-808 CHH
[EXC1]
TR-808 Low Tom 1
TR-808 CHH
[EXC1]
TR-808 Mid Tom 2
TR-808 OHH
[EXC1]
TR-808 Mid Tom 1
TR-808 High Tom 2
TR-808 Cymbal
TR-808 High Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Tambourine
Splash Cymbal
TR-808 Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal 2
High Bongo 1
Low Bongo 1
TR-808 High Conga
TR-808 Mid Conga
TR-808 Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
TR-808 Maracas
Short Hi Whistle
[EXC2]
Long Low Whistle [EXC2]
Short Guiro
[EXC3]
Long Guiro
[EXC3]
TR-808 Claves
High Wood Block
Low Wood Block
Mute Cuica
[EXC4]
Open Cuica
[EXC4]
Mute Triangle1
[EXC5]
Open Triangle 1
[EXC5]
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
[EXC6]
Open Surdo
[EXC6]
----
---------Bar Chime
Snare Roll
Finger Snap
High Q
Slap
Scratch Push 2
[EXC7]
Scratch Pull 2
[EXC7]
Sticks
Square Click
Metronome Click
Metronome Bell
TR-808 Kick 2
HipHop BD1
Side Stick 2
Power Snare 2
TR-808 Clap
Elec Snare 3
Elec Low Tom 2
CR-78 CHH
[EXC1]
Elec Low Tom 1
TR-808 CHH
[EXC1]
Elec Mid Tom 2
CR-78 OHH
[EXC1]
Elec Mid Tom 1
Elec High Tom 2
Crash Cymbal 1
Elec High Tom 1
Ride Cymbal 1
Reverse Cymbal
Ride Bell
Tambourine
Splash Cymbal
TR-808 Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal 2
High Bongo 1
Low Bongo 1
Mute High Conga 1
Open High Conga 1
Low Conga 1
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
TR-808 Maracas
Short Hi Whistle
[EXC2]
Long Low Whistle [EXC2]
Short Guiro
[EXC3]
Long Guiro
[EXC3]
TR-808 Claves
High Wood Block
Low Wood Block
High Hoo
[EXC4]
Low Hoo
[EXC4]
Mute Triangle1
[EXC5]
Open Triangle 1
[EXC5]
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
[EXC6]
Open Surdo
[EXC6]
----
KR107_e.book 177 ページ 2006年4月5日
水曜日
午前9時40分
Drum Set List
*
-----: No sound.
*
[EXC]: will not sound simultaneously with other percussion instruments of the same number.
■ SFX Set
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
C2 36
37
38
39
40
41
42
43
44
45
46
47
C3 48
49
50
51
52
53
54
55
56
57
58
59
C4 60
61
62
63
64
65
66
67
68
69
70
71
C5 72
73
74
75
76
77
78
79
80
81
82
83
C6 84
85
86
87
88
89
90
91
92
93
94
95
C7 96
97
98
101
102
103
104
105
BRUSH
ORCHESTRA
SFX Set
------------Bar Chime
Snare Roll
Finger Snap
High Q
Slap
Scratch Push
[EXC7]
Scratch Pull
[EXC7]
Sticks
Square Click
Metronome Click
Metronome Bell
Jazz Kick 2
Jazz Kick 1
Side Stick 2
Jazz Snare 1
Hand Clap 3
Standard 2 Snare 2
Low Tom 2
Closed Hi-hat 3
[EXC1]
Low Tom 1
Pedal Hi-hat 2
[EXC1]
Mid Tom 2
Open Hi-hat 3
[EXC1]
Mid Tom 1
High Tom 2
Crash Cymbal 1
High Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal 2
High Bongo 1
Low Bongo 1
Mute High Conga 1
Open High Conga 1
Low Conga 1
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short Hi Whistle
[EXC2]
Long Low Whistle [EXC2]
Short Guiro
[EXC3]
Long Guiro
[EXC3]
Claves
High Wood Block
Low Wood Block
Mute Cuica
[EXC4]
Open Cuica
[EXC4]
Mute Triangle1
[EXC5]
Open Triangle 1
[EXC5]
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
[EXC6]
Open Surdo
[EXC6]
-------------------------------------------------------------------------
------------Bar Chime
Snare Roll
Finger Snap
High Q
Slap
Scratch Push
[EXC7]
Scratch Pull
[EXC7]
Sticks
Square Click
Metronome Click
Metronome Bell
Jazz Kick 2
Jazz Kick 1
Side Stick 2
Brush Tap
Brush Slap
Brush Swirl
Brush Low Tom 2
Brush Closed Hi-hat [EXC1]
Brush Low Tom 1
Pedal Hi-hat 2
[EXC1]
Brush Mid Tom 2
Brush Open Hi-hat [EXC1]
Brush Mid Tom 1
Brush High Tom 2
Brush Crash Cymbal
Brush High Tom 1
Brush Ride Cymbal
Chinese Cymbal
Brush Ride Bell
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal 2
High Bongo 1
Low Bongo 1
Mute High Conga 1
Open High Conga 1
Low Conga 1
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short Hi Whistle
[EXC2]
Long Low Whistle [EXC2]
Short Guiro
[EXC3]
Long Guiro
[EXC3]
Claves
High Wood Block
Low Wood Block
Mute Cuica
[EXC4]
Open Cuica
[EXC4]
Mute Triangle1
[EXC5]
Open Triangle 1
[EXC5]
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
[EXC6]
Open Surdo
[EXC6]
-------------------------------------------------------------------------
------------Bar Chime
Snare Roll
Finger Snap
Closed Hi-hat 3
[EXC1]
Pedal Hi-hat 2
[EXC1]
Open Hi-hat 3
[EXC1]
Ride Cymbal 1
Sticks
Square Click
Metronome Click
Metronome Bell
Jazz Kick 1
Concert BD
Side Stick 2
Concert SD
Castanets
Concert SD
Timpani F
Timpani F#
Timpani G
Timpani G#
Timpani A
Timpani A#
Timpani B
Timpani c
Timpani c#
Timpani d
Timpani d#
Timpani e
Timpani f
Tambourine
Splash Cymbal
Cowbell
Concert Cymbal 2
Vibra-slap
Concert Cymbal 1
High Bongo 1
Low Bongo 1
Mute High Conga 1
Open High Conga 1
Low Conga 1
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short Hi Whistle
[EXC2]
Long Low Whistle [EXC2]
Short Guiro
[EXC3]
Long Guiro
[EXC3]
Claves
High Wood Block
Low Wood Block
Mute Cuica
[EXC4]
Open Cuica
[EXC4]
Mute Triangle1
[EXC5]
Open Triangle 1
[EXC5]
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
[EXC6]
Open Surdo
[EXC6]
Applause
---------------------------------------------------------------------
------------------------------------------------------------------------High Q
Slap
Scratch Push [EXC7]
Scratch Pull
[EXC7]
Sticks
Square Click
Metronome Click
Metronome Bell
Guitar sliding Finger
Guitar cutting noise (up)
Guitar cutting noise (down)
String slap of double bass
Fl.Key Click
Laughing
Screaming
Punch
Heart Beat
Footsteps1
Footsteps2
Applause
Door Creaking
Door
Scratch
Wind Chimes
Car-Engine
Car-Stop
Car-Pass
Car-Crash
Siren
Train
Jetplane
Helicopter
Starship
Gun Shot
Machine Gun
Lasergun
Explosion
Dog
Horse-Gallop
Birds
Rain
Thunder
Wind
Seashore
Stream
Bubble
Cat
Bird
BabyLaughing
Boeeeen
Glass & Glam
Ice Ring
Crack Bottle
Pour Bottle
Car Horn
R.Crossing
SL 1
SL 2
Seal
Fancy Animal
Elephant
Bike
----Small Club
-------------
Appendices
99
100
JAZZ
177
KR107_e.book 178 ページ 2006年4月5日
水曜日
午前9時40分
Appendices
Effects List
Effect Type
Explanation
Effect Type
Explanation
Equalizer
This is a four-band stereo equalizer (low, high).
Spectrum
This is a stereo spectrum.
2 Band Chorus
A chorus effect that lets you apply an effect independently to the low-frequency and high-frequency ranges.
Enhancer
Adds sparkle and tightness to the sound.
Isolator
Adds a special effect to the sound by cutting the
volume in varying ranges.
Rotary
The Rotary effect simulates the sound of the rotary
speakers often used with the electric organs of the
past.
Low Boost
Boosts the volume of the lower range, creating
powerful lows.
Rotary2
This type provides modified response for the rotary speaker, with the low end boosted further.
High Pass Filter
This is a low-cut filter. It cuts the low-frequency
component.
Rotary Multi
It comprises vibrato/chorus, overdrive, and rotary
effects.
Overdrive
Creates a soft distortion similar to that produced
by vacuum tube amplifiers.
Stereo Delay1
This is a stereo delay. The delay time is set to a
length of one eighth note.
Distortion
Produces a more intense distortion than Overdrive.
Stereo Delay2
This is a stereo delay. The delay time is set to a
length of one quarter-note triplet.
Overdrive2
This is an overdrive that provides heavy distortion.
Stereo Delay3
This is a stereo delay. The delay time is set to a
length of one dotted eighth note.
Distortion2
This is a distortion effect that provides heavy distortion.
Stereo Delay4
This is a stereo delay. The delay time is set to a
length of one quarter note.
Speaker
Simulator
Simulates the speaker type and mic settings used
to record the speaker sound.
Stereo Delay5
This is a stereo delay. The delay time is set to a
length of one half note.
Guitar Amp
Simulator
This is an effect that simulates the sound of a guitar
amplifier.
Monaural Delay
This is a monaural delay.
Phaser
A phase-shifted sound is added to the original
sound and modulated.
Modulation
Delay
Adds modulation to the delayed sound.
Multi Stage
Phaser
Extremely high settings of the phase difference
produce a deep phaser effect.
Triple Tap Delay
Produces three delay sounds; center, left and right.
3D Delay
This applies a 3D effect to the delay sound.
Infinite Phaser
A phaser that continues raising/lowering the frequency at which the sound is modulated.
Tape Echo
A virtual tape echo that produces a realistic tape
delay sound.
Stereo Flanger
It produces a metallic resonance that rises and falls
like a jet airplane taking off or landing.
Reverse Delay
This is a reverse delay that adds a reversed and delayed sound to the input sound.
3D Flanger
This applies a 3D effect to the flanger sound.
Lo-Fi
2Band Flanger
A flanger that lets you apply an effect independently to the low-frequency and high-frequency
ranges.
This is an effect that intentionally degrades the
sound quality for creative purposes.
Telephone
This applies a telephone sound.
Gate Reverb
This is a special type of reverb in which the reverberant sound is cut off before its natural length.
Overdrive ->
Chorus
This effect connects an overdrive and a chorus in
series.
Overdrive ->
Flanger
This effect connects an overdrive and a flanger in
series.
Overdrive ->
Delay
This effect connects an overdrive and a delay in series.
Auto Wah
Cyclically controls a filter to create cyclic change in
timbre.
Humanizer
Adds a vowel character to the sound, making it
similar to a human voice.
Ring Modulator
This is an effect that applies amplitude modulation
(AM) to the input signal, producing bell-like
sounds.
Tremolo
Cyclically modulates the volume to add tremolo
effect to the sound.
Distortion ->
Chorus
This effect connects an distortion and a chorus in
series.
Auto Pan
Cyclically modulates the stereo location of the
sound.
Distortion ->
Flanger
This effect connects an distortion and a flanger in
series.
Slicer
By applying successive cuts to the sound, this effect turns a conventional sound into a sound that
appears to be played as a backing phrase.
Distortion ->
Delay
This effect connects an distortion and a delay in series.
Compressor
Flattens out high levels and boosts low levels,
smoothing out fluctuations in volume.
Enhancer ->
Chorus
This effect connects an enhancer and a chorus in
series.
Limiter
Compresses signals that exceed a specified volume
level, preventing distortion from occurring.
Enhancer ->
Flanger
This effect connects an enhancer and a flanger in
series.
Stereo Chorus
This is a stereo chorus.
Enhancer ->
Delay
This effect connects an enhancer and a delay in series.
Uses a six-phase chorus (six layers of chorused
sound) to give richness and spatial spread to the
sound.
Chorus -> Delay
This effect connects a chorus and a delay in series.
Hexa Chorus
Flanger -> Delay
This effect connects a flanger and a delay in series.
Chorus ->
Flanger
This effect connects a chorus and a flanger in series.
Damper
Resonance
On an acoustic piano, holding down the damper
pedal allows other strings to resonate in sympathy
with the notes you play, creating rich and spacious
resonances. This effect simulates these damper
resonances.
Tremolo Chorus
This is a chorus effect with added Tremolo (cyclic
modulation of volume).
Space D
Produces a transparent chorus effect.
3D Chorus
This applies a 3D effect to the chorus sound.
178
KR107_e.book 179 ページ 2006年4月5日
水曜日
午前9時40分
Music Style List
[Pop/Rock]
[Ballad/Acoustic]
[Oldies/Country]
[Gospel/Latin]
[Trad/World]
Pop
'80s Pop 1
Funky Disco
AdultContemp
Uptown Rock
EZ Listening
Strumin'Away
'70s Disco 1
SmoothContmp
Simple Rock
'60s Feelin'
16Beat Pop
Light Pop
Bright Pop
Heart Beat
Easy Pop
'80s Pop 2
'80s Pop 3
Cute Pop
LovelyShuffl
'70s Disco 2
'70s Dance
Fever Dance
Euro Dance
Hard Tekno
Big House
'90s House
House Pop
Ibiza Dance
Cool Rap
Now Hip Hop
Twostep
HipHop Beat
Hip'n Hop
Easy Hop
MorningShffl
Groovy Pop
Smile Pop
Warm Pop
Sunny Pop
Feel Good
US Groove
Steady Rock
Shuffle Rock
Dyno Rock
Power Rock
Heavy Rock
Thump Rock
Asian Pop
ModernBallad
'80s Ballad
AcoustBallad
AcoustEzLstn
UnpluggedPop
UnplugBallad
Adult Pop 1
Adult Pop 2
6/8 Ballad
Love Beat
UnplugShuffl
CoolLiveBand
Night Ballad
GuitarShuffl
Euro Ballad
Guitar Trio
MidnightBald
Pop Ballad
Piano Pop
Love Songs
12/8 Ballad
Scat Ballad
'60s Ballad
Torch Song 1
Torch Song 2
Strings
8BeatBallad1
8BeatBallad2
Fireside
Piano Ballad
Story Ballad
SimpleBallad
ClassicBalad
Symph Ballad
R.8-Beat 1
R.8-Beat 2
R.16-Beat 1
R.16-Beat 2
R.16-Beat 3
R.16-Beat 4
R.Afro&Swing
R.5BeatSwing
R.Shuffle 1
R.Waltz 1
R.March 1
R.5-Beat
R.7-Beat
P.Pop 1
P.Classic 1
P.Night
P.Bossa Nova
P.Ragtime
P.Classic 2
P.Ballad
P.Swing Pop
P.Rock'nRoll
P.Concerto 1
P.Concerto 2
P.Swing
P.Shuffle
P.Boogie
P.'50s Rock
P.Latin
Detroit Pop
'60s Rock'n
DreamSloRock
CountryRock1
CountryBald1
Groovin R&B
Oldies 1
Clock Rock'n
CountryPop 1
SwinginCntry
Soul
Rock'n Slow
Oldies 2
CountryBald2
CountrySwing
Rock'n Fever
Country Beat
Slow Country
CountryRock2
Country Fox
Blues
R&B
Slow Dance
Twist
'60s Beach
Slow Oldies
Early Rock
Go Go Rock
Mersey Beat
CountryPop 2
Cajun
Country
Cntry Dreams
Charleston
Bluegrass
Deep Country
Latin Pop 1
Orch Bossa
Rhumba
GospelShuffl
ContPraise 1
ContPraise 2
Gospel
Samba
ModernChaCha
Salsa
Soft Gospel
Gospel Shout
AcoustRhumba
Acoust Samba
Trad Rhumba
Gospel Pop
GospelBallad
Latin Dance
Cha Cha
Trad Tango
SunshineBosa
Jazz Bossa
Merengue
GuitarRhumba
Mambo
Fast Samba
Fast Bossa
Big Samba
Luv Bossa
Mid Bossa
Latin Pop 2
Reggae
Tango
Beguine
Oye Son
Revival
Gospel Piano
Asian Rhumba
Musical
Pub Boogie
Vienna Waltz
Kids Shuffle
Movie March
Music Hall
Orch Bolero
Orch Waltz
Holiday 1
Classic
Jing Ju
MarchingBand
March
Slow Waltz
Fast Waltz
Paris
Quiet Waltz
Holiday 2
Holiday 3
2 Beat
Lager Polka
Slow Polka
AustrianPolk
AustrianWalz
Irish
Tejano
Celtic
Musette
Scotland
Japan
Ireland
Paso Doble
China Pop
Jiang Nan
Xi Bei
SchlagerBeat
PartySchlagr
'70sSchlager
Disco Fox
Party Polka
RockSchlager
ShufflSchlgr
SimpleMarch1
SimpleMarch2
Simple Waltz
Kids 4/4
Kids 6/8
Kids
Kids Dance
Cinema 2Beat
[Big Band/
Swing]
Appendices
MidnitSloSwg
BigBand Slow
Big Band
BigBand Med
BigBand Fast
Medium Swing
Jive
Slow Swing
Quick Step
StringsSwing
Foxtrot
Swing Fox
Fox Band
Gipsy Swing
Fast Swing
JzGuitrSwing
Jazz Waltz
Blue Boogie
BigBandBalad
'30s BigBand
Big Band 2
Jazz Ballad
LooseBigBand
Smooth Jazz
A Cappella
Scat Swing
Organ Swing
Dixieland
Hawaiian
Hula
179
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Chord List
● symbol: Indicates the constituent note of chords.
*
★ symbol: Chord shown with an “★”can be played by pressing just the key marked with the “★” (p. 49).
Appendices
*
180
C
C#
D
E
E
F
Cmaj7
C#maj7
Dmaj7
E maj7
Emaj7
Fmaj7
C7
C#7
D7
E 7
E7
F7
Cm
C#m
Dm
E m
Em
Fm
Cm7
C#m7
Dm7
E m7
Em7
Fm7
Cdim
C#dim
Ddim
E dim
Edim
Fdim
Cm7 ( 5 )
C#m7 ( 5 )
Dm7 ( 5 )
E m7 ( 5 )
Em7 ( 5 )
Fm7 ( 5 )
Caug
C#aug
Daug
E aug
Eaug
Faug
Csus4
C#sus4
Dsus4
E sus4
Esus4
Fsus4
C7sus4
C#7sus4
D7sus4
E 7sus4
E7sus4
F7sus4
C6
C#6
D6
E 6
E6
F6
Cm6
C#m6
Dm6
E m6
Em6
Fm6
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Chord List
*
● symbol: Indicates the constituent note of chords.
*
★ symbol: Chord shown with an “★”can be played by pressing just the key marked with the “★” (p. 49).
F#
G
A
A
B
B
F#maj7
Gmaj7
A maj7
Amaj7
B maj7
Bmaj7
F#7
G7
A 7
A7
B 7
B7
F#m
Gm
A m
Am
B m
Bm
F#m7
Gm7
A m7
Am7
B m7
Bm7
F#dim
Gdim
A dim
Adim
B dim
Bdim
F#m7 ( 5 )
Gm7 ( 5 )
A m7 ( 5 )
Am7 ( 5 )
B m7 ( 5 )
Bm7 ( 5 )
F#aug
Gaug
A aug
Aaug
B aug
Baug
F#sus4
Gsus4
A sus4
Asus4
B sus4
Bsus4
F#7sus4
G7sus4
A 7sus4
A7sus4
B 7sus4
B7sus4
F#6
G6
A 6
A6
B 6
B6
F#m6
Gm6
A m6
Am6
B m6
Bm6
Appendices
181
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Internal Song List
Folks
1
Greensleeves
8
Joy To The World
2
Entertainer
9
Puppy’s March
3
Annie Laurie
10
Frog Song
4
Londonderry Air
11
Little Fox
5
Ave Maria
12
Lightly Row
6
Amazing Grace
13
The Cuckoo
7
Little Brown Jug
8
When The Saints Go Marchin’
In
9
Stagecoach
10
Hallelujah!
Jazzy
1
Fly Free
2
Secret Agent
3
Late Night Chopin
4
Blue Sky Rag
5
Preludelight
6
Sun Daze
7
Keepers Tale
8
Count On The Blues
9
One Down And Easy
10
A Prelude To ...
11
Bach’s A Boppin’
12
Kismet’s Salsa
13
From Matthew’s Passion
14
Roll Over Ludwig
Kids
Appendices
Kids
1
Grandfather’s Clock
2
Old MacDonald Had A Farm
3
Twinkle Twinkle, Little Star
4
Mary Had A Little Lamb
5
London Bridge
6
Jingle Bells
7
Silent Night, Holy Night
182
EZ Classical
1
La Fille Aux Cheveux De Lin
2
La Campanell
3
Eine Kleine Nachtmusik
4
Les patineurs, Valse
5
Divertimento
6
Impromptu, Op.90-2
7
Gnossienne 1
8
Die Lorelei
9
Brindisi
10
Air sul G
11
FantaisieImpromptu
12
Grande Valse Brillante
13
Gymnopedie 1
14
Liebestraume 3
15
Mondschein
16
Nocturne No.2
17
Valse, op.64-1
18
Prelude, op.28-15
19
Traumerei
20
Turkischer Marsch(Mozart)
21
Ungarische Tanze 5
22
O’sole Mio
23
La Primavera
24
Trepak
25
Canon (Pachelbel)
26
Ombra maifu
27
Sonata (Haydn)
28
Italian Concerto
Classical
→
Song files of this genre corresponds to
the included collection of printed music
entitled “Roland 60 Classical Piano
Masterpieces.”
1
Sonate No.15
2
Liebestraume 3
3
Etude, op.10-3
4
Je te veux
5
Valse, op.64-1
6
Golliwog’sCakewalk
7
FantaisieImpromptu
8
Arabesque 1
9
Blauen Donau
10
Auf Flugeln des Gesanges
11
Mazurka No.5
12
Gymnopedie 1
13
Etude, op.25-1
14
Clair de Lune
15
Etude, op.10-5
16
Dr.GradusAdParnassum
17
Grande Valse Brillante
18
La priere d’une Vierge
19
Course en Troika
20
To The Spring
21
Valse, op.64-2
22
Radetzky Marsch
23
Traumerei
24
Moments Musicaux 3
25
Prelude, op.28-15
26
Harmonious Blacksmith
27
Ungarische Tanze 5
28
Turkischer Marsch(Beethoven)
29
Nocturne No.2
30
Fruhlingslied
31
Praludium
32
Jagerlied
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Internal Song List
Classical
Practice
Practice
33
Menuet Antique
7
Gracefulness
43
Beyer 25
34
Fur Elise
8
The Hunt
44
Beyer 29
35
Turkischer Marsch(Mozart)
9
Tender Flower
45
Beyer 34
36
Standchen
10
The Young Shepherdess
46
Beyer 38
37
Humoreske
11
Farewell
47
Beyer 42
38
Blumenlied
12
Consolation
48
Beyer 46
39
Alpenglockchen
13
Austrian Dance
49
Beyer 51
40
Menuett G dur(Beethoven)
14
Ballad
50
Beyer 55
41
Venezianisches Gondellied
15
Sighing
51
Beyer 60
42
Alpenabendrote
16
The Chatterbox
52
Beyer 64
43
Farewell to the Piano
17
Restlessness
53
Beyer 67
44
Brautchor
18
Ave Maria
54
Beyer 73
45
Battle of Waterloo
19
Tarantella
55
Beyer 78
46
Wiener Marsch
20
Angelic Harmony
56
Beyer 81
47
Le Coucou
21
Gondola Song
57
Beyer 90
48
Menuett G dur(Bach)
22
The Return
58
Beyer 93
49
Spinnerlied
23
The Swallow
59
Beyer 98
50
Gavotte
24
The Knight Errant
60
Beyer 103
51
Heidenroslein
25
Openness
61
Czerny 100- 1
52
Zigeuner Tanz
26
Invention 1
62
Czerny 100-10
53
La Cinquantaine
27
Invention 2
63
Czerny 100-20
54
Csikos Post
28
Invention 3
64
Czerny 100-30
55
Dolly’s Dreaming Awakening
29
Invention 4
65
Czerny 100-38
56
La Violette
30
Invention 5
66
Czerny 100-43
57
Frohlicher Landmann
31
Invention 6
67
Czerny 100-60
58
Sonatine op.36-1(Clementi)
32
Invention 7
68
Czerny 100-75
59
Sonatine op.20-1(Kuhlau)
33
Invention 8
69
Czerny 100-86
60
Sonatine No.5(Beethoven)
34
Invention 9
70
Czerny 100-96
35
Invention 10
Practice
36
Invention 11
Arabesque
37
Invention 12
2
Pastoral
38
Invention 13
3
A Small Gathering
39
Invention 14
4
Innocence
40
Invention 15
5
Progress
41
Beyer 15
6
The Clear Stream
42
Beyer 21
All rights reserved. Unauthorized use
of this material for purposes other than
private, personal enjoyment is a
violation of applicable laws.
Appendices
1
981a
*
183
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Parameters Stored to Internal Memory
Parameters Stored in the User Program
→
“Saving Performance Settings (User Program)” (p. 108)
Parameters that switch immediately after the User Program name is touched when <Option> on the User Program screen is set to “Delayed”
Organ
Selected
Right-hand Tone,
Layer Tone,
Left-hand Tone
Parameters that switch after the User Program name is
touched for a few moments when <Option> on the User
Program screen is set to “Delayed”
Music Style
Tempo
Part Balance
Rotary effect (Slow/Fast),
Accompaniment On/Off,
Footage (Upper, Lower), Percussion
Chord Recognize Mode,
Tone, Octave Shift,
Arranger
Effect (Type, Control 1, Control 2, On/Off,
Settings
The part to which the effect is added)
Melody
Intelligent
Leading Bass On/Off, Original/Variation,
Sync Start On/Off,
<Accomp> Setting for
Arranger Configuration,
Style Orchestrator, Division
Bass Tone, Chord Tone
Part Balance
Accompaniment Part
Keyboard Parts
Parameters Stored in Memory Backup
On/Off, Type
→
“Remembering the Settings Even When the Power is Turned Off (Memory
Backup)” (p. 148)
Split 1, Split 2, On/Off for the Part,
Keyboard Mode
Pedal Settings
Layer 1, Layer 2, On/Off for the Part,
Tuning (Tuning, Key, Stretch Tunings)
Keyboard Transpose, Split Point
Master Tune
Functions Assigning to the Left Pedal and
Effect: the part to which the effect is added
Center Pedal
Metronome: Sound
Bend Range
Count-In: Measures, Sound
Functions Assigning to the Expression Pedal
Performance Pad
Settings
Reverb
Countdown: Sound
User Function
System
On/Off, Type, Depth
Parameters
Language
Track Assign
On/Off, Echo (Type, Depth),
Reverb: On/Off, Type, Depth
Transformer Type, Harmonist Type,
Advanced 3D:
Transformer/Harmonist, Music Files Part
On/Off, On/Off for Each Part,
MIDI Settings for
Bank Select LSB, Bank Select MSB,
Various Settings
User Program
Program Change, MIDI Transmit Channel
Remote Control’s Setting
Equalizer
Each Sliders Level, Master Level
External Display (Device)
Dynamic Emphasis
On/Off, Type
iR Function
Vocal Effects
Parameters Stored in the User Program Set
Parameters That are Stored After the
Power is Turned Off
Pedal Shift
Load Next
Touch Screen
Opening Message
Auto Demo
Start: On/Off
BGM: On/Off
Appendices
USB Driver
184
Equalizer
User Settings
Jazz Organ Footage
User Settings
Piano Designer
User Settings
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Music Files That the KR Can Use
What Are Music Files?
Music Files contain information describing the details of a
musical performance, such as “the C3 key on a keyboard was
pressed for this amount of time, using this amount of force.”
By connecting the external memory to the external memory
port on the KR, the performance information is sent from the
external memory to the piano, and played faithfully by the
piano. This is different than a CD, since the music file does
not contain a recording of the sound itself. This makes it
possible to erase certain parts, or to change instruments,
tempos and keys freely, allowing you to use it in many
different ways.
Regarding Copyright
Other than for your own personal enjoyment, any use of the
song data programmed in this instrument without the
consent of the copyright holder is prohibited by law.
Additionally, this data must not be copied, nor used in a
secondary copyrighted work without the permission of the
copyright holder.
■ The KR allows you to use the
following music files
● Floppy disks saved on a Roland MT Series, or Roland Piano
Digital HP-G/R and KR Series instrument
● Roland Digital Piano Compatible Music Files
The KR come equipped with GM 2/GS sound generators.
General MIDI
The General MIDI is a set of recommendations which seeks to
provide a way to go beyond the limitations of proprietary designs,
and standardize the MIDI capabilities of sound generating devices.
Sound generating devices and music files that meets the General
MIDI standard bears the General MIDI logo. Music files bearing the
General MIDI logo can be played back using any General MIDI
sound generating unit to produce essentially the same musical
performance.
General MIDI 2
The upwardly compatible General MIDI 2 recommendations pick up
where the original General MIDI left off, offering enhanced
expressive capabilities, and even greater compatibility. Issues that
were not covered by the original General MIDI recommendations,
such as how sounds are to be edited, and how effects should be
handled, have now been precisely defined. Moreover, the available
sounds have been expanded. General MIDI 2 compliant sound
generators are capable of reliably playing back music files that carry
either the General MIDI or General MIDI 2 logo.
In some cases, the conventional form of General MIDI, which does
not include the new enhancements, is referred to as “General MIDI
1” as a way of distinguishing it from General MIDI 2.
Roland’s original music file is made specifically for practicing the
GS Format
piano. Some follow an instructional curriculum, allowing for a
The GS Format is Roland’s set of specifications for standardizing the
complete range of lessons, such as “practicing each hand
performance of sound generating devices. In addition to including
separately” or “listening to only the accompaniment.”
support for everything defined by the General MIDI, the highly
● SMF Music Files (720KB/1.44MB format)
SMFs (Standard MIDI Files) use a standard format for music file
that was formulated so that files containing music file could be
widely compatible, regardless of the manufacturer of the
listening device. An enormous variety of music is available,
whether it be for listening, for practicing musical instruments, for
Karaoke, etc.
*
■ About the KR Sound Generator
compatible GS Format additionally offers an expanded number of
sounds, provides for the editing of sounds, and spells out many
details for a wide range of extra features, including effects such as
reverb and chorus. Designed with the future in mind, the GS Format
can readily include new sounds and support new hardware features
when they arrive. Since it is upwardly compatible with the General
MIDI, Roland’s GS Format is capable of reliably playing back GM
Scores equally as well as it performs GS music files (music files that
If you wish to purchase SMF Music Files, please consult the
have been created with the GS Format in mind). This product
retailer where you purchased your KR.
supports both the General MIDI 2 and the GS Format, and can be
used to play back music data carrying either of these logos.
SMF with Lyrics
“SMF with Lyrics” refers to SMF (Standard MIDI File) that
contains the lyrics. When Music Files carrying the “SMF with
Lyrics” logo are played back on a compatible device (one
bearing the same logo), the lyrics will appear in its display.
XG lite
XG is a tone generator format of YAMAHA Corporation, that
defines the ways in which voices are expanded or edited and the
structure and type of effects, in addition to the General MIDI 1
specification. XGlite is a simplified version of XG tone generation
format. You can play back any XG music files using an XGlite tone
back differently compared to the original files, due to the reduced set
of control parameters and effects.
185
Appendices
generator. However, keep in mind that some music files may play
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DIGITAL PIANO
Date : Mar. 1, 2005
MIDI Implementation Chart
Model KR-107
Transmitted
Function...
Recognized
Basic
Channel
Default
Changed
1
1–16
1–16
1–16
Mode
Default
Messages
Altered
Mode 3
x
Mode 3
Mode 3, 4 (M=1)
Note
Number :
True Voice
**************
0–127
0–127
Velocity
Note ON
Note OFF
O
O
O
O
After
Touch
Key’s
Ch’s
x
x
O
O
O
O
Pitch Bend
0, 32
1
5
6, 38
7
10
11
64
65
66
67
84
91
93
98, 99
100, 101
Control
Change
Prog
Change
System Exclusive
15–113
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
*1
*1
*1
*1
*1
*1
*1
*1
*1
O
O
O
O
O
O
O
O
O
O
O
O
O (Reverb)
O (Chorus)
O
O
**************
O
0–127
O
O
System
Common
: Song Pos
: Song Sel
: Tune
x
x
x
x
x
x
System
Real Time
: Clock
: Commands
O
x
x
x
Aux
Message
: All sound off
: Reset all controllers
: Local Control
: All Notes OFF
: Active Sense
: Reset
x
x
x
x
O
x
O (120, 126, 127)
O
O
O (123–125)
O
x
Notes
Remarks
*2
**************
0–127
: True #
Version : 1.00
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
Bank select
Modulation
Portamento time
Data entry
Volume
Panpot
Expression
Hold 1
Portamento
Sostenuto
Soft
Portamento control
Effect1 depth
Effect3 depth
NRPN LSB, MSB
RPN LSB, MSB
Program number 1–128
* 1 O x is selectable by SysEx.
* 2 Recognized as M=1 even if M=1.
Mode 1 : OMNI ON, POLY
Mode 2 : OMNI ON, MONO
O : Yes
Mode 3 : OMNI OFF, POLY
Mode 4 : OMNI OFF, MONO
X : No
186
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Main Specifications
<Keyboard>
Keyboard
Touch Sensitivity
Keyboard Mode
88 keys (Progressive hammer action
keyboard with escapement)
100 levels
Whole
Split (adjustable split point)
Layer
Arranger
Piano Style Arranger
Manual Drums / SFX
Edit
<Sound Generator>
Conforms to GM2 / GS / XG Lite
Max. Polyphony
Tones
(Tone Search by
terms and by letters)
Temperament
Stretched Tuning
Master Tuning
Transpose
Effects
128 voices
Other Functions
6 groups 736 variations (including 8 tone
wheel Organs, 17 drum sets, SFX set)
8 types, selectable tonic
2 types
415.3 Hz–466.2 Hz (adjustable in
increments of 0.1 Hz)
Key Transpose (-6–+5 in units of semitone)
Playback Transpose (-24–+24 in units of
semitone)
Reverb (12 types, 127 levels)
Chours, Rotary and 60 other types
Advanced 3D
Dynamic Emphasis (3 types)
Equalizer (5 bands, Master level)
Copy
Quantize
Delete
Insert
Erase
Transpose
Part Exchange
Note Edit
PC Edit
Touch the Notes
Replay
Super Tones
Piano Designer
Visual Lesson
Wonderland/Game
Demo
Audition
Panel Lock
User Image Display
BMP Export
V-LINK
<External Storage> USB Memory
Playable Software
Save
Song: Standard MIDI Files (Format 0/1),
Roland Original Format (i-Format)
Music Style: MSA, MSD, MSE
Audio File: WAV Format (44.1 kHz 16 bits
linear, stereo)
Song: Standard MIDI Files (Format 0),
Roland Original Format (i-Format)
Music Style: MSE
<Arranger>
Music Styles
(Style Search by
terms and by letters)
Music Assistant
(Search by terms
and by letters)
Programmable
Music Styles
Melody Intelligence
6 groups 262 styles x 3 types (Style
Orchestrator)
Over 500 sets x 6 presets
Visual Music Assistant
Style Converter
Style Composer
24 types
<User Programs>
Internal
External Memory
36
Max. 70 sets
<Metronome>
Tempo
Beat
Volume
Metronome Pattern
Metronome Sound
Quarter note = 10–500
2/2, 0/4, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4, 3/8,
6/8, 9/8, 12/8
10 levels
11 patterns
8 types
<Composer>
Tracks
Song
Note Storage
Resolution
Recording Method
<Internal Memory>
Internal Songs
(Song Search by
Over 190 songs
terms and by letters)
Max. 200 songs on Favorites
User Memory
Max. 99 User Styles
Max. 99 User Program Sets
<Others>
Rated Power Output
Speakers
Display
Notation
Language
Lyrics
One Touch Program
Pedals
Vocal Effects
Appendices
5 tracks / 16 tracks
1 song
Approx. 30,000 notes
120 ticks per quarter note
Realtime (Replace, Mix, Auto Punch In,
Manual Punch In, Loop, Tempo)
Step (Chord Sequencer)
Beat Map
60 W x 2
20 cm x 2, 5 cm x 2, 10 cm x 2
Bouncing Beat Indicator
Graphical Color LCD 320 x 240 dot (backlit
LCD)
Grand staff / G Clef staff / F Clef staff,
with note name /lyrics/ chords / fingering
English / Japanese / German / French /
Spanish
Yes (built-in, external display, MIDI output)
One Touch Piano
One Touch Arranger
Damper Pedal (half-pedal recognition)
Soft Pedal (half-pedal recognition,
functions assignable)
Sostenuto Pedal (functions assignable)
Echo
Voice Transformer
Vocal Keyboard
Harmonist
187
KR107_e.book 188 ページ 2006年4月5日
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Main Specifications
USB memory connector
FDD connector
Output jacks (L/Mono, R)
Input jacks (L/Mono, R)
Mic Input jack
Headphones jack (Stereo) x 2
Connectors
MIDI In connector x 2
MIDI Out connector
USB connector
Ext Display connector (15-pin D-Sub type)
Video Out jack
Expression Pedal jack
AC 115 V, AC 117 V, AC 220 V, AC 230 V,
Power Supply
AC 240 V (50/60 Hz)
Power Consumption 155 W
1421 (W) x 550 (D) x 901 (H) mm
56 (W) x 21-11/16 (D) x 35-1/2 (H) inches
Dimensions
(including the piano Including the music rest
stand)
1421 (W) x 550 (D) x 1116 (H) mm
56 (W) x 21-11/16 (D) x 43-15/16 (H) inches
Weights (including
84 kg / 187 lbs
the piano stand)
Quick Start
Owner’s Manual
Roland 60 Classical Piano Masterpieces
Remote Control
Dry-cell Batteries
Accessories
USB Installation Guide
CD-ROM (Roland Digital Piano USB
Driver)
Power cord
Headphones Hook
Anti-theft lock screws
USB Memory
Options
Floppy Disk Drive
*
In the interest of product improvement, the specifications and/or
appearance of this unit are subject to change without prior
notice.
Appendices
962a
188
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Index
Numerics
Computer .........................................................................165
16-Track Sequencer ..........................................................114
Connected
Expression Pedal ........................................................156
A
AC inlet .............................................................................17
Connecting
Audio Equipment ......................................................163
Accompaniment
Computer ...................................................................165
Start and Stop ...............................................................55
External Display .........................................................156
Sync Start .....................................................................55
MIDI device ...............................................................160
Adjuster .............................................................................19
Television ...................................................................156
Advanced 3D .....................................................................31
[Ambience/Reverb] button ...............................................31
Arranger basic screen ........................................................59
Arranger Config ..............................................................139
Audio Equipment ............................................................163
Auto Punch-In/Out .........................................................119
Video Equipment .......................................................159
Contrast .............................................................................20
Contrast knob ....................................................................20
Copy (Song Edit) .............................................................123
Copying
Songs ..........................................................................106
Automatic Accompaniment ...............................................47
User Program .............................................................111
AutoSync DigiScore ...........................................................75
User Styles .................................................................137
B
Count In .............................................................................83
Balance ..............................................................................63
Countdown ........................................................................57
Balance Knob .....................................................................63
Bank Select LSB ...............................................................163
Bank Select MSB ..............................................................163
Basic Screen .......................................................................21
Basic tempo .....................................................................128
Bass Tone ................................................................... 56, 139
D
Damper pedal ....................................................................19
Demo ..................................................................................... QS 4
Delete (Song Edit) ............................................................124
Deleting
A song ........................................................................105
Beat
Metronome ..................................................................45
Beat Map ..........................................................................128
Bend Range ......................................................................146
Blank Recording ..............................................................119
Bouncing Ball .....................................................................78
[Brilliance] knob ................................................................19
User Style ...................................................................136
[DigiScore] button .................................................74, QS 10
Divisions ............................................................................47
Drum Set List ...................................................................174
Drums ................................................................................24
Dynamic Emphasis ............................................................33
[Song] button .....................................................................65
E
[Bwd] button .....................................................................66
Echo ...................................................................................38
C
Calibration .......................................................................150
Chord Finder .....................................................................50
Chord Intelligence .............................................................49
Chord List ........................................................................180
Chord Sequencer .............................................................121
Chord Tone ................................................................ 56, 139
Chord Type .......................................................................49
Chords ......................................................................... 49, 77
Clef L .................................................................................78
Clef R .................................................................................78
Color Notation ...................................................................78
Composer MIDI Out ........................................................163
Editing .............................................................................122
Effects ................................................................................36
Effects List .......................................................................178
EffectsPart ........................................................................151
Ending .........................................................................47, 56
Equalizer ............................................................................34
Erase (Song Edit) .............................................................126
Erasing
Performance on specific tracks .....................................97
Recorded performance .................................................97
Error Messages ................................................................171
Export ................................................................................79
Expression Pedal ..............................................................156
Ext Display connector ......................................................157
189
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Index
External Display ...................................................... 156, 158
Local Control ...................................................................162
External Memory ...............................................................99
Loop Recording ...............................................................118
Lower Tone ........................................................................61
F
Factory Reset ...................................................................149
Factory Setting
Lyrics ................................................................... 21, 77, 154
M
Touch Screen ..............................................................151
Manual Punch-In/Out .....................................................119
User Memory .............................................................152
Marker .......................................................................85, 141
Favorites .................................................................... 69, 102
Erasing .........................................................................86
Registering ...................................................................69
Moving .........................................................................86
Removing .....................................................................70
Placing .........................................................................85
Fill In .................................................................................58
Repeat ..........................................................................87
Fill In To Original ..............................................................47
Master Tuning .................................................................146
Fill In To Variation ............................................................47
Melody Intelligence ...........................................................60
Finger Numbers .................................................................77
[Melody Intelligence] button .............................................60
Format .............................................................................100
Memory Backup ..............................................................148
Functions .........................................................................138
Metronome ........................................................................44
[Fwd] button ......................................................................66
Beat ..............................................................................45
Pattern ..........................................................................46
G
Sound ...........................................................................45
General MIDI ...................................................................185
General MIDI 2 ................................................................185
GS ....................................................................................185
GS Format ........................................................................185
Volume .........................................................................45
[Metronome] button ..........................................................44
Mic In jack .........................................................................20
[Mic Volume] knob ............................................................20
H
Microphone .......................................................................20
Harmonist ..........................................................................39
MIDI ................................................................................160
Harmony ...........................................................................60
MIDI Connector ...............................................................160
Headphones ......................................................................19
MIDI Devices ...................................................................160
I
Icon ....................................................................................21
i-format ............................................................................104
Insert (Song Edit) .............................................................125
Internal Song List ............................................................182
Intro ............................................................................. 47, 55
[Intro/Ending] button .......................................................55
iR function .......................................................................150
MIDI Ensemble ................................................................161
MIDI Settings ...................................................................161
Minus One .........................................................................84
Mix Recording .................................................................118
Multitrack Recording .......................................................114
[Music Assistant] button ............................................ QS 16, 18
Music Files .........................................................................42
Music Holder .....................................................................17
Music Style ........................................................................47
K
On External Memory ...................................................53
Karaoke .............................................................................43
Rhythm Pattern ............................................................54
Key ....................................................................................78
Music Style Buttons ...........................................................51
Key Touch .......................................................................138
Music Style List ................................................................179
L
Mute ..........................................................................84, 115
Language .........................................................................147
N
Layer ..................................................................................26
New Song ..........................................................................91
Layer tone ..........................................................................26
Notation .............................................................................74
Leading bass ....................................................................145
Saving as image data ....................................................79
Lid .....................................................................................18
Settings .........................................................................76
190
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Index
Note Edit (Song Edit) .......................................................127
Q
O
Quick Tour
Quantize (Song Edit) .......................................................124
Octave Shift .......................................................................28
Automatically starting ...............................................152
One Touch Program [Arranger] button .............................48
One Touch Program [Piano] button ..................................22
R
One Touch Settings ..........................................................139
Rec Mode ...................................................................97, 117
One-Touch Arranger .........................................................48
Record/Playback Buttons ..................................................66
Settings ......................................................................138
Recording ..........................................................................90
One-Touch Piano ...............................................................22
16-Track Sequencer ....................................................116
Opening Message ............................................................148
A new song ..................................................................91
Original .............................................................................47
Along with a Song ........................................................95
[Original] button ................................................................58
Redoing recordings ......................................................96
Output Jacks ....................................................................163
Track buttons ...............................................................96
With Accompaniment ..................................................93
P
Panel Lock .......................................................................153
Part Balance .......................................................................63
[Part Balance] button .........................................................63
Part Exchange (Song Edit) ...............................................126
PC Edit (Song Edit) ..........................................................127
Pedal ............................................................................ 19, 78
Pedal Cable ........................................................................17
Pedal connector .................................................................17
Pedal jack .........................................................................156
Pedal Settings ..................................................................144
Remote Control ................................. 71–72, 149–150, QS 7
Remote Sensor .................................................................150
Repeat ................................................................................87
Replace Recording ...........................................................118
[Reset] button ....................................................................66
Resolution ..........................................................................78
Restoring the Factory Settings .........................................149
Reverb ................................................................................29
Root note ............................................................................49
Rotary effect .....................................................................145
Percussion .........................................................................24
S
Performance Pad ....................................................... 59, 144
Saving ..............................................................................102
Phones jack ........................................................................19
Piano ..................................................................................22
[Piano Designer] button ............................................... QS 6
User Style ...................................................................135
Screens
16-track Sequencer screen ..........................................114
Piano Screen ......................................................................21
Advanced 3D screen ....................................................31
Pickup ................................................................................98
Basic screen ............................................................21, 48
Pitches ...............................................................................77
Chord Sequencer screen .............................................121
Play Mode ........................................................................154
Copy Song screen .......................................................106
[Play/Stop] button ............................................................66
Copy Style screen .......................................................137
Playing ...............................................................................65
Copy User Programs screen .......................................111
All of the internal songs ...............................................65
Count settings screen ...................................................83
At a fixed tempo (Tempo Mute) ..................................82
Countdown settings screen ..........................................57
In random ....................................................................65
Delete Song screen .....................................................105
Repeat ..........................................................................87
Delete Style screen .....................................................136
Power Cord .......................................................................17
Delete User Program screen .......................................111
Power On and Off .............................................................18
Effects screen ................................................................36
[Power] switch ...................................................................18
Equalizer screen .....................................................34–35
Preset .................................................................................51
File screen ..................................................................100
Program Change ..............................................................163
Functions screen .........................................................142
PU (Pickup) .......................................................................98
Load User Program screen .........................................110
Punch-in Recording .........................................................119
Marker screen ..............................................................85
191
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Index
Melody Intelligence screen ..........................................60
Style Converter ................................................................132
Metronome screen .......................................................44
Style Orchestrator ..............................................................59
MIDI Setting Screen ...................................................161
[Style Orchestrator] button ................................................59
Notation screen ............................................................74
Style Search ........................................................................52
Part Balance screen ......................................................63
Sync Start ...........................................................................55
PEDAL screen ............................................................112
[Super Tones] button......................................................... QS 14
Piano screen ........................................................... 21–22
Program Change Screen .............................................161
Rec Mode screen ........................................................118
Rename screen ........................................... 103, 108, 135
Reverb screen ...............................................................29
Save Song screen ........................................................102
Save Style screen ........................................................135
Save User Program screen .........................................109
Song Edit screen .........................................................122
Song Search screen .......................................................68
Song Selection screen ...................................................65
Style Composer screen ...............................................131
Style Converter screen ...............................................133
Style Search screen .......................................................52
Style Selection screen ...................................................51
Tone search screen .......................................................25
Tone selection screen ...................................................23
Transpose screen ..........................................................88
User Program screen ..................................................108
Vocal Effects screen ......................................................37
Write User Program screen ........................................108
Search
Music Style ...................................................................52
Song .............................................................................68
Tone .............................................................................25
T
Tap Tempo .........................................................................81
Television ........................................................................157
Temperament ..................................................................143
Tempo .................................................................... 45, 54, 81
Tempo [-] [+] buttons .........................................................81
Tempo Mute ......................................................................82
Tempo Recording ............................................................128
Tone Buttons ......................................................................23
Tone List ..........................................................................172
Tone Search .......................................................................25
Tone Set ...........................................................................116
Touch Screen .............................................................20, 150
Touch the Notes .................................................................75
Track Assign ....................................................................155
Track Buttons ......................................................... 84, 92, 94
Transformer .......................................................................38
Transpose ..........................................................................88
Transpose (Song Edit) ......................................................125
[Transpose] button .............................................................88
Troubleshooting ..............................................................167
Tuning .............................................................................143
Tuning Curve ..................................................................143
Tx Channel .......................................................................162
SMF .................................................................................185
U
SMF Music files ...............................................................185
Undo (Song Edit) .............................................................123
Soft pedal ...........................................................................19
Upper tone .........................................................................26
Solo ..................................................................................115
USB Driver .......................................................................166
[Song] button........................................................................ QS 8
User Functions .................................................................144
Song Search .......................................................................68
User Image Display .........................................................147
Sostenuto pedal .................................................................19
User Memory ...................................................................135
[Sound Control] button .....................................................34
Formatting .................................................................152
Sound Effects .....................................................................24
User Program ...................................................................108
Sound Generator .............................................................185
Calling up ..................................................................109
Speaker Cable ....................................................................17
Copying .....................................................................111
Split ...................................................................................62
Deleting ......................................................................111
Split Point ........................................................................139
Loading ......................................................................110
[Start/Stop] button ............................................................55
Registering .................................................................108
Stretch Tuning .................................................................143
Saving ........................................................................109
Style Composer ...............................................................130
Transmitting PC Numbers .........................................113
192
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Index
User Style ................................................................... 53, 130
Copying .....................................................................137
Deleting .....................................................................136
Saving ........................................................................135
V
Variation ............................................................................47
[Variation] button ..............................................................58
V-LINK ............................................................................159
[Visual Lesson] button...................................................... QS 12
Vocal Count-In ..................................................................40
Vocal Effect ........................................................................37
[Vocal Effect] button ..........................................................37
Vocal Keyboard .................................................................41
Volume
Metronome ..................................................................45
Microphone ..................................................................20
Overall .........................................................................19
Remote Control ............................................................73
[Volume] knob ...................................................................19
W
[Wonderland] button ........................................................ QS 19
X
XG lite ..............................................................................185
Z
Zoom .................................................................................77
193
KR107_e.book 194 ページ 2006年4月5日
Information
AFRICA
EGYPT
Al Fanny Trading Office
9, EBN Hagar A1 Askalany
Street,
ARD E1 Golf, Heliopolis,
Cairo 11341, EGYPT
TEL: 20-2-417-1828
REUNION
Maison FO - YAM Marcel
25 Rue Jules Hermann,
Chaudron - BP79 97 491
Ste Clotilde Cedex,
REUNION ISLAND
TEL: (0262) 218-429
SOUTH AFRICA
T.O.M.S. Sound & Music
(Pty)Ltd.
11 Melle St., Braamfontein,
Johannesbourg,
SOUTH AFRICA
TEL: (011) 403 4105
FAX: (011) 403 1234
Paul Bothner(PTY)Ltd.
Royal Cape Park, Unit 24
Londonderry Road, Ottery 7800
Cape Town, SOUTH AFRICA
TEL: (021) 799 4900
ASIA
水曜日
When you need repair service, call your nearest Roland Service Center or authorized Roland
distributor in your country as shown below.
SINGAPORE
COSTA RICA
TRINIDAD
NORWAY
JORDAN
SWEE LEE MUSIC
COMPANY PTE. LTD.
150 Sims Drive,
SINGAPORE 387381
TEL: 6846-3676
JUAN Bansbach Instrumentos
Musicales
Ave.1. Calle 11, Apartado 10237,
San Jose, COSTA RICA
TEL: 258-0211
AMR Ltd
Ground Floor
Maritime Plaza
Barataria Trinidad W.I.
TEL: (868) 638 6385
MUSIC HOUSE CO. LTD.
FREDDY FOR MUSIC
P. O. Box 922846
Amman 11192 JORDAN
TEL: (06) 5692696
SRI LANKA
CURACAO
URUGUAY
Roland Scandinavia Avd.
Kontor Norge
Lilleakerveien 2 Postboks 95
Lilleaker N-0216 Oslo
NORWAY
TEL: 2273 0074
Penguin Electronics (Pvt) Ltd.
115, Maya Avenue,
Colombo 06, SRI LANKA
TEL: (11) 2552376
Zeelandia Music Center Inc.
Orionweg 30
Curacao, Netherland Antilles
TEL:(305)5926866
POLAND
TAIWAN
DOMINICAN REPUBLIC
Todo Musica S.A.
Francisco Acuna de Figueroa
1771
C.P.: 11.800
Montevideo, URUGUAY
TEL: (02) 924-2335
MX MUSIC SP.Z.O.O.
UL. Gibraltarska 4.
PL-03664 Warszawa POLAND
TEL: (022) 679 44 19
EASA HUSAIN AL-YOUSIFI
& SONS CO.
Abdullah Salem Street,
Safat, KUWAIT
TEL: 243-6399
ROLAND TAIWAN
ENTERPRISE CO., LTD.
Room 5, 9fl. No. 112 Chung
Shan N.Road Sec.2, Taipei,
TAIWAN, R.O.C.
TEL: (02) 2561 3339
Instrumentos Fernando Giraldez
Calle Proyecto Central No.3
Ens.La Esperilla
Santo Domingo,
Dominican Republic
TEL:(809) 683 0305
PORTUGAL
LEBANON
Roland Iberia, S.L.
Portugal Office
Cais das Pedras, 8/9-1 Dto
4050-465, Porto, PORTUGAL
TEL: 22 608 00 60
THAILAND
ECUADOR
Chahine S.A.L.
Gerge Zeidan St., Chahine
Bldg., Achrafieh, P.O.Box: 165857
Beirut, LEBANON
TEL: (01) 20-1441
Theera Music Co. , Ltd.
330 Soi Verng NakornKasem,
New Road, Sumpantawongse,
Bangkok 10100, THAILAND
TEL: (02) 224-8821
Mas Musika
Rumichaca 822 y Zaruma
Guayaquil - Ecuador
TEL:(593-4)2302364
VIETNAM
SAIGON MUSIC
DISTRIBUTOR
(TAN DINH MUSIC)
138 Tran Quang Khai Street
Dist. 1, Ho Chi Minh City
VIETNAM
TEL: (08) 848-4068
CHINA
Roland Shanghai Electronics
Co.,Ltd.
5F. No.1500 Pingliang Road
Shanghai 200090, CHINA
TEL: (021) 5580-0800
Roland Shanghai Electronics
Co.,Ltd.
(BEIJING OFFICE)
10F. No.18 3 Section Anhuaxili
Chaoyang District Beijing
100011 CHINA
TEL: (010) 6426-5050
HONG KONG
Tom Lee Music Co., Ltd.
Service Division
22-32 Pun Shan Street, Tsuen
Wan, New Territories,
HONG KONG
TEL: 2415 0911
Parsons Music Ltd.
8th Floor, Railway Plaza, 39
Chatham Road South, T.S.T,
Kowloon, HONG KONG
TEL: 2333 1863
INDIA
Rivera Digitec (India) Pvt. Ltd.
409, Nirman Kendra
Mahalaxmi Flats Compound
Off. Dr. Edwin Moses Road,
Mumbai-400011, INDIA
TEL: (022) 2493 9051
INDONESIA
PT Citra IntiRama
J1. Cideng Timur No. 15J-150
Jakarta Pusat
INDONESIA
TEL: (021) 6324170
KOREA
Cosmos Corporation
1461-9, Seocho-Dong,
Seocho Ku, Seoul, KOREA
TEL: (02) 3486-8855
MALAYSIA
Roland Asia Pacific Sdn. Bhd.
45-1, Block C2, Jalan PJU 1/39,
Dataran Prima, 47301 Petaling
Jaya, Selangor, MALAYSIA
TEL: (03) 7805-3263
PHILIPPINES
G.A. Yupangco & Co. Inc.
339 Gil J. Puyat Avenue
Makati, Metro Manila 1200,
PHILIPPINES
TEL: (02) 899 9801
午前9時40分
AUSTRALIA/
NEW ZEALAND
AUSTRALIA/
NEW ZEALAND
Roland Corporation
Australia Pty.,Ltd.
38 Campbell Avenue
Dee Why West. NSW 2099
AUSTRALIA
For Australia
Tel: (02) 9982 8266
For New Zealand
Tel: (09) 3098 715
CENTRAL/LATIN
AMERICA
ARGENTINA
EL SALVADOR
OMNI MUSIC
75 Avenida Norte y Final
Alameda Juan Pablo II,
Edificio No.4010 San Salvador,
EL SALVADOR
TEL: 262-0788
GUATEMALA
Casa Instrumental
Calzada Roosevelt 34-01,zona 11
Ciudad de Guatemala
Guatemala
TEL:(502) 599-2888
HONDURAS
Almacen Pajaro Azul S.A. de C.V.
BO.Paz Barahona
3 Ave.11 Calle S.O
San Pedro Sula, Honduras
TEL: (504) 553-2029
MARTINIQUE
Musique & Son
Z.I.Les Mangle
97232 Le Lamantin
Martinique F.W.I.
TEL: 596 596 426860
Gigamusic SARL
10 Rte De La Folie
97200 Fort De France
Martinique F.W.I.
TEL: 596 596 715222
MEXICO
Instrumentos Musicales S.A.
Av.Santa Fe 2055
(1123) Buenos Aires
ARGENTINA
TEL: (011) 4508-2700
Casa Veerkamp, s.a. de c.v.
Av. Toluca No. 323, Col. Olivar
de los Padres 01780 Mexico
D.F. MEXICO
TEL: (55) 5668-6699
BARBADOS
NICARAGUA
A&B Music Supplies LTD
12 Webster Industrial Park
Wildey, St.Michael, Barbados
TEL: (246)430-1100
BRAZIL
Roland Brasil Ltda.
Rua San Jose, 780 Sala B
Parque Industrial San Jose
Cotia - Sao Paulo - SP, BRAZIL
TEL: (011) 4615 5666
CHILE
Comercial Fancy II S.A.
Rut.: 96.919.420-1
Nataniel Cox #739, 4th Floor
Santiago - Centro, CHILE
TEL: (02) 688-9540
COLOMBIA
Centro Musical Ltda.
Cra 43 B No 25 A 41 Bododega 9
Medellin, Colombia
TEL: (574)3812529
Bansbach Instrumentos
Musicales Nicaragua
Altamira D’Este Calle Principal
de la Farmacia 5ta.Avenida
1 Cuadra al Lago.#503
Managua, Nicaragua
TEL: (505)277-2557
PANAMA
SUPRO MUNDIAL, S.A.
Boulevard Andrews, Albrook,
Panama City, REP. DE
PANAMA
TEL: 315-0101
PARAGUAY
Distribuidora De
Instrumentos Musicales
J.E. Olear y ESQ. Manduvira
Asuncion PARAGUAY
TEL: (595) 21 492147
PERU
Audionet
Distribuciones Musicales SAC
Juan Fanning 530
Miraflores
Lima - Peru
TEL: (511) 4461388
VENEZUELA
Instrumentos Musicales
Allegro,C.A.
Av.las industrias edf.Guitar
import
#7 zona Industrial de Turumo
Caracas, Venezuela
TEL: (212) 244-1122
EUROPE
AUSTRIA
Roland Elektronische
Musikinstrumente HmbH.
Austrian Office
Eduard-Bodem-Gasse 8,
A-6020 Innsbruck, AUSTRIA
TEL: (0512) 26 44 260
BELGIUM/FRANCE/
HOLLAND/
LUXEMBOURG
Roland Central Europe N.V.
Houtstraat 3, B-2260, Oevel
(Westerlo) BELGIUM
TEL: (014) 575811
CZECH REP.
K-AUDIO
Kardasovska 626.
CZ-198 00 Praha 9,
CZECH REP.
TEL: (2) 666 10529
DENMARK
Roland Scandinavia A/S
Nordhavnsvej 7, Postbox 880,
DK-2100 Copenhagen
DENMARK
TEL: 3916 6200
FINLAND
Roland Scandinavia As, Filial
Finland
Elannontie 5
FIN-01510 Vantaa, FINLAND
TEL: (0)9 68 24 020
GERMANY
Roland Elektronische
Musikinstrumente HmbH.
Oststrasse 96, 22844
Norderstedt, GERMANY
TEL: (040) 52 60090
GREECE/CYPRUS
STOLLAS S.A.
Music Sound Light
155, New National Road
Patras 26442, GREECE
TEL: 2610 435400
HUNGARY
Roland East Europe Ltd.
Warehouse Area DEPO Pf.83
H-2046 Torokbalint,
HUNGARY
TEL: (23) 511011
IRELAND
Roland Ireland
G2 Calmount Park, Calmount
Avenue, Dublin 12
Republic of IRELAND
TEL: (01) 4294444
ITALY
ROMANIA
KUWAIT
OMAN
FBS LINES
Piata Libertatii 1,
535500 Gheorgheni,
ROMANIA
TEL: (266) 364 609
TALENTZ CENTRE L.L.C.
Malatan House No.1
Al Noor Street, Ruwi
SULTANATE OF OMAN
TEL: 2478 3443
RUSSIA
QATAR
MuTek
Dorozhnaya ul.3,korp.6
117 545 Moscow, RUSSIA
TEL: (095) 981-4967
Al Emadi Co. (Badie Studio &
Stores)
P.O. Box 62, Doha, QATAR
TEL: 4423-554
SPAIN
Roland Iberia, S.L.
Paseo Garca Faria, 33-35
08005 Barcelona SPAIN
TEL: 93 493 91 00
SAUDI ARABIA
SWEDEN
Roland Scandinavia A/S
SWEDISH SALES OFFICE
Danvik Center 28, 2 tr.
S-131 30 Nacka SWEDEN
TEL: (0)8 702 00 20
aDawliah Universal
Electronics APL
Corniche Road, Aldossary
Bldg., 1st Floor, Alkhobar,
SAUDI ARABIA
P.O.Box 2154, Alkhobar 31952
SAUDI ARABIA
TEL: (03) 898 2081
SYRIA
SWITZERLAND
Technical Light & Sound
Center
Rawda, Abdul Qader Jazairi St.
Bldg. No. 21, P.O.BOX 13520,
Damascus, SYRIA
TEL: (011) 223-5384
Roland (Switzerland) AG
Landstrasse 5, Postfach,
CH-4452 Itingen,
SWITZERLAND
TEL: (061) 927-8383
UKRAINE
TURKEY
TIC-TAC
Mira Str. 19/108
P.O. Box 180
295400 Munkachevo,
UKRAINE
TEL: (03131) 414-40
ZUHAL DIS TICARET A.S.
Galip Dede Cad. No.37
Beyoglu - Istanbul / TURKEY
TEL: (0212) 249 85 10
U.A.E.
UNITED KINGDOM
Roland (U.K.) Ltd.
Atlantic Close, Swansea
Enterprise Park, SWANSEA
SA7 9FJ,
UNITED KINGDOM
TEL: (01792) 702701
Zak Electronics & Musical
Instruments Co. L.L.C.
Zabeel Road, Al Sherooq Bldg.,
No. 14, Grand Floor, Dubai,
U.A.E.
TEL: (04) 3360715
NORTH AMERICA
MIDDLE EAST
CANADA
BAHRAIN
Moon Stores
No.16, Bab Al Bahrain Avenue,
P.O.Box 247, Manama 304,
State of BAHRAIN
TEL: 17 211 005
IRAN
Roland Canada Ltd.
(Head Office)
5480 Parkwood Way
Richmond B. C., V6V 2M4
CANADA
TEL: (604) 270 6626
MOCO INC.
No.41 Nike St., Dr.Shariyati Ave.,
Roberoye Cerahe Mirdamad
Tehran, IRAN
TEL: (021) 285-4169
Roland Canada Ltd.
(Toronto Office)
170 Admiral Boulevard
Mississauga On L5T 2N6
CANADA
TEL: (905) 362 9707
ISRAEL
U. S. A.
Halilit P. Greenspoon & Sons
Ltd.
8 Retzif Ha’aliya Hashnya St.
Tel-Aviv-Yafo ISRAEL
TEL: (03) 6823666
Roland Corporation U.S.
5100 S. Eastern Avenue
Los Angeles, CA 90040-2938,
U. S. A.
TEL: (323) 890 3700
Roland Italy S. p. A.
Viale delle Industrie 8,
20020 Arese, Milano, ITALY
TEL: (02) 937-78300
As of April 1, 2006 (ROLAND)
To resize thickness, move all items on the front cover
and center registration marks to left or right.
WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
The lightning flash with arrowhead symbol, within an
equilateral triangle, is intended to alert the user to the
presence of uninsulated “dangerous voltage” within the
product’s enclosure that may be of sufficient magnitude to
constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is
intended to alert the user to the presence of important
operating and maintenance (servicing) instructions in the
literature accompanying the product.
INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.
IMPORTANT SAFETY INSTRUCTIONS
SAVE THESE INSTRUCTIONS
WARNING - When using electric products, basic precautions should always be followed, including the following:
1.
2.
3.
4.
5.
6.
7.
8.
9.
Read these instructions.
Keep these instructions.
Heed all warnings.
Follow all instructions.
Do not use this apparatus near water.
Clean only with a dry cloth.
Do not block any of the ventilation openings. Install in
accordance with the manufacturers instructions.
Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including
amplifiers) that produce heat.
Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades with
one wider than the other. A grounding type plug has two
blades and a third grounding prong. The wide blade or the
third prong are provided for your safety. If the provided plug
does not fit into your outlet, consult an electrician for
replacement of the obsolete outlet.
10. Protect the power cord from being walked on or pinched
particularly at plugs, convenience receptacles, and the
point where they exit from the apparatus.
11. Only use attachments/accessories specified by the
manufacturer.
12. Use only with the cart, stand, tripod, bracket,
or table specified by the manufacturer, or
sold with the apparatus. When a cart is used,
use caution when moving the cart/apparatus
combination to avoid injury from tip-over.
13. Unplug this apparatus during lightning storms or when
unused for long periods of time.
14. Refer all servicing to qualified service personnel. Servicing
is required when the apparatus has been damaged in any
way, such as power-supply cord or plug is damaged, liquid
has been spilled or objects have fallen into the apparatus,
the apparatus has been exposed to rain or moisture, does
not operate normally, or has been dropped.
For the U.K.
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
BLUE:
NEUTRAL
BROWN: LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.
For EU Countries
This product complies with the requirements of European Directives EMC 89/336/EEC and LVD 73/23/EEC.
For the USA
FEDERAL COMMUNICATIONS COMMISSION
RADIO FREQUENCY INTERFERENCE STATEMENT
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the
FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in
accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee
that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or
television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
– Reorient or relocate the receiving antenna.
– Increase the separation between the equipment and receiver.
– Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
– Consult the dealer or an experienced radio/TV technician for help.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
(1) This device may not cause harmful interference, and
(2) This device must accept any interference received, including interference that may cause undesired operation.
Unauthorized changes or modification to this system can void the users authority to operate this equipment.
This equipment requires shielded interface cables in order to meet FCC class B Limit.
For Canada
NOTICE
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
AVIS
Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.
2
To resize thickness, move all items on the front cover
and center registration marks to left or right
Owner’s Manual
Owner’s Manual
Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY
INSTRUCTIONS” (p. 2), “USING THE UNIT SAFELY” (p. 3, 4, 5), and “IMPORTANT NOTES”
(p. 6, 7, 8). These sections provide important information concerning the proper operation
of the unit. Additionally, in order to feel assured that you have gained a good grasp of
every feature provided by your new unit, Owner’s Manual should be read in its entirety.
The manual should be saved and kept on hand as a convenient reference
202
Copyright © 2005 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without
the written permission of ROLAND CORPORATION.
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