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M ODEL #3206 One of a family of four powered mixers in the Fender Pro-Sound line, the 3206 is a state-of-the-art mixing console of high quality combined with a powerful and rugged amplifier. The 3206 achieves performance in all respects as good as separate components, allowing its use in even the most demanding professional applications. FEATURES Each of the six input channels features balanced transformerless LO-z and Hi-z inputs. Input channels have three band, five frequency, input EQ (mid-band switchable 750Hz, 1.5kHz, 3.0kHz), signal present and peak LEDs, a trim control with 40dB range to optimize pre-amp gain and a pan control between the main out- put busses plus two monitors, one effects buss and a 60mm slide fader. The effects buss is normaled through an internal re- verb, but accessible as an echo send and return on the rear panel. Lo-z XLR mic connectors carry 48volt Phan- tom power selected through an on/off switch on the rear of the mixer. The meter panel carries two switchable Vu meters with “peak” LEDs, these meters monitor main and monitor outputs, while the power amp output 1s monitored by two clip LEDs. Four nine-band graphic equalizers, two main, two monitor, a program and effects return input and pan control and the four master faders complete the front panel controls. Extensive system interstage patch points allow the re- arrangement of many of the features of the mixer to al- low specific requirements to be met. All input and output levels and impedances are matched and suitable for this purpose. The mixer section of the 3200 series is of the highest quality with very low distortion and noise, allowing the use of this kind of product for professional sound con- tracting and high quality live sound reinforcement. The built-in amplifiers are of essentially the same design as the highly acclaimed Fender 2224 and 2244 series power amplifiers. These amplifiers are designed to produce their rated power into highly reactive and low impedance loads, and are provided with forced-air cooled heat dissipators. Delivering in excess of 200 watts per channel into 4 ohms with great sonic accuracy, the am- plifiers exceed the specs and performance of many of the best “separate” products available. The 3200 series has exceptional stability even well be- yond its normal intended operational limits, allowing its successful use in high demand situations. High head- room and correct internal grounding procedures add to the overall sonic performance of the line. Packaged ma compact enclosure and fitted with unique “pointer” type color-coded knobs and BNC con- nectors, for optional panel light, the powered mixer presents itself as an attractive and professional product that will give many years of reliable service. The 3200 series powered mixers are supplied with an extensive 73 page “Owners/ Applications” manual that is a most valuable resource for the user and operator in not only the operation of the 3200 series but all aspects of sound reinforcement. For the sound contractor this manual offers an effective means of training the operator and assuring the best operation of a system as it was de- signed and installed. Frequency response: Power amplifier: Power amplifier: Mixer: Hum and Noise: Mixer: Power amp: Crosstalk: CM.R.R.: Channel Equalization: 20Hz to 20kHz, +0, — dB (1 200 watts output, 20Hz to 20kHz + 1dB. Less than 0.1% 20Hz to 20kHz at 200 watts output. — | Less than 0.1% from 20Hz to 20kHz at +18dB output at pre-amp out. Typically 0.05%. EIN -—129dBm, 20Hz— 20kHz. 150 ohm termination, Greater than 100dB (signal to noise ratio). — 60dB (@ 1kHz, between all signal paths. 60dB at 1000Hz (external noise rejection). High: + 15dB (4 10kHz, shelving. dipping. Low: 15dB (4 100Hz, shelving. Graphic Equalization: Metering: Indicators: Voltage Amplification: “0” Vu Reference: Maximum Input Level: Power Output: Phantom Power: Power Requirements: Safety Listing: 4.9 Band, Octave EQ, ISO Frequencies, Program Left and Right, Monitor 1 and 2 + 12dB. 2 illuminated Vu. Switchable for Program Left and Right of Monitor 1 and 2. Channel Signal present and peak. Vu meter peak @ 10dB before clip. Phantom on. Power amplifier clip LEDs. 101dB, + 2dB (maximum). Lo-z input to Power Amp out. + 4dB at Pre-Amp out. Lo-z Input Greater than + 10dB. Hi-z Input Greater than + 24dB. 200 watts into 4 ohms, per channel. 48 volts DC on pins 2 and 3 of Lo-z (mic) input. Rear panel switch. Silent turn on. 120 volts (+ 10%) 60Hz. UL. Dimensions: 675mm (26.6") 680mm (26.7") 185mm (7.3") 20kg (43.6 Ibs) MAX. VOLTAGE GAIN (20 LOG VON) ACTUAL INPUT INPUT VOLTAGES INPUTS SOURCE TYPE MAX BEFORE CLIP TO L,A PRE AMP OUT T0 L,R POWER AMP OUT IMPEDANCE NOMINAL Hi-Z iN 6048 8708 Hi-Z MIC OR LINE 20K-OHMS (BAL) -- 3608 TO + 40dB +2408 (12.3 VOLT) INSTRUMENT DIRECT (12.3 mv) TO 1.23 VOLTS 10-7 IN 7448 10188 LO-Z MIC OR LOW-LEVEL 5K-OHMS (BAL) — 5008 TO — 10dB + 10d8 {2.45 VOLT) 600-ОНМ LINE (2.45 mv) TO 245 mv LR DIRECT IN 088 2708 LO OR HI-Z LINE 110K-0HMS + 408 (38.8 VOLT) + 3408 (388 VOLT) (PROGRAM) {1.23 VOLT) LA GEO IN 2408 5108 LO OR HI-Z LINE 50K-OHMS — 1008 (245 mv) + 2008 (7.75 VOLT) LA POWER 2708 LO OR HI-7 LINE 18K-0HMS + 408 (123 VOLT) + 408 (1.23 VOL) AMP IN EFF RETURN 3448 6108 LOW-LEVEL LINE 33K-0HMS — 208 (775 my + 1008 (2.45 VOLT) EFF DIRECT _ LO OR HI-7 LINE 110K-OHMS + AdB (1.23 VOLT) + 3408 (38.8 VOLT) PGM AUX IN 3408 6108 LO OR HZ LOW-LEVEL LINE 33K-OHMS -— 2008 (775 my} + 3408 (38.8 VOLT) MON 1,2 LO OR HI-Z LINE T0K-OHMS + 4dB {1.23 VOLT) +34dB {38.8 VOLT) DIRECT IN MON 1, 2 AUX IN LO OR HI-Z LOW-LEVEL UNE 50K-OHMS — 20dB (775 my} +10d8 (2.45 VOLT) | “LOAD TYPE “ACTUAL OUTPUT OUTPUT VOLTAGES OUTPUTS NOMINAL IMPEDANCE NOMINAL MAX BEFORE CLIP LA 10K-OHM LINE 100-OHMS +4dB +20dB LINE OUT | (1.23 VOLT) (7.75 VOLT) LR PRE 10K-OHM LINE 100-OHMS +4dB +2008 AMP OUT (1.23 VOLT) (7.75 VOLT) L,R POWER 4-OHM (MINIMUM) 200-WATTS MAX AMP OUT LOUDSPEAKER INTO 4-OHMS EFF OUT 10K-OHM LINE 100-OHMS +4dB +20dB | (1.23 VOLT) (775 VOLT) MON 1, 2 10K-OHM LINE 100-OHMS +4dB +20dB OUT | (1.23 VOLT) (7.75 VOLT) Specifications subject to change without notice. © 1984 CBS Inc. QUICK REFERENCE GUIDE (Model 3206) {Left and Right} VU Meters and Peak LEDs Displays level of Program mix or Monitor mix. O VU = +4dB at the Pre Amp Out jack or Mon Out jack The VU Meter's Peak LED indicates the presence of high-level peak signals in the output channel, This Peak LED should light occasionally on normal program peaks, Program/Monitor Left and Right VU Switches Allows VU Meters to display leve! of Program or Monitor mixes, Trim Preamp gain. Input Channel preamplifier gain {(40dB range) control With Fader down and EQ Controls at “0,” set Trim so that Peak LED lights occasionally on program pesks. Then set Fader {and Pan) to control Program Left and Right mix levels. Pre-EQ, pre- Fader (Left and Right) cip {LEDs} Clip LED lights when power output (at the - Power Amp Out jack) reaches the onset of “clipping” distortion. Reduce master level if Clip LED lights - frequently. Not affected by Program/ Monitor vu Switch. Phantom (LED) When “ori” the ; Phantom LED indicates the: presence of +48 volt phantom power on all Loz: High Treble tone control. +1598, 10k . micropone input connectors. ВЕ Hz. shelving-type high-frequency EQ contral Post-Trim, pre-Fader. Mid (Contraf) Midrange tone control +12dB, selectable-frequency, peaking- type midrange EQ control. Post-Trim, pre-Fader Mid (Switch) Selects center frequency for Mig Control (750 Hz, 1.5k Hz, 3k Hz) Low Bass tone control $15d8. 100 Hz. shelving type, low-frequency EQ control, Post-Trim, pre-Fader. Monitor 1 and 2 Control input A Channel level in the Monitor 1 and 2 mixes. Post-Trim, post-EG, pre-Fader. Effect Controls Input Channel level in the Effects mix Post-Trim, post-EQ, post-Fader. Program Loft and Ain Equalizers +1508, 9-Вапа Graphic equalizers. Pre- ‚Program Faders. Monitor 4 and 2 2 Equalizers. ón: - 9-Band Graphic equalizers. Pres Co Pan Controls refative level of input Program Faders. Channel in Left and Right Program mixes. Post-Trim, post-E@, post-Fader Signal (LED) Turns “on” when low- level signal is present at either the Lo- Z or Hi-Z inputs. Stays on at higher input levels. Peak (LED) Not a clipping indicator Peak LED lights when high-level signal 1% present at either the Lo-Z or Hi-Z inpuls, Peak LED should tight occasionally on normal program peaks. Use in conjunction with Trim control fo sel Input Channel gain. Post-Trim, post-EQ, pre-Fader. : Aux In ‚ Program - Controls ausiiary - device (connected to PGM Aux in njackj - level in the Program Left and Fight - mixes through Aux in Pan control, Fader CO the Program Leff through the Pan control. post-EC Aux in pan ' Controls relative level of ; Aux In device in Program. Left and Right mixes. Effects Return Program Controls overall Effects mix level fed to Program Left and Right mixes through Effect Return Pan control Effects mix is received from internal reverb or from Eff Return jack. Program Left and Right (Faders) Control overalt Left and Right Program mix levels at Left and Right Pre Amp and Power Amp Out jacks. Post-EQ (Graphic Equalizer). rs) Control Effects Return Pan Controls relative els fed to Mon 1 Effects level in the Left and Right sraphi are Program mixes. Equalizer). {Left and Right} Power Amp in +4dB, unbalanced Power Amplifier inputs. Normated to Left and Right Pre Amp Outpuis. Inserting a A" phone plug disconnects Program mix from : Left and Right) Pre Amp Out +4dB, uribalanced Program outputs. Wii drive 10k-0hr or higher impedance loads. May be used when Power Amp Quis are in use. 4” phone {Left and Right} G-EQ (Program Graphic Equalizer} in -10d8, unbalanced Program Graphic Equalizer inputs. Normaied to Une Outputs: inserting a %” phone plug disconnecis Power Amplifier. jacks. G-EG in from Line Out, interrupting flow of Program signal. (Left and Right} Line Qut -10d8. unbalanced Program outputs (pre- Graphic Equalizers). Will drive 10k-ohm (Left and might) Direct in Accept or higher impedance loads. May be +4dB, high of low-impedance. used when Power Amp Out and {or unbalanced sources. Direct feeds to Pre Amp Qut jacks are iñ use 7 Left and Right Program mixes (pre- phone jacks. Program fader). % "phone jacks. (Left ang Right) Power Amp Qut Primary Left and Bight Program out puts. 200-watis maximum into 4- \ ohm (minimum) impedance (one 4- \ | j ohm or two 8-0hm ioudspeakers per Sutpuf). 47 phone jacks. Phantom (Switch) Orn/off switch tor +48-voH phantom power lo alt input Channel Lo-2 microphone) inpuis. ; Hi-Z in { input Channel} Accepts high-impedance microphone or other - 360B 10 +408 (ine-level) high or low- impedance balanced ór unbalanced “SOUrCE. Power (Switch) Primary AC Power {ori/ off switch, GND (Screw) Chassis ground screw Use to connect he ground wire trom a phone turntable or olber device nat requires a chassis ground other than that provided by the third prong on ts AC plug AL Power Cable Requires 120-volt 2%. 60 Hz, grounded outlet. Bo not defen! ground pin. See Contents for further safety information. Lo-Z In { Input chanñely "Accepts a fow-impedance microphone or other - 5098. to +1098 {mic- eve fou рес : bal EM Qui +4d5, unbalanced Effects mix output, Will drive TÓk-ohm or higher impedance icads. Always drives internal reverb. a" phone jack. ; Mon 3 and 2 Direct in Accept +48, a high or low-impedance unbalanced: SULTCÉ, Direct feeds 10 Monitor Y and 2 Lo En Return Accepts 2608, / unbalanced. high er low- “impedance source. Direct input to Program mix — (pre- -Effect in contro. Normaled to internal reverb. Insertíng a 4” phone plug disconnects internal revert. et Direct in Accepts +408, high or iow-impedance unbalanced source. Direct feed to Effects mix (pre- “Effects : Return Program contrat} 4 phone: jack. - PGM Aux in Accepts -2008.- unbalanced, High or low- -imipetance ; source. Direct input 16 Loft and Right - Program mixes rough Aux ir : Program and Par controls. Ww phone : jack - phone jacke, mixes ipre- Monitor 3 and 2 faders). uu 2 Do a. phone jacks. \ Mon 1 and 2 Out ‘4408, unbal arcos. o rimary Monitor outpuis. win drive 10 No ohm or higher impedatice I loade. % wo LE © u `, ЗОНА:
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