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- 25 Pages
Rheem 3190, 5000, 400X tape recorder Service manual
The Rheem-Roberts 400X, 5000, and 3190 series tape recorders are three-motor, fully transistorized professional units designed for studio or field use. They feature a dual-speed hysteresis-synchronous capstan motor and offer comparable performance to high-priced console units, while being compact and portable enough for remote location recording. The 400X and 5000X models include self-contained power amplifiers that drive high-quality monitor speakers and provide 34 watts of peak power per channel to external speaker jacks. The Rheem 3190 series is a studio configuration of the 5000 series, featuring the same tape transport and electronics but without the portable case, allowing for console or rack mounting. The 400X, 5000, and 3190 series employ the Crossfield bias system, enabling high-frequency recording at tape speeds previously considered too slow for adequate reproduction. This system utilizes a separate head for bias, positioned behind the tape and slightly before the record head gap, resulting in improved high-frequency fidelity and a low noise level. These units offer a frequency response of 30 cps to 17,000 cps, ±3 db at 334 ips, with a signal-to-noise ratio of 50 db.
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- — a E SERVICE MANUAL Rheem-Roberts 400X | | us Ix, CALIFONE-ROBERTS ELECTRONICS DIVISION RHEEM CIS CO., LOS ANGELES, CALIFORNIA 90016 INTRODUCTION The purpose of this manual is to assist the technician in adjusting and repairing the Rheem 400X, 3190, and 5000 series recorders. The manual is not intended as a basic handbook on magnetic tape recorders, as several texts which are very comprehensive are readily available. Consequently, a working knowledge of basic recording theory and practice is assumed and only items peculiar to these machines are discussed. The 400X, 5000, and 3190 are three motor (including dual speed hysteresis-synchronous capstan motor), fully transistorized professional tape recorders, designed to be used in the studio or out in the field, as their features make them capable of competing with the highest price console units, yet their size and weight permit them to be readily carried to a remote location for on-the-spot broadcast quality recordings. The self-contained power amplifiers in the 400X and 5000X drive the high-quality monitor speakers and provide 34 watts peak power per channel to the external speaker jacks. The Rheem 3190 series is the studio configuration of the 5000 series. The 3190 series features the tape transport and electronics used in the 5000 series, but without the portable case. The 3190 series may be console or rack mounted. The Rheem 3190 and 5000 series are available as quarter track stereo, half track mono, and full track mono units, desig- nated by the suffix letter of the series number. “S” indicates quarter track; “H” indicates half track; and “F” indicates full track heads. The 400X, 5000, and 3190 make use of the Crossfield bias system. This new system of supplying the bias to the tape permits the recording of high frequencies at tape speeds heretofore considered too slow for suitable reproduction. The bias is supplied by a separate head from the back of the tape and slightly before the tape passes the trailing edge of the record head gap. Consequently, the higher frequencies, which are more subject to partial erasure from the bias than the lower frequencies, are retained as they are recorded, yet sufficient bias is applied over the rest of the record head gap area to permit undistorted recording of lower frequencies and a low noise level. The results are impressive, as the units are capable of recording and reproducing from 30 cps to 17,000 cps, = 3 db at 334 ips, with a signal-to-noise ratio of 50 db. INDEX TO CONTENTS Controls and Features of the 5000 and 3190 Series ................. 3 Brake Adjustment 7 Basic Recording Procedures, 5000 and 3190 4 Motor Service 7 Controls and Features of the 400X 4 Component Identification Photos 8 Basic Recording Procedures, 400X 5 Voltage Chart 8 Technical Specifications 6 Conversion to 220-240 Volts 12 Head Alignment 6 Conversion to 50 Cycles 12 Calibration Potentiometers, Adjustment of 7 Conversion to 714-15 ips 12 Removal from Case * , 7 Troubleshooting the Recorders 12 Lubrication 7 Parts List 14 Schematics removable folding inserts — CONTROLS AND FEATURES OF THE 5000 AND 3190 SERIES (5000X Shown Below) Power/ Automatic Shut-off Switch. Automatic Shut-off Lever. Stereo-Monaural Selector Switch. Speed Selector Switch. Supply Reel Spindle and Lock. Takeup Reel Spindle and Lock. Tape Tension Switch. Index Counter and Reset Button. Left Play Volume Control. Right Play Volume Control. Stereo Headphone Jack. Record-Play Monitor Switch. Fast Forward Button. . Play Button. 15. Right VU Meter. 16. Stop Button. 17. Left VU Meter. 18. Record Button. 19. Rewind Button. 20. Equalization Switch. 21. Right Mike Input Jack. 22. Left Mike Input Jack. 23. Left Record Level Controls. 24. Right Record Level Controls. {Inner Knob is Mike Level, Outer Ring is Line Level.) 25. Left Line Input Jack. 26. IEA Line Input Jack. . Left Line Output Jack. 28. Right Line Output Jack. *29. Left Speaker Output Jack. *30. Right Speaker Output Jack. *31. Bass Contour Switch. *Model 5000X only. BUNHOUONOUAUNH Note: paragraph numbers refer to identification numbers on photo. 1 & 2. The Power Switch is combined with the Automatic Shutoff. To turn the unit on, the power switch must be placed in the “on” position. For normal operation it will remain on while the machine is in use. Should the operator desire that the electronics, as well as the deck, be automatically shut off follow- ing completion of the tape, the power switch is placed in the “off” position after the tape has been placed in motion, The tape will continue normally until the automatic shutoff lever drops, or until the stop button is pressed, at which time the entire machine will be shut off. Regardless of the position of the power switch, the deck will enter the Stop mode whenever the automatic shut- off lever drops or the Stop button is pressed. 3. The Stereo-Mono Selector Switch is combined with a Bias and Erase Head positioning cam. ото enn > || = cf, — — 7 | |... STERED STERED STEREO E ERASE BIAS PLAY | ERASE BLAS PLAY ERASE BLAS PLAY | MONAURAL TRACKS 1-4 | | 4-TRACK STEREO MONAURAL TRACKS 37 | Turning of the knob selects the correct Record and Play heads electrically and positions the Bias and Erase heads on the tape to correspond with the track being recorded. Note: To minimize the possibility of magnetizing the Record head, the Stereo-Mono Switch should not be changed while the unit is in the Record mode. 4 & 20. The Speed Selector Switch electrically switches the direct drive hysteresis-synchronous capstan motor from 72 ips to 334 ips. The Equalization Switch should be used in conjunc- tion with the speed selector to properly match the Record and the Play electronics to the selected tape speed for correct high frequency response. 5 & 6. The Reel Locks are utilized by pulling the end of the spindle out to clear the reels in use, then rotating one-third turn and releasing. They are unlocked by rotating one-third turn and allowing the fins to snap into the slots in the reel. 7. The Tape Tension Switch is used to select the voltage applied to the torque motors in Play and Record modes. For large di- ameter reels more torque is required to produce the correct tape tension across the heads. The switch is calibrated by reel size, and is set accordingly. 8. The Index Counter is of the precision four-digit type with push-button reset. Care should be taken to insure that the counter, when reset, is always reset to “0000” and that the button is re- leased rapidly, to insure that the counter will re-engage with the drive gear. Note: When the counter is directly on the digit “five” it may be necessary to gently press the button more than once or to rotate the take-up spindle to mov= the counter slightly off the “5” in order to reset it. 9 & 10. The Volume Controls are used to regulate the internal or external loudspeaker levels only on the 5000X. The line out- puts are preset. On the other models, the volume controls regulate the line output levels. 11. The Stereo Headphone Jack is a low-impedance outlet for monitoring or listening without the use of loudspeakers. The headphone level 1s pre-set. 12, The Record-Play Monitor Switch is used to select whether the output will be either playback from the tape or a monitor of the incoming signal. The monitor levels are pre-set to be within 1 db of each other so that when recording one may monitor either the input or the recorded program with no apparent difference in tone or level. 13. The Fast Forward Button is used to rapidly advance the tape to a desired selection, easily located by use of the counter. The Fast Forward Button may be activated only from Stop or Rewind modes. 14. The Play Button is used to start the tape in motion in either Play or Record modes. The Play Button may be activated only from the Stop mode. 15 & 17. The VU Meters are used to correctly balance the recording level for minimum noise and distortion. The meters should indicate around mid-scale for average program material. Only on extremely loud passages should the needles be permitted to pass above the center of the red portion of the scale for more than an instant. The amplifiers are calibrated to record within 1 db of the NAB standard operating level when the needle is indicating zero VU. When the monitor switch is changed from Record to Playback, the meters will indicate the recorded level on the tape. 16. The Stop Button is used to bring the tape to a halt from any mode. 18. The Record Button is pressed at the same time as the Play button to place the unit into the Record mode. The Record button is interlocked in such a fashion as to prevent its remaining in unless it is held in while the Play button is pressed. 19. The Rewind Button is used to rapidly rewind the tape. The Rewind Button may be activated only from the Stop or Fast Forward modes. 21 & 22, 23 & 24, 25 & 26. The Mike Inputs are of the me- dium to high impedance type, suitable for use with high-quality 3 microphones of the dynamic type. The mike levels are controlled by the inner knob on each channel. The Line Inputs are sensitive, high impedance types capable of handling any signal normally encountered down to 50 millivolts. The line levels are controlled by the outer ring on each channel. Note: For monaural recording on either track, only left channel inputs are used. 27 & 28. The Line Outputs provide up to 1.5 volts into a high-impedance load. *29 & 30. The Speaker Outputs will provide adequate power (34 watts peak per channel) to drive any external 8 ohm impedance loudspeaker. The internal speakers are automatically disconnected when external speakers are plugged in. “31. The Bass Contour Switch in the normal (out) position gives flat frequency response from the power amplifier. In many cases it may be desirable to boost the bass to compensate for external factors or low listening levels. This is accomplished by - pressing the Bass Contour Switch im. Note: This switch is effective only with the internal and external speakers, not with the line outputs, nor does it affect the record amplifiers. “Model 5000X. BASIC RECORDING PROCEDURES, 5000 AND 3190 TAE AE a Turn power on after plugging power cord into 110-120V 60 cycle AC. Thread tape as shown. Attach tape to take-up reel and drop into slot. Select track(s) to be used. Select tape speed and suitable equalization. Reset counter to “0000”, Select input sources, plug into appropriate jacks, place Record-Play monitor switch in Record position, turn up appropriate level controls to obtain suitable mid-scale reading on appropriate meter, press Record and Play buttons simultaneously. Turning up the appro- DAO. © Fes 06 vea Oo 34 ess „= 3 ROBERT 5708 priate Play volume control(s) will allow the recording to be monitored. To monitor the tape the Record-Play monitor switch may be switched to the Play position. The meters on the record- ing channel(s) should not change their reading significantly and the sound should be the same in either position of the monitor switch. To play back recording: rewind tape, stop, and press Play button. Adjust Play volume controls to suit, Ew A Th CONTROLS AND FEATURES OF THE ROBERTS 400X Po 1. Automatic Replay Dial Supply Reel Holder Supply Reel Left Speaker Speed Selector Track Selector Tape Guide Roller Dynamic Flutter Suppressor Mute Control/ Head Access Remote Control Receptacle 11. Power On-Off Switch 12. VU Meters 13. Record Control & Safety 14. Right Mike Volume 15. Left Mike Volume 16. Left Mike Jack 17. Right Mike Jack 18. Left Line Volume 19. Record Indicator 20. Right Line Volume 21. Stereo Phone Jack 22. Automatic Replay Dial Defeat 23. Take-up Reel Holder 24. Right Speaker 25, Capstan . Automatic Tape Shut-Off . Counter . Tape Sensor Pinch Wheel . Repeat Control 3l. Reverse Control 32. ‘‘AII-Off’ Automatic Shut-Off Control Fast Forward Control Play/Start Control . Rewind Control Stop Control Bass Contour Selector Speaker Mute Stereo-Mono Output Selector . Playback/ Record Equalization . Output/Record Button Output/Playback Button Right Channel Play Loudness Left Channel Play Loudness Line Input Left Pre-amp/Line Output Left Line Input Right Pre-amp/Line Output Right Right Speaker Output Left Speaker Output Reel Size Selector . Power Cord 53. Brake Adjustments OE 900009969558 DOWNOU SUN ee BASIC RECORDING PROCEDURES, 400X As operation of the 5000, 3190, and 400X is basically similar, only use of the dissimilar controls of the 400X will be covered below. l. Auto Dial consists of three parts: The Stationary Marker, the pointer of which is the forward starting point for all auto- matic operations. The Rotating Pointer, the red arrow of which determines the stop and reverse position. The Moving Dial, the red line of which rotates during operation between the stationary ponte and the preset position of the red arrow on the Rotating ointer. EXAMPLE: Set the red line of the Moving Dial directly oppo- site the pointer of the Stationary Marker, Move the red arrow of the Rotating Pointer to any position around the dial. Press the Auto Control Button marked “Reverse”, then press the “Play” Control Button. While the tape is playing in the forward direction, the red line of the moving dial will move until it reaches the red arrow of the Pointer. The tape will then stop and begin playing in reverse until the red line of the moving dial is back to the pointer of the Stationary Marker where, once again, the tape will stop and begin playing forward. This playing forward and playing in reverse will continue indefinitely until manually stopped. Center Chrome Button will immediately activate the “Repeat” or “Reverse” action, depending upon which button has been depressed, without waiting for the red line of the moving dial to reach the rotating pointer. 9. Mute Control is used to remove the tape from the erase, record and play heads during fast forward or rewind. This elim- inates wear which would result from fast motion of the tape across the heads. 13, Record Button. This control is inset in order to avoid un- intentional operation which could erase a pre-recorded tape. The tape recorder must be in “play” mode before this button becomes operative. In order to prevent accidental record activation Button (13) 1s equipped with a safety lock. When vou have established a recording condition the "RECORD" light (19) will be on. NOTE: The 400X will not record if either the Repeat or Reverse is in. 28. The Foil Tape Sensor may be used in conjunction with the Automatic Replay Dial advantageously. The Auto Dial normally needs to be set at both starting and reversing points, usually requiring running the tape quickly through to the end and back again. If the tapes have previously been equipped with one-inch strips of metal-foil tape, on the reverse (shiny) side at the desired point of reversal, the only setting of the Auto Dial necessary is the zeroing of the outer ring to the black pointer and placing the red arrow sufficiently far counter-clockwise that it does not activate the Reverse Play or Repeat functions. (The red arrow must not be left on or near the black arrow, as this may cause erratic action of the Reverse Play and Repeat functions. Prefer- ably place the red arrow to the white bar or Dial Off lettering.) Should 1014” reels of 14 mil tape be in use the Auto Dial will Thread tape on the 400X as shown in the diagram at right. (Lower Mute № Control/ Head Access before threading) not be able to be partially defeated by placement of the red arrow. In this case the Dial Defeat must be placed in the Dial Off position. The Foil Tape Sensor will still be able to activate Reverse Play at the end of the tape, or Rewind, and Auto Shutoff. However, there will be only one Reverse Play, as the tape will run off the end of the reel, as there is no provision for reversing directions and going into forward play again. 30. Repeat Control. The “Repeat” Button causes the tape to play forward, stop, fast rewind and play again, repeating the forward play over and over until manually stopped. The stop/ rewind position is determined by the setting of the Auto Dial. 31. The Reverse Control causes the tape to play forward, stop, play in reverse, stop, play forward, etc., until manually stopped. The stop/reverse functions are controlled by the settings of the Auto Dial, NOTE: Repeat button must be out for proper operation. NOTE: When playing forward, the recorder is playing tracks #1 and #3. When playing in reverse, it is playing tracks #4 and #2. By using the reverse, it is not necessary to turn a reel of tape over to hear all four tracks. 32. The Shut-Off Control cancels the repeat or second reverse. Thus, if the Shut-Off Button is pressed at the same time as either the Repeat or Reverse, the tape will play forward, stop, and either play in reverse or rewind until the tape has run out caus- ing the Auto Stop Lever to fall, shutting of the unit. If neither the Repeat nor the Reverse Button is in, the shutoff occurs at the end of the first pass when the tape runs off the reel. 39. The Stereo-Mono Selector disconnects the right channel in- put and output in Mono. 41-42. Output. When the Output “REC.” button is pushed in the VU meters and the speakers are indicating what is going onto the tape. When the Output “P.B.” button is in the VU meters and the speakers are indicating what is coming from the tape. When both buttons are out, channel transfer is possible. When both buttons are in, electrical echo is possible. For channel transfer connect the microphone to the Left Mike input (16). Use the Left Mike volume control (15) to regulate the mike volume. The Left Line volume control (18) is used to regulate the transfer volume, and the Right Loudness Control (43) is used to regulate the monitor level. For echo, connect microphone(s). Use Line controls to regulate the amount of echo. There must be no plugs in the Line Input jacks when using either the transfer or echo functions, BASIC RECORDING PROCEDURES, 400X Follow instructions given for the 5000 and 3190 series. In addi- tion, be sure to raise the Mute Control/Head Access to place the tape in contact with the heads. Select either Stereo or Mono with the amplifier switch as well as with the Track Selector, Place Speaker switch in the On position in order to monitor or play back the recording. TECHNICAL SPECIFICATIONS, 400X, 5000 AND 3190 Power Requirement: 110-120V 60 cycle AC (standard). 110-120Y 50 cycle AC (optional). 220-240V 60 cycle AC (optional), 220-240V 50 cycle AC (optional). Power Consumption: 200 watts at maximum audio output; 75 watts at normal listening levels. (400X and 5000X only.) 90 watts maximum for all models without power amplifiers, Power Output: 34 watts peak power per channel, or over 10 volts RMS into an eight ohm resistive load, taken at 700 or 1,000 cps and before clipping. A test tape recorded at NARTB standard operating level of “0” db will drive amplifiers well beyond the clipping point at full volume. (400X and 5000X only) Preamp Output: 1-11 volts into 15 K ohm load from “0” db. 700 or 1,000 cps reference tape. (Output meter indicates “0” db, = 1 db.) Headphone Output: 8 ohm Z, pre-set level. Equalization: NAB @ 7 ips; EIA @ 334 ips. Bass Contour: Power amplifiers flat or +5 to 10 db @ 100 cps. Record-Play Response: + 3 db 25-22,000 cps @ 71 ips; + 334 ips. (Taken at —10 db from NARTB std. operating level) Bias Oscillator Frequency: 85 to 100 KC, all models except full track. 60 KC, full track models. 3 db 30-17,000 cps @ ERASE HEAD RECORDING HEAD Erase Efficiency: 60 db. Signal-to-Noise Ratio: 50 db Crosstalk (@ 1KC, Stereo: —50 db Input Sensitivity: Mike, 0.5 millivoit. Line, 50 millivolts, Timing Accuracy: + 0.5%. Speed Regulation: + 0.05% beginning to end of reel. Wow and Flutter: 0.12% (0) 7% ips. 0.18% @ 334 ips. Operating Positions: Vertical or horizontal. Quarter-track Head Impedances: Bias and Erase, 750 ohms @ 90 KC. Record, 135 ohms @ 1 KC. Play, 1 K ohms @ 1 KC. Erase Voltage: 60-80 V. Bias Voltage: 30-50 Y, Holdback Torque: 134-314 inch-ounces, for 7” reels. Takeup Torque: 3-6 inch-ounces, for 7” reels. PLAY HEAD - Jam" енто © A 002" to 010" BIAS HEAD HEAD ALIGNMENT The positions of the heads relative to the tape are even more critical on the 400X, 5000 and 3190 than with regular machines due to the very small play head gap and the fact that these ma- chines will record and playback at extremely high audio frequen- cies. Head alignment should be checked whenever there is a reduction in performance or whenever the head assembly has been disturbed. The heads must be perpendicular with respect to the deck, as must all guides and posts. The tape must travel through the guides and over the heads without being subjected to forces which could cause the tape to travel irregularly and not contact the gap areas of each head completely. Thus, the tape should 6 enter the guide from the reel at the correct height. It should pass through each succeeding guide, whether in the record or play mode, without pressing against the top or bottom of any guide enough to cause the tape to buckle. The quarter-track and half-track mono heads should be adjusted such that the edge of the upper channel gap area is just con- cealed by the upper edge of the tape. The half-track stereo and full-track heads should be centered on the tape. The gap area should be positioned well within the area of the head face which is contacted by the tape. The play head azimuth should be checked after thoroughly de- magnetizing and cleaning the heads and guides. Place a 15 KC Ampex or Rheem alignment tape on the machine and adjust the play head azimuth for maximum output relative to 700 or 1,000 cps. Remove the reference tape and thread a blank tape. The record head azimuth and bias head position are checked while recording at 714 ips a tone at —10 db from the NAB standard operating level. Monitor the playback with an AC VTVM. Record (while playing back) a 1,000 cps tone and set the level. Switch to 20 KC and adjust the record head azimuth for maximum output relative to the 1 KC level. Run a sweep from 30 cps to 22 KC. Response should be = 3 db over the range. Allow + 5 below 100 cps if necessary. If the frequency sweep is not satisfactory, the bias level should be checked. While re- cording and playing back 1 KC, adjust the bias head gap to within 001” from the tape and .010” (approximately) toward the supply side from the record head gap. Then adjust the head laterally along the tape to the point where the 1 KC signal is recorded at maximum amplitude. Adjust the record equalization pots for minimum 1 KC output (fully clockwise). Run another frequency sweep upward from 1 KC to 22 KC. A lack of high frequencies would indicate an over-biased condition or a defective component in the electronics, as the heads have already been cleaned and demagnetized and positioned correctly. While recording at 1 KC, reduce the bias by sliding the bias head further toward the supply side, away from the record gap. Do not reduce the bias enough to cause the 1 KC signal to decrease more than 2 db below its peak, as excessive noise and distortion will result. If the response does not meet specifications, check each step again. Head align- ment is critical, as are clean heads and a good tape. Be sure that the response check is not being run at “0” db recorded level, as the high frequencies will suffer, On machines with reverse play, adjust the right hand tape guide post (in reverse play) so that the tape enters the guide just to the right of the play head without distorting. Re-adjust takeup reel height in forward play if necessary. Adjust head height in reverse play to place the lower edge of the lower gap area just above or flush with the lower edge of the tape. When removing either head assembly, unplug all cables and, on the 5000 and 3190, disconnect the red lead soldered to pin 4 of the oscillator jack coming from the record switch. Remove the plate mounting screws and withdraw the assembly from the deck. REMOVAL OF UNITS FROM CASE When removing the 400X amplifier from the case, be sure to remove the screws in the bottom of the case. The amplifier will slide out easily. When removing the 400X deck, disconnect all cables to the deck before loosening the four screws In each cor- ner of the deck plate (2 screws are under the lower deck cover), and the rear deck support. Support the deck securely as it is lifted from the case. Place deck upright on bench. Before removing 5000 and 3190 deck, disconnect all cables ac- cessible through rear access plate. When removing the 5000 and 3190 deck, lift only on the function buttons, headplate, reel tables, or frame. Place deck upside down (vertically) on bench. REMOVAL OF GLUED NUTS AND SCREWS When replacing speakers, use a solvent such as methyl-ethyl-key- tone or tricloroethane to dissolve the compound holding the nuts in place if the nuts will not back off without causing the screws to twist in the case. The same solvent may be used wherever a screw or nut has been cemented in place, if necessary. LUBRICATION OF DECKS Lubricate bearing surfaces sparingly and only when necessary, to avoid the possibility of excess oil coming in contact with the tape. Use a high-quality lightweight machine oil. ADJUSTMENT OF CALIBRATION POTENTIOMETERS The calibration pots (record equalization, record monitor/meter level, play monitor/meter level) are reached on the 400X by opening the lower access door. The pots are identified in the photos on page 11. The calibration pots ‘on the 5000 and 3190 are reached through access holes in the amplifier chassis. Remove the power transistor (rear) vent panel to reach the holes. The play level pots are set while playing a 700 or 1,000 cps tape recorded at “0” db. (NAB standard operating level.) Be sure that the equalization switch is in the correct speed before “zero- ing” the meters to the lower end of the red line. The record equalization pots are set, as mentioned in the head alignment section, for the flattest record-play frequency response. They affect the record. level around and below 1 KC. The record monitor,/ meter level pots must be set to within 1 db of the play monitor/meter level. Do this by recording 1 KC or 700 cps and monitoring the level in playback. Adjust the input to give a meter reading (in playback) of “0” db. Change the monitor switch to record and adjust the calibration pots for a “0” db or red line indication. This should be a final adjustment, as any other adjustments, except play level calibration, will change the calibration of the record monitor/ meter. BRAKE ADJUSTMENT, 400X The bands should be adjusted so that they just clear the drums with the solenoid energized. The springs should be tightened (counter-clockwise rotation) evenly and not beyond the point where the solenoid will not release the brakes when the line voltage drops to 90% of the minimum in the locality where the machine is to be used (usually 100 volts). If the brakes apply un- evenly with equal spring tension, lightly buff the drums with fine sandpaper (#280 or finer) if cleaning the drums and bands with alcohol doesn’t correct the situation. BRAKE ADJUSTMENT, 5000-3190 The rubber pads should be adjusted with an unworn portion rotated to contact the serrated disc edges. If the brakes apply unevenly, clean all friction surfaces with alcohol. If necessary, replace clutch springs and/or felt pads. Check linkage for bind- ing. Brake clutch torque should be 15-30 inch-ounces. MOTOR SERVICE It should be noted that the 5000 and 3190 motors are equipped with 220-240 volt windings, whereas the 400X has the standard 110-120 volt motors. The capstan motors run at full voltage, The reel torque motors run at full voltage only for rewind or fast forward. In the play mode, the reel torque motors run at reduced voltage, as shown on the schematics. Removal of the 400X capstan motor is straightforward, requiring only the removal of the deck from the case and removal of the capstan motor and shaft casting assembly. Removal of the 400X reel torque motor also requires the removal of the deck from the case. After removing the reel tables and reel table rings the motor mounting screws are accessible. Removal of the 5000 and 3190 reel torque motors requires that the deck be removed from the case and that the reel tables and brake clutch assemblies be removed to gain access to the motor mount- ing screws. Removal of the 5000 and 3190 capstan assembly requires that the deck be out of the case and the head assembly be removed, in order to gain access to the mounting bolts. The 5000 and 3190 capstan assembly need not be removed to change capstan shafts, (See note on page 12.) VOLTAGE CHART FOR MODELS 400X - 5000 - 3190 Caution: As with all solid-state equipment, the old-fashioned troubleshooting method known as “Probing with a Screwdriver for Sparks and Noise” is not recommended. A brief overload can permanently damage a transistor or diode. Use care and a meter or scope when obtaining first-hand information as to the performance of a circuit. Amplifier Voltage Chart: = 10% tolerance; 117 V 60 cycle line: machine in record mode; no signal. Reference to chassis ground. (Other important voltages are given on the schematics.) Transistor Collector Emitter Voltage 0101 —6.60 Vols —0.60 Volts Board Pin Rec. Mode P.B. Mode 102 — 3.80 —0.55 Rec Preamp 3 18.0 — 19.0 103 — 11,5 —3.60 Rec Preamp 4 12.5 0.00 os oe ao Play Preamp 8 — 19.0 — 20.0 202 -8 50 —1.00 Power Amp, 400X only — 10, 11,15 —19.0 —20.0 203 —4.00 —0.60 Power Amp, 5000X only 15 -20.0 -21.0 204 — 12.5 — 3.70 pe _ se о Bias head voltage: 30 to 50 V @ 90 KC 403 — 20.0 0.00 = 0.10 а I E head voltage: 6 80 V @ 90 ; 404 0.00 = 0.10 +20.0 HSE mad Tope 90 о A о 601 — 20.0 — 4.00 602 — 20.0 — 4.00 COMPONENT IDENTIFICATION PHOTOS ¢ § ; * X = T201 A ы 3 HEADPHONE OUTPUT 9 9 pe „ой TRANSFORMER PERE: Ea Во & 5 + ñ y RECORD REA FL Cr EA PLAY PREAMPS RECORD PREAMPS 3A-502 3A-501 LOCATIONS OF CIRCUIT BOARDS IN 5000 AND 3190 PREAMP T. & T, F: & Е, T, & T: at 1 AMP AMP PLAY LEVEL CALIB. RECORD METER/MONITOR CALIB. RECORD EQUALIZATION CALIB. JC 303 JC 302 LOCATION OF FUSES, 180 n BLACK & BEA POWER TRANSISTORS, AND MODE HOLDING wan CABLE JACK COMER CALIBRATION POTENTIOMETERS, SOLENOID 500 ufd/25V RECORD (PLAY HEADS) (RECORD HEADS) 5000-3190 BIAS OSCILLATOR JA-506 \ E” — RVAC BIAS SW 302 ADJUST. SPDT Delay Relay + vu ee 1 FÉ J 5 > \ Ё- - 1) и P A et > 5 © 5 ur. el, 42 VU 1 "Ч LOCATION OF COMPONENTS | ON REAR OF DECK, 5000-3190 LEFT PAR AE RIGHT ВОН LOCATION OF POWER AMPLIFIERS, 5000X REEL START AUTO OFF TORQUE SW 305 SW SW SW 306 PLAY BUTTON ASSIST BRAKE PAD 302 2701 5W307 SW 310 SUPPLY REEL TABLE wine | DELAY > 4 : ida a SW 311 SW 312 — UT @ 4 T 34 aed 74 | AE . a: Fe + i DELAY | : : A 44" ufd/ 50V STEREO-MONO HEAD SW №. РЯ 1 = ‘Me DELAY POWER a: ; e | Ue E a E SW 301 —— CAPSTAN SHAFT SW 303 AUTO OFF COUNTER PRESSURE ROLLER CAPSTAN LOCK ERASE RECORD (PRESS) BIAS PLAY LOCATIONS OF COMPONENTS ON FRONT OF DECK, 5000-3190 BRAKE SOLENOID 180 52 E ells ANTI- SPILL of OTOR SWITCHES Be) A N "== i > 50.0. 10\/ 50-60 CYCLE An — TORQUE ADJ. MOTOR SW. К. = EE rv 44 MAIN FUNCTION RELAYS 3PDT A LAY HEAD BIANHEAD POSITIONING prone CAPSTAN SOLENOID j SOLER On 180.2 > —© — "= отт зай ii LOCATIONS OF COMPONENTS ON REAR OF DECK, 400X 4PDT RECORD & PLAY LEVEL CALIB. AMPLIFIER REVERSE RELAYS RECORD EQ. CALIB. el = RECORD METER/ MONITOR CALIB. OUTPUT TRANSISTOR BALANCING POTS (ADJ. FOR 0.0 VOLTS ACROSS SPEAKER OUTPUT WITH NO AUDIO SIGNAL) bla E a] rte OT po LOCATION OF P.C. BOARDS AND CALIBRATION POTS ON 400X T 701 T 702 LOCATION OF 400X POWER SUPPLY IN TOP OF CASE 11 CONVERSION TO 220-240 V The 400X and 5000-3190 may be converted to operate from 220-240 V 60 cycle AC by changing the taps on the power transformer primary windings. CONVERSION TO 50 CYCLES Conversion to 50 cycle operation is accomplished on the 400X by moving the drive belt to the larger diameter motor pulley and the smaller diameter capstan pulley. Reposition the belt guide so that when the motor is running, the belt is centered on the pulleys and in the slot in the guide. Slide both cycle switches to the 50 cycle position. (One on power supply, one on capstan assembly.) Conversion to 50 cycle operation is accomplished on the 5000- 3190 by replacing the standard capstan shaft with one having a larger diameter capstan. To replace shafts remove the upper head cover, press down on the flat bronze spring to lock the flywheel, and unscrew the shaft. Do this in the horizontal posi- tion to prevent the flywheel from falling out of alignment when the shaft is withdrawn. The new shaft must be clean, free of burrs, and lightly lubricated before inserting. Install the “C” washer and thrust washer, taken from the old shaft, onto the new shaft. Tighten gently while holding flywheel lock down. Motor should coast slowly to stop from full speed when shut off. If not, the bearings are binding. CONVERSION TO 77% - 15 ips Conversion to 714-15 ips operation is accomplished by changing the capstan diameter. A bushing is available for the 400X, which must be used with a smaller diameter pressure roller, Kit # 63-99, A larger shaft must be installed on the 5000-3190 for the faster speeds. Specify if for 50 or 60 cycle operation when ordering, The use of 15 ips is recommended only for tape duplication or the playing of old tapes recorded at 15 ips, as the performance of these machines at 714 ips is well in excess of professional audio studio requirements. See parts list for part numbers of capstan shafts. TROUBLESHOOTING THE RECORDER (Unless noted otherwise, all symptoms and probable causes are applicable to all units.) SYMPTOMS AND PROBABLE CAUSE(S): Nothing goes — Blown fuse. Open transformer. Loose plug, wire, or cold solder joint. Defective switch, Motor doesn’t go — Open transformer or resistor. Loose plug, wire, or cold solder joint. Defective motor capacitor. Defective relay or switch. Shaft not free to turn. Open motor winding. Reel motors don't go — Tape tension (reel torque) selector switch between positions, Motor overheats — shaft binding. Unit not wired for correct voltage. Transformer overheats — Unit not wired for correct voltage. Blows fuses — Shorted winding in transformer. Shorted winding in motor, Shorted motor capacitor. Shorted diode. Shorted filter capacitor. Unit not wired for correct voltage. Line-to-line short. Line-to-chassis short. Slow or No F. Fwd. or Rewind — Brakes not releasing completely. Defective relay or switch. Loose plug, wire, or cold solder joint, Switch linkage mot adjusted. Brakes do not apply quickly from F. Fwd. or Rewind, 400X — Switches on brake solenoid not adjusted to open just before lever reaches bottom stop as solenoid is de-energized. 12 Brakes uneven, too slow, or too sudden, 400X — Dirty or excessively polished brake drums. Dirty or excessively worn brake bands. (Clean surfaces with alcohol, buff drums lightly with fine sandpaper. Touch drums with extremely small quantity of silicon grease if grabby.) Brakes uneven, too slow, or too sudden, 5000 and 3190 — Dirty or excessively worn brake clutch pad and disc. Weak clutch pressure spring. Rubber pads worn excessively. Linkage binding, (Clean surfaces with alcohol, rotate rubber pads to unused portion and re-tighten.) Brakes don’t release — Linkage binding. Solenoid not actuating, 400X. Bands too tight, 400X. No Repeat or Reverse, 400X — Defective relay or switch. Loose wire, plug, or cold solder joint. Foil tape sensor post not contacting foil. Defective diode on Auto Function switch board. Broken dial drive belt. No delay when entering or leaving reverse play or when entering forward play automatically, 400X — Defective relay or delay capacitor. = Defective diode on relay board in amplifier. Loose wire, plug, or cold solder joint. Start button hard to press, 5000 and 3190 — Open solenoid winding. Loose plug, wire, or cold solder joint. Defective power supply. Gear switch not adjusted to close when start button is about 14 way down and open when button is fully down. TROUBLESHOOTING (Continued) SYMPTOMS AND PROBABLE CAUSE(S): Counter doesn’t go, or sticks — Belt broken or off pulleys. Grease on belt or pulleys. Counter shaft binding. Pulley loose, Defective gear rack in counter (caused by operator not re- setting to "0000" when pushing button and not insuring that button returns fully). Deck functions erratically — Switch not adjusted. Loose plug, wire, or cold solder joint. Defective relay or switch. 455 type remote control attached to 400X. Will not remain in play mode, 5000 and 3190 — 200 mfd delay capacitor defective. Reel torque insufficient. Will not remain in any mode, 5000 and 3190 — Open solenoid. Defective power supply. Bent or broken spring on cutoff arm. Defective relay. Linkage not adjusted. Will not enter any mode, 400X — Defective cutoff switch or lever. Defective relay or power supply. Transport clicks in play, tape doesn’t move at all or moves very short distance, 400X — Auto Function button in and red arrow and zero both at or near bottom pointer, (Re-locate dials.) Excessive wow and flutter — Dirty or excessively worn heads, tape guides, capstan, pres- sure roller, Stretched tape. Bearing rough or binding, Bent shaft. Brakes dragging, Excessive holdback torque. Oil on drive surfaces. Flywheel loose. ho belt rubbing guide, stretched, dirty, cracked. or twisted, Tape squeals in play or record — Dirty or excessively worn heads. Excessive holdback torque. Low-quality or worn-out tape. Heads wear rapidly and/or become coated with oxide rapidly — Excessive holdback torque. Low quality non-lubricated tape. Sound is backwards, 400X — Playhead not dropping into or out of reverse play position properly. No output — Monitor switch incorrectly positioned. Defective power supply or amplifier. Loose plug, wire, or cold solder joint. Mute switches not opening (on pressure roller arm), 400X, Head cover not pushed fully closed, 400X. Distorted and/or low output — Dirty or excessively worn heads. Head alignment incorrect. Magnetized heads. Oxide (dull) side of tape not facing play head. Insufficient holdback torque. Excessively worn tape. Defective amplifier or power supply. Distorted or No output from speaker(s) only, line output OK — Amplifier fuse(s) open in one or more power supply leads to output transistor(s). Defective speaker or series resistor. Defective amplifier or power supply. Loose plug, wire, or cold solder joint. Distorted and/or low record — Bias level not optimum. Bias head not moving completely into position in record mode. Magnetized, excessively worn, or dirty heads. Defective amplifier or power supply. Excessively worn tape, Head alignment incorrect. Insufficient holdback torque. Bias waveshape not symmetrical. No record — No bias. Defective relay or switch. Loose plug, wire, or cold solder joint. Defective amplifier or power supply. Record button lock not released, 400X. Repeat or Reverse button in, 400X, Erase noisy or insufficient — Magnetized, excessively worn or dirty heads. Head alignment incorrect. Excessively worn tape. Bias level too low. Bias waveshape not symmetrical. No channel transfer, 400X — Plug in left line input jack. Amplifier Stereo-Mono switch not in Stereo. Head switch not in Mono. Both Monitor buttons not out. Left Line Input control down. Defective switch or left line input jack. No echo, 400X — Plugs in line input jacks. Both monitor buttons not in. Line input control down. Defective switch or line input jack. No record in mono — Defective head switch or cam. Heads interchanged left for right. Not using left inputs and controls. Hum or crackly noises in record and/or play — Loose plug, wire, or cold solder joint. Wires rubbing motor, flywheel. or belt. Oscillation at high level settings — Loose plug, wire, or cold solder joint. Leads need dressing away from amplifiers. Meter doesn't indicate, record and play normal — Loose wire or cold solder joint. Defective meter rectifier or resistor. Open meter winding. Meter level not same in record as in play when recording — Dirty heads. Excessively worn tape. Equalization switch not set correctly. Record meter/ monitor pot not calibrated after readjusting bias or record E Q pot. No input from mike and/or no output to headphones — Phone plugs have large diameter shells. Use newer, smaller, shell plugs which do not hit panel before snapping into jacks, 5000, 3190. Defective jack or amplifier. Loose plug, wire, or cold solder joint. 13 PARTS LIST FOR THE ROBERTS 400X, CALIFONE 3190, ROBERTS 5000. Part Part Number Number Description 5000 400X 3190 Assemblies: Head, complete, “à tr. stereo 88-942 88-941 Oscillator 3A-506 88-757 88-757 Power Amplifier 3A-504 88-758 88-758 Play Preamp 3A-502 88-759 88-759 Record Preamp 3A-501 88-760 88-760 Relay Board, Function 88-761 Relay Board, Record & Amp. Rev. 3A-503 88-762 Replay Mechanism 88-768 Roller, Impedance (flutter suppressor) 88-763 Switches, Auto Function 3AF 88-764 Switches, Monitor 3A-505 88-765 Bands, Brake 88-108 Bearings: Capstan end thrust (ball) 88-585 Capstan (sleeves in casting) 40-15N Tape guide (ball & race) 62-87-3 Torque motor (ball & race) 88-740 88-740 Belts: Auto dial (replay) 88-584 Counter 88-111 88-878 Main drive (capstan) 63-009 Buttons: Auto Function | 88-766 Auto Replay dial defeat 88-767 Bass Contour 88-588 Function 88-769 88-939 Power 88-770 88-909 Monitor 88-771 Record 88-535 Cap, pressure roller 88-754 Cap, reel 88-518 Case, less speakers 88-772 88-881 Case, 5000 Mono 88-881-1 Cord, power 27-335 27-335 Counter, 4 digit P.B. reset 88-94 88-94 Cover, head, upper 88-774 88-883 Cover, head, lower 88-773 88-882 Cover, head, lower, 3190 88-882-1 Drum, brake, supply 88-617 Drum, brake, takeup (with pulleys) 88-618 ‘Escutcheon, jack panel 88-778 88-887 Escutcheon, meter 88-775 88-888 (2 pes.) B8-888-1 (2 pcs.) Fan, plastic 88-776 Flywheel, capstan 88-830 88-884 Fuse, 1 amp 88-777 88-777 Fuse, 2 amp 25-103-1 Fuse, 3 amp 25-103-4 Gear, plastic, sw. actuating 88-885 Hardware: Bushing, 15 ips 63-97 Catch, lid, 2 pcs. 88-734-1 88-886 Can, felt pad 88-717 Foot, rubber post 88-940 Foot, case 88-779 3-316 Handle, case 88-889 Hinge, case, 2 pcs. 88-297 88-891 Ramp, power sw. actuating 88-892 Ring, reel table 88-780 Screen, speaker 88-782 88-890 Screen, vent 88-783 Screw, 15 ips bushing 63-98 Screw, reel table 88-707 88-895 Screw, amp mounting 4 X 25 mm 88-784 Screw, deck mounting 4 X 20 mm 88-671 Part Part Number Number Description 400X 3190 Screw, deck cover 4 X 4 mm 88-785 - Screw, head cover, 3 X 36 mm 88-894 "a Screw, amp panel, 2 X 6 mm 88-893 Shroud, case foot 3-342-1 Spring, coil, brake clutch pressure 88-896 spring, flat, gate positioning 88-786 Spring, flat, shutoff sw. actuating 88-897 spring, flat, motor speed sw. actuating 88-898 Standoff, deck plate spacing 88-787 88-899 Washer, “C”, brake clutch retaining 88-900 Washer, plastic, brake clutch spacing 88-301 Heads: V4 track stereo bias 88-788 88-788 14 track stereo erase 88-792 88-792 La track stereo play 88-796 88-796 14 track stereo record 88-800 88-800 15 track stereo bias 88-789 15 track stereo erase 88-793 Ya track stereo play 88-797 Y track stereo record 88-801 La track mono bias 88-790 14 track mono erase 88-734 14 track mono play 88-798 14 track mono record 88-802 Full track bias 88-791 Full track erase 88-795 Full track play 88-799 Full track record 88-803 Inductors — See Transformers and Inductors Jacks: 2 cond, phone w/N.C. contact 29-7260 29-7260 2 cond, phono pin, line type 88-804 88-804 2 pin, motor and solenoid 88-086 88-086 3 cond, phone (stereophone) 29-7315 29-7315 3 pin, one large 88-902 4 pin, one large, square 88-680 88-680 4 pin, one long space 29-7351 29-7351 4 pin, one large, radius 88-805 5 pin, two long spaces 88-903 6 pin, two large (std. tube) 88-806 88-806 8 pin, keyway (octal) 88-678 8 pin, rect. (remote) 63-68 8 pin, rect. (relay) 88-904 9 pin, keyway 88-675 9 pin, miniature (P.C. type) 29-7334 10 pin, P.C.B. 88-807 88-807 11 pin, keyway (relay) 88-106 14 pin, rect. (relay) 88-112 18 pin, P.C.B. 88-808 88-808 22 pin, P.C.B. 88-809 Fuse clip, dual 88-810 88-810 Fuse post 29-7349 29-7349 Pilot lamp socket 88-562 88-562 Jewel, record indicator 88-343-1 Kit, 15 ips conversion 63-99 Knobs: Amplifier, inner dual 88-811 88-905 Amplifier, outer dual 88-812 88-906 Amplifier, single 88-811 88-907 Auto Replay, inner plastic 88-813 Auto Replay, outer dial 88-814 Head switch 88-815 88-908 Power switch 88-770 88-909 Record lock/shield 88-816 Reel torque 88-910 Speed 88-817 88-911 Lamp, pilot 88-509 88-509 14 PARTS LIST (Continued) Part Part Number Number Description 5000 400X 3190 Levers (Arms): Felt pad 88-913 Pressure roller 88-706 Shutoff, front 88-818 88-912 Shutoff, rear 88-819 Tape guide, supply 38-820 Lock, reel 88-518 88-914 Meter, YU 88-821 88-915 Motor, capstan 88-822 88-916 Motor, takeup 88-643-1 88-918 Motor, supply 88-642-1 88-917 Pad, felt, tape cleaning 88-718 - Pad, felt, brake 88-880 Plates: pe AC/Fuse cover 88-919 Amplifier front panel 88-823 88-920 Amplifier front panel, 3190 Mono 88-920-1 Deck cover 88-825 88-921 Jack panel, line 88-824 88-923 Jack panel, speaker 88-922 Rear access 88-924 Rear vent 88-091 88-925 Speaker cover 88-826 Plugs: 2 pin, AC interlock 29-7347 29-7347 2 pin, motor and solenoid 88-085 88-085 2 cond, phono pin 40-5021 40-5021 3 pin, one large 88-902-01 4 pin, one large, square 29-7345 29-7345 4 pin, one large, radius 88-805-01 4 pin, one long space 29-7247 29-7247 5 pin, two long spaces 88-903-01 6 pin, two large 88-806-1 88-B06-1 8 pin, keyed 88-652 8 pin, remote 63-06 9 pin, keyed 88-651 9 pin, miniature 88-550 27 pin P.C.B. 88-809-01 Posts: Foil tape sensor 88-828 Tape guide, right 88-829 Pressure roller, standard 88-148 66-6002 Pressure roller, 15 ips 63-96 Printed circuits — See Assemblies Pulleys: Capstan 88-830 Counter 88-656 88-927 Reel motor 88-926 Drive motor 40-14N Relays: SPDT miniature 88-928 3PDT function 88-096 4PDT miniature 88-097 Shafts: Capstan, 374-714 ips 60 cps (std) 88-839 88-929 Capstan, 374-774 ips 50 cps 88-930 Capstan, 74-15 ips 60 cps 88-931 Capstan, 714-15 ips 50 cps 88-932 Pressure roller 88-840 88-933 Sockets — See Jacks Solenoids: 60 ohm, play button assist 88-934 180 ohm, general purpose 88-528 88-528 Head positioning 88-543 Speaker 88-526 88-46-1 Part Part Number Number Description 2000 400X 3190 Switches: SPST, micro, MLA-20 (shutoff only) 88-935 SPST, power 13-998 SPST, leaf (mute) 88-841 SPST, record 88-688 SPDT, micro, rectang. actuator 88-71 SPDT, micro, round actuator, VV-15 88-842 88-842 DPDT, pushbutton 840-121 DPDT, slide 13-965 DPDT, rocker 88-843 88-843 DP4 pos, rotary 88-936 4PST, rocker, special grounding 88-844 88-844 A4PDT, pushbutton — See Assemblies 6PDT, slide 88-687 88-687 Table, reel 88-781 88-937 Semiconductors: Diodes: SL-150 avalanche 88-831 88-831 SPN-01, full wave, encapsulated 88-832 88-832 SW-05, power diode 88-125 88-125 12GZ, dual (separate) encapsulated 88-833 88-833 1N34A, meter diode 66-6029 Thermistors: 13D27 88-834 88-834 Transistors: 25B75(A) 88-835 88-835 25B75(B) 88-540 88-540 25B338(A) 88-536 88-536 25B370(A) 88-836 88-836 25B370(B) 88-837 88-837 25B443(A) 88-838 88-838 Transformers and Inductors: Autotransformer, reel motors 88-845 Choke, 0.3 hy. 0.1 amp 88-846 Coil, bias adjust. (L601) 88-847 88-847 Coil, peaking, 300 uh (L101) 88-848 88-848 Transformer, bias oscillator (T601) 88-849 88-849 Transformer, driver (T301) 88-850 88-850 Transformer, headphone output (1201) 88-851 88-851 Transformer, power 88-852 88-938 Part Capacitors: Number 1000 mfd @ 25 V 14-783 500 mfd (x 50 V can 88-702 500 mfd («7 50 Y, wire leads 14-782 500 mfd @ 25 V 14-790 500 mfd (@ 6 V 14-721 200 mfd (@ 50 V 88-853 200 mfd @ 25 V 14-800 100 mfd @ 10 V 14-773 100 mfd @ 3 V 14-788 50 mfd @ 50 V 14-770-1 50 mfd (@ 25 V 14-784 50 mfd @ 10 V 14-774 30 mfd «@ 3 Y 88-407 10 mfd @ 25 V 88-856 10 mfd @ 10 V 88-569 3 mfd @ 300 VAC 88-854 1.8 mfd @ 350 VAC 88-855 15+1.5+1.0+1.0 mfd @ 300 VAC 88-601 0.5 mfd @350 V 14-795 0.22 mfd @ 50 V 14-778 0.1 mfd (7 350 Y 14-743 0.1 mfd (a) 50 V 14-764 0.068 mfd (@ 100 V 88-857 0.047 mfd @ 50 V 14-765 0.033 mfd @ 50 V 14-746 15 PARTS LIST (Continued) 4 о Part Part Description Number Description Number 0.02 mfd @ 400 V 14-741 300 обт 4 w 5-536 0.015 mfd @ 50 V 88-858 470 ohm 14 w 5-604 0.01 mfd @ 400 ¥ 14-720 - 560 ohm %4 w 5-587 680 ohm 14 w 5-617 ‚ 0.001 mfd @ 350 V 14-719 1 ‘ “470 pid 14.713 820 ohm '4 w 88-862 330 pfd 14-711 1.0 K ohm !5 w 5-550 = 1.2 K ohm 5 w 9-990 Resistors: 1.5 K ohm La Ww 5-623 1.8 K ohm '%4 w 5-557 0.2 ohm 2 w : 88-665 1 i OF ohm 1 w | 5.631 3.0 K ohm 4 w 5-588 8 ohm 5 w 5-534 3.3 K ohm 14 w 5-540 8 ohm 15 w 88-870 5.6 K ohm 14 w 5-607 12 ohm '4 w 88-859 6.8 K ohm 15 w 5-509 10 K ohm 145 w 5-567 24 ohm 10 w 88-869 ; 36 ohm 1 w 88-865 eve male e НН 47 ohm 4 w 5-608 18 K ohm 15 w 88-864 90 ohm 5 w 88-867 20 K ohm !5 w 5-526 50 ohm 10 w adj. 88-868 22 K ohm !5 w 5-526 30 K ohm 14 w 5-541 68 ohm '4 w 5-524 я 82 ohm ¥; w 88-860 39 K ohm 74 w 5-508 100 ohm 14 w 5-530-1 47 K ohm 14 w 5-560 100 ohm 2 w 5-511 100 K ohm '4 w 5-517 100 ohm 5 w 9-576 10 K ohm dual pot 88-871 ST he Pw 58-862 10 K ohm single pot 88-872 150 ohm 15 w 5-625 300 ohm wafer pot 88-876 200 ohm 14 w -5-577 500 ohm wafer pot 88-875 220 ohm 14 w 5-577 10 K ohm wafer pot 88-873 270 ohm % w 2 5-619 20 K ohm wafer pot 88-874 = = E ET 4 — WHEN CORRESPONDING WITH THE FACTORY REGARDING PARTS, INCLUDE THE RECORDER MODEL, THE PART NAME, THE PART NUMBER, AND A DE- ~ SCRIPTION OF APPLICATION WHENEVER POSSIBLE IN ORDER TO INSURE RAPID "AND ACCURATE FILLING OF YOUR ORDER. ADDRESS PARTS ORDERS TO: CALIFONE-ROBERTS, Parts Dept. 5922 Bowcroft Street Los Angeles, Calif. 90016 = = = F "a CALIFONE-ROBERTS ELECTRONICS DIVISION RHEEM MANUFACTURING CO., LOS ANGELES, CALIFORNIA 90016 THE RHEEM POLICY 15 ONE OF CONTINUAL DEVELOPMENT AND IMPROVEMENT. FOR THAT : REASON, RHEEM RESERVES THE RIGHT TO CHANGE SPECIFICATIONS WITHOUT NOTICE, AND i] WITHOUT INCURRING ANY OBLIGATION RELATING TO MODELS PREVIOUSLY MANUFACTURER BY THEM. PART NO. B-997—13166 KGR 16 Printed in U.5.A, А & В РТС. PLATBACK AMP ( 3A-502 CAR TÆ 267 FETT MIE, LINE = | © FE (34-501 CARD) (34-502 CARI | | “ KH | ve 4 éd Te tH VY E fe 301 Раз ( Pet Jrez FE | me E | J< 39) | me | I | G | e FOWER SUPPLY ASSEMBLY Swos-ol | 21у _ > 2 : = I © 2 т | FE" peer À | | ; 3 | | a Ее E al | Bl | pr SI Te sy ся TRE = Ко, Co 3 | SS E T | AT E EEL SIZE) : fpr i E La 747" Se- Piu. 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Key Features
- Three-motor design
- Dual-speed hysteresis-synchronous capstan motor
- Portable and studio configurations
- Crossfield bias system
- High-frequency recording
- Low noise level
- Wide frequency response
- Powerful amplifiers