Advertisement
Advertisement
ALLEN & HEATH
®
USER GUIDE
®
Publication AP11645
ALLEN & HEATH 1 AP11645_1_XONE:96 User Guide
Page left intentionally blank.
ALLEN & HEATH 2 AP11645_1_XONE:96 User Guide
Limited One Year Manufacturer’s Warranty
Allen & Heath warrants the Allen & Heath - branded hardware product and accessories contained in the original packaging ( "Allen & Heath Product” ) against defects in materials and workmanship when used in accordance with Allen & Heath's user manuals, technical specifications and other
Allen & Heath product published guidelines for a period of ONE (1) YEAR from the date of original purchase by the end-user purchaser ( "Warranty Period" ).
This warranty does not apply to any non-Allen & Heath branded hardware products or any software, even if packaged or sold with Allen & Heath hardware.
Please refer to the licensing agreement accompanying the software for details of your rights with respect to the use of software (“EULA”).
Details of the EULA, warranty policy and other useful information can be found on the Allen & Heath website: www.allen-heath.com/legal.
Repair or replacement under the terms of the warranty does not provide right to extension or renewal of the warranty period. Repair or direct replacement of the product under the terms of this warranty may be fulfilled with functionally equivalent service exchange units.
This warranty is not transferable. This warranty does not cover fader wear and tear.
This warranty will be the purchaser’s sole and exclusive remedy and neither Allen & Heath nor its approved service centres shall be liable for any incidental or consequential damages or breach of any express or implied warranty of this product.
Conditions of Warranty
The equipment has not been subject to misuse either intended or accidental, neglect, or alteration other than as described in the User Guide or Service Manual, or approved by Allen & Heath.
Any necessary adjustment, alteration or repair has been carried out by an authorised Allen & Heath distributor or agent.
The defective unit is to be returned carriage prepaid to the place of purchase, an authorised Allen &
Heath distributor or agent with proof of purchase. Please discuss this with the distributor or the agent before shipping. If the unit is to be repaired in a different country to that of its purchase the repair may take longer than normal, whilst the warranty is confirmed and parts are sourced. Units returned should be packed in the original carton to avoid transit damage.
In certain territories the terms may vary. Check with your Allen & Heath distributor or agent for any additional warranty information which may apply. If further assistance is required please contact
Allen & Heath Ltd.
DISCLAIMER: Allen & Heath shall not be liable for the loss of any saved/stored data in products that are either repaired or replaced.
XONE:96 complies with the European Electromagnetic Compatibility directives
2014/30/EU and the European Low Voltage directives 2014/35/EU.
Any changes or modifications to the equipment not approved by Allen & Heath could void the compliance of the product and therefore the users authority to operate it.
XONE:96 User Guide AP11645 Issue 1
Copyright © 2018 Allen & Heath Limited. All rights reserved
Allen & Heath Limited
Kernick Industrial Estate, Penryn, Cornwall, TR10 9LU, UK http://www.allen-heath.com
ALLEN & HEATH 3 AP11645_1_XONE:96 User Guide
PACKED ITEMS
Check that you have received the following:
XONE:96 mixer
Safety Sheet. Important !
Read this sheet BEFORE starting.
Retain for future reference.
Quick Start Guide
Mains Lead
Check the correct AC mains plug is included.
Spare knobs and buttons
ALLEN & HEATH 4 AP11645_1_XONE:96 User Guide
CONTENTS
To ensure you get the maximum benefit from the mixer, please spend some time familiarizing yourself with all of the controls and setup procedures outlined in this user guide.
For further information, please refer to the additional details available on our website, or contact our Product
Support team www.allen-heath.com/xone96 http://support.allen-heath.com
Warranty ................................................... 1 3
Packed Items ............................................. 1 4
Contents .................................................... 1 5
Introduction ............................................... 1 6
Top Panel Overview ................................... 1 7
USB 1/MIC/RTN/USB 2 Inputs, A - B .......... 1 8
USB 1/PHONO/LINE/USB 2 Inputs, 1 - 4 .... 10
XFADER .................................................... 12
Fader Curve Switches ................................ 12
XONE:VCF Sections, FILTER 1/FILTER 2 ..... 13
XONE: VCF Reference ................................ 14
Auxiliary Return Channels, C - D ................ 15
MASTER Section ....................................... 15
PHONES 2 Section .................................... 16
BOOTH & MONITOR Sections .................... 17
Setup Examples ......................................... 18
Rear Panel Overview .................................. 20
Rear Panel Connectors .............................. 21
Dual Soundcard, USB 1/USB 2 (Defaults) .. 23
Driver Installation (PC) ............................... 24
Device Installation Check (Mac and PC) ..... 26
MIDI Control .............................................. 27
MIDI Implementation .................................. 29
Traktor Scratch Pro2; Timecode Setup ...... 30
Traktor Scratch Pro2; Recording a Mix ....... 33
Block Diagram ........................................... 34
Specifications ............................................ 35
Panel Drawings, Weights & Dimensions ..... 37
Operating Levels ........................................ 39
Earthing .................................................... 40
ALLEN & HEATH 5 AP11645_1_XONE:96 User Guide
INTRODUCTION
Congratulations on purchasing the Allen&Heath XONE:96 DJ mixer.
The long-awaited follow-up to a genuine club classic.
A new, uncompromising analogue DJ mixer, destined to be the heart of your creativity, XONE:96 takes the legendary soul of the acclaimed Xone:92 and redelivers it, enhanced, and with state-of-the-art digital connectivity.
It’s all here. The huge, detailed, space -shaking analogue sound that only Xone delivers. A refined, precision
4-band EQ. Unrivalled dual Xone:VCF filters with CRUNCH harmonic distortion. And a dual 32-bit USB soundcard
(24 Channels @ 96kHz) with Traktor Scratch certification right out of the box.
XONE:96 lets you connect your whole rig, from laptops and turntables, to pedals, synths, mics and drum machines. Two dedicated FX sends, four stereo input channels (with 4-Band EQ), two stereo input channels with all new 3-Band Parametric EQ + two auxiliary stereo return channels. And a separate master insert for your outboard hardware.
Explore new possibilities with a familiar layout of beautifully tactile controls. And rely on the industrial build quality that exceeds the demands of relentless back-to-back performances, night after night.
XONE96: You mixed. We listened.
ALLEN & HEATH 6 AP11645_1_XONE:96 User Guide
4
5
7
8
1
2
3
TOP PANEL OVERVIEW
Please familiarize yourself with all of the controls and functions detailed in the following pages and referencing the numbers shown in the TOP PANEL OVERVIEW below and REAR PANEL OVERVIEW on p.20.
12 13 14 15
16
17
18
19
20
21 6 9 10 11
ALLEN & HEATH 7 AP11645_1_XONE:96 User Guide
INPUT CHANNELS A - B: USB 1/MIC/RTN/USB 2
1
2
3
4
1 SEND 1 & SEND 2 Controls
Control the levels of channel audio sent to external effects hardware connected via rear panel SND1 and SND2 outputs.
SEND 1 is switchable pre/post-FADER and also routes audio to internal soundcard inputs USB 9/10
SEND 2 is fixed post-FADER, with switched option for routing audio to internal soundcard inputs USB 11/12. See p.23.
2 Channel Input Select Switch
Switch CH A and CH B inputs between USB1, MIC, RTN, or
USB 2 sources.
Switches also send MIDI NOTE ON/OFF messages to USB1,
USB 2 and MIDI OUT ports. See p.28 for information.
3 Channel GAIN Control
Adjusts the Channel input sensitivity to compensate for different audio signal source levels. ∞/+10dB.
If a PK! LED illuminates, turn the corresponding channel
GAIN level down .
4 Channel Equalizer
Auxiliary Channels A and B are equipped with new extended asymmetric 3-BAND EQ, providing +6dB boost and full attenuation (‘kill’) for HI and LO frequencies and +10dB boost/-24dB cut, swept parametric MID for detailed and creative frequency control.
EQ cut-off frequencies are set at:
HI 3 kHz (High Frequency, treble )
MID 190 Hz - 2.75kHz (Parametric, sweep )
LO 180 Hz (Low Frequency, bass)
LO / HI
∞
/ centre / +6 190Hz / 650Hz / 2.75kHz -24dB / centre / +10
ALLEN & HEATH 8 AP11645_1_XONE:96 User Guide
5
7
8
9
INPUT CHANNELS A - B continued
5 Channel FILTER Assign Switches
Switch to route post-GAIN / post-EQ / post-FADER level channel audio to FILTER 1 (left) or FILTER 2 (right), or direct to the LR MIX bus when OFF (centre).
7 Channel CUE Switch
Press to listen to the channel audio levels from MONITOR headphones outputs and to view pre-LR MIX levels on the main LR MIX meters. Switches illuminate RED when active.
Default switch setting is AUTO-CUE; switches remain on until the switch is pressed again or another CUE is selected.
See below for details to enable the LATCHING-CUE Mode.
CUE is also enabled for MIDI control. See below.
8 Channel Meter
Displays the channel’s input source signal level.
Channel audio input is metered at post-GAIN / post-EQ and pre-FADER level, to display the affect of adjusting EQ on input levels before routing audio to the LR MIX.
Channel GAIN control should be set so the meter averages around 0 with loudest peaks around +6.
If the +10 LED is illuminated continuously, turn the channel
GAIN, or EQ controls down .
9 Channel Fader
XONE:96 features new custom-designed 60mm stereo linear
VCA channel faders to adjust channel audio levels from fully off ( ∞ ) to fully on (unity).
CH A and CH B faders are fully analogue, premium faders offering smooth performance and precise control. Perfectly balanced and built to last.
LATCHING-CUE Mode enables CUE switches to remain active when selecting another channel CUE. Any active
•
CUE is deactivated by pressing the switch again. The option can be enabled, on-the-fly, as follows:
Press and hold any Filter Type Select switch (HPF, BPF, LPF) on both FILTER 1 and FILTER 2
• simultaneously for 3s; MIDI 1 and MIDI 2 switches blink rapidly to indicate CUE setup mode.
Press any channel CUE switch; MIDI 1 and MIDI 2 switches stop blinking and LATCHING-CUE is enabled
NOTE: The setup mode times out automatically after 3s. Active CUE is deactivated by pressing the switch again.
• Repeat the process to re-enable AUTO-CUE. The current setting is stored when the mixer is powered OFF.
MIDI Control
•
•
CUE switches send MIDI NOTE ON/OFF messages to the rear panel MIDI OUT port, and to USB 1 and USB
2 ports when the corresponding MIDI 1/ 2 switch is active.
CUE switches can also be remotely controlled by MIDI output from USB 1 and USB 2. See p.28 for details.
ALLEN & HEATH 9 AP11645_1_XONE:96 User Guide
INPUT CHANNELS 1 - 4: USB 1/PHONO/LINE/USB 2
1
2
3
4
1 SEND 1 & SEND 2 Controls
Control the levels of channel audio sent to external effects hardware connected via rear panel SND1 and SND2 outputs.
SEND 1 is switchable pre/post-FADER and also routes audio to internal soundcard inputs USB 9/10
SEND 2 is fixed post-FADER, with switched option for routing audio to internal soundcard inputs USB 11/12. See p.23.
2 Channel Input Select Switch
Switch CH A and CH B inputs between USB1, MIC, RTN, or
USB 2 sources.
Switches also send MIDI NOTE ON/OFF messages to USB1,
USB 2 and MIDI OUT ports. See p.28 for details.
3 Channel GAIN Control
Adjusts the Channel input sensitivity to compensate for different audio signal source levels. ∞/+10dB.
If a PK! LED illuminates, turn the corresponding channel
GAIN level down .
4 Channel Equalizer
Stereo Channels 1 - 4 are equipped with a refined asymmetric XONE 4-BAND EQ, providing +6dB boost and full attenuation (‘kill’) for HI and LO frequencies and with powerful +10dB boost/-27dB cut for HI MID and LO MID frequencies.
EQ cut-off frequencies are set at:
HI
HI MID
LO MID
LO
3 kHz (High Frequency, treble )
1.1 kHz (Upper Midrange Frequency)
350 Hz (Lower Midrange Frequency)
180 Hz (Low Frequency, bass)
LO / HI
∞
/ centre / +6 LO MID / HI MID -27 / centre / +10
ALLEN & HEATH 10 AP11645_1_XONE:96 User Guide
5
6
7
INPUT CHANNELS 1 - 4 continued
5
6
7
8
9
Channel FILTER Assign Switches
Switch to route post-GAIN / post-EQ / post-FADER level channel audio to FILTER 1 (left) or FILTER 2 (right), or direct to the LR MIX bus when OFF (centre).
XFADER Assign Switches
Switch to route post-GAIN / post-EQ / post-FADER level channel audio to X (left) or Y (right), side of the XFADER, or direct to the LR MIX bus when OFF (centre).
Channel CUE Switch
Press to listen to the channel audio levels from MONITOR headphones outputs and to view pre-LR MIX levels on the main LR MIX meters. Switches illuminate RED when active.
Default switch setting is AUTO-CUE. Refer to p.9 for details.
CUE switches are also enabled for MIDI control. See below.
Channel Meter
Displays the channel’s input source signal level.
Channel audio input is metered at post-GAIN / post-EQ and pre-FADER level, to display the affect of adjusting EQ on input levels before routing audio to the LR MIX.
Channel GAIN control should be set so the meter averages around 0 with loudest peaks around +6.
If the +10 LED is illuminated continuously, turn the channel
GAIN, or EQ controls down .
Channel Fader
XONE:96 features new custom-designed, user replaceable,
60mm stereo linear VCA channel faders to adjust channel audio levels from fully off ( ∞ ) to fully on (unity). Perfectly balanced for smooth performance and precise control.
CH1 - 4 faders are also enabled for MIDI control. See below. 8
9
MIDI Control
•
•
•
CUE switches send MIDI NOTE ON/OFF messages to the rear panel MIDI OUT port, and to USB 1 and USB
2 ports when the corresponding MIDI 1/ 2 switch is active.
CUE switches can also be remotely controlled by MIDI output from USB 1 and USB 2.
CH1 - 4 faders send MIDI CC messages to the rear panel MIDI OUT port, and to USB 1 and USB 2 ports when the corresponding MIDI 1/ 2 switch is active. See p.28 for details
ALLEN & HEATH 11 AP11645_1_XONE:96 User Guide
X FADER
10 In the cross-fader position, XONE:96 implements the industry-favourite mini innoFADER as standard.
The XFADER is a VCA (voltage controlled amplifier) that also affects the level of signals routed to the Filters.
Use to fade between audio from CH 1 - 4 assigned to the
X (Left), or Y (Right) side of the XFADER, typically to fade smoothly into a new music track, to creatively layer sounds, or for scratch and cut mixing.
MIDI Control
• The X FADER also sends MIDI CC messages to the rear panel MIDI OUT port, and to USB 1 and USB 2 ports when the corresponding MIDI 1/ 2 switch is active. See p.28 for details.
FADER CURVE SWITCHES, XFADER / CH 1 - 4
19 Fader Curve Switches CHANNEL FADER
Selects a global fader response for Stereo Input Channels 1- 4.
Switch between constant power, dipped, or fast-cut to suit scratch and cut mixing styles.
XFADER
Selects the response curve for the cross-fader.
Switch between constant power, transition, or fast-cut to suit scratch or cut mixing.
The images below illustrate the curves for each setting
-30
-40
-50
-60
-70
-80
-90
10
0
-10
-20
∞
CHANNEL FADER constant power dipped fast cut
[unity] 0
-30
-40
-50
-60
-70
-80
-90
10
0
-10
-20
∞ [unity] 0
-30
-40
-50
-60
-70
-80
-90
10
0
-10
-20
∞ [unity] 0
XFADER constant power transition fast-cut
10
0
-10
-20
-30
-40
-50
-60
-70
-80
-90
X Y
10
0
-10
-20
-30
-40
-50
-60
-70
-80
-90
X Y
10
0
-10
-20
-30
-40
-50
-60
-70
-80
-90
X Y assign: X assign: Y assign: Y assign: X assign: Y asssign: X
ALLEN & HEATH 12 AP11645_1_XONE:96 User Guide
11 XONE:VCF
1
2
3
4
5
XONE:VCF SECTIONS, FILTER 1 - FILTER 2
Nothing comes close to the sound and power of the XONE:VCF.
XONE:96 refines this classic design, preserving the unmista k able sonic signature while taking its performance to the next level.
Alongside the classic HPF, BPF, LPF, RES (MILD/WILD) and FREQ
(sweep) control layout, we’ve added CRUNCH; controlled harmonic distortion that sits pre-FILTER in the circuit to give a powerful new effect. XONE:96 lets you route all six main channels to FILTER 1 or 2.
1
2
3
4
CRUNCH Control
Turn clockwise to add harmonic distortion (CRUNCH!) into the pre-FILTER signal path. Set to 0 the audio is clean and the LED is unlit. Set to 10 the signal distorts dramatically and
LED illuminates RED. Use FILTER controls and switches to tune the post-FILTER output. For optimum CRUNCH system drive, maintain VCF assigned channel levels between +/-6dB
RES Resonance Control
Produces the classic XONE:VCF filter sound by feeding some of the filter output back to its input. The control ranges from
MILD, with very subtle effect, to WILD, producing dramatic phase effects with feedback just short of self-oscillation.
HPF/BPF/LPF, Filter Type Select Switches
Set the output for FILTER 1 or FILTER 2. HPF selects the High
Pass Filter (bass cut) slope. BPF selects the Band Pass Filter
(bell shaped) response. LPF selects the Low Pass Filter
(treble cut) slope. See XONE:VCF REFERENCE for details.
FREQ Frequency Sweep Control
This control sets the -3dB cut-off frequency of the VCF. It ranges from very low frequency (20Hz) when anti-clockwise, to very high frequency (20kHz) when turned fully clockwise.
5 FILTER ON / OFF Switch
Each VCF has its own ON switch.
The switch illuminates BLUE when the FILTER is ON.
The signal is not affected by the FILTER if set OFF.
FILTER 1 and FILTER 2 ON/OFF switches are also enabled for
MIDI control. See below
MIDI Control
•
•
All Filter Type Select and FILTER ON/OFF switches send MIDI NOTE ON/OFF messages to the rear panel
MIDI OUT port, and to USB 1 and USB 2 ports when the corresponding MIDI 1/ 2 switch is active.
All Filter Type Select and FILTER ON/OFF switches can also be remotely controlled by MIDI output via USB
1 and USB 2. See p.28 for details
NOTE : XONE:VCF switches are also used for selecting the XONE:96 MIDI channel option. See p.28.
ALLEN & HEATH 13 AP11645_1_XONE:96 User Guide
XONE:VCF REFERENCE
The XONE:VCF Voltage Controlled Filter
A Voltage Controlled Filter is an audio filter where the cut-off frequency is altered by DC control voltage rather than a variable resistor. This produces a much wider operating range and enables more control over the filter response for creating unlimited combinations of tonal effect.
Two stereo VCFs are provided, one either side of the crossfader, each with independent Filter Type Select (HPF,
BPF, LPF), FREQuency sweep, RESonance and CRUNCH controls. These large soft touch controls are positioned either side of the crossfader and main mix channels 1 - 4 for convenient live operation.
Filter Type Select
The filters are ‘state variable’. This means they provide three simultaneous filter response output types:
High-Pass (HPF), Band-Pass (BPF) and Low-Pass (LPF). Three large illuminated switches select which type is active. Any combination can be pressed together to create different response types such as ‘notch’ and interesting ‘all pass’ effects. Pressing one switch automatically deselects the previously active type.
All XONE:VCF switch controls implement fully redesigned analogue soft-switching for enhanced performance ensuring LR MIX outputs are unaffected by audible electronic artefacts as FILTER 1 and FILTER 2 are turned ON or OFF, when selecting different Filter Types, or if channel assignments to the VCFs are hot-switched.
• NOTE: the last selected XONE:VCF response is saved when mains power to the mixer is turned OFF.
HIGH PASS FILTER [HPF]
BAND PASS FILTER [BPF]
LOW PASS FILTER [LPF]
The graphs to the left illustrate effects on the audio frequency response for the three filter types.
The range of sweep from low to high frequency is shown together with the effect of adjusting the RES control fully clockwise, to WILD.
The vertical scale shows the amount of boost around the normal 0dB operating level.
The horizontal scale shows the change in frequency from low (sub-bass) to high (treble ).
The graph below shows effects on frequency response for the Low Pass Filter [LPF] swept to
@20Hz, 1kHz and 20kHz, together with the effect of adjusting the filter resonance to MILD, WILD and centred positions: one frequency with RES and
FREQ set to minimum, 12 o’clock, and max.
ALLEN & HEATH 14 AP11645_1_XONE:96 User Guide
12
1
2
3
4
AUXILIARY RETURN CHANNELS C - D
1
Channel ON/OFF Switch
Route signals from hardware connected via RTN C or RTN D inputs direct to the LR MIX at pre-MST levels.
ON/OFF switches are enabled for MIDI control. See below.
2
SIG LED indicators
Bi-colour LEDs illuminate GREEN to show an audio input is present. If a SIG LED illuminates RED continually, turn the corresponding LEVEL control down.
3
Channel LEVEL Control
Adjust the RTN C and RTN C input levels from fully off to
+10dBu
4
Channel CUE Switch
Press to listen to the channel audio levels from MONITOR headphones outputs and to view pre-LR MIX levels on the main LR MIX meters. Switches illuminate RED when active.
Default switch setting is AUTO-CUE. Refer to p.9 for details.
CUE switches are also enabled for MIDI control. See below.
MIDI Control
•
•
Channel ON/OFF and CUE switches send MIDI NOTE ON/OFF messages to the rear panel MIDI OUT port, and to USB 1 and USB 2 ports when the corresponding MIDI 1/ 2 switch is active.
Channel ON/OFF and CUE switches can also be remotely controlled by MIDI output via USB 1 and USB 2.
See p.28 for details
MASTER SECTION
13 USB 1 / USB 2 Active Indicators
LED Illuminates BLUE when a computer connected to the mixer’s corresponding USB 1 or USB 2 port is enabled.
13
14
14 MIDI 1 / 2 Switches
Switch the local XONE:96 MIDI output to the corresponding
USB 1 or USB 2 ports ON / OFF.
Switch status does not affect MIDI sent to the MIDI OUT port, via X:Link, or between USB 1 and USB 2 Partners.
ALLEN & HEATH 15 AP11645_1_XONE:96 User Guide
15 MIX/MONITOR Meters
MASTER SECTION continued
The main meters follow the selected monitor source.
The default display is LR MIX levels, which is overridden by an input channel level when any channel CUE switch is selected.
When CUE is active, the meters display the summed level of selected channels.
When CUE is inactive, meters display the LR MIX at pre-MASTER 1 control level.
In SPLIT CUE mode, the Left (L) meter displays active CUE channel levels and the Right (R) meter displays the main LR MIX level
(PRG).
NOTE :
The mixer should be operated with meters averaging around 0 and loudest peaks at around +6.
If the PK! Indicators illuminate continually, ensure any GAIN or EQ settings are not causing clipping on Channel meters; if necessary, turn Channel GAIN, EQ, and/or FADERS down to prevent distortion on the main LR MIX.
Refer to the OPERATING LEVELS section on p.39 for information.
16
17
16 MASTER MIX Level Controls, MASTER 1/MASTER 2
Independent MASTER 1 and MASTER 2 controls to adjust levels for the main LR MIX, feeding MST 1 (XLR) and MST 2
(¼“Jack) outputs.
MASTER 1 and MASTER 2 adjustment does not affect the
LR MIX meter display, or RECORD, BOOTH, MONITOR or
PHONES 2 levels.
17 USB 11/12 Source Select Switch
Selects the signal source routed to internal soundcard input channels USB 11/12 between MST (LR-MIX), or SEND 2.
PHONES 2 SECTION
21 XONE:96 features two independent cue systems for back-to-back sessions and smooth set transitions.
PHONES 2
Provides dedicated 9-way source select switch, CUE/MST mix and LEVEL controls, with stereo 1/4” Jack and 3.5mm mini-jack front-panel connectors.
PHONES 2 settings do not affect channel CUE assignments, or BOOTH and MONITOR outputs.
ALLEN & HEATH 16 AP11645_1_XONE:96 User Guide
BOOTH & MONITOR SECTIONS
18
1
BOOTH 1 STEREO/MONO Switch
Enables LEFT and RIGHT monitor signals to be summed together so a selected stereo source can be checked for mono compatibility, especially important in club or recording applications. A drop in level or loss of low frequencies when pressed indicates reversed polarity between LEFT & RIGHT signals. Alternatively, select if you wish to run the booth monitor output in mono rather than stereo.
This does not affect MST, MONITOR or PHONES 2 outputs.
2
2 BOOTH Equaliser
Independent 3Band EQ to tune the DJ’s monitor speakers.
Adjustment does not affect MST, MONITOR, or PHONES 2
3 Level Control
Adjusts level of the signal to the rear panel BOOTH outputs.
This does not affect MONITOR or PHONES 2 outputs.
3
4
4 MUTE Switch
Press to mute signal to the BOOTH outputs.
The button illuminates RED when active.
Does not affect MST, MONITOR or PHONES 2 outputs.
The switch is also enabled for MIDI control. See p.28.
5 Cue ACTIVE Indicator
Illuminates RED when one or more CUE switch is enabled. 20 MONITORS
5
6
7
8
6 POST EQ Switch
Switch global channel CUE source between pre & post-EQ.
7 SPLIT CUE Switch
Enables CUE channel signals to route to the Left side of the
MONITOR headphones and the LR MIX to the Right. Main meters display corresponding, CUE/PRG, levels when active.
8 CUE/MST Mix Control
Allows the main LR MIX output to be blended with the CUE signal. Turned fully anti-clockwise, only active CUE Channels are routed to the MONITOR headphones. Gradually turning the control clockwise introduces the LR MIX output to the headphones together with active CUE.
Selecting SPLIT CUE overrides the CUE/MST mix control.
9
10
9 Level Control
Adjusts the level of audio in MONITOR headphone outputs.
This does not affect the BOOTH or PHONES 2 levels.
10 Headphone Outputs
Stereo 1/4” TRS jack and 3.5mm mini -jack sockets.
Plug in good quality stereo headphones designed for DJ monitoring. Use closed-ear headphones to provide the maximum acoustic isolation when cueing your sources.
ALLEN & HEATH 17 AP11645_1_XONE:96 User Guide
SETUP EXAMPLES
CLASSIC : VINYL & MEDIA PLAYER (RCA) / EXT FX (SND-RTN) / MIC B (XLR)
DIGITAL : VINYL & MEDIA PLAYER (DVS) / LAPTOP (USB 1 + USB 2) / X:LINK
ALLEN & HEATH 18 AP11645_1_XONE:96 User Guide
SETUP EXAMPLES
SND & RTN : EFFECTS & AUXILIARY DEVICE CONNECTIONS
OUTPUT CONNECTIONS
ALLEN & HEATH 19 AP11645_1_XONE:96 User Guide
REAR PANEL OVERVIEW
ALLEN & HEATH 20 AP11645_1_XONE:96 User Guide
REAR PANEL CONNECTORS
Total Connectivity
XONE:96’s rear panel is fully loaded with I/O. Alongside all the analogue connections you’d expect to find, DJs will welcome the addition of dual-soundcards, 2 stereo sends, 4 stereo returns and dedicated master insert.
SND/RTN A is switchable between Line and Hi-Z levels, making it ideal for incorporating instrument level effects, like classic guitar pedals, or legacy outboard hardware.
X-Link allows you to hook up XONE:K series controllers to the XONE:96 for hands-on control over your software, saving USB ports on your laptop.
MIDI Output to external hardware is catered for via the 5-pin connection on the rear panel, and to computers via
USB 1 and USB 2 ports.
1 X:Link
Connect XONE:K Series Controllers to the XONE:96 mixer for remote software MIDI control and to save using USB ports on your computer.
RJ-45, Ethernet.
2 MIDI OUT
MIDI signal output from XONE:96, USB 1, USB 2, or X:LINK for syncing to external MIDI hardware.
5-pin DIN.
3 USB 1 and USB 2 Soundcards
Dual 24 Channel (6 Stereo IN/6 Stereo OUT), 32Bit/96kHz, internal Hi-Speed USB soundcards. macOS class compliant. ASIO* compatible. Direct, full-duplex, USB 1/USB 2 MIDI connection. See p.23-36.
USB-B.
4 RECORD Outputs
Pre-MASTER (MST) level, LR MIX output for connection to external hardware recording devices
Unbalanced RCA.
5 Chassis Earth Terminals
2 screw terminals are provided for connecting the earth straps from turntables to prevent ground hum.
6 PHONO Inputs, CH 1 - 4
Connect turntables with magnetic cartridges requiring RIAA equalisation to PHONO inputs.
For non-RIAA turntables plug into the LINE input instead.
Unbalanced RCA.
7 LINE Inputs, CH 1 - 4
Connect stereo LINE level media players to the LINE inputs. Do not connect turntables requiring RIAA equalisation. You can also connect to LINE level jack sources using RCA to jack adapter/cables.
Unbalanced RCA.
8 USB LINE / PHONO Select Switches, CH 1 - 4
Set CH1 - 4 USB 1 and USB 2 sources to LN or PH for LINE or RIAA signal level input to internal soundcards. For DVS (CD/Vinyl timecode) control, or recording CH1 - 4 inputs via USB 1 or USB 2.
9 Audio Sync Out
Enables future ALLEN & HEATH accessories to be easily connected to the XONE:96.
Alternative secondary Record Out; pre-MASTER level, LR MIX output to external devices.
Stereo 3.5mm mini-jack.
*ASIO is a trademark and software of Steinberg Media Technologies GmbH
ALLEN & HEATH 21 AP11645_1_XONE:96 User Guide
REAR PANEL CONNECTORS continued
10 MIC A / MIC B Inputs
Use superior quality low impedance dynamic mics. Do NOT use high impedance or unbalanced mics, or condenser mics requiring phantom power.
NOTE: XONE:96 implements a ‘clean feed’ bus for MIC inputs; by default MIC A and MIC B inputs do not route to the BOOTH outputs and are unaffected by MASTER INSERT hardware processing.
Balanced XLR, wired; Pin1=Ground, Pin2=Hot [+], Pin3=Cold [-]
11
12
13
K-Slot
Security slot to connect locking, Kensington® type, anti-theft cable.
AC Mains Input
Connect (supplied) IEC cable with moulded plug compatible to local AC mains supply.
Turn AC supply to the mixer ON/OFF.
MST 1, MASTER Outputs
Main stereo LR MIX outputs that feed the club PA system, or active speakers.
Balanced XLR, wired; Pin1=Ground, Pin2=Hot [+], Pin3=Cold [-]
14 MASTER INSERT SND / RTN
Provides INSERT points for the MST1 outputs to connect hardware dynamics processors such as a limiter, compressor, or graphic equaliser. Or when connecting effects hardware in-line with the
(MST1) LR MIX output for external MASTER INSERT FX. Insert devices do not affect MIC A/B inputs.
INSERT SND: Balanced (TRS) ¼“Jack, wired; Tip=Hot [+], Ring=Cold [ -], Sleeve=Ground.
INSERT RTN: Unbalanced (MONO) ¼”Jack, wired; Tip=Hot [+], Sleeve=Ground.
15 MST 2 Outputs
Alternative stereo LR MIX output to feed additional zone, consumer amplifier, or active speakers.
Balanced (TRS) ¼“Jack, wired; Tip=Hot [+], Ring=Cold [ -], Sleeve=Ground.
16
17
BOOTH Outputs
Dedicated, balanced LINE level stereo output feed to DJ’s local monitor PA system, or active speakers.
Balanced (TRS) ¼“Jack, wired; Tip=Hot [+], Ring=Cold [ -], Sleeve=Ground.
RTN C / RTN D, Auxiliary Return Inputs
Connect auxiliary LINE level music sources, or external effects outputs to route direct to LR MIX.
Connect MONO devices via the L/M socket.
Use RTN C / RTN D top panel controls to adjust signal levels sent to the LR MIX.
Unbalanced (MONO) ¼“Jack, wired; Tip=Hot [+], Sleeve=Ground.
18 RTN A / RTN B, LINE Inputs
Connect auxiliary LINE level music sources, or external effects device outputs to RTN A and RTN B
LINE inputs to route to CH A and CH B. Use L/M sockets when connecting MONO and Hi-Z devices.
Balanced (TRS) ¼“Jack, wired; Tip=Hot [+], Ring=Cold [ -], Sleeve=Ground.
19 SND 1 / SND 2, LINE Outputs
Connect your external FX inputs to SND 1 or SND 2 outputs and use SEND 1 / SEND 2 controls to send Channel audio to the FX unit. Connect MONO devices via L/M.
Switchable SND 1 input and RTN A output impedance for external FX between LN, or Hi-Z suitable for guitar FX pedals or legacy hardware.
Balanced (TRS) ¼“Jack, wired; Tip=Hot [+], Ring=Cold [ -], Sleeve=Ground.
ALLEN & HEATH 22 AP11645_1_XONE:96 User Guide
DUAL INTERNAL SOUNDCARD, USB 1 - USB 2
Unlock a world of creative possibilities. The XONE:96 features two Hi-Speed USB connections, each with six stereo inputs and outputs giving you a myriad of routing options.
State-of-the-art 96kHz/32-bit processing ensures the highest audio quality is passed between your laptops and the analogue engine.
USB1 and USB 2 operate independently, avoiding hassles for DJs who use different platforms, operating systems, or projects saved with different preferences, from collaborating live and in the studio.
XONE:96 soundcard channels are arranged in stereo pairs and will be displayed in your chosen Digital DJ, or
DAW software, as follows:
USB AUDIO ROUTING
Mixer Channel outputs to Computer [USB1
and
USB2]
Soundcard Input XONE:96 Outputs DAW Input
USB 1 / USB 2_1
USB 1 / USB 2_2
USB 1 / USB 2_3
USB 1 / USB 2_4
USB 1 / USB 2_5
USB 1 / USB 2_6
USB 1 / USB 2_7
USB 1 / USB 2_8
USB 1 / USB 2_9
USB 1 / USB 2_10
CH1 L (RIAA or LINE)
CH1 R (RIAA or LINE)
CH2 L (RIAA or LINE)
CH2 R (RIAA or LINE)
CH3 L (RIAA or LINE)
CH3 R (RIAA or LINE)
CH4 L (RIAA or LINE)
CH4 R (RIAA or LINE)
SEND 1 L (PRE or POST)
SEND 1 R (PRE or POST)
Ch 1 L
Ch 1 R
Ch 2 L
Ch 2 R
Ch 3 L
Ch 3 R
Ch 4 L
Ch 4 R
Send 1 L
Send 1 R
USB 1 / USB 2_11 SEND 2 L or MST L Send 2 L / MST L
USB 1 / USB 2_12 SEND 2 R or MST R Send 2 R / MST R
Mixer Channel inputs from Computer [USB1 or USB2]
Soundcard Output
USB 1 / USB 2_1
USB 1 / USB 2_2
USB 1 / USB 2_3
USB 1 / USB 2_4
USB 1 / USB 2_5
USB 1 / USB 2_6
USB 1 / USB 2_7
USB 1 / USB 2_8
USB 1 / USB 2_9
USB 1 / USB 2_10
USB 1 / USB 2_11
USB 1 / USB 2_12
XONE:96 Inputs
CH 1 USB 1 or USB 2_L
CH 1 USB 1 or USB 2_R
CH 2 USB 1 or USB 2_L
CH 2 USB 1 or USB 2_R
CH 3 USB 1 or USB 2_L
CH 3 USB 1 or USB 2_R
CH 4 USB 1 or USB 2_L
CH 4 USB 1 or USB 2_R
CHA USB 1 or USB 2_L
CHA USB 1 or USB 2_R
CHB USB 1 or USB 2_L
CHB USB 1 or USB 2_R
DAW Output
Ch 1 L
Ch 1 R
Ch 2 L
Ch 2 R
Ch 3 L
Ch 3 R
Ch 4 L
Ch 4 R
Ch A L
Ch A R
Ch B L
Ch B R
For full details of the Dual-USB Soundcard Digital Architecture Specifications, please refer to p.35-36
XONE:96 is also fully Traktor Scratch Certified so the internal soundcards bring support for DVS control of Native Instruments’ flagship TRAKTOR SCRATCH PRO
DJ software straight out of the box.
Refer to p.30 for more details, or visit the Native Instruments website.
ALLEN & HEATH 23 AP11645_1_XONE:96 User Guide
DRIVER INSTALLATION (PC)
Installing XONE:96 Soundcard Device Drivers
Apple macOS
The XONE:96 is an Apple Mac CoreAudio and CoreMIDI class compliant interface and works on macOS platforms without any requirement to install hardware device drivers. Refer to p.26 for details to confirm that the interface and computer are fully connected before opening your Digital DJ, or DAW application.
Microsoft Windows ® PC
In order to access the soundcard channels on your XONE:96 you will need to install the dedicated, ASIO* compatible, Device Drivers, which can be downloaded from the Allen & Heath website: www.allen-heath.com/xone96
•
PLEASE FOLLOW INSTALL INSTRUCTIONS CAREFULLY
NOTE:
Please ensure you are logged on to the PC with Administrator access enabled
• When the driver package has downloaded, extract the installer to your computer desktop.
Follow the on-screen instructions as detailed below:
The installer will also prompt you through the steps necessary to install this software.
• Double-click on the XONE:96 Driver Setup file to begin.
• Click Yes on the User Account Control prompt to confirm and continue installation.
•
•
Click Next to run the installer application.
Click on the Install tab to pre-install the Device Drivers to the default system folder.
A series of messages will be displayed…
*ASIO is a trademark and software of Steinberg Media Technologies GmbH
ALLEN & HEATH 24 AP11645_1_XONE:96 User Guide
DRIVER INSTALLATION (PC) continued
•
•
•
•
This may take some time to complete.
Please wait while XONE:96 v4.43.0 software is installed…
Click Install If promoted to install Allen&Heath Sound, video and game controllers software.
Click Install if prompted to install Allen&Heath XONE:96 Audio Devices software.
•
•
•
•
Connect the XONE:96 mixer to your PC via the USB 1, or USB 2 port and power the unit ON *.
Click
Click
Next to continue once the pre-installation process has completed.
Finish to complete the Device Driver installation.
NOTE:
It is possible to run the XONE:96 Device Driver pre-installation process without connecting the
XONE:96 mixer to your computer.
In this case you will be prompted to “...
disconnect and reconnect the device to complete driver installation.”
If the mixer cannot be connected, click Yes on the prompt to close the application.
To complete installation, connect the XONE:96 to your PC via USB, power the mixer ON .
Wait a few moments for the PC to enumerate the mixer before opening your software application.
ALLEN & HEATH 25 AP11645_1_XONE:96 User Guide
DEVICE CHECKS (Mac and PC)
When first connecting the XONE:96 to a Mac or PC computer, check the interface is being recognised correctly by the system as follows, before opening your Digital DJ, or DAW software:
•
Apple macOS
• Connect the XONE:96 to your Mac via USB 1 or
•
USB 2;
The corresponding USB ACTIVE indicator illuminates BLUE when the mixer is powered ON.
On the Mac, navigate to: Finder / Applications /
•
Utilities / Audio MIDI Setup
From the Windows menu, select;
Show Audio Devices
In the Input and Output sections, 12 channels should be seen as shown.
•
Microsoft Windows PC
• Connect the XONE:96 to your PC via USB 1 or 2.
•
The corresponding USB 1/ 2 ACTIVE indictor illuminates BLUE when the mixer is powered ON.
On your PC, open the XONE 96 Control Panel
Status view displays: XONE:96 USB 1 (or USB 2)
• and Current Sample Rate
Format view Input and Output sections display:
12 channels and the currently selected bit depth.
•
•
•
•
•
The Format: menu displays the currently selected sample rate and bit depth
Sample rate is selectable from 44.1 to 96kHz.
Bit depth is selectable between 16bits and 32bits
Device Settings should be adjusted as required to suit particular applications and the host system’s
CPU capacity.
See p.35 for details of supported buffer sizes.
•
•
•
Sample Rate is selectable from 44.1 to 96kHz.
Bit depth is selectable between 16bits and 32bits
Device Settings can be adjusted as required to suit applications or host system’s CPU capacity.
See p.35 for details of supported buffer sizes.
• Next, navigate to:
START / Settings / Devices / Device Manager
• Expand Audio inputs and outputs to display;
Line (Xone:96 USB 1) and Speakers (Xone:96 USB 1)
Next, select Show MIDI Studio and check the
XONE:96 is displayed and highlighted as shown below.
• Expand Sound, Video and Game Controllers
XONE 96 Audio Devices sections to display;
Xone:96 USB 1 or Xone:96 USB 2 and
ALLEN & HEATH 26 AP11645_1_XONE:96 User Guide
MIDI CONTROL
MIDI stands for M usical I nstrument D igital I nterface; a protocol established in the 1980s to enable different keyboards, sequencers, drum machines, etc. to communicate with each other.
MIDI remains a common and popular means to enable remote control of functions within DJ performance, or
DAW (Digital Audio Workstation) software.
XONE:96 has the ability to send and receive MIDI data, with a total of 31 MIDI enabled controls; 19 buttons, 5 faders and 7 rotary switches that can be assigned as controls for most Digital DJ and DAW applications.
Refer to the following colour coded image and tables for details of the MIDI controls, assignment values, and to convert between equivalent hexadecimal, decimal and chromatic scale values.
ALLEN & HEATH 27 AP11645_1_XONE:96 User Guide
MIDI CONTROL continued
MIDI CONTROL XONE:96 CHANNEL MIDI VALUES
VALUE [HEX] 1 2 3 4 A B C D VCF 1 VCF 2 LR MIX MUTE NOTE/CC CH# OUT IN
CH SOURCE*
CH FADER
CH CUE
HPF
BPF
LPF
ON / OFF
PHONES 2
XFADER
NOTE* 16
00 01 02 03 CC 16
00 01 02 03 04 05 06 07 NOTE 16
0A 0E NOTE 16
0B 0F NOTE 16
08 09
0C
0D
10
11
NOTE 16
12 NOTE 16
2B 2C 2D 2E 2F 30 31 32 33 NOTE 16
05 CC 16
* CH IP SOURCE MIDI VALUES [HEX]
USB 1 13 17 1B 1F 23 27
PHONO 14 18 1C 20
LINE 15 19 1D 21
MIC A 24
NOTE
NOTE
NOTE 16
NOTE
16
16
16
MIC B 28
RTN A 25
RTN B 29
USB 2 16 1A 1E 22 26 2A
NOTE 16
NOTE 16
NOTE 16
NOTE 16
•
MIDI Channel Setup
The default XONE:96 MIDI Channel is 16, but can be changed to any channel between 1 and 16 when powering the mixer ON. To change the channel number:
•
•
Press and hold down both MIDI 1 and MIDI 2 switches
Power the XONE:96 mixer ON
CH A/ B /1-4 CUE, and FILTER 1/ FILTER 2 HPF Filter Type Select switches blink slowly
Press the corresponding CUE or HPF switch to select the required MIDI channel between 1 and 8*
NOTE : To access MIDI CH 9 - 16:
• Push the FILTER 1 or FILTER 2 ON/OFF switch once.
CH A/ B /1-4 CUE, and FILTER 1/FILTER 2 HPF Filter Type Select switches blink rapidly
• Press the corresponding CUE or HPF switch to select the required MIDI channel between 9 and 16*
*
CUE A = MIDI CH 1 or 9 ¦ CUE B = MIDI CH 2 or 10 ¦ F1 HPF = MIDI CH 3 or 11 ¦ CUE 1 = MIDI CH 4 or 12
CUE 2 = MIDI CH 5 or 13 ¦ CUE 3 = MIDI CH 6 or 14 ¦ CUE 4 = MIDI CH 7 or 15 ¦ F2 HPF = MIDI CH 8 or 16
• After the CUE or HPF switch is pressed, the switches stop blinking and Filter Type Select switch LEDs cascade to indicate the MIDI channel change is implemented.
NOTE : The new MIDI channel remains stored when the mixer is powered OFF and is recalled on subsequent power-cycles until any further change is made.
ALLEN & HEATH 28 AP11645_1_XONE:96 User Guide
MIDI IMPLEMENTATION TABLES
ALLEN & HEATH 29 AP11645_1_XONE:96 User Guide
TIMECODE SETUP - TRAKTOR SCRATCH PRO
This section explains how to configure the XONE:96 DJ Mixer to control playback via timecode from an external turntable or CD player when using TRAKTOR SCRATCH PRO.
• Ensure TRAKTOR SCRATCH PRO is installed and activated on your computer
NOTE: TRAKTOR PRO 2 does not support timecode control.
•
•
•
Ensure that your XONE:96 DJ Mixer is connected to the computer via USB 1 or USB 2.
Connect turntables or CDJ media players to the LINE / PHONO Inputs on the XONE:96.
Set the USB LN/PH switches on the XONE:96 rear panel for turntables or CDJ media players. e.g. Switch in to PH for use with turntables. Switch out to LN for use with CDJ media players.
• Next, on the XONE:96 top panel; set corresponding CH1 - 4 Input Select Switches to USB 1 or USB 2.
•
•
•
Next, in TRAKTOR SCRATCH PRO; open Preferences
Select the Audio Setup dialogue
Check, or select XONE 96 as the Audio Device macOS: XONE 96 USB 1 , or XONE 96 USB 2 ¦Windows: XONE 96 ASIO Driver *
*ASIO is a trademark and software of Steinberg Media Technologies GmbH
ALLEN & HEATH 30 AP11645_1_XONE:96 User Guide
TIMECODE SETUP continued
•
•
•
•
•
Next, select the Output Routing dialogue
Check, or select Mixing Mode > External .
When connected, the XONE:96 internal soundcard routing for input channels 1 - 8 defaults as shown:
TRAKTOR Deck Layout: C-A-B-D
Next, select the Input Routing dialogue
When connected, XONE:96 internal soundcard output channels 1 - 8 defaults as shown;
TRAKTOR Deck Layout: C-A-B-D
TRAKTOR Deck Layout: C-A-B-D
C A B D
ALLEN & HEATH 31 AP11645_1_XONE:96 User Guide
TIMECODE SETUP continued
•
•
Select the Timecode Setup dialogue
Change the Timecode inputs on the decks (A/B/C/D) from;
Internal Playback to Scratch Control
•
•
•
Select the Decks Layout dialogue
In the Platter / Scope dialogue, choose Scope for the Decks you want to control with timecode.
CALIBRATE the deck/s on the scopes with the timecode source;
Control CD, Control Vinyl, or WAV on a USB stick.
ALLEN & HEATH 32 AP11645_1_XONE:96 User Guide
RECORDING A MIX - TRAKTOR SCRATCH PRO 2
On the XONE:96 top panel, set the USB 11/12 MST/SEND 2 switch up to: MST .
•
•
•
•
•
•
•
In Traktor, select the Input Routing dialogue.
Set an unused Input ( Deck , or FX Send (Ext) ) to: L (Mono)11: Send 2 L/MST L ¦ R 12: Send 2 R/MST R
Next, select the Mix Recorder dialogue.
Set Source to: External .
Set External Input to the corresponding Input Deck, or Input FX Send (Ext) assignment (as above).
Finally, go to the Audio Recorder in the main TRAKTOR screen, set your level and hit record.
ALLEN & HEATH 33 AP11645_1_XONE:96 User Guide
BLOCK DIAGRAM
ALLEN & HEATH 34 AP11645_1_XONE:96 User Guide
TECHNICAL SPECIFICATIONS
Hardware Specification
Output Levels; Nom (0VU) / Max MASTER 1
INSERT
MASTER 2
BOOTH
RECORD
Channels Internal headroom
Frequency response
Distortion
Crosstalk
Residual Noise (22Hz - 22kHz)
+ 4dBu /
- 2dBu
+ 20dB
LINE IN to MST out
+ 24dBu
+ 4dBu / + 18dBu
+ 4dBu / + 18dBu
- 8dBu / + 10dBu
+/-0.5dB from 20Hz to 30kHz
Typically 0.03% @ 1kHz 0dBu (THD+Noise 22Hz to 22kHz)
< -85dB inter-channel @ 1kHz +10dBu
Mix Noise (22Hz - 22kHz)
MASTER 1
MASTER 2
BOOTH
Master 1
- 98dBu
- 98dBu
-101dBu
- 90dBu
Mic Gain
RIAA Gain
Channel Meters
Master Meters
Master 2
Booth
Record RCA
+40dB, EIN = -120dB (@ 40dB gain with 150R source)
+42dB @ 1kHz (6mV RMS= 0VU @ 1kHz)
9 LED
11 LED
- 85dBu
- 85dBu
- 90dBu
- 20dBu to + 10dBu
- 35dBu to + 10dBu
Channel EQ A/B
Channel EQ 1-4
HI
LO
HI
HI MID
LO MID
3kHz
180Hz
3kHz
1.1kHz
350Hz
+ 6/∞ dB
PARAMETRIC 190Hz - 2.75kHz +10/-24dB
+ 6/∞ dB
+ 6/∞ dB
+10/-27dB
+10/-27dB
+ 6/∞ dB
Channel faders 1-4
LO 180Hz
Cross-fader
60mm VCA control individually replaceable.
Plug in replacement - user replaceable [A&H spare-part#: AI11470 ]
< -85dB shutoff @1kHz +10dBu
45mm innoFADER VCA control.
Plug in replacement - user replaceable [A&H spare-part#:
Filters Dual, stereo, analogue Voltage Controlled Filters.
Digital Architecture (USB) Specification
004-999X ]
Analogue/Digital Line-up
Audio Channels:
0dBu = - 14dBFS
24 Channel (6 Stereo IN / 6 Stereo OUT),
Supported Variable Buffer Sizes: 32 / 64 / 128 / 256 / 512 / 1024 / 2048 / 4096 / 8192 samples
Supported Sample Rates:
Supported Bit depth:
USB MIDI Channels:
44.1 kHz / 48kHz / 88.2kHz / 96kHz
16 bit / 32 bit
2 x MIDI IN / 2 x MIDI OUT (USB 1 and USB 2)
ALLEN & HEATH 35 AP11645_1_XONE:96 User Guide
SPECIFICATIONS continued
Model
Type
EQ
Mic Input
MST 1 Output
MASTER INSERT
MST 2 Output
BOOTH Output
RECORD Output
Send/Return I/O
Aux Sends
X-Link
Filters
Channels
BOOTH
USB Soundcards USB1 / USB2
USB Inputs
Line Inputs
USB Outputs
Phono Inputs
Earth Ground Terminals
Channel Faders
Chanel Meters
Channel Fader Curve
X-Fader
X-Fader Curve Settings
MIDI Assignable
MIDI Out
MIDI In
Power Supply
AC Mains
Mains Adaptor
XONE:96
Analogue
6 + 2
4-Band: CH 1- 4 ¦ 3-Band, Parametric: CH A/CH B
3-Band EQ ¦ STERO/MONO ¦ MUTE ¦ Level
2 x 24 Channel ¦ 12 in / 12 out [6 x Stereo pairs]
Hi-Speed USB2.0 [USB B] ¦ macOS Class Compliant [see p.24]
32bit / 96kHz
2 x MIDI IN
2 x MIDI Out
2 x 6: [CH 1- 4 ¦ SEND1 ¦ MST/SEND2]
2 x 6: USB1 / USB2 [CH 1- 4 ¦ CH A - D]
4 x RCA: CH 1- 4
LN/PH Switch for DVS x 2
4 x RCA [CH 1- 4]
4 x 1/4" TRS [RTN A - D] Mono/Stereo
2 x XLR [MIC A / MIC B]
1 x XLR [Balanced]
2 x 1/4" TRS [Balanced SEND / Un-balanced RETURN]
1 x 1/4" TRS [Balanced]
1 x 1/4" TRS [Balanced]
1 x RCA [Un-balanced]
2 x 1/4" TRS [SND1 / SND2] Mono/Stereo
4 x 1/4" TRS [RTN A - D] Mono/Stereo
1 x LN/Hi-Z Switch [SND 1 / RTN A]
2 x CH 1- 4 + CH A, CH B [SEND1 selectable Pre/Post]
1 x RJ45 Ethernet
2 x Stereo analogue Voltage Controlled Filters
HPF / BPF / LPF Response Select ¦ ON/OFF [soft switched]
Adjustable FREQ / RES / CRUNCH [Controlled Harmonic Signal Distortion]
Assignable CH 1- 4, CH A, CH B
60mm linear Voltage Controlled Amplifier [CH1 - 4, user replaceable]
9 Segment LED
3 Types innoFADER MINI standard ¦ 45mm linear VCA [user replaceable]
3 Types
Yes: MIDI CC ¦ MIDI Note ON/OFF
USB 1 / USB2 ¦ 1 x 5-pin DIN ¦ X:Link
USB 1 / USB2 [CUE ¦ ON/OFF ¦ MUTE]
Internal switch mode power unit [SMPS] with auto sensing mains input
100 to 240V AC ¦ 50/60Hz
Consumption 45W max
Rear panel mounted ON/OFF switch
3 pin IEC socket with cable clamp. Molded AC plug [supplied]
ALLEN & HEATH 36 AP11645_1_XONE:96 User Guide
XONE:96
Height
Width
Depth
Weight
PANEL DRAWINGS, WEIGHTS & DIMENSIONS
PACKED
109mm
339mm
410mm
7kg
UN-PACKED
4.3”
13.4”
16.2”
15.4lbs
190mm
450mm
530mm
8.9kg
7.5”
17.7”
20.9”
19.5lbs
Top Panel View
ALLEN & HEATH 37 AP11645_1_XONE:96 User Guide
Rear Panel View
PANEL DRAWINGS continued
IMPORTANT Warning ! Do NOT cover louvres on Front or Side Panels !
NOTE: XONE:96 is NOT compatible with standard Xone Series or other A&H Rack Ear kits. An optional XONE:96 kit is available, designed to allow permanent fixing of the mixer into a plinth, or custom rack system:
Order A&H part code: X.96-RKX
Front Panel View
Side View [Right]
ALLEN & HEATH 38 AP11645_1_XONE:96 User Guide
OPERATING LEVELS
It is most important that the system level settings are correctly set. It is well known that many DJs push the level to maximum with meters peaking hard in the belief that they are getting the best from the system.
THIS IS NOT THE CASE
The best can only be achieved if the system levels are set within the normal operating range and not allowed to peak. Peaking simply results in signal distortion, not more volume.
It is the specification of the amplifier / speaker system that sets the maximum volume that can be achieved, not the console. The human ear too can fool the operator into believing that more volume is needed. Be careful as this is in fact a warning that hearing damage will result if high listening levels are maintained.
Remember that it is the QUALITY of the sound that pleases the ear, not the VOLUME.
The diagram below illustrates the NORMAL OPERATING RANGE of the audio signal.
For normal music the signal should range between – 6 and +6 on the meters with average around 0dB.
This allows enough HEADROOM for unexpected peaks before the signal hits its maximum CLIPPING voltage and distorts. It also achieves the best SIGNAL-TO-NOISE-RATIO by keeping the signal well above the residual
NOISE FLOOR (system hiss).
The DYNAMIC RANGE is the maximum signal swing available between the residual noise floor and clipping.
An important note …
!
The human ear is a remarkable organ with the ability to compress or ‘shut down’ when sound levels become too high.
Do not interpret this natural response as a reason to turn the system volume up further !
As the session wears on ear fatigue may set in, and the speaker cones may become hot so reducing the effectiveness of the system and listeners to gain any benefit from increased volume
ALLEN & HEATH 39 AP11645_1_XONE:96 User Guide
EARTHING
The connection to earth (ground) in an audio system is important for two reasons:
SAFETY - To protect the operator from high voltage electric shock, and
AUDIO PERFORMANCE - To minimise the effect of earth (ground) loops which result in audible Hum and buzz, and to shield the audio signals from interference.
For safety it is important that all equipment earths are connected to mains earth so that exposed metal parts are prevented from carrying high voltage which can injure or even kill the operator.
It is recommended that a qualified system engineer check the continuity of the safety earth from all points in the system including microphone bodies, turntable chassis, equipment cases, and so on.
The same earth is also used to shield audio cables from external interference such as the hum fields associated with power transformers, lighting dimmer buzz, and computer radiation. Problems arise when the signal sees more than one path to mains earth. An ‘earth loop’ (ground loop) results causing current to flow between the different earth paths. This condition is usually detected as a mains frequency audible hum or buzz.
To ensure safe and trouble-free operation we recommend the following:
Have your mains system checked by a qualified electrician.
If the supply earthing is solid to start with you are less likely to experience problems.
DO NOT remove the earth connection from the console mains plug.
The console chassis is connected to mains earth through the power cable to ensure your safety. Audio 0V is connected to the console chassis internally. If problems are encountered with earth loops operate the audio ‘ground lift’ switches on connected equipment accordingly, or disconnect the cable screens at one end, usually at the destination.
Make sure that turntables are correctly earthed.
A chassis earth terminal is provided on the console rear panel to connect to turntable earth straps.
Use low impedance sources such as microphones and line level equipment rated at 200 ohms or less to reduce susceptibility to interference. The console outputs are designed to operate at very low impedance to minimise interference problems.
Use balanced connections for microphones and mix output as these provide further immunity by cancelling out interference that may be picked up on long cable runs. To connect an unbalanced source to a balanced console input, link the cold input (XLR pin 3 or jack ring) to 0V earth (XLR pin 1 or jack sleeve) at the console.
To connect a balanced XLR output to unbalanced equipment, link the cold output to 0V earth at the console.
Use superior quality cables and connectors and check for correct wiring and reliable solder joints. Allow sufficient cable loop to prevent damage through stretching.
If you are not sure ...
Please contact your local Allen & Heath service agent or distributor for advice: www.allen-heath.com
ALLEN & HEATH 40 AP11645_1_XONE:96 User Guide
For more information, please visit our website: www.allen-heath.com
ALLEN & HEATH 41 AP11645_1_XONE:96 User Guide
Advertisement
