Harris NeuStar SW4.0 Audio Processor User Manual

NeuStar SW4.0 User Manual
User Manual
Version SW4.0 2.5.4 R
February 2008
Neural Audio - 1
NeuStar SW4.0 User Manual
Table of Contents
Introduction:....................................................................................................................... 3
Theory behind operation: ................................................................................................ 4
System requirements:...................................................................................................... 5
Installation: ........................................................................................................................ 6
Starting NeuStar SW4.0: ................................................................................................. 7
Assigning audio paths: ................................................................................................ 7
Signal Flow: ....................................................................................................................... 9
Tour of interface: ............................................................................................................ 10
General Controls: ........................................................................................................... 11
Processing audio: ........................................................................................................... 13
b. Spectrum ............................................................................................................. 13
c. Loudness ............................................................................................................. 14
d. Intensity- .............................................................................................................. 17
e. N-CLAS (Neural Coding Load Analysis System) – ....................................... 18
Best practices – getting the sound you want ......................................................... 20
Presets: ............................................................................................................................ 22
Preset Descriptions: ................................................................................................... 22
Virtual Audio Cable: ....................................................................................................... 24
FAQ: ................................................................................................................................. 27
Contact Information: ...................................................................................................... 28
Limited Warranty ............................................................................................................ 29
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NeuStar SW4.0 User Manual
Introduction:
Thank you for purchasing NeuStar SW4.0™. You‟ll quickly discover NeuStar is the most
advanced audio processing solution available for low bit rate audio. With the combination
of Codec Friendly™ audio processing tools and Neural Audio‟s patented Codec PreConditioning™ you can be guaranteed that your listeners will receive the highest quality
audio performance for any supported codec at any given data rate.
NeuStar SW4.0 is the software version of the NeuStar 4.0 codec pre-conditioner. It is
designed to run on any Windows XP computer, including the HD-Radio Importers, and
uses the same processing algorithms as NeuStar 4.0 in a Windows environment.
NeuStar SW4.0 runs as a stand-alone Codec Pre-Conditioner / Processor or in
conjunction with traditional broadcast processing, and can add the benefits of Codec PreConditioning to any signal path. This software includes the same features found in the
hardware version of NeuStar™ 4.0, but also allows broadcasters to simultaneously
process HD2, HD3 and HD4 channels or multiple internet streams. This unique feature
reduces broadcasters‟ rack space and the need for additional hardware.
NeuStar SW4.0 features Neural Coding Load Analysis System (N-CLAS) to dramatically
decrease codec artifacts. A breakthrough in codec pre-conditioning, N-CLAS actually
predicts and visually displays when and where the coding artifacts caused by difficult
content will occur. N-CLAS then subtly modifies the content ahead of actual encoding.
This patent-pending audio processing solution is not found in ANY other audio
product. Coupled with Codec-Friendly audio processing, N-CLAS creates the perfect
processing solution for low-bit rate audio applications. It allows broadcasters to maximize
their codec performance while maintaining a “signature sound,” making it the ideal tool for
HD-Radio Multicast, Internet Streams, ISDN / POTS remotes, Satellite Syndication, STL
protection, DAB, DRM, Podcasts, etc.
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NeuStar SW4.0 User Manual
Theory behind operation:
NeuStar was built from the ground up to be codec-friendly. Every component of
processing either does its job with the least amount of impact to the audio in relationship
to the codec or enhances the performance of the
Experiment: Audio processing is one of
audio before passing to the codec.
the biggest influences on how well audio
performs through a low bit rate perceptual
audio codec. To experiment with this
Every section of NeuStar is designed to be
concept, try placing a traditional broadcast
parametric. While there will be natural overlaps,
audio processor ahead of a low bit rate
each component is designed to address a
audio codec. Recall an aggressive preset
specific characteristic of audio control. The
such as CHR or Hot AC and listen to the
resulting audio from the codec. Compare
sections are separated to address spectral
the processed audio to the original audio
balance (equalization), loudness (volume
through the codec without processing. You
management), density (dynamic range), and
will notice that by driving up density and
codec analysis (pre-condititioning). Unlike a
loudness, you‟ve also increased audible
traditional broadcast processor, this allows the
artifacts and quantization noise.
broadcaster to accomplish consistent
equalization and consistent volume without increasing density. Density can then be
addressed in the final processing stage before codec pre-conditioning.
Neural Audio recognizes that allegiance to broadcast processing can run deeper than
politics or religion. That being said, each NeuStar component can be bypassed. By
bypassing one component or another, the software can work exclusively as a codec preconditioner or dynamics processor, leaving other audio flavorings to a secondary device.
If strictly used as a codec pre-conditioner in conjunction with an upstream processor the
NeuStar can be thought of as the „final rinse cycle‟ before an audio codec.
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NeuStar SW4.0 User Manual
System requirements:
a. Recommended system requirements:
i. Intel® Pentium® III or 4 or Intel Centrino™ (or other SSE-enabled)
processor (Pentium 4 or other SSE2-enabled processor required for
video)
ii. Microsoft® Windows® XP Professional, Server 2003, or Home Edition
with Service Pack 2
iii. 512MB of RAM (1GB recommended)
iv. 200MB of available hard-disk space
v. 1,024x768 display (1,280x1,024 recommended)
vi. Sound card with DirectSound or ASIO drivers (ASIO with internal
bussing highly recommended for processing of multiple stereo streams)
vii. USB port for dongle licensing
viii. CD-ROM drive
ix. Speakers or headphones recommended
x. Internet or phone connection required for product activation, installation
and Internet-related services
b. Make sure your computer meets the recommended hardware specifications.
SW4.0 is a processor intensive application that requires additional processing
overhead to absorb unexpected Windows events. Without this additional
overhead, other processes can result in audio glitches.
c.
It is important to choose a professional sound card for glitch free operation. If
given the choice, choose a sound card that offers ASIO drivers. ASIO offers
better stability over DirectSound, though either driver type is supported and
should be installed prior to starting the installation of the NeuStar software. We
have had good success with the Lynx Studio AES16 cards.
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NeuStar SW4.0 User Manual
Installation:
1. Check to see that your computer meets the recommended hardware specifications
before proceeding. **Note: all sound card drivers should be installed prior to the installation of
SW4.0**
2. Register with www.neuralaudio.com/support/ and check for the latest version of NeuStar
SW4.0
3. Before attaching the USB key to a USB port, insert the SW4.0 installation CD. If the
installation does not automatically start, run the install file called Setup.exe located in the
root directory.
4. You will be prompted as each section of the NeuStar software is installed. You may be
required you to connect to the internet to download the .NET 2.0 package from Microsoft.
If prompted, restart your system.
5. Once installation has completed, attach the USB key to your USB port. **The USB Key must
always be present to run SW4.0. If this key is lost, the software will need to be repurchased.**
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NeuStar SW4.0 User Manual
Starting NeuStar SW4.0:
1. Attach the provided USB key to an open USB port.
2. Locate the shortcut for SW4.0 under Start>All Programs>Neural Audio>NeuStarSW40
and click to open.
3. If you receive an error indicating there is no USB key is present, check to make sure the
USB key is firmly attached. Also, review the installation steps above and confirm using
Add/Remove Programs that the „HASP HL Device Driver‟ has been installed.
4. Once Started NeuStar will open to a grey screen. At this point proceed to configuring
audio paths and starting a session file to begin processing audio.
Assigning audio paths:
1. SW4.0 can process multiple channels of audio simultaneously assuming the audio card
driver supports this. Many cards are shipped with more than one set of drivers. The
table below shows the features of each:
DirectSound
ASIO
MME
Supported Driver
YES
YES
YES
Supported for
Maybe (see
YES
NO
Note)
Multi-Channel
Stability
HIGH
HIGHEST
HIGH
LStream used in place of VAC in Lynx
Virtual Audio
YES
YES
Multichannel cards
Cable
http://www.lynxstudio.com/lstreamloopback.
compatibility
html
Note: SW4.0 only supports ASIO drivers for multiple channels of concurrent processing and does
not support DirectSound drivers in multi-channel mode. To process more than one DirectSound
channel on a single computer open multiple occurrences of SW4.0. While we cannot endorse or
support 3rd party products, some users have found success with http://www.asio4all.com/ to wrap
Direct Sound drivers causing them to appear as a single ASIO device.
2. To select an audio card driver for input / output locate the drop down menu Audio
Engine> Audio devices.
3. Choose the appropriate drivers under Input and Output for your specified audio devices.
Your audio card driver is now setup and ready for access.
4. Start the audio engine.
i. To start the engine open a new session by
clicking this icon:
Don’t Forget: Windows
system events can trigger
audio interruptions or “tadas” in your broadcast
unless you change your
default playback device to
send system audio to a
separate audio destination
than that used for broadcast.
ii. Press the start button:
iii. Opening a new session automatically creates
a new software channel of processing. By
default first processing channel is called
“Channel 1”. This can be renamed
appropriately HD2, Internet Stream 6, etc. by
right-clicking on the label.
iv. Audio card drivers should ready to access after completing step 2. Now
it‟s time to assign an appropriate audio channel available from the drivers
(assuming the drivers offer multiple channels of audio support).
v. To assign an audio input to the software channel, highlight that channel‟s
tab then go to drop down menu Channel> Assign Channel Input Paths..
This Dropdown allows you to select any channel within your audio card
driver and assign it to the software channel of the tab highlighted. (See
diagram).
vi. Repeat for the output (See diagram).
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b. Verify that you now have audio flowing through the software.
5. Audio stutters or dropoutsa. Unfortunately a side effect of running many pieces of software and services on a
single machine is that they all compete for system resources. Newer machines
can usually handle this with few if any problems but occasionally resources can
become taxed. If NeuStar SW4.0 runs out of resources audio stutters or
dropouts can occur. If this happens there are a few things that can help this:
i. Increase the audio buffer size to
smooth out the wrinkles when
NeuStar acquires audio from one
source and sends it to a destination.
Buffer settings can be found under
Audio Engine>Audio Devices Menu.
The trade-off of a larger buffer is a
longer delay through the NeuStar.
This usually isn‟t an issue with digital
transmission paths with many
seconds of delay.
ii. Increase the Processor and Thread
priorities under the Audio Engine
Menu. Make sure and Restart the
audio engine after making changes to
priorities.
iii. If using a Virtual Audio Cable in the air
chain, experiment with the MS Per Int
control to fine-tune the frequency of
how often it sends or receives data to
NeuStar. If the Virtual Audio Cable
parameters are grayed out, the cable
is in use and devices using the cable
will first need to be stopped before changes are made.
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NeuStar SW4.0 User Manual
Signal Flow:
The following shows the signal path through a single channel of
SW4.0:
NeuStar SW4.0 Signal Path (Single Channel)
Physical Soundcards and / or Virtual Audio Cables
Fixed-point meters
with 0dB Full-scale
Ref.
Fixed-point meters
with 0dB Full-scale
Ref.
Virtual
Headroom
Software Gain
Control
(supports virtual
headroom)
NeuStar Audio Processing
Spectrum
Intensity
Loudness
N-CLAS
After audio is received from an input device it is metered with fixed point metering (0dB full-scale
reference) on the Master Input Menu to show the actual input value of the audio. It is then routed
into a Channel in NeuStar SW4.0. NeuStar uses floating point math to represent audio
information which has the benefit of not having a ceiling to headroom, thus Virtual Headroom is
displayed on the Channel Properties meters.
Once audio is passed through the NeuStar Processing it again enters a conversion process to
transform this Virtual Headroom back into a fixed point value for the next audio device to
understand. It‟s important to remember that while digital 0dB can be exceeded in the Channel
Properties metering, it cannot be exceeded on the Master Output metering without audible
clipping occurring.
It‟s useful to set the average input volume close to the Desired Perceptual Level found under
Loudness. Use the fader located between the Input Meters to adjust this value. To zero the
fader hold down Ctrl while clicking on the fader control.
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Tour of interface:
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General Controls:
1. Navigation
a. NeuStar SW4.0 uses a series of dockable windows for ease of customization.
This allows many features to be viewed at once with infinite layout opportunities.
In the event windows become out of order and need to be reset simple Reset the
Window Layout.
b. Many Menus within NeuStar 4.0 are right-click enabled to provide added features
and shortcuts to the controls.
c. Double-clicking faders or knobs resets the control to a center point.
d. Holding Shift while moving the mouse slows the control to allow for more
granular changes.
e. Instead of attempting to move the mouse in a circular pattern to control knobs,
Click and hold the knob while dragging the mouse up or down.
2. Controls found on ever Processing / Effect Tab:
a. A / B toggles- Each section allows easy comparison of changes using a “store A”
then “store B” now compare A to B toggle. To use make a few desired changes
and the click “Store A”. Make more changes and click “Store B” Use the A & B
buttons to temporarily compare your changes.
b. Meters On / Off- Meters for each section can be toggled on or off. It is
sometimes useful to freeze a meter for analysis.
c. In-line / Bypassed- This may be one of the most useful controls when setting up
NeuStar SW4.0 This toggle allows the user to bypass any section of the
software to isolate specific characteristics of each section. Keep in mind that this
control‟s state is saved when a preset is saved.
3. Sessions- A Session refers to all presets and audio routing configurations running within
SW4.0 at a given time. Session files can be saved and recalled at any point, allowing the
software to recover into a last-saved state when rebooted. These session files can also
be placed into the Windows Startup folder to automatically execute NeuStar SW4.0 in the
event of a reboot.
4. Buffer Usage Meter- The buffer usage shows how full or depleted the internal audio
buffering is within NeuStar SW4.0. If there is a discrepancy between the speed which the
input device fills the buffer and the speed which output device empties the buffer, there is
potential for a buffer over run or buffer under run. In the event this happens, audio will
briefly disappear until the buffer resets itself. To resolve buffer problems:
a. Increase the buffer size by changing the Total Buffer Latency setting found under
the menu Audio Engine>Audio Devices.
b. If either your input or output device is a Virtual Cable, change the Ms Per Int
setting found in the Virtual Audio Cable Control Panel. (See Virtual Audio Cable
for more information).
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5. Channel Latency Timer- the Channel Latency Tracker is designed to help track subtle
changes in audio through an audio path with a long delay. This can help dial in subtle
changes without the need for a separate watch or timer to aid in hearing when a change
might be heard. That being said, the Latency Tracker is meant as a loose guide. To use
this function follow these steps:
a. First select the button on the top left hand side of the Latency Tracker that says
„Track‟. The button will then read „Stop‟ at which point the tracking feature is
enabled.
b. Next, as audio travels through SW4.0 click the „Timer‟ button. *Caution* This will
insert a quick mute on the input of the software as the timer starts counting.
c. As soon as soon as the muted audio is heard, press the „Apply‟ button. The
Latency tracker is now set displaying the approximate latency of your audio
monitoring path.
d. Once set, every change to SW4.0 will reset the Latency Tracker‟s countdown
timer helping indicate when a change in audio might be heard. This process is
automatic and will continue until you select the stop button.
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NeuStar SW4.0 User Manual
Processing audio:
The audio processing is setup to flow linearly from top to bottom
through SW4.0. As mentioned in the theory section, each portion
of SW4.0 is designed to address a specific characteristic of audio
control. The sections are separated to address spectral balance
(equalization), volume management, density (dynamic range), and
codec analysis (pre-condititioning).
b. Spectrum
The Neural Spectrum tab can be thought of as Dynamic
or Active Equalization. While traditional broadcast processing
uses a balance of fixed EQ, Multi-band compression, and Multi-band limiting to
achieve consistent spectral balance of program content, Spectrum achieves this
consistency independent of volume, without effecting dynamics. Spectrum, is a
spectral management tool that dynamically varies the amount of gain or
attenuation applied to each of 25 sub-bands to maintain the user defined target
equalization curve. This correction allows the broadcaster to maintain a
signature sound whether it be warm and thumpy, or smooth and balanced.
i. Metering –
1. A spectral view in dB
a. Green- The green line represents the spectral energy of
the audio at the input of the software. From this you can
see which bands contain the most energy.
b. Grey- (blends into the background) The grey line
displays the target curve created by the sliders below the
metering window. This target curve is the desired
equalization shape Spectrum will correct the incoming
audio to match.
c. Red- The red line represents the correction that
Spectrum applies to make the incoming audio match the
spectral target shape. The further the red line deviates
from the zero position, the more correction is being
applied.
2. Ratio
a. Ratio shows the relationship of signal-to-correction that
Spectrum can apply to the content. The ratio varies
based on the spectral flatness of the signal. For
example, the ratio will drop to 1:1 when a sine wave
travels through Spectrum since the sine wave does not
have a additional frequencies of reference deeming it too
loud or too soft. In very spectrally diverse content the
ratio will approach ∞:1 allowing the maximum amount off
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NeuStar SW4.0 User Manual
ii.
iii.
iv.
v.
vi.
vii.
viii.
correction. You can bias this ratio by using the Ratio
Modifier control.
Target sliders - The 25 target sliders parallel the critical bands of a
perceptual hearing model. These controls allow shaping of the target
curve of equalization (spectral shape).
Learn mode – Learn mode allows Spectrum to capture the spectral
shape of the content as it travels through the software. When a user
„Starts‟ Learn Mode, the signature curve of the current content will be
captured then „Applied‟ to all future content when the user exists Learn
mode. Keep in mind that the Correction Window, Freq Resolution,
Release and Window controls also apply when Spectrum is in capture
mode.
Ratio Modifier – Ratio Modifier allows Spectrum to be biased to react
more or less to differences in tonal vs. noise-like signals. See Metering:
Ratio
Correction Window – Defines the maximum dB of correction Spectrum
can apply to any given frequency band.
Freq Resolution- Controls the amount of smoothing between each
frequency band.
Release- Controls the speed in which Spectrum‟s correction is applied.
Notice that when this number is smaller, the graph moves slower. Be
cautious not to set this Release time too quickly as to cause undesirable,
audible equalization changes.
Window- The Ratios Window controls ratio or correction over the
frequency spectrum. This prevents Spectrum from bringing up hiss or
rumble in speech or narrow band formats. For example a window like
this:
would have an ∞:1 ratio in the mid-bands with a 1:1
ratio in the lowest and highest bands.
c.
Loudness
Neural Loudness is a wide-band volume management solution that uses a
perceptual hearing loudness model to
Experiment: Create two audio files. In the
determine the loudness of content instead of
first file record a noise-like signal such as
RMS, peak values, etc. By using this
applause or pink noise. In the second file
record a single tone (440Hz, 1KHz). Use a
perceptual loudness model, Loudness can
trusted VU meter to set both of these to play
detect how a human ear might perceive the
back at exactly the same level. Now
loudness of content instead of relying strictly
without watching the VU meter use your
ears to set these two signals at the exact
on classical forms of energy / power
same level. Does the VU meter track with
measurement. The goal of Loudness is to
your hearing? Try this comparison at
maintain perceptual loudness without
various listening levels with various tones.
increasing density.
You might be surprised at the results! The
i. Metering –
difference can be explained in the variance
of how VU meters measure audio (typically
1. Loudness History- A
RMS or Peak vs. how audio is actually
thirty second snapshot
precieved by the human ear. This is where
of loudness
perceptual loundeness models become
measurements with a
useful.
real-time transparent
spectral view of loudness displayed in the background.
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NeuStar SW4.0 User Manual
ii.
iii.
iv.
v.
a. Dark Blue- Short-term loudness of audio over time.
b. Red- Perceived loudness estimate plus ballistics
weighting. (gain control is derived directly from this).
c. Light Blue- The shaded difference between short-term
loudness values and the perceived loudness estimate.
d. Transparent Grey- Spectral display used to determine
perceived loudness and can be useful when setting the
High Pass Freq Side Chain control.
2. Loud- display of short-term loudness estimate.
3. Gain- Represents the gain being applied or removed to reach the
desired perceptual loudness level.
4. Release- The Release meter shows the percentage of release
speed permitted. The release time can vary based on a
standard deviation measurement (an analysis of how much the
signal varies over time). This allows the release time to be very
slow during speech events and very quick during music events.
A higher meter value indicates a quicker release time.
Desired perceptual level (dB) – This is the target loudness level the
Loudness process will attempt to maintain. This control directly
influences the average level of audio that is sent to Intense and can be
thought of as a „drive‟ before multi-band compression. It‟s important to
remember that when setting this control, Loudness is a perceptual
measure of audio while Intensity is an RMS measure of audio. Be
careful not to over-drive Intensity with something that might be
perceptually consistent but too hot when measured by the RMS measure
in Intensity. This could result in heavy final limiting.
Correction Window (dB)- The amount of correction that can be applied to
achieve a desired perceptual level. When setting this control, consider
the noise-floor of your content. Adjust this control to achieve good
volume management without aggressively accentuating the noise in your
content and transmission path.
Ratio Control- Ratio represents the relationship of input level vs.
correction applied when audio deviates from the desired perceptual level.
Release (dB/s)- The release control sets the max dB/second of release
speed allowed. A larger value represents a faster release speed while a
smaller value represents a slower release speed.
Keep in mind that there are a few ways to bias the release rate beyond the
Release control. It‟s important to also adjust the Release Modifier and
Dead Band controls when considering the ballistics of the release time.
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NeuStar SW4.0 User Manual
vi. Release Modifier- The Release Modifier allows
What is Standard
Deviation Analysis?
biasing of the release time based on a
By analyzing the
standard deviation analysis. This feedback
difference of short term
can be used to slow the release time when a
loudness compared to the
high amount of deviation occurs and speed up
average short term
loudness, a value can be
release time when a low amount of deviation
obtained that reflects the
occurs. A setting of 0% means a
consistency of audio
measurement of constancy will not have any
loudness.)
effect on release time. A setting of 100%
means release time is completely dependant on the audio‟s consistency.
In English please? During dynamically inconsistent content release time
is slowed. This keeps the volume management from pumping and
breathing during events such as speech. During dynamically consistent
content release time is sped up, allowing volume management to be
agile and react quickly. The Release Modifier allows the user to bias the
relationship between the analysis process and the modification of the
release time. By watching the Rel meter, users can see how much the
Release Modifier is affecting the release time. A value of 100% indicates
the release time is at its shortest value; volume management will release
very quickly. A value of 0% indicates a very long release time; volume
management will release very slowly. The following shows an example
these settings during a drum beat:
Less „Release
Modifier‟
biasing of the
Release time
Unaffected,
= fast release
time
More „Release
Modifier‟
biasing of the
Release time
Slowed
= release
time
Volume
management
that pumps
with music
Consistent volume
management
vii. Dead Band- The Dead Band control allows subtle gain correction to be
dampened while major gain changes remain untouched. This can be
thought of as way to smooth gain correction. By smoothing the amount
of gain correction, spectral growth caused by over modulation can be
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kept to a minimum.
viii. High Pass Freq (Hz)Side Chain– High pass cut-off to prevent low
frequencies from impacting gain control. Use the Transparent Grey
Spectral display to help set this appropriately. This is a useful tool during
content with lots of low frequencies such as Urban / Hip-Hop formats.
d. IntensityNeural Intensity is a tool to allow the broadcaster to control dynamics, add
density, protect the output from clipping and melt the dial off a radio or internet
stream if they like. It‟s the most traditional tool within the NeuStar SW4.0 suite with a
few fancy twists. Intensity is a hybrid between a multi-band compressor and a multiband limiter; the multi-band section is followed by a final compression / limiting
section. This approach vastly reduces Inter-Modulation as compared to traditional
solutions, a side effect of heavy audio processing that plays havoc on codecs. That
being said, it‟s important to understand that adding too much density to any audio
signal will compromise audio quality when sent through low data rate perceptual
audio codec.
i. Metering-
1. Main attenuation window- displays the reduction of each
frequency band. Each band is color coded so you can watch
how they interplay.
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2. Final limiting reduction- Displays the attenuation being applied to
the final output before codec preconditioning.
3. Final output- Final output level with increased scaling as
compared to the main output window.
ii. X-Over Freq- Allows movement of each filter for precise control.
iii. Ceiling- The maximum dB output level allowed before ∞:1 limiting.
iv. Threshold- The onset value of compression / limiting as referenced to the
Ceiling value. By moving the Threshold to 0dB (against the Ceiling) you
can turn Intense into hard limiting, the further away from the Ceiling the
more you‟ll experience compressor characteristics. In other words the
closer the Threshold is to the Ceiling, the harder the limiter. (see
diagrams)
Ceiling
Threshold
set below
Ceiling for
compression
Output
(dB)
Input
(dB)
Ceiling
Threshold
Set to 0dB
(at Ceiling)
For hardlimiting
Output
(dB)
Input
(dB)
v. Release- Speed in which Intensity function can return to a resting state
noted in dB per second.
vi. Make-Up- Gain applied before each band is summed to Drive
vii. Drive- Gain applied after Make-Up but before the Final Limiting Section.
e. N-CLAS (Neural Coding Load Analysis System) –
If Intensity is the most traditional tool in the NeuStar Software Suite, NCLAS is the most unique tool within the suite. N-CLAS is a patent pending
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NeuStar SW4.0 User Manual
process for assessing troubled audio content ahead of low data rate
transmission paths and correcting the content before the audio codec. By
understanding how a general perceptual mask of an audio codec reacts to
varied content then analyzing when quantized noise exceeds this
perceptual mask, N-CLAS is able to maximize audio quality when working
in tandem with an audio codec.
i. Metering-
1. Mask to Noise
a. PurpleThe purple shaded area displays the
psychoacoustic mask as content passes through
the process.
b. BlueThe blue area displays quantized noise or
inaccuracies of the signal when compared to the
psychoacoustic mask. When the quantized noise
pierces the psychoacoustic mask, correction
should occur to prevent the quantized noise from
becoming audible as „artifacts‟.
c.
ii.
iii.
iv.
v.
vi.
vii.
CorrectionThe correction meter displays where specific
frequencies are being attenuated to prevent them
from pushing quantized noise from exceeding the
mask once encoded through an audio codec.
d. Either display can be toggled to display L+R or L-R.
Tilt Amount- Tilt Amount allows N-CLAS codec performance
enhancements to increase reduction in high-frequencies. Highfrequencies are the most difficult for codecs to encode and thus where
the most audible artifacts reside, it‟s useful to apply extra reduction in
these frequencies at times.
Tilt Shape- Tilt Shape adjusts how much emphasis is placed on high
frequencies during the pre-conditioning process.
Mono / Stereo- Stipulates the targeted codec channel mode.
Threshold- Determines how close to the psychoacoustic mask correction
can be applied.
Ratio- The Ratio control adjusts the relationship between the amount of
Signal detected vs. the amount of correction applied.
Depth- Depth controls the maximum attenuation permitted.
Neural Audio - 19
NeuStar SW4.0 User Manual
viii. Smoothing- Smoothing of each band over time.
Best practices – getting the sound you want
a. Adjust each section in isolation. Use bypass to isolate each section‟s effect on
the audio, and then sequentially add each section in-line to hear the cumulative
effect.
b. Listen through the entire transmission path. Audio can sound much different
before it enters an audio codec. For example, bright, splashy high-frequencies
may sound great pre-encoding but may create undesirable artifacts after they
pass through an audio codec.
c.
Adjust the processing settings over multiple, short sessions. Hearing fatigues
quickly during critical listening sessions. Don‟t be afraid to step away for a cup of
coffee to recalibrate your ears before continuing your listening session.
Neural Audio - 20
NeuStar SW4.0 User Manual
This page has been intentionally left blank.
(Why? We have no idea! Perhaps you can take notes here or make a paper airplane?)
Neural Audio - 21
NeuStar SW4.0 User Manual
Presets:
Accessing Presets - The preset window can be accessed under
the Channel Menu or by clicking the Presets button on the
Channel Properties Page (see diagram)
Presets can be selected by double-clicking on and existing
preset. **Use caution when deleting factory presets, these cannot be
resorted without reinstalling the software**
Preset Descriptions:
First and foremost, it‟s important to note that presets are
simply starting points. They are here to help you on your
way. They are designed to get you on the air quickly, as
you begin to get your head around the details of how the
NeuStar SW4.0 actually works.
These presets have been tested extensively to react in a
typical fashion to how a general Jazz station should
sound like, or a Country station, or a Rock station,
etc….These presets are by no means definitive. Just starting points to help you
get the desired sound you want.
The descriptions below are meant to give you the idea behind the creation of the
preset. If you would like the in depth details of what any one control is trying to
do, or how it works, please refer to the Processing section of the manual.
Good luck. Have fun!

General – This is the preset that the SW4.0 comes loaded with out of the box, so
to speak. It‟s designed to get you up and running quickly. The settings are set in
a way that will immediately start processing your station via LOUDNESS and
INTENSITY, but leaving the SPECTRUM window flat. The idea is to bring your
station volume level up to a range that you can start shaping the sound to your
liking right away, without tailoring the sound to any specific genre or format.

Adult Contemporary – This preset is generally intended for a more moderate
processed sound. It is geared for soft rock formats and/or towards a more
female orientated format. It‟s focus is on clarity and presence, with a clear highend and not as concerned with loudness.

CHR – This preset is a good place to start for any CHR / Top 40 format to
achieve dial dominance with their station. It‟s goal is density and presence.

Classical – Classical light, moderate, and strong presets have been designed
with the classical purist listener in mind. There is little to no multi-band
compression on any of these presets in hopes of leaving the overall sound of the
classical piece intact. It‟s designed for LOUDNESS to do a majority of the volume
management without increasing density.
o Light, moderate and strong refer to the overall level of the output. In
other words, the engineer must ask himself or herself: “How loud do I
want my classical station to be?” And choose accordingly.
Neural Audio - 22
NeuStar SW4.0 User Manual

Country – The Country light, and medium presets are similar to the Rock presets
as far as density and overall loudness is concerned. Where they differ is in that
the Country presets try to emphasize more of the string instruments that country
music tends to use. The bass is set also for a warmer feel as opposed to a more
punchy sound that you would get with an urban or rock preset. The light and
medium refer to overall density and loudness.

Jazz – The Jazz presets overall goal is to bring an open and smooth sound to the
presentation. There is not a whole lot of compression in these presets in hope of
keeping the original sound of the recordings intact. Like the classical presets,
LOUDNESS is set to control most of the volume management, with little or no
help from Intensity.
o The Jazz Light preset is a quiet preset, where as the Jazz Bright preset
is designed for a more aggressive sound, but still keeping the original
contents dynamics and tone intact.

News-Talk –This preset keeps LOUDNESS slow and steady to control the widely
varying levels a talk/news program can deliver. It also drastically reduces low
end in the voice to avoid the ever present threat of proximity effect due to the DJ
getting too close to the mic.

Rock – All of the rock presets have a steady straightforward sound to them.
They accentuate the mid to upper ranges of the spectrum to accentuate the ever
present guitar in Rock. It also makes sure the high-end is very much there, to
ensure it never gets too dark or muddy.
o Dense, medium and open refer to density, which is controlled by the
release times on the Multi-band compressor/limiter in the INTENSITY
window.
o Rock-Bright - tries to emphasize more of the high-end, and brings more
density to achieve a more in your face quality for your station.
o Rock-smooth - essentially moves in the opposite direction from RockBright. This achieves a more listenable quality to minimize listener
fatigue but still keeping its presence known to the listener. A good fit for
this preset is using it on an Adult Contemporary format with a desire for a
bit more density.

Urban –
o Urban Heavy is similar to Rock-Dense or CHR in terms of density and
presence, but with a more defined bass sound.
o Urban-Light is based off the Rock-Open preset with a bigger emphasis
on the low end. It would be suited for light R&B formats.
Neural Audio - 23
NeuStar SW4.0 User Manual
Virtual Audio Cable:
The Virtual Audio Cable (VAC) is separate software shipped on the NeuStar SW4.0 install
CD. This software allows audio to be routed to or from NeuStar to any other application
without the need to send the audio to an external sound card.
Virtual Audio Cable
Routing
Physical
Soundcard
NeuStar Audio Processing
Spectrum
Intensity
Loudness
N-CLAS
Virtual Audio Cable
1
Secondary Audio
Application
1. To install the Virtual Audio Cable run the Setup.exe file located in the VAC folder on
the NeuStar SW4.0 Installation CD. Reboot if required.
2. Once installed, a Virtual Cable 1 will appear within the list of Sound Cards in any
application that supports Direct Sound. By configuring the first application‟s output
and the second application‟s input to source from this Virtual Cable 1, audio can be
passed without having it leaving the computer.
3. Sometimes changes to the Virtual Cable settings are required to insure buffering
between the two applications synchronize correctly. Settings for the Virtual Audio
Cable and a help file for this application can be found under Start>All
Programs>Virtual Audio Cable.
4. The most common setting to adjust is the Ms Per Int setting. This setting represents
how fast data is passed through the Virtual Cable. By increasing or decreasing this
value, the Virtual Cable‟s pace can be matched closely to the timing of audio devices
to insure stable audio without dropouts.
Note: SW4.0 only supports ASIO drivers for multiple channels of concurrent processing and does
not support DirectSound drivers in multi-channel mode. To process more than one DirectSound
channel on a single computer open multiple occurrences of SW4.0. While we cannot endorse or
support 3rd party products, some users have found success with http://www.asio4all.com/ to wrap
Direct Sound drivers causing them to appear as a single ASIO device.
Neural Audio - 24
NeuStar SW4.0 User Manual
Harris / Neural / Lynx
HD-Radio Signal Flow
Re-sync‟d from Exporter
Secondary
Program Audio
(HD2)
Master Clock
Third Program
Audio
(HD3)
Fourth Program
Audio
(HD4)
AES5
AES6
AES7
Main Program
Audio
(HD1)
Importer
Lynx AES16 Audio Card
(with Lstream jumper installed)
Clock Source – Digital In 4 (from Exporter Monitor Output)
Outboard Audio
Processing
AES Monitor
Output for Sync
Lynx AES16 SRC
Lynx AES16 SRC
Lynx AES16 SRC
Input 5 (reclocked to Exporter)
Input 6 (reclocked to Exporter)
Input 7 (reclocked to Exporter)
Record 6 Left / Right
Record 5 Left / Right
Record 7 Left / Right
NeuStar 4.0 Software
(Using ASIO Drivers)
Exporter / DexStar
Play 5 Left / Right
Play 6 Left / Right
Play 7 Left / Right
Lynx AES16 Mixer
Record / Play Settings
Lstream 9/10
Lstream 11/12
Lstream 13/14
Lynx AES16 LStream
LStream Internal Channel Translations
Record 1
Record 3
Record 2
SPS1 Capture Client
(Using DirectSound)
SPS2 Capture Client
(Using DirectSound)
TCP / IP
TCP / IP
TCP / IP
Importer Control Panel
TCP / IP
(Packet request / acknowledgment sync‟d because the
Importer is sync‟d to the Exporter AES Clock)
Neural Audio - 25
SPS3 Capture Client
(Using DirectSound)
NeuStar SW4.0 User Manual
Harris / Neural / Lynx
HD-Radio Signal Flow
Master Clock
Sync from Master Clock
Main Program
Audio
(HD1)
Secondary
Program Audio
(HD2)
Third Program
Audio
(HD3)
AES1
Fourth Program
Audio
(HD4)
AES2
AES3
Importer
Outboard Audio
Processing
Lynx AES16 Audio Card
(with Lstream jumper installed)
Clock Source – Digital In 1
Record 2 Left / Right
Record 1 Left / Right
Record 3 Left / Right
NeuStar 4.0 Software
(Using ASIO Drivers)
Exporter / DexStar
Play 1 Left / Right
Play 2 Left / Right
Play 3 Left / Right
Lynx AES16 Mixer
Record / Play Settings
Lstream 1/2
Lstream 3/4
Lstream 5/6
Lynx AES16 LStream
LStream Internal Channel Translations
Record 5
Record 7
Record 6
SPS1 Capture Client
(Using DirectSound)
SPS2 Capture Client
(Using DirectSound)
TCP / IP
TCP / IP
TCP / IP
Importer Control Panel
TCP / IP
(Packet request / acknowledgment sync‟d from
Master AES Clock on both devices)
Neural Audio - 26
SPS3 Capture Client
(Using DirectSound)
NeuStar SW4.0 User Manual
FAQ:
a. Can I use Codec Pre-Conditioning with my traditional broadcast processing?
a. Yes, feel free to bypass any sections you‟d prefer to do with an upstream piece of equipment. For best results make sure codec preconditioning is the final process in any audio chain before the encoding
process. Some people even use SW4.0 as light volume management
ahead of an STL followed by final codec pre-conditioning at the
transmitter site.
b. How do I route audio from one software application to another?
a. See the Virtual Audio Cable / LStream section of this manual
c. Can I remote control the software?
a. There are various ways to remote control any piece of Windows
software. While you might find success with one of the methods below,
we cannot endorse any third-party software. Keep in mind SW 4.0‟s
advanced graphics will tax any remote software‟s abilities:
i. VNC – VNC is free software that allows remote control of a
Windows computer from almost any operating system. The
advantage of VNC is it mimics the local login so audio routing is
unaffected. The disadvantage is that it is very CPU intensive
which could result in audio hiccups and crashes.
ii. Windows Remote Desktop – Windows Remote Desktop comes
pre-installed on all Windows XP and Server operating systems.
The advantage of WRD is that it seems to be fairly efficient with
CPU demands as well as remote bandwidth. The disadvantage
of WRD is that by default will re-route audio to the client
computer instead of leaving audio routes untouched. Also, WRD
locks the local computer interface when a user logs in remotely.
iii. Windows Terminal Services- Not recommended because of
audio routing challenges.
iv. Timbuktu- Untested
v. Gotomypc- Untested
d. How do I make the software start automatically if Windows restarts?
a. Create a Session File with the preferred settings to be recalled upon
reboot. Create a shortcut to this session file and place the shortcut in the
C:\Documents and Settings\%username%\Start Menu\Programs\Startup\
folder.
e. What‟s the quickest way to get SW4.0 running on my Importer?
a. Install both SW4.0 and VAC on your Importer
i. If using a LynxOne Sound card, open the VAC control panel and
set the MS per int value to 12.
b. Start SW4.0
c. Assign the physical audio card analog or digital source as your
DirectSound input.
d. Assign Virtual Cable 1 as your output.
e. Start a new Session and recall an appropriate preset for your format.
f. Open the Importer software, SPS1 and configure Virtual Cable 1 as the
input.
g. Proceed to starting the supporting Importer as described in the Importer
documentation.
Neural Audio - 27
NeuStar SW4.0 User Manual
Contact Information:
We‟re always interested in hearing from you. If you have a question or a suggestion for
making our product better please contact:
Neural Audio Corp.
11410 NE 122nd Way Suite 100
Kirkland, WA 98034
425-814-3200 (Main)
425-814-3204 (Fax)
[email protected]
www.neuralaudio.com
Neural Audio - 28
NEURAL LIMITED WARRANTY POLICY August 1, 2006
Limited Warranty
Neural Audio Corporation (such specified entity referred to herein as “Neural”) warrants to each original enduser purchaser or licensee (each, a “Customer”) of hardware or software products manufactured by Neural
(each, a “Product”), or of non-warranty repair or other services provided by Neural (“Services”), that each
such Product and all such Services will be free from defects in materials and workmanship that adversely
affect the Product‟s performance or the Services‟ intended purpose for a period (the “Warranty Period”) of:

One year for hardware products

90 days for software licensed separately from Neural hardware Products

The same period as the hardware product warranty for media of software licensed as an integral
part of any Neural hardware product.

90 days for services.
The Warranty Period for any Neural Product or Services will commence on the date such Product is sold or
licensed, or such Services are provided, to the Customer entitled to rights under this Limited Warranty.
Warranty rights are limited in each case to the original Customer purchasing or licensing any Product or
Services, and are not transferable. Hardware and software Products manufactured by third parties that are
sold by Neural as components of Neural Products or otherwise will carry the original manufacturer‟s
warranty, to the extent rights there under are available to the Customer. Warranty support for Neural
software constituting or included in any Product or Services is limited to the version or release of the
software currently being provided by Neural to Customers at the time service is requested, and the previous
version or release of the software.
Warranty Claim Procedures and Remedies
In order to be entitled to rights under this Limited Warranty, the Customer must notify Neural in writing within
thirty (30) days after discovering a suspected defect in any Product or Services, but before the expiration of
the applicable Warranty Period. Notice to a Neural dealer, system integrator, sales representative or other
third party is not notice to Neural. Following its receipt of any such Customer notice, Neural will determine
whether the reported problem is covered by this Limited Warranty. If Neural determines that the problem is
covered, Neural will authorize correction of the defective Service, or repair of the defective Product, or return
of the defective Product for repair or replacement, or issuance of a credit, as deemed appropriate by Neural
in its sole discretion. Before shipping any Product to Neural, the Customer must obtain a written Return
Authorization from Neural, and provide any proof of warranty eligibility requested by Neural. If these
requirements are not met on any return, the Product may be returned to the Customer collect.
Once a Return Authorization is obtained, the Customer is responsible for packing and shipping the Product
to which its warranty claim relates to a service facility designated by Neural, with all shipping charges
prepaid, within thirty (30) days after receipt of the Return Authorization. Neural will pay for return of the
repaired or replacement Product to the Customer if the repaired or replacement Product is shipped to a
location within the country where the designated Neural service facility is located. The Customer will be
responsible for paying all duties, taxes, and shipping and other charges for Products shipped by Neural to
any other location.
Replacement Product Variations
Neural reserves the right to discontinue or modify any of its Products without notice to any Customer. If
Neural replaces any Product under this Limited Warranty, it may substitute a Product determined by Neural
to be of comparable quality and functionality in the event the original Product purchased or licensed is no
longer available. In no event will Neural be liable to any Customer as a result of any discontinuance or
modification of any Product, or variance of any replacement Product from the original Product purchased or
licensed by the Customer.
August 1st, 2006
Page 29 of
31
Limitations on Coverage
Neural‟s sole obligation under this Limited Warranty is to provide the Customer, at Neural‟s sole option, with
correction of defective Services, or repair of any defective Product, or a replacement in exchange for any
defective Product, or a credit for the price paid by the Customer for any defective Product or Services, as
described above. In no event will Neural be obligated to incur repair or replacement costs in excess of the
replacement cost of any defective Product or for costs incurred for repair, attempted repair or replacement of
defective Products, or correction or attempted correction of defective Services, not authorized in writing by
Neural. In all cases determination of the extent of necessary correction, repair or replacement will be at the
sole discretion of Neural.
This Limited Warranty does not apply to, and Neural will not be liable and will not be obligated under this
Limited Warranty for, any defect, failure or damage due to any cause other than defects in materials or
workmanship in Products manufactured or Services provided by Neural. Without limiting the generality of the
preceding sentence, Neural will not be responsible for damage to, or failure of, or need for repair or
correction of, any Product or Services due to or resulting from:
(1) Abuse, misuse, connection to incompatible equipment, negligence or accident, or
improper, faulty or inadequate installation, operation, maintenance or care;
(2) Use of any Product in combination with equipment or software not provided or
specifically authorized by Neural, in writing, for use with such Product;
(3) Damage to or deterioration of any Product during shipping or storage, or while in the
possession or custody of any party other than Neural;
(4) Operation of any Product that is inconsistent with or outside of its usual use or service
or Neural‟s published specifications, or in a “hostile” environment (caustic, abrasive, etc.);
(5) Power surges or improper line voltage, or software viruses, or acts of God such as
thunderstorms, fire, explosion, flood, earthquake or catastrophe, or other causes beyond
Neural‟s control; or
(6) Actual or attempted correction, repair, service, modification or alteration of or to any
Product or Services by personnel other than Neural representatives.
Limitations on Liability
EACH CUSTOMER’S RIGHTS ARE STRICTLY LIMITED TO THOSE SET FORTH IN THIS LIMITED
WARRANTY, WHETHER SUCH RIGHTS RELATE TO ANY CLAIM AGAINST NEURAL BASED UPON
STRICT LIABILITY, NEGLIGENCE, BREACH OF CONTRACT, BREACH OF WARRANTY OR ANY
OTHER THEORY OR CAUSE OF ACTION. EXCEPT AS SPECIFICALLY SET FORTH IN THIS LIMITED
WARRANTY, NEURAL MAKES NO WARRANTIES, EXPRESS OR IMPLIED, WITH RESPECT TO
PRODUCTS, SERVICE OR ANY OTHER MATTER, INCLUDING WITHOUT LIMITATION (AND NEURAL
EXPRESSLY DISCLAIMS) ALL WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR
PURPOSE, TITLE AND NONINFRINGEMENT, WHETHER ARISING FROM STATUTE, COMMON LAW,
CUSTOM OR OTHERWISE.
Neural has no control over the conditions under which any Customer uses any software provided by Neural
that is not an integral part of a Neural hardware Product, and cannot and does not warrant the performance
or results that may be obtained by any Customer‟s use of such software. Neural does not warrant that any
software provided by it (whether separately from or as an integral part of any Neural hardware Product) will
be error free or will run without interruption.
Any legal action against Neural based on breach of warranty or otherwise arising out of this Limited
Warranty must be commenced within ninety (90) days from the date of expiration of the applicable Warranty
Period provided under this Limited Warranty, or the same is irrevocably waived. Damages recoverable by
any Customer for any claim of any kind against Neural, whether under this Limited Warranty or otherwise,
will not be greater in any case than the actual purchase price paid by the Customer for the Neural Product
with respect to which such claim is made. UNDER NO CIRCUMSTANCES WILL NEURAL BE LIABLE
FOR ANY INDIRECT, SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES OF ANY KIND,
INCLUDING WITHOUT LIMITATION LOST DATA OR LOST PROFITS, WHETHER OR NOT NEURAL
HAD ADVANCE NOTICE OF THE POSSIBILITY OF SUCH DAMAGES.
August 1st, 2006
Page 30 of
31
Modification of this Limited Warranty
This Limited Warranty may be modified only by written notice from Neural to any Customer entitled to rights
hereunder. No statement or recommendation made or assistance given by Neural or any other party to any
Customer in connection with any Product or Services or the Customer‟s purchase of any Product or
Services shall constitute or be construed as a representation or warranty of any kind. All Product
demonstrations are for illustrative purposes only and do not constitute a warranty of any kind. Neural does
not authorize any of its dealers, system integrators or sales representatives, or anyone else, to change or
modify this Limited Warranty, or to make any statements that supersede, modify or supplement this Limited
Warranty.
Governing Law and Jurisdiction
This Limited Warranty shall be governed by and construed in accordance with the laws of the State of
Washington without regard to conflicts of laws provisions thereof, and without regard to the United Nations
Convention on Contracts for the International Sale of Goods. Any legal action commenced by any Customer
arising out of or relating to this Limited Warranty must be brought and maintained, and shall have its
exclusive venue, in a state or federal court of competent jurisdiction King County, Washington and each
Customer irrevocably consents to the jurisdiction of such courts with respect to any action or dispute arising
out of or relating to this Limited Warranty.
********************* END OF WARRANTY STATEMENT *********************
IMPORTANT WARRANTY NOTES: As stated above, Third Party items that are sold as components
under a Neural Product are covered for the same period as the Product Limited Warranty. Otherwise Third
Party item(s) pass-through the Manufacturer‟s warranty.
Contact information
More information can be obtained by contacting: Neural Audio 11410 NE 122nd Way Suite 100 Kirkland,
WA 98034 (425-814-3200) www.neuralaudio.com weekdays between the hours of 9AM PST and 5PM
PST excluding recognized holidays.
August 1st, 2006
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APN-123-RWS Page 1 of 14
APPLICATION NOTICE
INFORMATION AND CLARIFICATION
BROADCAST COMMUNICATIONS
DIVISION
NOTICE: APN-123-RWS
DATE: 06 March 2008
EQUIPMENT: HDI-100 Importer with NeuStar 4.0 SW (Build 2.5.5R)
SUBJECT: Importer and NeuStar 4.0 SW Setup
APPLIES TO HDI-100 IMPORTERS WITH NEUSTAR 4.0 SW OPTION INSTALLED AND A
VALID USB LICENSE KEY (GREEN USB KEY). CONTACT YOUR SALES REPRESENTATIVE
TO PURCHASE HDRNEUSTAR-SW4-0M IF NOT PURCHASED WITH IMPORTER.
The default configuration for this importer is MP1_SPS1 ID:2 Dynamic. You will need to change
the configuration to either MP1_SPS2 ID:3 Dynamic or MP3_SPS2 ID:9 Dynamic via the
WebAdmin utility later in this procedure if you plan to use SPS2 (HD3). Your HDE-100 Exporter
or FM Dexstar will require its Operational Mode set to [24] MP1 – MP3 Dynamic. Mode [24] MP1
– MP3 Dynamic eliminates an Exporter reboot after an Importer configuration change.
The default core bandwidths are displayed in the following table:
Mode
ID:2
ID:3
ID:9
MPS
48845
48500
48845
SPS1 (HD2)
48845
24554
48672
SPS2 (HD3)
0
24554
24559
The default core bandwidth settings for each configuration can be changed via the WebAdmin
utility discussed later in this document.
SYNC CONNECTIONS:
Connect a BNC cable from the HDE-100 Exporter 44.1KHz Word Clock to the BNC Word Clock
Input on the Lynx AES16-SRC Port A cable. (Port A is the 25 pin DB connector on the right side
looking from the back of the Importer.) The BNC connector on Port B is the Importer Word
Clock Out and can be used as a clock source for other equipment. If you have an older model
HDE-100 without the BNC 44.1KHz Clock Out or a FM Dexstar you can use the XLR 44.1KHz
Sync output with a Word Clock Converter cable, part number 971-0027-029.
AES AUDIO CONNECTIONS:
1. Connect the AES audio source for SPS1 (HD2) to the White “1 IN” XLR on Port A.
2. If running SPS2 (HD3) connect the AES audio source to the Red “2 IN” XLR on Port A.
3. Connect Port A White “1 OUT” XLR to Port B White “1 IN” XLR.
4. If running SPS2 (HD3) connect Port A Red “2 OUT” XLR to Port B Red “2 IN” XLR.
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Harris/Neural /Lynx
HD Signal Flow
Resync’d from Exporter
Main Program
Audio
(HD1)
Outboard Audio
Processing
Sync In
Port A (BNC)
Secondary Program
Audio
(HD2)
AES
Third
Program Audio
(HD3)
AES
Record 1 Left/Right
1 IN Port A (White)
Record 2 Left/Right
2 IN Port A (Red)
Lynx AES 16 SRC Audio Card
Clock Source – from Exporter 44.1kHz Word Clock (BNC)
Lynx AES 16 SRC
Input 6 (reclocked to
Exporter)
Lynx AES 16 SRC
Input 5 (reclocked to
Exporter)
Exporter/Dexstar
44.1 Word Clock
Record 5 Left/Right
Record 6 Left/Right
AES Monitor
Out for Sync
Neustar 4.0.Software
(Using ASIO Drivers)
1 OUT Port A (White)
2 OUT Port A (Red)
Play 6 Left/Right
Play 5 Left/Right
TCP/IP
Packet Request/Acknowledgement sync’d
because the Importer is synch’d to the
Exporter Word Clock
Lynx AES 16 SRC Audio card
1 IN Port B (White)
2 IN Port B (Red)
Lynx AES 16 Mixer
Record/Play Settings
SPS1 Capture Client
SPS2 Capture Client
TCP / IP
Importer Control Panel
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IMPORTER CONNECTIONS:
1. Connect monitor, mouse and keyboard to the Importer.
2. Connect AC power to your AC source. (It is recommended to connect AC power to a true
“on-line” double conversion UPS.)
3. Remove the front cover on the Importer and press the power switch. (There are two
switches on the 2RU HDI-100 Importer. The one on the left is a reset and the right one is the
power on/off.)
NETWORK CONNECTION AND SETUP:
Connect a standard network cable from the Importer to your Ethernet switch that is connected to
the HDE-100 or Dexstar. The default IP address for the HDI-100 Importer is 10:10:10:9. Use
the following steps to change the IP address if you do not plan to use the default address.
1. Select “Start”, “Settings”, then “Network Connections”.
2. Double-click “Local Area Connection” then select “Properties”.
3. Click once on “Internet Protocol (TCP/IP)” to select then click on “Properties”.
4. Make sure “Use the following IP address” button is selected then enter your IP address,
subnet mask (generally 255.255.255.0) and gateway if used.
5. Click “OK” then click “OK” in the “Local Area Connection Properties” window.
6. Close “Local Area Connection Status” and “Network Connections” windows.
LYNX AES16-SRC SETUP:
1. Double-click the Lynx Mixer icon on the desktop. (Lynx AES16-SRC Mixer has three screens
available: Adapter, Record/Play and Outputs.)
2. View the Lynx Mixer menu options: “Settings” then “Advanced”. Make sure the following
options are checked:
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SynchroLock
SyncStart
Memory Read Multiple
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3. Open the Adapter screen and verify settings as pictured below:
4. The Preferred Clock Source should be set to “External”. You will see “44.1 KHz” in the field
next to External if sync is present.
5. If sync is present the Sample Clock Current Source should display “External” and Current
Rate “44.1 KHz”.
6. Once sync is applied the SynchroLock field will display “Working” in yellow. After approx. a
minute the SynchroLock field should display “Locked” in green.
7. Open the Record/Play screen and verify settings as below:
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8. If AES audio is connected properly you will see active audio bar graphs in DI1L and DI1R.
DI2L and DI2R should be active if you will be running SPS2 (HD3).
9. Open the Outputs screen and verify settings as below: (Note:You will not see audio on DI1
and DI2 until Neustar 4.0 is running)
10. Close or Minimize the Lynx Mixer.
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NEUSTAR SW 4.0 STARTUP:
1.
Double-click the “Start Neustar 4.0 SW” icon on right side of desktop. (This icon is the
default saved session and should be used each time Neustar 4.0 is launched.)
2.
If a valid license key is in place in one of the USB ports on the rear of the Importer the
following screen should appear:
3.
Select menu option “Audio Engine” then “ASIO Path Selection…”
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4.
Make sure only the following inputs and outputs are selected then click “OK”: (“Load all input
paths” and “Load all output paths” should be left un-checked.)
5.
The default preset for audio processing is set to “General” for both SPS1 (HD2) and SPS2
(HD3). There are many different presets that you can use that best fits your format. If you
want to use a different preset or make any changes to the session then you will need to resave the session to the desktop.
6.
To save a modified session and overwrite the original select “File” then “Save Session” from
the menu options. (You can save a modified session as a different name to the desktop by
selecting “Save Session As”. Move the newly created session icon on the desktop next to
the existing “Start Neustar 4.0 SW” icon.) Always use one of the session icons to start
Neustar 4.0 SW.
7.
Minimize the Neustar 4.0 SW application.
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8.
IMPORTER STARTUP PROCEDURE:
1. Neustar 4.0 SW should be running but minimized.
2. Double-click the Importer Control Panel icon on the Desktop.
3. From the menu options click on “Setup” then “Importer…”
4. The default Exporter IP address is 10:10:10:10. Change the Exporter IP address to your
current Exporter IP if not set to the default.
5. Click “OK” to close the Importer Setup window.
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6. Click the green “running man” icon. (Several lines of information will appear in the Importer
Control Panel log. Red information lines are errors such as a Bandwidth Mismatch which will
be corrected later.)
7. Double-click the WebAdmin icon on the desktop. Password is “admin”. Select “Submit”.
8. The default configuration is set to MP1_SPS1 ID:2 Dynamic. If you plan to run SPS2 (HD3)
you will need to change the configuration to either MP1_SPS2 ID:3 Dynamic or MP3_SPS2
ID:9 Dynamic. ID:9 is an Extended Hybrid configuration which gives you an additional
24KHz bandwidth and is recommended if you are not running a 92KHz SCA.
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9. If you are only running SPS1 (HD2) then leave the default MP1_SPS1 ID:2 configuration and
click the “Synchronize” button to synchronize the importer and exporter.
10. Skip to step 22 if you are going to use the default single SPS MP1_SPS1 ID:2 configuration
otherwise continue on to the next step.
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11. If you are running SPS2 (HD3) then select the “Importer” tab.
12. If you plan to use one of the default configurations skip to step 19.
13. To change the default bandwidth settings click on the “Administration” tab.
14. Select the ”ID” field to be changed then click “Edit”.
15. Click the “Change” button then enter the new value in the “CoreBW” field then click “OK”.
16. When you have completed changes click the “Update Configuration” button.
17. Once “Update Config successful” message appears click “Back to Configurations”.
18. For more information on setting bandwidths refer to the IBiquity User’s Guide on the Desktop.
19. Enter “9” for MP3_SPS2 ID:9 Dynamic or “3” for MP1_SPS2 ID:3 Dynamic in the “Jump To
ID:” field then click the “Jump To ID;” button. Click “Set” and make sure the box next to
“Dynamic” is checked.
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20. Click “Change” when the option appears. When completed you will be returned to the
WebAdmin screen with the “Exporter” tab selected.
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21. A “Not synchronized – bandwidth mismatch” message will be displayed in red. Click the blue
“Synchronize” button.
22. Once the synchronization process has completed close the WebAdmin window.
23. Double-click the “SPS1 (HD2) Capture Client” icon on the Desktop. Verify “Lynx AES16SRC Device 5” is selected then click “Send”.
24. If you are running SPS2 (HD3) then double-click the “SPS2 (HD3) Capture Client” icon on
the Desktop. Verify “Lynx AES16-SRC Device 6” is selected then click “Send”.
25. You can minimize the Importer Control Panel but the Capture Clients need to stay open.
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When the capture client(s) are started the bar graph(s) will progress to the far right then move
back to the center. As the buffer graph moves back to the center you will notice several “New Low
Water Mark” entries in the Importer Control Panel log. Up to 8 per SPS Capture Client is typical
over the first 20 minutes of operation. Once the buffer graph settles in at approx. 50%-60% no
additional low water marks should be logged. If you see a steady stream of additional “New Low
Water Mark” entries (one or more every hour) and the bar graph continues to move to the left over
time then you have a sync issue that needs to be addressed.
If you experience audio dropouts on HD2 and/or HD3 after several hours of operation check the
Importer Control Panel log for “New Low Water Mark” entries. Verify that the Capture Client buffer
graphs are still in the 50%-60% range. If the graphs are running less than 50% then improper
sync is causing the buffer to slowly empty. This type of problem is typically related to improper
sync. Verify proper sync connections and settings at the beginning of the document.
Refer to Application Note: APN-113-TA for additional sync information located on the Harris
Premier web site. URL: https://premier.harris.com/broadcast/downloads.asp?cat=611
NOTE: In order to minimize CPU utilization and improve overall Importer performance it is highly
recommended to leave the NeuStar 4.0 SW minimized during normal operation.
If you have any questions or comments please contact:
Harris Corporation
Broadcast Communications Division
Radio Field Service
POB 4290, Quincy IL 62305 USA
Phone: (217) 222-8200, Press 8, Press 1
[email protected]
https://premier.harris.com/broadcast
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