11177.FQF'14HoustonSupplyList_FQF'14HoustonSupplyList 7/1/14 3:58 PM Page 4 2 0 1 4 F A 185. SCATTERED CIRCLES TEXTURED TABLE RUNNER WHATMAN BSS: 6; 7; 1.5yds double-sided fusible web (like Misty Fuse or Wonder Under). Fabric: ½yd cream/tan tone-on-tone or batik background. 186. EXPLORING SHIVA PAINTSTIKS H. THOMAS BSS: 29; 32; four or five Shiva paintstiks in a variety of colors; a stencil brush for each paintstik in sizes Kin to 1in. All available for purchase in class. Tuesday & Wednesday OCTOBER 28 & 29 TWO-DAY CLASS 200. PAINTED QUILT ART—STEP-BY-STEP BLAIR BSS: 6; 7; 18; 30; sm amount painter’s tape; few paper towels; ink and markers you already own and wish to bring (opt). Fabric: FQ of white scrap (opt). U I L T 211. FIFTEEN SHADES OF GRAY PORTRAIT QUILT BRUNNER 212. PAINTING IMAGES WITH DYES ANGOTTI BSS: 9; 11; 31. AUSTIN BSS: 11; 13; 15; 18; 22; 24 (18mm); 25 (sm); 28; 29; 30; 32. Fabric: 9in x 11in black cotton. 213. CRYSTAL STAR COMBS CRAIG 215. A FINE LINE—CREATING THE QUILTING DESIGN CRUST CULEA BSS: 15; 16; 17; 18; 32; black, red, and brown sz 0.005 or 0.01 permanent pens; white gel pen; four paint brushes in szs 1 & 8 round, szs 4 & 10 flat; container for water. 217. DYE, PAINT, & PRINT ON SILK D. BROWN BSS: 9. BULA BSS: 6; 7; 9; 11 (lg straight pins); 12 (a few sz 8); 13; 22; 28; 30; 31; ruler; white chalk pencil; quilting gloves; 18in x 36in low loft cotton batting. Fabric: 1yd black for background and backing for flowers. ECKLEY BSS: 32. 218. CRAZY BEADING 210. UNDERCOVER IN HOUSTON XV CHATELAIN BSS: 17 (Prismacolor); 18; 21; two or three 18in x 20in drawings or designs (also avail in class to choose from); white synthetic round brushes (sz 0, 2, 4, 6, 8, 10, 12); black magic marker; six plastic teaspoons; rubber gloves; one empty film vial with lid; paper towels; one 2gal Ziploc; four white plastic trashbags. Note: Instructor will have enough brushes avail for sale for all students who prefer to buy them directly from her. These brushes will be specific to the type of work you will be learning. 216. FACING FACES ALL -DAY CLASSES 209. RENEGADE THREAD PLAY CEESAY BSS: 1; 2; 3; 4; 6; 7; 8; 9; 11; 12; 13; 15; 16; 22; 23; 24; 25 (6in x 24in); 26 (42in x 45in); 30; 31; masking tape; glitter, rhinestones, and glue (opt); ½yd batting; Nyd Pellon Wonder Under. Fabric: sixteen 3.5in sqs in variety of grays; one 3.5in sq white; three ¼yd pcs coordinating batiks. BSS: 18; unfinished quilt top. BSS: 15; 16; 18. 208. QUILTER’S PLAYTIME F BSS: 6; 11; addnl treasured hankies of your own (opt). LONGARM CLASS • ALL-DAY 207. VALUE-ABLE Q 214. HANKY SAMPLER OCTOBER 28 206. LET ME SURPRISE YOU! L BSS: 3; 11; 23 (med); 24 (med); 25 (6in x 12in and 1in x 6in); 26 (1yd flannel); 31. Tuesday 205. TWIRLY WHIRLY FEATHERS— LONGARM HANDS-ON L EHA BSS: 7; 8; 11; 22; non-segmented white class/ceramic plate, Cool Whip lid, or Velux beading cloth; glasses if needed for handwork (opt). Construct a 10in x 12in Crazy quilt block using cottons or fancy fabric onto muslin base. Segments should be rather large (min 5in x 3in) as beading takes up more space than floss. Use solids or tone-on-tones for most segments. Alternately, bring 12in sq muslin or cotton to bead on as a sampler. CAFFREY BSS: 3; 11; 22; 23; 24 (see supply list); 25 (see supply list); 31. Supply list will be posted on www.debbiescreativemoments.com by Sept. 15. 219. FABRIC SCRAP FREE-MOTION QUILTING ENDO BSS: 5; 6; 11; 12; 22; 23; 24 (med); 25 (med); 31; asst threads of 40wt polyester and metallic; yarn; cord; ribbon; quilting gloves (opt); ½yd batting. Fabric: scraps of solids, prints, and stripes in diff values and textures; ½yd black solid; ½yd backing; 1yd black soft tulle. S4 E S T I V A 220. MATCHMAKER L FITZGERALD BSS: 3; 9; 11; 23; 24 (18in x 22in); 25 (6in x 18in); 26 (30in sq); 31. Fabric: 18in x 22in accent fabric; eight 5.5in x 40in asst strips; ½yd background. 221. DOUBLE WEDDING RING FLYNN BSS: 3; 9; 11; 23; 24 (9in x 12in); 25 (6in x 12in); 31. 222. TUMBLING STARS FORSTER BSS: 3; 6; 9; 11; 16; 23 (45mm); 24 (18in x 24in); 25 (24in x 6in); 26 (48in sq). Fabric: min twelve 4in x WOF light strips; min twelve 4in x WOF med/dk strips. 223. BEAUTIFUL BINDINGS FROST BSS: 3; 6; 9; 11; 30; 31. 224. COLLAGE CLASS—CONFETTI HORSE HEINE BSS: 6; 7; 22; med tip black Sharpie; appliqué pressing sheet; 5yds Steam-a-Seam² (instructor will have some if you can’t find it). Fabric: eight to ten FQs of lg scale florals in variety of colors to supplement the kit. 225. KATHLEEN WHEELS HELLABY BSS: 3; 7; 11; 22; 23 (med); 24 (12in x 17in); 25 (6in x 18in); fabric marking pen/pencil. Fabric for 48in sq quilt: one Layer Cake or thirty 10in sqs; 3yds background—cut twenty-five 10in sqs for class. 226. WEAVE CHUNKY IMPELLIZZERI BSS: 7; 18; 22; sm flat head screw driver; tape measure; needle nose pliers; clothespins with spring; old bath towel; sand paper. 227. APPLIQUÉ TIPS & TECHNIQUES KANSIER BSS: 1; 2; 3; 6; 7; 8; 9; 10; 11; 13; 16; 22; 23 (45mm); 24 (sm); 25 (6in x 12in); 27; 30; 31; Perfect Circles by Karen Kay Buckley (avail for sale in class); ¼in and ½in Clover Bias Tape Makers; white and gray fabric marking pencils (suggest Bohin Pen with interchangeable lead and chalk); black and brown fine tip Micron pens. 228. EQ7—LET’S START AT THE VERY BEGINNING KRANZ BSS: 18. Laptop computer with EQ7 installed, activated, and validated prior to coming to class (To be sure, log onto computer you will be using in class and open EQ7 a few days before arriving at the convention center); power supply for laptop; external mouse compatible with laptop; mouse pad; spare battery if mouse is wireless; EQ7 user manual (opt). Alternative: For students without EQ7, with prior e-mail arrangement with instructor ([email protected]), the instructor will provide EQ7 with limited timeuse license to load into the student’s personal laptop. Loading of the program must take place prior to the beginning of the class so class time is not interrupted. 11177.FQF'14HoustonSupplyList_FQF'14HoustonSupplyList 7/1/14 3:58 PM Page 5 2 0 1 4 F 229. EMBELLISHMENTS GALORE A L MONTANO BSS: 1; 3; 6; 7; 8; 11; 13; 14; 18; 22; 30; variety pack of needles; 6in see-thru ruler; white Chako marker or white pencil; water erasable pen. 230. NEEDLESTARS © L NADELSTERN 231. MACHINE APPLIQUÉ MASTERCLASS BSS: 18. 232. FLOWER GARDEN BORDERS— MACHINE APPLIQUÉ TECHNIQUES NICKELS BSS: 1 (hand); 7; 8; 11; 22; Schmetz Microtex sharp needles 80/12; spray starch (Best Press, Niagara, or Faultless original weight); fabric marking pencil; sm tweezers; circle template (if you have); cotton thread (40/3, 50/3) in colors to coordinate with appliqué fabric (suggest Mettler 50/3 and King Tut Tone on Tones by Sue Nickels 40/3). Fabric: 100% cotton (prewash and press); 10in x 32in starched background; 10in sq starched practice background; eight to ten asst FQs of colors for floral appliqué; 1in x 30in bias vine fabric. 233. FOLK ART APPLIQUÉ USING WOOL FELT REGONE BSS: 6; 7; 10; 11; 13; 1in wide blue painter’s tape. 234. SHORT AND “SWEET” THREAD TIPS AND TRICKS D. TAYLOR I L T F BUCKLEY BURTON WHATMAN H. THOMAS BSS: 18. 261. PEPPERMINT EMBROIDERY 262. HAND & MACHINE APPLIQUÉ 243. FABRIC ORCHID BROOCHES SAMPLER L BACON BSS: 18. CREUS BUCKLEY BSS: 18. BSS: 1; 3; 6; glue gun and sticks; strong thread in neutral gray. 263. CAMELIA GIGANTUS BROOCH 244. WORKING IN A SERIES BSS: 6; 7; 11; pencil; glue gun and glue sticks; pink hand quilting thread; needle; transfer (carbon) paper for fabric. DUNNEWOLD BSS: 18; 21. 245. MODERN BENTO BLOCK PARTY LOVE BSS: 3; 9; 18; 23; 24 (9in x 12in); 25 (6in x 12in); 31. Fabric: twelve diff WOF strips each in the following sizes: 1.5in, 2in, 2.5in, 3.5in. Coordinate your fabrics with theme posted here in September http://bit.ly/LBSMBB 246. SAILOR’S DELIGHT MARTIN BSS: 3; 6; 7; 11; 22; 23; 24 (min 8in x 12in); 25 (min 12in); 31. Fabric: 5/8yd background; ¼yd sm star point; ¼yd med star point; ¼yd of one or two fabrics for center star points; FQ or Lyd for setting triangles (opt). Note: All star points should contrast well with background. 247. SEVEN SISTERS SIMPLIFIED— NO “Y” SEAMS MICHELL BSS: 23; 24 (min 12in x 18in); 25 (3in x 18in); 31. Fabric: two contrasting FQs (bring several and decide in class). 235. PARTY POPPERS BSS: 6; 7; 32. Fabric: FQ of cream tone-ontone, batik, or hand-dyed. A AFTERNOON CLASSES BSS: 32; ¾in or 1in wide masking or blue painter’s tape. Fabric: min of eight 12in to 14in pre-washed sqs (cotton, silk, or synthetic) with at least six dk and two light color—can be solid, hand-dyed, or subtle tone-on-tone. 236. DAFFODIL ART QUILT V LONGARM CLASS • AF TERNOON SESSION BSS: 7; 14 (approx 10in x 16in); 15; 16; 18. 242. BORDERS, BATTING, AND BINDING— THE 3 B S FOR BEGINNERS I 260. STAR GAZING—PRACTICAL LONGARM L. TAYLOR FREEHAND WITH LINDA V. TAYLOR— LONGARM HANDS-ON MORNING CLASSES 241. BORDERS BY DESIGN T BSS: 32. 248. WONDERFUL WORLD OF PAINTSTIKS D. THOMAS S 252. BRUSH STROKES ON FABRIC BSS: 18. BSS: 9; 11; 16; 22; 23; 24 (12in x 18in); 25 (6in x 12in); 27; 31; 12in square ruler; Omnigrip On-Point Ruler. Fabric: for each pair of blocks you need—9in x 12in of each dk print and med print in same color family; 9in x 21in accent print; 12in sq of light background print. E 240. BEEGINNING—QUILTING MACHINE L. TAYLOR BASICS FOR “NEWBEES, WANTABEES, & MAYBEES”—LONGARM HANDS-ON BSS: 18. BSS: 1 (hand and machine); 4; 6; 7; 8; 11; 15; 16; 18; 22; 23 (45mm); 24 (med); 25 (12in); 28; 40wt rayon or polyester threads for satin stitch; tear-away stabilizer; sm pc Steam-ASeam². Fabric: ¾yd 100% cotton plain background fabric; sm selection FQs and scraps to contrast with background, including some batiks. U LONGARM CLASS • MORNING SESSION BSS: 6; 7; 11; 15; 16; 18; 22; 23 (28mm); 24 (12in x 18in); 25 (12in); 31; black thread. (Note: Fabric A is provided in kit.) Fabric B: six diff ¼yd pcs of luminous, allover, reads-like-solids patterns that contrast sharply with Fabric A. Bring bright, outrageous colors, wacky stripes, or dots. Fabric C: two diff ½yd pcs saturated dk or black reads-like-solid allover for background. Fabric avail for sale in class. NAYLOR Q 249. DESIGNING A BUSINESS MURRAY RILEY & PACKHAM BSS: 18. 250. BASIC ZENTANGLES ® N. SMITH BSS: 18. CREUS 264. FABRICATE FASHION WITH SILK SHIBORI RIBBON DOLCE BSS: 1; 6; 11; 18. 265. IMPROVISATIONAL SCREEN PRINTING DUNNEWOLD BSS: 18. 266. FABRIC BEADS FAIRES BSS: 6; 22; 23; 24 (sm); 25 (sm); 32; 6in sq or round Tupperware-like container with lid that is 2-4in deep; disposable rubber gloves (opt). 267. FABULOUS FABRIC BASKETS HALL BSS: 4; 5 (30-40wt); 11; 23; 24 (sm); 25 (sm); 31; stiletto or pointed tool (helpful); fifty feet of 3/16in to 7/32in wide clothesline rope (can be cotton or cotton with polyester core but not 100% nylon or polyester). Variegated thread works well, both sewing weight and heavier (quilting). Fabric: twelve to fifteen yds total of 1.25in wide strips of scraps or coordinated. Jelly Roll strips split nicely down the middle. Batik or tightly woven fabrics work best. Before class, stitch strips together, sewing seams at angle and pressing open to reduce bulk. 268. A TISKET, A TASKET, A NEW PROJECT BASKET LOVE BSS: 4; 6; 9; 11; 23; 24 (18in x 24in); 25 (6in x 24in); 31; eight ½in buttons; skein embroidery floss. Fabric: ½yd med weight corduroy for exterior; ¾yd cotton print lining; ¼yd cotton stripe for binding. 269. SERENDIPITY—NO FEAR PAPER-PIECING MARTIN 251. T FOR TEXAS SOLOMON BSS: 3; 18; 22; 23 (med); 24 (med); 25 (8in sq and med rectangular); 31. S5 BSS: 3; 6; 7; 11; 22; 23; 24 (min 8in x 12in); 25 (min 12in); 31. Fabric for four 12in blocks: 1yd background; Kyd each of two contrasting pcs for long points; ¼yd each of two pcs for secondary points. Note: fabrics for points should contrast well with background. 11177.FQF'14HoustonSupplyList_FQF'14HoustonSupplyList 7/1/14 3:58 PM Page 6 2 0 1 4 270. CONNECT TO SUCCESS F A RILEY & PACKHAM BSS: 18. 271. ZENTANGLES ® —BEYOND THE BASICS N. SMITH L L Q U I L T F 309. INTRODUCTION TO FABRIC PAINTING BUZZALINO BSS: 15; 16; 18; 32; water container (soup or vegetable can); three or four lg Styrofoam plates; paper towels; old toothbrush. E S T I V A L 320. JELLY ROLL STAR— A STUNNING QUILT IN ONE DAY See 118 on Monday for supply list. 321. SUNSHINE & SHADOW—THE EASY WAY BSS: 7. 310. PAINTED DESERT STARS 272. DESIGN 40 NEW BLOCKS FOR YOUR EQ7 BLOCK LIBRARY VLACK BSS: 18. Laptop computer with EQ7 installed, activated, and validated prior to coming to class (To be sure, log onto computer you will be using in class and open EQ7 a few days before arriving at the convention center); power supply for laptop; external mouse compatible with laptop; mouse pad. Alternative: For students without EQ7, with prior e-mail arrangement with instructor ([email protected]), the instructor will provide EQ7 with limited time-use license to load into the student’s personal laptop. Loading of the program must take place prior to the beginning of the class so class time is not interrupted. 273. SILK FANTASY FLOWERS H. THOMAS BSS: 7; 8; 10. CAFFREY BSS: 3; 11; 22; 23; 24 (see supply list); 25 (see supply list); 26 (crib sz, opt); 31. Complete supply list will be posted on www.debbiescreativemoments.com by September 15. 311. LET’S TALK QUILTING COMBS BSS: 3; 9; 11; 16; 23 (med); 24 (med); 25 (1in x 6in & 6in x 12in); 26 (1yd flannel or thin cotton batting); 31. 323. COMBINE LOG CABIN & PATCHWORK BLOCKS GLOVER 312. PATCHWORK ILLUSIONS 313. SEWING TRINKET BOX CRAIG BSS: 6. 314. SHIBORI MANDALA MAGIC 315. MIX COLORS LIKE A PRO OCTOBER 29 & 30 NINE-HOUR CLASS 300. LUSCIOUS LAYERS— COLBURN DYE, APPLIQUÉ, AND STITCH A TINY MASTERPIECE DOLCE DUNNEWOLD BSS: 7; 11; 13; 18; 28; 29; 32; 9in x 12in pad of white cold-pressed watercolor paper; fine-tipped pointed round brush and flat watercolor brush approx ½in wide; addnl brushes (opt); 1in roll blue painter’s tape; 8in x 10in or 9in x 12in flat pc of plexiglass. BSS: 4; 6; 7; 11; 22; 31; 32, sm sharp scissors. 316. SILKSCREENING Wednesday ECKLEY BSS: 32. OCTOBER 29 317. BEADED DRAGONFLY AND BEADED SASHIKO EHA ALL -DAY CLASSES BSS: 7; 8; 11; 22; 6in to 7in hoop; non-segmented white glass/ceramic plate, Cool Whip lid, or Velux beading cloth; glasses if needed for handwork (opt). Bring a finished or unfinished cotton or silk block or art quilt. (Finished means pc is quilted through three layers and binding has been added) If block or art quilt is unfinished, hand baste to flannel or thin cotton batting (no polyester, wool, or other non-cotton batting) in a 3in grid without backing. Cut the flannel/batting 2in longer and wider than top, then center the cotton/silk top right side up on the batting so 1in of batting shows on all sides. Baste as if preparing for machine quilting. For best visibility, use light or med value fabric beneath the dragonfly. Limit project sz to 3sq ft or smaller. 305. LET ME SURPRISE YOU! M O R E ! ANGOTTI BSS: 9; 11; 31. 306. SHEERLY FACES AUSTIN BSS: 13; 15; 18; 23 (18mm); 24; 28 (doublesided removable tape); 29; 30. Fabric: ½yd white cotton. 307. KANSAS ROSE BUCKLEY BSS: 1; 3; 6; 7; 11; 16; 22; 27; 30; fabric markers to trace templates on fabric; sz 80/20 sewing machine needles; stapler; staple remover; emery board; clear monofilament or polyester thread like YLI 0.004 (avail for sale in class). 308. FABULOUS FUSIBLE FLOWERS—CLEMATIS BULA BSS: 6; 7; 11 (large head); 13; 22; 28; 30; stiletto or tweezers (to help move sm pcs around); 3yds extra fusible web to complete your quilt top (Steam-A-Seam², Pellon Easy Fuse 2 or Misty Fuse); 21in x 27in pressing sheet (i.e. Fat Goddess by Misty Fuse) or parchment paper. Fabric: 1yd dk background. GARBER BSS: 6; 15; 16; 17; flexible curve (avail in class); freezer paper (roll or enough for two 17in x 24in sheets); drafting compass (avail for purchase in class); light colored masking tape. See 111 on Monday for supply list. BSS: 6; 9; 18; 31; 32. Wednesday & Thursday FROST BSS: 3; 6; 9; 11; 23 (45mm); 24 (12in x 18in); 25 (6in x 12in plus 4in x 8in or 6in sq); 31. Fabric: five ¼yd pcs lighter to darker; Jyd accent border; Oyd outer border. 322. TRANSITIONS— FROM TRADITION TO ART QUILT CHATELAIN FORSTER 318. SILK FIBER ELEGANCE ENDO BSS: 6; 11; 22; 23; 24 (med); 31; 32; old towels. 319. CONTEMPORARY CRAZY QUILTING BY MACHINE FAIRES BSS: 1 (sz 90 machine Topstitch); 4 (dk); 6; 8; 11; 22; 23; 24 (med); 25 (med); 31; few favorite decorative threads or trims (opt). S6 BSS: 6; 11; 23; 24 (med); 25 (3in x 18in & 6in sq). Fabric: fourteen to sixteen FQs from three or four color families you like together. Select some for varied scale of designs or visual texture, others for subtle patterns and solid-like that blend or provide contrast. Vary tones and shades—very few lights, mostly meds and dks within each color family. Avoid lg scale, highcontrast fabrics. 324. FRESH PINEAPPLE POSSIBILITIES HALL BSS: 3; 6; 11; 15; 16; 17 (opt); 22; 23; 24 (sm); 25 (sm); 31. Fabric: max 3yds total from scraps, strips, gradated hand-dyes or four to six pcs (light-med-dk) coordinated with a focus fabric. 325. GEESE IN A STORM HELLABY BSS: 1; 4; 8; 10; 11; 22; 23 (med); 24 (17in x 24in); 25 (6in x 24in and min 6in rotary cutting sq); 31. Fabric: 2yds blue cotton background; ½yd each four white/cream cottons for Geese. 326. INSPIRED TO STITCH HOLLAND BSS: 6; 12; 23; 24 (12in x 25in); 25 (12in x 6.5in); portable light box, if possible; 1yd sq thin cotton batting; spools of 50wt thread in the following colors: light blue, sky blue, bright orange, citrus green, light and dk purple, and red. Fabric: FQ each of three or four complementary plain fabrics (to piece the background); Fat J red; Fat J orange (Cherrywood recommended for colored areas of quilt); 1yd sq backing; 25in x 6in pc embroidery or complementary fabric that tells a story for bottom of quilt (opt).
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