KF-7 MIDI Imple_e
DIGITAL PIANO
MIDI Implementation
Model KF-7
*
Messages for which [model name] is indicated are applicable only to that specific model.
■Channel Voice Messages
●Note off
2nd byte
kkH
kkH
3rd byte
vvH
00H
n = MIDI channel number: 0H-FH (ch.1-ch.16)
kk = note number: 00H-7FH (0-127)
vv = note off velocity: 00H-7FH (0-127)
*
*
For Drum Parts, these messages are received when Rx.NOTE OFF = ON for each
Instrument.
The velocity values of Note Off messages are ignored.
●Note on
Status
9nH
2nd bytes
kkH
3rd byte
vvH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
kk = note number: 00H-7FH (0-127)
vv = note on velocity: 01H-7FH (1-127)
*
*
Not received when Rx.NOTE MESSAGE = OFF. (Initial value is ON)
For Drum Parts, not received when Rx.NOTE ON = OFF for each Instrument.
●Polyphonic Key Pressure
Status
AnH
2nd bytes
kkH
3rd byte
vvH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
kk = note number: 00H-7FH (0-127)
vv = key pressure: 00H-7FH (0-127)
*
*
Not received when Rx.POLY PRESSURE (PAf) = OFF. (Initial value is ON)
The resulting effect is determined by System Exclusive messages. With the initial
settings, there will be no effect.
●Control Change
*
*
When Rx.CONTROL CHANGE = OFF, all control change messages except for Channel
Mode messages will be ignored.
The value specified by a Control Change message will not be reset even by a Program
Change, etc.
❍Bank Select (Controller number 0, 32)
Status
BnH
BnH
2nd bytes
00H
20H
3rd byte
mmH
llH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
mm, ll = Bank number: 00H, 00H-7FH, 7FH (bank.1-bank.16384),
Initial Value = 00 00H (bank.1)
*
*
*
*
*
*
*
*
Not received when Rx.BANK SELECT = OFF.
“Rx.BANK SELECT” is set to OFF by “GM1 System On,” and Bank Select message will
be ignored.
“Rx.BANK SELECT” is set to ON by “GM2 System On.”
“Rx.BANK SELECT” is set to ON by power-on Reset or by receiving “GS RESET.”
When Rx.BANK SELECT LSB = OFF, Bank number LSB (llH) will be handled as 00H
regardless of the received value. However, when sending Bank Select messages, you
have to send both the MSB (mmH) and LSB (llH, the value should be 00H) together.
Bank Select processing will be suspended until a Program Change message is received.
The GS format “Variation number” is the value of the Bank Select MSB (Controller
number 0) expressed in decimal.
Some other GS devices do not recognize the Bank Select LSB (Controller number 32).
Version: 1.00
❍Modulation (Controller number 1)
Status
BnH
1. Receive data
Status
8nH
9nH
Date: July. 1, 2003
2nd bytes
01H
3rd byte
vvH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv = Modulation depth: 00H-7FH (0-127)
*
*
Not received when Rx.MODULATION = OFF. (Initial value is ON)
The resulting effect is determined by System Exclusive messages. With the initial
settings, this is Pitch Modulation Depth.
❍Portamento Time (Controller number 5)
Status
BnH
2nd bytes
05H
3rd byte
vvH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv = Portamento Time: 00H-7FH (0-127), Initial value = 00H (0)
*
This adjusts the rate of pitch change when Portamento is ON or when using the
Portamento Control. A value of 0 results in the fastest change.
❍Data Entry (Controller number 6, 38)
Status
BnH
BnH
2nd bytes
06H
26H
3rd byte
mmH
llH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
mm, ll = the value of the parameter specified by RPN/NRPN
mm = MSB, ll = LSB
❍Volume (Controller number 7)
Status
BnH
2nd bytes
07H
3rd byte
vvH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv = Volume: 00H-7FH (0-127), Initial Value = 64H (100)
*
*
Volume messages are used to adjust the volume balance of each Part.
Not received when Rx.VOLUME = OFF. (Initial value is ON)
❍Pan (Controller number 10)
Status
BnH
2nd bytes
0AH
3rd byte
vvH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv = pan: 00H-40H-7FH (Left-Center-Right), Initial Value = 40H (Center)
*
*
*
For Rhythm Parts, this is a relative adjustment of each Instrument’s pan setting.
Some Tones are not capable of being panned all the way to the left or right.
Not received when Rx.PANPOT = OFF. (Initial value is ON)
❍Expression (Controller number 11)
Status
BnH
2nd bytes
0BH
3rd byte
vvH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv = Expression: 00H-7FH (0-127), Initial Value = 7FH (127)
*
*
This adjusts the volume of a Part. It can be used independently from Volume messages.
Expression messages are used for musical expression within a performance; e.g.,
expression pedal movements, crescendo and decrescendo.
Not received when Rx.EXPRESSION = OFF. (Initial value is ON)
❍Hold 1 (Controller number 64)
Status
BnH
2nd bytes
40H
3rd byte
vvH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv = Control value: 00H-7FH (0-127)
*
Not received when Rx.HOLD1 = OFF. (Initial value is ON)
Copyright © 2002 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.
1
❍Portamento (Controller number 65)
❍Vibrato Rate (Controller number 76)
Status
BnH
Status
BnH
2nd bytes
41H
3rd byte
vvH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv = Control value: 00H-7FH (0-127) 0-63 = OFF, 64-127 = ON
*
2nd byte
4CH
3rd byte
vvH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv = Vibrato Rate value (relative change) : 00H-7FH(-64 - 0 - +63),
Initial value = 40H (no change)
Not received when Rx.PORTAMENTO = OFF. (Initial value is ON)
*
Some Tones will not exhibit any change.
❍Sostenuto (Controller number 66)
Status
BnH
2nd bytes
42H
3rd byte
vvH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv = Control value: 00H-7FH (0-127) 0-63 = OFF, 64-127 = ON
*
Not received when Rx.SOSTENUTO = OFF. (Initial value is ON)
❍Soft (Controller number 67)
Status
BnH
2nd bytes
43H
Not received when Rx.SOFT = OFF. (Initial value is ON)
Some Tones will not exhibit any change.
❍Filter Resonance (Timbre/Harmonic Intensity) (Controller number 71)
Status
BnH
2nd byte
47H
3rd byte
vvH
*
❍Vibrato Delay (Controller number 78)
Status
BnH
*
3rd byte
vvH
Some Tones will not exhibit any change.
❍Portamento control (Controller number 84)
BnH
2nd bytes
54H
3rd byte
kkH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
kk = source note number: 00H-7FH (0-127)
Some Tones will not exhibit any change.
*
Status
BnH
2nd byte
48H
3rd byte
vvH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv = Release Time value (relative change) : 00H-7FH (-64 - 0 - +63),
Initial value = 40H (no change)
Some Tones will not exhibit any change.
❍Attack time (Controller number 73)
Status
BnH
2nd byte
49H
3rd byte
vvH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv = Attack time value (relative change) : 00H-7FH (-64 - 0 - +63),
Initial value=40H (no change)
*
2nd byte
4EH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv = Vibrato Delay value (relative change) : 00H-7FH(-64 - 0 - +63),
Initial value=40H (no change)
❍Release Time (Controller number 72)
*
3rd byte
vvH
Some Tones will not exhibit any change.
Status
n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv= Resonance value (relative change): 00H-7FH (-64 - 0 - +63),
Initial value = 40H (no change)
2nd byte
4DH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv = Vibrato Depth Value (relative change) : 00H-7FH(-64 - 0 - +63),
Initial Value = 40H (no change)
*
3rd byte
vvH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv = Control value: 00H-7FH (0-127) 0-63 = OFF, 64-127 = ON
*
*
❍Vibrato Depth (Controller number 77)
Status
BnH
Some Tones will not exhibit any change.
❍Cutoff (Controller number 74)
Status
BnH
2nd byte
4AH
3rd byte
vvH
*
*
A Note-on received immediately after a Portamento Control message will change
continuously in pitch, starting from the pitch of the Source Note Number.
If a voice is already sounding for a note number identical to the Source Note Number,
this voice will continue sounding (i.e., legato) and will, when the next Note-on is
received, smoothly change to the pitch of that Note-on.
The rate of the pitch change caused by Portamento Control is determined by the
Portamento Time value.
Example 1.
On MIDI
90 3C 40
B0 54 3C
90 40 40
80 3C 40
80 40 40
Description
Note on C4
Portamento Control from C4
Note on E4
Note off C4
Note off E4
Result
C4 on
no change (C4 voice still sunding)
glide from C4 to E4
no change
E4 off
Example 2.
On MIDI
B0 54 3C
90 40 40
80 40 40
Description
Portamento Control from C4
Note on E4
Note off E4
Result
no change
E4 is played with glide from C4 to E4
E4 off
❍Effect 1 (Reverb Send Level) (Controller number 91)
Status
BnH
2nd bytes
5BH
3rd byte
vvH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv = Cutoff value (relative change) : 00H-7FH (-64 - 0 - +63),
Initial value = 40H (no change)
n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv = Control value: 00H-7FH (0-127), Initial Value = 28H (40)
*
*
Some Tones will not exhibit any change.
❍Decay Time (Controller number 75)
Status
BnH
2nd byte
4BH
3rd byte
vvH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv = Decay Time value (relative change) : 00H-7FH (-64 - 0 - +63),
Initial value = 40H (no change)
*
2
Some Tones will not exhibit any change.
This message adjusts the Reverb Send Level of each Part.
❍Effect 3 (Chorus Send Level) (Controller number 93)
Status
BnH
2nd bytes
5DH
3rd byte
vvH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv = Control value: 00H-7FH (0-127), Initial Value = 00H (0)
*
This message adjusts the Chorus Send Level of each Part.
❍NRPN MSB/LSB (Controller number 98, 99)
❍RPN MSB/LSB (Controller number 100, 101)
Status
BnH
BnH
Status
BnH
BnH
2nd bytes
63H
62H
3rd byte
mmH
llH
2nd bytes
65H
64H
3rd byte
mmH
llH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
mm = upper byte (MSB) of the parameter number specified by NRPN
ll = lower byte (LSB) of the parameter number specified by NRPN
n = MIDI channel number: 0H-FH (ch.1-ch.16)
mm = upper byte (MSB) of parameter number specified by RPN
ll = lower byte (LSB) of parameter number specified by RPN
*
*
*
*
Rx.NRPN is set to OFF by power-on reset or by receiving “GM1 System On” or “GM2
System On,” and NRPN message will be ignored. NRPN message will be received when
Rx.NRPN = ON, or by receiving “GS RESET.”
The value set by NRPN will not be reset even if Program Change or Reset All Controllers
is received.
**NRPN**
The NRPN (Non Registered Parameter Number) message allows an extended range of
control changes to be used.
To use these messages, you must first use NRPN MSB and NRPN LSB messages to specify
the parameter to be controlled, and then use Data Entry messages to specify the value of the
specified parameter. Once an NRPN parameter has been specified, all Data Entry messages
received on that channel will modify the value of that parameter. To prevent accidents, it is
recommended that you set RPN Null (RPN Number = 7FH/7FH) when you have finished
setting the value of the desired parameter. Refer to Section 4. Supplementary material
“Examples of actual MIDI messages” <Example 4> (p.14). On the GS devices, Data entry
LSB (llH) of NRPN is ignored, so it is no problem to send Data entry MSB (mmH) only
(without Data entry LSB).
Not received when Rx.RPN = OFF. (Initial value is ON)
The value specified by RPN will not be reset even by messages such as Program Change
or Reset All Controller.
**RPN**
The RPN (Registered Parameter Number) messages are expanded control changes, and each
function of an RPN is described by the MIDI Standard.
To use these messages, you must first use RPN MSB and RPN LSB messages to specify the
parameter to be controlled, and then use Data Entry messages to specify the value of the
specified parameter. Once an RPN parameter has been specified, all Data Entry messages
received on that channel will modify the value of that parameter. To prevent accidents, it is
recommended that you set RPN Null (RPN Number = 7FH/7FH) when you have finished
setting the value of the desired parameter. Refer to Section 4. “Examples of actual MIDI
messages” <Example 4> (p. 14).
On this instrument, RPN can be used to modify the following parameters.
On this instrument, NRPN can be used to modify the following parameters.
RPN
MSB LSB
00H 00H
Data entry
MSB LSB
mmH ---
NRPN
MSB LSB
01H 08H
Data entry
MSB
mmH
00H 01H
mmH llH
01H 09H
mmH
01H 0AH
mmH
01H 20H
mmH
00H 02H
mmH ---
01H 21H
mmH
01H 63H
mmH
00H 05H
mmH llH
01H 64H
mmH
7FH 7FH
--- ---
01H 66H
mmH
18H rrH
mmH
1AH rrH
mmH
1CH rrH
mmH
1DH rrH
mmH
1EH rrH
mmH
*
*
*
Description
Vibrato Rate (relative change)
mm: 0EH-40H-72H (-50 - 0 - +50)
Vibrato Depth (relative change)
mm: 0EH-40H-72H (-50 - 0 - +50)
Vibrato Delay (relative change)
mm: 0EH-40H-72H (-50 - 0 - +50)
TVF Cutoff Frequency (relative change)
mm: 0EH-40H-72H (-50 - 0 - +50)
TVF Resonance (relative change)
mm: 0EH-40H-72H (-50 - 0 - +50)
TVF&TVA Envelope Attack Time (relative change)
mm: 0EH-40H-72H (-50 - 0 - +50)
TVF&TVA Envelope Decay Time (relative change)
mm: 0EH-40H-72H (-50 - 0 - +50)
TVF&TVA Envelope Release Time (relative change)
mm: 0EH-40H-72H (-50 - 0 - +50)
Drum Instrument Pitch Coarse (relative change)
rr : key number of drum instrument
mm: 00H-40H-7FH (-63 - 0 - +63 semitone)
Drum Instrument TVA Level (absolute change)
rr : key number of drum instrument
mm: 00H-7FH (zero-maximum)
Drum Instrument Panpot (absolute change)
rr : key number of drum instrument
mm: 00H, 01H-40H-7FH (Ramdom, Left-Center-Right)
Drum Instrument Reverb Send Level (absolute change)
rr : key number of drum instrument
mm: 01H-7FH (zero-maximum)
Drum Instrument Chorus Send Level (absolute change)
rr : key number of drum instrument
mm: 01H-7FH (zero-maximum)
Parameters marked “relative change” will change relatively to the preset value(40H).
Even among different GS devices, “relative change” parameters may sometimes differ in
the way the sound changes or in the range of change.
Parameters marked “absolute change” will be set to the absolute value of the parameter,
regardless of the preset value.
Data entry LSB (llH) is ignored.
Explanation
Pitch Bend Sensitivity
mm: 00H-18H (0-24 semitones), Initial Value = 02H (2 semitones)
ll : ignored (processed as 00h)
specify up to 2 octaves in semitone steps
Master Fine Tuning
mm, ll : 00 00H - 40 00H - 7F 7FH (-100 - 0 - +99.99 cents),
Initial Value = 40 00H (0 cent)
ll : ignored (processed as 00h)
specify up to 2 octaves in semitone steps
Refer to 4. Supplementary material, “About tuning” (p.15)
Master Coarse Tuning
mm : 28H - 40H - 58H (-24 - 0 - +24 semitones),
Initial Value = 40H (0 cent)
ll : ignored (processed as 00h)
Modulation Depth Range
mm : 00H - 04H (0 - 4 semitones)
ll : 00H - 7FH (0 - 100 cents)
100/128 Cent/Value
RPN null
Set condition where RPN and NRPN are unspecified. The data
entry messages after set RPN null will be ignored. (No Data
entry messages are required after RPN null).
Settings already made will not change.
mm, ll : ignored
●Program Change
Status
CnH
2nd bytes
ppH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
pp = Program number: 00H-7FH (prog.1-prog.128)
*
*
*
Not received when Rx.PROGRAM CHANGE = OFF. (Initial value is ON)
After a Program Change message is received, the sound will change beginning with the
next Note-on. Voices already sounding when the Program Change message was
received will not be affected.
For Drum Parts, Program Change messages will not be received on bank numbers 12916384 (the value of Control Number 0 is other than 0 (00H)).
●Channel Pressure
Status
DnH
2nd bytes
vvH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv = Channel Pressure: 00H-7FH (0-127)
*
*
Not received when Rx.CH PRESSURE (CAf) = OFF. (Initial value is ON)
The resulting effect is determined by System Exclusive messages. With the initial
settings there will be no effect.
3
●Pitch Bend Change
Status
EnH
2nd byte
llH
●MONO (Controller number 126)
3rd bytes
mmH
Status
BnH
2nd byte
7EH
3rd bytes
mmH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
mm, ll = Pitch Bend value: 00 00H - 40 00H - 7F 7FH (-8192 - 0 - +8191)
n = MIDI channel number: 0H-FH (ch.1-ch.16)
mm = mono number: 00H-10H (0-16)
*
*
*
Not received when Rx.PITCH BEND = OFF. (Initial value is ON)
The resulting effect is determined by System Exclusive messages. With the initial
settings the effect is Pitch Bend.
■Channel Mode Messages
●All Sounds Off (Controller number 120)
Status
BnH
2nd byte
78H
3rd bytes
00H
n = MIDI channel number: 0H-FH (ch.1-ch.16)
*
When this message is received, all currently-sounding notes on the corresponding
channel will be turned off immediately.
●Reset All Controllers (Controller number 121)
Status
BnH
2nd byte
79H
3rd bytes
00H
The same processing will be carried out as when All Sounds Off and All Notes Off is
received, and the corresponding channel will be set to Mode 4 (M = 1) regardless of the
value of “mono number.”
●POLY (Controller number 127)
Status
BnH
2nd byte
7FH
3rd bytes
00H
n = MIDI channel number: 0H-FH (ch.1-ch.16)
*
The same processing will be carried out as when All Sounds Off and All Notes Off is
received, and the corresponding channel will be set to Mode 3.
■System Realtime Message
●Realtime Clock
Status
F8H
n = MIDI channel number: 0H-FH (ch.1-ch.16)
●Start
*
When this message is received, the following controllers will be set to their reset values.
Controller
Pitch Bend Change
Polyphonic Key Pressure
Channel Pressure
Modulation
Expression
Hold 1
Portamento
Sostenuto
Soft
RPN
NRPN
Reset value
±0 (Center)
0 (off)
0 (off)
0 (off)
127 (max)
0 (off)
0 (off)
0 (off)
0 (off)
unset; previously set data will not change
unset; previously set data will not change
●Local Control (Controller number 122)
Status
BnH
2nd byte
7AH
3rd bytes
vvH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv = Control value: 00H, 7FH (0,127), 00H: Local Off, 7FH: Local On
●All Notes Off (Controller number 123)
Status
BnH
2nd byte
7BH
3rd bytes
00H
n = MIDI channel number: 0H-FH (ch.1-ch.16)
*
When All Notes Off is received, all notes on the corresponding channel will be turned
off. However if Hold 1 or Sostenuto is ON, the sound will be continued until these are
turned off.
Status
FAH
●Continue
Status
FBH
●Stop
Status
FBH
●Active Sensing
Status
FEH
*
When Active Sensing is received, the unit will begin monitoring the intervals of all
further messages. While monitoring, if the interval between messages exceeds 420 ms,
the same processing will be carried out as when All Sounds Off, All Notes Off and Reset
All Controllers are received, and message interval monitoring will be halted.
■System Exclusive Message
Status
F0H
Data byte
iiH, ddH, ......, eeH
Status
F7H
F0H: System Exclusive Message status
ii = ID number: an ID number (manufacturer ID) to indicate the manufacturer whose
Exclusive message this is. Roland’s manufacturer ID is 41H.
ID numbers 7EH and 7FH are extensions of the MIDI standard; Universal
Non-realtime Messages (7EH) and Universal Realtime Messages (7FH).
dd,...,ee = data: 00H-7FH (0-127)
F7H: EOX (End Of Exclusive)
●OMNI OFF (Controller number 124)
Status
BnH
2nd byte
7CH
3rd bytes
00H
n = MIDI channel number: 0H-FH (ch.1-ch.16)
*
The same processing will be carried out as when All Notes Off is received.
●OMNI ON (Controller number 125)
Status
BnH
2nd byte
7DH
3rd bytes
00H
n = MIDI channel number: 0H-FH (ch.1-ch.16)
*
4
OMNI ON is only recognized as “All notes off”; the Mode doesn’t change (OMNI OFF
remains).
The System Exclusive Messages received by this instrument are; messages related to mode
settings, Universal Realtime System Exclusive messages and Data Set (DT1).
●System exclusive messages related to mode settings
These messages are used to initialize a device to GS or General MIDI mode, or change the
operating mode. When creating performance data, a “GM1 System On” message should be
inserted at the beginning of a General MIDI 1 score, a “GM2 System On” message at the
beginning of a General MIDI 2 score, and a “GS Reset” message at the beginning of a GS
music data. Each song should contain only one mode message as appropriate for the type of
data. (Do not insert two or more mode setting messages in a single song.)
“GM System On” uses Universal Non-realtime Message format. “GS Reset” uses Roland
system Exclusive format “Data Set 1 (DT1).”
❍GM1 System On
●Universal Realtime System Exclusive Messages
This is a command message that resets the internal settings of the unit to the General MIDI
initial state (General MIDI System-Level 1). After receiving this message, this instrument
will automatically be set to the proper condition for correctly playing a General MIDI score.
❍Master volume
Status
F0H
Data byte
7EH, 7FH, 09H, 01H
Byte
F0H
7EH
7FH
09H
01H
F7H
Explanation
Exclusive status
ID number (Universal Non-realtime Message)
Device ID (Broadcast)
Sub ID#1 (General MIDI Message)
Sub ID#2 (General MIDI 1 On)
EOX (End Of Exclusive)
*
*
Status
F7H
When this message is received, Rx.BANK SELECT will be OFF and Rx.NRPN will be
OFF.
There must be an interval of at least 50 ms between this message and the next.
This is a command message that resets the internal settings of the unit to the General MIDI
initial state (General MIDI System-Level 2). After receiving this message, this instrument
will automatically be set to the proper condition for correctly playing a General MIDI score.
Status
F0H
Data byte
7EH, 7FH, 09H, 03H
Byte
F0H
7EH
7FH
09H
03H
F7H
Explanation
Exclusive status
ID number (Universal Non-realtime Message)
Device ID (Broadcast)
Sub ID#1 (General MIDI Message)
Sub ID#2 (General MIDI 2 On)
EOX (End Of Exclusive)
*
Status
F7H
Byte
F0H
7FH
7FH
04H
01H
llH
mmH
F7H
Explanation
Exclusive status
ID number (universal realtime message)
Device ID (Broadcast)
Sub ID#1 (Device Control messages)
Sub ID#2 (Master Volume)
Master volume lower byte
Master volume upper byte
EOX (End Of Exclusive)
*
Status
F7H
The lower byte (llH) of Master Volume will be handled as 00H.
When this message is received, this instrument will be able to receive the messages
specified by General MIDI 2, and use the General MIDI 2 soundmap.
There must be an interval of at least 50 ms between this message and the next.
❍GM System Off
Status
F0H
Data byte
7EH, 7FH, 09H, 02H
Byte
F0H
7EH
7FH
09H
02H
40H
Explanation
Exclusive status
ID number (Universal Non-realtime Message)
Device ID (Broadcast)
Sub-ID#1 (General MIDI message)
Sub-ID#2 (General MIDI Off)
EOX (End of exclusive)
Status
F0H
Data byte
7FH, 7FH, 04H, 03H, llH, mmH
Status
F7H
Byte
F0H
7FH
7FH
04H
03H
llH
mmH
F7H
Explanation
Exclusive status
ID number (universal realtime message)
Device ID (Broadcast)
Sub ID#1 (Device Control)
Sub ID#2 (Master Fine Tuning)
Master Fine Tuning LSB
Master Fine Tuning MSB
EOX (End Of Exclusive)
mm, ll : 00 00H - 40 00H - 7F 7FH(-100 - 0 - +99.9 [cents])
“GM System Off” is a command message that resets the internal state of this instrument
from the GM state to its native condition. This instrument will reset to the GS default state.
*
Data byte
7FH, 7FH, 04H, 01H, llH, mmH
❍Master Fine Tuning
❍GM2 System On
*
Status
F0H
Status
F7H
❍Master Coarse Tuning
Status
F0H
Data byte
7FH, 7FH, 04H, 04H, llH, mmH
Status
F7H
Byte
F0H
7FH
7FH
04H
04H
llH
mmH
F7H
Explanation
Exclusive status
ID number (universal realtime message)
Device ID (Broadcast)
Sub ID#1 (Device Control)
Sub ID#2 (Master Coarse Tuning)
Master Coarse Tuning LSB
Master Coarse Tuning MSB
EOX (End Of Exclusive)
llH :
mmH :
ignored (processed as 00H)
28H - 40H - 58H (-24 - 0 - +24 [semitones])
There must be an interval of at least 50 ms between this message and the next.
❍GS reset
GS Reset is a command message that resets the internal settings of a device to the GS initial
state. This message will appear at the beginning of GS music data, and a GS device that
receives this message will automatically be set to the proper state to correctly playback GS
music data.
Status
F0H
Data byte
41H, 10H, 42H, 12H, 40H, 00H, 7FH, 00H, 41H
Byte
F0H
41H
10H
42H
12H
40H
00H
7FH
00H
41H
F7H
Explanation
Exclusive status
ID number (Roland)
Device ID (dev: 00H-1FH (1-32), Initial value is 10H (17))
Model ID (GS)
Command ID (DT1)
Address MSB
Address
Address LSB
Data (GS reset)
Checksum
EOX (End Of Exclusive)
*
*
Status
F7H
When this message is received, Rx.NRPN will be ON.
There must be an interval of at least 50 ms between this message and the next.
5
●Global Parameter Control
❍Channel Pressure
Parameters of the Global Parameter Control are newly provided for the General MIDI 2.
Status
F0H
Data byte
7FH, 7FH, 09H, 01H, 0nH, ppH, rrH
Byte
F0H
7FH
7FH
09H
01H
0nH
ppH
rrH
F7H
Explanation
Exclusive status
ID number (universal realtime message)
Device ID (Broadcast)
Sub ID#1 (Controller Destination Setting)
Sub ID#2 (Channel Pressure)
MIDI Channel (00 - 0F)
Controlled parameter
Controlled range
EOX (End Of Exclusive)
pp=0
Pitch Control
rr = 28H - 58H
-24 - +24 [semitones]
Filter Cutoff Control
rr = 00H - 7FH
-9600 - +9450 [cents]
Amplitude Control
rr = 00H - 7FH
0 - 200 [%]
LFO Pitch Depth
rr = 00H - 7FH
0 - 600 [cents]
LFO Filter Depth
rr = 00H - 7FH
0 - 2400 [cents]
LFO Amplitude Depth
rr = 00H - 7FH
0 - 100[%]
❍Reverb Parameters
Status
F0H
Data byte
7FH, 7FH, 04H, 05H, 01H, 01H, 01H, 01H, 01H, ppH, vvH
Byte
F0H
7FH
7FH
04H
05H
01H
01H
01H
01H
01H
ppH
vvH
F7H
Explanation
Exclusive status
ID number (universal realtime message)
Device ID (Broadcast)
Sub ID#1 (Device Control)
Sub ID#2 (Global Parameter Control)
Slot path length
Parameter ID width
Value width
Slot path MSB
Slot path LSB (Effect 0101: Reverb)
Parameter to be controlled.
Value for the parameter.
EOX (End Of Exclusive)
pp=0
Reverb Type
vv = 00H
vv = 01H
vv = 02H
vv = 03H
vv = 04H
vv = 08H
Small Room (Room1)
Medium Room (Room2)
Large Room (Room3)
Medium Hall (Hall1)
Large Hall (Hall2)
Plate (Plate)
Reverb Time
vv = 00H - 7FH
0 - 127
pp=1
Status
F7H
pp=1
pp=2
pp=3
pp=4
pp=5
❍Controller
Status
❍Chorus Parameters
Status
F0H
Data byte
7FH, 7FH, 04H, 05H, 01H, 01H, 01H, 01H, 02H, ppH, vvH
Byte
F0H
7FH
7FH
04H
05H
01H
01H
01H
01H
02H
ppH
vvH
F7H
Explanation
Exclusive status
ID number (universal realtime message)
Device ID (Broadcast)
Sub ID#1 (Device Control)
Sub ID#2 (Global Parameter Control)
Slot path length
Parameter ID width
Value width
Slot path MSB
Slot path LSB (Effect 0102: Chorus)
Parameter to be controlled.
Value for the parameter.
EOX (End Of Exclusive)
pp=0
Chorus Type
vv=0
vv=1
vv=2
vv=3
vv=4
vv=5
pp=1
pp=2
pp=3
pp=4
6
Mod Rate
vv= 00H - 7FH
Mod Depth
vv = 00H - 7FH
Feedback
vv = 00H - 7FH
Send To Reverb
vv = 00H - 7FH
Chorus1
Chorus2
Chorus3
Chorus4
FB Chorus
Flanger
0 - 127
0 - 127
0 - 127
0 - 127
Status
F7H
Status
F7H
F0H
Data byte
7FH, 7FH, 09H, 03H, 0nH, ccH, ppH, rrH
Byte
F0H
7FH
7FH
09H
03H
0nH
ccH
ppH
rrH
F7H
Explanation
Exclusive status
ID number (universal realtime message)
Device ID (Broadcast)
Sub ID#1 (Controller Destination Setting)
Sub ID#2 (Control Change)
MIDI Channel (00 - 0F)
Controller number (01 - 1F, 40 - 5F)
Controlled parameter
Controlled range
EOX (End Of Exclusive)
pp=0
Pitch Control
rr = 28H - 58H
-24 - +24 [semitones]
Filter Cutoff Control
rr = 00H - 7FH
-9600 - +9450 [cents]
Amplitude Control
rr = 00H - 7FH
0 - 200[%]
LFO Pitch Depth
rr = 00H - 7FH
0 - 600 [cents]
LFO Filter Depth
rr = 00H - 7FH
0 - 2400 [cents]
LFO Amplitude Depth
rr = 00H - 7FH
0 - 100[%]
pp=1
pp=2
pp=3
pp=4
pp=5
Status
F7H
●Data transmission
❍Scale/Octave Tuning Adjust
Status
F0H
Data byte
7EH, 7FH, 08H, 08H, ffH, ggH, hhH, ssH...
Byte
F0H
7EH
7FH
08H
08H
ffH
Explanation
Exclusive status
ID number (Universal Non-realtime Message)
Device ID (Broadcast)
Sub ID#1 (MIDI Tuning Standard)
Sub ID#2 (scale/octave tuning 1-byte form)
Channel/Option byte1
bits 0 to 1 = channel 15 to 16
bit 2 to 6 = Undefined
Channel byte2
bits 0 to 6 = channel 8 to 14
Channel byte3
bits 0 to 6 = channel 1 to 7
12 byte tuning offset of 12 semitones from C to B
00H = -64 [cents]
40H = 0 [cents] (equal temperament)
7FH = +63 [cents]
EOX (End Of Exclusive)
ggH
hhH
ssH
F7H
Status
F7H
❍Data set 1 DT1
This is the message that actually performs data transmission, and is used when you wish to
transmit the data.
❍Key-Based Instrument Controllers
Status
F0H
Data byte
7FH, 7FH, 0AH, 01H, 0nH, kkH, nnH, vvH...
Byte
F0H
7FH
7FH
0AH
01H
0nH
kkH
nnH
vvH
F7H
Explanation
Exclusive status
ID number (universal realtime message)
Device ID (Broadcast)
Sub ID#1 (Key-Based Instrument Control)
Sub ID#2 (Controller)
MIDI Channel (00 - 0FH)
Key Number
Control Number
Value
EOX (End Of Exclusive)
This instrument can receive the various parameters using System Exclusive messages.
The exclusive message of GS format data has a model ID of 42H and a device ID of 10H (17),
and it is common to all the GS devices.
Status
F7H
Status
F0H
Data byte
41H, 10H, 42H, 12H, aaH, bbH, ccH, ddH, ... eeH, sum
Byte
F0H
41H
10H
42H
12H
aaH
data
bbH
ccH
data
ddH
Explanation
Exclusive status
ID number (Roland)
Device ID
Model ID (GS)
Command ID (DT1)
Address MSB: upper byte of the starting address of the transmitted
:
:
eeH
sum
F7H
*
*
*
Status
F7H
Address: middle byte of the starting address of the transmitted data
Address LSB: lower byte of the starting address of the transmitted
Data: the actual data to be transmitted. Multiple bytes of data are
transmitted starting from the address.
Data
Checksum
EOX (End Of Exclusive)
The amount of data that can be transmitted at one time depends on the type of data, and
data can be received only from the specified starting address and size. Refer to the
Address and Size given in Section 3 (p.9).
Data larger than 128 bytes must be divided into packets of 128 bytes or less. If “Data Set
1” is transmitted successively, there must be an interval of at least 40 ms between
packets.
Regarding the checksum please refer to section 4 (p.14).
nn=07H
Level
vv = 00H - 7FH
0 - 200[%] (Relative)
nn=0AH
Pan
vv = 00H - 7FH
Left - Right (Absolute)
nn=5BH
Reverb Send
vv = 00H - 7FH
0 - 127 (Absolute)
nn=5D
Chorus Send
vv = 00H - 7FH
0 - 127 (Absolute)
* This parameter effects drum instruments only.
●Universal Non-realtime System Exclusive Messages
❍Identity Request Message
Status
F0H
Data byte
7FH, 10H, 06H, 01H
Byte
F0H
7FH
10H
06H
01H
F7H
Explanation
Exclusive status
ID number (universal realtime message)
Device ID
Sub ID#1 (General Information)
Sub ID#2 (Identity Request)
EOX (End Of Exclusive)
*
Status
F7H
Device ID = 10H or 7FH
7
❍Effect 3 (Chorus Send Level) (Controller number 93)
2. Transmit data
Status
BnH
Arranger data can not be transmitted.
■Channel Voice Messages
●Note off
Status
8nH
2nd bytes
5DH
3rd byte
vvH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv = Control value: 00H-7FH (0-127)
●Program Change
2nd byte
kkH
3rd byte
vvH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
kk = note number: 00H-7FH (0-127)
vv = note off velocity: 00H-7FH (0-127)
Status
CnH
2nd bytes
ppH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
pp = Program number: 00H-7FH (prog.1-prog.128)
●Pitch Bend Change
*
Note off message is sent out with the velocity of 40H.
●Note on
Status
9nH
2nd bytes
kkH
3rd byte
vvH
Status
EnH
2nd byte
llH
3rd bytes
mmH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
mm, ll = Pitch Bend value: 00 00H - 40 00H - 7F 7FH (-8192 - 0 - +8191)
n = MIDI channel number: 0H-FH (ch.1-ch.16)
kk = note number: 00H-7FH (0-127)
vv = note on velocity: 01H-7FH (1-127)
■System Realtime Message
●Control Change
Status
F8H
❍Bank Select (Controller number 0, 32)
Status
BnH
BnH
2nd bytes
00H
20H
3rd byte
mmH
llH
●Realtime Clock
●Start
Status
FAH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
mm, ll = Bank number: 00H, 00H-7FH, 7FH (bank.1-bank.16384)
●Continue
❍Volume (Controller number 7)
Status
FBH
Status
BnH
2nd bytes
07H
3rd byte
vvH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv = Volume: 00H-7FH (0-127)
❍Expression (Controller number 11)
Status
BnH
2nd bytes
0BH
3rd byte
vvH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv = Expression: 00H-7FH (0-127)
❍Hold 1 (Controller number 64)
Status
BnH
2nd bytes
40H
3rd byte
vvH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv = Control value: 00H-7FH (0-127)
❍Sostenuto (Controller number 66)
Status
BnH
2nd bytes
42H
3rd byte
vvH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv = Control value: 00H-7FH (0-127) 0-63 = OFF, 64-127 = ON
❍Soft (Controller number 67)
Status
BnH
2nd bytes
43H
3rd byte
vvH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv = Control value: 00H-7FH (0-127)
❍Effect 1 (Reverb Send Level) (Controller number 91)
Status
BnH
2nd bytes
5BH
3rd byte
vvH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv = Control value: 00H-7FH (0-127)
8
●Stop
Status
FCH
●Active sensing
Status
FEH
*
This will be transmitted constantly at intervals of approximately 250 ms.
■System exclusive messages
❍Identity Reply
Status
F0H
Data byte
7EH, 10H, 06H, 02H, 41H, 42H, 00H, aaH, bbH, ccH, ddH, eeH, ffH
Byte
F0H
7EH
10H
06H
02H
41H
42H
00H
00H
0EH
01H
01H
00H
00H
F7H
Explanation
Exclusive status
ID number (universal non-realtime message)
Device ID (use the same as the device ID of Roland)
Sub ID#1 (General Information)
Sub ID#2 (Identity Reply)
ID number (Roland)
Device family code (LSB)
Device family code (MSB)
Device family number code (LSB)
Device family number code (MSB)
Software revision level
Software revision level
Software revision level
Software revision level
EOX (End of Exclusive)
Status
F7H
3. Parameter Address Map (Model ID = 42H)
This map indicates address, size, Data (range), Parameter, Description, and Default Value of parameters which can be transferred using and “Data set 1 (DT1).”
All the numbers of address, size, Data, and Default Value are indicated in 7-bit Hexadecimal-form.
■Address Block map
An outlined address map of the Exclusive Communication is as follows;
Address (H)
40 00 00
40 01 3F
40 1x 00
40 2x 5A
41 m0 00
41 m8 7F
48 00 00
48 01 10
48 1D 0F
49 m0 00
49 mE 17
Block
+————————————————————————————————————+
| SYSTEM PARAMETERS
|Individual
+————————————————————————————————————+
+————————————————————————————————————+
| PART PARAMETERS
|Individual
|
(x = 0-F)
|
+————————————————————————————————————+
+————————————————————————————————————+
| SRUM SETUP PARAMETERS
|Individual
|
(m = 0-1)
|
+————————————————————————————————————+
+————————————————————————————————————+
| SYSTEM PARAMETERS
|Bulk
+————————————————————————————————————+
| PART PARAMETERS
|Bulk
+————————————————————————————————————+
+————————————————————————————————————+
| DRUM SETUP PARAMETER
|Bulk
|
(m = 0-1)
|
+————————————————————————————————————+
There are two ways in which GS data is transmitted: Individual Parameter Transmission in which individual parameters are transmitted one by one, and Bulk Dump Transmission in which a
large amount of data is transmitted at once.
■Individual Parameters
Individual Parameter Transmission transmits data (or requests data) for one parameter as one exclusive message (one packet of “F0 ..... F7”).
In Individual Parameter Transmission, you must use the Address and Size listed in the following “Parameter Address Map.” Addresses marked at “#” cannot be used as starting addresses.
●System Parameters
Parameters related to the system of the device are called System Parameters.
Address (H)
40 00 00
40 00 01#
40 00 02#
40 00 03#
*
Size (H)
00 00 04
Data (H)
0018-07E8
Parameter
MASTER TUNE
00 00 01
00-7F
MASTER VOLUME
40 00 05
40 00 06
40 00 7F
00 00 01
00 00 01
00 00 01
28-58
01-7F
00
MASTER KEY-SHIFT
MASTER PAN
MODE SET
Description
0 [cent]
0-127
7F
(= F0 7F 7F 04 01 00 vv F7)
-24 - +24 [semitones]
40
-63 (LEFT) - +63 (RIGHT)
40
00 = GS Reset,
127 = Exit GS mode (Rx. only)
127
Part 10 (Drum Part)
Part 1
Part 2
Part 3
Part 4
Part 5
Part 6
Part 7
Part 8
Part 9
Part 11
:
Part 16
02
06
02
02
02
02
02
02
02
02
00
2
6
2
2
2
2
2
2
2
2
0
00
0
0 [semitones]
0 (CENTER)
Refer to “System exclusive messages related to mode settings” (p.4).
40 01 10
40 01 11#
40 01 12#
40 01 13#
40 01 14#
40 01 15#
40 01 16#
40 01 17#
40 01 18#
40 01 19#
40 01 1A#
40 01 :#
40 01 1F#
*
Default Value (H)
00 04 00 00
Refer to section 4. Supplementary material, “About tuning” (p. 15).
40 00 04
*
Description
-100.0 - +100.0 [cent]
Use nibblized data.
00 00 10
00-40
VOICE RESERVE
The sum total of voices in the voice reserve function must be equal to or less than the number of the maximum polyphony. The maximum polyphony of this instrument is 128. For
compatibility with other GS models, it is recommended that the maximum polyphony be equal or less than 24.
40 01 30
00 00 01
00-07
REVERB MACRO
00: Room 1
04
Hall 2
01: Room 2
02: Room 3
03: Hall 1
04: Hall 2
05: Plate
06: Delay
07: Panning Delay
40 01 31
00 00 01
00-07
REVERB CHARACTER
0-7
04
4
40 01 32
00 00 01
00-07
REVERB PRE-LPF
0-7
00
0
40 01 33
00 00 01
00-7F
REVERB LEVEL
0-127
40
64
40 01 34
00 00 01
00-7F
REVERB TIME
0-127
40
64
40 01 35
00 00 01
00-7F
REVERB DELAY FEEDBACK
0-127
000
* REVERB MACRO is a macro parameter that allows global setting of reverb parameters. When you select the reverb type with REVERB MACRO, each reverb parameter will be set to the most
suitable value.
* REVERB CHARACTER is a parameter that changes the reverb algorithm. The value of REVERB CHARACTER corresponds to the REVERB MACRO of the same number.
9
40 01 38
00 00 01
00-07
CHORUS MACRO
40 01 39
40 01 3A
40 01 3B
40 01 3C
40 01 3D
40 01 3E
40 01 3F
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00-07
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
CHORUS PRE-LPF
CHORUS LEVEL
CHORUS FEEDBACK
CHORUS DELAY
CHORUS RATE
CHORUS DEPTH
CHORUS SEND LEVEL TO REVERB
*
0
64
8
80
3
19
0
00 00 02
00 - 7F
EFX TYPE (MSB, LSB)
00 00 - 7F 7F
00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
EFX Parameter 1
EFX Parameter 2
EFX Parameter 3
EFX Parameter 4
EFX Parameter 5
EFX Parameter 6
EFX Parameter 7
EFX Parameter 8
EFX Parameter 9
EFX Parameter 10
EFX Parameter 11
EFX Parameter 12
EFX Parameter 13
EFX Parameter 14
EFX Parameter 15
EFX Parameter 16
EFX Parameter 17
EFX Parameter 18
EFX Parameter 19
EFX Parameter 20
00 00 01
00 - 7F
EFX Send Level to Reverb
00 00 01
00 - 7F
EFX Send Level to Chorus
Set to 0 when EFX type is changed.
40 03 1A
40 03 1B
00 00 01
00 00 01
00 - 7F
00 - 7F
EFX Depth
EFX Control Source 1
Dry 100% - EFX 100%
00: OFF
01 - 5F: Control Change No.
71: CAf
72: Bender
40 03 1C
40 03 1D
40 03 1E
00 00 01
00 00 01
00 00 01
00 - 7F
00 - 7F
00 - 7F
EFX Control Depth 1
EFX Control Source 2
EFX Control Depth 2
7F
*Refer to EFX Control Source 1 00
7F
*
Thru
Set to 0 when EFX type is changed.
40 03 18
*
00
40
08
50
03
13
00
Each parameter will be changed by EFX type. Refer to EFX Parameter Map. (p. 16)
40 03 17
*
Chorus 3
Refer to EFX Type Table (p. 16)
This EFX Type is current EFX type of this system. When part EFX type is same to this EFX type, that part connect to EFX.
40 03 03
40 03 04
40 03 05
40 03 06
40 03 07
40 03 08
40 03 09
40 03 0A
40 03 0B
40 03 0C
40 03 0D
40 03 0E
40 03 0F
40 03 10
40 03 11
40 03 12
40 03 13
40 03 14
40 03 15
40 03 16
*
02
CHORUS MACRO is a macro parameter that allows global setting of chorus parameters. When you use CHORUS MACRO to select the chorus type, each chorus parameter will be set to the
most suitable value.
40 03 00
*
*
00: Chorus 1
01: Chorus 2
02: Chorus 3
03: Chorus 4
04: Feedback Chorus
05: Flanger
06: Short Delay
07: Short Delay (FB)
0-7
0-127
0-127
0-127
0-127
0-127
0-127
7F
00
-100% - +100%
-100% - +100%
Marked #1 or #2 can be controlled by EFX CONTROL SOURCE 1 or 2.
●Part Parameters
This instrument has 16 parts. Parameters that can be set individually for each Part are called Part parameters.
If you use exclusive messages to set Part parameters, specify the address by Block number rather than Part Number (normally the same number as the MIDI channel). The Block number can be
specified as one of 16 blocks, from 0 (H) to F (H).
The relation between Part number and Block number is as follows.
x...BLOCK NUMBER (0-F),
10
Part 1 (MIDI ch = 1) x = 1
Part 2 (MIDI ch = 2) x = 2
:
: :
Part 9 (MIDI ch = 9) x = 9
Part10 (MIDI ch = 10) x = 0
Part11 (MIDI ch = 11) x = A
Part12 (MIDI ch = 12) x = B
:
: :
Part16 (MIDI ch = 16) x = F
Address (H)
40 1x 00
40 1x 01#
40 1x 02
40 1x 03
40 1x 04
40 1x 05
40 1x 06
40 1x 07
40 1x 08
40 1x 09
40 1x 0A
*
Size (H)
00 00 02
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
Data (H)
00-7F
00-7F
00-10
00-01
00-01
00-01
00-01
00-01
00-01
00-01
00-01
Parameter
TONE NUMBER
Rx. CHANNEL
Rx. PITCH BEND
Rx. CH PRESSURE (CAf)
Rx. PROGRAM CHANGE
Rx. CONTROL CHANGE
Rx. POLY PRESSURE (PAf)
Rx. NOTE MESSAGE
Rx. RPN
Rx. NRPN
Description
CC#00 VALUE 0-127
P.C. VALUE 1-128
1-16, OFF
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
Default Value (H)
Description
00
0
00
1
Same as the Part Number
01
ON
01
ON
01
ON
01
ON
01
ON
01
ON
01
ON
00 (01*)
OFF (ON*)
When “GM1 System On” and “GM2 System On” are received, Rx. NRPN will be set OFF. When “GS Reset” is received, it will be set ON.
40 1x 0B
40 1x 0C
40 1x 0D
40 1x 0E
40 1x 0F
40 1x 10
40 1x 11
40 1x 12
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00-01
00-01
00-01
00-01
00-01
00-01
00-01
00-01
Rx. MODULATION
Rx. VOLUME
Rx. PANPOT
Rx. EXPRESSION
Rx. HOLD1
Rx. PORTAMENTO
Rx. SOSTENUTO
Rx. SOFT
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
01
01
01
01
01
01
01
01
ON
ON
ON
ON
ON
ON
ON
ON
40 1x 13
00 00 01
00-01
Mono/Poly
01
Poly
40 1x 14
00 00 01
00-02
MONO/POLY MODE
(= CC# 126 01 / CC# 127 00)
ASSIGN MODE
0 = SINGLE
1 = LIMITED-MULTI
00 at x = 0
01 at x ≠ 0
SINGLE at x = 0
LIMITED-MULTI
at x ≠ 0
2 = FULL-MULTI
*
ASSIGN MODE is the parameter that determines how voice assignment will be handled when sounds overlap on identical note numbers in the same channel (i.e., repeatedly struck notes).
This is initialized to a mode suitable for each Part, so for general purposes there is no need to change this.
40 1x 15
*
00-02
00 00 01
00 00 02
28-58
08-F8
00 00 01
00-7F
40 1x 1A
40 1x 1B
40 1x 1C
00 00 01
00 00 01
00 00 01
00-7F
00-7F
00-7F
40 1x 1D
40 1x 1E
40 1x 1F
40 1x 20
40 1x 21
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00-7F
00-7F
00-5F
00-5F
00-7F
40 1x 22
00 00 01
00-7F
40 1x 23
00 00 01
00-01
00 at x ≠ 0
01 at x = 0
OFF at x ≠ 0
MAP1 at x ≠ 0
PITCH KEY SHIFT
PITCH OFFSET FINE
-24 - +24 [semitones]
-12.0 - +12.0 [Hz]
Use nibblized data.
40
08 00
0 [semitones]
0 [Hz]
PART LEVEL
(= CC# 7)
VELOCITY SENSE DEPTH
VELOCITY SENSE OFFSET
PART PANPOT
(= CC# 10, except RANDOM)
KEY RANGE LOW
KEY RANGE HIGH
CC1 CONTROLLER NUMBER
CC2 CONTROLLER NUMBER
CHORUS SEND LEVEL
(= CC# 93)
REVERB SEND LEVEL
(= CC# 91)
Rx. BANK SELECT
0-127
64
100
0-127
0-127
-64 (RANDOM),
-63 (LEFT) ,
- +63 (RIGHT)
40
40
40
64
64
0 (CENTER)
(C-1)-(G9)
(C-1)-(G9)
0-95
0-95
0-127
00
7F
10
11
00
C-1
G9
16
17
0
0-127
28
40
OFF/ON
01 (00*)
ON (OFF*)
OFF/ON
00
OFF
“Rx.BANK SELECT” is set to OFF by “GM1 System On,” and Bank Select message will be ignored.
“Rx.BANK SELECT” is set to ON by “GM2 System On.”
“Rx.BANK SELECT” is set to ON by power-on Reset or by receiving “GS RESET.”
40 1x 24
*
0 = OFF
1 = MAP1
2 = MAP2
PITCH OFFSET FINE allows you to alter, by a specified frequency amount, the pitch at which notes will sound. This parameter differs from the conventional Fine Tuning (RPN #1) parameter
in that the amount of frequency alteration (in Hertz) will be identical no matter which note is played. When a multiple number of Parts, each of which has been given a different setting for
PITCH OFFSET FINE, are sounded by means of an identical note number, you can obtain a Celeste effect.
40 1x 19
*
*
*
USE FOR RHYTHM PART
This parameter sets the Drum Map of the Part used as the Drum Part. This instrument can simultaneously (in different Parts) use up to two Drum Maps (MAP1, MAP2). With the initial
settings, Part10 (MIDI CH = 10, x = 0) is set to MAP1 (1), and other Parts are set to normal instrumental Parts (OFF (0)).
40 1x 16
40 1x 17
40 1x 18#
*
00 00 01
00 00 01
00-01
Rx.BANK SELECT LSB
This instrument can be recognise Bank Select LSB (40H-43H) even if this message is OFF.
40 1x 25
40 1x 28
40 1x 29#
00 00 01
00 00 03
00-01
00-7F
TONE REMAIN
Bank Select LSB Range
OFF/ON
LSB (from)
LSB (to)
01
40
43
ON
40H
43H
40 1x 30
00 00 01
0E-72
-50 - +50
40
0
40 1x 31
00 00 01
0E-72
-50 - +50
40
0
40 1x 32
00 00 01
0E-72
-50 - +50
40
0
40 1x 33
00 00 01
0E-72
TONE MODIFY 1
Vibrato rate (= NRPN# 8)
TONE MODIFY 2
Vibrato depth (= NRPN# 9)
TONE MODIFY 3
TVF cutoff frequency (= NRPN# 32)
TONE MODIFY 4
-50 - +50
40
0
11
40 1x 34
00 00 01
0E-72
40 1x 35
00 00 01
0E-72
40 1x 36
00 00 01
0E-72
40 1x 37
00 00 01
0E-72
40 1x 40
40 1x 41#
40 1x 42#
40 1x 43#
40 1x 44#
40 1x 45#
40 1x 46#
40 1x 47#
40 1x 48#
40 1x 49#
40 1x 4A#
40 1x 4B#
00 00 0C
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
*
TVF resonance (= NRPN# 33)
TONE MODIFY 5
TVF&TVA Env.attack (= NRPN# 99)
TONE MODIFY 6
TVF&TVA Env.decay (= NRPN# 100)
TONE MODIFY 7
TVF&TVA Env.release (= NRPN# 102)
TONE MODIFY 8
Vibrato delay (= NRPN# 10)
SCALE TUNING C
SCALE TUNING C#
SCALE TUNING D
SCALE TUNING D#
SCALE TUNING E
SCALE TUNING F
SCALE TUNING F#
SCALE TUNING G
SCALE TUNING G#
SCALE TUNING A
SCALE TUNING A#
SCALE TUNING B
-50 - +50
40
0
-50 - +50
40
0
-50 - +50
40
0
-50 - +50
40
0
-64 - +63 [cent]
-64 - +63 [cent]
-64 - +63 [cent]
-64 - +63 [cent]
-64 - +63 [cent]
-64 - +63 [cent]
-64 - +63 [cent]
-64 - +63 [cent]
-64 - +63 [cent]
-64 - +63 [cent]
-64 - +63 [cent]
-64 - +63 [cent]
40
40
40
40
40
40
40
40
40
40
40
40
0 [cent]
0 [cent]
0 [cent]
0 [cent]
0 [cent]
0 [cent]
0 [cent]
0 [cent]
0 [cent]
0 [cent]
0 [cent]
0 [cent]
SCALE TUNING is a function that allows fine adjustment to the pitch of each note in the octave. The pitch of each identically-named note in all octaves will change simultaneously. A setting of
+/- 0 cent (40H) is equal temperament. Refer to section 4. Supplementary material, “The Scale Tune Feature”(p.15).
40 2x 00
40 2x 01
40 2x 02
40 2x 03
40 2x 04
40 2x 05
40 2x 06
40 2x 07
40 2x 08
40 2x 09
40 2x 0A
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
28-58
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
MOD PITCH CONTROL
MOD TVF CUTOFF CONTROL
MOD AMPLITUDE CONTROL
MOD LFO1 RATE CONTROL
MOD LFO1 PITCH DEPTH
MOD LFO1 TVF DEPTH
MOD LFO1 TVA DEPTH
MOD LFO2 RATE CONTROL
MOD LFO2 PITCH DEPTH
MOD LFO2 TVF DEPTH
MOD LFO2 TVA DEPTH
-24 - +24 [semitone]
-9600 - +9600 [cent]
-100.0 - +100.0 [%]
-10.0 - +10.0 [Hz]
0-600 [cent]
0-2400 [cent]
0-100.0 [%]
-10.0 - +10.0 [Hz]
0-600 [cent]
0-2400 [cent]
0-100.0 [%]
40
40
40
40
0A
00
00
40
00
00
00
0 [semitones]
0 [cent]
0 [%]
0 [Hz]
47 [cent]
0 [cent]
0 [%]
0 [Hz]
0 [cent]
0 [cent]
0 [%]
40 2x 10
40 2x 11
40 2x 12
40 2x 13
40 2x 14
40 2x 15
40 2x 16
40 2x 17
40 2x 18
40 2x 19
40 2x 1A
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
40-58
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
BEND PITCH CONTROL
BEND TVF CUTOFF CONTROL
BEND AMPLITUDE CONTROL
BEND LFO1 RATE CONTROL
BEND LFO1 PITCH DEPTH
BEND LFO1 TVF DEPTH
BEND LFO1 TVA DEPTH
BEND LFO2 RATE CONTROL
BEND LFO2 PITCH DEPTH
BEND LFO2 TVF DEPTH
BEND LFO2 TVA DEPTH
0-24 [semitone]
-9600 - +9600 [cent]
-100.0 - +100.0 [%]
-10.0 - +10.0 [Hz]
0-600 [cent]
0-2400 [cent]
0-100.0 [%]
-10.0 - +10.0 [Hz]
0-600 [cent]
0-2400 [cent]
0-100.0 [%]
42
40
40
40
00
00
00
40
00
00
00
2 [semitones]
0 [cent]
0 [%]
0 [Hz]
0 [cent]
0 [cent]
0 [%]
0 [Hz]
0 [cent]
0 [cent]
0 [%]
40 2x 20
40 2x 21
40 2x 22
40 2x 23
40 2x 24
40 2x 25
40 2x 26
40 2x 27
40 2x 28
40 2x 29
40 2x 2A
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
28-58
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
CAf PITCH CONTROL
CAf TVF CUTOFF CONTROL
CAf AMPLITUDE CONTROL
CAf LFO1 RATE CONTROL
CAf LFO1 PITCH DEPTH
CAf LFO1 TVF DEPTH
CAf LFO1 TVA DEPTH
CAf LFO2 RATE CONTROL
CAf LFO2 PITCH DEPTH
CAf LFO2 TVF DEPTH
CAf LFO2 TVA DEPTH
-24 - +24 [semitone]
-9600 - +9600 [cent]
-100.0 - +100.0 [%]
-10.0 - +10.0 [Hz]
0-600 [cent]
0-2400 [cent]
0-100.0 [%]
-10.0 - +10.0 [Hz]
0-600 [cent]
0-2400 [cent]
0-100.0 [%]
40
40
40
40
00
00
00
40
00
00
00
0 [semitones]
0 [cent]
0 [%]
0 [Hz]
0 [cent]
0 [cent]
0 [%]
0 [Hz]
0 [cent]
0 [cent]
0 [%]
40 2x 30
40 2x 31
40 2x 32
40 2x 33
40 2x 34
40 2x 35
40 2x 36
40 2x 37
40 2x 38
40 2x 39
40 2x 3A
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
28-58
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
PAf PITCH CONTROL
PAf TVF CUTOFF CONTROL
PAf AMPLITUDE CONTROL
PAf LFO1 RATE CONTROL
PAf LFO1 PITCH DEPTH
PAf LFO1 TVF DEPTH
PAf LFO1 TVA DEPTH
PAf LFO2 RATE CONTROL
PAf LFO2 PITCH DEPTH
PAf LFO2 TVF DEPTH
PAf LFO2 TVA DEPTH
-24 - +24 [semitone]
-9600 - +9600 [cent]
-100.0 - +100.0 [%]
-10.0 - +10.0 [Hz]
0-600 [cent]
0-2400 [cent]
0-100.0 [%]
-10.0 - +10.0 [Hz]
0-600 [cent]
0-2400 [cent]
0-100.0 [%]
40
40
40
40
00
00
00
40
00
00
00
0 [semitones]
0 [cent]
0 [%]
0 [Hz]
0 [cent]
0 [cent]
0 [%]
0 [Hz]
0 [cent]
0 [cent]
0 [%]
40 2x 40
40 2x 41
40 2x 42
40 2x 43
40 2x 44
40 2x 45
40 2x 46
40 2x 47
40 2x 48
40 2x 49
40 2x 4A
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
28-58
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
CC1 PITCH CONTROL
CC1 TVF CUTOFF CONTROL
CC1 AMPLITUDE CONTROL
CC1 LFO1 RATE CONTROL
CC1 LFO1 PITCH DEPTH
CC1 LFO1 TVF DEPTH
CC1 LFO1 TVA DEPTH
CC1 LFO2 RATE CONTROL
CC1 LFO2 PITCH DEPTH
CC1 LFO2 TVF DEPTH
CC1 LFO2 TVA DEPTH
-24 - +24 [semitone]
-9600 - +9600 [cent]
-100.0 - +100.0 [%]
-10.0 - +10.0 [Hz]
0-600 [cent]
0-2400 [cent]
0-100.0 [%]
-10.0 - +10.0 [Hz]
0-600 [cent]
0-2400 [cent]
0-100.0 [%]
40
40
40
40
00
00
00
40
00
00
00
0 [semitones]
0 [cent]
0 [%]
0 [Hz]
0 [cent]
0 [cent]
0 [%]
0 [Hz]
0 [cent]
0 [cent]
0 [%]
40 2x 50
40 2x 51
00 00 01
00 00 01
28-58
00-7F
CC2 PITCH CONTROL
CC2 TVF CUTOFF CONTROL
-24 - +24 [semitone]
-9600 - +9600 [cent]
40
40
0 [semitones]
0 [cent]
12
40 2x 52
40 2x 53
40 2x 54
40 2x 55
40 2x 56
40 2x 57
40 2x 58
40 2x 59
40 2x 5A
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00 00 01
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
CC2 AMPLITUDE CONTROL
CC2 LFO1 RATE CONTROL
CC2 LFO1 PITCH DEPTH
CC2 LFO1 TVF DEPTH
CC2 LFO1 TVA DEPTH
CC2 LFO2 RATE CONTROL
CC2 LFO2 PITCH DEPTH
CC2 LFO2 TVF DEPTH
CC2 LFO2 TVA DEPTH
-100.0 - +100.0 [%]
-10.0 - +10.0 [Hz]
0-600 [cent]
0-2400 [cent]
0-100.0 [%]
-10.0 - +10.0 [Hz]
0-600 [cent]
0-2400 [cent]
0-100.0 [%]
40
40
00
00
00
40
00
00
00
0 [%]
0 [Hz]
0 [cent]
0 [cent]
0 [%]
0 [Hz]
0 [cent]
0 [cent]
0 [%]
40 4x 23
00 00 02
00-7F
PART EFX TYPE (MSB, LSB)
00 00 - 7F 7F
00 00
0
*
This EFX type is same to EFX type of System Parameter. When this EFX type is same to EFX type of System parameter (p.10), the part connect to EFX.
40 4x 25#
40 4x 26#
00 00 01
00 00 01
00-7F
00-7F
PART EFX MACRO
PART EFX DEPTH
00-7F
00-7F
00 00
00 00
0
0
40 4x 51
40 4x 52#
00 00 0B
00-7F
00-7F
FOOTAGE SET
PERCUSSION
00
00
0
OFF
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
FOOTAGELEVEL 16 ’
FOOTAGELEVEL 5+1/3’
FOOTAGELEVEL 8’
FOOTAGELEVEL 4’
FOOTAGELEVEL 2+2/3’
FOOTAGELEVEL 2’
FOOTAGELEVEL 1+3/5’
FOOTAGELEVEL 1+1/3’
FOOTAGELEVEL 1’
always 00
00 (OFF)
01 (4, Short)
02 (2+2/3, Short)
41 (4, Long)
42 (2+2/3, Long)
00(OFF), 0F(ON)
00(OFF), 0F(ON)
00(OFF), 0F(ON)
00(OFF), 0F(ON)
00(OFF), 0F(ON)
00(OFF), 0F(ON)
00(OFF), 0F(ON)
00(OFF), 0F(ON)
00(OFF), 0F(ON)
00
00
00
00
00
00
00
00
00
OFF
OFF
OFF
OFF
OFF
OFF
OFF
OFF
OFF
Parameter
PLAY NOTE NUMBER
LEVEL
(= NRPN# 26)
ASSIGN GROUP NUMBER
PANPOT
(= NRPN# 28, except RANDOM)
REVERB SEND LEVEL
(= NRPN# 29)
CHORUS SEND LEVEL
(= NRPN# 30)
Rx. NOTE OFF
Rx. NOTE ON
40 4x 53#
40 4x 54#
40 4X 55#
40 4X 56#
40 4X 57#
40 4X 58#
40 4X 59#
40 4X 5A#
40 4X 5B#
●Drum Setup Parameters
*
*
m: Map number (0 = MAP1, 1 = MAP2)
rr: drum part note number (00H-7FH)
Address (H)
41 m1 rr
41 m2 rr
Size (H)
00 00 01
00 00 01
Data (H)
00-7F
00-7F
41 m3 rr
41 m4 rr
00 00 01
00 00 01
00-7F
00-7F
41 m5 rr
00 00 01
00-7F
41 m6 rr
00 00 01
00-7F
41 m7 rr
41 m8 rr
00 00 01
00 00 01
00-01
00-01
*
Description
Pitch coarse
TVA level
Non, 1-127
-64 (RANDOM), -63 (LEFT) - +63 (RIGHT)
0.0-1.0
Multiplicand of the part reverb depth
0.0-1.0
Multiplicand of the part chorus depth
OFF/ON
OFF/ON
When the Drum Set is changed, DRUM SETUP PARAMETER values will all be initialized.
13
4. Supplementary material
●Examples of actual MIDI messages
<Example1> 92 3E 5F
●Decimal and Hexadecimal table
In MIDI documentation, data values and addresses/sizes of exclusive messages etc. are
expressed as hexadecimal values for each 7 bits.
The following table shows how these correspond to decimal numbers.
+——————+——————++——————+——————++——————+——————++——————+——————+
| Dec. | Hex. || Dec .| Hex. || Dec. | Hex. || Dec. | Hex. |
+——————+——————++——————+——————++——————+——————++——————+——————+
|
0 | 00H ||
32 | 20H ||
64 | 40H ||
96 | 60H |
|
1 | 01H ||
33 | 21H ||
65 | 41H ||
97 | 61H |
|
2 | 02H ||
34 | 22H ||
66 | 42H ||
98 | 62H |
|
3 | 03H ||
35 | 23H ||
67 | 43H ||
99 | 63H |
|
4 | 04H ||
36 | 24H ||
68 | 44H || 100 | 64H |
|
5 | 05H ||
37 | 25H ||
69 | 45H || 101 | 65H |
|
6 | 06H ||
38 | 26H ||
70 | 46H || 102 | 66H |
|
7 | 07H ||
39 | 27H ||
71 | 47H || 103 | 67H |
|
8 | 08H ||
40 | 28H ||
72 | 48H || 104 | 68H |
|
9 | 09H ||
41 | 29H ||
73 | 49H || 105 | 69H |
|
10 | 0AH ||
42 | 2AH ||
74 | 4AH || 106 | 6AH |
|
11 | 0BH ||
43 | 2BH ||
75 | 4BH || 107 | 6BH |
|
12 | 0CH ||
44 | 2CH ||
76 | 4CH || 108 | 6CH |
|
13 | 0DH ||
45 | 2DH ||
77 | 4DH || 109 | 6DH |
|
14 | 0EH ||
46 | 2EH ||
78 | 4EH || 110 | 6EH |
|
15 | 0FH ||
47 | 2FH ||
79 | 4FH || 111 | 6FH |
|
16 | 10H ||
48 | 30H ||
80 | 50H || 112 | 70H |
|
17 | 11H ||
49 | 31H ||
81 | 51H || 113 | 71H |
|
18 | 12H ||
50 | 32H ||
82 | 52H || 114 | 72H |
|
19 | 13H ||
51 | 33H ||
83 | 53H || 115 | 73H |
|
20 | 14H ||
52 | 34H ||
84 | 54H || 116 | 74H |
|
21 | 15H ||
53 | 35H ||
85 | 55H || 117 | 75H |
|
22 | 16H ||
54 | 36H ||
86 | 56H || 118 | 76H |
|
23 | 17H ||
55 | 37H ||
87 | 57H || 119 | 77H |
|
24 | 18H ||
56 | 38H ||
88 | 58H || 120 | 78H |
|
25 | 19H ||
57 | 39H ||
89 | 59H || 121 | 79H |
|
26 | 1AH ||
58 | 3AH ||
90 | 5AH || 122 | 7AH |
|
27 | 1BH ||
59 | 3BH ||
91 | 5BH || 123 | 7BH |
|
28 | 1CH ||
60 | 3CH ||
92 | 5CH || 124 | 7CH |
|
29 | 1DH ||
61 | 3DH ||
93 | 5DH || 125 | 7DH |
|
30 | 1EH ||
62 | 3EH ||
94 | 5EH || 126 | 7EH |
|
31 | 1FH ||
63 | 3FH ||
95 | 5FH || 127 | 7FH |
+——————+——————++——————+——————++——————+——————++——————+——————+
*
*
*
*
Decimal values such as MIDI channel, bank select, and program change are listed as one
(1) greater than the values given in the above table.
A 7-bit byte can express data in the range of 128 steps. For data where greater precision
is required, we must use two or more bytes. For example, two hexadecimal numbers aa
bbH expressing two 7-bit bytes would indicate a value of aa x 128 + bb.
In the case of values which have a +/- sign, 00H = -64, 40H = +/- 0, and 7FH = +63, so
that the decimal expression would be 64 less than the value given in the above chart. In
the case of two types, 00 00H = -8192, 40 00H = +/- 0, and 7F 7FH = +8191. For example if
aa bbH were expressed as decimal, this would be aa bbH - 40 00H = aa x 128 + bb - 64 x
128.
Data marked “nibbled” is expressed in hexadecimal in 4-bit units. A value expressed as a
2-byte nibble 0a 0bH has the value of a x 16 + b.
<Example1> What is the decimal expression of 5AH ?
From the preceding table, 5AH = 90
<Example2> What is the decimal expression of the value 12 34H given as
hexadecimal for each 7 bits?
From the preceding table, since 12H = 18 and 34H = 52
18 x 128 + 52 = 2356
<Example3> What is the decimal expression of the nibbled value 0A 03
09 0D ?
From the preceding table, since 0AH = 10, 03H = 3, 09H = 9, 0DH = 13
((10 x 16 + 3) x 16 + 9) x 16 + 13 = 41885
<Example4> What is the nibbled expression of the decimal value 1258?
16) 1258
16) 78
16) 4
0
<Example2> CE 49
CnH is the Program Change status, and n is the MIDI channel number. Since EH = 14 and
49H = 73, this is a Program Change message with MIDI CH = 15, program number 74 (Flute
in GS).
<Example3> EA 00 28
EnH is the Pitch Bend Change status, and n is the MIDI channel number. The 2nd byte (00H
= 0) is the LSB and the 3rd byte (28H = 40) is the MSB, but Pitch Bend Value is a signed
number in which 40 00H (= 64 x 128 + 0 = 8192) is 0, so this Pitch Bend Value is
28 00H - 40 00H = 40 x 128 + 0 - (64 x 128 + 0) = 5120 - 8192 = -3072
If the Pitch Bend Sensitivity is set to 2 semitones, -8192 (00 00H) will cause the pitch to
change -200 cents, so in this case -200 x (-3072) / (-8192) = -75 cents of Pitch Bend is being
applied to MIDI channel 11.
<Example4> B3 64 00 65 00 06 0C 26 00 64 7F 65 7F
BnH is the Control Change status, and n is the MIDI channel number. For Control Changes,
the 2nd byte is the control number, and the 3rd byte is the value. In a case in which two or
more messages consecutive messages have the same status, MIDI has a provision called
“running status” which allows the status byte of the second and following messages to be
omitted. Thus, the above messages have the following meaning.
B3 64 00
(B3) 65 00
(B3) 06 0C
(B3) 26 00
(B3) 64 7F
(B3) 65 7F
MIDI ch.4, lower byte of RPN parameter number: 00H
(MIDI ch.4) upper byte of RPN parameter number: 00H
(MIDI ch.4) upper byte of parameter value: 0CH
(MIDI ch.4) lower byte of parameter value: 00H
(MIDI ch.4) lower byte of RPN parameter number: 7FH
(MIDI ch.4) upper byte of RPN parameter number: 7FH
In other words, the above messages specify a value of 0C 00H for RPN parameter number
00 00H on MIDI channel 4, and then set the RPN parameter number to 7F 7FH.
RPN parameter number 00 00H is Pitch Bend Sensitivity, and the MSB of the value indicates
semitone units, so a value of 0CH = 12 sets the maximum pitch bend range to +/- 12
semitones (1 octave). (On GS sound sources the LSB of Pitch Bend Sensitivity is ignored, but
the LSB should be transmitted anyway (with a value of 0) so that operation will be correct
on any device.)
Once the parameter number has been specified for RPN or NRPN, all Data Entry messages
transmitted on that same channel will be valid, so after the desired value has been
transmitted, it is a good idea to set the parameter number to 7F 7FH to prevent accidents.
This is the reason for the (B3) 64 7F (B3) 65 7F at the end.
It is not desirable for performance data (such as Standard MIDI File data) to contain many
events with running status as given in <Example 4>. This is because if playback is halted
during the song and then rewound or fast-forwarded, the sequencer may not be able to
transmit the correct status, and the sound source will then misinterpret the data. Take care
to give each event its own status.
It is also necessary that the RPN or NRPN parameter number setting and the value setting
be done in the proper order. On some sequencers, events occurring in the same (or
consecutive) clock may be transmitted in an order different than the order in which they
were received. For this reason it is a good idea to slightly skew the time of each event (about
1 tick for TPQN = 96, and about 5 ticks for TPQN = 480).
*
... 10
... 14
... 4
Since from the preceding table, 0 = 00H, 4 = 04H, 14 = 0EH, 10 = 0AH, the answer is 00 04 0E
0AH.
14
9n is the Note-on status, and n is the MIDI channel number. Since 2H = 2, 3EH = 62, and
5FH = 95, this is a Note-on message with MIDI CH = 3, note number 62 (note name is D4),
and velocity 95.
TPQN: Ticks Per Quarter Note
●Example of an Exclusive message and calculating a
Checksum
Roland Exclusive messages are transmitted with a checksum at the end (before F7) to make
sure that the message was correctly received. The value of the checksum is determined by
the address and data (or size) of the transmitted exclusive message.
uHow to calculate the checksum (hexadecimal numbers are indicated by ‘H’)
The checksum is a value derived by adding the address, size and checksum itself and
inverting the lower 7 bits.
Here’s an example of how the checksum is calculated. We will assume that in the exclusive
message we are transmitting, the address is aa bb ccH and the data or size is dd ee ffH.
aa + bb + cc + dd + ee + ff = sum
sum / 128 = quotient ... remainder
128 - remainder = checksum
●The Scale Tune Feature (address: 40 1x 40)
The scale Tune feature allows you to finely adjust the individual pitch of the notes from C
through B. Though the settings are made while working with one octave, the fine
adjustments will affect all octaves. By making the appropriate Scale Tune settings, you can
obtain a complete variety of tuning methods other than equal temperament. As examples,
three possible types of scale setting are explained below.
❍Equal Temperament
This method of tuning divides the octave into 12 equal parts. It is currently the most widely
used form of tuning,
especially in occidental music. On this instrument, the default settings for the Scale Tune
feature produce equal temperament.
❍Just Temperament (Keytone C)
<Example> Setting REVERB MACRO to ROOM 3
The three main chords resound much more beautifully than with equal temperament, but
this benefit can only be obtained in one key. If transposed, the chords tend to become
ambiguous. The example given involves settings for a key in which C is the keynote.
According to the “Parameter Address Map,” the REVERB MACRO Address is 40 01 30H,
and ROOM 3 is a value of 02H. Thus,
❍Arabian Scale
F0
(1)
By altering the setting for Scale Tune, you can obtain a variety of other tunings suited for
ethnic music. For example, the settings introduced below will set the unit to use the Arabian
Scale.
41
(2)
10
(3)
42
(4)
12
(5)
40 01 30
Address
02
data
??
Checksum
F7
(6)
(1) Exclusive Status, (2) ID (Roland), (3) Device ID (17),
(4) Model ID (GS), (5) Command ID (DT1), (6) End of Exclusive
Next we calculate the checksum.
40H + 01H + 30H + 02H = 64 + 1 + 48 + 2 = 115 (sum)
115 (sum) / 128 = 0 (quotient) ... 115 (remainder)
checksum = 128 - 115 (remainder) = 13 = 0DH
This means that F0 41 10 42 12 40 01 30 02 0D F7 is the message we transmit.
●About tuning
In MIDI, individual Parts are tuned by sending RPN #1 (Master Fine Tuning) to the
appropriate MIDI channel.
In MIDI, an entire device is tuned by either sending RPN #1 to all MIDI channels being
used, or by sending a System Exclusive MASTER TUNE (address 40 00 00H).
RPN #1 allows tuning to be specified in steps of approximately 0.012 cents (to be precise,
100/8192 cent), and System Exclusive MASTER TUNE allows tuning in steps of 0.1 cent.
One cent is 1/100th of a semitone.
The values of RPN #1 (Master Fine Tuning) and System Exclusive MASTER TUNE are
added together to determine the actual pitch sounded by each Part.
Example Settings
Note name
Equal Temperament
C
0
C#
0
D
0
D#
0
E
0
F
0
F#
0
G
0
G#
0
A
0
A#
0
B
0
Just Temperament (Keytone C)
0
-8
+4
+16
-14
-2
-10
+2
+14
-16
+14
-12
Arabian Scale
-6
+45
-2
-12
-51
-8
+43
-4
+47
0
-10
-49
The values in the table are given in cents. Refer to the explanation of Scale Tuning (p.12) to
convert these values to hexadecimal, and transmit them as exclusive data.
For example, to set the tune (C-B) of the Part1 Arabian Scale, send the data as follows:
F0 41 10 42 12 40 11 40 3A 6D 3E 34 0D 38 6B 3C 6F 40 36 0F 50 F7
Frequently used tuning values are given in the following table for your reference. Values
are in hexadecimal (decimal in parentheses).
+————————+————————+——————————————+———————————————————+
|Hz in A4| cent |
RPN #1
| Sys.Ex. 40 00 00 |
+————————+————————+——————————————+———————————————————+
| 445.0 | +19.56 | 4C 43 (+1603)| 00 04 0C 04 (+196)|
| 444.0 | +15.67 | 4A 03 (+1283)| 00 04 09 0D (+157)|
| 443.0 | +11.76 | 47 44 (+ 964)| 00 04 07 06 (+118)|
| 442.0 | + 7.85 | 45 03 (+ 643)| 00 04 04 0F (+ 79)|
| 441.0 | + 3.93 | 42 42 (+ 322)| 00 04 02 07 (+ 39)|
| 440.0 |
0.00 | 40 00 (
0)| 00 04 00 00 (
0)|
| 439.0 | — 3.94 | 3D 3D (— 323)| 00 03 0D 09 (— 39)|
| 438.0 | — 7.89 | 3A 7A (— 646)| 00 03 0B 01 (— 79)|
+————————+————————+——————————————+———————————————————+
<Example> Set the tuning of MIDI channel 3 to A4 = 442.0 Hz
Send RPN#1 to MIDI channel 3. From the above table, the value is 45 03H.
B2 64 00
(B2) 65 01
(B2) 06 45
(B2) 26 03
(B2) 64 7F
(B2) 65 7F
MIDI ch.3, lower byte of RPN parameter number: 00H
(MIDI ch.3) upper byte of RPN parameter number: 01H
(MIDI ch.3) upper byte of parameter value: 45H
(MIDI ch.3) lower byte of parameter value: 03H
(MIDI ch.3) lower byte of RPN parameter number: 7FH
(MIDI ch.3) upper byte of RPN parameter number: 7FH
15
●EFX Type Table
●EFX Parameter Map
MSB
01H
01H
01H
01H
01H
01H
01H
01H
01H
01H
01H
01H
01H
01H
01H
01H
01H
01H
01H
01H
01H
01H
01H
01H
01H
01H
01H
01H
01H
01H
01H
01H
01H
02H
02H
02H
02H
02H
02H
02H
02H
02H
02H
02H
02H
02H
03H
04H
04H
04H
05H
11H
11H
11H
*
LSB
00H
01H
02H
03H
10H
11H
20H
21H
22H
23H
24H
25H
26H
30H
31H
40H
41H
42H
43H
45H
46H
47H
50H
51H
52H
53H
54H
55H
56H
60H
61H
72H
73H
00H
01H
02H
03H
04H
05H
06H
07H
08H
09H
0AH
0BH
0CH
00H
03H
04H
06H
00H
00H
01H
02H
Type
Equalizer
Spectrum
Enhancer
Humanizer
Overdrive
Distortion
Phaser
Auto Wah
Rotary
Stereo Flanger
Step Flanger
Tremolo
Auto Pan
Compressor
Limiter
Hexa Chorus
Tremolo Chorus
Stereo Chorus
Space D
2Band Chorus
Space Chorus
Wave Chorus
Stereo Delay
Modulation Delay
Triple Tap Delay
Quadruple Tap Delay
Time Controllable Delay
Reverb
Gate Reverb
2 Voice Pitch Shifter
Feedback Pitch Shifter
Lo-Fi1
Lo-Fi2
Overdrive -> Chorus
Overdrive -> Flanger
Overdrive -> Delay
Distortion -> Chorus
Distortion -> Flanger
Distortion -> Delay
Enhancer -> Chorus
Enhancer -> Flanger
Enhancer -> Delay
Chorus -> Delay
Flanger -> Delay
Chorus -> Flanger
Band Pass Delay
Rotary Multi
Clean Guitar Multi1
Clean Guitar Multi2
Rhodes Multi
Keyboard Multi
Chorus / Delay
Flanger / Delay
Chorus / Flanger
Marked #1 or #2 can be controlled by EFX CONTROL SOURCE1 or 2.
●01H, 00H: Equalizer
No. Parameter
Value
Default Description
1
Low Frequency
00 - 01
01
00: 200Hz, 01: 400Hz
2
3
4
5
6
Low Gain
High Frequency
High Gain
Mid 1 Frequency
Mid 1 Q
31 - 4F
00 - 01
31 - 4F
00 - 7F
00 - 04
45
01
40
4C
00
-15dB - +15dB (00: 0dB)
00: 4000Hz, 01: 8000Hz
-15dB - +15dB (00: 0dB)
00: 200Hz - 7F: 6300Hz
00: 0.5, 01: 1.0, 02: 2.0, 03: 4.0, 04:9.0
7
8
9
10
20
Mid 1 Gain
Mid 2 Frequency
Mid 2 Q
Mid 2 Gain
Level (#1)
41 - 4F
00 - 7F
00 - 04
41 - 4F
00 - 7F
48
38
00
39
70
-15dB - +15dB
00: 200Hz - 7F: 6300Hz
00: 0.5, 01: 1.0, 02: 2.0, 03: 4.0, 04:9.0
-15dB - +15dB
●01H, 01H: Spectrum
No Parameter
Value
Default Description
1
2
3
4
5
6
7
8
9
19
20
31 - 4F
31 - 4F
31 - 4F
31 - 4F
31 - 4F
31 - 4F
31 - 4F
31 - 4F
00 - 04
00 - 7F
00 - 7F
3C
41
43
46
42
3F
3C
3B
02
40
7F
Band 1 Gain (200H)
Band 2 Gain (500Hz)
Band 3 Gain (1000Hz)
Band 4 Gain (1250Hz)
Band 5 Gain (200Hz)
Band 6 Gain (3150Hz)
Band 7 Gain (4000Hz)
Band 8 Gain (5000Hz)
Width
Pan (#1)
Level (#2)
-15dB - +15dB (40 0dB), 1dB/1 Step
-15dB - +15dB (40 0dB), 1dB/1 Step
-15dB - +15dB (40 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
00: 0.5, 01: 1.0, 02: 2.0, 03: 4.0, 04:9.0
40:Center, 00:far Left, 7F:far Right
●01H, 02H: Enhancer
No Parameter
Value
Default Description
1
2
17
18
20
00 - 7F
00 - 7F
31 - 4F
31 - 4F
00 - 7F
70
40
40
40
7F
Sense (#1)
Mix (#2)
EQ Low Gain (200Hz)
EQ High Gain (4000Hz)
Level
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
●01H, 03H: Humanizer
No Parameter
Value
Default Description
1
2
3
4
17
18
19
20
00 - 7F
00 - 02
00 - 04
00 - 7F
31 - 4F
31 - 4F
00 - 7F
00 - 7F
30
01
00
7F
40
40
40
7F
Drive Depth
Drive Switch
Vowel(#1)
Acceleration
EQ Low Gain (400Hz)
EQ High Gain (4000Hz)
Pan
Level(#2)
00: OFF, 01: Overdrive, 02: Distortion
00:a, 01: i, 02: u, 03: e, 04: o
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
●01H, 10H: Overdrive
No Parameter
Value
Default Description
1
2
3
17
18
19
20
00 - 7F
00 - 03
00 - 7F
31 - 4F
31 - 4F
00 - 7F
00 - 7F
30
01
01
40
40
40
7F
Drive (#1)
Amp Type
Amp SW
EQ Low Gain (200Hz)
EQ High Gain (4000Hz)
Pan (#2)
Level
0:Small, 1:Built-in, 2:2-Stack, 3:3-Stack
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
40:Center, 00:far Left, 7F:far Right
●01H, 11H: Distortion
16
No Parameter
Value
Default Description
1
2
3
17
18
19
20
00 - 7F
00 - 03
00 - 7F
31 - 4F
31 - 4F
00 - 7F
00 - 7F
30
03
01
40
40
40
7F
Drive (#1)
Amp Type
Amp Sw
EQ Low Gain (200Hz)
EQ High Gain (4000Hz)
Pan (#2)
Level
0:Small, 1:Built-in, 2:2-Stack, 3:3-Stack
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
40:Center, 00:far Left, 7F:far Right
●01H, 20H: Phaser
●01H, 25H: Tremolo
No Parameter
Value
Default Description
No Parameter
Value
Default Description
1
Manual (#1)
00 - 7F
28
1
00 - 7F
02
2
3
4
5
17
Rate (#2)
Depth
Resonance
Mix
EQ Low Gain (200Hz)
00 - 7D
00 - 7F
00 - 7F
00 - 7F
31 - 4F
10
48
50
60
40
18
19
20
EQ High Gain (4000Hz)
Pan (#2)
Level
31 - 4F
00 - 7F
00 - 7F
40
40
70
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
40:Center, 00:far Left, 7F:far Right
01:Square,
02:Sin,
2
3
17
18
Rate(#1)
Depth(#2)
EQ Low Gain (400Hz)
EQ High Gain (4000Hz)
00 - 7F
00 - 7F
31 - 4F
31 - 4F
3C
30
40
40
20
Level
00 - 7F
7F
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
●01H, 26H: Auto Pan
No Parameter
Value
Default Description
1
2
3
4
5
6
7
17
18
19
20
00 - 01
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
31 - 4F
31 - 4F
00 - 7F
00 - 7F
01
00
44
3E
28
48
00
40
40
40
60
0: LPF, 1: BPF
No Parameter
Value
Default Description
1
Wave
00 - 04
02
2
3
17
18
20
Rate(#1)
Depth(#2)
EQ Low Gain (200Hz)
EQ High Gain (4000Hz)
Level
00 - 7F
00 - 7F
31 - 4F
31 - 4F
00 - 7F
3C
30
40
40
7F
00:Triangle,
01:Square,
03:Saw(Up), 04:Saw(Down)
02:Sin,
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
●01H, 30H: Compressor
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
●01H, 22H: Rotary
No Parameter
Value
Default Description
1
2
3
4
5
6
7
8
9
10
11
17
18
20
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
31 - 4F
31 - 4F
00 - 7F
06
71
18
7F
11
78
58
40
60
00
00
40
40
7F
Low Rate-Slow
Low Rate-Fast
Low Accel
Low Level
High Rate-Slow
High Rate-Fast
High Accel
High Level
Separation
Color
Speed (#1)
EQ Low Gain (200Hz)
EQ High Gain (4000Hz)
Level (#2)
00:Triangle,
03:Saw(Up), 04:Saw(Down)
●01H, 21H: Auto Wah
Filter Type
Sense
Manual (#1)
Peak
Rate (#2)
Depth
Polarity
EQ Low Gain (200Hz)
EQ High Gain (4000Hz)
Pan
Level
Wave
0.01Hz - 10Hz
0.01Hz - 10Hz
No Parameter
Value
Default Description
1
2
3
17
18
19
20
00 - 7F
00 - 7F
00 - 7F
31 - 4F
31 - 4F
31 - 4F
00 - 7F
48
58
02
40
40
40
60
Attack
Sustain
Post Gain
EQ Low Gain (200Hz)
EQ High Gain (4000Hz)
Pan (#1)
Level (#2)
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
40:Center, 00:far Left, 7F:far Right
●01H, 31H: Limiter
0.01Hz - 10Hz
0.01Hz - 10Hz
00-3F: Slow, 40-7F: Fast
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
No Parameter
Value
Default Description
1
2
3
4
17
18
19
20
00 - 7F
00 - 7F
00 - 7F
00 - 7F
31 - 4F
31 - 4F
31 - 4F
00 - 7F
5A
03
50
01
40
40
40
7F
Threshold
Ratio
Release
Post Gain
EQ Low Gain (200Hz)
EQ High Gain (4000Hz)
Pan (#1)
Level (#2)
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
40:Center, 00:far Left, 7F:far Right
●01H, 40H: Hexa Chorus
●01H, 23H: Stereo Flanger
No Parameter
Value
Default Description
1
2
3
4
5
6
7
16
17
18
20
00 - 02
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
31 - 4F
31 - 4F
00 - 7F
00
00
0B
0B
18
68
5A
40
40
40
68
Pre Filter
Cutoff Frequency
Pre Delay
Rate (#1)
Depth
Feedback (#2)
Phase
Balance
EQ Low Gain (200Hz)
EQ High Gain (4000Hz)
Level (#2)
0: OFF, 1: LPF, 2: HPF
40: 0%, 2%/ 1 Step
5A: 180 degree
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
Value
Default Description
1
2
3
4
5
6
16
17
18
20
00 - 7F
00 - 7D
00 - 7F
00 - 20
2C - 54
00 - 20
00 - 7F
31 - 4F
31 - 4F
00 - 7F
0A
08
48
02
38
18
40
40
40
68
Pre Delay
Rate (#1)
Depth
Pre Delay Dev.
Depth Dev.
Pan Dev.
Balance (#2)
EQ Low Gain (200Hz)
EQ High Gain (4000Hz)
Level
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
●01H, 41H: Tremolo Chorus
●01H, 24H: Step Flanger
No Parameter
Value
Default Description
1
2
3
4
5
6
16
17
18
20
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
31 - 4F
31 - 4F
00 - 7F
0B
0B
10
60
5A
50
40
40
40
70
Pre Delay
Rate
Depth
Feedback (#1)
Phase
Step Rate (#2)
Balance
EQ Low Gain (200Hz)
EQ High Gain (4000Hz)
Level (#2)
No Parameter
40: 0%, 2%/ 1 Step
5A: 180 degree
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
No Parameter
Value
Default Description
1
2
3
4
5
6
16
17
18
20
00 - 7F
00 - 7D
00 - 7F
00 - 5A
00 - 7F
00 - 7F
00 - 7F
31 - 4F
31 - 4F
00 - 7F
0A
08
28
28
3C
60
7F
40
40
7F
Pre Delay
Rate
Depth
Trem. Phase
Trem. Rate (#1)
Trem. Sep.
Balance (#2)
EQ Low Gain (200Hz)
EQ High Gain (4000Hz)
Level
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
17
●01H, 42H: Stereo Chorus
●01H, 50H: Stereo Delay
No Parameter
Value
Default Description
No Parameter
Value
Default Description
1
Pre Filter
00 - 02
00
1
Delay Left
00 - 7E
70
2
3
4
5
7
Cutoff Frequency
Pre Delay
Rate (#1)
Depth
Phase
00 - 7F
00 - 7F
00 - 7D
00 - 7F
00 - 5A
00
0A
08
48
5A
2
3
4
5
6
Delay Right
Feedback (#1)
Feedback Mode
Phase Left
Phase Right
00 - 7E
0F - 71
00 - 01
00 - 01
00 - 01
70
48
01
00
00
16
17
18
20
Balance (#2)
EQ Low Gain (200Hz)
EQ High Gain (4000Hz)
Level
00 - 7F
31 - 4F
31 - 4F
00 - 7F
40
40
40
68
8
16
17
18
20
HF Damp
Balance (#2)
EQ Low Gain (200Hz)
EQ High Gain (4000Hz)
Level
00 - 7F
00 - 7F
31 - 4F
31 - 4F
00 - 7F
58
10
40
40
7F
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
●01H, 43H: Space D
No Parameter
Value
Default Description
1
2
3
4
16
17
18
20
00 - 7F
00 - 7D
00 - 7F
00 - 5A
00 - 7F
31 - 4F
31 - 4F
00 - 7F
0A
10
48
5A
40
40
40
60
Pre Delay
Rate (#1)
Depth
Phase
Balance (#2)
EQ Low Gain (200Hz)
EQ High Gain (4000Hz)
Level
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
●01H, 45H: 2Band Chorus
No Parameter
Value
Default Description
1
2
3
4
5
6
7
8
9
10
16
17
18
20
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
31 - 4F
31 - 4F
00 - 7F
30
10
04
20
5A
10
18
40
5A
40
40
40
40
7F
Crossover Freq
Low Pre-Delay
Low Rate
Low Depth
Low Phase
High Pre-Delay
High Rate
High Depth
High Phase
Chorus Balance(#1)
Balance(#2)
EQ Low Gain (200Hz)
EQ High Gain (4000Hz)
Level
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
No. Parameter
Value
Default Description
1
16
17
18
20
00 - 7F
00 - 7F
31 - 4F
31 - 4F
00 - 7F
03
40
40
40
7F
No. Parameter
Value
Default Description
1
2
3
4
5
6
7
8
9
10
16
17
18
20
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
31 - 4F
31 - 4F
00 - 7F
00
00
0A
08
20
08
50
0C
30
40
40
40
40
7F
18
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
●01H, 51H: Modulation Delay
No Parameter
Value
Default Description
1
2
3
4
5
6
7
8
16
17
18
20
00 - 7E
00 - 7E
0F - 71
00 - 01
00 - 7D
00 - 7F
00 - 5A
00 - 7F
00 - 7F
31 - 4F
31 - 4F
00 - 7F
5A
6C
54
01
0C
15
5A
58
10
40
40
7F
Delay Left
Delay Right
Feedback
Feedback Mode
Mod: Rate (#1)
Mod: Depth
Mod: Phase
HF Damp
Balance (#2)
EQ Low Gain (200Hz)
EQ High Gain (4000Hz)
Level
40: 0%, 2% / 1 Step
0: Normal, 1: Cross
5A: 180 degree
7F: Bypass
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
No Parameter
Value
Default Description
1
2
3
4
5
6
7
8
16
17
18
20
00 - 73
00 - 73
00 - 73
0F - 71
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
31 - 4F
31 - 4F
00 - 7F
1E
00
0F
48
20
20
20
58
30
40
40
7F
Delay Center
Delay Left
Delay Right
Feedback (#1)
Center Level
Left Level
Right Level
HF Damp
Balance (#2)
EQ Low Gain (200Hz)
EQ High Gain (4000Hz)
Level
40: 0%, 2% / 1 Step
7F: Bypass
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
●01H, 53H: Quadruple Tap Delay
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
●01H, 47H: Wave Chorus
Pre-Filter
Cutoff Freq
Pre-Delay
Tri Rate
Tri Depth
Sin Rate
Sin Depth
Exp Rate
Exp Depth
Feedback
Balance
EQ Low Gain (400Hz)
EQ High Gain (4000Hz)
Level
7F: Bypass
●01H, 52H: Triple Tap Delay
●01H, 46H: Space Chorus
Mode
Balance
EQ Low Gain (400Hz)
EQ High Gain (4000Hz)
Level
0: Normal, 1: Cross
0: Normal, 1: Invert
0: Normal, 1: Invert
No Parameter
Value
Default Description
1
2
3
4
5
6
7
8
9
10
16
17
18
20
00 - 73
00 - 73
00 - 73
00 - 73
00 - 7F
00 - 7F
00 - 7F
00 - 7F
0F - 71
00 - 7F
00 - 7F
31 - 4F
31 - 4F
00 - 7F
2D
1E
0F
00
20
20
20
20
48
58
30
40
40
7F
Delay 1
Delay 2
Delay 3
Delay 4
Level 1
Level 2
Level 3
Level 4
Feedback (#1)
HF Damp
Balance (#2)
EQ Low Gain (200Hz)
EQ High Gain (4000Hz)
Level
40: 0%, 2% / 1 Step
7F: Bypass
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
●01H, 54H: Time Controllable Delay
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
No Parameter
Value
Default Description
1
2
3
4
5
16
17
18
20
00 - 73
00 - 7F
0F - 71
00 - 7F
00 - 7F
00 - 7F
31 - 4F
31 - 4F
00 - 7F
12
60
48
58
40
10
40
40
7F
Delay (#1)
Acceleration
Feedback (#2)
HF Damp
Effect Pan
Balance
EQ Low Gain (200Hz)
EQ High Gain (4000Hz)
Level
40: 0%, 2% / 1 Step
7F: Bypass
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
●01H, 55H: Reverb
●01H, 73H: Lo-Fi2
No Parameter
Value
Default Description
No. Parameter
Value
Default Description
1
Type
00 - 05
04
1
Lofi Type
00 - 7F
03
2
3
4
16
17
Pre Delay
Time (#1)
HF Damp
Balance (#2)
EQ Low Gain (200Hz)
00 - 7F
00 - 7F
00 - 7F
00 - 7F
31 - 4F
30
70
68
30
40
2
3
4
5
6
Filter Type
Filter Cutoff
Radio Detune(#1)
Radio Noise Level
White/Pink Select
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
01
24
00
40
01
18
20
EQ High Gain (4000Hz)
Level
31 - 4F
00 - 7F
40
7F
7
8
9
10
11
12
13
14
15
16
17
18
19
20
White/Pink Filter
White/Pink Level
Disc Noise Type
Disc Noise Filter
Disc Noise Level
Hum Noise Type
Hum Noise Filter
Hum Noise Level
Mono/Stereo Sw
Balance(#2)
EQ Low Gain (400Hz)
EQ High Gain (4000Hz)
Pan
level
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
31 - 4F
31 - 4F
00 - 7F
00 - 7F
28
0D
03
30
20
00
20
08
00
7F
43
34
40
7F
*
7F: Bypass
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
Type: 0: Room1, 1: Room2, 2: Stage1, 3: Stage 2, 4: Hall1, 5:Hall2
●01H, 56H: Gate Reverb
No Parameter
Value
Default Description
1
2
3
16
17
18
20
00 - 03
00 - 7F
00 - 7F
00 - 7F
31 - 4F
31 - 4F
00 - 7F
00
10
28
40
40
40
60
Type
Pre Delay
Gate Time
Balance (#1)
EQ Low Gain (200Hz)
EQ High Gain (4000Hz)
Level (#2)
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
00: Thru, 01: LPF, 02: HPF
00: LP, 01: EP, 02: SP, 03: Random
00:Mono, 01:Stereo
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
●02H, 00H: Overdrive -> Chorus
*
Type: 0: Normal, 1: Reverse, 2: Sweep1, 3: Sweep2
●01H, 60H: 2 Voice Pitch Shifter
No Parameter
Value
Default Description
1
2
3
4
5
6
7
8
9
10
16
17
18
20
28 - 4C
00 - 7F
00 - 7F
00 - 7F
28 - 4C
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
31 - 4F
31 - 4F
00 - 7F
47
3E
00
7F
3B
42
00
00
02
40
20
40
40
60
Pitch Control (#1)
Pitch Fine 1
Pre Delay 1
Effect Pan 1
Pitch Control 2 (#2)
Pitch Fine 2
Pre Delay 2
Effect Pan 2
Mode
Level Balance
Balance
EQ Low Gain (200Hz)
EQ High Gain (4000Hz)
Level
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
No Parameter
Value
Default Description
1
2
3
4
5
6
16
17
18
20
28 - 4C
00 - 7F
0F - 71
00 - 7F
00 - 04
00 - 7F
00 - 7F
31 - 4F
31 - 4F
00 - 7F
47
40
4C
5C
02
40
40
40
40
7F
40: 0%, 2% / 1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
●01H, 72H: Lo-Fi1
No Parameter
Value
Default Description
1
2
3
16
17
18
19
20
00 - 7F
00 - 7F
00 - 7F
(#1)
31 - 4F
31 - 4F
00 - 7F
00 - 7F
01
03
02
00 - 7F 7F
40
-15dB - +15dB (40: 0dB), 1dB/1 Step
40
-15dB - +15dB (40: 0dB), 1dB/1 Step
40
7F
Pre-Filter
Lo-fi Type
Post-Filter
Balance
EQ Low Gain (400Hz)
EQ High Gain (4000Hz)
Pan(#2)
Level
Value
Default Description
1
2
3
4
6
7
8
10
17
18
20
00 - 7F
00 - 7F
00 - 03
00 - 7F
00 - 7F
00 - 7D
00 - 7F
00 - 7F
31 - 4F
31 - 4F
00 - 7F
20
40
03
01
0A
08
48
40
40
40
7F
OD: Drive
OD: Pan (#1)
OD: Amp Type
OD: Amp Sw
Cho: Delay
Cho: Rate
Cho: Depth
Cho: Balance (#2)
EQ Low Gain (200Hz)
EQ High Gain (4000Hz)
Level
0:Small, 1:Built-in, 2:2-Stack, 3:3-Stack
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
●02H, 01H: Overdrive -> Flanger
●01H, 61H: Feedback Pitch Shifter
Pitch Coarse (#1)
Pitch Fine
Feedback (#2)
Pre Delay
Mode
Effect Pan
Balance
EQ Low Gain (200Hz)
EQ High Gain (4000Hz)
Level
No Parameter
No Parameter
Value
Default Description
1
2
3
4
6
7
8
9
10
17
18
20
00 - 7F
00 - 7F
00 - 03
00 - 7F
00 - 7F
00 - 7F
00 - 7F
0F - 71
00 - 7F
31 - 4F
31 - 4F
00 - 7F
20
40
03
01
0B
0B
18
68
20
40
40
7F
OD: Drive
OD: Pan (#1)
OD: Amp Type
OD: Amp Sw
Flg: Delay
Flg: Rate
Flg: Depth
Flg: Feedback
Flg: Balance (#2)
EQ Low Gain (200Hz)
EQ High Gain (4000Hz)
Level
0:Small, 1:Built-in, 2:2-Stack, 3:3-Stack
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
●02H, 02H: Overdrive -> Delay
No Parameter
Value
Default Description
1
2
3
4
6
7
8
10
17
18
20
00 - 7F
00 - 7F
00 - 03
00 - 7F
00 - 7F
0F - 71
00 - 7F
00 - 7F
31 - 4F
31 - 4F
00 - 7F
20
40
03
01
6F
48
58
10
40
40
7F
OD: Drive
OD: Pan (#1)
OD: Amp Type
OD: Amp Sw
Dly: Delay
Dly: Feedback
Dly: HP Damp
Dly: Balance (#2)
EQ Low Gain (200Hz)
EQ High Gain (4000Hz)
Level
0:Small, 1:Built-in, 2:2-Stack, 3:3-Stack
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
19
●02H, 03H: Distortion -> Chorus
●02H, 08H: Enhancer -> Delay
No Parameter
Value
Default Description
No Parameter
Value
Default Description
1
DS: Drive
00 - 7F
30
1
Enh: Sense (#1)
00 - 7F
70
2
3
4
6
7
DS: Pan (#1)
DS: Amp Type
DS: Amp Sw
Cho: Delay
Cho: Rate
00 - 7F
00 - 03
00 - 7F
00 - 7F
00 - 7D
40
03
01
0A
08
2
6
7
8
10
Enh: Mix
Dly: Delay
Dly: Feedback
Dly: HP Damp
Dly: Balance (#2)
00 - 7F
00 - 7F
0F - 71
00 - 7F
00 - 7F
40
6F
48
58
10
8
10
17
18
20
Cho: Depth
Cho: Balance (#2)
EQ Low Gain (200Hz)
EQ High Gain (4000Hz)
Level
00 - 7F
00 - 7F
31 - 4F
31 - 4F
00 - 7F
48
40
40
40
7F
17
18
20
EQ Low Gain (200Hz)
EQ High Gain (4000Hz)
Level
31 - 4F
31 - 4F
00 - 7F
40
40
60
0:Small, 1:Built-in, 2:2-Stack, 3:3-Stack
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
No Parameter
Value
Default Description
1
2
3
4
6
7
8
9
10
17
18
20
00 - 7F
00 - 7F
00 - 03
00 - 7F
00 - 7F
00 - 7F
00 - 7F
0F - 71
00 - 7F
31 - 4F
31 - 4F
00 - 7F
30
40
03
01
0B
0B
18
68
20
40
40
7F
0:Small, 1:Built-in, 2:2-Stack, 3:3-Stack
40: 0%, 2% / 1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
●02H, 05H: Distortion -> Delay
No Parameter
Value
Default Description
1
2
3
4
6
7
8
10
17
18
20
00 - 7F
00 - 7F
00 - 03
00 - 7F
00 - 7F
0F - 71
00 - 7F
00 - 7F
31 - 4F
31 - 4F
00 - 7F
30
40
03
01
6F
48
58
10
40
40
7F
DS: Drive
DS: Pan (#1)
DS: Amp Type
DS: Amp Sw
Dly: Delay
Dly: Feedback
Dly: HP Damp
Dly: Balance (#2)
EQ Low Gain (200Hz)
EQ High Gain (4000Hz)
Level
0:Small, 1:Built-in, 2:2-Stack, 3:3-Stack
40: 0%, 2% / 1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
No Parameter
Value
Default Description
1
2
6
7
8
10
17
18
20
00 - 7F
00 - 7F
00 - 7F
00 - 7D
00 - 7F
00 - 7F
31 - 4F
31 - 4F
00 - 7F
70
40
0A
08
48
40
40
40
50
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
●02H, 07H: Enhancer -> Flanger
No Parameter
Value
Default Description
1
2
6
7
8
9
10
17
18
20
00 - 7F
00 - 7F
00 - 7F
00 - 7D
00 - 7F
0F - 71
00 - 7F
31 - 4F
31 - 4F
00 - 7F
70
40
0B
0B
18
68
40
40
40
60
Enh: Sense (#1)
Enh: Mix
Flg: Delay
Flg: Rate
Flg: Depth
Flg: Feedback
Flg: Balance (#2)
EQ Low Gain (200Hz)
EQ High Gain (4000Hz)
Level
20
No Parameter
Value
Default Description
1
2
3
5
6
7
8
10
17
18
20
00 - 7F
00 - 7D
00 - 7F
00 - 7F
00 - 7F
0F - 71
00 - 7F
00 - 7F
31 - 4F
31 - 4F
00 - 7F
0A
08
48
40
6F
48
58
10
40
40
7F
Cho: Delay
Cho: Rate
Cho: Depth
Cho: Balance (#1)
Dly: Delay
Dly: Feedback
Dly: HP Damp
Dly: Balance (#2)
EQ Low Gain (200Hz)
EQ High Gain (4000Hz)
Level
40: 0%, 2% / 1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
●02H, 0AH: Flanger -> Delay
No Parameter
Value
Default Description
1
2
3
4
5
6
7
8
10
17
18
20
00 - 7F
00 - 7D
00 - 7F
0F - 71
00 - 7F
00 - 7F
0F - 71
00 - 7F
00 - 7F
31 - 4F
31 - 4F
00 - 7F
0B
0B
18
68
40
6F
48
58
10
40
40
7F
Flg: Delay
Flg: Rate
Flg: Depth
Flg: Feedback (#1)
Flg: Balance
Dly: Delay
Dly: Feedback
Dly: HP Damp
Dly: Balance (#2)
EQ Low Gain (200Hz)
EQ High Gain (4000Hz)
Level
40: 0%, 2% / 1 Step
40: 0%, 2% / 1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
●02H, 0BH: Chorus -> Flanger
●02H, 06H: Enhancer -> Chorus
Enh: Sense (#1)
Enh: Mix
Cho: Delay
Cho: Rate
Cho: Depth
Cho: Balance (#2)
EQ Low Gain (200Hz)
EQ High Gain (4000Hz)
Level
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
●02H, 09H: Chorus -> Delay
●02H, 04H: Distortion -> Flanger
DS: Drive
DS: Pan (#1)
DS: Amp Type
DS: Amp Sw
Flg: Delay
Flg: Rate
Flg: Depth
Flg: Feedback
Flg: Balance (#2)
EQ Low Gain (200Hz)
EQ High Gain (4000Hz)
Level
40: 0%, 2% / 1 Step
40: 0%, 2% / 1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
No Parameter
Value
Default Description
1
2
3
5
6
7
8
9
10
17
18
20
00 - 7F
00 - 7D
00 - 7F
00 - 7F
00 - 7F
00 - 7D
00 - 7F
3F - 71
00 - 7F
31 - 4F
31 - 4F
00 - 7F
0A
08
48
40
0B
0B
18
68
40
40
40
68
Cho: Delay
Cho: Rate
Cho: Depth
Cho: Balance (#1)
Flg: Delay
Flg: Rate
Flg: Depth
Flg: Feedback
Flg: Balance (#2)
EQ Low Gain (200Hz)
EQ High Gain (4000Hz)
Level
40: 0%, 2% / 1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
-15dB - +15dB (40: 0dB), 1dB/1 Step
●11H, 00H: Chorus / Delay
No Parameter
Value
Default Description
1
2
3
5
6
7
8
10
16
17
18
19
20
00 - 7F
00 - 7D
00 - 7F
00 - 7F
00 - 7F
0F - 71
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
0A
08
48
40
6F
48
58
10
00
7F
7F
7F
7F
Cho: Delay
Cho: Rate
Cho: Depth
Cho: Balance (#1)
Dly: Delay
Dly: Feedback
Dly: HP Damp
Dly: Balance (#2)
Cho: Pan
Cho: Level
Dly: Pan
Dly: Level
Level
40: 0%, 2% / 1 Step
●11H, 01H: Flanger / Delay
●04H, 03H: Clean Guitar Multi1
No Parameter
Value
Default Description
No. Parameter
Value
Default Description
1
Flg: Delay
00 - 7F
0B
1
Cmp: Attack
00 - 7F
70
2
3
4
5
6
Flg: Rate
Flg: Depth
Flg: Feedback
Flg: Balance (#1)
Dly: Delay
00 - 7D
00 - 7F
0F - 71
00 - 7F
00 - 7F
0B
18
68
40
6F
2
3
4
5
6
Cmp: Sustain
Cmp: Level
Cmp: Sw
EQ: Low Gain
EQ: Mid Frequency
00 - 7F
00 - 7F
00 - 01
31 - 4F
00 - 7F
60
7F
01
3E
40
7
8
10
16
17
18
19
20
Dly: Feedback
Dly: HP Damp
Dly: Balance (#2)
Flg: Pan
Flg: Level
Dly: Pan
Dly: Level
Level
0F - 71
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
48
58
10
00
7F
7F
7F
7F
7
8
9
10
11
12
13
14
15
16
17
18
20
EQ: Mid Q
EQ: Mid Gain
EQ: High Gain
ChoFlg: Sw
ChoFlg: Rate
ChoFlg: Depth
ChoFlg: Feedback
ChoFlg: Level(#1)
Dly: Delay
Dly: Feedback
Dly: HFDamp
Dly: Level(#2)
level
00 - 7F
31 - 4F
31 - 4F
00 - 01
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
02
46
46
00
08
48
40
40
20
18
58
20
7F
40: 0%, 2% / 1 Step
40: 0%, 2% / 1 Step
●11H, 02H: Chorus / Flanger
No Parameter
Value
Default Description
1
2
3
5
6
7
8
9
10
16
17
18
19
20
00 - 7F
00 - 7D
00 - 7F
00 - 7F
00 - 7F
00 - 7D
00 - 7F
0F - 71
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
0A
08
48
40
0B
0B
18
68
40
00
7F
7F
7F
7F
Cho: Delay
Cho: Rate
Cho: Depth
Cho: Balance (#1)
Flg: Delay
Flg: Rate
Flg: Depth
Flg: Feedback
Flg: Balance (#2)
Flg: Pan
Flg: Level
Dly: Pan
Dly: Level
Level
40: 0%, 2% / 1 Step
No. Parameter
Value
Default Description
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
20
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
28
20
50
30
7F
00
2B
7F
50
03
08
10
18
20
28
50
60
7F
7F
No. Parameter
Value
Default Description
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
31 - 4F
00 - 7F
00 - 7F
31 - 4F
31 - 4F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
01
37
28
28
50
01
40
18
00
43
40
00
08
28
66
30
1B
06
20
7F
AW: Filter
AW: Manual(#1)
AW: Peak
AW: Rate
AW: Depth
AW: Switch
EQ: Low Gain
EQ: Mid Frequency
EQ: Mid Q
EQ: Mid Gain
EQ: High Gain
ChoFlg: Switch
ChoFlg: Rate
ChoFlg: Depth
ChoFlg: Feedback
ChoFlg: Level
Dly: Delay
Dly: Feedback
Dly: Level(#2)
level
00:LPF, 01:BPF
00:OFF, 01:ON
-15dB - +15dB (40: 0dB)
00: 200Hz - 7F: 6300Hz
-15dB - +15dB (40: 0dB)
-15dB - +15dB (40: 0dB)
●04H, 06H: Rhodes Multi
●03H, 00H: Rotary Multi
No. Parameter
Value
Default Description
1
2
3
4
9
10
11
8
9
10
11
12
13
14
15
16
17
20
00 - 7F
00 - 7F
31 - 4F
00 - 7F
00 - 7F
31 - 4F
31 - 4F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
0d
01
46
28
00
44
40
06
71
18
7F
11
78
58
40
60
00
7F
OD: Drive Depth(#1)
OD: Drive Switch
EQ: Low Gain
EQ: Mid Frequency
EQ: Mid Q
EQ: Mid Gain
EQ: High Gain
RT: Lo Rate Slow
RT: Lo Rate Fast
RT: Lo Acceleration
RT: Lo Level
RT: Hi Rate Slow
RT: Hi Rate Fast
RT: Hi Acceleration
RT: Hi Level
RT: Separation
RT: Speed(#2)
Level
-15dB - +15dB (40: 0dB)
-15dB - +15dB (40: 0dB)
00:Chorus, 01:Flanger
●04H, 04H: Clean Guitar Multi2
●02H, 0CH: Band Pass Delay
Ph: Manual Freq
Ph: Rate
Ph: Depth
Ph: Resonance
Ph: Mix
Dly: Delay
Dly: Delay Deviation
Dly: Level
Dly: Feedback(#1)
Dly: PanType
Dly: Freq1
Dly: Freq2
Dly: Freq3
Dly: Freq4
Dly: Freq5
Dly: Q12
Dly: Q345
Dly: Balance(#2)
Level
00: OFF, 01: ON
-15dB - +15dB (40: 0dB)
00: 200Hz - 7F: 6300Hz
00: OFF, 01: Overdrive, 02: Distortion
-15dB - +15dB (40: 0dB)
00: 200Hz - 7F: 6300Hz
-15dB - +15dB (40: 0dB)
-15dB - +15dB (40: 0dB)
No. Parameter
Value
Default Description
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
EH: Sense
EH: Mix
Ph: Manual
Ph: Rate
Ph: Depth
Ph: Resonance
Ph: Mix
ChoFlg: ChoFlgSw
ChoFlg: Lpf
ChoFlg: PreDly
ChoFlg: Rate
ChoFlg: Depth
ChoFlg: Feedback
ChoFlg: Level(#1)
TP: Tremolo Pan SW
TP: Wave
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 01
00 - 04
40
40
24
10
20
10
30
00
7F
0A
08
40
68
40
01
02
17
18
19
20
TP: Rate
TP: Depth(#2)
TP: SW
Level
00 - 7F
00 - 7F
00 - 01
00 - 7F
3c
30
01
7F
00:Tremolo, 01:Auto Pan
00:Triangle,
01:Square,
03:Saw(Up), 04:Saw(Down)
02:Sin,
00:OFF, 01:ON
21
●05H, 00H: Keyboard Multi
No. Parameter
Value
Default Description
1
RM: Freq(#1)
00 - 7F
28
2
3
4
9
10
RM: Balance(#2)
EQ: Low Gain
EQ: Mid Frequency
EQ: Mid Q
EQ: Mid Gain
00 - 7F
31 - 4F
00 - 7F
00 - 7F
31 - 4F
10
43
43
00
43
11
8
9
10
11
12
13
14
15
16
17
18
19
20
EQ: High Gain
PS: Coarse
PS: Fine
PS: Mode
PS: Balance
Ph: Manual
Ph: Rate
Ph: Depth
Ph: Resonance
Ph: Mix
Dly: Delay
Dly: Feedback
Dly: Level
Level
31 - 4F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
3E
47
40
00
18
24
08
5A
50
4b
20
30
18
60
-15dB - +15dB (40: 0dB)
00: 200Hz - 7F: 6300Hz
-15dB - +15dB (40: 0dB)
-15dB - +15dB (40: 0dB)
Pre Delay Table
+------+------++-------+------++-------+------++-------+-------+
|Value |(msec)|| Value |(msec)|| Value |(msec)|| Value |(msec) |
+------+------++-------+------++-------+------++-------+-------+
| 00H | 0.0 || 20H | 3.2 || 40H |
14 || 60H |
46 |
| 01H | 0.1 || 21H | 3.3 || 41H |
15 || 61H |
47 |
| 02H | 0.2 || 22H | 3.4 || 42H |
16 || 62H |
48 |
| 03H | 0.3 || 23H | 3.5 || 43H |
17 || 63H |
49 |
| 04H | 0.4 || 24H | 3.6 || 44H |
18 || 64H |
50 |
| 05H | 0.5 || 25H | 3.7 || 45H |
19 || 65H |
52 |
| 06H | 0.6 || 26H | 3.8 || 46H |
20 || 66H |
54 |
| 07H | 0.7 || 27H | 3.9 || 47H |
21 || 67H |
56 |
| 08H | 0.8 || 28H | 4.0 || 48H |
22 || 68H |
58 |
| 09H | 0.9 || 29H | 4.1 || 49H |
23 || 69H |
60 |
| 0AH | 1.0 || 2AH | 4.2 || 4AH |
24 || 6AH |
62 |
| 0BH | 1.1 || 2BH | 4.3 || 4BH |
25 || 6BH |
64 |
| 0CH | 1.2 || 2CH | 4.4 || 4CH |
26 || 6CH |
66 |
| 0DH | 1.3 || 2DH | 4.5 || 4DH |
27 || 6DH |
68 |
| 0EH | 1.4 || 2EH | 4.6 || 4EH |
28 || 6EH |
70 |
| 0FH | 1.5 || 2FH | 4.7 || 4FH |
29 || 6FH |
72 |
| 10H | 1.6 || 30H | 4.8 || 50H |
30 || 70H |
74 |
| 11H | 1.7 || 31H | 4.9 || 51H |
31 || 71H |
76 |
| 12H | 1.8 || 32H | 5.0 || 52H |
32 || 72H |
78 |
| 13H | 1.9 || 33H | 5.5 || 53H |
33 || 73H |
80 |
| 14H | 2.0 || 34H | 6.0 || 54H |
34 || 74H |
82 |
| 15H | 2.1 || 35H | 6.5 || 55H |
35 || 75H |
84 |
| 16H | 2.2 || 36H | 7.0 || 56H |
36 || 76H |
86 |
| 17H | 2.3 || 37H | 7.5 || 57H |
37 || 77H |
88 |
| 18H | 2.4 || 38H | 8.0 || 58H |
38 || 78H |
90 |
| 19H | 2.5 || 39H | 8.5 || 59H |
39 || 79H |
92 |
| 1AH | 2.6 || 3AH | 9.0 || 5AH |
40 || 7AH |
94 |
| 1BH | 2.7 || 3BH | 9.5 || 5BH |
41 || 7BH |
96 |
| 1CH | 2.8 || 3CH |
10 || 5CH |
42 || 7CH |
98 |
| 1DH | 2.9 || 3DH |
11 || 5DH |
43 || 7DH | 100 |
| 1EH | 3.0 || 3EH |
12 || 5EH |
44 || 7EH | 100 |
| 1FH | 3.1 || 3FH |
13 || 5FH |
45 || 7FH | 100 |
+------+------++-------+------++-------+------++-------+-------+
Long Delay Table(Triple Tap Delay, Quadruple Delay)
+-------+------++-------+------++------+------++-------+------+
| Value |(msec)|| Value |(msec)||Value |(msec)|| Value |(msec)|
+-------+------++-------+------++------+------++-------+------+
| 00H | 200 || 20H | 360 || 40H | 520 || 60H | 810 |
| 01H | 205 || 21H | 365 || 41H | 525 || 61H | 820 |
| 02H | 210 || 22H | 370 || 42H | 530 || 62H | 830 |
| 03H | 215 || 23H | 375 || 43H | 535 || 63H | 840 |
| 04H | 220 || 24H | 380 || 44H | 540 || 64H | 850 |
| 05H | 225 || 25H | 385 || 45H | 545 || 65H | 860 |
| 06H | 230 || 26H | 390 || 46H | 550 || 66H | 870 |
| 07H | 235 || 27H | 395 || 47H | 560 || 67H | 880 |
| 08H | 240 || 28H | 400 || 48H | 570 || 68H | 890 |
| 09H | 245 || 29H | 405 || 49H | 580 || 69H | 900 |
| 0AH | 250 || 2AH | 410 || 4AH | 590 || 6AH | 910 |
| 0BH | 255 || 2BH | 415 || 4BH | 600 || 6BH | 920 |
| 0CH | 260 || 2CH | 420 || 4CH | 610 || 6CH | 930 |
| 0DH | 265 || 2DH | 425 || 4DH | 620 || 6DH | 940 |
| 0EH | 270 || 2EH | 430 || 4EH | 630 || 6EH | 950 |
| 0FH | 275 || 2FH | 435 || 4FH | 640 || 6FH | 960 |
| 10H | 280 || 30H | 440 || 50H | 650 || 70H | 970 |
| 11H | 285 || 31H | 445 || 51H | 660 || 71H | 980 |
| 12H | 290 || 32H | 450 || 52H | 670 || 72H | 990 |
| 13H | 295 || 33H | 455 || 53H | 680 || 73H | 1000 |
| 14H | 300 || 34H | 460 || 54H | 690 || 74H |
-- |
| 15H | 305 || 35H | 465 || 55H | 700 || 75H |
-- |
| 16H | 310 || 36H | 470 || 56H | 710 || 76H |
-- |
| 17H | 315 || 37H | 475 || 57H | 720 || 77H |
-- |
| 18H | 320 || 38H | 480 || 58H | 730 || 78H |
-- |
| 19H | 325 || 39H | 485 || 59H | 740 || 79H |
-- |
| 1AH | 330 || 3AH | 490 || 5AH | 750 || 7AH |
-- |
| 1BH | 335 || 3BH | 495 || 5BH | 760 || 7BH |
-- |
| 1CH | 340 || 3CH | 500 || 5CH | 770 || 7CH |
-- |
| 1DH | 345 || 3DH | 505 || 5DH | 780 || 7DH |
-- |
| 1EH | 350 || 3EH | 510 || 5EH | 790 || 7EH |
-- |
| 1FH | 355 || 3FH | 515 || 5FH | 800 || 7FH |
-- |
+-------+------++-------+------++------+------++-------+------+
22
Stereo Delay Table(Stereo Delay, Modulation Delay)
+------+-------++------+------++-------+-------++------+------+
|Value |(msec) ||Value |(msec)|| Value |(msec)|||Value |(msec)|
+------+-------++------+------++-------+-------++------+------+
| 00H | 0.0 || 20H | 3.2 || 40H | 14
|| 60H | 110 |
| 01H | 0.1 || 21H | 3.3 || 41H |
15 || 61H | 120 |
| 02H | 0.2 || 22H | 3.4 || 42H |
16 || 62H | 130 |
| 03H | 0.3 || 23H | 3.5 || 43H |
17 || 63H | 140 |
| 04H | 0.4 || 24H | 3.6 || 44H |
18 || 64H | 150 |
| 05H | 0.5 || 25H | 3.7 || 45H |
19 || 65H | 160 |
| 06H | 0.6 || 26H | 3.8 || 46H |
20 || 66H | 170 |
| 07H | 0.7 || 27H | 3.9 || 47H |
21 || 67H | 180 |
| 08H | 0.8 || 28H | 4.0 || 48H |
22 || 68H | 190 |
| 09H | 0.9 || 29H | 4.1 || 49H |
23 || 69H | 200 |
| 0AH | 1.0 || 2AH | 4.2 || 4AH |
24 || 6AH | 210 |
| 0BH | 1.1 || 2BH | 4.3 || 4BH |
25 || 6BH | 220 |
| 0CH | 1.2 || 2CH | 4.4 || 4CH |
26 || 6CH | 230 |
| 0DH | 1.3 || 2DH | 4.5 || 4DH |
27 || 6DH | 240 |
| 0EH | 1.4 || 2EH | 4.6 || 4EH |
28 || 6EH | 250 |
| 0FH | 1.5 || 2FH | 4.7 || 4FH |
29 || 6FH | 260 |
| 10H | 1.6 || 30H | 4.8 || 50H |
30 || 70H | 270 |
| 11H | 1.7 || 31H | 4.9 || 51H |
31 || 71H | 280 |
| 12H | 1.8 || 32H | 5.0 || 52H |
32 || 72H | 290 |
| 13H | 1.9 || 33H | 5.5 || 53H |
33 || 73H | 300 |
| 14H | 2.0 || 34H | 6.0 || 54H |
34 || 74H | 320 |
| 15H | 2.1 || 35H | 6.5 || 55H |
35 || 75H | 340 |
| 16H | 2.2 || 36H | 7.0 || 56H |
36 || 76H | 360 |
| 17H | 2.3 || 37H | 7.5 || 57H |
37 || 77H | 380 |
| 18H | 2.4 || 38H | 8.0 || 58H |
38 || 78H | 400 |
| 19H | 2.5 || 39H | 8.5 || 59H |
39 || 79H | 420 |
| 1AH | 2.6 || 3AH | 9.0 || 5AH |
40 || 7AH | 440 |
| 1BH | 2.7 || 3BH | 9.5 || 5BH |
50 || 7BH | 460 |
| 1CH | 2.8 || 3CH |
10 || 5CH |
70 || 7CH | 480 |
| 1DH | 2.9 || 3DH |
11 || 5DH |
80 || 7DH | 500 |
| 1EH | 3.0 || 3EH |
12 || 5EH |
90 || 7EH | 500 |
| 1FH | 3.1 || 3FH |
13 || 5FH | 100 || 7FH | 500 |
+------+-------++------+------++-------+-------++------+------+
Rate Table(Chorus, Flanger, etc)
+------+-------++------+------++------+------++------+------+
|Value | (sec) ||Value | (sec)||Value | (sec)||Value | (sec)|
+------+-------++------+------++------+------++------+------+
| 00H | 0.05 || 20H | 1.65 || 40H | 3.25 || 60H | 4.85 |
| 01H | 0.10 || 21H | 1.70 || 41H | 3.30 || 61H | 4.90 |
| 02H | 0.15 || 22H | 1.75 || 42H | 3.35 || 62H | 4.95 |
| 03H | 0.20 || 23H | 1.80 || 43H | 3.40 || 63H | 5.00 |
| 04H | 0.25 || 24H | 1.85 || 44H | 3.45 || 64H | 5.10 |
| 05H | 0.30 || 25H | 1.90 || 45H | 3.50 || 65H | 5.20 |
| 06H | 0.35 || 26H | 1.95 || 46H | 3.55 || 66H | 5.30 |
| 07H | 0.40 || 27H | 2.00 || 47H | 3.60 || 67H | 5.40 |
| 08H | 0.45 || 28H | 2.05 || 48H | 3.65 || 68H | 5.50 |
| 09H | 0.50 || 29H | 2.10 || 49H | 3.70 || 69H | 5.60 |
| 0AH | 0.55 || 2AH | 2.15 || 4AH | 3.75 || 6AH | 5.70 |
| 0BH | 0.60 || 2BH | 2.20 || 4BH | 3.80 || 6BH | 5.80 |
| 0CH | 0.65 || 2CH | 2.25 || 4CH | 3.85 || 6CH | 5.90 |
| 0DH | 0.70 || 2DH | 2.30 || 4DH | 3.90 || 6DH | 6.00 |
| 0EH | 0.75 || 2EH | 2.35 || 4EH | 3.95 || 6EH | 6.10 |
| 0FH | 0.80 || 2FH | 2.40 || 4FH | 4.00 || 6FH | 6.20 |
| 10H | 0.85 || 30H | 2.45 || 50H | 4.05 || 70H | 6.30 |
| 11H | 0.90 || 31H | 2.50 || 51H | 4.10 || 71H | 6.40 |
| 12H | 0.95 || 32H | 2.55 || 52H | 4.15 || 72H | 6.50 |
| 13H | 1.00 || 33H | 2.60 || 53H | 4.20 || 73H | 6.60 |
| 14H | 1.05 || 34H | 2.65 || 54H | 4.25 || 74H | 6.70 |
| 15H | 1.10 || 35H | 2.70 || 55H | 4.30 || 75H | 6.80 |
| 16H | 1.15 || 36H | 2.75 || 56H | 4.35 || 76H | 6.90 |
| 17H | 1.20 || 37H | 2.80 || 57H | 4.40 || 77H | 7.00 |
| 18H | 1.25 || 38H | 2.85 || 58H | 4.45 || 78H | 7.50 |
| 19H | 1.30 || 39H | 2.90 || 59H | 4.50 || 79H | 8.00 |
| 1AH | 1.35 || 3AH | 2.95 || 5AH | 4.55 || 7AH | 8.50 |
| 1BH | 1.40 || 3BH | 3.00 || 5BH | 4.60 || 7BH | 9.00 |
| 1CH | 1.45 || 3CH | 3.05 || 5CH | 4.65 || 7CH | 9.50 |
| 1DH | 1.50 || 3DH | 3.10 || 5DH | 4.70 || 7DH |10.00 |
| 1EH | 1.55 || 3EH | 3.15 || 5EH | 4.75 || 7EH |10.00 |
| 1FH | 1.60 || 3FH | 3.20 || 5FH | 4.80 || 7FH |10.00 |
+------+-------++------+------++------+------++------+------+
HF Damp
+---------+------+
| Value | (Hz)|
+---------+------+
| 00H-07H | 315 |
| 08H-0FH | 400 |
| 10H-17H | 500 |
| 18H-1FH | 630 |
| 20H-27H | 800 |
| 28H-2FH | 1000 |
| 30H-37H | 1250 |
| 38H-3FH | 1600 |
| 40H-47H | 2000 |
| 48H-4FH | 2500 |
| 50H-57H | 3150 |
| 58H-5FH | 4000 |
| 60H-67H | 5000 |
| 68H-6FH | 6300 |
| 70H-77H | 8000 |
| 78H-7FH |Bypass|
+---------+------+
KF-7 Tone List
CC0 / CC32/ PC#
Tone Name
Voices
1.
1.
1.
1.
1.
1.
1.
1.
1.
00h / 00h / 00h
00h / 01h / 00h
00h / 41h / 00h
00h / 47h / 00h
00h / 48h / 00h
08h / 00h / 00h
10h / 00h / 00h
10h / 40h / 00h
10h / 41h / 00h
Grand Piano1
Piano 1
MIDI Piano1
Piano Choir
Piano 1*
Piano 1w
Piano 1d
UprightPiano
Ballad Piano
2
1
1
2
1
2
1
2
1
2.
2.
2.
2.
2.
2.
00h / 00h / 01h
00h / 40h / 01h
00h / 41h / 01h
00h / 42h / 01h
00h / 48h / 01h
08h / 00h / 01h
Piano 2
Bright Piano
MIDI Piano2
BrightPiano2
Piano 2*
Piano 2w
1
2
1
2
1
2
2.
08h / 41h / 01h
Grand Piano2
2
3.
3.
3.
3.
3.
3.
3.
3.
00h / 00h / 02h
00h / 40h / 02h
00h / 41h / 02h
00h / 42h / 02h
00h / 43h / 02h
00h / 44h / 02h
00h / 45h / 02h
00h / 48h / 02h
Piano 3
Rock Piano
EG+Rhodes 1
EG+Rhodes 2
Bell Piano
Piano Oohs
E. Grand
Piano 3*
1
2
2
2
3
2
2
1
3.
3.
3.
3.
3.
08h / 00h / 02h
08h / 41h / 02h
08h / 42h / 02h
08h / 43h / 02h
08h / 44h / 02h
Piano 3w
Air Grand
PianoStrings
BrightPiano2
Piano Choir
2
3
3
2
4
4.
00h / 00h / 03h
GS Honkytonk
2
4.
4.
00h / 40h / 03h
00h / 48h / 03h
Honky-Tonk
Honky-tonk*
2
2
4.
08h / 00h / 03h
Honky-tonk 2
2
5.
5.
5.
5.
5.
5.
5.
5.
5.
5.
5.
5.
5.
5.
5.
5.
5.
5.
00h / 00h / 04h
00h / 41h / 04h
00h / 42h / 04h
00h / 48h / 04h
08h / 00h / 04h
08h / 40h / 04h
08h / 42h / 04h
08h / 44h / 04h
10h / 00h / 04h
10h / 40h / 04h
10h / 42h / 04h
10h / 43h / 04h
10h / 44h / 04h
18h / 00h / 04h
18h / 40h / 04h
18h / 41h / 04h
18h / 42h / 04h
18h / 48h / 04h
GS E.Piano1
Hard Rhodes
Stage Rhodes
E.Piano 1*
Detuned EP 1
Soft E.Piano
Chord EP1
PhaseRhods
E.Piano 1v
E.Piano 1
Suitcase
Dyno Rhodes
Tremolo Dyno
60's E.Piano
Sine Rhodes
Wurly
Dist E.Piano
60'sE.Piano*
1
2
2
1
2
2
1
2
2
2
1
1
2
1
1
2
2
1
6.
6.
6.
6.
6.
6.
6.
6.
6.
6.
6.
6.
6.
00h / 00h / 05h
00h / 40h / 05h
00h / 41h / 05h
00h / 43h / 05h
00h / 48h / 05h
08h / 00h / 05h
08h / 40h / 05h
08h / 41h / 05h
08h / 42h / 05h
08h / 43h / 05h
10h / 00h / 05h
10h / 40h / 05h
10h / 42h / 05h
GS E.Piano2
Hard E.Piano
E.Piano 3
EP Phase
E.Piano 2*
Detuned EP 2
St.FM EP
FM+SA EP
Hard FM EP
MellowRhodes
E.Piano 2v
E.Piano 2
EP Legend
1
2
1
2
1
2
2
2
2
2
2
1
2
7.
7.
7.
7.
7.
7.
7.
7.
00h / 00h / 06h
00h / 40h / 06h
00h / 41h / 06h
00h / 48h / 06h
08h / 00h / 06h
08h / 40h / 06h
08h / 41h / 06h
10h / 00h / 06h
GS Harpsi.
Harpsi.Singl
Harpsichord
Harpsichord*
Coupled Hps.
Harpsi.Doubl
Synth Harpsi
Harpsi.w
1
1
2
1
2
2
2
2
7.
18h / 00h / 06h
Harpsi.o
2
8.
8.
00h / 00h / 07h
00h / 40h / 07h
Soft Clav.
Analog Clav.
1
2
July.1, 2003
8.
8.
8.
8.
8.
8.
8.
00h / 41h / 07h
00h / 42h / 07h
00h / 43h / 07h
00h / 44h / 07h
00h / 45h / 07h
00h / 46h / 07h
00h / 47h / 07h
5th Ana.Clav
Hard Clav.
Clav.
SynRingClav.
Reso Clav.
Phase Clav.
Pulse Clav
2
1
1
2
1
1
1
8.
00h / 48h / 07h
Clav.*
1
9.
9.
9.
00h / 00h / 08h
00h / 40h / 08h
00h / 48h / 08h
Celesta
Pop Celesta
Celesta*
1
2
1
10.
10.
00h / 00h / 09h
00h / 40h / 09h
Glockenspiel GS
Glockenspiel
1
1
10.
00h / 48h / 09h
Glocken*
1
11.
11.
11.
00h / 00h / 0Ah
00h / 40h / 0Ah
00h / 48h / 0Ah
Music Box GS
Music Box
Music Box*
1
1
1
12.
12.
12.
12.
00h / 00h / 0Bh
00h / 41h / 0Bh
00h / 48h / 0Bh
08h / 00h / 0Bh
Vibraphone
Pop Vibe.
Vibraphone*
Vibe.w
1
2
1
2
12.
08h / 40h / 0Bh
Jazzy Vib+Gt
2
13.
13.
13.
13.
13.
00h / 00h / 0Ch
00h / 40h / 0Ch
00h / 48h / 0Ch
08h / 00h / 0Ch
08h / 40h / 0Ch
GS Marimba
Soft Marimba
Marimba*
Marimba
Balafon
1
1
1
1
1
14.
14.
00h / 00h / 0Dh
00h / 48h / 0Dh
Xylophone
Xylophone*
1
1
15.
15.
15.
15.
00h / 00h / 0Eh
00h / 48h / 0Eh
08h / 00h / 0Eh
09h / 00h / 0Eh
Tubular-bell
Tubularbell*
Church Bell
Carillon
1
1
1
1
15.
09h / 48h / 0Eh
Carillon*
1
16.
16.
16.
00h / 00h / 0Fh
00h / 40h / 0Fh
00h / 48h / 0Fh
Santur GS
Santur
Santur*
1
2
1
17.
17.
17.
17.
17.
17.
17.
17.
17.
17.
17.
17.
17.
17.
17.
17.
17.
17.
17.
17.
17.
17.
17.
00h / 00h / 10h
00h / 42h / 10h
00h / 43h / 10h
00h / 44h / 10h
00h / 48h / 10h
01h / 00h / 10h
08h / 00h / 10h
08h / 42h / 10h
08h / 43h / 10h
09h / 00h / 10h
10h / 00h / 10h
10h / 42h / 10h
10h / 43h / 10h
10h / 48h / 10h
11h / 00h / 10h
12h / 00h / 10h
20h / 00h / 10h
20h / 01h / 10h
20h / 40h / 10h
20h / 42h / 10h
20h / 43h / 10h
20h / 44h / 10h
21h / 00h / 10h
Organ 1
Lower Organ
Full Organ 5
Trem. Organ
Organ 1*
Full Organ 1
Detuned Or.1
Lower Organ2
Full Organ 6
Full Organ 2
Pop Organ 1
Lower Organ3
Full Organ 7
Pop Organ 1*
Pop Organ 2
Pop Organ 3
Full Organ 4
Organ 4
VS Organ
Metalic Org.
Full Organ 8
Organ 4
Full Organ 3
1
1
2
2
1
1
2
1
2
1
1
1
2
1
1
1
1
2
2
2
1
2
1
18.
18.
18.
18.
18.
18.
18.
18.
18.
18.
18.
18.
18.
18.
00h / 00h / 11h
00h / 41h / 11h
00h / 42h / 11h
00h / 48h / 11h
01h / 00h / 11h
08h / 00h / 11h
08h / 41h / 11h
08h / 42h / 11h
20h / 00h / 11h
20h / 01h / 11h
20h / 40h / 11h
20h / 41h / 11h
20h / 42h / 11h
20h / 44h / 11h
Organ 2
Jazz Organ4
Jazz Organ 5
Organ 2*
Jazz Organ3
Detuned Or.2
Organ Bass
Jazz Organ 6
Jazz Organ
Organ 5
Jazz Organ2
Pipe Org. Bs
Jazz Organ 7
Perc. Organ
1
2
2
1
2
2
2
2
2
2
2
2
2
2
19.
19.
00h / 00h / 12h
00h / 40h / 12h
Rock Organ2
Rock Organ1
2
2
Copyright © 2002 ROLAND CORPORATION
All rights reserved.
No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.
1
19.
19.
19.
19.
00h / 41h / 12h
00h / 42h / 12h
00h / 43h / 12h
00h / 48h / 12h
Rotary Org.S
Rotary Org.F
L-Organ
Rock Organ2*
1
1
1
2
30.
30.
30.
30.
00h / 00h / 1Dh
00h / 41h / 1Dh
00h / 44h / 1Dh
00h / 48h / 1Dh
Overdrive Gt
Guitar Pinch
LP Chorus
OverdriveGt*
1
2
2
1
20.
20.
20.
20.
20.
20.
20.
20.
20.
20.
20.
20.
00h / 00h / 13h
00h / 40h / 13h
00h / 41h / 13h
00h / 43h / 13h
00h / 48h / 13h
08h / 00h / 13h
08h / 40h / 13h
08h / 41h / 13h
08h / 43h / 13h
10h / 00h / 13h
10h / 40h / 13h
10h / 42h / 13h
Church Org.1
Organ Flute
Church Organ
Diapason 8'
ChurchOrg.1*
Church Org.2
Trem.Flute
Pipe Organ
Puff Organ
Church Org.3
Theater Org.
Nason flt 8'
1
1
2
1
1
2
2
2
2
2
2
1
31.
31.
31.
31.
31.
31.
31.
31.
31.
31.
31.
31.
00h / 00h / 1Eh
00h / 40h / 1Eh
00h / 41h / 1Eh
00h / 42h / 1Eh
00h / 48h / 1Eh
08h / 00h / 1Eh
08h / 40h / 1Eh
08h / 41h / 1Eh
08h / 42h / 1Eh
08h / 43h / 1Eh
08h / 44h / 1Eh
08h / 45h / 1Eh
DistortionGt GS
DistortionGt
Dazed Guitar
Rock Rhythm2
Dist.Guitar*
Feedback Gt.
Power Gt.2
Power Guitar
Rock Rhythm
Dist Rtm GTR
Feedback Gt2
5th Dist.
1
2
2
2
1
2
2
2
2
1
2
2
21.
21.
21.
00h / 00h / 14h
00h / 40h / 14h
00h / 41h / 14h
Reed Organ
Digi Church
CheeseOrgan
1
2
1
32.
32.
32.
00h / 00h / 1Fh
00h / 48h / 1Fh
08h / 00h / 1Fh
Gt.Harmonics
Gt.Harmo*
Gt. Feedback
1
1
1
21.
00h / 48h / 14h
Reed Organ*
1
32.
10h / 00h / 1Fh
Ac.Gt.Harmnx
1
22.
22.
22.
22.
22.
22.
00h / 00h / 15h
00h / 40h / 15h
00h / 41h / 15h
00h / 48h / 15h
08h / 00h / 15h
08h / 44h / 15h
Accordion Fr
Accordion
Hard Accord
AccordionFr*
Accordion It
It Musette
2
1
2
2
2
1
23.
23.
23.
00h / 00h / 16h
00h / 44h / 16h
00h / 48h / 16h
GS Harmonica
Blues Harp
Harmonica*
1
1
1
33.
33.
33.
33.
33.
33.
33.
00h / 00h / 20h
00h / 40h / 20h
00h / 41h / 20h
00h / 44h / 20h
00h / 45h / 20h
00h / 46h / 20h
00h / 48h / 20h
GS Ac.Bass
Acoustic Bs.
A.Bass+Cymbl
Guitaron
Rockabilly
Wild Ac.Bs
Acoustic Bs*
1
2
2
1
2
2
1
23.
01h / 00h / 16h
Harmonica
1
24.
24.
00h / 00h / 17h
00h / 48h / 17h
Bandoneon
Bandoneon*
2
2
34.
34.
34.
34.
34.
00h / 00h / 21h
00h / 40h / 21h
00h / 41h / 21h
00h / 44h / 21h
00h / 45h / 21h
GS Fing.Bass
Fingered Bs.
Finger Slap
Baby Bass
Jazz Bass
1
1
2
1
1
25.
25.
25.
25.
25.
25.
25.
25.
25.
25.
00h / 00h / 18h
00h / 42h / 18h
00h / 43h / 18h
00h / 48h / 18h
08h / 00h / 18h
08h / 40h / 18h
10h / 00h / 18h
20h / 00h / 18h
20h / 01h / 18h
20h / 44h / 18h
GS Nylon Gt.
Chord Gt1
Flamenco Gtr
Nylon-strGt*
Ukulele
Gut Guitar
Nylon Gt.o
Nylon Guitar
Nylon Gt.2
Requint Gtr
1
1
1
1
1
1
2
2
1
1
34.
00h / 48h / 21h
Fingered Bs*
1
35.
35.
35.
35.
00h / 00h / 22h
00h / 40h / 22h
00h / 41h / 22h
00h / 48h / 22h
Picked Bs
Picked Bs.
Mute PickBs.
Picked Bs.*
1
1
1
1
36.
36.
36.
00h / 00h / 23h
00h / 40h / 23h
00h / 48h / 23h
Fretless Bs.
Mr.Smooth
Fretless Bs*
1
2
1
26.
26.
26.
26.
26.
26.
26.
26.
26.
26.
26.
26.
26.
00h / 00h / 19h
00h / 40h / 19h
00h / 42h / 19h
00h / 43h / 19h
00h / 44h / 19h
00h / 45h / 19h
00h / 46h / 19h
00h / 48h / 19h
08h / 00h / 19h
08h / 40h / 19h
09h / 00h / 19h
10h / 00h / 19h
10h / 40h / 19h
Steel-str.Gt
Steel Guitar
EX Ac.Guitar
EX A.Guitar2
Steel+Body
Steel Vox
Ac.Guitar 3
Steel-strGt*
12-str.Gt
12str Guitar
Nylon+Steel
GS Mandolin
Mandolin
1
2
1
1
2
2
2
1
2
2
2
1
1
26.
20h / 00h / 19h
Steel Gt.2
1
27.
27.
27.
27.
27.
27.
00h / 00h / 1Ah
00h / 44h / 1Ah
00h / 48h / 1Ah
01h / 04h / 1Ah
08h / 00h / 1Ah
08h / 40h / 1Ah
Jazz Guitar
Jazz Gtr 2
Jazz Guitar*
Mellow Gt.
Hawaiian GS
Hawaiian Gt.
1
1
1
2
1
1
28.
28.
28.
28.
28.
28.
28.
00h / 00h / 1Bh
00h / 40h / 1Bh
00h / 41h / 1Bh
00h / 42h / 1Bh
00h / 48h / 1Bh
08h / 00h / 1Bh
08h / 40h / 1Bh
Clean Gt.
JC E.Guitar
Open Hard
Mid Tone GTR
Clean Gt.*
Chorus Gt.
Clean Half
1
2
2
2
1
2
1
29.
29.
29.
29.
29.
29.
29.
00h / 00h / 1Ch
00h / 40h / 1Ch
00h / 48h / 1Ch
08h / 00h / 1Ch
08h / 40h / 1Ch
08h / 48h / 1Ch
10h / 00h / 1Ch
Muted Gt.
Muted Dis.Gt
Muted Gt.*
Funk Gt.
Jazz Man
Funk Gt.*
Funk Gt.2
1
1
1
1
2
1
2
37.
00h / 00h / 24h
Slap Bass
1
37.
00h / 48h / 24h
Slap Bass 1*
1
38.
38.
00h / 00h / 25h
00h / 48h / 25h
Slap Bass 2
Slap Bass 2*
1
1
39.
39.
39.
39.
39.
39.
39.
39.
39.
00h / 00h / 26h
00h / 40h / 26h
00h / 41h / 26h
00h / 48h / 26h
01h / 00h / 26h
01h / 40h / 26h
08h / 00h / 26h
08h / 04h / 26h
08h / 40h / 26h
Synth Bass 1
Jungle Bass
Hammer
Synth Bass1*
SynthBass101
ResoSH Bass
Synth Bass 3
Acid Bass
Clavi Bass
1
1
2
1
1
1
1
1
2
40.
40.
40.
40.
40.
40.
40.
40.
40.
40.
40.
40.
40.
00h / 00h / 27h
00h / 40h / 27h
00h / 48h / 27h
08h / 00h / 27h
08h / 04h / 27h
08h / 41h / 27h
08h / 42h / 27h
10h / 00h / 27h
10h / 40h / 27h
10h / 41h / 27h
10h / 42h / 27h
10h / 48h / 27h
13h / 04h / 27h
Synth Bass 2
Synth Bass
Synth Bass2*
Synth Bass 4
Beef FM Bass
Modular Bass
Attack Pulse
Rubber Bass
SH101 Bass
WireStr Bass
Sync Bass
Rubber Bass*
Smooth Bass
2
2
2
2
2
2
2
2
1
2
2
2
2
41.
41.
41.
41.
00h / 00h / 28h
00h / 40h / 28h
00h / 48h / 28h
08h / 00h / 28h
Violin GS
Violin
Violin*
Slow Violin
1
1
1
1
42.
42.
00h / 00h / 29h
00h / 48h / 29h
Viola
Viola*
1
1
43.
43.
00h / 00h / 2Ah
00h / 40h / 2Ah
Cello GS
Cello
1
1
43.
00h / 48h / 2Ah
Cello*
1
44.
00h / 00h / 2Bh
Contrabass
1
2
44.
00h / 48h / 2Bh
Contrabass*
1
45.
45.
45.
45.
45.
00h / 00h / 2Ch
00h / 40h / 2Ch
00h / 41h / 2Ch
00h / 44h / 2Ch
00h / 48h / 2Ch
Trem.Str
Tremolo Str
Suspense Str
JV Strings
Tremolo Str*
1
1
2
2
1
46.
46.
00h / 00h / 2Dh
00h / 40h / 2Dh
PizzicatoStr
Mellow Pizz.
1
1
46.
00h / 48h / 2Dh
Pizzicato*
1
47.
47.
47.
47.
47.
47.
00h / 00h / 2Eh
00h / 40h / 2Eh
00h / 41h / 2Eh
00h / 42h / 2Eh
00h / 44h / 2Eh
00h / 48h / 2Eh
GS Harp
Harp
Yang Qin
Harp Strings
St. Harp
Harp*
1
1
2
1
2
1
48.
00h / 00h / 2Fh
Timpani
1
48.
00h / 48h / 2Fh
Timpani*
1
49.
49.
49.
49.
49.
49.
49.
49.
49.
49.
49.
00h / 00h / 30h
00h / 40h / 30h
00h / 41h / 30h
00h / 42h / 30h
00h / 43h / 30h
00h / 44h / 30h
00h / 45h / 30h
00h / 48h / 30h
08h / 00h / 30h
08h / 40h / 30h
08h / 41h / 30h
GS Strings
Strings
Velo Strings
Oct Strings
60's Srrings
Strings 2
DecayStrings
Strings*
Orchestra
OrchestraBrs
Choir Str
1
2
2
2
2
2
2
1
2
2
2
50.
50.
50.
50.
50.
50.
50.
00h / 00h / 31h
00h / 40h / 31h
00h / 41h / 31h
00h / 42h / 31h
00h / 43h / 31h
00h / 44h / 31h
00h / 48h / 31h
GS Sl.Str
Slow Strings
SlowStrings2
Legato Str
Warm Strings
DolceStrings
SlowStrings*
1
2
2
2
2
2
1
51.
51.
51.
51.
00h / 00h / 32h
00h / 40h / 32h
00h / 41h / 32h
00h / 48h / 32h
Syn.Strings1
Syn.Slow Str
OB Strings
Syn.Str 1*
1
2
2
1
51.
08h / 00h / 32h
Syn.Strings3
2
52.
52.
52.
00h / 00h / 33h
00h / 40h / 33h
00h / 48h / 33h
Syn.Strings2
JP Saw Str
Syn.Str 2*
2
2
2
53.
53.
53.
53.
53.
53.
53.
53.
53.
53.
53.
53.
53.
53.
53.
53.
53.
53.
00h / 00h / 34h
00h / 40h / 34h
00h / 42h / 34h
00h / 43h / 34h
00h / 44h / 34h
00h / 45h / 34h
00h / 46h / 34h
00h / 47h / 34h
00h / 48h / 34h
20h / 00h / 34h
20h / 40h / 34h
20h / 41h / 34h
20h / 42h / 34h
20h / 43h / 34h
20h / 44h / 34h
20h / 45h / 34h
20h / 46h / 34h
20h / 47h / 34h
Choir Aahs
Rich Choir
Dreamy Choir
Kid's Choir
Boys Choir
Jz Scat Vib2
Jz Scat Vib
Jz Scat Doet
Choir Aahs*
Choir
Choir Str
Voice Oohs
VoiceAah Fem
Chorus Lahs
Church Choir
Voice Dahs
Choir Hahs
Opera Voice
1
2
2
2
1
2
2
2
1
1
2
1
1
1
2
1
1
2
54.
54.
54.
54.
54.
54.
54.
54.
54.
54.
00h / 00h / 35h
00h / 40h / 35h
00h / 41h / 35h
00h / 42h / 35h
00h / 43h / 35h
00h / 44h / 35h
00h / 45h / 35h
00h / 46h / 35h
00h / 47h / 35h
00h / 48h / 35h
Pop Voice
Jazz Voices
Doos Voice
Thum Voice
Doot Accent
Dat Accent
Bop Accent
Doos & Doot
Dat & Bop
Pop Voice*
1
1
1
1
1
1
1
2
2
1
55.
55.
55.
55.
55.
00h / 00h / 36h
00h / 40h / 36h
00h / 41h / 36h
00h / 42h / 36h
00h / 43h / 36h
SynVox
Choir Oohs
Jazz Scat
Humming GM2
Humming
1
2
1
2
2
55.
55.
55.
55.
55.
55.
00h / 44h / 36h
00h / 45h / 36h
00h / 47h / 36h
00h / 48h / 36h
01h / 44h / 36h
04h / 04h / 36h
Tenor
Analog Voice
Dow Fall
SynVox*
Soprano
Oohs Chord
1
2
1
1
1
2
56.
56.
56.
56.
56.
56.
56.
56.
00h / 00h / 37h
00h / 40h / 37h
00h / 41h / 37h
00h / 42h / 37h
00h / 43h / 37h
00h / 44h / 37h
00h / 45h / 37h
00h / 48h / 37h
OrchestraHit
Philly Hit
6th Hit
Euro Hit
Bass Hit
Rave Hit
Stack Hit
Orche.Hit*
2
2
1
1
1
2
2
2
57.
57.
57.
57.
57.
57.
57.
57.
00h / 00h / 38h
00h / 41h / 38h
00h / 42h / 38h
00h / 43h / 38h
00h / 48h / 38h
01h / 00h / 38h
01h / 41h / 38h
01h / 42h / 38h
GS Trumpet
EX Trumpet
Trumpet 2
Tp Shake
Trumpet*
Trumpet
EX Tp&Shake
Dark Trumpet
1
1
2
1
1
1
2
1
57.
01h / 43h / 38h
Romantic Tp
1
58.
58.
58.
58.
58.
58.
58.
58.
00h / 00h / 39h
00h / 40h / 39h
00h / 41h / 39h
00h / 44h / 39h
00h / 48h / 39h
01h / 00h / 39h
01h / 40h / 39h
01h / 44h / 39h
Trombone GS
TromboneSoft
Bright Tb
Trombone 3
Trombone*
Trombone 2
Trombone
Bs.Trombone
1
1
1
2
1
2
1
1
59.
59.
00h / 00h / 3Ah
00h / 40h / 3Ah
Tuba GS
Tuba
1
1
59.
00h / 48h / 3Ah
Tuba*
1
60.
60.
60.
60.
00h / 00h / 3Bh
00h / 40h / 3Bh
00h / 44h / 3Bh
00h / 48h / 3Bh
MutedTrumpet
MuteTrumpet2
Muted Tp 2
M.Trumpet*
1
1
2
1
61.
61.
61.
61.
61.
61.
61.
00h / 00h / 3Ch
00h / 40h / 3Ch
00h / 41h / 3Ch
00h / 48h / 3Ch
01h / 00h / 3Ch
01h / 40h / 3Ch
01h / 41h / 3Ch
French Horn
Fr.Horn Solo
Flugel Horn
FrenchHorns*
Fr.Horn 2
SuperF.Horns
OrchestraBrs
2
1
1
2
2
2
2
62.
62.
62.
62.
62.
62.
62.
62.
62.
62.
62.
62.
62.
00h / 00h / 3Dh
00h / 41h / 3Dh
00h / 42h / 3Dh
00h / 43h / 3Dh
00h / 44h / 3Dh
00h / 45h / 3Dh
00h / 48h / 3Dh
08h / 00h / 3Dh
08h / 40h / 3Dh
08h / 41h / 3Dh
08h / 42h / 3Dh
08h / 44h / 3Dh
08h / 45h / 3Dh
Brass 1
Bright Brass
Brass ff
Brass sfz
Bones Sect.
2Tps+Tb+Sax
Brass 1*
Brass 2
Power Brass
BrassSection
St. Brass ff
FatPop Brass
Brass Fall
1
2
1
2
1
1
1
2
2
1
2
2
1
62.
08h / 46h / 3Dh
Trumpet Fall
1
63.
63.
63.
63.
63.
63.
63.
63.
00h / 00h / 3Eh
00h / 40h / 3Eh
00h / 48h / 3Eh
08h / 00h / 3Eh
08h / 40h / 3Eh
08h / 41h / 3Eh
10h / 00h / 3Eh
10h / 48h / 3Eh
Synth Brass1
Jump Brass
SynthBrass1*
Synth Brass3
DeepSynBrass
Oct SynBrass
AnalogBrass1
A.Brass 1*
2
1
2
2
2
2
2
2
64.
64.
64.
64.
64.
64.
00h / 00h / 3Fh
00h / 40h / 3Fh
00h / 41h / 3Fh
00h / 48h / 3Fh
08h / 00h / 3Fh
10h / 00h / 3Fh
Synth Brass2
EX Orchestra
Soft Brass
SynthBrass2*
Synth Brass4
AnalogBrass2
2
1
2
2
1
2
65.
65.
65.
00h / 00h / 40h
00h / 40h / 40h
00h / 48h / 40h
GS Sop.Sax
Soprano Sax
Soprano Sax*
1
1
1
3
66.
66.
66.
66.
66.
66.
66.
66.
00h / 00h / 41h
00h / 40h / 41h
00h / 41h / 41h
00h / 42h / 41h
00h / 48h / 41h
08h / 00h / 41h
08h / 40h / 41h
08h / 42h / 41h
Alto Sax
AltoSax Soft
EX Tenor Sax
Sax Section
Alto Sax*
Blow Sax
Grow Sax
AltoSax + Tp
1
1
2
1
1
1
1
2
67.
67.
67.
67.
67.
00h / 00h / 42h
00h / 41h / 42h
00h / 48h / 42h
08h / 00h / 42h
08h / 40h / 42h
Tenor Sax
Super Tenor
Tenor Sax*
Blow Sax
Tenor Sax f
1
2
1
1
1
68.
68.
68.
00h / 00h / 43h
00h / 40h / 43h
00h / 41h / 43h
GS Bari Sax
Baritone Sax
Bari & Tenor
1
1
2
68.
00h / 48h / 43h
BaritoneSax*
1
69.
69.
69.
69.
00h / 00h / 44h
00h / 40h / 44h
00h / 48h / 44h
01h / 40h / 44h
GS Oboe
Oboe
Oboe*
Tune Oboe
1
1
1
1
70.
70.
00h / 00h / 45h
00h / 40h / 45h
English Horn GS
English Horn
1
1
70.
00h / 48h / 45h
EnglishHorn*
1
71.
71.
00h / 00h / 46h
00h / 48h / 46h
Bassoon
Bassoon*
1
1
72.
72.
72.
00h / 00h / 47h
00h / 40h / 47h
00h / 48h / 47h
Clarinet
Bs Clarinet
Clarinet*
1
1
1
73.
73.
00h / 00h / 48h
00h / 48h / 48h
Piccolo
Piccolo*
1
1
74.
74.
00h / 00h / 49h
00h / 40h / 49h
GS Flute
Flute
1
1
74.
00h / 48h / 49h
Flute*
1
75.
75.
00h / 00h / 4Ah
00h / 48h / 4Ah
Recorder
Recorder*
76.
76.
76.
76.
00h / 00h / 4Bh
00h / 40h / 4Bh
00h / 41h / 4Bh
00h / 48h / 4Bh
77.
77.
77.
78.
78.
82.
82.
82.
08h / 40h / 51h
08h / 41h / 51h
08h / 48h / 51h
Rhythmic Saw
SequencedSaw
Doctor Solo*
2
2
2
83.
83.
83.
83.
83.
00h / 00h / 52h
00h / 40h / 52h
00h / 41h / 52h
00h / 48h / 52h
02h / 04h / 52h
Syn.Calliope
JP8 Pulse
LM PureLead
SynCalliope*
Pure PanLead
2
2
1
2
2
84.
84.
00h / 00h / 53h
00h / 40h / 53h
Chiffer Lead
Cheese Saw
2
1
84.
00h / 48h / 53h
ChifferLead*
2
85.
85.
85.
85.
85.
85.
00h / 00h / 54h
00h / 40h / 54h
00h / 41h / 54h
00h / 42h / 54h
00h / 48h / 54h
08h / 40h / 54h
Charang
Reso Saw
2600 SubOsc
Acid Guitar
Charang*
Wire Lead
2
1
1
2
2
2
86.
86.
00h / 00h / 55h
00h / 40h / 55h
Solo Vox
RAVE Vox
2
2
86.
00h / 48h / 55h
Solo Vox*
2
87.
87.
87.
00h / 00h / 56h
00h / 40h / 56h
00h / 48h / 56h
5th Saw Wave
5th Lead
5th SawWave*
2
2
2
88.
88.
88.
88.
88.
88.
00h / 00h / 57h
00h / 40h / 57h
00h / 41h / 57h
00h / 44h / 57h
00h / 48h / 57h
01h / 04h / 57h
Bass & Lead
FM Lead 2
Delayed Lead
Fat & Perky
Bass & Lead*
Big & Raw
2
1
2
2
2
2
1
1
89.
89.
89.
89.
89.
89.
00h / 00h / 58h
00h / 40h / 58h
00h / 41h / 58h
00h / 42h / 58h
00h / 43h / 58h
00h / 44h / 58h
Fantasia
Fantasia 2
New Age Pad
Chord Syn1
Sugar Key
BriteSawKey
2
2
2
2
2
2
89.
00h / 48h / 58h
Fantasia*
2
GS Pan Flute
Blow Pipe
Pan Flute
Pan Flute*
1
1
2
1
00h / 00h / 4Ch
00h / 41h / 4Ch
00h / 48h / 4Ch
Bottle Blow
BottleBlow2
Bottle Blow*
2
1
2
90.
90.
90.
90.
90.
00h / 00h / 59h
00h / 40h / 59h
00h / 41h / 59h
00h / 42h / 59h
00h / 48h / 59h
Warm Pad
Soft Pad
Warm JP Str
Sine Pad
Warm Pad*
1
2
2
2
1
00h / 00h / 4Dh
00h / 48h / 4Dh
Shakuhachi
Shakuhachi*
2
2
91.
91.
91.
91.
91.
91.
91.
00h / 00h / 5Ah
00h / 40h / 5Ah
00h / 41h / 5Ah
00h / 42h / 5Ah
00h / 43h / 5Ah
00h / 48h / 5Ah
01h / 04h / 5Ah
Polysynth
P5 Poly
Poly King
Octave Stack
Happy Synth
Polysynth*
80's PolySyn
2
2
2
2
2
2
2
92.
92.
92.
92.
92.
92.
00h / 00h / 5Bh
00h / 40h / 5Bh
00h / 41h / 5Bh
00h / 42h / 5Bh
00h / 43h / 5Bh
00h / 48h / 5Bh
Space Voice
Heaven II
Holy Voices
Warm SqrPad
Itopia
Space Voice*
1
2
1
1
2
1
93.
93.
00h / 00h / 5Ch
00h / 48h / 5Ch
Bowed Glass
Bowed Glass*
2
2
94.
94.
94.
94.
00h / 00h / 5Dh
00h / 40h / 5Dh
00h / 41h / 5Dh
00h / 48h / 5Dh
Metal Pad
Tine Pad
Panner Pad
Metal Pad*
2
2
2
2
95.
95.
95.
00h / 00h / 5Eh
00h / 40h / 5Eh
00h / 41h / 5Eh
Halo Pad
JP8 Sqr Pad
Vox Sweep
2
2
2
95.
00h / 48h / 5Eh
Halo Pad*
2
96.
96.
96.
96.
96.
96.
00h / 00h / 5Fh
00h / 40h / 5Fh
00h / 41h / 5Fh
00h / 42h / 5Fh
00h / 48h / 5Fh
0Ah / 04h / 5Fh
Sweep Pad
Sweep Pad 2
Polar Pad
Converge
Sweep Pad*
Celestial Pd
1
2
1
1
1
2
97.
97.
97.
00h / 00h / 60h
00h / 40h / 60h
00h / 48h / 60h
Ice Rain
LFO RAVE
Ice Rain*
2
2
2
97.
02h / 04h / 60h
African wood
2
98.
00h / 00h / 61h
Soundtrack
2
79.
00h / 00h / 4Eh
Whistle
1
79.
00h / 48h / 4Eh
Whistle*
1
80.
80.
00h / 00h / 4Fh
00h / 48h / 4Fh
Ocarina
Ocarina*
1
1
81.
81.
81.
81.
81.
81.
81.
81.
81.
81.
81.
81.
00h / 00h / 50h
00h / 40h / 50h
00h / 41h / 50h
00h / 42h / 50h
00h / 43h / 50h
00h / 48h / 50h
01h / 00h / 50h
01h / 40h / 50h
01h / 42h / 50h
03h / 04h / 50h
05h / 04h / 50h
08h / 00h / 50h
Square Wave
Syn.Square
CC Solo
Dual Sqr&Saw
SquareWave2
Square Wave*
Square
FM Lead
LM Square
Mellow FM
Shmoog
Sine Wave
2
2
2
1
2
2
1
2
2
2
2
1
81.
08h / 40h / 50h
JP8 Square
1
82.
82.
82.
82.
82.
82.
82.
82.
82.
82.
82.
82.
82.
00h / 00h / 51h
00h / 40h / 51h
00h / 41h / 51h
00h / 42h / 51h
00h / 43h / 51h
00h / 48h / 51h
01h / 00h / 51h
01h / 40h / 51h
01h / 41h / 51h
01h / 42h / 51h
01h / 44h / 51h
04h / 04h / 51h
08h / 00h / 51h
Saw Wave
Mg Lead
JP SuperSaw
Saw Wave2
Waspy Synth
Saw Wave*
Saw
P5 Saw Lead
Natural Lead
P5 Saw Lead
OB Saw 1
Big Lead
Doctor Solo
2
1
1
1
2
2
1
1
2
1
1
2
2
4
98.
98.
98.
00h / 40h / 61h
00h / 41h / 61h
00h / 48h / 61h
Ancestral
Prologue
Soundtrack*
2
2
2
99.
99.
99.
99.
99.
99.
99.
99.
99.
99.
99.
00h / 00h / 62h
00h / 40h / 62h
00h / 41h / 62h
00h / 42h / 62h
00h / 43h / 62h
00h / 48h / 62h
01h / 00h / 62h
01h / 48h / 62h
02h / 04h / 62h
09h / 04h / 62h
11h / 04h / 62h
Crystal
Vibra Bells
Clear Bells
ChristmasBel
Bell Strings
Crystal*
Syn Mallet
Syn Mallet*
Soft Crystal
Digi Bells
Air Bells
2
2
2
2
2
2
1
1
2
2
2
100.
100.
100.
100.
100.
100.
00h / 00h / 63h
00h / 40h / 63h
00h / 41h / 63h
00h / 42h / 63h
00h / 43h / 63h
00h / 48h / 63h
Atmosphere
Harpvox
Nylon Harp
Nylon+Rhodes
HollowReleas
Atmosphere*
2
2
2
2
2
2
100.
01h / 04h / 63h
Warm Atmos
2
101.
101.
101.
00h / 00h / 64h
00h / 40h / 64h
00h / 48h / 64h
Brightness
Org Bells
Brightness*
2
2
2
102.
102.
102.
102.
102.
00h / 00h / 65h
00h / 40h / 65h
00h / 41h / 65h
00h / 42h / 65h
00h / 44h / 65h
Goblin
Calculating
Goblinson
50's Sci-Fi
RandomEnding
2
2
2
2
2
102.
00h / 48h / 65h
Goblin*
2
103.
103.
103.
103.
103.
103.
103.
103.
00h / 00h / 66h
00h / 40h / 66h
00h / 48h / 66h
01h / 00h / 66h
01h / 40h / 66h
02h / 00h / 66h
02h / 40h / 66h
02h / 41h / 66h
Echo Drops
Big Panner
Echo Drops*
Echo Bell
Ai-yai-a
Echo Pan
Echo Pan 2
Water Piano
1
2
1
2
2
2
2
2
104.
104.
104.
00h / 00h / 67h
00h / 40h / 67h
00h / 48h / 67h
Star Theme
Rising Osc
Star Theme*
2
2
2
105.
105.
00h / 00h / 68h
00h / 48h / 68h
Sitar
Sitar*
1
1
105.
01h / 00h / 68h
Sitar 2
2
106.
106.
00h / 00h / 69h
00h / 48h / 69h
Banjo
Banjo*
1
1
107.
107.
107.
00h / 00h / 6Ah
00h / 40h / 6Ah
00h / 48h / 6Ah
Shamisen GS
Shamisen
Shamisen*
1
2
1
108.
108.
108.
108.
00h / 00h / 6Bh
00h / 48h / 6Bh
08h / 00h / 6Bh
08h / 48h / 6Bh
Koto
Koto*
Taisho Koto
Taisho Koto*
1
1
2
2
109.
109.
00h / 00h / 6Ch
00h / 48h / 6Ch
Kalimba
Kalimba*
1
1
110.
110.
110.
00h / 00h / 6Dh
00h / 44h / 6Dh
00h / 48h / 6Dh
Bagpipe
Uillean Pipe
Bagpipe*
1
2
1
111.
00h / 00h / 6Eh
Fiddle
1
111.
00h / 48h / 6Eh
Fiddle*
1
112.
112.
00h / 00h / 6Fh
00h / 48h / 6Fh
Shanai
Shanai*
1
1
113.
113.
113.
113.
00h / 00h / 70h
00h / 48h / 70h
08h / 40h / 70h
10h / 40h / 70h
Tinkle Bell
Tinkle Bell*
Open Triangl
Crash Cymbal
1
1
1
1
113.
2Fh / 44h / 70h
Cymbal Roll
1
114.
114.
114.
00h / 00h / 71h
00h / 48h / 71h
10h / 40h / 71h
Agogo
Agogo*
Tambourine
1
1
1
115.
00h / 00h / 72h
Steel Drums
1
115.
00h / 48h / 72h
Steel Drums*
1
116.
116.
116.
00h / 00h / 73h
00h / 48h / 73h
08h / 00h / 73h
Woodblock
Woodblock*
Castanets
1
1
1
117.
117.
117.
117.
117.
117.
117.
117.
00h / 00h / 74h
00h / 48h / 74h
08h / 00h / 74h
08h / 48h / 74h
09h / 44h / 74h
0Ah / 44h / 74h
0Bh / 44h / 74h
0Ch / 44h / 74h
Taiko
Taiko*
Concert BD
Concert BD*
NewHiBongo
NewLoBongo
High Timbale
Low Timbale
1
1
1
1
2
1
1
1
118.
118.
118.
118.
00h / 00h / 75h
00h / 40h / 75h
00h / 48h / 75h
08h / 00h / 75h
Melo. Tom 1
Bodhran
Melo.Tom 1*
Melo. Tom 2
1
1
1
1
119.
119.
119.
00h / 00h / 76h
00h / 48h / 76h
08h / 00h / 76h
Synth Drum
Synth Drum*
808 Tom
1
1
1
119.
09h / 00h / 76h
Elec Perc.
1
120.
120.
120.
120.
00h / 00h / 77h
00h / 48h / 77h
03h / 44h / 77h
04h / 44h / 77h
Reverse Cym.
ReverseCym.*
Reverse Cym4
Vibraslap
1
1
1
1
121.
121.
121.
121.
121.
121.
121.
121.
121.
121.
00h / 00h / 78h
00h / 48h / 78h
01h / 00h / 78h
01h / 40h / 78h
02h / 00h / 78h
03h / 04h / 78h
04h / 04h / 78h
05h / 40h / 78h
06h / 40h / 78h
14h / 04h / 78h
Gt.FretNoise
Fret Noise*
Gt.Cut Noise
Wah Brush Gt
String Slap
Gt.CutNoise2
Dist.CutNoiz
Bass Slide
Pick Scrape
G.StrokeMenu
1
1
1
1
1
1
1
1
1
1
121.
15h / 04h / 78h
G.SlideMenu
1
122.
122.
122.
122.
00h / 00h / 79h
00h / 48h / 79h
01h / 00h / 79h
2Fh / 04h / 79h
Breath Noise
BreathNoise*
Fl.Key Click
BrthNzMenu
1
1
1
1
123.
123.
123.
123.
123.
123.
123.
123.
00h / 00h / 7Ah
00h / 48h / 7Ah
01h / 00h / 7Ah
02h / 00h / 7Ah
02h / 40h / 7Ah
03h / 00h / 7Ah
04h / 00h / 7Ah
05h / 00h / 7Ah
Seashore
Seashore*
Rain
Thunder
Thunder Bell
Wind
Stream
Bubble
1
1
1
1
2
1
2
2
124.
124.
124.
124.
124.
124.
124.
124.
124.
00h / 00h / 7Bh
00h / 48h / 7Bh
01h / 00h / 7Bh
02h / 00h / 7Bh
03h / 00h / 7Bh
04h / 40h / 7Bh
04h / 41h / 7Bh
07h / 40h / 7Bh
08h / 40h / 7Bh
Bird
Bird*
Dog
Horse-Gallop
Bird 2
Cat
Kitty
Fancy Animal
Seal
2
2
1
1
1
1
1
1
1
124.
09h / 40h / 7Bh
Elephant
1
125.
125.
125.
125.
125.
125.
125.
125.
125.
00h / 00h / 7Ch
00h / 48h / 7Ch
01h / 00h / 7Ch
02h / 00h / 7Ch
03h / 00h / 7Ch
04h / 00h / 7Ch
05h / 00h / 7Ch
05h / 40h / 7Ch
06h / 44h / 7Ch
Telephone 1
Telephone 1*
Telephone 2
DoorCreaking
Door
Scratch
Windchime
Bar Chimes
Jingle Bell
1
1
1
1
1
1
2
1
1
126.
126.
126.
126.
126.
126.
126.
126.
126.
126.
126.
126.
126.
126.
126.
00h / 00h / 7Dh
00h / 48h / 7Dh
01h / 00h / 7Dh
02h / 00h / 7Dh
03h / 00h / 7Dh
04h / 00h / 7Dh
05h / 00h / 7Dh
06h / 00h / 7Dh
07h / 00h / 7Dh
07h / 40h / 7Dh
08h / 00h / 7Dh
09h / 00h / 7Dh
0Dh / 40h / 7Dh
0Eh / 40h / 7Dh
10h / 40h / 7Dh
Helicopter
Helicopter*
Car-Engine
Car-Stop
Car-Pass
Car-Crash
Siren
Train
Jetplane
Falling Down
Starship
Burst Noise
Glass & Glam
Ice Ring
Crack Bottle
1
1
1
1
1
2
1
1
2
2
2
2
1
1
1
5
126.
126.
126.
126.
126.
126.
126.
126.
11h / 40h / 7Dh
16h / 40h / 7Dh
17h / 40h / 7Dh
1Ah / 40h / 7Dh
1Bh / 40h / 7Dh
1Ch / 40h / 7Dh
1Ch / 44h / 7Dh
1Dh / 40h / 7Dh
Pour Bottle
SL 1
SL 2
Boeeeen
R.Crossing
Bike Engine
Compresser
CarEngine2c
1
1
1
1
1
1
1
1
127.
127.
127.
127.
127.
127.
127.
127.
127.
127.
127.
127.
127.
127.
127.
127.
127.
127.
127.
127.
127.
127.
127.
127.
127.
127.
127.
127.
127.
127.
127.
127.
127.
127.
127.
127.
127.
127.
127.
127.
127.
127.
127.
127.
127.
127.
127.
127.
00h / 00h / 7Eh
00h / 48h / 7Eh
01h / 00h / 7Eh
02h / 00h / 7Eh
03h / 00h / 7Eh
04h / 00h / 7Eh
05h / 00h / 7Eh
07h / 40h / 7Eh
09h / 40h / 7Eh
0Ah / 40h / 7Eh
0Bh / 40h / 7Eh
0Ch / 40h / 7Eh
0Dh / 40h / 7Eh
0Eh / 40h / 7Eh
0Fh / 40h / 7Eh
10h / 40h / 7Eh
11h / 40h / 7Eh
12h / 40h / 7Eh
13h / 40h / 7Eh
14h / 40h / 7Eh
16h / 04h / 7Eh
17h / 44h / 7Eh
18h / 40h / 7Eh
19h / 44h / 7Eh
1Ah / 44h / 7Eh
1Bh / 44h / 7Eh
1Ch / 44h / 7Eh
1Dh / 44h / 7Eh
1Eh / 44h / 7Eh
20h / 44h / 7Eh
21h / 44h / 7Eh
22h / 44h / 7Eh
23h / 44h / 7Eh
24h / 44h / 7Eh
25h / 44h / 7Eh
26h / 44h / 7Eh
27h / 44h / 7Eh
28h / 44h / 7Eh
29h / 44h / 7Eh
2Ch / 44h / 7Eh
30h / 44h / 7Eh
31h / 44h / 7Eh
32h / 44h / 7Eh
33h / 44h / 7Eh
34h / 44h / 7Eh
35h / 44h / 7Eh
36h / 44h / 7Eh
37h / 44h / 7Eh
Applause
Applause*
Laughing
Screaming
Punch
Heart Beat
Footsteps
Finger Snap
BabyLaughing
Small Club
Uno!
Dos!
Tres!
Quatro!
Grito-Ahaha!
Grito-Rrrrr!
Woo Short
Woo Long
Yeah Long
Yes Long
Voice Kikit
Voice ComeOn
Voice Aou
Voice Oou
Boys Aleluia
Boys Amen 1
Boys Amen 2
Aleluia
Amen
Tiquitito !
Flamenco !
Ole!
Yodel female
Yodel male
Grito-Hahaha
Tiquitito!
Grito-Oa Oa!
Yeah Short
Yes Short
Hey
One!
Two!
Three!
Four!
Ichi!
Ni!
San!
Shi!
2
2
1
1
1
1
1
1
1
2
1
1
1
1
1
1
2
2
2
2
1
1
1
1
2
1
2
2
2
1
1
1
1
1
1
1
1
2
2
2
1
1
1
1
1
1
1
1
128.
128.
128.
128.
128.
128.
00h / 00h / 7Fh
00h / 48h / 7Fh
01h / 00h / 7Fh
02h / 00h / 7Fh
03h / 00h / 7Fh
05h / 44h / 7Fh
Gun Shot
Gun Shot*
Machine Gun
Lasergun
Explosion
Big Shot
1
1
1
1
2
2
128.
06h / 44h / 7Fh
Explosion 2
2
*
●Drum Set List
❍KF-7 Drum Mapping
CC0 / CC32/ PC#
Tone Name
00h / 41h / 00h
00h / 40h / 10h
00h / 41h / 28h
00h / 40h / 3Fh
00h / 42h / 00h
00h / 40h / 00h
00h / 40h / 08h
00h / 00h / 10h
00h / 00h / 18h
00h / 00h / 19h
POP
ROCK
JAZZ BRUSH
VOX
R&B
STANDARD
ROOM
POWER
ELECTRONIC
TR-808
00h / 40h / 19h
00h / 00h / 20h
00h / 40h / 28h
00h / 00h / 30h
00h / 00h / 08h
00h / 00h / 28h
00h / 40h / 38h
00h / 40h / 3Dh
DANCE
JAZZ
BRASH
ORCHESTRA
GS ROOM
GS BRASH
SOUND EFFECT
SFX VOX
Tone with a “*” symbol appended to their name may not play
back satisfactorily on other GS sound generating devices.
6
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