OLYMPIA SERIES
OLYMPIA SERIES
Professional Mixing Console
Owner's Manual
_______________________________________________________________________________________
_
Biamp Systems, 14130 N.W. Science Park, Portland, Oregon 97229 U.S.A. (503) 641-7287
an affiliate of Rauland-Borg Corp.
OLYMPIA SERIES
___________________________________________________________________________
! ' ! "#" $ %" &" &
' "
"""(' #$ "$ &$ " )%" " ' ' $&"
"' $ *" "" ' +,-.) " "#" $ $/ *" &
" &" "$" +,-.) 01' 01' 01 $$' *" "$ (
& $ $%"( $ $$ & & " ) &
"$ " "$1," "&" !,+2 2 " & #( " &' "2
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6 8
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& ;
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"$
5
6 ' ' %"
6 7"$ " "$1," "&" & "$ 8
"(
6 " . ./ ""$ $ !"!!
6 "$1," < . *"$ $ !"!!
# !$%
&
6 = . .* & $ "$ "$ #
6 +" "
& 9
";
6 )"" & $/ " % %"$
6 3
9";
6 ' ' )
#""( 6 *"$ 6 .$ ." ' ' " 9"$
"
:
$% $ .$ 7"$ +
;
6 <$ ' )
#""( ' "
6 ! 3) $$
6 !/$/ "$ "
*" % $ " "
6 > +
" ,& 3" "' *" "$ "
6 " " ' )
#""( ' "' 6 ?# .* ( *" % ""$
6 &" &
1
STANDARD INPUT CHANNEL CONTROLS
___________________________________________________________________________
(1)
(2)
()* +), (# !*- !" ,?7 ""$ " % " $ +15
-- 1 5
(3)
(4)
(.* /), (!$ !*- !" ,?7 ""$ " % " $
trim
pad
(5)
" % 2< 9 " %; +$ !" $ 9; . *"$ 9; %
:
' " ""$ *" " " *% " " " $
mic
line
(6)
1.2k
(7)
10k
gain
600
freq
(8)
5k
low mid
(9)
(10)
aux 1
(11)
$ A " *"$ " ' ," "
$ " $
& $ 9 $ ;
>" 8
"4" " %" &" *" 012< & " &"# &8
$( & />4
(6* 4!$5 ! - ! $$"$ $ :
"2" 8
"4" & $ >"2" 8
"4" " /" &" *" 012< & " 9
$;
$ &8
$( %" & >4 />4 9* $;
(7* ! - ! $$"$ $ :
*2" 8
"4" & aux 2
post
pre
(12)
$ ,*2" 8
"4" " /" &" *" 012< & " 9
$; $ &8
$( %" & >4 />4 9* $;
(8* - !" $ :
* &8
$( 8
"4" 9<; & $
aux 3
(13)
,* 8
"4" " %" &" *" 012< & " &"# &8
$( & >4
()9*())* : ) ; : . ( *- ! $ :
% & $ " aux 4
(15)
aux 5
)
# )
# 9 ; )
# )
# 2& & $" "# & &&$ %"$' $/' $ 9 "&"$"
;
().*()0* : 0 ; : 1 ( *- ! $ :
% & $ " (16)
aux 6
1
2
(17)
)
# )
# 9 ; )
# )
# 2& 2&' " "" & .1. *"$ 9;' &
$" "# & &&$ %"$ $/' " ( 9 "&"$" ;
()1* 2- A ' " *"$ 2& $ " )
# 3
)
# A " *"$ " ' 2& $ " " )
# )
#
9 "&"$" ;
4
(18)
(,* !2!- A ' " *"$ $ "$ "
" $ &
(3* 4!$5- !" $ :
" &8
$( 8
"4" 9!; & $
low
(14)
(1* - A ' " *"$ $ "
" ( < B .
*"$ * "
" % #$ & !" $ 9;
high mid
100
(0* !%- !" $ %" < & " :
$ & "&&
"
" % @ &$' :
" $ ./ "$ 9;
& ( $$" / " " %
high
200
$ 0< 9< * $""; @ &$' :
!" $ 9;
. *"$ 9; ./ "$ & ( $$" / " " %
L-R
(19)
pan
(20)
mute
(21)
solo
(22)
2
STANDARD INPUT CHANNEL CONTROLS
___________________________________________________________________________
(1)
(2)
(),*()3* : , ; : 3 ( *- ! $ :
% & $ " +15
-- 1 5
(3)
(4)
trim
pad
(5)
()6* )< .< 0< ; 1 (% !$ !5*- A ' *"$
mic
line
(6)
high
1.2k
(7)
200
10k
()7* / (! !$ !5*- A ' " *"$ 2&
600
freq
(8)
5k
low mid
(9)
low
(10)
aux 1
(11)
aux 2
(14)
post
pre
(12)
aux 3
(13)
$ " "$( ,& 3" " 9 ; !
& $ " $"% ( ,& 3" " " " ( .
$ 9 ; A" . $ &
( $
2$$/*"' ( ,& " $"%
$ " A" . $ &
( $$/*"' ( 3" " $"%
$ " A" . $ $' ,& 3" " $"% 8
& $ " !" &$"" "#" & ' * .
$ " &1" """ & $ " * ,& 3"
" ! " %" & ,& 3" " " 9
; !&' * "#" & "" $
"$( ,& 3" ". ( $ %" &
,& 3" " *. ( &
2& &
2" " ,& 3" " 9&
$"" $ "/ ;. ( $ "# " ,& 3" " 9& $"; *" "
$"
& (
()8* - !" $ " & $ " $"% ( ,& 3" "' * $ *" " )" *"$ 9; . ( "
$ "# "( " $ " $"&"$ (.9* - A ' " *"$ && $ " # '
aux 4
(15)
' ,& 3" " &&$ 9; $
.$ 9 $ ;
(.)* - A ' " *"$ 2& $ " aux 5
(16)
aux 6
1
2
( & "" 9 ; ! :$ ,?7
""$ * " " " &&$ ( 9; @ 9;
!&' $ " ( " % * $ " *
(..* ( 5*- !" " $ :
% & $ "
(17)
$ ,& 3" "' * 2& #
@ " *" %( & $ $' " "
"# >*%' & &$' " @ " $ D D / 9
"( ";
3
4
(18)
2& $ " $"% )"
*"$ * "' & %"
$' & $ $ 9"%$ C' "
C' $; "%"
" ( "#' " " " ' ,& 3" " 9 ; )" "
&&$ ( . $ 9;
gain
high mid
100
)
# )
# 9 ; )
# )
# 2
& & $" "# & "' (' $ 9
"&"$" ;
L-R
(19)
pan
(20)
mute
(21)
solo
(22)
3
STEREO INPUT CHANNEL CONTROLS
___________________________________________________________________________
(1)
(2)
()* +), (# !*- !" ,?7 ""$ " % " $ +15
-- 1 5
stereo
(3)
(.* /), (!$ !*- !" ,?7 ""$ " % " $
trim
" % 2< 9 " %; +$ !" $ 9; :
' "
""$ *" " " *% " " " $
source
(4)
$ 0< 9< * $""; @ &$' :
!" $ 9;
./ "$ & ( $$" / " " %
A
B
(0* !%- !" $ %" < & " :
$ & "&&
(5)
"
" % @ &$' :
" $ ./ "$ 9;
& ( $$" / " " %
treble
(1* (2*- A ' " *"$ $ " "
D)D "
$ & $ A " *"$ " ' " "
D<D $
" $ & $ 9 $ ;
(6)
bass
(7)
aux 1
&&$" & " " 8
( ! " %" &" *" 012< & " &"# &8
$( & />4
(3* - !" $ :
* &8
$( 8
"4" 9<; & $'
&&$" & " " 8
( < " %" &" *" 012< & " &"# &8
$( & >4
(8)
(6*(7* : ) ; : . ( *- ! $ :
% & $ " (9)
(10)
(8*()9* : 0 ; : 1 ( *- ! $ :
% & $ " )
# )
# 9 ; )
# )
# 2& 2&' " "" & .1. *"$ 9;' &
$" "# & &&$ %"$ $/' " ( 9 "&"$" ; )
# )
# & &
" $ "
(12)
())* 2- A ' " *"$ 2& $ " )
# aux 2
(11)
(,* - !" $ :
" &8
$( 8
"4" 9!; & $'
post
pre
aux 3
aux 4
)
# )
# 9 ; )
# )
# 2
& & $" "# & &&$ %"$' $/' $ 9 "&"$" ; )
# )
# & & " $ "
)
# A " *"$ " ' 2& $ " " )
# )
#
9 "&"$" ;
aux 5
(13)
aux 6
().*()0* : , ; : 3 ( *- ! $ :
% & $ " 1
)
# )
# 9 ; )
# )
# 2
& & $" "# & "' (' $ 9
"&"$" ; )
# )
# & & " $ "
2
(14)
3
4
(15)
L-R
(16)
balance
(17)
mute
(18)
solo
stereo
(19)
4
STEREO INPUT CHANNEL CONTROLS
___________________________________________________________________________
(1)
(2)
()1* )< .< 0< ; 1 (% !$ !5*- A ' *"$
+15
-- 1 5
stereo
(3)
trim
source
(4)
A
B
(5)
treble
(6)
bass
(7)
aux 1
(8)
aux 2
(11)
post
pre
(9)
& & " 2& $ " $"%
9 ; )" *"$ *
"' & %"
$' & $
$ 9"%$ C' "
C' $; "%"
" ( "#' " " " ' ,& 3"
" 9 ; )" " &&$
( <$ $ 9;
(),* / (! !$ !5*- A ' " *"$ 2&
$ " "$( ,& 3" " 9 ; !
,& " $"% & $ " ( ! 3" " $"% " $ "
( ! & & " $ " $"% ( ,& 3" " "
" ( <$ $ 9; A" <$ $ &
( $
2
$$/*"' ( ,& " $"% 9&; $ " A" <$ $ &
(
$$/*"' ( 3" " $"% 9"; $ " A" <$ $
$' ,& " $"% & $ " 3" " $"% " & " $ " !" &$"" "#" &
' * <$ $ " &1" """ & $
" * ,& 3" " ! " %" & ,&
3" " " 9 ; !&' * "#" & "" $ "$( ,& 3" " <$ $
" $ %" ( & "
()3* - !" $ " & & $ " $"% ( ,& "' %
& " $ " $"% ( 3" "' *
$ *" " )" *"$ 9; <$ ( " "& &1"
""" & $ " *"" "#' "( & " $ "
()6* - A ' " *"$ && $ " # '
aux 3
(10)
' ,& 3" " &&$ 9;
()7* - A ' " *"$ 2& $ " aux 4
(12)
( & "" 9 ; ! :$ ,?7
""$ * " " " &&$ ( 9; @ 9 ;
!&' $ " ( " % * $ " * " & & " $ "
(13)
()8* ( 5*- !" " $ :
% & $
aux 5
aux 6
1
2
(14)
" $ ,& 3" "' * 2&
# ! @ &&$ & " $ " 8
( @ " *"
%( & $ $' " " "# >*%' & &$' " & " $ D D / 9
"( ";
3
4
(15)
L-R
(16)
balance
(17)
mute
(18)
solo
stereo
(19)
5
SUBMASTER CONTROLS
___________________________________________________________________________
()* - !" *%2' / " ,?7 "( " % & $"% )
# ' " "" & $ *"$ 9; " & D D ""$ % & 0<
A D0D ""$ &' < & " & $"" > " $
( < * $ 9 $ ;
+8
+5
+3
+1
0
--1
--3
--5
--7
--10
--15
--20
(1)
(.* !- !" $ %" $*"% :
& D D &$
% & $"% " " &$( & 0<
' ( :
( &$ % & 2<
0<
(0* )/12: )/1 ( !5*- A ' " *"$ (2)
meter
calibrate
(3)
sub 1
aux 1
(4)
return 1
(7)
pan
(3* )/1- !" $ :
% & " & $"% 3
"
9 $ ; ,& 3" "'
*"$ % $ *" )" *"$ 9; 9; 3
" & #""( "
% "' $ &&$' $/' "#' $
(6* - !" $ " & 3
" $"% ( ,& 3" "' * $ *" " )" *"$ 9;
L-R
1
(7* / (! !$ !5*- A ' " *"$ 3
"
"$( ,& 3" " 9 ; ! & "
$"% ( ,& 3" " " " ( . $ 9; ! "$"
& $ " 9 ;
2
(9)
3
4
(10)
$ # $" )
# 2 9 $ ; )
# &&$ " $ *"$ 9; 9; @
&$' ("$ " & $ # % $ $
E$$/ ""
( & "" 9 ; ! :$ ,?7
""$ * " " " &&$ ( )
# $ 9;
solo
(6)
(8)
(1* : )/1- !" $ :
% % & " & $"%
(,* - A ' " *"$ $"% )
# " aux 1
(5)
" A " *"$ " ' )
# "
" 9 $ ;
(8* )< .< 0< ; 1 (% !$ !5*- A ' *"$ L-R
(11)
3
" $"% ! "$" & $ " 9 ; )" " &&$ ( . $ 9;
pan
(12)
mute
(13)
solo
sub 1
(14)
6
SUBMASTER CONTROLS
___________________________________________________________________________
()9* / (! !$ !5*- A ' " *"$ 2& "
& $"% ,& 3" " 9 ; ! & " $"% ( ,& 3" " " " (
. $ 9; ! "$" & $ " 9 ; ) "
$ " ( " 9" ; ' *"$ " ( "
9" ; ,& 3" " & "
$ " "
" " ' ' "$ " %
*" $$
+8
+5
+3
+1
0
--1
--3
--5
--7
--10
--15
--20
(1)
())* - !" $ " & " $"% ( ,&
3" "' * $ *" " )" *"$ 9 ;
(2)
meter
calibrate
(3)
sub 1
aux 1
(4)
aux 1
(5)
solo
().* - A ' " *"$ && " $"% ' ,& 3" "' $ *"$ 9;' 9; &&$ .$ 9 $ ;
()0* - A ' " *"$ 2& " ( & "" 9 ; ! :$ ,?7
""$ * " " " &&$ ( 9; @ 9;
()1* ( 5*- !" " $ :
% & "
(6)
return 1
$"% ' ,& 3" "' $ *"$
9;' 9; @ " *" %( & ' "
" "# >*%' & &$' " @ " $ D D / 9
"( ";
(7)
pan
(8)
L-R
1
2
(9)
3
4
(10)
L-R
(11)
pan
(12)
mute
(13)
solo
sub 1
(14)
7
MASTER CONTROLS
___________________________________________________________________________
()* - ! *%2' / " ,?7 "( " % &
,& 3" " )
# )
# ' " ""
& $ *"$ 9; " & D D ""$ % & 0
A D0D ""$ &' < & " & $""
> " $ ( < * $ 9 $ ;
+8
+5
+3
+1
0
--1
--3
--5
--7
--10
--15
--20
(1)
(.* !- ! $ %" $*"% :
& D D &$
% & $ " " &$( & 0<
' ( :
( &$ % & 2<
0<
meter
calibrate
(3)
(2)
left
aux 5
right
aux 6
(1* : , ; : 3- ! $ :
% % & " & (4)
aux 5
(5)
aux 6
solo
(0* "2: , ; !$52: 3 ( !5*- A ' $ *"$
$"% ,& 3" " " A " *"$
" ' $"% )
# )
# " " 9
$ ;
solo
$"% $ # $" )
# )
# 9 $ ; )
# )
# &&$ " $
*"$ 9; 9; @ &$' ("$ " & $ # % $ $ E$$/ ""
(,* - A ' *"$ $"% )
# )
# stereo returns
(6)
stereo 1
stereo 2
(7)
(8)
" ( & "" 9 ; ! :$
,?7 ""$ * " " &&$ ( )
# )
# $ 9;
balance
balance
L-R
L-R
(3* ) ; . ( *- ! $ $ :
% &
" & $"% 3
"
9 $ ; ,& 3" "' * $ *" " )"
*"$ 9; ! $ &&$ & " 3
" 8
( 3
& #""( " % "' $ &&$' $/' "#' $
(6* - ! $ $ " & & 3
"
$"% ( ,& "' %
& " 3
" $"% (
3" "' * $ *" " )" *"$ 9; <$ ( " "& &1" """ & $"% 3
" *"" "#' "( & " 3
"
(7* / (! !$ !5*- A ' $ *"$ $"%
3
" ,& 3" " ! ,& " $"% & 3
" ( ! 3" " $"% " 3
" ( ! &
& " 3
" $"% ( ,& 3" " " " ( <$ $ 9; ! "$" & $ " 9 ;
left
right
(9)
(8* " ; !$5 ( 5*- ! " $ $ :
% & $"% ,& 3" " " $" " ' *
"' $ *"$ 9; $" ! 9 $ ;
8
MASTER CONTROLS
___________________________________________________________________________
()* - !" *%2' / " ,?7 "( " % & " (' " "" & $
*"$ 9; " & D D ""$ % & 0
A D0D
""$ &' < & " & $"" > " $ (
< * $ 9 $ ;
+8
+5
+3
+1
0
--1
--3
--5
--7
--10
--15
--20
(1)
(.* !- !" $ %" $*"% :
& D D &$
% & " " &$( & 0<
' ( :
(
&$ % & 2<
0<
(0* 2 ( !5*- A ' " *"$ " " 9 $ ; A " *"$
" ' ( " " (2)
meter
calibrate
(3)
mono
solo
talkback
(4)
& !/$/ "$ "
9 $ ; ,& 3"
" )
# 2' *"$ % $ *" !/$/ )" *"$
9; 9; !/$/ * $
"$"1" & "#" $ "' $/' " (' $
(,* / (! !$ !5*- A ' " *"$ !/$/ "
level
(5)
(1* = (##*- !" $ %" < & " :
& " 8
( ,& 3" "
L-R
aux 3
(3* : 0< : 1< : ,< ; : 3 (: !$ !5*- A ' aux 4
*"$ !/$/ " $"% )
# (6)
aux 5
(6* 5//#- A ' " *"$ !/$/ " ,&
aux 6
(7)
3" " )
# 2' *"$ % $ *" )" *"$
9; 9; push
to talk
(7* - !" ,?7 ""$ * * " " "#" $
(8)
9 .* ( ;
power
on
(4 5 *- !" 2$
$ 1D :$/ " & "" ,& 3" " ( " ! > " " & *"
>*%' ( " $" D.$D $' " ( " & ( & $ "" 9 ;
solo
system
(8*
(9)
600 ohms
minimum
(10)
headphones
(11)
solo
level
mono
(12)
4 5- !" $ :
% % & " > +
> " " ( & ,& 3" " 9; >*%' " " "$( "
( " & ( *"$ *"$
9; > " " &&$ ( ,& 3" " @
,% 9;
()9*
())* =- !" $ :
% & " >
" " & " & $' ' # *"$ *"$ ,% " &
$ & %"
"
% ! :$ ,?7 ""$ * ( *"$ ,% &&$ " !&' 9 )" *"$; (
&
& "$ " & ""%"
$ "
().* - !" " $ :
% & " " 9 $ ;' * $ *"$
9; ! " " " & ,& 3" " "
9
INPUT CHANNEL CONNECTORS
___________________________________________________________________________
mic
mic
mic
mic
(1)
stereo
right
48V
(2)
B
left
line
line
line
line
patch
patch
patch
patch
(3)
(5)
right
(4)
A
left
lamp
(6)
* " % $' $' $ .$ :$/ ( 2&
"$ & %"$' $ "2$/ $ ! $$" "' *"
"
" $
"' $$ .$ *" !" 3" " 90; %
$ 9
; ) 2$
$ 1D $
( #$ " & .$' *%' " *"
"
$ " & " $ @ 9
; .$ " &&$ ( @ 9 ;
.$ ( "&" %" $ 2&
7"$ +
& $ 9 "&"$" ;
4
()* !- ! 2" F,3 :$/ & $$" & "'
& *2"$ "$ "$ #' $"% $ "
"$ "
%" $
& "
*" 7G ' *" " " 90;'
" * 92;' " $ 9
; 9 ; & %" & <" ( " " 9 "&"$" ;
(.* 17> (5% !5*- A ' "
*"$ " 0 % 7 " & $" "$ :$/ . .* * " &
$ "$ $"% "$ # G
("$ "$ *" &&$ ( .
.* % . .* *"$ %" & $
& &
"$ "
! :$ ,?7 ""$ *
. .* " 9 .* ( ;
! %" " ('
4
(,* " ; !$52 " ; !$5 ( *- ! 2
$
$ 3) :$/ & $$" & "'
& " % %"$' $ "
," %
%"$ "$
&&$ "' $/' ("4' $"' "#' $ :$/ %" &
$$" & " $ 92$
$; $ 92$
$; "' *" !" " 90; %
* 92; A $$" $ "' #$% #&% & $$" & $ 9
; " $(' "$ "' $$
" $" $"$
" 9 .* ( ;
! "
!- ! 2$
$ 1D :$/ &
$$" & "' & " % %"$' $"%
$ "
," % %"$ "$
&&$ "' $/' *" "$' ("4' $"'
"#' $ ," "
:$/ %" & $$"
& " $ 92$
$; $ 92$
$;
"' *" !" " 90;' 3" * 92;' % $
9
; 9 ;
(0*
(3* %- !" 2$
$ <G $$ " %
(1* 5- ! 2$
$ 1D :$/ 2
7 9 ) #; & *" "$$ , $$ "" " "% $$ ) , +1+&& *"$ 9 $ ; , 7" $ 9
.* ( ; %"
?H12& " "' & $$" & "
$" %"$ $"% $ .$ :$/ *" *" !" 9
;' 3" 9"
;' %
$ 9
; $" D.$D $ 8
"' *"$
10
SUBMASTER CONNECTORS
___________________________________________________________________________
sub 1
sub 2
sub 3
sub 4
(1)
sub 1 patch
sub 2 patch
aux 1 (bal)
aux 2 (bal)
sub 3 patch
sub 4 patch
(2)
aux 3
aux 4
(3)
(4)
return 1
return 2
return 3
return 4
(5)
(0* : ) ; : . (*- ! 2$
$ 1D :$/
()* )/1 (% *- ! 2$
$ F,3
& $$" & $"% )
# )
# " "
& &&$ %"$' $/' "' (' $ )
# )
# %" $$" & " $ 92$
$; $ 92$
$; "' *" !" " 90;' 3" * 92
;' % $ 9
; 9 ; )
#
)
# $" ( " & $"%
$ # )
# )
# " &&$
( $"% )
# $ 9 ;
:$/ & $$" & $"% " "
& ( "&"' "2$/ $' &&$ %"$' $ +
$"$( $ *" 7G ' *" " " 90;' " * 92;' " $ 9
; 9 ; @ $ ' *" $ *" " "
90; " $ 9
; ?$ +
$" ( $ " *"$ %
" ' * ( "
$" " $"% .$ :$/ 9; !
( "
( ""%"
" " * "#"
""( " ' +
( ! &
$" & " " ( *
" " 9 ; +
" &&$ (
$"% @ &
$" 9 ;
(1* : 0 ; : 1- ! 2$
$ F,3 :$/ &
$$" & $"% )
# )
# " "
& &&$ %"$' $/' "' (' $ )
# )
# $"$(
$ *" 7G ' *" " " 90;' "
* 92;' " $ 9
; 9 ;
@ $ ' *" $ *" " " 90; " $ 9
; )
# )
# $"
( " & $"% $ # !/$/ " *"$ % " )
# )
# " &&$ ( $"% )
# )
#
$ 9 ;
(.* )/1 5- ! 2$
$ 1D :$/ 2& " "' & $$" & "
$" %"$ $"% .$
:$/ *" *" !" 9
;' 3" 9"
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; $" D.$D $ 8
"'
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"
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3" " 90; % $ 9
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(,* )/1- ! 2$
$ 1D $$ & $$" & $ "' & " % %"$' $"% 3
"
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&&$
"' $/' *" "$' ("4' $"' "#' $ 3
"
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11
MASTER CONNECTORS
___________________________________________________________________________
left
right
(' $ )
# )
# $"$(
$ *" 7G ' *" " " 90;' "
* 92;' " $ 9
; 9 ;
@ $ ' *" $ *" " " 90; " $ 9
; )
# )
# $"
( " & $"% $ # !/$/ " *"$ % " )
# )
# " &&$ ( $"% )
# )
#
$ 9 ;
mono
(1)
left patch
right patch
aux 5
aux 6
mono patch
(2)
MADE IN U.S.A.
right
tape out
(3)
stereo ret 1
stereo ret 2
talkback
mic
(5)
left
tape out
(1* ) ; .- ! 2$
$
(4)
1D :$/ & $$" & $ "' & " % %"$' $"% 3
"
," % %"$ "$
&&$ "' $/'
("4' $"' "#' $ 3
"
*" *" !" & "
90;' 3" " "
90;' % $ 9
; $" D.$D $ 8
"'
*"$ * & " "
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; lamp on/off
(6)
(7)
()* "< !$5< ; (! *- ! 2$
$
F,3 :$/ & $$" & $"% " " "
& ( "&"' $'
$ " +
$"$( $ *" 7G ' *" " " 90;' " * 92;' " $ 9
; 9 ; @ $
' *" $ *" " " 90; " $
9
; ! ,& 3" " +
$" ( $' ' ' !/$/ " *"$ %
" ' * ( " $" "
$"% .$ :$/ 9; ! " +
$" & ,& 3" " +
"' *
( " $" " $"% .$ :$/
9; !("$(' ,& 3" " +
& "$" 9$";' " +
" &
"$" 9"% "&$; >*%' &
$" & " " ( * " " 9 ; " +
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;
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& "' & *2"$ ("$ "$' !/$/ "
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# 2 !&' "# (
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$ " ( $ $" !/$/ " " &&$ ( !/$/ $ 9 ;
(3* " ; !$5 - ! 2$
$ 3)
:$/ %" $ 2& " &
$"% ,& 3" "' *" *" !" "
90; % $ 9
; ,& 3" ! +
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8
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(.* " 5< !$5 5< ; 5 (! 5*-
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9
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# )
# " "
& &&$ %"$' $/' "' (0*
12
CABLES
___________________________________________________________________________
B
T
S
A
T
R
S
C
T
S
5 - !" ( & $ !"13"1% 1D $$ !"1% 1D 9 3) ;
$$ * " *" *" !" ) !" <' 3" ) !" ' % ) % < 9
; A
$$ $ .$ :$/' !" < " 9
; !" " 9"
; & $ A %" " & > :$/' !" < " ,& !" " 3" A %" " "
" 3
:$/ 3
:$/' !" < " ,& "
!" " 3" "
2
2
1
1
3
? - !" ( & $ F,3 $$ & F,3 $$ "
*" *" ." ." 90;' ." ." 92;' ." ." 9
; B $ * $$" " $
"$ "
' "' )
# 2 A $$" "' *" $ *" ." 90; ." 9
; @ $$" 8
"' " ( $( !"13"1% 1D $$ &
$' *" *" ." !" 90;' ." 3" 92;' ." % 9
; @ "' !"1% $$
*" *" ." !" 90; ." % 9
;
T
T
S
S
R
R
)[email protected] 5 - !" ( & $ !"13"1% $$ $ " *" *" !" !" 90;' 3" 3" 92;' % % 9
; B $ * $$" " $ ," "
)
# @ $$" 8
"' " ( $( F,3 $$ & $' *" *" !" ."
90;' 3" ." 92;' % ." 9
;
T
T
S
S
)[email protected] 5 - !" ( & $ !"1% $$ $ " *" *" !" !" 90; % % 9
; B $ * $$" " $ ," "
' )
# ' 3
2 "
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"' " ( $( 3) $$ & $ 9*"" " ; 3) $$ ( & " ( & $' & $$" & " $
"
! +
,& 3"
T&R
T
S
S
!2!$2= !2= )[email protected] 5 - !" ( & $ !"13"1% 1D $$ !"1% 1D $$ " *" *" !" 3" !" 90; % % 9
; B " $ #$ " & ( .$ :$/' - !" * .$ :$/ 2& "$ @ $$" 8
"' " ( $( 3) $$ & $ Patch may be
modified to provide an unbalanced post-fader Direct Out from the channel (see Modifications on page 17).
13
POWER SUPPLY
___________________________________________________________________________
PS/2
Mixer Power Supply
dimmer
on/off
lamp +15V -15V +10V +48V
output voltage status
(1)
(2)
(3)
(4)
! 0= ,?7 " &&$ ( $"% +1+&& *"$ 9;
*" $ && (' D"D
1&& &
$" & " % -
()* !%%- !" $ :
& % , $$ 9 $ ; A" 7" $ &
( $$/*"' #"
% 90 % 7 I ); " ' & &
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2$$/*"'
% " & $ 90 % ";
! :$ , ,?7 " % " $ !"
% * & "$$ ,
% " &&$ ( , +1+&& *"$ 9 $ ;
. ' / / -
/ " -
! / / -
/ - -- * " 0
(0* +17> 2"" !5 (5% *- A '
" *"$ 0 % . .* %
. .* % " $ "$ "
&
" & $ "$ "$ # 9
$ ; !" % 1&& &
$" $ $" 8
" &
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""$ & $"% % ! ,
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$ " , % " $ *" 7"
$ ! 0= 2= ,?7 ""$ * $"% % *"" 012 J & " 9012 % 7
I ) #; ! % " " $"$
"(
*"" "#" $ ! 0 = ,?7 ""$ *
$"% % " " 90 % 7 I )
#; !" % ,?7 $"$
"( *"" "#"
$ ! 0= ,?7 ""$ * .
.* % " " 90 % 7 I ) #;
! "
(1* !5- !" *"$ .* ( " * "#" $
14
POWER SUPPLY
___________________________________________________________________________
(1)
(2)
chassis
gnd
115V:
2A SB Fuse
(3)
circuit
gnd
1
3
5 6
7 8 9 10
11 12 13 14
15 16
115V
E * F
U
SE *
* FUS
230V:
1A SB Fuse
AC
Fuse
S
FU E
115/230 VAC 50/60 Hz 200 Watts max
(4)
2
4
PS/2
Mixer Power Supply
MADE IN U.S.A.
+/-15VDC Out
(5)
+/-15VDC Out
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
-15V
+15V
gnd 15/48
gnd 15/48
gnd 15/48
gnd 15/48
+15V
-15V
gnd Lamp
gnd 10
+10V unreg
+48V
+Lamp
chassis
n.c.
n.c.
(6)
( "#" $ ! $$ $" $ " $$ *( ('
%" ( "2$$"
()* >$ !5- !" *"$ " &$( D=D & " *" " % & 2 =) @
" *" " % & 2 =)' " *"$ D =D $ ) @
9; *" ) < &
9$$( " "$
*" * (;
(1* - !" $ " & $$" ) 1 - -/ !
2
(.* 5! A 2!! A - !" ' $" * "' $$ " K
"$
"
K
& $"$
" &$ " %" (
8
" " (' % & " ( % D
D ! " ( " " & 8
" " ('
$ - 9 $ ;
(,* - 3$ ) @
( *" %
( 9) < & = " ) < & =
"; & ) @
$"
*' * (
1 "#" $ ( 8
" %"$
(3* - ?$ & :$/ %" 012 %
7 9 ) #; * # %"$ $ <"
( & $"$ ' " ""' "&" $" $
(0* - !" "2" $$
" & $$" & .* ( $ ) ""
$$ " %" " " & "#" $
! $ "% " 7 % & .*
15
MODIFICATIONS
___________________________________________________________________________
Diagram A
TRIM
PAD
T1
MIC/LINE
W2
W1
HIGH
HIGH-MID
Input Transformer
LOW-MID
PREAMP
OUT
LOW
EQ OUT
AUX 1
AUX 1
D
POST
POST
PRE
PRE
AUX 2
AUX 2
PRE
Diagram B
POST
AUX 3/4
PRE/POST
J4
AUX 3
W24
AUX 5/6
AUX 4
W2
W4
W5
W3
W25
W1
J3
AUX 5
P1
AUX 7
PRE
POST
AUX 8
J2
POST
PRE
P2
AUX 6
S1
MIC
PCH
J1
PAN
MUTE
SOLO
16
MODIFICATIONS
___________________________________________________________________________
& %" & <" ( " " ! " "
&' &" $ &
"" 9!; " $ $"$
" 9 7" ); 3% :
9A A; & "#
& " "# & " " " ' /" $" " C 9$/ ; " " C
98
; ! & " $"% & $"$
" / - "
- / -- "
? / / - )
# &$( & 2& " )
# &$( & 2&
" ! ( ""%"
( "&" $ + $ $"$
" ' "$( " $ & )
#
$ 9" $"$
" ";' * :
"" 9 7" ); + "" " D.3?D 92
&; " D.+!D 92&; +( "" " $$
" *" :
! "&( "% $ )
# '
$ & " :
""' % :
" ""' :
& $"$
" / /B- ! :
"" D.3?D' $" %' %" 2& $ " ! D.3?D :
""' , 3, - " 4 5 " + * ' ( "&" %" 2?H $ " +
$ $"$
" ' "$( " . $' * :
"" 9 7" ); + "" " DD
& "$ "&" 92?H; " D.>D & $ 92&; +( D.>D "" " $$
" *"
:
9&$( & 2&; ! "&( "% $ & 2?H' $ & " :
""'
% :
DD ""' :
& $"$
" &!!$ - @
D*"" D %" $ $ $"$
" ' & $# "&"$" ?$ *"" $" &
*" " ! *"" D.3?). +B!D' D?H +B!D' D.3?D' D.+!D 9
7" ); !( %" $ & " $ " "5 LD.3?). +B!D M 2?HN LD?H +B!D M 2?H 12.$N
LD.3?D M 2&12$N LD.+!D M 2&N )( & *"" ( ( " ""%"
$ )
#
! $$" "' &" % :
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# ' $" % [email protected] )
# )
# '
% :
A A $"%( O
A A % )
# )
# & .1. *"$; 9 7" ); !
" & *" " " *"" ! & *" %$ :
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# ' - @ ' :
$( & "
8
"( "
*" + D*"" D "&"$" "$
$" " $ & $ .$ >*%' "&"$" %$ 8
" $"$ " $"$ "$ & <" (
4
4 ! ""%"
$ .$ :$/ ( "&" %" $ 2& 7"$ +
& $ + $
$"$
" ' "$( " )
# $' " :
"" D7D 9 7" ); + $ DO$/D $"$
"
' &"% :
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*" :
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' $ & " $" :
""'
% A 9:$/ ; D7D "" 9$ ;' % A A A A "" 9:$/ ;' :
& $"$
" 6 - 0 / " 17
SPECIFICATIONS
___________________________________________________________________________
4
-
? -
@8
$( 3 9 >42 />4' 0<
; 0 12<
@8
$( 3 9 >42 />4' 0<
; 0 12<
! >"$ 7""
! >"$ 7""
9 >42 />4' < "' 0<
; P J
9 >42 />4' "( "' 0<
; P J
" 7"" 9.!?; P J
" 7"" 9.!?; P J
?8
"% G"
G" @
9 >42 />4' ""; 2<
9
1" ' >42 />4' "( "; 2<
#"
K" 9"$ "
; <
/ 9$22$ I />4; 2<
#"
K" 9" "
; <
/ 9$22$ I />4; 2<
!" 3 <
/ 9
22
I />4; 2<
$ 9"$1$; / Ω
/ 9
22
I />4; 2 <
$ 9"1$; / Ω
$ 9
1
$; / Ω
#"
9"$; 0<
$ 9$1
$; / Ω
#"
9"; 0<
+
$ 9' ' "1$; . .* 0 = 7 9 ) #;
+
$ 9$1
$; Ω
Ω
+
$ 91
$; / Ω
4
BC
-
#"
+
9' ' "1$; 0<
>" ?H 012< I />4 9%";
#"
+
9$1
$; 0<
>"2" ?H 012< I >42 />4 9/";
#"
+
91
$; 0<
,*2" ?H 012< I >42/>4 9/";
#"
+
91$ "; 0<
,* ?H 012< I >4 9%";
""
, $ 9' ' "; Ω
""
, $ 9$; / Ω
4
-
""
, $ 9; / Ω
@8
$( 3 9 >42 />4' 0
; 0 12<
""
, $ 91$ "; Ω
! >"$ 7""
9 >42 />4' < "' 0<
; P J
& B
" 7"" 9.!?; P J
91 =) I 1 >4; A
$ 9"1$; / Ω
#"
K" <
-
$
$
!" 3 <
>"
"$
"$
#"
0<
A"
"$
"$
>" ?H 012< I />4
7
"$
"$
,* ?H 012< I >4
&A4-
18
$
$
$
OLYMPIA BLOCK DIAGRAM
patch
out/in
+48V
RF
trap
mic input
(low z)
mic/line
phantom
power
trim
pad
-20dB
input
xfmr
(opt.)
solo
low high
low mid mid high
fader
4-Band EQ
L-R
assign
pan
mute
mic
preamp
RF
trap
line input
(high z)
z-match
-15 dB
left
right
solo
relay
left
right
sub 1
sub 2
sub 3
sub 4
aux 1
aux 2
aux 3
aux 4
aux 5
aux 6
solo
relay
Patch/Direct Out
jumper option not shown
Submasters 1 thru 4
low mid high mid
freq
freq
submaster
assign
sub 1
sub 2
sub 3
sub 4
-15 dBu +15 dBu
Input Channels
sub
output
(balanced)
patch
out/in
mute
+6
fader
pan
L-R
assign
signal
detect
aux 1
solo
aux 2
post
aux 3
LED meter
pre
mute
Aux Send jumper
options not shown
aux 4
sub
aux 5
aux
aux 6
Aux Sends 1 thru 6
aux send
output
(balanced)
aux send
level
Stereo Input A
+6
Left
solo
Right
bass treble
trim
solo
fader
A / B select
switch
mute
L-R
assign
balance
EQ
Stereo Input B
Left
submaster
assign
sub 1
sub 2
sub 3
sub 4
Right
Stereo Input Channel
LED meter
-15 dBu +15 dBu
aux 1
signal
detect
left
aux 5
aux 2
left
patch
out/in
post
aux 3
Left
pre
Aux Send jumper
options not shown
right
aux 6
left
tape output
left
fader
aux 4
+6
left
output
(balanced)
aux 5
right
patch
out/in
aux 6
Right
Returns 1 thru 4
return
level
pan
mono
return
L-R
assign
+6
right
output
(balanced)
submaster
assign
sub 1
sub 2
sub 3
sub 4
Stereo Returns 1 & 2
right
tape output
right
fader
Mono
mono
patch
out/in
mono
fader
return
level
(stereo)
L-R
assign
balance
+6
stereo
return
Talkback Microphone
mono
output
(balanced)
LED meter
talkback
level
L-R
assign
push-to-talk
talkback
mic input
(low z)
mono
mic
preamp
aux send
assigns
solo
aux 3
aux 4
aux 5
aux 6
Solo
headphones
level
solo
level
left
right
sub 1
sub 2
sub 3
sub 4
aux 1
aux 2
aux 3
aux 4
aux 5
aux 6
solo
relay
headphones
(600 ohms min)
19
solo relay
& LED
WARRANTY
___________________________________________________________________________
BIAMP IS PLEASED TO EXTEND THE FOLLOWING 1-YEAR LIMITED
WARRANTY TO THE ORIGINAL PURCHASER OF THE PROFESSIONAL
SOUND EQUIPMENT DESCRIBED IN THIS OWNER'S MANUAL.
<). ( #( * " $ & & &$ " " */" & " & -?)3 & & $ *
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$"
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G $" & $ & " *( ( $$ ( & #"" & "
*(
Thank you for purchasing BIAMP...
AMERICAN SOUND CRAFTSMANSHIP
Biamp Systems
14130 N.W. Science Park
Portland, Oregon 97229
(503) 641-7287
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