Vintage Tremolo Guitar Brochure 英語

Vintage Tremolo Guitar Brochure 英語
WiNTer 2008 / EngliSH
Guitar Processing
Hardware
G-System
Nova System
Nova Pedals
G-Natural
Classic Pedals
VPD1
SCF
Octa Screamer
G-Sharp
G-Switch
G-Force
G-Major
G-Minor
Konnekt
PowerCore
Photo: Michael Mesker
Software
TC-Thirty
Tubifex
The TC Guitar Heritage
G-System – One Small Step For Man ...
TC Electronic emerged in the midseventies rapidly building a name for itself in the world of guitar pedals. When founders John
and Kim Rishoj decided there wasn’t a pedal on the market good enough for them they quickly went to work on what is now a
classic guitar pedal – the SCF. Pedals like the SCF soon became a standard in the industry and the preferred choice of many
guitarists around the world. Over three decades TC Electronic has risen to become a leading manufacturer of a wide variety of
audio equipment, recognized for their superior and excellent quality. At TC we have always been true to our first love - guitar
processing. Products like G-System and G-Force testify to that, and today TC is acknowledged as a leader in guitar effects
processing.
More than Meets the Eye
It’s not just Quality, it’s TC Quality
G-System is the world’s first complete high quality floor-based
guitar system. From guitarists seeking the best to seasoned
professionals looking for the ultimate, the superior quality of
G-System will not disappoint. Delivering a complete and
uncompromised package of effects, control and integration,
no other product will match the flexibility or the quality of the
G-System.
Every guitar product from TC that has hit the market, has been
celebrated for its ultimate sound. The G-System is no exception, and it sports the latest hardware technology and software innovations. All processing has been fine-tuned and
optimized in the TC laboratories, resulting in a superior sound
quality that will spellbind your audience.
Building on that legacy and pushing the boundaries even further, we’re constantly adding new ground-breaking guitar products
to our catalog, solidifying our leading position in the market. We are excited to welcome acoustic guitar players to our wide range
of users with the latest addition to the TC family: G-Natural.
Contents
Floor units
G-System ............................................................................ 3-5
V1 and X1 ............................................................................... 5
Nova Pedals ....................................................................... 6-7
Fully Fledged Flexibility
Integrate and Adapt
For every guitar player flexibility is key - two setups are rarely
the same. The G-System enables you to integrate and simplify
your existing system into one complete setup. If the need
arises to add more effects, loops or control, adding extensions
to the G-System is easy. With its unique combination of two
DSP sections providing the very highest quality effects on the
market, analog loops, amp switching, floor control, and even
9VDC power outputs for your pedals, the G-System offers the
highest level of integration attainable.
Choose between a rack or a floor based setup, decide how the
effects are routed, tailor the footswitch layout, and choose
from more than 25 different on-board effects.
Sturdy and Stable – It’s Built for the Road
A live product must be built to live on the road, and G-System
has been designed to do just that! The G-System user interface and mechanical design are truly unique. With the heavy
duty aluminum face plate, extruded supports and the 18 giant
metallic chrome switches, stability is ensured and durability is
a given, no matter how hard life gets on the road.
G-Natural ............................................................................... 8
Nova System .......................................................................... 9
Classic Pedals ..................................................................... 10
VPD1 ...................................................................................... 11
... One giant leap for guitar effects
SCF ........................................................................................ 11
Vintage Octa Screamer ......................................................... 11
Rack units
G-Sharp ............................................................................... 12
G-Switch .............................................................................. 12
G-Minor ............................................................................... 12
G-Force ................................................................................ 13
G-Major ................................................................................ 13
Konnekt ............................................................................... 14
PowerCore ........................................................................... 14
TC-Thirty .............................................................................. 14
Plug-ins
Tubifex ................................................................................. 14
Technical specifications
Nova Pedals ........................................................................ 16
G-System ............................................................................. 15
G-Natural ............................................................................. 16
V1 & X1 ................................................................................. 16
Classic Pedals ..................................................................... 17
VPD1 .................................................................................... 17
SCF ...................................................................................... 17
G-Sharp ............................................................................... 18
G-Force ................................................................................ 18
G-Major ................................................................................ 19
2 / WiNTer 2008
WiNTer 2008 / 3
GUiTAr eFFeCTS / FlOOR UniTS
Analog “True Bypass” Loops
Rock Solid User Interface
Keep your original tone with the 4 analog ‘true bypass’ pedal
loops, all under preset as well as “on-the-fly” control. A 5th
loop can be used for inserting a preamp or a 5th pedal in your
setup.
Direct access user interface via 6 rotary-switch encoders. Not
only are these encoders protected by the heavy duty chrome
switch housing, but vital components are protected below.
With no vulnerable plastic knobs and no obvious openings
G-System is sealed against dust, dirt, moisture and the inevitable
“liquid accident” on stage.
Editor
On the Floor or in the Rack?
The editor adds further versatility to your G-system. With the
included software editor for Mac and PC you can tweak, store
and pick the perfect presets for that upcoming gig - all from
one intuitive editor screen.
Do you prefer to have your pedals right next to you or would
you rather secure them in your rack? The GFX01 19” 1RU
effects processor can easily be removed from G-System and
rackmounted - the decision is yours. A single cable connects
the GFX01 with the G-System floor unit putting your stomp
boxes and messy cables out of sight while keeping the power
and control under foot.
Pre Effects
Effects that are typically used prior to your “crunchy effects”
are found in the pre effects section. The pre-loop DSP section
of G-System features a high impedance instrument input and
full 96kHz/24bit conversion and processing. This high resolution processing ensures maximum preservation of the guitar’s
original harmonics which are vital to the character of any overdrive pedal or preamp.
Analog Pedal Loops
It is a well-known fact that any disengaged pedal will eat into
your guitar tone. The 4 analog loops in G-System give you full
preset control as well as on-the-fly enabling/disabling, allowing “true bypass” of any pedal. The 5th loop is custom
designed for pre-amp insertion. Buffered driver design of the
insert loop allows for extra long cable runs with no loss of
audio quality.
Filters
Amp Switching
The filter section allows you to select between touch- and
manually controlled filters, ranging from wah-wah over formants to high peak resonance filters.
4 relay switches give you remote analog control of preamps
and amps. Relays are under G-System preset control and can
be controlled on-the-fly as well.
Compression
The compressor section enables perfect dynamic control of
the previous filters, a pumping style compressor or the more
transparent compression style that gives smooth dynamic
control and lengthy sustain.
V1 and X1 – Control for your G-System
Post Effects
The post effects section includes all the effects that belong
after the ’crunchy’ section.
Noise Gate
The post effect section features an ultra fast noise gate allowing removal of background noise from potential high gain
pedals or preamps when not playing.
Modulation
Modulation effects of your choice, including the famous TC
chorus, flangers, phasers, tremolo, vibrato and more, are
available in the modulation section.
Pitch
The detune feature adds to your stereo image, while whammy
and octavers allow for more effected sounds. The regular pitch
shifting features up to a two octave shift. The intelligent pitch
allows you to choose a scale and then tie the pitches to the
notes played, creating sounds and harmonies truly out of this
world.
Delay
The delay section sports more than 6 different effects, including legendary 2290 dynamic delay, reverse delay, tape echo
and more. All delays feature true “spillover” allowing repeats
of the delay to ring out across any preset change. Tap tempo is
a given and can of course be tied to MIDI clock.
Reverb
Reverbs from the famous TC pallet are included. Plates,
rooms, springs and halls are available in the reverb section, all
specifically tuned and tailored for guitar.
But wait there’s more...
G-System holds numerous extras. A chromatic tuner and three
band EQ are included. The boost function makes your ‘fill’ or
solo standout at the flick of a switch, all tempo based effects
can be individually controlled by tap tempo or MIDI clock, and
numerous parameters are under expression pedal control.
Control. It’s essential for any guitarist. Control of your riffs and
licks. Controlling your picking and fretting hand as you rip into
that scorching solo. Now, TC Electronic offers you complete
control of your effects as well with the V1 volume and X1
expression pedal.
perfectly from a visual standpoint. Besides that, both pedals
are made with top quality components and road-worthy construction methods. Of course both the V1 and the X1 pedals are
a worthy addition to any G-System, but they work with any
standard pedal board that has volume and expression pedal
options.
The V1 volume and X1 expression pedals fit perfectly with your
G-System and give you control of volume and various other
G-System effect parameters.
The V1 volume pedal controls the volume of your guitar and
is used in the dedicated volume input of the G-System or as
the first pedal in the signal path. It features a high-quality
250 kOhm logarithmic potmeter that is extremely durable. The
V1 has input, output and »tuner out« which enables you to
select between silent or normal tuning.
The X1 expression pedal is used to control various parameters
in G-System, from the feedback parameter in a delay effect to
the tempo of a tremolo effect. It features a durable high-quality
25 kOhm linear potmeter. X1 has both an input and an output.
Both pedals work flawlessly with G-System and complement it
4 / WiNTer 2008
WiNTer 2008 / 5
GUiTAr eFFeCTS / FlOOR UniTS
NOVA – Your Tone is Everything
The sensation of weight, the strong design and overall build quality instinctively tell you these aren’t just ordinary stompboxes.
They’re so much more – they are the essence of your tone.
Built upon the legacy and knowledge of TC’s world-renowned
processing technology the Nova pedals raise the bar for guitar
effects pedals and redefine what it means to be “state-of-theart”; uncompromised studio quality effects in a compact floorbased design.
Your tone is everything. TC knows you have numerous choices
when considering effects that will capture and enhance the
sounds that are in your head. Many manufacturers offer digital
solutions, but none can compare with the overall performance
and tonal quality of TC’s Nova series.
Nova Delay
Nova - Modulator
With six different stereo delay types and the option to store up
to nine presets customizable by an array of style parameters
ranging from vintage tape to digital delay this pedal easily
serves all delay requirements of modern guitar players who
want to create unique sounds.
The Nova Delay pedal features six different delay types: Delay
line, dynamic, reverse, ping-pong, pan and slap-back and
each of these types can be combined with a delay style ranging from vintage tape to modern digital delay. This unique
feature allows you to mix and match your delay type and style
to create unique sounds. Both single delay and dual delay
lines can be applied to any type and style using the tap tempo
switch or delay time knob to determine the speed of the delay.
Three different types of modulation (light, medium and heavy)
can be applied to any of the delay types – a feature originating
from the legendary TC 2290 Dynamic Digital Delay processor.
The all-new Audio Tapping™ technology enables you to
set the tempo of the delay by playing a rhythm into the
pedal while holding down the tap tempo switch. You can now
set the tempo of the delay using your most important
asset: Your playing.
Other great Nova Delay features include the ability to choose
between ms (millisecond) and bpm (beats per minute) readout, decide if you want spillover on none, one or both settings
and turn global tempo – where tap tempo determines the
delay time on both settings - on and off.
Never before have all of TC’s acclaimed modulation effects been
packed into a single stompbox. With seven stellar effects including the brand new tri-chorus and through-zero-flanger, Nova
Modulator gives you all the modulation effects you’ll ever need
– and then some. This is an effects pedal for the guitarist who
has come to terms with the basics of guitar effects and is now
on the lookout for icing on the cake. With its dual engine design
Nova Modulator allows you to combine chorus, flanger, phaser,
tremolo and vibrato effects, sync the tempo between them and
even trigger the LFO to start right on the beat. Nova Modulator
gives you unlimited sound shaping possibilities and with nine
presets there’s plenty of room to store your favorite settings.
Nova Delay Features
Nova Modulator Features
• 6 studio quality digital delay types
• Two switchable settings: manual and preset
• 9 user programmable presets
• Up to 2290 ms delay time
• Audio Tapping™ - audio-generated tap tempo
• Modulated delay
• Delay spillover
• 7 studio quality modulation effects
• Dual engine design
• 9 user programmable presets
• LFO syncronization
• LFO trigger
• Tap tempo
• Auto input gain adjustment
• Stereo in/out
Nova Reverb
Nova - Dynamics
Similar to Nova Delay, Nova Reverb is a voucher for the undisputed tonal quality only known from TC products. This pedal
offers you five different stereo reverb types from the warm
vintage sounding Classic Spring to the pristine and stunningly
realistic TC Classic Hall or any setting in between. Reverb just
doesn’t come any better than this.
High quality dual engine compression and noise gate made
stompbox simple. Packed with never before seen functionalities
Nova Dynamics sets new standards to floor-based dynamics
control. Its dual engine design offers a variety of setup and control options that allow you to tailor Nova Dynamics to fit your
rig. Use the two engines for different compression settings or
switch between stomp compression for that classic “squash”
and TC’s advanced multiband compression for subtle, studiostyle dynamics control. You can even split the two engines in
Nova Dynamics and have a compressor in front of your amp
and noise gate in your amp effects loop for true noise reduction
of high gain signals. The Dry Blend feature lets you blend your
dry signal in with the compressed signal for optimized attack
with no eating into the dynamics while the automatic input gain
adjustment on both engines brings perfect settings for e.g. both
a Strat and a Les Paul at the flick of a switch.
Nova Reverb also has a unique new feature called DynaMix™.
DynaMix™ acts as a dynamic ducking effect that turns down
the reverb while you’re playing and turns it back up again
when you’re not playing. This prevents the sound from
getting muddy – especially when using large hall reverb types
– but will still give you that huge live venue effect while the
notes decay. The DynaMix™ effect can also be reversed, so
the reverb is turned up while playing and gated when the
input signal falls below a certain level, producing a truly
unique and out-of-this-world effect.
Nova Reverb Features
• 5 studio quality digital stereo reverb types
• Two switchable settings: manual and preset
• DynaMix™ - dynamic ducking reverb
6 / WiNTer 2008
Nova Dynamics Features
• 2 compressor modes: studio & stomp
• Noise gate
• Dual engine design
• Dry blend – parallel compression
• Flexible routing
• Auto input gain adjustment
• Precise gain reduction meter
WiNTer 2008 / 7
GUiTAr eFFeCTS / FlOOR UniTS
G-Natural – Acoustic Breakthrough
Nova System - All-in-One Extravaganza
The world’s first multi-effects processor for the serious
acoustic guitar player
Versatility
The Audible Choice
With both a built-in mic preamp and standard instrument
inputs you can choose between using a piezo or pickup
system or miking your guitar with a condenser mic. Or why not
do both and mix the signals inside G-Natural to get the best of
both worlds?
G-Natural comes with 99 factory settings optimized for a wide
variety of musical genres and playing techniques. The 99 usercustomizable presets allow you to add that crucial personal
touch to your sound.
G-Natural’s mic pre can also be used for vocal performance.
Just put G-Natural in song mode and you automatically get a
compressor and EQ
Topping an already packed feature list, a built-in tuner, digital
I/O, expression pedal input and MIDI make G-Natural the
number one multi-effects solution for the serious acoustic
guitar player – all you need is a fresh set of strings, a load of
killer tunes and you’re good to go.
Nova System is the complete, floor-based effects solution for
the dedicated guitar player who knows quality when he sees it.
Its unique inclusion of an all-analog distortion/overdrive section
under preset and expression control makes it the perfect choice
whether you want to trim down your rack setup, step up from
your pedal patchwork or simply just want the ultimate combination of operational simplicity and audio superiority.
Add to this an array of effects taken straight from the king of
floor-based processors; G-System and you have top-notch compression, EQ, noise gate, modulation, pitch, delay and reverb
right at your feet. All you need is a guitar and an amp and you’re
good to go – first class.
With G-Natural you no longer have to put your guitar sound in
the hands of the sound engineer or to put up with effects
designed for electric guitars to boost your performance. It
goes without saying that effects for electric instruments do
not take the construction of a hollow body acoustic guitar into
account.
High quality effects for acoustic guitar
G-Natural houses a suite of high quality effects fine-tuned for
acoustic guitar. It’s all you will ever need to cut through to your
audience: Compression, EQ, Boost, Modulation (Chorus,
Detune, Thicken, Flange, Panner, etc.), Reverb and Delay.
Genuine, Analog Drive Circuit
What makes Nova System so remarkably different is the NDT™
- Nova Drive Technology - a unique, new drive and distortion
circuit that gets you the best of both worlds: World-class analog
distortion and overdrive with digital control. This is the real deal
– no modeling. While the NDT™ is 100% analog and physically
separated from the digital effects, its control potmeters are
digital. This way you can tweak, store and recall as many drive
settings as you want - you can even hook up an expression
pedal and control the amount of distortion in real-time. Its wide
gain range covers your every need from light breakup to heavy
distortion.
Top-notch Effects
Equipped with TC branded quality effects from delays and
reverbs to compressor, EQ and modulation, Nova System is the
obvious all-in-one solution for any guitarist who wants setup
simplicity without sacrificing tonal fidelity. All neatly programmable and storable in 60 user presets. Its 30 factory presets give
you a demonstration of just what this unit provides; great sound
quality and an immense versatility of effects combinations – all
designed to get you started right out of the box.
Features
Features
• Floor-based multi-effects processor • 10 high quality TC effects tuned for acoustic guitar • Mic preamp for vocals or guitar
• Built-in tuner and boost • Road-ready and portable design
• NDT™ - Nova Drive Technology: All-analog overdrive and distortion under preset and expression control • 6 effect blocks taken
straight from G-System: Compression, EQ, Noise Gate, Modulation, Pitch, Delay, Reverb • 30 factory and 60 user presets
• Two footswitch layouts: preset and pedal • Hi-Z and balanced input + balanced stereo outputs • Optional G-Switch for added control
8 / WiNTer 2008
WiNTer 2008 / 9
GUiTAr eFFeCTS / FlOOR UniTS
Stompbox Classics: Quality-driven, History-proven
Your search for true vintage sound ends here! TC Electronic’s versatile range of classic vintage guitar and bass effects pedals
takes you on a trip in amplified music; from acid rock over early hardrock to funky beats of the 70s and further to the many
contemporary styles that truly cherish their roots.
The TC pedals are guaranteed to awaken any slumbering desire to revisit the past with today’s technology. All pedals are built on
a classic approach to guitar effects and are perfectly aligned with the TC legacy. Whether you go for warm tube-like overdrive/
distortion or rich vintage delay you’ll soon find yourself hooked on the TC sound craving for more of that crisp and authentic tone.
Classic Booster + Distortion
This boost was made for rocking! Close encounters with thousands of foot soles, millions of miles on the road and a history
of being kicked and trot on, this pedal, if any, has truly earned
its claim to fame. Whether you use this baby as an always on
signal booster to make your tubes work harder, as an occasional boost for highlighting a solo, lick or passage or as a
distortion pedal to go with a clean amp, this pedal will always
stay true to your tone with absolutely no coloration or degradation of the original signal.
VPD1 – The Vintage Pre Drive Pedal
In essence, Vintage Pre Drive is a basic drive pedal, but with
an additional front end boost section. This extra stage provides an additional level of overdrive in the same pedal.
On top of that the resonance filters allow you to emphasize the
top or mids, fine tuning your boosted tone.
SCF pedal – The Advanced Effect Pedal
SCF has earned a reputation as one of the best sounding chorus pedals in the world. The ultra clean, smooth and clear tone
of the SCF allows you to maintain the original tone and characteristics of your instrument.
Technically way ahead of its time, with the incredible dynamic
range and lack of noise, SCF is still in this new millennium a top
selling product and a “must have” on many guitar pedal
boards.
Classic Sustain + Parametric EQ
As one of the true holy grails of vintage effects pedals, this
one really enhances your tone. Go from subtle compression to
extreme sustaining effects at the tweak of a knob. This sustainer will prolong life of even your weakest tone otherwise
destined for premature death. Classic Sustain + Parametric EQ
gives you studio quality compression in a pedal. Crank it to the
extreme and it’ll give your sound that percussive “thud” brilliant for funk or country. And with its parametric EQ you’re in
full control of which frequencies to target.
Vintage Octa Screamer
Classic TC XII Phaser
From ethereal sounds to extremely grungy effects – in your
phase! The unsurpassed sound quality of TC XII Phaser has
made it a true classic among vintage pedal collectors. While
other effects may sometimes be used to add subtle and
almost inaudible nuances to your tone, TC XII Phaser never
leaves you in doubt whether or not it is on. TC XII Phaser can
be used in numerous ways - from clean funky chords to overdriven riffs to heavily saturated leads.
10 / WiNTer 2008
Vintage Octa Screamer is not for the faint at heart! It recreates
the famous and instantly recognizable octave doubling effect
immortalized by Jimi Hendrix. Vintage Octa Screamer is based
on a unique new circuit design that greatly improves the
octave up effect and doesn’t kill sustain and overtones like
other octavia pedals are prone to do. It also includes innovative new features refining an already legendary effect.
Use the mix knob to blend in the octave effect and transform
the pedal from a full-blown octavia to a fuzz... and everything
in between. The built-in 30 dB(!!!) treble boost features a
specially tuned filter circuit that pushes the octave effect to
new extremes. Activate it to generate screaming overtones
from outer space and blast your tone beyond the stratosphere.
WiNTer 2008 / 11
GUiTAr eFFeCTS / RACK UniTS
G-Sharp – Rack Deep, Pedal Simple
G-Force – The Benchmark of Rack Guitar Effects Processing
Getting true rack mount quality effects for your guitar rig was
never easier. G-Sharp is no jack of all trades, but rather a master of the most essential digital effects for guitar — reverb,
modulation, and delay.
Uncompromising Sound Quality
Create the Sound You Want
The legendary G-Force features a variety of great sound
effects in an easy to program and fun to operate single rack
unit. State-of-the-Art DSP technology, proprietary DARC™
chip and 24 bit resolution give you massive memory, high
speed processing and uncompromising sound quality.
Run 8 full-blown stereo effects simultaneously in any combination and order without sacrificing the integrity of your
original tone. Create the sound you want regardless of style or
complexity, from mild to wild or from clean to nasty!
Throughout the years TC has been recognized as a creator of
superior technology and highly intuitive user interfaces.
G-Sharp builds on that legacy giving you a highly sophisticated solution with a no nonsense musician-friendly faceplate. If
you want simple footswitch control, but no compromise on the
effects quality, G-Sharp is cut for you!
Features
Features
• 15 world-class guitar specific reverbs • 15 guitar delays and modulations • True delay spillover • 2.5 seconds of delay • Ease
of use - if you can operate a pedal, you can operate this • 256 effect combinations and 99 user presets • Tap tempo of delays or
modulation • Direct footswitch control with TC G-Switch • “Kill dry” function ensuring optimal signal path in parallel loops • TC
G-Minor compatibility - plug and play • Full MIDI compatibility (MIDI In/Out) • Built-in auto sensing power supply - no wall-wart!
• Mono and stereo compatible - will fit in virtually any chain of pedals or amp effects loop • No-nonsense analog style user
interface • Digital I/O and MIDI clock tempo sync
• DARC™ Chip Technology • Presets: 225 factory/100 user • LED “Billboard” allowing you to view preset number, tap tempo rate
or tuner pitch from clear across the stage • Settings for a wide variety of popular MIDI controllers and expression pedals • 24 bit
A/D - D/A Converters • 24 bit S/PDIF digital I/O, 44.1-48kHz
Run up to 8 Effects Simultaneously
• Delay • Chorus/Flanger • Reverb • Intelligent Pitch • Compressor • Pan/Tremolo • Drive • Filter/EQ • Phaser • Wah-wah
• Auto-wah • Resonance-filter • Multi-tap Delay • Noise-gate • Chromatic Pitch • Auto-panner • De-tuner and more
G-Major – Affordable Guitar Multi-Effects Processor
Editor
With the included software editor you can exchange presets
with other G-Sharp users and tweak, store and pick the perfect
presets for that upcoming gig – all from one intuitive PC editor
screen.
Based on the G-Force Heritage
A Multitude of Effects....
The TC Electronic G-Major benefits from the company’s dedication to high quality guitar processors. Following in the
footsteps of the G-Force, the affordable G-Major makes a technology available to you that is far beyond your expectations.
G-Major can run eight different effects and a tuner simultaneously, and offers real-time control of a number of parameters
through MIDI or pedal input. The preset change of the G-Major
is fast and smooth, and supports true spillover of delays.
The G-Major is strictly effects, which means that it will be a
perfect addition to your preamp. Effects are organized in
blocks, and each block contains several effect types to choose
from. The Delay block for instance, holds: Stereo Delay,
PingPong Delay, Tap Delay and Dynamic Delay. There are more
than 25 algorithms inside. Make the most of them instantly!
G-Switch
Nothing, but sturdy hard-wearing quality built to endure life
on the road. 3-button full-metal casing standard footswitch
available for G-Sharp, giving you remote control of the most
important features such as preset up/down, bypass, effects
mute and tap tempo.
G-Minor - The Versatile MIDI Footswitch
G-Minor is a multi-purpose MIDI triple footswitch that sends
and receives MIDI information. It allows for specific remote
control of the TC Electronic GMajor but can also control any
MIDI device.
Features
• Delay, Reverb • Chorus, Flange • Pitch • Filter, Modulation • Compressor • Noise Gate and EQ • Presets: 100 factory/100 user
• Preamp Relay Switch • Chromatic Style Tuner • 24 bit A/D - D/A converters • 24 bit S/PDIF digital I/O, 44.1-48kHz
12 / WiNTer 2008
WiNTer 2008 / 13
GUiTAr eFFeCTS / TECHniCAl SpECiFiCATiOnS
Konnekt Your Guitar
Konnekt is the ideal audio interface to capture your guitar riffs
and licks on a computer. Both Konnekt 24D and Konnekt 8
feature dedicated guitar and bass input circuits. No need to
mic up your guitar amp, just connect your guitar or bass
directly into either of the two front panel Hi-Z guitar inputs and
apply your favorite choice of guitar software to your recording.
The built-in Hi-Z inputs are based on circuits that are tailormade to preserve the original tone and sonic quality of guitar
and bass instruments.
The Fabrik C channel strip and Fabrik R reverb known from TC’s
PowerCore platform are built into the Konnekt 24D and they
work even when the unit is used in stand-alone mode. Fabrik
C allows you to shape your guitar tone even better, while the
Fabrik R has that TC Electronic reverb that is the basis of many
classic guitar tones.
Konnekt 24D’s chromatic guitar
tuner allows you to tune without
disconnecting from your recording setup. Assigned to your
computer, its scalable screen size
facilitates easy cross-stage and
cross-studio monitoring even at
great distances. The tuner also runs in stand-alone mode
when assigned to Konnekt 24D’s front panel light ring. It’s got
optional strobe mode or point mode tuning for the visually
oriented and can generate a pitchable reference tone for
acoustic tuning.
Konnekt 8 is the ideal solution for guitarists who want the
highest possible sound quality from input to the recording
application, but don’t need the built-in effects of Konnekt 24D
for their guitar sounds.
PowerCore and Guitar
Not only is the PowerCore platform very appropriate for recording guitar, PowerCore even has dedicated guitar plug-ins. TC Thirty is
a virtual model of a classic British ’61 Vox amplifier, providing the sound and behavior of the “normal channel” found on that amp.
PowerCore PCI mkII and
PowerCore Express
Internal Power
Included Plug-ins:
24/7c
Character
Chorus•Delay
Classic Verb
Dynamic EQ*
DeNoise*
EQsat Custom
Filtroid
Master X3
Mega Reverb
PowerCore CL
PowerCore 01
Voice Strip
Tubifex
*not included with PowerCore Compact
PowerCore X8
Maximum Power
PowerCore FireWire
External Power
PowerCore Compact
Portable Power
TC Thirty – virtual guitar amp based on AC30
TC Thirty is a virtual model of the classic British Vox amplifier
from 1961. Relying completely on PowerCore for processing, it
provides the characteristic sound and behavior of the “normal
channel” found on that amp.
Available as optional Plug-in.
Tubifex – virtual guitar amp
This virtual guitar amp has 3 tube stages and a speaker simulator for truly convincing amp modeling. The tubes are based
on classic 12AX7 tubes, the modeled speaker was created
from an actual impulse response of a 2x12 cabinet, including
microphone positions.
High Impedance Instrument Input
Instrument Inputs
Connectors:
Impedance:
Max. Input Level:
Min. Input Level for 0 dBFS:
Sensitivity:
Loop 1-4
Connectors:
Impedance, input/output:
Max. Output Level:
Output Ranges:
Insert
Connectors:
Impedance, input/output:
Max. Output Level:
Output Ranges:
Analog Outputs (L/R)
Connectors:
Impedance:
Max. Output Level:
Output Ranges:
Digital Outputs
Connectors:
Formats:
Sample Rate:
System Performance
Frequency Response:
Dynamic Range:
THD:
A to D Conversion:
D to A Conversion:
4 Analog Loops
Preamp Insert
Two 1/4” phone jack, pseudo-balanced
1 Mohm
18 dBu
-6 dBu
-6dBu to +18 dBu
Two 1/4” phone jacks x 4
91 kOhm/100 Ohm
12 dBu
6 to 10 dBu
Two 1/4” phone jacks
24 kOhm(Balanced 35 kOhm)/
100Ohm(Balanced 200 Ohm)
12 dBu
6 to 10 dBu
Two 1/4” phone jacks
100 Ohm (Balanced 200 Ohm)
12 dBu
0 to 10 dBu
RCA Phono (S/PDIF)
S/PDIF (24 bit), EIAJ CP-340, IEC 958, 75Ohm
44.1 kHz
9V DC Pedal Supply Amp Switching
EMC
Complies with:
Safety
Certified to:
Environment
Operating Temperature:
Storage Temperature:
Humidity:
Control Interface
MIDI:
USB:
Pedal (Exp and Vol):
Relay closure (seperate tip and ring
connection to sleeve):
Misc
DC output:
General
Finish:
Display:
Footswitches:
typ. : +0.0/-0.4 dB, 20 Hz to 20 kHz
typ.: > 95 dB, 20Hz to 22kHz, 0dBFS
typ.: < -80 dB, 20Hz to 22kHz, -1dBFS
24 bit, 128 x oversampling bitstream, DSR
24 bit, 128 x oversampling bitstream, DSR
Volume & Expression Pedal inputs
Dimensions:
Weight:
Mains Voltage:
Power Consumption:
Warranty Parts and labor:
Internal Auto Sensing Power Supply
EN 55103-1 and EN 55103-2
FCC part 15, Class B, CISPR 22, Class B
IEC 60065 / EN 60065/ UL 60065 /
CSA E60065
32° F to 122° F (0° C to 50° C)
-22° F to 167° F (-30° C to 70° C)
Max. 90 % non-condensing
In/Out: 5 Pin DIN
USB 1.1, type B
Four 1/4” stereo phone jack
(2 on GFX01, 2 on Control Board)
4 relays on two 1/4” stereo phone jack for
amp Switching
4 x 9VDC outputs, 200mA totally,Shield(+) Pin(-)
Anodized aluminum front
Plated and painted steel chassis
2x20 character STN-LCD display + 20x7
Dot-Matrix
18 Illuminated Footswitches (6 with
build-in Rotary Encoders)
20.2” x 10.5” x 4.1”
(512.9mm x 265.9mm x 103.4mm)
17.2 lb. (7.83 kg)
100 to 240 VAC, 50 to 60 Hz (auto-select)
<20 W
1 year
Included with all PowerCores
More information about Konnekt and PowerCore in the Computer Recording brochure.
14 / SPriNG
WiNTer 2007
2008
WiNTer 2008 / 15
GUiTAr eFFeCTS / TECHniCAl SpECiFiCATiOnS
V1 & X1
Connections
Dimensions
1/4 inch input jack, 1/4 inch output jack, tuner out *)
108mm x 270mm x 65mm
*) V1 only
G-Natural
Digital Inputs and Outputs
Connectors
Formats
Sample Rates
Nova Delay
Analog Inputs
Connectors
Impedance
Max. Input Level
A to D Conversion
A to D Delay
Dynamic Range
THD
Frequency Response
Crosstalk
Analog Outputs
Connectors
Impedance Balanced / Unbalanced
Max. Output Level
D to A Conversion
D to A Delay
Dynamic Range
THD
Frequency Response
Crosstalk
Nova Reverb
1/4” phone jacks w. monosense
1 MOhm
TBD dBu
24 bit, 128 x oversampling bitstream
TBD
105 dB typ, 20 Hz - 20 kHz
typ. < 92 dB (0,0025 %) @ 1 kHz
+0/-0.1 dB @ 48 kHz, 20 Hz to 20 kHz
<-95 dB, 20 Hz to 20 kHz
1/4” phone jack, balanced
40 Ohm
TBD dBu
24 bit, 128 x oversampling bitstream
TBD
105 dB typ, 20 Hz to 20 kHz
typ <-94 dB (0.002 %) @ 1 kHz, +20 dBu Output
+0/-0.5 dB @ 48 kHz, 20 Hz to 20 kHz
<-100 dB, 20 Hz to 20 kHz
EMC
Complies with
EN 55103-1 and EN 55103-2 FCC part 15, Class B,
CISPR 22, Class B
Environment
Operating Temperature
Storage Temperature
Humidity
32° F to 122° F (0° C to 50° C)
-22° F to 167° F (-30° C to 70° C)
Max. 90 % non-condensing
General
Finish
Dimensions
Mains Voltage
Power Consumption
Warranty Parts and labor
Anodized aluminum front Plated and painted steel endcaps
12,5x12,5 cm
100 to 240 VAC, 50 to 60 Hz (auto-select) AC wall adapter
<5 W
1 year
Analog Inputs
Connectors, balanced
Impedance: Balanced/Unbalanced
Line Input Level @ 0 dBFS
Line Sensitivity @ 12 dB headroom
Instrument Input Level @ 0 dBFS
Instrument Sensitivity @ 12 dB headroom
Mic. Input Level @ 0 dBFS,
Pad Off/On
Mic. Sensitivity @ 12 dB headroo,
Pad Off/On
EIN @ Max Mic Gain Rg = 200 Ohm
THD
Crosstalk
A to D Conversion
Analog Outputs
D to A Conversion
D to A Delay
Connectors, balanced
Output Impedance
RCA Phono (S/PDIF)
S/PDIF (24 bit), EIAJ CP-340, IEC 958
44.1 kHz, 48 kHz
Mic.: XLR, Line: 1/4”phone jack
Mic.: 3.6/1.8 kOhm, Line: 21/13 kOhm
24 dBu to 0 dBu
12 dBu to -12 dBu
18 dBu to -6 dBu
6 dBu to -18 dBu
-13 dBu/7 dBu to -51 dBu/-31 dBu
-25 dBu/-5 dBu to -63 dBu/-43 dBu
126 dBu
< - 100 dB (0,001 %) @ 1 kHz
< - 85 dB, 20 Hz to 20 kHz
24 bit, 128 x oversampling bitstream
24 bit, 128 x oversampling bitstream
0.63/0.68 ms @ S.R.= 48/44.1 kHz
1/4” phone jack
40 Ohm
Output Range
Dynamic Range
THD
Frequency Response
EMC
Complies with
Safety
Certified to
Environment
Operating Temperature
Storage Temperature
Humidity
20 dBu / 14 dBu / 8 dBu / 2 dBu
> 104 dB, 20 Hz to 20 kHz
<-98 dB (0.0013 %) @ 1 kHz
+0/-0.3 dB, 20 Hz to 20 kHz
EN 55103-1 and EN 55103-2
FCC part 15, Class B, CISPR 22, Class B
IEC 65, EN 60065, UL6500 and CSA
E60065 CSA FILE #LR108093
32° F to 122° F (0° C to 50° C)
-22° F to 167° F (-30° C to 70° C)
Max. 90 % non-condensing
Control Interface
MIDI
Pedal
In/Out/Thru: 5 Pin DIN
1/4” phone jack
Supplementary
Display
Dimensions
Weight
Mains Voltage
Power Consumption
Warranty Parts and labor
24x2 character LCD
11.2” x 3.5” x 10.5” (284 x 89 x 267)
4.1 lb. (1.85 kg)
100 to 240 VAC, 50 to 60 Hz (auto-select)
<15 W
1 year
Output Range
Dynamic Range
THD
Frequency Response
20 dBu / 14 dBu / 8 dBu / 2 dBu
> 104 dB, 20 Hz to 20 kHz
<-98 dB (0.0013 %) @ 1 kHz
+0/-0.3 dB, 20 Hz to 20 kHz
Nova System
Nova Dynamics
Nova Modulator
Analog Inputs
Connectors
Impedance
Max. Input Level
A to D Conversion
A to D Delay
Dynamic Range
THD
Frequency Response
Crosstalk
1/4” phone jacks w. monosense
1 MOhm
TBD dBu
24 bit, 128 x oversampling bitstream
TBD
105 dB typ, 20 Hz - 20 kHz
typ. < 92 dB (0,0025 %) @ 1 kHz
+0/-0.1 dB @ 48 kHz, 20 Hz to 20 kHz
<-95 dB, 20 Hz to 20 kHz
Analog Outputs
Connectors
Impedance Balanced / Unbalanced
Max. Output Level
D to A Conversion
D to A Delay
Dynamic Range
THD
Frequency Response
Crosstalk
1/4” phone jack, balanced
40 Ohm
TBD dBu
24 bit, 128 x oversampling bitstream
TBD
105 dB typ, 20 Hz to 20 kHz
typ <-94 dB (0.002 %) @ 1 kHz, +20 dBu Output
+0/-0.5 dB @ 48 kHz, 20 Hz to 20 kHz
<-100 dB, 20 Hz to 20 kHz
16 / WiNTer 2008
EMC
Complies with
EN 55103-1 and EN 55103-2 FCC part 15, Class B,
CISPR 22, Class B
Environment
Operating Temperature
Storage Temperature
Humidity
32° F to 122° F (0° C to 50° C)
-22° F to 167° F (-30° C to 70° C)
Max. 90 % non-condensing
General
Finish
Dimensions
Mains Voltage
Power Consumption
Warranty Parts and labor
Anodized aluminum front Plated and painted steel endcaps
12,5x12,5 cm
100 to 240 VAC, 50 to 60 Hz (auto-select) AC wall adapter
<5 W
1 year
Digital Inputs and Outputs
Connectors
Formats
Sample Rates
RCA Phono (S/PDIF)
S/PDIF (24 bit), EIAJ CP-340, IEC 958
44.1 kHz, 48 kHz
Analog Inputs
Connectors, balanced
Impedance: Balanced/Unbalanced
Line Input Level @ 0 dBFS
Line Sensitivity @ 12 dB headroom
Drive Input Level @ 0 dBFS
Drive Sensitivity @ 12 dB headroom
Line: 1/4”phone jack
Line: 21/13 kOhm
24 dBu to 0 dBu
12 dBu to -12 dBu
18 dBu to -6 dBu
6 dBu to -18 dBu
THD
Crosstalk
A to D Conversion
< - 100 dB (0,001 %) @ 1 kHz
< - 85 dB, 20 Hz to 20 kHz
24 bit, 128 x oversampling bitstream
Analog Outputs
D to A Conversion
D to A Delay
Connectors, balanced
Output Impedance
24 bit, 128 x oversampling bitstream
0.63/0.68 ms @ S.R.= 48/44.1 kHz
1/4” phone jack
40 Ohm
EMC
Complies with
Safety
Certified to
EN 55103-1 and EN 55103-2
FCC part 15, Class B, CISPR 22, Class B
IEC 65, EN 60065, UL6500 and CSA
E60065 CSA FILE #LR108093
Environment
Operating Temperature
Storage Temperature
Humidity
32° F to 122° F (0° C to 50° C)
-22° F to 167° F (-30° C to 70° C)
Max. 90 % non-condensing
Control Interface
MIDI
Pedal
In/Out/Thru: 5 Pin DIN
1/4” phone jack
Supplementary
Display
Dimensions
Weight
Mains Voltage
Power Consumption
Warranty Parts and labor
24x2 character LCD
11.2” x 3.5” x 10.5” (284 x 89 x 267)
4.1 lb. (1.85 kg)
100 to 240 VAC, 50 to 60 Hz (auto-select)
<15 W
1 year
WiNTer 2008 / 17
GUiTAr eFFeCTS / TECHniCAl SpECiFiCATiOnS
Vintage Octa Screamer
Connections
Power Supply
Effect Usage
Dimensions
Classic Booster + Distortion
1/4 inch input jack, 1/4 inch output jack, DC jack 2mm (centerpin is minus)
9-12 Vol DC or battery 9V Alkaline
30mA
100mm x 120mm x 50mm
Classic Sustain + Parametric EQ
Connections
Power Supply
Effect Usage
Dimensions
Classic TC XII Phaser
Switch Out
Relay Jack
VPD1
Digital Inputs and Outputs
Connectors:
Formats:
Output Dither:
Sample Rates:
Processing Delay:
Frequency Response DIO:
Analog Inputs
Connectors:
Impedance, Bal / Unbal:
Max. Input Level:
Min. Input Level for 0 dBFS:
Sensitivity:
A to D Conversion:
A to D Delay:
Dynamic Range:
THD:
Frequency Response:
Crosstalk:
Analog Outputs
Connectors:
Impedance Bal / Unbal:
Max. Output Level:
Output Ranges:
SCF pedal
1/4 inch input jack, 1/4 inch output jack, DC jack 2mm (centerpin is minus)
9-12 Vol DC or battery 9V Alkaline
20mA
100mm x 120mm x 50mm
D to A Conversion:
D to A Delay:
Digital In
Switch
Digital Input and Output
Connector:
Formats:
Sample Rates:
Processing Delay:
Frequency Response DIO:
Analog Inputs
Connectors:
Impedance, Bal / Unbal:
Max. / Min. Input Level @ 0 dBFS:
Sensitivity Range @ 12 dB headroom:
A to D Conversion:
A to D Delay:
Dynamic Range:
THD:
Frequency Response:
Crosstalk:
Analog Outputs
Connectors:
Impedance Bal / Unbal:
Max. Output Level:
D to A Conversion:
D to A Delay:
Dynamic Range:
THD:
Frequency Response:
18 / WiNTer 2008
Balanced
Jack
Analog
Inputs
Balanced
Auto-sensing
Jack
Digital In & Out @
Analog
44.1 & 48 kHz
Outputs
MIDI In/Out
for G-Minor
Connection
Crosstalk:
RCA Phono (S/PDIF)
S/PDIF (24 bit), EIAJ CP-340, IEC 958
44.1 kHz. (48 kHz only @ Digital Input)
0.08 ms @ 48 kHz
DC to 23.9 kHz ± 0.01 dB @ 48 kHz
1/4” phone jack, mono sense
21 kOhm / 13 kOhm
+24 dBu / 0 dBu
-12 dBu to +12 dBu
24 bit, 128 x oversampling bitstream
0.70 ms / 0.65 ms @ 44.1 kHz / 48 kHz
typ < -92 dB, 22 Hz to 22 kHz
typ < -90 dB (0.0032 %) @ 1 kHz, -1 dBFS
+0/-0.1 dB, 20 Hz to 20 kHz
typ < -100 dB, 20 Hz to 20 kHz
EMC
Complies with:
Safety
Certified to:
Power Input 100 - 240V
(Internal Power Supply
No Wall-wart)
typ < -100 dB, 20 Hz to 20 kHz
EN 55103-1 and EN 55103-2
FCC part 15, Class B, CISPR 22, Class B
IEC 65, EN 60065, UL6500 and CSA
E60065
CSA FILE #LR108093
Environment
Operating Temperature:
Storage Temperature:
Humidity:
32° F to 122° F (0° C to 50° C)
-22° F to 167° F (-30° C to 70° C)
Max. 90 % non-condensing
Control Interface
MIDI:
Pedal:
In/Out: 5 Pin DIN
1/4” phone jack
General
Finish:
1/4” phone jack
40 Ohm / 20 Ohm
+14 dBu
24 bit, 128 x oversampling bitstream
0.68 ms / 0.63 ms @ 44.1 kHz / 48 kHz
typ < -105 dB typ, 22 Hz to 22 kHz
typ < -97 dB (0.0014 %) @ 1 kHz, +13 dBu
+0/-0.5 dB, 20 Hz to 20 kHz
Pedal Input for
TC Switch-3
Connection
Display:
Dimensions:
Weight:
Mains Voltage:
Power Consumption:
Warranty Parts and labor:
Anodized aluminum front
Plated and painted steel chassis
2 x 7 segment + LED’s
19” x 1.75” x 4.2” (483 x 44 x 105.6 mm)
3.3 lb. (1.5 kg)
100 to 240 VAC, 50 to 60 Hz (auto-select)
<15 W
1 year
Balanced Jack
Analog Outputs
Digital S/PDIF
Input/Output
MIDI
In, Thru, Out
RCA Phono (S/PDIF)
S/PDIF (24 bit), EIAJ CP-340, IEC 958
HPF/TPDF dither 24/20/16/8 bit
44.1 kHz, 48 kHz
0.1 ms @ 48 kHz
DC to 23.9 kHz ± 0.01 dB @ 48 kHz
Dynamic Range:
THD:
Frequency Response:
Crosstalk:
EMC
Complies with:
Certified to:
1/4” phone jack, balanced
21 kOhm / 13 kOhm
+24 dBu
0 dBu
@ 12 dB headroom: -12 dBu to +12 dBu
24 bit, 128 x oversampling bitstream
0.65 ms / 0.70 ms @ 48 kHz / 44.1 kHz
100 dB typ, 20 Hz - 20 kHz
typ < 92 dB (0,0025 %) @ 1 kHz
+0/-0.1 dB @ 48 kHz, 20 Hz to 20 kHz
<-95 dB, 20 Hz to 20 kHz
Environment
Operating Temperature:
Storage Temperature:
Humidity:
Control Interface
MIDI:
Pedal:
Relay closure (separate tip & ring
connection to sleeve):
General
Finish:
1/4” phone jack, balanced
40 Ohm
+20 dBu (balanced)
Balanced: 20/14/8/2 dBu
Unbalanced: 14/8/2 dBu
24 bit, 128 x oversampling bitstream
0.63 ms / 0.68 ms @ 48 kHz / 44.1 kHz
Display:
Dimensions:
Weight:
Mains Voltage:
Power Consumption:
Warranty Parts and labor:
Main
Power
Power
Input
Switch 100 - 240V
Analog Inputs
Connectors:
Impedance:
Max. Input Level:
Sensitivity:
A to D Conversion:
A to D Delay:
Dynamic Range:
THD:
Frequency Response:
Crosstalk:
Analog Outputs
Connectors:
Impedance:
Max. Output Level:
Full Scale Output Range:
D to A Conversion:
D to A Delay:
Dynamic Range:
THD:
Frequency Response:
Crosstalk:
Digital Inputs and Outputs
S/PDIF In/Out:
Formats:
Sample Rate:
Balanced Jack
Analog Inputs
Hi-Z Unbalanced
Inputs
1/4” phone jack, unbalanced (Ring: grounded)
1 MOhm
+21 dBu
@ 15 dB headroom: -26 dBu to +6 dBu
24 bit (1 bit, 128 times oversampling)
0,9 ms @ 44.1 kHz
>105 dB
0.003% @ 1 kHz, 6 dB below full scale
+0/-0.5 dB (20 Hz - 20 kHz)
<-60 dB (20 Hz - 20 kHz)
1/4” phone jack, balanced
100 Ohm (active transformer)
+22 dBu
-10 dBu to +22 dBu
24 bit (1 bit, 128 times oversampling)
0.6 ms @ 44.1 kHz
>100 dB
0.005% @ 1 kHz, 6 dB below full scale
+0/-0.5 dB (20 Hz - 20 kHz)
<-60 dB (20 Hz - 20 kHz)
Coaxial, RCA Type
EIAJ CP-340, IEC 958, S/PDIF (24 bit)
44.1 kHz
Balanced
Outputs
External
Control
Input
104 dB typ, 20 Hz to 20 kHz
typ <-94 dB (0.002 %) @ 1 kHz, +20 dBu Output
+0/-0.5 dB @ 48 kHz, 20 Hz to 20 kHz
<-100 dB, 20 Hz to 20 kHz
EN 55103-1 and EN 55103-2
FCC part 15, Class B, CISPR 22, Class B
IEC 65, EN 60065, UL6500 and CSA E65
32° F to 122° F (0° C to 50° C)
-22° F to 167° F (-30° C to 70° C)
Max. 90 % non-condensing
In/Out/Thru: 5 Pin DIN
1/4” phone jack
1/4” phone jack
Anodized aluminum front
Plated and painted steel chassis
23 character / 280 icon STN-LCD display
19” x 1.75” x 8.2” (483 x 44 x 195 mm)
4.1 lb. (1.85 kg)
100 to 240 VAC, 50 to 60 Hz (auto-select)
<15 W
1 year
S/PDIF
Digital In/Out
PCMCIA Interface
Connector:
Standards:
Card Format:
Control Interface
MIDI:
External control:
General
Finish:
LED:
LCD:
Dimensions:
Weight:
Mains Voltage:
Power Consumption:
Backup Battery Life:
EMC
Complies with:
Safety
Certified to:
Environment
Operating Temperature:
Storage Temperature:
Humidity:
Power Input
100 - 240V
MIDI
In,Thru,Out
External
Control Input
PCMCIA Type 1 cards
PCMCIA 2.0, JEIDA 4.0
Supports up to 2 MB SRAM
In/Out/Thru: 5 Pin DIN
1/4” phone jack
Anodized aluminum face.
Plated and painted steel chassis
3 LED meters, 5 x 14 dot LED-matrix
56 x 128 dot graphic LCD-display
19” x 1.75” x 8.2” (483 x 44 x 208 mm)
5.0 lb. (2.25 kg)
100 to 240 VAC, 50 to 60 Hz (auto-select)
<20 W
>10 years
EN 55103-1, EN 55103-2 and
Class B limits of FCC rules, part 15
EN 60065, UL 1419
32 °F to 122 °F (0 °C to 50 °C)
-22 °F to 167 °F (-30 °C to 70 °C)
Max. 90% non-condensing
WiNTer 2008 / 19
Get the full TC Electronic brochure range:
Contact your nearest dealer for more info
www.tcelectronic.com/support
The TC Forum is a user-to-user resource where you can swap presets with other users of TC guitar effects.
Hook up with peers to discuss the nitty-gritty details of the perfect setup, get the latest tips and tricks,
post tech questions, inquiries, etc.
The TC Support Interactive website is designed as an online support and information center. All resolved
problems are stored in a database searchable by product, category, keywords, or phrases. Under the
section “My Stuff ” you can login to check the status of your questions, download file attachments
and much more. We constantly update the database and you will find the site to be a huge resource of
information. Browse through Q&As and discover new aspects of your TC gear. If you can’t find an answer
online, feel free to submit a question to our technical support staff who will then reply to you by email.
The TC Support Team is on constant alert to help you in any possible way.
www.tcelectronic.com/forum
© TC Electronic A/S 2008. All product and company names are trademarks of their respective owners.
All specifications subject to change without notice. All rights reserved.
TC ElECTroniC A/S • SINDALSVEJ 34 • DK-8240 RISSKOV • DENmARK • ✆ + 45 8742 7000
T C | U S • 5 7 0 6 C O R S A AV E N u E , S u I t E 1 0 7 • W E S t L A K E V I L L A g E • C A 9 1 3 6 2 • U S A • ✆ ( 8 1 8 ) 6 6 5 - 4 9 0 0
[email protected] • W W W. t C E L E C t R O N I C . C O m
Winter 2008 / Prod. No: 612600212
The TC Forum is a user-to-user resource where you can swap presets with other users of TC guitar effects.
Hook up with peers to discuss the nitty-gritty details of the perfect setup, get the latest tips and tricks,
post tech questions, inquiries, etc.
Was this manual useful for you? yes no
Thank you for your participation!

* Your assessment is very important for improving the work of artificial intelligence, which forms the content of this project

Download PDF

advertisement