AW2816 Specifications
General Specification
Mixer Section
Total Harmonic Distortion
Less than 0.02% (@1kHz, LINE IN
to STEREO OUT)
A/D Conversion Rate
24bit - 64 x oversampling
File System
AW2816 Original Format
Frequency Response
20 Hz - 20kHz (0+1/-3dB, MIC/LINE IN
to STEREO OUT)
D/A Conversion Rate
24bit - 128 x oversampling
Display
Internal Processing
32bit (EQ=44bit)
320 x 240 dot backlit LCD
(with contrast controller)
MIDI
MTC (Master/Slave), MIDI Clock, MMC, Program Change,
Control Change, Parameter Change, Bulk Dump
Oscillator
Sine Wave (100kHz, 1kHz, 10kHz), White Noise
to BUS 1-8, AUX 1-6, STEREO
SCSI
Save/Load backup data, WAV file importing/Exporting
TO HOST
Same with MIDI IN, OUT/THRU, MTC OUT
Dynamic Range
104dB (LINE IN to STEREO OUT)
Power Requirements
AC120V (UL, CSA), 230V (CE)
Power Consumption
35W (excl. options)
Dimensions, Weight
480 (W) x 429 (D) x 141 (H) mm,
9.5kg (excl. options)
HD Recorder
Internal Tracks
Sampling Rate
Others
Internal
External
44.1kHz (±6%)/48kHz (±6%)
44.1kHz (-6%) -48kHz (-6%)
Simultaneous
Mixing Inputs
(28 Total)
Selected Inputs via Patch Bay 12
(8 MONO + 2 STEREO)
HD Recorder Playback
16
Bus (18 Total)
GROUP x 8, AUX x 6, STEREO, SOLO
Mixing Layer
INPUT 1-8, RECORDER 1-8, RECORDER 9-16
Channel Functions
INPUT 1-8, RECORDER
1-16
130 (16 tracks x 8 virtual tracks, Stereo track)
EFFECT RETURN 1, 2
Simultaneous
Play tracks
16 tracks
Simultaneous
Record tracks
8 tracks
Recording Resolution
16bit/24bit Uncompress
Internal (HDD)
2.5inch IDE (One unit included in the
products package)
Max. HDD capacity
64GB
Max. capacity per 1song /
6.4GB (12,000 regions)
Bus Function
STEREO OUT
BUS 1-8
AUX 1-6
Memory
Scene Memory
Automix
Patch Library
Channel Library
EQ Library
Dynamics Library
Effect Library
Attenuation, Phase, Delay, Dynamics, Bus
assign, 4band full parametric EQ, Pan,
Channel ON/OFF
/Attenuation, Phase, Delay, Bus assign,
4band full parametric EQ, Pan,
Channel ON/OFF
Locate Point
(per song)
1RETURN TO ZERO/START/END/A/B/
LAST REC IN/LAST REC OUT/ROLL BACK
Automix Parameter
Fader, AUX, ON, PAN, EQ, Scene Memory, Libraries Recall, REMOTE
Screen Fader 1-8 and ON keys
Mark (per song)
99
Faders
60mm motor drive x 9
Direct Locate
(NUM LOCATE)
Numeric Keypad (Time, Measure)
Punch I/O
Auto punch I/O, Manual Punch I/O
CD-RW Section
Edit
SONG
Supported Drives
ATAPI-Internal type (Drive compatibility
list will be shown in www.aw2816.com)
Function
Make/Playback Audio CD, Import, Load/
Save back up data from/to CD-ROM to/fromHDD,
WAV file importing/Exporting
50% - 200%
Pitch Change
±1 octaves
Connector
Norminal Level
XLR/TRS Phone
Balanced
+4dB(Line) - -46dB(Mic)
MIC/LINE INPUT 3-8
TRS Phone
Balanced
+4dB(Line) - -46dB(Mic)
CH8 Input Hi-Z
Phone
Unbalanced
+4dB(Line) - -46dB(Mic)
(*) +48V Phantom SW
Digital Input & Output
Terminal
96 per Song
16 per Song
20
64
128
128
128
30,000 SONG
Time Compression/
Expansion
Terminal
MIC/LINE INPUT 1,2(*)
Attenuation, Phase, Delay, Dynamics, Bus
assign, 4band full parametric EQ, Balance,
Channel ON/OFF
Attenuation
Attenuation
Max. No. of Songs
NAME, COMMENT, DELETE,
COPY, OPTIMIZE, PROTECT,
NAME, ERASE, COPY,
EXCHANGE, SLIP, APPEND
TRACK TIME COMP/EXPAND, PITCH
CHANGE, IMPORT, EXPORT
PART
ERASE, DELETE, COPY, MOVE,
INSERT, APPEND, TIME COMP/
EXPAND, PITCH CHANGE,
EXPORT NAME, ERASE, DELETE,
COPY, MOVE, DIVIDE, TRIM
REGION IN/OUTTIME COMP/EXPAND,
PITCH CHANGE, IMPORT,
EXPORT
Analog Input
Connector
Norminal Level
STEREO OUT (L, R)
RCA pin
Unbalanced
-10dBV
MONITOR OUT (L, R)
TRS Phone
Balanced
+4dB
OMINI OUT 1-4
Phone
Unbalanced
0dB
PHONES
TRS Phone
Unbalanced
100mW + 100mW
(40 Ω load)
*0dB=0.775Vrms 0dBV=1Vrms
Digital I/O
Terminal
Connector/Format
Resolution
DIGITAL STEREO
IN/OUT
RCA pin
(COAXIAL)
24bit
Terminal
Connector/Format
Resolution
OPTION I/O SLOT
Mini-YGDAI
(max. 8in/8out)
24bit
OPTION I/O
Others
Terminal
Connector/Format
MIDI IN, OUT/
THRU, MTC OUT
DIN 5pin
TO HOST
Mini DIN 8pin
FOOT SW
PHONE
SCSI
SCSI-2/D-sub Half Pitch 50pin
Specifications and appearances are subject to change without notice.
Rear Panel
* Each Mini-YGDAI card in the photo is
an optional product (sold separately).
Options
20GB 2.5 "Hard Disk Drive" HDD25-20G
APOGEE
WAVES
AP8AD 8channel AD Card
AP8DA 8chennel DA Card
http://www.apogeedigital.com
Y56K DSP Effect Card
http://www.waves.com
Foot Switch FC-5
Mini-YGDAI Cards
MY8-AE
MY8-AT
MY8-TD
AES/EBU Interface
ADAT Interface
Tascam Interface
MY8-AD
MY4-AD
MY4-DA
8 ch AD Interface
(TRS x 8)
4 ch AD Interface
(XLR x 4)
4 ch DA Interface
(XLR x 4)
*TASCAM is registered trademark of TEAC Corporation. ADAT is registered trademark of ALESIS Corporation.
*APOGEE is registered trademark of APOGEE Electronics. WAVES is registered trademark of WAVES.
Web Site http:// www.aw2816.com http:// www.yamaha.co.jp/product/proaudio/homeenglish/
For detail please contact:
This document is printed on chlorine free (ECF) paper.
LPA453E
Printed in Japan
www.aw2816.com
The Compact, Affordable Digital Audio
Workstation That Delivers Fully Professional
Features and Performance
If you’re one of the countless musicians, artists, or audio production professionals
who believe that the Yamaha AW4416 is the perfect digital audio workstation
- but a little “overpowered” for your needs - the AW2816 is here! If this is the first time you’ve heard
about a Yamaha Professional Audio Workstation, read on! There’s great news ahead!
In one compact console-style unit you get a fully-digital 28-input/18-output mixer with the power and
performance of the now-legendary Yamaha 02R Digital Mixer, a 16-track-plus-stereo 24-bit hard disk
recorder, and a CD-RW drive to archive your masterpieces and master the final versions to CD.*
What are the benefits? Well, in addition to having the entire production chain right at your fingertips - in a
fraction of the space and at a fraction of the cost that a system comprising comparable separate
components would require, all signals remain in the digital domain from input to CD
28-channel/18-bus
Digital
Mixer
28-channel/18-bus Digital
Mixer
Smooth, Responsive Motor Faders
Versatile I/O Configuration With
Digital Patching
Much more than just a gimmick, the AW2816 motor faders
accurately represent actual levels when using automation or
switching between mix layers or scenes. There’s no need to ma-
Right out of the box the AW2816
provides 8 balanced inputs including
two XLR-connector inputs with switch-
nually match fader levels – just reach for the faders and create in
the most intuitive, natural way possible. These precision 60-
able phantom power for micro-phone
input and 6 balanced TRS jacks for
millimeter motor faders are an indispensable part of the overall
interface that makes the AW2816 one of the finest digital audio
workstations available.
microphone or line input. Channel 8
also features a Hi-Z input for direct
connection of electric guitar or bass. There’s also a digital stereo
input and dual stereo effect returns. An option slot accepts a range
of optional input cards, providing up to 8 additional inputs. Routing
all of these inputs to the AW2816’s 16 hard-disk recorder tracks
and/or 18 buses might seem like a daunting task, but digital
so there’s no chance for degradation. In short, the sound is superb.
The AW2816 is a professional-quality recording studio that you can use just about anywhere.
** CD-RW
CD-RW drive
drive sold
sold separately.
separately.
The Hard
Recorder
The Hard
DiskDisk
Recorder
patching actually makes it easy and efficient – and more
importantly: degradation-free! No matter where you route your
signals all patching is done digitally so, unlike the patch bays used
in even the biggest commercial studios, there’s no chance for signal
degradation. Patch configurations can be saved in the internal
“Patch Library” memory for instant recall when you need them
again.
16 or 24-bit recording (uncompressed)
16 tracks plus a stereo track … and virtual tracks for as many as 130
tracks, total.
Precision editing and pinpoint location capability.
The
Mixer
The
Mixer
Accepts a wide range of 2.5" IDE hard disk drives (up to 64 gigabytes).
* When installing your own hard disk drive be sure to select a model listed in
the compatibility chart on the Yamaha Pro Audio web site.
28 input channels, 18 mix busses.
The 02R Lives On … With
Improved Sound and Performance
Dual top-quality DSPs for effects
processing.
Digital Mixer
I/O
Card
x4
x8
INPUT 1-8
OPTION I/O
Slot
Input Channel 1-8
Monitor Channel 1-16
Return Channel 1/2
x8
Mini-YGDAI Cards
x2
Buss 1-8
AUX Buss 1-6
STEREO Buss
SOLO Buss
STEREO Output Channel
x2
Effect 1
Effect 2
Internal Effect
Channel Insert I/O
Recorder
Input Patch
x16
CD-RW Mastering & Data Storage
CD-RW
Mastering & Data Storage
CD-R or CD-RW drive.
Master your own audio CDs without leaving the digital domain.
Convenient, reliable data storage and retrieval.
Directly load audio and other data from CD-ROMs.
* When installing your own CD-R or CD-RW drive be sure to select a model
listed in the compatibility chart on the Yamaha Pro Audio web site.
x2
STEREO OUT
x2
DIGITAL STEREO OUT
MONITOR OUT
PHONE
x2
Effect 1
Effect 2
Internal Effect
x2
CD Play
x16
CD write
HD Recorder
DATA
Back Up/Restore
Import/Export
I/O
Card
Mini-YGDAI Cards
x2
x2
x2
OMNI OUT 1-4
OPTION I/O
x8 Slot
x2
Effect Patch
DIGITAL
STEREO IN
Output Patch
Powerful channels functions inherited from
the industry-leading 02R Digital Mixer.
Input Patch
In fact, it keeps coming back stronger than ever. The AW2816
mixer offers the features and performance of the 02R Digital Mixer –
the de-facto industry standard – plus a number of enhancements that
place it well ahead of the rest. All AD and DA conversion is
handled by state-of-the-art 24-converters, and all internal processing
is 32-bit, with the exception of the EQ stages which employ 44-bit
processing. The result is audio quality that is simply superb. In the
AW2816 special attention has also been paid to the head-amp
design – one of the very few analog circuits in the entire system that
can affect the signal prior to the A/D converters. Their quality and
performance is on a par with many of the finest component (and
very expensive) head amps available.
Motor faders and full mix automation.
CD-RW Drive
The Compact, Affordable Digital Audio
Workstation That Delivers Fully Professional
Features and Performance
If you’re one of the countless musicians, artists, or audio production professionals
who believe that the Yamaha AW4416 is the perfect digital audio workstation
- but a little “overpowered” for your needs - the AW2816 is here! If this is the first time you’ve heard
about a Yamaha Professional Audio Workstation, read on! There’s great news ahead!
In one compact console-style unit you get a fully-digital 28-input/18-output mixer with the power and
performance of the now-legendary Yamaha 02R Digital Mixer, a 16-track-plus-stereo 24-bit hard disk
recorder, and a CD-RW drive to archive your masterpieces and master the final versions to CD.*
What are the benefits? Well, in addition to having the entire production chain right at your fingertips - in a
fraction of the space and at a fraction of the cost that a system comprising comparable separate
components would require, all signals remain in the digital domain from input to CD
28-channel/18-bus
Digital
Mixer
28-channel/18-bus Digital
Mixer
Smooth, Responsive Motor Faders
Versatile I/O Configuration With
Digital Patching
Much more than just a gimmick, the AW2816 motor faders
accurately represent actual levels when using automation or
switching between mix layers or scenes. There’s no need to ma-
Right out of the box the AW2816
provides 8 balanced inputs including
two XLR-connector inputs with switch-
nually match fader levels – just reach for the faders and create in
the most intuitive, natural way possible. These precision 60-
able phantom power for micro-phone
input and 6 balanced TRS jacks for
millimeter motor faders are an indispensable part of the overall
interface that makes the AW2816 one of the finest digital audio
workstations available.
microphone or line input. Channel 8
also features a Hi-Z input for direct
connection of electric guitar or bass. There’s also a digital stereo
input and dual stereo effect returns. An option slot accepts a range
of optional input cards, providing up to 8 additional inputs. Routing
all of these inputs to the AW2816’s 16 hard-disk recorder tracks
and/or 18 buses might seem like a daunting task, but digital
so there’s no chance for degradation. In short, the sound is superb.
The AW2816 is a professional-quality recording studio that you can use just about anywhere.
** CD-RW
CD-RW drive
drive sold
sold separately.
separately.
The Hard
Recorder
The Hard
DiskDisk
Recorder
patching actually makes it easy and efficient – and more
importantly: degradation-free! No matter where you route your
signals all patching is done digitally so, unlike the patch bays used
in even the biggest commercial studios, there’s no chance for signal
degradation. Patch configurations can be saved in the internal
“Patch Library” memory for instant recall when you need them
again.
16 or 24-bit recording (uncompressed)
16 tracks plus a stereo track … and virtual tracks for as many as 130
tracks, total.
Precision editing and pinpoint location capability.
The
Mixer
The
Mixer
Accepts a wide range of 2.5" IDE hard disk drives (up to 64 gigabytes).
* When installing your own hard disk drive be sure to select a model listed in
the compatibility chart on the Yamaha Pro Audio web site.
28 input channels, 18 mix busses.
The 02R Lives On … With
Improved Sound and Performance
Dual top-quality DSPs for effects
processing.
Digital Mixer
I/O
Card
x4
x8
INPUT 1-8
OPTION I/O
Slot
Input Channel 1-8
Monitor Channel 1-16
Return Channel 1/2
x8
Mini-YGDAI Cards
x2
Buss 1-8
AUX Buss 1-6
STEREO Buss
SOLO Buss
STEREO Output Channel
x2
Effect 1
Effect 2
Internal Effect
Channel Insert I/O
Recorder
Input Patch
x16
CD-RW Mastering & Data Storage
CD-RW
Mastering & Data Storage
CD-R or CD-RW drive.
Master your own audio CDs without leaving the digital domain.
Convenient, reliable data storage and retrieval.
Directly load audio and other data from CD-ROMs.
* When installing your own CD-R or CD-RW drive be sure to select a model
listed in the compatibility chart on the Yamaha Pro Audio web site.
x2
STEREO OUT
x2
DIGITAL STEREO OUT
MONITOR OUT
PHONE
x2
Effect 1
Effect 2
Internal Effect
x2
CD Play
x16
CD write
HD Recorder
DATA
Back Up/Restore
Import/Export
I/O
Card
Mini-YGDAI Cards
x2
x2
x2
OMNI OUT 1-4
OPTION I/O
x8 Slot
x2
Effect Patch
DIGITAL
STEREO IN
Output Patch
Powerful channels functions inherited from
the industry-leading 02R Digital Mixer.
Input Patch
In fact, it keeps coming back stronger than ever. The AW2816
mixer offers the features and performance of the 02R Digital Mixer –
the de-facto industry standard – plus a number of enhancements that
place it well ahead of the rest. All AD and DA conversion is
handled by state-of-the-art 24-converters, and all internal processing
is 32-bit, with the exception of the EQ stages which employ 44-bit
processing. The result is audio quality that is simply superb. In the
AW2816 special attention has also been paid to the head-amp
design – one of the very few analog circuits in the entire system that
can affect the signal prior to the A/D converters. Their quality and
performance is on a par with many of the finest component (and
very expensive) head amps available.
Motor faders and full mix automation.
CD-RW Drive
28-channel/18-bus
Digital
Mixer
28-channel/18-bus Digital
Mixer
New-generation DSPs and
Refined Effects
EQ and Dynamics On All Channels
With the exception of the dual stereo returns, the main stereo
outputs and the remaining input channels all feature the same
flexible 4-parametric equalization and dynamics processing found
Inescapable fact: technology keeps
getting better and more affordable.
The Yamaha custom DSP (Digital
on the 02R and AW4416. The effect returns feature 4-band
parametric EQ without the dynamics processing. This is a detail that
Signal Processing) LSIs used in the
AW2816 deliver approximately four
times the audio processing power of
the chips used in the 02R and
AW4416. This provides a significant
boost in overall audio performance as well as the quality of the
effects provided. The AW2816 includes two refined effect stages
that offer all the effect-processing capability you’ll ever need
need for
for any
any
mix. There is a full range of ambience, modulation, distortion, and
amp simulator effects for guitar that can used in a “send/return”
configuration or inserted directly into input channels or the stereo
bus as required. And so you don’t have to spend a lot of time
setting up detailed effect parameters (of course, you can if you want
want
to), a preset “Effect Library” provides an impressive range of setups
that can be used as is or as a staring point for your own variations.
Original setups can also be stored in the library so you can recall
then whenever they’re needed.
Effect Library
Reverb Effects
Reverb
Reverb Hall
Hall •• Reverb
Reverb Room
Room •• Reverb
Reverb Stage
Stage •• Reverb
Reverb
Plate
Plate •• Early
Early Ref.
Ref. •• Gate
Gate Reverb
Reverb •• Reverse
Reverse Gate
Gate
Delay Effects
Mono
Mono Delay
Delay •• Stereo
Stereo Delay
Delay •• Mod.Delay
Mod.Delay •• Delay
Delay LCR
LCR ••
Echo
Echo
Modulation Effects
Chorus
Flager •• Symphonic
Symphonic •• Phaser
Phaser •• Auto
Auto Pan
Pan
Chorus •• Flager
Tremolo
Tremolo •• HQ.Pitch
HQ.Pitch •• Dual
Dual Pitch
Pitch •• Rotary
Rotary •• Ring
Ring Mod.
Mod. ••
Mod.Filter
Mod.Filter
Guitar Effects
Distortion
Distortion •• Amp
Amp simulate
simulate
Dynamic Effects
Dyna.Filter
Dyna.Filter •• Dyna.Flange
Dyna.Flange •• Dyna.Phaser
Dyna.Phaser
Combination Effects
Rev+Chorus
Rev+Chorus •• Rev›Chorus
Rev›Chorus •• Rev+Flange
Rev+Flange •• Rev›Flange
Rev›Flange
Rev+Sympo.
Rev+Sympo. •• Rev›Sympho.
Rev›Sympho. •• Rev›Pan
Rev›Pan •• Delay+ER.
Delay+ER.
•
•
•
Delay›ER.
Delay+Rev
Delay›Rev
Dist›Delay
•
•
•
Delay›ER. Delay+Rev Delay›Rev Dist›Delay
Other Effects
Multi.filter
Multi.filter
••
16-Track
Recorder
16-TrackHard-disk
Hard-disk Recorder
24-bit Linear (Uncompressed)
Recording On 16 Tracks, Plus Stereo
Although you can record in the 16-bit
mode if you like, for maximum quality
and resolution the AW2816 allows
can really make a difference to the overall sound of your mixes. Of
course, there are also EQ and Dynamics Libraries that contain a
full 24-bit linear, uncompressed re-
range of professionally pre-configured EQ and dynamics settings for
many specific recording tasks, and you can save your own setups
so you don’t have to redo a multitude of settings every time you
want to create a specific sound.
stereo track. You also have a choice of
cording on 16 independent tracks and a
44.1 kHz or 48 kHz sampling frequencies. Furthermore, each main
track allows recording of up to 8 virtual tracks for a maximum of
130 tracks. You can use the virtual tracks to record alternate takes,
for example, and then audition and select the best take later during
mixdown. The hard-disk recorder section also features an “All Rec”
mode which allows up to 8 trakcs to be recorded simultaneously –
ideal for recording a band in one take, or for recording multi-miked
drums, for example.
Advanced Editing Functions
96-scene Memory and Full Mix
Automation
The AW2816 Scene Memory allows you to save up to 96
individual scenes – complete control and parameter setups – for
each song you record. You can save different setups you might want
to use in different sections of a song, or alternative mix setups that
you can then audition and compare at the
touch of a button. Scene changes can also
be fully automated on the time axis. But the
AW2816 provides much more
mix automation capability than
just scene changes. Actual fader
movements
and
parameter
changes can be recorded and
reproduced in real time for
exceptionally detailed mix control.
One of the big advantages of hard disk recording is non-destructive
editing capability. In this area the AW2816 excels. In addition to
basic operations such as copy and move, the AW2816 offers
advanced editing functions including time compression and pitch
change – capabilities that give you extraordinary creative control.
And since all editing is non-destructive (the original audio data is
left untouched), you have as many as 15 undo/redo levels so
there’s plenty of margin to change your mind even if several edits
don’t turn out as expected.
Flexible, Intelligent Location
The same “intelligent location” capability
provided on the acclaimed AW4416 makes
pinpoint location on the AW2816 fast and easy.
You have direct START, END, RTZ, A, B, LAST REC
IN, LAST REC OUT, and ROLL BACK keys as well
as up to 99 assignable locate points per song
which can be specified in time or measure
numbers. For even finer location precision a
Wave Display lets you search for locate points
while viewing the audio waveform. A tempo-map
coupled metronome as well as auto punch-in/out
with precisely programmable IN and OUT points
provide even further control and versatility.
Convenient Recording Utilities
Although too numerous to cover completely here, the AW2816
includes many thoughtful features that can make recording and
managing your audio data a pleasure rather than a chore. For
example, you can enter comments for each song, a built-in calendar
makes it easy to organize and
manage your data by date, a harddisk optimization utility which
eliminates unnecessary data, and a
defragmentation utility that ensures
optimum performance from your hard
disk at all times. And we can’t forget
the “Quick Record” function that
automatically sets up 8 tracks (or up to 16 when an optional I/O
card is installed) for recording when starting work on a new song.
28-channel/18-bus
Digital
Mixer
28-channel/18-bus Digital
Mixer
New-generation DSPs and
Refined Effects
EQ and Dynamics On All Channels
With the exception of the dual stereo returns, the main stereo
outputs and the remaining input channels all feature the same
flexible 4-parametric equalization and dynamics processing found
Inescapable fact: technology keeps
getting better and more affordable.
The Yamaha custom DSP (Digital
on the 02R and AW4416. The effect returns feature 4-band
parametric EQ without the dynamics processing. This is a detail that
Signal Processing) LSIs used in the
AW2816 deliver approximately four
times the audio processing power of
the chips used in the 02R and
AW4416. This provides a significant
boost in overall audio performance as well as the quality of the
effects provided. The AW2816 includes two refined effect stages
that offer all the effect-processing capability you’ll ever need
need for
for any
any
mix. There is a full range of ambience, modulation, distortion, and
amp simulator effects for guitar that can used in a “send/return”
configuration or inserted directly into input channels or the stereo
bus as required. And so you don’t have to spend a lot of time
setting up detailed effect parameters (of course, you can if you want
want
to), a preset “Effect Library” provides an impressive range of setups
that can be used as is or as a staring point for your own variations.
Original setups can also be stored in the library so you can recall
then whenever they’re needed.
Effect Library
Reverb Effects
Reverb
Reverb Hall
Hall •• Reverb
Reverb Room
Room •• Reverb
Reverb Stage
Stage •• Reverb
Reverb
Plate
Plate •• Early
Early Ref.
Ref. •• Gate
Gate Reverb
Reverb •• Reverse
Reverse Gate
Gate
Delay Effects
Mono
Mono Delay
Delay •• Stereo
Stereo Delay
Delay •• Mod.Delay
Mod.Delay •• Delay
Delay LCR
LCR ••
Echo
Echo
Modulation Effects
Chorus
Flager •• Symphonic
Symphonic •• Phaser
Phaser •• Auto
Auto Pan
Pan
Chorus •• Flager
Tremolo
Tremolo •• HQ.Pitch
HQ.Pitch •• Dual
Dual Pitch
Pitch •• Rotary
Rotary •• Ring
Ring Mod.
Mod. ••
Mod.Filter
Mod.Filter
Guitar Effects
Distortion
Distortion •• Amp
Amp simulate
simulate
Dynamic Effects
Dyna.Filter
Dyna.Filter •• Dyna.Flange
Dyna.Flange •• Dyna.Phaser
Dyna.Phaser
Combination Effects
Rev+Chorus
Rev+Chorus •• Rev›Chorus
Rev›Chorus •• Rev+Flange
Rev+Flange •• Rev›Flange
Rev›Flange
Rev+Sympo.
Rev+Sympo. •• Rev›Sympho.
Rev›Sympho. •• Rev›Pan
Rev›Pan •• Delay+ER.
Delay+ER.
•
•
•
Delay›ER.
Delay+Rev
Delay›Rev
Dist›Delay
•
•
•
Delay›ER. Delay+Rev Delay›Rev Dist›Delay
Other Effects
Multi.filter
Multi.filter
••
16-Track
Recorder
16-TrackHard-disk
Hard-disk Recorder
24-bit Linear (Uncompressed)
Recording On 16 Tracks, Plus Stereo
Although you can record in the 16-bit
mode if you like, for maximum quality
and resolution the AW2816 allows
can really make a difference to the overall sound of your mixes. Of
course, there are also EQ and Dynamics Libraries that contain a
full 24-bit linear, uncompressed re-
range of professionally pre-configured EQ and dynamics settings for
many specific recording tasks, and you can save your own setups
so you don’t have to redo a multitude of settings every time you
want to create a specific sound.
stereo track. You also have a choice of
cording on 16 independent tracks and a
44.1 kHz or 48 kHz sampling frequencies. Furthermore, each main
track allows recording of up to 8 virtual tracks for a maximum of
130 tracks. You can use the virtual tracks to record alternate takes,
for example, and then audition and select the best take later during
mixdown. The hard-disk recorder section also features an “All Rec”
mode which allows up to 8 trakcs to be recorded simultaneously –
ideal for recording a band in one take, or for recording multi-miked
drums, for example.
Advanced Editing Functions
96-scene Memory and Full Mix
Automation
The AW2816 Scene Memory allows you to save up to 96
individual scenes – complete control and parameter setups – for
each song you record. You can save different setups you might want
to use in different sections of a song, or alternative mix setups that
you can then audition and compare at the
touch of a button. Scene changes can also
be fully automated on the time axis. But the
AW2816 provides much more
mix automation capability than
just scene changes. Actual fader
movements
and
parameter
changes can be recorded and
reproduced in real time for
exceptionally detailed mix control.
One of the big advantages of hard disk recording is non-destructive
editing capability. In this area the AW2816 excels. In addition to
basic operations such as copy and move, the AW2816 offers
advanced editing functions including time compression and pitch
change – capabilities that give you extraordinary creative control.
And since all editing is non-destructive (the original audio data is
left untouched), you have as many as 15 undo/redo levels so
there’s plenty of margin to change your mind even if several edits
don’t turn out as expected.
Flexible, Intelligent Location
The same “intelligent location” capability
provided on the acclaimed AW4416 makes
pinpoint location on the AW2816 fast and easy.
You have direct START, END, RTZ, A, B, LAST REC
IN, LAST REC OUT, and ROLL BACK keys as well
as up to 99 assignable locate points per song
which can be specified in time or measure
numbers. For even finer location precision a
Wave Display lets you search for locate points
while viewing the audio waveform. A tempo-map
coupled metronome as well as auto punch-in/out
with precisely programmable IN and OUT points
provide even further control and versatility.
Convenient Recording Utilities
Although too numerous to cover completely here, the AW2816
includes many thoughtful features that can make recording and
managing your audio data a pleasure rather than a chore. For
example, you can enter comments for each song, a built-in calendar
makes it easy to organize and
manage your data by date, a harddisk optimization utility which
eliminates unnecessary data, and a
defragmentation utility that ensures
optimum performance from your hard
disk at all times. And we can’t forget
the “Quick Record” function that
automatically sets up 8 tracks (or up to 16 when an optional I/O
card is installed) for recording when starting work on a new song.
playing a guitar or other instrument. The details do count.
BUS 5
BUS 4
BUS 3
X 2
EFFECT
30
INSERT SEND
AUX6(EFF2)
(EEF)
METER
EFFECT1~2
OSCILLATOR
(BUS CASCADE)
DIGITAL STEREO IN R
METER
2
AUX5(EFF1),
DIRECT OUT
RECORDER ST Trk
ST Trk L/R
RECORDER
2
REPRO1-16
RECORDER
16
MONITOR
2
(1,2 only)
INPUT
ON
ENABLE
DIGITAL STEREO IN L
EFFECT
(EEF)
Mono in X 16
(Gain Reduction)
(EQ)
DIRECT OUT
METER
METER
RECORDER
SELECT
INPUT SELECT
RECORDER
METRONOME
LEVEL
ATT
AUX
ON
PAN
DELAY
INPUT
DY-
NAMICS
4BAND EQ
METER
RECORDER INPUT1-16
16
(to BUS CASCADE)
ATT
INSERT
RECORDER MONI 1(...16)
(EQ)
Stereo in X 2
4BAND EQ
ATT
2
COAXIAL
DIGITAL STEREO IN
2
EFFECT2
EFFECT1
8
SLOT IN
OPTION I/O SLOT
INPUT 8 ONLY
Hi-z
2
AD
3-8
LINE MIC
PEAK
AD
+48V
LINE MIC
INPUT
MY4-DA (XLR x 4)
1-2
MY8-AD (TRS x 8)
INPUT
MY4-AD (XLR x 4)
MIC/LINE INPUT
PHANTOM
PEAK
■ DA card
PRE/POST
LEVEL
ON
METER
DELAY
INPUT
INSERT
METER
ATT
METER
METER
(EQ)
INPUT
DELAY
4BAND EQ
INSERT
RETURN 1(...2)
ATT
METER
METER
Mono in X 8
DELAY
METER
NAMICS
(Gain Reduction)
(EQ)
METER
4BAND EQ
INPUT
DY-
INPUT SELECT
■ AD card
AFTER PAN SOLO
PREFADER LISTEN/
METER
RETURN2 can not be assigned to AUX6(EFF2)
ON
RETURN1 can not be assigned to AUX5(EFF1)
AUX
PAN
LEVEL
METER
LEVEL
ON
INSERT
PRE/POST
ON
SOLO
SOLO
METER
PAN
ON
PRE/POST
PAN
AFTER PAN
CH DIRECT OUT
AUX
SOLO
METER
METER
MY8-TD (TASCAM)
METER
MY8-AT (ADAT)
METER
INPUT 1(...8)
SELECTED INSERT RETURNS
30
MY8-AE (AES-EBU)
AFTER PAN
PREFADER LISTEN/
cards from Apogee – the world leader in AD/DA conversion
technology. Or the *Y56K DSP card from digital signal processing
frontrunner Waves, providing on-board access to industry-standard
processors such as the L1 mastering limiter and TrueVerh highresolution reverb effect.
*Y56K
*Y56K will
will be
be supported
supported by
by future
future updating.
updating.
PREFADER LISTEN/
BUS 2
■ DIGITAL I/O card
+4dB
DA
ATT
BUS 6
METRONOME
SOLO L
SOLO R
STEREO R
STEREO L
DIRECT OUT R
ON
BUS 8
RECORDER ST Trk
RECORDER ST Trk
DIRECT OUT L
OUT 16
RECORDER DIRECT
OUT 1
RECORDER DIRECT
SOLO L
STEREO R
BUS 7
While carrying on the outstanding
basic user interface introduced in the
AW4416, the AW2816 provides a
number of important refinements. The
signal routing (patching) displays, for
example, have evolved into a more
graphic format, making the patching
process much more easy and intuitive. And the QUICK REC function
that was such a hit in the AW4416 has been even further refined
for faster, easier setup in the AW2816. Another addition is the MIDI
REMOTE function: AW2816 faders and channel ON keys can be
assigned MIDI messages so they can be physically controlled from
an external MIDI controller or sequencer. What’s more, MIDI control
data can be recorded as automix data for vastly enhanced automix
versatility. And the AW4416 Shortcut Key function has been
enhanced with the addition of a “Control Key Assign” function that
allows you to assign your own operations to specific controls. All of
these advanced features are brought together in a large 320 x 240
dot backlit LCD panel for smooth, stress-free operation.
TRACK CUE
DA
RECORDER DIRECT OUT16
1~16
8
30
INSERT SEND
CH DIRECT OUT1~8
2
8
6
AUX1~6
BUS1~8
STEREO
RECORDER DIRECT OUT
16
1~16
30
INSERT SEND
CH DIRECT OUT1~8
2
8
8
6
AUX1~6
BUS1~8
STEREO
30
RECORDER DIRECT OUT
16
1~16
INSERT SEND
8
CH DIRECT OUT1~8
2
8
6
AUX1~6
BUS1~8
STEREO
30
RECORDER DIRECT OUT
16
1~16
INSERT SEND
CH DIRECT OUT1~8
2
8
8
6
AUX1~6
STEREO
BUS1~8
2
8
BUS 1~8
STEREO
CH DIRECT OUT1~8
8
AUX 4
AUX 1
STEREO L
A Significant Evolution In Software
SOLO Logic
MIXER
SELECT
SELECT
SOLO R
BUS 1
Logic
RECORDER
METER
METER
METER
DITHER
DITHER
DITHER
16
LEVEL
RECORER INPUT 1~16
METER
METER
LEVEL
METER
LEVEL
METER
SELECT
AUX 5(EFF1)
In addition to Yamaha Mini-YGDAI cards which can provide I/O in
a range of formats – ADAT, TASCAM, AES/EBU, analog – the
AW2816 expansion slot will accept a number of high-performance
upgrades. There are the AP8AD and AP8DA AD/DA converter
R
MONITOR
PHONES
DA
DA
8
2
CD PLAY mode
R
L
CD-RW DRIVE
CD PlayBack
(Gain Reduction)
METER
METER
SELECT
ATT
4BAND EQ
SELECT
(EQ)
INSERT
METER
DY-
NAMICS
NAMICS
(EQ)
METER
SELECT
AUX 6(EFF2)
Open-ended Expandability
L
MONITOR
OUT
PHONES
0dB
X 4
OMNI OUT
OPTION I/O SLOT
COAXIAL
R
DA
DIGITAL
STEREO OUT
L
DA
Ð10dBV
STEREO OUT
RECORDER INPUT
1(...16)
SOLO
AUX1(...6)
BUS 1(...8)
METER
METER
BAL
LEVEL
ON
MIDI control change and parameter change messages. There’s even
a footswitch jack that lets makes it easy to punch in or out while
4BAND EQ
*External
*External CD-RW
CD-RW drives
drives must
must be
be SCSI
SCSI types.
types.
website for a complete listing of devices that have been tested
and are compatible with the AW2816 (http://www.aw2816.com)
. MIDI and TO HOST connectors are also provided for direct
connection to MIDI-capable computers and MIDI devices. The
AW2816 can act as either master or slave for synchronization via
MTC or MIDI CLOCK for virtually unlimited system expansion. The
AW2816 is also MMC compatible, and allows remote control via
ATT
creating audio CDs that will play on standard CD players. But
there’s more: use inexpensive, reliable CD-R or CD-RW disks to
back up your valuable audio and mix data. You can also play back
audio CDs, and load data from commercial CD-ROMs.
MO drives, hard-disk drives, and CD-RW
drives. See the Yamaha AW2816
INSERT
internal ATAPI type listed in the compatibility chart on
Yamaha’s AW2816 website (point your browser to
http://www.aw2816.com).* With a CD-R or CD-RW drive installed
you can take your projects from initial recording right through to
The AW2816 comes equipped with a SCSI
interface for direct connection to a wide
range of data storage devices such as
DY-
Install an optional internal CD-R or CD-RW drive in your AW2816
and vastly increase your production power and creative
potential. Choose a Yamaha CD-RW drive, or use any standard
Connect With Computers, SCSI
Devices, and MIDI
METER
Internal CD-R or CD-RW Drive
Block
Block Diagram
Diagram
STEREO
Open-ended
Potential
Open-ended Potential
……
playing a guitar or other instrument. The details do count.
BUS 5
BUS 4
BUS 3
X 2
EFFECT
30
INSERT SEND
AUX6(EFF2)
(EEF)
METER
EFFECT1~2
OSCILLATOR
(BUS CASCADE)
DIGITAL STEREO IN R
METER
2
AUX5(EFF1),
DIRECT OUT
RECORDER ST Trk
ST Trk L/R
RECORDER
2
REPRO1-16
RECORDER
16
MONITOR
2
(1,2 only)
INPUT
ON
ENABLE
DIGITAL STEREO IN L
EFFECT
(EEF)
Mono in X 16
(Gain Reduction)
(EQ)
DIRECT OUT
METER
METER
RECORDER
SELECT
INPUT SELECT
RECORDER
METRONOME
LEVEL
ATT
AUX
ON
PAN
DELAY
INPUT
DY-
NAMICS
4BAND EQ
METER
RECORDER INPUT1-16
16
(to BUS CASCADE)
ATT
INSERT
RECORDER MONI 1(...16)
(EQ)
Stereo in X 2
4BAND EQ
ATT
2
COAXIAL
DIGITAL STEREO IN
2
EFFECT2
EFFECT1
8
SLOT IN
OPTION I/O SLOT
INPUT 8 ONLY
Hi-z
2
AD
3-8
LINE MIC
PEAK
AD
+48V
LINE MIC
INPUT
MY4-DA (XLR x 4)
1-2
MY8-AD (TRS x 8)
INPUT
MY4-AD (XLR x 4)
MIC/LINE INPUT
PHANTOM
PEAK
■ DA card
PRE/POST
LEVEL
ON
METER
DELAY
INPUT
INSERT
METER
ATT
METER
METER
(EQ)
INPUT
DELAY
4BAND EQ
INSERT
RETURN 1(...2)
ATT
METER
METER
Mono in X 8
DELAY
METER
NAMICS
(Gain Reduction)
(EQ)
METER
4BAND EQ
INPUT
DY-
INPUT SELECT
■ AD card
AFTER PAN SOLO
PREFADER LISTEN/
METER
RETURN2 can not be assigned to AUX6(EFF2)
ON
RETURN1 can not be assigned to AUX5(EFF1)
AUX
PAN
LEVEL
METER
LEVEL
ON
INSERT
PRE/POST
ON
SOLO
SOLO
METER
PAN
ON
PRE/POST
PAN
AFTER PAN
CH DIRECT OUT
AUX
SOLO
METER
METER
MY8-TD (TASCAM)
METER
MY8-AT (ADAT)
METER
INPUT 1(...8)
SELECTED INSERT RETURNS
30
MY8-AE (AES-EBU)
AFTER PAN
PREFADER LISTEN/
cards from Apogee – the world leader in AD/DA conversion
technology. Or the *Y56K DSP card from digital signal processing
frontrunner Waves, providing on-board access to industry-standard
processors such as the L1 mastering limiter and TrueVerh highresolution reverb effect.
*Y56K
*Y56K will
will be
be supported
supported by
by future
future updating.
updating.
PREFADER LISTEN/
BUS 2
■ DIGITAL I/O card
+4dB
DA
ATT
BUS 6
METRONOME
SOLO L
SOLO R
STEREO R
STEREO L
DIRECT OUT R
ON
BUS 8
RECORDER ST Trk
RECORDER ST Trk
DIRECT OUT L
OUT 16
RECORDER DIRECT
OUT 1
RECORDER DIRECT
SOLO L
STEREO R
BUS 7
While carrying on the outstanding
basic user interface introduced in the
AW4416, the AW2816 provides a
number of important refinements. The
signal routing (patching) displays, for
example, have evolved into a more
graphic format, making the patching
process much more easy and intuitive. And the QUICK REC function
that was such a hit in the AW4416 has been even further refined
for faster, easier setup in the AW2816. Another addition is the MIDI
REMOTE function: AW2816 faders and channel ON keys can be
assigned MIDI messages so they can be physically controlled from
an external MIDI controller or sequencer. What’s more, MIDI control
data can be recorded as automix data for vastly enhanced automix
versatility. And the AW4416 Shortcut Key function has been
enhanced with the addition of a “Control Key Assign” function that
allows you to assign your own operations to specific controls. All of
these advanced features are brought together in a large 320 x 240
dot backlit LCD panel for smooth, stress-free operation.
TRACK CUE
DA
RECORDER DIRECT OUT16
1~16
8
30
INSERT SEND
CH DIRECT OUT1~8
2
8
6
AUX1~6
BUS1~8
STEREO
RECORDER DIRECT OUT
16
1~16
30
INSERT SEND
CH DIRECT OUT1~8
2
8
8
6
AUX1~6
BUS1~8
STEREO
30
RECORDER DIRECT OUT
16
1~16
INSERT SEND
8
CH DIRECT OUT1~8
2
8
6
AUX1~6
BUS1~8
STEREO
30
RECORDER DIRECT OUT
16
1~16
INSERT SEND
CH DIRECT OUT1~8
2
8
8
6
AUX1~6
STEREO
BUS1~8
2
8
BUS 1~8
STEREO
CH DIRECT OUT1~8
8
AUX 4
AUX 1
STEREO L
A Significant Evolution In Software
SOLO Logic
MIXER
SELECT
SELECT
SOLO R
BUS 1
Logic
RECORDER
METER
METER
METER
DITHER
DITHER
DITHER
16
LEVEL
RECORER INPUT 1~16
METER
METER
LEVEL
METER
LEVEL
METER
SELECT
AUX 5(EFF1)
In addition to Yamaha Mini-YGDAI cards which can provide I/O in
a range of formats – ADAT, TASCAM, AES/EBU, analog – the
AW2816 expansion slot will accept a number of high-performance
upgrades. There are the AP8AD and AP8DA AD/DA converter
R
MONITOR
PHONES
DA
DA
8
2
CD PLAY mode
R
L
CD-RW DRIVE
CD PlayBack
(Gain Reduction)
METER
METER
SELECT
ATT
4BAND EQ
SELECT
(EQ)
INSERT
METER
DY-
NAMICS
NAMICS
(EQ)
METER
SELECT
AUX 6(EFF2)
Open-ended Expandability
L
MONITOR
OUT
PHONES
0dB
X 4
OMNI OUT
OPTION I/O SLOT
COAXIAL
R
DA
DIGITAL
STEREO OUT
L
DA
Ð10dBV
STEREO OUT
RECORDER INPUT
1(...16)
SOLO
AUX1(...6)
BUS 1(...8)
METER
METER
BAL
LEVEL
ON
MIDI control change and parameter change messages. There’s even
a footswitch jack that lets makes it easy to punch in or out while
4BAND EQ
*External
*External CD-RW
CD-RW drives
drives must
must be
be SCSI
SCSI types.
types.
website for a complete listing of devices that have been tested
and are compatible with the AW2816 (http://www.aw2816.com)
. MIDI and TO HOST connectors are also provided for direct
connection to MIDI-capable computers and MIDI devices. The
AW2816 can act as either master or slave for synchronization via
MTC or MIDI CLOCK for virtually unlimited system expansion. The
AW2816 is also MMC compatible, and allows remote control via
ATT
creating audio CDs that will play on standard CD players. But
there’s more: use inexpensive, reliable CD-R or CD-RW disks to
back up your valuable audio and mix data. You can also play back
audio CDs, and load data from commercial CD-ROMs.
MO drives, hard-disk drives, and CD-RW
drives. See the Yamaha AW2816
INSERT
internal ATAPI type listed in the compatibility chart on
Yamaha’s AW2816 website (point your browser to
http://www.aw2816.com).* With a CD-R or CD-RW drive installed
you can take your projects from initial recording right through to
The AW2816 comes equipped with a SCSI
interface for direct connection to a wide
range of data storage devices such as
DY-
Install an optional internal CD-R or CD-RW drive in your AW2816
and vastly increase your production power and creative
potential. Choose a Yamaha CD-RW drive, or use any standard
Connect With Computers, SCSI
Devices, and MIDI
METER
Internal CD-R or CD-RW Drive
Block
Block Diagram
Diagram
STEREO
Open-ended
Potential
Open-ended Potential
……
AW2816 Specifications
General Specification
Mixer Section
Total Harmonic Distortion
Less than 0.02% (@1kHz, LINE IN
to STEREO OUT)
A/D Conversion Rate
24bit - 64 x oversampling
File System
AW2816 Original Format
Frequency Response
20 Hz - 20kHz (0+1/-3dB, MIC/LINE IN
to STEREO OUT)
D/A Conversion Rate
24bit - 128 x oversampling
Display
Internal Processing
32bit (EQ=44bit)
320 x 240 dot backlit LCD
(with contrast controller)
MIDI
MTC (Master/Slave), MIDI Clock, MMC, Program Change,
Control Change, Parameter Change, Bulk Dump
Oscillator
Sine Wave (100kHz, 1kHz, 10kHz), White Noise
to BUS 1-8, AUX 1-6, STEREO
SCSI
Save/Load backup data, WAV file importing/Exporting
TO HOST
Same with MIDI IN, OUT/THRU, MTC OUT
Dynamic Range
104dB (LINE IN to STEREO OUT)
Power Requirements
AC120V (UL, CSA), 230V (CE)
Power Consumption
35W (excl. options)
Dimensions, Weight
480 (W) x 429 (D) x 141 (H) mm,
9.5kg (excl. options)
HD Recorder
Internal Tracks
Sampling Rate
Others
Internal
External
44.1kHz (±6%)/48kHz (±6%)
44.1kHz (-6%) -48kHz (-6%)
Simultaneous
Mixing Inputs
(28 Total)
Selected Inputs via Patch Bay 12
(8 MONO + 2 STEREO)
HD Recorder Playback
16
Bus (18 Total)
GROUP x 8, AUX x 6, STEREO, SOLO
Mixing Layer
INPUT 1-8, RECORDER 1-8, RECORDER 9-16
Channel Functions
INPUT 1-8, RECORDER
1-16
130 (16 tracks x 8 virtual tracks, Stereo track)
EFFECT RETURN 1, 2
Simultaneous
Play tracks
16 tracks
Simultaneous
Record tracks
8 tracks
Recording Resolution
16bit/24bit Uncompress
Internal (HDD)
2.5inch IDE (One unit included in the
products package)
Max. HDD capacity
64GB
Max. capacity per 1song /
6.4GB (12,000 regions)
Bus Function
STEREO OUT
BUS 1-8
AUX 1-6
Memory
Scene Memory
Automix
Patch Library
Channel Library
EQ Library
Dynamics Library
Effect Library
Attenuation, Phase, Delay, Dynamics, Bus
assign, 4band full parametric EQ, Pan,
Channel ON/OFF
/Attenuation, Phase, Delay, Bus assign,
4band full parametric EQ, Pan,
Channel ON/OFF
Locate Point
(per song)
1RETURN TO ZERO/START/END/A/B/
LAST REC IN/LAST REC OUT/ROLL BACK
Automix Parameter
Fader, AUX, ON, PAN, EQ, Scene Memory, Libraries Recall, REMOTE
Screen Fader 1-8 and ON keys
Mark (per song)
99
Faders
60mm motor drive x 9
Direct Locate
(NUM LOCATE)
Numeric Keypad (Time, Measure)
Punch I/O
Auto punch I/O, Manual Punch I/O
CD-RW Section
Edit
SONG
Supported Drives
ATAPI-Internal type (Drive compatibility
list will be shown in www.aw2816.com)
Function
Make/Playback Audio CD, Import, Load/
Save back up data from/to CD-ROM to/fromHDD,
WAV file importing/Exporting
50% - 200%
Pitch Change
±1 octaves
Connector
Norminal Level
XLR/TRS Phone
Balanced
+4dB(Line) - -46dB(Mic)
MIC/LINE INPUT 3-8
TRS Phone
Balanced
+4dB(Line) - -46dB(Mic)
CH8 Input Hi-Z
Phone
Unbalanced
+4dB(Line) - -46dB(Mic)
(*) +48V Phantom SW
Digital Input & Output
Terminal
96 per Song
16 per Song
20
64
128
128
128
30,000 SONG
Time Compression/
Expansion
Terminal
MIC/LINE INPUT 1,2(*)
Attenuation, Phase, Delay, Dynamics, Bus
assign, 4band full parametric EQ, Balance,
Channel ON/OFF
Attenuation
Attenuation
Max. No. of Songs
NAME, COMMENT, DELETE,
COPY, OPTIMIZE, PROTECT,
NAME, ERASE, COPY,
EXCHANGE, SLIP, APPEND
TRACK TIME COMP/EXPAND, PITCH
CHANGE, IMPORT, EXPORT
PART
ERASE, DELETE, COPY, MOVE,
INSERT, APPEND, TIME COMP/
EXPAND, PITCH CHANGE,
EXPORT NAME, ERASE, DELETE,
COPY, MOVE, DIVIDE, TRIM
REGION IN/OUTTIME COMP/EXPAND,
PITCH CHANGE, IMPORT,
EXPORT
Analog Input
Connector
Norminal Level
STEREO OUT (L, R)
RCA pin
Unbalanced
-10dBV
MONITOR OUT (L, R)
TRS Phone
Balanced
+4dB
OMINI OUT 1-4
Phone
Unbalanced
0dB
PHONES
TRS Phone
Unbalanced
100mW + 100mW
(40 Ω load)
*0dB=0.775Vrms 0dBV=1Vrms
Digital I/O
Terminal
Connector/Format
Resolution
DIGITAL STEREO
IN/OUT
RCA pin
(COAXIAL)
24bit
Terminal
Connector/Format
Resolution
OPTION I/O SLOT
Mini-YGDAI
(max. 8in/8out)
24bit
OPTION I/O
Others
Terminal
Connector/Format
MIDI IN, OUT/
THRU, MTC OUT
DIN 5pin
TO HOST
Mini DIN 8pin
FOOT SW
PHONE
SCSI
SCSI-2/D-sub Half Pitch 50pin
Specifications and appearances are subject to change without notice.
Rear Panel
* Each Mini-YGDAI card in the photo is
an optional product (sold separately).
Options
20GB 2.5 "Hard Disk Drive" HDD25-20G
APOGEE
WAVES
AP8AD 8channel AD Card
AP8DA 8chennel DA Card
http://www.apogeedigital.com
Y56K DSP Effect Card
http://www.waves.com
Foot Switch FC-5
Mini-YGDAI Cards
MY8-AE
MY8-AT
MY8-TD
AES/EBU Interface
ADAT Interface
Tascam Interface
MY8-AD
MY4-AD
MY4-DA
8 ch AD Interface
(TRS x 8)
4 ch AD Interface
(XLR x 4)
4 ch DA Interface
(XLR x 4)
*TASCAM is registered trademark of TEAC Corporation. ADAT is registered trademark of ALESIS Corporation.
*APOGEE is registered trademark of APOGEE Electronics. WAVES is registered trademark of WAVES.
Web Site http:// www.aw2816.com http:// www.yamaha.co.jp/product/proaudio/homeenglish/
For detail please contact:
This document is printed on chlorine free (ECF) paper.
LPA453E
Printed in Japan
www.aw2816.com