Mackie 1402-VLZ PRO, 1642-VLZ PRO Hook-Up Manual
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MACKIE HOOK-UP GUIDE VLZ-PRO SERIES OUR [IN]FAMOUS PRODUCT HOOKUPS IN BYTE-SIZED MORSELS Copyright © 2002 Mackie Designs Inc. All Rights Reserved. PRINTING NOTE: These pages were built 21cm wide (8.26in) by 27.94cm (11in) tall to accommodate the printers of both our North American users and our users around the globe. This PDF will print at 100% on both “Letter” sized and “A4” sized paper (with room in the left margin for hole punching). Hello and welcome to one of many downloadable web editions of Mackie’s Product Hook-Up Guide. Since 1992, we’ve been including these helpful “connection maps” in our In Your Face product guides, and we’ve been urged to continue doing so because they’re so gosh-darned helpful. Now, we’ve split our hook-ups into product famlies, and made them available to you over this new-fangled “Internet” thingy that everyone is talking about these days. There will be documents that cover hooking up our compact VLZ® PRO Series, Analog 8•Bus Series consoles, CFX Series effects mixers, DFX Series compact effects mixers, the D8B digital console, the HDR24/96 hard disk recorder, PPM Series powered mixers, the FR Series amplifiers, SR Series front-of-house mixers, and our Active loudspeakers. Inside you’ll find lots of useful information — most likely your questions will be answered here. We realize that there’s no possible way to cover every single question or application in so few pages because new ways to use Mackie products are invented every day. You may come up with some ideas on how to do what you want by looking at the various diagrams we’ve included here. Keep in mind that a good half of the battle in hooking up our products is having the proper connections. Check the cables ’n’ plugs that you already have with the diagrams on the next page. We know it may look boring, but one of these drawings could save your life. Well, maybe not your life, but probably a lot of weeping and sorrow. And don’t forget to check out the tech tips/FAQs document also available for download on the web at www.mackie.com/techsupport If you don’t find the answers you’re after, then why not give our mighty Tech Support gang a call? These folks have tons of experience in the real world, and they’ve got lots of equipment and mixers at their beck and call. They’re aching to share their knowledge with you. (And calling them would be a very humanitarian thing to do — they’re located in the dank sub-basement of our building and they rarely get visitors. Your call just may be the one that keeps their spirits alive.) Call Mackie Tech Support toll-free (in the U.S.) at 800-258-6883 (Monday through Friday, 7 AM to 5 PM Pacific Time) with any Mackie productquestion you can conjure. Put them through the wringer! We encourage it. Incidentally, the Mackie Product Hook-Up Guide (Web Editions) were put together from within the confines of the Mackie Digital Mosh Pit — located on the second floor near the Area Of Refuge — by the well-meaning, super-preening Mackie Macintosh Department. We used Adobe InDesign®, Illustrator®, Photoshop®, and Acrobat® on a number of suped-up big daddy Macs. Oh yeah: Copyright © 2002 Mackie Designs Inc. All Rights Reserved. The following are trademarks or registered trademarks of Mackie Designs Inc.: “MACKIE.”, the “Running Man” figure, VLZ, XDR, D8B, HUI, CFX Series, FR Series, and HR Series. COMMON PRO AUDIO PLUGS AND CONNECTORS TS Plug (mono) KNOW YOUR PLUGS SET IT UP, AND GO! A VISUAL GUIDE Balanced XLR Standard mono/unbalanced phone plug used for most mixer connections. TRS Plug (stereo) Standard XLR microphone connector to be used with mic-level. RCA/Phono Plug Standard stereo/balanced phone plug used for balanced connections on Mackie mixers. Tape deck connections on most Mackie mixers. Insert “Y” Cable The “Y” Cable is used for connecting serial effects devices, such as graphic equalizers or compressors, to a Mackie mixer’s Channel or Bus insert jacks. On one end is a standard Tip-Ring-Sleeve “stereo” plug. Its tip and ring are wired to separate mono Tip-Sleeve plugs. Note that the RING of the TRS plug (A) is actually wired to the TIP of one of the mono TS plugs (B). If you insert a TS (mono) 1/4" plug only partially (to the first click) into an insert jack, the plug will not activate the jack switch and will not break the insert connection in the circuit (thereby allowing the channel signal to continue on its merry way through the mixer). See (C) in “Insert Points” below. Partial insertion allows you to tap out of the channel or bus circuit at that point in the circuit without interrupting normal operation. If you push the 1/4" TS plug in to the second click, you will open the jack switch and create a direct out, which does interrupt the signal in that channel or bus circuit. See (D) in “Insert Points” above. Note: Do not overload or short-circuit the signal you are tapping from the mixer. That will affect the internal signal of the mixer. Insert Points Attention ! TS Plug (mono) A Direct out with no signal interruption to master. Insert only to first “click.” You may notice these effects unit hookups (Figure A) throughout this applications guide. These hookups utilize the Insert "Y" Cable (explained on the facing page). TS Plug (mono) B Direct out with signal interruption to master. Insert all the way in to the second “click.” MIXER INSERT COMPRESSOR OUT IN TRS Plug (stereo) For use as an effects loop. (TIP = SEND to effects RING = RETURN from effects) Figure B is a closeup of Figure A. The two colors represent the input and output traveling the length of the "Y" cable. The dotted line represents the two signals travelling alongside one another. Mic 4 Track Recorder CHANNEL INSERTS Guitar SET IT UP, AND GO! VLZ PRO 1202/1402 4-TRACK TRACKING Keyboard MAIN OUT ALT 3/4 OUT MAIN OUT PHONES CNTRL ROOM OUT OUTPUTS HR824 or other Powered Studio Monitors IN-TAPE-OUT Headphones AUX RETURNS AUX SEND CHANNEL INPUTS Channel Inputs as Tape Returns Monitoring AFTER your recorder, not at your inputs Stereo Tape Deck Direct Output to Recorder Insert to first click! Reverb/Delay Reverb/Delay SET IT UP, AND GO! VLZ PRO 1202/1402 VIDEO SET UP Keyboard CHANNEL INPUTS Video Decks AUX RETURNS CHANNEL INSERTS Mic 1 and 2 Compressor NOTE: AUX Return 2 (L and R) can be used as an extra stereo input HR824 or other Powered Studio Monitors Master Video Deck MAIN OUT Headphones PHONES CNTRL ROOM OUT OUTPUTS Multi-Deck Video Switcher with time code interface IN-TAPE-OUT Cassette Recorder MAIN OUT ALT 3/4 OUT AUX OUT Reverb/Delay Keyboard AUX SEND CHANNEL INPUTS Sound Module Sound Card HR824 or other Powered Studio Monitors MAIN OUT MAIN OUT Headphones PHONES CNTRL ROOM OUT OUTPUTS MIC IN IN-TAPE-OUT LINE IN ALT 3/4 OUT LINE OUT Compressor AUX RETURNS CHANNEL INSERTS Mic 1 and 2 Reverb/Delay SET IT UP, AND GO! VLZ PRO 1202/1402 COMPUTER SET UP CHANNEL INSERTS Mic 1 and 2 RIAA Preamp CHANNEL INPUTS Triggered Lights AUX OUT CD Players AUX RETURNS Turntables Compressor MAIN OUT PHONES CNTRL ROOM OUT OUTPUTS Headphones IN-TAPE-OUT Stereo Tape Deck MAIN OUT ALT 3/4 OUT Delay/Reverb Active PA Speaker/ Subwoofer combination (Pole-mounted SRM450s and SRS1500 active Subwoofers pictured) SET IT UP, AND GO! VLZ PRO 1202/1402 DJ SET UP Guest panel Mics MAIN OUT MAIN OUT To Video Camera line level inputs to tape conference PHONES CNTRL ROOM OUT OUTPUTS Headphones IN-TAPE-OUT Stereo Tape Deck recording conference audio ALT 3/4 OUT Stereo Tape Deck VCR Audio out CD Player (intermission music) 2nd Stereo Tape Deck recording conference audio AUX OUT CHANNEL INPUTS Audience Mic AUX RETURNS CHANNEL INSERTS Podium Mic SRM450s or other Active PA Speakers Graphic EQs SET IT UP, AND GO! VLZ PRO 1202/1402 CONFERENCE PA SET UP SET IT UP, AND GO! VLZ PRO 1604 VIDEO SET UP Mic 1-2 Compressors CHANNEL INPUTS Video Decks CHANNEL INSERTS Keyboard CD Player Sampler BAL/UNBAL BAL/UNBAL BAL/UNBAL STEREO MONO MAIN OUT DIRECT OUT AUX SENDS Delay TAPE OUT TAPE IN Multi-Deck Video Switcher with time code interface MAIN INSERT Output Video Deck Digital Video Workstation OUT PHONES BAL/UNBAL SUB OUTS HR824 or other Powered Studio Monitors Headphones AUX RETURNS C/R OUT BAL/UNBAL Reverb Mic 1-2 Guitar Bass Compressors Drum Machine CHANNEL INPUTS Keyboard CHANNEL INSERTS Processors BAL/UNBAL DIRECT OUT BAL/UNBAL AUX SENDS BAL/UNBAL C/R OUT BAL/UNBAL TAPE OUT Stereo Tape Deck TAPE IN MAIN INSERT Stereo Compressor and Stereo EQ STEREO MONO MAIN OUT Multi-track Digital Recorder OUT PHONES Headphones Reverb AUX RETURNS BAL/UNBAL SUB OUTS HR824s or other Powered Studio Monitors Cue Mix (Headphones and headphone amps) Delay SET IT UP, AND GO! VLZ PRO 1604 8-TRACK TRACKING Mic 1-4 BAL/UNBAL BAL/UNBAL AUX SENDS Delay Reverb Headphones AUX RETURNS BAL/UNBAL OUT PHONES 4-Track Recorder SUB OUTS C/R OUT BAL/UNBAL Stereo Compressor Cassette Recorder or DAT and Stereo EQ Mono EQs, M•1400i Amps, and Passive Stage Monitors (C300s) TAPE OUT TAPE IN MAIN INSERT BAL/UNBAL STEREO MONO MAIN OUT SRM450s or other Active PA Speakers DIRECT OUT Drum Machine Keyboards CHANNEL INPUTS Guitar Stereo Processor CHANNEL INSERTS Compressors SET IT UP, AND GO! VLZ PRO 1604 STEREO PA SET UP Stereo Processor BAL/UNBAL DIRECT OUT CHANNEL INPUTS CHANNEL INSERTS From Mics, Keys, Drum Machines, Guitars, etc. BAL/UNBAL BAL/UNBAL AUX SENDS AUX RETURNS Reverb/Delay BAL/UNBAL OUT PHONES HR824 or other Powered Studio Monitors SUB OUTS C/R OUT Stereo Tape Deck BAL/UNBAL TAPE OUT TAPE IN MAIN INSERT Stereo Processor Reverb/Delay MONO DAT Recorder (mastering) L R L MAIN OUT R 8 Track Recorder Headphones 1 Headphones 2 From Sub Outs Bal/Unbal SET IT UP, AND GO! VLZ PRO 1642 TRACKING AND MIXING SET UP Mic 1-2 Compressors CHANNEL INPUTS CHANNEL INSERTS Keyboard BAL/UNBAL DIRECT OUT Video Decks BAL/UNBAL BAL/UNBAL AUX SENDS Delay MONO Output Video Deck L R L MAIN OUT R CD Player Digital Video Workstation OUT PHONES BAL/UNBAL SUB OUTS HR824 or other Powered Studio Monitors Headphones AUX RETURNS MAIN INSERT C/R OUT BAL/UNBAL TAPE OUT TAPE IN Multi-Deck Video Switcher with time code interface Reverb SET IT UP, AND GO! VLZ PRO 1642 VIDEO SET UP SET IT UP, AND GO! VLZ PRO 1642 CHURCH SET UP CHANNEL INSERTS Mic 1-5 CHANNEL INPUTS Guitar Direct Box Drum Machine BAL/UNBAL DIRECT OUT CD Player VCR Mono EQs, M•1400i Amps, and (C300) Passive Stage Monitors BAL/UNBAL AUX SENDS BAL/UNBAL OUT Multitrack Recorder Assistive Listening Transmitter SUB OUTS C/R OUT BAL/UNBAL Cassette Recorder PHONES HR824s or other powered monitors 70 Volt Line Amp TAPE OUT TAPE IN MAIN INSERT SRM450s or other active monitors AUX RETURNS Stereo Processor Reverb/Delay MONO BAL/UNBAL L R L MAIN OUT R Keyboards Headphones 70V xformer tapped loudspeakers on distributed system throughout building Mic 1-4 Bass CHANNEL INSERTS Compressors Guitar BAL/UNBAL Drum Machine Additional stereo source Keyboard DIRECT OUT Guitar CHANNEL INPUTS Mono Effects Stereo Effects Turntable Mono EQs, M•1400i Amps, and (C300) Passive Stage Monitors BAL/UNBAL AUX SENDS MONO BAL/UNBAL L R L MAIN OUT R RIAA Preamp AUX RETURNS C/R OUT BAL/UNBAL CD Player Reverb/Delay TAPE OUT Stereo Processor TAPE IN MAIN INSERT Reverb/Delay OUT PHONES BAL/UNBAL SUB OUTS Active PA Speaker/Subwoofer combination (Pole-mounted SRM450s and SRS1501 active Subwoofers pictured) Headphones Digital Multitrack Recorder SET IT UP, AND GO! VLZ PRO 1642 STEREO PA SET UP ">
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