Camera
©Joe Buissink
©Darrell Gulin
©Rick Sammon
©Bruce Dorn
©Tyler Stableford
usa.canon.com/eos
VOL. 4.03
©David Stoecklein
Master Your Creativity.
Canon has produced over 70 million EOS-series interchangeable-lens cameras* and over 100 million EF lenses worldwide**.
Innovative technology has made the EOS System a leading icon in the imaging industry. Canon sensors and processors work
in concert with advanced camera designs for impressive quality that befits Canon’s superb lenses. Canon PowerShot cameras,
printers, projectors and software solutions complement the EOS System to create stunning visuals
and help photographers realize their vision.
Celebrating
100 Million EF Lenses Produced Worldwide*
2014 marks the production of Canon’s 100 millionth EF Lens! Since the first EF lens was introduced in 1987, Canon EF lenses
have played an integral role in the world of photography. In fashion, sports and broadcast news, on the cameras of many
of the world’s finest photographers and filmmakers, Canon has been a leader in innovation, reliability and optical brilliance.
By merging superb image quality with cutting-edge technologies, by endlessly pushing for faster, more accurate performance,
implementing new materials and optics for robust designs, Canon EF lenses have stayed on the cutting edge, enabling
photographers and filmmakers to create stunning images, time and again.
© Adam Jones
© Eddie Tapp
© Tyler Stableford
© Hanson Fong
© Rick Sammon
EOS CAMERAS
Rugged construction, photographer-friendly features,
and compatibility with the entire line of EF lenses and
EOS accessories help make Canon EOS cameras
benchmarks for performance, ease of use, and quality.
EF Lens 100 Million EOS Technology EOS Cameras EOS System Chart EOS Comparison Chart Video Recording Size and Time Image Format and Capacity Chart 4
10
26
39
41
44
44
EF LENSES
SPEEDLITE FLASHES
A unique blend of hyper-advanced optical,
microelectronic, and precision manufacturing
technologies, EF Lenses are perfected in Canon’s
laboratories and proven in the field.
EF Lens Technology EF Lens Lineup EF Lens Chart EF Lens Accessories Canon Speedlite flashes are the ideal light source for
EOS cameras. They are technologically advanced to
help provide perfect exposure and illumination with
just about any subject.
46
52
58
60
Speedlite Technology Wireless Flash Photography Speedlite Lineup Speedlite Accessories 62
64
65
66
EOS SYSTEM ACCESSORIES
CINEMA EOS SYSTEM
Canon accessories are the best way to enhance
EOS System performance and get the most out of
EOS cameras. There are solutions for virtually any
shooting situation.
Batteries Wireless File Transmitters and
GPS Receivers Remote Control & Accessories Viewfinder Accessories Peripherals Bags & Cases Compatible with EF Lenses, Cinema EOS cameras are
Canon’s entry into the world of cinematography.
Cinema EOS 68
70
71
72
74
75
76
POWERSHOT CAMERAS
Built on some of the same technologies as EOS cameras,
PowerShot cameras offer spectacular quality and
control in a compact and easy-to-use body.
PowerShot Lineup PowerShot Technology EOS EDUCATION & INSPIRATION
The Canon Digital Learning Center and Canon Live
Learning serve to educate, inform and inspire EOS
camera users. Learn from professionals how to get the
maximum out of your EOS camera.
Canon Digital Learning Center Canon Live Learning Professional Service and Support Canon Professional Services 82
83
84
85
80
81
* Refers to film and digital EOS-series interchangeable-lens cameras produced from 1987 to Feb. 2014. ** Refers to EF Lenses, EF-S Lenses and Cinema Lenses produced worldwide from 1987 to First Half of 2014.
* Refers to EF Lenses, EF-S Lenses and Cinema Lenses produced worldwide from 1987 to First Half of 2014.
Celebrating
100 Million EF Lenses Produced Worldwide*
2014 marks the production of Canon’s 100 millionth EF Lens! Since the first EF lens was introduced in 1987, Canon EF lenses
have played an integral role in the world of photography. In fashion, sports and broadcast news, on the cameras of many
of the world’s finest photographers and filmmakers, Canon has been a leader in innovation, reliability and optical brilliance.
By merging superb image quality with cutting-edge technologies, by endlessly pushing for faster, more accurate performance,
implementing new materials and optics for robust designs, Canon EF lenses have stayed on the cutting edge, enabling
photographers and filmmakers to create stunning images, time and again.
* Refers to EF Lenses, EF-S Lenses and Cinema Lenses produced worldwide from 1987 to First Half of 2014.
Optical Brilliance.
100 MillionTimes.
EF 24mm f/1.4L II USM
EF-S 18–135mm f/3.5–5.6 IS STM
From their introduction in 1987 to the present, from the first lens to one produced today,
EF lenses represent Canon innovation at its finest. Since 1946, every Canon lens has been
conceived, designed, engineered and produced in-house to provide photographers with
EF 40mm f/2.8 STM
EF 400mm f/4 DO IS USM
EF 35–350mm f/3.5–5.6L USM
state-of-the-art optics that enable them to capture some of the world’s most stunning images.
Canon places tremendous importance on research and development in order to provide the
very best to the photographers and filmmakers that use Canon equipment.
EF 35–105mm f/3.5–4.5
EF 100mm f/2.8L
Macro IS USM
CN-E30–300mm T2.95–3.7 L S
EF-S 18–55mm f/3.5–5.6
EF 24mm f/2.8 IS USM
EF 35–70mm f/3.5–4.5
EF 50mm f/1.8
1946
FL-F 300mm f/5.6
FD 55mm f/1.2 AL
FD 300mm f/4L
1969
1971
1978
Seeking The Perfect Image
Motivated by the need to develop lenses to ideally
complement their cameras, Canon produced its
first in-house camera lens: the Serenar 50mm f/3.5 I.
Serenar means “clear,” a perfect representation of
the influence behind the first Canon lenses.
Canon’s first camera
lens to use a UD lens
World’s first large-aperture aspherical SLR
lens with automatic diaphragm control
Canon’s first camera lens to use fluorite
Canon’s first in-house developed camera lens:
Serenar 50mm f/3.5 I
EF 300mm f/2.8L USM
1987
EF 50mm f/1.0L USM
1989
EF 400mm f/5.6L USM
EF 75–300mm f/4–5.6 IS USM
1995
1993
USM (Ultrasonic Motor)
EF 300mm f/4L IS USM
1997
The first L-series lens
featuring an Optical
Image Stabilizer
World’s first camera lens
with USM* 1
IS (Image Stabilizer)
World’s first interchangeable
lens for 35mm cameras with an
Optical Image Stabilizer*2
Introduction of
EF Lenses
As autofocus began to revolutionize photography in the second
half of the 1980’s, Canon’s engineers designed the EOS System
around the brilliant EF mount. Capable of transmitting exposure and
distance information quickly, the EF mount enabled the first EF lens,
combining amazing autofocus speeds with stellar optics in designs
that propelled Canon toward the 21 st Century.
Canon’s first camera lens to use a Super UD lens
EF-S 18–55mm f/3.5–5.6 USM
2001
2003
EF 70–300mm
f/4–5.6L IS USM
2008
2009
2010
Introducing the
first EF lens with a
fluorine coating
Introduction of
EF-S Lenses
As digital SLR photography began to
phase out traditional film photography,
Canon introduced its first digital-only
lens series, EF-S. EF-S lenses take
advantage of Canon’s digital APS-C
sized sensors, resulting in smaller,
more lightweight designs with brilliant
optical performance.
Hybrid IS
World’s first interchangeable SLR
camera lens to employ Hybrid IS*2
World’s first interchangeable zoom lens for
SLR cameras with a 10x magnification ratio* 1
World’s largest aperture AF SLR lens*2
DO (diffractive optics) Lens
SWC (Subwavelength Coating)
World’s first camera lens to incorporate
Canon’s DO lens elements*2
World’s first camera lens to employ SWC*3
CN-E50mm T1.3 L F
EF 8–15mm f/4L
Fisheye USM
2011
EF 28mm f/2.8 IS USM
2012
2013
World’s first fisheye
zoom lens for shooting
both circular and
rectangular full-frame
fisheye photos* 1
Introduction of
2014
World’s first super-telephoto
zoom lens with built-in extender* 1
World’s first wide-angle
single focal-length lenses with
built-in Optical Image Stabilizer* 1
Cinema Lenses
As Canon’s influence into the world of professional
moviemaking became more and more significant,
Canon introduced the amazing Cinema EOS System
of cameras and optics. Designed to meet the exacting
standards of professional cinematographers and
videographers, Canon’s Cinema Lenses are critical
in helping them to realize their creative visions for
the big screen.
EF 200–400mm f/4L IS USM
Extender 1.4x
Production of the
100 Millionth
EF Lens
STM (Stepping Motor)
World’s first lenses to drive an
AF system with STM* 1
*1 Among interchangeable lenses for SLR cameras. *2 Among interchangeable lenses for 35mm SLR cameras. *3 Among Photographic lenses.
EOS CAMERAS
Advanced 14-bit A/D Conversion
“
One of the many
benefits of the Canon
full-frame CMOS
sensor is the ability
it gives me to shoot
handheld in extreme
low-light conditions.
Even when shooting
at a very high ISO,
I can still capture
stunning results with
little to no noise.
”
EOS TECHNOLOGY
The history of Canon EOS cameras is brimming with examples of technological
innovations that have set new industry standards for performance and usability.
And yet, at Canon, technology is never an end in itself. Every technological
advancement must yield tangible benefits to the user. Does a new feature enable
the camera to more quickly and faithfully respond to the photographer’s will?
Does a new material or process improve the camera’s long-term reliability?
Canon EOS camera advancements endure because they enhance the
photographic experience, whether you are a seasoned professional or a beginner.
Put simply, the technologies of Canon EOS cameras are
impressive because of the quality of the images they
enable you to create.
Canon CMOS Sensor
Taking advantage of its own
proprietary technologies, Canon
develops and produces its own
CMOS sensors. Unlike CCD
sensors, CMOS sensors convert
and amplify signals before they
are transferred to the image
processor, enabling them to
produce superbly clean image
data and help reduce power
consumption by as much as
90%. Data transfer speeds are
increased by using
multi-channel signal paths
Onne van der Wal
Explorer of Light
©Onne van der Wal
that help dramatically improve the camera’s
responsiveness. Canon’s CMOS sensors
incorporate an on-chip noise reduction
technology to deal with both fixed pattern
and random noise. In addition, a multilayer
low-pass filter is placed in front of the sensor
to help isolate false colors that the sensor
may detect. Then, Canon’s own
Image
Processor helps eliminate those colors while
retaining full detail. CMOS sensors can also
be fabricated to full-frame 35mm dimensions,
an important consideration for photographers
who wish to use their lenses without a
conversion factor. Canon’s CMOS sensors
deliver outstanding resolution and signal
purity, making them ideal for the most critical
photo or video applications.
APS-C (1.6x)
Full-Frame (1.0x)
EOS 5D Mark III Full-Frame CMOS Sensor (actual size)
When using the same lens with different cameras, the
angle-of-view varies depending on the sensor size.
6/5+/5/4 Image Processor
film cameras or Canon DSLR cameras with the
same results, the switch from film to digital is
truly seamless. Full-frame sensors provide
greater control over depth-of-field, which
helps to create beautiful background blur,
perfect for portraits. The large sensor area
also helps to enable a marked reduction in
noise levels at all ISO values. When combined
with high resolution and smooth gradation
from highlights to shadows, Canon DSLR
cameras with full-frame sensors produce
images that rival those taken with
professional medium-format and large-format
film cameras. For maximum control and
dependable performance, the choice is simple
— Canon full-frame DSLR cameras.
Extensive ISO Range*
EOS cameras feature an extensive ISO range
for greater flexibility in diverse photographic
situations. The EOS-1D X camera features the
extended ISO range of ISO 100–51200 (L: 50,
H1: 102400, H2: 204800). The EOS 5D Mark III
and EOS 6D cameras have an ISO range of ISO
100–25600 (L: 50, H1: 51200, H2: 102400).
Even at higher ISO settings where one might
expect to see a higher degree of noise, the
renowned Canon CMOS sensor and noise
reduction system work to help ensure superb
image quality. Accordingly, even demanding
photographers can use EOS cameras with
confidence, no matter the light.
Effective Light-gathering
The EOS-1D X camera’s sensor has 18.1
effective megapixels with individual 6.95μm
pixels, the EOS 5D Mark III camera has a 22.3
megapixel sensor with individual 6.25μm pixels,
and the EOS 6D camera has a 20.2 megapixel
sensor with individual 6.55μm pixels. An
improved S/N ratio plus a photodiode structure
with an increased photoelectric conversion
rate on the EOS-1D X, EOS 5D Mark III and
EOS 6D cameras’ sensors help increase
sensitivity by approximately 2 stops over
previous models, meaning higher ISOs with
even lower noise.
Designed to help
maximize performance
between the capture and
recording stages of
digital photography, the
Image Processor
uses advanced signal
processing technologies to help enhance
image quality and deliver a more intuitive,
responsive camera. The
4 Image
Processor enables Face Detection AF, Live
View composing, and Full HD video recording.
Dual DIGIC 6 Image Processors (EOS 7D Mark II)
The speedier
5 Image Processor makes
advanced functions possible like HDR
Backlight Control and Creative Filters, and can
support compensation for chromatic
aberration in both still and moving images.
The
5+ Image Processer extends
performance to greater levels of noise
reduction at higher ISOs, while Dual
5+
Image Processers add lightning-fast speed.
Dual
6 Image Processors provide
turbocharged features like noise-reduction
processing at ISO 16000, more precise EOS
iTR AF and tracking of faces during Live View
and movie shooting, and enabling the camera
to record Full HD video at 60 fps.
Full-Frame Canon CMOS Sensor
The Canon-manufactured
full-frame CMOS sensor delivers
professional performance with
digital convenience. EOS DSLR cameras with
full-frame sensors, such as the EOS-1D X,
EOS 5D Mark III and EOS 6D cameras, do not
require a focal length conversion factor
common to other DSLR cameras on the
market. Instead, these cameras deliver the
same angle-of-view as 35mm film cameras,
so the working distance to the subject, with a
given lens, is the same as it would be on film.
Since you can use EF lenses on either 35mm
EOS cameras employ 14-bit converters to
process the output of the imaging sensor.
Compared to the 12-bit converters used
in most digital cameras, the Canon design
helps ensure smoother tonal transitions, more
natural gradations, and superb color fidelity.
RAW images are recorded at 14 bits so that
processed 16-bit TIFF images contain the full
range of tonal values captured by
the sensor.
High ISO – Whether shooting stills or video, Canon EOS cameras capture silky-smooth low-noise images that are sharp
with a wide dynamic range of color and tone, even at high ISO speeds.
* Standard output sensitivity. Recommended exposure index.
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11
EOS CAMERAS
Fuel Your Creativity
A Revolution in Autofocus Unlocks the Potential of Live View
Shoot Video Like a Camcorder
Realize the Freedom of Live View
Dual Pixel CMOS AF powers autofocus
performance similar to that of a camcorder
– but on a DSLR camera! Incredibly precise
focus is achieved quickly and over a large area
of the frame. Focus transitions, as when
acquiring focus or changing focus between
subjects, are smooth and natural, reminiscent
of how the human eye focuses. And once focus
is achieved, Dual Pixel CMOS AF helps ensure
that it stays locked in. Combined with the
predictive power of Movie Servo AF and Canon
Face Detection technology, even your rapidly
moving subjects remain crisp and clear.
Live View autofocus powered by Dual Pixel
CMOS AF is phenomenally accurate and faster
than ever. With the freedom of angle inherent
to a Vari-angle LCD monitor (as featured on
the EOS 70D digital SLR camera), you can
comfortably and conveniently shoot more
subjects, from more angles and vantage points,
as the situation dictates – confident in the
camera’s ability to provide outstanding focus.
Users can also take full advantage of Live
View-only features like Touch AF and Touch
Shutter for even more compositional freedom.
High Speed & Intuitive Operation at Your Fingertips
Compatible with Over 103
Canon EF Lenses
Capture the Action,
Frame by Frame
Fast, Accurate,
Sophisticated AF
Precise AF Keeps Subjects
in Focus
More than 103 Canon EF lenses are able to
fully realize the benefits of Dual Pixel CMOS
AF. Compatible lenses greatly expand creative
and compositional possibilities so users can
enjoy a wide range of endeavors made possible
through various lenses whether shooting still
images or video. Canon STM lenses help
ensure quiet operation during video capture.
In short, thanks to Dual Pixel CMOS AF, Canon’s
renowned optics can now combine with Live
View and video capture as never before, offering
expanded creative possibilities.
A combination of fast processing
speeds, and accurate and precise
autofocus allows EOS digital SLR cameras to
photograph moving subjects with ease. The
new EOS 7D Mark II camera can shoot up to
10.0 frames per second thanks to its quick AF
and exposure systems complementing the
shutter’s 55 msec shutter release time lag.
Refined mechanics like a newly designed, more
efficient shutter-drive motor and a vibration
dampened mirror drive mean advanced
performance for high caliber image quality.
Advanced Canon focus tracking
technology is one of the hallmarks of Canon EOS
technology. This is made possible by incorporating
high-precision focus sensors. By utilizing more
sensors, the camera is able perform well in
situations where the subject may be moving
erratically or unpredictably. The new EOS 7D Mark II
camera has a 65-point* all cross-type AF that
provides not only a large AF coverage area, but also
tremendous control over focusing point selection.
The focusing point can be selected automatically
by the camera or manually by the user.
Intelligent Tracking and Recognition Autofocus
(iTR AF) is an advanced tracking technology that
improves the camera’s accuracy to keep a subject
in focus as much as possible. As featured on the
new EOS 7D Mark II camera, its enhanced iTR AF
is now even faster and more precise because it
works in tandem with its EOS Intelligent Subject
Analysis (iSA), which allows the camera to
recognize a subject’s face and color. If the speed
and direction change suddenly, iTR AF will switch
to a different AF point to track the subject and
maintain sharp, steady focus.
* T he number of available AF points, and whether single line or cross-type, varies depending on the lens.
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13
EOS CAMERAS
Autofocus Technology
Enhanced Subject Tracking
The EOS System leads the way in
professional AF technology with
multi-point AF systems that deliver an
ever-increasing combination of
accuracy and speed in diverse situations.
The EOS-1D X and EOS 5D Mark III cameras are
benchmarks in AF technology with a 61-Point
High Density Reticular AF. The EOS 7D Mark II
camera has a 65-point § all cross-type AF. Both of
these AF technologies improve tracking and are
remarkably sensitive in low-light situations (the
EOS-1D X and 5D Mark III offer EV -2 for a central
point with an f/2.8 lens, and the EOS 7D Mark II
offers EV -3 with an f/2.8 lens). The cameras can
remain stable in adverse conditions, with secondary
imaging sensors that use temperature- and
humidity-resistant glass molding. With the
EOS-1D X and EOS 5D Mark III cameras’ firmware
updates†, cross-type autofocusing is possible
when the maximum aperture of a Canon EF lens
becomes f/8 with an EF extender attached.
Reliable subject identification and tracking
features significantly improve a camera’s
performance in any number of situations.
As seen on the EOS-1D X and EOS 7D Mark II
cameras, EOS iTR AF can use both face
detection and color to track a subject. With
acceleration and deceleration tracking, the
EOS-1D X’s AI Servo AF system can adjust and
react to sudden stops and starts. For the
EOS 7D Mark II, iTR AF has been enhanced with
new tracking algorithms optimized for more
precise performance. EOS iTR AF is especially
perfect for sports and wildlife photography.
Specific parameters can be adjusted and refined,
then saved in the AF menu for later use.
5 central dual
cross-type points
(f/2.8 lenses)
20 outer
cross-type points
(f/4.0 lenses)
21 central
cross-type points
(f/5.6 lenses)
Advanced AF Technology — The EOS-1D X camera
incorporates a highly advanced 61-Point High Density
Reticular AF that delivers outstanding focus accuracy.
It provides multi-zone wide area coverage for better
tracking and astonishing AF performance in low light.
§
14
1 central
cross-type point
(f/8 maximum
aperture lens /
extender combination)#
#
Available only on EOS-1D X with firmware update
The number of available AF points, and whether single line or cross-type, varies depending on the lens.
EOS iSA System
AF Modes
The 100,000-pixel RGB Metering Sensor with a
dedicated DIGIC 4 Image Processor in the
EOS-1D X camera helps deliver substantial
improvements in evaluative ambient and flash
metering. The sensor has 252 distinct zones,
and reduces to 35 zones in low light. It detects
face and color to perform more accurate
subject recognition, which is used to enhance
the performance of the AE, E-TTL and AF
systems. The EOS 7D Mark II camera has an
amazing Intelligent Subject Analysis (iSA)
system that employs an independent RGB light
sensor with approximately 150,000-pixel
resolution. With this new sensor, not only does
the EOS 7D Mark II have a finer level of
accuracy, but when combined with the
camera’s iTR AF, the EOS 7D Mark II can track
subjects with a significantly greater level of
success. The EOS 7D Mark II also has an
Anti-Flicker Shooting function that
compensates for flickering light sources,
taking shots only at peak light volume.
This feature is useful for helping to minimize
disparities in color and exposure, especially
during continuous shooting in sub-optimal
lighting situations.
Canon EOS cameras feature a number of
dedicated autofocus modes designed to
enhance reliability in specific shooting
situations. One-Shot AF mode is ideal for static
subjects — the camera rapidly selects the
optimum focusing point and the subject is
instantly brought into focus, even if it is
off-center. AI Servo AF mode is excellent for
moving subjects. Aided by a highly intelligent
predictive focusing algorithm, it precisely tracks
subject movement across the wide AF coverage
area, automatically shifting the active focusing
point vertically and horizontally as required.
AI Focus AF mode, in which the camera
automatically decides between One-Shot and
AI Servo AF modes based on subject movement,
is ideal for shooting unpredictable subjects.
AI Servo AF III, found on the EOS-1D X,
EOS 5D Mark III and EOS 7D Mark II cameras,
uses more advanced algorithms for even
better predictive focus tracking performance
when shooting subjects with unpredictable
movement. Even difficult, high-magnification
subjects, such as a flower in a breeze, are
captured accurately with a Canon macro lens
using these tracking algorithms. With the
firmware update†, the viewfinder of the
EOS-1D X can now be illuminated in red
(intermittently) when the shutter button is
pressed halfway during AI Servo AF, for easy
viewing and shooting in low light.
Enhanced Live View Focusing
Innovative AF systems also enhance continuous
subject autofocusing and tracking in Live View
shooting on select EOS cameras.
Hybrid CMOS AF combines two distinct
technologies, phase and contrast detection AF,
to increase autofocus speed during Live View
and video shooting on the EOS Rebel T5i
camera. Hybrid CMOS AF is aided by pixels on
the camera’s CMOS sensor that assist in
predicting subject location, making continuous
focus tracking quick and accurate in video
recording while enhancing focusing speed.
Performance capabilities are extended with a
number of selectable zones. Also featured on
the EOS Rebel SL1 camera, Hybrid CMOS AF II
offers a widened focus area covering 80% of the
image plane, vertically and horizontally, for
increased focus accuracy and speed.
FlexiZone Multi mode divides the scene into 31
AF zones and uses special algorithms that give
priority to the center and closer subject for
focusing. Taking advantage of the touch screen
LCD monitor featured on select EOS cameras,
users can simply touch one of nine zones
(center left, center right, center, center top,
center bottom, and the four corners) and select
it for automatic focusing. For selecting a single
AF point, cameras with a touch screen also
feature Touch AF.
Live View Multi-point AF (Zone select)
Touch AF
Face & Tracking Priority AF
Face & Tracking Priority AF detects faces and
enables the camera to focus and track the
selected face by switching the AF points. After
detection, face tracking will continue even if the
face turns to the side view. Other parts of the
body besides the face can also be selected on
the monitor and can be tracked in the same way.
High-Speed Shooting
The AF systems in the EOS-1D X and
EOS 7D Mark II cameras combine fast data
readout (16-channel and 8-channel,
respectively), image processor speed (Dual
5+ Image Processors and Dual
6
Image Processors, respectively), speedier
shutters and mirror systems that help to raise
the performance bar for digital cameras.
A mirror mechanism provides improved AF
precision, speed and stability. The main mirror
is equipped with two balancers and one
bounce-lock mechanism, and the sub-mirror
has two balancers and two bounce-lock
mechanisms, thus effectively controlling
mirror bounce. This contributes not only to
high-speed continuous shooting, but also to a
stable viewfinder image plus greater AF and
AE accuracy.
Diverse AF Shooting Options
On the EOS-1D X and EOS 5D Mark III cameras,
there are 6 AF point selection methods: spot,
single point, single point and adjacent 4
points, single point and adjacent 8 points,
zone selection and full automatic, plus there’s
a dedicated AF configuration tool for control of
AI Servo AF tracking parameters.
The EOS 7D Mark II camera also has the same
6 AF point selection modes, but includes a
new Large Zone AF mode. To manage all of the
Up to 12.0 fps — Proprietary Canon technologies in the EOS-1D X deliver state-of-the-art performance: an astounding continuous
shooting speed of 12.0 fps* (RAW+JPEG) up to a maximum of 14.0 fps (JPEG) in Super High Speed Mode at full resolution.
shooting options, both the EOS-1D X and
EOS 5D Mark III have a dedicated AF menu tab,
while the EOS 7D Mark II has a special AF area
selection lever so AF settings are faster and
easier to access.
Superb Exposure Control
Canon EOS cameras incorporate advanced
exposure control systems, offering the
photographer amazingly precise AE (auto
exposure) with a wide range of metering
options. Full-frame evaluative metering
incorporates the camera’s multi-zone sensor
reading with specific focusing point data. The
onboard microcomputer compares input from
Multi-zone Metering — Canon’s sophisticated Multi-zone
Evaluative Metering System considers not only the active
focusing point, but also a range of metered values
throughout the frame to determine correct exposure even
in difficult lighting.
all zones and calculates optimum exposure even
in the most challenging lighting situations.
Advanced photographers can choose from
several additional metering options.
Center-Weighted metering is available for a
more traditional pattern. Partial metering limits
readings to sensor zones in the center of the
image area, offering more area-specific control.
Spot readings can be taken at the center of the
frame area or, with some models, linked to an
AF point. With certain EOS cameras, up to eight
separate spot meter readings can be recorded
and averaged. For cameras like the EOS 5D Mark III,
EOS 6D, EOS 70D and EOS 60D, Canon developed
the iFCL (Intelligent Focus Color Luminance)
63-zone dual-layer metering system to
incorporate the color wavelength surrounding
the chosen focus point to help ensure more
natural color rendition. The outstanding
exposure control technology that Canon has
created is also fully integrated with the flash
photography tools of the EOS System. E-TTL
(Evaluative Through-The-Lens) and E-TTL II
autoflash systems work in combination with
the camera’s multi-zone metering sensor to help
take the guesswork out of flash photography.
(See the Speedlite section for more details.)
*The maximum continuous shooting speed is restricted to up to 10 fps when the battery charge is less than 50% or when ISO speed is above 32000. If the camera’s internal temperature is low and
ISO speed is above 20000, the maximum continuous shooting speed is restricted to up to 10 fps.
†
The EOS-1D X and EOS 5D Mark III firmware updates are available at:
usa.canon.com/cusa/consumer/standard_display/eos_1dx_firmware and usa.canon.com/cusa/consumer/standard_display/EOS5DM3_firmware
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15
EOS CAMERAS
Movie Crop
EOS Full HD Video Advantage
The Movie Crop function on the
EOS 60D camera enables zooming
at 7x the captured focal length for
distant action and extreme close-ups. This
feature is perfect when the chosen subject is
in a crowd, like a specific athlete, or when it’s
impossible to get close to the action. Recorded
as a VGA video, Movie Crop shots are perfect for
emailing, posting online, or editing into other
video clips.
Select EOS cameras feature 1920 x 1080 Full HD video
capture and offer the enhanced image quality, smooth frame
rates and adaptive exposure compensation necessary in
professional movie-making tools. By shooting video with an
EOS camera, it’s simple to take advantage of the image
quality and characteristics intrinsic to large sensor cameras,
resulting in richer, more detailed and more diverse images.
The large sensor found in EOS cameras means more high
quality pixels plus the potential to shoot at higher ISO
sensitivities without loss of detail.
EOS Full HD Video
Manual Control
Depth-of-field
EOS cameras increase shooting
flexibility for the videographer
in that they allow for full use of
Canon EF and EF-S lenses, including
wide-angle, macro, super-telephoto, tilt-shift
and fisheye, providing a wealth of focal
lengths, depth-of-field and other creative
shooting options once reserved for still
photography. All Live View AF features can
also be used in shooting video, and playback
modes are available in-camera, with sound.
Combined with their size, image quality and
flexibility, EOS cameras with Full HD video
capture are outstanding, all-in-one multimedia
image-capturing tools.
For complete creative decision-making on the
go, select EOS cameras offer flexible manual
controls for their movie modes. Not only can
one take advantage of the range of ISO
sensitivities, it’s simple to control exposure
and depth-of-field, all of which can have a
profound effect on the mood of a scene. It’s all
as easy as the press of a button. By controlling
depth-of-field, it’s simple to create gorgeous
background blur. Exposure can be determined
and set even in complex lighting situations,
maintaining the same look and feel throughout
an entire scene, not just the initial shot.
When shooting a video on an EOS camera, it’s
simple to control each shot’s depth-of-field, an
option previously available only when filming
with expensive professional cinema cameras.
Thanks to the physical size of the CMOS sensors
in EOS cameras, combined with the large
maximum apertures achieved by Canon lenses,
depth-of-field, or lack thereof, can be a creative
decision reached solely by the photographer. If
a large aperture is chosen, thus creating
shallow depth-of-field, evocative, dramatic
moving images with blurred backgrounds can
be attained with ease, something simply not
possible with smaller sensors or compact
cameras. If everything must be in focus,
shooting with a small aperture helps ensure
phenomenal depth-of-field, for illustrative
landscapes, architecture or anything else
where all details must be recorded. The drama,
beauty and mood achievable by controlling a
video clip’s depth-of-field cannot be overstated
— and an EOS camera controls it with ease.
Large CMOS Sensor
With amazing Canon CMOS sensors, video
is easy to shoot, and looks better than ever
before. Large sensors provide a look and
perspective impossible to achieve with
traditional video cameras, and the quality
must be seen to be believed. Large sensors
also capture more light, and can record at high
ISO sensitivities with less digital grain and
reduced image noise. This enables low-light
shooting, without loss of detail, in situations
previously impossible without artificial light.
The resulting quality of video captured by an
EOS camera and its CMOS sensor is markedly
vibrant and truer to life.
Movie Servo AF
For accurate and steady focus during video
shooting, Canon developed Movie Servo AF, found
on select EOS cameras. Movie Servo AF takes
advantage of the Hybrid CMOS AF systems on the
EOS Rebel T5i and EOS Rebel SL1 cameras, and the
Dual Pixel CMOS AF system on the EOS 7D Mark II
and EOS 70D cameras to lock focus on a subject
with great speed and track it throughout the
composition. Movie Servo AF automatically
determines the distance of the subject as its
position changes through the frame. On the
EOS 7D Mark II and EOS 70D, Dual Pixel CMOS AF
and Movie Servo AF work in concert to provide
smooth and consistent autofocus tracking,
even on fast-moving subjects. When cameras
featuring Movie Servo AF (the EOS 7D Mark II camera
has customizable settings for more control) are
used with one of Canon’s STM lenses, continuous AF
performance is remarkably quiet and smooth.
Movie Servo AF – Movie Servo AF allows continuous autofocus tracking of moving subjects while recording video.
16
Video Snapshot
With the Video Snapshot feature,
found on select EOS cameras, short
video clips (of 2, 4 or 8 seconds)
can be stitched together, in-camera, into one
video file as a “snapshot album,” perfect for
sharing online, or displaying to an HDTV directly
from the camera. In the EOS 70D, EOS Rebel T5i
and EOS Rebel SL1 cameras, the Video Snapshot
feature makes in-camera editing even simpler:
still images can be recorded during video
shooting simply by pressing the camera’s
shutter button. During playback, video clips in
an album can be reordered or deleted.
Creative Capabilities with EOS Lenses
From fisheye to super-telephoto, the amazing
Canon EF and EF-S lenses offer a stunning
combination of sharpness, speed, compactness
and flexibility — the perfect complement to a
user’s creativity. With the ability to create
images of great beauty and with controlled
depth-of-field, interchangeable lenses bring
video shooting to a whole new level. The range
of focal lengths is simply staggering. With
over 60 lenses available, including the Canon
EF 8–15mm f/4L Fisheye USM, the world’s first
real fisheye zoom lens that functions as a
circular fisheye and full-frame fisheye for a full
size CMOS sensor, and as a full-frame fisheye
for a full size CMOS sensor and APS-C sizes,
there’s an EF or EF-S lens for everyone. No matter
the videographer, no matter the situation,
Canon lenses help ensure quality results.
Sound Recording Level Adjustment
To help ensure the best possible recording of
sound, a number of EOS cameras offer a host of
user-controlled sound recording adjustments.
The manual sound recording level can be
adjusted to one of 64 levels, and an optional
wind filter can minimize unwanted excess
sounds. Whether recording through an external
microphone (on certain EOS models) or through
the camera’s internal mic, this important
feature means more audible voices, less
unwanted noise, and better overall sound.
Movie Digital Zoom
Movie Digital Zoom, found on the EOS 70D
camera, makes it possible to zoom while
shooting video from 3x to 10x, adding a whole
new level of drama to video clips.
Automatic Splitting of Video Files
The FAT file system’s 4GB size limit cannot be
changed, but it no longer has to interrupt
videocapture. Should a video file reach the
4GB limit during shooting on select EOS
cameras, a new file is automatically created,
enabling recording to continue without
interruption. Sequential files can later be
joined in an editor for seamless results.
Advanced Video Recording Options
Shooting HD video with an EOS camera, it’s
simple to take advantage of the image quality
and characteristics intrinsic to cameras with
large sensors. Found on all EOS cameras, the
large sensor means more high quality pixels,
the potential to shoot at higher ISO sensitivities
without loss of detail and full use of Canon
EF and EF-S lenses with their wealth of focal
lengths, depth-of-field and other creative
shooting features. Most EOS cameras feature
1920 x 1080 Full HD video capture, delivering
professional frame rates, adaptive exposure
tools and phenomenal image quality. Select
EOS DSLR cameras offer users a choice
between All-I and IPB compression and support
High Profile under the H.264/MPEG-4 AVC
standard, combining high image quality with
high coding efficiency and producing files that
are well suited for transmission or broadcast.
It automatically splits files greater than 4GB
(FAT limitation) without interruption and offers
the option of timecoding at all times (Free Run)
or only during recording (Rec Run), useful for
multi-camera shots. It also features improved
sound recording adjustment capabilities,
offering 64-step volume control accessible
through the quick settings screen during video
shooting. The sensor technology in select
models significantly increases image quality,
reducing color artifacts and moiré.
Interchangeable EF / EF-S Lenses – Creative video shooting is at your fingertips.
Frame Rates
In select models, EOS Full HD video can be
captured at 1920 x 1080 resolution, for up to
4GB per clip. Videos are saved as MOV files
(the EOS 7D Mark II cameras can record in
both MOV and MP4 formats, and at 50/60 fps)
and can be viewed in Full HD with HDMI
output. Other recording sizes include HD at
1280 x 720 (50/60 fps) or SD/VGA at 640 x 480
(50/60 fps). No matter the end-application, the
proper resolution and frame rate is easily
defined with EOS cameras.
Resolution
fps
1920 x 1080 (Full HD)
60P (59.94)*, 30P (29.97),
25P, 24P (23.976)
1280 x 720 (HD)
60P (59.94), 50P
640 x 480 (SD)
60P (59.94), 50P
Macro lenses let you
get up close for
detailed shots of small
subjects.
Wide-angle lenses are
perfect for shooting in tight
spaces or to capture large
expanses.
Fisheye lenses impart an
extraordinary perspective and
angle-of-view far beyond the
limits of human vision.
Tilt-shift lenses allow you
to control the area of focus.
Telephoto lenses
Canon’s amazing telephoto lenses bring
the action closer, emphasizing the
subject at hand.
* EOS 7D Mark II only
usa.canon.com/eos
17
EOS CAMERAS
Intelligent Viewfinder – Change your viewfinder display to match your situation. (All displays shown are the EOS 7D Mark II's Intelligent Viewfinder II)
65-point* AF auto selection display – The camera
automatically chooses the correct AF point.
Spot metering display – Focus with a central,
circular zone for accurate exposure control.
Zone AF (9 patterns) display – The AF points are
divided into five focusing zones, useful for
off-center shots.
Large Zone AF (3 patterns) display – AF area
is divided into 3 large zones to provide balance
between image composition and subject tracking.**
Dual Axis Electronic Level Sensor
Developed by Canon and featured
in the EOS-1D X, EOS 5D Mark III
and EOS 7D Mark II cameras, the
brilliant Dual Axis Electronic Level
display aids in achieving perfectly oriented
shots. Capable of displaying both roll and pitch
in 1° increments, the Dual Axis Electronic Level
is visible in the viewfinder and on the camera’s
LCD monitor, in both Live View mode or as a
standalone. This feature is invaluable for
architecture photography, macro photography,
video, or any situation where critical composition
is important.
Unique Shooting Opportunities with the Vari-angle LCD Monitor
Low-angle position
High-angle position
­AF point expansion display – Focus with a selected
AF point and points surrounding it (choose 4 or 8
points**). Great for action.
Single-spot point AF display – Focuses on a
smaller area for precise focus on small subjects.
Grid display – Useful for scenes where horizontal
or vertical lines are stressed, such as architecture.
Intelligent Viewfinder
Viewfinder
An Intelligent Viewfinder uses a
transparent LCD monitor to
superimpose a customizable
combination of focus points,
gridlines and other shooting information
within the viewfinder. Whereas the
representation of AF points and metering
areas are static with standard viewfinders,
the Intelligent Viewfinder allows the information
to be displayed, adjusted, or hidden with
ease. This means less distraction and more
clarity to view the image in its entirety. The
EOS 7D Mark II camera’s Intelligent Viewfinder II
even allows users to change settings right
from the viewfinder while shooting. With Grid
Display and in Spot Metering mode, the
specific area metered is shown.
No matter the camera’s
specifications, a clear, bright
viewfinder is the photographer’s
first tool for great images. Canon
innovates with their viewfinders, especially in
the EOS-1D X, EOS 5D Mark III and EOS 7D Mark II
cameras, by offering approximately 100%
viewfinder coverage and several EOS SLR
cameras have a larger pentaprism for higher
viewfinder magnification. All EOS DSLR
cameras offer dioptric correction and several
EOS DSLR cameras have a number of different
viewfinder accessories, including up to 11
different focus screens available for almost
any application.
Superb Ergonomics
EOS cameras not only produce phenomenal
images, they are designed to be comfortable to
use and carry all day long. From bright
viewfinders, to tactile buttons and knobs,
Canon is constantly refining ergonomics based
on the feedback of real users. Canon’s Custom
functions further enable photographers to tailor
features and operations to their shooting
style. The EOS-1D X camera has
programmable function
All display – AF point, shooting, electronic level
information, and more can be reviewed on the
viewfinder.
buttons located on the front of the camera that
enable fast access to frequently used features
the photographer specifies. Its vertical grip is
redesigned for comfort and familiarity, and
combined with a vertical position Multi-controller,
provides every option and button found in the
horizontal for uninterrupted, intuitive shooting
no matter the camera’s orientation. Plus, the
EOS-1D X’s Multi Electronic Lock allows the
Main Dial, Quick Control Dial and Multi-controller
to be all locked, individually or together.
Viewfinder display with Intelligent Viewfinder
Vari-angle Touch Screen
3.0-inch Clear View LCD
Monitor II
angle shooting without interfering with the
use of auxiliary camera grips or tripods. As an
added plus, the EOS 70D and EOS Rebel T5i
cameras’ LCD monitors have touch screen
capabilities for more intuitive control.
Live View Function
M.Fn Button
M.Fn 2 Button
View of rear LCD monitor with Live View
Depth-of-field
Preview Button
Vari-angle LCD Monitor
Vertical-Grip
M.Fn 2 Button
Vertical-Grip
Depth-of-field
Preview Button
AE Lock Button
AF ON Button
Vertical-Position
Multi-Controller
Button
Vertical-Position
Grip Button
18
Forward position
* T he number of available AF points, and whether single
line or cross-type, varies depending on the lens.**
** EOS 7D Mark II camera only
Found on select EOS cameras,
the brilliant Canon Vari-angle
3.0-inch Clear View LCD
monitor and Vari-angle Touch
Screen 3.0-inch Clear View LCD monitor II with
180° vertical rotation set new standards for
clarity and flexibility. Designed to flip out
from the back of the camera, the Vari-angle
monitor’s 180° rotation means it can be
adjusted for low angle or high angle and can
even be positioned forward directly at the
subject (when facing the subject, the displayed
image automatically flips, showing a
right-side-up mirror image, perfect for
self-portraits). Because the monitor opens out
sideways, it switches between low and high
†
Canon’s spectacular Live View
shooting is now available on
all current EOS cameras. Live
View Function, where the photographer can
compose and shoot directly from the camera’s
LCD monitor, is an indispensable feature for
creative photography in any number of
Multi-control Dial on
the EOS 60D camera
situations. It enables the photographer to
zoom in and navigate the composition 5x or
10x its normal size, while enabling critical
focus and allowing more attention to detail.
Users can even choose a grid overlay, perfect
for architectural photography. In the studio,
Live View Function can be used remotely (via
a computer) through the camera’s USB
connection (via the Gigabit Ethernet port on
the EOS-1D X camera), or wirelessly if the
optional Wireless File Transmitter is used.
Live View Focusing
Canon’s Live View Function includes three
focusing modes: Quick mode †, Live mode, and
Face Detection Live mode. In Quick mode,
One-Shot AF is set automatically and the AF
point is selectable even while the Live View
image is displayed. In Live mode, AF can be
started by pressing the AE button for either
AF mode. In Face Detection Live mode, the
largest face near center is detected initially,
but the multi-controller can be used to select
any face detected.
Live View Function – With Live View Function, images
can be composed and captured from the camera’s LCD
monitor, including the ability to zoom in up to 10x.
Not available on the EOS 70D camera.
usa.canon.com/eos
19
EOS CAMERAS
Lens Peripheral Illumination
Correction
Custom Function
I am
“ Whether
photographing under
waterfalls, in a sand
storm or 20 degrees
below freezing, I know
I can count on the
weather sealing of the
Canon EOS-1D X.
It will withstand
the harsh weather
conditions and keep
on working flawlessly.
Camera operations are enhanced by Custom
Functions, conceptualized and developed by
Canon. Custom Functions enable photographers
to tailor features and operating functions to suit
their own shooting style, or to optimize camera
performance for specific subjects, shooting
conditions or a signature style.
Advanced RAW+JPEG Recording
(in-camera processing)
Another feature available in Canon’s newest
EOS cameras is Canon’s Lens Peripheral
Illumination Correction feature. Taking into
account the lens in use, this feature automatically
brightens the light level at the four corners of
Auto Lighting Optimizer Disable
”
Lens Peripheral Illumination Correction ON
Auto Lighting Optimizer High
Jennifer Wu
Explorer of Light
©Jennifer Wu
Maximum Durability
and Performance
20
For professionals who demand
nothing less than the best, EOS
cameras are designed to perform
admirably and consistently no
matter the situation. Many EOS
bodies are constructed of rigid,
high-strength magnesium alloy
for rugged performance.
Professional cameras like the
EOS-1D X and EOS 5D Mark III
feature weather sealing surfaces
and connection points for seamless performance
in wet and dusty situations. The EOS-1D X even
has a lightweight shutter with carbon-fiber
blades that can maintain up to 14.0 fps*
performance without compromise, for up to
400,000 cycles and has a minimum shutter
release lag of 36ms (when shooting at
maximum aperture).
surface of the sensor’s IR-cut/Low-pass filter
cleans itself automatically with ultrasonic
vibrations every time the camera is turned on
or off. Removed dust adheres to material
around the filter to help it stay off. With DPP,
dust missed by the cleaning unit can be
captured by Canon’s Dust Delete Data Detection
and can be erased from the image file.
EOS Integrated Cleaning System
Ultrasonic Wave Motion Cleaning
Canon has designed an
Integrated Cleaning
System with a Self
Cleaning sensor unit customized to the
specifications and performance characteristics
of each EOS camera that helps combat stray
dust that can enter the camera when changing
a lens or when out in the field. The front
Found on select EOS cameras like
the EOS-1D X, Canon’s integrated
dust removal cleaning uses a
carrier wave type self-cleaning
sensor unit. While previous dust removal
systems removed dust adhered to the surface
of the infrared absorbing, ultraviolet-blocking
glass in a frontward direction by vibrating the
Built to Perform – Canon EOS cameras are built to go wherever your photography takes
you. Select cameras are sealed for dustproof and drip-proof measures (EOS-1D X shown).
glass with ultrasound, the system effectively
rolls rather than shakes the dust particles off,
removing an even greater amount of dust,
especially smaller particles. As with previous
cameras, the IR/UV absorbing glass in front of
the EOS-1D X’s sensor is treated with an
anti-dust fluorine coating, making it easier to
remove damp or sticky dust particles.
Self-cleaning
sensor unit
(EOS-1D X)
* T he maximum continuous shooting speed is restricted to 10 fps when the battery charge is less than 50% or when ISO speed is above 32000. If the camera’s internal temperature is low
and ISO speed is above 20000, the maximum continuous shooting speed is restricted to 10 fps.
Best described as “digital
negatives,” RAW images contain
pre-processed image data as
captured by the sensor and,
with post-processing, they yield
the highest image quality possible from an
EOS camera. While professionals and advanced
amateurs often prefer to shoot in RAW mode,
JPEG images take up significantly less storage
space and are often more immediately pleasing
to the eye. With Canon’s EOS cameras, images
can be captured in a number of RAW and JPEG
modes, depending on the camera’s sensor, as
well as record numerous combinations of RAW,
sRAW and JPEG images simultaneously. Select
EOS cameras feature in-camera post processing
with image correction options like white
balance, brightness, picture style and more,
plus image resizing with JPEG images.
Additional features include Expanded Quick
Control functions during playback like image
protect, image rotate, rating, RAW image
processing, resize, highlight alert, AF point
and image jump, meaning a streamlined
workflow can begin in the field.
Auto Lighting Optimizer
The Auto Lighting Optimizer automatically
corrects image exposure to help ensure
accurate brightness and contrast. It can
actually brighten areas of the composition
while maintaining highlight details and
accurate exposure in others, or darken areas
of the composition while maintaining
brightness and shadow details in others.
This remarkable feature is available as both
an automatic feature in Full Auto and Creative
Auto shooting modes, and can be used and
fine-tuned in other modes. The Canon Auto
Lighting Optimizer ensures beautifully
exposed images that require little to no
post-production work.
Lens Chromatic Aberration Correction
Lens Peripheral Illumination Correction OFF
the composition where light falloff may have
occurred. Peripheral illumination characteristics
and correction data are detected automatically
on a number of Canon lenses and can be
entered manually through Canon’s EOS utility
software. This function can be applied when
shooting to JPEG images, and in post-processing
with RAW images.
With the EOS-1D X camera and its Dual
5+
Image Processors, the EOS 7D Mark II cameras’
Dual
6 Image Processors, the
EOS 5D Mark III, EOS 6D, and EOS 70D cameras’
5+ Image Processor, and the EOS Rebel T5i
and EOS Rebel SL1 cameras’
5 Image
Processor, chromatic aberration in Canon lenses
can be corrected at the time of shooting. Select
EOS cameras can read the correction data from a
lens and that lens can be registered to the
camera. These cameras can also distinguish
between different lenses of the same model by
supporting registration of serial numbers (with
compatible EF lenses).
Lens Chromatic Aberration
Correction ON
Lens Chromatic Aberration
Correction OFF
Highlight Tone Priority
Loss of highlight detail is one of the greatest
concerns for photographers shooting digitally
in brightly lit and high-contrast situations.
Canon’s Highlight Tone Priority function
calculates the
exposure to
expand the
image’s
dynamic range
so that more
Highlight Tone Priority: OFF
detail is
preserved in
highlights. This
renders a more
continuous
tone image
without blown
Highlight Tone Priority: ON
highlights, and
helps to save time in post-processing for
highlight retrieval.
usa.canon.com/eos
21
EOS CAMERAS
Shooting Modes
Beyond normal shooting modes
such as Auto, Aperture priority
and Shutter priority, select
EOS cameras offer shooting
features such as Picture Style
technology, which optimizes
camera settings for subjects like
landscapes and portraits, even monochromes.
For even more creative imaging freedom, Canon
developed Basic+. Basic+ makes it easy to create
whatever image effects desired. Basic+ has two
initial option categories: In “Shoot by ambiance
selection,” standard white balance and exposure
compensation are altered according to the chosen
ambience, such as vivid, soft, warm, intense,
cool, brighter, darker and monochrome. In “Shoot
by lighting or scene type,” white balance is
adjusted according to selections like daylight,
cloudy, shade, tungsten, fluorescent and sunset.
These features, complemented by the Canon Auto
Lighting Optimizer, Lens Peripheral Illumination
Correction, Highlight Tone Priority and Noise
Reduction, help ensure accurate, nuanced results.
Scene Intelligent Auto
Scene Intelligent Auto, found
on select EOS cameras, merges
a number of very complex
measurements into settings that
help ensure photographs of gorgeous tonality,
accurate color, sharp focus and phenomenal detail.
EOS In-camera Features Can Give Your Photos a Creative Edge:
Picture Style Settings Help Fine-tune Images to Match Your Scene
Creative Filters
Multiple Exposure Mode
Fun, in-camera filters give images a unique look:
Art Bold Effect
Bright – A number of images are merged into a single
image in-camera for incredible creative compositions.
High Dynamic Range Mode
Landscape – Great for shooting nature scenes and blue skies, this setting enhances the blues
and greens typical in landscapes and enhances saturation, contrast and sharpening.
Water Painting Effect
High Dynamic Range –
The camera automatically
takes three shots at
different exposures
generating a single
composite image with a
wide dynamic range,
great for landscapes.
Picture Style
Auto
Auto
Exposure
Continuous Shooting Priority – Capture fast-action
photography on a single image.
Auto Lighting
Optimizer
Scene Intelligent Auto
Auto Focus
Auto White
Balance
Creative Filters
Select EOS models borrow several popular
Creative Filters like those found in Canon’s
popular PowerShot cameras, like Grainy B&W,
Fisheye Effect, Toy Camera Effect, Miniature
Effect, Art Bold Effect and Water Painting Effect.
On the EOS Rebel SL1 camera, Miniature Effect
can also be applied to videos. Each effect can be
applied in three different levels (low, standard
and strong), and easily previewed on the
LCD panel in Live View on the EOS 70D,
EOS Rebel T5i and EOS Rebel SL1 cameras.
Multi-Aspect Ratios
For the ultimate in custom
shooting, select EOS models
are able to shoot in a number
of aspect ratios, like 4:3, 3:2, 16:9, and even
1:1 for square compositions!
22
Monochrome – This setting emulates the color filters of
silver halide film for bold black and white images and
allows for red, green and other types of filter work.
Picture Style Technology
With the myriad features and
settings available, even the
best photographer might
occasionally have doubts as to
whether all of the camera settings are optimal
for the shot. Canon’s ingenious Picture Style
feature comes to the rescue, providing a
number of user-friendly presets, including
standard, neutral and landscape, giving the
ability to fine-tune the images the camera
produces. They enable the photographer to
make optimal choices based simply on the
type of shooting. These presets can be used in
much the same way one would use different
types of film, and more can be created using
Canon’s included Picture Style Editor Software.
Individual camera settings – such as sharpening,
Twilight – Capture the subtle vibrancy of colors illuminated
by the soft glow of the receding sun using the twilight
setting. (Extended Function, online support only.)
contrast, color tone, and saturation – can be
overridden if need be. Select EOS models even
feature Picture Style Auto, which automatically
determines an ideal style for a particular scene.
Multiple Exposure Control
The EOS-1D X, EOS 5D Mark III,
EOS 6D, EOS 7D Mark II and
EOS 70D cameras offer multiple
exposure shooting modes for
film-like image creation with the convenience
of in-camera processing. They offer up to four
compositing methods for proper exposure and
composition: additive, average, bright and dark
(the EOS 6D and EOS 70D feature additive and
average only). Multiple exposure shots from 2
to 9 are stored as one final image and can be
taken in both RAW and JPEG shooting modes.
Miniature Effect
High Dynamic Range
Perfect for capturing scenes with
extreme highlights or shadows,
High Dynamic Range (HDR)
shooting is a feature found in
the EOS 5D Mark III, EOS 6D, EOS 7D Mark II
and EOS 70D cameras. HDR merges three images
of varying exposure, in-camera, capturing a
broad range of shadow and highlight detail
and delivering an image with stunning tonal
range. Adjustable to cover a range of ±3 stops,
and with five different effect settings (Natural,
Art Standard, Vivid, Bold and Embossed) on the
EOS 5D Mark III and EOS 7D Mark II cameras,
HDR recording expands the parameters of the
light and dark detail a camera can actually
record, displaying a range of depth and detail
previously impossible in image capture.
Enhanced GUI
(Feature Guide, Easier Menu System)
While Canon’s Graphical User Interface has
long been the industry standard, Canon is
constantly refining and developing new
features for a smoother user experience.
Accordingly, the GUI has been revamped for
the EOS-1D X and EOS 5D Mark III cameras
based on the response and feedback of
professional users. Its Graphic User Interface
is faster, more precise and more intuitive than
ever. The menu structure has been redesigned
so that frequently used functions previously
buried in the menu hierarchy are brought to
the front. Operations previously assigned to
buttons, controls, menus and custom functions
have been consolidated for quick access in
the menu, helping to ensure the photographer
can concentrate on shooting images with the
knowledge that the camera’s settings are just
right. Select EOS cameras offer operational
help through the press of the Info button,
identifying features quickly, instructing on
their use and minimizing confusion, even for
photographers operating the camera for the
first time.
usa.canon.com/eos
23
EOS CAMERAS
— Wireless and Wireless LAN Functions —
wireless
“ The
capabilities of my
— Functions When Connected via USB or Bluetooth —
External Media
FTP Transfer
Canon file transmitters
and Canon Speedlite
flashes streamlines
my creative workflow.
The file transmitter
allows wardrobe
stylists, make-up
artists, and clients
see my results "in the
moment" and my
wireless Speedlite
makes lighting changes
a snap. I love 'em!
Linked Shooting
Transfer images
to an FTP server
Wirelessly trigger
shooting by slave
cameras linked to
a master camera
EOS Utility
Use EOS Utility to
capture, view, and
download images
remotely
Record or backup images onto external media
GPS
Connected
by a USB cable
Media Server
WFT Server
”
View images on a
DLNA-compatible
TV or other devices
Use a web browser
to capture, view,
and download
images remotely
Connected
via Bluetooth
Add the latitude, longitude, altitude, date and time,
and other shooting information to images
Extensive Wired and Wireless LAN Functions –
Select WFT units not only support wireless
LAN environments but also enable wired
network connections, providing high-speed
100Base-TX communication (the WFT-E7A
supports 1000Base-T).** Built-in WPS (Wi-Fi
Protected Setup) makes it easy to make secure
LAN connections.
Bruce Dorn, DGA
Explorer of Light
©Bruce Dorn
Wireless Transmitter Technology
As quickly as the DSLR
camera has become
commonplace in the
hands of professional
photographers and
enthusiasts alike, so
too has wireless
communication
progressed between
the camera and external
components. The EOS
DSLR cameras have a
Wireless File Transmitter
WFT-E6A
number of dedicated
Wireless File Transmitters that keep the
camera wirelessly connected with tremendous
speed. Whether connected through a port on
the side of the camera, or incorporated into a
camera-integrated design – some units serve
as an auxiliary handgrip – Canon Wireless
Transmitters can connect securely to Local
Area Networks (LAN) wirelessly (with a range
up to approximately 500 feet) or directly, and
can connect and upload to FTP (File Transfer
Protocol) or dedicated WFT Servers.
Fast, Reliable Image Data Transfer– The
WFT-E6A (EOS-1D X), WFT-E7A (EOS 5D Mark III),
WFT-E7 Ver. 2 (EOS 7D Mark II § ) feature a/b/g
compatibility, WPS compatibility, WFT Server
Remote Live View, a camera linking function
and Bluetooth connectivity. The WFT-E6A and
WFT-E7A conform to IEEE 802.11 a/b/g/n
standards, performing up to 2.5x faster (for the
WFT-E6A) and up to 3x faster (for the WFT-E7A)
than other models, and feature an image
resend feature that helps ensure that all
images get transferred, even if wireless signal
drops interrupt transmission.
Media Server Function – Models such as the
WFT-E7A, WFT-E6A and WFT-E5A also include
a media server function. With all models,
in WFT Server mode, up to three separate
computers can access the camera’s memory
card using a standard Web browser from
anywhere in the world (Microsoft Internet
Explorer ®, Apple Safari ®, etc.). Images can be
selected from the browser window and
dragged onto a computer’s desktop or to a
folder, which copies the full file to a computer.
Remote firing of the camera over the Internet
is also possible using the Remote Live View
function. With the EOS-1D X and EOS 5D Mark III
cameras a dedicated media server can also
be created with DLNA (Digital Living Network
Alliance) compliant devices, allowing numerous
points of access to images instantaneously.
Computer Connectivity – EOS Utility Mode, or
PTP (Point-to-Point) connectivity, allows the
photographer to connect a single camera to a
computer for advanced two-way communication
and professional tethered camera operation.
WFT units can also connect to select GPS†† units,
adding location and time code shooting data.
Plus, WFT models can be used as remote control
receivers, allowing for wireless shooting and
control, from a range of wireless-enabled handheld
devices, including compatible smartphones.
Linked Multi-Camera Shooting – Using multiple
WFT units on compatible EOS digital cameras,
up to ten slave/remote cameras can be linked
wirelessly to a master camera. Connections are
made simply and conveniently via wireless LAN.
Remote camera shutters are automatically
tripped when the master camera shutter is
released. With such a setup, a photographer
can, for example, shoot simultaneously from
various angles.
USB Host Capability with GPS Support –
Photographers can take full advantage of the
WFT unit’s USB host capability* by connecting a
compatible GPS device via USB cable or optional
Bluetooth dongle. This makes it possible to add
GPS coordinates, altitude and UTC time code to
embedded shooting data within image files.
Compatible GPS units include several in
Garmin’s GPSMAP series and in the Magellan
eXplorist series (using NMEA 0183 v.2.0.1
output data standard or “Garmin protocol”).
USB Host capability also allows connectivity
to some external hard drives for added
storage options.
Weather-Resistant Design –The WFT units
designed for the EOS-1D class professional
DSLR cameras feature rugged and lightweight
magnesium alloy bodies, just like the cameras
to which they attach. Moreover, they feature
the same fully sealed construction, helping to
ensure that the highly weather-resistant design
of the camera is not compromised.
Built-in Wireless with EOS Remote App
The EOS 6D and EOS 70D cameras
incorporate sophisticated
capabilities into their compact
and lightweight design with built-in
Wi-Fi®. With Canon’s exclusive EOS Remote
App1 and built-in wireless technology,
the camera can connect directly to a compatible
smartphone for remote operation. Exposure
settings, focus and shutter can be operated
wirelessly, so that images can be reviewed,
rated, deleted, filed and transferred. Full DLNA
(Digital Living Network Alliance) compatibility
means easy sharing between the EOS camera
and other DLNA certified products, like HDTVs,
game consoles and more. Images from the
camera can be uploaded instantly to CANON
iMAGE GATEWAY # for easy sharing, and photos
Transfer images
between camera
View images
EOS
Remote
Connect to a
compatible
smartphone
Save and Share
Print images
(CANON iMAGE GATEWAY)
Send images to a Web service
Print images using
a wireless printer
Remote control the camera
Operate the camera remotely
using EOS Utility
Built-in GPS Transmitter
With built-in GPS ††, the EOS 6D
and EOS 7D Mark II cameras can
record longitude, latitude and
altitude data as EXIF data, have a logging function
that can track movement at set intervals, and can
even set the camera’s internal clock to local time!
Expandable Accessories
Exchange images
Make images viewable;
Remote shooting;
Share photos online
can even be printed directly and wirelessly
to PictBridge (Wireless LAN) certified printers
without the need for a PC.
The GPS Receivers GP-E1† and GP-E2† attach to
the EOS-1D X and EOS 5D Mark III cameras,
respectively. The receivers offer the same dust
and waterproof protection as the camera body
itself; the GP-E2 even features its own power
supply. GPS Receiver GP-E2 can also connect
to the EOS 6D, EOS 70D, EOS Rebel T5i,
EOS Rebel SL1 and EOS Rebel T5 cameras via
hot shoe or a digital terminal. Canon GPS receivers
are always ready to append location data to
images. They record latitude, longitude/elevation
and UTC time, and feature GPS Time Sync
Function and even an electronic compass that
records the camera’s orientation when shooting††.
Compatible with iOS version 5.0 or later and Android devices version 2.3/4.0 or later.
§ To use the older model WFT-E7 (not Version 2), the firmware must be updated and Interface 2
Data charges may apply.
Cable IFC-40AB II or IFC-150AB II must be used.
#
One-time registration is required on CANON iMAGE GATEWAY online photo album.
*T he WFT-E6A and WFT-E7A provide an internal Bluetooth function but do not have USB host †T he GP-E1 does not require any additional USB or Bluetooth connections to
capability. A dedicated GP-E1 accessory is available for the EOS-1D X. USB Host
communicate with the EOS-1D X. The EOS 5D Mark III requires a firmware upgrade
functionality is available only on the WFT-E2 II A, WFT-E5A, and WFT-E4A.
to be compatible with the GPS Receiver GP-E2, which is now available.
**T he WFT-E6A has no provision for wired LAN connectivity because the EOS-1D X is equipped
††
In certain countries and regions, the use of GPS may be restricted. Therefore, be sure
with a Gigabit Ethernet port.
to use GPS in accordance with the laws and regulations of your country or region. Be
1This software enables you to upload images to social network services. Before uploading
particularly careful when traveling outside your home country. As a signal is received
images, please be aware that image files may contain privacy related information such as
from GPS satellites, take sufficient measures when using in locations where the use of
people and places. If necessary, please delete such information. Canon does not obtain,
electronics is regulated.
collect or use such images or any information included in such images through this software.
24
usa.canon.com/eos
25
EOS CAMERAS
65-point* All Cross-type AF
Up to 10.0 fps Continuous Shooting
A new, rugged shutter designed for 200,000 cycles, enables the EOS 7D Mark II
camera to shoot up to 10.0 frames per second to capture all the action. Refined
mechanics like a newly designed, more efficient shutter drive motor and a
vibration dampened mirror drive help deliver reliable, speedy performance
for high caliber image capture.
The EOS 7D Mark II camera
represents a decisive step forward in
AF technology and performance. A sophisticated
65-point* all cross-type AF helps deliver
exceptional focal accuracy in more situations
than ever before. It offers multi-zone wide area
AF for better tracking, has 1 central dual
cross-type point (f/2.8 diagonal), 65 central
cross-type points (f/5.6 horizontal & vertical)
and is remarkably sensitive in low-light situations
(EV -3 for a central point with a f/2.8 lens).
65-point all cross-type AF unit
Improved EOS iTR AF
Intelligent Tracking and Recognition system (iTR AF) detects and tracks subjects, automatically
switching the AF point to optimize tracking. New tracking algorithms are tailored to recognize
faces and colors, which makes the EOS 7D Mark II camera’s advanced predictive Ai Servo AF
III so effective (Ai Servo AF III assists in tracking subjects continuously as they move to keep
them constantly in focus). It also has an Intelligent Subject Analysis (iSA) system that
employs an independent RGB+IR light sensor with approximately 150,000-pixel resolution.
This new sensor not only provides a finer level of accuracy, but when combined with iTR AF,
the EOS 7D Mark II can track subjects with a significantly greater level of success. The RGB+IR
sensor also enables infrared-light detection and a flicker detection system that compensates
for flickering light sources, taking shots only at peak light volume.
Fuel Your Creative Passion
The Canon EOS 7D Mark II digital SLR camera is designed to meet the demands
of photographers and videographers who want a camera that can provide a wide
range of artistic opportunities. With a winning combination of cutting-edge
operations and a robust, ergonomic design, it is optimized to make even the most
challenging photography simple and easy. The EOS 7D Mark II features a refined
APS-C sized 20.2 Megapixel CMOS sensor with Dual
6 Image Processors
for gorgeous imagery. It shoots up to 10 frames per second at ISOs ranging from
100–16000 (expandable to H1: 25600, H2: 51200), has a 65-point* all cross-type
AF system and features Canon’s amazing Dual Pixel CMOS AF for brilliant Live-View AF.
It has dual card slots for both CF and SD cards, USB 3.0 connectivity and even has
built-in GPS † for easy location tagging, automatically. Compatible with an
ever-expanding collection of EF and EF-S lenses plus a host of EOS accessories,
the EOS 7D Mark II is an ideal tool for creative and ambitious photography.
20.2 Megapixel APS-C
CMOS Sensor
Dual
6
Image Processors
The newly designed 20.2 Megapixel
sensor delivers high-resolution image files with
stunning detail and impressive clarity. Optimized
for low-light shooting, the EOS 7D Mark II camera's
sensor captures images at up to ISO 16000
(expandable to H1: 25600, H2: 51200). This is
because of an improved higher sensitivity
photodiode construction, CMOS circuitry, and
color filters with higher light transmittance.
Phenomenal for stills, the EOS 7D Mark II camera’s
sensor is equally up to the task for movies,
delivering Full HD capture even at rates of up to 60p.
The Dual
6 Image Processors
work seamlessly with the new 20.2
Megapixel sensor for supercharged
processing across the board. These processors
help the EOS 7D Mark II camera capture up to
1090 JPEG/LARGE, 31 RAW, and 19 RAW+JPEG
shots*** in a single burst for amazing action
photography. They also enable the camera’s
powerful image processing on-the-fly: lens
aberration, variances in peripheral illumination,
and image distortion can all be corrected in real
time with the Dual
6 Image Processors.
The AF unit itself is designed to perform
flawlessly even in adverse conditions, with
secondary imaging lenses that use
temperature- and humidity-resistant glass
molding. Combined with the EOS 7D Mark II’s
quick return mirror mechanism, the AF sensor
is reliably stable.
To complement the sophisticated
improvements to the EOS 7D Mark II’s AF
system, the camera has a new AF Area Select
Lever that allows for rapid change of AF area
selection modes. Seven AF modes are
available to choose from: Single-point Spot AF,
Single-point AF, AF Point Expansion (up and
down, left and right), AF Point Expansion
(surrounding points), Zone AF, 65-point AF
Auto selection, and new Large Zone AF.
65-point all cross-type AF system
f/5.6 cross-type
• Central AF point
AF points
f/2.8 dual cross-type
AF accuracy is enhanced
when using a lens brighter than f/2.8.
• EV-3 minimum luminance (when f/2.8 lens is used.)
AF is possible even when it is almost too dark to see.
†
26
* The number of available AF points, and whether single line or cross-type, varies depending on the lens. † In certain countries and regions, the use of GPS may be restricted. Therefore, be sure to use GPS
in accordance with the laws and regulations of your country or region. Be particularly careful when traveling outside your home country. As a signal is received from GPS satellites, take sufficient
measures when using in locations where the use of electronics is regulated.
20.2 Megapixel APS-C CMOS sensor
Dual
6 Image Processors
• f/8 cross-type
AF is possible even when an extender is used.**
** Excluding EF 180mm f/3.5L Macro USM+Extender EF 2x ***Figures apply to a UDMA mode 7, CF card based on Canon's testing standards.
usa.canon.com/eos
27
EOS CAMERAS
Customizable Movie Servo AF
Taking advantage of its Dual Pixel CMOS AF
capabilities, the EOS 7D Mark II camera has a new
customizable Movie Servo AF system. AF points,
AF speed, and tracking interval can all be
manually specified and tailored to the particulars
of the subject’s actions for continuous, smooth
focus transitions. Customizable AF parameters
give videographers more creative control, and
opens up opportunities to create their videos
just the way they envision.
Manually adjust AF speed
and/or subject tracking
sensitivity to refine the
camera's responsiveness
if it loses AF on a subject.
Intelligent Viewfinder II with
Approximately 100% Coverage
Terminals
Displaying approximately 100% of
the composition, the EOS 7D Mark II
camera’s Intelligent Viewfinder II
can show a vast range of settings
around the image or superimposed over top
for easy review while shooting. The display is
also customizable through the camera’s
simple user interface. The EOS 7D Mark II also
accepts interchangeable focusing screens
including standard and Super Precision Matte.
Viewfinder Information
Electronic level
Large Zone AF Frame
Area AF frame
Spot metering circle
Exposure level
indicator (Metering/
Flash metering)
Grid
Face detection
JPEG/
RAW
EOS Scene Detection System
An amazing Intelligent Subject Analysis (iSA)
system employs an independent RGB light
sensor with approximately 150,000-pixel
resolution. This sensor enables Canon’s
Intelligent Tracking and Recognition system
(iTR AF), which detects and tracks subjects,
automatically switching the AF point to optimize
performance. With new tracking algorithms
tailored to recognize faces and colors, this
system serves as a brilliant foundation to the
EOS 7D Mark II camera’s AF system.
Anti-flicker Shooting
The RGB+IR sensor also enables a new flicker
detection system that not only alerts the user in
the viewfinder, but can compensate for flickering
light sources, taking shots only at peak light
volume. This feature is useful for helping to
minimize disparities in color and exposure,
especially during continuous shooting in
sub-optimal lighting situations.
Shooting mode
Color detection
Dual Pixel CMOS AF
Canon’s revolutionary
Dual Pixel CMOS AF enables sophisticated HD
shooting with the EOS 7D Mark II camera.
With Dual Pixel CMOS AF, each pixel on the
camera’s sensor performs both phase-difference
detection autofocus and records light.
Auto-focus is achieved quickly, easily and
silently thanks to phase-difference detection
AF. When used with the predictive power of
Movie Servo AF, subjects in motion are smoothly
and consistently tracked – once focus is
locked, the EOS 7D Mark II stays on target!
The EOS 7D Mark II delivers
refined and detailed EOS movie image quality
with Full HD 60p (59.94 fps NTSC), and even
50.00 fps (PAL), recording at ISO values up to
16000 (Dual Pixel CMOS AF is not available when
shooting at 60p). At these frame rates, even a
fast-moving subject can look smooth in HD.
30p
Anti-Flicker Shooting OFF
28
Wide ISO Range 100–16000
Optimized for low-light shooting, the
EOS 7D Mark II camera’s sensor
captures images at up to ISO 16000 (expandable
to H1: 25600 and H2: 51200). This is because of
an improved higher sensitivity photodiode
construction, CMOS circuitry, and color filters
with higher light transmittance. As a result,
the EOS 7D Mark II records both still and moving
images at higher ISO speeds with remarkably
low noise, making excellent low-light photography
and moviemaking possible.photography and
moviemaking a reality.
Full HD 60p Video
Recording
Full HD
60p
Anti-Flicker
Shooting ON
White balance
Shot with EOS 7D Mark II at ISO: 16000
Drive mode
Single AF point
Flicker
detection
AF status
AF operation Warning symbol
Metering
mode
Spot AF (single point)
Custom Controls
An array of custom controls and menu options
are available, including several featured for
the first time on an EOS camera. AF shooting
functions can be tailored to the preferences of
the photographer and include AF point choice,
flash operation, exposure
controls and more.
Features and options that
were once embedded in
menus can be accessed by
a touch of a button with
the new AF select lever
While using the
viewfinder, use the AF
that’s easily accessible
area selection lever to
during shooting.
easily select AF areas.
External microphone
IN terminal
USB 3.0
Headphone
terminal
HDMI mini
OUT terminal
Bulb Timer shooting
Built-in Interval & Bulb Timer
Time-lapse fixed-point shooting and long
exposures are possible without the need for a
remote control. The EOS 7D Mark II camera’s
interval timer takes from 1 to 99 shots at
preselected intervals, while the bulb timer
keeps the shutter open for a designated
amount of time. These built-in features make it
simple, easy and convenient to achieve
creative imagery without the need to purchase
additional accessories.
Rugged Construction for Durability
With a new magnesium alloy chassis, the
EOS 7D Mark II camera is both strong and
comfortable to hold, and has better dust and
water resistance than its predecessor. It
features a new, rugged shutter designed for
up to 200,000 cycles that incorporates both a
newly designed and more efficient shutter
drive motor, plus a vibration dampened mirror
drive for faster action without compromise.
CF card slot
SD card slot
PC terminal
Cable protector
socket
Remote control
terminal
and monitoring. Dual card slots for CF and SD
cards are also included, offering many options
and long recording times with automatic
switching between recording media.
In-camera Image
Processing
Post processing, in-camera, is
both quick and easy with the
EOS 7D Mark II camera. The EOS 7D Mark II
offers in-camera RAW processing with image
correction including white balance, brightness
and picture style, as well as image resizing with
JPEG images. Additionally, the camera features
Expanded Quick Control functions during
playback like image protect, image rotate, rating,
RAW image processing, resize, highlight alert,
AF point and image jump, meaning a streamlined
workflow can begin in the field.
3.0-inch Clear View II LCD Monitor
Comparative Playback
Function
A high-resolution 3.0-inch Clear View II LCD
monitor with approximately 1.04 million dots
is bright and sharp for convenient viewing.
Composition and review is tailored to the user
with scalable fonts. The monitor’s improved
low reflection, high contrast surface, and
scratch-resistant glass with an anti-smudge
coating ensure bright, crisp and easy review.
Comparative Playback mode
enables images to be played
back two at a time, side by side. A tremendous,
in-camera timesaver, Comparative Playback
means images can quickly be enlarged
simultaneously to compare focus, blur and
noise, and can be individually rated, deleted
or locked.
Multiple Input/Output
Options
Built-in GPS†
Shoot Full HD and send
uncompressed NTSC, PAL and 24p footage out
directly using the EOS 7D Mark II
camera’s included HDMI port. HDMI
output makes it possible to monitor
images on a large display or save
image data to an external recorder.
Thanks to an audio output function,
video and sound can be recorded
together to a single recorder. The
EOS 7D Mark II also has dedicated
microphone and headphone jacks
for professional sound recording
Built-in GPS conveniently
records latitude, longitude,
elevation and UTC time. It also has a Time
Sync Function and a digital compass that
records the camera’s orientation when
shooting. This feature is especially beneficial
for users who shoot nature and travel
photography.
†
†In certain countries and regions, the use of GPS may be
restricted. Therefore, be sure to use GPS in accordance
with the laws and regulations of your country or region.
Be particularly careful when traveling outside your home
country. As a signal is received from GPS satellites, take
sufficient measures when using in locations where the use
of electronics is regulated.
usa.canon.com/eos
29
EOS CAMERAS
Dual Pixel CMOS AF
Dual Pixel CMOS AF is a cutting-edge
technology on the EOS 70D camera that allows the camera to
shoot like a camcorder and unlocks the potential of Live View,
changing the way users will shoot video and still images with a
DSLR camera. It is powered by an innovative sensor design that
enables phase-difference detection AF directly on the Canon
CMOS sensor, dramatically improving Live View AF and
unleashing new possibilities for dynamic, creative capture.
Focus is achieved
naturally with
smooth and direct
focus racking.
Built-in Wi-Fi®
Remotely shoot with
a compatible smartphone
The EOS 70D camera features wireless technology, conveniently built in. Connecting easily to
a network or directly to a compatible iOS® or Android™ smartphone* running the Canon EOS
Remote app**, a number of camera functions can be controlled wirelessly, and images can be
reviewed, rated, deleted, filed and transferred. The EOS 70D camera is also fully DLNA-compatible
for easy sharing with other DLNA products like HDTVs, game consoles and more. Images can
be shared through CANON iMAGE GATEWAY # to social networking sites, and photos can even
be printed directly to PictBridge (Wireless LAN) certified printers.
20.2 Megapixel
APS-C CMOS sensor
Meet the New Game-Changer
Changing forever the way you capture still images and video with a DSLR camera, the EOS 70D
camera is a trailblazing powerhouse featuring a revolutionary autofocus technology that
unlocks the potential of Live View. The innovative Dual Pixel CMOS AF allows the EOS 70D to
shoot video like a camcorder, enables you to fully benefit from the freedom of angle allowed by
the camera’s Vari-angle Touch Screen 3.0-inch Clear View LCD monitor II, and is compatible with
over 103 Canon EF lenses for expanded creative flexibility. Built-in wireless technology further
enhances shooting and sharing capabilities. Superb image quality is provided by a newly
designed 20.2 Megapixel CMOS (APS-C) sensor, which enables an ISO range of 100–12800
(H: 25600), and the powerful
5+ Image Processor helps achieve up to 7.0 fps
continuous shooting. A 19-point all cross-type AF system with a high precision dual cross f/2.8
center point and Intelligent Viewfinder with customizable display provide advanced control
during composition and capture, while imaging features like HDR, Multiple Exposure and
Creative Filters available in real time help create spectacular photos. Elevating the possibilities
of creative expression to extraordinary heights, the EOS 70D with cutting-edge Dual Pixel
CMOS AF is nothing short of revolutionary.
The EOS 70D camera’s 20.2
Megapixel CMOS sensor records a massive
5472 x 3648 pixels, ideal for even large
enlargements and offering enough resolution for
significant cropping while maintaining the detail
and essence of a particular scene. 14-bit signal
processing helps ensure outstanding tonal
gradation. The camera’s image sensor
5+ Image
combines with the powerful
Processor for improved data processing speeds,
greater noise reduction, and even real-time
compensation for chromatic aberration.
5+ Image Processor
5+ Image Processor
The
delivers supercharged
performance and helps reduce
noise even at higher ISOs.
5+ Image Processor, speed
With the
improvements are noticeable with stunning,
responsive performance recording videos and
capturing up to 7.0 still frames per second.
The processor also enables real-time scene
correction like HDR Backlight Control, Handheld
Night Scene plus Multi Shot Noise Reduction
and much more.
Wide ISO Range
Working in tandem with the
5+ Image Processor, the
EOS 70D camera’s sensor delivers
ISO sensitivities of 100–12800 (H: 25600),
achieving images of amazing detail and
reduced noise in even dim lighting situations.
High-speed
Continuous Shooting
The EOS 70D camera boasts fast
performance across the board. Thanks
to its powerful processor, a twin-motor
configuration with dedicated high-speed motors
for the mirror-drive and shutter charge, and a
small and light shutter system, the EOS 70D
can capture up to 7.0 frames per second.
The camera even has a fast flash sync speed of
1/250 sec. for high-performance photography,
even in difficult lighting conditions.
EOS Full HD Video
The EOS 70D camera
captures Full HD video with
sophistication. Thanks to the amazing
Dual Pixel CMOS AF system, autofocus is smooth
and continuous, even of fast-moving subjects.
Captured images are stunning with crisp detail
and clarity, while maintaining beautiful, cinematic
depth-of-field. It supports H.264/MPEG-4 AVC
High Profile, and automatically splits files
greater than 4GB (FAT specifications) for
extended recording without interruption.
It offers the option of time coding during
recording only (Rec Run) or at all times (Free
Run), which can be useful for multi-camera
shoots. It also features a built-in stereo
microphone and sound recording adjustment
capabilities with 64-step volume control, plus
a dedicated microphone jack. The sensor’s
drive system significantly increases image
processor performance, reducing color
vartifacts and moiré, and helps ensure that the
camera can record at multiple frame rates, and
up to ISO 25600 in H mode. Exposure, focus
and Live View features, even in-camera
editing, are simple to control with the
camera’s clear and intuitive interface.
3.0-inch Vari-angle
Touch Screen Clear View
LCD monitor II
The EOS 70D camera is equipped with a
Vari-angle Touch Screen 3.0-inch Clear View
LCD monitor II. Displaying fine detail
(approximately 1,040,000 dots), this screen
allows for composing and reviewing from any
number of angles for enhanced creative
possibilities. The display can be viewed without
glare and reflections are minimized. It’s also
treated with a smudge-resistant coating to
help minimize fingerprints and maintain a
bright, clear image display. The screen uses
capacitive technology, allowing two-finger
touch gestures (multi-touch) to be used for
zooming or changing images. Easily access
menu and quick control settings, and focusing
and shutter release can be activated with a
simple touch of the screen using Touch AF and
Touch Shutter.
* Compatible with iOS version 5.0 or later and Android devices version 2.3/4.0 or later. Data charges may apply.
* * This software enables you to upload images to social network services. Before uploading images, please be aware that image files may contain privacy related information such as
people and places. If necessary, please delete such information. Canon does not obtain, collect or use such images or any information included in such images through this software.
#
One-time registration required on CANON iMAGE GATEWAY online photo album.
30
usa.canon.com/eos
31
EOS CAMERAS
FIRMWARE
UPDATE**
FIRMWARE
UPDATE *
Now Available
The Ultimate EOS
The Power to Create
Canon has brought the best of the EOS-1 Series of digital cameras into one
phenomenal, go anywhere, shoot anything dynamo: the flagship of the EOS
line, the EOS-1D X camera. With a Full-frame 18.1 Megapixel CMOS sensor,
5+ Image Processors, image capture at up to 12.0 fps* (up to 14.0
Dual
fps in Super High Speed Mode), faster, more accurate and customizable AF**,
4
plus outstanding 100,000-pixel RGB Metering Sensor with its own
Image Processor, the EOS-1D X reaches new levels of performance with speed,
continuous shooting, focus and metering accuracy, light sensitivity, and ease of
use. With rugged construction, improved HD video capture, numerous connectivity
options, and much, much more, the EOS-1D X is truly the ultimate EOS camera.
For stunning high resolution, full-frame photography with supercharged EOS
performance, there’s nothing quite like the EOS 5D Mark III camera. With a
5+
Full-frame 22.3 Megapixel Canon CMOS sensor, Canon’s amazing
Image Processor, a 61-Point High Density Reticular AF, dual card slots and
shooting performance up to 6.0 fps, the refined EOS 5D Mark III is designed to
perform. With an extended ISO range of 100–25600 (expandable to 50 (L),
51200 (H1) and 102400 (H2), an Intelligent Viewfinder and Canon’s advanced
iFCL Metering System, plus HDR, Multiple Exposure, refined HD video recording
and more, the EOS 5D Mark III is one of the most user-friendly, professional level,
full-frame EOS cameras ever.
”
* The maximum continuous shooting speed is restricted to 10 fps when the battery charge is less than 50% or when ISO speed is above 32000.
If the camera’s internal temperature is low and ISO speed is above 20000, the maximum continuous shooting speed is restricted to up to 10 fps.
** With firmware update, AF points in the EOS-1D X’s viewfinder can now be illuminated in red (intermittently) when the shutter button is pressed halfway during AI Servo AF mode.
Additionally, the EOS-1D X allows cross-type autofocusing with the center AF point when the maximum aperture of a Canon EF lens becomes f/8 with an EF extender attached.
Download firmware now at: usa.canon.com/cusa/consumer/standard_display/eos_1dx_firmware
32
Now Available
”
* Download firmware now at: usa.canon.com/cusa/consumer/standard_display/EOS5DM3_firmware
usa.canon.com/eos
33
EOS CAMERAS
Unlock Your Vision
Designed to bring all of the benefits of full-frame photography and moviemaking to a
compact, lightweight and simple to operate DSLR, the EOS 6D is the perfect camera to
realize your creative vision. The EOS 6D features a 20.2 Megapixel Full-Frame CMOS
sensor, Canon’s amazing
5+ Image Processor, a 63-zone AE sensor, and an
11-point AF system with a center point light sensitive to EV -3 for outstanding performance
even in low-light conditions. The camera has a bright viewfinder and a brilliant
3.0-inch Clear View LCD monitor, and offers advanced, professional level HD capture
for beautiful, cinematic HD quality videos, can shoot up to 4.5 frames per second,
offers an extensive ISO range and conveniently features built-in wireless technology
and GPS*! It’s the ideal camera for advanced amateurs and videographers making the
move to a Full-Frame DSLR, as well as professionals seeking a secondary camera.
Whatever your inspiration, unlock your vision with the power of the EOS 6D camera.
”
An EOS with Perspective
For photographers and enthusiasts looking for a camera with the perfect
combination of versatility, performance and ease-of-use, Canon has introduced
the EOS 60D camera. Featuring a brilliant Canon 18.0 Megapixel CMOS
4 Image Processor, a Vari-angle 3.0-inch Clear View LCD
sensor, a
monitor with 180° rotation — perfect for self-portraits — plus a host of
features inspired by Canon professional EOS DSLRs, the EOS 60D is powerful,
compact and lightweight, perfect for a day of shooting. It offers 5.3 fps
maximum performance, Full HD video, a flash sync of 1/250 sec, and a
shutter that’s durability tested to 100,000 cycles. It features a horizontal
Electronic Level display, accepts interchangeable focus screens and has a
number of exciting in-camera functions. With all this and more, the EOS 60D
camera offers a powerful image-capturing perspective.
”
* In certain countries and regions, the use of GPS may be restricted. Therefore, be sure to use GPS in accordance with the laws and regulations of your country or region.
Be particularly careful when traveling outside your home country. As a signal is received from GPS satellites, take sufficient measures when using in locations where the
use of electronics is regulated.
34
usa.canon.com/eos
35
EOS CAMERAS
The World’s
Smallest and
Lightest Digital
SLR Camera*
36
Renew Your Creative Soul
Small Size, Big Possibilities
Photo enthusiasts rejoice! The flagship of the spectacular EOS Rebel Line,
the EOS Rebel T5i camera, is here to renew your artistic side with amazing imaging
features and full-featured functionality. An 18.0 Megapixel CMOS (APS-C) sensor and
5 Image Processor combine with an extensive ISO range of
Canon’s superb
100–12800 (expandable to 25600 in H mode) to provide gorgeous, detailed images,
even in low-light situations. 9 cross-type AF focus points, including a high-precision
dual-cross f/2.8 center point, help ensure crisp focus throughout the frame, and the
Hybrid CMOS AF system enables speedy and accurate autofocus when shooting in
Live View mode, which is displayed on the brilliant Vari-angle Touch Screen 3.0-inch
Clear View LCD monitor II. EOS Full HD Movie mode with Movie Servo AF help make
shooting high quality videos easy, offering you another outlet for your creativity.
As the world’s smallest and lightest digital SLR camera*, the EOS Rebel SL1 camera is small
in size but enormous in performance. It has an 18.0 Megapixel CMOS (APS-C) sensor and
Canon
5 Image Processor to help deliver images of outstanding quality. An ISO range
of 100–12800 (expandable to H: 25600) for stills and 100–6400 (expandable to
H: 12800) for video plus up to 4.0 fps continuous shooting make this camera
superb in dim lighting or when capturing fast action. The 9-point AF system
with a high-precision cross-type f/2.8 center point helps ensure outstanding
autofocus performance when shooting with the viewfinder, while Hybrid
CMOS AF II helps deliver accurate AF tracking during Live View shooting. Creative
Filters add artistry to your shots, and are easily previewed on the wide Touch Screen
3.0-inch Clear View LCD monitor II. This is the DSLR you’ll want to bring with you every day.
*Among digital SLR cameras which use APS-C size equivalent sensors. As of March 1, 2014, based on Canon’s research (black model only).
Also available
in white.
usa.canon.com/eos
37
EOS CAMERAS
EOS CAMERAS
EOS System Chart
EOS-1D X/EOS-1Ds Mark III/EOS-1D Mark IV Only
EOS Rebel T5i/ T4i/SL1/T3i/ T2i/T5/T3 Only
1D X Only
Dioptric Adjustment
Lens Eg Series
EOS-1D X
Battery Pack
LP-E4N
Battery Charger
LC-E4N
Wireless File
Transmitter WFT-E6A
GPS Receiver
GP-E2
Wireless Controller
LC-5†
Ec-Series Focusing Screens
Battery Charger
LC-E4
Wireless File
Transmitter WFT-E2A
Wireless File
Transmitter WFT-E2 II A
USB Cable Protector
AC Adapter Kit
ACK-E4
Car Battery Cable
CB-570
Mini-HDMI Cable HTC-100*
Angle Finder C
Stereo AV Cable
AVC-DC400ST*
Remote Switch
RS-80N3 ††
Stereo AV Cable
AVC-DC400ST
Timer Remote
Controller TC-80N3 ††
EOS 5D Mark III/6D/5D Mark II Only
5D Mark III Only
Stereo AV Cable
AVC-DC400ST
EOS-1D Mark IV
Battery Magazine
BGM-E11
Battery Magazine
BGM-E11A
Battery Charger
LC-E6
Mini-HDMI Cable
HTC-100
GPS Receiver
GP-E^
Battery Charger
LC-E8
Battery Pack
LP-E8
Battery Magazine BGM-E8L
Interface Cable
IFC-200U
Wireless Remote
Controller RC-6*
EOS Rebel T4i
Interface Cable IFC-500U
Interface Cable IFC-200U
Remote Switch
RS-60E3
Interface Cable
IFC-130U
EOS Rebel T5i
Battery Grip BG-E8
Video Cable VC-100
Battery Pack
LP-E4
EOS Rebel T5i/T4i/T3i/T2i Only
Anti-Fog Eyepiece Eg
External
Microphone
GPS Receiver
GP-E1
1Ds Mark III/1D Mark IV Only
EOS-1Ds Mark III
Eyecup Eg
EOS Rebel T3i
AC Adapter Kit ACK-E8
External Microphone
GPS Receiver
GP-E2
(Rebel T5i, T4i only)
Interface Cable
IFC-500U
EOS Rebel SL1 Only
Mini-HDMI Cable
HTC-100
Remote Switch
Adapter RA-N3*
EOS Rebel T2i
Wireless File Transmitter
WFT-E7A / E7A (Ver. 2)
Battery Grip BG-E11
Dioptric Adjustment
Lens Eg Series
Eyecup Eg
External Microphone
Anti-Fog
Eyepiece Eg
6D Only
EOS 5D Mark III
Battery Magazine
BGM-E13A
Battery Magazine
BGM-E13L
Dioptric Adjustment
Lens E Series
Rubber Frame
Eb
Eyepiece Extender
EP-EX15
Eg-Series Focusing
Screens
Focusing Screen
Eg-A II
5D Mark II Only
AC Adapter Kit
ACK-E6
Battery Grip BG-E6
Wireless File Transmitter
WFT-E4 II A / WFT-E4A
Eyepiece Extender
EP-EX15
Dioptric Adjustment
Lens E Series
Eg-Series Focusing
Screens
Battery Magazine
BGM-E6
Eyecup Eb
Original Data Security Kit
OSK-E3
Battery Magazine
BGM-E16A
Focusing Screen
Eh-A
Cable Protector
Interface Cable IFC-150U II
Interface Cable IFC-500U II
Anti-Fog
Eyepiece Eg
Eyecup
Eg
Wireless File Transmitter
WFT-E5A
Battery Magazine
BGM-E6
Interface Cable IFC-500U
Original Data Security Kit
OSK-E3
Battery Pack
LP-E12
Car Battery Cable
CB-570
Car Battery Charger
CBC-E6
AC Adapter Kit
ACK-E6
EOS 5D Only
Perfect for families, budding photo enthusiasts and first-time SLR users alike, the
EOS Rebel T5 camera makes it easy to capture movies and photos that are nothing
short of dazzling. It features a powerful 18.0 Megapixel CMOS (APS-C) image
4 Image Processor for easy recording of HD video and
sensor and Canon’s
high-resolution photos and has a huge 3.0-inch LCD screen for Live View recording
and review. With a 63-zone, Dual-layer metering system, an expanded ISO range for
outstanding operation in low-light situations, shooting modes like Scene Intelligent
Auto to take the guesswork out of complex shots plus creative options like Canon’s
Basic+ function and Creative Auto, the EOS Rebel T5 is ready for anything. With a
helpful Feature Guide, rugged, lightweight construction and proven Canon design,
the EOS Rebel T5 makes EOS SLR photography fast and easy!
AC Adapter Kit
ACK-E2
Car Battery Cable
CB-570
Compact Power Adapter
CA-570
Video Cable
VC-100
Angle Finder C
Ee-Series Focusing Screens
Eyecup
Eb
Rubber Frame
Eb
Dioptric Adjustment
Lens E Series
AC Adapter Kit
ACK-E6
Stereo AV Cable
AVC-DC400ST
External Microphone
Eyepiece Extender
EP-EX15
Interface Cable
IFC-500U
Battery Charger
LC-E12
AC Adapter Kit
ACK-E12
Stereo AV Cable
AVC-DC400ST
Mini-HDMI Cable
HTC-100
External Microphone
Wireless Remote
Controller RC-6
GPS Receiver
GP-E2
Mount Adapter
EF-EOS M
Power Drive
Booster PB-E2
Not compatible with
EOS 70D and 60D/60Da
††
Not compatible with
EOS 70D and 60D/60Da
* 1Ds Mark III, 1D Mark IV,
5D, 50D and 40D only
** EOS 70D and
60D/60Da only
*** 1Ds Mark III, 1D Mark IV,
5D, 7D, 50D and 40D only
**** 5D Mark III, 6D,
5D Mark II, 7D Mark II,
7D, 70D and
60D/60Da only
Extended Range
Antenna ERA-E1
Wireless File
Transmitter WFT-E1A
EOS-1v
Battery Pack BP-E1
Ni-MH Pack
NP-E2
Ni-MH Charger
NC-E2
Timer Remote
Controller TC-80N3
Wireless Controller
LC-5
Remote Switch
RS-80N3
Anti-Fog
Eyepiece Ec
Eyepiece Extender
EP-EX15
Rubber Frame
Ec
Eyecup
Ec-II
Remote Switch
60T3*
Angle Finder C
Remote Switch
Adapter RA-N3
Extension Cord
ET-1000N3
EOS Link Software ES-E1
Extension Cord
1000T3*
Dioptric Adjustment
Lens E Series
Ec-Series Focusing Screens
Remote Switch
Adapter T3*
Cable Release
Adapter T3*
*Requires RA-N3 with EOS-1v
EOS 70D/60D/60Da/50D/40D Only
EOS 70D
70D Only
70D/60D/60Da Only
Mini-HDMI Cable HTC-100 (Not for EOS 40D)
Battery Grip BG-E14
EOS 60D/60Da
Battery Pack
LP-E6N/ E6
GPS Receiver
GP-E2
60D/60Da Only
Battery Grip BG-E9
Battery Charger
LC-E6
Interface Cable IFC-130U/200U
Interface Cable IFC-500U
Angle Finder C
60D/60Da/50D/40D Only
Battery Magazine
BGM-E9L
Battery Magazine
BGM-E9A
Ef-Series Focusing
Screens
Original Data Security Kit
OSK-E3
Eyepiece Extender
EP-EX15
Eyecup
Eb
Rubber Frame
Eb
Dioptric Adjustment
Lens E Series
Car Battery Cable
CB-570
600EX-RT
580EX II
430EX II
320EX
270EX II
220EX
90EX
Macro Ring Lite
MR-14EX II
Macro Twin Lite
MT-24EX
Macro Ring Lite
MR-14EX
50D/40D Only
Battery Grip BG-E2N
38
Interface Cable
IFC-400PCU
EOS 5D
EOS 50D
”
Battery Charger
CB-5L
Battery Pack
BP-511A
Interface Cable
IFC-200U
Battery Magazine BM-E2
†
Battery Grip BG-E4
Interface Cable
IFC-130U
Dioptric Adjustment
Lens Eg Series
GPS Receiver
GP-E2^
Wireless Remote
Controller RC-1/RC-5
Interface Cable IFC-200U
EOS M
Angle Finder C
Battery Charger
LC-E6
Battery Pack
LP-E6N / E6
Wireless File Transmitter
WFT-E7A^^/ E7A (Ver. 2)
7D Only
EOS Performance Made Simple
Eyecup
Ef
Focusing Screen
Eh-S
Battery Grip BG-E16
Stereo AV Cable AVC-DC400ST
Eyepiece Extender
EP-EX15 II
GPS Receiver
GP-E2
(Rebel T5 only)
* Not for EOS Rebel T5/T3
External Microphone
Mini-HDMI Cable HTC-100
Battery Magazine
BGM-E16L
Battery Grip BG-E7
AC Adapter Kit
ACK-E10
Remote Switch
RS-60E3
EOS M Only
70D Mark II Only
EOS 7D
Battery Charger
LC-E10
Angle Finder C
EOS Rebel T3
Car Battery Charger
CBC-E6
Car Battery Cable
CB-570
Battery Pack
LP-E10
Wireless Remote
Controller RC-6****
EOS 7D Mark II/7D Only
EOS 7D Mark II
Dioptric Adjustment
Lens E Series
Extension Cord
ET-1000N3***
Interface Cable
IFC-500U
EOS 6D
Rubber Frame
Eb
External Microphone
Rubber Frame
Ef
EOS Rebel T5
Stereo Video Cable
STV-250N
GPS Receiver
GP-E2
EOS Rebel T5/T3 Only
Stereo AV Cable
AVC-DC400ST
GPS Receiver
GP-E2
AC Adapter Kit
ACK-E15
Stereo AV Cable
AVC-DC400ST
EOS Rebel SL1
Eyecup Eb
External Microphone
Battery Charger
LC-E12
Remote Switch
RS-60E3**
Angle Finder C
Battery Grip BG-E13
EOS 5D Mark II
Battery Pack
LP-E12
Battery Pack
LP-E6N / E6
Interface Cable
IFC-200U
Wireless File Transmitter
WFT-E3A
Battery Magazine
BGM-E2
AC Adapter Kit
ACK-E2
DC Coupler
DR-400
Battery Charger
CG-580 or CB-5L
Battery Pack
BP-511A
Video Cable
VC-100
Compact Power Adapter
CA-570
Compact Power Adapter
CA-PS400
EOS 40D
Speedlite Transmitter
ST-E3-RT
Speedlite Transmitter
ST-E2
Off-Camera Shoe Cord
OC-E3
TTL Hot Shoe
Adapter 3 †
Connecting Cord
60 †
Connecting Cord
300 †
TTL
Distributor †
Off-Camera
Shoe Adapter
OA-2 †
†
These accessories provide TTL or manual
flash control, but are not compatible with
E-TTL or E-TTL II; no automatic flash
with EOS digital SLR cameras.
^The
EOS 5D Mark III and EOS 7D require a firmware upgrade to be compatible with the GPS Receiver GP-E2. Firmware updates are available on each individual product’s webpage
on the Canon website. See usa.canon.com/consumer for our full line of products.
^^The WFT-E7A requires a firmware update and Interface Cables IFC-40AB II or IFC-150AB II to work with the EOS 7D Mark II.
usa.canon.com/eos
40
EOS CAMERAS
EOS Camera Comparison Chart
41
EOS-1D X
EOS 5D Mark III
EOS 6D
EOS 7D Mark II
EOS 70D EOS 60D
EOS Rebel T5i
Autofocus System
61-Point High Density Reticular AF with Offset Array Sensor; TTL-AREA-SIR
AF-dedicated CMOS Sensor with 41 cross-type points (lens dependant)
One-Shot and AI Servo AF III with EOS iTR AF; Manual focusing confirmation
possible with EF lenses; Automatic or manual focus point selection
61-Point High Density Reticular AF with Offset Array Sensor; TTL-AREA-SIR
AF-dedicated CMOS Sensor with 41 cross-type points (lens dependant)
One-Shot and AI Servo III AF; Manual focusing confirmation possible with
EF lenses; Automatic or manual focus point selection
TTL-CT-SIR AF CMOS Sensor (only the center point is cross-type); One-Shot
and AI Servo with Focus Prediction; AI Focus AF; Manual focusing
confirmation possible with EF lenses; Automatic or manual point selection
TTL secondary image-forming phase-difference detection system with
AF-dedicated CMOS sensor; Automatic or manual focus point selection
TTL-CT-SIR AF CMOS Sensor (all points are cross-type); One-Shot and AI Servo AF with Focus Prediction;
AI Focus AF; Manual focusing confirmation possible with EF and EF-S lenses; Automatic or manual
point selection
TTL-CT-SIR AF-dedicated CMOS sensor;
One-Shot and AI Servo AF with Focus Prediction;
Manual focusing confirmation possible with EF and
EF-S Lenses; Automatic or manual focus point selection
TTL-CT-SIR AF CMOS Sensor (all points are cross-type); One-Shot and AI Servo AF with Focus
Prediction; AI Focus AF; Manual Focusing confirmation possible with EF and EF-S lenses;
Automatic or manual point selection
TTL-CT-SIR AF CMOS Sensor (only the center point is cross-type); One-Shot and AI Servo AF
with Focus Prediction; AI Focus AF; Manual Focusing confirmation possible with EF and
EF-S lenses; Automatic or manual point selection
TTL-CT-SIR AF CMOS Sensor (only the center point is cross-type);
One-Shot and AI Servo with Focus Prediction; AI Focus AF; Manual focusing confirmation
possible with EF and EF-S lenses; Automatic or manual point selection
Image Processor /
Image Sensor
Dual DIGIC 5+ and dedicated DIGIC 4 for metering / 36 x 24mm, Single-plate
CMOS Sensor with Ultrasonic Wave Motion Cleaning
DIGIC 5+ / 36 x 24mm, Single-plate CMOS Sensor with
Auto Sensor Cleaning
DIGIC 5+ / 35.8 x 23.9mm, Single-plate CMOS sensor with
Auto Sensor Cleaning
Dual DIGIC 6 / 22.4 x 15.0mm, Single-plate CMOS Sensor with
Auto Sensor Cleaning
DIGIC 5+ / 22.4 x 15.0mm, Single-plate CMOS sensor with
Auto Sensor Cleaning
DIGIC 4 / 22.3 x 14.9mm, Single-plate CMOS Sensor with
Auto Sensor Cleaning
DIGIC 5 / 22.3 x 14.9mm, Single-plate CMOS sensor with
Auto Sensor Cleaning
DIGIC 5 / 22.3 x 14.9mm, Single-plate CMOS sensor with
Auto Sensor Cleaning
DIGIC 4 / 22.3 x 14.9mm, Single-plate CMOS Sensor
Crop Factor
1.0x (Full-frame)
1.6x (APS-C)
1.6x (APS-C)
1.6x (APS-C)
1.6x (APS-C)
1.6x (APS-C)
1.6x (APS-C)
Special Features
•18.1 Megapixel Full-Frame CMOS sensor
•Built-in 3.2" Clear View LCD monitor II
(approx. 1,040,000 dots)
•31 Custom Functions in 6 groups
•2 Multi-controllers
•Simultaneous RAW + JPEG image capture
•Multiple Exposures (4 modes)
•Dioptric adjustment
•Depth-of-field preview
•FE lock
•Mirror lock
•In-camera RAW processing
•Star rating system
•USB 2.0 Hi-Speed compatible
•Magnesium-alloy body
Video Recording Size
1920 x 1080 (Full HD): 30p (29.97) / 25p / 24p (23.976),
1280 x 720 (HD): 60p (59.94) / 50p, 640 x 480 (SD): 30p (29.97) / 25p
1920 x 1080 (Full HD): 30p (29.97) / 25p / 24p (23.976),
1280 x 720 (HD): 60p (59.94) / 50p, 640 x 480 (SD): 30p (29.97) / 25p
1920 x 1080 (Full HD): 30p (29.97) / 25p / 24p (23.976),
1280 x 720 (HD): 60p (59.94) / 50p, 640 x 480 (SD): 30p (29.97) / 25p
1920 x 1080 (Full HD): 60p (59.94) / 50 p / 30p (29.97) / 25p / 24p (23.98),
1280 x 720 (HD): 60p (59.94) / 50p, 640 x 480 (SD): 30p (29.97) / 25p
1920 x 1080 (Full HD): 30p (29.97) / 25p / 24p (23.976), 1280 x 720
(HD): 60p (59.94) / 50p, 640 x 480 (SD): 30p (29.97) / 25p
1920 x 1080 (Full HD): 30p (29.97) / 25p / 24p (23.976), 1280 x 720: 60p (59.94) /
50p, 640 x 480 (Movie Crop): 60p (59.94) /50p
1920 x 1080 (Full HD): 30p (29.97) / 25p / 24p (23.976), 1280 x 720 (HD): 60p (59.94) /
50p, 640 x 480 (SD): 30p (29.97) / 25p
1920 x 1080 (Full HD): 30p (29.97) / 25p / 24p (23.976), 1280 x 720 (HD):
60p (59.94) / 50p, 640 x 480 (SD): 30p (29.97) / 25p
1920 x 1080 (Full HD): 30p (29.97) / 25p / 24p (23.976), 1280 x 720 (HD): 60p (59.94),
50p / 640 x 480 (SD): 30p (29.97), 25p
Number of Focusing Points
61 (Area AF Ellipse); 61 points selectable, 41 cross-type points (lens dependent),
5 diagonal cross-type points; AI Servo AF III
61 (Area AF Ellipse); 61 points selectable, 41 cross-type points (lens dependent)
5 diagonal cross-type points, AI Servo AF III
11; 1 Center Cross-type point; 11 point selectable (manually-selected AF point
position used in horizontal/vertical shooting can be set separately)
65; Each AF point has cross-type sensors; Center AF point is dual high-precision
cross-type sensor with f/2.8 or faster lenses
19; Each point has cross-type sensors; Center AF point has additional
high-precision, dual cross-type sensor with f/2.8 or faster lenses
9; Each AF point has cross-type sensors; Center AF point also has
additional, high-precision dual cross-type sensor with f/2.8 or faster lenses
9; Each point has cross-type sensors; Center AF point has additional
high-precision dual cross-type sensor with f/2.8 or faster lenses
9; Center AF point is a high precision cross-type, vertical-line sensitive
at f/2.8.
9; Center AF point is cross-type, vertical-line sensitive
at f/5.6.
ISO Range*
(Still) ISO 100–51200, L: 50, H1: 102400, H2: 204800
(Video) ISO 100–25600, H: 51200, H1: 102400, H2: 204800
(Still) ISO 100–25600, L: 50, H1: 51200, H2: 102400
(Video) ISO 100–12800, H: 25600
(Still) ISO 100–25600, L: 50, H1: 51200, H2: 102400
(Video) ISO 100–12800, H: 25600
(Still) ISO 100–16000, H1: 25600, H2: 51200
(Video) ISO 100–16000, H: 25600
(Still) ISO 100–12800, H: 25600
(Video) ISO 100–6400, H: 12800
(Still) ISO 100–6400, H: 12800
(Video) ISO 100–6400
(Still) ISO 100–12800, H: 25600
(Video) ISO 100–6400, H: 12800
(Still) ISO 100–12800, H: 25600
(Video) ISO 100–6400, H: 12800
(Still) ISO 100–6400, H: 12800
(Vide) ISO 100–6400
Recording Media
2 UDMA CF/CF Card (Type I or II)
1 UDMA CF/CF Card (Type I ) and 1 SD/SDHC/SDXC Memory Card
SD/SDHC/SDXC (UHS-I Compatible) Memory Cards
CF Cards (Type I); Compatible with UDMA CF cards; SD, SDHC, and SDXC Memory Cards
SD/SDHC/SDXC (UHS-I Compatible) Memory Cards
SD/SDHC/SDXC Memory Cards
SD/SDHC/SDXC (UHS-I Compatible) Memory Cards
SD/SDHC/SDXC (UHS-I Compatible) Memory Cards
SD/SDHC/SDXC Memory Cards
Maximum Frames Per Second
Single, 12.0 fps**, 3.0 fps, 14.0 fps Super High Speed Mode
Single, 3.0 fps, 6.0 fps
Single and 4.5 fps
Single, 10.0 fps, 3.0 fps (low-speed), 4.0 fps (silent continuous)
Single and 7.0 fps
Single, 5.3 fps, 3.0 fps
Single and 5.0 fps
Single and 4.0 fps
Single and 3.0 fps
Shutter Speeds
30–1/8,000 sec. & Bulb; manually settable in 1/3-, 1/2- or 1-stop increments
30–1/8,000 sec. & Bulb; manually settable in 1/3- or 1-stop increments
30–1/4000 sec. & Bulb, manually settable in 1/3- or
1/2-stop increments
30–1/8000 sec. & Bulb, manually settable in 1/3- or
1/2-stop increments
30–1/8000 sec. & Bulb, manually settable in 1/3- or
1/2-stop increments
30–1/8000 sec. & Bulb; manually settable in 1/3- or
1/2-stop increments
30–1/4000 sec. & Bulb, manually settable in 1/3- or
1/2-stop increments
30-1/4000 sec. & Bulb; manually settable in 1/3- or 1/2-stop increments
30–1/4000 sec. & Bulb, manually settable in 1/3- or 1/2-stop increments
Autofocus Sensitivity
EV -2 to 18 (at ISO 100 with f/1.4 lens)
EV -2 to 18 (at ISO 100 with f/1.4 lens)
Center AF Point: EV -3 to 18 (at ISO 100)
Other AF Points: EV -0.5 to 18 (at ISO 100)
Center AF Point: EV -3 to 18 (at ISO 100)
Other AF Points: EV -0.5 to 18 (at ISO 100)
EV -0.5 to 18 (at ISO 100)
EV -0.5 to 18 (at ISO 100)
EV -0.5 to 18 (at ISO 100)
Center AF Point: -0.5 to 18 (at ISO 100)
Other AF Points: 0.5 to 18 (at ISO 100)
Center AF Point: EV 0 to 18 (at ISO 100)
Other AF Points: EV 1 to 18 (at ISO 100)
Autofocus Auxiliary Light Built-in
–
–
–
Yes (via built-in flash)
Yes (via built-in flash)
Yes (via built-in flash)
Yes (via built-in flash)
Yes (via built-in flash)
Yes (via built-in flash)
Shutter
Vertical-travel, focal-plane shutter with soft-touch electromagnetic release,
all speeds electronically controlled
Vertical-travel, focal-plane shutter with soft-touch electromagnetic release,
all speeds electronically controlled
Vertical-travel, mechanical, focal-plane shutter with all speeds
electronically controlled
Vertical-travel, mechanical, focal-plane shutter with all speeds
electronically controlled
Vertical-travel, mechanical, focal-plane shutter with all speeds
electronically-controlled
Vertical-travel, mechanical, soft-touch electromagnetic release,
focal-plane shutter with all speeds electronically controlled
Vertical-travel, mechanical, focal-plane shutter with all speeds electronically-controlled
Vertical-travel, mechanical, focal-plane shutter with all speeds electronically-controlled
Vertical-travel, mechanical, focal-plane shutter with all speeds electronically-controlled
Maximum Flash
Synchronization Speed
Up to 1/250 sec.; high-speed sync. available with EX-series Speedlite flashes
Up to 1/200 sec.; high-speed sync. available with EX-series Speedlite flashes
Up to 1/180 sec.; high-speed sync. available with EX-series
Speedlite flashes
Up to 1/250 sec.; high-speed sync. available with EX-series
Speedlite flashes
Up to 1/250 sec.; high-speed sync. available with EX-series
Speedlite flashes
Up to 1/250 sec.; high-speed sync. available with EX-series
Speedlite flashes
Up to 1/200 sec.; high-speed sync. available with EX-series
Speedlite flashes
Up to 1/200 sec.; high-speed sync. available with EX-series
Speedlite flashes
Up to 1/200 sec.; high-speed sync. available with EX-series
Speedlite flashes
Metering System
TTL full-aperture metering:
•Multi-spot metering
(up to 8 spot readings)
•252-zone Evaluative metering
•6.5% Partial metering
•Center-Weighted average
•2.5% Spot metering (linked to user-selected metering
focusing point)
•Pre-flash metering (E-TTL II)
TTL full-aperture metering:
•63-zone Evaluative metering
•7.2% Partial metering
•1.5% Spot metering (Center Point)
TTL full-aperture metering:
•63-zone Evaluative metering
•Approx. 8% Partial metering
• Approx. 3.5% Spot metering
•Center-weighted average metering
TTL full aperture metering:
• 252-zone Evaluative metering
• 6% Partial metering
• 1.8% Spot metering
• Center-weighted average metering
TTL full-aperture metering:
•63-zone Evaluative metering
•Approx. 7.7% Partial metering
• Approx. 3.0% Spot metering
•Center-weighted average metering
TTL full-aperture metering
•63-zone Evaluative metering
•6.5% Partial metering
•2.8% Center spot metering
•Center-Weighted average metering
TTL full-aperture metering:
•63-zone Evaluative metering
•Approx. 9% Partial metering
•Approx. 4% Spot metering
•Center-weighted average metering
TTL full-aperture metering:
•63-zone Evaluative metering
•Approx. 9% Partial metering
•Approx. 4% Spot metering
•Center-weighted average metering
TTL full-aperture metering:
•63-zone Evaluative metering
•Approx. 10% Partial Metering
•Center-weighted average metering
Metering Sensitivity
EV 0–20 for all patterns (at ISO 100 with f/1.4 lens)
EV 0–20 for all patterns (at ISO 100 with f/1.4 lens)
EV 0–20 (at ISO 100 with f/1.4 lens)
EV 0–20 (with evaluative metering at ISO 100)
EV 0–20 (at ISO 100 with f/1.4 lens)
EV 0–20 for all patterns (at ISO 100 with f/1.4 lens)
EV 1–20 (at ISO 100 with f/1.8 lens)
EV 1–20 (at ISO 100 with f/1.8 lens)
EV 1 – 20 (at ISO 100)
Exposure Compensation
±5 stops in 1/3- or 1/2-stop increments
±5 stops in 1/3- or 1/2-stop increments
±5 stops in 1/3- or 1/2-stop increments
±5 stops in 1/3- or 1/2-stop increments
±5 stops in 1/3- or 1/2-stop increments
±5 stops in 1/3- or 1/2-stop increments
±5 stops in 1/3- or 1/2-stop increments
±5 stops in 1/3- or 1/2-stop increments
±5 stops in 1/3- or 1/2-stop increments
Flash Exposure Compensation
±3 stops in 1/3- or 1/2-stop increments
±3 stops in 1/3- or 1/2-stop increments
±3 stops in 1/3- or 1/2-stop increments
Up to ±3 stops in 1/3- or 1/2-stop increments
Up to ±3 stops in 1/3- or 1/2-stop increments
±3 stops in 1/3- or 1/2-stop increments
Up to ±2 stops in 1/3- or 1/2-stop increments
Up to ±2 stops in 1/3- or 1/2-stop increments
±2 stops in 1/3- or 1/2-stop increments
AE Lock
Yes
Yes
Yes
Yes
Yes
Yes
Yes
Yes
Exposure Modes
•Shutter Speed-priority AE
•Aperture-priority AE
•Program AE (shiftable)
•Manual Exposure
•E-TTL II Flash AE
•Bulb
•Shutter Speed-priority AE
•Aperture-priority AE
•Program AE (shiftable)
•Manual Exposure
•Scene Intelligent Auto
•E-TTL II Flash AE
• Scene Intelligent Auto
• Program AE (shiftable)
• Shutter Speed-priority AE
• Aperture-priority AE
• Manual Exposure
• Bulb
•Program AE
•Shutter Speed-priority AE
•Aperture-priority AE
•Manual Exposure
•Bulb
•Custom Shooting mode
Viewfinder
Fixed eye-level pentaprism
Fixed eye-level pentaprism
Fixed eye-level pentaprism
Fixed eye-level pentaprism
Fixed eye-level pentaprism
Fixed eye-level pentaprism
Fixed eye-level pentamirror
Fixed eye-level pentamirror
Fixed eye-level pentamirror
Viewfinder Coverage
Approx. 100% horizontal and vertical at 0.76x
Approx. 100% horizontal and vertical at 0.71x
Approx. 97% horizontal and vertical at 0.71x
Approx. 100% horizontal/vertical at 1.0x
Approx. 98% horizontal and vertical at 0.95x
Approx. 96% vertical/horizontal at 0.95x
Approx. 95% horizontal/vertical at 0.85x
Approx. 95% horizontal/vertical at 0.87x
Approx. 95% horizontal/vertical at 0.8x
Viewfinder Information
Inside the picture area: Sixty-one focusing points, 2.5% Spot
metering circle. Displayed at the bottom and side of the viewing area:
Numeric and textual information with 7-segment LCD
Inside the picture area: Sixty-one focusing points, 1.5% Spot metering circle.
Displayed at the bottom of the viewing area: Numeric and textual information
with 7-segment LCD
Inside the picture area: Eleven focusing points, 3.5% Spot metering
circle. Numeric and textual information with 7-segment LCD
Inside the picture area: Sixty-five focusing points, 1.8% Spot metering circle, Compositional
Grid. Displayed at the bottom of the viewing area: Numeric and textual information with
7-segment LCD
Inside the picture area: Nineteen focusing points, 3.0% Spot metering circle.
Displayed at the bottom of the viewing area: Numeric and textual information
with 7-segment LCD
Inside the picture area: Nine focusing points, 2.8% Spot metering circle, Compositional
Grid. Displayed at the bottom of the viewing area: Numeric and textual information
with 7-segment LCD
Inside the picture area: Nine focusing points, 4% Spot metering circle. Displayed at the
bottom of the viewing area: Numeric and textual information with 7-segment LCD
Inside the picture area: Nine focusing points, 4% Spot metering circle. Displayed at the
bottom of the viewing area: Numeric and textual information with 7-segment LCD
Inside the picture area: Nine focusing points.
Displayed at the bottom of the viewing area: Numeric and textual information with
7-segment LCD
•Shutter speed
•Aperture value
•AE Lock
•FE Lock
•Shots remaining
•Max. burst
•Multi-spot readings
•Metering Pattern
•Exposure level / Flash exposure level / Manual
Exposure level
•Exposure compensation / Flash compensation
•Exposure bracketing
•Shutter speed
•Aperture value
•AE Lock
•FE Lock
•Shots remaining
•Max. burst
•Multi-spot readings
•Metering Pattern
•Manual Exposure level
•Exposure compensation / Flash
compensation
•Exposure bracketing
•Shutter speed
•Aperture value
•AE lock
•FE lock
•Maximum burst
•Exposure level / Exposure Warning
•Flash Exposure compensation
•Flash ready / High-speed sync
•Highlight Tone Priority
•Focus Confirmation
•White Balance + / –
•ISO Speed
• Shutter speed
• Aperture value
• ISO speed
• AE Lock
• FE Lock
• Max. burst
• Exposure level
• Flash exposure compensation
• Flash ready / High-speed sync
• Focus confirmation
• Highlight Tone Priority (D+)
• Red-eye reduction lamp
•Shutter speed
•Aperture value
•AE lock
•FE lock
•Maximum burst
•Exposure level / Exposure Warning
•Flash Exposure Compensation
•Flash ready / High-speed sync
•Highlight Tone Priority (D+)
•Red-eye Reduction Light
•AF Points
•Focus Confirmation
•Shutter speed
•Aperture value
•AE Lock
•FE Lock
•Max. burst
•Exposure level
•Flash exposure compensation
•Exposure bracketing
•Flash ready / High-speed sync
•Focus confirmation
•Highlight Tone Priority
•JPEG indicator
•Shutter speed
•Aperture Value
•AE Lock
•FE Lock
•Max. Burst
•Exposure Level
•Flash Exposure Compensation
•Exposure Warning
•AF Points
•Focus Confirmation
•Flash Ready / High-speed Sync
•Highlight Tone Priority (D+)
•Shutter speed
•Aperture Value
•AE Lock
•FE Lock
•Max. Burst
•Exposure Level
•Flash Exposure Compensation
•Exposure Warning
•AF Points
•Focus Confirmation
•Flash Ready / High-speed Sync
•Highlight Tone Priority (D+)
•Shutter speed
•Aperture value
•AE Lock
•FE Lock
•Max. Burst
•Exposure Level
•Flash Exposure Compensation
•Exposure warning
•AF points
•Flash Ready / High-speed Sync
•Focus Confirmation
•Highlight Tone Priority (D+)
1.0x (Full-frame)
•Picture Style
•Dust reduction feature
•Live View Function & Face
Detection Live mode
•Full HD Video
•SMPTE Time Code
•Intelligent Viewfinder
•Lens aberration correction
•Flash ready / Hi-speed sync
•Highlight Tone Priority
•Focus confirmation
•White Balance +/•ISO speed
•JPEG indicator
•RAW indicator
•Battery check
•Memory card full warning
•Shooting Mode
•Electronic Level
• AF Indicator
•22.3 Megapixel Full-Frame
CMOS sensor
•Built-in 3.2" Clear View II LCD monitor
(approx. 1,040,000 dots)
•13 Custom Functions in 3 groups
•Multi-controller and Quick Control Dial
•Dual Axis Electronic Level
•Simultaneous RAW + JPEG image
capture
•HDR Shooting with 5 effects
•Multiple Exposures (4 modes)
•Dioptric adjustment
•Depth-of-field preview
•FE lock
•Mirror lock
1.0x (Full-frame)
•In-camera RAW processing
•Star rating system
•USB 2.0 Hi-Speed compatible
•Magnesium-alloy body
•Picture Style
•Dust reduction feature
•Live View Function & Face Detection
Live mode
•Full HD Video
•SMPTE Time Code
•All-I or IPB Compression
•Intelligent Viewfinder
•Lens aberration correction
•Center-Weighted average
metering
•Bulb
•Flash ready / Hi-speed sync
•Highlight Tone Priority
•Focus confirmation
•White Balance +/•ISO speed
•JPEG indicator
•RAW indicator
•Battery check
•Memory card full warning
•Shooting Mode
•Electronic Level
•AF Indicator
•20.2 Megapixel Full-Frame
CMOS sensor
•Built-in 3.0" Clear View LCD monitor
(approx. 1,040,000 dots)
•Built-in wireless technology
•Built-in GPS
•20 Custom Functions in 3 groups
•Simultaneous RAW + JPEG image
capture
•Multiple Exposures
•Dioptric adjustment
•FE Lock
•Basic+
•In-camera RAW processing
•Star Rating System
•Program AE
•Shutter Speed-priority AE
•Aperture-priority AE
•Manual Exposure
•Scene Intelligent Auto
•Creative Auto
•USB 2.0 Hi-speed compatible
•Picture Style
•Dust reduction feature
•Live View Function & Face
Detection Live mode
•Full HD Video
•All-I or IPB Compression
•SMPTE Time Code
•Multi-shot Noise Reduction
•Lens Aberration Correction
•E-TTL II Flash AE
•Bulb
•JPEG indicator
•RAW indicator
•Battery Check
•Memory card full warning
•Shooting Mode
•Electronic Level
(Horizontal only)
•20.2 Megapixel CMOS sensor
•Built-in 3.0" Clear View II LCD monitor
(approx. 1,040,000 dots)
•Built-in GPS technology
•18 custom functions in 5 groups
•Dual Pixel CMOS AF
• Simultaneous RAW + JPEG image capture
• Intelligent Viewfinder II Display
• Multiple Aspect Ratios
• FE Lock
• Feature Guide
• Basic+
• High Dynamic Range
• Multiple Exposures
• Creative Filters with real-time display
•Full HD Video Movie Servo AF
•All-I or IPB Compression
•EOS Scene Detection Technology, Scene
Intelligent Auto and Picture Style Auto
•Dioptric adjustment
•In-camera RAW processing
•Star Rating System
•USB 3.0 SuperSpeed compatible
•Lens Aberration Correction
•Dual card slots for CF and SD cards
•EOS iTR AF with 150,000-pixel RGB+IR
metering sensor
•Digital Compass
• Battery check
• Grid display
• AF Status
• White Balance
• JPEG/RAW
• Memory Card Full warning
• Electronic level
•20.2 Megapixel CMOS sensor
•Built-in Vari-angle Touch Screen
3.0" Clear View LCD II monitor
(approx. 1,040,000 dots)
•Built-in wireless technology
•23 custom functions in 4 groups
•Dual Pixel CMOS AF
•Simultaneous RAW + JPEG image capture
•Intelligent Viewfinder Display
•Multiple Aspect Ratios
•FE Lock
•Feature Guide
•Basic+
•Multi-shot Noise Reduction
•High Dynamic Range
•Multiple Exposures
•Handheld Night Scene mode
•HDR Backlight Control mode
•Creative Filters with real-time display
•Full HD Video with Movie Servo AF
•All-I or IPB Compression
•EOS Scene Detection Technology,
Scene Intelligent Auto and
Picture Style Auto
•Dioptric adjustment
•In-camera RAW processing
•Star Rating System
•Video Snapshot
•USB 2.0 Hi-speed compatible
•Lens Aberration Correction
•Scene Intelligent Auto
•Flash Off
•Creative Auto
•Programmed AE with
ambience selection
•E-TTL II Flash AE
•AF Area Selection Mode
•ISO Speed
•Battery Check
•Memory card full warning
•Grid Display
•Electronic Level (Horizontal only)
•18.0 Megapixel CCMOS sensor
•Built-in Vari-angle 3.0"
Clear View LCD monitor
(approx. 1,040,000 dots)
•20 Custom Functions in 4 Groups
•Multi-controller
•Horizontal Level
•Simultaneous RAW + JPEG image capture
•Dioptric adjustment
•Depth-of-field preview
•FE Lock
•Mirror Lock
•Retractable built-in E-TTL II flash
•Integrated Speedlite transmitter
•Program AE (shiftable)
•Shutter Speed-priority AE
•Aperture-priority AE
•Manual Exposure
•Bulb
•Full Auto
•Basic+
•Movie Crop
•In-camera RAW processing
•Creative filters
•Star rating system
•Aluminum and polycarbonate with
glass fiber chassis
•USB 2.0 Hi-Speed compatible
•Picture Style
•Dust Reduction Feature
•Live View Function & Face Detection
Live mode
•Full HD video
•Flash Off
•Creative Auto
•Programmed Image Control
modes (5)
• E-TTL II Autoflash Program AE
•Memory card full warning
•Electronic level (Horizontal only)
•Battery check
•18.0 Megapixel CMOS sensor
•Built-in Vari-angle Touch Screen 3.0" Clear
View LCD II monitor
(approx. 1,040,000 dots)
•8 Custom Functions with 24 settings
•Hybrid CMOS AF
•Simultaneous RAW + JPEG image capture
•FE Lock
•Mirror Lock
•Feature Guide
•Basic+
•Multi-shot Noise Reduction
•Creative Filters with real-time display
•HDR Backlight Control mode
•Program AE
•Shutter Speed-priority AE
•Aperture-priority AE
•Manual Exposure
•Bulb
•Automatic depth-of-field AE
EOS Rebel SL1
•Handheld Night Scene mode
•Full HD Video with Movie Servo AF
•EOS Scene Detection Technology,
Scene Intelligent Auto and
Picture Style Auto
•Dioptric Adjustment
•Multiple Aspect Ratios
•Video Snapshot
•USB 2.0 Hi-Speed Compatible
•Built-in Flash with Speedlite Transmitter
•Lens Aberration Correction
•Scene Intelligent Auto
•Flash Off
•Creative Auto
•Programmed AE with
ambience selection
•E-TTL II Flash AE
•Red-eye Reduction Light
•ISO Speed
•White Balance Correction
•Monochrome Shooting
•Memory card full warning
•18.0 Megapixel CMOS sensor
•Built-in Touch Screen 3.0" Clear View LCD II
monitor (approx. 1,040,000 dots)
•8 Custom Functions with 24 settings
•Hybrid CMOS AF II
•Simultaneous RAW + JPEG image capture
•FE Lock
•Mirror Lock
•Feature Guide
•Basic+
•Multi-shot Noise Reduction
•Creative Filters with real-time display
•Special Scene Modes (HDR Backlight Control,
Handheld Night Scene, Night Portrait, Kids,
Candlelight, Food)
•Program AE
•Shutter Speed-priority AE
•Aperture-priority AE
•Manual Exposure
•Bulb
•Automatic depth-of-field AE
EOS Rebel T5
•Full HD Video with Movie Servo AF
•EOS Scene Detection Technology, Scene
Intelligent Auto and
Picture Style Auto
•Dioptric Adjustment
•Multiple Aspect Ratios
•Video Snapshot
•USB 2.0 Hi-Speed Compatible
•Built-in Flash
•Lens Aberration Correction
•18.0 Megapixel CMOS sensor
•Built-in 3.0" LCD monitor
(Approx. 460,000 dots)
•11 Custom Functions with
33 Settings
•Simultaneous RAW + JPEG
image capture
•FE Lock
•Dioptric Adjustment
•Feature Guide
•Basic+
•Peripheral Illumination Correction
•Creative Filters
•Full HD Video
•EOS Scene Detection Technology, Scene
Intelligent Auto and Picture Style Auto
•Multiple Aspect Ratios
•Video Snapshot
•Built-in Flash
•USB 2.0 Hi-Speed Compatible
Yes
•Scene Intelligent Auto
•Flash Off
•Creative Auto
•Programmed AE with ambience
selection
•E-TTL II Flash AE
•Red-eye Reduction Light
•ISO Speed
•White Balance Correction
•Monochrome Shooting
•Memory card full warning
•Program AE (shiftable)
•Shutter Speed-priority AE
•Aperture-priority AE
•Manual Exposure
•Scene Intelligent Auto
•Flash Off
•Creative Auto
•E-TTL II autoflash program AE
•Red-eye Reduction Light
•ISO Speed
•White Balance Correction
Focusing Screens
Intelligent Viewfinder with adaptable LCD overlay displaying Compositional
Grid, AF Selection Modes and AF Points; precision laser-matte screen Ec-C V,
interchangeable (Ec series)
Intelligent Viewfinder with adaptable LCD overlay displaying Dual Axis Electronic
Level (Non-interchangeable)
Standard screen Eg-A II. Interchangeable with precision laser-matte with
grid Eg-D and super precision laser-matte Eg-S; incompatible with Eg-A
Interchangeable Eh-A Standard Focusing Screen and Eh-S Super Precision Matte
Intelligent Viewfinder with adaptable LCD overlay displaying AF selection Modes, AF points,
Compositional Grid, Spot Metering Circle, and Electronic Level; precision
laser-matte screen marked with focusing points (non-interchangeable)
Precision laser-matte screen Ef-A marked with focusing points and Spot metering circle
(interchangeable with dedicated Ef-series screens. Metering correction can be set with
Custom Function IV-4)
Precision laser-matte screen marked with focusing points
(Non-interchangeable)
Precision laser-matte screen marked with focusing points (Non-interchangeable)
Precision laser-matte screen marked with focusing points
(Non-interchangeable)
Self-Timer
Electronically controlled with 2- or 10-second delay
Electronically controlled with 2- or 10-second delay
Electronically controlled with 2- or 10-second delay
Electronically controlled with 2- or 10-second delay
Electronically controlled with 2- or 10-second delay
Electronically controlled with 2- or 10-second delay
Electronically controlled with 2- or 10-second delay
Electronically controlled with 2- or 10-second delay
Electronically controlled with 2- or 10-second delay
Body Dimensions (W x H x D)
Approx. 6.2 x 6.4 x 3.3 in. / 158 x 163.6 x 82.7mm
Approx. 6.0 x 4.6 x 3.0 in. / 152 x 116.4 x 76.4mm
Approx. 5.7 x 4.4 x 2.8 in. / 144.5 x 110.5 x 71.2mm
Approx. 5.9 x 4.4 x 3.1 in. / 148.6 x 112.4 x 78.2 mm
Approx. 5.5 x 4.1 x 3.1 in. / 139.0 x 104.3 x 78.5mm
Approx. 5.7 x 4.2 x 3.1 in. / 144.5 x 105.8 x 78.6mm
Approx. 5.2 x 3.9 x 3.1 in. / 133.1 x 99.8 x 78.8mm
Approx. 4.6 x 3.6 x 2.7 in. / 116.8 x 90.7 x 69.4mm
Approx. 5.1 x 3.9 x 3.1 in. / 129.6 x 99.7 x 77.9mm
Weight (CIPA standards)
Approx. 54.0 oz. / 1,530g
Approx. 33.5 oz. / 950g
Approx. 26.7 oz. / 755g
Approx. 32.1 oz. / 910 g
Approx. 26.7 oz. / 755g
Approx. 26.6 oz. / 755g
Approx. 20.5 oz. / 580g
Approx. 14.36 oz. / 407g (Black color), 14.46 oz. / 410g (White color)
Approx. 16.93 oz. / 480g
* Standard output sensitivity. Recommended exposure index.
**The maximum continuous shooting speed is restricted to 10 fps when the battery charge is less than 50% or when ISO speed is above 32000. If the camera’s internal temperature is low and ISO speed is above 20000, the maximum continuous shooting speed is restricted to 10 fps.
usa.canon.com/eos
43
EOS CAMERAS
Video Recording Size and Time
Video
Recording Size
Image Format and Capacity Chart
Total Recording Time
Frame Rate
8GB Card
16GB Card
File Size
EOS-1D X, EOS 5D Mark III, EOS 6D and EOS 70D
30fps
25fps
24fps
1280 x 720
60fps
50fps
640 x 480
All-I
11 min.
22 min.
685 MB/min.
IPB
32 min.
64 min.
235 MB/min.
All-I
11 min.
22 min.
685 MB/min.
IPB
32 min.
64 min.
235 MB/min.
All-I
11 min.
22 min.
685 MB/min.
IPB
32 min.
64 min.
235 MB/min.
All-I
12 min.
25 min.
610 MB/min.
IPB
37 min.
74 min.
205 MB/min.
All-I
12 min.
25 min.
610 MB/min.
IPB
37 min.
74 min.
205 MB/min.
JPEG
22 min.
44 min.
330 MB/min.
24fps
22 min.
44 min.
46 min.
1 hr. 32 min.
330 MB/min.
165 MB/min.
2170
2592 x 1728
(Approx. 4.50 megapixels)
2.1
Large
—
mRAW +
Separate JPEG File
18.3 + 6.0
270
S RAW
.CR2
2592 x 1728
(Approx. 4.50 megapixels)
Lossless RAW
13.0
490
sRAW+
JPEG
Large
—
sRAW +
Separate JPEG File
13.0 + 6.0
340
JPEG
7.0
1010
3.7
1930
3840 x 2560
(Approx. 9.80 megapixels)
3.8
1860
2.0
3430
2880 x 1920
(Approx. 5.50 megapixels)
2.5
2810
1.3
5240
EOS 5D Mark III*
Large/Normal
Medium/Fine
22 min.
44 min.
330 MB/min.
Small/Fine
24fps
Small/Normal
60fps
22 min.
50fps
30fps
44 min.
1 hr. 32 min.
25fps
3 hrs. 4 min.
330 MB/min.
Small 2
Small 3
82.5 MB/min.
RAW
Total Recording Time
Frame Rate
4GB Card
8GB Card
16GB Card
File Size
EOS 7D Mark II
.CR2
1280 x 720
640 x 480
60fps
50fps
30fps
25fps
24fps
30fps
25fps
24fps
60fps
50fps
60fps
50fps
30fps
25fps
1920 x 1080
1280 x 720
640 x 480
44
1.4
720 x 480
(Approx. 0.35 megapixels)
0.3
5760 x 3840
(Approx. 22.10 megapixels)
Lossless RAW
—
RAW + Separate JPEG File
27.1
mRAW
.CR2
3960 x 2640
(Approx. 10.5 megapixels)
Lossless RAW
19.1
370
Large/Fine
—
mRAW + Separate JPEG File
19.1 + 7.0
270
All-I
5 min.
11 min.
23 min.
654 MB/min.
sRAW
.CR2
2880 x 1920
(Approx. 5.5 megapixels)
Lossless RAW
15.1
480
sRAW+
JPEG
Large/Fine
—
sRAW + Separate JPEG File
15.1+ 7.0
320
6 min.
13 min.
23 min.
583 MB/min.
EOS 6D*
JPEG
IPB
19 min.
38 min.
1 hr. 17 min.
196 MB/min.
IPB
50 min.
1 hr. 41 min.
3 hrs. 22 min.
75 MB/min.
Large/Fine
8 min.
35 min.
5 min.
11 min.
23 min.
645 MB/min.
IPB
17 min.
35 min.
1 hr. 10 min.
216 MB/min.
Light (IPB)
43 min.
1 hr. 26 min.
2 hrs. 53 min.
87 MB/min.
All-I
6 min.
13 min.
26 min.
574 MB/min.
IPB
20 min.
40 min.
1 hr. 21 min.
187 MB/min.
2 hrs. 5 min.
4 hrs. 10 min.
8 hrs. 20 min.
30 MB/min.
57 min.
1 hr. 55 min.
3 hrs. 50 min.
66 MB/min.
2 hrs. 43 min.
5 hrs. 26 min.
10 hrs. 53 min.
23 MB/min.
Light (IPB)
IPB
Light (IPB)
3.5
2060
3648 x 2432
(Approx. 8.9 megapixels)
3.6
2000
1.8
3810
2736 x 1824
(Approx. 5.0 megapixels)
2.3
3060
1.2
5800
1920 x 1280
(Approx. 2.5 megapixels)
1.3
5240
Lossless RAW
24.0
290
RAW +
JPEG
Large/Fine
—
RAW +
Separate JPEG File
24.0 + 6.6
220
mRAW
.CR2
4104 x 2736
(Approx. 11.2 megapixels)
Lossless RAW
19.3
350
mRAW +
JPEG
Large/Fine
—
mRAW +
Separate JPEG File
19.3+ 6.6
sRAW
.CR2
2736 x 1824
(Approx. 5.0 megapixels)
Lossless RAW
sRAW+
JPEG
Large/Fine
—
sRAW +
Separate JPEG File
Large/Normal
Medium/Fine
Medium/Normal
Small 1/Normal
Recording
Capacity (shot)
Large/Fine
JPEG
6.4
490
Large/Normal
3.2
990
3.4
940
1.7
1930
2.2
1500
1.1
3100
5472 x 3648
(Approx. 20.0 megapixels)
JPEG
Medium/Fine
Medium/Normal
3456 x 2304
(Approx. 8.00 megapixels)
Small 1/Fine
Small 1/Normal
2592 x 1728 (Approx. 4.50
Megapixels)
Small 2
1920 x 1280 (Approx. 2.50
megapixels)
1.3
2580
Small 3
720 x 480 (Approx. 0.35
megapixels)
0.3
10780
RAW
.CR2
5184 x 3456
(Approx. 17.90 megapixels)
Lossless RAW
24.5
130
260
RAW +
JPEG
Large
—
RAW +
Separate JPEG File
24.5 + 6.4
110
13.3
510
mRAW
.CR2
3888 x 2592
(Approx. 10.10 megapixels)
Lossless RAW
16.7
190
13.3 + 6.6
340
mRAW +
JPEG
Large
—
mRAW +
Separate JPEG File
16.7 + 6.4
140
sRAW
.CR2
2592 x 1728
(Approx. 4.50 megapixels)
Lossless RAW
11.1
300
sRAW+
JPEG
Large
—
sRAW +
Separate JPEG File
11.1 + 6.4
180
JPEG
6.4
1140
3.2
2240
3456 x 2304
(Approx. 8.0 megapixels)
3.4
2150
1.7
4200
2592 x 1728
(Approx. 4.5 megapixels)
2.2
3350
1.1
6360
Small 2
1920 x 1280
(Approx. 2.5 megapixels)
1.3
5570
Small 3
720 x 480
(Approx. 0.35 megapixels)
0.3
21560
RAW
.CR2
5184 x 3456
(Approx. 17.9 megapixels)
Lossless RAW
T5i:24.5
SL1:23.5
290
RAW+JPEG
Large/Fine
—
RAW + Separate JPEG File
T5i:
24.5+6.4
SL1:
23.5+6.4
230
5184 x 3456
(Approx. 17.90 megapixels)
JPEG
6.4
1110
3.2
2190
3456 x 2304
(Approx. 8.0 megapixels)
3.4
2100
1.7
4100
2592 x 1728
(Approx. 4.5 megapixels)
2.2
3270
1.1
6210
6.6
1000
3.5
1920
3648 x 2432
(Approx. 8.9 megapixels)
3.6
1840
1.8
3410
2736 x 1824
(Approx. 5.0 megapixels)
2.3
2790
Large/Normal
1.2
5200
Medium/Fine
1920 x 1280
(Approx. 2.5 megapixels)
1.3
4990
Medium/Normal
EOS Rebel T5i, EOS Rebel SL1*
JPEG
Large/Fine
Small/Fine
720 x 480
(Approx. 0.35 megapixels)
5184 x 3456
(Approx. 17.90 megapixels)
0.3
19380
RAW
.CR2
5472 x 3648
(Approx. 20.0 megapixels)
Lossless RAW
24.0
260
RAW +
JPEG
Large/Fine
—
RAW +
Separate JPEG File
24.0 + 6.6
200
mRAW
.CR2
4104 x 2736
(Approx. 11.2 megapixels)
Lossless RAW
19.3
370
mRAW +
JPEG
Large/Fine
—
mRAW +
Separate JPEG File
19.3 + 6.6
270
sRAW
.CR2
2736 x 1824
(Approx. 5.0 megapixels)
Lossless RAW
13.3
470
sRAW+
JPEG
Large/Fine
—
sRAW +
Separate JPEG File
13.3 + 6.6
320
Small/Normal
5184 x 3456
(Approx. 17.90 megapixels)
EOS Rebel T5*
2380
Large/Normal
3648 x 2432
(Approx. 8.90 megapixels)
3.2
2300
Medium/Fine
1.7
4240
Medium/Normal
2736 x 1824
(Approx. 5.00 megapixels)
2.1
3450
Small/Fine
1.1
6370
Small/Normal
Small 2
1920 x 1280
(Approx. 2.50 megapixels)
1.2
6130
Small 2
1920 x 1280
(Approx. 2.5 megapixels)
1.3
5440
Small 3
720 x 480
(Approx. 0.35 megapixels)
0.3
23070
Small 3
720 x 480
(Approx. 0.35 megapixels)
0.3
21060
RAW
.CR2
5472 x 3648
(Approx. 20.00 megapixels)
Lossless RAW
23.5
300
RAW
.CR2
5184 x 3456
(Approx. 17.90 megapixels)
Loseless RAW
24.5
290
RAW +
JPEG
Large/Fine
–
RAW + Separate JPEG File
23.5+6.0
240
RAW+JPEG
Large/Fine
—
RAW + Separate JPEG File
24.5+6.4
230
mRAW
.CR2
4104 x 2736
(Approx. 11.0 megapixels)
Lossless RAW
18.5
380
mRAW +
JPEG
Large/Fine
–
mRAW + Separate JPEG File
18.5+6.0
290
sRAW
.CR2
2736 x 1824
(Approx. 5.00 megapixels)
Lossless RAW
13.0
550
sRAW+
JPEG
Large/Fine
–
sRAW + Separate JPEG File
13.0+6.0
380
Medium/Fine
Small/Normal
5472 x 3648
(Approx. 20.00 megapixels)
JPEG
JPEG
EOS 70D*
Large/Fine
Image File
Size (MB)
EOS 60D**
5472 x 3648
(Approx. 20.0 megapixels)
JPEG
Recording Method
3.1
Large/Normal
431 MB/min.
All-I
1090
Recording Resolution
1250
Small/Fine
17 min.
6.6
Image Format
6.0
Medium/Normal
IPB
JPEG
.CR2
210
mRAW +
JPEG
All-I
5472 x 3648
(Approx. 20.0 megapixels)
RAW
Small 3
27.1 +7.0
440 MB/min.
255 MB/min.
Recording
Capacity (shot)
20330
260
34 min.
1 hr. 7 min.
Image File
Size (MB)
0.3
Small 2
17 min.
33 min.
Recording Method
720 x 480
(Approx. 0.35 megapixels)
19520
8 min.
16 min.
Recording Resolution
Small 3
Small 1/Fine
IPB
IPB
Small /Normal
5030
Large/Fine
MP4 FORMAT
60fps
50fps
30fps
25fps
24fps
30fps
25fps
24fps
30fps
25fps
60fps
50fps
60fps
50fps
30fps
25fps
30fps
25fps
30fps
25fps
1920 x 1280
(Approx. 2.50 megapixels)
RAW +
JPEG
MOV FORMAT
1920 x 1080
5760 x 3840
(Approx. 22.10 megapixels)
Medium/Normal
Small 2
mRAW +
JPEG
Large/Fine
Large/Fine
Medium/Fine
3290
350
JPEG
JPEG
Small/Fine
18.3
Medium/Normal
25fps
Video
Recording Size
3.3
Lossless RAW
30fps
640 x 480
3456 x 2304
(Approx. 8.0 megapixels)
3888 x 2592
(Approx. 10.10 megapixels)
MOV FORMAT
1280 x 720
Medium 2
.CR2
EOS Rebel T5i, EOS Rebel SL1 and EOS Rebel T5
1920 x 1080
1470
230
mRAW
30fps
4.8
23.2 + 6.0
78 MB/min.
MOV FORMAT
4608 x 3072
(Approx. 14.20 megapixels)
RAW +
Separate JPEG File
78 MB/min.
EOS 60D
Medium 1
—
194 min.
Image Format
Large/Normal
Large
194 min.
25fps
1200
280
97 min.
640 x 480
6.0
23.2
97 min.
30fps
JPEG
Lossless RAW
IPB
50fps
5184 x 3456
(Approx. 17.90 megapixels)
5184 x 3456
(Approx. 17.90 megapixels)
IPB
60fps
Recording
Capacity (shot)
.CR2
30fps
1280 x 720
Image File
Size (MB)
RAW
25fps
25fps
Recording Method
EOS 7D Mark II*
Large
Small
RAW +
JPEG
1920 x 1080
Recording Resolution
EOS-1D X*
MOV FORMAT
1920 x 1080
Image Format
JPEG
Large/Fine
JPEG file sizes will vary depending on the subjects, shooting mode and ISO speed. * The number of possible shots apply to an 8GB card based on Canon’s testing standards.
** The number of possible shots apply to a 4GB card based on Canon’s testing standards.
usa.canon.com/eos
45
Celebrating
EF LENSES
100 Million EF Lenses
Produced Worldwide ◊
two decades I’ve
“ For
used Canon EOS
lenses professionally –
they always deliver
the superior results
my clients and I
demand. No matter
what the situation,
EOS lenses allow me
complete creative
freedom, reliability,
and unsurpassed
performance.
”
EF LENS TECHNOLOGY
Great images start with great optics. An SLR camera is often defined by the quality,
breadth and scope of its lens system. As such, Canon lenses alone are reason
enough to choose the EOS System. Combining some of the world’s most advanced
optical, microelectronic, and precision manufacturing technologies, EF lenses are
engineered in Canon’s laboratories, proven in the field and beloved by generations
of photographers. With over 100 million lenses produced ◊, Canon EF lenses have
proven they are capable for a multitude of photographic situations.
Adam Jones
Explorer of Light
©Adam Jones
Image Stabilizer technology is built into many
EF and EF-S lenses, allowing for more movement
of the stabilizing lens group. Especially with
telephoto lenses, as the lens focal length
increases, the effect of shake and the degree
of correction needed to cancel it increase as
well. With the Optical Image Stabilizer in the
lens, Canon can equip each IS lens with a
stabilization unit optimized for the focal
lengths and optical characteristics unique to
that lens.
Image Stabilization:
It Belongs In the Lens
Optical Image Stabilizer
Parallel Movement Principle
Because every lens is different, different lenses
have different Optical Image Stabilizer needs.
• Reduces motion blur by counteracting camera shake during handheld photography
• With Optical Image Stabilizer in the lens, Canon can equip each Optical Image Stabilizer lens with
the stabilizer it needs
• Found on some telephoto lenses, Optical Image Stabilizer Mode 2 is especially effective when
doing panned shots
• With Canon Optical Image Stabilizer, the effects of the stabilization can be seen in the viewfinder –
the image is steadier, making composition more accurate
How the Image Stabilizer Works — The Optical Image
Stabilizer shifts a lens group in parallel to the focal plane.
When the lens jerks due to camera shake, the light rays
from the subject are bent relative to the optical axis,
resulting in a blurred image. Camera shake is detected
by two gyro sensors (one each for the yaw and pitch). The
gyro sensors detect the angle and speed of the camera
shake caused by handheld shooting. By moving select
lens elements according to how the entire lens is being
shaken, the image passing through the lens can be
steady and sharp when it hits the imaging sensor. The
figure on the extreme right shows what happens when
the lens is jerked downward. The center of the image
moves downward on the focal plane. When the Optical
Image Stabilizer lens group shifts downward, the light
rays are refracted so that the image center returns to the
center of the focal plane. Since image shake occurs
in both the horizontal and vertical directions, the
Optical Image Stabilizer lens group can shift vertically
and horizontally on a plane perpendicular to the optical
axis to counteract the image shake.
1:No Camera Shake
Camera
Shake
2:Lens Front Shake Downward
3:Image-stabilizing group counteracting
downward camera shake
Optical Image Stabilizer Units
Interchangeable EF / EF-S Lenses – Creative opportunities are at your fingertips.
Optical Image Stabilizer
Canon Optical Image Stabilizer technology
makes handheld photography more practical
at slow shutter speeds, accommodating more
low-light shooting situations than ever before.
Camera shake typically occurs at shutter
speeds less than 1/ [focal length], resulting in
image blur. Canon Optical Image Stabilizer
technology uses miniature sensors and a
high-speed microcomputer built into the lens.
The sensors analyze vibrations and apply
correction via a special stabilizing lens group
that shifts the image parallel to the focal plane.
Motion blur is reduced, resulting in a sharper
image. With Optical Image Stabilization, it’s
like gaining up to four stops. Canon Optical
◊
46
Image Stabilizer ON
Close-up — For close-up
shots, the tiniest motion
can be magnified and can
spoil a great shot.
Image Stabilizer OFF
Low light — In low-light
situations, when you would
normally expect to have to
use flash or tripod, Canon
Optical Image Stabilizer
lenses give you the freedom
of up to 4 stops of light.
Telephoto — Canon
designs each Optical
Image Stabilizer system
to complement the lens’
focal length. So even with
telephoto lenses you can
capture the shot!
Refers to EF Lenses, EF-S Lenses and Cinema Lenses produced worldwide from 1987 to First Half of 2014.
usa.canon.com/eos
47
Celebrating
EF LENSES
100 Million EF Lenses
Produced Worldwide ◊
STM
A challenge of shooting DSLR video has been
achieving continuous autofocus. In response,
certain Canon EF and EF-S lenses now offer a
stepping motor (STM) drive, designed to deliver
smooth and quiet continuous AF during video
shooting when paired with the Movie Servo AF
feature found on select EOS cameras. Canon’s
decades of optical experience allows Canon to
incorporate the right type of stepping motor for
each lens. The EF 40mm f/2.8 STM utilizes a
gear-type that allows the lens to achieve an
ultra-compact and lightweight design; whereas
the EF-S 18–135mm f/3.5–5.6 IS STM uses a
lead-screw type, which prioritizes AF performance,
offering smooth and quiet operation.
Diffractive Optics
Canon’s use of diffractive optics (DO) results
in high-performance lenses that are much
smaller and lighter than traditional designs.
Canon’s multilayer diffractive elements are
constructed by bonding diffractive coatings
to the surfaces of two or more lens elements.
These elements are then combined to form a
single multilayer DO element. Conventional
glass lens elements disperse incoming light,
causing chromatic aberration. The DO element’s
dispersion characteristics are designed to
help reduce chromatic aberrations significantly
at various wavelengths when combined with
conventional glass optics. This technology
results in smaller lenses that provide amazing
Taken with EF 100–400mm f/4.5–5.6L IS USM
Optical Image Stabilizer Mode 2
and Mode 3
The standard settings of the Optical Image
Stabilizer are set so that it is most effective
when photographing stationary subjects.
However, when panning with a moving subject is
attempted (tracking of the subject horizontally
or vertically), the shake-correction of the OIS
may inadvertently over-compensate and
interfere with framing. To help resolve this,
Canon developed Optical Image Stabilizer
Mode 2. In this mode, if you move the lens to
follow a subject for a pre-determined time, the
Optical Image Stabilizer does not correct for the
intentional panning, while continuing to correct
any camera shake that’s perpendicular to the
panning motion. The result is a virtually smooth
viewfinder image as you follow the moving
subject. Optical Image Stabilizer Mode 3
activates IS only when the shutter button is
fully pressed, allowing for easy panning of
fast-moving subjects.
◊
48
Hybrid Image Stabilizer
During normal shooting
situations, sudden camera
movement is rotational and can cause
significant image blur. During macro or close-up
photography, however, the image blur caused
by linear camera shake – when the camera
moves parallel to the subject – is more
pronounced. Optical Image Stabilizer is
designed to counteract rotational or linear
camera shake and works well for most camera
shooting situations. To help compensate for
linear camera shake, an acceleration sensor
determines the amount of shift-based camera
movement. Canon Hybrid Image Stabilizer
technology employs a highly sophisticated
algorithm that combines the feedback of both
the acceleration sensor and angular velocity
sensor (found in Hybrid OIS technology), and
moves the image stabilizer lens elements,
effectively compensating for both rotational
and linear camera shake. Hybrid IS enhances
Refractive Optical Element
Chromatic aberrations
Image formation in the blue, green
and red wavelength order
Refractive Optical Element
and Multi-Layer Diffractive
Optical Element Combined
Multi-Layer Diffractive
Optical Element
Chromatic aberrations reversed from
that of a refractive optical element
Chromatic aberration canceled out
Linear Camera Shake
Dynamic Image Stabilizer
During video shooting, Canon’s Dynamic IS
stabilization offers a wide image stabilization
correction range, creating an Image Stabilizer
effect equivalent to a shutter speed approximately
4 settings faster, effective for shooting
handheld, while walking, and in similar types
of shooting situations.
Canon developed the
world’s first lens-based Ring-type USM
Ultrasonic Motor (USM)
to power the lens
autofocus mechanism.
Instead of large noisy
drive trains powered by
conventional motors,
Micro USM
Canon USM lenses
employ the minute electronic vibrations created
by piezoelectric ceramic elements. The focusing
action of the lens is fast and quiet, with virtually
instantaneous stops and starts. USM lenses also
draw minimal power from the camera, helping
ensure longer battery life. Canon makes two
types of Ultrasonic Motor lenses. Ring-type
USM lenses, found in large aperture and
super-telephoto designs, permit manual
focusing wit­­­­­­­­hout first switching out of the auto
mode. Micro USM designs bring the performance
benefits of Canon’s USM technology to a wide
assortment of affordable EF lenses.
L-Series Lenses
Highly regarded among professional
photographers, Canon L-series lenses are
distinguished by a bold red ring around the
outer barrel. What makes them truly distinctive,
however, is their remarkable optical
performance – the result of sophisticated
Canon technologies, such as Ultra-low
Dispersion (UD) glass, fluorite and aspherical
elements and Super Spectra Coating.
Fluorite / UD Elements
Reducing color fringing, or chromatic aberration,
has been one of the great challenges in the
design of telephoto lenses. L-series telephoto
lenses – like the EF 70–200mm f/2.8 IS II USM
Comparison of optical characteristics between
optical glass and Fluorite
Image formation in the red, green and
blue wavelength order
Red
the effects of Optical Image Stabilizer,
especially during macro shooting, which
may be difficult for conventional image
stabilization technologies.
Ultrasonic
Motor
Green
Red
Blue
Correction of Chromatic Aberration by the Multi-Layer
Diffractive Optical Element
results. Canon has also developed a triple-layer
type DO lens that uses an advanced diffractive
grating to deliver excellent performance,
with superb control of color fringing. This
configuration is ideal for zoom lens optics and
provides significant reductions in size. A good
example is the EF 70–300mm f/4.5–5.6 DO IS
USM lens, which is 28 percent shorter than
the EF 70–300mm f/4–5.6 IS USM lens.
Anomalous
dispersion
Glass
Blue
Red
Blue
Fluorite
and EF 300mm f/4L IS USM – employ Canon’s
Ultra-low Dispersion glass to help minimize
this effect, providing much improved contrast
and sharpness. Even more effective at
suppressing chromatic aberration are fluorite
elements, used in high-end super-telephoto
L-series lenses. Composed of crystallized
calcium fluoride (CaF2), a single fluorite element,
although costly, has roughly the corrective
power of two UD glass elements, giving these
L-series lenses their spectacular performance
and relatively compact design.
Aspherical Elements
Wide-angle lenses and fast normal-focal-length
lenses often suffer from spherical aberration.
When the light rays coming through the
center of the lens do not converge at the same
point as light rays coming through the lens
edge, the image can appear blurred because
there is no sharp point of focus. Canon’s
aspherical elements use a varying curved
surface to help ensure that the entire image
plane appears focused. Aspherical optics
Spherical aberration
of spherical lens.
Convergence of parallel light
rays by an Aspherical lens.
also help to correct curvilinear distortion as
one might find in ultra wide-angle lenses.
Canon designs aspherical elements with
extremely precise variable curvature of one
or both sides, making possible lighter, more
compact lenses.
Subwavelength and Fluorine
Anti-smear Coatings
The Subwavelength Coating (SWC) is a
proprietary lens coating that helps control
ghosting and flare to a far greater degree than
with earlier coating technologies. Utilizing SWC
technology on large-curvature lens elements
that are mainly found in wide-angle lenses
significantly minimizes the occurrence of
ghosting and flare caused by reflected light in
environments that have posed problems. SWC
is used on the Canon wide-angle lens, EF 24mm
f/1.4L II USM. The fluorine anti-smear coating
helps minimize soiling, smears and fingerprints
for easy cleaning.
Focus Preset
Focus Preset enables you to program a focusing
distance in the camera’s memory. Normal
picture taking and focusing are unaffected
by preset distances. For example, at a soccer
game, you Focus Preset the goal area. Shoot
normally elsewhere on the field, but once the
action moves toward the goal, the user can
instantly return to the preset distance by turning
a ring on the lens.
Refers to EF Lenses, EF-S Lenses and Cinema Lenses produced worldwide from 1987 to First Half of 2014.
usa.canon.com/eos
49
Celebrating
EF LENSES
100 Million EF Lenses
Produced Worldwide ◊
Floating System
Typical lenses correct for optical aberrations
only at commonly used focusing distances.
Not surprisingly, at other focusing distances,
especially close range, aberrations can
compromise image quality. Rather than
TS-E 24mm f/3.5L Floating System
Focal plane
Closest
shooting
distance
Floating
Dust- and Water-Resistant
Construction
Most L-series EF
telephoto lenses
are dust- and
water-resistant
thanks to rubber seals
at the switch panels,
exterior seams, drop-in
filter compartments
and lens mounts.
Moving parts, such as
the focusing ring and
switches, are also designed to help keep out
environmental contaminants, providing reliable
performance under harsh conditions.
fisheye images for full-frame EOS models. This
Canon lens has a wide zoom range feature
that provides a truly elevated level of creativity
and performance for users shooting artistic
compositions or panoramic landscapes, as
well as astronomy and sports.
Full-Time Manual Focusing
Canon EOS cameras with EF lenses deliver
impeccable AF precision. Manual focusing
capability, nevertheless, can enhance
flexibility. Canon
EF lenses with
full-time manual
focusing enable the
photographer to
manually tweak
focus without
switching out of
AF mode. Since AF
action does not cause the focusing ring to
turn, it can be made wider for improved
grip and comfort.
EF-S lenses — Designed for the Canon
EOS 7D Mark II, EOS 70D, EOS 60D and all
EOS Rebel models with APS-C sized sensors
with a 1.6x crop factor, Canon’s EF-S lenses
take advantage of the camera sensor’s smaller
size to help deliver optimized performance in
compact, lightweight designs.
EF 8–15mm f/4L Fisheye USM • f/4 • 1024 sec.
TS-E — TS-E lenses are capable of tilt and shift
movements, which bring many of the advantages
of technical view cameras to the EOS System.
Tilt movements alter the angle of the plane of
focus between the lens and film plane, making
broad depth-of-field possible even at larger
apertures; shift movements slide the lens’
optical axis along the film/sensor plane, enabling
photographers to correct or alter perspective at
almost any angle.
Floating Effect
(TS-E 24mm f/3.5L)
TS-E Movements
Astigmatism
Tilt Movements alter the angle of the plane of focus between the lens and focal plane, and Shift Movements move the lens’
optical axis in parallel.
EF 8–15mm f/4L Fisheye USM • f/5.6 • 1/200 sec.
using fixed spacings, Canon’s floating system
dynamically varies the gap between key lens
elements based on focusing distance. Most
aberrations can be effectively suppressed
throughout the focusing range, helping to assure
high image quality in all shooting situations.
Specialty Lenses
Fisheye — With its unique focal length range,
the EF 8–15mm f/4L Fisheye USM offers an
interesting and exciting perspective. It delivers
180° diagonal angle of view images for all EOS
SLR cameras with imaging formats ranging from
full-frame to APS-C, and provides 180° circular
Circular Aperture
Canon lenses featuring circular aperture
diaphragms employ curved blades to create
a smoothly rounded opening as the lens is
stopped down. As a result, most out-of-focus
background highlights are rendered as
natural-looking rounded shapes rather than
as distracting polygons. These lenses deliver
smooth, consistent stop-down action (even at
14.0 fps), near-silent operation and excellent
optical characteristics.
Reverse tilt and shift greatly reduces the range on which
focusing is possible.
Shift was used to adjust the image to keep the building
perpendicular all the way to the top.
Macro — Canon’s EF lens lineup has a number
of options for true close-up and macro
photography. With six macro lenses for
precision, and three screw-on close-up lenses
for convenience – in addition to the Life-Size
Converter EF and two Extension Tubes –
Canon’s macro lenses and close-up accessories
can uncover detail that is nearly impossible for
the unaided human eye to detect.
The diagram below shows the relationship between each
image size and a 180˚ angle of view for each focal length.
Focal Length: 8mm
Approx. 10mm
Full size
Circular fisheye
APS-C
Full-frame fisheye
Approx. 12mm
Approx. 15mm
APS-H
Full-frame fisheye
Full size
Full-frame fisheye
EF Mount
The Canon EF mount is much more than
simply a way to attach a lens to a camera
body. As the communication conduit between
camera and lens, this fully electronic mount
enables high-speed autofocus, precise
aperture control and preview, makes automatic
compensation with lens extenders possible
and can communicate data such as focal
length, lens model, even serial number for
Inner and Rear Focusing
An inner focusing lens has the focusing lens
group(s) in front of the diaphragm, while a
rear focusing lens has the focusing lens group(s)
behind the diaphragm. Both designs allow for
compact optical systems that produce faster AF.
And because the front of the lens does not rotate
to focus, filter orientation remains constant.
AF Stop Feature
Pressing the AF Stop button (featured on several
EF IS telephoto lenses) momentarily locks the
AF to help prevent the focus from shifting to a
passing obstruction. After the obstruction has
cleared, the focus will still be on the subject, and
you can quickly resume shooting. AF Stop buttons
are positioned at four locations around the lens
grip for easy access.
The lens’ tilt mechanism is used to achieve a pan focus effect
that allows focusing all the way back.
Without shift, the image of the building leans in at the top.
Tilt Movements – Using a normal lens, shallow or deep focus is
controlled by the size of the aperture used to adjust depth-of-field.
Canon TS-E lenses can help achieve this by the tilting of the
lens barrel in relationship to the focal and subject planes. This
allows for the appearance of extremely deep focus even at wide
open apertures, and shallow focus at smaller apertures.
Shift Movements – By keeping the camera level, and
using the shift function to raise the lens instead, this
perspective effect can be corrected. With the camera’s
focal plane set parallel to the building, shifting the lens
upward will obtain a more rectangular-looking building.
◊
About Macro Magnification
A life-size macro lens – that
is, a 1x magnification –
records an image on film at
its actual size. If you’re
photographing fruits, for
example, and it has a
diameter of 1 in., it will
occupy 1 in. of your actual 0.25x
slide or negative. With a
digital SLR camera, at 1.0x
magnification, the image
projected onto your camera’s
sensor will likewise be the
same size at the sensor
plane as the actual subject
itself. Other macro lenses
have lower or higher
0.5x
magnifications. A lens with
0.5x magnification will
produce an image on film
that is half the size of the
actual subject. Your 1 in.
fruit then would only
occupy 0.5 in. on film.
In the other direction, a
5x magnification lens will
convert the 1-in. fruit to
a 5-in. diameter image.
Since the entire image
won’t fit in the frame of
your film, you will have an
enlarged image of a detail
of the fruit.
1.0x
3.0x
Magnification is not the
same as focal length. A
50mm lens and a 180mm
might both be macro
lenses with, for example,
1.0x magnification. The
advantage of the longer
lens is that it allows greater
5.0x
distance from a subject,
while allowing the same
magnification in the final image. The 180mm lens is ideal for
shooting tiny subjects without disturbing them; the 50mm is
better choice for copying flat documents.
FOCAL LENGTH COMPARISON
Depth-of-field with tilt movements
Plane of optimum focus
15mm Fisheye
Film plane
With a normal lens
180°
14mm
114°
17mm
104°
20mm
94°
24mm
84°
28mm
75°
35mm
63°
50mm
46°
70mm
34°
With a TS-E lens
85mm
Using Tilt Movements to Focus an Oblique Subject Plane
50
* The red circle for each focal length is the size of a 180˚ angle of
view on the image plane.
in-camera processing and recording. Ready
for the future, the EF mount offers both
forward and backward compatibility with
lens technologies such as USM and Hybrid IS,
as well as new optical designs, such as EF-S
lenses and Cinema EOS lenses as they are
developed by Canon.
Using Shift Movements to Focus a Tall Building
28° 30'
100mm
24°
135mm
18°
200mm
12°
300mm
8° 15'
400mm
6° 10'
500mm
5°
600mm
4° 10'
1200mm
2° 5'
Refers to EF Lenses, EF-S Lenses and Cinema Lenses produced worldwide from 1987 to First Half of 2014.
usa.canon.com/eos
51
Celebrating
EF LENSES
100 Million EF Lenses
Produced Worldwide ◊
Take In the Wider View.
See It. Capture It.
Canon EF fixed-focal-length wide-angle lenses are amazingly sharp, virtually distortion-free,
and fast – making them great choices for low-light shooting. EF ultra-wide zooms can deliver
stunning perspectives. The added versatility of zooming makes them perfect for enthusiasts
and professionals alike.
EF “standard” zooms cover a popular range of focal lengths for most photographers, from
wide-angle through telephoto. This versatility makes them great for a wide range of shooting
situations. EF medium telephoto lenses help deliver natural perspective with wide maximum
apertures that make them ideal for low-light shooting.
for EOS Cameras
EF/EF-S Lenses
for EOS Cameras
Standard Zoom
Ultra-Wide Zoom
EF 8–15mm f/4L Fisheye USM
EF 16–35mm f/2.8L II USM
EF-S 15–85mm f/3.5–5.6 IS USM* EF-S 17–55mm f/2.8 IS USM*
EF-S 17–85mm f/4–5.6 IS USM*
EF-S 18–55mm f/3.5–5.6 IS STM*
EF-S 18–55mm f/3.5–5.6 IS II*
EF-S 18–135mm f/3.5–5.6 IS STM* EF-S 18–135mm f/3.5–5.6 IS*
EF-S 18–200mm f/3.5–5.6 IS*
EF 24–70mm f/2.8L USM
EF 24–70mm f/2.8L II USM
EF 24–70mm f/4L IS USM
EF 24–105mm f/4L IS USM
EF 28–135mm f/3.5–5.6 IS USM
EF-S 10–18mm f/4.5–5.6 IS STM* EF-S 10–22mm f/3.5–4.5 USM*
EF 16–35mm f/4L IS USM
EF 17–40mm f/4L USM
EF 8–15mm f/4L Fisheye USM • f/10 • 1/200 sec.
Wide-Angle
EF 14mm f/2.8L II USM
EF 20mm f/2.8 USM
EF 24mm f/1.4L II USM
EF 24mm f/2.8 IS USM**
EF 24–105mm f/3.5–5.6 IS STM
EF-S 24mm f/2.8 STM
Standard and Medium Telephoto
EF 28mm f/1.8 USM
Diagram:
52
EF 28mm f/2.8 IS USM**
• Super UD Lens • UD Lens • Aspherical Lens
EF 35mm f/1.4L USM
EF 35mm f/2 IS USM
Icons: See “EF Lens Technology” section.
*For EOS 7D Mark II, 7D, 70D, 60D, 60Da, 50D, 40D, 30D, 20D, 20Da, Rebel T5i, T4i, SL1, T3i, T2i, T5, T3, T1i, XSi, XS and all versions of EOS Digital Rebel only. ** Please be advised
that when EF 24mm f/2.8 IS USM and EF 28mm f/2.8 IS USM are used with EOS-1D Mark IV, the firmware of the camera should be updated to version 1.1.1 or later. The update helps
to optimize the exposure accuracy. The firmware is available on our website. ◊ Refers to EF Lenses, EF-S Lenses and Cinema Lenses produced worldwide from 1987 to First Half of 2014.
EF 40mm f/2.8 STM
Diagram:
EF 50mm f/1.2L USM
EF 50mm f/1.4 USM
• Super UD Lens • UD Lens • Aspherical Lens
EF 50mm f/1.8 II
EF 85mm f/1.2L II USM
EF 85mm f/1.8 USM
EF 100mm f/2 USM
Icons: See “EF Lens Technology” section.
usa.canon.com/eos
53
Celebrating
EF LENSES
100 Million EF Lenses
Produced Worldwide ◊
Focus Your Attention.
Telephoto lenses make it easy to throw backgrounds out of focus, grab detail, or “get close”
to unapproachable subjects… and these EF zoom lenses are superb tools for the job.
EF fixed-focal-length telephotos combine great picture quality with fast maximum apertures,
making them ideal for handheld shooting in low light.
for EOS Cameras
Telephoto Zoom
EF 28–300mm f/3.5–5.6L IS USM
for EOS Cameras
Telephoto
EF-S 55–250mm f/4–5.6 IS STM*
EF 135mm f/2L USM
EF 135mm f/2.8 w/Softfocus
EF 300mm f/2.8L IS II USM
EF 300mm f/4L IS USM
EF 200mm f/2L IS USM
EF 200mm f/2.8L II USM
EF 70–300mm f/4–5.6L IS USM • f/5.6 • 1/1600 sec.
EF-S 55–250mm f/4–5.6 IS II*
EF 70–200mm f/4L USM
EF 70–200mm f/2.8L IS II USM
EF 70–300mm f/4–5.6L IS USM
EF 70–200mm f/2.8L USM
EF 70–300mm f/4.5–5.6 DO IS USM
EF 70–200mm f/4L IS USM
EF 70–300mm f/4–5.6 IS USM
EF 300mm f/2.8L IS II USM • f/2.8 • 1/160 sec.
Extenders
EF 75–300mm f/4–5.6 III USM
Diagram:
EF 75–300mm f/4–5.6 III
• Fluorite Lens • Super UD Lens • UD Lens • Aspherical Lens • DO Lens
EF 100–400mm f/4.5–5.6L IS USM
Icons: See “EF Lens Technology” section.
EXTENDER EF 1.4x III
Diagram:
EXTENDER EF 2x III
Extension Tube EF 12 II
Extension Tube EF 25 II
• Fluorite Lens • Super UD Lens • UD Lens • Aspherical Lens
Icons: See “EF Lens Technology” section.
* For EOS 7D Mark II, 7D, 70D, 60D, 60Da, 50D, 40D, 30D, 20D, 20Da, Rebel T5i, T4i, SL1, T3i, T2i, T5, T3, T1i, XSi, XS and all versions of EOS Digital Rebel only.
◊ Refers to EF Lenses, EF-S Lenses and Cinema Lenses produced worldwide from 1987 to First Half of 2014.
54
usa.canon.com/eos
55
Celebrating
EF LENSES
100 Million EF Lenses
Produced Worldwide ◊
Up Close Detail from Afar.
Solutions for Specialized Shooting.
Distinguished by their white color and seen at major sporting events around the world, the powerful
EF super-telephotos are also ideal for nature, scenic and even outdoor fashion photography. Canon’s
ring-type USM delivers a high level of focusing performance, and most feature Canon’s superb Image
Stabilization. EF tele extenders and extension tubes add even more power and versatility.
Canon’s manual focus TS-E (Tilt-Shift) lenses provide tilt capability to alter the plane of focus and
shift capability for perspective correction, offering solutions for numerous applications, from
architectural to studio photography. Canon also offers a range of close-up, high-magnification
shooting solutions with a lineup of outstanding macro lenses and accessories.
for EOS Cameras
Super Telephoto
for EOS Cameras
Tilt-Shift
TS-E 17mm f/4L
EF 200–400mm f/4L IS USM Extender 1.4X
TS-E 24mm f/3.5L II
TS-E 45mm f/2.8
TS-E 90mm f/2.8
EF 100mm f/2.8L Macro IS USM
EF 400mm f/2.8L IS II USM
Macro
EF 400mm f/2.8L IS II USM • f/2.8 • 1/2500 sec.
EF 400mm f/4 DO IS II USM
EF 50mm f/2.5 Compact Macro
EF-S 60mm f/2.8 Macro USM*
MP-E 65mm f/2.8 1–5x Macro Photo
EF 100mm f/2.8 Macro USM
EF 180mm f/3.5L Macro USM
Life-Size Converter EF
EF 400mm f/5.6L USM
EF 400mm f/4 DO IS USM
EF 100mm f/2.8 L Macro IS USM • f/3.5 • 1/100 sec.
EF-M Lenses
Diagram:
• Fluorite Lens • Super UD Lens • UD Lens • Aspherical Lens • DO Lens
◊ Refers to
56
Standard Zoom
EF-M 22mm f/2 STM***
EF-M 18–55mm f/3.5–5.6 IS STM***
EF 800mm f/5.6L IS USM
EF 600mm f/4L IS II USM
EF 500mm f/4L IS II USM
Wide-Angle
Icons: See “EF Lens Technology” section.
EF Lenses, EF-S Lenses and Cinema Lenses produced worldwide from 1987 to First Half of 2014.
Diagram:
• Super UD Lens • UD Lens • Aspherical Lens
Icons: See “EF Lens Technology” section.
* For EOS 7D Mark II, 7D, 70D, 60D, 60Da, 50D, 40D, 30D, 20D, 20Da, Rebel T5i, T4i, SL1, T3i, T2i, T5, T3, T1i, XSi, XS ­­­­and all versions of EOS Digital Rebel only.
* **For EOS M only.
usa.canon.com/eos
57
Celebrating
EF LENSES
100 Million EF Lenses
Produced Worldwide ◊
EF Lens Chart
CANON EF LENS
SPECIFICATIONS
Apparent Focal
length (mm)
APS-C
APS-H
Focus Drive
Angle of View (Diagonal)
35mm
APS-C
APS-H
Lens Construction Minimum
(Groups/
Aperture
Elements)
(f)
Filter
Diameter
(mm)
Closest Focusing
Distance
(ft.)
(m)
Length
Weight
(in.)
(mm)
(oz.)
(g)
Lens Hood
Lens Cap
CANON EF LENS
SPECIFICATIONS
Case
EF/EF-S Lenses
Apparent Focal
length (mm)
APS-C
APS-H
Angle of View (Diagonal)
Focus Drive
35mm
APS-C
APS-H
Lens Construction Minimum
(Groups/
Aperture
Elements)
(f)
Filter
Diameter
(mm)
Closest Focusing
Distance
(ft.)
(m)
(in.)
(mm)
(oz.)
(g)
Length
Weight
Lens Hood
Lens Cap
Case
LP1219
Standard Zoom
• EF-S 15–85mm f/3.5–5.6 IS USM ††
Ultra-Wide Zoom
• EF 8–15mm f/4L Fisheye USM
13–24
1
Ultrasonic
11/14
22
Gelatin
0.49
0.15
3.3
83
19.1
540
EW-77
8-15
24–136
N/A
Ultrasonic
N/A
84°30'–18°25'
N/A
12/17
36
72
1.15
0.35
3–7/16
87.5
20.3
575
EW-78E
E-72U
LP1116
• EF-S 10–18mm f/4.5–5.6 IS STM ††
16–29
N/A
STM
N/A
107°30'–74°20'
N/A
11/14
22–29
67
0.72
0.22
2.8
72
8.5
240
EW-73C
E-67 II
LP1116
• EF-S 17–55mm f/2.8 IS USM ††
27–88
N/A
Ultrasonic
N/A
78°30'–27°50'
N/A
12/19
22
77
1.5
0.45
4–2/5
110.6
22.8
645
EW-83J
E-77U
–
• EF-S 10–22mm f/3.5–4.5 USM ††
16–35
N/A
Ultrasonic
N/A
107°30'–63°30'
N/A
10/13
22
77
0.8
0.24
3–1/2
89.8
13.6
385
EW-83E
E-77U
LP1319
• EF-S 17–85mm f/4–5.6 IS USM ††
27–136
N/A
Ultrasonic
N/A
78°30'–18°25'
N/A
12/17
22
67
1.1
0.35
3–5/8
92.0
1.1 lbs.
475
EW-73B
E-67U
LP1116
• EF 16–35mm f/2.8L II USM
26–56
21–45
Ultrasonic
108°10'–63°
80°56'–42°36'
93°08'–51°32'
12/16
22
82
0.92
0.28
4–2/5
111.6
22.4
635
EW-88
E-82U
LP1319
• EF-S 18–55mm f/3.5–5.6 IS STM ††
29–88
N/A
STM
N/A
74°20'–27°50'
N/A
11/13
22–38
58
0.82
0.25
3.0
75.2
7.2
205
EW-63C
E-58II
LP1016
EF 16–35mm f/2.8L USM †
26–56
21–45
Ultrasonic
108°10'–63°
80°56'–42°36'
93°08'–51°32'
10/14
22
77
0.9
0.28
4-1/8
103
1.3 lbs.
600
EW-83E
E-77U
LP1319
• EF-S 18–55mm f/3.5–5.6 IS †† / IS II ††
29–88
N/A
MM
N/A
74°20'–27°50'
N/A
9/11
22
58
0.82
0.25
2–3/4
68.5
7.8
200
EW-60C
E-58
LP814
26–56
21–45
Ultrasonic
108°10'–63°
80°56'–42°36'
93°08'–51°32'
12/16
22
77
0.92
0.28
4.4
112.8
21.7
615
EW-82
E-77 II
LP1219
• EF-S 18–55mm f/3.5–5.6 † / USM †
29–88
N/A
Ultrasonic
N/A
74°20'–27°50'
N/A
9/11
22–38
58
0.92
0.28
2–5/8
66.2
6.7
190
EW-60C
E-58U
LP814
27–56
22–46
Ultrasonic
104°–63°
78°30'–42°36'
89°39'–51°32'
10/15
22
77
1.38
0.42
3–3/4
95.7
19.1
545
EW-83C
E-77U
–
• EF-S 18–55mm f/3.5–5.6 †† ****
29–88
N/A
MM
N/A
74°20'–27°50'
N/A
9/11
22–38
58
0.92
0.28
2–5/8
66.2
6.7
190
EW-60C
E-58U
LP814
27–64
22–52
Ultrasonic
104°–57°30'
78°30'–37°41'
89°39'–45°48'
9/12
22
77
0.92
0.28
3–3/4
96.8
1.1 lbs.
475
EW-83E
E-77U
LP1319
• EF-S 18–135mm f/3.5–5.6 IS STM††
29–216
N/A
STM
N/A
74°20'–11°30'
N/A
12/16
22–36
67
1.3
0.39
3.8
96
16.9
480
EW-73B
E-67
LP1116
32–56
26–46
AFD
94°–63°
78°37'–42°36'
80°23'–51°32'
12/15
22
72
1.6
0.5
3–1/2
89.0
1.2 lbs.
540
EW-75
–
–
• EF-S 18–135mm f/3.5–5.6 IS ††
29–216
N/A
MM
N/A
74°20'–11°30'
N/A
12/16
36
67
1.5
0.45
4
101
16.0
455
EW-73B
E-67
LP1116
32–56
26–46
Ultrasonic
94°–63°
68°37'–42°36'
80°23'–51°32'
11/12
22-27
77
1.1
0.34
2–3/4
68.9
11.9
340
EW-83II
E-77U
LP1214
EF-S 18–200mm f/3.5–5.6 IS ††
LP1116
LP811
• EF 16–35mm f/4L IS USM
EF 17–35mm f/2.8L USM †
• EF 17–40mm f/4L USM
EF 20–35mm f/2.8 USM †
• EF 20–35mm f/3.5–4.5 USM †
180°0'–175°30' 180° @ approx. 10mm 180° @ approx. 12mm
29–320
N/A
DC motor
N/A
74°20'–07°48'
N/A
12/16
22-36
72
1.5
0.45
–
102
21.0
595
EW-78D
E-72
• EF 22–55mm f/4–5.6 USM †
35–88
29–72
Ultrasonic
88°56'–42°52'
63°38'–27°52'
75°03'–34°09'
9/9
22–32
58
–
0.35
4–7/8
–
–
175
–
–
–
Standard & Medium Telephoto
• EF 40mm f/2.8 STM
64
52
STM
57°30'
37°41'
45°48'
4/6
22
52
0.98
0.3
0.9
22.8
4.6
130
ES-52
E-52
EF 24–70mm f/2.8L USM
38–112
31–91
Ultrasonic
84°–34°
59°15'–22°04'
70°18'–27°08'
13/16
22
77
1.25
0.38
4.4
123.5
2.1 lbs.
950
EW-83F
E-77U
LP1219
• EF 50mm f/1.0L USM †
80
65
Ultrasonic
46°
30°32'
37°21'
9/11
16
–
2.0
0.6
3–3/16
81.5
2.2 lbs.
985
ES-79
E-72U
–
• EF 24–70mm f/2.8L II USM
38–112
31–91
Ultrasonic
84°–34°
59°15'–22°04'
N/A
13/18
22
82
1.25
0.38
2–3/4
113
28.4
805
EW-88C
E-82U
LP1219
EF 50mm f/1.2L USM
80
65
Ultrasonic
46°
30°32'
37°21'
6/8
16
72
1.5
0.45
2.58
65.5
18.7
580
ES-78
E-72U
LP1214
• EF 24–70mm f/4L IS USM
38–112
31–91
Ultrasonic
84°–34°
59°15'–22°04'
70°18'–27°08'
12/15
22
77
1.25
0.38
3.7
93
21
600
EW-83L
E-77II
LP1219
EF 50mm f/1.4 USM
80
65
Ultrasonic
46°
30°32'
37°21'
6/7
22
58
1.5
0.45
2
50.5
10.2
290
ES-71II
E-58U
LP1014
• EF 24–85mm f/3.5–4.5 USM †
38–136
31–111
Ultrasonic
84°–28°30'
59°15'–18°14'
70°18'–22°29'
12/15
22–32
67
1.6
0.5
3–5/16
69.5
13.4
380
EW-73II
E-67U
LP1014
EF 50mm f/1.8 II
80
65
MM
46°
30°32'
37°21'
5/6
22
52
1.5
0.45
1–5/8
41.0
4.6
130
ES-62#
E-52
LP1014
38–168
31–136
STM
84°—23°20'
59°15’—14°48’
70°18’—18°17’
13/17
22–36
77
1.3
0.4
4.1
104
18.52
525
EW-83M
E-77II
LP1219
• EF 50mm f/1.8 †
80
65
MM
46°
30°32'
37°21'
5/6
22
52
1.5
0.45
1–5/8
41.0
4.6
130
ES-62#
E-52
LP1014
• EF 24–105mm f/4L IS USM
38–168
31–136
Ultrasonic
84°—23°20'
59°15'—14°48'
70°18'—18°17'
13/18
22–27
77
1.5
0.45
4–5/8
107
1.5 lbs.
670
EW-83H
E-77U
LP1219
• EF 85mm f/1.2L II USM / USM †
136
111
Ultrasonic
28°30'
18°14'
22°29'
7/8
16
72
3.2
0.95
3–5/16
84.0
2.3 lbs.
1,025
ES-79II
E-72U
LP1219
EF 24–105mm f/3.5–5.6 IS STM
EF 28–70mm f/2.8L USM †
45–112
36–91
Ultrasonic
75°–34°
51°58'—22°04'
62°13'—27°08'
11/16
22
77
1.6
0.5
–
117.6
1.9 lbs.
880
EW-83B
E-77U
–
• EF 85mm f/1.8 USM
136
111
Ultrasonic
28°30'
18°14'
22°29'
7/9
22
58
2.8
0.85
2–13/16
71.5
15.0
425
ET-65III
E-58U
LP1014
EF 28–70mm f/3.5–4.5 †
45–112
36–91
MM
75°–34°
51°58'—22°04'
62°13'—27°08'
9/10
29
52
–
0.39
2–13/16
–
–
300
–
–
–
EF 100mm f/2 USM
160
130
Ultrasonic
24°
15°32'
19°11'
6/8
22
58
3.0
0.9
2–7/8
73.5
1.0 lb.
460
ET-65III
E-58U
LP1014
EF 28–80mm f/3.5-5.6 IV USM † / V USM †
45–128
36–104
Ultrasonic
75°–30°
51°58'—19°21'
62°13'—25°51'
10/10
22–38
58
1.25
0.38
2–13/16
71.2
7.8
200
EW-60C
E-58
LP814
EF 28–80mm f/3.5–5.6 II † /III †
45–128
36–104
MM
75°–30°
51°58'—19°21'
62°13'—25°51'
10/10
22–38
58
1.25
0.38
2–13/16
71.2
7.8
200
EW-60C
E-58
LP814
• EF 28–80mm f/3.5–5.6 †
45–128
36–104
MM
75°–30°
51°58'—19°21'
62°13'—25°51'
10/10
22–38
58
1.25
0.38
2–13/16
71.2
7.8
200
EW-60C
E-58
LP814
• EF 28–90mm f/4–5.6 USM † / II USM †
45–144
36–117
MM/Ultrasonic
75°–27°
51°58'—17°14'
62°13'—21°16'
8/10
22–32
58
1.3
0.38
2–13/16
71.0
6.7
190
EW-60C
E-58U/E-58
LP814
• EF 28–90mm f/4–5.6 USM †
45–144
36–117
Ultrasonic
75°–27°
51°58'—17°14'
62°13'—21°16'
8/10
22–32
58
1.3
0.38
3
71.0
6.7
190
EW-60C
E-58
LP814
•
EF 28–105mm f/3.5–4.5 USM † / II USM
45–168
36–136
Ultrasonic
75°–23°20'
51°58'—14°48'
62°13'—18°17'
12/15
22–27
58
1.6
0.5
2–11/16
75.0
13.1
375
EW-63II
E-58U
LP814
•
EF 28–105mm f/4–5.6 USM †
45–168
36–136
Ultrasonic
75°–23°20'
51°58'—14°48'
62°13'—18°17'
9/10
22–32
58
1.57
0.48
3–13/16
68.0
7.4
210
EW-63B
E-58U
LP814
• EF 28–135mm f/3.5–5.6 IS USM
45–216
36–176
Ultrasonic
75°–18°
51°58'—11°32'
62°13'—14°16'
12/16
22–36
72
1.64
0.5
3–1/2
96.8
1.2 lbs.
540
EW-78BII
E-72U
LP1116
• EF 28–200mm f/3.5–5.6 USM †
45–320
36–260
Ultrasonic
75°–12°
51°58'—07°48'
62°13'—09°39'
12/16
22–36
72
1.5
0.45
2–1/2
89.6
1.1 lbs.
500
EW-78D
E-72U
LP1116
• EF 35–80mm f/4–5.6 II / III † / USM †
56–128
46–104
MM
63°–30°
42°36'–19°21'
51°32'—23°51'
8/8
22–32
52
1.3
0.4
3–3/8
63.5
6.2
175
EW-54II
E-52
LP814
56–216
46–176
Ultrasonic
63°–18°
42°36'–11°32'
51°32'—14°16'
12/14
22–32
58
2.5
0.75
86.0
15.0
425
EW-62
–
–
EF 35–135mm f/4–5.6 USM †
Telephoto Zoom
• EF 28–300mm f/3.5–5.6L IS USM
Ultrasonic
75°–8°15'
51°58'–5°12'
62°13'—06°26'
16/22
38
77
2.3
0.7
7–1/4
184.0
3.7 lbs.
1,670
EW-83G
E-77U
LZ1324
EF 35–350mm f/3.5–5.6L USM †
56–560
46–455
Ultrasonic
63°—07°03'
42°36'—04°28'
51°32'—05°31'
15/21
22–32
72
2.0
0.6
6–9/16
167
3.0 lbs.
1,385
EW-78
E-72U
–
EF 55–200mm f/4.5–5.6 USM † / II USM †
88–320
72–260
Ultrasonic
43°–12°
27°–07°48'
34°09'–09°39'
13/13
22–29
52
3.9
1.2
3–13/16
97.3
10.9
310
ET-54
E-52U
LP1016
88–400
N/A
STM
N/A
27°50'–6°15'
N/A
12/15
22–32
58
2.79
0.85
4.4
111.2
13.2
375
ET-63
E-58 II
LP1019
• EF-S 55–250mm f/4–5.6 IS † / IS II ††
88–400
N/A
DC motor
N/A
27°5'–6°15'
N/A
10/12
22–32
58
3.6
1.1
4.3
108
13.8
390
ET-60
E-58
LP1019
• EF 70–200mm f/2.8L IS II USM
112-320
91-260
Ultrasonic
34°–12°
22°04'–07°48'
27°08'–09°39'
19/23
32
77
3.9
1.2
7.8
199
3.3 lbs.
1,490
ET-87
E-77U
LZ1326
• EF 70–200mm f/2.8L USM †/ IS USM
112–320
91–260
Ultrasonic
34°–12°
22°04'–07°48'
27°08'–09°39'
18/23
32
77
4.6
1.4
7–13/16
197.0
3.2 lbs.
1,470
ET-86
E-77U
LZ1324
• EF 70–200mm f/4L IS USM
112–320
91–260
Ultrasonic
34°–12°
22°04'–07°48'
27°08'–09°39'
15/20
32
67
3.9
1.2
6–7/8
172.0
26.8
760
ET-74
E-67U
LP1224
• EF 70–200mm f/4L USM
112–320
91–260
Ultrasonic
34°–12°
22°04'–07°48'
27°08'–09°39'
13/16
32
67
3.9
1.2
6–7/8
172.0
19.2
705
ET-74
E-67U
LP1224
112–480
91–390
Ultrasonic
34°–8°15'
22°04'–05°12'
27°08'–06°26'
14/19
32
67
3.9
1.2
5.6
143
27.8
788
ET-73B
E-67U
LP1424
• EF 70–300mm f/4.5–5.6 DO IS USM
112–480
91–390
Ultrasonic
34°–8°15'
22°04'–05°12'
27°08'–06°26'
12/18
32–38
58
4.6
1.4
3–7/8
99.0
1.6 lbs.
720
ET-65B
E-58U
LP1116
• EF 70–300mm f/4–5.6 IS USM
112–480
91–390
Ultrasonic
34°–8°15'
22°04'–05°12'
27°08'–06°26'
10/15
32–45
58
4.9
1.5
5–7/16
137.2
1.4 lbs.
630
ET-65B
E-58U
LP1222
LP1022
EF 75–300mm f/4–5.6 IS USM †
120–480
98–390
Ultrasonic
32°11'–8°15'
20°37'–05°12'
25°23'–06°26'
10/15
32–45
58
4.9
1.5
5–7/16
137.2
1.4 lbs.
650
ET-64II
E-58U
120–480
98–390
MM/Ultrasonic
32°11'–8°15'
20°37'–05°12'
25°23'–06°26'
9/13
32–45
58
4.9
1.5
4–13/16
122.0
1.1 lbs.
480
ET-60
E-58U
LP1019
EF 75–300mm f/4–5.6 USM
120–480
98–390
Ultrasonic
32°11'–8°15'
20°37'–05°12'
25°23'–06°26'
10/15
32–45
58
4.9
1.5
5–7/16
137.2
1.4 lbs.
650
ET-64II
E-58U
LP1022
EF 80–200mm f/2.8L †
160–480 130–390
AFD
30°–12°
19°21'–07°48'
25°31'–09°39'
13/16
32
72
5.9
1.8
7–5/16
186
2.9 lbs.
1330
ES-79
–
–
• EF 75–300mm f/4–5.6 III / III USM / IS USM †
• EF 80–200mm f/4.5–5.6 II †/ USM †
EF 100–300mm f/4.5–5.6 USM †
• EF 100–300mm f/5.6 L †
EF 100–400mm f/4.5–5.6L IS USM
175
Ultrasonic
18°
11°32'
14°16'
8/10
32
72
3.0
0.9
4–7/16
112.0
1.6 lbs.
750
ET-78II
E-72U
LP1219
216
175
AFD
18°
11°32'
14°16'
6/7
32
52
4.3
1.3
3–7/8
98.4
13.8
390
ET-65III
E-52
LP1016
EF 200mm f/1.8L USM †
–
320
260
Ultrasonic
12°
07°48'
09°39'
10/12
32
48 DI
8.2
2.5
8–3/16
208
6.6 lbs.
3,000
ET-123
E-162
• EF 200mm f/2L IS USM
320
260
Ultrasonic
12°
07°48'
09°39'
12/17
32
52 DI
6.2
1.9
8–3/16
208
5.6 lbs.
2,520
ET-120B
E-145B
–
• EF 200mm f/2.8L USM † / II USM
320
260
Ultrasonic
12°
07°48'
09°39'
7/9
32
72
4.9
1.5
5–3/8
136.2
1.6 lbs.
765
ET-83BII
E-72U
LP1222
300B
480
390
Ultrasonic
8°15'
05°12'
06°26'
12/16
32
52 DI
6.6
2.0
9.7
247.5
5.25 lbs.
2,400
ET-120WII
E-145C
• EF 300mm f/2.8L USM † / IS USM †
EF 300mm f/2.8L IS II USM
480
390
Ultrasonic
8°15'
05°12'
06°26'
13/17
32
52 DI
8.2
2.5
9–7/8
252.0
5.6 lbs.
2,550
ET-120
E-145
–
• EF 300mm f/4L USM / IS USM †
480
390
Ultrasonic
8°15'
05°12'
06°26'
11/15
32
77
4.9
1.5
8–11/16
221.0
2.6 lbs.
1,190
Built-in
E-77U
LZ1128
Super Telephoto
128–320 104–260 MM/Ultrasonic
30°–12°
19°21'–07°48'
25°31'–09°39'
7/10
22–27
52
4.9
1.5
3–1/8
78.5
8.8
250
ET-54
E-52
LP1014
Ultrasonic
24°–8°15'
15°32'–05°12'
19°11'–06°26'
10/13
32–38
58
4.9
1.5
4–3/4
121.5
1.2 lbs.
540
ET-65III
E-58U
LP1019
160–480 130–390
AFD
24°–8°15'
15°32'–05°12'
19°11'–06°26'
10/15
32
58
4.6
1.4
6–9/16
167
1.5 lbs.
695
ET-62II
–
–
160–640 130–520
Ultrasonic
24°–6°10'
15°32'–03°54'
19°11'–04°50'
14/17
32–38
77
5.9
1.8
7–7/16
189.0
3.0 lbs.
1,360
ET-83C
E-77U
LZ1324
160–480 130–390
22
18
Ultrasonic
114°
• EF 14mm f/2.8L USM †
22
18
Ultrasonic
24
20
AFD
32
26
Ultrasonic
EF 15mm f/2.8 Fisheye †
• EF 20mm f/2.8 USM
88°32'
100°43'
11/14
22
Gelatin
0.66
0.2
3–3/4
116.0
22.8
645
Built-in
Exclusive
LP1016
114°
88°32'
100°43'
10/14
22
Gelatin
0.8
180°
108°15'
137°08'
7/8
22
Gelatin
0.7
0.25
3–1/2
89.0
1.2 lbs.
560
Built-in
Exclusive
LP1016
0.2
2–7/16
62.2
11.6
330
Built-in
E-73
LP814
94°
68°37'
80°23'
9/11
22
72
0.8
0.25
2–13/16
70.6
14.3
405
EW-75II
E-72U
LP1214
12°–6°10'
7°48'–3°54'
9°39'–4°50'
20/25
8°50'–4°25'
N/A
N/A
24/33
32
52 DI
6.6
2.0
14.4
366
127
3,620
ET-120WII
E-145C
Lens Case
200-400
640
520
Ultrasonic
6°10'
03°54'
04°50'
12/16
32
52 DI
8.86
2.7
13.5
343
9.25 lbs.
4,200
ET-155WII
E-180D
400C
• EF 400mm f/2.8L USM †/ II USM †/ IS USM †
640
520
Ultrasonic
6°10'
03°54'
04°50'
13/17
32
52 DI
9.8
3.0
13–11/16
349.0
11.7 lbs.
5,300
ET-155
E-180C
–
640
520
Ultrasonic
6°10’
03°54'
04°50'
12/18
32
52 DI
10.83
3.3
9.16
232.7
4.6 lbs.
2,100
ET-120WII
E-145C
400D
EF 400mm f/4 DO IS II USM
1.4x 448–896 364–728
Ultrasonic
• EF 400mm f/4 DO IS USM
640
520
Ultrasonic
6°10'
03°54'
04°50'
13/17
32
52 DI
11.48
3.5
9.16
232.7
4.3 lbs.
1,940
ET-120
E-145 II
–
EF 400mm f/5.6L USM
640
520
Ultrasonic
6°10'
03°54'
04°50'
6/7
32
77 DI
11.5
3.5
10–1/16
256.5
2.8 lbs.
1,250
Built-in
E-77U
LZ1132
• EF 500mm f/4L IS II USM
800
650
Ultrasonic
5°
03°07'
03°52'
12/16
32
52 DI
12.14
3.7
15.1
383
112.5
3190
ET-138
E-163B
500B
EF 500mm f/4L IS USM †
800
650
Ultrasonic
5°
03°07'
03°52'
13/17
32
52 DI
14.8
4.5
15–3/16
387.0
8.5 lbs.
3,870
ET-138
E-163
–
EF 500mm f/4.5L USM †
800
650
Ultrasonic
5°
03°07'
03°52'
6/7
32
48 DI
16.4
5.0
15–3/8
390
6.6 lbs.
3,000
ET-123BII
E-130
–
• EF 600mm f/4L IS II USM
960
780
Ultrasonic
4°10'
02°36'
03°13'
12/16
32
52 DI
14.77
4.5
17.6
448
138.3
3920
ET-160
E-185B
600B
–
• EF 600mm f/4L USM † / IS USM †
960
780
Ultrasonic
4°10'
02°36'
03°13'
13/17
32
52 DI
18.0
5.5
18
456.0
11.8 lbs.
5,360
ET-160
E-185
• EF 800mm f/5.6L IS USM
1280
1040
Ultrasonic
3°5'
01°57'
02°25'
14/18
32
52 DI
19.69
6.0
18.1
461.0
9.9 lbs.
4,500
ET-155
E-180C
–
EF 1200mm f/5.6L USM †
1920
1560
Ultrasonic
2°5'
01°18'
01°36'
10/13
32
48 DI
45.9
14.0
33
836.0
36.4 lbs.
16,50
Built-in
Exclusive
–
Macro
EF 50mm f/2.5 Compact Macro
80
65
AFD
46°
30°32'
37°21'
8/9
32
52
0.8
0.23
2–1/2
63.0
9.9
280
Built-in
E-52
LP814
• EF-S 60mm f/2.8 Macro USM ††
96
N/A
Ultrasonic
N/A
25°
N/A
8/12
32
52
0.65
0.2
2–3/4
69.8
11.8
335
ET-67B
E-52U
LP1016
• MP-E 65mm f/2.8 1–5x Macro Photo *
104
85
Manual
18°40' (at 1x)
11°51' (at 1x)
14°39' (at 1x)
8/10
16
58
0.8
0.24
3–7/8
98.0
1.6 lbs.
730
–
E-58
LP1216
• EF 100mm f/2.8L Macro IS USM
160
130
Ultrasonic
23.4°
15°7'
19°12'
12/15
32
67
0.97
0.3
4–13/16
123.0
1.4 lbs.
625
ET-73
E-67U
LP1219
• EF 100mm f/2.8 Macro USM
160
130
Ultrasonic
24°
15°32'
19°11'
8/12
32
58
1.0
0.31
4–11/16
119.0
1.3 lbs.
600
ET-67
E-58U
LZ1324
• EF 180mm f/3.5L Macro USM
288
234
Ultrasonic
13°40'
08°40'
10°43'
12/14
32
72
1.6
0.48
7–3/8
186.6
2.4 lbs.
1,090
ET-78II
E-72U
LZ1324
–
–
–
–
–
–
3/4
–
–
0.8
0.24
1–3/8
34.9
5.6
160
–
R-F-3
LP811
Tilt-Shift
• TS-E 17mm f/4L*
27
22
Manual
104°
78°30'
89°39'
13/18
22
–
0.82
0.25
4.20
106.7
1.8 lbs.
820
–
17
LP1219
• TS-E 24mm f/3.5L II *
38
31
Manual
84°
59°15'
70°18'
10/16
22
82
0.69
0.21
4.20
106.9
1.7 lbs.
780
EW-88B
E-82
LP1319
TS-E 24mm f/3.5L † *
38
31
Manual
84°
59°15'
70°18'
9/11
22
72
1.0
0.3
3–7/16
87.0
1.2 lbs.
570
EW-75BII
E-72
LP1216
Life Size Converter EF ***
Wide-Angle
• EF 14mm f/2.8L II USM
1x 320–640 260–520
• EF 400mm f/2.8L IS II USM
Extender 1.4x
36–390
EF 70–300mm f/4–5.6L IS USM *****
216
EF 135mm f/2.8 w/ Softfocus
• EF 200–400mm f/4L IS USM
45–480
• EF-S 55–250mm f/4–5.6 IS STM ††
Telephoto
• EF 135mm f/2L USM
TS-E 45mm f/2.8 *
72
59
Manual
51°
33°44'
41°10'
9/10
22
72
1.3
0.4
3–9/16
90.0
1.4 lbs.
645
EW-79BII
E-72
LP1216
TS-E 90mm f/2.8 *
144
117
Manual
27°
17°14'
21°16'
5/6
32
58
1.6
0.5
3–7/16
88.0
1.2 lbs.
565
ES-65III
E-58
LP1016
225
–
Extender Cap E II
LP811
220
–
Extender Cap E II
LP811
325
–
Extender Cap E II
LP811
9.3
265
–
Extender Cap E II
LP811
23.7
3.7
105
EW-43
E-43
LP811
2.4
61.0
7.4
210
EW-54
E-52 II
LP814
1.0
26
3.9
110
–
R-F-3
LP811
• EF 24mm f/1.4L II USM
38
31
Ultrasonic
84°
59°15'
70°18'
10/13
22
77
0.8
0.25
3.4
86.9
22.9
650
EW-83K
E-77U
LP1319
• EF 24mm f/1.4L USM †
38
31
Ultrasonic
84°
59°15'
70°18'
9/11
22
77
0.82
0.25
3
77.4
1.2 lbs.
550
EW-83DII
E-77U
LP1214
• EF 24mm f/2.8 IS USM ‡
38
31
Ultrasonic
84°
59°15'
70°18'
9/11
22
58
0.66
0.2
2.2
55.7
9.9
280
EW-65B
E-58U
LP1014
EF-S 24mm f/2.8 STM ††
38
31
STM
84°
59°10'
70°18'
5/6
22
52
0.52
0.16
0.9
22.8
4.4
125
ES-52
E-52II
LP811
Extenders
Extender EF 1.4x III **
–
–
–
–
–
–
3/7
–
–
–
–
1–1/16
27.2
7.9
EF 24mm f/2.8 †
38
31
AFD
84°
59°15'
70°18'
10/10
22
58
0.8
0.25
1–7/8
48.5
9.5
270
EW-60II
E-58
LP811
Extender EF 1.4x II † **
–
–
–
–
–
–
4/5
–
–
–
–
1–1/16
27.2
7.8
• EF 28mm f/1.8 USM
45
36
Ultrasonic
75°
51°58'
62°13'
9/10
22
58
0.8
0.25
2–3/16
55.6
10.9
310
EW-63II
E-58U
LP814
Extender EF 2x III **
–
–
–
–
–
–
5/9
–
–
–
–
2–5/16
52.7
11.5
• EF 28mm f/2.8 IS USM ‡
45
36
Ultrasonic
75°
51°58'
62°13'
7/9
22
58
0.75
0.23
2
51.5
9.2
260
EW-65B
E-58U
LP1014
Extender EF 2x II † **
–
–
–
–
–
–
5/7
–
–
–
–
2–5/16
57.9
45
36
AFD
75°
51°58'
62°13'
5/5
22
52
1.0
0.3
1–11/16
42.5
6.5
185
EW-65II
E-52
LP1014
LP1214
35
N/A
STM
N/A
63°30’
N/A
6/7
22
43
0.49
0.15
0.9
29–88
N/A
STM
N/A
74°20'–27°50'
N/A
11/13
22–38
52
0.82
0.25
–
–
–
–
–
–
0
–
–
–
–
EF 28mm f/2.8 †
• EF 35mm f/1.4L USM
56
46
Ultrasonic
63°
42°36'
51°32'
9/11
22
72
0.98
0.25
3–2/5
86.0
1.3 lbs.
580
EW-78C
E-72U
EF 35mm f/2 IS USM
56
46
Ultrasonic
63°
42°6'
51°32'
8/10
22
67
0.79
0.24
2.5
62.6
11.8
335
EW-72
E-67II
LP1116
EF 35mm f/2 †
56
46
AFD
63°
42°36'
51°32'
5/7
22
52
0.8
1–11/16
42.5
7.4
210
EW-65II
E-52
LP1011
EF-M Lenses
Wide-Angle
EF-M 22mm f/2 STM
Standard Zoom
EF-M 18–55mm f/3.5–5.6 IS STM
Mount Adapter
Mount Adapter EF-EOS M
‡ Please
be advised that when EF 24mm f/2.8 IS USM and EF 28mm f/2.8 IS USM are used with EOS-1D Mark IV, the firmware of the camera should be updated to version 1.1.1 or later. The update helps to optimize the exposure accuracy. Firmware updates are available on each individual product’s webpage on the Canon website.
See usa.canon.com/consumer for our full line of products.
◊ Refers to EF Lenses, EF-S Lenses and Cinema Lenses produced worldwide from 1987 to First Half of 2014
58
†
Discontinued. †† Compatible only with EOS 7D Mark II, 7D, 70D, 60D, 60Da, 50D, 40D, 30D, 20D, 20Da, Rebel T5i/T4i/SL1/T3i/T2i/T5/T3/T1i/XSi/XS and Digital Rebel XTi/XT only. • Incorporates distance information with E-TTL II. * TS-E AND MP-E lenses are manual focus only, with automatic diagram.
** Extenders EF 1.4x II/III and 2x II/III are for exclusive use with EF 70–200mm f/2.8L IS II, 70–200mm f/2.8L, 70–200mm f/2.8L IS, 70–200mm f/4L, 100–400mm f/4.5–5.6L, 200-400mm f/4L IS USM Extender 1.4x, 135mm f/2L, 180mm f/3.5L Macro, 200mm f/1.8L, 300mm f/2.8 L, 300mm f/2.8L IS II, 300mm f/4L,
300mm f/4L IS, 400mm f/2.8L IS, 400mm f/2.8L IS II, 400mm f/4 DO IS II USM, 400mm f/4 DO, 400mm f/5.6L, 500mm f/4L IS, 600mm f/4L IS, and 1200mm f/5.6L (Manual focus only when EF 1.4x II/III is used with EF 100–400mm f/5.6L, 200-400mm f/4L IS USM Extender 1.4x, 400mm f/5.6L, 500mm f/4.5L,
1200mm f/5.6L, and with 180mm f/3.5 Macro when focused closer than 2.6 feet; or with Extender EF 2x II/III when used with EF 70–200mm f/4L, 100–400mm f/4.5–5.6L, 200-400mm f/4L IS USM Extender 1.4x, 180mm f/3.5L Macro, 300mm f/4L IS, 300 f/4L, 400mm f/4 DO, 400mm f/5.6L, 500mm f/4L, 500mm f/4.5L,
600mm f/4L, and 1200mm f/5.6L). *** Life Size Converter EF is for exclusive use with 50mm f/2.5 Compact Macro. **** Available only with the EOS 40D, 30D, 20D and Digital Rebel Kit. ***** Not compatible with tele-extenders. # With Adapter Ring.
usa.canon.com/eos
59
Celebrating
EF LENSES
100 Million EF Lenses
Produced Worldwide ◊
The Finest Accessories for Your Lenses.
To enhance the stellar features of the EF Lens system, there are a number of accessories designed
to perform perfectly with your system. Canon offers cases to help protect your lenses, hoods and
filters to help control glare, and a number of adapters to further expand the possibilities of your
EF Lenses and your EOS System.
Extension Tubes
Gelatin Filter Holders
Close-up Lenses
Gelatin Filter Hoods IV
EF 25 II
General Purpose
Haze (UV-1)
Lens Cases
The Haze (UV-1) filter absorbs ultraviolet light
and is most effective on sunny days for cutting
haze out of the shot.
Type
Screw-in
Lens Hoods
Available Sizes
67mm, 72mm, 77mm, 82mm
52mm Drop-in
Screw Filter Holder 52WII
Lens Cases and Lens Hoods
Drop-in Screw Filter Holder
These functional, rugged cases are indispensable
to help protect lenses. Lens hoods help prevent
unwanted glare from affecting your photographs.
A holder for screw-type filters, for use with
rear-mounted drop-in filters.
With Close-up Lens
250D
500D
500
Type
Available Sizes
Drop-in
48mm, 52mm. Includes clear filter. For super-telephoto
lenses. Current IS Super-teles—52mm. Previous super-teles
without IS—48mm.
The 250D/500D series incorporates
double-element achromatic design for maximum
optical performance. These screw-in lenses are
used to provide a shorter minimum focusing
distance with no loss of light. Each lens is
optimized for a particular focal length. Manual
focus is recommended with these lenses.
Type
Available Sizes
Screw-in
500D/500: 52mm, 72mm, 77mm. Optimized for lenses
70 thru 300mm.
250D: 52mm, 58mm. Optimized for lenses 50 thru 135mm.
52mm Drop-in
Circular Polarizing
Filter PL-C 52WII
Circular Polarizing Filter PL-CB/PL-C
Polarizing filters enhance picture quality by
blocking harmful reflected light. Use it to reduce
light reflections from glass and water surfaces
or to improve color saturation. Simple to use,
these filters polarize light circularly, rather
than linearly, so they do not interfere with
autofocus or TTL light metering.
DROP-IN — For use with lenses using rear-mounted
drop-in filters, this polarizing filter can be rotated
from the outside without removing the holder
from the lens, helping enable precise control.
Type
Available Sizes
Screw-in
52mm, 58mm, 67mm, 72mm, 77mm, 82mm
Drop-in48mm, 52mm. For super-telephoto lenses. Current IS Superteles—52mm. Previous super-teles without IS—48mm.
◊
60
Using a Circular PL Filter suppresses the reflection from
the surface of the leaves and the surface of the water
Gelatin Filter Hoods III
Gelatin Filter Holder III
Gelatin Filter
Holder Adapter III
Gelatin Filter Holder System
This convenient holder system allows the use of commercially available
square filters without the need for cutting. The holder attaches to the lens
through an adapter that fits the filter diameter. A special hood is available
for use with the system. Use with 3-inch square type III and 4-inch square
type IV gelatin filters. Gelatin filters can be used with most EF lenses.
Gelatin Filter Holder III & IV
Screw-in
Using a Circular PL Filter emphasizes the blue of the sky
Loupes
Loupe 4x
Polarizing Filters
Not using a Circular PL Filter
EF 12 II
These close-up accessories are placed between the camera body and lens
to help enable high-magnification photography. Eight electronic contact
points allow communication between the camera and lens to continue as
usual. The magnification differs according to the lens, but for standard
zoom lenses it is about 0.3x to 0.5x for the EF 12 and 0.7x or more for
the EF 25. By using both tubes effectively, the choice of magnifications
can be greatly extended. However, for best results, manual focusing
is recommended.
Close-up Lens 250D/500D/500
Not using a Circular PL Filter
Gelatin Filter
Holder Adapter IV
Extension Tube EF 25 II & EF 12 II
Haze (UV-1)
Available Sizes
See EF Lens Specifications.
Gelatin Filter Holder IV
Designed for viewing 35mm film frames at
high magnifications, these loupes use a
high-performance lens system that help to
eliminate all aberration and distortion. They
offer diopter adjustment of -4 to +1 dpt, and
include an eyecup, hood and case.
Type
Screw-in
Gelatin Filter Holder Hoods III & IV
Type
Screw-in
Loupe 4x
Type
Screw-in
Available Sizes
III: 52mm, 58mm, 67mm, 72mm, 77mm.IV: 58mm, 67mm, 72mm, 77mm.
Drop-in Gelatin Filter Holder II
Mount Adapter EF-EOS M
The optional Mount Adapter EF-EOS M makes the
EOS M Digital Camera compatible with the entire
line of Canon’s EF and EF-S lenses for complete
versatility, from a fisheye to telephoto and
everywhere in between.
EF Lens Attachment
EF 135mm f/2L USM
EF 180mm f/3.5L Macro USM
EF 200mm f/2.8L II USM
EF 200mm f/2L IS USM
EF 300mm f/2.8L IS II USM
EF 300mm f/2.8L IS USM
EF 300mm f/4L IS USM
EF 400mm f/2.8L IS II USM
EF 400mm f/2.8L IS USM
EF 400mm f/4 DO IS II USM
EF 400mm f/4 DO IS USM
EF 400mm f/5.6L USM
EF 500mm f/4L IS USM
EF 500mm f/4L IS II USM
EF 600mm f/4L IS USM
EF 600mm f/4L IS II USM
EF 800mm f/5.6L IS USM
EF 1200mm f/5.6L USM
EF 70–200mm f/2.8L IS II USM
EF 70–200mm f/2.8L USM
EF 70–200mm f/4L IS USM / USM
EF 100–400mm f/4.5–5.6L IS USM
EF 200–400mm f/4L IS
1x
USM Extender 1.4x
1.4x
Available Sizes
Lens shades which attach to holder can be stacked with telephoto lenses.
Gelatin Filter Holder Adapter III & IV
Mount Adapter
Extender EF Specifications
Available Sizes
Holder for 3-inch square (III) or 4-inch (IV) gelatin filters.
with Extender EF 1.4x III attached
Apparent Focal Length (mm)
Maximum
f-stop (f)
Magnification
35mm
APS-H
APS-C
189
246
302
2.5–45
0.27
252
328
4.5–45
1.4
403
280
364
2.5–32
0.22
448
280
364
448
2.8–45
0.18
420
546
672
4–45
0.15
420
546
672
4–45
0.15
420
546
672
5.6–45
0.33
560
728
896
4–45
0.22
560
728
896
4–45
0.22
560
728
896
5.6–45
0.18
560
728
896
5.6–45
0.17
560
728
896
8–45
0.18
700
910
1,120
5.6–64
0.17
700
910
1,120
5.6–45
0.21
840
1,092
1,344
5.6–64
0.17
840
1,092
1,344
5.6–45
0.21
1,120
1,456
1,792
8–45
0.2
1,680
2,184
2,688
8–45
0.12
98–280
127–364
157–448
4–45
0.22
98–280
127–364
157–448
4–45
0.22
98–280
127–364
157–448
5.6–45
0.29
140–560
182–728
224–896
6.7–54
0.28
280–560
364–728
448–896
5.6–45
0.22
392–784
510–1019
510–1019
8–64
0.30
Up to three gelatin filters can be placed in these
holders. To use, insert a cut piece of gelatin film
between the holder’s filter frame and pressure
clip, and screw on to the lens.
Type
Drop-in
Available Sizes
48mm, 52mm. For super-telephoto lenses. Current IS Super-teles—52mm. Previous super-teles without
IS—48mm.
AF
*1
*2
†
*4 †
*2*3 †
*5 †
*5
52mm Drop-in
Gelatin Filter Holder 52WII
†
with Extender EF 2x III attached
Apparent Focal Length (mm)
f-stop (f)
35mm
APS-H
APS-C
270
351
432
4–64
360
468
576
6.7–64
400
520
640
5.6–64
400
520
640
4–64
600
780
960
5.6–64
600
780
960
5.6–64
600
780
960
8–64
800
1,040
1,280
5.6–64
800
1,040
1,280
5.6–64
800
1,040
1,280
8–64
800
1,040
1,280
8–64
800
1,040
1,280
11–64
1,000
1,300
1,600
8–90
1,000
1,300
1,600
8–64
1,200
1,560
1,920
8–90
1,200
1,560
1,920
8–64
1,600
2,080
2,560
11–64
2,400
3,120
3,840
11–64
140–400
182–520
224–640
5.6–64
140–400
182–520
224–640
5.6–64
140–400
182–520
224–640
8–64
200–800
260–1,120
320–1,280
9.5–76
400–800
520–1040
640–1280
8–64
560–1120
728–1456
896–1792
11–91
For Best Results with Your Canon EOS Camera Use Original Canon EF Lenses.
Each EOS camera body and each EF Lens has its own built-in microcomputer. These microcomputers store a range of special data to help ensure the smooth operation of bodies and EF lenses which support
two-way digital communications between each part to allow exchange of information. Since the EOS System’s market launch in 1987, functions have been added and improved on a continuing basis, such as Optical
Image Stabilizer to some lenses, speeding up the AF function, increasing the number of focusing points, and the addition of the Eye Controlled Focus™ Function. As the system’s range of functions has evolved,
the nature of the basic system of communications between lens and body has evolved as well, helping to ensure complete compatibility is maintained. This process of evolution will continue in the future with the addition of more new specifications, resulting in still further gains in reliability. Accordingly, in order to realize the maximum performance of the EOS System and thereby achieve among the
highest possible photographic quality, we recommend that you use Canon EF lenses and Canon brand accessories, since they are designed and manufactured to match the special
qualities of your EOS camera.
Maximum
Magnification
0.38
2.00
0.32
0.24
0.28
0.28
0.47
0.31
0.31
0.26
0.24
0.27
0.27
0.31
0.27
0.30
0.28
0.27
0.44
0.44
0.42
0.40
0.31
0.44
AF
*4
*2*3 †
*6
*2*3 †
*2*3 †
*1 †
*2*3 †
*1 †
*4
*2 †
*3
*5 †
*5 †
*1 The autofocusing range is from 2.6 feet/0.8m to infinity. *2 With the EOS-1Ds Mark III, EOS-1Ds Mark II, EOS-1D Mark III,
EOS-1D Mark II, EOS-1Ds, EOS-1D, EOS-1v and EOS-3, AF is possible with the center focusing point only. *3 The Image
Stabilizer does not operate with the following cameras: EOS650, 630, 620, 600, RT, 700, 750, 850, EOS-1, A2, A2E, 10s,
ELAN, Rebel, Rebel S, Rebel II and Rebel SII. *4 With the EOS-1Ds Mark II, EOS-1Ds, EOS-1D Mark II N, EOS-1D Mark II,
EOS-1D, EOS-1v, EOS –1v HS and EOS-3, AF is possible with the center focusing point only. *5 With the EOS-1D Mark II,
EOS-1Ds Mark II, EOS -1D Mark II N, EOS-1D, EOS-1Ds, EOS-1v and EOS-1v HS, AF is possible with the center focusing point
only. *6 When using a camera capable of AF at f/8. † With the firmware update, the the EOS-1D X and EOS 5D Mark III allow
cross-type autofocusing with the center AF point when the maximum aperture of the Canon EF lens becomes f/8 with an EF extender
attached. Download firmware now at: usa.canon.com/eos1dxfirmwareupdate and usa.canon.com/5dmarkiiifirmware
Refers to EF Lenses, EF-S Lenses and Cinema Lenses produced worldwide from 1987 to First Half of 2014.
usa.canon.com/eos
61
SPEEDLITE FLASHES
SLR Compatibility
“
Camera Model
EOS-1D X
EOS-1Ds Mark III
EOS-1D Mark IV
EOS 5D Mark III
EOS 6D
EOS 5D Mark II
EOS 7D Mark II / 7D
EOS 70D / 60D / 50D / 40D / 30D
EOS Rebel T5i / T4i / SL1 / T3i / T5 / T3 / T2i / T1i / XSi / XS
EOS Digital Rebel XTi / XT
EOS-1v / EOS-3
EOS ELAN 7ne
EOS Rebel T2 / T2 Date
EOS Rebel K2 / K2 Date
Never have I used such
a versatile, powerful
Speedlite system as the
600EX-RT Speedlites.
Whether I'm shooting
run-and-gun events or
portraiture on location,
the Speedlites are as
dependable as it gets.
Integral to the EOS System, Canon Speedlite flashes are the ideal flash source
for EOS cameras. They are technologically advanced to provide perfect exposure
and illumination with just about any subject, yet operation is remarkably simple.
Whether you’re an amateur or an expert, Canon Speedlite flashes can make it easy
to obtain professional results.
Sophisticated Flash Control Modes
E-TTL – In E-TTL (Evaluative Through-The-Lens)
flash exposure control mode, meter readings
are taken through the lens, but not off the focal
plane. Using a pre-flash fired after the shutter
button has been fully depressed – but before
the camera’s reflex mirror goes up – E-TTL uses
the camera’s Evaluative metering sensor to
compare the ambient light values with the light
reflected from the subject by the pre-flash. The
camera then calculates and stores the flash
output required for optimum exposure of the
main subject (as identified by the AF point) and
the background. E-TTL requires the use of
EX-series dedicated Speedlite flashes such
as the 600EX-RT, 580EX II, 430EX II, 320EX,
270EX II, MT-24EX, MR-14EX II or MR-14EX in
combination with a compatible camera.
E-TTL II
Yes†
Yes†
Yes†
Yes†
Yes†
Yes†
Yes†
Yes†
Yes†
Yes†
No
Yes
Yes
No
A-TTL / TTL
Not Possible
Not Possible
Not Possible
Not Possible
Not Possible
Not Possible
Not Possible
Not Possible
Not Possible
Not Possible
4-point/3-zone
4-point/3-zone
Not Possible
4-point/3-zone
A-TTL
No
No
No
No
No
No
No
No
TTL
Yes†††
Yes†††
No
No
No
No
Yes†††
Yes†††
Manual
Yes
Yes
Yes
Yes
Yes
Yes
Yes
Yes
Speedlite Compatibility
E-TTL / E-TTL II
600EX-RT
580EX II
430EX II
320EX
270EX II
90EX
MR-14EX II / MR-14EX
MT-24EX
”
SPEEDLITE TECHNOLOGY
E-TTL
No
No
No
No
No
No
No
No
No
No
Yes
Yes
No
Yes
E-TTL / E-TTL II
Yes††
Yes††
Yes††
Yes††
Yes††
Yes††
Yes††
Yes††
†
Not Linked to AF point. †† Requires EOS body that supports
E-TTL and E-TTL II respectively. ††† Defaults to TTL in all
conditions except direct flash in the camera’s Program mode.
reflective subject, or the subject is not in that
part of the frame – an assumption validated by
distance information. The algorithm thus helps
avoid chronic underexposure problems in such
situations. These readings are weighted,
averaged, and compared with the ambient
light reading and the main flash output is then
set and stored in memory. The E-TTL II, in effect,
captures the subject as a “plane” and not as
a “point.” As a result, EOS SLR cameras can
help deliver consistent flash exposures even
if the subject contains various colors and
levels of reflection. The camera also allows
the user to select an averaged metering
pattern through custom function settings.
Tyler Stableford
Explorer of Light
©Tyler Stableford
E-TTL II – Available on Canon’s EOS DSLR cameras,
E-TTL II incorporates distance information from
compatible EF lenses (see page 34 for details) for
more versatile flash exposure control. E-TTL II
helps minimize underexposure that can occur
with straight reflections by ignoring sensor areas
that report abnormally high levels. This feature
is useful when shooting a subject with a highly
reflective object in the background, or if the
subject itself is highly reflective. In addition,
because distance information is used in
calculating the flash output level, E-TTL II
prevents overexposure when photographers
lock focus and recompose. For example, with
the EOS 5D Mark III, the ambient light is first
measured using the camera’s 63-zone metering
when the shutter button is pressed. Next,
a pre-flash is fired and the metering sensor
takes readings. The ambient and pre-flash
readings are compared. The metering areas
having small differences are selected as the
main flash exposure areas. Areas with large
discrepancies between ambient and pre-flash
readings are excluded or down-weighted
because they are assumed to contain a highly
recompose after focus lock or to place the main
subject in a part of the frame not covered by
one of the focusing points. It can also eliminate
potential exposure errors caused by unwanted
reflections from surfaces like windows or mirrors.
Adjusting Ambient Exposure in FE Lock**
After pre-flashing the subject with the FE
Lock button, ambient exposure can be adjusted
by turning the Quick Control Dial. The ambient
exposure level is displayed on the exposure
level scale in the viewfinder and on the external
LCD panel.
FP Mode***
FP (focal-plane) flash, or High-speed Sync,
enables E-TTL and E-TTL II compatible cameras
equipped with an EX-series Speedlite flash to
synchronize flash at shutter speeds faster than the
camera’s normal maximum sync speed. Even in
bright daylight, for example, a fast lens can be
used at a wide aperture to reduce depth-of-field
and emphasize the subject. FP flash can be
combined with E-TTL, E-TTL II, or FE Lock, and
is available in all AE modes plus Manual.
Flash Exposure Compensation****
This setting adjusts flash output without
changing the shutter speed or aperture. It’s
a particularly effective way to fine-tune the
balance between foreground and background
exposure for fill flash shots, but it can also be
used to compensate for extremely bright or
dark tones in the subject.
Second-Curtain Sync
Instead of firing the instant the shutter
opens, Second-Curtain Sync fires the flash
at the end of the exposure, allowing streaks
of light to flow naturally behind a moving
subject. This creative flash mode is most
effective with slower shutter speeds and
subjects with light sources, such as the
headlights of a moving car.
Stroboscopic Flash
Stroboscopic flash is a series of flashes fired
in rapid succession during a single exposure.
With stroboscopic flash, multiple images of
a moving subject appear in the photograph.
Using this mode, you can analyze a golf swing
or record the shattering of a windowpane.
(Available with Speedlite 600EX-RT, 580EX II,
Macro Ring Lite MR-14EX, Macro Ring Lite
MR-14EX II, Macro Twin Lite MT-24EX, and
the built-in flash of the EOS 7D).
LED Light
In a first for Canon
Speedlite flashes,
the 320EX features
a bright, built-in LED
light for illumination
when shooting video
or for use as a
modelling light. With fully charged AA
batteries, the LED light can last for up to
four hours of continuous use.
TTL* – TTL (Through-The-Lens) is the standard
flash exposure control mode used by the
built-in flash units that come with some 35mm
EOS film cameras. Unlike E-TTL or E-TTL II, TTL
reads flash illumination reflected from the film
during the exposure. When the camera is set to
Program AE mode, TTL flash sets an aperture
based on the ambient light level.
Flash Exposure Lock (FE Lock)
FE Lock adds Auto Exposure lock and Spot
metering functions when shooting with EX-series
Speedlite flashes and E-TTL compatible EOS
cameras. The EX-series Speedlite flash’s
pre-flash fires when the camera’s AE Lock button
is depressed, storing a Spot meter reading of
flash and ambient lighting data for up to 16
seconds. This provides enough time to not only
recompose the shot, but also alter the ambient
light exposure for maximum creative control.
FE Lock is extremely useful when you wish to
High-Speed Sync — EF 135mm f/2.0L USM lens • f/2 • 1/750 sec.
Flash Release Function
Taken with MT-24EX and EOS-1v HS
Select Speedlite flash models include a
convenient feature that enables photographers
to release the camera shutter from the remote
flash wirelessly with a 2-second delay. With
EOS DSLR cameras that provide a master
function with remote reception mode, this
feature makes it possible to reposition the
flash with complete freedom – even out of the
camera’s line-of-sight and at some distance
from the camera.
* A-TTL and TTL are not compatible with DSLR cameras. See lens chart for a listing of lenses that supply distance information. ** Ambient exposure cannot be adjusted when the camera is set to Bulb mode or in low-light
situations when the camera is set to Program AE or A-DEP. *** Unlike conventional electronic flash, FP flash output (guide number) decreases as shutter speed increases above normal X-sync speed. **** Flash exposure
compensation can be set with most current Speedlite flashes, and it can also be set with all current EOS cameras other than the EOS Rebel series and EOS Digital Rebel.
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SPEEDLITE FLASHES
Amazing Flash System
Wireless Flash Photography
Canon offers a full range of Speedlite flash units compatible with EOS System cameras for a wide
variety of applications and photographers’ needs. They range from simple, economical flashes to
high-power, highly advanced Speedlite flashes for professional use.
The Canon EX-series Speedlite flashes have made multiple-flash
photography simple, wireless and automatic. Using the Speedlite
600EX-RT, Macro Ring Lite MR-14EX, Macro Ring Lite MR-14EX II,
Macro Twin Lite MT-24EX, or Speedlite Transmitters ST-E2 or
ST-E3-RT as a master unit, wireless signals are transmitted to
numerous Speedlite flashes, creating myriad possibilities for
lighting, no matter the location. The EOS 7D Mark II, EOS 70D,
EOS 60D, and EOS Rebel T5i cameras have Integrated Speedlite
Transmitters, allowing users to wirelessly control EX-series
Speedlite flashes and doing away with the need for an external
master unit. The Speedlite 600EX-RT and the Speedlite
Transmitter ST-E3-RT take wireless control to the next level, using
two-way radio signals in addition to traditional wireless.
Wireless Radio Control
For sophisticated wireless flash setups, the
Speedlite 600EX-RT and the Speedlite
Transmitter ST-E3-RT represent the next
generation in wireless flash systems. In
addition to
traditional
optical
wireless
transmission,
both the
Speedlite
Group firing mode
600EX-RT and
the Speedlite Transmitter ST-E3-RT facilitate
radio controlled, two-way wireless
transmission up to 100 feet, among up to five
groups or 15 individual Speedlite flashes.
Communicating Fig-06_R_Linked_shooting_E.eps
on 2.4 GHz frequencies for
radio transmission, radio controlled flash
systems do not have the same directional
limitations of traditional wireless optical
transmitters. Where other wireless systems’
signals can be interrupted with physical
obstacles, radio controlled systems excel. To
avoid interference with other equipment on the
same frequency, 15 transmission channels are
available, selectable manually or
automatically, and radio transmission IDs can
be set to prevent misfiring in the event of
signal interference on the same channel. With
diverse flash metering
options, and a number
Fig-04_R_Group_flash_example.eps
of flash modes all accessible from the menu
and quick control screens of the EOS-1D X,
EOS 5D Mark III and EOS 7D Mark II cameras,
the Speedlite 600EX-RT and the Speedlite
Transmitter ST-E3-RT make complex lighting
setups simple. With compact, weather sealed
and reliable designs, combined with improved
Speedlite
information panels and
controls, Speedlite 600EX-RT
and the Speedlite
Transmitter ST-E3-RT are
indispensible, eminently
adaptable tools for
advanced, professional flash photography.
©Parish Kohanim
Up to three groups (for main, fill and background)
of slave units can be set up for comprehensive
control of flash lighting. The Speedlite flash
slave units can be assigned to group A, B, or C,
with output ratio between groups A and B
adjustable from 8:1 to 1:1 or 1:1 to 1:8. The
output of the group C can be adjusted through
flash exposure compensation. Superb lighting
Transmission
is simple thanks to the E-TTL/E-TTLdistance
II autoflash
Approx. 30 m
system which controls the total flash
to
(98.4 output
ft.)
Master
unit
ensure consistently
correct
exposure. The
camera
EOS 7D Mark II, EOS 70D, EOS 60D, and
EOS Rebel T5i cameras, with their Integrated
Speedlite Transmitters, can control and trigger
external Speedlites wirelessly through their
built-in pop up flash. The EOS 60D camera can
wirelessly control the ratio between A and B
groups, along with the built-in unit’s own
output, while the EOS 7D Mark II camera can
control A, B, and C groups. Both cameras also
feature a modeling flash feature for previewing
the output of your external Speedlite flashes,
available by pressing the depth-of-field button.
Even with multiple Speedlite flashes, the
modeling flash fires according to the ratios you
have set. E-TTL/E-TTL II wireless autoflash also
supports other Speedlite flash features
including FE Lock, FP Flash, Flash Exposure
Bracketing/Compensation, and Stroboscopic
Flash. Finally, for macro shooting, the
Macro Ring Lite MR-14EX, Macro Ring Lite
MR-14EX II and Macro Twin Lite MT-24EX can be
used as master units as well.
Ceiling
E
D
Fig-06_R_Linked_shooting_E.eps
ETTL II
A
B
Manual flash
C
Manual flash
ETTL II
Speedlite 430EX II
Speedlite 320EX
• Wireless multiple flash system uses radio wave
communication for enhanced control of up to five
groups and 15 individual flash units.
• Superb build quality, including a metal foot for added
strength.
• Built-in LED illuminates nearby subjects in
dim light – especially useful for video.
• Zoom flash head covers range of 20–200mm;
maximum Guide Number (197 ft./60m at ISO 100).
E-TTL/E-TTL II Wireless
Autoflash Control
Auto external metering
Speedlite 600EX-RT
Transmission
distance
Approx. 30 m
(98.4 ft.)
Master unit
camera
• Approx. 20% faster recycle time, compared to
previous 430EX.
• Versatile vertical and horizontal bounce capability.
• Improved flash output consistency.
• One-touch quick-lock mechanism for easy
attaching/detaching flash from camera.
• Flash release function allows wireless shutter
release from the flash with a 2-second delay for
flash repositioning.
• Improved flash head durability, and outstanding
dust and weather resistance.
• Full flash control possible on camera menu, with
compatible EOS DSLR cameras.
• AF Assist Beam compatible with Canon’s 61-Point
High Density Reticular AF.*
• Virtually silent flash recycle.
• Wireless Slave function supports three groups and
four channels.
• Dot matrix LCD panel and backlit button
provide easy visibility.
• Full 180˚ swivel in either direction.
• Two flash coverage settings, selectable by
extending or retracting flash head.
• Zoom flash head covers range of 24–105mm; max.
Guide No. 141 ft./43m at ISO 100.
• Max. Guide No. at Tele setting: 105 ft./32m at
ISO 100.
• Fully swiveling head, 180° in either direction.
• Fast recycle time of approximately 2.0 seconds.
Speedlite 270EX II
Speedlite 90EX
• Ultra-compact, ultra-lightweight flash unit.
• Ultra-compact, ultra-lightweight flash unit.
• Vertical bounce capability up to 90 degrees.
• Easy and intuitive operation.
• Flash release function allows wireless shutter
release from the flash with a 2-second delay
for flash repositioning.
• Wireless master function (optical) allows
multiple flash units to be controlled for
creative lighting effects.
• Slave function allows the flash to be
triggered wirelessly.
• Supports 24mm wide-angle lenses
(35mm equivalent).
• Flash coverage can be switched between Normal
and Tele settings.
• Max. Guide No. 30 ft./9m at ISO 100.
• Max. Guide No. at Tele setting: 89 ft./27m at
ISO 100.
Transmission distance
Approx. 30m/98.4 ft.
Group Firing1 – Set different flash modes for each
group (A, B, C, D, and E) and perform multiple wireless
flash shooting. Two or more units can be set as the
same group.
Linked shooting function – Releases the camera that has
the Speedlite 600EX-RT (or Speedlite Transmitter ST-E3-RT)
set as the master unit and release up to 15 cameras with
the Speedlite or transmitter set as slave units.
* Feature compatible only with EOS-1D X and EOS 5D Mark III.
Ceiling
64
external
metering
1 Group firing mode is supported by the EOS-1D X, EOS 5D Mark III and later camera models. In earlier camera models, all flashes willAuto
switch
to E-TTL
automatically and group control is reduced to 3 groups.
E
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65
SPEEDLITE FLASHES
Speedlite to the Max
Macro Lites
Whether adding a battery pack, connecting two or more Speedlite flashes, or creating a complex
wireless lighting solution, Canon has flash accessories for almost any photographic situation that
are perfect complements to your Speedlite flash.
EF-S 60mm f/2.8 Macro USM • f/3.2 • 1/80
Macro Twin Lite MT-24EX
Macro Ring Lite MR-14EX II
Macro Ring Lite MR-14EX
• Attaches to all Canon EF macro lenses
(EF 180mm f/3.5L requires Macro Lite Adapter 72C).
• Twin-tube ring lite designed for close-up photography
with EF Macro lenses; flash tubes can fire together
or independently.
• Twin-tube ring lite designed for close-up photography
with EF Macro lenses; Flash tubes can fire together
or independently.
• Shorter recycling time and reduced size when
compared to Macro Ring Lite MR-14EX.
• Compatible with all EOS bodies.
• Twin flash heads can be rotated over 80° angle
around lens in 5 degree increments.
• Heads can be swiveled or bounced and can be
removed from mounting ring for added control.
• Powerful Guide Number of 78 (feet, at ISO 100),
full E-TTL control and E-TTL features including FEL,
Hi-speed sync and FEB.
• Supports E-TTL (TTL/E-TTL) wireless autoflash in
conjunction with one or more Speedlite 600EX-RT
flashes.
• W hite LED focusing lamps and two forms of
modeling flash permit preview of lighting effects.
• Supports E-TTL/E-TTL II Wireless Autoflash in
conjunction with one or more compatible
EX Speedlite flashes.
• I ncandescent focusing lamps and two forms of
modeling flash permit preview of lighting effects.
Speedlite Transmitter
Speedlite Transmitter ST-E3-RT
Speedlite Transmitter ST-E2
• Uses two-way radio wave communication for enhanced
communication among master and slave units.
• Dedicated transmitter to control unlimited
number of slave flashes.
• Compatible with Speedlite 600EX-RT
• Compatible with Speedlites 600EX-RT, 580EX II, 430EX II,
320EX and 270EX II (also 580EX, 430EX and 420EX).
• Achieves a transmission distance of up to 30m/98.4 ft.,
all at a 360° angle.
• Up to 5 groups, or 15 individual flashes can be
controlled via 1 transmitter.
Speedlite Release
Cable SR-N3
Compact Battery
Pack CP-E4
Provides remote release
and linked shooting
functions by transmitting
a wireless release signal
to the camera itself. It’s
compatible with cameras
that have E-TTL/ETTL II
autoflash; as well as
an N3-type remote
control terminal.
This dedicated external
power pack is dust/
water-resistant and
makes the flash system
dust/water-resistant.
The power pack’s
performance is the
same as the Compact
Battery Pack CP-E3.
Battery Magazine TP
Additional rechargeable
Ni-Cd Pack TP batteries
are available separately.
They can also be freely
interchanged with
Battery Magazine TP.
The charger TP recharges
a Ni-Cd Pack TP in
approximately 15 hours.
This magazine holds
six commonly available
C-size alkaline batteries.
Included with Transistor
Pack E, it is available
separately for instant
battery changes during
shooting. Can be used in
place of the Ni-Cd Pack
TP. Connecting Cord ET is
also available separately.
Color Filter Set
SCF-E1
Color Filter Holder
SCH-E1
Compatible with the EOS
Speedlite 600EX-RT, the
Color Filter Set SCF-E1
includes a light orange
filter and a dark orange
filter. These filters allow
the user to create various
lighting effects or to
prevent an unnatural
white balance when
shooting indoors.
Compatible with the
Speedlite 600EX-RT,
Color Filter Holder
SCH-E1 is a detachable
holder for gelatin filters.
It is particularly useful
for matching ambient
color temperature with
that of the flash head for
proper compensation.
Other Speedlite Accessories
A
B
C
D
E
F
• Controls slave units up to 33 ft. outdoors
and 49.5 ft. indoors.
Off-Camera
Shoe Cord
OC-E3
• Supports E-TTL II flash, manual flash, strobe and
external flash metering.
• Dot matrix LCD panel displays information
simultaneously and backlit control panel means
easy operation.
Dimensions
(W x H x D)
Ni-Cd Pack TP
Speedlite
600EX-RT
Speedlite
580EX II†
Speedlite
430EX II
Speedlite
320EX II
Speedlite
270EX II
Speedlite
220EX II †
Speedlite
90EX
Macro Twin Lite Macro Ring Lite
MT-24EX
MR-14EX II
Macro Ring Lite
MR-14EX
3.1 x 5.6 x 4.9 in.
80 x 143 x 125mm
3.0 x 5.4 x 4.6 in.
76 x 137 x 117mm
2.8 x 4.8 x 4.0 in.
72 x 122 x 101mm
2.8 x 4.5 x 3.1 in.
70 x 115 x 78.4mm
2.6 x 2.6 x 3.0 in.
65.8 x 65.2 x 77mm
2.7 x 3.62 x 2.42 in.
65 x 92 x 61.3mm
1.7 x 2.0 x 2.6 in.
44.2 x 52 x 65mm
Control Unit:
2.9 x 4.9 x 3.8 in.
74 x 125.9 x 97.4mm
Flash Unit:
9.3 x 3.5 x 1.9 in.
235 x 90.4 x 49mm
Control Unit:
2.7 x 4.7 x 2.8 in.
69.6 x 118.8 x 71.4mm
Flash Unit:
5.1 x 4.4 x 1.0 in.
129.6 x 112.1 x 25.3mm
Control Unit:
2.9 x 4.9 x 3.8 in.
74 x 125.9 x 97.4mm
Flash Unit:
4.44 x 4.96 x 1.02 in.
112.8 x 126 x 25.6mm
20.64 oz./585g
16.05 oz./455g
15.1 oz./428g
Weight
(without batteries)
15.0 oz./425g
13.2 oz./375g
11.3 oz./330g
9.7 oz./275g
5.5 oz./155g
5.6 oz./160g
1.8 oz./50g
Compatibility
All EOS cameras
All EOS cameras
All EOS cameras
Type-A EOS cameras
Type-A EOS cameras
All EOS cameras
All EOS cameras
All EOS cameras
All EOS cameras
All EOS cameras
Max. Guide
Number (ISO 100)
196.9 ft./60m
190 ft./58m
141 ft./43m
105 ft./32m
89 ft./27m
72.2 ft./22m
30 ft./9m
79 ft./24m
34.4 ft./10.5m
45.9 ft./14m
Power Source
AA (Alkaline,
re-chargeable
NiCd, Lithium-ion,
Ni-MH)
batteries (x4);
Compact Battery
Pack CP-E4;
Transistor Pack E
AA (Alkaline,
re-chargeable
NiCd, Lithium-ion,
Ni-MH)
batteries (x4);
Compact Battery
Pack CP-E4;
Transistor Pack E
AA (Alkaline,
re-chargeable
NiCd, Lithium-ion,
Ni-MH)
batteries (x4)
Four AA-size
batteries
- alkaline,
lithium, or
re-chargeable
Ni-MH usable
Two AA-size/
LR6 Alkaline
batteries
AA (Alkaline,
re-chargeable
NiCd, Lithium-ion,
Ni-MH)
batteries (x4)
Two AAA-size
(Alkaline,
re-chargeable
Ni-MH or
Lithium-ion)
batteries
AA (Alkaline,
re-chargeable
NiCd, Lithium-ion,
Ni-MH)
batteries (x4);
Compact Battery
Pack CP-E3;
Transistor Pack E
AA (Alkaline,
re-chargeable
NiCd, Lithium-ion,
Ni-MH)
batteries (x4);
Compact Battery
Pack CP-E4;
Transistor Pack E
AA (Alkaline,
re-chargeable
NiCd, Lithium-ion,
Ni-MH)
batteries (x4);
Compact Battery
Pack CP-E4;
Transistor Pack E
(combined flash & control units)
(combined flash & control units)
(combined flash & control units)
Camera
Compatibility
All EOS SLR
cameras
Description
Dust- and
water-resistant
2 ft. (0.6m) TTL
cord; retains all
on-camera flash
functions. Same
quick connect as
580EX II.
Off-Camera
Shoe Adapter
OA-2*
TTL Hot Shoe
Adapter 3*
Speedlite
TTL
Distributor*
Connecting
Cord 60*
A
Connecting
Cord 300*
Speedlite+ C
All 35mm and APS SLR cameras
(Not compatible with digital SLR cameras or PowerShot digital cameras)
(Except 630 & RT)
Placed in the
EOS camera’s
accessory shoe,
this adapter
controls up to
4 off-camera
Speedlite flashes.
For off-camera
applications of
Speedlite flash
units, this adapter
will accept
one Speedlite
flash and a
connecting cord
to the camera.
This connector
accepts up to
4 connecting
cords.
This 2 ft. / 60cm
coiled cord has
connections
on both ends for
TTL Distributor,
OA-2, and /
or Hot Shoe
Adapter 3.
F
This 9.8 ft. / 3m
straight cord has
connections on
both ends for
TTL Distributor,
OA-2, and / or
Hot Shoe
Adapter 3.
Speedlite
+
C
E
D
Speedlite+ B
E
­* These accessories provide TTL or manual flash control, but are not compatible with E-TTL or E-TTL II; no automatic flash with EOS digital SLR cameras.
Compatibility Chart
600EX-RT
580EX II†
430EX II
320EX
270EX II
MT-24EX
MR-14EX II
MR-14EX
Recycling Time
•
•
–
–
•
•
0.1~2.0
–
–
•
0.1~2.0
–
–
0.1~3
0.1~5.5
0.1~3
Shooting Capacity
100~700
350~2,450
–
–
–
450~2,800
100~700
120~800
•
–
–
–
•
Compact Battery Pack CP-E4
(w / Alkaline Batteries)
(Sec.)
(No. of Flashes)
Compact Battery Pack CP-E3 †
•
–
•
Weight
5.5 oz. / 155g
5.5 oz. / 155g
† Discontinued product, for reference only.
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67
EOS SYSTEM ACCESSORIES
Batteries, Chargers and Adapters
Batteries
Battery Packs
To add more power, ergonomics and speed to your EOS SLR camera’s body, consider one of Canon’s
professional quality power boosters and grips. Check out the chart below to find the best match for
your EOS camera.
EOS 5D Mark III camera with Battery Grip BG-E11
Battery Grips
Battery Pack LP-E12 Battery Pack LP-E10 Battery Pack LP-E8
Battery Pack LP-E6N Battery Pack LP-E6
Battery Pack LP-E5
Battery Pack LP-E4N Battery Pack LP-E4
Weight
1.2 oz./35g
1.6 oz./45g
1.8 oz. / 52g
2.82 oz. / 80g
2.8 oz./80g
1.8 oz./50g
6.5 oz./185g
6.3 oz./180g
Compatibility
EOS Rebel SL1, EOS M
EOS Rebel T5, T3
EOS Rebel T5i, T4i, T3i,
T2i
EOS 5D Mark III, 6D,
5D Mark II, 7D Mark II,
7D, 70D, 60D, 60Da
EOS 5D Mark III, 6D,
5D Mark II, 7D Mark II,
7D, 70D, 60D, 60Da
EOS Rebel T1i, XSi, XS
EOS-1D X, 1D Mark IV,
1Ds Mark III, 1D Mark III
EOS-1D X, 1D Mark IV,
1Ds Mark III, 1D Mark III
Description
Lithium-ion batteries. Each battery’s operating specifications are tailored specifically for the cameras they are compatible with.
Battery Packs
Battery Grip BG-E16†
Battery Grip BG-E14†
Battery Grip BG-E13†
Battery Grip BG-E11†
Weight
11.6 oz./330g (without batteries)
10.4 oz./295g (without batteries)
10.2 oz./290g (without batteries)
10.9 oz./310g (without batteries)
Compatibility
EOS 7D Mark II
EOS 70D
EOS 6D
EOS 5D Mark III
Functions
Shutter-Release button, AE/FE Lock/ Index/Reduce
button, Main Dial, AF-frame-select button, AF area
Selection lever, Aperture/ Exposure compensation
button, and Vertical-grip operation switch
Shutter-Release button, Main Dial,
AF-point selection/Magnify button,
AE/FE Lock/Index/Reduce button, AF start button,
AF area selection mode button, and Vertical-grip
operation switch
Shutter-Release button, AE/FE Lock button,
Main Dial. AF-point-select button,
Vertical-grip operation switch
Shutter-Release button, AE/FE Lock button,
Main Dial, Multi-controller.
AF-point-select button, Multi-function button,
Vertical-grip operation switch
LP-E6 (x2); AA-size battery (x6); or
AC Adapter Kit ACK-E6
LP-E6 (x2); AA-size battery (x6); or
AC Adapter Kit ACK-E6
LP-E6 (x2); AA-size battery (x6); or
AC Adaptor ACK-E6
LP-E6 (x2); AA-size battery (x6); or
AC Adaptor ACK-E6
Power Source
Battery Grip BG-E9 †
Battery Grip BG-E8 †
Battery Grip BG-E7†
Battery Grip BG-E2N†
Weight
10.4 oz./295g (without batteries)
8.1 oz./230g (without batteries)
12.0 oz./340g (without batteries)
11.5 oz./325g (without batteries)
Compatibility
EOS 60D, 60Da
EOS Rebel T5i, T4i, T3i, T2i
EOS 7D
EOS 50D, 40D
Functions
AE/FE Lock/ Index/ Reduce button, Main Dial,
AF point selection/ Magnify button,
Aperture/exposure compensation button,
Attach/ Detach button,
Vertical-grip operation switch
AE/FE Lock/ Index/ Reduce button, Main Dial,
AF point selection/ Magnify button,
Aperture/exposure compensation button,
Attach/ Detach button,
Vertical-grip operation switch
Shutter-Release button, AE/FE Lock/ Index/Reduce
button, Main Dial, AF-frame-select button,
Aperture/ Exposure compensation button
Shutter-Release button, AE/FE Lock button,
Main Dial, AF frame-select button
LP-E6 (x2); AA-size battery (x6); or
AC Adapter ACK-E6
LP-E8 (x2); AA-size battery (x6);
or AC Adapter ACK-E8
LP-E6 (x2); AA-size battery (x6);
or AC Adapter ACK-E6
BP-511A/511/512/ 514 (x1 or x2);
AA-size batteries (x6); AC Adapter Kit ACK-E2;
or Compact Power Adapter CA-PS400 plus
DC-Coupler DR-400
Power Source
†
Battery Pack NP-E3
Battery Pack
BP-511A/ BP-512/
BP-514
Battery Charger LC-E12 Battery Charger LC-E10 Battery Charger LC-E8E
Battery Charger LC-E6
Weight
11.8 oz./325g
2.5 oz./70g
2.9 oz./81g
3.0 oz./85g (without cord)
2.9 oz./82g
4.6 oz./130g (without cord)
2.8 oz./80g
Compatibility
EOS-1Ds Mark II, 1Ds,
1D Mark II N, 1D Mark II, 1D
EOS 5D, 50D, 40D, 30D,
20D,20Da,10D, D60, D30,
Digital Rebel
EOS Rebel SL1, EOS M
EOS Rebel T5, T3
EOS Rebel T5i, T4i, T3i, T2i
EOS 5D Mark III, 6D,
5D Mark II, 7D Mark II, 7D,
70D, 60D, 60Da
EOS Rebel T1i, XSi, XS
Description
Lithium-ion batteries. Each battery’s operating
specifications are tailored specifically for the cameras
they are compatible with.
Battery Charger LC-E5
Battery chargers that charge battery packs in approximately 2 hours.
Battery Chargers
Car Battery Chargers
Battery Charger LC-E4N Battery Charger LC-E4
Battery Charger CG-580 Battery Charger CB-5L
Compact Power Adapter Car Battery Charger
CA-PS400
CBC-E6
Weight
12.3 oz./350g
15.2 oz./431g
5.6 oz./160g
3.5 oz./110g (without cord)
10.1 oz./287g
Compatibility
EOS-1D X, 1D Mark IV,
1Ds Mark III, 1D Mark III
EOS-1D X, 1D Mark IV,
1Ds Mark III, 1D Mark III
EOS 5D, 50D, 40D, 30D,
20D, 20Da, 10D, D60, D30,
Digital Rebel
EOS 5D, 50D, 40D, 30D,
20D, 20Da,10D, D60, D30,
Digital Rebel
EOS 5D, 50D, 40D, 30D,
20D, 20Da, 10D, D60, D30,
Digital Rebel
Description
Battery chargers that charge battery packs in approximately 2 hours.
(excluding AC cord)
Car Battery Charger
CBC-E5
3.7 oz./105g
4.9 oz./140g
EOS 5D Mark III, 6D
EOS 5D Mark II, 7D Mark II,
7D, 70D, 60D, 60Da
EOS Rebel T1i, XSi, XS
A car battery charger that plugs into a car’s cigarette lighter.
Charging is accomplished in approximately 2.5 hours.
DC Couplers / DC Coupler Kit
Accepts optional Hand Strap E1.
Power Drive Booster/Battery Pack Chart
Battery Chargers
Power Drive Booster PB-E2 Accessories
DC Coupler DR-E15
DC Coupler DR-E12
DC Coupler DR-E10
DC Coupler DR-E8
DC Coupler DR-E6
DC Coupler DR-400
DC Coupler Kit DCK-E1
Weight
0.6 oz./16g
0.5 oz./15g
0.6 oz./17.5g
0.7 oz./20g
3.9 oz./110g
3.9 oz./123g (without cord)
5.3 oz./150g (DC Coupler)
7.2 oz./205g (AC Adapter)
Compatibility
EOS Rebel SL1
EOS M
EOS Rebel T5, T3
EOS Rebel T5i,T4i, T3i, T2i
EOS 5D Mark III, 6D
5D Mark II, 7D Mark II, 7D,
70D, 60D, 60Da
EOS 5D, 50D, 40D, 30D,
20D, 20Da, 10D, D60,
60Da, D30, Digital Rebel
Description
Allows the camera to draw power directly from an AC power source when used in conjunction with a compatible AC adapter.
EOS-1Ds Mark II, 1Ds,
1D Mark II N, 1D Mark II, 1D
AC Adapter Kits
Power Drive Booster PB-E2
Weight
(without batteries)
68
Ni-MH NC-E2
17.1 oz./484g
Compatibility
EOS-1v HS, 1v, 1N, 1, 3
Functions
Shutter-Release button, AE Lock button, FE Lock/Multi-spot Metering button, Main Dial,
focusing point selector
Power Source
Ni-MH Battery Pack NP-E2 or Battery Magazine BM-E2 and 8 AA-size Alkaline, Lithium-ion,
Ni-MH or Ni-Cd batteries
Weight
12.5 oz./354g
Description
Charger dedicated to the NP-E3 Battery Pack and the NP-E2 Pack. Two packs can be attached
at one time. The discharge feature (taking up to 8.5 hrs) cancels the pack’s memory effect.
It runs on 100–240V AC, ideal for international travel.
AC Adapter Kit ACK-E15 AC Adapter Kit ACK-E12 AC Adapter Kit ACK-E10 AC Adapter Kit ACK-E8
AC Adapter Kit ACK-E6
AC Adapter Kit ACK-E5
AC Adapter Kit ACK-E4
Weight
0.6 oz./16g (DC Coupler)
6.5 oz./185g (AC Adapter)
0.5 oz./15g (DC Coupler)
6.5 oz./185g (AC Adapter)
0.6 oz./17.5g (DC Coupler)
6.5 oz./185g (AC Adapter)
0.7 oz./20g (DC Coupler)
6.5 oz./185g (AC Adapter)
3.9 oz./110g (DC Coupler)
6.2 oz./175g (AC Adapter)
15.0 oz./425g
14.1 oz./399g
Compatibility
EOS Rebel SL1
EOS M
EOS Rebel T5, T3
EOS Rebel T5i,T4i, T3i, T2i,
BG-E8
EOS 5D Mark III, 6D
5D Mark II, 7D Mark II, 7D,
70D, 60D, 60Da
EOS Rebel T1i, XSi, XS
EOS-1DX, 1D Mark IV,
1Ds Mark III, 1D Mark III,
Description
Allows the camera to draw power directly from an AC power source. They are designed to supply uninterrupted power.
usa.canon.com/eos
69
EOS SYSTEM ACCESSORIES
Wireless File Transmitters and GPS Receivers
Remote Control & Accessories
Canon Wireless File Transmitters help enable fast, wireless image transfer from EOS cameras
directly to a computer. Canon GPS† receivers record location, including latitude, longitude and
altitude, include a compass, and can track the trajectory of the photographer’s movements.
Canon accessories are the perfect choice to help enhance your EOS System’s
performance. Whether through recording data or controlling your camera remotely,
Canon’s own accessories are designed to complement your EOS camera.
EOS 7D Mark II camera with
Wireless File Transmitter WFT-E7A (Version 2)
Wireless File Transmitter
EF 100mm f/2.8L Macro IS USM • f/5.6 • 1/80 sec.
Remote Controllers and Switches
Wireless File Transmitter
WFT-E7A
Wireless File Transmitter
WFT-E7A (Version 2)
Wireless File Transmitter
WFT-E6A
Wireless File
Transmitter
WFT-E5A
Compatibility
EOS 5D Mark III, EOS 7D Mark II*
EOS 5D Mark III, EOS 7D Mark II
EOS-1D X
EOS 7D
Description
Wireless File Transmitter WFT-E7A transfers images from cameras directly to a computer via wireless local
area networks (LAN), and offers a number of enhanced features to improve efficiency for studios and
media professionals including: wireless support for IEEE 802.11 a/b/g and the latest standard 802.11n,
which deliver blazing communication speed, camera clock synchronization, linked shooting function,
Bluetooth support, and auto re-send of images that were not sent during a sending error.
Canon’s Wireless File Transmitter WFT-E6A is
designed for the EOS-1D X. It transfers images from
cameras directly to a computer via wireless local area
networks (LAN), and offers a number of enhanced
features to improve efficiency for studios and media
professionals including: wireless support for IEEE
802.11 a/b/g and the latest standard 802.11n,
which deliver blazing communication speed, camera
clock synchronization, linked shooting function,
Bluetooth support, and auto re-send of images that
were not sent during a sending error.
This wireless transmitter is dedicated to the EOS 7D.
The transmitter is compatible with Wi-Fi Protected
Setup to connect easily to a wireless LAN access
point and automatically leads to the security setting
for secure image transfer. Images can be stored
in selected folders and the entire folder can be
transferred. Added features include IEEE 802.11a/
b/g compatibility, WPS compatibility, WFT server
EOS 7D, camera linking function and Bluetooth
function. It allows wireless transmission (802.11a,
b or g) to Mac or Windows computers up to 492 ft.
Wireless
Controller LC-5
Remote Switch
RS-80N3
Timer Remote
Controller TC-80N3
Remote Switch
60T3
Compatibility
All EOS cameras except
EOS 70D, 60D, 60Da, EOS M and Digital Rebel
series, 1v Hs, 1v, 3
All EOS cameras except
EOS 70D, 60D, 60Da, EOS M and Digital Rebel
series, 1v Hs, 1v, 3
All EOS cameras except
EOS 70D, 60D, 60Da, EOS M and Digital Rebel
series, 1v Hs, 1v, 3
N3-compatible cameras*, with adapter 1N RS, 1N,
1, A2/A2E, RT **, 630**, 620**, 650**
Description
•An extended-range Wireless Controller system
designed for EOS cameras with N3 remote
control sockets.
•Provides remote shutter release capability.
•Max. transmitter to receiver distance of
300 ft./91.5m
•Remote switch to prevent camera shake for
super-telephoto or macro shots and bulb
exposures.
•Works like a Shutter button, enabling halfway
or complete pressing.
•Shutter release lock.
•Connects to N3-type socket.
•Cord length: 2.6 ft./80cm.
•Remote switch with self-timer, interval timer,
long-exposure timer, and exposure-count
setting feature.
•Timer set from 1 sec. to 99 hrs., 59 min., 59 sec.
•Easy operations with new dial.
•Illuminated LCD panel.
•N3-type connector.
•Cord length: 2.6 ft./80cm.
•Electromagnetic cable release with
a 3-pin terminal.
•Allows independent control of light metering
and shutter release.
•Cord length: 2 ft./60cm.
Remote Switch
RS-60E3
Wireless Remote
Controller RC-1
Wireless Remote
Controller RC-6
Wireless Remote
Controller RC-5
Wireless File
Transmitter
WFT-E4 II A
Wireless File
Transmitter
WFT-E4A
Wireless File
Transmitter
WFT-E3A
Wireless File Transmitter
WFT-E2A
Compatibility
EOS 5D Mark II
EOS 5D Mark II
EOS 50D, 40D
EOS-1D Mark IV, 1Ds Mark III, 1D Mark III
Compatibility
Description
This wireless transmitter is dedicated to the
EOS 5D Mark II with firmware upgrade. The
transmitter is compatible with Wi-Fi Protected
Setup to connect to a wireless LAN access point
and automatically leads to the security setting
for secure image transfer. Images can be stored
in selected folders and the entire folder can be
transferred. Added functions include IEEE 802.11
a/b/g compatibility, WPS compatibility, camera
linking function, Bluetooth function, media server
function and WFT server Remote Live View. It
allows wireless transmission (802.11a, b or g) to
Mac or Windows computers up to 492 ft.
This wireless transmitter is dedicated to the
EOS 5D Mark II. The transmitter is compatible with
Wi-Fi Protected Setup to connect easily to a
wireless LAN access point and it automatically
leads to the security setting for secure image
transfer. Sending a batch of photos wirelessly is
easy with the WFT-E4A. Images can be stored in
selected folders and the entire folder can be
transferred at once. It retains the same features as
the WFT-E3A including great handling for vertical
shooting and wireless transmission (802.11b
or g) to Mac or Windows computers up to 492 ft.
(150m)** away.
This wireless transmitter is dedicated to the
EOS 50D and 40D camera. Completely integrated
design for outstanding handling; includes vertical
controls. Wireless transmission (802.11b or g)
to Mac or Windows computers. Three separate
wireless methods, including wireless remote
control of camera from computer. Transmits up to
492 ft. (150m)**, depending on environment and
computer set-up; wired Ethernet connection up to
1,000 ft. (330m). Its USB port allows an external
hard drive to be directly connected to the camera.
Canon’s Wireless File Transmitter WFT-E2A allows
photographers to transmit images from cameras
directly to a computer over a wired or wireless
local area network (LAN), incorporates a number of
significant features into a robust, camera-powered
system to make wireless transfer up to 492 ft.
(150m)** faster, simpler and less cumbersome
than WFT-E1A. The WFT-E2A is smaller and attaches
to the side of the camera.
EOS 70D, 60D, 60Da, Rebel T5i, T4i, SL1, T3i, T5,
T3, T2i, T1i, XSi, Digital Rebel XTi/XT, Digital Rebel,
ELAN 7 series, ELAN II/IIE, Rebel T2, Ti, 2000, G, X,
XS, XSN, IX
EOS 5D Mark II, 7D, Rebel T1i, XSi, Digital Rebel
XTi/XT, Digital Rebel, ELAN 7 series, II/IIE, ELAN,
Rebel T2 Date, Ti Date, K2 Date, 10S
EOS 5D Mark III, 6D, 5D Mark II, 7D Mark II, 7D,
70D, 60D, 60Da, EOS M, Rebel T5i, T4i, SL1, T3i,
T2i, T1i, XSi, Digital Rebel XTi/XT, Digital Rebel,
ELAN 7 series, ELAN II/IIE, ELAN, Rebel T2 Date,
Ti Date, K2 Date, IX, 10S
EOS 5D Mark II, 7D, Rebel T1i, Rebel XSi, Digital
Rebel XTi/XT, Digital Rebel, ELAN 7 series, II/IIE,
ELAN, Rebel T2 Date, Ti Date, K2 Date, IX, 10S
Description
• Compact remote switch replicating all the
functions of a shutter release button.
•Cord length: 2 ft./60cm.
•Miniature infrared transmitter.
•Set for either instant shutter release or
2-sec. delay.
•Activate mirror lock and bulb shutter functions.
•Operates as far as 16.4 ft./5m.
•Compact design.
•Operates approximately 16.4 ft/5 m from the
camera.
•Set for either instant shutter release or
2-sec. delay.
•Activate mirror lock and bulb shutter functions.
•Compact design.
•Operates as far as 16 ft./5m from the camera.
*The WFT-E7A requires a firmware update and Interface Cables IFC-40AB II or IFC-150AB II to work with the EOS 7D Mark II.
**With no obstructions between the transmitting and receiving antennas, and no radio interference. With a large, high-performance antenna attached to the wireless LAN access point.
* T3 accessories require Remote Switch Adapter RA-N3 with N3-series cameras.
** EOS RT, 650, 630 and 620 require Grip GR20 with built-in T3 remote socket.
Remote Control Accessories
GPS Accessories
GPS Receiver GP-E2†
GPS Receiver GP-E1†
Compatibility
EOS-1D X, 5D Mark III*, 6D, 7D*, 70D, EOS Rebel T5i, T4i, SL1, T5, EOS M
EOS-1D X
Description
The GP-E2 allows photographers to geotag their photos. Its compact, lightweight design smoothly
integrates with the camera’s hot shoe or USB terminal without the need for additional power. The
GP-E2 automatically adds location information as EXIF data while shooting (latitude, longitude,
altitude, direction, universal coordinated time (UTC)). An on-board electronic compass supports
shooting even when held vertically, and the orientation can be displayed on a map with bundled
software. The camera’s clock can be easily set by the GP-E2’s atomic clock. It can also be used as a
stand-alone GPS logger.
To be used with the EOS-1D X, the GP-E1 is Canon’s first GPS Receiver. Its compact, lightweight design
smoothly integrates with the camera’s extension system terminal, allowing the hot shoe to remain
accessible without the need for additional power. The GP-E1 automatically adds location information
as EXIF data while shooting (latitude, longitude, altitude, direction, universal coordinated time (UTC)).
An on-board electronic compass supports shooting even when held vertically, and the orientation can
be displayed on a map with bundled software. The EOS-1D X’s clock can be easily set by the GP-E1’s
atomic clock.
Remote Switch
Adapter RA-N3
Remote Switch
Adapter T3
Extension Cord
ET-1000N3
Extension Cord
1000T3
Compatibility
All EOS DSLR cameras except EOS 5D Mark II,
7D, 70D, 60D, 60Da and Digital Rebel series, 1v
Hs, 1v, 3
N3-compatible cameras*, EOS 1N RS, 1N, 1,
A2/A2E, RT **, 630**, 620**, 650**
All EOS DSLR cameras except EOS 5D Mark II,
7D, 70D, 60D, 60Da, 50D and Digital Rebel and
Rebel series, 1v Hs, 1v, 3
N3-compatible cameras*, EOS 1N RS, 1N, 1,
A2/A2E, RT **, 630**, 620**, 650**
Description
•Enables old-model, T3 terminal-equipped
accessories to be connected to cameras with
the N3-type socket.
•Enables use of remote control devices with
standard 2-pin subminiature jacks with
T3-compatible EOS cameras.
•Connects compatible EOS cameras with
Timer Remote Controller TC-80N3 or Remote
Switch RS-80N3.
•Cord length:33 ft./10m.
•Used with any other T3-compatible accessories
for extension.
•Cord length: 33 ft./10m.
* T3 accessories require Remote Switch Adapter RA-N3 with N3-series cameras.
** EOS RT, 650, 630 and 620 require Grip GR20 with built-in T3 remote socket.
*The EOS 5D Mark III and EOS 7D cameras require a firmware upgrade to be compatible with the GPS Receiver GP-E2. Firmware updates are available on each individual product’s
webpage on the Canon website. See usa.canon.com/consumer for our full line of products.
†In certain countries and regions, the use of GPS may be restricted. Therefore, be sure to use GPS in accordance with the laws and regulations of your country or region. Be particularly
careful when traveling outside your home country. As a signal is received from GPS satellites, take sufficient measures when using in locations where the use of electronics is regulated.
Note:When the EOS 7D camera is used with the GP-E2 the following restrictions will apply: a) geotagging function will not work for movies while recording; b) geotagging features will not
work for movies when using the Map Utility; c) electronic compass information and automatic time setting is not available; d) transmission via the hot shoe is not possible.
70
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71
EOS SYSTEM ACCESSORIES
Focusing Screens Ef Series
Viewfinder Accessories
Focusing Screens Ec Series
For more customization, many of Canon’s EOS cameras are compatible
with a vast choice of eyecups, diopter lenses and more for greater
versatility in a number of shooting situations.
Ef-A:
Anti-Fog
Eyepiece Ec
Anti-Fog
Eyepiece Ed
Dioptric Adjustment Dioptric Adjustment Dioptric Adjustment Eyepiece Extender
Lens E
Lens Ed
Lens Eg
EP-EX15 II
Eyepiece Extender
EP-EX15
All EOS SLR cameras
except: 1Ds Mark III,
1D Mark III, 6D, 5D
Mark II, 60D, 60Da,
50D, 40D, EOS-3, A2/
A2E, ELAN 7 series,
ELAN II/IIE, IX, IX Lite
Compatibility
EOS-1Ds Mark II,
EOS-3, A2/A2E,
1Ds, 1D Mark II N,
ELAN 7 series,
1D Mark II, 1D,
ELAN II/IIE
D2000, 1v HS, 1v, 1N
RS, 1N, 1
All EOS SLR cameras EOS-3, A2/A2E,
except: EOS Mark III ELAN 7 series,
series, EOS-3, A2/A2E, ELAN II/IIE
ELAN 7 series,
ELAN II/IIE, IX, IX Lite
Description
These eyecups use specially treated
advanced-process glass, which helps to
prevent condensation, or fogging. The
eyecups are useful in warm, humid and cold
weather, when fogging is most likely to occur.
These Dioptric Adjustment lenses provide near- and far-sighted
users a clear viewfinder image without the use of eyeglasses.
Available in versions from +3 to -4 dpt to match many types of
eyesight, each Dioptric Adjustment Lens fits into the eyepiece
holders of the appropriate EOS model for convenient use and a
comfortable fit.
Note: EOS-1Ds Mark III, EOS-1D Mark III and EOS 7D use
Anti-fog Eyepiece Eg only.
EOS-1D X, 1D Mark IV,
1Ds Mark III,
1D Mark III,
5D Mark III,
7D Mark II, 7D
EOS 5D Mark II, 70D
60D, 60Da, 50D,
40D,
Rebel T5i, T4i, SL1,
T3i, T5, T3, T2i, T1i,
XSi, XS
Extends the eyepiece 5/8" (15mm) from the
camera body and reduces viewfinder
magnification by 30%. Useful for eyeglass
wearers and others to keep the tip of the nose
from touching the camera body.
Note: EOS-1Ds Mark III and EOS-1D Mark III require Dioptric Adjustment Lens Eg only.
Angle Finder C
Eyecup Ed-E
All EOS SLR cameras
(Includes Adapter
Ec-C and Ed-C to fit
any EOS camera.)
EOS-3, A2/A2E,
ELAN 7 series,
ELAN II/IIE
Angle Finder C lets
users adjust the
viewing angle while
providing a 2.5x
magnification for
critical focusing, or
a full-screen image
(1.25x) that includes
exposure data.
Provided with built-in
dioptric adjustment
for variations in
eyesight.
This large eyecup
keeps out most
sunlight and other
external light,
substantially
enhancing viewfinder
visibility. It is
especially helpful
for eyeglass wearers
when photographing
outdoors. The mount
can be rotated for
vertical shots.
Ef-S:
Compatibility
Eyecup Ec-II
Eyecup Ed
Eyecup Ef
Eyecup Eg
Rubber Frame Eb*
Rubber Frame Ec*
Rubber Frame Ef*
EOS ELAN, Rebel series**,
700, 750, 850, 6D, 5D
Mark II, 5D, 70D, 60D,
60Da, 50D, 40D, 30D,
20D, 20Da, 10D, D60,
D30
EOS-1Ds Mark II, 1Ds,
1D Mark II N,1D Mark II,
1D, D2000, 1v HS, 1v,
1N RS, 1N, 1
EOS-3, A2/A2E,
ELAN 7 series,
ELAN II/IIE
EOS Rebel T5i, T4i, SL1,
T3i, T5, T3, T2i, T1i, XSi,
XS, Digital Rebel XTi/XT,
EOS Digital Rebel,
Rebel T2, Ti, K2
EOS-1D X, 1D Mark IV,
1Ds Mark III, 1D Mark III,
5D Mark III, 7D Mark II,
7D
EOS 10S, ELAN, 6D
5D Mark II, 5D, 70D,
60D, 60Da, 50D, 40D,
30D, 20D, 20Da, 10D,
D60, D30, Rebel series**
EOS-1Ds Mark II, 1Ds,
1D Mark II N, 1D Mark II,
1D, D2000, 1v HS, 1v,
1N RS, 1N, 1
EOS Rebel T5i, T4i, SL1,
T3i, T5, T3, T2i, T1i, XSi,
XS, XTi, XT, Digital Rebel,
Rebel T2, Ti, K2
Ec-B: Split
Description
The standard focus screen
for EOS 40D. Standard
Precision Matte surface,
ideal with most lenses
including zooms f/3.5 thru
f/5.6. All matte surface.
Includes a special tool to
remove existing screen.
Precision Matte surface,
with etched grid lines to
assist composition. The EOS
40D’s AF points remain fully
visible. Focus characteristics
suited to most lenses.
Exclusively for the EOS 40D,
this focus screen is
optimized for wide-aperture
lenses from f/1.8 to f/2.8.
Areas that are slightly out
of focus appear more out of
focus, making it easier to tell
when focus is right-on. Ideal
for users who frequently
manually-focus in dim light
with fast lenses.
Ec-D: Laser-Matte
with Sections
Ec-H: Laser-Matte
with Scale
Ec-l: Laser-Matte with
Double Cross-Hair Reticle Ec-L: Cross-Split Image Ec-N: Laser-Matte
Ec-C III: Laser-Matte
Ec-C IV: Laser-Matte
EOS-1D X††, All models of EOS-1Ds and EOS-1D, EOS D2000, EOS-1v, 1N, 1N RS, EOS-1 and EOS-3
This matte field screen with
microprism focusing spot
in the center is used for
general photography with
all lenses. It achieves best
results when using a lens
of f/5.6 or faster.
Compatibility
EOS-1D X††, All models of EOS-1Ds and EOS-1D, EOS D2000, EOS-1v, 1N, 1N RS, EOS-1 and EOS-3
Description
This is a matte field screen
with sections. Grid lines
assist in determining
accurate picture composition.
It is especially well suited for
close-up photography or for
copy work using EF macro
lenses, it can also be used
for general photography with
all lenses.
A matte field screen with
vertical and horizontal scales
marked in millimeters, this
screen is effective for
close-up photography and
photo-micrography. Useful
in determining magnification
ratios and composition, this
screen can be used with all
lenses.
This is a matte field screen
with a clear center spot
containing a double
cross-hair reticule.
Focusing is possible using
the floating image of the
central cross hair. This
screen is particularly useful
for photomicrography
and astrophotography.
Surrounding matte field can
be used with all lenses.
Focusing Screen Sets for 4x5 and Square Formats
Eyecup Eb
Ec-A: Microprism
EOS 60D, 60Da, 50D, 40D
EF 400mm f/4 DO IS II USM • f/4.5 • 1/400 sec.
Eyecups, Rubber Frames and Dioptric Adjustment Lenses
Ef-D:
Compatibility
This matte field screen has
a cross-split image in the
center, which divides the
subject in half both vertically
and horizontally for accurate
manual focusing. Used for
general photography with
all lenses, best results are
obtained when using a lens
of f/5.6 or faster.
This matte field screen with
split-image focusing spot in
the center is good for general
photography with all lenses.
This is the standard screen
for the EOS-3. The outer
oval-shape the 45 AF points;
the inner circle is for spot
and FEL metering. When
shooting, the focusing
points will be indicated in
red LCD markings. Along
with the Ec-R screen, it is
approximately 1/2 stop
brighter than the LaserMatte series screens.
Standard on the EOS-1D
series, EOS-1v HS/EOS-1v,
and compatible with all EF
lenses, this screen includes
an Area AF ellipse and spot
metering circle. Manual
focus can be checked
anywhere on the screen.
Ec-R: Laser-Matte
This is the standard screen
provided with the
EOS-1N RS. It compensates
for decreased viewfinder
brightness due to the low
reflection factor of the
pellicle mirror. It is about
1/2-stop brighter but
otherwise similar to Focusing
Screen Ec-CII. It can be used
in all EOS-1 series cameras,
as well as the EOS-3.
This Laser Matte Ec-C IV uses
a shaping method improved
over the Ec-C III. It achieves
easier focusing and good
background blur. brighter,
less grainy, and better
balanced.
Ec-S: Super Precision
Matte†
An all-matte focus screen for
the EOS-1D Mark II N with
finer microlens structure
than the standard screens.
Out-of-focus areas show
more vividly than with the
other Ec type screens. Ideal
for fast lenses (f/1.8 through
f/2.8 max aperture).
Focusing Screens Ee Series
* Used with Dioptric Adjustment Lens E. ** Except Digital Rebel, Rebel T2, Ti and Rebel K2
Ec-1Ds/Ec-1D/Ee: Crop Lines
Focusing Screens Eh Series
Eh-A:
72
Compatibility
EOS 7D Mark II
Description
Standard focus screen exclusively
for the EOS 7D Mark II. Bright
and easy to distinguish focus.
For general photography with
all lenses.
Focusing Screens Eg Series
Eh-S:
The Super Precision Matte
screen obtains sharp points of
focus when using bright lenses
with a maximum f/2.8 or higher
aperture. The finer microlens
structure provides optimum
focusing for various scenes.
Eg-A II:
Eg-A:
Eg-D:
EOS 6D
EOS 5D Mark II
EOS 6D, 5D Mark II
Standard focus screen
exclusively for the EOS 6D.
Bright and easy to distinguish
focus. For general photography
with all lenses.
Standard focus screen
exclusively for the
EOS 5D Mark II. Matte surface
with nine AF points etched on
screen. For general photography
with all lenses.
Similar to standard Eg-A screen
for EOS 5D Mark II, but with
horizontal and vertical lines for
precise subject placement or
alignment. EOS 5D must
be set to Custom Function IV-5-1
for accurate exposure metering.
Eg-S:
An all-matte focus screen for
the EOS 5D Mark II with finer
microlens structure than the
standard screens. Out-of-focus
areas show more vividly than
with EG-A and EG-D screens.
EOS 5D Mark II must be set
to Custom Function IV-5-2 for
accurate exposure metering.
Ec-1Ds/Ec-1D/Ee: Black Mask
Ee-A: Precision Matte
Compatibility
EOS-1D X††, 1D Mark IV, 1Ds/1D Mark III, 1Ds/1D Mark II, 1Ds/1D
EOS 5D
Description
Ideal for the portrait and wedding photographer, the set “Crop Lines” includes
two focus screens—one with 4x5 (or 8x10) crop lines etched on the screen, and a
second screen with lines for square composition. All exposure metering can be
performed normally in camera, and red focus point illumination remains fully
active. The other sets “Black Mask” have and opaque black mask outside the
picture area. One screen of the set shows the area for 4x5 (or 8x10) cropping, the
other shows the area for square cropping. Partial or Spot metering is recommended
for these screens. E-TTL II flash exposure will definitely require significant
compensation. FEL (Flash Exposure Lock) in conjunction with either partial or spot
metering is recommended. 3 types are available for both sets respectively,
according to the size of the CMOS sensor and viewfinder optics: for full frame 1Ds
series* and 1D series.
Replacement standard focus screen
exclusively for the EOS 5D. Matte surface
with nine AF points etched on screen. For
general photography with all lenses.
Ee-D: Precision Matte
with Grid Lines
Similar to standard Ee-A screen for
EOS 5D, but with horizontal and vertical
lines for precise subject placement or
alignment. Overall matte surface gives
viewing and focusing very similar to
standard Ee-A screen. EOS 5D must be
set to Custom Function 00-1 for accurate
exposure metering.
Ee-S: Super-Precision Matte
An all-matte focus screen for the
EOS 5D with finer microlens structure
than the standard screens. Out-of-focus
areas show more vividly than with Ee-A
and Ee-D screens. It works best with
lenses from f/1.8 to f/2.8 max aperture,
especially for manual focusing. EOS 5D
must be set to Custom Function 00-2 for
accurate exposure metering.
*Can also be attached to 35mm EOS-1 series and EOS-3 cameras.
Note: All focusing screens include a special tool for removing original screen and installing new screen. EOS-1Ds, EOS-1D Mark II, EOS-1D, EOS-1v HS and EOS-1v—If using New Laser Matte Focus Screens Ec-N or
Ec-R, be sure to set camera’s Custom Function C.Fn-0 to “0”. EOS-3—If using Laser Matte Ec-A, Ec-B, Ec-C II, Ec-C III, Ec-D, Ec-I or Ec-L focus screens, be sure to set camera’s Custom Function C.Fn-0 to “1”.
Exposure compensation is required when combining the focusing screen Ec-R with the EOS-1 or EOS-1N, and when combining the focusing screens Ec-A, B, Cll, D, H, I and L with the EOS-1N RS. Refer to each
focusing screen’s instructions for detailed information. † EOS-1Ds Mark III, 1D Mark III and 1D Mark II N must be set to appropriate Custom Function for accurate exposure metering when this screen is installed.
Manual exposure is required for use with other EOS-1 series cameras. †† For the EOS-1D X, by changing the Focusing Screen Custom Function setting, the camera can be compatible with the Laser Matte
focusing screens: Ec-A, B, D, H, I, and L. The Ec-C IV and Ec-C, CII, CIII, S, N, and R focusing screens can also be installed, but since there is no Focusing Screen Custom Function setting for them, you must set
exposure compensation as you shoot.
usa.canon.com/eos
73
EOS SYSTEM ACCESSORIES
Peripherals
Bags & Cases
Designed to help you get the most out of your EOS cameras, Canon offers a
number of different accessories, including cables, straps and more, for added
convenience and portability.
Canon offers a comprehensive line of accessories for the photographer on the go.
Canon’s camera cases are built specially to help protect EOS models, and the bags can accommodate
a number of different camera configurations. These are all built to the highest standards,
and are the perfect complement to the EOS System.
Interface & Video Cables
Bag
Includes Custom
Media Case 10DG
Interface Cable
Interface Cable
IFC-150U II*/ IFC-500U II IFC-200U**/ IFC-500U
Interface Cable
USB Interface Cable
IFC-200D6 / IFC-200D4***/ IFC-400PCU****/
IFC-200D44
IFC-200PCU
Mini-HDMI Cable
HTC-100
AV Cable
AVC-DC400ST*****
Stereo Video Cable
STV-250N
Length
4.9 ft. (1.5m) /15.4 ft. (4.7m) 6.9 ft. (1.9m) / 15.4 ft. (4.7m) 6.6 ft. (2m)
3.3 ft. (1m)
9.5 ft. (2.9m)
4.9 ft. (1.5m)
4.9 ft.(1.5m)
Compatibility
EOS 7D Mark II
400 cable: EOS-1Ds,
1D Mark II, 1D Mark II N,
5D, 30D, 20D, 20Da, 10D,
Digital Rebel XTi, Rebel XT,
Digital Rebel /
200 cable: EOS D60, D30
EOS-1D X, 1D Mark IV,
5D Mark III, 6D, 5D Mark II,
7D Mark II, 7D, 70D, 60D,
60Da, 50D, Rebel T5i, T4i,
SL1, T3i, T5, T3, T2i, T1i,
EOS M
EOS-1D X, 1D Mark IV,
5D Mark III, 6D, 7D, 70D,
60D, 60Da, EOS M,
Rebel T5i, T4i, SL1, T3i, T2i
EOS 5D Mark II
Description
EOS-1D X, 1Ds Mark III,
1D Mark III, 1D Mark IV, 5D
Mark III, 6D, 5D Mark II, 7D,
70D, 60D, 60Da, 50D, 40D,
Rebel T5i, T4i, SL1, T3i, T5,
T3, T2i, T1i, XSi, XS, EOS M
USB cables for use with USB
3.0 Micro-B terminals, not
compatible with USB Mini-B
terminals. A cable protector
(sold separately) must always
be used. Using the IFC-500U II
cable will result in the transfer
speed equivalent to using USB
2.0, but it is designed to for a
USB 3.0 Micro-B terminal.
D6: EOS-1Ds, 1D /
D4: 1Ds Mark II, 1Ds,1D
Mark II N, 1D Mark II, 1D /
D44: 1Ds Mark II, 1D Mark
II N, 1D Mark II, IEEE 1394
(FireWire®) interface cables
used to connect the EOS to a
MAC or Windows.
D6: 6-pin/6-pin,
D4: 4-pin/6-pin,
D44: 4-pin/4-pin,
Mark ll series
cameras have 4-pin,
FireWire connector.
USB interface cables used to Cable to connect the
connect the EOS to a Mac or Camera’s mini-HDMI OUT
Windows.
terminal to the TV’s
HDMI port.
Enables direct image
display from the EOS to an
HD television or a similar
display device.
Digital Gadget Bag 100DG
Storage
Capacity
Cable to connect the
EOS 5D Mark II’s 3.5mm dia.
4-pole mini jack to the TV
or other appliance’s AV jack
(video and audio L/R).
1~ 2
2
~
3
1
Digital Gadget Bag 200DG
1~ 2
2
~
3
Professional Gadget Bag 1EG
2
7 ~ 10
Deluxe Gadget Bag 10EG
2
5 ~ 8
Compatibility
Inside: 13" x 9.5" x 6.25" (W x H x D)
Inside: 10.5" x 7.5" x 7" (W x H x D)
Inside: 14.2" x 8.7" x 8.3" (W x H x D)
Inside: 10.5" x 8.0" x 7.5" (W x H x D)
Description
To hold cameras, lenses, accessories and a laptop
computer. It features a durable, water-repellent
nylon extender, pockets and padded dividers. Also
Custom Media Case 10DG* to organize memory
cards and CDs is included.
This bag has a roomy main compartment for
camera body and extra lenses. Front and side
pockets hold extra batteries, storage media and
others. This functional bag features a non-slip
shoulder strap and water-resistant nylon covering
to keep your gear safe and sound.
Waterproof, urethane-coated material provides
this bag with superlative weather protection and
the weather flapped top cover. Fully padded
pockets and zippered pouches provide storage
spaces with fast access to equipment.
Made with rugged, waterproof material with all
the features of the Professional Gadget Bag 1EG.
Plus a built-in waist belt that tucks away behind
the rear pouch.
Gadget Bag 2400
Deluxe Back Pack 200EG
Custom Gadget Bag 100EG
Zoom Pack 1000
* Comes standard with the EOS 7D Mark II. ** Comes standard with the EOS-1D X, 1Ds Mark III, 1D Mark IV, 1D Mark III, 5D Mark II, 7D, 60D, 60Da, 50D, 40D, Rebel T2i, T1i, XSi, XS.
***Comes standard with the EOS-1D Mark II. **** Comes standard with the EOS-1Ds Mark III, 1D Mark IV, 1D Mark III, 1Ds Mark II,1D Mark II N, 1D Mark II, 5D Mark II, 7D, 5D, 50D, 40D,
30D, 20D, 10D and all Digital Rebel. ***** Comes standard with the EOS 1D Mark IV, 7D, 60D, 60Da, Rebel T3i, T2i.
Tripod & Monopod
Rain Cover
Storage
Capacity
Monopod 500
Length
64.5" extended/21.9" folded
Rain Cover ERC-E4S
Weight
1.1 lbs.
Description
A lightweight, high-quality monopod featuring a deluxe 4-section compact
tubular leg with quickside-lever leg locks and rubber tipped foot for added
stability. The Monopod 100 has a foam-covered handgrip, wrist strap and
also a ball socket head.
The rain cover can be used with any EOS DSLR and select
EOS film cameras by replacing the eyecup. Comes in small,
medium and large to fit a wide range of lenses.
Rain Cover ERC-E4M
1
~
2
1~2
3 ~ 4
1~2
3 ~ 4
1
1
Compatibility
Size: 9.5" x 7.0" x 6.0" (W x H x D)
Inside: 10" x 14.75" x 5" (W x H x D)
Inside: 9" x 7" x 5.5" (W x H x D)
Inside: 6.5" x 8.7" x 4.72" (W x H x D)
Description
A lightweight and versatile camera bag designed to
hold your important gear. Durable water-repellant
nylon shell and padded interior keep all
equipment secure. Front and side pockets add
storage space and easy access for smaller items.
Perfect for the active photographer. Constructed
of rugged water-repellant nylon, well arranged
dividers and multiple pockets and pouches mean
there is plenty of room for just about anything.
The front zippered pouch features 3 accessory
pockets. The rear flat-pouch is perfect for storing
things such as plane tickets. There is also a
zippered full-length mesh pouch inside the
tip cover.
Specially designed to comfortably transport one
camera with a standard zoom lens. It features
waterproof material, a belt strap and front pouch
for small items such as films, memory cards or
accessories.
Semi-Hard Case
EH19-L
Semi-Hard Case
EH24-L
EOS Rebel T5i, T4i, T3i, T5, T3, T1i, XSi
EOS Rebel T5i, T4i, T3i, T5, T3, T1i, XSi
Rain Cover ERC-E4L
Back view
1
Case
Canon Straps
Wide Neck Strap
EW-EOS 5D Mark II*
Wide Strap
EW-EOS 7D*
Wide Strap
EW-EOS 70D
Wide Strap
EW-EOS 60D*
Wide Strap
EW-100DB IV*
Neck Strap
L4
Neck Strap
L3*
Hand Strap
E2*
Professional Neck Strap 1*
Rugged, high quality neck strap designed for the most demanding
photographers. Features durable non-slip backing, quick-release clips and
anti-twist hardware to make carrying and shooting easy.
Compatibility*
* For compatibility with specific lenses see your Canon Authorized Dealer or visit usa.canon.com/eos.
* Also available separately.
74
usa.canon.com/eos
75
GO WHEREVER THE STORY TAKES YOU
EOS C500
EOS C500 PL
EOS C300
EOS C300 PL
EOS C100
EOS-1D C
CINEMA EOS
CINEMA LENSES
CINEMA CAMERAS
Canon’s expanding lineup of dedicated Super 35mm
Cinema Lenses is engineered to meet the most demanding
requirements of high-end cinematography. Covering a
wide range of popular cinema focal lengths in a series
of Zooms, Compact Zooms and Prime Lenses, it’s one
of the most complete lineups of lenses available to any
filmmaker. Whether you are involved in film production,
TV commercials, TV dramas, independent, video or
film school production, these are the lenses you
need for all reasons.
The Cinema EOS System includes four cameras: the EOS C500 4K Digital Cinema Camera; the EOS-1D C 4K DSLR Cinema
Camera; the EOS C300 Digital Cinema Camera; and the EOS C100 Digital Video Camera. Each camera offers
superb image performance and outstanding operational features and benefits. They are innovative, digitally and
physically robust, and backed by Canon’s legendary high-quality craftsmanship. Indeed, these are the cinema
cameras that let you go wherever the story takes you.
A Digital Cinema Camera with Few Competitors
The Canon EOS C500 4K Digital Cinema Camera is the flagship of the Cinema EOS family, offering
many contemporary high-resolution motion-imaging choices. Direct readout from its Canon-developed
Super 35mm 4K CMOS image sensor eliminates the debayering process and allows for uncompressed
2K or HD 4:4:4 RGB, as well as 4K Half Raw, at up to 120P frame rates to be output to external
recorders via 3G-SDI serial interface. To accommodate 4K production, it can also image in either
the cinema-centric 4096 x 2160 format, or the television-centric 3840 x 2160 UHDTV format by
delivering uncompressed 4K RAW output to external recorders.
The First Ever Canon 4K DSLR Cinema Camera
Canon Cinema Zoom and
Compact Zoom Lenses
Canon Cinema Zoom and Compact Zoom Lenses
use advanced optical glass materials, optical
coatings and powerful sophisticated design
techniques to offer amazing 4K optical
performance. All four lens models are available
in EF- or PL-mount versions, and for added
flexibility the mount on all models can be
switched at a Canon service facility.
Zoom Lens Series – Canon Cinema Zoom Lenses
offer extraordinary optical performance that
exceeds 4K resolution. They combine fluorite
and aspherical lens elements, the latest in
advanced optical coatings and superb lens
designs for outstanding edge-to-edge image
quality. These lenses also feature minimal
lens distortions and exceed the resolving
power of the prime lenses at all zoom levels.
Surprisingly low-weight, the wide-angle
CN-E14.5–60mm T2.6 L S/SP and telephoto
CN-E30–300mm T2.95–3.7 L S/SP cover the
range of focal lengths most commonly used
in filmmaking.
Compact Zoom Lens Series – Canon Cinema
Compact Zoom Lenses offer 4K resolution in
form factors that enable more flexible, less
78
intrusive shooting. The CN-E15.5–47mm T2.8
L S/SP delivers a wide to medium range of
focal lengths, while the CN-E30–105mm T2.8
L S/SP covers wide to modest telephoto shots.
When the two lenses are used as a pair, they
cover a very broad zoom range. They also
feature a constant T-number (2.8) throughout
their zoom ranges as well as the latest
advancements in lens design for outstanding
image quality and minimal distortion. Both
zoom lenses are ideal for Steadicam™ and
hand-held shooting as well as for applications
beyond filmmaking.
Canon Cinema Prime Lenses
The flexible series of Canon Cinema Prime
Lenses offers spectacular 4K-image quality
and a full-frame image circle, in lightweight,
compact designs. This family of lenses features
high optical speed, produces amazingly sharp
images and superb contrast, and maintains
tightly controlled focus breathing and
geometric distortion. Low T-numbers enable
better low-light shooting and enhanced image
expression with shallow depth-of-field and
beautiful bokeh of large image circles.
These EF-mount models offer consistent form
factors and markings that have been optimized
for motion picture production, and represent
the beginning of an evolving family of cinema
primes. Canon Cinema Prime Lenses are also
compatible – under manual operation – with
all Canon EOS DSLR models, including the
full-frame EOS-1D X and EOS 5D Mark III, as
well as the EOS 7D and EOS 60D models that
use APS-C sized image sensors.
Cinema Lens Gearing and Control
Canon Cinema Lenses meet cinematographers’
highest expectations of control over focus, iris
and zoom. Wide rotation angles – especially on
focus controls – combine with large, highly
visible scales, high mechanical accuracy of
each control, and a carefully implemented
tactile resistance that augments operational
precision. A unique optical design that
significantly minimizes focus breathing
facilitates a new level of creative focus pulls.
The Cinema Zoom lenses’ associated three
gears are precisely matched in location and
diameter to facilitate convenient lens exchange
during a shoot. The same is true for the Cinema
Compact Zoom lens series, and for the series of
Cinema Prime lenses.
The Canon EOS-1D C 4K DSLR Cinema Camera is a singularly unique, self-contained motion-imaging
system. It utilizes a Canon-developed Full-Frame 18.1 Megapixel CMOS image sensor and offers
digital 4K at 24 fps motion imaging, two separate modes of 16:9 HD motion imaging, and full-frame
image grabs with resolution suitable for high-end digital stills – all captured in-camera to CF cards.
Motion-JPEG compression is used for 4K YUV 4:2:2 recording, and MPEG-4 AVCHD / H.264 codecs for
the two HD modes – each at high data rates – help ensure excellent image capture performance.
Canon’s First Entry Into the Digital Cinema Market
Incorporating Canon’s innovative Super 35mm imaging system, the EOS C300 Digital Cinema
Camera’s 50 Mbps 4:2:2 XF Codec not only holds up to the most rigorous color correction, but also
conforms to worldwide broadcast standards. A pair of CF card slots affords a choice between double
slot recording for enhanced security and Relay Recording for continuous roll time. Coupled with its
superb low-light performance and filmic grain structure, the EOS C300 offers intuitive ergonomics
that let it tuck into places that other cameras cannot.
A Compact Digital Camera with HD Capabilities
The EOS C100 Digital Video Camera targets a broad range of lower-budget film and video productions
with a highly flexible, modular design that supports a variety of single-operator shooting styles.
The camera uses the same ultra-precision, Super 35mm imaging system found in both the EOS C500
and EOS C300, thereby originating equally high image quality, sharpness and sensitivity.
The industry-standard AVCHD file-compression codec records HD video at data rates up to 24 Mbps
and integrates easily into post-production workflows. Dual SD-format memory card slots enable
Relay Recording for continuous roll time and double-slot recording for enhanced security.
usa.canon.com/cinemaeos
79
POWERSHOT
The Perfect Complement to Your EOS System
With shared EOS technologies like Genuine Canon optics, Optical Image Stabilizer, the
Image
Processor, and a familiar user interface, it’s easy to transition seamlessly between an EOS camera
and a PowerShot digital camera. They’re the perfect complement to each other.
The Mark of PowerShot Excellence
Powered to Inspire
The PowerShot flagship raises imaging performance with a large 1.5-inch
6
12.8 Megapixel High-Sensitivity CMOS sensor and powerful
Image Processor. A bright, 5x wide-angle optical zoom lens with Optical
Image Stabilizer and a circular, 9-blade aperture deliver stunning blurred
backgrounds. The PowerShot G1 X Mark II camera delivers the image
quality you would expect with a digital SLR camera but in a portable,
Wi-Fi® and NFC enabled package. Compatible with select EOS accessories,
Speedlites and a dedicated Electronic Viewfinder, this is a powerful
compact camera that can be used as a companion to an EOS digital SLR or
as a standalone camera.
6
A 1.0-inch, 20.2 Megapixel* High-Sensitivity CMOS sensor and
Image Processor produce amazing low-light images up to ISO 12800. The
PowerShot G7 X camera has an f/1.8 (W) – f/2.8 (T) lens with 4.2x Optical
Zoom (24–100mm), and a 9-blade circular aperture diaphragm for artistic
background blur. A minimum focus range of 2.0 in. provides precise macro
shooting. Built-in Wi-Fi®** and NFC*** make this camera selfie-ready with
a high-resolution multi-angle capacitive 3.0-inch touch panel LCD. It also
has High-Speed AF (0.1 sec.), 31 AF points, full-resolution continuous
shooting up to 6.5 fps and 1080p/60p HD video. The PowerShot G7 X is an
incredible sophisticated compact camera with advanced performance.
The 1.5-inch type and 1.0-inch
type CMOS sensors (found on the
PowerShot G1 X Mark II and
PowerShot G7 X cameras
respectively) capture stills and
videos in amazing quality. These
large sensors capture more light with every
pixel, enabling incredible low-light performance
up to ISO 12800 with minimal noise and a
wide dynamic range even in shadow and
highlight areas. The PowerShot G1 X Mark II
and PowerShot G7 X
cameras’ sensors also
allow RAW images to be
captured in 3:2 and 4:3,
while maintaining the
same angle of view. The
added benefit of fast
f/2.0 (PowerShot G1 X Mark II) and f/1.8
(PowerShot G7 X) lenses offer great control
over depth-of-field, making it easy to achieve
sharp images with beautiful background blur.
*Size used in most point-and-shoot cameras
Bright Lenses
80
Incredible Imaging, Ready to Share
Advanced Imaging and Sharing with a Touch
Built-in Wi-Fi® offers easy set-up to quickly share the spectacular images you
create with the PowerShot G16 camera. The 12.1 Megapixel High-Sensitivity
6 Image Processor help capture brilliant image
CMOS Sensor and
even in low light with an expanded ISO range of 80–12800 and a bright
f/1.8, 5x Optical Zoom lens. Continuous shooting with full resolution is
possible and the camera features Multi aspect RAW, plus compatibility with
Canon Speedlite flashes and a variety of EOS System accessories.
Incredibly compact and slim, the PowerShot S120 camera provides easy
wireless sharing via built-in Wi-Fi® and touch-screen convenience. A 12.1
6 Image Processor helps
Megapixel High-Sensitivity CMOS Sensor and
produce rich, natural color and clarity in dim light. Shoot with great definition
at ISO speeds from 80 to 12800, and capture realistic 1080p/60p Full HD
video. The bright f/1.8 lens captures the subtle nuances of low light, and the
24mm Wide-Angle lens and 5x Optical Zoom offer shooting versatility.
* Image processing may cause a decrease in the number of pixels. ** Compatible with iOS versions 6.0/6.1/7.0/7.1, Android smartphone versions 2.3.3/4.0/4.1/4.2/4.3/4.4 and Android
tablet versions 4.0/4.1/4.2/4.3/4.4. Data charges may apply. *** Compatible with Android devices version 4.0 or later.
shifts a lens group to correct unwanted camera
movement. It makes handheld photography
more practical in more shooting situations,
reducing camera shake for a sharper, steadier
image, even in low light.
Large CMOS Sensors
The PowerShot G1 X Mark II, G7 X, G16 and S120
cameras come equipped with some of the
most outstanding optics offered by Canon.
Maximum apertures, fast lenses (f/2.0 on the
PowerShot G1 X Mark II, f/1.8 on the PowerShot
G7 X, G16, and S120), wide-angle zooms
(24–120mm on the PowerShot G1 X Mark II,
28–100mm on the PowerShot G7 X, 28–140mm
on the PowerShot G16, and 24–120mm on the
PowerShot S120) and the lens-based Optical
Image Stabilizer (OIS), help ensure that
images are sharp and
crisp. Hybrid IS works in
unison with OIS to greatly
reduce pitch and yaw
during macro photography
for impressive results.
HS SYSTEM
The superb performance of the
PowerShot G1 X Mark II, G7 X,
G16, and S120 cameras is in no
small part due to the Canon HS SYSTEM. The
combination of an advanced high-sensitivity
Intelligent IS
sensor and the brilliant DIGIC Image Processor,
along with bright lenses and the Canon Optical
Image Stabilizer, help ensure enhanced
performance. It delivers lower noise images
even at higher ISO speeds and an increase in
dynamic range. The result is dramatically
improved image quality with less blurring and
superb detail in numerous shooting situations.
Image
Processors
Since their groundbreaking
introduction in 1999, Canon
DIGIC Image Processors have set the standard
for performance and brought powerful features
to PowerShot digital cameras with each
successive generation.
Image
Processors provide high-speed continuous
shooting and Full HD video, and also enables
Full HD video in MP4 format and steadier video
shooting. These processors also deliver
advanced noise reduction under low light and
an advanced Multi-area White Balance. The
powerful
6 Image Processor brings
outstanding clarity to low-light shooting for
incredibly steady video capture with enhanced
Dynamic IS and video recording in 1080p/60p
in MP4 format.
HD Video
The PowerShot G1 X Mark II,
G7 X, G16 and S120 cameras do
more than take amazing photos. They are also
superbly versatile image capture tools that
can shoot stunning 1080p Full HD video. The
PowerShot G7 X can record in 1080p/60p for
truly cinematic quality. Enjoy your spectacular
HD footage with stereo sound on your HDTV
using the convenient HDMI output connector.
Optical Image Stabilizer
Handheld shooting can often
lead to camera shake, making
photos and videos blurry. Canon’s Optical
Image Stabilizer is a sophisticated system that
Intelligent IS analyzes camera
movement and applies the best
shake correction method for the
shooting situation. For still photos, the system
automatically selects from among Normal IS,
Panning IS, Macro (Hybrid) IS and Tripod modes.
When shooting video, the system automatically
selects from Dynamic IS, Powered IS, Macro
(Hybrid) IS and active Tripod IS modes. This
sophisticated technology helps you concentrate
on image capture, while letting the camera make
the most effective IS settings to prevent blur.
RAW Image Capture
The PowerShot G1 X Mark II, G7 X,
G16 and S120 cameras offer RAW
image recording in addition to JPEG. Perfect for
images that the photographer wishes to work
with in post-production, RAW files are the
equivalent of digital negatives, in that only the
image data is recorded. RAW image files allow
the photographer to alter aspects like color
balance, sharpness, saturation and more,
infinite times in post-production practically
without image degradation.
Enhanced Camera
Operation
Features like a capacitive, tilt,
touch panel LCD and control rings bring a new
level of versatility and customization to the
photographic process. The capacitive touch
panel LCDs on the PowerShot G1 X Mark II, G7 X
and S120 cameras make shooting more intuitive,
while the tiltable LCD monitors (up to 180˚ and
down 45˚) on the PowerShot G1 X Mark II and
PowerShot G7 X cameras allow for composing
and shooting at a number of angles. Built-in
Wi-Fi® on the PowerShot G1 X Mark II, G7 X,
G16 and S120 enables easy sharing of images
to social networking sites, CANON iMAGE
GATEWAY#, compatible iOS® or Android™
devices** and allows for wireless printing to a
PictBridge (Wireless LAN) certified printer.
Wireless capabilities also make it possible to
use a smartphone to control camera functions
remotely using the CameraWindow app^. Plus,
there’s built-in NFC (PowerShot G1 X Mark II
and PowerShot G7 X only) to streamline
connection to compatible Android™ devices***.
# One-time registration is required on CANON iMAGE GATEWAY online photo album. ** Compatible with iOS versions 6.0/6.1/7.0/7.1, Android smartphone versions
2.3.3/4.0/4.1/4.2/4.3/4.4 and Android tablet versions 4.0/4.1/4.2/4.3/4.4. Data charges may apply. ***Compatible with Android devices version 4.0 or later. ^This software enables you
to upload images to social network services. Before uploading images, please be aware that image files may contain privacy related information such as people and places. If necessary,
please delete such information. Canon does not obtain, collect or use such images or any information included in such images through this software. Compatible with iOS versions 5/6/7 for
select devices. MP4 60p and AVCHD recordings are not supported for this function.
usa.canon.com/powershot
81
EDUCATION
POWERSHOT
& INSPIRATION
Canon Digital Learning Center
Canon Live Learning
Canon’s collaborative effort with professional imagemakers, the Canon Digital Learning Center
(CDLC) is an on-line educational resource designed to help users evolve and advance their skills.
From information on a variety of Canon imaging equipment to tips on composition, lighting, video
and printing techniques, the CDLC informs and inspires at every step to help give your projects a
sleek, professional-looking polish. Simply visit learn.usa.canon.com and get started today!
Canon Live Learning (CLL) presents exclusive on-site educational experiences offered around the
country delivering dynamic learning opportunities for enthusiasts and professionals through workshops
and high quality hands-on classes. Led by industry experts and professional photographers, including
Canon’s Explorers of Light, you will gain both technical and creative expertise through these exciting
programs. To learn more, visit: usa.canon.com/canonlivelearning.
Galleries
Events Calendar
Home Page
Mobile Friendly
Video Knowledge Base
Expand Your Knowledge
The CDLC covers topics of interest to advanced
amateurs and professional users of Canon
imaging products. Continuously updated, the
site offers an ever-growing collection of practical
information with time-saving navigation and
search tools that help you find what you need
quickly and easily.
Expand your product and software knowledge
How-To Videos and Image Galleries
82
learn.usa.canon.com
Learn from the Pros
and gain proficiency through tutorials created
by experts. Watch How-To videos on a wide
variety of imaging topics, including equipment
and techniques. Visit galleries to be inspired
by some of the world’s most eye-catching and
history-making still and motion images. Read
in-depth articles on how to make the most of
your equipment and check out our weekly blog
written by Canon technical advisors and special
guest contributors. Download QuickGuides
that you can print and take with you for study
and reference. Go behind the scenes at
professional photo and video shoots and learn
by watching the nation’s greatest image-makers
practice their crafts.
For those who want to go beyond online
learning, the CDLC also hosts a Sponsored
Events Calendar. Users can browse through
a comprehensive selection of workshops,
seminars, lectures and trade shows
throughout the country. All combined, the
CDLC is an extraordinary resource for pure
inspiration and technical mastery of your
Canon professional imaging products.
Camera Tutorials Gallery, and Sample
Tutorial Video
For Professionals
For Enthusiasts
For professionals, CLL offers high-level
instruction based on achieving results.
Canon provides professional imagemakers
with the educational resources needed to
stay in touch with industry demands across
the country.
At the Canon Hollywood Professional
Technology & Support Center, workshops are
designed for video and film professionals
who want to master the cinematographic
capabilities of the EOS HD DSLR cameras. Our
most recent addition to Canon Live Learning
course offerings is in the San Francisco
region. The CLL San Francisco space provides
ongoing access to photo education programs
for all levels of Canon users, tailoring to their
camera and needs. New professional offerings
are always in development for a range of still,
print and moving imagemakers.
Canon brings enthusiasts to a new level of
experience with the Canon In Action Tour. This
Saturday Seminar and Sunday Workshop series
teaches enthusiasts the keys to maximizing
their personal vision through field-proven
Canon Live Learning: Workshops and Classes page
techniques and creative insights. Get in on
the action and learn to use your camera inside
and out, venture out of “Auto” mode, harness
the power of video, maximize the potential of
Speedlite flashes, and create images like a
pro – with depth, dimension and detail.
Speedlite Intensive and DSLR Video Exploration
Workshops lay the groundwork for a broad
range of technical and creative skills aligned to
your personal style.
For the adventuresome enthusiast, Canon
combines some of the most beautiful and
exciting locations in the USA with our elite
Explorers of Light instructors for the EOS
Destination Workshops. These intimate
multi-day workshops take the CLL experience
into the field. Past workshop locations have
included Arches and Yosemite National Parks,
Brown Bears of Alaska and Macro Photography
at our country’s stunning botanical gardens.
usa.canon.com/canonlivelearning
83
World Class Service and Support For Professionals.
State-of-the-art, high-quality, easy to use – these describe Canon’s service and
support programs just as accurately as they do Canon’s products. Whether you’re
Nationwide
an individual or represent a large enterprise, your needs are critical, which is
Service & Support
why Canon provides unique customer service and support programs specifically
Network For
for professionals. Flexible and customized service offerings and membership
Professionals
programs designed to meet your needs and your budget give you access to 24/7
technical support at our 100% U.S.-based call center, factory-trained service
technicians, genuine Canon parts, a nationwide service network including the Canon
Hollywood Professional Technology & Support Center, loaner equipment…and much more.
Canon’s team of service and support professionals is here to assist you to get the most out of your Canon
products and to support you whenever you need it. You are never on your own.
Focused on Professionals.
Custom Service Programs.
Product Repair and Maintenance
• Nationwide State-of-the-Art Service Facilities
• Fast Repair Processing & Available Loaner Equipment
• Genuine Canon Parts
• Factory-Level Quality
• Precision Lens Centers
Canon’s custom service programs are designed for professionals
with even the most critical uptime requirements and high
priority needs, and provide extensive service and support
benefits to keep your business up and running.
CANON ENTERPRISE CPS
Customer Service & Technical Support
• Team of Industry Experts
• Industry-Leading Response Times
• In-House Studio Test Environment
• 24/7 Support Available
•1
00% US-Based Call Center, 100% Canon Staffed
(No Outsourcing!)
Personalized Support
for the Imaging Professional.
Canon Professional Services (CPS) provides exceptional support for
full-time imaging professionals. CPS members receive exclusive 24/7
phone and email support, expedited and discounted equipment
maintenance and repairs, Equipment Evaluation Loans, on-site support
at select events and shows, discounts on select Canon Live Learning
seminars and workshops, and more.
Significant discounts are applied to repairs sent in under a Gold,
Platinum, or Cinema membership. Members will also enjoy
substantially reduced repair downtime with a 2 or 3-day turnaround
on most repairs, depending on membership level.
Canon understands the need for professional image-makers to have
a “try before you buy” program. This unique evaluation loan program
streamlines the decision-making process on essential purchases
(available to Gold, Platinum, and Cinema members only).
Canon’s highly skilled and US-based support agents are available
around-the-clock to help you with any technical issues that may arise.
Members can also enjoy exclusive on-site service and support at
select sporting events, trade shows, and educational events.
Learn more about CPS and our Enterprise CPS Program at:
cps.usa.canon.com
• Discounted repair service
• Expedited Repair Turnaround
• Equipment Evaluation Loans
• 24/7 U.S.-based domestic & international hotline
1-800-OK-CANON
RECOGNITION FOR EXCELLENCE
PCMag.com Readers’ Choice Award for Service & Reliability
PRO.USA.CANON.COM/SUPPORT
DEDICATED PRO
TECH SUPPORT
PRO EDUCATION
& TRAINING
OUR FOCUS IS YOU
PCMag.com logos are trademarks of Ziff Davis, Inc. Used under license. Reprinted with permission.
©2014 Ziff Davis, Inc. All rights reserved.
84
FAST REPAIR
TURNAROUND
• On-site support at major events and shows
• Product Maintenance
See what’s new on a
daily basis, and more.
facebook.com/CanonUSA
Stay up to date on the
latest videos from Canon.
youtube.com/CanonUSA
Follow us for news, product
launches, events and more.
twitter.com/CanonUSAimaging
Certain images and effects simulated. All data is based
on Canon’s Standard Test Method. Specifications and
availability are subject to change without notice. Weight
and dimensions are approximate. Not responsible for
typographical errors.
©2014 Canon U.S.A., Inc. All rights reserved. Canon, DIGIC,
the DiG!C logo, ELPH, EOS, EOS Rebel and PowerShot are
registered trademarks of Canon Inc. in the United States
and may also be registered trademarks or trademarks in
other countries. HDMI, the HDMI logo and High-Definition
Multimedia Interface are registered trademarks or trademarks
of HDMI Licensing, LLC in the United States and/or other
countries. x.v. Color is a trademark of Sony Corporation.
AVCHD and the AVCHD logo are trademarks of Matsushita
Electric Industrial Co., LTD. and Sony Corporation. HDV
and the HDV logo are trademarks of Sony Corporation and
Victor Company of Japan, limited (JVC). The SDXC logo is a
trademark of SD-3C, LLC. Wi-Fi and the Wi-Fi CERTIFIED logo
are registered trademarks of the Wi-Fi Alliance. The N Mark
is a trademark or registered trademark of NFC Forum, Inc.
in the United States and in other countries. Facebook is a
trademark of Facebook Inc. Android and YouTube are trademarks
of Google Inc. iPad, iPhone, iPod, iPod touch and Mac are
registered trademarks of Apple Inc. iOS is a trademark
or registered trademark of Cisco in the U.S. and other
countries and is used under license. Microsoft and Windows
Vista are trademarks or registered trademarks of Microsoft
Corporation. Twitter is a registered trademark of Twitter, Inc.
All other product names, brand names and logos are
trademarks or service marks of their respective owners.
Canon makes no representations or warranties with respect
to any third party accessory or product mentioned herein.
Use of genuine Canon accessories is recommended; these
products are designed to perform optimally when used with
genuine Canon accessories.
Warning: Unauthorized recording of copyrighted materials
may infringe on the rights of copyright owners and be
contrary to copyright laws.
1-800-OK-CANON
usa.canon.com/eos
Canon U.S.A., Inc.
One Canon Park
Melville, NY 11747 U.S.A.
Canon Hollywood
Professional Technology and Support Center
6060 Sunset Boulevard
Los Angeles, CA 90028 U.S.A.
Canon Canada, Inc.
6390 Dixie Road
Mississauga, Ontario L5T 1P7 Canada
Canon Latin America, Inc.
One Canon Park
Melville, NY 11747 U.S.A.
Canon Mexicana, S. de R.L. de C.V.
Blvd. Manuel Ávila Camacho No. 138, Piso 17
Col. Lomas de Chapultepec
C.P. 11000 México, D.F. México
0188W154 10/14
PRINTED IN U.S.A.
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