01v96 catalog
DOCUMENTAZIONE
Moonwalk Service
c/o Claudio Giulio Prencipe
Noleggio Audio e Luci | Installazioni per Eventi
via Camogli 11/3 - Rivoli frazione Cascine Vica, 10098 (TO)
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www.yamahaproaudio.com
www.yamaha.co.jp/product/proaudio/homeenglish
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Features
Introduction
No Compromise.
Just Smaller.
Yamaha’s flagship digital mixing consoles are the accepted standards throughout the
world: the awesome PM1D for sound reinforcement, broadcast, and theater;
the DM2000, DM1000, and 02R96 for sound and music production.
Cutting-edge Performance, Capacity,
Control & Compatibility
You simply won’t find another digital console this compact and affordable that offers this much
performance and flexibility. The 01V96 fits comfortably in the small-studio space – and budget –
while delivering sound, capacity, control, and compatibility on a par with much larger consoles.
Now the 01V96 brings you the same performance and reliability in a smaller, more
affordable format that’s perfect for the home or smaller professional production
studio. Still, it has a maximum 40-channel input capacity and can be cascaded for
applications that require more. And, of course, 24-bit/96-kHz operation is standard.
Mixer functions and effects are all inherited from the top-of-the-line DM2000, so you
know you’re getting the best. Prepare to be amazed at how far Yamaha digital
evolution has come. If you thought that cutting-edge digital mixing and processing
performance was still beyond reach, here is a very good reason to smile.
24-bit/96-kHz Performance
Takes Digital Sound To
the Next Level
Digital audio technology has come a long way since the early
days of 16 bits at 44.1 kHz – a format that many considered
20-bus Configuration
The 01V96 offers a main stereo program bus, eight individual
mixing buses, two solo buses, and eight auxiliary buses –
a total of 20 in all. This gives you plenty of signal-routing
options to adapt to just about any mixing requirements.
to be the reason for “harsh”, “cold” sound. The entire industry
is now settling on 24-bit/96-kHz digital operation for
significantly superior sonic quality. The 01V96 does give you
a choice – you can work at 44.1 kHz, 48 kHz, 88.2 kHz, or 96
kHz, depending on the needs of each individual project.
But when you want the truly transparent, incredibly dynamic
sound of 24-bits at 96 kHz, the 01V96 is ready to deliver.
It even includes a
comprehensive range of
superb 96-kHz compatible
stereo effects with 32-bit
internal processing.
Built-in ADAT Optical Interface
The 01V96 comes with an industry-standard ADAT optical
digital I/O interface built right in – no options necessary.
ADAT “Lightpipe” optical I/O is standard on a wide range of
current digital sound gear, so you can
simply plug in via optical cables for 8
digital inputs and 8 digital outputs that
will handle your digital signals without
compromise. Additional optical I/O
capacity can be added via the 01V96
expansion slot, as necessary.
24 Analog & Digital Channel Inputs
... Expandable to 40
Right out of the box the 01V96 gives you 16 analog channel
inputs – 12 with high-performance microphone head
amplifiers – and eight digital channel inputs via a built-in
ADAT optical interface. The first 12 analog channels will
accept microphone signals or balanced/unbalanced line-level
signals, while the remaining four channels can be used either
as individual balanced/unbalanced line inputs or two stereo
pairs. Without going any further you’re ready to handle a
comprehensive mix of analog and digital inputs. When you
need more, Yamaha offers a range of Mini-YGDAI expansion
cards that can simply be plugged into the 01V96 expansion
slot to provide additional I/O in a variety of formats: ADAT,
AES/EBU, TDIF or analog.
Features
Features
Fast, Flexible Digital Patching
Internal Effects Fully Support
96-kHz Processing
Expandable Data Libraries
Surround Panning
Setting up EQ, compression, and other parameters for a mix
Surround is becoming an important part of modern sound
be assigned to any of the console’s channels or outputs via
You could use external digital effect processors with the
from scratch can be a daunting task, so Yamaha has
production. The 01V96 features 6.1, 5.1 and 3-1 surround
the 01V96’s remarkably versatile, easy-to-use digital patching
01V96, but what’s the point when it features top-performance
provided an extensive selection of presets in a range of
panning modes so you can create surround mixes without
system. For example, any of the effect processors can be
24-bit/96kHz effect processors built-in? Also, you’re going to
“libraries” that can simply be selected and used unmodified,
having to sacrifice features or performance in other areas.
assigned to an auxiliary bus for send-type operation,
compromise audio quality if you have to convert down to a
or edited to suit specific requirements. Libraries are provided
or inserted directly into any input channel as required.
lower sampling rate for effect processing – which is exactly
for effects, compression,
A direct out function also allows the signal from any of the
what’s going to happen if you use hardware or software
gating, EQ, I/O patching,
input channels to be routed directly to any digital or analog
processors that don’t offer 24-bit/96kHz performance
and channel setups.
output. The eight auxiliary buses can also be patched to
anywhere in your signal chain. That’s why Yamaha included a
Of course, your own
anywhere in the system. Centralized control means you’ll
comprehensive range of
setups can be added to
never have to run around
96-kHz compatible stereo
the libraries for instant
to physically re-patch
effects in the 01V96.
recall whenever they are
cables whenever you
You can use two effects
needed.
need to reconfigure the
simultaneously at 88.2/96-
system, and patch setups
kHz, and up to four effects
you might want to use
at lower sampling
again can be stored in the
frequencies.
All available inputs, outputs, effects, and channel inserts can
SURROUND CH EDIT
EFFECT LIBRARY
FX1 LIB
01V96 “patch library” for
INPUT PATCH
instant recall at any time.
SURROUND MODE
01V96 Cascade Link
When you really need high capacity – particularly for sound
99-Scene Memory
Top-quality Compression, Gating,
EQ and Delay
reinforcement applications – the 01V96 offers “01V96
INPUT CH1-16 SURROUND
SURROUND BUS SETUP
Cascade Link” capability
that allows two 01V96 units
All input channels on the 01V96 feature flexible, independent
to be cascaded to create
Complete console setups can be memorized and instantly
compression and gating/ducking processors for dynamics
up to an 80-channel
recalled via the 01V96 SCENE MEMORY controls. Memory
control. All bands on the 4-band parametric channel
mixing system at an
is provided for up to 99 scenes. In addition to recalling
equalizers are fully sweepable from 20 Hz to 20 kHz, with
unbelievably affordable
scenes from the panel controls you can recall them remotely
bandwidth variable from 0.1 to 10 and a ±18dB gain range for
price!
via MIDI program change messages, providing a handy
extraordinary equalization flexibility. The channel delays also
degree of automation
go well beyond the norm, with a maximum delay of 452
capability.
milliseconds (96 kHz mode).
Studio Manager
Software Supplied
The 01V96 comes supplied with Yamaha’s Studio Manager
software application for both Macintosh and Windows
CASCADE IN PATCH
platforms. Studio Manager gives you complete access to all
parameters for either on-line or off-line control, and the
program’s visual interface makes it easy to relate on-screen
Even the stereo bus, eight mix buses, and eight aux buses
have individual compression and EQ!
controls to the corresponding
console functions.
The Studio Manager can also
be used to manage an
Integrated DAW Control
extensive archive of mix data.
The 01V96 has been designed to integrate tightly with
leading digital audio workstations to create a complete
production and mixing environment. Extensive support is
provided for Digidesign’s Pro Tools ® system as well as
Steinberg’s Nuendo ® DAW – full control of mixing and
COMP EDIT
EQUALIZER EDIT
processing parameters, as well as transport/track-arming
control and access to
* Software screen is not final.
editing functions –
directly from the 01V96
control surface. There’s
also a “General DAW”
mode that provides
GATE EDIT
compatibility with other
workstations.
TRANSPORT
(USER DEFINED KEYS ASSIGN)
FX1 EDIT
Interface
Interface
Refined User Interface
1 Large LCD Panel
Even the 01V96 user interface has evolved from the original 01V in many ways, now more closely
resembling its big brothers – the 02R96 and DM2000 – in terms of layout and ease of operation. Overall,
you’ll find that the 01V96 allows analog-style hands-on operation that will contribute to smooth, efficient
workflow. There are even eight user-defined keys that can be assigned to functions of your choice.
The new 01V96 display is a high-resolution
320 x 240 dot LCD panel that provides easy
visual access to all of the consoles
functions and parameters. Many
parameters are displayed graphically so
you can see what’s happening at a glance –
EQ curves and compression parameters
are especially “readable” in this format.
4 Fader Mode
The FADER MODE keys allow the 01V96
faders to be instantaneously switched
between fader and auxiliary level control.
And because the faders feature fast,
precise motor-drive mechanisms they
immediately respond by flying to the
appropriate settings for the selected mode.
Precision 100-mm
Motor Faders
10
7
5
9
4
6
1
3
3
The 16 channel strips on the 01V96 panel
provide access to the most essential
operations for the corresponding channels.
Depending on the currently selected layer,
the channel strips will control channels 1
through 16, channels 17 through 32, or the
eight AUX sends and eight buses
(the “Master Layer”). Also the channel
faders will function according to the settings
in the FADER MODE section. In addition to
a 100-millimeter motor fader, each channel
strip includes a channel ON/OFF key, a
SOLO key, and a SEL key that assigns the
channel as the console’s “selected channel”.
Detailed panning and EQ control for the
currently selected channel is available via
the SELECTED CHANNEL controls. The
master STEREO fader is also a 100-mm
motor type, with its own ON and SEL keys.
2
3 Layer-switching For
8
11
Fast 32-channel +
Aux/Bus Fader Access
One of the advantages of digital control is that
it allows extraordinary power and flexibility to
be packed into minimum space. The 01V96
has 17 physical 100-millimeter motor faders.
The first 16 can be instantly switched to
handle input channels 1 through 16, 17
through 32, or auxiliary sends 1 through 8 and
buses 1 through 8, via the console’s LAYER
switches. There’s also a ST IN layer switch
that switches between the stereo 1/2 or 3/4
inputs for the stereo layer controls. Having all
controls right in front of you at all times not
only save space, but it also means that all
operations can be carried out without having to
move away from the monitoring “sweet spot”.
Large cursor, INC/DEC, and enter keys are
complemented by a data entry dial that lets
you spin in values quickly and easily.
The data entry dial also doubles as a shuttle/
scrub dial for recorder or DAW control.
10 Analog Input Section
5 Display Access
2 Channel Strips With
9 Data Entry
The DISPLAY ACCESS keys determine
which type of data will be shown on the LCD
panel – a total of 12 selectable categories.
This approach minimizes the need to scroll
through on-screen lists when you need
access to a particular type of data.
6
Selected Channel
Controls
The SELECTED CHANNEL controls
include the hands-on panning and EQ
controls for the currently selected channel,
with analog-style buttons and knobs for
direct, easy access to the parameters.
Need to adjust the high-mid frequency a
little? Just tap the HIGH MID key and turn
the FREQUENCY knob until you get the
sound you want.
7 Scene Memory
Here’s where you can store all console
parameters as a new scene, or instantly
recall previously-stored scenes. The current
scene number – 01 through 99 – is shown
on the LCD panel. Additional scene
memories can be managed via a computer
running the supplied Studio Manager
software.
8 User Defined Keys
These 8 keys can be assigned to control
any functions you choose. You could, for
example, use them to recall input patch
setups, to arm MTR tracks for recording,
or to handle locator functions. When the
REMOTE layer is selected, the USER
DEFINED KEYS are automatically assigned
to Pro Tools ® control functions by default.
Most of the 01V96 input connectors are topmounted for easy access in any application.
Inputs 1 through 12 feature high-performance
head amplifiers for microphone or line input
that deliver a pristine signal to the console’s
precision 24-bit/96-kHz A/D converters. 48volt phantom power for condenser
microphones is switchable in 4-channel
groups, trim controls and pad switches
facilitate optimum level matching with the
source, and channel inserts make it easy to
insert external analog processing gear into
the pre-A/D signal path. Inputs 13 through 16
accept line-level signals singly (each input
has an independent trim control) or in pairs
for stereo input.
11 Rear Panel
The rear panel is home to balanced analog
stereo and monitor outputs as well as four
balanced “omni” outputs. The optical IN and
OUT connectors for the 01V96’s built-in
ADAT interface are also located on the rear
panel. There are also digital 2-track inputs
and outputs featuring coaxial connectors.
On-board sample rate conversion allows CD
players and other digital sources connected
to the digital input to be monitored or routed
to an input channel without having to be
synchronized to the system clock. A range of
synchronization and control options are
available via word clock inputs and outputs,
MIDI connectors, and a USB “TO HOST”
connector which can be used for computer
control via the supplied Studio Monitor
software. The rear panel also has an
expansion slot which will accept a wide range
of Yamaha mini-YGDAI expansion cards that
can add up to 16 additional channels in a
variety of formats.
Options
Applications
At Home In Any Application
24-bit/96 kHz Expansion Options
Music production, sound reinforcement, broadcast, theater … the 01V96 has the performance
and versatility to work wonders in just about any application.
Although the 01V96 offers plenty of I/O capacity in it’s standard configuration, the rear panel mini-YGDAI
expansion slot offers room for more. The expansion slot is 24-bit/96-kHz compatible, so you can select
mini-YGDAI plug-in cards to create the input/output configuration that’s perfect for your needs. Whether
you need digital I/O in ADAT, TASCAM, or AES/EBU format, or extra analog I/O capability, the appropriate
cards are available. Top-quality I/O and processing cards are also available from other industry-leading
manufacturers such as Apogee ® and Waves ®.
Computer-based 96-kHz Recording
Direct Connect To 24-track HDR
24tr HD Recorder
Audio Interface (s)
PCI card(s)
or
PCI card with
I/O Unit
Mini-YGDAI Card
Mini-YGDAI Card
Signals
MY16 series
Signals
192 I/O
*With the Pro Tools ® HD 192
interface, operation is only
possible in 96-kHz mode.
MY16-AT
Mini-YGDAI Cards
Signals
ADAT interfaces
Slot in
ADAT interface for
HD Recorder only
■ 16 I/O Series
Slot in
Signals
ADAT I/O
Direct in
Word Clock
Word Clock
USB
01V96
Macintosh or PC
01V96
With the new Pro Tools ® HD system the 01V96 can directly
transfer eight channels of 96-kHz audio via a single I/O card
(i.e. there’s no need to use “double channel mode”). Add to
this the 01V96’s advanced control surface features, and you
The 01V96’s built-in ADAT optical interface is an advantage
MY16-AT
MY16-AE
MY16-TD
16 channel ADAT format I/O
16 channel AES/EBU format I/O
16 channel TDIF format I/O
when connecting directly to a stand-alone hard disk recorder for
24-bit/48-kHz recording. Here’s a system in which a stand-alone
recorder is paired with the 01V96 for an all-digital signal path
■ 96-kHz Series
and awesome mixing and processing power for a full 24 tracks.
have an extraordinarily powerful, efficient computer-based
hard-disk recording system. If you’d rather combine the
01V96 with Steinberg’s Nuendo ® audio workstation software
you can use “double-channel mode” for 96-kHz recording
Sound Reinforcement
(see column below). While the 01V96 functions as an
PAN
REVERB
CUTOFF
KNOB
CONTROL
FUNCTION
ASSIGN A
RESONANCE
ASSIGN B
CHORUS
ATTACK
ASSIGN 1
KN 2
MY8-AD96
MY8-AE96
MY8-DA96
MY8-AE96S
8 channel Analog Input Card
8 channel AES/EBU format I/O
8 channel Analog Output Card
8 channel AES/EBU format I/O
(w/Sample rate converter)
TEMPO
RELEASE
REMOTE
CONTROL
ON/OFF
ASSIGN 2
MUSIC PRODUCTION SYNTHESIZER
Integrated Sampling Sequencer
Real-time External Control Sur face
Modular Synthesis Plug-in System
MODE
KN 1
KN 3
KN 4
MEQ LOW MEQLOWMID MEQ HI M ID
MEQ HIGH
EFFECT BYPASS
INSERTION
MASTER
VOLUME
advanced control surface for the software, it can also handle
VOLUME 1
VOLUME 2
VOLUME 3
VOLUME 4
CS 1
CS 2
CS 3
CS 4
ZONE 1
ZONE 2
ZONE 3
ZONE 4
SYSTEM
ARPEGGIO
VOICE
PERFORM
SLOT 1
MASTER
DRUM KITS
FAVORITES
SONG
PATTERN
INTEGRATED
SAMPLING
MIXING
EDIT
JOB
PRE 2
A. PIANO
KEYBOARD
PRE 3
ORGAN
COMMON
SEQUENCER
A
FILE
DEC/NO
UTILITY
INC/YES
SYN LEAD
1
SONG SCENE
SF1
1
PRE 1
GM
USER
PLG 1
GUITAR /
PLUCKED
BASS
STRINGS
SLOT 2
SLOT 3
PLG 2
PLG 3
BRASS
REED/PIPE
CATEGORY
SEARCH
BANK
ON/OFF
SEQ TRANSPORT
LOCATE
SF2
SF3
SF4
B
C
SYN PAD/
CHOIR
SYN COMP
2
D
E
DRUM /
CHROMATIC
PERCUSSION PERCUSSION
F
G
H
SE
MUSICAL FX
COMBI
SECTION
4
5
6
7
8
TRACK
SELECT
12
13
14
15
16
MUTE
3
GROUP
INFORMATION
SF5
2
ELEMENT/ PERF.PART / ZONE
NUMBER
REC
COMPARE
OCTAVE
DOWN
STORE
SCENE STORE
SET LOCATE
F1
F2
F3
F4
F5
F6
EXIT
ENTER
9
10
11
EXECUTE
SOLO
UP
critical audio processing tasks as well as monitoring.
Synthesizer etc.
■ Standard Series
Guitar etc.
Connection with 96-kHz
Recorders & Workstations
Although the 01V96 handles 96 kHz audio as standard, most
of the currently available digital recorders and workstations
can handle 96 kHz audio only in double channel mode (using
two tracks to make one). In this configuration the 01V96
uses one channel per (96-kHz) track, but twice the number of
I/O connections must be used. MY8-AT/TD/AE cards work in
double channel mode to handle 16 channels of 44.1/48-kHz
audio or up to 8 channels of 96 kHz audio in double channel
mode. With the latest equipment that handles 96-kHz audio
as standard (in double speed
mode like the 01V96) you can
make standard connections
using the MY8-AE96 card. The
MY8-AE96 card can work either
in double speed or double
channel mode.
Mics
Signals
01V96 x 2
MY8-AE
MY8-AT
MY8-TD
MY8-AD24
8 channel AES/EBU format I/O
8 channel ADAT format I/O
8 channel TDIF format I/O
8 channel Analog Input Card(24 bit)
MY4-AD
MY4-DA
MY8-mLAN
4 channel Analog Input Card(24 bit)
4 channel Analog Output Card(20 bit)
mLAN interface card
Power Amp
To Speakers
MIDI and Signals
(Cascade Link)
Sound reinforcement applications generally require much more
input capacity than studio production. If a single 01V96 won’t
do it, try cascading two 01V96s – you now have up to 80 input
channels to handle all but the biggest sound reinforcement
applications. The built-in dynamics and effects can be a
tremendous advantage in this type of application, too.
Accessory
■ Third Party Models
Y56K
AP8AD
Waves effect and
ADAT I/O
Apogee A/D converter
AP8DA
Apogee D/A converter
RK124
Rack-Mount Kit
Specifications
Specifications
Total Harmonic Distortion*
Input Gain=Min.
CH INSERT IN 1–12
-128 dB equivalent input noise
-86 dB residual output noise. STEREO OUT
STEREO OUT off
-86 dB (90 dB S/N) STEREO OUT
STEREO fader at nominal level and all CH INPUT faders at minimum level
-64 dB (68 dB S/N) STEREO OUT
STEREO fader at nominal level and one CH INPUT fader at nominal level
U.S/Canada
Others
120 V
220–240 V
90 W
90 W
Dimensions
430 (W) x 540 (D) x 150 (H) mm
Net Weight
15 kg
AC Cable, CD-ROM (Studio manager)
Option
Digital interface card (MY16, MY8, MY4 series), RACK MOUNT KIT: RK124
Output Level
Nominal
Max. before clip
+4 dB (1.23 V)
+24 dB (12.28 V) XLR-3-32 type (Balanced) *1
OMNI OUT 1–4
150 Ω
600 Ω Lines
+4 dB (1.23 V)
+24 dB (12.28 V)
MONITOR OUT [L, R]
150 Ω
600 Ω Lines
+4 dB (1.23 V)
+24 dB (12.28 V) Phone Jack (TRS) (Balanced) *2
CH INSERT OUT 1–12
600 Ω
10 k Ω Lines
+4 dB (1.23 V)
+24 dB (12.28 V) Phone Jack (TRS) (Unbalanced) *3
2TR OUT [L, R]
10k Ω
600 Ω Lines
100 Ω
Phone Jack (TRS) (Balanced) *2
76
92
4
124
40
160
Channel libraries
2
127
Input patch libraries
1
32
Output patch libraries
1
32
Gate libraries
8 Ω Phones
4 mW
25 mW
12 mW
75 mW
Format
Data Length
Level
IEC-60958
24 bit
0.5 Vpp/75 Ω
ADAT *1
24 bit
-
Stereo Phone Jack (TRS)
(Unbalanced) *4
Terminal
2TR OUT DIGITAL
Format
Data Length
IEC-60958 *1
Consumer use
ADAT OUT
x2
[INPUT]
(13-14)
Frequency
The number of
Available cards
8
ADAT
20 bit
44.1/48 kHz
8
8
TASCAM
24 bit
Digital I/O
8
8
AES/EBU
MY4-AD
ANALOG IN
4
-
MY8-AD
ANALOG IN
8
MY4-DA
ANALOG OUT
MY8-AD24
Digital I/O
8
MY8-TD
Digital I/O
MY8-AE
AD
RCA
GAIN
CH15/16/
2TR IN
INSERT
SOLO
METER
ON
GAIN
ATT
AD 16
AUX1(...8)
LEVEL
The same the above
4BAND
EQ
PAN
Stereo Configuration
L
LFE
ADAT *3
24 bit *2
16
SLOT
1-16
PRE/POST
ON
AUX
RCA R
SOLO R
8
[ADAT IN]
[2TR IN
DIGITAL]
ADAT1-8
2
FX1 SEND
1-2
INSERT
SEND
8
24 bit
Level
-
8
50
FX1
FX2 SEND
1-2
8
50
EFFECT
50
LEVEL
ON
to OUT PATCH
for cascade
BUS1 BUS
FX2
Return
L/R
CASCADE SELECT
EFFECT
TRIM
ON
BUS8 BUS
STEREO L BUS
STEREO R BUS
SOLO L BUS
SOLO R BUS
AUX1 BUS
Terminal
1
Can handle 24 bit/96k Hz by double channel mode
TO HOST USB
44.1/48 kHz
1
Can handle 24 bit/96 kHz by double channel mode
MIDI
24 bit
44.1/48 kHz
1
Can handle 24 bit/96 kHz by double channel mode
-
24 bit
44.1/48 kHz
1
-
-
20 bit
44.1/48 kHz
1
-
4
-
20 bit
44.1/48 kHz
1
ANALOG IN
8
-
-
24 bit
44.1/48 kHz
1
MY8-AD96
ANALOG IN
8
-
-
24 bit
44.1/48/88.2/96 kHz
1
MY8-DA96
ANALOG OUT
-
8
-
24 bit
44.1/48/88.2/96 kHz
1
MY8-AE96S Digital I/O
8
8
AES/EBU
24 bit
44.1/48/88.2/96 kHz
1
MY8-AE96
Digital I/O
8
8
AES/EBU
24 bit
44.1/48/88.2/96 kHz
1
MY8-mLAN
mLAN Interface
8
8
IEEE1394
24 bit
44.1/48 kHz
1
Maximum 5 Nodes
MY16-AT
Digital I/O
16
16
ADAT
24 bit
44.1/48 kHz
1
Can handle 24 bit/96 kHz by double channel mode
MY16-AE
Digital I/O
16
16
AES/EBU
24 bit
44.1/48 kHz
1
Can handle 24 bit/96 kHz by double channel mode
MY16-TD
Digital I/O
16
16
TASCAM
24 bit
44.1/48 kHz
1
Can handle 24 bit/96 kHz by double channel mode
Y56K
Effect & I/O
8
8
ADAT
24 bit
44.1/48 kHz
1
AP8AD
ANALOG IN
8
-
-
24 bit
44.1/48/88.2/96 kHz
1
4ch @fs = 88.2, 96 kHz
AP8DA
ANALOG OUT
-
8
-
24 bit
44.1/48/88.2/96 kHz
1
4ch @fs = 88.2, 96 kHz
WORD
CLOCK
Level
Connector in Console
USB
0 V – 3.3 V
B type USB connector
IN *1
MIDI
-
DIN Connector 5P
OUT
MIDI
-
DIN Connector 5P
THRU
MIDI
-
DIN Connector 5P
IN
-
TTL/ 75 Ω
BNC Connector
OUT
-
TTL/ 75 Ω
BNC Connector
*1. MIDI IN can use as TIME CODE IN MTC.
Sampling Rate Converter for input
*1. Selectable from STEREO/BUS/AUX/DIRECT OUT/INSERT OUT/CASCADE OUT (STEREO, BUS1-8, AUX1-8, SOLO). See the user’s manual for further information.
• Details depend on each interface card.
• Specifications and appearance subject to change without notice.
• All trademarks and registered trademarks are property of their respective owners.
Windows ® is a trademark of Microsoft Coporation.
Macintosh ® is a trademark of Apple Computer, Inc.
Nuendo ® is a trademark of Steinberg Media Technologies AG.
Pro Tools ® and Digidesign ® are trademarks of Avid Technology Inc.
Adat is trademark of Alesis Corporation.
Tascam, TDIF are trademarks of Teac Corporation.
8
AUX1-8
8
DIRECT OUT 1-32
INSERT OUT
STEREO BUS
AUX1-8 BUS
SOLO BUS
OMNI 1
EFFECT
FX4
1
DA
OMNI 3
32
50
DA
OMNI 2
2
[OMNI OUT]
DA
OMNI 4
3
DA
SLOT
16
ADAT
8
2TR DIGITAL
2
DITHER
4
[SLOT OUT]
SLOT
[ADAT OUT]
DITHER
2
8
8
2
DITHER
FX4
Return
L/R
STEREO L
STEREO R
436 mm (430 mm excluding screw heads)
[2TR OUT DIGITAL]
COAXIAL
L
(-10dBV)
R
METER
150 mm
Format
2
BUS1-8
for cascade
FX3
Return
L/R
CONTROL I/O CHARACTERISTICS
Note
STEREO
AUX8 BUS
METER
FX3
FX4 SEND
1-2
8
FX1
Return
L/R
METER
FX2
FX3 SEND
1-2
8
50
SINE100Hz
SINE1kHz
SINE10kHz
PINK NOISE
BURST NOISE
Dimensions
OPTICAL
[MONITOR OUT]
R
OSCILLATOR
When 96 kHz FX3, 4 cannot be used.
Connector in Console
L
DA
PHONES
LEVEL
METER
EFFECT
METER
AUX1-8
MONITOR OUT
LEVEL
DA
[PHONES]
METER
INSERT
SEND
MONITOR TRIM
8
2TRD
L/R
COAXIAL
AUX1-8
BUS1-8
AUX1-8
MONITOR
/2TR IN
SOLO LOGIC
OUTPUT SOLO
INSERT
SEND
0.5 Vpp/75 Ω RCA Pin Jack
[2TR IN]
SOLO TRIM
SOLO L
SLOT
LEVEL
BUS to STEREO
PAN
METER
AD 15
BUS 1(...8)
OUTPUT
DELAY
4 BAND
EQ
ATT
DIRECT OUT
1(...32)
METER
INSERT
INSERT
ON LEVEL
METER
ON
PEAK
SIGNAL
AD
(Out Meter)
ON AUX
ST IN 1-4
AD
METER
COMP
METER
AD13-14
GAIN
[INPUT]
(15)
METER
(Gain Reduction)
LFE
(Out Meter)
PEAK
SIGNAL
METER
OPTICAL
STEREO L
OUTPUT
DELAY
STEREO R
COMP
[2TR IN](L)
INSERT
SEND
RCA Pin Jack
METER
INSERT
BAL
Same as stereo master L
Key in
Self or Stereo Link
AUX1-8
Connector in Console
ON LEVEL
4 BAND
EQ
PAN
PRE/POST
540 mm
Resolution
MY8-AT
(Gain Reduction)
METER
*1. channel status of 2TR OUT DIGITAL
type
: linear PCM
category code : Digital signal mixer
copy prohibit : NO
emphasis
: NO
clock accuracy : Level II (1000 ppm)
sampling rate : depends on the internal configuration
*2. dither
: word length 16/20/24 bit
*3. ALESIS Proprietary Multichnnel Optical Digital Interface Format.
Format
Input Output*1
LEVEL
INPUT
DELAY
DIGITAL OUTPUT CHARACTERISTICS
Available Mini-YGDAI card specifications
Function
4BAND
EQ
GAIN
METER
*1. ALESIS Proprietary Multichnnel Optical Digital Interface Format.
* Guidence on the use of Mini-YGDAI cards http://www2.yamaha.co.jp/div/webmg/pa_card/e/check.php3
Model
ATT
INSERT
METER
ATT
INSERT
INSERT
Key in 12ch
Group (1-12,13-24....)
AUX 1-8
PEAK
SIGNAL
-10 dBV (316 mV) +10 dBV (3.16 V) RCA Pin Jack (Unbalanced)
40 Ω Phones
(Out Meter)
PAN
[SLOT]
600 Ω Lines
2TR IN DIGITAL
Number of user libraries
36
GATE
AD1-12
INSERT
SOLO
METER
Connector in Console
150 Ω
Terminal
LIBRARIES
44
(Out Meter)
METER
ON
AD
[INPUT]
(16)
STEREO OUT [L, R]
ADAT IN
Effect libraries (EFFECT1-4)
METER
PEAK
SIGNAL
RCA Pin Jack
(Unbalanced)
DIGITAL INPUT CHARACTERISTICS
* Total Harmonic Distortion is measured with a 6 dB/octave filter @80 kHz.
** Hum & Noise are measured with a 6 dB/octave filter @12.7 kHz; equivalent to a 20 kHz filter with infinite dB/octave attenuation.
Compressor libraries
METER
(Gain Reduction)
0
20
[INSERT I/O]
(1-12)
AUX1-8
Number of factory presets
INPUT 1(...32)
GAIN
PAD
B
Phone Jack (TRS)
(Unbalanced) *4
*1. XLR-3-32 type connectors are balanced. (1 = GND, 2 = HOT, 3 = COLD )
*2. Phone jacks are balanced. (Tip = HOT, Ring = COLD, Sleeve = GND )
*3. CH INSERT IN/OUT phone jacks are unbalanced. (Tip = OUTPUT, Ring = INPUT, Sleeve = GND)
*4. PHONES stereo phone jack is unbalanced. (Tip = LEFT, Ring = RIGHT, Sleeve = GND)
• In these specifications, when dB represents are specific voltage, 0 dB is referenced to 0.775 Vrms.
• 2TR OUT [L, R], 0 dBV is referenced to 1.00 Vrms.
• All output DA converters are 24 bit, 128 times oversampling (@fs = 44.1, 48 kHz).
-20 – 60 °C
Apogee
+24 dB (12.28 V)
-10 dBV (316 mV) -10 dBV (316 mV) +10 dBV (3.16 V)
Actual Source For Use With
Impedance
Nominal
Output Terminals
60 Hz
50/60 Hz
Accessories
Waves
+24 dB (12.28 V)
+4 dB (1.23 V)
ANALOG OUTPUT CHARACTERISTICS
PHONES
Storage temperature range
Maker
Yamaha
+4 dB (1.23 V)
-6 dB (388 mV)
ON
A
[INPUT]
METER
COMP
INPUT
PATCH
+48V
(each 4ch )
GAIN
Operating free-air temperature range 10 – 35 °C
EQ libraries
600 Ω Lines
-6 dB (388 mV)
Phone Jack (TRS)
(Balanced) *3
OFF
RCA
80 dB adjacent input channels (CH1–12)
80 dB adjacent input channels (CH13–16)
80 dB input to output
Power Requirements
600 Ω Lines
-6 dB (388 mV)
x12
[2TR IN](R)
74 dB CH INPUT (CH1–12) to STEREO OUT/OMNI (BUS) OUT
40 dB CH INPUT (CH13–16) to STEREO OUT
74 dB CH INPUT (CH1–12) to OMNI (AUX) OUT (via pre input fader)
74 dB CH INPUT (CH1–12) to MONITOR OUT (via STEREO BUS)
Crosstalk (@1 kHz)
Input Gain = Min.
10k Ω
10k Ω
2TR IN [L, R]
Dynamic Range
110 dB typ. DA Converter (STEREO OUT)
(maximum level to noise level) 105 dB typ. AD+DA (to STEREO OUT) @fs = 48 kHz
105 dB typ. AD+DA (to STEREO OUT) @fs = 96 kHz
Maximum Voltage Gain
600 Ω Lines
+24 dB (12.28 V)
*1. Sensitivity is the lowest level that will produce an output of + 4 dB (1.23 V) or the nominal output level when the unit is set to maximum gain.
(all faders and level controls are maximum position.)
*2. XLR-3-31 type connectors are balanced. (1 = GND, 2 = HOT, 3 = COLD)
*3. Phone jacks are balanced. (Tip = HOT, Ring = COLD, Sleeve = GND)
*4. CH INSERT IN/OUT phone jacks are unbalanced. (Tip = OUTPUT, Ring = INPUT, Sleeve = GND)
• In these specifications, when dB represents are specific voltage, 0 dB is referenced to 0.775 Vrms.
• For 2TR IN levels, 0 dBV is referenced to 1.00 Vrms.
• All input AD converters (CH INPUT 1–16) are 24bit linear, 128times oversampling (@fs = 44.1, 48 kHz).
• +48 V DC (phantom power) is supplied to CH INPUT 1–12 XLR type connectors.
3 PHANTOM + 48 V switches CH1–4, 5–8, 9–12 turn on the phantom power for inputs 1–4, 5–8, 9–12 respectively.
CH INPUT to STEREO OUT
0.5, -1.5 dB 20 Hz – 20 kHz @ + 4 dB into 600 Ω (@Sampling frequency = 48 kHz)
0.5, -1.5 dB 20 Hz – 40 kHz @ + 4 dB into 600 Ω (@Sampling frequency = 96 kHz)
Hum & Noise**
(20 Hz-20 kHz)
Rs = 150 Ω
Input Gain = Max.
Input Pad = 0 dB
Input Pad = 0 dB
Input Sensitivity = -60 dB
10k Ω
+4 dB (1.23 V)
+4 dB (1.23 V)
-36 dB (12.3 mV) -26 dB (38.8 mV)
+4dB
CH INPUT to STEREO OUT
0.05% 20 Hz to 20 kHz @+14 dB into 600 Ω
0.01% 1 kHz @+24 dB into 600 Ω
(@Sampling frequency = 48 kHz)
0.05% 20 Hz to 40 kHz @+14 dB into 600 Ω
0.01% 1 kHz @+24 dB into 600 Ω
(@Sampling frequency = 96 kHz)
Frequency Response
-26dB
-6 dB (388 mV)
METER
(Gain Reduction)
A: XLR-3-31 type
(Balanced) *2
B: Phone Jack (TRS)
(Balanced) *3
MONO
CH INPUT 13–16
-26 dB (38.8 mV) -16 dB (123 mV)
01V96 Block Diagram
OUTPUT PATCH
20
100 mm motorized x 17
-70 dB (0.245 mV) -60 dB (0.775 mV) -40 dB (7.75 mV)
50–600 Ω
Mics &
600 Ω Lines
3k Ω
-16dB
1.6 ms CH INPUT to STEREO OUT (@Sampling frequency = 48 kHz)
0.8 ms CH INPUT to STEREO OUT (@Sampling frequency = 96 kHz)
Fader
-60dB
Input level
Connector
Nominal Max.before clip in Console
AUX 8
0
Sensitivity*1
AUX 1
CH INPUT 1–12
Actual Load For Use With
Impedance Nominal
GAIN
SOLO L
SOLO R
PAD
STEREO L
STEREO R
Signal Delay
Input
Terminals
44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
Normal rate 44.1 kHz -10% – 48 kHz + 6%
Double rate 88.2 kHz -10% – 96 kHz + 6%
SELECT
Internal
External
SELECT
Sampling Frequency
ANALOG INPUT CHARACTERISTICS
SELECT
99
SELECT
Number of scene memories
BUS1
BUS2
BUS3
BUS4
BUS5
BUS6
BUS7
BUS8
GENERAL SPECIFICATIONS
STEREO L
STEREO R
DA
L
(+4dBu)
DA
R
[2TR OUT]
[STEREO OUT]
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