Additional Information. Sony STR-DN1000
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Additional Information
Glossary
x Cinema Studio EX
A surround sound mode that can be regarded as the compilation of Digital Cinema Sound technology, delivers the sound of a dubbing theater using three technologies: “Virtual
Multi Dimensions”, “Screen Depth
Matching”, and “Cinema Studio
Reverberation”.
“Virtual Multi Dimensions”, the virtual speaker technology, creates a virtual multisurround environment with actual speakers up to 7.1 channel, and brings the surround sound experience of a theater with the latest facilities into your home.
“Screen Depth Matching” reproduces treble attenuation, fullness, and depth of sound usually created in a theater using sound emission from behind the screen. This is then added to the front and center channels.
“Cinema Studio Reverberation” reproduces the sound characteristics of state-of-the-art dubbing theaters and recording studios, including Sony Pictures Entertainment’s dubbing studios. There are three modes, A/B/
C, available according to the studio type.
x Component video
A format for transmitting video signal information consisting of three separate signals: luminance Y, chrominance Pb, and chrominance Pr. High quality pictures, such as
DVD video or HDTV pictures, are transmitted more faithfully. The three jacks are colour - coded green, blue and red.
x Composite video
A standard format for transmitting video signal information. The luminance signal Y and chrominance signal C are combined and transmitted together.
x Crossover frequency
The frequency at which two speaker’s frequencies intersect.
x Deep Colour
Video signals for which the colour depth of signals passing through an HDMI jack have been raised.
The number of colours that could be expressed by 1 pixel was 24 bits (16,777,216 colours) with the current HDMI jack. However, the number of colours which can be expressed by
1 pixel will be 36, etc., bits when the receiver corresponds to Deep Colour.
Since the gradation of the depth of a colour can be expressed more finely with more bits, continuous colour changes can be more smoothly expressed.
x Digital Cinema Sound (DCS)
Unique sound reproduction technology for home theater developed by Sony, in cooperation with Sony Pictures Entertainment, for enjoying the exciting and powerful sound of movie theaters at home. With this “Digital
Cinema Sound” developed by integrating a
DSP (Digital Signal Processor) and measured data, the ideal sound field intended by filmmakers can be experienced at home.
x Dolby Digital
Digital audio encoding/decoding technology developed by Dolby Laboratories, Inc. It consists of front (left/right), center, surround
(left/right) and subwoofer channels. It is a designated audio standard for DVD video and also known as 5.1 channel surround. Since surround information is recorded and reproduced in stereo, more realistic sound with fuller presence is delivered than with Dolby surround.
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x Dolby Digital Plus
Dolby Digital Plus provides the flexibility and efficiency to deliver more channels of compelling surround sound for high-definition video media. Its superior coding efficiencies enable up to 7.1 channel of high-quality multi channel audio without negatively impacting bit budgets allocated for video performance or additional feature sets.
x Dolby Digital Surround EX
Acoustic technology developed by Dolby
Laboratories, Inc. Surround back information is matrixed into regular left and right surround channels so that the sound can be reproduced in 6.1 channel. Active scenes, especially, are recreated with a more dynamic and realistic sound field.
x Dolby Pro Logic II
This technology converts 2 channel stereo recorded audio into 5.1 channel for playback.
There is a MOVIE mode for movies and
MUSIC mode for stereo sources such as music. Old movies encoded in the traditional stereo format can be enhanced with 5.1 channel surround sound.
x Dolby Pro Logic IIx
Technology for 7.1 channel (or 6.1 channel) playback. Along with audio encoded in Dolby
Digital Surround EX, 5.1 channel Dolby
Digital encoded audio can be reproduced in
7.1 channel (or 6.1 channel). Furthermore, existing stereo recorded content can also be reproduced in 7.1 channel (or 6.1 channel).
x Dolby Surround (Dolby Pro
Logic)
Audio processing technology developed by
Dolby Laboratories, Inc. Center and mono surround information is matrixed into two stereo channels. When reproduced, audio is decoded and output in 4 channels surround sound. This is the most common audio processing method for DVD video.
x Dolby TrueHD
Dolby TrueHD is Dolby’s lossless audio technology developed for high-definition optical discs. Dolby TrueHD audio is bit-forbit identical to the original studio masters and provides supreme-quality audio up to 8 channels at 96 kHz/24 bit and up to 6 channels at 192 kHz/24 bit. Together with highdefinition video, it offers an unprecedented home theater experience.
x DTS 96/24
A high sound quality digital signal format. It records audio at a sampling frequency and bit rate of 96 kHz/24bit which is the highest possible for DVD video. The number of playback channels varies depending on the software.
x DTS Digital Surround
Digital audio encoding/decoding technology for theaters developed by DTS, Inc. It compresses audio less than Dolby Digital, delivering a higher quality sound reproduction.
x DTS-ES
Format for 6.1 channel playback with surround back information. There are two modes, “Discrete 6.1” which records all channels independently, and “Matrix 6.1” which matrixes surround back channel into surround left and surround right channels. It is ideal for playback of motion picture soundtracks.
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x DTS-HD
Audio format which extends the conventional
DTS Digital Surround format.
This format consists of a core and an extension, and the core part has DTS Digital
Surround compatibility. There are two kinds of
DTS-HD, DTS-HD High Resolution Audio and DTS-HD Master Audio. DTS-HD High
Resolution Audio has a maximum transmission rate of 6 Mbps, with lossy compression (Lossy), and DTS-HD High
Resolution Audio corresponds to a maximum sampling frequency of 96 kHz, and a maximum of 7.1 channel. DTS-HD Master
Audio has the maximum transmission rate of
24.5 Mbps, and uses lossless compression
(Lossless), and DTS-HD Master Audio corresponds to a maximum sampling frequency of 192 kHz, and a maximum of
7.1 channel.
x DTS Neo:6
This technology converts 2 channel stereo recorded audio for 6.1 or 7.1 channel playback. There are two modes to select according to the playback source or your preference, CINEMA for movies, and MUSIC for stereo sources such as music.
x HDMI (High-Definition
Multimedia Interface)
HDMI (High-Definition Multimedia
Interface) is an interface that supports both video and audio on a single digital connection, allowing you to enjoy high quality digital picture and sound. The HDMI specification supports HDCP (High-bandwidth Digital
Contents Protection), a copy protection technology that incorporates coding technology for digital video signals.
x High Bitrate Audio
It refers to the audio formats of the compression method (DTS-HD Master Audio,
Dolby TrueHD, etc.) which is a high bitrate format recorded mainly on Blu-ray disc etc.
x Interlace
A scanning method which completes a picture by displaying half of the lines on a tube surface of a TV or monitor each 1/60 second. First, all the odd-numbered lines are drawn, leaving spaces between each line, then all the evennumbered lines are drawn to fill the spaces.
“i” of “480i” stands for “Interlace.” x LFE (Low Frequency Effects)
Sound effects of low frequencies which are output from a subwoofer in Dolby Digital or
DTS, etc. By adding a deep bass with a frequency between 20 to 120 Hz, audio becomes more powerful.
x Neural-THX
Neural Surround™, THX
®
Technologies has been chosen as the official surround sound broadcast format for XM Satellite Radio’s
“XM HD Surround” and other leading FM/HD radio stations in the USA and worldwide.
Neural Surround, THX Technologies delivers the rich envelopment and discrete image detail of surround sound in a format 100% compatible with stereo.
x PCM (Pulse Code Modulation)
A method of converting analog audio to digital audio for easy enjoyment of digital sound.
x Progressive
A scanning method that draws all scanning lines sequentially, as opposed to interlaced scanning where all the odd and then all the even lines are drawn.
“p” of “480p” stands for “Progressive.”
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x S-AIR (Sony Audio Interactive
Radio frequency)
Recent times have seen the rapid spread of
DVD media, Digital Broadcasting, and other high quality media.
To ensure that the subtle nuances of these high quality media are transmitted with no deterioration, Sony has developed a technology called “S-AIR” for the radio transmission of digital audio signals with no compression, and has incorporated this technology into the EZW-RT10/EZW-T100.
This technology transfers digital audio signals with no compression using the 2.4 GHz band range of ISM band (Industrial, Scientific, and
Medical band), such as wireless LANs and
Bluetooth applications.
x Sampling frequency
To convert analog audio to digital, analog data should be quantified. This process is called sampling, and the number of times per second the analog data is quantified is called the sampling frequency. A standard music CD stores data quantified at 44,100 times per second, which is expressed as a sampling frequency of 44.1 kHz. Generally speaking, a higher sampling frequency means better sound quality.
x TSP (Time Stretched Pulse)
A TSP signal is a highly precise measuring signal that utilizes impulse energy, measuring a wide band, from low to high, in a short period.
The amount of energy used to measure signals is important to ensure measurement accuracy in a normal indoor environment. Using TSP signals make it possible to measure signals effectively.
x x.v.Colour
“x.v.Colour” enables the more faithful reproduction of various colours such as the brilliant colours of flowers and the turquoise blue of the southern ocean.
Precautions
On safety
Should any solid object or liquid fall into the cabinet, unplug the receiver and have it checked by qualified personnel before operating it any further.
On power sources
• Before operating the receiver, check that the operating voltage is identical with your local power supply.
The operating voltage is indicated on the nameplate on the back of the receiver.
• If you are not going to use the receiver for a long time, be sure to disconnect the receiver from the wall outlet. To disconnect the AC power cord (mains lead), grasp the plug itself; never pull the cord.
• The AC power cord (mains lead) must be changed only at a qualified service shop.
On heat buildup
Although the receiver heats up during operation, this is not a malfunction. If you continuously use this receiver at a large volume, the cabinet temperature of the top, side and bottom rises considerably. To avoid burning yourself, do not touch the cabinet.
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On placement
• Place the receiver in a location with adequate ventilation to prevent heat buildup and prolong the life of the receiver.
• Do not place the receiver near heat sources, or in a place subject to direct sunlight, excessive dust, or mechanical shock.
• Do not place anything on top of the cabinet that might block the ventilation holes and cause malfunctions.
• Do not place the receiver near equipment such as a TV, VCR, or tape deck. (If the receiver is being used in combination with a
TV, VCR, or tape deck, and is placed too close to that equipment, noise may result, and picture quality may suffer. This is especially likely when using an indoor antenna (aerial). Therefore, we recommend using an outdoor antenna (aerial).)
• Use caution when placing the receiver on surfaces that have been specially treated
(with wax, oil, polish, etc.) as staining or discoloration of the surface may result.
On operation
Before connecting other components, be sure to turn off and unplug the receiver.
On cleaning
Clean the cabinet, panel, and controls with a soft cloth slightly moistened with a mild detergent solution. Do not use any type of abrasive pad, scouring powder, or solvent, such as alcohol or benzine.
If you have any questions or problems concerning your receiver, please consult your nearest Sony dealer.
Troubleshooting
If you experience any of the following difficulties while using the receiver, use this troubleshooting guide to help you remedy the problem. Should any problem persist, consult your nearest Sony dealer.
Audio
There is no sound, no matter which component is selected, or only a very low-level sound is heard.
• Check that the speakers and components are connected securely.
• Check that all speaker cords are connected correctly.
• Check that both the receiver and all components are turned on.
• Check that MASTER VOLUME control is not set to “VOL MIN”.
• Check that the SPEAKERS is not set to off
• Check that headphones are not connected.
• Press MUTING to cancel the muting function.
• Check that you have selected the correct
component with the input buttons (page
• When only a very low-level sound is heard, check to see if NIGHT MODE
function is activated (page 104).
• The protective device on the receiver has been activated. Turn off the receiver, eliminate the short-circuit problem, and turn on the power again.
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There is no sound from a specific component.
• Check that the component is connected correctly to the audio input jacks for that component.
• Check that the cord(s) used for the connection is (are) fully inserted into the jacks on both the receiver and the component.
There is no sound from one of the front speakers.
• Connect a pair of headphones to the
PHONES jack to verify that sound is output from the headphones. If only one channel is output from the headphones, the component may not be connected to the receiver correctly. Check that all the cords are fully inserted into the jacks on both the receiver and the component. If both channels are output from the headphones, the front speaker may not be connected to the receiver correctly. Check the connection of the front speaker which is not outputting any sound.
• Make sure you have connected to both the
L and R jacks of an analog component, and not only to either the L or R jack. Use an audio cord (not supplied). However, there will be no sound from the center speaker when a sound field (Pro Logic, etc.) is selected. When the center speaker is not connected, sound is output only from the front left/right speakers.
There is no sound from analog 2 channel sources.
• Check to make sure the selected digital audio input jack is not assigned to other inputs in “Input Assign” in the Input
• Check that the INPUT MODE is not set to
“AUTO” (page 100) and the “Input
Assign” function is not used to reassign the audio input of another source to the
There is no sound from digital sources
(from COAXIAL or OPTICAL input jack).
• Check that the INPUT MODE is set to
• Check that the “Analog Direct” is not being used.
The left and right sounds are unbalanced or reversed.
• Check that the speakers and components are connected correctly and securely.
• Adjust the balance parameters using the
Speaker Settings menu in GUI menu.
There is severe hum or noise.
• Check that the speakers and components are connected securely.
• Check that the connecting cords are away from a transformer or motor, and at least
3 meters away from a TV set or fluorescent light.
• Move your audio components away from the TV.
• The plugs and jacks are dirty. Wipe them with a cloth slightly moistened with alcohol.
There is no sound, or only a very lowlevel sound is heard from the center/ surround/surround back speakers.
• Select a Cinema Studio EX mode (page
• Adjust the speaker level (page 66).
• Make sure the center/surround speaker (s) is (are) set to either “Small” or “Large”.
• Check the “SP Pattern” setting (page 66).
There is no sound from the surround back speakers.
• Some discs have no Dolby Digital
Surround EX flag even though the packages have Dolby Digital Surround EX logos.
• Check the “SP Pattern” setting (page 66).
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There is no sound from the subwoofer.
• Check that the subwoofer is connected correctly and securely.
• Make sure you have turned on your subwoofer.
• Depending on the selected sound field, no sound output from the subwoofer.
• When all speakers are set to “Large” and
“Neo:6 Cinema” or “Neo:6 Music” is selected, there is no sound from the subwoofer.
• Check the “SP Pattern” setting (page 66).
The surround effect cannot be obtained.
• Make sure the sound field function is on
(press MOVIE or MUSIC).
• Sound fields do not function for signals with a sampling frequency of more than
48 kHz.
Dolby Digital or DTS multi channel sound is not reproduced.
• Check that the DVD, etc. you are playing is recorded in Dolby Digital or DTS format.
• When connecting the DVD player, etc., to the digital input jacks of this receiver, make sure the setting for the digital audio output of the connected component is available.
Recording cannot be carried out.
• Check that the components are connected correctly.
• Select the source component using the
The MULTI CHANNEL DECODING lamp does not light up in blue.
• Check that the playback component is connected to a digital jack and the input is selected properly on this receiver.
• Check whether the input source of the software being played back corresponds to the multi channel format.
• Check whether the setup on the playback component is set to multi channel sound.
• Check to make sure the selected digital audio input jack is not assigned to other inputs in “Input Assign” in the Input
There is no sound from the component connected to the DIGITAL MEDIA PORT adapter.
• Adjust the volume of this receiver.
• The DIGITAL MEDIA PORT adapter and/or component is not connected correctly. Turn off the receiver, then reconnect the DIGITAL MEDIA PORT adapter and/or component.
• Check the DIGITAL MEDIA PORT adapter and/or component device to make sure it supports this receiver.
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Video
There is no picture or an unclear picture appears on the TV screen.
• Select the appropriate input on the receiver
• Set your TV to the appropriate input mode.
• Move your audio components away from the TV.
• Assign the component video input correctly.
• The input signal should be same as the input function when you are up-converting
an input signal with this receiver (page
• Depending on the DIGITAL MEDIA
PORT adapter, video output may not be possible.
The image of the COMPONENT VIDEO
OUT is corrupted.
• Video input signals other than 480p component are not received when signals are output from the VIDEO jack. Input
480i component video signals.
• When component input signals other than
480p are output, use the COMPONENT
VIDEO OUT jack and set “Resolution” to
“DIRECT”.
Recording cannot be carried out.
• Check that the components are connected correctly.
• Select the source component using the
The GUI menu does not appear on the
TV screen.
• Press GUI MODE repeatedly to select
“MENU ON”. If the GUI menu still does not appear on the TV screen, press MENU.
• Check the TV is connected correctly.
HDMI
The source sound input from the HDMI jack on the receiver is not output from the speakers connected to the receiver or TV speaker.
• Check the setting of “Audio Out” in the
• Check that the component is connected correctly to the HDMI jack for that component.
• You cannot listen to the Super Audio CD by connecting HDMI.
• Depending on the playback component, you may need to set up the component.
Refer to the operating instructions supplied with each component.
• Be sure to use a connecting cable for the
HDMI jack corresponding to high speed
(an HDMI version 1.3a, category 2 cable) when you view images or listen to sound during a Deep Colour transmission.
The source image input to the HDMI jack on the receiver is not output from the TV.
• Make sure that cables are correctly and securely connected to components.
• Depending on the playback component, you may need to set up the component.
Refer to the operating instructions supplied with each component.
• Be sure to use a connecting cable for the
HDMI jack corresponding to high speed
(an HDMI version 1.3a, category 2 cable) when you view images or listen to sound during a Deep Colour transmission.
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The Control for HDMI function does not work.
• Check the HDMI connection (page 25).
• Make sure “Ctrl for HDMI” is set to “ON” in HDMI Settings menu.
• Make sure the connected component is compatible with the Control for HDMI function.
• Check the Control for HDMI settings on the connected component. Refer to the operating instructions of the connected component.
• If you change the HDMI connection, connect/disconnect the AC power cord, or there is a power failure, repeat the
procedures of “Preparing for the
No sound is output from the receiver and TV speaker while using the System
Audio Control function.
• Make sure the TV is compatible with the
System Audio Control function.
• If the TV does not have System Audio
Control function, set the “Audio Out” settings in HDMI Settings menu to
– “TV+AMP” if you want to listen to the sound from the TV speaker and receiver.
– “AMP” if you want to listen to the sound from the receiver.
• If you cannot listen to the sound of a component connected to the receiver while TV input is selected on the receiver
– Select the appropriate input when you want to watch a program on a component connected via HDMI connection to the receiver.
– Change the TV channel when you want to watch a TV broadcast.
– Select the component or input you want to watch when you watch a program on the component connected to the TV.
Refer to the operating instructions of the
TV on this operation.
The TV’s remote cannot be used to control the connected component when using the Control for HDMI function.
• Depending on the connected component and TV, you may need to set up the component and TV. Refer to the operating instructions supplied with each component and TV.
• Change the input of the receiver to the
HDMI input connected to the component.
S-AIR function
S-AIR connection is not established
(sound transmission is not established), e.g., the indicator of the
S-AIR sub unit turns off, flashes, or turns red.
• If you use another S-AIR main unit, place it more than 8 m away from this S-AIR main unit.
• Confirm the S-AIR IDs of the S-AIR main
unit and S-AIR sub unit are the same (page
• Another S-AIR sub unit is paired to the
S-AIR main unit. Pair the desired S-AIR
sub unit with the S-AIR main unit (page
• The S-AIR main unit is pairing with another S-AIR sub unit. Cancel pairing.
• Place the S-AIR main unit and S-AIR sub unit separately from other wireless devices.
• Avoid using any other wireless devices.
• The S-AIR sub unit is turned off. Make sure the AC power cord (mains lead) is connected and turn on the S-AIR sub unit.
No sound is heard from the S-AIR receiver.
• Check that the components are connected to analog jack of this receiver.
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No sound is heard from the S-AIR product.
• If you use another S-AIR main unit, place it more than 8 m away from this S-AIR main unit.
• Confirm the ID of the S-AIR main unit and
S-AIR sub unit are the same (page 92).
• Confirm the pairing setting (page 93).
• Place the S-AIR main unit and S-AIR sub unit closer to each other.
• If you are using any equipment that generates electromagnetic energy such as a microwave oven near an S-AIR products, turn off the equipment and try using the S-AIR product again after waiting for a short time.
• Place the S-AIR main unit and S-AIR sub unit separately from other wireless devices.
• Avoid using any other wireless devices.
• Change the “RF Change” setting (page
• Change the ID settings of the S-AIR main unit and S-AIR sub unit.
• Turn off the system and S-AIR sub unit, then turn them on again.
• Check that headphones are not connected to the S-AIR sub unit.
There is noise or the sound skips.
• If you use another S-AIR main unit, place it more than 8 m away from this S-AIR main unit.
• Sources with copyright protection may not be playable on S-AIR sub unit.
• Place the S-AIR main unit and S-AIR sub unit closer to each other.
• If you are using any equipment that generates electromagnetic energy such as a microwave oven near an S-AIR products, turn off the equipment and try using the S-AIR product again after waiting for a short time.
• Place the S-AIR main unit and S-AIR sub unit separately from other wireless devices.
• Avoid using any other wireless devices.
• Change the “RF Change” setting (page
• Change the ID settings of the S-AIR main unit and S-AIR sub unit.
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Tuner
The FM reception is poor.
• Use a 75-ohm coaxial cable (not supplied) to connect the receiver to an outdoor FM antennas (aerial) as shown below. If you connect the receiver to an outdoor antenna
(aerial), ground it against lightning. To prevent a gas explosion, do not connect the ground (earth) wire to a gas pipe.
Outdoor FM antenna (aerial)
Receiver
ANTENNA
AM
The RDS information that you want does not appear.*
• Contact the radio station and find out whether they actually provide the service in question. If so, the service may be temporarily out of order.
* Models of area code CEL, CEK only.
Remote commander
The remote does not function.
• Point the remote at the remote sensor on the receiver.
• Remove any obstacles in the path between the remote and the receiver.
• Replace all the batteries in the remote with new ones, if they are weak.
• Make sure you select the correct input on the remote.
• When you operate a programmed non-
Sony component, the remote may not function properly depending on the model and the maker of the component.
Ground wire
(not supplied)
To ground
Radio stations cannot be tuned in.
• Check that the antennas (aerials) are connected securely. Adjust the antennas
(aerials) and connect an external antenna
(aerial), if necessary.
• The signal strength of the stations is too weak (when tuning in with automatic tuning). Use direct tuning.
• Make sure you set the tuning interval correctly (when tuning in AM stations with direct tuning).
• No stations have been preset or the preset stations have been cleared (when tuning by scanning preset stations). Preset the
• Press DISPLAY repeatedly so that the frequency appears on the display.
RDS does not work.*
• Make sure that you are tuned to an FM
RDS station.
• Select a stronger FM station.
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Error messages
If there is a malfunction, the display shows a message. You can check the condition of the system by the message. See the following table to solve the problem. If any problem persists, consult your nearest Sony dealer.
PROTECTOR
Irregular current is output to the speakers, or upper panel of the receiver is covered with something. The receiver will automatically turn off after a few seconds. Check the speaker connection and turn on the power again.
For other messages, see “Message list after
Auto Calibration measurement” (page 43) and
“DIGITAL MEDIA PORT message list”
Reference sections for clearing the receiver’s memory
If you are unable to remedy the problem using the troubleshooting guide, clearing the receiver’s memory may remedy the problem
(page 35). However, note that all memorized
settings will be reset to their initial settings and you will have to readjust all settings on the receiver.
If the problem persist, consult your nearest
Sony dealer. Note that if service personnel changes some parts during repair, these parts may be retained.
In the event of a problem with S-AIR function, have a Sony dealer check the entire system together (S-AIR main unit and S-AIR sub unit).
To clear
All memorized settings
Customized sound fields
See
Specifications
Amplifier section
Models of area code CEL, CEK, AU, E51
1)
Minimum RMS Output Power
(8 ohms, 20 Hz – 20 kHz, THD 0.09%)
85 W + 85 W
Stereo Mode Output Power
(8 ohms, 1 kHz, THD 1%)
100 W + 100 W
Surround Mode Output Power
2)
(8 ohms, 1 kHz, THD 10%)
140 W per channel
1)
Measured under the following conditions:
Area code
CEL, CEK, AU
E51
Power requirements
230 V AC, 50 Hz
240 V AC, 50 Hz
2)
Reference power output for front, center, surround and surround back speakers. Depending on the sound field settings and the source, there may be no sound output.
Frequency response
Analog 10 Hz – 70 kHz,
+0.5/–2 dB (with sound field and equalizer bypassed)
Input
Analog Sensitivity: 500 mV/
50 kohms
S/N
3)
: 96 dB
(A, 500 mV
4)
)
Digital (Coaxial) Impedance: 75 ohms
S/N: 100 dB
(A, 20 kHz LPF)
Digital (Optical) S/N: 100 dB
(A, 20 kHz LPF)
Output (Analog)
AUDIO OUT Voltage: 500 mV/10 kohms
SUBWOOFER Voltage: 2 V/1 kohm
Equalizer
Gain levels ±10 dB, 1 dB step
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3)
INPUT SHORT (with sound field and equalizer bypassed).
4)
Weighted network, input level.
FM tuner section
Tuning range 87.5 MHz – 108.0 MHz
Antenna (aerial) FM wire antenna (aerial)
Antenna (aerial) terminals
75 ohms, unbalanced
Intermediate frequency
10.7 MHz
AM tuner section
Tuning range
Area code
CEL, CEK
AU, E51
Tuning scale
10 kHz step 9 kHz step
–
530 kHz –
1,710 kHz
531 kHz –
1,602 kHz
531 kHz –
1,710 kHz
Antenna (aerial) Loop antenna (aerial)
Intermediate frequency
450 kHz
Video section
Inputs/Outputs
Video: 1 Vp-p, 75 ohms
COMPONENT VIDEO:
Y: 1 Vp-p, 75 ohms
P
B
/C
B
: 0.7 Vp-p, 75 ohms
P
R
/C
R
: 0.7 Vp-p, 75 ohms
80 MHz HD Pass Through
General
Power requirements
Area code
CEL, CEK
AU
E51
Power requirements
230 V AC, 50/60 Hz
230 V AC, 50 Hz
120/220/240 V AC,
50/60 Hz
Power output (DIGITAL MEDIA PORT)
DC OUT: 5V, 0.7 A MAX
Power consumption
Area code Power consumption
CEL, CEK, AU, E51 250 W
Power consumption (during standby mode)
0.9 W (When “Ctrl for
HDMI” and “S-AIR Stby” is set to “OFF”)
Dimensions (width/height/depth) (Approx.)
Mass (Approx.)
430 × 157.5 × 324.5 mm including projecting parts and controls
8.6 kg
Supplied accessories
Operating instructions (this manual)
Quick Setup Guide (1)
GUI Menu List (1)
FM wire antenna (aerial) (1)
AM loop antenna (aerial) (1)
RM-AAP042 Remote commander (1)
R6 (size-AA) batteries (2)
Optimizer microphone (ECM-AC2) (1)
For details on the area code of the
component you are using, see page 3.
Design and specifications are subject to change without notice.
Halogenated flame retardants are not used in the certain printed wiring boards.
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Index
Numerics
A
B
BRAVIA Sync
C
Clear
Connection
D
E
F
G
H
I
L
M
Message
N
O
P
R
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S
T
U
V
(1)
Sony Corporation
Printed in Malaysia

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