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Yamaha D1030 Owner's manual
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Yamaha D1030 is a digital delay line designed for commercial sound applications, offering excellent sound quality and extended dynamic range. It features a 1-in/3-out configuration, with independently programmable delays of up to 1300 milliseconds for each output. The D1030 has 15 memory locations for storing and recalling preset programs including delay and EQ settings. It provides programmability and functional versatility, making it suitable for time alignment, distance delay compensation, electronically-assisted acoustics, special effects, and various other critical applications.
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DIGITAL DELAY LINE LIGNE A RETARD NUMERIQUE ОВО OPERATION MANUAL MANUEL D'INSTRUCTIONS - BEDIENUNGSANLEITUNG NO m1 2 2 woe YAMAHRoGm omy ve ED TOO 04 > > PEO =? ode =» = > -W = = O So = = MEMORY FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class "B” ‚digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit "OFF" and "ON", please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. ‚ 1п the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA 90620 * This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. CANADA THIS DIGITAL APPARATUS DOES NOT EXCEED THE “CLASS B” LIMITS FOR RADIO NOISE EMISSIONS FROM DIGITAL APPARATUS SET OUT IN THE RADIO INTERFERENCE REGULATION OF THE CANADIAN DEPARTMENT OF COMMUNICATIONS. LE PRESENT APPAREIL NUMERIQUE N'EMET PAS DE BRUITS RADIOELECTRIQUES DEPASSANT LES LIMITES APPLICABLES AUX APPAREILS NUMERIQUES DE LA “CLASSE 8" PRESCRITES DANS LE REGLEMENT SUR LE BROUILLAGE RADIOELECTRIQUE EDICTE PAR LE MINISTERE DES COMMUNICATIONS DU CANADA. * This applies only to products distributed by YAMAHA CANADA MUSIC LTD. Dette apparat overholder det gaeldende EF-direktiv IMPORTANT NOTICE FOR THE UNITED KINGDOM vedrgrende radiosteo;. Cet appareil est conforme aux prescriptions de la Connecting the Plug and Cord directive communautaire 87/308/CEE. WARNING: THIS APPARATUS MUST BE EARTHED Diese Geráte entsprechen der EG-Richtlinie 82/ IMPORTANT. The wires in this mains lead are coloured in accordance with the following code: 499/EWG und/oder 87/308/EWG. GREEN-AND-YELLOW + EARTH | | | BLUE : NEUTRAL This product complies with the radio frequency BROWN : LIVE interference requirements of the Council Direc- | | ВЕ tive 82/499/EEC and/or 87/308/EEC. As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug proceed as follows: Questo apparecchio & conforme al D.M.13 aprile The wire which is coloured GREEN-AND-YELLOW must be connected to the terminal in the 1989 (Direttiva CEE/87/308) sulla soppressione plug which is marked by the letter E or by the safety earth symbol — or coloured GREEN or dei radiodisturbi. - GREEN-AND-YELLOW, | Este producto está de acuerdo con los requisitos The wire which is coloured BLUE must be connected to the terminal which is marked with the sobre interferencias de radio freguencia fijados letter N or coloured BLACK. por el Consejo Directivo 87/308/CEE. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. YAMAHA CORPORATION * This applies only to products distributed by YAMAHA - KEMBLE MUSIC (U.K.) LTD. Introduction The D1030 Digital Delay Line is a high-performance delay line with on- board EQ designed for commercial sound applications — especially those requiring excellent sound quality and extended dynamic range. It features a 1-in/3-out configuration with independently programmable delays of up to 1300 milliseconds (20-microsecond increments) for each output. 15 memory locations are provided so preset programs including delay and EQ settings can be prepared and easily recalled when needed. Programs may be recalled via the front-panel controls, by using a contact-closure system, or via MIDI. The D1030 offers sound quality, programmability and functional versa- tility that make it ideal for a broad range of critical applications including time alignment, distance delay compensation, electronically-assisted acous- tics, special effects, and more. Main Features New technological 18-bit AID conversion and 18-bit D/A conversion. Dynamic range over 100 dB. THD less than 0.03%. Full 20 kHz bandwidth. Delays to 1300 milliseconds in 20-microsecond increments. 2 main operational modes: DELAY & PARAMETRIC EQUALIZER: Independent 3-band paramet- ric EQ for each delay output. * DELAY & CROSSOVER: 3-way crossover with delay for each output and 2-way crossover plus sub-woofer with delay for each output. Delay time may be set in milliseconds, meters or feet. Independently programmable attenuation (up to 50 dB or oo) for each delay channel. Balanced +4 dB analog input and outputs. Front panel disable and internal memory protect functions. EQ/crossover mode change lockout for system protection. MIDI interface for real-time parameter control, memory select, parame- ter adjust, and memory up/down loading. CONTENTS PRE CAUTIONS oot ttt ee coco ocoocecrooriaco, 3 CONTROLS 8: CONNECTORS/OPERATIONS SUMMARY ..............eececcccccceros 4 DELAY & PARAMETRIC EQUALIZER MODE ................e00e.e000 00 ec ee e. 7 PROGRAMS AND PROGRAM SELECTION .............00000000000rececoeaaoo A FUNCTIONAL BLOCK DIAGRAM ............weooccooococecococecoorerereracaamecao 7 PARAMETRIC EQ PARAMETERS & PROCEDURE .............ñeoscoodeoedrorecoseo 8 EQ 8 SUBSONIC FILTER SWITCHING ..........eee.00s0ccococeocococecocroceaiaano 9 DELAY 8: CROSSOVER MODE ............. RS 22...10 PROGRAMS AND PROGRAM SELECTION ..........eeeeerrrcscccccceccerererr et; 10 THE COMPARE FUNCTION ........ PS eee ea 10 Ш A/B/C: 3-CHANNEL DELAY + 3-WAY CROSSOVER .............. ass a anna 11 FUNCTIONAL BLOCK DIAGRAM ...........eñeoorcooeoodeec0reroreneraaocóne. 11 BASIC SYSTEM CONFIGURATION oven ii, „11 3-WAY CROSSOVER PARAMETERS & PROCEDURE ............eeecdeccodoeras 12 Ш D/E/F: DELAY + 2-WAY CROSSOVER + SUB-WOOFER ooo, 14 FUNCTIONAL BLOCK DIAGRAM ..........eneeeeecevoocorocecerenoa OS 14 BASIC SYSTEM CONFIGURATION ...........0e0000000a0ocolecocooeesecic ce 14 2-WAY CROSSOVER PARAMETERS & PROCEDURE 15 DELAY, ATTENUATION & PHASE PARAMETERS & PROCEDURE .............. nao. 17 THE PARAMETERS ..........o00c0oroecoronreoooeaeo. ee 17 PROGRAM STORE ooo aa een anna nana aan anna 18 REALTIME MIDI PARAMETER CONTROL .............eee0recoreveicooeooooeciasesea 19 HARD-WIRED PROGRAM SELECTION ...…...…...........…. a 20 MIDI LINK ott eee eee eee 20 UTILITY MODE FUNCTIONS 111 iii 21 TITLE EDIT oe oot eee ee eee eee eee aa aa aan aan 21 DEL AY DISPLAY ott ete 21 LEVEL METER ............000e0ec.e0receecoco0eeo0decocec dd 21 MIDI CONTROL .............ee00s000000ecoaeeeareaaoooererocaocecirececaeodao, 21 MIDI PROGRAM CHANGE TABLE... aa 22 CONTROLLER ASSIGNMENT esse eee nana nee eee nana aa na anna anna annee 22 BULK OUT .......... a a aa a ad a a a aa a a aa a aa aa aan 23 TIME ALIGNMENT BASICS ............. Lana aan ana a aa dada ana 24 DISTANCE COMPENSATION BASICS LL ен 25 SPECIFICATIONS ern 26 BLOCK DIAGRAM oot eee eee anna da 27 DIMENSIONS ....... RE 27 MIDI DATA FORMAT ........... PT Add-1 MIDI IMPLEMENTATION CHART .........0..ee0eo00.. a Add-6 PRECAUTIONS 1. Avoid Excessive Heat, Humidity, Dust and Vibration Keep the unit away from locations where it is likely to be exposed to high temperatures or humid- ity — such as near radiators, stoves, etc. Also avoid locations which are subject to excessive dust accu- mulation or vibration which could cause mechanical damage. If the D1030 is to be rack mounted, make sure that sufficient ventilation is provided. Avoid Physical Shocks Strong physical shocks to the unit can cause damage. Handle it with care. Do Not Open The Case Or Attempt Repairs Or Modifications Yourself This product contains no user-serviceable parts. © Refer all maintenance to qualified YAMAHA serv- ice personnel. Opening the case and/or tampering with the internal circuitry will void the warranty. Make Sure Power Is Off Before Making Or Removing Connections Always turn the power OFF prior to connecting or disconnecting cables. Handle Cables Carefully Always plug and unplug cables — includin g the AC cord — by gripping the connector, not the cord. Clean With a Soft Dry Cloth Never use solvents such as benzine or thinner to clean the unit. Wipe clean with a soft, dry cloth. Always Use the Correct Power Supply The power requirements for the D1030 are clearly marked on the rear panel. Make sure the specified mains veltage matches the voltage in your area before using the unit! 8. Electrical Interference Since the D1030 contains digital circuitry, it may cause interference and noise if placed too close to TV sets, radios or similar equipment. If such a problem does occur, move the D1030 further away from the affected equipment. Memory Backup The D1030 contains a special long-life battery that retains the contents of its internal RAM mem- ory even when the power is turned OFF, The backup battery should last for approximately 5 years. When the battery voltage drops to a level that is too low to maintain the memory contents, the following mes- sage will appear on the D1030 display when the power is turned ON: If this display appears, have the backup battery replaced by qualified Y AMAHA service personnel. DO NOT ATTEMPT TO REPLACE THE BACKUP BATTERY YOURSELF! !! PLEASE READ THIS BEFORE PROCEEDING !! CONTROLS & CONNECTORS/OPERATIONS SUMMARY FRONT PANEL DELAY LINE 1 2 = = = > a => ee = = = = => = O Power Switch Press to turn the power ON or OFF. O Input & Output Level Indicators These 8-element LED level meters provide ac- curate peak-level readings for the input signal and the output signals at each of the D1030’s three out- puts. The lower 7 segments correspond to —42, —36, —30, —24, —18, —12 and —6 dB. The highest segment is a CLIP indicator that warns of circuit overload. See the block diagram on page 27 for the level indicator take-off points. © Mode Indicators Indicate whether the D1030 is in the “DELAY & PARAMETRIC EQ (P.EQ)” or “DELAY & CROSSOVER (X-OVER)” mode, selected by the rear-panel MODE switch (® MODE switch, below). @ MEMORY Display This 7-segment LED display shows which of the D1030’s available memory locations is selected — 1 through F (hexadecimal). Memory locations 1 through 9 are used for storing DELAY & PAR- AMETRIC EQUALIZER programs, locations A ‘through C store 3-way DELAY & CROSSOVER programs, and locations D through F hold 2-way DELAY & CROSSOVER programs. See page 7 for further details. O LCD Display Two l6-character display lines show program names, parameters and values for easy operation and programming. The display is backlit for opti- mum visibility. сс STORE ® Cursor & Parameter Edit Keys The horizontal arrow keys move the cursor to the desired parameter within the display screen, while the vertical arrow keys adjust the value of the selected parameter. Delay Key Accesses the individual delay 1, delay 2 and delay 3 parameters, as well as an overall delay off- set parameter. See page 17 for further details. Attenuation/Phase Key Allows individual adjustment of the attenuation (up to 50 dB or o) and phase (normal or reverse) of each delay channel. See page 17 for further details. EQ/Subsonic/Compare Key Allows the equalizer and subsonic filter for each channel to be independently turned on or off in the DELAY & PARAMETRIC EQUALIZER mode. Also activates the COMPARE function during DE- LAY & CROSSOVER mode editing, allowing A/B comparison between previously stored and new data. See pages 9 and 10 for further details. CH1/LOW, CH2/MID, CH3/HIGH Keys These keys access the EQ parameters for the corresponding channel when the DELAY AND PARAMETRIC EQUALIZER mode is selected (i.e. when a memory location between 1 and 9 is se- lected), or the crossover filter parameters when the — DELAY & CROSSOVER mode is selected (memory locations A through F). See pages 8. 11 and 13 for further details. MEMORY Select, STORE and RECALL Keys | | | Select and recall or store data in any of the D1030 memory locations. See page 7 for further details. UTILITY Key The UTILITY key accesses a range of utility functions including program title edit, delay display mode (milliseconds, feet or meters), level meter peakhold ON/OFF, MIDI channel selection, MIDI program change table assignments, MIDI controller assignments, and bulk dump operations. See page 21 for further details, ® DELAY BYPASS Key One-touch delay bypass. When this key is pressed its indicator will light and all delays are completely bypassed. EQ and crossover parameters are unaffected. Pressing the key a second time causes its indicator to go out and restores normal delay operation. INPUT Level Control Matches the sensitivity of the D1030 input to the source signal. Use in conjunction with the “IN” level indicator to set up the optimum input level for various signals. "REAR PANEL MODE $ | PROTECT . REMOTE Ole (6 INPUT Connector Electronically balanced main input to the D1030. Nominal input level/impedance is +4 dB/10 kQ. The pin connections are: Pin 1: GROUND Pin 2: HOT (+) Pin 3: COLD (-) “6 CHI, CH2 and CH3 OUTPUT Connectors Electronically balanced outputs from each of the D1030 delay/EQ channels. Nominal output level/im- pedance is +4 dB/150 Q. The pin connections are the same as for the input connector. © MIDI IN and OUT Connectors MIDI IN accepts MIDI program change, control change messages to select specific memory locations or control assigned EQ parameters or parameter change, respectively. MIDI OUT allows program data to be “bulk dumped” to a second D1030 or MIDI data storage device, parameter change data to be “link” to a second D1030, and also program change. See pages 19 and 20 for more information. ® REMOTE Connector Accepts a custom-built contact-closure system for remote memory location selection. See page 20 for further details. ® MODE Switch Locks the D1030 in the P. EQ or CROSSOVER mode to prevent speaker or system damage. See pages 7 and 10 for further details. @ PROTECT Switch Has settings to either lock out the front panel keys or prevent memory write operations. о In the “OFF” position no protect function is ac- tive. * In the “MEM?” position the internal memory is protected and can not be overwritten by either a front-panel STORE operation or MIDI bulk data reception. In the “KEY” position all front-panel keys are — locked out and have no effect on the D1030's op- eration, except receiving MIDI bulk dump re- quest. - 91] MODE/PROTECT Switch Cover Prevents unwanted changes to the MODE and PROTECT switch settings. The plastic cover is at- tached with two screws — the cover can be removed or installed by removing one screw and loosening the other. "DELAY & PARAMETRIC EQUALIZER MODE - Memory Locations 1... 9 — DE. The DELAY & PARAMETRIC EQUALIZER mode is selected by setting the rear-panel MODE switch to the “P.EQ” position. This should normally be done while the power is OFF. To prevent speaker and/or system damage, the D1030 is equipped with a muting function that is automatically - activated if the MODE switch setting is changed while the power is ON. If this occurs and the protection func- tion is activated, the following display will appear: Turn the [POWER] switch OFF and then ON again to reset the muting function and activate the selected mode. ® FUNCTIONAL BLOCK DIAGRAM DOGOQODE 7 > "| SUBSONIC | P.EQ D/A >>>) +4dBm CH2 7 Ss РВЕ-ЕМ ei INPUT +4dBm (00) RE >—Q PROGRAMS AND PROGRAM SELECTION In the DELAY & PARAMETRIC EQUALIZER mode, only programs (memory locations) 1 through 9 are available. The various programs are selected as fol- lows: 1. Use the memory 4 and V keys to select the de- sired program — the selected program number will flash on the LED display to indicate that the pro- gram has been selected but not recalled (the previ- ously selected program is still active. 2. Press the [RECALL] key to actually recall and acti- vate the selected program — the recalled program number will light continuously. Note: When the D1030 is initially shipped, all memory locations contain “INITIAL” programs in which all parameters are set to their “normal” values. Original DELAY & PARAMETRIC EQUALIZER programs you create by editing the various delay and EQ para- meters can be stored in any memory location be- tween 1 and 9 by using the STORE procedure de- scribed on page 18. | CONO0NDO 00600000 D/A : > +4dBm CH1 SUBSONIC P.EQ e (5) +acen cH PARAMETRIC EQ PARAMETERS & PROCEDURE The [CH1], [CH2] and [CH3] keys each select four display screens in sequence, as shown below: — — CH1 CH2 CH3 LOW MID HIGH Lou E La E LOW E += 198 Бе В += G= В += 190 Cd В MID BH G=8, 70 HID 8 0=6,76 CHILD 895,76 F= 1.8 = 0 F= 1.9Ek Бе В F= 1,6 b= В HIGH E HIGH © HIGH EB Р= dE 6 В F= 1886 G= e Fs 16 = В CTEL BOO PLY CTEL BOO DL CTRL E Ely Н.В + 186.6 В.В + 106,6 dd + 198,8 Use the <J and I> CURSOR keys to move the un- EQ Parameter Range derline cursor to the required parameter. Use the A and V parameter editing keys to set the value of the selected parameter. | The 4 or V key can be held for continuous incre- menting or decrementing. Faster incrementing or decre- menting can be achieved by pressing the opposite key LOW F (Frequency) MID F (Frequency) HIGH F (Frequency) G (Gain) Q (Bandwidth, MID only) 40 Hz — 1.6 kHz 200 Hz —8 kHz 400 Hz — 16 kHz +15 dB 0.1 — 10 while holding the 4 or V key. The ranges of the equalizer parameters (not includ- ing the “CTRL” screen parameters — see “REALTIME MIDI PARAMETER CONTROL” on page 19) are as follows: | DELAY, ATTENUATION & PHASE PARAMETERS & PROCEDURE These parameters operate the same in all D1030 modes. See page 17 for details. EQ & SUBSONIC FILTER SWITCHING In the DELAY & PARAMETRIC EQUALIZER mode, the [EQ/SUB] key alternately selects the follow- ing two display screens: CD EQ/SUB COMPARE los | тс = а паг == + Eme tlh lr i = ii Ti TI TI TI F E i if indicates the channel-1 (CH1) parameter. H indicates the channel-2 (CH2) parameter. i indicates the channel-3 (CH3) parameter. The “P.EQ” screen allows switching the parametric equalizer ON or OFF for each channel, and the “SUB.” allows switching the internal subsonic filter (20 Hz, —12 dB/oct.) ON or OFF for each channel. Select the desired channel using the <I and > CURSOR keys, then switch ON or OFF using the pa- rameter editing 41 and V keys. | "DELAY & CROSSOVER MODE - Programs À, B, C, D, E and F - The DELAY & CROSSOVER mode is selected by setting the rear-panel MODE switch to the “X-OVER” position. This should normally be done while the power is OFF. To prevent speaker and/or system damage, the D1030 15 equipped with a muting function that is automatically activated if the MODE switch setting is changed while the power is ON. If this occurs and the protection func- tion is activated, the following display will appear: Turn the [POWER] switch OFF and then ON again to reset the muting function and activate the selected mode. PROGRAMS AND PROGRAM SELECTION In the DELAY & CROSSOVER mode, only pro- grams (memory locations) A through F are available. The various programs are selected as follows: 1. Use the memory 4 and V keys to select the de- sired program — the selected program number will flash on the LED display to indicate that the pro- gram has been selected but not recalled (the previ- ously selected program is still active). 2. Press the [RECALL] key to actually recall and acti- vate the selected program — the recalled program number will light continuously. When switching from a 3-way crossover to a 2-way Crossover pro- gram, however, a “RECALL OK?” display will ap- pear when the [RECALL] key is first pressed. This is a precautionary measure intended to preventing speaker and/or system damage caused by switching to an inappropriate crossover configuration. When the “RECALL OK?” display appears, press the [RECALL] key a second time to recall the selected program. 10 Note: When the D1030 is initially shipped, all memory locations contain “INITIAL” programs in which all parameters are set to their “normal” values. Original DELAY d: CROSSOVER programs you-create by editing the various delay and EQ parameters can be stored in any memory location between A and F (3- Way types to programs A, B or C; 2-way types to programs D, E or F) by using the STORE procedure described on page 18. ; THE COMPARE FUNCTION In the DELAY & CROSSOVER mode, the [COM- PARE/EQ/SUB] key activates the D1030 COMPARE function (the EQ ON/OFF and SUBSONIC FILTER parameters are not available in this mode). | When the [COMPARE/EQ/SUB] key is pressed while editing in this mode, its indicator will light and the parameters of the program stored in the current memory location are temporarily recalled so the sound can be compared with that of the edited version. Press the [COMPARE/EQ/SUB] key again to return to the edited parameters (the [COMPARE/EQ/SUB] key indi- cator will go out). B A/B/C: 3-CHANNEL DELAY + 3-WAY CROSSOVER ® FUNCTIONAL BLOCK DIAGRAM HIGH HIGH LFF DELA e AT HS HEH=H e BASIC SYSTEM CONFIGULATION HF HORN POWER AMPLIFIERS CH3 (HIGH) CH2 MIDRANGE LF HORN DELAY, ATTENUATION & PHASE PARAMETERS & PROCEDURE These parameters operate the same in all D1030 modes. See page 17 for details. 7 WW LU т Y +4dBm Co) S +4dBm HIGH (CH3) 11 3-WAY CROSSOVER PARAMETERS & PROCEDURE The [CH1], [CH2] and [CH3] keys each select three display screens in sequence, as shown below: DO > CHi | CH2 CH3 LOW | MID HIGH LOL — HPF MID-LO SL,.=— 40 HIGH SL.=-245 F= 49 SL.=THFU = 06 F.F= E F= dk F.F= @ LOU SL.=-246 MIL-HI SL.=-=248 HIGH — LFF — E= SH F.F= À F= d4.8k F.F= 8 F= 14k =L.=THRU LTH В PLY CTEL OLY CTRL O E DL 0.0 + 190,9 LOU + 199,9 0,0 + 199,9 Use the <J and I> CURSOR keys to move the un- 3-way Crossover Parameters Range derline cursor to thé required parameter. Use the 4 and у | 5 V parameter editing keys to set the value of the selected LOW F (Frequency) 200 Hz — 2 kHz parameter. MID-LO F (Frequency) 200 Hz — 2 kHz The 1 or V key can be held for continuous incre- MID-HI F (Frequency) 1 kHz — 10 kHz menting or decrementing. Faster incrementing of decre- HIGH F (Frequency) 1 kHz — 10 kHz menting can be achieved by pressing the opposite key LOW - HPF F (Frequency) 20 Hz — 80 Hz while holding the 4 or V key. HIGH - LPF F (Frequency) 10 kHz — 18 kHz The ranges of the 3-way crossover parameters (not F.F (Frequency Fine) -10 — +10 including the “CTRL” screen parameters — see “REAL- TIME MIDI PARAMETER CONTROL” on page 19) are as follows: 12 LOW, MID-LO, MID-HI and HIGH SL. (Slope) HPF and LPF SL. (Slope) -6 — -24D* dB/oct. THRU — -18D dB/oct. All slope values except —6 dB/oct. (i.e. —12, —18 and —24 dB/oct.) have four settings — A, B, C and D. These correspond to different degrees of attenuation at the cutoff frequency, as follows: Display —**А | FFB | -**С —** > Attenuation | -3 dB | A4 dB | -5 dB | -6 dB —12A, —12B, —12C and —12D, for example, all have —12 dB/octave slopes, but are 3, 4, 5, and 6 dB down at the selected frequency, respectively. In par- ticular, the —12D and -24D (-6 dB) settings produce a Linkwitz-Riley filter response with constant-volt- age characteristics and a gain of 1. The optimum settings for a given sound system _ will depend on the type of speakers used and other factors, and are best determined by ear. Aim for a smooth, natural crossover between frequency ranges. The only rule is that the LPF and HPF slopes for the same crossover point should be set to the b&b Ab LEVEL (dB) FREQUENCY same attenuation value to avoid phase differences that may adversely affect the response at and around the crossover frequency. LOW-HPF LOW MID-LO MID-HI HIGH HIGH-LPF | I f | | | THRU : | | CH1 (L) | I I | [ [ i | Il THRU xX XN CH2 (M) CH3 (H) 13 H D/E/F: DELAY + 2-WAY CROSSOVER + SUB-WOOFER ® FUNCTIONAL BLOCK DIAGRAM CADNADODO 00900000 — [rn] [072700] 2WAY + SUB-W | SUB-W HPF SUB-W DE-EM > _ E HA 16) +<mn que - PRE-EM LOW HPF LOW DEZEM INPUT +4d8m (0,0) JU>— —C |6 | \ HEB) ace LOW HIGH HIGH LPF | _ DE-EM ra Pes) +4a8m HIGH e BASIC SYSTEM CONFIGULATION POWER AMPLIFIERS CH3 (HIGH) 1 HFHORN { I _ CH2 (LOW) 1 LF HORN | | | | CH1(SUB-W) | | | INPUT —— | D1030 SUB-WOOFER DELAY, ATTENUATION & PHASE PARAMETERS & PROCEDURE These parameters operate the same in all D1030 modes. See page 17 for details. 14 A full-range auxilliary speaker can be used in place of a subwoofer if the SUB-W parameter is set ro its maximum frequency of 18 kHz. 2-WAY CROSSOVER PARAMETERS & PROCEDURE The [CH1], [CH2] and [CH3] keys each select three display screens in sequence, as shown below: > с cD CHI CH2 CH3 LOW MID — HIGH Silk — HPF LOL — HFF HIGH SL.=-Z4H E= 48 SL. =THRU F= 188 SL.=THEU F= l,6k F.F= À Sh S.A LLO SL. =-Z40 HIGH — LFPF F= 150 F.F= À r= lbe F,F= E F= 14E SL. =THEU CTRL BO DLY CTRL BO [LY CTRL BO DL 0.0 + 190,9 0.0 + 199,6 0.0 + 199,6 Use the <J and "> CURSOR keys to move the un- 2-way Crossover Parameters Range derline cursor to the required parameter. Use the A and y | 5 V parameter editing keys to set the value of the selected SUB-W F (Frequency) 80 Hz — 18 kHz parameter. The A or Ÿ key can be held for continuous incre- menting or decrementing. Faster incrementing or decre- menting can be achieved by pressing the opposite key - while holding the 4 or V key. The ranges of the 2-way crossover parameters (not including the “CTRL” screen parameters — see “REAL - TIME MIDI PARAMETER CONTROL” on page 19) are as follows: LOW F (Frequency) HIGH F (Frequency) SUB-W - HPF F (Frequency) LOW - HPF F (Frequency) HIGH - LPF F (Frequency) F.F (Frequency Fine) SUB-W, LOW and HIGH SL. (Slope) HPF and LPF SL, (Slope) 400 Hz — 6.3 kHz 400 Hz — 6.3 kHz 20 Hz — 80 Hz 20 Hz — 400 Hz 10 kHz — 18 kHz -10 — +10 -6 — —24D* dB/oct. THRU — -18D dB/oct. 15 All slope values except —6 dB/oct. (i.e. -12, -18 and —24 dB/oct.) have four settings — A, B, C and D. These correspond to different degrees of attenuation A F at the cutoff frequency, as follows: о | | | ce Display —-**A | —B | _#*C | —D DAN , > N Attenuation | -3 dB | dB | -5dB | —6 dB = A —5 * - —12A, —12B, —12C and —12D, for example, all -6 have 412 dB/octave slopes, but are 3, 4, 5, and 6 dB down at the selected frequency, respectively. In par- g ticular, the -12D and —24D (-6 dB) settings produce = a Linkwitz-Riley filter response with constant-volt- i age characteristics and a gain of 1. The optimum settings for a given sound system FREQUENCY will depend on the type of speakers used and other factors, and are best determined by ear. Aim for a smooth, natural crossover between frequency ranges. The only rule is that the LPF and HPF slopes for the same crossover point should be set to the same attenuation value to avoid phase differences that may adversely affect the response at and around Note: The SUB-W F (frequency) parameter can be set as high as 18 kHz to allow the use of a supplemental full-range speaker system rather than a sub-woofer the crossover frequency. system. SUB-W SUB-W LOW-HPF LOW HIGH HIGH-LPF | | | | | THRU | | THRU! | | RU CH1 (L) CH2 (M) CH3 (H) 16 “DELAY, ATTENUATION & PHASE PARAMETERS & PROCEDURE The D1030 delay, attenuation and phase parameters are set in the same way and have the same effect regard- less of the currently selected operating mode. The [DELAY] and [ATT/@] keys each alternately access two display screens, as shown below. BLY OF То | Pet ==} TI E iZ Е Fe Los E pas ‘ааа ба - - mors lam [ME i Ea! «LI LT Ë Ei indicates the channel-1 (CH1) parameter. El indicates the channel-2 (CH2) parameter. & indicates the channel-3 (CH3) parameter. Use the <l and > CURSOR keys to move the un- derline cursor to the required parameter (except in the “DLY OFFSET” screen, which only has one parameter). Use the /\ and V parameter editing keys to set the value of the selected parameter. The 4 or V key can be held for continuous incre- menting or decrementing, Faster incrementing or decre- menting can be achieved by pressing the opposite key — while holding the 4 or V key. THE PARAMETERS DLY (Delay). Range: 0... 1300 milliseconds. 0... 442 meters. 0... 1450 feet 1.5 inches. Sets the delay time of the corresponding chan- nel. The utility mode “DELAY DISPLAY” function (see page 21) selects delay display in milliseconds, meters, or feet. DLY OFFSET (Delay Offset) Range: 0 ... 1300 minus maximum DLY setting. Sets an overall delay offset for all three chan- nels. The maximum offset setting is equal to 1300 minus the highest current delay setting. The DLY OFFSET display also appears in me- ters or feet, according to the utility mode “DELAY DISPLAY” setting. PHASE (Phase). Settings: NOR (Normal), REV (Reverse). Selects normal or reverse phasing for the corre- sponding channel. The phase control block for each channel is located immediately following the delay block, as shown in the block diagrams on pages 27. ATT (Attenuation). Range: 0 — 50 dB, ©. Sets the input attenuation for the corresponding - channel. The attenuator block for each channel is located immediately following the phase control block, as shown in the block diagrams on pages 27. 17 PROGRAM STORE Once you have finished editing a program, it can be stored to the current memory location for later recall and use. If you do not store the edited program and a differ- ent program number or mode is selected, the edited pro- gram will be lost (the previous program in that memory location remains unchanged). 1. When finished editing, press the [STORE] key. A display similar to the folowing will appear, asking you to confirm the fact that you want to store the edited data to the current memory location. STORE ОК 7 MEM, 1 + MEM. The program number will also flash on the MEMORY LED display. 2. Press the [STORE] key a second time to actually store the data. “MEMORY STORE” will appear while the data is being stored. When the store opera- tion is finished, the MEMORY LED display will stop flashing. 18 REALTIME MIDI PARAMETER CONTROL This capability makes it possible to independently control up to three delay, EQ or crossover parameters via MIDI control change messages received at the MIDI IN connector. Any MIDI device that is capable of trans- mitting control change messages with control numbers Q through 31, 64 through 95 and 102 through 120 can be used. You could; for example, use a synthesizer modula- tion wheel or data entry control to adjust any of the variable parameters, or a sustain pedal to switch an “ON/ OFF” type parameter. Control numbers are assigned to the three D1030 channels — channel 1 (Controller 1), channel 2 (Con- troller 2) and channel 3 (Controller 3) — using the util- ity mode “CONTROLLER ASSIGNMENT” function described on page 22. The “CTRL” displays accessed by the [CH1], [CH2] and [CH3] keys are used to select the parameter to be controlled in that program by the corresponding control- ler, and the maximum available control range. Different parameters can be controlled in the DE- LAY & PARAMETRIC EQUALIZER and DELAY & CROS SOVER modes, as follows: DELAY & PARAMETRIC EQ MODE DLY Delay time. ATT. Attenuation. | PHASE Phase NOR/REV. P.EQ EQ ON/OFF. SUB. Subsonic ON/OFF. LOW-FRQ Low Frequency. LOW-G Low Gain. MID-FRQ Mid Frequency. MID-G Mid Gain. MID-Q Mid Bandwidth. HI-FRQ High Frequency. HI-G High Gain. DELAY & CROSSOVER MODE DLY Delay time. ATT. Attenuation. PHASE Phase NOR/REV. The parameters on the bottom line of the display are the minimum (to the left of the arrow) and maximum (to the right of the arrow) control range limits, assuming the — maximum control range to be from 0 to 100 (%). These parameters make it possible to limit control to a speci- fied position of the total range of the select parameter — for example, you might want the full range of the con- troller to change delay time only over a central 40 ... 60% portion of its range. In this case you would set the range parameters to: “40 — 60”. Editing procedure is the same as for all other D1030 functions: use the <1 and > CURSOR keys to select a parameter, then the {\ and V parameter editing keys to set the value of the selected parameter. Note: In addition to controlling parameters using MIDI control change messages, program change message can be used to select programs. Refer to the utility mode “MIDI PROGRAM CHANGE ASSIGNMENT TABLE” function described on page 22. 19 HARD-WIRED PROGRAM SELECTION The 9-pin D-SUB REMOTE connector on the D1030 rear panel allows hard-wired remote selection of pro- grams 1, 2, 3, and 4 (DELAY & PARAMETRIC EQUALIZER mode only). The connector should be wired as follows — using shielded cable. Also avoid long cable runs which might pick up noise. 7” OS roma 2 poser No.1 Q—— Program No. 2 | —070—— Program Nos —0°0—4 Program No.4 с | р 7 MIDI LINK PIN # SIGNAL GND = GND GND GND GND Program No. Program No. Program No. Program No. NO O Ja LA E 0 во = => LN = * REMOTE connector wiring has no effect in the DE- LAY & CROSSOVER mode. * Tf more than one pin (6 ... 9) is grounded at the same time, the lowest- numbered pin takes priority. * If at least one pin (6 ... 9) is grounded, the front panel keys and MIDI reception are locked out (ex- cept receiving MIDI bulk dump request). This function allows two D1030 units connected via a MIDI cable to be programmed simultaneously. This means that in stereo setups in which both channels re- quire the same parameter settings, the editing procedure need only be carried out once. In practice, one D1030 functions as the “slave”. Connect a MIDI cable from the MIDI OUT of the master unit to the MIDI IN of the slave unit. This function is used primarily to match the transmit channel of the mas- 20 ter unit with the receive channel of the slave unit. Refer to the utility mode “MIDI CONTROL” function de- scribed on page 21. Any parameter changes made on the master unit will then be transmitted directly to the slave unit as well. The MIDI link functions will not operate, however, if the rear-panel [PROTECT] switch is set to the “KEY” position. | UTILITY MODE FUNCTIONS The D1030 utility functions are accessed in se- quence by pressing the [UTILITY] key. The utility mode is exited after the last function in the utility “list.” the utility mode can also be exited at any time by holding the [UTILITY] key for longer than about one second. Once the utility mode has been selected, it is also possible to cycle backward and forward through the util- ity function list without exiting from the utility mode after the last function by using the memory select {> and V keys. e TITLE EDIT INITIAL P.EG TITLE EDIT The Program Title Edit function allows you to cre- ate original titles for your D1030 programs, for easy identification. When the Title Edit function is called the LCD will appear something like the example above — the program title will appear on the upper line. Use the <] ап > CURSOR keys to move the cursor to the desired character location, then use the 41 and V keys to change the character at the cursor location. The STORE key can be used to place a space at the cursor position. Continue until the new title is complete. The characters accessible via the A and V keys are shown in the chart below, in their proper order. ALEC IDO EFI HIT. EL | PE ТЕР EY 2 а 16| |diea| | | ElliminbafSrela|r|=|t|| | т ? |2 |414 ||| = |3 ||| ры ЧОН ЕВЕ Е A E ЗЕЕ |+ |214 | ЕО) | LE = ECC | ||, ? Sle =H Я 11213814 |8 |5 |789 * A SPACE can also be entered by pressing the STORE key. e DELAY DISPLAY Depending on the application, it might be more con- venient to have the D1030 display delay parameters in milliseconds, meters or feet. After selecting the DELAY DISPLAY function, use the A and / keys to select the desired display mode. O LEVEL METER LEVEL METER PERE ROLES CORR This function determines whether the D1030 level meters operate in the normal or peak-hold mode, In the peak hold mode peak levels are held briefly to allow for more accurate level readings. Use the A and V keys to turn the PEAK HOLD function ON or OFF. | ® MIDI CONTROL This function is used to set the D1030 MIDI receive/ transmit channel. Use the A and V keys to set the MIDI receive/ transmit channel (1 — 16), the OMNI mode (all chan- nels can be received, transmit channel 1), or turn MIDI reception OFF. 21 © MIDI PROGRAM CHANGE TABLE FEM 1 = MEM 1 nda MIDI FEM CHOMGE The D1030 makes it possible to select specific pro- grams via external MIDI control (MIDI program change messages). The D1030 receives a MIDI program change number and selects the program that you have assigned to it using the Program Change Table function described here. When this function is called the LCD will appear as shown above, and it becomes possible to assign new memory location numbers to each MIDI program change number. 1. When the MIDI PGM CHANGE function is first called, the underline cursor should be under the PGM parameter. 2. Use the A and Y keys to select the program change number to which a different memory location num- ber is to be assigned. The range of available pro- gram change numbers is from 1 to 128. 3. Move the underline cursor to the MEM parameter by pressing the CURSOR >> key. Use the A and V keys to select the memory location number contain- ing the program which is to be assigned to the se- lected program change number, or a dash (*-”) if no memory location is to be assigned to that program change number. Only the memory locations avail- able in the current D1030 mode can be selected (i.e. 1 through 9, A through C, or D through F). 4. Move the underline cursor back to the PGM parame- ter by pressing the CURSOR < key and repeat the above steps to assign as many program change num- bers as necessary. 22 ® CONTROLLER ASSIGNMENT The D1030 allows three MIDI “controllers” to be assigned for remote real-time control of delay, attenu- ation, phase, EQ and crossover parameters. “MIDI con- troller” actually refers to a MIDI CONTROL CHANGE number between 0 and 127. Some of these numbers are assigned to specific controllers — modulation wheel, data entry, etc — and a MIDI device such as a keyboard that has any of these controllers will transmit the corre- sponding MIDI control change data when the controllers are operated. You could, for example, assign a keyboard modulation wheel to control delay time. In order to use this kind of setup, the three “control- lers” that the D1030 allows — Controller 1, Controller 2 , and Controller 3 — must be set to receive specific MIDI control change data (i.e. receive data from a spe- cific MIDI controller) using Controller Assignment function. Controller 1 applies to output channel 1 (CHD), controller 2 applies to channel 2 (CH2), and controller 3 applies to channel 3 (CH3). 1. When the CONTROLLER function is first called, the underline cursor should be under the CONTROL- LER parameter on the upper line of the display. 2. Usethe { and V keys to select the controller num- ber — 1, 2 or 3 — to which a different MIDI control change number is to be assigned. The range of avail- able control change numbers is from 0 to 31, 64 to _ 95 and 102 to 120, or control change reception can be turned “OFF” for that controller. 3. Move the underline cursor to the control change number parameter by pressing the CURSOR > key. Use the 4 and V keys to select the control change number which is to be assigned to the selected con- troller. | 4. Move the underline cursor back to the CONTROL - LER parameter by pressing the CURSOR <J key and repeat the above steps to assign as many control change numbers as necessary. The following control change numbers and associ- ated controllers (or none if no controller is specifi- cally assigned) can be selected: Control Change # Controller Assignment OFF ~ Controller OFF 0 No specific controller assigned. 1 MOD. WHEEL 2 BREATH CTRL 3 No specific controller assigned. 4 FOOT CTRL 5 PORT TIME 6 DATA ENTRY 7 MAIN VOLUME 8 — 31 No specific controller assigned. 64 SUST SWITCH 65 PORT SWITCH 66 SUST PEDAL 67 SOFT PEDAL 68 — 95, 102 — 120 No specific controller assigned. © BULK OUT EULE OUT ALL MEME POM-TEL SYS This function allows MIDI bulk dump transmission of all D1030 data (“ALL”), the data for a single program (“MEM”), all programs (“MEM*”), the MIDI program change table (“PGM-TBL”), or the system setup data (“SYS”). System setup data corresponds to the current D1030 panel settings. Use the <J and > CURSOR keys to select the type of data to be transmitted. If the “MEM?” type is selected, use the 41 and V keys to select the particular program from which you want to dump the data or the asterisk (“MEM*”) for all programs. Once the data to be trans- mitted has been selected, press the memory [STORE]* key to initiate transmission. The “** BULK OUT” dis- play will appear during transmission. 23 TIME ALIGNMENT BASICS Time alignment is essential to achieving optimum sound quality in critical multi-amped sound reinforce- ment systems and other commercial sound installations. The D1030’s DELAY & CROSSOVER mode makes ac- curate time alignment quick and easy to achieve, in ad- dition to providing a high-quality programmable elec- tronic Crossover system. Time alignment makes it possible to eliminate phase differences between speaker output at the crossover fre- quencies which, 1f left unresolved, can cause severe fre- quency response aberrations and unstable imaging at and around the crossover points. Refer to the example below. Speed of Sound (approx. 343 meters/sec. or 1127 feet/sec.) Wavelength = Frequency in Hertz With a crossover frequency of 5,000 Hz (wavelength = 343/5,000 = 0.0686 meters or 68.6 cm), a distance of 10 cm equals almost one and a half wavelengths, putting signals from the midrange driver and high-frequency horn approximately 180° out of phase at and around the crossover frequency. Higher frequencies from cone-type speaker originate primarily at center of cone (dome), while the zero-phase point for a horn is generally at the mouth of the horn. | If the zero-phase points of two drivers are not aligned, their output will most likely be out of phase at the crossover frequency. In this example, the 10-centimeter distance between the zero-phase points of the midrange drivers and high- frequency horn results in almost 180 degrees phase dif- ference — the worst possible case. This situation can be resolved quite easily with the D1030 in its 3-way DE- LAY & CROSSOVER mode by setting the midrange (CH2) delay to about 20 milliseconds — or 68 millime- ters if the display mode is set to meters. Fine adjustment is best carried out by ear. | 24 DISTANCE COMPENSATION BASICS In any sound reinforcement setup where rearward- firing auxiliary speakers are used to feed sound to audi- ence members located at some distance from the stage and main house speaker system — but still within ear- shot of the main system — delay between the sound heard from the auxiliary and main speakers can cause anything from subtle unintelligibility to complete confu- sion, STAGE MAIN HOUSE SPEAKERS The auxiliary speaker is located about 35 meters (115 feet) from the house speaker. Listener "L" will hear the sound from the auxiliary speaker approximately 100 milliseconds before that from the house speaker. AUXILIARY REAR SPEAKERS L Referring to the diagram above, we can see that even relatively short distances can add up to consider- able delays. Since the speed of sound in air is approxi- mately 1127 feet/343 meters per second (at 20°), a mere 35 meters results in a delay of around 100 milliseconds — more than enough to serious degrade the quality of the sound. Delays of less than about 50 milliseconds can be ignored because the “precedence effect” causes lis- teners to discern only the initial sound, Longer delays, however, should be eliminated. In the example case, the D1030 could be set to delay the auxiliary speaker sound by about 100 milliseconds (35 meters or 115 feet, de- pending on the display mode), thereby restoring the in- tegrity of the sound for all listeners. 25 SPECIFICATIONS Electrical Characteristics Frequency Response Dynamic Range Total Harmonic Distortion Input Number of Inputs: Nominal Level Input Impedance Outputs Number of Outputs Nominal Level Output Impedance A/D, D/A Conversion Quantization Sampling Rate Delay Time Memory Number of Locations 1—9 A—F MIDI In/Out External Remote Connector Displays Level Meter Memory Number Parameter Power Requirements U.S. € Canadian models General model Power Consumption Dimensions (W x H x D) Weight * 0 dB = 0.775 Vrms 20 Hz — 20 kHz Greater than 100 dB Less than 0.03% (1 kHz) 1 (Electronically balanced) +4 dB 10 kQ 3 (Electronically Balanced) +4 dB 150 © 18 bits 50 kHz 0 — 1.3 sec (20 usec steps) 15: 1 — 9 апа А — Е Delay + 3-band PEQ , Delay + crossover Program change for memory select, control change for parameter adjust, bulk dump for up/down load 9-pin D-SUB (contact-closure memory select) INPUT/OUTPUT 1 — 3 7-segment LED 16-char. x 2-line, backlit 120 V (105 — 130 V) 50/60 Hz 220 — 240 V (+10 %) 50/60 Hz 2W 480 x 45 x 323.2 mm (18-7/8” x 1-3/4” x 12-3/4”) 3.8 kg (8 165 6 oz) * Specifications and appearance subject to change without notice. * Internal circuit delays result in an overall delay of approximately 0.85 msec even when DELAY TIME and DELAY OFFSET are both set to "0", or DELAY BYPASS is.engaged. BLOCK DIAGRAM 'DELAY&PARAMETRIC EQUALIZER MODE 7 JE o m 0 652-916") 350 (13-3/4™) _| 65(2-9/16") - 480 (18-7/8") ui. taney || | am || 44 o (1-3/4") В al El 6 Е =| El IE = т Tn e cop EZ HE=63) +0 on — РВЕ-ЕМ - INPUT +4d8m (e) T>—Q pe} | PEO 7 5 (55) +лавт снг DE pe 8. Е 7 JE) +4 cn DELAY 8€:CROSSOVER MODE El E 5 = 15 Der Un Гай = = = = 3WAY » "LI. LOW HPF LOW DE-E A HH HH FES wacom Low | 1 с PRE-EM MID-LO MID-HI DE- INPUT ace (> e A zZ == ON CH2 HIGH DE- DELAY |6 | D/A > (оо) +4dBm HIGH, i= = a RD = [o zZ B22) acm sup : “ PRE-EM LOW HPF LOW INPUT +4d8m (>> —e A/D =r N D/A 1 E— See) +4dBm Low CH2 : HIGH HIGH LPF pee эх HE=63) “on mes ai o . 1 MUA Na] m—— —l = 3 1 < с SE x SE ! t ol 2 N| = — © | A 5 S| | en о ! e © © = y Unit: mm (inch) 27 51030 MIDI DATA FORMAT 1. Transmission Conditions [CHANNEL MESSAGE] PROGRAM CHANGE (CnH) [SYSTEM EXCLUSIVE MESSAGE] BULK DUMP (FOH, 43H, OnH) PARAMETER CHANGE (FOH, 43H, 1nH) 2. Transmission Data MIDI OMNI . CH | | > ——> MIDI OUT O OFF All MIDI data transmitted only when MIDI channel is set to 1 — 16 or omni. 2-1 Channel Information 1) Channel Voice Message (1) Program Change Transmitted whenever a program is recalled (within the same mode). 1100nnnn (CnH) STATUS BYTE n=0 (channel No.l) ~ 15 (channel No.16) Oppppppp PROGRAM NUMBER p=0~14 Add-1 2-2 System Information 1) System Exclusive Message (1) Bulk Dump The data group to be bulk dumped is selected in the utility mode bulk dump function — MEM(No.), MEM*, PGM-TBL, SYS, ALL. e 1 Memory Bulk Data [MEM(No.)] 11110000 (FOH) STATUS BYTE 01000011 (43H) YAMAHA ID CODE 0000nnnn (OnH) n=DEVICE NUMBER 01111110 (7EH) FORMAT NUMBER 00000001 (01H) BYTE COUNT (MsB) 00100100 (24H) BYTE COUNT (LSB) 01001100 (4CH) "L" 01001101 (4DH) "M" 00100000 (20H) " " 00100000 (20H) " " 00111000 (38H) "8" 00110111 (37H) "7" 00110000 (30H) "O" 00110011 (33H) "3" 01001101 (4DH) "M" MEMORY Ommmmmmm MEMORY NUMBER (m=1-15*) Qddddddda | feu (154 byte*) Oddddddd Oeeeecee CHECKSUM 11110111 (F7H) EOX * The memory number and the mode represented by the data type number must match. MEMORY NO. Type No. — P.EQ 1—9 О. 3SWAY 10 — 12 1 2WAY 13 — 15 2 e All Memory (15) Bulk Data [MEM*] e All Memory, Program Change Table, and Sys- The “1 Memory Bulk Data” described above is transmitted tem Setup Bulk Data [ALL] 15 times — once for each memory location. The “All Memory Bulk Data,” “Program Change Table Bulk Data,” and “System Setup Bulk Data” transmissions de- ® Program Change Table Bulk Data [PGM-TBL] . scribed above are carried out in sequence. 11110000 (FOH) STATUS BYTE 01000011 (43H) YAMAHA ID CODE 0000nnnn (OnH) n=DEVICE NUMBER 01111110 (7EH) FORMAT NUMBER 00000011 (03H) BYTE COUNT (MSB) (2) Parameter Change 00001010 (0AH) BYTE COUNT (LSB) Transmitted when parameter data is edited. 01001100 (4CH) "L" 01001101 (4DH) "M" 00100000 (20H) " " 00100000 (20H) " " 00111000 (38H) "8" 00110111 (37H) "7" 00110000 (30H) "O" 00110011 (33H) "3" 01010100 (54H) "T" TABLE “00000001 (01H) "1" fix TABLE NUMBER 11110000 (FOH) STATUS BYTE 01000011 (43H) YAMAHA ID CODE ‚ O001nnnn (1nH) n=DEVICE NUMBER 00011101 (1DH) GROUP NUMBER Oppppppp PARAMETER NUMBER (0-116) 0ddddddd DATA (4 byte) * 0ddddddd | 11110111 (F7H) EOX Oddddadd | *DATA CONVE 1 or 2 RSION b DATA (384 byte) (1 byte) (1 or 2 byte to 4 byte) e 0ddadddd yt 00000000 Оеееееее CHECKSUM aaaabbbb —— | 00000000 11110111 (F7H) EOX 5000 аааа e System Setup Bulk Data [SYS] | 0000bbbb (2 byte) 11110000 (FOH) STATUS BYTE aaaabbbb 0000aaaa 01000011 (43H) YAMAHA ID CODE | + ссесаааа 0000bbbb | 0000nnnn (OnH) n=DEVICE NUMBER 0000сесс 01111110 (7EH) FORMAT NUMBER ~0000dddd 00000000 (00H) BYTE COUNT (MSB) 00010010 (12H) BYTE COUNT (LSB) The D1030 can be switched to two modes: PARAMETRIC 01001100 (4CH) "LI" EQ and CROSSOVER. In the CROSSOVER mode it is 01001101 (4DH) "M" - further possible to select 3-way or 2-way operation. The 00100000 (20H) " " | number of parameters in each mode and their ID numbers 00100000 (20H) " " | аге shown in the chart below. 00111000 (38H) "8" 00110111 (37H) "7" | | | No. of Parameter 00110000 (30H) "O" - Parameters Number 00110011 (33H) "3" EQ Mode 46 0 — 45 01010011 (53H) "S" SYSTEM SETUP DATA CROSSOVER | 3WAY 36 “46 — 81 00100000 (20H) " " | Ovvwwwvvv VERSION NUMBER (01) Mode 2WAY | 35 82 — 116 Orrrrrrr VERSION NUMBER (00) | | | (117 total) 0ddddddd | | | | [om (6 byte) — 0ddddddd—4 - Оеееееее “ CHECKSUM 11110111 (F7H) EOX Add-2 PARAMETER CHANGE TABLE PARAMETER GROUP/SUB. GROUP NUMBER = 1DH 1. EQ MODE PARAMETER NUMBER (No.) = 0 — 45 No. PARAMETER NAME No. PARAMETER NAME No. PARAMETER NAME 0 | CH1 DELAY TIME 16 | CH1 LOW FREQUENCY 32 | CH3 MID FREQUENCY 1 | CH2 DELAY TIME 17 | CH1 LOW GAIN 33 | CH3 MID GAIN 2 | CH3 DELAY TIME 18 | CH1 MID FREQUENCY 34 | CH3MIDQ 3 | DELAY OFFSET 19 | CH1 MID GAIN 35 | CH3 HIGH FREQUENCY 4 | CH1 ATTENUATE 20 | CH1 MIDQ 36 | CH3 HIGH GAIN 5 | CH2 ATTENUATE 21 | CH1 HIGH FREQUENCY 37 | CH1 CTRL PARAMETER 6 | CH3 ATTENUATE 22 | CH1 HIGH GAIN 38 | CH1 CTRL MIN 7 | CH1 PHASE 23 | CH2 LOW FREQUENCY 39 | CH1 CTRL MAX 8 | CH2 PHASE 24 | CH2 LOW GAIN 40 | CH2 CTRL PARAMETER 9 | CH3 PHASE 25 | CH2 MID FREQUENCY 41 | CH2 CTRL MIN 10 | CH1 PARAMETRIC EQ 26 | CH2 MID GAIN 42 | CH2 CTRL MAX 11 | CH2 PARAMETRIC EQ 27 | CH MIDQ 43 | CH3 CTRL PARAMETER 12 | CH3 PARAMETRIC EQ 28 | CH2 HIGH FREQUENCY 44 | CH3 CTRL MIN 13 | CH1 SUBSONIC FILTER 29 | CH2 HIGH GAIN 45 | CH3 CTRL MAX 14 | CH? SUBSONIC FILTER 30 | CH3 LOW FREQUENCY 15 | CH3 SUBSONIC FILTER 31 [ CH3 LOW GAIN 2.CROSSOVERMODE > (1) SWAY TYPE PARAMETER NUMBER (No.) = 46 — 81 No. PARAMETER NAME No. PARAMETER NAME No. PARAMETER NAME 46 | CH1 DELAY TIME 58 | CH1 LOW FREQUENCY 70 | CH3 HIGH-LPF FRQ 47 | CH2 DELAY TIME 59 | CH1 LOW FINE 71 | CH3 HIGH-LPF SLOPE 48 | CH3 DELAY TIME 60 | CH1 LOW SLOPE 72 | CH1 CTRL PARAMETER 49 | DELAY OFFSET 61 | CH2 LOW-MID FREQ 73 | CH1 CTRLMIN 50 | CH1 ATTENUATE 62 | CH2 LOW-MID FINE 74 | CH1 CTRL MAX 51 | CH2 ATTENUATE 63 | CH2 LOW-MID SLOPE 75 | CH2 CTRL PARAMETER 52 | CH3 ATTENUATE 64 | CH2 HIGH-MID FRQ 76 | CH2 CTRL MIN 53 | CH1 PHASE 65 | CH2 HIGH-MID FINE 77 | CH2 CTRL MAX 54 | CH2 PHASE 66 | CH2 HIGH-MID SLOPE 78 | CH3 CTRL PARAMETER 55 | CH3 PHASE 67 | CH3 HIGH FREQUENCY 79 | CH3 CTRLMIN ~ 56 | CH1 LOW-HPF FRQ 68 | CH3 HIGH FINE 80 | CH3 CTRL MAX 57 | CH1 LOW-HPF SLOPE 69 | CH3 HIGH SLOPE 81 | COMPARE (2) 2WAY TYPE PARAMETER NUMBER (No.) = 82 — 116 No. PARAMETER NAME No. PARAMETER NAME No. PARAMETER NAME 82 | CH1 DELAY TIME 94 | CH1 S.WOOF-LOW FRQ 106 | CH3 HIGH-LPF SLOPE 83 | CH2 DELAY TIME 95 | CH1 S.WOOF-LOW FINE 107 | CH1 CTRL PARAMETER 84 | CH3 DELAY TIME 96 | CH1 S.WOOF-LOW SLOPE 108 | CH1 CTRL MIN 85 | DELAY OFFSET 97 | CH2 LOW-HPF FREQ 109 | CH1 CTRL MAX 86 | CH1 ATTENUATE 98 | CH2 LOW-HPF SLOPE 110 | CH2 CTRL PARAMETER 87 | CH2 ATTENUATE 99 | CH2 LOW FREQUENCY 111 | CH2 CTRLMIN 88 | CH3 ATTENUATE 100 | CH2 LOW FINE 112 | CH2 CTRL MAX ‚89 | CH1 PHASE 101 | CH2LOWSLOPE 113 | CH3 CTRL PARAMETER 90 | CH2 PHASE 102 | CH3 HIGH FREQUENCY 114 | CH3 CTRL MIN 91 | CH3 PHASE 103 | CH3 HIGH FINE 115 | CH3 CTRL MAX 92 | CH1 S.WOOF-HPF FRQ 104 | CH3 HIGH SLOPE 116 | COMPARE 93 | CH1 S.WOOF-HPF SLOPE 105 | CH3 HIGH-LPF FRQ Add-3 3. Reception Conditions [CHANNEL MESSAGE] CONTROL CHANGE (BnH) PROGRAM CHANGE (CnH) MDI own | [SYSTEM EXCLUSIVE MESSAGE] Ра > BULK DUMP (FOH, 43H, OnH) MIDI IN 7 $— > PARAMETER CHANGE (FOH, 43H, 1nH) O OFF | | ——> BULK DUMP REQUEST (FOH, 43H, 2nH) 4. Reception Data All MID! data transmitted only when MIDI channel is set to 1 — 16 or omni. 4-1 Channel Information 4-2 System Information 1) Channel Voice Message 1) System Exclusive Message (1) Control Change - (1) Bulk Dump Controllers can be individually assigned to the D1030 CH1, The data group to be bulk dumped is selected in the utility CH2 and CH3 using the utility mode CONTROLLER func- mode bulk dump function — MEM(No.), MEM", PGM-TBL, tion. SYS, ALL. | 101lnnnn (BnH) STATUS BYTE n=0 (channel No.1)- e 1 Memory Bulk Data | 15 (channel No.16) The data received is the same as that described in "1 Оссссссс CONTROL NUMBER C=0~31, 64~95, 102~120 Memory Bulk Data” in the preceding "Transmission Data" | section. Ovvvvvvv VALUE v=0~127 e All Memory (15) Bulk Data The data received is the same as that described in “All Memory (15) Bulk Data” in the preceding "Transmission Data" section. (2) Program Change e Program Change Table Bulk Data The data received is the same as that described in “Pro- gram Change Table Bulk Data” in the preceding “Trans- 15 (channel No.16) mission Data" section. Oppppppp PROGRAM NUMBER p=0~127 | 1100nnnn (CnH) STATUS BYTE n=0 (channel No. 1)- e System Setup Buik Data The data received is the same as that described in “Sys- tem Setup Bulk Data” in the preceding “Transmission Data” section. © Ali Memory, Program Change Table, and Sys- tem Setup Bulk Data The data received is the same as that described in “All Memory, Program Change Table, and System Setup Bulk Data” in the preceding “Transmission Data” section. Add-4 (2) Parameter Change The data received is the same as that described in “Pa- rameter Change” in the preceding “Transmission Data” section. The parameters of the currently selected program are changed accordingly when this data is received. (3) Bulk Dump Request The data group to be bulk dumped is selected in the utility mode bulk dump function — MEM(No.), MEM*, PGM-TBL, SYS, ALL. ® Memory Data Bulk Dump Request e System Setup Data Bulk Dump Request Bulk transmission of the system setup data occurs when this data is received. The data for the currently selected program is transmitted when this data is received. | 11110000 (РОН) STATUS BYTE 11110000 (FOH) STATUS BYTE 01000011 (43H) YAMAHA ID CODE 01000011 (43H) YAMAHA ID CODE 0010nnnn (2nH) n=DEVICE NUMBER 0010nnnn (2nH) n=DEVICE NUMBER 01111110 (7EH) FORMAT NUMBER 01111110 (7EH) FORMAT NUMBER 01001100 (4CH) "LP 01001100 (4CH) "L" 01001101 (4DH) "M" 01001101 (4DH) "М" 00100000 (20H) * " 00100000 (20H) " " 00100000 (20H) " " 00100000 (20H) " " 00111000 (38H) "8" 00111000 (38H) "8" 00110111 (37H) "7" 00110111 (37H) "7" 00110000 (30H) "0" 00110000 (30H) "0" 00110011 (33H) "3" 00110011 (33H) "3" 01001101 (4DH) "M" MEMORY 01010011 (53H) "S" SYSTEM SETUP DATA Ormmmmmm MEMORY NUMBER (m=1-15) 00100000 (20H) " " 11110111 (F7H) EOX 11110111 (F7H) EOX ® Program Change Table Bulk Dump Request Bulk transmission of the program change table data oc- curs when this data is received. 11110000 01000011 0010nnnn 01111110 01001100 01001101 00100000 00100000 00111000 00110111 00110000 00110011 01010100 00000001 11110111 Add-5 (FOH) (43H) (2nH) (7EH) (4CH) (4DH) (20H) (20H) (38H) (37H) (30H) (33H) (54H) (01H) (F 7H) STATUS BYTE YAMAHA ID CODE n=DEVICE NUMBER FORMAT NUMBER пт pp "и поп wp now n3n "T" TABLE "1" fix TABLE NUMBER EOX YAMAHA [Г Digital Delay Line 1 Date : 10/07, 1989 | Model 01030 MIDI Implementation Chart Version : 1.0 ЧЕ — = = = ее ее ен ен пон етот не те не ен ее ен ен етот ен ен ен т = = ее ет т т ее ее но тен не ен ет ен ею ее ею ню ен ен = ен ен ен ен ен ее ноет = не кн неон но + : : Transmitted : Recognized : Remarks : : Function coe 3 : : ® = ет т = == == == == == == == == == == == ее == == == $ == e ет ен ee re e ет ее = == = == — ЧР == == == == == тт остов ее ме бе от ко e a e соо $ тео ото отт ен ен ен == = еее еек ото e оне ® Basic ‚Default +1 - 16, off : 1 - 16, off + memorized :Channel Changed : 1 - 16, off : 1 - 16, off : : io en pe = ее em td 4 = = не нет == = — = == = = = = = — : : Default : x : OMNIoff/OMNIon : memorized : :Mode Messages : Xx . : Xx : : : Altered : KkkXxkkkkxkkkkk : OX : @ == == т тт мы ее = A ее не + — == — ооо оно но но он 2 = == = == = = + — — A me ar 0 0 7 ae vu ve ve ЧР == = a e a a Y :Note : Xx : x : : Number : True voice: on : x : WI a a rm drm me hn ee mm + $ ° «Velocity Note ON . XxX : X : : : Note OFF © x : Xx : : № ет == = но к Sn et Ge ie ot о ное ее == == Чо = = == ет === тосе се ее am ve ve си ооо о + — an нон оо = e те ee wo Je a e me 0 a 00 E UE as e e оо а и о . ‘After Key's : x : X : : Touch Ch's : x : ox : : e LL ен те ее ню оно о == = = ЧР == == = = == == == == == т ет отт == == == — НР == = = = = == = = = == == == == == == == rm rm mw и e Y :Pitch Bender X © X : : em me me ts vt re nm ne ee a Le но ее сы ен == = == == == == == == == == = = НР ен т ен он оно но ен ны ее ее те нею о ее нет сот ни он от кю о о т нон == = == = = = — $ : 60 - 31 : x : 0 : $ : 64 - 95 : x : O : : :Control о; o : : : 102 - 120 : x : O : : Change + : : : Imm ep pi +---------------- + : :Prog : 0 0 - 14 : 0 0 - 127 . *l : :Change : True + koro © : : ен == == += === +--_----------- Неее : : System Exclusive : O : O : : Sn += Неее ее + неее; :System : Song Pos : X . Xx : : : + Song Sel : X : Xx : : Common : Tune : X : X > : en === Aa e ta ен + id + TN ND SD SD a Ma SUD AG ww mu du = sim + === = o VE Ma Vu Gu MU Ч MA UE Sua ma UU TEA == . :System :Clock хо . Xx : : :Real Time :Commands: x : Xx : : № = ее = == = = — = = = = = = = = = = У т ен ее = == ее те — = ее = = = = — фен = = = = = = = == = == == = = = — $ : :Aux :Local ON/OFF : x » X . : : :All Notes OFF: x Хх : : :Mes- :Active Sense : x . Xx : : :sages:Reset . X :oX : : AE + = — = = = = = = = = — — = = += еее = a wm + ‘Notes: *1 = For program 1 - 128, memory #1 - AF is selected. + 00 00 se .. es se $ Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO | o : Yes Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO | X : No Litiumbatteril Bór endast bytas av servicepersonal. Explosionsfara vid felaktig hantering. VAROITUS! Lithiumparisto, Rájáhdysvaara. Pariston saa vaihtaa ainoastaan alan ammattimies. ADVARSEL! Lithiumbatteril Eksplosionsfare. Udskiftning ma kun foretages af en sagkyndig, — og som beskrevet | servicemanualen. | SERVICE — This product is supported by YAMAHA's worldwide network of factory trained and qualified dealer service personnel. In the event of a problem, contact your nearest YAMAHA dealer. ENTRETIEN L'entretien de cet appareil est assuré par le réseau mondial YAMAHA de personnel d'entretien qualifié et formé en usine des concessionnaires. En cas de problème, prendre contact avec le concessionnaire YAMAHA le plus proche. ~~ KUNDENDIENST | für dieses Gerát steht das weltweits YAMAHA Kundendienst- netz mit qualifiziertem, werksgeschultem Personal zur Verfügung. Bei Störungen und Problemen wenden Sie sich bitte ‚an Ihren YAMAHA-Händler. ee Ft do AE E n YAMAHA YAMAHA CORPORATION PO.Box 1, Hamamatsu, Japan VL24390] R5 1 PT 94 04 300 CP Printed in JAPAN
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Key Features
- New 18-bit A/D and D/A conversion
- Dynamic range of over 100 dB
- THD less than 0.03%
- Full 20 kHz bandwidth
- Delay times up to 1300 milliseconds in 20-microsecond increments
- Two main operational modes: DELAY & PARAMETRIC EQUALIZER, DELAY & CROSSOVER
- Independent 3-band parametric EQ for each delay output
- Independently programmable attenuation for each delay channel
Related manuals
Frequently Answers and Questions
What is the maximum delay time that can be set?
1300 milliseconds in 20-microsecond increments
How many memory locations are available for storing presets?
15 memory locations
What are the two main operational modes of the D1030?
DELAY & PARAMETRIC EQUALIZER, DELAY & CROSSOVER
Does the D1030 have balanced inputs and outputs?
Yes, it has balanced +4 dB inputs and outputs
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