Roland GR-100 electronic guitar, G-202, G-303, G-505, G-808, GS-500 guitar controller, FV-20 foot volume control, SC-1 carrying case Owner's manual
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SPECIAL FEATURES
9 The GR-100 can produce, by means
of a unique electronic circuit, an
entirely new electronic sound effect
previously not possible with earlier
electric guitar models. -
®Playing the guitar is fun thanks to
the rich tone quality made by the
Hexa VCF which uses a VCF for
each string.
-®A wide range of electronic sounds
are possible from the filter modula-
tion, touch vibrato and chorus ef-
fect..
http /Www.joness.com/gr300/GR-1 00.htm
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< Before Playing >
ePlug in the power cable. Connect
the guitar, and then turn the power
switch ON, |
< Caution >
2 GR-100 is to be used with a quitar
controller (G-202, 303, 505, 808).
GS-500 should not be used.
eWhen not in use for any lengthy
period of time, please unplug the
power cable.
eDo not place or drop any heavy
object on either the power cable or
connection cables as they are likely
to be damaged. Ea
e Neon lights, fluorescence lights, etc.
near the main unit, the guitar and
the amplifier may cause noises. If
so, please change your position.
® Please avoid hot, humid or dusty
places as they may cause break-
downs. |
ese good synthetic detergent to
clean the panel section.
GUITAR CONNECTION
e Connection with G-202, 303, 505,
or 8086
| GUITAR INPUT
SOUND CONTROLS FROM THE GUITAR
9 Basic Setting
GH-100
AMPLIFIER CONNECTIONS
® One Amplifier
‚ Every sound produced
s Audio
Guitar amplifier
amplifier
A Za Fr
CHORUS MIX /E.G GUITAR
DUTPUT
8 Two Amplifiers
Normal guitar
sound
Electronic sound
Chorus/Vibrate sound
‘
A А A
CHORUS MAX EG GUITAH
OUTPUT |
horas on sound
9 Two Amplifier
(Chorus, Vibrato ON)
Normal guitar sound
- lectronic sound
| |
& A A
CHORUS MIX /E.G GUITAR -
— DUTFUT —— -
9 Three Amplifiers
Chorus Vibrate
sound
Norma! quitar .
sound
<lectronic sound
oe =r —
+...
А di A |
CHDRUS MIX ELS GUITAR
OUTPUT):
* To turn the GR-100's source switch on for guitar amplifica-
tion, put the guitar and guitar amplifier volume at "0" and
then switch to ON.
GUITAR
* The lower line knob switch is on the guitar.
| VIERATO |
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Mode Selector
ea When the mode selector is
set at 1, a normal sound is
produced when the guitar Is
played. |
- Press the foot switch for flickering (OFF).
@ When the mode selector is
set at 2 a stacatto electronic
sound is produced when the
guitar is played.
* With the mode selector for models G-303 and 808, DIST = 1, DIST/VCO = 2 and VCO = 3,
e When the mode selector is
GUITAR EG.
BALANCE
LFOCVIEI CEF#TH
CUTOFF FREQ
a Balance Control
5 Balance control
set ai 3, a sustained electro-
nic sound is produced.
The electronic sound is mixed
by turning The panied Soke
to the LA clockwise). At
position 10, only electronic
sound is produced. At position
1, only normal guitar sound is
produced. (The same situation
as when the mode selector is
set at 1.1
— > With the mode selector set af
position 1 (DIST), the effect
of the balance control 15
neutralized and only normal
guitar sound is produced.
BAL AME
http://www.joness.com/gr300/GR-100.htm
Normal guitar
sound
RESONANCE OF THE
De CONTROLLED.
x THE CUT-OFF FREQUENCY AND
ELECTRONIC SOUND TONE CAN
8 Cut-off Frequency BE Resonance
By turning the control from position 10 to By turning the control from position O to = conriectin ti
| e Toot pedal FV-
О, high frequency ranges are progressively 10, the wave range determined by the cut- lan ontichal po | : h Go
removed. While the sound quality becomes off frequency knob is emphasized and р A 1G the
softer, the sound volume also diminishes. made to be a characteristic quality of the pe jack on the À panel, the cut-off |
| sound emitted. requency can pe controlled by usin
®Lets try to create some different the sa т 9
kinds of sounds.
While setting the resonance at 0,5, and 10
in sequence, gradually turn the cut-off fre-
quency control from 0 to 10 at each posi-
tion to verify changes in sound quality. | |
1, Resonance “0” 2. Resonance “5” 3. Resonance “10° | ,
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RESONANCE RESONANCE RESONANCE
A natural electronic sound When the cut-off frequency is at The feedback mechanism is
is produced due to the lack a level of position 0-2, the sound easily produced by effec-
of resonance effect. resembles that of wind instru- tive use of the cut-off fre-
ments but by raising the cut-off quency control.
frequency the sound becomes one q E ES EL Es ES Ex EE EE EE EEE EEE
like a lead itar used for hard
ek musté. Pickiñé barmionice are а The sound can be controlled for the GR- ;
also easy to produce. 100 by 6 VCFs (Hexa VCF) which use a
ë VCF for each string. В
Зе Feedback mecnanism E For example, when the cut-off frequency 5
@ Set the amplifier volume on loud. й № 60560, the sixth string is 25 ane fre в
B sound volume balance has a high fret on E
@ Set the resonance to 10. cu | —
@ Adjust th mí level of ; B the first string, sound separation between É
Jus e Cut-oTt trequency to a level of sound which g each string is made. This is an effect which В
an permits feedback. я Es formerly could not be produced by elect- Я
y) When the guitar is played, each sound will produce a long, g ric guitars. 8
sustained feedback. <® #2 Е ЧН НПА ЕН И ЕЛИ ИН ЕН ЕН БА ЕЛА EE Ene
B Filter Modulation B Touch Vibrato
It is possible to give the wah-wah effect to & Turn the PEAK knob for effect control. When playing the guitar, the GR-100
the electronic sound independently of will naturally produce a vibrato ef-
Cut-off Frequency and Resonance. fect. But an electronic vibrato effect
The wah-wah effect can be controlled by [— A can also be made.
picking the guitar strongly or softly. & By turning the Vibrato Depth to
the right (clockwise) the depth of
effect Is controlled. |
ID Turn the foot switch ON (indicator
will be on).
FILTER MOD _ | |
-O- Peak The depth of the wah-wah
| effect can be adjusted with this. By
turning the control to the right
(clockwise), the wah-wah effect is
made deeper. By turning the control
to the left (counter-clockwise), the
effect Is muted.
o 40
LFOC(VIS) DEPTH |
& While pressing a string with your
left hand, feel the Touch Plate (A)
8 Filter Modulation Inverter with your right.
With the foot switch
ON, the wahwah effect
changes to an opposite
T sound quality.
Touch plate (A)
FILTER MOD
|
| SERS
Sens ..... The sensitivity of the wah-
wah effect can be adjusted in res- |
oonse to the strength of the picking a
with this control. By turning it to the
right (clockwise), even soft picking
can be used for the wah-wah effect. | | | Touch plate (8)
By turning it to the left (counter-
clockwise), if the picking is not very
strong the effect will not be produc--
ed.
http://www.joness.com/gr300/GR-100.htm
@ By turning the vibrato rate con- E Chorus e Chorus/ Vibrato
trol to the right (clockwise), the & Turn the foot switch CN (indica- When tne chorus effect is ON, if the
speed of the effect Is adjusted. tor will be on.) vibrato effect is then turned on, it
automatically cancels the chorus ef-
fect and only the vibrato effect oc-
+ | curs. When the vibrato effect is then
CHoOoœus | thurned OFF, the chorus effect is
e | again activated.
| | © “It is more effective to use a stereo
| connection with more than two am-
plifiers. (Consult the “Amplifier
connections’)
Vibrato indicator
When the vibrato effect is ON, this
indicates the speed of the vibrato
effect.
* No effect is produced If the Vibrato
Depth control is on O.
@ Turn the SENSE knob for effect
control.
Co IES
w About the Touch Plate
2 The Vibrato's ON/OFF Control
2 ON/OFF for the continucus vibrato
effect
When the touch plate (A) is touched,
the vibrato effect is turned ON.
When the touch plate (B) is touched,
the effect is turned OFF.
® Turning the vibrato effect ON and
OFF at once during a performance
When the direct touch plate (B) is
touched, the vibrato effect Is turned
ON. It is only ON while the plate is
touched. When your hand Is removed
from contact with the plate, the ef-
fect 1s turned OFF.
MAIN SPECIFICATIONS OPTIONS
Electronic Guitar Connection Terminal
Control Switch and LED IN & OUT ports
Filter Modulation Input: 24 pin connector
Peak | Output: guitar, mix, chorus
Sense REMOTE
Vibrato VCF pedal (FV-20)
Rate 0.7 — 8 Hz (LED) Po a EL Ш
Chorus |
Sens Power Consumption
Foot Switch (LED) AW
Filter modulation (ON/OFF) External Dimensions "
Filter modulation inverter 300(W) x 250(D) x 93(H)mm Foot volume control FV-20
(NOR/INV) |
Chorus (ON/OFF) Weight 3.1kg Carring case SC-1
Attachment |
24 pin connecting cord
Pin Jack cord x 1
Roland Corporation
http://www.joness.com/gr300/GR-100.htm
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the strings are picked, and the type of
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| | _ Divided into
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®|n order to obtain the best sound from
the GR-100, please use a reproduction
system with a flat frequency response
(see Figure).
eWhen connected to the AUX terminal
of an audio system, although the output
may be low, the GR-100 can provide
stereo sound,
http://www. joness.com/gr300/GR-100.htm
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